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Speaker 1: From Hollywood to you.

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Speaker 2: Thank you for listening to us.

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Speaker 3: On air with a Ryan Seacrest.

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Speaker 4: On this Wednesday morning.

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Speaker 3: Please please please Ryan Seacrest with you this morning as

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Speaker 3: we wake up and get at it one more time

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Speaker 3: and do it again on this Wednesday. Tany here this morning.

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Speaker 3: Good morn, Good morning, Tanya on vacation. Thank you very much.

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Speaker 3: The back room is here, the team has collected, and

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Speaker 3: I just want to start the show by some some

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Speaker 3: bad news that you may have heard about but certainly

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Speaker 3: hit home here and struck my heart in a big way.

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Speaker 3: It's really devastating news here in southern California and especially

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Speaker 3: close to me and the team and the family at

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Speaker 3: American Idol. Yeah, so that I've basically grown up on.

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Speaker 3: And there are very few people who have been a

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Speaker 3: part of this show for a long time. You know,

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Speaker 3: the judges we've rotated over the years. There are some

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Speaker 3: producers that have been there long time, but there are

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Speaker 3: only a couple of crew members and myself that have

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Speaker 3: been there from the beginning.

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Speaker 4: And so as a show just means a lot.

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Speaker 3: You know, kids have been born and raised well, yeah,

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Speaker 3: parents have worked on the show. It's been on for

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Speaker 3: almost twenty five years. The news was made public yesterday.

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Speaker 3: Robin Ka, a long time producer music supervisor, is the

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Speaker 3: specific roll. I'll tell you what that is in a

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Speaker 3: second on our show American Idol. She did other things

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Speaker 3: as well, but was part of American Idol for a

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Speaker 3: long time, started in two thousand and nine and her husband,

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Speaker 3: Thomas de Luca. They were killed in there in Sino home.

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Speaker 1: So tragic.

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Speaker 3: In a neighborhood near you, in your neighborhood, next door

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Speaker 3: to you. If you live in the valley, it is you.

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Speaker 3: That's where you are southern California. You hear news like this.

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Speaker 3: It's been considered last I read a double homicide. It's

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Speaker 3: just it's scary, it's heartbreaking, and you just can't believe

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Speaker 3: it's happening. So I just I'm devastated and gut it

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Speaker 3: as is. I was talking to Megan, our executive producer,

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Speaker 3: and that was her word too, just gut it over

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Speaker 3: this news. Music supervisor. What that role, It's a it's

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Speaker 3: a huge role. It's an essential role to the show

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Speaker 3: and to understand what it is. You might not, but

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Speaker 3: when a contestant is singing a song of another artist

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Speaker 3: on our show, or any show for that matter, or

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Speaker 3: you hear a song by an artist on another show,

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Speaker 3: even a scripted show, you have to get permission by

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Speaker 3: writers or artists. You have to get permission to either

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Speaker 3: sing it, play the music, or play the track.

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Speaker 1: Oh, and that.

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Speaker 3: That was her role to get permission from many artists.

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Speaker 3: Are all the artists that we were having the contestants

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Speaker 3: sing covers of or even to come on the show

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Speaker 3: and guest perform. She was very instrumental in some of

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Speaker 3: the bookings. I remember, you know, over the years, songs

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Speaker 3: or artists not being cleared for American Idol and we're

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Speaker 3: sort of, you know, oh, shoot, that's that's a bummer,

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Speaker 3: and then just go by and then they did get

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Speaker 3: cleared and you ask why And it was the relationships

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Speaker 3: that Robin k had as the music supervisor on American Idol. Yeah,

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Speaker 3: it's a team, it's an army, but that was her

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Speaker 3: specific role. For example, Led Zeppelin had never let their

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Speaker 3: music be used. Robin convinced them to let Adam Lambert

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Speaker 3: use one of their songs wow on American Idol.

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Speaker 1: Yeah, that's relationships.

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Speaker 3: This statement from Idol, we are devastated to hear of

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Speaker 3: Robin and her dear husband Tom's passing. Robin has been

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Speaker 3: at cornerstone of the Idol family since two thousand and

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Speaker 3: nine and was truly loved and respected by all who

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Speaker 3: came in contact with her.

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Speaker 4: Is the American Idol statement that was put out.

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Speaker 3: Robin will remain in our hearts forever, and we share

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Speaker 3: deepest sympathy with her family and friends during this difficult time.

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Speaker 3: That is the statement from the production. We think the

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Speaker 3: same about Thomas de Luca, who I did not know,

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Speaker 3: but her husband. Late yesterday afternoon, this all broke. The

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Speaker 3: suspect was identified, and the story goes on. But the

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Speaker 3: news is sad no matter whether you know them, you've

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Speaker 3: watched the show, you know the job, you know the

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Speaker 3: couple or not. It's really tragic.

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Speaker 1: I saw the news and I thought of you immediately,

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Speaker 1: and it's just truly such a devastating story.

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Speaker 5: It's so heartbreaking.

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Speaker 1: My heart goes out to everybody that knew them and

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Speaker 1: works on American Idol because this is just such a tragedy.

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Speaker 3: You know so many artists who knew her, artist managers, labels, songwriters.

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Speaker 3: She is a legend in our business and she and

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Speaker 3: Thomas will always be loved, remembered and missed. God bless you,

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Speaker 3: God bless your family. And I'm not going to come

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Speaker 3: right back with the cash. Just take a beat here

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Speaker 3: for ourselves this morning. We'll be back FM FM seacrest

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Speaker 3: waking you up. Tanya here filling in for some Sysney

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Speaker 3: business in a few with the headlines later. And Sysney's

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Speaker 3: on her summer camping vacation. We have not reached out

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Speaker 3: to actually, because we're respecting her vacation time.

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Speaker 1: Yeah, because we respect boundaries over here.

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Speaker 5: We yes, we.

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Speaker 3: Are you and the Wii.

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Speaker 1: Yes.

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Speaker 4: I feel like.

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Speaker 1: I've gotten so much better about respecting boundaries you have.

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Speaker 4: I've sent your group text the other day. What did

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Speaker 4: you send back?

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Speaker 3: I didn't. Was it photo of something or a meme?

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Speaker 3: What did you send back? In that group text where

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Speaker 3: I was talking to all of you?

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Speaker 1: I think Sydney said, yeah, what was the meme? Taylor Swift?

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Speaker 3: What was it about the play the meme?

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Speaker 1: You don't have to play a meme?

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Speaker 3: They just didn't. I didn't. I didn't zoom in on

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Speaker 3: the meme that small when in the group text it

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Speaker 3: was small. When I tapped, it didn't blow up, So

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Speaker 3: I didn't really see it. What was it?

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Speaker 1: It's a It was a picture of Taylor Swift, like

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Speaker 1: when she was watching one of the Chiefs games, you

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Speaker 1: know when she did that smile like.

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Speaker 4: Okay, got it all right?

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Speaker 3: Well, anyway, thanks for the meme and we're not bothering

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Speaker 3: you until next week, so oh before you do tell

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Speaker 3: me something good. Yesterdays show, we were talking about AI

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Speaker 3: and the top like three reasons why people use AI,

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Speaker 3: and the top three were step by step instructions. Number

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Speaker 3: two to get clarification on complex topics. Number one looking

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Speaker 3: for an answer to a question. I had have a

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Speaker 3: friend that told me that she's dating this new guy,

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Speaker 3: and well, actually her friend told me about her friend

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Speaker 3: who's dating a new guy, and the new guy like

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Speaker 3: texts her, and then before she responds to the text,

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Speaker 3: she puts a text into AI to get a clever

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Speaker 3: response to his text. So basically no, But then when

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Speaker 3: they're together, is she going to be the same person?

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Speaker 1: Doesn't matter, you would, So she doesn't even.

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Speaker 4: Respond until she runs it through AI.

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Speaker 1: I didn't respond before I ran it past all my friends.

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Speaker 3: Different chat GPT's writing her text and she's sending them

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Speaker 3: back that way, it's not different it is different and

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Speaker 3: she's not her like, that's not who she is, So

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Speaker 3: when will he catch on?

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Speaker 1: And it's just to get you to the d like

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Speaker 1: some people do.

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Speaker 3: You still have to be the same person that they're

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Speaker 3: attracted to to get into the date.

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Speaker 1: Some people aren't good on text Some people are much

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Speaker 1: better in person. I'm somebody that's much better in person.

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Speaker 1: So you need a little help on the texting. AI

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Speaker 1: is that help?

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Speaker 3: I found it to be not a great idea. Same

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Speaker 3: with this person who told me. I said, did you

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Speaker 3: tell your friend it's not a good idea? She said, no,

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Speaker 3: all right, tell me something good.

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Speaker 1: I say, it's a good idea.

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Speaker 5: I approve, all right.

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Speaker 3: Tony says, yeah, give.

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Speaker 4: Me some good news. Tell me something good.

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Speaker 3: What's happening?

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Speaker 1: Okay, my little dog, Sonny girl is becoming such a

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Speaker 1: mature young lady and I'm seeing it more and more

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Speaker 1: every day.

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Speaker 4: Now.

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Speaker 1: She's sleeping in bed with us, which she never used

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Speaker 1: to do, and I'm just like proud of her because

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Speaker 1: she's just really maturing. She's like being more calm in

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Speaker 1: certain places, and it's just a beautiful thing.

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Speaker 4: I love you, Sonny and Ruby. Tell me something good, okay?

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Speaker 6: I go my nail fixed. So I don't know if

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Speaker 6: you know when you chip a nail, it's like the

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Speaker 6: worst feeling ever because you're just like walking.

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Speaker 1: I get it fixed.

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Speaker 6: Yes, I got it fixed last night with Builder jel.

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Speaker 6: So I'm back feeling brand new this morning.

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Speaker 3: Have no idea what that it means?

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Speaker 5: What kind of gel it's called builder gel.

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Speaker 6: It's it's supposed to help strengthen your natural nails.

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Speaker 3: Great, there's my takeaway today from the show. Already mind simple.

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Speaker 3: I beat my ways estimate by two minutes, and when

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Speaker 3: you do, it's like a massive personal victory.

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Speaker 4: Yeah.

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Speaker 3: I felt very good about it.

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Speaker 4: Really carried me through my afternoon.

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Speaker 3: Tell me something good on our Riet radio app on

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Speaker 3: the talk back of Mike. Give us a ring eight

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Speaker 3: hundred and five to one to two seven Summer cash

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Speaker 3: is back.

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Speaker 4: We got every hour.

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Speaker 3: Also, I have a trip to go to our I

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Speaker 3: at Radio Music Festival to win seven o'clock get into

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Speaker 3: our seven o'clock portion of the show.

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Speaker 4: I'll tell you more about that, but it's after seven

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Speaker 4: o'clock this morning.

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Speaker 3: A chance to go to Vegas September nineteen twenty I

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Speaker 3: at Radio Music Festival. Go see jelly Roll and Edge sheeron,

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Speaker 3: Tate McRae and lots more both nights, Hotel Stay Gas.

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Speaker 3: All this stuff included after seven o'clock this morning. And

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Speaker 3: before we move on, let's check in on the personal

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Speaker 3: lives of someone here. Huh. Let's see. It was like,

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Speaker 3: it's Elsie's turn. What do you think, Elsie?

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Speaker 4: I feel like you're ready to share, Elsie?

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Speaker 3: How long have you been here now?

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Speaker 1: Since January?

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Speaker 3: And what's on your business card? If we actually made

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Speaker 3: business cards? What's your title?

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Speaker 7: Producer, board, operator, phone screener.

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Speaker 4: Wow, so long, it's a big business card. A lot

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Speaker 4: of slashes, knyphens.

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Speaker 5: Yeah, all right.

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Speaker 3: So this is something that your boyfriend is obsessed with doing,

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Speaker 3: and is it bothering you or you can't figure ou

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Speaker 3: why he's obsessed with it?

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Speaker 4: What's the story?

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Speaker 5: I have a concern.

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Speaker 7: So basically, he broke the washing machine at the household

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Speaker 7: for like it was gone for like months, and then

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Speaker 7: basically everyone was upset about it. So we had to

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Speaker 7: start going to the laundry maat And it's so out

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Speaker 7: of the way to go do this because you have

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Speaker 7: to get like the coins and everything.

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Speaker 3: And it was.

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Speaker 7: Cute when he was like, oh, they have a claw

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Speaker 7: machine there. Let me try to win you a stuffed animal.

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Speaker 7: And I was like oh okay, yeah, sure, thank you.

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Speaker 7: And then he was like, oh, I want to get

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Speaker 7: you another one because it was a cute one there,

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Speaker 7: and I was like, oh, okay, yeah, that's fine. So

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Speaker 7: then he tried winning me another one, and then after

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Speaker 7: like ten dollars in, I was like, okay, maybe we

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Speaker 7: should stop, and then he was like he was like, yeah,

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Speaker 7: I think we should keep going. So then after that,

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Speaker 7: like after a few trips to the laundrymat I noticed

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Speaker 7: that he had a very compulsive addiction to trying to

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Speaker 7: win these animals. I said no, multiple times, please stop,

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Speaker 7: that's our laundry money, please stop.

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Speaker 3: And he keeps going. So he's addicted to winning or

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Speaker 3: gaming or gambling or something here.

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Speaker 7: I don't know.

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Speaker 5: I don't know what it is. I think it's a

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Speaker 5: winning mindset.

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Speaker 8: Why.

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Speaker 3: Okay, so he's competitive, wants to when he's doing it.

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Speaker 3: Quote for you for me, when he kept doing it

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Speaker 3: and you said don't do it and he kept doing it,

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Speaker 3: did you say to him there's a problem.

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Speaker 5: Yeah, I started getting concerned. Ten dollars in, I was like.

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Speaker 3: Okay, this is does he gamble? Do you ever see

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Speaker 3: h in Vegas? Does he do the same thing?

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Speaker 7: He did gamble one time and he got the opportunity

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Speaker 7: to win, and it was a beginner's luck situation, and

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Speaker 7: he thought the whole day that he was going to

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Speaker 7: win big. And now it's just not like that.

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Speaker 3: So you need to keep a little file of the

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Speaker 3: things that are yellow flags or amber flags that could

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Speaker 3: cause concern, not necessarily the LAUNDREU dreamat. Why is it

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Speaker 3: you say laundry Matt, I say laundry Matt. Why is

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Speaker 3: it laundromat? What is a laundromat?

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Speaker 7: I don't know it.

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Speaker 3: Maybe what is technically correct? Laundry or landro? I say

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Speaker 3: laundry mat too? Tell me, what do you say landro? Laundro?

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Speaker 1: Well, that's what it says on the signs laundro.

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Speaker 3: I always think that that's they're wrong. It should be

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Speaker 3: a laundrymat. Why laundro, I say, I'm looking up says

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Speaker 3: the word laundromat is actually a trademark, a trademark turned

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Speaker 3: generic term like Kleenex or xerox.

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Speaker 1: Oh, so it was like the name of the actual

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Speaker 1: it's a brandy.

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Speaker 3: I mean, it's a trademark term. So when you say

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Speaker 3: tissue tissue, laundry, Matt laundry, Matt, Kleenex laundromat, got it.

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Speaker 3: Thank you for bringing this dark attention, Elsie. I just

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Speaker 3: think this is one of those things where maybe you

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Speaker 3: flag the addicted to winning thing and see if that

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Speaker 3: becomes a greater issue as time goes by. Because when

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Speaker 3: you make he makes a little bit of money and

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Speaker 3: saves it and goes to Vegas and continues to gamble

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Speaker 3: it because it's gonna be lucky every time, and you say, no,

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Speaker 3: does he keep going?

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Speaker 4: That's more of an issue for me than the laundre dreamat.

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Speaker 3: Yeah.

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Speaker 4: Yeah, how long you've been together?

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Speaker 5: Where gonna hit three years?

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Speaker 3: Actually coming up next to the number one best time

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Speaker 3: of the day to go to theme park? Yeah, I

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Speaker 3: got a quote of the daytonya here in just a

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Speaker 3: second for you. It's because I m got not Silk

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Speaker 3: City tickets all this week, right every hour. So when's

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Speaker 3: the best time to go to the theme park in

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Speaker 3: southern California? We have so many to choose from if

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Speaker 3: you plan a visit. One expert say the best time

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Speaker 3: to go to avoid crowds is two pm two pm.

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Speaker 3: Most people arrive early and try to tackle.

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Speaker 4: Everything first in the morning. Like I was one of

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Speaker 4: those people.

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Speaker 3: Let's get a jump on it and go and get

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Speaker 3: it all done first and early, so by two they're tired,

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Speaker 3: they have fatigued. You can play into their fatigue. The

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Speaker 3: strategy is to let them go early, get tired. Then

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Speaker 3: you come in and you come in full steam.

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Speaker 1: When we were kids, my parents would take us and

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Speaker 1: we would go all morning and around two pm. My

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Speaker 1: parents have like a van. They would take all of

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Speaker 1: us in the van to take a nap around two

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Speaker 1: to three, three thirty and then they go us back

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Speaker 1: into the park.

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Speaker 3: Yeah, gotta get your money's worth when you buy it.

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Speaker 3: Take Yeah, that's the idea. So your strategy should be

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Speaker 3: two pm if you can do it. And today's quote

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Speaker 3: on this Wednesday, July sixteenth, discipline is choosing what you

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Speaker 3: want most over what you want now.

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Speaker 1: Ooh good one.

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Speaker 5: Nuh, that's a hard one.

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Speaker 3: It's kiss Good morning, Billie Eilish here one of two

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Speaker 3: point seven.

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Speaker 4: You're on Kiss FM this morning.

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Speaker 3: It is a difficult Wednesday morning for some of us

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Speaker 3: here who have seen the news of an American idol

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Speaker 3: producer and her husband killed in Encino. The news came

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Speaker 3: out yesterday afternoon, and this strikes all of us on

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Speaker 3: the American Idolt family in a big way, in a

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Speaker 3: devastating and heartbreaking way. Just the incident alone is tragic,

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Speaker 3: but for it to be someone that you know or

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Speaker 3: you've worked with, or the team on Idol. The producers

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Speaker 3: worked with Robin Kay very directly on the music that

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Speaker 3: was clear to the music we got permission to sing.

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Speaker 3: The contestants could sing these songs thanks to the relationships

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Speaker 3: Robin Kay had as she and her husband Tom de

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Speaker 3: Luca were murdered and Encino, and there's just nothing but

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Speaker 3: heartbreak about this story.

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Speaker 4: She's been on American.

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Speaker 3: Eye, working behind the scenes and was not one of

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Speaker 3: those people who was in the spotlight or wanted to

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Speaker 3: be in the spotlight. She did her job, she worked hard,

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Speaker 3: she cared, She wanted the show to be the best

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Speaker 3: it could be every single season and get better and better.

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Speaker 3: That's how she approached her job. I spoke to our

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Speaker 3: executive producer last night, one of them, Megan, who would

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Speaker 3: work with her directly often, and you know her words were,

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Speaker 3: Robin was the heart of our show and played an

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Speaker 3: instrumental role in every one of the shows that we

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Speaker 3: did from two thousand and nine on. So we think

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Speaker 3: about our family, we send our love, our hugs, and

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Speaker 3: just the shift gears into the news of this.

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Speaker 4: Assistany's out this week, So Tanya is handling the headlines.

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Speaker 2: What is new on this story out of Ncino this

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Speaker 2: morning Tanya Becus FM Headlines with Tanya rad Well.

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Speaker 1: An arrest has been made in the deadly shooting of

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Speaker 1: longtime award winning American Idol music supervisor Robin k and

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Speaker 1: her husband Tom de Luca. The twenty two year old

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Speaker 1: male was allegedly robbing the house when the couple arrived home.

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Speaker 1: The Pentagon announced that half the four thousand National Guard

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Speaker 1: troops that were sent to la in response to protests

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Speaker 1: will be released from duty. The nominations for the seventy

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Speaker 1: seventh Emmy Awards were announced. Severance led all shows with

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Speaker 1: twenty seven nominations, followed by HBO's The Penguin with twenty four.

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Speaker 1: The Studio and The White Lotus each got twenty three,

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Speaker 1: and Ariana Grande and Josh Gadd are joining the voice

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Speaker 1: cast of the upcoming animated adaptation of Doctor Seuss's Oh

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Speaker 1: the Places You'll go.

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Speaker 3: Drick Gamar, good morning, Kiss FM. This hour chance to

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Speaker 3: go to our Iet Radio Music Festival, gonna give away

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Speaker 3: that trip. And then next hour Miley Cyrus is here, major, major,

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Speaker 3: Get ready. Now, Fonsie from the back room has come

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Speaker 3: in with some news. Obviously southern California being July sixteenth,

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Speaker 3: our day are going to go fast the summer days.

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Speaker 3: I think you're gonna go fast from here on out,

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Speaker 3: and you might want to squeeze in a theme park

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Speaker 3: or two or the not Silk City tickets I got

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Speaker 3: later this hour Disneyland. But one of the things you

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Speaker 3: should know about Disneyland fansee, I think you have the

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Speaker 3: details on this. And your fresh haircut with the tight

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Speaker 3: fade looks great. Oh thank you man?

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Speaker 4: Did you ask for tight fay? What was a fade measurement?

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Speaker 9: I think it's a mid fade to skin and then

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Speaker 9: I think I get like about a four or five

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Speaker 9: on top with like a little.

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Speaker 4: Bit cost fifty bucks.

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Speaker 3: Looks good.

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Speaker 4: We're fifty.

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Speaker 9: I mean, I love, I love my barber. Shout out

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Speaker 9: to me Sile over at sixty six Lounge and La Pente. Yeah,

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Speaker 9: the homie always hooks it up. So I love that

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Speaker 9: dude look.

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Speaker 4: Looking slick, looking good for fresh fresh cut for summer.

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Speaker 3: So Fanzi also loves it going to Disney or Disney

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Speaker 3: Adult resident Disney Adult here did his research and wants

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Speaker 3: to warn the old public service announcement about certain rides

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Speaker 3: that will be shut down, probably for repair or reasons

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Speaker 3: like that this summer.

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Speaker 9: Right, Yeah, so the first one's gonna be the matterhorn

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Speaker 9: Bob's LEDs that one's unfortunately going to be closed. I

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Speaker 9: think it's closed at the moment. I was there the

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Speaker 9: other day and it's going to reopen July twenty fourth,

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Speaker 9: so it's gonna be a week from tomorrow. And yeah,

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Speaker 9: it feels colder in here already with the old link.

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Speaker 3: Oh, the old link.

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Speaker 4: Never gets sold.

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Speaker 3: Okay, these are our closures at disney Land over the summer.

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Speaker 3: What's next?

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Speaker 9: Yeah, So then we also have for our Star Wars

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Speaker 9: fans out there, if you're going to be in tomorrow Land,

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Speaker 9: just so you know, Star Tours will not be open,

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Speaker 9: and it's at least gonna be closed according to a source,

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Speaker 9: at least till September. So it's a bit of a bummer,

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Speaker 9: you know, but you know, we have all of Galaxy's

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Speaker 9: Edge to enjoy, so you'll be fine, okay.

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Speaker 3: And the Haunted Mansion is one too, right, my favorite

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Speaker 3: ever since I was the Tiny, Tiny, Tiny Little Boy.

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Speaker 3: Love it Buzzy? Why is it closed? Yeah?

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Speaker 6: So that one.

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Speaker 9: It's getting prepped because Jack Skellington is making a comeback

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Speaker 9: for Halloween. The Nightmare before Christmas version of the Haunted

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Speaker 9: Mansion attraction is going to be closed, So it's going

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Speaker 9: to reopen around August twenty second. It's gonna be closed

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Speaker 9: from the ninth to the twenty second, just for that

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Speaker 9: update for the holiday season.

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Speaker 4: And I was looking that's easily.

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Speaker 3: I was looking at Notts just to see the schedule

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Speaker 3: of Not Scary Farm because it's always something we get

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Speaker 3: into and give await a lot of tickets to tickets

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Speaker 3: for this year's event as well as access to the

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Speaker 3: exclusive Nightmares Revealed preview night. We're going sale July twenty

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Speaker 3: fifteen am. Not Scary Farm officially opens in September. September eighteenth,

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Speaker 3: Not Scary Farm. It's gonna have ten mazes. I love that.

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Speaker 1: That is so wild.

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Speaker 3: You won't see there.

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Speaker 4: You don't like the scary stuff for mazes.

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Speaker 9: I the most I'll do is Ogi Boogie Bash and

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Speaker 9: Mickey's not so scary Halloween because I will freak out

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Speaker 9: and I will have a panic attention.

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Speaker 4: So you're not a horror movie guy, I'm not scary.

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Speaker 9: I hate him because, like I just get I can't sleep,

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Speaker 9: like I already like have a hard time sleep.

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Speaker 3: I've got to a point, Tony where I will put

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Speaker 3: my hand up over gory scenes or medical scenes in

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Speaker 3: series that I watch on TV.

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Speaker 1: Yeah, I understand, I'm the same.

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Speaker 3: I'm like I can't unsee it. Sometimes too, it can

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Speaker 3: be very like the streamers can get graphic too.

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Speaker 1: Especially you were watching weren't you watching the Pit?

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Speaker 3: I was watching the Pit, but I low I didn't

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Speaker 3: keep up with it.

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Speaker 1: That's shocker.

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Speaker 3: Next, but I have to deal with five bucks in

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Speaker 3: the summer cash here thanks to for It's.

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Speaker 4: Dim Morning, It's Kiss FM. So check this out. I

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Speaker 4: actually had to read this twice.

443
00:20:34,440 --> 00:20:37,320
Speaker 3: This guy in San Francisco, he started something called looksmapping

444
00:20:37,480 --> 00:20:41,280
Speaker 3: dot com. Okay, so he used AI to determine restaurants

445
00:20:41,520 --> 00:20:44,879
Speaker 3: in LA that have the hottest or most attractive customers.

446
00:20:45,280 --> 00:20:48,919
Speaker 3: Now interesting, funny, good news, bad news, tiny where are

447
00:20:48,960 --> 00:20:49,240
Speaker 3: you on it.

448
00:20:49,520 --> 00:20:52,360
Speaker 1: I think it's all good news. I find it fascinating

449
00:20:52,760 --> 00:20:54,359
Speaker 1: and a public service.

450
00:20:54,640 --> 00:20:56,960
Speaker 4: But what's attractive, Like, it's in the eye of the beholder,

451
00:20:57,040 --> 00:20:57,840
Speaker 4: now you find attracted.

452
00:20:59,320 --> 00:21:01,280
Speaker 1: But I think that like, there are certain places like

453
00:21:01,359 --> 00:21:03,760
Speaker 1: I went to a restaurant over the weekend for Becca's

454
00:21:04,240 --> 00:21:08,439
Speaker 1: surprise dinner, and there were tables of dudes around them,

455
00:21:08,480 --> 00:21:09,840
Speaker 1: and I was like, this is a good place for

456
00:21:10,119 --> 00:21:12,840
Speaker 1: my single girlfriends to go because there was lots of

457
00:21:13,400 --> 00:21:14,320
Speaker 1: dudes at tables.

458
00:21:14,760 --> 00:21:16,640
Speaker 3: Maybe he should do dudes at tables. This is next,

459
00:21:17,040 --> 00:21:20,640
Speaker 3: that next, Well, here's what he found. So we used

460
00:21:21,280 --> 00:21:24,720
Speaker 3: artificial intelligence to search millions of Google Maps reviews and

461
00:21:24,840 --> 00:21:29,280
Speaker 3: evaluate the profile photos of the users, giving each restaurant

462
00:21:29,359 --> 00:21:33,680
Speaker 3: a hotness score. The hotness score one to ten for La.

463
00:21:34,920 --> 00:21:37,480
Speaker 3: These are the top three he posted. One It's called

464
00:21:37,560 --> 00:21:41,200
Speaker 3: Chinese Trendy Food. That's the restaurant. It's on Hoover, just

465
00:21:41,240 --> 00:21:44,600
Speaker 3: off Jefferson on the USC campus. Actually right there gets

466
00:21:44,640 --> 00:21:47,600
Speaker 3: a ten out of ten. Whooa ten out of ten

467
00:21:47,680 --> 00:21:53,000
Speaker 3: evenly split with men and women, females, males, Dounia inz

468
00:21:53,640 --> 00:21:57,840
Speaker 3: Doniaz Downtown Fashion District restaurant and so looks mapping This

469
00:21:57,880 --> 00:21:59,399
Speaker 3: is what this guy did put together, you know, the

470
00:21:59,480 --> 00:22:02,320
Speaker 3: research on who the most attractive customers are based on

471
00:22:02,400 --> 00:22:06,800
Speaker 3: his AI surge. This one is Mexican food and it

472
00:22:06,960 --> 00:22:11,399
Speaker 3: also got a ten out of ten. Whoa menas And

473
00:22:11,520 --> 00:22:16,159
Speaker 3: another most popular for attractive clientele customers is La Crazy

474
00:22:16,280 --> 00:22:21,040
Speaker 3: Crab Cajun seafood Balls, Bowls seafood Balls, or we say

475
00:22:21,080 --> 00:22:23,960
Speaker 3: bowls in the South. It's in South LA and it

476
00:22:24,040 --> 00:22:26,000
Speaker 3: got a ten out of ten and it's almost all female.

477
00:22:26,520 --> 00:22:27,119
Speaker 5: Amen to that.

478
00:22:28,720 --> 00:22:31,600
Speaker 3: Do you MICHAELA? Let me ask you, is this something

479
00:22:31,640 --> 00:22:34,560
Speaker 3: that you find useful? Would it navigate you to use

480
00:22:34,640 --> 00:22:36,600
Speaker 3: these places? Do you care? Is just funny?

481
00:22:37,000 --> 00:22:39,800
Speaker 1: I mean I think it's interesting, Like why not going

482
00:22:39,960 --> 00:22:41,080
Speaker 1: like scope it out?

483
00:22:41,200 --> 00:22:41,359
Speaker 3: You know?

484
00:22:41,840 --> 00:22:43,680
Speaker 1: But would you go to either any of these that

485
00:22:43,840 --> 00:22:45,600
Speaker 1: have the ten out of ten rating for hotness?

486
00:22:46,320 --> 00:22:47,680
Speaker 3: I think if I were in the mood to be

487
00:22:48,119 --> 00:22:50,880
Speaker 3: into one of these foods, like one of the flavors

488
00:22:50,880 --> 00:22:52,600
Speaker 3: of the foods, and that we're in the area, then

489
00:22:52,720 --> 00:22:54,919
Speaker 3: maybe it would swing me just to see I agree.

490
00:22:55,040 --> 00:22:58,159
Speaker 1: Yeah, like I'm not into like crab or seafood oiales

491
00:22:58,200 --> 00:22:59,160
Speaker 1: really but the other two.

492
00:22:59,280 --> 00:23:00,840
Speaker 3: Yeah, like when you could probably.

493
00:23:00,600 --> 00:23:03,280
Speaker 4: Order something off menu there at this place and still

494
00:23:03,320 --> 00:23:04,520
Speaker 4: see what the fib is like.

495
00:23:04,640 --> 00:23:04,840
Speaker 5: Yeah.

496
00:23:04,840 --> 00:23:08,120
Speaker 3: Now, the question I have for us is, Tanya, if

497
00:23:08,160 --> 00:23:12,800
Speaker 3: you were going to Donez Downtown, would you knowingly it's

498
00:23:12,920 --> 00:23:15,480
Speaker 3: ten out of ten for the ranking of the attractiveness

499
00:23:15,560 --> 00:23:16,200
Speaker 3: of their clientele.

500
00:23:16,280 --> 00:23:17,440
Speaker 4: Would you change what you wear?

501
00:23:17,520 --> 00:23:17,560
Speaker 9: Like?

502
00:23:17,600 --> 00:23:19,399
Speaker 4: Would you think about what you wear more so than normal?

503
00:23:20,800 --> 00:23:20,840
Speaker 5: Me?

504
00:23:21,480 --> 00:23:22,000
Speaker 1: Personally?

505
00:23:22,280 --> 00:23:22,320
Speaker 2: No?

506
00:23:23,160 --> 00:23:24,360
Speaker 1: But if I were single, yes?

507
00:23:24,880 --> 00:23:27,680
Speaker 3: Okay, so you personally as a single person, yes, I

508
00:23:27,720 --> 00:23:31,160
Speaker 3: would for sure. I think you'd want to be at

509
00:23:31,200 --> 00:23:33,120
Speaker 3: your best with your best look. But would you take

510
00:23:33,119 --> 00:23:33,680
Speaker 3: a date there?

511
00:23:33,800 --> 00:23:33,840
Speaker 9: No?

512
00:23:34,560 --> 00:23:34,840
Speaker 3: I would.

513
00:23:34,840 --> 00:23:36,280
Speaker 1: Don't bring sand to the beach.

514
00:23:36,560 --> 00:23:38,920
Speaker 3: Not that you don't want them to see more attractive people. Oh,

515
00:23:40,720 --> 00:23:41,320
Speaker 3: sand and beach.

516
00:23:41,640 --> 00:23:42,200
Speaker 4: You don't want to.

517
00:23:42,480 --> 00:23:44,680
Speaker 3: It's like, no, you don't want to bring them to

518
00:23:44,720 --> 00:23:47,600
Speaker 3: where the people are all tens right right, right, right right.

519
00:23:47,760 --> 00:23:50,840
Speaker 3: You want to look in the sixes, bro Yeah, so

520
00:23:51,119 --> 00:23:53,320
Speaker 3: if you could do that search Riley Walls, if you

521
00:23:53,359 --> 00:23:54,920
Speaker 3: could do the sixes, that would be great. I'd like

522
00:23:54,960 --> 00:23:57,119
Speaker 3: to know the sixes, the clientaeil they are all the sixes.

523
00:23:58,520 --> 00:24:00,360
Speaker 3: Come on next, we got the match game for Soak

524
00:24:00,400 --> 00:24:04,359
Speaker 3: City tickets on Kiss. Thank you, Arid. Miley Cyrus is

525
00:24:04,400 --> 00:24:07,040
Speaker 3: here coming in a few minutes. First, I want to

526
00:24:07,040 --> 00:24:08,960
Speaker 3: give away this hour is not Silk City tickets. We're

527
00:24:08,960 --> 00:24:11,040
Speaker 3: gonna go to Jen a month to Bello contested number one.

528
00:24:11,119 --> 00:24:12,040
Speaker 4: Hi, Jen, how are you?

529
00:24:13,520 --> 00:24:13,960
Speaker 8: I'm good?

530
00:24:14,160 --> 00:24:17,920
Speaker 3: Thank you, good Happy summer. Let's get to Kim and Corona. Kim,

531
00:24:18,000 --> 00:24:22,240
Speaker 3: you're contested number two. Good morning, Hi, Good morning, so

532
00:24:22,880 --> 00:24:25,200
Speaker 3: Jen and Kim. Here's how it's gonna work. We're gonna

533
00:24:25,200 --> 00:24:27,520
Speaker 3: give you a phrase with a blank in it. Whoever

534
00:24:27,600 --> 00:24:29,920
Speaker 3: gets the most matches with our panel, It's gonna go

535
00:24:29,960 --> 00:24:32,240
Speaker 3: to Soilk City with this four pack. We'll play with

536
00:24:32,320 --> 00:24:36,359
Speaker 3: you one at a time. Jen, your first and yours

537
00:24:36,840 --> 00:24:41,719
Speaker 3: is day blank, day blank. Don't say it out loud, Jen,

538
00:24:41,840 --> 00:24:43,920
Speaker 3: just think about what goes in the blank. What do

539
00:24:43,960 --> 00:24:46,119
Speaker 3: you think the most common word next to day in

540
00:24:46,240 --> 00:24:48,879
Speaker 3: the blank is gonna be? That's what our panel is

541
00:24:48,920 --> 00:24:51,000
Speaker 3: thinking about. We'll see if you can match up with

542
00:24:51,080 --> 00:24:54,359
Speaker 3: the panel a few times for the win. Jen, Day what.

543
00:24:56,320 --> 00:24:56,760
Speaker 8: Daytime?

544
00:24:57,840 --> 00:24:58,359
Speaker 4: Daytime?

545
00:24:59,440 --> 00:25:02,480
Speaker 3: Yes, obviously, of course, but everybody gets that.

546
00:25:03,200 --> 00:25:06,920
Speaker 4: Let's go to the panel. Here we go, But so

547
00:25:06,960 --> 00:25:08,000
Speaker 4: are you Tanya.

548
00:25:07,800 --> 00:25:10,960
Speaker 1: Day daylights, night daylights?

549
00:25:12,000 --> 00:25:12,280
Speaker 3: All right?

550
00:25:12,359 --> 00:25:18,920
Speaker 10: Ruby day I said, day bed, Mikayla day day dream, Oh,

551
00:25:21,280 --> 00:25:21,560
Speaker 10: all right.

552
00:25:21,640 --> 00:25:25,320
Speaker 3: Comes down now to our engineer jeff Tubbs. Tubs day trip,

553
00:25:25,600 --> 00:25:26,080
Speaker 3: day trip.

554
00:25:26,600 --> 00:25:29,560
Speaker 5: No one said daytime, no one daytime.

555
00:25:30,400 --> 00:25:31,880
Speaker 3: I mean, I know, I know, but I'm just saying

556
00:25:31,960 --> 00:25:35,840
Speaker 3: that's crazy. All right, Jen, hold on one second, Kim, Yes,

557
00:25:36,000 --> 00:25:37,560
Speaker 3: you just got to get one to win. Here we go.

558
00:25:37,680 --> 00:25:40,960
Speaker 3: Yours is don't stay it out loud, just think yours

559
00:25:41,040 --> 00:25:48,760
Speaker 3: is west blank west blank answers wes w e s

560
00:25:48,880 --> 00:25:52,080
Speaker 3: t blank. So let's see the panel's working on theirs.

561
00:25:52,720 --> 00:25:56,000
Speaker 3: And let me know, good, good, okay, Kim West what.

562
00:25:59,040 --> 00:25:59,760
Speaker 2: West ward?

563
00:26:00,640 --> 00:26:01,160
Speaker 4: Westward?

564
00:26:02,240 --> 00:26:02,520
Speaker 5: Again?

565
00:26:02,560 --> 00:26:04,600
Speaker 3: Why not west? I don't know. I can't even think

566
00:26:04,640 --> 00:26:07,320
Speaker 3: of anything that will go to west. Well, let's see

567
00:26:07,400 --> 00:26:09,399
Speaker 3: maybe the panel couldn't either. They thought of that too.

568
00:26:10,040 --> 00:26:23,240
Speaker 10: Westward Chana West, Hollywood, Yeah, Ruby westward west side that

569
00:26:24,480 --> 00:26:26,440
Speaker 10: michaela West west La.

570
00:26:27,600 --> 00:26:32,120
Speaker 3: West l comes down to our engineer, Jeffrey Tubbs says

571
00:26:32,160 --> 00:26:35,000
Speaker 3: it often does. And Jeffrey Tubbs, did you say westward

572
00:26:35,040 --> 00:26:41,720
Speaker 3: for the wind? I did say west Wood, west, World

573
00:26:42,000 --> 00:26:46,840
Speaker 3: west or west? I mean so good, you got it, Tubbs.

574
00:26:46,880 --> 00:26:52,800
Speaker 3: You came through for Kim west Covina, Kim, we appreciate

575
00:26:52,840 --> 00:26:54,480
Speaker 3: you listening and enjoy the not silk city.

576
00:26:54,560 --> 00:26:56,119
Speaker 4: Take us, Jen, thank you have a great summer.

577
00:26:57,200 --> 00:26:59,560
Speaker 8: Thank you, thank you.

578
00:27:00,000 --> 00:27:01,960
Speaker 3: All right, hold on, Kim one second, you got it?

579
00:27:03,080 --> 00:27:04,720
Speaker 4: West ward like westerly direction.

580
00:27:05,880 --> 00:27:06,560
Speaker 3: I guess.

581
00:27:08,119 --> 00:27:09,320
Speaker 4: Donnie's asking us about it.

582
00:27:09,520 --> 00:27:11,320
Speaker 1: Yeah, I'm just like, what does that even mean?

583
00:27:12,240 --> 00:27:15,160
Speaker 4: WESSO? You know west bound is a great one.

584
00:27:16,119 --> 00:27:19,280
Speaker 3: Speaking of west presso here it is Kiss Katie Perry

585
00:27:19,480 --> 00:27:21,880
Speaker 3: teenage dream one of two point seven. It's Kiss FM,

586
00:27:21,960 --> 00:27:25,720
Speaker 3: Los Angeles. We've been talking about this this morning and

587
00:27:26,040 --> 00:27:29,560
Speaker 3: started out with the news and early this morning and

588
00:27:30,160 --> 00:27:33,240
Speaker 3: the role that this music supervisor who was killed and Encino.

589
00:27:33,800 --> 00:27:36,440
Speaker 3: The news came out yesterday afternoon. She and her husband

590
00:27:36,440 --> 00:27:39,520
Speaker 3: were killed in Encino in their home. And her role

591
00:27:39,960 --> 00:27:43,320
Speaker 3: was music supervisor on American Idol. And that's a big job.

592
00:27:43,400 --> 00:27:45,680
Speaker 3: That's a job where if you don't know, maybe you do,

593
00:27:45,800 --> 00:27:47,800
Speaker 3: but if you don't, it's the person who's in charge

594
00:27:47,800 --> 00:27:50,159
Speaker 3: of the relationships with the artists and the writers and

595
00:27:50,240 --> 00:27:54,080
Speaker 3: the producers and the labels to get permission for contestants

596
00:27:54,160 --> 00:27:57,119
Speaker 3: to sing their songs covers of their real songs on

597
00:27:57,240 --> 00:28:00,800
Speaker 3: our show. And that's important. Song selection so important in

598
00:28:00,880 --> 00:28:04,080
Speaker 3: these competitions, and so we were just heartbroken, gutted and

599
00:28:04,200 --> 00:28:08,560
Speaker 3: devastated to learn of this news in Encino, and then

600
00:28:08,600 --> 00:28:10,760
Speaker 3: to know it was somebody that was in the American

601
00:28:10,800 --> 00:28:12,800
Speaker 3: Idol family for a long time. Very few people have

602
00:28:12,920 --> 00:28:16,120
Speaker 3: worked on American Idol for a long time. I started

603
00:28:16,160 --> 00:28:19,600
Speaker 3: in two Robin started in two thousand and nine. That

604
00:28:19,760 --> 00:28:21,960
Speaker 3: is a is a lifetime of being on American Idol

605
00:28:22,280 --> 00:28:24,680
Speaker 3: two thousand and nine. And so it is a sad

606
00:28:24,760 --> 00:28:27,720
Speaker 3: and tragic story. And we send love and we send

607
00:28:27,800 --> 00:28:33,480
Speaker 3: thoughts and hugs to Robin, to Thomas de Luca's family,

608
00:28:33,880 --> 00:28:37,800
Speaker 3: the friends, the neighborhood, all in southern California. When you

609
00:28:37,880 --> 00:28:41,120
Speaker 3: see this news and Tanya is in for Sistani with

610
00:28:41,200 --> 00:28:43,360
Speaker 3: the headlines, what is the latest on the story?

611
00:28:43,600 --> 00:28:47,160
Speaker 2: Tanyam Headlines with Tanya rad Well.

612
00:28:47,240 --> 00:28:49,960
Speaker 1: An arrest has been made in the deadly shooting of

613
00:28:50,120 --> 00:28:54,440
Speaker 1: longtime award winning American Idol music supervisor Robin Kay and

614
00:28:54,600 --> 00:28:57,560
Speaker 1: her husband Tom de Luca. The twenty two year old

615
00:28:57,640 --> 00:29:01,520
Speaker 1: male was allegedly robbing the house when a couple arrived home.

616
00:29:02,160 --> 00:29:05,760
Speaker 1: The ACLU and others have filed legal action against the

617
00:29:05,800 --> 00:29:09,719
Speaker 1: White House over a new policy that bans undocumented children

618
00:29:09,800 --> 00:29:13,720
Speaker 1: from attending head start programs. The La County Board of

619
00:29:13,760 --> 00:29:18,120
Speaker 1: Supervisors voted unanimously to try to save an LGBTQ plus

620
00:29:18,240 --> 00:29:22,400
Speaker 1: crisis hotline after federal funding for the service was cut.

621
00:29:23,120 --> 00:29:26,720
Speaker 1: And the legendary Mexican band Los Bookies will get its

622
00:29:26,800 --> 00:29:29,560
Speaker 1: star on the Hollywood Walk of Fame next Wednesday at

623
00:29:29,600 --> 00:29:32,960
Speaker 1: eleven thirty am on air.

624
00:29:33,560 --> 00:29:40,360
Speaker 3: With Ryan Seacrest. Ah Kiss FM LA is number one

625
00:29:40,360 --> 00:29:44,000
Speaker 3: at music station. Ryan Seacrest with you. Thanks for streaming

626
00:29:44,080 --> 00:29:46,160
Speaker 3: on the iHeartRadio app or wherever you listen to us

627
00:29:46,720 --> 00:29:49,440
Speaker 3: on the radio, in the car, your smart device. And

628
00:29:49,560 --> 00:29:52,680
Speaker 3: summertime is so many concerts, so many tours. Olivia Rodrigo

629
00:29:52,760 --> 00:29:54,480
Speaker 3: is getting a little price or something she did for

630
00:29:54,560 --> 00:29:57,120
Speaker 3: her team. In the Trending Report, Yes.

631
00:29:57,240 --> 00:30:02,400
Speaker 1: So, Olivia Rodrigo's touring guitarist, Daisy Spencer, she actually revealed

632
00:30:02,440 --> 00:30:05,720
Speaker 1: that the singer pays for her band and crew to

633
00:30:05,880 --> 00:30:10,720
Speaker 1: have access to free therapy both on and off tour.

634
00:30:11,320 --> 00:30:14,160
Speaker 1: So Daisy was talking on a podcast and she said,

635
00:30:14,280 --> 00:30:16,960
Speaker 1: on the Guts World tour, Olivia and our tour manager

636
00:30:17,800 --> 00:30:22,240
Speaker 1: made accessible and free therapy for all of the touring personnel.

637
00:30:22,320 --> 00:30:25,440
Speaker 1: I have never had anything like that. It reignited the

638
00:30:25,480 --> 00:30:27,600
Speaker 1: importance of therapy to me. Because I had just kind

639
00:30:27,640 --> 00:30:30,120
Speaker 1: of fallen off for so long and then suddenly I

640
00:30:30,240 --> 00:30:33,600
Speaker 1: had this free resource of incredible therapists and I utilized

641
00:30:33,640 --> 00:30:35,680
Speaker 1: the heck out of that. And she kind of went

642
00:30:35,720 --> 00:30:37,880
Speaker 1: on to talk about it being the best gift that

643
00:30:37,960 --> 00:30:40,440
Speaker 1: she ever received. But I think it's so cool because

644
00:30:40,480 --> 00:30:44,640
Speaker 1: Olivia talks a lot about mental health and the importance

645
00:30:44,680 --> 00:30:47,000
Speaker 1: of it, and so the fact that she kind of

646
00:30:47,040 --> 00:30:50,720
Speaker 1: went that extra step to give her entire crew this,

647
00:30:51,680 --> 00:30:54,000
Speaker 1: you know, free access to therapy, I think is just

648
00:30:54,240 --> 00:30:55,160
Speaker 1: really really cool.

649
00:30:54,960 --> 00:30:58,280
Speaker 3: And people are I agree, what a useful thing to

650
00:30:58,280 --> 00:31:00,320
Speaker 3: be able to offer people, and the intent city of

651
00:31:00,360 --> 00:31:02,880
Speaker 3: those jobs and being away and the mind of traveling

652
00:31:02,920 --> 00:31:04,920
Speaker 3: and touring it can be it can wear on you

653
00:31:05,000 --> 00:31:08,320
Speaker 3: for sure. And also, if I'm reading between the lines,

654
00:31:09,160 --> 00:31:11,680
Speaker 3: I'm also guessing you presented this at this moment to

655
00:31:12,640 --> 00:31:15,880
Speaker 3: me as well as an opportunity for me to say, hey,

656
00:31:16,400 --> 00:31:18,320
Speaker 3: after working with me for two decades, I get it

657
00:31:18,400 --> 00:31:23,120
Speaker 3: if you need some therapy, and I'm happy to set

658
00:31:23,200 --> 00:31:27,680
Speaker 3: up an account this therapy if you think that I have,

659
00:31:28,600 --> 00:31:31,400
Speaker 3: you know, been a part of why you need it.

660
00:31:31,680 --> 00:31:34,920
Speaker 1: This job is kind of like free therapy in a

661
00:31:35,000 --> 00:31:37,360
Speaker 1: way because I can come and just like share everything

662
00:31:37,400 --> 00:31:39,640
Speaker 1: that I needn't get in different opinions. But I do

663
00:31:39,920 --> 00:31:44,040
Speaker 1: think people that tour, like you said, it does being away,

664
00:31:44,160 --> 00:31:47,600
Speaker 1: Like I know when Becca Becca dates a touring artist

665
00:31:47,680 --> 00:31:49,800
Speaker 1: and when she's gone, like she has to go into

666
00:31:49,880 --> 00:31:53,360
Speaker 1: therapy just you know, learning the relationships and how to

667
00:31:53,440 --> 00:31:56,360
Speaker 1: kind of navigate being away and all of that stuff.

668
00:31:56,440 --> 00:31:58,080
Speaker 1: So I just thought it was really cool and a

669
00:31:58,120 --> 00:31:59,480
Speaker 1: lot of people were like praising Olivia.

670
00:31:59,560 --> 00:32:03,000
Speaker 3: Rodrigo agreed, thank you for that story and what's up Olivia.

671
00:32:03,240 --> 00:32:05,040
Speaker 3: Miley Stars, who's been in that seat so many times?

672
00:32:05,040 --> 00:32:07,720
Speaker 3: I feel like you've sat in that seat over the generation.

673
00:32:08,000 --> 00:32:10,520
Speaker 5: I definitely have. I think I've been here with no teeth,

674
00:32:10,640 --> 00:32:14,640
Speaker 5: with braces on my teeth, probably in a Hannah wig

675
00:32:14,760 --> 00:32:18,280
Speaker 5: at some point. My grandmother, who now has passed. You know,

676
00:32:18,360 --> 00:32:24,360
Speaker 5: who was your girlfriend? Is what she told us all this, Yeah,

677
00:32:24,560 --> 00:32:26,960
Speaker 5: that my grandma came here. My grandma's had the same

678
00:32:27,040 --> 00:32:32,160
Speaker 5: glasses since nineteen sixty. Literally they're hot pink with diamonds everywhere.

679
00:32:32,600 --> 00:32:35,080
Speaker 5: And my grandma walked in and Ryan said, who's the

680
00:32:35,160 --> 00:32:37,560
Speaker 5: haughty with Miley? And she took that to the very

681
00:32:37,640 --> 00:32:41,440
Speaker 5: last day that she was the Ryan's girlfriend. So that

682
00:32:41,840 --> 00:32:44,640
Speaker 5: really was a nice family moment. I know my lane,

683
00:32:44,760 --> 00:32:46,240
Speaker 5: I know my day exactly.

684
00:32:47,280 --> 00:32:49,120
Speaker 3: So, by the way, what does it just making of

685
00:32:49,200 --> 00:32:52,120
Speaker 3: different generations, your grandma, yourself being here over the years,

686
00:32:52,240 --> 00:32:54,600
Speaker 3: What does it mean to you to have fans of

687
00:32:54,680 --> 00:32:57,720
Speaker 3: so many different generations? Now, my knee six, like she

688
00:32:57,800 --> 00:32:59,920
Speaker 3: knew you were coming on, she was excited. My mom

689
00:33:00,200 --> 00:33:01,360
Speaker 3: knows you're here. She's excited.

690
00:33:01,520 --> 00:33:03,400
Speaker 5: Well, I was that light. I was just talking actually

691
00:33:03,440 --> 00:33:07,720
Speaker 5: to Dolly this morning about that, because dollars she called me.

692
00:33:07,840 --> 00:33:10,440
Speaker 5: She's got a you know, her new Broadway play that's

693
00:33:10,520 --> 00:33:13,120
Speaker 5: premiering in Nashville and then going to New York. And

694
00:33:13,240 --> 00:33:16,240
Speaker 5: she just shows you that you can never stop evolving

695
00:33:16,320 --> 00:33:18,680
Speaker 5: and changing and exploring your lanes. And I think that's

696
00:33:18,720 --> 00:33:21,720
Speaker 5: how you really keep a relevant career, is that you

697
00:33:21,960 --> 00:33:24,680
Speaker 5: just are always growing with the audience. And when I

698
00:33:24,720 --> 00:33:28,280
Speaker 5: see young people that weren't even around when Hannah Montana

699
00:33:28,400 --> 00:33:30,960
Speaker 5: was on air, it's, you know, very meaningful because they

700
00:33:31,000 --> 00:33:32,640
Speaker 5: don't know me just from the show. They know me

701
00:33:33,080 --> 00:33:35,160
Speaker 5: as Miley, they actually don't know me as Hannah. But

702
00:33:35,600 --> 00:33:38,120
Speaker 5: there's a longevity and a loyalty with my fan base

703
00:33:38,240 --> 00:33:40,959
Speaker 5: that's definitely you know, reminiscent of how Dolly has been

704
00:33:41,000 --> 00:33:41,840
Speaker 5: with her fans.

705
00:33:42,080 --> 00:33:42,760
Speaker 4: Dolly Parton.

706
00:33:42,800 --> 00:33:46,080
Speaker 3: I mean, this is like royalty, not just music royalty,

707
00:33:46,160 --> 00:33:48,160
Speaker 3: all entertaining, like planet's royalty.

708
00:33:48,240 --> 00:33:50,640
Speaker 5: And she's you know, loved for her And even though

709
00:33:50,680 --> 00:33:53,680
Speaker 5: there's a characterization of Dolly Parton, she is loved as

710
00:33:53,960 --> 00:33:56,920
Speaker 5: you know, as a real human gets underneath all of

711
00:33:57,040 --> 00:33:59,920
Speaker 5: the drag, which you know, that's all what it is.

712
00:34:00,160 --> 00:34:02,240
Speaker 5: We you know, we all have our own sense of

713
00:34:02,280 --> 00:34:04,840
Speaker 5: an alter ego or a drag queen or our own

714
00:34:04,880 --> 00:34:06,760
Speaker 5: Hannah Montana that makes us feel powerful.

715
00:34:07,600 --> 00:34:09,440
Speaker 3: Miley Cyrus here, I was thinking back because we have

716
00:34:09,520 --> 00:34:10,880
Speaker 3: not talked in a while here on the show. I

717
00:34:11,000 --> 00:34:15,000
Speaker 3: was thinking back to when you won your first Grammy. Right,

718
00:34:15,080 --> 00:34:17,160
Speaker 3: it was twenty twenty four, you won your first Grammy.

719
00:34:17,719 --> 00:34:21,840
Speaker 3: You sang, you dropped the mic. I remember Oprah singing

720
00:34:21,920 --> 00:34:25,200
Speaker 3: along John Legend was iconic feet right to me, that

721
00:34:25,360 --> 00:34:28,279
Speaker 3: was like a moment. If I'm you thinking, holy that

722
00:34:28,480 --> 00:34:28,960
Speaker 3: just happened.

723
00:34:29,000 --> 00:34:31,320
Speaker 5: Well, no one can tell me anything now because Oprah

724
00:34:31,560 --> 00:34:34,600
Speaker 5: sang along to myself, she sing flowers. Now I'm done.

725
00:34:34,640 --> 00:34:36,759
Speaker 5: So now anyone tries to tell me anything, you know

726
00:34:37,680 --> 00:34:40,759
Speaker 5: past the salad, Well, Oprah sang to flowers, so yeah,

727
00:34:41,200 --> 00:34:42,040
Speaker 5: maybe not you know?

728
00:34:42,239 --> 00:34:44,080
Speaker 4: So she did you know her before?

729
00:34:44,480 --> 00:34:47,040
Speaker 5: I was on Oprah when I was younger, we did

730
00:34:47,080 --> 00:34:50,160
Speaker 5: an episode where I got to perform with Joan Jet

731
00:34:50,280 --> 00:34:52,880
Speaker 5: for the first time because it was idols meeting their idols.

732
00:34:52,920 --> 00:34:54,840
Speaker 5: So I've known her from then, but she wasn't you

733
00:34:54,920 --> 00:34:57,280
Speaker 5: know someone that I can't say that I know Oprah,

734
00:34:57,400 --> 00:34:59,080
Speaker 5: But I don't know if any of us ever will,

735
00:34:59,160 --> 00:35:00,480
Speaker 5: which is the allure.

736
00:35:01,560 --> 00:35:02,360
Speaker 3: I don't really want to know.

737
00:35:02,560 --> 00:35:04,360
Speaker 5: I don't want to know totally. I don't want to

738
00:35:04,400 --> 00:35:06,160
Speaker 5: know share like I don't want to know my queens.

739
00:35:06,520 --> 00:35:08,920
Speaker 3: No, But watching the cutaway it stuck with me to

740
00:35:09,000 --> 00:35:11,800
Speaker 3: this day. A cutaway of you singing your first Grammy.

741
00:35:12,080 --> 00:35:15,439
Speaker 3: She's singing along and John legends on his feet at.

742
00:35:15,360 --> 00:35:17,680
Speaker 5: The end of it was like, honestly, Christy and John

743
00:35:17,719 --> 00:35:20,000
Speaker 5: were keeping me going because they were singing along such

744
00:35:20,040 --> 00:35:22,040
Speaker 5: good energy. I was so nervous, you know, I still

745
00:35:22,120 --> 00:35:25,960
Speaker 5: get anxious in situations like that and sing oh yeah,

746
00:35:26,000 --> 00:35:26,680
Speaker 5: I mean the Grammys.

747
00:35:26,680 --> 00:35:27,600
Speaker 4: Is that makes me happy?

748
00:35:27,640 --> 00:35:29,759
Speaker 5: And a while, yeah, that's top tier, that's you know,

749
00:35:29,920 --> 00:35:31,919
Speaker 5: everyone in the audience is the best of the best,

750
00:35:32,000 --> 00:35:33,920
Speaker 5: so you're not just performing. For like, if you have

751
00:35:34,120 --> 00:35:36,800
Speaker 5: bad pitch and you're just playing a show in Kansas,

752
00:35:37,360 --> 00:35:39,680
Speaker 5: ninety percent of the audience will have no idea that

753
00:35:39,760 --> 00:35:42,600
Speaker 5: you have bad pitch. But if you're sitting at the Grammys,

754
00:35:42,760 --> 00:35:45,719
Speaker 5: you know, damn well that Beyonce's like that was good,

755
00:35:45,760 --> 00:35:48,359
Speaker 5: but it was pitchy, and you know, you don't think

756
00:35:48,440 --> 00:35:51,439
Speaker 5: I'm doing it. I I do have an ear where

757
00:35:51,520 --> 00:35:54,080
Speaker 5: I'm enjoying someone's show, but I'm also kind of like

758
00:35:54,560 --> 00:35:57,840
Speaker 5: you know, I'm just listening. And so a regular audience

759
00:35:57,880 --> 00:35:59,879
Speaker 5: doesn't do that in the way that these professional best,

760
00:36:00,000 --> 00:36:00,640
Speaker 5: the best singers do.

761
00:36:01,160 --> 00:36:03,520
Speaker 3: Well, I'm curious, and what do you do to overcome it?

762
00:36:03,680 --> 00:36:05,919
Speaker 3: Like when you get nervous like that in a pressure moment,

763
00:36:06,000 --> 00:36:07,000
Speaker 3: what do you do do it?

764
00:36:07,080 --> 00:36:10,120
Speaker 5: Anyway, the things that you do that you're afraid of

765
00:36:10,880 --> 00:36:13,480
Speaker 5: are you know, they're the things that really change. The

766
00:36:13,600 --> 00:36:16,080
Speaker 5: challenges really do change you. And I have something in

767
00:36:16,160 --> 00:36:19,000
Speaker 5: my mind that is really my mantra, and it's don't

768
00:36:19,080 --> 00:36:21,680
Speaker 5: run away. And even in this moment, you know, talking

769
00:36:21,760 --> 00:36:24,960
Speaker 5: with you all, I always have a moment before of

770
00:36:25,040 --> 00:36:27,080
Speaker 5: because this is not as much as this is a

771
00:36:27,120 --> 00:36:28,560
Speaker 5: part of my life and it's been a part of

772
00:36:28,600 --> 00:36:30,359
Speaker 5: my life for a long time. My day to day

773
00:36:30,600 --> 00:36:35,440
Speaker 5: is kind of much more regular and kind of, you know,

774
00:36:35,800 --> 00:36:39,120
Speaker 5: just humble, and it's in its own kind of normalcy

775
00:36:39,200 --> 00:36:41,239
Speaker 5: of my life. And I've designed it that way. And

776
00:36:41,360 --> 00:36:45,000
Speaker 5: so when you're in these kind of situations that your everyone,

777
00:36:45,120 --> 00:36:47,000
Speaker 5: like I said, has a version of themselves, that's a

778
00:36:47,080 --> 00:36:49,640
Speaker 5: performance and you want to be honest, but you also

779
00:36:50,080 --> 00:36:52,520
Speaker 5: all of us perform in a way of protection. So

780
00:36:52,680 --> 00:36:57,040
Speaker 5: I tell myself, don't run away, and usually it all settles.

781
00:36:57,200 --> 00:36:59,759
Speaker 5: And to feel really nervous or to feel butterflies or

782
00:37:00,040 --> 00:37:03,400
Speaker 5: anxiety is completely normal when you're performing for Oprah and Beyonce,

783
00:37:03,680 --> 00:37:06,160
Speaker 5: So you just go. It would be weird if I

784
00:37:06,320 --> 00:37:07,160
Speaker 5: wasn't nervous and.

785
00:37:07,280 --> 00:37:10,040
Speaker 3: Be human, and you settle in congratulate and the Grammy

786
00:37:10,080 --> 00:37:12,960
Speaker 3: with Beyonce too. So Miley and Beyonce obviously want a

787
00:37:13,040 --> 00:37:18,000
Speaker 3: Grammy after her first one. And she's in Paris, Beyonce's

788
00:37:18,040 --> 00:37:19,960
Speaker 3: on your Paris, She's doing a show in Paris. Beyonce's

789
00:37:20,000 --> 00:37:22,800
Speaker 3: on stage and she brings out Miley as a surprise.

790
00:37:22,960 --> 00:37:26,719
Speaker 3: I invited myself, how did it happen?

791
00:37:26,880 --> 00:37:29,440
Speaker 5: So I was in Paris already, and you know, me

792
00:37:29,560 --> 00:37:31,600
Speaker 5: and everybody else wanted to go to the Beyonce show

793
00:37:31,640 --> 00:37:33,640
Speaker 5: in Paris. But again, I'm just, you know, because I

794
00:37:33,719 --> 00:37:36,640
Speaker 5: am Dolly's god daughter. I can't do anything for fun.

795
00:37:36,760 --> 00:37:38,000
Speaker 5: I have to turn it into.

796
00:37:38,400 --> 00:37:39,320
Speaker 4: It's got to be projects.

797
00:37:39,360 --> 00:37:40,799
Speaker 5: It's got to be a project. So yes, I want

798
00:37:40,840 --> 00:37:42,319
Speaker 5: to go to the Beyonce concert, but I don't want

799
00:37:42,320 --> 00:37:43,520
Speaker 5: to watch. I want to be a part of it.

800
00:37:43,680 --> 00:37:46,000
Speaker 5: So I get to do both. I got to be

801
00:37:46,080 --> 00:37:48,479
Speaker 5: a part of it. And she's everything that you would

802
00:37:48,480 --> 00:37:53,680
Speaker 5: want her to be up close personally, you know, rehearsals,

803
00:37:53,840 --> 00:37:56,200
Speaker 5: she is, you know, meet your heroes when it comes

804
00:37:56,239 --> 00:37:59,560
Speaker 5: to Beyonce because she she puts the work in. It's

805
00:37:59,640 --> 00:38:02,680
Speaker 5: the work. She's super, you know, kind of warm with everybody,

806
00:38:02,800 --> 00:38:05,240
Speaker 5: makes everybody on the crew, you know, feel as valuable

807
00:38:05,280 --> 00:38:08,000
Speaker 5: as they are. And then the show after that is

808
00:38:08,440 --> 00:38:10,600
Speaker 5: one of the best shows, if not the best I've

809
00:38:10,600 --> 00:38:12,720
Speaker 5: ever gotten to see live. I mean, of our generation.

810
00:38:12,840 --> 00:38:15,400
Speaker 5: I think she's probably is the top tier best performer that.

811
00:38:15,440 --> 00:38:18,560
Speaker 3: We have totally Well to your right, who works for us,

812
00:38:18,600 --> 00:38:21,319
Speaker 3: who's one of our favorite people? Here is Ronnie Ryne

813
00:38:21,840 --> 00:38:26,120
Speaker 3: fell Off fell Off from that show. He was there, Yeah, here,

814
00:38:26,600 --> 00:38:31,640
Speaker 3: I was. He saw you come out and Ronnie take

815
00:38:31,719 --> 00:38:33,320
Speaker 3: us into your head in that moment.

816
00:38:33,719 --> 00:38:36,480
Speaker 11: It was the craziest thing ever. Like even when she

817
00:38:36,600 --> 00:38:38,480
Speaker 11: started the show, she was like, we have a very

818
00:38:38,520 --> 00:38:40,840
Speaker 11: special show for you, and I was like, something's happening

819
00:38:41,120 --> 00:38:43,839
Speaker 11: because that's like she I've seen the show at that point,

820
00:38:43,960 --> 00:38:45,640
Speaker 11: was my third time seeing it, so I was like,

821
00:38:46,080 --> 00:38:48,560
Speaker 11: something special is happening. And I saw you did an

822
00:38:48,600 --> 00:38:51,600
Speaker 11: interview saying, Hey, if I do come out with Beiance,

823
00:38:51,719 --> 00:38:53,840
Speaker 11: I want to come out in Paris. So I was like, okay,

824
00:38:53,960 --> 00:38:57,040
Speaker 11: you know my lee, yes, and you planted the siege,

825
00:38:57,080 --> 00:38:58,760
Speaker 11: so You're like, okay, I want to come out in Paris.

826
00:38:58,840 --> 00:39:01,279
Speaker 11: So I was like, okay, three nights in Paris. I'm

827
00:39:01,400 --> 00:39:03,880
Speaker 11: at night one. What are the chances Mley's coming out?

828
00:39:04,040 --> 00:39:06,000
Speaker 11: I saw all over twit are there like Miley's coming,

829
00:39:06,080 --> 00:39:07,799
Speaker 11: Miley's coming. I was like, I don't want to get

830
00:39:07,840 --> 00:39:10,839
Speaker 11: my hopes up just in case. And then literally I'm

831
00:39:11,200 --> 00:39:13,840
Speaker 11: there on the floor and you appeared.

832
00:39:16,080 --> 00:39:19,320
Speaker 5: You appeared out of fin air truly by that riser

833
00:39:19,640 --> 00:39:22,399
Speaker 5: the like yes, and I love because I think that's

834
00:39:22,440 --> 00:39:26,040
Speaker 5: a real testament to her and you know her support.

835
00:39:26,440 --> 00:39:30,719
Speaker 5: You know, she confident women don't compete, and so that's

836
00:39:30,719 --> 00:39:33,279
Speaker 5: why I both of get to stand there in our

837
00:39:33,320 --> 00:39:37,120
Speaker 5: own lane and just celebrate each other. I'm not insecure,

838
00:39:37,320 --> 00:39:40,200
Speaker 5: she's on insecure. So together we can be really powerful.

839
00:39:40,239 --> 00:39:42,520
Speaker 5: And I thought that it was, you know, kind of

840
00:39:42,600 --> 00:39:45,840
Speaker 5: metaphorical that she gave me her riser, because that's the

841
00:39:45,880 --> 00:39:48,840
Speaker 5: way that women that support others, that's what you do,

842
00:39:49,040 --> 00:39:51,760
Speaker 5: is you go, how can I make your entrance something

843
00:39:51,840 --> 00:39:54,640
Speaker 5: that is really special and gives you all the power?

844
00:39:54,960 --> 00:39:58,920
Speaker 5: And that wasn't you know, something that I was always given,

845
00:39:59,239 --> 00:40:01,320
Speaker 5: you know, and that I could chill in the past,

846
00:40:01,360 --> 00:40:01,560
Speaker 5: and so.

847
00:40:01,680 --> 00:40:05,120
Speaker 4: That just you know, it always that's interesting someone or

848
00:40:05,280 --> 00:40:06,719
Speaker 4: people did not do that for you.

849
00:40:06,960 --> 00:40:09,680
Speaker 5: Well, I think too, it's when you're a guest. You know,

850
00:40:09,800 --> 00:40:12,400
Speaker 5: they always everyone you're the guest on the guests and

851
00:40:12,440 --> 00:40:15,000
Speaker 5: they kind of give you this like guest entrance and

852
00:40:15,760 --> 00:40:18,120
Speaker 5: just to remind you, this is not your shape exactly

853
00:40:18,200 --> 00:40:21,120
Speaker 5: as if I didn't know, as if I'm riding a

854
00:40:21,200 --> 00:40:25,040
Speaker 5: horseshoe around ninety like I got it. But it just

855
00:40:25,120 --> 00:40:27,080
Speaker 5: shows I really thought that was just a true kind

856
00:40:27,120 --> 00:40:28,880
Speaker 5: of testament to the kind of woman that she is.

857
00:40:29,960 --> 00:40:31,359
Speaker 3: Here is a little clip of that and then we'll

858
00:40:31,360 --> 00:40:33,760
Speaker 3: come back with Miley Cyrus and talk about the visual

859
00:40:33,840 --> 00:40:36,000
Speaker 3: album streaming on Hulu and Disney Plus today.

860
00:40:44,320 --> 00:40:46,040
Speaker 4: I think you hear Rodney scream here at the start,

861
00:40:49,000 --> 00:40:57,880
Speaker 4: I was also praying, oh.

862
00:41:04,400 --> 00:41:07,920
Speaker 3: Cyrus, Beyonce, that was in Paris a while ago, not

863
00:41:08,000 --> 00:41:09,799
Speaker 3: too long ago. Actually, well come.

864
00:41:09,680 --> 00:41:11,840
Speaker 4: Back here, kiss I with my see christ with you.

865
00:41:12,120 --> 00:41:14,960
Speaker 3: Tanya here Sisty on vacation this week, Miley Cyrus spending

866
00:41:15,000 --> 00:41:18,360
Speaker 3: some time, very important day, very big day. The visual

867
00:41:18,400 --> 00:41:21,440
Speaker 3: album from Miley Miley Sarrus, Something Beautiful is out on

868
00:41:21,600 --> 00:41:27,719
Speaker 3: Hulu and Disney Plus. Exciting there, all right, So approaching

869
00:41:28,000 --> 00:41:30,920
Speaker 3: a visual album versus making an album, what's the difference.

870
00:41:31,480 --> 00:41:36,400
Speaker 5: Well, I've always been inspired visually when I'm making a record,

871
00:41:36,520 --> 00:41:40,000
Speaker 5: but you don't always make, you know, a piece like this,

872
00:41:40,400 --> 00:41:43,239
Speaker 5: and for many reasons of which I learned the hard

873
00:41:43,280 --> 00:41:45,160
Speaker 5: way on this one. Not only is it a lot

874
00:41:45,200 --> 00:41:48,240
Speaker 5: of well a lot of work, but to make everything

875
00:41:48,520 --> 00:41:54,400
Speaker 5: interesting and tell the stories within a reasonable budget is

876
00:41:54,440 --> 00:41:57,040
Speaker 5: a new challenge that you know, because I'm a big dreamer,

877
00:41:57,080 --> 00:42:00,319
Speaker 5: which means you need deep pockets for that. And when

878
00:42:00,560 --> 00:42:04,000
Speaker 5: I really actually kind of started to minimalize the idea

879
00:42:04,120 --> 00:42:08,640
Speaker 5: and the concept it became more pure because I think sometimes,

880
00:42:09,160 --> 00:42:13,920
Speaker 5: especially in my past, I've allowed the concepts or maybe

881
00:42:13,960 --> 00:42:18,000
Speaker 5: even it's you know, the kind of the controversy that

882
00:42:18,120 --> 00:42:21,880
Speaker 5: surrounded an album or something kind of eclipsed the music itself.

883
00:42:21,960 --> 00:42:24,960
Speaker 5: And so by creating something that is extravagant and we

884
00:42:25,120 --> 00:42:28,560
Speaker 5: hope to be really beautiful, it's also really simple and

885
00:42:28,800 --> 00:42:32,040
Speaker 5: kind of minimal, and I think that gave the platform

886
00:42:32,120 --> 00:42:35,200
Speaker 5: and the stage to the music, which doesn't always come first.

887
00:42:35,480 --> 00:42:38,160
Speaker 5: So that was kind of an important pillar that we kept,

888
00:42:38,520 --> 00:42:42,440
Speaker 5: you know, structurally integral that the music comes first.

889
00:42:43,640 --> 00:42:46,160
Speaker 3: In starting the visual album, you've got the prelude from

890
00:42:46,280 --> 00:42:48,600
Speaker 3: her album as well, and the metaphors that are in

891
00:42:48,680 --> 00:42:51,960
Speaker 3: that prelude, and you know, one of which starts with

892
00:42:52,239 --> 00:42:54,320
Speaker 3: like when following an image from a train, your eyes

893
00:42:54,360 --> 00:42:58,440
Speaker 3: can't keep the passing landscapes and it goes on so curiously.

894
00:42:59,040 --> 00:43:01,800
Speaker 3: How did you distill down to those metaphors in that

895
00:43:01,960 --> 00:43:04,160
Speaker 3: direction from the top From the beginning.

896
00:43:03,880 --> 00:43:05,560
Speaker 5: Well, I knew I wanted to open the movie with

897
00:43:05,880 --> 00:43:09,680
Speaker 5: a prayer because I think no matter what you believe

898
00:43:09,760 --> 00:43:13,520
Speaker 5: in or you know, separate from spirituality or religion, I

899
00:43:13,600 --> 00:43:17,160
Speaker 5: think you know, anytime the world you know, we come

900
00:43:17,280 --> 00:43:21,000
Speaker 5: together and we say a piece or a prayer together.

901
00:43:21,080 --> 00:43:25,480
Speaker 5: I think that's really the most powerful changes and movements

902
00:43:25,520 --> 00:43:27,520
Speaker 5: that we make. And so I knew that I wanted

903
00:43:27,560 --> 00:43:31,040
Speaker 5: to open my film with a prayer, and as I kept,

904
00:43:31,560 --> 00:43:33,160
Speaker 5: you know, writing that, and I felt it's really what

905
00:43:33,239 --> 00:43:36,000
Speaker 5: the world needed at that time. The final line, the

906
00:43:36,120 --> 00:43:38,279
Speaker 5: beauty one finds alone as a prayer that longs to

907
00:43:38,320 --> 00:43:41,520
Speaker 5: be shared is I've I mean, this is kind of

908
00:43:41,560 --> 00:43:45,840
Speaker 5: a silly story, but I went to I did some

909
00:43:45,960 --> 00:43:49,800
Speaker 5: meditation at a monastery and I noticed that it was

910
00:43:49,840 --> 00:43:54,600
Speaker 5: a very kind of individualized and isolated experience that everyone

911
00:43:54,760 --> 00:43:58,840
Speaker 5: was praying obviously quietly to not disturb the rest. And

912
00:43:59,000 --> 00:44:01,359
Speaker 5: I kind of thought, if you're so, you know, if

913
00:44:01,400 --> 00:44:04,160
Speaker 5: you've got this wisdom and this enlightenment. To me, I'm

914
00:44:04,200 --> 00:44:06,120
Speaker 5: the person that wants a whisper to the person next

915
00:44:06,160 --> 00:44:09,160
Speaker 5: to me and communicate and connect. And so I thought,

916
00:44:09,440 --> 00:44:12,080
Speaker 5: you know, I like what they've got going on here.

917
00:44:12,440 --> 00:44:15,000
Speaker 5: But if I was to have my own monastery, I

918
00:44:15,080 --> 00:44:18,200
Speaker 5: would make it not silent, because I feel that's very

919
00:44:18,320 --> 00:44:20,680
Speaker 5: me that I think it's important, you know, to be able,

920
00:44:20,719 --> 00:44:22,480
Speaker 5: and I get that you don't want to disrupt or

921
00:44:22,560 --> 00:44:26,640
Speaker 5: interrupt someone else's kind of like, you know, personal journey

922
00:44:26,719 --> 00:44:28,279
Speaker 5: that they're on, but I'm the one that wants to

923
00:44:28,320 --> 00:44:29,720
Speaker 5: tell you about my journey immediately.

924
00:44:29,800 --> 00:44:32,160
Speaker 4: Would you interrupt anyone on this meditation or you held

925
00:44:32,200 --> 00:44:32,640
Speaker 4: it to yourself?

926
00:44:32,680 --> 00:44:34,880
Speaker 5: I did hold it to myself. I did not want to.

927
00:44:35,680 --> 00:44:38,879
Speaker 5: Everything in me was already jumping ahead, which is also

928
00:44:38,920 --> 00:44:40,640
Speaker 5: what you're supposed to not be doing into meditation. You're

929
00:44:40,640 --> 00:44:42,919
Speaker 5: not supposed to be writing your next movie or album. Yeah,

930
00:44:42,960 --> 00:44:45,640
Speaker 5: you're not supposed to be doing that. But so I

931
00:44:45,760 --> 00:44:48,080
Speaker 5: did not disrupt. But I thought, you know, if I

932
00:44:48,120 --> 00:44:50,279
Speaker 5: ever had the Miley Monastery, this would be the house

933
00:44:50,360 --> 00:44:51,319
Speaker 5: rules would be a little different.

934
00:44:51,320 --> 00:44:52,640
Speaker 4: Would you ever do a silent retreat?

935
00:44:53,200 --> 00:44:55,960
Speaker 5: I actually have that on my list of to dos

936
00:44:56,120 --> 00:44:59,440
Speaker 5: because I've I've learned too that sometimes things don't have

937
00:44:59,560 --> 00:45:01,839
Speaker 5: to be so so drastic. You know that you can

938
00:45:01,880 --> 00:45:04,839
Speaker 5: do something. Usually these retreats are three, five, seven, ten days.

939
00:45:05,160 --> 00:45:07,920
Speaker 5: You can really make these really big powerful shifts in

940
00:45:07,960 --> 00:45:12,160
Speaker 5: your life over these times that they're kind of more condensed.

941
00:45:11,719 --> 00:45:13,359
Speaker 4: Than what's a reasonable amount of time.

942
00:45:13,680 --> 00:45:17,759
Speaker 5: I think ten, yeah, ten days of silence is good.

943
00:45:18,080 --> 00:45:21,080
Speaker 5: I mean, you don't know this part of me, but

944
00:45:21,200 --> 00:45:25,040
Speaker 5: I actually do really enjoy my alone time, and I

945
00:45:25,120 --> 00:45:27,400
Speaker 5: think I spend so much of my time performing and

946
00:45:27,560 --> 00:45:30,799
Speaker 5: entertaining and projecting that actually I really crave like kind

947
00:45:30,840 --> 00:45:33,759
Speaker 5: of silence and alone time. I get I can do

948
00:45:33,920 --> 00:45:35,800
Speaker 5: after this till I could do because I'd be with

949
00:45:35,880 --> 00:45:39,120
Speaker 5: my favorite person, having my favorite conversations with myself, which

950
00:45:39,200 --> 00:45:40,960
Speaker 5: then I'm all good because no one says nothing about it.

951
00:45:41,440 --> 00:45:43,920
Speaker 5: You know, you talk to yourself. I do, and I'm

952
00:45:43,960 --> 00:45:46,160
Speaker 5: meant to me like I think I've made that pretty clear.

953
00:45:46,280 --> 00:45:46,759
Speaker 3: I like it.

954
00:45:46,880 --> 00:45:49,960
Speaker 5: I'm indoor, I'm picking up what she's putting down. I'm

955
00:45:50,000 --> 00:45:52,120
Speaker 5: down to spend time with me. But I think that's

956
00:45:52,320 --> 00:45:55,480
Speaker 5: that's maybe the part of the isolation that they want

957
00:45:55,560 --> 00:45:58,840
Speaker 5: you to question is how okay are you with you?

958
00:45:59,560 --> 00:46:01,719
Speaker 5: And I'm good with it. I like it.

959
00:46:01,840 --> 00:46:06,279
Speaker 3: I'm starting with ten hours these voices Miley Cyrus here

960
00:46:06,360 --> 00:46:08,279
Speaker 3: the visual album. So what was your when you when

961
00:46:08,320 --> 00:46:10,040
Speaker 3: you watch what you saw it? When when'd you see

962
00:46:10,040 --> 00:46:11,759
Speaker 3: the whole thing edited together? I'm sure you saw it

963
00:46:11,760 --> 00:46:12,799
Speaker 3: along the way piece my.

964
00:46:12,920 --> 00:46:16,080
Speaker 5: Piece, you know, I was in the editing room and

965
00:46:16,640 --> 00:46:20,680
Speaker 5: I did every minute, you know, sitting creating this together.

966
00:46:20,760 --> 00:46:22,680
Speaker 5: But to actually see it at Tribeca. I think was

967
00:46:22,760 --> 00:46:24,880
Speaker 5: the moment that it felt the most real sharing that

968
00:46:25,040 --> 00:46:27,600
Speaker 5: with you know, the audience, and the album had been out,

969
00:46:27,680 --> 00:46:30,480
Speaker 5: so the audience was singing along, and uh, I was

970
00:46:30,600 --> 00:46:33,400
Speaker 5: kind of inspired by Wicked because I remember that everyone

971
00:46:33,520 --> 00:46:36,320
Speaker 5: was really annoyed when everyone was singing along in the theaters,

972
00:46:36,640 --> 00:46:39,520
Speaker 5: and I thought, I want that. I want I want

973
00:46:39,560 --> 00:46:42,440
Speaker 5: the annoyance of the person you know sitting next to

974
00:46:42,480 --> 00:46:44,400
Speaker 5: you to be singing louder than I am, because I

975
00:46:44,520 --> 00:46:47,520
Speaker 5: love the communal part of music, and I think with

976
00:46:47,680 --> 00:46:51,279
Speaker 5: our isolated experiences like streaming and you know, so much

977
00:46:51,400 --> 00:46:54,719
Speaker 5: music as being taken in on headphones, it's so isolating.

978
00:46:54,840 --> 00:46:57,840
Speaker 5: It's so personal that, you know, growing up going to

979
00:46:57,920 --> 00:46:59,719
Speaker 5: a record store with my brothers and sisters and my

980
00:46:59,760 --> 00:47:01,800
Speaker 5: friend and buying an album and going back in the

981
00:47:01,880 --> 00:47:04,239
Speaker 5: car and listening to it together, we really had this

982
00:47:04,440 --> 00:47:07,160
Speaker 5: time that we all heard I heard Hit Me Baby

983
00:47:07,200 --> 00:47:09,359
Speaker 5: one more time for the first time with a car

984
00:47:09,520 --> 00:47:12,120
Speaker 5: full of people, and all of us knew that it

985
00:47:12,239 --> 00:47:14,000
Speaker 5: was special. And when you have a moment like that

986
00:47:14,120 --> 00:47:16,320
Speaker 5: in music, it's really really special, which is why I

987
00:47:16,440 --> 00:47:18,200
Speaker 5: think still being a part of the radio, it's just

988
00:47:18,280 --> 00:47:21,040
Speaker 5: so important because I remember so much music that I've

989
00:47:21,120 --> 00:47:23,840
Speaker 5: heard for the first time by just I remember Rihanna

990
00:47:24,280 --> 00:47:25,840
Speaker 5: didn't even exist. I didn't even know what it was

991
00:47:25,960 --> 00:47:27,800
Speaker 5: until I was on my way. I'll never forget. I

992
00:47:27,920 --> 00:47:30,880
Speaker 5: was on my way to school and Rihanna came on

993
00:47:30,960 --> 00:47:32,279
Speaker 5: the radio. It was the first time I had ever

994
00:47:32,320 --> 00:47:34,960
Speaker 5: heard her before. And that changed me. Period.

995
00:47:35,440 --> 00:47:37,080
Speaker 4: If you're in school when we were here as probably it.

996
00:47:37,239 --> 00:47:42,000
Speaker 5: Was the first song, the ballad murder Oh Yeah. First

997
00:47:42,320 --> 00:47:45,240
Speaker 5: I was like, I don't want to do this anymore.

998
00:47:47,120 --> 00:47:51,000
Speaker 5: The reason why that was playing. I was in my nannies,

999
00:47:51,080 --> 00:47:54,200
Speaker 5: my babysitters little buick and I was on the way

1000
00:47:54,280 --> 00:47:56,640
Speaker 5: the Champagne buick pulling up to school listen to rere

1001
00:47:57,120 --> 00:47:59,440
Speaker 5: and it was everything and I was got unfaithful that's

1002
00:47:59,480 --> 00:48:03,080
Speaker 5: the song. And now and now when I see her

1003
00:48:03,440 --> 00:48:06,520
Speaker 5: like today, I remember that moment. And you know, the

1004
00:48:06,600 --> 00:48:08,400
Speaker 5: young kids today, they won't they won't get some of

1005
00:48:08,520 --> 00:48:10,279
Speaker 5: the experiences that I got to get with the radio

1006
00:48:10,320 --> 00:48:12,319
Speaker 5: because I even called and requested. I might have even

1007
00:48:12,800 --> 00:48:14,480
Speaker 5: called even before.

1008
00:48:14,280 --> 00:48:17,120
Speaker 4: You really recalled Rick D's then I did.

1009
00:48:17,719 --> 00:48:18,000
Speaker 3: I did.

1010
00:48:18,080 --> 00:48:20,359
Speaker 5: I was a nationale and I kept calling, calling, calling, calling,

1011
00:48:20,440 --> 00:48:22,000
Speaker 5: until someone answered the phone and then I got to

1012
00:48:22,120 --> 00:48:23,480
Speaker 5: freaked out and I made uh by the.

1013
00:48:23,480 --> 00:48:25,399
Speaker 3: Way I called him as well, and I got freaked

1014
00:48:25,400 --> 00:48:27,160
Speaker 3: out because I wanted to come be a DJ after him.

1015
00:48:27,160 --> 00:48:31,320
Speaker 5: I hear my voice on the RADIOH No, well.

1016
00:48:31,200 --> 00:48:32,120
Speaker 4: You overcame that.

1017
00:48:32,400 --> 00:48:33,280
Speaker 5: Yeah, that was fine.

1018
00:48:34,280 --> 00:48:36,160
Speaker 4: Do you tell me about your being? You're good with yourself?

1019
00:48:36,200 --> 00:48:38,960
Speaker 3: You do you like? Do you hear a lyric that

1020
00:48:39,200 --> 00:48:41,200
Speaker 3: you wrote? And when you hear it every time you go,

1021
00:48:41,960 --> 00:48:43,080
Speaker 3: I am a genius.

1022
00:48:43,960 --> 00:48:47,560
Speaker 5: I really like the more to lose lyric are My

1023
00:48:47,680 --> 00:48:50,320
Speaker 5: tears are streaming? Like our favorite show Tonight, which I

1024
00:48:50,400 --> 00:48:52,719
Speaker 5: thought was maybe going to be very cringe. But the

1025
00:48:52,800 --> 00:48:55,120
Speaker 5: reason that I wrote is well, I thought it was

1026
00:48:55,200 --> 00:48:57,680
Speaker 5: either so modern that it was going to be cringey

1027
00:48:58,040 --> 00:49:00,920
Speaker 5: or it was going to be like calling me by Blondie.

1028
00:49:01,040 --> 00:49:03,600
Speaker 5: Because when I think about, you know what call me

1029
00:49:03,719 --> 00:49:07,520
Speaker 5: means now historically, and you imagine telephone booths, and you

1030
00:49:07,640 --> 00:49:10,560
Speaker 5: know that what call me meant at that time. It

1031
00:49:11,000 --> 00:49:13,840
Speaker 5: that's what streaming is today, us calling each other streaming.

1032
00:49:13,960 --> 00:49:15,959
Speaker 5: It kind of puts it in a in a nice

1033
00:49:16,000 --> 00:49:16,640
Speaker 5: time capital.

1034
00:49:16,680 --> 00:49:19,800
Speaker 4: I think, yeah, do you listen to you when you exercise?

1035
00:49:20,719 --> 00:49:24,600
Speaker 5: When I exercise? No, I don't listen to me necessarily

1036
00:49:24,600 --> 00:49:27,080
Speaker 5: when I exercise, but I do shamelessly listen to myself

1037
00:49:27,160 --> 00:49:28,360
Speaker 5: sometimes when I'm driving.

1038
00:49:28,160 --> 00:49:30,040
Speaker 3: To Malibu, just Malibi.

1039
00:49:30,280 --> 00:49:32,040
Speaker 5: Yeah, that's because it's like an hour drive. Because I

1040
00:49:32,120 --> 00:49:34,360
Speaker 5: make bodies of work. Okay, I don't make singles, so

1041
00:49:35,520 --> 00:49:40,560
Speaker 5: the l okay, this is this is an I'm not

1042
00:49:40,640 --> 00:49:43,040
Speaker 5: looking at my phone. I'm driving, I'm not skipping around.

1043
00:49:43,440 --> 00:49:46,040
Speaker 5: So I put on one album top to bottom. I

1044
00:49:46,160 --> 00:49:48,720
Speaker 5: listened to ESP I listen to dead Pad something beautiful,

1045
00:49:48,800 --> 00:49:50,960
Speaker 5: but you know I don't have time to thumb through

1046
00:49:51,080 --> 00:49:52,799
Speaker 5: my faves. I listened to the Body of Art.

1047
00:49:53,120 --> 00:49:54,920
Speaker 4: Do you listen to Malibu while driving a Malibu?

1048
00:49:55,920 --> 00:49:58,319
Speaker 5: I listened to Malibu sometimes, but see, I have too

1049
00:49:58,320 --> 00:50:00,840
Speaker 5: many production notes. That's some times I can't listen to

1050
00:50:00,880 --> 00:50:03,520
Speaker 5: my own music because I can't enjoy it without making notes.

1051
00:50:03,640 --> 00:50:04,400
Speaker 3: It is perfect.

1052
00:50:04,400 --> 00:50:05,680
Speaker 4: Do you have Do they have to tell you stop

1053
00:50:05,800 --> 00:50:07,080
Speaker 4: working on it? We got to release?

1054
00:50:07,320 --> 00:50:07,400
Speaker 6: Uh?

1055
00:50:07,520 --> 00:50:07,759
Speaker 3: Yeah.

1056
00:50:09,320 --> 00:50:11,080
Speaker 5: That's what I love most about streaming is that you

1057
00:50:11,160 --> 00:50:13,800
Speaker 5: can actually take songs down and replace them with new mixes,

1058
00:50:13,840 --> 00:50:16,440
Speaker 5: which I have done before. On Plastic Hearts, there's a

1059
00:50:16,520 --> 00:50:20,000
Speaker 5: song called hate Me and I despised the mix and

1060
00:50:20,200 --> 00:50:21,600
Speaker 5: I have swapped it out. So if you have the

1061
00:50:21,680 --> 00:50:24,120
Speaker 5: CD and you listen on streaming, they're completely She's the

1062
00:50:24,160 --> 00:50:27,560
Speaker 5: same thing as wild Card on ESB CDs. Streaming is different.

1063
00:50:27,600 --> 00:50:30,520
Speaker 5: There's a synth missing on the on the streaming at first,

1064
00:50:30,560 --> 00:50:32,680
Speaker 5: and then I replaced it, so I can't quite working

1065
00:50:32,719 --> 00:50:32,880
Speaker 5: on it.

1066
00:50:33,400 --> 00:50:35,799
Speaker 3: I don't this. Maybe this is like a term people

1067
00:50:35,880 --> 00:50:38,520
Speaker 3: don't like. But is it perfectionism? Is it wanting to

1068
00:50:38,760 --> 00:50:40,719
Speaker 3: just do the best you can't like? What is that

1069
00:50:40,920 --> 00:50:41,120
Speaker 3: for you?

1070
00:50:42,440 --> 00:50:45,080
Speaker 5: I wouldn't say that I'm necessarily a perfectionist, because I

1071
00:50:45,120 --> 00:50:48,560
Speaker 5: do think that that's sometimes more the beautiful things like

1072
00:50:48,640 --> 00:50:51,240
Speaker 5: I love a good distortion in the mix or something

1073
00:50:51,320 --> 00:50:54,200
Speaker 5: that you get to feel. But probably a sense of

1074
00:50:54,640 --> 00:50:57,600
Speaker 5: maybe obsessiveness. I'm a bit, you know, a bit obsessive.

1075
00:50:57,960 --> 00:51:00,399
Speaker 4: Quickly, before you go, what's the lens you look through

1076
00:51:00,840 --> 00:51:03,000
Speaker 4: when you make a decision in your world?

1077
00:51:03,840 --> 00:51:03,920
Speaker 1: Uh?

1078
00:51:04,760 --> 00:51:06,560
Speaker 4: In your I think, in your creative world and in

1079
00:51:06,880 --> 00:51:08,200
Speaker 4: your in your work, I.

1080
00:51:08,200 --> 00:51:14,000
Speaker 5: Would say, uh, meaning and time to look at time

1081
00:51:14,719 --> 00:51:18,080
Speaker 5: from an overhead view and don't get too lost in

1082
00:51:18,440 --> 00:51:22,480
Speaker 5: today because today is yesterday and it all moves forward.

1083
00:51:22,640 --> 00:51:26,120
Speaker 5: And to me, I think you know something about quality work.

1084
00:51:26,200 --> 00:51:28,360
Speaker 5: It's timeless, It's never going to go out of style.

1085
00:51:29,239 --> 00:51:32,040
Speaker 5: Dolly actually said today, she said, some call it old school.

1086
00:51:32,160 --> 00:51:35,800
Speaker 5: I call it old cool, and you you keep it classic,

1087
00:51:36,320 --> 00:51:39,279
Speaker 5: and I don't. I don't think that quality and uh,

1088
00:51:39,760 --> 00:51:41,960
Speaker 5: you know, devotion is ever going to go out of style.

1089
00:51:42,400 --> 00:51:44,120
Speaker 1: Miley with the quotes today.

1090
00:51:44,920 --> 00:51:45,520
Speaker 4: We're gonna go back.

1091
00:51:46,640 --> 00:51:49,160
Speaker 3: We're gonna listen to ourselves of you after this show,

1092
00:51:49,400 --> 00:51:51,880
Speaker 3: just to hear all of these stuffs again. All right,

1093
00:51:51,920 --> 00:51:53,880
Speaker 3: Miley Cyrus, thanks for being here. Thank you so much,

1094
00:51:54,360 --> 00:51:58,800
Speaker 3: Usual Beautiful Disney Plus today I'll see you. Thanks, thank you.

1095
00:52:00,320 --> 00:52:07,120
Speaker 3: With a Ryan Seacrets two point seven Guess FM, thanks

1096
00:52:07,200 --> 00:52:10,359
Speaker 3: for rolling through it with us. We have a call

1097
00:52:10,440 --> 00:52:12,640
Speaker 3: I wanted to take right away. Aaron been on hold

1098
00:52:12,680 --> 00:52:14,759
Speaker 3: for a minute. Let me pop her on, she said.

1099
00:52:14,920 --> 00:52:17,680
Speaker 3: Listen to this scenario. So Aaron is on the phone.

1100
00:52:17,840 --> 00:52:20,520
Speaker 3: She is telling us that a woman applied to her

1101
00:52:20,600 --> 00:52:23,720
Speaker 3: company who used to bully her in high school.

1102
00:52:23,800 --> 00:52:24,840
Speaker 4: Eron good morning, thanks.

1103
00:52:24,680 --> 00:52:25,080
Speaker 3: For coming on.

1104
00:52:26,080 --> 00:52:26,960
Speaker 8: Hi, good morning.

1105
00:52:27,719 --> 00:52:29,440
Speaker 3: Well, first of all, good morning, and I'm sorry that

1106
00:52:29,560 --> 00:52:32,480
Speaker 3: you got bullied in high school. And the fact that

1107
00:52:32,600 --> 00:52:35,279
Speaker 3: you know exactly who this person is, I'm sure you

1108
00:52:35,360 --> 00:52:38,320
Speaker 3: don't forget when something like that happens. To you, is

1109
00:52:38,400 --> 00:52:40,960
Speaker 3: interesting that the world has gotten small enough to where

1110
00:52:41,000 --> 00:52:42,560
Speaker 3: she's applied to work where you work.

1111
00:52:44,560 --> 00:52:46,879
Speaker 4: Has what has happened so far? Has she gotten a job?

1112
00:52:46,960 --> 00:52:47,440
Speaker 3: Has she come in?

1113
00:52:47,560 --> 00:52:49,160
Speaker 4: Have you seen or spoken to her? How do you

1114
00:52:49,239 --> 00:52:50,600
Speaker 4: know about it? Give me some background.

1115
00:52:51,719 --> 00:52:55,560
Speaker 8: Well, I recently got promoted at my job, so I'm

1116
00:52:55,600 --> 00:53:00,400
Speaker 8: in a hiring position now, which is sometimes hard to believe,

1117
00:53:00,680 --> 00:53:06,560
Speaker 8: but basically I'm helping go through applications and this new

1118
00:53:06,719 --> 00:53:09,239
Speaker 8: role opened up on our team. And one of the

1119
00:53:09,320 --> 00:53:12,920
Speaker 8: resumes that came in is from this person who bullied me.

1120
00:53:14,200 --> 00:53:18,520
Speaker 4: And you read the resume, Yeah, I saw her name

1121
00:53:18,920 --> 00:53:19,520
Speaker 4: and just.

1122
00:53:21,080 --> 00:53:23,160
Speaker 8: Knew it, knew it.

1123
00:53:23,440 --> 00:53:25,400
Speaker 3: Just get to the heart of the matter and the

1124
00:53:25,440 --> 00:53:29,880
Speaker 3: big question, do you get revenge now on this bullying?

1125
00:53:29,960 --> 00:53:33,200
Speaker 3: Because you're in control, you have the power to bring

1126
00:53:33,320 --> 00:53:36,640
Speaker 3: her in or reject her. How are you thinking about it?

1127
00:53:38,280 --> 00:53:41,560
Speaker 8: I mean, they literally made my life miserable. I haven't

1128
00:53:41,600 --> 00:53:45,000
Speaker 8: spoken to this person since graduation in almost ten years,

1129
00:53:45,200 --> 00:53:48,800
Speaker 8: and I feel like I have their resume here. What

1130
00:53:48,920 --> 00:53:52,279
Speaker 8: do I do, like professionally, do I separate it? And

1131
00:53:53,800 --> 00:53:57,000
Speaker 8: you know I reviewed their experience, They're actually qualified.

1132
00:53:57,560 --> 00:53:59,799
Speaker 3: I would look at two deliberate ways, two very clear ways.

1133
00:54:00,840 --> 00:54:06,239
Speaker 3: Number one, Karma, she's out. Okay, number one, that would

1134
00:54:06,239 --> 00:54:07,400
Speaker 3: be a number one car. I'm not saying in an

1135
00:54:07,480 --> 00:54:10,600
Speaker 3: order of priority. That's example number one path number one. Okay, Karma,

1136
00:54:10,719 --> 00:54:12,360
Speaker 3: you know what you did this to me. It bothered me.

1137
00:54:12,400 --> 00:54:14,279
Speaker 3: It wasn't right. I don't give you a second chance.

1138
00:54:14,320 --> 00:54:15,399
Speaker 3: You're out. It's karma.

1139
00:54:15,480 --> 00:54:16,319
Speaker 4: So the way the world works.

1140
00:54:16,520 --> 00:54:21,360
Speaker 3: Number two, you give her the opportunity to interview for

1141
00:54:21,480 --> 00:54:28,120
Speaker 3: the job. And I think it's okay to. I mean,

1142
00:54:28,160 --> 00:54:30,160
Speaker 3: you're obviously gonna know who you are, You're gonna know

1143
00:54:30,239 --> 00:54:31,839
Speaker 3: who she is, so you're gonna talk about the fact

1144
00:54:31,840 --> 00:54:33,680
Speaker 3: you went to the same high school. I think it's

1145
00:54:33,719 --> 00:54:36,560
Speaker 3: okay to reveal how she made an impact on you

1146
00:54:36,680 --> 00:54:39,719
Speaker 3: in such a bad, negative, bullying way, and let her

1147
00:54:40,640 --> 00:54:45,120
Speaker 3: respond to that before you get into the interview. Wow,

1148
00:54:46,000 --> 00:54:49,600
Speaker 3: let her apologize, Let her tell you something that might

1149
00:54:49,680 --> 00:54:50,319
Speaker 3: make you feel better.

1150
00:54:50,360 --> 00:54:51,520
Speaker 4: You could close the loop on it.

1151
00:54:51,560 --> 00:54:54,400
Speaker 3: In other words, you could have closure on this bullying story,

1152
00:54:54,719 --> 00:54:57,680
Speaker 3: but in person and move on to the interview. You

1153
00:54:57,680 --> 00:54:59,839
Speaker 3: don't have to give her the job. But I don't

1154
00:54:59,880 --> 00:55:01,520
Speaker 3: know that I could. We're going to know you're from

1155
00:55:01,560 --> 00:55:04,440
Speaker 3: the same place. I don't know that I could not say, Hey,

1156
00:55:04,840 --> 00:55:06,640
Speaker 3: obviously we're from the same high school. This is what

1157
00:55:06,719 --> 00:55:09,360
Speaker 3: you did to me, and it still bothered me personally.

1158
00:55:09,600 --> 00:55:09,759
Speaker 3: I know.

1159
00:55:09,880 --> 00:55:12,759
Speaker 1: But don't you think that this person knows, like they

1160
00:55:12,960 --> 00:55:13,920
Speaker 1: know that they know.

1161
00:55:14,040 --> 00:55:15,440
Speaker 4: You're in the role you're in hiring.

1162
00:55:17,280 --> 00:55:18,239
Speaker 8: No, I don't think so.

1163
00:55:19,040 --> 00:55:19,680
Speaker 3: I'm not yet.

1164
00:55:20,160 --> 00:55:22,640
Speaker 1: No, they know this bully knows that they had an

1165
00:55:22,680 --> 00:55:25,759
Speaker 1: impact on you when they were bullying you, and I

1166
00:55:26,680 --> 00:55:28,600
Speaker 1: want to give this person the benefit of the doubt

1167
00:55:28,640 --> 00:55:30,000
Speaker 1: that they're not the same person.

1168
00:55:30,080 --> 00:55:31,600
Speaker 4: I just feel like people can change.

1169
00:55:31,640 --> 00:55:35,280
Speaker 1: People can change, and maybe they did have some karma

1170
00:55:35,640 --> 00:55:39,359
Speaker 1: thrown their way before this and they're a totally different person.

1171
00:55:39,480 --> 00:55:41,320
Speaker 1: I feel like somebody that you are in high school

1172
00:55:41,320 --> 00:55:43,480
Speaker 1: doesn't necessarily mean that's the person that you are today.

1173
00:55:45,280 --> 00:55:45,840
Speaker 8: That's true.

1174
00:55:47,440 --> 00:55:50,840
Speaker 3: I can't go unanswered. It can't go unanswered for me.

1175
00:55:51,120 --> 00:55:53,960
Speaker 3: It's either no shot or a shot. But I want

1176
00:55:53,960 --> 00:55:54,880
Speaker 3: you to know what you did to me.

1177
00:55:56,400 --> 00:55:58,160
Speaker 8: I mean, part of me would like to do that

1178
00:55:58,320 --> 00:56:02,160
Speaker 8: and see what this person has to say, but I'm

1179
00:56:02,239 --> 00:56:04,600
Speaker 8: not sure if that's professional for me to do that.

1180
00:56:05,000 --> 00:56:05,239
Speaker 2: It's not.

1181
00:56:05,719 --> 00:56:09,279
Speaker 3: It's not, it's not it's just it's not professional. It's

1182
00:56:09,440 --> 00:56:13,120
Speaker 3: just real life. And you could feel it out, you

1183
00:56:13,160 --> 00:56:15,120
Speaker 3: could just see how there the conversation.

1184
00:56:15,200 --> 00:56:17,160
Speaker 1: I feel like it would be very healing of you

1185
00:56:17,560 --> 00:56:21,520
Speaker 1: to like to close that chapter and really just if

1186
00:56:21,560 --> 00:56:23,880
Speaker 1: this person is qualified and not base it off of

1187
00:56:24,320 --> 00:56:26,160
Speaker 1: your experience with them, and then if you do end

1188
00:56:26,239 --> 00:56:29,360
Speaker 1: up hiring them, like what a healing three sixty life moment.

1189
00:56:29,760 --> 00:56:31,440
Speaker 3: You know, in this last moment here and before we go,

1190
00:56:31,800 --> 00:56:35,879
Speaker 3: you won, like during your job threw you to win,

1191
00:56:37,520 --> 00:56:40,880
Speaker 3: like lost, like maybe there's no comment needed because Hi,

1192
00:56:41,760 --> 00:56:42,320
Speaker 3: I'm your.

1193
00:56:42,239 --> 00:56:45,759
Speaker 4: Boss and with that, I like it.

1194
00:56:46,160 --> 00:56:46,560
Speaker 5: I like it.

1195
00:56:46,880 --> 00:56:47,320
Speaker 3: I like it.

1196
00:56:48,880 --> 00:56:51,200
Speaker 8: Good luck, ar, thank you so much.

1197
00:56:51,960 --> 00:56:54,400
Speaker 4: We'd love to kind of hear what happens somehow, so

1198
00:56:55,280 --> 00:56:55,759
Speaker 4: let us know.

1199
00:56:56,000 --> 00:56:58,879
Speaker 8: K T I will, I definitely will.

1200
00:56:59,320 --> 00:57:03,239
Speaker 3: Okay, bye, I think like heart wants to do both

1201
00:57:03,280 --> 00:57:06,200
Speaker 3: the first two things I said professionally, just be the

1202
00:57:06,320 --> 00:57:07,279
Speaker 3: you win, be above it.

1203
00:57:07,360 --> 00:57:08,600
Speaker 5: You're are even something.

1204
00:57:08,640 --> 00:57:10,960
Speaker 1: If you mention it, like saying, tell them how much

1205
00:57:11,000 --> 00:57:12,879
Speaker 1: they affected you, then they win.

1206
00:57:13,080 --> 00:57:17,400
Speaker 3: They have power. This is kiss. I saw Eat Pray,

1207
00:57:17,520 --> 00:57:19,520
Speaker 3: Love and they went on a silent retreat and I

1208
00:57:19,720 --> 00:57:22,600
Speaker 3: was like, no, I couldn't do it. No, I love

1209
00:57:22,640 --> 00:57:24,760
Speaker 3: the movie and love. I could not do it. I

1210
00:57:24,800 --> 00:57:27,960
Speaker 3: could I can be silent for a day part like

1211
00:57:28,080 --> 00:57:30,400
Speaker 3: for the link of JoJo's show, I could be silent,

1212
00:57:30,720 --> 00:57:34,160
Speaker 3: No way, for sure, not one word. Yeah, I do

1213
00:57:34,240 --> 00:57:36,840
Speaker 3: it at night, Well, when you're sleeping doesn't count. No,

1214
00:57:36,960 --> 00:57:38,760
Speaker 3: when I'm laying in bed, I do it at night.

1215
00:57:41,000 --> 00:57:43,439
Speaker 5: Minutes, No, three or four episodes.

1216
00:57:43,120 --> 00:57:45,720
Speaker 4: Of a show, not a word silent.

1217
00:57:46,240 --> 00:57:49,200
Speaker 3: So Ruby has this trend here to tell us about,

1218
00:57:49,240 --> 00:57:51,520
Speaker 3: called silent summers go on.

1219
00:57:52,160 --> 00:57:54,560
Speaker 6: Yeah, So, you know, in a world that feels louder

1220
00:57:54,640 --> 00:57:58,320
Speaker 6: than ever, with NonStop news alerts, doom scrolling on social media,

1221
00:57:58,360 --> 00:58:01,800
Speaker 6: and just the everyday chaos, some people are actually choosing

1222
00:58:01,920 --> 00:58:06,360
Speaker 6: to unplug in a really big way via silent summers. So,

1223
00:58:06,680 --> 00:58:09,480
Speaker 6: like you said, they're silent retreats which are going mainstream

1224
00:58:09,560 --> 00:58:13,600
Speaker 6: now with people intentionally stepping away from their phone screens,

1225
00:58:13,680 --> 00:58:18,000
Speaker 6: from conversations for days and even weeks just to reset weeks.

1226
00:58:18,240 --> 00:58:19,240
Speaker 5: Yeah, weeks.

1227
00:58:20,760 --> 00:58:22,080
Speaker 6: So some people do it, you know, like in a

1228
00:58:22,400 --> 00:58:27,080
Speaker 6: remote cabin, a digital detox retreat, or an actual structured

1229
00:58:27,240 --> 00:58:30,400
Speaker 6: silent retreat program. And the goal is always the same.

1230
00:58:30,440 --> 00:58:32,560
Speaker 6: It's to tune out of the world and to tune

1231
00:58:32,840 --> 00:58:37,240
Speaker 6: back in. So I feel like silence is essentially becoming

1232
00:58:37,320 --> 00:58:39,840
Speaker 6: the ultimate luxury for a lot of people with everything

1233
00:58:39,920 --> 00:58:40,760
Speaker 6: going on in the world.

1234
00:58:42,040 --> 00:58:42,840
Speaker 5: But yeah, I know it would.

1235
00:58:42,880 --> 00:58:45,080
Speaker 1: It would be a little hard for us because for work.

1236
00:58:45,000 --> 00:58:48,560
Speaker 3: We talk, right, this is what we do. But I

1237
00:58:48,680 --> 00:58:50,760
Speaker 3: love the idea of the screen silence. I mean, I'm

1238
00:58:50,840 --> 00:58:54,600
Speaker 3: down for that for weeks. That'd be great. Oh yeah,

1239
00:58:54,760 --> 00:58:57,440
Speaker 3: I'd be down to do that. And I'm okay silent

1240
00:58:58,760 --> 00:59:00,840
Speaker 3: for a day. It's twenty four hours overnight in a

1241
00:59:00,880 --> 00:59:04,240
Speaker 3: full day. Then I think too much. Maybe you have

1242
00:59:04,280 --> 00:59:06,080
Speaker 3: to break through the thinking too much. Maybe that's the point,

1243
00:59:06,120 --> 00:59:09,040
Speaker 3: like there's a breakthrough. You overthink, you overanalyze your self, doubt,

1244
00:59:09,080 --> 00:59:11,080
Speaker 3: you talk to yourself in your own head, and maybe

1245
00:59:11,080 --> 00:59:12,400
Speaker 3: there's a breakthrough on the other side.

1246
00:59:12,720 --> 00:59:13,640
Speaker 4: You should try it, ruld be.

1247
00:59:13,840 --> 00:59:14,880
Speaker 5: I would be down to try it.

1248
00:59:15,000 --> 00:59:17,200
Speaker 6: I had a friend who did this and she said

1249
00:59:17,240 --> 00:59:19,960
Speaker 6: it was really really good for her, and she did it.

1250
00:59:20,080 --> 00:59:22,640
Speaker 6: She committed for one week of silence, so you speak

1251
00:59:22,680 --> 00:59:25,240
Speaker 6: to no one, you say nothing to no one.

1252
00:59:25,760 --> 00:59:26,720
Speaker 4: No interactions.

1253
00:59:28,080 --> 00:59:29,600
Speaker 6: But she said it was really really good for her

1254
00:59:29,640 --> 00:59:30,240
Speaker 6: mental health.

1255
00:59:30,400 --> 00:59:31,040
Speaker 5: So I would be.

1256
00:59:31,360 --> 00:59:32,520
Speaker 6: I would be down to try it.

1257
00:59:32,760 --> 00:59:34,800
Speaker 1: It would be hard, but I would be willing to.

1258
00:59:34,840 --> 00:59:37,360
Speaker 3: Try that everything worth it. Is a little difficult, so

1259
00:59:37,560 --> 00:59:39,080
Speaker 3: silent summers. Let us know if you're in on that

1260
00:59:39,200 --> 00:59:40,960
Speaker 3: eight hundred and five two one to two seven, And

1261
00:59:41,280 --> 00:59:44,560
Speaker 3: just like that, it is Wednesday wrapped for the morning

1262
00:59:44,600 --> 00:59:46,400
Speaker 3: show here at one of two point seven at kids FM.

1263
00:59:46,760 --> 00:59:48,160
Speaker 4: Thank you so much for listening to us.

1264
00:59:48,360 --> 00:59:50,960
Speaker 3: Tanya been in for Siciny all week, Systney on vacation

1265
00:59:51,120 --> 00:59:55,320
Speaker 3: on the family summer vacation camping trip, and tomorrow, just

1266
00:59:55,360 --> 00:59:59,120
Speaker 3: looking ahead, We've got Ryan's roses tomorrow. Also we have

1267
00:59:59,240 --> 01:00:01,840
Speaker 3: got Janna for love Hewitt from I Know What You

1268
01:00:01,960 --> 01:00:04,800
Speaker 3: Did Last Summer? Looking forward to that. I was on

1269
01:00:04,920 --> 01:00:07,320
Speaker 3: the set for that one or the other one, the

1270
01:00:07,480 --> 01:00:09,480
Speaker 3: sequel maybe as I still or I did or I

1271
01:00:09,560 --> 01:00:11,360
Speaker 3: do Know what you did last summer. I was on

1272
01:00:11,440 --> 01:00:13,680
Speaker 3: the set interviewing her when I was just a baby DJ.

1273
01:00:14,000 --> 01:00:14,840
Speaker 3: That is so cool.

1274
01:00:15,400 --> 01:00:16,280
Speaker 4: So that's tomorrow too.

1275
01:00:16,440 --> 01:00:18,760
Speaker 3: If you missed today's show, podcasted on your Thrine Secrets,

1276
01:00:18,760 --> 01:00:20,480
Speaker 3: Miley Cyrus is here. Check it out on the podcast

1277
01:00:20,520 --> 01:00:22,040
Speaker 3: at noon. Talk to you tomorrow, have a goo one

1278
01:00:22,080 --> 01:00:22,560
Speaker 3: kiss a step.

1279
01:00:23,040 --> 01:00:25,280
Speaker 4: Thanks for listening to on air with Ryan Seacrest.

1280
01:00:25,680 --> 01:00:27,640
Speaker 3: Make sure to subscribe and we'll talk to you again

1281
01:00:27,680 --> 01:00:28,040
Speaker 3: tomorrow