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Speaker 1: Now here's a highlight from coast to coast. AM on iHeartRadio.

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Speaker 2: George NORRII back with La Marzoli his latest video film,

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Speaker 2: Out of Place Artifacts La.

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Speaker 3: Where do people get a chance to watch this?

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Speaker 4: It's up on our streaming site that's streaming at lamarzuli

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Speaker 4: dot net, streaming dot lamarzuli dot net, or if you

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Speaker 4: want to get the DVD, it's just lamarzuli dot net.

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Speaker 4: But the streaming way is a great way to go

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Speaker 4: because it's instant gratification and you can check that out

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Speaker 4: streaming dot lamarzuli dot net.

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Speaker 3: Great, you went back to Peru. What did you find there?

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Speaker 4: Well, there's a lot of different sites in Peru and

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Speaker 4: it's just absolutely if you've never been there, if you've

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Speaker 4: never looked down at saksu Aman from the little plateau

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Speaker 4: and you look across the plaza and there's saks Raman,

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Speaker 4: or you go to Ayits and Tombo and you look

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Speaker 4: at the stones on the megalithic stones and the way

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Speaker 4: they're constructed. Modern day archaeologists insists that the Inca built these,

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Speaker 4: but those of us with eyes to see look at

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Speaker 4: this and go, you know, you're smoking something and you're

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Speaker 4: addishing out a lot of hooey because the Inca you

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Speaker 4: can see a difference between the Inca slop, which is

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Speaker 4: really a nice wall, but in comparison to what is

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Speaker 4: actually there, the ancient Negalithic structures are done in such

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Speaker 4: a pristine, workmanlike way that to do it today on

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Speaker 4: any of these sites, could you do it? Possibly? But

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Speaker 4: you're looking at some of these stones, like I talked

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Speaker 4: about before the break, sixty eighty one hundred tongues, how

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Speaker 4: do you move them? And you know you go back

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Speaker 4: a couple of thousand years before the horse was there.

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Speaker 4: You've got lamas. I'm not buying that for a second.

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Speaker 4: And the quarry is, according to Brian Forrester, about forty

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Speaker 4: forty miles away at a lower elevation. And apparently I've

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Speaker 4: never been to the quarry, but Brian has. He said

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Speaker 4: a lot of these stones will quarry high up on

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Speaker 4: the cliffs. How was that done? Moreover, when you go

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Speaker 4: to places like oh It't and Tombo, some of the

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Speaker 4: stones which are have been thrown down by some sort

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Speaker 4: of a catacrismic event, have They're odd shaped, They're just

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Speaker 4: not stones like a pillar or just a square or rectangle.

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Speaker 4: They have extremely weird shapes in them. There's something is

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Speaker 4: cut into them there. They've been shaped very deliberately to

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Speaker 4: do something. Those of us who've looked at it basically

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Speaker 4: posit that what we may be looking at is some

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Speaker 4: sort of ancient machine that was destroyed thousands and thousands

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Speaker 4: of years ago. So I sat there with an archaeologist,

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Speaker 4: he's actually an archaeo astronomer, and this gentleman andre A

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Speaker 4: Gaussi believes as I do, that we're looking at technology

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Speaker 4: which is no longer on the planet. It's not here.

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Speaker 4: I mean, you can't duplicate this today. And so we're

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Speaker 4: sitting in front of this this area which has been

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Speaker 4: cut out, and it looks like some machine was thrust

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Speaker 4: into the rock. It's all polished, the corners are pristine.

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Speaker 4: There are no chisel marks or grinding marks, anything like that.

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Speaker 4: It's completely void of anything. And so you start putting

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Speaker 4: these things together, and I've been on some of these

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Speaker 4: sites like Machu Pico, and the doses will sit there

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Speaker 4: and tell us that the Inco and Master Stone boats,

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Speaker 4: and you just want to you just want to scream

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Speaker 4: because you guys are you guys are just parroting what

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Speaker 4: you were told to say. Obviously, there are two different

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Speaker 4: builders here. The Inca came in and repurposed the stone,

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Speaker 4: just like we see in Egypt where the later Egyptians

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Speaker 4: come in and repurpose these very very ancient neglithic sites.

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Speaker 4: But we see this all around the globe. Other people

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Speaker 4: come in and they repurpose the site. We see it

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Speaker 4: here in the Americas in places like the Octagon Mountain,

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Speaker 4: the Circle mount and we film extensively there and that'll

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Speaker 4: be that'll probably be released early next year, that film

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Speaker 4: and what we discovered. I'm kind of hopping around here,

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Speaker 4: but what we discovered, you want to talk about out

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Speaker 4: of place artifacts, it's just mind boggling, absolutely mind boggling.

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Speaker 4: And we'll talk about that at a later date. But

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Speaker 4: certainly Peru is high on the list of out of

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Speaker 4: place artifacts where you actually come into a site like

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Speaker 4: Manchu Picchu when you look at it and you kind

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Speaker 4: of go, oh, my gosh, why and who did this

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Speaker 4: and why was it abandoned? George is something I've been

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Speaker 4: drilling into on all my travels. All over all, these

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Speaker 4: sites have something in common in that they are abandoned

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Speaker 4: and abandoned very abruptly. And I'm not going to tell

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Speaker 4: you what my hypothesis is. That's in a later film

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Speaker 4: and something I'm still working on, still searching, talking to archaeologists, anthropologists,

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Speaker 4: different disciplines to try to just try to get my

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Speaker 4: hand on the pulsure of what we might be looking at.

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Speaker 4: But it's it's high strangeness to hit the coiner turn

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Speaker 4: from a late doctor dy Allen Heinek. I mean, it

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Speaker 4: is high strangeess. All day long, we're looking at something

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Speaker 4: that's like, you know, wow, seriously, but we'll see because

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Speaker 4: wherever I go and I just I mentioned, you know,

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Speaker 4: Machu Pichu and when you when you arrived there, that

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Speaker 4: site was lost. No one knew it was there. I

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Speaker 4: mean the natives around the area knew it was there.

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Speaker 4: But even today, just to get to the top of it,

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Speaker 4: it's actually extremely harrowing you to think they put like

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Speaker 4: a ski left it or something. But you get on

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Speaker 4: the bus and you it's very secuitous, and you do

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Speaker 4: all these switchbacks and you wind your way up the

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Speaker 4: mountain and finally there you are, and I'll never forget

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Speaker 4: just coming into the gateway and there's there's this ancient,

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Speaker 4: ancient Legolithic site, and the stones are huge, absolutely huge,

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Speaker 4: and of course that begs the question how were they moved,

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Speaker 4: how were they good? Moreover, who did it? Out of place? Artifacts?

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Speaker 4: Absolutely all day long.

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Speaker 2: La, You talk a lot about the Fallen Angel technology.

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Speaker 2: Is that the same as ET technology?

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Speaker 4: I would say, no, we have to define our terms.

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Speaker 4: You know, ET is extraterrestrial, So by definition, anything it

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Speaker 4: doesn't originate or is born or comes from planet Earth

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Speaker 4: is an extraterrestrial. I prefer interdimensional entity. And I believe

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Speaker 4: that these entities came here, set up shop. They did

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Speaker 4: it over and over and over again. They were destroyed

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Speaker 4: and the Great flood, and every culture on the planet

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Speaker 4: has a flood story of some sort, so we know

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Speaker 4: that it happened. I mean, I'm not making this up.

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Speaker 4: It's a question of, you know, why were these sights abandoned?

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Speaker 4: Circling back to what I was just saying, why are

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Speaker 4: these sites abandoned? Why are they there in the first place?

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Speaker 4: And how is it that we would have trouble duplicating

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Speaker 4: some of the Certainly Saksi Raman is a perfect example

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Speaker 4: of that. We would have trouble duplicating that today. But

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Speaker 4: you go to some of these other places. We were

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Speaker 4: set to actually go to Israel, George right before the war.

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Speaker 4: We were the Prophecy Watchers Conference and we were headed

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Speaker 4: to Atlanta that day, Saturday, we were headed to Atlanta

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Speaker 4: and from there on Sunday we would have been in

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Speaker 4: Israel when war broke out. So our tour, we called

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Speaker 4: the Nepheline Tour is would have taken us into northern

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Speaker 4: Israel where a lot of these sites are. One of

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Speaker 4: the sites that we love to take people to, of course,

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Speaker 4: is Gilgar al Fayim, and that's called the Wheel of

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Speaker 4: a Giants, the Circle of a Giant. It's forty two

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Speaker 4: thousand tons of assault law in five concentric rings with

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Speaker 4: a tomb I've crawled into by the way in the

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Speaker 4: center of the site.

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Speaker 2: In all these artifacts la are huge, all of them.

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Speaker 4: Many of them are. But then you get other artifacts

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Speaker 4: like we call it the Nephelene Lance and that boy,

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Speaker 4: I'd love to talk about that if you want to

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Speaker 4: go there, But the Nepheline Lance is just and you

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Speaker 4: want to talk conspiracy stuff, We got into some really

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Speaker 4: weird stuff when we were testing that lance.

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Speaker 3: That was found by a Michigan hiker, wasn't it.

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Speaker 4: Yeah, Well he's out. Bob Shelley is hiking around and

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Speaker 4: he comes into this abandoned campsite and the lance is there,

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Speaker 4: and it weighs twenty eight pounds, and he's thinking to himself,

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Speaker 4: do I really want to hike out with this thing?

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Speaker 4: Twenty eight pounds? It's not some light little object. And

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Speaker 4: he's already got a full pack that he's out there camping.

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Speaker 4: But he takes the thing, he brings it to us.

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Speaker 4: We're there, Chief Joseph, for everyone takes one look at

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Speaker 4: it and goes, it's not a sort, it's a lance.

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Speaker 4: And then Chief Joseph tells us this is bottling. What's

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Speaker 4: in the Native American oral tradition that the red haired,

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Speaker 4: six fingered giants, the Nephelene giants, would raid and come

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Speaker 4: into a village of Native American First Nation people and

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Speaker 4: with these lances, which are about three feet long, and

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Speaker 4: they would they would run through three.

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Speaker 3: Braves at one time at one.

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Speaker 4: Time, and they lift them over their head, screaming and yelling,

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Speaker 4: popping their heads off, drinking the bud like like a

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Speaker 4: coke can. I mean, they were unbelievable and this often

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Speaker 4: Chief Joseph. I'm not elaborating in any way. He comes

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Speaker 4: on the record and talks about this. So Bob Shelley

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Speaker 4: allows us to test the metal and we take a

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Speaker 4: very small sample. We bring it to a highly renowned

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Speaker 4: metal testing lab and an unknown location. I'm not going

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Speaker 4: to give away or embarrass the lab, and we're met

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Speaker 4: with the technician who assures us that the lab will

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Speaker 4: be able to do ascertain roughly when the thing was made,

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Speaker 4: what the composition is, all the particulars that we're looking for. Well,

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Speaker 4: six weeks go by. We were supposed to have the

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Speaker 4: answers in two weeks, and I'm calling. It's like, you

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Speaker 4: know where, where's the results? We So I fly back

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Speaker 4: into this place. It's uh near Detroit. I fly back

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Speaker 4: in and I meet Bob Shelley there and we're there now.

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Speaker 4: But all of a sudden, the technician has a PR

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Speaker 4: person next to her. She won't talk to us directly.

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Speaker 4: Everything has to be censored with the PR person, and

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Speaker 4: she is absolutely just I mean, this is the man's agenda.

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Speaker 2: And she's got you, and she's got the whole lands,

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Speaker 2: she's got the she's got the whole thing.

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Speaker 4: No, no, she's just got a very small piece of it. Okay,

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Speaker 4: there's were one of the things I refuse to do.

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Speaker 4: And told Bob Shelley this, we're just going to take

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Speaker 4: a piece of a lance. No way, we're going to

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Speaker 4: let this thing out of our sight. No way.

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Speaker 3: What piece did you take? The handle, the tip or

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Speaker 3: what we.

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Speaker 4: Just took from from the half from the where there

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Speaker 4: would actually tie into the into a shaft of wood.

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Speaker 4: The thing weighs twenty eight pounds. I mean, it's really heavy.

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Speaker 4: So this guy, Christian Winner who comes in on the film,

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Speaker 4: and he had at a lap and he heard my

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Speaker 4: lamentation regarding the fact that we weren't really getting a

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Speaker 4: straight shot with the testing. So he tested this thing

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Speaker 4: and they found isotopic ratios which point back to a

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Speaker 4: Middle Eastern connection, specifically Saudi Arabia, which of course that

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Speaker 4: whole area we call it Nephelee Central, that's where they roam.

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Speaker 4: So it's not conclusive. It could have come from Michigan,

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Speaker 4: but also it could have been because it's a bronze artifact.

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Speaker 4: The tin definitely comes from Great Britain, no doubt about that,

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Speaker 4: but it looks like it was originated in Saudi Arabia.

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Speaker 4: So the question is what the heck is that doing

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Speaker 4: in Michigan. And the problem is here with a lot

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Speaker 4: of these artifacts, there's no them. In other words, I

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Speaker 4: can't take you to the place where Bob Shelley found

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Speaker 4: it because someone else found or maybe washed up, maybe

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Speaker 4: someone was digging. We don't know the provedance. We only

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Speaker 4: know that Shelley found it at an abandoned campsite, So

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Speaker 4: somebody was digging around in Michigan. And it's really interesting,

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Speaker 4: of course, because Michigan is where those huge copper mines

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Speaker 4: were and a lot of copper, tons and tons of

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Speaker 4: copper has gone missing from those minds. Those minds were

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Speaker 4: working in open thousands of years ago, and that created

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Speaker 4: the bronze age that we see in Europe. Native Americans

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Speaker 4: worked a little bit in copper, but they didn't make bronze.

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Speaker 4: They didn't do that. They weren't smelting it down and

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Speaker 4: creating bronze artifacts. So this is absolutely an out of

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Speaker 4: place artifact which is very enigmatic, and that's what the

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Speaker 4: whole film is. That shows us that there is a

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Speaker 4: hidden history that's been deliberately obfuscated from the people. So

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Speaker 4: the world that's why we're created these films.

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Speaker 3: How do you find these places?

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Speaker 4: That's a really good question, you know. I get emails

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Speaker 4: from people all the time, and and we go down

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Speaker 4: some from wild goose chases. Absolutely, but then we go

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Speaker 4: into places and all of a sudden we're sitting there

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Speaker 4: with our jaws on the ground, going You've got to

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Speaker 4: be kidding. One such place was Zomboujeo in Portugal, which

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Speaker 4: really isn't in the film, although I do allude to

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Speaker 4: it and show some pictures of it in the film.

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Speaker 4: But zamba Jaro is or was this? It was a

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Speaker 4: tell It was completely covered with dirt, and that begs

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Speaker 4: the question why was this done Justsyco becley Teppe. Why

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Speaker 4: did they bury it? Why is the site closed down

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Speaker 4: and then buried? Why is zambou Jaro thousands of miles away.

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Speaker 3: In Portugal and who buries it?

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Speaker 4: Well, that's that's my point. That's what I'm working on,

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Speaker 4: and I just I can't really go there, but that's

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Speaker 4: what I'm working on, because something is going on here

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Speaker 4: and it's and it's global, George. It's not just in

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Speaker 4: the one area. It's global, and it happens at different

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Speaker 4: time periods, when you look at Gilga Rafaim, the same thing.

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Speaker 4: When you look at at quebecuy Teppe, the site's covered.

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Speaker 4: When you go to Zambujaro in Portugal, huge megalithic stones,

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Speaker 4: they're over twenty feet tall, there's a tumulus there and

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Speaker 4: the whole thing was covered up with dirt. When you

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Speaker 4: go to America's Stonehenge, the site is closed down. The

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Speaker 4: site was closed down originally. What we know now is

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Speaker 4: the sacrificial table. They didn't even know what it was.

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Speaker 4: They just saw it was bedrock, there were vines growing

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Speaker 4: on it. They didn't know what it was, and so

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Speaker 4: the archaeologist went in and they started uncovering this thing,

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Speaker 4: and then they realized, oh my gosh, what's this? And

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Speaker 4: what we hear about this over and over and over again,

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Speaker 4: and it's global. So something, something is going on which

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Speaker 4: we're not privy to, which we don't understand yet. And

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Speaker 4: that's why I really can't, you know, can't steal the beans,

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Speaker 4: because I'm not sure what I'm looking at either.

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