WEBVTT - #474 - Hurricane Chris

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<v Speaker 1>What's popping this, Hurricane Chris, I'm rocking with Bootleg keV gd.

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<v Speaker 2>YO, Bootleg cap Podcast Man special guests in here, Hurricane.

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<v Speaker 1>Chris, what's popping? What's good?

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<v Speaker 3>What's good?

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<v Speaker 1>Bro?

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<v Speaker 3>Welcome, Nice to meet you, likewise, bro to meet you.

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<v Speaker 3>It's crazy because when you started, like your career, I

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<v Speaker 3>feel like it was around the time I was like

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<v Speaker 3>interning at the radio station, so like you're and like

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<v Speaker 3>when I first started like DJ and the club and yeah,

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<v Speaker 3>so like you you know, like a bay bays and

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<v Speaker 3>and make it clap and all that, it was very

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<v Speaker 3>like instrumental and like I like remember where I was

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<v Speaker 3>in life for them songs.

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<v Speaker 1>Yeah, yeah, yeah, yeah yeah. A lot of people say that,

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<v Speaker 1>they say my music bring them back to exactly what

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<v Speaker 1>they was doing when I first came out. You know,

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<v Speaker 1>it's it really marked a special time right in people lives.

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<v Speaker 1>You know, like a lot of people kids first words

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<v Speaker 1>was so crazy, you know, it's it's a blessing.

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<v Speaker 3>I gotta ask you, uh, I saw you, I saw

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<v Speaker 3>you share your thoughts a little bit about this. But

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<v Speaker 3>you know, there's been a lot of people who are

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<v Speaker 3>upset that Lil Wayne did not get to look for

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<v Speaker 3>the halftime show in New Orleans. Obviously, you know you're

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<v Speaker 3>in Louisiana. What are your thoughts on on Wayne getting

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<v Speaker 3>that snub and obviously shot to Kendrick. I think, obviously,

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<v Speaker 3>if anybody deserves to do a halftime show, Kendrick's one

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<v Speaker 3>of them.

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<v Speaker 1>Yeah, with Kendrick heavy, like for sure, they're real golden.

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<v Speaker 1>But it's a bigger play at hand right now. What's

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<v Speaker 1>happening is a lot of big entities in large companies

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<v Speaker 1>are finding places that they can profit and make high

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<v Speaker 1>profit margins, and they pretend to cater to the community

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<v Speaker 1>just enough to get the support they need, and then

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<v Speaker 1>they go with their hitting agenda, which is to make

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<v Speaker 1>ultimately the most money they can possibly make. So it's

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<v Speaker 1>a bigger play at hand. In Louisiana, it's always it's

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<v Speaker 1>been a place that didn't have a lot of resources.

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<v Speaker 1>So if anybody came from upstate or out of town

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<v Speaker 1>with a lot of resources, they was kind of able

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<v Speaker 1>to throw their weight around and and you know, like

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<v Speaker 1>you know, like put themselves in in positions. So it's

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<v Speaker 1>it's it's really a bigger player. And we getting to

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<v Speaker 1>a point in time now where people don't like to

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<v Speaker 1>pay homage. You got youngsters who say, oh geez right right,

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<v Speaker 1>like so you got you got a whole new era

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<v Speaker 1>of disrespect that's coming into play. And it's the same

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<v Speaker 1>thing in the industry. People have begun to just feel

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<v Speaker 1>like it's cool to not pay hummage. It's cool to

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<v Speaker 1>not you know, to to pay their respects that need

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<v Speaker 1>to be paid. So that's the big thing that I see.

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<v Speaker 1>I'm not just mad that Wayne ain't get to perform,

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<v Speaker 1>because let's just be honest, like, you know what I'm saying,

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<v Speaker 1>it's a it's it's it's it's it's a law much

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<v Speaker 1>movie that I'm looking at. And this is gonna continue

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<v Speaker 1>to happen. It ain't just gonna be what's happening in Shreeport.

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<v Speaker 1>It ain't just gonna be what happened in New Orleans.

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<v Speaker 1>If we don't stand up and and and and demand

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<v Speaker 1>that people respect our culture and demand what we want,

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<v Speaker 1>then we'll never get it. It's the same thing that

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<v Speaker 1>that that that every other status learned how to do

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<v Speaker 1>California know how to do it. If you come to Cali,

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<v Speaker 1>Cali gonna make sure you do some type of catering

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<v Speaker 1>to Cali or you won't really be accepted, you know

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<v Speaker 1>what I'm saying.

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<v Speaker 3>Yeah, I mean when the Super Bowl was here, obviously

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<v Speaker 3>doctor Dre had the halftime show and he was able

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<v Speaker 3>to bring out kind of like parts of his tree,

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<v Speaker 3>you know, right r.

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<v Speaker 1>But the people in position in Louisiana. L. Kendrick came

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<v Speaker 1>out that the problem is the people in position in

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<v Speaker 1>Louisiana that that make the decisions instead of instead of

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<v Speaker 1>loving a culture and and and and embracing their culture,

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<v Speaker 1>they so they're trying to get relationships with with people

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<v Speaker 1>in places that they've never been to. So it's leading

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<v Speaker 1>to them looking over their own people that's right there

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<v Speaker 1>and honoring people that never done nothing for certain communities,

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<v Speaker 1>which is not their fault. It's not my fault that

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<v Speaker 1>somebody choose to honor me in your community. But what

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<v Speaker 1>we got to do as a people as a whole

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<v Speaker 1>is make sure that we hold those responsible accountable the people.

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<v Speaker 1>When I go to do the Super Bowl, I'm talking

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<v Speaker 1>to somebody in the city from the city somebody who

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<v Speaker 1>who or somebody from the league. You feel what I'm saying,

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<v Speaker 1>I'm speaking I'm dealing with some type of official it's

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<v Speaker 1>a lot of chains of command that these things go through.

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<v Speaker 3>Well, from what I understand, Rock Nation is in charge

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<v Speaker 3>of the entertainment for the Super Bowl, since I want

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<v Speaker 3>to say, the first one they did was Rihanna, So

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<v Speaker 3>I think it was Rihanna, then fifty and then last

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<v Speaker 3>year was Usher. Okay, well fifty was a doctor j year,

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<v Speaker 3>but and then last year was Usher, and then this

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<v Speaker 3>year would be Kendrick. So I think it's a Rock

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<v Speaker 3>Nation thing, and it seems like but.

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<v Speaker 1>See, it's always been able to be put on companies

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<v Speaker 1>and entities, and I think that's the easy way out.

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<v Speaker 4>I think that's the easy way out.

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<v Speaker 1>Is to say, oh, such and such makes this decision,

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<v Speaker 1>and they did it because it is I look at

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<v Speaker 1>stuff for what it is and what it actually looks like,

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<v Speaker 1>not like, oh, well, hurricane Chris is doing this because

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<v Speaker 1>he signed in such and such or such and such

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<v Speaker 1>as this recorde. But I'm just look at me for

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<v Speaker 1>for what I look like. And I bag up and

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<v Speaker 1>I look at the history of what's been happening over

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<v Speaker 1>the last couple of years, and it's been a repetitive

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<v Speaker 1>history of not honoring the people from the community that

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<v Speaker 1>helped build the community, but honoring people outside of the

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<v Speaker 1>community right there in their face. And if it's the

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<v Speaker 1>companies that's doing it without having proper knowledge, then it's

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<v Speaker 1>the people that's that's leaders of the community and involved

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<v Speaker 1>in the community. It's their job to step up and

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<v Speaker 1>let the people in power know, Hey, let's let's let's

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<v Speaker 1>let's let's let's.

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<v Speaker 4>Kind of cater to the culture a little bit.

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<v Speaker 1>You know what I'm saying, Because if I was to

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<v Speaker 1>come into your city as a promoter and I say,

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<v Speaker 1>I'm finna book all these artists, You're gonna slow me

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<v Speaker 1>down and make sure I cater to somebody that this

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<v Speaker 1>city likes.

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<v Speaker 3>Yeah, I think that that would be fair as hell.

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<v Speaker 1>As a friend, I think that.

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<v Speaker 3>I just think that the super Bowl is just so

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<v Speaker 3>massive that it's like the fact that it's like it's

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<v Speaker 3>going to be in New orleans's bringing so much money

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<v Speaker 3>to like the economy. So it's like the entertainment aspect

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<v Speaker 3>of the halftime show is probably just like, well, we'll

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<v Speaker 3>just leave it up to these guys. And I wonder, like,

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<v Speaker 3>you know, a lot, you know, there's a lot of

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<v Speaker 3>speculation that Jay had some sort of issues with Wayne

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<v Speaker 3>or Drake and that that might have spilled over to

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<v Speaker 3>the decision. I'm not sure. Yeah, I mean, because but

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<v Speaker 3>I think that's all speculation.

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<v Speaker 4>Yeah, I don't think Jay got no smoke with.

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<v Speaker 3>I think that there's another like like way to look

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<v Speaker 3>at it, and that's that like if you really kind

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<v Speaker 3>of see.

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<v Speaker 1>I don't put the blame on Jada. Let's let's get

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<v Speaker 1>this straight. I don't put the blame on Jay because

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<v Speaker 1>you gotta think he coming. He doing a million things,

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<v Speaker 1>so so of course people may get mad at him

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<v Speaker 1>in the beginning, but when you sit back and you

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<v Speaker 1>think about it, it's it's one of a million things

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<v Speaker 1>that he's doing. So I don't I don't look at

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<v Speaker 1>it like he personally attempting to insult, you know what

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<v Speaker 1>I'm saying, Like, I'm not looking at it like that.

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<v Speaker 4>Now, if it's something going on on the inside that

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<v Speaker 4>I don't know.

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<v Speaker 1>About, then I need to should have figged up possibly

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<v Speaker 1>understand what I'm saying, because if it's that they're just

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<v Speaker 1>sitting here getting speculating.

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<v Speaker 3>I mean. The other thing is is like I've seen

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<v Speaker 3>Wayne recently, like he did he did WrestleMania in Philly

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<v Speaker 3>and his performance was very interesting. He forgot a lot

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<v Speaker 3>of his lyrics, so it could be ship like that,

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<v Speaker 3>you know, like, hey, some of the bigger performances, like.

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<v Speaker 1>Maybe if he performed in New Orleans, he wouldn't even

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<v Speaker 1>have to sing his lyrics.

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<v Speaker 3>I don't disagree. I mean they gonna sing. No, I

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<v Speaker 3>don't disagree. I would have liked to have seen Wayne

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<v Speaker 3>or at least like a young money you know, Wayne

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<v Speaker 3>NICKI Drake thing. I mean, hopefully Kendrick. I mean, here's

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<v Speaker 3>the thing.

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<v Speaker 1>You got to think about some of these artists, some

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<v Speaker 1>of us actually reach out to these entities and acts.

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<v Speaker 4>Can we be involved?

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<v Speaker 1>Right? Some of us actually let it be known that

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<v Speaker 1>we would like to be involved, right, so we can

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<v Speaker 1>we can kind of try to say, well, it's not

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<v Speaker 1>a personal thing. But what if what if? What if?

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<v Speaker 1>What if you call and reach out and you ask

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<v Speaker 1>to be involved and you still reject it? You know

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<v Speaker 1>what I'm saying, Like.

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<v Speaker 3>Yeah, I mean, look, it could be. And like the

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<v Speaker 3>other thing is is like like we said, it's like

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<v Speaker 3>if this is a personal thing that we don't know

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<v Speaker 3>about and it's just some some grudge that intertwined into

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<v Speaker 3>this decision. I mean, then then That's just what it is.

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<v Speaker 3>And then the other thing that sucks is I saw

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<v Speaker 3>somebody say on Twitter it was like, well if Kendrick,

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<v Speaker 3>it sucks as if Kendrick plan on bringing Wayne out, now,

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<v Speaker 3>people are just going to think that he did it

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<v Speaker 3>because he was pressured to do it, as opposed to

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<v Speaker 3>he just wanted to do it. You know what I'm saying, Man,

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<v Speaker 3>Like I think, Nah, Kendrick smart, you gotta bring Wayne

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<v Speaker 3>Kenja get smart, Kendrick go like Iwayne out, bro Kendrick

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<v Speaker 3>gets smart.

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<v Speaker 1>He wouldn't be doing that because he's pressured, right to

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<v Speaker 1>be honest, like, I would think that that's probably something

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<v Speaker 1>that win in his head immediately, like.

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<v Speaker 3>Oh for sure, like I got to bring Wayne out

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<v Speaker 3>I'm in New Orleans, or I got to bring something.

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<v Speaker 1>You know what I'm saying, Like, that's just how we think.

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<v Speaker 1>Because if I go to a city and I'm performing

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<v Speaker 1>in a big city and I got a big event, right,

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<v Speaker 1>I'm gonna try to tap into who popping in that area.

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<v Speaker 1>So I wouldn't doubt that, you know, Kendrick thing.

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<v Speaker 3>Like that he brings Wayne out, that'd be spech Kendrick

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<v Speaker 3>Gaylan dumb by far like so recently, Uh, you and

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<v Speaker 3>fifty have been going back and forth. I know you

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<v Speaker 3>spoke a little bit about it on Vlad. I'm curious

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<v Speaker 3>for the people who don't know. Like obviously, fifty opened

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<v Speaker 3>up his gun the movie studios in your hometown, right, Uh,

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<v Speaker 3>he had like a weekend. Right, It was like like

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<v Speaker 3>a whole weekend where people were coming to town and

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<v Speaker 3>performing events, et cetera. Right, your grudge with him was

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<v Speaker 3>that he did not necessarily reach out to pillars of

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<v Speaker 3>the community like you think he should have.

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<v Speaker 1>Is that?

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<v Speaker 3>Am I on track? There?

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<v Speaker 1>You're kind of on track. But it started before that.

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<v Speaker 3>Okay.

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<v Speaker 1>The first thing he did when he came to the city, Trepot,

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<v Speaker 1>Louisiana has been called ratchet city for a real long time.

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<v Speaker 3>Let's get get it.

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<v Speaker 1>Yeah, for sure, you know about it, all right, So

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<v Speaker 1>the first thing he did when he came to the city,

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<v Speaker 1>everybody opened their arms and welcomed him, right, and then

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<v Speaker 1>he said, no more ratchet in my city. We're getting this.

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<v Speaker 4>Ratchet shit out of here.

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<v Speaker 3>He said that out of his mouth, out of his.

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<v Speaker 4>Own mouth, with his lips and teeth and tongue.

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<v Speaker 3>Wow.

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<v Speaker 1>And the radio host said, hey, man, you know they

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<v Speaker 1>kind of crazy about that, you know, that's their thing.

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<v Speaker 4>He said, no, no, no, we got to get that

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<v Speaker 4>out of here.

0:10:49.640 --> 0:10:52.559
<v Speaker 1>So I reach out immediately like, hey, we need to

0:10:52.559 --> 0:10:53.440
<v Speaker 1>sit down and have a talk.

0:10:54.040 --> 0:10:55.240
<v Speaker 4>I didn't get no response.

0:10:55.920 --> 0:11:00.360
<v Speaker 1>So now getting calls from my neighborhood and they saying, hey,

0:11:00.480 --> 0:11:03.560
<v Speaker 1>what's what, what's wrong with fifty saying Ratchet is dead

0:11:03.600 --> 0:11:06.840
<v Speaker 1>and it ain't no more Ratchett City. Like that's kind

0:11:06.880 --> 0:11:10.280
<v Speaker 1>of disrespectful, don't you think, right? So I didn't pay

0:11:10.360 --> 0:11:13.640
<v Speaker 1>no attention. And then I've seen a sign that the

0:11:13.640 --> 0:11:18.240
<v Speaker 1>news poster that said fifty cent Councilors Ratchett City. I'm like, oh,

0:11:18.240 --> 0:11:21.120
<v Speaker 1>they going crazy with this ship. Okay, fuck all the

0:11:21.120 --> 0:11:24.240
<v Speaker 1>money that you, fuck all of that, fuck all this

0:11:24.320 --> 0:11:26.920
<v Speaker 1>shit up you Now you you being disrespectful.

0:11:26.920 --> 0:11:29.840
<v Speaker 4>This is straight disrespect. So that's how I took it.

0:11:30.320 --> 0:11:34.480
<v Speaker 1>So now when I see you do the event and

0:11:34.800 --> 0:11:37.960
<v Speaker 1>you don't even involve no Ratchet City artists on the

0:11:38.000 --> 0:11:41.480
<v Speaker 1>main stage, I'm looking at it like, so it's even

0:11:41.559 --> 0:11:44.000
<v Speaker 1>more of something that's snowballing in my mind that you're

0:11:44.040 --> 0:11:47.120
<v Speaker 1>against this Ratchet movement, which.

0:11:46.920 --> 0:11:48.640
<v Speaker 3>If I go to the Baby, it'd be like coming

0:11:48.640 --> 0:11:51.120
<v Speaker 3>to La and being like no more gangster rap, are.

0:11:51.040 --> 0:11:56.840
<v Speaker 1>Gone going going going over. Yeah. And if you listen

0:11:56.920 --> 0:11:59.679
<v Speaker 1>to my song the Ratchet remix e forty on there,

0:11:59.840 --> 0:12:02.080
<v Speaker 1>he say a babe Bay. Yeah, I mean he's gonna

0:12:02.080 --> 0:12:04.040
<v Speaker 1>say he say, he say Ratchet mean high feel like

0:12:04.080 --> 0:12:06.480
<v Speaker 1>where you stay? Yeah, I mean's so it's something that

0:12:06.600 --> 0:12:09.960
<v Speaker 1>been understood and it takes somebody like fifty who don't

0:12:10.040 --> 0:12:12.679
<v Speaker 1>understand the culture of the South. All he see is, oh,

0:12:12.679 --> 0:12:14.280
<v Speaker 1>I could buy these buildings and make a bunch of

0:12:14.280 --> 0:12:15.040
<v Speaker 1>money and give a cook.

0:12:15.160 --> 0:12:18.240
<v Speaker 3>I'm assuming the real estate market in Treeport is a

0:12:18.240 --> 0:12:20.920
<v Speaker 3>lot more affordable to open up a studio than if

0:12:20.960 --> 0:12:22.559
<v Speaker 3>you were to go to La.

0:12:22.520 --> 0:12:25.240
<v Speaker 1>Super cheap, Yeah, super super duper cheap. And the state

0:12:25.280 --> 0:12:28.560
<v Speaker 1>the city was trying to like beg somebody to take

0:12:28.559 --> 0:12:31.400
<v Speaker 1>that building because they built it for purposes of helping

0:12:31.400 --> 0:12:33.920
<v Speaker 1>the community. It was none profits involved with it. It

0:12:33.960 --> 0:12:36.000
<v Speaker 1>was supposed to be teaching the community and right and

0:12:36.080 --> 0:12:37.520
<v Speaker 1>a lot of stuff was supposed to happen and it

0:12:37.520 --> 0:12:39.640
<v Speaker 1>never happened. So they needed that to be taken off

0:12:39.640 --> 0:12:42.160
<v Speaker 1>of their hands because it was just sitting and nobody

0:12:42.200 --> 0:12:44.240
<v Speaker 1>was doing nothing with it. So it was actually a

0:12:44.320 --> 0:12:46.719
<v Speaker 1>good idea, and it was the perfect idea, you know

0:12:46.760 --> 0:12:49.960
<v Speaker 1>what I'm saying for him to do that. But I'm

0:12:50.000 --> 0:12:52.160
<v Speaker 1>down with all of that, but you just we just

0:12:52.160 --> 0:12:54.280
<v Speaker 1>got off on the wrong foot with him disrespecting his

0:12:54.400 --> 0:12:56.520
<v Speaker 1>Ratchet shit because my first album was called fifty one

0:12:56.640 --> 0:12:59.000
<v Speaker 1>fifty Ratchet. I got home boys just named Ratchet Life.

0:12:59.040 --> 0:13:01.880
<v Speaker 1>That's dead and gone. My partners created a whole record

0:13:01.960 --> 0:13:04.160
<v Speaker 1>label based off of this, this culture. You know what

0:13:04.200 --> 0:13:06.480
<v Speaker 1>I'm saying. He got sentenced to life and end up

0:13:06.520 --> 0:13:08.880
<v Speaker 1>giving a sentence back and coming home to seeing you

0:13:08.960 --> 0:13:11.000
<v Speaker 1>saying that Ratchett shit is dead. And he just got

0:13:11.040 --> 0:13:13.200
<v Speaker 1>home this year, like and he thought he was coming

0:13:13.240 --> 0:13:15.319
<v Speaker 1>home and to get his ship back popping, you know

0:13:15.360 --> 0:13:18.160
<v Speaker 1>what I'm saying. Like, so you're really just you saying.

0:13:18.000 --> 0:13:20.120
<v Speaker 3>But that was where things got on the wrong foot.

0:13:20.200 --> 0:13:23.280
<v Speaker 1>Yes, yeah, So now when I when I see the

0:13:23.360 --> 0:13:27.400
<v Speaker 1>event go down and no, no Ratchett City Artists is involved,

0:13:27.400 --> 0:13:29.320
<v Speaker 1>and I don't see no you know, like no, no,

0:13:29.320 --> 0:13:33.120
<v Speaker 1>no hommage being paid to the city. It was a

0:13:33.120 --> 0:13:36.560
<v Speaker 1>bunch of people Louisiana, Like it was some people from Louisiana,

0:13:36.640 --> 0:13:39.320
<v Speaker 1>but it was nobody, No, no, it was it was

0:13:39.720 --> 0:13:41.439
<v Speaker 1>it was a artist from Louisiana, but it was nobody

0:13:41.480 --> 0:13:44.160
<v Speaker 1>from Streetport. My thing is, you're saying this is your city.

0:13:44.280 --> 0:13:45.600
<v Speaker 1>You're saying it's what we're gonna.

0:13:45.400 --> 0:13:47.600
<v Speaker 4>Call this city. This is kind of called this city.

0:13:47.920 --> 0:13:51.040
<v Speaker 4>So put some of your who is the artist in

0:13:51.080 --> 0:13:51.480
<v Speaker 4>your city?

0:13:51.480 --> 0:13:54.160
<v Speaker 1>That's popping. What's the neighborhoods in your city? Since you're

0:13:54.160 --> 0:13:55.599
<v Speaker 1>saying this your city and we ain't gonna call it

0:13:55.679 --> 0:13:58.200
<v Speaker 1>ratch your city, what's the problems in the community. You

0:13:58.200 --> 0:13:59.920
<v Speaker 1>know what I'm saying. I understand you doing your part

0:14:00.200 --> 0:14:01.480
<v Speaker 1>and all of that, but what the fuck is they

0:14:01.520 --> 0:14:03.600
<v Speaker 1>gonna help to youngsters that's out here shooting and killing

0:14:03.600 --> 0:14:05.880
<v Speaker 1>each other. You could fool a bunch of dummies with

0:14:06.080 --> 0:14:08.160
<v Speaker 1>oh yeah, I'm finnaar people gonna be able to work

0:14:08.160 --> 0:14:08.840
<v Speaker 1>for my studios.

0:14:08.840 --> 0:14:10.120
<v Speaker 3>So I'm about to help the community.

0:14:10.160 --> 0:14:12.600
<v Speaker 1>Bro, If you ain't building a big ass industrial company

0:14:12.800 --> 0:14:16.720
<v Speaker 1>and hiring a thousands and thousands of people, then you're

0:14:16.720 --> 0:14:19.520
<v Speaker 1>not about to put no significant dent into the problem

0:14:19.560 --> 0:14:21.960
<v Speaker 1>that's happening with a lack of jobs in the community.

0:14:22.160 --> 0:14:25.000
<v Speaker 1>So what he got as a marketing agent that I

0:14:25.080 --> 0:14:27.200
<v Speaker 1>had hired working with me at one time, and what

0:14:27.240 --> 0:14:29.200
<v Speaker 1>they know how to do is put a message out

0:14:29.240 --> 0:14:32.360
<v Speaker 1>to the community that and make them really understand the

0:14:32.440 --> 0:14:34.880
<v Speaker 1>message and take it and put it into the perception.

0:14:35.080 --> 0:14:37.080
<v Speaker 1>He got somebody that I used to have working for me,

0:14:37.120 --> 0:14:39.200
<v Speaker 1>and he was the head of marketing, and his whole

0:14:39.240 --> 0:14:42.000
<v Speaker 1>thing is marketing is perception and what you can make

0:14:42.040 --> 0:14:46.040
<v Speaker 1>people believe. People so slow they don't see plays happening

0:14:46.120 --> 0:14:48.360
<v Speaker 1>right inside of their face. I'm the type of person

0:14:48.400 --> 0:14:50.920
<v Speaker 1>to where I make immediate demands. If you're gonna sell

0:14:50.960 --> 0:14:54.200
<v Speaker 1>me a dream, I don't want the dream. Tell I'm

0:14:54.200 --> 0:14:57.160
<v Speaker 1>make immediate demands for for you know you understand that.

0:14:57.200 --> 0:14:59.240
<v Speaker 1>If I'm doing business with somebody.

0:14:59.320 --> 0:15:04.000
<v Speaker 3>My thing is is, did you attempt to like maybe

0:15:04.040 --> 0:15:06.880
<v Speaker 3>reach out and like before things got I reach.

0:15:06.720 --> 0:15:08.920
<v Speaker 1>Out a few times, we need to sit down and talk.

0:15:09.000 --> 0:15:10.000
<v Speaker 1>I never got a response.

0:15:10.760 --> 0:15:11.920
<v Speaker 3>Who did you reach out to that I.

0:15:11.840 --> 0:15:14.440
<v Speaker 1>Reach out to him? And I actually spoke to his

0:15:14.520 --> 0:15:18.760
<v Speaker 1>right hand man, YAlO Nahnee, a guy that we both

0:15:18.840 --> 0:15:20.880
<v Speaker 1>know and come and that that that I brought to

0:15:20.920 --> 0:15:22.720
<v Speaker 1>the city that ended up bringing him to the city.

0:15:22.840 --> 0:15:25.400
<v Speaker 3>Got it. So I guess that's my thing is, like

0:15:26.360 --> 0:15:28.080
<v Speaker 3>I think two things can be true at the same time.

0:15:28.520 --> 0:15:32.000
<v Speaker 3>It can't be true that he was a little disrespectful

0:15:32.000 --> 0:15:34.440
<v Speaker 3>with the getting rid of Raget City. And it also

0:15:34.440 --> 0:15:38.920
<v Speaker 3>can be true that he's bringing industry and jobs to

0:15:38.960 --> 0:15:39.720
<v Speaker 3>the city, right.

0:15:39.880 --> 0:15:43.520
<v Speaker 1>I mean a move, he got a he got a studio,

0:15:43.960 --> 0:15:45.760
<v Speaker 1>so that if you can act and you want to

0:15:45.800 --> 0:15:48.760
<v Speaker 1>be in the music, I mean, a movie industry is

0:15:48.800 --> 0:15:50.440
<v Speaker 1>definitely going to be a plus to you.

0:15:50.520 --> 0:15:53.000
<v Speaker 3>Well, I mean with acting like people I live. I

0:15:53.080 --> 0:15:57.880
<v Speaker 3>live in Burbank where there's studios everywhere, there's light people right, right.

0:15:57.640 --> 0:15:59.600
<v Speaker 1>So it's definated. Do you want to be in the industry,

0:15:59.640 --> 0:16:01.680
<v Speaker 1>then it's definitely gonna be a good thing for you.

0:16:01.800 --> 0:16:04.520
<v Speaker 3>Right yeah, even if you like can build shit, right.

0:16:04.480 --> 0:16:08.120
<v Speaker 1>Right, involvement in the movie industry is gonna be a

0:16:08.160 --> 0:16:08.400
<v Speaker 1>good thing.

0:16:08.440 --> 0:16:10.480
<v Speaker 3>And I think, I think, but I just think I

0:16:10.480 --> 0:16:12.760
<v Speaker 3>think that, like I said, both things can be true.

0:16:13.280 --> 0:16:15.520
<v Speaker 3>Like he could be he could have approached things differently.

0:16:15.800 --> 0:16:18.520
<v Speaker 3>But also he also is bringing what seems to be

0:16:18.600 --> 0:16:20.120
<v Speaker 3>some opportunity to it.

0:16:20.320 --> 0:16:22.280
<v Speaker 1>But I don't matter how much opportunity I bring into

0:16:22.280 --> 0:16:24.240
<v Speaker 1>your house, I gotta respect the people inside of your house.

0:16:24.240 --> 0:16:26.080
<v Speaker 1>If I walk into your house just because I'm the

0:16:26.120 --> 0:16:28.040
<v Speaker 1>person who's finna pay for the food today, that don't

0:16:28.080 --> 0:16:29.880
<v Speaker 1>mean I get to swing my dick around and talk.

0:16:29.920 --> 0:16:31.880
<v Speaker 3>Do you think he's been disrespectful to the people of

0:16:31.880 --> 0:16:33.120
<v Speaker 3>the city or do you just think he can just

0:16:33.240 --> 0:16:34.760
<v Speaker 3>relighted the hip hop culture.

0:16:35.440 --> 0:16:38.800
<v Speaker 1>The culture so and the culture is created by the people.

0:16:38.840 --> 0:16:41.160
<v Speaker 1>We are the people, you know what I'm saying. So

0:16:41.560 --> 0:16:44.360
<v Speaker 1>I speak for the people, not the Internet. But I

0:16:44.400 --> 0:16:46.080
<v Speaker 1>speak for the people who don't even know how to

0:16:46.320 --> 0:16:49.600
<v Speaker 1>work Instagram, you know what I'm saying, the actual community.

0:16:49.800 --> 0:16:53.080
<v Speaker 3>Like, after you guys got into your uh your dispute,

0:16:53.200 --> 0:16:55.880
<v Speaker 3>there has there been any conversation outside of the internet

0:16:55.880 --> 0:16:56.400
<v Speaker 3>back and forth.

0:16:56.480 --> 0:16:57.680
<v Speaker 1>No, it ain't been no conversation.

0:16:58.400 --> 0:17:00.160
<v Speaker 3>Yeah, I think, you know, I think I think think

0:17:00.160 --> 0:17:02.360
<v Speaker 3>it would it would be who fifty to you know,

0:17:02.440 --> 0:17:04.760
<v Speaker 3>if he's got a business in a city like Streetport

0:17:04.840 --> 0:17:07.680
<v Speaker 3>to talk to somebody like you and at the very

0:17:07.720 --> 0:17:10.000
<v Speaker 3>least clear up and need a disrespect You know.

0:17:10.119 --> 0:17:12.040
<v Speaker 1>I just want you to understand that this is an

0:17:12.080 --> 0:17:14.800
<v Speaker 1>actual culture. I will never go out here till the

0:17:14.880 --> 0:17:17.360
<v Speaker 1>Bay Wing calling this debay no more. I will never

0:17:17.400 --> 0:17:19.280
<v Speaker 1>go to New York and say Win calling this the

0:17:19.320 --> 0:17:22.120
<v Speaker 1>big Apple no more. You can do the biggest shit

0:17:22.160 --> 0:17:26.040
<v Speaker 1>in the world, but you can't fucking put respect last.

0:17:26.240 --> 0:17:27.840
<v Speaker 4>You gotta respect.

0:17:27.520 --> 0:17:29.600
<v Speaker 1>First, bro, I don't give a fuck if you're doing

0:17:29.680 --> 0:17:32.639
<v Speaker 1>billion dollar deal. Showed that you got some fucking respect, bro,

0:17:33.080 --> 0:17:36.439
<v Speaker 1>show that first. Don't walk in the room with my wallet.

0:17:36.760 --> 0:17:38.840
<v Speaker 1>Walk in the fucking room and say how you doing?

0:17:39.440 --> 0:17:40.520
<v Speaker 3>Shake your hand you feel.

0:17:41.200 --> 0:17:42.760
<v Speaker 1>I don't walk in and say all this shit on

0:17:42.760 --> 0:17:45.119
<v Speaker 1>the wall. U. If we need to take this shit down,

0:17:45.240 --> 0:17:47.560
<v Speaker 1>I might think that, but let me work my way

0:17:47.560 --> 0:17:49.280
<v Speaker 1>in and talk to the people who did that and

0:17:49.400 --> 0:17:50.480
<v Speaker 1>let them know my idea.

0:17:50.880 --> 0:17:51.080
<v Speaker 3>Right.

0:17:51.560 --> 0:17:53.520
<v Speaker 1>Hey, man, I know you had a lot of.

0:17:53.480 --> 0:17:55.359
<v Speaker 4>Time that you put into that wall with your face.

0:17:56.000 --> 0:17:57.920
<v Speaker 1>I think it'll be better if we do this like this.

0:17:58.160 --> 0:17:59.560
<v Speaker 1>But I'm not about to just walk in here and

0:17:59.640 --> 0:18:02.399
<v Speaker 1>rip this fucking bootleg Camps signed off the wall, right

0:18:02.840 --> 0:18:04.600
<v Speaker 1>because I'm the new dick swinging in town.

0:18:05.400 --> 0:18:08.560
<v Speaker 3>Would you would you be open to having a conversation

0:18:08.680 --> 0:18:10.320
<v Speaker 3>and kind of educating him on where he might have

0:18:10.359 --> 0:18:12.960
<v Speaker 3>missed it. Yeah, Yeah, that's important.

0:18:13.040 --> 0:18:13.600
<v Speaker 1>Definitely.

0:18:13.720 --> 0:18:16.600
<v Speaker 3>Yeah. Talk to me man, like I'm thinking all the

0:18:16.640 --> 0:18:20.480
<v Speaker 3>way back. Okay, So I'm a heavy hitter. Baby is

0:18:20.520 --> 0:18:25.240
<v Speaker 3>my boy. That's my brother. I love baby. I know

0:18:25.320 --> 0:18:28.800
<v Speaker 3>you guys had a falling out, uh, and you know

0:18:28.840 --> 0:18:30.080
<v Speaker 3>he's doing this thing in Dallas.

0:18:30.119 --> 0:18:34.119
<v Speaker 1>What's crazy is like I've always had a big amount

0:18:34.119 --> 0:18:37.800
<v Speaker 1>of love, Like, so that's that's that's one thing.

0:18:37.920 --> 0:18:39.879
<v Speaker 3>Well, I mean because when you so for people who

0:18:39.920 --> 0:18:44.719
<v Speaker 3>don't know, like, Babe is a legendary DJ, He's from Shreveport.

0:18:44.840 --> 0:18:47.639
<v Speaker 3>He's been fucking killing it in Dallas on the rail forever.

0:18:47.680 --> 0:18:52.359
<v Speaker 1>He's heavier since fucking since before I was eating in

0:18:52.440 --> 0:18:52.800
<v Speaker 1>the game.

0:18:52.960 --> 0:18:54.399
<v Speaker 3>He's been trying to get me to go down to

0:18:54.440 --> 0:18:56.640
<v Speaker 3>the South to when it's crawfish season for fucking ever.

0:18:56.680 --> 0:19:02.520
<v Speaker 3>And so so you started working with Beabe as a kid, right.

0:19:02.520 --> 0:19:04.760
<v Speaker 1>I started working with three feet as a kid, okay,

0:19:05.040 --> 0:19:06.520
<v Speaker 1>And so that's his right hand man.

0:19:06.480 --> 0:19:09.240
<v Speaker 3>Okay, So what ended up happening Because I saw a

0:19:09.240 --> 0:19:11.200
<v Speaker 3>little bit of what you said, I'm glad. I think

0:19:11.200 --> 0:19:14.560
<v Speaker 3>it just came out today. Actually where you were essentially

0:19:14.840 --> 0:19:16.280
<v Speaker 3>you were a kid and you were just kind of

0:19:16.280 --> 0:19:19.240
<v Speaker 3>listening to what your big homies were saying at the time,

0:19:19.320 --> 0:19:21.520
<v Speaker 3>right right, carst rated your mom didn't know much about

0:19:21.520 --> 0:19:24.840
<v Speaker 3>the business, right right, right, So where did things kind

0:19:24.840 --> 0:19:26.840
<v Speaker 3>of go wrong? And would you ever be open to

0:19:26.960 --> 0:19:29.120
<v Speaker 3>sitting down with beabay and kind of leaving that shit

0:19:29.160 --> 0:19:29.560
<v Speaker 3>in the past.

0:19:29.600 --> 0:19:35.760
<v Speaker 1>What shit went wrong at was? I I signed my

0:19:35.760 --> 0:19:40.280
<v Speaker 1>idea at around like fifteen, sixteen years old, right, my

0:19:40.359 --> 0:19:43.040
<v Speaker 1>daddy was locked up. My mama didn't know nothing about this.

0:19:43.160 --> 0:19:46.920
<v Speaker 1>So she trusted my manager with me, with my safety,

0:19:47.000 --> 0:19:50.159
<v Speaker 1>with me getting home from school, everything, you know what

0:19:50.200 --> 0:19:54.520
<v Speaker 1>I'm saying, Like, she trusted these cats to leave me

0:19:54.560 --> 0:19:58.040
<v Speaker 1>in the right directly, well, my manager, right so bro

0:19:58.200 --> 0:20:00.639
<v Speaker 1>was my manager, right hand man. I went to the

0:20:00.800 --> 0:20:02.359
<v Speaker 1>We used to go to the club and they used

0:20:02.400 --> 0:20:04.040
<v Speaker 1>to turn up. So one night we're in the club

0:20:04.080 --> 0:20:07.120
<v Speaker 1>and everybody just going crazy, Hey baby baby, he DJing,

0:20:07.280 --> 0:20:11.040
<v Speaker 1>tan it bitch up and we in the crowd going stupid, Hey,

0:20:11.200 --> 0:20:14.960
<v Speaker 1>hey baby baby hey. I go to the studio that

0:20:15.080 --> 0:20:17.120
<v Speaker 1>same night. I said, Man, I'm finna make a song

0:20:17.160 --> 0:20:19.960
<v Speaker 1>about this shit. I called him. I said, I'm finna, boy,

0:20:19.960 --> 0:20:22.160
<v Speaker 1>I'm finna make a hit off this ship. He said,

0:20:22.160 --> 0:20:24.840
<v Speaker 1>make that motherfucker. I already got money and this shit

0:20:24.880 --> 0:20:27.720
<v Speaker 1>gonna help you musically, so let's do it. I made

0:20:27.720 --> 0:20:30.119
<v Speaker 1>that motherfucker and it pop blew up. This shit became

0:20:30.200 --> 0:20:34.719
<v Speaker 1>number one in the fucking universe, like praise, so boom,

0:20:35.200 --> 0:20:41.960
<v Speaker 1>everything all gravy. Fast forward a label come offer me

0:20:42.040 --> 0:20:48.440
<v Speaker 1>a deal. College Park. I choose listen. This was mister

0:20:48.680 --> 0:20:51.080
<v Speaker 1>Parker Collie Park, So I choose to sit down there

0:20:51.119 --> 0:20:53.760
<v Speaker 1>and listen to the meeting. After the meeting, I ain't

0:20:53.760 --> 0:20:55.560
<v Speaker 1>want to do the deal. I was ready to walk out.

0:20:55.920 --> 0:20:57.480
<v Speaker 1>So I walked out the room and they seen it

0:20:57.520 --> 0:20:59.080
<v Speaker 1>on my face that I wasn't gonna sign the deal.

0:20:59.119 --> 0:21:00.560
<v Speaker 4>That's when baby come.

0:21:00.400 --> 0:21:03.000
<v Speaker 1>And tell me, trust us to make the right decision

0:21:03.080 --> 0:21:05.800
<v Speaker 1>for you. Jesse listened to us, so I said fuck

0:21:05.840 --> 0:21:07.120
<v Speaker 1>it and I signed.

0:21:06.800 --> 0:21:10.400
<v Speaker 4>A deal, which was the worst situation we could have did.

0:21:10.520 --> 0:21:13.480
<v Speaker 1>Like my advance to start off with my first deal,

0:21:13.600 --> 0:21:16.040
<v Speaker 1>the advance was thirty k. This was for a Bay Bay.

0:21:16.040 --> 0:21:18.720
<v Speaker 3>Now now this was just signing the college Park.

0:21:18.960 --> 0:21:19.040
<v Speaker 1>No.

0:21:19.200 --> 0:21:21.640
<v Speaker 4>College Park. Took me to Jay Records.

0:21:21.720 --> 0:21:23.320
<v Speaker 1>They gave me the this is where I got my

0:21:23.359 --> 0:21:26.840
<v Speaker 1>first advance from Okay, Colle Park just connected the situation,

0:21:26.960 --> 0:21:28.119
<v Speaker 1>got it and got a percentage.

0:21:28.160 --> 0:21:30.600
<v Speaker 3>So your first you did? You signed a Jay. At

0:21:30.600 --> 0:21:32.679
<v Speaker 3>the time, Jay Records had like Alicia Keys and right

0:21:32.960 --> 0:21:35.320
<v Speaker 3>right right right right, all that shit right right right.

0:21:35.480 --> 0:21:38.959
<v Speaker 1>So I end up doing the deal, I get out.

0:21:39.000 --> 0:21:40.520
<v Speaker 1>I get into it with the record label. But when

0:21:40.560 --> 0:21:42.119
<v Speaker 1>I fall out with the label. I hear brow up

0:21:42.160 --> 0:21:43.840
<v Speaker 1>and I tell them, hey, this ship ain't going right.

0:21:43.880 --> 0:21:45.400
<v Speaker 1>I need you to I need you to reach out

0:21:45.440 --> 0:21:46.840
<v Speaker 1>and I need to try to fix this ship. To

0:21:46.840 --> 0:21:48.640
<v Speaker 1>see what I need to do to get this ship

0:21:48.720 --> 0:21:51.080
<v Speaker 1>fixed and resolved. We having problems. We're going back and

0:21:51.119 --> 0:21:54.520
<v Speaker 1>forth and a grant on shit. He telled me, Hey, man,

0:21:54.520 --> 0:21:56.000
<v Speaker 1>I don't want nothing to do with that. I still

0:21:56.040 --> 0:21:57.720
<v Speaker 1>want to be involved and be able to go back

0:21:57.760 --> 0:22:01.720
<v Speaker 1>and do business with him. Bro, I'm in this situation

0:22:01.840 --> 0:22:05.000
<v Speaker 1>because you told me, trust me to make the best

0:22:05.000 --> 0:22:07.480
<v Speaker 1>decision for you. Now that shit fucked up, you telling

0:22:07.480 --> 0:22:10.200
<v Speaker 1>me you ain't gonna help. So that was strike one boom.

0:22:10.520 --> 0:22:14.840
<v Speaker 1>I you fast forward Tom and I catch my case.

0:22:15.240 --> 0:22:17.520
<v Speaker 1>When I catch my case and I bun out and

0:22:17.560 --> 0:22:19.440
<v Speaker 1>I hit him up and I tell him, I need

0:22:19.480 --> 0:22:21.280
<v Speaker 1>you to make this move, make this call for me,

0:22:21.560 --> 0:22:23.560
<v Speaker 1>so I could put this play together and I could

0:22:23.600 --> 0:22:24.440
<v Speaker 1>take care of all this shit.

0:22:24.480 --> 0:22:26.040
<v Speaker 3>I what year was this?

0:22:26.040 --> 0:22:28.080
<v Speaker 1>This was matter? Don't make me live about the year

0:22:28.119 --> 0:22:30.760
<v Speaker 1>Google where Yeah, I got arrested. It was right when

0:22:30.800 --> 0:22:33.040
<v Speaker 1>I burned it out, like four years ago.

0:22:33.600 --> 0:22:36.480
<v Speaker 3>Yeah so this was recently yeah yeah, yeah.

0:22:36.080 --> 0:22:37.560
<v Speaker 1>So when I burned out, I called him and I

0:22:37.560 --> 0:22:39.840
<v Speaker 1>tell him a call Seuch and such and tell them

0:22:40.000 --> 0:22:42.879
<v Speaker 1>I'm trying to do this because at this point, I

0:22:42.880 --> 0:22:45.560
<v Speaker 1>got a bunch of fucking fees and I need to

0:22:46.240 --> 0:22:49.080
<v Speaker 1>keep running this bag up. Bro, tell me I ain't

0:22:49.119 --> 0:22:50.960
<v Speaker 1>fucking with the music. I ain't fucking with none of

0:22:51.040 --> 0:22:53.520
<v Speaker 1>this shit. I ain't fucking with none of it. I say, brouh,

0:22:54.400 --> 0:22:56.600
<v Speaker 1>I'm fighting for my life right now. You're telling me

0:22:56.640 --> 0:22:58.480
<v Speaker 1>some shit about what you ain't fucking with, and I'm

0:22:58.480 --> 0:23:00.040
<v Speaker 1>telling you I need you to make a call so

0:23:00.119 --> 0:23:02.320
<v Speaker 1>I could put my own I put my own business together,

0:23:03.680 --> 0:23:06.920
<v Speaker 1>or his boy, his baby, Okay, after all the shit

0:23:06.960 --> 0:23:09.440
<v Speaker 1>we'd have been through. I'm like, Bro, you're telling me this,

0:23:09.480 --> 0:23:11.760
<v Speaker 1>and I'm fighting for my life right now. So I'm

0:23:11.800 --> 0:23:13.960
<v Speaker 1>good on you, Homy, I'm good. I'm straight. And we

0:23:14.000 --> 0:23:14.960
<v Speaker 1>ain't talk since then.

0:23:15.080 --> 0:23:19.560
<v Speaker 3>Damn. So that was like four years ago. Yeah that's crazy.

0:23:19.119 --> 0:23:21.280
<v Speaker 1>Man, am I I mean how you feel about that?

0:23:22.040 --> 0:23:24.760
<v Speaker 3>I mean I feel you, I think, especially.

0:23:24.400 --> 0:23:27.040
<v Speaker 1>If we ain't had no situations as to where you feel,

0:23:27.080 --> 0:23:29.480
<v Speaker 1>no type of way about how many Everything is all good.

0:23:29.520 --> 0:23:32.520
<v Speaker 3>So what I'm thinking is okay, because you had what

0:23:32.600 --> 0:23:34.960
<v Speaker 3>year did you stop kind of officially working with them

0:23:35.040 --> 0:23:36.960
<v Speaker 3>or were you always kind of still we was.

0:23:36.960 --> 0:23:39.520
<v Speaker 4>Always still doing here and that Okay, you know what

0:23:39.560 --> 0:23:39.920
<v Speaker 4>I'm saying.

0:23:39.960 --> 0:23:41.639
<v Speaker 1>Even at that point when I hit him about that,

0:23:41.680 --> 0:23:44.160
<v Speaker 1>we had just had a meeting probably a month ago,

0:23:44.680 --> 0:23:46.760
<v Speaker 1>where I was sitting him in his right hand man

0:23:46.840 --> 0:23:48.920
<v Speaker 1>down to try to help them get on the same

0:23:49.000 --> 0:23:51.600
<v Speaker 1>page and then maybe some out of the good to

0:23:51.720 --> 0:23:53.920
<v Speaker 1>come for it from, you know, for all of us.

0:23:53.960 --> 0:23:57.600
<v Speaker 1>We all see some good from from what's from the meeting. Damn,

0:23:57.760 --> 0:24:00.320
<v Speaker 1>you know, but you know that's what it is.

0:24:00.320 --> 0:24:01.840
<v Speaker 3>So well, hopefully I gotta.

0:24:01.680 --> 0:24:03.840
<v Speaker 1>Keep it g Like if I'm down and I'm fucked

0:24:03.880 --> 0:24:06.359
<v Speaker 1>up and I'm telling you, hey, people, I need you

0:24:06.400 --> 0:24:08.000
<v Speaker 1>to do that and it ain't nothing that's gonna.

0:24:07.800 --> 0:24:09.320
<v Speaker 4>Hurt you or take from you, and you refuse.

0:24:09.720 --> 0:24:11.879
<v Speaker 1>Yeah, I'm in a desert and I'm telling you, hey,

0:24:11.960 --> 0:24:14.359
<v Speaker 1>bring me a glass of water, and you refuse to

0:24:14.359 --> 0:24:16.120
<v Speaker 1>bring me that glass of water. I ain't never gonna

0:24:16.160 --> 0:24:18.640
<v Speaker 1>forget how fucking how it was in the desert because

0:24:18.640 --> 0:24:22.000
<v Speaker 1>now I'm in an ac right now. I don't need

0:24:22.040 --> 0:24:25.000
<v Speaker 1>a nigga for ship. So it's like, so are you

0:24:25.040 --> 0:24:25.359
<v Speaker 1>are you?

0:24:26.000 --> 0:24:28.040
<v Speaker 3>Are you independent? Or what you what is your current

0:24:28.080 --> 0:24:28.679
<v Speaker 3>label situation.

0:24:28.760 --> 0:24:31.600
<v Speaker 4>I'm independent, but I fucked with the Light's global like.

0:24:31.640 --> 0:24:34.160
<v Speaker 3>Good Folk shot to Duney and them yea yea yeah.

0:24:33.640 --> 0:24:36.080
<v Speaker 1>Yeah yeah. So we got a situation, we're working.

0:24:36.480 --> 0:24:39.200
<v Speaker 3>Yeah, I mean I feel like uh Miguel doing it

0:24:39.280 --> 0:24:43.040
<v Speaker 3>o G. Yeah for sure. I feel like you know,

0:24:43.119 --> 0:24:46.760
<v Speaker 3>you've had a I mean ever since obviously you you

0:24:46.760 --> 0:24:48.760
<v Speaker 3>you were found not guilty of your situation. You got out.

0:24:48.800 --> 0:24:51.280
<v Speaker 3>I just feel like you've been grinding, bro fucking right working.

0:24:51.400 --> 0:24:53.040
<v Speaker 1>They took so much from me. I had to hit

0:24:53.040 --> 0:24:55.239
<v Speaker 1>the ground and get that ship back. Yeah, I had

0:24:55.280 --> 0:24:56.280
<v Speaker 1>to get back what I lost.

0:24:56.840 --> 0:24:59.199
<v Speaker 3>I think too. It's like it's funny too because, uh

0:24:59.520 --> 0:25:02.680
<v Speaker 3>there was a was it like a Tony Touch freestyle

0:25:02.800 --> 0:25:04.200
<v Speaker 3>or is there some freestyle.

0:25:03.840 --> 0:25:06.520
<v Speaker 2>You got that back in the day I did, But Bro,

0:25:06.640 --> 0:25:09.720
<v Speaker 2>you was fucked like you were like a rapping ass

0:25:09.720 --> 0:25:13.320
<v Speaker 2>full for real, like you could fucking like like, are.

0:25:13.080 --> 0:25:15.840
<v Speaker 3>You like just gifted as a freestyle or because I mean,

0:25:15.840 --> 0:25:18.639
<v Speaker 3>this ship comes so natural to you, like like do

0:25:18.680 --> 0:25:20.880
<v Speaker 3>you write like when like think about it started out freestyle.

0:25:21.240 --> 0:25:23.080
<v Speaker 3>So when you're in the when you're in the booths,

0:25:23.080 --> 0:25:24.560
<v Speaker 3>a lot of kids are punching in these days. Are

0:25:24.600 --> 0:25:26.159
<v Speaker 3>you punching in or you writing your ship out? Like?

0:25:26.160 --> 0:25:27.040
<v Speaker 3>How are you recording now?

0:25:27.480 --> 0:25:28.240
<v Speaker 1>Right? I ain't rolling?

0:25:29.040 --> 0:25:31.760
<v Speaker 3>So you're just saying just off the top running.

0:25:31.440 --> 0:25:33.000
<v Speaker 1>Backs studio with me?

0:25:33.400 --> 0:25:33.600
<v Speaker 3>Yeah?

0:25:33.720 --> 0:25:34.600
<v Speaker 1>Have they ever saw me?

0:25:34.680 --> 0:25:35.359
<v Speaker 3>Right? Yeah?

0:25:36.000 --> 0:25:37.960
<v Speaker 4>I don't even use no, ain't no phone in my

0:25:38.040 --> 0:25:39.000
<v Speaker 4>hand or none of that ship.

0:25:39.240 --> 0:25:39.879
<v Speaker 3>That's crazy.

0:25:39.920 --> 0:25:42.440
<v Speaker 1>I hear the beat out walk in the boot. That's wow, bro,

0:25:42.560 --> 0:25:43.840
<v Speaker 1>that you hit his new ship.

0:25:45.800 --> 0:25:48.119
<v Speaker 3>Talk to me about I saw that you had a

0:25:48.200 --> 0:25:50.240
<v Speaker 3>lawsuit that you were going to be suing the city

0:25:50.280 --> 0:25:53.879
<v Speaker 3>of Shreveport. Is that still something that's still happening or I.

0:25:54.160 --> 0:25:56.840
<v Speaker 1>Am pressed forward with the lawsuit because I was gonna

0:25:56.840 --> 0:26:00.480
<v Speaker 1>have to spend like some stupid money on lawyers, and

0:26:00.880 --> 0:26:03.960
<v Speaker 1>I wasn't guaranteed to even get the paperwork to show

0:26:04.000 --> 0:26:06.320
<v Speaker 1>me what was saying and what happened in the courtroom,

0:26:06.480 --> 0:26:10.199
<v Speaker 1>like the records. It's hard to get the paperwork that

0:26:10.240 --> 0:26:11.920
<v Speaker 1>I need to go forward with my lawsuit.

0:26:11.960 --> 0:26:13.560
<v Speaker 4>They got the right to deny this shit.

0:26:13.640 --> 0:26:15.119
<v Speaker 1>They don't have to give it to me, like the

0:26:15.400 --> 0:26:18.159
<v Speaker 1>records from the courtroom that I need. They got our

0:26:18.240 --> 0:26:21.080
<v Speaker 1>long history of denying. And then the lawyer telling me

0:26:21.119 --> 0:26:24.240
<v Speaker 1>when I spend the money. It's a real big gamble,

0:26:24.280 --> 0:26:27.800
<v Speaker 1>you know what I'm saying. So I feel like God

0:26:27.840 --> 0:26:30.040
<v Speaker 1>got me out of the situation. And if I could

0:26:30.040 --> 0:26:32.879
<v Speaker 1>stop other people from getting into the situation by shedding

0:26:32.960 --> 0:26:36.080
<v Speaker 1>some light on how fucked up the justice system, if

0:26:36.080 --> 0:26:38.320
<v Speaker 1>I could let these youngsters know, if you go catch

0:26:38.320 --> 0:26:40.919
<v Speaker 1>a charge and you ain't got two hundred and fifty

0:26:40.960 --> 0:26:43.399
<v Speaker 1>thousand and a half a million dollars and a property to

0:26:43.480 --> 0:26:44.960
<v Speaker 1>put up, your ass gonna be sitting in.

0:26:45.000 --> 0:26:47.480
<v Speaker 3>Jail with some bullshit public defender.

0:26:48.000 --> 0:26:50.359
<v Speaker 1>With a bullshit public defender. Even with a real lawyer,

0:26:50.400 --> 0:26:52.440
<v Speaker 1>you still get your ass slung. I got a partner

0:26:52.520 --> 0:26:54.959
<v Speaker 1>with real lawyer, just got two thirty year sentences, got

0:26:54.960 --> 0:26:57.040
<v Speaker 1>a partner with a real lawyer, just got two like

0:26:57.160 --> 0:26:59.320
<v Speaker 1>no guarantee sitting in there right now.

0:27:00.040 --> 0:27:01.840
<v Speaker 3>Did they try to push you, like to take a

0:27:02.440 --> 0:27:02.920
<v Speaker 3>like a plea?

0:27:03.119 --> 0:27:06.159
<v Speaker 1>After my ship was over, my lawyer told me, you know,

0:27:06.200 --> 0:27:09.560
<v Speaker 1>they came to me and told me that they'll let

0:27:09.560 --> 0:27:12.000
<v Speaker 1>you take forty years. He said, I know, if I

0:27:12.000 --> 0:27:13.520
<v Speaker 1>would have bought it to you, you would have faed me.

0:27:14.320 --> 0:27:16.240
<v Speaker 3>Yeah, and then you would have been fucked because you

0:27:16.359 --> 0:27:18.960
<v Speaker 3>ended up getting free and beating the charge.

0:27:19.000 --> 0:27:19.400
<v Speaker 1>Exactly.

0:27:20.000 --> 0:27:22.200
<v Speaker 3>But they want you to take well, they want you

0:27:22.240 --> 0:27:23.040
<v Speaker 3>to take the plea.

0:27:23.119 --> 0:27:25.040
<v Speaker 1>I wouldn't taken five you know.

0:27:25.160 --> 0:27:28.879
<v Speaker 3>Yeah, self defense. Yeah, that's what's crazy. Is like in

0:27:28.920 --> 0:27:33.119
<v Speaker 3>the South. You know, it's very uh possible to defend

0:27:33.119 --> 0:27:37.399
<v Speaker 3>yourself in California. If someone breaks into your fucking house

0:27:37.480 --> 0:27:40.680
<v Speaker 3>and you shoot them, you're going to jail. They don't

0:27:40.720 --> 0:27:41.960
<v Speaker 3>give a fuck out here.

0:27:41.840 --> 0:27:43.360
<v Speaker 1>Bro like, and they going to hell.

0:27:44.280 --> 0:27:46.639
<v Speaker 3>They're going to go to hell, and you're going to jail.

0:27:46.800 --> 0:27:48.200
<v Speaker 1>Pick one jail a hell no.

0:27:48.359 --> 0:27:49.440
<v Speaker 3>But but it is interesting.

0:27:49.480 --> 0:27:49.640
<v Speaker 1>Man.

0:27:49.760 --> 0:27:51.960
<v Speaker 3>I'm glad. I'm glad you beat your charge. And I think, uh,

0:27:52.040 --> 0:27:56.199
<v Speaker 3>you know, I think it's important that you, uh you

0:27:56.240 --> 0:27:58.679
<v Speaker 3>shed light on like kind of what happened, because, like

0:27:58.720 --> 0:27:59.919
<v Speaker 3>you said, a lot of a lot of people man

0:28:00.200 --> 0:28:02.480
<v Speaker 3>with no resources, they get put in that room and

0:28:02.520 --> 0:28:05.439
<v Speaker 3>the lawyer says, look, we could either fight this and

0:28:05.480 --> 0:28:07.760
<v Speaker 3>there's a chance you go to prison for the rest

0:28:07.800 --> 0:28:10.120
<v Speaker 3>of your life, or you could take this plea deo

0:28:10.240 --> 0:28:13.520
<v Speaker 3>even though you know you're innocent, and it's eight years

0:28:13.640 --> 0:28:17.080
<v Speaker 3>or it's ten years, and then you're like, well, fuck, if.

0:28:17.040 --> 0:28:19.240
<v Speaker 1>You ain't got no bag, put up as you to

0:28:19.359 --> 0:28:22.720
<v Speaker 1>chill out, you know, lay back, don't jump out here

0:28:22.760 --> 0:28:23.520
<v Speaker 1>here first, like.

0:28:23.480 --> 0:28:26.520
<v Speaker 3>That random question. There's a show called True Detective. Did

0:28:26.520 --> 0:28:29.800
<v Speaker 3>you ever watch it? Okay, so it was based in Louisiana,

0:28:31.000 --> 0:28:35.520
<v Speaker 3>some of it in treport. It's with Matthew McConaughey and

0:28:35.760 --> 0:28:39.160
<v Speaker 3>Woody Harrelson. It's pretty it's a pretty gnarly show. But

0:28:39.200 --> 0:28:40.680
<v Speaker 3>I was just I wanted to get your take on,

0:28:40.720 --> 0:28:43.720
<v Speaker 3>like how accurate of a depiction it was of because

0:28:43.760 --> 0:28:45.800
<v Speaker 3>there's like parishes and shit, which is like what.

0:28:46.000 --> 0:28:46.840
<v Speaker 1>We got parishes?

0:28:46.920 --> 0:28:49.760
<v Speaker 3>Would you say a parish is like a city or

0:28:49.840 --> 0:28:53.000
<v Speaker 3>like a zip code or like it's like a county

0:28:53.160 --> 0:28:55.080
<v Speaker 3>a county. So if there's a parish, like, is there

0:28:55.120 --> 0:28:57.520
<v Speaker 3>like a parish police department.

0:28:58.480 --> 0:28:59.960
<v Speaker 1>Yeah, it's a kettle parish police plum.

0:29:00.600 --> 0:29:02.960
<v Speaker 3>So why why like, what is a fucking parish compared Like,

0:29:02.960 --> 0:29:05.120
<v Speaker 3>why there is there only parishes in Louisiana.

0:29:05.120 --> 0:29:07.600
<v Speaker 1>I have no idea what with how that ship is

0:29:07.640 --> 0:29:08.040
<v Speaker 1>set up.

0:29:08.440 --> 0:29:10.640
<v Speaker 3>I'm like, it's the only fucking place with parishes.

0:29:10.240 --> 0:29:12.160
<v Speaker 1>Because in Houston you got counties.

0:29:11.920 --> 0:29:13.320
<v Speaker 3>Right, we got counties everywhere else?

0:29:13.400 --> 0:29:15.640
<v Speaker 1>Yeah, I ain't never, I don't understand it.

0:29:15.840 --> 0:29:18.800
<v Speaker 3>Yeah, No, it's interesting. Who are some of the young

0:29:18.880 --> 0:29:22.080
<v Speaker 3>up and coming artists out of Streetport that you would have, like,

0:29:22.320 --> 0:29:25.720
<v Speaker 3>you know, you obviously mentioned fifty didn't kind of is

0:29:25.720 --> 0:29:27.120
<v Speaker 3>there anybody who's on the come up that you want

0:29:27.160 --> 0:29:28.120
<v Speaker 3>to shut somebody on? Hell?

0:29:28.200 --> 0:29:31.240
<v Speaker 1>Yeah, you got you got a lot of these boys.

0:29:31.240 --> 0:29:38.400
<v Speaker 1>You got do Wop green eyes. It's so de little man,

0:29:41.440 --> 0:29:43.160
<v Speaker 1>they're gonna be mad at me. You gotta be with

0:29:46.520 --> 0:29:48.760
<v Speaker 1>There's a lot of young cats that's popping right now,

0:29:49.160 --> 0:29:53.160
<v Speaker 1>Like Streetport got some heat. We got legends as well

0:29:53.280 --> 0:29:56.280
<v Speaker 1>that's been popping for a long time, like people that

0:29:56.400 --> 0:29:59.040
<v Speaker 1>was popping a long time ago that's still rock big

0:29:59.080 --> 0:30:02.200
<v Speaker 1>heavy crowds like big Popper. You know what I'm saying, KP.

0:30:03.080 --> 0:30:07.800
<v Speaker 1>Streetport got a music history, and we actually got artists

0:30:07.800 --> 0:30:11.840
<v Speaker 1>that's been rocking crowds of seven eight thousand people locally.

0:30:12.200 --> 0:30:13.840
<v Speaker 3>That's great. That's a lot of fucking. That's a lot

0:30:13.840 --> 0:30:14.200
<v Speaker 3>of fucking.

0:30:14.240 --> 0:30:16.240
<v Speaker 1>Half of like, we got people that have been filling

0:30:16.320 --> 0:30:20.000
<v Speaker 1>up whole sections of football stadiums and rocking that shit.

0:30:20.040 --> 0:30:23.440
<v Speaker 1>And you see, you might see ten fifteen thousand people

0:30:23.600 --> 0:30:26.080
<v Speaker 1>out here saying this shit word for words like Streetport

0:30:26.360 --> 0:30:29.040
<v Speaker 1>got a history of music and that's why I feel

0:30:29.040 --> 0:30:32.240
<v Speaker 1>like it's important that people pay homage and respect to

0:30:32.280 --> 0:30:34.760
<v Speaker 1>that shit when you come there, you understand what I'm saying?

0:30:35.040 --> 0:30:35.840
<v Speaker 1>What is uh?

0:30:36.280 --> 0:30:39.240
<v Speaker 3>Give me kind of like geographically Streetport the Baton Rouge

0:30:39.240 --> 0:30:41.680
<v Speaker 3>in New Orleans? Like where like how far is where

0:30:41.720 --> 0:30:43.240
<v Speaker 3>you're from? From those two places?

0:30:43.760 --> 0:30:47.200
<v Speaker 1>New Orleans? Probably you probably end up taking like four

0:30:47.240 --> 0:30:48.640
<v Speaker 1>and a half five hours to get there.

0:30:48.880 --> 0:30:50.280
<v Speaker 3>That's a serious mission.

0:30:50.040 --> 0:30:52.360
<v Speaker 1>Ben Rudge, like four.

0:30:52.200 --> 0:30:54.840
<v Speaker 3>Hours and then you guys are pretty close to Dallas.

0:30:54.520 --> 0:30:57.320
<v Speaker 1>Right, Yeah, we like two and a half hours from Dallas, right,

0:30:57.360 --> 0:31:01.240
<v Speaker 1>So would you say that about a good three hours max?

0:31:01.920 --> 0:31:05.160
<v Speaker 3>Would you say that? Like Shreveport and Dallas have more

0:31:05.200 --> 0:31:06.680
<v Speaker 3>in common musically.

0:31:06.680 --> 0:31:09.120
<v Speaker 1>Streetport and Dallas don't have more in coming musically, they

0:31:09.200 --> 0:31:12.080
<v Speaker 1>got more, They got a lot in common culture wise

0:31:12.520 --> 0:31:17.400
<v Speaker 1>because Streetport is so close to Texas, so is North Louisiana,

0:31:17.760 --> 0:31:20.440
<v Speaker 1>So it ain't they don't have the accent that Badon

0:31:20.520 --> 0:31:23.080
<v Speaker 1>Ruoge got. We ain't got the accent that New Orleans got.

0:31:23.160 --> 0:31:25.840
<v Speaker 1>Like it, right, we got our own accent. But it's different.

0:31:25.880 --> 0:31:27.880
<v Speaker 1>You know what I'm saying. You'll be able to tell

0:31:27.920 --> 0:31:29.160
<v Speaker 1>the difference, Like you guys.

0:31:28.960 --> 0:31:31.240
<v Speaker 3>Aren't saying WOADI in h Streetport.

0:31:31.000 --> 0:31:32.720
<v Speaker 1>Nah, we don't say Woday. I don't even think New

0:31:32.840 --> 0:31:33.320
<v Speaker 1>Orleans say that.

0:31:33.400 --> 0:31:34.920
<v Speaker 3>Noing was that was the thing when I was like

0:31:35.320 --> 0:31:39.640
<v Speaker 3>Woaday whenever you were listening to the master p True albums. Shit.

0:31:39.800 --> 0:31:42.320
<v Speaker 1>Yeah, yeah, I don't even think I think they upgraded.

0:31:42.400 --> 0:31:44.240
<v Speaker 1>They hold Lingo and Dialect.

0:31:44.800 --> 0:31:46.800
<v Speaker 3>You and Boozye put out a dope record recently. He

0:31:46.840 --> 0:31:48.880
<v Speaker 3>obviously if you go all the way back to the

0:31:49.000 --> 0:31:51.000
<v Speaker 3>Ababay remix, he was on that. He was one of

0:31:51.040 --> 0:31:54.040
<v Speaker 3>the thirty eight rappers that was on the remix. What

0:31:54.200 --> 0:31:54.800
<v Speaker 3>was on that rebax?

0:31:54.840 --> 0:32:03.080
<v Speaker 1>It was game Boozy forty Kiss jadakiss Uh. It was

0:32:03.080 --> 0:32:05.800
<v Speaker 1>a lot of people, bro it was Coloratcher remix, the

0:32:05.840 --> 0:32:08.480
<v Speaker 1>game for the jade ki is Boosy Birdman.

0:32:09.000 --> 0:32:10.080
<v Speaker 3>Birdman was on it.

0:32:10.360 --> 0:32:12.040
<v Speaker 1>Yeah, it was a lot of people.

0:32:12.200 --> 0:32:14.000
<v Speaker 3>It was like how long was I just remember it

0:32:14.080 --> 0:32:15.520
<v Speaker 3>being too long to play on the radio?

0:32:15.880 --> 0:32:18.200
<v Speaker 1>Man? That shit was crazy. I think I broke remix

0:32:18.320 --> 0:32:20.760
<v Speaker 1>eight minutes or something. The hardest remix in rap history.

0:32:20.840 --> 0:32:22.680
<v Speaker 1>Yeah yeah, what what was I mean?

0:32:22.680 --> 0:32:25.640
<v Speaker 3>Obviously at that time the hottest joint out, Like, was

0:32:25.680 --> 0:32:30.080
<v Speaker 3>that something that like you were were you were some

0:32:30.120 --> 0:32:32.680
<v Speaker 3>of those like features favors, some of them the label

0:32:32.720 --> 0:32:33.320
<v Speaker 3>had to pay.

0:32:33.120 --> 0:32:36.520
<v Speaker 1>For Nah, the record got so big bro that everybody

0:32:36.600 --> 0:32:38.560
<v Speaker 1>just said they just wanted to get on it. Everybody

0:32:38.640 --> 0:32:40.840
<v Speaker 1>just started flooding. They was like gonna beef with me.

0:32:41.160 --> 0:32:43.040
<v Speaker 1>I had people telling me, man, if you take me

0:32:43.080 --> 0:32:45.320
<v Speaker 1>off of this regular, we ain't friends no more. Wow.

0:32:46.480 --> 0:32:48.080
<v Speaker 3>Was there anybody who didn't make it to try to

0:32:48.080 --> 0:32:48.479
<v Speaker 3>get on it?

0:32:48.520 --> 0:32:50.920
<v Speaker 1>Like a lot of versus that I think. I think

0:32:50.960 --> 0:32:53.719
<v Speaker 1>I had a verse from Ludacris. Pimpsey was on it.

0:32:55.000 --> 0:32:57.080
<v Speaker 1>The label made the worst decision ever when they cut

0:32:57.080 --> 0:33:00.400
<v Speaker 1>Pimps off of it, like that's and he to kill

0:33:00.440 --> 0:33:01.920
<v Speaker 1>everybody from the regular Abel to.

0:33:03.480 --> 0:33:06.520
<v Speaker 3>Pimpc. Pimpsy was on a Hey Baby remix.

0:33:06.600 --> 0:33:09.360
<v Speaker 1>His DJ caught me like two weeks ago telling me

0:33:09.360 --> 0:33:11.080
<v Speaker 1>he got the verse, So I'm gonna get that verse.

0:33:11.080 --> 0:33:13.760
<v Speaker 3>Oh, you gotta get that verse even if you like

0:33:14.160 --> 0:33:16.480
<v Speaker 3>you know what's crazy is you could probably like reproduce

0:33:16.560 --> 0:33:19.040
<v Speaker 3>the song and reperform it and do like a fucking

0:33:19.960 --> 0:33:23.640
<v Speaker 3>twenty twenty four, because you know that's what Taylor Swift did.

0:33:23.840 --> 0:33:26.560
<v Speaker 1>Yeah, yeah, she re recorded all the music.

0:33:27.960 --> 0:33:30.880
<v Speaker 3>That'd be crazy if you got the Pimps verse. Did

0:33:30.920 --> 0:33:32.360
<v Speaker 3>you have a good relationship with PIMPC when he was

0:33:32.360 --> 0:33:32.680
<v Speaker 3>a Liveye.

0:33:32.720 --> 0:33:34.760
<v Speaker 1>I just tried to PIMC like every day, like for

0:33:34.920 --> 0:33:38.680
<v Speaker 1>probably like at least an hour on the phone. We

0:33:38.760 --> 0:33:39.600
<v Speaker 1>talked daily. Bro.

0:33:39.920 --> 0:33:42.120
<v Speaker 3>He was so fucking ahead of his time. And I

0:33:42.200 --> 0:33:44.040
<v Speaker 3>just think if he still was with us, he would

0:33:44.040 --> 0:33:46.880
<v Speaker 3>have one of the most fire podcasts of all time.

0:33:47.400 --> 0:33:49.680
<v Speaker 3>Like I think how Drake Champs is cracking. Can you

0:33:49.720 --> 0:33:52.160
<v Speaker 3>imagine if Pimpsy had a fucking podcast in twenty twenty four.

0:33:52.520 --> 0:33:55.040
<v Speaker 1>Man, they try to cancel his ass already, you couldn't

0:33:55.080 --> 0:33:57.120
<v Speaker 1>cancel him. They had to cancel him.

0:33:57.320 --> 0:33:59.040
<v Speaker 3>I'd be like Pimps and Boozie are the same, Like

0:33:59.040 --> 0:34:01.520
<v Speaker 3>you could never cancel boo It don't matter what Boozy

0:34:01.560 --> 0:34:02.040
<v Speaker 3>does or says.

0:34:02.080 --> 0:34:05.040
<v Speaker 1>He's kind of come from that umbrella, you know for sure,

0:34:06.360 --> 0:34:09.640
<v Speaker 1>kind of was affiliated with So it's a lot of

0:34:09.680 --> 0:34:12.080
<v Speaker 1>affiliation there, but that that definitely was a good friend

0:34:12.080 --> 0:34:14.040
<v Speaker 1>of mine. Like Pimp ain't give a fuck what he said,

0:34:14.560 --> 0:34:17.280
<v Speaker 1>when he said it, how he said it. If Pimp

0:34:17.360 --> 0:34:19.160
<v Speaker 1>was alive right now, a lot of this ship that's

0:34:19.160 --> 0:34:21.160
<v Speaker 1>happening wouldn't be happening. He'll be speaking up on it

0:34:21.239 --> 0:34:21.600
<v Speaker 1>for sure.

0:34:22.320 --> 0:34:24.719
<v Speaker 3>Uh. I feel like just because of the tempo of

0:34:24.760 --> 0:34:28.000
<v Speaker 3>your records, Like the West Coast has always had a

0:34:28.040 --> 0:34:29.400
<v Speaker 3>place for your ship in the club.

0:34:29.960 --> 0:34:34.640
<v Speaker 1>The West Coast was like when I first popped, this

0:34:34.719 --> 0:34:37.200
<v Speaker 1>is where I lived at. Where were living in l

0:34:37.239 --> 0:34:40.080
<v Speaker 1>An Like I was here, So you were lived here,

0:34:40.120 --> 0:34:42.920
<v Speaker 1>bro Like I had an apartment here and everything Like

0:34:43.000 --> 0:34:43.719
<v Speaker 1>I was here here?

0:34:43.880 --> 0:34:45.840
<v Speaker 3>Was it like the getting out to the Bay a

0:34:45.880 --> 0:34:46.279
<v Speaker 3>lot too?

0:34:47.040 --> 0:34:48.560
<v Speaker 1>Yeah, I was in a bay lot too. I shot

0:34:48.560 --> 0:34:51.040
<v Speaker 1>a video in the in the Bay with Bobby Valentino.

0:34:51.320 --> 0:34:53.480
<v Speaker 1>Mm hmm, yep, so I was. I was really playing

0:34:53.480 --> 0:34:55.680
<v Speaker 1>the Cali scene real heavy. A lot of people from

0:34:55.680 --> 0:34:58.719
<v Speaker 1>my label lived out here, so I had heavy resources

0:34:58.719 --> 0:35:00.359
<v Speaker 1>out here. You know. I still fuck with it out

0:35:00.400 --> 0:35:02.120
<v Speaker 1>here to for real still to this day.

0:35:02.640 --> 0:35:05.000
<v Speaker 3>Yeah, I feel like just just with the temple of

0:35:05.040 --> 0:35:05.359
<v Speaker 3>your shit.

0:35:05.560 --> 0:35:07.239
<v Speaker 1>I used to pull up on the game all them

0:35:07.239 --> 0:35:09.440
<v Speaker 1>every day, like I'm tapped in out here.

0:35:10.239 --> 0:35:14.240
<v Speaker 3>Yeah, talk to me about uh this new record with Boozy.

0:35:14.280 --> 0:35:18.640
<v Speaker 3>It's crazy at Murder Murder Murder. I mean, you guys

0:35:18.640 --> 0:35:19.040
<v Speaker 3>have dealt with.

0:35:19.080 --> 0:35:20.719
<v Speaker 1>K four seven on the side of my bed. You

0:35:20.719 --> 0:35:22.680
<v Speaker 1>should have cross housed. You drew in your head rolling

0:35:22.760 --> 0:35:24.239
<v Speaker 1>with me. Didn't need us have a body, but that

0:35:24.320 --> 0:35:26.279
<v Speaker 1>on my mama paint the city red. They tried to

0:35:26.280 --> 0:35:28.760
<v Speaker 1>take me away from my family and nigga. Just imagine

0:35:28.760 --> 0:35:30.400
<v Speaker 1>the feeling the district could turn and yell and then

0:35:30.480 --> 0:35:32.040
<v Speaker 1>my face. We're gonna do life if we'll give you

0:35:32.120 --> 0:35:34.520
<v Speaker 1>this sentence. I was protecting myself. I ain't never walked

0:35:34.520 --> 0:35:36.680
<v Speaker 1>out of my house looking for no issues. Nigga put

0:35:36.719 --> 0:35:39.000
<v Speaker 1>my life in danger. The detectors ain't even go question

0:35:39.080 --> 0:35:41.200
<v Speaker 1>the witness. I stayed on the scene telling what happened,

0:35:41.200 --> 0:35:43.120
<v Speaker 1>looked dead in his eyes. I really ain't capping now.

0:35:43.120 --> 0:35:45.480
<v Speaker 1>I'm in this hot ass call. Had a panic attack

0:35:45.520 --> 0:35:48.320
<v Speaker 1>in the back of the bitch crazy.

0:35:48.360 --> 0:35:50.080
<v Speaker 4>My life on the line. It's a legal burner.

0:35:50.120 --> 0:35:51.839
<v Speaker 1>How to fuck They still hit me with a murder

0:35:51.840 --> 0:35:53.440
<v Speaker 1>like I'm supposed to let a nigga step on me

0:35:53.520 --> 0:35:55.200
<v Speaker 1>then hop on the ground trying to rap on me.

0:35:55.320 --> 0:35:59.839
<v Speaker 1>This's a dirty game. Ain't no referee, Crazy go go

0:35:59.880 --> 0:36:02.120
<v Speaker 1>YouTube didn't murder me and Buoso.

0:36:01.840 --> 0:36:04.520
<v Speaker 3>Yeah videos out right now. I think it's too up too,

0:36:04.560 --> 0:36:08.200
<v Speaker 3>because like we gotta listen. Side note, just a quick

0:36:08.239 --> 0:36:11.160
<v Speaker 3>side note, all of the icons from Louisiana have all

0:36:11.200 --> 0:36:15.760
<v Speaker 3>had extremely high profile legal situations. Whether it's you, Wayne

0:36:15.800 --> 0:36:18.759
<v Speaker 3>back in the day, fucking free young boy who's just

0:36:19.560 --> 0:36:22.840
<v Speaker 3>twenty seven months boozy. I mean, I feel like they

0:36:23.000 --> 0:36:24.400
<v Speaker 3>just stay trying to lock Boozy up.

0:36:24.400 --> 0:36:26.719
<v Speaker 1>Man, it's hard on us, bro, Like, I don't know

0:36:26.760 --> 0:36:29.239
<v Speaker 1>what the fuck it is. I don't know what it is, bro, Like,

0:36:29.320 --> 0:36:31.600
<v Speaker 1>all the Louisiana artists have to go through this shit,

0:36:31.760 --> 0:36:34.719
<v Speaker 1>and it ain't just Louisiana. It's really a lot of

0:36:34.800 --> 0:36:36.279
<v Speaker 1>artists all over the world right now.

0:36:36.280 --> 0:36:38.680
<v Speaker 4>They just it's the lifestyle. We come from.

0:36:38.719 --> 0:36:40.560
<v Speaker 1>A lot of us really, you know, come from certain

0:36:40.600 --> 0:36:43.279
<v Speaker 1>type of environments, so we prone to the shit that

0:36:43.360 --> 0:36:46.239
<v Speaker 1>happened in those environments. Like you know, that's why a

0:36:46.239 --> 0:36:48.000
<v Speaker 1>lot of people, you know, they don't go back to

0:36:48.040 --> 0:36:50.879
<v Speaker 1>their community. I go back, you know, like, yeah, it's

0:36:50.960 --> 0:36:51.239
<v Speaker 1>just me.

0:36:51.640 --> 0:36:54.080
<v Speaker 3>Do you think it's important that you you because we

0:36:54.120 --> 0:36:56.640
<v Speaker 3>see so many artists losing their life in their hometown,

0:36:56.920 --> 0:36:58.960
<v Speaker 3>is it? Do you think it was imperative for you

0:36:59.040 --> 0:37:01.279
<v Speaker 3>to kind of try to get out in terms of

0:37:01.360 --> 0:37:02.200
<v Speaker 3>just like where you live.

0:37:02.800 --> 0:37:04.719
<v Speaker 1>I ain't get out for that reason. I got out

0:37:04.760 --> 0:37:08.120
<v Speaker 1>to do more business and handle more and have more

0:37:08.160 --> 0:37:11.080
<v Speaker 1>opportunities in bigger cities, Like I never had to leave

0:37:11.120 --> 0:37:14.400
<v Speaker 1>for that reason. I've been here my whole life, and

0:37:14.440 --> 0:37:17.200
<v Speaker 1>it's only one hundred some thousand people. It ain't. This

0:37:17.280 --> 0:37:18.360
<v Speaker 1>ain't a random place.

0:37:18.480 --> 0:37:20.440
<v Speaker 3>One hundred thousand people is not a lot of people.

0:37:20.200 --> 0:37:23.160
<v Speaker 1>Over It's like one eighty. Now, yeah, but this ain't

0:37:23.160 --> 0:37:26.000
<v Speaker 1>a place where. This ain't the type of you know

0:37:26.040 --> 0:37:28.640
<v Speaker 1>what I'm saying, Like you have random shit happened, But

0:37:29.120 --> 0:37:32.279
<v Speaker 1>everybody know everybody. Right, if I'm somewhere, I'm where I

0:37:32.360 --> 0:37:35.440
<v Speaker 1>supposed to be. We in our neighborhood, We were at

0:37:35.480 --> 0:37:38.520
<v Speaker 1>our spots. You know what I'm saying, I ain't and

0:37:38.560 --> 0:37:41.400
<v Speaker 1>I go and I deal with the whole city, like

0:37:41.440 --> 0:37:43.600
<v Speaker 1>I go in every neighborhood, and I know people. I

0:37:43.600 --> 0:37:45.960
<v Speaker 1>could walk in any house, you know what I'm saying,

0:37:46.000 --> 0:37:48.200
<v Speaker 1>Like I could walk through any neighborhood and find a

0:37:48.239 --> 0:37:49.920
<v Speaker 1>door I can knock on where they're gonna let me in.

0:37:50.000 --> 0:37:51.920
<v Speaker 1>It's gonna be my cousin or something. You know what

0:37:52.000 --> 0:37:54.920
<v Speaker 1>I'm saying. Like I'm rooted in the community. So I

0:37:54.960 --> 0:37:57.320
<v Speaker 1>ain't never felt like I need to get out of

0:37:57.320 --> 0:38:02.440
<v Speaker 1>here for my safety, Like right, I ain't never made

0:38:02.840 --> 0:38:05.319
<v Speaker 1>no bunch of enemies like that, you understand what I'm saying.

0:38:05.320 --> 0:38:08.160
<v Speaker 1>So it's different from me, like I ain't never been.

0:38:08.239 --> 0:38:10.600
<v Speaker 1>I ain't never really just made no bunch of enemies.

0:38:10.840 --> 0:38:13.680
<v Speaker 1>I've kind of just been cool with everybody, you know

0:38:13.719 --> 0:38:16.080
<v Speaker 1>what I'm saying, even the cats that don't fuck with

0:38:16.239 --> 0:38:18.839
<v Speaker 1>like that, I keep it quadroing. I don't even don't

0:38:18.880 --> 0:38:20.719
<v Speaker 1>make too much out of shit. You know what I'm saying.

0:38:20.960 --> 0:38:24.120
<v Speaker 1>Everybody know me is that's little Cane. Ain't nobody like

0:38:25.280 --> 0:38:27.320
<v Speaker 1>that nigga did this to such and such a no

0:38:27.400 --> 0:38:29.959
<v Speaker 1>shit like that. That's little Cane, right, That's it since

0:38:30.000 --> 0:38:31.680
<v Speaker 1>I was I've been there since I was a little boy.

0:38:31.719 --> 0:38:32.359
<v Speaker 1>You know what I'm saying.

0:38:33.640 --> 0:38:36.000
<v Speaker 3>Did you ever like find out if halle Berry ever

0:38:36.040 --> 0:38:36.640
<v Speaker 3>heard your record?

0:38:37.480 --> 0:38:39.080
<v Speaker 1>Yeah? Hell yeah, she danced to the record.

0:38:39.160 --> 0:38:39.680
<v Speaker 3>That's amazing.

0:38:39.840 --> 0:38:41.839
<v Speaker 1>Ellen, did they did the dance?

0:38:42.120 --> 0:38:43.160
<v Speaker 3>Ellen? What man?

0:38:43.360 --> 0:38:44.399
<v Speaker 1>You could hook me up with him?

0:38:44.880 --> 0:38:47.160
<v Speaker 3>I don't know halle Berry from when I.

0:38:47.080 --> 0:38:49.560
<v Speaker 1>Gather color somebody color.

0:38:49.920 --> 0:38:51.759
<v Speaker 3>I don't know. If you want that smoke, I want

0:38:51.800 --> 0:38:55.440
<v Speaker 3>the smoke. She just got divorced again. I'm like, who divorces?

0:38:55.560 --> 0:38:57.799
<v Speaker 3>And it was the dude that divorced her. I'm like, yo,

0:38:57.840 --> 0:39:01.680
<v Speaker 3>who's divorced? She must be, That's what I'm saying. She

0:39:01.800 --> 0:39:02.960
<v Speaker 3>must be kind of crazy.

0:39:03.040 --> 0:39:05.520
<v Speaker 1>I don't give a fuck, Eric, it could be crazy

0:39:06.080 --> 0:39:09.400
<v Speaker 1>Aale Barry No, but it's until you hit it.

0:39:09.480 --> 0:39:10.920
<v Speaker 3>We wanted the right to be crazy.

0:39:11.320 --> 0:39:12.520
<v Speaker 1>Let her be crazy.

0:39:12.360 --> 0:39:15.200
<v Speaker 3>About halle Berry or wears off and you're like, oh,

0:39:15.280 --> 0:39:16.280
<v Speaker 3>she might be crazy.

0:39:16.400 --> 0:39:17.840
<v Speaker 1>Your girl crazy anyway?

0:39:18.120 --> 0:39:20.520
<v Speaker 3>Your girl crazy, my girl. You ain't lying about that

0:39:20.640 --> 0:39:22.319
<v Speaker 3>girl's crazy. That's a fair point.

0:39:22.360 --> 0:39:23.000
<v Speaker 1>Just pick one.

0:39:23.280 --> 0:39:26.799
<v Speaker 3>That's a fair point. What you got on the way man?

0:39:26.800 --> 0:39:28.040
<v Speaker 3>Obviously the new videos.

0:39:27.719 --> 0:39:30.480
<v Speaker 1>Out Hurricane season two hours to drop that mix tape.

0:39:30.560 --> 0:39:34.839
<v Speaker 1>I got a whole nother project we're working on. Wantin

0:39:34.960 --> 0:39:38.160
<v Speaker 1>Luther Kines Junior. Okay, that's a mix tape off Martin

0:39:38.200 --> 0:39:40.560
<v Speaker 1>Luther Kine Junior, Wantin Luther Kine Jr.

0:39:40.680 --> 0:39:43.719
<v Speaker 3>I like it. Can we just not put MLK on

0:39:43.760 --> 0:39:44.080
<v Speaker 3>the cover?

0:39:44.680 --> 0:39:46.640
<v Speaker 1>Nah, I ain't gonna, you know, I just you.

0:39:46.600 --> 0:39:48.360
<v Speaker 3>Know how there you know, there's those club flyers that

0:39:48.440 --> 0:39:50.759
<v Speaker 3>go viral every MLK day. There's the club flyer where

0:39:50.800 --> 0:39:52.719
<v Speaker 3>Martin Luther King's with some bel air on the front

0:39:52.719 --> 0:39:53.240
<v Speaker 3>of a flyer.

0:39:53.280 --> 0:39:54.960
<v Speaker 1>Now, I ain't doing it like that. Ain't doing it

0:39:55.040 --> 0:39:57.720
<v Speaker 1>like that. It might not aven't be nobody on the cover.

0:39:58.920 --> 0:40:01.120
<v Speaker 3>Would you and Boozye do a joint project. He's he's noted.

0:40:01.160 --> 0:40:03.240
<v Speaker 1>We got a project. Oh yeah, we got a project

0:40:03.239 --> 0:40:05.640
<v Speaker 1>bad as hurricane too. We just got to finish it.

0:40:05.680 --> 0:40:07.040
<v Speaker 3>That shit, oh fire, it's.

0:40:06.840 --> 0:40:10.680
<v Speaker 1>Probably like probably got like like twelve songs done.

0:40:10.880 --> 0:40:13.560
<v Speaker 3>Yeah, that's what's up man, Shot to Boozie, Shot to

0:40:13.600 --> 0:40:15.480
<v Speaker 3>you man, So when is uh?

0:40:15.520 --> 0:40:19.200
<v Speaker 1>I got a non profit to the Lawyer Foundation leading

0:40:19.200 --> 0:40:21.560
<v Speaker 1>now you their life. So I'm working on that to

0:40:21.560 --> 0:40:24.680
<v Speaker 1>be able to help kids after school. And I'm gonna

0:40:24.719 --> 0:40:28.080
<v Speaker 1>have like three different people from three different career paths

0:40:28.120 --> 0:40:29.319
<v Speaker 1>to try to guide kids and.

0:40:29.360 --> 0:40:32.239
<v Speaker 3>All career paths. And that's fucking awesome.

0:40:31.960 --> 0:40:35.000
<v Speaker 1>And some direction and motivation, has some counselors there for

0:40:35.080 --> 0:40:38.160
<v Speaker 1>him as well. That's gonna be in Streeport Streetport and Atlanta.

0:40:38.200 --> 0:40:40.719
<v Speaker 3>That's big man, that's big. Well, look go follow this guy.

0:40:40.760 --> 0:40:43.879
<v Speaker 3>Appreciate you pulling up man, fuck with me. Hopefully we

0:40:43.880 --> 0:40:47.360
<v Speaker 3>can get you in fifty cent to chat and you know,

0:40:47.480 --> 0:40:49.880
<v Speaker 3>do some dope shit. And I hope one day you

0:40:49.960 --> 0:40:52.200
<v Speaker 3>and baby chat because I love Baby, and you know,

0:40:52.280 --> 0:40:54.160
<v Speaker 3>I feel like you know you guys will you guys

0:40:54.200 --> 0:40:56.640
<v Speaker 3>will put that behind you one day. I think I

0:40:56.640 --> 0:40:58.080
<v Speaker 3>think it's gonna have to be him to reach out

0:40:58.080 --> 0:41:00.800
<v Speaker 3>to you, though. But if Baby reached out, would you answer.

0:41:00.880 --> 0:41:03.520
<v Speaker 1>Yeah, I got an unblack as number. I was mad

0:41:03.560 --> 0:41:04.320
<v Speaker 1>than the motherfucker.

0:41:04.360 --> 0:41:07.279
<v Speaker 2>W Bro ain't block his number, Man Bro did. When

0:41:07.320 --> 0:41:09.200
<v Speaker 2>Bro did that, I got a call. See now I

0:41:09.200 --> 0:41:10.759
<v Speaker 2>gotta call him and be like yo. I talked to

0:41:10.800 --> 0:41:14.160
<v Speaker 2>Hurricane Chris. From what he described it sounded a little

0:41:14.160 --> 0:41:16.160
<v Speaker 2>fucked up. You should call him man and squash it.

0:41:16.440 --> 0:41:18.200
<v Speaker 2>Because Baby is a good man. I know him to

0:41:18.239 --> 0:41:18.759
<v Speaker 2>be a good man.

0:41:18.800 --> 0:41:20.759
<v Speaker 3>I love Baby, so I would just love to see y'all.

0:41:20.760 --> 0:41:23.640
<v Speaker 1>You know, I don't like to keep grudges going and

0:41:23.640 --> 0:41:24.719
<v Speaker 1>shit like that.

0:41:24.400 --> 0:41:26.319
<v Speaker 3>That you always on and then you guys are so

0:41:26.440 --> 0:41:27.000
<v Speaker 3>tied together.

0:41:27.200 --> 0:41:29.400
<v Speaker 4>I always like for understanding and be had.

0:41:29.480 --> 0:41:33.800
<v Speaker 3>For sure, even if it's even if it's agreeing to disagree.

0:41:33.560 --> 0:41:35.719
<v Speaker 1>Right right, right right. What I'm saying, yeah, ain't. When

0:41:35.719 --> 0:41:37.399
<v Speaker 1>you sit down with somebody, you ain't looking for them

0:41:37.400 --> 0:41:38.760
<v Speaker 1>to just adopt your opinion.

0:41:38.880 --> 0:41:39.200
<v Speaker 3>For sure.

0:41:39.239 --> 0:41:41.640
<v Speaker 1>The sit down is to show that at least we have,

0:41:41.719 --> 0:41:43.760
<v Speaker 1>at least we could speak, and it showed the effort

0:41:43.840 --> 0:41:45.239
<v Speaker 1>from both sides, for sure. You know.

0:41:45.719 --> 0:41:47.319
<v Speaker 3>That's that's what I feel like we need more of

0:41:47.320 --> 0:41:49.560
<v Speaker 3>that in general right now, just in America.

0:41:49.960 --> 0:41:51.279
<v Speaker 1>You know a lot of people got it in their

0:41:51.280 --> 0:41:53.680
<v Speaker 1>mind that when shit goes so far that it ain't

0:41:53.719 --> 0:41:56.960
<v Speaker 1>no talking. Somebody got shot, it ain't no talking, right, bro,

0:41:57.840 --> 0:42:01.279
<v Speaker 1>How many walls didn't happen that had to end eventually?

0:42:01.680 --> 0:42:02.000
<v Speaker 3>For sure.

0:42:02.040 --> 0:42:05.200
<v Speaker 1>Somebody got hurt in every war, but they still had

0:42:05.200 --> 0:42:06.040
<v Speaker 1>to end eventually.

0:42:06.120 --> 0:42:06.279
<v Speaker 3>Yep.

0:42:06.560 --> 0:42:08.440
<v Speaker 1>So that's what I'd be wanting people to understand that

0:42:08.480 --> 0:42:10.759
<v Speaker 1>you got to leave room for conversation with sure.

0:42:11.080 --> 0:42:12.520
<v Speaker 3>I mean, that's why a lot of the street shit

0:42:12.600 --> 0:42:15.880
<v Speaker 3>never ends, because it's like it's like bloodshed happens and

0:42:15.920 --> 0:42:19.319
<v Speaker 3>then somebody has to say, Okay, that was the last

0:42:19.360 --> 0:42:21.520
<v Speaker 3>blood to shed. I gotta get one now, you know

0:42:21.560 --> 0:42:24.120
<v Speaker 3>what I'm saying. So I appreciate you pulling up man,

0:42:24.160 --> 0:42:26.439
<v Speaker 3>Hurricane Chris, thinking for your time. Brother, you dig there

0:42:26.440 --> 0:42:26.719
<v Speaker 3>it is