WEBVTT - Chante Moore

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<v Speaker 1>Speaks to the planning.

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<v Speaker 2>I go by the name of Charlamagne of God, and

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<v Speaker 2>guess what, I can't wait to see y'all at the

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<v Speaker 2>third annual Black Effect Podcast Festival. That's right, We're coming

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<v Speaker 2>back to Atlanta, Georgia, Saturday, April twenty six at Poleman

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<v Speaker 2>Yards and it's hosted by none other than Decisions Decisions,

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<v Speaker 2>Mandy B and Wheezy. Okay, we got the R and

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<v Speaker 2>B Money podcast with taking Jay Valentine. We got the

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<v Speaker 2>Woman of All podcasts with Sarah Jake Roberts. We got

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<v Speaker 2>Good Mom's Bad Choices. Carrie Champion will be there with

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<v Speaker 2>her next sports podcast and the Trap Nerds podcast with

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<v Speaker 2>more to be announced. And of course it's bigger than podcasts.

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<v Speaker 2>We're bringing the Black Effect marketplace with black owned businesses,

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<v Speaker 2>plus the food truck court to keep you fed while

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<v Speaker 2>you visit us. All right, listen, you don't want to

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<v Speaker 2>miss this. Tap in and grab your tickets now at

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<v Speaker 2>Black Effect dot Com Flash Podcast Festival.

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<v Speaker 3>R and B Money, Honey were saxon Take Valochi.

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<v Speaker 1>We are the authority on all R.

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<v Speaker 3>And B ladies and gentlemen. My name is Tank Valentine

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<v Speaker 3>and this is the R and B Money Podcast, the

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<v Speaker 3>authority on all things.

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<v Speaker 4>R and B.

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<v Speaker 1>Come on, talk to him, talk to him.

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<v Speaker 4>I'm sick of your shiit.

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<v Speaker 1>What the hell is going on?

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<v Speaker 2>I want to hear your vocal if they got them,

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<v Speaker 2>I want to hear your train.

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<v Speaker 4>Raw fleck footed, turn the machines.

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<v Speaker 1>Off, Darphin though Daulphin.

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<v Speaker 3>Vocal.

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<v Speaker 1>They know who are today?

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<v Speaker 5>They know yeah, yeah, because I got the same clothes twice.

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<v Speaker 5>They I don't do that, only do that when we

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<v Speaker 5>gotta double up.

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<v Speaker 3>Have not seen a combination of beauty and gift and

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<v Speaker 3>intellect ever.

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<v Speaker 4>Standing on that. She's in the building.

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<v Speaker 3>My my mind, Chante, it's in the building, damn it, Shante.

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<v Speaker 3>You can fucking sing and no fucking sing, no question,

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<v Speaker 3>no questions.

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<v Speaker 1>Listen.

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<v Speaker 3>We're gonna get into the history of it. But we

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<v Speaker 3>we were on the show. I think this was the

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<v Speaker 3>b T war like to look at her like tumble

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<v Speaker 3>as well. But you you're an athlete too. I didn't

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<v Speaker 3>know you had that. You put that one hand down

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<v Speaker 3>and it's still carrying them and you proceed what was

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<v Speaker 3>this twenty twenty two? You proceeded to show us the

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<v Speaker 3>difference man.

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<v Speaker 1>That remember is like its yesterday.

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<v Speaker 3>I was like, you hear this and it was like

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<v Speaker 3>the room was even even the room was confused, like

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<v Speaker 3>what the fuck is going on right now? Yeah, that's

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<v Speaker 3>what's going on right now.

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<v Speaker 4>And it was like, let's do it again.

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<v Speaker 6>Because I fell down and listen.

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<v Speaker 1>Cool, cool, no problem, no problem.

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<v Speaker 4>Oh you want it again.

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<v Speaker 1>You do this all day.

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<v Speaker 4>I can do this all all night because this is

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<v Speaker 4>what I do.

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<v Speaker 3>Yeah, I just I just I You're You're you are,

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<v Speaker 3>you are what you are, You're you're a really you're gifted,

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<v Speaker 3>of course by immeasurably right. But the work that you

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<v Speaker 3>have put into your gift speaks volumes because every time

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<v Speaker 3>you open your mouth, it is like see and I listen,

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<v Speaker 3>and I've known you for such a long time, you're

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<v Speaker 3>like you're like you're like the coolest, nicest person. And

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<v Speaker 3>maybe Stephen feels differently, maybe you show him another side,

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<v Speaker 3>but maybe you can tell us about the stories. Man,

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<v Speaker 3>I'm telling you, bro, he was in the crowd other night.

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<v Speaker 3>But it's like that gift, that beauty, that everything that

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<v Speaker 3>comes along with you for you to have always been

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<v Speaker 3>as gracious and welcoming and awesome of a person that

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<v Speaker 3>you are every time that I've come in contact with

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<v Speaker 3>you for the last fifteen, twenty years, whatever, it's just incredible,

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<v Speaker 3>just incredible. Like I come from a place where, you

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<v Speaker 3>know what I'm saying, if you got all the tools

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<v Speaker 3>as a woman, oh you stuck all the way up?

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<v Speaker 4>What you know?

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<v Speaker 3>You're hey girl, hey whatever, you're like.

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<v Speaker 4>I come I come from.

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<v Speaker 3>That, no super turned up and you've just with with

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<v Speaker 3>everything that you have, but all the gifts God has

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<v Speaker 3>given you, you've never been that and that's I think

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<v Speaker 3>that's that's the other layer that's even more awesome about you.

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<v Speaker 4>So I just I just wanted to.

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<v Speaker 3>Make sure we throw those flowers at you at the

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<v Speaker 3>top of the pod so people can understand who and what.

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<v Speaker 4>Is sitting in the.

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<v Speaker 3>Hot seat now high school?

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<v Speaker 4>Where is this?

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<v Speaker 3>Like, it's kind of I feel like you've been singing

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<v Speaker 3>since you were like one and a half.

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<v Speaker 4>That's just my guess.

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<v Speaker 3>If I had to guess, I would say she was

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<v Speaker 3>holding harmonies it too.

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<v Speaker 6>Well. I love to see First of all, thank you

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<v Speaker 6>for having me here.

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<v Speaker 1>Course course you're telling people I used to be chasing

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<v Speaker 1>you down.

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<v Speaker 5>I wondering I'm just offing to a boulevard I'm like, what's.

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<v Speaker 6>Up, and we were like, yes, yes, so thank you

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<v Speaker 6>for having me here. I appreciate that singing. I love music,

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<v Speaker 6>So it's always been something that I played. It was

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<v Speaker 6>on a little phonograph, it was on the little album

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<v Speaker 6>thing my godmother got me, uh to play records on

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<v Speaker 6>and I play them and sing and dance. And what

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<v Speaker 6>is not commonly known is that my family was all music.

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<v Speaker 6>My mother saying. My father's a pianist, he's still living.

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<v Speaker 6>My mother's passed on. My sister is the most talented

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<v Speaker 6>out of all of us. She sings and plays guitar,

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<v Speaker 6>she plays the piano, she can play the drums, She writes,

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<v Speaker 6>she draws, she does everything. She told her sister kind.

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<v Speaker 1>Of like that.

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<v Speaker 6>It was a lot, and that's what it was when

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<v Speaker 6>I was growing up. My brothers was a drummer. He

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<v Speaker 6>passed on as well, but he's played with DJ Rogers

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<v Speaker 6>and the guys from Crouches, all the Crotches anyway, Yeah,

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<v Speaker 6>he was yeah, yeah, And so I was the baby

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<v Speaker 6>of the family, and so the it was just you know,

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<v Speaker 6>shut up, just shut up, chante because I was always

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<v Speaker 6>running with the camera and running. I want to play.

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<v Speaker 6>I want to, I'll sing it. They're like, baby, just

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<v Speaker 6>bet So. My mother got me a tape recorder when

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<v Speaker 6>I was about seven. She was like, this is so

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<v Speaker 6>you can hear how bad you sound, baby wow. And

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<v Speaker 6>it's okay because I never took offense to any of it.

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<v Speaker 6>They were like shout up. I was like, I'll just

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<v Speaker 6>go to my room. You got to I don't, I

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<v Speaker 6>don't care. And so I went, and there's tapes of

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<v Speaker 6>me actually on one of my albums. I have this

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<v Speaker 6>thing where I'm talking in the middle. I shot he's

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<v Speaker 6>got a man whatever album that is smums Mine and

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<v Speaker 6>you've seen said Chantette seven. It was literally me going

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<v Speaker 6>so you were the only thing I could talk to

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<v Speaker 6>was you, And so I'm just talking into my papercorder.

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<v Speaker 3>And I still had that tape.

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<v Speaker 6>I still yeah wow. But I wasn't the singer. I

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<v Speaker 6>was in the choir. At twelve, they let me be

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<v Speaker 6>in the choir, but I was just in the choir.

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<v Speaker 6>I wasn't the soloist. My sister was the one who

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<v Speaker 6>would sing and slay them. My mom sang before my

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<v Speaker 6>dad preached, and she'd slay it. And it was.

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<v Speaker 3>Just like, yeah, I didn't know we really followed that

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<v Speaker 3>saying all these years, I didn't know that like we

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<v Speaker 3>followed that same.

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<v Speaker 6>Either.

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<v Speaker 4>I couldn't play my cousin's.

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<v Speaker 3>Drum, get off that piano drill like and my cousin Keisha,

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<v Speaker 3>my first cousin, she was the soloist.

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<v Speaker 4>She was the one that got all the solos.

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<v Speaker 3>My mama sang, my grandmama sang all my big cousin,

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<v Speaker 3>she has all of them, was saying becausein father, they

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<v Speaker 3>was the singers, and I was the kid trying to

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<v Speaker 3>just get a little She's get a little peace, like

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<v Speaker 3>you could just get here.

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<v Speaker 4>I'd sneaking to the what they was saying.

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<v Speaker 3>And as you said that that, like here, how bad

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<v Speaker 3>you sound? I had a solo one time. I had

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<v Speaker 3>fought for this solo. My grandmother fought for this solo

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<v Speaker 3>for me, and and I sang this solo, Jesus are

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<v Speaker 3>the center of my joy in front of the whole

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<v Speaker 3>state Congress, which my grandmother was the diana, and I'm

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<v Speaker 3>singing my lead, and the two other older guys singing

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<v Speaker 3>lead with me, and and toward toward the middle of

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<v Speaker 3>the song, I just felt like I was getting boxed

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<v Speaker 3>out from the microphone. You know, ain't know what that was.

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<v Speaker 3>I was like, well, let me just sing to their

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<v Speaker 3>shoulders and maybe they'll get through. And after that, you know,

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<v Speaker 3>were walking to the car with my anti Betty got

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<v Speaker 3>arrest her soul. She was the one who was teaching

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<v Speaker 3>us how to sing Junior Crawle. I was like, anti, baby,

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<v Speaker 3>I'll sound. She said, you was off, Baby was real.

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<v Speaker 6>Honest, okay.

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<v Speaker 4>Didn't deter me when okay, all right, and I went

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<v Speaker 4>back and I kept doing.

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<v Speaker 3>Until I figured it out. Same thing, the process, the process, it's.

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<v Speaker 6>The love for the music. For me, it's not about

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<v Speaker 6>I didn't think I was going to become a singer.

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<v Speaker 6>Well that wasn't even if it was going to be

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<v Speaker 6>a ballerina. And then I thought I was going to

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<v Speaker 6>be a gymnast, and then I thought, oh, I'll just draw.

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<v Speaker 6>I didn't know. I didn't think singing was an option

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<v Speaker 6>at that point. And where you were you from the

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<v Speaker 6>baby the family in.

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<v Speaker 5>San Francisco, Come on, yeah, come on, okay, so I

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<v Speaker 5>see it.

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<v Speaker 4>I see man, you know.

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<v Speaker 1>Singers like you know, we got right. That's good stuff.

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<v Speaker 6>I love it. And that was the thing that they

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<v Speaker 6>didn't deter me from loving the music. I could only

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<v Speaker 6>listen to gospel music as a kid because my dad

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<v Speaker 6>and mom were like not having it. And then when

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<v Speaker 6>my brother turned eighteen, he had a drum set already

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<v Speaker 6>in the garage, but when he turned eighteen he could

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<v Speaker 6>play other music. So we just started going into the

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<v Speaker 6>garage and I can play the drums, which I haven't

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<v Speaker 6>done a lot of, but because he said, don't touch

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<v Speaker 6>them neither time you left home out So but that

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<v Speaker 6>was just where the love came from. And then hearing

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<v Speaker 6>Mini Ripperton eventually realizing other people did the thing I

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<v Speaker 6>thought was a broken part of my voice. I thought

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<v Speaker 6>it was broken me because Tremaine couldn't sing you know

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<v Speaker 6>that that, you know, the real and I would try

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<v Speaker 6>to do that with Walter and her and Andree Crouch

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<v Speaker 6>and all those people. I love singing with singers, and

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<v Speaker 6>I couldn't do that full voice. And I didn't have

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<v Speaker 6>anybody to ask because they weren't gonna tell me how

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<v Speaker 6>to do it, because they were like, you just be caiet.

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<v Speaker 6>And one of my aunties used to say, good thing,

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<v Speaker 6>you cute because the singing were singing I words now

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<v Speaker 6>though I wait, yeah, But my point was what oh,

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<v Speaker 6>I would go over the note like if they do

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<v Speaker 6>that and they went at full voice, I would just

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<v Speaker 6>up on top of that because that was all I knew,

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<v Speaker 6>and so I thought that was broken, so I would

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<v Speaker 6>I didn't even let anybody know I could do that

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<v Speaker 6>because I didn't think it was something to be proud of.

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<v Speaker 6>It was just what I did to get through the

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<v Speaker 6>song with them.

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<v Speaker 4>What.

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<v Speaker 5>Yeah, I didn't know that, so wid discovery. Yeah, just

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<v Speaker 5>to do that, yeah, yeah.

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<v Speaker 6>I didn't know. So yeah, that was it.

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<v Speaker 1>That's where happened. So that was Anne.

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<v Speaker 3>And when do you get a chance at least to

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<v Speaker 3>where the film is like, all right, go ahead saying

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<v Speaker 3>something me, let me hear what you're doing to me.

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<v Speaker 6>I sang background with my sister and my mom, like

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<v Speaker 6>as we sang before my dad would preach, we would

0:13:18.200 --> 0:13:23.600
<v Speaker 6>do that. I was the alto, but alone. A lady

0:13:23.640 --> 0:13:27.679
<v Speaker 6>asked me to be Dorothy in a stage production college production,

0:13:27.880 --> 0:13:30.520
<v Speaker 6>and I was Dorothy and she asked me to do it,

0:13:30.559 --> 0:13:32.760
<v Speaker 6>and I was like, everybody always mixed me and my

0:13:32.760 --> 0:13:36.640
<v Speaker 6>sister up, it's Laton. I'm chante you Laton. She was like, no, no,

0:13:37.240 --> 0:13:39.000
<v Speaker 6>I know who I'm asking. I was like you want

0:13:39.040 --> 0:13:42.560
<v Speaker 6>me to do. I never scared. I was like, yeah, okay, sure,

0:13:43.480 --> 0:13:47.640
<v Speaker 6>So I said yes to being Dorothy and we learned

0:13:47.679 --> 0:13:53.240
<v Speaker 6>all the lines and singing in my mother played the

0:13:53.559 --> 0:13:56.520
<v Speaker 6>what is Auntie Auntie m? She played auntiem in the beginning,

0:13:56.520 --> 0:13:58.400
<v Speaker 6>and my sister was part of the Yellow Brick Road.

0:13:59.440 --> 0:14:02.680
<v Speaker 6>And so I'm doing rehearsals and We're all sitting on

0:14:02.679 --> 0:14:05.839
<v Speaker 6>the floor in this college whatever replace. We were just

0:14:05.840 --> 0:14:07.439
<v Speaker 6>sitting on the floor and the guy's playing the piano

0:14:07.880 --> 0:14:10.800
<v Speaker 6>and I'm singing with him, and my sister and my

0:14:10.840 --> 0:14:12.719
<v Speaker 6>mother looking me in and it started looking at each

0:14:12.720 --> 0:14:15.120
<v Speaker 6>other and I was like, what's what I'm singing? Like

0:14:15.200 --> 0:14:17.600
<v Speaker 6>home or whatever the B line. I don't even remember

0:14:17.600 --> 0:14:19.200
<v Speaker 6>what the song it was. And they were like, when

0:14:19.240 --> 0:14:21.840
<v Speaker 6>did you learn how to sing? I was like, I

0:14:21.840 --> 0:14:25.800
<v Speaker 6>can sing? I was sixteen. I was like, I can

0:14:25.840 --> 0:14:30.080
<v Speaker 6>do it. I can okay. So that was the moment

0:14:30.120 --> 0:14:32.960
<v Speaker 6>I realized that they thought I could sing. And then

0:14:33.960 --> 0:14:38.360
<v Speaker 6>performing the end the Home at the end is when

0:14:38.440 --> 0:14:41.440
<v Speaker 6>I got bitten with the bug, the performance bug, and

0:14:41.880 --> 0:14:43.840
<v Speaker 6>they clapped. I was like, oh, yeah, I'm gonna deal

0:14:43.920 --> 0:14:44.160
<v Speaker 6>with that.

0:14:44.280 --> 0:14:47.160
<v Speaker 3>I can do it like this And you had just

0:14:47.280 --> 0:14:52.960
<v Speaker 3>been in your shed just working on it.

0:14:53.240 --> 0:14:54.680
<v Speaker 6>Well, I didn't know I was working on it.

0:14:54.720 --> 0:14:56.280
<v Speaker 4>You know, you didn't know you were working on it.

0:14:56.360 --> 0:15:01.560
<v Speaker 3>But there's there's maybe this unconscious thing where you know,

0:15:03.000 --> 0:15:06.800
<v Speaker 3>you're just waiting for this approval. Like I wanted Auntie

0:15:06.840 --> 0:15:11.520
<v Speaker 3>Betty to say I could I could finally sing so bad,

0:15:11.800 --> 0:15:14.440
<v Speaker 3>like you know what I mean? Like I loved it,

0:15:14.480 --> 0:15:16.280
<v Speaker 3>so that's why I was doing it. But at the

0:15:16.320 --> 0:15:19.280
<v Speaker 3>same time we're looking for that. Auntie Betty was the

0:15:19.360 --> 0:15:21.320
<v Speaker 3>barn Right and she.

0:15:21.520 --> 0:15:24.200
<v Speaker 1>And your mother and your your for you.

0:15:24.600 --> 0:15:26.280
<v Speaker 6>I mean, I thought it was the approval of that

0:15:26.360 --> 0:15:29.480
<v Speaker 6>I can carry a note. It still wasn't the I'm

0:15:29.480 --> 0:15:30.960
<v Speaker 6>going to do this for a living.

0:15:31.240 --> 0:15:33.200
<v Speaker 4>Well no, not even with it, just love it.

0:15:33.480 --> 0:15:35.960
<v Speaker 6>I was like, oh, I'm on good yeah, all right,

0:15:36.040 --> 0:15:37.960
<v Speaker 6>all right, two thumbs up.

0:15:38.760 --> 0:15:41.320
<v Speaker 3>I didn't know did you did you? Did you kill it?

0:15:42.200 --> 0:15:44.160
<v Speaker 6>You know what? There was a tape of it a

0:15:44.200 --> 0:15:46.400
<v Speaker 6>long time ago, and I don't know if I did

0:15:46.480 --> 0:15:49.480
<v Speaker 6>or didn't. I think I did good enough?

0:15:49.600 --> 0:15:51.120
<v Speaker 3>Yeah, good enough?

0:15:51.440 --> 0:15:54.520
<v Speaker 6>They did. They clapped, and it was it was the

0:15:54.560 --> 0:15:57.080
<v Speaker 6>moment I thought this could be something I could do

0:15:57.160 --> 0:16:00.800
<v Speaker 6>for a living. But I thought, you know, one song

0:16:00.840 --> 0:16:01.440
<v Speaker 6>don't make an.

0:16:01.400 --> 0:16:04.720
<v Speaker 3>Artist, right, because you also like, it's not one of

0:16:04.720 --> 0:16:06.280
<v Speaker 3>the million outletsible.

0:16:07.160 --> 0:16:10.440
<v Speaker 6>It was not even in my realm, you know, I

0:16:10.480 --> 0:16:12.520
<v Speaker 6>didn't even think yeah like that.

0:16:12.600 --> 0:16:15.480
<v Speaker 5>The other part about that too, and it may be

0:16:15.520 --> 0:16:19.120
<v Speaker 5>a little different for you tank where most people don't

0:16:19.120 --> 0:16:23.960
<v Speaker 5>realize how small San Francisco is and the small community

0:16:24.000 --> 0:16:29.320
<v Speaker 5>of black people. So we like, we don't even have athletes,

0:16:29.680 --> 0:16:32.840
<v Speaker 5>especially when we were coming up that made the NFL

0:16:32.960 --> 0:16:35.600
<v Speaker 5>or the NBA or the major like, we don't We

0:16:35.680 --> 0:16:36.760
<v Speaker 5>definitely don't know singers.

0:16:36.840 --> 0:16:38.400
<v Speaker 1>We don't have no artists really.

0:16:38.560 --> 0:16:42.400
<v Speaker 6>I mean we have a couple, we have gospel artists, yes, but.

0:16:42.440 --> 0:16:45.520
<v Speaker 5>We don't have we don't have Marvin gay If you're

0:16:45.520 --> 0:16:49.240
<v Speaker 5>from DC or the Maryland area, you're like Marvin.

0:16:48.880 --> 0:16:50.680
<v Speaker 1>Gaye was, you know, he used to be right over

0:16:50.680 --> 0:16:51.240
<v Speaker 1>here doing that.

0:16:52.280 --> 0:16:56.400
<v Speaker 5>So it almost seemed and I'll just give my own experience,

0:16:57.240 --> 0:16:59.840
<v Speaker 5>it almost seemed impossible when my father would be talking

0:16:59.840 --> 0:17:02.520
<v Speaker 5>to us about what we were going to be in

0:17:02.640 --> 0:17:04.520
<v Speaker 5>music and how we were going to have careers in

0:17:04.600 --> 0:17:08.320
<v Speaker 5>music and were like, I'm probably gonna end up selling.

0:17:10.880 --> 0:17:11.760
<v Speaker 6>I didn't make that.

0:17:13.200 --> 0:17:23.439
<v Speaker 5>I'm difference when you when you do to use and

0:17:23.480 --> 0:17:27.560
<v Speaker 5>take out different type of church. So, but did you

0:17:27.800 --> 0:17:31.000
<v Speaker 5>see that for yourself at all, Like you're like, I'm

0:17:31.000 --> 0:17:33.200
<v Speaker 5>going to make this a career for myself, like once

0:17:33.200 --> 0:17:35.320
<v Speaker 5>you started to do it while you're in San Francisco.

0:17:36.760 --> 0:17:42.199
<v Speaker 6>No, I didn't. I didn't. I I I knew I

0:17:42.240 --> 0:17:48.520
<v Speaker 6>felt special. I don't think I thought turn it into

0:17:49.640 --> 0:17:53.320
<v Speaker 6>this or that. I love to dance and perform, and

0:17:53.880 --> 0:17:56.960
<v Speaker 6>you know, whether anybody was paying attention or not, it

0:17:57.000 --> 0:18:00.040
<v Speaker 6>was what my joy was. I acted songs out and

0:18:00.080 --> 0:18:01.800
<v Speaker 6>the songs said knocked me down to the ground. I'll

0:18:01.840 --> 0:18:04.119
<v Speaker 6>be on the floor and then I like you picked

0:18:04.119 --> 0:18:06.879
<v Speaker 6>me up, oh you know, and just whatever I was

0:18:06.920 --> 0:18:09.760
<v Speaker 6>singing and doing the song.

0:18:10.119 --> 0:18:10.399
<v Speaker 4>Yeah.

0:18:10.760 --> 0:18:15.080
<v Speaker 1>So did you did you have to leave? Leave what

0:18:15.280 --> 0:18:15.960
<v Speaker 1>san Francisco?

0:18:16.440 --> 0:18:19.239
<v Speaker 6>Well, we moved to San Diego. We moved to San

0:18:19.280 --> 0:18:25.200
<v Speaker 6>Diego when I was twelve, so that was already a change.

0:18:25.320 --> 0:18:28.359
<v Speaker 6>So San Diego was when I joined the choir and

0:18:29.560 --> 0:18:33.440
<v Speaker 6>middle school, and I don't know, I don't know when

0:18:33.480 --> 0:18:39.040
<v Speaker 6>it changed so much. Modeling Key Key Shepherd and her

0:18:39.080 --> 0:18:45.280
<v Speaker 6>mother Kekey and von Gretchen was a Miss Black America.

0:18:46.000 --> 0:18:49.040
<v Speaker 6>They I don't remember. Oh, I know. I was in

0:18:49.200 --> 0:18:53.639
<v Speaker 6>a beauty pageant called MS Bronze and I was fourteen.

0:18:54.480 --> 0:18:59.879
<v Speaker 6>I was fourteen and I run one first runner up

0:19:00.440 --> 0:19:03.159
<v Speaker 6>and miss Bronze and that's what made me meet Kiki

0:19:03.240 --> 0:19:06.919
<v Speaker 6>and Vaughn and they just loved on me. They really

0:19:06.960 --> 0:19:10.200
<v Speaker 6>made me feel like family and they said how special

0:19:10.240 --> 0:19:13.240
<v Speaker 6>I was. And I started modeling as soon as the

0:19:13.520 --> 0:19:17.800
<v Speaker 6>pageant was over. I was in clubs and modeling with

0:19:17.880 --> 0:19:19.560
<v Speaker 6>them and doing all that. I don't know, it was

0:19:19.600 --> 0:19:22.840
<v Speaker 6>just interesting how that just unfolded into just walking and

0:19:22.880 --> 0:19:25.680
<v Speaker 6>performing and clothes and you know, they were like, keep

0:19:25.680 --> 0:19:27.879
<v Speaker 6>your head up and just there were certain things that

0:19:28.040 --> 0:19:31.760
<v Speaker 6>just came with being around them. Just crazy. I forgot

0:19:31.800 --> 0:19:35.800
<v Speaker 6>about them, but yeah, they put me in the mindset

0:19:35.840 --> 0:19:38.920
<v Speaker 6>of being in front of a crowd, right, more so

0:19:39.000 --> 0:19:41.919
<v Speaker 6>than just you know, being a goofy kid somewhere.

0:19:42.200 --> 0:19:43.560
<v Speaker 1>But are you singing it still?

0:19:43.560 --> 0:19:44.000
<v Speaker 4>At the now?

0:19:44.080 --> 0:19:48.840
<v Speaker 6>I'm modeling at this point, I mean in my room, right.

0:19:48.600 --> 0:19:50.080
<v Speaker 1>But you're fully focused on.

0:19:50.320 --> 0:19:54.480
<v Speaker 6>I'm in high school and I'm just, yeah, not really

0:19:55.280 --> 0:20:00.639
<v Speaker 6>thinking of what could be. By seventeen eighteen, I started

0:20:00.680 --> 0:20:04.320
<v Speaker 6>thinking about, maybe it's what I can do because modeling

0:20:04.400 --> 0:20:07.280
<v Speaker 6>is out. I'm only five four, so you know, petite

0:20:07.280 --> 0:20:09.080
<v Speaker 6>modeling did not take off like I thought it would.

0:20:09.520 --> 0:20:13.320
<v Speaker 6>And so my mother was always thinking out of the box.

0:20:13.480 --> 0:20:14.919
<v Speaker 6>So she was like, what do you want to do?

0:20:15.000 --> 0:20:18.240
<v Speaker 6>Whatever that is, let's work on that. So modeling was

0:20:18.280 --> 0:20:21.040
<v Speaker 6>it for a long time, just going out on catacauls

0:20:21.080 --> 0:20:25.040
<v Speaker 6>and trying to make it. I don't know. She always

0:20:25.080 --> 0:20:27.560
<v Speaker 6>made me think of any moment could be the moment

0:20:27.840 --> 0:20:29.919
<v Speaker 6>for whatever it is. When I would go to the

0:20:29.920 --> 0:20:33.240
<v Speaker 6>grocery store, I'd be full on made up, and anywhere

0:20:33.280 --> 0:20:37.160
<v Speaker 6>I go it was just makeup and hair and shoes, nails,

0:20:37.200 --> 0:20:41.200
<v Speaker 6>and it was just this thing. My mother always was

0:20:41.240 --> 0:20:46.040
<v Speaker 6>always about presenting myself a particular way, and it's good.

0:20:46.200 --> 0:20:48.760
<v Speaker 6>It was too much, but it was good to at

0:20:48.880 --> 0:20:52.159
<v Speaker 6>least have the bar. And then once I realized you

0:20:52.160 --> 0:20:56.080
<v Speaker 6>didn't have to work that hard at being pretty, you

0:20:56.119 --> 0:20:57.800
<v Speaker 6>know what I mean. It's not like you have to

0:20:58.080 --> 0:21:02.800
<v Speaker 6>have on a bunch of makeup. Sometimes natural is good.

0:21:02.880 --> 0:21:05.560
<v Speaker 6>My mother was always about just extra stuff, and I

0:21:05.880 --> 0:21:07.320
<v Speaker 6>call it. She was so guardy. She always had a

0:21:07.359 --> 0:21:10.560
<v Speaker 6>bunch of bracelets, earrings and lips. She was doing a lot,

0:21:10.680 --> 0:21:13.040
<v Speaker 6>and I think that makes me not want to do

0:21:13.080 --> 0:21:16.200
<v Speaker 6>it as much. And her always feeding me and loving

0:21:16.240 --> 0:21:19.280
<v Speaker 6>me so and pumping up and all of that. I

0:21:19.320 --> 0:21:27.120
<v Speaker 6>was like, okay, okay, because if I'm not on stage,

0:21:27.200 --> 0:21:29.879
<v Speaker 6>I don't really really I don't need all attention. I

0:21:29.880 --> 0:21:33.320
<v Speaker 6>don't need it. And I think there is something in

0:21:33.600 --> 0:21:38.480
<v Speaker 6>people who are performers that are that is there's a

0:21:38.720 --> 0:21:41.439
<v Speaker 6>there's a monster that gets fed on stage, and that

0:21:41.640 --> 0:21:43.840
<v Speaker 6>what they want to feed that monster all the time.

0:21:44.640 --> 0:21:49.760
<v Speaker 6>And I'm just like, can we go home? And I'm

0:21:49.800 --> 0:21:51.879
<v Speaker 6>being a bed can I'll watch it on TV? But

0:21:53.000 --> 0:21:55.359
<v Speaker 6>I don't know's some and maybe that's from not being

0:21:55.400 --> 0:21:58.159
<v Speaker 6>the center of attention as a kid, or when my

0:21:58.200 --> 0:22:01.760
<v Speaker 6>mother did pay attention, it was a whole and it

0:22:01.880 --> 0:22:06.240
<v Speaker 6>was like, oh Chante and Chantey is Chante was like yes, Mama,

0:22:06.720 --> 0:22:09.960
<v Speaker 6>over here is a Laton and here's Kilvin and here's

0:22:09.960 --> 0:22:12.840
<v Speaker 6>the other people. I just I don't know. So I

0:22:12.920 --> 0:22:15.680
<v Speaker 6>kind of have a thing that is there when I sing,

0:22:15.720 --> 0:22:17.919
<v Speaker 6>which is what I try to make it about when

0:22:17.960 --> 0:22:22.679
<v Speaker 6>I'm in concert is my voice. And I don't know,

0:22:22.880 --> 0:22:24.960
<v Speaker 6>I have a thing where I gotta like let myself

0:22:25.000 --> 0:22:27.639
<v Speaker 6>go and be able to jump off of the cliff

0:22:27.680 --> 0:22:31.120
<v Speaker 6>a little bit more often sometimes. So yeah, I don't

0:22:31.119 --> 0:22:33.160
<v Speaker 6>even know if I answered your question, But I'm back, no, no, no.

0:22:33.880 --> 0:22:35.960
<v Speaker 4>For the journey.

0:22:36.359 --> 0:22:43.320
<v Speaker 5>We want people to understand how people get to the

0:22:43.359 --> 0:22:46.960
<v Speaker 5>success and the process and the other things, you know

0:22:46.960 --> 0:22:48.919
<v Speaker 5>what I mean. Most people probably don't know that you

0:22:48.920 --> 0:22:50.720
<v Speaker 5>were a model at fourteen. They don't know that you

0:22:50.800 --> 0:22:53.080
<v Speaker 5>know what I'm saying. So it's like for us, that's

0:22:53.119 --> 0:22:55.560
<v Speaker 5>that's a big part of our show. So we would

0:22:55.600 --> 0:23:02.600
<v Speaker 5>we love those type of answers.

0:23:05.520 --> 0:23:07.520
<v Speaker 4>We would have thought you were winning every talent show.

0:23:07.600 --> 0:23:09.320
<v Speaker 1>Yeah, we thought you were singing in high school.

0:23:10.560 --> 0:23:13.200
<v Speaker 6>I did sing in the Beauty Pageant though. I sang brown.

0:23:12.920 --> 0:23:14.439
<v Speaker 1>Baby, you got to do It.

0:23:17.119 --> 0:23:19.840
<v Speaker 6>I did do that, and I sang to a little

0:23:20.240 --> 0:23:23.480
<v Speaker 6>big doll in the Swaddling Clues, and I sang the

0:23:23.560 --> 0:23:28.200
<v Speaker 6>brun baby rum Baby. So that was the only time

0:23:28.240 --> 0:23:33.040
<v Speaker 6>I had really sang anything that is crazy.

0:23:33.080 --> 0:23:35.719
<v Speaker 3>I was in high school. I was singing my face

0:23:35.760 --> 0:23:39.520
<v Speaker 3>off everywhere, and you just.

0:23:39.240 --> 0:23:46.040
<v Speaker 6>And I wish I would have youthing's better. But I

0:23:46.040 --> 0:23:48.880
<v Speaker 6>think when I when I came out, I wish I'd

0:23:48.960 --> 0:23:56.239
<v Speaker 6>had more preliminary work on performing live what to do

0:23:56.280 --> 0:24:00.680
<v Speaker 6>with my hands because at first this arm here was

0:24:01.040 --> 0:24:03.520
<v Speaker 6>like it was like you never watched the Flintstones and

0:24:03.560 --> 0:24:08.280
<v Speaker 6>the hands are always down here one hand, just one arm.

0:24:08.400 --> 0:24:08.679
<v Speaker 1>It was.

0:24:08.960 --> 0:24:12.159
<v Speaker 6>I was one it was and I went, I'd be

0:24:12.240 --> 0:24:14.400
<v Speaker 6>like and lift it and then it would go back.

0:24:23.280 --> 0:24:25.000
<v Speaker 6>It's not cute. It's really not cute.

0:24:25.160 --> 0:24:26.800
<v Speaker 3>I know the group I'm trying to think of the

0:24:26.840 --> 0:24:30.399
<v Speaker 3>group that was before the flints are out of space and.

0:24:31.840 --> 0:24:36.800
<v Speaker 6>The one they wouldn't move, the arm that's my it

0:24:36.840 --> 0:24:40.080
<v Speaker 6>was paralyzed. And so I wish that I'd had more

0:24:40.960 --> 0:24:44.920
<v Speaker 6>work on how to present myself when I watch. And

0:24:44.960 --> 0:24:48.199
<v Speaker 6>the thing about it is, I started. I knew how

0:24:48.240 --> 0:24:50.440
<v Speaker 6>to do my hair and my makeup, and so they

0:24:50.440 --> 0:24:53.280
<v Speaker 6>were cheap. They were like, oh, you do your hair

0:24:53.280 --> 0:24:55.000
<v Speaker 6>and you make up. Once I said I knew how,

0:24:55.119 --> 0:24:58.639
<v Speaker 6>they were like, oh, you're not even gonna have nobody

0:24:58.760 --> 0:25:01.800
<v Speaker 6>do that. So you see me looking like me would

0:25:01.840 --> 0:25:05.080
<v Speaker 6>me would look, but not like I should have been styled.

0:25:05.160 --> 0:25:09.399
<v Speaker 6>I should have been make up and people should have

0:25:09.480 --> 0:25:12.200
<v Speaker 6>done those things. And I was doing it. I look

0:25:12.320 --> 0:25:15.840
<v Speaker 6>like church girl because that's why I was so my hair.

0:25:15.880 --> 0:25:18.359
<v Speaker 6>I just finished doing it and then I'd be on

0:25:18.440 --> 0:25:23.080
<v Speaker 6>showtime to the Apollo and the dress topic. That's crazy,

0:25:23.280 --> 0:25:26.760
<v Speaker 6>and you know, I just feel like I wish somebody

0:25:26.760 --> 0:25:29.639
<v Speaker 6>would have done.

0:25:29.920 --> 0:25:32.040
<v Speaker 3>You would do all of those things for sure. But

0:25:32.080 --> 0:25:33.679
<v Speaker 3>I'll just tell you outside looking at and we're going

0:25:33.720 --> 0:25:36.159
<v Speaker 3>to go back to finish the story we did. We

0:25:36.160 --> 0:25:42.760
<v Speaker 3>did not notice, We didn't know. We just like, right,

0:25:43.440 --> 0:25:47.360
<v Speaker 3>she's incredible. That's that's all we So I get it.

0:25:47.560 --> 0:25:50.000
<v Speaker 1>Yeah, to give me the moment where.

0:25:51.800 --> 0:25:57.520
<v Speaker 3>Where you now believe where you know this this you

0:25:57.760 --> 0:26:01.600
<v Speaker 3>as a solo artist, singer, like you circle. When you

0:26:01.640 --> 0:26:03.720
<v Speaker 3>finally circle back to your both.

0:26:03.560 --> 0:26:05.600
<v Speaker 5>Of those, it's like, oh, yeah, you know what, I

0:26:05.640 --> 0:26:11.320
<v Speaker 5>can't model. Maybe'll so we never get shun to say more.

0:26:11.359 --> 0:26:13.000
<v Speaker 5>If you go to five nine or five.

0:26:12.920 --> 0:26:16.399
<v Speaker 6>Ten, No, you probably wouldn't. Probably not. That would have

0:26:16.440 --> 0:26:19.119
<v Speaker 6>been nice, would be nice to be taller.

0:26:21.480 --> 0:26:26.160
<v Speaker 1>The things that happened your legs stop.

0:26:25.280 --> 0:26:27.560
<v Speaker 6>Bro, I thought of it, but that's so painful.

0:26:27.760 --> 0:26:29.200
<v Speaker 3>And when it looked like it took him a year

0:26:29.240 --> 0:26:31.080
<v Speaker 3>to get his walking back, I said, now I'm.

0:26:30.960 --> 0:26:33.919
<v Speaker 6>Good, Like that's be grateful moment.

0:26:35.400 --> 0:26:37.000
<v Speaker 4>Take this five ten and deal with it.

0:26:37.640 --> 0:26:47.600
<v Speaker 6>Yeah, five ten, I'm gonna deal with that. Seventeen eighteen eighteen,

0:26:48.520 --> 0:26:52.560
<v Speaker 6>I met a guy I was modeling at these clubs.

0:26:52.600 --> 0:26:57.840
<v Speaker 6>We had these modeling groups, and we were midling. I

0:26:58.000 --> 0:26:59.720
<v Speaker 6>got the name of the club. But we were modeling

0:26:59.840 --> 0:27:05.400
<v Speaker 6>my and this one football player saw me and started

0:27:05.800 --> 0:27:09.119
<v Speaker 6>buying all the outfits that I was in, and.

0:27:09.160 --> 0:27:12.080
<v Speaker 4>You what do you mean?

0:27:12.560 --> 0:27:15.560
<v Speaker 6>And people could auction. We auction the clothes like if

0:27:15.560 --> 0:27:17.439
<v Speaker 6>they go, oh, twenty five dollars, I was, you know,

0:27:17.560 --> 0:27:21.640
<v Speaker 6>through somebody go oh thirty dollars, okay, when I turn

0:27:21.760 --> 0:27:27.560
<v Speaker 6>and poth and okay. And then whenever they get the

0:27:27.600 --> 0:27:29.520
<v Speaker 6>last bid, you give him the card and they get

0:27:29.560 --> 0:27:33.280
<v Speaker 6>that dress. And so he started buying the dresses I

0:27:33.359 --> 0:27:36.800
<v Speaker 6>was in. And after the Momming show, this is so bananas.

0:27:36.840 --> 0:27:40.280
<v Speaker 6>I haven't eve thought it was forever h and uh.

0:27:40.720 --> 0:27:43.920
<v Speaker 6>So afterward I was like, oh, you know, here's all

0:27:43.960 --> 0:27:47.639
<v Speaker 6>your cards and you know, outfits go to He was

0:27:47.680 --> 0:27:53.280
<v Speaker 6>like you. I'm like, oh, shoot, okay. I don't remember

0:27:53.280 --> 0:27:57.320
<v Speaker 6>what happened after that, but after that he wanted me

0:27:57.400 --> 0:28:00.600
<v Speaker 6>in those outfits of course, and he heard some of

0:28:00.640 --> 0:28:03.480
<v Speaker 6>my songs that I just was doing at home, and

0:28:03.480 --> 0:28:08.200
<v Speaker 6>I told him I wanted to sing, and he was like, well,

0:28:08.240 --> 0:28:11.760
<v Speaker 6>I'm going to build a place in my house that

0:28:11.840 --> 0:28:16.439
<v Speaker 6>you've just come over and sing. So I would go

0:28:16.520 --> 0:28:20.160
<v Speaker 6>to his house and sing, and I don't know how

0:28:20.200 --> 0:28:22.400
<v Speaker 6>this happened. This sounds so bizarre because I haven't talked

0:28:22.400 --> 0:28:24.119
<v Speaker 6>about this in a long time. This is weird. But

0:28:26.320 --> 0:28:29.080
<v Speaker 6>I had a keyboard and a four track which turned

0:28:29.119 --> 0:28:34.880
<v Speaker 6>into a six track recording thing, and I started just

0:28:34.960 --> 0:28:40.480
<v Speaker 6>trying to create songs. And wow, seventeen eighteen, I wrote

0:28:40.720 --> 0:28:42.480
<v Speaker 6>a song that's on my first album and it was

0:28:42.480 --> 0:28:48.800
<v Speaker 6>called Listen to My Song. And Darryl Sutton was in

0:28:48.920 --> 0:28:53.640
<v Speaker 6>San Diego, and I don't know how it got connected,

0:28:53.720 --> 0:28:56.160
<v Speaker 6>but he had a person who knew had a studio,

0:28:56.600 --> 0:28:58.640
<v Speaker 6>and I went in the studio and I sang some

0:28:58.800 --> 0:29:03.560
<v Speaker 6>songs and Daryl's and connected me to some girl. Forgot

0:29:03.560 --> 0:29:05.240
<v Speaker 6>his name, her name right now, but she was an

0:29:05.240 --> 0:29:11.840
<v Speaker 6>assistant to Benny Medina, and somehow that connection happened and

0:29:11.920 --> 0:29:15.040
<v Speaker 6>they got my demo and they said yes, and Bennie

0:29:15.040 --> 0:29:18.000
<v Speaker 6>Medina signed me to Warner brother Records when I was eighteen,

0:29:18.880 --> 0:29:22.520
<v Speaker 6>and I recorded an entire album and after I finished it,

0:29:22.680 --> 0:29:24.600
<v Speaker 6>he dropped me, and then.

0:29:24.640 --> 0:29:27.960
<v Speaker 1>You did the whole album, though I did full project.

0:29:27.600 --> 0:29:35.680
<v Speaker 6>Full project, and he dropped me. And I met Eldbarche

0:29:35.760 --> 0:29:41.000
<v Speaker 6>here in La at a stage production. I forgot where

0:29:41.000 --> 0:29:42.720
<v Speaker 6>it was, though it's in Culver City, because when.

0:29:42.600 --> 0:29:44.040
<v Speaker 1>You signed the Warner Brothers, you moved to LA.

0:29:45.240 --> 0:29:48.720
<v Speaker 6>I what did I do? I did not move to LA.

0:29:48.920 --> 0:29:51.320
<v Speaker 6>I was still in San Diego. I recorded my album

0:29:51.360 --> 0:29:57.480
<v Speaker 6>in Sacramento. I got connected to Jay King and they said,

0:29:58.080 --> 0:30:01.520
<v Speaker 6>they said, you know, work with him and he'll produce

0:30:01.560 --> 0:30:04.600
<v Speaker 6>your record. He's hot right now whatever, and I'm like, okay.

0:30:05.040 --> 0:30:07.680
<v Speaker 6>So I did an entire project. And then actually I

0:30:07.680 --> 0:30:10.240
<v Speaker 6>met Brian Morgan during that time because he was in

0:30:10.280 --> 0:30:13.680
<v Speaker 6>the group Cachet Deuvois and so that was he was

0:30:13.720 --> 0:30:19.200
<v Speaker 6>signed to Jay as well. And after I finished, Yeah,

0:30:19.240 --> 0:30:22.600
<v Speaker 6>I did a stage production met El DeBarge. Chased El

0:30:22.640 --> 0:30:25.960
<v Speaker 6>DeBarge because he was just like the most talented and

0:30:26.240 --> 0:30:28.400
<v Speaker 6>you know, the light skinned thing was really really in

0:30:28.480 --> 0:30:32.320
<v Speaker 6>at that time, and so I talked to his manager

0:30:32.360 --> 0:30:33.920
<v Speaker 6>more than I talked to him, because l it was

0:30:34.000 --> 0:30:39.880
<v Speaker 6>just like everywhere. And his manager was Fred Moultrie, who

0:30:40.080 --> 0:30:45.360
<v Speaker 6>was Prince's accountant and so he had all these things

0:30:45.400 --> 0:30:49.120
<v Speaker 6>in Lucas said he was representing him. It was a

0:30:49.120 --> 0:30:52.560
<v Speaker 6>whole bunch of people on the wall. And I called

0:30:52.640 --> 0:30:54.280
<v Speaker 6>him to find out how do I get a manager?

0:30:54.320 --> 0:30:56.840
<v Speaker 6>How do I get somebody who actually would take me

0:30:57.200 --> 0:30:58.719
<v Speaker 6>where I need to go because I don't know how

0:30:58.760 --> 0:31:00.560
<v Speaker 6>to I don't know how to do this. And he

0:31:00.680 --> 0:31:03.440
<v Speaker 6>was like, i've heard your demo, I'll represent you. And

0:31:03.520 --> 0:31:06.880
<v Speaker 6>I was like, get the heck out, and so we

0:31:06.920 --> 0:31:10.520
<v Speaker 6>took the album I made for Warner Brothers, condensed it

0:31:11.360 --> 0:31:13.880
<v Speaker 6>and that was my demo. We went to La Face

0:31:16.280 --> 0:31:19.360
<v Speaker 6>MCA and it seemed like one other place, but it

0:31:19.480 --> 0:31:23.040
<v Speaker 6>was the battle between La Face and MCA Records, and

0:31:23.160 --> 0:31:27.280
<v Speaker 6>Tony Braxton had just signed with La Face and Louil

0:31:27.440 --> 0:31:32.120
<v Speaker 6>was just so gung ho. Loul called La and Face

0:31:32.280 --> 0:31:34.200
<v Speaker 6>and ask him not to sign me because we were

0:31:34.240 --> 0:31:37.720
<v Speaker 6>going to go with them because of the songwriting, and

0:31:38.680 --> 0:31:42.560
<v Speaker 6>they said okay, And that's how I ended up at

0:31:42.640 --> 0:31:44.040
<v Speaker 6>MCA Records.

0:31:44.040 --> 0:31:44.520
<v Speaker 4>Wow.

0:31:44.800 --> 0:31:50.880
<v Speaker 1>And this is after stay right week about You?

0:31:51.640 --> 0:31:58.360
<v Speaker 6>Yes, that was the time where I was in Takama,

0:31:58.600 --> 0:32:00.280
<v Speaker 6>That's where I met him. Yeah.

0:32:00.640 --> 0:32:02.200
<v Speaker 1>How did you feel the first time you heard that?

0:32:02.280 --> 0:32:02.440
<v Speaker 3>Right?

0:32:03.000 --> 0:32:04.480
<v Speaker 1>Did you even know it was about you at first?

0:32:04.600 --> 0:32:08.200
<v Speaker 6>I did? I remember the day. I don't know who's

0:32:09.000 --> 0:32:12.440
<v Speaker 6>whose apartment it was it could I think it might

0:32:12.440 --> 0:32:15.640
<v Speaker 6>have been Brian's. I'm not really sure, but we were

0:32:15.720 --> 0:32:19.520
<v Speaker 6>sitting and he was because I dated Jay King, which

0:32:19.560 --> 0:32:21.760
<v Speaker 6>is well known because I rarely mentioned his name, but

0:32:22.200 --> 0:32:26.840
<v Speaker 6>nevertheless he said, whenever I see you with him, I

0:32:27.360 --> 0:32:31.600
<v Speaker 6>hear this, And he wrote that. He said it was

0:32:31.600 --> 0:32:37.840
<v Speaker 6>a circus. And he said, and you when you're not

0:32:37.920 --> 0:32:44.480
<v Speaker 6>with him, right, I hear this the little that's the

0:32:44.480 --> 0:32:46.800
<v Speaker 6>first I heard. He didn't play the whole thing, but

0:32:47.000 --> 0:32:49.720
<v Speaker 6>that was the part. He said, that was what I

0:32:49.840 --> 0:32:51.800
<v Speaker 6>make him think of. And then he wrote the song

0:32:51.800 --> 0:32:53.600
<v Speaker 6>and did he definitely did play for me.

0:32:53.680 --> 0:32:56.920
<v Speaker 3>But that is so great.

0:32:57.080 --> 0:32:58.560
<v Speaker 1>Did you think it was a hit when you heard it?

0:32:59.440 --> 0:33:02.600
<v Speaker 6>You know, I like the song, but I like Brian's songs.

0:33:02.640 --> 0:33:05.360
<v Speaker 6>He I love what they did well. He had songs

0:33:05.960 --> 0:33:07.920
<v Speaker 6>that never came out. It was a song called wrong,

0:33:08.120 --> 0:33:10.320
<v Speaker 6>just like five and five just don't make nine. I

0:33:10.440 --> 0:33:12.920
<v Speaker 6>was like wrong. So he always had songs that were great.

0:33:13.000 --> 0:33:15.480
<v Speaker 6>But I didn't know it to be a hit or

0:33:15.520 --> 0:33:19.400
<v Speaker 6>not a hit. I think music is what I love,

0:33:19.440 --> 0:33:21.479
<v Speaker 6>and so I didn't know if it was a hit

0:33:21.600 --> 0:33:21.760
<v Speaker 6>or not.

0:33:23.320 --> 0:33:28.440
<v Speaker 3>M So you get the little silence, Yeah, yeah, and

0:33:28.480 --> 0:33:30.560
<v Speaker 3>he's cracking at this time. Yeah, And you had been

0:33:30.800 --> 0:33:33.560
<v Speaker 3>signed to you know, the Bennymdenny thing and all this,

0:33:33.800 --> 0:33:37.880
<v Speaker 3>and and now you're here with Louil, what is what

0:33:37.920 --> 0:33:40.520
<v Speaker 3>do you feel like? Is the difference in this opportunity

0:33:40.600 --> 0:33:41.280
<v Speaker 3>versus that one.

0:33:42.240 --> 0:33:48.480
<v Speaker 6>His excitement, his knowing what he wanted from me. He

0:33:48.560 --> 0:33:51.840
<v Speaker 6>wasn't trying to make me something else. He heard my

0:33:51.920 --> 0:33:54.400
<v Speaker 6>voice and he wanted me to be the next with Houston,

0:33:54.400 --> 0:33:56.280
<v Speaker 6>the k next Mariah care You are mine, wouldn't you?

0:33:56.280 --> 0:33:58.479
<v Speaker 6>You are mine, Mariah? You are going to be the

0:33:58.520 --> 0:34:00.880
<v Speaker 6>biggest thing better. So I love that he had such

0:34:00.960 --> 0:34:04.600
<v Speaker 6>vision and he was so excited. You can't buy people

0:34:04.600 --> 0:34:08.200
<v Speaker 6>being excited about you, especially in the music industry. Everybody's

0:34:09.080 --> 0:34:11.960
<v Speaker 6>always thinking of the next something else other than you.

0:34:14.239 --> 0:34:18.280
<v Speaker 6>So it was nice to be to have his excitement

0:34:18.640 --> 0:34:22.399
<v Speaker 6>about me. I didn't have to hype him up for me. Yeah,

0:34:24.080 --> 0:34:25.759
<v Speaker 6>it was just my dreams coming true. And what was

0:34:25.760 --> 0:34:29.480
<v Speaker 6>interesting because he signed me to MCA Records, and that

0:34:29.600 --> 0:34:32.319
<v Speaker 6>was just the Lord protecting me from what was going

0:34:32.360 --> 0:34:36.160
<v Speaker 6>to happen, because my career would have been over after

0:34:36.239 --> 0:34:41.680
<v Speaker 6>one record. Because he signed me to MCA and then

0:34:41.719 --> 0:34:45.719
<v Speaker 6>asked me to be his first release off Silas Records

0:34:46.080 --> 0:34:48.400
<v Speaker 6>and then Silace Records was really a setup for a

0:34:48.400 --> 0:34:55.160
<v Speaker 6>little to go down. They were tired of his antics.

0:34:55.560 --> 0:34:58.800
<v Speaker 6>He was a lovely person, but he was a bulldog

0:34:59.360 --> 0:35:02.360
<v Speaker 6>and he always is was cussing and yelling and screaming

0:35:02.400 --> 0:35:05.239
<v Speaker 6>and popping veins at people, and.

0:35:05.320 --> 0:35:08.960
<v Speaker 1>Maybe the record man. He was a record man, he was, but.

0:35:09.000 --> 0:35:12.560
<v Speaker 6>He burned some bridges with that attitude he had. He

0:35:12.640 --> 0:35:15.359
<v Speaker 6>made a lot of things wonderful, and his era was

0:35:16.320 --> 0:35:19.600
<v Speaker 6>just ending when he met me, when I met him.

0:35:19.880 --> 0:35:23.520
<v Speaker 6>So then they gave him the label to sink him right.

0:35:24.520 --> 0:35:29.240
<v Speaker 6>So once that happened, then I was right on the

0:35:29.360 --> 0:35:32.200
<v Speaker 6>NCAA Records again after that went away.

0:35:33.000 --> 0:35:36.800
<v Speaker 5>So once once they dissolved Silence Records, then they picked

0:35:36.840 --> 0:35:37.800
<v Speaker 5>you back up, though.

0:35:37.840 --> 0:35:40.279
<v Speaker 6>They never let me go. As their point, we want

0:35:40.360 --> 0:35:41.280
<v Speaker 6>her what's.

0:35:41.120 --> 0:35:45.080
<v Speaker 3>The what's the what's the terms? No, there's there's a

0:35:45.600 --> 0:35:51.560
<v Speaker 3>there's a term in the contract where once where all

0:35:51.640 --> 0:35:52.840
<v Speaker 3>the artists.

0:35:54.080 --> 0:35:57.960
<v Speaker 5>Revert back to Yeah, I know you're talking about I

0:35:58.000 --> 0:35:59.920
<v Speaker 5>can't think of the name. It's kind of just a

0:36:00.000 --> 0:36:02.840
<v Speaker 5>absorbing absorb it, but it's in the contract.

0:36:03.480 --> 0:36:05.359
<v Speaker 4>But they move if we don't fuck with that no more,

0:36:05.520 --> 0:36:06.719
<v Speaker 4>we still need those.

0:36:06.520 --> 0:36:10.680
<v Speaker 5>Back no, because I think, and this is a really

0:36:10.840 --> 0:36:13.680
<v Speaker 5>important part to talk about during the show too, is

0:36:13.719 --> 0:36:18.880
<v Speaker 5>that most of these labels aren't actually labels.

0:36:19.360 --> 0:36:19.839
<v Speaker 4>You know what I mean.

0:36:19.840 --> 0:36:24.200
<v Speaker 5>They're production companies, and they don't have true ownership in

0:36:24.960 --> 0:36:28.640
<v Speaker 5>their companies, and their masters are still owned by and

0:36:28.760 --> 0:36:34.600
<v Speaker 5>still you know, promoted and licensed and distributed by this

0:36:34.800 --> 0:36:35.480
<v Speaker 5>parent company.

0:36:36.360 --> 0:36:39.520
<v Speaker 1>So the artists aren't their actual artists.

0:36:40.000 --> 0:36:42.600
<v Speaker 5>And you young executives and you young brothers who are

0:36:42.600 --> 0:36:45.120
<v Speaker 5>starting your labels and doing your thing, make sure that

0:36:45.960 --> 0:36:49.440
<v Speaker 5>your artists are your artists, not the distributors artists, not

0:36:49.480 --> 0:36:53.160
<v Speaker 5>the parent companies artists, because they will sink your company

0:36:54.239 --> 0:36:55.560
<v Speaker 5>and absorb your artists.

0:36:56.239 --> 0:36:59.000
<v Speaker 6>But I was directly signed first third. I will say

0:36:59.040 --> 0:37:00.800
<v Speaker 6>that that is not exact actly how it went, but

0:37:00.840 --> 0:37:03.200
<v Speaker 6>I do understand what you're saying to teach the audience,

0:37:03.400 --> 0:37:06.719
<v Speaker 6>teach artists that that does happen. But I literally was

0:37:06.760 --> 0:37:08.640
<v Speaker 6>signed to because he.

0:37:08.680 --> 0:37:10.520
<v Speaker 1>Was an executive there. First they gave him.

0:37:10.640 --> 0:37:12.560
<v Speaker 6>Then the label happened. So then he asked me to

0:37:12.640 --> 0:37:13.680
<v Speaker 6>just wait, and I waited.

0:37:14.320 --> 0:37:16.680
<v Speaker 3>So did you drop on your initial did you come

0:37:16.680 --> 0:37:20.239
<v Speaker 3>out on your initial deal with MCA? Yeah, when the

0:37:20.239 --> 0:37:20.960
<v Speaker 3>first first.

0:37:21.000 --> 0:37:24.000
<v Speaker 6>Precious came out, Precious was on Silas, So I waited

0:37:24.000 --> 0:37:26.440
<v Speaker 6>because they were building Silas when I got signed in

0:37:26.520 --> 0:37:28.880
<v Speaker 6>ninety one. And then he wanted me to wait till

0:37:28.960 --> 0:37:31.040
<v Speaker 6>ninety two to come out so that I could be

0:37:31.120 --> 0:37:35.080
<v Speaker 6>on his label. And in between that, I did the

0:37:35.120 --> 0:37:38.600
<v Speaker 6>song with eld Barge you know what I Like? And

0:37:38.640 --> 0:37:44.280
<v Speaker 6>that was how I met the director. Ant He did

0:37:44.360 --> 0:37:46.359
<v Speaker 6>that you Know What I Like video, which is why

0:37:46.360 --> 0:37:49.680
<v Speaker 6>Antoine Fuquad did Loves taking Over video in Paris, which

0:37:49.719 --> 0:37:52.520
<v Speaker 6>is why Ntwine Fuqua did It's all Right video.

0:37:52.920 --> 0:37:56.560
<v Speaker 3>And that's just a bar nex suerbar, that's a super.

0:37:56.360 --> 0:37:57.960
<v Speaker 1>Bar because now he's doing a Jackson movie. He's doing

0:37:57.960 --> 0:37:59.200
<v Speaker 1>a Michael Jackson movie now too?

0:38:00.080 --> 0:38:04.680
<v Speaker 3>Are you kidding your Jesus Christas?

0:38:05.680 --> 0:38:07.640
<v Speaker 4>Were you thinking that this is Banana's.

0:38:07.200 --> 0:38:10.600
<v Speaker 1>At the time, not that he was.

0:38:11.480 --> 0:38:14.000
<v Speaker 6>I had no idea, but but it was just my

0:38:14.080 --> 0:38:17.040
<v Speaker 6>dreams were coming true. That's for sure. Mind blowing. Going

0:38:17.040 --> 0:38:19.040
<v Speaker 6>to Paris in the first place. I'm like, we're going,

0:38:19.320 --> 0:38:21.600
<v Speaker 6>we get to go. We went in two days and

0:38:21.640 --> 0:38:23.360
<v Speaker 6>shot it. It was just Banana.

0:38:23.480 --> 0:38:25.160
<v Speaker 1>Had you ever been overseas before that?

0:38:25.560 --> 0:38:28.040
<v Speaker 6>I went to London, but that was it.

0:38:28.400 --> 0:38:32.400
<v Speaker 1>Yeah, shooting your video, yeah.

0:38:33.320 --> 0:38:36.480
<v Speaker 6>In Paris used to be first single.

0:38:36.280 --> 0:38:40.480
<v Speaker 4>First single, that's disrespect.

0:38:42.040 --> 0:38:46.440
<v Speaker 6>Yeah yeah, yeah, Now when you look at Louell, that

0:38:46.640 --> 0:38:50.240
<v Speaker 6>was what it was about. Louil was about making epic

0:38:50.320 --> 0:38:53.000
<v Speaker 6>things happen. The stuff he did, I mean, if we

0:38:53.040 --> 0:38:57.359
<v Speaker 6>look back at his track record, it's amazing. I mean,

0:38:57.880 --> 0:38:59.560
<v Speaker 6>just one group, and then how we were talking about

0:38:59.560 --> 0:39:02.680
<v Speaker 6>you as about different artists stemming from those other all

0:39:02.800 --> 0:39:07.640
<v Speaker 6>those groups, and then all the people who came after that,

0:39:07.680 --> 0:39:10.080
<v Speaker 6>and then that producing all the people that came after that.

0:39:10.200 --> 0:39:12.879
<v Speaker 5>I'm a product of Blue gave me my first record

0:39:12.920 --> 0:39:16.480
<v Speaker 5>here as a kid ten years old, no side as junior, Like.

0:39:17.080 --> 0:39:19.520
<v Speaker 1>There's so many the tree.

0:39:21.480 --> 0:39:25.680
<v Speaker 5>Of the people that he's worked or worked with, and man,

0:39:25.719 --> 0:39:27.600
<v Speaker 5>it's vision vision.

0:39:28.600 --> 0:39:33.600
<v Speaker 3>As we talk about like a lot of the record

0:39:33.680 --> 0:39:43.279
<v Speaker 3>company men and women who were shall we say, boisterous, yes,

0:39:44.560 --> 0:39:50.239
<v Speaker 3>and big in personality, I just don't feel like and

0:39:50.440 --> 0:39:53.839
<v Speaker 3>it gets to a point to where, yes, a lot

0:39:53.880 --> 0:39:58.359
<v Speaker 3>of these guys end up getting pushed and phased out,

0:39:58.400 --> 0:40:04.320
<v Speaker 3>for sure, But I feel like, as you guys say

0:40:04.560 --> 0:40:11.279
<v Speaker 3>you're connected to that kind of guy, I'm connected to

0:40:11.440 --> 0:40:17.520
<v Speaker 3>that kind of guy who was not shy about telling

0:40:17.560 --> 0:40:18.960
<v Speaker 3>the motherfucker.

0:40:18.520 --> 0:40:22.160
<v Speaker 5>If you're not doing your job. Try, I mean, because

0:40:22.160 --> 0:40:24.960
<v Speaker 5>that's the other thing. Try sitting in those meetings and

0:40:25.000 --> 0:40:27.120
<v Speaker 5>you got a table full of people who are just

0:40:27.200 --> 0:40:30.480
<v Speaker 5>trying to get a two week check, and you are

0:40:30.520 --> 0:40:34.080
<v Speaker 5>a record man. When passion who wants to take his

0:40:34.400 --> 0:40:38.839
<v Speaker 5>brand new artist who's never saw a record to Paris,

0:40:38.440 --> 0:40:38.719
<v Speaker 5>come on.

0:40:39.640 --> 0:40:41.000
<v Speaker 1>You're gonna have to jump on the table.

0:40:41.480 --> 0:40:42.920
<v Speaker 5>You're gonna have to You're gonna have to do some

0:40:43.040 --> 0:40:46.720
<v Speaker 5>screaming because you have to make people see the vision

0:40:47.239 --> 0:40:50.080
<v Speaker 5>because everyone is not a visionary, no matter. You may

0:40:50.120 --> 0:40:51.719
<v Speaker 5>be in the music business, but that does not make

0:40:51.760 --> 0:40:57.080
<v Speaker 5>you a visionary. So being a visionary is really tough because.

0:40:56.880 --> 0:40:59.720
<v Speaker 1>You got to be able to articulate it. You gotta

0:40:59.719 --> 0:41:01.680
<v Speaker 1>be able to show it to the people.

0:41:01.920 --> 0:41:03.160
<v Speaker 6>Champion, champion.

0:41:03.560 --> 0:41:05.840
<v Speaker 5>But then you gotta gotta be a little boisterous about it.

0:41:05.880 --> 0:41:08.800
<v Speaker 5>You gotta fight tooth and fucking you gotta make it.

0:41:09.239 --> 0:41:12.759
<v Speaker 5>You gotta make somebody feel like if I don't do that,

0:41:13.719 --> 0:41:14.560
<v Speaker 5>I'm fucking up.

0:41:14.680 --> 0:41:18.640
<v Speaker 6>Yeah, she do need to go to Paris because you

0:41:18.680 --> 0:41:22.400
<v Speaker 6>put this song, that beautiful artist in his voice.

0:41:23.200 --> 0:41:24.680
<v Speaker 1>You gotta put it in parents.

0:41:24.960 --> 0:41:28.120
<v Speaker 5>But the person that's looking at the bottom line, looking

0:41:28.120 --> 0:41:29.200
<v Speaker 5>at the P and L, they're like.

0:41:30.080 --> 0:41:32.759
<v Speaker 1>That's it's gonna be a line on that. Well, we're

0:41:32.760 --> 0:41:34.000
<v Speaker 1>gonna make a superstar.

0:41:34.200 --> 0:41:37.400
<v Speaker 6>When you get the person who is in power, who's

0:41:37.440 --> 0:41:40.000
<v Speaker 6>behind you, and that was at that time Louell was

0:41:40.040 --> 0:41:42.480
<v Speaker 6>that person. So he did I'm sure have to have

0:41:42.560 --> 0:41:44.719
<v Speaker 6>something brewed by a d or whoever it was in

0:41:44.840 --> 0:41:48.480
<v Speaker 6>charge of whatever. But he was mainly the one like, Okay,

0:41:48.480 --> 0:41:51.959
<v Speaker 6>this is our budget, right, let's make this part happen.

0:41:52.040 --> 0:41:53.560
<v Speaker 6>We'll cut back on this and do that, and we'll

0:41:53.600 --> 0:41:55.800
<v Speaker 6>travel here and we'll do so he was making stuff

0:41:55.840 --> 0:41:58.960
<v Speaker 6>happen that that's what you want to happen. When the

0:41:59.000 --> 0:42:00.120
<v Speaker 6>Special Union.

0:42:00.160 --> 0:42:04.400
<v Speaker 3>If you believe, you believe, listen, I spent I spent

0:42:04.640 --> 0:42:08.799
<v Speaker 3>five hundred thousand on the first video, seven hundred on

0:42:08.880 --> 0:42:15.120
<v Speaker 3>the second. Like this is like black dar little boutique label.

0:42:15.200 --> 0:42:17.840
<v Speaker 3>Barry Hankinson, Joe will Say. Hankerson said, we are not

0:42:18.000 --> 0:42:22.680
<v Speaker 3>gonna fucking lose. We're gonna bet the ranch. He had

0:42:22.719 --> 0:42:36.319
<v Speaker 3>actual and I watched him call everybody all sorts of motherfuckers, sons.

0:42:39.520 --> 0:42:44.960
<v Speaker 4>In my honor, like all those men like that shot up.

0:42:45.719 --> 0:42:49.080
<v Speaker 3>Uh goanna say many, many blessings and prayers to the

0:42:49.080 --> 0:42:49.680
<v Speaker 3>Gotty family.

0:42:49.680 --> 0:42:51.840
<v Speaker 4>Earth Gotti, who was another.

0:42:51.560 --> 0:42:56.480
<v Speaker 3>Guy like that recordmen who called me out of the

0:42:56.560 --> 0:43:01.560
<v Speaker 3>blue one day, dank, I'm riding my fucking jeep.

0:43:01.600 --> 0:43:04.400
<v Speaker 4>You know it's fucking R and B shit. I like.

0:43:04.440 --> 0:43:05.960
<v Speaker 4>I like some of the R and B shit.

0:43:06.080 --> 0:43:08.839
<v Speaker 3>I like it. I'm not gonna lie. I'm not gonna lie.

0:43:09.360 --> 0:43:11.400
<v Speaker 3>But all that fucking lovey duffy. You know I'm a

0:43:11.440 --> 0:43:16.080
<v Speaker 3>streak guy, but that fucking maybe I deserve, not the

0:43:16.120 --> 0:43:21.719
<v Speaker 3>fucking record I'm playing it right now, Like that energy

0:43:21.920 --> 0:43:29.240
<v Speaker 3>for an artist's.

0:43:25.920 --> 0:43:27.920
<v Speaker 4>Everything made me feel like a conquer the world.

0:43:29.080 --> 0:43:32.600
<v Speaker 3>When I hear motherfucker saying, motherfucker on my behalf, you

0:43:32.880 --> 0:43:35.920
<v Speaker 3>played this motherfucking record, but we're gonna kill you.

0:43:36.960 --> 0:43:39.560
<v Speaker 1>That's the far they can't say. They can't say that,

0:43:39.560 --> 0:43:40.279
<v Speaker 1>that's that part.

0:43:40.760 --> 0:43:47.080
<v Speaker 5>You gotta omit that we're gonna break you.

0:43:45.960 --> 0:43:50.239
<v Speaker 6>This like, yeah, that's why.

0:43:50.600 --> 0:43:55.000
<v Speaker 3>That's why ninety eight percent of us are here because

0:43:55.000 --> 0:43:59.920
<v Speaker 3>of that fight. It wasn't an analytic it was a feeling.

0:44:00.880 --> 0:44:02.120
<v Speaker 4>Yeah, and I'm.

0:44:01.960 --> 0:44:05.440
<v Speaker 3>Gonna fight for this feeling that I had. This Shante

0:44:05.600 --> 0:44:08.799
<v Speaker 3>More is something fucking special. You better fucking play this

0:44:08.960 --> 0:44:10.680
<v Speaker 3>record or I'm coming out there.

0:44:13.239 --> 0:44:15.080
<v Speaker 6>But you know what also happened in the middle of

0:44:15.120 --> 0:44:18.600
<v Speaker 6>that time period, right in the middle of my record,

0:44:18.640 --> 0:44:22.239
<v Speaker 6>my first record going up the charts. It was this

0:44:23.120 --> 0:44:27.160
<v Speaker 6>shift that happened. It was a Paola first and then

0:44:27.200 --> 0:44:29.400
<v Speaker 6>it began to be what is the thing when they

0:44:29.440 --> 0:44:33.000
<v Speaker 6>had the no it was like or your records were

0:44:33.600 --> 0:44:35.680
<v Speaker 6>here if you played that many of them. There was

0:44:35.719 --> 0:44:37.520
<v Speaker 6>as a word for it, and I can't remember the

0:44:37.600 --> 0:44:43.640
<v Speaker 6>name of it. BDS and sound Scan, and so when

0:44:43.680 --> 0:44:46.600
<v Speaker 6>that happened, it was like the shift happened. And it

0:44:46.680 --> 0:44:49.320
<v Speaker 6>was interesting as I was paying attention to s WV

0:44:49.440 --> 0:44:52.239
<v Speaker 6>at the time and because of knowing Brian and him

0:44:52.239 --> 0:44:55.640
<v Speaker 6>producing them and their first song and mine was here,

0:44:56.080 --> 0:44:59.080
<v Speaker 6>and then BDS and SoundScan took over and mine ended

0:44:59.160 --> 0:45:02.880
<v Speaker 6>up there hmmm, because they were getting more airplay being that,

0:45:03.000 --> 0:45:06.760
<v Speaker 6>you know, so you and my song I guess wasn't

0:45:07.520 --> 0:45:10.440
<v Speaker 6>as much as that, and so it got switched. And

0:45:10.600 --> 0:45:14.120
<v Speaker 6>I just saw how it was so hard to quote

0:45:14.200 --> 0:45:18.560
<v Speaker 6>unquote work the charts after that, and not that things

0:45:18.560 --> 0:45:21.160
<v Speaker 6>didn't do well, it was fine. I just think that

0:45:22.520 --> 0:45:25.120
<v Speaker 6>I don't know, I'm the kind of artist everybody's always like, oh,

0:45:25.160 --> 0:45:27.560
<v Speaker 6>you're so underrated and you should have and you could have,

0:45:27.640 --> 0:45:30.440
<v Speaker 6>and know we hoped you would, and I don't know,

0:45:31.080 --> 0:45:34.200
<v Speaker 6>I just feel like it's always been this almost made

0:45:34.239 --> 0:45:36.759
<v Speaker 6>it kind of thing, and I'm grateful. Don't let me

0:45:37.080 --> 0:45:39.879
<v Speaker 6>make it something that I'm thinking that I haven't had

0:45:39.880 --> 0:45:43.600
<v Speaker 6>a successful career. I have, and I feel like sustaining

0:45:43.680 --> 0:45:46.239
<v Speaker 6>is even better than being a shooting star and then

0:45:46.280 --> 0:45:48.680
<v Speaker 6>disappearing because a lot of people came out around my

0:45:48.760 --> 0:45:51.560
<v Speaker 6>time and they're gone and I can't even remember their

0:45:51.680 --> 0:45:55.239
<v Speaker 6>names or their songs. I remember one song and you're like,

0:45:55.280 --> 0:45:55.759
<v Speaker 6>who's sang that?

0:45:55.880 --> 0:45:56.080
<v Speaker 3>Again?

0:45:56.080 --> 0:45:57.120
<v Speaker 6>I forgot what the girl was?

0:45:57.520 --> 0:45:58.200
<v Speaker 4>That what happens?

0:45:58.680 --> 0:46:02.040
<v Speaker 6>And so I'm really really grateful to have had this

0:46:02.760 --> 0:46:07.319
<v Speaker 6>almost under the radar career where I've been honing my

0:46:07.400 --> 0:46:12.279
<v Speaker 6>craft still and still performing and still trying to get

0:46:12.320 --> 0:46:16.480
<v Speaker 6>better and still paying attention to the audience and feeding

0:46:16.600 --> 0:46:19.440
<v Speaker 6>them and them feeding me and making me feel loved.

0:46:20.400 --> 0:46:23.879
<v Speaker 6>That's been a roller coaster ride, but it's been good.

0:46:34.080 --> 0:46:38.719
<v Speaker 3>The shooting star thing, I mean, I was that haunted

0:46:38.760 --> 0:46:43.759
<v Speaker 3>me for a long time. It's like, I'm better than

0:46:43.760 --> 0:46:51.719
<v Speaker 3>that motherfucker. And I was like, I was like, I

0:46:51.800 --> 0:46:53.920
<v Speaker 3>just really want to do this for a really long time,

0:46:54.719 --> 0:46:58.880
<v Speaker 3>and I just kind of got I got settled in.

0:47:00.080 --> 0:47:03.040
<v Speaker 3>I was like, what is what is my reason for

0:47:03.120 --> 0:47:05.440
<v Speaker 3>being here? What is what is what is my purpose?

0:47:05.480 --> 0:47:11.319
<v Speaker 3>What is my design? And it was it was. It

0:47:11.360 --> 0:47:13.600
<v Speaker 3>was a guy by the name of Jamie Fox saying, man,

0:47:13.680 --> 0:47:16.360
<v Speaker 3>I study you. I love what you're doing. Like, Wow,

0:47:16.600 --> 0:47:20.480
<v Speaker 3>you're you're the blueprint man. Keep doing that. It was

0:47:20.480 --> 0:47:22.960
<v Speaker 3>a guy my name of Chris Brown said, oh my god,

0:47:23.080 --> 0:47:25.799
<v Speaker 3>bro that sex, love and pain. I changed my freaking life.

0:47:25.840 --> 0:47:31.560
<v Speaker 3>Oh Trey songs, I can't believe. Like jojoh I singing

0:47:31.600 --> 0:47:34.759
<v Speaker 3>no for No, it goes and I'm like, h h,

0:47:36.360 --> 0:47:39.640
<v Speaker 3>That's what I'm here for. And I settled out of

0:47:39.680 --> 0:47:44.520
<v Speaker 3>the the wanting the shooting star moment, and I said,

0:47:44.560 --> 0:47:48.280
<v Speaker 3>I just I just want my start to shine constantly.

0:47:49.080 --> 0:47:53.680
<v Speaker 3>And that's what I feel like. You are, like you're

0:47:53.800 --> 0:47:58.799
<v Speaker 3>you're You're You're You're timeless. No matter when or how

0:47:58.840 --> 0:48:01.680
<v Speaker 3>we see you, you always shine.

0:48:02.640 --> 0:48:07.640
<v Speaker 1>See you guys are like the nurse star.

0:48:08.160 --> 0:48:11.920
<v Speaker 3>People who can people who can sing right, people are

0:48:12.040 --> 0:48:13.160
<v Speaker 3>musically inclined.

0:48:13.239 --> 0:48:14.320
<v Speaker 1>Are your way to freedom?

0:48:14.520 --> 0:48:20.440
<v Speaker 3>No, who know exactly who in the fun Jane Moore is.

0:48:20.200 --> 0:48:23.040
<v Speaker 5>Absolutely absolutely, it's not even a quest. That's not even

0:48:23.400 --> 0:48:24.520
<v Speaker 5>the question the question.

0:48:25.320 --> 0:48:29.400
<v Speaker 3>And so some of some of some of our gifts,

0:48:29.560 --> 0:48:35.520
<v Speaker 3>some of us gifted, we are relegated to inspire and

0:48:35.520 --> 0:48:39.560
<v Speaker 3>and push and and help and serve.

0:48:40.000 --> 0:48:43.880
<v Speaker 6>The gifted and our audience. I've seen you live and

0:48:43.920 --> 0:48:47.480
<v Speaker 6>that's when I really really became a fan. I saw

0:48:47.560 --> 0:48:50.879
<v Speaker 6>you move around that stage. I saw you play and

0:48:50.960 --> 0:48:55.719
<v Speaker 6>sing and move all of the women that were in

0:48:55.800 --> 0:49:02.800
<v Speaker 6>the audience, and no, for real, like really just be

0:49:02.880 --> 0:49:05.479
<v Speaker 6>sexy and you know it, and and there was like, yeah,

0:49:07.400 --> 0:49:11.200
<v Speaker 6>their minds about you and I you know, you can't

0:49:11.239 --> 0:49:15.480
<v Speaker 6>get that from the album. You can make moments personally

0:49:15.920 --> 0:49:19.640
<v Speaker 6>with your album is very sexy, but you don't know

0:49:19.680 --> 0:49:21.960
<v Speaker 6>who you are as an artist until you see you.

0:49:22.520 --> 0:49:25.480
<v Speaker 6>Like I feel like it's like seeing Patti LaBelle lives.

0:49:25.920 --> 0:49:29.879
<v Speaker 6>You can't contain her voice, and I feel like that's

0:49:29.960 --> 0:49:31.960
<v Speaker 6>the thing that you are as well. I feel like

0:49:32.160 --> 0:49:35.759
<v Speaker 6>that's where I can shine and have fun and fall

0:49:35.800 --> 0:49:37.799
<v Speaker 6>down and get back up again, and it's all right

0:49:38.520 --> 0:49:42.600
<v Speaker 6>because because what you're gonna do and a real concert,

0:49:42.680 --> 0:49:44.440
<v Speaker 6>you can't. You fall down and you sing from floor

0:49:44.680 --> 0:49:46.640
<v Speaker 6>or you get back up. Whatever you're gonna do, you

0:49:46.680 --> 0:49:49.759
<v Speaker 6>do it. And that's the mindset that I had already

0:49:50.520 --> 0:49:54.600
<v Speaker 6>figured out, is that I'm not about the perfection. If

0:49:54.640 --> 0:49:56.319
<v Speaker 6>I mess up my own, so I'm like, oh, I

0:49:56.360 --> 0:49:58.799
<v Speaker 6>messed up the words. Let's get back to it and

0:49:58.840 --> 0:50:00.839
<v Speaker 6>then you know, sing what it comes to mind.

0:50:00.960 --> 0:50:03.319
<v Speaker 3>That's another part of your gift where you're you know,

0:50:03.480 --> 0:50:06.279
<v Speaker 3>you're just you're resilient in that.

0:50:06.280 --> 0:50:09.680
<v Speaker 6>That is one of my words that describe myself as resilient,

0:50:09.880 --> 0:50:10.719
<v Speaker 6>resilient in that.

0:50:11.480 --> 0:50:11.640
<v Speaker 1>Now.

0:50:11.640 --> 0:50:15.799
<v Speaker 5>But you bring up also with and I feel like

0:50:15.840 --> 0:50:19.319
<v Speaker 5>with both of you where the whole shooting star thing.

0:50:19.400 --> 0:50:23.120
<v Speaker 5>But you guys did get success out the gate too,

0:50:23.160 --> 0:50:25.960
<v Speaker 5>though It's not like it was like Okay, well it's

0:50:25.960 --> 0:50:28.880
<v Speaker 5>a sputter a little bit, but like get a gold album.

0:50:29.400 --> 0:50:30.799
<v Speaker 1>You got cracking, you know what.

0:50:30.719 --> 0:50:33.279
<v Speaker 5>I mean, Like you hit records from the beginning, so

0:50:34.400 --> 0:50:37.680
<v Speaker 5>you know, I think it's now and people having an

0:50:37.719 --> 0:50:40.640
<v Speaker 5>understanding of that, like now it's maintaining it.

0:50:41.280 --> 0:50:42.719
<v Speaker 1>Yeah, now it's maintaining it.

0:50:42.800 --> 0:50:45.480
<v Speaker 5>And like the next projects and the you know, the

0:50:45.560 --> 0:50:47.920
<v Speaker 5>label things and all the other things that happened that.

0:50:48.640 --> 0:50:50.440
<v Speaker 1>The public usually does not know.

0:50:50.880 --> 0:50:54.600
<v Speaker 5>The public don't know that the parent company is trying

0:50:54.600 --> 0:50:56.439
<v Speaker 5>to sink the smaller.

0:50:56.160 --> 0:51:00.520
<v Speaker 1>Label and that you're just kind of collaboral damage.

0:51:00.719 --> 0:51:03.359
<v Speaker 6>Nobody cared, and that nobody cares about that. What they

0:51:03.360 --> 0:51:06.439
<v Speaker 6>care about is what they hear on the radio. What's

0:51:06.480 --> 0:51:09.200
<v Speaker 6>interesting is I remember some of the questions you all

0:51:09.520 --> 0:51:11.719
<v Speaker 6>sent us ahead of time. Made me think of a

0:51:11.760 --> 0:51:17.840
<v Speaker 6>situation that puff Daddy was in the studio and I

0:51:17.880 --> 0:51:22.040
<v Speaker 6>had already done a record with Rodney Jerkins, and my

0:51:22.120 --> 0:51:25.040
<v Speaker 6>song was called If I Gave Love. Hers was if

0:51:25.040 --> 0:51:28.799
<v Speaker 6>You Had My Life, same song. Puff Daddy heard my

0:51:28.880 --> 0:51:32.440
<v Speaker 6>song and said, I want that song for j Lo.

0:51:33.200 --> 0:51:37.160
<v Speaker 6>And Roddy was like that that Chante's song, and he said,

0:51:37.960 --> 0:51:41.839
<v Speaker 6>I want that song. So powerful people get what they want,

0:51:42.560 --> 0:51:46.160
<v Speaker 6>and so they made their own song that they made

0:51:46.239 --> 0:51:50.239
<v Speaker 6>for me for her same song. And that's a thing

0:51:50.320 --> 0:51:53.880
<v Speaker 6>I wish that I would have been more aggressive and

0:51:53.920 --> 0:51:56.040
<v Speaker 6>been more like, well, let's put them both at the

0:51:56.080 --> 0:51:56.480
<v Speaker 6>same time.

0:51:56.520 --> 0:52:00.680
<v Speaker 3>Then I was all about to say that, and we.

0:52:00.600 --> 0:52:03.040
<v Speaker 6>Did, but we did, and I was like, how can

0:52:03.120 --> 0:52:07.960
<v Speaker 6>I compete with j Lo money? They were coming so

0:52:08.239 --> 0:52:12.040
<v Speaker 6>high and I had already just I just had Jantie's

0:52:12.040 --> 0:52:14.759
<v Speaker 6>Got a Mantle. That was my one two punch. That

0:52:14.880 --> 0:52:17.520
<v Speaker 6>was the two and I just feel like we just

0:52:17.520 --> 0:52:22.640
<v Speaker 6>like b After that, I'm like, okay, well uh yeah,

0:52:22.680 --> 0:52:26.520
<v Speaker 6>so we'll see you know, it's all good. What's wonderful

0:52:26.640 --> 0:52:31.680
<v Speaker 6>is that learning the lessons and understanding which purpose is.

0:52:31.760 --> 0:52:38.399
<v Speaker 6>My purpose is to sing and inspire the audience, not

0:52:38.440 --> 0:52:43.560
<v Speaker 6>necessarily other artist. I think that when you sing for

0:52:43.600 --> 0:52:46.160
<v Speaker 6>the people who support you, the people who show up,

0:52:47.680 --> 0:52:51.440
<v Speaker 6>especially being a believer, these are the things that move me.

0:52:52.000 --> 0:52:54.960
<v Speaker 6>Is when I move my audience, when I encourage them

0:52:55.000 --> 0:52:56.799
<v Speaker 6>and let them know they're not alone, and they get

0:52:57.360 --> 0:53:00.520
<v Speaker 6>into this thing because you know, people see the look

0:53:00.560 --> 0:53:03.920
<v Speaker 6>of things and I'm like, yeah, no, the glitter, lipstick

0:53:03.960 --> 0:53:08.160
<v Speaker 6>and makeup and all this stuff comes off. I'm really

0:53:08.360 --> 0:53:11.960
<v Speaker 6>just a girl. And it really is true because heartbreak comes,

0:53:12.040 --> 0:53:16.000
<v Speaker 6>sadness comes, depression comes, not knowing my worth, all of

0:53:16.040 --> 0:53:20.480
<v Speaker 6>the things, jealousy, everything comes as a human and then

0:53:20.520 --> 0:53:22.960
<v Speaker 6>being a woman on top of that, and you have

0:53:23.040 --> 0:53:26.759
<v Speaker 6>to deal with it whether or not you sing for

0:53:26.800 --> 0:53:34.600
<v Speaker 6>a living or if you're working at Target. So that

0:53:34.760 --> 0:53:37.279
<v Speaker 6>is what I realized through the years that I am

0:53:38.520 --> 0:53:42.120
<v Speaker 6>made to do is inspire and talk about who God

0:53:42.280 --> 0:53:45.760
<v Speaker 6>is when I'm on stage and try to encourage somebody

0:53:45.760 --> 0:53:48.960
<v Speaker 6>to believe when they don't believe. No more. Yeah, that's

0:53:48.960 --> 0:53:50.400
<v Speaker 6>what I'm supposed to do. I love it.

0:53:51.440 --> 0:53:55.840
<v Speaker 3>Give me a moment when you were on stage and

0:53:55.960 --> 0:53:59.920
<v Speaker 3>you realize for the first time you had a hit record.

0:54:02.800 --> 0:54:08.680
<v Speaker 6>Yeah, well, yeah, well it's funny because I did Soul

0:54:08.719 --> 0:54:16.960
<v Speaker 6>Train and don Cornelius, Cornelius, Cornelius, I'm gonna say, Cornelius asked.

0:54:17.239 --> 0:54:19.640
<v Speaker 6>He asked, Liul, did we pay people in the audience

0:54:19.760 --> 0:54:22.360
<v Speaker 6>to get excited about that song? And Loul was like,

0:54:23.040 --> 0:54:25.759
<v Speaker 6>who's having done that? He was like, but people are

0:54:25.800 --> 0:54:28.480
<v Speaker 6>really reacted to that immediately, and he was like, what

0:54:29.120 --> 0:54:31.080
<v Speaker 6>do you want me to do? So that was one

0:54:31.120 --> 0:54:34.000
<v Speaker 6>moment I was like, people really must like the song.

0:54:34.440 --> 0:54:38.360
<v Speaker 6>And then I did a show, a radio show with

0:54:38.600 --> 0:54:44.920
<v Speaker 6>Destiny's Child, and I remember uh singing on that caliber

0:54:45.760 --> 0:54:49.440
<v Speaker 6>of a show and the people were singing so loud

0:54:49.480 --> 0:54:52.799
<v Speaker 6>I couldn't hear myself and little white girls and that

0:54:52.840 --> 0:54:55.000
<v Speaker 6>I had never had that before because you know, we're black,

0:54:55.040 --> 0:54:58.319
<v Speaker 6>and they played black music on black radio. Unless you

0:54:58.600 --> 0:55:01.200
<v Speaker 6>cross over, nobody's gonna nobody in another race is going

0:55:01.239 --> 0:55:04.560
<v Speaker 6>to really So that song was doing so well. I

0:55:04.640 --> 0:55:07.160
<v Speaker 6>was on a radio show with Destiny's Child, so I

0:55:07.239 --> 0:55:09.120
<v Speaker 6>was out there and I watched the people sing it back,

0:55:09.160 --> 0:55:11.719
<v Speaker 6>and it did take me aback, like I was like,

0:55:11.760 --> 0:55:14.319
<v Speaker 6>what y'all, Oh, y'all noticed? Okay, So it was a

0:55:14.400 --> 0:55:16.680
<v Speaker 6>radio show, and then what's interesting is after that show

0:55:16.760 --> 0:55:20.760
<v Speaker 6>is what is even more memorable. Beyonce was like, huh,

0:55:20.960 --> 0:55:22.759
<v Speaker 6>your somethach smaller than mine? You had a baby, yes,

0:55:22.840 --> 0:55:27.520
<v Speaker 6>something smaller than mine. Okay. She was like, I'm gonna

0:55:27.520 --> 0:55:33.440
<v Speaker 6>have to get to work and latch there, Hippa. I

0:55:33.520 --> 0:55:35.920
<v Speaker 6>watched her and I love it. I loved it and

0:55:35.920 --> 0:55:37.799
<v Speaker 6>I hated it at the same time because it was

0:55:37.880 --> 0:55:43.680
<v Speaker 6>just like wow, like how a career can just and

0:55:43.840 --> 0:55:48.400
<v Speaker 6>I and I love it because I love the She

0:55:48.560 --> 0:55:51.200
<v Speaker 6>was a star then, and we you know, in the

0:55:51.200 --> 0:55:53.200
<v Speaker 6>group of all of them, it was beautiful and we're

0:55:53.200 --> 0:55:55.760
<v Speaker 6>all were like group, group, group. We were like our eyes,

0:55:55.800 --> 0:55:59.520
<v Speaker 6>we're not leaving her. I think that's when you see

0:55:59.560 --> 0:56:00.880
<v Speaker 6>the actor in a group.

0:56:02.840 --> 0:56:04.080
<v Speaker 1>But then the work she put.

0:56:03.920 --> 0:56:08.960
<v Speaker 6>In, yeah, to maintain it and still a whole another level.

0:56:10.120 --> 0:56:11.879
<v Speaker 6>But that was one of the moments. And I still,

0:56:11.880 --> 0:56:16.400
<v Speaker 6>honestly every time they say Shanta more ninety five percent

0:56:16.400 --> 0:56:18.520
<v Speaker 6>of the time they say my name backstage when I'm

0:56:18.520 --> 0:56:21.400
<v Speaker 6>about to go on, and I go, shoot, that's me,

0:56:28.160 --> 0:56:30.239
<v Speaker 6>Like it's me because that's my name since a kid.

0:56:30.360 --> 0:56:33.879
<v Speaker 6>I was not like it's another name. I'm not like, yeah,

0:56:34.320 --> 0:56:40.680
<v Speaker 6>that lady.

0:56:38.040 --> 0:56:39.839
<v Speaker 4>I was taking a baby too well.

0:56:39.960 --> 0:56:41.160
<v Speaker 6>But you know it's a weird thing.

0:56:41.400 --> 0:56:43.200
<v Speaker 1>How you mentioned the record.

0:56:44.719 --> 0:56:47.040
<v Speaker 5>How do y'all come up with that with saying like, Okay,

0:56:47.080 --> 0:56:49.880
<v Speaker 5>this is what we're going to call the song Shantees

0:56:50.520 --> 0:56:51.080
<v Speaker 5>got a man.

0:56:53.520 --> 0:56:56.120
<v Speaker 6>Jimmy and Terry and I were sitting in the studio

0:56:56.200 --> 0:56:59.480
<v Speaker 6>writing many songs because.

0:56:59.400 --> 0:57:01.680
<v Speaker 4>Still stop there.

0:57:02.280 --> 0:57:14.440
<v Speaker 6>Yeah, it was just a studio in Minneapolis, but it

0:57:14.520 --> 0:57:18.040
<v Speaker 6>was incredible. Honestly, we had been in the studio for

0:57:18.240 --> 0:57:20.400
<v Speaker 6>almost a year and a half. It had taken to

0:57:20.400 --> 0:57:22.760
<v Speaker 6>make this record. It was a long time. Every time

0:57:22.760 --> 0:57:25.760
<v Speaker 6>we came home they were little, was like yeah, no,

0:57:26.000 --> 0:57:28.240
<v Speaker 6>I mean it's good, but we need we need that song.

0:57:29.440 --> 0:57:34.000
<v Speaker 6>And I remember Jimmy jam said you need a ghetto song,

0:57:34.320 --> 0:57:38.360
<v Speaker 6>like you need John Day's ghetto song, and so we

0:57:38.440 --> 0:57:41.320
<v Speaker 6>all went huh. And he was like, you know, like

0:57:41.400 --> 0:57:44.760
<v Speaker 6>that Kelly Price kind of thing, you know that thing?

0:57:44.840 --> 0:57:48.000
<v Speaker 6>And I was like, okay, so big jim I rest

0:57:48.080 --> 0:57:51.440
<v Speaker 6>his soul. He started playing something on the keys and

0:57:52.360 --> 0:57:56.080
<v Speaker 6>I was talking about how my friends all were upset

0:57:56.240 --> 0:57:59.160
<v Speaker 6>in the mad and their boyfriends were cheating and beating

0:57:59.240 --> 0:58:02.440
<v Speaker 6>them up literally uh, And I was like, sorry, I'm

0:58:02.520 --> 0:58:04.160
<v Speaker 6>really happy. I don't know what to say to you.

0:58:04.320 --> 0:58:06.880
<v Speaker 6>I'm sorry your man ain't home, really feel bad for you,

0:58:07.800 --> 0:58:10.160
<v Speaker 6>but I was so giddy and happy that I couldn't

0:58:10.760 --> 0:58:15.240
<v Speaker 6>I could I could uh empathize because everybody's had the heartbroken,

0:58:15.280 --> 0:58:17.920
<v Speaker 6>everybody had somebody cheat, everybody's had the man who's not

0:58:18.080 --> 0:58:20.120
<v Speaker 6>at home with you when you want to be. But

0:58:20.240 --> 0:58:21.880
<v Speaker 6>I had my man at home. And it was that

0:58:22.160 --> 0:58:25.920
<v Speaker 6>moment that we were like, huh, Shaanta's gettle song, that's

0:58:25.960 --> 0:58:32.120
<v Speaker 6>what it was called before Shant's got Yeah, And I

0:58:32.240 --> 0:58:39.520
<v Speaker 6>have the cassette Jimmy Jam's c G Shahntay's Ghettle song

0:58:39.600 --> 0:58:44.280
<v Speaker 6>CGS on a cassette with the first music of that song.

0:58:46.440 --> 0:58:52.160
<v Speaker 3>Happened that great. I'm just jealous. I'm just jealous, everybody said.

0:58:52.160 --> 0:58:54.120
<v Speaker 3>And I'm gonna make it a point to work with

0:58:54.240 --> 0:58:54.880
<v Speaker 3>Jimmy Jam.

0:58:54.880 --> 0:58:56.520
<v Speaker 1>And I'm about to give you another one. She had

0:58:57.720 --> 0:59:00.840
<v Speaker 1>some more bart.

0:59:00.880 --> 0:59:04.360
<v Speaker 5>I don't even know, because I don't think a lot

0:59:04.480 --> 0:59:12.040
<v Speaker 5>of people talk about You're amazing song, which is a

0:59:12.120 --> 0:59:15.920
<v Speaker 5>different type of song on the Waiting to Exhale soundtrack.

0:59:16.040 --> 0:59:19.640
<v Speaker 1>Oh, like that is such a bar.

0:59:20.880 --> 0:59:24.160
<v Speaker 5>Because baby Face decided he's going to write all these

0:59:24.200 --> 0:59:28.360
<v Speaker 5>songs for all these great women, for this great movie soundtrack.

0:59:28.760 --> 0:59:28.960
<v Speaker 4>Yeah.

0:59:30.200 --> 0:59:31.800
<v Speaker 3>Like, but.

0:59:33.480 --> 0:59:35.400
<v Speaker 1>He sends you a song, or you go to the

0:59:35.480 --> 0:59:37.840
<v Speaker 1>studio and you talk out the words.

0:59:37.680 --> 0:59:39.640
<v Speaker 6>No words, scat song.

0:59:40.760 --> 0:59:45.160
<v Speaker 1>It has no words, man, baby Face, the king of words.

0:59:46.360 --> 0:59:48.800
<v Speaker 6>Can I tell you how mad little was? I can

0:59:48.920 --> 0:59:50.520
<v Speaker 6>I tell you how much he does.

0:59:50.960 --> 0:59:51.840
<v Speaker 4>That's one of the story.

0:59:55.400 --> 0:59:57.800
<v Speaker 6>So I don't know how it ended up being my song.

0:59:59.680 --> 1:00:03.600
<v Speaker 6>I think he. I think he genuinely was a fan

1:00:03.760 --> 1:00:05.320
<v Speaker 6>of my voice and thought.

1:00:05.160 --> 1:00:07.920
<v Speaker 1>I could pull it off because in it ly they

1:00:08.000 --> 1:00:08.640
<v Speaker 1>wanted to sign you.

1:00:09.680 --> 1:00:11.520
<v Speaker 6>They did. I didn't think about that at that moment,

1:00:11.640 --> 1:00:18.479
<v Speaker 6>but yes, so I was always yes because it's face,

1:00:18.920 --> 1:00:21.760
<v Speaker 6>you know, and how do you not work with baby Face?

1:00:24.120 --> 1:00:27.800
<v Speaker 6>So my thing is, you know, be kind and do

1:00:28.000 --> 1:00:32.080
<v Speaker 6>your best and be grateful, you know for what doors

1:00:32.080 --> 1:00:35.080
<v Speaker 6>are opened for you, because I know doors don't open

1:00:35.160 --> 1:00:38.919
<v Speaker 6>for everybody. And being on the album that I knew

1:00:39.600 --> 1:00:43.720
<v Speaker 6>was produced all by him. I knew Aretha was on it,

1:00:43.800 --> 1:00:46.840
<v Speaker 6>I knew Whitney was on it, I knew CC Winings,

1:00:46.880 --> 1:00:49.760
<v Speaker 6>I knew Brandy was on it, I knew Tony Braxton

1:00:49.920 --> 1:00:50.200
<v Speaker 6>was on it.

1:00:52.080 --> 1:00:55.640
<v Speaker 1>So my answer was yes, yes, you hear anything.

1:00:56.320 --> 1:00:59.160
<v Speaker 6>And I sank background. I think on like five of

1:00:59.240 --> 1:01:06.920
<v Speaker 6>those songs, I think I'm on Shoot, definitely on uh,

1:01:07.440 --> 1:01:12.400
<v Speaker 6>Tony's definitely on Paddle La Bells. And it seemed like

1:01:12.480 --> 1:01:14.120
<v Speaker 6>it was a couple of other people. One girl was

1:01:14.160 --> 1:01:17.400
<v Speaker 6>singing rapping, and I was singing the background. Face was like,

1:01:17.600 --> 1:01:18.840
<v Speaker 6>just please come plase sing.

1:01:19.240 --> 1:01:19.840
<v Speaker 3>I love to sing.

1:01:20.000 --> 1:01:21.040
<v Speaker 6>I love singing background.

1:01:21.160 --> 1:01:25.120
<v Speaker 1>I loved I say songs on Wait Next Cooking.

1:01:26.160 --> 1:01:28.280
<v Speaker 6>So I did. And that's just so.

1:01:28.360 --> 1:01:30.600
<v Speaker 1>When you first heard it, though, what do you what

1:01:30.680 --> 1:01:33.800
<v Speaker 1>do you come on? Because we hear now it was beautiful.

1:01:34.000 --> 1:01:36.640
<v Speaker 6>I just thought it's just an extra song.

1:01:37.920 --> 1:01:38.520
<v Speaker 1>Did you think that?

1:01:38.680 --> 1:01:40.760
<v Speaker 5>Okay, well, maybe he's just playing me the melody and

1:01:40.840 --> 1:01:42.200
<v Speaker 5>he's gonna he's gonna feel in work.

1:01:43.560 --> 1:01:47.760
<v Speaker 6>He told me it was this. I probably have the

1:01:47.840 --> 1:01:51.000
<v Speaker 6>cassette somewhere, but I don't remember. Oh his version of

1:01:51.200 --> 1:01:52.960
<v Speaker 6>him singing it, Yeah, I think so, or maybe I

1:01:53.000 --> 1:01:54.760
<v Speaker 6>don't know. He might have just did it then. I

1:01:54.880 --> 1:01:57.320
<v Speaker 6>I but yeah, I knew even.

1:01:57.200 --> 1:01:58.320
<v Speaker 1>When I was young and I heard, I was like,

1:01:58.400 --> 1:01:59.280
<v Speaker 1>this sounds like jungle.

1:01:59.320 --> 1:02:05.320
<v Speaker 6>Look, but it's the song that if I'm on an

1:02:05.360 --> 1:02:09.240
<v Speaker 6>airplane and somebody black says, oh my god, I love you.

1:02:09.360 --> 1:02:11.800
<v Speaker 6>I love you, Oh my god, blah blah blah. Because

1:02:11.840 --> 1:02:13.720
<v Speaker 6>black people they love me. They always show me love

1:02:13.760 --> 1:02:17.240
<v Speaker 6>everywhere I go always, but it's the white person that's

1:02:17.280 --> 1:02:19.440
<v Speaker 6>next to me that goes, Okay, so I don't know you,

1:02:19.520 --> 1:02:24.520
<v Speaker 6>and I'm really sorry, but I don't know the excitement

1:02:24.560 --> 1:02:26.200
<v Speaker 6>and all that, but like, what do you do? And

1:02:26.280 --> 1:02:28.200
<v Speaker 6>I'm like, oh, I'm singer, you know, oh what, I

1:02:28.240 --> 1:02:30.680
<v Speaker 6>know your stuff and I don't know how to point

1:02:30.720 --> 1:02:33.480
<v Speaker 6>them to me. And I say, well, have you ever

1:02:34.080 --> 1:02:36.800
<v Speaker 6>seen waiting to exhale? And they go, oh, yeah Houston

1:02:36.840 --> 1:02:38.560
<v Speaker 6>and blah blah. I was like, yeah, So the very

1:02:38.640 --> 1:02:42.000
<v Speaker 6>first song in Whitney Houston has a convertible first song

1:02:42.040 --> 1:02:43.800
<v Speaker 6>that's plane when her hair is blown in the wind.

1:02:44.080 --> 1:02:46.000
<v Speaker 6>That's me, the first voice she hears me. That's how

1:02:46.000 --> 1:02:48.880
<v Speaker 6>I explain myself to the Caucasian persuit.

1:02:49.240 --> 1:02:52.400
<v Speaker 1>That's actually a great how do you explain yourself to

1:02:52.440 --> 1:02:52.919
<v Speaker 1>the white people?

1:02:53.160 --> 1:02:58.960
<v Speaker 4>I oh, I can't make you love me? Sometimes I

1:02:59.120 --> 1:03:02.520
<v Speaker 4>use that or I say I say, They're like they

1:03:02.600 --> 1:03:03.240
<v Speaker 4>so you sing that.

1:03:03.320 --> 1:03:05.320
<v Speaker 3>I'm like, yeah, sing. It's like, well, what I know

1:03:05.400 --> 1:03:08.280
<v Speaker 3>any of your songs? And I'm like, do you do

1:03:08.440 --> 1:03:09.439
<v Speaker 3>you like sexy time.

1:03:13.080 --> 1:03:14.080
<v Speaker 6>What record do you put on?

1:03:14.240 --> 1:03:14.520
<v Speaker 3>Do you.

1:03:16.120 --> 1:03:16.800
<v Speaker 5>Like sexy?

1:03:17.040 --> 1:03:19.840
<v Speaker 4>Do you pro create? Because my music is of the

1:03:20.200 --> 1:03:20.840
<v Speaker 4>pro creation?

1:03:21.040 --> 1:03:23.520
<v Speaker 6>That really is that album is? Really?

1:03:23.760 --> 1:03:26.600
<v Speaker 3>What song would you say? I said, you really want

1:03:26.680 --> 1:03:30.120
<v Speaker 3>to get nasty? I got a song called when weed

1:03:31.040 --> 1:03:33.000
<v Speaker 3>it get you pregnant? I'm just throwing it out there.

1:03:33.840 --> 1:03:35.480
<v Speaker 3>You know, I don't want to put too much on you.

1:03:35.720 --> 1:03:37.920
<v Speaker 3>But do you want your legs to go up high?

1:03:39.080 --> 1:03:39.600
<v Speaker 1>That got them?

1:03:40.440 --> 1:03:43.040
<v Speaker 4>I got them going to it right now?

1:03:45.040 --> 1:03:47.680
<v Speaker 6>She cuts the pearls. Why are you talking about I

1:03:47.720 --> 1:03:50.360
<v Speaker 6>would never I remember.

1:03:51.200 --> 1:03:55.880
<v Speaker 3>I remember I told yes, some white people like almost

1:03:55.960 --> 1:04:00.480
<v Speaker 3>like a little family or whatever. My husband was saying this, yeah, man,

1:04:00.560 --> 1:04:01.880
<v Speaker 3>my wife's looking at your chest.

1:04:02.000 --> 1:04:02.160
<v Speaker 6>Man.

1:04:02.240 --> 1:04:08.760
<v Speaker 4>This is just because it's like, I'm sorry, What can

1:04:08.800 --> 1:04:09.000
<v Speaker 4>I do?

1:04:09.800 --> 1:04:13.000
<v Speaker 1>Somebody got to come up with a show explaining black music?

1:04:16.560 --> 1:04:17.800
<v Speaker 6>How do you connect the dots?

1:04:19.200 --> 1:04:25.320
<v Speaker 3>So in in all of this, and when we talked

1:04:25.320 --> 1:04:29.840
<v Speaker 3>about purpose, and we talked about you know, the people

1:04:30.040 --> 1:04:35.560
<v Speaker 3>and all of these twisting turns, right, what is the

1:04:35.720 --> 1:04:40.800
<v Speaker 3>thing that you want to be remembered for.

1:04:44.720 --> 1:04:53.480
<v Speaker 6>Inspiring love and evolving? Like I started here and I

1:04:53.560 --> 1:04:58.080
<v Speaker 6>think I was pretty good. And then I started looking

1:04:58.160 --> 1:05:01.600
<v Speaker 6>at what I had done performances and you have to

1:05:02.200 --> 1:05:05.960
<v Speaker 6>own them differently if you want to make a statement.

1:05:06.600 --> 1:05:11.640
<v Speaker 6>And I think I know, I was afraid. I still

1:05:11.720 --> 1:05:14.640
<v Speaker 6>have jitters before I go on stage. But I was

1:05:14.720 --> 1:05:19.120
<v Speaker 6>afraid because I didn't have enough practice doing what I

1:05:19.200 --> 1:05:22.800
<v Speaker 6>did for a living. The first time I performed live

1:05:23.160 --> 1:05:25.560
<v Speaker 6>before our audience, that was my own stuff, and like

1:05:25.640 --> 1:05:27.640
<v Speaker 6>I sang this place called the moon Glow in San

1:05:27.680 --> 1:05:32.560
<v Speaker 6>Diego with the Baha strings and we sang top forty.

1:05:32.680 --> 1:05:36.000
<v Speaker 6>I sang everything from part time Lover to shibop whatever.

1:05:36.280 --> 1:05:38.720
<v Speaker 6>I sang all that stuff. And I wasn't even twenty

1:05:38.800 --> 1:05:43.880
<v Speaker 6>one yet, but I sang three shows two three shows

1:05:43.920 --> 1:05:46.880
<v Speaker 6>a night, three nights a week, Friday, Saturday, Sunday, one

1:05:46.960 --> 1:05:51.680
<v Speaker 6>hundred and fifty dollars a night. But the first time

1:05:51.760 --> 1:05:54.480
<v Speaker 6>I ever sang my music, I was singing in front

1:05:54.480 --> 1:06:00.200
<v Speaker 6>of MCA Records, doing the you Know show in my

1:06:00.320 --> 1:06:05.000
<v Speaker 6>new music before I went to with George Duke over

1:06:05.080 --> 1:06:09.600
<v Speaker 6>to Montroe Jazz Festival. That was the next time I

1:06:09.680 --> 1:06:14.880
<v Speaker 6>sang I Know, and I knew where I was going,

1:06:15.080 --> 1:06:19.520
<v Speaker 6>and I knew it was crazy, and I wasn't prepared.

1:06:20.720 --> 1:06:26.600
<v Speaker 6>I wish I felt more confident and prepared and practiced,

1:06:27.640 --> 1:06:30.680
<v Speaker 6>and I think people were so excited about the tone

1:06:30.720 --> 1:06:34.680
<v Speaker 6>of my voice, and I understand now that that's something special.

1:06:37.280 --> 1:06:44.840
<v Speaker 6>When Layla Hathaway comes up and goes, girl, your tone,

1:06:45.120 --> 1:06:49.720
<v Speaker 6>let me tell you that your tongue. I'm serious.

1:06:49.760 --> 1:06:51.920
<v Speaker 1>That's what she did. And it's like you.

1:06:52.440 --> 1:06:56.120
<v Speaker 6>She said, you must know you, you must know honey.

1:06:56.480 --> 1:07:00.800
<v Speaker 6>And I'm like said the woman with the tone, her

1:07:00.920 --> 1:07:07.200
<v Speaker 6>daddy and herself morphed into one amazing voice. So I

1:07:07.280 --> 1:07:10.520
<v Speaker 6>kind of go, huh. Some people make you go well,

1:07:10.600 --> 1:07:14.360
<v Speaker 6>maybe I'm not so bad because of what I think

1:07:14.440 --> 1:07:17.840
<v Speaker 6>of them. But the thing is, you can't get confused

1:07:19.720 --> 1:07:23.120
<v Speaker 6>when somebody goes before you and somebody goes singing a

1:07:23.160 --> 1:07:27.040
<v Speaker 6>different way than I sing. The church vocals can be

1:07:28.200 --> 1:07:32.760
<v Speaker 6>misleading or your ego starts to jump in and go,

1:07:32.880 --> 1:07:39.320
<v Speaker 6>well they singing like this, let me and you have

1:07:39.360 --> 1:07:41.640
<v Speaker 6>to stay in your lane. That's the thing I've learned

1:07:41.800 --> 1:07:44.840
<v Speaker 6>is stay in your lane. You can only be you

1:07:45.760 --> 1:07:48.840
<v Speaker 6>and I can only be me. But I am taking

1:07:48.920 --> 1:07:51.200
<v Speaker 6>voice lessons. I just started taking voice lessons. I've had

1:07:51.280 --> 1:07:53.480
<v Speaker 6>two and I'm repeating those over and over until you

1:07:53.520 --> 1:07:57.760
<v Speaker 6>come back to me. But that is what I want

1:07:57.800 --> 1:08:00.600
<v Speaker 6>to do is get better. There's stuff I want to

1:08:00.800 --> 1:08:02.760
<v Speaker 6>know how to do. There's stuff when I get sick

1:08:02.880 --> 1:08:05.280
<v Speaker 6>that I want to be able to just do some technique,

1:08:06.200 --> 1:08:12.080
<v Speaker 6>make me go and get over it. It's changing the

1:08:12.440 --> 1:08:14.520
<v Speaker 6>entire you know, melody.

1:08:15.200 --> 1:08:17.519
<v Speaker 1>That's so cool to hear you say that, though, Man,

1:08:17.880 --> 1:08:19.480
<v Speaker 1>you're still taking vocalists.

1:08:19.600 --> 1:08:24.360
<v Speaker 6>No, I've never taken. It was Robert Stevens. He is amazing.

1:08:24.720 --> 1:08:27.240
<v Speaker 6>I think he's Robert rab in some circles, but he.

1:08:27.760 --> 1:08:30.160
<v Speaker 6>I was sitting next to him by chance on a

1:08:30.320 --> 1:08:35.960
<v Speaker 6>flight from Atlanta last month and he noticed me sniffing

1:08:36.120 --> 1:08:38.720
<v Speaker 6>and put my bag up for me and whatever. So

1:08:38.760 --> 1:08:41.200
<v Speaker 6>we chatted the whole time, and it was weird that

1:08:41.560 --> 1:08:43.560
<v Speaker 6>I don't usually talk on the airplane. I'm usually, you know,

1:08:43.680 --> 1:08:45.880
<v Speaker 6>like hi, good night, okay, and I go to sleep

1:08:45.960 --> 1:08:48.800
<v Speaker 6>or watch a movie. But somewhere in there we started

1:08:48.880 --> 1:08:51.599
<v Speaker 6>chatting and and I was like, yeah, and I want

1:08:51.680 --> 1:08:53.760
<v Speaker 6>to take voice lessons. And he was like, you don't

1:08:53.760 --> 1:08:55.759
<v Speaker 6>realize that that's what I do. And I know exactly

1:08:55.800 --> 1:08:58.599
<v Speaker 6>who you are, and blah blah bl and by the end,

1:08:58.680 --> 1:09:00.679
<v Speaker 6>I was just like this was a I think because

1:09:00.720 --> 1:09:03.439
<v Speaker 6>I didn't know who he was at all. But usually

1:09:03.640 --> 1:09:05.280
<v Speaker 6>those people are behind the scenes.

1:09:08.160 --> 1:09:13.160
<v Speaker 4>Robert, Yes, so that's who I'm gonna start.

1:09:13.040 --> 1:09:14.240
<v Speaker 3>Taking get out.

1:09:16.520 --> 1:09:19.280
<v Speaker 6>He is so amazing, Like it's so weird and wonderful

1:09:19.320 --> 1:09:19.960
<v Speaker 6>at the same time.

1:09:25.479 --> 1:09:26.240
<v Speaker 1>We just made.

1:09:31.040 --> 1:09:34.479
<v Speaker 6>I met him with Justin Biber Timberlake. I knew that

1:09:38.720 --> 1:09:43.880
<v Speaker 6>that's the I think of first. Yes, sorry, the original, Yes,

1:09:46.680 --> 1:09:48.519
<v Speaker 6>I'm sorry, just keep moving.

1:09:49.960 --> 1:09:53.840
<v Speaker 4>But I was like I was out there with with

1:09:54.360 --> 1:09:54.840
<v Speaker 4>with Justin.

1:09:54.920 --> 1:09:58.800
<v Speaker 3>I'm like, bro, you like Crispy every night He's like

1:09:58.880 --> 1:10:02.400
<v Speaker 3>brom Ashley, Like, I'm fucked up right now. Like vocally

1:10:02.439 --> 1:10:04.040
<v Speaker 3>he's like, you know, my guy. He keeps me. I

1:10:04.120 --> 1:10:08.519
<v Speaker 3>was like, Who's who's the guy? Who's my guy? Big

1:10:08.600 --> 1:10:11.680
<v Speaker 3>Jason was like, trust me, he's always wants to meet

1:10:11.720 --> 1:10:13.800
<v Speaker 3>the guy. I want to meet the guy. He's like,

1:10:13.880 --> 1:10:15.519
<v Speaker 3>you need to you need to work with this nigga.

1:10:15.680 --> 1:10:17.640
<v Speaker 3>And I was like, and I had been procrastinating on

1:10:17.760 --> 1:10:22.439
<v Speaker 3>it for I would say years, and then finally not

1:10:22.560 --> 1:10:25.800
<v Speaker 3>too long. I was like, I need your help. Man.

1:10:27.960 --> 1:10:30.880
<v Speaker 3>I sing pretty good, but you know, I just want

1:10:30.960 --> 1:10:36.160
<v Speaker 3>my conditioning. I want my stamina, I want my height back.

1:10:36.600 --> 1:10:38.920
<v Speaker 3>Like I listened to like a lot of my old

1:10:39.080 --> 1:10:43.920
<v Speaker 3>songs and I'm like listen to that young vocal. You

1:10:43.960 --> 1:10:46.760
<v Speaker 3>gotta I gotta get back in the gym. I used

1:10:46.760 --> 1:10:52.720
<v Speaker 3>to sing every day, every day, all day working at

1:10:53.360 --> 1:10:55.760
<v Speaker 3>you watch watch this new thing.

1:10:55.840 --> 1:10:57.400
<v Speaker 4>I can do like every day.

1:10:57.400 --> 1:11:00.920
<v Speaker 3>And as you get older in his family and and

1:11:01.360 --> 1:11:05.759
<v Speaker 3>and kids, and you can you just you just can't.

1:11:05.960 --> 1:11:11.000
<v Speaker 3>And so you just you you You're You're not the

1:11:11.120 --> 1:11:13.720
<v Speaker 3>same conditioned hooper you used to be when you were

1:11:13.840 --> 1:11:14.599
<v Speaker 3>jumping every day.

1:11:14.680 --> 1:11:15.560
<v Speaker 4>You know what I'm saying. You're not.

1:11:16.000 --> 1:11:19.360
<v Speaker 3>You're just not the same. And I'm like, I just

1:11:19.400 --> 1:11:21.479
<v Speaker 3>want to get some of that back. And I know

1:11:21.560 --> 1:11:25.280
<v Speaker 3>if I do the work with the right person, I

1:11:25.320 --> 1:11:27.080
<v Speaker 3>can do that. So it's funny that you said his

1:11:27.240 --> 1:11:30.320
<v Speaker 3>name and I'm like, are you serious? And when you

1:11:30.400 --> 1:11:32.200
<v Speaker 3>were saying you were on a plane with him to Atlanta,

1:11:32.439 --> 1:11:34.200
<v Speaker 3>he was probably telling me, yeah, I'm on the way

1:11:34.200 --> 1:11:35.120
<v Speaker 3>to LA for a few days.

1:11:35.200 --> 1:11:37.840
<v Speaker 6>Let me know if you want to get Yeah, my

1:11:37.920 --> 1:11:42.720
<v Speaker 6>first lesson two weeks ago, maybe maybe three, maybe yes, yeah, no,

1:11:42.800 --> 1:11:45.439
<v Speaker 6>it's amazing. I have never known a warm up or

1:11:45.479 --> 1:11:48.000
<v Speaker 6>a warm down. I don't even I don't trust it

1:11:48.000 --> 1:11:49.640
<v Speaker 6>because I'm like, I'm gonna be tired trying to.

1:11:49.640 --> 1:11:50.200
<v Speaker 3>Do a warm up.

1:11:50.680 --> 1:11:51.960
<v Speaker 1>What I'm gonna do is wait.

1:11:53.720 --> 1:12:04.000
<v Speaker 5>And saying when I get on, I'm saying practice pretty much.

1:12:05.400 --> 1:12:07.920
<v Speaker 6>I can't. I do hot water and honey. It's my

1:12:08.160 --> 1:12:10.720
<v Speaker 6>doctors like, you have high cholesterol. I was like, that

1:12:10.880 --> 1:12:14.360
<v Speaker 6>is impossible. You are pre diabetic. Yeah, and I said,

1:12:14.600 --> 1:12:19.360
<v Speaker 6>how in the world I don't eat if you looked

1:12:19.400 --> 1:12:22.320
<v Speaker 6>at me and I work out, especially when the first

1:12:22.400 --> 1:12:24.599
<v Speaker 6>they first said it it's because I have hot water

1:12:24.680 --> 1:12:28.479
<v Speaker 6>and honey all the time. Honey is just sugar, just sugar,

1:12:28.920 --> 1:12:36.439
<v Speaker 6>just sugar ate some cakes. No, but yeah, but the

1:12:36.560 --> 1:12:38.240
<v Speaker 6>hot water and honey is what does it for me?

1:12:38.320 --> 1:12:41.160
<v Speaker 6>And like during the show, Yeah, it's what I do.

1:12:41.280 --> 1:12:42.400
<v Speaker 1>They got sugar free honey.

1:12:43.400 --> 1:12:44.599
<v Speaker 3>I don't know if you can.

1:12:45.960 --> 1:12:48.960
<v Speaker 4>You know, I don't know if you can.

1:12:50.439 --> 1:12:51.160
<v Speaker 6>It's smell of funny.

1:12:51.200 --> 1:12:51.479
<v Speaker 1>I don't know.

1:12:51.680 --> 1:12:58.360
<v Speaker 6>I think it's just something's turned into shaketh. Yes, but

1:12:58.800 --> 1:12:59.320
<v Speaker 6>sugar free.

1:13:01.120 --> 1:13:04.960
<v Speaker 4>Like I'm just it's just interesting how we parallel.

1:13:05.160 --> 1:13:08.000
<v Speaker 6>Yeah, like just the journey and I have another I

1:13:08.040 --> 1:13:09.880
<v Speaker 6>have a song I want you to sing. I have

1:13:09.920 --> 1:13:14.040
<v Speaker 6>a new record coming. And somebody was listening, Actually cook

1:13:14.080 --> 1:13:17.680
<v Speaker 6>you cook Coo career, you know what, I don't never

1:13:17.760 --> 1:13:19.719
<v Speaker 6>know his last name. He works with Laney and Tricky.

1:13:20.920 --> 1:13:22.759
<v Speaker 1>Okay, so coach and producer.

1:13:23.840 --> 1:13:26.640
<v Speaker 6>I didn't. Yeah, so he was I don't know who

1:13:26.720 --> 1:13:30.439
<v Speaker 6>he was. I forgot who was named. But Cook was

1:13:30.479 --> 1:13:34.479
<v Speaker 6>listening and Cook and then did can't Lighten You time

1:13:34.479 --> 1:13:36.560
<v Speaker 6>ago for so first album for me was Laney and

1:13:36.760 --> 1:13:43.120
<v Speaker 6>Tricky and and uh Laney and what's his name? Can't

1:13:43.160 --> 1:13:47.000
<v Speaker 6>think of it right now, it's okay, But AnyWho, he

1:13:47.200 --> 1:13:49.960
<v Speaker 6>was listening to one of the songs and he said,

1:13:50.280 --> 1:13:52.680
<v Speaker 6>I love this. This sounded like a Tank song. And

1:13:52.760 --> 1:13:55.439
<v Speaker 6>I was like, oh my god, it made me like

1:13:55.520 --> 1:13:57.960
<v Speaker 6>the song even more thinking about you singing and I

1:13:58.040 --> 1:14:02.559
<v Speaker 6>was like, oh, Tank gotta be oh my, that would

1:14:02.640 --> 1:14:06.320
<v Speaker 6>make that record even hotter. But anyway, so we'll talk

1:14:06.360 --> 1:14:06.680
<v Speaker 6>about that.

1:14:08.560 --> 1:14:09.599
<v Speaker 4>People know how funny you are.

1:14:10.960 --> 1:14:11.559
<v Speaker 1>This is great.

1:14:12.160 --> 1:14:14.400
<v Speaker 6>I'm a goofball, That's what I am. But that was

1:14:14.479 --> 1:14:17.000
<v Speaker 6>the thing I was as a kid is I was

1:14:17.040 --> 1:14:20.840
<v Speaker 6>the comic relief. I was always trying to make everybody happy,

1:14:21.240 --> 1:14:23.680
<v Speaker 6>make you smile. If mom and my sister were having

1:14:23.720 --> 1:14:26.760
<v Speaker 6>problems with it normally, dude, I was trying to go, Mama, listen.

1:14:26.920 --> 1:14:30.320
<v Speaker 6>She said not to say what's And then I said, listen, Mama,

1:14:30.400 --> 1:14:34.639
<v Speaker 6>love you and just just don't talk back. That would

1:14:34.680 --> 1:14:39.599
<v Speaker 6>be good, not to talk back time you lie your eyes.

1:14:41.160 --> 1:14:44.080
<v Speaker 1>I can imagine doing this at like years old.

1:14:44.280 --> 1:14:47.720
<v Speaker 4>That's what makes me funny, negotiating.

1:14:48.120 --> 1:14:53.280
<v Speaker 6>I was just come to Tom and my sister and

1:14:53.400 --> 1:14:57.559
<v Speaker 6>I are thickest because she knows she can always count

1:14:57.600 --> 1:15:01.040
<v Speaker 6>on me. I know she is my sister. Like I'm like,

1:15:01.120 --> 1:15:02.840
<v Speaker 6>You're the closest thing that will ever come to me

1:15:04.000 --> 1:15:05.960
<v Speaker 6>because we got the same mom and same daddy. You

1:15:06.000 --> 1:15:09.000
<v Speaker 6>could have been me, I could have been you. I

1:15:09.040 --> 1:15:13.240
<v Speaker 6>don't know, but we just I just a lover.

1:15:15.160 --> 1:15:16.679
<v Speaker 1>Speaking of coming together.

1:15:18.040 --> 1:15:18.839
<v Speaker 3>So every.

1:15:20.320 --> 1:15:22.400
<v Speaker 5>In Tank this because Tank is part of my family.

1:15:23.800 --> 1:15:27.439
<v Speaker 5>My family comes together, right and we we we all

1:15:27.520 --> 1:15:30.240
<v Speaker 5>get together and gather in the kitchen as my sister cooks.

1:15:30.680 --> 1:15:32.680
<v Speaker 5>And there is a song that we sing as a

1:15:32.800 --> 1:15:35.880
<v Speaker 5>family at every family event.

1:15:37.160 --> 1:15:41.840
<v Speaker 1>It is called Contagious. All the men in the family.

1:15:44.280 --> 1:15:44.799
<v Speaker 3>We take.

1:15:46.960 --> 1:15:49.160
<v Speaker 1>Yes, ma'am, and all the women wait for.

1:15:52.960 --> 1:15:57.920
<v Speaker 5>Please please give me the story behind this record, because

1:15:59.040 --> 1:16:01.720
<v Speaker 5>it was so un expect it for you to pop

1:16:01.880 --> 1:16:02.920
<v Speaker 5>up on that song.

1:16:03.640 --> 1:16:05.600
<v Speaker 6>Yes or to the world it was no, no, no.

1:16:05.920 --> 1:16:11.599
<v Speaker 6>It was to me too. So I knew r Kelly

1:16:11.800 --> 1:16:15.960
<v Speaker 6>through Cheryl Cobb she's a fan. She's a friend first friend,

1:16:16.080 --> 1:16:18.559
<v Speaker 6>then fan. Uh and then she always was like trying

1:16:18.560 --> 1:16:20.400
<v Speaker 6>to push no matter what happened, she was trying to

1:16:20.400 --> 1:16:23.400
<v Speaker 6>connect me with someone she has always connected me to.

1:16:23.520 --> 1:16:23.760
<v Speaker 4>Robert.

1:16:23.840 --> 1:16:28.280
<v Speaker 6>Robert was like, well, r who is really a good guy,

1:16:28.479 --> 1:16:31.920
<v Speaker 6>like really a nice person, really funny. And so I

1:16:32.040 --> 1:16:35.120
<v Speaker 6>hung out with him and her and he was like,

1:16:35.160 --> 1:16:37.040
<v Speaker 6>I'm gonna write you a song. I'm gonna write you

1:16:37.120 --> 1:16:38.639
<v Speaker 6>a song. He had a song he was gonna call

1:16:39.080 --> 1:16:43.920
<v Speaker 6>Capital Love Capital l oh the e Capital love was

1:16:43.960 --> 1:16:47.560
<v Speaker 6>Capital love. You never got to that Capital Love. But

1:16:48.960 --> 1:16:52.920
<v Speaker 6>one day out of the blue he called and said,

1:16:53.120 --> 1:16:55.200
<v Speaker 6>I want you to do something for me. Go would

1:16:55.240 --> 1:16:57.240
<v Speaker 6>you go in the studio and I want you just

1:16:57.320 --> 1:16:58.800
<v Speaker 6>to sing this party goes, but I want you sing

1:16:58.880 --> 1:17:00.800
<v Speaker 6>it just like I tell you. And I was like, sure,

1:17:01.120 --> 1:17:05.640
<v Speaker 6>I'll do it. So Robert, I, mister Issley and I

1:17:05.920 --> 1:17:07.320
<v Speaker 6>never were in the same place.

1:17:09.320 --> 1:17:12.320
<v Speaker 1>The way they make records now, uh huh people make

1:17:12.400 --> 1:17:12.960
<v Speaker 1>records now.

1:17:13.400 --> 1:17:16.840
<v Speaker 6>Right, yes, But yeah, so he just told me when

1:17:16.920 --> 1:17:22.720
<v Speaker 6>to sing my part, Frank, So I just had to

1:17:22.800 --> 1:17:23.639
<v Speaker 6>do my part.

1:17:26.640 --> 1:17:27.000
<v Speaker 1>Talking.

1:17:28.400 --> 1:17:30.840
<v Speaker 6>Yeah, Well, I just did what he told me to do.

1:17:31.200 --> 1:17:33.240
<v Speaker 6>And then all at the end of it. It just

1:17:34.080 --> 1:17:34.519
<v Speaker 6>was a song.

1:17:34.800 --> 1:17:35.720
<v Speaker 1>But had you heard it.

1:17:37.479 --> 1:17:41.519
<v Speaker 6>After it was done he sent it, yeah, probably probably

1:17:41.560 --> 1:17:46.960
<v Speaker 6>when he mixed it. And then uh we did the

1:17:47.160 --> 1:17:51.880
<v Speaker 6>video and we had to make out in the video.

1:17:52.600 --> 1:17:59.920
<v Speaker 6>So Robert was like, we should practice that scene. I

1:18:00.160 --> 1:18:02.760
<v Speaker 6>was like, I think, I think we'll know how to

1:18:02.880 --> 1:18:03.519
<v Speaker 6>do it when.

1:18:09.040 --> 1:18:10.760
<v Speaker 3>I believe that we.

1:18:12.720 --> 1:18:17.960
<v Speaker 6>Practice. The connection has to be statistic.

1:18:18.320 --> 1:18:20.040
<v Speaker 3>It's like when you hoop it, like you know, you

1:18:20.120 --> 1:18:22.960
<v Speaker 3>got to practice, you know first, and then you got

1:18:23.280 --> 1:18:27.800
<v Speaker 3>then you know, then you played the game, So we

1:18:27.960 --> 1:18:28.799
<v Speaker 3>need to practice.

1:18:33.160 --> 1:18:36.920
<v Speaker 6>I didn't need practice. I did not. I did not

1:18:37.200 --> 1:18:42.160
<v Speaker 6>need practice. Now he can kiss, so I don't know

1:18:42.240 --> 1:18:46.840
<v Speaker 6>why he don't. He was practice. But what's interesting is

1:18:47.400 --> 1:18:53.439
<v Speaker 6>after that I can't be around because it was just

1:18:55.320 --> 1:18:55.920
<v Speaker 6>it was too much.

1:18:56.760 --> 1:18:57.120
<v Speaker 3>Mhmm.

1:18:57.840 --> 1:19:06.800
<v Speaker 6>It was too much. They said that out Soria mm hmm.

1:19:06.920 --> 1:19:07.120
<v Speaker 4>Yep.

1:19:07.840 --> 1:19:10.880
<v Speaker 6>So no other songs came after that, and I don't

1:19:10.920 --> 1:19:13.240
<v Speaker 6>think it as often as I probably should.

1:19:13.400 --> 1:19:14.599
<v Speaker 1>So it's not in your show.

1:19:15.160 --> 1:19:18.080
<v Speaker 6>It was for a little while, and I think it's

1:19:18.160 --> 1:19:21.720
<v Speaker 6>harder when it comes back up and he's in the

1:19:21.800 --> 1:19:24.040
<v Speaker 6>news again and all that stuff. It's just a lot.

1:19:24.320 --> 1:19:28.320
<v Speaker 6>But I mean when it comes on, I just do doom, doom, doom,

1:19:29.600 --> 1:19:31.880
<v Speaker 6>and then what the hell is doing that comes on?

1:19:32.439 --> 1:19:34.160
<v Speaker 6>And then everybody and I start doing what you and

1:19:34.240 --> 1:19:39.280
<v Speaker 6>your family do. So yeah, then they go, right, that

1:19:39.479 --> 1:19:40.000
<v Speaker 6>was shotting.

1:19:41.640 --> 1:19:45.639
<v Speaker 3>So you've been part of some really dope, really dope moments.

1:19:47.120 --> 1:19:50.400
<v Speaker 3>I'm bad, some really dope moment And I think it's

1:19:50.520 --> 1:19:55.759
<v Speaker 3>like the power of those moments and how you showed

1:19:55.840 --> 1:20:00.600
<v Speaker 3>up in those moments that that is what has sustain you.

1:20:01.120 --> 1:20:07.800
<v Speaker 3>And like people people like like let's say hit records, right,

1:20:07.880 --> 1:20:13.040
<v Speaker 3>like hit like life changing records. Right. I don't have

1:20:13.160 --> 1:20:19.240
<v Speaker 3>that many, but the few that I have, oh, I.

1:20:19.439 --> 1:20:24.920
<v Speaker 6>Know, I need to learn how to do that more.

1:20:25.400 --> 1:20:29.760
<v Speaker 3>I get the milk, Yeah, I get the milk, all

1:20:29.840 --> 1:20:33.800
<v Speaker 3>the milk. Like people like this, oh you, you.

1:20:39.439 --> 1:20:49.080
<v Speaker 6>And the fing some crazy people get to have the

1:20:49.120 --> 1:20:49.599
<v Speaker 6>most fun.

1:20:50.720 --> 1:20:55.880
<v Speaker 3>And it's it's it's it's using those great moments, you

1:20:55.960 --> 1:20:59.160
<v Speaker 3>know what I mean, and and and letting them carry

1:20:59.240 --> 1:21:02.280
<v Speaker 3>you through because of how you showed up in those moments.

1:21:02.320 --> 1:21:04.760
<v Speaker 6>But you have to know that they are and I

1:21:04.840 --> 1:21:09.599
<v Speaker 6>think that's something that being the underdog of the family

1:21:09.800 --> 1:21:12.000
<v Speaker 6>or you know, the baby and the grunt, you know,

1:21:12.240 --> 1:21:15.240
<v Speaker 6>just like you know the one that it's I'm used

1:21:15.280 --> 1:21:22.439
<v Speaker 6>to minimalizing some things, and so I didn't get it

1:21:22.600 --> 1:21:29.480
<v Speaker 6>when some of those fantastic moments happened that they were significant.

1:21:30.720 --> 1:21:35.920
<v Speaker 6>I when I sing some songs like Way You and

1:21:36.040 --> 1:21:38.439
<v Speaker 6>My Show, but I was thinking because of our because

1:21:38.439 --> 1:21:40.400
<v Speaker 6>the way loul was like, ah, I can't believe you

1:21:40.439 --> 1:21:42.880
<v Speaker 6>did that. And it didn't even my norminal lyrics on it.

1:21:43.160 --> 1:21:46.960
<v Speaker 1>So I never say it you sing it at first.

1:21:47.240 --> 1:21:50.840
<v Speaker 6>No, lately I have because of Stephen, not because well.

1:21:51.280 --> 1:21:54.800
<v Speaker 1>Way way way wait wait, this was not part of

1:21:54.880 --> 1:21:55.679
<v Speaker 1>you show.

1:21:55.840 --> 1:22:00.519
<v Speaker 6>Always no, no, mm hmm. It was like a thumb.

1:22:00.880 --> 1:22:03.880
<v Speaker 6>It was the thing that baby Face said he would

1:22:03.880 --> 1:22:05.600
<v Speaker 6>do a song because I had done so much for

1:22:06.160 --> 1:22:09.400
<v Speaker 6>that album and you know, I'm gonna and it never happened.

1:22:09.840 --> 1:22:12.560
<v Speaker 6>And that's why you got to keep relationships though and

1:22:12.720 --> 1:22:15.880
<v Speaker 6>not be bitter, you know, because it really is about

1:22:17.439 --> 1:22:19.880
<v Speaker 6>the rhythm of life. It is life that has to

1:22:20.040 --> 1:22:26.000
<v Speaker 6>continue to happen, relationships that connect old to the new.

1:22:28.520 --> 1:22:30.920
<v Speaker 6>And this is a perfect setup for the new album.

1:22:30.960 --> 1:22:34.439
<v Speaker 6>I have a record with Lady and Tricky and and

1:22:34.800 --> 1:22:40.880
<v Speaker 6>uh Babyface and it's about to be We're Taken and

1:22:41.120 --> 1:22:44.840
<v Speaker 6>Jim and Terry and you know, it's a it's a

1:22:44.920 --> 1:22:46.800
<v Speaker 6>body of work, and it's called evolved because that's what

1:22:46.880 --> 1:22:48.960
<v Speaker 6>I really feel like I've been doing is just evolving.

1:22:49.320 --> 1:22:51.720
<v Speaker 1>Yeah, and I love it.

1:22:51.920 --> 1:23:00.360
<v Speaker 6>I love it. I have a song with Bennett and

1:23:00.439 --> 1:23:02.479
<v Speaker 6>it's pretty good. And that's the thing is, I don't

1:23:02.520 --> 1:23:03.200
<v Speaker 6>watch the charts.

1:23:03.240 --> 1:23:03.640
<v Speaker 4>I don't know.

1:23:03.960 --> 1:23:05.680
<v Speaker 6>I don't even watch where it's going because it is

1:23:05.720 --> 1:23:07.680
<v Speaker 6>what it is or it isn't. My life has not

1:23:07.800 --> 1:23:11.519
<v Speaker 6>been based on charts. It's been based on people showing

1:23:11.600 --> 1:23:13.960
<v Speaker 6>up to my shows. That's how I make a living.

1:23:14.800 --> 1:23:20.720
<v Speaker 3>I'm happy that you are making new music because you

1:23:21.000 --> 1:23:25.479
<v Speaker 3>should make new music. Your voice should be heard on

1:23:25.720 --> 1:23:26.200
<v Speaker 3>new shit.

1:23:27.439 --> 1:23:27.840
<v Speaker 1>I love that.

1:23:28.120 --> 1:23:28.960
<v Speaker 4>Why the fuck not?

1:23:30.120 --> 1:23:30.479
<v Speaker 3>How many?

1:23:30.680 --> 1:23:34.200
<v Speaker 1>How many shows do you do a year? Even do

1:23:34.280 --> 1:23:35.719
<v Speaker 1>you try to keep it to a certain number?

1:23:35.880 --> 1:23:40.880
<v Speaker 6>Oh no, last year I worked a lot. Year before

1:23:40.920 --> 1:23:43.200
<v Speaker 6>I worked a whole I worked a whole lot in America,

1:23:43.840 --> 1:23:47.280
<v Speaker 6>and I spoke this that I want to be, you know, overseas.

1:23:47.560 --> 1:23:49.599
<v Speaker 6>I think there's a market for me overseas, and there

1:23:49.640 --> 1:23:52.200
<v Speaker 6>still is. I believe there's more things that I need

1:23:52.360 --> 1:23:54.640
<v Speaker 6>to work, places I need to go. I've been in

1:23:54.680 --> 1:23:59.519
<v Speaker 6>America and Aii, I've been around America. Last year I

1:23:59.560 --> 1:24:03.800
<v Speaker 6>went to China and just spent three months there and

1:24:04.280 --> 1:24:07.439
<v Speaker 6>say three months, three months, you do. I was in

1:24:07.520 --> 1:24:11.880
<v Speaker 6>a singing competition, Chinese singing competition called Singer twenty twenty four.

1:24:12.760 --> 1:24:15.400
<v Speaker 6>I didn't know was that at first, and they said

1:24:15.400 --> 1:24:17.160
<v Speaker 6>will you go there? And I said yes, and they

1:24:17.200 --> 1:24:20.800
<v Speaker 6>said okay, And it's a competition, singer competition with other

1:24:21.120 --> 1:24:24.080
<v Speaker 6>Chinese artists. So these other people have been in the industry.

1:24:24.120 --> 1:24:29.440
<v Speaker 6>They're not like noviced novices, uh, but they are really entertainers.

1:24:29.560 --> 1:24:35.200
<v Speaker 6>And so we battled ere free week what yeah, wait,

1:24:35.320 --> 1:24:38.800
<v Speaker 6>wait for thirty fourteen fifteen fifteen week.

1:24:40.320 --> 1:24:40.479
<v Speaker 3>Huh?

1:24:41.600 --> 1:24:42.240
<v Speaker 4>But mind you.

1:24:44.160 --> 1:24:49.479
<v Speaker 6>The first day I was no, but the but it

1:24:49.640 --> 1:24:52.040
<v Speaker 6>was different because the movie.

1:24:52.640 --> 1:24:55.880
<v Speaker 5>You know as a movie, because you're getting off the

1:24:55.920 --> 1:24:58.000
<v Speaker 5>place niggas getting knocked out by vocals.

1:24:59.560 --> 1:25:04.120
<v Speaker 6>Thinking what it was a great opportunity. I got there

1:25:04.360 --> 1:25:06.720
<v Speaker 6>and I didn't know what cause I found out about

1:25:06.720 --> 1:25:08.519
<v Speaker 6>it when I was on tom Join a cruise and

1:25:09.240 --> 1:25:12.400
<v Speaker 6>I was not singing that week, and they called and

1:25:13.479 --> 1:25:16.559
<v Speaker 6>Joey Fleming, Joseph Fleming, I think they call Joey now,

1:25:17.000 --> 1:25:20.519
<v Speaker 6>but he called and said that somebody I sang Happy

1:25:20.560 --> 1:25:26.240
<v Speaker 6>Birthday at his birthday party. Last year, and then he

1:25:26.400 --> 1:25:29.839
<v Speaker 6>said this lady Chinese lady came up to me afterward

1:25:29.880 --> 1:25:31.640
<v Speaker 6>and she was like I would like to. She was

1:25:31.680 --> 1:25:33.720
<v Speaker 6>all close and all in my space. I was like,

1:25:33.960 --> 1:25:36.160
<v Speaker 6>she's weird. I don't think i'm and so I gave

1:25:36.200 --> 1:25:37.920
<v Speaker 6>her my other phone number because I was like, this

1:25:38.120 --> 1:25:40.759
<v Speaker 6>is a business call and I didn't even pay attention.

1:25:40.840 --> 1:25:43.080
<v Speaker 6>And then Joey called and was like, hey, you know

1:25:43.200 --> 1:25:46.160
<v Speaker 6>this lady. Her name is Tay and she wants you

1:25:46.240 --> 1:25:47.519
<v Speaker 6>to do La bla that. I was like, Oh, this

1:25:47.600 --> 1:25:50.840
<v Speaker 6>is for real, real, So I said yes and I

1:25:50.960 --> 1:25:55.639
<v Speaker 6>went and a week later I landed. Then that night

1:25:55.680 --> 1:25:58.639
<v Speaker 6>I did a sound check and the stage was incredible.

1:25:58.720 --> 1:26:01.559
<v Speaker 6>The sound was incredible, the band was incredible, the orchestra

1:26:02.680 --> 1:26:06.080
<v Speaker 6>was incredible, the lights, everything was amazing. And then the

1:26:06.200 --> 1:26:09.040
<v Speaker 6>next day I got I put my clothes on and

1:26:09.120 --> 1:26:11.600
<v Speaker 6>that night I sang and I won first prize. That

1:26:11.720 --> 1:26:14.880
<v Speaker 6>first night, I sang Alicia Keys if I Ain't Got You,

1:26:15.720 --> 1:26:19.639
<v Speaker 6>and two hundred and fifty million people watched in China.

1:26:20.320 --> 1:26:24.719
<v Speaker 6>What two hundred and fifty million people?

1:26:24.840 --> 1:26:26.200
<v Speaker 3>Oh, we dropping this outum in China.

1:26:27.560 --> 1:26:30.880
<v Speaker 5>No, I'm about to figure out how to put your assarate.

1:26:32.640 --> 1:26:35.040
<v Speaker 4>We need to put this single out in China.

1:26:35.080 --> 1:26:38.920
<v Speaker 1>And it's not racist that I said that. So I

1:26:39.080 --> 1:26:40.000
<v Speaker 1>missed me with that bullshit.

1:26:41.320 --> 1:26:44.120
<v Speaker 4>I need to get I have not been and I'm

1:26:44.280 --> 1:26:45.719
<v Speaker 4>going with you. I'm gonna say.

1:26:45.560 --> 1:26:46.000
<v Speaker 1>I'm with you.

1:26:47.080 --> 1:26:53.559
<v Speaker 6>You know, no, it's it's it was. It was life changing.

1:26:54.520 --> 1:26:58.200
<v Speaker 6>Days later, I was walking on the street with Steven,

1:26:58.400 --> 1:27:03.479
<v Speaker 6>my husband, and people going the trip them all, and

1:27:03.520 --> 1:27:06.200
<v Speaker 6>they started calling me Momo. Now I am Momo in

1:27:06.400 --> 1:27:11.479
<v Speaker 6>China fifteen weeks, singing everybody else's song from Wrecking Ball

1:27:11.600 --> 1:27:14.000
<v Speaker 6>to Alicia Too. Everybody, I am Momo.

1:27:16.280 --> 1:27:18.240
<v Speaker 3>If you don't get back over, I'm going. I went.

1:27:18.320 --> 1:27:20.040
<v Speaker 6>I went a few times last year, which is what

1:27:20.080 --> 1:27:22.920
<v Speaker 6>we were talking about. But I I'm singing a lot,

1:27:23.000 --> 1:27:25.519
<v Speaker 6>but I'm gonna go back. We don't have the times

1:27:25.760 --> 1:27:30.000
<v Speaker 6>set right now. I did the Chinese version of Tiny Desk,

1:27:30.040 --> 1:27:32.200
<v Speaker 6>which I haven't doing American. I haven't done American yet,

1:27:32.479 --> 1:27:34.040
<v Speaker 6>but I don't want to until the record comes out.

1:27:34.200 --> 1:27:39.160
<v Speaker 3>But AnyWho, uh, Yeah, your album has to be released,

1:27:39.439 --> 1:27:42.400
<v Speaker 3>and it has to be a thing. It has to

1:27:42.479 --> 1:27:46.080
<v Speaker 3>be you present to release your album. Momo has to

1:27:46.200 --> 1:27:49.240
<v Speaker 3>be in China to release her album.

1:27:49.800 --> 1:27:53.080
<v Speaker 5>Yeah, because you have you performed your records over there

1:27:53.120 --> 1:27:54.200
<v Speaker 5>too at this point or not yet.

1:27:54.280 --> 1:28:00.240
<v Speaker 6>I only have done one. One concert I did was

1:28:00.320 --> 1:28:05.720
<v Speaker 6>one of a few, but it was a stadium of people. Yeah, no,

1:28:06.080 --> 1:28:07.320
<v Speaker 6>it was. It's mind blowing.

1:28:08.520 --> 1:28:10.120
<v Speaker 1>But I don't know.

1:28:10.720 --> 1:28:14.760
<v Speaker 6>But I uh, I've done their TV show there and

1:28:14.880 --> 1:28:18.360
<v Speaker 6>I've done two concerts there, but I intend to go

1:28:18.479 --> 1:28:20.880
<v Speaker 6>back because yeah, because momos.

1:28:20.600 --> 1:28:24.920
<v Speaker 3>Got I'm going to say this before I had the

1:28:25.160 --> 1:28:32.640
<v Speaker 3>honor the honor of standing next to you singing backgrounds with.

1:28:33.040 --> 1:28:36.759
<v Speaker 4>You know, with mister talk about it, talking about.

1:28:36.640 --> 1:28:39.880
<v Speaker 3>Me and you Avery Wilson, and I will I will

1:28:39.960 --> 1:28:47.000
<v Speaker 3>say we might be the coldest background unit of all times,

1:28:48.640 --> 1:28:52.360
<v Speaker 3>all times. Anybody want to challenge that? We do want smoke.

1:28:53.200 --> 1:28:56.080
<v Speaker 3>That's a lot of smoke, super smoke.

1:28:57.760 --> 1:29:00.479
<v Speaker 5>As a fan, as a fan, I'm saying it as

1:29:00.479 --> 1:29:03.560
<v Speaker 5>a fan. Y'all were all their cooking.

1:29:03.720 --> 1:29:06.200
<v Speaker 3>And and I say this because I just want to

1:29:06.240 --> 1:29:09.840
<v Speaker 3>speak this, you know, this this piece to other artists

1:29:09.880 --> 1:29:14.400
<v Speaker 3>out there. For me, I'm not too big for any

1:29:14.479 --> 1:29:20.920
<v Speaker 3>moment in music. Like when I came to rehearsal and

1:29:21.080 --> 1:29:26.560
<v Speaker 3>I saw you with your iPad and your like you

1:29:26.800 --> 1:29:34.320
<v Speaker 3>were you were background singer. I locked and low and

1:29:34.400 --> 1:29:41.720
<v Speaker 3>I was like, I fuck what, Like, I am of

1:29:41.920 --> 1:29:46.439
<v Speaker 3>the mind of whatever. Wherever I'm at, I'm going to

1:29:46.600 --> 1:29:49.720
<v Speaker 3>go crazy in my spot. I'm going to live and

1:29:50.040 --> 1:29:53.360
<v Speaker 3>enjoy my and and we were having the time of

1:29:53.479 --> 1:29:58.600
<v Speaker 3>our lives being background singers, as elite lead singers. We

1:29:58.680 --> 1:30:02.320
<v Speaker 3>were having the time of our life being background singers

1:30:02.479 --> 1:30:06.639
<v Speaker 3>and and that type of thing, that type of love

1:30:06.800 --> 1:30:09.800
<v Speaker 3>for the sport. Yeah, like.

1:30:12.000 --> 1:30:13.960
<v Speaker 4>I appreciated.

1:30:14.560 --> 1:30:18.720
<v Speaker 3>I appreciated having that camaraderie with you and Avery and

1:30:19.320 --> 1:30:20.320
<v Speaker 3>and sharing.

1:30:20.040 --> 1:30:22.080
<v Speaker 4>That because that was it was a team.

1:30:22.560 --> 1:30:24.479
<v Speaker 6>We were in the car, we were like we.

1:30:34.120 --> 1:30:35.519
<v Speaker 4>Was like and I was like, you wrote that.

1:30:35.840 --> 1:30:39.000
<v Speaker 6>Oh my god. All the songs. We could not say

1:30:39.960 --> 1:30:40.439
<v Speaker 6>his hits.

1:30:41.280 --> 1:30:43.880
<v Speaker 4>Oh man, we had jakes. He was cutting sounds.

1:30:43.880 --> 1:30:52.800
<v Speaker 3>We were like, no, no, But I really appreciate it

1:30:52.880 --> 1:30:57.000
<v Speaker 3>and have fun standing beside you songs like you You're

1:30:57.479 --> 1:30:58.040
<v Speaker 3>You're the ship.

1:30:59.080 --> 1:31:00.600
<v Speaker 4>You're the ship, and so are you.

1:31:00.960 --> 1:31:02.920
<v Speaker 6>And that's one of the most watched things that I've

1:31:02.920 --> 1:31:06.479
<v Speaker 6>ever done, is that Tiny Desk and the Soul Trade.

1:31:06.520 --> 1:31:09.240
<v Speaker 6>Those are the two biggest things that I think have

1:31:09.360 --> 1:31:10.600
<v Speaker 6>gone like viral.

1:31:10.560 --> 1:31:16.679
<v Speaker 3>Because because because you're really good, God damn it. Ship

1:31:17.920 --> 1:31:22.280
<v Speaker 3>your top five R and B singers.

1:31:22.720 --> 1:31:28.600
<v Speaker 6>Singers. First, let me say one thing first, is that

1:31:31.960 --> 1:31:35.920
<v Speaker 6>two of the sexiest albums ever Marvin Gaye Tank. I

1:31:36.040 --> 1:31:38.960
<v Speaker 6>just want to say that out now we're going, that's

1:31:39.000 --> 1:31:41.720
<v Speaker 6>what the first thing. I just want to say, sexiest,

1:31:41.840 --> 1:31:44.200
<v Speaker 6>like full on sexy and you knew and sexy what

1:31:45.840 --> 1:31:47.519
<v Speaker 6>So just saying that, I'm just looking at.

1:31:47.439 --> 1:31:50.759
<v Speaker 3>The cameras so they can so they know I'm standing

1:31:50.800 --> 1:31:51.559
<v Speaker 3>on what you said.

1:31:52.320 --> 1:31:57.519
<v Speaker 1>Here is the truth. It really is like the whole Yeah,

1:31:57.520 --> 1:31:59.120
<v Speaker 1>that's what we got you Now you're done.

1:32:00.120 --> 1:32:01.120
<v Speaker 4>Okay, you are.

1:32:03.960 --> 1:32:08.679
<v Speaker 1>Saying got okay, okay.

1:32:09.240 --> 1:32:09.360
<v Speaker 3>Uh.

1:32:10.840 --> 1:32:15.840
<v Speaker 6>Favorite artist period, it's got to be Prince. Just love him,

1:32:16.240 --> 1:32:21.240
<v Speaker 6>Just love his style, his versatility, his ability to sing

1:32:21.520 --> 1:32:29.639
<v Speaker 6>everything that sounded like rock and roll or UH or Elvis,

1:32:29.760 --> 1:32:32.320
<v Speaker 6>it didn't matter, you know it. Just I loved just

1:32:32.479 --> 1:32:39.600
<v Speaker 6>growing up having him musically. Michael Jackson, I think is

1:32:39.640 --> 1:32:41.599
<v Speaker 6>a given for everybody, So I kind of stuck him

1:32:41.600 --> 1:32:45.040
<v Speaker 6>in there because he is Michael Jackson. Tina Marie is

1:32:45.080 --> 1:32:47.960
<v Speaker 6>one of the people that I grew up listening to.

1:32:48.439 --> 1:32:50.680
<v Speaker 6>My mom used to go, you think she seemed better

1:32:50.680 --> 1:32:52.640
<v Speaker 6>than you when she was on Then once they told me,

1:32:52.680 --> 1:32:55.559
<v Speaker 6>I was saying she was really pumping, and so she said,

1:32:56.040 --> 1:32:57.840
<v Speaker 6>you think Tina sing better than you? And I was like,

1:32:58.000 --> 1:33:00.719
<v Speaker 6>well yeah, She was like she it's just more daring

1:33:00.800 --> 1:33:07.120
<v Speaker 6>than you, and I was like you So anyway, Uh,

1:33:08.320 --> 1:33:14.479
<v Speaker 6>the system, I absolutely love them. I love them and

1:33:14.520 --> 1:33:16.320
<v Speaker 6>I'm just gonna say it real fast as if it's

1:33:16.400 --> 1:33:18.719
<v Speaker 6>more than five. It's really just just moves them together.

1:33:19.320 --> 1:33:22.640
<v Speaker 6>So shock up Marvin voiceing me a new edition. So

1:33:24.320 --> 1:33:28.919
<v Speaker 6>just in there because Shaka's voice is just like a trumpet.

1:33:29.720 --> 1:33:32.880
<v Speaker 6>That's the stuff I want to learn how to do that.

1:33:33.200 --> 1:33:36.439
<v Speaker 6>That full mouth wide just she just got.

1:33:36.400 --> 1:33:39.320
<v Speaker 3>A different throat. She is afferent throat.

1:33:40.479 --> 1:33:40.719
<v Speaker 1>Yeah.

1:33:41.080 --> 1:33:43.639
<v Speaker 6>Tremaine Hawkins was the other person that I was listening

1:33:43.680 --> 1:33:45.800
<v Speaker 6>to that I was trying to do what she did

1:33:45.840 --> 1:33:47.760
<v Speaker 6>and that's how I got But see, all things work

1:33:47.800 --> 1:33:49.720
<v Speaker 6>together for my good because if I could do that,

1:33:49.840 --> 1:33:52.320
<v Speaker 6>I wouldn't do the high stuff.

1:33:52.479 --> 1:33:55.400
<v Speaker 3>You know, as you say that, because you know God

1:33:55.479 --> 1:33:59.280
<v Speaker 3>by the name of Sean Stockman. He told me one day,

1:33:59.320 --> 1:34:04.320
<v Speaker 3>He's like, he's Tank, I don't sing hard. I was like,

1:34:04.360 --> 1:34:06.439
<v Speaker 3>what do you mean? He said, I don't sing hard

1:34:06.479 --> 1:34:09.760
<v Speaker 3>and I don't try to. Why you do that? Yeah?

1:34:10.280 --> 1:34:14.240
<v Speaker 3>I do what I do and I stay there, and

1:34:14.320 --> 1:34:20.639
<v Speaker 3>I was like, you do you do? And as you said,

1:34:20.840 --> 1:34:25.920
<v Speaker 3>like chasing all those other things when you are you

1:34:26.080 --> 1:34:28.000
<v Speaker 3>have your own uniqueness. It's right there.

1:34:28.160 --> 1:34:31.720
<v Speaker 6>Yeah, So we don't always appreciate ourselves. And I think

1:34:31.920 --> 1:34:35.080
<v Speaker 6>that's a thing that even the Night of Soul Train

1:34:37.800 --> 1:34:40.240
<v Speaker 6>Escape went before me and I thought they did a

1:34:40.280 --> 1:34:42.320
<v Speaker 6>really good job. And I was listening to them and

1:34:42.400 --> 1:34:44.519
<v Speaker 6>I was like, oh, this girl's a saying yeah. And

1:34:44.640 --> 1:34:48.519
<v Speaker 6>I had to go, excuse me, ma'am. Do you don't

1:34:48.560 --> 1:34:51.479
<v Speaker 6>listen to them and try to change how you approach

1:34:52.439 --> 1:34:56.200
<v Speaker 6>your songs tonight? So I literally had to pull myself

1:34:56.280 --> 1:35:00.160
<v Speaker 6>back and put me back in my own pocket. You

1:35:00.280 --> 1:35:03.679
<v Speaker 6>can get, you get lost because there's so many different voices.

1:35:03.720 --> 1:35:06.400
<v Speaker 6>And what's beautiful about boys to men is you have Sean,

1:35:06.479 --> 1:35:08.720
<v Speaker 6>you have wan Ye, you have all all they have

1:35:08.880 --> 1:35:11.120
<v Speaker 6>all the voices that when you can't do something, you

1:35:11.240 --> 1:35:14.400
<v Speaker 6>just say you And you can't do that with yourself

1:35:14.720 --> 1:35:17.040
<v Speaker 6>unless you have some other tools, which is what we

1:35:17.120 --> 1:35:20.640
<v Speaker 6>would both be learning. So that was my list of

1:35:21.600 --> 1:35:22.639
<v Speaker 6>top nine.

1:35:23.160 --> 1:35:27.040
<v Speaker 3>Okay, that's your top five R and B songs.

1:35:28.520 --> 1:35:31.240
<v Speaker 6>Hm, oh wait, let me do what I want to

1:35:31.240 --> 1:35:35.400
<v Speaker 6>say to uh new artists, newish artists love money long,

1:35:35.920 --> 1:35:40.439
<v Speaker 6>love money long. So love her style, her voice, the

1:35:40.479 --> 1:35:46.200
<v Speaker 6>way she executes just mic is on. I love it, Uh, Vienna,

1:35:46.360 --> 1:35:48.519
<v Speaker 6>she just knows who she is, and I love the

1:35:48.560 --> 1:35:51.920
<v Speaker 6>way her voice is mixed. She's always mixed on the top.

1:35:52.040 --> 1:35:54.800
<v Speaker 6>I always refer to her whenever anybody's doing any songs

1:35:54.840 --> 1:35:57.559
<v Speaker 6>for me, I'm like, mix me where they put Rihanna.

1:35:57.560 --> 1:35:59.320
<v Speaker 6>I don't care what song it is. It could be

1:35:59.360 --> 1:36:01.280
<v Speaker 6>a song that you bouncing to or a song that

1:36:01.400 --> 1:36:04.640
<v Speaker 6>you're like rocking to. She's right here, right there, and

1:36:04.720 --> 1:36:07.160
<v Speaker 6>then the music and that's better for my voice. So

1:36:07.200 --> 1:36:12.640
<v Speaker 6>I love her usher killing it already, Bruno Mars, we

1:36:12.720 --> 1:36:15.800
<v Speaker 6>already know that wonderful Beyonce. I love. I love how

1:36:15.840 --> 1:36:19.439
<v Speaker 6>she's evolved, and it's just she's trying to preach anything

1:36:19.600 --> 1:36:24.840
<v Speaker 6>I did in Perison. How about that the first night

1:36:24.920 --> 1:36:29.000
<v Speaker 6>that Homegirl her daughter was dancing, we were there, We're like,

1:36:29.160 --> 1:36:36.120
<v Speaker 6>oh my god, we were laughing. I know that's only

1:36:36.160 --> 1:36:38.559
<v Speaker 6>because with Stephen, it's not because of me. I would

1:36:38.600 --> 1:36:41.280
<v Speaker 6>have been at home literally shout out.

1:36:41.200 --> 1:36:41.760
<v Speaker 3>To Steve and.

1:36:43.280 --> 1:36:44.880
<v Speaker 4>To turn up himself.

1:36:46.240 --> 1:36:46.360
<v Speaker 1>Uh.

1:36:46.640 --> 1:36:48.840
<v Speaker 6>And actually I believe r Kelly should be in that

1:36:48.960 --> 1:36:51.479
<v Speaker 6>list no matter what he has come R and B

1:36:52.000 --> 1:36:54.720
<v Speaker 6>straight right in the middle of the eyes. So he

1:36:54.720 --> 1:36:57.200
<v Speaker 6>shouldn't did what he did. But that's not nothing to

1:36:57.240 --> 1:37:00.800
<v Speaker 6>do with the music, all right, what else do your Okay?

1:37:01.360 --> 1:37:03.040
<v Speaker 6>I had to put Shanta's Got a Man at home

1:37:03.080 --> 1:37:06.240
<v Speaker 6>because I wouldn't have a real long career without that.

1:37:06.360 --> 1:37:10.120
<v Speaker 6>I don't think I put while we're here, That's what

1:37:10.200 --> 1:37:13.320
<v Speaker 6>I'm saying. Still love it in my system one of

1:37:13.400 --> 1:37:18.360
<v Speaker 6>my favorite songs. I love that, Prince, I love everything.

1:37:19.240 --> 1:37:20.880
<v Speaker 6>These are songs that I think make me want to

1:37:20.880 --> 1:37:22.720
<v Speaker 6>get up and dances, which is what I think what

1:37:22.920 --> 1:37:23.760
<v Speaker 6>made me think of them.

1:37:24.000 --> 1:37:24.519
<v Speaker 3>D M S R.

1:37:24.560 --> 1:37:28.360
<v Speaker 6>I love Prince, D M s R dance music. Okay,

1:37:28.600 --> 1:37:29.160
<v Speaker 6>just making sure you.

1:37:29.200 --> 1:37:32.240
<v Speaker 4>Knew, Uh, don't do this here at the R and B,

1:37:32.880 --> 1:37:35.639
<v Speaker 4>R and B and early.

1:37:35.479 --> 1:37:40.559
<v Speaker 6>In the morning. I love it. Uh? How does it feel?

1:37:42.000 --> 1:37:42.400
<v Speaker 6>I love that?

1:37:43.320 --> 1:37:43.439
<v Speaker 3>Uh?

1:37:43.560 --> 1:37:45.040
<v Speaker 6>And then I put on airs where I put not

1:37:45.120 --> 1:37:47.840
<v Speaker 6>to make sexiest CD Tank and Marvel Gato where I

1:37:47.880 --> 1:37:49.719
<v Speaker 6>put up there, but I did the other one first.

1:37:52.120 --> 1:37:53.800
<v Speaker 6>And wait, let me tell you how gigantic they.

1:37:53.960 --> 1:37:58.320
<v Speaker 3>Know you got fought, you got, you got big because these.

1:37:58.240 --> 1:38:02.200
<v Speaker 6>Eyes, I mean they eight I am. I'm not even talking.

1:38:02.040 --> 1:38:08.560
<v Speaker 3>About it big, fun, big, and it was old. It

1:38:08.720 --> 1:38:09.759
<v Speaker 3>was thick letters.

1:38:10.960 --> 1:38:13.479
<v Speaker 6>I like when they go smaller. But if you keep

1:38:13.560 --> 1:38:15.519
<v Speaker 6>saying in the one, it makes like a thing in

1:38:15.600 --> 1:38:18.599
<v Speaker 6>the top. If you keep texting in this regular bread

1:38:18.720 --> 1:38:19.559
<v Speaker 6>and then there's brio.

1:38:20.000 --> 1:38:21.960
<v Speaker 4>So you got you got that.

1:38:28.439 --> 1:38:31.000
<v Speaker 6>It's true. I've embraced my eyeballs can't see, so I

1:38:31.040 --> 1:38:32.000
<v Speaker 6>have glasses everywhere.

1:38:32.320 --> 1:38:36.439
<v Speaker 3>Miss Shante Moore, Let's build a voltron. You're super R

1:38:36.520 --> 1:38:39.280
<v Speaker 3>and B artists. Who are you going to get the

1:38:39.479 --> 1:38:43.160
<v Speaker 3>vocal from the performance style, the styling of the artists,

1:38:43.200 --> 1:38:45.200
<v Speaker 3>the passion of the artist. And since you just you

1:38:45.400 --> 1:38:47.759
<v Speaker 3>like to write songs with Jimmy jam and Terry Lewis,

1:38:48.040 --> 1:38:52.040
<v Speaker 3>who's gonna write the write, Let's start with the vocal.

1:38:52.120 --> 1:38:54.040
<v Speaker 4>One vocal for your super R and B artist.

1:38:57.840 --> 1:39:02.680
<v Speaker 6>I'm gonna say, shakak she can do it all is

1:39:03.080 --> 1:39:04.560
<v Speaker 6>pretty awesome, amazing.

1:39:04.760 --> 1:39:08.600
<v Speaker 5>Range off the chart in the chest on here and

1:39:10.040 --> 1:39:12.599
<v Speaker 5>you tell Miss Shaka Khan to come to the podcast.

1:39:12.680 --> 1:39:13.280
<v Speaker 1>Can you call it?

1:39:13.560 --> 1:39:13.760
<v Speaker 6>Yeah?

1:39:14.680 --> 1:39:19.120
<v Speaker 3>You know that's that is, you know because be thinking,

1:39:19.200 --> 1:39:26.080
<v Speaker 3>you know people I do that. I know she kicked

1:39:26.080 --> 1:39:29.040
<v Speaker 3>me out of the section one time. Try to see

1:39:29.120 --> 1:39:32.880
<v Speaker 3>and we and we've been coating cool after that, that's

1:39:32.880 --> 1:39:36.320
<v Speaker 3>the way you gotta kick me out. I do that.

1:39:36.560 --> 1:39:38.599
<v Speaker 4>She needed a place to sit. Tell lem niggas to move.

1:39:42.120 --> 1:39:43.040
<v Speaker 6>Everybody had a moment.

1:39:45.520 --> 1:39:52.120
<v Speaker 4>I'm a move but playing talk to me nice. The

1:39:52.200 --> 1:39:53.280
<v Speaker 4>performance style.

1:39:55.200 --> 1:39:56.920
<v Speaker 6>In my dream, this is a dream.

1:39:57.000 --> 1:39:58.719
<v Speaker 4>This is your super R and b R is yours.

1:39:58.880 --> 1:39:59.600
<v Speaker 4>However you want it.

1:40:05.640 --> 1:40:09.240
<v Speaker 6>Sink like Shaka, dance like Beyon m hmm.

1:40:10.720 --> 1:40:15.439
<v Speaker 3>Yeah, and beyones be cutting up on stage, cutting up,

1:40:16.640 --> 1:40:22.160
<v Speaker 3>hard work, dedication, all of it, all night with the fan.

1:40:22.400 --> 1:40:26.960
<v Speaker 4>With the fans. Yeah do that. Oh my god, our

1:40:27.000 --> 1:40:35.599
<v Speaker 4>conditioning is graz night tonight. Styling mm hmm.

1:40:37.720 --> 1:40:37.960
<v Speaker 5>Wow.

1:40:39.080 --> 1:40:44.679
<v Speaker 6>I'm gonna say my style work it working really nobody

1:40:44.760 --> 1:40:48.560
<v Speaker 6>but always always class. If I could sing like that

1:40:48.640 --> 1:40:49.280
<v Speaker 6>and still be me.

1:40:49.960 --> 1:40:54.160
<v Speaker 3>Yeah, yeah, well done. They knew, they knew earlier. You

1:40:54.240 --> 1:40:58.679
<v Speaker 3>could style yourself. Hit your own care, hit your will

1:40:58.720 --> 1:41:07.439
<v Speaker 3>give you know. But listen, st figured out what I

1:41:07.560 --> 1:41:10.720
<v Speaker 3>need the budget for shan, grab yourself some if you

1:41:10.800 --> 1:41:14.200
<v Speaker 3>will go back to grab yourself something.

1:41:16.439 --> 1:41:19.040
<v Speaker 6>Just see my little church haircut and let's go back

1:41:19.080 --> 1:41:20.439
<v Speaker 6>to the showtime with the Apollo.

1:41:21.160 --> 1:41:22.519
<v Speaker 4>I'm sure it's just me.

1:41:22.840 --> 1:41:27.680
<v Speaker 3>Just pull up a picture the little screen shot the

1:41:27.760 --> 1:41:29.960
<v Speaker 3>passion of the artist, the heart of the artists. Who

1:41:30.080 --> 1:41:30.320
<v Speaker 3>means it?

1:41:31.000 --> 1:41:34.759
<v Speaker 6>Mm hmm, passion and heart.

1:41:36.760 --> 1:41:36.880
<v Speaker 3>Uh.

1:41:40.000 --> 1:41:47.400
<v Speaker 6>Tina Turner ship yes sing anime. Yeah, because she sang

1:41:47.520 --> 1:41:51.479
<v Speaker 6>everything from the from the guts of guts. I wouldn't

1:41:51.479 --> 1:41:53.960
<v Speaker 6>want every single song, but everythingle song to be that

1:41:54.080 --> 1:41:56.080
<v Speaker 6>guts because sometimes you got to relax a little bit.

1:41:56.200 --> 1:41:59.040
<v Speaker 6>But still, if you have the option be in shockup,

1:41:59.080 --> 1:41:59.760
<v Speaker 6>you can do what you do.

1:42:01.800 --> 1:42:06.320
<v Speaker 3>I love that that's worked. There's Tina and then there's

1:42:06.400 --> 1:42:10.280
<v Speaker 3>b Yes, that is why that, that's why that is.

1:42:11.600 --> 1:42:16.479
<v Speaker 3>And who's writing for this artist? Yeah, that's a hot

1:42:16.560 --> 1:42:21.439
<v Speaker 3>see question. And you friends and every single everybody.

1:42:22.360 --> 1:42:23.040
<v Speaker 4>Great song.

1:42:23.160 --> 1:42:24.400
<v Speaker 1>He's written a song for you.

1:42:26.600 --> 1:42:28.240
<v Speaker 6>Man, don't get mistarted.

1:42:28.840 --> 1:42:28.960
<v Speaker 3>Uh.

1:42:29.400 --> 1:42:36.920
<v Speaker 6>The thing, the hardest song the song I was pressed

1:42:37.000 --> 1:42:43.800
<v Speaker 6>more to work past my own limits that song. I

1:42:43.840 --> 1:42:45.960
<v Speaker 6>think it took me over a couple of months to

1:42:46.080 --> 1:42:51.120
<v Speaker 6>sing Shanta's got a man, I got horse and got tired.

1:42:51.200 --> 1:42:53.599
<v Speaker 6>Jimmy and Terry were like, go home, baby, we'll see

1:42:53.600 --> 1:42:55.680
<v Speaker 6>it today. You think you need a couple of go

1:42:55.800 --> 1:42:59.120
<v Speaker 6>home and go rest and then come back because we

1:42:59.200 --> 1:43:01.760
<v Speaker 6>didn't get the vocal and I'm singing and they're going

1:43:02.240 --> 1:43:06.519
<v Speaker 6>imagine Mariah Carey is in the audience. You are at

1:43:06.600 --> 1:43:09.519
<v Speaker 6>the award show and you're singing some of the year go.

1:43:11.080 --> 1:43:11.280
<v Speaker 3>Oh.

1:43:12.760 --> 1:43:14.840
<v Speaker 6>I was like, I don't want to sing during that

1:43:14.960 --> 1:43:18.200
<v Speaker 6>kind of pressure. So I would say Jimmy and Terry

1:43:18.400 --> 1:43:28.840
<v Speaker 6>because they worked me the singing hard, melodic, soft, the backgrounds, harmonies.

1:43:29.479 --> 1:43:35.240
<v Speaker 6>They want it all. Some are some producers get stuck

1:43:35.360 --> 1:43:40.400
<v Speaker 6>on the tone and they don't press for go singing,

1:43:40.479 --> 1:43:46.040
<v Speaker 6>go try harder ye, and then some just want that

1:43:46.280 --> 1:43:48.839
<v Speaker 6>and they don't understand there has to be a finesse

1:43:48.920 --> 1:43:51.240
<v Speaker 6>to get to So Jimmy and.

1:43:51.280 --> 1:43:57.960
<v Speaker 3>Terry, Yeah, you don't pick somebody. Some of the greatest

1:43:58.200 --> 1:44:01.360
<v Speaker 3>songwriters and producers of all time and they are so

1:44:01.920 --> 1:44:03.519
<v Speaker 3>friends they are.

1:44:06.000 --> 1:44:11.519
<v Speaker 6>Isn't that awesome? That's awesome. So I of course married

1:44:11.640 --> 1:44:19.519
<v Speaker 6>Stephen Hill, and I know Stephen absolutely loves Jimmy and Terry.

1:44:19.800 --> 1:44:22.719
<v Speaker 6>He loves music period, but he especially has an affinity

1:44:22.840 --> 1:44:28.040
<v Speaker 6>for Jimy and Terry. So I asked them to co

1:44:28.280 --> 1:44:30.720
<v Speaker 6>write the song I walked down the aisle to him

1:44:31.240 --> 1:44:36.160
<v Speaker 6>on so they did. So that was the song that

1:44:36.720 --> 1:44:38.680
<v Speaker 6>is on my record that it's going to be on

1:44:38.800 --> 1:44:39.360
<v Speaker 6>the new record.

1:44:40.120 --> 1:44:44.280
<v Speaker 1>You've got it Forever in love, we are pouring champagne.

1:44:50.640 --> 1:44:55.160
<v Speaker 6>What's funny is he is the most supportive, Like he

1:44:55.479 --> 1:44:57.960
<v Speaker 6>just gets overwhelmed with the love and the joy and

1:44:58.080 --> 1:45:00.760
<v Speaker 6>I'm like, cry more about it than I do. It's

1:45:00.840 --> 1:45:06.680
<v Speaker 6>just He's like, it's just swarm up, yes, baby, it is.

1:45:07.040 --> 1:45:07.360
<v Speaker 1>It is.

1:45:07.840 --> 1:45:10.280
<v Speaker 6>But I am. I am so grateful to have some

1:45:11.160 --> 1:45:17.760
<v Speaker 6>someone who who does appreciate and value absolutely not just

1:45:18.360 --> 1:45:21.720
<v Speaker 6>chant on stage, but me at home for real, literally.

1:45:22.520 --> 1:45:25.559
<v Speaker 3>At home about my god.

1:45:27.640 --> 1:45:27.760
<v Speaker 4>Bro.

1:45:29.200 --> 1:45:32.400
<v Speaker 5>So we're here now at the very important part of

1:45:32.439 --> 1:45:35.960
<v Speaker 5>the show. Will you tell us a story? Funnyer fucked up?

1:45:36.520 --> 1:45:39.479
<v Speaker 5>A funny and fucked up? The only rule to the

1:45:39.640 --> 1:45:41.960
<v Speaker 5>game is shante.

1:45:42.320 --> 1:45:43.400
<v Speaker 3>Can you say no? No.

1:45:45.400 --> 1:45:48.160
<v Speaker 6>I have two stories that come to my One is

1:45:49.160 --> 1:45:53.160
<v Speaker 6>I was on this show and I had this full

1:45:53.240 --> 1:45:56.040
<v Speaker 6>length mink coat on and I was supposed to come

1:45:56.120 --> 1:45:59.320
<v Speaker 6>down the stairs and then start talking to the host.

1:45:59.760 --> 1:46:01.920
<v Speaker 6>And I was coming down the stairs and I stepped

1:46:01.960 --> 1:46:05.200
<v Speaker 6>on my own coat, and so I just rolled up

1:46:05.360 --> 1:46:08.960
<v Speaker 6>into the coat and I couldn't get up because every

1:46:09.080 --> 1:46:12.360
<v Speaker 6>step I made was on the coat that was on me.

1:46:13.120 --> 1:46:15.920
<v Speaker 6>And I sat there and everyone the guys came and

1:46:16.000 --> 1:46:19.200
<v Speaker 6>they lifted me up, and this particular person which is

1:46:19.320 --> 1:46:21.519
<v Speaker 6>really not like a bad thing. But she was like, oh,

1:46:21.600 --> 1:46:23.240
<v Speaker 6>so you're just gonna lay there like a diva and

1:46:23.360 --> 1:46:24.800
<v Speaker 6>late till they pick you up. And I was like,

1:46:25.360 --> 1:46:28.680
<v Speaker 6>I didn't mean to, but I couldn't get up so

1:46:28.840 --> 1:46:34.519
<v Speaker 6>that a funny story couldn't get it. I couldn't get

1:46:34.600 --> 1:46:44.519
<v Speaker 6>my arm. So that's one. The one is another is uh,

1:46:44.840 --> 1:46:49.479
<v Speaker 6>somebody I worked with said I couldn't get a record

1:46:49.760 --> 1:46:53.360
<v Speaker 6>unless I slept with them, and so I said no,

1:46:53.760 --> 1:46:58.080
<v Speaker 6>and that was the end. I never got the record.

1:47:00.160 --> 1:47:02.880
<v Speaker 6>H Are there any others? There's probably a bunch of them.

1:47:04.000 --> 1:47:04.760
<v Speaker 1>You really tell the.

1:47:07.479 --> 1:47:07.759
<v Speaker 4>Ship.

1:47:09.160 --> 1:47:12.040
<v Speaker 3>Mm uh.

1:47:12.200 --> 1:47:14.400
<v Speaker 6>Someone who's gonna sign me before I got signed and

1:47:14.600 --> 1:47:18.519
<v Speaker 6>they said, uh, we'll take your songs, but not you.

1:47:19.320 --> 1:47:22.840
<v Speaker 6>You're not that special, but we'll take your songs. Though

1:47:22.920 --> 1:47:24.840
<v Speaker 6>I was like, well they come with me, so no.

1:47:26.120 --> 1:47:27.479
<v Speaker 6>That was long before I signed.

1:47:27.640 --> 1:47:29.000
<v Speaker 1>Will take your song?

1:47:29.840 --> 1:47:36.160
<v Speaker 6>Mh. They were like, you want to be a writer, Jesus.

1:47:37.720 --> 1:47:40.640
<v Speaker 3>It's tough this businesses.

1:47:41.920 --> 1:47:44.480
<v Speaker 6>And keep a soft inside.

1:47:44.800 --> 1:47:48.880
<v Speaker 3>That's the problem because because because you're going to get judged.

1:47:50.040 --> 1:47:50.679
<v Speaker 4>Both ways.

1:47:52.560 --> 1:47:57.040
<v Speaker 3>You're going to be judged for giving in and you're

1:47:57.160 --> 1:48:01.280
<v Speaker 3>also going to be judged or standing firm on your morals,

1:48:02.920 --> 1:48:08.320
<v Speaker 3>and so even in your nose, you have to figure

1:48:08.360 --> 1:48:11.759
<v Speaker 3>out a way to make your no pleasant.

1:48:12.600 --> 1:48:13.439
<v Speaker 6>It doesn't matter.

1:48:13.360 --> 1:48:15.840
<v Speaker 4>Which is no, which I mean, I'm just saying to.

1:48:15.920 --> 1:48:18.800
<v Speaker 6>People that are in power, no is no. They don't

1:48:18.800 --> 1:48:19.280
<v Speaker 6>get what they.

1:48:19.200 --> 1:48:22.560
<v Speaker 3>Want so exactly, but just just giving the nuance of

1:48:22.720 --> 1:48:27.240
<v Speaker 3>how it works a lot in entertainment for women, that

1:48:27.479 --> 1:48:33.639
<v Speaker 3>balance of saying no and still being able to get

1:48:33.680 --> 1:48:34.480
<v Speaker 3>an opportunity.

1:48:34.760 --> 1:48:36.680
<v Speaker 6>I would have a different career if I said yes

1:48:37.360 --> 1:48:42.599
<v Speaker 6>for four or five times, I'd have a completely different group,

1:48:43.680 --> 1:48:46.519
<v Speaker 6>completely different And I'm okay with not having that.

1:48:48.280 --> 1:48:53.599
<v Speaker 3>I mean, listen the the chante more you are, uh,

1:48:54.280 --> 1:48:59.960
<v Speaker 3>we love and revere understanding that, and we appreciate those choices.

1:49:00.920 --> 1:49:02.160
<v Speaker 3>That is why you are who you are.

1:49:05.120 --> 1:49:08.240
<v Speaker 6>Yes, getting proud of yourself. Nobody else gonna be proud

1:49:08.240 --> 1:49:12.200
<v Speaker 6>of you. That part I have to stand in.

1:49:12.280 --> 1:49:24.560
<v Speaker 4>My shoes, stroll up, talk about it.

1:49:26.040 --> 1:49:31.800
<v Speaker 3>You do. I think we are just, you know, we

1:49:31.920 --> 1:49:35.720
<v Speaker 3>are just fans. We are just I mean, I feel

1:49:35.720 --> 1:49:37.960
<v Speaker 3>like we're family members, so that goes without saying. But

1:49:38.840 --> 1:49:42.000
<v Speaker 3>you know, I think we're we're We're always of the

1:49:42.160 --> 1:49:48.320
<v Speaker 3>mind of understanding and appreciating the value of the people

1:49:48.439 --> 1:49:52.080
<v Speaker 3>that we rock with and never letting, never taking that

1:49:52.240 --> 1:49:56.680
<v Speaker 3>for granted, and never losing that that respect for it.

1:49:56.800 --> 1:49:59.519
<v Speaker 3>You know what I'm saying, Like seeing you here, you

1:49:59.680 --> 1:50:02.960
<v Speaker 3>being here with us means something to us, because to

1:50:03.240 --> 1:50:09.240
<v Speaker 3>us you are chante more. Like that name means something

1:50:09.280 --> 1:50:11.840
<v Speaker 3>that mother But listen, my great grandfather to say Paul

1:50:11.920 --> 1:50:16.080
<v Speaker 3>lewis home now, it's a big motherfucking difference. And when

1:50:16.120 --> 1:50:23.320
<v Speaker 3>you say chante more, it just gets different because chante more.

1:50:25.720 --> 1:50:29.680
<v Speaker 3>And that'll never change for us. This will always be

1:50:29.760 --> 1:50:34.080
<v Speaker 3>a place where if you lose a little bit of

1:50:34.200 --> 1:50:38.240
<v Speaker 3>self esteem, self esteem, you come onto the R and

1:50:38.320 --> 1:50:41.040
<v Speaker 3>V Money Pod, you call one of us. We're gonna

1:50:41.120 --> 1:50:44.599
<v Speaker 3>let you know exactly who and what you are, how

1:50:44.680 --> 1:50:47.640
<v Speaker 3>important and how powerful and how impactful you are, and

1:50:47.760 --> 1:50:53.280
<v Speaker 3>how needed you are. Your voice, your stories, your courage,

1:50:53.280 --> 1:50:56.760
<v Speaker 3>your willingness to stand ten toes down on who you are,

1:50:58.360 --> 1:51:01.960
<v Speaker 3>your comedy on now come on now.

1:51:03.880 --> 1:51:07.640
<v Speaker 4>Like incredible.

1:51:08.000 --> 1:51:09.720
<v Speaker 6>I feel the same way about both of you. Thank

1:51:09.760 --> 1:51:11.800
<v Speaker 6>you for doing this. I'm just so proud of you

1:51:11.880 --> 1:51:14.160
<v Speaker 6>all from moving out of what's your comfort zone as

1:51:14.200 --> 1:51:17.519
<v Speaker 6>well and doing something completely it's outside of that, it's

1:51:17.600 --> 1:51:19.880
<v Speaker 6>inside R and B. But it's still different.

1:51:19.680 --> 1:51:19.920
<v Speaker 4>Than what.

1:51:23.800 --> 1:51:24.160
<v Speaker 6>Amazing.

1:51:24.320 --> 1:51:28.160
<v Speaker 4>Yeah, and it's like and it's it's it's it's how

1:51:28.200 --> 1:51:31.000
<v Speaker 4>can we be of service? Yeah? How can we?

1:51:31.680 --> 1:51:32.400
<v Speaker 3>How can we help?

1:51:33.280 --> 1:51:33.439
<v Speaker 2>You know?

1:51:33.680 --> 1:51:36.200
<v Speaker 3>And in the universe will take care of the rest.

1:51:37.040 --> 1:51:38.680
<v Speaker 3>We'll take care of the rest. But how can we

1:51:39.439 --> 1:51:42.320
<v Speaker 3>how can we have something that that we all can

1:51:42.439 --> 1:51:45.519
<v Speaker 3>stand on, that we all can be proud of, that

1:51:45.640 --> 1:51:49.000
<v Speaker 3>we all can say, hey, we we all collectively because

1:51:49.040 --> 1:51:50.439
<v Speaker 3>I mean me and him can sit there and talk

1:51:51.000 --> 1:51:55.760
<v Speaker 3>by hours, but we we need special people in this

1:51:55.840 --> 1:51:56.400
<v Speaker 3>seat right here.

1:51:56.760 --> 1:51:58.439
<v Speaker 6>Well, maybe R and B money has to be the

1:51:58.520 --> 1:52:04.240
<v Speaker 6>new Yar City your hall. I'm just saying, we got

1:52:05.600 --> 1:52:06.519
<v Speaker 6>married to the guy.

1:52:06.400 --> 1:52:07.640
<v Speaker 1>That you're married to.

1:52:07.720 --> 1:52:10.640
<v Speaker 4>The guy can consult us all the way you need

1:52:10.720 --> 1:52:12.559
<v Speaker 4>to go see.

1:52:13.520 --> 1:52:18.479
<v Speaker 3>You know your wife, you heard your wife always.

1:52:21.360 --> 1:52:23.719
<v Speaker 6>But the thing is, I remember on b T before

1:52:24.479 --> 1:52:28.320
<v Speaker 6>he was there, I was the first person to sing

1:52:28.479 --> 1:52:32.160
<v Speaker 6>live on b E T tabot a live singing like

1:52:32.400 --> 1:52:36.559
<v Speaker 6>doud camera first time. That's all.

1:52:37.439 --> 1:52:40.600
<v Speaker 3>As as we continue to talk, you're just you're just

1:52:40.760 --> 1:52:44.439
<v Speaker 3>more core, more more, which.

1:52:44.560 --> 1:52:46.759
<v Speaker 4>Which speaks to why you are.

1:52:48.520 --> 1:52:48.720
<v Speaker 3>More.

1:52:49.840 --> 1:52:54.200
<v Speaker 4>Thank you incredible. My name is Tank Valentin.

1:52:57.680 --> 1:53:01.960
<v Speaker 3>This the Everybody Podcast, the authority of all things R

1:53:02.040 --> 1:53:08.120
<v Speaker 3>and B and apparently stand up as well. And you know,

1:53:08.320 --> 1:53:11.519
<v Speaker 3>this has just been for us a special episode with

1:53:11.640 --> 1:53:16.640
<v Speaker 3>a very incredible, special gifted, beautiful, amazing human being. And

1:53:16.840 --> 1:53:26.240
<v Speaker 3>she goes by the name of Chante more discre