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Speaker 1: Boulet Cap Podcast special guests in here Man representing h Town,

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Speaker 1: Marcus Clay, what's the deal? Welcome sir, how you doing?

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Speaker 1: Congratulations on Dreamville fest yep, appreciate it. You're going to

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Speaker 1: be performing the same day as Usher yep, ars your baby?

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Speaker 1: How does that happen? It's like Jake Cole because I'm

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Speaker 1: sure like Cole and Ibrahim shout out to Eve, they

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Speaker 1: probably have a lot of like they curate their show

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Speaker 1: right so that you must be on their radar. Pretty tough.

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Speaker 1: I hope I am. I don't know, man, shout out

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Speaker 1: to my boy Rob though, shout out my boy Rob

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Speaker 1: Gibbs Man, I hope I'm on and b maam so

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Speaker 1: of course my manner the shoutout be but I hope,

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Speaker 1: I hope I'm on it radar. You. I first saw

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Speaker 1: you you opened up for Joiner, Lucas and Simba on

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Speaker 1: tour and I was like, Oh, this kid's dope, and

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Speaker 1: I followed you. I saw you on deaf Jam. How

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Speaker 1: long have you been making music? Man? And obviously you're young.

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Speaker 1: You look young. How are you twenty three? Okay? Yeah,

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Speaker 1: you're young? Okay? How long you've been doing this shit?

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Speaker 1: For real, for real, though I've been doing it honestly

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Speaker 1: for twelve years professionally like according actually like putting an

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Speaker 1: effort into it. But I've been in love with music

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Speaker 1: my whole life, right, you know what I'm saying. What

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Speaker 1: made you like falling month? My mom? My mom was

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Speaker 1: an artist. Your mom's here? Yeah, for sure, she was

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Speaker 1: an artist. Yeah, she was a rapper singer. So okay,

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Speaker 1: we're gonna have mom coming freestyle too. A come on,

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Speaker 1: I'm pretty sure she would. She would. We gotta pull

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Speaker 1: up that shiney for mom for sure. Nah, she didn't

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Speaker 1: kill it, but nah, just you know, my mom was

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Speaker 1: in the studio, you know, she when she was my age,

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Speaker 1: you know what I'm saying, twenty three, twenty four, So

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Speaker 1: as a young and I was just watching her and

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Speaker 1: I just knew what I wanted to do from there.

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Speaker 1: At what level was like did your mom end up?

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Speaker 1: Like did she sign a deal or was she was

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Speaker 1: she was shopped around? She she she was looking at it,

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Speaker 1: Atlantic was looking at her like in two thousand and eight,

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Speaker 1: two thousand and nine, and you know she was doing

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Speaker 1: that thing. Yeah. So that was like right after the

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Speaker 1: screwed up era, right, that was like the Swisher House era.

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Speaker 1: It was right after the yeah yeah, yeah right yep,

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Speaker 1: yeap oh eight or nine yep, and then I started

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Speaker 1: taking this serious twenty teen. So when you were a

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Speaker 1: little kid, were you like listen in the fucking Gems

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Speaker 1: and swim Thug and all that ship. I was listening.

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Speaker 1: I was listening to them, but I was more like

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Speaker 1: my influence on the you raped, like you know you

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Speaker 1: signed a dream bill, right yeah, well, I mean that's

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Speaker 1: what they say. I'm not gonna say right like, but

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Speaker 1: that you know that, That's what I feel like. I

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Speaker 1: try to put out there and convey in my music.

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Speaker 1: But I was on like J Big Beans and Alls

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Speaker 1: Pop Beanie Yeah for sure, Beans, one of the most

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Speaker 1: underrated dudes ever every all time. What Beanie Seagull album

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Speaker 1: did you gravitate towards? I like The Becoming, I like

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Speaker 1: the Truth. I like all of them. The Truth and

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Speaker 1: the Becoming probably my top two. The Truth is the one,

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Speaker 1: absolute worst one. Yeah for sure. If you live by

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Speaker 1: the sword, you die by the sword. I might die

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Speaker 1: in the vocal bo spinning out raw yoh shout out

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Speaker 1: to Beanie Seagull, Yeah sure, Beans, damn yeah. So you

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Speaker 1: got some pretty serious like uh East Coast influence. Yeah,

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Speaker 1: obviously legends from Texas toll shout out to UK shot

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Speaker 1: to absolutely I grew up on them. To Face Scarface

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Speaker 1: zero Jade, Uh Scarface. What's your favorite Scarface album? It's

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Speaker 1: too many to count. I'll say my top three Untouchable,

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Speaker 1: The Fix and The Diary. The Diary, Yeah, I mean

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Speaker 1: the Fix is like I feel like The Fix was

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Speaker 1: like his like second like a lot he got a

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Speaker 1: new fans off the like a lot of new fans

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Speaker 1: off The Fix, right, absolutely, because The Fix was like

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Speaker 1: kind of like his last real commercial like album, and

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Speaker 1: it was like when he was running Death Jam. So yeah,

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Speaker 1: he was the man. Yeah he's still a man of

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Speaker 1: lives man, that dude is He's the true Yeah, Scarfaces

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Speaker 1: wanted to go to sure, so kind of walk me

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Speaker 1: through like how you ended up getting on Death Jam's radar, Like,

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Speaker 1: at what point in time did you really catch a

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Speaker 1: buzz out of Houston? Man? This shit was organic, bro, Honestly,

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Speaker 1: I was doing this segment we came up with called

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Speaker 1: first and fifteen. While I would like spit a freestyle

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Speaker 1: and make a beat at the same time, and so

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Speaker 1: so it got the attention of my boy two oh,

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Speaker 1: the former senior vice president of Death Jam. Yeah. Yeah,

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Speaker 1: shouts mister Clark, yeah too. Oh that's my dude. It's

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Speaker 1: my boy. He's living z now Yeah, show doing his thing.

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Speaker 1: Man's he on his arm be shit right now. But

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Speaker 1: the interns Yeah, the intern shout out Coat signed too

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Speaker 1: my guys. But uh yeah, he he saw me and

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Speaker 1: I thought it was spam. He DMed me. He was like, yo,

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Speaker 1: I want to fuck with you, and I'm like, yeah, right,

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Speaker 1: this nigga said he's seening vice president. He's trying to

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Speaker 1: act my page. It was who the fuck is this guy?

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Speaker 1: And he was real, you know, he hit me and

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Speaker 1: we had one conversation and from there. Two weeks later

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Speaker 1: he was in Houston and we was talking about, you know,

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Speaker 1: the business and you locked it in. Is it weird

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Speaker 1: like if someone brings you in and they end up

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Speaker 1: changing positions or not being there anymore. Absolutely, because we

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Speaker 1: always hear that that happens to an artist, where like

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Speaker 1: they'll get shelved or like the energy will change for

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Speaker 1: them in a building because the people who brought them

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Speaker 1: in aren't there anymore. Right now. For Show, it's definitely.

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Speaker 1: It's definitely different, but I would say I was blessed

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Speaker 1: and putting a position to where it all worked out

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Speaker 1: in my favor. And too, what was a hard worker

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Speaker 1: still is a hard worker. And he you know, he

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Speaker 1: he fought for me. So that's my dog for life.

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Speaker 1: Have any of these og rappers tried to DM me

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Speaker 1: with the mixtape scheme? Yeah? So absolutely, you get like

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Speaker 1: a DM and like for show, Like what the fucking then? Yo, yo,

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Speaker 1: I see what you're doing For eight hundred dollars, I

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Speaker 1: got a slot on a mixtape for you. You got

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Speaker 1: those dms? Absolutely, And I'm not gonna say no names,

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Speaker 1: but I got those dms. What city are they from?

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Speaker 1: They from all over? They'm all over the United States, babe,

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Speaker 1: a lot. I mean, look shout out to uh. You

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Speaker 1: know a lot of guys have been doing that right

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Speaker 1: the game, Benny the Butcher, Jadakiss no names, man, but

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Speaker 1: you know I definitely got doing I'm like nigga know

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Speaker 1: the same niggas, y'all know what I what. Yeah. I

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Speaker 1: had a friend of mine from Phoenix that genuinely thought

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Speaker 1: he was talking to the game. Yeah, and he was

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Speaker 1: like so excited. Yeah, and he hit me. He's like, bro,

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Speaker 1: I know you no game, bro, like just co signed

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Speaker 1: me and he sent me the screenshot and I was like,

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Speaker 1: I got a feeling, damn that that's not him. Dming.

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Speaker 1: You you have bryemail box of just a hunch, just

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Speaker 1: a hunch automated messaging man. Yeah, so, uh, what was

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Speaker 1: the tour? Like? Man, Obviously Joiners are crazy lyricists, simbers

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Speaker 1: a crazy lyricists out out those guys, dope artists. Yeah,

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Speaker 1: what was that? Because that was that your first like

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Speaker 1: kind of big tour? Nah? No? What what? What tour

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Speaker 1: were on before that? Loope put me on two tours.

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Speaker 1: I was on the Stepping Lasers tour spot Dates, and

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Speaker 1: I did the whole Generation Laser tour at eleven years old.

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Speaker 1: I think at eleven. Yeah, I was on two eleven.

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Speaker 1: That was like my first major tour. We're gonna talk

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Speaker 1: about that in a second. Let's do it. But you

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Speaker 1: know what, fuck the Joiner, Lucas and Symbol, No don't.

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Speaker 1: It was a great tour. I'm sure you had a

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Speaker 1: great fucking time. Absolutely, I went there, I saw it.

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Speaker 1: Whatever he was, Dope, you were eleven on tour with Loope? Absolutely?

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Speaker 1: How does that happen. Man, my DJ was his DJ

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Speaker 1: Simon says, DJ Simon says, man, and Luke, you know,

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Speaker 1: he's he's like a big brother. He was like a

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Speaker 1: you know, a real a real mentor. So he was like,

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Speaker 1: i'mnna bring a litle nig on the road. I feel

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Speaker 1: like Loope had he like cared about rap more. I mean,

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Speaker 1: he cares about rap, but I feel like if he

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Speaker 1: would have just played the game a little like I

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Speaker 1: think Loupe could have been the greatest of all time.

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Speaker 1: He was the Kendrick before. I think lyrically, he's like,

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Speaker 1: if we're talking about lyrics, he's probably top ten. Ever,

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Speaker 1: I agree like Murals absolutely, Murals pinning the needles. Like

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Speaker 1: Lupe Fiasco is a fucking alien, Yeah for sure. And

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Speaker 1: I think we forget that because like I feel like

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Speaker 1: he kind of I think the industry kind of did

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Speaker 1: him wrong, you know what I'm saying. I feel like

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Speaker 1: he kind of like scorned him a bit. And I'm like,

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Speaker 1: damn because lasers came out. I mean, he had hits

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Speaker 1: on lasers, but what but it wasn't the cool you

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Speaker 1: know what I'm saying. I mean, Luda Linker, I feel

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Speaker 1: like he I feel like he's like you said, you know,

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Speaker 1: it's it's kind of like if you know, you know,

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Speaker 1: you know what I'm saying, if you know you know.

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Speaker 1: But he's one of the greatest of all time, one

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Speaker 1: of the dopest. So you were getting mentored by him

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Speaker 1: at eleven for sure? What was that like? I mean,

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Speaker 1: because he's a very particular guy at that I mean

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Speaker 1: he's also like a fucking samurai. Yeah nah, he was

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Speaker 1: like a fucking dad like he was like he would

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Speaker 1: be in his fucking dressing room drinking ginger tea and

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Speaker 1: doing yoga and shit. Nigga was yoked up, cut up

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Speaker 1: also kind of like a low key fashion icon. But

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Speaker 1: the joke yeah, yeah, you know your ship bro for

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Speaker 1: show because my DJ used to get me packs of

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Speaker 1: clothes from from Japan and he was like, this is

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Speaker 1: lose people. So I used to rock out that shit

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Speaker 1: on tour. Yeah, he kind of put all that shit

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Speaker 1: on itre absolutely lose the dude. So that was laser

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Speaker 1: So that was yeah, that was because I was living

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Speaker 1: in Vegas when lasers came out. So were you around

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Speaker 1: like Pooh Bear and all those a's. My dude, I

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Speaker 1: got two records with poo Bear Man, Yeah for sure.

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Speaker 1: When you were eleven or like I was, like thirteen fourteen,

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Speaker 1: did you go to Molly Ma's house? No? Okay, Nah,

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Speaker 1: it's gotta make sure man. Nah. No, that's about that

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Speaker 1: Molly maul window for pooh Bear. Nah nah you never

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Speaker 1: went over there once. No, it's because you got good parents.

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Speaker 1: Yeah for shure, shout out. Moms. Did you did you

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Speaker 1: hear about Molly Mau's house as a child? Nah? Okay,

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Speaker 1: Blue Baber was over there a lot. Yeah. I don't

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Speaker 1: want to hear about it now because it sounds like

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Speaker 1: some shit. I don't want to hear about. It's a

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Speaker 1: place in Las Veig. Okay, okay. A lot of people

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Speaker 1: would record there though, to be fair, like the motto

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Speaker 1: by Drake was recorded there. Dope Franny and Molly Mau

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Speaker 1: at the cribbo Oh okay, shout out okay. Yeah for shure, Nah,

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Speaker 1: I recorded a lot of that shit at fifteen hundred

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Speaker 1: and none study okay, Ranch and Brodie, those my guys

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Speaker 1: fluffing all those were you around nip at all? Yeah?

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Speaker 1: They're over there a lot. Yeah for sure. I mean,

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Speaker 1: so you're like a fucking a young old head, young

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Speaker 1: old nigga. I didn't say that. Yeah, no, that is

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Speaker 1: what I call him. Well, yeah, I can't say that.

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Speaker 1: I mean, you know, listen, do you want to win

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Speaker 1: some money? Got to stop the interview, but listen, there's

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Speaker 1: I mean yeah, I mean you've been doing this shit

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Speaker 1: for like more than most people who have been doing it,

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Speaker 1: So does it feel good to kind of like know

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Speaker 1: that like you were right the whole time? Because I mean, listen,

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Speaker 1: I'm sure you've been doing music for twelve years or

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Speaker 1: however long. You know, there's probably peaks and alleys in

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Speaker 1: every artist's journey, fact, you know what I mean, Like,

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Speaker 1: did you ever like I guess feel like, man, maybe

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Speaker 1: I shouldn't be doing this shit, Maybe I should try

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Speaker 1: to do something else. Yeah, and no at the same time,

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Speaker 1: because it was like I felt like I kind of

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Speaker 1: got ahead start because I started so young. But you know,

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Speaker 1: growing up, coming up, you know, I was still in

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Speaker 1: regular school doing a lot of that shit. I was

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Speaker 1: in public school on one O six in part crazy,

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Speaker 1: So it was like damn, you know, I was in

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Speaker 1: the middle. But I always knew, like this it has

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Speaker 1: to pay off because I'm putting in numerous amounts of effort,

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Speaker 1: you know, thousand hours and just staying focused on my craft.

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Speaker 1: So I knew at the end of the day he

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Speaker 1: was gonna pay off. And you know, we at the

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Speaker 1: beginning of the it's also tough. I'm sure to be

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Speaker 1: like a kid who's like super lyrics because like I

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Speaker 1: think we all look at kid rappers like a certain way,

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Speaker 1: especially back then, there was like a certain stigma to them, right,

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Speaker 1: you know what I mean, Like I would never like

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Speaker 1: listen to Little Romeo as a grown up, you know

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Speaker 1: what I mean. Even if like if Lupe Fiat like

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Speaker 1: walked you to my radio show when you were eleven

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Speaker 1: or twelve years old and been like this kid is fired,

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Speaker 1: I'd be like, yeah, I'm sure he is. I'm not

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Speaker 1: going to listen to him because he's a little kid, right,

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Speaker 1: I can't relate to this kid, Okay, you know what

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Speaker 1: I'm saying. So I think it's dope that you got

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Speaker 1: to kind of like experience a lot of ins and

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Speaker 1: out of this shit. So now that you're twenty three

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Speaker 1: and you got a deal with Death Jam and you're

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Speaker 1: you know, I feel like, you know, you're like again,

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Speaker 1: you're like a new artist, but you have so much

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Speaker 1: experience experience already that you can apply to this shit.

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Speaker 1: Because a lot of people get they get wrapped up

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Speaker 1: in this shit and they they spend money on the

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Speaker 1: wrong shit, or they focus on the wrong shit, or

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Speaker 1: they get lost in this shit. But you got your

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Speaker 1: mom here, your sisters are here, you know what I mean?

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Speaker 1: So how important is it to keep your family around? Very?

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Speaker 1: Very I feel like to have a solid foundation is

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Speaker 1: the key to being you know, secure, whatever you know,

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Speaker 1: when whatever you're doing, with whatever you're doing. And I

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Speaker 1: came out super super super lyrical ten eleven years old,

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Speaker 1: so it wasn't believable. So we had to switch to

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Speaker 1: the kid market and that's how I got the record

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00:13:56,120 --> 00:13:58,000
Speaker 1: with my boys shot at Jacob Latimore. I went on

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Speaker 1: tour with Minus Behavior at twelve and thirteen. Yeah, so

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00:14:02,040 --> 00:14:04,440
Speaker 1: it was like nigga, you tourist. Oh yeah, for sure

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00:14:04,600 --> 00:14:07,160
Speaker 1: for sh show. So I feel like everything happens for

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Speaker 1: a reason and it's just a part of my store.

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Speaker 1: You know what I'm saying. Mindless behavior? Yeah, that was

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Speaker 1: my dogs girls man. Oh yeah for sure. Yeah. I

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Speaker 1: was telling people in school, I was I'm finish going

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00:14:16,040 --> 00:14:18,760
Speaker 1: to a mind's behavior like yeah, right right, yeah, right

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Speaker 1: when I came to the fucking NRG Arena in Houston

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Speaker 1: and they saw, okay, ain't lying. How was it when

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Speaker 1: you went back to school the next time? Oh my god,

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Speaker 1: was the fucking man? You were the man? What? Because

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00:14:28,440 --> 00:14:30,080
Speaker 1: you were in public school? The whole time? Was in

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Speaker 1: public school? Like school what the principal? Everybody was like,

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Speaker 1: he's causing a distraction to the children. They I had

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Speaker 1: to get out of school. I had to do homeschool

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Speaker 1: for a year. Did the was it? Was it like

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Speaker 1: ever a issue juggling girlfriends in school? Nah? No, no,

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Speaker 1: I was. I was always player, player, Yeah, I played

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Speaker 1: my cards right. Yeah. So like you know, I got

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Speaker 1: a senior, a junior, sophomore. I definitely got the classes each.

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Speaker 1: That's when the older chicks started flying in for shore. Huh,

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00:14:59,320 --> 00:15:01,480
Speaker 1: you had older ch explying in before you're eighteen for

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00:15:01,560 --> 00:15:03,520
Speaker 1: show and not like flying in, but like coming in,

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00:15:03,600 --> 00:15:06,880
Speaker 1: flogging in. You know about to say for you now,

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Speaker 1: I wouldn't I wouldn't know about this, Like mom, I

333
00:15:09,280 --> 00:15:11,280
Speaker 1: gotta go somewhere. This twenty nine year old ladies picking

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Speaker 1: me up. I met her on the minus behavior to her,

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Speaker 1: she wanted to file some charges on a bunch of women.

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00:15:15,440 --> 00:15:21,000
Speaker 1: Really what look look some of that's some of the

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00:15:21,000 --> 00:15:24,880
Speaker 1: statue little statue statutory. I would say it was it

338
00:15:24,920 --> 00:15:27,480
Speaker 1: was it was good grooming because now now it was screaming,

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00:15:27,480 --> 00:15:28,920
Speaker 1: all right, now I know what I'm doing. Now, I

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00:15:28,920 --> 00:15:32,040
Speaker 1: know what I'm doing you know earlier. Wait wait, so

341
00:15:32,200 --> 00:15:36,520
Speaker 1: help me understand. You're obviously problem or you're dealing with

342
00:15:36,600 --> 00:15:39,840
Speaker 1: older women as a not eighteen year old for sure,

343
00:15:40,040 --> 00:15:42,440
Speaker 1: and your mom finds out for show and she's trying

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00:15:42,440 --> 00:15:44,480
Speaker 1: to hit him with that statutory. She trying to hit him,

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Speaker 1: She's trying to hit him in a face physically and

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Speaker 1: then hit him with the law. Yeah, and she walked

347
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Speaker 1: in college dorms and calls hell, jesus, what, yes, man,

348
00:15:54,800 --> 00:15:56,760
Speaker 1: has your mom ever sucked up a chick? On Your

349
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Speaker 1: Behalf No Album. I had to stop her though. I

350
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Speaker 1: had to stop it for show. She talked some shit

351
00:16:00,600 --> 00:16:03,160
Speaker 1: big ship to him. They definitely failed her. Isn't it

352
00:16:03,200 --> 00:16:06,080
Speaker 1: crazy that, like, nevermind, I won't even go I was

353
00:16:06,120 --> 00:16:09,120
Speaker 1: gonna say, it's like so wild, like the double standard,

354
00:16:09,240 --> 00:16:10,920
Speaker 1: like the fact that we're like giving you props because

355
00:16:10,960 --> 00:16:13,200
Speaker 1: you were bagging like chicks over eighteen. But if you

356
00:16:13,200 --> 00:16:15,840
Speaker 1: were like sixteen sleeping with like a twenty five year

357
00:16:15,880 --> 00:16:18,680
Speaker 1: old dude and you're a girl, it'd be fucking wild.

358
00:16:18,880 --> 00:16:23,440
Speaker 1: Now it's jail time. It's prison time. It's over. It's over.

359
00:16:23,760 --> 00:16:26,680
Speaker 1: Lock him up, Lock him up? Man, fucking right. Uh,

360
00:16:26,800 --> 00:16:29,600
Speaker 1: who do you put on your h town Mount Rushmore?

361
00:16:30,120 --> 00:16:33,000
Speaker 1: Let's just say Texas because you know Port Arthur is

362
00:16:33,040 --> 00:16:36,080
Speaker 1: not necessarily Houston, and it was no it's shit PMC

363
00:16:37,200 --> 00:16:44,760
Speaker 1: scar face zero, This is four right, four PMC face zero,

364
00:16:49,960 --> 00:16:53,560
Speaker 1: PMC Phase zero. Fat Pat slash kind of do slash, sure,

365
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Speaker 1: Fat Pat Slash. Devin the Dude, Devin the Dude is

366
00:16:56,440 --> 00:16:59,800
Speaker 1: that guy? For sure? Deven the Dude is that guy. Yes,

367
00:17:00,560 --> 00:17:02,720
Speaker 1: I love Devin the Dude. Have you heard of this

368
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Speaker 1: guy from Dallas name Big X the plugm he dope,

369
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Speaker 1: he's fucking hard. As for jo, I just add through

370
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Speaker 1: on like some playlist and he has like some song

371
00:17:12,280 --> 00:17:15,040
Speaker 1: called Techexash. He's crazy. I was like, who the fuck

372
00:17:15,119 --> 00:17:18,359
Speaker 1: is this? I like dived into his ship and I'm like,

373
00:17:18,359 --> 00:17:20,199
Speaker 1: and he's from Dalla, like Dallas, I mean, you know

374
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Speaker 1: Dallas a resting piece to MO three. Right, there's some

375
00:17:23,560 --> 00:17:25,840
Speaker 1: you know Texas is bubbling. Man. Hey, we got to

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419
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420
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430
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436
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439
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Speaker 1: Let's get back to the interview for you. Did you

440
00:20:32,720 --> 00:20:34,960
Speaker 1: find it kind of like it being a challenge making

441
00:20:34,960 --> 00:20:36,639
Speaker 1: the kind of music and rapping the way you wrap,

442
00:20:37,359 --> 00:20:39,920
Speaker 1: trying to make it out of your city a little bit,

443
00:20:40,000 --> 00:20:42,440
Speaker 1: you know, because coming from the South is so much,

444
00:20:42,600 --> 00:20:45,400
Speaker 1: It is so many shoes to fill just with the culture,

445
00:20:45,440 --> 00:20:47,720
Speaker 1: you know what I'm saying. But I feel like I

446
00:20:47,800 --> 00:20:49,800
Speaker 1: feel like I made that way to let people know that,

447
00:20:49,840 --> 00:20:52,320
Speaker 1: you know, we got something to say, backing what Andre said,

448
00:20:52,359 --> 00:20:54,440
Speaker 1: you know, back what Phase did, because you know those

449
00:20:54,440 --> 00:20:57,000
Speaker 1: guys were like the first goodie mob too, he communion

450
00:20:57,119 --> 00:20:58,840
Speaker 1: or crap too. I mean that rap is ass for sure,

451
00:20:58,880 --> 00:21:00,919
Speaker 1: for absolutely, I mean all these guys can rap. I mean,

452
00:21:00,960 --> 00:21:02,960
Speaker 1: I'm a huge fan of Houston hip hops. Absolutely. I

453
00:21:03,040 --> 00:21:05,040
Speaker 1: just think it's like a specific style that people look

454
00:21:05,119 --> 00:21:07,399
Speaker 1: for when they think of Houston r I absolutely. Do

455
00:21:07,440 --> 00:21:09,280
Speaker 1: you have a grill just off GP because you're from

456
00:21:09,320 --> 00:21:12,159
Speaker 1: age town? No, but I want one, Damn. I've had

457
00:21:12,200 --> 00:21:14,639
Speaker 1: two grills for show. I lived in Florida and they

458
00:21:14,720 --> 00:21:17,359
Speaker 1: just made them for me. Okay, you had to go

459
00:21:17,560 --> 00:21:21,320
Speaker 1: to golghit, yeah, okay, yeah. And then I was at

460
00:21:21,359 --> 00:21:23,280
Speaker 1: the strip club once and I got made fun of

461
00:21:23,400 --> 00:21:24,720
Speaker 1: by a girl that I liked, and I was like,

462
00:21:25,600 --> 00:21:27,520
Speaker 1: never wearing these ac Okay, maybe this is not for

463
00:21:27,600 --> 00:21:30,040
Speaker 1: me right. Also, if you wear a grill, do you

464
00:21:30,160 --> 00:21:33,560
Speaker 1: have to clean the grill? Absolutely not. Most motherfuckers who

465
00:21:33,600 --> 00:21:36,640
Speaker 1: wear grills have god awful breath. It's a terrible thing

466
00:21:36,680 --> 00:21:39,120
Speaker 1: because they don't. You have to clean the grill every

467
00:21:39,200 --> 00:21:42,359
Speaker 1: time you wear it, otherwise your mouth smells like fucking

468
00:21:43,240 --> 00:21:46,200
Speaker 1: metal ginger vitis. Oh my god, it's a bad luck man.

469
00:21:47,880 --> 00:21:50,600
Speaker 1: What's what's going on with you musically right now? Album coming?

470
00:21:50,840 --> 00:21:53,159
Speaker 1: What's out? Like? What's going on? Album? Definitely coming. I

471
00:21:53,240 --> 00:21:56,200
Speaker 1: got my latest album, The Mecca. They dropped. We're working

472
00:21:56,240 --> 00:21:58,639
Speaker 1: on singles and just putting content up, but definitely more

473
00:21:58,760 --> 00:22:03,160
Speaker 1: music coming, more music. Do you feel like, uh, because

474
00:22:03,280 --> 00:22:05,639
Speaker 1: you know, right now in hip hop there is I

475
00:22:05,800 --> 00:22:10,160
Speaker 1: feel like, you know, I feel like there's a void

476
00:22:10,440 --> 00:22:13,320
Speaker 1: for what you are doing and what a guy like

477
00:22:13,400 --> 00:22:15,240
Speaker 1: SIB is doing and a guy like l Russell, and

478
00:22:15,640 --> 00:22:18,240
Speaker 1: you know, I do feel like like we kind of

479
00:22:18,400 --> 00:22:20,800
Speaker 1: need a breath of fresh air and hip hop. Do

480
00:22:20,840 --> 00:22:24,320
Speaker 1: you feel similar? For sure? Yeah, because I do feel like,

481
00:22:24,400 --> 00:22:27,439
Speaker 1: you know, we're kind of like out of the SoundCloud air,

482
00:22:27,560 --> 00:22:30,240
Speaker 1: thank god, you know what I mean. But there's definitely

483
00:22:30,480 --> 00:22:33,760
Speaker 1: I feel like a lyricism is you know, it's needed

484
00:22:33,920 --> 00:22:36,320
Speaker 1: right now, and I feel like it's being more appreciated

485
00:22:36,359 --> 00:22:38,159
Speaker 1: now because I feel like we got through like a

486
00:22:38,240 --> 00:22:40,320
Speaker 1: fucking weird era of rap where it was it was

487
00:22:40,400 --> 00:22:42,439
Speaker 1: like all time low, and I feel like we're kind

488
00:22:42,480 --> 00:22:44,680
Speaker 1: of on the other side of it. So for show,

489
00:22:44,880 --> 00:22:46,800
Speaker 1: I agree. I feel the same way. It's like, good,

490
00:22:47,160 --> 00:22:49,680
Speaker 1: who's somebody right now that you're you're liking in terms

491
00:22:49,720 --> 00:22:51,879
Speaker 1: of like maybe a peer or just someone who you're

492
00:22:51,880 --> 00:22:53,639
Speaker 1: a fan of that maybe you necessarily don't have a

493
00:22:53,640 --> 00:22:59,359
Speaker 1: relationship with already. Fuck with Baby King, Love Baby Baby

494
00:22:59,400 --> 00:23:07,119
Speaker 1: King's dope, man, Fuck with Baby drill uh symbol of

495
00:23:07,200 --> 00:23:12,320
Speaker 1: course dope. It's a lot of new guys, man, I

496
00:23:12,359 --> 00:23:14,280
Speaker 1: can't really think of I listen to all type of music,

497
00:23:14,320 --> 00:23:15,399
Speaker 1: you know what I'm saying, But those are the ones

498
00:23:15,440 --> 00:23:17,480
Speaker 1: I could think of off the beat. Anybody on the

499
00:23:17,800 --> 00:23:21,360
Speaker 1: new album that you're working on, no no features as

500
00:23:21,400 --> 00:23:24,040
Speaker 1: of now, as of right now, as of now. You

501
00:23:24,160 --> 00:23:26,000
Speaker 1: go to the Streamville Fest, you meet Ja Cole What

502
00:23:26,040 --> 00:23:28,640
Speaker 1: are you telling j Cole Man you you are one

503
00:23:28,680 --> 00:23:31,840
Speaker 1: of my biggest inspirations. Nigga, You the fucking truth, nigga,

504
00:23:32,280 --> 00:23:35,439
Speaker 1: fuck with you for sure. Yeah, that's a good thing

505
00:23:35,480 --> 00:23:37,480
Speaker 1: to tell him, absolutely for sure because him and Kendrick

506
00:23:37,600 --> 00:23:39,879
Speaker 1: is like him, Kendrick and Drake. I feel like there

507
00:23:39,920 --> 00:23:42,359
Speaker 1: would be no me without those guys, you know what

508
00:23:42,359 --> 00:23:44,840
Speaker 1: I'm saying. Would you say that like because they're kind

509
00:23:44,840 --> 00:23:48,119
Speaker 1: of like the three heads on the Mount rushmore of

510
00:23:48,160 --> 00:23:51,200
Speaker 1: the last like ten years for sure. The fourth spot

511
00:23:51,320 --> 00:23:54,160
Speaker 1: is debatable yeah, you can say that. You can say

512
00:23:54,160 --> 00:23:56,080
Speaker 1: that I think it's Kanye, because I think Kanye you

513
00:23:56,080 --> 00:23:57,399
Speaker 1: can put on the Mount Rushmore in the last like

514
00:23:57,440 --> 00:24:00,360
Speaker 1: twenty years from two eras I think, but I think

515
00:24:00,400 --> 00:24:03,359
Speaker 1: you could put like it's really those three and then

516
00:24:03,400 --> 00:24:05,639
Speaker 1: the fourth spot. You know, you can make different cases

517
00:24:05,680 --> 00:24:08,520
Speaker 1: for future or you know, show it's a bunch of guys,

518
00:24:08,600 --> 00:24:11,200
Speaker 1: But I feel like I'm stepping into the next decade,

519
00:24:11,359 --> 00:24:12,600
Speaker 1: you know what I'm saying. I'm one of those guys

520
00:24:12,640 --> 00:24:14,920
Speaker 1: that could be the front run of the next the

521
00:24:15,000 --> 00:24:17,600
Speaker 1: next ten years and do what they did. You still

522
00:24:17,680 --> 00:24:19,719
Speaker 1: keep in touch with Loope. I haven't talked to lou

523
00:24:19,760 --> 00:24:21,160
Speaker 1: in a minute, but that's still my dog. I talked

524
00:24:21,160 --> 00:24:23,600
Speaker 1: to Ant and Bishop all the time. So you know,

525
00:24:23,680 --> 00:24:26,119
Speaker 1: you should get man, because the last Loop album was

526
00:24:26,160 --> 00:24:29,040
Speaker 1: actually pretty fire. Yeah for sure, absolutely yeah it was. Yeah,

527
00:24:29,119 --> 00:24:32,320
Speaker 1: Loop is on man, when I'll go that's my dog,

528
00:24:32,400 --> 00:24:35,720
Speaker 1: that's my boy. I just hope to learn that about you, man,

529
00:24:35,760 --> 00:24:37,960
Speaker 1: because I think a lot of times, like you know,

530
00:24:38,200 --> 00:24:41,119
Speaker 1: when we think of like these new artists, man, I

531
00:24:41,240 --> 00:24:44,400
Speaker 1: feel like they make so many mistakes, like I was saying,

532
00:24:44,440 --> 00:24:45,720
Speaker 1: So it's good to know that you got you know,

533
00:24:45,720 --> 00:24:48,720
Speaker 1: a good team behind you, bros. So the Mecca is

534
00:24:48,720 --> 00:24:51,639
Speaker 1: out right now. Yes, sure, new project coming soon, Yes, sir,

535
00:24:52,400 --> 00:24:54,920
Speaker 1: do we know the name of the new project. It's

536
00:24:54,960 --> 00:24:57,320
Speaker 1: in the air right now. But I'm strongly leaning on

537
00:24:57,440 --> 00:25:00,480
Speaker 1: Dear me, Love me, Okay, dear me love me. Sure.

538
00:25:00,680 --> 00:25:02,879
Speaker 1: Mom ever helped you write the raps? No? No, no,

539
00:25:03,040 --> 00:25:05,119
Speaker 1: she gave me inspiration, but no, she never give you

540
00:25:05,240 --> 00:25:07,040
Speaker 1: like a bar or nothing. No. She gave me like

541
00:25:07,160 --> 00:25:10,200
Speaker 1: topics and challenges, like use these words in a rap.

542
00:25:10,720 --> 00:25:14,400
Speaker 1: Like she was like a fucking rap major pain. Oh shit,

543
00:25:15,000 --> 00:25:17,639
Speaker 1: Like I need you to write a fucking rap about

544
00:25:17,720 --> 00:25:20,000
Speaker 1: for show. Take ten words out of the dictionary, use

545
00:25:20,040 --> 00:25:22,760
Speaker 1: them in the sentence, use them in a paragraph, Wow,

546
00:25:22,960 --> 00:25:24,520
Speaker 1: and write a rap with them. Look at you? You

547
00:25:24,720 --> 00:25:26,320
Speaker 1: just had it lit as a kid for sure. Man,

548
00:25:26,359 --> 00:25:28,080
Speaker 1: it was. It was a hard work, but it paid off,

549
00:25:28,119 --> 00:25:30,159
Speaker 1: you know. And I'm still developing my craft. Yeah, I

550
00:25:30,240 --> 00:25:31,960
Speaker 1: still have every day to get better. We keep doing

551
00:25:32,000 --> 00:25:33,760
Speaker 1: your thing. Marcus Clay. We about to have him do

552
00:25:33,800 --> 00:25:36,360
Speaker 1: a freestyle and be a separate YouTube video. Go check

553
00:25:36,400 --> 00:25:39,320
Speaker 1: out the Mecca out now, baby, new music soon rolling

554
00:25:39,320 --> 00:25:42,919
Speaker 1: aloud this weekend, Dreamville Fast April Boom,