1
00:00:05,160 --> 00:00:13,520
Speaker 1: So sharing chips with Terry's wag off, having sort of

2
00:00:13,560 --> 00:00:16,919
Speaker 1: a chip draft. We each take a chip and say,

3
00:00:17,400 --> 00:00:22,200
Speaker 1: with the first pick, this big barbecue chip, and then

4
00:00:22,200 --> 00:00:24,000
Speaker 1: it's always bar It's in the same back, so it's

5
00:00:24,000 --> 00:00:26,880
Speaker 1: always barbecue chips, but you go second pick, third pick, until.

6
00:00:26,640 --> 00:00:29,240
Speaker 2: As long as it's not those cappuccino chips.

7
00:00:30,360 --> 00:00:33,120
Speaker 3: Well, that's I don't want to get started on that disgusting.

8
00:00:33,320 --> 00:00:37,680
Speaker 1: And he says, what do you think about this movie

9
00:00:37,720 --> 00:00:39,159
Speaker 1: idea I have for a good Santa?

10
00:00:39,760 --> 00:00:40,520
Speaker 4: Is it? Are we going?

11
00:00:41,479 --> 00:00:42,040
Speaker 1: Yeah?

12
00:00:42,120 --> 00:00:44,479
Speaker 4: Where it's on right now? Yeah, you're recording right now?

13
00:00:44,479 --> 00:00:46,479
Speaker 1: Oh okay, Well, I don't want like, we can't do

14
00:00:47,560 --> 00:00:50,320
Speaker 1: stuff for this shot. We can't be like, oh yeah,

15
00:00:50,360 --> 00:00:52,040
Speaker 1: well because it's well yeah, I.

16
00:00:52,000 --> 00:00:54,840
Speaker 4: Mean we should just say what's going on? So okay, yeah,

17
00:00:55,000 --> 00:00:55,200
Speaker 4: you go?

18
00:00:55,360 --> 00:00:55,800
Speaker 2: You want to go?

19
00:00:55,960 --> 00:00:56,760
Speaker 4: Or do you want me to go?

20
00:00:58,600 --> 00:00:59,120
Speaker 2: Do you want to say?

21
00:00:59,200 --> 00:01:02,880
Speaker 4: I'll go? You go? You go? All right, So.

22
00:01:03,040 --> 00:01:05,319
Speaker 2: I'm gonna hand this off to Haze. He's about to

23
00:01:05,360 --> 00:01:07,160
Speaker 2: explain what's going on.

24
00:01:07,560 --> 00:01:14,920
Speaker 1: Okay, thanks seron, it's our it's our hundredth episode. I

25
00:01:14,920 --> 00:01:16,840
Speaker 1: don't know how to explain this without getting into like

26
00:01:17,120 --> 00:01:19,040
Speaker 1: kind of technical It's.

27
00:01:18,840 --> 00:01:21,280
Speaker 4: Like wonky stuff. But that's good. I actually think that's good.

28
00:01:21,400 --> 00:01:24,920
Speaker 2: No, it's nice, And hopefully over the past ninety nine

29
00:01:24,959 --> 00:01:28,160
Speaker 2: episodes we've educated them to a point where they can understand.

30
00:01:30,400 --> 00:01:35,319
Speaker 1: This is our one hundredth episode, the mouth Breathing Cretans.

31
00:01:34,720 --> 00:01:42,720
Speaker 1: It's a flextion point during which at the outside of

32
00:01:42,760 --> 00:01:47,640
Speaker 1: the making show, yes, and at the outset of every episode,

33
00:01:47,760 --> 00:01:52,720
Speaker 1: we are doing the show in subsidy of ear Wolf

34
00:01:53,360 --> 00:01:57,840
Speaker 1: and script media yes, and podcast media.

35
00:01:57,840 --> 00:02:03,440
Speaker 2: Why yes, for listening audio tunes. But at the same.

36
00:02:03,280 --> 00:02:05,240
Speaker 4: Time we have a contract.

37
00:02:05,480 --> 00:02:10,160
Speaker 1: Well, yes, and when the contract time is over rule

38
00:02:10,280 --> 00:02:11,880
Speaker 1: it becomes pay paper rules.

39
00:02:12,080 --> 00:02:16,480
Speaker 3: Yes, and you have papers laws, and.

40
00:02:16,680 --> 00:02:20,240
Speaker 2: The lawyers can see the paper and make decision and

41
00:02:20,600 --> 00:02:24,000
Speaker 2: also make big trouble for Scott et cetera.

42
00:02:24,240 --> 00:02:30,480
Speaker 1: And so normally we would do a special have guests

43
00:02:30,680 --> 00:02:34,919
Speaker 1: on Yes, famous guests because we love our listeners. Yes,

44
00:02:35,800 --> 00:02:38,840
Speaker 1: But in this case we we kind of have to

45
00:02:38,840 --> 00:02:41,520
Speaker 1: just get right to it, and we can't do a

46
00:02:41,560 --> 00:02:44,720
Speaker 1: game or any of the segments that we normally.

47
00:02:44,320 --> 00:02:48,200
Speaker 2: Fun info you normally get, because it would be basically

48
00:02:48,560 --> 00:02:52,960
Speaker 2: doing ourselves a disservice to even mention any of that

49
00:02:53,160 --> 00:02:55,680
Speaker 2: before we hammer out this contract. Stuff with Scott.

50
00:02:55,880 --> 00:03:00,440
Speaker 1: Yes, we are not technically employees of the It would

51
00:03:00,440 --> 00:03:04,920
Speaker 1: actually be against paper law, podcast law to do a

52
00:03:05,000 --> 00:03:07,880
Speaker 1: show without a contract, and we'd go to podcast jail,

53
00:03:07,919 --> 00:03:10,360
Speaker 1: which is worse than regular jail.

54
00:03:11,080 --> 00:03:12,760
Speaker 2: It's worse food.

55
00:03:13,080 --> 00:03:14,800
Speaker 4: So we'll get right into it.

56
00:03:14,840 --> 00:03:18,000
Speaker 2: We can do commercials though they have Casper mattresses and podcasts.

57
00:03:18,040 --> 00:03:21,200
Speaker 1: That's the great segue to what we are probably going

58
00:03:21,280 --> 00:03:23,720
Speaker 1: to do, a Casper mattress commercial or something like that.

59
00:03:23,760 --> 00:03:26,679
Speaker 1: We are allowed to do that even though we aren't

60
00:03:26,680 --> 00:03:32,120
Speaker 1: employees of the show. So commercial coming right up then

61
00:03:32,200 --> 00:03:34,600
Speaker 1: into we're going to negotiate our contract with Scott. I

62
00:03:34,600 --> 00:03:36,840
Speaker 1: think we have a lot of bullet points we have

63
00:03:36,960 --> 00:03:40,840
Speaker 1: to get through. Oh, do we have a guest today too? Yeah,

64
00:03:40,920 --> 00:03:45,960
Speaker 1: we have a Austuf Monfi is here. Well, sure, yeah,

65
00:03:46,000 --> 00:03:54,600
Speaker 1: you'll get it's it's you'll hear it, yeah, on Hollywood Handbook.

66
00:03:55,080 --> 00:04:02,200
Speaker 2: So I'm now furious, and William Goldman is holding his ground,

67
00:04:02,560 --> 00:04:06,520
Speaker 2: going it's a short surfboard, and I'm saying no, William,

68
00:04:06,720 --> 00:04:09,800
Speaker 2: it's a long boogie board. Yeah, and he's like, well

69
00:04:09,840 --> 00:04:11,400
Speaker 2: then why can I stand up on it? And I'm like,

70
00:04:11,440 --> 00:04:13,240
Speaker 2: because it's longer than most boogie boards.

71
00:04:13,280 --> 00:04:17,520
Speaker 4: Yeah. And finally I turned to Anna Kendrick and I.

72
00:04:17,480 --> 00:04:20,400
Speaker 2: Say, do you want to settle this? What do you

73
00:04:20,400 --> 00:04:21,840
Speaker 2: think she said?

74
00:04:22,320 --> 00:04:25,320
Speaker 1: I don't think she said anything. I think she grabbed

75
00:04:25,320 --> 00:04:32,160
Speaker 1: the board and hit the surf mm hmm vertically, yes,

76
00:04:32,279 --> 00:04:36,360
Speaker 1: which is boogieying going straight in head first.

77
00:04:36,600 --> 00:04:41,360
Speaker 4: Yeah, proving your point, I imagine. Is that wrong? I

78
00:04:41,360 --> 00:04:44,920
Speaker 4: couldn't be wrong. I wasn't there. She did say something.

79
00:04:45,080 --> 00:04:47,159
Speaker 2: No, It just makes me wonder if you've already spoken

80
00:04:47,160 --> 00:04:47,800
Speaker 2: to Anna.

81
00:04:47,800 --> 00:04:52,200
Speaker 4: Oh, that is exactly what happened. No, I mean, but uh.

82
00:04:53,000 --> 00:04:54,920
Speaker 1: I don't like to have tricks played on me. So

83
00:04:54,920 --> 00:04:56,960
Speaker 1: if you've spoken to Anna, just say it now. No,

84
00:04:57,120 --> 00:04:58,960
Speaker 1: I have not spoken her. When you said what do

85
00:04:59,000 --> 00:05:01,280
Speaker 1: you think? She said, it's like you would. You didn't

86
00:05:01,320 --> 00:05:04,360
Speaker 1: say anything right, but that I would know what happened.

87
00:05:04,400 --> 00:05:05,560
Speaker 4: You didn't want me to.

88
00:05:05,839 --> 00:05:07,719
Speaker 2: I want you to guess wrong, and then I come in.

89
00:05:07,760 --> 00:05:09,640
Speaker 2: I'm the hero of the story because I have the

90
00:05:09,680 --> 00:05:12,000
Speaker 2: actual answer. Okay, it doesn't matter.

91
00:05:12,279 --> 00:05:13,800
Speaker 4: Hey, Welcome to Hollywood hand Book.

92
00:05:13,800 --> 00:05:15,680
Speaker 1: An insider s guy to kicking button dropping names of

93
00:05:15,680 --> 00:05:19,000
Speaker 1: the red carpet lineback hallways of this industry we call showbiz. Yes,

94
00:05:19,080 --> 00:05:25,200
Speaker 1: it's our one hundredth episode, we don't want party the fanfare.

95
00:05:24,880 --> 00:05:28,520
Speaker 4: Balloon not any balloon.

96
00:05:28,560 --> 00:05:32,240
Speaker 2: Man are not a single balloon because it's in litter. Ultimately,

97
00:05:32,279 --> 00:05:33,080
Speaker 2: they're just liter.

98
00:05:33,000 --> 00:05:35,919
Speaker 1: And I get scared with the big silver ones that

99
00:05:35,960 --> 00:05:38,440
Speaker 1: I'll end up like that balloon boy and my dad

100
00:05:38,520 --> 00:05:38,880
Speaker 1: will have.

101
00:05:38,880 --> 00:05:40,239
Speaker 2: To go to jail.

102
00:05:42,520 --> 00:05:45,880
Speaker 1: We did an episode a while ago we talked about

103
00:05:46,720 --> 00:05:50,880
Speaker 1: podcasting finances and stuff. Every twenty five episodes is an

104
00:05:50,880 --> 00:05:55,279
Speaker 1: episode at quarter. That's when we renegotiate our contracts with

105
00:05:56,080 --> 00:06:01,200
Speaker 1: the people at Earwolf. We have done those behind closed

106
00:06:01,240 --> 00:06:07,080
Speaker 1: doors in the past, per Scott Ackerman's specifications. Mm hmm uh,

107
00:06:08,440 --> 00:06:11,200
Speaker 1: it's time, I think to bring them back out, back

108
00:06:11,240 --> 00:06:14,280
Speaker 1: out into the sunlight. And it's for us. It's a

109
00:06:14,279 --> 00:06:17,960
Speaker 1: matter of transparency, being sort of the mission statement of

110
00:06:17,960 --> 00:06:18,560
Speaker 1: the podcast.

111
00:06:19,160 --> 00:06:22,359
Speaker 2: We want the entertainment industry to be stripped bare and

112
00:06:22,440 --> 00:06:25,160
Speaker 2: exposed for what it is, warts and all.

113
00:06:25,800 --> 00:06:30,279
Speaker 1: Yes, and so we have Scott here hi guys to

114
00:06:30,320 --> 00:06:32,000
Speaker 1: sort of talk out to talk this stuff out.

115
00:06:32,040 --> 00:06:32,839
Speaker 4: But before we get.

116
00:06:32,720 --> 00:06:35,760
Speaker 2: Into it with happy hundo, oh yes, okay.

117
00:06:35,600 --> 00:06:37,520
Speaker 4: But we said we didn't want any of that stuff.

118
00:06:37,279 --> 00:06:39,120
Speaker 5: Well we didn't get you any of that stuff. It

119
00:06:39,160 --> 00:06:42,440
Speaker 5: was merely a sentiment. Well, you'll notice there's no cupcakes. No,

120
00:06:42,839 --> 00:06:44,920
Speaker 5: not even one belief, not even a giant hot Well.

121
00:06:44,920 --> 00:06:46,880
Speaker 4: That's exactly what we said to take you to.

122
00:06:46,839 --> 00:06:48,880
Speaker 5: A separate location, another party.

123
00:06:48,600 --> 00:06:50,360
Speaker 2: We didn't want, yeah and don't want.

124
00:06:50,440 --> 00:06:51,840
Speaker 5: Thank you for saying that, by the way. It made

125
00:06:51,880 --> 00:06:53,359
Speaker 5: the decision so much easier.

126
00:06:53,640 --> 00:06:55,960
Speaker 2: Mm hmm, yeah, it probably it was hard not to

127
00:06:56,000 --> 00:06:56,280
Speaker 2: do it.

128
00:06:56,800 --> 00:06:58,920
Speaker 1: So, but as I would say before I was going

129
00:06:58,960 --> 00:07:00,839
Speaker 1: to say, before we get into it with you, Scott,

130
00:07:00,880 --> 00:07:05,040
Speaker 1: before you start going on your own thing, we have

131
00:07:06,560 --> 00:07:07,640
Speaker 1: as if Monby.

132
00:07:07,480 --> 00:07:08,919
Speaker 2: Here very excited.

133
00:07:09,760 --> 00:07:15,400
Speaker 1: This was the only time you could do this. Yeah,

134
00:07:15,480 --> 00:07:19,520
Speaker 1: And so what we're hoping to do, I guess is

135
00:07:19,600 --> 00:07:23,200
Speaker 1: get the contract stuff accomplished in this episode.

136
00:07:22,800 --> 00:07:25,280
Speaker 2: But just sort of in between the normal interview that

137
00:07:25,280 --> 00:07:26,120
Speaker 2: we would have done with you.

138
00:07:26,400 --> 00:07:31,600
Speaker 1: Yeah, yeah, but also be interviewing as if who how

139
00:07:31,600 --> 00:07:34,320
Speaker 1: did you guys get this good of a guest?

140
00:07:34,680 --> 00:07:36,720
Speaker 5: I'm blown away? This is incredible.

141
00:07:37,560 --> 00:07:41,200
Speaker 1: Well, this is actually a great introduction for something that

142
00:07:41,240 --> 00:07:43,640
Speaker 1: we that we like to do. Because if you have

143
00:07:43,720 --> 00:07:46,760
Speaker 1: never been on an ear Wolf show before, no, I

144
00:07:46,800 --> 00:07:47,400
Speaker 1: would love.

145
00:07:47,280 --> 00:07:49,160
Speaker 5: To have you on my show instead of this show.

146
00:07:49,160 --> 00:07:49,600
Speaker 3: I'd like to do.

147
00:07:50,480 --> 00:07:53,720
Speaker 5: We could maybe just like end this show early. Yeah,

148
00:07:53,720 --> 00:07:55,960
Speaker 5: this is a lot of my show. I normally when

149
00:07:56,480 --> 00:07:58,040
Speaker 5: you do the biggest shows, well I.

150
00:07:58,040 --> 00:08:02,240
Speaker 6: Do bigger shows, and unusually not I'm usually like the

151
00:08:02,280 --> 00:08:03,960
Speaker 6: only guess.

152
00:08:05,920 --> 00:08:08,480
Speaker 5: That's going on, Like I'm not really a guest more

153
00:08:08,520 --> 00:08:11,320
Speaker 5: of an I mean, this is definitely not a situation.

154
00:08:11,400 --> 00:08:13,320
Speaker 6: I feel like I'm in the middle of like a

155
00:08:13,320 --> 00:08:15,600
Speaker 6: sort of a back door deal closed.

156
00:08:17,720 --> 00:08:21,040
Speaker 1: The whole idea is that it's a front door deal

157
00:08:21,240 --> 00:08:24,160
Speaker 1: and the door is open and the cats are never released.

158
00:08:24,520 --> 00:08:26,880
Speaker 5: Well, I said the door is closed to the studio

159
00:08:26,920 --> 00:08:29,560
Speaker 5: because it makes for a better recording. Maybe that's where you're.

160
00:08:29,440 --> 00:08:32,120
Speaker 6: Just well, it just it just feels like this is

161
00:08:32,160 --> 00:08:36,960
Speaker 6: not something that I mean, I wish you the best

162
00:08:36,960 --> 00:08:38,680
Speaker 6: in your negotiation for this content.

163
00:08:39,000 --> 00:08:41,440
Speaker 5: I want you to I don't actually I wish you

164
00:08:41,480 --> 00:08:42,600
Speaker 5: the worst, because that's my nega.

165
00:08:42,679 --> 00:08:43,800
Speaker 3: Actually I actually.

166
00:08:43,520 --> 00:08:49,199
Speaker 6: Don't have any I actually don't care how this contractual negotiation.

167
00:08:49,280 --> 00:08:53,120
Speaker 4: God change your mind just now.

168
00:08:53,200 --> 00:08:55,880
Speaker 6: And the truth is, I don't care, and I'm a

169
00:08:55,960 --> 00:09:00,000
Speaker 6: little like sort of you know, confused why I was booked.

170
00:09:00,160 --> 00:09:03,000
Speaker 5: On my show after this. Well, let's see, we're not

171
00:09:03,000 --> 00:09:05,480
Speaker 5: going to do any contract negotiations it'll just be like

172
00:09:05,679 --> 00:09:06,560
Speaker 5: one on one.

173
00:09:06,480 --> 00:09:09,199
Speaker 3: Total two hours snooze that's like newsfest.

174
00:09:09,360 --> 00:09:10,960
Speaker 4: No, come on, yeh awesome.

175
00:09:11,400 --> 00:09:13,760
Speaker 5: Did you trick me into saying snooze fest?

176
00:09:14,160 --> 00:09:18,400
Speaker 1: Snooze snooze Fest? It is actually the future name of

177
00:09:18,440 --> 00:09:19,720
Speaker 1: our show?

178
00:09:19,880 --> 00:09:22,600
Speaker 2: Yes, well after one hundred. Part of our negotiation is,

179
00:09:22,640 --> 00:09:24,400
Speaker 2: of course we do want to call it snooze fest.

180
00:09:24,440 --> 00:09:27,120
Speaker 5: You want to change the title of your show to Snoozefest. Guy,

181
00:09:27,400 --> 00:09:28,560
Speaker 5: I'm not going to bend on that.

182
00:09:29,400 --> 00:09:33,880
Speaker 4: You are saying it with a Z. No, it's us

183
00:09:34,440 --> 00:09:35,160
Speaker 4: snooze fest.

184
00:09:35,320 --> 00:09:38,760
Speaker 2: Yes, like the chaw. Yeah better, it's a Dutch chaw.

185
00:09:39,679 --> 00:09:44,040
Speaker 1: So if you stick around, maybe there's a little something

186
00:09:44,160 --> 00:09:46,240
Speaker 1: in the go. If we could carve something out for

187
00:09:46,400 --> 00:09:49,599
Speaker 1: you in the negotiation, maybe this would.

188
00:09:49,440 --> 00:09:52,520
Speaker 4: Make it a more a friendlier experience.

189
00:09:52,520 --> 00:09:54,600
Speaker 6: And I mean I think, look, I think I think

190
00:09:54,720 --> 00:09:56,920
Speaker 6: if I was able to if I was able to

191
00:09:56,920 --> 00:09:57,760
Speaker 6: walk away from this.

192
00:09:58,360 --> 00:10:01,959
Speaker 3: With a piece of this show like back end or

193
00:10:02,040 --> 00:10:02,640
Speaker 3: by the back.

194
00:10:02,559 --> 00:10:05,400
Speaker 6: End piece of this show, I think that that point point,

195
00:10:07,200 --> 00:10:11,120
Speaker 6: you know, what might actually work is just money up front.

196
00:10:11,640 --> 00:10:14,840
Speaker 5: Oh, I see, so like a guarantee against the back

197
00:10:15,280 --> 00:10:18,640
Speaker 5: the back end. Okay, a guarantee of you wouldn't make

198
00:10:18,679 --> 00:10:21,280
Speaker 5: it worth it for me. I think, guys, can I

199
00:10:21,280 --> 00:10:23,920
Speaker 5: talk to you for a second without auso here listening? Okay,

200
00:10:23,960 --> 00:10:25,160
Speaker 5: Also take off your headphones.

201
00:10:25,760 --> 00:10:28,960
Speaker 4: So guys, this is a get for you.

202
00:10:29,240 --> 00:10:31,439
Speaker 5: I have to say, you have not had as good

203
00:10:31,480 --> 00:10:33,959
Speaker 5: of a get on this show since I think poly Shore.

204
00:10:34,800 --> 00:10:38,199
Speaker 5: And yeah, that was an amazing episode. I have to

205
00:10:38,200 --> 00:10:39,040
Speaker 5: say congrats on that.

206
00:10:39,720 --> 00:10:40,640
Speaker 3: Take off my headphones again?

207
00:10:40,760 --> 00:10:42,880
Speaker 5: Oh here, okay, well this is all compliments. At this

208
00:10:42,880 --> 00:10:44,760
Speaker 5: point you're saying, okay, now take them off.

209
00:10:45,200 --> 00:10:45,560
Speaker 4: Okay.

210
00:10:45,640 --> 00:10:48,880
Speaker 5: So now I think we got to give some something

211
00:10:48,960 --> 00:10:49,880
Speaker 5: up to him to get him.

212
00:10:49,800 --> 00:10:51,600
Speaker 2: To stay because he wants to leave.

213
00:10:51,880 --> 00:10:54,040
Speaker 5: Yeah, you know I would, I would really suggest, and

214
00:10:54,160 --> 00:10:55,800
Speaker 5: you guys, the backhand is yours to.

215
00:10:55,760 --> 00:10:58,199
Speaker 2: Do what you will. I mean, you have you haven't

216
00:10:58,240 --> 00:10:58,959
Speaker 2: where it existed?

217
00:10:59,080 --> 00:11:01,320
Speaker 5: Well yeah you I mean you know there's there's a

218
00:11:01,400 --> 00:11:04,000
Speaker 5: cumulative total of twenty five points, and you guys have

219
00:11:04,120 --> 00:11:07,240
Speaker 5: one point, and you can do whatever you want with

220
00:11:07,280 --> 00:11:10,280
Speaker 5: your point. I assume you split it sixty forty between

221
00:11:10,360 --> 00:11:12,120
Speaker 5: you know, Hayes get sixty, you get forty. I would

222
00:11:12,120 --> 00:11:14,960
Speaker 5: imagine that's been it so farn yeah, so, uh you know,

223
00:11:15,000 --> 00:11:17,120
Speaker 5: but I would give up that point over here.

224
00:11:17,440 --> 00:11:19,320
Speaker 2: You just try to get him give him my forty.

225
00:11:19,679 --> 00:11:21,440
Speaker 3: No, I would totally give that. I would.

226
00:11:21,640 --> 00:11:24,440
Speaker 5: Oh you're still listening, listening the whole time. Oh interesting

227
00:11:24,600 --> 00:11:24,880
Speaker 5: not to take.

228
00:11:25,200 --> 00:11:27,800
Speaker 4: I'm glad he agrees. Glad he agrees to it.

229
00:11:27,920 --> 00:11:28,880
Speaker 2: That's nice getting us.

230
00:11:28,960 --> 00:11:29,160
Speaker 4: Yeah.

231
00:11:29,200 --> 00:11:31,880
Speaker 5: Well, also, how much of their point do you want?

232
00:11:32,400 --> 00:11:34,480
Speaker 5: They have one point, they have one point, and they

233
00:11:34,520 --> 00:11:35,959
Speaker 5: have one hundred one point.

234
00:11:36,000 --> 00:11:38,160
Speaker 4: I have sixty points of that point, though.

235
00:11:38,480 --> 00:11:40,959
Speaker 3: And you have the other forty, So then I'll take

236
00:11:41,000 --> 00:11:41,680
Speaker 3: the other twenty.

237
00:11:42,120 --> 00:11:44,960
Speaker 2: Okay, Can I be totally honest? A lot of my

238
00:11:45,000 --> 00:11:48,360
Speaker 2: point I give to engineer Cody. Oh no, so he's

239
00:11:48,360 --> 00:11:50,800
Speaker 2: not here today, but did he take hears here he's

240
00:11:50,840 --> 00:11:51,839
Speaker 2: reading a book or something.

241
00:11:51,880 --> 00:11:53,679
Speaker 4: But did he take his point and fly the coup?

242
00:11:53,720 --> 00:11:55,800
Speaker 4: He said he was just gonna look at it.

243
00:11:56,040 --> 00:11:58,720
Speaker 2: Yeah, And I haven't seen him since that was about

244
00:11:58,760 --> 00:11:59,280
Speaker 2: a month ago.

245
00:12:00,440 --> 00:12:02,040
Speaker 5: I knew if you guys gave him a point. I

246
00:12:02,080 --> 00:12:05,400
Speaker 5: told you, you guys give the help a point, they're

247
00:12:05,400 --> 00:12:07,000
Speaker 5: gonna take that point. They're gonna go fly off to

248
00:12:07,080 --> 00:12:07,920
Speaker 5: Hawaii or something.

249
00:12:08,000 --> 00:12:08,200
Speaker 2: You know.

250
00:12:08,240 --> 00:12:12,000
Speaker 4: How he leaves the recording and yeah, is.

251
00:12:11,960 --> 00:12:13,160
Speaker 5: To go take a dump or something.

252
00:12:14,480 --> 00:12:17,640
Speaker 1: We've come to that conclusion as well. This time he

253
00:12:17,760 --> 00:12:20,640
Speaker 1: never he never came back. He took the point and

254
00:12:20,720 --> 00:12:22,960
Speaker 1: he never came back. Can we do something that we

255
00:12:23,120 --> 00:12:24,840
Speaker 1: always like to do? And we have a guest who's

256
00:12:24,840 --> 00:12:26,280
Speaker 1: never been on an Aerwold show before.

257
00:12:26,720 --> 00:12:29,560
Speaker 4: This is and Scott. The fact that you're here, uh

258
00:12:29,840 --> 00:12:30,800
Speaker 4: slightly uncomfortable.

259
00:12:30,840 --> 00:12:33,280
Speaker 1: We and so normally we would tell all the other

260
00:12:33,320 --> 00:12:35,959
Speaker 1: Earwolf hosts to get down and suck on all the

261
00:12:36,000 --> 00:12:38,920
Speaker 1: way down there. But since you are here, we are

262
00:12:39,000 --> 00:12:42,960
Speaker 1: still gonna do that. And so we invite. And it's

263
00:12:43,000 --> 00:12:46,439
Speaker 1: just like a thing it does. It doesn't matter what,

264
00:12:46,440 --> 00:12:49,800
Speaker 1: it doesn't mean anything specific. It's like sort of a

265
00:12:49,840 --> 00:12:50,679
Speaker 1: broad catch all.

266
00:12:50,800 --> 00:12:52,280
Speaker 5: I don't like the fact that you guys are doing

267
00:12:52,320 --> 00:12:54,640
Speaker 5: that to newcomers to the I mean I I mean awesome.

268
00:12:54,640 --> 00:12:57,240
Speaker 5: I I want you to be welcomed with open arms

269
00:12:57,240 --> 00:12:58,600
Speaker 5: to you know. I would love for you to be

270
00:12:58,640 --> 00:13:00,959
Speaker 5: on you know, bigger shows.

271
00:13:01,080 --> 00:13:06,440
Speaker 2: Yeah, oh god, okay, you got.

272
00:13:06,400 --> 00:13:11,160
Speaker 5: Very emotional there, get emotional spat bigger shows.

273
00:13:12,600 --> 00:13:17,640
Speaker 2: About spots, Scott. It was like holding a pixie stick

274
00:13:17,760 --> 00:13:18,880
Speaker 2: very close to his mouth.

275
00:13:20,600 --> 00:13:23,640
Speaker 4: I think about Spot, I get really emotional.

276
00:13:23,679 --> 00:13:24,000
Speaker 6: Guys.

277
00:13:24,120 --> 00:13:25,920
Speaker 3: It's I would like to be I would like to

278
00:13:25,920 --> 00:13:26,880
Speaker 3: be on the bigger show.

279
00:13:27,000 --> 00:13:28,760
Speaker 5: I would love for you to be so. I don't

280
00:13:28,880 --> 00:13:30,880
Speaker 5: like the fact that you guys are asking newcomers to

281
00:13:30,920 --> 00:13:32,199
Speaker 5: your wolf to to what.

282
00:13:32,320 --> 00:13:37,120
Speaker 1: Now the newcomers stay straight up and their mouths are.

283
00:13:37,200 --> 00:13:39,800
Speaker 2: We tell all the shows who haven't had this good

284
00:13:39,840 --> 00:13:41,880
Speaker 2: guess that we were able to get Hey that show.

285
00:13:41,920 --> 00:13:43,640
Speaker 2: You got to get down there and stuck on these

286
00:13:43,640 --> 00:13:47,000
Speaker 2: And one way we might say it is we'd go like, uh,

287
00:13:47,160 --> 00:13:50,680
Speaker 2: you talking you two to me, more like we talking

288
00:13:50,880 --> 00:13:53,800
Speaker 2: to mond V and you gotta go take a suck

289
00:13:55,559 --> 00:13:57,280
Speaker 2: like this something like that.

290
00:13:57,280 --> 00:13:59,760
Speaker 5: That's that's very uncomfortable for us. If here, I don't know.

291
00:14:00,040 --> 00:14:06,079
Speaker 1: And awesome Ben has to do the pledge, which is I.

292
00:14:04,440 --> 00:14:07,760
Speaker 3: I just have to do it? Yes, okay, all right,

293
00:14:08,000 --> 00:14:11,439
Speaker 3: I Assif so far, so good?

294
00:14:11,520 --> 00:14:15,920
Speaker 4: Assif never be on ear Wolf show after this one again?

295
00:14:16,000 --> 00:14:19,840
Speaker 5: Whoa no, no no.

296
00:14:22,840 --> 00:14:24,520
Speaker 4: Is that why poly Shore has not been on my

297
00:14:24,560 --> 00:14:25,320
Speaker 4: show yet?

298
00:14:26,040 --> 00:14:26,640
Speaker 2: That's right?

299
00:14:26,720 --> 00:14:29,359
Speaker 3: Yes, I may promised to call me a home alive.

300
00:14:29,120 --> 00:14:31,640
Speaker 4: On air and you and you have to do that.

301
00:14:33,520 --> 00:14:38,360
Speaker 6: My purpose of being on this show wish to get

302
00:14:38,400 --> 00:14:39,680
Speaker 6: into the what is the ear.

303
00:14:39,480 --> 00:14:44,440
Speaker 5: Wolf Put your foot in the door, yes, put and everything.

304
00:14:44,480 --> 00:14:47,840
Speaker 2: We're technically ill wool or ill wolf.

305
00:14:48,400 --> 00:14:49,840
Speaker 4: That's actually a great question.

306
00:14:49,960 --> 00:14:51,800
Speaker 2: Well, yes, because there's what it should be in what

307
00:14:51,880 --> 00:14:52,280
Speaker 2: it is?

308
00:14:52,520 --> 00:14:55,880
Speaker 5: Well, that brings up an interesting question. Is a thing

309
00:14:56,000 --> 00:14:59,160
Speaker 5: it's ear wolf or ear wolf is not a thing? Well,

310
00:14:59,160 --> 00:15:01,520
Speaker 5: it's a I mean trademarked right, I've.

311
00:15:01,360 --> 00:15:04,680
Speaker 3: Been under saying like wool, thing like that, you make

312
00:15:04,760 --> 00:15:05,360
Speaker 3: it warm.

313
00:15:05,920 --> 00:15:07,960
Speaker 5: I think is as much of a thing as ear

314
00:15:08,000 --> 00:15:11,240
Speaker 5: wool is a thing. I mean, I've never seen any

315
00:15:11,320 --> 00:15:11,920
Speaker 5: I don't know.

316
00:15:12,080 --> 00:15:14,160
Speaker 2: Ear wool makes me think of ear mufs, which makes

317
00:15:14,160 --> 00:15:17,440
Speaker 2: me think of old school. You remember that.

318
00:15:17,360 --> 00:15:19,440
Speaker 5: Movie, ah man, I love that movie.

319
00:15:19,520 --> 00:15:23,240
Speaker 3: Oh yes, yes, So Vince Vaughan was on top. He

320
00:15:23,400 --> 00:15:25,440
Speaker 3: was working at some kind of speaker story.

321
00:15:25,560 --> 00:15:31,440
Speaker 1: This is speaker City, Speaker city, right, and I just

322
00:15:31,520 --> 00:15:34,320
Speaker 1: remember having streen And so if I hear ear wool,

323
00:15:34,360 --> 00:15:36,400
Speaker 1: it just makes me crack up thinking about some of

324
00:15:36,440 --> 00:15:37,680
Speaker 1: those moments.

325
00:15:37,320 --> 00:15:38,880
Speaker 3: Right, see that it's already funny.

326
00:15:39,640 --> 00:15:42,760
Speaker 2: Yeah, but this this, it hits your lips, Scott.

327
00:15:42,920 --> 00:15:45,280
Speaker 5: It brings up thank you. It brings up a question

328
00:15:45,320 --> 00:15:47,960
Speaker 5: to me, what is this wolf cool I've been hearing about?

329
00:15:48,360 --> 00:15:51,160
Speaker 2: Oh yes, that's our own shingle.

330
00:15:51,320 --> 00:15:55,480
Speaker 5: Yes, you guys don't have a shingle. It's off if no,

331
00:15:55,520 --> 00:15:56,640
Speaker 5: there's no ship, you're.

332
00:15:56,480 --> 00:15:58,320
Speaker 2: You can't control. It's on Catalina Island.

333
00:15:59,800 --> 00:16:05,800
Speaker 5: That's the United States, nice and clean Catalina. It's part

334
00:16:05,800 --> 00:16:08,280
Speaker 5: it's part of California. It's still under the jurisdiction of

335
00:16:08,280 --> 00:16:08,920
Speaker 5: the laws there.

336
00:16:08,960 --> 00:16:09,960
Speaker 2: But it's off the shore.

337
00:16:10,000 --> 00:16:12,160
Speaker 1: You have to and it's it's off the shore of

338
00:16:12,240 --> 00:16:15,320
Speaker 1: Catalina Island. It's like ten steps into the one.

339
00:16:15,680 --> 00:16:18,240
Speaker 2: It's on a little boat where we did a flying

340
00:16:18,280 --> 00:16:18,880
Speaker 2: fish tour.

341
00:16:19,000 --> 00:16:21,840
Speaker 5: No ten steps off the off off off of the

342
00:16:21,920 --> 00:16:24,680
Speaker 5: shore there, you're still bound by the laws. I realized

343
00:16:24,720 --> 00:16:26,680
Speaker 5: that when I took a jet ski out there drunk

344
00:16:26,720 --> 00:16:27,840
Speaker 5: and I got arrested.

345
00:16:28,000 --> 00:16:32,000
Speaker 4: Oh, I'm sorry to shock to you like that.

346
00:16:32,440 --> 00:16:35,720
Speaker 2: I just had a certain image of you as a businessman.

347
00:16:36,320 --> 00:16:37,360
Speaker 4: Well, I was wearing a suit.

348
00:16:37,440 --> 00:16:40,480
Speaker 5: Does that I was wearing a business suit, sort of

349
00:16:40,480 --> 00:16:43,560
Speaker 5: a c A A type type suit. Yeah, okay, anyway, No,

350
00:16:43,640 --> 00:16:45,600
Speaker 5: you guys are not on Wolf Cool. You're part of

351
00:16:45,640 --> 00:16:47,720
Speaker 5: your wolf. I'm sorry about this. They're they're part of

352
00:16:47,800 --> 00:16:48,200
Speaker 5: your wolf.

353
00:16:48,200 --> 00:16:50,480
Speaker 3: They're sort of I was gone for a little while.

354
00:16:50,680 --> 00:16:51,640
Speaker 2: No, that's okay.

355
00:16:53,520 --> 00:16:56,280
Speaker 4: They're the redheaded as children of wolf.

356
00:16:56,480 --> 00:16:59,200
Speaker 2: Wolf Cool is a hot shingle with all the best

357
00:16:59,240 --> 00:17:01,200
Speaker 2: new stuff and a lot of the new shows that

358
00:17:01,240 --> 00:17:03,520
Speaker 2: have launched have been out of there that have heat.

359
00:17:04,160 --> 00:17:07,199
Speaker 2: And it's located on a small boat off Catalina Island

360
00:17:07,200 --> 00:17:09,560
Speaker 2: with a big spotlight that makes the flying fish come

361
00:17:09,560 --> 00:17:10,560
Speaker 2: out of the water at night.

362
00:17:10,760 --> 00:17:11,960
Speaker 4: That's yeah.

363
00:17:12,240 --> 00:17:15,880
Speaker 1: So, and the spotlight also can cook the fish if

364
00:17:15,880 --> 00:17:17,440
Speaker 1: you put it really close.

365
00:17:17,440 --> 00:17:19,600
Speaker 5: So it's like a hot spotlight. It's like a heat lamp.

366
00:17:19,920 --> 00:17:21,520
Speaker 4: Oh, I mean it just gets if you leave it

367
00:17:21,560 --> 00:17:22,160
Speaker 4: on for a long time.

368
00:17:22,200 --> 00:17:23,200
Speaker 2: It takes a long time.

369
00:17:23,400 --> 00:17:23,560
Speaker 1: Yeah.

370
00:17:24,760 --> 00:17:26,920
Speaker 5: Is the spotlight under the water or is it down

371
00:17:26,960 --> 00:17:27,880
Speaker 5: on top of the wain.

372
00:17:27,760 --> 00:17:29,480
Speaker 1: And off the side of the boat, off the side

373
00:17:29,480 --> 00:17:31,600
Speaker 1: of the But if it gets hotter if you splash

374
00:17:31,640 --> 00:17:32,119
Speaker 1: water on it.

375
00:17:32,280 --> 00:17:33,320
Speaker 2: Yeah.

376
00:17:33,440 --> 00:17:35,399
Speaker 4: Let's get into a couple of negotiation points.

377
00:17:35,480 --> 00:17:38,120
Speaker 1: Last time you were good to us, you did get

378
00:17:38,240 --> 00:17:43,880
Speaker 1: rid of, by the way, conversation with Jeff Garland, which is.

379
00:17:42,080 --> 00:17:45,040
Speaker 5: One of your sticking points. And we got rid of that.

380
00:17:45,280 --> 00:17:49,800
Speaker 1: Yeah, you got rid of Jeff which was the side conversation.

381
00:17:49,960 --> 00:17:52,280
Speaker 5: Well, we we made him say that he was taking

382
00:17:52,320 --> 00:17:55,280
Speaker 5: time off to do his television show What does it

383
00:17:55,320 --> 00:17:56,359
Speaker 5: meet the Garlands?

384
00:17:56,359 --> 00:17:56,960
Speaker 2: What is it called?

385
00:17:57,160 --> 00:17:59,720
Speaker 3: Oh right, Yes, that eighty show.

386
00:18:00,080 --> 00:18:01,160
Speaker 2: Yeah, that eighty show. Yeah.

387
00:18:02,800 --> 00:18:05,639
Speaker 6: Yeah. Can I just say, by the way, this is

388
00:18:05,680 --> 00:18:09,320
Speaker 6: the worst fucking interview I've ever done?

389
00:18:09,600 --> 00:18:15,440
Speaker 3: You what I really this is interview of this is embarrassed.

390
00:18:15,480 --> 00:18:16,680
Speaker 2: How come John left?

391
00:18:17,119 --> 00:18:17,840
Speaker 3: How come he left?

392
00:18:18,200 --> 00:18:18,320
Speaker 1: Hm?

393
00:18:20,440 --> 00:18:21,280
Speaker 2: Because you left?

394
00:18:21,600 --> 00:18:23,920
Speaker 6: It was it was because I wasn't on the show

395
00:18:24,240 --> 00:18:26,680
Speaker 6: as much as I used to be, And I think

396
00:18:26,720 --> 00:18:29,120
Speaker 6: he got really sad.

397
00:18:28,880 --> 00:18:31,640
Speaker 5: Scared just he didn't have the supports.

398
00:18:32,359 --> 00:18:36,080
Speaker 6: He didn't, he didn't, he didn't know like it was.

399
00:18:36,200 --> 00:18:37,640
Speaker 3: It was you could.

400
00:18:37,400 --> 00:18:40,520
Speaker 4: Tell that he was throw you and they cut away.

401
00:18:41,000 --> 00:18:42,320
Speaker 5: Yeah, go to.

402
00:18:42,280 --> 00:18:46,520
Speaker 6: My office, like just open the door and knock on

403
00:18:46,600 --> 00:18:47,800
Speaker 6: the door and there'd be nobody in there.

404
00:18:48,080 --> 00:18:51,520
Speaker 5: It's kind of an Emperor has no clothes situation where

405
00:18:51,560 --> 00:18:53,359
Speaker 5: it was just like without us, I who am I?

406
00:18:53,480 --> 00:18:54,320
Speaker 5: What do I right?

407
00:18:54,520 --> 00:18:57,840
Speaker 6: It was more it was more just the guy who

408
00:18:57,920 --> 00:19:00,520
Speaker 6: I he leaned on me a lot for emotion, will support.

409
00:19:00,640 --> 00:19:04,120
Speaker 4: Yeah, do you spell like he would spell office.

410
00:19:03,800 --> 00:19:07,440
Speaker 6: A A F I S sometimes if I'm should say

411
00:19:07,520 --> 00:19:08,360
Speaker 6: that that's.

412
00:19:08,200 --> 00:19:10,880
Speaker 5: Not a bad idea for a sitcom starring you, though

413
00:19:11,160 --> 00:19:12,280
Speaker 5: the office?

414
00:19:11,760 --> 00:19:13,760
Speaker 3: The Office? That's true?

415
00:19:13,880 --> 00:19:17,200
Speaker 4: Is that the show that we're carving out for you.

416
00:19:16,520 --> 00:19:20,240
Speaker 2: The cool showing an opportunity.

417
00:19:20,400 --> 00:19:22,480
Speaker 5: Well, okay, it's a separate change. I'll allow you a

418
00:19:22,520 --> 00:19:24,600
Speaker 5: separate single. Not these guys.

419
00:19:24,240 --> 00:19:26,760
Speaker 2: If this funny question reminds me of one I have.

420
00:19:27,840 --> 00:19:30,320
Speaker 2: Probably a lot of bad jokes have been made about

421
00:19:30,359 --> 00:19:33,240
Speaker 2: your name sort of being as if right, but like,

422
00:19:33,359 --> 00:19:35,080
Speaker 2: what are some of the good ones you've heard?

423
00:19:37,400 --> 00:19:39,960
Speaker 3: I consider all of them good? You know, I don't.

424
00:19:40,080 --> 00:19:42,440
Speaker 6: I I've never had a problem with any of those,

425
00:19:44,160 --> 00:19:50,040
Speaker 6: you know, slightly racist, Yeah, that's the very name. Yeah,

426
00:19:50,119 --> 00:19:51,879
Speaker 6: I've always been really game about it.

427
00:19:52,200 --> 00:19:53,040
Speaker 3: So that's been Do you.

428
00:19:53,040 --> 00:19:55,560
Speaker 5: Believe them to be slightly racist? Because the very idea

429
00:19:55,600 --> 00:19:58,359
Speaker 5: that your name is different is pointing out something.

430
00:19:58,240 --> 00:20:00,560
Speaker 6: Right, well interesting idea that like, you know, like because

431
00:20:00,560 --> 00:20:03,080
Speaker 6: somebody has a name that you'reenough familiar with, you can

432
00:20:03,119 --> 00:20:05,399
Speaker 6: therefore sort of bastardize it and turn it into it

433
00:20:05,440 --> 00:20:09,320
Speaker 6: you know. But like I said, I have been super

434
00:20:09,400 --> 00:20:12,320
Speaker 6: into it and super game about it, you know, because

435
00:20:12,359 --> 00:20:16,080
Speaker 6: I mean, it could just be an incredible need I

436
00:20:16,240 --> 00:20:20,439
Speaker 6: have for white people to like me and why not

437
00:20:20,520 --> 00:20:21,199
Speaker 6: play ball?

438
00:20:21,240 --> 00:20:22,720
Speaker 2: And I feel like we've seen that.

439
00:20:22,960 --> 00:20:25,480
Speaker 3: Yeah, you know, you're the guy.

440
00:20:25,560 --> 00:20:28,120
Speaker 6: We've seen the guy who's like, hey, don't make fun

441
00:20:28,160 --> 00:20:28,680
Speaker 6: of my name.

442
00:20:28,840 --> 00:20:33,880
Speaker 1: You know or you want to yeah, exactly, exactly.

443
00:20:34,000 --> 00:20:35,920
Speaker 5: Just play ball and let the white people give you. Yeah.

444
00:20:37,160 --> 00:20:38,880
Speaker 3: You know, when white people make fun of you, I'm

445
00:20:38,920 --> 00:20:40,480
Speaker 3: always like, go with it.

446
00:20:40,520 --> 00:20:40,920
Speaker 2: Thank you.

447
00:20:41,000 --> 00:20:43,879
Speaker 3: At least they're giving you attention. Yes, And that's what

448
00:20:44,000 --> 00:20:44,840
Speaker 3: I always have.

449
00:20:45,000 --> 00:20:46,840
Speaker 6: That's been my kind of And you know that brings

450
00:20:46,880 --> 00:20:49,360
Speaker 6: me back to John and the attention that.

451
00:20:49,320 --> 00:20:49,960
Speaker 1: He gave me.

452
00:20:51,720 --> 00:20:53,639
Speaker 4: Let me ask you a question, read John.

453
00:20:54,200 --> 00:20:56,600
Speaker 3: Right, yes, and let's say really loudly.

454
00:20:56,640 --> 00:20:59,159
Speaker 1: A couple of years into the into your time on

455
00:20:59,200 --> 00:21:05,639
Speaker 1: the show, you're on Top correspondent Jessica Williams, Jason Jones,

456
00:21:05,640 --> 00:21:08,400
Speaker 1: why it's an accurate they're chewing on your dust. You

457
00:21:08,400 --> 00:21:10,639
Speaker 1: go into John's office and you say it's time to

458
00:21:10,720 --> 00:21:12,639
Speaker 1: work out new terms.

459
00:21:12,680 --> 00:21:13,600
Speaker 3: Terms, new terms.

460
00:21:13,680 --> 00:21:17,520
Speaker 6: Yeah, I need I need to be paying as if

461
00:21:17,560 --> 00:21:20,439
Speaker 6: mandvy a little bit more money, yes, which is the

462
00:21:20,480 --> 00:21:21,280
Speaker 6: same terms.

463
00:21:21,320 --> 00:21:22,760
Speaker 3: I think we can negotiate here.

464
00:21:23,280 --> 00:21:23,600
Speaker 4: Great.

465
00:21:23,640 --> 00:21:25,800
Speaker 6: I would go in too, John's office. I would speak

466
00:21:25,800 --> 00:21:27,440
Speaker 6: in the third person, because I did.

467
00:21:28,240 --> 00:21:31,040
Speaker 2: You guys have never tried that before. It helps.

468
00:21:31,080 --> 00:21:31,880
Speaker 4: It helps if you.

469
00:21:31,760 --> 00:21:34,200
Speaker 6: Go in, If you go into negotiations, say as if

470
00:21:34,200 --> 00:21:36,160
Speaker 6: Monvey would like some more money.

471
00:21:35,920 --> 00:21:37,919
Speaker 2: Okay, and immediately he does.

472
00:21:38,320 --> 00:21:40,120
Speaker 3: It's kind of like a smoke and mirrors thing, like.

473
00:21:40,040 --> 00:21:42,560
Speaker 4: He doesn't then it says, if you are your agent.

474
00:21:42,359 --> 00:21:44,040
Speaker 5: Yeah, I would know how to respond to you.

475
00:21:44,119 --> 00:21:46,800
Speaker 6: Yeah, you'd be like, wait, oh I love Austin. If

476
00:21:46,800 --> 00:21:48,359
Speaker 6: I don't want to like, I don't want it, you know,

477
00:21:48,440 --> 00:21:50,000
Speaker 6: so you could try that?

478
00:21:50,640 --> 00:21:51,960
Speaker 3: Why do you try right now? Yeah?

479
00:21:52,000 --> 00:21:55,280
Speaker 5: Well, we tell you what. Why don't you Sean? Why

480
00:21:55,320 --> 00:21:57,560
Speaker 5: don't you speaking the third person? And he's you speaking

481
00:21:57,560 --> 00:21:58,240
Speaker 5: the fourth person?

482
00:21:58,520 --> 00:22:02,679
Speaker 2: Okay, okay, yeah, it's the fourth person is time?

483
00:22:03,119 --> 00:22:05,840
Speaker 5: Yeah exactly, it's like the fourth dimension. Yeah, so if

484
00:22:05,880 --> 00:22:08,800
Speaker 5: you could speak from the future, Okay, that would be great.

485
00:22:09,200 --> 00:22:11,200
Speaker 2: Awsif Momvey wants more money.

486
00:22:11,480 --> 00:22:14,320
Speaker 5: Done, he's a great talent. I want to keep him around.

487
00:22:14,480 --> 00:22:14,960
Speaker 5: Of course.

488
00:22:15,080 --> 00:22:18,880
Speaker 1: Hayes got a bunch of money from Scott. He's very

489
00:22:18,920 --> 00:22:24,000
Speaker 1: happy he got spat Wait, I gave you spont Yes,

490
00:22:24,760 --> 00:22:27,359
Speaker 1: I would never give you spot did well, it's I'm

491
00:22:27,400 --> 00:22:29,480
Speaker 1: just telling you about the future me and as if

492
00:22:29,520 --> 00:22:30,360
Speaker 1: on spot now.

493
00:22:30,600 --> 00:22:33,240
Speaker 3: Yeah, I don't know what that is, but I love it.

494
00:22:33,440 --> 00:22:35,159
Speaker 2: Oh, you'd be perfect for it.

495
00:22:35,280 --> 00:22:36,600
Speaker 5: You'd be great, and I would love to have you

496
00:22:36,600 --> 00:22:40,560
Speaker 5: on Paul Tompkins podcast. It's it's so many more listeners

497
00:22:40,600 --> 00:22:43,720
Speaker 5: than I'm on it. Great, Okay, I've already been on

498
00:22:43,760 --> 00:22:46,399
Speaker 5: it because I'm now Yeah, now you're speaking from the

499
00:22:46,400 --> 00:22:48,000
Speaker 5: fourth person, fifth person.

500
00:22:48,119 --> 00:22:50,119
Speaker 4: WHOA Yeah, I don't even know what that.

501
00:22:50,200 --> 00:22:56,119
Speaker 6: I used to be on that something. Wow, I'm so

502
00:22:56,440 --> 00:22:58,840
Speaker 6: over it because I've done been there, done that in

503
00:22:58,920 --> 00:23:00,560
Speaker 6: the sponge boring.

504
00:23:00,720 --> 00:23:03,399
Speaker 5: Well that was successful. Yeah, you got awsome more money.

505
00:23:03,840 --> 00:23:07,200
Speaker 3: It was a huge That was a great negotiation tax.

506
00:23:07,280 --> 00:23:11,800
Speaker 2: Yes, and now under the boys, m hm, time for

507
00:23:11,880 --> 00:23:14,000
Speaker 2: the boys and hey is quickly? Would you want to

508
00:23:14,040 --> 00:23:21,600
Speaker 2: tell one other podcast to suck on these? Yes, it's

509
00:23:21,640 --> 00:23:23,760
Speaker 2: weird for some of the ones that are all girls.

510
00:23:25,160 --> 00:23:27,040
Speaker 5: Yeah, that's I wouldn't suggest doing that.

511
00:23:27,200 --> 00:23:27,760
Speaker 2: Don't do that.

512
00:23:27,800 --> 00:23:29,680
Speaker 5: You're not going to do this to cry babies.

513
00:23:29,400 --> 00:23:32,879
Speaker 1: Or well please, it's weird because OMFG was recorded just

514
00:23:32,960 --> 00:23:37,680
Speaker 1: before we came in here and shook their hands then,

515
00:23:37,880 --> 00:23:41,040
Speaker 1: and I shouldn't do like it's there, like we had

516
00:23:41,080 --> 00:23:44,280
Speaker 1: such a nicer direction. I shouldn't tell them to get

517
00:23:44,280 --> 00:23:47,320
Speaker 1: down and suck on o MFDs.

518
00:23:49,520 --> 00:23:50,960
Speaker 4: I shouldn't have done that.

519
00:23:51,200 --> 00:23:51,880
Speaker 2: Please don't.

520
00:23:52,200 --> 00:23:54,800
Speaker 1: Now I'm in the future and I'm saying that was

521
00:23:54,840 --> 00:23:56,840
Speaker 1: a mistake in retrospect.

522
00:23:57,040 --> 00:23:58,920
Speaker 5: Why would I do it to their face if you're

523
00:23:58,920 --> 00:23:59,720
Speaker 5: going to do it.

524
00:24:00,240 --> 00:24:02,159
Speaker 4: Well, that's sort of what I'm describing.

525
00:24:02,840 --> 00:24:08,600
Speaker 3: Oh god, now this has been pretty seamless so far.

526
00:24:09,680 --> 00:24:10,520
Speaker 2: If the brink of.

527
00:24:10,440 --> 00:24:14,360
Speaker 3: What the brink of love.

528
00:24:16,720 --> 00:24:17,600
Speaker 2: I'm watching?

529
00:24:17,840 --> 00:24:21,480
Speaker 6: Yeah, that is, I mean, that's that's the big that's

530
00:24:21,520 --> 00:24:25,239
Speaker 6: the big misdirect on the on the show, which is

531
00:24:25,280 --> 00:24:29,520
Speaker 6: that you think that the show is about the world

532
00:24:29,640 --> 00:24:32,159
Speaker 6: coming to the brink.

533
00:24:32,680 --> 00:24:35,359
Speaker 3: Very quickly, Scott, Can I have my own trailer? Yeah?

534
00:24:36,119 --> 00:24:37,800
Speaker 3: I mean I think wait, wait.

535
00:24:37,640 --> 00:24:40,679
Speaker 2: Like a movie trailer? Yeah, like yes, oh sorry us

536
00:24:40,720 --> 00:24:42,680
Speaker 2: if Mumby wants his own trailer.

537
00:24:42,440 --> 00:24:45,640
Speaker 5: Okay, yeah, yeah you can have You can have actually,

538
00:24:45,680 --> 00:24:48,080
Speaker 5: like a trailer, like a teaser.

539
00:24:48,320 --> 00:24:51,680
Speaker 2: Yeah, no, no, no, you can have a teaser trailer.

540
00:24:51,800 --> 00:24:54,920
Speaker 5: I'll give you one teaser trailer that's fifteen seconds long.

541
00:24:54,960 --> 00:24:57,920
Speaker 5: That's just like you shrouded in darkness and then suddenly

542
00:24:57,920 --> 00:24:59,960
Speaker 5: the light comes up on you and you're like, guess

543
00:25:00,040 --> 00:25:02,800
Speaker 5: who's back? And then Hollywood Handbook.

544
00:25:02,840 --> 00:25:05,880
Speaker 1: Yeah, and there wasn't the first movie, so yeah, well

545
00:25:05,920 --> 00:25:08,399
Speaker 1: be so well it's for the podcast back again.

546
00:25:09,080 --> 00:25:09,480
Speaker 2: Uh huh.

547
00:25:09,480 --> 00:25:11,960
Speaker 5: So I'll give you that, and you I'm going to

548
00:25:12,040 --> 00:25:15,240
Speaker 5: have a full on, full on yeah, to hang out,

549
00:25:15,280 --> 00:25:17,120
Speaker 5: just you know, like a chill zone just to hang

550
00:25:17,119 --> 00:25:20,159
Speaker 5: out and in between podcasts that you do for us.

551
00:25:20,160 --> 00:25:23,440
Speaker 6: Great, yeah, I'm okay with that, guys.

552
00:25:23,520 --> 00:25:25,960
Speaker 5: So when this wraps, you'll have like about probably just

553
00:25:26,040 --> 00:25:27,639
Speaker 5: you know, show biz hurry up and wait. You'll have

554
00:25:27,680 --> 00:25:29,679
Speaker 5: like four hours and then we'll start spot up and

555
00:25:29,720 --> 00:25:31,880
Speaker 5: then you'll have just like another five hour period where

556
00:25:31,920 --> 00:25:33,920
Speaker 5: you just kind of like hurry up and waiting, and

557
00:25:33,960 --> 00:25:37,640
Speaker 5: then we'll do CBB after that. Yeah, it'll be great. Well,

558
00:25:37,640 --> 00:25:38,240
Speaker 5: we'll set it up.

559
00:25:38,280 --> 00:25:41,400
Speaker 4: However, you like drink water for.

560
00:25:43,040 --> 00:25:47,160
Speaker 3: Drink water? Oh that's yeah.

561
00:25:47,280 --> 00:25:48,480
Speaker 2: Yeah, I got to get in on this.

562
00:25:49,520 --> 00:25:53,320
Speaker 4: Oh yeah, it makes it sound and look very good.

563
00:25:53,800 --> 00:26:00,639
Speaker 1: Oh yeah, I'm worried about people having the urgency p

564
00:26:01,200 --> 00:26:02,359
Speaker 1: in the car from the water.

565
00:26:02,480 --> 00:26:03,760
Speaker 2: Oh yeah, yeah.

566
00:26:04,040 --> 00:26:05,640
Speaker 5: If you're listening to this on your way to work,

567
00:26:05,800 --> 00:26:06,960
Speaker 5: please don't pee in your car.

568
00:26:07,080 --> 00:26:09,359
Speaker 2: If you please have a Gatorade bottle with you.

569
00:26:09,800 --> 00:26:12,560
Speaker 5: That would cripple our industry. By the way, it's the

570
00:26:12,600 --> 00:26:17,240
Speaker 5: only bottle that works because of the wide mouth. Oh

571
00:26:17,280 --> 00:26:20,359
Speaker 5: come on, oh come on, Scott, I'm saying that would cripple.

572
00:26:20,960 --> 00:26:23,080
Speaker 5: That would cripple our industry. We if we found out

573
00:26:23,119 --> 00:26:27,200
Speaker 5: that podcasts created peeing in cars, This whole industry would

574
00:26:27,200 --> 00:26:27,760
Speaker 5: be shut down.

575
00:26:27,800 --> 00:26:29,320
Speaker 2: So please don't do it. I think we're good. I

576
00:26:29,440 --> 00:26:31,120
Speaker 2: just read an article about how big we are.

577
00:26:31,920 --> 00:26:35,159
Speaker 3: So that's a great idea for peeing in cars with comedians.

578
00:26:35,160 --> 00:26:39,320
Speaker 5: Hey, there's another one for you. You have like I

579
00:26:39,320 --> 00:26:43,000
Speaker 5: got I got for them. You have more great ideas

580
00:26:43,080 --> 00:26:45,719
Speaker 5: in fifteen minutes than these guys have had in one

581
00:26:45,800 --> 00:26:46,680
Speaker 5: hundred episodes.

582
00:26:47,480 --> 00:26:47,720
Speaker 3: Yeah.

583
00:26:48,320 --> 00:26:51,119
Speaker 1: Like I said, we don't want eddy celebration of the

584
00:26:51,119 --> 00:26:52,920
Speaker 1: one stupid.

585
00:26:53,160 --> 00:26:57,880
Speaker 2: It's just every other day it's a number. Yeah, to us,

586
00:26:58,000 --> 00:27:01,760
Speaker 2: numbers are maintaining the same quality. Is the other ninety nine?

587
00:27:02,720 --> 00:27:07,880
Speaker 2: Umm who had the million dollar arm?

588
00:27:08,359 --> 00:27:14,520
Speaker 3: Well, I would say John did John?

589
00:27:14,600 --> 00:27:17,320
Speaker 6: Say John Ham John had the million dollar, million dollar arm.

590
00:27:17,440 --> 00:27:20,399
Speaker 6: You know his arm is worth a million dollars.

591
00:27:20,440 --> 00:27:22,800
Speaker 5: He's the one who endorsed that million dollar check that

592
00:27:22,880 --> 00:27:25,080
Speaker 5: he got. He did at the start of filming, and

593
00:27:25,119 --> 00:27:28,280
Speaker 5: then the fifteen million one he got at the end

594
00:27:28,320 --> 00:27:28,640
Speaker 5: of film.

595
00:27:28,680 --> 00:27:30,440
Speaker 3: Is that what he got? You know for a fact?

596
00:27:30,520 --> 00:27:33,600
Speaker 5: Yeah, he's a good buddy of mine, and he actually

597
00:27:33,680 --> 00:27:36,719
Speaker 5: we played poker together and uh he bet it at

598
00:27:36,760 --> 00:27:39,760
Speaker 5: one point. The entire check, the entire check. Yeah, from mill.

599
00:27:39,880 --> 00:27:41,679
Speaker 5: He was like, I don't even need this. Yeah, no,

600
00:27:41,720 --> 00:27:43,760
Speaker 5: well he bet. He was like, I just I know

601
00:27:43,800 --> 00:27:46,119
Speaker 5: I have this good hand, I know it. And he

602
00:27:46,240 --> 00:27:48,639
Speaker 5: was betting against us, just like everything we had in

603
00:27:48,680 --> 00:27:51,160
Speaker 5: our pockets. But he was his million dollar arm check.

604
00:27:51,320 --> 00:27:52,280
Speaker 4: Yeah, but he got it.

605
00:27:52,280 --> 00:27:53,640
Speaker 3: It was fifteen million dollars.

606
00:27:53,680 --> 00:27:55,159
Speaker 5: It was fifteen million dollars, but he got it. Was

607
00:27:55,160 --> 00:27:56,119
Speaker 5: two aces he got it.

608
00:27:56,440 --> 00:27:59,560
Speaker 2: Speak got fifteen million dollars. How's Howell going? And when

609
00:27:59,600 --> 00:28:00,199
Speaker 2: do we see you?

610
00:28:00,240 --> 00:28:03,399
Speaker 4: That you guys are on Howl? Good?

611
00:28:03,560 --> 00:28:06,240
Speaker 5: You got your guys' listenership should listen on howel to

612
00:28:06,240 --> 00:28:07,200
Speaker 5: get you more money?

613
00:28:07,600 --> 00:28:09,760
Speaker 2: Well, and if you want to hear the more negotiation,

614
00:28:10,720 --> 00:28:13,200
Speaker 2: go ahead and subscribe to Howl. It's the only way

615
00:28:13,240 --> 00:28:15,360
Speaker 2: to hear the first negotiation that we did.

616
00:28:15,400 --> 00:28:18,800
Speaker 1: And it's see, this is what we're doing, per your specifications.

617
00:28:18,800 --> 00:28:22,720
Speaker 1: Got all our episodes now are in reference to an

618
00:28:22,720 --> 00:28:26,280
Speaker 1: episode from that we talk about.

619
00:28:27,119 --> 00:28:28,520
Speaker 5: I asked you to do that, so thank you.

620
00:28:28,600 --> 00:28:29,280
Speaker 2: I appreciate that.

621
00:28:30,440 --> 00:28:33,800
Speaker 4: And this episode is how exclusive of course, So if

622
00:28:33,840 --> 00:28:34,240
Speaker 4: you are.

623
00:28:34,200 --> 00:28:36,040
Speaker 5: Not no, you can listen to it right now. I

624
00:28:36,080 --> 00:28:37,960
Speaker 5: mean it will be in about you know, half a year,

625
00:28:38,000 --> 00:28:38,800
Speaker 5: But you guys are not.

626
00:28:38,760 --> 00:28:42,360
Speaker 4: Paying I'm in the future. Remember I'm in the future, right, Yes, you.

627
00:28:42,320 --> 00:28:44,239
Speaker 5: Guys are not paying it. You have a great guest here.

628
00:28:44,320 --> 00:28:44,960
Speaker 5: You're talking to me.

629
00:28:45,080 --> 00:28:47,880
Speaker 3: Talk to Awesome here, come on, I was gone again.

630
00:28:48,280 --> 00:28:51,160
Speaker 2: Yeah, what's how? What? What do you think of howl? Awesome?

631
00:28:52,440 --> 00:28:54,560
Speaker 5: Don't ask him about earwolf stuff.

632
00:28:55,240 --> 00:28:56,920
Speaker 3: Ask him about he's not interested.

633
00:28:57,680 --> 00:28:58,520
Speaker 4: He's not interested.

634
00:28:58,560 --> 00:28:59,800
Speaker 5: Ask him about his own career.

635
00:29:00,080 --> 00:29:00,440
Speaker 2: Own it?

636
00:29:00,480 --> 00:29:02,440
Speaker 3: Now, do I own part of how?

637
00:29:02,680 --> 00:29:06,800
Speaker 5: You have one point on the worst or not worst,

638
00:29:06,880 --> 00:29:08,560
Speaker 5: but least popular.

639
00:29:09,520 --> 00:29:13,160
Speaker 1: It's it's it's worst popular.

640
00:29:13,400 --> 00:29:15,120
Speaker 3: Things are about to change. I think on that.

641
00:29:15,240 --> 00:29:17,680
Speaker 5: On that, well, you're on now, I'm expecting.

642
00:29:17,240 --> 00:29:17,880
Speaker 4: I'm on now.

643
00:29:18,080 --> 00:29:22,320
Speaker 6: I think I can get a lot of my not

644
00:29:22,320 --> 00:29:28,080
Speaker 6: not celebrity friends, just my regular friends. Celebrities want to

645
00:29:28,120 --> 00:29:28,680
Speaker 6: be celebrities.

646
00:29:29,080 --> 00:29:31,440
Speaker 2: Are you still have regular friends?

647
00:29:31,600 --> 00:29:31,840
Speaker 5: I have.

648
00:29:32,160 --> 00:29:38,920
Speaker 6: I keep a lot of regular friends, you know, they

649
00:29:39,040 --> 00:29:40,160
Speaker 6: just have normal names.

650
00:29:40,480 --> 00:29:46,400
Speaker 4: Like what those those two cricketersion dollars?

651
00:29:46,600 --> 00:29:49,200
Speaker 3: Yeah, the two cricketers, the two Indian kids. Is that?

652
00:29:49,200 --> 00:29:51,120
Speaker 6: What is that what you're talking about? The two Yeah

653
00:29:51,120 --> 00:29:52,800
Speaker 6: they're my they're my regular friends.

654
00:29:53,000 --> 00:29:54,000
Speaker 2: But they were in that movie.

655
00:29:54,680 --> 00:29:57,400
Speaker 3: They're like regular people. They're regular people, you know.

656
00:29:58,240 --> 00:30:00,719
Speaker 5: So are some of your regular friends also movie stars

657
00:30:01,120 --> 00:30:02,680
Speaker 5: because they're regular people to you.

658
00:30:02,760 --> 00:30:06,440
Speaker 6: They're regular because I'm regular, you're regular, and they're regular.

659
00:30:06,560 --> 00:30:08,800
Speaker 3: Everyone I know is regular.

660
00:30:09,160 --> 00:30:10,800
Speaker 5: So so who are your friends then?

661
00:30:11,520 --> 00:30:15,280
Speaker 3: Just basically those two guys mostly just other Indian people.

662
00:30:15,400 --> 00:30:16,160
Speaker 2: That's the tight crew.

663
00:30:17,040 --> 00:30:20,520
Speaker 6: That's it's it's just me and like other sort of

664
00:30:20,640 --> 00:30:22,240
Speaker 6: mid level Indian celebrities.

665
00:30:23,760 --> 00:30:26,320
Speaker 3: It's kind of awesome. It's just, you know, it's like

666
00:30:27,200 --> 00:30:32,240
Speaker 3: we're all kind of awesome, kind of awesome.

667
00:30:32,080 --> 00:30:36,280
Speaker 2: Aa s and what you and you're being racist again?

668
00:30:36,720 --> 00:30:36,920
Speaker 2: Come on?

669
00:30:37,120 --> 00:30:40,920
Speaker 1: Hey, do people sometimes ask you about slum Dog Millionaire

670
00:30:40,920 --> 00:30:43,320
Speaker 1: by accident when they're trying to think of har arm

671
00:30:43,320 --> 00:30:45,000
Speaker 1: and isn't it good that we're not doing that?

672
00:30:48,360 --> 00:30:48,479
Speaker 5: Uh?

673
00:30:48,760 --> 00:30:52,280
Speaker 6: Yes, they They actually asked me about Millionaire, which which

674
00:30:52,320 --> 00:30:54,960
Speaker 6: you know, I I don't mind. Again, I go with

675
00:30:55,040 --> 00:30:57,360
Speaker 6: it because I'm really into all that stuff.

676
00:30:57,560 --> 00:30:58,640
Speaker 2: That movie was popular too.

677
00:30:58,680 --> 00:31:00,920
Speaker 6: If you can get someone on that from if they

678
00:31:00,960 --> 00:31:07,600
Speaker 6: can confuse million dollars off and one oscars, yeah you

679
00:31:07,720 --> 00:31:09,520
Speaker 6: run off, I will, I will.

680
00:31:09,600 --> 00:31:12,160
Speaker 3: I often get mistaken for death Patel and.

681
00:31:12,040 --> 00:31:14,440
Speaker 5: That people ask you about the news.

682
00:31:15,760 --> 00:31:19,640
Speaker 4: Yeah, it's okay with me or cow The Snooze Rooms.

683
00:31:19,400 --> 00:31:20,720
Speaker 2: Skins original skins.

684
00:31:21,960 --> 00:31:23,920
Speaker 5: Maybe that's what your show could be called, the snooze room,

685
00:31:24,000 --> 00:31:24,840
Speaker 5: the snooze room.

686
00:31:25,080 --> 00:31:25,480
Speaker 2: Snooze.

687
00:31:25,480 --> 00:31:28,760
Speaker 3: Okay, I like snackso I like snooze.

688
00:31:28,800 --> 00:31:30,800
Speaker 5: And is it snooze like the tobacco that we used

689
00:31:30,840 --> 00:31:33,640
Speaker 5: to advertise for one, It's like, well, you.

690
00:31:33,520 --> 00:31:36,479
Speaker 2: Guys stopped, but we've continued to advertise.

691
00:31:36,000 --> 00:31:38,680
Speaker 5: It as much as slowly.

692
00:31:38,920 --> 00:31:40,400
Speaker 2: It was never about the money for us. It was

693
00:31:40,440 --> 00:31:41,320
Speaker 2: about the snooze.

694
00:31:41,360 --> 00:31:46,680
Speaker 1: They're slowly consuming more of the show, like mouth cancer.

695
00:31:47,000 --> 00:31:51,240
Speaker 6: Have you tried calling it maybe snooze with.

696
00:31:52,800 --> 00:31:55,160
Speaker 3: A glottle? Is that global?

697
00:31:56,240 --> 00:31:59,800
Speaker 5: How do you I'm forgetting my Eliza Skinner? How do

698
00:31:59,840 --> 00:32:03,360
Speaker 5: you uh write down a glottal sounds? Do you recall

699
00:32:03,400 --> 00:32:03,960
Speaker 5: from your acting?

700
00:32:04,000 --> 00:32:04,160
Speaker 6: Guy?

701
00:32:04,200 --> 00:32:07,960
Speaker 3: I think it's just you just put an apostrophe.

702
00:32:08,080 --> 00:32:10,440
Speaker 5: Oh right, I'm a podcaster now, so I'm not an

703
00:32:10,480 --> 00:32:11,200
Speaker 5: actor anymore.

704
00:32:11,280 --> 00:32:12,440
Speaker 2: So that's what talking.

705
00:32:12,240 --> 00:32:13,480
Speaker 3: About the actor exactly.

706
00:32:13,560 --> 00:32:17,400
Speaker 6: So I think rather than snooze, which is confusing because

707
00:32:17,400 --> 00:32:19,520
Speaker 6: it could be confused for snooze, and you don't want

708
00:32:19,520 --> 00:32:22,560
Speaker 6: that because that's kind of a sleepy downer.

709
00:32:22,720 --> 00:32:23,920
Speaker 3: Yeah it might.

710
00:32:24,000 --> 00:32:27,920
Speaker 5: You might want to consider a snooze wonderful glottle. Stop there,

711
00:32:28,160 --> 00:32:33,280
Speaker 5: you are a trained actor. You're an amazing talent. Thank you,

712
00:32:33,560 --> 00:32:36,360
Speaker 5: thank you. I I'm what's your ultimate role? Talk about

713
00:32:36,600 --> 00:32:39,800
Speaker 5: what is your ultimate role? The role you want to

714
00:32:39,840 --> 00:32:43,240
Speaker 5: play someday? Is it Shakespeare? Is it Mammot? Is is

715
00:32:43,240 --> 00:32:44,720
Speaker 5: it modern? Is it classical?

716
00:32:44,800 --> 00:32:47,120
Speaker 1: I will say this question. This is our guest, and

717
00:32:47,200 --> 00:32:50,600
Speaker 1: so we're asking one question one point.

718
00:32:51,560 --> 00:32:53,840
Speaker 5: Sorry, this won't count against you guys's time. This this

719
00:32:53,920 --> 00:32:57,360
Speaker 5: episode will be five extra minutes. Just this is, by

720
00:32:57,360 --> 00:32:59,360
Speaker 5: the way, this is an episode of comedy Bang Bang

721
00:32:59,360 --> 00:33:00,720
Speaker 5: in the middle of you guys show.

722
00:33:00,800 --> 00:33:01,320
Speaker 2: Is that Okay?

723
00:33:01,440 --> 00:33:03,600
Speaker 4: That seems fair. Okay, that seems like it would be.

724
00:33:03,560 --> 00:33:04,200
Speaker 2: Great for us.

725
00:33:04,600 --> 00:33:07,040
Speaker 5: Okay, good, yeah, yeah, So this five minutes of your

726
00:33:07,080 --> 00:33:09,640
Speaker 5: show will have two hundred thousand listeners instead of the

727
00:33:09,760 --> 00:33:13,200
Speaker 5: two thousand that you guys. Okay, great, So what is

728
00:33:13,240 --> 00:33:14,120
Speaker 5: your ultimate role?

729
00:33:14,200 --> 00:33:15,080
Speaker 4: What do you want to do?

730
00:33:15,400 --> 00:33:18,600
Speaker 6: I think that if I mean again, yeah, I feel

731
00:33:18,640 --> 00:33:20,800
Speaker 6: like you're asking me a serious question you have to

732
00:33:20,880 --> 00:33:24,000
Speaker 6: answer as an actor and you know, legitimate somebody who's

733
00:33:24,000 --> 00:33:26,720
Speaker 6: trained in the theater and all that. And I think

734
00:33:26,720 --> 00:33:29,280
Speaker 6: that I would like to play at Annie. At Annie

735
00:33:29,320 --> 00:33:32,160
Speaker 6: from Oklahoma, Oklahoma. You're just a girl who can't say no.

736
00:33:32,440 --> 00:33:35,760
Speaker 6: Just a girl who can't say no, it's a non

737
00:33:35,800 --> 00:33:39,200
Speaker 6: traditional casting. It would be non traditional casting because they've

738
00:33:39,200 --> 00:33:41,240
Speaker 6: never had an Indian person play that role playing.

739
00:33:41,240 --> 00:33:46,000
Speaker 4: I'm talking about old fashioned slut nold fashion.

740
00:33:47,320 --> 00:33:49,520
Speaker 3: What is that? Is that that is one of her sons?

741
00:33:49,840 --> 00:33:51,880
Speaker 6: Is that what appeals about the role to you? Just

742
00:33:51,960 --> 00:33:54,280
Speaker 6: to be that slutty, to just be that loose, Yeah,

743
00:33:54,360 --> 00:33:59,960
Speaker 6: slutty and petticoat, just getting yeah where you have to

744
00:34:00,160 --> 00:34:00,840
Speaker 6: back of the day.

745
00:34:00,920 --> 00:34:05,120
Speaker 1: You just had to casually allude to getting right, just torn.

746
00:34:05,080 --> 00:34:07,160
Speaker 2: Yeah, just absolutely demolished.

747
00:34:07,240 --> 00:34:09,279
Speaker 5: Ye, and we'll be right back with more comedy Bang

748
00:34:09,280 --> 00:34:11,960
Speaker 5: Bang All right, guys, hopefully that worked out for you.

749
00:34:12,000 --> 00:34:14,080
Speaker 2: That little gift I could give you for your hundredths,

750
00:34:15,360 --> 00:34:19,719
Speaker 2: that's all I can do. Yeah, well great, And so

751
00:34:19,880 --> 00:34:22,440
Speaker 2: that is that what they do in Comedy Bank Bank.

752
00:34:22,400 --> 00:34:24,720
Speaker 5: Yeah, that's part and parcel of our show. That's exactly

753
00:34:24,719 --> 00:34:26,640
Speaker 5: what if you've never listened to Comedy Bang Bang before,

754
00:34:26,680 --> 00:34:29,120
Speaker 5: It's just straight interview show just where we ask about

755
00:34:29,160 --> 00:34:30,200
Speaker 5: people's care.

756
00:34:31,040 --> 00:34:34,920
Speaker 4: Yeah, okay, I thought it was a bunch of games

757
00:34:34,920 --> 00:34:35,600
Speaker 4: and ship.

758
00:34:36,440 --> 00:34:38,279
Speaker 5: You guys, I mean you were on once? Is that

759
00:34:38,320 --> 00:34:39,040
Speaker 5: what we did?

760
00:34:40,239 --> 00:34:41,760
Speaker 2: No, we were kind of bummed.

761
00:34:42,480 --> 00:34:44,080
Speaker 4: We have been ready to be prepared.

762
00:34:44,400 --> 00:34:46,920
Speaker 1: Yeah, we had a lot of stuff prepared for the

763
00:34:47,000 --> 00:34:47,800
Speaker 1: riddle and stuff.

764
00:34:47,880 --> 00:34:49,320
Speaker 2: Yeah we has.

765
00:34:49,600 --> 00:34:52,919
Speaker 5: Yeah, well you know, sorry about that, but you guys

766
00:34:53,000 --> 00:34:55,320
Speaker 5: kind of sorry. I took it into a different direction,

767
00:34:55,360 --> 00:34:57,719
Speaker 5: all right, So yeah, awesome, back.

768
00:34:57,640 --> 00:35:02,080
Speaker 3: To awesome freakin' dude, just like, what dude next?

769
00:35:02,239 --> 00:35:03,040
Speaker 2: At this point?

770
00:35:03,600 --> 00:35:08,960
Speaker 3: You know, right, I don't. I mean, you know, it's whatever. Like,

771
00:35:09,080 --> 00:35:09,680
Speaker 3: here's the thing.

772
00:35:09,719 --> 00:35:12,320
Speaker 6: What I want to say about next is that whatever

773
00:35:12,600 --> 00:35:14,799
Speaker 6: it comes like this and I'm just going to say,

774
00:35:14,960 --> 00:35:18,000
Speaker 6: what happens is that when you so I've come this

775
00:35:18,360 --> 00:35:21,759
Speaker 6: now I'm here, and then I so what it would

776
00:35:21,800 --> 00:35:22,960
Speaker 6: be a tribute to.

777
00:35:23,719 --> 00:35:27,080
Speaker 3: I feel like I could definitely make something out of that.

778
00:35:27,360 --> 00:35:29,080
Speaker 2: Yeah that's good.

779
00:35:29,400 --> 00:35:32,040
Speaker 3: Mm hmm yeah, I'd be excited about doing that.

780
00:35:32,200 --> 00:35:33,880
Speaker 2: Yeah. So what I mean, what is it?

781
00:35:33,920 --> 00:35:36,799
Speaker 4: What does a guy like you do? Do you have

782
00:35:36,880 --> 00:35:39,040
Speaker 4: to say? Now back on comedy bang back, No, no.

783
00:35:38,800 --> 00:35:42,520
Speaker 5: No, this is this is total Hollywood handbook style question here. Yeah,

784
00:35:42,560 --> 00:35:45,400
Speaker 5: what does a guy like you do to not have fun?

785
00:35:46,760 --> 00:35:48,520
Speaker 3: Hmmm that's a good question.

786
00:35:49,920 --> 00:35:52,960
Speaker 6: I you know, again, here's the thing with me, it's

787
00:35:54,040 --> 00:35:57,160
Speaker 6: I don't even that sort of way of thinking doesn't

788
00:35:57,160 --> 00:36:00,879
Speaker 6: even register with me because I'm all about fun, having fun,

789
00:36:00,920 --> 00:36:05,560
Speaker 6: and I will take every moment and make it and

790
00:36:05,680 --> 00:36:08,960
Speaker 6: extract the most fun out of it.

791
00:36:09,080 --> 00:36:12,080
Speaker 3: Fun or funny? Which one's better word for you? YEA

792
00:36:12,960 --> 00:36:16,080
Speaker 3: one is longer? Yeah, and I like, I think so

793
00:36:16,280 --> 00:36:17,640
Speaker 3: and that for me.

794
00:36:17,800 --> 00:36:19,279
Speaker 5: You're fun from your knees up.

795
00:36:19,520 --> 00:36:21,720
Speaker 3: Yeah, exactly. I don't know what that means.

796
00:36:22,640 --> 00:36:24,080
Speaker 5: At a knee to fun.

797
00:36:23,920 --> 00:36:28,359
Speaker 6: Feel's fun, It feels fun whatever it is. Yeah, I

798
00:36:28,360 --> 00:36:29,360
Speaker 6: I'll go with funny.

799
00:36:29,440 --> 00:36:30,800
Speaker 3: To do that a long word?

800
00:36:32,480 --> 00:36:33,279
Speaker 4: Why did I do it?

801
00:36:33,719 --> 00:36:34,120
Speaker 2: How?

802
00:36:37,000 --> 00:36:39,640
Speaker 5: At what point did you know you were funny? Was

803
00:36:39,680 --> 00:36:41,839
Speaker 5: it in the womb? And if so, does that mean

804
00:36:41,880 --> 00:36:45,359
Speaker 5: you believe life begins at conception? I?

805
00:36:46,040 --> 00:36:52,480
Speaker 3: You know, I don't think that life begins ever. No,

806
00:36:52,560 --> 00:36:54,799
Speaker 3: I think really, I think it's just you know.

807
00:36:54,760 --> 00:36:59,759
Speaker 2: We some ladies get off during when they're having a baby.

808
00:37:00,080 --> 00:37:03,200
Speaker 6: You get off you mean like like like it causes

809
00:37:03,239 --> 00:37:05,040
Speaker 6: some sort ofgasm.

810
00:37:05,760 --> 00:37:08,000
Speaker 5: Yeah, I heard if you don't have an orgasm when

811
00:37:08,040 --> 00:37:10,120
Speaker 5: you can see if you have it when the baby

812
00:37:10,160 --> 00:37:10,600
Speaker 5: comes out?

813
00:37:10,880 --> 00:37:12,399
Speaker 2: Yeah, it just gets held over.

814
00:37:12,600 --> 00:37:13,920
Speaker 3: Well, there's an actual orgasm.

815
00:37:14,000 --> 00:37:16,960
Speaker 6: It happens when woman is having a baby.

816
00:37:17,520 --> 00:37:18,120
Speaker 4: Yeah.

817
00:37:18,360 --> 00:37:18,600
Speaker 3: Is that?

818
00:37:18,960 --> 00:37:19,080
Speaker 2: Like?

819
00:37:19,440 --> 00:37:22,400
Speaker 3: Is that is that incest? Is that incestuous.

820
00:37:22,480 --> 00:37:24,279
Speaker 2: It sort of is, yeah, because the baby.

821
00:37:24,080 --> 00:37:28,480
Speaker 6: Kind of like having an orgasm that is instigated by

822
00:37:28,520 --> 00:37:29,359
Speaker 6: your I think.

823
00:37:30,200 --> 00:37:31,719
Speaker 2: Your baby having sex with your baby, and.

824
00:37:32,239 --> 00:37:37,040
Speaker 5: Weird like that's kind of yea seventy of births are incestuous.

825
00:37:37,239 --> 00:37:37,640
Speaker 2: I read.

826
00:37:37,800 --> 00:37:40,799
Speaker 4: Yeah, yeah, that didn't happen with my mom. She was

827
00:37:40,800 --> 00:37:41,239
Speaker 4: mad at me.

828
00:37:42,120 --> 00:37:45,200
Speaker 2: Really, you've been makup for it ever since.

829
00:37:45,440 --> 00:37:47,879
Speaker 5: Yeah, well she's gone, please mommy, Well you have an

830
00:37:47,960 --> 00:37:52,799
Speaker 5: orgasm always following her asking her that do you believe us?

831
00:37:52,840 --> 00:37:56,800
Speaker 5: If that life actually when you're born? Uh, it ends,

832
00:37:56,920 --> 00:37:58,560
Speaker 5: and that we are truly the walking dead?

833
00:38:00,360 --> 00:38:01,960
Speaker 3: What is life? I mean, you know, how do you

834
00:38:02,000 --> 00:38:04,120
Speaker 3: define it? I don't know how you define it. It's

835
00:38:04,239 --> 00:38:09,279
Speaker 3: it's backwards. It's like I don't know, right, that's right,

836
00:38:09,400 --> 00:38:09,600
Speaker 3: you know.

837
00:38:10,280 --> 00:38:13,279
Speaker 6: And if file you could if you mix up the

838
00:38:13,800 --> 00:38:15,600
Speaker 6: alpha alphi alphi.

839
00:38:15,560 --> 00:38:20,640
Speaker 2: File into a getting into a creepy territory here and

840
00:38:20,680 --> 00:38:24,640
Speaker 2: maybe just just the walking dead stuff and I can

841
00:38:24,680 --> 00:38:27,560
Speaker 2: feel the mummy stuff coming, and so maybe we get

842
00:38:27,560 --> 00:38:35,200
Speaker 2: into a more positive areas.

843
00:38:32,160 --> 00:38:34,680
Speaker 1: Beans a little bit, get to cut it off right

844
00:38:34,719 --> 00:38:35,760
Speaker 1: before the mummy stuff.

845
00:38:35,840 --> 00:38:38,279
Speaker 2: Yes, and you can sort of sense that they're near.

846
00:38:38,480 --> 00:38:41,200
Speaker 1: And then there's probably something we get into about mummies

847
00:38:41,320 --> 00:38:42,560
Speaker 1: having an organic.

848
00:38:44,320 --> 00:38:44,840
Speaker 4: We don't want to.

849
00:38:44,920 --> 00:38:45,440
Speaker 2: That's a good call.

850
00:38:45,520 --> 00:38:47,400
Speaker 5: Let's bring it back into positivity.

851
00:38:46,920 --> 00:38:51,239
Speaker 2: And and uh, how much more episodes can we get

852
00:38:51,280 --> 00:38:52,000
Speaker 2: out of this scout?

853
00:38:52,680 --> 00:38:55,120
Speaker 5: So you're asking me, you want to negotiate to do

854
00:38:55,200 --> 00:38:55,960
Speaker 5: more episodes?

855
00:38:56,520 --> 00:38:59,560
Speaker 4: Yeah, okay, well for certain things. We want a TV

856
00:38:59,680 --> 00:39:00,279
Speaker 4: in our room.

857
00:39:00,760 --> 00:39:03,839
Speaker 5: You want a TV in your room at home? Now

858
00:39:03,920 --> 00:39:08,640
Speaker 5: in our room here, so the the recording studio that

859
00:39:08,640 --> 00:39:11,239
Speaker 5: we all use, you wanted to television in here. Look,

860
00:39:11,280 --> 00:39:13,879
Speaker 5: I told you guys in one of our previous negotiations,

861
00:39:13,880 --> 00:39:16,759
Speaker 5: it cost us about five hundred dollars to have you

862
00:39:16,760 --> 00:39:21,120
Speaker 5: guys do every episode, and you have not recouped that cost.

863
00:39:21,520 --> 00:39:25,120
Speaker 3: It costs It costs five hundred dollars just to.

864
00:39:25,080 --> 00:39:28,120
Speaker 5: Be here, for the rent, the pay, the salary, for

865
00:39:28,200 --> 00:39:33,080
Speaker 5: the equipment, the hosting fees, the you know, just every

866
00:39:33,120 --> 00:39:36,160
Speaker 5: episode of every show costs about five hundred dollars. And

867
00:39:36,200 --> 00:39:40,000
Speaker 5: you've had one hundred episodes. Now you know how much

868
00:39:40,000 --> 00:39:43,880
Speaker 5: money that is. That's fifty thousand dollars dollars. And how

869
00:39:43,960 --> 00:39:46,320
Speaker 5: much money have we seen in advertising for you guys?

870
00:39:47,120 --> 00:39:49,560
Speaker 2: I haven't crunched the numbers in a little bit.

871
00:39:49,920 --> 00:39:52,719
Speaker 4: Now, what were they the last time you crunched them?

872
00:39:52,760 --> 00:39:57,160
Speaker 2: Whether the old numbers that I ran? Yeah, it was low,

873
00:39:57,320 --> 00:40:00,839
Speaker 2: I think, and that costs seventy five and we've had

874
00:40:00,880 --> 00:40:01,719
Speaker 2: like four.

875
00:40:02,160 --> 00:40:05,279
Speaker 1: Now it Scott to build your business model on say

876
00:40:05,280 --> 00:40:10,480
Speaker 1: someone building a skyscraper in Dubai and hiring slaves essentially

877
00:40:10,520 --> 00:40:12,680
Speaker 1: from Bangladesh.

878
00:40:12,040 --> 00:40:14,440
Speaker 5: To That's not how I run a business.

879
00:40:14,440 --> 00:40:17,480
Speaker 1: But you on to build a skyscraper and saying okay,

880
00:40:17,480 --> 00:40:20,839
Speaker 1: well you'll pay a certain amount for lodging and then

881
00:40:20,960 --> 00:40:23,040
Speaker 1: with your salary you can like sort of make that

882
00:40:23,120 --> 00:40:26,480
Speaker 1: money back. Is that what inspired you? Or was it

883
00:40:26,520 --> 00:40:27,280
Speaker 1: the sharecrop?

884
00:40:27,400 --> 00:40:30,520
Speaker 5: You guys are not paying the five hundred dollars. We're

885
00:40:30,600 --> 00:40:32,640
Speaker 5: paying the five hundred dollars right If.

886
00:40:32,560 --> 00:40:36,480
Speaker 1: I'm also not able to send money, hope to our families,

887
00:40:36,520 --> 00:40:37,760
Speaker 1: that's your choice.

888
00:40:37,920 --> 00:40:40,600
Speaker 3: I hate it. It is it much more than of

889
00:40:40,640 --> 00:40:41,680
Speaker 3: this that I have to sit through.

890
00:40:43,239 --> 00:40:46,400
Speaker 2: Hold on, let me see just when do we start?

891
00:40:46,719 --> 00:40:47,319
Speaker 2: I got text war?

892
00:40:47,360 --> 00:40:50,560
Speaker 5: Why are you bringing up your calculator app? Where you

893
00:40:50,600 --> 00:40:51,879
Speaker 5: bringing up your calculator app?

894
00:40:52,320 --> 00:40:54,279
Speaker 2: There's an algorithm, Hayes, and I used to know if

895
00:40:54,280 --> 00:40:55,359
Speaker 2: an interview is going well.

896
00:40:56,640 --> 00:41:02,080
Speaker 3: No, I have the already tapped into that.

897
00:41:02,080 --> 00:41:03,799
Speaker 5: That's some beautiful mind ship. You just did it in

898
00:41:03,840 --> 00:41:04,160
Speaker 5: your head.

899
00:41:04,400 --> 00:41:06,880
Speaker 3: I just did it already, Yeah, I already.

900
00:41:06,920 --> 00:41:08,360
Speaker 5: I didn't need the what's the verdict?

901
00:41:08,800 --> 00:41:12,439
Speaker 4: Like your character in the Internship, Yes, he's good.

902
00:41:13,120 --> 00:41:18,680
Speaker 6: Oh boy, yeah, remember the you have your skillful interviewer.

903
00:41:18,760 --> 00:41:22,440
Speaker 4: By the way, you were a skillful internshipper.

904
00:41:23,920 --> 00:41:29,440
Speaker 2: Because the wedding crashers are back right now, did they

905
00:41:29,560 --> 00:41:31,680
Speaker 2: really think that's Professor X in that wheelchair?

906
00:41:32,800 --> 00:41:35,040
Speaker 3: They did? They did, Oh gosh.

907
00:41:35,120 --> 00:41:37,640
Speaker 5: And they were just rolling the cameras together.

908
00:41:37,520 --> 00:41:40,560
Speaker 3: Not supposed to be in the movie. That was an outtake.

909
00:41:41,000 --> 00:41:41,359
Speaker 3: They were.

910
00:41:41,400 --> 00:41:42,520
Speaker 4: We were waiting.

911
00:41:42,640 --> 00:41:43,280
Speaker 3: We were waiting.

912
00:41:43,719 --> 00:41:47,160
Speaker 6: Actually, Vincent Owen would just like, oh, this is a

913
00:41:47,200 --> 00:41:48,240
Speaker 6: cool campus.

914
00:41:48,400 --> 00:41:50,040
Speaker 3: Let's walk around and check it out, because.

915
00:41:49,840 --> 00:41:53,000
Speaker 6: They never a location out essentially, and they yeah, and

916
00:41:53,000 --> 00:41:55,359
Speaker 6: they were just basically looking and they and then they

917
00:41:55,440 --> 00:41:59,400
Speaker 6: freaked out, wow when they thought that it was professor.

918
00:41:59,440 --> 00:42:04,040
Speaker 5: Professor and then Professor X pointed at the cameras and said, gotcha, bitch.

919
00:42:04,280 --> 00:42:04,640
Speaker 3: Yeah.

920
00:42:04,719 --> 00:42:05,719
Speaker 4: He was very.

921
00:42:05,680 --> 00:42:08,640
Speaker 3: Confused because he was he was a student there.

922
00:42:08,760 --> 00:42:12,400
Speaker 6: He was a suit and so he was he complained

923
00:42:12,440 --> 00:42:14,600
Speaker 6: to the the film crew.

924
00:42:15,000 --> 00:42:16,319
Speaker 4: Wow, because he was an old man.

925
00:42:16,440 --> 00:42:18,800
Speaker 6: He was old, and he was I'm like, I'm studying

926
00:42:18,840 --> 00:42:22,160
Speaker 6: here and then I'm being harassed by movie stars.

927
00:42:22,160 --> 00:42:23,879
Speaker 5: She's like, I'm going to night school during the day.

928
00:42:24,040 --> 00:42:26,719
Speaker 6: Yeah, exactly. So that was a good catch. Yeah, that,

929
00:42:27,040 --> 00:42:28,720
Speaker 6: but it stayed in the movie and it's.

930
00:42:28,560 --> 00:42:31,160
Speaker 5: One of those It's one of those iconic film moments,

931
00:42:31,160 --> 00:42:31,480
Speaker 5: one of.

932
00:42:31,400 --> 00:42:36,279
Speaker 6: Those things that I've always said, you know, film As

933
00:42:36,280 --> 00:42:41,080
Speaker 6: a filmmaker myself, I'm always film everything, just yes, because

934
00:42:41,120 --> 00:42:44,520
Speaker 6: you never know what you're sleep you brought.

935
00:42:44,320 --> 00:42:46,600
Speaker 2: Going to the toilet making your own films. I'm going

936
00:42:46,640 --> 00:42:48,080
Speaker 2: to get this wrong. Rosewater.

937
00:42:48,400 --> 00:42:55,239
Speaker 6: Rosewater is my movie that I made about about Iraq, Yes,

938
00:42:55,360 --> 00:42:59,680
Speaker 6: and and the war and freedom and then just the

939
00:42:59,719 --> 00:43:03,920
Speaker 6: whole concept of like what it was, what that what

940
00:43:04,000 --> 00:43:04,960
Speaker 6: that was like?

941
00:43:05,360 --> 00:43:06,720
Speaker 2: You dude's love getting high?

942
00:43:07,120 --> 00:43:07,400
Speaker 4: I do?

943
00:43:07,760 --> 00:43:10,960
Speaker 5: Oh so bad as Yeah, can I guess what?

944
00:43:10,960 --> 00:43:11,719
Speaker 2: What was it like?

945
00:43:11,920 --> 00:43:13,719
Speaker 3: Was it cool? What was what?

946
00:43:13,719 --> 00:43:15,560
Speaker 5: What was the point of the film? You said you

947
00:43:15,560 --> 00:43:16,160
Speaker 5: were showing what.

948
00:43:16,120 --> 00:43:17,359
Speaker 2: It was like? It was pretty cool.

949
00:43:17,440 --> 00:43:19,520
Speaker 6: It was cool, and it was hot there. It was

950
00:43:19,640 --> 00:43:22,920
Speaker 6: very hot, it was, and so it was mostly about

951
00:43:22,960 --> 00:43:24,040
Speaker 6: like how hot it was.

952
00:43:24,080 --> 00:43:26,839
Speaker 4: And how people people don't know, they don't know, like.

953
00:43:26,800 --> 00:43:28,960
Speaker 6: They talk about the wake up and they're like, oh,

954
00:43:29,120 --> 00:43:30,840
Speaker 6: what should we have gone in? Should we have not

955
00:43:30,880 --> 00:43:32,600
Speaker 6: gone in? But what people don't talk about is how

956
00:43:32,920 --> 00:43:33,360
Speaker 6: hot it is.

957
00:43:33,480 --> 00:43:38,440
Speaker 1: Yeah, speaking of waking up off screen backstage on Internship?

958
00:43:38,480 --> 00:43:41,280
Speaker 4: Did ever tell you the truth about nine to eleven?

959
00:43:41,960 --> 00:43:45,319
Speaker 3: He did? He often did, Yeah, yeah, Yeah.

960
00:43:45,360 --> 00:43:48,560
Speaker 1: It sometimes seems like cutting in, like when like you

961
00:43:48,600 --> 00:43:51,440
Speaker 1: come in on a shot of Internship, he's just finished

962
00:43:51,440 --> 00:43:53,480
Speaker 1: talking about jet fuel, open.

963
00:43:53,239 --> 00:43:54,400
Speaker 2: Fire can't melt steel.

964
00:43:55,080 --> 00:43:57,200
Speaker 6: There were a couple of the thing was a couple

965
00:43:57,239 --> 00:43:58,840
Speaker 6: of times that I would be taking a nap in

966
00:43:59,000 --> 00:44:02,439
Speaker 6: like the the cooling tent because is also very hot

967
00:44:02,440 --> 00:44:04,759
Speaker 6: in Atlanta, because when we shot it, I'd be.

968
00:44:04,680 --> 00:44:06,200
Speaker 5: In the cooling Iraq.

969
00:44:07,600 --> 00:44:09,880
Speaker 6: It is, and I would be sleeping, and then I

970
00:44:09,920 --> 00:44:12,799
Speaker 6: would be jarred awake, and he it was he would

971
00:44:12,800 --> 00:44:15,120
Speaker 6: just always be getting right to the end of the story.

972
00:44:15,160 --> 00:44:17,759
Speaker 6: But what happened at nine to eleven? And then and

973
00:44:17,800 --> 00:44:19,520
Speaker 6: I was always and then he'd be like, and that's

974
00:44:19,560 --> 00:44:20,359
Speaker 6: what happened.

975
00:44:20,040 --> 00:44:21,560
Speaker 4: And you don't want to say, oh, go back.

976
00:44:21,400 --> 00:44:23,759
Speaker 6: And and I didn't, and then you'd be embarrassed. And

977
00:44:23,760 --> 00:44:26,200
Speaker 6: then and then I was like, I gotta stay awake.

978
00:44:26,239 --> 00:44:29,280
Speaker 6: And then next time you'd be embarrassed to do it again.

979
00:44:29,440 --> 00:44:32,080
Speaker 6: Excuse me, mister Vaughan. I was napping during your story.

980
00:44:32,200 --> 00:44:32,920
Speaker 2: Could you back up?

981
00:44:33,120 --> 00:44:34,760
Speaker 3: I heard the story three times.

982
00:44:34,880 --> 00:44:37,239
Speaker 6: It's and and all I ever caught was like the

983
00:44:37,280 --> 00:44:38,759
Speaker 6: last ten seconds of it.

984
00:44:38,840 --> 00:44:40,880
Speaker 2: Well, it's all out there at Google Tower seven, the

985
00:44:40,880 --> 00:44:44,399
Speaker 2: Builderberg Group, Uss, Liberty, Reichs Dog. I mean it's all

986
00:44:44,520 --> 00:44:45,680
Speaker 2: you know, it's pretty, you know.

987
00:44:45,680 --> 00:44:46,640
Speaker 3: I know you're fond.

988
00:44:47,719 --> 00:44:52,160
Speaker 2: Yeah, yeah, it's just uh well project for the new

989
00:44:52,160 --> 00:44:56,120
Speaker 2: American century. Yeah, sure, little thing tank Bush put together.

990
00:44:56,200 --> 00:44:59,799
Speaker 4: And what are we doing here, Scott? We move? It's sorry, sorry,

991
00:45:00,200 --> 00:45:04,239
Speaker 4: just looking at the products we move. Yes, Casper, mattress

992
00:45:04,280 --> 00:45:04,719
Speaker 4: we move?

993
00:45:05,120 --> 00:45:10,120
Speaker 5: Razor Harry's has has anyone funny card? Have you converted

994
00:45:10,320 --> 00:45:13,800
Speaker 5: any any listeners to actually getting a mattress.

995
00:45:14,320 --> 00:45:16,200
Speaker 2: Has been a sticking point.

996
00:45:17,200 --> 00:45:19,920
Speaker 5: We're not saying that there are sticking points on the mattress.

997
00:45:19,960 --> 00:45:22,600
Speaker 2: By the way, most of our listeners, unless you want that,

998
00:45:23,080 --> 00:45:25,359
Speaker 2: most of our listeners have either a Murphy or a

999
00:45:25,440 --> 00:45:27,640
Speaker 2: trundle bed. It's either got to be.

1000
00:45:28,080 --> 00:45:30,239
Speaker 3: In their wall in their one bedroom.

1001
00:45:29,880 --> 00:45:32,840
Speaker 2: Studio, or it actually slides out from beneath their parents'

1002
00:45:32,840 --> 00:45:34,200
Speaker 2: bed in a sort of droll and.

1003
00:45:34,160 --> 00:45:36,040
Speaker 4: Their parents don't know that.

1004
00:45:36,480 --> 00:45:38,880
Speaker 5: What is it about your listeners that that is the case,

1005
00:45:39,120 --> 00:45:42,800
Speaker 5: because I've seen your numbers ninety Murphy bet or Trundle

1006
00:45:42,800 --> 00:45:44,560
Speaker 5: bed it's crazy and casper.

1007
00:45:44,880 --> 00:45:47,400
Speaker 2: I don't know that they can accommodate that. Yes, and

1008
00:45:47,480 --> 00:45:49,719
Speaker 2: fingers crossed. It's coming in the new year.

1009
00:45:49,880 --> 00:45:52,920
Speaker 6: Well maybe maybe snooze is the right word. Then in

1010
00:45:52,960 --> 00:45:55,239
Speaker 6: that case, snooze snooze.

1011
00:45:55,320 --> 00:45:56,920
Speaker 4: But we had for cards got too Mandy.

1012
00:45:56,960 --> 00:45:59,320
Speaker 1: We had a lot of people go to the store,

1013
00:46:00,080 --> 00:46:03,920
Speaker 1: open the pack of cards in the store, copy down.

1014
00:46:03,960 --> 00:46:07,000
Speaker 4: What they all wad they said, and their own set.

1015
00:46:06,840 --> 00:46:08,560
Speaker 5: Of cards, and then they bought a set of blank

1016
00:46:08,640 --> 00:46:11,800
Speaker 5: playing cards and then which are more expensive than the

1017
00:46:11,880 --> 00:46:13,200
Speaker 5: game cards against Humanity.

1018
00:46:13,480 --> 00:46:16,000
Speaker 4: Yes, but we manufacture those.

1019
00:46:16,480 --> 00:46:16,960
Speaker 2: Yeah, so.

1020
00:46:18,800 --> 00:46:21,480
Speaker 5: You guys that look, I want merch for you guys,

1021
00:46:21,600 --> 00:46:23,839
Speaker 5: we have not seen that we've been able to sell

1022
00:46:23,880 --> 00:46:26,360
Speaker 5: any kind of merch for We would have enough numbers

1023
00:46:26,360 --> 00:46:26,719
Speaker 5: to get it.

1024
00:46:26,760 --> 00:46:28,719
Speaker 4: Why don't we start here?

1025
00:46:28,800 --> 00:46:30,160
Speaker 2: Those blank playing cards?

1026
00:46:30,520 --> 00:46:32,640
Speaker 5: Okay, Hollywood handbook, blank playing.

1027
00:46:32,440 --> 00:46:34,320
Speaker 2: Cards, woll School brand playing cards.

1028
00:46:35,239 --> 00:46:37,400
Speaker 6: Now do the playing cards are they just they're just

1029
00:46:37,800 --> 00:46:40,200
Speaker 6: they have faces of celebrities on them, or.

1030
00:46:40,280 --> 00:46:42,080
Speaker 5: They could I guess, Yeah, I mean.

1031
00:46:43,840 --> 00:46:45,879
Speaker 3: Types or is it just it's like a king?

1032
00:46:47,000 --> 00:46:48,160
Speaker 2: Yes, and who's the king?

1033
00:46:48,280 --> 00:46:51,640
Speaker 4: With Christoph Waltz and King Christoph Waltz.

1034
00:46:51,680 --> 00:46:52,120
Speaker 3: That's good.

1035
00:46:52,200 --> 00:46:52,600
Speaker 1: I like that.

1036
00:46:52,760 --> 00:46:55,080
Speaker 2: Who's the king of Hollywood to you? Who's the Queen

1037
00:46:55,120 --> 00:46:57,479
Speaker 2: of Hollywood? To you? It's christophin who's his lady?

1038
00:46:57,680 --> 00:46:58,640
Speaker 4: Who's he get to marry?

1039
00:46:58,800 --> 00:47:02,080
Speaker 2: Thrown by his great question? And I know the answer,

1040
00:47:02,160 --> 00:47:02,360
Speaker 2: but I.

1041
00:47:02,360 --> 00:47:04,760
Speaker 6: Want you do know the answer? Is there a correct answer?

1042
00:47:05,360 --> 00:47:08,200
Speaker 6: Or are we just brainstorming a business idea?

1043
00:47:08,280 --> 00:47:08,360
Speaker 4: Right?

1044
00:47:08,440 --> 00:47:10,840
Speaker 2: Bear of Fork? Alex from Wings.

1045
00:47:12,280 --> 00:47:13,600
Speaker 3: Alex from right?

1046
00:47:13,800 --> 00:47:15,600
Speaker 5: Is that who that nineties TV show?

1047
00:47:15,640 --> 00:47:16,000
Speaker 4: Wings?

1048
00:47:16,520 --> 00:47:16,719
Speaker 2: Yes?

1049
00:47:16,840 --> 00:47:19,880
Speaker 5: That ninety show is a different I was coming. Why

1050
00:47:19,920 --> 00:47:22,239
Speaker 5: didn't they do that nineties show? They did that seventies show,

1051
00:47:22,320 --> 00:47:23,359
Speaker 5: they did that eighty show.

1052
00:47:23,640 --> 00:47:26,800
Speaker 2: I think Fresh off the Boat is said, here's a

1053
00:47:26,880 --> 00:47:29,959
Speaker 2: problem I have speaking of these decade things. The same

1054
00:47:30,120 --> 00:47:34,200
Speaker 2: people loved the seventies, the eighties and the nineties VH one,

1055
00:47:34,480 --> 00:47:36,520
Speaker 2: You didn't guess some people didn't love the seventies and

1056
00:47:36,600 --> 00:47:38,279
Speaker 2: a new crop to love the eighties. Yah.

1057
00:47:38,320 --> 00:47:40,520
Speaker 5: What if Michael iam Black was like, sorry, guys, I

1058
00:47:40,800 --> 00:47:43,080
Speaker 5: just love the eighties. He loves that, and yet I

1059
00:47:43,160 --> 00:47:43,759
Speaker 5: don't love the nights?

1060
00:47:44,920 --> 00:47:48,600
Speaker 1: Is arguing for his favorite decade against being like naah,

1061
00:47:48,719 --> 00:47:51,120
Speaker 1: noa what if he was on I Love the Nineties

1062
00:47:51,520 --> 00:47:53,320
Speaker 1: and he was like, that's riol.

1063
00:47:53,680 --> 00:47:55,480
Speaker 2: Yes, it's just like you see the one guy love

1064
00:47:55,520 --> 00:47:57,160
Speaker 2: in the seventies, then the guy who loves the eighties.

1065
00:47:57,680 --> 00:47:59,600
Speaker 2: It was like, oh no, I'm gonna let you finish.

1066
00:47:59,719 --> 00:48:02,160
Speaker 2: But the eighties was the best decade of all time.

1067
00:48:03,000 --> 00:48:03,480
Speaker 2: That's good.

1068
00:48:03,640 --> 00:48:03,839
Speaker 4: Yeah.

1069
00:48:03,880 --> 00:48:05,560
Speaker 5: Did you ever do one of those one of those

1070
00:48:05,560 --> 00:48:06,800
Speaker 5: shows I Love the Eighties?

1071
00:48:07,000 --> 00:48:07,040
Speaker 2: No?

1072
00:48:07,239 --> 00:48:10,520
Speaker 6: I never on those those vhy Yeah, yeah, pop up

1073
00:48:10,680 --> 00:48:14,320
Speaker 6: pop up things they like, Yeah, that's Lonnie Anderson.

1074
00:48:14,400 --> 00:48:17,560
Speaker 1: Could be that the queen whoa such a beautiful sorry

1075
00:48:17,680 --> 00:48:20,479
Speaker 1: Sarah right, you'll be the six or something.

1076
00:48:20,560 --> 00:48:22,600
Speaker 5: Such a dynamic woman. Have you seen her recently?

1077
00:48:23,200 --> 00:48:23,960
Speaker 2: Oh, Lonnie?

1078
00:48:24,040 --> 00:48:27,160
Speaker 3: Yeah, yeah, so just talking of the eighties, I've seen her.

1079
00:48:27,160 --> 00:48:29,760
Speaker 2: As good only as a blur because she's so dynamic.

1080
00:48:29,960 --> 00:48:32,879
Speaker 5: She's always also, yeah she A lot of people don't

1081
00:48:32,880 --> 00:48:34,960
Speaker 5: know that she can walk sixty five miles an hour?

1082
00:48:35,200 --> 00:48:35,320
Speaker 2: Is that?

1083
00:48:36,320 --> 00:48:37,960
Speaker 3: I think you're talking about a cheetah.

1084
00:48:38,320 --> 00:48:40,759
Speaker 5: Well, she took the powers of Stroker Races Race Car

1085
00:48:40,880 --> 00:48:45,240
Speaker 5: when she did that movie and transferred themselves to herself,

1086
00:48:45,440 --> 00:48:46,759
Speaker 5: transferred those powers.

1087
00:48:46,520 --> 00:48:49,400
Speaker 3: To some Yeah, I don't think it's possible.

1088
00:48:50,080 --> 00:48:51,759
Speaker 5: Well, you know, to do I think we have.

1089
00:48:51,880 --> 00:48:53,319
Speaker 3: I think you're talking about a cat.

1090
00:48:53,560 --> 00:48:55,640
Speaker 1: It's stopped before we start talking about the Joker of

1091
00:48:55,719 --> 00:49:03,200
Speaker 1: Hollywood because obviously Jack, Yeah, then this is it's the topic.

1092
00:49:03,280 --> 00:49:04,920
Speaker 1: We don't that's it because you know, well.

1093
00:49:04,840 --> 00:49:07,600
Speaker 5: It's it's also you know, the Joker of Hollywood we

1094
00:49:07,680 --> 00:49:11,560
Speaker 5: all know is Academy Award winner Heath, No.

1095
00:49:11,680 --> 00:49:16,520
Speaker 1: Not Heath, the new the new Joker, yeah, you know,

1096
00:49:16,760 --> 00:49:19,880
Speaker 1: and and just talking about it because you know, playing

1097
00:49:19,920 --> 00:49:22,839
Speaker 1: that role can sort of infect your personality and make

1098
00:49:22,920 --> 00:49:26,440
Speaker 1: you very scary and want to do bad chaotic acts,

1099
00:49:27,120 --> 00:49:30,279
Speaker 1: and so ken talking about Joker and if you say

1100
00:49:30,320 --> 00:49:31,239
Speaker 1: it too much, he.

1101
00:49:32,800 --> 00:49:35,280
Speaker 4: Bursts through the door in Jex's toxin.

1102
00:49:35,440 --> 00:49:38,279
Speaker 2: My greatest fear is that I'll embrace chaos for its

1103
00:49:38,320 --> 00:49:41,640
Speaker 2: own sake, and I feel that I'm always just at

1104
00:49:41,680 --> 00:49:44,320
Speaker 2: the precipice. Oh yes, on the brink of doing it

1105
00:49:44,960 --> 00:49:47,719
Speaker 2: for you back around and what time is.

1106
00:49:47,760 --> 00:49:50,200
Speaker 3: That skillful skillful, skillfully down?

1107
00:49:50,360 --> 00:49:52,080
Speaker 2: That's a great question. What was that show on?

1108
00:49:52,520 --> 00:49:53,120
Speaker 6: It was on?

1109
00:49:53,400 --> 00:49:56,399
Speaker 3: It was It's now just you can watch it at

1110
00:49:56,440 --> 00:49:58,759
Speaker 3: your leisure on HBO go.

1111
00:49:59,160 --> 00:50:00,799
Speaker 2: I prefer to do that, you know what I mean?

1112
00:50:00,920 --> 00:50:02,880
Speaker 5: Like, why why have these shows that are on at

1113
00:50:02,920 --> 00:50:05,719
Speaker 5: specific times? Just watch everything at your leisure, you know,

1114
00:50:06,000 --> 00:50:07,160
Speaker 5: like why watch everything.

1115
00:50:06,920 --> 00:50:07,200
Speaker 2: On the go?

1116
00:50:07,520 --> 00:50:12,080
Speaker 1: I like watching the relax wakes me up? Huh wakes

1117
00:50:12,080 --> 00:50:13,480
Speaker 1: me up in the morning. It's my coffee?

1118
00:50:13,680 --> 00:50:16,000
Speaker 5: Is it like your alarm? Do you do you set

1119
00:50:16,000 --> 00:50:17,840
Speaker 5: your TV to be your alarm clock so that it

1120
00:50:17,960 --> 00:50:19,200
Speaker 5: wakes you up with the brink.

1121
00:50:19,080 --> 00:50:25,560
Speaker 4: Previously on the brink? Okaya bomb, let's start the week.

1122
00:50:26,200 --> 00:50:28,200
Speaker 2: Okay, cancel the cold shower.

1123
00:50:28,280 --> 00:50:28,640
Speaker 4: I'm up.

1124
00:50:32,080 --> 00:50:33,719
Speaker 3: I gotta try that. I gotta try that.

1125
00:50:34,320 --> 00:50:37,239
Speaker 1: Yeah, it might not be saying what's your what's your

1126
00:50:37,360 --> 00:50:40,479
Speaker 1: the brink? Though everyone else gets the brink to waken

1127
00:50:40,520 --> 00:50:43,320
Speaker 1: them up in the morning, But what's what's that for you?

1128
00:50:43,560 --> 00:50:45,439
Speaker 2: What gets you up every what stops you from hitting

1129
00:50:45,480 --> 00:50:46,480
Speaker 2: this in an ooze button?

1130
00:50:46,560 --> 00:50:50,400
Speaker 6: And I just yes nicely. I like how this is

1131
00:50:50,440 --> 00:50:55,520
Speaker 6: all time back to Yeah, now it's real. I just

1132
00:50:55,640 --> 00:50:58,480
Speaker 6: have my I just have my iTunes, you know, just

1133
00:50:58,719 --> 00:51:03,759
Speaker 6: joaned Biez in the morning. I'm pulling out many references.

1134
00:51:04,520 --> 00:51:06,160
Speaker 1: When I say goodbye at the end of the show,

1135
00:51:06,160 --> 00:51:09,120
Speaker 1: I'm going to say byeas that will be.

1136
00:51:09,280 --> 00:51:12,560
Speaker 4: It will be awesome, and then you guys will kiss

1137
00:51:12,600 --> 00:51:14,719
Speaker 4: so many callbacks? Is it almost too many?

1138
00:51:15,320 --> 00:51:19,759
Speaker 2: Yes, it's going to push me, push me over the edge.

1139
00:51:21,080 --> 00:51:22,680
Speaker 4: How was the algorithm? Are we in the black?

1140
00:51:22,960 --> 00:51:23,160
Speaker 2: Oh?

1141
00:51:23,360 --> 00:51:25,640
Speaker 3: Yes, we're just touching.

1142
00:51:25,920 --> 00:51:27,280
Speaker 2: Well, it's turned green.

1143
00:51:28,800 --> 00:51:32,880
Speaker 5: That that means for money, it's sick, it means, it's ill.

1144
00:51:33,040 --> 00:51:33,440
Speaker 3: Means.

1145
00:51:34,800 --> 00:51:36,000
Speaker 2: Let me pour some medicine in.

1146
00:51:36,760 --> 00:51:38,640
Speaker 3: I don't think you're supposed to put water on your.

1147
00:51:43,440 --> 00:51:43,640
Speaker 2: Wish.

1148
00:51:44,360 --> 00:51:46,239
Speaker 6: That was a visual gag that you did on the

1149
00:51:46,320 --> 00:51:48,120
Speaker 6: rate on the podcast, Sam Sam.

1150
00:51:48,320 --> 00:51:50,960
Speaker 4: If he does a dangerous bit like that, you're going

1151
00:51:51,000 --> 00:51:52,040
Speaker 4: to want to take a picture.

1152
00:51:52,160 --> 00:51:53,759
Speaker 2: Sim what book are you reading?

1153
00:51:53,880 --> 00:51:55,399
Speaker 3: To wasted bit?

1154
00:51:57,560 --> 00:51:58,399
Speaker 2: What book are you reading?

1155
00:51:58,800 --> 00:51:59,439
Speaker 4: Not reading the book?

1156
00:51:59,600 --> 00:51:59,880
Speaker 2: Okay?

1157
00:52:00,719 --> 00:52:01,720
Speaker 4: Also happy one hundred.

1158
00:52:02,719 --> 00:52:06,439
Speaker 2: I could have guessed that. Thanks look at this guy. Yeah,

1159
00:52:06,600 --> 00:52:07,760
Speaker 2: not really the book type.

1160
00:52:08,600 --> 00:52:11,560
Speaker 3: You were saying earlier that you were embracing chaos theory.

1161
00:52:14,760 --> 00:52:17,719
Speaker 5: The chaos theory that's very different. Listen to Jeff Goldbloom

1162
00:52:17,920 --> 00:52:20,120
Speaker 5: in Jurassic Poured.

1163
00:52:20,280 --> 00:52:24,319
Speaker 6: On my phone to see maybe maybe trying to see,

1164
00:52:25,320 --> 00:52:26,720
Speaker 6: but you were embracing chaos.

1165
00:52:26,840 --> 00:52:29,880
Speaker 2: He said, yes, I well, I fear that I'll embrace

1166
00:52:30,000 --> 00:52:33,279
Speaker 2: chaos and fear that you will chaos for its own sake,

1167
00:52:33,360 --> 00:52:35,439
Speaker 2: and then I'll just desire to watch the world burn

1168
00:52:35,640 --> 00:52:39,680
Speaker 2: like like mister Leedo. He's demented. He's damaged.

1169
00:52:39,880 --> 00:52:43,480
Speaker 5: He's damaged, and it's like his tattoos and tattoos.

1170
00:52:43,960 --> 00:52:45,080
Speaker 3: Is he playing the new joke?

1171
00:52:46,160 --> 00:52:50,520
Speaker 2: Oh oh, if you haven't seen it, do yourself a

1172
00:52:50,640 --> 00:52:53,160
Speaker 2: favor and avoid it. Yes, he's playing the new joke.

1173
00:52:53,680 --> 00:52:56,400
Speaker 2: Jared the image I.

1174
00:52:56,440 --> 00:52:57,759
Speaker 5: Wish the other Jared was playing.

1175
00:52:58,040 --> 00:52:59,759
Speaker 4: Yeah, I was going that's that road.

1176
00:53:00,080 --> 00:53:04,520
Speaker 5: Well, yes, Jared from Subway, you know what I mean.

1177
00:53:05,600 --> 00:53:08,400
Speaker 2: He's truly demented. What you need.

1178
00:53:10,040 --> 00:53:12,520
Speaker 5: Imagine him with a white face and green hair.

1179
00:53:13,000 --> 00:53:15,480
Speaker 4: And we don't like this. By the way, whether this

1180
00:53:15,520 --> 00:53:15,920
Speaker 4: stuff he.

1181
00:53:15,960 --> 00:53:18,799
Speaker 2: Did was good, we don't dance. Well.

1182
00:53:18,840 --> 00:53:20,799
Speaker 3: What we will say is I read not that kind

1183
00:53:20,800 --> 00:53:24,120
Speaker 3: of wasn't he wasn't he like having sex with underage

1184
00:53:25,160 --> 00:53:26,320
Speaker 3: and he was doing that.

1185
00:53:26,480 --> 00:53:28,719
Speaker 4: I willing to say that this is illegal what he did.

1186
00:53:28,800 --> 00:53:30,759
Speaker 4: It's illegal, it's against the law. Should it be.

1187
00:53:31,080 --> 00:53:32,480
Speaker 3: Willing to say if it's good or bad?

1188
00:53:32,600 --> 00:53:33,759
Speaker 4: It's not that kind of sh show.

1189
00:53:36,320 --> 00:53:38,160
Speaker 5: You're like, You're like Jay Leno on the Tonight Show.

1190
00:53:38,239 --> 00:53:39,560
Speaker 5: Is the Republican is a Democrat?

1191
00:53:39,600 --> 00:53:39,920
Speaker 4: We don't know.

1192
00:53:40,040 --> 00:53:42,360
Speaker 1: We talk about have fun. We talked about show business.

1193
00:53:42,440 --> 00:53:45,120
Speaker 1: It's not we don't want to get into these debates.

1194
00:53:45,520 --> 00:53:47,200
Speaker 4: That said he is on commercials.

1195
00:53:47,440 --> 00:53:49,760
Speaker 5: Crity, he does commercials, which is a part of show business.

1196
00:53:49,800 --> 00:53:52,760
Speaker 3: Sure, yes, he's a showbiz personality.

1197
00:53:54,080 --> 00:53:56,439
Speaker 2: This might freak your bean. I read an article saying,

1198
00:53:56,480 --> 00:54:00,120
Speaker 2: how come everybody's so mad at Cosby and not is

1199
00:54:00,200 --> 00:54:01,359
Speaker 2: mad at Jared.

1200
00:54:01,400 --> 00:54:05,160
Speaker 5: Because Jared he said he was guilty.

1201
00:54:04,880 --> 00:54:05,960
Speaker 2: Because he's white.

1202
00:54:06,080 --> 00:54:07,359
Speaker 3: Because he's white, that's why.

1203
00:54:08,040 --> 00:54:09,200
Speaker 2: Yeah, that's the article.

1204
00:54:09,239 --> 00:54:15,560
Speaker 6: Because he's young, so yes, age, because he's so young, young, young,

1205
00:54:15,640 --> 00:54:17,279
Speaker 6: and people are like, oh, he's a young guy.

1206
00:54:17,400 --> 00:54:20,759
Speaker 1: Like, yeah, he got in trouble for trying to do

1207
00:54:20,880 --> 00:54:26,560
Speaker 1: it with other young guys because girl we don't like.

1208
00:54:26,600 --> 00:54:31,040
Speaker 2: To get We don't distinguish between that stuff more.

1209
00:54:31,280 --> 00:54:33,200
Speaker 5: It's more wrong if it's a girl.

1210
00:54:33,320 --> 00:54:35,359
Speaker 3: But I think it's more wrong if you're an old

1211
00:54:35,560 --> 00:54:36,120
Speaker 3: black man.

1212
00:54:37,440 --> 00:54:38,160
Speaker 2: I don't know that.

1213
00:54:38,280 --> 00:54:39,200
Speaker 3: I think that's what we're saying.

1214
00:54:39,400 --> 00:54:41,040
Speaker 4: That is a position I am willing to take.

1215
00:54:41,400 --> 00:54:43,160
Speaker 5: Do you mean like Backer Vance's.

1216
00:54:45,239 --> 00:54:54,040
Speaker 2: Dad, Yes, No, talking about Yeah, he was barely touched

1217
00:54:54,120 --> 00:54:55,360
Speaker 2: upon in the film, but.

1218
00:54:57,600 --> 00:54:59,560
Speaker 1: Big part of the bay, and it was sort of

1219
00:54:59,600 --> 00:55:02,680
Speaker 1: implied that he's magical and so why does he have

1220
00:55:02,800 --> 00:55:03,200
Speaker 1: a dad.

1221
00:55:03,360 --> 00:55:06,560
Speaker 5: But that's true, it's like he's born of magic from

1222
00:55:06,600 --> 00:55:06,959
Speaker 5: a spell.

1223
00:55:07,040 --> 00:55:08,759
Speaker 6: Well, that doesn't necessarily mean he doesn't have a dad.

1224
00:55:08,800 --> 00:55:10,880
Speaker 6: I think you're leaping to a conclusion that is not

1225
00:55:11,040 --> 00:55:12,000
Speaker 6: necessarily speak on that.

1226
00:55:12,520 --> 00:55:15,279
Speaker 3: Well, I am. That's what I just did. I like

1227
00:55:15,360 --> 00:55:20,520
Speaker 3: you too, and I and furthermore, that's my position on that.

1228
00:55:20,719 --> 00:55:25,000
Speaker 4: Thank you guys so much for coming on the show. Scott. Uh,

1229
00:55:27,040 --> 00:55:30,359
Speaker 4: what did as if? What did you get paid per

1230
00:55:30,480 --> 00:55:32,560
Speaker 4: episode on the brand brink?

1231
00:55:32,680 --> 00:55:34,359
Speaker 1: Oh? A lot?

1232
00:55:35,239 --> 00:55:36,239
Speaker 4: Yeah that's your rate?

1233
00:55:36,360 --> 00:55:37,000
Speaker 2: Now a lot?

1234
00:55:37,360 --> 00:55:38,200
Speaker 5: Are you offer? Only?

1235
00:55:38,280 --> 00:55:41,839
Speaker 6: When I when I negotiate, I always I always say,

1236
00:55:42,200 --> 00:55:44,360
Speaker 6: and like I said, I say in third person, assime

1237
00:55:44,400 --> 00:55:45,719
Speaker 6: monvee would like a lot?

1238
00:55:46,960 --> 00:55:50,000
Speaker 3: And then you can add more if you want to. Yeah,

1239
00:55:50,480 --> 00:55:52,080
Speaker 3: you can try it. I mean awesome movie, would like

1240
00:55:52,680 --> 00:55:55,399
Speaker 3: me with more. That's what I That's what I think

1241
00:55:55,520 --> 00:55:56,840
Speaker 3: is the negotiation strategy.

1242
00:55:56,880 --> 00:55:57,959
Speaker 5: Where are you on the call sheet?

1243
00:55:59,840 --> 00:56:02,000
Speaker 3: No, bro, there's I'm not sure.

1244
00:56:02,560 --> 00:56:04,840
Speaker 4: Is that why you're that why you made? Is that

1245
00:56:04,880 --> 00:56:06,279
Speaker 4: why your name begins with two WA's?

1246
00:56:06,320 --> 00:56:08,080
Speaker 3: So you go first, first alphabetical?

1247
00:56:08,280 --> 00:56:09,040
Speaker 2: Well, yes, we all know.

1248
00:56:09,160 --> 00:56:11,480
Speaker 5: The call sheet is by list of importance. So where

1249
00:56:11,680 --> 00:56:12,840
Speaker 5: are you what are you?

1250
00:56:12,920 --> 00:56:13,080
Speaker 1: Two?

1251
00:56:13,239 --> 00:56:13,439
Speaker 5: Three?

1252
00:56:14,440 --> 00:56:16,440
Speaker 3: I'm have seen a call?

1253
00:56:16,520 --> 00:56:18,200
Speaker 4: If you have never looked at your call?

1254
00:56:18,320 --> 00:56:19,080
Speaker 2: Do you just show up?

1255
00:56:19,239 --> 00:56:19,800
Speaker 3: I just show it.

1256
00:56:19,880 --> 00:56:21,560
Speaker 2: They just tell me that's disorganized.

1257
00:56:22,520 --> 00:56:25,200
Speaker 3: It is not organized. I will say that. It's basically

1258
00:56:25,320 --> 00:56:26,320
Speaker 3: it's it's chaotic.

1259
00:56:29,040 --> 00:56:30,400
Speaker 2: That's certain to juice me up.

1260
00:56:31,760 --> 00:56:32,840
Speaker 4: You look really juiced.

1261
00:56:33,480 --> 00:56:36,359
Speaker 2: Look that is getting me starting to get juiced hearing

1262
00:56:36,480 --> 00:56:38,839
Speaker 2: you say that. Do you mind sitting back down?

1263
00:56:39,000 --> 00:56:42,360
Speaker 3: No call sheets on a set, there's no call sheets.

1264
00:56:42,440 --> 00:56:43,719
Speaker 3: You just show up basically when you.

1265
00:56:43,800 --> 00:56:46,319
Speaker 5: Want, and then you just shoot whatever is there?

1266
00:56:46,440 --> 00:56:48,719
Speaker 3: That the the you know a lot of it is improvised.

1267
00:56:49,320 --> 00:56:50,400
Speaker 3: There's no real script.

1268
00:56:50,520 --> 00:56:52,799
Speaker 2: Actually, I'm getting pumped, right.

1269
00:56:54,840 --> 00:56:59,719
Speaker 4: I I so remember that song?

1270
00:57:01,320 --> 00:57:04,640
Speaker 3: I don't, But that's okay, who does that?

1271
00:57:04,840 --> 00:57:07,759
Speaker 2: It's uh, what is it?

1272
00:57:14,400 --> 00:57:14,880
Speaker 3: Get up?

1273
00:57:15,480 --> 00:57:18,200
Speaker 4: We're not allowed to. Sorry, we got in trouble for

1274
00:57:18,360 --> 00:57:20,000
Speaker 4: doing the songs. Yeah to.

1275
00:57:22,320 --> 00:57:23,600
Speaker 2: At this point, they're just noises.

1276
00:57:24,280 --> 00:57:25,880
Speaker 3: I feel like you just made a lot of noises,

1277
00:57:26,200 --> 00:57:27,760
Speaker 3: not actually saying a song that.

1278
00:57:27,920 --> 00:57:31,560
Speaker 4: Wasn't Oh no, you just if you.

1279
00:57:31,880 --> 00:57:36,320
Speaker 2: I didn't do that. I did the rooms and cook.

1280
00:57:37,920 --> 00:57:44,200
Speaker 3: Yeah right, it's similar to having I feel like having

1281
00:57:44,240 --> 00:57:44,720
Speaker 3: a seizure.

1282
00:57:45,440 --> 00:57:48,640
Speaker 2: Oh yes, well, and would that be the ultimate chaotic act.

1283
00:57:48,960 --> 00:57:52,360
Speaker 2: Everybody listened to Hollywood Handbook again. Next week, We're coming

1284
00:57:52,440 --> 00:57:56,720
Speaker 2: back and we're always good. Could you please please show

1285
00:57:56,800 --> 00:58:00,600
Speaker 2: up again? It's Facebook, It's on the I UN's web.

1286
00:58:00,760 --> 00:58:04,200
Speaker 2: And and I don't also forget to watch as If

1287
00:58:04,400 --> 00:58:08,120
Speaker 2: in his movies, and UH and Scott.

1288
00:58:07,840 --> 00:58:10,200
Speaker 4: Go on the forum. Send us money in the mail,

1289
00:58:10,360 --> 00:58:12,080
Speaker 4: do it cash.

1290
00:58:11,960 --> 00:58:17,720
Speaker 5: Tags, UH and I love and you ever finish your negotiation?

1291
00:58:18,280 --> 00:58:21,160
Speaker 5: Oh right, you guys can continue to do your show

1292
00:58:21,200 --> 00:58:23,400
Speaker 5: for free, okay, and will continue to pay for you.

1293
00:58:23,440 --> 00:58:25,280
Speaker 4: You did say that we would make more money. It's

1294
00:58:25,320 --> 00:58:27,720
Speaker 4: a boy. Doesn't that imply that we've been paid in

1295
00:58:27,800 --> 00:58:28,160
Speaker 4: the past.

1296
00:58:28,680 --> 00:58:31,280
Speaker 5: That's a good point. You can make some money if

1297
00:58:31,280 --> 00:58:32,680
Speaker 5: people listen to your show on how.

1298
00:58:32,840 --> 00:58:35,160
Speaker 3: If we saw biting people to the office. Can we

1299
00:58:35,280 --> 00:58:36,080
Speaker 3: get part of the door?

1300
00:58:37,640 --> 00:58:38,680
Speaker 5: You mean the physical door?

1301
00:58:38,800 --> 00:58:41,120
Speaker 2: Yes? You just starting?

1302
00:58:42,200 --> 00:58:46,320
Speaker 4: Yeah, you guys, I like you.

1303
00:58:52,280 --> 00:58:57,400
Speaker 3: That I look at the minute the minute that you

1304
00:58:57,520 --> 00:59:03,600
Speaker 3: hear it means you've lost the negotiation. I'm a fan.

1305
00:59:03,880 --> 00:59:06,160
Speaker 3: I like you fan. I like these are all These

1306
00:59:06,200 --> 00:59:07,480
Speaker 3: are all very bad.

1307
00:59:07,360 --> 00:59:11,520
Speaker 5: Things to do if you are a drain on our pocketbooks. Here,

1308
00:59:11,760 --> 00:59:14,600
Speaker 5: if I may be kind, well, that's honest. Yeah, that's honest.

1309
00:59:14,720 --> 00:59:17,680
Speaker 5: And you know the fact that you continue to have

1310
00:59:17,760 --> 00:59:20,360
Speaker 5: a show baffles you know, the bean Counters.

1311
00:59:21,320 --> 00:59:24,840
Speaker 1: But well, it's just it's supposed to get less popular

1312
00:59:24,960 --> 00:59:29,800
Speaker 1: for two years from when you start from your initial

1313
00:59:29,960 --> 00:59:34,160
Speaker 1: episode numbers which were great, right, right, and then a

1314
00:59:34,240 --> 00:59:37,160
Speaker 1: couple of years later it starts to go back up again.

1315
00:59:37,120 --> 00:59:38,000
Speaker 2: Staying power.

1316
00:59:38,240 --> 00:59:38,479
Speaker 3: Yeah.

1317
00:59:39,240 --> 00:59:41,240
Speaker 2: James Khan gives a great speech and Way of the

1318
00:59:41,320 --> 00:59:43,640
Speaker 2: Gun about how when you see a grizzled old man

1319
00:59:43,760 --> 00:59:46,200
Speaker 2: broken down, the one thing you can know about him

1320
00:59:46,320 --> 00:59:48,320
Speaker 2: is that he's a survivor. And that's how I like

1321
00:59:48,440 --> 00:59:51,439
Speaker 2: to think of our podcast rent Way of the Gun.

1322
00:59:51,720 --> 00:59:53,680
Speaker 2: It's probably on Amazon.

1323
00:59:55,080 --> 00:59:55,760
Speaker 3: Or Howl.

1324
00:59:56,800 --> 00:59:59,280
Speaker 5: Yeah, the Way of the Gun is on Howl. Christopher

1325
00:59:59,360 --> 01:00:04,640
Speaker 5: McQuary's debut film, Yeah, the director has purrent mission impossible for.

1326
01:00:04,720 --> 01:00:06,720
Speaker 4: Being a director for like fifteen years.

1327
01:00:07,520 --> 01:00:07,960
Speaker 2: Great film.

1328
01:00:08,000 --> 01:00:11,000
Speaker 5: Sarah Silverman in the opening scene she's an Earwolf favorite.

1329
01:00:11,040 --> 01:00:15,200
Speaker 5: So yeah, check that out on how Sweet Yeah, great bias.

1330
01:00:15,640 --> 01:00:19,120
Speaker 5: I sorry, he said, byez where this is it?

1331
01:00:25,040 --> 01:00:28,000
Speaker 2: This has been an Earwolf Media production executive producers Jeff

1332
01:00:28,040 --> 01:00:30,800
Speaker 2: Ulrick and Scott Ackerman. For more information, visit earwolf dot

1333
01:00:30,840 --> 01:00:31,000
Speaker 2: com

1334
01:00:35,760 --> 01:00:46,360
Speaker 4: Ear Warf Radio boom dot com, The Wolf Dead