1 00:00:01,240 --> 00:00:04,560 Speaker 1: Welcome to episode too six four. We'll talk to Caitlin 2 00:00:04,640 --> 00:00:07,040 Speaker 1: Smith coming up, who I love as an artist and 3 00:00:07,080 --> 00:00:11,200 Speaker 1: a songwriter. We'll also do some classic country songs that 4 00:00:11,280 --> 00:00:14,200 Speaker 1: never went number one, and we'll talk about new music. 5 00:00:14,280 --> 00:00:16,160 Speaker 1: I want to bring Eddie in. I've been a little 6 00:00:16,200 --> 00:00:17,439 Speaker 1: under the weather this week, so I don't know this 7 00:00:17,480 --> 00:00:19,960 Speaker 1: one will be the longest one, but sometimes when I 8 00:00:20,000 --> 00:00:21,800 Speaker 1: need support, I bring Eddie in. Although I think you've 9 00:00:21,800 --> 00:00:23,560 Speaker 1: been in like the last seventy three episodes, I love 10 00:00:23,640 --> 00:00:27,040 Speaker 1: it well is now at the radio show and I'm 11 00:00:27,040 --> 00:00:28,920 Speaker 1: already here. Yeah, so I'm like, hey, come on in 12 00:00:28,960 --> 00:00:30,600 Speaker 1: and talking. And I love music and I love talking 13 00:00:30,600 --> 00:00:32,559 Speaker 1: to you, So makes sense. What do you love more? 14 00:00:32,600 --> 00:00:36,800 Speaker 1: Though not equally, dude, equally. The big releases this week, 15 00:00:36,840 --> 00:00:39,960 Speaker 1: these are the things I'm most interested in. Devin Dawson 16 00:00:40,000 --> 00:00:42,400 Speaker 1: at number five, has a new song called range Rover. 17 00:00:43,159 --> 00:00:57,000 Speaker 1: I'm looking for Green Kinky next to me, I'm making 18 00:00:57,960 --> 00:01:03,520 Speaker 1: Lucy's past blows because ink see and it's been Ceo 19 00:01:03,800 --> 00:01:08,760 Speaker 1: at the corn Million Mouse on the Moon and she 20 00:01:09,040 --> 00:01:14,360 Speaker 1: was looking for that angel. That's some five. Number four, 21 00:01:14,480 --> 00:01:16,800 Speaker 1: Eric Church has a new song out here is hell 22 00:01:16,880 --> 00:01:24,360 Speaker 1: of a You. This same for everybody like you got living, 23 00:01:27,800 --> 00:01:37,040 Speaker 1: he ain't always have baby this living, You'll love you. 24 00:01:38,000 --> 00:01:41,040 Speaker 1: At number three. Ingered Andrew's released a deluxe version of 25 00:01:41,080 --> 00:01:43,400 Speaker 1: her album Ladylike, which came out of March, but now 26 00:01:43,440 --> 00:01:46,160 Speaker 1: it's three unreleased songs, plus an updated version of More 27 00:01:46,200 --> 00:01:49,120 Speaker 1: Hearts Than Mind with Kimberly Schlatman from a Little Big Town. 28 00:01:49,320 --> 00:01:54,760 Speaker 1: Here's the clip of that If I Bread, I Guess 29 00:01:54,880 --> 00:01:59,640 Speaker 1: a battle one she falls in love a little faster. 30 00:02:02,240 --> 00:02:05,200 Speaker 1: Speaking of deluxe versions, John Party released a deluxe version 31 00:02:05,200 --> 00:02:08,320 Speaker 1: of his album Heartache Medication. It includes three new songs. 32 00:02:08,400 --> 00:02:17,280 Speaker 1: Here's one called bar Downtown. Are you Baby, Baby Baby? 33 00:02:17,600 --> 00:02:20,079 Speaker 1: You know what's interesting is it's been a weird time 34 00:02:20,120 --> 00:02:22,400 Speaker 1: for artists that can't tour. Anything they put out that 35 00:02:22,480 --> 00:02:26,679 Speaker 1: was new in Quarantine, it didn't really get heard made 36 00:02:26,680 --> 00:02:29,200 Speaker 1: It did a little bit radio though, but not as 37 00:02:29,600 --> 00:02:31,600 Speaker 1: just things haven't been normal. So now this is kind 38 00:02:31,600 --> 00:02:34,520 Speaker 1: of their shot to re release that again with new 39 00:02:34,600 --> 00:02:36,440 Speaker 1: stuff for those who have already heard it, but to 40 00:02:36,520 --> 00:02:38,679 Speaker 1: get it brought up again. I think it's great. Yeah, 41 00:02:38,720 --> 00:02:41,639 Speaker 1: it's good, but realistically, you know, if if music is 42 00:02:41,680 --> 00:02:44,359 Speaker 1: not fed to us, we're not really searching it that much. 43 00:02:44,639 --> 00:02:46,239 Speaker 1: And I'm a music searcher and I don't even search 44 00:02:46,320 --> 00:02:49,400 Speaker 1: that much. Marion Morris has a new song at number one. 45 00:02:49,840 --> 00:03:10,799 Speaker 1: It's called better Than We Found It. It's to Do 46 00:03:11,160 --> 00:03:21,079 Speaker 1: Nothing about It O Sworld. Better Than We Found It? 47 00:03:22,160 --> 00:03:25,120 Speaker 1: Pretty cool. New music that didn't make my list, but 48 00:03:25,400 --> 00:03:28,160 Speaker 1: honorable mention. Amanda Shires and Jason Isbel dropped a new 49 00:03:28,200 --> 00:03:40,960 Speaker 1: track called the Problems Go It's Gonna Be and Dolly 50 00:03:41,040 --> 00:03:43,960 Speaker 1: released a Christmas album called a Holly Dolly Christmas. This 51 00:03:44,160 --> 00:03:46,800 Speaker 1: is our first Christmas album in thirty years. Here is 52 00:03:46,840 --> 00:03:50,040 Speaker 1: a new song called Christmas on the Square. Christmas song 53 00:03:50,160 --> 00:03:57,240 Speaker 1: the Square, everybody's there sing are you ready for Christmas? Yeah? 54 00:03:57,520 --> 00:04:00,800 Speaker 1: Okay yeah? And this isn't an ad or anything, but 55 00:04:01,080 --> 00:04:05,880 Speaker 1: really Dollywood during Christmas is amazing. She goes all out. 56 00:04:06,320 --> 00:04:08,440 Speaker 1: I mean it's definitely it's in the Smokies and it 57 00:04:08,600 --> 00:04:12,160 Speaker 1: feels like just we went early early December and it 58 00:04:12,320 --> 00:04:15,400 Speaker 1: was like, this feels just like Christmas. It's beautiful. Other 59 00:04:15,440 --> 00:04:17,479 Speaker 1: new stuff, Cody Johnson has a new song with Reeba 60 00:04:17,560 --> 00:04:20,080 Speaker 1: called Dear Rodeo Brothers Osborne have a new song from 61 00:04:20,080 --> 00:04:22,160 Speaker 1: their record It's coming out next week, called dead Man's Curve. 62 00:04:22,560 --> 00:04:25,480 Speaker 1: Shania Twain The Woman and Me Diamond Deluxe album. Brantley 63 00:04:25,520 --> 00:04:28,400 Speaker 1: Fire has a deluxe album twenty years of Rascal Flats. 64 00:04:28,720 --> 00:04:30,680 Speaker 1: They put out the greatest hits. The greatest hits is 65 00:04:30,720 --> 00:04:34,400 Speaker 1: weird now because because most music is streamed, we have 66 00:04:34,480 --> 00:04:37,960 Speaker 1: access to it and get it already. But I will 67 00:04:38,040 --> 00:04:41,120 Speaker 1: mention I do love going to a streaming service and 68 00:04:41,279 --> 00:04:43,520 Speaker 1: finding an album that I like, because usually that's how 69 00:04:43,560 --> 00:04:44,880 Speaker 1: you listen to it. It's hard to kind of just 70 00:04:45,400 --> 00:04:47,840 Speaker 1: click artists play me all their music. Then you get 71 00:04:47,880 --> 00:04:49,680 Speaker 1: stuck with all those songs that you don't even know 72 00:04:49,839 --> 00:04:52,159 Speaker 1: that that they made. But I do like an album 73 00:04:52,279 --> 00:04:54,880 Speaker 1: that has all the hits like that, almost like a playlist, 74 00:04:55,000 --> 00:04:57,120 Speaker 1: So there is that side to it. I wonder if 75 00:04:57,160 --> 00:04:59,600 Speaker 1: that if I fill a record label obligation, that's mostly 76 00:04:59,640 --> 00:05:02,840 Speaker 1: why the greatest hits now correct. Like you ows five records, 77 00:05:02,880 --> 00:05:05,120 Speaker 1: you've done, four you owe is another one we really 78 00:05:05,160 --> 00:05:07,720 Speaker 1: don't want to do another one? Well, and in the 79 00:05:07,839 --> 00:05:10,640 Speaker 1: contract at times you can be like, okay, well five records, 80 00:05:10,680 --> 00:05:12,360 Speaker 1: but one of them can be the greatest hits if 81 00:05:12,400 --> 00:05:15,240 Speaker 1: you have this many hits. So Rascal Flast did that. 82 00:05:15,920 --> 00:05:20,239 Speaker 1: Brent Cobbs got an album. Bon Jovi has got an album, 83 00:05:20,640 --> 00:05:23,880 Speaker 1: Melanie C who sporty spice, That's what it's called to 84 00:05:24,000 --> 00:05:27,400 Speaker 1: Huh she was Melanie was sporting? Now is it called 85 00:05:27,440 --> 00:05:33,960 Speaker 1: Melanie C? Yeah? Mel C with sporty mel b was scary. Yeah, 86 00:05:34,080 --> 00:05:37,440 Speaker 1: got me. Mariah Carey has a fifteen track collection of 87 00:05:37,520 --> 00:05:39,000 Speaker 1: unreleased songs, but it sounds like just a bunch of 88 00:05:39,000 --> 00:05:40,920 Speaker 1: songs you never want to be used. If they're just 89 00:05:40,960 --> 00:05:44,760 Speaker 1: sitting there, that's pretty much it. Are you into any 90 00:05:44,760 --> 00:05:47,040 Speaker 1: of the k pop stuff? Not? Not really. I mean, 91 00:05:47,320 --> 00:05:49,800 Speaker 1: if it's on I like it, but no. The album 92 00:05:50,160 --> 00:05:53,440 Speaker 1: the Korean girl group Black Pink, which they're massive, but 93 00:05:54,080 --> 00:05:55,360 Speaker 1: they have they have that out. All right, there you go, 94 00:05:55,440 --> 00:05:58,400 Speaker 1: there's new music. I'm gonna hop over. We're gonna let 95 00:05:58,440 --> 00:06:00,640 Speaker 1: you hear from Caitlin Smith and then Eddie and are 96 00:06:00,640 --> 00:06:04,440 Speaker 1: gonna come back and talk about um music News and 97 00:06:04,480 --> 00:06:06,600 Speaker 1: I think we'll do the twelve classic country songs that 98 00:06:06,760 --> 00:06:10,120 Speaker 1: never ever hit number one from Country Music Nation dot Com. 99 00:06:10,360 --> 00:06:14,479 Speaker 1: All right, he cait how are you all sound? Good? 100 00:06:14,560 --> 00:06:16,880 Speaker 1: Are you doing? I'm good? It's really good to talk 101 00:06:16,880 --> 00:06:18,920 Speaker 1: to you. What have you been up to? Oh, let's see. 102 00:06:19,080 --> 00:06:23,440 Speaker 1: I was just you know, filming another virtual live thing, 103 00:06:23,880 --> 00:06:26,599 Speaker 1: just living my best room life, playing with my kids. 104 00:06:27,080 --> 00:06:30,400 Speaker 1: Can't complain. You know, it's interesting you bring up all 105 00:06:30,480 --> 00:06:32,760 Speaker 1: the virtual things that everyone has to do now because 106 00:06:32,760 --> 00:06:35,039 Speaker 1: I was thinking about when you put your record out, 107 00:06:35,120 --> 00:06:38,480 Speaker 1: which was March thirteenth, so it's been back a bit, 108 00:06:38,560 --> 00:06:42,120 Speaker 1: but that was right when Corona started, so you never 109 00:06:42,400 --> 00:06:46,160 Speaker 1: really got the full album released because everybody else was 110 00:06:46,200 --> 00:06:48,120 Speaker 1: focused on all these different places. So as you've kind 111 00:06:48,120 --> 00:06:50,360 Speaker 1: of rereleased this record to a lot of folks, it 112 00:06:50,440 --> 00:06:52,240 Speaker 1: could be like the first time they've had a chance 113 00:06:52,279 --> 00:06:56,040 Speaker 1: to even be exposed to the record. Yeah, exactly. You 114 00:06:56,120 --> 00:06:57,640 Speaker 1: know what, We've been doing our best to kind of 115 00:06:57,680 --> 00:07:00,640 Speaker 1: get the music out there to people, but out everyone's 116 00:07:00,640 --> 00:07:04,400 Speaker 1: attention really is like kind of everywhere else right now, 117 00:07:04,480 --> 00:07:06,800 Speaker 1: which is fine, but you know, I'm a believer and 118 00:07:07,440 --> 00:07:09,480 Speaker 1: we'll find the music at the end, just at this 119 00:07:09,640 --> 00:07:13,040 Speaker 1: the right time, and so um yeah, so we released 120 00:07:13,080 --> 00:07:16,080 Speaker 1: it in March, but now we've decided to try and 121 00:07:16,360 --> 00:07:19,600 Speaker 1: kind of re release it with this deluxe version that 122 00:07:19,800 --> 00:07:23,280 Speaker 1: that came up last Friday, and uh, you know, put 123 00:07:23,280 --> 00:07:26,600 Speaker 1: a couple of new things from there. So yeah, I'm 124 00:07:26,600 --> 00:07:29,720 Speaker 1: gonna play a clip of I can't with Old Dominion. 125 00:07:29,760 --> 00:07:45,960 Speaker 1: Here's the clip of that. So you had that song 126 00:07:46,120 --> 00:07:48,960 Speaker 1: on the record. How long after that did you hit 127 00:07:49,040 --> 00:07:50,960 Speaker 1: up Old Dominion and and say, hey, why don't we 128 00:07:51,000 --> 00:07:54,200 Speaker 1: do this as a collaboration this time? No? I mean 129 00:07:54,280 --> 00:07:57,920 Speaker 1: it was months and months later, um that we come 130 00:07:58,000 --> 00:08:01,760 Speaker 1: up to do a collaboration. Um. And they so graciously 131 00:08:02,000 --> 00:08:06,080 Speaker 1: agreed to join me because you know, I've been on 132 00:08:06,120 --> 00:08:10,000 Speaker 1: those guys for a while. Brett Jersey, um, one of 133 00:08:10,040 --> 00:08:11,720 Speaker 1: the guitar players in the band, like him and I 134 00:08:11,840 --> 00:08:14,960 Speaker 1: go way back to like touring with Willie Nelson like 135 00:08:15,440 --> 00:08:17,880 Speaker 1: ten years ago, and so I've been a fan of 136 00:08:19,480 --> 00:08:22,080 Speaker 1: It's so fun. How this this game full circle? And 137 00:08:22,880 --> 00:08:26,240 Speaker 1: and I here we are collabing in so Um. It 138 00:08:26,400 --> 00:08:28,640 Speaker 1: was not intended as a duet, but I think it's 139 00:08:30,240 --> 00:08:32,439 Speaker 1: what do you mean touring with Willie Nelson? Tell me 140 00:08:32,520 --> 00:08:35,160 Speaker 1: more about tell me more about that what you do? Yeah? 141 00:08:35,280 --> 00:08:37,760 Speaker 1: So it was the Willie Nelson Country Throw It On 142 00:08:37,840 --> 00:08:41,079 Speaker 1: tour I think probably back in gosh, two dozen and 143 00:08:42,280 --> 00:08:45,640 Speaker 1: I don't even know eleven, two twelve, something like that, Um, 144 00:08:46,600 --> 00:08:50,160 Speaker 1: And we opened the shows. He had a group of 145 00:08:50,320 --> 00:08:55,360 Speaker 1: songwriters come out and we would kind of around before 146 00:08:55,840 --> 00:08:59,520 Speaker 1: Willie would play and UM it's kind of a traveling festival. 147 00:08:59,559 --> 00:09:03,000 Speaker 1: They're actually seventeen different acts on the whole tour, and 148 00:09:04,160 --> 00:09:06,559 Speaker 1: and we played UM and all over the States. But 149 00:09:06,960 --> 00:09:09,719 Speaker 1: from what I remember of the Willie Dullsont tour, it 150 00:09:09,840 --> 00:09:15,320 Speaker 1: was very here is this is one of the new 151 00:09:15,400 --> 00:09:17,440 Speaker 1: tracks on it. You didn't cover a Fix You from 152 00:09:17,480 --> 00:09:34,880 Speaker 1: Coldplay and I want to play this right here. That 153 00:09:35,160 --> 00:09:38,040 Speaker 1: is probably my favorite Coplay song. And I like cold 154 00:09:38,040 --> 00:09:39,439 Speaker 1: Play a lot, and I think you did such a 155 00:09:39,440 --> 00:09:42,199 Speaker 1: great version of that song. How many times did you 156 00:09:42,400 --> 00:09:46,280 Speaker 1: listen to that song as you were listening to it 157 00:09:46,360 --> 00:09:47,880 Speaker 1: to actually cover it? And now I just listening to 158 00:09:47,960 --> 00:09:49,480 Speaker 1: it as a fan, And when as you're listening to 159 00:09:49,520 --> 00:09:51,319 Speaker 1: it to cover, you're probably listening to it sonically a 160 00:09:51,360 --> 00:09:53,400 Speaker 1: little different than you would the other way. I mean 161 00:09:54,240 --> 00:09:56,760 Speaker 1: I started listening to that well, I listen to it 162 00:09:56,840 --> 00:09:59,599 Speaker 1: probably a billion times when it first came out. And 163 00:10:00,000 --> 00:10:02,839 Speaker 1: I saw a cold Play live UM back in two 164 00:10:02,880 --> 00:10:06,040 Speaker 1: thousand five, and it's still goes down in the books 165 00:10:06,080 --> 00:10:09,559 Speaker 1: as one of my favorite live shows I've ever seen ever. UM. 166 00:10:09,840 --> 00:10:11,199 Speaker 1: But you know, I've been a fan of them for 167 00:10:11,240 --> 00:10:13,880 Speaker 1: a while. And when when Covid hits and we all 168 00:10:13,960 --> 00:10:17,680 Speaker 1: kind of started lockdown. Um, I found myself going back 169 00:10:17,760 --> 00:10:21,120 Speaker 1: to music. Um. That kind of made me feel remind 170 00:10:21,200 --> 00:10:23,400 Speaker 1: me of like simpler times in my life, kind of 171 00:10:23,480 --> 00:10:26,800 Speaker 1: just more nostalgic. Um. And so I I picked up 172 00:10:26,840 --> 00:10:29,319 Speaker 1: the cold Play record and I played it NonStop and 173 00:10:29,400 --> 00:10:31,880 Speaker 1: then um and then when I you know, I got 174 00:10:31,920 --> 00:10:35,640 Speaker 1: the opportunity to do a cover um for the Seluxe record. 175 00:10:36,000 --> 00:10:38,480 Speaker 1: I UM, I was like, well, I've been listening to 176 00:10:38,559 --> 00:10:41,000 Speaker 1: Coldplay NonStop and this is one of my you know, 177 00:10:41,120 --> 00:10:43,800 Speaker 1: the best songs ever written. So, um, why don't I 178 00:10:43,880 --> 00:10:47,439 Speaker 1: think about it? In that? Who was singing harmony with you? 179 00:10:47,520 --> 00:10:51,880 Speaker 1: Your producer? Yeah, like me landing my producers singing backgrounds 180 00:10:51,920 --> 00:10:54,880 Speaker 1: on that. And he's actually from Leeds so you can 181 00:10:54,960 --> 00:10:58,400 Speaker 1: kind of you know, get a little written accidents in 182 00:10:58,440 --> 00:11:01,640 Speaker 1: there in the background. You since. So um, it was 183 00:11:02,160 --> 00:11:05,559 Speaker 1: just magical the production that he did and adding his 184 00:11:05,679 --> 00:11:08,920 Speaker 1: voice to really made it super special. Would you play 185 00:11:09,000 --> 00:11:14,520 Speaker 1: that song live? Um? Yes, why not? I think it's 186 00:11:14,600 --> 00:11:18,160 Speaker 1: like for me when I experienced that song, like it's 187 00:11:18,160 --> 00:11:20,920 Speaker 1: almost like a spiritual experience. The song was the way 188 00:11:20,960 --> 00:11:24,280 Speaker 1: it moves, like the way it really really rustles up 189 00:11:24,320 --> 00:11:27,640 Speaker 1: your emotion. Um, I think it would be one of 190 00:11:27,800 --> 00:11:29,880 Speaker 1: like it would be an incredible song to play live, 191 00:11:29,960 --> 00:11:32,680 Speaker 1: So I definitely want to put it in the set. 192 00:11:32,880 --> 00:11:38,400 Speaker 1: Do you play piano? Yeah, I do. I think that. Listen. 193 00:11:38,440 --> 00:11:39,920 Speaker 1: I think you should come up on the radio show 194 00:11:39,920 --> 00:11:44,000 Speaker 1: and play that. I would love to. I mean, we 195 00:11:44,080 --> 00:11:47,120 Speaker 1: can kind of get that arrangement after we finished talking here, 196 00:11:47,160 --> 00:11:49,240 Speaker 1: but I think you should come up in the next 197 00:11:49,280 --> 00:11:53,240 Speaker 1: week or so, be in studio play this. We'll spend 198 00:11:53,440 --> 00:11:56,439 Speaker 1: I can't with old dominion and just make a whole 199 00:11:56,480 --> 00:11:57,920 Speaker 1: deal about it. How does that? How does that sound? 200 00:11:58,720 --> 00:12:02,319 Speaker 1: That sounds perfect? Yeah? Nice? Alright, So I don't forget 201 00:12:02,360 --> 00:12:04,280 Speaker 1: that when we're downe here. We gotta line this up 202 00:12:04,320 --> 00:12:06,680 Speaker 1: over here. Hey, so here's a question. You started writing 203 00:12:06,720 --> 00:12:09,240 Speaker 1: Supernova between the births of your kids, Thomas and Lewis. 204 00:12:09,679 --> 00:12:13,959 Speaker 1: I'm assuming that writing in a very transitional period was 205 00:12:14,080 --> 00:12:19,960 Speaker 1: either extremely creative or not at all, Like which one 206 00:12:20,160 --> 00:12:24,679 Speaker 1: was it? Yeah? So, you know, I wrote most of 207 00:12:24,760 --> 00:12:28,679 Speaker 1: the songs on this record, Supernova, while I was pregnant, 208 00:12:28,840 --> 00:12:31,559 Speaker 1: and I kind of joke that these songs kind of 209 00:12:31,640 --> 00:12:34,880 Speaker 1: have like an extra vein of emotion, because I think 210 00:12:34,920 --> 00:12:37,960 Speaker 1: it was probably just the pregnancy hormones, like leaking out 211 00:12:38,040 --> 00:12:41,040 Speaker 1: all all of my feelings. Um. And so for me 212 00:12:41,200 --> 00:12:44,120 Speaker 1: it was a really creative time. You know. I I 213 00:12:44,280 --> 00:12:47,839 Speaker 1: have I have this songwriter mentor of mine, UM that 214 00:12:48,000 --> 00:12:49,679 Speaker 1: he kind of took me under his wing. His name 215 00:12:49,760 --> 00:12:52,480 Speaker 1: is Don schlitz Um when I moved to town. He's 216 00:12:52,480 --> 00:12:54,679 Speaker 1: a Hall of fame songwriter, wrote like the Gambler and 217 00:12:54,760 --> 00:12:56,880 Speaker 1: Forever and ever, amen and when you say nothing at 218 00:12:56,920 --> 00:12:59,520 Speaker 1: all to some little songs like that. But one thing 219 00:12:59,600 --> 00:13:01,800 Speaker 1: that Don told me that always sticks with me when 220 00:13:01,840 --> 00:13:04,800 Speaker 1: I'm in the creative process is if you can't think 221 00:13:04,800 --> 00:13:07,520 Speaker 1: of anything to write about, then you're not paying attention, 222 00:13:08,400 --> 00:13:10,319 Speaker 1: which I love. Like there's no such thing as a 223 00:13:10,360 --> 00:13:13,680 Speaker 1: writer's block, Like you like just look around, you open 224 00:13:13,760 --> 00:13:15,839 Speaker 1: your eyes and kind of dig into what, well, what 225 00:13:15,960 --> 00:13:17,640 Speaker 1: the heck is going on right there in front of 226 00:13:17,720 --> 00:13:20,640 Speaker 1: your face. And so for me, this record is just 227 00:13:20,800 --> 00:13:23,959 Speaker 1: digging into um, you know, becoming a new mom and 228 00:13:24,040 --> 00:13:26,400 Speaker 1: seeing life moved so fast, going through a lot of 229 00:13:26,600 --> 00:13:30,839 Speaker 1: change of like what I call personal excavation, where I 230 00:13:30,960 --> 00:13:33,959 Speaker 1: was just kind of digging into my heart and my 231 00:13:34,120 --> 00:13:37,360 Speaker 1: person and trying to become a better version of that. UM. 232 00:13:37,520 --> 00:13:39,160 Speaker 1: And you know, I tell a couple of stories on 233 00:13:39,200 --> 00:13:41,480 Speaker 1: this album of of some friends of mine around me, 234 00:13:41,600 --> 00:13:44,160 Speaker 1: you know, and so um so I did my very 235 00:13:44,240 --> 00:13:47,280 Speaker 1: best in this time to just pay attention to the 236 00:13:47,400 --> 00:13:50,000 Speaker 1: stories and the experiences around me, and that's what you 237 00:13:50,040 --> 00:13:53,079 Speaker 1: get with Supernova. Your youngest is twenty two months Do 238 00:13:53,120 --> 00:13:54,800 Speaker 1: you refert him as a twenty two month old or 239 00:13:54,840 --> 00:13:56,240 Speaker 1: do you say he's about to be two years old? 240 00:13:56,480 --> 00:13:59,240 Speaker 1: I say he's about to be too. See, that's why 241 00:13:59,320 --> 00:14:02,280 Speaker 1: we get along that point. So are you gonna do 242 00:14:02,400 --> 00:14:07,160 Speaker 1: an album release for for Supernova the second version of it? 243 00:14:07,320 --> 00:14:09,559 Speaker 1: Like what happens now? Because we're still in Corona, but 244 00:14:09,640 --> 00:14:11,240 Speaker 1: it's not like it was when it came out at first. 245 00:14:12,000 --> 00:14:14,640 Speaker 1: That's a great question. I think we're all still trying 246 00:14:14,679 --> 00:14:17,760 Speaker 1: to figure out, you know, how to get the music 247 00:14:17,840 --> 00:14:20,320 Speaker 1: out there, and so, you know, we're trying to think 248 00:14:20,320 --> 00:14:23,760 Speaker 1: of some creative ideas to to get some like live stuff. 249 00:14:24,200 --> 00:14:25,960 Speaker 1: It's still up in the air. It's still a little 250 00:14:26,080 --> 00:14:30,400 Speaker 1: question mark, but we'll see. Okay, here's a song it 251 00:14:30,480 --> 00:14:32,840 Speaker 1: could be here's a question that could be a little 252 00:14:32,840 --> 00:14:36,280 Speaker 1: a little too inside. But it's you and old dominion 253 00:14:36,360 --> 00:14:38,960 Speaker 1: on this song, and it's not you and Matt Ramsey, 254 00:14:39,000 --> 00:14:41,680 Speaker 1: the lead singer of Old Dominion. So my question is, 255 00:14:42,200 --> 00:14:44,440 Speaker 1: did even if it was just Matt, he's like, hey, 256 00:14:44,480 --> 00:14:45,920 Speaker 1: I'm gonna do it, but I have to do it 257 00:14:46,000 --> 00:14:48,160 Speaker 1: as Old Dominion, Or did he do it and everybody 258 00:14:48,160 --> 00:14:52,160 Speaker 1: else do something like you know, uh play a tambourine 259 00:14:52,240 --> 00:14:54,800 Speaker 1: in the background, Like what what was that situation? Yeah, 260 00:14:55,720 --> 00:14:58,760 Speaker 1: and so we asked old Man and I didn't you know, 261 00:14:58,880 --> 00:15:01,200 Speaker 1: I wanted Matt boy U saw on it, but I 262 00:15:01,320 --> 00:15:03,360 Speaker 1: didn't actually know like how much of the band we 263 00:15:03,440 --> 00:15:06,440 Speaker 1: were going to get, like who actually wanted to play? 264 00:15:07,080 --> 00:15:09,600 Speaker 1: And so I guess when Matt brought the idea to 265 00:15:09,760 --> 00:15:12,640 Speaker 1: the guys like, hey, Caitlin Smith wants you know, wants 266 00:15:12,720 --> 00:15:15,880 Speaker 1: us to to hop on this track. Um, for my understanding, 267 00:15:15,920 --> 00:15:17,600 Speaker 1: Everyone's like, well, I want to play on it? Can 268 00:15:17,640 --> 00:15:20,480 Speaker 1: I play a lot too? And so everybody in the 269 00:15:20,600 --> 00:15:23,800 Speaker 1: band is in the track, which is really really awesome. 270 00:15:23,880 --> 00:15:27,560 Speaker 1: So they booked the studio day with Shane mcinally and 271 00:15:27,640 --> 00:15:30,600 Speaker 1: Shane kind of helped produce there and um of adding 272 00:15:30,640 --> 00:15:33,400 Speaker 1: their magic into it. So you know, I thought, maybe 273 00:15:33,440 --> 00:15:35,320 Speaker 1: I'll just get mad on it. I don't know Brad 274 00:15:35,360 --> 00:15:37,400 Speaker 1: to play guitar, like I didn't know how many people 275 00:15:37,840 --> 00:15:40,680 Speaker 1: part of you know, how many of the band members 276 00:15:40,720 --> 00:15:43,440 Speaker 1: wanted to play, but they all hopped in. That's pretty cool, 277 00:15:44,200 --> 00:15:46,080 Speaker 1: that's pretty cool. I want to play a little bit 278 00:15:46,160 --> 00:15:49,600 Speaker 1: of Long Time Coming again. This is from Supernova. Here 279 00:15:49,720 --> 00:16:11,400 Speaker 1: is Long Time Coming. So with this song, with with 280 00:16:11,480 --> 00:16:13,560 Speaker 1: a lot of other songs that you put on your record, 281 00:16:13,640 --> 00:16:15,720 Speaker 1: because you are known as a songwriter, and I would 282 00:16:15,720 --> 00:16:17,960 Speaker 1: say I would guess that most of the time you're 283 00:16:17,960 --> 00:16:20,560 Speaker 1: writing songs for other people. So my question would be, 284 00:16:20,640 --> 00:16:22,680 Speaker 1: how do you decide what you're going to keep? Is 285 00:16:22,720 --> 00:16:24,840 Speaker 1: it based on when you write the song or how 286 00:16:24,920 --> 00:16:29,760 Speaker 1: the song resonates with you? Yeah, I mean usually, um, 287 00:16:30,280 --> 00:16:33,680 Speaker 1: if I have another artist on my calendar that day, 288 00:16:34,280 --> 00:16:38,240 Speaker 1: I'm I'm trying to dig out from them what they 289 00:16:38,320 --> 00:16:40,320 Speaker 1: want to write about. Um. But I kind of keep 290 00:16:40,360 --> 00:16:42,560 Speaker 1: a running list of ideas and titles in the back 291 00:16:42,640 --> 00:16:44,920 Speaker 1: of my mind, and so you know, when I'm set 292 00:16:45,000 --> 00:16:47,640 Speaker 1: up with just some of my songwriter friends, I usually 293 00:16:47,760 --> 00:16:50,560 Speaker 1: pull those ideas out and say, well, what about this like? 294 00:16:51,120 --> 00:16:54,720 Speaker 1: And it's usually just more specific to my story. And 295 00:16:54,800 --> 00:16:56,960 Speaker 1: so yeah, I've kind of learned to like wit of 296 00:16:57,080 --> 00:17:00,960 Speaker 1: my week between writing four other people all uh, and 297 00:17:01,040 --> 00:17:03,640 Speaker 1: then maybe once a week or once every two weeks, 298 00:17:03,680 --> 00:17:05,720 Speaker 1: I'll kind of pull out an idea for myself. So 299 00:17:06,200 --> 00:17:09,640 Speaker 1: I can't sit around and write my story every single day. 300 00:17:09,720 --> 00:17:13,000 Speaker 1: To me, that's exhausting. Waite easier to dig around in 301 00:17:13,119 --> 00:17:16,359 Speaker 1: someone else's head for a while. Um, But usually I 302 00:17:16,480 --> 00:17:18,159 Speaker 1: kind of keep I keep my ideas in the back 303 00:17:18,400 --> 00:17:21,440 Speaker 1: in my back of my pocket. Of the artists that 304 00:17:21,560 --> 00:17:24,800 Speaker 1: you write with, who will we would we be surprised 305 00:17:25,040 --> 00:17:27,240 Speaker 1: in a complimentary way at how good of a writer 306 00:17:27,440 --> 00:17:33,880 Speaker 1: they are? Oh? Wow, you know, I've never I've never 307 00:17:34,040 --> 00:17:37,480 Speaker 1: gotten a cut on one of her records. But one 308 00:17:37,560 --> 00:17:39,720 Speaker 1: of the artists that surprised me the most in the 309 00:17:39,800 --> 00:17:44,000 Speaker 1: writing room was Carrie Underwood. That girl, uh comes with 310 00:17:44,440 --> 00:17:49,120 Speaker 1: fantastic ideas, She has an excellent sense in in melody. 311 00:17:49,440 --> 00:17:52,480 Speaker 1: She knows what she wants to say. Um, and you 312 00:17:52,560 --> 00:17:56,359 Speaker 1: know that sometimes you know, artists just get this rapid 313 00:17:56,440 --> 00:17:58,800 Speaker 1: Nashville of like, oh, they don't really write, but they 314 00:17:58,880 --> 00:18:01,919 Speaker 1: just want to sit in the room. This girl actually works, 315 00:18:02,080 --> 00:18:06,680 Speaker 1: she knows what she's doing and absolutely no contended blows 316 00:18:06,800 --> 00:18:09,680 Speaker 1: me away. Are there artists that you get in a 317 00:18:09,760 --> 00:18:11,480 Speaker 1: room with because you can see like you're one of 318 00:18:11,520 --> 00:18:13,400 Speaker 1: the best singers around. But you get in a room 319 00:18:13,440 --> 00:18:15,200 Speaker 1: with and I'm sure Carry is one of them. But 320 00:18:15,240 --> 00:18:16,920 Speaker 1: if we take Carry off of this, who have you 321 00:18:17,000 --> 00:18:20,840 Speaker 1: written with and they're singing in the room, either like 322 00:18:21,000 --> 00:18:23,560 Speaker 1: recording a you know, just like a scratch or a 323 00:18:23,680 --> 00:18:26,880 Speaker 1: voice memo, and you're like, holy crap, you're so good. 324 00:18:27,040 --> 00:18:31,280 Speaker 1: Who who would surprise us? Man? There are I mean, 325 00:18:31,320 --> 00:18:36,280 Speaker 1: there's a lot of people that that happens to. Um My, 326 00:18:36,680 --> 00:18:39,480 Speaker 1: my mind goes to Megan trainer Man. When she opens 327 00:18:39,520 --> 00:18:41,840 Speaker 1: her mouth, it just sounds like a record, and she'll 328 00:18:41,880 --> 00:18:45,359 Speaker 1: like lay down like a scratch vocal like in or 329 00:18:45,480 --> 00:18:47,520 Speaker 1: some harmonies, and I'll be like, wow, can we just 330 00:18:47,680 --> 00:18:53,560 Speaker 1: put this out right now? Like that girl is absolutely incredible? Okay, 331 00:18:53,560 --> 00:18:56,239 Speaker 1: you guys check out Supernova is a deluxe version. Now, 332 00:18:56,680 --> 00:18:59,120 Speaker 1: if there's one song on here that if someone said, 333 00:18:59,119 --> 00:19:01,160 Speaker 1: all right, Kaitlin, I get to do an elevator pitch. 334 00:19:01,200 --> 00:19:03,160 Speaker 1: I get one song that I have to hear. Which 335 00:19:03,200 --> 00:19:07,040 Speaker 1: song do you send them to? Oh that's too hard? Yeah, 336 00:19:07,160 --> 00:19:09,600 Speaker 1: but it's a come on, Caitlin, you only have a 337 00:19:09,760 --> 00:19:11,760 Speaker 1: minute with somebody and they're like, Okay, I got time 338 00:19:11,800 --> 00:19:13,080 Speaker 1: for one song. What do you what? Do you tell 339 00:19:13,119 --> 00:19:16,040 Speaker 1: him listen to song? Alright, if I've got one song, 340 00:19:16,200 --> 00:19:18,600 Speaker 1: I'm gonna I'm gonna go for the emotions. I'm gonna 341 00:19:18,640 --> 00:19:21,200 Speaker 1: play a Supernova. Okay, here it is. We're gonna play 342 00:19:21,200 --> 00:19:28,840 Speaker 1: this now. Let's see if everybody cries. But cold you 343 00:19:28,960 --> 00:19:42,480 Speaker 1: do anything to make Gooseburg so well. You know that 344 00:19:42,600 --> 00:19:44,520 Speaker 1: I am a fan so much so that I want 345 00:19:44,520 --> 00:19:46,000 Speaker 1: you to come up on the on the show and 346 00:19:46,080 --> 00:19:48,119 Speaker 1: play live and we'll get all that worked out. But 347 00:19:48,160 --> 00:19:50,640 Speaker 1: I hope everybody's listening to this is gonna check out 348 00:19:50,680 --> 00:19:53,800 Speaker 1: Supernova Deluxe. Maybe you never checked it out before DeLux 349 00:19:54,160 --> 00:19:56,800 Speaker 1: because you were worried about getting a virus that was 350 00:19:56,800 --> 00:19:59,720 Speaker 1: gonna kill us all. And if you live this long 351 00:19:59,800 --> 00:20:02,040 Speaker 1: and as far, you should check out Supernova Deluxe. It 352 00:20:02,200 --> 00:20:05,880 Speaker 1: is fantastic. She's fantastic. I'm just a big, big, big, 353 00:20:05,920 --> 00:20:09,639 Speaker 1: big fan. So I will see you relatively soon. And 354 00:20:10,240 --> 00:20:13,320 Speaker 1: thank you very much for coming on talking with me. Awesome, 355 00:20:13,440 --> 00:20:15,600 Speaker 1: Thank you so much, Bobby. Here's the very best. Let's 356 00:20:15,600 --> 00:20:18,080 Speaker 1: see you doing here all right. There she is Caitlin Smith. 357 00:20:18,119 --> 00:20:24,560 Speaker 1: By Caitlin. You're welcome. Thank you. You can follow her 358 00:20:24,600 --> 00:20:28,800 Speaker 1: on Instagram too. Caitlin Smith with a Y right c 359 00:20:29,040 --> 00:20:32,880 Speaker 1: A I t l y n Smith check her. I'm 360 00:20:32,960 --> 00:20:36,080 Speaker 1: just such a big fan of her. She came into 361 00:20:36,119 --> 00:20:38,200 Speaker 1: the studio. Well, she opened a couple of shows for 362 00:20:38,320 --> 00:20:42,879 Speaker 1: me whenever the Raging Idiots were playing a couple of 363 00:20:42,960 --> 00:20:45,159 Speaker 1: tours ago and I was such a fan of her, 364 00:20:45,760 --> 00:20:47,399 Speaker 1: and she came out and one of the shows was 365 00:20:47,440 --> 00:20:49,760 Speaker 1: Oklahoma City. I think she just had a baby. Her 366 00:20:49,840 --> 00:20:53,600 Speaker 1: husband was there. Um that air conditioner had went out 367 00:20:53,640 --> 00:20:56,320 Speaker 1: in this place we were playing. They were like people 368 00:20:56,320 --> 00:20:59,480 Speaker 1: there no a c in the summertime. And she went 369 00:20:59,520 --> 00:21:02,159 Speaker 1: on justminated it. Man. It was awesome and she's awesome. 370 00:21:02,200 --> 00:21:04,520 Speaker 1: So I believe she was the first ever guest on 371 00:21:04,600 --> 00:21:07,240 Speaker 1: this podcast. Oh you may be right. I think she 372 00:21:07,359 --> 00:21:11,680 Speaker 1: was the first one episode one maybe, And in the 373 00:21:11,800 --> 00:21:14,840 Speaker 1: condo and that little side bedroom, the side bedroom where 374 00:21:14,880 --> 00:21:17,280 Speaker 1: we created this whole thing. It's funny the thing back 375 00:21:17,320 --> 00:21:19,840 Speaker 1: to that, because when I think about the early early 376 00:21:20,000 --> 00:21:22,800 Speaker 1: version of this, I remember Caitlin. I would have known 377 00:21:22,880 --> 00:21:24,119 Speaker 1: she was one, but I knew she was one of 378 00:21:24,160 --> 00:21:26,960 Speaker 1: the first ones because I am legitimately a massive fan. 379 00:21:27,400 --> 00:21:31,000 Speaker 1: But Caitlin Smith Ryan heard who I'm friends with now, 380 00:21:31,359 --> 00:21:32,720 Speaker 1: I mean Ryan lives right on the run and brings 381 00:21:32,760 --> 00:21:37,359 Speaker 1: his dog over here. You know, Pancake and just his 382 00:21:37,560 --> 00:21:42,119 Speaker 1: Pancake and Stanley my dog are half brothers. So like then, 383 00:21:42,160 --> 00:21:43,800 Speaker 1: I was just a big fan of Ryan's songwriting. He 384 00:21:43,840 --> 00:21:46,159 Speaker 1: wasn't really even an artist yet. May I think he 385 00:21:46,240 --> 00:21:47,960 Speaker 1: was an artist, but he wasn't like a signed artist 386 00:21:48,160 --> 00:21:51,080 Speaker 1: putting out music. I remember the really good episode we 387 00:21:51,119 --> 00:21:54,600 Speaker 1: did with chip Eston. Have we ever replayed? Have we 388 00:21:54,680 --> 00:21:57,080 Speaker 1: ever put that up at the top? We should do 389 00:21:57,200 --> 00:22:00,639 Speaker 1: that midweek. Okay, you can check out if you want now, 390 00:22:00,680 --> 00:22:02,399 Speaker 1: but a lot of people aren't gonna go backward. But 391 00:22:03,720 --> 00:22:06,280 Speaker 1: just a fantastic gonna be about the office, about Nashville. 392 00:22:06,640 --> 00:22:09,359 Speaker 1: That was good. Yeah, that's what I think about with 393 00:22:09,440 --> 00:22:12,920 Speaker 1: the early episodes, those three people who to you. Yeah, 394 00:22:13,040 --> 00:22:14,920 Speaker 1: mine was Charles Eston. I remember him coming over that 395 00:22:15,040 --> 00:22:17,840 Speaker 1: day and then yeah, Ryan heard too. I remember it 396 00:22:17,920 --> 00:22:19,480 Speaker 1: was like he just showed up and I was like, hey, 397 00:22:19,760 --> 00:22:21,960 Speaker 1: we're doing this thing in your side room and he 398 00:22:22,119 --> 00:22:26,080 Speaker 1: was hanging out Ryan. Yeah. Yeah. Then we moved over 399 00:22:26,160 --> 00:22:28,920 Speaker 1: because that that place flooded, that kind of flooded, and 400 00:22:29,440 --> 00:22:31,800 Speaker 1: they were like, you gotta move because we gotta basically 401 00:22:32,080 --> 00:22:35,000 Speaker 1: gut this building. So I bought another house and we 402 00:22:35,160 --> 00:22:38,240 Speaker 1: put it up in a like a side bedroom upstairs. 403 00:22:38,680 --> 00:22:41,000 Speaker 1: And always felt weird walking people upstairs to the room 404 00:22:41,040 --> 00:22:46,440 Speaker 1: because I could have murdered him. And I would say 405 00:22:46,480 --> 00:22:51,240 Speaker 1: I was pretty known at the time, but I wasn't 406 00:22:51,320 --> 00:22:53,800 Speaker 1: known to a lot of these folks now as appear. 407 00:22:54,840 --> 00:22:57,080 Speaker 1: So it was people thought it was a little weird 408 00:22:57,320 --> 00:22:59,399 Speaker 1: coming to the house and then in and I was like, 409 00:22:59,400 --> 00:23:01,920 Speaker 1: we're doing the show at my house, kid, And so 410 00:23:02,000 --> 00:23:03,720 Speaker 1: they would come in, they would go upstairs. Who do 411 00:23:03,800 --> 00:23:07,200 Speaker 1: you think about in that section of it, Chris Stapleton, 412 00:23:07,960 --> 00:23:11,119 Speaker 1: Oh yeah, Chris sat there and yeah, he came up 413 00:23:11,160 --> 00:23:13,679 Speaker 1: and just sat and talked for an hour. My favorite one. 414 00:23:14,200 --> 00:23:18,320 Speaker 1: That's a good one, UM for me, And like level 415 00:23:18,400 --> 00:23:21,840 Speaker 1: two of this, I remember having a good talk with 416 00:23:22,000 --> 00:23:24,400 Speaker 1: Dan from Dan and Shay. That was a good one. 417 00:23:24,840 --> 00:23:26,679 Speaker 1: And then we moved to the other house we were 418 00:23:26,680 --> 00:23:30,040 Speaker 1: at before this one. Um because my dog died and 419 00:23:30,119 --> 00:23:33,000 Speaker 1: I've only had that that that house has a backyard 420 00:23:33,080 --> 00:23:36,399 Speaker 1: for him until um because he was older. And that 421 00:23:36,560 --> 00:23:39,399 Speaker 1: one is kind of where the podcast started really gain 422 00:23:39,520 --> 00:23:43,199 Speaker 1: and get traction and like have millions of people listening. Um, 423 00:23:43,520 --> 00:23:46,440 Speaker 1: who in that level three do you remember thinking about Uh, 424 00:23:46,960 --> 00:23:48,560 Speaker 1: when we finally got Luke Combs there, that was a 425 00:23:48,600 --> 00:23:51,040 Speaker 1: good one. Yeah, the Luke Combs was good because it 426 00:23:51,080 --> 00:23:54,399 Speaker 1: kept getting delayed. And then now we have a studio 427 00:23:54,440 --> 00:23:56,399 Speaker 1: in the house. We've only had one guest in so far, 428 00:23:56,920 --> 00:23:59,280 Speaker 1: Gary the Box from Mescal Flats. That's only because Gary's 429 00:23:59,280 --> 00:24:00,960 Speaker 1: a friend was over here like two days before and 430 00:24:01,000 --> 00:24:02,880 Speaker 1: I was like, Hey, you don't have Corona, we're already together. 431 00:24:02,880 --> 00:24:04,840 Speaker 1: Why don't you come over and do the podcast? And 432 00:24:04,880 --> 00:24:09,359 Speaker 1: it was like, okay, great, anyway, you guys check it out. 433 00:24:09,480 --> 00:24:13,040 Speaker 1: Caitlin Smith, great record, great artist, and uh, there you go. 434 00:24:13,160 --> 00:24:21,600 Speaker 1: Thank you. As we look at musing news, Mac Davis 435 00:24:21,800 --> 00:24:26,000 Speaker 1: country singer for writing songs, for example, Elvis Pressley's in 436 00:24:26,040 --> 00:24:32,000 Speaker 1: the Ghetto he died at sevent obviously that's Elvis. Here's 437 00:24:32,040 --> 00:24:35,560 Speaker 1: hard to be humble from Mac Davis. Oh lord, it's 438 00:24:35,640 --> 00:24:41,399 Speaker 1: hard to be from when you're perfect. Never re wait. 439 00:24:41,840 --> 00:24:43,280 Speaker 1: We sing this to the end of Arkansas Rights back 440 00:24:43,280 --> 00:24:46,600 Speaker 1: football games. Crazy. Do you like this song? I do 441 00:24:46,680 --> 00:24:49,560 Speaker 1: because we only sing it after we win, so lately 442 00:24:49,560 --> 00:24:51,159 Speaker 1: we haven't been able to sing it alive. So if 443 00:24:51,160 --> 00:24:53,280 Speaker 1: you guys lose, they don't play it. Got it? Not 444 00:24:53,480 --> 00:24:55,520 Speaker 1: play it. Everybody goes down on the field and the 445 00:24:55,600 --> 00:24:58,320 Speaker 1: cheerleaders sing it back up to the people, stay yeah, dank. 446 00:24:58,359 --> 00:24:59,959 Speaker 1: The only game I've ever been to was that alament 447 00:25:00,000 --> 00:25:01,280 Speaker 1: in a game, and that didn't We did not win. 448 00:25:01,320 --> 00:25:03,560 Speaker 1: That song did not get saying at that game, for sure, 449 00:25:04,040 --> 00:25:06,680 Speaker 1: So people love mc davis. Jake Owen wasn't on the 450 00:25:06,760 --> 00:25:09,480 Speaker 1: radio show talking about his relationship with mac. So he 451 00:25:09,560 --> 00:25:11,920 Speaker 1: died at seventy eight years old, if I'm right, he 452 00:25:11,960 --> 00:25:15,800 Speaker 1: went off a heart surgery and oh yeah, and then 453 00:25:15,840 --> 00:25:19,080 Speaker 1: it just didn't. That happened to my grandma exact same thing, 454 00:25:19,880 --> 00:25:21,920 Speaker 1: went in for a kind of like almost a regular 455 00:25:22,160 --> 00:25:23,879 Speaker 1: surgery that they thought was not going to be a 456 00:25:23,920 --> 00:25:27,040 Speaker 1: big deal, and then she didn't come out of it. Really, wow, gosh, 457 00:25:27,119 --> 00:25:30,000 Speaker 1: that's rough. We're talking about Mariah Carey. Earlier, she says 458 00:25:30,040 --> 00:25:32,760 Speaker 1: she recorded an alternative album in the nineties like and 459 00:25:32,840 --> 00:25:35,639 Speaker 1: alter not and I'll not a secondary like the genre 460 00:25:35,880 --> 00:25:39,240 Speaker 1: like an alternative album. Really back when she was working 461 00:25:39,280 --> 00:25:41,560 Speaker 1: on a Daydream, which was a great record. She even 462 00:25:41,600 --> 00:25:51,720 Speaker 1: shared a song clip, hey listen not that it definitely 463 00:25:51,800 --> 00:25:54,240 Speaker 1: sounds like that's like whole no, no, no, that's it 464 00:25:54,280 --> 00:25:58,280 Speaker 1: sounds like whole definitely has the nineties alternative sound. She 465 00:25:58,320 --> 00:26:00,840 Speaker 1: probably could have been an alternative thing. She can say anything. 466 00:26:01,960 --> 00:26:04,000 Speaker 1: She wrote on Twitter. Fun fact, I did an alternative 467 00:26:04,000 --> 00:26:06,600 Speaker 1: album while I was making Daydream. Here's a little bit 468 00:26:06,600 --> 00:26:09,360 Speaker 1: of what I wrote, and then she posted it up there. 469 00:26:10,560 --> 00:26:13,200 Speaker 1: What's the Guinness World record for the most tattoos of 470 00:26:13,320 --> 00:26:16,600 Speaker 1: the same musician? The Guinness World Record for the most 471 00:26:16,600 --> 00:26:19,040 Speaker 1: tattoos of the same musician. So what does that exp 472 00:26:19,640 --> 00:26:22,440 Speaker 1: You love Eddie Vetter correct If you had nine Eddie 473 00:26:22,480 --> 00:26:24,960 Speaker 1: Vetters tattooed on you, oh, I would hold the world record. 474 00:26:24,960 --> 00:26:27,200 Speaker 1: You wouldn't. If you had sixteen, you would tie it, 475 00:26:27,280 --> 00:26:32,720 Speaker 1: because that's what Nicky Patterson has, an eminem. Really, there's 476 00:26:32,720 --> 00:26:34,560 Speaker 1: a Guinness World record for the most tattoos of the 477 00:26:34,560 --> 00:26:38,720 Speaker 1: same musician. Nicky Patterson thirty five years old. She earned 478 00:26:38,720 --> 00:26:40,760 Speaker 1: the record with fifteen back in March, but she had 479 00:26:40,800 --> 00:26:42,600 Speaker 1: another one since she was nineteen when she got her 480 00:26:42,640 --> 00:26:45,159 Speaker 1: first one. She has fifty two tats overall. Twenty eight 481 00:26:45,240 --> 00:26:48,159 Speaker 1: of them are based on eminem, including sixteen portraits. But 482 00:26:48,240 --> 00:26:50,880 Speaker 1: that's this is that song she wrote in the letter. 483 00:26:52,760 --> 00:26:55,120 Speaker 1: You know what people say they stand someone. It's based 484 00:26:55,160 --> 00:26:57,040 Speaker 1: on this song, and a lot of kids don't know 485 00:26:57,200 --> 00:26:59,200 Speaker 1: that because they weren't kids when this song came out. 486 00:26:59,240 --> 00:27:01,480 Speaker 1: But they're still using in that phrase like they don't 487 00:27:01,520 --> 00:27:03,560 Speaker 1: know the root of it. I think I saw. I 488 00:27:03,600 --> 00:27:05,320 Speaker 1: think Devin saw what was he in the music video? 489 00:27:05,800 --> 00:27:08,680 Speaker 1: And I saw someone go he tweeted something about standing, 490 00:27:08,720 --> 00:27:10,239 Speaker 1: someone like you don't know what stand means and goes, 491 00:27:10,440 --> 00:27:14,600 Speaker 1: I was standing the freaking music video. It's like, I 492 00:27:14,720 --> 00:27:19,000 Speaker 1: know what means. He's like, shut your face. I follow up, 493 00:27:19,760 --> 00:27:22,240 Speaker 1: can you hear me up on my head? You got okay? 494 00:27:22,320 --> 00:27:24,960 Speaker 1: Check check? I follow on Reddit a thread do you 495 00:27:25,040 --> 00:27:28,520 Speaker 1: know who I Am? Where someone will write something and 496 00:27:28,600 --> 00:27:30,800 Speaker 1: then someone will put a snarky comment up, like a 497 00:27:30,960 --> 00:27:33,239 Speaker 1: COVID for example, you know people shouldn't be wearing mad 498 00:27:33,600 --> 00:27:34,880 Speaker 1: and they'll be like, what do you know about masks? 499 00:27:34,880 --> 00:27:36,680 Speaker 1: You don't know anything you and then they reply back, 500 00:27:37,280 --> 00:27:40,120 Speaker 1: I'm the head of Vanderbilt Medical Center's mask so it's 501 00:27:40,160 --> 00:27:42,680 Speaker 1: all people. And I saw that Devin saw. I think 502 00:27:42,720 --> 00:27:44,800 Speaker 1: in that they were like, you're talking about its like, no, 503 00:27:44,960 --> 00:27:48,960 Speaker 1: I'm standing, that's cool. The guy that might de likes 504 00:27:49,000 --> 00:27:53,320 Speaker 1: Takashi six nine, he overdosed on diet pills and McDonald's coffee. 505 00:27:54,200 --> 00:27:56,040 Speaker 1: What happened there? He was taking hydrock fee cut. I 506 00:27:56,040 --> 00:27:57,640 Speaker 1: guess when you got out of prison, and I guess 507 00:27:57,720 --> 00:28:00,520 Speaker 1: the combo of how many he was taking lose weight 508 00:28:00,720 --> 00:28:02,280 Speaker 1: messed them up. So he's in the hospital right now. 509 00:28:02,359 --> 00:28:04,439 Speaker 1: He's all right, and he's out of jail. He's out 510 00:28:04,440 --> 00:28:06,359 Speaker 1: of jail for good because of Corona or did he 511 00:28:07,000 --> 00:28:09,560 Speaker 1: do like good stuff in jail. No, that's basically the 512 00:28:09,640 --> 00:28:11,040 Speaker 1: reason he got out. And do you have to go 513 00:28:11,240 --> 00:28:14,280 Speaker 1: back once Corona is fixed? No, he's out. Really. Yeah, 514 00:28:15,040 --> 00:28:17,479 Speaker 1: it's a weird clause. I mean I would have been 515 00:28:17,520 --> 00:28:20,760 Speaker 1: so thankful for Corona. You'd try to get it just 516 00:28:20,880 --> 00:28:24,440 Speaker 1: to get out. I don't want everybody to get it. Yeah, yeah, no, 517 00:28:24,680 --> 00:28:26,359 Speaker 1: for sure. Yeah that's my ticket. I want to not 518 00:28:26,440 --> 00:28:27,600 Speaker 1: get it, but I want to be around me to 519 00:28:27,640 --> 00:28:31,960 Speaker 1: get it. BTS, we're talking about k pop earlier has 520 00:28:32,040 --> 00:28:36,680 Speaker 1: made eight million dollars each in the stock market each 521 00:28:36,760 --> 00:28:38,360 Speaker 1: of the band members. Yeah, so what happened was the 522 00:28:38,440 --> 00:28:41,600 Speaker 1: CEO of this record label gave each of the seven 523 00:28:41,640 --> 00:28:44,920 Speaker 1: members like sixty eight thousand shares last month and then 524 00:28:44,960 --> 00:28:48,600 Speaker 1: it went public, so boom because he has them on 525 00:28:49,120 --> 00:28:51,760 Speaker 1: his record label. Wow, that's cool. And so they all 526 00:28:51,880 --> 00:28:54,000 Speaker 1: got eight million dollars richer last week for them And 527 00:28:54,080 --> 00:28:55,960 Speaker 1: how old are they? You know they are they teens 528 00:28:56,000 --> 00:28:58,840 Speaker 1: and young twenties. Yeah, that's awesome, right, yeah, I think so. 529 00:28:59,400 --> 00:29:00,920 Speaker 1: I don't know much about him. I hear some of 530 00:29:00,960 --> 00:29:03,960 Speaker 1: their clips. I struggle with music that's not English, but 531 00:29:04,080 --> 00:29:06,880 Speaker 1: they're massive. And if you tweet something about on the 532 00:29:07,040 --> 00:29:10,080 Speaker 1: entire country of South Korea retweets you, so then I 533 00:29:10,160 --> 00:29:11,880 Speaker 1: did that, like last week, did you get a lot 534 00:29:11,880 --> 00:29:15,400 Speaker 1: of retweets? Doesn't matter what you're tweeting, hashtag them and 535 00:29:15,440 --> 00:29:20,920 Speaker 1: it's good. Yeah. Bondar Room Music Festival moved to septembe. 536 00:29:21,880 --> 00:29:27,000 Speaker 1: Darius Rutger is dating comedian Kate Quiggley, which I saw 537 00:29:27,040 --> 00:29:28,600 Speaker 1: on her Instagram. I don't know who she is, but 538 00:29:28,680 --> 00:29:30,440 Speaker 1: the story was did you see this girl's Instagram? I 539 00:29:30,440 --> 00:29:32,760 Speaker 1: guess her and Darius are dating, So there you go. 540 00:29:33,200 --> 00:29:35,240 Speaker 1: Good for him. Do you know she has Mike? I don't. 541 00:29:35,360 --> 00:29:37,400 Speaker 1: I just saw that post. Do you know she has that? 542 00:29:37,480 --> 00:29:40,720 Speaker 1: He never heard of her. Keith Urban Lance his seventh 543 00:29:40,840 --> 00:29:44,720 Speaker 1: top country album, it's number one. And then finally, in 544 00:29:44,800 --> 00:29:47,560 Speaker 1: addition to all the other health issues we've heard about 545 00:29:47,640 --> 00:29:50,959 Speaker 1: this year, Queen's guitarist Brian May, who had, by the way, 546 00:29:51,000 --> 00:29:54,200 Speaker 1: had a torn butt muscle, almost died of a stomach explosion. 547 00:29:54,480 --> 00:30:01,000 Speaker 1: It's two separate incidents. That's rough, O, No, you tear 548 00:30:01,040 --> 00:30:03,560 Speaker 1: a butt muscle. I'm thinking about the stomach explosion. He 549 00:30:03,720 --> 00:30:06,800 Speaker 1: was gardening. Was his gardening. It just is he just 550 00:30:07,280 --> 00:30:09,440 Speaker 1: worn out from all the hard days of being a 551 00:30:09,520 --> 00:30:13,120 Speaker 1: rock star, like stuff inside your body just start exploding, 552 00:30:13,200 --> 00:30:15,000 Speaker 1: I would think. But didn't we meet them or we 553 00:30:15,280 --> 00:30:17,640 Speaker 1: I saw them at I Heard festival a few years ago, 554 00:30:17,760 --> 00:30:21,040 Speaker 1: and they see he seems pretty healthy. For for I 555 00:30:21,080 --> 00:30:22,920 Speaker 1: mean he he has white, white, big white hair, so 556 00:30:23,040 --> 00:30:25,600 Speaker 1: he looks old. But I think he looks pretty healthy 557 00:30:25,680 --> 00:30:28,880 Speaker 1: for the most part. I didn't see him, but I 558 00:30:28,960 --> 00:30:31,560 Speaker 1: didn't see his butt or anything. Well, the big story 559 00:30:31,560 --> 00:30:34,640 Speaker 1: that we're gonna do this week is twelve classic country 560 00:30:34,720 --> 00:30:37,880 Speaker 1: songs that never hit number one. I saw the story 561 00:30:37,960 --> 00:30:40,680 Speaker 1: on Country Music Nation dot com and it's just weird. 562 00:30:40,760 --> 00:30:43,920 Speaker 1: I'm always intrigued by songs from artists that we know 563 00:30:44,080 --> 00:30:46,000 Speaker 1: and love that never hit number one. You know. Tim 564 00:30:46,040 --> 00:30:47,960 Speaker 1: McGraw is coming in next week on the radio show, 565 00:30:48,600 --> 00:30:51,400 Speaker 1: and Indian Outlaw was not a number one. Yeah, it's 566 00:30:51,400 --> 00:30:54,280 Speaker 1: the first song I remember from timcgraw and change Me Bones. 567 00:30:54,360 --> 00:30:57,840 Speaker 1: How does the how does the song become number one? Um? Well, 568 00:30:58,000 --> 00:30:59,360 Speaker 1: so back in the day, and there are a couple 569 00:30:59,400 --> 00:31:01,200 Speaker 1: of different charts. But back in the day, it was 570 00:31:01,280 --> 00:31:04,760 Speaker 1: you'd go out and buy records tape c d s. 571 00:31:05,000 --> 00:31:07,080 Speaker 1: They would monitor, beep how many you had or they 572 00:31:07,240 --> 00:31:09,959 Speaker 1: report them um, and so they would do like records. 573 00:31:10,000 --> 00:31:14,840 Speaker 1: Then now it's like, uh, the radio. All the radio 574 00:31:14,880 --> 00:31:17,800 Speaker 1: stations that are a certain size are monitored by a 575 00:31:17,840 --> 00:31:20,240 Speaker 1: computer and when you play a song on, the computer 576 00:31:20,320 --> 00:31:23,239 Speaker 1: recognizes it and adds it. So then they accumulate all 577 00:31:23,320 --> 00:31:25,360 Speaker 1: the spins and they go, this is the number one 578 00:31:25,400 --> 00:31:27,560 Speaker 1: song this week. And the bigger your city is, the 579 00:31:27,640 --> 00:31:29,760 Speaker 1: more power you have every time you play a song. 580 00:31:30,160 --> 00:31:32,680 Speaker 1: For example, we're not a city, but our morning shows 581 00:31:32,680 --> 00:31:34,760 Speaker 1: on in a hundred and something places. When we spend 582 00:31:34,760 --> 00:31:37,000 Speaker 1: a song one time, that's like a ton of radio 583 00:31:37,040 --> 00:31:39,920 Speaker 1: stations spinning. There's a lot of power to it. So 584 00:31:40,400 --> 00:31:42,240 Speaker 1: basically the same thing, but now charts are a little 585 00:31:42,240 --> 00:31:44,480 Speaker 1: different because they have to account for streaming. They have 586 00:31:44,520 --> 00:31:46,760 Speaker 1: to account for sales and downloads. I got account for 587 00:31:46,760 --> 00:31:49,840 Speaker 1: a few people buy in CDs, not just sales. Radio 588 00:31:50,040 --> 00:31:52,520 Speaker 1: stream got it. But we're talking about songs from the 589 00:31:52,640 --> 00:31:54,880 Speaker 1: ninth way back to so all of that kind of 590 00:31:54,920 --> 00:31:58,040 Speaker 1: went in. But here's a song. It only peaked at 591 00:31:58,080 --> 00:32:04,280 Speaker 1: number twenty two. Angels among from Alabama Believe there are 592 00:32:05,080 --> 00:32:09,360 Speaker 1: Angels jam? Well, why was this big? Was this part 593 00:32:09,400 --> 00:32:14,800 Speaker 1: of a movie or something? It was a Christmas song? 594 00:32:14,960 --> 00:32:16,640 Speaker 1: It came out around Christ. There we go, that's it. 595 00:32:17,160 --> 00:32:19,640 Speaker 1: But I don't know. I think this is just one 596 00:32:19,640 --> 00:32:23,080 Speaker 1: of Alabama's really good songs. Wow, yeah, because I don't 597 00:32:23,120 --> 00:32:25,880 Speaker 1: know it. I just don't because that's weird. I thought 598 00:32:25,960 --> 00:32:28,440 Speaker 1: was part of a movie or something, and it maybe 599 00:32:28,520 --> 00:32:30,680 Speaker 1: in some movie. I don't know. Gentle on my Mind 600 00:32:30,720 --> 00:32:34,600 Speaker 1: from Glenn Campbell did such a good Song nineteen sixty 601 00:32:34,680 --> 00:32:40,960 Speaker 1: seven peaked at number thirty. Great Code of Mini Colors 602 00:32:40,960 --> 00:32:49,320 Speaker 1: from Dolly Pardon peaked at number four. Huge Made from 603 00:32:52,720 --> 00:32:58,040 Speaker 1: George Straight two thousand eight. Troubadour Jam and he has 604 00:32:58,280 --> 00:33:00,240 Speaker 1: sixty one number one since it was not one of them, 605 00:33:00,600 --> 00:33:05,280 Speaker 1: it hit number seven. That's it crazy. I'd bet money 606 00:33:05,280 --> 00:33:08,920 Speaker 1: that I've been a number one. Conway twenty That's My 607 00:33:09,120 --> 00:33:17,280 Speaker 1: Job peaked at number six. That's so good Loretta Lyn 608 00:33:17,400 --> 00:33:19,640 Speaker 1: nineteen sixty six. You Ain't Woman Enough peaked at number two, 609 00:33:21,000 --> 00:33:23,000 Speaker 1: number two. Ones will drive Me crazy And now you're 610 00:33:23,040 --> 00:33:26,640 Speaker 1: so close, just give it to them? Yeah, Like, what's up? 611 00:33:26,880 --> 00:33:28,640 Speaker 1: It's in the charge. Are so corrupt right now on 612 00:33:28,760 --> 00:33:32,440 Speaker 1: radio where their record labels are making deals with stations 613 00:33:32,480 --> 00:33:34,520 Speaker 1: playing and stop playing it. It's like, why couldn't you 614 00:33:34,560 --> 00:33:39,040 Speaker 1: make the deal? Continue the deal out? Vince gil nine 615 00:33:39,320 --> 00:33:49,880 Speaker 1: peaked number two. When I Call your Name, Call your name? Wow, dude, 616 00:33:49,880 --> 00:33:53,800 Speaker 1: I remember that Whiskey River about Willie not number one. Fourteen. 617 00:33:54,840 --> 00:34:00,800 Speaker 1: Mamma Fancy by Reba maybe her big a song, yea, 618 00:34:01,760 --> 00:34:05,000 Speaker 1: as far as the song that most people know, Yeah 619 00:34:05,120 --> 00:34:08,040 Speaker 1: for sure, Like what would beat that one from her? 620 00:34:08,560 --> 00:34:10,600 Speaker 1: The night that the lights went out in Georgia? Maybe 621 00:34:11,840 --> 00:34:18,080 Speaker 1: it peaked number twenty six. That's crazy, that's absolutely insane. 622 00:34:19,760 --> 00:34:24,399 Speaker 1: Rambling Fever by Merle Haggart peaked number two. Crazy about 623 00:34:24,400 --> 00:34:27,480 Speaker 1: Patsy Klein peaked at number two. I mean that's huge, 624 00:34:28,160 --> 00:34:33,640 Speaker 1: that's her song. And the whole reason this subject came 625 00:34:33,760 --> 00:34:37,920 Speaker 1: up was we were talking about George straight on the 626 00:34:38,040 --> 00:34:40,640 Speaker 1: radio show and I mentioned Emarilla about morning because we 627 00:34:40,719 --> 00:34:43,080 Speaker 1: were talking about his favorite best number ones, and I 628 00:34:43,160 --> 00:34:45,000 Speaker 1: was like, how can they do this whatever? Another article 629 00:34:45,280 --> 00:34:47,200 Speaker 1: not put Emarilla about morning in it. We couldn't believe it. 630 00:34:47,400 --> 00:34:48,920 Speaker 1: I got a text it was like, hey, you know 631 00:34:48,960 --> 00:34:50,279 Speaker 1: how that wasn't a number one, and I was like, 632 00:34:50,320 --> 00:34:52,760 Speaker 1: are you out of your mind? He yeah, it peaked 633 00:34:52,800 --> 00:34:56,840 Speaker 1: at number four in nineteen eight two. This was not 634 00:34:56,920 --> 00:34:58,800 Speaker 1: a number one for George Straight. I remember when he 635 00:34:58,880 --> 00:35:00,960 Speaker 1: was in the studio and you asked, um, you know, George, like, 636 00:35:01,080 --> 00:35:03,680 Speaker 1: which is the biggest song that when you play live 637 00:35:04,239 --> 00:35:07,279 Speaker 1: gets the biggest response? He goes, I'd have to say Amarilla. 638 00:35:07,960 --> 00:35:10,120 Speaker 1: Despite being his most famous song, it's not one of 639 00:35:10,200 --> 00:35:12,640 Speaker 1: his record number one singles. It peaked at number four 640 00:35:12,680 --> 00:35:17,920 Speaker 1: in the country. Guards check out Eddie's podcast, by the Way, 641 00:35:18,080 --> 00:35:21,600 Speaker 1: Sore Losers, Me, Lunchbox Ray. Just a bunch of guys 642 00:35:21,719 --> 00:35:25,520 Speaker 1: talking about sports and life. Me and lunch Bonster. Dad's 643 00:35:25,640 --> 00:35:27,640 Speaker 1: Rays about to get married. So a lot of guy 644 00:35:27,719 --> 00:35:30,399 Speaker 1: talk from the guy's perspective. But sports it's a big 645 00:35:30,440 --> 00:35:32,400 Speaker 1: thing right now. I haven't listen to a sports is 646 00:35:32,400 --> 00:35:33,800 Speaker 1: a big thing right now. Sports is never not a 647 00:35:33,840 --> 00:35:37,040 Speaker 1: big thing. I have to say sometimes I do that too. 648 00:35:39,000 --> 00:35:40,960 Speaker 1: What what were you saying? I'm listening to a podcast 649 00:35:41,040 --> 00:35:43,000 Speaker 1: right now. It's not I don't know any who does it. 650 00:35:43,280 --> 00:35:46,040 Speaker 1: I mean, I'm not friends with these people. But it's 651 00:35:46,120 --> 00:35:49,279 Speaker 1: called let me find It because I don't want to 652 00:35:49,320 --> 00:35:51,560 Speaker 1: mess it up. It's about how the NBA has rigged 653 00:35:51,680 --> 00:35:55,880 Speaker 1: the refs. I mean, if this is factual, I have 654 00:35:56,000 --> 00:36:00,200 Speaker 1: They have definitely had theories about mobsters on it. Who's 655 00:36:00,200 --> 00:36:01,759 Speaker 1: talked about We've had a bunch of refs. They have 656 00:36:02,040 --> 00:36:06,200 Speaker 1: Tim Donnie who was busted for fixing games. So it's 657 00:36:06,280 --> 00:36:08,400 Speaker 1: called I think it's called like blowing whistle hold on, 658 00:36:09,360 --> 00:36:11,600 Speaker 1: I don't know, I like, are were we go? It's 659 00:36:11,600 --> 00:36:15,279 Speaker 1: called whistle Blower the NBA Referee Edition two thousands and 660 00:36:15,360 --> 00:36:18,160 Speaker 1: two thousand and seven. It just came out this year, 661 00:36:18,800 --> 00:36:21,400 Speaker 1: so it's still new. I'm on episode three right now 662 00:36:21,560 --> 00:36:25,439 Speaker 1: and it came out September. So if your sports, that's 663 00:36:25,600 --> 00:36:27,680 Speaker 1: that's a cool one, you know. Kaylee Shore has a 664 00:36:27,719 --> 00:36:30,000 Speaker 1: podcast to which is pretty wide open. She just says 665 00:36:30,080 --> 00:36:31,960 Speaker 1: that what she feels. I mean, she's an artist in 666 00:36:31,960 --> 00:36:34,840 Speaker 1: her twenties, not always just about music, but man, I 667 00:36:34,880 --> 00:36:36,640 Speaker 1: would encourage you to check that out. Called too much 668 00:36:36,719 --> 00:36:39,640 Speaker 1: to say with Kayleie Shore. So you listen to the 669 00:36:39,680 --> 00:36:43,160 Speaker 1: podcast right now. There's one that I've I'm wanting to 670 00:36:43,320 --> 00:36:45,240 Speaker 1: and I think i'll start it pretty soon. It's about 671 00:36:45,360 --> 00:36:48,840 Speaker 1: some Laredo murders that went down, missing people, and like 672 00:36:48,920 --> 00:36:53,040 Speaker 1: the Bordertown Laredo, kind of my area where I grew up. 673 00:36:53,239 --> 00:36:55,840 Speaker 1: I'd say, within an hour, do you like the murder 674 00:36:56,400 --> 00:36:59,239 Speaker 1: Real crime? True Crimes? Because the last one I really 675 00:36:59,320 --> 00:37:03,319 Speaker 1: listened to was Dirty John and I love that stuff. 676 00:37:03,360 --> 00:37:05,800 Speaker 1: So you like a couple of You're not always finding 677 00:37:05,840 --> 00:37:07,880 Speaker 1: a new one, because some of my friends just they 678 00:37:07,960 --> 00:37:11,320 Speaker 1: try to find constant new real crime stuff True crime. Yeah, no, no, no, 679 00:37:11,560 --> 00:37:14,160 Speaker 1: But basically I listened to our podcast kind of just 680 00:37:14,200 --> 00:37:15,600 Speaker 1: see what it sounds like, and then listen to your 681 00:37:15,600 --> 00:37:18,399 Speaker 1: own podcast. Do sometimes and then and then an ad 682 00:37:18,480 --> 00:37:20,400 Speaker 1: comes up and I'm like, I stopped listening to my 683 00:37:20,440 --> 00:37:25,279 Speaker 1: own podcast to listen to those. You change it? Thank Mike, 684 00:37:25,360 --> 00:37:27,720 Speaker 1: what's up with you? I got movie Mike's movie podcast. 685 00:37:27,920 --> 00:37:29,480 Speaker 1: What are you doing over there? I'm better do an 686 00:37:29,480 --> 00:37:32,520 Speaker 1: episode where I talk about movies that are overrated. Oh 687 00:37:32,640 --> 00:37:35,359 Speaker 1: that's an interesting topic. Overrated movies. What I put on there, 688 00:37:35,520 --> 00:37:37,239 Speaker 1: I think you can still like and overrated movie. I 689 00:37:37,320 --> 00:37:39,560 Speaker 1: think an overted movie can be good, especially if the 690 00:37:39,640 --> 00:37:42,239 Speaker 1: rating is great, and I would put Big Lebowski on 691 00:37:42,320 --> 00:37:46,200 Speaker 1: that here. I like it. I thought it was good, 692 00:37:46,320 --> 00:37:48,520 Speaker 1: That was real good. But people act like that's one 693 00:37:48,560 --> 00:37:50,839 Speaker 1: of the great Now everybody tastes a little different. Maybe 694 00:37:50,840 --> 00:37:55,120 Speaker 1: I watched it was a movie, But I like Big Lebowski. 695 00:37:55,360 --> 00:37:59,120 Speaker 1: I feel like it's a little overrated. What do you 696 00:37:59,200 --> 00:38:03,560 Speaker 1: have Avatar? Yeah, no one's gonna argue with me on 697 00:38:03,600 --> 00:38:05,480 Speaker 1: that because it just made the most money of any 698 00:38:05,560 --> 00:38:09,040 Speaker 1: movie ever until Avengers, and even if you're just on TV, 699 00:38:09,280 --> 00:38:12,239 Speaker 1: it's on a lot avatars on. Yeah. I went and 700 00:38:12,280 --> 00:38:14,879 Speaker 1: watch that with three D movie crap those glasses. I'm 701 00:38:14,920 --> 00:38:20,280 Speaker 1: glad they didn't. They don't do that anymore. Right, it's terrible, horrible. Okay, 702 00:38:21,320 --> 00:38:23,520 Speaker 1: what's what what's your most overriding movie, Mike? Well, one 703 00:38:23,600 --> 00:38:25,359 Speaker 1: that I loved last year that I think you guys 704 00:38:25,440 --> 00:38:30,960 Speaker 1: had different opinions on with Uncut Gems. Everybody loved it. 705 00:38:31,280 --> 00:38:34,440 Speaker 1: I love Adam Sandler. I love sports betting. I think 706 00:38:34,480 --> 00:38:35,600 Speaker 1: I'm about to work how to deal with a big 707 00:38:35,600 --> 00:38:38,120 Speaker 1: sports betting place anyway. I just love sports betting. I 708 00:38:38,200 --> 00:38:40,840 Speaker 1: love the science of it, and I was like, this 709 00:38:40,960 --> 00:38:44,400 Speaker 1: is everything. I like, there's athletes in it, there's Adam Sandler, 710 00:38:44,440 --> 00:38:46,759 Speaker 1: their sports betting. And then I watched it and I 711 00:38:46,840 --> 00:38:49,000 Speaker 1: was like, this is terrible. Yeah. I started watching and 712 00:38:49,080 --> 00:38:51,040 Speaker 1: he was just digging himself in such a bad hole 713 00:38:51,120 --> 00:38:52,600 Speaker 1: that it stressed me out, and I'm like, I can't 714 00:38:52,680 --> 00:38:56,640 Speaker 1: I can't take this fictional stress. Is that yours or 715 00:38:56,800 --> 00:38:58,680 Speaker 1: what most people are saying? That's what most people are saying. 716 00:38:58,800 --> 00:39:03,160 Speaker 1: What's yours? Um? I don't like The Titanic. Oh, it's 717 00:39:03,200 --> 00:39:05,759 Speaker 1: so good. It doesn't matter when it's on, I'll watch it. 718 00:39:06,880 --> 00:39:09,840 Speaker 1: It doesn't mean it's not good. I think some people go, 719 00:39:10,040 --> 00:39:11,640 Speaker 1: what do you mean that's over? That's a good movie. 720 00:39:12,239 --> 00:39:14,600 Speaker 1: It just means it doesn't reach the status that everyone 721 00:39:14,680 --> 00:39:16,360 Speaker 1: said it was going to be. Yeah, it's tough and 722 00:39:16,440 --> 00:39:19,279 Speaker 1: Titanic does does it? Yeah? I did at the time 723 00:39:19,320 --> 00:39:22,400 Speaker 1: because it was the big pop culture phenomenon and it 724 00:39:22,560 --> 00:39:25,400 Speaker 1: was the winner and movie money it did until Avatar 725 00:39:25,440 --> 00:39:28,080 Speaker 1: beat it, and both those movies James Camera James Camera 726 00:39:28,160 --> 00:39:31,239 Speaker 1: movie The Avengers that he didn't do Avengers, but they're 727 00:39:31,239 --> 00:39:33,399 Speaker 1: about to Avatar. Tu and three right and three two 728 00:39:33,520 --> 00:39:36,560 Speaker 1: was done is almost done? Three is like done you 729 00:39:36,640 --> 00:39:38,319 Speaker 1: know what I saw the other day that I had 730 00:39:38,360 --> 00:39:42,560 Speaker 1: never seen Guardians of the Galaxy so good, one of 731 00:39:42,600 --> 00:39:45,879 Speaker 1: the best because it's a little different. It's a funny yeah, 732 00:39:46,200 --> 00:39:47,839 Speaker 1: like I l O l and then like I didn't 733 00:39:47,880 --> 00:39:50,320 Speaker 1: think I was gonna be laughing during this movie, Raccoon, 734 00:39:51,840 --> 00:39:57,279 Speaker 1: I am groot, I am I loved it. Check out 735 00:39:57,320 --> 00:40:01,120 Speaker 1: movie mis movie podcast again, Frandy, I'm losing my voice 736 00:40:01,120 --> 00:40:02,759 Speaker 1: pretty soon. So let's be a short episode this week, 737 00:40:03,000 --> 00:40:04,960 Speaker 1: but we're gonna load up a Greatest Hits episode two, 738 00:40:05,480 --> 00:40:09,120 Speaker 1: um tomorrow the next day, right, uh? Next week? Is it? 739 00:40:09,160 --> 00:40:11,680 Speaker 1: Next week? In the week? Yea, the Charles Leston would 740 00:40:12,400 --> 00:40:14,279 Speaker 1: then we who do we talk about? Yeah we can 741 00:40:14,320 --> 00:40:16,560 Speaker 1: do that. Yeah yeah this but coming up between this 742 00:40:16,640 --> 00:40:18,560 Speaker 1: episode and the next new one. Yeah yeah yeah yeah 743 00:40:18,640 --> 00:40:21,000 Speaker 1: yeah yeah. Okay, cool, all right, thank you guys, have 744 00:40:21,080 --> 00:40:22,719 Speaker 1: a great day. Go find some music you like. We'll 745 00:40:22,719 --> 00:40:23,239 Speaker 1: talk to you soon.