WEBVTT - Round Fourteen!

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<v Speaker 1>Hey, everybody, how are you doing? We have an amazing

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<v Speaker 1>episode of I Hear Voices today. I am very excited

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<v Speaker 1>for a number of reasons. But first a thing that

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<v Speaker 1>I'm bummed about. I am bummed that I am flying

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<v Speaker 1>solo today. My friend, co host and partner in crime

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<v Speaker 1>is a very very busy woman always, but especially these

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<v Speaker 1>days with having the kids and her podcasts and everything

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<v Speaker 1>else she has to do.

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<v Speaker 2>And she actually got trapped flying somewhere. So I am

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<v Speaker 2>flying solo. So there you go.

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<v Speaker 1>I had two flyings in a row. We'd like to

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<v Speaker 1>use the word flying as often as we can. So

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<v Speaker 1>that's the bummed part. The good part, the great part

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<v Speaker 1>is the episodes that are the episode that we're going

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<v Speaker 1>to be recording for you today, because not only are

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<v Speaker 1>we going to be finalizing the finals.

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<v Speaker 3>So this is why I'm seeing a theme for today.

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<v Speaker 1>I am just going to be saying the same word

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<v Speaker 1>over and over, hoping it means different things, finalizing the

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<v Speaker 1>finals and flying to fly, But we are. We are

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<v Speaker 1>locking in our final two to finish the super awesome

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<v Speaker 1>contest to become the next big voiceover actor. I can't

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<v Speaker 1>believe we're here after all this time, it's unbelievable. If

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<v Speaker 1>the amount I know, we keep saying the number you know,

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<v Speaker 1>over four thousand, close to forty five hundred. But until

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<v Speaker 1>you see that in your inbox, and until you know

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<v Speaker 1>that they're all up to two minute auditions that we

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<v Speaker 1>listen to every single one, the sheer volume of entries

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<v Speaker 1>we got was truly spectacular, slash overwhelming, slash amazing.

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<v Speaker 2>It really was. It was great.

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<v Speaker 1>But here we are three left, and after today we

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<v Speaker 1>will be down to the final two. Before I announced

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<v Speaker 1>who's going to be joining us as our guest adjudicator today,

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<v Speaker 1>I do like to give my customary shout outs to

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<v Speaker 1>everybody who made this contest possible, and there is a

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<v Speaker 1>long list of people that made this possible. First and

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<v Speaker 1>foremost of course our friends over there at Prime Video

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<v Speaker 1>who helped make the contest possible, and of course our

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<v Speaker 1>friends who we work with all the time at Critical

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<v Speaker 1>Role Goal. Checkout season two of The Legend of ox Maketing,

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<v Speaker 1>which is available for download now.

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<v Speaker 2>It is a phenomenal show.

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<v Speaker 1>And I always say it's not because I'm on it,

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<v Speaker 1>but let's be honest, after all this time together, folks,

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<v Speaker 1>it's because of me.

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<v Speaker 2>It's really not. It's because of the rest of the

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<v Speaker 2>cast that I just get to play. But I love

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<v Speaker 2>to be able to say that.

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<v Speaker 1>We'd also like to thank our friends, my friends, the

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<v Speaker 1>most amazing voiceover agency on the planet is CESD, who,

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<v Speaker 1>of course, it's like the grand prize, our winner who

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<v Speaker 1>we're going to find out who very soon, you know,

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<v Speaker 1>the next week or two is going to get a

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<v Speaker 1>one year contract with CESD to really get to go

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<v Speaker 1>and start their voiceover career again. Anybody who has been

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<v Speaker 1>following this podcast from the beginning knows that any time

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<v Speaker 1>we mention this to anybody in the know, their mouth

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<v Speaker 1>drop open. And it is a phenomenal gift that we

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<v Speaker 1>are so excited to be able to give out. And

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<v Speaker 1>we're only able to do that because of the people

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<v Speaker 1>over there at CESD, and then, finally, last, but certainly

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<v Speaker 1>not least, because we love them so much. Our parent

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<v Speaker 1>company over here at iHeart, who really made the entire

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<v Speaker 1>thing possible. When we went to them and said, hey,

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<v Speaker 1>we'd love to do this, they said, let's do it,

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<v Speaker 1>and they gave us everything we could to make it happen.

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<v Speaker 1>So Christy and I cannot thank iHeart enough for doing

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<v Speaker 1>all of that for us. Now that being said, here

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<v Speaker 1>we are the Final Four, the final episode of the

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<v Speaker 1>Final Four, and we have one person in the finals already.

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<v Speaker 1>Everybody who listened last week know that Hannahbama once again

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<v Speaker 1>moved forward.

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<v Speaker 3>It is getting tougher and tougher and tougher.

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<v Speaker 1>And this week we have Haley from Texas and Mia

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<v Speaker 1>from Florida who are going to be vying to see

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<v Speaker 1>who joins Hannabama in the finals. It's getting harder and

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<v Speaker 1>harder every single week. We are now nitpicking these voice

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<v Speaker 1>actors to see who is going to move forward. But

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<v Speaker 1>nobody is going to be able to help more than

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<v Speaker 1>our guest judge adjudicator, as Christy likes to say, who

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<v Speaker 1>we have with us this week. She is not only

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<v Speaker 1>one of my oldest and dearest friends, but is arguably,

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<v Speaker 1>and this is not hyperbole, one of, if not the

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<v Speaker 1>greatest voiceover director in history.

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<v Speaker 2>Again not an exaggeration. Her credits are thirty one years long.

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<v Speaker 2>We're talking.

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<v Speaker 1>We're starting at Hanna, Barbara with Duck Tails, Chippendale Rescue Rangers,

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<v Speaker 1>Tiny Toon Adventures, Batman, the animated series, another little show

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<v Speaker 1>called Batman Beyond twenty three direct videos Emmy's galore. They're

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<v Speaker 1>all over her house dressed in Barbie clothes. That is

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<v Speaker 1>not an exaggeration, and it's not it's unbelievable. And I

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<v Speaker 1>called and I said, can you please please come and

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<v Speaker 1>help us solidify the finals, And because she is the

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<v Speaker 1>most amazing person in the world, she agreed to do

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<v Speaker 1>just that. So everybody out there today, we are privileged

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<v Speaker 1>to have with us.

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<v Speaker 2>Andrea Romano, I'm here, yea.

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<v Speaker 4>Hi, Darle, how are you good. I'm all the happier

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<v Speaker 4>to see you now and later this week too, which

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<v Speaker 4>makes me positively thrilled.

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<v Speaker 2>I am so excited too.

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<v Speaker 1>Yes, you're going to be judging for us today, helping

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<v Speaker 1>us judge today, and then we just get to hang.

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<v Speaker 2>Out on Wednesday, which will be love that. I'm so excited.

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<v Speaker 1>So before we jump into our contest today, I was

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<v Speaker 1>just talking a little bit about your career, which is ridiculous,

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<v Speaker 1>thirty one years you've been in the industry. And if

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<v Speaker 1>you don't mind, I so anytime I see your name

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<v Speaker 1>coming up in the credits, I obviously get very excited.

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<v Speaker 3>And I haven't been able to see that for a while.

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<v Speaker 1>And then a new animated movie came out not too

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<v Speaker 1>long ago, and I see, Andrea Romano, did you do

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<v Speaker 1>a Superman movie recently?

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<v Speaker 4>I didn't make one weekly, but they could have re

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<v Speaker 4>released something that I did. Are you sure it was

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<v Speaker 4>my name?

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<v Speaker 2>One hundred percent positive? Yeah, so it was. It was.

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<v Speaker 1>I mean, I'm on that Warner Brothers list where they

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<v Speaker 1>send me the new videos, and it was like three

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<v Speaker 1>weeks ago and I pop it on and there's Andrea Romano.

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<v Speaker 4>Wow, can you tell me the name of it?

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<v Speaker 2>I can't.

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<v Speaker 1>I don't remember what it was, but it was a

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<v Speaker 1>Superman movie. I will make sure that I'll let you

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<v Speaker 1>know what it is on Onnesday. So, oh, man, I

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<v Speaker 1>was hoping you had come out of retirement and you

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<v Speaker 1>had directed something again.

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<v Speaker 4>You know, I'm always willing to do that if the

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<v Speaker 4>gig is the right gig and if a deal can

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<v Speaker 4>be made. I've never said absolutely not, I will never

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<v Speaker 4>do it again. That said, I'm enjoying my retirement very much.

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<v Speaker 2>I can't imagine, so it would have to.

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<v Speaker 4>Be something really special for me to come out, but

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<v Speaker 4>I'm totally willing to do a session.

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<v Speaker 2>Now.

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<v Speaker 1>Got I got a lot of your care. Obviously, you

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<v Speaker 1>can't get all your credits because it's an hour long show.

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<v Speaker 1>But I got a lot of your credits. But the

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<v Speaker 1>one thing, how many Emmys?

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<v Speaker 2>Is it? I have eight eight Emmy Awards?

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<v Speaker 4>Have I lost count of nominations after thirty three? I

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<v Speaker 4>have thirty three nominations that I have certificates for and everything.

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<v Speaker 4>But I know there's a handful more than that. I

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<v Speaker 4>just lost count.

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<v Speaker 2>That's unbelievable.

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<v Speaker 1>So are you like Tom Brady where you don't? You

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<v Speaker 1>don't think about the six super Bowls you won? You

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<v Speaker 1>think about the two you lost.

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<v Speaker 4>No, No, I'm so grateful for each one of these

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<v Speaker 4>that I won, and for almost all of them, I

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<v Speaker 4>was there in person to accept them, which is, I mean,

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<v Speaker 4>just a great party, and to walk away with one

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<v Speaker 4>of those little golden ladies is just a beautiful thing.

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<v Speaker 4>And especially because for an Emmy Award, you're being judged

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<v Speaker 4>by your peers, you know, everything is a peer group decision.

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<v Speaker 4>That made me really happy to think that other people

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<v Speaker 4>thought I did a good job too.

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<v Speaker 2>It's unbelievable.

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<v Speaker 4>Nice.

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<v Speaker 1>Well, again, we could talk about your You've been on

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<v Speaker 1>the show before, so we've done kind of a version

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<v Speaker 1>of this already, I thought.

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<v Speaker 2>So, however, this is much higher stakes. So to bring you.

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<v Speaker 1>Up to date, we launched the Super Awesome Contest to

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<v Speaker 1>become the next Big Voice Actor. Okay, and we had

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<v Speaker 1>forty five hundred entries across the United States. Because the US,

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<v Speaker 1>just the US, we were only allowed to do the US.

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<v Speaker 2>We are now down to this.

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<v Speaker 1>Well, after today we will determine our final two. Going

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<v Speaker 1>to the finals, the winners get flown out to Los Angeles.

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<v Speaker 1>They will have lunch with Christy and I. They get

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<v Speaker 1>a thousand dollars spending money. They get to do a

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<v Speaker 1>quick voiceover training session with Mary McGlynn and Sam Regal

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<v Speaker 1>from Critical Role, and they sign a one year contract

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<v Speaker 1>with CEESD, my voiceover agent. Oh my gosh, so a right,

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<v Speaker 1>A very big prize. The winner gets to sign with

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<v Speaker 1>a huge agency for a year and gets to go

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<v Speaker 1>and try.

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<v Speaker 2>To start their career.

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<v Speaker 4>Fantastic.

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<v Speaker 1>We have put them through the ringer to start to

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<v Speaker 1>ask you. So, the first game we did was a

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<v Speaker 1>game that was called by the Numbers.

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<v Speaker 2>So what by the numbers was? Is you?

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<v Speaker 3>We wrote some dialogue, I wrote I'll take credit.

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<v Speaker 2>I wrote some dialogue. But they didn't know what.

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<v Speaker 1>Their characters were and the characters were broken down into

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<v Speaker 1>different numbers and different categories. It was like size, age,

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<v Speaker 1>what are you in a special attribute? And then our

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<v Speaker 1>guest judges, who were voiceover actors, would come on and

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<v Speaker 1>randomly pick these numbers which would create the character on

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<v Speaker 1>the spot that the voiceover actor then had to create

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<v Speaker 1>and use those lines of dialogue. They did those two

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<v Speaker 1>and then we give them a third that they had

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<v Speaker 1>to do. They had to read cold.

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<v Speaker 4>Okay.

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<v Speaker 1>So we then went from our that was our first sixteen.

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<v Speaker 1>We went from forty five hundred to pick the fine

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<v Speaker 1>the top sixteen. We then got to our eight, our

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<v Speaker 1>elite eight. Then did something called Extra Extra Read all

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<v Speaker 1>about It, which is all adreads because we know that

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<v Speaker 1>as a voiceover actor, actually the vast majority of things

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<v Speaker 1>you're auditioning for are ad reads. So I created a

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<v Speaker 1>whole bunch of products that didn't exist. Then they had

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<v Speaker 1>to do thirty second commercials and then one cold. Now

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<v Speaker 1>we are to what we call get in the Booth,

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<v Speaker 1>and what we are doing is a straight up voiceover

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<v Speaker 1>session with a script that has I think we sent

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<v Speaker 1>you the script, so it is a four page script

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<v Speaker 1>like a and I will set this up for the

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<v Speaker 1>audience because we did this last week like a voiceover session.

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<v Speaker 1>We are not going to be reading the direction or

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<v Speaker 1>any of that kind of stuff. We are going to

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<v Speaker 1>read it straight through as we would in the booth.

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<v Speaker 1>So if it's okay with you, what we'll do is

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<v Speaker 1>we won't say anything to our first contestant and our

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<v Speaker 1>second contest Obvious, we're not giving somebody advantage, but we

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<v Speaker 1>won't tell anybody anything.

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<v Speaker 2>We'll say, just take a crack at it. I will

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<v Speaker 2>be playing one character.

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<v Speaker 1>They will be playing one character, and we will just

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<v Speaker 1>run through and then if you would, you can give

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<v Speaker 1>them notes and direct them, and then we will go

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<v Speaker 1>to the second contestant and do the same thing.

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<v Speaker 4>So we'll do a second run, a second pass with.

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<v Speaker 1>We will we will be doing a second past and actually,

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<v Speaker 1>if we get to the point where it's too close

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<v Speaker 1>what we're going to be what we're going to do,

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<v Speaker 1>then we're going to each give them two takes at

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<v Speaker 1>it after you give them some notes, and.

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<v Speaker 3>Then we are going to switch characters, so.

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<v Speaker 1>They once now they have to do the other character

0:10:35.000 --> 0:10:36.320
<v Speaker 1>and I will go from there.

0:10:36.480 --> 0:10:37.960
<v Speaker 3>Again, we are not going to make this easy on

0:10:38.000 --> 0:10:39.360
<v Speaker 3>them because the prize is so good.

0:10:39.960 --> 0:10:42.520
<v Speaker 1>And then you and I will discuss, you know, and

0:10:42.720 --> 0:10:46.280
<v Speaker 1>nitpick and see who gets to move on to the finals. Cool,

0:10:47.080 --> 0:10:49.400
<v Speaker 1>So if that's okay with you, I would love Now

0:10:49.400 --> 0:10:50.840
<v Speaker 1>the first one we bring in is always the first

0:10:50.840 --> 0:10:53.640
<v Speaker 1>one who just shows up, okay. So the first one

0:10:53.679 --> 0:10:56.600
<v Speaker 1>to show up today is Mia from Florida. And if

0:10:56.600 --> 0:10:58.360
<v Speaker 1>we can bring Mia in, that would be great.

0:11:00.080 --> 0:11:03.120
<v Speaker 2>There's Mia. Hi, Mia, how are you. I'm good, how.

0:11:03.000 --> 0:11:04.559
<v Speaker 5>Are you today?

0:11:05.200 --> 0:11:07.240
<v Speaker 4>So it's nice to meet you.

0:11:07.480 --> 0:11:08.319
<v Speaker 6>Nice to meet you too.

0:11:08.360 --> 0:11:11.599
<v Speaker 5>My name's Mia.

0:11:12.400 --> 0:11:12.640
<v Speaker 2>Mia.

0:11:12.920 --> 0:11:15.840
<v Speaker 1>Congratulations once again on making it to the final four.

0:11:15.840 --> 0:11:17.640
<v Speaker 2>We're so excited to have you back.

0:11:18.360 --> 0:11:20.320
<v Speaker 5>Thank you. I'm excited to be here.

0:11:20.760 --> 0:11:23.439
<v Speaker 2>And you know, we're just introducing everybody right now.

0:11:23.480 --> 0:11:25.920
<v Speaker 1>So this is of course Andrea Romano, who directed everything

0:11:26.040 --> 0:11:29.160
<v Speaker 1>that's ever done in the history of animation essentially, and

0:11:29.880 --> 0:11:32.040
<v Speaker 1>she is going to be our guest judge today and

0:11:32.120 --> 0:11:34.400
<v Speaker 1>helping you through the process of get into the booth

0:11:34.440 --> 0:11:37.160
<v Speaker 1>where you are going to be reading for the start

0:11:38.080 --> 0:11:41.959
<v Speaker 1>of the role of Cardinal in the script that I

0:11:42.040 --> 0:11:44.880
<v Speaker 1>sent you. So if you're ready, we will get to

0:11:44.880 --> 0:11:46.720
<v Speaker 1>you in a second, and you can just take a

0:11:46.720 --> 0:11:48.000
<v Speaker 1>moment and we will be right back with you.

0:11:48.000 --> 0:11:48.439
<v Speaker 2>If that's all.

0:11:48.440 --> 0:11:50.480
<v Speaker 5>Right, all righty, thanks so much all.

0:11:50.640 --> 0:11:52.720
<v Speaker 2>Thank you, Mia. We'll see you in a second. Thanks

0:11:52.760 --> 0:11:53.120
<v Speaker 2>so much.

0:11:54.600 --> 0:11:56.600
<v Speaker 1>The other thing, Andrea, I should tell you before, not

0:11:56.679 --> 0:11:58.360
<v Speaker 1>that this is going to influence you in any way,

0:11:58.400 --> 0:12:00.240
<v Speaker 1>but just to give her a little bit of time.

0:12:00.520 --> 0:12:01.920
<v Speaker 2>Mia is visually impaired.

0:12:02.240 --> 0:12:05.360
<v Speaker 1>Okay, so she needs a little bit more time sometimes

0:12:05.480 --> 0:12:09.000
<v Speaker 1>reading the script or if we you know, throw something

0:12:09.040 --> 0:12:09.520
<v Speaker 1>cold at her.

0:12:09.559 --> 0:12:11.120
<v Speaker 2>But she's been rock solid.

0:12:11.400 --> 0:12:14.280
<v Speaker 4>Isn't that the greatest that this is an industry where

0:12:14.440 --> 0:12:17.400
<v Speaker 4>that can certainly be dealt with and should not hold

0:12:17.480 --> 0:12:19.280
<v Speaker 4>anybody back from his work.

0:12:20.160 --> 0:12:23.560
<v Speaker 1>She has been just every week just nailing it everything

0:12:23.559 --> 0:12:24.240
<v Speaker 1>we've thrown at.

0:12:24.120 --> 0:12:26.520
<v Speaker 3>Her, as has Haley from Texas.

0:12:26.559 --> 0:12:29.520
<v Speaker 2>Is Haley with us as well? Ha, there's Haley.

0:12:30.040 --> 0:12:30.199
<v Speaker 4>Hi.

0:12:30.480 --> 0:12:32.160
<v Speaker 2>How are you welcome back? Yeah?

0:12:32.440 --> 0:12:32.920
<v Speaker 4>Thank you?

0:12:33.200 --> 0:12:33.720
<v Speaker 6>How are you?

0:12:34.360 --> 0:12:34.880
<v Speaker 2>I'm great?

0:12:34.960 --> 0:12:37.840
<v Speaker 1>Thanks once again, congratulations on making it to the final four.

0:12:37.920 --> 0:12:40.480
<v Speaker 2>One more step for y'all. We're seeing what's you and

0:12:40.520 --> 0:12:41.920
<v Speaker 2>your fellow contestant.

0:12:41.480 --> 0:12:43.959
<v Speaker 3>Today, and this is.

0:12:44.640 --> 0:12:48.880
<v Speaker 1>The incredible Andrea Romano who has so graciously agreed to

0:12:48.960 --> 0:12:50.120
<v Speaker 1>help direct you today.

0:12:50.880 --> 0:12:51.880
<v Speaker 2>Did you get your script?

0:12:52.320 --> 0:12:52.680
<v Speaker 6>I did?

0:12:52.800 --> 0:12:54.360
<v Speaker 1>It is right there and you know that you will

0:12:54.400 --> 0:12:58.959
<v Speaker 1>be playing Cardinal yep, wonderful. So your fellow contestant got

0:12:58.960 --> 0:13:01.240
<v Speaker 1>here first, so you were up in second, second position

0:13:01.280 --> 0:13:02.680
<v Speaker 1>today and we will be right back with you.

0:13:03.040 --> 0:13:04.080
<v Speaker 2>Sounds good, all right?

0:13:04.120 --> 0:13:06.160
<v Speaker 3>Hell I see in a second, see in a minute.

0:13:06.320 --> 0:13:09.320
<v Speaker 4>Hate will before we do that. Yeah, yes, she's not

0:13:09.480 --> 0:13:12.200
<v Speaker 4>hearing Mia. She won't hear me.

0:13:12.360 --> 0:13:14.200
<v Speaker 2>No no, no, no, they will not hear each other. They

0:13:14.240 --> 0:13:15.520
<v Speaker 2>will not know each other or there.

0:13:16.360 --> 0:13:18.680
<v Speaker 1>And now for everybody else listening, So here's what we

0:13:18.720 --> 0:13:20.760
<v Speaker 1>did last week to make sure that you know what's

0:13:20.800 --> 0:13:22.640
<v Speaker 1>going on in the scene since we are just going

0:13:22.720 --> 0:13:26.040
<v Speaker 1>to be doing the actual dialogue. Essentially, we're going to

0:13:26.040 --> 0:13:27.720
<v Speaker 1>be coming up in the middle of this big superhero

0:13:27.760 --> 0:13:29.640
<v Speaker 1>fight in the middle of a city. There's laser blasts

0:13:29.679 --> 0:13:33.679
<v Speaker 1>all over the place, there's other superheroes being slammed to

0:13:33.760 --> 0:13:37.760
<v Speaker 1>the ground, and these two, you know, one superhero and

0:13:37.920 --> 0:13:38.920
<v Speaker 1>one villain.

0:13:38.679 --> 0:13:40.720
<v Speaker 2>Are going to meet for a big final battle.

0:13:40.760 --> 0:13:43.200
<v Speaker 1>So, once again, as we did last week, we're going

0:13:43.280 --> 0:13:45.199
<v Speaker 1>to make sure that the script is up on our

0:13:45.240 --> 0:13:47.200
<v Speaker 1>Instagram page so you will be able to follow along

0:13:47.200 --> 0:13:50.040
<v Speaker 1>when we get there. But in the meantime, as we said,

0:13:50.040 --> 0:13:52.240
<v Speaker 1>we're going to keep this as real as jumping into

0:13:52.280 --> 0:13:54.400
<v Speaker 1>a booth as you can possibly get. So we don't

0:13:54.400 --> 0:13:55.960
<v Speaker 1>sit there and read all the direction and stuff we're

0:13:55.960 --> 0:13:57.559
<v Speaker 1>in the booth. We just read the dialogue like a

0:13:57.600 --> 0:13:59.440
<v Speaker 1>straight radio play from the thirties, and that's what we're

0:13:59.480 --> 0:14:11.200
<v Speaker 1>going to be doing today. So big superhero fight, lots

0:14:11.200 --> 0:14:13.560
<v Speaker 1>of stuff going on, and let's bring Mia back and

0:14:13.600 --> 0:14:14.600
<v Speaker 1>see what she does.

0:14:14.400 --> 0:14:15.920
<v Speaker 2>With her character of Cardinal.

0:14:16.880 --> 0:14:19.680
<v Speaker 3>Hi, how are you?

0:14:19.680 --> 0:14:19.880
<v Speaker 7>You know?

0:14:20.040 --> 0:14:21.680
<v Speaker 5>Pretty good? You know it's been five minutes. You know

0:14:21.760 --> 0:14:22.320
<v Speaker 5>what can happen?

0:14:22.520 --> 0:14:23.000
<v Speaker 3>Exactly?

0:14:25.760 --> 0:14:27.240
<v Speaker 2>All right? Mia? So here we go.

0:14:27.320 --> 0:14:30.360
<v Speaker 1>As we said the first time, no notes, no direction,

0:14:30.440 --> 0:14:32.200
<v Speaker 1>no anything. We're just gonna have you read it and

0:14:32.280 --> 0:14:34.640
<v Speaker 1>see how we do. I will be reading against you,

0:14:35.120 --> 0:14:37.360
<v Speaker 1>and I will be playing Mega Guy and the Blast.

0:14:37.480 --> 0:14:46.800
<v Speaker 2>So okay, here we go, and thus the end of

0:14:46.960 --> 0:14:50.320
<v Speaker 2>Mega Guy. You know, when I came to this planet,

0:14:50.360 --> 0:14:52.440
<v Speaker 2>I was told the Hero Crew of the most powerful

0:14:52.480 --> 0:14:55.800
<v Speaker 2>beings in the entire universe. I must admit that I

0:14:55.840 --> 0:14:59.680
<v Speaker 2>am disappointed. There's no one here who can best me.

0:15:07.760 --> 0:15:10.480
<v Speaker 5>Judging by the looks of things, you're doing a wee

0:15:10.600 --> 0:15:12.000
<v Speaker 5>bit of redecorating.

0:15:13.280 --> 0:15:14.720
<v Speaker 2>And who exactly are you?

0:15:15.840 --> 0:15:18.160
<v Speaker 5>Well, I suppose it would be implied to give you

0:15:18.200 --> 0:15:22.040
<v Speaker 5>a butt whooping without properly introducing myself. First, my name

0:15:22.120 --> 0:15:24.920
<v Speaker 5>is Cardinal. I'm new in town and you are.

0:15:25.720 --> 0:15:28.920
<v Speaker 2>I am the blest offspring of King Tylod and the

0:15:29.040 --> 0:15:31.440
<v Speaker 2>seventeenth disciple to hold the Monocle of Danubis.

0:15:32.240 --> 0:15:36.080
<v Speaker 5>Hmm, that sounds nice. I'm from Louisiana and my mom's

0:15:36.160 --> 0:15:36.640
<v Speaker 5>name is Flow.

0:15:37.360 --> 0:15:37.480
<v Speaker 7>Now.

0:15:37.560 --> 0:15:39.600
<v Speaker 2>I have studied all the members of the Hero Crew,

0:15:39.600 --> 0:15:41.600
<v Speaker 2>and you are not listed amongst their ranks.

0:15:42.360 --> 0:15:45.720
<v Speaker 5>Well, that's true, and I love that word. A monks,

0:15:45.720 --> 0:15:49.120
<v Speaker 5>by the way, doesn't get used nearly often enough. You see,

0:15:49.360 --> 0:15:51.720
<v Speaker 5>I was actually on my way here to Vector City

0:15:51.760 --> 0:15:54.800
<v Speaker 5>to let try out for that nice, cool superhero team

0:15:55.040 --> 0:15:58.240
<v Speaker 5>when I read the gone Fishing sign on the front

0:15:58.280 --> 0:15:59.280
<v Speaker 5>of their headquarters.

0:16:00.080 --> 0:16:00.960
<v Speaker 2>Gone Fishing.

0:16:01.920 --> 0:16:03.600
<v Speaker 6>Okay, that was a lie.

0:16:03.840 --> 0:16:07.800
<v Speaker 5>The sign actually said gonna fight some weird looking creep

0:16:07.840 --> 0:16:10.960
<v Speaker 5>with a single nasty piece of glass in their bright

0:16:11.000 --> 0:16:13.720
<v Speaker 5>red eye. You've seen anyone like that around here?

0:16:14.680 --> 0:16:17.240
<v Speaker 2>You dare mock the Monocle of d Nubis?

0:16:18.040 --> 0:16:19.560
<v Speaker 5>Yeah, I dare.

0:16:21.440 --> 0:16:27.160
<v Speaker 2>For huh. That was but a taste of my power.

0:16:27.680 --> 0:16:29.360
<v Speaker 2>I would have ended you. But I hope you don't

0:16:29.360 --> 0:16:31.800
<v Speaker 2>mind if I make this last. I really want to

0:16:31.880 --> 0:16:32.960
<v Speaker 2>savor this victory.

0:16:34.480 --> 0:16:38.560
<v Speaker 5>No, you gotta be the victor first.

0:16:38.600 --> 0:16:39.240
<v Speaker 6>There sport.

0:16:40.080 --> 0:16:43.000
<v Speaker 2>How is that possible? Even at low power? You shouldn't

0:16:43.000 --> 0:16:44.640
<v Speaker 2>be able to stand after a blast like that.

0:16:45.560 --> 0:16:47.960
<v Speaker 5>I had a lot of waities that might have something.

0:16:47.720 --> 0:16:50.760
<v Speaker 2>To do with it. Ah, I do not understand the reference.

0:16:51.240 --> 0:16:52.760
<v Speaker 5>No, I imagined you wouldn't.

0:16:53.120 --> 0:16:54.200
<v Speaker 6>But that's okay.

0:16:54.680 --> 0:16:57.280
<v Speaker 5>If you don't mind so much, I'm just gonna send

0:16:57.320 --> 0:16:58.960
<v Speaker 5>you back to wherever it is you came from.

0:16:59.640 --> 0:17:01.160
<v Speaker 2>I wish you the best of luck with that.

0:17:03.080 --> 0:17:04.960
<v Speaker 5>Why would you waste me look to kick your butt?

0:17:05.760 --> 0:17:12.479
<v Speaker 2>I do not know. Oh enough of this. You can

0:17:12.520 --> 0:17:13.879
<v Speaker 2>go first with the various sounds.

0:17:14.080 --> 0:17:14.480
<v Speaker 5>Thank you?

0:17:16.040 --> 0:17:16.280
<v Speaker 4>Yeah?

0:17:23.440 --> 0:17:26.399
<v Speaker 5>Yeah, And this is just about.

0:17:26.160 --> 0:17:26.760
<v Speaker 6>Wrap it up?

0:17:30.880 --> 0:17:33.480
<v Speaker 2>What's it going to be cardinal me or all of

0:17:33.480 --> 0:17:36.600
<v Speaker 2>these people on the bridge? I thought so.

0:17:38.200 --> 0:17:42.040
<v Speaker 5>Capsulator? Yeah, I don't know.

0:17:44.400 --> 0:17:44.440
<v Speaker 6>That.

0:17:45.080 --> 0:17:45.359
<v Speaker 4>Great.

0:17:45.760 --> 0:17:46.960
<v Speaker 2>That was fun.

0:17:49.480 --> 0:17:50.240
<v Speaker 4>It's great.

0:17:52.240 --> 0:17:54.120
<v Speaker 3>Now, Andrea, I have a question for you.

0:17:54.280 --> 0:17:56.720
<v Speaker 1>Would you would you rather go and hear the other

0:17:56.760 --> 0:17:59.359
<v Speaker 1>contestants cold read and then do notes and notes or

0:17:59.400 --> 0:18:00.840
<v Speaker 1>would you rather do notes first?

0:18:00.880 --> 0:18:01.040
<v Speaker 7>Now?

0:18:01.480 --> 0:18:04.520
<v Speaker 4>Let's stay notes now, because she's she's more. She's got

0:18:04.560 --> 0:18:06.880
<v Speaker 4>it right, you got it? So can I just dive

0:18:06.920 --> 0:18:07.800
<v Speaker 4>did and get some notes?

0:18:07.920 --> 0:18:08.520
<v Speaker 2>Absolutely?

0:18:08.720 --> 0:18:11.360
<v Speaker 4>Very good? So here's something that I noticed, Miya. Yes,

0:18:11.680 --> 0:18:15.399
<v Speaker 4>everything that you're doing, every speech that you gave, practically

0:18:15.440 --> 0:18:20.320
<v Speaker 4>every line that you had pretty much had the same energy.

0:18:20.359 --> 0:18:23.560
<v Speaker 4>And I want to find some places where it's maybe

0:18:23.600 --> 0:18:26.560
<v Speaker 4>she's just a little bit more confident and quiet, and

0:18:26.600 --> 0:18:29.440
<v Speaker 4>then she could be bigger and broad, just something so

0:18:29.560 --> 0:18:31.960
<v Speaker 4>that it's not all the same. Note, do you know

0:18:32.000 --> 0:18:34.320
<v Speaker 4>what I'm saying? Okay, so let's look at this from

0:18:34.400 --> 0:18:39.520
<v Speaker 4>the very I'm looking at your first line right is

0:18:39.720 --> 0:18:41.960
<v Speaker 4>the bottom of page one, correct, judging by the looks

0:18:41.960 --> 0:18:46.119
<v Speaker 4>of things. Okay, so let's give yourself a better entrance.

0:18:46.280 --> 0:18:48.760
<v Speaker 4>Let's give yourself a bigger entrance to start that off

0:18:48.800 --> 0:18:52.800
<v Speaker 4>with just a good superhero, nice strong entrance. And then

0:18:53.680 --> 0:18:57.400
<v Speaker 4>I'm looking at page two the blasts, who exactly are you? Well,

0:18:57.400 --> 0:18:58.919
<v Speaker 4>I suppose it would be impolted to give you a

0:18:58.920 --> 0:19:02.000
<v Speaker 4>butt whooping. So you say, my name is Cardinal, have

0:19:02.080 --> 0:19:05.919
<v Speaker 4>a little more ego about it, Okay, Okay, just my

0:19:06.080 --> 0:19:07.680
<v Speaker 4>name is. I'm going to tell you who I am,

0:19:07.680 --> 0:19:10.440
<v Speaker 4>And here's who I am. And so then you continue

0:19:10.440 --> 0:19:14.080
<v Speaker 4>that conversation just below that, he says, I'm the blast

0:19:14.119 --> 0:19:16.520
<v Speaker 4>offspring of King blah blah, blah, and I would like

0:19:16.600 --> 0:19:18.679
<v Speaker 4>to just do a really technical thing nia, and that

0:19:18.840 --> 0:19:22.280
<v Speaker 4>is that sounds, and then take a second before you

0:19:22.320 --> 0:19:25.119
<v Speaker 4>say the word ne okay. You know, there could be

0:19:25.160 --> 0:19:27.000
<v Speaker 4>so many other words that you're going to say after

0:19:27.119 --> 0:19:30.560
<v Speaker 4>that sounds, and then you make the decision to use

0:19:30.560 --> 0:19:35.360
<v Speaker 4>the word ice. So give yourself that little moment. I'm

0:19:35.359 --> 0:19:38.640
<v Speaker 4>looking down on that same page he says, gone fishing,

0:19:38.840 --> 0:19:41.439
<v Speaker 4>and then you say, Okay, that was a lie. The

0:19:41.520 --> 0:19:45.880
<v Speaker 4>sign actually said. Your pace has been very consistent. I'm

0:19:45.920 --> 0:19:49.199
<v Speaker 4>thinking if we do okay, that was a lie the

0:19:49.240 --> 0:19:51.800
<v Speaker 4>sign actually said, and then move through this next part

0:19:51.800 --> 0:19:54.560
<v Speaker 4>a little bit faster. The god to fight this weird,

0:19:54.640 --> 0:19:57.040
<v Speaker 4>vastly looking creep. Just move through that a little bit faster.

0:19:57.240 --> 0:19:59.800
<v Speaker 4>Just again, what are the many ways that we can

0:20:00.040 --> 0:20:03.560
<v Speaker 4>area performance is with tempo, is with speed. So in

0:20:03.640 --> 0:20:06.439
<v Speaker 4>this particular instance, let's try to just speed her up

0:20:06.480 --> 0:20:07.000
<v Speaker 4>for that line.

0:20:07.000 --> 0:20:09.280
<v Speaker 5>Okay, all right, so slow at the beginning for just

0:20:09.320 --> 0:20:11.600
<v Speaker 5>the first minute, and then get speedier when she's reciting,

0:20:11.600 --> 0:20:13.200
<v Speaker 5>like the note on what's in quotes?

0:20:13.440 --> 0:20:15.680
<v Speaker 4>Yes, the part of that's in quotes exactly? Can you

0:20:15.680 --> 0:20:17.600
<v Speaker 4>see that well enough? You know it's part of Okay,

0:20:17.600 --> 0:20:20.200
<v Speaker 4>through a bright red eye. Perfect, Thank you. Then both

0:20:20.200 --> 0:20:23.119
<v Speaker 4>of you guys, when we get to the impacts of

0:20:23.160 --> 0:20:24.600
<v Speaker 4>the fight stuff.

0:20:24.680 --> 0:20:26.480
<v Speaker 5>I think I went to early too. I'm so sorry.

0:20:26.520 --> 0:20:30.840
<v Speaker 4>I like that's on page four. What I like to

0:20:30.840 --> 0:20:35.320
<v Speaker 4>do is I want you to alternate. So will you

0:20:35.400 --> 0:20:38.679
<v Speaker 4>throw a punch? That means, Mia, you take a punch?

0:20:39.240 --> 0:20:43.120
<v Speaker 4>Will you you know? Whatever you do, so Mia, your reaction,

0:20:43.240 --> 0:20:45.800
<v Speaker 4>your sound is going to be dependent upon what Will

0:20:45.840 --> 0:20:48.800
<v Speaker 4>has done. And then after maybe two or three different

0:20:48.800 --> 0:20:51.199
<v Speaker 4>things that he does, then you take the lead and

0:20:51.280 --> 0:20:54.400
<v Speaker 4>you throw the punch. And then will with take the punch.

0:20:54.440 --> 0:20:55.720
<v Speaker 4>It's just so we have that. So Will, why do

0:20:55.800 --> 0:20:58.480
<v Speaker 4>we say three things that you instigate and then we'll

0:20:58.480 --> 0:20:59.920
<v Speaker 4>switch it up and let her instigate?

0:21:00.320 --> 0:21:02.480
<v Speaker 2>Sounds great and.

0:21:02.440 --> 0:21:04.280
<v Speaker 4>Me and did you have any questions for us?

0:21:06.000 --> 0:21:06.600
<v Speaker 5>Not right now?

0:21:06.680 --> 0:21:07.160
<v Speaker 4>Those is OK?

0:21:07.400 --> 0:21:10.560
<v Speaker 6>Fun script, It is so.

0:21:10.560 --> 0:21:13.520
<v Speaker 4>So what I want you to do is look at variety,

0:21:14.359 --> 0:21:16.320
<v Speaker 4>giving us some variety within it, and if you stumble

0:21:16.359 --> 0:21:18.240
<v Speaker 4>is to make a mistake, just go back to the

0:21:18.240 --> 0:21:21.640
<v Speaker 4>beginning of that section and start again without Oh.

0:21:21.560 --> 0:21:23.760
<v Speaker 5>I have one question. Actually, do you guys want me

0:21:23.800 --> 0:21:26.160
<v Speaker 5>to keep the Louisiana accent? I just kept it because

0:21:26.160 --> 0:21:27.480
<v Speaker 5>she's you know, she says, She's from.

0:21:28.040 --> 0:21:29.480
<v Speaker 2>I like it too, like it.

0:21:30.160 --> 0:21:31.399
<v Speaker 3>I thought it was your fun choice.

0:21:32.000 --> 0:21:33.480
<v Speaker 1>And now what we're going to do is we'll let

0:21:33.520 --> 0:21:35.520
<v Speaker 1>you sit with the notes and then we'll be back

0:21:35.560 --> 0:21:39.000
<v Speaker 1>with you. Okay, So I'm excited you we'll see in

0:21:39.000 --> 0:21:41.280
<v Speaker 1>a big thank you. I told you there's just so

0:21:41.359 --> 0:21:46.440
<v Speaker 1>much energy and yeah, they're great. So let's bring in

0:21:46.520 --> 0:21:48.280
<v Speaker 1>Haley from Texas and see what Haley can do.

0:21:51.960 --> 0:21:55.520
<v Speaker 6>Hi, Haley, Hello again? How are you excited?

0:21:56.040 --> 0:21:58.200
<v Speaker 1>What we're gonna do is like we've done before. We're

0:21:58.200 --> 0:22:00.000
<v Speaker 1>not going to no notes, know anything. We're not gonna

0:22:00.000 --> 0:22:01.520
<v Speaker 1>get in your head. We're just gonna run it through

0:22:01.560 --> 0:22:03.879
<v Speaker 1>straight and we're gonna see you know, I'll be playing

0:22:03.920 --> 0:22:05.840
<v Speaker 1>the Blast and you're gonna be playing Cardinal and we're

0:22:05.840 --> 0:22:07.200
<v Speaker 1>just gonna see what you do with it. And then

0:22:07.640 --> 0:22:09.560
<v Speaker 1>Andrea is going to give you some notes and we'll

0:22:09.560 --> 0:22:11.240
<v Speaker 1>come back and do a take two.

0:22:11.640 --> 0:22:12.400
<v Speaker 6>Huzza.

0:22:12.440 --> 0:22:13.880
<v Speaker 2>All right, So here we go.

0:22:14.440 --> 0:22:17.000
<v Speaker 3>I will be starting with Mega Guy and going from there.

0:22:21.040 --> 0:22:24.600
<v Speaker 2>And thus the end of Mega Guy. You know, when

0:22:24.640 --> 0:22:26.560
<v Speaker 2>I came to this planet, I was told the Hero

0:22:26.680 --> 0:22:29.400
<v Speaker 2>Crew were the most powerful beings in the entire universe.

0:22:30.119 --> 0:22:33.400
<v Speaker 2>I must admit that I am disappointed. There is no

0:22:33.440 --> 0:22:35.360
<v Speaker 2>one here that confessed.

0:22:34.800 --> 0:22:45.280
<v Speaker 6>Me judging father looks at things. You're doing a wee

0:22:45.320 --> 0:22:47.280
<v Speaker 6>bit of redecorating.

0:22:47.400 --> 0:22:48.880
<v Speaker 2>And who exactly are you?

0:22:49.600 --> 0:22:52.760
<v Speaker 6>Well, I suppose it would be impolite to give you

0:22:52.800 --> 0:22:56.400
<v Speaker 6>a butt whooping without properly introducing myself. First, my name

0:22:57.160 --> 0:23:01.120
<v Speaker 6>is Cardinal, I'm new in town, and you are.

0:23:02.160 --> 0:23:04.960
<v Speaker 2>I am the blast offspring of King Thailand and the

0:23:05.040 --> 0:23:07.439
<v Speaker 2>seventeenth disciple to hold the Monocle of Danubis.

0:23:08.760 --> 0:23:09.800
<v Speaker 6>That sounds nice.

0:23:10.400 --> 0:23:13.680
<v Speaker 8>I'm from Louisiana and my mom's.

0:23:13.320 --> 0:23:17.879
<v Speaker 2>Name is Flow. I have studied all the members of

0:23:17.880 --> 0:23:20.800
<v Speaker 2>the Hero Crew, and you were not listed amongst their ranks.

0:23:21.440 --> 0:23:26.439
<v Speaker 6>Well that's true. I love that word amongst. Doesn't get

0:23:26.520 --> 0:23:29.840
<v Speaker 6>used nearly enough. Anyway. Was actually on my way here

0:23:29.880 --> 0:23:32.680
<v Speaker 6>to Vector City to try out for that cool superhero

0:23:32.760 --> 0:23:35.440
<v Speaker 6>team when I read the gone fishing sign on the

0:23:35.480 --> 0:23:36.560
<v Speaker 6>front of their headquarters.

0:23:37.359 --> 0:23:38.280
<v Speaker 2>Gone fishing.

0:23:39.280 --> 0:23:41.920
<v Speaker 6>Okay, you got me. That was a lie. Now, the

0:23:41.960 --> 0:23:44.680
<v Speaker 6>sign actually said gone to fight some weird looking creep

0:23:44.720 --> 0:23:46.680
<v Speaker 6>with a single nasty piece of glass in their bright

0:23:46.720 --> 0:23:47.160
<v Speaker 6>red eye.

0:23:47.960 --> 0:23:50.280
<v Speaker 5>You've seen anyone like that around here?

0:23:51.000 --> 0:23:53.520
<v Speaker 2>You dare mock the monocle of Danubis.

0:23:54.440 --> 0:23:56.760
<v Speaker 6>Yeah, I dare.

0:23:58.520 --> 0:24:05.280
<v Speaker 2>Ah, that was but a taste of my power. I

0:24:05.280 --> 0:24:07.040
<v Speaker 2>would have ended you. But I hope you don't mind

0:24:07.080 --> 0:24:10.240
<v Speaker 2>if I make this last. I really want to savor

0:24:10.280 --> 0:24:11.000
<v Speaker 2>this victory.

0:24:12.000 --> 0:24:16.719
<v Speaker 6>Yeah, you gotta be the victim first, there sport.

0:24:17.520 --> 0:24:20.360
<v Speaker 2>How is that possible? Even at low power? You shouldn't

0:24:20.359 --> 0:24:22.040
<v Speaker 2>be able to stand after a blast like that.

0:24:23.119 --> 0:24:26.119
<v Speaker 6>You know, I do eat a lot of wheedies. That

0:24:26.240 --> 0:24:27.200
<v Speaker 6>might have something to do with it.

0:24:27.880 --> 0:24:29.719
<v Speaker 2>I do not understand the reference.

0:24:30.560 --> 0:24:35.399
<v Speaker 6>Oh no, oh, I imagine you wouldn't. But hey, that's okay.

0:24:36.119 --> 0:24:38.320
<v Speaker 6>Now if you don't mind too much, I'm just gonna

0:24:38.640 --> 0:24:41.159
<v Speaker 6>send you back to wherever it is you came from.

0:24:41.440 --> 0:24:43.159
<v Speaker 2>Well, I wish you the best of luck with that.

0:24:44.119 --> 0:24:48.320
<v Speaker 6>Wait, why would you wish me luck to kick your butt?

0:24:50.560 --> 0:25:03.640
<v Speaker 2>I do? I don't know enough of this, Ah true?

0:25:04.440 --> 0:25:13.280
<v Speaker 2>Just so, what's it going to be, Cardinal me or

0:25:13.320 --> 0:25:17.840
<v Speaker 2>all of the people on the bridge? I thought? So

0:25:20.440 --> 0:25:21.200
<v Speaker 2>catch you later?

0:25:23.119 --> 0:25:29.400
<v Speaker 4>All right, good, very good? And yes please if I.

0:25:29.400 --> 0:25:30.840
<v Speaker 6>May, yes please?

0:25:31.320 --> 0:25:35.800
<v Speaker 4>Uh. The very first line that you have, judging by

0:25:35.800 --> 0:25:38.320
<v Speaker 4>the looks of things, you had a little tiny stumbled.

0:25:38.320 --> 0:25:41.080
<v Speaker 4>Do you remember that at the very beginning? Yeah, Judge,

0:25:41.480 --> 0:25:44.760
<v Speaker 4>that would buy gout whenever that happens, whether it's on

0:25:44.840 --> 0:25:47.040
<v Speaker 4>that line or anything else, take the second to go

0:25:47.119 --> 0:25:48.840
<v Speaker 4>back to the top of that line and do it again.

0:25:48.920 --> 0:25:52.399
<v Speaker 4>Get rid of that mistake, because I'm guessing when you

0:25:52.440 --> 0:25:54.480
<v Speaker 4>were half a page beyond that, you were still thinking

0:25:54.520 --> 0:25:56.600
<v Speaker 4>about the fact that you would screwed up that first line.

0:25:57.119 --> 0:25:59.040
<v Speaker 4>You know what I mean. It's hard to forget screwed

0:25:59.080 --> 0:26:01.439
<v Speaker 4>up something. That's it, and then you can let it

0:26:01.480 --> 0:26:03.480
<v Speaker 4>go worry about it, Okay, So just don't be afraid

0:26:03.520 --> 0:26:08.600
<v Speaker 4>to make that correction the top top of page too,

0:26:09.240 --> 0:26:14.679
<v Speaker 4>will even more confrontational to her, who's so that she

0:26:14.760 --> 0:26:18.639
<v Speaker 4>has a better response to that I'm or absolutely do

0:26:18.640 --> 0:26:21.960
<v Speaker 4>you know what I'm saying there? Heley, your response, so

0:26:22.040 --> 0:26:23.119
<v Speaker 4>listen to him and follow that.

0:26:23.520 --> 0:26:23.760
<v Speaker 6>Okay.

0:26:24.600 --> 0:26:27.359
<v Speaker 4>I love the funny, very funny idea about doing the

0:26:27.440 --> 0:26:31.360
<v Speaker 4>voice for I'm from Louisiana on Mon's names flow. It's

0:26:31.359 --> 0:26:32.280
<v Speaker 4>a very funny idea.

0:26:32.359 --> 0:26:35.840
<v Speaker 6>Good for you, such a good voice, exactly.

0:26:35.880 --> 0:26:40.280
<v Speaker 4>See watch your clarity on the next section. Well, that's true,

0:26:40.480 --> 0:26:43.719
<v Speaker 4>and I love the word amongst by the way, So

0:26:43.760 --> 0:26:46.920
<v Speaker 4>there's two different thoughts there, right, Haley. Well that's true

0:26:47.240 --> 0:26:49.000
<v Speaker 4>and I just love right. So I want to get

0:26:49.000 --> 0:26:52.119
<v Speaker 4>a little bit different thing from your addressing him. And

0:26:52.119 --> 0:26:54.280
<v Speaker 4>then don't you just love the word shrubbery. I love

0:26:54.359 --> 0:26:58.480
<v Speaker 4>saying whatever something that just just take that out of

0:26:58.520 --> 0:26:59.480
<v Speaker 4>it a little bit and then.

0:26:59.359 --> 0:27:01.600
<v Speaker 6>Come back into this totally different energy.

0:27:01.680 --> 0:27:02.120
<v Speaker 2>Got it.

0:27:04.800 --> 0:27:07.240
<v Speaker 4>On the section. Okay, that was a lie. The sign

0:27:07.320 --> 0:27:11.200
<v Speaker 4>actually said, mock him a little bit more, he says.

0:27:11.560 --> 0:27:14.439
<v Speaker 4>His line following says, you dare mock the monocle of

0:27:14.480 --> 0:27:18.880
<v Speaker 4>the Nubis, So give him something to react to. Mock

0:27:18.960 --> 0:27:20.959
<v Speaker 4>him even more on that line before it, find some

0:27:20.960 --> 0:27:29.400
<v Speaker 4>way to mock him. Okay. And then three, uh, the impacts.

0:27:29.440 --> 0:27:32.360
<v Speaker 4>When we get to the page four, the fight back

0:27:32.400 --> 0:27:36.760
<v Speaker 4>and forth, Will is going to do three sounds. He's

0:27:36.800 --> 0:27:39.120
<v Speaker 4>going to throw a punch. You take the punch. He's

0:27:39.160 --> 0:27:41.439
<v Speaker 4>going to kick you take the kick. He's going to

0:27:41.440 --> 0:27:44.440
<v Speaker 4>do a third something that is an attack on you.

0:27:44.440 --> 0:27:47.119
<v Speaker 4>You respond, and then after three you're going to do

0:27:47.160 --> 0:27:51.600
<v Speaker 4>the attacking. He's going to respond. So the sounds that

0:27:51.640 --> 0:27:52.000
<v Speaker 4>we're going.

0:27:52.000 --> 0:27:54.040
<v Speaker 6>To do there, okay, amazing, thank you.

0:27:54.119 --> 0:27:58.840
<v Speaker 4>And then the very last line and even says in

0:27:58.880 --> 0:28:03.160
<v Speaker 4>the stage direction, car voice, Starry voice rings out, Yeah,

0:28:03.280 --> 0:28:06.840
<v Speaker 4>make that a better exit loud. Yeah, you know enjoy

0:28:06.840 --> 0:28:09.160
<v Speaker 4>a little more, and and just in general, it's very

0:28:09.160 --> 0:28:13.000
<v Speaker 4>good in general trying to find just some more variety,

0:28:13.440 --> 0:28:17.680
<v Speaker 4>whether it's volume, whether it's pace, whether it's attitude. Make

0:28:17.720 --> 0:28:20.040
<v Speaker 4>sure that you've got a bunch of different things that

0:28:20.080 --> 0:28:23.400
<v Speaker 4>you're showing in this scene. Okay, did you have any

0:28:23.480 --> 0:28:24.040
<v Speaker 4>questions for us?

0:28:25.400 --> 0:28:27.159
<v Speaker 6>What did the was the accent?

0:28:27.160 --> 0:28:27.400
<v Speaker 2>Okay?

0:28:27.400 --> 0:28:28.520
<v Speaker 6>I was trying to give her a bit of a

0:28:28.640 --> 0:28:30.080
<v Speaker 6>what do you in a country bumpkin?

0:28:32.240 --> 0:28:34.160
<v Speaker 2>I did either. I thought it was a good choice.

0:28:34.160 --> 0:28:36.679
<v Speaker 2>I liked it. Okay, okay, all right, well, thank you.

0:28:36.680 --> 0:28:37.960
<v Speaker 2>We will be back with you. You can sit with

0:28:38.040 --> 0:28:39.960
<v Speaker 2>the notes and we'll be back to do it. Take

0:28:40.000 --> 0:28:41.600
<v Speaker 2>to really thank you so much.

0:28:42.440 --> 0:28:43.800
<v Speaker 1>So one of the things we like to do in

0:28:43.840 --> 0:28:47.720
<v Speaker 1>between is just see if somebody kind of one round one.

0:28:47.800 --> 0:28:49.960
<v Speaker 2>Do you think that somebody is standing out yet?

0:28:50.600 --> 0:28:51.240
<v Speaker 4>I don't yet.

0:28:51.400 --> 0:28:51.960
<v Speaker 3>I don't either.

0:28:52.520 --> 0:28:56.800
<v Speaker 2>I don't either. I'll make interesting choices for you know what.

0:28:56.880 --> 0:28:58.560
<v Speaker 1>The thing that you used to always tell me and

0:28:58.600 --> 0:29:00.600
<v Speaker 1>you tell I've heard you tell another of Pece. You

0:29:00.640 --> 0:29:04.239
<v Speaker 1>know thousands of people, frankly is people often forget the

0:29:04.280 --> 0:29:07.000
<v Speaker 1>actor part of voice actor. And so one of the

0:29:07.000 --> 0:29:09.920
<v Speaker 1>things we're really looking for is an actor, and.

0:29:09.920 --> 0:29:13.520
<v Speaker 2>They're they're both good. They both had some interesting choices and.

0:29:13.280 --> 0:29:16.200
<v Speaker 1>And uh yeah, I'm I'm curious to see how now

0:29:16.200 --> 0:29:17.920
<v Speaker 1>they take the direction and take the notes and go

0:29:17.960 --> 0:29:18.720
<v Speaker 1>from there too.

0:29:19.480 --> 0:29:22.160
<v Speaker 3>So let's bring me a back and see see what

0:29:22.160 --> 0:29:22.680
<v Speaker 3>she's doing.

0:29:23.520 --> 0:29:25.480
<v Speaker 2>Hello, Hi, Mia, how are you?

0:29:25.840 --> 0:29:26.280
<v Speaker 9>I'm good?

0:29:26.320 --> 0:29:26.840
<v Speaker 6>How are you?

0:29:27.320 --> 0:29:27.920
<v Speaker 3>I'm good?

0:29:28.000 --> 0:29:28.360
<v Speaker 2>Thanks?

0:29:28.400 --> 0:29:31.720
<v Speaker 1>So we are going to, uh you know, with those notes,

0:29:32.360 --> 0:29:34.440
<v Speaker 1>we will go and do these again, and don't forget

0:29:34.440 --> 0:29:35.600
<v Speaker 1>when we get to the impacts.

0:29:36.080 --> 0:29:38.520
<v Speaker 3>I'll start three and then you start three.

0:29:38.600 --> 0:29:42.640
<v Speaker 1>So we'll do six sounds total six well six go arounds,

0:29:42.640 --> 0:29:44.400
<v Speaker 1>I guess is where it would be six couplets.

0:29:45.120 --> 0:29:47.680
<v Speaker 2>And we have one question really, yes, of course.

0:29:47.760 --> 0:29:49.840
<v Speaker 5>So after you do an impact sound, should I make

0:29:49.880 --> 0:29:52.120
<v Speaker 5>like a dodging type sound like after your three? Or

0:29:52.160 --> 0:29:54.000
<v Speaker 5>do you want to do just three straight up? And

0:29:54.000 --> 0:29:54.880
<v Speaker 5>then I'll do three.

0:29:54.800 --> 0:29:58.200
<v Speaker 4>Back and forth? And all right, So will throws a punch?

0:29:58.480 --> 0:30:01.080
<v Speaker 4>You take the punch I'll throw as a kick, You

0:30:01.200 --> 0:30:05.800
<v Speaker 4>take the kick. Well, there's a spinning something you and

0:30:05.880 --> 0:30:08.600
<v Speaker 4>then then just the opposite you'll get the chance to

0:30:08.680 --> 0:30:10.920
<v Speaker 4>do that kind of physical action where you are doing

0:30:10.960 --> 0:30:13.200
<v Speaker 4>the aggressive part of it. And he's going to be

0:30:13.240 --> 0:30:14.000
<v Speaker 4>a reaction to it.

0:30:14.360 --> 0:30:16.000
<v Speaker 2>Yeah, and we'll do that. We'll do that right back

0:30:16.040 --> 0:30:17.920
<v Speaker 2>to back, so we'll do those all those sounds together.

0:30:17.960 --> 0:30:18.440
<v Speaker 2>It'll be great.

0:30:18.560 --> 0:30:20.120
<v Speaker 5>Alrighty, all right?

0:30:20.720 --> 0:30:22.280
<v Speaker 4>Any other questions I wanted to ask you before you

0:30:22.320 --> 0:30:26.200
<v Speaker 4>went it again? Sitting there with those notes? Did anything else?

0:30:26.760 --> 0:30:27.400
<v Speaker 5>I had fun?

0:30:27.960 --> 0:30:28.320
<v Speaker 2>All right?

0:30:28.440 --> 0:30:28.520
<v Speaker 4>Her?

0:30:28.640 --> 0:30:30.000
<v Speaker 3>Fun is good. Fun is good.

0:30:30.400 --> 0:30:33.320
<v Speaker 1>You can't have fun recording stuff like this, then pick

0:30:33.360 --> 0:30:34.960
<v Speaker 1>another business exactly.

0:30:36.560 --> 0:30:44.640
<v Speaker 2>So here we go, and thus the end of Mega Guy.

0:30:45.440 --> 0:30:47.480
<v Speaker 2>You know, when I came to this planet, I was

0:30:47.520 --> 0:30:49.680
<v Speaker 2>told that the Hero Crew were the most powerful beings

0:30:49.720 --> 0:30:53.400
<v Speaker 2>in the entire universe. I must admit that I am disappointed.

0:30:54.000 --> 0:30:56.320
<v Speaker 2>There is no one here who confessed me.

0:31:03.000 --> 0:31:06.360
<v Speaker 5>Judging by the looks of things, you are doing a

0:31:06.400 --> 0:31:07.040
<v Speaker 5>wee bet of.

0:31:07.040 --> 0:31:09.520
<v Speaker 6>Re decorating men.

0:31:09.560 --> 0:31:10.760
<v Speaker 2>Who exactly are you?

0:31:11.720 --> 0:31:12.080
<v Speaker 4>Well?

0:31:12.240 --> 0:31:14.120
<v Speaker 5>I suppose it would be impolite to give you a

0:31:14.160 --> 0:31:18.800
<v Speaker 5>butt whoopan without properly introducing myself. First, my name is Cardinal.

0:31:19.160 --> 0:31:21.080
<v Speaker 5>I'm new to town and you are.

0:31:21.800 --> 0:31:24.640
<v Speaker 2>I am the blast offspring of King Tylod and the

0:31:24.720 --> 0:31:28.000
<v Speaker 2>seventeenth disciple to hold the Monocle of Danubis.

0:31:28.560 --> 0:31:34.920
<v Speaker 5>Hmm, that sounds nice. I'm from Louisiana and my mom's

0:31:35.000 --> 0:31:35.520
<v Speaker 5>name is Flow.

0:31:36.160 --> 0:31:38.280
<v Speaker 2>I have studied all of the members of the Hero Crew,

0:31:38.320 --> 0:31:40.440
<v Speaker 2>and you were not listed amongst their ranks.

0:31:41.040 --> 0:31:44.280
<v Speaker 5>Well, that's true, and I love that word amongst, By

0:31:44.320 --> 0:31:46.520
<v Speaker 5>the way, doesn't get used nearly enough.

0:31:46.840 --> 0:31:47.400
<v Speaker 10>You see.

0:31:47.600 --> 0:31:49.720
<v Speaker 5>I was actually on my way here to Vector City

0:31:49.720 --> 0:31:52.480
<v Speaker 5>to try out for that cool superhero team when I

0:31:52.600 --> 0:31:55.800
<v Speaker 5>read the gone fishing sign on the front of their headquarters.

0:31:56.400 --> 0:31:57.360
<v Speaker 2>Gone fishing.

0:31:58.200 --> 0:31:59.880
<v Speaker 6>Okay, that was a lie.

0:32:00.160 --> 0:32:02.840
<v Speaker 5>The sign actually said. God, if i'd some weird looking

0:32:02.840 --> 0:32:05.080
<v Speaker 5>creep with a single nasty piece of glass and the

0:32:05.160 --> 0:32:08.520
<v Speaker 5>bright red eye. You've seen anyone like that around here?

0:32:09.240 --> 0:32:11.880
<v Speaker 2>You dare mock the monocle of Danubis.

0:32:12.640 --> 0:32:13.840
<v Speaker 5>Yeah, I dare.

0:32:18.760 --> 0:32:21.520
<v Speaker 2>That was but a taste of my power. I would

0:32:21.520 --> 0:32:23.360
<v Speaker 2>have ended you. But I hope you don't mind if

0:32:23.360 --> 0:32:27.160
<v Speaker 2>I make this last. I really want to savor this victory.

0:32:28.080 --> 0:32:33.240
<v Speaker 5>No, you gotta be the victor first. There, sport.

0:32:33.920 --> 0:32:36.960
<v Speaker 2>How is that possible? Even at low power? You shouldn't

0:32:36.960 --> 0:32:38.760
<v Speaker 2>be able to stand after a blast like that.

0:32:40.120 --> 0:32:42.280
<v Speaker 5>I had a lot of waitnies that I might have

0:32:42.320 --> 0:32:43.080
<v Speaker 5>something to do with it.

0:32:44.000 --> 0:32:45.360
<v Speaker 2>I do not understand the reference.

0:32:45.880 --> 0:32:49.800
<v Speaker 5>Hmm, No, I imagine you wouldn't. But that's Okay, if

0:32:49.840 --> 0:32:52.320
<v Speaker 5>you don't mind too much, I'm just gonna send you

0:32:52.360 --> 0:32:54.400
<v Speaker 5>back to wherever it is you came from.

0:32:55.800 --> 0:32:57.800
<v Speaker 2>I wish you the best of luck with that.

0:32:58.840 --> 0:33:01.560
<v Speaker 5>Uh, why would you wish me love to kick your boat?

0:33:02.480 --> 0:33:18.680
<v Speaker 2>I do not know. Okay, enough of this, Yeah, no,

0:33:29.560 --> 0:33:36.480
<v Speaker 2>and this is just about wrapping up. What's it gonna be,

0:33:36.640 --> 0:33:39.920
<v Speaker 2>Cardinal me or all of the people on the bridge?

0:33:40.560 --> 0:33:46.560
<v Speaker 5>Hm hmm, I thought so, casulator alligator.

0:33:51.200 --> 0:33:55.360
<v Speaker 4>No, it was so great, really nice adjustments that you made.

0:33:55.480 --> 0:33:57.840
<v Speaker 4>I heard those choices. I could tell that you were

0:33:57.920 --> 0:34:01.000
<v Speaker 4>messing with the rhythm and the time and the volume.

0:34:01.040 --> 0:34:03.080
<v Speaker 4>And you follow my notes so nicely.

0:34:04.320 --> 0:34:07.000
<v Speaker 2>We can, Andrea, we can do pickups. It's just what

0:34:07.040 --> 0:34:09.320
<v Speaker 2>I was a pickups.

0:34:09.080 --> 0:34:12.520
<v Speaker 4>Absolutely excellent. Oh. I loved what you did with that first.

0:34:12.920 --> 0:34:14.440
<v Speaker 4>I suppose it would be impolite to give you a

0:34:14.440 --> 0:34:16.680
<v Speaker 4>butt will be without properly introducing myself. My name is

0:34:16.680 --> 0:34:25.680
<v Speaker 4>Cardinal a Newtown sweet. Loved it. You're writing that sequence

0:34:25.760 --> 0:34:28.120
<v Speaker 4>faster that I asked you to make me laugh out loud. God,

0:34:29.200 --> 0:34:32.759
<v Speaker 4>I've made me laugh out loud, really really good. I

0:34:32.800 --> 0:34:38.279
<v Speaker 4>wanted to do a pickup, please on. I want to

0:34:38.320 --> 0:34:40.520
<v Speaker 4>do the two impacts of a top of page three.

0:34:40.920 --> 0:34:44.279
<v Speaker 4>So you get you get hit in the chest by

0:34:44.600 --> 0:34:47.160
<v Speaker 4>a blast that he fires, and then you hit the building.

0:34:47.640 --> 0:34:51.200
<v Speaker 4>So I want the first one to be imagine, if

0:34:51.200 --> 0:34:53.440
<v Speaker 4>you will, the sound of getting hit in the chest,

0:34:53.719 --> 0:34:58.000
<v Speaker 4>so and then a bigger but still that same kind

0:34:58.000 --> 0:35:03.480
<v Speaker 4>of impact as your body hits a right, So maybe

0:35:03.520 --> 0:35:05.840
<v Speaker 4>it's that. Will you just do those who sounds for me?

0:35:06.440 --> 0:35:06.680
<v Speaker 6>Yes?

0:35:06.719 --> 0:35:08.600
<v Speaker 5>So just the two impacts, not like sign through the

0:35:08.600 --> 0:35:09.200
<v Speaker 5>air or anything.

0:35:10.160 --> 0:35:11.600
<v Speaker 4>Well, you don't have to make a sound during that.

0:35:11.680 --> 0:35:19.000
<v Speaker 4>Let's just say yeah, gotcha, alrighty, really good, do both

0:35:19.000 --> 0:35:26.000
<v Speaker 4>of them bigger? Okay, that's it, that's it, very good.

0:35:27.400 --> 0:35:31.160
<v Speaker 4>On that same section, you say you gotta be you

0:35:31.280 --> 0:35:33.879
<v Speaker 4>got to be the victor first bear sport. I want

0:35:33.880 --> 0:35:35.799
<v Speaker 4>to do three in a row, three takes of the

0:35:35.800 --> 0:35:40.359
<v Speaker 4>same line. Yes, and I want it to just exude confidence.

0:35:40.640 --> 0:35:43.840
<v Speaker 4>You are so absolutely sure that you have You're going

0:35:43.920 --> 0:35:47.520
<v Speaker 4>to best the sky absolutely no problem. But make sure

0:35:47.560 --> 0:35:49.880
<v Speaker 4>that each of those three takes are different. Find a

0:35:49.880 --> 0:35:51.680
<v Speaker 4>way to marry each of those three. Do three in

0:35:51.719 --> 0:35:53.320
<v Speaker 4>a row? ABC, You're ready?

0:35:53.440 --> 0:35:53.839
<v Speaker 7>All right?

0:35:56.000 --> 0:35:58.040
<v Speaker 5>So you said you wanted confident, but is maybe is

0:35:58.040 --> 0:35:59.399
<v Speaker 5>it okay? If I like start off because I think

0:35:59.400 --> 0:36:01.360
<v Speaker 5>she's like getting a off the ground after being slammed

0:36:01.400 --> 0:36:02.319
<v Speaker 5>into this building, right.

0:36:02.320 --> 0:36:09.680
<v Speaker 4>That's right? That would thank you.

0:36:09.680 --> 0:36:13.840
<v Speaker 5>You gotta be the victor first. There, Sports, you gotta

0:36:13.920 --> 0:36:17.840
<v Speaker 5>be the victor there. First, sports, you gotta be the

0:36:17.960 --> 0:36:19.360
<v Speaker 5>victor first there.

0:36:19.080 --> 0:36:24.759
<v Speaker 4>Sports, all three good options. Then the next time you

0:36:24.800 --> 0:36:26.840
<v Speaker 4>have after that. I eat a lot of wheaties. I

0:36:26.880 --> 0:36:30.280
<v Speaker 4>had a clarity problem. I just couldn't understand the word wheaties.

0:36:30.600 --> 0:36:32.440
<v Speaker 4>And so let's do three of those in a row

0:36:32.520 --> 0:36:36.120
<v Speaker 4>just for clarity. Okay, I'm sorry, before you do it,

0:36:36.120 --> 0:36:38.239
<v Speaker 4>excuse me? Well, would you read her into it once?

0:36:38.320 --> 0:36:38.840
<v Speaker 3>Absolutely?

0:36:38.920 --> 0:36:40.879
<v Speaker 4>And then you just do three in a row after

0:36:40.920 --> 0:36:41.799
<v Speaker 4>he reads you in once?

0:36:43.600 --> 0:36:46.960
<v Speaker 2>How is that possible? Even that low power. You shouldn't

0:36:46.960 --> 0:36:48.719
<v Speaker 2>be able to stand after a blast like that.

0:36:50.000 --> 0:36:52.319
<v Speaker 5>I ate a lot of wheaties. That might have something

0:36:52.360 --> 0:36:55.320
<v Speaker 5>to do with it. I ate a lot of waiters

0:36:55.600 --> 0:36:58.239
<v Speaker 5>that might have something to do with it. I eat

0:36:58.239 --> 0:37:00.960
<v Speaker 5>a lot of wheaties. I might have something to do

0:37:01.040 --> 0:37:01.560
<v Speaker 5>with it.

0:37:04.600 --> 0:37:05.520
<v Speaker 4>In my choice, how I pick.

0:37:06.120 --> 0:37:07.520
<v Speaker 1>I was just gonna say, I know you well enough,

0:37:07.520 --> 0:37:10.520
<v Speaker 1>andreda where I've just heard you say, see.

0:37:09.120 --> 0:37:15.840
<v Speaker 4>Okay, you handled the alternate fighting thing just great. Wonderful

0:37:16.360 --> 0:37:19.040
<v Speaker 4>and uh, I don't have another pickups? Will? Did you

0:37:19.080 --> 0:37:19.840
<v Speaker 4>have anything then? No?

0:37:20.080 --> 0:37:20.919
<v Speaker 2>I think it's great.

0:37:21.520 --> 0:37:21.759
<v Speaker 4>Cool.

0:37:22.239 --> 0:37:23.839
<v Speaker 2>We will be back with you in a bit.

0:37:23.920 --> 0:37:26.400
<v Speaker 3>May or Hermia Ah, thank you bye.

0:37:26.880 --> 0:37:27.200
<v Speaker 4>Cool.

0:37:27.680 --> 0:37:30.279
<v Speaker 2>She did she handled all this stuff really well, very well,

0:37:30.520 --> 0:37:33.120
<v Speaker 2>very well. Yeah, okay, great, Let's bring in Haley and

0:37:33.120 --> 0:37:37.480
<v Speaker 2>see how she does. Hey, hi Ellie, hello again, Here

0:37:37.520 --> 0:37:37.839
<v Speaker 2>we go.

0:37:37.880 --> 0:37:40.440
<v Speaker 1>We're gonna just jump right in with with the notes

0:37:41.320 --> 0:37:43.400
<v Speaker 1>and see if we can go from there.

0:37:43.400 --> 0:37:44.640
<v Speaker 2>Are you good? Yep?

0:37:44.920 --> 0:37:49.440
<v Speaker 3>All right, here we go.

0:37:48.760 --> 0:37:52.600
<v Speaker 2>And thus the end of Mega Guy. You know, when

0:37:52.640 --> 0:37:54.400
<v Speaker 2>I came to this planet, I was told that the

0:37:54.440 --> 0:37:58.040
<v Speaker 2>Hero Crew were the most powerful beings in the entire universe.

0:37:58.960 --> 0:38:01.920
<v Speaker 2>I must admit that I am. I'm disappointed. There is

0:38:02.000 --> 0:38:03.759
<v Speaker 2>no one here who can bessed me.

0:38:08.160 --> 0:38:08.200
<v Speaker 7>No.

0:38:10.760 --> 0:38:13.359
<v Speaker 6>Judging by the looks of things, you're doing a wee

0:38:13.400 --> 0:38:14.480
<v Speaker 6>bit of redecorating.

0:38:15.719 --> 0:38:17.400
<v Speaker 2>And who exactly are you?

0:38:18.520 --> 0:38:21.920
<v Speaker 6>Well, I suppose it would be impolite to give you

0:38:21.960 --> 0:38:25.160
<v Speaker 6>a butt whooping without properly introducing myself.

0:38:25.160 --> 0:38:25.480
<v Speaker 2>First.

0:38:25.760 --> 0:38:31.160
<v Speaker 6>My name is Cardinal, i'mnu in town and you are.

0:38:32.160 --> 0:38:34.960
<v Speaker 2>I am the blest offspring of King Taylod and a

0:38:35.000 --> 0:38:37.480
<v Speaker 2>seventeen disciple to hold the monocle of Danubis.

0:38:38.440 --> 0:38:46.200
<v Speaker 6>Well that sounds nice. I'm from Louisiana and my mom's names. Oh.

0:38:46.320 --> 0:38:48.399
<v Speaker 2>I have studied all of the members of the Hero Crew,

0:38:48.440 --> 0:38:51.000
<v Speaker 2>and you were not listed amongst their ranks.

0:38:51.680 --> 0:38:57.200
<v Speaker 6>Well, now that's true. I love that word amongst. By

0:38:57.200 --> 0:39:00.279
<v Speaker 6>the way, does not get used nearly enough. Anyway. I

0:39:00.480 --> 0:39:03.080
<v Speaker 6>was actually on my way here to Victor City to

0:39:03.080 --> 0:39:05.759
<v Speaker 6>try out for that cool superhero team when I read

0:39:05.800 --> 0:39:08.680
<v Speaker 6>the gone fishing sign on the front of their headquarters.

0:39:09.280 --> 0:39:10.160
<v Speaker 2>Gone fishing.

0:39:11.520 --> 0:39:14.319
<v Speaker 6>Okay, okay, you called me that was a lie. Now

0:39:14.360 --> 0:39:18.400
<v Speaker 6>the sign actually said gone to fight some weird looking

0:39:18.600 --> 0:39:21.960
<v Speaker 6>creep with a single nasty piece of glass in their

0:39:22.000 --> 0:39:26.400
<v Speaker 6>bright red eye. You uh seeing anyone like that around here?

0:39:27.280 --> 0:39:29.880
<v Speaker 2>You dare mock the monocle of Danubis?

0:39:30.600 --> 0:39:32.879
<v Speaker 6>Yeah, I dare.

0:39:34.760 --> 0:39:37.839
<v Speaker 5>Ah ah.

0:39:38.040 --> 0:39:40.719
<v Speaker 2>That was but a taste of my power. I would

0:39:40.719 --> 0:39:42.719
<v Speaker 2>have ended you, But I hope you don't mind if

0:39:42.719 --> 0:39:46.360
<v Speaker 2>I make this last. I really want to savor this victory.

0:39:47.360 --> 0:39:52.560
<v Speaker 11>Oh, you gotta be the victor first there, sport.

0:39:52.920 --> 0:39:55.920
<v Speaker 2>How is that possible? Even at low power? You shouldn't

0:39:55.920 --> 0:39:57.680
<v Speaker 2>be able to stand after a bless like that.

0:40:00.800 --> 0:40:04.560
<v Speaker 6>I need a lot of wheedies that might have something

0:40:04.600 --> 0:40:05.160
<v Speaker 6>to do with it.

0:40:05.920 --> 0:40:07.400
<v Speaker 2>I do not understand the reference.

0:40:08.160 --> 0:40:12.600
<v Speaker 6>Oh now, I imagine you wouldn't. But hey, that's okay.

0:40:13.200 --> 0:40:14.920
<v Speaker 6>Now if you don't mind too much, I'm just gonna

0:40:15.040 --> 0:40:16.880
<v Speaker 6>send you back to wherever it is he came from.

0:40:17.320 --> 0:40:19.440
<v Speaker 2>Now, I wish you the best of luck with that.

0:40:21.239 --> 0:40:25.080
<v Speaker 6>Why would you wish me luck to kick your butt?

0:40:25.880 --> 0:40:27.880
<v Speaker 2>I do not know? Okay, enough of this.

0:40:29.480 --> 0:40:42.600
<v Speaker 4>H h.

0:40:44.880 --> 0:40:50.120
<v Speaker 6>Hell this, She just about wrap it up.

0:40:53.239 --> 0:40:55.880
<v Speaker 2>What's it gonna be, Cardinal me or all of the

0:40:55.920 --> 0:41:05.120
<v Speaker 2>people on the bridge? I thought so pat later, Okay, right,

0:41:05.440 --> 0:41:05.960
<v Speaker 2>all right.

0:41:05.880 --> 0:41:08.279
<v Speaker 4>Good, good, good, A lot of really good stuff there

0:41:08.760 --> 0:41:10.919
<v Speaker 4>there there's a what did you want to say? Anything?

0:41:10.960 --> 0:41:11.560
<v Speaker 4>Will before? No?

0:41:11.560 --> 0:41:13.600
<v Speaker 1>No, no, no, no, We're gonna now we're gonna Andrea is

0:41:13.640 --> 0:41:14.720
<v Speaker 1>going to walk you through some pickups.

0:41:15.000 --> 0:41:15.520
<v Speaker 6>Okay.

0:41:16.800 --> 0:41:20.160
<v Speaker 4>One general note. I noticed that you come up off

0:41:20.200 --> 0:41:23.120
<v Speaker 4>the script a lot and are kind of looking out

0:41:23.200 --> 0:41:25.960
<v Speaker 4>into the world and everything. You don't have to do that,

0:41:26.040 --> 0:41:28.000
<v Speaker 4>and it takes you out of the moment. It makes

0:41:28.000 --> 0:41:30.000
<v Speaker 4>you take a little bit longer exactly. You got the

0:41:30.000 --> 0:41:32.840
<v Speaker 4>sense of it. So that's one of the joys of voiceover,

0:41:32.920 --> 0:41:38.080
<v Speaker 4>is that words in front of you all the time, and.

0:41:36.280 --> 0:41:41.560
<v Speaker 2>That the it's your theater. That's I get it.

0:41:41.640 --> 0:41:43.919
<v Speaker 4>You book. You don't have to ever be off book. Okay,

0:41:44.320 --> 0:41:48.760
<v Speaker 4>I love that. So look at your very first line.

0:41:49.680 --> 0:41:53.520
<v Speaker 4>That's the first that we get to know you, your character whatever.

0:41:53.719 --> 0:41:56.840
<v Speaker 4>I think you need to give us a stronger entrance. Okay,

0:41:56.920 --> 0:41:59.680
<v Speaker 4>it kind of just came in kind of conversationally and stuff.

0:42:00.080 --> 0:42:02.759
<v Speaker 4>Somehow you need to grab us and let us hear.

0:42:02.880 --> 0:42:04.480
<v Speaker 4>So will you do three in to row of that

0:42:04.560 --> 0:42:07.920
<v Speaker 4>first line? Yeah, you'll be three different versions anyway you

0:42:07.960 --> 0:42:09.760
<v Speaker 4>want to mess with it, But just give me something

0:42:09.800 --> 0:42:12.319
<v Speaker 4>that says I'm here, deal with me now.

0:42:12.640 --> 0:42:15.560
<v Speaker 6>Yeah, okay, And is it cool if I sort of

0:42:15.960 --> 0:42:17.800
<v Speaker 6>maybe drop the accent some do a couple with the

0:42:17.840 --> 0:42:20.960
<v Speaker 6>accent and couple without. Is that just to try different things?

0:42:21.080 --> 0:42:24.120
<v Speaker 3>Pick it and don't forget your only audience is that microphone?

0:42:25.280 --> 0:42:32.520
<v Speaker 6>That one right there? Right Well, judging by the looks

0:42:32.560 --> 0:42:35.800
<v Speaker 6>of things, you're doing a wee bit of a redecorating.

0:42:38.400 --> 0:42:40.920
<v Speaker 6>Judging by the looks of things, you're doing a wee

0:42:41.000 --> 0:42:46.520
<v Speaker 6>bit of redecorating. Judging by the looks of things, you're

0:42:46.560 --> 0:42:49.080
<v Speaker 6>doing a wee bit of a redecorating.

0:42:50.000 --> 0:42:54.120
<v Speaker 4>Good those are three indeed different ones. I'm looking at

0:42:54.120 --> 0:42:57.040
<v Speaker 4>the stage direction before it. It says, as the smoke clears,

0:42:57.600 --> 0:43:01.000
<v Speaker 4>young superhero hovers in the air, looks around, it takes

0:43:01.000 --> 0:43:04.839
<v Speaker 4>in the distrestruction. So I just think there's something that

0:43:05.440 --> 0:43:07.600
<v Speaker 4>kind of very first word has to get our tech

0:43:07.880 --> 0:43:10.800
<v Speaker 4>judging by I mean something, because there's this big sky

0:43:11.040 --> 0:43:13.279
<v Speaker 4>and there's you, and there's all these buildings knocked down,

0:43:13.320 --> 0:43:17.520
<v Speaker 4>and so give me three more bigger, okay, bigger.

0:43:17.840 --> 0:43:22.200
<v Speaker 5>Yeah, judging by the looks of things.

0:43:22.000 --> 0:43:23.880
<v Speaker 6>You're doing a wee bittery decorating.

0:43:26.080 --> 0:43:28.960
<v Speaker 12>Judging by the looks of things, you're doing a wee

0:43:29.000 --> 0:43:35.640
<v Speaker 12>bittery decorating. Judging by the looks of things, you're doing

0:43:35.680 --> 0:43:37.080
<v Speaker 12>a wee bit of redecorating.

0:43:39.120 --> 0:43:41.120
<v Speaker 4>I like the first one of those three. Well done.

0:43:41.200 --> 0:43:43.239
<v Speaker 4>Good for you.

0:43:43.239 --> 0:43:43.759
<v Speaker 2>Go to.

0:43:48.280 --> 0:43:51.759
<v Speaker 4>Page two, one, two, three, four, four lines down. That

0:43:51.880 --> 0:43:54.479
<v Speaker 4>sounds nice. I'm from Louisiana. My mom's name is flow.

0:43:54.880 --> 0:43:58.080
<v Speaker 4>The word flow dropped out. It just fell out of

0:43:58.080 --> 0:44:00.279
<v Speaker 4>your voice. He didn't my mom's name name is.

0:44:00.960 --> 0:44:03.560
<v Speaker 6>It just went weird, weird, So so it might have

0:44:03.600 --> 0:44:05.120
<v Speaker 6>been there, that might have been.

0:44:05.760 --> 0:44:06.239
<v Speaker 5>I just think it.

0:44:06.320 --> 0:44:08.719
<v Speaker 4>Sometimes it happens that people lose their energy before the

0:44:08.840 --> 0:44:11.239
<v Speaker 4>end of the line, and so everything else is being

0:44:11.239 --> 0:44:13.560
<v Speaker 4>recorded perfectly fine, straight, and then that last word just

0:44:13.600 --> 0:44:16.239
<v Speaker 4>dies out. Okay, right, so you give me a roll

0:44:16.320 --> 0:44:18.120
<v Speaker 4>that the performance was fine. Just give me three.

0:44:20.239 --> 0:44:21.200
<v Speaker 6>That sounds nice.

0:44:22.200 --> 0:44:26.800
<v Speaker 8>I'm from Louisiana and my mom's name is Flow.

0:44:31.360 --> 0:44:33.160
<v Speaker 6>Oh that sounds nice.

0:44:34.400 --> 0:44:39.640
<v Speaker 8>I'm from Louisiana and my mom's name is flow.

0:44:42.200 --> 0:44:49.120
<v Speaker 6>Ooh that sounds nice. I'm from Louisiana and my mom's name.

0:44:51.719 --> 0:44:54.879
<v Speaker 4>Nice. You start touching on something there that I want

0:44:54.920 --> 0:44:56.680
<v Speaker 4>to do. Will would you meet her into it again?

0:44:56.760 --> 0:45:00.520
<v Speaker 4>Of course you're in your most evil and then Haley

0:45:00.640 --> 0:45:04.239
<v Speaker 4>this time like so sweet all the way through, just

0:45:04.280 --> 0:45:06.319
<v Speaker 4>the sweetest thing. He's going to be evil. You're going

0:45:06.400 --> 0:45:08.680
<v Speaker 4>to be a contrasted That's just one past of that,

0:45:08.719 --> 0:45:09.200
<v Speaker 4>both you guys.

0:45:09.280 --> 0:45:13.840
<v Speaker 2>Yeah, I am the blessed offspring of King Thailand and

0:45:13.880 --> 0:45:17.280
<v Speaker 2>a seventeen disciple to hold the monocle of Danubis.

0:45:17.880 --> 0:45:22.720
<v Speaker 6>Oh that sounds nice. I'm from Louisiana and my mom's

0:45:22.800 --> 0:45:24.120
<v Speaker 6>name is flow.

0:45:24.400 --> 0:45:27.759
<v Speaker 4>I love that. I love that very funny. That's how

0:45:27.800 --> 0:45:33.120
<v Speaker 4>you talk to an evil guy. Hey, something I want

0:45:33.120 --> 0:45:35.960
<v Speaker 4>to play the next peak you have there, the line

0:45:36.040 --> 0:45:40.040
<v Speaker 4>that's kind of parenthetical or the lines are yes, and

0:45:40.120 --> 0:45:41.960
<v Speaker 4>I love that word amongst, by the way, doesn't get

0:45:42.040 --> 0:45:43.680
<v Speaker 4>used nearly enough. So what I want you to do

0:45:43.840 --> 0:45:46.240
<v Speaker 4>is I want you to do one take, not saying

0:45:46.239 --> 0:45:49.120
<v Speaker 4>that line at all. Go from Well, that's true, you see,

0:45:49.120 --> 0:45:50.600
<v Speaker 4>I actually was on my way. I want you just

0:45:50.640 --> 0:45:52.680
<v Speaker 4>to write, and then I want you a second take,

0:45:53.600 --> 0:45:57.719
<v Speaker 4>acknowledging that center line, which has a different energy. Right, yeah,

0:45:57.760 --> 0:46:02.640
<v Speaker 4>well that's true, and then back to business. Right, okay,

0:46:02.800 --> 0:46:05.680
<v Speaker 4>so the two texts of that speech will read here,

0:46:05.760 --> 0:46:07.319
<v Speaker 4>and would you just he's gonna read you in once.

0:46:07.440 --> 0:46:11.240
<v Speaker 2>Of course, thank you. I have studied all the members

0:46:11.280 --> 0:46:14.120
<v Speaker 2>of the Hero Crew and you were not listed amongst

0:46:14.120 --> 0:46:15.000
<v Speaker 2>their ranks.

0:46:15.600 --> 0:46:19.759
<v Speaker 6>Well that's true, you see. I was actually on my

0:46:19.800 --> 0:46:21.920
<v Speaker 6>way here to Vector City to try out for that

0:46:22.040 --> 0:46:25.560
<v Speaker 6>cool superhero team when I read the gone fishing sign

0:46:25.640 --> 0:46:31.000
<v Speaker 6>on the front of their headquarters. Well that's true. You know.

0:46:31.160 --> 0:46:35.000
<v Speaker 6>I do love that word amongst, by the way, does

0:46:35.040 --> 0:46:38.240
<v Speaker 6>not get used nearly enough. You see. I was actually

0:46:38.280 --> 0:46:40.560
<v Speaker 6>on my way here to Vector City to try out

0:46:40.600 --> 0:46:43.960
<v Speaker 6>for that cool superhero team when I read the gune

0:46:43.960 --> 0:46:45.880
<v Speaker 6>fishing sign on the front of their headquarters.

0:46:46.200 --> 0:46:48.320
<v Speaker 4>That's good, that was nice, you see. The difference to

0:46:48.360 --> 0:46:51.000
<v Speaker 4>see why when you do that, there's a different energy

0:46:51.040 --> 0:46:51.279
<v Speaker 4>for that.

0:46:51.440 --> 0:46:55.480
<v Speaker 6>Yeah, parenthetical, proper beat that I don't think I was

0:46:55.520 --> 0:46:56.960
<v Speaker 6>giving it before, Haley.

0:46:57.160 --> 0:47:01.279
<v Speaker 4>The next line, when you did the the second pass

0:47:01.360 --> 0:47:03.040
<v Speaker 4>all the way through when we first came back from

0:47:03.080 --> 0:47:07.719
<v Speaker 4>the break, you didn't do the villain voice for I'm

0:47:07.719 --> 0:47:10.160
<v Speaker 4>from Louisiana. My mom's name is slow. You didn't. And

0:47:10.200 --> 0:47:12.560
<v Speaker 4>that was a fine choice, that was okay, But in

0:47:12.640 --> 0:47:15.640
<v Speaker 4>doing that, it seemed to me maybe this line, okay,

0:47:15.640 --> 0:47:17.960
<v Speaker 4>that was a lie. The sign actually said, now when

0:47:17.960 --> 0:47:20.720
<v Speaker 4>you get to gone to fight, that could use Will's

0:47:20.760 --> 0:47:24.640
<v Speaker 4>scary voice. Yeah, yeah, yeah, so we'll read it with

0:47:24.680 --> 0:47:25.920
<v Speaker 4>gone fishing and let her try that.

0:47:25.880 --> 0:47:28.920
<v Speaker 2>Would you sure gone fishing?

0:47:30.120 --> 0:47:33.920
<v Speaker 6>Okay, that was a lie. The sign actually said.

0:47:34.400 --> 0:47:37.880
<v Speaker 8>Gone to fight some weird looking creep with a single

0:47:38.120 --> 0:47:40.960
<v Speaker 8>nasty piece of glass in the bright red eye.

0:47:42.560 --> 0:47:44.360
<v Speaker 6>You seen anyone like that around here?

0:47:44.680 --> 0:47:48.120
<v Speaker 4>Nice? Very nice variety, very good. And there was one

0:47:48.200 --> 0:47:51.880
<v Speaker 4>other thing. Oh yeah, go to the line on page three.

0:47:52.000 --> 0:47:55.000
<v Speaker 4>You gotta be the victor there, you gotta be the victory.

0:47:56.120 --> 0:48:00.520
<v Speaker 4>And you know if victor there first. If you want

0:48:00.560 --> 0:48:03.880
<v Speaker 4>to invert those works, fine, but three of those and faster.

0:48:04.040 --> 0:48:06.560
<v Speaker 4>It just was moving too slow. Okay, I just need

0:48:06.600 --> 0:48:08.560
<v Speaker 4>some more, some more. You're in the middle of a fight,

0:48:08.640 --> 0:48:11.000
<v Speaker 4>and it was kind of conversational and so tough and

0:48:11.040 --> 0:48:12.440
<v Speaker 4>strong and faster. Three of those.

0:48:13.920 --> 0:48:17.040
<v Speaker 11>You got to be the victor first their sport. You

0:48:17.160 --> 0:48:19.280
<v Speaker 11>gotta be the victor first there sport.

0:48:20.239 --> 0:48:20.439
<v Speaker 4>Good.

0:48:20.520 --> 0:48:22.680
<v Speaker 6>Well, you gotta be the victor first their sport.

0:48:22.960 --> 0:48:25.000
<v Speaker 4>Well, that's nice. I like that last one, too good

0:48:25.040 --> 0:48:29.959
<v Speaker 4>for you? Uh yes, and those are my notes.

0:48:30.280 --> 0:48:34.399
<v Speaker 2>Okay, Helly, we will be back with you, Thank you much,

0:48:34.560 --> 0:48:35.000
<v Speaker 2>thank you.

0:48:36.239 --> 0:48:38.480
<v Speaker 3>Okay, so after round two, what do you think.

0:48:39.360 --> 0:48:39.960
<v Speaker 2>It's tough?

0:48:40.520 --> 0:48:44.240
<v Speaker 4>It is tough. They they both. I love their energy

0:48:44.280 --> 0:48:46.720
<v Speaker 4>and their enthusiasm. My god, that goes such a long way.

0:48:48.320 --> 0:48:53.520
<v Speaker 4>I almost feel like Mia. The accent works well for

0:48:53.600 --> 0:48:56.759
<v Speaker 4>what she's doing. I don't know that Haley needs to

0:48:57.880 --> 0:48:59.480
<v Speaker 4>use the accent. I'd like to hear her do a

0:48:59.480 --> 0:49:03.080
<v Speaker 4>whole version of this without the accent, okay, because I

0:49:03.120 --> 0:49:06.320
<v Speaker 4>feel like her her acting. She doesn't think about the

0:49:06.360 --> 0:49:09.680
<v Speaker 4>acting as much. She's thinking about the accent more right,

0:49:10.040 --> 0:49:11.600
<v Speaker 4>I would like to hear I'd like to her to

0:49:11.680 --> 0:49:13.600
<v Speaker 4>pay a little bit more attention to what's going on.

0:49:14.560 --> 0:49:17.080
<v Speaker 4>I think Mia did a very good job of taking

0:49:17.120 --> 0:49:19.439
<v Speaker 4>the notes we gave her before the break. I thought

0:49:19.440 --> 0:49:22.200
<v Speaker 4>so too, and addressing them in her next version.

0:49:22.360 --> 0:49:24.440
<v Speaker 1>And it's so strange because for the first time, I

0:49:25.960 --> 0:49:30.959
<v Speaker 1>always saw Haley's on stage kind of stage presence as

0:49:31.000 --> 0:49:34.040
<v Speaker 1>a positive and for the first time, I'm kind of

0:49:34.080 --> 0:49:36.040
<v Speaker 1>seeing the negative sides of it. When it comes to

0:49:36.120 --> 0:49:38.839
<v Speaker 1>the vo world. She's not working the microphone the way

0:49:39.040 --> 0:49:40.960
<v Speaker 1>that she used to do. She's kind of all over

0:49:41.000 --> 0:49:43.600
<v Speaker 1>the place a little bit. I saw that, and so

0:49:43.880 --> 0:49:46.120
<v Speaker 1>it's this is kind of the first time we're really

0:49:46.120 --> 0:49:46.719
<v Speaker 1>seeing that.

0:49:46.800 --> 0:49:49.919
<v Speaker 3>And again, you know, as not to bring down the room.

0:49:49.960 --> 0:49:52.359
<v Speaker 1>But as Kevin taught me the first time sitting in

0:49:52.400 --> 0:49:54.880
<v Speaker 1>the booth, it was all about the microphone and this.

0:49:55.000 --> 0:49:56.839
<v Speaker 1>He's like, this is your best friend while you're in here.

0:49:56.880 --> 0:49:58.440
<v Speaker 1>It's not me, it's not the people next to you.

0:49:58.480 --> 0:50:00.359
<v Speaker 1>It is this thing right in front of you. And

0:50:01.640 --> 0:50:03.239
<v Speaker 1>you know, Mia is right there on the mic the

0:50:03.280 --> 0:50:07.200
<v Speaker 1>whole time, and Haley is acting, which is great, but

0:50:07.320 --> 0:50:10.240
<v Speaker 1>it's pulling her away from kind of working the microphone,

0:50:10.239 --> 0:50:11.920
<v Speaker 1>which is a you know, that's big.

0:50:12.280 --> 0:50:14.719
<v Speaker 4>It is it also, as I mentioned to her, it

0:50:14.800 --> 0:50:18.279
<v Speaker 4>slows her down. Yeah, it goes off here somewhere, and

0:50:18.320 --> 0:50:20.680
<v Speaker 4>then she's got to come back and find the script

0:50:20.680 --> 0:50:24.000
<v Speaker 4>and find this. So so you know how animation who's

0:50:24.000 --> 0:50:29.120
<v Speaker 4>so quickly and stuff. She's she's pondering the much.

0:50:29.320 --> 0:50:31.160
<v Speaker 1>And now the question the question I would add I

0:50:31.160 --> 0:50:34.080
<v Speaker 1>would I would pose is because we talked about I

0:50:34.120 --> 0:50:35.959
<v Speaker 1>made this analogy I think it was last week, because

0:50:35.960 --> 0:50:38.560
<v Speaker 1>now we are nitpicking. There's an old analogy in baseball

0:50:38.600 --> 0:50:40.560
<v Speaker 1>that two people run to first base and they both

0:50:40.560 --> 0:50:42.560
<v Speaker 1>get there at the same time. One of them has

0:50:42.600 --> 0:50:44.719
<v Speaker 1>perfect form, one of them has bad form. Which one

0:50:44.719 --> 0:50:46.440
<v Speaker 1>do you take? And the answer from the coach is

0:50:46.640 --> 0:50:48.600
<v Speaker 1>you take the one with bad form, because if you

0:50:48.680 --> 0:50:50.840
<v Speaker 1>teach them good form, they're going to eventually beat the

0:50:50.880 --> 0:50:54.600
<v Speaker 1>other person who had the perfect form. So the question is,

0:50:54.640 --> 0:50:57.680
<v Speaker 1>do you take somebody where they're not working the microphone right,

0:50:57.719 --> 0:51:01.799
<v Speaker 1>but maybe they're slightly better actors and teach them how

0:51:01.800 --> 0:51:03.919
<v Speaker 1>to work the microphone. Would that, in the long run

0:51:03.960 --> 0:51:05.520
<v Speaker 1>make them better or do you make do you take

0:51:05.560 --> 0:51:09.200
<v Speaker 1>the person who is working the microphone right but maybe

0:51:09.320 --> 0:51:11.080
<v Speaker 1>doesn't have the same acting chops.

0:51:11.280 --> 0:51:12.719
<v Speaker 4>You know, this is the same thing that I used

0:51:12.719 --> 0:51:15.080
<v Speaker 4>to deal with when we were in taking acting classes

0:51:15.120 --> 0:51:18.600
<v Speaker 4>in college. I'm like, how do you grade? Do you

0:51:18.640 --> 0:51:20.920
<v Speaker 4>grade them because when they started they were really crap

0:51:21.000 --> 0:51:24.439
<v Speaker 4>and now they're passable? Or do you take the person

0:51:24.480 --> 0:51:26.080
<v Speaker 4>who was a really good actor from the beginning and

0:51:26.080 --> 0:51:27.839
<v Speaker 4>it is equally as good an actor at the end.

0:51:28.000 --> 0:51:31.600
<v Speaker 4>Who gets the better grade? Who it's the same issue.

0:51:32.480 --> 0:51:36.040
<v Speaker 4>It's for your purposes. You. It seems to me you

0:51:36.120 --> 0:51:41.440
<v Speaker 4>were intending to take these people somewhere meaning growth, sure,

0:51:42.120 --> 0:51:46.640
<v Speaker 4>wanting them to perceive what it is to get direction

0:51:46.840 --> 0:51:51.520
<v Speaker 4>and how to use it. Yeah, intimidating you. So I

0:51:51.560 --> 0:51:54.200
<v Speaker 4>really want can we run one more pass from both

0:51:54.239 --> 0:51:54.520
<v Speaker 4>of them?

0:51:54.719 --> 0:51:55.359
<v Speaker 2>We can, sure.

0:51:55.600 --> 0:51:57.319
<v Speaker 1>I think one of the other things that we've we've

0:51:57.320 --> 0:51:59.160
<v Speaker 1>always said, and we've been keeping this in our mind

0:51:59.160 --> 0:52:02.200
<v Speaker 1>as well, trying to find somebody that can win this

0:52:02.280 --> 0:52:05.240
<v Speaker 1>contest on Monday and be in a professional booth working

0:52:05.280 --> 0:52:05.880
<v Speaker 1>on Tuesday.

0:52:07.160 --> 0:52:08.160
<v Speaker 2>So that's the other thing.

0:52:08.040 --> 0:52:13.520
<v Speaker 4>That what negative these ladies have for you in that goal?

0:52:13.680 --> 0:52:16.040
<v Speaker 2>I don't at this point, it's not so much.

0:52:16.080 --> 0:52:18.320
<v Speaker 3>I mean, again, if I'm if we're nitpicking.

0:52:18.440 --> 0:52:21.200
<v Speaker 1>I thought that Haley's second round was not nearly as

0:52:21.239 --> 0:52:22.520
<v Speaker 1>good as her first.

0:52:22.800 --> 0:52:25.640
<v Speaker 2>I thought some of the choices she made slowed her down.

0:52:25.960 --> 0:52:29.239
<v Speaker 1>I thought the energy was a little bit lacking where

0:52:29.280 --> 0:52:32.239
<v Speaker 1>I thought some I thought Mia took the directions that

0:52:32.280 --> 0:52:37.120
<v Speaker 1>you gave her and it upped the performance the second round.

0:52:38.640 --> 0:52:41.479
<v Speaker 1>So you know that, I mean again, that's that would

0:52:41.520 --> 0:52:43.840
<v Speaker 1>be the only negative I would take away is I think, Hailey,

0:52:44.880 --> 0:52:47.440
<v Speaker 1>it's almost and again this is from theater. You're you

0:52:47.560 --> 0:52:51.920
<v Speaker 1>almost start overthinking the performance and then you're trying to

0:52:52.000 --> 0:52:53.879
<v Speaker 1>force beats that aren't necessarily there.

0:52:54.160 --> 0:52:57.480
<v Speaker 4>There's that will and there's also she's doing physical things

0:52:57.520 --> 0:52:59.759
<v Speaker 4>that when you look at it, it works, but of

0:52:59.760 --> 0:53:02.200
<v Speaker 4>course when we only get the vocal track afterwards, it's

0:53:02.239 --> 0:53:02.680
<v Speaker 4>not there.

0:53:02.880 --> 0:53:04.600
<v Speaker 2>Sure so sure all.

0:53:04.440 --> 0:53:06.719
<v Speaker 4>Her gesturing and all of her stuff that she's doing,

0:53:07.040 --> 0:53:10.520
<v Speaker 4>unless it actually comes through in the voice, it's it's extreme.

0:53:10.440 --> 0:53:12.840
<v Speaker 3>Right if you're I mean again, I go to Mark Hamill.

0:53:12.920 --> 0:53:15.280
<v Speaker 1>You see the way that Mark Hamill is is working

0:53:15.280 --> 0:53:17.799
<v Speaker 1>the microphone and he's just he's gesticulating all over the.

0:53:17.800 --> 0:53:20.839
<v Speaker 2>Place, but everything is into the microphone.

0:53:21.360 --> 0:53:24.160
<v Speaker 1>So it adds to the performance as opposed to now

0:53:24.200 --> 0:53:26.279
<v Speaker 1>you're over here and now my face is this way,

0:53:26.320 --> 0:53:29.279
<v Speaker 1>and now so it's you know, Matt Mercer, you know,

0:53:29.320 --> 0:53:32.520
<v Speaker 1>towards the end of ThunderCats, was was nailing the performance

0:53:32.600 --> 0:53:34.759
<v Speaker 1>while all over the I mean you'd have we'd move

0:53:34.760 --> 0:53:36.360
<v Speaker 1>our chairs away because we thought we'd be punched in

0:53:36.360 --> 0:53:39.360
<v Speaker 1>the face. So it's you can find the combination of

0:53:39.400 --> 0:53:42.320
<v Speaker 1>the two. I just don't think that last take showed

0:53:42.320 --> 0:53:42.799
<v Speaker 1>it for her.

0:53:43.160 --> 0:53:45.359
<v Speaker 4>I agree, So I mean depending, I don't know how

0:53:45.640 --> 0:53:47.279
<v Speaker 4>what your next plan is after this, but I mean

0:53:47.320 --> 0:53:50.200
<v Speaker 4>we could just run another paths just with Haley having

0:53:50.239 --> 0:53:51.400
<v Speaker 4>her do it without accent.

0:53:52.680 --> 0:53:53.239
<v Speaker 2>We can't.

0:53:53.280 --> 0:53:54.800
<v Speaker 1>I mean, normally, what we would do right now is

0:53:54.840 --> 0:53:56.760
<v Speaker 1>we would switch and have them both through the blast.

0:53:57.160 --> 0:54:00.160
<v Speaker 1>But but again, we're trying to find the best person here.

0:54:00.239 --> 0:54:01.680
<v Speaker 1>So if you want to go back and you would

0:54:01.760 --> 0:54:05.239
<v Speaker 1>rather run it with them one more time each, you're

0:54:05.239 --> 0:54:05.879
<v Speaker 1>the guest judge.

0:54:05.920 --> 0:54:06.640
<v Speaker 2>I have no problem.

0:54:06.680 --> 0:54:09.239
<v Speaker 4>Don't mind moving on and making that change if you

0:54:09.239 --> 0:54:11.719
<v Speaker 4>want to. I just think that I think she can

0:54:11.760 --> 0:54:14.480
<v Speaker 4>do it better. That's all right. I really don't have

0:54:14.520 --> 0:54:16.440
<v Speaker 4>any additional notes for me on it, and Meia took

0:54:16.440 --> 0:54:18.880
<v Speaker 4>the notes and did exactly what I wanted. And I

0:54:18.960 --> 0:54:24.880
<v Speaker 4>just think Haley she could do a better job. I

0:54:24.880 --> 0:54:26.560
<v Speaker 4>think she can do better. Then we can tell them

0:54:26.600 --> 0:54:27.839
<v Speaker 4>we'll have a better gauge of.

0:54:27.800 --> 0:54:29.560
<v Speaker 2>Who's so is that what you'd want to do.

0:54:29.600 --> 0:54:32.600
<v Speaker 1>I'm wondering if we're being so essentially, the only reason

0:54:32.640 --> 0:54:34.520
<v Speaker 1>we're not doing this and giving me a more.

0:54:34.320 --> 0:54:36.240
<v Speaker 2>Direction is because she doesn't need it correct.

0:54:36.800 --> 0:54:39.360
<v Speaker 1>So she did the best version of that performance, and

0:54:39.400 --> 0:54:41.239
<v Speaker 1>we can judge on that. And now you want to

0:54:41.239 --> 0:54:43.399
<v Speaker 1>see if you want to if Haley can get that.

0:54:43.880 --> 0:54:45.839
<v Speaker 2>I do, Okay, No problem is.

0:54:45.760 --> 0:54:47.799
<v Speaker 4>Will you bring up a really good point, which is,

0:54:48.000 --> 0:54:49.600
<v Speaker 4>you know, sometimes you'd sit there in a cast of

0:54:49.719 --> 0:54:52.600
<v Speaker 4>you know, six, seven, eight people around you, and somebody

0:54:52.600 --> 0:54:54.560
<v Speaker 4>got a whole bunch of notes and somebody didn't get

0:54:54.560 --> 0:54:57.319
<v Speaker 4>any notes, and they were like, why why didn't I

0:54:57.320 --> 0:55:01.160
<v Speaker 4>get any notes? Because you did it right right, because

0:55:01.160 --> 0:55:03.080
<v Speaker 4>it got so I don't want her to feel like

0:55:03.080 --> 0:55:05.839
<v Speaker 4>we're punishing her for getting it right. But we don't

0:55:05.840 --> 0:55:08.160
<v Speaker 4>have to do the whole thing with Haley. We can

0:55:08.239 --> 0:55:11.080
<v Speaker 4>just do let's just do page two.

0:55:11.360 --> 0:55:12.480
<v Speaker 2>Okay, you got no again.

0:55:12.520 --> 0:55:14.640
<v Speaker 1>We're trying to find the best person here, so you

0:55:14.640 --> 0:55:18.080
<v Speaker 1>know we're we we want the best version of everybody

0:55:18.120 --> 0:55:19.200
<v Speaker 1>so we can judge it properly.

0:55:19.239 --> 0:55:20.319
<v Speaker 3>I don't have a problem with that at all.

0:55:20.560 --> 0:55:22.200
<v Speaker 1>So, yeah, why don't we bring Haley back in real

0:55:22.239 --> 0:55:23.680
<v Speaker 1>quick and We're just going to run page two with

0:55:23.719 --> 0:55:29.439
<v Speaker 1>her again and then you flip right, Hey, Haley, hell, hey,

0:55:29.480 --> 0:55:31.080
<v Speaker 1>we want to do one more thing with you, if

0:55:31.120 --> 0:55:31.600
<v Speaker 1>that's all right?

0:55:31.960 --> 0:55:33.960
<v Speaker 3>Yeah, please, Andrea, please take it away.

0:55:34.000 --> 0:55:37.600
<v Speaker 4>Yes, I want you to run just page two, and

0:55:37.640 --> 0:55:42.279
<v Speaker 4>this time I want to do the performance without the accent. Yes,

0:55:42.280 --> 0:55:44.080
<v Speaker 4>just to hear what it sounds like if you just

0:55:44.239 --> 0:55:46.640
<v Speaker 4>play the scene with your own voice, essentially, but with

0:55:46.800 --> 0:55:49.680
<v Speaker 4>superhero energy. Yeah, just take the scene.

0:55:49.680 --> 0:55:52.319
<v Speaker 6>The same notes and everything is before, Yeah, exactly, all

0:55:52.360 --> 0:55:53.040
<v Speaker 6>the same notes.

0:55:54.680 --> 0:55:58.279
<v Speaker 4>I just want to run it from just all page two. Ye.

0:55:58.520 --> 0:56:00.080
<v Speaker 4>So will you start us off?

0:56:00.160 --> 0:56:01.279
<v Speaker 2>Yeah, yes, ma'am, here we go.

0:56:02.880 --> 0:56:05.239
<v Speaker 4>Ready, Yeah, that's do it.

0:56:06.520 --> 0:56:08.160
<v Speaker 2>And who exactly are you?

0:56:09.520 --> 0:56:12.440
<v Speaker 6>Well, I suppose it would be impolite to give you

0:56:12.480 --> 0:56:15.919
<v Speaker 6>a butt woman without properly introducing myself. First. My name

0:56:16.680 --> 0:56:20.640
<v Speaker 6>is Cardinal, I'm new in town, and you are.

0:56:21.440 --> 0:56:24.239
<v Speaker 2>I am the blast offspring of King Thailand and the

0:56:24.280 --> 0:56:27.040
<v Speaker 2>seventeenth disciple to hold the Monocle of Danubis.

0:56:27.960 --> 0:56:32.319
<v Speaker 6>That sounds nice. I'm from Louisiana and my mom's name

0:56:32.680 --> 0:56:33.280
<v Speaker 6>is Flow.

0:56:35.080 --> 0:56:37.239
<v Speaker 2>I have studied all of the members of the Hero Crew,

0:56:37.280 --> 0:56:39.520
<v Speaker 2>and you were not listed amongst their ranks.

0:56:40.239 --> 0:56:46.200
<v Speaker 6>Well, yeah, that's true. Oh I love that word amongst

0:56:46.400 --> 0:56:48.279
<v Speaker 6>by the way, doesn't get used nearly enough.

0:56:49.200 --> 0:56:49.399
<v Speaker 2>Right.

0:56:49.400 --> 0:56:51.920
<v Speaker 6>You see, I was actually on my way here to

0:56:52.000 --> 0:56:55.480
<v Speaker 6>Vector City to try out for that cool superhero team

0:56:55.880 --> 0:56:58.080
<v Speaker 6>when I read the gone fishing sign on the front

0:56:58.120 --> 0:56:58.840
<v Speaker 6>of their headquarters.

0:56:59.480 --> 0:57:00.400
<v Speaker 2>Gone fishing.

0:57:01.760 --> 0:57:04.640
<v Speaker 6>Okay, you got me. That was a lie. Now the

0:57:04.680 --> 0:57:09.200
<v Speaker 6>sign actually said gone to fight some weird looking creep

0:57:09.320 --> 0:57:12.160
<v Speaker 6>with a single nasty piece of glass in their bright

0:57:12.200 --> 0:57:15.560
<v Speaker 6>red eye. Have you seen anything like that around here?

0:57:16.240 --> 0:57:18.280
<v Speaker 2>You dare mark the Monica of d Nubis.

0:57:19.440 --> 0:57:21.720
<v Speaker 6>Yeah, I dare.

0:57:22.400 --> 0:57:26.200
<v Speaker 4>Nice, nice, very good, A valid read just I wanted

0:57:26.200 --> 0:57:27.240
<v Speaker 4>to hear without the accent.

0:57:28.440 --> 0:57:29.680
<v Speaker 3>All right, thank you, we'll be back.

0:57:30.000 --> 0:57:32.880
<v Speaker 4>Okay, you didn't quite get there.

0:57:33.200 --> 0:57:33.680
<v Speaker 2>I agree.

0:57:34.360 --> 0:57:37.280
<v Speaker 3>Performing for the camera, I agree for the live audience,

0:57:37.440 --> 0:57:40.360
<v Speaker 3>I agree. And and again it's it's a uh, it's

0:57:40.400 --> 0:57:41.080
<v Speaker 3>a theater thing.

0:57:41.480 --> 0:57:45.000
<v Speaker 4>It is. It is. It is typically theater actors because

0:57:45.000 --> 0:57:47.880
<v Speaker 4>they're they're willing to boost the energy of things for

0:57:48.000 --> 0:57:51.240
<v Speaker 4>on stage work. You get the energy for animation better.

0:57:51.520 --> 0:57:53.560
<v Speaker 4>It's just that she's focusing on the wrong things.

0:57:53.760 --> 0:57:57.360
<v Speaker 1>Yes, and again that's this is where the disconnect happens,

0:57:57.400 --> 0:58:01.560
<v Speaker 1>because that can be taught. But that's not necessary. We're

0:58:01.560 --> 0:58:03.680
<v Speaker 1>not looking for a diamond in the rough. We're looking

0:58:03.720 --> 0:58:11.000
<v Speaker 1>for somebody that can jump in the booth. Day one.

0:58:13.960 --> 0:58:16.280
<v Speaker 1>Let's do a run where we're gonna flip them. But

0:58:16.360 --> 0:58:18.880
<v Speaker 1>what we're gonna do because we don't want to just

0:58:18.960 --> 0:58:21.560
<v Speaker 1>keep going back and forth, I'd like you to say

0:58:21.600 --> 0:58:23.880
<v Speaker 1>heads are tails if you would, And I'm going to

0:58:23.920 --> 0:58:27.120
<v Speaker 1>be using Boy Meets World season five, which excellent Rider

0:58:27.200 --> 0:58:29.440
<v Speaker 1>Strong on the cover, and we're going to see so

0:58:29.920 --> 0:58:33.320
<v Speaker 1>heads will be Mia and tails will be Hailey. So

0:58:33.480 --> 0:58:38.080
<v Speaker 1>heads are tails, please hails? It is heads?

0:58:38.320 --> 0:58:38.880
<v Speaker 4>All right? Then?

0:58:40.840 --> 0:58:43.400
<v Speaker 2>So I think that was Mia? Was it not said?

0:58:43.440 --> 0:58:46.480
<v Speaker 2>All right? Let's bring Mia in every time.

0:58:46.480 --> 0:58:48.520
<v Speaker 1>I'm sorry, I see Rider Strong's luscious locks and I

0:58:48.520 --> 0:58:49.640
<v Speaker 1>cannot think of anything.

0:58:52.440 --> 0:58:58.360
<v Speaker 2>All right, here we go, Hi, Miash, Hello, how are

0:58:58.360 --> 0:59:04.680
<v Speaker 2>you fine? How are you? So? If you gotta do that,

0:59:04.720 --> 0:59:06.480
<v Speaker 2>you gotta occasionally got to have your own sound effects

0:59:06.480 --> 0:59:07.280
<v Speaker 2>when you come into the room.

0:59:07.800 --> 0:59:09.360
<v Speaker 1>We are going to throw a little curveball at you,

0:59:09.360 --> 0:59:12.040
<v Speaker 1>if that's okay, Yeah, yeah, And we are going to

0:59:12.200 --> 0:59:13.000
<v Speaker 1>switch rolls.

0:59:13.960 --> 0:59:16.960
<v Speaker 6>Nah, I get to be the villain, so you.

0:59:16.960 --> 0:59:19.400
<v Speaker 2>Are the blast. We are just going to run it

0:59:19.560 --> 0:59:21.840
<v Speaker 2>one time and then maybe if there's a pickup we

0:59:21.880 --> 0:59:23.880
<v Speaker 2>need to do, but it is going to be quick through.

0:59:24.680 --> 0:59:25.680
<v Speaker 2>You are the blast.

0:59:25.920 --> 0:59:28.160
<v Speaker 1>I would also say that this is important since maybe

0:59:28.240 --> 0:59:32.480
<v Speaker 1>you might not be as familiar with the material. If

0:59:32.520 --> 0:59:35.880
<v Speaker 1>you do stumble the line, just stop and do the

0:59:35.880 --> 0:59:38.439
<v Speaker 1>line again, so we're we're not kind of rushing through,

0:59:38.680 --> 0:59:40.320
<v Speaker 1>and then you can get the performance that you want

0:59:40.880 --> 0:59:41.480
<v Speaker 1>fair enough.

0:59:41.600 --> 0:59:42.920
<v Speaker 5>Would you like me to Mega Guy too?

0:59:43.720 --> 0:59:44.120
<v Speaker 2>Please?

0:59:44.480 --> 0:59:48.000
<v Speaker 1>Okay, that would be wonderful. So yes, whatever you want

0:59:48.000 --> 0:59:49.360
<v Speaker 1>to do, and we will go from there.

0:59:49.640 --> 0:59:53.000
<v Speaker 6>Okay, a.

0:59:55.440 --> 0:59:59.760
<v Speaker 7>End, Thus the end of Mega Guy. You know, when

0:59:59.800 --> 1:00:02.400
<v Speaker 7>I came to this planet, I was told that the

1:00:02.440 --> 1:00:07.000
<v Speaker 7>Hero Crew were the most powerful beings in the entire universe.

1:00:07.800 --> 1:00:10.240
<v Speaker 7>I must admit that I am disappointed.

1:00:12.760 --> 1:00:13.840
<v Speaker 4>There is no one.

1:00:13.640 --> 1:00:22.600
<v Speaker 2>Here who can beat me. Ah well, judging by the

1:00:22.640 --> 1:00:25.840
<v Speaker 2>looks of things, you're doing a wee bit of redecorating.

1:00:26.160 --> 1:00:27.960
<v Speaker 7>And who exactly are you?

1:00:29.360 --> 1:00:31.080
<v Speaker 2>Well, I suppose it would be impolite to give you

1:00:31.120 --> 1:00:34.680
<v Speaker 2>a butt weapon without properly introducing myself. First, my name

1:00:34.720 --> 1:00:37.800
<v Speaker 2>is Cardinal and I'm new in town and you.

1:00:37.760 --> 1:00:43.400
<v Speaker 7>Are I am the blast, offspring of King Thailand in

1:00:43.560 --> 1:00:47.440
<v Speaker 7>seventeenth disciple to hold the monocle of Danubis.

1:00:48.280 --> 1:00:51.120
<v Speaker 2>That sounds nice. I'm from Louisiana. My mom's name's Flow.

1:00:53.000 --> 1:00:55.560
<v Speaker 7>I have studied all the members of the Hero Crew,

1:00:55.600 --> 1:00:58.800
<v Speaker 7>and you were not listed amongst their ranks.

1:00:59.360 --> 1:01:00.000
<v Speaker 2>Well that's true.

1:01:00.200 --> 1:01:01.040
<v Speaker 3>I mean, I guess.

1:01:01.200 --> 1:01:02.440
<v Speaker 2>I love that word a monks. By the way, it

1:01:02.440 --> 1:01:03.520
<v Speaker 2>doesn't get used nearly enough.

1:01:03.640 --> 1:01:05.480
<v Speaker 1>You see, I was actually on my way here to

1:01:05.560 --> 1:01:08.040
<v Speaker 1>Vector City to try out for that cool superhero team

1:01:08.120 --> 1:01:09.680
<v Speaker 1>when I I'm gonna see I'm.

1:01:09.560 --> 1:01:12.960
<v Speaker 2>Gona do that again. Well, that's true, and I love

1:01:13.000 --> 1:01:14.400
<v Speaker 2>that word a monks. By the way, it does not

1:01:14.400 --> 1:01:15.640
<v Speaker 2>get used nearly enough anyway.

1:01:15.760 --> 1:01:18.000
<v Speaker 1>Yes, you see, I was actually on my way here

1:01:18.040 --> 1:01:20.360
<v Speaker 1>to Vector City to try out for that cool superhero

1:01:20.400 --> 1:01:22.800
<v Speaker 1>team when I read the gone fishing sign on the

1:01:22.800 --> 1:01:24.240
<v Speaker 1>front of their headquarters.

1:01:25.200 --> 1:01:26.560
<v Speaker 7>Gone fishing?

1:01:27.240 --> 1:01:29.680
<v Speaker 2>Okay, all right, that's that was a lie. The sign

1:01:29.720 --> 1:01:31.720
<v Speaker 2>actually said gone to fight some weird looking creep with

1:01:31.720 --> 1:01:33.840
<v Speaker 2>a single nasty piece of glass in their bright red eye.

1:01:34.680 --> 1:01:36.320
<v Speaker 4>You seen anyone like that around here?

1:01:37.960 --> 1:01:44.280
<v Speaker 7>You damn up the monocle of danubish Yeah, dare no.

1:01:47.040 --> 1:01:47.320
<v Speaker 2>Hah.

1:01:48.000 --> 1:01:51.040
<v Speaker 7>That was but a taste of my power. I would

1:01:51.080 --> 1:01:53.520
<v Speaker 7>have ended you, but I hope you don't mind if

1:01:53.520 --> 1:01:59.600
<v Speaker 7>I make this last. I really want to savor this victory.

1:02:01.160 --> 1:02:05.160
<v Speaker 2>Ah. Yeah, you gotta be the victor first their sport.

1:02:06.480 --> 1:02:07.720
<v Speaker 6>How is that possible?

1:02:08.160 --> 1:02:11.560
<v Speaker 5>Even at low power? You shouldn't be able to Let

1:02:11.560 --> 1:02:12.040
<v Speaker 5>me try again?

1:02:12.280 --> 1:02:12.520
<v Speaker 2>Yep?

1:02:13.920 --> 1:02:16.400
<v Speaker 6>How is that possible? Even at low power?

1:02:16.440 --> 1:02:19.000
<v Speaker 5>You shouldn't be able to stand after a blast like that.

1:02:19.920 --> 1:02:21.919
<v Speaker 2>I eat a lot of wheaties that might have something

1:02:21.960 --> 1:02:22.400
<v Speaker 2>to do with it.

1:02:23.160 --> 1:02:25.920
<v Speaker 7>I do not understand.

1:02:27.440 --> 1:02:28.120
<v Speaker 2>I do it again.

1:02:29.640 --> 1:02:32.040
<v Speaker 7>I do not understand the reference.

1:02:33.800 --> 1:02:35.120
<v Speaker 2>Yeah, go ahead, I'm sorry.

1:02:35.480 --> 1:02:39.920
<v Speaker 7>No, I do not understand the reference.

1:02:40.680 --> 1:02:41.920
<v Speaker 3>No, I imagine you wouldn't.

1:02:41.960 --> 1:02:44.160
<v Speaker 2>But that's okay. Now, if you don't mind too much,

1:02:44.200 --> 1:02:46.120
<v Speaker 2>I'm just gonna send you back to wherever it is

1:02:46.160 --> 1:02:46.760
<v Speaker 2>you came from.

1:02:47.760 --> 1:02:49.400
<v Speaker 5>I wish you the best of luck with that.

1:02:50.360 --> 1:02:52.680
<v Speaker 2>What now? Why why would you wish me luck to

1:02:52.760 --> 1:02:53.280
<v Speaker 2>kick your butt?

1:02:54.560 --> 1:02:56.800
<v Speaker 6>I do not know well enough of this.

1:03:00.520 --> 1:03:18.160
<v Speaker 2>Yeah, dah, and this should just about wrap it up.

1:03:20.440 --> 1:03:25.960
<v Speaker 7>Yeah, what's it gonna be, Cardinal me or all of

1:03:26.000 --> 1:03:27.440
<v Speaker 7>these people on the bridge?

1:03:29.160 --> 1:03:29.520
<v Speaker 9>Hmmm?

1:03:30.040 --> 1:03:30.720
<v Speaker 2>I thought so.

1:03:32.320 --> 1:03:33.040
<v Speaker 3>Catch it later.

1:03:34.680 --> 1:03:41.600
<v Speaker 6>Allegated goods variety a completely different character for you than

1:03:41.640 --> 1:03:42.480
<v Speaker 6>what you did before.

1:03:44.200 --> 1:03:49.840
<v Speaker 4>I want to do two little pickups. One is oh,

1:03:49.920 --> 1:03:53.560
<v Speaker 4>page Barber, page two, You dare mock the Monocle of Danubis.

1:03:53.840 --> 1:03:55.840
<v Speaker 4>I want to do three in a row, and I

1:03:55.880 --> 1:03:58.400
<v Speaker 4>want to use that nice deeper part of your range

1:03:58.400 --> 1:04:00.240
<v Speaker 4>that you were using right at the very beginning at

1:04:00.240 --> 1:04:04.120
<v Speaker 4>this copy. I want to have the anger you're insulted,

1:04:04.840 --> 1:04:07.520
<v Speaker 4>and I want to get three different versions of how

1:04:07.680 --> 1:04:08.200
<v Speaker 4>dare you?

1:04:08.320 --> 1:04:17.120
<v Speaker 13>Essentially three in a row already, you dare mock the

1:04:17.200 --> 1:04:18.560
<v Speaker 13>Monocle of Danubis.

1:04:19.760 --> 1:04:24.680
<v Speaker 7>You dare mock the Monocle of Danubis. You dare mock

1:04:24.800 --> 1:04:26.840
<v Speaker 7>the Monocle of Danubis.

1:04:29.920 --> 1:04:34.880
<v Speaker 4>That I love that very good. And then there was, oh, oh,

1:04:35.040 --> 1:04:37.600
<v Speaker 4>the LINEY gave you trouble. I do not understand the reference.

1:04:38.120 --> 1:04:40.640
<v Speaker 4>When we very first started doing the take, it was

1:04:40.800 --> 1:04:45.080
<v Speaker 4>a very William Shatner read. It was I do not understand,

1:04:45.680 --> 1:04:46.280
<v Speaker 4>and I like that.

1:04:46.360 --> 1:04:47.080
<v Speaker 9>I liked what I was going.

1:04:47.080 --> 1:04:50.520
<v Speaker 4>And then you stumbled or you didn't finish with the reference.

1:04:51.080 --> 1:04:51.760
<v Speaker 2>I cut it off.

1:04:51.880 --> 1:04:53.680
<v Speaker 5>I have my game blown up on a specific way.

1:04:53.800 --> 1:04:55.520
<v Speaker 5>I literally cut off the last two words, so I

1:04:55.520 --> 1:04:56.480
<v Speaker 5>thought that was the whole line.

1:04:56.600 --> 1:04:58.760
<v Speaker 4>I was like, I get it, I get it, but

1:04:58.880 --> 1:05:01.400
<v Speaker 4>I loved where you were going because it was it's

1:05:01.480 --> 1:05:03.760
<v Speaker 4>not wrong for it to be a William Shatner eskue.

1:05:05.000 --> 1:05:08.800
<v Speaker 2>Oh my god, please, so will would you read.

1:05:08.640 --> 1:05:09.440
<v Speaker 4>Her into it? Please?

1:05:09.480 --> 1:05:09.640
<v Speaker 5>With that?

1:05:09.720 --> 1:05:11.880
<v Speaker 4>Might I eat a lot of and then again, I

1:05:11.880 --> 1:05:13.440
<v Speaker 4>want you to do three and at least one of

1:05:13.440 --> 1:05:15.880
<v Speaker 4>them with that hesitant to read you know what I mean? Yes,

1:05:16.800 --> 1:05:18.200
<v Speaker 4>so he's gonna read you once. You're gonna do it

1:05:18.200 --> 1:05:18.840
<v Speaker 4>three times.

1:05:19.920 --> 1:05:22.120
<v Speaker 3>I eat a lot of wheaties. That might have something

1:05:22.120 --> 1:05:22.640
<v Speaker 3>to do with it.

1:05:23.480 --> 1:05:30.040
<v Speaker 7>I do not understand the reference. I do not understand

1:05:30.200 --> 1:05:35.680
<v Speaker 7>the reference. I do not understand the reference.

1:05:37.760 --> 1:05:45.640
<v Speaker 4>What did you? I like it? We'll be back with you,

1:05:45.640 --> 1:05:48.120
<v Speaker 4>you bet? How fun?

1:05:48.520 --> 1:05:49.200
<v Speaker 2>Totally different?

1:05:50.560 --> 1:05:53.280
<v Speaker 4>Shocked me when she spoke the first line. I was like,

1:05:53.560 --> 1:05:55.360
<v Speaker 4>this is a girl with a character voice. She's got

1:05:55.360 --> 1:05:58.120
<v Speaker 4>a cute little voice. She's got more variety than I thought.

1:05:58.400 --> 1:06:01.600
<v Speaker 3>Yeah, great, great, like teen superhero sound too.

1:06:01.800 --> 1:06:06.680
<v Speaker 4>Absolutely and variety within it. You know.

1:06:08.080 --> 1:06:09.840
<v Speaker 2>Well, let's see what We'll see what he can do.

1:06:09.920 --> 1:06:14.040
<v Speaker 2>We'll bring Haley back in. Hey, Hey, Haley, hello, how

1:06:14.080 --> 1:06:14.560
<v Speaker 2>are you all right?

1:06:14.600 --> 1:06:16.800
<v Speaker 1>So we're gonna throw something at you real quick, okay,

1:06:17.080 --> 1:06:19.920
<v Speaker 1>and you and I are going to switch rolls. So

1:06:20.160 --> 1:06:22.400
<v Speaker 1>you're gonna be the You're gonna be the blast and

1:06:22.680 --> 1:06:25.800
<v Speaker 1>I am going to be Cardinal amazing.

1:06:26.120 --> 1:06:27.880
<v Speaker 2>Okay, yeah, I love that.

1:06:28.480 --> 1:06:31.040
<v Speaker 1>All right, So can you start with Mega Guy and

1:06:31.080 --> 1:06:32.320
<v Speaker 1>we will read it straight through once?

1:06:32.520 --> 1:06:32.720
<v Speaker 6>Yeah?

1:06:32.720 --> 1:06:34.439
<v Speaker 2>Sure, anytime, go ahead.

1:06:40.400 --> 1:06:45.120
<v Speaker 6>And thus the end of Mega Guy. You know, when

1:06:45.120 --> 1:06:46.960
<v Speaker 6>I came to this planet, I was told that the

1:06:47.200 --> 1:06:51.720
<v Speaker 6>Hero Crew were the most powerful beings in this entire universe.

1:06:52.440 --> 1:06:58.560
<v Speaker 6>I must admit that I'm disappointed. There is no one

1:06:58.680 --> 1:07:00.520
<v Speaker 6>here who can best me.

1:07:05.920 --> 1:07:07.760
<v Speaker 2>Judge you. By the looks of things, you're doing a

1:07:07.760 --> 1:07:10.000
<v Speaker 2>wee bit at redecorating.

1:07:10.080 --> 1:07:12.760
<v Speaker 6>And who exactly are you?

1:07:13.840 --> 1:07:15.640
<v Speaker 2>Well, I suppose it would be impolite to give you

1:07:15.680 --> 1:07:19.080
<v Speaker 2>a butt whoopon without properly introducing myself. First, my name

1:07:19.120 --> 1:07:22.080
<v Speaker 2>is Cardinal. I'm new in town, and you are.

1:07:23.160 --> 1:07:28.320
<v Speaker 8>I am the blast spring of King Thailod and seventeenth

1:07:28.400 --> 1:07:32.360
<v Speaker 8>disciple to hold the monocle of the New bas Well.

1:07:32.360 --> 1:07:35.439
<v Speaker 2>That sure sounds nice. I'm from Louisiana. My mom's name's Flow.

1:07:36.800 --> 1:07:40.200
<v Speaker 6>I studied all the members of the Hero Crew, and

1:07:40.440 --> 1:07:43.720
<v Speaker 6>you were not listed amongst their ranks.

1:07:44.120 --> 1:07:46.240
<v Speaker 2>Well, yeah, that's true, and I love that word amongst

1:07:46.240 --> 1:07:48.120
<v Speaker 2>By the way, it doesn't get used nearly enough. You see,

1:07:48.240 --> 1:07:50.280
<v Speaker 2>I was actually on my way here to Vector City

1:07:50.280 --> 1:07:52.240
<v Speaker 2>to try out for that cool superhero team. When I

1:07:52.240 --> 1:07:56.040
<v Speaker 2>read the gun fishing sign in the front of their headquarters.

1:07:55.800 --> 1:07:57.520
<v Speaker 6>Gone fishing.

1:07:58.760 --> 1:08:00.880
<v Speaker 1>Okay, yeah, that was a lot, and actually said gona

1:08:00.880 --> 1:08:02.720
<v Speaker 1>fight some weird looking creep with a single nasty piece

1:08:02.720 --> 1:08:03.760
<v Speaker 1>of glass in their bright red eye.

1:08:04.760 --> 1:08:06.160
<v Speaker 2>Seen anyone like that around here?

1:08:06.840 --> 1:08:11.000
<v Speaker 6>You dah mock the monocle of Denubis?

1:08:11.400 --> 1:08:20.880
<v Speaker 2>Yeah, I dare a. Oh ah, that was but a

1:08:20.920 --> 1:08:22.320
<v Speaker 2>taste of my power.

1:08:22.960 --> 1:08:25.800
<v Speaker 6>I would have ended you, but I hope you don't

1:08:25.880 --> 1:08:29.559
<v Speaker 6>mind if I make this last. I really want to

1:08:29.720 --> 1:08:31.240
<v Speaker 6>savor this victory.

1:08:33.640 --> 1:08:36.960
<v Speaker 2>Noah, you gotta be the victor first their sport.

1:08:37.680 --> 1:08:38.360
<v Speaker 6>Is this possible?

1:08:39.200 --> 1:08:40.160
<v Speaker 2>Even at low power?

1:08:40.200 --> 1:08:42.439
<v Speaker 6>You shouldn't be able to stand after a blast like that.

1:08:43.240 --> 1:08:45.320
<v Speaker 2>I eat a lot of wheaties. That might have something

1:08:45.320 --> 1:08:50.120
<v Speaker 2>to do with it. I do not understand that reference. No, No,

1:08:50.200 --> 1:08:52.479
<v Speaker 2>I imagine you wouldn't. But that's okay. If you don't

1:08:52.520 --> 1:08:54.479
<v Speaker 2>mind too much, I'm just gonna send you back to

1:08:54.479 --> 1:08:55.639
<v Speaker 2>wherever it is you came from.

1:08:56.360 --> 1:08:58.160
<v Speaker 6>I wish you the best of luck with that.

1:08:59.360 --> 1:09:01.720
<v Speaker 2>Why Why would you wish me luck to kick your butt?

1:09:04.120 --> 1:09:05.280
<v Speaker 6>I don't know, I don't know.

1:09:10.720 --> 1:09:25.599
<v Speaker 9>Yeah, and it should just about wrap it up.

1:09:26.720 --> 1:09:32.720
<v Speaker 6>Mm hmmm, well is it going to be a cardinal

1:09:34.479 --> 1:09:40.280
<v Speaker 6>or all those people on the bridge? I thought so,

1:09:42.080 --> 1:09:42.800
<v Speaker 6>catchu later?

1:09:44.439 --> 1:09:50.040
<v Speaker 12>Really good, Hailey Good usually play the bad guy instantaneously.

1:09:50.720 --> 1:09:54.080
<v Speaker 4>You thought bad guy British.

1:09:52.960 --> 1:09:55.400
<v Speaker 6>And I thought bad guy Alien.

1:09:55.640 --> 1:09:57.599
<v Speaker 4>It just works.

1:09:56.960 --> 1:09:59.240
<v Speaker 3>Just look at everyone in the Star Wars world.

1:10:01.400 --> 1:10:03.080
<v Speaker 4>I don't know where that works so well, but it does.

1:10:03.840 --> 1:10:05.519
<v Speaker 4>There was something you did that I want to just

1:10:05.680 --> 1:10:09.400
<v Speaker 4>do as a pickup this stage one. Yes, a blast

1:10:09.479 --> 1:10:12.439
<v Speaker 4>at there's no one here who can best me. I

1:10:12.479 --> 1:10:15.280
<v Speaker 4>want to do a nice, loud version of that, and

1:10:15.320 --> 1:10:19.479
<v Speaker 4>then a big insane signature laugh for this character, which

1:10:19.560 --> 1:10:23.719
<v Speaker 4>gets interrupted by the impacts. You kind of did that naturally,

1:10:23.960 --> 1:10:25.280
<v Speaker 4>and I want to just make sure that we do

1:10:25.320 --> 1:10:27.240
<v Speaker 4>it where it doesn't sound it kind of just happened,

1:10:27.240 --> 1:10:31.479
<v Speaker 4>but you actually intended so yeah, and then impacted.

1:10:31.600 --> 1:10:37.120
<v Speaker 8>Okay, okay, yes, there is no one here who confessed me.

1:10:43.640 --> 1:10:46.360
<v Speaker 4>Do it again. That's the right idea. A little bit faster,

1:10:46.880 --> 1:10:49.080
<v Speaker 4>a little bit louder. I know you're trying to work

1:10:49.120 --> 1:10:50.840
<v Speaker 4>with the microphone there, but you can do it. So

1:10:51.360 --> 1:10:54.320
<v Speaker 4>it's it's really I want you to support the voice more.

1:10:54.360 --> 1:11:00.280
<v Speaker 4>It's not so much volume as heft presence. Yes, get

1:11:00.760 --> 1:11:10.160
<v Speaker 4>let me do all by itself. Just do your evil laugh. Okay, okay, great,

1:11:10.320 --> 1:11:12.160
<v Speaker 4>so do it with the line now and the impacts after.

1:11:13.960 --> 1:11:17.320
<v Speaker 8>There is no one here who confess me.

1:11:23.200 --> 1:11:27.360
<v Speaker 4>Good. Everybody has to have an evil laugh who wants

1:11:27.360 --> 1:11:31.240
<v Speaker 4>to work in animation. Of course, very good, well.

1:11:31.080 --> 1:11:34.320
<v Speaker 2>Done, Thank you very much. We'll be right back with you.

1:11:33.760 --> 1:11:34.920
<v Speaker 4>Than you, sarbye.

1:11:36.680 --> 1:11:38.400
<v Speaker 1>I wanted to have the best evil laugh in the world,

1:11:38.400 --> 1:11:39.800
<v Speaker 1>and then again I did Return of the Joker, and

1:11:39.840 --> 1:11:40.280
<v Speaker 1>I was like, I'm not.

1:11:40.280 --> 1:11:47.479
<v Speaker 2>Even gonna try anymore. So better I thought so too.

1:11:47.920 --> 1:11:51.599
<v Speaker 1>This is also, i mean, the perfect, the quintessential example

1:11:51.680 --> 1:11:55.760
<v Speaker 1>of how important casting is, because you know, she it

1:11:55.920 --> 1:11:59.320
<v Speaker 1>was a much better villain than she was a superhero.

1:11:58.960 --> 1:12:01.639
<v Speaker 4>Absolutely, so that couts to be part of the question too.

1:12:01.680 --> 1:12:03.760
<v Speaker 4>When you're casting something, you know what role you want

1:12:03.760 --> 1:12:06.840
<v Speaker 4>them for. Ideally, and just like what happened with Clancy Brown,

1:12:06.880 --> 1:12:09.599
<v Speaker 4>Clancy came in to read for Superman, did the voice

1:12:09.640 --> 1:12:12.960
<v Speaker 4>of Superman? Would you read for Lex Luthorn? Yeah, that's

1:12:13.280 --> 1:12:16.040
<v Speaker 4>your acting was brilliant on Superman, but you certainly sound

1:12:16.080 --> 1:12:18.640
<v Speaker 4>like a Lex Luthor to me. Yeah, of course, you

1:12:18.680 --> 1:12:21.240
<v Speaker 4>know it did so because you're looking at a more

1:12:21.439 --> 1:12:23.280
<v Speaker 4>general thing.

1:12:24.000 --> 1:12:28.599
<v Speaker 1>Yeah, do you have an opinion, I'm I'm I'm actually

1:12:28.720 --> 1:12:31.439
<v Speaker 1>shocked with my opinion. I thought Haley was one of

1:12:31.479 --> 1:12:33.360
<v Speaker 1>the stronger ones in the competition, and I still think

1:12:33.400 --> 1:12:34.360
<v Speaker 1>she's pretty wonderful.

1:12:34.720 --> 1:12:36.599
<v Speaker 2>I thought Mia killed it today too.

1:12:37.280 --> 1:12:40.800
<v Speaker 1>I thought she was did everything and just like you,

1:12:40.880 --> 1:12:42.759
<v Speaker 1>the second she opened her mouth to do the blast

1:12:42.760 --> 1:12:46.080
<v Speaker 1>and it was a completely different. I'm also not only

1:12:46.160 --> 1:12:48.360
<v Speaker 1>did that shock me, but I'm also thinking about the

1:12:48.840 --> 1:12:52.360
<v Speaker 1>animation business where it is nowadays, and I think with

1:12:52.439 --> 1:12:59.840
<v Speaker 1>her exuberance and with that tone and her just general tambour,

1:13:00.680 --> 1:13:02.240
<v Speaker 1>I think she'd work all the time.

1:13:02.640 --> 1:13:04.200
<v Speaker 4>I do too. I mean, we asked her to do

1:13:04.280 --> 1:13:08.280
<v Speaker 4>two really different types of characters, one a young superhero,

1:13:08.400 --> 1:13:12.280
<v Speaker 4>the other is an evil villains, and she I think

1:13:12.479 --> 1:13:15.120
<v Speaker 4>was able to accomplish both of them. Whereas Haley I

1:13:15.120 --> 1:13:17.080
<v Speaker 4>think was very good as the villain. But I thought

1:13:17.120 --> 1:13:20.120
<v Speaker 4>her superhero, which you know, just listening to her talking

1:13:20.120 --> 1:13:22.479
<v Speaker 4>you would have thought would have been better, but it

1:13:22.680 --> 1:13:24.200
<v Speaker 4>just wasn't as good.

1:13:24.360 --> 1:13:27.760
<v Speaker 1>So I agree, I think Mia, I don't disagree with

1:13:27.800 --> 1:13:30.800
<v Speaker 1>you at all. I'm I'm actually kind of shocked, but

1:13:30.840 --> 1:13:34.160
<v Speaker 1>I agree. I think Mia just absolutely crushed it today,

1:13:34.479 --> 1:13:36.320
<v Speaker 1>and I thought Haley was a little bit in her

1:13:36.400 --> 1:13:38.360
<v Speaker 1>head and I think maybe trying too much.

1:13:38.400 --> 1:13:41.040
<v Speaker 2>And unfortunately this is you get.

1:13:41.080 --> 1:13:43.200
<v Speaker 1>You know, sometimes you have you don't have a great day,

1:13:43.400 --> 1:13:45.120
<v Speaker 1>and that's you know. It's one of the things we've

1:13:45.120 --> 1:13:47.400
<v Speaker 1>talked about on this on this show is that.

1:13:47.840 --> 1:13:51.679
<v Speaker 2>All actors have a bad day in the booth. I

1:13:51.720 --> 1:13:52.559
<v Speaker 2>have them all the time.

1:13:52.640 --> 1:13:57.160
<v Speaker 4>You just got on right, and oftentimes driving home the

1:13:57.200 --> 1:13:59.439
<v Speaker 4>performance that they give out loud in the car is

1:13:59.680 --> 1:14:01.400
<v Speaker 4>tend to better than what they did.

1:14:01.520 --> 1:14:03.839
<v Speaker 1>And it is the It is the the actor equivalent

1:14:03.880 --> 1:14:05.840
<v Speaker 1>of getting into a fight with somebody and driving home

1:14:05.880 --> 1:14:11.040
<v Speaker 1>going that's what I should have said, it is, I

1:14:11.040 --> 1:14:12.120
<v Speaker 1>have such a good comeback.

1:14:12.160 --> 1:14:14.720
<v Speaker 2>Now, it's like, exactly exactly.

1:14:15.360 --> 1:14:18.080
<v Speaker 1>So I agree with you. I think I think you know,

1:14:18.200 --> 1:14:20.000
<v Speaker 1>Mia won the day. I really do think she won

1:14:20.040 --> 1:14:22.479
<v Speaker 1>the day. Okay, great, well this and now we do

1:14:22.560 --> 1:14:24.120
<v Speaker 1>the most awful thing in the world.

1:14:24.160 --> 1:14:26.560
<v Speaker 4>I hate you have to tell them live now. Yeah,

1:14:26.880 --> 1:14:29.000
<v Speaker 4>so can we tell them what to work on?

1:14:30.320 --> 1:14:33.000
<v Speaker 2>You can, absolutely, I think, I think, because again, Haley

1:14:33.040 --> 1:14:36.520
<v Speaker 2>is also moving to Los Angeles, and she's obviously talented

1:14:36.720 --> 1:14:37.800
<v Speaker 2>to have gotten this far.

1:14:38.360 --> 1:14:42.400
<v Speaker 1>Her villain was great. I mean it really was. Her

1:14:42.479 --> 1:14:44.439
<v Speaker 1>villain was muy. I think you said it exactly right.

1:14:44.439 --> 1:14:47.759
<v Speaker 1>Her villain was much better than her superhero, whereas both

1:14:47.760 --> 1:14:49.760
<v Speaker 1>of MIA's were good, which is why I think she

1:14:49.840 --> 1:14:52.360
<v Speaker 1>won the day. But okay, so why don't we bring

1:14:52.400 --> 1:14:52.760
<v Speaker 1>Haley in?

1:14:52.920 --> 1:14:56.439
<v Speaker 2>This is the worst?

1:14:58.160 --> 1:15:01.559
<v Speaker 1>Hey Haley, how are you? It's We're good. So it

1:15:01.600 --> 1:15:04.479
<v Speaker 1>has been you know, it's been a rough day. It's

1:15:04.479 --> 1:15:07.719
<v Speaker 1>been a long day. There's a lot going on, and

1:15:08.200 --> 1:15:12.200
<v Speaker 1>we are we are to the absolute knit picking stages

1:15:12.479 --> 1:15:14.880
<v Speaker 1>of the contest. Everybody's good.

1:15:16.040 --> 1:15:18.519
<v Speaker 3>So unfortunately this is as far as you're going to

1:15:18.560 --> 1:15:18.920
<v Speaker 3>be going.

1:15:19.400 --> 1:15:19.840
<v Speaker 6>Okay, but.

1:15:21.560 --> 1:15:27.280
<v Speaker 2>You're great, I mean legitimately very very good. Uh and

1:15:27.280 --> 1:15:28.519
<v Speaker 2>and a wonderful actor.

1:15:28.560 --> 1:15:30.600
<v Speaker 1>So when when you're moving out to Los Angeles, I

1:15:31.040 --> 1:15:32.960
<v Speaker 1>think you're going to be happy that you're coming here.

1:15:33.520 --> 1:15:37.719
<v Speaker 4>I absolutely encourage you to continue to pursue this because

1:15:38.960 --> 1:15:42.080
<v Speaker 4>if you do, you're going to get hired. You just

1:15:42.680 --> 1:15:46.320
<v Speaker 4>need to continue to work on. Don't be nervous about

1:15:46.920 --> 1:15:51.800
<v Speaker 4>or don't avoid taking classes voiceover class. And I say

1:15:51.840 --> 1:15:56.360
<v Speaker 4>that because even the best voiceover actors who are making

1:15:56.439 --> 1:16:00.439
<v Speaker 4>bazillions of dollars can benefit from a good. Oh voiceover class. Yeah, yeah,

1:16:00.720 --> 1:16:02.880
<v Speaker 4>it gives you an opportunity to do this stuff more,

1:16:02.960 --> 1:16:04.960
<v Speaker 4>whereas if you're not getting hired and not getting auditions

1:16:05.040 --> 1:16:08.080
<v Speaker 4>right away, you'll at least be, you know, practicing with

1:16:08.280 --> 1:16:10.360
<v Speaker 4>your instrument and learning how to do it more. You

1:16:10.400 --> 1:16:12.760
<v Speaker 4>had some really good stuff. Some of your instincts were

1:16:13.000 --> 1:16:17.080
<v Speaker 4>very good. I think you might agree that your villain

1:16:17.360 --> 1:16:22.320
<v Speaker 4>villainess was better than your hero. That said, I think

1:16:22.360 --> 1:16:24.720
<v Speaker 4>you absolutely can do the hero roles too. I just

1:16:24.720 --> 1:16:27.639
<v Speaker 4>think you need to find a better place for that

1:16:27.760 --> 1:16:33.400
<v Speaker 4>in your vocal radio and and and and don't worry

1:16:33.439 --> 1:16:36.519
<v Speaker 4>so much about performing it for the audience as much

1:16:36.520 --> 1:16:38.440
<v Speaker 4>as performing it for that microphone.

1:16:38.760 --> 1:16:40.919
<v Speaker 6>Yeah, that's the that's that theater background.

1:16:41.080 --> 1:16:43.439
<v Speaker 1>I know, if that was your your achilles heel today,

1:16:43.439 --> 1:16:45.479
<v Speaker 1>if I'm totally anes, that's what it was. Is that

1:16:46.200 --> 1:16:49.439
<v Speaker 1>there's it's it's very different to perform just for your

1:16:49.479 --> 1:16:52.200
<v Speaker 1>microphone than it is to perform either for the camera

1:16:52.439 --> 1:16:56.200
<v Speaker 1>or for an audience. And and it's just you have

1:16:56.280 --> 1:16:58.760
<v Speaker 1>to you boil Kevin Conroy. You used to tell me,

1:16:58.800 --> 1:17:01.840
<v Speaker 1>this is your audience. This, this right right in front

1:17:01.840 --> 1:17:03.759
<v Speaker 1>of you, is the only thing you need to impress.

1:17:04.280 --> 1:17:05.320
<v Speaker 1>So and I did.

1:17:05.360 --> 1:17:06.720
<v Speaker 3>I think it took a little bit away from your

1:17:06.720 --> 1:17:09.040
<v Speaker 3>performance this today.

1:17:09.080 --> 1:17:10.840
<v Speaker 1>And the only reason I'm telling you that is because

1:17:10.840 --> 1:17:12.080
<v Speaker 1>I know that I'm going to be seeing you out

1:17:12.120 --> 1:17:13.400
<v Speaker 1>in LA and I know you're going to be working,

1:17:13.439 --> 1:17:15.439
<v Speaker 1>and I know you're going to be a voice actor

1:17:15.439 --> 1:17:19.680
<v Speaker 1>as well, and I think you you're talented as hell.

1:17:19.720 --> 1:17:22.559
<v Speaker 1>And we said the top sixteen all could have been signed.

1:17:22.840 --> 1:17:25.720
<v Speaker 1>The final four really could all be signed. So I

1:17:26.560 --> 1:17:31.479
<v Speaker 1>see the absolute probability of some agent somewhere listening to

1:17:32.160 --> 1:17:32.559
<v Speaker 1>just what.

1:17:32.479 --> 1:17:35.439
<v Speaker 2>You did today and saying we've got to sign this person.

1:17:36.320 --> 1:17:38.559
<v Speaker 1>So you're gonna be have Yeah, no, you're you're going

1:17:38.640 --> 1:17:40.479
<v Speaker 1>to be having an agent absolutely, and.

1:17:40.640 --> 1:17:44.000
<v Speaker 2>You know, good luck out here. You know, look us up.

1:17:44.040 --> 1:17:46.280
<v Speaker 2>We're gonna we're out here, so look us up.

1:17:46.360 --> 1:17:47.920
<v Speaker 1>And you got you got a friend out in LA

1:17:48.080 --> 1:17:50.240
<v Speaker 1>so you're not alone out here already, which is cool.

1:17:50.479 --> 1:17:53.360
<v Speaker 6>Yeah, No, that's I just want to say thank you

1:17:53.439 --> 1:17:56.200
<v Speaker 6>so much. I went from being a full time theater

1:17:56.280 --> 1:17:59.559
<v Speaker 6>actor for seven years to not doing any performance for

1:17:59.600 --> 1:18:02.479
<v Speaker 6>the last three and sort of applying for this on

1:18:02.520 --> 1:18:05.000
<v Speaker 6>a whim literally the day it was due I heard

1:18:05.040 --> 1:18:09.559
<v Speaker 6>about it, and getting to do this and to get

1:18:09.640 --> 1:18:11.640
<v Speaker 6>back in the sort of performance muscles. I know this

1:18:11.760 --> 1:18:14.320
<v Speaker 6>isn't something it's always something I've been interested in but

1:18:14.400 --> 1:18:16.439
<v Speaker 6>haven't had a chance to do yet. So yes, classes

1:18:16.520 --> 1:18:19.439
<v Speaker 6>are top of my list. But it really has given

1:18:19.439 --> 1:18:24.080
<v Speaker 6>me sort of the confidence push to like, hey, I can't,

1:18:24.240 --> 1:18:26.600
<v Speaker 6>I can't do this. It's it's where it's trying for.

1:18:26.880 --> 1:18:29.120
<v Speaker 6>So yeah, so thank you, thank you, thank you, thank

1:18:29.160 --> 1:18:29.760
<v Speaker 6>you so much for this.

1:18:31.280 --> 1:18:33.960
<v Speaker 2>So much firing place. And it's the.

1:18:33.960 --> 1:18:35.919
<v Speaker 4>Right place to be if you want to pursue voiceover.

1:18:36.040 --> 1:18:39.000
<v Speaker 4>It just the right place to be drawing out here.

1:18:39.000 --> 1:18:40.880
<v Speaker 6>It's got a cute little apartment that has a nice

1:18:40.880 --> 1:18:43.080
<v Speaker 6>little nook that I'm going to turn into a whisper room.

1:18:43.240 --> 1:18:44.640
<v Speaker 6>It's going to be on practice.

1:18:44.520 --> 1:18:48.200
<v Speaker 4>Every day, just like whatever physical exercise you do every day.

1:18:48.439 --> 1:18:50.559
<v Speaker 4>Put that as part of your program. Every day you

1:18:50.600 --> 1:18:51.599
<v Speaker 4>work on your voice work.

1:18:51.840 --> 1:18:52.080
<v Speaker 2>Yeah.

1:18:52.120 --> 1:18:54.639
<v Speaker 4>Absolutely, I think you'll do really well the best. That's

1:18:54.720 --> 1:18:55.920
<v Speaker 4>the best of luck to you.

1:18:55.960 --> 1:18:56.760
<v Speaker 6>Thank you so much.

1:18:57.800 --> 1:19:00.320
<v Speaker 1>And I know this sounds weird to say, but congratuates

1:19:00.360 --> 1:19:03.480
<v Speaker 1>you went from forty five hundred to number three.

1:19:03.400 --> 1:19:03.599
<v Speaker 4>Yeah.

1:19:04.320 --> 1:19:06.840
<v Speaker 6>Yeah, so she's insane and actually good. Three is my

1:19:06.920 --> 1:19:07.439
<v Speaker 6>lucky number.

1:19:07.479 --> 1:19:08.160
<v Speaker 2>I have three.

1:19:08.240 --> 1:19:09.080
<v Speaker 6>Three tattoos.

1:19:09.160 --> 1:19:11.120
<v Speaker 2>So here you go stilver.

1:19:11.000 --> 1:19:12.880
<v Speaker 3>Lighting, and we'll see we will be seeing you in

1:19:12.880 --> 1:19:13.800
<v Speaker 3>a booth someday, I promise.

1:19:13.880 --> 1:19:15.720
<v Speaker 6>Thank you, so so thank you, hale enjoy the rest

1:19:15.720 --> 1:19:16.800
<v Speaker 6>of it, bite you joy.

1:19:18.680 --> 1:19:19.679
<v Speaker 4>She took very well.

1:19:19.840 --> 1:19:20.200
<v Speaker 2>She did.

1:19:20.280 --> 1:19:22.559
<v Speaker 1>She's and that's another sign of being an actor. You

1:19:22.560 --> 1:19:24.920
<v Speaker 1>hear no ten thousand times. But again she made it

1:19:24.920 --> 1:19:27.200
<v Speaker 1>from like forty five hundred number three. That's pretty great.

1:19:27.439 --> 1:19:30.800
<v Speaker 2>All right, Mia, let's bring me in. Hi Mia, Hi

1:19:30.880 --> 1:19:32.680
<v Speaker 2>hoi a yah, I'm fine. How are you?

1:19:33.280 --> 1:19:33.519
<v Speaker 4>Yes?

1:19:33.840 --> 1:19:38.000
<v Speaker 1>So you know it's been the competition is getting very stiff. Yes,

1:19:38.040 --> 1:19:41.000
<v Speaker 1>and everybody is so good, and we come down to

1:19:41.080 --> 1:19:43.840
<v Speaker 1>the little kind of nitpicky things and it was a

1:19:43.960 --> 1:19:47.360
<v Speaker 1>rough day today and I just want to say that

1:19:47.400 --> 1:19:49.960
<v Speaker 1>I'm sorry that you are going to be coming to

1:19:49.960 --> 1:19:50.559
<v Speaker 1>the finals.

1:19:50.840 --> 1:19:52.240
<v Speaker 6>No, you're joking.

1:19:52.640 --> 1:19:54.080
<v Speaker 2>You are coming to the final.

1:19:57.160 --> 1:19:57.479
<v Speaker 1>I know.

1:19:58.520 --> 1:20:02.280
<v Speaker 2>So congratulations, you earned it. You did really well today.

1:20:03.160 --> 1:20:03.759
<v Speaker 2>So much.

1:20:04.360 --> 1:20:07.759
<v Speaker 4>You listen, you pay attention, you follow directions, you absorb

1:20:07.840 --> 1:20:10.080
<v Speaker 4>that information and you bring it right back out. And

1:20:10.920 --> 1:20:13.920
<v Speaker 4>you're more versatile than I even expected. When I first

1:20:14.000 --> 1:20:15.960
<v Speaker 4>heard you do it your younger voice, I thought, Okay,

1:20:16.000 --> 1:20:18.679
<v Speaker 4>this is an actress with a character voice. Her voice

1:20:18.720 --> 1:20:20.280
<v Speaker 4>is always going to sound like that. We're going to

1:20:20.280 --> 1:20:22.559
<v Speaker 4>always hear that. But when you then did the villain,

1:20:22.600 --> 1:20:24.959
<v Speaker 4>it was like, well where did that voice come from?

1:20:25.240 --> 1:20:30.439
<v Speaker 4>So well done. Keep learning to expand your repertoire so

1:20:30.479 --> 1:20:32.880
<v Speaker 4>that you can use that deep lower fall part of

1:20:32.920 --> 1:20:35.839
<v Speaker 4>your voice as well as the younger, very natural sounding

1:20:35.960 --> 1:20:39.720
<v Speaker 4>kid voices. And I'm sure you know this. Kid voices

1:20:40.000 --> 1:20:43.200
<v Speaker 4>that are done by women have a benefit that you

1:20:43.240 --> 1:20:46.559
<v Speaker 4>don't age out of it. In other words, the hundreds

1:20:46.560 --> 1:20:49.360
<v Speaker 4>of kids that have Charlie Brown on their resume because

1:20:49.360 --> 1:20:52.080
<v Speaker 4>there were there was a new Charlie Brown every time

1:20:52.080 --> 1:20:54.360
<v Speaker 4>a kid came out and his voice changed and he

1:20:54.720 --> 1:20:57.600
<v Speaker 4>couldn't do it anymore. So women have a real advantage

1:20:57.600 --> 1:20:59.640
<v Speaker 4>that way. And so what's lovely is that you can

1:20:59.680 --> 1:21:02.519
<v Speaker 4>do that. And you also could do the mom voys

1:21:02.600 --> 1:21:06.120
<v Speaker 4>in that same cartoon, ye and you know the waitress

1:21:06.400 --> 1:21:10.240
<v Speaker 4>and not sound like the same person. Congratulations, well done,

1:21:10.360 --> 1:21:11.000
<v Speaker 4>well done.

1:21:11.479 --> 1:21:15.439
<v Speaker 2>Top two? What top two? Uh Mia? Remind me one

1:21:15.439 --> 1:21:16.559
<v Speaker 2>more time? How old are you?

1:21:16.840 --> 1:21:18.080
<v Speaker 7>I am nineteen.

1:21:18.040 --> 1:21:19.240
<v Speaker 2>Nineteen years.

1:21:20.840 --> 1:21:24.960
<v Speaker 1>So congratulations, go and celebrate you got you know you

1:21:25.000 --> 1:21:27.400
<v Speaker 1>are in the finals of the Super Awesome Contest to

1:21:27.400 --> 1:21:28.679
<v Speaker 1>become the next big voice actor.

1:21:28.720 --> 1:21:33.479
<v Speaker 4>Congratulations, congratulations, Thank you for a good work, Thank you

1:21:33.479 --> 1:21:35.280
<v Speaker 4>for a great direction. My pleasure.

1:21:35.400 --> 1:21:39.960
<v Speaker 2>We'll see you next time. Mia, thank you. Bye. Oh

1:21:40.000 --> 1:21:40.320
<v Speaker 2>I love you.

1:21:44.600 --> 1:21:48.639
<v Speaker 1>Yeah, and that and already promising and talented and so cool.

1:21:49.400 --> 1:21:50.479
<v Speaker 2>Thank you for joining us.

1:21:50.680 --> 1:21:53.320
<v Speaker 4>It was my pleasure. I invite me to do this

1:21:53.360 --> 1:21:55.880
<v Speaker 4>whenever you next, you do this and let me be

1:21:55.960 --> 1:21:57.840
<v Speaker 4>more of a part of it, if you'd like. It's

1:21:57.880 --> 1:21:58.360
<v Speaker 4>a pleasure.

1:21:58.840 --> 1:22:01.599
<v Speaker 1>This is so much fun. Well, you know, for for

1:22:01.760 --> 1:22:04.880
<v Speaker 1>the finals, I might want to get a couple people

1:22:04.880 --> 1:22:07.880
<v Speaker 1>together for the free panel because the finals.

1:22:07.960 --> 1:22:08.839
<v Speaker 3>Yeah, the finals.

1:22:08.880 --> 1:22:09.320
<v Speaker 2>Everybody.

1:22:09.360 --> 1:22:13.559
<v Speaker 1>We are down to Hannah from Alabama and Mia from Florida.

1:22:13.680 --> 1:22:18.880
<v Speaker 1>So we got Hannabama and me and Mimi. So it

1:22:18.960 --> 1:22:22.040
<v Speaker 1>is so unbelievable. Andrea, thank you so much for joining

1:22:22.080 --> 1:22:26.160
<v Speaker 1>us today and just you know, the best ever and

1:22:26.240 --> 1:22:27.920
<v Speaker 1>so I love you and I'm so glad you were

1:22:27.920 --> 1:22:31.200
<v Speaker 1>able to be here, of course, and I will see

1:22:31.240 --> 1:22:33.000
<v Speaker 1>you in a couple of days.

1:22:33.040 --> 1:22:34.920
<v Speaker 2>All right, perfect, Thank you so much. Andre.

1:22:35.320 --> 1:22:37.160
<v Speaker 4>Thanks to the crew that did everything for us. Thank

1:22:37.160 --> 1:22:37.799
<v Speaker 4>you you guys.

1:22:38.160 --> 1:22:39.960
<v Speaker 2>They're awesome. Thank you. We'll see us soon.

1:22:40.720 --> 1:22:41.000
<v Speaker 4>Wow.

1:22:41.640 --> 1:22:44.360
<v Speaker 1>So there it is, everybody, there are the finals as

1:22:44.520 --> 1:22:47.000
<v Speaker 1>long as this, this whole time coming in the making.

1:22:47.080 --> 1:22:50.680
<v Speaker 1>Hannah from Alabama going up against Mia from Florida, it

1:22:50.720 --> 1:22:54.479
<v Speaker 1>has been incredible. Once again, to Haley from Texas, you

1:22:55.160 --> 1:22:57.680
<v Speaker 1>did so well in this competition. You really crushed it

1:22:57.760 --> 1:22:59.240
<v Speaker 1>and we know we're going to be seeing you out

1:22:59.240 --> 1:23:02.559
<v Speaker 1>here again because you were wonderful. And thank you to

1:23:02.760 --> 1:23:06.160
<v Speaker 1>everybody who's been following us on this journey. It has

1:23:06.240 --> 1:23:12.880
<v Speaker 1>been fun, hard, spectacular, awful, highs, lows, everything in between.

1:23:13.000 --> 1:23:18.160
<v Speaker 1>Thank you to everybody who has helped us out. Lorraine,

1:23:18.200 --> 1:23:20.800
<v Speaker 1>all our producers, Lorraine, Brian, everybody at iHeart you know.

1:23:20.840 --> 1:23:22.800
<v Speaker 1>This has been such a journey and we are getting there.

1:23:22.800 --> 1:23:25.040
<v Speaker 1>We have the finals next as the finals, we are

1:23:25.040 --> 1:23:27.960
<v Speaker 1>crowning a winner. I can't believe we're there. I miss you, Christy.

1:23:28.040 --> 1:23:30.479
<v Speaker 1>I can't wait to see you next time. Travel safe.

1:23:31.240 --> 1:23:33.240
<v Speaker 1>We love you and we can't wait to have you back.

1:23:33.280 --> 1:23:37.280
<v Speaker 1>Thank you again to the unbelievable Andrea Romano. We could

1:23:37.320 --> 1:23:40.200
<v Speaker 1>do an entire podcast about why she is just a

1:23:40.240 --> 1:23:41.639
<v Speaker 1>living legend and.

1:23:41.520 --> 1:23:43.360
<v Speaker 2>It still wouldn't do her justice.

1:23:43.680 --> 1:23:46.920
<v Speaker 1>She is that amazing and I love her every day.

1:23:46.960 --> 1:23:49.479
<v Speaker 1>So thank you for coming and joining us today. Andrea,

1:23:49.520 --> 1:23:52.120
<v Speaker 1>and thank you all for joining us. Thank everybody else,

1:23:52.120 --> 1:23:56.720
<v Speaker 1>CESD Prime Video, iHeart everybody. Go check out season two

1:23:56.720 --> 1:23:59.559
<v Speaker 1>of vox Makina for download now, and thank you all

1:23:59.600 --> 1:24:02.519
<v Speaker 1>for joining us on our journey. And remember, if you

1:24:02.520 --> 1:24:03.960
<v Speaker 1>think you have what it takes to step up to

1:24:03.960 --> 1:24:06.160
<v Speaker 1>the microphone, put your voices where your mouth is.

1:24:06.240 --> 1:24:08.320
<v Speaker 2>We'll see you next time. Everybody, Bye bye. I Hear

1:24:08.439 --> 1:24:10.920
<v Speaker 2>Voices is hosted by will Fredell and Christy Carlson Romano.

1:24:11.000 --> 1:24:13.840
<v Speaker 2>Executive produced by will Fredell, Brendan Rooney, Amy Sugarman. Our

1:24:13.840 --> 1:24:16.599
<v Speaker 2>executive in charge of production is Danielle Romo, our producer

1:24:16.640 --> 1:24:19.759
<v Speaker 2>is Lorraine Viuez, and our editor slash engineer is Brian Burton.

1:24:20.040 --> 1:24:22.680
<v Speaker 2>And that was my announcer voice.

1:24:22.680 --> 1:24:24.720
<v Speaker 10>Some side effects of listening to I Hear Voices are

1:24:24.720 --> 1:24:27.679
<v Speaker 10>sore abs from hilarity, falling down the coco melon rabbit hole,

1:24:27.800 --> 1:24:29.960
<v Speaker 10>sneezing due to mass nostalgia, and hugs.

1:24:30.040 --> 1:24:32.120
<v Speaker 2>Follow I Hear Voices wherever you listen to podcasts so

1:24:32.160 --> 1:24:33.960
<v Speaker 2>you don't miss any of the amazing voices.

1:24:34.040 --> 1:24:36.240
<v Speaker 10>Be sure to follow us on Instagram and TikTok at

1:24:36.280 --> 1:24:37.439
<v Speaker 10>I Hear Voices podcast.

1:24:37.560 --> 1:24:40.680
<v Speaker 2>You can also check us out on MySpace, omegle Vine, LimeWire.

1:24:40.720 --> 1:24:41.639
<v Speaker 2>Hey I'm a napster.

1:24:41.800 --> 1:24:43.479
<v Speaker 10>Okay, well let's teach you about the Internet.

1:24:43.640 --> 1:24:46.559
<v Speaker 5>Who Hey, there, I Hear Voices listeners. This is Mia,

1:24:46.760 --> 1:24:49.120
<v Speaker 5>the winner of the Suprassom contest to become the next

1:24:49.120 --> 1:24:52.200
<v Speaker 5>big voice actor. I am so glad I found this podcast,

1:24:52.320 --> 1:24:53.439
<v Speaker 5>and I'm glad you found it too.

1:24:53.840 --> 1:24:54.000
<v Speaker 9>Well.

1:24:54.040 --> 1:24:57.200
<v Speaker 5>Then, Christy, also known as Kim Possible and Ron Stoppable,

1:24:57.400 --> 1:25:00.759
<v Speaker 5>interview the best known voices in Hollywood, from your favorite

1:25:00.760 --> 1:25:03.800
<v Speaker 5>cartoon characters to video game voices. You never know who

1:25:03.880 --> 1:25:06.600
<v Speaker 5>they'll talk to next. Make sure to follow, like, and

1:25:06.720 --> 1:25:09.559
<v Speaker 5>download the I Hear Voices podcast on iHeart Apple and

1:25:09.600 --> 1:25:12.840
<v Speaker 5>anywhere you get your podcasts. And remember, if you think

1:25:12.840 --> 1:25:15.400
<v Speaker 5>you have what it takes, put your voices where your

1:25:15.439 --> 1:25:15.880
<v Speaker 5>mouth is.