WEBVTT - 12/23/21 DPS Best Of

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<v Speaker 1>You are listening to the Dan Patrick Show on Fox

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<v Speaker 1>Sports Radio. Brady Quinn Fox Sports College and NFL Studio

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<v Speaker 1>and game analyst, and he, of course is on the

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<v Speaker 1>Two Pros and a Cup of Joe Radio show alongside

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<v Speaker 1>Labar Arrington and Jonas Knox. You can catch them on

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<v Speaker 1>Fox Sports Radio weekdays six to nine am Eastern, which

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<v Speaker 1>leads right into our show. Brady joins us on the program.

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<v Speaker 1>Good morning, Brady, how are you. I'm doing well. Let

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<v Speaker 1>me just say that the glovin I'll miss him. Sad

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<v Speaker 1>to see you leave, m but you know, everyone's got

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<v Speaker 1>to got to move on at some point. You know,

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<v Speaker 1>well you were cut, you know you got yeah, yeah,

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<v Speaker 1>so you know what the feeling is like when the

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<v Speaker 1>team that you're with doesn't really want you around anymore. Yeah? Yeah, no,

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<v Speaker 1>And uh, you know, like I, like I told you

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<v Speaker 1>last week, you know, I had a nice we'll discuss

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<v Speaker 1>what by Ryan Realter, who was really upset about the

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<v Speaker 1>whole situation the landboard. But no, it's uh, it's you know,

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<v Speaker 1>sometimes it's gonna be a blessing in disguise. You know,

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<v Speaker 1>when you get cut, do you get to grab your

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<v Speaker 1>jersey and take your Jersey. No no no. And the

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<v Speaker 1>worst part is is there's like a sentence that said,

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<v Speaker 1>and then everyone knows what's going to happen next. It's

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<v Speaker 1>usually coach wants to see you bring your playbook with you.

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<v Speaker 1>And I learned that when I first signed an agree

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<v Speaker 1>to my rookie deal with the Browns, and I remember

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<v Speaker 1>walking the locker room and as soon as I'm walking in,

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<v Speaker 1>I heard one of our scouts that had gone and

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<v Speaker 1>said something to like one of the players. And at

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<v Speaker 1>that point in time, I really didn't understand like what

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<v Speaker 1>was happening, but like literally that transaction was just taking place,

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<v Speaker 1>and so that guy was getting cut to make moveing

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<v Speaker 1>the you know, make a room on the roster for

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<v Speaker 1>me to be there. And I've not never forgotten that sentence.

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<v Speaker 1>And that's why I always tell, like I told players

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<v Speaker 1>and like young kids this all all the time, because

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<v Speaker 1>you know, football doesn't last for everyone, but it's a

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<v Speaker 1>great game that teaches you a lot about life, and

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<v Speaker 1>so regardless of what level you know it ends for you,

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<v Speaker 1>just take your playbook with you. So try to take

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<v Speaker 1>you know, create like a positive spin on something that

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<v Speaker 1>that's pretty negative. All Right, A couple of things here

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<v Speaker 1>Before I talk about what's going on with the College

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<v Speaker 1>Football Playoff Committee and the possibility of forfeitures in the

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<v Speaker 1>national playoffs, how about this the team that should stick

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<v Speaker 1>with its quarterback Miami, Indie, Philly, the Niners, Washington for

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<v Speaker 1>next year. I mean, what's what's the context of the question? Yeah,

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<v Speaker 1>like you're said at the position. Honestly, I feel like

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<v Speaker 1>all of them, with the exception of Washington and Washington

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<v Speaker 1>like the interesting one to me where I think you

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<v Speaker 1>go back before the season and I'm still kind of questioning, like, so,

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<v Speaker 1>what was the plan? Like Ryan Fitzpatrick is going to

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<v Speaker 1>be the guy, and that was just how I was

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<v Speaker 1>going to go And yeah, maybe they battle for the

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<v Speaker 1>NFC East, maybe not, But I just given his age

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<v Speaker 1>and what's they're what's they're selling if that's if that's

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<v Speaker 1>the decision you're making, you know. So I haven't really

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<v Speaker 1>understood that whole plan to begin with. And so that's

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<v Speaker 1>the one thing, like one team assuredly that I can

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<v Speaker 1>tell you he's gonna be looking for a quarterback in

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<v Speaker 1>the offseason. The rest of them, I think they've all

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<v Speaker 1>got young guys who I think you need to give

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<v Speaker 1>more more time to yeah, because we got to move

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<v Speaker 1>on from Jimmy Garoppolo. You know, I look at that

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<v Speaker 1>situation though, just from the small windows we had to

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<v Speaker 1>see Trey Lance, and he's not ready and and and

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<v Speaker 1>Garoppolo is still has a year left on his deal. Now,

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<v Speaker 1>granted they can release him, and I think the dead

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<v Speaker 1>caps like one point four or something like that, but

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<v Speaker 1>that might be a scenario where and I'm not trying

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<v Speaker 1>to compare Jimmy Garoppolo to Aaron Rodgers, but you know,

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<v Speaker 1>we saw Jordan Love initially, like, all right, he needs

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<v Speaker 1>a little more work too, He needs some more development too.

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<v Speaker 1>Trey Lance is a similar boat. And as long as

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<v Speaker 1>Jimmy Garoppolo is healthy, he plays a winning style of football.

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<v Speaker 1>You know, you can't take that away from him. He's accurate,

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<v Speaker 1>he doesn't really turn on the football too much. He's

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<v Speaker 1>not gonna buy time to create a bunch of plays

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<v Speaker 1>and all that, but he's able to help, you know,

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<v Speaker 1>this team win football games. And so I just I

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<v Speaker 1>don't see a reason to move off and then so fast,

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<v Speaker 1>especially considering some of the bad years that Kyle Shanahan

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<v Speaker 1>and John Lynch have experienced. Like do you really want

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<v Speaker 1>to go through those growing pains again. Yeah, with a

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<v Speaker 1>younger quarterback, just because where you drafted them. Well, I

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<v Speaker 1>look at Philly and I like Jalen hurt So I

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<v Speaker 1>just think they have to decide if they're going to

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<v Speaker 1>build around him. Indeed, they can't get out from underneath

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<v Speaker 1>Carson Wentz's contract right now, Miami, I'd have second thoughts

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<v Speaker 1>about making that trade for Deshaun Watson because you can

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<v Speaker 1>use those draft picks and make yourself a better team.

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<v Speaker 1>And I think Tua has played well enough to maybe

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<v Speaker 1>hold on to that the Niners. Eventually they have to

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<v Speaker 1>move on with Garoppolo and Trey Lance in the on

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<v Speaker 1>deck circle in Washington certainly. So Philly might be the

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<v Speaker 1>one team that I would say, out of all of them,

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<v Speaker 1>like it feels like they're a little more set than

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<v Speaker 1>anybody else. I feel like every single one of those

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<v Speaker 1>situations with their quarterback that is unique. Like one of

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<v Speaker 1>the things I'll say about Jalen Hurts from following him

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<v Speaker 1>from Alabama to Oklahoma and then the NFL is that

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<v Speaker 1>young man's gotten better and better and better the more

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<v Speaker 1>he's played. And I really thought he took a job

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<v Speaker 1>from the frustrations that we would hear from Nick Saban

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<v Speaker 1>in the spring game when he's miked up, you know

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<v Speaker 1>about you know, throwing the football and not playing more

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<v Speaker 1>from the pocket, because then doing that at Oklahoma to

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<v Speaker 1>a degree and then continuing to get better at that

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<v Speaker 1>at the NFL level. I just think he's the type

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<v Speaker 1>of kid that the more he plays, the better he's

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<v Speaker 1>gonna get. And I think he likes challenges. I think

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<v Speaker 1>he likes, you know, the way Nick Serrano him, the

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<v Speaker 1>report they have, and so he's the type of guy

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<v Speaker 1>that even if you do build out around him and

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<v Speaker 1>you find out two years from now, like what his

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<v Speaker 1>ceiling is, it's just not for you. You know, you're

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<v Speaker 1>still going to have that team set up though for

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<v Speaker 1>whoever the next guy is going to be to have success.

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<v Speaker 1>You know, then you look at Miami, you know the

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<v Speaker 1>way to it's on. Van Lowe was handled last year

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<v Speaker 1>and this year. I just don't know how you can

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<v Speaker 1>sit there and look at him and say like he's

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<v Speaker 1>you've really gotten a clear picture of, you know, what

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<v Speaker 1>he's capable of being, because he kept jerking him in

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<v Speaker 1>and out and it never made any sense to me

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<v Speaker 1>last year and the offensive line that they've rebuilt is

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<v Speaker 1>finally starting to mess a little bit better. But you know,

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<v Speaker 1>by a large part, they haven't had much of a

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<v Speaker 1>consistent running game, and so you know, his accuracy is

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<v Speaker 1>obviously one of the best in the league. He's been

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<v Speaker 1>able to make some plays. I know people talking about

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<v Speaker 1>I'm not having the strongest arm, but he can still

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<v Speaker 1>make all the throws. So I'm kind of more of

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<v Speaker 1>a believer too, and just seeing what he is at

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<v Speaker 1>least next year, unless you really do feel like you

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<v Speaker 1>can get a better quarterback via a trade and with

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<v Speaker 1>us Deshaun Watson or anyone else. But obviously with Deshaun Watson,

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<v Speaker 1>there's a lot of potential baggage that could come along

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<v Speaker 1>with that, and that's obviously the risk I think for

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<v Speaker 1>any team that's look and say, all right, can't we

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<v Speaker 1>get better than this? Or should we continue to build

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<v Speaker 1>him with what we have. For rookies made the Pro Bowl,

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<v Speaker 1>if we redrafted, what order would they go in? Michael Parsons,

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<v Speaker 1>Jamar Chase, Kyle Pitts, Rashaan Slater. I mean, are we

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<v Speaker 1>putting a premium on the position, because yeah, I mean,

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<v Speaker 1>the thing about Michael Parsons as good as he's been

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<v Speaker 1>this year is like Dallas lucked into that position right

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<v Speaker 1>due to the the injuries and all that. So if he

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<v Speaker 1>could redraft it, he's probably going first overall with the

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<v Speaker 1>way he played. Now, I mean, maybe that sounds like

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<v Speaker 1>it's um maybe that sounds like controversial to a degree,

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<v Speaker 1>but the reality is you could put him up for

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<v Speaker 1>Defensive Player of the Year and he might win it.

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<v Speaker 1>And I don't know there's there has been any player

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<v Speaker 1>that's impacted a team or at least the side of

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<v Speaker 1>the football more so than Michael Parsons this year. So

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<v Speaker 1>I think you would be the first one you take

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<v Speaker 1>off the board. Yeah, or Saunds later doesn't get enough

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<v Speaker 1>credit because he's a tackle. Yeah, you know, we don't.

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<v Speaker 1>We don't look at what he does and we say, oh, like,

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<v Speaker 1>this guy has been playing at a high level. He's

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<v Speaker 1>been as good as probably most tackles in the league

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<v Speaker 1>this year as a rookie. So I'd probably say second.

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<v Speaker 1>And especially when you've got a guy like Herbert he's protecting,

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<v Speaker 1>you know, Chase would probably be third. I think he's

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<v Speaker 1>been everything that was advertised advertised, And you know who's

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<v Speaker 1>the fourth Kyle Pitts. Yeah, I mean the problem is

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<v Speaker 1>as good as Pitts has been at the tight end position,

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<v Speaker 1>you know, that seems just got so many issues, so

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<v Speaker 1>many holes, and it's gonna be hard him to turn

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<v Speaker 1>things around. But to me, between Chase and Pitts, I

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<v Speaker 1>think Chase is at the bigger impacts for the two

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<v Speaker 1>pass catchers. Talking to Brady Quinn, former Notre Dame quarterback,

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<v Speaker 1>NFL quarterback and of course works for Fox Sports, I'm

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<v Speaker 1>trying to figure out this college football playoff policy that

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<v Speaker 1>was written this week. Why they're putting it out now

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<v Speaker 1>kind of boxes them them in. But you know they're

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<v Speaker 1>talking about if one of the four semifinalists is unable

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<v Speaker 1>to participate because of a COVID outbreak, the unavailable team

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<v Speaker 1>will forfeit its opponent will advance to the national championship.

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<v Speaker 1>If both teams are unavailable to play in a semifinal game,

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<v Speaker 1>it would be declared a no contest and the winner

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<v Speaker 1>of the other semifinal game would be declared the national champion.

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<v Speaker 1>The I guess you know the national title game is

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<v Speaker 1>January tenth, and it can be pushed back to no

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<v Speaker 1>later than January fourteenth, are they trying to scare these teams,

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<v Speaker 1>these players, Like, give me the logic behind this. I

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<v Speaker 1>don't know. I don't know if there's much logic to it.

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<v Speaker 1>I mean, I think maybe Cincinnatis some are hoping and

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<v Speaker 1>praying that everyone gets COVID and be able to be

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<v Speaker 1>the player of the champion, right. I mean, that's that's

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<v Speaker 1>the only thing that makes sense to me and this

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<v Speaker 1>whole thing. But the reality is, I don't know why

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<v Speaker 1>they just can't reschedule or push it back. I get

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<v Speaker 1>their semi final bowl games. There's a lot that goes

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<v Speaker 1>into the preparation for these. It's not like you know,

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<v Speaker 1>your typical regular season game. There's a lot more that

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<v Speaker 1>goes into the hotels and the people flying in and everything.

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<v Speaker 1>How it's books Like, I understand all of that, but

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<v Speaker 1>there has to be some degree of this is for

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<v Speaker 1>a national championship. You know, we we we'd like this

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<v Speaker 1>thing to play itself out. I also wonder, like what

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<v Speaker 1>that burden is where a team decides it's going to

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<v Speaker 1>declare it's gonna have the forefeit because of COVID cases.

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<v Speaker 1>This isn't the NFL. You have more than forty six

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<v Speaker 1>active players that can play in a game. Right, you've

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<v Speaker 1>got one of eighty five scholarship players on the most teams,

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<v Speaker 1>whatever the case is. But one hundred players in the team,

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<v Speaker 1>you can field a team. It just may not be

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<v Speaker 1>all your starters if that ends up being the case.

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<v Speaker 1>So I'm not sure really what the point is outside

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<v Speaker 1>of maybe motivating all the teams to get boosters. But

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<v Speaker 1>even in that event, I don't know that that that

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<v Speaker 1>provides them any additional protection, like we see at the NFL,

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<v Speaker 1>where if players are vaxed, if they're asymptomatic, they're not

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<v Speaker 1>gonna get tested. It's only if they're tested. If they

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<v Speaker 1>were implementing a policy similar to that, then it would

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<v Speaker 1>make sense to you know, sense for me to say, okay,

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<v Speaker 1>like you know, some of these teams, like any Michigan's

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<v Speaker 1>gonna get they're all gonna get boosters together as a team. Well,

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<v Speaker 1>if they're incentivized to do so, because as long as

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<v Speaker 1>the kids are asymptomatic, they're gonna let them play. That'd

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<v Speaker 1>be one thing. But to the best of my knowledge,

0:10:59.880 --> 0:11:02.920
<v Speaker 1>that hasn't been a statement that they've made, So I'm

0:11:02.920 --> 0:11:05.240
<v Speaker 1>not sure if they just feel like because of all

0:11:05.440 --> 0:11:08.960
<v Speaker 1>the dues coming out with this particular variant that they're saying,

0:11:08.960 --> 0:11:10.960
<v Speaker 1>we need to get it out there what our plans

0:11:10.960 --> 0:11:13.880
<v Speaker 1>are so people aren't shocked by it. Maybe that's part

0:11:13.880 --> 0:11:17.160
<v Speaker 1>of it, but I just you know, I'll be really

0:11:17.160 --> 0:11:19.120
<v Speaker 1>curious to see if these teams can kind of hold

0:11:19.160 --> 0:11:21.679
<v Speaker 1>on or if Cincinnati somehow and I've not even have

0:11:21.760 --> 0:11:24.000
<v Speaker 1>to play another game and winning a national championship, which

0:11:24.000 --> 0:11:26.360
<v Speaker 1>would be pretty interesting to see that. You know. The

0:11:26.400 --> 0:11:32.280
<v Speaker 1>reaction to that, who's your pick to win it all? Well?

0:11:32.320 --> 0:11:35.200
<v Speaker 1>I think Bryce Young, which I've been kind of pounding

0:11:35.200 --> 0:11:37.160
<v Speaker 1>the payment for him all year. He's one of the

0:11:37.160 --> 0:11:40.679
<v Speaker 1>best quarterback counts like I've ever seen, and so it's

0:11:40.679 --> 0:11:44.400
<v Speaker 1>hard to pick against Bama just for that reason. Wait, wait,

0:11:44.440 --> 0:11:47.640
<v Speaker 1>would you put Bryce in there with Joe Burrow and

0:11:47.760 --> 0:11:53.000
<v Speaker 1>Justin Herbert and likely as far as talent wise, yes,

0:11:53.720 --> 0:11:56.839
<v Speaker 1>Like the four types of throws he can make and

0:11:56.880 --> 0:12:00.520
<v Speaker 1>how he plays the game as a young player in

0:12:00.559 --> 0:12:04.000
<v Speaker 1>college football is unbelievable. I said it before the year started.

0:12:04.280 --> 0:12:06.960
<v Speaker 1>I said I told everyone back in the spring to

0:12:07.000 --> 0:12:09.000
<v Speaker 1>take the betting advice. He's gonna win to Heisman. Here's

0:12:09.000 --> 0:12:10.280
<v Speaker 1>the other one. He's gonna be the first two time

0:12:10.320 --> 0:12:12.240
<v Speaker 1>Heisman winner. Now the only thing that would stand his

0:12:12.280 --> 0:12:14.720
<v Speaker 1>way as an injury or if he just decides to

0:12:14.720 --> 0:12:18.880
<v Speaker 1>balance after next year, that's that's really it, because I

0:12:18.880 --> 0:12:20.520
<v Speaker 1>think he's talented enough to win to I don't know

0:12:20.520 --> 0:12:23.120
<v Speaker 1>if he'll be in college football long enough to do it,

0:12:23.160 --> 0:12:26.079
<v Speaker 1>but he's that good of a player, and so it's

0:12:26.080 --> 0:12:28.280
<v Speaker 1>hard to pick against Bama and their tracker and all

0:12:28.320 --> 0:12:32.040
<v Speaker 1>that for that reason. But my anticipation is you're gonna

0:12:32.080 --> 0:12:36.080
<v Speaker 1>see Georgia and Alabama playoff again for the national championship

0:12:36.280 --> 0:12:39.080
<v Speaker 1>unless everyone gets covid um, and I think it's gonna

0:12:39.080 --> 0:12:40.600
<v Speaker 1>be hard to beat a team twice, and I think

0:12:40.640 --> 0:12:43.800
<v Speaker 1>that's where you maybe see Georgia finally get over the

0:12:43.880 --> 0:12:46.480
<v Speaker 1>hump and they end up winning the nation Championships when

0:12:46.480 --> 0:12:49.360
<v Speaker 1>it's all said and done. But I just it's hard

0:12:49.400 --> 0:12:51.760
<v Speaker 1>to bet against that kid. The way he moves around

0:12:51.800 --> 0:12:54.160
<v Speaker 1>the pocket, the way you can create plays utilize his legs.

0:12:54.520 --> 0:12:57.440
<v Speaker 1>He's as accurate as as you'll see. So I'm a

0:12:57.520 --> 0:13:00.800
<v Speaker 1>huge Bryce Young fantasy. I'm sure you can tell Brady.

0:13:00.840 --> 0:13:04.600
<v Speaker 1>Thanks as always, Merry Christmas to the family, and we'll

0:13:04.640 --> 0:13:07.560
<v Speaker 1>talk to you in the new year. Yeah. Mary Christmas

0:13:07.600 --> 0:13:09.360
<v Speaker 1>you on yours. Thanks for having Thanks buddy, Thanks for

0:13:09.400 --> 0:13:11.760
<v Speaker 1>listening to The Dan Patrick Show podcast. Be sure to

0:13:11.800 --> 0:13:15.120
<v Speaker 1>catch us live every weekday morning nine to noon Eastern

0:13:15.320 --> 0:13:18.280
<v Speaker 1>or six to nine Pacific on Fox Sports Radio. Find

0:13:18.280 --> 0:13:20.520
<v Speaker 1>your local station for The Dan Patrick Show at Fox

0:13:20.559 --> 0:13:23.600
<v Speaker 1>Sports Radio dot com, or stream us live every day

0:13:23.600 --> 0:13:27.959
<v Speaker 1>on the iHeartRadio app by searching f s R, or

0:13:28.160 --> 0:13:32.440
<v Speaker 1>stream us live on the Peacock app. He's Michael Boublet, singer, songwriter,

0:13:32.559 --> 0:13:36.920
<v Speaker 1>record producer. A tenth anniversary deluxe edition of Michael Boublet's

0:13:36.960 --> 0:13:41.560
<v Speaker 1>classic album Christmas is available now. Great to have you

0:13:41.600 --> 0:13:43.920
<v Speaker 1>back on the program, Michael. I'm curious what it's like

0:13:44.080 --> 0:13:46.079
<v Speaker 1>when you go, you and your wife go to a

0:13:46.160 --> 0:13:52.840
<v Speaker 1>Christmas party and somebody's got a piano there. What happens?

0:13:52.600 --> 0:13:55.760
<v Speaker 1>It's just it's forget about the Christmas party. What about

0:13:55.760 --> 0:14:00.680
<v Speaker 1>the shopping mall for the elevator? Oh, the funeral home?

0:14:02.679 --> 0:14:06.600
<v Speaker 1>When wait, when you hear your music, Well yeah, that's

0:14:06.600 --> 0:14:08.520
<v Speaker 1>a scary place. You don't want to hear the elevator,

0:14:08.640 --> 0:14:12.000
<v Speaker 1>that's for sure. But that I mean everybody. I just

0:14:12.000 --> 0:14:14.400
<v Speaker 1>went and bought stuff to my wife for Christmas. You know.

0:14:14.400 --> 0:14:17.640
<v Speaker 1>Of course the last minute shop or just panicking, you know,

0:14:17.800 --> 0:14:19.920
<v Speaker 1>what do I get? And of course you don't. People

0:14:19.960 --> 0:14:21.720
<v Speaker 1>see me and say, like, can you sing that one?

0:14:21.960 --> 0:14:27.040
<v Speaker 1>Do like jingle belt? But with my personality though, you know,

0:14:27.120 --> 0:14:29.760
<v Speaker 1>I'm in the middle of that bathroom beyond going jingle bell,

0:14:30.040 --> 0:14:35.760
<v Speaker 1>jingle bell, jingle all the way. Kevin Bacon said that

0:14:35.880 --> 0:14:38.880
<v Speaker 1>he hates going to a reception, a wedding reception, because

0:14:38.880 --> 0:14:41.400
<v Speaker 1>everybody thinks he's gonna dance like he did in Footloose,

0:14:43.560 --> 0:14:45.680
<v Speaker 1>Like come on, hey, come on, Kevin, dance like you

0:14:45.680 --> 0:14:48.440
<v Speaker 1>did in foot Loose. There. Yeah, if I could dance

0:14:48.480 --> 0:14:51.320
<v Speaker 1>like Kevin, I probably would. I probably would be dancing. Yeah.

0:14:51.400 --> 0:14:53.000
<v Speaker 1>But if he could sing like you, then he would

0:14:53.000 --> 0:14:58.960
<v Speaker 1>be singing yeah, probably Yeah. Where's the strangest place though

0:14:58.960 --> 0:15:02.080
<v Speaker 1>you've been asked, like, you know, to sing a song?

0:15:03.960 --> 0:15:06.080
<v Speaker 1>You know? Weirdly? I think it was my Grammar's funeral

0:15:06.360 --> 0:15:09.240
<v Speaker 1>and I was really emotional. I was devastating, you know.

0:15:09.280 --> 0:15:11.520
<v Speaker 1>I was just a big day for all of us.

0:15:12.000 --> 0:15:15.080
<v Speaker 1>And this sweet woman that we had hired in catering,

0:15:15.120 --> 0:15:17.520
<v Speaker 1>this nice Italian lady, came up to me as I

0:15:17.560 --> 0:15:21.320
<v Speaker 1>exited the bathroom, you know, and she said, you sing

0:15:21.360 --> 0:15:27.040
<v Speaker 1>a song. Yeah, you're doing it sing home and you know,

0:15:27.080 --> 0:15:29.560
<v Speaker 1>again in my personality, I say, like, I don't know

0:15:29.640 --> 0:15:35.160
<v Speaker 1>what this is? What is the What is the one

0:15:35.240 --> 0:15:39.320
<v Speaker 1>song that somebody else sings that you wish was yours?

0:15:40.760 --> 0:15:43.880
<v Speaker 1>Oh God, it's a great question, man. There's so many,

0:15:43.880 --> 0:15:49.200
<v Speaker 1>I think. I mean, I think God only knows. Uh,

0:15:49.200 --> 0:15:52.360
<v Speaker 1>the is one of the I mean, it's one of

0:15:52.400 --> 0:15:54.640
<v Speaker 1>those beautiful songs ever written. So the Beach Boy, I

0:15:54.640 --> 0:15:56.680
<v Speaker 1>wish it was mine. I wish half the edge hearing

0:15:56.760 --> 0:16:01.120
<v Speaker 1>songs that he wrote were mine. Sometimes fantasize about just

0:16:01.240 --> 0:16:03.360
<v Speaker 1>you know, going back in time and just stealing them.

0:16:03.680 --> 0:16:07.920
<v Speaker 1>You know, But do you do you do covers? You have?

0:16:08.680 --> 0:16:10.600
<v Speaker 1>I mean you're a very humble guy. Like you know,

0:16:10.640 --> 0:16:12.600
<v Speaker 1>a lot of artists don't want to do covers of

0:16:12.680 --> 0:16:15.720
<v Speaker 1>somebody else, but you have no problem with no. I do.

0:16:15.840 --> 0:16:18.000
<v Speaker 1>You know, it's weird. I live in a very weird

0:16:18.120 --> 0:16:20.120
<v Speaker 1>you know what it's weird. I lived in a very

0:16:20.160 --> 0:16:25.160
<v Speaker 1>strange place as an artist because I I am. I

0:16:25.320 --> 0:16:27.720
<v Speaker 1>cover songs. I mean I do what say Sinatra did

0:16:27.800 --> 0:16:29.880
<v Speaker 1>or Presley, you know, I take these songs and I

0:16:29.880 --> 0:16:35.120
<v Speaker 1>reinterpret them the Great American Songbook. But my biggest successes

0:16:35.160 --> 0:16:38.480
<v Speaker 1>have been songs that I've written. I've been the pop songs,

0:16:38.520 --> 0:16:40.560
<v Speaker 1>which is very weird for people to try to put

0:16:40.560 --> 0:16:43.240
<v Speaker 1>me in a box because what am I Because those

0:16:43.280 --> 0:16:48.240
<v Speaker 1>guys Dean or Frank or Tony Bennett, they didn't write songs.

0:16:48.280 --> 0:16:50.120
<v Speaker 1>They didn't have pop songs on the radio, So why

0:16:50.120 --> 0:16:52.200
<v Speaker 1>do you? You know what I mean? It's very strange

0:16:52.240 --> 0:16:54.880
<v Speaker 1>to have to explain, especially if people don't know. They

0:16:54.880 --> 0:16:57.400
<v Speaker 1>don't understand the same guy who wrote Haven't Met You Yet?

0:16:57.520 --> 0:17:01.000
<v Speaker 1>Or Everything or Home is the same guy who's doing

0:17:01.040 --> 0:17:07.200
<v Speaker 1>Feeling Good or Come Fly with Me? Who's tougher to cover? Though,

0:17:07.320 --> 0:17:09.720
<v Speaker 1>if you look at those guys that you met, like

0:17:10.000 --> 0:17:14.360
<v Speaker 1>is Sinatra tough to cover? It's never the artist. It's

0:17:14.359 --> 0:17:16.320
<v Speaker 1>more about the song and the history of the song,

0:17:16.400 --> 0:17:19.520
<v Speaker 1>and who's had a part in the history of the song.

0:17:19.600 --> 0:17:21.520
<v Speaker 1>You know That's it's funny I find it. I don't

0:17:21.560 --> 0:17:24.080
<v Speaker 1>find it easy to write songs. It's challenging to write

0:17:24.080 --> 0:17:26.720
<v Speaker 1>a good so obviously everybody could do it if they could.

0:17:27.080 --> 0:17:29.480
<v Speaker 1>But when I write a song, it's original and no

0:17:29.520 --> 0:17:33.000
<v Speaker 1>one can compare it to anything. When I cover Come

0:17:33.080 --> 0:17:36.160
<v Speaker 1>Fly with Me, you're now dealing with the song that's

0:17:36.200 --> 0:17:40.360
<v Speaker 1>been tackled by Ella Fitzgerald, Frank Sinatra, you know, Conic,

0:17:40.400 --> 0:17:43.840
<v Speaker 1>There's there's all these, all of these, so it's, you know,

0:17:43.840 --> 0:17:46.720
<v Speaker 1>it's weird. I think that's what I'm best at. I think,

0:17:47.080 --> 0:17:51.880
<v Speaker 1>if anything, forget about singing or that part of reinterpreting

0:17:51.880 --> 0:17:56.000
<v Speaker 1>it as a as a vocalist. I think what I'm

0:17:56.080 --> 0:18:01.840
<v Speaker 1>best at is conceptualizing and coming up with um ideas

0:18:01.880 --> 0:18:04.480
<v Speaker 1>to make a song fresh and sort of almost very

0:18:04.560 --> 0:18:07.840
<v Speaker 1>cinematic ideas within the arrangement, like to say something like

0:18:07.920 --> 0:18:09.399
<v Speaker 1>Primier River. I don't know if you've ever heard my

0:18:09.800 --> 0:18:13.200
<v Speaker 1>version of Primier River, but Primier River is a great song.

0:18:14.000 --> 0:18:15.879
<v Speaker 1>But it took I was, you know, I think I

0:18:15.920 --> 0:18:18.080
<v Speaker 1>was in the having a bath or something, and I

0:18:18.080 --> 0:18:22.000
<v Speaker 1>had come up with this line bum bum bumpum fum

0:18:22.040 --> 0:18:27.280
<v Speaker 1>bum sum sumum bumum sumumum sumum sumummum singing and this

0:18:27.400 --> 0:18:30.720
<v Speaker 1>big dramatic build, and when I took it to the producer,

0:18:31.080 --> 0:18:33.080
<v Speaker 1>I sang it to him. He right away he understood

0:18:33.080 --> 0:18:35.399
<v Speaker 1>the conference and like I said, it was very cinematic.

0:18:35.400 --> 0:18:38.440
<v Speaker 1>It was almost like a James Bond esque build and

0:18:38.480 --> 0:18:40.159
<v Speaker 1>you could feel the drama and I knew for my

0:18:40.160 --> 0:18:42.040
<v Speaker 1>show would be a great way to open the show.

0:18:42.160 --> 0:18:46.240
<v Speaker 1>And so that is the challenge is taking something that's

0:18:46.240 --> 0:18:48.680
<v Speaker 1>been done so many times and making it sound brand new.

0:18:48.920 --> 0:18:51.399
<v Speaker 1>And you know you've done it when you take a

0:18:51.440 --> 0:18:53.840
<v Speaker 1>song and it's a standard that's been there for sixty

0:18:53.920 --> 0:18:57.719
<v Speaker 1>years or eighty years and people say, I love you know,

0:18:58.280 --> 0:19:00.240
<v Speaker 1>I love that you wrote this thought or whatever that

0:19:00.320 --> 0:19:02.040
<v Speaker 1>you know, they'll tell me. They'll say like I loved

0:19:02.240 --> 0:19:05.520
<v Speaker 1>so I think like feeling good. You know, they'll say like, wow,

0:19:05.600 --> 0:19:07.480
<v Speaker 1>I love the way you know you wrote feeling good.

0:19:07.480 --> 0:19:10.840
<v Speaker 1>It's amazing, And of course I'll say thank you, but

0:19:11.040 --> 0:19:14.760
<v Speaker 1>you as opposed to I didn't write that. Do you

0:19:14.840 --> 0:19:19.439
<v Speaker 1>have to ask for permission to cover of song? No,

0:19:19.680 --> 0:19:21.800
<v Speaker 1>you don't. You don't have to ask. And what's weird

0:19:21.880 --> 0:19:24.400
<v Speaker 1>or is like so it's happened to me? So years

0:19:24.440 --> 0:19:27.119
<v Speaker 1>ago I wrote a song called Home and it was

0:19:27.119 --> 0:19:29.320
<v Speaker 1>good for me. It went number one on this format

0:19:29.359 --> 0:19:32.520
<v Speaker 1>of radio and HDY or whatever. And then Blake Shelton,

0:19:32.680 --> 0:19:36.119
<v Speaker 1>the country singer, he covered it and he had a

0:19:36.240 --> 0:19:38.040
<v Speaker 1>number one that was bigger than my number one, and

0:19:38.440 --> 0:19:41.680
<v Speaker 1>he had his number one was in country radio. Across

0:19:41.720 --> 0:19:44.960
<v Speaker 1>the pond, a band called Westlife had a number one

0:19:45.240 --> 0:19:48.080
<v Speaker 1>with it. They called the record home and so people

0:19:48.160 --> 0:19:50.399
<v Speaker 1>kept coming up to me and saying, I love that

0:19:50.440 --> 0:19:54.439
<v Speaker 1>cover of Leftist Moment where I loved that place and

0:19:54.600 --> 0:19:56.960
<v Speaker 1>the same thing was happening. I was say, no, I

0:19:57.000 --> 0:19:59.520
<v Speaker 1>wrote that that's mine. But what do you get paid

0:20:00.040 --> 0:20:05.040
<v Speaker 1>off of that? A ton? Oh? Good for you? Good

0:20:06.600 --> 0:20:09.040
<v Speaker 1>Lake Shelton keep listening to Blake Shelton told them at

0:20:09.920 --> 0:20:12.440
<v Speaker 1>what are those checks like though? When they come in

0:20:12.720 --> 0:20:18.280
<v Speaker 1>that is there a reference to where the money's coming from? Yes,

0:20:18.600 --> 0:20:20.720
<v Speaker 1>there definitely is there. They's all broken out. It's weird

0:20:20.800 --> 0:20:24.720
<v Speaker 1>now because of the way that streaming is. I mean,

0:20:24.840 --> 0:20:28.080
<v Speaker 1>isn't your Is your world changed with streaming? How much

0:20:28.160 --> 0:20:34.160
<v Speaker 1>is your world Changemuner podcast the digital like, we had

0:20:34.200 --> 0:20:40.320
<v Speaker 1>eleven point nine million downloads last month. Wow, that's a lot.

0:20:41.000 --> 0:20:42.879
<v Speaker 1>That's a lot. Yeah, And do you know and do

0:20:42.920 --> 0:20:44.840
<v Speaker 1>you know what you're you're cut of that? This is

0:20:44.840 --> 0:20:47.920
<v Speaker 1>a terrible conversation to have. But do you know what

0:20:47.960 --> 0:20:49.840
<v Speaker 1>the cut is? Like? I have no idea. I think

0:20:50.320 --> 0:20:53.080
<v Speaker 1>I know my manager deal, he's a great guy. Name

0:20:53.160 --> 0:20:56.159
<v Speaker 1>is Bruce Sound. I know he's very any generous I

0:20:56.200 --> 0:20:59.400
<v Speaker 1>get I get twenty percent he gets eighty percent. Uh,

0:21:00.280 --> 0:21:02.760
<v Speaker 1>I think that's a good deal. I've been told. He

0:21:02.840 --> 0:21:07.479
<v Speaker 1>told me it's a very good deal. You know what

0:21:07.480 --> 0:21:09.240
<v Speaker 1>you then you know what you like? Do you know

0:21:09.280 --> 0:21:12.520
<v Speaker 1>what you get out of it? It's so the pie

0:21:12.640 --> 0:21:16.760
<v Speaker 1>is cut up in so many slices that that you

0:21:16.760 --> 0:21:19.240
<v Speaker 1>you know where things go and what they go for.

0:21:21.160 --> 0:21:23.879
<v Speaker 1>And I bought my own man cave, and then I

0:21:23.920 --> 0:21:27.440
<v Speaker 1>have to rent out the equipment. So you know, I'm

0:21:27.560 --> 0:21:31.600
<v Speaker 1>I'm I'm still paying people for things that they're not

0:21:31.680 --> 0:21:35.879
<v Speaker 1>involved with the show anymore. If that makes sense. Okay,

0:21:35.960 --> 0:21:38.440
<v Speaker 1>Well I hope and I know mcloven leaving, I hope

0:21:38.440 --> 0:21:41.639
<v Speaker 1>you get to still pay him. Um gone, can you

0:21:42.320 --> 0:21:45.399
<v Speaker 1>I know this is you know, I'm asking you to

0:21:45.480 --> 0:21:48.200
<v Speaker 1>do something for me. You know you're in the elevator,

0:21:48.200 --> 0:21:51.520
<v Speaker 1>you're at a funeral. Have you got something to sing

0:21:51.600 --> 0:21:54.639
<v Speaker 1>to mclovin that like, you know, this is the we

0:21:54.760 --> 0:21:58.879
<v Speaker 1>got twenty more minutes, you got you got something, and

0:21:58.960 --> 0:22:01.160
<v Speaker 1>we can just kind of give him because we didn't

0:22:01.160 --> 0:22:04.000
<v Speaker 1>get him anything good today. I mean, we're not that

0:22:04.480 --> 0:22:07.680
<v Speaker 1>sorry he's going, but we'd like we'd like to convey

0:22:07.800 --> 0:22:12.280
<v Speaker 1>that if we could, you got something lightly emotional that

0:22:12.320 --> 0:22:15.280
<v Speaker 1>you could sing to mclovin. Okay, let me just try

0:22:15.480 --> 0:22:17.320
<v Speaker 1>like that. Okay, hold on, let me get what about

0:22:17.320 --> 0:22:20.239
<v Speaker 1>this Nile? Okay, wait, hold on, Michael, I gotta give

0:22:20.240 --> 0:22:23.919
<v Speaker 1>the official introduction here the tenth anniversary deluxe edition. And

0:22:24.000 --> 0:22:26.040
<v Speaker 1>Michael's not telling me to say this. I'm doing this.

0:22:26.160 --> 0:22:30.240
<v Speaker 1>His classic album Christmas available now, a new studio album

0:22:30.280 --> 0:22:34.159
<v Speaker 1>coming out next spring by invitation. He also has a

0:22:34.280 --> 0:22:38.440
<v Speaker 1>fragrance for women on set. What I don't know anymore.

0:22:38.840 --> 0:22:42.800
<v Speaker 1>It's not even me. It's good the manager. It smells

0:22:42.840 --> 0:22:44.800
<v Speaker 1>like the manager. Do you get twenty percent of that

0:22:44.880 --> 0:22:49.360
<v Speaker 1>as well? Wait, yes, of course I do. Okay, here

0:22:49.359 --> 0:22:56.680
<v Speaker 1>we go. Michael Boublet sings to mclovin mc lovin, fa

0:22:58.000 --> 0:23:04.520
<v Speaker 1>fa the memory. You weren't good, but you were okay,

0:23:04.760 --> 0:23:10.320
<v Speaker 1>we thought you were fine. Maybe you were adequate. I

0:23:10.359 --> 0:23:17.119
<v Speaker 1>think it is time to say thanks far the memories,

0:23:18.480 --> 0:23:22.560
<v Speaker 1>Frank you. I was trying to think of what rhymes

0:23:22.640 --> 0:23:28.040
<v Speaker 1>was adequate? By the way, I didn't prep Michael to

0:23:28.119 --> 0:23:31.840
<v Speaker 1>do that. He but but he does know your limitations. Mclovin.

0:23:32.119 --> 0:23:34.560
<v Speaker 1>Was that like Bette Midler singing to Johnny Carson? Was

0:23:34.560 --> 0:23:36.520
<v Speaker 1>that the same thing? Kind of that kind of was

0:23:36.600 --> 0:23:38.919
<v Speaker 1>that accepted. I don't think that was as hungover as

0:23:38.960 --> 0:23:46.000
<v Speaker 1>I am right now. Have you ever played a show drunk? Never,

0:23:46.280 --> 0:23:49.600
<v Speaker 1>that's weird, people think, Austen, there's a big thing when

0:23:49.640 --> 0:23:52.080
<v Speaker 1>I started because I was. I was so I was

0:23:52.119 --> 0:23:54.359
<v Speaker 1>so loose, you know, I was. Here's the thing I

0:23:54.400 --> 0:23:58.119
<v Speaker 1>did this. I started when I was sixteen and my

0:23:58.200 --> 0:24:01.440
<v Speaker 1>Grandpi's to sneak me into nightclubs. And he was a plumber,

0:24:01.720 --> 0:24:03.359
<v Speaker 1>and so the only way that we knew how to

0:24:03.359 --> 0:24:06.720
<v Speaker 1>get me out there was he would trade. So he'd

0:24:06.760 --> 0:24:08.480
<v Speaker 1>get musicians or a club guy and he'd say to

0:24:08.560 --> 0:24:11.400
<v Speaker 1>the club guy, let my grandson into thing, and they'd say, no,

0:24:11.760 --> 0:24:14.200
<v Speaker 1>like your grand your kid, he's six sixteen years old.

0:24:14.200 --> 0:24:16.520
<v Speaker 1>They were drinking ages nineteen. He'd trade. Listen, I'll go

0:24:16.560 --> 0:24:18.639
<v Speaker 1>and i'll fix the toilet and i'll put in a

0:24:18.680 --> 0:24:20.679
<v Speaker 1>hall water heater in the kids, you're here. And he

0:24:20.680 --> 0:24:24.080
<v Speaker 1>would go in and trade contra and they'd let me

0:24:24.160 --> 0:24:26.280
<v Speaker 1>up on stage. So I did this from I was like,

0:24:26.359 --> 0:24:29.520
<v Speaker 1>it's been a long you're even weirder. I think this

0:24:29.640 --> 0:24:33.240
<v Speaker 1>is true. But I was sixteen in Vancouver, playing on

0:24:33.320 --> 0:24:35.159
<v Speaker 1>like U Street, on these little clubs and bars, and

0:24:35.200 --> 0:24:37.680
<v Speaker 1>restaurants up stuff, and across the street was a kid

0:24:37.680 --> 0:24:40.399
<v Speaker 1>even younger than me that was doing stand up at

0:24:40.400 --> 0:24:43.199
<v Speaker 1>like fourteen and fifteen, and that was Seth Rogan, and

0:24:43.240 --> 0:24:45.440
<v Speaker 1>I used to hear about him. I used to hear

0:24:45.440 --> 0:24:47.199
<v Speaker 1>about like, oh, you know, there's this kid, there's this

0:24:47.320 --> 0:24:49.520
<v Speaker 1>young kid like you, and he's doing this. You know,

0:24:49.760 --> 0:24:52.400
<v Speaker 1>he's in the clubs, the adult clubs and stuff. Anyway,

0:24:52.440 --> 0:24:55.000
<v Speaker 1>So by the time I got to doing this at

0:24:55.000 --> 0:24:56.800
<v Speaker 1>twenty six and finally got signed, it had been ten

0:24:56.880 --> 0:24:59.400
<v Speaker 1>years of me working. So I was very loose up there,

0:24:59.520 --> 0:25:02.440
<v Speaker 1>very you know, confident, and it was very easy but

0:25:02.600 --> 0:25:05.159
<v Speaker 1>fun for me. But people say, well, he's wasted, that

0:25:05.200 --> 0:25:08.359
<v Speaker 1>guy's wasted. But but I'm seen. Martin always gave you

0:25:08.400 --> 0:25:11.680
<v Speaker 1>the impression that he was wasted, but what he wasn't.

0:25:12.080 --> 0:25:14.480
<v Speaker 1>But I think that's the impression I gave. But the

0:25:14.520 --> 0:25:18.960
<v Speaker 1>truth is I'm such a control freak that I would

0:25:19.119 --> 0:25:21.960
<v Speaker 1>never ever do anything that could I would ever lose

0:25:22.240 --> 0:25:26.639
<v Speaker 1>that kind of control. I like, I think that it's funny.

0:25:26.640 --> 0:25:29.479
<v Speaker 1>I just did this Christmas special and Lauren Michaels was

0:25:29.520 --> 0:25:31.760
<v Speaker 1>the producer. We were talking about a lot of the

0:25:31.840 --> 0:25:34.239
<v Speaker 1>artists because I did they think with Jimmy found when

0:25:34.240 --> 0:25:35.439
<v Speaker 1>we were talking about it, and you know a lot

0:25:35.480 --> 0:25:38.480
<v Speaker 1>of those guys, and we were actually talking about how

0:25:38.560 --> 0:25:41.840
<v Speaker 1>loose they all seem and how great that they art improvisation.

0:25:42.560 --> 0:25:45.360
<v Speaker 1>But they're most of them, ninety five percent of them

0:25:45.880 --> 0:25:50.600
<v Speaker 1>are so structured and they're so uh you know what

0:25:50.600 --> 0:25:53.800
<v Speaker 1>I mean. If you're that it all seems like it's

0:25:53.840 --> 0:25:57.520
<v Speaker 1>just off the cuffe easy. But that's because that's that's

0:25:57.560 --> 0:26:00.000
<v Speaker 1>what I was going to swear, that they have prepared

0:26:00.920 --> 0:26:03.320
<v Speaker 1>so well. Like Jimmy sound, it's funny, you know, sweet

0:26:03.359 --> 0:26:05.840
<v Speaker 1>and funny and you know, real silly and goofy and stuff.

0:26:05.840 --> 0:26:08.680
<v Speaker 1>When a man backstage when we were working out this

0:26:08.680 --> 0:26:12.240
<v Speaker 1>this gage we were doing, it wasn't it was real serious,

0:26:12.280 --> 0:26:16.040
<v Speaker 1>real structured and so never been drunk, never been high,

0:26:16.560 --> 0:26:19.959
<v Speaker 1>um but that. But when we switch over to to

0:26:20.280 --> 0:26:26.720
<v Speaker 1>my normal life, I've never been sober. It's off stage

0:26:26.760 --> 0:26:30.560
<v Speaker 1>where the problem done. Are well done? H your football

0:26:30.680 --> 0:26:36.600
<v Speaker 1>your fantasy football team and shambles yep, yeah yeah, Tom

0:26:36.640 --> 0:26:39.840
<v Speaker 1>Brady and A Kamara were my I look at it.

0:26:40.119 --> 0:26:42.119
<v Speaker 1>I actually this isn't a joke. I just put my

0:26:42.160 --> 0:26:49.560
<v Speaker 1>head down. He's shame. Um, you feel pretty good. Tom

0:26:49.600 --> 0:26:51.960
<v Speaker 1>Brady and I had Aaron Rodgers and Tom Brady, and

0:26:52.000 --> 0:26:54.520
<v Speaker 1>I put in Tom and I really like Brady and

0:26:54.760 --> 0:26:57.359
<v Speaker 1>obviously is a great player. That just four points and

0:26:57.800 --> 0:27:02.000
<v Speaker 1>Kamara just was invisible. Are you a Seahawks fan? I

0:27:02.040 --> 0:27:07.240
<v Speaker 1>am a Seahawks Oh? Sorry about that? Sorry about that? Michael?

0:27:07.400 --> 0:27:10.120
<v Speaker 1>Did you really getting it? Getting much worse? More? More

0:27:10.200 --> 0:27:15.040
<v Speaker 1>drinking before I let you go? Yea. I play judge

0:27:15.080 --> 0:27:18.160
<v Speaker 1>here and I want you to be honest. Okay, this

0:27:18.240 --> 0:27:24.879
<v Speaker 1>is American idol. I want you to can this person sing? Okay? Okay?

0:27:24.960 --> 0:27:28.680
<v Speaker 1>Here we go in the matter. We can build a

0:27:28.800 --> 0:27:34.359
<v Speaker 1>snowman will pretend that he is Parson Brown. He'll say

0:27:34.480 --> 0:27:38.120
<v Speaker 1>I am married. We'll say no, man, but you can

0:27:38.160 --> 0:27:45.320
<v Speaker 1>do the job when you're in town. Yeah, yeah, actually yeah.

0:27:45.359 --> 0:27:48.320
<v Speaker 1>Would you send him onto Hollywood? If you're Simon cow

0:27:49.440 --> 0:27:51.239
<v Speaker 1>I would go. You know, the first thing I would do,

0:27:51.640 --> 0:27:54.040
<v Speaker 1>I'd say, Hey, Randy Newman, Hey, we're gonna do a

0:27:54.040 --> 0:27:55.919
<v Speaker 1>new Disney track. You don't even have to sing it.

0:27:55.960 --> 0:27:58.399
<v Speaker 1>We have a guy who can sound like you. Really,

0:27:59.520 --> 0:28:01.800
<v Speaker 1>I think he's kind of got that thing. Who was that?

0:28:01.800 --> 0:28:05.000
<v Speaker 1>That's Fritzie. That's really good. That was really nice. You've

0:28:05.000 --> 0:28:08.040
<v Speaker 1>got that kind of that Randy newmanes that cool, that

0:28:08.440 --> 0:28:11.240
<v Speaker 1>kind of character to his voice. Do you know Randy

0:28:11.320 --> 0:28:15.200
<v Speaker 1>Newman tod now I do? Wait, we'll come on. He's

0:28:15.240 --> 0:28:18.680
<v Speaker 1>done all these great soundtracks. Is he anyone that sounds

0:28:18.680 --> 0:28:22.400
<v Speaker 1>like short people and stuff like that? Yeah? Got a friend? Yeah,

0:28:22.560 --> 0:28:27.560
<v Speaker 1>god fend and yeah, hey do you want to hear

0:28:27.600 --> 0:28:33.000
<v Speaker 1>Fritzie do? Rick Ashley? Here we go. We're new strangers

0:28:33.040 --> 0:28:38.000
<v Speaker 1>to love. You know the rules I'm so do never

0:28:38.040 --> 0:28:41.400
<v Speaker 1>gonna kif, never gonna tif, never gonna gip jump and Michael,

0:28:41.600 --> 0:28:52.880
<v Speaker 1>never never go around, and you're never gonna say wow,

0:28:52.920 --> 0:28:57.280
<v Speaker 1>I'm never gonna tell a lie and dessert. You do

0:28:57.320 --> 0:28:59.800
<v Speaker 1>you think that's good? Man? I would love to get this.

0:29:00.200 --> 0:29:01.600
<v Speaker 1>I would love to get in a shower with me.

0:29:04.200 --> 0:29:08.680
<v Speaker 1>You would sound so good together. That can be arranged, Michael.

0:29:10.160 --> 0:29:12.000
<v Speaker 1>It'll have to be a big shower though, to get

0:29:12.040 --> 0:29:17.720
<v Speaker 1>taught in there with you. All right? Really? Uh, great

0:29:17.760 --> 0:29:21.040
<v Speaker 1>to talk to you again and likewise, man, And I'm

0:29:21.080 --> 0:29:22.880
<v Speaker 1>so excited to be here on this day, like the

0:29:22.960 --> 0:29:25.400
<v Speaker 1>last day of Christmas. It's like school, you know, Yeah,

0:29:25.400 --> 0:29:27.120
<v Speaker 1>I remember the last day of school when you're going

0:29:27.160 --> 0:29:29.440
<v Speaker 1>off for Christmas. Break and it was so exciting. Yeah,

0:29:29.480 --> 0:29:31.800
<v Speaker 1>now my football is dead. I got my Vancouver Giant

0:29:31.800 --> 0:29:34.280
<v Speaker 1>Foxy team that I'll be watching. Thank you. That's how

0:29:34.320 --> 0:29:37.120
<v Speaker 1>I'm spending a break. Thank you Michael. Great to talk

0:29:37.120 --> 0:29:39.840
<v Speaker 1>to you. Marry Christmas, you and your family. Thank you, Buddy,

0:29:39.960 --> 0:29:41.960
<v Speaker 1>God bless guys. Take care. Thanks for listening to The

0:29:42.000 --> 0:29:44.720
<v Speaker 1>Dan Patrick Show podcast. Be sure to catch us live

0:29:44.800 --> 0:29:47.560
<v Speaker 1>every weekday morning nine until noon eastern six to nine

0:29:47.600 --> 0:29:50.400
<v Speaker 1>Pacific on Fox Sports Radio, and you can find us

0:29:50.440 --> 0:29:54.600
<v Speaker 1>on the iHeartRadio app at FSR or stream us live

0:29:54.680 --> 0:29:59.640
<v Speaker 1>on the Peacock app. Hey, I'm Doug gottlie The podcast

0:29:59.720 --> 0:30:02.920
<v Speaker 1>is called All Ball. We usually talk all basketball all

0:30:02.920 --> 0:30:05.840
<v Speaker 1>the time, but it's more about the stories about what

0:30:06.040 --> 0:30:09.560
<v Speaker 1>made these people love their sport and all the interesting

0:30:09.560 --> 0:30:12.600
<v Speaker 1>interactions along the way. We talked to coaches, we talked

0:30:12.640 --> 0:30:16.120
<v Speaker 1>to players, We tell you stories. They download it, you

0:30:16.280 --> 0:30:19.160
<v Speaker 1>listen to it. I think you like it. Listen to

0:30:19.200 --> 0:30:23.560
<v Speaker 1>All Ball with Doug gotlieb on the iHeartRadio app, Apple Podcasts,

0:30:23.680 --> 0:30:27.960
<v Speaker 1>or ever you get your podcast. We've got a celebrity

0:30:28.000 --> 0:30:30.720
<v Speaker 1>email somebody want to do give their thoughts on mc

0:30:30.720 --> 0:30:34.360
<v Speaker 1>looven leaving what we learned about mc lovin and will

0:30:34.400 --> 0:30:37.160
<v Speaker 1>I cry before the end of the show. Todd and

0:30:37.240 --> 0:30:39.280
<v Speaker 1>I have a bet the loser gets a pie to

0:30:39.360 --> 0:30:42.040
<v Speaker 1>the face. Yes, Hedon, gotta admit I thought our kade

0:30:42.040 --> 0:30:43.840
<v Speaker 1>fire was going to get you there, and boy, you

0:30:44.000 --> 0:30:47.080
<v Speaker 1>just breathe right by that. You know what I keep saying,

0:30:47.840 --> 0:30:50.920
<v Speaker 1>Be happy for mc lovin. Don't be sad. You know

0:30:51.000 --> 0:30:53.680
<v Speaker 1>we're gonna lose him and we're not going to replace him.

0:30:53.920 --> 0:30:57.600
<v Speaker 1>But be happy, be proud. That's what I'm trying to

0:30:57.600 --> 0:30:59.360
<v Speaker 1>get through, because Todd's going to take a pie to

0:30:59.400 --> 0:31:02.920
<v Speaker 1>the face. Yes you are. It's so competitive. I know

0:31:03.040 --> 0:31:05.520
<v Speaker 1>how you've convinced yourself. You stopped yourself from crying. I know,

0:31:05.800 --> 0:31:09.600
<v Speaker 1>I know. Uh. Celebrity email is from who Paulie Dan

0:31:09.720 --> 0:31:12.040
<v Speaker 1>This was into our inbox and I'm gonna read a

0:31:12.120 --> 0:31:15.320
<v Speaker 1>verbatim mclovin, congratulations on your new radio show you will

0:31:15.360 --> 0:31:19.760
<v Speaker 1>be missed or Renhaal And it's from a web an

0:31:19.760 --> 0:31:23.320
<v Speaker 1>email and it's OJ And we're trying to confirm whether

0:31:23.360 --> 0:31:27.000
<v Speaker 1>it actually is OJ Simpson or not. And I've done

0:31:27.040 --> 0:31:29.400
<v Speaker 1>some digging and I cannot rule out that it is

0:31:30.120 --> 0:31:33.400
<v Speaker 1>OJ Simpson email. Oo Dan Patrick show. I love that mclovin,

0:31:33.560 --> 0:31:37.840
<v Speaker 1>it's me, your friend. Oj. I just wanted to say that.

0:31:37.880 --> 0:31:40.840
<v Speaker 1>While I was in prison, I used to watch every

0:31:40.920 --> 0:31:45.840
<v Speaker 1>single day and I used to laugh Biglovin, best wishes

0:31:45.880 --> 0:31:48.520
<v Speaker 1>to you on your new adventure. It's actually signed or

0:31:48.520 --> 0:31:53.080
<v Speaker 1>renhal So not no his actual name, but we're checking.

0:31:53.440 --> 0:31:55.080
<v Speaker 1>As of right now, I think it might be legit.

0:31:55.480 --> 0:32:00.320
<v Speaker 1>Do you have any knowledge if watches? I do not. No.

0:32:02.480 --> 0:32:04.400
<v Speaker 1>You know it was supposed to be your show, mcloven,

0:32:04.440 --> 0:32:06.640
<v Speaker 1>but Fritzie's the one who's the big winner here. Got

0:32:06.680 --> 0:32:09.600
<v Speaker 1>to do a duet with Michael Boubley. That was awesome.

0:32:09.960 --> 0:32:12.000
<v Speaker 1>Do you know that Michael Boublet at his house has

0:32:12.040 --> 0:32:16.400
<v Speaker 1>a full hockey rink? He was showing the big German

0:32:16.480 --> 0:32:18.480
<v Speaker 1>and Marvin during the commercial break. They're like, what do

0:32:18.520 --> 0:32:20.800
<v Speaker 1>you have behind you? And he goes, that's a hockey rink.

0:32:21.280 --> 0:32:24.960
<v Speaker 1>He's got one in his house. Let's go around the room.

0:32:24.960 --> 0:32:29.560
<v Speaker 1>What we learned about mclovin is that what we're doing, Paul, Yeah,

0:32:29.600 --> 0:32:33.320
<v Speaker 1>all right, I'll go first. Okay, I've never met anyone

0:32:33.800 --> 0:32:38.800
<v Speaker 1>who is gets more upset when they're hungry than Andrew mcloven. Pearl.

0:32:39.040 --> 0:32:41.320
<v Speaker 1>That is true when he does not get food. All

0:32:41.360 --> 0:32:44.360
<v Speaker 1>bets are off. He's also a very good cook at

0:32:44.400 --> 0:32:47.920
<v Speaker 1>making chili. Okay. He is a natural on air and

0:32:48.000 --> 0:32:50.160
<v Speaker 1>that's what the great thing when he joined our staff,

0:32:50.360 --> 0:32:52.920
<v Speaker 1>he needed no introduction to being an on air guy.

0:32:52.960 --> 0:32:55.440
<v Speaker 1>He was good with sports and good with comedy and

0:32:55.560 --> 0:32:57.040
<v Speaker 1>knows when to get in and when to get out.

0:32:57.080 --> 0:33:02.080
<v Speaker 1>He's been a great friend, all the best. Thank you, Paul. Wow. Yeah,

0:33:02.080 --> 0:33:03.880
<v Speaker 1>it's gonna make the other two Dad, that's job a

0:33:03.920 --> 0:33:08.000
<v Speaker 1>lot harder. I took out the greeting card. Uh seton?

0:33:08.640 --> 0:33:10.760
<v Speaker 1>Can you go to Todd? Todd? What did you learn

0:33:10.800 --> 0:33:12.800
<v Speaker 1>about Nick Loven going with the food one? To play

0:33:12.800 --> 0:33:15.360
<v Speaker 1>off of a Paulie, Do not stare or look in

0:33:15.400 --> 0:33:18.800
<v Speaker 1>the direction at all or ask what Andrew is eating

0:33:18.840 --> 0:33:20.560
<v Speaker 1>at any given moment. When he's taken out his Peter

0:33:20.600 --> 0:33:22.360
<v Speaker 1>bread and his chicken sound or his tune us down,

0:33:22.560 --> 0:33:25.400
<v Speaker 1>he's focused and leave him alone. But I do want

0:33:25.400 --> 0:33:28.360
<v Speaker 1>to say once again, great guy, always in great spirits,

0:33:28.440 --> 0:33:30.640
<v Speaker 1>willing to do anything and everything for the show. And

0:33:30.720 --> 0:33:33.680
<v Speaker 1>it's gonna be very, very very weird not having him

0:33:33.720 --> 0:33:35.760
<v Speaker 1>sitting there come Monday, January third, and he will be

0:33:35.800 --> 0:33:37.600
<v Speaker 1>greatly missed. And he's gonna do great and everything he

0:33:37.600 --> 0:33:43.120
<v Speaker 1>doesn't let go. I ramble, I do that, I know,

0:33:43.360 --> 0:33:44.640
<v Speaker 1>but I love the guy and he's gonna do great

0:33:44.640 --> 0:33:46.280
<v Speaker 1>things and I'm gonna miss him a lot. Thank you.

0:33:46.920 --> 0:33:50.040
<v Speaker 1>Un You know, I'm sitting here and I don't know

0:33:50.080 --> 0:33:53.800
<v Speaker 1>that it feels real yet. No, it does. It feels like, Okay,

0:33:53.840 --> 0:33:55.880
<v Speaker 1>we're just going to Christmas break, so I think that,

0:33:55.960 --> 0:34:00.600
<v Speaker 1>you know, January third will be much more interesting. Yeah,

0:34:00.680 --> 0:34:03.440
<v Speaker 1>check in with me on January third, because then I'll

0:34:03.480 --> 0:34:05.720
<v Speaker 1>be like, oh, yeah, Mclovin's gone. What should I stay

0:34:05.800 --> 0:34:08.040
<v Speaker 1>nice about him? Yeah? MC, I have the same feeling.

0:34:08.160 --> 0:34:10.640
<v Speaker 1>I'm like, this doesn't feel because you know, we do

0:34:10.680 --> 0:34:12.600
<v Speaker 1>so many bits on the show too. It kind of

0:34:12.600 --> 0:34:15.400
<v Speaker 1>feels like like I'll just see you later. Yeah. Yeah.

0:34:15.520 --> 0:34:18.600
<v Speaker 1>You make content out of everything, so sometimes it's hard

0:34:18.920 --> 0:34:21.120
<v Speaker 1>to turn that mode off. Yes, this could be a

0:34:21.120 --> 0:34:23.200
<v Speaker 1>great bit if it was a bit, and that we're

0:34:23.239 --> 0:34:25.480
<v Speaker 1>acting like we're saying goodbye to mclovin, but he's going

0:34:25.560 --> 0:34:28.919
<v Speaker 1>to be here on January third. But that's not the case. Yes,

0:34:29.000 --> 0:34:31.400
<v Speaker 1>I see. I will say that it's kind of nice

0:34:31.440 --> 0:34:34.400
<v Speaker 1>that Andrew is leaving in a way, because then we

0:34:34.440 --> 0:34:37.400
<v Speaker 1>could just be friends instead of like co workers. You know,

0:34:37.440 --> 0:34:40.080
<v Speaker 1>co workers gets a little more tricky where it's just

0:34:40.120 --> 0:34:42.400
<v Speaker 1>being friends is like, all right, cool, let's just go

0:34:42.480 --> 0:34:44.560
<v Speaker 1>hang out or something, or let's talk about you know,

0:34:44.680 --> 0:34:47.319
<v Speaker 1>just bs on things. And I'm in a weird way,

0:34:47.400 --> 0:34:52.960
<v Speaker 1>I'm really looking forward to that part of our relationship. Okay, happening. Okay.

0:34:53.120 --> 0:34:55.640
<v Speaker 1>I have noticed that you guys are friends with everybody

0:34:55.920 --> 0:34:58.279
<v Speaker 1>used to work with, like a lot of at tuber

0:34:58.320 --> 0:35:01.400
<v Speaker 1>owl time, a lot of former ESPN or is and stuff. Everybody,

0:35:01.440 --> 0:35:03.439
<v Speaker 1>including you, Dad, are really tight with a lot of people.

0:35:03.560 --> 0:35:07.400
<v Speaker 1>Not all people. Well, no, because if you work on

0:35:07.440 --> 0:35:10.400
<v Speaker 1>this show, then you become part of the show that

0:35:10.760 --> 0:35:13.560
<v Speaker 1>made it successful. And I never lose sight of that.

0:35:13.600 --> 0:35:16.319
<v Speaker 1>Even guys who were cameraman like we were still good

0:35:16.320 --> 0:35:19.600
<v Speaker 1>friends with people who did this from you know, the

0:35:19.600 --> 0:35:23.720
<v Speaker 1>the early days, you know, Nick and Casey, those guys

0:35:23.760 --> 0:35:26.120
<v Speaker 1>that you know, but they we had so much fun.

0:35:26.239 --> 0:35:27.960
<v Speaker 1>I mean, you can't help but have fun on this

0:35:28.040 --> 0:35:32.040
<v Speaker 1>show with everything that goes on. Uh this day in

0:35:32.080 --> 0:35:35.520
<v Speaker 1>sports history, Paulie, do you want to do something? It's trivial, Babe,

0:35:35.600 --> 0:35:39.320
<v Speaker 1>Ruth did something. Franco Harris had the immaculate reception on

0:35:39.400 --> 0:35:44.240
<v Speaker 1>this day, nineteen seventy two. How much is that NFT worth?

0:35:44.960 --> 0:35:48.359
<v Speaker 1>I was wondering, is that the greatest catch? Even though

0:35:48.440 --> 0:35:50.520
<v Speaker 1>they didn't win the Super Bowl? I don't think that year.

0:35:50.960 --> 0:35:54.359
<v Speaker 1>But Franco's catch, I don't know. Nobody cares where you know.

0:35:54.560 --> 0:35:57.840
<v Speaker 1>Let's say goodbye to McLevin. I'm getting messages on social

0:35:57.840 --> 0:35:59.560
<v Speaker 1>media for people that are like, why am I crying?

0:36:02.800 --> 0:36:06.320
<v Speaker 1>It's the end of an era, end of a great run. Mclovin.

0:36:06.640 --> 0:36:09.440
<v Speaker 1>I'll let you have the podium for the final words

0:36:09.480 --> 0:36:13.120
<v Speaker 1>here brought to you by Mercedespen's the best or nothing

0:36:16.920 --> 0:36:19.680
<v Speaker 1>on earth. I have twenty seconds to sum up the

0:36:19.760 --> 0:36:24.440
<v Speaker 1>last twelve years, not even that well. It all started

0:36:24.560 --> 0:36:28.640
<v Speaker 1>warning young man in suburban Philadelphia stole Charles Barkley's hat

0:36:28.680 --> 0:36:31.480
<v Speaker 1>and wore Barbra Streisand's brawn his head. And now I'm

0:36:31.480 --> 0:36:35.080
<v Speaker 1>on TV. Thank you, budding. We wish you well.