1 00:00:00,280 --> 00:00:04,760 Speaker 1: These bands interview Lounge of Course, starring on Broadway in 2 00:00:04,880 --> 00:00:10,879 Speaker 1: mulin Rouge. It's Jojo, Hi, Jojo, I'm so glad you're here. 3 00:00:10,880 --> 00:00:13,960 Speaker 1: I haven't seen you in a thousand years. Literally, But wait, 4 00:00:14,280 --> 00:00:16,520 Speaker 1: am I saying? I always say mulin rouge? 5 00:00:16,880 --> 00:00:19,200 Speaker 2: Yes? I like the little accent you put on. 6 00:00:19,239 --> 00:00:22,880 Speaker 1: It isn't it how you say it, mulin rouge or 7 00:00:22,880 --> 00:00:23,440 Speaker 1: whatever you say? 8 00:00:23,480 --> 00:00:24,759 Speaker 2: Where are you from? It's all right? 9 00:00:24,880 --> 00:00:28,360 Speaker 1: So JoJo's wearing sunglasses? Yes, and she looks She looks 10 00:00:28,360 --> 00:00:30,640 Speaker 1: over it at her friend and says, hey, is it 11 00:00:30,760 --> 00:00:33,720 Speaker 1: too douchey to sit here with sunglasses on in an interview? 12 00:00:34,080 --> 00:00:36,640 Speaker 2: Because I've just never done that really before. I'm like, 13 00:00:36,760 --> 00:00:39,440 Speaker 2: have I become this person? But I have? And that's okay. 14 00:00:39,720 --> 00:00:43,640 Speaker 1: If you actually point out, Jojo, that maybe I'm being douchey, 15 00:00:44,120 --> 00:00:46,280 Speaker 1: then you're not douchey now now it's okay. To where 16 00:00:46,640 --> 00:00:50,480 Speaker 1: who was? It was Tayo cru Tyo Cruz is here, okay, 17 00:00:50,560 --> 00:00:51,800 Speaker 1: And he was not in a good mood, and he 18 00:00:51,840 --> 00:00:54,240 Speaker 1: was wearing his glasses and I said, hey, I can't 19 00:00:54,280 --> 00:00:57,120 Speaker 1: see your eyes. I just want to interview you. He says. 20 00:00:57,160 --> 00:00:58,960 Speaker 1: TiO is not taking off his glass. 21 00:00:58,760 --> 00:01:02,080 Speaker 2: He talked about himself in the third person ye, and. 22 00:01:01,960 --> 00:01:04,080 Speaker 1: Then I was like, well, it's great heaving you tie 23 00:01:04,120 --> 00:01:08,480 Speaker 1: up byey. You have so much douche you can be 24 00:01:08,480 --> 00:01:09,440 Speaker 1: as douchey as you want. 25 00:01:09,480 --> 00:01:11,640 Speaker 2: Okay, thank you? Acceptable levels here. 26 00:01:11,840 --> 00:01:14,680 Speaker 1: So Broadway, I mean, has it always been kind of 27 00:01:14,680 --> 00:01:16,760 Speaker 1: a dream. It's been a dream of mine to be 28 00:01:16,800 --> 00:01:19,200 Speaker 1: on Broadway. I just walked down Broadways as close as 29 00:01:19,240 --> 00:01:23,600 Speaker 1: I get. But you're starring in this incredible, over the 30 00:01:23,640 --> 00:01:24,800 Speaker 1: top musical octical. 31 00:01:24,880 --> 00:01:27,840 Speaker 2: It's such an amazing show. Yes, it's always been a dream. 32 00:01:28,080 --> 00:01:30,640 Speaker 2: I would come to New York for auditions for musical 33 00:01:30,680 --> 00:01:32,440 Speaker 2: theater since I was a little girl, and I started 34 00:01:32,440 --> 00:01:35,600 Speaker 2: out in Boston doing like local and professional productions of 35 00:01:35,640 --> 00:01:38,080 Speaker 2: things when I was just six years old. So to 36 00:01:38,160 --> 00:01:41,840 Speaker 2: now be almost twenty years into my career and to 37 00:01:41,880 --> 00:01:43,800 Speaker 2: be able to do something for the first time is 38 00:01:44,840 --> 00:01:47,240 Speaker 2: so fun. I do it seven times a week, and 39 00:01:47,280 --> 00:01:49,360 Speaker 2: it's just I don't get sick of it. 40 00:01:49,440 --> 00:01:51,840 Speaker 1: If you saw the movie, It's a whole different world. 41 00:01:51,920 --> 00:01:54,600 Speaker 1: This and all the hits. I mean, how many songs 42 00:01:54,600 --> 00:01:54,960 Speaker 1: do you sing? 43 00:01:55,040 --> 00:01:57,840 Speaker 2: It's like seventy three songs that are mashed up, interwoven 44 00:01:57,920 --> 00:02:02,640 Speaker 2: into this into the story and it's just it's such 45 00:02:02,680 --> 00:02:06,200 Speaker 2: a good time. There's there's drama and romance and comedy 46 00:02:06,240 --> 00:02:08,440 Speaker 2: and all of that, but like songs that you grew 47 00:02:08,480 --> 00:02:12,160 Speaker 2: up knowing that are embedded into your brain, you know. 48 00:02:12,240 --> 00:02:15,760 Speaker 2: So sometimes the audience sings along and it's like you 49 00:02:15,800 --> 00:02:16,200 Speaker 2: want them to. 50 00:02:16,160 --> 00:02:17,280 Speaker 3: Shut up while they're singing along. 51 00:02:17,760 --> 00:02:18,640 Speaker 2: We always wonder that. 52 00:02:18,680 --> 00:02:20,520 Speaker 3: We ask that all the time, like do the performers 53 00:02:20,600 --> 00:02:22,760 Speaker 3: like when people participate or are they kind of like 54 00:02:23,040 --> 00:02:23,680 Speaker 3: you're throwing me all. 55 00:02:23,800 --> 00:02:26,160 Speaker 2: It's different at a concert, Like at a concert, yes, 56 00:02:26,200 --> 00:02:30,840 Speaker 2: please sing along, but it's sometimes it's I don't know, 57 00:02:30,919 --> 00:02:33,080 Speaker 2: it's never a dull moment. Like sometimes it's nice, and 58 00:02:33,080 --> 00:02:36,760 Speaker 2: then sometimes it's like you're not on the beat or 59 00:02:36,840 --> 00:02:39,880 Speaker 2: you know what, we need to focus at. 60 00:02:39,800 --> 00:02:41,880 Speaker 1: Least not throwing their cell phones at your head. Oh 61 00:02:41,960 --> 00:02:44,799 Speaker 1: my god, maybe I know. That made me so sick 62 00:02:44,800 --> 00:02:46,040 Speaker 1: when I saw that, and that guy was such a 63 00:02:46,040 --> 00:02:46,560 Speaker 1: little turd. 64 00:02:46,760 --> 00:02:48,519 Speaker 2: Well I didn't see the guy, but I mean. 65 00:02:48,400 --> 00:02:50,280 Speaker 1: He said he threw the phone at her because it 66 00:02:50,280 --> 00:02:51,119 Speaker 1: would be funny. 67 00:02:51,360 --> 00:02:54,120 Speaker 2: Wow, oh yeah, it's funny to make somebody get stitches. 68 00:02:54,800 --> 00:02:58,200 Speaker 1: Ever, Jojo, did anyone ever throw things that you throw something? Right? 69 00:02:58,240 --> 00:02:58,360 Speaker 2: Back. 70 00:02:58,440 --> 00:02:59,280 Speaker 1: That's a good guitar. 71 00:02:59,800 --> 00:03:04,480 Speaker 2: I just I can't believe that. I'm so you're probably 72 00:03:04,520 --> 00:03:07,280 Speaker 2: just such a state of shock, like I'm saying, oh yeah, 73 00:03:07,280 --> 00:03:09,000 Speaker 2: i'd throw something back, but I'd actually probably just be 74 00:03:09,040 --> 00:03:12,720 Speaker 2: so devastated and like shocked and totally shocked. So Bibe, 75 00:03:12,800 --> 00:03:14,800 Speaker 2: I'm sending you so much love. I can't believe it 76 00:03:14,919 --> 00:03:15,720 Speaker 2: you just went through that. 77 00:03:15,919 --> 00:03:17,640 Speaker 1: Okay, I want to hear some music. 78 00:03:17,919 --> 00:03:20,679 Speaker 2: Yes, So, I just put out a song with Mehalia, 79 00:03:20,720 --> 00:03:24,160 Speaker 2: who's this dope artist from the UK. And the song 80 00:03:24,200 --> 00:03:28,080 Speaker 2: is called Cheat and it's about no good rotten cheaters 81 00:03:28,120 --> 00:03:30,959 Speaker 2: and how you know that? That's saying once a cheat, 82 00:03:30,960 --> 00:03:33,239 Speaker 2: always a cheat. It's like, damn, I should have known 83 00:03:33,240 --> 00:03:34,520 Speaker 2: better than to give you a message. 84 00:03:34,960 --> 00:03:36,240 Speaker 1: Agree with that though. 85 00:03:36,160 --> 00:03:40,400 Speaker 2: I don't actually so I'm full of to be doing 86 00:03:40,400 --> 00:03:43,680 Speaker 2: this song. No, I think that with some people. It's true. 87 00:03:43,720 --> 00:03:48,280 Speaker 2: Some people just talk out of their butts and are like, 88 00:03:48,360 --> 00:03:50,119 Speaker 2: you know, oh yeah, I'm never gonna do that again 89 00:03:50,160 --> 00:03:52,280 Speaker 2: or whatever. You need to make a real concerted effort 90 00:03:52,360 --> 00:03:55,280 Speaker 2: if you have cheated and you like have these bad 91 00:03:55,280 --> 00:03:56,880 Speaker 2: habits or whatever and you don't want to do it again. 92 00:03:56,920 --> 00:04:00,440 Speaker 2: I think people are always can always be deemed can 93 00:04:00,480 --> 00:04:02,480 Speaker 2: always change, but you need to like really work hard 94 00:04:02,520 --> 00:04:02,800 Speaker 2: at it. 95 00:04:02,880 --> 00:04:04,560 Speaker 1: So what's the song's angle? 96 00:04:04,840 --> 00:04:06,760 Speaker 2: If you cheated on me once, you're gonna do it again, 97 00:04:06,880 --> 00:04:10,839 Speaker 2: Like if I took you back from cheating, then you're 98 00:04:11,960 --> 00:04:14,040 Speaker 2: it's like I'm enabling that behavior and you might do 99 00:04:14,080 --> 00:04:17,040 Speaker 2: it again. And that has been true for me. I mean, 100 00:04:17,040 --> 00:04:17,880 Speaker 2: I've been through that. 101 00:04:18,200 --> 00:04:20,479 Speaker 1: And have you ever cheated on someone? 102 00:04:20,520 --> 00:04:22,760 Speaker 2: I have then on both sides of it, so I 103 00:04:22,760 --> 00:04:23,600 Speaker 2: can't I love it. 104 00:04:23,640 --> 00:04:24,760 Speaker 1: I love cheating on my husband. 105 00:04:25,000 --> 00:04:26,479 Speaker 2: You love Do you guys have an open do you 106 00:04:26,480 --> 00:04:27,640 Speaker 2: guys have an open relationship? 107 00:04:27,720 --> 00:04:31,320 Speaker 1: Or no? And he's not a fan of the show. 108 00:04:31,320 --> 00:04:31,839 Speaker 1: He's not listening. 109 00:04:31,880 --> 00:04:33,760 Speaker 3: Yeah, perfect, Yeah, and none of his friends will tell 110 00:04:33,800 --> 00:04:35,000 Speaker 3: him it's gonna be fun. 111 00:04:35,040 --> 00:04:35,720 Speaker 2: Yeah, it's a safe space. 112 00:04:35,800 --> 00:04:38,080 Speaker 1: Yeah, I'm cheating with his friends. 113 00:04:38,279 --> 00:04:40,160 Speaker 2: I scanned of all exactly. 114 00:04:40,960 --> 00:04:44,360 Speaker 1: Okay, Mula rouge. I mean, have seventy something songs, and 115 00:04:44,400 --> 00:04:45,359 Speaker 1: how many of those do you do? 116 00:04:45,800 --> 00:04:47,040 Speaker 2: I do about a thousand of them? 117 00:04:47,080 --> 00:04:48,960 Speaker 1: Okay, that's what percentages? 118 00:04:49,360 --> 00:04:53,200 Speaker 2: Actually, No, I'm singing so much and yeah, so many 119 00:04:53,240 --> 00:04:54,840 Speaker 2: of these cool pop songs that I've loved. 120 00:04:55,360 --> 00:04:56,360 Speaker 1: What do you love most about it? 121 00:04:57,839 --> 00:05:01,040 Speaker 2: You're gonna be like, okay, but the community, I really do. 122 00:05:01,120 --> 00:05:04,000 Speaker 2: I love the community aspect because I'm an only child 123 00:05:04,400 --> 00:05:07,400 Speaker 2: and I've been a solo artist since I was a fetus, 124 00:05:07,960 --> 00:05:11,880 Speaker 2: and so it feels really nice to be like in. 125 00:05:12,400 --> 00:05:15,039 Speaker 2: I just never feel alone, and I don't feel alone 126 00:05:15,080 --> 00:05:18,320 Speaker 2: with my band on stage either, but it's still me by. 127 00:05:18,160 --> 00:05:20,240 Speaker 1: The way of just turning us on. Jojo is here 128 00:05:20,279 --> 00:05:25,479 Speaker 1: and she's extended her run at Mulin Rouge until the 129 00:05:25,560 --> 00:05:26,520 Speaker 1: end of July. E Eli. 130 00:05:26,720 --> 00:05:28,960 Speaker 2: End of July, July thirtieth is my last show, So 131 00:05:28,960 --> 00:05:29,280 Speaker 2: where are. 132 00:05:29,240 --> 00:05:29,960 Speaker 3: You going next? 133 00:05:30,000 --> 00:05:30,800 Speaker 1: Then? After this? 134 00:05:31,040 --> 00:05:35,640 Speaker 2: So I am writing a memoir, which is crazy talk 135 00:05:35,640 --> 00:05:38,560 Speaker 2: about that because I'm thirty two and next year will 136 00:05:38,560 --> 00:05:41,120 Speaker 2: be celebrating twenty years of Leave get Out and my 137 00:05:41,160 --> 00:05:42,440 Speaker 2: first album coming out and everything. 138 00:05:42,520 --> 00:05:43,000 Speaker 1: Oh my god. 139 00:05:43,080 --> 00:05:45,240 Speaker 2: So there's just a lot of stories that I've kept 140 00:05:45,279 --> 00:05:48,920 Speaker 2: to myself out of not being ready to talk about, 141 00:05:49,000 --> 00:05:51,560 Speaker 2: and not even just career stuff, like a lot of 142 00:05:51,600 --> 00:05:53,400 Speaker 2: people know about the issues I went through with my 143 00:05:53,400 --> 00:05:57,560 Speaker 2: record label. That's actually the least interesting part of my 144 00:05:57,560 --> 00:06:00,480 Speaker 2: life and career, I think. And I have some tour 145 00:06:00,560 --> 00:06:03,400 Speaker 2: dates which we haven't announced yet, which are overseas, and 146 00:06:03,400 --> 00:06:05,000 Speaker 2: then I'm going to start making new music, so it's 147 00:06:05,000 --> 00:06:06,279 Speaker 2: going to be a full end of the year. 148 00:06:06,520 --> 00:06:07,839 Speaker 1: We'd like to hear an album. 149 00:06:08,120 --> 00:06:09,920 Speaker 2: Yeah, I would have to make one, Okay, I just 150 00:06:10,640 --> 00:06:14,200 Speaker 2: I just I wanted to, like, not feel that I 151 00:06:14,240 --> 00:06:18,080 Speaker 2: needed to be in this. I I've already released the 152 00:06:18,120 --> 00:06:21,200 Speaker 2: idea of you know, you need to stay in people's minds. 153 00:06:21,279 --> 00:06:23,640 Speaker 2: I can't control that. And if you forget, that's fine, 154 00:06:23,680 --> 00:06:26,360 Speaker 2: you know what I'm saying, Like, I'm not gonna stress 155 00:06:26,440 --> 00:06:28,720 Speaker 2: myself out and being like it's been six months, it's 156 00:06:28,720 --> 00:06:29,760 Speaker 2: time to put out a new album. 157 00:06:29,800 --> 00:06:31,600 Speaker 1: They miss me, they miss me, they need me. 158 00:06:31,680 --> 00:06:34,080 Speaker 2: I don't feel that self indulgent. Actually, like it's just 159 00:06:34,200 --> 00:06:36,080 Speaker 2: I want to make something that I really dig and 160 00:06:36,080 --> 00:06:36,839 Speaker 2: that's really dupe. 161 00:06:36,880 --> 00:06:38,800 Speaker 1: That's what you should be doing, and you will do that. 162 00:06:38,880 --> 00:06:40,400 Speaker 2: I will do that, Okay. 163 00:06:40,400 --> 00:06:41,800 Speaker 1: I want to I want to come see the show. 164 00:06:42,200 --> 00:06:42,400 Speaker 2: Come. 165 00:06:42,560 --> 00:06:44,160 Speaker 1: I haven't seen it with you in it, and you'll 166 00:06:44,160 --> 00:06:45,560 Speaker 1: sing along. I'm along. 167 00:06:45,640 --> 00:06:46,880 Speaker 2: I want you to clap on the one in the 168 00:06:46,920 --> 00:06:49,480 Speaker 2: three during during rolling in the Deep. 169 00:06:50,800 --> 00:06:52,680 Speaker 1: Favorite I'm gonna go I'm a good show, just to 170 00:06:52,760 --> 00:06:53,400 Speaker 1: f up your show. 171 00:06:53,640 --> 00:06:57,040 Speaker 2: Yeah yeah, Oh my god. Someone got kicked out of 172 00:06:57,080 --> 00:06:59,360 Speaker 2: the audience for like I came down from the ceiling 173 00:06:59,440 --> 00:07:02,479 Speaker 2: and some and it was cool, Like this person was 174 00:07:02,600 --> 00:07:05,200 Speaker 2: very boisterous and excited and they were like hell yeah. 175 00:07:05,520 --> 00:07:07,840 Speaker 2: But as I'm coming down from the ceiling, and eventually 176 00:07:07,880 --> 00:07:09,840 Speaker 2: they were drinking the whole show. So eventually they got 177 00:07:09,920 --> 00:07:12,480 Speaker 2: kicked out. They got rowdy, like and. 178 00:07:14,240 --> 00:07:17,000 Speaker 1: At a musical it's kind of scary. I love getting tanked 179 00:07:17,040 --> 00:07:18,440 Speaker 1: at musicale. 180 00:07:18,040 --> 00:07:20,520 Speaker 2: Too as an audience member. 181 00:07:21,120 --> 00:07:26,000 Speaker 1: Oh yeah, they actually will pour a triple Like I'll 182 00:07:26,000 --> 00:07:28,360 Speaker 1: have a Tito's and water. You want to double that? 183 00:07:29,280 --> 00:07:32,360 Speaker 1: How about triple? I'm sure? Yeah, I'll skip right, Like 184 00:07:32,560 --> 00:07:34,840 Speaker 1: why take the local when you can take the express train? 185 00:07:34,880 --> 00:07:37,760 Speaker 1: You know, like boom, they're getting drunk watching Jojo and 186 00:07:39,960 --> 00:07:44,960 Speaker 1: I can't wait. Okay, So if I'm sitting in the 187 00:07:44,960 --> 00:07:48,960 Speaker 1: theater watching Mulan Rouge, what am I experiencing? I want 188 00:07:48,960 --> 00:07:51,680 Speaker 1: people who've never seen it to go, oh god, that 189 00:07:51,800 --> 00:07:53,000 Speaker 1: sounds hot. 190 00:07:53,120 --> 00:07:57,560 Speaker 2: Yeah, so off the bat, it is sexy, like if 191 00:07:57,600 --> 00:07:59,880 Speaker 2: you come in thirty minutes before even if you want 192 00:07:59,880 --> 00:08:02,680 Speaker 2: to start you know, drinking, start with your triple shots 193 00:08:02,760 --> 00:08:08,080 Speaker 2: or whatever. It is so lush and so romantic. You're 194 00:08:08,120 --> 00:08:13,080 Speaker 2: you're transported to to a hyper on steroids version of 195 00:08:13,080 --> 00:08:16,960 Speaker 2: the Mulam Rouge in Paris, and and it feels like 196 00:08:17,040 --> 00:08:20,280 Speaker 2: you're kind of at a sex show, low key in 197 00:08:20,360 --> 00:08:23,280 Speaker 2: the intro, and then we go into our show and 198 00:08:23,960 --> 00:08:28,880 Speaker 2: it is it's a love story, and it is just 199 00:08:29,000 --> 00:08:31,800 Speaker 2: filled with all these songs that you know that you love, 200 00:08:31,920 --> 00:08:35,800 Speaker 2: but seamlessly and like very cleverly interwoven into our story 201 00:08:35,800 --> 00:08:38,600 Speaker 2: in a way that just makes sense. I mean. And 202 00:08:38,720 --> 00:08:42,040 Speaker 2: they won ten Tony's when it came out four years 203 00:08:42,040 --> 00:08:44,320 Speaker 2: ago almost and there's a reason for that because the 204 00:08:44,360 --> 00:08:45,320 Speaker 2: show is unreal. 205 00:08:45,440 --> 00:08:46,920 Speaker 1: The staging, the sets, everything is just. 206 00:08:47,040 --> 00:08:52,160 Speaker 2: Beautiful, glamorous, beautiful. You really feel transported. Like they they 207 00:08:52,200 --> 00:08:54,920 Speaker 2: say on the billboard, it's like the most this Broadway's 208 00:08:54,960 --> 00:08:59,199 Speaker 2: most spectacular night. And I would have to agree, it's unbelievable. 209 00:08:59,200 --> 00:09:01,360 Speaker 2: And I've seen so many shows will I've been here 210 00:09:01,400 --> 00:09:04,440 Speaker 2: too because I'm a fangirl. And last night I just 211 00:09:04,440 --> 00:09:08,160 Speaker 2: saw Days of Wine and Roses off Broadway, and so 212 00:09:08,280 --> 00:09:12,280 Speaker 2: I'm just there's something for everyone in our show I 213 00:09:12,280 --> 00:09:16,520 Speaker 2: think is so good. Whether your first time Broadway patron 214 00:09:16,720 --> 00:09:19,320 Speaker 2: or you know are well versed in it all. 215 00:09:19,480 --> 00:09:22,800 Speaker 1: Well that's it. Decision made. But you need to do 216 00:09:22,800 --> 00:09:26,360 Speaker 1: it before the end of July because Jojo is leaving 217 00:09:26,400 --> 00:09:26,880 Speaker 1: the building. 218 00:09:27,240 --> 00:09:30,439 Speaker 2: Yeah, I mean I had to do it. 219 00:09:30,920 --> 00:09:33,640 Speaker 3: That was like the most amazing cult classic song of 220 00:09:33,679 --> 00:09:35,679 Speaker 3: all time. I don't care how is it a cult classic? 221 00:09:35,920 --> 00:09:36,480 Speaker 2: Oh my god? 222 00:09:36,559 --> 00:09:38,640 Speaker 3: Absolutely, you play that and the way people start like 223 00:09:38,760 --> 00:09:40,680 Speaker 3: raging to it is amazing. We just took like a 224 00:09:40,720 --> 00:09:42,400 Speaker 3: trip in a ARV a couple of years ago. I 225 00:09:42,400 --> 00:09:44,960 Speaker 3: think we played that song once an hour and all 226 00:09:45,000 --> 00:09:46,720 Speaker 3: sing along the whole time. So thank you for that. 227 00:09:46,880 --> 00:09:49,920 Speaker 1: See you've done, and you've got to see Jojo and 228 00:09:49,960 --> 00:09:50,880 Speaker 1: Meline do it. 229 00:09:51,080 --> 00:09:52,920 Speaker 2: Yeah before July thirtieth final bouts. 230 00:09:53,080 --> 00:09:55,440 Speaker 1: Thank you for coming in today. I want to play 231 00:09:55,480 --> 00:09:59,520 Speaker 1: cheap Yeah, and here we go, Jojoe, thanks for coming 232 00:09:59,520 --> 00:10:09,920 Speaker 1: in today. There you go. That is Mehelia and our 233 00:10:09,960 --> 00:10:15,880 Speaker 1: friend Jojo and che I see a birthday cake? 234 00:10:16,080 --> 00:10:17,040 Speaker 3: Yeah, somebody's birthday. 235 00:10:17,480 --> 00:10:23,559 Speaker 1: Somebody's birthday. Yeah, huh, we'll find out whose birthday it is. 236 00:10:23,679 --> 00:10:26,600 Speaker 1: Excuse to eat cake exactly what flavor is it? Oh? 237 00:10:26,800 --> 00:10:29,280 Speaker 2: This is Oriokay, I'm in. 238 00:10:29,280 --> 00:10:34,319 Speaker 1: Okay, all right, hold on, let's go. We should take 239 00:10:34,360 --> 00:10:35,720 Speaker 1: a break before things get out ahead. 240 00:10:35,960 --> 00:10:38,920 Speaker 2: His voice is instantly recognizable. 241 00:10:39,120 --> 00:10:41,600 Speaker 1: In the Morning show chose the coverage you want at 242 00:10:41,640 --> 00:10:44,440 Speaker 1: an affordable price just for you. Call or go to 243 00:10:44,480 --> 00:10:47,440 Speaker 1: statefarm dot com today to create your State Farm Personal 244 00:10:47,440 --> 00:10:50,800 Speaker 1: Price Plan. Prices vary by state, options selected by customer. 245 00:10:50,840 --> 00:10:52,720 Speaker 1: Availability and eligibility may vary