WEBVTT - #323 - Aaron "Ace" Christian

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<v Speaker 1>What up. It's Ace. Catch you on the Bootleg Cab Show.

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<v Speaker 2>Bootleg cap Podcast Special guests in here. My guy Ace.

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<v Speaker 2>If you guys do not know who Ace is, big

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<v Speaker 2>time manager in the music industry, Manager's Corday managing Turbo.

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<v Speaker 2>Who else you managed?

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<v Speaker 1>Tommy Genesis? Okay, Tommy Genesis, A couple other couple other developments.

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<v Speaker 2>So how did you get started in the music industry

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<v Speaker 2>because you're from Boston.

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<v Speaker 1>Right, Yeah, I'm from New Bedford, Massachusetts. Man, it's like

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<v Speaker 1>forty minutes south of Boston. I had a mutual friend,

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<v Speaker 1>her name is Susante James. She was living in Miami

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<v Speaker 1>at the time. I was going to school in Florida,

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<v Speaker 1>and we had a mutual friend of White Club Jean Ah. Yeah, yeah,

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<v Speaker 1>so White Club out of concert down in Miami. I

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<v Speaker 1>came down from Daytona Beach to kick it with Susie

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<v Speaker 1>on her college campus, Lynn University at the time. It's

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<v Speaker 1>in Boca Raton, Florida, went down and watched class in

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<v Speaker 1>Miami at the film One. Me and him just connected backstage.

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<v Speaker 1>We like, just you know, he's he was just cool

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<v Speaker 1>as fucking He took a genuine interest to me. I

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<v Speaker 1>was a school at the time. I was playing scholarship basketball,

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<v Speaker 1>so I wasn't even the music industry but play Saint

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<v Speaker 1>Andrew's University. No, but through Cooking University at this time

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<v Speaker 1>in Daytona Beach.

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<v Speaker 2>So you were going to school in Florida.

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<v Speaker 1>Yeah, yeah, yeah, I was playing scholarship basketball.

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<v Speaker 2>That's great. So you ended up meeting white Cliff just

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<v Speaker 2>through her. Through her, I just fucked with you and

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<v Speaker 2>from there. From then what happens with white Cliff?

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<v Speaker 1>I went back to school. This is like my with

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<v Speaker 1>my sophomore yet we just stayed in touch. Unfortunately, he

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<v Speaker 1>was running for president haiti, Oh.

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<v Speaker 2>I remember that? Yeah, I forgot he did that?

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<v Speaker 1>Yeah bro?

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<v Speaker 2>What year was that? Was that?

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<v Speaker 1>Like eight? Yeah? Nine? Yeah?

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<v Speaker 2>Oh nine?

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<v Speaker 1>So he lost, right, he dropped out, he got shot,

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<v Speaker 1>and he was just like, I'm good.

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<v Speaker 2>How do I not remember why Cleiff getting shots?

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<v Speaker 1>Like the president of that time, you know, it wasn't

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<v Speaker 1>really that that.

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<v Speaker 2>Important trying to kill white Cleft.

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<v Speaker 1>I mean, that's important, but like what the fuck?

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<v Speaker 2>Yeah, assassination attempt on one of the members of the

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<v Speaker 2>Fuji's and the other guys in.

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<v Speaker 1>President for it, what the fun? Maybe there's some lineas

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<v Speaker 1>between the two.

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<v Speaker 2>Who knows the conspiracies anyway, So continue he was running

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<v Speaker 2>for president at the time.

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<v Speaker 1>Yeah, he was one of the president at the time,

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<v Speaker 1>and he was just using me as like his young

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<v Speaker 1>eyes and ears for the landscape where music was at

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<v Speaker 1>because even though he was in politics, like it's like

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<v Speaker 1>he's still he's still a musician and he was out

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<v Speaker 1>of his deal Sony. You know he had that song

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<v Speaker 1>with with Akon and Lil Wayne that was a smash.

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<v Speaker 1>I'm gonna tell you who told me Cash moves everything

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<v Speaker 1>around me? So get down down the bills. The sweetest girl,

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<v Speaker 1>the sweetest.

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<v Speaker 2>Girl, sweetest girl, sweetest girl. I remember this.

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<v Speaker 1>I remember, okay now that what she was.

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<v Speaker 2>Remember it was like the last kind of like radio record.

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<v Speaker 1>Yeah, yeah, it was the last one. Yeah, I remember

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<v Speaker 1>so like he had that record and like this is

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<v Speaker 1>like two years later when I met and he was

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<v Speaker 1>just like this is one. Like it was cool to

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<v Speaker 1>be independent. Remember, like YouTube like took over TV and

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<v Speaker 1>it was the forefront and the centerpiece of all contents.

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<v Speaker 2>Like right now, you're really it's really like the when

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<v Speaker 2>it's cool to be independent though right now for real,

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<v Speaker 2>everybody wants to be indie.

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<v Speaker 1>You get it out right now. The labels on the DSPs,

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<v Speaker 1>they're like squeezing the juice side of like everyone kid no,

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<v Speaker 1>but it's like it's like but it's like if you

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<v Speaker 1>upload your music to distro Kid, where's it going.

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<v Speaker 2>To go then?

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<v Speaker 1>And you're paying for your own ads? Like, how are

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<v Speaker 1>you gonna get into the playlist where you get visibility

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<v Speaker 1>for the first twenty four to forty eight hours, playlists

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<v Speaker 1>actually work. After that, it's just visibility. But visibility is

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<v Speaker 1>everything awareness.

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<v Speaker 2>I think l Russell's done a good job getting on playlist.

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<v Speaker 2>That's one guy, Russo Core you know.

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<v Speaker 1>Tell me what what's the iron even both of those

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<v Speaker 1>names you just mentioned.

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<v Speaker 2>I know if you guys who are doing very well

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<v Speaker 2>we work together on Distro Kid and on.

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<v Speaker 1>But if you look at if you just look again,

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<v Speaker 1>I'm gon use this word.

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<v Speaker 2>I don't want to get well, we'll get to all this.

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<v Speaker 2>But okay, why CLEF.

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<v Speaker 1>Twelve, this is why? Like being independent was like cool,

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<v Speaker 1>like you had like you know, funk volume you have okay, yes, yeah,

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<v Speaker 1>volume wave and tis strange music and like it was

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<v Speaker 1>you could be independent at the chance was like acid

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<v Speaker 1>rap chance that was.

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<v Speaker 2>Both him and Chance were independent.

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<v Speaker 1>Is yeah, even mac Miller like was Roster, but like

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<v Speaker 1>that's independent, Like rostro was independence. They weren't the time,

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<v Speaker 1>you know. But in any case, I was just like

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<v Speaker 1>putting cleft onto like what was happening at that time.

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<v Speaker 1>Like j Cole was like, you know for this like

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<v Speaker 1>Friday night lights, Ga, you know what I'm saying, like

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<v Speaker 1>section eighty Kendrick and Ship. So I was just keeping

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<v Speaker 1>him privy to like who was popping and what was

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<v Speaker 1>going on and b the time, like my senior year

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<v Speaker 1>came around, like I've been playing ball my whole life

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<v Speaker 1>and at a high level, I just got to like

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<v Speaker 1>burn down, tired of it. It's not being fun because

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<v Speaker 1>it became a business to me in our age. So

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<v Speaker 1>I reached out the Clefts and I was like, Yo,

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<v Speaker 1>I want to be in the music industry. Would you

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<v Speaker 1>want to be like my an R. I'm like yeah,

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<v Speaker 1>that's like I was searching the consultants in the music

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<v Speaker 1>consulting in an R kind of fitsed an exact description

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<v Speaker 1>of what that is. And he's like, Okay, don't call

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<v Speaker 1>me when you graduate. I'm like, dude, I'm in college,

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<v Speaker 1>Like I can go play pro overseas. I have a degree,

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<v Speaker 1>and it's like, you're like, that's my like stamp of reassurance.

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<v Speaker 1>When I got out of college, it's like call me

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<v Speaker 1>when you graduate.

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<v Speaker 2>I'm like, I graduated today. I quit.

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<v Speaker 1>Yeah, bro, so I fucking I did. I mean, I graduated.

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<v Speaker 1>I just I went out to New York to his crib.

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<v Speaker 1>We chopped it up and kicked him more, and then

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<v Speaker 1>I just started making back and forth trips from like

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<v Speaker 1>Massachusetts to New York. She's getting in the studio and

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<v Speaker 1>he was working at Daddy's house.

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<v Speaker 2>Were you at a I saw? The only time I

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<v Speaker 2>saw white Cliff live was rare animally at south By

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<v Speaker 2>Southwest and like two thousand and fourteen.

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<v Speaker 1>I didn't go with him, man, I remember that, but

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<v Speaker 1>I didn't go.

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<v Speaker 2>It was just on stage with a guitar. Schoolboy Q

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<v Speaker 2>opened and it was fucking gnarly. It was like White

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<v Speaker 2>Cleff with a guitar and like a basement in Austin.

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<v Speaker 1>Just yeah, nah, he's an incredible performer. Roads he plays

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<v Speaker 1>every instrument.

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<v Speaker 2>He's a beast man.

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<v Speaker 1>Well but yeah, no, I mean in short for him,

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<v Speaker 1>that was kind of how like I got him. It

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<v Speaker 1>was just like I got him with Clef. I was like,

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<v Speaker 1>once I was working with him, I was just bringing

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<v Speaker 1>in all of the people who were like my peers

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<v Speaker 1>who I was a fan of, right, but they are

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<v Speaker 1>fans of why Cleff. So because I'm there, Pier and

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<v Speaker 1>I'm young, and I'm able to bring them in studio

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<v Speaker 1>with Cleff and put them on records and curing videos

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<v Speaker 1>and all types of shit, like they're looking at me

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<v Speaker 1>like I'm lit because they're like this is a legend

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<v Speaker 1>and like this is the guy who's next to him Ace,

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<v Speaker 1>And he relied on me to do that, and he

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<v Speaker 1>gave me, fortunately, he gave me his platform in the

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<v Speaker 1>green light to be able to just speak on his behalf,

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<v Speaker 1>currate anything around him that I thought was dope, youthful

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<v Speaker 1>and what was in because he was a little disconnected

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<v Speaker 1>from Right. So I built a lot of my relationships

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<v Speaker 1>from originally utilizing clubs likeness in my positioning around him.

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<v Speaker 1>But then those relationships as time would pass, like I

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<v Speaker 1>continue to add value to them and they became a

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<v Speaker 1>relationship with my own.

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<v Speaker 2>So how do you end up linking up with the

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<v Speaker 2>YBN kids because you obviously I met in the mirror

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<v Speaker 2>through you. Yeah, Corde through You told me about cord shit.

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<v Speaker 2>You were like, there's this kid out in Maryland. Here's

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<v Speaker 2>a SoundCloud link. Yeah, before the freestyle.

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<v Speaker 1>So crazy, Bro, you know what's crazy yet, that's a

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<v Speaker 1>fact you really like you really were the first person

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<v Speaker 1>who like, outside of like me of course, like work

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<v Speaker 1>with him. You were the first person who was on

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<v Speaker 1>corday for because no one even knows that the first

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<v Speaker 1>music got heard from Cordiyo was a SoundCloud thing. Brow.

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<v Speaker 1>I know.

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<v Speaker 2>You send me a link and it was like it

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<v Speaker 2>was before any of those videos came out. It was

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<v Speaker 2>before he was out here.

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<v Speaker 1>Yeah, I just want to see your opinion because you

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<v Speaker 1>were super supportive of the YBN shit. You always supported us,

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<v Speaker 1>so I wanted your opinion. That's so funny though, Bro,

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<v Speaker 1>you really were the first one on him. Now, I

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<v Speaker 1>got a call from my boy he's a OG James,

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<v Speaker 1>he's a lawyer, and he was like, yeah, I got

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<v Speaker 1>this kid. Actually it was from my boy Byron who

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<v Speaker 1>called me first, who was working with us O Management

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<v Speaker 1>at the time. He was a part of management. He's like, Yo,

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<v Speaker 1>me and James have this kid YB in the mirror

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<v Speaker 1>and he needs you know, he needs a manager, Like

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<v Speaker 1>he's about to be on the road and he's leaving tomorrow.

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<v Speaker 2>Was it his mom was involved at first?

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<v Speaker 1>Two? Right? His moms was just always around my business.

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<v Speaker 1>He's just like that's her only child. She just like

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<v Speaker 1>couldn't let him leave home. But I was about to

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<v Speaker 1>go on like a five day road trip with Denverrick

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<v Speaker 1>just to go fuck off from party with Coco. He

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<v Speaker 1>was on tour with with fucking Dizzy. Sorry, I bet

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<v Speaker 1>we're about to jump on the tour of us to

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<v Speaker 1>go party in Denver Salt Lake City, Vegas. And I

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<v Speaker 1>got that call and I don't even know who I

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<v Speaker 1>mean it was. Bro. I was pretty much actually about

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<v Speaker 1>to be done with the music industry. I was about

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<v Speaker 1>to just stay on the brand's side of ship and

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<v Speaker 1>in corporate. I was just tired of like hustling so much. Bro.

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<v Speaker 1>And then I got that call and he's like, yo,

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<v Speaker 1>uh it's a it's a it's a California leg of

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<v Speaker 1>a tour and he needs someone who helped. I'm like, yo,

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<v Speaker 1>I'm about to I got plans though, I'm like abo

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<v Speaker 1>to just go fuck off. And he's like, all right, Well,

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<v Speaker 1>I'm just telling you, like, this kid's doing a million

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<v Speaker 1>views a day on YouTube right now for his first

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<v Speaker 1>of a video, and whoever we put out there is

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<v Speaker 1>probably gonna end up bonding with him, and that's gonna

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<v Speaker 1>be like the solidified position, right. So I was like,

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<v Speaker 1>give me five minutes, hung up stalking a con call.

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<v Speaker 1>I'm like, yo, yeah, I checked them out and I'm like, oh, ship,

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<v Speaker 1>like eight million views and nine days on this video.

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<v Speaker 1>At the time, yeah, it was And if you remember,

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<v Speaker 1>a million views for a video at the time was

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<v Speaker 1>still like kind of like that was traditionally like a

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<v Speaker 1>big record for an artist if you had a million

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<v Speaker 1>views on YouTube, for sure. It's not like we hit

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<v Speaker 1>the SoundCloud wave right after that. If you remember when

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<v Speaker 1>people could do a million views in the day, but

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<v Speaker 1>Cole Bennett kind of changed that.

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<v Speaker 2>Yeah, now, the YouTube shit was big for sure.

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<v Speaker 1>Yeah, before that, if you had a million views, that

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<v Speaker 1>was a big record. So for him to have like

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<v Speaker 1>eight million views and nine days, I was like, yo,

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<v Speaker 1>I can't miss this opportunity. So I met him at

0:10:17.520 --> 0:10:21.720
<v Speaker 1>the Montre on like an hour later, it's like one

0:10:21.720 --> 0:10:24.560
<v Speaker 1>in the morning, found out that we didn't have a

0:10:24.559 --> 0:10:26.920
<v Speaker 1>bus driver. It was a shitty van. I was gonna

0:10:26.960 --> 0:10:29.760
<v Speaker 1>have to drive it. I had no license. I showed

0:10:29.800 --> 0:10:31.640
<v Speaker 1>back up for I was there like five in the morning,

0:10:32.040 --> 0:10:36.120
<v Speaker 1>jumped in with like five of these like little wild

0:10:36.440 --> 0:10:39.360
<v Speaker 1>young kids. Now, Mirror was super cool. He's pretty quiet.

0:10:39.880 --> 0:10:41.640
<v Speaker 1>He didn't know what the fuck was happening. Bro, Like,

0:10:41.679 --> 0:10:43.960
<v Speaker 1>this is all happened so fast, and we went on

0:10:44.080 --> 0:10:49.559
<v Speaker 1>like six city California run like kind of like the

0:10:49.600 --> 0:10:56.760
<v Speaker 1>shittiest talents in California, like Bakersfield, Yes, Fresno was one.

0:10:57.520 --> 0:11:00.400
<v Speaker 1>It was like, what what's what was it? Now? I

0:11:00.480 --> 0:11:02.440
<v Speaker 1>let the no that I let this local. It was

0:11:02.480 --> 0:11:05.839
<v Speaker 1>like Oxnard, No, that's a pretty cool time to be

0:11:07.920 --> 0:11:10.360
<v Speaker 1>it was Stocked was one of them. No, Modesta was

0:11:10.360 --> 0:11:11.960
<v Speaker 1>one of them. And then it went way up into

0:11:12.040 --> 0:11:14.120
<v Speaker 1>Humble County, bro, like where people don't even go. But

0:11:14.559 --> 0:11:16.520
<v Speaker 1>we bought. And then we came back down into Arizona,

0:11:16.760 --> 0:11:18.440
<v Speaker 1>so we bonded. We go real close and the rest

0:11:18.440 --> 0:11:20.960
<v Speaker 1>of his kind of history, bro, Like you know he

0:11:21.520 --> 0:11:22.400
<v Speaker 1>mia moved in with me.

0:11:23.080 --> 0:11:25.599
<v Speaker 2>I know he was living with you.

0:11:25.800 --> 0:11:30.800
<v Speaker 1>I had the hype man whose name is Glizzie. I

0:11:30.800 --> 0:11:33.800
<v Speaker 1>had not mere had many j I had our DJ

0:11:34.880 --> 0:11:36.679
<v Speaker 1>living with us. Bro. I had like five of these

0:11:36.720 --> 0:11:39.760
<v Speaker 1>little niggas living in my love Jesus with fucking two dogs.

0:11:39.760 --> 0:11:41.679
<v Speaker 1>And then that mel went and bought a dog from

0:11:41.800 --> 0:11:47.760
<v Speaker 1>Jazz Prince and it was a it was with.

0:11:47.720 --> 0:11:49.920
<v Speaker 2>You when he was fucking black China.

0:11:51.160 --> 0:11:54.160
<v Speaker 1>Yeah, I made the phone call, like, I called TMZ

0:11:54.960 --> 0:11:56.319
<v Speaker 1>to pull up on him outside of the bowl in

0:11:56.360 --> 0:11:59.920
<v Speaker 1>alley Wood, China. Yeah. I was on a plane players

0:12:00.160 --> 0:12:02.360
<v Speaker 1>to take off. He calls me. He's like, yo, what

0:12:02.480 --> 0:12:05.480
<v Speaker 1>at the bowling alley because he was fucking with China

0:12:05.480 --> 0:12:07.200
<v Speaker 1>for like two weeks. But I'm like, you know, we

0:12:07.240 --> 0:12:09.600
<v Speaker 1>gotta get this out, bro. I was just like, this

0:12:09.679 --> 0:12:12.400
<v Speaker 1>is like gold, Bro, you're fucking China. Like Jay's all

0:12:12.480 --> 0:12:14.880
<v Speaker 1>skinny and it's like eighteen. So I'm like, yo, at

0:12:14.880 --> 0:12:16.360
<v Speaker 1>some point, you just gotta let me know when y'all

0:12:16.360 --> 0:12:18.120
<v Speaker 1>are in the public and I'm gonna do what I

0:12:18.160 --> 0:12:20.640
<v Speaker 1>gotta do. He calls me, he's like, Yo, I'm at

0:12:20.640 --> 0:12:23.840
<v Speaker 1>the bowling out of China about to leave. I was like, Yo,

0:12:23.960 --> 0:12:25.480
<v Speaker 1>I need you to hold her there for ten minutes.

0:12:25.480 --> 0:12:29.000
<v Speaker 1>I'm gonna call Temz to have them pull up. He's like, a, YO,

0:12:29.040 --> 0:12:30.120
<v Speaker 1>I don't know if I can hold her, but I'm

0:12:30.120 --> 0:12:32.560
<v Speaker 1>gonna try. My plane's want leave in like five minutes.

0:12:33.240 --> 0:12:35.200
<v Speaker 1>So I'm like, Yo, where you guys are. He's like, man,

0:12:35.240 --> 0:12:37.520
<v Speaker 1>we're going off the left entrance, out the side that

0:12:37.559 --> 0:12:39.080
<v Speaker 1>goes into the parking lot. I need you to go

0:12:39.080 --> 0:12:40.959
<v Speaker 1>out the other side, the other side, on the street side,

0:12:40.960 --> 0:12:43.000
<v Speaker 1>and this bush is there, teams He's way, he said,

0:12:43.000 --> 0:12:44.839
<v Speaker 1>I'm gonna redirect the hold on. I'm gonna call it

0:12:44.920 --> 0:12:48.800
<v Speaker 1>right back. My plane took off. So now I'm sitting

0:12:48.800 --> 0:12:52.400
<v Speaker 1>there in the air waiting right WiFi kicks in him

0:12:52.400 --> 0:12:55.440
<v Speaker 1>like thirty minutes he texted me. He's like, YO, my bad.

0:12:55.480 --> 0:12:57.199
<v Speaker 1>He's like, Yo, they got it. They got it. They

0:12:57.200 --> 0:13:00.400
<v Speaker 1>all jumped out. She's pissed. I'm like, that's perfect. They

0:13:00.440 --> 0:13:03.000
<v Speaker 1>got it thought. He's like yeah. I was like, what

0:13:03.080 --> 0:13:04.880
<v Speaker 1>did you do? He was like I just asked like

0:13:04.880 --> 0:13:06.080
<v Speaker 1>I didn't know what was going on. I was like,

0:13:06.080 --> 0:13:08.480
<v Speaker 1>what did she do? He's like, she just kept on walking.

0:13:10.000 --> 0:13:12.400
<v Speaker 1>She's pissed, though, Bro, I'm like, Yo, it don't matter.

0:13:12.440 --> 0:13:14.360
<v Speaker 1>We got it. Yo. The next day, so I'm flying

0:13:14.360 --> 0:13:17.400
<v Speaker 1>across country right to New York. So I land in

0:13:17.400 --> 0:13:22.080
<v Speaker 1>New York off of Red Eye. So it's like six am.

0:13:22.120 --> 0:13:26.440
<v Speaker 1>But it's like three am in La y'all. Like I

0:13:26.480 --> 0:13:28.319
<v Speaker 1>take a nap in New York because I'm jet Like

0:13:28.360 --> 0:13:30.640
<v Speaker 1>I wake up like nine am. It's already everywhere on

0:13:31.120 --> 0:13:33.840
<v Speaker 1>like all over the fucking media. About like six seven am,

0:13:33.960 --> 0:13:35.080
<v Speaker 1>it was fucking everywhere.

0:13:35.640 --> 0:13:38.960
<v Speaker 2>That's such a weird problem child for real. I wasn't

0:13:39.000 --> 0:13:39.480
<v Speaker 2>he eighteen?

0:13:39.760 --> 0:13:42.959
<v Speaker 1>It was eighteen. Oh my god, he was eighteen. Yo

0:13:43.040 --> 0:13:44.959
<v Speaker 1>J was knocking him down. Bro, I'm not gonna lie.

0:13:45.640 --> 0:13:50.800
<v Speaker 1>Jay hit everything. Bro Jay's hit more. Yo Jay's hit

0:13:50.920 --> 0:13:58.000
<v Speaker 1>every bad bitch and in black, in brown American hip

0:13:58.000 --> 0:14:02.800
<v Speaker 1>hop culture. Bro Jay's hit him all. Bro, Interesting Jay's

0:14:02.840 --> 0:14:05.760
<v Speaker 1>hit him all you have, you know, almost Adeny chick.

0:14:05.840 --> 0:14:09.440
<v Speaker 1>You can think of who's popping right now in the

0:14:09.480 --> 0:14:10.400
<v Speaker 1>female landscape.

0:14:10.559 --> 0:14:12.920
<v Speaker 2>Rat Almighty J's been.

0:14:12.760 --> 0:14:16.200
<v Speaker 1>There, Almighty J. Almighty Jay's the man. What a list,

0:14:16.320 --> 0:14:16.880
<v Speaker 1>He's the one.

0:14:16.960 --> 0:14:17.920
<v Speaker 2>I can't wait to talk to him.

0:14:17.960 --> 0:14:19.720
<v Speaker 1>And he's still on a run. But now it's just

0:14:19.760 --> 0:14:22.640
<v Speaker 1>like it's way more under wraps because he's under wraps.

0:14:22.960 --> 0:14:25.840
<v Speaker 2>So at what point in time did you uh? Because

0:14:25.920 --> 0:14:30.280
<v Speaker 2>obviously there was the YBN split, Corday dropped the YBN

0:14:30.320 --> 0:14:33.600
<v Speaker 2>from his name. Everyone's still cool, you know, everyone's still kosher.

0:14:34.200 --> 0:14:36.000
<v Speaker 2>But like you kind of just dove in with Corda.

0:14:36.160 --> 0:14:40.680
<v Speaker 2>So what was like the the like, obviously Corday's fucking

0:14:41.080 --> 0:14:44.640
<v Speaker 2>you know, generationally talented guy's great, great kid. Like what

0:14:44.680 --> 0:14:46.120
<v Speaker 2>was it about Corday that made you want to like

0:14:46.200 --> 0:14:49.400
<v Speaker 2>really focus on him as a client.

0:14:50.720 --> 0:14:53.560
<v Speaker 1>Like once I already was working with all three of

0:14:53.600 --> 0:14:57.360
<v Speaker 1>the guys. Yeah, yeah, yeah, he was focused. He wanted

0:14:57.400 --> 0:14:59.720
<v Speaker 1>to be great. He wants to be great. He still does.

0:14:59.800 --> 0:15:02.560
<v Speaker 1>But I'm saying, like I noticed that from the very

0:15:02.600 --> 0:15:06.200
<v Speaker 1>moment that I started working with Corday, our conversations were

0:15:06.200 --> 0:15:09.320
<v Speaker 1>different than what I was having with Jay and I Miir,

0:15:09.480 --> 0:15:13.720
<v Speaker 1>you know, And I mean look to like Jay and

0:15:13.800 --> 0:15:16.360
<v Speaker 1>Amir's defense, Like Namir never like wanted to be like

0:15:16.400 --> 0:15:19.560
<v Speaker 1>a professional rapper. Noamir always made music eve when he

0:15:19.600 --> 0:15:22.560
<v Speaker 1>was younger, but like he didn't have like that like

0:15:22.840 --> 0:15:26.360
<v Speaker 1>that bug, you know, like that burning desire to be

0:15:26.960 --> 0:15:29.560
<v Speaker 1>Yeah he wants to be famous, yeah yeah actually yeah,

0:15:29.880 --> 0:15:31.440
<v Speaker 1>and he got famous and then it was just like

0:15:31.560 --> 0:15:33.320
<v Speaker 1>he's like what the fuck do I do now? And

0:15:33.360 --> 0:15:36.600
<v Speaker 1>everything was happening so fast. Namir always just wanted to

0:15:36.640 --> 0:15:38.360
<v Speaker 1>be a kid. He just wanted to be famous while

0:15:38.440 --> 0:15:41.600
<v Speaker 1>doing it right. The industry doesn't really allow you to

0:15:41.600 --> 0:15:44.120
<v Speaker 1>do that once you have a real demand, like it

0:15:44.120 --> 0:15:48.640
<v Speaker 1>becomes a business. So he struggled with that. Jay always

0:15:48.680 --> 0:15:52.080
<v Speaker 1>just wanted the fun bitches. So like once he achieved that,

0:15:52.440 --> 0:15:54.960
<v Speaker 1>once he was successful with that, it was hard to

0:15:55.040 --> 0:15:59.520
<v Speaker 1>keep him focused. Corday always was like he would wake

0:15:59.600 --> 0:16:02.400
<v Speaker 1>up and go to sleep just talking about like music, ideas,

0:16:02.560 --> 0:16:04.400
<v Speaker 1>idea and like what's the next step, and like, Yo,

0:16:04.480 --> 0:16:06.520
<v Speaker 1>I did this, I did that. I'm going to meet

0:16:06.520 --> 0:16:09.000
<v Speaker 1>with this person. I was networking with this person, said

0:16:09.040 --> 0:16:10.280
<v Speaker 1>this person hit me up, Yo, what do you think

0:16:10.320 --> 0:16:13.160
<v Speaker 1>about this record? Everything was just music music, music, So

0:16:13.240 --> 0:16:14.000
<v Speaker 1>he was focused.

0:16:14.280 --> 0:16:16.320
<v Speaker 2>Was it his idea to do the Jake Cole reply?

0:16:16.600 --> 0:16:18.800
<v Speaker 1>It was. We were living together at the time. He

0:16:18.840 --> 0:16:21.120
<v Speaker 1>was living upstairs in my loft. He came downstairs one morning.

0:16:21.160 --> 0:16:24.080
<v Speaker 1>I woke up. He came downstairs and he's like, yo,

0:16:24.680 --> 0:16:27.080
<v Speaker 1>I was thinking, mind you, I never.

0:16:27.040 --> 0:16:28.960
<v Speaker 2>Even heard the Jake Cole nineteen eighty five.

0:16:29.160 --> 0:16:33.320
<v Speaker 1>Yeah, I never heard nineteen eighty five. He came downstairs like, yo,

0:16:33.360 --> 0:16:35.440
<v Speaker 1>you know the nineteen eighty five record by Jake Cole.

0:16:35.760 --> 0:16:37.320
<v Speaker 1>I'm like, that's why I was a new project. I

0:16:37.360 --> 0:16:40.280
<v Speaker 1>ain't heard it. He's like, well, basically, it's like he's

0:16:40.320 --> 0:16:43.680
<v Speaker 1>touching upon like how this new era of youth and

0:16:43.760 --> 0:16:45.600
<v Speaker 1>rappers and kind of like what you would consider me

0:16:45.640 --> 0:16:48.240
<v Speaker 1>the sound cloud era. He's like, my generation, how everyone's

0:16:48.280 --> 0:16:50.120
<v Speaker 1>kind of lost and a lot of the mistakes were

0:16:50.120 --> 0:16:53.360
<v Speaker 1>making they're not going to last, you know. I feel

0:16:53.400 --> 0:16:55.120
<v Speaker 1>like making a response for that on behalf of like

0:16:55.160 --> 0:16:58.360
<v Speaker 1>my peers and my generation and the youth explaining to

0:16:58.480 --> 0:17:02.800
<v Speaker 1>him and even just those who represent that older generational mentality,

0:17:03.480 --> 0:17:05.320
<v Speaker 1>like this is why we do this. Why don't you

0:17:05.359 --> 0:17:08.800
<v Speaker 1>looking at from our perspective? And I'm like, sounds dope,

0:17:09.600 --> 0:17:11.879
<v Speaker 1>but I never heard the original, so I'm just supporting.

0:17:11.960 --> 0:17:14.560
<v Speaker 1>H'm like, go do it. When he came back and

0:17:14.560 --> 0:17:17.000
<v Speaker 1>played me the record, I still never heard the gen con.

0:17:17.280 --> 0:17:21.680
<v Speaker 1>I was just like, Yo, this is wild. The narration, Yeah,

0:17:21.920 --> 0:17:23.840
<v Speaker 1>I was just like the narration of it is bridging,

0:17:23.960 --> 0:17:27.280
<v Speaker 1>like this separation in this gap that was becoming like

0:17:27.720 --> 0:17:30.960
<v Speaker 1>really really obviously that talent was all aware between traditional.

0:17:30.520 --> 0:17:32.960
<v Speaker 2>Right of course, yeah that was like SoundCloud shit, and

0:17:32.960 --> 0:17:35.120
<v Speaker 2>it was like yeah yeah, And I mean there wasn't

0:17:35.119 --> 0:17:36.280
<v Speaker 2>even anybody who was doing real.

0:17:36.240 --> 0:17:38.360
<v Speaker 1>Rode from the new school at the time, nobody, nobody

0:17:38.440 --> 0:17:40.080
<v Speaker 1>was making traditional hip.

0:17:39.880 --> 0:17:40.480
<v Speaker 2>Hop for sure.

0:17:40.560 --> 0:17:40.760
<v Speaker 1>Yeah.

0:17:40.800 --> 0:17:43.119
<v Speaker 2>He was like, wait, this kid's eighteen and he's fucking

0:17:43.200 --> 0:17:45.520
<v Speaker 2>rapping over eminem Yeah.

0:17:45.640 --> 0:17:48.320
<v Speaker 1>Yeah, So I was like that all that collectively kind

0:17:48.320 --> 0:17:51.000
<v Speaker 1>of was what made me really really focused on cord

0:17:51.200 --> 0:17:53.439
<v Speaker 1>because I have a job to do, and quite frankly,

0:17:53.480 --> 0:17:56.840
<v Speaker 1>like people in my position, we empower those who allow

0:17:56.960 --> 0:18:01.560
<v Speaker 1>us to do our job and who see their who

0:18:01.640 --> 0:18:02.680
<v Speaker 1>take their job seriously.

0:18:02.920 --> 0:18:04.919
<v Speaker 2>What is like for people who don't know what a

0:18:04.960 --> 0:18:07.840
<v Speaker 2>manager does in it? Like a role like yourself? What

0:18:08.000 --> 0:18:10.200
<v Speaker 2>is like your duties as a manager, like for people

0:18:10.200 --> 0:18:12.320
<v Speaker 2>who are interested in maybe getting into the music industry

0:18:12.440 --> 0:18:13.600
<v Speaker 2>or you know.

0:18:14.560 --> 0:18:20.080
<v Speaker 1>I think that the job description itself has a few

0:18:21.320 --> 0:18:26.480
<v Speaker 1>kind of unwavering core responsibilities for everybody, right, no matter

0:18:26.520 --> 0:18:29.400
<v Speaker 1>what client you represent, because it does vary every clients,

0:18:31.119 --> 0:18:35.800
<v Speaker 1>but managing relationships. Managing relationships first and foremost. Right, you

0:18:35.800 --> 0:18:38.360
<v Speaker 1>don't even have to like your manager. If you're doing

0:18:38.400 --> 0:18:41.040
<v Speaker 1>your job as an artist and your manager is good

0:18:41.080 --> 0:18:44.880
<v Speaker 1>at managing relationships, you guys can be extremely successful together,

0:18:45.760 --> 0:18:47.880
<v Speaker 1>you know what I'm saying. Because as an artist, it's

0:18:47.880 --> 0:18:51.439
<v Speaker 1>like you're the centerpiece, Like you're you're the engine of

0:18:51.440 --> 0:18:54.399
<v Speaker 1>the vehicle, Like what you do determines if it goes up.

0:18:55.119 --> 0:18:57.680
<v Speaker 1>If your manager is good at managing relationships, he's likable,

0:18:57.960 --> 0:19:02.400
<v Speaker 1>he's dependable, he's charismatic, he's genuine, he's friendly. He does

0:19:02.440 --> 0:19:06.600
<v Speaker 1>good business by thinking about what the other party is

0:19:06.600 --> 0:19:08.720
<v Speaker 1>getting out of every equation, not just where you guys

0:19:08.760 --> 0:19:11.040
<v Speaker 1>are getting, so that people see him as fair. You

0:19:11.080 --> 0:19:14.960
<v Speaker 1>guys can be great together. That's first. Second, I think

0:19:15.040 --> 0:19:18.879
<v Speaker 1>that your manager has to have if you're managing a

0:19:19.320 --> 0:19:23.119
<v Speaker 1>this is difference, right, Managing a rapper is different if

0:19:23.160 --> 0:19:27.879
<v Speaker 1>you're managing an artist, right, then I think that there

0:19:27.880 --> 0:19:31.840
<v Speaker 1>has to be a vision attached to it because there

0:19:32.359 --> 0:19:36.320
<v Speaker 1>has to be a long term goal, not just near

0:19:36.440 --> 0:19:41.920
<v Speaker 1>sighted accomplishments as the focus when you think of rappers, right,

0:19:42.040 --> 0:19:44.439
<v Speaker 1>and this isn't to discredit anybody, but this is just

0:19:44.520 --> 0:19:49.399
<v Speaker 1>like if this is just a fact, there's country artists,

0:19:49.960 --> 0:19:57.239
<v Speaker 1>pop artists, reggae artists, hip hop artists. Right when they

0:19:57.280 --> 0:20:00.840
<v Speaker 1>say rappers, it's kind of because like rap is the

0:20:00.880 --> 0:20:03.920
<v Speaker 1>evolution of hip hop. It kind of created its own

0:20:03.960 --> 0:20:07.240
<v Speaker 1>image almost like its own genre. It's like it came

0:20:07.320 --> 0:20:12.119
<v Speaker 1>kind of with the evolution of production, right, like not

0:20:12.119 --> 0:20:15.800
<v Speaker 1>necessarily baselines, but like eight o eights and scent pads

0:20:15.840 --> 0:20:19.159
<v Speaker 1>and different things like that. And then the concepts in

0:20:19.200 --> 0:20:21.800
<v Speaker 1>the subject matter of what rap talks about. Hip hop

0:20:21.840 --> 0:20:24.919
<v Speaker 1>stems from like black and brown people coming from like

0:20:25.000 --> 0:20:29.840
<v Speaker 1>inner cities in just places in America where your voices

0:20:30.280 --> 0:20:32.800
<v Speaker 1>couldn't be heard, it didn't fit a certain political statue

0:20:32.800 --> 0:20:36.920
<v Speaker 1>of economic stature. So through breakdancing and graffiti and song form,

0:20:36.920 --> 0:20:40.280
<v Speaker 1>people would listen now DJ yeah, people would listen now.

0:20:40.480 --> 0:20:42.280
<v Speaker 1>But then rap is the evolution that where it's like

0:20:42.320 --> 0:20:47.000
<v Speaker 1>it represents black and brown people who have now achieved

0:20:47.119 --> 0:20:49.160
<v Speaker 1>those things that we didn't have. Now now you have well,

0:20:49.480 --> 0:20:52.240
<v Speaker 1>now you have money. Now you have a political stature.

0:20:52.640 --> 0:20:54.760
<v Speaker 1>So it's like we can talk about different subject matters

0:20:54.760 --> 0:20:57.600
<v Speaker 1>like cars and wealth and all these different glorified things

0:20:57.680 --> 0:20:59.960
<v Speaker 1>we never used to see raps like the El loose

0:21:00.119 --> 0:21:02.280
<v Speaker 1>and hip hop. So I feel like, if you're managing

0:21:02.359 --> 0:21:05.520
<v Speaker 1>rappers the landscape of what that lifestyle entails. You can

0:21:05.560 --> 0:21:08.399
<v Speaker 1>be in the clubs like you can do features for money,

0:21:09.119 --> 0:21:12.440
<v Speaker 1>you set set up bags bro like in like yo,

0:21:12.520 --> 0:21:14.280
<v Speaker 1>motherfuckers get rich all here, and I love that shit.

0:21:14.320 --> 0:21:16.919
<v Speaker 1>That's what I love about how hip hop is evolved

0:21:16.920 --> 0:21:20.359
<v Speaker 1>to rap, but in some of the other genres the

0:21:20.359 --> 0:21:26.560
<v Speaker 1>traditional genre is of like hip hop, country pop, you know, reggae,

0:21:26.760 --> 0:21:29.879
<v Speaker 1>R and B whatever, there has to be kind of

0:21:30.119 --> 0:21:34.040
<v Speaker 1>a more long term goal that's attached to it because

0:21:35.640 --> 0:21:39.560
<v Speaker 1>those are not cash out genres like rap has become right,

0:21:39.720 --> 0:21:41.600
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<v Speaker 2>get back to the interview. Well, yeah, I think like Corde,

0:24:19.920 --> 0:24:22.160
<v Speaker 2>I think he had said, like in one of our interviews,

0:24:22.160 --> 0:24:26.359
<v Speaker 2>he turned down, like was it the gap? He turned

0:24:26.359 --> 0:24:28.399
<v Speaker 2>down like a crazy bag?

0:24:28.560 --> 0:24:29.800
<v Speaker 1>Did we tell you that because I know you're a

0:24:29.800 --> 0:24:31.280
<v Speaker 1>fishing Did we say that? Oh? I had them say

0:24:31.359 --> 0:24:31.960
<v Speaker 1>yeah it was the gap?

0:24:32.200 --> 0:24:37.080
<v Speaker 2>Yeah yeah, But like it's like not all like I think, well,

0:24:37.119 --> 0:24:40.040
<v Speaker 2>I think most people, like most artists or rappers would

0:24:40.040 --> 0:24:41.760
<v Speaker 2>be like how much is it? Yes?

0:24:42.119 --> 0:24:44.120
<v Speaker 1>Yeah, yeah, some gap on you know what I mean.

0:24:44.240 --> 0:24:46.240
<v Speaker 1>So I think that the responsibilities coming out to just

0:24:46.280 --> 0:24:49.399
<v Speaker 1>like having like a long term vision for where you

0:24:49.440 --> 0:24:51.760
<v Speaker 1>guys want to go, because now it's kind of going

0:24:51.840 --> 0:24:53.959
<v Speaker 1>to serve as your moral compass that allows you to

0:24:54.000 --> 0:24:57.959
<v Speaker 1>know what's right and wrong for you, for your business

0:24:58.000 --> 0:25:02.080
<v Speaker 1>and for the image of the artists. Again, just focusing

0:25:02.119 --> 0:25:03.560
<v Speaker 1>on like the low term and goal and not near

0:25:03.720 --> 0:25:08.880
<v Speaker 1>set of accomplishments, right, And then I think I think

0:25:09.000 --> 0:25:15.479
<v Speaker 1>just like yeah, bro, just no, only had knowingly how

0:25:15.480 --> 0:25:20.199
<v Speaker 1>to work cohesively within the team, right, So your representation

0:25:20.240 --> 0:25:23.359
<v Speaker 1>of the artists. So it's not just managing relationships, it's

0:25:23.440 --> 0:25:25.960
<v Speaker 1>understanding the functionality of teams. So if it's a label,

0:25:25.960 --> 0:25:28.080
<v Speaker 1>for example, you got no the difference between your A

0:25:28.119 --> 0:25:30.359
<v Speaker 1>and R. You got no difference between that role and

0:25:30.400 --> 0:25:34.840
<v Speaker 1>your product manager, your admin the executive vice president of

0:25:34.880 --> 0:25:39.080
<v Speaker 1>A and R versus the ones who do research your

0:25:39.320 --> 0:25:45.280
<v Speaker 1>music video commissioner, you know, the legal department, the president

0:25:45.800 --> 0:25:49.000
<v Speaker 1>versus the CEO, you know versus.

0:25:50.119 --> 0:25:53.360
<v Speaker 2>You know, because you're kind of like you're also kind

0:25:53.359 --> 0:25:55.520
<v Speaker 2>of the liaison too, between him and the label, right

0:25:55.560 --> 0:25:57.359
<v Speaker 2>when it comes to certain communication.

0:25:57.040 --> 0:25:59.119
<v Speaker 1>Like, yeah, you're kind of the liaison between the artists

0:25:59.119 --> 0:26:01.520
<v Speaker 1>and everything. Yeah, ultimately, and that's why it's so important

0:26:01.520 --> 0:26:02.960
<v Speaker 1>for an artist and a manager to be on the

0:26:02.960 --> 0:26:07.080
<v Speaker 1>same page, just psychologically and also in terms of like

0:26:07.400 --> 0:26:10.720
<v Speaker 1>the orientation of your goals, because you're speaking on their behalf.

0:26:10.720 --> 0:26:12.120
<v Speaker 1>If you guys are on the same page, you're gonna

0:26:12.119 --> 0:26:14.960
<v Speaker 1>have a lot of false narrative conversations on their behalf.

0:26:15.000 --> 0:26:18.000
<v Speaker 1>And eventually those types of convos and narratives get back

0:26:18.040 --> 0:26:20.080
<v Speaker 1>to the artists, and that's an artists say, wait, why

0:26:20.119 --> 0:26:22.480
<v Speaker 1>didn't I know about this? You didn't tell me this?

0:26:22.520 --> 0:26:25.639
<v Speaker 2>The manager's having conversations behind my back. Yeah, yeah, all

0:26:25.680 --> 0:26:26.080
<v Speaker 2>kinds of shit.

0:26:26.200 --> 0:26:29.359
<v Speaker 1>Yeah, So like when the conversations represent the artists best,

0:26:29.800 --> 0:26:33.440
<v Speaker 1>those conversations never get back to the artists because it's fluid,

0:26:33.680 --> 0:26:34.640
<v Speaker 1>you know what I'm saying.

0:26:34.440 --> 0:26:35.920
<v Speaker 2>Like, transparency is important.

0:26:36.119 --> 0:26:38.240
<v Speaker 1>Yeah, and when something's wrong, you know, like you know,

0:26:38.320 --> 0:26:41.199
<v Speaker 1>it's like a DJ and also an entrepreneur and you

0:26:41.200 --> 0:26:43.439
<v Speaker 1>know many other things. If you have relationships now like

0:26:43.440 --> 0:26:46.320
<v Speaker 1>little artists, if you're talking to their managers, you know,

0:26:46.359 --> 0:26:48.280
<v Speaker 1>where it sells is coming from the manager or not

0:26:48.320 --> 0:26:48.680
<v Speaker 1>the artist.

0:26:48.760 --> 0:26:50.639
<v Speaker 2>Oh for sure, it happens a lot because.

0:26:50.359 --> 0:26:53.760
<v Speaker 1>The manager is not it's not upholding the representation of

0:26:53.800 --> 0:26:57.400
<v Speaker 1>the artists that you know personally. So when it's clear

0:26:57.440 --> 0:27:00.600
<v Speaker 1>and it's concise, it feels consistent in or.

0:27:00.640 --> 0:27:02.280
<v Speaker 2>It'll feel like There'll be times I'll be talking to

0:27:02.320 --> 0:27:06.200
<v Speaker 2>like some guys managers and I'll be like, dude, listen, man,

0:27:06.960 --> 0:27:09.879
<v Speaker 2>there's guy's clearly putting a whole out on top of

0:27:09.920 --> 0:27:12.960
<v Speaker 2>whatever he's quoting me so he can put it in

0:27:13.000 --> 0:27:14.879
<v Speaker 2>his pocket. But like, it happens.

0:27:15.160 --> 0:27:16.919
<v Speaker 1>And I think that's the other thing too, dude, Like

0:27:17.000 --> 0:27:22.720
<v Speaker 1>to be real with you, Like again, rap is different

0:27:22.760 --> 0:27:25.280
<v Speaker 1>because like it's just such a lucrative industry where there's

0:27:25.320 --> 0:27:26.000
<v Speaker 1>so much money.

0:27:27.119 --> 0:27:29.880
<v Speaker 2>Yeah, and it's a cash heavy business. So he says, Yo,

0:27:29.960 --> 0:27:33.399
<v Speaker 2>I could tell this promoter twenty five and get my

0:27:33.520 --> 0:27:36.000
<v Speaker 2>artists twenty Yeah, for sure.

0:27:36.200 --> 0:27:38.159
<v Speaker 1>But when you're dealing with almost any other genre and

0:27:38.200 --> 0:27:39.120
<v Speaker 1>it like that you like.

0:27:39.080 --> 0:27:40.600
<v Speaker 2>That was just yeah, that was just happening with a

0:27:40.600 --> 0:27:43.639
<v Speaker 2>big artists who's a female where she found out that

0:27:43.760 --> 0:27:47.760
<v Speaker 2>like she was like whoever she was doing parties with,

0:27:48.080 --> 0:27:50.239
<v Speaker 2>Like I think it was her road manager was just

0:27:50.280 --> 0:27:51.080
<v Speaker 2>like taking.

0:27:51.640 --> 0:27:54.040
<v Speaker 1>Yeah, lots of bread off the top. Yeah, And I

0:27:54.080 --> 0:27:59.280
<v Speaker 1>really do believe that, like money is what focusing on money,

0:27:59.280 --> 0:28:03.159
<v Speaker 1>putting money for is what ruins businesses. Like you have

0:28:03.240 --> 0:28:04.119
<v Speaker 1>to focus on.

0:28:04.160 --> 0:28:06.960
<v Speaker 2>Purpose and like all that shit will come.

0:28:07.359 --> 0:28:08.880
<v Speaker 1>It does as long as you don't put it first.

0:28:09.200 --> 0:28:10.760
<v Speaker 1>Because at the end of the day, no one pays

0:28:10.800 --> 0:28:13.560
<v Speaker 1>you money because you want money, right. People pay you

0:28:13.600 --> 0:28:16.639
<v Speaker 1>for a service or a byproduct that you're selling. So

0:28:16.880 --> 0:28:19.880
<v Speaker 1>if you focus on the quality of your service where

0:28:19.880 --> 0:28:22.520
<v Speaker 1>people feel like they either can't get it anywhere else

0:28:22.880 --> 0:28:25.359
<v Speaker 1>or that you just do it better than most.

0:28:26.960 --> 0:28:30.200
<v Speaker 2>That's what The New Sun's owner just made news because

0:28:30.200 --> 0:28:33.240
<v Speaker 2>he u the Sons had like a deal with like

0:28:33.400 --> 0:28:35.760
<v Speaker 2>Bally Sports for the last like five years, so if

0:28:35.760 --> 0:28:38.440
<v Speaker 2>you didn't have cable, you can watch Suns games in Phoenix. Yeah,

0:28:38.560 --> 0:28:40.560
<v Speaker 2>and he's like, fuck that, I want my ship to

0:28:40.560 --> 0:28:43.880
<v Speaker 2>be free everywhere. Yeah, So now the Sun's like you

0:28:43.920 --> 0:28:47.200
<v Speaker 2>can watch like I think starting next season, Like, wherever

0:28:47.200 --> 0:28:49.320
<v Speaker 2>you're at, you could either stream Suns games for free,

0:28:49.360 --> 0:28:51.360
<v Speaker 2>you don't have to have a league pass, or if

0:28:51.400 --> 0:28:54.000
<v Speaker 2>you're in Arizona, it's just on the fucking normal channel three.

0:28:54.120 --> 0:28:56.360
<v Speaker 2>So like, and he said, I just heard an interview.

0:28:56.400 --> 0:28:58.120
<v Speaker 2>He was like, I don't give a few He's like,

0:28:58.120 --> 0:29:00.560
<v Speaker 2>I give a fuck about the fans. He's like, because

0:29:00.920 --> 0:29:03.160
<v Speaker 2>like the short term money doesn't matter, like I'm gonna

0:29:03.160 --> 0:29:03.920
<v Speaker 2>own this team forever.

0:29:04.080 --> 0:29:04.280
<v Speaker 1>Yeah.

0:29:04.760 --> 0:29:07.000
<v Speaker 2>Other thing to remember to build diehard fans. I want

0:29:07.240 --> 0:29:09.280
<v Speaker 2>the more people who watch the game, the more Suns

0:29:09.320 --> 0:29:10.800
<v Speaker 2>fans we have, Like what are we doing here?

0:29:10.960 --> 0:29:12.719
<v Speaker 1>And the other thing to a member is right like

0:29:12.920 --> 0:29:17.840
<v Speaker 1>and I'll draw a comparison in lineage what I'm about

0:29:17.880 --> 0:29:20.640
<v Speaker 1>to say, even with sports, like you brought the Suns.

0:29:21.360 --> 0:29:23.480
<v Speaker 1>I'm a Celtics fan, right, Go look at the Celtics

0:29:23.480 --> 0:29:26.120
<v Speaker 1>five years ago. Go get the Suns five years ago. Right.

0:29:26.480 --> 0:29:29.440
<v Speaker 1>Look at any rapper, any hip hop artists, any pop art,

0:29:29.480 --> 0:29:32.840
<v Speaker 1>just any act. Go look at any corporate business, any brand.

0:29:33.040 --> 0:29:38.080
<v Speaker 1>It takes five years to build a strong in identifiable business.

0:29:38.320 --> 0:29:40.600
<v Speaker 2>Or Branda because five years ago they went to the

0:29:40.600 --> 0:29:41.480
<v Speaker 2>Eastern Conference finals.

0:29:41.480 --> 0:29:43.640
<v Speaker 1>Though go look at what who in the Celtics.

0:29:44.400 --> 0:29:45.680
<v Speaker 2>That was the year that Kyrie was hurting and they

0:29:45.680 --> 0:29:49.200
<v Speaker 2>went to Thestern Conference Finals. Really mm hmm, I was

0:29:49.240 --> 0:29:49.920
<v Speaker 2>twenty eighteen.

0:29:50.000 --> 0:29:51.240
<v Speaker 1>You went to the Eastern Conference Finals.

0:29:51.400 --> 0:29:54.000
<v Speaker 2>Yeah, and lost to Lebron James.

0:29:54.200 --> 0:29:57.120
<v Speaker 1>Right, but well, in any case, go look at the place.

0:29:57.240 --> 0:29:59.840
<v Speaker 2>No, no, no, but nobody expected that and it was

0:30:00.080 --> 0:30:03.840
<v Speaker 2>kind of like a it felt like it felt like

0:30:03.880 --> 0:30:05.840
<v Speaker 2>when the Hawks made it to the Eastern Conference Finals

0:30:05.880 --> 0:30:08.640
<v Speaker 2>two years ago, nobody was like well, and also I think, no,

0:30:08.720 --> 0:30:09.760
<v Speaker 2>the Celtics have built.

0:30:09.840 --> 0:30:11.600
<v Speaker 1>My point is we have a team that belongs to

0:30:11.680 --> 0:30:13.520
<v Speaker 1>us now, though Kyrie was a traded player.

0:30:13.320 --> 0:30:17.960
<v Speaker 2>Like everybody's drafted, everybody's Marcus Smart, Jason Tatum and those.

0:30:18.120 --> 0:30:21.440
<v Speaker 1>Until time to developed those plays. I'm saying, squad, it's

0:30:21.440 --> 0:30:26.000
<v Speaker 1>felt like Robert Williams like four years of Jason Tatum.

0:30:25.720 --> 0:30:29.800
<v Speaker 2>And six or seven years ago, but it's like, what

0:30:29.840 --> 0:30:31.760
<v Speaker 2>the fuck is Danny Ainge's doing with all these picks?

0:30:31.840 --> 0:30:36.200
<v Speaker 1>Yeah yeah, yeah, yeah, Devin book. So my point is

0:30:36.240 --> 0:30:39.240
<v Speaker 1>like it's the same thing with artists, bro, Like even

0:30:39.240 --> 0:30:42.320
<v Speaker 1>if you see like a success that seems to just

0:30:42.320 --> 0:30:44.240
<v Speaker 1>like come out of nowhere, like why be in the mirror,

0:30:44.480 --> 0:30:47.240
<v Speaker 1>like in the like a yeat or something like that.

0:30:47.960 --> 0:30:49.680
<v Speaker 1>Five years is going to tell you where it's really yet,

0:30:49.720 --> 0:30:53.040
<v Speaker 1>it's either gonna tail off because you didn't through the

0:30:53.080 --> 0:30:55.440
<v Speaker 1>necessary things, break by break to make sure that you

0:30:55.480 --> 0:30:59.680
<v Speaker 1>were building something sustainable, or it's going to completely start

0:31:00.520 --> 0:31:04.200
<v Speaker 1>to catapult an in calling because you did all the

0:31:04.240 --> 0:31:07.080
<v Speaker 1>groundwork to build something sustainable. Now you're seeing the foods

0:31:07.080 --> 0:31:09.680
<v Speaker 1>in your labor pay off. So I think that as

0:31:09.720 --> 0:31:11.960
<v Speaker 1>a manager like you have to you have to be

0:31:12.080 --> 0:31:14.600
<v Speaker 1>focused on that because ain't nobody bigger than the program. Right,

0:31:14.720 --> 0:31:17.600
<v Speaker 1>There's no such thing as elevators. They go up just

0:31:17.640 --> 0:31:20.080
<v Speaker 1>as fast as they come down. You gotta take the

0:31:20.080 --> 0:31:22.400
<v Speaker 1>stairs because the only way that you can fall off

0:31:22.520 --> 0:31:25.480
<v Speaker 1>we literally infinatively is if you choose to. You gotta

0:31:25.520 --> 0:31:27.560
<v Speaker 1>go back down those steps. You have to make terrible

0:31:27.560 --> 0:31:30.360
<v Speaker 1>decisions on your behalf that sends you back down them.

0:31:30.760 --> 0:31:34.400
<v Speaker 1>But you built it yourself, break by britt, so at

0:31:34.480 --> 0:31:35.480
<v Speaker 1>least you have that option.

0:31:36.160 --> 0:31:37.959
<v Speaker 2>I think that's like obviously, what you guys have been

0:31:37.960 --> 0:31:40.520
<v Speaker 2>building with Corde, it's like it's a fan base, it's

0:31:40.560 --> 0:31:44.280
<v Speaker 2>a twenty year plan. It's not a you know, fucking

0:31:44.440 --> 0:31:47.080
<v Speaker 2>short sighted I just when I think of Cordea, I'm like, well,

0:31:47.080 --> 0:31:49.080
<v Speaker 2>Cornea will be here, and I feel like he'll be

0:31:49.120 --> 0:31:50.760
<v Speaker 2>here forever. So it's like, you know, a lot of

0:31:50.760 --> 0:31:52.360
<v Speaker 2>these guys, I can't say that about Yeah.

0:31:52.400 --> 0:31:54.320
<v Speaker 1>And the hardest part for the artists, I'm not.

0:31:54.240 --> 0:31:56.200
<v Speaker 2>Sure anyone's gonna care about y Eat in three years.

0:31:56.360 --> 0:31:58.600
<v Speaker 2>I could be wrong, I could be wrong.

0:31:59.080 --> 0:32:00.000
<v Speaker 1>I'm this guy's crazy.

0:32:00.200 --> 0:32:03.520
<v Speaker 2>I just don't think anyone's gonna care. Personally, seems like

0:32:03.520 --> 0:32:03.960
<v Speaker 2>a nice.

0:32:03.920 --> 0:32:05.480
<v Speaker 1>I love you. You know what I like about ship, Leff,

0:32:05.600 --> 0:32:08.360
<v Speaker 1>You get to just say what the fuck you want.

0:32:08.400 --> 0:32:12.880
<v Speaker 2>Nobody can fire his music's fucking terrible, but if someone likes.

0:32:12.760 --> 0:32:14.720
<v Speaker 1>It, I like, you know what I like? You know

0:32:14.800 --> 0:32:15.280
<v Speaker 1>the thing that.

0:32:15.400 --> 0:32:18.040
<v Speaker 2>Somebody likes Yeat, somebody likes Playboy CARDI all this ship

0:32:18.160 --> 0:32:20.240
<v Speaker 2>is just going over my head. I'm under my head.

0:32:20.280 --> 0:32:22.320
<v Speaker 1>What I think is super important too.

0:32:23.320 --> 0:32:28.200
<v Speaker 2>It all likes Yeat heat sucking piece, yeh yeah, oh

0:32:28.240 --> 0:32:29.840
<v Speaker 2>this guy, this guy's a fucking but.

0:32:29.760 --> 0:32:31.760
<v Speaker 1>You know what, I think it's super important. I think

0:32:31.800 --> 0:32:33.400
<v Speaker 1>this is so important. I think this is the fucking

0:32:33.400 --> 0:32:35.800
<v Speaker 1>reason why we have so many trolls. Also because it's

0:32:35.840 --> 0:32:38.360
<v Speaker 1>like little white kids who don't know anything about.

0:32:38.360 --> 0:32:41.920
<v Speaker 2>They're gonna grow up. They're gonna be twenty one and

0:32:41.960 --> 0:32:44.640
<v Speaker 2>they're gonna be like, I'm a little old for this

0:32:44.760 --> 0:32:45.240
<v Speaker 2>yeat ship.

0:32:45.400 --> 0:32:47.520
<v Speaker 3>Oh yeah, and then they're gonna still be posted on

0:32:47.600 --> 0:32:49.960
<v Speaker 3>like that, no id. But like oh my grandma I said,

0:32:50.480 --> 0:32:54.840
<v Speaker 3>the reality is this conceptual music that's made with intent

0:32:55.480 --> 0:32:58.840
<v Speaker 3>and purpose. It's always gonna outlast the ladder. And the

0:32:58.840 --> 0:33:00.800
<v Speaker 3>reason why is because he's young kids who adapt to

0:33:00.840 --> 0:33:03.680
<v Speaker 3>shit so quickly. They're young minded, they don't have responsibilities

0:33:03.680 --> 0:33:05.200
<v Speaker 3>and not going through real things. But as they get

0:33:05.240 --> 0:33:08.160
<v Speaker 3>older and they have bills, they're going through real relationships.

0:33:07.680 --> 0:33:10.200
<v Speaker 2>They're not gonna still want the same microwavable shit.

0:33:10.320 --> 0:33:12.600
<v Speaker 1>Yeah. They need things that get them through the times

0:33:12.640 --> 0:33:16.080
<v Speaker 1>and relate to them during the times that they're dealing with,

0:33:16.120 --> 0:33:17.800
<v Speaker 1>and who they're gonna turn to the things that they

0:33:17.800 --> 0:33:21.040
<v Speaker 1>once criticized and turned a cheek to that they didn't

0:33:21.120 --> 0:33:23.560
<v Speaker 1>understand at the time. And that's why you have the

0:33:23.600 --> 0:33:26.040
<v Speaker 1>Scissors and the janni Cos and the Lizzos and the

0:33:26.120 --> 0:33:27.160
<v Speaker 1>Kendricks and the j Coles.

0:33:27.160 --> 0:33:29.800
<v Speaker 2>They outlast everybody for sure, because it's quality. Yeah, I

0:33:29.840 --> 0:33:30.560
<v Speaker 2>mean I always say that.

0:33:30.520 --> 0:33:34.400
<v Speaker 1>Because people are always gonna go through the same troubles, tribulations,

0:33:34.640 --> 0:33:37.200
<v Speaker 1>life experiences over and over. They just have to reach

0:33:37.200 --> 0:33:39.840
<v Speaker 1>a certain age when it clicks in, and some people

0:33:39.920 --> 0:33:41.920
<v Speaker 1>hit it earlier than others. But it's gonna click no

0:33:41.920 --> 0:33:43.040
<v Speaker 1>matter what. It's inevitable.

0:33:43.400 --> 0:33:47.400
<v Speaker 2>How do you see AI affecting what you do and

0:33:47.600 --> 0:33:49.120
<v Speaker 2>or just the music industry as a whole.

0:33:50.280 --> 0:33:52.560
<v Speaker 1>I mean, bro, you know it's crazy cord. They put

0:33:52.560 --> 0:33:56.880
<v Speaker 1>me onto this website where I forget the name of it,

0:33:56.920 --> 0:33:59.360
<v Speaker 1>but like you can type in celebrities and you can

0:33:59.440 --> 0:34:01.160
<v Speaker 1>ask questions, is about those celebrities?

0:34:01.520 --> 0:34:05.000
<v Speaker 2>And I take the question is it chat GBT?

0:34:05.800 --> 0:34:07.160
<v Speaker 1>I forget that one.

0:34:07.200 --> 0:34:09.160
<v Speaker 2>Yeah, that's the main one. Yeah.

0:34:09.200 --> 0:34:11.480
<v Speaker 1>I typed the question about an artist and I said, like,

0:34:12.840 --> 0:34:15.000
<v Speaker 1>what can this artist do? I put the artist's name,

0:34:15.280 --> 0:34:20.080
<v Speaker 1>I said, what can this artist do to elevate their career? Yo?

0:34:20.320 --> 0:34:23.719
<v Speaker 1>The four responses that came back were so fucking on

0:34:23.800 --> 0:34:25.560
<v Speaker 1>point that I'm like, yo, A I can put mantages

0:34:25.600 --> 0:34:28.360
<v Speaker 1>out of business. I just can't show up physically.

0:34:28.440 --> 0:34:29.640
<v Speaker 2>I feel like they can make it. I feel like

0:34:29.640 --> 0:34:31.680
<v Speaker 2>they're gonna end up like someone's going to figure out

0:34:31.680 --> 0:34:35.040
<v Speaker 2>how to make AI produce records. There's going to be

0:34:35.040 --> 0:34:36.920
<v Speaker 2>an app where like you could just be like I

0:34:36.960 --> 0:34:40.040
<v Speaker 2>want to beat that sounds like this and uses this

0:34:40.160 --> 0:34:42.520
<v Speaker 2>riff and then they're just gonna make a beat like

0:34:42.760 --> 0:34:43.280
<v Speaker 2>it's coming.

0:34:43.640 --> 0:34:47.160
<v Speaker 1>But you know the problem with AI, AI can't AI

0:34:47.360 --> 0:34:54.040
<v Speaker 1>is predicated purely on data and the pure injection and

0:34:54.160 --> 0:34:57.319
<v Speaker 1>consumption of analytics. It's never going to be able to

0:34:57.320 --> 0:35:00.600
<v Speaker 1>form an opinion. So and we we're a lot of

0:35:00.600 --> 0:35:04.080
<v Speaker 1>work where nobody has the answers. It's it's just a current.

0:35:04.160 --> 0:35:07.160
<v Speaker 1>It flows and it changes and tomorrow this can be

0:35:07.239 --> 0:35:08.840
<v Speaker 1>a trend and the next day can be a trend

0:35:08.920 --> 0:35:10.440
<v Speaker 1>and the only way to keep up with that is if you,

0:35:10.560 --> 0:35:12.440
<v Speaker 1>as a human being are actually in tune or something.

0:35:12.520 --> 0:35:15.160
<v Speaker 1>And that's what we're always gonna have over technology is

0:35:15.960 --> 0:35:19.080
<v Speaker 1>free thought and opinion. Free thought opinion, and you're never

0:35:19.120 --> 0:35:21.239
<v Speaker 1>gonna be able you can put a price on that

0:35:21.280 --> 0:35:23.439
<v Speaker 1>of value, because that's why we all have a job,

0:35:24.040 --> 0:35:27.719
<v Speaker 1>you know what I'm saying, Because to certain degrees, we're

0:35:27.760 --> 0:35:32.200
<v Speaker 1>all experts in some way, shape or form, some more

0:35:32.239 --> 0:35:35.200
<v Speaker 1>than others, some lesson others. But like we're doing this professionally,

0:35:35.719 --> 0:35:38.040
<v Speaker 1>you know what I'm saying. So if not experts, we're

0:35:38.080 --> 0:35:41.440
<v Speaker 1>definitely professionals. AI is not a professional it's the consumption

0:35:41.520 --> 0:35:45.000
<v Speaker 1>and injection of that and data. Data can be wrong.

0:35:45.200 --> 0:35:47.880
<v Speaker 1>Machines are always wrong at some point, And who you're

0:35:47.880 --> 0:35:49.839
<v Speaker 1>gonna blame, Like an artist at some point is gonna

0:35:49.880 --> 0:35:51.480
<v Speaker 1>sit there and look at it, like you you're putting

0:35:51.480 --> 0:35:54.360
<v Speaker 1>my fucking career. Yeah, you're putting my career in the

0:35:54.400 --> 0:35:56.839
<v Speaker 1>hands of technology. Like what would you.

0:35:56.840 --> 0:35:58.920
<v Speaker 2>If you're like a listen, there's an up and coming

0:35:59.040 --> 0:36:04.160
<v Speaker 2>artist they're fucking in Saint Louis and they're like, the

0:36:04.239 --> 0:36:06.200
<v Speaker 2>guy got a local buzz. They don't have a manager.

0:36:07.320 --> 0:36:11.680
<v Speaker 2>What would be a fair percentage for that up and

0:36:11.719 --> 0:36:16.160
<v Speaker 2>coming artist to give up to a to a new manager?

0:36:16.320 --> 0:36:17.160
<v Speaker 1>What would be fair?

0:36:17.320 --> 0:36:18.799
<v Speaker 2>Yeah, Like, cause you know, we always hear about people

0:36:18.800 --> 0:36:21.160
<v Speaker 2>getting taken advantage of. We always hear, like, you know,

0:36:21.200 --> 0:36:24.719
<v Speaker 2>they're shitty production deals that happen. There's like if you're like, like,

0:36:24.760 --> 0:36:27.239
<v Speaker 2>what would be like a standard fair percentage for a

0:36:27.320 --> 0:36:30.560
<v Speaker 2>new artist to give to a manager who maybe has

0:36:30.560 --> 0:36:33.040
<v Speaker 2>some experience to kind of without them getting kind of

0:36:33.080 --> 0:36:37.480
<v Speaker 2>like bent over, you know, because I hear some crazy.

0:36:37.200 --> 0:36:39.840
<v Speaker 1>Shit percentage artists to give a brand new manager.

0:36:40.080 --> 0:36:41.959
<v Speaker 2>Yeah, no, no, not a brand new. Like let's say

0:36:43.360 --> 0:36:49.799
<v Speaker 2>rapper X has thirty thousand monthly listening is running around

0:36:49.840 --> 0:36:52.800
<v Speaker 2>whatever hometown getting five hundred to one thousand dollars to do.

0:36:52.840 --> 0:36:54.400
<v Speaker 2>A club has a song kind of doing all right

0:36:54.440 --> 0:36:58.160
<v Speaker 2>on TikTok no management, someone approaches them, what would you

0:36:58.200 --> 0:37:03.279
<v Speaker 2>say is like a fair uh number that that they

0:37:03.360 --> 0:37:05.960
<v Speaker 2>could get what they want without getting taken advantage of,

0:37:07.040 --> 0:37:09.319
<v Speaker 2>because what is the industry standard between like ten twenty,

0:37:09.400 --> 0:37:10.880
<v Speaker 2>fifteen fifteen.

0:37:10.480 --> 0:37:13.239
<v Speaker 1>Okay, fifteen, ten minimum twenty on the high if you're

0:37:13.239 --> 0:37:16.600
<v Speaker 1>doing ten, you should usually have a partner because then

0:37:16.600 --> 0:37:18.800
<v Speaker 1>you're ever doing ten your co manager because then like

0:37:18.840 --> 0:37:20.719
<v Speaker 1>both you gouts split ten and the equals the max,

0:37:20.719 --> 0:37:22.240
<v Speaker 1>which is twenty twenty.

0:37:23.040 --> 0:37:23.680
<v Speaker 2>You gotta do a lot.

0:37:23.719 --> 0:37:25.960
<v Speaker 1>You gotta be you got to be bringing a lot

0:37:26.040 --> 0:37:27.120
<v Speaker 1>and a lot in.

0:37:27.360 --> 0:37:29.560
<v Speaker 2>So between ten and twenty, depending on the cerch.

0:37:29.480 --> 0:37:33.080
<v Speaker 1>Fifteen is safe because like if, for whatever reason that

0:37:33.160 --> 0:37:36.520
<v Speaker 1>hopefully is fair and justifiable, the artist decides that they

0:37:36.520 --> 0:37:38.520
<v Speaker 1>want to decrease your percentage, there's wigga room for you

0:37:38.600 --> 0:37:42.120
<v Speaker 1>to come down between from fifteen to ten is the floor,

0:37:42.640 --> 0:37:44.560
<v Speaker 1>but also there's wigga room for you as a manager

0:37:44.600 --> 0:37:47.840
<v Speaker 1>where you can may justify going up if you're just

0:37:47.880 --> 0:37:52.359
<v Speaker 1>fucking crushing it, you know what I mean. There's also

0:37:52.360 --> 0:37:54.080
<v Speaker 1>a Wiga room where, like you know, you may want

0:37:54.080 --> 0:37:55.400
<v Speaker 1>to bring the day to day manager and give them

0:37:55.400 --> 0:37:58.200
<v Speaker 1>five percent so that you can grow as a manager.

0:37:58.400 --> 0:38:00.759
<v Speaker 1>You can accomplish more things with your time instead of

0:38:00.800 --> 0:38:04.240
<v Speaker 1>being spread thin, and so the artist has someone around

0:38:04.560 --> 0:38:07.160
<v Speaker 1>all the time to be able to handle the small nuts,

0:38:07.160 --> 0:38:09.879
<v Speaker 1>small that you're overqualified to be able to handle. Even

0:38:09.920 --> 0:38:12.520
<v Speaker 1>though you can handle it. We only have so many

0:38:12.520 --> 0:38:13.920
<v Speaker 1>hours in the day. Where do you want to apply

0:38:13.960 --> 0:38:15.400
<v Speaker 1>your focus? You know, you should be doing on the

0:38:15.440 --> 0:38:18.360
<v Speaker 1>things that only you are capable of doing around that

0:38:18.440 --> 0:38:23.160
<v Speaker 1>artist and bringing somebody else in who's qualified to consider

0:38:23.200 --> 0:38:27.480
<v Speaker 1>themselves a manager, but not quite for a percentage where

0:38:27.560 --> 0:38:29.800
<v Speaker 1>the artist is kicking more out of the person.

0:38:29.880 --> 0:38:32.080
<v Speaker 2>Are you how involved are you with the high level

0:38:32.680 --> 0:38:33.160
<v Speaker 2>high level?

0:38:33.440 --> 0:38:37.120
<v Speaker 1>I mean me and Corday like we're partners, which is yeah,

0:38:37.160 --> 0:38:38.960
<v Speaker 1>that's his brand, it's his label. We just did a

0:38:38.960 --> 0:38:40.400
<v Speaker 1>pub deal with Posts.

0:38:40.160 --> 0:38:42.279
<v Speaker 2>So he just I mean I just saw like a

0:38:42.320 --> 0:38:43.400
<v Speaker 2>high level Puma.

0:38:43.120 --> 0:38:45.240
<v Speaker 1>That dropped right, Yeah, yeah, yeah, we.

0:38:46.920 --> 0:38:47.560
<v Speaker 2>There they are.

0:38:48.360 --> 0:38:49.480
<v Speaker 1>I mean I've been wearing them.

0:38:49.360 --> 0:38:51.279
<v Speaker 2>But those are sick. I don't have any, but they're nice.

0:38:51.680 --> 0:38:53.040
<v Speaker 1>I thought I put you on the list for him.

0:38:53.480 --> 0:38:54.520
<v Speaker 2>No, I'm not on any lists.

0:38:54.600 --> 0:38:56.719
<v Speaker 1>Yeah, we've been with Puma for four years. Shout out boom.

0:38:56.840 --> 0:39:01.879
<v Speaker 1>We've we actually have the longest current activity with Puma. Yeah,

0:39:01.960 --> 0:39:06.600
<v Speaker 1>of any of their music artists. That's big indoor seas.

0:39:07.120 --> 0:39:09.680
<v Speaker 1>Uh so you know it was. It was something that

0:39:09.680 --> 0:39:11.560
<v Speaker 1>we were working up for two years, between the designs,

0:39:11.560 --> 0:39:13.759
<v Speaker 1>the business of it, the roll out, the planning and shit.

0:39:14.160 --> 0:39:17.120
<v Speaker 1>But yeah, it's dope. We did a high level Puma

0:39:18.120 --> 0:39:22.920
<v Speaker 1>capsule clothing collab and it went through nationwide distribution and

0:39:22.960 --> 0:39:25.759
<v Speaker 1>foot lockers all throughout the country, even in Puerto Rico,

0:39:25.800 --> 0:39:30.000
<v Speaker 1>which was tight. Yeah, that was tight. So, I mean

0:39:30.400 --> 0:39:35.440
<v Speaker 1>we're just focusing on making like small strategic moves in

0:39:35.520 --> 0:39:37.520
<v Speaker 1>terms of like the collapse we do because it's really

0:39:37.520 --> 0:39:40.680
<v Speaker 1>early still the brands two years ago. Cordet's been in

0:39:40.680 --> 0:39:42.400
<v Speaker 1>the music industry for four and a half years. So

0:39:42.440 --> 0:39:44.759
<v Speaker 1>as the artist gets bigger, everything around them does as well.

0:39:45.000 --> 0:39:46.760
<v Speaker 1>So we're on the rush to try to like explode

0:39:46.760 --> 0:39:48.560
<v Speaker 1>the brand. We just want to start building the story

0:39:49.280 --> 0:39:50.840
<v Speaker 1>in terms of like where you see it, who we

0:39:50.880 --> 0:39:56.080
<v Speaker 1>align with. So it's sexy, it makes sense. And you know,

0:39:56.160 --> 0:39:59.200
<v Speaker 1>as we continue to grow, as he continues to grow,

0:39:59.440 --> 0:40:01.800
<v Speaker 1>the brand will with it. You know, Dreamville was an idea,

0:40:02.400 --> 0:40:04.400
<v Speaker 1>right and then it became a label, and when it

0:40:05.560 --> 0:40:07.760
<v Speaker 1>was big enough to sign artists, and then they developed

0:40:07.760 --> 0:40:10.440
<v Speaker 1>a festival and clothing line and now Dreamville is, like,

0:40:10.719 --> 0:40:13.600
<v Speaker 1>you know, it's a very serious, multi million dollar brain

0:40:13.760 --> 0:40:14.720
<v Speaker 1>in business.

0:40:15.280 --> 0:40:16.840
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0:42:34.120 --> 0:42:37.279
<v Speaker 2>save twenty percent off, shout out to odd Socks. Let's

0:42:37.280 --> 0:42:39.719
<v Speaker 2>get back to the interview. Let me ask you this,

0:42:40.120 --> 0:42:42.120
<v Speaker 2>how many times have you had to be manager slash

0:42:42.120 --> 0:42:43.600
<v Speaker 2>bodyguard bro?

0:42:43.640 --> 0:42:45.399
<v Speaker 1>I had to do that early on when Amos Court

0:42:45.440 --> 0:42:47.680
<v Speaker 1>that shit was wild just because like.

0:42:48.239 --> 0:42:51.000
<v Speaker 2>Because I feel like sometimes I'll see you and there's

0:42:51.080 --> 0:42:53.120
<v Speaker 2>be no security, it's just you. Yeah, So I guess

0:42:53.200 --> 0:42:56.160
<v Speaker 2>Ace is just kind of the the last the last

0:42:56.239 --> 0:42:56.920
<v Speaker 2>line of defense.

0:42:57.000 --> 0:43:00.920
<v Speaker 1>Yeah. It ain't fun though, because it's like, you know

0:43:01.320 --> 0:43:04.200
<v Speaker 1>me bodyguard is like just like level it, like yo,

0:43:04.280 --> 0:43:06.480
<v Speaker 1>come on, yo, like yo, we're just trying to do this,

0:43:06.560 --> 0:43:09.160
<v Speaker 1>Like can y'all move? I don't know, you just cheat

0:43:09.160 --> 0:43:12.120
<v Speaker 1>people with respect, you know, people always reciprocated in return.

0:43:12.200 --> 0:43:14.239
<v Speaker 1>You know. Bodyguards ain't out there for that. Then they're

0:43:14.280 --> 0:43:17.480
<v Speaker 1>like look intimidating, be intimidating, neutralized. But when I first started,

0:43:17.480 --> 0:43:20.319
<v Speaker 1>when I mere unfortunately we couldn't afford to have like

0:43:20.360 --> 0:43:24.040
<v Speaker 1>a professional bodyguard on retainer, so like I wasn't really

0:43:24.080 --> 0:43:28.560
<v Speaker 1>the bodyguard. I was just, like I guess, like the

0:43:28.560 --> 0:43:31.480
<v Speaker 1>big brother, a parental figure who was just like moving

0:43:31.560 --> 0:43:34.600
<v Speaker 1>him around as such. Right, And and this is like

0:43:34.640 --> 0:43:36.920
<v Speaker 1>in the very early stages, like in the first few months,

0:43:37.320 --> 0:43:39.640
<v Speaker 1>you know what I'm saying. It was mad unsettling though,

0:43:39.640 --> 0:43:42.279
<v Speaker 1>because I'm trying to do business and like do my job,

0:43:42.320 --> 0:43:43.719
<v Speaker 1>and then I also have to be like having my

0:43:43.760 --> 0:43:45.960
<v Speaker 1>head on swift. We're looking at like who's looking and

0:43:46.000 --> 0:43:48.279
<v Speaker 1>watching because he folked a lot of negative energy. Bro,

0:43:48.360 --> 0:43:50.320
<v Speaker 1>he's talking about guns and shooting people and killing.

0:43:50.080 --> 0:43:53.759
<v Speaker 2>The music video. Yeah, first time I met him, I

0:43:53.800 --> 0:43:54.960
<v Speaker 2>was like, Bro, you're a good kid.

0:43:56.600 --> 0:43:57.320
<v Speaker 1>You're a sweetheart.

0:43:57.360 --> 0:43:59.160
<v Speaker 2>I was like, I was like, bro, you're a good kid.

0:43:59.480 --> 0:44:02.560
<v Speaker 1>Like so, like that type of energy. Had a lot

0:44:02.560 --> 0:44:04.520
<v Speaker 1>of other young niggas pulling up, And it's always the

0:44:04.520 --> 0:44:06.480
<v Speaker 1>young niggas in every city who everyone's shooting and doing

0:44:06.520 --> 0:44:08.520
<v Speaker 1>dumb shit because they have all that time in their hands, right,

0:44:08.560 --> 0:44:10.680
<v Speaker 1>you know, So those are the That was the shit

0:44:10.719 --> 0:44:12.839
<v Speaker 1>I was dealing with early on, was like looking at

0:44:12.840 --> 0:44:16.040
<v Speaker 1>the looking at the eyes of like five hooded up

0:44:16.400 --> 0:44:19.640
<v Speaker 1>sixteen year old is watching our sprint van pull up,

0:44:19.719 --> 0:44:22.080
<v Speaker 1>or looking at him in the crowd, not cheering, not celebrating,

0:44:22.160 --> 0:44:25.000
<v Speaker 1>not joining in on the crowd interaction. They're just there

0:44:25.080 --> 0:44:26.560
<v Speaker 1>just to talk shit and say fun. Why be in

0:44:26.600 --> 0:44:29.360
<v Speaker 1>at the end of the performance? So Jesus, yeah, it

0:44:29.360 --> 0:44:30.840
<v Speaker 1>was a wild time. It was fun though, because like

0:44:30.880 --> 0:44:32.640
<v Speaker 1>at the end of the day, it's like, even though

0:44:32.680 --> 0:44:34.640
<v Speaker 1>shit does get real, I have no choice but to

0:44:34.680 --> 0:44:35.879
<v Speaker 1>look at it for what it is, Like, you guys

0:44:35.880 --> 0:44:36.520
<v Speaker 1>are fucking kids.

0:44:37.040 --> 0:44:39.520
<v Speaker 2>For sure. You know what I mean, what's coming up next?

0:44:39.560 --> 0:44:39.719
<v Speaker 1>Man?

0:44:39.760 --> 0:44:44.520
<v Speaker 2>Anything you want to promote or I know you you

0:44:44.520 --> 0:44:47.479
<v Speaker 2>you obviously just signed Turbo, which is a big, big deal.

0:44:47.680 --> 0:44:52.640
<v Speaker 1>Yeah. Yeah. I'm a partner at Range, which is we're

0:44:52.680 --> 0:44:55.560
<v Speaker 1>a management company. There's like, I think twelve of us,

0:44:56.480 --> 0:44:58.319
<v Speaker 1>and then we have a you know, a really really

0:44:58.360 --> 0:45:03.000
<v Speaker 1>dope staff, like I think like sixty individuals who all

0:45:03.000 --> 0:45:07.000
<v Speaker 1>come from different labels and companies and things of that nature.

0:45:07.520 --> 0:45:12.160
<v Speaker 1>And yeah, we just started working with Turbos, So I'm

0:45:12.200 --> 0:45:16.160
<v Speaker 1>working with him now, and you know, he's dope. You know,

0:45:17.080 --> 0:45:22.839
<v Speaker 1>Diamond Diamond, credited producer, crazy tons of plaques and he's

0:45:23.200 --> 0:45:27.800
<v Speaker 1>working on an album, oh you know, his debut album,

0:45:27.800 --> 0:45:31.960
<v Speaker 1>which is very very premature stages, but it's something that

0:45:31.960 --> 0:45:36.799
<v Speaker 1>he's gonna be working on. We have a really really

0:45:36.840 --> 0:45:39.120
<v Speaker 1>dope single coming out. I can't say with who. When

0:45:39.120 --> 0:45:43.760
<v Speaker 1>I say we, I mean Corday in June, June sixteenth.

0:45:43.960 --> 0:45:46.520
<v Speaker 1>I think it's gonna shake the world. It's it's not

0:45:46.680 --> 0:45:49.960
<v Speaker 1>just us, it's kind of I can't really say what

0:45:50.000 --> 0:45:51.960
<v Speaker 1>it is without giving us h much information, but it's

0:45:52.000 --> 0:45:52.480
<v Speaker 1>something that's.

0:45:52.320 --> 0:45:53.480
<v Speaker 2>Really big deal coming.

0:45:53.760 --> 0:45:56.239
<v Speaker 1>Yeah. Yeah, it has like several parties involved that make

0:45:56.280 --> 0:45:59.960
<v Speaker 1>it something that's like really monumental and special. For June sixteen,

0:46:00.120 --> 0:46:07.359
<v Speaker 1>that's happening corde As a tour taking place domestic. It'll

0:46:07.360 --> 0:46:08.799
<v Speaker 1>be announced, you know, it'll be in the fall and

0:46:08.800 --> 0:46:11.600
<v Speaker 1>then go over seas the world toilets and on the horizon.

0:46:12.280 --> 0:46:17.680
<v Speaker 1>But yeah, bro, just just working and just you know, honestly, Bro,

0:46:17.840 --> 0:46:20.080
<v Speaker 1>it's if you talk with anybody but any a and

0:46:20.160 --> 0:46:23.600
<v Speaker 1>r any manager, anybuddy who's want that fashion like you,

0:46:23.680 --> 0:46:24.960
<v Speaker 1>it will be the same thing if I ask you

0:46:24.960 --> 0:46:26.680
<v Speaker 1>what you have going on, it's all the things you're

0:46:26.719 --> 0:46:28.680
<v Speaker 1>doing now. But you just have to keep it going.

0:46:28.760 --> 0:46:31.920
<v Speaker 1>You to keep working at it because everything is just

0:46:32.040 --> 0:46:33.879
<v Speaker 1>like one foot in front of the other. You've never

0:46:33.920 --> 0:46:37.640
<v Speaker 1>really arrived, you know, so there's there's no finishing. So

0:46:37.760 --> 0:46:38.680
<v Speaker 1>just continuously working.

0:46:38.719 --> 0:46:39.600
<v Speaker 2>Bro, there it is.

0:46:39.640 --> 0:46:41.400
<v Speaker 1>You know what I'm saying, What are you? What do

0:46:41.440 --> 0:46:43.080
<v Speaker 1>you got coming up? keV? What are you working on?

0:46:43.320 --> 0:46:45.040
<v Speaker 1>No one ever asked you questions? Man, I want to

0:46:45.040 --> 0:46:45.799
<v Speaker 1>ask about you know.

0:46:45.840 --> 0:46:47.360
<v Speaker 2>Man, I'm just you know, trying to rack up the

0:46:47.440 --> 0:46:50.480
<v Speaker 2>radio stations on the syndicated show and up.

0:46:50.440 --> 0:46:55.160
<v Speaker 1>The club Baby Club eleven eleven, Arizona. What made you

0:46:55.160 --> 0:46:55.959
<v Speaker 1>want to open the club.

0:46:57.920 --> 0:47:00.640
<v Speaker 2>It was an opportunity that is, like I wanted to

0:47:00.640 --> 0:47:04.520
<v Speaker 2>open the club. It was just an opportunity that fell

0:47:04.520 --> 0:47:08.600
<v Speaker 2>in my lap. That was a slam dunk of a

0:47:08.640 --> 0:47:09.880
<v Speaker 2>gamble as it could be.

0:47:10.120 --> 0:47:12.320
<v Speaker 1>Some homies, some good friends that you have a relationship

0:47:12.360 --> 0:47:14.080
<v Speaker 1>were opening the club and they saw like no.

0:47:14.440 --> 0:47:18.319
<v Speaker 2>So one of my close friends had reached out to me,

0:47:18.360 --> 0:47:21.960
<v Speaker 2>my boy Corey, and he was like, hey, there's an

0:47:21.960 --> 0:47:25.799
<v Speaker 2>opportunity here. I'm not going to do it without you

0:47:25.960 --> 0:47:28.840
<v Speaker 2>and Daveon if you guys are in, you know, we

0:47:29.200 --> 0:47:31.920
<v Speaker 2>figured it out. We kind of Yeah, it was just

0:47:31.920 --> 0:47:34.399
<v Speaker 2>a it was like a slam dunk.

0:47:34.560 --> 0:47:34.759
<v Speaker 1>Yeah.

0:47:35.160 --> 0:47:37.000
<v Speaker 2>So it was like, I mean i'd be because I

0:47:37.000 --> 0:47:38.680
<v Speaker 2>had turned down opportunities to be a part of clubs

0:47:38.680 --> 0:47:43.320
<v Speaker 2>in Phoenix before or in Arizona rather, but this particular

0:47:43.320 --> 0:47:48.560
<v Speaker 2>opportunity was like the other parties who were involved, Yeah,

0:47:48.600 --> 0:47:52.680
<v Speaker 2>it was just there was like a missing just I mean, look,

0:47:52.880 --> 0:47:54.680
<v Speaker 2>there's no hip hop clubs. I mean in Scotstale, all

0:47:54.680 --> 0:47:58.040
<v Speaker 2>the hip hop clubs got closed was done international clothes.

0:47:58.880 --> 0:48:01.080
<v Speaker 2>There was a there's a small st there called Pretty Please,

0:48:01.120 --> 0:48:03.600
<v Speaker 2>which is like a fucking shoe box. But there was

0:48:03.640 --> 0:48:05.600
<v Speaker 2>really nothing else going on, So it was like, damn

0:48:05.640 --> 0:48:08.520
<v Speaker 2>if we do this the right way, and super Bowl

0:48:08.560 --> 0:48:10.960
<v Speaker 2>was coming up. Yeah, so it's like, shit, super Bowl's

0:48:11.000 --> 0:48:11.359
<v Speaker 2>next year.

0:48:11.680 --> 0:48:13.680
<v Speaker 1>There's something else happening in Arizona next year. I was

0:48:13.719 --> 0:48:15.479
<v Speaker 1>just texting you about when I found out super Bowl

0:48:15.560 --> 0:48:16.000
<v Speaker 1>just happened.

0:48:16.040 --> 0:48:17.600
<v Speaker 2>But I think Final Force that's what.

0:48:17.560 --> 0:48:19.799
<v Speaker 1>It is, the Final Four. Oh dude, you're gonna.

0:48:19.320 --> 0:48:21.600
<v Speaker 2>Final Force come in. We get spring training.

0:48:21.640 --> 0:48:23.320
<v Speaker 1>You know, it's like two weeks of games.

0:48:23.840 --> 0:48:26.480
<v Speaker 2>Spring training is you know, a month and a half.

0:48:26.760 --> 0:48:28.040
<v Speaker 2>There's a lot of shit, But yeah, I.

0:48:28.000 --> 0:48:33.759
<v Speaker 1>Like about you. Kevin djaying is I think DJing in

0:48:33.880 --> 0:48:39.560
<v Speaker 1>terms of like one of the core forms of art

0:48:39.840 --> 0:48:46.680
<v Speaker 1>in music, it's the hardest job to be it's the

0:48:46.719 --> 0:48:49.439
<v Speaker 1>hardest job to be successful at by way of making

0:48:49.440 --> 0:48:52.000
<v Speaker 1>a real living. Now, I'm not talking about being able

0:48:52.080 --> 0:48:54.200
<v Speaker 1>to afford bills. I'm talking about like to the point

0:48:54.200 --> 0:48:57.040
<v Speaker 1>where like you can continue to progress and you can

0:48:57.080 --> 0:48:58.400
<v Speaker 1>make the type of money that we all hope to

0:48:58.440 --> 0:49:00.799
<v Speaker 1>make one day and to be able to acquire things

0:49:00.840 --> 0:49:03.560
<v Speaker 1>that we want, just not that we need, and where

0:49:03.600 --> 0:49:05.920
<v Speaker 1>you don't have to worry about bills because DJ's all

0:49:06.000 --> 0:49:07.919
<v Speaker 1>the time and the last people to get paid. When

0:49:07.920 --> 0:49:10.920
<v Speaker 1>you look at the overhead costs of a club or

0:49:11.520 --> 0:49:15.280
<v Speaker 1>a festival, or even if you're looking at artists, dude,

0:49:15.280 --> 0:49:17.200
<v Speaker 1>like you look at it, it's like how much is this DJ?

0:49:17.280 --> 0:49:19.600
<v Speaker 1>Is dope, but like how much do it cost? Okay? Cool,

0:49:19.640 --> 0:49:21.479
<v Speaker 1>we can go find another DJ who'll do it for less.

0:49:21.640 --> 0:49:23.560
<v Speaker 1>And that's the problem. It's almost like graphic designers.

0:49:23.640 --> 0:49:25.600
<v Speaker 2>Yeah, you guys had hit me up to be Corde's first.

0:49:25.520 --> 0:49:27.000
<v Speaker 1>DJ, Yeah, I would have loved that. I would have

0:49:27.040 --> 0:49:27.319
<v Speaker 1>been tight.

0:49:27.640 --> 0:49:29.040
<v Speaker 2>I just was like, I can't do it, man, I

0:49:29.080 --> 0:49:29.640
<v Speaker 2>got too many.

0:49:29.760 --> 0:49:31.040
<v Speaker 1>What I mean, you look when artists are just starting,

0:49:31.040 --> 0:49:33.719
<v Speaker 1>but we couldn't afford you. Somebody would jump in. It

0:49:33.760 --> 0:49:35.920
<v Speaker 1>would have been tight, you know what I mean. But

0:49:35.960 --> 0:49:39.920
<v Speaker 1>my point is I love what you're doing because like

0:49:39.960 --> 0:49:43.400
<v Speaker 1>you're like the ultra entrepreneur because you've been able to

0:49:43.440 --> 0:49:49.120
<v Speaker 1>take DJing as just kind of like the identifiable aspect

0:49:49.160 --> 0:49:50.680
<v Speaker 1>in the core of what you do that made everybody

0:49:50.680 --> 0:49:53.920
<v Speaker 1>give a shit, right, And then from there you're like, Okay,

0:49:54.600 --> 0:49:58.080
<v Speaker 1>if I'm in the DJ, what's the next step of

0:49:58.120 --> 0:50:00.920
<v Speaker 1>how I can how I can generate something that's lucrative,

0:50:00.920 --> 0:50:02.960
<v Speaker 1>Like it's okay, let me get the radio. Then you

0:50:03.000 --> 0:50:07.040
<v Speaker 1>get the radio. You're okay, cool. Radio now is transitioning

0:50:07.480 --> 0:50:11.840
<v Speaker 1>to podcasts. Let me start a podcast, okay cool. So

0:50:11.880 --> 0:50:14.520
<v Speaker 1>now if I'm on radio and I'm interviewing artists because

0:50:14.560 --> 0:50:18.600
<v Speaker 1>I have relationships with them, what's the next step? Let

0:50:18.640 --> 0:50:19.640
<v Speaker 1>me bring them to a club.

0:50:19.760 --> 0:50:22.200
<v Speaker 2>And Hannibal is calling, Let me give you my phone

0:50:22.200 --> 0:50:22.920
<v Speaker 2>real quick fire.

0:50:23.120 --> 0:50:25.319
<v Speaker 1>How do you know that number? Without his name popping out? Oh,

0:50:25.360 --> 0:50:29.400
<v Speaker 1>it is popping up. We're with them. And so I

0:50:29.440 --> 0:50:31.200
<v Speaker 1>wanted to tell you because I don't think anybody's ever

0:50:31.239 --> 0:50:33.080
<v Speaker 1>told you this one, bro, but you deserve to hear it.

0:50:33.440 --> 0:50:35.600
<v Speaker 1>It's dope. You've been able to make a business out

0:50:35.640 --> 0:50:38.719
<v Speaker 1>of yourself instead of a byproduct, but a business out

0:50:38.760 --> 0:50:42.799
<v Speaker 1>of yourself. And and there's several different verticals of the

0:50:42.800 --> 0:50:43.560
<v Speaker 1>bootle like Kevi.

0:50:43.440 --> 0:50:44.600
<v Speaker 2>Bra trying to run it up.

0:50:44.640 --> 0:50:47.759
<v Speaker 3>Man, it's hard to do that, bro, It's hard to

0:50:47.760 --> 0:50:48.080
<v Speaker 3>do that.

0:50:48.080 --> 0:50:51.359
<v Speaker 1>That's like pure entrepreneurialism. That's the word, right, entrepreneurialism. Yeah.

0:50:51.400 --> 0:50:53.759
<v Speaker 2>I might be buying another clip too. I'm sorry, I

0:50:53.840 --> 0:50:55.080
<v Speaker 2>might be buying another club too.

0:50:55.560 --> 0:50:58.120
<v Speaker 1>I need it on that one. I need it on

0:50:58.160 --> 0:51:00.480
<v Speaker 1>that one, bro, Yeah, need.

0:51:00.320 --> 0:51:05.320
<v Speaker 2>I can't tell you what city. But it's in California

0:51:06.880 --> 0:51:10.719
<v Speaker 2>to Modesto. I'm actually now I actually start doing nights

0:51:10.719 --> 0:51:14.719
<v Speaker 2>out there next Monday. I'll be the night show in Modesto. Y.

0:51:15.040 --> 0:51:20.040
<v Speaker 1>Let's Hannibal, Yes, Hannibal man? You was you was in

0:51:20.080 --> 0:51:22.840
<v Speaker 1>our video for R and P bro R and P.

0:51:22.960 --> 0:51:26.680
<v Speaker 1>Well Cordey Anderson bat it was in acting fucking crazy.

0:51:26.680 --> 0:51:29.040
<v Speaker 2>All right, Well listen, Ace go follow Ace with tr G.

0:51:29.600 --> 0:51:32.680
<v Speaker 1>Oh, people call me, it's just pp L call me Ace.

0:51:32.600 --> 0:51:36.360
<v Speaker 2>Boom my guy. Appreciate your brother, Yes, sir, Hey, we

0:51:36.360 --> 0:51:38.279
<v Speaker 2>gotta wrap up an interview brought to you by Hard

0:51:38.280 --> 0:51:41.160
<v Speaker 2>Dean Las Vegas. Appreciate you'all watching. Hey, don't forget when

0:51:41.200 --> 0:51:42.799
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0:51:42.840 --> 0:51:45.680
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0:51:45.719 --> 0:51:48.840
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0:51:48.960 --> 0:51:51.440
<v Speaker 2>uber when you hit Sin City, tell him take me

0:51:51.480 --> 0:51:53.479
<v Speaker 2>to Hard Dean. They're gonna take you. You're gonna get

0:51:53.719 --> 0:51:56.040
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0:51:56.040 --> 0:51:59.040
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0:51:59.040 --> 0:52:01.839
<v Speaker 2>see in the US. Plus on top of that, they

0:52:01.920 --> 0:52:04.919
<v Speaker 2>got the crazy gear. They got the clothes, they got

0:52:04.920 --> 0:52:09.080
<v Speaker 2>the bikinis. They got a wonderful selection of bud tenders

0:52:09.200 --> 0:52:11.480
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0:52:11.520 --> 0:52:13.640
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0:52:13.640 --> 0:52:15.799
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0:52:15.840 --> 0:52:17.560
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0:52:17.600 --> 0:52:21.160
<v Speaker 2>them online hardeen Underscore Las Vegas, or just go hut

0:52:21.200 --> 0:52:23.960
<v Speaker 2>out their website too. Man, Hardenloasvegas dot com and when

0:52:24.000 --> 0:52:26.439
<v Speaker 2>you're in Vegas, pull up to Harden or you're playing

0:52:26.480 --> 0:52:27.080
<v Speaker 2>yourself for real