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Speaker 1: Hey, everybody, how are you doing? We have an amazing

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Speaker 1: episode of I Hear Voices today. I am very excited

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Speaker 1: for a number of reasons. But first a thing that

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Speaker 1: I'm bummed about. I am bummed that I am flying

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Speaker 1: solo today. My friend, co host and partner in crime

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Speaker 1: is a very very busy woman always, but especially these

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Speaker 1: days with having the kids and her podcasts and everything

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Speaker 1: else she has to do.

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Speaker 2: And she actually got trapped flying somewhere. So I am

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Speaker 2: flying solo. So there you go.

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Speaker 1: I had two flyings in a row. We'd like to

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Speaker 1: use the word flying as often as we can. So

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Speaker 1: that's the bummed part. The good part, the great part

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Speaker 1: is the episodes that are the episode that we're going

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Speaker 1: to be recording for you today, because not only are

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Speaker 1: we going to be finalizing the finals.

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Speaker 3: So this is why I'm seeing a theme for today.

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Speaker 1: I am just going to be saying the same word

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Speaker 1: over and over, hoping it means different things, finalizing the

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Speaker 1: finals and flying to fly, But we are. We are

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Speaker 1: locking in our final two to finish the super awesome

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Speaker 1: contest to become the next big voiceover actor. I can't

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Speaker 1: believe we're here after all this time, it's unbelievable. If

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Speaker 1: the amount I know, we keep saying the number you know,

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Speaker 1: over four thousand, close to forty five hundred. But until

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Speaker 1: you see that in your inbox, and until you know

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Speaker 1: that they're all up to two minute auditions that we

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Speaker 1: listen to every single one, the sheer volume of entries

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Speaker 1: we got was truly spectacular, slash overwhelming, slash amazing.

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Speaker 2: It really was. It was great.

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Speaker 1: But here we are three left, and after today we

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Speaker 1: will be down to the final two. Before I announced

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Speaker 1: who's going to be joining us as our guest adjudicator today,

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Speaker 1: I do like to give my customary shout outs to

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Speaker 1: everybody who made this contest possible, and there is a

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Speaker 1: long list of people that made this possible. First and

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Speaker 1: foremost of course our friends over there at Prime Video

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Speaker 1: who helped make the contest possible, and of course our

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Speaker 1: friends who we work with all the time at Critical

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Speaker 1: Role Goal. Checkout season two of The Legend of ox Maketing,

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Speaker 1: which is available for download now.

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Speaker 2: It is a phenomenal show.

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Speaker 1: And I always say it's not because I'm on it,

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Speaker 1: but let's be honest, after all this time together, folks,

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Speaker 1: it's because of me.

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Speaker 2: It's really not. It's because of the rest of the

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Speaker 2: cast that I just get to play. But I love

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Speaker 2: to be able to say that.

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Speaker 1: We'd also like to thank our friends, my friends, the

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Speaker 1: most amazing voiceover agency on the planet is CESD, who,

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Speaker 1: of course, it's like the grand prize, our winner who

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Speaker 1: we're going to find out who very soon, you know,

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Speaker 1: the next week or two is going to get a

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Speaker 1: one year contract with CESD to really get to go

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Speaker 1: and start their voiceover career again. Anybody who has been

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Speaker 1: following this podcast from the beginning knows that any time

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Speaker 1: we mention this to anybody in the know, their mouth

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Speaker 1: drop open. And it is a phenomenal gift that we

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Speaker 1: are so excited to be able to give out. And

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Speaker 1: we're only able to do that because of the people

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Speaker 1: over there at CESD, and then, finally, last, but certainly

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Speaker 1: not least, because we love them so much. Our parent

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Speaker 1: company over here at iHeart, who really made the entire

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Speaker 1: thing possible. When we went to them and said, hey,

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Speaker 1: we'd love to do this, they said, let's do it,

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Speaker 1: and they gave us everything we could to make it happen.

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Speaker 1: So Christy and I cannot thank iHeart enough for doing

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Speaker 1: all of that for us. Now that being said, here

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Speaker 1: we are the Final Four, the final episode of the

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Speaker 1: Final Four, and we have one person in the finals already.

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Speaker 1: Everybody who listened last week know that Hannahbama once again

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Speaker 1: moved forward.

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Speaker 3: It is getting tougher and tougher and tougher.

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Speaker 1: And this week we have Haley from Texas and Mia

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Speaker 1: from Florida who are going to be vying to see

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Speaker 1: who joins Hannabama in the finals. It's getting harder and

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Speaker 1: harder every single week. We are now nitpicking these voice

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Speaker 1: actors to see who is going to move forward. But

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Speaker 1: nobody is going to be able to help more than

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Speaker 1: our guest judge adjudicator, as Christy likes to say, who

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Speaker 1: we have with us this week. She is not only

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Speaker 1: one of my oldest and dearest friends, but is arguably,

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Speaker 1: and this is not hyperbole, one of, if not the

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Speaker 1: greatest voiceover director in history.

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Speaker 2: Again not an exaggeration. Her credits are thirty one years long.

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Speaker 2: We're talking.

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Speaker 1: We're starting at Hanna, Barbara with Duck Tails, Chippendale Rescue Rangers,

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Speaker 1: Tiny Toon Adventures, Batman, the animated series, another little show

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Speaker 1: called Batman Beyond twenty three direct videos Emmy's galore. They're

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Speaker 1: all over her house dressed in Barbie clothes. That is

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Speaker 1: not an exaggeration, and it's not it's unbelievable. And I

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Speaker 1: called and I said, can you please please come and

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Speaker 1: help us solidify the finals, And because she is the

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Speaker 1: most amazing person in the world, she agreed to do

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Speaker 1: just that. So everybody out there today, we are privileged

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Speaker 1: to have with us.

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Speaker 2: Andrea Romano, I'm here, yea.

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Speaker 4: Hi, Darle, how are you good. I'm all the happier

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Speaker 4: to see you now and later this week too, which

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Speaker 4: makes me positively thrilled.

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Speaker 2: I am so excited too.

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Speaker 1: Yes, you're going to be judging for us today, helping

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Speaker 1: us judge today, and then we just get to hang.

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Speaker 2: Out on Wednesday, which will be love that. I'm so excited.

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Speaker 1: So before we jump into our contest today, I was

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Speaker 1: just talking a little bit about your career, which is ridiculous,

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Speaker 1: thirty one years you've been in the industry. And if

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Speaker 1: you don't mind, I so anytime I see your name

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Speaker 1: coming up in the credits, I obviously get very excited.

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Speaker 3: And I haven't been able to see that for a while.

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Speaker 1: And then a new animated movie came out not too

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Speaker 1: long ago, and I see, Andrea Romano, did you do

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Speaker 1: a Superman movie recently?

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Speaker 4: I didn't make one weekly, but they could have re

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Speaker 4: released something that I did. Are you sure it was

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Speaker 4: my name?

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Speaker 2: One hundred percent positive? Yeah, so it was. It was.

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Speaker 1: I mean, I'm on that Warner Brothers list where they

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Speaker 1: send me the new videos, and it was like three

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Speaker 1: weeks ago and I pop it on and there's Andrea Romano.

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Speaker 4: Wow, can you tell me the name of it?

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Speaker 2: I can't.

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Speaker 1: I don't remember what it was, but it was a

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Speaker 1: Superman movie. I will make sure that I'll let you

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Speaker 1: know what it is on Onnesday. So, oh, man, I

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Speaker 1: was hoping you had come out of retirement and you

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Speaker 1: had directed something again.

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Speaker 4: You know, I'm always willing to do that if the

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Speaker 4: gig is the right gig and if a deal can

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Speaker 4: be made. I've never said absolutely not, I will never

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Speaker 4: do it again. That said, I'm enjoying my retirement very much.

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Speaker 2: I can't imagine, so it would have to.

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Speaker 4: Be something really special for me to come out, but

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Speaker 4: I'm totally willing to do a session.

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Speaker 2: Now.

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Speaker 1: Got I got a lot of your care. Obviously, you

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Speaker 1: can't get all your credits because it's an hour long show.

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Speaker 1: But I got a lot of your credits. But the

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Speaker 1: one thing, how many Emmys?

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Speaker 2: Is it? I have eight eight Emmy Awards?

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Speaker 4: Have I lost count of nominations after thirty three? I

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Speaker 4: have thirty three nominations that I have certificates for and everything.

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Speaker 4: But I know there's a handful more than that. I

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Speaker 4: just lost count.

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Speaker 2: That's unbelievable.

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Speaker 1: So are you like Tom Brady where you don't? You

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Speaker 1: don't think about the six super Bowls you won? You

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Speaker 1: think about the two you lost.

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Speaker 4: No, No, I'm so grateful for each one of these

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Speaker 4: that I won, and for almost all of them, I

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Speaker 4: was there in person to accept them, which is, I mean,

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Speaker 4: just a great party, and to walk away with one

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Speaker 4: of those little golden ladies is just a beautiful thing.

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Speaker 4: And especially because for an Emmy Award, you're being judged

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Speaker 4: by your peers, you know, everything is a peer group decision.

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Speaker 4: That made me really happy to think that other people

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Speaker 4: thought I did a good job too.

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Speaker 2: It's unbelievable.

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Speaker 4: Nice.

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Speaker 1: Well, again, we could talk about your You've been on

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Speaker 1: the show before, so we've done kind of a version

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Speaker 1: of this already, I thought.

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Speaker 2: So, however, this is much higher stakes. So to bring you.

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Speaker 1: Up to date, we launched the Super Awesome Contest to

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Speaker 1: become the next Big Voice Actor. Okay, and we had

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Speaker 1: forty five hundred entries across the United States. Because the US,

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Speaker 1: just the US, we were only allowed to do the US.

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Speaker 2: We are now down to this.

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Speaker 1: Well, after today we will determine our final two. Going

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Speaker 1: to the finals, the winners get flown out to Los Angeles.

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Speaker 1: They will have lunch with Christy and I. They get

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Speaker 1: a thousand dollars spending money. They get to do a

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Speaker 1: quick voiceover training session with Mary McGlynn and Sam Regal

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Speaker 1: from Critical Role, and they sign a one year contract

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Speaker 1: with CEESD, my voiceover agent. Oh my gosh, so a right,

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Speaker 1: A very big prize. The winner gets to sign with

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Speaker 1: a huge agency for a year and gets to go

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Speaker 1: and try.

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Speaker 2: To start their career.

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Speaker 4: Fantastic.

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Speaker 1: We have put them through the ringer to start to

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Speaker 1: ask you. So, the first game we did was a

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Speaker 1: game that was called by the Numbers.

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Speaker 2: So what by the numbers was? Is you?

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Speaker 3: We wrote some dialogue, I wrote I'll take credit.

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Speaker 2: I wrote some dialogue. But they didn't know what.

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Speaker 1: Their characters were and the characters were broken down into

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Speaker 1: different numbers and different categories. It was like size, age,

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Speaker 1: what are you in a special attribute? And then our

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Speaker 1: guest judges, who were voiceover actors, would come on and

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Speaker 1: randomly pick these numbers which would create the character on

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Speaker 1: the spot that the voiceover actor then had to create

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Speaker 1: and use those lines of dialogue. They did those two

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Speaker 1: and then we give them a third that they had

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Speaker 1: to do. They had to read cold.

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Speaker 4: Okay.

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Speaker 1: So we then went from our that was our first sixteen.

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Speaker 1: We went from forty five hundred to pick the fine

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Speaker 1: the top sixteen. We then got to our eight, our

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Speaker 1: elite eight. Then did something called Extra Extra Read all

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Speaker 1: about It, which is all adreads because we know that

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Speaker 1: as a voiceover actor, actually the vast majority of things

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Speaker 1: you're auditioning for are ad reads. So I created a

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Speaker 1: whole bunch of products that didn't exist. Then they had

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Speaker 1: to do thirty second commercials and then one cold. Now

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Speaker 1: we are to what we call get in the Booth,

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Speaker 1: and what we are doing is a straight up voiceover

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Speaker 1: session with a script that has I think we sent

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Speaker 1: you the script, so it is a four page script

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Speaker 1: like a and I will set this up for the

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Speaker 1: audience because we did this last week like a voiceover session.

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Speaker 1: We are not going to be reading the direction or

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Speaker 1: any of that kind of stuff. We are going to

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Speaker 1: read it straight through as we would in the booth.

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Speaker 1: So if it's okay with you, what we'll do is

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Speaker 1: we won't say anything to our first contestant and our

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Speaker 1: second contest Obvious, we're not giving somebody advantage, but we

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Speaker 1: won't tell anybody anything.

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Speaker 2: We'll say, just take a crack at it. I will

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Speaker 2: be playing one character.

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Speaker 1: They will be playing one character, and we will just

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Speaker 1: run through and then if you would, you can give

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Speaker 1: them notes and direct them, and then we will go

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Speaker 1: to the second contestant and do the same thing.

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Speaker 4: So we'll do a second run, a second pass with.

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Speaker 1: We will we will be doing a second past and actually,

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Speaker 1: if we get to the point where it's too close

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Speaker 1: what we're going to be what we're going to do,

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Speaker 1: then we're going to each give them two takes at

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Speaker 1: it after you give them some notes, and.

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Speaker 3: Then we are going to switch characters, so.

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Speaker 1: They once now they have to do the other character

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Speaker 1: and I will go from there.

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Speaker 3: Again, we are not going to make this easy on

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Speaker 3: them because the prize is so good.

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Speaker 1: And then you and I will discuss, you know, and

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Speaker 1: nitpick and see who gets to move on to the finals. Cool,

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Speaker 1: So if that's okay with you, I would love Now

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Speaker 1: the first one we bring in is always the first

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Speaker 1: one who just shows up, okay. So the first one

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Speaker 1: to show up today is Mia from Florida. And if

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Speaker 1: we can bring Mia in, that would be great.

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Speaker 2: There's Mia. Hi, Mia, how are you. I'm good, how.

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Speaker 5: Are you today?

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Speaker 4: So it's nice to meet you.

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Speaker 6: Nice to meet you too.

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Speaker 5: My name's Mia.

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Speaker 2: Mia.

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Speaker 1: Congratulations once again on making it to the final four.

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Speaker 2: We're so excited to have you back.

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Speaker 5: Thank you. I'm excited to be here.

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Speaker 2: And you know, we're just introducing everybody right now.

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Speaker 1: So this is of course Andrea Romano, who directed everything

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Speaker 1: that's ever done in the history of animation essentially, and

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Speaker 1: she is going to be our guest judge today and

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Speaker 1: helping you through the process of get into the booth

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Speaker 1: where you are going to be reading for the start

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Speaker 1: of the role of Cardinal in the script that I

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Speaker 1: sent you. So if you're ready, we will get to

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Speaker 1: you in a second, and you can just take a

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Speaker 1: moment and we will be right back with you.

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Speaker 2: If that's all.

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Speaker 5: Right, all righty, thanks so much all.

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Speaker 2: Thank you, Mia. We'll see you in a second. Thanks

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Speaker 2: so much.

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Speaker 1: The other thing, Andrea, I should tell you before, not

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Speaker 1: that this is going to influence you in any way,

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Speaker 1: but just to give her a little bit of time.

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Speaker 2: Mia is visually impaired.

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Speaker 1: Okay, so she needs a little bit more time sometimes

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Speaker 1: reading the script or if we you know, throw something

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Speaker 1: cold at her.

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Speaker 2: But she's been rock solid.

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Speaker 4: Isn't that the greatest that this is an industry where

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Speaker 4: that can certainly be dealt with and should not hold

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Speaker 4: anybody back from his work.

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Speaker 1: She has been just every week just nailing it everything

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Speaker 1: we've thrown at.

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Speaker 3: Her, as has Haley from Texas.

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Speaker 2: Is Haley with us as well? Ha, there's Haley.

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Speaker 4: Hi.

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Speaker 2: How are you welcome back? Yeah?

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Speaker 4: Thank you?

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Speaker 6: How are you?

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Speaker 2: I'm great?

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Speaker 1: Thanks once again, congratulations on making it to the final four.

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Speaker 2: One more step for y'all. We're seeing what's you and

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Speaker 2: your fellow contestant.

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Speaker 3: Today, and this is.

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Speaker 1: The incredible Andrea Romano who has so graciously agreed to

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Speaker 1: help direct you today.

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Speaker 2: Did you get your script?

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Speaker 6: I did?

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Speaker 1: It is right there and you know that you will

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Speaker 1: be playing Cardinal yep, wonderful. So your fellow contestant got

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Speaker 1: here first, so you were up in second, second position

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Speaker 1: today and we will be right back with you.

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Speaker 2: Sounds good, all right?

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Speaker 3: Hell I see in a second, see in a minute.

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Speaker 4: Hate will before we do that. Yeah, yes, she's not

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Speaker 4: hearing Mia. She won't hear me.

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Speaker 2: No no, no, no, they will not hear each other. They

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Speaker 2: will not know each other or there.

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Speaker 1: And now for everybody else listening, So here's what we

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Speaker 1: did last week to make sure that you know what's

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Speaker 1: going on in the scene since we are just going

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Speaker 1: to be doing the actual dialogue. Essentially, we're going to

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Speaker 1: be coming up in the middle of this big superhero

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Speaker 1: fight in the middle of a city. There's laser blasts

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Speaker 1: all over the place, there's other superheroes being slammed to

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Speaker 1: the ground, and these two, you know, one superhero and

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Speaker 1: one villain.

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Speaker 2: Are going to meet for a big final battle.

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Speaker 1: So, once again, as we did last week, we're going

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Speaker 1: to make sure that the script is up on our

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Speaker 1: Instagram page so you will be able to follow along

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Speaker 1: when we get there. But in the meantime, as we said,

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Speaker 1: we're going to keep this as real as jumping into

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Speaker 1: a booth as you can possibly get. So we don't

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Speaker 1: sit there and read all the direction and stuff we're

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Speaker 1: in the booth. We just read the dialogue like a

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Speaker 1: straight radio play from the thirties, and that's what we're

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Speaker 1: going to be doing today. So big superhero fight, lots

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Speaker 1: of stuff going on, and let's bring Mia back and

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Speaker 1: see what she does.

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Speaker 2: With her character of Cardinal.

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Speaker 3: Hi, how are you?

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Speaker 7: You know?

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Speaker 5: Pretty good? You know it's been five minutes. You know

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Speaker 5: what can happen?

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Speaker 3: Exactly?

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Speaker 2: All right? Mia? So here we go.

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Speaker 1: As we said the first time, no notes, no direction,

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Speaker 1: no anything. We're just gonna have you read it and

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Speaker 1: see how we do. I will be reading against you,

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Speaker 1: and I will be playing Mega Guy and the Blast.

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Speaker 2: So okay, here we go, and thus the end of

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Speaker 2: Mega Guy. You know, when I came to this planet,

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Speaker 2: I was told the Hero Crew of the most powerful

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Speaker 2: beings in the entire universe. I must admit that I

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Speaker 2: am disappointed. There's no one here who can best me.

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Speaker 5: Judging by the looks of things, you're doing a wee

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Speaker 5: bit of redecorating.

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Speaker 2: And who exactly are you?

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Speaker 5: Well, I suppose it would be implied to give you

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Speaker 5: a butt whooping without properly introducing myself. First, my name

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Speaker 5: is Cardinal. I'm new in town and you are.

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Speaker 2: I am the blest offspring of King Tylod and the

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Speaker 2: seventeenth disciple to hold the Monocle of Danubis.

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Speaker 5: Hmm, that sounds nice. I'm from Louisiana and my mom's

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Speaker 5: name is Flow.

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Speaker 7: Now.

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Speaker 2: I have studied all the members of the Hero Crew,

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Speaker 2: and you are not listed amongst their ranks.

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Speaker 5: Well, that's true, and I love that word. A monks,

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Speaker 5: by the way, doesn't get used nearly often enough. You see,

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Speaker 5: I was actually on my way here to Vector City

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Speaker 5: to let try out for that nice, cool superhero team

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Speaker 5: when I read the gone Fishing sign on the front

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Speaker 5: of their headquarters.

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Speaker 2: Gone Fishing.

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Speaker 6: Okay, that was a lie.

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Speaker 5: The sign actually said gonna fight some weird looking creep

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Speaker 5: with a single nasty piece of glass in their bright

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Speaker 5: red eye. You've seen anyone like that around here?

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Speaker 2: You dare mock the Monocle of d Nubis?

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Speaker 5: Yeah, I dare.

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Speaker 2: For huh. That was but a taste of my power.

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Speaker 2: I would have ended you. But I hope you don't

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Speaker 2: mind if I make this last. I really want to

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Speaker 2: savor this victory.

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Speaker 5: No, you gotta be the victor first.

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Speaker 6: There sport.

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Speaker 2: How is that possible? Even at low power? You shouldn't

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Speaker 2: be able to stand after a blast like that.

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Speaker 5: I had a lot of waities that might have something.

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Speaker 2: To do with it. Ah, I do not understand the reference.

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Speaker 5: No, I imagined you wouldn't.

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Speaker 6: But that's okay.

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Speaker 5: If you don't mind so much, I'm just gonna send

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Speaker 5: you back to wherever it is you came from.

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Speaker 2: I wish you the best of luck with that.

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Speaker 5: Why would you waste me look to kick your butt?

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Speaker 2: I do not know. Oh enough of this. You can

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Speaker 2: go first with the various sounds.

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Speaker 5: Thank you?

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Speaker 4: Yeah?

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Speaker 5: Yeah, And this is just about.

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Speaker 6: Wrap it up?

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Speaker 2: What's it going to be cardinal me or all of

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Speaker 2: these people on the bridge? I thought so.

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Speaker 5: Capsulator? Yeah, I don't know.

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Speaker 6: That.

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Speaker 4: Great.

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Speaker 2: That was fun.

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Speaker 4: It's great.

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Speaker 3: Now, Andrea, I have a question for you.

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Speaker 1: Would you would you rather go and hear the other

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Speaker 1: contestants cold read and then do notes and notes or

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Speaker 1: would you rather do notes first?

401
00:18:00,880 --> 00:18:01,040
Speaker 7: Now?

402
00:18:01,480 --> 00:18:04,520
Speaker 4: Let's stay notes now, because she's she's more. She's got

403
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Speaker 4: it right, you got it? So can I just dive

404
00:18:06,920 --> 00:18:07,800
Speaker 4: did and get some notes?

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Speaker 2: Absolutely?

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00:18:08,720 --> 00:18:11,360
Speaker 4: Very good? So here's something that I noticed, Miya. Yes,

407
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Speaker 4: everything that you're doing, every speech that you gave, practically

408
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Speaker 4: every line that you had pretty much had the same energy.

409
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Speaker 4: And I want to find some places where it's maybe

410
00:18:23,600 --> 00:18:26,560
Speaker 4: she's just a little bit more confident and quiet, and

411
00:18:26,600 --> 00:18:29,440
Speaker 4: then she could be bigger and broad, just something so

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Speaker 4: that it's not all the same. Note, do you know

413
00:18:32,000 --> 00:18:34,320
Speaker 4: what I'm saying? Okay, so let's look at this from

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Speaker 4: the very I'm looking at your first line right is

415
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Speaker 4: the bottom of page one, correct, judging by the looks

416
00:18:41,960 --> 00:18:46,119
Speaker 4: of things. Okay, so let's give yourself a better entrance.

417
00:18:46,280 --> 00:18:48,760
Speaker 4: Let's give yourself a bigger entrance to start that off

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Speaker 4: with just a good superhero, nice strong entrance. And then

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Speaker 4: I'm looking at page two the blasts, who exactly are you? Well,

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Speaker 4: I suppose it would be impolted to give you a

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Speaker 4: butt whooping. So you say, my name is Cardinal, have

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00:19:02,080 --> 00:19:05,919
Speaker 4: a little more ego about it, Okay, Okay, just my

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Speaker 4: name is. I'm going to tell you who I am,

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00:19:07,680 --> 00:19:10,440
Speaker 4: And here's who I am. And so then you continue

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Speaker 4: that conversation just below that, he says, I'm the blast

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Speaker 4: offspring of King blah blah, blah, and I would like

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Speaker 4: to just do a really technical thing nia, and that

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00:19:18,840 --> 00:19:22,280
Speaker 4: is that sounds, and then take a second before you

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Speaker 4: say the word ne okay. You know, there could be

430
00:19:25,160 --> 00:19:27,000
Speaker 4: so many other words that you're going to say after

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Speaker 4: that sounds, and then you make the decision to use

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Speaker 4: the word ice. So give yourself that little moment. I'm

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00:19:35,359 --> 00:19:38,640
Speaker 4: looking down on that same page he says, gone fishing,

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00:19:38,840 --> 00:19:41,439
Speaker 4: and then you say, Okay, that was a lie. The

435
00:19:41,520 --> 00:19:45,880
Speaker 4: sign actually said. Your pace has been very consistent. I'm

436
00:19:45,920 --> 00:19:49,199
Speaker 4: thinking if we do okay, that was a lie the

437
00:19:49,240 --> 00:19:51,800
Speaker 4: sign actually said, and then move through this next part

438
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Speaker 4: a little bit faster. The god to fight this weird,

439
00:19:54,640 --> 00:19:57,040
Speaker 4: vastly looking creep. Just move through that a little bit faster.

440
00:19:57,240 --> 00:19:59,800
Speaker 4: Just again, what are the many ways that we can

441
00:20:00,040 --> 00:20:03,560
Speaker 4: area performance is with tempo, is with speed. So in

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00:20:03,640 --> 00:20:06,439
Speaker 4: this particular instance, let's try to just speed her up

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Speaker 4: for that line.

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Speaker 5: Okay, all right, so slow at the beginning for just

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00:20:09,320 --> 00:20:11,600
Speaker 5: the first minute, and then get speedier when she's reciting,

446
00:20:11,600 --> 00:20:13,200
Speaker 5: like the note on what's in quotes?

447
00:20:13,440 --> 00:20:15,680
Speaker 4: Yes, the part of that's in quotes exactly? Can you

448
00:20:15,680 --> 00:20:17,600
Speaker 4: see that well enough? You know it's part of Okay,

449
00:20:17,600 --> 00:20:20,200
Speaker 4: through a bright red eye. Perfect, Thank you. Then both

450
00:20:20,200 --> 00:20:23,119
Speaker 4: of you guys, when we get to the impacts of

451
00:20:23,160 --> 00:20:24,600
Speaker 4: the fight stuff.

452
00:20:24,680 --> 00:20:26,480
Speaker 5: I think I went to early too. I'm so sorry.

453
00:20:26,520 --> 00:20:30,840
Speaker 4: I like that's on page four. What I like to

454
00:20:30,840 --> 00:20:35,320
Speaker 4: do is I want you to alternate. So will you

455
00:20:35,400 --> 00:20:38,679
Speaker 4: throw a punch? That means, Mia, you take a punch?

456
00:20:39,240 --> 00:20:43,120
Speaker 4: Will you you know? Whatever you do, so Mia, your reaction,

457
00:20:43,240 --> 00:20:45,800
Speaker 4: your sound is going to be dependent upon what Will

458
00:20:45,840 --> 00:20:48,800
Speaker 4: has done. And then after maybe two or three different

459
00:20:48,800 --> 00:20:51,199
Speaker 4: things that he does, then you take the lead and

460
00:20:51,280 --> 00:20:54,400
Speaker 4: you throw the punch. And then will with take the punch.

461
00:20:54,440 --> 00:20:55,720
Speaker 4: It's just so we have that. So Will, why do

462
00:20:55,800 --> 00:20:58,480
Speaker 4: we say three things that you instigate and then we'll

463
00:20:58,480 --> 00:20:59,920
Speaker 4: switch it up and let her instigate?

464
00:21:00,320 --> 00:21:02,480
Speaker 2: Sounds great and.

465
00:21:02,440 --> 00:21:04,280
Speaker 4: Me and did you have any questions for us?

466
00:21:06,000 --> 00:21:06,600
Speaker 5: Not right now?

467
00:21:06,680 --> 00:21:07,160
Speaker 4: Those is OK?

468
00:21:07,400 --> 00:21:10,560
Speaker 6: Fun script, It is so.

469
00:21:10,560 --> 00:21:13,520
Speaker 4: So what I want you to do is look at variety,

470
00:21:14,359 --> 00:21:16,320
Speaker 4: giving us some variety within it, and if you stumble

471
00:21:16,359 --> 00:21:18,240
Speaker 4: is to make a mistake, just go back to the

472
00:21:18,240 --> 00:21:21,640
Speaker 4: beginning of that section and start again without Oh.

473
00:21:21,560 --> 00:21:23,760
Speaker 5: I have one question. Actually, do you guys want me

474
00:21:23,800 --> 00:21:26,160
Speaker 5: to keep the Louisiana accent? I just kept it because

475
00:21:26,160 --> 00:21:27,480
Speaker 5: she's you know, she says, She's from.

476
00:21:28,040 --> 00:21:29,480
Speaker 2: I like it too, like it.

477
00:21:30,160 --> 00:21:31,399
Speaker 3: I thought it was your fun choice.

478
00:21:32,000 --> 00:21:33,480
Speaker 1: And now what we're going to do is we'll let

479
00:21:33,520 --> 00:21:35,520
Speaker 1: you sit with the notes and then we'll be back

480
00:21:35,560 --> 00:21:39,000
Speaker 1: with you. Okay, So I'm excited you we'll see in

481
00:21:39,000 --> 00:21:41,280
Speaker 1: a big thank you. I told you there's just so

482
00:21:41,359 --> 00:21:46,440
Speaker 1: much energy and yeah, they're great. So let's bring in

483
00:21:46,520 --> 00:21:48,280
Speaker 1: Haley from Texas and see what Haley can do.

484
00:21:51,960 --> 00:21:55,520
Speaker 6: Hi, Haley, Hello again? How are you excited?

485
00:21:56,040 --> 00:21:58,200
Speaker 1: What we're gonna do is like we've done before. We're

486
00:21:58,200 --> 00:22:00,000
Speaker 1: not going to no notes, know anything. We're not gonna

487
00:22:00,000 --> 00:22:01,520
Speaker 1: get in your head. We're just gonna run it through

488
00:22:01,560 --> 00:22:03,879
Speaker 1: straight and we're gonna see you know, I'll be playing

489
00:22:03,920 --> 00:22:05,840
Speaker 1: the Blast and you're gonna be playing Cardinal and we're

490
00:22:05,840 --> 00:22:07,200
Speaker 1: just gonna see what you do with it. And then

491
00:22:07,640 --> 00:22:09,560
Speaker 1: Andrea is going to give you some notes and we'll

492
00:22:09,560 --> 00:22:11,240
Speaker 1: come back and do a take two.

493
00:22:11,640 --> 00:22:12,400
Speaker 6: Huzza.

494
00:22:12,440 --> 00:22:13,880
Speaker 2: All right, So here we go.

495
00:22:14,440 --> 00:22:17,000
Speaker 3: I will be starting with Mega Guy and going from there.

496
00:22:21,040 --> 00:22:24,600
Speaker 2: And thus the end of Mega Guy. You know, when

497
00:22:24,640 --> 00:22:26,560
Speaker 2: I came to this planet, I was told the Hero

498
00:22:26,680 --> 00:22:29,400
Speaker 2: Crew were the most powerful beings in the entire universe.

499
00:22:30,119 --> 00:22:33,400
Speaker 2: I must admit that I am disappointed. There is no

500
00:22:33,440 --> 00:22:35,360
Speaker 2: one here that confessed.

501
00:22:34,800 --> 00:22:45,280
Speaker 6: Me judging father looks at things. You're doing a wee

502
00:22:45,320 --> 00:22:47,280
Speaker 6: bit of redecorating.

503
00:22:47,400 --> 00:22:48,880
Speaker 2: And who exactly are you?

504
00:22:49,600 --> 00:22:52,760
Speaker 6: Well, I suppose it would be impolite to give you

505
00:22:52,800 --> 00:22:56,400
Speaker 6: a butt whooping without properly introducing myself. First, my name

506
00:22:57,160 --> 00:23:01,120
Speaker 6: is Cardinal, I'm new in town, and you are.

507
00:23:02,160 --> 00:23:04,960
Speaker 2: I am the blast offspring of King Thailand and the

508
00:23:05,040 --> 00:23:07,439
Speaker 2: seventeenth disciple to hold the Monocle of Danubis.

509
00:23:08,760 --> 00:23:09,800
Speaker 6: That sounds nice.

510
00:23:10,400 --> 00:23:13,680
Speaker 8: I'm from Louisiana and my mom's.

511
00:23:13,320 --> 00:23:17,879
Speaker 2: Name is Flow. I have studied all the members of

512
00:23:17,880 --> 00:23:20,800
Speaker 2: the Hero Crew, and you were not listed amongst their ranks.

513
00:23:21,440 --> 00:23:26,439
Speaker 6: Well that's true. I love that word amongst. Doesn't get

514
00:23:26,520 --> 00:23:29,840
Speaker 6: used nearly enough. Anyway. Was actually on my way here

515
00:23:29,880 --> 00:23:32,680
Speaker 6: to Vector City to try out for that cool superhero

516
00:23:32,760 --> 00:23:35,440
Speaker 6: team when I read the gone fishing sign on the

517
00:23:35,480 --> 00:23:36,560
Speaker 6: front of their headquarters.

518
00:23:37,359 --> 00:23:38,280
Speaker 2: Gone fishing.

519
00:23:39,280 --> 00:23:41,920
Speaker 6: Okay, you got me. That was a lie. Now, the

520
00:23:41,960 --> 00:23:44,680
Speaker 6: sign actually said gone to fight some weird looking creep

521
00:23:44,720 --> 00:23:46,680
Speaker 6: with a single nasty piece of glass in their bright

522
00:23:46,720 --> 00:23:47,160
Speaker 6: red eye.

523
00:23:47,960 --> 00:23:50,280
Speaker 5: You've seen anyone like that around here?

524
00:23:51,000 --> 00:23:53,520
Speaker 2: You dare mock the monocle of Danubis.

525
00:23:54,440 --> 00:23:56,760
Speaker 6: Yeah, I dare.

526
00:23:58,520 --> 00:24:05,280
Speaker 2: Ah, that was but a taste of my power. I

527
00:24:05,280 --> 00:24:07,040
Speaker 2: would have ended you. But I hope you don't mind

528
00:24:07,080 --> 00:24:10,240
Speaker 2: if I make this last. I really want to savor

529
00:24:10,280 --> 00:24:11,000
Speaker 2: this victory.

530
00:24:12,000 --> 00:24:16,719
Speaker 6: Yeah, you gotta be the victim first, there sport.

531
00:24:17,520 --> 00:24:20,360
Speaker 2: How is that possible? Even at low power? You shouldn't

532
00:24:20,359 --> 00:24:22,040
Speaker 2: be able to stand after a blast like that.

533
00:24:23,119 --> 00:24:26,119
Speaker 6: You know, I do eat a lot of wheedies. That

534
00:24:26,240 --> 00:24:27,200
Speaker 6: might have something to do with it.

535
00:24:27,880 --> 00:24:29,719
Speaker 2: I do not understand the reference.

536
00:24:30,560 --> 00:24:35,399
Speaker 6: Oh no, oh, I imagine you wouldn't. But hey, that's okay.

537
00:24:36,119 --> 00:24:38,320
Speaker 6: Now if you don't mind too much, I'm just gonna

538
00:24:38,640 --> 00:24:41,159
Speaker 6: send you back to wherever it is you came from.

539
00:24:41,440 --> 00:24:43,159
Speaker 2: Well, I wish you the best of luck with that.

540
00:24:44,119 --> 00:24:48,320
Speaker 6: Wait, why would you wish me luck to kick your butt?

541
00:24:50,560 --> 00:25:03,640
Speaker 2: I do? I don't know enough of this, Ah true?

542
00:25:04,440 --> 00:25:13,280
Speaker 2: Just so, what's it going to be, Cardinal me or

543
00:25:13,320 --> 00:25:17,840
Speaker 2: all of the people on the bridge? I thought? So

544
00:25:20,440 --> 00:25:21,200
Speaker 2: catch you later?

545
00:25:23,119 --> 00:25:29,400
Speaker 4: All right, good, very good? And yes please if I.

546
00:25:29,400 --> 00:25:30,840
Speaker 6: May, yes please?

547
00:25:31,320 --> 00:25:35,800
Speaker 4: Uh. The very first line that you have, judging by

548
00:25:35,800 --> 00:25:38,320
Speaker 4: the looks of things, you had a little tiny stumbled.

549
00:25:38,320 --> 00:25:41,080
Speaker 4: Do you remember that at the very beginning? Yeah, Judge,

550
00:25:41,480 --> 00:25:44,760
Speaker 4: that would buy gout whenever that happens, whether it's on

551
00:25:44,840 --> 00:25:47,040
Speaker 4: that line or anything else, take the second to go

552
00:25:47,119 --> 00:25:48,840
Speaker 4: back to the top of that line and do it again.

553
00:25:48,920 --> 00:25:52,399
Speaker 4: Get rid of that mistake, because I'm guessing when you

554
00:25:52,440 --> 00:25:54,480
Speaker 4: were half a page beyond that, you were still thinking

555
00:25:54,520 --> 00:25:56,600
Speaker 4: about the fact that you would screwed up that first line.

556
00:25:57,119 --> 00:25:59,040
Speaker 4: You know what I mean. It's hard to forget screwed

557
00:25:59,080 --> 00:26:01,439
Speaker 4: up something. That's it, and then you can let it

558
00:26:01,480 --> 00:26:03,480
Speaker 4: go worry about it, Okay, So just don't be afraid

559
00:26:03,520 --> 00:26:08,600
Speaker 4: to make that correction the top top of page too,

560
00:26:09,240 --> 00:26:14,679
Speaker 4: will even more confrontational to her, who's so that she

561
00:26:14,760 --> 00:26:18,639
Speaker 4: has a better response to that I'm or absolutely do

562
00:26:18,640 --> 00:26:21,960
Speaker 4: you know what I'm saying there? Heley, your response, so

563
00:26:22,040 --> 00:26:23,119
Speaker 4: listen to him and follow that.

564
00:26:23,520 --> 00:26:23,760
Speaker 6: Okay.

565
00:26:24,600 --> 00:26:27,359
Speaker 4: I love the funny, very funny idea about doing the

566
00:26:27,440 --> 00:26:31,360
Speaker 4: voice for I'm from Louisiana on Mon's names flow. It's

567
00:26:31,359 --> 00:26:32,280
Speaker 4: a very funny idea.

568
00:26:32,359 --> 00:26:35,840
Speaker 6: Good for you, such a good voice, exactly.

569
00:26:35,880 --> 00:26:40,280
Speaker 4: See watch your clarity on the next section. Well, that's true,

570
00:26:40,480 --> 00:26:43,719
Speaker 4: and I love the word amongst by the way, So

571
00:26:43,760 --> 00:26:46,920
Speaker 4: there's two different thoughts there, right, Haley. Well that's true

572
00:26:47,240 --> 00:26:49,000
Speaker 4: and I just love right. So I want to get

573
00:26:49,000 --> 00:26:52,119
Speaker 4: a little bit different thing from your addressing him. And

574
00:26:52,119 --> 00:26:54,280
Speaker 4: then don't you just love the word shrubbery. I love

575
00:26:54,359 --> 00:26:58,480
Speaker 4: saying whatever something that just just take that out of

576
00:26:58,520 --> 00:26:59,480
Speaker 4: it a little bit and then.

577
00:26:59,359 --> 00:27:01,600
Speaker 6: Come back into this totally different energy.

578
00:27:01,680 --> 00:27:02,120
Speaker 2: Got it.

579
00:27:04,800 --> 00:27:07,240
Speaker 4: On the section. Okay, that was a lie. The sign

580
00:27:07,320 --> 00:27:11,200
Speaker 4: actually said, mock him a little bit more, he says.

581
00:27:11,560 --> 00:27:14,439
Speaker 4: His line following says, you dare mock the monocle of

582
00:27:14,480 --> 00:27:18,880
Speaker 4: the Nubis, So give him something to react to. Mock

583
00:27:18,960 --> 00:27:20,959
Speaker 4: him even more on that line before it, find some

584
00:27:20,960 --> 00:27:29,400
Speaker 4: way to mock him. Okay. And then three, uh, the impacts.

585
00:27:29,440 --> 00:27:32,360
Speaker 4: When we get to the page four, the fight back

586
00:27:32,400 --> 00:27:36,760
Speaker 4: and forth, Will is going to do three sounds. He's

587
00:27:36,800 --> 00:27:39,120
Speaker 4: going to throw a punch. You take the punch. He's

588
00:27:39,160 --> 00:27:41,439
Speaker 4: going to kick you take the kick. He's going to

589
00:27:41,440 --> 00:27:44,440
Speaker 4: do a third something that is an attack on you.

590
00:27:44,440 --> 00:27:47,119
Speaker 4: You respond, and then after three you're going to do

591
00:27:47,160 --> 00:27:51,600
Speaker 4: the attacking. He's going to respond. So the sounds that

592
00:27:51,640 --> 00:27:52,000
Speaker 4: we're going.

593
00:27:52,000 --> 00:27:54,040
Speaker 6: To do there, okay, amazing, thank you.

594
00:27:54,119 --> 00:27:58,840
Speaker 4: And then the very last line and even says in

595
00:27:58,880 --> 00:28:03,160
Speaker 4: the stage direction, car voice, Starry voice rings out, Yeah,

596
00:28:03,280 --> 00:28:06,840
Speaker 4: make that a better exit loud. Yeah, you know enjoy

597
00:28:06,840 --> 00:28:09,160
Speaker 4: a little more, and and just in general, it's very

598
00:28:09,160 --> 00:28:13,000
Speaker 4: good in general trying to find just some more variety,

599
00:28:13,440 --> 00:28:17,680
Speaker 4: whether it's volume, whether it's pace, whether it's attitude. Make

600
00:28:17,720 --> 00:28:20,040
Speaker 4: sure that you've got a bunch of different things that

601
00:28:20,080 --> 00:28:23,400
Speaker 4: you're showing in this scene. Okay, did you have any

602
00:28:23,480 --> 00:28:24,040
Speaker 4: questions for us?

603
00:28:25,400 --> 00:28:27,159
Speaker 6: What did the was the accent?

604
00:28:27,160 --> 00:28:27,400
Speaker 2: Okay?

605
00:28:27,400 --> 00:28:28,520
Speaker 6: I was trying to give her a bit of a

606
00:28:28,640 --> 00:28:30,080
Speaker 6: what do you in a country bumpkin?

607
00:28:32,240 --> 00:28:34,160
Speaker 2: I did either. I thought it was a good choice.

608
00:28:34,160 --> 00:28:36,679
Speaker 2: I liked it. Okay, okay, all right, well, thank you.

609
00:28:36,680 --> 00:28:37,960
Speaker 2: We will be back with you. You can sit with

610
00:28:38,040 --> 00:28:39,960
Speaker 2: the notes and we'll be back to do it. Take

611
00:28:40,000 --> 00:28:41,600
Speaker 2: to really thank you so much.

612
00:28:42,440 --> 00:28:43,800
Speaker 1: So one of the things we like to do in

613
00:28:43,840 --> 00:28:47,720
Speaker 1: between is just see if somebody kind of one round one.

614
00:28:47,800 --> 00:28:49,960
Speaker 2: Do you think that somebody is standing out yet?

615
00:28:50,600 --> 00:28:51,240
Speaker 4: I don't yet.

616
00:28:51,400 --> 00:28:51,960
Speaker 3: I don't either.

617
00:28:52,520 --> 00:28:56,800
Speaker 2: I don't either. I'll make interesting choices for you know what.

618
00:28:56,880 --> 00:28:58,560
Speaker 1: The thing that you used to always tell me and

619
00:28:58,600 --> 00:29:00,600
Speaker 1: you tell I've heard you tell another of Pece. You

620
00:29:00,640 --> 00:29:04,239
Speaker 1: know thousands of people, frankly is people often forget the

621
00:29:04,280 --> 00:29:07,000
Speaker 1: actor part of voice actor. And so one of the

622
00:29:07,000 --> 00:29:09,920
Speaker 1: things we're really looking for is an actor, and.

623
00:29:09,920 --> 00:29:13,520
Speaker 2: They're they're both good. They both had some interesting choices and.

624
00:29:13,280 --> 00:29:16,200
Speaker 1: And uh yeah, I'm I'm curious to see how now

625
00:29:16,200 --> 00:29:17,920
Speaker 1: they take the direction and take the notes and go

626
00:29:17,960 --> 00:29:18,720
Speaker 1: from there too.

627
00:29:19,480 --> 00:29:22,160
Speaker 3: So let's bring me a back and see see what

628
00:29:22,160 --> 00:29:22,680
Speaker 3: she's doing.

629
00:29:23,520 --> 00:29:25,480
Speaker 2: Hello, Hi, Mia, how are you?

630
00:29:25,840 --> 00:29:26,280
Speaker 9: I'm good?

631
00:29:26,320 --> 00:29:26,840
Speaker 6: How are you?

632
00:29:27,320 --> 00:29:27,920
Speaker 3: I'm good?

633
00:29:28,000 --> 00:29:28,360
Speaker 2: Thanks?

634
00:29:28,400 --> 00:29:31,720
Speaker 1: So we are going to, uh you know, with those notes,

635
00:29:32,360 --> 00:29:34,440
Speaker 1: we will go and do these again, and don't forget

636
00:29:34,440 --> 00:29:35,600
Speaker 1: when we get to the impacts.

637
00:29:36,080 --> 00:29:38,520
Speaker 3: I'll start three and then you start three.

638
00:29:38,600 --> 00:29:42,640
Speaker 1: So we'll do six sounds total six well six go arounds,

639
00:29:42,640 --> 00:29:44,400
Speaker 1: I guess is where it would be six couplets.

640
00:29:45,120 --> 00:29:47,680
Speaker 2: And we have one question really, yes, of course.

641
00:29:47,760 --> 00:29:49,840
Speaker 5: So after you do an impact sound, should I make

642
00:29:49,880 --> 00:29:52,120
Speaker 5: like a dodging type sound like after your three? Or

643
00:29:52,160 --> 00:29:54,000
Speaker 5: do you want to do just three straight up? And

644
00:29:54,000 --> 00:29:54,880
Speaker 5: then I'll do three.

645
00:29:54,800 --> 00:29:58,200
Speaker 4: Back and forth? And all right, So will throws a punch?

646
00:29:58,480 --> 00:30:01,080
Speaker 4: You take the punch I'll throw as a kick, You

647
00:30:01,200 --> 00:30:05,800
Speaker 4: take the kick. Well, there's a spinning something you and

648
00:30:05,880 --> 00:30:08,600
Speaker 4: then then just the opposite you'll get the chance to

649
00:30:08,680 --> 00:30:10,920
Speaker 4: do that kind of physical action where you are doing

650
00:30:10,960 --> 00:30:13,200
Speaker 4: the aggressive part of it. And he's going to be

651
00:30:13,240 --> 00:30:14,000
Speaker 4: a reaction to it.

652
00:30:14,360 --> 00:30:16,000
Speaker 2: Yeah, and we'll do that. We'll do that right back

653
00:30:16,040 --> 00:30:17,920
Speaker 2: to back, so we'll do those all those sounds together.

654
00:30:17,960 --> 00:30:18,440
Speaker 2: It'll be great.

655
00:30:18,560 --> 00:30:20,120
Speaker 5: Alrighty, all right?

656
00:30:20,720 --> 00:30:22,280
Speaker 4: Any other questions I wanted to ask you before you

657
00:30:22,320 --> 00:30:26,200
Speaker 4: went it again? Sitting there with those notes? Did anything else?

658
00:30:26,760 --> 00:30:27,400
Speaker 5: I had fun?

659
00:30:27,960 --> 00:30:28,320
Speaker 2: All right?

660
00:30:28,440 --> 00:30:28,520
Speaker 4: Her?

661
00:30:28,640 --> 00:30:30,000
Speaker 3: Fun is good. Fun is good.

662
00:30:30,400 --> 00:30:33,320
Speaker 1: You can't have fun recording stuff like this, then pick

663
00:30:33,360 --> 00:30:34,960
Speaker 1: another business exactly.

664
00:30:36,560 --> 00:30:44,640
Speaker 2: So here we go, and thus the end of Mega Guy.

665
00:30:45,440 --> 00:30:47,480
Speaker 2: You know, when I came to this planet, I was

666
00:30:47,520 --> 00:30:49,680
Speaker 2: told that the Hero Crew were the most powerful beings

667
00:30:49,720 --> 00:30:53,400
Speaker 2: in the entire universe. I must admit that I am disappointed.

668
00:30:54,000 --> 00:30:56,320
Speaker 2: There is no one here who confessed me.

669
00:31:03,000 --> 00:31:06,360
Speaker 5: Judging by the looks of things, you are doing a

670
00:31:06,400 --> 00:31:07,040
Speaker 5: wee bet of.

671
00:31:07,040 --> 00:31:09,520
Speaker 6: Re decorating men.

672
00:31:09,560 --> 00:31:10,760
Speaker 2: Who exactly are you?

673
00:31:11,720 --> 00:31:12,080
Speaker 4: Well?

674
00:31:12,240 --> 00:31:14,120
Speaker 5: I suppose it would be impolite to give you a

675
00:31:14,160 --> 00:31:18,800
Speaker 5: butt whoopan without properly introducing myself. First, my name is Cardinal.

676
00:31:19,160 --> 00:31:21,080
Speaker 5: I'm new to town and you are.

677
00:31:21,800 --> 00:31:24,640
Speaker 2: I am the blast offspring of King Tylod and the

678
00:31:24,720 --> 00:31:28,000
Speaker 2: seventeenth disciple to hold the Monocle of Danubis.

679
00:31:28,560 --> 00:31:34,920
Speaker 5: Hmm, that sounds nice. I'm from Louisiana and my mom's

680
00:31:35,000 --> 00:31:35,520
Speaker 5: name is Flow.

681
00:31:36,160 --> 00:31:38,280
Speaker 2: I have studied all of the members of the Hero Crew,

682
00:31:38,320 --> 00:31:40,440
Speaker 2: and you were not listed amongst their ranks.

683
00:31:41,040 --> 00:31:44,280
Speaker 5: Well, that's true, and I love that word amongst, By

684
00:31:44,320 --> 00:31:46,520
Speaker 5: the way, doesn't get used nearly enough.

685
00:31:46,840 --> 00:31:47,400
Speaker 10: You see.

686
00:31:47,600 --> 00:31:49,720
Speaker 5: I was actually on my way here to Vector City

687
00:31:49,720 --> 00:31:52,480
Speaker 5: to try out for that cool superhero team when I

688
00:31:52,600 --> 00:31:55,800
Speaker 5: read the gone fishing sign on the front of their headquarters.

689
00:31:56,400 --> 00:31:57,360
Speaker 2: Gone fishing.

690
00:31:58,200 --> 00:31:59,880
Speaker 6: Okay, that was a lie.

691
00:32:00,160 --> 00:32:02,840
Speaker 5: The sign actually said. God, if i'd some weird looking

692
00:32:02,840 --> 00:32:05,080
Speaker 5: creep with a single nasty piece of glass and the

693
00:32:05,160 --> 00:32:08,520
Speaker 5: bright red eye. You've seen anyone like that around here?

694
00:32:09,240 --> 00:32:11,880
Speaker 2: You dare mock the monocle of Danubis.

695
00:32:12,640 --> 00:32:13,840
Speaker 5: Yeah, I dare.

696
00:32:18,760 --> 00:32:21,520
Speaker 2: That was but a taste of my power. I would

697
00:32:21,520 --> 00:32:23,360
Speaker 2: have ended you. But I hope you don't mind if

698
00:32:23,360 --> 00:32:27,160
Speaker 2: I make this last. I really want to savor this victory.

699
00:32:28,080 --> 00:32:33,240
Speaker 5: No, you gotta be the victor first. There, sport.

700
00:32:33,920 --> 00:32:36,960
Speaker 2: How is that possible? Even at low power? You shouldn't

701
00:32:36,960 --> 00:32:38,760
Speaker 2: be able to stand after a blast like that.

702
00:32:40,120 --> 00:32:42,280
Speaker 5: I had a lot of waitnies that I might have

703
00:32:42,320 --> 00:32:43,080
Speaker 5: something to do with it.

704
00:32:44,000 --> 00:32:45,360
Speaker 2: I do not understand the reference.

705
00:32:45,880 --> 00:32:49,800
Speaker 5: Hmm, No, I imagine you wouldn't. But that's Okay, if

706
00:32:49,840 --> 00:32:52,320
Speaker 5: you don't mind too much, I'm just gonna send you

707
00:32:52,360 --> 00:32:54,400
Speaker 5: back to wherever it is you came from.

708
00:32:55,800 --> 00:32:57,800
Speaker 2: I wish you the best of luck with that.

709
00:32:58,840 --> 00:33:01,560
Speaker 5: Uh, why would you wish me love to kick your boat?

710
00:33:02,480 --> 00:33:18,680
Speaker 2: I do not know. Okay, enough of this, Yeah, no,

711
00:33:29,560 --> 00:33:36,480
Speaker 2: and this is just about wrapping up. What's it gonna be,

712
00:33:36,640 --> 00:33:39,920
Speaker 2: Cardinal me or all of the people on the bridge?

713
00:33:40,560 --> 00:33:46,560
Speaker 5: Hm hmm, I thought so, casulator alligator.

714
00:33:51,200 --> 00:33:55,360
Speaker 4: No, it was so great, really nice adjustments that you made.

715
00:33:55,480 --> 00:33:57,840
Speaker 4: I heard those choices. I could tell that you were

716
00:33:57,920 --> 00:34:01,000
Speaker 4: messing with the rhythm and the time and the volume.

717
00:34:01,040 --> 00:34:03,080
Speaker 4: And you follow my notes so nicely.

718
00:34:04,320 --> 00:34:07,000
Speaker 2: We can, Andrea, we can do pickups. It's just what

719
00:34:07,040 --> 00:34:09,320
Speaker 2: I was a pickups.

720
00:34:09,080 --> 00:34:12,520
Speaker 4: Absolutely excellent. Oh. I loved what you did with that first.

721
00:34:12,920 --> 00:34:14,440
Speaker 4: I suppose it would be impolite to give you a

722
00:34:14,440 --> 00:34:16,680
Speaker 4: butt will be without properly introducing myself. My name is

723
00:34:16,680 --> 00:34:25,680
Speaker 4: Cardinal a Newtown sweet. Loved it. You're writing that sequence

724
00:34:25,760 --> 00:34:28,120
Speaker 4: faster that I asked you to make me laugh out loud. God,

725
00:34:29,200 --> 00:34:32,759
Speaker 4: I've made me laugh out loud, really really good. I

726
00:34:32,800 --> 00:34:38,279
Speaker 4: wanted to do a pickup, please on. I want to

727
00:34:38,320 --> 00:34:40,520
Speaker 4: do the two impacts of a top of page three.

728
00:34:40,920 --> 00:34:44,279
Speaker 4: So you get you get hit in the chest by

729
00:34:44,600 --> 00:34:47,160
Speaker 4: a blast that he fires, and then you hit the building.

730
00:34:47,640 --> 00:34:51,200
Speaker 4: So I want the first one to be imagine, if

731
00:34:51,200 --> 00:34:53,440
Speaker 4: you will, the sound of getting hit in the chest,

732
00:34:53,719 --> 00:34:58,000
Speaker 4: so and then a bigger but still that same kind

733
00:34:58,000 --> 00:35:03,480
Speaker 4: of impact as your body hits a right, So maybe

734
00:35:03,520 --> 00:35:05,840
Speaker 4: it's that. Will you just do those who sounds for me?

735
00:35:06,440 --> 00:35:06,680
Speaker 6: Yes?

736
00:35:06,719 --> 00:35:08,600
Speaker 5: So just the two impacts, not like sign through the

737
00:35:08,600 --> 00:35:09,200
Speaker 5: air or anything.

738
00:35:10,160 --> 00:35:11,600
Speaker 4: Well, you don't have to make a sound during that.

739
00:35:11,680 --> 00:35:19,000
Speaker 4: Let's just say yeah, gotcha, alrighty, really good, do both

740
00:35:19,000 --> 00:35:26,000
Speaker 4: of them bigger? Okay, that's it, that's it, very good.

741
00:35:27,400 --> 00:35:31,160
Speaker 4: On that same section, you say you gotta be you

742
00:35:31,280 --> 00:35:33,879
Speaker 4: got to be the victor first bear sport. I want

743
00:35:33,880 --> 00:35:35,799
Speaker 4: to do three in a row, three takes of the

744
00:35:35,800 --> 00:35:40,359
Speaker 4: same line. Yes, and I want it to just exude confidence.

745
00:35:40,640 --> 00:35:43,840
Speaker 4: You are so absolutely sure that you have You're going

746
00:35:43,920 --> 00:35:47,520
Speaker 4: to best the sky absolutely no problem. But make sure

747
00:35:47,560 --> 00:35:49,880
Speaker 4: that each of those three takes are different. Find a

748
00:35:49,880 --> 00:35:51,680
Speaker 4: way to marry each of those three. Do three in

749
00:35:51,719 --> 00:35:53,320
Speaker 4: a row? ABC, You're ready?

750
00:35:53,440 --> 00:35:53,839
Speaker 7: All right?

751
00:35:56,000 --> 00:35:58,040
Speaker 5: So you said you wanted confident, but is maybe is

752
00:35:58,040 --> 00:35:59,399
Speaker 5: it okay? If I like start off because I think

753
00:35:59,400 --> 00:36:01,360
Speaker 5: she's like getting a off the ground after being slammed

754
00:36:01,400 --> 00:36:02,319
Speaker 5: into this building, right.

755
00:36:02,320 --> 00:36:09,680
Speaker 4: That's right? That would thank you.

756
00:36:09,680 --> 00:36:13,840
Speaker 5: You gotta be the victor first. There, Sports, you gotta

757
00:36:13,920 --> 00:36:17,840
Speaker 5: be the victor there. First, sports, you gotta be the

758
00:36:17,960 --> 00:36:19,360
Speaker 5: victor first there.

759
00:36:19,080 --> 00:36:24,759
Speaker 4: Sports, all three good options. Then the next time you

760
00:36:24,800 --> 00:36:26,840
Speaker 4: have after that. I eat a lot of wheaties. I

761
00:36:26,880 --> 00:36:30,280
Speaker 4: had a clarity problem. I just couldn't understand the word wheaties.

762
00:36:30,600 --> 00:36:32,440
Speaker 4: And so let's do three of those in a row

763
00:36:32,520 --> 00:36:36,120
Speaker 4: just for clarity. Okay, I'm sorry, before you do it,

764
00:36:36,120 --> 00:36:38,239
Speaker 4: excuse me? Well, would you read her into it once?

765
00:36:38,320 --> 00:36:38,840
Speaker 3: Absolutely?

766
00:36:38,920 --> 00:36:40,879
Speaker 4: And then you just do three in a row after

767
00:36:40,920 --> 00:36:41,799
Speaker 4: he reads you in once?

768
00:36:43,600 --> 00:36:46,960
Speaker 2: How is that possible? Even that low power. You shouldn't

769
00:36:46,960 --> 00:36:48,719
Speaker 2: be able to stand after a blast like that.

770
00:36:50,000 --> 00:36:52,319
Speaker 5: I ate a lot of wheaties. That might have something

771
00:36:52,360 --> 00:36:55,320
Speaker 5: to do with it. I ate a lot of waiters

772
00:36:55,600 --> 00:36:58,239
Speaker 5: that might have something to do with it. I eat

773
00:36:58,239 --> 00:37:00,960
Speaker 5: a lot of wheaties. I might have something to do

774
00:37:01,040 --> 00:37:01,560
Speaker 5: with it.

775
00:37:04,600 --> 00:37:05,520
Speaker 4: In my choice, how I pick.

776
00:37:06,120 --> 00:37:07,520
Speaker 1: I was just gonna say, I know you well enough,

777
00:37:07,520 --> 00:37:10,520
Speaker 1: andreda where I've just heard you say, see.

778
00:37:09,120 --> 00:37:15,840
Speaker 4: Okay, you handled the alternate fighting thing just great. Wonderful

779
00:37:16,360 --> 00:37:19,040
Speaker 4: and uh, I don't have another pickups? Will? Did you

780
00:37:19,080 --> 00:37:19,840
Speaker 4: have anything then? No?

781
00:37:20,080 --> 00:37:20,919
Speaker 2: I think it's great.

782
00:37:21,520 --> 00:37:21,759
Speaker 4: Cool.

783
00:37:22,239 --> 00:37:23,839
Speaker 2: We will be back with you in a bit.

784
00:37:23,920 --> 00:37:26,400
Speaker 3: May or Hermia Ah, thank you bye.

785
00:37:26,880 --> 00:37:27,200
Speaker 4: Cool.

786
00:37:27,680 --> 00:37:30,279
Speaker 2: She did she handled all this stuff really well, very well,

787
00:37:30,520 --> 00:37:33,120
Speaker 2: very well. Yeah, okay, great, Let's bring in Haley and

788
00:37:33,120 --> 00:37:37,480
Speaker 2: see how she does. Hey, hi Ellie, hello again, Here

789
00:37:37,520 --> 00:37:37,839
Speaker 2: we go.

790
00:37:37,880 --> 00:37:40,440
Speaker 1: We're gonna just jump right in with with the notes

791
00:37:41,320 --> 00:37:43,400
Speaker 1: and see if we can go from there.

792
00:37:43,400 --> 00:37:44,640
Speaker 2: Are you good? Yep?

793
00:37:44,920 --> 00:37:49,440
Speaker 3: All right, here we go.

794
00:37:48,760 --> 00:37:52,600
Speaker 2: And thus the end of Mega Guy. You know, when

795
00:37:52,640 --> 00:37:54,400
Speaker 2: I came to this planet, I was told that the

796
00:37:54,440 --> 00:37:58,040
Speaker 2: Hero Crew were the most powerful beings in the entire universe.

797
00:37:58,960 --> 00:38:01,920
Speaker 2: I must admit that I am. I'm disappointed. There is

798
00:38:02,000 --> 00:38:03,759
Speaker 2: no one here who can bessed me.

799
00:38:08,160 --> 00:38:08,200
Speaker 7: No.

800
00:38:10,760 --> 00:38:13,359
Speaker 6: Judging by the looks of things, you're doing a wee

801
00:38:13,400 --> 00:38:14,480
Speaker 6: bit of redecorating.

802
00:38:15,719 --> 00:38:17,400
Speaker 2: And who exactly are you?

803
00:38:18,520 --> 00:38:21,920
Speaker 6: Well, I suppose it would be impolite to give you

804
00:38:21,960 --> 00:38:25,160
Speaker 6: a butt whooping without properly introducing myself.

805
00:38:25,160 --> 00:38:25,480
Speaker 2: First.

806
00:38:25,760 --> 00:38:31,160
Speaker 6: My name is Cardinal, i'mnu in town and you are.

807
00:38:32,160 --> 00:38:34,960
Speaker 2: I am the blest offspring of King Taylod and a

808
00:38:35,000 --> 00:38:37,480
Speaker 2: seventeen disciple to hold the monocle of Danubis.

809
00:38:38,440 --> 00:38:46,200
Speaker 6: Well that sounds nice. I'm from Louisiana and my mom's names. Oh.

810
00:38:46,320 --> 00:38:48,399
Speaker 2: I have studied all of the members of the Hero Crew,

811
00:38:48,440 --> 00:38:51,000
Speaker 2: and you were not listed amongst their ranks.

812
00:38:51,680 --> 00:38:57,200
Speaker 6: Well, now that's true. I love that word amongst. By

813
00:38:57,200 --> 00:39:00,279
Speaker 6: the way, does not get used nearly enough. Anyway. I

814
00:39:00,480 --> 00:39:03,080
Speaker 6: was actually on my way here to Victor City to

815
00:39:03,080 --> 00:39:05,759
Speaker 6: try out for that cool superhero team when I read

816
00:39:05,800 --> 00:39:08,680
Speaker 6: the gone fishing sign on the front of their headquarters.

817
00:39:09,280 --> 00:39:10,160
Speaker 2: Gone fishing.

818
00:39:11,520 --> 00:39:14,319
Speaker 6: Okay, okay, you called me that was a lie. Now

819
00:39:14,360 --> 00:39:18,400
Speaker 6: the sign actually said gone to fight some weird looking

820
00:39:18,600 --> 00:39:21,960
Speaker 6: creep with a single nasty piece of glass in their

821
00:39:22,000 --> 00:39:26,400
Speaker 6: bright red eye. You uh seeing anyone like that around here?

822
00:39:27,280 --> 00:39:29,880
Speaker 2: You dare mock the monocle of Danubis?

823
00:39:30,600 --> 00:39:32,879
Speaker 6: Yeah, I dare.

824
00:39:34,760 --> 00:39:37,839
Speaker 5: Ah ah.

825
00:39:38,040 --> 00:39:40,719
Speaker 2: That was but a taste of my power. I would

826
00:39:40,719 --> 00:39:42,719
Speaker 2: have ended you, But I hope you don't mind if

827
00:39:42,719 --> 00:39:46,360
Speaker 2: I make this last. I really want to savor this victory.

828
00:39:47,360 --> 00:39:52,560
Speaker 11: Oh, you gotta be the victor first there, sport.

829
00:39:52,920 --> 00:39:55,920
Speaker 2: How is that possible? Even at low power? You shouldn't

830
00:39:55,920 --> 00:39:57,680
Speaker 2: be able to stand after a bless like that.

831
00:40:00,800 --> 00:40:04,560
Speaker 6: I need a lot of wheedies that might have something

832
00:40:04,600 --> 00:40:05,160
Speaker 6: to do with it.

833
00:40:05,920 --> 00:40:07,400
Speaker 2: I do not understand the reference.

834
00:40:08,160 --> 00:40:12,600
Speaker 6: Oh now, I imagine you wouldn't. But hey, that's okay.

835
00:40:13,200 --> 00:40:14,920
Speaker 6: Now if you don't mind too much, I'm just gonna

836
00:40:15,040 --> 00:40:16,880
Speaker 6: send you back to wherever it is he came from.

837
00:40:17,320 --> 00:40:19,440
Speaker 2: Now, I wish you the best of luck with that.

838
00:40:21,239 --> 00:40:25,080
Speaker 6: Why would you wish me luck to kick your butt?

839
00:40:25,880 --> 00:40:27,880
Speaker 2: I do not know? Okay, enough of this.

840
00:40:29,480 --> 00:40:42,600
Speaker 4: H h.

841
00:40:44,880 --> 00:40:50,120
Speaker 6: Hell this, She just about wrap it up.

842
00:40:53,239 --> 00:40:55,880
Speaker 2: What's it gonna be, Cardinal me or all of the

843
00:40:55,920 --> 00:41:05,120
Speaker 2: people on the bridge? I thought so pat later, Okay, right,

844
00:41:05,440 --> 00:41:05,960
Speaker 2: all right.

845
00:41:05,880 --> 00:41:08,279
Speaker 4: Good, good, good, A lot of really good stuff there

846
00:41:08,760 --> 00:41:10,919
Speaker 4: there there's a what did you want to say? Anything?

847
00:41:10,960 --> 00:41:11,560
Speaker 4: Will before? No?

848
00:41:11,560 --> 00:41:13,600
Speaker 1: No, no, no, no, We're gonna now we're gonna Andrea is

849
00:41:13,640 --> 00:41:14,720
Speaker 1: going to walk you through some pickups.

850
00:41:15,000 --> 00:41:15,520
Speaker 6: Okay.

851
00:41:16,800 --> 00:41:20,160
Speaker 4: One general note. I noticed that you come up off

852
00:41:20,200 --> 00:41:23,120
Speaker 4: the script a lot and are kind of looking out

853
00:41:23,200 --> 00:41:25,960
Speaker 4: into the world and everything. You don't have to do that,

854
00:41:26,040 --> 00:41:28,000
Speaker 4: and it takes you out of the moment. It makes

855
00:41:28,000 --> 00:41:30,000
Speaker 4: you take a little bit longer exactly. You got the

856
00:41:30,000 --> 00:41:32,840
Speaker 4: sense of it. So that's one of the joys of voiceover,

857
00:41:32,920 --> 00:41:38,080
Speaker 4: is that words in front of you all the time, and.

858
00:41:36,280 --> 00:41:41,560
Speaker 2: That the it's your theater. That's I get it.

859
00:41:41,640 --> 00:41:43,919
Speaker 4: You book. You don't have to ever be off book. Okay,

860
00:41:44,320 --> 00:41:48,760
Speaker 4: I love that. So look at your very first line.

861
00:41:49,680 --> 00:41:53,520
Speaker 4: That's the first that we get to know you, your character whatever.

862
00:41:53,719 --> 00:41:56,840
Speaker 4: I think you need to give us a stronger entrance. Okay,

863
00:41:56,920 --> 00:41:59,680
Speaker 4: it kind of just came in kind of conversationally and stuff.

864
00:42:00,080 --> 00:42:02,759
Speaker 4: Somehow you need to grab us and let us hear.

865
00:42:02,880 --> 00:42:04,480
Speaker 4: So will you do three in to row of that

866
00:42:04,560 --> 00:42:07,920
Speaker 4: first line? Yeah, you'll be three different versions anyway you

867
00:42:07,960 --> 00:42:09,760
Speaker 4: want to mess with it, But just give me something

868
00:42:09,800 --> 00:42:12,319
Speaker 4: that says I'm here, deal with me now.

869
00:42:12,640 --> 00:42:15,560
Speaker 6: Yeah, okay, And is it cool if I sort of

870
00:42:15,960 --> 00:42:17,800
Speaker 6: maybe drop the accent some do a couple with the

871
00:42:17,840 --> 00:42:20,960
Speaker 6: accent and couple without. Is that just to try different things?

872
00:42:21,080 --> 00:42:24,120
Speaker 3: Pick it and don't forget your only audience is that microphone?

873
00:42:25,280 --> 00:42:32,520
Speaker 6: That one right there? Right Well, judging by the looks

874
00:42:32,560 --> 00:42:35,800
Speaker 6: of things, you're doing a wee bit of a redecorating.

875
00:42:38,400 --> 00:42:40,920
Speaker 6: Judging by the looks of things, you're doing a wee

876
00:42:41,000 --> 00:42:46,520
Speaker 6: bit of redecorating. Judging by the looks of things, you're

877
00:42:46,560 --> 00:42:49,080
Speaker 6: doing a wee bit of a redecorating.

878
00:42:50,000 --> 00:42:54,120
Speaker 4: Good those are three indeed different ones. I'm looking at

879
00:42:54,120 --> 00:42:57,040
Speaker 4: the stage direction before it. It says, as the smoke clears,

880
00:42:57,600 --> 00:43:01,000
Speaker 4: young superhero hovers in the air, looks around, it takes

881
00:43:01,000 --> 00:43:04,839
Speaker 4: in the distrestruction. So I just think there's something that

882
00:43:05,440 --> 00:43:07,600
Speaker 4: kind of very first word has to get our tech

883
00:43:07,880 --> 00:43:10,800
Speaker 4: judging by I mean something, because there's this big sky

884
00:43:11,040 --> 00:43:13,279
Speaker 4: and there's you, and there's all these buildings knocked down,

885
00:43:13,320 --> 00:43:17,520
Speaker 4: and so give me three more bigger, okay, bigger.

886
00:43:17,840 --> 00:43:22,200
Speaker 5: Yeah, judging by the looks of things.

887
00:43:22,000 --> 00:43:23,880
Speaker 6: You're doing a wee bittery decorating.

888
00:43:26,080 --> 00:43:28,960
Speaker 12: Judging by the looks of things, you're doing a wee

889
00:43:29,000 --> 00:43:35,640
Speaker 12: bittery decorating. Judging by the looks of things, you're doing

890
00:43:35,680 --> 00:43:37,080
Speaker 12: a wee bit of redecorating.

891
00:43:39,120 --> 00:43:41,120
Speaker 4: I like the first one of those three. Well done.

892
00:43:41,200 --> 00:43:43,239
Speaker 4: Good for you.

893
00:43:43,239 --> 00:43:43,759
Speaker 2: Go to.

894
00:43:48,280 --> 00:43:51,759
Speaker 4: Page two, one, two, three, four, four lines down. That

895
00:43:51,880 --> 00:43:54,479
Speaker 4: sounds nice. I'm from Louisiana. My mom's name is flow.

896
00:43:54,880 --> 00:43:58,080
Speaker 4: The word flow dropped out. It just fell out of

897
00:43:58,080 --> 00:44:00,279
Speaker 4: your voice. He didn't my mom's name name is.

898
00:44:00,960 --> 00:44:03,560
Speaker 6: It just went weird, weird, So so it might have

899
00:44:03,600 --> 00:44:05,120
Speaker 6: been there, that might have been.

900
00:44:05,760 --> 00:44:06,239
Speaker 5: I just think it.

901
00:44:06,320 --> 00:44:08,719
Speaker 4: Sometimes it happens that people lose their energy before the

902
00:44:08,840 --> 00:44:11,239
Speaker 4: end of the line, and so everything else is being

903
00:44:11,239 --> 00:44:13,560
Speaker 4: recorded perfectly fine, straight, and then that last word just

904
00:44:13,600 --> 00:44:16,239
Speaker 4: dies out. Okay, right, so you give me a roll

905
00:44:16,320 --> 00:44:18,120
Speaker 4: that the performance was fine. Just give me three.

906
00:44:20,239 --> 00:44:21,200
Speaker 6: That sounds nice.

907
00:44:22,200 --> 00:44:26,800
Speaker 8: I'm from Louisiana and my mom's name is Flow.

908
00:44:31,360 --> 00:44:33,160
Speaker 6: Oh that sounds nice.

909
00:44:34,400 --> 00:44:39,640
Speaker 8: I'm from Louisiana and my mom's name is flow.

910
00:44:42,200 --> 00:44:49,120
Speaker 6: Ooh that sounds nice. I'm from Louisiana and my mom's name.

911
00:44:51,719 --> 00:44:54,879
Speaker 4: Nice. You start touching on something there that I want

912
00:44:54,920 --> 00:44:56,680
Speaker 4: to do. Will would you meet her into it again?

913
00:44:56,760 --> 00:45:00,520
Speaker 4: Of course you're in your most evil and then Haley

914
00:45:00,640 --> 00:45:04,239
Speaker 4: this time like so sweet all the way through, just

915
00:45:04,280 --> 00:45:06,319
Speaker 4: the sweetest thing. He's going to be evil. You're going

916
00:45:06,400 --> 00:45:08,680
Speaker 4: to be a contrasted That's just one past of that,

917
00:45:08,719 --> 00:45:09,200
Speaker 4: both you guys.

918
00:45:09,280 --> 00:45:13,840
Speaker 2: Yeah, I am the blessed offspring of King Thailand and

919
00:45:13,880 --> 00:45:17,280
Speaker 2: a seventeen disciple to hold the monocle of Danubis.

920
00:45:17,880 --> 00:45:22,720
Speaker 6: Oh that sounds nice. I'm from Louisiana and my mom's

921
00:45:22,800 --> 00:45:24,120
Speaker 6: name is flow.

922
00:45:24,400 --> 00:45:27,759
Speaker 4: I love that. I love that very funny. That's how

923
00:45:27,800 --> 00:45:33,120
Speaker 4: you talk to an evil guy. Hey, something I want

924
00:45:33,120 --> 00:45:35,960
Speaker 4: to play the next peak you have there, the line

925
00:45:36,040 --> 00:45:40,040
Speaker 4: that's kind of parenthetical or the lines are yes, and

926
00:45:40,120 --> 00:45:41,960
Speaker 4: I love that word amongst, by the way, doesn't get

927
00:45:42,040 --> 00:45:43,680
Speaker 4: used nearly enough. So what I want you to do

928
00:45:43,840 --> 00:45:46,240
Speaker 4: is I want you to do one take, not saying

929
00:45:46,239 --> 00:45:49,120
Speaker 4: that line at all. Go from Well, that's true, you see,

930
00:45:49,120 --> 00:45:50,600
Speaker 4: I actually was on my way. I want you just

931
00:45:50,640 --> 00:45:52,680
Speaker 4: to write, and then I want you a second take,

932
00:45:53,600 --> 00:45:57,719
Speaker 4: acknowledging that center line, which has a different energy. Right, yeah,

933
00:45:57,760 --> 00:46:02,640
Speaker 4: well that's true, and then back to business. Right, okay,

934
00:46:02,800 --> 00:46:05,680
Speaker 4: so the two texts of that speech will read here,

935
00:46:05,760 --> 00:46:07,319
Speaker 4: and would you just he's gonna read you in once.

936
00:46:07,440 --> 00:46:11,240
Speaker 2: Of course, thank you. I have studied all the members

937
00:46:11,280 --> 00:46:14,120
Speaker 2: of the Hero Crew and you were not listed amongst

938
00:46:14,120 --> 00:46:15,000
Speaker 2: their ranks.

939
00:46:15,600 --> 00:46:19,759
Speaker 6: Well that's true, you see. I was actually on my

940
00:46:19,800 --> 00:46:21,920
Speaker 6: way here to Vector City to try out for that

941
00:46:22,040 --> 00:46:25,560
Speaker 6: cool superhero team when I read the gone fishing sign

942
00:46:25,640 --> 00:46:31,000
Speaker 6: on the front of their headquarters. Well that's true. You know.

943
00:46:31,160 --> 00:46:35,000
Speaker 6: I do love that word amongst, by the way, does

944
00:46:35,040 --> 00:46:38,240
Speaker 6: not get used nearly enough. You see. I was actually

945
00:46:38,280 --> 00:46:40,560
Speaker 6: on my way here to Vector City to try out

946
00:46:40,600 --> 00:46:43,960
Speaker 6: for that cool superhero team when I read the gune

947
00:46:43,960 --> 00:46:45,880
Speaker 6: fishing sign on the front of their headquarters.

948
00:46:46,200 --> 00:46:48,320
Speaker 4: That's good, that was nice, you see. The difference to

949
00:46:48,360 --> 00:46:51,000
Speaker 4: see why when you do that, there's a different energy

950
00:46:51,040 --> 00:46:51,279
Speaker 4: for that.

951
00:46:51,440 --> 00:46:55,480
Speaker 6: Yeah, parenthetical, proper beat that I don't think I was

952
00:46:55,520 --> 00:46:56,960
Speaker 6: giving it before, Haley.

953
00:46:57,160 --> 00:47:01,279
Speaker 4: The next line, when you did the the second pass

954
00:47:01,360 --> 00:47:03,040
Speaker 4: all the way through when we first came back from

955
00:47:03,080 --> 00:47:07,719
Speaker 4: the break, you didn't do the villain voice for I'm

956
00:47:07,719 --> 00:47:10,160
Speaker 4: from Louisiana. My mom's name is slow. You didn't. And

957
00:47:10,200 --> 00:47:12,560
Speaker 4: that was a fine choice, that was okay, But in

958
00:47:12,640 --> 00:47:15,640
Speaker 4: doing that, it seemed to me maybe this line, okay,

959
00:47:15,640 --> 00:47:17,960
Speaker 4: that was a lie. The sign actually said, now when

960
00:47:17,960 --> 00:47:20,720
Speaker 4: you get to gone to fight, that could use Will's

961
00:47:20,760 --> 00:47:24,640
Speaker 4: scary voice. Yeah, yeah, yeah, so we'll read it with

962
00:47:24,680 --> 00:47:25,920
Speaker 4: gone fishing and let her try that.

963
00:47:25,880 --> 00:47:28,920
Speaker 2: Would you sure gone fishing?

964
00:47:30,120 --> 00:47:33,920
Speaker 6: Okay, that was a lie. The sign actually said.

965
00:47:34,400 --> 00:47:37,880
Speaker 8: Gone to fight some weird looking creep with a single

966
00:47:38,120 --> 00:47:40,960
Speaker 8: nasty piece of glass in the bright red eye.

967
00:47:42,560 --> 00:47:44,360
Speaker 6: You seen anyone like that around here?

968
00:47:44,680 --> 00:47:48,120
Speaker 4: Nice? Very nice variety, very good. And there was one

969
00:47:48,200 --> 00:47:51,880
Speaker 4: other thing. Oh yeah, go to the line on page three.

970
00:47:52,000 --> 00:47:55,000
Speaker 4: You gotta be the victor there, you gotta be the victory.

971
00:47:56,120 --> 00:48:00,520
Speaker 4: And you know if victor there first. If you want

972
00:48:00,560 --> 00:48:03,880
Speaker 4: to invert those works, fine, but three of those and faster.

973
00:48:04,040 --> 00:48:06,560
Speaker 4: It just was moving too slow. Okay, I just need

974
00:48:06,600 --> 00:48:08,560
Speaker 4: some more, some more. You're in the middle of a fight,

975
00:48:08,640 --> 00:48:11,000
Speaker 4: and it was kind of conversational and so tough and

976
00:48:11,040 --> 00:48:12,440
Speaker 4: strong and faster. Three of those.

977
00:48:13,920 --> 00:48:17,040
Speaker 11: You got to be the victor first their sport. You

978
00:48:17,160 --> 00:48:19,280
Speaker 11: gotta be the victor first there sport.

979
00:48:20,239 --> 00:48:20,439
Speaker 4: Good.

980
00:48:20,520 --> 00:48:22,680
Speaker 6: Well, you gotta be the victor first their sport.

981
00:48:22,960 --> 00:48:25,000
Speaker 4: Well, that's nice. I like that last one, too good

982
00:48:25,040 --> 00:48:29,959
Speaker 4: for you? Uh yes, and those are my notes.

983
00:48:30,280 --> 00:48:34,399
Speaker 2: Okay, Helly, we will be back with you, Thank you much,

984
00:48:34,560 --> 00:48:35,000
Speaker 2: thank you.

985
00:48:36,239 --> 00:48:38,480
Speaker 3: Okay, so after round two, what do you think.

986
00:48:39,360 --> 00:48:39,960
Speaker 2: It's tough?

987
00:48:40,520 --> 00:48:44,240
Speaker 4: It is tough. They they both. I love their energy

988
00:48:44,280 --> 00:48:46,720
Speaker 4: and their enthusiasm. My god, that goes such a long way.

989
00:48:48,320 --> 00:48:53,520
Speaker 4: I almost feel like Mia. The accent works well for

990
00:48:53,600 --> 00:48:56,759
Speaker 4: what she's doing. I don't know that Haley needs to

991
00:48:57,880 --> 00:48:59,480
Speaker 4: use the accent. I'd like to hear her do a

992
00:48:59,480 --> 00:49:03,080
Speaker 4: whole version of this without the accent, okay, because I

993
00:49:03,120 --> 00:49:06,320
Speaker 4: feel like her her acting. She doesn't think about the

994
00:49:06,360 --> 00:49:09,680
Speaker 4: acting as much. She's thinking about the accent more right,

995
00:49:10,040 --> 00:49:11,600
Speaker 4: I would like to hear I'd like to her to

996
00:49:11,680 --> 00:49:13,600
Speaker 4: pay a little bit more attention to what's going on.

997
00:49:14,560 --> 00:49:17,080
Speaker 4: I think Mia did a very good job of taking

998
00:49:17,120 --> 00:49:19,439
Speaker 4: the notes we gave her before the break. I thought

999
00:49:19,440 --> 00:49:22,200
Speaker 4: so too, and addressing them in her next version.

1000
00:49:22,360 --> 00:49:24,440
Speaker 1: And it's so strange because for the first time, I

1001
00:49:25,960 --> 00:49:30,959
Speaker 1: always saw Haley's on stage kind of stage presence as

1002
00:49:31,000 --> 00:49:34,040
Speaker 1: a positive and for the first time, I'm kind of

1003
00:49:34,080 --> 00:49:36,040
Speaker 1: seeing the negative sides of it. When it comes to

1004
00:49:36,120 --> 00:49:38,839
Speaker 1: the vo world. She's not working the microphone the way

1005
00:49:39,040 --> 00:49:40,960
Speaker 1: that she used to do. She's kind of all over

1006
00:49:41,000 --> 00:49:43,600
Speaker 1: the place a little bit. I saw that, and so

1007
00:49:43,880 --> 00:49:46,120
Speaker 1: it's this is kind of the first time we're really

1008
00:49:46,120 --> 00:49:46,719
Speaker 1: seeing that.

1009
00:49:46,800 --> 00:49:49,919
Speaker 3: And again, you know, as not to bring down the room.

1010
00:49:49,960 --> 00:49:52,359
Speaker 1: But as Kevin taught me the first time sitting in

1011
00:49:52,400 --> 00:49:54,880
Speaker 1: the booth, it was all about the microphone and this.

1012
00:49:55,000 --> 00:49:56,839
Speaker 1: He's like, this is your best friend while you're in here.

1013
00:49:56,880 --> 00:49:58,440
Speaker 1: It's not me, it's not the people next to you.

1014
00:49:58,480 --> 00:50:00,359
Speaker 1: It is this thing right in front of you. And

1015
00:50:01,640 --> 00:50:03,239
Speaker 1: you know, Mia is right there on the mic the

1016
00:50:03,280 --> 00:50:07,200
Speaker 1: whole time, and Haley is acting, which is great, but

1017
00:50:07,320 --> 00:50:10,240
Speaker 1: it's pulling her away from kind of working the microphone,

1018
00:50:10,239 --> 00:50:11,920
Speaker 1: which is a you know, that's big.

1019
00:50:12,280 --> 00:50:14,719
Speaker 4: It is it also, as I mentioned to her, it

1020
00:50:14,800 --> 00:50:18,279
Speaker 4: slows her down. Yeah, it goes off here somewhere, and

1021
00:50:18,320 --> 00:50:20,680
Speaker 4: then she's got to come back and find the script

1022
00:50:20,680 --> 00:50:24,000
Speaker 4: and find this. So so you know how animation who's

1023
00:50:24,000 --> 00:50:29,120
Speaker 4: so quickly and stuff. She's she's pondering the much.

1024
00:50:29,320 --> 00:50:31,160
Speaker 1: And now the question the question I would add I

1025
00:50:31,160 --> 00:50:34,080
Speaker 1: would I would pose is because we talked about I

1026
00:50:34,120 --> 00:50:35,959
Speaker 1: made this analogy I think it was last week, because

1027
00:50:35,960 --> 00:50:38,560
Speaker 1: now we are nitpicking. There's an old analogy in baseball

1028
00:50:38,600 --> 00:50:40,560
Speaker 1: that two people run to first base and they both

1029
00:50:40,560 --> 00:50:42,560
Speaker 1: get there at the same time. One of them has

1030
00:50:42,600 --> 00:50:44,719
Speaker 1: perfect form, one of them has bad form. Which one

1031
00:50:44,719 --> 00:50:46,440
Speaker 1: do you take? And the answer from the coach is

1032
00:50:46,640 --> 00:50:48,600
Speaker 1: you take the one with bad form, because if you

1033
00:50:48,680 --> 00:50:50,840
Speaker 1: teach them good form, they're going to eventually beat the

1034
00:50:50,880 --> 00:50:54,600
Speaker 1: other person who had the perfect form. So the question is,

1035
00:50:54,640 --> 00:50:57,680
Speaker 1: do you take somebody where they're not working the microphone right,

1036
00:50:57,719 --> 00:51:01,799
Speaker 1: but maybe they're slightly better actors and teach them how

1037
00:51:01,800 --> 00:51:03,919
Speaker 1: to work the microphone. Would that, in the long run

1038
00:51:03,960 --> 00:51:05,520
Speaker 1: make them better or do you make do you take

1039
00:51:05,560 --> 00:51:09,200
Speaker 1: the person who is working the microphone right but maybe

1040
00:51:09,320 --> 00:51:11,080
Speaker 1: doesn't have the same acting chops.

1041
00:51:11,280 --> 00:51:12,719
Speaker 4: You know, this is the same thing that I used

1042
00:51:12,719 --> 00:51:15,080
Speaker 4: to deal with when we were in taking acting classes

1043
00:51:15,120 --> 00:51:18,600
Speaker 4: in college. I'm like, how do you grade? Do you

1044
00:51:18,640 --> 00:51:20,920
Speaker 4: grade them because when they started they were really crap

1045
00:51:21,000 --> 00:51:24,439
Speaker 4: and now they're passable? Or do you take the person

1046
00:51:24,480 --> 00:51:26,080
Speaker 4: who was a really good actor from the beginning and

1047
00:51:26,080 --> 00:51:27,839
Speaker 4: it is equally as good an actor at the end.

1048
00:51:28,000 --> 00:51:31,600
Speaker 4: Who gets the better grade? Who it's the same issue.

1049
00:51:32,480 --> 00:51:36,040
Speaker 4: It's for your purposes. You. It seems to me you

1050
00:51:36,120 --> 00:51:41,440
Speaker 4: were intending to take these people somewhere meaning growth, sure,

1051
00:51:42,120 --> 00:51:46,640
Speaker 4: wanting them to perceive what it is to get direction

1052
00:51:46,840 --> 00:51:51,520
Speaker 4: and how to use it. Yeah, intimidating you. So I

1053
00:51:51,560 --> 00:51:54,200
Speaker 4: really want can we run one more pass from both

1054
00:51:54,239 --> 00:51:54,520
Speaker 4: of them?

1055
00:51:54,719 --> 00:51:55,359
Speaker 2: We can, sure.

1056
00:51:55,600 --> 00:51:57,319
Speaker 1: I think one of the other things that we've we've

1057
00:51:57,320 --> 00:51:59,160
Speaker 1: always said, and we've been keeping this in our mind

1058
00:51:59,160 --> 00:52:02,200
Speaker 1: as well, trying to find somebody that can win this

1059
00:52:02,280 --> 00:52:05,240
Speaker 1: contest on Monday and be in a professional booth working

1060
00:52:05,280 --> 00:52:05,880
Speaker 1: on Tuesday.

1061
00:52:07,160 --> 00:52:08,160
Speaker 2: So that's the other thing.

1062
00:52:08,040 --> 00:52:13,520
Speaker 4: That what negative these ladies have for you in that goal?

1063
00:52:13,680 --> 00:52:16,040
Speaker 2: I don't at this point, it's not so much.

1064
00:52:16,080 --> 00:52:18,320
Speaker 3: I mean, again, if I'm if we're nitpicking.

1065
00:52:18,440 --> 00:52:21,200
Speaker 1: I thought that Haley's second round was not nearly as

1066
00:52:21,239 --> 00:52:22,520
Speaker 1: good as her first.

1067
00:52:22,800 --> 00:52:25,640
Speaker 2: I thought some of the choices she made slowed her down.

1068
00:52:25,960 --> 00:52:29,239
Speaker 1: I thought the energy was a little bit lacking where

1069
00:52:29,280 --> 00:52:32,239
Speaker 1: I thought some I thought Mia took the directions that

1070
00:52:32,280 --> 00:52:37,120
Speaker 1: you gave her and it upped the performance the second round.

1071
00:52:38,640 --> 00:52:41,479
Speaker 1: So you know that, I mean again, that's that would

1072
00:52:41,520 --> 00:52:43,840
Speaker 1: be the only negative I would take away is I think, Hailey,

1073
00:52:44,880 --> 00:52:47,440
Speaker 1: it's almost and again this is from theater. You're you

1074
00:52:47,560 --> 00:52:51,920
Speaker 1: almost start overthinking the performance and then you're trying to

1075
00:52:52,000 --> 00:52:53,879
Speaker 1: force beats that aren't necessarily there.

1076
00:52:54,160 --> 00:52:57,480
Speaker 4: There's that will and there's also she's doing physical things

1077
00:52:57,520 --> 00:52:59,759
Speaker 4: that when you look at it, it works, but of

1078
00:52:59,760 --> 00:53:02,200
Speaker 4: course when we only get the vocal track afterwards, it's

1079
00:53:02,239 --> 00:53:02,680
Speaker 4: not there.

1080
00:53:02,880 --> 00:53:04,600
Speaker 2: Sure so sure all.

1081
00:53:04,440 --> 00:53:06,719
Speaker 4: Her gesturing and all of her stuff that she's doing,

1082
00:53:07,040 --> 00:53:10,520
Speaker 4: unless it actually comes through in the voice, it's it's extreme.

1083
00:53:10,440 --> 00:53:12,840
Speaker 3: Right if you're I mean again, I go to Mark Hamill.

1084
00:53:12,920 --> 00:53:15,280
Speaker 1: You see the way that Mark Hamill is is working

1085
00:53:15,280 --> 00:53:17,799
Speaker 1: the microphone and he's just he's gesticulating all over the.

1086
00:53:17,800 --> 00:53:20,839
Speaker 2: Place, but everything is into the microphone.

1087
00:53:21,360 --> 00:53:24,160
Speaker 1: So it adds to the performance as opposed to now

1088
00:53:24,200 --> 00:53:26,279
Speaker 1: you're over here and now my face is this way,

1089
00:53:26,320 --> 00:53:29,279
Speaker 1: and now so it's you know, Matt Mercer, you know,

1090
00:53:29,320 --> 00:53:32,520
Speaker 1: towards the end of ThunderCats, was was nailing the performance

1091
00:53:32,600 --> 00:53:34,759
Speaker 1: while all over the I mean you'd have we'd move

1092
00:53:34,760 --> 00:53:36,360
Speaker 1: our chairs away because we thought we'd be punched in

1093
00:53:36,360 --> 00:53:39,360
Speaker 1: the face. So it's you can find the combination of

1094
00:53:39,400 --> 00:53:42,320
Speaker 1: the two. I just don't think that last take showed

1095
00:53:42,320 --> 00:53:42,799
Speaker 1: it for her.

1096
00:53:43,160 --> 00:53:45,359
Speaker 4: I agree, So I mean depending, I don't know how

1097
00:53:45,640 --> 00:53:47,279
Speaker 4: what your next plan is after this, but I mean

1098
00:53:47,320 --> 00:53:50,200
Speaker 4: we could just run another paths just with Haley having

1099
00:53:50,239 --> 00:53:51,400
Speaker 4: her do it without accent.

1100
00:53:52,680 --> 00:53:53,239
Speaker 2: We can't.

1101
00:53:53,280 --> 00:53:54,800
Speaker 1: I mean, normally, what we would do right now is

1102
00:53:54,840 --> 00:53:56,760
Speaker 1: we would switch and have them both through the blast.

1103
00:53:57,160 --> 00:54:00,160
Speaker 1: But but again, we're trying to find the best person here.

1104
00:54:00,239 --> 00:54:01,680
Speaker 1: So if you want to go back and you would

1105
00:54:01,760 --> 00:54:05,239
Speaker 1: rather run it with them one more time each, you're

1106
00:54:05,239 --> 00:54:05,879
Speaker 1: the guest judge.

1107
00:54:05,920 --> 00:54:06,640
Speaker 2: I have no problem.

1108
00:54:06,680 --> 00:54:09,239
Speaker 4: Don't mind moving on and making that change if you

1109
00:54:09,239 --> 00:54:11,719
Speaker 4: want to. I just think that I think she can

1110
00:54:11,760 --> 00:54:14,480
Speaker 4: do it better. That's all right. I really don't have

1111
00:54:14,520 --> 00:54:16,440
Speaker 4: any additional notes for me on it, and Meia took

1112
00:54:16,440 --> 00:54:18,880
Speaker 4: the notes and did exactly what I wanted. And I

1113
00:54:18,960 --> 00:54:24,880
Speaker 4: just think Haley she could do a better job. I

1114
00:54:24,880 --> 00:54:26,560
Speaker 4: think she can do better. Then we can tell them

1115
00:54:26,600 --> 00:54:27,839
Speaker 4: we'll have a better gauge of.

1116
00:54:27,800 --> 00:54:29,560
Speaker 2: Who's so is that what you'd want to do.

1117
00:54:29,600 --> 00:54:32,600
Speaker 1: I'm wondering if we're being so essentially, the only reason

1118
00:54:32,640 --> 00:54:34,520
Speaker 1: we're not doing this and giving me a more.

1119
00:54:34,320 --> 00:54:36,240
Speaker 2: Direction is because she doesn't need it correct.

1120
00:54:36,800 --> 00:54:39,360
Speaker 1: So she did the best version of that performance, and

1121
00:54:39,400 --> 00:54:41,239
Speaker 1: we can judge on that. And now you want to

1122
00:54:41,239 --> 00:54:43,399
Speaker 1: see if you want to if Haley can get that.

1123
00:54:43,880 --> 00:54:45,839
Speaker 2: I do, Okay, No problem is.

1124
00:54:45,760 --> 00:54:47,799
Speaker 4: Will you bring up a really good point, which is,

1125
00:54:48,000 --> 00:54:49,600
Speaker 4: you know, sometimes you'd sit there in a cast of

1126
00:54:49,719 --> 00:54:52,600
Speaker 4: you know, six, seven, eight people around you, and somebody

1127
00:54:52,600 --> 00:54:54,560
Speaker 4: got a whole bunch of notes and somebody didn't get

1128
00:54:54,560 --> 00:54:57,319
Speaker 4: any notes, and they were like, why why didn't I

1129
00:54:57,320 --> 00:55:01,160
Speaker 4: get any notes? Because you did it right right, because

1130
00:55:01,160 --> 00:55:03,080
Speaker 4: it got so I don't want her to feel like

1131
00:55:03,080 --> 00:55:05,839
Speaker 4: we're punishing her for getting it right. But we don't

1132
00:55:05,840 --> 00:55:08,160
Speaker 4: have to do the whole thing with Haley. We can

1133
00:55:08,239 --> 00:55:11,080
Speaker 4: just do let's just do page two.

1134
00:55:11,360 --> 00:55:12,480
Speaker 2: Okay, you got no again.

1135
00:55:12,520 --> 00:55:14,640
Speaker 1: We're trying to find the best person here, so you

1136
00:55:14,640 --> 00:55:18,080
Speaker 1: know we're we we want the best version of everybody

1137
00:55:18,120 --> 00:55:19,200
Speaker 1: so we can judge it properly.

1138
00:55:19,239 --> 00:55:20,319
Speaker 3: I don't have a problem with that at all.

1139
00:55:20,560 --> 00:55:22,200
Speaker 1: So, yeah, why don't we bring Haley back in real

1140
00:55:22,239 --> 00:55:23,680
Speaker 1: quick and We're just going to run page two with

1141
00:55:23,719 --> 00:55:29,439
Speaker 1: her again and then you flip right, Hey, Haley, hell, hey,

1142
00:55:29,480 --> 00:55:31,080
Speaker 1: we want to do one more thing with you, if

1143
00:55:31,120 --> 00:55:31,600
Speaker 1: that's all right?

1144
00:55:31,960 --> 00:55:33,960
Speaker 3: Yeah, please, Andrea, please take it away.

1145
00:55:34,000 --> 00:55:37,600
Speaker 4: Yes, I want you to run just page two, and

1146
00:55:37,640 --> 00:55:42,279
Speaker 4: this time I want to do the performance without the accent. Yes,

1147
00:55:42,280 --> 00:55:44,080
Speaker 4: just to hear what it sounds like if you just

1148
00:55:44,239 --> 00:55:46,640
Speaker 4: play the scene with your own voice, essentially, but with

1149
00:55:46,800 --> 00:55:49,680
Speaker 4: superhero energy. Yeah, just take the scene.

1150
00:55:49,680 --> 00:55:52,319
Speaker 6: The same notes and everything is before, Yeah, exactly, all

1151
00:55:52,360 --> 00:55:53,040
Speaker 6: the same notes.

1152
00:55:54,680 --> 00:55:58,279
Speaker 4: I just want to run it from just all page two. Ye.

1153
00:55:58,520 --> 00:56:00,080
Speaker 4: So will you start us off?

1154
00:56:00,160 --> 00:56:01,279
Speaker 2: Yeah, yes, ma'am, here we go.

1155
00:56:02,880 --> 00:56:05,239
Speaker 4: Ready, Yeah, that's do it.

1156
00:56:06,520 --> 00:56:08,160
Speaker 2: And who exactly are you?

1157
00:56:09,520 --> 00:56:12,440
Speaker 6: Well, I suppose it would be impolite to give you

1158
00:56:12,480 --> 00:56:15,919
Speaker 6: a butt woman without properly introducing myself. First. My name

1159
00:56:16,680 --> 00:56:20,640
Speaker 6: is Cardinal, I'm new in town, and you are.

1160
00:56:21,440 --> 00:56:24,239
Speaker 2: I am the blast offspring of King Thailand and the

1161
00:56:24,280 --> 00:56:27,040
Speaker 2: seventeenth disciple to hold the Monocle of Danubis.

1162
00:56:27,960 --> 00:56:32,319
Speaker 6: That sounds nice. I'm from Louisiana and my mom's name

1163
00:56:32,680 --> 00:56:33,280
Speaker 6: is Flow.

1164
00:56:35,080 --> 00:56:37,239
Speaker 2: I have studied all of the members of the Hero Crew,

1165
00:56:37,280 --> 00:56:39,520
Speaker 2: and you were not listed amongst their ranks.

1166
00:56:40,239 --> 00:56:46,200
Speaker 6: Well, yeah, that's true. Oh I love that word amongst

1167
00:56:46,400 --> 00:56:48,279
Speaker 6: by the way, doesn't get used nearly enough.

1168
00:56:49,200 --> 00:56:49,399
Speaker 2: Right.

1169
00:56:49,400 --> 00:56:51,920
Speaker 6: You see, I was actually on my way here to

1170
00:56:52,000 --> 00:56:55,480
Speaker 6: Vector City to try out for that cool superhero team

1171
00:56:55,880 --> 00:56:58,080
Speaker 6: when I read the gone fishing sign on the front

1172
00:56:58,120 --> 00:56:58,840
Speaker 6: of their headquarters.

1173
00:56:59,480 --> 00:57:00,400
Speaker 2: Gone fishing.

1174
00:57:01,760 --> 00:57:04,640
Speaker 6: Okay, you got me. That was a lie. Now the

1175
00:57:04,680 --> 00:57:09,200
Speaker 6: sign actually said gone to fight some weird looking creep

1176
00:57:09,320 --> 00:57:12,160
Speaker 6: with a single nasty piece of glass in their bright

1177
00:57:12,200 --> 00:57:15,560
Speaker 6: red eye. Have you seen anything like that around here?

1178
00:57:16,240 --> 00:57:18,280
Speaker 2: You dare mark the Monica of d Nubis.

1179
00:57:19,440 --> 00:57:21,720
Speaker 6: Yeah, I dare.

1180
00:57:22,400 --> 00:57:26,200
Speaker 4: Nice, nice, very good, A valid read just I wanted

1181
00:57:26,200 --> 00:57:27,240
Speaker 4: to hear without the accent.

1182
00:57:28,440 --> 00:57:29,680
Speaker 3: All right, thank you, we'll be back.

1183
00:57:30,000 --> 00:57:32,880
Speaker 4: Okay, you didn't quite get there.

1184
00:57:33,200 --> 00:57:33,680
Speaker 2: I agree.

1185
00:57:34,360 --> 00:57:37,280
Speaker 3: Performing for the camera, I agree for the live audience,

1186
00:57:37,440 --> 00:57:40,360
Speaker 3: I agree. And and again it's it's a uh, it's

1187
00:57:40,400 --> 00:57:41,080
Speaker 3: a theater thing.

1188
00:57:41,480 --> 00:57:45,000
Speaker 4: It is. It is. It is typically theater actors because

1189
00:57:45,000 --> 00:57:47,880
Speaker 4: they're they're willing to boost the energy of things for

1190
00:57:48,000 --> 00:57:51,240
Speaker 4: on stage work. You get the energy for animation better.

1191
00:57:51,520 --> 00:57:53,560
Speaker 4: It's just that she's focusing on the wrong things.

1192
00:57:53,760 --> 00:57:57,360
Speaker 1: Yes, and again that's this is where the disconnect happens,

1193
00:57:57,400 --> 00:58:01,560
Speaker 1: because that can be taught. But that's not necessary. We're

1194
00:58:01,560 --> 00:58:03,680
Speaker 1: not looking for a diamond in the rough. We're looking

1195
00:58:03,720 --> 00:58:11,000
Speaker 1: for somebody that can jump in the booth. Day one.

1196
00:58:13,960 --> 00:58:16,280
Speaker 1: Let's do a run where we're gonna flip them. But

1197
00:58:16,360 --> 00:58:18,880
Speaker 1: what we're gonna do because we don't want to just

1198
00:58:18,960 --> 00:58:21,560
Speaker 1: keep going back and forth, I'd like you to say

1199
00:58:21,600 --> 00:58:23,880
Speaker 1: heads are tails if you would, And I'm going to

1200
00:58:23,920 --> 00:58:27,120
Speaker 1: be using Boy Meets World season five, which excellent Rider

1201
00:58:27,200 --> 00:58:29,440
Speaker 1: Strong on the cover, and we're going to see so

1202
00:58:29,920 --> 00:58:33,320
Speaker 1: heads will be Mia and tails will be Hailey. So

1203
00:58:33,480 --> 00:58:38,080
Speaker 1: heads are tails, please hails? It is heads?

1204
00:58:38,320 --> 00:58:38,880
Speaker 4: All right? Then?

1205
00:58:40,840 --> 00:58:43,400
Speaker 2: So I think that was Mia? Was it not said?

1206
00:58:43,440 --> 00:58:46,480
Speaker 2: All right? Let's bring Mia in every time.

1207
00:58:46,480 --> 00:58:48,520
Speaker 1: I'm sorry, I see Rider Strong's luscious locks and I

1208
00:58:48,520 --> 00:58:49,640
Speaker 1: cannot think of anything.

1209
00:58:52,440 --> 00:58:58,360
Speaker 2: All right, here we go, Hi, Miash, Hello, how are

1210
00:58:58,360 --> 00:59:04,680
Speaker 2: you fine? How are you? So? If you gotta do that,

1211
00:59:04,720 --> 00:59:06,480
Speaker 2: you gotta occasionally got to have your own sound effects

1212
00:59:06,480 --> 00:59:07,280
Speaker 2: when you come into the room.

1213
00:59:07,800 --> 00:59:09,360
Speaker 1: We are going to throw a little curveball at you,

1214
00:59:09,360 --> 00:59:12,040
Speaker 1: if that's okay, Yeah, yeah, And we are going to

1215
00:59:12,200 --> 00:59:13,000
Speaker 1: switch rolls.

1216
00:59:13,960 --> 00:59:16,960
Speaker 6: Nah, I get to be the villain, so you.

1217
00:59:16,960 --> 00:59:19,400
Speaker 2: Are the blast. We are just going to run it

1218
00:59:19,560 --> 00:59:21,840
Speaker 2: one time and then maybe if there's a pickup we

1219
00:59:21,880 --> 00:59:23,880
Speaker 2: need to do, but it is going to be quick through.

1220
00:59:24,680 --> 00:59:25,680
Speaker 2: You are the blast.

1221
00:59:25,920 --> 00:59:28,160
Speaker 1: I would also say that this is important since maybe

1222
00:59:28,240 --> 00:59:32,480
Speaker 1: you might not be as familiar with the material. If

1223
00:59:32,520 --> 00:59:35,880
Speaker 1: you do stumble the line, just stop and do the

1224
00:59:35,880 --> 00:59:38,439
Speaker 1: line again, so we're we're not kind of rushing through,

1225
00:59:38,680 --> 00:59:40,320
Speaker 1: and then you can get the performance that you want

1226
00:59:40,880 --> 00:59:41,480
Speaker 1: fair enough.

1227
00:59:41,600 --> 00:59:42,920
Speaker 5: Would you like me to Mega Guy too?

1228
00:59:43,720 --> 00:59:44,120
Speaker 2: Please?

1229
00:59:44,480 --> 00:59:48,000
Speaker 1: Okay, that would be wonderful. So yes, whatever you want

1230
00:59:48,000 --> 00:59:49,360
Speaker 1: to do, and we will go from there.

1231
00:59:49,640 --> 00:59:53,000
Speaker 6: Okay, a.

1232
00:59:55,440 --> 00:59:59,760
Speaker 7: End, Thus the end of Mega Guy. You know, when

1233
00:59:59,800 --> 01:00:02,400
Speaker 7: I came to this planet, I was told that the

1234
01:00:02,440 --> 01:00:07,000
Speaker 7: Hero Crew were the most powerful beings in the entire universe.

1235
01:00:07,800 --> 01:00:10,240
Speaker 7: I must admit that I am disappointed.

1236
01:00:12,760 --> 01:00:13,840
Speaker 4: There is no one.

1237
01:00:13,640 --> 01:00:22,600
Speaker 2: Here who can beat me. Ah well, judging by the

1238
01:00:22,640 --> 01:00:25,840
Speaker 2: looks of things, you're doing a wee bit of redecorating.

1239
01:00:26,160 --> 01:00:27,960
Speaker 7: And who exactly are you?

1240
01:00:29,360 --> 01:00:31,080
Speaker 2: Well, I suppose it would be impolite to give you

1241
01:00:31,120 --> 01:00:34,680
Speaker 2: a butt weapon without properly introducing myself. First, my name

1242
01:00:34,720 --> 01:00:37,800
Speaker 2: is Cardinal and I'm new in town and you.

1243
01:00:37,760 --> 01:00:43,400
Speaker 7: Are I am the blast, offspring of King Thailand in

1244
01:00:43,560 --> 01:00:47,440
Speaker 7: seventeenth disciple to hold the monocle of Danubis.

1245
01:00:48,280 --> 01:00:51,120
Speaker 2: That sounds nice. I'm from Louisiana. My mom's name's Flow.

1246
01:00:53,000 --> 01:00:55,560
Speaker 7: I have studied all the members of the Hero Crew,

1247
01:00:55,600 --> 01:00:58,800
Speaker 7: and you were not listed amongst their ranks.

1248
01:00:59,360 --> 01:01:00,000
Speaker 2: Well that's true.

1249
01:01:00,200 --> 01:01:01,040
Speaker 3: I mean, I guess.

1250
01:01:01,200 --> 01:01:02,440
Speaker 2: I love that word a monks. By the way, it

1251
01:01:02,440 --> 01:01:03,520
Speaker 2: doesn't get used nearly enough.

1252
01:01:03,640 --> 01:01:05,480
Speaker 1: You see, I was actually on my way here to

1253
01:01:05,560 --> 01:01:08,040
Speaker 1: Vector City to try out for that cool superhero team

1254
01:01:08,120 --> 01:01:09,680
Speaker 1: when I I'm gonna see I'm.

1255
01:01:09,560 --> 01:01:12,960
Speaker 2: Gona do that again. Well, that's true, and I love

1256
01:01:13,000 --> 01:01:14,400
Speaker 2: that word a monks. By the way, it does not

1257
01:01:14,400 --> 01:01:15,640
Speaker 2: get used nearly enough anyway.

1258
01:01:15,760 --> 01:01:18,000
Speaker 1: Yes, you see, I was actually on my way here

1259
01:01:18,040 --> 01:01:20,360
Speaker 1: to Vector City to try out for that cool superhero

1260
01:01:20,400 --> 01:01:22,800
Speaker 1: team when I read the gone fishing sign on the

1261
01:01:22,800 --> 01:01:24,240
Speaker 1: front of their headquarters.

1262
01:01:25,200 --> 01:01:26,560
Speaker 7: Gone fishing?

1263
01:01:27,240 --> 01:01:29,680
Speaker 2: Okay, all right, that's that was a lie. The sign

1264
01:01:29,720 --> 01:01:31,720
Speaker 2: actually said gone to fight some weird looking creep with

1265
01:01:31,720 --> 01:01:33,840
Speaker 2: a single nasty piece of glass in their bright red eye.

1266
01:01:34,680 --> 01:01:36,320
Speaker 4: You seen anyone like that around here?

1267
01:01:37,960 --> 01:01:44,280
Speaker 7: You damn up the monocle of danubish Yeah, dare no.

1268
01:01:47,040 --> 01:01:47,320
Speaker 2: Hah.

1269
01:01:48,000 --> 01:01:51,040
Speaker 7: That was but a taste of my power. I would

1270
01:01:51,080 --> 01:01:53,520
Speaker 7: have ended you, but I hope you don't mind if

1271
01:01:53,520 --> 01:01:59,600
Speaker 7: I make this last. I really want to savor this victory.

1272
01:02:01,160 --> 01:02:05,160
Speaker 2: Ah. Yeah, you gotta be the victor first their sport.

1273
01:02:06,480 --> 01:02:07,720
Speaker 6: How is that possible?

1274
01:02:08,160 --> 01:02:11,560
Speaker 5: Even at low power? You shouldn't be able to Let

1275
01:02:11,560 --> 01:02:12,040
Speaker 5: me try again?

1276
01:02:12,280 --> 01:02:12,520
Speaker 2: Yep?

1277
01:02:13,920 --> 01:02:16,400
Speaker 6: How is that possible? Even at low power?

1278
01:02:16,440 --> 01:02:19,000
Speaker 5: You shouldn't be able to stand after a blast like that.

1279
01:02:19,920 --> 01:02:21,919
Speaker 2: I eat a lot of wheaties that might have something

1280
01:02:21,960 --> 01:02:22,400
Speaker 2: to do with it.

1281
01:02:23,160 --> 01:02:25,920
Speaker 7: I do not understand.

1282
01:02:27,440 --> 01:02:28,120
Speaker 2: I do it again.

1283
01:02:29,640 --> 01:02:32,040
Speaker 7: I do not understand the reference.

1284
01:02:33,800 --> 01:02:35,120
Speaker 2: Yeah, go ahead, I'm sorry.

1285
01:02:35,480 --> 01:02:39,920
Speaker 7: No, I do not understand the reference.

1286
01:02:40,680 --> 01:02:41,920
Speaker 3: No, I imagine you wouldn't.

1287
01:02:41,960 --> 01:02:44,160
Speaker 2: But that's okay. Now, if you don't mind too much,

1288
01:02:44,200 --> 01:02:46,120
Speaker 2: I'm just gonna send you back to wherever it is

1289
01:02:46,160 --> 01:02:46,760
Speaker 2: you came from.

1290
01:02:47,760 --> 01:02:49,400
Speaker 5: I wish you the best of luck with that.

1291
01:02:50,360 --> 01:02:52,680
Speaker 2: What now? Why why would you wish me luck to

1292
01:02:52,760 --> 01:02:53,280
Speaker 2: kick your butt?

1293
01:02:54,560 --> 01:02:56,800
Speaker 6: I do not know well enough of this.

1294
01:03:00,520 --> 01:03:18,160
Speaker 2: Yeah, dah, and this should just about wrap it up.

1295
01:03:20,440 --> 01:03:25,960
Speaker 7: Yeah, what's it gonna be, Cardinal me or all of

1296
01:03:26,000 --> 01:03:27,440
Speaker 7: these people on the bridge?

1297
01:03:29,160 --> 01:03:29,520
Speaker 9: Hmmm?

1298
01:03:30,040 --> 01:03:30,720
Speaker 2: I thought so.

1299
01:03:32,320 --> 01:03:33,040
Speaker 3: Catch it later.

1300
01:03:34,680 --> 01:03:41,600
Speaker 6: Allegated goods variety a completely different character for you than

1301
01:03:41,640 --> 01:03:42,480
Speaker 6: what you did before.

1302
01:03:44,200 --> 01:03:49,840
Speaker 4: I want to do two little pickups. One is oh,

1303
01:03:49,920 --> 01:03:53,560
Speaker 4: page Barber, page two, You dare mock the Monocle of Danubis.

1304
01:03:53,840 --> 01:03:55,840
Speaker 4: I want to do three in a row, and I

1305
01:03:55,880 --> 01:03:58,400
Speaker 4: want to use that nice deeper part of your range

1306
01:03:58,400 --> 01:04:00,240
Speaker 4: that you were using right at the very beginning at

1307
01:04:00,240 --> 01:04:04,120
Speaker 4: this copy. I want to have the anger you're insulted,

1308
01:04:04,840 --> 01:04:07,520
Speaker 4: and I want to get three different versions of how

1309
01:04:07,680 --> 01:04:08,200
Speaker 4: dare you?

1310
01:04:08,320 --> 01:04:17,120
Speaker 13: Essentially three in a row already, you dare mock the

1311
01:04:17,200 --> 01:04:18,560
Speaker 13: Monocle of Danubis.

1312
01:04:19,760 --> 01:04:24,680
Speaker 7: You dare mock the Monocle of Danubis. You dare mock

1313
01:04:24,800 --> 01:04:26,840
Speaker 7: the Monocle of Danubis.

1314
01:04:29,920 --> 01:04:34,880
Speaker 4: That I love that very good. And then there was, oh, oh,

1315
01:04:35,040 --> 01:04:37,600
Speaker 4: the LINEY gave you trouble. I do not understand the reference.

1316
01:04:38,120 --> 01:04:40,640
Speaker 4: When we very first started doing the take, it was

1317
01:04:40,800 --> 01:04:45,080
Speaker 4: a very William Shatner read. It was I do not understand,

1318
01:04:45,680 --> 01:04:46,280
Speaker 4: and I like that.

1319
01:04:46,360 --> 01:04:47,080
Speaker 9: I liked what I was going.

1320
01:04:47,080 --> 01:04:50,520
Speaker 4: And then you stumbled or you didn't finish with the reference.

1321
01:04:51,080 --> 01:04:51,760
Speaker 2: I cut it off.

1322
01:04:51,880 --> 01:04:53,680
Speaker 5: I have my game blown up on a specific way.

1323
01:04:53,800 --> 01:04:55,520
Speaker 5: I literally cut off the last two words, so I

1324
01:04:55,520 --> 01:04:56,480
Speaker 5: thought that was the whole line.

1325
01:04:56,600 --> 01:04:58,760
Speaker 4: I was like, I get it, I get it, but

1326
01:04:58,880 --> 01:05:01,400
Speaker 4: I loved where you were going because it was it's

1327
01:05:01,480 --> 01:05:03,760
Speaker 4: not wrong for it to be a William Shatner eskue.

1328
01:05:05,000 --> 01:05:08,800
Speaker 2: Oh my god, please, so will would you read.

1329
01:05:08,640 --> 01:05:09,440
Speaker 4: Her into it? Please?

1330
01:05:09,480 --> 01:05:09,640
Speaker 5: With that?

1331
01:05:09,720 --> 01:05:11,880
Speaker 4: Might I eat a lot of and then again, I

1332
01:05:11,880 --> 01:05:13,440
Speaker 4: want you to do three and at least one of

1333
01:05:13,440 --> 01:05:15,880
Speaker 4: them with that hesitant to read you know what I mean? Yes,

1334
01:05:16,800 --> 01:05:18,200
Speaker 4: so he's gonna read you once. You're gonna do it

1335
01:05:18,200 --> 01:05:18,840
Speaker 4: three times.

1336
01:05:19,920 --> 01:05:22,120
Speaker 3: I eat a lot of wheaties. That might have something

1337
01:05:22,120 --> 01:05:22,640
Speaker 3: to do with it.

1338
01:05:23,480 --> 01:05:30,040
Speaker 7: I do not understand the reference. I do not understand

1339
01:05:30,200 --> 01:05:35,680
Speaker 7: the reference. I do not understand the reference.

1340
01:05:37,760 --> 01:05:45,640
Speaker 4: What did you? I like it? We'll be back with you,

1341
01:05:45,640 --> 01:05:48,120
Speaker 4: you bet? How fun?

1342
01:05:48,520 --> 01:05:49,200
Speaker 2: Totally different?

1343
01:05:50,560 --> 01:05:53,280
Speaker 4: Shocked me when she spoke the first line. I was like,

1344
01:05:53,560 --> 01:05:55,360
Speaker 4: this is a girl with a character voice. She's got

1345
01:05:55,360 --> 01:05:58,120
Speaker 4: a cute little voice. She's got more variety than I thought.

1346
01:05:58,400 --> 01:06:01,600
Speaker 3: Yeah, great, great, like teen superhero sound too.

1347
01:06:01,800 --> 01:06:06,680
Speaker 4: Absolutely and variety within it. You know.

1348
01:06:08,080 --> 01:06:09,840
Speaker 2: Well, let's see what We'll see what he can do.

1349
01:06:09,920 --> 01:06:14,040
Speaker 2: We'll bring Haley back in. Hey, Hey, Haley, hello, how

1350
01:06:14,080 --> 01:06:14,560
Speaker 2: are you all right?

1351
01:06:14,600 --> 01:06:16,800
Speaker 1: So we're gonna throw something at you real quick, okay,

1352
01:06:17,080 --> 01:06:19,920
Speaker 1: and you and I are going to switch rolls. So

1353
01:06:20,160 --> 01:06:22,400
Speaker 1: you're gonna be the You're gonna be the blast and

1354
01:06:22,680 --> 01:06:25,800
Speaker 1: I am going to be Cardinal amazing.

1355
01:06:26,120 --> 01:06:27,880
Speaker 2: Okay, yeah, I love that.

1356
01:06:28,480 --> 01:06:31,040
Speaker 1: All right, So can you start with Mega Guy and

1357
01:06:31,080 --> 01:06:32,320
Speaker 1: we will read it straight through once?

1358
01:06:32,520 --> 01:06:32,720
Speaker 6: Yeah?

1359
01:06:32,720 --> 01:06:34,439
Speaker 2: Sure, anytime, go ahead.

1360
01:06:40,400 --> 01:06:45,120
Speaker 6: And thus the end of Mega Guy. You know, when

1361
01:06:45,120 --> 01:06:46,960
Speaker 6: I came to this planet, I was told that the

1362
01:06:47,200 --> 01:06:51,720
Speaker 6: Hero Crew were the most powerful beings in this entire universe.

1363
01:06:52,440 --> 01:06:58,560
Speaker 6: I must admit that I'm disappointed. There is no one

1364
01:06:58,680 --> 01:07:00,520
Speaker 6: here who can best me.

1365
01:07:05,920 --> 01:07:07,760
Speaker 2: Judge you. By the looks of things, you're doing a

1366
01:07:07,760 --> 01:07:10,000
Speaker 2: wee bit at redecorating.

1367
01:07:10,080 --> 01:07:12,760
Speaker 6: And who exactly are you?

1368
01:07:13,840 --> 01:07:15,640
Speaker 2: Well, I suppose it would be impolite to give you

1369
01:07:15,680 --> 01:07:19,080
Speaker 2: a butt whoopon without properly introducing myself. First, my name

1370
01:07:19,120 --> 01:07:22,080
Speaker 2: is Cardinal. I'm new in town, and you are.

1371
01:07:23,160 --> 01:07:28,320
Speaker 8: I am the blast spring of King Thailod and seventeenth

1372
01:07:28,400 --> 01:07:32,360
Speaker 8: disciple to hold the monocle of the New bas Well.

1373
01:07:32,360 --> 01:07:35,439
Speaker 2: That sure sounds nice. I'm from Louisiana. My mom's name's Flow.

1374
01:07:36,800 --> 01:07:40,200
Speaker 6: I studied all the members of the Hero Crew, and

1375
01:07:40,440 --> 01:07:43,720
Speaker 6: you were not listed amongst their ranks.

1376
01:07:44,120 --> 01:07:46,240
Speaker 2: Well, yeah, that's true, and I love that word amongst

1377
01:07:46,240 --> 01:07:48,120
Speaker 2: By the way, it doesn't get used nearly enough. You see,

1378
01:07:48,240 --> 01:07:50,280
Speaker 2: I was actually on my way here to Vector City

1379
01:07:50,280 --> 01:07:52,240
Speaker 2: to try out for that cool superhero team. When I

1380
01:07:52,240 --> 01:07:56,040
Speaker 2: read the gun fishing sign in the front of their headquarters.

1381
01:07:55,800 --> 01:07:57,520
Speaker 6: Gone fishing.

1382
01:07:58,760 --> 01:08:00,880
Speaker 1: Okay, yeah, that was a lot, and actually said gona

1383
01:08:00,880 --> 01:08:02,720
Speaker 1: fight some weird looking creep with a single nasty piece

1384
01:08:02,720 --> 01:08:03,760
Speaker 1: of glass in their bright red eye.

1385
01:08:04,760 --> 01:08:06,160
Speaker 2: Seen anyone like that around here?

1386
01:08:06,840 --> 01:08:11,000
Speaker 6: You dah mock the monocle of Denubis?

1387
01:08:11,400 --> 01:08:20,880
Speaker 2: Yeah, I dare a. Oh ah, that was but a

1388
01:08:20,920 --> 01:08:22,320
Speaker 2: taste of my power.

1389
01:08:22,960 --> 01:08:25,800
Speaker 6: I would have ended you, but I hope you don't

1390
01:08:25,880 --> 01:08:29,559
Speaker 6: mind if I make this last. I really want to

1391
01:08:29,720 --> 01:08:31,240
Speaker 6: savor this victory.

1392
01:08:33,640 --> 01:08:36,960
Speaker 2: Noah, you gotta be the victor first their sport.

1393
01:08:37,680 --> 01:08:38,360
Speaker 6: Is this possible?

1394
01:08:39,200 --> 01:08:40,160
Speaker 2: Even at low power?

1395
01:08:40,200 --> 01:08:42,439
Speaker 6: You shouldn't be able to stand after a blast like that.

1396
01:08:43,240 --> 01:08:45,320
Speaker 2: I eat a lot of wheaties. That might have something

1397
01:08:45,320 --> 01:08:50,120
Speaker 2: to do with it. I do not understand that reference. No, No,

1398
01:08:50,200 --> 01:08:52,479
Speaker 2: I imagine you wouldn't. But that's okay. If you don't

1399
01:08:52,520 --> 01:08:54,479
Speaker 2: mind too much, I'm just gonna send you back to

1400
01:08:54,479 --> 01:08:55,639
Speaker 2: wherever it is you came from.

1401
01:08:56,360 --> 01:08:58,160
Speaker 6: I wish you the best of luck with that.

1402
01:08:59,360 --> 01:09:01,720
Speaker 2: Why Why would you wish me luck to kick your butt?

1403
01:09:04,120 --> 01:09:05,280
Speaker 6: I don't know, I don't know.

1404
01:09:10,720 --> 01:09:25,599
Speaker 9: Yeah, and it should just about wrap it up.

1405
01:09:26,720 --> 01:09:32,720
Speaker 6: Mm hmmm, well is it going to be a cardinal

1406
01:09:34,479 --> 01:09:40,280
Speaker 6: or all those people on the bridge? I thought so,

1407
01:09:42,080 --> 01:09:42,800
Speaker 6: catchu later?

1408
01:09:44,439 --> 01:09:50,040
Speaker 12: Really good, Hailey Good usually play the bad guy instantaneously.

1409
01:09:50,720 --> 01:09:54,080
Speaker 4: You thought bad guy British.

1410
01:09:52,960 --> 01:09:55,400
Speaker 6: And I thought bad guy Alien.

1411
01:09:55,640 --> 01:09:57,599
Speaker 4: It just works.

1412
01:09:56,960 --> 01:09:59,240
Speaker 3: Just look at everyone in the Star Wars world.

1413
01:10:01,400 --> 01:10:03,080
Speaker 4: I don't know where that works so well, but it does.

1414
01:10:03,840 --> 01:10:05,519
Speaker 4: There was something you did that I want to just

1415
01:10:05,680 --> 01:10:09,400
Speaker 4: do as a pickup this stage one. Yes, a blast

1416
01:10:09,479 --> 01:10:12,439
Speaker 4: at there's no one here who can best me. I

1417
01:10:12,479 --> 01:10:15,280
Speaker 4: want to do a nice, loud version of that, and

1418
01:10:15,320 --> 01:10:19,479
Speaker 4: then a big insane signature laugh for this character, which

1419
01:10:19,560 --> 01:10:23,719
Speaker 4: gets interrupted by the impacts. You kind of did that naturally,

1420
01:10:23,960 --> 01:10:25,280
Speaker 4: and I want to just make sure that we do

1421
01:10:25,320 --> 01:10:27,240
Speaker 4: it where it doesn't sound it kind of just happened,

1422
01:10:27,240 --> 01:10:31,479
Speaker 4: but you actually intended so yeah, and then impacted.

1423
01:10:31,600 --> 01:10:37,120
Speaker 8: Okay, okay, yes, there is no one here who confessed me.

1424
01:10:43,640 --> 01:10:46,360
Speaker 4: Do it again. That's the right idea. A little bit faster,

1425
01:10:46,880 --> 01:10:49,080
Speaker 4: a little bit louder. I know you're trying to work

1426
01:10:49,120 --> 01:10:50,840
Speaker 4: with the microphone there, but you can do it. So

1427
01:10:51,360 --> 01:10:54,320
Speaker 4: it's it's really I want you to support the voice more.

1428
01:10:54,360 --> 01:11:00,280
Speaker 4: It's not so much volume as heft presence. Yes, get

1429
01:11:00,760 --> 01:11:10,160
Speaker 4: let me do all by itself. Just do your evil laugh. Okay, okay, great,

1430
01:11:10,320 --> 01:11:12,160
Speaker 4: so do it with the line now and the impacts after.

1431
01:11:13,960 --> 01:11:17,320
Speaker 8: There is no one here who confess me.

1432
01:11:23,200 --> 01:11:27,360
Speaker 4: Good. Everybody has to have an evil laugh who wants

1433
01:11:27,360 --> 01:11:31,240
Speaker 4: to work in animation. Of course, very good, well.

1434
01:11:31,080 --> 01:11:34,320
Speaker 2: Done, Thank you very much. We'll be right back with you.

1435
01:11:33,760 --> 01:11:34,920
Speaker 4: Than you, sarbye.

1436
01:11:36,680 --> 01:11:38,400
Speaker 1: I wanted to have the best evil laugh in the world,

1437
01:11:38,400 --> 01:11:39,800
Speaker 1: and then again I did Return of the Joker, and

1438
01:11:39,840 --> 01:11:40,280
Speaker 1: I was like, I'm not.

1439
01:11:40,280 --> 01:11:47,479
Speaker 2: Even gonna try anymore. So better I thought so too.

1440
01:11:47,920 --> 01:11:51,599
Speaker 1: This is also, i mean, the perfect, the quintessential example

1441
01:11:51,680 --> 01:11:55,760
Speaker 1: of how important casting is, because you know, she it

1442
01:11:55,920 --> 01:11:59,320
Speaker 1: was a much better villain than she was a superhero.

1443
01:11:58,960 --> 01:12:01,639
Speaker 4: Absolutely, so that couts to be part of the question too.

1444
01:12:01,680 --> 01:12:03,760
Speaker 4: When you're casting something, you know what role you want

1445
01:12:03,760 --> 01:12:06,840
Speaker 4: them for. Ideally, and just like what happened with Clancy Brown,

1446
01:12:06,880 --> 01:12:09,599
Speaker 4: Clancy came in to read for Superman, did the voice

1447
01:12:09,640 --> 01:12:12,960
Speaker 4: of Superman? Would you read for Lex Luthorn? Yeah, that's

1448
01:12:13,280 --> 01:12:16,040
Speaker 4: your acting was brilliant on Superman, but you certainly sound

1449
01:12:16,080 --> 01:12:18,640
Speaker 4: like a Lex Luthor to me. Yeah, of course, you

1450
01:12:18,680 --> 01:12:21,240
Speaker 4: know it did so because you're looking at a more

1451
01:12:21,439 --> 01:12:23,280
Speaker 4: general thing.

1452
01:12:24,000 --> 01:12:28,599
Speaker 1: Yeah, do you have an opinion, I'm I'm I'm actually

1453
01:12:28,720 --> 01:12:31,439
Speaker 1: shocked with my opinion. I thought Haley was one of

1454
01:12:31,479 --> 01:12:33,360
Speaker 1: the stronger ones in the competition, and I still think

1455
01:12:33,400 --> 01:12:34,360
Speaker 1: she's pretty wonderful.

1456
01:12:34,720 --> 01:12:36,599
Speaker 2: I thought Mia killed it today too.

1457
01:12:37,280 --> 01:12:40,800
Speaker 1: I thought she was did everything and just like you,

1458
01:12:40,880 --> 01:12:42,759
Speaker 1: the second she opened her mouth to do the blast

1459
01:12:42,760 --> 01:12:46,080
Speaker 1: and it was a completely different. I'm also not only

1460
01:12:46,160 --> 01:12:48,360
Speaker 1: did that shock me, but I'm also thinking about the

1461
01:12:48,840 --> 01:12:52,360
Speaker 1: animation business where it is nowadays, and I think with

1462
01:12:52,439 --> 01:12:59,840
Speaker 1: her exuberance and with that tone and her just general tambour,

1463
01:13:00,680 --> 01:13:02,240
Speaker 1: I think she'd work all the time.

1464
01:13:02,640 --> 01:13:04,200
Speaker 4: I do too. I mean, we asked her to do

1465
01:13:04,280 --> 01:13:08,280
Speaker 4: two really different types of characters, one a young superhero,

1466
01:13:08,400 --> 01:13:12,280
Speaker 4: the other is an evil villains, and she I think

1467
01:13:12,479 --> 01:13:15,120
Speaker 4: was able to accomplish both of them. Whereas Haley I

1468
01:13:15,120 --> 01:13:17,080
Speaker 4: think was very good as the villain. But I thought

1469
01:13:17,120 --> 01:13:20,120
Speaker 4: her superhero, which you know, just listening to her talking

1470
01:13:20,120 --> 01:13:22,479
Speaker 4: you would have thought would have been better, but it

1471
01:13:22,680 --> 01:13:24,200
Speaker 4: just wasn't as good.

1472
01:13:24,360 --> 01:13:27,760
Speaker 1: So I agree, I think Mia, I don't disagree with

1473
01:13:27,800 --> 01:13:30,800
Speaker 1: you at all. I'm I'm actually kind of shocked, but

1474
01:13:30,840 --> 01:13:34,160
Speaker 1: I agree. I think Mia just absolutely crushed it today,

1475
01:13:34,479 --> 01:13:36,320
Speaker 1: and I thought Haley was a little bit in her

1476
01:13:36,400 --> 01:13:38,360
Speaker 1: head and I think maybe trying too much.

1477
01:13:38,400 --> 01:13:41,040
Speaker 2: And unfortunately this is you get.

1478
01:13:41,080 --> 01:13:43,200
Speaker 1: You know, sometimes you have you don't have a great day,

1479
01:13:43,400 --> 01:13:45,120
Speaker 1: and that's you know. It's one of the things we've

1480
01:13:45,120 --> 01:13:47,400
Speaker 1: talked about on this on this show is that.

1481
01:13:47,840 --> 01:13:51,679
Speaker 2: All actors have a bad day in the booth. I

1482
01:13:51,720 --> 01:13:52,559
Speaker 2: have them all the time.

1483
01:13:52,640 --> 01:13:57,160
Speaker 4: You just got on right, and oftentimes driving home the

1484
01:13:57,200 --> 01:13:59,439
Speaker 4: performance that they give out loud in the car is

1485
01:13:59,680 --> 01:14:01,400
Speaker 4: tend to better than what they did.

1486
01:14:01,520 --> 01:14:03,839
Speaker 1: And it is the It is the the actor equivalent

1487
01:14:03,880 --> 01:14:05,840
Speaker 1: of getting into a fight with somebody and driving home

1488
01:14:05,880 --> 01:14:11,040
Speaker 1: going that's what I should have said, it is, I

1489
01:14:11,040 --> 01:14:12,120
Speaker 1: have such a good comeback.

1490
01:14:12,160 --> 01:14:14,720
Speaker 2: Now, it's like, exactly exactly.

1491
01:14:15,360 --> 01:14:18,080
Speaker 1: So I agree with you. I think I think you know,

1492
01:14:18,200 --> 01:14:20,000
Speaker 1: Mia won the day. I really do think she won

1493
01:14:20,040 --> 01:14:22,479
Speaker 1: the day. Okay, great, well this and now we do

1494
01:14:22,560 --> 01:14:24,120
Speaker 1: the most awful thing in the world.

1495
01:14:24,160 --> 01:14:26,560
Speaker 4: I hate you have to tell them live now. Yeah,

1496
01:14:26,880 --> 01:14:29,000
Speaker 4: so can we tell them what to work on?

1497
01:14:30,320 --> 01:14:33,000
Speaker 2: You can, absolutely, I think, I think, because again, Haley

1498
01:14:33,040 --> 01:14:36,520
Speaker 2: is also moving to Los Angeles, and she's obviously talented

1499
01:14:36,720 --> 01:14:37,800
Speaker 2: to have gotten this far.

1500
01:14:38,360 --> 01:14:42,400
Speaker 1: Her villain was great. I mean it really was. Her

1501
01:14:42,479 --> 01:14:44,439
Speaker 1: villain was muy. I think you said it exactly right.

1502
01:14:44,439 --> 01:14:47,759
Speaker 1: Her villain was much better than her superhero, whereas both

1503
01:14:47,760 --> 01:14:49,760
Speaker 1: of MIA's were good, which is why I think she

1504
01:14:49,840 --> 01:14:52,360
Speaker 1: won the day. But okay, so why don't we bring

1505
01:14:52,400 --> 01:14:52,760
Speaker 1: Haley in?

1506
01:14:52,920 --> 01:14:56,439
Speaker 2: This is the worst?

1507
01:14:58,160 --> 01:15:01,559
Speaker 1: Hey Haley, how are you? It's We're good. So it

1508
01:15:01,600 --> 01:15:04,479
Speaker 1: has been you know, it's been a rough day. It's

1509
01:15:04,479 --> 01:15:07,719
Speaker 1: been a long day. There's a lot going on, and

1510
01:15:08,200 --> 01:15:12,200
Speaker 1: we are we are to the absolute knit picking stages

1511
01:15:12,479 --> 01:15:14,880
Speaker 1: of the contest. Everybody's good.

1512
01:15:16,040 --> 01:15:18,519
Speaker 3: So unfortunately this is as far as you're going to

1513
01:15:18,560 --> 01:15:18,920
Speaker 3: be going.

1514
01:15:19,400 --> 01:15:19,840
Speaker 6: Okay, but.

1515
01:15:21,560 --> 01:15:27,280
Speaker 2: You're great, I mean legitimately very very good. Uh and

1516
01:15:27,280 --> 01:15:28,519
Speaker 2: and a wonderful actor.

1517
01:15:28,560 --> 01:15:30,600
Speaker 1: So when when you're moving out to Los Angeles, I

1518
01:15:31,040 --> 01:15:32,960
Speaker 1: think you're going to be happy that you're coming here.

1519
01:15:33,520 --> 01:15:37,719
Speaker 4: I absolutely encourage you to continue to pursue this because

1520
01:15:38,960 --> 01:15:42,080
Speaker 4: if you do, you're going to get hired. You just

1521
01:15:42,680 --> 01:15:46,320
Speaker 4: need to continue to work on. Don't be nervous about

1522
01:15:46,920 --> 01:15:51,800
Speaker 4: or don't avoid taking classes voiceover class. And I say

1523
01:15:51,840 --> 01:15:56,360
Speaker 4: that because even the best voiceover actors who are making

1524
01:15:56,439 --> 01:16:00,439
Speaker 4: bazillions of dollars can benefit from a good. Oh voiceover class. Yeah, yeah,

1525
01:16:00,720 --> 01:16:02,880
Speaker 4: it gives you an opportunity to do this stuff more,

1526
01:16:02,960 --> 01:16:04,960
Speaker 4: whereas if you're not getting hired and not getting auditions

1527
01:16:05,040 --> 01:16:08,080
Speaker 4: right away, you'll at least be, you know, practicing with

1528
01:16:08,280 --> 01:16:10,360
Speaker 4: your instrument and learning how to do it more. You

1529
01:16:10,400 --> 01:16:12,760
Speaker 4: had some really good stuff. Some of your instincts were

1530
01:16:13,000 --> 01:16:17,080
Speaker 4: very good. I think you might agree that your villain

1531
01:16:17,360 --> 01:16:22,320
Speaker 4: villainess was better than your hero. That said, I think

1532
01:16:22,360 --> 01:16:24,720
Speaker 4: you absolutely can do the hero roles too. I just

1533
01:16:24,720 --> 01:16:27,639
Speaker 4: think you need to find a better place for that

1534
01:16:27,760 --> 01:16:33,400
Speaker 4: in your vocal radio and and and and don't worry

1535
01:16:33,439 --> 01:16:36,519
Speaker 4: so much about performing it for the audience as much

1536
01:16:36,520 --> 01:16:38,440
Speaker 4: as performing it for that microphone.

1537
01:16:38,760 --> 01:16:40,919
Speaker 6: Yeah, that's the that's that theater background.

1538
01:16:41,080 --> 01:16:43,439
Speaker 1: I know, if that was your your achilles heel today,

1539
01:16:43,439 --> 01:16:45,479
Speaker 1: if I'm totally anes, that's what it was. Is that

1540
01:16:46,200 --> 01:16:49,439
Speaker 1: there's it's it's very different to perform just for your

1541
01:16:49,479 --> 01:16:52,200
Speaker 1: microphone than it is to perform either for the camera

1542
01:16:52,439 --> 01:16:56,200
Speaker 1: or for an audience. And and it's just you have

1543
01:16:56,280 --> 01:16:58,760
Speaker 1: to you boil Kevin Conroy. You used to tell me,

1544
01:16:58,800 --> 01:17:01,840
Speaker 1: this is your audience. This, this right right in front

1545
01:17:01,840 --> 01:17:03,759
Speaker 1: of you, is the only thing you need to impress.

1546
01:17:04,280 --> 01:17:05,320
Speaker 1: So and I did.

1547
01:17:05,360 --> 01:17:06,720
Speaker 3: I think it took a little bit away from your

1548
01:17:06,720 --> 01:17:09,040
Speaker 3: performance this today.

1549
01:17:09,080 --> 01:17:10,840
Speaker 1: And the only reason I'm telling you that is because

1550
01:17:10,840 --> 01:17:12,080
Speaker 1: I know that I'm going to be seeing you out

1551
01:17:12,120 --> 01:17:13,400
Speaker 1: in LA and I know you're going to be working,

1552
01:17:13,439 --> 01:17:15,439
Speaker 1: and I know you're going to be a voice actor

1553
01:17:15,439 --> 01:17:19,680
Speaker 1: as well, and I think you you're talented as hell.

1554
01:17:19,720 --> 01:17:22,559
Speaker 1: And we said the top sixteen all could have been signed.

1555
01:17:22,840 --> 01:17:25,720
Speaker 1: The final four really could all be signed. So I

1556
01:17:26,560 --> 01:17:31,479
Speaker 1: see the absolute probability of some agent somewhere listening to

1557
01:17:32,160 --> 01:17:32,559
Speaker 1: just what.

1558
01:17:32,479 --> 01:17:35,439
Speaker 2: You did today and saying we've got to sign this person.

1559
01:17:36,320 --> 01:17:38,559
Speaker 1: So you're gonna be have Yeah, no, you're you're going

1560
01:17:38,640 --> 01:17:40,479
Speaker 1: to be having an agent absolutely, and.

1561
01:17:40,640 --> 01:17:44,000
Speaker 2: You know, good luck out here. You know, look us up.

1562
01:17:44,040 --> 01:17:46,280
Speaker 2: We're gonna we're out here, so look us up.

1563
01:17:46,360 --> 01:17:47,920
Speaker 1: And you got you got a friend out in LA

1564
01:17:48,080 --> 01:17:50,240
Speaker 1: so you're not alone out here already, which is cool.

1565
01:17:50,479 --> 01:17:53,360
Speaker 6: Yeah, No, that's I just want to say thank you

1566
01:17:53,439 --> 01:17:56,200
Speaker 6: so much. I went from being a full time theater

1567
01:17:56,280 --> 01:17:59,559
Speaker 6: actor for seven years to not doing any performance for

1568
01:17:59,600 --> 01:18:02,479
Speaker 6: the last three and sort of applying for this on

1569
01:18:02,520 --> 01:18:05,000
Speaker 6: a whim literally the day it was due I heard

1570
01:18:05,040 --> 01:18:09,559
Speaker 6: about it, and getting to do this and to get

1571
01:18:09,640 --> 01:18:11,640
Speaker 6: back in the sort of performance muscles. I know this

1572
01:18:11,760 --> 01:18:14,320
Speaker 6: isn't something it's always something I've been interested in but

1573
01:18:14,400 --> 01:18:16,439
Speaker 6: haven't had a chance to do yet. So yes, classes

1574
01:18:16,520 --> 01:18:19,439
Speaker 6: are top of my list. But it really has given

1575
01:18:19,439 --> 01:18:24,080
Speaker 6: me sort of the confidence push to like, hey, I can't,

1576
01:18:24,240 --> 01:18:26,600
Speaker 6: I can't do this. It's it's where it's trying for.

1577
01:18:26,880 --> 01:18:29,120
Speaker 6: So yeah, so thank you, thank you, thank you, thank

1578
01:18:29,160 --> 01:18:29,760
Speaker 6: you so much for this.

1579
01:18:31,280 --> 01:18:33,960
Speaker 2: So much firing place. And it's the.

1580
01:18:33,960 --> 01:18:35,919
Speaker 4: Right place to be if you want to pursue voiceover.

1581
01:18:36,040 --> 01:18:39,000
Speaker 4: It just the right place to be drawing out here.

1582
01:18:39,000 --> 01:18:40,880
Speaker 6: It's got a cute little apartment that has a nice

1583
01:18:40,880 --> 01:18:43,080
Speaker 6: little nook that I'm going to turn into a whisper room.

1584
01:18:43,240 --> 01:18:44,640
Speaker 6: It's going to be on practice.

1585
01:18:44,520 --> 01:18:48,200
Speaker 4: Every day, just like whatever physical exercise you do every day.

1586
01:18:48,439 --> 01:18:50,559
Speaker 4: Put that as part of your program. Every day you

1587
01:18:50,600 --> 01:18:51,599
Speaker 4: work on your voice work.

1588
01:18:51,840 --> 01:18:52,080
Speaker 2: Yeah.

1589
01:18:52,120 --> 01:18:54,639
Speaker 4: Absolutely, I think you'll do really well the best. That's

1590
01:18:54,720 --> 01:18:55,920
Speaker 4: the best of luck to you.

1591
01:18:55,960 --> 01:18:56,760
Speaker 6: Thank you so much.

1592
01:18:57,800 --> 01:19:00,320
Speaker 1: And I know this sounds weird to say, but congratuates

1593
01:19:00,360 --> 01:19:03,480
Speaker 1: you went from forty five hundred to number three.

1594
01:19:03,400 --> 01:19:03,599
Speaker 4: Yeah.

1595
01:19:04,320 --> 01:19:06,840
Speaker 6: Yeah, so she's insane and actually good. Three is my

1596
01:19:06,920 --> 01:19:07,439
Speaker 6: lucky number.

1597
01:19:07,479 --> 01:19:08,160
Speaker 2: I have three.

1598
01:19:08,240 --> 01:19:09,080
Speaker 6: Three tattoos.

1599
01:19:09,160 --> 01:19:11,120
Speaker 2: So here you go stilver.

1600
01:19:11,000 --> 01:19:12,880
Speaker 3: Lighting, and we'll see we will be seeing you in

1601
01:19:12,880 --> 01:19:13,800
Speaker 3: a booth someday, I promise.

1602
01:19:13,880 --> 01:19:15,720
Speaker 6: Thank you, so so thank you, hale enjoy the rest

1603
01:19:15,720 --> 01:19:16,800
Speaker 6: of it, bite you joy.

1604
01:19:18,680 --> 01:19:19,679
Speaker 4: She took very well.

1605
01:19:19,840 --> 01:19:20,200
Speaker 2: She did.

1606
01:19:20,280 --> 01:19:22,559
Speaker 1: She's and that's another sign of being an actor. You

1607
01:19:22,560 --> 01:19:24,920
Speaker 1: hear no ten thousand times. But again she made it

1608
01:19:24,920 --> 01:19:27,200
Speaker 1: from like forty five hundred number three. That's pretty great.

1609
01:19:27,439 --> 01:19:30,800
Speaker 2: All right, Mia, let's bring me in. Hi Mia, Hi

1610
01:19:30,880 --> 01:19:32,680
Speaker 2: hoi a yah, I'm fine. How are you?

1611
01:19:33,280 --> 01:19:33,519
Speaker 4: Yes?

1612
01:19:33,840 --> 01:19:38,000
Speaker 1: So you know it's been the competition is getting very stiff. Yes,

1613
01:19:38,040 --> 01:19:41,000
Speaker 1: and everybody is so good, and we come down to

1614
01:19:41,080 --> 01:19:43,840
Speaker 1: the little kind of nitpicky things and it was a

1615
01:19:43,960 --> 01:19:47,360
Speaker 1: rough day today and I just want to say that

1616
01:19:47,400 --> 01:19:49,960
Speaker 1: I'm sorry that you are going to be coming to

1617
01:19:49,960 --> 01:19:50,559
Speaker 1: the finals.

1618
01:19:50,840 --> 01:19:52,240
Speaker 6: No, you're joking.

1619
01:19:52,640 --> 01:19:54,080
Speaker 2: You are coming to the final.

1620
01:19:57,160 --> 01:19:57,479
Speaker 1: I know.

1621
01:19:58,520 --> 01:20:02,280
Speaker 2: So congratulations, you earned it. You did really well today.

1622
01:20:03,160 --> 01:20:03,759
Speaker 2: So much.

1623
01:20:04,360 --> 01:20:07,759
Speaker 4: You listen, you pay attention, you follow directions, you absorb

1624
01:20:07,840 --> 01:20:10,080
Speaker 4: that information and you bring it right back out. And

1625
01:20:10,920 --> 01:20:13,920
Speaker 4: you're more versatile than I even expected. When I first

1626
01:20:14,000 --> 01:20:15,960
Speaker 4: heard you do it your younger voice, I thought, Okay,

1627
01:20:16,000 --> 01:20:18,679
Speaker 4: this is an actress with a character voice. Her voice

1628
01:20:18,720 --> 01:20:20,280
Speaker 4: is always going to sound like that. We're going to

1629
01:20:20,280 --> 01:20:22,559
Speaker 4: always hear that. But when you then did the villain,

1630
01:20:22,600 --> 01:20:24,959
Speaker 4: it was like, well where did that voice come from?

1631
01:20:25,240 --> 01:20:30,439
Speaker 4: So well done. Keep learning to expand your repertoire so

1632
01:20:30,479 --> 01:20:32,880
Speaker 4: that you can use that deep lower fall part of

1633
01:20:32,920 --> 01:20:35,839
Speaker 4: your voice as well as the younger, very natural sounding

1634
01:20:35,960 --> 01:20:39,720
Speaker 4: kid voices. And I'm sure you know this. Kid voices

1635
01:20:40,000 --> 01:20:43,200
Speaker 4: that are done by women have a benefit that you

1636
01:20:43,240 --> 01:20:46,559
Speaker 4: don't age out of it. In other words, the hundreds

1637
01:20:46,560 --> 01:20:49,360
Speaker 4: of kids that have Charlie Brown on their resume because

1638
01:20:49,360 --> 01:20:52,080
Speaker 4: there were there was a new Charlie Brown every time

1639
01:20:52,080 --> 01:20:54,360
Speaker 4: a kid came out and his voice changed and he

1640
01:20:54,720 --> 01:20:57,600
Speaker 4: couldn't do it anymore. So women have a real advantage

1641
01:20:57,600 --> 01:20:59,640
Speaker 4: that way. And so what's lovely is that you can

1642
01:20:59,680 --> 01:21:02,519
Speaker 4: do that. And you also could do the mom voys

1643
01:21:02,600 --> 01:21:06,120
Speaker 4: in that same cartoon, ye and you know the waitress

1644
01:21:06,400 --> 01:21:10,240
Speaker 4: and not sound like the same person. Congratulations, well done,

1645
01:21:10,360 --> 01:21:11,000
Speaker 4: well done.

1646
01:21:11,479 --> 01:21:15,439
Speaker 2: Top two? What top two? Uh Mia? Remind me one

1647
01:21:15,439 --> 01:21:16,559
Speaker 2: more time? How old are you?

1648
01:21:16,840 --> 01:21:18,080
Speaker 7: I am nineteen.

1649
01:21:18,040 --> 01:21:19,240
Speaker 2: Nineteen years.

1650
01:21:20,840 --> 01:21:24,960
Speaker 1: So congratulations, go and celebrate you got you know you

1651
01:21:25,000 --> 01:21:27,400
Speaker 1: are in the finals of the Super Awesome Contest to

1652
01:21:27,400 --> 01:21:28,679
Speaker 1: become the next big voice actor.

1653
01:21:28,720 --> 01:21:33,479
Speaker 4: Congratulations, congratulations, Thank you for a good work, Thank you

1654
01:21:33,479 --> 01:21:35,280
Speaker 4: for a great direction. My pleasure.

1655
01:21:35,400 --> 01:21:39,960
Speaker 2: We'll see you next time. Mia, thank you. Bye. Oh

1656
01:21:40,000 --> 01:21:40,320
Speaker 2: I love you.

1657
01:21:44,600 --> 01:21:48,639
Speaker 1: Yeah, and that and already promising and talented and so cool.

1658
01:21:49,400 --> 01:21:50,479
Speaker 2: Thank you for joining us.

1659
01:21:50,680 --> 01:21:53,320
Speaker 4: It was my pleasure. I invite me to do this

1660
01:21:53,360 --> 01:21:55,880
Speaker 4: whenever you next, you do this and let me be

1661
01:21:55,960 --> 01:21:57,840
Speaker 4: more of a part of it, if you'd like. It's

1662
01:21:57,880 --> 01:21:58,360
Speaker 4: a pleasure.

1663
01:21:58,840 --> 01:22:01,599
Speaker 1: This is so much fun. Well, you know, for for

1664
01:22:01,760 --> 01:22:04,880
Speaker 1: the finals, I might want to get a couple people

1665
01:22:04,880 --> 01:22:07,880
Speaker 1: together for the free panel because the finals.

1666
01:22:07,960 --> 01:22:08,839
Speaker 3: Yeah, the finals.

1667
01:22:08,880 --> 01:22:09,320
Speaker 2: Everybody.

1668
01:22:09,360 --> 01:22:13,559
Speaker 1: We are down to Hannah from Alabama and Mia from Florida.

1669
01:22:13,680 --> 01:22:18,880
Speaker 1: So we got Hannabama and me and Mimi. So it

1670
01:22:18,960 --> 01:22:22,040
Speaker 1: is so unbelievable. Andrea, thank you so much for joining

1671
01:22:22,080 --> 01:22:26,160
Speaker 1: us today and just you know, the best ever and

1672
01:22:26,240 --> 01:22:27,920
Speaker 1: so I love you and I'm so glad you were

1673
01:22:27,920 --> 01:22:31,200
Speaker 1: able to be here, of course, and I will see

1674
01:22:31,240 --> 01:22:33,000
Speaker 1: you in a couple of days.

1675
01:22:33,040 --> 01:22:34,920
Speaker 2: All right, perfect, Thank you so much. Andre.

1676
01:22:35,320 --> 01:22:37,160
Speaker 4: Thanks to the crew that did everything for us. Thank

1677
01:22:37,160 --> 01:22:37,799
Speaker 4: you you guys.

1678
01:22:38,160 --> 01:22:39,960
Speaker 2: They're awesome. Thank you. We'll see us soon.

1679
01:22:40,720 --> 01:22:41,000
Speaker 4: Wow.

1680
01:22:41,640 --> 01:22:44,360
Speaker 1: So there it is, everybody, there are the finals as

1681
01:22:44,520 --> 01:22:47,000
Speaker 1: long as this, this whole time coming in the making.

1682
01:22:47,080 --> 01:22:50,680
Speaker 1: Hannah from Alabama going up against Mia from Florida, it

1683
01:22:50,720 --> 01:22:54,479
Speaker 1: has been incredible. Once again, to Haley from Texas, you

1684
01:22:55,160 --> 01:22:57,680
Speaker 1: did so well in this competition. You really crushed it

1685
01:22:57,760 --> 01:22:59,240
Speaker 1: and we know we're going to be seeing you out

1686
01:22:59,240 --> 01:23:02,559
Speaker 1: here again because you were wonderful. And thank you to

1687
01:23:02,760 --> 01:23:06,160
Speaker 1: everybody who's been following us on this journey. It has

1688
01:23:06,240 --> 01:23:12,880
Speaker 1: been fun, hard, spectacular, awful, highs, lows, everything in between.

1689
01:23:13,000 --> 01:23:18,160
Speaker 1: Thank you to everybody who has helped us out. Lorraine,

1690
01:23:18,200 --> 01:23:20,800
Speaker 1: all our producers, Lorraine, Brian, everybody at iHeart you know.

1691
01:23:20,840 --> 01:23:22,800
Speaker 1: This has been such a journey and we are getting there.

1692
01:23:22,800 --> 01:23:25,040
Speaker 1: We have the finals next as the finals, we are

1693
01:23:25,040 --> 01:23:27,960
Speaker 1: crowning a winner. I can't believe we're there. I miss you, Christy.

1694
01:23:28,040 --> 01:23:30,479
Speaker 1: I can't wait to see you next time. Travel safe.

1695
01:23:31,240 --> 01:23:33,240
Speaker 1: We love you and we can't wait to have you back.

1696
01:23:33,280 --> 01:23:37,280
Speaker 1: Thank you again to the unbelievable Andrea Romano. We could

1697
01:23:37,320 --> 01:23:40,200
Speaker 1: do an entire podcast about why she is just a

1698
01:23:40,240 --> 01:23:41,639
Speaker 1: living legend and.

1699
01:23:41,520 --> 01:23:43,360
Speaker 2: It still wouldn't do her justice.

1700
01:23:43,680 --> 01:23:46,920
Speaker 1: She is that amazing and I love her every day.

1701
01:23:46,960 --> 01:23:49,479
Speaker 1: So thank you for coming and joining us today. Andrea,

1702
01:23:49,520 --> 01:23:52,120
Speaker 1: and thank you all for joining us. Thank everybody else,

1703
01:23:52,120 --> 01:23:56,720
Speaker 1: CESD Prime Video, iHeart everybody. Go check out season two

1704
01:23:56,720 --> 01:23:59,559
Speaker 1: of vox Makina for download now, and thank you all

1705
01:23:59,600 --> 01:24:02,519
Speaker 1: for joining us on our journey. And remember, if you

1706
01:24:02,520 --> 01:24:03,960
Speaker 1: think you have what it takes to step up to

1707
01:24:03,960 --> 01:24:06,160
Speaker 1: the microphone, put your voices where your mouth is.

1708
01:24:06,240 --> 01:24:08,320
Speaker 2: We'll see you next time. Everybody, Bye bye. I Hear

1709
01:24:08,439 --> 01:24:10,920
Speaker 2: Voices is hosted by will Fredell and Christy Carlson Romano.

1710
01:24:11,000 --> 01:24:13,840
Speaker 2: Executive produced by will Fredell, Brendan Rooney, Amy Sugarman. Our

1711
01:24:13,840 --> 01:24:16,599
Speaker 2: executive in charge of production is Danielle Romo, our producer

1712
01:24:16,640 --> 01:24:19,759
Speaker 2: is Lorraine Viuez, and our editor slash engineer is Brian Burton.

1713
01:24:20,040 --> 01:24:22,680
Speaker 2: And that was my announcer voice.

1714
01:24:22,680 --> 01:24:24,720
Speaker 10: Some side effects of listening to I Hear Voices are

1715
01:24:24,720 --> 01:24:27,679
Speaker 10: sore abs from hilarity, falling down the coco melon rabbit hole,

1716
01:24:27,800 --> 01:24:29,960
Speaker 10: sneezing due to mass nostalgia, and hugs.

1717
01:24:30,040 --> 01:24:32,120
Speaker 2: Follow I Hear Voices wherever you listen to podcasts so

1718
01:24:32,160 --> 01:24:33,960
Speaker 2: you don't miss any of the amazing voices.

1719
01:24:34,040 --> 01:24:36,240
Speaker 10: Be sure to follow us on Instagram and TikTok at

1720
01:24:36,280 --> 01:24:37,439
Speaker 10: I Hear Voices podcast.

1721
01:24:37,560 --> 01:24:40,680
Speaker 2: You can also check us out on MySpace, omegle Vine, LimeWire.

1722
01:24:40,720 --> 01:24:41,639
Speaker 2: Hey I'm a napster.

1723
01:24:41,800 --> 01:24:43,479
Speaker 10: Okay, well let's teach you about the Internet.

1724
01:24:43,640 --> 01:24:46,559
Speaker 5: Who Hey, there, I Hear Voices listeners. This is Mia,

1725
01:24:46,760 --> 01:24:49,120
Speaker 5: the winner of the Suprassom contest to become the next

1726
01:24:49,120 --> 01:24:52,200
Speaker 5: big voice actor. I am so glad I found this podcast,

1727
01:24:52,320 --> 01:24:53,439
Speaker 5: and I'm glad you found it too.

1728
01:24:53,840 --> 01:24:54,000
Speaker 9: Well.

1729
01:24:54,040 --> 01:24:57,200
Speaker 5: Then, Christy, also known as Kim Possible and Ron Stoppable,

1730
01:24:57,400 --> 01:25:00,759
Speaker 5: interview the best known voices in Hollywood, from your favorite

1731
01:25:00,760 --> 01:25:03,800
Speaker 5: cartoon characters to video game voices. You never know who

1732
01:25:03,880 --> 01:25:06,600
Speaker 5: they'll talk to next. Make sure to follow, like, and

1733
01:25:06,720 --> 01:25:09,559
Speaker 5: download the I Hear Voices podcast on iHeart Apple and

1734
01:25:09,600 --> 01:25:12,840
Speaker 5: anywhere you get your podcasts. And remember, if you think

1735
01:25:12,840 --> 01:25:15,400
Speaker 5: you have what it takes, put your voices where your

1736
01:25:15,439 --> 01:25:15,880
Speaker 5: mouth is.