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Speaker 1: I have a question for you guys, and it's a

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Speaker 1: It's one of those like could be awkward questions, but

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Speaker 1: who better to talk about awkward situations than with you two.

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Speaker 2: Yeah, and all of America listening.

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Speaker 1: Yeah, well, I like their opinions too. I have millions,

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Speaker 1: fifty million people every single every single pele to every

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Speaker 1: single episode. It's unbelievable what reach we have. I don't

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Speaker 1: know if you've noticed, writer, but I'm wearing the Christmas

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Speaker 1: gift you got me last year, which is a wonderful

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Speaker 1: Huckberry Grateful Dead crew neck. I love it. It's wonderful.

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Speaker 1: But I started thinking this past holiday season, have you

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Speaker 1: ever received a gift from someone and you just do

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Speaker 1: not just like it? Yeah, you just do not like it,

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Speaker 1: And and like you know them so well that you

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Speaker 1: know it's gonna come up at some point, like even

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Speaker 1: right away. They might ask do you do you like it?

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Speaker 2: Do you like it?

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Speaker 1: And you are tasked with what to do, and like,

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Speaker 1: sometimes you can you can do a white lie and

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Speaker 1: they're maybe never going to know. You can be like

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Speaker 1: I use it all the time and they're not in

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Speaker 1: your house regularly, like they're never going to know. And

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Speaker 1: then other times you're like, they're gonna know, and I'm

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Speaker 1: a bad liar. What do you do when you receive

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Speaker 1: a gift that you just don't like?

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Speaker 3: I think it would depend on the gift.

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Speaker 1: Oh yeah, yeah, Okay.

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Speaker 3: If it's something that's never like, all you have to

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Speaker 3: do is white lie once and then it's never going

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Speaker 3: to come up again. But if it's something that you

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Speaker 3: should use on a regular basis and then all of

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Speaker 3: a sudden it's like, hey, wait a minute, you're not

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Speaker 3: wearing your galoshes like something like that, then.

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Speaker 2: Like Christmas, you know, I love Yeah, I'm trying to think.

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Speaker 2: I'm trying to think of a specific example.

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Speaker 4: You know.

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Speaker 2: I'm usually like, I'm usually so terrified that this is

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Speaker 2: going to happen, Like I don't like receiving gifts for

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Speaker 2: this reason because I have anxiety about this. But actually

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Speaker 2: when it usually happens, when I actually get a gift,

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Speaker 2: I'm mostly just so grateful and like that's cool. And

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Speaker 2: I'm trying to think of when I really didn't like something.

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Speaker 3: I'm trying.

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Speaker 2: I don't know if it's happened. I feel like most

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Speaker 2: of the time, it's like, oh, that's mildly cool. Like

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Speaker 2: maybe I'm I don't love it, but I don't. Yeah,

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Speaker 2: I'm trying to think.

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Speaker 5: I mean, where's this coming from, the question that you're

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Speaker 5: wearing coming from?

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Speaker 3: Danielle?

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Speaker 1: No, No, it's it. It did come up because I

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Speaker 1: recently received a very generous gift and I I didn't

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Speaker 1: love it.

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Speaker 5: Ah, you hated it.

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Speaker 2: Diamond encrusted air Jordan's.

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Speaker 3: But you don't like.

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Speaker 1: It. May it may have been the PANATONI.

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Speaker 5: My delicious amazing, and.

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Speaker 1: I normally gifts like that. You could say like delicious

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Speaker 1: and then just hope to never have to hear about

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Speaker 1: it again. But I worried that if I said I

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Speaker 1: loved it, that it would become Will's new nie. You

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Speaker 1: would send another one, and I never wanted in my

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Speaker 1: house again.

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Speaker 3: And that's what the funny thing is.

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Speaker 5: Guaranteed to get one.

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Speaker 2: Now he's going to send it every other that.

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Speaker 5: He has multiple flavors, So we're going to keep at this.

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Speaker 1: Oh god, oh god, oh oh yeah, okay, maybe that.

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Speaker 2: Is You're just gonna pan atone and bomb her whenever,

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Speaker 2: just like it's like your version of swatting wake up

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Speaker 2: and chest.

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Speaker 3: I wish I could. They only sell them three months

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Speaker 3: a year because the man sat in a cave for

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Speaker 3: twelve years and just mastered this one technique.

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Speaker 2: I thought it was delightful. I didn't. I mean, I

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Speaker 2: couldn't eat more than like two bites because it's so rich.

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Speaker 2: I had no idea what it would taste like. Like,

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Speaker 2: I was like, what is this bread? And it's more

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Speaker 2: chocolatey than I expected. But all I could do is

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Speaker 2: like have like a little one or two bites, and

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Speaker 2: then I was like.

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Speaker 1: I needed more chocolate and less what orange? Mine was

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Speaker 1: orange bread? It was orange and lemon bread.

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Speaker 5: There's like an orange It was so.

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Speaker 1: Citrusy, and I think citrus is only for spaw water.

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Speaker 1: Get your citrus off of my sweets.

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Speaker 5: Wait, wait, cake, you don't want a lemon pound cake?

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Speaker 1: Not really?

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Speaker 5: Oh god, really delightful?

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Speaker 1: Not really?

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Speaker 2: No.

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Speaker 3: Well, so here's how much we love them in our house.

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Speaker 3: When I went home because I saw Danielle and I

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Speaker 3: was like, how was you? And she's like, I didn't

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Speaker 3: love it, and we have to talk about it the podcast.

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Speaker 3: I told Susan, and we love them so much. Her

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Speaker 3: first response is what did she do with the rest

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Speaker 3: of it?

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Speaker 5: She goes, I'll get in the car.

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Speaker 3: Right now, and I will drive down because she and

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Speaker 3: I will fight like feral cats. They'll be like one

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Speaker 3: slice left, and it's like, oh god.

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Speaker 1: On Elia took the rest of it to her holiday

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Speaker 1: party that.

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Speaker 3: She was gonna need her address because I did not

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Speaker 3: love it that much and I couldn't eat it much

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Speaker 3: more than like I said, a little bit, so I

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Speaker 3: definitely didn't finish it. Oh god, we love it. Just

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Speaker 3: mail the mail of the rest back because Will.

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Speaker 1: Will, you know, Will told me he's like, we treat

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Speaker 1: it like cocaine in our house. How much are you having? Hey,

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Speaker 1: that's too much to put some of that back? And

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Speaker 1: I was like, oh my gosh.

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Speaker 3: If we cut it up in lines and we pushed

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Speaker 3: the rest of it down the toilet, got me Panta

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Speaker 3: Tony left.

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Speaker 5: I'll suck you.

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Speaker 3: So very rarely do I disagree with you to the

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Speaker 3: point where you know flavors, flavor, taste is taste, they're wrong.

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Speaker 1: I mean, we usually you and I are on the

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Speaker 1: same team with most of our food likes. So I

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Speaker 1: was pretty shocked. I'm gonna be honest that I that

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Speaker 1: I and I tried it multiple times because I was like,

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Speaker 1: something's wrong, right, like maybe maybe I just this my

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Speaker 1: tongue is not working today. I don't know, And so

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Speaker 1: I tried it again, and then I was like, no, no,

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Speaker 1: But I didn't know they had multiple flavors. Do they

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Speaker 1: have any without orange and lot?

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Speaker 5: I don't know because I.

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Speaker 2: Don't the only one I tried.

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Speaker 5: I couldn't get past this.

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Speaker 1: I researched it, and I think those citrus, like the

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Speaker 1: orange and lemon is like a part of.

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Speaker 3: Yeah, yeah, I think it's part of the recipe.

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Speaker 5: But it was like Doughey.

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Speaker 3: And chewy and chocolatey and oh god it was. And

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Speaker 3: they had those crystal whatever sugar things on the outside.

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Speaker 1: That those also tastes like citrus. I ate those a lot.

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Speaker 3: Next time, just separate little bag and we just shake

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Speaker 3: it over other things.

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Speaker 2: Just send her a happy meal for McDonald's.

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Speaker 3: Ohta send you're a PANATONI if you can find it,

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Speaker 3: because I will use it in my love play. It

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Speaker 3: is absolutely I love playing.

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Speaker 1: Every want to hear that again. I love you.

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Speaker 2: Never hear that.

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Speaker 6: It is interesting.

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Speaker 3: Let's try to use it in our love play.

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Speaker 1: Welcome to POD's World, Danielle Fischel.

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Speaker 2: I'm Rider Strong.

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Speaker 3: And I'm Roy Panatoni. I'm wilfridell.

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Speaker 2: Oh.

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Speaker 1: Today we are talking about season seven, episode three, Angela's Men.

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Speaker 1: It originally aired October eighth, nineteen ninety nine. The synopsis

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Speaker 1: Angela's father comes to visit and in the process hopes

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Speaker 1: to help her reconcile with Sean. Meanwhile, Eric plots revenge

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Speaker 1: on Tipanga. It was directed by Jeff McCracken and it

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Speaker 1: was written by Jeff Manel. He returns before I jump

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Speaker 1: into our guest stars, do we want to share our

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Speaker 1: overall thoughts?

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Speaker 2: But sure, I enjoyed the episode, like I thought, obviously

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Speaker 2: the B story is hysterical and has like so many

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Speaker 2: great memories like I, you know, and just watching will too.

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Speaker 2: I mean, that's just super fun. And you know, the

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Speaker 2: A story really bothered me when I thought about it, right,

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Speaker 2: but it was well performed and fun. So it was like,

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Speaker 2: but like when that final scene happened, I was like,

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Speaker 2: what is going on thematically? This is really kind of

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Speaker 2: messed up, But I thought, yeah, I thought it was

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Speaker 2: fun and everybody and Ben was hysterical in this episode

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Speaker 2: so much smaller part, but he's just in like cranked

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Speaker 2: up character mode, but in a way that it's just

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Speaker 2: super funny and yeah, so I enjoyed it a lot.

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Speaker 2: It's just when I started thinking about like what this

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Speaker 2: was saying about Angela and how it was treating her,

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Speaker 2: you know, quote unquote issue or I was like, jeesu,

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Speaker 2: this is weird and I don't like it. But you know,

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Speaker 2: that's that's the over analysis part of me as an

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Speaker 2: as an episode of television, super fun and entertaining.

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Speaker 5: Yes, I agree with everything you just said.

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Speaker 3: First of all, the first obviously a kind of a

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Speaker 3: famous episode, something we talk about all the time. It's

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Speaker 3: tag and everything like that. No would if you had

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Speaker 3: told me this was the third episode of the season.

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Speaker 5: I had no. I thought this was way down the.

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Speaker 1: Line, so did I. I even thought the name Angela's Men.

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Speaker 1: I thought it was like one of the third to

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Speaker 1: last episode.

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Speaker 2: Me too, thought there's another one called Angela's Ashes. Oh

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Speaker 2: is I think like the third to last episode where

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Speaker 2: it's the last time Treeing is on the show. Right, Okay, yeah,

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Speaker 2: so you might be confusing.

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Speaker 1: That I thought that was like a two parter.

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Speaker 3: I don't two parter, I think. But no, I agree

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Speaker 3: with everything that Ryder said. I think everybody was good

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Speaker 3: in it the BT story, super fun and funny. Of

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Speaker 3: course none of it makes any sense, but who cares. Yes,

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Speaker 3: it doesn't make any sense whatsoever that Angela and Sean

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Speaker 3: after all these years have never talked about the fact

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Speaker 3: that her mom has left when his mom did. I mean,

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Speaker 3: none of that makes any sense. But I kind of

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Speaker 3: I'm to the don't really care point, and I just

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Speaker 3: sat back and enjoyed it. And it was again watching

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Speaker 3: us have fun. So yeah, I thought it was fun. Again,

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Speaker 3: could had no idea it was this close to the

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Speaker 3: start of the season. Yeah, but yeah, this was it started.

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Speaker 3: I was like, oh my god, is this the couch

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Speaker 3: episode already?

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Speaker 1: I know?

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Speaker 3: So, yeah, it was good though. I enjoyed it.

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Speaker 1: I agree, I really enjoyed it. Writer couldn't agree more

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Speaker 1: as I was going and I was like, okay, so

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Speaker 1: what we're saying is Angela cannot be trusted with her

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Speaker 1: own thoughts, feelings, emotions. The men in her life, both

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Speaker 1: Sean and jan no better than she does, and need

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Speaker 1: to tell like.

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Speaker 2: It's so weird, like literally physically grab her and push

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Speaker 2: her in a corner. That's what happens in that seat?

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Speaker 2: Is love?

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Speaker 3: God, Well, that's what I'm gonna do with Danielle and

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Speaker 3: the panotoni.

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Speaker 2: You're gonna like this, chew it. You just don't know

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Speaker 2: it because try because your mom threw away her panton

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Speaker 2: isn't exactly that's what it is. You're stuck in a

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Speaker 2: pattern because of your mom. Once your mom throws away

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Speaker 2: a panatoni, what are you going to do? You throw

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Speaker 2: it away?

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Speaker 5: Throw it away.

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Speaker 2: Everyone knows that that's what happens.

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Speaker 3: I don't need to jump to the end. But I

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Speaker 3: love the fact that you're doing it all in a

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Speaker 3: military uniform, knowing you're not going into the army.

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Speaker 1: I know. Yeah, it's like also they tailored that army pluniform.

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Speaker 2: You sign up and they just give you a perfectly.

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Speaker 1: Fitted and perfectly to you even though you know you're

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Speaker 1: not going. You went through so much effort for that.

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Speaker 1: You looked spectacular, by the way.

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Speaker 3: Yeah, you are.

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Speaker 2: Made or be.

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Speaker 1: Oh my god, r o T see you on the cover.

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Speaker 2: What is with the hat in the shoulder thing?

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Speaker 3: Is that? But yeah, it's called your cover and you

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Speaker 3: put your cover over in the okay, Yeah, when you're not.

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Speaker 2: Doing flare basically is I mean gorderry flair.

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Speaker 3: You also obviously written by people not in the military.

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Speaker 3: You don't call a sergeant major sir. That's for commissioned officers.

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Speaker 3: It's yes, sergeant major, No sergeant major.

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Speaker 1: And you said, I don't think they messed it up.

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Speaker 1: They just chogedn't care to do it and change his rank.

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Speaker 3: You can make it if it's perfect that he's a

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Speaker 3: sergeant major. But that makes it even better because those

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Speaker 3: are the people that in every other movie is like, yes, sir,

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Speaker 3: they go, don't call me sir. I work for a living.

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Speaker 3: They're like those people. That's the sergeant is the barking person.

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Speaker 3: So when I was like, oh, that's already wrong, but

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Speaker 3: he's But Julius is so cool.

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Speaker 2: He is so amazing, so incredible.

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Speaker 3: I remember this week unbelievably well because how much I

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Speaker 3: was fan boying over him all week.

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Speaker 2: Yeah, plus all the costumes and stuff you had this week.

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Speaker 2: And I have to say, like you and and McCracken

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Speaker 2: did such a good job. Like the direction and your

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Speaker 2: performance make really crazy scenes super fun. Like it we'll

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Speaker 2: talk about like the why and detail, but like the

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Speaker 2: two of you, it worked together to make you know,

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Speaker 2: if what on the page, I would have been like

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Speaker 2: this is insane, Like how is this going to be funny?

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Speaker 2: And yet it's hysteric again mccrack of you.

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Speaker 1: I know, we didn't really have time for it because

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Speaker 1: so much of the episode was obviously Will's hysterics and

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Speaker 1: stunts in the B story and the A story demanded

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Speaker 1: the majority of the airtime. But I really wish to

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Speaker 1: Pega would have been an active participant in the situation

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Speaker 1: with Eric instead of only just looking at him like

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Speaker 1: you're insane in every single scene, every time it happened.

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Speaker 1: I would have loved for her to be like to Maitland,

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Speaker 1: to Rachel, to be like, let's he doesn't know that

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Speaker 1: I know, you know what I mean, Like just to

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Speaker 1: have some sort of me teas taunting him in some

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Speaker 1: way like.

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Speaker 2: That does happen throughout the rest of the season, r

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Speaker 2: because isn't that kind of what Civil War? Civil War

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Speaker 2: I guests were on the same side.

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Speaker 3: Eric is the only one who doesn't pick a team.

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Speaker 1: I don't remember those episodes at all, so I have

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Speaker 1: just had to go off of what you guys say

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Speaker 1: about them. I don't know, but I just like, literally

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Speaker 1: the only thing they gave to Penga to do in

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Speaker 1: this episode is to look lovingly at Angela and Sean

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Speaker 1: and to look disgusted at Eric.

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Speaker 2: Yeah, well I did the same sort of thing. He's

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Speaker 2: constantly just like he's crazy. Oh my gosh, he's so dumb.

294
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Speaker 2: Oh my gosh, Eric is crazy. And it's like, yes,

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Speaker 2: we got it, dude, Like, yeah, it's fine, but I

296
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Speaker 2: you know, and we talked about this last season too.

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Speaker 2: There's a lot of there's a lot of like just

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Speaker 2: a character commenting on how ridiculous, and it's like, okay,

299
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Speaker 2: in some ways, I guess you need that, but it's

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Speaker 2: a little boring.

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Speaker 1: Yeah, it is. Also I love that Jack and Rachel

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Speaker 1: are hanging out like they're great friends and we still

303
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Speaker 1: know nothing about why their relationship ended. Just totally. They're

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Speaker 1: sitting next to each other talking, having coffee and very healthy.

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Speaker 3: It's like, after all of boy me throw the said

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Speaker 3: and done, by far, the healthiest relationship, either dating or

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Speaker 3: friendship is Jack and Rachel.

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Speaker 1: Yes, you're right, so true, You're absolutely right.

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Speaker 2: Don't They both go off to the Peace Corps at

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Speaker 2: the end. Yeah, they're going on health the world a

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Speaker 2: better place.

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Speaker 1: They're best friends.

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Speaker 2: They're best friends. They can manage like breakups without drama

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Speaker 2: that doesn't involve everybody else and making everybody else's problem.

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Speaker 3: Yeah, totally healthy people.

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Speaker 2: I bet you if their parents get divorced, it's not

317
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Speaker 2: that big of a deal for them. Their parents did.

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Speaker 3: He's been through the safe you have exactly.

319
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Speaker 2: Because my dad died. I can no longer like women

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Speaker 2: on Tuesdays. So obvious logic, It just doesn't I don't understand.

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Speaker 1: I will say, thinking about the idea that for a

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Speaker 1: quote unquote kids show, although we're you know, we're in

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Speaker 1: college now, but still a family program. Yes, how early

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Speaker 1: in shows do you think the idea that your family

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Speaker 1: history and dynamic and possibly trauma impacts the decisions you

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Speaker 1: make in relationships today, maybe without you even knowing, Like

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Speaker 1: that subject matter, that topic is an interesting idea and

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Speaker 1: considering we're posing it to teenagers who are watching and

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Speaker 1: are maybe hearing that concept for the first time, Like, yeah, oh,

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Speaker 1: the things I see around me are going to impact

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Speaker 1: the people I meet, the choices I make, like how

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Speaker 1: I am in a relationship is going to possibly be

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Speaker 1: because my dad is this way or my mom is

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Speaker 1: this way. As a concept, whether it's done perfectly the

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Speaker 1: way we would love it or not. I am thrilled

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Speaker 1: that that kind of topic was brought up for young people.

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Speaker 3: We don't know, I don't think because none of us,

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Speaker 3: well writer now has watched several episodes. Does the fact

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Speaker 3: that the kids in Full House lost their mom at

340
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Speaker 3: an early age does that ever factor into anything that

341
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Speaker 3: happens in the show or is it just kind of

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Speaker 3: like Mom's not there. I don't know. If that's a

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Speaker 3: thing where it's like, you know, eventually that comes.

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Speaker 2: Back, I would I would say not, I.

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Speaker 5: Oh, it does.

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Speaker 3: Here and there, Okay, Okay.

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Speaker 1: I know they do episodes about like, you know, one

348
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Speaker 1: of them's acting out and then it's like, well, what,

349
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Speaker 1: you know, what's going at the end of the episode,

350
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Speaker 1: what's going on with you? I just really miss mom?

351
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Speaker 1: Like stuff like that, like you know, recognizing that you

352
00:17:56,960 --> 00:17:59,159
Speaker 1: know you're maybe behaving in a certain way because you

353
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Speaker 1: miss somebody. But as as far as framing it for

354
00:18:02,760 --> 00:18:05,640
Speaker 1: romantic relationships and the choices you make and the people

355
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Speaker 1: you end up with, I don't know how often that

356
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Speaker 1: was being done.

357
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Speaker 2: If I totally agree with you, Danielle, and I think

358
00:18:10,720 --> 00:18:13,560
Speaker 2: that's like a super positive, good way to think about this.

359
00:18:14,440 --> 00:18:18,920
Speaker 2: I guess for me, it's like the the one interpretation,

360
00:18:19,680 --> 00:18:22,600
Speaker 2: like the one there's one reading of what happens when

361
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Speaker 2: you know your mom runs out and how it affects

362
00:18:24,880 --> 00:18:27,920
Speaker 2: your behavior as opposed to like it's like there's there's

363
00:18:27,960 --> 00:18:31,240
Speaker 2: sort of like an ironclad logic in Boy Meets World

364
00:18:31,280 --> 00:18:33,840
Speaker 2: that is, you know, obviously, now we've seen the way

365
00:18:33,880 --> 00:18:37,199
Speaker 2: to Panga acts based on her parents, and now the

366
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Speaker 2: way Sean has axe and way, and it's like there's

367
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Speaker 2: like a correct interpretation of the way to read people's

368
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Speaker 2: behavior via their parents.

369
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Speaker 4: That I'm like, I just I hate that, Like I

370
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Speaker 4: have to disagree because because well, because grandma was a

371
00:18:52,600 --> 00:18:56,040
Speaker 4: rolling stone, Rusty's mom kept leaving and Rusty was still

372
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Speaker 4: a solid guy.

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Speaker 3: So Rusty's mom ran out, you know, Allen's mom ran

374
00:18:59,840 --> 00:19:01,879
Speaker 3: now on him too, Like we set that up early,

375
00:19:02,480 --> 00:19:04,919
Speaker 3: and it was kind of him saying, hey, that's the

376
00:19:04,920 --> 00:19:06,480
Speaker 3: way it is, man, You got to you gotta roll

377
00:19:06,520 --> 00:19:06,760
Speaker 3: with it.

378
00:19:07,040 --> 00:19:11,480
Speaker 2: Yeah, no, this is definitely post season five logic, right, yeah,

379
00:19:12,280 --> 00:19:13,880
Speaker 2: and that I think that, you know, when I see

380
00:19:13,920 --> 00:19:17,080
Speaker 2: it being played out or I find it just a

381
00:19:17,080 --> 00:19:20,000
Speaker 2: little eye rolly when it's actually being discussed and being

382
00:19:20,040 --> 00:19:23,560
Speaker 2: played out. And then when it's really being pressured on

383
00:19:23,560 --> 00:19:28,760
Speaker 2: Angelina away. She's literally saying I don't want this multiple times,

384
00:19:29,119 --> 00:19:33,119
Speaker 2: and Sean doesn't care, doesn't stop, and recruits his dad

385
00:19:33,680 --> 00:19:37,560
Speaker 2: her dad, and her dad doesn't care, doesn't what she

386
00:19:37,680 --> 00:19:41,520
Speaker 2: It's like it's completely erasing her agency in a way

387
00:19:41,560 --> 00:19:45,320
Speaker 2: that really made me like unhappy and like I was

388
00:19:45,359 --> 00:19:48,320
Speaker 2: like this socks man, and it's yeah. And the worst

389
00:19:48,320 --> 00:19:50,320
Speaker 2: part is like Trina is great, like her performance is

390
00:19:50,760 --> 00:19:53,600
Speaker 2: knowledge and so when she has her like breakdown I

391
00:19:53,680 --> 00:19:57,119
Speaker 2: love you moment and we hug, it's very emotional, Like

392
00:19:57,160 --> 00:19:59,520
Speaker 2: I was like, wow, this is cool, but the getting

393
00:19:59,560 --> 00:20:02,919
Speaker 2: there and the fact that it works is like pretty

394
00:20:03,200 --> 00:20:05,520
Speaker 2: troubling to me, Like I don't think. I don't think.

395
00:20:05,760 --> 00:20:08,439
Speaker 2: Not listening to a woman and telling her exactly what

396
00:20:08,480 --> 00:20:12,400
Speaker 2: she thinks is like you just describe Correy.

397
00:20:12,280 --> 00:20:12,840
Speaker 1: Yeah, exactly.

398
00:20:12,840 --> 00:20:15,680
Speaker 2: Here it's played out by Sean and Angela's dad. It's

399
00:20:15,680 --> 00:20:17,439
Speaker 2: like we know better and we're going to tell you what.

400
00:20:17,840 --> 00:20:19,520
Speaker 2: It's really like disturbing to me.

401
00:20:21,480 --> 00:20:25,520
Speaker 1: That is, yeah, I agree. I also don't love that

402
00:20:25,640 --> 00:20:28,760
Speaker 1: the fact that Sean did this first. Sean broke up

403
00:20:28,800 --> 00:20:33,240
Speaker 1: with her first and then dated somebody else, and this

404
00:20:33,400 --> 00:20:36,720
Speaker 1: all started because of Sean's doing, not her doing, but

405
00:20:36,800 --> 00:20:42,160
Speaker 1: that is literally completely dropped and now it's entirely on her.

406
00:20:42,440 --> 00:20:44,480
Speaker 2: Well, that's I mean, that's going back. I was thinking

407
00:20:44,480 --> 00:20:46,360
Speaker 2: about going back to the Tapanga storyline in the first

408
00:20:46,400 --> 00:20:52,679
Speaker 2: two episodes. The fun of drama is often discovering the

409
00:20:52,720 --> 00:20:55,639
Speaker 2: truth behind people's behavior. Right, you see behavior that is

410
00:20:55,680 --> 00:20:58,879
Speaker 2: like out of character, a weird, and then you know,

411
00:20:59,000 --> 00:21:01,119
Speaker 2: one other character can say you're doing this because of

412
00:21:01,160 --> 00:21:03,720
Speaker 2: your mom or your history or whatever. Like that is

413
00:21:03,760 --> 00:21:09,040
Speaker 2: the discovery. Whereas on like in this show, to Penga's

414
00:21:09,080 --> 00:21:12,280
Speaker 2: literally saying why she's doing it to Corey explaining her

415
00:21:12,320 --> 00:21:16,600
Speaker 2: behavior's roots. Whereas she could very easily say Corey, we're

416
00:21:16,600 --> 00:21:19,720
Speaker 2: just a bad couple. You cheated on me, she could

417
00:21:19,760 --> 00:21:22,639
Speaker 2: have really good reasons and like have a sort of

418
00:21:22,720 --> 00:21:26,520
Speaker 2: surface explanation that then Corey and the audience via Corey

419
00:21:26,560 --> 00:21:29,119
Speaker 2: could say, actually, you're not that's not the truth. To Pega,

420
00:21:29,160 --> 00:21:31,280
Speaker 2: the real reason you're doing this is because you're scared

421
00:21:31,280 --> 00:21:33,840
Speaker 2: about your parents, and that revelation would have made for

422
00:21:33,880 --> 00:21:36,400
Speaker 2: great drama, would have made for a great revelation. As

423
00:21:36,440 --> 00:21:40,160
Speaker 2: the thematics of like to Pega's history came to the forefront.

424
00:21:40,200 --> 00:21:43,080
Speaker 2: Instead the thematics are the story and that they're being

425
00:21:43,119 --> 00:21:45,760
Speaker 2: presented as the reason people do things. So we're sort

426
00:21:45,800 --> 00:21:48,960
Speaker 2: of like inverting the process of storytelling. And it's like

427
00:21:49,280 --> 00:21:52,479
Speaker 2: what you know in this case, at least there is

428
00:21:52,880 --> 00:21:56,000
Speaker 2: that structure in like you know Angela, and there's other things.

429
00:21:56,000 --> 00:21:57,960
Speaker 2: It's other things, but she doesn't say what those are.

430
00:21:58,359 --> 00:22:01,040
Speaker 2: She doesn't say like, Sean, you do this or you

431
00:22:01,080 --> 00:22:02,960
Speaker 2: don't do that. She's just saying no, I'm not I

432
00:22:02,960 --> 00:22:04,560
Speaker 2: don't love you. I don't love you. I don't love you.

433
00:22:04,600 --> 00:22:06,800
Speaker 2: And then it's just like why why why why sports

434
00:22:07,000 --> 00:22:09,280
Speaker 2: force you into a corner? Now you say it, okay, cool.

435
00:22:09,080 --> 00:22:12,119
Speaker 3: Well, doesn't the same thing happen with Topanga, isn't it

436
00:22:12,240 --> 00:22:14,960
Speaker 3: her parents coming back and being like, you're not us, Topanga,

437
00:22:15,000 --> 00:22:16,359
Speaker 3: You've got to be in love. I think it's the

438
00:22:16,480 --> 00:22:19,560
Speaker 3: same kind of thing that happened with Trina. I think

439
00:22:19,600 --> 00:22:20,159
Speaker 3: so happening.

440
00:22:20,640 --> 00:22:21,600
Speaker 5: So I believe so.

441
00:22:21,720 --> 00:22:25,320
Speaker 3: And it's also it's it's interesting that Corey and Eric's

442
00:22:25,440 --> 00:22:29,480
Speaker 3: family is still together. We don't know about Rachel, but Sean,

443
00:22:30,359 --> 00:22:34,840
Speaker 3: Jack to Panga, Angela, all the rest of the characters

444
00:22:34,880 --> 00:22:37,720
Speaker 3: come from broken home. So the family there's nobody else

445
00:22:37,760 --> 00:22:39,240
Speaker 3: that's in a in a committed relationship.

446
00:22:39,240 --> 00:22:41,720
Speaker 2: Are the matth Well, yeah, I guess the Matthews.

447
00:22:41,280 --> 00:22:42,760
Speaker 3: And we just don't know. I'm not sure we ever

448
00:22:42,800 --> 00:22:45,280
Speaker 3: heard about Rachel. Everybody else comes from a bad family

449
00:22:45,400 --> 00:22:47,800
Speaker 3: or not bad family, but a family is broken apart.

450
00:22:48,840 --> 00:22:50,120
Speaker 2: That's super interesting.

451
00:22:50,320 --> 00:23:05,639
Speaker 1: Yeah, you're right. Well, let's jump into our guest stars.

452
00:23:06,280 --> 00:23:10,879
Speaker 1: Guest starring Julius Carrey as Sergeant Moore Angelus Dad his

453
00:23:11,200 --> 00:23:13,959
Speaker 1: second appearance of three on Boy Meets World, but his

454
00:23:14,040 --> 00:23:18,280
Speaker 1: first was for a different character, Professor Michaels, the teacher

455
00:23:18,280 --> 00:23:20,159
Speaker 1: for the college class that Sean was taking as a

456
00:23:20,200 --> 00:23:23,359
Speaker 1: high schooler in season five. Julius is best known as

457
00:23:23,440 --> 00:23:27,840
Speaker 1: show Nuff and Will's favorite movie, The Last Dragon, and

458
00:23:28,040 --> 00:23:30,920
Speaker 1: appeared in films like The New Guy and The Man

459
00:23:31,000 --> 00:23:34,200
Speaker 1: with the One Red Shoe, but he has a stacked

460
00:23:34,240 --> 00:23:37,280
Speaker 1: TV resume on The Jefferson's Fame, two two seven, Murder

461
00:23:37,359 --> 00:23:40,920
Speaker 1: She Wrote, and Murphy Brown just name a few. Julius

462
00:23:40,960 --> 00:23:43,359
Speaker 1: passed away in two thousand and eight at the very

463
00:23:43,400 --> 00:23:48,440
Speaker 1: young age of fifty eight. Darius L. Golden as Cadet Winston.

464
00:23:48,720 --> 00:23:51,919
Speaker 1: Darius also appeared on Cousin Skeeter and get Real, but

465
00:23:52,000 --> 00:23:54,760
Speaker 1: appears to have stopped acting around the year two thousand.

466
00:23:55,280 --> 00:23:57,000
Speaker 3: I don't know what cousin Skeeter is, but it's my

467
00:23:57,040 --> 00:24:00,119
Speaker 3: new Favorite's the best title The.

468
00:24:00,440 --> 00:24:04,280
Speaker 1: Last Dragon and Cousins Peter.

469
00:24:05,800 --> 00:24:10,520
Speaker 2: Exactly, that's what we're rewatching next guy means Cousins Keeter.

470
00:24:16,160 --> 00:24:18,399
Speaker 1: Jumping into our recap, we start in the girl's apartment

471
00:24:18,480 --> 00:24:20,720
Speaker 1: to Panga. Angela and Rachel are eating breakfast when they're

472
00:24:20,720 --> 00:24:23,960
Speaker 1: interrupted by incessant knocking at their door. Rachel thinks it's

473
00:24:24,000 --> 00:24:26,680
Speaker 1: adorable that the guys are stalking them, but Angela yells

474
00:24:26,760 --> 00:24:30,880
Speaker 1: to go away. Sean yells from the hallway milkman a profession.

475
00:24:30,960 --> 00:24:34,359
Speaker 1: Angela reminds him no longer exists. Sewn is quick on

476
00:24:34,400 --> 00:24:36,160
Speaker 1: his toes and yells back.

477
00:24:36,400 --> 00:24:40,119
Speaker 2: Cow cow so funny again.

478
00:24:40,200 --> 00:24:43,560
Speaker 3: This may be the season of really good bits, really

479
00:24:43,560 --> 00:24:45,160
Speaker 3: good jokes, but the story is not great.

480
00:24:45,400 --> 00:24:50,280
Speaker 1: Yeah, You're rights are great, hard last Yeah. Rachel tells

481
00:24:50,280 --> 00:24:53,080
Speaker 1: Angela she can't just leave Sean out there, but Angela disagrees.

482
00:24:53,200 --> 00:24:55,000
Speaker 1: I'm gonna leave him out there, then I'm gonna kick

483
00:24:55,040 --> 00:24:57,480
Speaker 1: his butt into the elevator. She opens the door to

484
00:24:57,520 --> 00:25:00,600
Speaker 1: find Sean, who is smiling, and Corey, who's stern, glares

485
00:25:00,600 --> 00:25:03,040
Speaker 1: it to Panga. He assures his X, I'm not here

486
00:25:03,080 --> 00:25:05,399
Speaker 1: for you, so cool your jets. I'm only here to

487
00:25:05,400 --> 00:25:08,200
Speaker 1: support my buddy when he gets killed. You're just Sean

488
00:25:08,280 --> 00:25:09,880
Speaker 1: to get on with it, and Angela tries to close

489
00:25:09,920 --> 00:25:12,040
Speaker 1: the door on their faces, but Sean blocks it. Can

490
00:25:12,080 --> 00:25:14,600
Speaker 1: I just tell you one thing, she shrugs. You can

491
00:25:14,680 --> 00:25:16,800
Speaker 1: say whatever you want, as long as it doesn't include

492
00:25:16,840 --> 00:25:20,640
Speaker 1: the words I love or you. Sean sighs and relief,

493
00:25:21,000 --> 00:25:26,440
Speaker 1: I love you too, good, Angela, Oh so good. Angela

494
00:25:26,480 --> 00:25:28,679
Speaker 1: slams the door in his face, this time successfully, but

495
00:25:28,720 --> 00:25:31,480
Speaker 1: he promises he isn't leaving. He's just gonna live in

496
00:25:31,520 --> 00:25:35,320
Speaker 1: their doorway now. Rachel admires the persistence, and Topanga points

497
00:25:35,320 --> 00:25:38,120
Speaker 1: out that he learned from the master on cue. There's

498
00:25:38,160 --> 00:25:40,280
Speaker 1: another knock at the door, and Angela shouts, can't you

499
00:25:40,359 --> 00:25:43,160
Speaker 1: take no for an answer? If I say I don't

500
00:25:43,200 --> 00:25:45,280
Speaker 1: want to see you, I don't want to see you.

501
00:25:45,960 --> 00:25:48,159
Speaker 1: But this time she opens the door to find an

502
00:25:48,200 --> 00:25:51,320
Speaker 1: extremely tall soldier on the other side, and of course

503
00:25:51,440 --> 00:25:53,639
Speaker 1: Sean is still sitting by the door as promised, with

504
00:25:53,760 --> 00:25:57,240
Speaker 1: Corey standing by for moral support. The soldier asks why

505
00:25:57,320 --> 00:26:00,720
Speaker 1: is this boy lying in your doorway? Angela shrieks steady

506
00:26:01,520 --> 00:26:04,040
Speaker 1: and gives the man a huge hug and.

507
00:26:04,040 --> 00:26:07,240
Speaker 2: Throughout this episode, but pretty much right away, I was

508
00:26:07,480 --> 00:26:11,760
Speaker 2: just this is probably even though he's been recast, because

509
00:26:11,760 --> 00:26:15,879
Speaker 2: he was my philosophy professor. Uh, this is the most

510
00:26:16,040 --> 00:26:19,679
Speaker 2: the best casting on our show for a variety of reasons.

511
00:26:19,680 --> 00:26:23,960
Speaker 2: But also they physically look like father and daughter more

512
00:26:24,000 --> 00:26:26,360
Speaker 2: than any other cast member of our whatever we had.

513
00:26:26,640 --> 00:26:28,800
Speaker 2: And I guess maybe like me and and Chad, Like

514
00:26:28,800 --> 00:26:31,000
Speaker 2: I guess Blake and I could you can see our

515
00:26:31,000 --> 00:26:33,240
Speaker 2: physical Resemblancestie.

516
00:26:32,320 --> 00:26:34,040
Speaker 3: And I, there's kind of you could kind of.

517
00:26:33,960 --> 00:26:39,280
Speaker 2: Make family doesn't know. This is like they literally have

518
00:26:39,440 --> 00:26:42,840
Speaker 2: like this a similar shape of their actual face, like

519
00:26:42,880 --> 00:26:45,200
Speaker 2: the same shape and their eyes. Their eyes have the

520
00:26:45,240 --> 00:26:47,720
Speaker 2: same shape. So when when they're on screen together, you're

521
00:26:47,720 --> 00:26:50,200
Speaker 2: just like, oh my gosh, they're clearly related. Yeah.

522
00:26:50,880 --> 00:26:52,320
Speaker 5: She's just so good, so good.

523
00:26:52,680 --> 00:26:55,600
Speaker 3: He commands the scene every second he steps and you're like, oh,

524
00:26:55,640 --> 00:26:57,840
Speaker 3: I can't look anywhere else without.

525
00:26:57,560 --> 00:27:02,040
Speaker 2: Being uh so aggressive or you know, it's always funny.

526
00:27:02,080 --> 00:27:04,320
Speaker 2: It's like it's you know, he's literally flipping you over,

527
00:27:04,520 --> 00:27:06,840
Speaker 2: yelling at me, and yet you always like him.

528
00:27:07,040 --> 00:27:09,600
Speaker 1: Yeah, I was wondering while it was going on, I

529
00:27:09,680 --> 00:27:16,120
Speaker 1: was thinking, like, there's no chet feeling with him, which

530
00:27:16,200 --> 00:27:19,560
Speaker 1: is the sense of like, why is this guy in

531
00:27:19,640 --> 00:27:22,520
Speaker 1: and out, barely here to see his daughter, only here

532
00:27:22,520 --> 00:27:24,719
Speaker 1: for the ROTC says he's here to see her, but

533
00:27:24,720 --> 00:27:26,960
Speaker 1: then the minute he's done with the program is out.

534
00:27:27,160 --> 00:27:31,720
Speaker 1: You're right, but there's no like shame around it at all.

535
00:27:32,000 --> 00:27:34,600
Speaker 3: It's just I think it's because we know it's for

536
00:27:34,720 --> 00:27:37,040
Speaker 3: the military, and we know it's for his job, so

537
00:27:37,080 --> 00:27:40,160
Speaker 3: it's like, okay with his character. You know that if

538
00:27:40,200 --> 00:27:43,520
Speaker 3: he could be with his daughter, he would where Chet

539
00:27:43,560 --> 00:27:45,600
Speaker 3: could have been with Sean and always chose not to be.

540
00:27:45,960 --> 00:27:49,920
Speaker 2: And also they're older, you know, because when we first

541
00:27:50,000 --> 00:27:53,439
Speaker 2: met Chet, Sean was only fourteen, you know whatever. So

542
00:27:53,520 --> 00:27:55,639
Speaker 2: we're talking it's a different story when.

543
00:27:55,480 --> 00:27:58,199
Speaker 1: She's that time too. Going back to what we were

544
00:27:58,200 --> 00:28:02,240
Speaker 1: talking about before we started the recap, he's the one

545
00:28:02,280 --> 00:28:06,119
Speaker 1: who initially left Sean like he's the one who has

546
00:28:06,200 --> 00:28:09,879
Speaker 1: always and gone no. Verna left later after dealing with

547
00:28:10,040 --> 00:28:14,800
Speaker 1: Chet's nonsense for her entire marriage. Chat was the one

548
00:28:14,800 --> 00:28:17,520
Speaker 1: who was in and out of his life all the time. Gone,

549
00:28:17,720 --> 00:28:19,359
Speaker 1: you know, running another scheme.

550
00:28:19,880 --> 00:28:22,360
Speaker 2: Well, no, but when we the episode we meet Chet

551
00:28:22,640 --> 00:28:24,800
Speaker 2: was the episode Verna left and took the house, right,

552
00:28:25,480 --> 00:28:29,840
Speaker 2: That's an episode we met Chet. So her leaving was janitor.

553
00:28:29,600 --> 00:28:31,160
Speaker 1: Dad, janitor dad.

554
00:28:31,240 --> 00:28:34,879
Speaker 2: He's he's when he comes back after he's gone looking

555
00:28:34,880 --> 00:28:35,240
Speaker 2: for her.

556
00:28:36,400 --> 00:28:37,080
Speaker 1: I believe.

557
00:28:37,320 --> 00:28:40,360
Speaker 2: I believe the beginning of the Chet storyline is he

558
00:28:40,400 --> 00:28:43,600
Speaker 2: comes to the school for for career day and then

559
00:28:44,120 --> 00:28:46,000
Speaker 2: while he's at school for career days, since.

560
00:28:45,880 --> 00:28:48,160
Speaker 3: The microwave, you're welcome, that's the first time him.

561
00:28:48,160 --> 00:28:50,120
Speaker 2: And then that day in the lunch room, he comes

562
00:28:50,120 --> 00:28:52,320
Speaker 2: in and says, your mom left and she took the

563
00:28:52,360 --> 00:28:54,760
Speaker 2: trailer with her right, and then I'm gonna have to

564
00:28:54,800 --> 00:28:57,240
Speaker 2: go get her. And then so he leaves to to

565
00:28:57,360 --> 00:28:59,040
Speaker 2: chase Verna, but she's left right.

566
00:28:59,120 --> 00:29:01,920
Speaker 3: And he stops. He watches a girl all girl band

567
00:29:01,960 --> 00:29:03,920
Speaker 3: at his favorite place. Of course, the.

568
00:29:04,320 --> 00:29:05,680
Speaker 1: Normal trajector.

569
00:29:07,200 --> 00:29:07,520
Speaker 3: Gotcha.

570
00:29:08,200 --> 00:29:10,560
Speaker 1: So Angela's dad jokingly asks if she's going to let

571
00:29:10,640 --> 00:29:12,880
Speaker 1: him in or if he'll have to continue standing on

572
00:29:12,920 --> 00:29:17,240
Speaker 1: their human doormat. Sean admits, yeah, that about explains the relationship. No,

573
00:29:17,480 --> 00:29:22,760
Speaker 1: it doesn't. You're not a human doormat in your relationship with.

574
00:29:22,720 --> 00:29:25,400
Speaker 2: Her I don't understand that either, I mean.

575
00:29:25,440 --> 00:29:29,040
Speaker 1: Come on, Angela's dad finally asks what are you? Sean

576
00:29:29,120 --> 00:29:32,840
Speaker 1: calls himself boyfriend, but Angela clarifies it's ex boyfriend.

577
00:29:33,200 --> 00:29:35,600
Speaker 3: Sean win to say, but he says, what are you?

578
00:29:35,600 --> 00:29:37,240
Speaker 3: I wanted to say, you know a seventh season. I

579
00:29:37,280 --> 00:29:39,280
Speaker 3: honestly don't know. I don't think they know anymore either.

580
00:29:39,440 --> 00:29:41,520
Speaker 5: It's just kind of it changes week by week.

581
00:29:43,440 --> 00:29:47,280
Speaker 3: Situation exactly.

582
00:29:48,000 --> 00:29:49,920
Speaker 1: Sean wins to her dad, do you see how she

583
00:29:50,000 --> 00:29:54,920
Speaker 1: treats me my girlfriend's father? The sergeant clarifies, my girlfriend's father, Sir.

584
00:29:55,560 --> 00:29:58,920
Speaker 1: Sean wonders why, and he sternly explains, because your girlfriend's

585
00:29:58,920 --> 00:30:01,480
Speaker 1: father happens to be a master sergeant in the United

586
00:30:01,480 --> 00:30:04,320
Speaker 1: States Army who's here to recruit slackers like you to

587
00:30:04,400 --> 00:30:09,160
Speaker 1: this university's ROTC program. Angela realizes he isn't in town

588
00:30:09,200 --> 00:30:12,720
Speaker 1: to see her, and this mildly embarrasses the sergeant. Sean notes,

589
00:30:12,880 --> 00:30:15,720
Speaker 1: welcome to the Angela doghouse, Sir, permission to get up?

590
00:30:16,160 --> 00:30:19,560
Speaker 1: Sergeant Moore replies, Permission denied. Ponkoub broke my baby's heart.

591
00:30:20,120 --> 00:30:22,080
Speaker 1: Corey tries to step in to explain that that's not

592
00:30:22,160 --> 00:30:24,480
Speaker 1: the full truth, but Angela's dad just slams the.

593
00:30:24,440 --> 00:30:25,040
Speaker 2: Door on them.

594
00:30:25,520 --> 00:30:27,360
Speaker 1: He asks through the door, did you just give me

595
00:30:27,480 --> 00:30:30,640
Speaker 1: lip boy? Sean responds, wasn't me, that was Corey Matthews.

596
00:30:31,000 --> 00:30:34,160
Speaker 1: Corey pipes in how you doing, sir, but Sean sees

597
00:30:34,160 --> 00:30:36,480
Speaker 1: the writing on the wall and shouts, run, just run.

598
00:30:37,200 --> 00:30:39,560
Speaker 1: Angela insists she doesn't care about the reason for her

599
00:30:39,640 --> 00:30:42,200
Speaker 1: dad's visit. She's just so happy to see him. The

600
00:30:42,240 --> 00:30:44,680
Speaker 1: sergeant asks for the story behind the boy matt and

601
00:30:44,720 --> 00:30:48,320
Speaker 1: Angela explains story's over, but her dad points out that

602
00:30:48,400 --> 00:30:51,520
Speaker 1: he doesn't seem to know that. Angela pivots and introduces

603
00:30:51,520 --> 00:30:54,840
Speaker 1: her roommates to Panga and Rachel. The sergeant shakes their hands.

604
00:30:55,120 --> 00:30:58,560
Speaker 1: You know the ROTC program is also for women. Angela

605
00:30:58,600 --> 00:30:58,960
Speaker 1: tells you.

606
00:30:59,080 --> 00:31:04,200
Speaker 3: That Spike Spike, angel Topangle and Rachel. Now we're starting

607
00:31:04,200 --> 00:31:05,680
Speaker 3: to get all over because it's season seven. We have

608
00:31:05,720 --> 00:31:06,880
Speaker 3: all the blue person from season seven.

609
00:31:07,320 --> 00:31:10,560
Speaker 2: I'm like, oh, that's tapangle'sangle. Fun.

610
00:31:10,920 --> 00:31:12,640
Speaker 1: That's exactly the way I heard it when she said it,

611
00:31:12,640 --> 00:31:14,240
Speaker 1: even though she did not say it in this take.

612
00:31:14,360 --> 00:31:18,640
Speaker 1: I heard Tapangle and Rachel and Angela tells him to

613
00:31:18,640 --> 00:31:20,640
Speaker 1: stop selling, which is a bummer because when you think

614
00:31:20,640 --> 00:31:23,880
Speaker 1: of the army, you think of Topanga and Rachel. Rachel

615
00:31:23,960 --> 00:31:26,280
Speaker 1: changes the subject. Is missus Moore in the army too?

616
00:31:26,520 --> 00:31:29,440
Speaker 1: Topega nudges her, but Rachel doesn't get the hint. Angela

617
00:31:29,480 --> 00:31:31,760
Speaker 1: doesn't talk about her mom much, so she was just wondering,

618
00:31:32,000 --> 00:31:36,200
Speaker 1: and she continues to ramble on what does ROTC stand for? Anyway?

619
00:31:36,440 --> 00:31:40,120
Speaker 1: Tapanga jumps in. It stands for Rachel ought to chill.

620
00:31:40,880 --> 00:31:43,880
Speaker 1: Rachel apologizes, and the sergeant reveals that he and Angela's

621
00:31:43,880 --> 00:31:46,480
Speaker 1: mom are no longer together. Angela doesn't want to talk

622
00:31:46,520 --> 00:31:50,000
Speaker 1: about it for Tapega's sake since her parents are divorcing.

623
00:31:50,520 --> 00:31:53,080
Speaker 1: Sergeant Moore gives his condolences and Angela and says she's

624
00:31:53,080 --> 00:31:55,040
Speaker 1: gonna help her friend get over it, which seems like

625
00:31:55,040 --> 00:31:58,520
Speaker 1: a bad thing to do, but who am I better help? However,

626
00:31:59,040 --> 00:32:02,800
Speaker 1: to pangas the sentiment and confidently tells Angela, I'm gonna

627
00:32:02,800 --> 00:32:05,719
Speaker 1: help you get over Sean. Angela also puffs out her

628
00:32:05,800 --> 00:32:08,680
Speaker 1: chest in response, I'm gonna help you get over Corey.

629
00:32:08,840 --> 00:32:12,560
Speaker 1: They jokingly bump chests and laugh, and then we're in

630
00:32:12,600 --> 00:32:16,080
Speaker 1: the student union. Everyone has gathered for the ROTC Assembly.

631
00:32:15,840 --> 00:32:17,280
Speaker 3: Or one in the college.

632
00:32:17,440 --> 00:32:21,040
Speaker 1: All nine people a real college must attend.

633
00:32:21,080 --> 00:32:24,479
Speaker 3: Apparently, did you look for the lobstertle I did all episode?

634
00:32:24,480 --> 00:32:26,440
Speaker 3: I haven't seen it. I think they pulled it. Wow,

635
00:32:26,520 --> 00:32:28,040
Speaker 3: Like I haven't been able to fight. It's not even

636
00:32:28,040 --> 00:32:30,800
Speaker 3: hanging on the fridge in the apartment anymore. So my

637
00:32:30,840 --> 00:32:33,080
Speaker 3: guess is they someone in editings?

638
00:32:33,440 --> 00:32:33,800
Speaker 2: Yeah?

639
00:32:34,000 --> 00:32:35,120
Speaker 3: Yeah, hmmm.

640
00:32:36,320 --> 00:32:38,840
Speaker 1: All our main characters are waiting patiently, but Eric is

641
00:32:38,840 --> 00:32:40,920
Speaker 1: staring at to Panga with a fire in his eyes.

642
00:32:41,480 --> 00:32:44,080
Speaker 1: She beat me up, Jack. Jack tells him to let

643
00:32:44,080 --> 00:32:46,280
Speaker 1: it go, but Eric is focused. How can I let

644
00:32:46,360 --> 00:32:54,000
Speaker 1: it go when it haunts my very thought? Is it's

645
00:32:54,120 --> 00:32:55,200
Speaker 1: such a funny line.

646
00:32:55,440 --> 00:32:57,000
Speaker 3: Yeah.

647
00:32:57,040 --> 00:32:59,080
Speaker 1: He looks out into the distance and a thought bubble

648
00:32:59,080 --> 00:33:01,840
Speaker 1: appears over his head, replaying the highlights from their fight

649
00:33:01,960 --> 00:33:05,040
Speaker 1: last episode. In a rare occurrence of Boy Meets World continuity,

650
00:33:05,680 --> 00:33:09,239
Speaker 1: Eric Eric Declaire's Eric Matthews will not be beaten up

651
00:33:09,240 --> 00:33:13,800
Speaker 1: by a woman. Not yet. I don't understand that, but.

652
00:33:15,400 --> 00:33:16,600
Speaker 3: He gets it in his head.

653
00:33:17,080 --> 00:33:17,520
Speaker 1: It makes sense.

654
00:33:17,920 --> 00:33:20,040
Speaker 3: It comes down with Eric. It's like I understand what

655
00:33:20,040 --> 00:33:20,360
Speaker 3: I'm saying.

656
00:33:20,440 --> 00:33:22,600
Speaker 1: Yeah, it makes sense to you. Jack begs him to

657
00:33:22,600 --> 00:33:24,640
Speaker 1: get over it, but Eric refuses to do so until

658
00:33:24,680 --> 00:33:27,760
Speaker 1: he gets his revenge, and he will get his revenge.

659
00:33:28,200 --> 00:33:31,520
Speaker 1: Then Phoene calls for everyone's attention before introducing Angela's father,

660
00:33:32,040 --> 00:33:35,800
Speaker 1: Master Sergeant Alvin Moore. Phoene proudly mentions that he served

661
00:33:35,840 --> 00:33:38,160
Speaker 1: his country in the navy, and Eric stands up and

662
00:33:38,200 --> 00:33:42,920
Speaker 1: angrily declares England doesn't have a navy, you liar. Phoene

663
00:33:42,960 --> 00:33:46,000
Speaker 1: is rightfully confused, and Eric proudly sits back down.

664
00:33:46,240 --> 00:33:48,640
Speaker 3: And there's no it's such a non sequitor. It belongs

665
00:33:48,640 --> 00:33:51,360
Speaker 3: to nowhere. It's just standing up and saying something and

666
00:33:51,400 --> 00:33:54,160
Speaker 3: then looking back you said it and sitting back down. Great.

667
00:33:54,480 --> 00:33:55,080
Speaker 5: I love those.

668
00:33:55,720 --> 00:33:57,600
Speaker 1: Corey and Sean are sitting next to each other, and

669
00:33:57,760 --> 00:34:00,960
Speaker 1: like anyone watching, Corey doesn't understand why any of them

670
00:34:01,000 --> 00:34:03,360
Speaker 1: are at this meeting in the first place. None of

671
00:34:03,400 --> 00:34:05,600
Speaker 1: them are going to join the ROTC. What could this

672
00:34:05,640 --> 00:34:08,920
Speaker 1: guy possibly say that would interest us? On cue, the

673
00:34:08,960 --> 00:34:11,960
Speaker 1: sergeant asks anybody here unhappy with the way their life

674
00:34:12,040 --> 00:34:15,160
Speaker 1: is going, and every single person in the audience raises

675
00:34:15,200 --> 00:34:16,920
Speaker 1: their hands, even Foeni.

676
00:34:17,880 --> 00:34:21,120
Speaker 2: Strange little end to the scene. I know where's this going?

677
00:34:21,200 --> 00:34:22,239
Speaker 3: What is this? You know?

678
00:34:22,239 --> 00:34:23,440
Speaker 2: But I guess it's just we got to get the

679
00:34:23,440 --> 00:34:26,160
Speaker 2: information about about Eric, get all the characters in a

680
00:34:26,239 --> 00:34:26,720
Speaker 2: room together.

681
00:34:26,760 --> 00:34:30,360
Speaker 1: But well, I do think that the point of it was,

682
00:34:31,280 --> 00:34:35,160
Speaker 1: how do you convince anyone who doesn't already know they're

683
00:34:35,200 --> 00:34:38,160
Speaker 1: interested in going to the army, how do you convince

684
00:34:38,239 --> 00:34:40,680
Speaker 1: them that the army might be for them? And so

685
00:34:41,200 --> 00:34:47,799
Speaker 1: if somebody's opening line is about being discontent, and you go, oh,

686
00:34:47,800 --> 00:34:50,439
Speaker 1: that's me, and you realize, now all these people think

687
00:34:50,640 --> 00:34:52,799
Speaker 1: this is for me, maybe this is for me. And

688
00:34:52,840 --> 00:34:55,160
Speaker 1: so I think it's kind of just to show, like.

689
00:34:55,719 --> 00:34:58,680
Speaker 2: Kind I guess, to set up that Sean, yeah, will

690
00:34:58,760 --> 00:35:01,120
Speaker 2: join the army, you know, actually a reason not just

691
00:35:01,239 --> 00:35:02,120
Speaker 2: do it because.

692
00:35:01,880 --> 00:35:04,160
Speaker 1: Of one of Angela both exactly.

693
00:35:04,080 --> 00:35:05,840
Speaker 2: Which I mean, I wish I could have been expanded

694
00:35:05,840 --> 00:35:08,759
Speaker 2: a little bit more, because, you know, not a bad

695
00:35:08,800 --> 00:35:09,720
Speaker 2: idea for Sean.

696
00:35:09,880 --> 00:35:12,520
Speaker 3: That's all I was thinking the entire episode is the

697
00:35:12,840 --> 00:35:16,560
Speaker 3: military might be an amazing way to take his life.

698
00:35:16,680 --> 00:35:20,160
Speaker 2: Yes, it says, he says it, you know, like which

699
00:35:20,200 --> 00:35:22,040
Speaker 2: a choreo, and it's like, yeah, it's actually a pretty

700
00:35:22,080 --> 00:35:25,080
Speaker 2: good argument. But I kind of, you know, it obviously

701
00:35:25,280 --> 00:35:27,760
Speaker 2: just gets the rug pulled out from underneath it.

702
00:35:27,840 --> 00:35:30,560
Speaker 1: And it would have been great if Sean had his

703
00:35:30,600 --> 00:35:34,000
Speaker 1: own Yale situation where Angela says I love you and

704
00:35:34,120 --> 00:35:36,799
Speaker 1: he says, I'm not going because I want to stay

705
00:35:36,840 --> 00:35:39,440
Speaker 1: with you or you know something.

706
00:35:40,160 --> 00:35:42,600
Speaker 3: If you signed the paperwork, you're going.

707
00:35:43,440 --> 00:35:45,359
Speaker 5: So that was the other problem, when.

708
00:35:45,280 --> 00:35:46,440
Speaker 1: You can't change your mind.

709
00:35:46,719 --> 00:35:47,160
Speaker 5: I don't know.

710
00:35:47,320 --> 00:35:50,120
Speaker 3: I mean there must be some kind of I would imagine,

711
00:35:50,120 --> 00:35:50,879
Speaker 3: but I think it's yeah.

712
00:35:50,920 --> 00:35:52,520
Speaker 2: I think you can break your contract. You just to

713
00:35:52,560 --> 00:35:53,799
Speaker 2: pay your way out of it.

714
00:35:53,920 --> 00:35:54,880
Speaker 5: I think maybe I don't know.

715
00:35:54,920 --> 00:35:56,399
Speaker 3: I honestly don't know what it is, but I think

716
00:35:56,400 --> 00:35:58,120
Speaker 3: once you sign up, you're kind of you're going.

717
00:35:58,520 --> 00:35:59,759
Speaker 2: Yeah, they can.

718
00:36:00,680 --> 00:36:03,439
Speaker 1: I don't think they kidnapped you out of your bed.

719
00:36:03,760 --> 00:36:06,520
Speaker 3: It's a deal, like I'm making a deal with you.

720
00:36:06,680 --> 00:36:09,520
Speaker 2: I mean, yeah, you're a deserter. If you actually leave

721
00:36:09,600 --> 00:36:17,040
Speaker 2: the military, Yeah, it's very bad, very bad, very bad.

722
00:36:17,640 --> 00:36:20,680
Speaker 1: Then we're in the university jim Master Sergeant Moore, dressed

723
00:36:20,680 --> 00:36:23,279
Speaker 1: in his combat uniform, jogs in with Sean keeping up

724
00:36:23,360 --> 00:36:26,160
Speaker 1: right behind him. The sergeant chance, I don't know what

725
00:36:26,239 --> 00:36:29,080
Speaker 1: I've been told, and a sweaty Sean repeats after him.

726
00:36:29,360 --> 00:36:30,960
Speaker 1: Then the sergeant realizes.

727
00:36:30,600 --> 00:36:38,160
Speaker 2: That necklace just like why why the lobster's not there?

728
00:36:38,200 --> 00:36:40,799
Speaker 2: But I represented her with the the It's like just

729
00:36:40,800 --> 00:36:42,719
Speaker 2: took it in.

730
00:36:42,960 --> 00:36:46,160
Speaker 1: Tig it in. Then the sergeant realizes no one else

731
00:36:46,200 --> 00:36:49,120
Speaker 1: is with him. Where the hell is everybody? Sewn jogs

732
00:36:49,120 --> 00:36:52,200
Speaker 1: in place and chance again, where the hell is everybody?

733
00:36:52,560 --> 00:36:56,000
Speaker 1: Angela's dad tells him to stop it, so Sean melodically repeats,

734
00:36:56,080 --> 00:37:00,000
Speaker 1: stop it popping. The sergeant gets up in Sean's face.

735
00:37:00,160 --> 00:37:02,480
Speaker 1: You're trying to be cute with me, boy. Sean ponders

736
00:37:02,480 --> 00:37:03,480
Speaker 1: the question for a moment.

737
00:37:04,200 --> 00:37:08,680
Speaker 2: Maybe when this episode started, I was like, what's wrong

738
00:37:08,719 --> 00:37:11,720
Speaker 2: with my voice? Like it sounded like my voice was strained.

739
00:37:11,760 --> 00:37:13,800
Speaker 2: And then I realized, like, oh, it's because I'm yelling

740
00:37:14,520 --> 00:37:16,760
Speaker 2: in this scene. And then I'm yelling in the pushing

741
00:37:16,800 --> 00:37:19,520
Speaker 2: the doorway, yeah, this push up scene. But then also

742
00:37:19,520 --> 00:37:20,960
Speaker 2: in the first scene, I was yelling. So I think

743
00:37:21,000 --> 00:37:23,400
Speaker 2: throughout the like these two days of like you know,

744
00:37:23,440 --> 00:37:26,080
Speaker 2: pre tape and tape day, like I was losing my

745
00:37:26,120 --> 00:37:29,920
Speaker 2: voice because.

746
00:37:28,200 --> 00:37:30,359
Speaker 1: You also had all that rehearsal and run through. So

747
00:37:30,360 --> 00:37:31,600
Speaker 1: it's totally and.

748
00:37:31,520 --> 00:37:33,520
Speaker 2: I always overdo it with my voice, like I blow

749
00:37:33,560 --> 00:37:35,480
Speaker 2: up my voice constant, especially back then, like I.

750
00:37:35,480 --> 00:37:39,960
Speaker 1: Just never thought that little wasspy voice so bad. Then

751
00:37:40,040 --> 00:37:42,320
Speaker 1: the rest of the r OTC recruits, led by Corey,

752
00:37:42,360 --> 00:37:46,080
Speaker 1: come waltzing in carrying food, Ben taking a giant bite

753
00:37:46,120 --> 00:37:49,279
Speaker 1: of something right before he talks, and then laughing his

754
00:37:49,320 --> 00:37:49,840
Speaker 1: way through it.

755
00:37:50,040 --> 00:37:51,520
Speaker 5: Did you watch ryder if you.

756
00:37:53,239 --> 00:37:56,279
Speaker 3: Face? He's losing it, losing it as Ben because he

757
00:37:56,400 --> 00:37:59,000
Speaker 3: was so.

758
00:38:00,719 --> 00:38:03,160
Speaker 2: He comes to comes to life when he has like

759
00:38:03,400 --> 00:38:06,839
Speaker 2: story pressure taken off. Yes, he's like, hey, you don't

760
00:38:06,840 --> 00:38:08,520
Speaker 2: have to carry this whole show. You don't have to

761
00:38:08,560 --> 00:38:11,319
Speaker 2: convince anybody of the intense you have your emotion. You

762
00:38:11,360 --> 00:38:14,520
Speaker 2: could just be funny. He's the funniest human being.

763
00:38:14,560 --> 00:38:19,359
Speaker 5: Like he's, Oh my god, it's dying phenomenally good.

764
00:38:19,440 --> 00:38:23,160
Speaker 1: It's so hysterical. Corey explains, we went to burgers and such.

765
00:38:23,920 --> 00:38:27,520
Speaker 1: They brought him a burger, a burger, a fish filet,

766
00:38:27,560 --> 00:38:30,680
Speaker 1: and a finger puppet. On cue, a little army puppet

767
00:38:30,680 --> 00:38:33,440
Speaker 1: appears on the sergeant's shoulder. A high pitched Eric voice

768
00:38:33,560 --> 00:38:36,400
Speaker 1: is the character I'm the sergeant of the whole army,

769
00:38:36,800 --> 00:38:40,560
Speaker 1: look at you. Sergeant Moore grabs Eric's finger and twists it.

770
00:38:40,719 --> 00:38:43,719
Speaker 1: Eric shouts in protest and falls to the ground. We

771
00:38:43,800 --> 00:38:45,719
Speaker 1: cut to later in the gym, all the boys are

772
00:38:45,760 --> 00:38:48,799
Speaker 1: passed out on various machines. Eric is asleep in a

773
00:38:48,880 --> 00:38:53,239
Speaker 1: garbage can holding a white Okay, so, like do you

774
00:38:53,239 --> 00:38:54,040
Speaker 1: think that was just you?

775
00:38:54,719 --> 00:38:56,600
Speaker 3: Like, no, that had to have been in the My

776
00:38:56,640 --> 00:38:59,759
Speaker 3: guess is that's because they mentioned it, like he's he's like,

777
00:38:59,800 --> 00:39:00,960
Speaker 3: he's even you go one of you, one of.

778
00:39:00,960 --> 00:39:03,680
Speaker 5: Your friends is even surrendering in a garbage can, like okay.

779
00:39:04,280 --> 00:39:04,960
Speaker 3: It to no.

780
00:39:05,080 --> 00:39:06,879
Speaker 1: I mean they must have had something for your butt

781
00:39:06,920 --> 00:39:09,960
Speaker 1: to be resting on, because like there's no way that

782
00:39:10,040 --> 00:39:11,640
Speaker 1: was comfortable to be in for this, That's what I mean.

783
00:39:11,760 --> 00:39:16,280
Speaker 2: All I'm watching what it is, I'm watching this episode

784
00:39:16,320 --> 00:39:19,640
Speaker 2: and the whole time, just like Jeff and Will killing it. Like,

785
00:39:20,000 --> 00:39:22,360
Speaker 2: how do you make sitting in a garbage can work? Okay,

786
00:39:22,440 --> 00:39:24,000
Speaker 2: you figure it out physically, you have to do it.

787
00:39:24,040 --> 00:39:26,480
Speaker 2: How do you make a walking tree funny? How do

788
00:39:26,520 --> 00:39:29,320
Speaker 2: you make a you know, get in that the glass

789
00:39:29,320 --> 00:39:32,520
Speaker 2: display case? Like that's like crazy to make that work,

790
00:39:32,560 --> 00:39:34,719
Speaker 2: And you guys made it work so well and it's

791
00:39:34,800 --> 00:39:37,560
Speaker 2: like so much and so for me, the key is

792
00:39:37,680 --> 00:39:40,200
Speaker 2: the key to his directing is the sound design, the

793
00:39:40,239 --> 00:39:43,160
Speaker 2: way he uses the like bom and the change in

794
00:39:43,200 --> 00:39:45,560
Speaker 2: the music tone every time the scene needs to be

795
00:39:45,600 --> 00:39:48,960
Speaker 2: whether you're like looking at too pang or not that's brilliant,

796
00:39:49,040 --> 00:39:50,880
Speaker 2: and that's not in the script like this doesn't you

797
00:39:50,880 --> 00:39:53,239
Speaker 2: can't you know, that's a director having to know, like, Okay,

798
00:39:53,320 --> 00:39:55,320
Speaker 2: the only way this is going to be funny is

799
00:39:55,360 --> 00:39:57,440
Speaker 2: if we tell the audience it's over dramatic with the

800
00:39:57,680 --> 00:40:00,600
Speaker 2: music like tom or like when you're in the play case,

801
00:40:00,680 --> 00:40:02,400
Speaker 2: like okay, that's kind of funny. But when you make

802
00:40:02,440 --> 00:40:05,200
Speaker 2: the choice to put your nose like Hannibal Lecter, like

803
00:40:05,320 --> 00:40:08,919
Speaker 2: you're just suddenly a psychopath, and it's way funnier. It's

804
00:40:08,920 --> 00:40:10,759
Speaker 2: like sometimes funnier than it would have been if you

805
00:40:10,800 --> 00:40:13,040
Speaker 2: were just there, right, It's like, yeah, just a small

806
00:40:13,080 --> 00:40:15,120
Speaker 2: thing like that, and it suddenly it takes it over

807
00:40:15,120 --> 00:40:16,319
Speaker 2: the edge. Man, it's so good.

808
00:40:16,400 --> 00:40:18,520
Speaker 3: This is why I remember loving season seven so much,

809
00:40:18,560 --> 00:40:20,239
Speaker 3: is because I just got to do this stuff. Yeah,

810
00:40:20,239 --> 00:40:21,120
Speaker 3: the first season I.

811
00:40:21,040 --> 00:40:23,640
Speaker 2: Just got to play You're literally just walking into and

812
00:40:23,760 --> 00:40:25,839
Speaker 2: have a ridiculous situation. You're like, how do I make

813
00:40:25,840 --> 00:40:26,920
Speaker 2: this as funny as possible?

814
00:40:27,680 --> 00:40:30,520
Speaker 3: It's fun cannot go big enough in season seven area,

815
00:40:30,640 --> 00:40:33,200
Speaker 3: which is which is great. It's like never once did

816
00:40:33,200 --> 00:40:34,680
Speaker 3: I get to know, Yeah, maybe you need to pull

817
00:40:34,719 --> 00:40:36,000
Speaker 3: that back a little like that never happened.

818
00:40:36,440 --> 00:40:36,920
Speaker 5: And that's that.

819
00:40:37,080 --> 00:40:39,160
Speaker 3: That was why I remember went back at season seven,

820
00:40:39,200 --> 00:40:42,040
Speaker 3: like I don't remember the episodes. The beats and the

821
00:40:42,120 --> 00:40:45,600
Speaker 3: beats are so fun fun that, yeah, it was, It

822
00:40:45,640 --> 00:40:46,319
Speaker 3: was great.

823
00:40:46,560 --> 00:40:48,719
Speaker 1: But Sean is still at it doing push ups, as

824
00:40:48,719 --> 00:40:51,200
Speaker 1: the sergeant shouts at him, what are you trying to prove? Hunter?

825
00:40:51,440 --> 00:40:53,400
Speaker 1: You're the one who dropped my daughter. Why are you

826
00:40:53,440 --> 00:40:55,960
Speaker 1: working so hard to impress me? Why don't you impress

827
00:40:55,960 --> 00:40:59,040
Speaker 1: your own father? Sean shouts back, my father's dead, sir.

828
00:40:59,480 --> 00:41:02,280
Speaker 1: The sergeant tells him to impress his mother. Then Sean

829
00:41:02,360 --> 00:41:06,000
Speaker 1: yell's back. My mother's gone too, sir. Sean explains that

830
00:41:06,080 --> 00:41:06,960
Speaker 1: she abandoned them.

831
00:41:07,080 --> 00:41:09,719
Speaker 2: I just remembered. I completely forgotten about this, but I

832
00:41:09,760 --> 00:41:13,920
Speaker 2: remember we were doing this scene and you know, I

833
00:41:13,920 --> 00:41:15,520
Speaker 2: had to do push ups, like I had to keep

834
00:41:15,800 --> 00:41:19,640
Speaker 2: push up a bunch. I remember, you know, just because

835
00:41:19,640 --> 00:41:21,080
Speaker 2: I hadn't even thought about it. He just has an

836
00:41:21,080 --> 00:41:23,080
Speaker 2: actor just do it and doing rehearsals and stuff. But

837
00:41:23,160 --> 00:41:24,839
Speaker 2: then I was like on tape night, when we were

838
00:41:24,840 --> 00:41:27,600
Speaker 2: on like take three or whatever, you know, I was like,

839
00:41:28,040 --> 00:41:31,719
Speaker 2: and I remember Michael coming over, and you know, at

840
00:41:31,760 --> 00:41:34,440
Speaker 2: first being like, you know, this is a great this

841
00:41:34,480 --> 00:41:35,680
Speaker 2: is the best thing you can do for your body,

842
00:41:35,680 --> 00:41:37,160
Speaker 2: Like push ups are really you know, He's like, I

843
00:41:37,200 --> 00:41:39,480
Speaker 2: do push ups all the time. I can I can

844
00:41:39,520 --> 00:41:41,440
Speaker 2: do a lot of push ups, and like I remember

845
00:41:41,440 --> 00:41:43,320
Speaker 2: me and I feel like it was Matt Lawrence, but

846
00:41:43,320 --> 00:41:44,400
Speaker 2: I don't even think he's in the scene, but I

847
00:41:44,440 --> 00:41:47,000
Speaker 2: remember us being like really and he's like, you know,

848
00:41:47,080 --> 00:41:48,920
Speaker 2: he's like, yeah, this is getting hard for you because

849
00:41:49,320 --> 00:41:51,880
Speaker 2: you know, push ups are push ups are easy. And

850
00:41:51,880 --> 00:41:53,960
Speaker 2: so he kept doing this bit where he's like, I'll

851
00:41:54,000 --> 00:41:56,360
Speaker 2: do I'll do more push ups than you in a

852
00:41:56,480 --> 00:41:59,080
Speaker 2: row right now. And I'd be like, oh, okay, and

853
00:41:59,080 --> 00:42:00,719
Speaker 2: then the bell would ring and to go to do it.

854
00:42:01,560 --> 00:42:03,360
Speaker 2: He kept doing it throughout the night. He'd be like, okay,

855
00:42:03,360 --> 00:42:05,479
Speaker 2: now I'll do it. Let's clear the floor. I'm gonna

856
00:42:05,480 --> 00:42:08,239
Speaker 2: do Oh we gotta go. He kept a bit going

857
00:42:08,400 --> 00:42:12,600
Speaker 2: like take every Oh my god. It was a good

858
00:42:12,640 --> 00:42:14,560
Speaker 2: bit because you know, it made me laugh and I

859
00:42:14,600 --> 00:42:17,799
Speaker 2: was tired, like I had to keep doing he push up. Yeah.

860
00:42:18,000 --> 00:42:19,520
Speaker 2: So he just kept coming in and being like you

861
00:42:19,560 --> 00:42:21,320
Speaker 2: can't do this. I could do this, I'll do it

862
00:42:21,360 --> 00:42:22,600
Speaker 2: right now. And then you'd be like, oh wait, what

863
00:42:22,600 --> 00:42:26,640
Speaker 2: all we got to go? It was really good? That's

864
00:42:26,719 --> 00:42:28,160
Speaker 2: so funny.

865
00:42:28,800 --> 00:42:32,200
Speaker 1: Sean explains that she abandoned them two times now, A

866
00:42:32,200 --> 00:42:35,160
Speaker 1: bit taken aback, Sergeant Moore commands Sean to stop doing

867
00:42:35,200 --> 00:42:38,000
Speaker 1: push ups so they can talk. Sean admits that his

868
00:42:38,040 --> 00:42:40,160
Speaker 1: mother leaving really tore his father up and they never

869
00:42:40,200 --> 00:42:43,719
Speaker 1: really recovered. In fact, he hasn't trusted a relationship since

870
00:42:43,760 --> 00:42:47,040
Speaker 1: then until Angela. The sergeant breaks it to him, she

871
00:42:47,120 --> 00:42:50,440
Speaker 1: doesn't seem to like you, son, She's so good and

872
00:42:51,600 --> 00:42:55,080
Speaker 1: delivers it is perfect. He's like, I feel bad, but

873
00:42:56,239 --> 00:42:59,759
Speaker 1: she doesn't like you. But Sean argues, oh, she loves me.

874
00:42:59,840 --> 00:43:02,680
Speaker 1: So then we hear Angela. She's been standing at the

875
00:43:02,719 --> 00:43:05,560
Speaker 1: gym door. Her dad forgot about their dinner. The sergeant

876
00:43:05,560 --> 00:43:07,439
Speaker 1: admits he didn't think any of these young men could

877
00:43:07,480 --> 00:43:10,120
Speaker 1: last this long. Sean returns to his push ups and

878
00:43:10,160 --> 00:43:13,320
Speaker 1: shouts hi Angela. Angela stomps over and kicks him to

879
00:43:13,320 --> 00:43:13,720
Speaker 1: the ground.

880
00:43:13,800 --> 00:43:16,680
Speaker 2: You're right, there is a low key, real storyline about

881
00:43:16,719 --> 00:43:21,200
Speaker 2: him neglecting his daughter. Yes, like it's there. It's totally

882
00:43:21,320 --> 00:43:23,279
Speaker 2: shut up for dinner. He only cares about his work.

883
00:43:23,320 --> 00:43:24,160
Speaker 2: He's leaving again.

884
00:43:24,360 --> 00:43:26,040
Speaker 1: The minute it's over the minute. He's like, all right,

885
00:43:26,040 --> 00:43:28,040
Speaker 1: all of you guys dropped out. I'm out of here. Angela.

886
00:43:28,160 --> 00:43:30,320
Speaker 1: He doesn't like military life.

887
00:43:30,400 --> 00:43:33,960
Speaker 2: Military life, I know, but he isn't. He's not judged

888
00:43:33,960 --> 00:43:35,920
Speaker 2: for that at all. No, Like, that's not part of

889
00:43:35,960 --> 00:43:36,880
Speaker 2: the problems.

890
00:43:37,080 --> 00:43:38,080
Speaker 1: That's not part of her problem.

891
00:43:38,120 --> 00:43:40,520
Speaker 2: At Her problem is the mom walking out right.

892
00:43:41,480 --> 00:43:43,520
Speaker 5: Well, you have to imagine again going to the backstore.

893
00:43:43,560 --> 00:43:46,080
Speaker 3: You have to imagine she went with her dad from

894
00:43:46,080 --> 00:43:49,160
Speaker 3: base to base to base. They moved everywhere together. Yeah,

895
00:43:49,200 --> 00:43:51,400
Speaker 3: so it was like that kind of thing tear for

896
00:43:51,520 --> 00:43:53,879
Speaker 3: at least, and then she cares. Yeah, I mean that's

897
00:43:53,880 --> 00:43:54,200
Speaker 3: the case.

898
00:43:54,400 --> 00:43:57,000
Speaker 5: Do we ever know who she lives with in Philadelphia?

899
00:43:57,719 --> 00:43:58,880
Speaker 2: We never find that out.

900
00:43:58,680 --> 00:43:59,160
Speaker 3: Do we.

901
00:43:59,160 --> 00:44:01,160
Speaker 2: Well, she now lives she lives in the apartment. You're saying,

902
00:44:01,360 --> 00:44:02,040
Speaker 2: I'm back.

903
00:44:01,880 --> 00:44:04,399
Speaker 3: When we first met her in high school. We saw

904
00:44:04,440 --> 00:44:05,879
Speaker 3: her bedroom once, didn't we?

905
00:44:06,360 --> 00:44:07,960
Speaker 2: No, I don't think we saw it.

906
00:44:08,480 --> 00:44:10,960
Speaker 1: No, not until we were in college dorm room, the

907
00:44:10,960 --> 00:44:13,920
Speaker 1: dorm room with Tapanga, never where she was sure.

908
00:44:13,920 --> 00:44:18,280
Speaker 3: We never once. I think one time we saw Angela's.

909
00:44:17,920 --> 00:44:19,880
Speaker 1: No in the first episode where we meet her, the

910
00:44:19,920 --> 00:44:22,760
Speaker 1: Purse episode, all that where we're still in the high school.

911
00:44:22,800 --> 00:44:24,799
Speaker 1: There's never a house moment for her?

912
00:44:24,840 --> 00:44:26,880
Speaker 3: What about prom? Where are they picked up for prom?

913
00:44:27,280 --> 00:44:29,839
Speaker 2: A house or Penga's house?

914
00:44:30,239 --> 00:44:30,759
Speaker 3: Is it okay?

915
00:44:30,960 --> 00:44:36,600
Speaker 2: Because shows up technically.

916
00:44:36,200 --> 00:44:39,720
Speaker 3: Three seasons and we literally know nothing about her character.

917
00:44:40,120 --> 00:44:42,160
Speaker 3: I don't know anything about her home life at all,

918
00:44:42,200 --> 00:44:44,680
Speaker 3: even at who her parents are, what they were, nothing

919
00:44:44,760 --> 00:44:48,279
Speaker 3: until now. That's pretty amazing for a regular on a

920
00:44:48,320 --> 00:44:49,759
Speaker 3: show for three seasons.

921
00:44:50,040 --> 00:44:50,360
Speaker 1: Yes.

922
00:44:50,480 --> 00:44:50,800
Speaker 3: Wow.

923
00:44:51,160 --> 00:44:53,680
Speaker 1: She points a finger in his face and sternly explains,

924
00:44:53,880 --> 00:44:56,040
Speaker 1: you can't get to me through him. I don't care

925
00:44:56,080 --> 00:44:58,319
Speaker 1: if you impress my father and he ends up liking you,

926
00:44:58,400 --> 00:45:00,520
Speaker 1: it doesn't change how I I feel.

927
00:45:01,480 --> 00:45:04,480
Speaker 2: Yeah, pretty good? Uh, pretty good logic there.

928
00:45:04,440 --> 00:45:05,480
Speaker 1: Yeah, okay.

929
00:45:05,719 --> 00:45:10,800
Speaker 2: Gaslighting is love, Sean says, enough, do you see that flicker?

930
00:45:10,960 --> 00:45:14,640
Speaker 2: That's love? The flicker of the lights is love. So love.

931
00:45:15,880 --> 00:45:19,360
Speaker 2: Gas Lighting is love is maybe my favorite line that

932
00:45:19,520 --> 00:45:24,000
Speaker 2: is Burch, No, no, honey, gas lighting is love.

933
00:45:24,320 --> 00:45:25,080
Speaker 3: Lighting is love.

934
00:45:26,760 --> 00:45:28,480
Speaker 2: I mean, you know you really love somebody is when

935
00:45:28,480 --> 00:45:30,400
Speaker 2: you're gaslighting them the hardest.

936
00:45:30,640 --> 00:45:31,359
Speaker 3: Exactly.

937
00:45:32,800 --> 00:45:35,200
Speaker 2: Most people go gaslight hard enough. You've got to get

938
00:45:35,239 --> 00:45:37,000
Speaker 2: in there and gaslight them.

939
00:45:37,120 --> 00:45:40,640
Speaker 3: You only gaslight me to like you, not enough to

940
00:45:40,719 --> 00:45:41,080
Speaker 3: love you.

941
00:45:42,640 --> 00:45:49,560
Speaker 1: Gaslight love Bombney exactly. Sean says he knows how she feels,

942
00:45:49,800 --> 00:45:54,440
Speaker 1: and her dad chimes in. He says, that you love him.

943
00:45:54,719 --> 00:45:57,400
Speaker 1: Angela shakes her head, Well I don't.

944
00:46:00,560 --> 00:46:01,800
Speaker 5: It seems pretty definitive.

945
00:46:02,120 --> 00:46:07,239
Speaker 1: Yes, Sean is shocked and Angela holds nothing back. I

946
00:46:07,280 --> 00:46:07,840
Speaker 1: don't love you.

947
00:46:09,520 --> 00:46:12,520
Speaker 2: I mean, my god, dude, say it out loud, yo,

948
00:46:13,000 --> 00:46:15,080
Speaker 2: not only in this scene the neck in the kitchen

949
00:46:15,560 --> 00:46:18,520
Speaker 2: apartment later, like she's looking somebody in the eyes and

950
00:46:18,560 --> 00:46:20,160
Speaker 2: saying I don't love you. I don't want to be

951
00:46:20,200 --> 00:46:23,240
Speaker 2: in a relationship with you, and like nobody respects it.

952
00:46:23,160 --> 00:46:26,160
Speaker 1: To be there. I want to point out that when

953
00:46:26,239 --> 00:46:28,960
Speaker 1: she says the I don't love you part, it is

954
00:46:29,000 --> 00:46:32,480
Speaker 1: delivered in a way, a nuanced way where you can

955
00:46:32,600 --> 00:46:34,480
Speaker 1: tell there's more under it.

956
00:46:34,680 --> 00:46:36,680
Speaker 3: Sure she's so, I'm sorry, Danielle. I want to make

957
00:46:36,680 --> 00:46:38,920
Speaker 3: sure I have this right. No doesn't always mean no.

958
00:46:41,280 --> 00:46:43,320
Speaker 2: That is not what I'm getting from you, Danielle.

959
00:46:43,520 --> 00:46:47,200
Speaker 1: Not what I'm saying. I just when I read it,

960
00:46:47,560 --> 00:46:53,480
Speaker 1: I'm not I'm not performing the way Trina can do.

961
00:46:53,840 --> 00:46:55,279
Speaker 1: And there there was.

962
00:46:58,000 --> 00:47:01,120
Speaker 5: I love you so her eyes were saying yes.

963
00:47:03,800 --> 00:47:10,480
Speaker 1: An episode of pot Metal, Okay, she says I don't

964
00:47:10,520 --> 00:47:14,279
Speaker 1: love you. The sergeant admits, I am extremely uncomfortable.

965
00:47:16,120 --> 00:47:18,719
Speaker 3: He was just standing there staring straight out.

966
00:47:18,760 --> 00:47:19,759
Speaker 5: I am uncomfortable.

967
00:47:20,040 --> 00:47:24,280
Speaker 1: But the conversation continues nonetheless. Sean says he knows Angela

968
00:47:24,320 --> 00:47:27,040
Speaker 1: loves him, he just doesn't know why. She stops herself.

969
00:47:27,560 --> 00:47:35,080
Speaker 1: Angela repeats herself, I don't love you. I can't love you.

970
00:47:35,760 --> 00:47:39,640
Speaker 1: Sean asks why not, and she just storms off. On

971
00:47:39,719 --> 00:47:42,760
Speaker 1: her way out, she pushes Eric's trash cant of the ground,

972
00:47:43,680 --> 00:47:45,600
Speaker 1: placing his feet on the ground. And you look like

973
00:47:45,600 --> 00:47:48,160
Speaker 1: you're in an even more uncomfortable position.

974
00:47:48,239 --> 00:47:51,239
Speaker 3: Was s Do you remember how fun it was to

975
00:47:51,280 --> 00:47:54,279
Speaker 3: be in a scene with blocking where you didn't have

976
00:47:54,360 --> 00:48:01,399
Speaker 3: to do anything, Yes, the chair the whole time, sitting

977
00:48:01,400 --> 00:48:02,200
Speaker 3: a trash can like.

978
00:48:03,600 --> 00:48:10,080
Speaker 2: That was got to laugh you no responsibility. It was awesome, right,

979
00:48:10,160 --> 00:48:12,240
Speaker 2: That is like the greatest feeling in the Wars.

980
00:48:12,360 --> 00:48:12,920
Speaker 3: So fun.

981
00:48:13,040 --> 00:48:17,600
Speaker 1: Imember that the sergeant runs after her as Sean just

982
00:48:17,680 --> 00:48:18,680
Speaker 1: watches on in shock.

983
00:48:19,160 --> 00:48:21,760
Speaker 2: I mean, especially with Ben, because Ben would be trying

984
00:48:21,760 --> 00:48:24,360
Speaker 2: to make you laugh or like doofing off, or like

985
00:48:24,440 --> 00:48:27,080
Speaker 2: having like little side inside jokes about the scene that

986
00:48:27,120 --> 00:48:29,920
Speaker 2: you were that you were watching so much fun, so

987
00:48:30,080 --> 00:48:32,280
Speaker 2: much Corey tabanga.

988
00:48:32,360 --> 00:48:34,400
Speaker 1: Rachel and Jack are studying when Eric's head pops up

989
00:48:34,400 --> 00:48:36,640
Speaker 1: from behind the couch. He's still creeping on to Bangu

990
00:48:36,719 --> 00:48:40,359
Speaker 1: plotting revenge. His eerie music plays in the background. Jack

991
00:48:40,480 --> 00:48:43,359
Speaker 1: is disturbed they should lock him up to Pega gets

992
00:48:43,440 --> 00:48:45,800
Speaker 1: up to grab a coffee and passes by a table

993
00:48:45,840 --> 00:48:47,440
Speaker 1: of what appears to be No, I'm not grabbing a

994
00:48:47,440 --> 00:48:48,399
Speaker 1: Coffee'm getting a muffin.

995
00:48:48,600 --> 00:48:51,480
Speaker 3: You were getting getting a muffin? Gets it?

996
00:48:52,239 --> 00:48:54,080
Speaker 1: I thought so too, with some crumble on top.

997
00:48:54,160 --> 00:48:55,319
Speaker 3: Perhaps I saw that as well.

998
00:48:57,200 --> 00:48:59,759
Speaker 2: An pantone.

999
00:48:59,800 --> 00:49:02,680
Speaker 1: No o, god do they make That's what they should do,

1000
00:49:02,800 --> 00:49:03,719
Speaker 1: like mini cupcakes and.

1001
00:49:04,960 --> 00:49:06,040
Speaker 3: Smart That's great.

1002
00:49:06,600 --> 00:49:08,919
Speaker 1: That doesn't make sense to me because I don't Yeah,

1003
00:49:09,960 --> 00:49:11,520
Speaker 1: I had. I had to google how to cut it?

1004
00:49:11,560 --> 00:49:12,799
Speaker 1: Did you have to google how to cut it?

1005
00:49:13,320 --> 00:49:13,400
Speaker 4: Me?

1006
00:49:13,920 --> 00:49:17,560
Speaker 1: Yeah? Any it's this giant odd It was like shaped

1007
00:49:17,600 --> 00:49:20,359
Speaker 1: like a chef's chef's hat. So I was like, well,

1008
00:49:20,360 --> 00:49:21,000
Speaker 1: what part.

1009
00:49:20,840 --> 00:49:22,440
Speaker 2: Am I supposed to this slice?

1010
00:49:22,480 --> 00:49:25,800
Speaker 3: You take your shirt and pants off, you your and

1011
00:49:25,960 --> 00:49:27,400
Speaker 3: you're shoving your face.

1012
00:49:29,320 --> 00:49:31,600
Speaker 1: My gosh, we just got more.

1013
00:49:31,680 --> 00:49:33,120
Speaker 2: More the love plate.

1014
00:49:35,440 --> 00:49:38,560
Speaker 3: You put on, put on sounds of the jungle, rub

1015
00:49:38,560 --> 00:49:39,480
Speaker 3: it all over yourself.

1016
00:49:39,719 --> 00:49:47,399
Speaker 5: Oh yes, I.

1017
00:49:47,360 --> 00:49:48,799
Speaker 3: Still have to wash my loincloth.

1018
00:49:48,840 --> 00:49:54,960
Speaker 2: It's awesome, my gosh, pan.

1019
00:49:56,800 --> 00:49:57,920
Speaker 3: Doesn't it's the question?

1020
00:50:00,080 --> 00:50:02,680
Speaker 1: Oh t Penga gets up to grab a muffin and

1021
00:50:02,719 --> 00:50:05,240
Speaker 1: passes by a table of what appears to be three girls,

1022
00:50:05,560 --> 00:50:08,600
Speaker 1: but one of the ladies slowly lifts her head and

1023
00:50:08,760 --> 00:50:09,800
Speaker 1: it's Eric.

1024
00:50:10,719 --> 00:50:16,520
Speaker 5: Now, either they stuffed my bra or my cleavage is there?

1025
00:50:18,280 --> 00:50:20,719
Speaker 5: It's one or two of those things, because.

1026
00:50:20,520 --> 00:50:22,600
Speaker 1: You you've always said you have pretty good cleavage.

1027
00:50:22,640 --> 00:50:24,040
Speaker 5: I have great cleavage, man.

1028
00:50:24,040 --> 00:50:26,120
Speaker 1: I think they put you in a bra and maybe

1029
00:50:26,200 --> 00:50:27,600
Speaker 1: added some some oomph.

1030
00:50:28,480 --> 00:50:30,080
Speaker 2: God, this is funny though, and this is where the

1031
00:50:30,120 --> 00:50:34,360
Speaker 2: sound design sells everything, Like every time the spy music

1032
00:50:34,520 --> 00:50:36,000
Speaker 2: is down, only it's.

1033
00:50:36,040 --> 00:50:38,360
Speaker 1: So funny and your eyebrow, how you are.

1034
00:50:38,280 --> 00:50:41,839
Speaker 2: Just I'm impressed that the background actors that you're working

1035
00:50:41,880 --> 00:50:43,960
Speaker 2: with could keep it together, because like at one point

1036
00:50:44,000 --> 00:50:45,920
Speaker 2: you're like look over her shoulder, like you're looking at

1037
00:50:45,920 --> 00:50:48,160
Speaker 2: something with her. I'm like, how did these they kept it?

1038
00:50:48,239 --> 00:50:51,160
Speaker 1: It's so funny, so much fun You were wearing a

1039
00:50:51,200 --> 00:50:54,200
Speaker 1: summer bonnet and floral dress to Panga sense is something

1040
00:50:54,320 --> 00:50:57,160
Speaker 1: is wrong and the eerie music plays again. This disturbing

1041
00:50:57,280 --> 00:50:59,439
Speaker 1: version of Eric stares at her with a devilish grin,

1042
00:50:59,480 --> 00:51:01,200
Speaker 1: and every time and Banga turns her head to look

1043
00:51:01,200 --> 00:51:04,440
Speaker 1: at him, he's able to avoid detection. Jack and Rachel

1044
00:51:04,520 --> 00:51:07,879
Speaker 1: watch on in horror, and Topanga is now paranoid. Just then,

1045
00:51:08,040 --> 00:51:11,040
Speaker 1: Sean walks in wearing an army uniform and explains I

1046
00:51:11,120 --> 00:51:14,680
Speaker 1: joined the army. Corey can't believe this, and Angela isn't impressed.

1047
00:51:14,960 --> 00:51:17,360
Speaker 1: Did you do this for me? When he can't answer,

1048
00:51:17,440 --> 00:51:21,000
Speaker 1: she disappointingly pushes past him as she leaves. Her dad enters,

1049
00:51:21,000 --> 00:51:24,000
Speaker 1: and she's angry with him too. Corey tries to snap

1050
00:51:24,040 --> 00:51:27,719
Speaker 1: some sense back into his best friend. Okay, the plan backfired.

1051
00:51:27,760 --> 00:51:30,680
Speaker 1: Can you take off the uniform now? Sean shrugs. Look,

1052
00:51:30,960 --> 00:51:33,080
Speaker 1: I don't have Angela anymore. I don't have a family

1053
00:51:33,120 --> 00:51:35,319
Speaker 1: at all. I've got nothing. Really, this is the best

1054
00:51:35,360 --> 00:51:38,400
Speaker 1: thing for me. We had a little army horn and

1055
00:51:38,440 --> 00:51:40,360
Speaker 1: an intense commercial break.

1056
00:51:42,000 --> 00:51:45,719
Speaker 2: Yeah, all our music was military inflicted this week. The

1057
00:51:45,760 --> 00:51:47,839
Speaker 2: little you know you know it's a military song. When

1058
00:51:47,840 --> 00:51:50,000
Speaker 2: you hear that drum roll, like the snare drum roll,

1059
00:51:50,080 --> 00:51:56,520
Speaker 2: like the civil war backgrounds music. Yeah, it's such a

1060
00:51:56,560 --> 00:51:59,799
Speaker 2: funny cue that civil war voice coming at work.

1061
00:52:00,040 --> 00:52:01,120
Speaker 3: And it was the battle of the.

1062
00:52:01,040 --> 00:52:04,600
Speaker 2: Student Union, little penny whistle.

1063
00:52:04,719 --> 00:52:09,440
Speaker 6: No, No, I mean it's something that because I think

1064
00:52:09,440 --> 00:52:11,640
Speaker 6: I've talked about it before, Like uh, Indian and I

1065
00:52:11,680 --> 00:52:13,880
Speaker 6: play a game where we put on movie scores and

1066
00:52:13,880 --> 00:52:14,840
Speaker 6: then we try and describe.

1067
00:52:15,080 --> 00:52:16,920
Speaker 2: We try and guess if we can know the movie

1068
00:52:17,480 --> 00:52:21,560
Speaker 2: on random on like Spotify, or if we don't know it,

1069
00:52:21,760 --> 00:52:23,640
Speaker 2: we try and guess like what type of movie it is,

1070
00:52:23,719 --> 00:52:25,759
Speaker 2: just based on how the music is being used, and

1071
00:52:25,800 --> 00:52:28,759
Speaker 2: without fail, you know it's a military movie when you

1072
00:52:28,800 --> 00:52:30,759
Speaker 2: have that sound and I'll be like, oh no, no, there's

1073
00:52:30,760 --> 00:52:32,320
Speaker 2: about the military. And they'll turn out to be the

1074
00:52:32,400 --> 00:52:34,720
Speaker 2: Dirney does in soundtrack or whatever it is, and Indie's

1075
00:52:34,719 --> 00:52:35,520
Speaker 2: always like, how do you know?

1076
00:52:35,600 --> 00:52:37,680
Speaker 1: And I'm like, is that drum it's the key?

1077
00:52:38,160 --> 00:52:41,240
Speaker 2: Yeah, yeah, it plays the Captain America. You know, whenever

1078
00:52:41,239 --> 00:52:43,960
Speaker 2: there's like a slight military edge to a score, it's got.

1079
00:52:43,960 --> 00:52:45,600
Speaker 3: You have you seen the is it the meme or

1080
00:52:45,640 --> 00:52:48,319
Speaker 3: whatever where they just they re cut the end of

1081
00:52:48,360 --> 00:52:50,600
Speaker 3: every movie because they say every movie is better if

1082
00:52:50,600 --> 00:52:54,759
Speaker 3: it ends with Born to Run. So it's like they're

1083
00:52:54,760 --> 00:52:56,920
Speaker 3: cutting together all these movies like the end of Nightmare

1084
00:52:56,960 --> 00:53:02,120
Speaker 3: and Alma Street and all this stuff work just, oh my.

1085
00:53:02,080 --> 00:53:03,120
Speaker 5: God, funny.

1086
00:53:06,920 --> 00:53:09,440
Speaker 1: Staying in the student union, Corey tells Sean, you're my

1087
00:53:09,480 --> 00:53:11,520
Speaker 1: best friend, so I'm gonna support you. Now. If you

1088
00:53:11,560 --> 00:53:13,480
Speaker 1: want me to join, I will sign up and go

1089
00:53:13,520 --> 00:53:16,200
Speaker 1: where you're going and fight right beside you. You and me,

1090
00:53:16,440 --> 00:53:17,200
Speaker 1: Corey and Sean.

1091
00:53:17,680 --> 00:53:18,200
Speaker 2: Let's go.

1092
00:53:18,520 --> 00:53:19,719
Speaker 1: Let's get on the tank.

1093
00:53:20,000 --> 00:53:22,319
Speaker 2: Yes, but at anyone.

1094
00:53:22,080 --> 00:53:25,480
Speaker 3: Wants to do something uh, he he has to tell

1095
00:53:25,480 --> 00:53:27,760
Speaker 3: her why she's wrong. Sean goes to do something crazy.

1096
00:53:27,800 --> 00:53:28,799
Speaker 3: He's like, you got it. I'm with you.

1097
00:53:30,239 --> 00:53:31,680
Speaker 1: It's so funny.

1098
00:53:31,800 --> 00:53:35,960
Speaker 3: You're like, oh my god, you're making a horrible life

1099
00:53:36,040 --> 00:53:37,239
Speaker 3: choice decision right now.

1100
00:53:37,440 --> 00:53:41,040
Speaker 2: I'm with you, with you, we'll do it together. Here's

1101
00:53:41,040 --> 00:53:42,600
Speaker 2: why you're wrong. You can.

1102
00:53:44,160 --> 00:53:45,759
Speaker 5: Wow.

1103
00:53:45,840 --> 00:53:46,600
Speaker 3: That is a.

1104
00:53:46,480 --> 00:53:48,280
Speaker 2: Crazy world view difference.

1105
00:53:48,320 --> 00:53:51,320
Speaker 1: He is willing to give it all up for Sean

1106
00:53:51,600 --> 00:53:57,799
Speaker 1: instantly instantly yeah, but then he quickly backtracks. Please don't

1107
00:53:57,800 --> 00:54:00,520
Speaker 1: make me go because the noises they scare me so much.

1108
00:54:01,520 --> 00:54:03,680
Speaker 1: Sean says he doesn't have to join, but Corey tries

1109
00:54:03,719 --> 00:54:05,920
Speaker 1: to say, face, are you sure, because I am a

1110
00:54:05,960 --> 00:54:09,600
Speaker 1: fighting machine. Sean shrugs well on second thought, and Corey

1111
00:54:09,680 --> 00:54:11,279
Speaker 1: quickly begs no, I don't want to go.

1112
00:54:12,480 --> 00:54:13,800
Speaker 2: So good, so good.

1113
00:54:14,040 --> 00:54:17,640
Speaker 1: So funny. Sergeant Moore announces, I have received the following

1114
00:54:17,680 --> 00:54:20,440
Speaker 1: resignations from the ROTC class. Let me see if I

1115
00:54:20,440 --> 00:54:22,400
Speaker 1: got this right. He pulls out a slip of paper

1116
00:54:22,440 --> 00:54:25,600
Speaker 1: and reads, uh everybody. A few of the boys cheer,

1117
00:54:25,680 --> 00:54:28,680
Speaker 1: and Sergeant Moore continues, I hope some of you learned

1118
00:54:28,719 --> 00:54:31,120
Speaker 1: a little something from the chorus. Eric hops up on

1119
00:54:31,160 --> 00:54:33,640
Speaker 1: the pool table and puts the rige in a choke

1120
00:54:33,680 --> 00:54:37,760
Speaker 1: hole sneak attack. Without flinching, he flips Eric onto the ground.

1121
00:54:38,280 --> 00:54:40,040
Speaker 5: So this was not in the script.

1122
00:54:40,440 --> 00:54:43,520
Speaker 3: And I remember going like I was talking to Julius

1123
00:54:43,640 --> 00:54:47,239
Speaker 3: and I've talked you to him about last Dragon all week.

1124
00:54:48,120 --> 00:54:49,960
Speaker 5: He must have been so sick of me. I want

1125
00:54:50,000 --> 00:54:51,120
Speaker 5: to everything.

1126
00:54:51,800 --> 00:54:55,360
Speaker 2: So the memory of boy Mean's world, I'm sure, do

1127
00:54:55,400 --> 00:54:58,120
Speaker 2: I get this kid away from it? Get off my back?

1128
00:54:58,440 --> 00:55:00,279
Speaker 3: And he couldn't have been nicer about it. And I

1129
00:55:00,360 --> 00:55:02,400
Speaker 3: remember like looking at him like, I want you to

1130
00:55:02,400 --> 00:55:04,279
Speaker 3: flip me over. It's a martial arts movie. So I

1131
00:55:04,320 --> 00:55:06,240
Speaker 3: was like, I want him to do a martial arts movie.

1132
00:55:06,480 --> 00:55:08,600
Speaker 3: And I went to McCracken. I was like, I want

1133
00:55:08,640 --> 00:55:09,759
Speaker 3: him to flip me and just like all right, we

1134
00:55:09,760 --> 00:55:11,919
Speaker 3: can work. And I was like I'm doing it. I'm

1135
00:55:11,920 --> 00:55:14,839
Speaker 3: doing it, and he's like, Okay, calm down, you can

1136
00:55:14,920 --> 00:55:17,600
Speaker 3: do it. We'll figure out how to do it. Because

1137
00:55:17,640 --> 00:55:19,560
Speaker 3: I was so excited about doing it. I was like,

1138
00:55:19,560 --> 00:55:21,719
Speaker 3: I'm doing it, Jeff. He's like, all right, and we

1139
00:55:21,840 --> 00:55:22,160
Speaker 3: do it.

1140
00:55:22,160 --> 00:55:24,360
Speaker 2: Didn't have like a stun person on set, right, I

1141
00:55:24,360 --> 00:55:25,399
Speaker 2: don't remember that at all.

1142
00:55:25,520 --> 00:55:27,520
Speaker 3: Gosh, that's just a pretty big mat down and we

1143
00:55:27,560 --> 00:55:28,080
Speaker 3: just kept.

1144
00:55:29,320 --> 00:55:31,920
Speaker 2: Like we always have stun people, like for anything. If

1145
00:55:31,960 --> 00:55:35,120
Speaker 2: anybody's feet left the ground for more than a step,

1146
00:55:35,320 --> 00:55:36,759
Speaker 2: it was like we had to have a but but

1147
00:55:36,840 --> 00:55:38,839
Speaker 2: I don't remember it ever on So they just put

1148
00:55:38,880 --> 00:55:40,080
Speaker 2: a mate down for you and put a.

1149
00:55:40,960 --> 00:55:42,840
Speaker 3: Flip up because he was he was actually a martial

1150
00:55:42,920 --> 00:55:45,359
Speaker 3: arts of course. Like we just did it all week,

1151
00:55:45,400 --> 00:55:46,839
Speaker 3: and I remember thinking to myself.

1152
00:55:46,520 --> 00:55:48,320
Speaker 2: Showed up, slipping over, showed up.

1153
00:55:48,400 --> 00:55:49,239
Speaker 3: It was the closest thing.

1154
00:55:49,560 --> 00:55:53,880
Speaker 2: Yeah, So do you get whenever we had a wrestler

1155
00:55:53,920 --> 00:55:56,480
Speaker 2: on our show, you're the one that gets gets flung around.

1156
00:55:57,640 --> 00:55:58,520
Speaker 3: I'll take it every time.

1157
00:56:12,440 --> 00:56:15,040
Speaker 1: Eric eventually pops back up and whispers, I learned how

1158
00:56:15,040 --> 00:56:18,280
Speaker 1: to sneak attack before the sergeant can respond. Eric continues,

1159
00:56:18,440 --> 00:56:20,399
Speaker 1: I learned that when a girl beats you up. I'm

1160
00:56:20,440 --> 00:56:26,160
Speaker 1: not gonna use any names. Oh Pega Day, that's code

1161
00:56:26,440 --> 00:56:29,640
Speaker 1: sh I learned that you never tell that girl exactly

1162
00:56:29,680 --> 00:56:33,239
Speaker 1: when you're gonna sneak attacker. He quickly disobeys his own

1163
00:56:33,320 --> 00:56:36,080
Speaker 1: rule and shouts at the nearby topanga, I'm gonna get

1164
00:56:36,120 --> 00:56:40,279
Speaker 1: you tomorrow at three o'clock. I'm gonna sneak attack you.

1165
00:56:41,239 --> 00:56:44,200
Speaker 1: The sergeants in disbelief. Matthews, you are a disgrace to

1166
00:56:44,239 --> 00:56:48,200
Speaker 1: this university, this country, and humanity in general. Eric can't

1167
00:56:48,239 --> 00:56:51,719
Speaker 1: help but laugh. Wow. The sergeant commands he drop and

1168
00:56:51,719 --> 00:56:54,239
Speaker 1: give him twenty Eric reluctantly falls to the floor and

1169
00:56:54,520 --> 00:56:57,000
Speaker 1: hands him a twenty dollars bill. You better pay me

1170
00:56:57,160 --> 00:57:01,120
Speaker 1: back Jack's eyes. I'm telling you, I padded self so

1171
00:57:01,160 --> 00:57:05,080
Speaker 1: he can't hurt himself. Sergeant more Than approaches mister Feenie

1172
00:57:05,080 --> 00:57:07,120
Speaker 1: and Corey, who are seated nearby, and asks Corey where

1173
00:57:07,160 --> 00:57:10,600
Speaker 1: his friend is, Which was anyone else? Bumped by the

1174
00:57:10,600 --> 00:57:15,360
Speaker 1: fact that you were just previously in this scene. Yeah,

1175
00:57:15,600 --> 00:57:17,320
Speaker 1: and then you left.

1176
00:57:17,400 --> 00:57:17,680
Speaker 2: Yeah.

1177
00:57:18,080 --> 00:57:21,000
Speaker 1: You Sean leaves, but we don't see him leave. He's

1178
00:57:21,080 --> 00:57:23,800
Speaker 1: just gone. We go to Eric, who has that whole moment,

1179
00:57:24,280 --> 00:57:24,760
Speaker 1: and then.

1180
00:57:25,160 --> 00:57:28,000
Speaker 2: It's because Will wanted to be flipped, so they had

1181
00:57:28,000 --> 00:57:31,560
Speaker 2: to write a whole awkward scene. It's like a weird

1182
00:57:31,560 --> 00:57:34,440
Speaker 2: little interlude of the B storyline into the A storyline

1183
00:57:34,520 --> 00:57:36,840
Speaker 2: that really should have been separate scenes, I guess. But

1184
00:57:36,960 --> 00:57:39,040
Speaker 2: actually it didn't bump me, honestly, Like I you know,

1185
00:57:39,760 --> 00:57:40,280
Speaker 2: it's all.

1186
00:57:40,360 --> 00:57:41,840
Speaker 3: I didn't even notice it, to be honest, ye, But

1187
00:57:42,800 --> 00:57:43,120
Speaker 3: now you.

1188
00:57:43,040 --> 00:57:45,240
Speaker 2: Put it out, it's like, yeah, why did Corey and

1189
00:57:45,320 --> 00:57:48,000
Speaker 2: walk away from Sean and Sean walk away from Hed?

1190
00:57:49,200 --> 00:57:51,320
Speaker 1: You were there? And so when he was like where Sean,

1191
00:57:51,360 --> 00:57:53,920
Speaker 1: I was like he he was right there by the couch.

1192
00:57:54,040 --> 00:57:56,520
Speaker 1: So now I'm like, so where is where? Actually is he?

1193
00:57:56,960 --> 00:57:58,760
Speaker 1: So that was that bumped me a little bit.

1194
00:57:58,840 --> 00:58:02,560
Speaker 2: But when yeah, and by this scene, like once once

1195
00:58:02,600 --> 00:58:05,240
Speaker 2: mister Feenie was weighing in on what Angela wants or

1196
00:58:05,240 --> 00:58:07,720
Speaker 2: does not want, I was like, my god, people, Yeah,

1197
00:58:07,760 --> 00:58:11,960
Speaker 2: your teacher, your dad, your ex boyfriend, and your ex

1198
00:58:12,040 --> 00:58:14,080
Speaker 2: boyfriend's friend.

1199
00:58:14,320 --> 00:58:15,880
Speaker 1: Not even any girlfriends.

1200
00:58:15,960 --> 00:58:18,040
Speaker 2: They're going to form a council and they're going to

1201
00:58:18,120 --> 00:58:19,960
Speaker 2: decide what's what you know and what's good for you

1202
00:58:20,000 --> 00:58:22,400
Speaker 2: and what's bad for you. And it's like Jesus, like

1203
00:58:22,640 --> 00:58:25,080
Speaker 2: is she not part of any.

1204
00:58:23,640 --> 00:58:28,040
Speaker 1: There's also something to be said for the idea that,

1205
00:58:28,080 --> 00:58:30,920
Speaker 1: like we were talking about with this being writer, where

1206
00:58:30,920 --> 00:58:33,880
Speaker 1: you were talking about released for Angela's storyline, the thematic

1207
00:58:33,920 --> 00:58:39,040
Speaker 1: elements are a reveal, it wouldn't probably bother us as

1208
00:58:39,120 --> 00:58:41,600
Speaker 1: much if the reveal now coming from the dad is

1209
00:58:41,640 --> 00:58:46,160
Speaker 1: totally fine. But like it seems as though Topanga knows

1210
00:58:46,200 --> 00:58:49,480
Speaker 1: the story about Angela's mind the same because she's saying

1211
00:58:49,480 --> 00:58:51,919
Speaker 1: to Rachel the minute she brings up the mom don't

1212
00:58:51,960 --> 00:58:57,520
Speaker 1: talk about So Topanga knows because Angela's probably shared that

1213
00:58:57,600 --> 00:59:02,440
Speaker 1: with her friend yep, And so I could also understand

1214
00:59:02,480 --> 00:59:04,680
Speaker 1: why they wouldn't want to Panga revealing that to Sean,

1215
00:59:04,760 --> 00:59:06,960
Speaker 1: because then you've just kind of betrayed your friend if

1216
00:59:07,000 --> 00:59:11,240
Speaker 1: you're you know, you've kind of but I don't know,

1217
00:59:11,320 --> 00:59:16,800
Speaker 1: it just feels like at some point going to your

1218
00:59:16,960 --> 00:59:21,760
Speaker 1: your ex girlfriend's friend to talk about how you're feeling

1219
00:59:21,840 --> 00:59:24,880
Speaker 1: and why, and it's really because you maybe maybe I'm wrong.

1220
00:59:24,920 --> 00:59:27,040
Speaker 1: I thought she loved me, but maybe I'm wrong. And

1221
00:59:27,080 --> 00:59:30,320
Speaker 1: for Tapega to say, you know, you should try to

1222
00:59:30,360 --> 00:59:32,880
Speaker 1: talk to her more, there's something else going on for

1223
00:59:32,920 --> 00:59:35,520
Speaker 1: it to you know, I don't know, there's just something

1224
00:59:35,760 --> 00:59:40,800
Speaker 1: more there, and none of the women are avulged.

1225
00:59:40,240 --> 00:59:42,000
Speaker 3: In their own lives.

1226
00:59:42,160 --> 00:59:44,040
Speaker 2: Yes, yeah, no, I mean it's a joke in the

1227
00:59:44,720 --> 00:59:46,880
Speaker 2: apartment scene right like we're gonna have which we don't

1228
00:59:46,920 --> 00:59:48,320
Speaker 2: need the men. It's just the three of us, and

1229
00:59:48,360 --> 00:59:50,240
Speaker 2: then they cave like immediately because hah ha.

1230
00:59:50,680 --> 00:59:54,160
Speaker 1: Yeah. Dismissed, Corey reveals that Sean needed some time alone

1231
00:59:54,160 --> 00:59:56,400
Speaker 1: since he has a lot on his mind. The sergeant

1232
00:59:56,400 --> 00:59:59,120
Speaker 1: assumes Angela and Sean have a volatile relationship, and Corey

1233
00:59:59,160 --> 01:00:02,720
Speaker 1: admits they don't really have a relationship anymore. Sergeant Moore

1234
01:00:02,760 --> 01:00:05,880
Speaker 1: asks why, and Corey flips a switch to full angry mode.

1235
01:00:06,000 --> 01:00:09,920
Speaker 1: I'll tell you why. It's because of that Topenga. Just

1236
01:00:10,000 --> 01:00:12,400
Speaker 1: at the sound of her name, Eric approaches, now wearing

1237
01:00:12,400 --> 01:00:13,960
Speaker 1: a full blown tree costume.

1238
01:00:14,080 --> 01:00:14,680
Speaker 2: Oh my god.

1239
01:00:14,880 --> 01:00:17,480
Speaker 1: The eerie music plays, and he assures them not to

1240
01:00:17,600 --> 01:00:22,640
Speaker 1: worry about Tapenga, covering his face with a branch. Unfazed,

1241
01:00:22,680 --> 01:00:25,560
Speaker 1: Corey continues, she's nuts about me, sir, but ever since

1242
01:00:25,560 --> 01:00:28,040
Speaker 1: her parents split up, she's been how can I put

1243
01:00:28,080 --> 01:00:32,800
Speaker 1: this gently horror, and for some reason, Angela is playing

1244
01:00:32,880 --> 01:00:36,160
Speaker 1: right into it. Sergeant Moore looks to Feenie. It's hard

1245
01:00:36,200 --> 01:00:38,360
Speaker 1: to come in the middle of the game and understand anything,

1246
01:00:38,440 --> 01:00:41,600
Speaker 1: isn't it, Phoene, siys, trust me, it's worse when you're

1247
01:00:41,600 --> 01:00:44,240
Speaker 1: here all the time. The sergeant wants to know more

1248
01:00:44,240 --> 01:00:47,840
Speaker 1: about Sean, and Phoene explains, I've seen Sean overcome every

1249
01:00:47,880 --> 01:00:50,000
Speaker 1: obstacle that life has thrown at him and grow up

1250
01:00:50,000 --> 01:00:51,880
Speaker 1: to be one of the finest young men that I know.

1251
01:00:52,320 --> 01:00:54,760
Speaker 1: Corey butts in what about Me? Tell him how much

1252
01:00:54,800 --> 01:00:55,160
Speaker 1: you like me?

1253
01:00:55,320 --> 01:00:57,800
Speaker 2: Favorite line in the whole episode, because he's so excited

1254
01:01:00,200 --> 01:01:03,240
Speaker 2: out do me, which also I was kind of like, yeah,

1255
01:01:03,440 --> 01:01:05,880
Speaker 2: he doesn't do Corey like it's so funny because I

1256
01:01:05,920 --> 01:01:09,960
Speaker 2: was thinking about the the scene at Phoenie's cabin, you know,

1257
01:01:10,000 --> 01:01:13,680
Speaker 2: it was like all about how Phoene loves and appreciates Sean.

1258
01:01:13,880 --> 01:01:17,000
Speaker 2: Does he ever get to do this for Corey? Does

1259
01:01:17,000 --> 01:01:18,400
Speaker 2: Phoenie ever give a speak?

1260
01:01:19,440 --> 01:01:22,160
Speaker 1: Phoenie doesn't feel like he has to, because of course

1261
01:01:22,280 --> 01:01:26,400
Speaker 1: he's good. He comes from a perfect, perfectly quote unquote

1262
01:01:26,480 --> 01:01:30,200
Speaker 1: normal family that's still together, so of course he's a

1263
01:01:30,240 --> 01:01:34,840
Speaker 1: fine young man. It's only those in other circumstances who

1264
01:01:34,840 --> 01:01:40,000
Speaker 1: could ever, who could ever go off the you know, have.

1265
01:01:40,080 --> 01:01:43,400
Speaker 2: Seen Phoene be heartfelt about Eric seeing him be heartfelt

1266
01:01:43,400 --> 01:01:47,680
Speaker 2: about Sean, but is he ever like I guess to Corey,

1267
01:01:48,960 --> 01:01:51,240
Speaker 2: it's a it's an interesting tension in some ways. It

1268
01:01:51,280 --> 01:01:53,840
Speaker 2: would probably never feel right for him to like give

1269
01:01:53,880 --> 01:01:56,920
Speaker 2: that lecture because that's a whole it's a whole tension

1270
01:01:56,960 --> 01:01:57,600
Speaker 2: of the show.

1271
01:01:57,480 --> 01:01:59,960
Speaker 1: Show right like boy me towards the first episode.

1272
01:02:00,360 --> 01:02:03,160
Speaker 2: Yes, it's like about mister Feenie not going to say

1273
01:02:03,200 --> 01:02:03,800
Speaker 2: I love you to.

1274
01:02:04,280 --> 01:02:08,640
Speaker 1: That's why the end of the show is as emotional

1275
01:02:08,720 --> 01:02:12,800
Speaker 1: as it is, So I'm actually glad they don't. Peoene

1276
01:02:12,800 --> 01:02:15,640
Speaker 1: ignores him entirely and focuses on how sensitive and pairing

1277
01:02:15,720 --> 01:02:18,560
Speaker 1: Sean is. Phoene adds that he's never seen Sean as

1278
01:02:18,600 --> 01:02:20,680
Speaker 1: happy as he is when he's in the company of Angela,

1279
01:02:20,920 --> 01:02:23,880
Speaker 1: and he always thought Angela felt the same way. Corey adds,

1280
01:02:24,080 --> 01:02:26,440
Speaker 1: until she ran away, and do you know why she

1281
01:02:26,600 --> 01:02:31,000
Speaker 1: ran away? The sergeant nods, yeah, I think I do. Undeterred,

1282
01:02:31,040 --> 01:02:35,120
Speaker 1: Corey shouts, Tapenga, she's poison, but don't hate her, sir,

1283
01:02:35,200 --> 01:02:38,440
Speaker 1: She's my problem. I love her so much, but poison

1284
01:02:38,560 --> 01:02:42,960
Speaker 1: she is great. Then an angry Topanga approaches but doesn't

1285
01:02:42,960 --> 01:02:45,880
Speaker 1: acknowledge his words. Instead, she grabs something from the coffee

1286
01:02:45,880 --> 01:02:48,840
Speaker 1: counter and leaves. Then the creepy music starts back up,

1287
01:02:48,880 --> 01:02:51,560
Speaker 1: and we see Eric lying in the display case with

1288
01:02:51,600 --> 01:02:56,120
Speaker 1: his nose pressed into the pass like Hannibal Lecter. So good,

1289
01:02:56,240 --> 01:02:59,480
Speaker 1: it's so funny. Phoene offers some advice to the sergeant.

1290
01:02:59,680 --> 01:03:03,760
Speaker 1: Under no circumstances, however, let your daughter go anywhere near him.

1291
01:03:04,720 --> 01:03:07,080
Speaker 1: Then we're in Phoenie's classroom. It's almost three pm, and

1292
01:03:07,120 --> 01:03:10,360
Speaker 1: we see the famous American Gothic painting hanging under the clock.

1293
01:03:10,880 --> 01:03:13,160
Speaker 1: Jack enters, and when he passes the painting, we now

1294
01:03:13,240 --> 01:03:16,960
Speaker 1: notice that Eric has replaced the old farmer, identically dressed

1295
01:03:17,120 --> 01:03:18,720
Speaker 1: wearing a bald cap.

1296
01:03:21,040 --> 01:03:22,560
Speaker 2: Okay, so how did this work?

1297
01:03:22,840 --> 01:03:23,240
Speaker 1: Exactly?

1298
01:03:23,480 --> 01:03:25,760
Speaker 2: My brain was trying to figure out the three dimensionality

1299
01:03:26,000 --> 01:03:26,680
Speaker 2: and I couldn't.

1300
01:03:26,720 --> 01:03:29,480
Speaker 3: Like, I mean, if I remember correctly, it was just

1301
01:03:29,520 --> 01:03:33,240
Speaker 3: a built out box. Yeah, the background painted with you know,

1302
01:03:33,320 --> 01:03:38,560
Speaker 3: a standie of the wife next to me. So she's not.

1303
01:03:39,280 --> 01:03:42,320
Speaker 2: Oh so she's she's like she's flat against the wall,

1304
01:03:42,360 --> 01:03:46,120
Speaker 2: isn't she.

1305
01:03:44,360 --> 01:03:46,720
Speaker 3: She was like a cutout right next to me. Yeah,

1306
01:03:47,000 --> 01:03:48,320
Speaker 3: so I could climb back there.

1307
01:03:48,760 --> 01:03:49,880
Speaker 1: And then there was a pat.

1308
01:03:51,280 --> 01:03:54,840
Speaker 2: That was all ad list because they like what I

1309
01:03:54,880 --> 01:03:57,240
Speaker 2: was trying to figure out is that the way the

1310
01:03:57,880 --> 01:04:01,920
Speaker 2: depth works they actually the painting, the painting has to

1311
01:04:01,920 --> 01:04:06,240
Speaker 2: continue on the wall moving in the Z axis. Does

1312
01:04:06,280 --> 01:04:08,640
Speaker 2: that make sense? So like yeah, yeah, like the painting. Yeah,

1313
01:04:08,680 --> 01:04:11,720
Speaker 2: so it like creates a fake flat effect. But then

1314
01:04:12,120 --> 01:04:13,920
Speaker 2: the frame also has to go in front of your legs,

1315
01:04:13,960 --> 01:04:14,520
Speaker 2: doesn't it.

1316
01:04:14,520 --> 01:04:15,920
Speaker 3: It was, and then there was a step up, so

1317
01:04:15,960 --> 01:04:17,640
Speaker 3: you see me like take a step up and then

1318
01:04:18,000 --> 01:04:20,360
Speaker 3: out of that gotcha? So yeah, so it was I

1319
01:04:20,400 --> 01:04:22,280
Speaker 3: would step into it and then it was you know that.

1320
01:04:22,520 --> 01:04:23,720
Speaker 2: Such a cool visual effect.

1321
01:04:23,920 --> 01:04:25,680
Speaker 3: It was. It worked great.

1322
01:04:26,200 --> 01:04:28,280
Speaker 1: How what do you remember about the bald cap? And

1323
01:04:28,480 --> 01:04:30,880
Speaker 1: is do we care at all that Eric? Was there

1324
01:04:30,880 --> 01:04:32,840
Speaker 1: any logic to Eric having a bald cap.

1325
01:04:33,360 --> 01:04:35,080
Speaker 5: Or having built this thing out?

1326
01:04:35,320 --> 01:04:38,040
Speaker 3: I mean, apparently he went and rebuilt this painting but

1327
01:04:38,760 --> 01:04:40,800
Speaker 3: instantaneously after.

1328
01:04:40,720 --> 01:04:42,280
Speaker 5: Passing the actual painting.

1329
01:04:42,560 --> 01:04:47,200
Speaker 1: Yes, so exactly gat unless we're supposed to believe that

1330
01:04:47,280 --> 01:04:50,000
Speaker 1: the time we saw it just before it was also

1331
01:04:50,240 --> 01:04:51,160
Speaker 1: you you know.

1332
01:04:51,080 --> 01:04:54,680
Speaker 2: What I mean, American Gothics just hanging in Phoenix class

1333
01:04:54,880 --> 01:04:58,000
Speaker 2: classroom for the first time ever. I we think about

1334
01:04:58,000 --> 01:05:01,480
Speaker 2: the steps it takes to visualize this joke and then

1335
01:05:01,760 --> 01:05:06,120
Speaker 2: try and rationalize it, and yet it it gets pulled.

1336
01:05:08,360 --> 01:05:11,120
Speaker 3: By the point of walking around as a tree and

1337
01:05:11,320 --> 01:05:14,440
Speaker 3: all that stuff. Now, yeah, you just buy whatever we

1338
01:05:14,480 --> 01:05:16,400
Speaker 3: do and it's and it works because it's so absurd.

1339
01:05:16,520 --> 01:05:20,720
Speaker 1: Yeah, either way. The creepy music plays as Jack notices

1340
01:05:20,760 --> 01:05:23,720
Speaker 1: his roomy. He pleads with Eric, I begged you. I

1341
01:05:23,800 --> 01:05:27,280
Speaker 1: begged you to seek help. Eric lets out an evil giggle.

1342
01:05:27,400 --> 01:05:30,959
Speaker 1: Oh this is going to be so sweet. Bye bye, Topanga.

1343
01:05:31,280 --> 01:05:33,880
Speaker 1: But Jack isn't sold. Topanga is too smart for you.

1344
01:05:34,040 --> 01:05:37,000
Speaker 1: Anyone is. Eric Demancy stays out of it. It's a

1345
01:05:37,000 --> 01:05:39,520
Speaker 1: one man mission, but then he quickly breaks character and

1346
01:05:39,560 --> 01:05:42,840
Speaker 1: begs for help. Jack says no and walks away alone.

1347
01:05:42,840 --> 01:05:45,640
Speaker 1: Once again, Eric is determined to do this himself. He

1348
01:05:45,720 --> 01:05:48,400
Speaker 1: then turns to the painted woman by his side. You

1349
01:05:48,480 --> 01:05:50,520
Speaker 1: have a very large this.

1350
01:05:50,360 --> 01:05:52,400
Speaker 2: Is all I lived, so good.

1351
01:05:54,000 --> 01:05:57,160
Speaker 3: Oh God, I don't know why I'm married.

1352
01:05:57,400 --> 01:05:59,800
Speaker 1: I don't know why I'm married. He then flinches like

1353
01:05:59,840 --> 01:06:03,240
Speaker 1: the woman has slapped his butt or pinched him. Just

1354
01:06:03,320 --> 01:06:06,160
Speaker 1: in time, a very stressed Feoene walks in and instructs

1355
01:06:06,200 --> 01:06:08,800
Speaker 1: the glass to open their books and read quietly. Uncle

1356
01:06:08,880 --> 01:06:12,280
Speaker 1: Phoene has had a trying day already, and I want

1357
01:06:12,800 --> 01:06:14,080
Speaker 1: finish first time.

1358
01:06:17,000 --> 01:06:20,040
Speaker 2: I kind of like like grumpy, you're not ready to teach,

1359
01:06:20,200 --> 01:06:22,120
Speaker 2: just having a bad day, fame you never get to.

1360
01:06:23,880 --> 01:06:26,080
Speaker 5: Eat, and I love it.

1361
01:06:27,040 --> 01:06:30,720
Speaker 1: I want forty minutes of tranquility starting now. And then

1362
01:06:31,000 --> 01:06:34,000
Speaker 1: right when Topanga enters, Eric jumps out of the paintings,

1363
01:06:34,080 --> 01:06:37,760
Speaker 1: screaming a kung fu grunt and missing Topanga. Bye inches.

1364
01:06:39,000 --> 01:06:41,200
Speaker 3: Yaksai and I don't even know where that came from.

1365
01:06:41,240 --> 01:06:43,680
Speaker 2: I thought maybe it was because all your sounds are

1366
01:06:44,240 --> 01:06:46,840
Speaker 2: often referential, so I was waiting for it to be like, oh,

1367
01:06:46,880 --> 01:06:49,040
Speaker 2: that's from you know, That's what sure Enough says.

1368
01:06:49,040 --> 01:06:51,680
Speaker 3: Yeah, just a noise.

1369
01:06:53,440 --> 01:06:56,680
Speaker 1: Face plants onto the floor. He is not moving. Phoene

1370
01:06:56,680 --> 01:06:58,640
Speaker 1: clutches his heart in response. I quit.

1371
01:06:59,120 --> 01:07:00,520
Speaker 3: I just do, I just do.

1372
01:07:01,880 --> 01:07:04,320
Speaker 1: Then we're back at the girl's apartment. Rachel is impressed

1373
01:07:04,360 --> 01:07:07,360
Speaker 1: with their newly redecorated apartment. To Panga declares it finally

1374
01:07:07,400 --> 01:07:10,280
Speaker 1: feels like their place. Angela agrees, and they relish in

1375
01:07:10,320 --> 01:07:13,520
Speaker 1: an all female apartment. This moment of girl power is

1376
01:07:13,560 --> 01:07:16,400
Speaker 1: disrupted by the buzz of their front door. Angela opens

1377
01:07:16,400 --> 01:07:18,520
Speaker 1: it and is startled by her dad and Sean. They

1378
01:07:18,520 --> 01:07:22,120
Speaker 1: are both dressed in army uniforms. Angela's dad says he

1379
01:07:22,160 --> 01:07:24,280
Speaker 1: asks Sean to come with him to say goodbye and

1380
01:07:24,360 --> 01:07:27,440
Speaker 1: check that she's doing all right. Angela confidently tells her

1381
01:07:27,480 --> 01:07:29,720
Speaker 1: dad that she's doing better than all right. She's in

1382
01:07:29,760 --> 01:07:32,240
Speaker 1: her new apartment with her friends, looking forward to the

1383
01:07:32,280 --> 01:07:35,240
Speaker 1: next part of her life. To Pega nods that's right.

1384
01:07:35,320 --> 01:07:39,440
Speaker 1: Sergeant Moore, Rachel adds three women together. In response, the

1385
01:07:39,520 --> 01:07:42,800
Speaker 1: drill sergeant shouts dismissed and to Panga and Rachel quickly flee.

1386
01:07:43,360 --> 01:07:46,600
Speaker 1: Angela isn't moved, calling her dad impressionable by allowing Sean

1387
01:07:46,680 --> 01:07:48,680
Speaker 1: to suck up to him, but Sergeant Moore tells her

1388
01:07:48,720 --> 01:07:52,880
Speaker 1: that Sean's priority was to impress Angela, not him. In fact,

1389
01:07:53,160 --> 01:07:56,240
Speaker 1: the sergeant says he likes Sean, which makes Angela even matter.

1390
01:07:56,640 --> 01:07:59,360
Speaker 1: She condescendingly wishes them good luck in the army together,

1391
01:07:59,440 --> 01:08:02,600
Speaker 1: but then Sean breaks the news he won't be joining

1392
01:08:02,680 --> 01:08:06,400
Speaker 1: after all. Angel asks why, and the sergeant explains, because

1393
01:08:06,440 --> 01:08:08,760
Speaker 1: I like him, that I like my country more, and

1394
01:08:08,800 --> 01:08:12,200
Speaker 1: I don't want this boy anywhere near the army, which

1395
01:08:12,480 --> 01:08:15,240
Speaker 1: doesn't make any sense considering how hard you just worked.

1396
01:08:15,240 --> 01:08:18,920
Speaker 3: And he's also perfect for the army. Yes, exactly what

1397
01:08:18,960 --> 01:08:22,920
Speaker 3: they're looking for. Smart usually driven by somebody who wants

1398
01:08:22,920 --> 01:08:23,760
Speaker 3: to do better in their life.

1399
01:08:23,800 --> 01:08:25,639
Speaker 5: It's like Sean is perfect for them.

1400
01:08:25,840 --> 01:08:28,600
Speaker 2: Could use some discipline, could use some structure, Could you

1401
01:08:28,640 --> 01:08:31,000
Speaker 2: use the life skills that you get from this experience.

1402
01:08:31,040 --> 01:08:33,400
Speaker 3: Physically fit as he just did seventy five push ups

1403
01:08:33,439 --> 01:08:36,240
Speaker 3: in front of it. Like, yeah, he's perfect for the military.

1404
01:08:36,320 --> 01:08:37,040
Speaker 3: But nope, I know.

1405
01:08:37,200 --> 01:08:39,439
Speaker 1: Yeah, they had they had to go for some reason. Yeah,

1406
01:08:51,720 --> 01:08:54,280
Speaker 1: he tells his daughter, But I do want him near you,

1407
01:08:55,000 --> 01:08:56,240
Speaker 1: just as Sean promises, he.

1408
01:08:56,200 --> 01:08:58,799
Speaker 2: Has a long to do it. I'm just like, Sean

1409
01:08:58,920 --> 01:09:01,559
Speaker 2: doesn't decide to not to the army. They just don't

1410
01:09:01,600 --> 01:09:02,439
Speaker 2: accept him.

1411
01:09:02,760 --> 01:09:05,360
Speaker 3: Like, well, so then did you just go buy the

1412
01:09:05,439 --> 01:09:06,760
Speaker 3: uniform on your own?

1413
01:09:07,120 --> 01:09:09,439
Speaker 2: But I'm just trying to track. So Angrewa's dad is

1414
01:09:09,439 --> 01:09:12,200
Speaker 2: saying that they won't allow him, won't allow.

1415
01:09:12,040 --> 01:09:13,799
Speaker 3: What it is. That's what it's going to be. Yeah,

1416
01:09:14,280 --> 01:09:16,760
Speaker 3: because you have to stay and take care of his daughter.

1417
01:09:18,760 --> 01:09:20,720
Speaker 3: Jesus says, she doesn't know what she wants in her

1418
01:09:20,760 --> 01:09:22,360
Speaker 3: life until you tell her.

1419
01:09:23,000 --> 01:09:26,280
Speaker 2: Wow, that's really okay. For some reason, in my mind,

1420
01:09:26,320 --> 01:09:29,120
Speaker 2: they both decided. But even that the oddity like Sean

1421
01:09:29,200 --> 01:09:31,720
Speaker 2: and her dad got together and were like, you don't

1422
01:09:31,720 --> 01:09:33,479
Speaker 2: belong in the army. I know you were just doing

1423
01:09:33,560 --> 01:09:35,720
Speaker 2: this to get angel Okay, well let's go get her.

1424
01:09:36,000 --> 01:09:37,640
Speaker 1: Yeah, and you can't get her if you're away from her.

1425
01:09:37,680 --> 01:09:38,599
Speaker 1: You got to stay here.

1426
01:09:38,479 --> 01:09:40,280
Speaker 3: I mean in cities, you got to still be in

1427
01:09:40,280 --> 01:09:41,200
Speaker 3: the military uniform.

1428
01:09:41,240 --> 01:09:46,360
Speaker 1: For Sergeant Moore wants to talk to his daughter about

1429
01:09:46,360 --> 01:09:49,960
Speaker 1: her mother. Angela refuses, especially in front of Sean. Sean

1430
01:09:50,000 --> 01:09:52,640
Speaker 1: says he understands why she'd be afraid of their relationship

1431
01:09:52,640 --> 01:09:55,080
Speaker 1: because of her mother, But Angela is adamant, there is

1432
01:09:55,160 --> 01:09:57,760
Speaker 1: no relationship. You don't know what you're talking about. But

1433
01:09:57,840 --> 01:10:01,320
Speaker 1: Sean calmly says, he told me Angela can't believe her

1434
01:10:01,360 --> 01:10:05,120
Speaker 1: father did that. Than Sean making it all about himself, wonders,

1435
01:10:05,320 --> 01:10:07,880
Speaker 1: how could you not tell me? She cleared?

1436
01:10:08,280 --> 01:10:11,679
Speaker 2: But I agree with that because, well, but what she's

1437
01:10:11,680 --> 01:10:14,160
Speaker 2: been lying to him since they met, Yes.

1438
01:10:13,960 --> 01:10:16,120
Speaker 1: That her mom or you've never asked.

1439
01:10:17,160 --> 01:10:20,280
Speaker 2: That's more likely, especially as you as she knows that

1440
01:10:20,320 --> 01:10:22,880
Speaker 2: your mom has taken off. I know it's loving each

1441
01:10:22,880 --> 01:10:25,479
Speaker 2: other if you don't know that somebody's mom right left

1442
01:10:25,520 --> 01:10:26,599
Speaker 2: it when what they were twelve.

1443
01:10:26,640 --> 01:10:29,200
Speaker 3: Is that what they say, like, yeah, you went through

1444
01:10:29,200 --> 01:10:31,840
Speaker 3: the exact same thing, and she never brought it up,

1445
01:10:32,040 --> 01:10:34,200
Speaker 3: so she calmed me down.

1446
01:10:34,280 --> 01:10:35,360
Speaker 2: I never met her dad.

1447
01:10:35,680 --> 01:10:37,240
Speaker 1: Nope, and her dad.

1448
01:10:38,600 --> 01:10:40,240
Speaker 3: And if she's living with an honor or an uncle

1449
01:10:40,280 --> 01:10:41,960
Speaker 3: or something like the Pangaa was, Shawn's never going to

1450
01:10:42,000 --> 01:10:42,320
Speaker 3: be like, hey.

1451
01:10:42,280 --> 01:10:42,840
Speaker 2: Where's your mom?

1452
01:10:42,920 --> 01:10:44,000
Speaker 5: Like that's never going to happen.

1453
01:10:44,240 --> 01:10:47,440
Speaker 3: Yeah, wow, no it doesn't.

1454
01:10:47,479 --> 01:10:49,760
Speaker 2: She just makes no huge hole.

1455
01:10:50,520 --> 01:10:54,840
Speaker 3: Yeah, yeah, none whatsoever. It's also a bit of and

1456
01:10:54,880 --> 01:10:57,080
Speaker 3: I'm not putting this on Manel, it's kind of the

1457
01:10:57,120 --> 01:11:00,000
Speaker 3: whole writing staff. It's a bit of a lazy cheek

1458
01:11:00,680 --> 01:11:04,120
Speaker 3: that both to Panga and Angela don't want to be

1459
01:11:04,160 --> 01:11:05,920
Speaker 3: with their men because they don't want to be the

1460
01:11:05,920 --> 01:11:07,280
Speaker 3: ones that end up hurting their men.

1461
01:11:07,360 --> 01:11:09,360
Speaker 5: It's like, really, the same characters.

1462
01:11:09,000 --> 01:11:11,479
Speaker 1: For the same reasons are poison.

1463
01:11:12,920 --> 01:11:15,080
Speaker 3: I know, why do we deal with you?

1464
01:11:17,240 --> 01:11:17,800
Speaker 5: But yeah, it is.

1465
01:11:17,840 --> 01:11:20,880
Speaker 1: It's like best women are men, the best women are men. Sean,

1466
01:11:21,720 --> 01:11:29,080
Speaker 1: I'm all in, I'm Sean, Cory and Shaun. She clarifies

1467
01:11:29,200 --> 01:11:31,679
Speaker 1: that my mother walked out on me just like your mother.

1468
01:11:31,960 --> 01:11:34,720
Speaker 1: Sean quickly responds, yes, don't you think I would have

1469
01:11:34,760 --> 01:11:37,639
Speaker 1: understood don't you think it would have brought us closer together?

1470
01:11:38,320 --> 01:11:41,240
Speaker 1: Angela agrees yes, but continues, I don't want to be

1471
01:11:41,280 --> 01:11:45,080
Speaker 1: closer together. Sean asks why not, and her father wonders

1472
01:11:45,120 --> 01:11:45,519
Speaker 1: the same thing.

1473
01:11:46,040 --> 01:11:48,639
Speaker 2: Maybe makes sense now, but like to not tell Sean

1474
01:11:48,680 --> 01:11:52,000
Speaker 2: when they were sixteen and in love and spending all

1475
01:11:52,000 --> 01:11:55,880
Speaker 2: their time together and supposedly really understanding the contents of

1476
01:11:55,880 --> 01:11:56,519
Speaker 2: each other's.

1477
01:11:56,360 --> 01:11:59,680
Speaker 1: Character, and when it happened for Sean for her to

1478
01:11:59,760 --> 01:12:01,280
Speaker 1: not be to not be like.

1479
01:12:01,600 --> 01:12:05,760
Speaker 2: Dude, I have been. There's dad died to be like

1480
01:12:06,200 --> 01:12:08,880
Speaker 2: I know. Oh my god, it doesn't make any sense.

1481
01:12:09,040 --> 01:12:10,759
Speaker 3: Yeah, no, none, none, whatsoever.

1482
01:12:11,560 --> 01:12:14,200
Speaker 1: Finally, she admits the truth because I don't want to

1483
01:12:14,240 --> 01:12:16,800
Speaker 1: hurt you. Sean can't help but ask, what are you

1484
01:12:16,920 --> 01:12:19,280
Speaker 1: talking about? You're already killing me. How are you going

1485
01:12:19,320 --> 01:12:21,640
Speaker 1: to hurt me more? If you love me? Which is

1486
01:12:21,760 --> 01:12:24,960
Speaker 1: my point that I had about to Panga, you don't

1487
01:12:24,960 --> 01:12:26,680
Speaker 1: want to end up in divorce, so you're just going

1488
01:12:26,760 --> 01:12:28,479
Speaker 1: to break up with him now?

1489
01:12:28,840 --> 01:12:29,400
Speaker 2: Divorce first?

1490
01:12:29,479 --> 01:12:31,680
Speaker 3: Yeah, yeah, I don't want to hurt you by leaving you,

1491
01:12:31,760 --> 01:12:32,920
Speaker 3: so I'm leaving.

1492
01:12:36,800 --> 01:12:39,080
Speaker 2: In that scenario, does to Panga believe that she's going

1493
01:12:39,120 --> 01:12:41,160
Speaker 2: to find somebody else and get married and divorce. Or

1494
01:12:41,200 --> 01:12:51,839
Speaker 2: is the idea that she's going to get The logic

1495
01:12:51,920 --> 01:12:53,880
Speaker 2: has to go there because there's no other. If she

1496
01:12:53,960 --> 01:12:57,040
Speaker 2: loves Corey doesn't want to hurt him by partnering with him.

1497
01:12:57,000 --> 01:13:01,840
Speaker 1: So she's in general, or she's going to marry someone

1498
01:13:01,880 --> 01:13:13,680
Speaker 1: she love loves.

1499
01:13:10,720 --> 01:13:12,960
Speaker 2: Just be carried around by buff Chad.

1500
01:13:14,680 --> 01:13:17,400
Speaker 1: Angela shakes her head and cries, I can't love you

1501
01:13:17,439 --> 01:13:20,800
Speaker 1: because I'll leave you. She pushes past Sean, but her

1502
01:13:20,800 --> 01:13:23,840
Speaker 1: father grabs her, preventing her from walking out. Do not

1503
01:13:24,320 --> 01:13:26,680
Speaker 1: do not surrender to this. I did not raise a

1504
01:13:26,760 --> 01:13:30,000
Speaker 1: daughter to surrender. He takes a knee. You are not

1505
01:13:30,160 --> 01:13:32,720
Speaker 1: your mother. The difference between your mother and you is

1506
01:13:32,720 --> 01:13:36,360
Speaker 1: that she was not in love and you are. Angela

1507
01:13:36,439 --> 01:13:38,120
Speaker 1: tears up as she tells her dad She's.

1508
01:13:37,920 --> 01:13:39,160
Speaker 2: Sorry, I'm not in love.

1509
01:13:40,120 --> 01:13:41,120
Speaker 3: Several times.

1510
01:13:41,560 --> 01:13:44,000
Speaker 1: He assures her it's all right. This is about her

1511
01:13:44,040 --> 01:13:45,960
Speaker 1: and he just wants her to be happy. But how

1512
01:13:45,960 --> 01:13:47,840
Speaker 1: can she be happy if she can't tell the man

1513
01:13:47,920 --> 01:13:51,160
Speaker 1: she loves that she loves him. Angela returns to Sean

1514
01:13:51,200 --> 01:13:55,280
Speaker 1: and says, I love you. The crowd lets out a

1515
01:13:55,720 --> 01:13:59,080
Speaker 1: massive cheer as Angela hugs.

1516
01:14:00,000 --> 01:14:01,760
Speaker 2: Audience like cheer at that because it was just.

1517
01:14:01,760 --> 01:14:06,920
Speaker 3: Like, if you track it, she told her dad a

1518
01:14:07,040 --> 01:14:09,599
Speaker 3: number of times, I don't love him.

1519
01:14:09,640 --> 01:14:11,320
Speaker 1: I don't love him.

1520
01:14:11,360 --> 01:14:14,120
Speaker 3: Sean told her dad, yes she does.

1521
01:14:16,080 --> 01:14:18,360
Speaker 2: Yeah. He was like, all right, well, and that we

1522
01:14:18,479 --> 01:14:20,360
Speaker 2: have to get her to agree to that.

1523
01:14:21,200 --> 01:14:25,160
Speaker 1: And before you get her to agree to that, you

1524
01:14:25,200 --> 01:14:28,720
Speaker 1: have to ask Foene what he thinks. He also says it.

1525
01:14:28,840 --> 01:14:32,120
Speaker 1: Corey says she loves him.

1526
01:14:32,160 --> 01:14:32,840
Speaker 3: He's a liar.

1527
01:14:32,920 --> 01:14:35,960
Speaker 1: She actually loves him.

1528
01:14:36,000 --> 01:14:40,360
Speaker 2: So disturbing. Actually, it's when the audience cheered that. I

1529
01:14:40,400 --> 01:14:43,520
Speaker 2: was just like, look, I understand the desire to see

1530
01:14:43,640 --> 01:14:46,439
Speaker 2: Sean and Angela together. That's what the audience wants, right,

1531
01:14:46,479 --> 01:14:49,720
Speaker 2: But like the process of getting there is like it's

1532
01:14:49,760 --> 01:14:52,759
Speaker 2: really intense, and like, don't.

1533
01:14:52,640 --> 01:14:56,080
Speaker 1: I wonder if we could have had the exact same

1534
01:14:56,439 --> 01:15:02,360
Speaker 1: episode without her actually saying I don't love you. I

1535
01:15:02,439 --> 01:15:04,320
Speaker 1: don't want to be in a relationship with you. If

1536
01:15:04,360 --> 01:15:06,479
Speaker 1: she just kept saying I don't want to get back

1537
01:15:06,479 --> 01:15:09,240
Speaker 1: together Sean, I don't want to like, and we would

1538
01:15:09,240 --> 01:15:11,400
Speaker 1: have felt differently about it, because this.

1539
01:15:11,520 --> 01:15:14,639
Speaker 2: Is literally saying I do not have this feeling, and

1540
01:15:14,680 --> 01:15:16,800
Speaker 2: like the tension of the story is just forcing her

1541
01:15:16,880 --> 01:15:19,000
Speaker 2: to say I do have this feeling yeah, okay to

1542
01:15:19,320 --> 01:15:22,680
Speaker 2: acknowledge it, whereas yeah, if she was you know, obsvucating

1543
01:15:22,760 --> 01:15:24,040
Speaker 2: and like you.

1544
01:15:24,400 --> 01:15:26,439
Speaker 1: Loved me and she was like stop it, just stop,

1545
01:15:26,479 --> 01:15:27,240
Speaker 1: I'm not you know.

1546
01:15:27,439 --> 01:15:29,559
Speaker 2: Or there's another guy that she's like, you know, and

1547
01:15:29,600 --> 01:15:32,080
Speaker 2: it's like obviously fake and she's doing a whole you know,

1548
01:15:32,200 --> 01:15:34,680
Speaker 2: like if there was clear that she's in denial in

1549
01:15:34,760 --> 01:15:40,160
Speaker 2: somewhere by her behavior, and but when she's like outright sane,

1550
01:15:40,240 --> 01:15:43,040
Speaker 2: like very very directly and like you say, no one's

1551
01:15:43,080 --> 01:15:45,280
Speaker 2: listening and no one's you know, they're just gaslighting her.

1552
01:15:45,920 --> 01:15:48,679
Speaker 3: Yeah. She should never actually the character really should never

1553
01:15:48,800 --> 01:15:50,679
Speaker 3: ever say the words I don't love you.

1554
01:15:50,800 --> 01:15:54,920
Speaker 2: Yeah, everything's in school right now. I'm so busy. It's

1555
01:15:54,960 --> 01:15:57,160
Speaker 2: finals week. What are you talking about? Sean? Like, let's

1556
01:15:57,160 --> 01:15:59,240
Speaker 2: talk about it next month. And Sean keeps the pressure

1557
01:15:59,280 --> 01:16:02,479
Speaker 2: campaign because he knows what that really means. But when

1558
01:16:02,479 --> 01:16:05,480
Speaker 2: she's like literally saying the opposite of what everyone.

1559
01:16:05,240 --> 01:16:07,600
Speaker 3: Else is saying no, and he's not taking no for

1560
01:16:07,640 --> 01:16:08,599
Speaker 3: an answer, Yeah, yeah.

1561
01:16:08,479 --> 01:16:10,320
Speaker 2: It's yeah, you're right. I think the story could have

1562
01:16:10,520 --> 01:16:15,200
Speaker 2: could have worked with a little bit more like nuanced writing.

1563
01:16:15,320 --> 01:16:18,040
Speaker 1: Sean grabs her tight and adds I love you too,

1564
01:16:18,360 --> 01:16:21,719
Speaker 1: I always have Topanga and Rachel watch on from their rooms.

1565
01:16:21,800 --> 01:16:24,880
Speaker 1: Is the happy ending unfolds, Sergeant Moore tells Sean to

1566
01:16:24,920 --> 01:16:28,240
Speaker 1: take care of his daughter. Sean salutes him, sir, Yes, sir.

1567
01:16:28,800 --> 01:16:31,120
Speaker 1: The sergeant salutes him back, and he looks to Angela

1568
01:16:31,160 --> 01:16:33,679
Speaker 1: for a hug. She embraces him and thanks him for everything.

1569
01:16:34,080 --> 01:16:35,639
Speaker 1: He gives her a kiss on the head and thanks

1570
01:16:35,680 --> 01:16:39,120
Speaker 1: her too as he leaves. Rachel comments to Topanga. One

1571
01:16:39,200 --> 01:16:42,519
Speaker 1: down to Pega asks what's that supposed to mean? And

1572
01:16:42,600 --> 01:16:44,680
Speaker 1: Rachel tells her love is in the air and it

1573
01:16:44,720 --> 01:16:47,800
Speaker 1: won't be long before Corey finds out there together and

1574
01:16:47,840 --> 01:16:49,439
Speaker 1: she's interrupted by a knock at the door.

1575
01:16:49,800 --> 01:16:55,640
Speaker 3: This drove me crazy because the Topanga's reaction was to

1576
01:16:55,640 --> 01:16:57,479
Speaker 3: stand there with her arms crossed and looking at the

1577
01:16:57,479 --> 01:16:59,720
Speaker 3: door with a big smile on her face, like and

1578
01:16:59,760 --> 01:17:01,880
Speaker 3: it's like, yeah, eventually I'll let him back into my life,

1579
01:17:01,920 --> 01:17:04,640
Speaker 3: but I'm kind of gonna just hold it where And

1580
01:17:04,680 --> 01:17:06,960
Speaker 3: I was like, wait, I know what, She's just gonna

1581
01:17:06,960 --> 01:17:08,679
Speaker 3: be a jerk about it. Where what you should have done?

1582
01:17:09,200 --> 01:17:11,000
Speaker 3: They should have had to Panga do if she looks

1583
01:17:11,000 --> 01:17:14,480
Speaker 3: at Rachel gets depressed again, turns and walks out exactly.

1584
01:17:14,160 --> 01:17:15,760
Speaker 5: Instead of sitting there like looking at the door like.

1585
01:17:15,800 --> 01:17:20,479
Speaker 3: Oh now, it's like oh there, yeah, life eventually, but

1586
01:17:20,520 --> 01:17:22,799
Speaker 3: he's gonna suffer a little more. I was like, wow,

1587
01:17:22,920 --> 01:17:23,160
Speaker 3: you know.

1588
01:17:23,200 --> 01:17:26,160
Speaker 1: Because it isn't it was so far all up to

1589
01:17:26,200 --> 01:17:29,679
Speaker 1: this point, it hasn't seemed like Topanga's playing a joke.

1590
01:17:29,840 --> 01:17:34,240
Speaker 1: It seemed very much like, okay, she's yeah. A good

1591
01:17:34,280 --> 01:17:36,960
Speaker 1: point because I was so bothered by that too, by

1592
01:17:37,040 --> 01:17:38,920
Speaker 1: like and I was like, is that a performance thing?

1593
01:17:39,040 --> 01:17:41,120
Speaker 1: Is that something? Was that a choice? Was that something

1594
01:17:41,160 --> 01:17:41,839
Speaker 1: they wanted?

1595
01:17:41,960 --> 01:17:42,000
Speaker 3: Like?

1596
01:17:42,400 --> 01:17:44,880
Speaker 1: Because yeah, it does end on a note of like

1597
01:17:44,880 --> 01:17:47,520
Speaker 1: like oh this boy, he won't stop.

1598
01:17:47,240 --> 01:17:48,639
Speaker 5: And I know it's gonna happen eventually.

1599
01:17:51,160 --> 01:17:54,080
Speaker 3: And it's like, oh yeah, that was weird to me.

1600
01:17:54,360 --> 01:17:57,040
Speaker 1: I know, I didn't like it either. And she's interrupted

1601
01:17:57,040 --> 01:17:58,599
Speaker 1: by a knock at the door to Pega shakes her

1602
01:17:58,600 --> 01:18:00,880
Speaker 1: head as Rachel jokes, I wonder who that could be.

1603
01:18:01,400 --> 01:18:04,439
Speaker 1: The rapid knocking continues as the screen fades to black,

1604
01:18:04,880 --> 01:18:12,840
Speaker 1: and then we're here at our infamous tagus.

1605
01:18:10,520 --> 01:18:12,800
Speaker 3: The Best, the Best.

1606
01:18:13,320 --> 01:18:15,599
Speaker 1: We've talked about this before that none of us could

1607
01:18:15,680 --> 01:18:17,960
Speaker 1: keep it together, as you see, you see multiple times

1608
01:18:17,960 --> 01:18:20,200
Speaker 1: and this is a fraction of what was what was

1609
01:18:20,240 --> 01:18:24,960
Speaker 1: going on? Uh, the only person who never breaks is Trina.

1610
01:18:25,120 --> 01:18:29,719
Speaker 1: And that's because Trina had a flight. She was desperate

1611
01:18:29,760 --> 01:18:32,680
Speaker 1: to get to the airport and the last thing we

1612
01:18:32,760 --> 01:18:35,360
Speaker 1: had to do was get this scene done.

1613
01:18:35,800 --> 01:18:37,719
Speaker 3: And she told us, I think even before we started

1614
01:18:37,720 --> 01:18:41,800
Speaker 3: the scene, like guys, it was it was.

1615
01:18:41,720 --> 01:18:44,040
Speaker 2: The last scene of the show in front of the audience.

1616
01:18:44,520 --> 01:18:46,639
Speaker 2: She had a flight to catch, and yeah, you can

1617
01:18:46,640 --> 01:18:49,120
Speaker 2: see there's every one shot where you can see her face.

1618
01:18:49,160 --> 01:18:49,400
Speaker 3: She is.

1619
01:18:49,439 --> 01:18:52,960
Speaker 2: She's so not happy, I know.

1620
01:18:53,479 --> 01:18:55,280
Speaker 3: And then she does break at the end. She breaks

1621
01:18:55,320 --> 01:18:57,040
Speaker 3: when when you got to get off of me. Yeah,

1622
01:18:57,120 --> 01:18:58,120
Speaker 3: she smiles a little bit.

1623
01:18:58,200 --> 01:18:59,800
Speaker 1: But then I thought, because I saw the same thing

1624
01:18:59,800 --> 01:19:02,120
Speaker 1: I I thought I saw her kind of start to laugh.

1625
01:19:02,200 --> 01:19:04,719
Speaker 1: Then she turns and walks away from us and goes

1626
01:19:04,720 --> 01:19:06,120
Speaker 1: to the thing where I think she may have had

1627
01:19:06,120 --> 01:19:09,280
Speaker 1: her phone, she had something where she was like, no,

1628
01:19:09,320 --> 01:19:09,599
Speaker 1: you're right.

1629
01:19:09,640 --> 01:19:15,439
Speaker 7: Ninety nine said, oh my god, yeah, my favorite blooper

1630
01:19:15,560 --> 01:19:17,760
Speaker 7: is not in here, though, which I always I guess

1631
01:19:17,760 --> 01:19:19,840
Speaker 7: I never I've never seen it, so I just knew

1632
01:19:19,840 --> 01:19:20,559
Speaker 7: that this happened.

1633
01:19:20,560 --> 01:19:22,719
Speaker 2: But I haven't watched this since it aired or whatever

1634
01:19:22,800 --> 01:19:25,759
Speaker 2: when we did it. But My favorite thing that happened

1635
01:19:26,080 --> 01:19:29,800
Speaker 2: is while we were kissing and the audience was you

1636
01:19:29,880 --> 01:19:31,240
Speaker 2: started wooing from the couch.

1637
01:19:32,400 --> 01:19:33,160
Speaker 3: I remember that.

1638
01:19:34,680 --> 01:19:35,479
Speaker 2: I think that's why.

1639
01:19:37,320 --> 01:19:38,520
Speaker 3: I remember sitting.

1640
01:19:38,240 --> 01:19:40,360
Speaker 2: There, and I think that was maybe the first one

1641
01:19:40,360 --> 01:19:43,080
Speaker 2: that made me true to laugh because we're sitting there

1642
01:19:43,160 --> 01:19:45,160
Speaker 2: and the audience goes well, and then you just went.

1643
01:19:47,240 --> 01:19:54,160
Speaker 1: I remember, it's so funny. And they didn't use that

1644
01:19:54,200 --> 01:19:54,639
Speaker 1: in the tag.

1645
01:19:55,400 --> 01:19:57,759
Speaker 2: And then like were you holding the pillow with your teeth?

1646
01:19:57,800 --> 01:19:59,479
Speaker 3: And then like I think it was ying on my

1647
01:20:00,040 --> 01:20:01,960
Speaker 3: How did you get it off? You just like popping

1648
01:20:02,000 --> 01:20:07,080
Speaker 3: up my head and oh god, yeah, I.

1649
01:20:06,960 --> 01:20:08,519
Speaker 2: Was like waiting for it to have it. It was like, oh,

1650
01:20:08,520 --> 01:20:10,439
Speaker 2: it didn't make the cut. So there were there were

1651
01:20:10,640 --> 01:20:14,040
Speaker 2: multiple oh yeah.

1652
01:20:13,200 --> 01:20:16,519
Speaker 1: Yeah, this is multiples so many times.

1653
01:20:16,600 --> 01:20:19,960
Speaker 3: I remember it starting because I had never I don't

1654
01:20:20,000 --> 01:20:23,720
Speaker 3: think we ever rehearsed with the actual couch piece, so

1655
01:20:24,280 --> 01:20:28,120
Speaker 3: trying to stand up. Yes, just by the time I

1656
01:20:28,160 --> 01:20:29,360
Speaker 3: stood up, I had lost it.

1657
01:20:29,479 --> 01:20:31,639
Speaker 2: Okay, but what what was the end of the scene.

1658
01:20:32,840 --> 01:20:37,120
Speaker 2: I would have gotten original them you say about me?

1659
01:20:37,160 --> 01:20:40,080
Speaker 2: And then even I don't even know what the don't

1660
01:20:40,160 --> 01:20:42,200
Speaker 2: we don't know what the did we shoot it? And

1661
01:20:42,240 --> 01:20:43,120
Speaker 2: they just didn't cut it.

1662
01:20:43,200 --> 01:20:43,880
Speaker 1: You know who might know?

1663
01:20:44,000 --> 01:20:47,000
Speaker 2: Manel, Oh, yeah, we must. It must be in the script.

1664
01:20:47,400 --> 01:20:48,360
Speaker 2: It must be in the script.

1665
01:20:48,560 --> 01:20:50,880
Speaker 3: You must have shot it, right, I mean we must

1666
01:20:50,920 --> 01:20:53,040
Speaker 3: have gotten Yes, they.

1667
01:20:53,000 --> 01:20:56,280
Speaker 2: Just decided it was funnier to show the outtakes. But

1668
01:20:56,320 --> 01:20:59,080
Speaker 2: I'm pretty sure we finished the scene we had to have.

1669
01:20:59,120 --> 01:21:00,559
Speaker 2: I don't think we had at He's just been like,

1670
01:21:00,600 --> 01:21:03,479
Speaker 2: oh no, let's get it at least once. And so

1671
01:21:03,520 --> 01:21:05,480
Speaker 2: I want to know what happens, like how does Topanga

1672
01:21:05,520 --> 01:21:07,840
Speaker 2: and how did Tepanga and Eric resolve this or keep

1673
01:21:07,840 --> 01:21:10,240
Speaker 2: this story on going? Like I'm so curious.

1674
01:21:10,439 --> 01:21:13,479
Speaker 3: One of my favorite sounds has always been Danielle going

1675
01:21:13,520 --> 01:21:18,840
Speaker 3: to the fridge and going it's three and then turns

1676
01:21:18,960 --> 01:21:21,280
Speaker 3: back right, I mean to open the fridge again. That's

1677
01:21:21,280 --> 01:21:23,560
Speaker 3: always been one of my favorite part with it.

1678
01:21:23,160 --> 01:21:24,919
Speaker 2: Oh gosh, so funny.

1679
01:21:25,840 --> 01:21:28,240
Speaker 1: So to recap what happens later in the girls apartment,

1680
01:21:28,280 --> 01:21:30,719
Speaker 1: Angela and Sean passionately make out on the couch, trading

1681
01:21:30,760 --> 01:21:32,400
Speaker 1: saying good night to each other, but neither of them

1682
01:21:32,400 --> 01:21:34,679
Speaker 1: get up to move to Panga walks by in matters

1683
01:21:34,720 --> 01:21:37,920
Speaker 1: He's never leaving Izzy. Angela shakes her head, never to

1684
01:21:38,000 --> 01:21:40,120
Speaker 1: Pang ads I'm only asking because it's three o'clock in

1685
01:21:40,120 --> 01:21:42,880
Speaker 1: the morning and you're crushing Eric. Sure enough, the couch

1686
01:21:42,880 --> 01:21:46,120
Speaker 1: cushions rise up and we see Eric's head awkwardly sticking out.

1687
01:21:46,439 --> 01:21:49,160
Speaker 1: Angela and Sean quickly jump up off the couch, and

1688
01:21:49,200 --> 01:21:51,880
Speaker 1: the eerie music plays out once again. He tries his

1689
01:21:51,880 --> 01:21:53,280
Speaker 1: hardest to get up, but the vela crow on the

1690
01:21:53,320 --> 01:21:56,240
Speaker 1: cushions is making it impossible. After a struggle, he finally

1691
01:21:56,280 --> 01:21:58,160
Speaker 1: stands up to face them, but they burst into laughter,

1692
01:21:58,320 --> 01:22:01,120
Speaker 1: completely breaking the scene. Cut to another take of the

1693
01:22:01,120 --> 01:22:03,800
Speaker 1: same scene, and this time I break before we even

1694
01:22:03,880 --> 01:22:09,880
Speaker 1: reveal Eric in the couch. Then another take couch cushion.

1695
01:22:10,000 --> 01:22:12,720
Speaker 1: Eric is standing before us and asks how did you know?

1696
01:22:13,040 --> 01:22:17,160
Speaker 1: And then again I immediately burstedto laughter. Will announces he

1697
01:22:17,280 --> 01:22:21,200
Speaker 1: nailed it. We officially have the giggles. We get two

1698
01:22:21,280 --> 01:22:23,840
Speaker 1: more takes of Will saying his line how did you know?

1699
01:22:24,080 --> 01:22:26,240
Speaker 1: But now he can't get through the scene without laughing.

1700
01:22:26,640 --> 01:22:28,840
Speaker 1: Will wonders if they have to do this line by line,

1701
01:22:28,840 --> 01:22:30,360
Speaker 1: and writer says they have to.

1702
01:22:32,680 --> 01:22:38,519
Speaker 2: Suggest. We going to do this. We're just going to

1703
01:22:38,600 --> 01:22:41,160
Speaker 2: do please.

1704
01:22:42,600 --> 01:22:42,800
Speaker 3: Yes.

1705
01:22:44,960 --> 01:22:48,360
Speaker 1: Finally we get one more tape. Topeka reveals Eric is

1706
01:22:48,360 --> 01:22:50,960
Speaker 1: in the couch cushions, Trina and Riders stare at him

1707
01:22:51,000 --> 01:22:53,280
Speaker 1: until he reminds them, you gotta.

1708
01:22:53,040 --> 01:22:54,920
Speaker 3: Get off, me, get off.

1709
01:22:55,720 --> 01:22:58,360
Speaker 1: The two jump up and we all crack up one

1710
01:22:58,439 --> 01:22:59,040
Speaker 1: last time.

1711
01:22:59,880 --> 01:23:03,840
Speaker 2: I mean, how much do you think that, like this

1712
01:23:03,920 --> 01:23:06,600
Speaker 2: decision to include to break the fourth wall and to

1713
01:23:06,680 --> 01:23:10,000
Speaker 2: include these outtakes, how much do you think that this

1714
01:23:10,160 --> 01:23:14,680
Speaker 2: made like Pod meets World possible? Like, because think about it,

1715
01:23:14,720 --> 01:23:18,720
Speaker 2: this is a glimpse for mainstream like a television show.

1716
01:23:18,720 --> 01:23:22,160
Speaker 2: It broke the fourth wall and for a moment, everybody

1717
01:23:22,160 --> 01:23:25,240
Speaker 2: that watched Boy Meets World got to see something that

1718
01:23:25,400 --> 01:23:28,240
Speaker 2: was not ever really it was us being us together,

1719
01:23:28,560 --> 01:23:32,120
Speaker 2: laughing so hard. And I think that little glimpse went

1720
01:23:32,160 --> 01:23:35,240
Speaker 2: a long way in creating interest in like what was

1721
01:23:35,280 --> 01:23:37,360
Speaker 2: it like on that set? What are these people like?

1722
01:23:37,479 --> 01:23:37,680
Speaker 3: You know?

1723
01:23:37,720 --> 01:23:40,280
Speaker 2: And it's it's funny. I just never thought about it before,

1724
01:23:40,520 --> 01:23:42,760
Speaker 2: but like it's really kind of a crazy move, Like

1725
01:23:43,000 --> 01:23:45,240
Speaker 2: it's you know, it's it's everyone loves Saturday Night Live

1726
01:23:45,240 --> 01:23:47,160
Speaker 2: when they break right, and that's about the live and

1727
01:23:47,439 --> 01:23:51,840
Speaker 2: that's that's always created this this mythology or this this

1728
01:23:51,840 --> 01:23:53,520
Speaker 2: this interest.

1729
01:23:53,200 --> 01:23:55,400
Speaker 3: In what's going on behind the scenes.

1730
01:23:55,080 --> 01:23:56,559
Speaker 2: And all that you know, it's like we know that

1731
01:23:56,600 --> 01:23:58,839
Speaker 2: there's a lot going on there, whereas your average sitcom

1732
01:23:58,840 --> 01:24:01,120
Speaker 2: you don't get a glimpse like that. But because of

1733
01:24:01,120 --> 01:24:04,800
Speaker 2: this moment, I think people really saw, Yeah, it's I

1734
01:24:04,840 --> 01:24:06,360
Speaker 2: don't know it is and it's also people love.

1735
01:24:06,400 --> 01:24:07,719
Speaker 3: I mean, it's one of the things people love about

1736
01:24:07,720 --> 01:24:10,920
Speaker 3: the DVDs when when they get DVDs of any any show, commentary, office,

1737
01:24:11,000 --> 01:24:12,200
Speaker 3: or any of that kind of stuff.

1738
01:24:12,160 --> 01:24:14,920
Speaker 5: Is they usually have a blooper reel. Right, this was

1739
01:24:15,120 --> 01:24:16,120
Speaker 5: all there, I know.

1740
01:24:16,920 --> 01:24:19,519
Speaker 2: An episode and we literally don't end the storyline. We

1741
01:24:19,640 --> 01:24:22,519
Speaker 2: just say and we had. It's so cool. I love,

1742
01:24:22,760 --> 01:24:24,599
Speaker 2: you know, I love being so happy that this happened

1743
01:24:24,600 --> 01:24:27,639
Speaker 2: at the time. But it's like I'm even happier about

1744
01:24:27,640 --> 01:24:30,000
Speaker 2: it now because I really do feel like it's there's

1745
01:24:30,000 --> 01:24:34,280
Speaker 2: like a direct line from that decision to our ability

1746
01:24:34,320 --> 01:24:36,760
Speaker 2: to connect with fans now because I feel like it's

1747
01:24:36,760 --> 01:24:39,080
Speaker 2: created a relationship and an introt it like planted that

1748
01:24:39,120 --> 01:24:40,759
Speaker 2: seed that you know, angry.

1749
01:24:40,840 --> 01:24:41,519
Speaker 3: I think it's cool.

1750
01:24:42,080 --> 01:24:45,840
Speaker 1: Join us for our next episode. Recap, Season seven, episode four,

1751
01:24:46,080 --> 01:24:48,679
Speaker 1: No Such Thing as a Sure Thing. It originally aired

1752
01:24:48,680 --> 01:24:53,760
Speaker 1: October fifteenth, nineteen ninety nine. That's our show. Everybody thanks

1753
01:24:53,800 --> 01:24:56,040
Speaker 1: for joining us for this episode of Pod Meets World.

1754
01:24:56,360 --> 01:24:58,559
Speaker 1: As always, you can follow us on Instagram pod meets

1755
01:24:58,600 --> 01:25:01,120
Speaker 1: World Show. You can send us your emails podmeets World

1756
01:25:01,200 --> 01:25:04,640
Speaker 1: Show at gmail dot com. And we've got merch.

1757
01:25:05,320 --> 01:25:08,400
Speaker 2: Send a Royspanatoni and everyone.

1758
01:25:08,479 --> 01:25:11,000
Speaker 5: Well, thank you. You're gonna love it.

1759
01:25:11,240 --> 01:25:21,759
Speaker 2: Unless your name to penga merch. We love you all,

1760
01:25:22,080 --> 01:25:28,719
Speaker 2: pod dismissed. Pod Meets World is an iHeart podcast producer

1761
01:25:28,760 --> 01:25:32,599
Speaker 2: hosted by Danielle Fischel, Wilfredell and Ryder Strong executive producers

1762
01:25:32,640 --> 01:25:35,559
Speaker 2: Jensen Carp and Amy Sugarman. Executive in charge of production,

1763
01:25:35,680 --> 01:25:40,240
Speaker 2: Danielle Romo, producer and editor, Tarasubasch producer, Maddi Moore, engineer

1764
01:25:40,280 --> 01:25:43,120
Speaker 2: and Boy Meets World superman Easton Allen. Our theme song

1765
01:25:43,280 --> 01:25:46,360
Speaker 2: is by Kyle Morton of Typhoon. Follow us on Instagram

1766
01:25:46,400 --> 01:25:49,400
Speaker 2: at Podmets World Show or email us at Podmeats World

1767
01:25:49,479 --> 01:25:54,360
Speaker 2: Show at gmail dot com