1 00:00:00,160 --> 00:00:03,240 Speaker 1: Almost from the day it was founded in eighteen forty eight. 2 00:00:03,279 --> 00:00:06,240 Speaker 1: The folks across the bay in San Francisco have been 3 00:00:06,240 --> 00:00:10,719 Speaker 1: making jokes about Oakland. There's no they're they're Poetess Gertrude 4 00:00:10,720 --> 00:00:13,600 Speaker 1: Stein is supposed to have said, well, the jokes may 5 00:00:13,640 --> 00:00:16,640 Speaker 1: live on, but Oakland is no longer that faceless other 6 00:00:16,720 --> 00:00:21,160 Speaker 1: city across the bay. Today, California's fourth largest city is 7 00:00:21,200 --> 00:00:27,960 Speaker 1: a booming center of industry, commerce, art and culture. What's up? 8 00:00:28,000 --> 00:00:30,960 Speaker 1: It's Rebeccan on here with another hour of anarchy, liberation 9 00:00:31,040 --> 00:00:33,760 Speaker 1: and wild, unbridled free speech. But what else would you 10 00:00:33,760 --> 00:00:37,400 Speaker 1: all expect from your faithe West oak economy? Call me 11 00:00:37,479 --> 00:00:39,960 Speaker 1: being shot for community aucuse? I feel that we need 12 00:00:40,000 --> 00:00:44,159 Speaker 1: to start clarifying that. But Oakland's new glamour and prosperity 13 00:00:44,240 --> 00:00:47,560 Speaker 1: are not shared equally by all of its citizens. Nearly 14 00:00:47,640 --> 00:00:50,520 Speaker 1: half of the city's population is non white, and many 15 00:00:50,560 --> 00:00:54,440 Speaker 1: are poor. They do not patronize the symphony or the museum. 16 00:00:54,600 --> 00:00:57,360 Speaker 1: They don't use the coliseum where the airport very much, 17 00:00:57,560 --> 00:00:59,920 Speaker 1: nor do they hold their share of the jobs. Create 18 00:01:00,000 --> 00:01:05,400 Speaker 1: a buy Oakland's new industry, port and transportation facilities. Yeah, 19 00:01:05,520 --> 00:01:08,520 Speaker 1: God forbid anyone think we're actual communists. We don't have 20 00:01:08,560 --> 00:01:11,440 Speaker 1: to move our show over the podcast the u c 21 00:01:11,560 --> 00:01:16,080 Speaker 1: c canny. They're too broke, and the government's more concerned with, 22 00:01:16,520 --> 00:01:20,920 Speaker 1: I don't know, enabling legalized murder. During the fifties, Oakland 23 00:01:21,000 --> 00:01:24,880 Speaker 1: became a stagnant, seething ghetto of impoverished blacks and Chicano's, 24 00:01:25,120 --> 00:01:27,800 Speaker 1: surrounded by the white affluence of the Oakland Hills and 25 00:01:27,840 --> 00:01:31,720 Speaker 1: suburban Alameda County. To contain the misery and violence of 26 00:01:31,720 --> 00:01:35,320 Speaker 1: the ghetto, Oakland's all white police department earned a reputation 27 00:01:35,680 --> 00:01:39,080 Speaker 1: for head knocking brutality that has left a well remembered 28 00:01:39,240 --> 00:01:42,080 Speaker 1: legacy of bitterness in the minds and hearts of many 29 00:01:42,120 --> 00:01:46,240 Speaker 1: who lived in that time and place. True enough, actually, 30 00:01:46,280 --> 00:01:48,640 Speaker 1: while we're on the topic of bloodusty little enforcement, as 31 00:01:48,640 --> 00:01:51,320 Speaker 1: many of you already know our comrades, Savannah remains in 32 00:01:51,320 --> 00:01:53,760 Speaker 1: a coma. Can you believe it's already been a month. 33 00:01:54,200 --> 00:01:56,920 Speaker 1: What's really so shady about that situation is the officer 34 00:01:56,960 --> 00:01:59,960 Speaker 1: who was responsible for it still patrols the streets everyday. 35 00:02:00,680 --> 00:02:04,800 Speaker 1: No investigation, no suspension, nothing, not even the usual slap 36 00:02:04,800 --> 00:02:08,200 Speaker 1: on the wrist. The narrative, of course, is that she 37 00:02:08,280 --> 00:02:10,720 Speaker 1: was at full she was breaking the law, and basically 38 00:02:10,760 --> 00:02:12,920 Speaker 1: she deserved what she got. You know, I could go 39 00:02:12,960 --> 00:02:15,040 Speaker 1: on for hours about how completely messed up that is, 40 00:02:15,360 --> 00:02:17,040 Speaker 1: but it's her family that has to deal with the 41 00:02:17,080 --> 00:02:19,480 Speaker 1: aftermath of all this. If you think simply being alone 42 00:02:19,520 --> 00:02:23,799 Speaker 1: it's expensive, try being unconscious. Ship adds up. So far, 43 00:02:23,840 --> 00:02:26,600 Speaker 1: we've raised eleven dollars through her go fund me page. 44 00:02:26,720 --> 00:02:29,079 Speaker 1: The money goes towards supporting her in home nursing care, 45 00:02:29,120 --> 00:02:31,800 Speaker 1: and we are so close to making our fifteen dollar. 46 00:02:32,440 --> 00:02:36,320 Speaker 1: Anyone who's had the opportunity, the privilege really of knowing 47 00:02:36,320 --> 00:02:39,880 Speaker 1: Savannah knows what a selfless soul this girl has. I mean, 48 00:02:39,919 --> 00:02:43,240 Speaker 1: there wasn't a demonstration she didn't attend, a charity she 49 00:02:43,320 --> 00:02:45,600 Speaker 1: did not support, or a person she would not help. 50 00:02:46,680 --> 00:02:49,520 Speaker 1: I really think this is an opportunity for us, the 51 00:02:49,600 --> 00:02:52,360 Speaker 1: community to give back to her. A lot of you 52 00:02:52,440 --> 00:02:55,720 Speaker 1: might not have the monetary funds to give, but you 53 00:02:55,760 --> 00:02:58,640 Speaker 1: can help spread the words to those that can. The 54 00:02:58,720 --> 00:03:00,760 Speaker 1: link to that go fund me age can be found 55 00:03:00,760 --> 00:03:07,120 Speaker 1: in my Instagram bio O thank you all in advance. Alright, 56 00:03:07,240 --> 00:03:10,680 Speaker 1: so switching gears, let's talk about how there's yet another 57 00:03:10,680 --> 00:03:13,880 Speaker 1: structure on fire. In Oakland. Who do we think it 58 00:03:13,960 --> 00:03:17,840 Speaker 1: is this time? Jeez, I hate this game. I'm going 59 00:03:17,880 --> 00:03:24,480 Speaker 1: to go with German nihilists, pagans, nor fans, definitely right fans. 60 00:03:24,520 --> 00:03:27,120 Speaker 1: One thing is for sure. It's definitely not black people 61 00:03:27,120 --> 00:03:30,360 Speaker 1: burning ship up just to burn it. As an Anglo saxon, 62 00:03:30,440 --> 00:03:33,239 Speaker 1: I have no comment on that. It's true. This building 63 00:03:33,280 --> 00:03:35,560 Speaker 1: was supposed to be some kind of boogie old folks home. 64 00:03:36,120 --> 00:03:39,920 Speaker 1: Someone lit a fire, then Brandon hit somewhere like that. 65 00:03:40,040 --> 00:03:45,080 Speaker 1: Ain't my people, sorry, just not our mL Maybe someone 66 00:03:45,120 --> 00:03:47,320 Speaker 1: wanted to break up Bingo night. I can't think of 67 00:03:47,360 --> 00:03:50,320 Speaker 1: a more inappropriate location for an upscale building. There's a 68 00:03:50,360 --> 00:03:53,200 Speaker 1: literal shanty town across the street. How does the city 69 00:03:53,280 --> 00:03:57,120 Speaker 1: justify that kind of disturbing juxtaposition? Whoa, whoa, whoa. I 70 00:03:57,160 --> 00:03:59,600 Speaker 1: know you went to Berkeley, but cooler on the ten 71 00:03:59,640 --> 00:04:02,160 Speaker 1: dollar words for plebs like me out there? You are 72 00:04:02,240 --> 00:04:07,640 Speaker 1: hell annoying anyway, hear me out. You look at the visual, economic, 73 00:04:07,720 --> 00:04:10,600 Speaker 1: and racial contrast between what the city is doing towards 74 00:04:10,680 --> 00:04:14,680 Speaker 1: people versus what is striving to become. It's shameless, decadent, 75 00:04:15,120 --> 00:04:19,760 Speaker 1: and this is important, intentional. It's telling us loud and clear. 76 00:04:20,320 --> 00:04:23,560 Speaker 1: You are no longer welcome here. So is your theory 77 00:04:23,600 --> 00:04:26,440 Speaker 1: that some homeless dude felt uncomfortable with the building blocking 78 00:04:26,480 --> 00:04:29,440 Speaker 1: his view and he tortured. You've got a better explanation, 79 00:04:29,480 --> 00:04:33,800 Speaker 1: smart ass, Yes, I do so. Remember our landlords were 80 00:04:33,839 --> 00:04:35,880 Speaker 1: burning down their own buildings a few years back in 81 00:04:35,920 --> 00:04:38,960 Speaker 1: San Francisco. Same thing happened in New York as far 82 00:04:38,960 --> 00:04:42,240 Speaker 1: back as the seventies. Property owners have always gone to 83 00:04:42,320 --> 00:04:44,640 Speaker 1: extremes to rid themselves of tenants they no longer wanted. 84 00:04:44,760 --> 00:04:49,200 Speaker 1: But this particular structure wasn't yet occupied. Mhmm, you're right. 85 00:04:49,400 --> 00:04:52,599 Speaker 1: Probably the homeless dude then, Just so we're clear, I 86 00:04:52,640 --> 00:04:55,720 Speaker 1: wasn't going in the harmless with us. No, I've got it. 87 00:04:56,200 --> 00:04:58,760 Speaker 1: The owner of the building, knowing what you just pointed out, 88 00:04:59,279 --> 00:05:02,840 Speaker 1: realizes the value of his property is greatly depreciated by 89 00:05:02,880 --> 00:05:06,400 Speaker 1: what you call a shanty down of homeless individuals. How 90 00:05:06,440 --> 00:05:09,400 Speaker 1: does he solve this problem? He burns it down, knowing 91 00:05:09,440 --> 00:05:13,120 Speaker 1: the homeless would be the obvious scapegoat. Boom, the police crackdown, 92 00:05:13,360 --> 00:05:16,160 Speaker 1: kick out the undesirables, and the owner rebuilds his I saw, 93 00:05:16,279 --> 00:05:22,240 Speaker 1: with the insurance money, now in a much more desirable neighborhood. Damn, 94 00:05:22,760 --> 00:05:26,039 Speaker 1: you might actually be honest something there. I know. Maybe 95 00:05:26,080 --> 00:05:28,400 Speaker 1: I should be a detective when I grow up. Maybe 96 00:05:28,440 --> 00:05:32,360 Speaker 1: you should try getting a green car first, Rebecca, As always, 97 00:05:32,440 --> 00:05:35,919 Speaker 1: you are right. Perhaps it's forward of me to ask, 98 00:05:35,960 --> 00:05:38,360 Speaker 1: but would you consider marrying me so that I might 99 00:05:38,400 --> 00:05:41,599 Speaker 1: have a chance to become a legitimate human being both 100 00:05:41,720 --> 00:05:44,040 Speaker 1: in the eyes of the law and my fellow countryman, 101 00:05:44,440 --> 00:05:51,159 Speaker 1: and then perhaps live happily ever after. No, there're going 102 00:05:51,160 --> 00:05:55,680 Speaker 1: my dreams of being a p I. I don't understand 103 00:05:55,680 --> 00:05:59,120 Speaker 1: the people who are pro gentrification but anti immigration, putting 104 00:05:59,120 --> 00:06:03,839 Speaker 1: aside irrelevant distinctions between legal and illegal migration. Aren't the 105 00:06:03,839 --> 00:06:07,600 Speaker 1: two concepts essentially the same, Aren't both a natural movement 106 00:06:07,640 --> 00:06:12,360 Speaker 1: of people towards resources, opportunities and the American dream being 107 00:06:12,400 --> 00:06:14,599 Speaker 1: a proud legal immigrant myself, I have to tell you 108 00:06:14,600 --> 00:06:16,640 Speaker 1: that it wasn't no dream that brought me a love 109 00:06:17,240 --> 00:06:20,520 Speaker 1: And there's been a nightmare ever since I overstayed my visa. 110 00:06:21,120 --> 00:06:25,839 Speaker 1: You're very comfortable talking about your immigration status publicly. Why 111 00:06:26,279 --> 00:06:28,719 Speaker 1: are you afraid I smart snatcher us up in the 112 00:06:28,720 --> 00:06:31,680 Speaker 1: middle of the night. Yeah, Like I said, I'm a 113 00:06:31,720 --> 00:06:34,280 Speaker 1: Caucasian from an English speaking country. It's not me they're 114 00:06:34,320 --> 00:06:36,720 Speaker 1: worried about. In the eyes of the public, the boogey 115 00:06:36,720 --> 00:06:40,200 Speaker 1: man has always been brown, or so they want us 116 00:06:40,240 --> 00:06:46,720 Speaker 1: to think. Letty, what are you doing? I guess hell no, 117 00:06:47,560 --> 00:06:50,120 Speaker 1: calm down, missy, don't bite my head off. I'm just 118 00:06:50,200 --> 00:06:53,960 Speaker 1: dropping by for a second. Man, it's really not the time. 119 00:06:56,080 --> 00:07:03,320 Speaker 1: Oh fine, let me down on a micro seriously. Oh well, 120 00:07:03,360 --> 00:07:06,560 Speaker 1: everyone looks like the Ron Burgundy of Oakland has joined us. 121 00:07:07,000 --> 00:07:09,080 Speaker 1: I don't know who that is, but judging from the 122 00:07:09,120 --> 00:07:11,119 Speaker 1: look on your face, I'm guessing you don't like him. 123 00:07:11,120 --> 00:07:16,080 Speaker 1: Oh so you can read the room. Great Lenny, mate, 124 00:07:16,400 --> 00:07:20,800 Speaker 1: what brings you in tonight? Aren't you gonna introduce me? 125 00:07:21,920 --> 00:07:23,840 Speaker 1: Some of you might know Lenny is the owner of 126 00:07:23,840 --> 00:07:27,520 Speaker 1: the Resist Refuse Cafe and he's running for Oakland mayor. 127 00:07:27,920 --> 00:07:31,200 Speaker 1: Thank you, Owen. I also consider myself something of a 128 00:07:31,240 --> 00:07:35,600 Speaker 1: do gooder philanthropist, if you want to know, I've always 129 00:07:35,680 --> 00:07:38,880 Speaker 1: been concerned about my community. I moved to West Oakland 130 00:07:38,920 --> 00:07:42,040 Speaker 1: with my mom back in seventy six. We were dirt poor, 131 00:07:42,160 --> 00:07:45,680 Speaker 1: living in Squalor and the only white family in the neighborhood. 132 00:07:46,080 --> 00:07:49,080 Speaker 1: You know who took us in treated us like family 133 00:07:49,960 --> 00:07:52,880 Speaker 1: past the Green and the good folks over at Calvary 134 00:07:52,920 --> 00:07:56,239 Speaker 1: Baptist Church. Well, that's a cool story that I really 135 00:07:56,280 --> 00:07:58,840 Speaker 1: don't care about. Is there a reason our listeners need 136 00:07:58,880 --> 00:08:02,280 Speaker 1: to hear about this right now? Actually? Yeah, there's been 137 00:08:02,360 --> 00:08:06,040 Speaker 1: some talk about people wanting to orchestrate some kind of 138 00:08:06,080 --> 00:08:09,080 Speaker 1: cancelation of me, all because I stuck up from my 139 00:08:09,200 --> 00:08:11,720 Speaker 1: friends over at the church the other day. I believe 140 00:08:11,760 --> 00:08:13,880 Speaker 1: you're referring to the video of you that went viral 141 00:08:14,360 --> 00:08:16,400 Speaker 1: the one way you're calling out the gay couple who 142 00:08:16,400 --> 00:08:19,360 Speaker 1: were complaining about the church music being too loud. Yes, 143 00:08:19,880 --> 00:08:23,600 Speaker 1: everyone who knows me knows I stand for the people, 144 00:08:24,120 --> 00:08:27,040 Speaker 1: and that's why they're trying to ruin my reputation. I 145 00:08:27,040 --> 00:08:30,200 Speaker 1: wouldn't be surprised if the Denise Deane crew set me up. 146 00:08:30,600 --> 00:08:33,880 Speaker 1: But but anyway, I got knocking against the gates, and 147 00:08:33,960 --> 00:08:37,360 Speaker 1: to show solidarity with them and the lesbians, I'm throwing 148 00:08:37,360 --> 00:08:40,000 Speaker 1: a dance party in the honor of the lgbt q 149 00:08:40,200 --> 00:08:44,679 Speaker 1: A community. Oh my god, Lenny, please never attempt political 150 00:08:44,760 --> 00:08:49,200 Speaker 1: correctness again. Excuse me, my apologies. I'm still working on 151 00:08:49,280 --> 00:08:52,760 Speaker 1: being woke. Oh. By the way, the party will be 152 00:08:53,120 --> 00:08:57,200 Speaker 1: at the Resist Refuse Cafe. This Saturday, and all the 153 00:08:57,240 --> 00:09:01,120 Speaker 1: proceeds will go to gay causes. Is that it which ones? 154 00:09:02,800 --> 00:09:06,200 Speaker 1: We're still working on the logistics and everything sorting them out. 155 00:09:06,520 --> 00:09:09,080 Speaker 1: What's what the y m c A is one? I 156 00:09:09,120 --> 00:09:14,000 Speaker 1: think as Lenny's sort of unofficial campaign manager. I can't 157 00:09:14,040 --> 00:09:16,520 Speaker 1: tell you all that he's getting involved with some amazing groups. 158 00:09:16,640 --> 00:09:22,120 Speaker 1: Info will be available online. Anything else you want to add? Lynn, Yeah, 159 00:09:23,000 --> 00:09:28,640 Speaker 1: vote Lenny Martelly for Oakland mayor Unity to the community. 160 00:09:29,840 --> 00:09:33,480 Speaker 1: That wasn't a man? Do you think I solved? We're 161 00:09:33,520 --> 00:09:38,320 Speaker 1: still on air. I think that wraps up our show, folks, 162 00:09:38,320 --> 00:09:40,280 Speaker 1: in case you're as confused as I am, and do 163 00:09:40,480 --> 00:09:42,760 Speaker 1: some local music to wash away the memory of what 164 00:09:42,920 --> 00:09:50,640 Speaker 1: just occurred? Are you? You've been a heap of people 165 00:09:50,720 --> 00:10:01,280 Speaker 1: wanting called the hand runs on the wall. Hey you 166 00:10:01,400 --> 00:10:06,559 Speaker 1: but the police? She you know? I hate the people 167 00:10:06,600 --> 00:10:16,520 Speaker 1: want to call the hand lighters all the wall who 168 00:10:16,559 --> 00:10:21,079 Speaker 1: have fun while you can just like a wall of 169 00:10:21,200 --> 00:10:42,160 Speaker 1: Jerry Cole'll bow the fall. It had been six hours 170 00:10:42,320 --> 00:10:46,679 Speaker 1: since Chante Monroe lasts or her pimp Davon. It was 171 00:10:46,720 --> 00:10:50,520 Speaker 1: now dawn, and as she aimlessly strolled the streets of Oakland, 172 00:10:50,520 --> 00:10:54,000 Speaker 1: wearing nothing but an oversized sweater. She began to feel 173 00:10:54,000 --> 00:10:56,760 Speaker 1: some regret at how they had left things. She knew 174 00:10:56,760 --> 00:10:59,000 Speaker 1: he was not happy with her, and it was her 175 00:10:59,000 --> 00:11:02,080 Speaker 1: own fault. She was alone with nothing and no one. 176 00:11:03,200 --> 00:11:07,600 Speaker 1: How did she come to be in this predicament. Chante 177 00:11:07,720 --> 00:11:11,360 Speaker 1: met Devon a few months prior in Vallejo, introduced by 178 00:11:11,400 --> 00:11:14,760 Speaker 1: a mutual friend who was also a pimp. She liked 179 00:11:14,840 --> 00:11:19,000 Speaker 1: Davon immediately. He was confident, attractive, and attentive to her. 180 00:11:19,800 --> 00:11:22,200 Speaker 1: When he looked at her, he seemed to be looking 181 00:11:22,200 --> 00:11:26,679 Speaker 1: through her, understanding her very soul. No one had ever 182 00:11:26,720 --> 00:11:29,360 Speaker 1: bothered to really see her like he had, and she 183 00:11:29,440 --> 00:11:34,240 Speaker 1: quite liked the feeling of being seen. After their initial encounter, 184 00:11:34,360 --> 00:11:38,280 Speaker 1: many weeks passed and they hadn't spoken, but she never 185 00:11:38,320 --> 00:11:42,320 Speaker 1: forgot him. Then one day, out of the blue, Davon 186 00:11:42,440 --> 00:11:45,080 Speaker 1: texted her. He said he was in town and would 187 00:11:45,120 --> 00:11:48,360 Speaker 1: love to see her again. Without hesitation, she told him 188 00:11:48,360 --> 00:11:50,360 Speaker 1: she wanted to see him too, but that he would 189 00:11:50,400 --> 00:11:52,319 Speaker 1: need to meet her around the corner from her house 190 00:11:52,440 --> 00:11:55,760 Speaker 1: because she lived with a very strict act. What Chantey 191 00:11:55,800 --> 00:11:58,520 Speaker 1: didn't mention was that her aunt had already told her 192 00:11:58,559 --> 00:12:01,400 Speaker 1: she was on a final warning and any other acts 193 00:12:01,400 --> 00:12:05,640 Speaker 1: of misbehavior would not be tolerated. The choice was easy 194 00:12:05,800 --> 00:12:08,840 Speaker 1: for Chantees to make. Devon picked her up in his 195 00:12:08,880 --> 00:12:12,080 Speaker 1: brand new Lexus and smoked marijuana he claimed to have 196 00:12:12,120 --> 00:12:16,559 Speaker 1: grown himself, and shortly afterwards he took liberties with her 197 00:12:16,960 --> 00:12:19,520 Speaker 1: that no adult man should take with a sixteen year 198 00:12:19,520 --> 00:12:22,800 Speaker 1: old girl. Of course, neither his age nor his behavior 199 00:12:22,840 --> 00:12:25,400 Speaker 1: was of any consequence to Chantes. Though he was ten 200 00:12:25,480 --> 00:12:28,160 Speaker 1: years her senior, he was certainly not the oldest man 201 00:12:28,320 --> 00:12:31,840 Speaker 1: she had been with, but he was the flashiest and 202 00:12:31,960 --> 00:12:34,800 Speaker 1: showered her with more compliments than she had ever heard 203 00:12:34,840 --> 00:12:38,040 Speaker 1: from a person. The next thing she knew, he was 204 00:12:38,120 --> 00:12:41,840 Speaker 1: driving her to Oakland to make some money. As he 205 00:12:41,920 --> 00:12:45,080 Speaker 1: put it, she was more than thrilled to go. In 206 00:12:45,160 --> 00:12:47,959 Speaker 1: her view, Valetja was played out, and her aunt was 207 00:12:48,000 --> 00:12:50,200 Speaker 1: a bitter old woman who made her wish for the 208 00:12:50,240 --> 00:12:54,199 Speaker 1: awful days when she was in foster care. And certainly 209 00:12:54,280 --> 00:12:57,079 Speaker 1: Chantes was well acquainted with selling her body for money. 210 00:12:57,920 --> 00:13:00,760 Speaker 1: Before she was a high school freshman. A girl friend 211 00:13:00,760 --> 00:13:03,200 Speaker 1: of hers described how she made hundreds of dollars a 212 00:13:03,200 --> 00:13:05,880 Speaker 1: week by having sex with old men who were willing 213 00:13:05,920 --> 00:13:09,160 Speaker 1: to pay for her youth. She hooked Chantey up with 214 00:13:09,200 --> 00:13:13,040 Speaker 1: her first John. At first, Chantes was disgusted by the 215 00:13:13,040 --> 00:13:16,520 Speaker 1: whole thing, but that feeling quickly evaporated when she had 216 00:13:16,600 --> 00:13:20,480 Speaker 1: cash in hand. The brief false sense of freedom it 217 00:13:20,559 --> 00:13:25,080 Speaker 1: gave her was intoxicating. The following months saw her attempting 218 00:13:25,120 --> 00:13:27,440 Speaker 1: to chase that high. She even had a pimp for 219 00:13:27,480 --> 00:13:30,040 Speaker 1: a short amount of time, until her aunt found out 220 00:13:30,240 --> 00:13:34,079 Speaker 1: and put an end to it all. Now, the opportunity 221 00:13:34,120 --> 00:13:37,720 Speaker 1: to escape with some one she actually liked seemed too 222 00:13:37,760 --> 00:13:40,320 Speaker 1: good an opportunity to pass up. There had been no 223 00:13:40,440 --> 00:13:43,840 Speaker 1: mention of other will, and Davon had only spoken of 224 00:13:43,880 --> 00:13:48,040 Speaker 1: his mother, whom he said was an excellent colk. When 225 00:13:48,040 --> 00:13:51,920 Speaker 1: they arrived at his mother's East Oakland apartment, three unfortunate 226 00:13:51,960 --> 00:13:56,320 Speaker 1: looking girls, all around Chantes's age, sat quietly in the 227 00:13:56,360 --> 00:13:59,520 Speaker 1: living room. One of them even had a baby with her. 228 00:14:00,440 --> 00:14:04,360 Speaker 1: For Chante, the most upsetting part of this scene was 229 00:14:04,400 --> 00:14:07,960 Speaker 1: how Devon didn't even acknowledge he had lied. His whole 230 00:14:07,960 --> 00:14:10,480 Speaker 1: demeanor changed, and he simply told one of the girls 231 00:14:10,480 --> 00:14:12,720 Speaker 1: to give her clothes to work in for the evening. 232 00:14:13,440 --> 00:14:17,000 Speaker 1: Chante was furious. She was far too jaded to be heartbroken, 233 00:14:17,080 --> 00:14:21,320 Speaker 1: but this deliberate betrayal ignited her fury. Refusing to go 234 00:14:21,400 --> 00:14:24,080 Speaker 1: out in work, she demanded to be driven back to Ballejo. 235 00:14:24,560 --> 00:14:29,040 Speaker 1: Devon's mother, whose name was Angela, walked over, raised her 236 00:14:29,040 --> 00:14:32,360 Speaker 1: hand and hit the side of the girl's face. The 237 00:14:32,440 --> 00:14:40,080 Speaker 1: histrionics stopped immediately say another word, I dare you. Chante 238 00:14:40,200 --> 00:14:43,080 Speaker 1: prided herself on being able to fight better than most, 239 00:14:43,960 --> 00:14:45,480 Speaker 1: but she knew she would be no match for this 240 00:14:45,600 --> 00:14:52,080 Speaker 1: large and powerful woman. Angela turned to Devon annoyed, and 241 00:14:52,120 --> 00:14:54,880 Speaker 1: I thought, I told you to stop bringing these wild 242 00:14:54,880 --> 00:14:57,960 Speaker 1: girls up in here. I ain't got time to train. 243 00:14:58,400 --> 00:15:01,240 Speaker 1: I ain't a wold girl. And Daddy, you said you 244 00:15:01,320 --> 00:15:03,920 Speaker 1: was gonna take care of me. You never said nothing 245 00:15:03,960 --> 00:15:06,200 Speaker 1: about none of these other bitches. I looked at me, 246 00:15:06,400 --> 00:15:08,880 Speaker 1: fun all that. Shut the funk up fast, slap your ass, 247 00:15:09,040 --> 00:15:11,000 Speaker 1: hurry up and get the front dress and start running 248 00:15:11,000 --> 00:15:15,680 Speaker 1: your motherfucking mouth bits. Davon stared at her blankly. Whatever 249 00:15:15,760 --> 00:15:18,680 Speaker 1: perceived affections she had seen in his eyes before was 250 00:15:18,760 --> 00:15:22,880 Speaker 1: no longer there. The rest of the evening went very badly, 251 00:15:23,080 --> 00:15:27,600 Speaker 1: as you, dear listener, are well aware. Davon and Angela 252 00:15:28,040 --> 00:15:30,240 Speaker 1: attempted to force Chanty to take a date with a 253 00:15:30,280 --> 00:15:35,480 Speaker 1: particularly abominable client, but Chantes throw a fit. This resulted 254 00:15:35,680 --> 00:15:38,200 Speaker 1: in the stripping of all her clothing and her being 255 00:15:38,240 --> 00:15:41,840 Speaker 1: forced out of the vehicle. In the moments before she 256 00:15:41,920 --> 00:15:45,520 Speaker 1: encountered Beulah and Rebecca, Chante had vowed that she would 257 00:15:45,520 --> 00:15:48,280 Speaker 1: never trust anyone again and would keep her heart cold 258 00:15:48,360 --> 00:15:51,080 Speaker 1: for the rest of her life. When she saw the 259 00:15:51,080 --> 00:15:54,840 Speaker 1: two women sitting in their car, eyes agape, she could 260 00:15:54,840 --> 00:15:57,360 Speaker 1: tell they were squares, and squares were always so ready 261 00:15:57,360 --> 00:16:00,480 Speaker 1: and willing to help. Indeed, she had been correct on 262 00:16:00,560 --> 00:16:03,120 Speaker 1: that front. But how could she know they would turn 263 00:16:03,120 --> 00:16:05,880 Speaker 1: out to be crazy enough to take his car door off. 264 00:16:06,880 --> 00:16:10,080 Speaker 1: It was all so unfair, she thought. She felt very 265 00:16:10,160 --> 00:16:13,280 Speaker 1: badly for herself, but didn't know how to cry anymore, 266 00:16:13,840 --> 00:16:18,280 Speaker 1: and the impulse never came, so she just kept walking. 267 00:16:19,640 --> 00:16:24,000 Speaker 1: Eventually she caught the attention of Officer Scott Quarry, who 268 00:16:24,040 --> 00:16:27,160 Speaker 1: sat in his police car drinking a coffee. He was 269 00:16:27,200 --> 00:16:28,760 Speaker 1: coming to the end of his shift in a barely 270 00:16:28,800 --> 00:16:31,280 Speaker 1: clothed the teenager was the last thing he had expected 271 00:16:31,280 --> 00:16:34,760 Speaker 1: to see, though it also didn't shock him. He'd seemed 272 00:16:34,840 --> 00:16:37,840 Speaker 1: just about everything since joining the O p D five 273 00:16:37,920 --> 00:16:41,640 Speaker 1: years ago, and this was par for the course. Still 274 00:16:41,880 --> 00:16:44,400 Speaker 1: the law enforcer within him couldn't resist getting to the 275 00:16:44,440 --> 00:16:48,160 Speaker 1: bottom of the story behind this forlorn creature. He got 276 00:16:48,160 --> 00:16:52,000 Speaker 1: out of the car and approached Chantey. She turned when 277 00:16:52,000 --> 00:16:55,040 Speaker 1: she heard his footsteps and immediately started to run when 278 00:16:55,080 --> 00:16:59,080 Speaker 1: she saw who he was. But she was tired and barefoot. 279 00:17:00,040 --> 00:17:02,360 Speaker 1: It wasn't difficult for Scott to catch up to her. 280 00:17:03,200 --> 00:17:06,680 Speaker 1: Don't run, You'll just make things worse for yourself. You 281 00:17:07,320 --> 00:17:09,600 Speaker 1: can't arrest me. I ain't breaking all loss. I'm just 282 00:17:09,680 --> 00:17:12,120 Speaker 1: out here mind of my damn business. I just want 283 00:17:12,160 --> 00:17:16,200 Speaker 1: to talk to you about what. First of all, how 284 00:17:16,240 --> 00:17:20,000 Speaker 1: old are you? I'm ninety? Do it look like I 285 00:17:20,160 --> 00:17:23,800 Speaker 1: got some damn I d all right? Tell me your name? 286 00:17:24,240 --> 00:17:26,000 Speaker 1: How about you just leave me to funk alone? How 287 00:17:26,000 --> 00:17:30,400 Speaker 1: about that? You know it looks like you could really 288 00:17:30,480 --> 00:17:33,600 Speaker 1: use some help. Wrong, I don't need a damn thing 289 00:17:33,680 --> 00:17:35,360 Speaker 1: from you. Are you really going to make me bring 290 00:17:35,400 --> 00:17:39,000 Speaker 1: you in for fingerprints? Either way, I'll get the information. 291 00:17:40,240 --> 00:17:42,160 Speaker 1: You can make that easier, you can make that hard. 292 00:17:42,200 --> 00:17:44,359 Speaker 1: It's up to you. Damn. Don't you got some fucking 293 00:17:44,400 --> 00:17:47,359 Speaker 1: donut to eat or something? Can I catch your fucking break? 294 00:17:47,600 --> 00:17:52,400 Speaker 1: Come on, let's suck in the car. Shanta's attitude did 295 00:17:52,400 --> 00:17:54,600 Speaker 1: not change once she was sitting in the back seat 296 00:17:54,720 --> 00:17:59,720 Speaker 1: of the police car. She didn't trust Scott. I didn't 297 00:17:59,720 --> 00:18:03,159 Speaker 1: trust to all of his persistent smiling and multitude of 298 00:18:03,240 --> 00:18:08,080 Speaker 1: questions he asked about her family life and living situation. 299 00:18:08,480 --> 00:18:10,960 Speaker 1: This was by no means her first encounter with police, 300 00:18:11,359 --> 00:18:14,800 Speaker 1: but it was certainly the strangest. Why did he want 301 00:18:14,840 --> 00:18:18,240 Speaker 1: to help her so much? She told him as little 302 00:18:18,280 --> 00:18:22,119 Speaker 1: about her past as possible. At one point, Scott pulled 303 00:18:22,160 --> 00:18:24,800 Speaker 1: over and went to his trunk when he took out 304 00:18:24,800 --> 00:18:28,439 Speaker 1: a bag filled with women's clothing. When he returned to 305 00:18:28,440 --> 00:18:31,120 Speaker 1: the car, he handed Chantey a pair of pants from 306 00:18:31,119 --> 00:18:35,480 Speaker 1: the bag. She found this odd and told him so, laughing. 307 00:18:35,600 --> 00:18:38,440 Speaker 1: He claimed his daughter was around her age and left 308 00:18:38,440 --> 00:18:40,800 Speaker 1: her stuff in his car frequently when he gave her rides. 309 00:18:41,680 --> 00:18:45,240 Speaker 1: In the past, Chanti had trusted the wrong people over 310 00:18:45,359 --> 00:18:49,560 Speaker 1: and over again, and now she felt certain Officer Scott 311 00:18:49,680 --> 00:18:54,760 Speaker 1: Quarry was off. He had a badge, it was true, 312 00:18:55,320 --> 00:18:58,680 Speaker 1: but something about him reminded her of Devon and then 313 00:18:58,680 --> 00:19:04,439 Speaker 1: many others before him who had used her. Still, he 314 00:19:04,560 --> 00:19:09,440 Speaker 1: never stopped smiling. Scott eventually drove into the McDonald's drive 315 00:19:09,480 --> 00:19:14,360 Speaker 1: through on Seventh and Market and asked if she was hungry. Truthfully, 316 00:19:14,800 --> 00:19:20,120 Speaker 1: she wasn't hungry, she was starving. Begrudgingly relenting, she put 317 00:19:20,160 --> 00:19:24,040 Speaker 1: aside her pride and admitted that she wouldn't mind a mcgriddle. 318 00:19:25,240 --> 00:19:27,800 Speaker 1: He watched in amazement as she inhaled both her food 319 00:19:27,800 --> 00:19:30,720 Speaker 1: and some of his too. Some time after they ate, 320 00:19:31,400 --> 00:19:33,639 Speaker 1: she looked around and realized that they were in a 321 00:19:33,720 --> 00:19:37,520 Speaker 1: residential area with many Victorian homes, most of which were 322 00:19:37,600 --> 00:19:41,920 Speaker 1: badly in need of repair. Oakland was still very new 323 00:19:42,000 --> 00:19:44,440 Speaker 1: to her, and she had no idea where they were now. 324 00:19:45,520 --> 00:19:48,840 Speaker 1: Seeming to sense her uneasiness, Scott began to reveal where 325 00:19:48,840 --> 00:19:54,520 Speaker 1: they were headed. A friend of mine works at a 326 00:19:54,560 --> 00:19:58,120 Speaker 1: place not too far from here. It's a halfway home 327 00:19:58,240 --> 00:20:01,240 Speaker 1: where they help young women get back on their seat. 328 00:20:02,000 --> 00:20:04,000 Speaker 1: I don't do friends, So what they gotta do with 329 00:20:04,119 --> 00:20:08,280 Speaker 1: me that I'm taking you? I'm going to take you there. 330 00:20:09,359 --> 00:20:12,560 Speaker 1: I'm going to take you the police station. And I 331 00:20:12,600 --> 00:20:16,800 Speaker 1: have a feeling you have quite the ram sheet. Give 332 00:20:16,840 --> 00:20:20,439 Speaker 1: the place a shot. Irene is the house manager. I 333 00:20:20,480 --> 00:20:23,360 Speaker 1: think you'll like her. I think you'll really like her. 334 00:20:25,040 --> 00:20:30,640 Speaker 1: Of the hell, you don't have anything to lose. Jante 335 00:20:30,720 --> 00:20:33,480 Speaker 1: has spent most of her childhood in foster homes. Her 336 00:20:33,600 --> 00:20:36,680 Speaker 1: entire life had consisted of going from one transiant situation 337 00:20:36,720 --> 00:20:39,520 Speaker 1: to the next. This felt no different to her, and 338 00:20:39,640 --> 00:20:42,159 Speaker 1: she could not deny that he was right. She was 339 00:20:42,200 --> 00:20:45,680 Speaker 1: out of options. So she would play this game again, 340 00:20:46,160 --> 00:20:49,080 Speaker 1: she thought to herself, and when the time was right, 341 00:20:49,520 --> 00:20:54,680 Speaker 1: she would leave. Leaving was always the easy part. Minutes later, 342 00:20:54,800 --> 00:20:58,320 Speaker 1: they arrived at the halfway house, painted blue and white. 343 00:20:58,680 --> 00:21:01,639 Speaker 1: It was a beautiful building, far nicer than the houses 344 00:21:01,680 --> 00:21:04,320 Speaker 1: on either side of it. A sign out front red 345 00:21:05,080 --> 00:21:09,719 Speaker 1: Freedom House. Scott escorted Chante out of the car and 346 00:21:09,800 --> 00:21:14,119 Speaker 1: to the front door. As he knocked, Chantey noticed security 347 00:21:14,160 --> 00:21:18,320 Speaker 1: cameras directly facing them. This struct, Chante is strange. What 348 00:21:18,520 --> 00:21:22,280 Speaker 1: kind of halfway house needed cameras. The door opened and 349 00:21:22,280 --> 00:21:26,600 Speaker 1: they were greeted by Irene, the most pleasant and enchanting 350 00:21:26,680 --> 00:21:30,080 Speaker 1: woman one could imagine. It was as if she had 351 00:21:30,080 --> 00:21:33,280 Speaker 1: come straight from a fairy tale. There was something about 352 00:21:33,280 --> 00:21:36,719 Speaker 1: her demeanor that immediately made Shante put down her guard. 353 00:21:37,400 --> 00:21:41,640 Speaker 1: Just a little, Officer Corey, what a wonderful surprise. How 354 00:21:41,680 --> 00:21:45,080 Speaker 1: are you? I'm good, Thank you, Irene. So chant She's 355 00:21:45,080 --> 00:21:47,280 Speaker 1: had a rough couple of days. I told the Freedom 356 00:21:47,320 --> 00:21:51,000 Speaker 1: House always has the stories open for girls in need. Chante, 357 00:21:51,160 --> 00:21:53,640 Speaker 1: that's a lovely name. You're in luck. We just had 358 00:21:53,640 --> 00:21:57,679 Speaker 1: a bad open up. It's yours if you want it. Whatever. 359 00:22:00,280 --> 00:22:03,160 Speaker 1: You must be tired. I'll let Irene take over from here. 360 00:22:03,440 --> 00:22:05,600 Speaker 1: You take care of yourself. Okay, you got a second 361 00:22:05,680 --> 00:22:08,200 Speaker 1: chance here, make the most of it. I'll be around 362 00:22:08,200 --> 00:22:10,680 Speaker 1: the check on you. As he walked away, Irene took 363 00:22:10,760 --> 00:22:12,960 Speaker 1: Chante by the hand and led her into the house. 364 00:22:14,000 --> 00:22:18,840 Speaker 1: Chante thought she had already seen rock Bottom, but that 365 00:22:19,080 --> 00:22:23,160 Speaker 1: was foolish. She didn't know that the devil could look, talk, 366 00:22:23,280 --> 00:22:29,639 Speaker 1: and walk like an angel. More than true evil would 367 00:22:29,640 --> 00:22:44,520 Speaker 1: have a face as sweet as Irene's. Yeah, we got 368 00:22:44,520 --> 00:22:49,600 Speaker 1: a little bottle episode too, drive a radio, shroud s 369 00:22:49,800 --> 00:22:59,800 Speaker 1: relation rehab. Yeah, we'll pack. I taking Hillside James Lopez 370 00:23:00,320 --> 00:23:04,320 Speaker 1: as I could. A producer behind look here, Jack Leavey, 371 00:23:05,359 --> 00:23:11,280 Speaker 1: second producer and direct do let Dominique moved time, you know, 372 00:23:12,000 --> 00:23:19,679 Speaker 1: creator and writer, producer like Babe It Hello, Whitney Fuller, 373 00:23:20,359 --> 00:23:29,800 Speaker 1: creative executive Michael Keith, berd co producer, Terrell Alexis, recording mixer, 374 00:23:30,800 --> 00:23:38,919 Speaker 1: sound design, Rosan Davis Audio consultant, Music supervisor Jeff Forst 375 00:23:39,800 --> 00:23:46,640 Speaker 1: Music by Jeff Jeff, Joe Wolf, Tony Homer, score Miners, 376 00:23:47,520 --> 00:23:54,119 Speaker 1: Page Ramsey, Production Assistant Julia Ron production assistant. You didn't 377 00:23:56,520 --> 00:24:03,520 Speaker 1: main cast down, You didn't. I An'tel Harper as Angela 378 00:24:04,440 --> 00:24:11,160 Speaker 1: huh and uh Drell playing ass Devon Wallace come on now, 379 00:24:11,960 --> 00:24:21,240 Speaker 1: Uh huh, Fiday Irene come on, Kelsey Grammer the narrator, 380 00:24:22,160 --> 00:24:29,800 Speaker 1: come on. Miguel Perez offers the Scott Corey, Robbie Jarvis, 381 00:24:30,240 --> 00:24:43,160 Speaker 1: Owens Ran Destiny plays Refecta. You did, Teresa Seles, Santa Thomas, Yeah, 382 00:24:43,480 --> 00:24:51,480 Speaker 1: BeO ROSSI len Me Martelli shouts out So's Mission Town, 383 00:24:51,560 --> 00:25:01,680 Speaker 1: Venny's Baby and Real Sound by podcast Stage. This has 384 00:25:01,760 --> 00:25:07,840 Speaker 1: been a little pack of media production. I heart production 385 00:25:08,240 --> 00:25:12,440 Speaker 1: and I am that boy who am the one of 386 00:25:12,520 --> 00:25:15,120 Speaker 1: No Only, No Funny. I'm back around to run. Let's 387 00:25:15,160 --> 00:25:15,280 Speaker 1: go