WEBVTT -  The Girlfriends S2/E2: Mindy Goes Undercover

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<v Speaker 1>Novel.

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<v Speaker 2>Hey listener, In this episode, we'll be talking about acts

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<v Speaker 2>of violence and murder, as well as the loss of

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<v Speaker 2>a child. After the second break, there's one particular scene

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<v Speaker 2>of extremely intense emotional distress which you may find hard

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<v Speaker 2>to listen to, but at the same time we get

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<v Speaker 2>to see doctor Mindy Shapiro reconnect with her New York roots.

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<v Speaker 3>If you feel.

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<v Speaker 2>Impacted by any of the themes while listening, I encourage

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<v Speaker 2>you to check out our charity partner, DNA DOE Project.

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<v Speaker 2>They work with law enforcement to identify Jane and John does.

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<v Speaker 2>They use genetic genealogy in the hopes of reuniting the

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<v Speaker 2>bodies of unidentified people with their families. You can find

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<v Speaker 2>them at DNADO project dot org. And you guessed it.

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<v Speaker 2>You're probably going to hear a few swears too, so

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<v Speaker 2>sue me. I've got a dirty mouth. Before we get started.

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<v Speaker 2>There's something doctor Mindy Shapiro, my good friend and our

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<v Speaker 2>lead investigator, would like to be formally struck from the record.

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<v Speaker 2>At one point in season one, when she was deep

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<v Speaker 2>into her obsession with Gail's case, I described her in

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<v Speaker 2>a way that she was well, not real happy with.

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<v Speaker 1>A dog with the bone not.

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<v Speaker 4>I'm still angry about the dog with her bone, and

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<v Speaker 4>I'm not going to get over it.

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<v Speaker 5>Why would you.

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<v Speaker 1>Take offense for a dog with the bone.

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<v Speaker 4>It just gives me the image of this little white

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<v Speaker 4>terrier biting the ankle of some pants leg of some

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<v Speaker 4>person who's.

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<v Speaker 3>Just trying to kick me off. That's why.

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<v Speaker 2>So, Mindy, let me say this, hand on heart. I

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<v Speaker 2>apologize for referring to you this way, but I think

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<v Speaker 2>you would agree.

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<v Speaker 3>Though, that you were a little obsessive. And don't get

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<v Speaker 3>me wrong, that's what we love about you.

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<v Speaker 2>It's that very quality that makes you such a great

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<v Speaker 2>amateur detective. Instead, I'll just describe you as you truly are,

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<v Speaker 2>my unsquashable, tenacious, and relentless friend, Mindy fucking Shapiro. Doctor,

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<v Speaker 2>Mindy fucking Shapiro, doctor Detective, Mindy fucking Shapiro. I know

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<v Speaker 2>there's no mystery, medical or otherwise that she can't solve.

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<v Speaker 5>I like a puzzle about the puzzle.

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<v Speaker 3>I make puzzles.

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<v Speaker 6>Wait, they don't.

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<v Speaker 2>Said, but this thirty five year mystery of our lost

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<v Speaker 2>sister's identity. It's her biggest and most important puzzle yet.

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<v Speaker 2>If she's gonna bust this case wide open, like I

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<v Speaker 2>know she can. This New York broad is gonna need

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<v Speaker 2>to kick down doors and find the answers no one

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<v Speaker 2>else could. Okay, Okay, I'm sorry that was the last

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<v Speaker 2>dog joke.

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<v Speaker 3>I promise.

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<v Speaker 2>I'm Carol Fisher and from the teams at Novel and

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<v Speaker 2>iHeart Podcasts. You're listening to The girlfriends Our Lost Sister,

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<v Speaker 2>Episode two, Mindy Goes Undercover.

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<v Speaker 1>Got you.

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<v Speaker 3>T t to speak with the librarian. We're helping you

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<v Speaker 3>get some research.

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<v Speaker 6>Great a welcome, thank you, thank you.

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<v Speaker 2>When I first met Mindy in Las Vegas thirty something

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<v Speaker 2>years ago, she'd only just moved from the East Coast,

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<v Speaker 2>and you could tell. I mean, she was fast talking,

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<v Speaker 2>fast walking, and she got shit done. And with every

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<v Speaker 2>minute we spend in New York investigating the case of

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<v Speaker 2>our lost sister, I can see that old East Coast

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<v Speaker 2>attitude coming back. I mean I literally witnessed her jumping

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<v Speaker 2>at turnstile on the subway.

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<v Speaker 3>For crying out loud.

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<v Speaker 2>This woman is sixty seven years of age. But who

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<v Speaker 2>am I to question our chief investigator. First up on

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<v Speaker 2>Mindy's tour of NYC, her and producer Anna Head to

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<v Speaker 2>the New York Public library.

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<v Speaker 1>It's a very ostentatious library. They didn't need to make it.

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<v Speaker 4>This prect you know, they renovated it a while ago.

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<v Speaker 2>Libraries are often described as one of the last bastions

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<v Speaker 2>of democracy. They don't or if you have money or

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<v Speaker 2>what your background is, you can go there and access

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<v Speaker 2>the same information as anyone else who comes looking for it.

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<v Speaker 2>So it feels like a good place to start our

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<v Speaker 2>investigation to see what's already out there. Newspaper articles about

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<v Speaker 2>the torso washing up on Staten Island in nineteen eighty nine.

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<v Speaker 2>Any killers who are in the news at the time

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<v Speaker 2>missing person notices that kind of thing. Because something we

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<v Speaker 2>discovered in season one when we first attempted to identify

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<v Speaker 2>this Jane Doe, is that accessing official information about missing

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<v Speaker 2>or unidentified people is, to put it mildly, no easy task.

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<v Speaker 2>Hopefully you won't have experienced the pain of a loved

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<v Speaker 2>one vanishing without a trace, but for those who have,

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<v Speaker 2>who spend their lives searching through a labyrinth of police,

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<v Speaker 2>medical examiners, media and other systems, it's often near impossible

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<v Speaker 2>to find any answers. You'd probably think that our team

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<v Speaker 2>would have better luck with our resources After all, we've

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<v Speaker 2>got me a relentlessly nosy person, Mindy the brain box

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<v Speaker 2>doctor turned sleuth, Elaine Katz, the accomplished family lawyer, and

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<v Speaker 2>my producer turned adopted daughter Anna who just so happens

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<v Speaker 2>to be an investigative journalist. Plus there's multiple people working

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<v Speaker 2>full time behind the scenes who you haven't even met.

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<v Speaker 2>So if we're struggling to get answers, what kind of

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<v Speaker 2>chance to everyday people have when a loved one goes missing,

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<v Speaker 2>maybe this could explain why our Jane Do has gone

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<v Speaker 2>unidentified for thirty five years. Mindy waste no time getting

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<v Speaker 2>the librarian's attention.

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<v Speaker 6>Okay, are you ready for the query of the day?

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<v Speaker 3>Right, I'm not sure? You better sit down.

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<v Speaker 4>I am interested in fundamentally two things. Is a torso

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<v Speaker 4>watched upon the shores of Staten Island on May twenty first,

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<v Speaker 4>nineteen eighty nine, and I'd like all information that I

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<v Speaker 4>can find about that torso.

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<v Speaker 3>The next thing is.

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<v Speaker 4>I would like any and all information on the psychopathology

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<v Speaker 4>of pillers that dismember their victims.

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<v Speaker 2>The librarians on the other side of the desk shoot

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<v Speaker 2>a raised eyebrow in Mindy's direction.

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<v Speaker 4>Right, you know, I look like clearly someone who was investigating.

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<v Speaker 3>Do I look like all murders in the building?

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<v Speaker 4>Do I have that vague resemblance to Suna, no miss thanks,

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<v Speaker 4>that's familia.

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<v Speaker 2>But unfortunately, not only does Mindy struggle to get a

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<v Speaker 2>compliment from these librarians, they also can't find any relevant information.

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<v Speaker 2>In fact, she and Anna aren't making much progress in

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<v Speaker 2>Manhattan at all. Maybe we're finding it hard because what

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<v Speaker 2>we really want, what we need is more information from

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<v Speaker 2>the time when the torso was discovered on Staten Island.

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<v Speaker 2>We should be able to get that kind of stuff

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<v Speaker 2>from the original police reports, something we're not going to

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<v Speaker 2>find in the library.

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<v Speaker 3>So we decide, fuck it.

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<v Speaker 2>Why don't we just turn up at Staten Island Police

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<v Speaker 2>Department and ask for the reports ourselves?

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<v Speaker 1>Well, right under the sign twenty more Yeah.

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<v Speaker 2>The one hundred and twenty first Precinct in Staten Island

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<v Speaker 2>is a big concrete building with a long line of

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<v Speaker 2>steps leading up to the entrance.

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<v Speaker 3>It's intimidating.

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<v Speaker 2>We stagger up the stairs and we go through the

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<v Speaker 2>tall glass doors and immediately we look out of place.

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<v Speaker 6>What's happening at.

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<v Speaker 3>Typical?

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<v Speaker 2>Mindy charges ahead while I hide behind producer Anna, who's

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<v Speaker 2>concealed her microphone and a pair of fluffy gloves.

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<v Speaker 3>It's all very covert.

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<v Speaker 2>When we get to the front desk, we're greeted by

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<v Speaker 2>this really sweet Officer's.

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<v Speaker 4>Interested in if I can get some old record it's

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<v Speaker 4>from nineteen eighty nine.

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<v Speaker 7>What kind of records?

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<v Speaker 2>At first, understandably he doesn't know what to make of

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<v Speaker 2>this strange, multi generational group of women digging into a

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<v Speaker 2>cold case.

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<v Speaker 3>He seems pretty suspicious.

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<v Speaker 2>Luckily, we've got Mindy's New York charm to win him over.

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<v Speaker 4>And could you just jimmy one huge phavor because I

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<v Speaker 4>grew up in New York. Could you say perpetrator for me?

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<v Speaker 3>Perpetrator.

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<v Speaker 2>But we're here on business, so we asked the officer

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<v Speaker 2>to check the records for anything connected to the Torso.

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<v Speaker 8>When you find some baits here, let's say how far.

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<v Speaker 5>We go from?

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<v Speaker 2>But it doesn't go very far. When he types our

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<v Speaker 2>case number into his it draws a blank. The case

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<v Speaker 2>is too old and the files have likely not been digitized.

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<v Speaker 2>But the suite officer, he does give us something.

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<v Speaker 8>Let me search for a cold case health album.

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<v Speaker 4>Okay, that would be great.

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<v Speaker 2>A phone number that we can call for information on

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<v Speaker 2>cold cases.

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<v Speaker 9>You know, hopefully they'll be able to help you navigate

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<v Speaker 9>through this journey.

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<v Speaker 6>Do you think that records?

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<v Speaker 2>So it's looking like we won't quite get what we

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<v Speaker 2>came for, but we're not going to be leaving empty

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<v Speaker 2>handed either. We've got a brand new cold case number

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<v Speaker 2>to call and a new friend. It's dat n Island pd' from.

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<v Speaker 1>I'm from England's okay, not live England.

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<v Speaker 10>I'll never visited, but I always wanted as a teenager,

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<v Speaker 10>but then I grew up.

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<v Speaker 9>Now I'm in my forties, I'm a grandfather.

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<v Speaker 4>Wow, you're a young Congratulations muscle us.

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<v Speaker 2>It seems we've garnered all the information we can and

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<v Speaker 2>Mindy's also got her eye on an iconic Staten Island

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<v Speaker 2>pizza joint for lunch. So, with stomachs rumbling, we exchange

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<v Speaker 2>goodbyes with our new friend and make our.

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<v Speaker 3>Way out of the police station.

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<v Speaker 7>We got a number that we haven't had with goal,

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<v Speaker 7>so tomorrow.

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<v Speaker 1>We're gonna call.

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<v Speaker 3>What do you mean we're calling in the car?

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<v Speaker 6>All right?

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<v Speaker 2>We jump in a taxi and have barely got our

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<v Speaker 2>seatbelts on before Mindy starts dialing. We're hoping to find

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<v Speaker 2>out if our Jane Doe is connected to a registered

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<v Speaker 2>cold case, and if there's any information that can help

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<v Speaker 2>us continue the story beyond nineteen ninety eight, which is

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<v Speaker 2>when Elaine Kats's files end.

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<v Speaker 6>All right, we're calling.

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<v Speaker 5>Thank you for calling the New York City Police Department.

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<v Speaker 9>The party you are trying to reach is unavailable at

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<v Speaker 9>this time.

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<v Speaker 3>Please goal again, goodbye.

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<v Speaker 2>Of course not that would be too easy. We keep trying, though,

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<v Speaker 2>But when we eventually get through, it turns out that

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<v Speaker 2>sweet officer point portrayer, he gave us the wrong number.

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<v Speaker 2>I mean, can we catch a goddamn break? We still

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<v Speaker 2>don't give up. Mindy is soldiering on, unperturbed. Through some digging,

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<v Speaker 2>she manages to find the correct number. But dear listener,

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<v Speaker 2>don't hold your breath.

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<v Speaker 1>Or more ontion.

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<v Speaker 4>Hi, my name is Mindy Shapiro, and I am calling

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<v Speaker 4>about a cold case from nineteen eighty nine.

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<v Speaker 2>If you're exasperated just listening to this, imagine how we feel.

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<v Speaker 2>It's like we're constantly hitting a wall, being sent around

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<v Speaker 2>in circles from one agency to another. Maybe we're out

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<v Speaker 2>of our depth here, even with Mindy on the case.

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<v Speaker 3>Maybe we need some advice.

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<v Speaker 2>From someone who's actually solved a cold case, and not

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<v Speaker 2>just any cold case, but one that's very close to

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<v Speaker 2>our hearts, the murder of gailcats.

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<v Speaker 1>Hi. Wo you good, thank you.

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<v Speaker 3>Anna just arrived at the office of Dan Bibb. He's

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<v Speaker 3>a DA.

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<v Speaker 2>Prosecutor who put my ex Bob Bernbaum away for twenty

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<v Speaker 2>to life. He's also the guy who helped prove instant

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<v Speaker 2>for all that our Jane Do's torso did not belong

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<v Speaker 2>to Gail Katz. He's eager to know the latest on

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<v Speaker 2>our investigation.

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<v Speaker 9>So what's been going on?

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<v Speaker 8>So we're trying to identify this torso, which is maybe

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<v Speaker 8>a fool's.

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<v Speaker 9>Errand I don't think it is. I remember we notified

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<v Speaker 9>the precinct or whoever was in charge, that this is

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<v Speaker 9>now an open case again because it's not Gail Katz.

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<v Speaker 9>What happened to the investigation after that? I have no idea.

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<v Speaker 9>You know, in ninety eight, did missing persons really want

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<v Speaker 9>to deal with a nineteen eighty nine torso that washed up?

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<v Speaker 9>I don't know. I mean, could it have fallen through

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<v Speaker 9>the cracks? Yes? How is it dealing with the m's office.

0:14:52.440 --> 0:14:55.160
<v Speaker 2>Dan is talking about the Medical Examiner's office.

0:14:55.800 --> 0:14:57.800
<v Speaker 3>You already know that Mindy has put.

0:14:57.600 --> 0:15:00.520
<v Speaker 2>In a freedom of information request to them, so is

0:15:00.560 --> 0:15:03.800
<v Speaker 2>Gail's sister Elaine, and they're not the only ones.

0:15:04.320 --> 0:15:05.320
<v Speaker 3>All the way back.

0:15:05.080 --> 0:15:08.600
<v Speaker 2>In the first series of The Girlfriends, Madeline parr Our,

0:15:08.640 --> 0:15:12.640
<v Speaker 2>assistant producer and research Queen, reached out asking for any

0:15:12.720 --> 0:15:15.080
<v Speaker 2>documents relating to the Torso.

0:15:16.000 --> 0:15:20.400
<v Speaker 11>Fifth of December twenty twenty two. Hither, I'm a journalist

0:15:20.440 --> 0:15:22.600
<v Speaker 11>from the UK and I'm wondering if you might be

0:15:22.600 --> 0:15:24.920
<v Speaker 11>able to help me find out some information about a

0:15:24.960 --> 0:15:26.920
<v Speaker 11>body that was discovered in nineteen eight.

0:15:27.200 --> 0:15:29.920
<v Speaker 2>We get a response saying they're going to look into

0:15:29.960 --> 0:15:33.080
<v Speaker 2>it for us, which is great news, and then a

0:15:33.120 --> 0:15:36.200
<v Speaker 2>few weeks go by we haven't heard anything, so we

0:15:36.280 --> 0:15:37.280
<v Speaker 2>decide to check in.

0:15:37.840 --> 0:15:41.400
<v Speaker 11>Fourth of January twenty twenty three. Hi, I hope you've

0:15:41.440 --> 0:15:43.960
<v Speaker 11>had a lovely holidays and a happy new Year. I'm

0:15:44.000 --> 0:15:47.359
<v Speaker 11>just wondering if you've got anywhere with tracking down those records.

0:15:48.160 --> 0:15:52.720
<v Speaker 2>Months go by, still nothing. Eventually we just get plane

0:15:53.080 --> 0:15:54.080
<v Speaker 2>pissed off.

0:15:55.080 --> 0:16:00.600
<v Speaker 11>Ninth of January twenty twenty four, did happy New Year again?

0:16:01.400 --> 0:16:03.360
<v Speaker 11>I'm writing to let you know that it has now

0:16:03.400 --> 0:16:06.320
<v Speaker 11>been over a year since My initial request was sent

0:16:06.400 --> 0:16:09.040
<v Speaker 11>to you on the fifth of December twenty twenty two,

0:16:09.440 --> 0:16:12.200
<v Speaker 11>and we are yet to receive any progress a tool

0:16:12.280 --> 0:16:13.120
<v Speaker 11>on these records.

0:16:13.880 --> 0:16:14.760
<v Speaker 3>Nothing's worked.

0:16:15.520 --> 0:16:18.440
<v Speaker 2>We've always been met with a wall of silence, and

0:16:18.520 --> 0:16:21.760
<v Speaker 2>to be honest, we're starting to take it pretty personally.

0:16:24.120 --> 0:16:27.800
<v Speaker 9>I mean, why wouldn't they just tell you you could

0:16:27.800 --> 0:16:31.200
<v Speaker 9>appeal to their foil officer and then you could chew.

0:16:32.000 --> 0:16:34.080
<v Speaker 9>But why wouldn't they just tell you that instead of

0:16:34.120 --> 0:16:35.120
<v Speaker 9>stringing and off for a year.

0:16:36.280 --> 0:16:38.080
<v Speaker 2>We don't want to get to the point of suing

0:16:38.080 --> 0:16:41.680
<v Speaker 2>the Medical Examiner's office. We just want them to respond

0:16:41.720 --> 0:16:44.360
<v Speaker 2>to us. We want to know what information they have

0:16:44.520 --> 0:16:47.640
<v Speaker 2>on the Torso after nineteen ninety eight, which is a

0:16:47.760 --> 0:16:51.080
<v Speaker 2>year she was exzumed from Gail Catt's grave. We want

0:16:51.120 --> 0:16:54.000
<v Speaker 2>to know where she went and crucially, if she was

0:16:54.120 --> 0:17:00.200
<v Speaker 2>ever identified. Our mission isn't about pointing the finger or

0:17:00.200 --> 0:17:03.120
<v Speaker 2>assigning blame. What we want to do is fill in

0:17:03.160 --> 0:17:06.040
<v Speaker 2>the gaps of our lost sister's journey, to find out

0:17:06.040 --> 0:17:09.600
<v Speaker 2>her name, to give her back her own story, not

0:17:09.760 --> 0:17:13.800
<v Speaker 2>just make her a footnote in Gail Kata's case. And

0:17:14.160 --> 0:17:17.840
<v Speaker 2>above all, we hope that in uncovering this mystery. We

0:17:17.880 --> 0:17:20.840
<v Speaker 2>can bring closure to a lane and possibly to our

0:17:20.920 --> 0:17:26.400
<v Speaker 2>Jane Doe's family, wherever they may be. But maybe it's

0:17:26.440 --> 0:17:32.600
<v Speaker 2>time for a more direct approach. Next up, doctor Detective

0:17:32.640 --> 0:17:36.400
<v Speaker 2>Mindy Shapiro heads to the Medical Examiner's office to get

0:17:36.480 --> 0:18:05.399
<v Speaker 2>some goddamn answers.

0:17:55.520 --> 0:18:10.680
<v Speaker 8>At the age of sixteen, I was busy swooning over boys.

0:18:11.200 --> 0:18:13.560
<v Speaker 2>In fact, that was the first year I fell in love,

0:18:14.080 --> 0:18:19.000
<v Speaker 2>the first and a long run of terrible boyfriends. But Mindy, well,

0:18:19.040 --> 0:18:21.879
<v Speaker 2>she was far too ambitious to be distracted by something

0:18:21.920 --> 0:18:24.320
<v Speaker 2>as silly as boys.

0:18:26.640 --> 0:18:27.720
<v Speaker 3>At sixteen, she.

0:18:27.760 --> 0:18:30.240
<v Speaker 2>Was busy lining herself up to get into a good

0:18:30.320 --> 0:18:34.520
<v Speaker 2>medical college, which meant internships. And where, you might ask,

0:18:34.560 --> 0:18:37.480
<v Speaker 2>did she intern in the summer of nineteen seventy three,

0:18:38.640 --> 0:18:41.600
<v Speaker 2>the Manhattan Medical Examiner's Office.

0:18:42.080 --> 0:18:43.920
<v Speaker 3>You just can't make this shit up.

0:18:45.840 --> 0:18:49.720
<v Speaker 5>I would get on the bus from my parents' apartment

0:18:50.200 --> 0:18:54.000
<v Speaker 5>to the Medical Examiner's office, and I'd watched them do autopsies.

0:18:54.080 --> 0:18:56.840
<v Speaker 5>And then one week I worked in the lab with

0:18:56.880 --> 0:19:01.679
<v Speaker 5>the stomach contents. One week I worked in the bones,

0:19:02.200 --> 0:19:04.200
<v Speaker 5>and it was like Wayne Heart.

0:19:06.840 --> 0:19:07.919
<v Speaker 3>Does something delivers.

0:19:11.080 --> 0:19:15.080
<v Speaker 2>And now, about fifty years later, Mindy's back at her

0:19:15.119 --> 0:19:18.720
<v Speaker 2>old office, she wants to find out where our Jane

0:19:18.720 --> 0:19:29.879
<v Speaker 2>Doe went after she was exhumed from Gail Kata's grave.

0:19:31.280 --> 0:19:34.119
<v Speaker 4>Hi, it's tact to Shapiro, and I'd like to speak

0:19:34.160 --> 0:19:36.640
<v Speaker 4>with the deputy medical Examiner.

0:19:37.600 --> 0:19:44.720
<v Speaker 9>Oh, thank you.

0:19:47.280 --> 0:19:48.320
<v Speaker 3>To get us in the door.

0:19:48.560 --> 0:19:51.560
<v Speaker 2>And because we're getting kind of desperate here, we've decided

0:19:51.600 --> 0:19:54.080
<v Speaker 2>to act like Mindy is simply stopping by to see

0:19:54.080 --> 0:19:55.119
<v Speaker 2>an old colleague.

0:19:55.640 --> 0:20:02.000
<v Speaker 4>I worked here a billion years ago, and the entries good.

0:20:02.440 --> 0:20:03.800
<v Speaker 10>Never change.

0:20:04.040 --> 0:20:07.280
<v Speaker 2>Mindy's asking to meet with the deputy medical Examiner, not

0:20:07.400 --> 0:20:11.399
<v Speaker 2>the chief. We decided that be too suspicious, and it

0:20:11.480 --> 0:20:14.639
<v Speaker 2>seems to be working. The receptionist gets on the phone

0:20:14.680 --> 0:20:16.879
<v Speaker 2>and says that the deputy is in a meeting but

0:20:16.960 --> 0:20:18.840
<v Speaker 2>will be free in just thirty minutes.

0:20:19.560 --> 0:20:27.360
<v Speaker 7>Oh well wait, we've been waiting for over a year already,

0:20:27.480 --> 0:20:31.840
<v Speaker 7>so what's another thirty minutes.

0:20:32.359 --> 0:20:33.560
<v Speaker 3>But it's nerve wracking.

0:20:33.960 --> 0:20:36.720
<v Speaker 2>For the first time, we're coming face to face with

0:20:36.800 --> 0:20:40.120
<v Speaker 2>the people who've been avoiding us for so long. And

0:20:40.160 --> 0:20:43.639
<v Speaker 2>it's not just that so much has happened under this roof.

0:20:44.440 --> 0:20:47.000
<v Speaker 2>It was in this very same building where Elaine was

0:20:47.040 --> 0:20:50.240
<v Speaker 2>first told that the torso was not her sister Gail

0:20:50.359 --> 0:20:54.040
<v Speaker 2>after all, it's a lot for Mindy to take in.

0:20:55.600 --> 0:21:05.600
<v Speaker 6>Yeah, yeah, I'm just persons and processing in anticipating.

0:21:08.320 --> 0:21:11.760
<v Speaker 2>Then the strange silence is punctured by a woman a

0:21:11.760 --> 0:21:14.440
<v Speaker 2>little waist down the hall, screaming.

0:21:16.760 --> 0:21:21.800
<v Speaker 3>Piece somebody, identify somebody. She has just identified the body

0:21:21.840 --> 0:21:25.800
<v Speaker 3>of her son. Oh.

0:21:31.560 --> 0:21:36.000
<v Speaker 2>After a tense minute, the whales draw closer. The woman

0:21:36.200 --> 0:21:38.960
<v Speaker 2>with someone we assumed to be her husband, burst into

0:21:39.000 --> 0:21:42.560
<v Speaker 2>the lobby. We're not going to play any tape of her,

0:21:42.680 --> 0:21:46.080
<v Speaker 2>out of respect for such an intimate moment. But all

0:21:46.119 --> 0:21:49.919
<v Speaker 2>I can say is it's the rawest expression of grief

0:21:49.960 --> 0:21:54.959
<v Speaker 2>that you can possibly imagine. This experience is one that

0:21:55.119 --> 0:21:58.080
<v Speaker 2>no mother, including this one, should ever have.

0:21:58.080 --> 0:21:58.680
<v Speaker 3>To go through.

0:21:59.359 --> 0:22:02.000
<v Speaker 2>And yet here's she is, in the lobby of an

0:22:02.000 --> 0:22:05.679
<v Speaker 2>office building on what should be a normal Wednesday afternoon,

0:22:06.200 --> 0:22:11.920
<v Speaker 2>screaming into the void. That's not my son. My son

0:22:12.040 --> 0:22:16.200
<v Speaker 2>had a home, my son had a family. He told

0:22:16.200 --> 0:22:26.199
<v Speaker 2>me he was safe. Anna, Mindy and the security guards

0:22:26.240 --> 0:22:29.840
<v Speaker 2>are all sitting in silence, trying not to intrude on

0:22:29.840 --> 0:22:33.760
<v Speaker 2>the woman's grief or make her feel self conscious, but

0:22:33.840 --> 0:22:36.399
<v Speaker 2>they also feel this pull to just jump up and

0:22:36.440 --> 0:22:44.240
<v Speaker 2>give her a hug. What do you do when face

0:22:44.359 --> 0:22:48.240
<v Speaker 2>was something so unimaginably awful, how do you even begin

0:22:48.320 --> 0:22:52.800
<v Speaker 2>to help? Before they can try a different tac the

0:22:52.840 --> 0:22:56.240
<v Speaker 2>woman and her husband leave, her cries spilling out into

0:22:56.240 --> 0:22:57.840
<v Speaker 2>the faceless Manhattan street.

0:23:01.080 --> 0:23:08.240
<v Speaker 6>And that's why we're doing this. It's horrible.

0:23:08.400 --> 0:23:09.080
<v Speaker 1>It's horrible.

0:23:17.560 --> 0:23:21.720
<v Speaker 6>You know, it's hard enough for me watching you with

0:23:21.960 --> 0:23:23.440
<v Speaker 6>like your Facebook.

0:23:25.480 --> 0:23:28.520
<v Speaker 10>But this is all normal for you. But it's not normal,

0:23:29.440 --> 0:23:37.680
<v Speaker 10>you know it. Yes, it is. It is very very normal.

0:23:39.200 --> 0:23:45.920
<v Speaker 4>And they are experiences that you hope you never have,

0:23:47.040 --> 0:23:50.119
<v Speaker 4>or if you have them, you only want them once

0:23:50.960 --> 0:23:52.119
<v Speaker 4>and then you don't.

0:23:51.880 --> 0:24:00.399
<v Speaker 6>Talk about them. And what makes them tell is that

0:24:00.480 --> 0:24:01.080
<v Speaker 6>we don't.

0:24:02.680 --> 0:24:04.960
<v Speaker 4>They're just not discussed.

0:24:08.280 --> 0:24:17.800
<v Speaker 2>Yeah, as much as that was a tough thing to

0:24:17.840 --> 0:24:20.639
<v Speaker 2>bear witness to, it just brings it all home.

0:24:22.000 --> 0:24:22.880
<v Speaker 3>Our Jane Doe.

0:24:22.920 --> 0:24:25.400
<v Speaker 2>Get of a mother out there who hasn't even been

0:24:25.440 --> 0:24:28.879
<v Speaker 2>gifted the opportunity as brutal as it is to know

0:24:28.960 --> 0:24:32.760
<v Speaker 2>the truth about what happened to her daughter, bereft of

0:24:32.800 --> 0:24:36.280
<v Speaker 2>the opportunity to wail and scream in public, to show

0:24:36.280 --> 0:24:38.480
<v Speaker 2>the depths of her pain to the world and make

0:24:38.560 --> 0:24:58.639
<v Speaker 2>them look. Five minutes pass and the deputy medical examiner

0:24:58.720 --> 0:25:02.560
<v Speaker 2>walks out of some heavy double doors. Anna and Mindy

0:25:02.600 --> 0:25:04.800
<v Speaker 2>had rehearsed what they were going to say to her,

0:25:04.960 --> 0:25:08.560
<v Speaker 2>but the tones changed. Now they're more desperate for answers

0:25:08.600 --> 0:25:10.880
<v Speaker 2>than ever, so they're pleading with her.

0:25:11.880 --> 0:25:17.240
<v Speaker 4>I'm a physician, I retired, and I'm here on actually

0:25:17.720 --> 0:25:18.679
<v Speaker 4>an act.

0:25:18.600 --> 0:25:21.760
<v Speaker 6>Of mercy for a friend of mine who has.

0:25:21.640 --> 0:25:24.240
<v Speaker 4>Had a remote tragedy.

0:25:23.920 --> 0:25:26.520
<v Speaker 6>Nineteen eighty nine, and I'm trying.

0:25:26.280 --> 0:25:29.520
<v Speaker 3>To get some closure the case for her.

0:25:30.000 --> 0:25:34.760
<v Speaker 2>Basically in nineteen eighty five, Mindy runs through the whole

0:25:34.760 --> 0:25:38.240
<v Speaker 2>complicated story once again, and at first it seemed like

0:25:38.320 --> 0:25:40.600
<v Speaker 2>we might finally be getting some answers.

0:25:41.000 --> 0:25:44.399
<v Speaker 4>You have like case number yes, yes, the Emmy case

0:25:44.480 --> 0:25:48.120
<v Speaker 4>numbers eighty nine, five, six three.

0:25:48.840 --> 0:25:50.200
<v Speaker 6>Whereas yeah, think it's.

0:25:51.920 --> 0:25:56.440
<v Speaker 5>The oh, okay, we have someone like our anthropologists probably

0:25:56.680 --> 0:25:58.679
<v Speaker 5>be able to I'm running.

0:25:58.400 --> 0:25:59.400
<v Speaker 4>At three o'clock.

0:26:00.560 --> 0:26:03.000
<v Speaker 5>If you want to leave your contact information with me. Otherwise,

0:26:03.000 --> 0:26:04.439
<v Speaker 5>I mean we'll be out of a meeting probably at

0:26:04.480 --> 0:26:05.160
<v Speaker 5>like four o'clock.

0:26:05.320 --> 0:26:07.920
<v Speaker 4>I can't promise anything's going to happen if you do. Wait.

0:26:08.840 --> 0:26:11.200
<v Speaker 3>Mindy and Anna sit back down to wait again.

0:26:12.040 --> 0:26:14.639
<v Speaker 2>But when the deputy pushes through the doors after her

0:26:14.680 --> 0:26:17.560
<v Speaker 2>three pm meeting, her expressions changed.

0:26:18.240 --> 0:26:21.320
<v Speaker 3>She's still smiling, but now it's guarded.

0:26:21.880 --> 0:26:24.040
<v Speaker 5>The director of anthropology is in the meeting with me,

0:26:24.160 --> 0:26:25.560
<v Speaker 5>so I just briefly mentioned to him.

0:26:25.600 --> 0:26:28.480
<v Speaker 1>He's aware of it and they were planning on reaching.

0:26:28.040 --> 0:26:28.399
<v Speaker 5>Out to you.

0:26:28.680 --> 0:26:32.400
<v Speaker 6>Oh, they're just finding out answers to your It's called love. Yeah.

0:26:32.840 --> 0:26:35.600
<v Speaker 4>Yeah, someone is aware of it and has an anthropologists

0:26:35.600 --> 0:26:36.479
<v Speaker 4>have been working on it.

0:26:37.119 --> 0:26:38.040
<v Speaker 1>But someone will be in.

0:26:37.920 --> 0:26:38.240
<v Speaker 4>Touch with you.

0:26:38.600 --> 0:26:38.879
<v Speaker 10>Thank you.

0:26:38.880 --> 0:26:39.560
<v Speaker 1>That Phil's good.

0:26:40.440 --> 0:26:41.040
<v Speaker 6>Thank you.

0:26:41.080 --> 0:26:45.399
<v Speaker 2>Thanks. Anna and Mindy are getting the distinct impression that

0:26:45.440 --> 0:26:48.440
<v Speaker 2>they've overstayed their welcome, so they high tail it out

0:26:48.440 --> 0:26:50.160
<v Speaker 2>of the Medical Examiner's office.

0:26:50.320 --> 0:26:54.600
<v Speaker 4>Well we waited. We got some very interesting experience out

0:26:54.600 --> 0:26:55.080
<v Speaker 4>of this.

0:26:55.480 --> 0:26:57.240
<v Speaker 10>Oh my god, I need a drink.

0:26:58.400 --> 0:27:03.800
<v Speaker 4>I'll buy you a drink and can go down here.

0:27:05.359 --> 0:27:08.920
<v Speaker 2>Spoiler alert, dear listener, we did not hear back about

0:27:08.920 --> 0:27:09.480
<v Speaker 2>the files.

0:27:10.480 --> 0:27:14.280
<v Speaker 3>So what next. Well, if you're looking to track.

0:27:14.080 --> 0:27:17.359
<v Speaker 2>Down a body, the next best place to go is

0:27:17.440 --> 0:27:21.360
<v Speaker 2>probably a cemetery. And if you're looking to track down

0:27:21.400 --> 0:27:25.760
<v Speaker 2>an unidentified body in New York, then you're best head

0:27:25.800 --> 0:27:32.159
<v Speaker 2>to the city's largest public burial ground, Heart Island. Coming

0:27:32.240 --> 0:27:35.119
<v Speaker 2>up next time on the girlfriends Our Lost Sister.

0:27:36.720 --> 0:27:38.400
<v Speaker 3>Oh my god, wait, Oh my god.

0:27:38.600 --> 0:27:40.280
<v Speaker 11>Wait, look at what it says next to it.

0:27:40.480 --> 0:27:44.239
<v Speaker 1>Look at the day what I can't believe this.

0:27:57.720 --> 0:28:01.240
<v Speaker 2>The girlfriends Our Lost Sister is produced by Novel for

0:28:01.359 --> 0:28:06.040
<v Speaker 2>iHeart Podcasts. For more from Novel, visit novel dot Audio.

0:28:06.960 --> 0:28:09.760
<v Speaker 2>The show is hosted by me Carol Fisher, and our

0:28:09.840 --> 0:28:13.760
<v Speaker 2>chief investigator is Mindy Shapiro. To find me on social media,

0:28:14.040 --> 0:28:18.280
<v Speaker 2>search Carol A. Fisher, That's Carol with an E. The

0:28:18.400 --> 0:28:22.399
<v Speaker 2>season is written and produced by Anna Sinfield and Lee Meyer.

0:28:22.680 --> 0:28:26.440
<v Speaker 2>Our assistant producer is Madeline Parr. The editor is Joe Wheeler.

0:28:26.760 --> 0:28:30.760
<v Speaker 2>Max O'Brien is our executive producer. Our fact checker is

0:28:30.880 --> 0:28:35.760
<v Speaker 2>Dania Suleiman. Production management from Shurie Houston and Charlotte woolf

0:28:36.359 --> 0:28:41.440
<v Speaker 2>Sound design, mixing and scoring by Nicholas Alexander, Additional engineering

0:28:41.520 --> 0:28:46.840
<v Speaker 2>by Daniel Kempson. Music supervision by Anna Sinfield and Nicholas Alexander.

0:28:47.200 --> 0:28:51.400
<v Speaker 2>Original music composed and performed by Luisa Gerstein and produced

0:28:51.400 --> 0:28:55.720
<v Speaker 2>by Louisa Gerstein and Nicholas Alexander. The series artwork was

0:28:55.760 --> 0:29:00.920
<v Speaker 2>designed by Christina Limpool. Story development by Annason Filad. Willard

0:29:00.960 --> 0:29:05.560
<v Speaker 2>Foxton is creative director of Development. Our executive producers at

0:29:05.600 --> 0:29:10.600
<v Speaker 2>iHeart Podcasts are Katrina Norvel and Nikki Etour. Special thanks

0:29:10.600 --> 0:29:14.760
<v Speaker 2>to Ali Canter, Carrie Lieberman, and Will Pearson at iHeart

0:29:14.800 --> 0:29:18.320
<v Speaker 2>podcast as well as Carly Frankel and the whole team

0:29:18.480 --> 0:29:22.360
<v Speaker 2>at w MEE and especial shout out to Vince Hayward,

0:29:22.440 --> 0:29:25.280
<v Speaker 2>who's my life partner in True Crime for taking on

0:29:25.360 --> 0:29:57.600
<v Speaker 2>the role of girlfriend's confidante and lead tech support novel