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Speaker 1: The volume.

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Speaker 2: Do we want to stay just quickly in music? Not

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Speaker 2: that I mean this may be more of a Patreon thing.

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Speaker 2: I'm just still a rap NERD Beans put out his

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Speaker 2: list to top five Philly rappers excluding himself.

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Speaker 3: I was actually curious what your list would be Philly rap.

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Speaker 2: Yeah, so this is Bean's top five greatest Philly without him,

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Speaker 2: of course, number one, Black Thought, number two, Young Chris three,

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Speaker 2: Freeway four, Meek Mill five, Gilly excluding him.

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Speaker 4: Yeah, I would want to hear where y'all put Beans

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Speaker 4: on there. I know he excluded him, but ya, Beans

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Speaker 4: is number two.

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Speaker 2: To me, my list would be Black Thought one, Beans too,

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Speaker 2: Freeway three, Chris four. Actually I got to stop wing,

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Speaker 2: but then I don't know where to put even right now,

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Speaker 2: Beans is number one. I'm not mad at that Beans

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Speaker 2: being number one.

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Speaker 5: Beans is one of my Black Thought is a fucking alien.

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Speaker 5: He could probably rap better than ninety nine percent of

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Speaker 5: nig on planet. I would say one, but I don't

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Speaker 5: listen to Black Thought as much as I listened to Being.

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Speaker 6: Okay, but we're talking about the greatest rap and me.

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Speaker 4: You have had this discussion too, where just because you

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Speaker 4: listen to something more doesn't make it greater, so greater rappers.

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Speaker 2: I'm still going my five. I'm sticking with. I'm just

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Speaker 2: I feel like Eve deserves to be in that five.

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Speaker 2: But I have Black Thought, Beans, Freeway, Chris, Meek, But

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Speaker 2: I want Eve to be somewhere out there because she deserves.

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Speaker 3: To be there. She does. But if it's five, I don't.

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Speaker 2: Like, does Chris rap better than Eve? Of course, but

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Speaker 2: I still have to put in like Gilly, what Eve

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Speaker 2: has done?

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Speaker 4: Gilly rap better than Eve? Yes, I'm not familiar with

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Speaker 4: Gilly's pen.

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Speaker 3: No, Gilly is a great rapper. Is a really really

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Speaker 3: really good rapper?

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Speaker 6: Just wonder.

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Speaker 2: Yeah, Gilly rats better than Meek. Yeah, but I put

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Speaker 2: Meek there just because of what Meek has accomplished with songs,

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Speaker 2: and but Gilly rap better than me for sure.

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Speaker 3: I think Meek would probably say that, No, he does,

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Speaker 3: It's not, I mean it's not he does Gilly.

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Speaker 5: Listen a lot of y'all met Gilly through podcasting, like, yeah,

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Speaker 5: you know what I'm saying, Like, yeah, it was putting

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Speaker 5: out you know, he was dropping joys.

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Speaker 3: He was on every fucking DVD.

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Speaker 5: Like, Gilly definitely raps better than a lot of people

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Speaker 5: think and a lot of people really don't know Gilly's

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Speaker 5: you know, his his his bars like that, but trust

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Speaker 5: and believe he's definitely one of the illo for.

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Speaker 3: Philly, and it puts some respect just on Philly periods.

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Speaker 2: I mean, the way people talk about home taking Young

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Speaker 2: Christ's flow, people can say the same thing about Wayne.

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Speaker 2: When everything shifted, it was a Gilly flow.

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Speaker 3: It was definitely I mean Philly, he said.

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Speaker 5: Gilly said, you was wearing soft toed rebox when I

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Speaker 5: met you. Y'all wasn't watching.

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Speaker 2: Flow is iconic. The way Wayne we talk about being

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Speaker 2: so influential, like there's a Gilly flow. Yeah, Like I'm

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Speaker 2: not on the side that he your ghost rip everything

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Speaker 2: for Wayne or I don't want to get in the

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Speaker 2: weeds to that. But Philly, between Detroit and Philly, I

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Speaker 2: think are probably the two best cities of just straight rapping.

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Speaker 3: Like you just got rap.

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Speaker 4: New York's not in it just to rap, not song.

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Speaker 4: He not the most song why just bars, just bars?

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Speaker 3: Philly and Detroit there, man, that's top two to you.

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Speaker 5: You bugging the funk out man, You think Detroit rap

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Speaker 5: better than New York?

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Speaker 3: You crazy as a motherfucker.

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Speaker 2: All right, big pun versus Eminem. And you know, I'm

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Speaker 2: not even a big M fan like that?

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Speaker 3: Why you snatch Big Pun?

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Speaker 2: Because how you were doing new or doing New York?

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Speaker 6: How did you get that that was horrible to do?

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Speaker 3: How was that Big Pun in Eminem? What kind of

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Speaker 3: matchup is that?

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Speaker 2: We talk about people that just just rap, really, we

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Speaker 2: don't think Big Pun raps really really.

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Speaker 5: Really well, yes, but I'm saying is not one of

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Speaker 5: the New York yet. All right, So why you didn't

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Speaker 5: name Jayz? Why you didn't name Nas?

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Speaker 2: I think Pun and M have a similar flow than

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Speaker 2: nads in Eminem or Jay and Eminem. I think Pun

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Speaker 2: and Eminem are closer together as far as how they rap.

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Speaker 3: What do you know how Jay started rapping?

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Speaker 2: Yeah, like the fucking double time pullshit, that's not what

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Speaker 2: em does dead in the middle, Like I can't even

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Speaker 2: do that shit, that's end to me.

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Speaker 5: That's one rap, that's one part of a rat you

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Speaker 5: talked about. That wasn't Pun styling throughout his.

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Speaker 2: Career for sure, But I mean the first album rapping,

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Speaker 2: rapping like he rapped with black thought.

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Speaker 5: Actually no, pun, No, don't don't get it twisted. But

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Speaker 5: matter of fact, it's somebody named it Black Thought.

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Speaker 2: And the first thing when he even got on Pun's

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Speaker 2: album was just in Philly. It was like, Yo, that's

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Speaker 2: the one in New York that just raps better than everybody.

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Speaker 2: That's why he wanted to get on that ship because

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Speaker 2: Pun was one of.

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Speaker 5: Those I'm not saying Pun wasn't, but it's just weird

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Speaker 5: for you to say Pun versus Eminem, like who's Hawaii?

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Speaker 2: Might the first person he defines jay Z and how

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Speaker 2: his rap style is.

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Speaker 5: No, I'm not saying that, but you might be the

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Speaker 5: first person to ever say big Pun or Eminem. You

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Speaker 5: might be the first person to ever say that.

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Speaker 2: I'm not doubling down just because I'm fucking hard headed.

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Speaker 2: I do think that's a very fair comparison. And if

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Speaker 2: you're doing Detroit versus New York of who raps similar,

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Speaker 2: Punt and m are very close in that. All right,

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Speaker 2: I'm taking Pun well, I and too, But that's I'm

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Speaker 2: we're talking about. So now the Golden Horston Detroit is out.

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Speaker 2: So now who you got? I leave New York away

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Speaker 2: from all these. Don't do the bias.

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Speaker 3: Don't do that.

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Speaker 5: Nah, you said Detroit and Philly are the best rap cities.

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Speaker 3: That's what you said.

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Speaker 2: Yeah, because in Detroit you have m Royce, l Zi.

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Speaker 5: Yep, legends rap is for real shit, I'm just having

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Speaker 5: a brain fard. It's okay, Yeah, should I start naming

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Speaker 5: New York because I can, Like, if you want to

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Speaker 5: just start naming New York for you, I can you

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Speaker 5: know who.

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Speaker 6: Would you name in New York taking away song making

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Speaker 6: ability just rap?

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Speaker 2: Just because why I'm making that comparison is yes, of

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Speaker 2: course New York freestyle like that, but New York was

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Speaker 2: so focused on making songs from the nineties in two thousands.

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Speaker 2: In Philly and Detroit, who's just rapping no hours on end.

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Speaker 5: Just Philly is one of my favorite rap cities. You'll

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Speaker 5: never hear me say anything about the Spinners. I'm talking

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Speaker 5: about the niggas that really cor rapt from Philly, Like

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Speaker 5: it's incredible balls that we can we can quote. But

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Speaker 5: when you say best rap cities and you go Detroit

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Speaker 5: and Philly and it's like.

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Speaker 2: What I think, m Royce and Lzi is the craziest

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Speaker 2: three when it comes to just rapping, like period.

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Speaker 3: J nods and Big.

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Speaker 5: Show talking about about who are you talking about? Nobody

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Speaker 5: raps better? Than Jaynas and Big nobody on planet.

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Speaker 2: I'm not gonna I know where my bias stands on everything,

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Speaker 2: But so what are we talking about.

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Speaker 4: We're going to give you on y'all ass fighting for

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Speaker 4: Eminem to be better than all three of them.

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Speaker 6: Y'all do not know.

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Speaker 5: Better than who jns are big? Yeah, people, you niggas

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Speaker 5: better go back and listen to some music. Jay z

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Speaker 5: Nas and Biggie are the best.

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Speaker 2: I always take j over M in any category. But

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Speaker 2: I can total see why someone be like not if

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Speaker 2: you print out a piece of paper, Yes, he's rapping

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Speaker 2: better than everybody.

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Speaker 3: That's what I'm talking about.

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Speaker 4: Somebody from LA is screaming across the coast right now about.

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Speaker 5: By LA rappers respect to all the all the major cities.

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Speaker 5: You know, we we we can name a bunch of cities.

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Speaker 5: But I'm just saying Rory said.

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Speaker 2: Even the last ten years and has been out rapping everybody.

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Speaker 3: L has been out rapping everybody.

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Speaker 2: He's had this conversation easy, but if you're going back

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Speaker 2: to the night he's like, yeah, it's Snoop incredible, of course,

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Speaker 2: but it doesn't add up to all the rappers that

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Speaker 2: were in New York at that time.

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Speaker 5: You told about rapping every time. Yeah, you say Snoop name.

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Speaker 5: I just think about that Snoop and DMX versus. I

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Speaker 5: hate that versus so much. I hate that they did that,

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Speaker 5: that match up. You didn't hate that match up, of course,

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Speaker 5: like I hate it. I really can't believe they did that.

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Speaker 3: Like DMX said, he was molested and y'all kept dancing.

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Speaker 3: But to you, he's always got to make your with that.

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Speaker 3: That was my takeaway from that. Yeah, I just I

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Speaker 3: hated that.

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Speaker 5: I would think that Snoop and DMX was supposed to

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Speaker 5: be in the verses against each other like that was.

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Speaker 3: I didn't like that matchup, but recipiece of the Act.

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Speaker 6: To be fair, sorry, who would you have rather matched

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Speaker 6: them up with?

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Speaker 4: Because what I saw that was I saw that as

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Speaker 4: more of a celebration in a real versus, because.

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Speaker 6: Who would you put them against?

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Speaker 3: Snoop?

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Speaker 6: Snoop might be easier. Who would you put dm Mexicans?

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Speaker 5: Oh hmm, I don't know. I would have put xagons.

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Speaker 5: I'd have to think about that. Because we were recording,

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Speaker 5: I can't really think of it. But I just didn't

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Speaker 5: remember when they announced that. I was just like Snoop

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Speaker 5: versus DMX, it just that was just it just never

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Speaker 5: felt if I mean, were looking at it, we.

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Speaker 3: Snoop Dogg and then DMX was the dog man.

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Speaker 5: I think they tried to lean, they went that way

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Speaker 5: with him, but if you told my catalog and and

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Speaker 5: you know, skills set, and it just it wasn't a

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Speaker 5: good matchup.

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Speaker 3: No for sure.

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Speaker 4: But that's why I said I think some of I

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Speaker 4: think some of the verses were more celebrations than.

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Speaker 3: I mean, that's what it turned out to be, you

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Speaker 3: know what I'm saying.

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Speaker 5: But I just didn't like I remember when they announced that,

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Speaker 5: I was kind of like, I don't really like that,

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Speaker 5: but I was happy that they gave DMX that platform

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Speaker 5: because a lot of people needed a history lesson on DMX.

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Speaker 3: So that was dope.

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Speaker 2: I think that kind of ties into the t pay

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Speaker 2: rant on a club shah.

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Speaker 3: Let me not call it a rant. I hate that word.

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Speaker 2: He he was talking about Khaled during his club shah

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Speaker 2: shit and saying more or less, I'm paraphrasing, Cali was

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Speaker 2: my best friend when he needed me for the first

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Speaker 2: three fucking albums, and then then after that, when I

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Speaker 2: got a little colder, I don't hear from cald.

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Speaker 3: I.

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Speaker 2: Okay, you know I Teddy bender ass is one of

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Speaker 2: my favorite of all time. I'm not here to even

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Speaker 2: defend this some music industry, Why would you expect Kalen

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Speaker 2: to be your friend? I get what you're saying. Maybe

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Speaker 2: it's because I'm so Jayla at this point and we've

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Speaker 2: had a similar conversation with I don't have the expectations

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Speaker 2: of people anymore, will I look at it? Kind of

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Speaker 2: funny if we was sitting in the studio for ten

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Speaker 2: years straight and we brothers this and that and having fun,

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Speaker 2: and then all of a sudden, you don't call. Yeah,

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Speaker 2: I think that's corny and weird. So that's what he's like,

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Speaker 2: that's what he's saying. Expect it, But that's what he's saying.

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Speaker 5: Though, Like if we did all of that, we have

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Speaker 5: all of this history together, we probably had some you know,

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Speaker 5: heart to heart conversations, spent a lot of time. You know,

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Speaker 5: families probably know each other to an extent, like and

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Speaker 5: then all of a sudden, like I can't get a

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Speaker 5: All we did was win. Yeah, I can't get a

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Speaker 5: return phone call. I can't if I reached out for something.

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Speaker 5: Maybe you know I wanted you on a record and

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Speaker 5: I couldn't get that from you. I could understand t

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Speaker 5: pain stance of, you know, fuck DJ Khaled, But the

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Speaker 5: thing I don't understand is, and I've said it and

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Speaker 5: people kill me for saying it, but DJ Khaled is

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Speaker 5: obviously very self serving. Yeah, And I don't understand how

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Speaker 5: people don't understand or see that by now, like he's

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Speaker 5: very self serving. Sure why he's been the businessman that

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Speaker 5: he's been in the music business, right, So I mean,

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Speaker 5: but again, T Pain probably felt like they were a

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Speaker 5: little close or a little.

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Speaker 3: Better than that.

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Speaker 5: And you know, I mean, it is what it is,

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Speaker 5: if that's what his stance, If his stance is, he's

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Speaker 5: not fucking with Caled, and I'm sure he has because

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Speaker 5: T Pain is not somebody that I can remember ever

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Speaker 5: having a real issue with anybody other than auto to him.

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Speaker 2: I don't want to talk about Khaled's character per se,

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Speaker 2: because I don't really know Khaled as a human being.

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Speaker 2: But when I was at deaf Jam, he was an executive.

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Speaker 2: While I was at deaf Jam, he was an executive

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Speaker 2: there and an executive.

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Speaker 3: At Sony, which was unheard of.

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Speaker 2: He's also a DJ, executive and DJs are only working

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Speaker 2: with what's hot at the moment. There's no tie to anything.

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Speaker 2: Kaled actually doesn't. I don't think gets the credit. He

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Speaker 2: deserves to be the executive that he is, but he

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Speaker 2: has the mind of a DJ and executive. He's only

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Speaker 2: going to fuck with what's high and pitch it as

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Speaker 2: if they're brother. You don't think le Or Cohen's self serving? Yeah,

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Speaker 2: you don't think Lucian Range is self serving?

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Speaker 4: Yeah?

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Speaker 2: You don't think Kevin Laos is self not self serving?

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Speaker 2: Like as humans in their personal lives, like I'm sure

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Speaker 2: with their families, they're amazing people.

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Speaker 3: Yeah, but business we're talking about.

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Speaker 4: Yeah, you have to be to be successful.

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Speaker 2: Listen, those those companies are net thirty, net sixty, net ninety,

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Speaker 2: not just with paying people, but also with the relationship

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Speaker 2: with that person one hundred two thousand. You're only as

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Speaker 2: funky as your last cut. I don't owe you shit,

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Speaker 2: but you can't because you know, because because because music

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Speaker 2: is so emotional and you're pouring your life into it,

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Speaker 2: some some people rightfully so view it as that it's

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Speaker 2: not it's a transaction knowledge which I don't care about

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Speaker 2: it that I'm not one of those people.

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Speaker 5: It's not for some people. It's not because you have

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Speaker 5: a lot of art. It's not one of those people.

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Speaker 5: And I know that, but I'm just saying you have

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Speaker 5: a lot of You have a lot of artists and

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Speaker 5: a lot of producers that work together, that are very close,

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Speaker 5: that are like family. And I feel like, you know,

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Speaker 5: maybeald Well, maybe T Paint felt like that was him

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Speaker 5: in Kalid, Like like we can go back and look

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Speaker 5: at the history. T Pain was on every big Kalid

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Speaker 5: record when it was We the Best and all of that,

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Speaker 5: like it was it.

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Speaker 3: Was T Pain everywhere. I mean, it was ace Hood everywhere.

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Speaker 5: And now both of these gentlemen have you know, certain

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Speaker 5: feelings towards DJ Khalet, But I mean it's looking like

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Speaker 5: they're they're both in the same boat, and they're right

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Speaker 5: like Khalid used them when they was hot, you know,

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Speaker 5: it was making a lot of records, making big songs together.

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Speaker 3: Then once Bieber sent his vocals back, it was like

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Speaker 3: fuck ace Hood, fuck T Pay.

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Speaker 5: Once you get in Future vocals and Beyonce vocals and

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Speaker 5: Rihanna vocals, it's like, I don't need T Pain no more.

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Speaker 5: When I got Future, I don't need you know, ace

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Speaker 5: hood when I got Hove sending you know, versus back

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Speaker 5: and I got nas in the studio and I got

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Speaker 5: you know, so, I mean T Pain probably felt like,

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Speaker 5: all right, well I asked for a record, which is

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Speaker 5: probably what he did, and Kali didn't get back to him,

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Speaker 5: didn't and so now you're like, okay, it's like that.

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Speaker 3: I well, then this is how I feel.

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Speaker 5: Fuck you, And T Pain is not wrong for that

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Speaker 5: because again, this is the music industry, and we know

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Speaker 5: it's business. But through business and through you know, spending

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Speaker 5: so much time working with certain people, you build a relationship,

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Speaker 5: you build a chemistry, you build a friendship, you build

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Speaker 5: even family at some pople We've seen a lot of

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Speaker 5: people in the industry become family through working with each other,

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Speaker 5: and you know, sometimes it goes that way. Sometimes it's

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Speaker 5: you find out this person was just using and I

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Speaker 5: think that's what tea pain is at.

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Speaker 2: Yeah, where do you I mean, where do you fall

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Speaker 2: on the side of if you're not being used, you're useless?

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Speaker 5: I mean, yes, not about pain, but no, no, no, no,

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Speaker 5: I give what you're saying, because.

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Speaker 2: My problem with this whole thing is Khalid is creative

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Speaker 2: enough and T Pain is a goat. You could Kalient

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Speaker 2: and T Pain can make a hit record right now.

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Speaker 5: But but you know it's I mean, listen, man, I'm

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Speaker 5: not the biggest cal Like I don't like.

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Speaker 3: Many of the Kalid projects. I don't go back to

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Speaker 3: a lot of those, the early ones. I definitely like,

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Speaker 3: well the early one. Yeah, that's who was on the

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Speaker 3: early ones. I think.

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Speaker 2: So, what's the one with his son on the cover?

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Speaker 2: That is his son EPs? I love that one. Yeah,

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Speaker 2: I don't want to mispronounce his son's name, but yeah,

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Speaker 2: I love that. That was probably my last favorite Kala.

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Speaker 5: Yeah, but I just don't you know, I get it, man,

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Speaker 5: And it's a tough pill to swallow when you realize

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Speaker 5: that people's only using you because you was hot at

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Speaker 5: the moment.

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Speaker 3: But it's a real thing.

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Speaker 2: And I mean, I hate to go back to the

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Speaker 2: first point of executive and DJ, like he's a DJ.

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Speaker 2: Even if you go to Flex, like, yeah, there's probably

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Speaker 2: artists that had two great records in ninety eight that

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Speaker 2: Flex played all the time. Does Flex owe them the

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Speaker 2: twenty twenty five record they want to put out?

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Speaker 3: Like he's a DJ? He just moves on to the

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Speaker 3: next thing.

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Speaker 4: But that's completely that's completely different.

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Speaker 2: I'm sure, and I hate to just put Flex in this,

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Speaker 2: even though I'm critical Flex, I don't want to put

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Speaker 2: something on his character. I'm sure Flex is called Mike

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Speaker 2: Geronimo brother before, and I love my drop, Like I'm

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Speaker 2: just using an example of somebody that had a great

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Speaker 2: record in the nineties. I'm sure Mike has went to

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Speaker 2: Flex after like yo, I got this other record and

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Speaker 2: Flex was moving on to DMX at that time, Like, yeah.

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Speaker 3: I'm just playing other show, so you could do that.

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Speaker 5: Then I could say, do you think that if Pat

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Speaker 5: Poos ever went to Rest in Peace case Slave with

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Speaker 5: a record, Slave wouldn't have played.

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Speaker 3: It wouldn't have happened. Fair wouldn't have happened.

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Speaker 2: I'm trying to think, like with Clue now, because even Clue,

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Speaker 2: when I mean Rand is probably one of the best

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Speaker 2: rappers of twenty twenty five, twenty four, twenty three, But

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Speaker 2: I'm sure when Rand was trying to find a record, Yeah,

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Speaker 2: Clue played a lot.

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Speaker 3: Of Rand on the radio. Now I think about.

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Speaker 2: It, so we know DJ's he had investment, and I

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Speaker 2: don't know Clue in Rand's actual personal relationship. I'm only

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Speaker 2: outside looking in about the entire thing. Clue had an

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Speaker 2: invested stock into eighteen with pitch in Ransom, so he

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Speaker 2: had a incentive outside of probably loving their music. He

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Speaker 2: wouldn't sign them if he didn't, but he had an

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Speaker 2: incentive to do so. I mean, does Kalent have an

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Speaker 2: incentive outside of ace hood is a different conversation, But

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Speaker 2: does kalit have an incentive outside of what's popular?

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Speaker 5: I mean, but when it seems like when it seems

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Speaker 5: like you know, you have new famous friends and then

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Speaker 5: you forget about your olcaust T Pain is still famous.

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Speaker 5: And if you forget about this ever exist, you forget

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Speaker 5: about your old famous friends. That's corny to me. I

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Speaker 5: agree with you. I think get that port. That's all

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Speaker 5: I'm saying.

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Speaker 2: I'm just viewing it down to what T. Paint said.

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Speaker 2: Brother means nothing to the people in the music industry.

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Speaker 2: If your music industry friends that I like, I don't

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Speaker 2: know things in that way. You can't say that because

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Speaker 2: I don't operate that way. But I don't expect other

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Speaker 2: people that.

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Speaker 3: I know and I don't either.

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Speaker 5: But we can't say brother means nothing to pop in

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Speaker 5: the music industry because to some people in the music industry.

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Speaker 5: Brother does mean something, and I have plenty of examples

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Speaker 5: of brothers in the music industry for sure. So that's why,

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Speaker 5: you know, just just say brother, don't mean nothing to cal.

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Speaker 3: Palestine.

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Speaker 5: Its Palestine, Like it's okay, just say that, but don't

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Speaker 5: don't make it, you know, a music industry thing, because

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Speaker 5: we do know the music industry is very cutthroat and

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Speaker 5: it's very fucked up. But we also do know we

401
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Speaker 5: have a lot of great relationships with great friends and

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Speaker 5: great family in the music industry as well.

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Speaker 2: All right, if Kali got super cold after the second album,

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Speaker 2: do you think T Pain would be like, Yo, let's

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Speaker 2: let's do a record in twenty twenty five. And Pain

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Speaker 2: never got cold? To me, I'm just using an example.

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Speaker 2: Do we think T Pain would do the same thing?

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Speaker 3: No, I don't think so.

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Speaker 2: Do you think he'd be like, all right, let's Kalid

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Speaker 2: because we had those first two projects, let's in twenty

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Speaker 2: twenty five.

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Speaker 3: I got you.

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Speaker 5: Yeah, we've seen We've seen Ortis do it all the time,

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Speaker 5: Artists that had hot records in the nineties, early two thousands,

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Speaker 5: and then they come back in twenty twenty five and

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Speaker 5: be like shit, Nads and Premier about to put out

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Speaker 5: their first album.

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Speaker 2: But we're not I mean weird.

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Speaker 5: No, I'm just saying, but they gave us something in

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Speaker 5: the nineties and been teasing an album for.

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Speaker 3: Years, fifteen years, I want to say.

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Speaker 5: And now was finally it one of them picked up

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Speaker 5: that one of them picked up the phone that was like, Yo,

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Speaker 5: you know what I'm saying. And Nads could have been

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Speaker 5: like Yo, no, Premium, you ain't that hot right now.

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Speaker 5: To me, I'm just saying, I'm just saying he could.

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Speaker 5: I'm just saying he could have. He could have, especially

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Speaker 5: coming up all the hit boys shit, getting his first Grammy.

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Speaker 2: I just don't put Caleent in Premiere in the same.

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Speaker 5: No, I'm talking about the relationship. Yeah, I'm talking about

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Speaker 5: people still, you know, holding people to a certain regard,

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Speaker 5: even no matter if they hot, cold, whatever it is.

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Speaker 5: If we made good chemistry together, make good songs, make

434
00:19:53,680 --> 00:19:56,480
Speaker 5: good music together, I don't care if you're not hot

435
00:19:56,600 --> 00:19:58,800
Speaker 5: right now, like we made we got we made some

436
00:19:58,840 --> 00:20:00,800
Speaker 5: shit together, and we probably still got some shit in

437
00:20:00,840 --> 00:20:02,480
Speaker 5: a hard drop that we need to go revisit.

438
00:20:02,800 --> 00:20:05,600
Speaker 2: But I mean that speaks to Pream's character too, because

439
00:20:05,600 --> 00:20:07,760
Speaker 2: preem will. I mean that will work with anyone. That's

440
00:20:07,760 --> 00:20:09,359
Speaker 2: why I think he's a go. Outside of all the

441
00:20:09,440 --> 00:20:12,040
Speaker 2: amazing shit he did, but his Him and Na's relationship

442
00:20:12,040 --> 00:20:14,560
Speaker 2: started when Nas was nobody at nineteen and gave him

443
00:20:14,600 --> 00:20:16,840
Speaker 2: New York State a month. Pream was already on Rupp

444
00:20:16,840 --> 00:20:20,560
Speaker 2: home at Benout like Nas was nobody. He was like, yah,

445
00:20:20,560 --> 00:20:23,280
Speaker 2: I got you. Pream is just a different type of

446
00:20:23,400 --> 00:20:26,359
Speaker 2: human being in that regard. If he fucks with you,

447
00:20:26,480 --> 00:20:28,919
Speaker 2: doesn't matter how popular you are, he'll.

448
00:20:29,040 --> 00:20:33,119
Speaker 3: Say fuck and say brother means nothing to calvity.

449
00:20:33,200 --> 00:20:37,920
Speaker 2: Cream is an amazing human being, So say brother, I know,

450
00:20:38,560 --> 00:20:41,320
Speaker 2: I know Pream, Well, say he's the other way. Don't

451
00:20:41,320 --> 00:20:43,880
Speaker 2: say the peoples in the set. That's all I'm saying, Paul,

452
00:20:43,920 --> 00:20:47,000
Speaker 2: this is disgusting. I think it's time to upgrade this.

453
00:20:47,000 --> 00:20:49,919
Speaker 2: This this is insane. You should upgrade to the iPhone

454
00:20:50,000 --> 00:20:53,199
Speaker 2: seventeen Pro because, believe it or not, it's designed to

455
00:20:53,200 --> 00:20:56,639
Speaker 2: be the most powerful iPhone ever. Of course it'd be

456
00:20:56,640 --> 00:20:58,960
Speaker 2: more powerful than the sixteen. But I'm sure you're thinking

457
00:20:58,960 --> 00:21:01,360
Speaker 2: about traffic on the way transfering your data. That can

458
00:21:01,400 --> 00:21:03,000
Speaker 2: be a mess. Sometimes you just want to keep this

459
00:21:03,000 --> 00:21:04,760
Speaker 2: this chipped up phone that you have, But I have

460
00:21:04,800 --> 00:21:06,960
Speaker 2: good news. When you order the new phone online with

461
00:21:07,000 --> 00:21:09,359
Speaker 2: boost Mobile to send an expert to your home or

462
00:21:09,480 --> 00:21:12,080
Speaker 2: to your work right here. Yeah right, they could come

463
00:21:12,160 --> 00:21:14,919
Speaker 2: right here just to give you your iPhone seventeen and

464
00:21:14,960 --> 00:21:17,920
Speaker 2: get you set up with boost Mobile within minutes.

465
00:21:18,680 --> 00:21:21,119
Speaker 5: Visit boostsmobile dot com to get started. Deliver available for

466
00:21:21,160 --> 00:21:23,320
Speaker 5: select devices purchased at boostsmobile dot Com.

467
00:21:23,480 --> 00:21:24,040
Speaker 3: Terms apply.

468
00:21:28,840 --> 00:21:32,480
Speaker 2: I did finish the Diddy Doc yesterday, Diddy Doc The Reckoning,

469
00:21:32,920 --> 00:21:35,679
Speaker 2: and I rushed. I rushed back to the house to

470
00:21:35,720 --> 00:21:37,400
Speaker 2: watch it because I thought it was gonna get taken

471
00:21:37,440 --> 00:21:40,320
Speaker 2: down because his lawyers did send some c and ds,

472
00:21:40,560 --> 00:21:42,200
Speaker 2: which once you get to episode two you start to

473
00:21:42,240 --> 00:21:42,640
Speaker 2: see why.

474
00:21:43,280 --> 00:21:43,520
Speaker 3: Listen.

475
00:21:43,680 --> 00:21:46,120
Speaker 5: I finished the I finished the dock here last night

476
00:21:46,160 --> 00:21:48,359
Speaker 5: here before I went home, I was like, let me

477
00:21:48,400 --> 00:21:49,840
Speaker 5: watch it because I did feel like it was gonna

478
00:21:49,880 --> 00:21:52,960
Speaker 5: be taken down soon since cease and desist was sent out.

479
00:21:53,440 --> 00:21:54,800
Speaker 5: And I would have been mad because I watched the

480
00:21:54,840 --> 00:22:00,520
Speaker 5: first two episodes and I was like, oh shit, yeah,

481
00:22:00,640 --> 00:22:06,680
Speaker 5: so let me watch next to and listen if everything

482
00:22:06,760 --> 00:22:12,480
Speaker 5: in that doc is real and true. I think we all,

483
00:22:12,560 --> 00:22:15,480
Speaker 5: like we all owe a lot of people like damn

484
00:22:15,840 --> 00:22:19,760
Speaker 5: because we watched it happen. Yes, like years of watching

485
00:22:19,760 --> 00:22:23,479
Speaker 5: shit like it was right in front of us, things happened.

486
00:22:23,640 --> 00:22:25,399
Speaker 5: And you know, one of the things that I did

487
00:22:25,480 --> 00:22:27,000
Speaker 5: take away from the dock because you know, you go

488
00:22:27,080 --> 00:22:29,679
Speaker 5: back and they was you know, telling things that happened,

489
00:22:29,720 --> 00:22:31,800
Speaker 5: and then from people that really were close to Puff

490
00:22:31,840 --> 00:22:34,120
Speaker 5: and grew up with them and was there from day one,

491
00:22:35,040 --> 00:22:37,800
Speaker 5: and just hearing the way they spoke about them, and

492
00:22:37,840 --> 00:22:40,560
Speaker 5: then watching things you know that you know, happened publicly

493
00:22:40,680 --> 00:22:43,600
Speaker 5: and things it was definitely like damn, like, how the

494
00:22:43,640 --> 00:22:46,800
Speaker 5: fuck did this continue to just happen right in front

495
00:22:46,800 --> 00:22:49,359
Speaker 5: of us and nobody you know, and y'all know all

496
00:22:49,359 --> 00:22:51,560
Speaker 5: the time, I always say, people don't care, that we

497
00:22:51,880 --> 00:22:54,200
Speaker 5: pretend like we care, and when things happen like oh

498
00:22:54,240 --> 00:22:58,040
Speaker 5: my god, prayers, condolences, and then we hit scroll and

499
00:22:58,080 --> 00:23:00,800
Speaker 5: then there's no more prayers and condolences and things like that.

500
00:23:00,840 --> 00:23:02,639
Speaker 5: But the documentary did shed a lot of light on

501
00:23:02,680 --> 00:23:06,240
Speaker 5: a lot of things that I didn't know about, gave

502
00:23:06,280 --> 00:23:08,639
Speaker 5: the testimony of people that were, you know, spent a

503
00:23:08,680 --> 00:23:11,760
Speaker 5: lot of years around Diddy, working with him, whether it

504
00:23:11,840 --> 00:23:16,080
Speaker 5: was personal or just business. And I can see why

505
00:23:16,080 --> 00:23:18,600
Speaker 5: his lawyers did want to see some desist because it

506
00:23:18,640 --> 00:23:22,520
Speaker 5: does it can paint a different picture for people who

507
00:23:22,600 --> 00:23:26,000
Speaker 5: supported Diddy over the years. It definitely paints him in

508
00:23:26,040 --> 00:23:31,200
Speaker 5: an entirely different light, an entirely different perspective of the

509
00:23:31,640 --> 00:23:34,119
Speaker 5: man that many of us have supported over the years.

510
00:23:34,600 --> 00:23:37,119
Speaker 5: But overall, I thought it was a very informative doc.

511
00:23:37,760 --> 00:23:40,440
Speaker 5: I thought it was you know, it's fucked up what happened,

512
00:23:40,440 --> 00:23:42,240
Speaker 5: But it was a good documentary though.

513
00:23:42,440 --> 00:23:45,000
Speaker 2: Yeah, that's why you know, we gave fifty a little

514
00:23:45,040 --> 00:23:48,240
Speaker 2: bit of shit last episode, just because we thought, like,

515
00:23:48,280 --> 00:23:50,159
Speaker 2: all right, is this him just being petty because of

516
00:23:50,240 --> 00:23:52,720
Speaker 2: their history and his child's mother, and like, are we

517
00:23:52,760 --> 00:23:55,679
Speaker 2: going to get one of those clip together Hulu docs?

518
00:23:55,720 --> 00:23:58,720
Speaker 2: That is just like this was a money grabbing unnecessary

519
00:23:59,400 --> 00:24:01,960
Speaker 2: as far as it doc goes, it was very informative

520
00:24:02,000 --> 00:24:07,120
Speaker 2: and very well put together. Like episode one was, I thought,

521
00:24:07,160 --> 00:24:09,680
Speaker 2: I like really knew the Diddy story for the most part.

522
00:24:09,760 --> 00:24:12,399
Speaker 2: It was a very informative, ditty doc like just in

523
00:24:12,440 --> 00:24:16,200
Speaker 2: general about his life and his family life. But once

524
00:24:16,240 --> 00:24:20,000
Speaker 2: you get to episode two, things do start to fall

525
00:24:20,040 --> 00:24:23,000
Speaker 2: off the rails. Was there any new information on here

526
00:24:23,480 --> 00:24:26,160
Speaker 2: for you? Because I mean, I know we're a little

527
00:24:26,160 --> 00:24:30,280
Speaker 2: closer to everything than the average consumer when it comes

528
00:24:30,280 --> 00:24:31,040
Speaker 2: to this type of stuff.

529
00:24:31,480 --> 00:24:34,040
Speaker 3: As far as the music industry, I.

530
00:24:34,000 --> 00:24:35,480
Speaker 2: Know a lot of people learned a lot of things

531
00:24:35,480 --> 00:24:37,120
Speaker 2: for the first time in this dock, which I think

532
00:24:37,200 --> 00:24:38,960
Speaker 2: is great, But was there anything in here?

533
00:24:39,040 --> 00:24:40,200
Speaker 3: You were like, yo, what the fuck?

534
00:24:40,960 --> 00:24:44,360
Speaker 5: Well when they they said, uh that the Wallaser State

535
00:24:44,400 --> 00:24:46,159
Speaker 5: paid for the funeral, but then it came out to

536
00:24:46,240 --> 00:24:48,320
Speaker 5: prove that that wasn't true.

537
00:24:48,440 --> 00:24:49,040
Speaker 3: Yeah, wayless.

538
00:24:49,040 --> 00:24:51,959
Speaker 5: The state did not pay for Biggie's a funeral. And

539
00:24:52,040 --> 00:24:55,800
Speaker 5: that's something that I was like, wait, hold up, like again,

540
00:24:55,960 --> 00:24:58,240
Speaker 5: if any of that is true? Yeah, and they're saying

541
00:24:58,240 --> 00:25:00,919
Speaker 5: that that's not true, But that was definitely one of

542
00:25:00,920 --> 00:25:04,199
Speaker 5: the things that I was completely thrown off by, Like

543
00:25:04,560 --> 00:25:07,320
Speaker 5: I was like, I never heard that, never knew that,

544
00:25:08,040 --> 00:25:10,160
Speaker 5: and if that is true, that's fucking crazy.

545
00:25:10,320 --> 00:25:10,520
Speaker 3: Yeah.

546
00:25:10,560 --> 00:25:13,320
Speaker 2: In the dock, it explained it as if bad Boy

547
00:25:13,440 --> 00:25:15,920
Speaker 2: paid for the funeral, but it came out of Biggie's

548
00:25:15,920 --> 00:25:18,720
Speaker 2: recording budget, so it was a line item in a

549
00:25:18,800 --> 00:25:21,920
Speaker 2: P and L. But this morning, lour Leosa had went

550
00:25:21,960 --> 00:25:24,360
Speaker 2: on the Breakfast Club and said she spoke with Biggie's

551
00:25:24,400 --> 00:25:27,120
Speaker 2: estate slash former manager, and he said he has been

552
00:25:27,600 --> 00:25:31,280
Speaker 2: on the royalty statements since the very day that Big

553
00:25:31,560 --> 00:25:34,159
Speaker 2: passed away, and that never happened. Bad Boy paid for

554
00:25:34,200 --> 00:25:36,679
Speaker 2: everything that wasn't something that came out of the biggest budget.

555
00:25:37,240 --> 00:25:40,520
Speaker 4: Okay, so I have a question, this is Devil's advocate,

556
00:25:40,600 --> 00:25:44,040
Speaker 4: because I know everybody's bleeding hearts, but don't most humans

557
00:25:44,040 --> 00:25:46,720
Speaker 4: pay for their own funerals? So when people were like,

558
00:25:46,760 --> 00:25:49,080
Speaker 4: he didn't pay for his funeral, like, don't most people

559
00:25:49,119 --> 00:25:51,600
Speaker 4: pay for their own funerals, that doesn't happen.

560
00:25:51,640 --> 00:25:54,880
Speaker 5: Well if you have life insurance and things like that,

561
00:25:55,040 --> 00:25:58,520
Speaker 5: like a policy. Yeah, But the thing was, the way

562
00:25:58,560 --> 00:26:01,080
Speaker 5: they said it in the dock made it seem like

563
00:26:01,119 --> 00:26:04,720
Speaker 5: it came directly out of like money that was his.

564
00:26:05,480 --> 00:26:09,199
Speaker 5: So essentially, look, Biggie made bad Boy money, right, So

565
00:26:09,560 --> 00:26:11,440
Speaker 5: even if bad Boy paid for it, in a way,

566
00:26:12,040 --> 00:26:15,199
Speaker 5: the Biggie paid for the funeral, right, Yeah, But the

567
00:26:15,240 --> 00:26:16,760
Speaker 5: way they broke it down, the way they explained it

568
00:26:16,800 --> 00:26:19,560
Speaker 5: in the doc, it made it seem like, you know,

569
00:26:19,600 --> 00:26:21,080
Speaker 5: because they were saying Puffer saying this is gonna be

570
00:26:21,080 --> 00:26:24,280
Speaker 5: the biggest funeral ever said or third, but Biggie's gonna

571
00:26:24,280 --> 00:26:26,800
Speaker 5: pay for it. So when you hear it that way,

572
00:26:26,920 --> 00:26:29,119
Speaker 5: you like and then they're saying like, yeah, he's the

573
00:26:29,119 --> 00:26:32,639
Speaker 5: one that came out of the wireless estate or whatever.

574
00:26:32,680 --> 00:26:35,800
Speaker 5: It was like, that's a little crazy if that's if

575
00:26:35,840 --> 00:26:39,840
Speaker 5: they did it that way, But in a way, yes,

576
00:26:39,880 --> 00:26:41,040
Speaker 5: you're right, you do kind.

577
00:26:40,920 --> 00:26:43,000
Speaker 3: Of you do pay for your own funeral.

578
00:26:43,040 --> 00:26:45,320
Speaker 5: It does come out of funds that you have, whether

579
00:26:45,320 --> 00:26:47,600
Speaker 5: it's life insurance or you know, again being one of

580
00:26:47,600 --> 00:26:49,240
Speaker 5: the biggest artists in the world at that time, for

581
00:26:49,240 --> 00:26:51,680
Speaker 5: the label, if the label pays for it, you can

582
00:26:51,720 --> 00:26:53,320
Speaker 5: kind of say that you worked for it.

583
00:26:53,400 --> 00:26:56,120
Speaker 3: You you gross that money for the label. So yeah,

584
00:26:56,359 --> 00:26:56,840
Speaker 3: I get it.

585
00:26:56,880 --> 00:26:59,679
Speaker 5: But just hearing it that way was definitely like, what

586
00:26:59,680 --> 00:27:01,480
Speaker 5: do you mean, Biggie pay for his own funeral.

587
00:27:01,600 --> 00:27:04,280
Speaker 2: Yeah, it's more of a moral thing because like how

588
00:27:04,280 --> 00:27:06,640
Speaker 2: they even painted it in the dock with that segment,

589
00:27:07,080 --> 00:27:08,560
Speaker 2: it was like, all right, Big thought he was going

590
00:27:08,600 --> 00:27:10,399
Speaker 2: to London. Puff said, now we're going to go to

591
00:27:10,480 --> 00:27:12,120
Speaker 2: la to promote the album, even though we know it's

592
00:27:12,119 --> 00:27:14,199
Speaker 2: probably not safe. We've been getting death threats. Probably not

593
00:27:14,280 --> 00:27:16,320
Speaker 2: the best time to go over there. But they were

594
00:27:16,320 --> 00:27:20,000
Speaker 2: painting Puff's arrogance where he felt like he was so

595
00:27:20,119 --> 00:27:23,000
Speaker 2: bulletproof it didn't matter of what the truth was, so

596
00:27:23,040 --> 00:27:25,040
Speaker 2: he dragged Biggie there to promote an album that was

597
00:27:25,080 --> 00:27:26,000
Speaker 2: signed to bad Boy.

598
00:27:26,400 --> 00:27:28,119
Speaker 3: Unfortunately that happens to big.

599
00:27:29,440 --> 00:27:31,920
Speaker 2: Then he to most points says, it's about to be

600
00:27:31,960 --> 00:27:34,560
Speaker 2: the biggest funeral, but like, wait, does miss Wallace want

601
00:27:34,600 --> 00:27:35,399
Speaker 2: it to be the biggest.

602
00:27:35,119 --> 00:27:36,639
Speaker 3: Funeral if you're paying for it? All? Right?

603
00:27:36,680 --> 00:27:38,439
Speaker 2: Like cool, you can bad Boy up this entire thing

604
00:27:39,200 --> 00:27:42,359
Speaker 2: if you're paying for it. Then right after that, he

605
00:27:42,440 --> 00:27:44,119
Speaker 2: was supposed to get the cover of Rolling Stone, like

606
00:27:44,160 --> 00:27:46,520
Speaker 2: a few weeks after the funeral, and that was which

607
00:27:46,520 --> 00:27:48,639
Speaker 2: I've heard that before that. I'm pretty sure that's factual.

608
00:27:48,760 --> 00:27:53,080
Speaker 2: That was cruz crazy Allegedly, you don't pay for the funeral.

609
00:27:53,600 --> 00:27:56,040
Speaker 2: Now you switch the cover that was supposed to you know,

610
00:27:57,080 --> 00:28:00,800
Speaker 2: honor your your best friend to you because you have

611
00:28:00,840 --> 00:28:03,720
Speaker 2: to do the no out shit. You're leading single, which

612
00:28:03,760 --> 00:28:06,760
Speaker 2: makes you god knows how much money is I'll be

613
00:28:06,800 --> 00:28:09,120
Speaker 2: Missing You, which you promote immediately, which I get it's

614
00:28:09,119 --> 00:28:13,120
Speaker 2: a tribute song. But we know Puff's mind. Of course

615
00:28:13,119 --> 00:28:15,600
Speaker 2: he was morning, but he's gonna take advantage of that moment.

616
00:28:16,320 --> 00:28:18,360
Speaker 2: And yeah, it looked all nasty when you add.

617
00:28:18,200 --> 00:28:19,199
Speaker 3: All those things together.

618
00:28:19,359 --> 00:28:22,040
Speaker 2: If bigs family indeed had to pay for the entire thing,

619
00:28:22,280 --> 00:28:23,680
Speaker 2: but it turned out that that was not the.

620
00:28:23,640 --> 00:28:26,960
Speaker 3: Case and Puff did pay for it. But still nasty.

621
00:28:27,440 --> 00:28:31,120
Speaker 4: Well if so, if that can be questioned, then don't

622
00:28:31,160 --> 00:28:33,720
Speaker 4: we now question the integrity of the entire doc.

623
00:28:34,000 --> 00:28:36,359
Speaker 2: Well that's why lawyers love this type of shit and

624
00:28:36,359 --> 00:28:38,760
Speaker 2: why I know they're going to amplify that. Biggie's of

625
00:28:38,760 --> 00:28:41,560
Speaker 2: State said this because you know, it's similar to what

626
00:28:42,240 --> 00:28:46,520
Speaker 2: we even saw with Diddy's sexual assault cases, where we

627
00:28:46,560 --> 00:28:49,320
Speaker 2: saw the CASTI one and we saw the footage, but

628
00:28:49,440 --> 00:28:52,360
Speaker 2: then a bunch of people came out the woodworks where

629
00:28:52,400 --> 00:28:55,080
Speaker 2: stuff looked like, all right, this is true over here,

630
00:28:55,120 --> 00:28:58,280
Speaker 2: but this seems like some bullshit money grab kicking while

631
00:28:58,280 --> 00:29:00,960
Speaker 2: he's down. Maybe he'll settle type of thing. And that's

632
00:29:01,000 --> 00:29:03,560
Speaker 2: what lawyers used to be, like, see, this case is bullshit,

633
00:29:03,680 --> 00:29:06,280
Speaker 2: so everything must be bullshit, and that's never really what

634
00:29:06,320 --> 00:29:09,840
Speaker 2: it is. Yeah, Like sometimes misunderstandings happened in there. I

635
00:29:09,880 --> 00:29:12,840
Speaker 2: don't know if there was much in the doc that

636
00:29:12,880 --> 00:29:16,920
Speaker 2: couldn't be proven to be true outside of that one.

637
00:29:17,840 --> 00:29:21,800
Speaker 2: I mean, I think the Tupac thing, they didn't say

638
00:29:21,920 --> 00:29:25,200
Speaker 2: it in a fact, they alluded to it, but which

639
00:29:25,200 --> 00:29:28,880
Speaker 2: I mean we can discuss. Do I think just speculation?

640
00:29:29,760 --> 00:29:30,960
Speaker 2: No one knows this to be a fact. Do I

641
00:29:31,000 --> 00:29:33,640
Speaker 2: think that Puff probably said to some gang members in

642
00:29:33,760 --> 00:29:37,280
Speaker 2: passing or in a room, put some money on their heads.

643
00:29:37,440 --> 00:29:39,160
Speaker 3: Yeah, I do think that happened.

644
00:29:39,240 --> 00:29:43,800
Speaker 2: But do I think the people that allegedly killed Tupac

645
00:29:44,120 --> 00:29:47,520
Speaker 2: went to Vegas with the thought, we're going there to

646
00:29:47,640 --> 00:29:50,600
Speaker 2: kill Tupac so we can get the bounty money that.

647
00:29:50,520 --> 00:29:51,200
Speaker 3: Puff put up.

648
00:29:51,680 --> 00:29:51,760
Speaker 7: No.

649
00:29:51,840 --> 00:29:55,080
Speaker 2: I think Pop punched the wrong crip that had a

650
00:29:55,080 --> 00:29:58,040
Speaker 2: beef with the people he was rolling with, and crips

651
00:29:58,080 --> 00:30:03,520
Speaker 2: do what crips do. That was and then they whether

652
00:30:03,560 --> 00:30:06,200
Speaker 2: there was a bounty or not. I think those crips

653
00:30:06,240 --> 00:30:08,920
Speaker 2: do what they did regardless. Now, once it's done, I

654
00:30:09,000 --> 00:30:10,600
Speaker 2: might as well go collect some money for it too.

655
00:30:10,760 --> 00:30:12,719
Speaker 5: Yeah, that's that was the kind of what I took

656
00:30:12,760 --> 00:30:15,400
Speaker 5: from it. It's just something that just happened to happen

657
00:30:15,480 --> 00:30:19,880
Speaker 5: that night after a conversation however many days or weeks ago,

658
00:30:21,640 --> 00:30:25,200
Speaker 5: so it kind of lined up that way. But you know, overall,

659
00:30:25,280 --> 00:30:30,520
Speaker 5: the documentary to me, just it gives a different perspective

660
00:30:30,640 --> 00:30:36,000
Speaker 5: on somebody that we've only known publicly, not much personal

661
00:30:36,040 --> 00:30:39,520
Speaker 5: knowledge of the type of person that he is. But

662
00:30:39,680 --> 00:30:42,120
Speaker 5: just again to hear those people talking. I forgot the

663
00:30:42,120 --> 00:30:44,560
Speaker 5: gentleman's name that was actually with bad Boy from day one,

664
00:30:45,240 --> 00:30:48,800
Speaker 5: who he took the twenty five percent stocking bad Boy from. Yeah,

665
00:30:49,640 --> 00:30:52,640
Speaker 5: just hearing him talk and then you know, it's like

666
00:30:53,360 --> 00:30:57,440
Speaker 5: guys like that, you know, here's somebody that we've never

667
00:30:57,480 --> 00:31:00,640
Speaker 5: heard from. I've never seen him sit down and talk

668
00:31:00,640 --> 00:31:03,200
Speaker 5: about that. I just don't think that he would sit

669
00:31:03,240 --> 00:31:06,080
Speaker 5: there and fabricate something at this point, like what does

670
00:31:06,120 --> 00:31:07,800
Speaker 5: he have to gain from that? Yeah, you know what,

671
00:31:07,800 --> 00:31:11,600
Speaker 5: I mean, his story, his truth, whatever happened, and you

672
00:31:11,640 --> 00:31:13,880
Speaker 5: know why he signed over to twenty five percent that

673
00:31:13,920 --> 00:31:16,960
Speaker 5: he owned a bad Boy. I mean, I just think

674
00:31:17,000 --> 00:31:18,360
Speaker 5: that he I don't think that he has to lie

675
00:31:18,400 --> 00:31:21,720
Speaker 5: about those type of things and circumstances that happened around

676
00:31:21,760 --> 00:31:26,080
Speaker 5: that whole thing. But overall, I mean, it was very informative.

677
00:31:26,320 --> 00:31:28,840
Speaker 5: It shed some light on a lot of things. Hearing

678
00:31:28,880 --> 00:31:31,880
Speaker 5: from testimony from certain people. Even some of the jurors

679
00:31:31,960 --> 00:31:35,160
Speaker 5: spoke about why they didn't find him guilty on you know,

680
00:31:35,800 --> 00:31:39,840
Speaker 5: the sexual assault charges and things like that, and the

681
00:31:39,920 --> 00:31:41,959
Speaker 5: juris said it was like, yo, it's hard to you know,

682
00:31:42,680 --> 00:31:45,040
Speaker 5: find him guilty of that. Yes, we see the tape

683
00:31:45,160 --> 00:31:47,080
Speaker 5: and we see the video of him assaulting a woman,

684
00:31:47,560 --> 00:31:50,400
Speaker 5: but then we also have footage of them hours laid at.

685
00:31:50,240 --> 00:31:50,960
Speaker 3: A galla together.

686
00:31:51,400 --> 00:31:54,200
Speaker 5: And I know how you know, abuse is whether it's physical,

687
00:31:54,240 --> 00:31:57,680
Speaker 5: whether it's verbal, you know, whether it's mental. You know,

688
00:31:57,760 --> 00:32:00,280
Speaker 5: people are victims and you know, but it's hard, hard

689
00:32:00,280 --> 00:32:04,040
Speaker 5: to tell a jury to find somebody guilty of this

690
00:32:04,920 --> 00:32:07,000
Speaker 5: when you have more footage, you know, of them on

691
00:32:07,080 --> 00:32:10,760
Speaker 5: vacations together, after that, and this, that, and third, it's like, well, yes,

692
00:32:10,800 --> 00:32:13,040
Speaker 5: we do think that this was toxic, this was wrong.

693
00:32:13,120 --> 00:32:16,520
Speaker 5: Things happen, But at the same time, do we find

694
00:32:16,600 --> 00:32:20,680
Speaker 5: him guilty of these things? Because it does take you know,

695
00:32:20,960 --> 00:32:21,600
Speaker 5: it takes too.

696
00:32:21,720 --> 00:32:24,240
Speaker 2: And to give the jurs some grace there too, I

697
00:32:24,320 --> 00:32:30,320
Speaker 2: blame more of the prosecution, like, yeah, we all saw

698
00:32:30,320 --> 00:32:33,360
Speaker 2: the CASI tapes, Like that's not what he was charged for.

699
00:32:33,600 --> 00:32:35,960
Speaker 2: Do I think Diddy is a guilty human being? Of

700
00:32:36,000 --> 00:32:39,040
Speaker 2: course I do. Yeah, But you guys put up a

701
00:32:39,040 --> 00:32:42,240
Speaker 2: bunch of shit that you couldn't even really prove happened,

702
00:32:42,280 --> 00:32:44,080
Speaker 2: and all the stuff that we did know to be true,

703
00:32:44,160 --> 00:32:46,000
Speaker 2: he's not charged for. So if I'm a jury, ib

704
00:32:46,040 --> 00:32:47,320
Speaker 2: was sitting there like, yeah, I think guy's a piece

705
00:32:47,360 --> 00:32:50,880
Speaker 2: of shit. But this is the system America has made

706
00:32:50,960 --> 00:32:52,760
Speaker 2: where you have to prove the charges that you have

707
00:32:52,880 --> 00:32:54,400
Speaker 2: right here, and you're not doing that. So what am

708
00:32:54,440 --> 00:32:57,120
Speaker 2: I supposed to do? Yeah, say he's guilty for something

709
00:32:57,120 --> 00:32:58,280
Speaker 2: that's not in the court right now.

710
00:32:58,920 --> 00:33:00,360
Speaker 3: I can't do that. One.

711
00:33:00,400 --> 00:33:01,840
Speaker 5: The one thing that stood out to me in the

712
00:33:01,880 --> 00:33:06,520
Speaker 5: dock was how around every tragic thing that happened in

713
00:33:06,560 --> 00:33:09,760
Speaker 5: his life, he was the one that came out of it,

714
00:33:11,160 --> 00:33:15,640
Speaker 5: you know, whether it's like his career elevated out of

715
00:33:15,640 --> 00:33:18,560
Speaker 5: each of these tragedies. And that's kind of like that

716
00:33:18,640 --> 00:33:20,760
Speaker 5: raises an nob bra, like how come you the only

717
00:33:20,760 --> 00:33:25,600
Speaker 5: one that benefited from these tragedies? Like life got you

718
00:33:25,640 --> 00:33:27,360
Speaker 5: know from I guess from what we see and what

719
00:33:27,400 --> 00:33:29,560
Speaker 5: we know, seems like life got better for you after

720
00:33:29,600 --> 00:33:35,760
Speaker 5: these tragedies. Success happens, you know, and it's like, why

721
00:33:35,840 --> 00:33:36,160
Speaker 5: is that?

722
00:33:36,360 --> 00:33:36,560
Speaker 3: To me?

723
00:33:36,760 --> 00:33:38,440
Speaker 5: That's what the one thing I took from the dock,

724
00:33:38,560 --> 00:33:41,800
Speaker 5: Like even going back to the city college, you know

725
00:33:42,560 --> 00:33:46,800
Speaker 5: stampede that happened. You know, at that time, Puff was

726
00:33:46,800 --> 00:33:50,400
Speaker 5: just a party parole in the city, young kid throwing parties,

727
00:33:50,400 --> 00:33:52,400
Speaker 5: you know, bringing people together trying to have a good time.

728
00:33:53,080 --> 00:33:56,320
Speaker 5: But even out of that there was an elevation. You

729
00:33:56,360 --> 00:33:58,360
Speaker 5: go to get the uptown after that, you know what

730
00:33:58,400 --> 00:34:00,200
Speaker 5: I'm saying, and then you and Andre Herrell for all

731
00:34:00,200 --> 00:34:02,320
Speaker 5: out and then you take what you learn from Andre

732
00:34:02,400 --> 00:34:05,040
Speaker 5: Horral where you know, like I'll be showing these peoples

733
00:34:05,040 --> 00:34:08,960
Speaker 5: talking like none of these guys got really paid from uptown,

734
00:34:09,120 --> 00:34:12,239
Speaker 5: like they got that that they advanced. But after that,

735
00:34:12,560 --> 00:34:15,719
Speaker 5: a lot of these artists struggled. Go to bad boys,

736
00:34:15,760 --> 00:34:17,520
Speaker 5: start your thing. A lot of those artists can say

737
00:34:17,560 --> 00:34:21,440
Speaker 5: the same thing. Craig mac has, He's Grammy nominated, he

738
00:34:21,480 --> 00:34:25,400
Speaker 5: has a number one song and barely pays bills. And

739
00:34:25,400 --> 00:34:27,160
Speaker 5: then he asks you for money and his wife says,

740
00:34:27,239 --> 00:34:29,360
Speaker 5: you pull out one hundred dollars bill and give it

741
00:34:29,360 --> 00:34:30,440
Speaker 5: to him.

742
00:34:30,600 --> 00:34:32,680
Speaker 3: It's like for people to have these stories, it's like.

743
00:34:34,600 --> 00:34:37,719
Speaker 5: Something somebody ain't Everybody can't be lying, like that's just

744
00:34:37,760 --> 00:34:41,600
Speaker 5: my thing. When everybody get to talking, it's like everybody

745
00:34:41,640 --> 00:34:42,279
Speaker 5: can't be lying.

746
00:34:42,320 --> 00:34:44,080
Speaker 3: Now is this some things that you know? Is it

747
00:34:44,480 --> 00:34:45,560
Speaker 3: one hundred percent true?

748
00:34:45,560 --> 00:34:48,560
Speaker 5: And maybe that's their perspective on how things happen. We

749
00:34:48,640 --> 00:34:51,000
Speaker 5: understand how things get a little blurry. Did but the

750
00:34:51,000 --> 00:34:52,920
Speaker 5: bottom line is when you look at, you know, the

751
00:34:52,960 --> 00:34:55,719
Speaker 5: things that happen as far as the tragedies, and then

752
00:34:55,800 --> 00:34:58,799
Speaker 5: look and saw how Puff was able to elevate from

753
00:34:58,840 --> 00:35:01,000
Speaker 5: that and and was the one that kind of became,

754
00:35:01,080 --> 00:35:06,000
Speaker 5: you know, to star and things like that, it does

755
00:35:06,200 --> 00:35:08,719
Speaker 5: raise an eyebro like that's something that you kind of

756
00:35:08,719 --> 00:35:10,480
Speaker 5: got to look at with a side eye, like something

757
00:35:10,480 --> 00:35:11,080
Speaker 5: ain't right here.

758
00:35:11,880 --> 00:35:12,560
Speaker 3: Yeah, I mean it.

759
00:35:13,000 --> 00:35:18,520
Speaker 2: Puff came across as probably the greatest self preservation human

760
00:35:18,560 --> 00:35:21,000
Speaker 2: being I've ever seen. To your point, every time something

761
00:35:21,040 --> 00:35:24,759
Speaker 2: bad happened to everyone, including himself in that circle, he

762
00:35:24,840 --> 00:35:26,880
Speaker 2: would find a way for everyone else to be the

763
00:35:26,880 --> 00:35:29,800
Speaker 2: fall people and for him to continue on no matter

764
00:35:30,320 --> 00:35:32,879
Speaker 2: what scheme or way he had to go about it.

765
00:35:33,320 --> 00:35:36,680
Speaker 2: He will always gonna self preserve no matter what, even

766
00:35:36,719 --> 00:35:39,319
Speaker 2: with the bad Boy family. Mm hm, well, I'm not

767
00:35:39,360 --> 00:35:42,239
Speaker 2: going down right. I gotta keep the family movement. Do

768
00:35:42,280 --> 00:35:45,479
Speaker 2: you think that started around the City College thing? Because

769
00:35:45,680 --> 00:35:48,040
Speaker 2: I almost watched it like kind of in reverse in

770
00:35:48,080 --> 00:35:51,719
Speaker 2: my head towards the end thinking of that that moment, Yes,

771
00:35:51,800 --> 00:35:53,560
Speaker 2: Puff was just a young party promoter. Should the cops

772
00:35:53,640 --> 00:35:55,839
Speaker 2: probably had a better structure there? Should Puff have maybe

773
00:35:55,840 --> 00:35:57,600
Speaker 2: had better security. Of course, there's a bunch of what

774
00:35:57,719 --> 00:36:01,520
Speaker 2: is there not saying he's completely innocent, but he's throwing

775
00:36:01,560 --> 00:36:02,080
Speaker 2: a charity bass.

776
00:36:02,200 --> 00:36:04,000
Speaker 3: He doesn't know about that shit yet. It's unfortunate what.

777
00:36:04,000 --> 00:36:07,360
Speaker 2: Happened because he got out of that scott free, and

778
00:36:07,400 --> 00:36:10,960
Speaker 2: then even said himself at that point, I had never

779
00:36:11,000 --> 00:36:14,520
Speaker 2: been that famous in my life. I immediately became famous

780
00:36:14,560 --> 00:36:17,920
Speaker 2: because of a tragedy. Do you think that started the

781
00:36:17,960 --> 00:36:24,120
Speaker 2: mindset he had of being so metaphorically bulletproof in any situation.

782
00:36:24,360 --> 00:36:27,280
Speaker 2: I can get away with anything, I can have someone

783
00:36:27,760 --> 00:36:30,240
Speaker 2: Shug's man in front of a fucking club in Atlanta

784
00:36:31,360 --> 00:36:33,040
Speaker 2: was gonna happen to me. I can shoot up a

785
00:36:33,040 --> 00:36:36,759
Speaker 2: club with j Lo. Nothing's gonna happen to me Like that,

786
00:36:36,880 --> 00:36:38,680
Speaker 2: I think is where he started to build that mentality,

787
00:36:38,680 --> 00:36:41,879
Speaker 2: along with drugs, to just start seeing the world as

788
00:36:42,400 --> 00:36:47,000
Speaker 2: objects and opportunities. Like kim Porter, that was opportunity. He had.

789
00:36:47,640 --> 00:36:51,160
Speaker 2: Clearly had a very fragile and crazy ego. So because

790
00:36:51,160 --> 00:36:53,920
Speaker 2: that was Albi Shore's girl, I'm gonna get her me,

791
00:36:53,920 --> 00:36:56,280
Speaker 2: he says his other baby mother. Oh that's somebody else's

792
00:36:56,440 --> 00:36:58,839
Speaker 2: fifties baby. Like he has that mentality where this isn't

793
00:36:58,880 --> 00:37:02,200
Speaker 2: because I want that woman, because I want that object opportunity.

794
00:37:01,760 --> 00:37:03,839
Speaker 3: And ego boost for the people around me. Yeah.

795
00:37:04,640 --> 00:37:06,640
Speaker 2: That I think just built more and more throughout the

796
00:37:06,719 --> 00:37:09,879
Speaker 2: years because he he never really took an l Yeah,

797
00:37:10,719 --> 00:37:13,960
Speaker 2: I like, I don't get it, but I could see

798
00:37:14,360 --> 00:37:17,880
Speaker 2: how that trajectory mixed with pink cocaine could get you

799
00:37:17,960 --> 00:37:20,319
Speaker 2: to the place that he treats the world the way

800
00:37:20,360 --> 00:37:24,040
Speaker 2: he does. Of course I can beat up Cassie. Why

801
00:37:24,280 --> 00:37:26,000
Speaker 2: why can't I do that? Look at everything I've done

802
00:37:26,040 --> 00:37:28,520
Speaker 2: and gotten away with. It's almost like he has like

803
00:37:28,560 --> 00:37:32,600
Speaker 2: the mentality of like that rich kid that had a

804
00:37:32,640 --> 00:37:35,400
Speaker 2: billionaire father that knew they could do anything and dad

805
00:37:35,440 --> 00:37:36,200
Speaker 2: will get him out of.

806
00:37:36,120 --> 00:37:37,600
Speaker 3: It, but Puff would get himself out of it.

807
00:37:37,920 --> 00:37:38,160
Speaker 6: Yeah.

808
00:37:38,280 --> 00:37:40,840
Speaker 2: I think he had that same mentality. As the years

809
00:37:40,840 --> 00:37:41,720
Speaker 2: went on, well.

810
00:37:41,600 --> 00:37:44,000
Speaker 5: I mean people that grew up with him and they

811
00:37:44,000 --> 00:37:46,720
Speaker 5: spoke to that, Yeah, how they started to see the change.

812
00:37:47,280 --> 00:37:50,080
Speaker 5: And then Mark Curry was talking about the intro and

813
00:37:50,120 --> 00:37:52,759
Speaker 5: the album things. He was saying, you know, now he's

814
00:37:52,760 --> 00:37:54,640
Speaker 5: talking like a gangster. I'll put a million dollars on

815
00:37:54,680 --> 00:37:59,200
Speaker 5: your head, get you raised. He marks, like, the fuck

816
00:37:59,280 --> 00:38:01,399
Speaker 5: what did that like? When you start talking like that,

817
00:38:01,520 --> 00:38:03,600
Speaker 5: Like so you know, you got to look at those

818
00:38:03,640 --> 00:38:07,239
Speaker 5: things and kind of say, okay, yeah, where did it start?

819
00:38:07,280 --> 00:38:11,000
Speaker 5: And I think the documentary did a good job at

820
00:38:11,080 --> 00:38:12,680
Speaker 5: kind of trying to point that out, like when the

821
00:38:13,000 --> 00:38:17,480
Speaker 5: ego came into play, when the god complex came into play,

822
00:38:18,400 --> 00:38:20,440
Speaker 5: and then you know, talking to people who were directly

823
00:38:20,520 --> 00:38:22,440
Speaker 5: close to him, who were speaking to certain things that

824
00:38:22,480 --> 00:38:26,800
Speaker 5: they saw and experienced, and you know, and again.

825
00:38:26,600 --> 00:38:28,400
Speaker 3: You watch it, you take what you take from it.

826
00:38:29,120 --> 00:38:30,640
Speaker 3: I don't think I learned too much.

827
00:38:30,719 --> 00:38:33,360
Speaker 5: I mean, it was interesting to see them put everything

828
00:38:33,400 --> 00:38:36,960
Speaker 5: together from the very beginning of you know, puff being

829
00:38:37,000 --> 00:38:39,160
Speaker 5: a party promoter and trying to get into the industry

830
00:38:39,520 --> 00:38:41,360
Speaker 5: to where he ultimately ended up today.

831
00:38:41,640 --> 00:38:43,040
Speaker 3: I thought they did a good job with that.

832
00:38:43,160 --> 00:38:46,400
Speaker 5: But overall, I mean, you know, definitely probably one of

833
00:38:46,400 --> 00:38:48,880
Speaker 5: the better did He documentaries I think I watched.

834
00:38:49,400 --> 00:38:53,319
Speaker 2: Yeah, I mean it's definitely in a way different way

835
00:38:53,480 --> 00:38:55,480
Speaker 2: up there with the Apple music what was that Can't

836
00:38:55,480 --> 00:38:58,000
Speaker 2: Stop Won Stop about just bad Boy in general? I

837
00:38:58,000 --> 00:39:00,320
Speaker 2: think I maybe like that one better because I didn't

838
00:39:01,239 --> 00:39:03,279
Speaker 2: know about all of this shit where it was like,

839
00:39:03,280 --> 00:39:06,120
Speaker 2: oh I can enjoy the music and the artists and this,

840
00:39:06,280 --> 00:39:09,279
Speaker 2: you know, was obviously a tough watch. But back to

841
00:39:09,320 --> 00:39:12,200
Speaker 2: the God Complex thing. Did you ever see the Anthony

842
00:39:12,239 --> 00:39:15,880
Speaker 2: Wiener documentary? I suggest everyone go back and white. It's

843
00:39:15,920 --> 00:39:19,480
Speaker 2: a very fascinating documentary just about the last year of

844
00:39:19,560 --> 00:39:21,400
Speaker 2: him in politics and him getting caught again when he

845
00:39:21,400 --> 00:39:23,880
Speaker 2: was running for mayor, like everyone kind of forgave him,

846
00:39:23,920 --> 00:39:25,360
Speaker 2: and then it was like, wait, you're still sending dick

847
00:39:25,400 --> 00:39:27,680
Speaker 2: pics to young girls, Like fuck is wrong. They filmed

848
00:39:27,719 --> 00:39:29,880
Speaker 2: the entire thing, and the whole time I'm watching it,

849
00:39:29,920 --> 00:39:32,560
Speaker 2: I'm going, why is Anthony Wiener allowing them to film this?

850
00:39:33,920 --> 00:39:36,400
Speaker 2: Why am I able to see these moments? I felt

851
00:39:36,400 --> 00:39:39,759
Speaker 2: that would puff two of the God Complex? Why are

852
00:39:39,760 --> 00:39:41,960
Speaker 2: you being filmed in a hotel talking to your lawyer

853
00:39:42,040 --> 00:39:46,640
Speaker 2: that way about what type of defense that you need? Yeah, like,

854
00:39:47,120 --> 00:39:47,879
Speaker 2: where in your brain?

855
00:39:48,280 --> 00:39:49,239
Speaker 3: Why are you filming this?

856
00:39:49,680 --> 00:39:51,759
Speaker 5: That was the one thing that even with the Diddy ja,

857
00:39:51,880 --> 00:39:53,680
Speaker 5: It's like, how did fifty get his hands on this?

858
00:39:54,520 --> 00:39:56,239
Speaker 3: So like that happen.

859
00:39:56,239 --> 00:39:58,680
Speaker 2: There's been conflicting reports with what I did see that

860
00:39:58,800 --> 00:40:00,640
Speaker 2: seems like it would be the a troop of one.

861
00:40:01,400 --> 00:40:06,160
Speaker 2: Netflix was somewhat involved with Diddy shooting a documentary going

862
00:40:06,200 --> 00:40:09,279
Speaker 2: into the trial stuff because Puff was very confident in

863
00:40:09,320 --> 00:40:12,040
Speaker 2: his god complex that he was going to be found innocent,

864
00:40:12,120 --> 00:40:15,319
Speaker 2: and once again, to your point, he would try umph

865
00:40:15,480 --> 00:40:17,600
Speaker 2: fall from the ashes, and here comes Puff with this

866
00:40:17,680 --> 00:40:19,759
Speaker 2: doc of like, damn, look what we put him through

867
00:40:19,760 --> 00:40:21,680
Speaker 2: with the trial trial, and he was innocent the whole time.

868
00:40:21,719 --> 00:40:23,759
Speaker 2: I think that's what Puff had in mind. And I

869
00:40:23,760 --> 00:40:27,040
Speaker 2: think Netflix was already involved. Once you get arrested, I

870
00:40:27,040 --> 00:40:28,960
Speaker 2: don't really know what happens with the rights of stuff

871
00:40:29,000 --> 00:40:32,160
Speaker 2: or if anyone got paid. Netflix may have owned that footage. Yeah,

872
00:40:32,360 --> 00:40:34,600
Speaker 2: and then you know, here comes fifty. You guys own what?

873
00:40:35,040 --> 00:40:38,239
Speaker 3: Yeah? I know, wait what did you say?

874
00:40:37,760 --> 00:40:38,600
Speaker 7: I know what?

875
00:40:38,719 --> 00:40:41,480
Speaker 2: Editor fifty probably opened his mac book and was like,

876
00:40:41,480 --> 00:40:42,680
Speaker 2: you know what, I'll do it.

877
00:40:43,400 --> 00:40:46,480
Speaker 3: Yeah, man, the part with little Rod. Little Rod is

878
00:40:46,520 --> 00:40:46,839
Speaker 3: his name.

879
00:40:47,200 --> 00:40:52,399
Speaker 2: Yeah, I feel bad for him. I don't feel bad

880
00:40:52,480 --> 00:40:53,920
Speaker 2: laughing at some of the stuff that was in the

881
00:40:53,960 --> 00:40:56,960
Speaker 2: reports just because how it read. I think as humans

882
00:40:56,960 --> 00:40:59,200
Speaker 2: were allowed to laugh sometimes when something appears to just

883
00:41:00,040 --> 00:41:02,800
Speaker 2: sound funny when you read it in paperwork. But once

884
00:41:03,200 --> 00:41:05,799
Speaker 2: like he humanized it and you heard it from him.

885
00:41:06,120 --> 00:41:09,680
Speaker 3: Yeah, I was like, he got done done. I'm sorry man. Yeah,

886
00:41:09,840 --> 00:41:10,640
Speaker 3: they did him dirty.

887
00:41:11,440 --> 00:41:17,400
Speaker 2: Outside of the adult grooming producer grooming. Also, what do

888
00:41:17,400 --> 00:41:18,719
Speaker 2: you get like seventeen k or some shit?

889
00:41:19,040 --> 00:41:23,080
Speaker 3: No, he said he got twenty twenty nine thousand that album.

890
00:41:23,120 --> 00:41:28,400
Speaker 2: And then those voice notes like pure god, complex manipulation,

891
00:41:28,719 --> 00:41:31,160
Speaker 2: like puff, I was just on a yacht. Whld you

892
00:41:31,160 --> 00:41:33,560
Speaker 2: spend one hundred grand on gas for that thing? Can

893
00:41:33,600 --> 00:41:35,680
Speaker 2: you pay me the money that you already said.

894
00:41:35,520 --> 00:41:35,920
Speaker 3: You owed me?

895
00:41:35,960 --> 00:41:37,320
Speaker 6: How much did he say that he owed him? I

896
00:41:37,320 --> 00:41:37,719
Speaker 6: didn't watch.

897
00:41:37,880 --> 00:41:40,080
Speaker 2: He said two fifty was what he was supposed to

898
00:41:40,120 --> 00:41:41,839
Speaker 2: get for producing on the Love album.

899
00:41:41,880 --> 00:41:44,840
Speaker 3: Yeah, he ended up getting like nine thousand out of

900
00:41:44,840 --> 00:41:46,560
Speaker 3: two hundred and fifty thousand, and Pope said he was

901
00:41:46,560 --> 00:41:52,200
Speaker 3: gonna give them. Yeah, man, it's tough, man, and it's not.

902
00:41:52,320 --> 00:41:54,120
Speaker 5: And you know, the fucked up part is it's so

903
00:41:54,200 --> 00:41:56,440
Speaker 5: many people that have a story like that in industry,

904
00:41:57,320 --> 00:42:01,920
Speaker 5: do some incredible records, incredible songs, and you know, just

905
00:42:01,960 --> 00:42:04,879
Speaker 5: because you're chasing the dream, and you know, you get

906
00:42:04,920 --> 00:42:07,960
Speaker 5: flown out to fucking Italy on the yacht with with

907
00:42:08,160 --> 00:42:10,600
Speaker 5: you know, somebody that you looked up to as a kid,

908
00:42:10,640 --> 00:42:13,800
Speaker 5: and now you're working with him and producing music with him,

909
00:42:14,080 --> 00:42:15,600
Speaker 5: and he telling you're gonna give you two hundred and

910
00:42:15,600 --> 00:42:17,680
Speaker 5: fifty thousand, you like, fuck it, whatever I gotta do

911
00:42:17,719 --> 00:42:18,680
Speaker 5: to get this album done.

912
00:42:18,719 --> 00:42:21,799
Speaker 3: And you know, like if I.

913
00:42:21,719 --> 00:42:24,120
Speaker 5: Got to witness some crazy shit, if I got to

914
00:42:24,160 --> 00:42:25,879
Speaker 5: be a part of some crazy shit, you know, it's

915
00:42:25,920 --> 00:42:28,239
Speaker 5: just it's fucked up with people pray on people like

916
00:42:28,239 --> 00:42:30,200
Speaker 5: that because they know that they need that opportunity and

917
00:42:30,239 --> 00:42:33,279
Speaker 5: they you know, they need that that moment to kind

918
00:42:33,280 --> 00:42:35,400
Speaker 5: of like be able to, like you said, take care

919
00:42:35,440 --> 00:42:37,319
Speaker 5: of his family and his kids and have his kids

920
00:42:37,320 --> 00:42:39,319
Speaker 5: be able to take care of their kids. That's what

921
00:42:39,360 --> 00:42:41,400
Speaker 5: he was chasing, and that was that was his you know,

922
00:42:41,440 --> 00:42:45,799
Speaker 5: his goal. But voice notes man Puff was like, Yo,

923
00:42:45,840 --> 00:42:47,360
Speaker 5: you know what I'm saying, Like, I know, you know

924
00:42:47,400 --> 00:42:50,120
Speaker 5: what I'm saying. I know you ain't going crazy. I

925
00:42:50,239 --> 00:42:52,799
Speaker 5: was like that manipulation and.

926
00:42:52,760 --> 00:42:55,600
Speaker 2: Then like now I feel like I got to look

927
00:42:55,640 --> 00:42:57,239
Speaker 2: at you crazy. Yeah, like I don't want to look

928
00:42:57,239 --> 00:43:00,480
Speaker 2: at you crazy. Wait, I'm crazy because I asking for

929
00:43:00,480 --> 00:43:03,120
Speaker 2: the money that you you said that you would pay me.

930
00:43:03,520 --> 00:43:04,799
Speaker 3: You came up with that number. I didn't come up

931
00:43:04,840 --> 00:43:05,320
Speaker 3: with that number.

932
00:43:05,600 --> 00:43:08,720
Speaker 2: Yeah, it's tough, but that's also like and I won't

933
00:43:08,880 --> 00:43:12,279
Speaker 2: say it doesn't happen in other businesses, but adding on

934
00:43:12,320 --> 00:43:14,359
Speaker 2: to why the music industry is so fucked fucked up.

935
00:43:14,400 --> 00:43:16,920
Speaker 2: A lot of that weird shit can happen in the

936
00:43:17,000 --> 00:43:21,080
Speaker 2: environment of creating music, like blocking out for the Love Sessions. Shit,

937
00:43:21,160 --> 00:43:23,120
Speaker 2: I came on the spot, I went, I went to

938
00:43:23,160 --> 00:43:24,640
Speaker 2: one of the Love Sessions. I was trying to get

939
00:43:24,680 --> 00:43:28,000
Speaker 2: on that fucking album. Nothing crazy was happening in there

940
00:43:28,000 --> 00:43:31,919
Speaker 2: at all. But when you're blocking something out for a month, Yeah,

941
00:43:31,960 --> 00:43:33,920
Speaker 2: if I leave at one am, I don't know what

942
00:43:33,920 --> 00:43:35,239
Speaker 2: the fuck is happening at three am. But a lot

943
00:43:35,280 --> 00:43:38,280
Speaker 2: of producers are still there, actually there just to make music.

944
00:43:39,080 --> 00:43:42,319
Speaker 2: Now you're complicit into this whole thing. Like I don't

945
00:43:42,360 --> 00:43:44,880
Speaker 2: think Lil Rod did anything wrong when they went to

946
00:43:44,960 --> 00:43:48,000
Speaker 2: the strip club on the boat. Yo, take this bad

947
00:43:48,000 --> 00:43:49,960
Speaker 2: way hat on. They know what it means, Like, I'm

948
00:43:49,960 --> 00:43:52,239
Speaker 2: here to produce, man like. But I get why little

949
00:43:52,280 --> 00:43:54,040
Speaker 2: robouls would be like, all right, man, we just have.

950
00:43:54,000 --> 00:43:55,799
Speaker 3: A woman to go. I'm not doing anything wrong.

951
00:43:55,840 --> 00:44:00,920
Speaker 2: But not realizing that you are now complacent in a

952
00:44:01,040 --> 00:44:04,360
Speaker 2: way bigger sex ring right now that you have no idea,

953
00:44:04,400 --> 00:44:06,200
Speaker 2: you're thinking, oh, he said, I'm the next member of

954
00:44:06,239 --> 00:44:08,040
Speaker 2: the hit Man. I'll take a bad boy hat. Let

955
00:44:08,040 --> 00:44:09,680
Speaker 2: me walk around the strip club with it, not knowing

956
00:44:09,680 --> 00:44:14,279
Speaker 2: that you are. Now they know that's the flag. Oh

957
00:44:14,280 --> 00:44:16,040
Speaker 2: there's the guy that we need to go to to

958
00:44:16,080 --> 00:44:18,799
Speaker 2: sell pussy. Yeah, perfect, we'll go to him. And Little

959
00:44:18,880 --> 00:44:20,680
Speaker 2: Ro's like, well, I'm going back to the studio.

960
00:44:21,640 --> 00:44:24,399
Speaker 3: Yeah, go back to it. We're all going back. Yeah.

961
00:44:24,440 --> 00:44:26,040
Speaker 3: It was tough though. Did you watch it? Baby? Did

962
00:44:26,080 --> 00:44:26,440
Speaker 3: you finish it?

963
00:44:26,480 --> 00:44:26,520
Speaker 7: No?

964
00:44:26,600 --> 00:44:28,759
Speaker 6: I didn't. I was just I haven't even started it,

965
00:44:28,800 --> 00:44:29,319
Speaker 6: that's all I was.

966
00:44:29,480 --> 00:44:32,080
Speaker 5: Yeah, you should finish it before before it's taken down. Yeah,

967
00:44:32,160 --> 00:44:34,279
Speaker 5: well I do think it'll be taken down eventually. The

968
00:44:34,320 --> 00:44:37,560
Speaker 5: Aubrey O'Day segment was really tough to watch.

969
00:44:38,160 --> 00:44:38,960
Speaker 6: I heard about that.

970
00:44:39,320 --> 00:44:40,040
Speaker 3: I feel for her.

971
00:44:41,920 --> 00:44:45,279
Speaker 2: She told her story of somebody on the staff had

972
00:44:45,320 --> 00:44:48,160
Speaker 2: walked into one of the studios where Puff.

973
00:44:47,920 --> 00:44:50,680
Speaker 3: And another gentleman were having sex with her.

974
00:44:50,760 --> 00:44:54,000
Speaker 2: She looked really out of it, slump, like she had

975
00:44:54,000 --> 00:44:58,719
Speaker 2: clearly been drugged. She has no recollection of this whatsoever.

976
00:44:58,800 --> 00:45:00,520
Speaker 2: But you could imagine the toll that would put on

977
00:45:00,520 --> 00:45:02,840
Speaker 2: you if somebody was like I one hundred percent, no,

978
00:45:03,000 --> 00:45:07,120
Speaker 2: I walked in on you Puff and another gentleman having sex,

979
00:45:07,160 --> 00:45:09,480
Speaker 2: and you're like, I've that never happened, and now you're

980
00:45:09,520 --> 00:45:12,440
Speaker 2: starting to question everything because you know, there's been crazy

981
00:45:12,440 --> 00:45:15,600
Speaker 2: practices with shit getting drugged and this and that. And

982
00:45:15,680 --> 00:45:18,279
Speaker 2: she even said if this person's lying and I keep

983
00:45:18,280 --> 00:45:21,840
Speaker 2: going with it, now that gives Puff's team even more ammo.

984
00:45:22,719 --> 00:45:24,400
Speaker 3: And she's like, I know, fucked up things happen.

985
00:45:24,480 --> 00:45:26,160
Speaker 2: So if I pursue this and it ends up not

986
00:45:26,239 --> 00:45:29,880
Speaker 2: being true, now it's like, hey, look they're lying over here. Yeah,

987
00:45:29,920 --> 00:45:32,799
Speaker 2: so she's in a weird conflicted position there.

988
00:45:32,840 --> 00:45:35,640
Speaker 4: I can't imagine because that came out in one of

989
00:45:35,680 --> 00:45:38,400
Speaker 4: the civil super accusers having said that in her affidavit

990
00:45:38,719 --> 00:45:41,400
Speaker 4: that I can't imagine hearing that for the first time, Like,

991
00:45:41,400 --> 00:45:43,360
Speaker 4: oh yeah, by the way he raped you too, you

992
00:45:43,520 --> 00:45:45,120
Speaker 4: was like knocked out, slumped and he's like what.

993
00:45:47,360 --> 00:45:48,040
Speaker 3: Yeah, that's wow.

994
00:45:48,400 --> 00:45:49,359
Speaker 6: That's like what.

995
00:45:53,200 --> 00:45:54,160
Speaker 3: I want to ask the Marius.

996
00:45:54,160 --> 00:45:56,120
Speaker 2: Have you ever been in a situation or seen the

997
00:45:56,160 --> 00:46:00,839
Speaker 2: situation with two female best friends, you.

998
00:46:00,800 --> 00:46:02,240
Speaker 3: Know, the women that are besties.

999
00:46:02,239 --> 00:46:04,480
Speaker 2: They're not bisexual with their besties, and they're fake gay

1000
00:46:04,480 --> 00:46:07,080
Speaker 2: with each other, Like they would never like smoking each

1001
00:46:07,080 --> 00:46:09,200
Speaker 2: other's mind. Yeah, they would never bump coochiese. They're not like,

1002
00:46:09,239 --> 00:46:13,399
Speaker 2: but they'll you know, Cuchi, they'll kiss after the hookah thing,

1003
00:46:13,520 --> 00:46:15,640
Speaker 2: just for like last or like do a selfie. They're

1004
00:46:15,680 --> 00:46:20,520
Speaker 2: not really bisexual, they're just drunk and besties. Has there

1005
00:46:20,520 --> 00:46:25,600
Speaker 2: been a situation where one wasn't doing the bestie plus

1006
00:46:26,120 --> 00:46:28,799
Speaker 2: and the other bestie had to find that out.

1007
00:46:28,719 --> 00:46:29,120
Speaker 3: The hard way?

1008
00:46:29,239 --> 00:46:30,759
Speaker 6: Yes, that happens very well.

1009
00:46:30,800 --> 00:46:32,120
Speaker 3: One wasn't doing the bestI.

1010
00:46:31,920 --> 00:46:35,399
Speaker 2: What Sometimes one girl is actually bisexual and this isn't

1011
00:46:35,480 --> 00:46:37,879
Speaker 2: just fun bestI energy at the Hoopa spot. She's here

1012
00:46:37,880 --> 00:46:40,240
Speaker 2: for game time. Some of them don't wants to bump kuccies.

1013
00:46:40,320 --> 00:46:43,000
Speaker 6: Some of them don't know though. Some of them don't know.

1014
00:46:43,280 --> 00:46:44,239
Speaker 3: Some of them don't know what.

1015
00:46:44,320 --> 00:46:47,000
Speaker 4: So A lot some women will have that relationship with

1016
00:46:47,040 --> 00:46:49,680
Speaker 4: a close friend of theirs and not realize that they're

1017
00:46:49,719 --> 00:46:52,960
Speaker 4: really sexually attracted until they've been doing the whole fake

1018
00:46:53,000 --> 00:46:55,200
Speaker 4: gay thing and it's like, oh, like it's stirring up

1019
00:46:55,239 --> 00:46:55,880
Speaker 4: feelings in me?

1020
00:46:56,760 --> 00:46:59,239
Speaker 6: Yeah, for sure, they don't. That's how I found out

1021
00:46:59,280 --> 00:46:59,600
Speaker 6: I was there.

1022
00:47:00,480 --> 00:47:01,560
Speaker 3: How did you find out you were gay?

1023
00:47:01,719 --> 00:47:05,520
Speaker 4: I found that out from playing gay and realizing, oh, I'm.

1024
00:47:05,320 --> 00:47:08,200
Speaker 6: Not playing Yeah. I found that out when I was younger.

1025
00:47:08,520 --> 00:47:10,960
Speaker 2: Now it was the bestie she was bisexual and was

1026
00:47:11,760 --> 00:47:12,560
Speaker 2: trying to turn you out.

1027
00:47:13,160 --> 00:47:17,920
Speaker 3: Okay, No, she was straight and y'all had This is

1028
00:47:18,040 --> 00:47:20,360
Speaker 3: something that y'all would do when y'all was like hanging out.

1029
00:47:20,200 --> 00:47:22,320
Speaker 4: Just just I don't want to get too deep into

1030
00:47:22,440 --> 00:47:27,120
Speaker 4: detail with it for her own protection, but yeah, like yeah.

1031
00:47:27,080 --> 00:47:30,000
Speaker 3: Her own protection is crazy these days. This is your friend.

1032
00:47:30,080 --> 00:47:34,680
Speaker 3: But they put our ad on the internet, so you.

1033
00:47:34,680 --> 00:47:36,640
Speaker 5: Know, the marriage finding out she's gay because she was

1034
00:47:36,640 --> 00:47:37,560
Speaker 5: just playing around.

1035
00:47:38,880 --> 00:47:40,600
Speaker 6: Bro, it happened. It happens a lot.

1036
00:47:40,680 --> 00:47:44,200
Speaker 2: It happens every episode of Euphoria. It's like I wasn't gay,

1037
00:47:44,239 --> 00:47:44,879
Speaker 2: I am now gay.

1038
00:47:45,040 --> 00:47:47,800
Speaker 3: Oh my god, that is hilarious. I'm sure that happens

1039
00:47:47,800 --> 00:47:51,040
Speaker 3: a lot. But sometimes, like you know how, that's why

1040
00:47:51,080 --> 00:47:52,600
Speaker 3: I tell the niggas, don't play gay games with me.

1041
00:47:53,239 --> 00:47:55,960
Speaker 2: You're gonna find out what not what male besties to

1042
00:47:56,000 --> 00:47:56,759
Speaker 2: do that.

1043
00:47:58,000 --> 00:48:00,200
Speaker 6: But you know that, you know the white people, white

1044
00:48:00,239 --> 00:48:00,920
Speaker 6: fret boy.

1045
00:48:00,880 --> 00:48:03,040
Speaker 5: Y'all play the games, y'all, y'all do the games where y'all,

1046
00:48:03,080 --> 00:48:03,319
Speaker 5: you know.

1047
00:48:03,400 --> 00:48:06,240
Speaker 2: Get drunk and kiss my homeboy, Like now you grab

1048
00:48:06,239 --> 00:48:07,359
Speaker 2: a ball in the locker room.

1049
00:48:07,400 --> 00:48:09,440
Speaker 3: I've never got grabbing a ball in the locker if

1050
00:48:09,440 --> 00:48:13,360
Speaker 3: it ain't a basketball period, like you know, you know,

1051
00:48:13,440 --> 00:48:15,200
Speaker 3: the games that white boys play like I'll be staying

1052
00:48:15,200 --> 00:48:16,480
Speaker 3: there and told them to a girl my wife friend

1053
00:48:16,520 --> 00:48:18,200
Speaker 3: come up behind me and pull my shorts.

1054
00:48:17,880 --> 00:48:21,280
Speaker 2: Down, like you know, okay, So that's that's hard games,

1055
00:48:21,560 --> 00:48:23,399
Speaker 2: the games, the fright games.

1056
00:48:23,440 --> 00:48:25,720
Speaker 3: Y'all play those type of games each other's ass.

1057
00:48:25,760 --> 00:48:29,239
Speaker 4: But like gripping, gripping the like the cuff, good game,

1058
00:48:29,280 --> 00:48:30,160
Speaker 4: but you gripped the cuff.

1059
00:48:30,200 --> 00:48:32,520
Speaker 3: No, niggas, we ain't play that in my hood. That that never,

1060
00:48:32,560 --> 00:48:33,440
Speaker 3: that game didn't.

1061
00:48:33,200 --> 00:48:37,919
Speaker 2: Make it uptown after a good game. It's fucking yeah,

1062
00:48:37,960 --> 00:48:39,080
Speaker 2: like leaving your.

1063
00:48:38,920 --> 00:48:41,360
Speaker 3: Hand like that. We didn't need that jump shot that

1064
00:48:41,400 --> 00:48:42,800
Speaker 3: bad when you got to grab my ass.

1065
00:48:42,800 --> 00:48:44,759
Speaker 4: But I always thought that that good game ship was

1066
00:48:44,760 --> 00:48:46,960
Speaker 4: weird anyway, that nigga has mad body parts.

1067
00:48:47,040 --> 00:48:48,520
Speaker 6: Why are you tapping his ass?

1068
00:48:49,320 --> 00:48:51,000
Speaker 5: Well, it's not really like we're not looking at it

1069
00:48:51,040 --> 00:48:52,520
Speaker 5: like tapping his ass. It's kind of like a pad

1070
00:48:52,640 --> 00:48:53,240
Speaker 5: on the.

1071
00:48:53,040 --> 00:48:56,399
Speaker 4: Back like, but it's mad back like the man's ass

1072
00:48:56,400 --> 00:49:01,160
Speaker 4: as little as it's mad back. You nah, you skipped

1073
00:49:01,160 --> 00:49:03,120
Speaker 4: the back and go and tap his ass.

1074
00:49:04,440 --> 00:49:05,560
Speaker 3: It's a little home more erotic.

1075
00:49:06,320 --> 00:49:07,839
Speaker 2: I'm not here to defend it. I don't I don't

1076
00:49:07,880 --> 00:49:10,080
Speaker 2: fully understand it either, but I mean, I guess because

1077
00:49:10,120 --> 00:49:12,520
Speaker 2: your arms are there after the free throw.

1078
00:49:12,600 --> 00:49:18,680
Speaker 3: It's just like in reaching distance, I'm not going I can't.

1079
00:49:18,840 --> 00:49:19,480
Speaker 2: I didn't invent it.

1080
00:49:19,680 --> 00:49:22,239
Speaker 5: Participation. I'm a victim of that as well. Like I've

1081
00:49:22,280 --> 00:49:24,839
Speaker 5: done it, I've received it, Like I just be honest,

1082
00:49:24,880 --> 00:49:27,000
Speaker 5: I played both growing up, like, but we weren't looking

1083
00:49:27,040 --> 00:49:28,879
Speaker 5: at it like yo, that's some weird ship.

1084
00:49:28,960 --> 00:49:30,480
Speaker 3: It was just ship that we did.

1085
00:49:30,560 --> 00:49:32,960
Speaker 4: But and then when nigga suck her out, don't like,

1086
00:49:33,040 --> 00:49:34,759
Speaker 4: have no meat on your ass. The nigga sucker on it,

1087
00:49:34,800 --> 00:49:38,560
Speaker 4: slap y'all, like, good game you and you got recoil crazy, Yeah,

1088
00:49:38,800 --> 00:49:41,160
Speaker 4: jiggling after that's fucking crazy.

1089
00:49:42,200 --> 00:49:45,160
Speaker 5: Your ass having recoiled as a man is wild though,

1090
00:49:45,320 --> 00:49:46,880
Speaker 5: Like that is wow.

1091
00:49:48,880 --> 00:49:51,920
Speaker 2: And somebody notices it, like you got the football tights

1092
00:49:51,960 --> 00:49:52,279
Speaker 2: on me?

1093
00:49:52,400 --> 00:49:56,040
Speaker 4: So yeah, like because because that's my thing. Like so

1094
00:49:56,080 --> 00:49:58,439
Speaker 4: you y'all do that to like even no ass, even

1095
00:49:58,440 --> 00:50:00,160
Speaker 4: the home because everybody know the football player with the

1096
00:50:00,200 --> 00:50:01,440
Speaker 4: fat ass. Like we all went to school with the

1097
00:50:01,440 --> 00:50:03,400
Speaker 4: football player with the fat ass. You're telling me you

1098
00:50:03,400 --> 00:50:04,880
Speaker 4: tapped his ass and you ain't feel.

1099
00:50:04,640 --> 00:50:05,239
Speaker 6: It bounce back.

1100
00:50:05,480 --> 00:50:06,600
Speaker 2: Nah, your niggas is gay.

1101
00:50:06,680 --> 00:50:12,120
Speaker 3: I don't care we had on gloves. I didn't play football.

1102
00:50:14,000 --> 00:50:15,240
Speaker 6: Basketball shorts looser.

1103
00:50:16,160 --> 00:50:19,000
Speaker 5: Yeah, listen, baby, I'm not I'm not here to argue

1104
00:50:19,000 --> 00:50:20,360
Speaker 5: with you defended it's crazy.

1105
00:50:20,400 --> 00:50:22,239
Speaker 3: It's it is some weird ship.

1106
00:50:22,360 --> 00:50:24,600
Speaker 5: Like I get it, but we weren't looking at it

1107
00:50:25,040 --> 00:50:26,359
Speaker 5: through that lens of y'all.

1108
00:50:26,400 --> 00:50:29,120
Speaker 6: Wasn't somebod y'all. That's how some of y'all I was gay.

1109
00:50:29,160 --> 00:50:30,920
Speaker 3: That's the fact I well, I definitely wasn't looking through

1110
00:50:30,920 --> 00:50:33,400
Speaker 3: it through that lens. I definitely I didn't. That's why

1111
00:50:33,400 --> 00:50:34,799
Speaker 3: I stopped playing balls so many years ago.

1112
00:50:35,120 --> 00:50:36,120
Speaker 2: That's why you gave up the game.

1113
00:50:36,360 --> 00:50:37,360
Speaker 3: I was like, yeah, the same for me.

1114
00:50:37,560 --> 00:50:39,719
Speaker 2: You would have went to the league. If they wasn't

1115
00:50:39,719 --> 00:50:40,680
Speaker 2: slapping as they.

1116
00:50:40,680 --> 00:50:42,680
Speaker 3: Wasn't slapping ashes, I might have went pro. I ain't gonna.

1117
00:50:44,160 --> 00:50:46,279
Speaker 3: I might have went pro. That's how straight you are.

1118
00:50:47,400 --> 00:50:48,279
Speaker 3: I gave up.

1119
00:50:49,239 --> 00:50:52,799
Speaker 2: I was like, I don't like that ship. So what

1120
00:50:52,840 --> 00:50:55,040
Speaker 2: happens if you get up after this and peage goes good? Pard,

1121
00:50:55,840 --> 00:51:01,359
Speaker 2: You're know we're not doing sexual harassle. Definitely that would

1122
00:51:01,400 --> 00:51:04,200
Speaker 2: be funny if an athlete, because you would have some

1123
00:51:04,239 --> 00:51:04,799
Speaker 2: grounds for that.

1124
00:51:05,840 --> 00:51:06,760
Speaker 3: You're in the workplace.

1125
00:51:07,480 --> 00:51:09,319
Speaker 2: Yeah, if my teammate smacked me on the ass after

1126
00:51:09,360 --> 00:51:11,320
Speaker 2: a free throw. I'm in the workplace, I'm on the clock.

1127
00:51:11,960 --> 00:51:13,680
Speaker 2: I didn't ask for that.

1128
00:51:13,680 --> 00:51:15,719
Speaker 3: That's just weird, though, but I get it.

1129
00:51:16,040 --> 00:51:18,239
Speaker 5: But baby DM, I'm glad you shed light on the

1130
00:51:18,880 --> 00:51:19,959
Speaker 5: finding out how you're gay.

1131
00:51:20,560 --> 00:51:22,319
Speaker 3: I think that's important. I think women need to hear that.

1132
00:51:23,040 --> 00:51:24,080
Speaker 6: I mean, but I was very young.

1133
00:51:24,120 --> 00:51:26,120
Speaker 4: I won't say which age again because it will expose

1134
00:51:26,160 --> 00:51:27,759
Speaker 4: the friend, but I was very young.

1135
00:51:27,960 --> 00:51:30,080
Speaker 2: So I just think it happens a lot in adulthood because,

1136
00:51:30,160 --> 00:51:32,680
Speaker 2: as we said, women aren't really friends with each other,

1137
00:51:32,760 --> 00:51:34,719
Speaker 2: and they meet like a lot of friends, like at

1138
00:51:34,719 --> 00:51:37,279
Speaker 2: the club and become besties. They're like, they'll have ig

1139
00:51:37,480 --> 00:51:38,160
Speaker 2: batty friends.

1140
00:51:38,640 --> 00:51:40,440
Speaker 4: I think of the gay and I think some of

1141
00:51:40,440 --> 00:51:42,359
Speaker 4: the studio sessions and say that you're your friends.

1142
00:51:42,360 --> 00:51:43,799
Speaker 6: I'm so tired of y'all shooting at women.

1143
00:51:44,640 --> 00:51:47,120
Speaker 4: Y'all be meet, y'all be meeting at a bar, y'all

1144
00:51:47,120 --> 00:51:48,640
Speaker 4: be meet, and niggas at the bar, y'all happen to

1145
00:51:48,680 --> 00:51:49,520
Speaker 4: be fucking two bitches.

1146
00:51:49,520 --> 00:51:51,319
Speaker 6: That's cool. Now y'all friends like y'all in.

1147
00:51:51,280 --> 00:51:54,239
Speaker 2: The studio together, And now y'all that's survival. Yeah, if

1148
00:51:54,239 --> 00:51:55,680
Speaker 2: I got a double date, at least, like, let me

1149
00:51:55,719 --> 00:51:56,640
Speaker 2: try to get along with me.

1150
00:51:57,440 --> 00:51:59,040
Speaker 5: I've never met a random man at a bar and

1151
00:51:59,040 --> 00:52:00,640
Speaker 5: we're still friends to this day. Let me just put

1152
00:52:00,640 --> 00:52:03,279
Speaker 5: that up there. You have done that either, it's never had.

1153
00:52:03,280 --> 00:52:04,279
Speaker 5: That's a wild thing.

1154
00:52:04,400 --> 00:52:06,640
Speaker 4: Y'all meet the random homie of a random homie and

1155
00:52:06,680 --> 00:52:09,239
Speaker 4: now your friends Like now y'all boys, not y'all a boys.

1156
00:52:09,239 --> 00:52:09,439
Speaker 3: Shit.

1157
00:52:09,520 --> 00:52:12,279
Speaker 5: So you mean like I brings a friend in here

1158
00:52:12,360 --> 00:52:14,759
Speaker 5: and like we all kicking it and like now your friends,

1159
00:52:15,640 --> 00:52:17,680
Speaker 5: Well not today, I'm not gonna leave, Like, yo, that's

1160
00:52:17,719 --> 00:52:18,400
Speaker 5: my friend.

1161
00:52:18,640 --> 00:52:20,800
Speaker 3: But like if he's around for the next.

1162
00:52:20,600 --> 00:52:23,040
Speaker 5: Two three years and we hanging out te people meet, yeah,

1163
00:52:23,440 --> 00:52:24,960
Speaker 5: like yeah, that's like, yo, that I met him.

1164
00:52:25,080 --> 00:52:27,239
Speaker 2: Like damn, you didn't know that girl and you got

1165
00:52:27,239 --> 00:52:28,920
Speaker 2: to know where and married her. That's the marriage.

1166
00:52:28,960 --> 00:52:32,200
Speaker 3: Do the same thing. We're not doing.

1167
00:52:32,280 --> 00:52:32,920
Speaker 6: We're gonna do that.

1168
00:52:33,160 --> 00:52:36,080
Speaker 4: We're not right, not not this week, not that, this

1169
00:52:36,160 --> 00:52:37,319
Speaker 4: today is not this is not the week.

1170
00:52:37,480 --> 00:52:39,120
Speaker 3: This is not the week for that. Okay, I'm sorry

1171
00:52:39,160 --> 00:52:39,440
Speaker 3: because I.

1172
00:52:39,480 --> 00:52:41,440
Speaker 6: Know where you're going and I don't want to have

1173
00:52:41,480 --> 00:52:42,200
Speaker 6: to steer you out.

1174
00:52:42,360 --> 00:52:44,440
Speaker 5: You know, I'm not I'm not I would never do that.

1175
00:52:44,760 --> 00:52:46,000
Speaker 5: I'm not going there I'm not going there.

1176
00:52:46,000 --> 00:52:49,239
Speaker 2: What's fucked up is that is a double standard with men.

1177
00:52:49,400 --> 00:52:55,600
Speaker 2: Like women can meet their friends any and everywhere. Men like, yeah,

1178
00:52:55,640 --> 00:52:56,920
Speaker 2: we would look at you a little weird if he

1179
00:52:57,040 --> 00:52:58,319
Speaker 2: was like, yeah, you know, I was just you know,

1180
00:52:59,120 --> 00:53:00,600
Speaker 2: having a beer and he was right next to me

1181
00:53:00,640 --> 00:53:02,640
Speaker 2: and we became friends.

1182
00:53:02,960 --> 00:53:05,000
Speaker 3: Yeah, you can't. We can't meet each other. I think

1183
00:53:05,040 --> 00:53:06,399
Speaker 3: that guy has something else on his mind.

1184
00:53:07,520 --> 00:53:09,400
Speaker 5: Yeah, we can't meet. We can't because then it's like, Yo,

1185
00:53:09,400 --> 00:53:11,839
Speaker 5: what's up with your men? Why keep hitting trying to

1186
00:53:11,880 --> 00:53:12,560
Speaker 5: talk and text me?

1187
00:53:12,719 --> 00:53:15,640
Speaker 2: What's like you have to be like and like we

1188
00:53:15,719 --> 00:53:18,080
Speaker 2: kicked it, and like you can't just meet men and

1189
00:53:18,120 --> 00:53:18,799
Speaker 2: be friends with them.

1190
00:53:18,960 --> 00:53:22,480
Speaker 4: But see, that's why the male loneliness epidemic. Yeah, ain't

1191
00:53:22,480 --> 00:53:25,800
Speaker 4: got no fucking friends because y'all be afraid to meet people.

1192
00:53:27,160 --> 00:53:28,840
Speaker 3: Not afraid. I just don't fuck with people.

1193
00:53:29,239 --> 00:53:31,600
Speaker 2: You should probably fuck with people just randomly chatting it up.

1194
00:53:31,640 --> 00:53:32,879
Speaker 6: You got four hundred brothers and sister.

1195
00:53:34,200 --> 00:53:36,600
Speaker 5: I got my friends, I got I'm cool. I don't

1196
00:53:36,600 --> 00:53:39,080
Speaker 5: need like to meet new friends.

1197
00:53:39,080 --> 00:53:41,120
Speaker 6: You had a best friend, all, Yeah, what's his name?

1198
00:53:41,600 --> 00:53:41,839
Speaker 3: Mike?

1199
00:53:42,320 --> 00:53:42,560
Speaker 6: Mike?

1200
00:53:43,200 --> 00:53:44,600
Speaker 4: I ain't never heard of Mike. Why I never met

1201
00:53:44,640 --> 00:53:49,719
Speaker 4: Mike before. Mm hm, no, it's not ringing a bell either.

1202
00:53:50,000 --> 00:53:51,560
Speaker 6: He ever ever been around?

1203
00:53:51,600 --> 00:53:53,600
Speaker 5: He was, he came to the he came when we

1204
00:53:53,640 --> 00:53:56,440
Speaker 5: had the He was here when we had the people

1205
00:53:56,440 --> 00:53:57,680
Speaker 5: pull up for the party.

1206
00:53:57,880 --> 00:54:00,279
Speaker 3: Oh, you might have left he pulled up as I

1207
00:54:00,800 --> 00:54:02,799
Speaker 3: don't think that was there. You met him? What God

1208
00:54:02,880 --> 00:54:05,600
Speaker 3: owns the store? Oh shit, yeah, a bunch of times. Okay,

1209
00:54:05,719 --> 00:54:06,640
Speaker 3: he was here, he came in.

1210
00:54:06,840 --> 00:54:08,800
Speaker 5: You might have left though, Yeah, But that's wh like

1211
00:54:08,840 --> 00:54:10,560
Speaker 5: we grew up together, Like I might have known him

1212
00:54:10,600 --> 00:54:11,160
Speaker 5: since I was like.

1213
00:54:11,920 --> 00:54:13,720
Speaker 6: So like he will say Malla is my best friend.

1214
00:54:14,840 --> 00:54:16,759
Speaker 5: I mean, I don't know if we say best friends.

1215
00:54:16,760 --> 00:54:18,680
Speaker 5: We wouldn't say that. We don't put that on.

1216
00:54:18,600 --> 00:54:20,919
Speaker 3: It MySpace topic. You guys will both be number one.

1217
00:54:22,320 --> 00:54:25,600
Speaker 5: That's a little weird too, but like we know like that,

1218
00:54:25,600 --> 00:54:27,680
Speaker 5: that's that's like family. At this point, I was like,

1219
00:54:27,800 --> 00:54:29,640
Speaker 5: I think I was eleven and he was nine when

1220
00:54:29,680 --> 00:54:30,279
Speaker 5: we first met.

1221
00:54:30,480 --> 00:54:34,000
Speaker 6: So is that what makes men best friends? Is that time?

1222
00:54:34,200 --> 00:54:34,680
Speaker 6: Is it time?

1223
00:54:34,840 --> 00:54:37,120
Speaker 4: Because Rory's best friend has been his best friend since

1224
00:54:37,160 --> 00:54:39,320
Speaker 4: he was like seven too. So I always wonder what

1225
00:54:39,480 --> 00:54:41,640
Speaker 4: men like because I know what women. It's about who

1226
00:54:41,640 --> 00:54:45,239
Speaker 4: we feel closest to. With men, is it like.

1227
00:54:45,760 --> 00:54:47,720
Speaker 5: Well for me, well for me, I'm speaking for myself,

1228
00:54:47,880 --> 00:54:52,480
Speaker 5: it's yes, time, but it's also experiences is also going

1229
00:54:52,520 --> 00:54:54,759
Speaker 5: through things together and then like just that bond of

1230
00:54:55,239 --> 00:54:58,799
Speaker 5: like we cannot speak for three months like at all,

1231
00:54:59,360 --> 00:55:01,719
Speaker 5: and then I and call him. We pick up right

1232
00:55:01,760 --> 00:55:04,160
Speaker 5: where we left off three months ago, like we don't

1233
00:55:04,200 --> 00:55:06,600
Speaker 5: have to see each other every day. He got his life,

1234
00:55:06,680 --> 00:55:08,960
Speaker 5: his family, I got my life, you know what I'm saying.

1235
00:55:09,000 --> 00:55:13,800
Speaker 5: It's like, yes, like we don't have to like our relationship,

1236
00:55:13,840 --> 00:55:16,160
Speaker 5: our bond is not continued on to speaking every day,

1237
00:55:16,680 --> 00:55:19,279
Speaker 5: like I don't need to speak to nobody every single day,

1238
00:55:19,320 --> 00:55:21,400
Speaker 5: you know what I'm saying. So it's like, you know,

1239
00:55:21,480 --> 00:55:23,560
Speaker 5: you know what somebody is because you've been through some

1240
00:55:23,640 --> 00:55:27,240
Speaker 5: things and loyalty was tested and you know things like that,

1241
00:55:27,400 --> 00:55:30,600
Speaker 5: integrity was tested and you just see who somebody is

1242
00:55:30,640 --> 00:55:31,960
Speaker 5: and then you look up at black damn like we

1243
00:55:32,040 --> 00:55:35,600
Speaker 5: known each other over thirty years, Like this shit is crazy.

1244
00:55:36,480 --> 00:55:38,960
Speaker 5: So yeah, that's like I can't even say best friend.

1245
00:55:39,000 --> 00:55:40,880
Speaker 5: That's that's family at this point, that's not even like

1246
00:55:40,880 --> 00:55:41,719
Speaker 5: a best friend.

1247
00:55:41,960 --> 00:55:45,080
Speaker 2: Yeah, because even like yeah, I think women define best

1248
00:55:45,080 --> 00:55:48,280
Speaker 2: friend differently too, because there may be people I'm closer

1249
00:55:48,320 --> 00:55:50,919
Speaker 2: with than my best friend at the moment, just because

1250
00:55:50,960 --> 00:55:53,440
Speaker 2: of where my life is. To your point, I'm not

1251
00:55:53,440 --> 00:55:57,120
Speaker 2: to speaking, but that's still my best friend been thirty years,

1252
00:55:57,160 --> 00:56:00,799
Speaker 2: but we don't speak every day like I I'm probably

1253
00:56:00,840 --> 00:56:05,360
Speaker 2: closer with Raven on like ravens like like daily talking

1254
00:56:05,360 --> 00:56:08,160
Speaker 2: about what's going on in my life than him. But

1255
00:56:08,280 --> 00:56:11,279
Speaker 2: I wouldn't say that Raven is my best best I

1256
00:56:11,320 --> 00:56:11,600
Speaker 2: don't know.

1257
00:56:11,600 --> 00:56:13,000
Speaker 6: I would say your best friend.

1258
00:56:13,040 --> 00:56:14,799
Speaker 2: She's definitely one of my best friends for sure, But

1259
00:56:15,040 --> 00:56:18,040
Speaker 2: I don't know that the family it is Raven is fair.

1260
00:56:18,120 --> 00:56:20,120
Speaker 2: That's not That's what I'm saying. I can't put best.

1261
00:56:20,040 --> 00:56:22,520
Speaker 4: Your best friends should be family like your best friend

1262
00:56:22,560 --> 00:56:23,000
Speaker 4: should be fan.

1263
00:56:23,200 --> 00:56:25,920
Speaker 3: Yes, agreed, I didn't mean my best friend in the

1264
00:56:26,000 --> 00:56:28,120
Speaker 3: bar over a beer. Yeah.

1265
00:56:28,239 --> 00:56:30,680
Speaker 4: But also what men require from their friendships as well

1266
00:56:30,719 --> 00:56:32,160
Speaker 4: known that y'all don't require much.

1267
00:56:32,800 --> 00:56:37,799
Speaker 3: Men don't require much. We don't know.

1268
00:56:37,880 --> 00:56:39,440
Speaker 6: It's just the things y'all require.

1269
00:56:40,000 --> 00:56:41,160
Speaker 3: Those are the important things.

1270
00:56:41,200 --> 00:56:45,799
Speaker 4: Loyalty, honesty, y'all loves requiring loyalty and not giving it out.

1271
00:56:46,160 --> 00:56:48,640
Speaker 5: N that's that's that's young niggas that do that. That's

1272
00:56:48,640 --> 00:56:53,480
Speaker 5: little boys that don't grown man talk.

1273
00:56:55,080 --> 00:56:56,600
Speaker 3: Cheating is a young young.

1274
00:56:56,400 --> 00:57:00,520
Speaker 5: Boy sport who brought up a rich man sport that too,

1275
00:57:01,080 --> 00:57:05,320
Speaker 5: But you nah, you when you loyals, it's just something

1276
00:57:05,360 --> 00:57:06,439
Speaker 5: that you don't even have to think about.

1277
00:57:06,440 --> 00:57:10,520
Speaker 3: It's just who you are. You have to think about it. Yeah, William,

1278
00:57:10,560 --> 00:57:12,720
Speaker 3: what so don't put me in that box, baby, I'm sorry.

1279
00:57:12,760 --> 00:57:17,280
Speaker 2: On Sunday, Sunday, with my free afternoon, I'm gonna go

1280
00:57:17,320 --> 00:57:18,680
Speaker 2: to the bar and just just chat it up with

1281
00:57:18,720 --> 00:57:19,240
Speaker 2: a fella.

1282
00:57:19,360 --> 00:57:22,360
Speaker 4: You should, I'm serious. You never know what you have

1283
00:57:22,440 --> 00:57:23,880
Speaker 4: in common with people, and then you'll be like, girls

1284
00:57:23,880 --> 00:57:25,480
Speaker 4: aren't really friends. You guys that meet each other at

1285
00:57:25,480 --> 00:57:27,600
Speaker 4: a club and suddenly your friends. It's like, well, yeah,

1286
00:57:27,680 --> 00:57:30,080
Speaker 4: girls make connection. And then if hey, if I'm getting

1287
00:57:30,080 --> 00:57:32,600
Speaker 4: to notice person and they become deeper in my life,

1288
00:57:32,600 --> 00:57:33,520
Speaker 4: they become deeper in my life.

1289
00:57:33,520 --> 00:57:34,880
Speaker 6: If not, then we get rid of I'm bitch weird.

1290
00:57:35,000 --> 00:57:36,400
Speaker 5: But if I go to a bar and a random

1291
00:57:36,440 --> 00:57:38,680
Speaker 5: man just starts having conversations with me and he's not

1292
00:57:38,720 --> 00:57:41,680
Speaker 5: the one making my drinks, get the fuck away from me.

1293
00:57:41,920 --> 00:57:44,280
Speaker 3: He's either gay or I'm getting lined. Yeah, it's one

1294
00:57:44,320 --> 00:57:46,000
Speaker 3: of those. That's just the world we live.

1295
00:57:46,440 --> 00:57:48,600
Speaker 5: Either he's trying to take me home, or he's trying

1296
00:57:48,600 --> 00:57:52,680
Speaker 5: to take my kidney.

1297
00:57:49,880 --> 00:57:54,480
Speaker 2: Not a way an organ is involved.

1298
00:57:56,160 --> 00:57:57,440
Speaker 3: Not the way is not happening.

1299
00:57:57,680 --> 00:57:59,360
Speaker 2: I'm an organ, dona that night regardless.

1300
00:58:01,400 --> 00:58:05,160
Speaker 4: But uh, but but sometimes like I've been to like

1301
00:58:05,200 --> 00:58:06,640
Speaker 4: I've been on the phone with a man who was

1302
00:58:06,680 --> 00:58:08,360
Speaker 4: at a bar and like there was like a chatty

1303
00:58:08,400 --> 00:58:09,240
Speaker 4: white boy next to him.

1304
00:58:09,240 --> 00:58:09,680
Speaker 6: He drunk.

1305
00:58:09,760 --> 00:58:12,080
Speaker 4: He just yet he hate his wife. He just needs

1306
00:58:12,080 --> 00:58:14,760
Speaker 4: somebody to talk to. Like I think that that's like

1307
00:58:14,880 --> 00:58:15,680
Speaker 4: as humans, that.

1308
00:58:15,640 --> 00:58:18,680
Speaker 2: We talk to somebody the airport bar, but we knew

1309
00:58:18,680 --> 00:58:20,439
Speaker 2: that we're getting on separate flights and never I don't

1310
00:58:20,440 --> 00:58:20,840
Speaker 2: even want to know.

1311
00:58:21,040 --> 00:58:22,120
Speaker 3: Yeah, we've never seen each other.

1312
00:58:22,400 --> 00:58:24,000
Speaker 6: What if you guys have, like you know, you could

1313
00:58:24,000 --> 00:58:25,120
Speaker 6: do business together.

1314
00:58:25,480 --> 00:58:26,480
Speaker 3: Well, that's that's different.

1315
00:58:26,520 --> 00:58:28,800
Speaker 5: Yeah, if the conversation goes there and you find out

1316
00:58:28,840 --> 00:58:31,240
Speaker 5: like he does something and y'all kind of in the

1317
00:58:31,240 --> 00:58:32,640
Speaker 5: same industry, like yeah.

1318
00:58:32,640 --> 00:58:34,360
Speaker 6: And then you guys become friends.

1319
00:58:34,600 --> 00:58:39,160
Speaker 3: I don't know about that. It's a little gay. That's gay.

1320
00:58:40,320 --> 00:58:41,360
Speaker 3: Jersey swapping is gay.

1321
00:58:41,440 --> 00:58:42,440
Speaker 6: What's jersey swapping?

1322
00:58:43,160 --> 00:58:43,920
Speaker 3: After games?

1323
00:58:44,000 --> 00:58:46,760
Speaker 2: Athletes will swap jerseys and take photos, and now people

1324
00:58:46,800 --> 00:58:48,480
Speaker 2: are doing it outside of the club with their button

1325
00:58:48,520 --> 00:58:49,120
Speaker 2: up shirts.

1326
00:58:49,840 --> 00:58:52,920
Speaker 6: Man, I'm not see that's crazy.

1327
00:58:53,240 --> 00:58:56,120
Speaker 5: I can see Peach doing that though he's definitely that's

1328
00:58:56,160 --> 00:58:58,760
Speaker 5: definitely Peas peachbag.

1329
00:59:00,080 --> 00:59:04,400
Speaker 7: No people, I don't think there's anything to strangers at

1330
00:59:04,400 --> 00:59:07,080
Speaker 7: the bar, but like to continue on, I get at

1331
00:59:07,120 --> 00:59:10,439
Speaker 7: your local like cheers, like that guy's there every time

1332
00:59:10,480 --> 00:59:10,919
Speaker 7: you're there.

1333
00:59:11,200 --> 00:59:13,760
Speaker 2: I could see you forming some type of a friendship.

1334
00:59:13,760 --> 00:59:16,120
Speaker 2: But to just go to a random bar meet a

1335
00:59:16,160 --> 00:59:18,040
Speaker 2: guy like let's exchange numbers and get lunch.

1336
00:59:20,560 --> 00:59:25,040
Speaker 5: But listen, I know it sounds crazy. It's just because

1337
00:59:25,240 --> 00:59:27,040
Speaker 5: would be with it. He'll be, he'll be and to

1338
00:59:27,120 --> 00:59:29,240
Speaker 5: be women like he'll be talking to a woman.

1339
00:59:29,280 --> 00:59:32,480
Speaker 4: Man, pease be no peace, be talking about that mad

1340
00:59:32,520 --> 00:59:33,880
Speaker 4: fellas like at the bar.

1341
00:59:33,800 --> 00:59:34,120
Speaker 6: Bro.

1342
00:59:36,160 --> 00:59:39,640
Speaker 2: Fellas, Like if you're sitting there talking about the game,

1343
00:59:39,720 --> 00:59:42,360
Speaker 2: like that's not holding or like yeah that's different, like

1344
00:59:42,360 --> 00:59:44,000
Speaker 2: we're watching the game. That's fine.

1345
00:59:44,080 --> 00:59:44,920
Speaker 6: Y'all should stop.

1346
00:59:45,320 --> 00:59:47,160
Speaker 4: But I've said this plenty of times when y'all say

1347
00:59:47,160 --> 00:59:49,280
Speaker 4: women we can't do anything, or women call us gay, No,

1348
00:59:49,400 --> 00:59:52,760
Speaker 4: it'd be y'all. Y'all put so many gay strengths on

1349
00:59:52,800 --> 00:59:55,840
Speaker 4: each other, like just be humans and you would have

1350
00:59:55,880 --> 00:59:57,360
Speaker 4: so much more fulfilling.

1351
00:59:56,960 --> 00:59:59,080
Speaker 5: Through were talking ship, Like, of course, so I go

1352
00:59:59,080 --> 01:00:00,680
Speaker 5: to a bar, I've had com conversations with.

1353
01:00:00,640 --> 01:00:04,680
Speaker 1: What you can tell, you can number, we're not doing

1354
01:00:04,720 --> 01:00:08,200
Speaker 1: that usually anytime going out, there's a lot of mutual

1355
01:00:08,320 --> 01:00:10,720
Speaker 1: Like if I'm talking to this person, they know somebody

1356
01:00:10,760 --> 01:00:11,960
Speaker 1: that I know that's here.

1357
01:00:12,680 --> 01:00:13,920
Speaker 3: So that's why I've never found out.

1358
01:00:14,200 --> 01:00:16,680
Speaker 2: I'm saying, just if I go across the street and

1359
01:00:16,760 --> 01:00:19,240
Speaker 2: just sit down and just start chatting it up and

1360
01:00:19,240 --> 01:00:21,800
Speaker 2: then find out how to come see the office, And

1361
01:00:21,800 --> 01:00:23,000
Speaker 2: you guys are like, how'd you meet him?

1362
01:00:23,040 --> 01:00:24,600
Speaker 3: Like, oh, we met at a bar.

1363
01:00:24,880 --> 01:00:25,240
Speaker 6: Fire.

1364
01:00:26,360 --> 01:00:29,400
Speaker 5: I don't know, there's nothing fire about that. Get this

1365
01:00:29,480 --> 01:00:32,160
Speaker 5: fucking random guy out of here before he kills all

1366
01:00:32,160 --> 01:00:32,240
Speaker 5: of

1367
01:00:32,280 --> 01:00:35,120
Speaker 3: Us, And where's our skin for a fucking jacket, like