WEBVTT - #284 - Marqus Clae

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<v Speaker 1>Boulet Cap Podcast special guests in here Man representing h Town,

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<v Speaker 1>Marcus Clay, what's the deal? Welcome sir, how you doing?

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<v Speaker 1>Congratulations on Dreamville fest yep, appreciate it. You're going to

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<v Speaker 1>be performing the same day as Usher yep, ars your baby?

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<v Speaker 1>How does that happen? It's like Jake Cole because I'm

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<v Speaker 1>sure like Cole and Ibrahim shout out to Eve, they

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<v Speaker 1>probably have a lot of like they curate their show

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<v Speaker 1>right so that you must be on their radar. Pretty tough.

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<v Speaker 1>I hope I am. I don't know, man, shout out

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<v Speaker 1>to my boy Rob though, shout out my boy Rob

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<v Speaker 1>Gibbs Man, I hope I'm on and b maam so

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<v Speaker 1>of course my manner the shoutout be but I hope,

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<v Speaker 1>I hope I'm on it radar. You. I first saw

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<v Speaker 1>you you opened up for Joiner, Lucas and Simba on

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<v Speaker 1>tour and I was like, Oh, this kid's dope, and

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<v Speaker 1>I followed you. I saw you on deaf Jam. How

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<v Speaker 1>long have you been making music? Man? And obviously you're young.

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<v Speaker 1>You look young. How are you twenty three? Okay? Yeah,

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<v Speaker 1>you're young? Okay? How long you've been doing this shit?

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<v Speaker 1>For real, for real, though I've been doing it honestly

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<v Speaker 1>for twelve years professionally like according actually like putting an

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<v Speaker 1>effort into it. But I've been in love with music

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<v Speaker 1>my whole life, right, you know what I'm saying. What

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<v Speaker 1>made you like falling month? My mom? My mom was

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<v Speaker 1>an artist. Your mom's here? Yeah, for sure, she was

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<v Speaker 1>an artist. Yeah, she was a rapper singer. So okay,

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<v Speaker 1>we're gonna have mom coming freestyle too. A come on,

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<v Speaker 1>I'm pretty sure she would. She would. We gotta pull

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<v Speaker 1>up that shiney for mom for sure. Nah, she didn't

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<v Speaker 1>kill it, but nah, just you know, my mom was

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<v Speaker 1>in the studio, you know, she when she was my age,

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<v Speaker 1>you know what I'm saying, twenty three, twenty four, So

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<v Speaker 1>as a young and I was just watching her and

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<v Speaker 1>I just knew what I wanted to do from there.

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<v Speaker 1>At what level was like did your mom end up?

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<v Speaker 1>Like did she sign a deal or was she was

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<v Speaker 1>she was shopped around? She she she was looking at it,

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<v Speaker 1>Atlantic was looking at her like in two thousand and eight,

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<v Speaker 1>two thousand and nine, and you know she was doing

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<v Speaker 1>that thing. Yeah. So that was like right after the

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<v Speaker 1>screwed up era, right, that was like the Swisher House era.

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<v Speaker 1>It was right after the yeah yeah, yeah right yep,

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<v Speaker 1>yeap oh eight or nine yep, and then I started

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<v Speaker 1>taking this serious twenty teen. So when you were a

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<v Speaker 1>little kid, were you like listen in the fucking Gems

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<v Speaker 1>and swim Thug and all that ship. I was listening.

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<v Speaker 1>I was listening to them, but I was more like

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<v Speaker 1>my influence on the you raped, like you know you

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<v Speaker 1>signed a dream bill, right yeah, well, I mean that's

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<v Speaker 1>what they say. I'm not gonna say right like, but

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<v Speaker 1>that you know that, That's what I feel like. I

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<v Speaker 1>try to put out there and convey in my music.

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<v Speaker 1>But I was on like J Big Beans and Alls

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<v Speaker 1>Pop Beanie Yeah for sure, Beans, one of the most

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<v Speaker 1>underrated dudes ever every all time. What Beanie Seagull album

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<v Speaker 1>did you gravitate towards? I like The Becoming, I like

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<v Speaker 1>the Truth. I like all of them. The Truth and

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<v Speaker 1>the Becoming probably my top two. The Truth is the one,

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<v Speaker 1>absolute worst one. Yeah for sure. If you live by

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<v Speaker 1>the sword, you die by the sword. I might die

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<v Speaker 1>in the vocal bo spinning out raw yoh shout out

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<v Speaker 1>to Beanie Seagull, Yeah sure, Beans, damn yeah. So you

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<v Speaker 1>got some pretty serious like uh East Coast influence. Yeah,

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<v Speaker 1>obviously legends from Texas toll shout out to UK shot

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<v Speaker 1>to absolutely I grew up on them. To Face Scarface

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<v Speaker 1>zero Jade, Uh Scarface. What's your favorite Scarface album? It's

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<v Speaker 1>too many to count. I'll say my top three Untouchable,

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<v Speaker 1>The Fix and The Diary. The Diary, Yeah, I mean

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<v Speaker 1>the Fix is like I feel like The Fix was

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<v Speaker 1>like his like second like a lot he got a

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<v Speaker 1>new fans off the like a lot of new fans

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<v Speaker 1>off The Fix, right, absolutely, because The Fix was like

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<v Speaker 1>kind of like his last real commercial like album, and

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<v Speaker 1>it was like when he was running Death Jam. So yeah,

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<v Speaker 1>he was the man. Yeah he's still a man of

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<v Speaker 1>lives man, that dude is He's the true Yeah, Scarfaces

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<v Speaker 1>wanted to go to sure, so kind of walk me

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<v Speaker 1>through like how you ended up getting on Death Jam's radar, Like,

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<v Speaker 1>at what point in time did you really catch a

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<v Speaker 1>buzz out of Houston? Man? This shit was organic, bro, Honestly,

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<v Speaker 1>I was doing this segment we came up with called

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<v Speaker 1>first and fifteen. While I would like spit a freestyle

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<v Speaker 1>and make a beat at the same time, and so

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<v Speaker 1>so it got the attention of my boy two oh,

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<v Speaker 1>the former senior vice president of Death Jam. Yeah. Yeah,

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<v Speaker 1>shouts mister Clark, yeah too. Oh that's my dude. It's

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<v Speaker 1>my boy. He's living z now Yeah, show doing his thing.

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<v Speaker 1>Man's he on his arm be shit right now. But

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<v Speaker 1>the interns Yeah, the intern shout out Coat signed too

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<v Speaker 1>my guys. But uh yeah, he he saw me and

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<v Speaker 1>I thought it was spam. He DMed me. He was like, yo,

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<v Speaker 1>I want to fuck with you, and I'm like, yeah, right,

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<v Speaker 1>this nigga said he's seening vice president. He's trying to

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<v Speaker 1>act my page. It was who the fuck is this guy?

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<v Speaker 1>And he was real, you know, he hit me and

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<v Speaker 1>we had one conversation and from there. Two weeks later

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<v Speaker 1>he was in Houston and we was talking about, you know,

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<v Speaker 1>the business and you locked it in. Is it weird

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<v Speaker 1>like if someone brings you in and they end up

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<v Speaker 1>changing positions or not being there anymore. Absolutely, because we

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<v Speaker 1>always hear that that happens to an artist, where like

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<v Speaker 1>they'll get shelved or like the energy will change for

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<v Speaker 1>them in a building because the people who brought them

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<v Speaker 1>in aren't there anymore. Right now. For Show, it's definitely.

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<v Speaker 1>It's definitely different, but I would say I was blessed

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<v Speaker 1>and putting a position to where it all worked out

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<v Speaker 1>in my favor. And too, what was a hard worker

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<v Speaker 1>still is a hard worker. And he you know, he

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<v Speaker 1>he fought for me. So that's my dog for life.

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<v Speaker 1>Have any of these og rappers tried to DM me

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<v Speaker 1>with the mixtape scheme? Yeah? So absolutely, you get like

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<v Speaker 1>a DM and like for show, Like what the fucking then? Yo, yo,

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<v Speaker 1>I see what you're doing For eight hundred dollars, I

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<v Speaker 1>got a slot on a mixtape for you. You got

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<v Speaker 1>those dms? Absolutely, And I'm not gonna say no names,

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<v Speaker 1>but I got those dms. What city are they from?

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<v Speaker 1>They from all over? They'm all over the United States, babe,

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<v Speaker 1>a lot. I mean, look shout out to uh. You

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<v Speaker 1>know a lot of guys have been doing that right

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<v Speaker 1>the game, Benny the Butcher, Jadakiss no names, man, but

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<v Speaker 1>you know I definitely got doing I'm like nigga know

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<v Speaker 1>the same niggas, y'all know what I what. Yeah. I

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<v Speaker 1>had a friend of mine from Phoenix that genuinely thought

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<v Speaker 1>he was talking to the game. Yeah, and he was

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<v Speaker 1>like so excited. Yeah, and he hit me. He's like, bro,

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<v Speaker 1>I know you no game, bro, like just co signed

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<v Speaker 1>me and he sent me the screenshot and I was like,

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<v Speaker 1>I got a feeling, damn that that's not him. Dming.

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<v Speaker 1>You you have bryemail box of just a hunch, just

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<v Speaker 1>a hunch automated messaging man. Yeah, so, uh, what was

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<v Speaker 1>the tour? Like? Man, Obviously Joiners are crazy lyricists, simbers

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<v Speaker 1>a crazy lyricists out out those guys, dope artists. Yeah,

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<v Speaker 1>what was that? Because that was that your first like

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<v Speaker 1>kind of big tour? Nah? No? What what? What tour

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<v Speaker 1>were on before that? Loope put me on two tours.

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<v Speaker 1>I was on the Stepping Lasers tour spot Dates, and

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<v Speaker 1>I did the whole Generation Laser tour at eleven years old.

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<v Speaker 1>I think at eleven. Yeah, I was on two eleven.

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<v Speaker 1>That was like my first major tour. We're gonna talk

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<v Speaker 1>about that in a second. Let's do it. But you

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<v Speaker 1>know what, fuck the Joiner, Lucas and Symbol, No don't.

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<v Speaker 1>It was a great tour. I'm sure you had a

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<v Speaker 1>great fucking time. Absolutely, I went there, I saw it.

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<v Speaker 1>Whatever he was, Dope, you were eleven on tour with Loope? Absolutely?

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<v Speaker 1>How does that happen. Man, my DJ was his DJ

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<v Speaker 1>Simon says, DJ Simon says, man, and Luke, you know,

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<v Speaker 1>he's he's like a big brother. He was like a

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<v Speaker 1>you know, a real a real mentor. So he was like,

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<v Speaker 1>i'mnna bring a litle nig on the road. I feel

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<v Speaker 1>like Loope had he like cared about rap more. I mean,

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<v Speaker 1>he cares about rap, but I feel like if he

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<v Speaker 1>would have just played the game a little like I

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<v Speaker 1>think Loupe could have been the greatest of all time.

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<v Speaker 1>He was the Kendrick before. I think lyrically, he's like,

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<v Speaker 1>if we're talking about lyrics, he's probably top ten. Ever,

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<v Speaker 1>I agree like Murals absolutely, Murals pinning the needles. Like

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<v Speaker 1>Lupe Fiasco is a fucking alien, Yeah for sure. And

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<v Speaker 1>I think we forget that because like I feel like

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<v Speaker 1>he kind of I think the industry kind of did

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<v Speaker 1>him wrong, you know what I'm saying. I feel like

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<v Speaker 1>he kind of like scorned him a bit. And I'm like,

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<v Speaker 1>damn because lasers came out. I mean, he had hits

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<v Speaker 1>on lasers, but what but it wasn't the cool you

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<v Speaker 1>know what I'm saying. I mean, Luda Linker, I feel

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<v Speaker 1>like he I feel like he's like you said, you know,

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<v Speaker 1>it's it's kind of like if you know, you know,

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<v Speaker 1>you know what I'm saying, if you know you know.

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<v Speaker 1>But he's one of the greatest of all time, one

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<v Speaker 1>of the dopest. So you were getting mentored by him

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<v Speaker 1>at eleven for sure? What was that like? I mean,

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<v Speaker 1>because he's a very particular guy at that I mean

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<v Speaker 1>he's also like a fucking samurai. Yeah nah, he was

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<v Speaker 1>like a fucking dad like he was like he would

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<v Speaker 1>be in his fucking dressing room drinking ginger tea and

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<v Speaker 1>doing yoga and shit. Nigga was yoked up, cut up

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<v Speaker 1>also kind of like a low key fashion icon. But

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<v Speaker 1>the joke yeah, yeah, you know your ship bro for

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<v Speaker 1>show because my DJ used to get me packs of

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<v Speaker 1>clothes from from Japan and he was like, this is

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<v Speaker 1>lose people. So I used to rock out that shit

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<v Speaker 1>on tour. Yeah, he kind of put all that shit

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<v Speaker 1>on itre absolutely lose the dude. So that was laser

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<v Speaker 1>So that was yeah, that was because I was living

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<v Speaker 1>in Vegas when lasers came out. So were you around

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<v Speaker 1>like Pooh Bear and all those a's. My dude, I

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<v Speaker 1>got two records with poo Bear Man, Yeah for sure.

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<v Speaker 1>When you were eleven or like I was, like thirteen fourteen,

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<v Speaker 1>did you go to Molly Ma's house? No? Okay, Nah,

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<v Speaker 1>it's gotta make sure man. Nah. No, that's about that

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<v Speaker 1>Molly maul window for pooh Bear. Nah nah you never

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<v Speaker 1>went over there once. No, it's because you got good parents.

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<v Speaker 1>Yeah for shure, shout out. Moms. Did you did you

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<v Speaker 1>hear about Molly Mau's house as a child? Nah? Okay,

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<v Speaker 1>Blue Baber was over there a lot. Yeah. I don't

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<v Speaker 1>want to hear about it now because it sounds like

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<v Speaker 1>some shit. I don't want to hear about. It's a

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<v Speaker 1>place in Las Veig. Okay, okay. A lot of people

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<v Speaker 1>would record there though, to be fair, like the motto

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<v Speaker 1>by Drake was recorded there. Dope Franny and Molly Mau

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<v Speaker 1>at the cribbo Oh okay, shout out okay. Yeah for shure, Nah,

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<v Speaker 1>I recorded a lot of that shit at fifteen hundred

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<v Speaker 1>and none study okay, Ranch and Brodie, those my guys

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<v Speaker 1>fluffing all those were you around nip at all? Yeah?

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<v Speaker 1>They're over there a lot. Yeah for sure. I mean,

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<v Speaker 1>so you're like a fucking a young old head, young

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<v Speaker 1>old nigga. I didn't say that. Yeah, no, that is

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<v Speaker 1>what I call him. Well, yeah, I can't say that.

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<v Speaker 1>I mean, you know, listen, do you want to win

0:09:17.080 --> 0:09:19.600
<v Speaker 1>some money? Got to stop the interview, but listen, there's

0:09:19.640 --> 0:09:23.199
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0:09:23.240 --> 0:09:26.600
<v Speaker 1>to make sports more interesting. NFL season is over, but

0:09:26.679 --> 0:09:29.360
<v Speaker 1>it's all good because the opportunities to win are just

0:09:29.440 --> 0:09:32.560
<v Speaker 1>getting started. Yeah. Look, there's so many things you can do.

0:09:32.640 --> 0:09:38.280
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0:09:38.320 --> 0:09:41.600
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0:11:44.600 --> 0:11:46.120
<v Speaker 1>I mean yeah, I mean you've been doing this shit

0:11:46.160 --> 0:11:47.920
<v Speaker 1>for like more than most people who have been doing it,

0:11:47.960 --> 0:11:50.160
<v Speaker 1>So does it feel good to kind of like know

0:11:50.320 --> 0:11:53.199
<v Speaker 1>that like you were right the whole time? Because I mean, listen,

0:11:53.240 --> 0:11:56.079
<v Speaker 1>I'm sure you've been doing music for twelve years or

0:11:56.080 --> 0:12:00.439
<v Speaker 1>however long. You know, there's probably peaks and alleys in

0:12:01.080 --> 0:12:03.240
<v Speaker 1>every artist's journey, fact, you know what I mean, Like,

0:12:04.240 --> 0:12:07.800
<v Speaker 1>did you ever like I guess feel like, man, maybe

0:12:07.800 --> 0:12:09.400
<v Speaker 1>I shouldn't be doing this shit, Maybe I should try

0:12:09.400 --> 0:12:13.560
<v Speaker 1>to do something else. Yeah, and no at the same time,

0:12:13.600 --> 0:12:16.439
<v Speaker 1>because it was like I felt like I kind of

0:12:16.480 --> 0:12:19.160
<v Speaker 1>got ahead start because I started so young. But you know,

0:12:19.760 --> 0:12:21.199
<v Speaker 1>growing up, coming up, you know, I was still in

0:12:21.240 --> 0:12:23.080
<v Speaker 1>regular school doing a lot of that shit. I was

0:12:23.120 --> 0:12:25.840
<v Speaker 1>in public school on one O six in part crazy,

0:12:25.840 --> 0:12:28.280
<v Speaker 1>So it was like damn, you know, I was in

0:12:28.320 --> 0:12:31.120
<v Speaker 1>the middle. But I always knew, like this it has

0:12:31.160 --> 0:12:33.440
<v Speaker 1>to pay off because I'm putting in numerous amounts of effort,

0:12:34.040 --> 0:12:37.520
<v Speaker 1>you know, thousand hours and just staying focused on my craft.

0:12:37.520 --> 0:12:38.800
<v Speaker 1>So I knew at the end of the day he

0:12:38.880 --> 0:12:40.760
<v Speaker 1>was gonna pay off. And you know, we at the

0:12:40.760 --> 0:12:43.000
<v Speaker 1>beginning of the it's also tough. I'm sure to be

0:12:43.160 --> 0:12:46.000
<v Speaker 1>like a kid who's like super lyrics because like I

0:12:46.040 --> 0:12:48.520
<v Speaker 1>think we all look at kid rappers like a certain way,

0:12:49.160 --> 0:12:52.040
<v Speaker 1>especially back then, there was like a certain stigma to them, right,

0:12:52.120 --> 0:12:53.320
<v Speaker 1>you know what I mean, Like I would never like

0:12:53.400 --> 0:12:55.240
<v Speaker 1>listen to Little Romeo as a grown up, you know

0:12:55.280 --> 0:13:00.200
<v Speaker 1>what I mean. Even if like if Lupe Fiat like

0:13:00.280 --> 0:13:01.959
<v Speaker 1>walked you to my radio show when you were eleven

0:13:02.080 --> 0:13:03.880
<v Speaker 1>or twelve years old and been like this kid is fired,

0:13:03.880 --> 0:13:05.360
<v Speaker 1>I'd be like, yeah, I'm sure he is. I'm not

0:13:05.400 --> 0:13:07.280
<v Speaker 1>going to listen to him because he's a little kid, right,

0:13:07.320 --> 0:13:09.040
<v Speaker 1>I can't relate to this kid, Okay, you know what

0:13:09.080 --> 0:13:11.240
<v Speaker 1>I'm saying. So I think it's dope that you got

0:13:11.280 --> 0:13:14.200
<v Speaker 1>to kind of like experience a lot of ins and

0:13:14.240 --> 0:13:16.480
<v Speaker 1>out of this shit. So now that you're twenty three

0:13:16.559 --> 0:13:18.640
<v Speaker 1>and you got a deal with Death Jam and you're

0:13:18.679 --> 0:13:21.520
<v Speaker 1>you know, I feel like, you know, you're like again,

0:13:21.559 --> 0:13:23.400
<v Speaker 1>you're like a new artist, but you have so much

0:13:23.600 --> 0:13:26.280
<v Speaker 1>experience experience already that you can apply to this shit.

0:13:26.320 --> 0:13:28.560
<v Speaker 1>Because a lot of people get they get wrapped up

0:13:28.600 --> 0:13:31.000
<v Speaker 1>in this shit and they they spend money on the

0:13:31.040 --> 0:13:32.960
<v Speaker 1>wrong shit, or they focus on the wrong shit, or

0:13:32.960 --> 0:13:34.800
<v Speaker 1>they get lost in this shit. But you got your

0:13:34.840 --> 0:13:36.400
<v Speaker 1>mom here, your sisters are here, you know what I mean?

0:13:36.480 --> 0:13:38.920
<v Speaker 1>So how important is it to keep your family around? Very?

0:13:39.080 --> 0:13:41.560
<v Speaker 1>Very I feel like to have a solid foundation is

0:13:41.640 --> 0:13:44.440
<v Speaker 1>the key to being you know, secure, whatever you know,

0:13:44.520 --> 0:13:47.560
<v Speaker 1>when whatever you're doing, with whatever you're doing. And I

0:13:47.640 --> 0:13:51.480
<v Speaker 1>came out super super super lyrical ten eleven years old,

0:13:51.520 --> 0:13:54.400
<v Speaker 1>so it wasn't believable. So we had to switch to

0:13:54.440 --> 0:13:56.079
<v Speaker 1>the kid market and that's how I got the record

0:13:56.120 --> 0:13:58.000
<v Speaker 1>with my boys shot at Jacob Latimore. I went on

0:13:58.040 --> 0:14:01.960
<v Speaker 1>tour with Minus Behavior at twelve and thirteen. Yeah, so

0:14:02.040 --> 0:14:04.440
<v Speaker 1>it was like nigga, you tourist. Oh yeah, for sure

0:14:04.600 --> 0:14:07.160
<v Speaker 1>for sh show. So I feel like everything happens for

0:14:07.160 --> 0:14:09.120
<v Speaker 1>a reason and it's just a part of my store.

0:14:09.160 --> 0:14:11.199
<v Speaker 1>You know what I'm saying. Mindless behavior? Yeah, that was

0:14:11.240 --> 0:14:14.240
<v Speaker 1>my dogs girls man. Oh yeah for sure. Yeah. I

0:14:14.320 --> 0:14:16.000
<v Speaker 1>was telling people in school, I was I'm finish going

0:14:16.040 --> 0:14:18.760
<v Speaker 1>to a mind's behavior like yeah, right right, yeah, right

0:14:18.880 --> 0:14:21.400
<v Speaker 1>when I came to the fucking NRG Arena in Houston

0:14:21.760 --> 0:14:24.400
<v Speaker 1>and they saw, okay, ain't lying. How was it when

0:14:24.400 --> 0:14:25.840
<v Speaker 1>you went back to school the next time? Oh my god,

0:14:25.920 --> 0:14:28.400
<v Speaker 1>was the fucking man? You were the man? What? Because

0:14:28.440 --> 0:14:30.080
<v Speaker 1>you were in public school? The whole time? Was in

0:14:30.120 --> 0:14:34.200
<v Speaker 1>public school? Like school what the principal? Everybody was like,

0:14:34.200 --> 0:14:36.640
<v Speaker 1>he's causing a distraction to the children. They I had

0:14:36.640 --> 0:14:38.040
<v Speaker 1>to get out of school. I had to do homeschool

0:14:38.040 --> 0:14:40.080
<v Speaker 1>for a year. Did the was it? Was it like

0:14:40.120 --> 0:14:43.240
<v Speaker 1>ever a issue juggling girlfriends in school? Nah? No, no,

0:14:43.640 --> 0:14:46.400
<v Speaker 1>I was. I was always player, player, Yeah, I played

0:14:46.440 --> 0:14:50.160
<v Speaker 1>my cards right. Yeah. So like you know, I got

0:14:50.160 --> 0:14:54.480
<v Speaker 1>a senior, a junior, sophomore. I definitely got the classes each.

0:14:55.160 --> 0:14:58.680
<v Speaker 1>That's when the older chicks started flying in for shore. Huh,

0:14:59.320 --> 0:15:01.480
<v Speaker 1>you had older ch explying in before you're eighteen for

0:15:01.560 --> 0:15:03.520
<v Speaker 1>show and not like flying in, but like coming in,

0:15:03.600 --> 0:15:06.880
<v Speaker 1>flogging in. You know about to say for you now,

0:15:06.880 --> 0:15:09.280
<v Speaker 1>I wouldn't I wouldn't know about this, Like mom, I

0:15:09.280 --> 0:15:11.280
<v Speaker 1>gotta go somewhere. This twenty nine year old ladies picking

0:15:11.280 --> 0:15:12.880
<v Speaker 1>me up. I met her on the minus behavior to her,

0:15:13.000 --> 0:15:15.120
<v Speaker 1>she wanted to file some charges on a bunch of women.

0:15:15.440 --> 0:15:21.000
<v Speaker 1>Really what look look some of that's some of the

0:15:21.000 --> 0:15:24.880
<v Speaker 1>statue little statue statutory. I would say it was it

0:15:24.920 --> 0:15:27.480
<v Speaker 1>was it was good grooming because now now it was screaming,

0:15:27.480 --> 0:15:28.920
<v Speaker 1>all right, now I know what I'm doing. Now, I

0:15:28.920 --> 0:15:32.040
<v Speaker 1>know what I'm doing you know earlier. Wait wait, so

0:15:32.200 --> 0:15:36.520
<v Speaker 1>help me understand. You're obviously problem or you're dealing with

0:15:36.600 --> 0:15:39.840
<v Speaker 1>older women as a not eighteen year old for sure,

0:15:40.040 --> 0:15:42.440
<v Speaker 1>and your mom finds out for show and she's trying

0:15:42.440 --> 0:15:44.480
<v Speaker 1>to hit him with that statutory. She trying to hit him,

0:15:44.520 --> 0:15:47.160
<v Speaker 1>She's trying to hit him in a face physically and

0:15:47.200 --> 0:15:49.400
<v Speaker 1>then hit him with the law. Yeah, and she walked

0:15:49.440 --> 0:15:54.400
<v Speaker 1>in college dorms and calls hell, jesus, what, yes, man,

0:15:54.800 --> 0:15:56.760
<v Speaker 1>has your mom ever sucked up a chick? On Your

0:15:56.800 --> 0:15:58.520
<v Speaker 1>Behalf No Album. I had to stop her though. I

0:15:58.560 --> 0:16:00.440
<v Speaker 1>had to stop it for show. She talked some shit

0:16:00.600 --> 0:16:03.160
<v Speaker 1>big ship to him. They definitely failed her. Isn't it

0:16:03.200 --> 0:16:06.080
<v Speaker 1>crazy that, like, nevermind, I won't even go I was

0:16:06.120 --> 0:16:09.120
<v Speaker 1>gonna say, it's like so wild, like the double standard,

0:16:09.240 --> 0:16:10.920
<v Speaker 1>like the fact that we're like giving you props because

0:16:10.960 --> 0:16:13.200
<v Speaker 1>you were bagging like chicks over eighteen. But if you

0:16:13.200 --> 0:16:15.840
<v Speaker 1>were like sixteen sleeping with like a twenty five year

0:16:15.880 --> 0:16:18.680
<v Speaker 1>old dude and you're a girl, it'd be fucking wild.

0:16:18.880 --> 0:16:23.440
<v Speaker 1>Now it's jail time. It's prison time. It's over. It's over.

0:16:23.760 --> 0:16:26.680
<v Speaker 1>Lock him up, Lock him up? Man, fucking right. Uh,

0:16:26.800 --> 0:16:29.600
<v Speaker 1>who do you put on your h town Mount Rushmore?

0:16:30.120 --> 0:16:33.000
<v Speaker 1>Let's just say Texas because you know Port Arthur is

0:16:33.040 --> 0:16:36.080
<v Speaker 1>not necessarily Houston, and it was no it's shit PMC

0:16:37.200 --> 0:16:44.760
<v Speaker 1>scar face zero, This is four right, four PMC face zero,

0:16:49.960 --> 0:16:53.560
<v Speaker 1>PMC Phase zero. Fat Pat slash kind of do slash, sure,

0:16:53.760 --> 0:16:56.400
<v Speaker 1>Fat Pat Slash. Devin the Dude, Devin the Dude is

0:16:56.440 --> 0:16:59.800
<v Speaker 1>that guy? For sure? Deven the Dude is that guy. Yes,

0:17:00.560 --> 0:17:02.720
<v Speaker 1>I love Devin the Dude. Have you heard of this

0:17:02.760 --> 0:17:06.359
<v Speaker 1>guy from Dallas name Big X the plugm he dope,

0:17:06.520 --> 0:17:10.240
<v Speaker 1>he's fucking hard. As for jo, I just add through

0:17:10.280 --> 0:17:12.240
<v Speaker 1>on like some playlist and he has like some song

0:17:12.280 --> 0:17:15.040
<v Speaker 1>called Techexash. He's crazy. I was like, who the fuck

0:17:15.119 --> 0:17:18.359
<v Speaker 1>is this? I like dived into his ship and I'm like,

0:17:18.359 --> 0:17:20.199
<v Speaker 1>and he's from Dalla, like Dallas, I mean, you know

0:17:20.280 --> 0:17:22.639
<v Speaker 1>Dallas a resting piece to MO three. Right, there's some

0:17:23.560 --> 0:17:25.840
<v Speaker 1>you know Texas is bubbling. Man. Hey, we got to

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0:20:30.560 --> 0:20:32.679
<v Speaker 1>Let's get back to the interview for you. Did you

0:20:32.720 --> 0:20:34.960
<v Speaker 1>find it kind of like it being a challenge making

0:20:34.960 --> 0:20:36.639
<v Speaker 1>the kind of music and rapping the way you wrap,

0:20:37.359 --> 0:20:39.920
<v Speaker 1>trying to make it out of your city a little bit,

0:20:40.000 --> 0:20:42.440
<v Speaker 1>you know, because coming from the South is so much,

0:20:42.600 --> 0:20:45.400
<v Speaker 1>It is so many shoes to fill just with the culture,

0:20:45.440 --> 0:20:47.720
<v Speaker 1>you know what I'm saying. But I feel like I

0:20:47.800 --> 0:20:49.800
<v Speaker 1>feel like I made that way to let people know that,

0:20:49.840 --> 0:20:52.320
<v Speaker 1>you know, we got something to say, backing what Andre said,

0:20:52.359 --> 0:20:54.440
<v Speaker 1>you know, back what Phase did, because you know those

0:20:54.440 --> 0:20:57.000
<v Speaker 1>guys were like the first goodie mob too, he communion

0:20:57.119 --> 0:20:58.840
<v Speaker 1>or crap too. I mean that rap is ass for sure,

0:20:58.880 --> 0:21:00.919
<v Speaker 1>for absolutely, I mean all these guys can rap. I mean,

0:21:00.960 --> 0:21:02.960
<v Speaker 1>I'm a huge fan of Houston hip hops. Absolutely. I

0:21:03.040 --> 0:21:05.040
<v Speaker 1>just think it's like a specific style that people look

0:21:05.119 --> 0:21:07.399
<v Speaker 1>for when they think of Houston r I absolutely. Do

0:21:07.440 --> 0:21:09.280
<v Speaker 1>you have a grill just off GP because you're from

0:21:09.320 --> 0:21:12.159
<v Speaker 1>age town? No, but I want one, Damn. I've had

0:21:12.200 --> 0:21:14.639
<v Speaker 1>two grills for show. I lived in Florida and they

0:21:14.720 --> 0:21:17.359
<v Speaker 1>just made them for me. Okay, you had to go

0:21:17.560 --> 0:21:21.320
<v Speaker 1>to golghit, yeah, okay, yeah. And then I was at

0:21:21.359 --> 0:21:23.280
<v Speaker 1>the strip club once and I got made fun of

0:21:23.400 --> 0:21:24.720
<v Speaker 1>by a girl that I liked, and I was like,

0:21:25.600 --> 0:21:27.520
<v Speaker 1>never wearing these ac Okay, maybe this is not for

0:21:27.600 --> 0:21:30.040
<v Speaker 1>me right. Also, if you wear a grill, do you

0:21:30.160 --> 0:21:33.560
<v Speaker 1>have to clean the grill? Absolutely not. Most motherfuckers who

0:21:33.600 --> 0:21:36.640
<v Speaker 1>wear grills have god awful breath. It's a terrible thing

0:21:36.680 --> 0:21:39.120
<v Speaker 1>because they don't. You have to clean the grill every

0:21:39.200 --> 0:21:42.359
<v Speaker 1>time you wear it, otherwise your mouth smells like fucking

0:21:43.240 --> 0:21:46.200
<v Speaker 1>metal ginger vitis. Oh my god, it's a bad luck man.

0:21:47.880 --> 0:21:50.600
<v Speaker 1>What's what's going on with you musically right now? Album coming?

0:21:50.840 --> 0:21:53.159
<v Speaker 1>What's out? Like? What's going on? Album? Definitely coming. I

0:21:53.240 --> 0:21:56.200
<v Speaker 1>got my latest album, The Mecca. They dropped. We're working

0:21:56.240 --> 0:21:58.639
<v Speaker 1>on singles and just putting content up, but definitely more

0:21:58.760 --> 0:22:03.160
<v Speaker 1>music coming, more music. Do you feel like, uh, because

0:22:03.280 --> 0:22:05.639
<v Speaker 1>you know, right now in hip hop there is I

0:22:05.800 --> 0:22:10.160
<v Speaker 1>feel like, you know, I feel like there's a void

0:22:10.440 --> 0:22:13.320
<v Speaker 1>for what you are doing and what a guy like

0:22:13.400 --> 0:22:15.240
<v Speaker 1>SIB is doing and a guy like l Russell, and

0:22:15.640 --> 0:22:18.240
<v Speaker 1>you know, I do feel like like we kind of

0:22:18.400 --> 0:22:20.800
<v Speaker 1>need a breath of fresh air and hip hop. Do

0:22:20.840 --> 0:22:24.320
<v Speaker 1>you feel similar? For sure? Yeah, because I do feel like,

0:22:24.400 --> 0:22:27.439
<v Speaker 1>you know, we're kind of like out of the SoundCloud air,

0:22:27.560 --> 0:22:30.240
<v Speaker 1>thank god, you know what I mean. But there's definitely

0:22:30.480 --> 0:22:33.760
<v Speaker 1>I feel like a lyricism is you know, it's needed

0:22:33.920 --> 0:22:36.320
<v Speaker 1>right now, and I feel like it's being more appreciated

0:22:36.359 --> 0:22:38.159
<v Speaker 1>now because I feel like we got through like a

0:22:38.240 --> 0:22:40.320
<v Speaker 1>fucking weird era of rap where it was it was

0:22:40.400 --> 0:22:42.439
<v Speaker 1>like all time low, and I feel like we're kind

0:22:42.480 --> 0:22:44.680
<v Speaker 1>of on the other side of it. So for show,

0:22:44.880 --> 0:22:46.800
<v Speaker 1>I agree. I feel the same way. It's like, good,

0:22:47.160 --> 0:22:49.680
<v Speaker 1>who's somebody right now that you're you're liking in terms

0:22:49.720 --> 0:22:51.879
<v Speaker 1>of like maybe a peer or just someone who you're

0:22:51.880 --> 0:22:53.639
<v Speaker 1>a fan of that maybe you necessarily don't have a

0:22:53.640 --> 0:22:59.359
<v Speaker 1>relationship with already. Fuck with Baby King, Love Baby Baby

0:22:59.400 --> 0:23:07.119
<v Speaker 1>King's dope, man, Fuck with Baby drill uh symbol of

0:23:07.200 --> 0:23:12.320
<v Speaker 1>course dope. It's a lot of new guys, man, I

0:23:12.359 --> 0:23:14.280
<v Speaker 1>can't really think of I listen to all type of music,

0:23:14.320 --> 0:23:15.399
<v Speaker 1>you know what I'm saying, But those are the ones

0:23:15.440 --> 0:23:17.480
<v Speaker 1>I could think of off the beat. Anybody on the

0:23:17.800 --> 0:23:21.360
<v Speaker 1>new album that you're working on, no no features as

0:23:21.400 --> 0:23:24.040
<v Speaker 1>of now, as of right now, as of now. You

0:23:24.160 --> 0:23:26.000
<v Speaker 1>go to the Streamville Fest, you meet Ja Cole What

0:23:26.040 --> 0:23:28.640
<v Speaker 1>are you telling j Cole Man you you are one

0:23:28.680 --> 0:23:31.840
<v Speaker 1>of my biggest inspirations. Nigga, You the fucking truth, nigga,

0:23:32.280 --> 0:23:35.439
<v Speaker 1>fuck with you for sure. Yeah, that's a good thing

0:23:35.480 --> 0:23:37.480
<v Speaker 1>to tell him, absolutely for sure because him and Kendrick

0:23:37.600 --> 0:23:39.879
<v Speaker 1>is like him, Kendrick and Drake. I feel like there

0:23:39.920 --> 0:23:42.359
<v Speaker 1>would be no me without those guys, you know what

0:23:42.359 --> 0:23:44.840
<v Speaker 1>I'm saying. Would you say that like because they're kind

0:23:44.840 --> 0:23:48.119
<v Speaker 1>of like the three heads on the Mount rushmore of

0:23:48.160 --> 0:23:51.200
<v Speaker 1>the last like ten years for sure. The fourth spot

0:23:51.320 --> 0:23:54.160
<v Speaker 1>is debatable yeah, you can say that. You can say

0:23:54.160 --> 0:23:56.080
<v Speaker 1>that I think it's Kanye, because I think Kanye you

0:23:56.080 --> 0:23:57.399
<v Speaker 1>can put on the Mount Rushmore in the last like

0:23:57.440 --> 0:24:00.360
<v Speaker 1>twenty years from two eras I think, but I think

0:24:00.400 --> 0:24:03.359
<v Speaker 1>you could put like it's really those three and then

0:24:03.400 --> 0:24:05.639
<v Speaker 1>the fourth spot. You know, you can make different cases

0:24:05.680 --> 0:24:08.520
<v Speaker 1>for future or you know, show it's a bunch of guys,

0:24:08.600 --> 0:24:11.200
<v Speaker 1>But I feel like I'm stepping into the next decade,

0:24:11.359 --> 0:24:12.600
<v Speaker 1>you know what I'm saying. I'm one of those guys

0:24:12.640 --> 0:24:14.920
<v Speaker 1>that could be the front run of the next the

0:24:15.000 --> 0:24:17.600
<v Speaker 1>next ten years and do what they did. You still

0:24:17.680 --> 0:24:19.719
<v Speaker 1>keep in touch with Loope. I haven't talked to lou

0:24:19.760 --> 0:24:21.160
<v Speaker 1>in a minute, but that's still my dog. I talked

0:24:21.160 --> 0:24:23.600
<v Speaker 1>to Ant and Bishop all the time. So you know,

0:24:23.680 --> 0:24:26.119
<v Speaker 1>you should get man, because the last Loop album was

0:24:26.160 --> 0:24:29.040
<v Speaker 1>actually pretty fire. Yeah for sure, absolutely yeah it was. Yeah,

0:24:29.119 --> 0:24:32.320
<v Speaker 1>Loop is on man, when I'll go that's my dog,

0:24:32.400 --> 0:24:35.720
<v Speaker 1>that's my boy. I just hope to learn that about you, man,

0:24:35.760 --> 0:24:37.960
<v Speaker 1>because I think a lot of times, like you know,

0:24:38.200 --> 0:24:41.119
<v Speaker 1>when we think of like these new artists, man, I

0:24:41.240 --> 0:24:44.400
<v Speaker 1>feel like they make so many mistakes, like I was saying,

0:24:44.440 --> 0:24:45.720
<v Speaker 1>So it's good to know that you got you know,

0:24:45.720 --> 0:24:48.720
<v Speaker 1>a good team behind you, bros. So the Mecca is

0:24:48.720 --> 0:24:51.639
<v Speaker 1>out right now. Yes, sure, new project coming soon, Yes, sir,

0:24:52.400 --> 0:24:54.920
<v Speaker 1>do we know the name of the new project. It's

0:24:54.960 --> 0:24:57.320
<v Speaker 1>in the air right now. But I'm strongly leaning on

0:24:57.440 --> 0:25:00.480
<v Speaker 1>Dear me, Love me, Okay, dear me love me. Sure.

0:25:00.680 --> 0:25:02.879
<v Speaker 1>Mom ever helped you write the raps? No? No, no,

0:25:03.040 --> 0:25:05.119
<v Speaker 1>she gave me inspiration, but no, she never give you

0:25:05.240 --> 0:25:07.040
<v Speaker 1>like a bar or nothing. No. She gave me like

0:25:07.160 --> 0:25:10.200
<v Speaker 1>topics and challenges, like use these words in a rap.

0:25:10.720 --> 0:25:14.400
<v Speaker 1>Like she was like a fucking rap major pain. Oh shit,

0:25:15.000 --> 0:25:17.639
<v Speaker 1>Like I need you to write a fucking rap about

0:25:17.720 --> 0:25:20.000
<v Speaker 1>for show. Take ten words out of the dictionary, use

0:25:20.040 --> 0:25:22.760
<v Speaker 1>them in the sentence, use them in a paragraph, Wow,

0:25:22.960 --> 0:25:24.520
<v Speaker 1>and write a rap with them. Look at you? You

0:25:24.720 --> 0:25:26.320
<v Speaker 1>just had it lit as a kid for sure. Man,

0:25:26.359 --> 0:25:28.080
<v Speaker 1>it was. It was a hard work, but it paid off,

0:25:28.119 --> 0:25:30.159
<v Speaker 1>you know. And I'm still developing my craft. Yeah, I

0:25:30.240 --> 0:25:31.960
<v Speaker 1>still have every day to get better. We keep doing

0:25:32.000 --> 0:25:33.760
<v Speaker 1>your thing. Marcus Clay. We about to have him do

0:25:33.800 --> 0:25:36.360
<v Speaker 1>a freestyle and be a separate YouTube video. Go check

0:25:36.400 --> 0:25:39.320
<v Speaker 1>out the Mecca out now, baby, new music soon rolling

0:25:39.320 --> 0:25:42.919
<v Speaker 1>aloud this weekend, Dreamville Fast April Boom,