WEBVTT - S05 Episode 7: A Man of Wealth and Taste

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<v Speaker 1>The quest for immortality and he urged to escape the

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<v Speaker 1>inevitability of death has long been a preoccupation for us,

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<v Speaker 1>as evidenced by the ancient Sumerian poem The Epic of Gilgamesh,

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<v Speaker 1>the oldest example of written literature known today. In the poem,

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<v Speaker 1>written sometime around eighteen hundred BC in Mesopotamia, the titular Gilgamesh,

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<v Speaker 1>part hero, part arrogant demigod, undertakes an audacious mission to

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<v Speaker 1>find the secret immortality after being confronted by the inevitability

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<v Speaker 1>of his own death. Though we might not be demigods

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<v Speaker 1>like Gilgamesh, his desperate refusal to accept the inevitability of

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<v Speaker 1>his fate is a deeply human one, and something that

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<v Speaker 1>many of us can sympathize with, whether we elect to

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<v Speaker 1>place our hope in the promises of religious teachers or

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<v Speaker 1>in the invention and imagination of our leading biogerontologists, those

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<v Speaker 1>that study the mechanics of aging. There aren't many of

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<v Speaker 1>us who haven't contemplated the possibility of existing forever in

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<v Speaker 1>one form or another. However, although some of us may

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<v Speaker 1>want for it, being a mortal is rarely portrayed as

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<v Speaker 1>something desirable, and at the very least as something that

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<v Speaker 1>can only be achieved at a great cost, from the

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<v Speaker 1>burdens of Cone McCloud in his pursuit to become the

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<v Speaker 1>only remaining Highlander, to the pitiful efforts of Melmouth the

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<v Speaker 1>Wanderer to convince another soul to take on his pack

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<v Speaker 1>with the devil in return for another one hundred and

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<v Speaker 1>fifty years of life. In fact, we take great pains

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<v Speaker 1>to dissuade ourselves from wanting it. Perhaps this is simply

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<v Speaker 1>to provide some comfort in the face of such a

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<v Speaker 1>futile desire, but it doesn't stop us trying back. In

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<v Speaker 1>October this year, a team led by Tel Aviv University

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<v Speaker 1>professor Shay Fratti published the results of an extraordinary study

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<v Speaker 1>in the journal Aging. The study, to determine the effect

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<v Speaker 1>of pure oxygen on the aging process, involved placing thirty

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<v Speaker 1>five adults over the age of sixty four in a

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<v Speaker 1>hyperbaric chamber and giving them pure oxygen for ninety minutes

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<v Speaker 1>a day, five days a week over the course of

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<v Speaker 1>three months. Through this process, of Fratti's team found they

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<v Speaker 1>were able to successfully limit the build up of senescent

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<v Speaker 1>cells in the body, cells that have aged to the

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<v Speaker 1>point where they can no longer replicate, leaving the bodies

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<v Speaker 1>susceptible to many age related diseases. Incredibly, not only did

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<v Speaker 1>this delay the aging process, but actually reversed it. Aubrey

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<v Speaker 1>De Gray, one of the best known biogerontologists, has long

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<v Speaker 1>insisted that medical technology were one day allowers to control

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<v Speaker 1>the aging process, even making the stunning claim as far

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<v Speaker 1>back as two thousand and eight that the first person

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<v Speaker 1>who lived to a thousand years old is already alive today.

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<v Speaker 1>There are some, however, who'd say that this person isn't

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<v Speaker 1>just alive right now, but they've already lived to be

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<v Speaker 1>over a thousand years old. You're listening to Unexplained, and

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<v Speaker 1>I'm Richard McClane Smith. It was sometime in the seventeen

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<v Speaker 1>seventies that Countess of Adama, Mary Antoinette's personal attendant, first

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<v Speaker 1>met him. For her, it was his eyes that mosted out.

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<v Speaker 1>They were like nothing she'd ever seen before. His teeth, too,

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<v Speaker 1>were immaculate, and all the more noticeable for being framed

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<v Speaker 1>by such a thick head of luxuriant jet black hair.

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<v Speaker 1>And though his clothes were simple, they were nonetheless made

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<v Speaker 1>from the finest materials and decorated with the most exquisite jewelry.

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<v Speaker 1>It was an appearance she assumed would be accompanied by

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<v Speaker 1>a certain steely, if not arrogant, countenance. However, when she

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<v Speaker 1>finally plucked up the courage to approach him one afternoon

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<v Speaker 1>at the court, though his stare was penetrating, so too

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<v Speaker 1>was it soft and inviting. Despite everything the Countess had

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<v Speaker 1>heard about the man, it was quite something to see

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<v Speaker 1>him finally in the flesh, looking no more than forty

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<v Speaker 1>five years old. And yet it was back in seventeen

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<v Speaker 1>forty three, over thirty years previously, that he'd first appeared

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<v Speaker 1>mysteriously one day at the Palace of Versailles, home to

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<v Speaker 1>King of France Louis the fifteenth, looking exactly the same age.

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<v Speaker 1>For the Countess of Gergi meeting him around the same time,

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<v Speaker 1>the effect was even more stark. Fifty years earlier, when

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<v Speaker 1>living in Venice with her husband, who was the French

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<v Speaker 1>ambassador at the time, she'd been used to a man

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<v Speaker 1>that looked nearly identical who went by the name of

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<v Speaker 1>Marquis Belletti. Had it not been for the sheer number

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<v Speaker 1>of intervening years, she would have sworn it was his double.

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<v Speaker 1>The Countess was so taken by the similarities she was

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<v Speaker 1>compelled to ask him if perhaps this Belletti character had

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<v Speaker 1>been his grandfather or another close relative. Perhaps. The man

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<v Speaker 1>simply smiled and congratulated the Countess on the solidity of

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<v Speaker 1>her memory, for it was not his grandfather at all,

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<v Speaker 1>but himself, who had been traveling under a different name

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<v Speaker 1>at the time. But it couldn't be thought, the Countess,

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<v Speaker 1>realizing as she drew a little closer to him, that

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<v Speaker 1>it was indeed the man she'd met in Venice all

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<v Speaker 1>those years ago. If anything, he even looked a little

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<v Speaker 1>younger than he had back then. The man, as it

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<v Speaker 1>turned out, had been known by many names over the years,

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<v Speaker 1>but there was one for which he will forever be known,

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<v Speaker 1>the Count of Saint Germain. It's not known exactly when

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<v Speaker 1>the Count of Saint Germain first arrived at the Palace

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<v Speaker 1>of the Psailles, only that he arrived a complete stranger,

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<v Speaker 1>but left the talk of French upper class society. A

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<v Speaker 1>keen conversationalist, he was said to be immeasurably knowledgeable about

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<v Speaker 1>everything from politics and philosophy to art and the sciences,

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<v Speaker 1>but also fluent in nine languages, including Italian, Sanskrit and Chinese,

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<v Speaker 1>as well as being, according to some amongst the finest

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<v Speaker 1>musicians of the day. But it was his apparent expertise

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<v Speaker 1>and restoring jewels that first brought him to the attention

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<v Speaker 1>of King Louis the fifteenth. In one instance, the Count

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<v Speaker 1>was invited to fix a flawed diamond for the king.

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<v Speaker 1>Having taken up the offer, he returned a month later

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<v Speaker 1>and present of the King with his fixed diamond. Not

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<v Speaker 1>only was the floor removed, but the diamond was now

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<v Speaker 1>somehow even bigger than it had been before. The royal jeweler,

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<v Speaker 1>who inspected it soon afterwards, declared that whatever the mysterious

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<v Speaker 1>Count had done to it had increased its worth by

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<v Speaker 1>fifty percent. Soon rumors began to circulate about the true

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<v Speaker 1>nature of this mysterious count. Some declared him a charlatan,

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<v Speaker 1>others that he was some kind of magician and expert

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<v Speaker 1>alchemist who had even succeeded in discovering the Philosopher's Stone,

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<v Speaker 1>the fabled substance that could turn base metals into gold

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<v Speaker 1>and bestow those who knew its secret with the gift

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<v Speaker 1>of immortality. Within a year, the Count of Saint Germain

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<v Speaker 1>had become so trusted by King Louis the fifteenth that,

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<v Speaker 1>when in December seventeen forty four, his mistress, the Duchess

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<v Speaker 1>of Chateaurouse, lay dying from a suspected poisoning, it was

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<v Speaker 1>allegedly to the out that the King turned for help.

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<v Speaker 1>It isn't known exactly why the King would think san

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<v Speaker 1>gimin capable of it. Nonetheless, he has said to have

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<v Speaker 1>begged him to make an antidote to cure the duchess. However,

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<v Speaker 1>the Count declined, saying that it was sadly too late

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<v Speaker 1>to help. Many years later, when the Countess of Adamar

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<v Speaker 1>asked him why he didn't do it, the Count replied

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<v Speaker 1>coolly that had he done what the King asked, he

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<v Speaker 1>would have been called on by each and any person

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<v Speaker 1>hoping to save the life of a loved one every

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<v Speaker 1>time they got sick. It was a responsibility that he

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<v Speaker 1>could not bear, implying that although he was perfectly capable

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<v Speaker 1>of holding sway over death, it would be simply impossible

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<v Speaker 1>for him to save everybody. Do you ever have trouble sleeping,

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<v Speaker 1>by visiting athletic greens dot com slash unexplained. That's athletic

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<v Speaker 1>greens dot com slash unexplained. Strangely, for a man of

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<v Speaker 1>such obvious renown, there exists little by way of letters, articles,

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<v Speaker 1>or memoir certifiably written by the count himself, leading some

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<v Speaker 1>to speculate as to whether he was even real at all.

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<v Speaker 1>What we do have are a tantalizing array of brief

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<v Speaker 1>encounters and momentary glimpses of the man as he crops

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<v Speaker 1>up in the most unexpected places, and often in times

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<v Speaker 1>of huge political significance, And so, like temper or detectives,

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<v Speaker 1>we are left with only these scraps and snippets with

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<v Speaker 1>which to give form to this most mystifying of individuals.

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<v Speaker 1>The year after he is said to have first ingratiated

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<v Speaker 1>himself with King Louis the fifteenth, him appearing suddenly in

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<v Speaker 1>England in the midst of the Jacobite Rising, as the

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<v Speaker 1>recently deposed House of Stuart attempted to regain control of

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<v Speaker 1>the British throne. A letter written by Horace Walpole, author

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<v Speaker 1>of The Castle of Otranto, considered to be the first

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<v Speaker 1>Gothic novel, gives this account. The other day they seized

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<v Speaker 1>an odd man who goes by the name of Count

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<v Speaker 1>Saint Germain. He's been here these two years and will

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<v Speaker 1>not tell who he is or where he is from,

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<v Speaker 1>but professes that he does not go by his real name.

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<v Speaker 1>He sings, plays on the violin wonderfully composes, is mad

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<v Speaker 1>and not very sensible. The Prince of Wales has had

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<v Speaker 1>unsatiated curiosity about him, but in vain. The letter was

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<v Speaker 1>written after the Count had been arrested when he was

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<v Speaker 1>found to be carrying a note allegedly from Charles Edward Stuart,

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<v Speaker 1>head of the House of Stuart, thanking him for his

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<v Speaker 1>help in trying to secure the throne. What exactly brought

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<v Speaker 1>the count to England, like much of what we know

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<v Speaker 1>of his life, is unclear. What is known, however, is

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<v Speaker 1>that two arias written by him were featured in an

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<v Speaker 1>opera performed at the Haymarket Theater in London earlier that year.

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<v Speaker 1>The pieces of music, along with roughly forty more Italian arias,

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<v Speaker 1>seven solos for the violin, and a collection of English

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<v Speaker 1>songs can be found in the Classical Music archives at

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<v Speaker 1>the British Library. As musical historian Charles Burney wrote in

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<v Speaker 1>his seventeen eighty nine book A General History of Music,

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<v Speaker 1>an opera was attempted on April the seventh of the

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<v Speaker 1>Little Theater in the Haymarket under the direction of Geminiani

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<v Speaker 1>Prince Labkowitz, who was at this time in London and

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<v Speaker 1>fond of music, and the celebrated and mysterious Count Saint

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<v Speaker 1>Germain attended all the rehearsals. Perhaps this is simply more

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<v Speaker 1>evidence of the high regard with which the count's musical

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<v Speaker 1>talent was held, and yet it remains unusual that a

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<v Speaker 1>man of which so little has been recorded would have

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<v Speaker 1>his work performed in this manner. Things only become more

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<v Speaker 1>intriguing when we take into account an unusual mural that

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<v Speaker 1>was painted at the home of Johann Jacob Heidegger, once

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<v Speaker 1>manager of the renowned King's Theater in London. Heidegger bought

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<v Speaker 1>the property in seventeen forty four and had several murals

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<v Speaker 1>of Swiss and Italian landscapes painted throughout it, and over

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<v Speaker 1>one doorway still existing today, forming part of the mural,

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<v Speaker 1>you'll find the painting of a book open on a

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<v Speaker 1>piece of music written by none other than San German.

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<v Speaker 1>The book also happens to be surrounded by a wreath

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<v Speaker 1>of acanthus a symbol of immortality. Heidegger's painting has led

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<v Speaker 1>some to speculate that there was a little more to

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<v Speaker 1>the Count's music than met the ear, that he'd buried

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<v Speaker 1>all his magical secrets within it. One of the few

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<v Speaker 1>letters attributed to the Count of Saint German places him

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<v Speaker 1>in India in seventeen fifty five. It is there that

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<v Speaker 1>he claims to have learned his peculiar talent for restoring jewels,

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<v Speaker 1>although details of what he learnt exactly are teasingly absent.

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<v Speaker 1>As was ever the case, it wasn't merely a solitary

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<v Speaker 1>trip of self discovery, but one spent in the company

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<v Speaker 1>of Lieutenant Colonel Robert Clive, who was busy laying the

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<v Speaker 1>foundations of the British Empire in India at the time.

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<v Speaker 1>In seventeen fifty eight, we find a tantalizing mention of

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<v Speaker 1>the Count in a letter written by Voltaire, one of

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<v Speaker 1>the most brilliant writers and thinkers of the day, describing

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<v Speaker 1>him as the man who does not die and who

0:14:48.920 --> 0:14:54.760
<v Speaker 1>knows everything. And then five years later this from Austrian politician,

0:14:55.000 --> 0:14:58.480
<v Speaker 1>Count Carl von Kourbenzel to the State Chancellor of the

0:14:58.480 --> 0:15:04.400
<v Speaker 1>Hasburg Empire Anton. It was about three months ago that

0:15:04.480 --> 0:15:06.720
<v Speaker 1>the person known by the name of the Count of

0:15:06.800 --> 0:15:09.920
<v Speaker 1>Saint German passed this way and came to see me.

0:15:10.880 --> 0:15:13.160
<v Speaker 1>I found him the most singular man that I've ever

0:15:13.200 --> 0:15:16.640
<v Speaker 1>saw in my life. I do not yet precisely know

0:15:16.760 --> 0:15:19.440
<v Speaker 1>his birth. I believe, however, that he is the son

0:15:19.480 --> 0:15:22.840
<v Speaker 1>of a clandestine union in a powerful and illustrious family,

0:15:24.000 --> 0:15:27.920
<v Speaker 1>possessing great wealth. He lives in the greatest simplicity. He

0:15:27.960 --> 0:15:32.240
<v Speaker 1>knows everything and shows an uprightness, a goodness of soul

0:15:32.560 --> 0:15:36.960
<v Speaker 1>worthy of admiration. Among a number of his accomplishments, he

0:15:37.040 --> 0:15:40.840
<v Speaker 1>made under my own eyes, some experiments of which the

0:15:40.920 --> 0:15:44.480
<v Speaker 1>most important were the transmutation of iron into a metal

0:15:44.720 --> 0:15:49.400
<v Speaker 1>as beautiful as gold and at least as good. The

0:15:49.520 --> 0:15:52.760
<v Speaker 1>Count was traveling under the name of Monsieur Zermont at

0:15:52.760 --> 0:15:59.880
<v Speaker 1>the time. In the same year, famed philanderer Giacomo Casanova

0:16:00.000 --> 0:16:04.880
<v Speaker 1>aimed to also have met the man. Then, in seventeen seventy,

0:16:05.160 --> 0:16:08.160
<v Speaker 1>the Count was allegedly spotted in the port of Livorno

0:16:08.400 --> 0:16:12.240
<v Speaker 1>in Italy, dressed in a Russian naval uniform, going by

0:16:12.240 --> 0:16:16.240
<v Speaker 1>the name of Count Soltikoff. There he was said to

0:16:16.280 --> 0:16:19.560
<v Speaker 1>have stood shoulder to shoulder with Count Alexis all Off,

0:16:19.840 --> 0:16:22.880
<v Speaker 1>one of Russia's leading naval commanders at the time, who

0:16:22.880 --> 0:16:26.280
<v Speaker 1>would soon after oversee the destruction of more or less

0:16:26.560 --> 0:16:31.680
<v Speaker 1>the entire Turkish navy at the Battle of Kesma. The

0:16:31.800 --> 0:16:34.960
<v Speaker 1>arrival of the Russian fleet at Livorno is considered by

0:16:35.000 --> 0:16:37.760
<v Speaker 1>many to be the day that Russia announced itself on

0:16:37.800 --> 0:16:41.280
<v Speaker 1>the world stage as a substantial political power in the

0:16:41.320 --> 0:16:45.360
<v Speaker 1>affairs of Europe, the Count appearing once again to be

0:16:45.400 --> 0:16:48.320
<v Speaker 1>at the very center of the most pivotal moments in

0:16:48.400 --> 0:16:57.120
<v Speaker 1>European politics. Rosemary Kent, a woman who lives on the

0:16:57.240 --> 0:16:59.960
<v Speaker 1>edge of the infamous Black Hills Forest, needs your help

0:17:00.320 --> 0:17:03.120
<v Speaker 1>to find her missing son. But to find him you

0:17:03.200 --> 0:17:06.920
<v Speaker 1>must investigate the mysterious forest yourself. Will you face down

0:17:06.960 --> 0:17:10.160
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0:17:31.280 --> 0:17:35.320
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0:18:14.200 --> 0:18:17.359
<v Speaker 1>When the count returned to France in seventeen seventy, he

0:18:17.520 --> 0:18:20.399
<v Speaker 1>was introduced to the Countess of Adamar for the first time,

0:18:21.720 --> 0:18:24.960
<v Speaker 1>writing in her memoirs years later, she described a royal

0:18:25.000 --> 0:18:29.359
<v Speaker 1>dinner which Sant German attended, as was his custom. The

0:18:29.440 --> 0:18:33.120
<v Speaker 1>Count ate nothing. In fact, it is said that no

0:18:33.119 --> 0:18:36.000
<v Speaker 1>one ever saw him eat, despite the numerous meals and

0:18:36.080 --> 0:18:41.800
<v Speaker 1>sophisticated engagements he attended. Instead, he preferred merely to regale

0:18:41.840 --> 0:18:46.760
<v Speaker 1>the guests with his bizarre and unusual anecdotes. On this night,

0:18:47.480 --> 0:18:49.480
<v Speaker 1>he spoke at the time, he was introduced to a

0:18:49.520 --> 0:18:52.840
<v Speaker 1>man referred to only as Count R, who was on

0:18:52.880 --> 0:18:57.160
<v Speaker 1>the verge of death when they first met. His perilous condition,

0:18:57.480 --> 0:19:00.720
<v Speaker 1>according to Sant German, was the result of a terrifying

0:19:00.800 --> 0:19:03.520
<v Speaker 1>haunting he'd been suffering at the hands of a woman

0:19:03.640 --> 0:19:09.320
<v Speaker 1>he'd inadvertently resurrected and then spurned. Every night, at midnight,

0:19:09.640 --> 0:19:12.240
<v Speaker 1>the ghost and its rotting body would arrive in his

0:19:12.320 --> 0:19:16.479
<v Speaker 1>bedroom and crawl into his bed, before vanishing in the morning.

0:19:17.640 --> 0:19:20.960
<v Speaker 1>As Saint German explained, knowing the powers he had at

0:19:21.040 --> 0:19:23.760
<v Speaker 1>his disposal, he had little choice but to try and

0:19:23.840 --> 0:19:27.840
<v Speaker 1>help the hapless Count R, and so it was soon

0:19:27.880 --> 0:19:32.080
<v Speaker 1>after that Saint Germain arrived at the man's home at

0:19:32.080 --> 0:19:35.639
<v Speaker 1>a quarter to midnight. Having placed seven lit candles around

0:19:35.640 --> 0:19:39.000
<v Speaker 1>the sitting room, He traced out a triangle surrounded by

0:19:39.040 --> 0:19:42.280
<v Speaker 1>a circle on the floor, one shape to act as

0:19:42.280 --> 0:19:45.360
<v Speaker 1>a gateway to the other realm, the other to protect

0:19:45.400 --> 0:19:49.440
<v Speaker 1>him from whatever might appear. He then ordered Count Ar

0:19:49.560 --> 0:19:52.640
<v Speaker 1>into the middle and warned him not to leave under

0:19:52.680 --> 0:19:58.040
<v Speaker 1>any circumstances. For the next ten minutes, they waited in

0:19:58.080 --> 0:20:01.840
<v Speaker 1>complete silence under the flickering light of the candles, until

0:20:01.880 --> 0:20:05.600
<v Speaker 1>the clock struck midnight and the door flew open to

0:20:05.680 --> 0:20:09.640
<v Speaker 1>reveal standing in the doorway the terrifying specter that had

0:20:09.640 --> 0:20:13.560
<v Speaker 1>been haunting the man so terribly. But it was the

0:20:13.640 --> 0:20:17.119
<v Speaker 1>next bit that most shocked the guests, when Saint German

0:20:17.480 --> 0:20:20.440
<v Speaker 1>claimed to have used the Rod of Moses to dispense

0:20:20.480 --> 0:20:25.280
<v Speaker 1>with the foul smelling creature. The rod, he claimed, had

0:20:25.280 --> 0:20:28.080
<v Speaker 1>been given to him by a great great grandchild of

0:20:28.080 --> 0:20:30.560
<v Speaker 1>Moses back when he was living in the city of

0:20:30.600 --> 0:20:35.280
<v Speaker 1>Babylon during the reign of Cyrus. If true, this would

0:20:35.320 --> 0:20:37.760
<v Speaker 1>have placed him there at some time in the sixth

0:20:37.760 --> 0:20:42.440
<v Speaker 1>century BC. At one point, he turned to his assistant

0:20:42.520 --> 0:20:46.399
<v Speaker 1>Roge for help in recollecting another of his anecdotes, to

0:20:46.480 --> 0:20:50.440
<v Speaker 1>which Roget replied, you forget master, that I've only been

0:20:50.480 --> 0:20:53.359
<v Speaker 1>with you for five hundred years. Perhaps it is my

0:20:53.440 --> 0:21:03.840
<v Speaker 1>predecessor that you're thinking of in the official account, as

0:21:03.840 --> 0:21:06.120
<v Speaker 1>far as any such thing could be said to exist.

0:21:06.600 --> 0:21:10.119
<v Speaker 1>In seventeen seventy nine, Count Saint Germain is said to

0:21:10.160 --> 0:21:13.480
<v Speaker 1>have arrived in Altona formerly of the Duchy of Schleiswig

0:21:13.720 --> 0:21:17.080
<v Speaker 1>but now part of Hamburg in Germany. There he was

0:21:17.119 --> 0:21:21.040
<v Speaker 1>taken in by Prince Charles of Hesse Cassel, well known

0:21:21.119 --> 0:21:23.600
<v Speaker 1>for his interest in the occult and a member of

0:21:23.640 --> 0:21:27.879
<v Speaker 1>a number of secret societies. The Prince was so impressed

0:21:27.920 --> 0:21:31.200
<v Speaker 1>by the Count's talent for alchemy he installed a laboratory

0:21:31.200 --> 0:21:34.800
<v Speaker 1>for him in which to conduct his experiments. In a

0:21:34.920 --> 0:21:38.399
<v Speaker 1>letter written by the Prince in eighteen twenty five, he

0:21:38.520 --> 0:21:42.160
<v Speaker 1>claimed that Saint Germain confided in him that, despite all

0:21:42.160 --> 0:21:45.120
<v Speaker 1>the rumors, he was in fact only eighty eighty years

0:21:45.160 --> 0:21:47.600
<v Speaker 1>old when they first met, and that he was the

0:21:47.680 --> 0:21:52.479
<v Speaker 1>son of Prince Francis Ragotzi of Transylvania. The Prince, who

0:21:52.560 --> 0:21:55.240
<v Speaker 1>was under threat at the time, had apparently sent his

0:21:55.280 --> 0:21:57.719
<v Speaker 1>son away as a young boy to be raised by

0:21:57.760 --> 0:22:02.120
<v Speaker 1>the wealthy Medici family in Italy. The claim has never

0:22:02.200 --> 0:22:06.000
<v Speaker 1>been verified, though the Count was known on occasion to

0:22:06.040 --> 0:22:12.119
<v Speaker 1>travel under the name Zaroggi, an anagram of Rgottsi. It

0:22:12.280 --> 0:22:15.320
<v Speaker 1>is said that the Count died in February seventeen eighty

0:22:15.320 --> 0:22:18.399
<v Speaker 1>four at the residence given to him by Prince Charles

0:22:18.440 --> 0:22:22.240
<v Speaker 1>of Hesse Cassel. He was buried the following month at

0:22:22.320 --> 0:22:26.200
<v Speaker 1>Nikolai Church in Eckenford, on the coast of the Baltic Sea.

0:22:27.720 --> 0:22:30.720
<v Speaker 1>The Count's estate on his death was said to include

0:22:30.760 --> 0:22:34.320
<v Speaker 1>little more than a packet of paid and receiated bills

0:22:34.320 --> 0:22:39.159
<v Speaker 1>and a small amount of money. Also, some might have

0:22:39.280 --> 0:22:49.920
<v Speaker 1>it four years later, the Count of Chalon, an acquaintance

0:22:49.960 --> 0:22:53.119
<v Speaker 1>of the Countess of Adama, was walking through San Marco

0:22:53.280 --> 0:22:56.280
<v Speaker 1>Square in Venice, when the sight of a familiar face

0:22:56.520 --> 0:23:00.240
<v Speaker 1>stopped him in his tracks. Recalling the moment to the

0:23:00.280 --> 0:23:03.720
<v Speaker 1>Countess not long afterwards, he could have sworn it was

0:23:03.720 --> 0:23:08.720
<v Speaker 1>the Count of Saint German that he'd seen. It would

0:23:08.720 --> 0:23:11.840
<v Speaker 1>be almost a hundred years later when journalist and writer

0:23:12.160 --> 0:23:16.760
<v Speaker 1>Albert Dresden Van Dame published his book An Englishman in Paris.

0:23:17.680 --> 0:23:21.240
<v Speaker 1>The book detailed Van Dam's time spent socializing in the

0:23:21.280 --> 0:23:24.560
<v Speaker 1>cafes and bars of Paris from eighteen fifty five to

0:23:24.640 --> 0:23:28.840
<v Speaker 1>eighteen seventy, and the many interesting bohemian characters that he

0:23:28.880 --> 0:23:32.800
<v Speaker 1>met there. The account of one such character makes for

0:23:32.880 --> 0:23:38.560
<v Speaker 1>some startling reading. Major Fraser, though he never dined there,

0:23:38.960 --> 0:23:41.760
<v Speaker 1>spent an hour or two daily in the estaminais de

0:23:41.880 --> 0:23:45.680
<v Speaker 1>Divan to read the papers. He was a great favorite

0:23:45.760 --> 0:23:49.119
<v Speaker 1>with everyone, though none of us knew anything about his background.

0:23:50.119 --> 0:23:53.760
<v Speaker 1>In spite of his English name, he was decidedly not English,

0:23:54.160 --> 0:23:57.159
<v Speaker 1>though he spoke the language. He was one of the

0:23:57.200 --> 0:24:00.520
<v Speaker 1>best dressed men of the period, and a bachelor. He

0:24:00.600 --> 0:24:05.359
<v Speaker 1>never alluded to his parentage and lived by himself. He

0:24:05.480 --> 0:24:08.240
<v Speaker 1>was always flush of money, though the sources of his

0:24:08.320 --> 0:24:12.480
<v Speaker 1>income were a mystery to every one. He rarely spoke

0:24:12.520 --> 0:24:15.919
<v Speaker 1>on the subject of politics, but when he did, every

0:24:15.920 --> 0:24:19.080
<v Speaker 1>one sat listening with the raptest attention, for he was

0:24:19.119 --> 0:24:23.000
<v Speaker 1>a perfect mine of facts. His knowledge of political history

0:24:23.160 --> 0:24:26.480
<v Speaker 1>was as nothing to his familiarity with the social institutions

0:24:26.520 --> 0:24:31.560
<v Speaker 1>of every civilized country and of every period. His memory

0:24:31.640 --> 0:24:35.800
<v Speaker 1>was something prodigious, and even men like Dumars and Balzac

0:24:36.320 --> 0:24:40.840
<v Speaker 1>confessed themselves his inferiors in that respect. Strange to say,

0:24:41.240 --> 0:24:43.520
<v Speaker 1>he often used to hint that this was no mere

0:24:43.560 --> 0:24:47.880
<v Speaker 1>book knowledge. Of course, it is perfectly ridiculous. He remarked

0:24:47.880 --> 0:24:51.440
<v Speaker 1>with a strange smile. But every now and again I

0:24:51.480 --> 0:24:53.439
<v Speaker 1>feel as if all this did not come to me

0:24:53.560 --> 0:24:58.720
<v Speaker 1>through reading, but from personal experience. At times I become

0:24:58.720 --> 0:25:01.960
<v Speaker 1>almost convinced that I lived with Nero and that I

0:25:02.040 --> 0:25:07.600
<v Speaker 1>knew Dante personally. When Major Fraser died, not a single

0:25:07.720 --> 0:25:10.359
<v Speaker 1>letter was found in his apartment, giving a clue to

0:25:10.440 --> 0:25:14.439
<v Speaker 1>his antecedence, merely a file of receipts and a scrap

0:25:14.440 --> 0:25:19.119
<v Speaker 1>of paper detailing his last wishes. His clothes and furniture

0:25:19.160 --> 0:25:21.720
<v Speaker 1>were to be sold and the proceeds to be given

0:25:21.880 --> 0:25:28.840
<v Speaker 1>to the Paris Poor. If you enjoy Unexplained and would

0:25:28.880 --> 0:25:31.080
<v Speaker 1>like to help support us, you can now do so

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<v Speaker 1>via Patreon. To receive access to add three episodes, just

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<v Speaker 1>go to patron dot com, forward Slash Unexplained Pod to

0:25:38.560 --> 0:25:40.919
<v Speaker 1>sign up, or if you'd like to make a one

0:25:41.000 --> 0:25:44.600
<v Speaker 1>time donation, you can go to Unexplained podcast dot com

0:25:44.840 --> 0:25:48.840
<v Speaker 1>Forward Slash Support. All donations, no matter how large or small,

0:25:49.000 --> 0:25:53.680
<v Speaker 1>are greatly appreciated. Unexplained. The book and audiobook, featuring ten

0:25:53.760 --> 0:25:56.240
<v Speaker 1>stories that have never before been covered on the show,

0:25:56.520 --> 0:26:00.520
<v Speaker 1>is now available to buy worldwide. You can purchase Amazon,

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<v Speaker 1>Barnes and Noble and Waterstones, among other bookstores. All elements

0:26:05.400 --> 0:26:08.639
<v Speaker 1>of Unexplained, including the show's music, are produced by me

0:26:08.920 --> 0:26:12.320
<v Speaker 1>Richard McClain smith. Please subscribe and rate the show wherever

0:26:12.359 --> 0:26:14.919
<v Speaker 1>you listen to podcasts, and feel free to get in

0:26:15.000 --> 0:26:17.880
<v Speaker 1>touch with any thoughts or ideas regarding the stories you've

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<v Speaker 1>heard on the show. Perhaps you have an explanation of

0:26:20.680 --> 0:26:22.919
<v Speaker 1>your own you'd like to share. You can reach us

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<v Speaker 1>online at Unexplained podcast dot com or Twitter at Unexplained

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