1 00:00:03,080 --> 00:00:13,240 Speaker 1: Some Donkey today is just ltte ready I never heard again? 2 00:00:16,640 --> 00:00:22,479 Speaker 1: Are Charlotte Rue. 3 00:00:25,520 --> 00:00:29,560 Speaker 2: Donkey Today? For Tuesday February twenty, it goes to Bethany Frankel. 4 00:00:29,760 --> 00:00:34,120 Speaker 3: You know who Bethany Frankel is, right, entrepreneur, TV personality Real. 5 00:00:33,880 --> 00:00:35,520 Speaker 1: Housewives in New York. She gets busy. 6 00:00:35,920 --> 00:00:37,599 Speaker 3: She had a daytime talk show back in the day. 7 00:00:37,640 --> 00:00:40,120 Speaker 3: I used to appear on it pretty often. Fun fact, 8 00:00:40,640 --> 00:00:44,400 Speaker 3: Bethany Frankel is the reason I named my podcast when 9 00:00:44,440 --> 00:00:48,199 Speaker 3: Andrews showed Brilliant Idiots true story, I was on her 10 00:00:48,200 --> 00:00:49,880 Speaker 3: show back in the day when we were first launching 11 00:00:49,920 --> 00:00:52,280 Speaker 3: the podcast, and she said to me, verbatim, you say 12 00:00:52,280 --> 00:00:55,040 Speaker 3: the smartest, dumbest things I've ever heard. You're like a 13 00:00:55,080 --> 00:00:58,120 Speaker 3: brilliant idiot. And immediately the light bulb went off. So 14 00:00:58,200 --> 00:01:00,560 Speaker 3: thank you for that inspiration, Bethany. But Donkey of the 15 00:01:00,640 --> 00:01:02,840 Speaker 3: Day does not discriminate. See if you was listening to 16 00:01:02,920 --> 00:01:05,080 Speaker 3: Jess with the Mess earlier and you heard Jess tell 17 00:01:05,080 --> 00:01:07,720 Speaker 3: a story about the great Kelly Rowland, Jess, can you 18 00:01:07,760 --> 00:01:10,040 Speaker 3: tell the people what happened with the Godiva Chocolate Goddess 19 00:01:10,120 --> 00:01:10,600 Speaker 3: Kelly Roland? 20 00:01:10,640 --> 00:01:11,120 Speaker 1: What happened? 21 00:01:11,400 --> 00:01:15,040 Speaker 4: So she was invited to co host the Today Show, 22 00:01:15,080 --> 00:01:16,959 Speaker 4: and when she got there, she saw that she did 23 00:01:17,040 --> 00:01:20,679 Speaker 4: not like her green room accommodations and she asked to 24 00:01:20,680 --> 00:01:23,440 Speaker 4: be moved to a larger green room and they denied 25 00:01:23,440 --> 00:01:26,320 Speaker 4: her that access because j Lo was accompanying the main 26 00:01:26,440 --> 00:01:26,920 Speaker 4: green room. 27 00:01:27,000 --> 00:01:28,959 Speaker 3: Okay, yeah, well, of course a lot of people had 28 00:01:29,000 --> 00:01:31,760 Speaker 3: opinions about this situation, and Bethany Frankel was one of them. 29 00:01:31,959 --> 00:01:36,040 Speaker 3: There's a page six headline that says, Bethany Frankel slams 30 00:01:36,120 --> 00:01:40,160 Speaker 3: Kelly Rowland for Diva expectations over Today's show dressing rooms. 31 00:01:40,240 --> 00:01:41,840 Speaker 1: Can we listen to what Bethany had to say? Right? 32 00:01:42,080 --> 00:01:44,520 Speaker 5: Kelly Roland walked off the set of the Today Show 33 00:01:44,560 --> 00:01:47,039 Speaker 5: because the dressing room wasn't up to park. She was 34 00:01:47,080 --> 00:01:50,960 Speaker 5: co hosting with Coda, and it wasn't it. I've co 35 00:01:51,040 --> 00:01:54,560 Speaker 5: hosted with Hoda and I've arrived there and the makeup 36 00:01:54,600 --> 00:01:56,960 Speaker 5: area that you touch up in is like grab a 37 00:01:56,960 --> 00:01:59,760 Speaker 5: croissant and some plastic and great for the best, and 38 00:02:00,160 --> 00:02:03,480 Speaker 5: it's just not what that's about. And it's an honor 39 00:02:03,560 --> 00:02:05,600 Speaker 5: to be there and to sit down with Hoda, and 40 00:02:05,640 --> 00:02:11,320 Speaker 5: that was not the moment for diva expectations. 41 00:02:11,320 --> 00:02:15,840 Speaker 3: Bethany stop cut it out, Bethany, I would not expect 42 00:02:15,840 --> 00:02:18,280 Speaker 3: that take from you, because you are the same person 43 00:02:18,600 --> 00:02:21,760 Speaker 3: who had your lawyer send Bravo a litigation hold letter 44 00:02:22,000 --> 00:02:25,200 Speaker 3: that alleged the company engaged in grow tests and depraved 45 00:02:25,240 --> 00:02:28,720 Speaker 3: the mistreatment of its on air talent. Bethany also accused 46 00:02:28,720 --> 00:02:33,000 Speaker 3: Bravo's parent company applying talent with alcohol while depriving them 47 00:02:33,000 --> 00:02:35,840 Speaker 3: of food and sleep, as well as denying mental health treatment. 48 00:02:35,880 --> 00:02:37,959 Speaker 3: The moral of the story is Bethany doesn't like to 49 00:02:38,000 --> 00:02:39,320 Speaker 3: see people mistreating talent. 50 00:02:39,560 --> 00:02:41,320 Speaker 1: Bethany doesn't like to see people taking. 51 00:02:41,160 --> 00:02:42,200 Speaker 2: Advantage of talent. 52 00:02:42,280 --> 00:02:44,799 Speaker 3: So, Bethany, if a talent like Kelly Roland felt like 53 00:02:44,840 --> 00:02:47,520 Speaker 3: they was being mistreated and decided, you know, she was 54 00:02:47,520 --> 00:02:50,040 Speaker 3: being mistreated to the point she should walk away, who 55 00:02:50,040 --> 00:02:52,720 Speaker 3: are you to tell her she's acting like a diva? Okay, 56 00:02:52,800 --> 00:02:55,400 Speaker 3: we all know you have to teach people how to 57 00:02:55,440 --> 00:02:58,280 Speaker 3: treat you. So if today's show wasn't treating Kelly the 58 00:02:58,320 --> 00:03:00,680 Speaker 3: way she wanted to be treated, who are we to 59 00:03:00,720 --> 00:03:01,440 Speaker 3: tell Kelly. 60 00:03:01,280 --> 00:03:02,080 Speaker 2: Rowland suck it up? 61 00:03:02,120 --> 00:03:02,640 Speaker 1: But a couple. 62 00:03:03,080 --> 00:03:06,639 Speaker 3: No, it is necessary and even vital to set stanzas 63 00:03:06,680 --> 00:03:09,000 Speaker 3: for your life. I don't have a problem with Kelly 64 00:03:09,080 --> 00:03:11,760 Speaker 3: having boundaries. I don't have a problem with Kelly Rowland 65 00:03:12,000 --> 00:03:14,240 Speaker 3: or any talent walking away from. 66 00:03:14,040 --> 00:03:16,240 Speaker 1: A situation if they aren't being treated correctly. 67 00:03:16,280 --> 00:03:19,960 Speaker 3: All of these production companies, networks, TV shows, y'all got 68 00:03:20,040 --> 00:03:22,239 Speaker 3: life fed up in twenty twenty four. If you ask 69 00:03:22,320 --> 00:03:25,520 Speaker 3: these people to take time out of their lives to 70 00:03:25,560 --> 00:03:28,920 Speaker 3: come co host your programs, treat them with respect. In business, 71 00:03:28,919 --> 00:03:31,280 Speaker 3: they say, the customer is always right. Well so is 72 00:03:31,320 --> 00:03:33,640 Speaker 3: the damn talent when it comes to situations like this. 73 00:03:33,720 --> 00:03:36,400 Speaker 3: If Kelly Rowland felt if Kelly Rowland felt like they 74 00:03:36,440 --> 00:03:38,920 Speaker 3: weren't felt like she wasn't being treated with the respect 75 00:03:39,000 --> 00:03:39,800 Speaker 3: she deserves. 76 00:03:39,560 --> 00:03:41,760 Speaker 2: She has every right to walk away. 77 00:03:41,920 --> 00:03:44,640 Speaker 3: Stop acting like y'all doing talent a favor by putting 78 00:03:44,680 --> 00:03:47,520 Speaker 3: them on your shows, and realize nowadays talent is doing 79 00:03:47,560 --> 00:03:50,240 Speaker 3: you a favor because most talents don't need these looks 80 00:03:50,240 --> 00:03:52,600 Speaker 3: in twenty twenty four. Okay, you need them to garn 81 00:03:52,640 --> 00:03:54,560 Speaker 3: her attention for your programs, and a lot of these 82 00:03:54,600 --> 00:03:58,240 Speaker 3: cases not the other way around. Okay, set boundaries, y'all. 83 00:03:58,360 --> 00:04:00,680 Speaker 3: All right, everybody out there, don't be afraid to set 84 00:04:00,720 --> 00:04:03,120 Speaker 3: boundaries like the good sister nature to Walp Glover, says, 85 00:04:03,320 --> 00:04:06,760 Speaker 3: set boundaries find peace. What Kelly Rowland did brought her 86 00:04:06,880 --> 00:04:10,920 Speaker 3: extreme peace, and that's what setting boundaries is all about. 87 00:04:11,440 --> 00:04:15,040 Speaker 3: Daring to set boundaries is about having the courage to 88 00:04:15,080 --> 00:04:18,760 Speaker 3: love ourselves even when we risk disappointing others. 89 00:04:19,000 --> 00:04:21,520 Speaker 2: I'm sorry if to today's show is Bethany Frankel. 90 00:04:21,680 --> 00:04:24,320 Speaker 3: We're disappointed that Kelly Rowland chose to do what was 91 00:04:24,360 --> 00:04:27,320 Speaker 3: best for her and her mental and emotional health, but 92 00:04:27,480 --> 00:04:32,760 Speaker 3: loving yourself will always trump disappointing others. Bethany Frankel, you 93 00:04:32,800 --> 00:04:35,719 Speaker 3: should be ashamed. Don't call yourself standing up for talent 94 00:04:35,800 --> 00:04:38,200 Speaker 3: at Bravo, but then tell someone else they should stand 95 00:04:38,279 --> 00:04:39,280 Speaker 3: down and. 96 00:04:39,279 --> 00:04:39,800 Speaker 1: Deal with it. 97 00:04:40,160 --> 00:04:42,440 Speaker 2: Please get beth to me, Frankel, the sweet sounds of 98 00:04:42,440 --> 00:04:43,280 Speaker 2: the Hamilton. 99 00:04:43,960 --> 00:05:02,839 Speaker 6: You, Oh the day, Oh the day. You you know me. 100 00:05:02,920 --> 00:05:04,280 Speaker 1: It don't take me much to leave because I don't 101 00:05:04,279 --> 00:05:05,120 Speaker 1: want to be there to begin with. 102 00:05:05,800 --> 00:05:08,440 Speaker 4: Well, you should have gave her the remy my one. 103 00:05:08,920 --> 00:05:13,520 Speaker 4: Are you let get Franklins? 104 00:05:15,680 --> 00:05:17,960 Speaker 1: You stupid mother? Are you dumb? 105 00:05:18,560 --> 00:05:20,280 Speaker 4: I saw the video, I saw what she did when 106 00:05:20,320 --> 00:05:21,960 Speaker 4: she took the online to respond to that. 107 00:05:22,520 --> 00:05:23,760 Speaker 2: I't know you were so close to her. 108 00:05:24,000 --> 00:05:25,960 Speaker 5: Yeah, I didn't know that. 109 00:05:26,120 --> 00:05:27,480 Speaker 1: I didn't know. 110 00:05:27,760 --> 00:05:30,240 Speaker 4: Well, yeah, I think I thought that was that was 111 00:05:30,240 --> 00:05:32,719 Speaker 4: crazy to go online like that. But did y'all y'all 112 00:05:32,760 --> 00:05:35,039 Speaker 4: see my story. She actually looked like Fred Gwinn. Y'all 113 00:05:35,040 --> 00:05:38,320 Speaker 4: know that is just from the original pet Cemetery, the 114 00:05:38,360 --> 00:05:39,760 Speaker 4: guy who plays Frankenstin. 115 00:05:40,120 --> 00:05:40,840 Speaker 1: She favors him. 116 00:05:41,000 --> 00:05:42,520 Speaker 4: I do wonder if that like it's a granddaughter or 117 00:05:42,520 --> 00:05:42,880 Speaker 4: something like that. 118 00:05:43,279 --> 00:05:44,320 Speaker 1: But yeah, she looked like me. 119 00:05:44,760 --> 00:05:46,880 Speaker 2: But yeah, she deserved to day. 120 00:05:46,920 --> 00:05:49,599 Speaker 3: I didn't like that, especially being that you know, she 121 00:05:50,720 --> 00:05:53,359 Speaker 3: has sent legal letters to Bravo and accused them of 122 00:05:53,440 --> 00:05:56,599 Speaker 3: mistreating talent. If you're gonna stand up for talent in 123 00:05:56,600 --> 00:05:58,480 Speaker 3: one place, you got to stand up for talent all 124 00:05:58,520 --> 00:05:59,279 Speaker 3: across the board. 125 00:05:59,400 --> 00:06:00,880 Speaker 1: Okay, all right, well thank you for that. 126 00:06:00,920 --> 00:06:01,599 Speaker 2: Donkey Today. 127 00:06:02,440 --> 00:06:05,839 Speaker 3: Donkey Today is sponsored by renowned personal injury attorney Michael 128 00:06:05,839 --> 00:06:08,120 Speaker 3: to Bull lamb is soft. Don't be a donkey When 129 00:06:08,160 --> 00:06:10,320 Speaker 3: you need a fighter on your side. If you're ever injured, 130 00:06:10,360 --> 00:06:12,080 Speaker 3: go to Michael to Bull dot com. That's Michael to 131 00:06:12,120 --> 00:06:13,560 Speaker 3: Bull dot com. And when you mess with the. 132 00:06:13,520 --> 00:06:20,039 Speaker 1: Bull, you get the horns. Wake that ass up in 133 00:06:20,080 --> 00:06:20,520 Speaker 1: the morning. 134 00:06:20,680 --> 00:06:21,680 Speaker 2: The Breakfast Club