1 00:00:00,080 --> 00:00:09,120 Speaker 1: I saw the video of you talking about Sissa's vocals. 2 00:00:05,920 --> 00:00:07,720 Speaker 2: Still bring it brought you to tears. 3 00:00:08,000 --> 00:00:11,920 Speaker 3: Yeah, she's created a new thing and it's inspiring for 4 00:00:12,080 --> 00:00:15,320 Speaker 3: me when I hear her voice, which when I imagine 5 00:00:15,360 --> 00:00:19,360 Speaker 3: it really even Yeah, when I think about it, I 6 00:00:19,560 --> 00:00:22,560 Speaker 3: hear it in my head and it's like very powerful 7 00:00:22,600 --> 00:00:28,800 Speaker 3: for me. So I just am very uh thankful for 8 00:00:29,120 --> 00:00:33,440 Speaker 3: what she's given to my projects in the past and now, 9 00:00:33,479 --> 00:00:33,879 Speaker 3: and like. 10 00:00:35,520 --> 00:00:37,559 Speaker 2: She gets it. Have you said that to her? 11 00:00:37,640 --> 00:00:42,319 Speaker 3: I texted her a few times recently, but I mean, 12 00:00:42,400 --> 00:00:44,080 Speaker 3: I want to tell her this more often. I just 13 00:00:44,080 --> 00:00:44,960 Speaker 3: don't want to be weird. 14 00:00:52,040 --> 00:00:55,600 Speaker 1: This episode of ral podcast is powered by boost Mobile. 15 00:00:55,920 --> 00:01:00,120 Speaker 1: She is one of the most unpredictable genre bendon conversation 16 00:01:00,240 --> 00:01:04,080 Speaker 1: sparking artists of our time. From viral beginnings on the 17 00:01:04,120 --> 00:01:07,080 Speaker 1: Internet to Grammy winds and worldwide tour, She's proven that 18 00:01:07,160 --> 00:01:08,560 Speaker 1: she cannot be boxed in. 19 00:01:08,680 --> 00:01:09,280 Speaker 2: She will not. 20 00:01:09,560 --> 00:01:13,080 Speaker 1: She is a rapper, singer, songwriter, performer artist. She is 21 00:01:13,120 --> 00:01:15,680 Speaker 1: built a career by breaking rules and creating her own 22 00:01:15,760 --> 00:01:18,640 Speaker 1: lane and has a new amazing album that is such 23 00:01:18,640 --> 00:01:19,679 Speaker 1: a vibe called The. 24 00:01:20,240 --> 00:01:21,639 Speaker 2: Please Welcome, Don't You Can. 25 00:01:24,800 --> 00:01:29,080 Speaker 3: Hi? Hi Welcome to in real Life, Thank you for 26 00:01:29,120 --> 00:01:29,800 Speaker 3: having me now. 27 00:01:29,800 --> 00:01:32,000 Speaker 2: I'm so happy to have you. What season are we 28 00:01:32,080 --> 00:01:34,680 Speaker 2: in right now? Because I'm trying to feel the vibes 29 00:01:34,720 --> 00:01:37,520 Speaker 2: where you're at. If I go off the album, I 30 00:01:37,680 --> 00:01:40,520 Speaker 2: feel that you're having fun. You may or may not 31 00:01:40,560 --> 00:01:44,480 Speaker 2: be in love you are. This is just what album 32 00:01:44,600 --> 00:01:48,680 Speaker 2: vibes is giving. I don't know, just free for you? 33 00:01:48,720 --> 00:01:50,760 Speaker 3: Tell me romance season? 34 00:01:51,200 --> 00:01:51,920 Speaker 2: Is it romance? 35 00:01:52,080 --> 00:01:55,360 Speaker 3: Yes? Like it feels like I don't know. I think 36 00:01:55,400 --> 00:02:01,520 Speaker 3: I've just always been a romantic and I just I 37 00:02:01,560 --> 00:02:04,040 Speaker 3: love to write about it, and so it just ended 38 00:02:04,120 --> 00:02:06,360 Speaker 3: up being the entirety of this project. 39 00:02:06,440 --> 00:02:09,280 Speaker 2: Okay, so v is the name of the album, which 40 00:02:09,320 --> 00:02:10,440 Speaker 2: is Life. 41 00:02:10,160 --> 00:02:14,120 Speaker 3: Yes, which is French. 42 00:02:15,080 --> 00:02:18,720 Speaker 2: Inspired by just have you spend time in friends recently? 43 00:02:18,840 --> 00:02:21,240 Speaker 3: Or just there's something about wm. I mean I've had 44 00:02:21,240 --> 00:02:26,560 Speaker 3: French ex boyfriends, but I think that also like French 45 00:02:26,639 --> 00:02:31,320 Speaker 3: culture kind of like in the last I mean forever, 46 00:02:31,400 --> 00:02:34,880 Speaker 3: it's always been very there's something very romantic about that 47 00:02:35,160 --> 00:02:37,639 Speaker 3: and very sexy. And I think like when you think 48 00:02:37,680 --> 00:02:40,920 Speaker 3: of like a kissing, you think of French kissing, you know, 49 00:02:41,000 --> 00:02:43,920 Speaker 3: and like it's just I don't know, there was something 50 00:02:44,000 --> 00:02:46,959 Speaker 3: there for me that I feel like connected with the 51 00:02:47,000 --> 00:02:52,600 Speaker 3: emotions and the and the feeling of the album. Maybe 52 00:02:52,639 --> 00:02:56,280 Speaker 3: a little bit with the visuals, of course, but I 53 00:02:56,280 --> 00:02:59,040 Speaker 3: think I wanted the eighties to really be the main 54 00:02:59,160 --> 00:03:02,320 Speaker 3: foundation and then sort of lay on some sprinkles of 55 00:03:03,280 --> 00:03:06,120 Speaker 3: French romanticism. 56 00:03:06,440 --> 00:03:08,600 Speaker 1: When you make an album like this and you're in 57 00:03:08,639 --> 00:03:11,040 Speaker 1: your head and you're having the French fantasy and the 58 00:03:11,760 --> 00:03:14,079 Speaker 1: romanticizing all of it, and then you put it out 59 00:03:14,120 --> 00:03:15,080 Speaker 1: for the world. 60 00:03:15,440 --> 00:03:21,400 Speaker 4: You're like, here's my baby, yeah, and then people look 61 00:03:21,480 --> 00:03:25,040 Speaker 4: at it, criticize it, analyze it. 62 00:03:25,600 --> 00:03:29,480 Speaker 3: Yeah, what does da feel like? Well, okay, so going 63 00:03:29,520 --> 00:03:31,480 Speaker 3: off of you saying that, like, it's kind of like 64 00:03:31,520 --> 00:03:34,160 Speaker 3: having a baby. It's like you have a baby and 65 00:03:34,240 --> 00:03:38,560 Speaker 3: you like want to and you love it so much, 66 00:03:38,640 --> 00:03:40,920 Speaker 3: but you also want to share it with your family, 67 00:03:41,400 --> 00:03:43,120 Speaker 3: or you want to share it with your friends. You 68 00:03:43,160 --> 00:03:48,160 Speaker 3: want them to all love this baby with you. And 69 00:03:48,600 --> 00:03:53,520 Speaker 3: sometimes it's like maybe like when I look at things 70 00:03:53,560 --> 00:03:56,160 Speaker 3: on the internet of like people doing reviews a bit, 71 00:03:56,200 --> 00:03:59,640 Speaker 3: I get a lot of like, that's a really cute baby, 72 00:04:00,280 --> 00:04:03,800 Speaker 3: and then I get some people who are like I 73 00:04:03,840 --> 00:04:06,880 Speaker 3: don't know, I just like don't really I don't really 74 00:04:06,920 --> 00:04:11,960 Speaker 3: like kids, or or like it's like drooling too much, 75 00:04:12,360 --> 00:04:15,360 Speaker 3: or like I don't think it's it has like a 76 00:04:15,360 --> 00:04:20,200 Speaker 3: weird old hair. It looks like an old man. Yeah, yeah, 77 00:04:20,360 --> 00:04:22,640 Speaker 3: it doesn't have enough hair, Yeah, exactly. 78 00:04:22,839 --> 00:04:25,520 Speaker 1: So that there's that would send me if I put 79 00:04:25,560 --> 00:04:27,640 Speaker 1: my baby on the internet and they said my baby 80 00:04:27,800 --> 00:04:30,080 Speaker 1: was like a old man, that would send me into 81 00:04:30,120 --> 00:04:31,640 Speaker 1: an immediate rage. 82 00:04:32,160 --> 00:04:32,920 Speaker 3: Maybe yeah. 83 00:04:32,960 --> 00:04:33,239 Speaker 2: Sure. 84 00:04:33,320 --> 00:04:37,000 Speaker 3: I think also though, which is your feelings are always valid. 85 00:04:37,080 --> 00:04:39,599 Speaker 3: But at the at the same time, when you look 86 00:04:39,640 --> 00:04:42,520 Speaker 3: at your baby, you know that you love it so 87 00:04:42,800 --> 00:04:46,560 Speaker 3: much unconditionally and that there's nothing that could take you 88 00:04:46,640 --> 00:04:49,080 Speaker 3: away from that, and that you feel you feel so 89 00:04:49,240 --> 00:04:54,080 Speaker 3: confident in loving of your child, And that's that's motherhood. 90 00:04:55,880 --> 00:05:00,760 Speaker 2: You're gonna be a great mind. Oh god, that's and. 91 00:05:01,160 --> 00:05:03,679 Speaker 3: I mean to switch it up and be quite literal 92 00:05:03,720 --> 00:05:08,360 Speaker 3: and just get to the point like that's that's that's artistry. 93 00:05:08,360 --> 00:05:10,640 Speaker 3: If you're an artist. Yes, you can doubt your work 94 00:05:10,720 --> 00:05:13,680 Speaker 3: sometimes maybe you'll be scared something can happen to I'll 95 00:05:13,720 --> 00:05:15,800 Speaker 3: go back to the metaphor, but something will happen to 96 00:05:15,839 --> 00:05:19,200 Speaker 3: your baby, like maybe it'll turn out to have, you know, 97 00:05:19,640 --> 00:05:24,839 Speaker 3: like cognitive issues or something, but like you still love 98 00:05:25,240 --> 00:05:29,599 Speaker 3: your child, and I still love my work no matter what, 99 00:05:29,760 --> 00:05:32,920 Speaker 3: because I know that I love it. Maybe there's been 100 00:05:32,960 --> 00:05:35,120 Speaker 3: times where I've made something and I've been like I 101 00:05:35,200 --> 00:05:37,440 Speaker 3: wish I could like fix this here and this that 102 00:05:37,520 --> 00:05:41,320 Speaker 3: and whatever. But I look back at everything and I'm like, 103 00:05:41,520 --> 00:05:45,880 Speaker 3: I love what I've done, and I love what I'm doing, 104 00:05:46,279 --> 00:05:49,560 Speaker 3: and I love this album. I really do. 105 00:05:49,680 --> 00:05:50,720 Speaker 2: That's so great. We asked this. 106 00:05:51,320 --> 00:05:53,359 Speaker 1: We usually started and I got distracted because we were 107 00:05:53,360 --> 00:05:54,800 Speaker 1: talking about the album, but we usually. 108 00:05:54,640 --> 00:05:58,000 Speaker 2: Start in real life, in real life, how happy are 109 00:05:58,040 --> 00:06:00,720 Speaker 2: you in your life right now? Let's get once it's up. 110 00:06:01,320 --> 00:06:01,880 Speaker 2: What's a day? 111 00:06:02,520 --> 00:06:08,320 Speaker 3: Man? It comes and goes. I think I'm all right. 112 00:06:08,920 --> 00:06:16,720 Speaker 3: I'm happy that I have the the outlets that I 113 00:06:16,800 --> 00:06:23,240 Speaker 3: have to heal. Like I go to therapy twice a week. Yeah, 114 00:06:23,279 --> 00:06:26,000 Speaker 3: I have therapy twice a week. Sometimes it's hard to 115 00:06:26,040 --> 00:06:32,480 Speaker 3: go physically because a whole lot of reasons. But that 116 00:06:32,640 --> 00:06:37,320 Speaker 3: makes me feel good and that I'm making the right choice. 117 00:06:37,760 --> 00:06:40,640 Speaker 3: But yeah, there's moments where I just like, I mean, 118 00:06:40,880 --> 00:06:44,640 Speaker 3: during this whole thing, and like, the choices that I've 119 00:06:44,680 --> 00:06:48,320 Speaker 3: made have also made me feel kind of bad, like 120 00:06:48,800 --> 00:06:51,280 Speaker 3: going on Twitter, Like I'll go on Twitter, or I'll 121 00:06:51,360 --> 00:06:53,200 Speaker 3: like the worst thing is when I wake up in 122 00:06:53,240 --> 00:06:55,200 Speaker 3: the morning and I open my phone up, because then 123 00:06:55,240 --> 00:06:56,800 Speaker 3: it's like harder for me to get out of bed, 124 00:06:57,839 --> 00:07:00,880 Speaker 3: and it's like it's it kind of sucks the life 125 00:07:00,920 --> 00:07:03,159 Speaker 3: out of you, like being on there and then you 126 00:07:03,240 --> 00:07:07,119 Speaker 3: kind of go. Today I didn't, oh you know, maybe 127 00:07:07,120 --> 00:07:09,400 Speaker 3: a little bit I could have. I think it was 128 00:07:09,400 --> 00:07:10,680 Speaker 3: just hard for me to add that. No, I don't 129 00:07:10,680 --> 00:07:12,559 Speaker 3: think I doomed scroll. I didn't doom scroll today. 130 00:07:13,280 --> 00:07:14,240 Speaker 2: Call it doom scroll. 131 00:07:14,480 --> 00:07:19,120 Speaker 5: It's called doom scrolling. Oh, but that for you, you know, 132 00:07:19,200 --> 00:07:20,480 Speaker 5: it's fine. 133 00:07:20,320 --> 00:07:24,160 Speaker 3: But it's okay, and that that's going to happen again too. 134 00:07:24,240 --> 00:07:27,840 Speaker 3: It's gonna happen one hundred thousand more times possibly. 135 00:07:27,920 --> 00:07:29,800 Speaker 2: What have you learned about how to manage that? Though? 136 00:07:29,840 --> 00:07:31,480 Speaker 1: Because if you want a therapy twice a week, you 137 00:07:31,600 --> 00:07:33,240 Speaker 1: have to, like, by the way I'm doing it once 138 00:07:33,280 --> 00:07:34,840 Speaker 1: I go once a week, no matter what. 139 00:07:34,720 --> 00:07:36,960 Speaker 2: Good or bad, like I have a great week, I 140 00:07:37,000 --> 00:07:39,200 Speaker 2: still do it. That's how much I believe in it. Yeah, 141 00:07:39,200 --> 00:07:42,760 Speaker 2: I just think it's like opportunity to get to know yourself. 142 00:07:43,000 --> 00:07:44,840 Speaker 3: Yep, exactly whatever, get. 143 00:07:44,640 --> 00:07:46,960 Speaker 1: To know yourself, the good, the bad, all the things. 144 00:07:47,160 --> 00:07:50,560 Speaker 1: So twice a week is interesting, though, that's like another 145 00:07:50,720 --> 00:07:51,720 Speaker 1: that's like a level up. 146 00:07:52,040 --> 00:07:57,600 Speaker 3: Yeah, I'm trying to make sure to make I don't 147 00:07:57,680 --> 00:07:59,800 Speaker 3: know that just that I'm all right. I'm just trying 148 00:07:59,800 --> 00:08:02,680 Speaker 3: to make sure that I'm talking about everything that I 149 00:08:02,760 --> 00:08:03,680 Speaker 3: need to talk about. 150 00:08:04,240 --> 00:08:06,840 Speaker 2: And also just I'm I'm. 151 00:08:06,760 --> 00:08:08,680 Speaker 3: Excited to get to know myself. I think that's a 152 00:08:08,680 --> 00:08:10,920 Speaker 3: big thing in therapy. It's like you got to get 153 00:08:10,920 --> 00:08:14,720 Speaker 3: to know yourself. I feel like that's yeah, that's kind 154 00:08:14,720 --> 00:08:17,240 Speaker 3: of what we all sort of go through. We learn 155 00:08:17,440 --> 00:08:21,520 Speaker 3: things and we lock into these things that don't benefit 156 00:08:21,680 --> 00:08:26,520 Speaker 3: us because of an experience that we had or multiple 157 00:08:26,520 --> 00:08:28,480 Speaker 3: experiences that we had as a child. 158 00:08:29,240 --> 00:08:30,440 Speaker 2: What was your childhood? 159 00:08:30,520 --> 00:08:33,839 Speaker 5: Like, my god, I know we want to go, you know, 160 00:08:34,120 --> 00:08:35,280 Speaker 5: to mercy so. 161 00:08:35,440 --> 00:08:36,880 Speaker 2: Much, so much. 162 00:08:37,160 --> 00:08:40,080 Speaker 3: It's a I mean it's not this isn't for for 163 00:08:40,160 --> 00:08:43,880 Speaker 3: a I don't know what for a full documentary. This 164 00:08:44,000 --> 00:08:46,200 Speaker 3: might be for a voy you could give me like 165 00:08:46,320 --> 00:08:50,360 Speaker 3: a man, versions I had a fun childhood. I had 166 00:08:50,800 --> 00:08:57,840 Speaker 3: a very I had a very tough childhood. I mean 167 00:08:58,880 --> 00:09:02,720 Speaker 3: I think growing up like with a single mother is 168 00:09:02,760 --> 00:09:07,280 Speaker 3: a hard thing to do. And many kids that she 169 00:09:07,360 --> 00:09:16,160 Speaker 3: have to five wow, five, I could never know. She's 170 00:09:16,320 --> 00:09:20,440 Speaker 3: incredibly the strongest mother, But like it taught me a 171 00:09:20,440 --> 00:09:23,920 Speaker 3: lot of things, and I think it also made me, 172 00:09:24,000 --> 00:09:25,400 Speaker 3: in some form stronger. 173 00:09:26,000 --> 00:09:27,160 Speaker 2: Let's take these off. I want to see. 174 00:09:27,600 --> 00:09:28,760 Speaker 3: Yeah, are this prescription? 175 00:09:29,559 --> 00:09:31,640 Speaker 2: No, it's to cover when I have bags on the last. 176 00:09:31,480 --> 00:09:34,440 Speaker 3: Oh no, you look absolutely stunning, unbelievably good. 177 00:09:35,240 --> 00:09:37,760 Speaker 1: Hey guys, You ever sign up for a phone plan 178 00:09:37,920 --> 00:09:40,840 Speaker 1: thinking wow, this is a great price, and then a 179 00:09:40,840 --> 00:09:44,120 Speaker 1: few months later it's like a surprise, this bill is higher. 180 00:09:44,480 --> 00:09:48,359 Speaker 1: With Boost Mobile, you pay twenty five dollars a month forever. 181 00:09:48,679 --> 00:09:52,079 Speaker 1: That's unlimited talk, text and data starting at just twenty 182 00:09:52,080 --> 00:09:56,920 Speaker 1: five dollars a month, So no price hikes, no contract forever. Plus, 183 00:09:57,000 --> 00:09:59,880 Speaker 1: Boost Mobile is now a legit nationwide five G network. 184 00:10:00,000 --> 00:10:03,960 Speaker 1: I have invested billions building five G towers across the country. 185 00:10:04,120 --> 00:10:06,000 Speaker 2: So visit boostmobile dot. 186 00:10:05,840 --> 00:10:08,560 Speaker 1: Com or head to your local boothstore today and get 187 00:10:08,679 --> 00:10:12,360 Speaker 1: unlimited talk, text and data for twenty five dollars a 188 00:10:12,400 --> 00:10:16,400 Speaker 1: month forever. Five G speeds not available in all areas. 189 00:10:16,440 --> 00:10:20,400 Speaker 1: After thirty gigabytes, customers may experience lower speeds. Customers will 190 00:10:20,400 --> 00:10:22,400 Speaker 1: pay twenty five dollars a month as long as they 191 00:10:22,440 --> 00:10:24,760 Speaker 1: remain active on the Boost Unlimited plan. 192 00:10:26,480 --> 00:10:31,200 Speaker 3: But I mean, yeah, it's made me stronger, if anything. 193 00:10:31,240 --> 00:10:33,079 Speaker 2: And so I'm single mom, so I get it too. 194 00:10:33,120 --> 00:10:36,520 Speaker 1: But I'm single mom, only child, one bedroom apartment, and 195 00:10:36,559 --> 00:10:38,240 Speaker 1: even still, I don't know how she did that. 196 00:10:38,480 --> 00:10:40,920 Speaker 2: She's working, I'm running around being a lunatic. 197 00:10:41,440 --> 00:10:45,000 Speaker 1: She's navigating her crazy little daughter and her one child. 198 00:10:45,080 --> 00:10:47,480 Speaker 2: Five children is like, that's yeah. 199 00:10:47,520 --> 00:10:51,080 Speaker 3: And I mean when it's five children, everyone's sort of 200 00:10:51,320 --> 00:10:56,400 Speaker 3: broken apart because it's a lot of children and no help. 201 00:10:57,520 --> 00:10:59,000 Speaker 3: And not to say there was no help. I had 202 00:10:59,040 --> 00:11:03,400 Speaker 3: a lot of aunties, a lot of aunties, especially growing 203 00:11:03,480 --> 00:11:04,240 Speaker 3: up on the Ashron. 204 00:11:04,640 --> 00:11:07,600 Speaker 2: How do they feel about the level of success that 205 00:11:07,640 --> 00:11:08,439 Speaker 2: you've achieved. 206 00:11:08,480 --> 00:11:12,920 Speaker 3: Like, she's so supportive, she's so proud, and she tells 207 00:11:12,920 --> 00:11:15,640 Speaker 3: me like every other day she's like, I'm so proud 208 00:11:15,679 --> 00:11:19,679 Speaker 3: of you, and I'm so I'm so excited, and I 209 00:11:19,720 --> 00:11:22,079 Speaker 3: loved your I love your dress, I love the thing 210 00:11:22,160 --> 00:11:26,000 Speaker 3: you did with the song, and I love everything. She's 211 00:11:26,040 --> 00:11:27,440 Speaker 3: like that every every other day. 212 00:11:27,520 --> 00:11:28,720 Speaker 2: So put her in your video. 213 00:11:29,080 --> 00:11:32,520 Speaker 3: Yeah, And then I put out my video and she's 214 00:11:33,320 --> 00:11:35,480 Speaker 3: she really did no, no, no, tell me. 215 00:11:35,440 --> 00:11:36,120 Speaker 2: About that day. 216 00:11:36,280 --> 00:11:39,280 Speaker 3: You only get like two seconds of that. And she 217 00:11:39,880 --> 00:11:43,280 Speaker 3: when she was on set, she came she came into 218 00:11:43,360 --> 00:11:47,360 Speaker 3: set like totally fine. She was just really happy to 219 00:11:47,400 --> 00:11:50,720 Speaker 3: see me, lots of smiles, and then like we talked 220 00:11:50,720 --> 00:11:52,440 Speaker 3: a little bit and then we got in front of camera. 221 00:11:53,480 --> 00:11:55,800 Speaker 3: I helped kind of dress her a little bit to 222 00:11:55,880 --> 00:11:59,800 Speaker 3: make it feel like the mom that I know. She 223 00:12:00,040 --> 00:12:04,440 Speaker 3: looked like I know, yeah, she looks like she was 224 00:12:04,480 --> 00:12:10,280 Speaker 3: just evolved and incredible, and I, uh, yeah, she. 225 00:12:12,040 --> 00:12:13,400 Speaker 2: Let's say it. Say it. 226 00:12:14,440 --> 00:12:15,400 Speaker 3: You know it's dumb. 227 00:12:15,679 --> 00:12:20,040 Speaker 2: I don't want to say that she hit my bake. 228 00:12:26,240 --> 00:12:27,000 Speaker 2: It's like, I don't. 229 00:12:27,040 --> 00:12:29,000 Speaker 3: I didn't know that she was like that. I didn't 230 00:12:29,040 --> 00:12:30,520 Speaker 3: know that she would come in front of camera and 231 00:12:30,559 --> 00:12:33,000 Speaker 3: like I was like, who are you? Because she like 232 00:12:33,600 --> 00:12:37,040 Speaker 3: really was. If you look at all of the whatever 233 00:12:37,120 --> 00:12:43,280 Speaker 3: playback that we have, she's like just really giving like. 234 00:12:43,280 --> 00:12:48,080 Speaker 6: She and I was like, oh, that's why I wanted, 235 00:12:48,440 --> 00:12:53,840 Speaker 6: That's why I do that half is good, that's why. 236 00:12:53,960 --> 00:12:55,440 Speaker 2: The teachers arrived. 237 00:12:55,520 --> 00:12:57,960 Speaker 3: And I was like, Okay, that's where it comes from. 238 00:12:58,160 --> 00:12:59,760 Speaker 3: I didn't know. I always knew when she did her 239 00:12:59,760 --> 00:13:01,400 Speaker 3: make up for the mirror that she was always like, 240 00:13:02,000 --> 00:13:03,480 Speaker 3: but like I didn't know, like in front of a 241 00:13:03,520 --> 00:13:09,559 Speaker 3: camera that she would absolutely ace every single take, even 242 00:13:09,600 --> 00:13:11,679 Speaker 3: while they were doing her makeup and we were kind 243 00:13:11,720 --> 00:13:14,640 Speaker 3: of just watching the live and it wasn't recording or anything. 244 00:13:15,559 --> 00:13:17,800 Speaker 3: She was still serving like they were doing her make 245 00:13:17,840 --> 00:13:18,480 Speaker 3: them check. 246 00:13:21,040 --> 00:13:23,600 Speaker 2: Oh you're no way what? 247 00:13:25,040 --> 00:13:25,400 Speaker 1: Oh? 248 00:13:25,480 --> 00:13:26,520 Speaker 3: It blew my mind? 249 00:13:26,840 --> 00:13:28,079 Speaker 2: How a great moment is that? 250 00:13:28,080 --> 00:13:30,920 Speaker 1: Though, Like when you think about our lives, that will 251 00:13:30,920 --> 00:13:32,760 Speaker 1: be a moment that you will have that forever with 252 00:13:32,800 --> 00:13:33,200 Speaker 1: your mom. 253 00:13:33,360 --> 00:13:36,160 Speaker 2: Yeah, you'll have the visuals of that and the experience 254 00:13:36,200 --> 00:13:38,080 Speaker 2: of that will light you up, like forever. 255 00:13:38,320 --> 00:13:39,000 Speaker 3: It's amazing. 256 00:13:39,120 --> 00:13:41,360 Speaker 2: Your mom is for sure gonna want to be in 257 00:13:41,440 --> 00:13:42,000 Speaker 2: more things. 258 00:13:42,720 --> 00:13:45,600 Speaker 3: Well yeah, well now I just want to like dress 259 00:13:45,600 --> 00:13:48,240 Speaker 3: her all the time and bring her everywhere and like 260 00:13:48,480 --> 00:13:51,439 Speaker 3: I mean, I always do. But that just I loved 261 00:13:51,480 --> 00:13:54,640 Speaker 3: having her on set with me. And that's something that 262 00:13:54,679 --> 00:13:56,280 Speaker 3: I'm not scared of anymore. 263 00:13:56,559 --> 00:13:58,400 Speaker 2: How would she managed watching her baby? 264 00:13:58,600 --> 00:14:01,160 Speaker 1: You know me as famous upset, You've had moments where 265 00:14:01,200 --> 00:14:03,600 Speaker 1: people are coming for your neck, or are you with people, 266 00:14:03,720 --> 00:14:07,480 Speaker 1: or you're in the highs or the lows of whatever, whatever, 267 00:14:08,120 --> 00:14:10,240 Speaker 1: the ups and downs of fame and the weirdness that 268 00:14:10,280 --> 00:14:11,040 Speaker 1: she calls me. 269 00:14:11,200 --> 00:14:14,840 Speaker 3: She calls me and she'll just like make sure I'm okay, 270 00:14:14,920 --> 00:14:17,240 Speaker 3: and she'll text me and she'll be like, don't listen. 271 00:14:17,320 --> 00:14:19,960 Speaker 3: Know what they're saying, babe, stuff like that, she. 272 00:14:19,960 --> 00:14:23,160 Speaker 2: Ever check you? Say? I don't love that you did that? 273 00:14:23,400 --> 00:14:26,320 Speaker 3: No, she doesn't, and you can you can see that 274 00:14:26,400 --> 00:14:31,720 Speaker 3: I never really got checked. But sometimes I definitely act 275 00:14:31,720 --> 00:14:32,880 Speaker 3: like I've never been checked. 276 00:14:33,000 --> 00:14:36,320 Speaker 2: So who can check you? Can anyone check you? You 277 00:14:36,400 --> 00:14:37,640 Speaker 2: need somebody to check you. 278 00:14:37,840 --> 00:14:40,480 Speaker 3: Yeah, I get checked. I definitely checked, and not not 279 00:14:40,520 --> 00:14:44,840 Speaker 3: by my mom, but like I get checks team yeah, no, 280 00:14:44,920 --> 00:14:48,440 Speaker 3: my friends, friends, yeah, and my team. My team, My 281 00:14:48,480 --> 00:14:51,320 Speaker 3: team's good at that. Sometimes I have to check them 282 00:14:51,440 --> 00:14:56,120 Speaker 3: to check me. So I have to be like, I 283 00:14:56,320 --> 00:14:58,880 Speaker 3: need this from you. I need you to tell me 284 00:14:58,960 --> 00:15:03,720 Speaker 3: that I'm doing this because this is I'm embarrassed by 285 00:15:03,760 --> 00:15:06,840 Speaker 3: this thing that I did, and in order to keep 286 00:15:07,360 --> 00:15:12,320 Speaker 3: things afloat, I need some form of And I have 287 00:15:12,440 --> 00:15:16,680 Speaker 3: incredible support from my team, and that's I mean, that's 288 00:15:16,800 --> 00:15:20,360 Speaker 3: all you could really ask for. But I feel like 289 00:15:20,400 --> 00:15:25,720 Speaker 3: there's there's something really important about like them also checking 290 00:15:25,720 --> 00:15:28,920 Speaker 3: you and making sure that yeah, not just being like, oh, 291 00:15:28,960 --> 00:15:31,720 Speaker 3: you're so funny all the time, and like you're the 292 00:15:31,840 --> 00:15:32,800 Speaker 3: funniest person. 293 00:15:32,920 --> 00:15:33,320 Speaker 2: I know. 294 00:15:33,600 --> 00:15:35,680 Speaker 3: You look amazing in a trash bag. 295 00:15:35,760 --> 00:15:38,680 Speaker 1: You're the perfect But how do you deal with that though, 296 00:15:38,720 --> 00:15:41,240 Speaker 1: How are you with criticism or feedback that maybe you 297 00:15:41,320 --> 00:15:42,640 Speaker 1: disagree with the Are you open to that. 298 00:15:43,160 --> 00:15:47,160 Speaker 3: I don't love I don't love being stroked, and sometimes 299 00:15:47,200 --> 00:15:51,880 Speaker 3: maybe I am stroked or kidding. I'm absolutely I get 300 00:15:51,880 --> 00:15:57,680 Speaker 3: stroked and people kind of like when I experience that, 301 00:15:58,920 --> 00:16:07,320 Speaker 3: I I don't love it, and it's I'm it makes 302 00:16:07,320 --> 00:16:12,240 Speaker 3: me scared. I get I get afraid when something doesn't 303 00:16:12,280 --> 00:16:13,920 Speaker 3: feel like a genuine you. 304 00:16:13,960 --> 00:16:18,320 Speaker 2: Looking for truth? Yeah, you want truth more than something yeah? Sweet? 305 00:16:18,800 --> 00:16:21,760 Speaker 3: Yeah. And I know like laughter comes from nervousness sometimes, 306 00:16:21,800 --> 00:16:25,120 Speaker 3: so if somebody's laughing at everything I say, then I'm like, well, 307 00:16:25,160 --> 00:16:28,240 Speaker 3: they're probably fucking like nervous and like they're just trying 308 00:16:28,240 --> 00:16:30,360 Speaker 3: to like figure out how to do this ship. 309 00:16:30,480 --> 00:16:31,640 Speaker 2: And so I hate. 310 00:16:33,400 --> 00:16:35,440 Speaker 3: Everything me too. I don't like it either because I 311 00:16:35,480 --> 00:16:38,280 Speaker 3: feel bad for that part. I didn't start to feel like, well, 312 00:16:39,320 --> 00:16:41,200 Speaker 3: I mean, at least they're laughing their way through it, 313 00:16:41,320 --> 00:16:45,600 Speaker 3: Like there's something like I can't be around that that's funny. 314 00:16:45,640 --> 00:16:48,480 Speaker 2: I've never really heard somebody else say that. That definitely 315 00:16:48,480 --> 00:16:50,360 Speaker 2: makes me have family members to it. 316 00:16:50,360 --> 00:16:51,200 Speaker 3: It's too much. 317 00:16:51,440 --> 00:16:52,120 Speaker 2: Not that funny. 318 00:16:52,360 --> 00:16:53,040 Speaker 3: Nothing is that. 319 00:16:53,120 --> 00:16:55,640 Speaker 2: Nothing is that funny nobody is that funny? Why is 320 00:16:55,640 --> 00:16:58,640 Speaker 2: that funny at all? Right now? 321 00:16:59,200 --> 00:17:01,200 Speaker 3: Just thinking about it, it pisss me on, like I 322 00:17:01,240 --> 00:17:02,800 Speaker 3: can't even hide it, it really does. 323 00:17:04,000 --> 00:17:05,280 Speaker 2: That's funny. 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If you are someone you know has 359 00:18:30,560 --> 00:18:33,200 Speaker 1: a gambling problem and wants help, call one eight hundred 360 00:18:33,240 --> 00:18:36,440 Speaker 1: and nine with it gambling problem called one eight hundred 361 00:18:36,520 --> 00:18:47,000 Speaker 1: Gambler in Arizona, Colorado, Illinois, New Jersey, Ohio, Tennessee, Virginia. 362 00:18:47,280 --> 00:18:48,520 Speaker 2: Then speaking of funny. 363 00:18:48,560 --> 00:18:50,280 Speaker 1: The last time I spoke to you, we did this 364 00:18:50,359 --> 00:18:54,480 Speaker 1: Harper's Bizarre magazine interview, and you said that you wanted to. 365 00:18:54,440 --> 00:18:58,520 Speaker 2: Do stand up yes, that you actually were funny. There 366 00:18:58,640 --> 00:19:00,760 Speaker 2: was so maybe you actually are funny. 367 00:19:00,800 --> 00:19:02,000 Speaker 3: I think I can be funny. 368 00:19:02,000 --> 00:19:03,080 Speaker 2: It'd be funny. 369 00:19:03,240 --> 00:19:06,439 Speaker 1: I haven't done it though, Huh. It doesn't feel like 370 00:19:06,440 --> 00:19:08,520 Speaker 1: the error right now. It doesn't kind of go with 371 00:19:08,640 --> 00:19:09,120 Speaker 1: the you. 372 00:19:09,040 --> 00:19:12,880 Speaker 3: Know, there might be a time, but I just yeah, honestly, 373 00:19:13,200 --> 00:19:15,080 Speaker 3: if it was any time to do it, it would 374 00:19:15,119 --> 00:19:19,280 Speaker 3: be it would be now, really yeah, because there's something 375 00:19:19,320 --> 00:19:22,080 Speaker 3: about the eighties and like stand up comedy. 376 00:19:22,160 --> 00:19:23,440 Speaker 2: It's giving like eighties. 377 00:19:23,880 --> 00:19:30,240 Speaker 1: It's like somewhere between uh, Richard Richard pryor ed hilarious, 378 00:19:30,560 --> 00:19:32,520 Speaker 1: all leather color, leather outfit. 379 00:19:32,720 --> 00:19:37,400 Speaker 2: Yes, you're coming out with the color. I can absolutely 380 00:19:37,440 --> 00:19:37,840 Speaker 2: see this. 381 00:19:39,160 --> 00:19:41,360 Speaker 3: Like that makes me think of that, Will you do that? 382 00:19:41,880 --> 00:19:43,560 Speaker 3: I feel like that would be really fun to do 383 00:19:43,640 --> 00:19:46,600 Speaker 3: something like some sort of content piece and like film, 384 00:19:46,720 --> 00:19:49,159 Speaker 3: something that feels kind of vintage, but like do like 385 00:19:49,200 --> 00:19:51,120 Speaker 3: a seventy piece. 386 00:19:51,119 --> 00:19:52,359 Speaker 2: I think you should do it. I think you have 387 00:19:52,440 --> 00:19:52,760 Speaker 2: it in you. 388 00:19:53,320 --> 00:19:54,840 Speaker 3: It could be fun and. 389 00:19:54,760 --> 00:19:57,719 Speaker 2: Then people will be laughing for a reason. And make 390 00:19:57,800 --> 00:19:58,720 Speaker 2: everybody feel better. 391 00:19:59,160 --> 00:20:03,520 Speaker 1: Okay, let's about what's important. Also, I have some in 392 00:20:03,520 --> 00:20:05,680 Speaker 1: real life questions because I just are in real life. 393 00:20:05,760 --> 00:20:07,199 Speaker 2: Bowl grab What. 394 00:20:08,800 --> 00:20:11,600 Speaker 3: Is the hardest lesson you learned in this life? 395 00:20:11,720 --> 00:20:13,080 Speaker 2: You can go to the next one if you feel 396 00:20:13,080 --> 00:20:14,520 Speaker 2: like there might be a better one. I think that's 397 00:20:14,560 --> 00:20:15,160 Speaker 2: a great question. 398 00:20:15,200 --> 00:20:18,320 Speaker 3: Okay, good, okay, okay, what is the hardest lesson you 399 00:20:18,400 --> 00:20:20,639 Speaker 3: learned in this life? The hardest lesson I learned in 400 00:20:20,680 --> 00:20:30,560 Speaker 3: this life is that I am a grown woman with 401 00:20:31,520 --> 00:20:36,359 Speaker 3: a child on the inside, and that I need to 402 00:20:36,600 --> 00:20:43,560 Speaker 3: mitigate that child or there actually is three people. And 403 00:20:43,600 --> 00:20:46,520 Speaker 3: I don't mean this in any sort of like harsh 404 00:20:46,760 --> 00:20:51,159 Speaker 3: diagnosis of like I don't have a condition. It's just 405 00:20:51,280 --> 00:20:55,479 Speaker 3: the it's the reality is that I am now an adult, 406 00:20:56,160 --> 00:20:59,879 Speaker 3: but there is a younger girl who's taking care of 407 00:21:00,080 --> 00:21:05,440 Speaker 3: an even younger girl. So there's a baby, but this 408 00:21:05,560 --> 00:21:08,359 Speaker 3: one is the one that I need to take control of. 409 00:21:09,040 --> 00:21:11,680 Speaker 3: And this lesson is still something I'm still learning. 410 00:21:12,240 --> 00:21:15,199 Speaker 2: Oh my god, I need I need that in my 411 00:21:15,240 --> 00:21:15,679 Speaker 2: life now. 412 00:21:15,880 --> 00:21:20,960 Speaker 3: Is that there's a bratty teenager who lashes out and. 413 00:21:20,920 --> 00:21:23,760 Speaker 1: Does that's the middle. 414 00:21:24,400 --> 00:21:27,920 Speaker 3: This is my protector, So this is my defense. System, 415 00:21:28,240 --> 00:21:30,760 Speaker 3: and I need to figure out how to control that 416 00:21:30,840 --> 00:21:34,960 Speaker 3: defense system because it gets in the way of my success. 417 00:21:35,000 --> 00:21:36,840 Speaker 3: It gets in the way of things that are good 418 00:21:36,880 --> 00:21:42,160 Speaker 3: for me, and it's not permanent. It's something that can 419 00:21:42,240 --> 00:21:46,160 Speaker 3: really truly be healed. But that's something that I'm that's 420 00:21:46,200 --> 00:21:48,080 Speaker 3: the hardest, hardest lesson. 421 00:21:48,880 --> 00:21:51,800 Speaker 2: Huh do you think this is everybody has this or 422 00:21:51,840 --> 00:21:52,480 Speaker 2: this is just you? 423 00:21:52,680 --> 00:21:55,520 Speaker 3: I think a lot of people haven't. I think a lot. 424 00:21:55,800 --> 00:21:57,719 Speaker 2: I mean, we hear people talk about talking to their 425 00:21:57,720 --> 00:22:01,280 Speaker 2: inner child and whatever, but never really hurt. Is that way. 426 00:22:01,640 --> 00:22:04,520 Speaker 3: When you see people who are doing things that are 427 00:22:05,119 --> 00:22:11,560 Speaker 3: are damaging to themselves, damaging to their future, damaging to 428 00:22:11,640 --> 00:22:21,040 Speaker 3: their relationships, it's usually because they are resorting to a 429 00:22:21,119 --> 00:22:24,560 Speaker 3: defense that has worked for them when they were really little, 430 00:22:25,640 --> 00:22:29,800 Speaker 3: and it's not it doesn't work for them now because 431 00:22:30,080 --> 00:22:33,760 Speaker 3: it's not in relation to what is the issue that 432 00:22:33,840 --> 00:22:37,760 Speaker 3: they're trying to fix now, got it. It's a thing 433 00:22:37,920 --> 00:22:42,240 Speaker 3: that they just know that because that was like the 434 00:22:42,280 --> 00:22:45,000 Speaker 3: biggest horrible thing that happened to them when they were little, 435 00:22:45,000 --> 00:22:47,160 Speaker 3: and so they're like, Okay, if this is going to help, 436 00:22:47,200 --> 00:22:48,760 Speaker 3: then I'm going to use this later. 437 00:22:48,640 --> 00:22:50,760 Speaker 2: For the rest of my life. Yes, yes, when you 438 00:22:50,840 --> 00:22:51,840 Speaker 2: no longer need it. 439 00:22:52,240 --> 00:22:55,840 Speaker 3: Yeah, that's so good. That's a little bit of me 440 00:22:55,920 --> 00:22:56,600 Speaker 3: in a nutshell. 441 00:22:56,800 --> 00:23:02,720 Speaker 2: You fucking boded that question to the next level. So 442 00:23:03,200 --> 00:23:06,560 Speaker 2: that middle one of you, is she the one. 443 00:23:06,400 --> 00:23:10,240 Speaker 1: Who sometimes says things that get people riled up? 444 00:23:10,760 --> 00:23:11,440 Speaker 2: For yes? 445 00:23:15,600 --> 00:23:18,400 Speaker 1: So then do you shy away from that or isn't 446 00:23:18,400 --> 00:23:20,359 Speaker 1: that or is that part of who you really like? 447 00:23:21,520 --> 00:23:26,880 Speaker 2: If you removed that person, is it really still you then? 448 00:23:27,160 --> 00:23:31,879 Speaker 3: Or don't remove them? You don't remove them. You you 449 00:23:32,040 --> 00:23:36,680 Speaker 3: give them a sense of direction and you recognize before 450 00:23:37,000 --> 00:23:41,119 Speaker 3: they step forward, and so that instead of them getting 451 00:23:41,200 --> 00:23:43,639 Speaker 3: up out of their seat and having to be like 452 00:23:43,720 --> 00:23:48,840 Speaker 3: this you you go, no, you can sit down, just 453 00:23:48,880 --> 00:23:49,359 Speaker 3: sit down. 454 00:23:50,200 --> 00:23:52,960 Speaker 1: You used her as a way, especially when you got 455 00:23:53,160 --> 00:23:55,240 Speaker 1: when you got thrown into fame, right, it was like. 456 00:23:55,240 --> 00:23:59,320 Speaker 2: Noisy a lot right at the time. So she probably 457 00:23:59,400 --> 00:24:01,880 Speaker 2: came to your defense. 458 00:24:02,640 --> 00:24:04,760 Speaker 3: Yeah, yeah, yeah, yeah, she was protective. 459 00:24:04,840 --> 00:24:08,760 Speaker 1: So she shows up, wants to argue people the internet, 460 00:24:08,840 --> 00:24:11,040 Speaker 1: she wants she wants to stand up for herself. 461 00:24:11,080 --> 00:24:12,800 Speaker 2: She wants to say whatever the fuck she means about 462 00:24:12,840 --> 00:24:13,480 Speaker 2: how you receive it. 463 00:24:13,720 --> 00:24:18,199 Speaker 5: Yeah, that kind of tracks. Yeah, So how do you 464 00:24:18,280 --> 00:24:20,800 Speaker 5: manage her now? Because this is like an evolved version 465 00:24:20,840 --> 00:24:23,840 Speaker 5: of you. Now you're not the same person. Well maybe 466 00:24:23,840 --> 00:24:26,080 Speaker 5: you are, but you evolved and grown and. 467 00:24:27,640 --> 00:24:34,040 Speaker 3: It's in there. It's in there one hundred percent. Yeah. 468 00:24:34,119 --> 00:24:37,720 Speaker 3: I think it's like, uh see, this is why it's hard, 469 00:24:37,760 --> 00:24:42,639 Speaker 3: because I'm now trying to explain what it looks like 470 00:24:42,840 --> 00:24:49,719 Speaker 3: when it happens. So if, for instance, I feel threatened 471 00:24:49,840 --> 00:24:55,800 Speaker 3: by something and I see the threat, I go, what 472 00:24:55,880 --> 00:25:01,080 Speaker 3: has this made me feel like? And then I remember 473 00:25:01,200 --> 00:25:08,960 Speaker 3: my reactions in the past, and then I choose accordingly 474 00:25:09,040 --> 00:25:18,640 Speaker 3: what that that response should be. Yeah, sometimes when you're scared, 475 00:25:18,680 --> 00:25:21,480 Speaker 3: it's like you're or you feel threatened. You just see 476 00:25:21,560 --> 00:25:24,359 Speaker 3: red and you just don't there's nothing you can do 477 00:25:24,400 --> 00:25:28,119 Speaker 3: about it, like you just get locked into a spot. 478 00:25:30,800 --> 00:25:33,280 Speaker 3: But I think that's sort of a way to do 479 00:25:33,560 --> 00:25:37,480 Speaker 3: another fun way to do it. I have a toy 480 00:25:37,560 --> 00:25:45,199 Speaker 3: in my purse, not like that. It's it's like a 481 00:25:45,240 --> 00:25:49,600 Speaker 3: Littlest Pet Shop cat like I when I so basically, 482 00:25:50,480 --> 00:25:53,040 Speaker 3: my therapist to me this, you take a toy from 483 00:25:53,040 --> 00:25:55,159 Speaker 3: your childhood and you keep it in your pocket, or 484 00:25:55,200 --> 00:25:57,600 Speaker 3: you keep it in your purse, or you put something 485 00:25:57,640 --> 00:25:59,879 Speaker 3: that it reminds you of your childhood, something that you 486 00:25:59,880 --> 00:26:03,800 Speaker 3: can touch, and that'll help you in the beginning stage 487 00:26:03,800 --> 00:26:05,280 Speaker 3: of reminding yourself that. 488 00:26:06,320 --> 00:26:07,240 Speaker 2: You're a little kid. 489 00:26:08,440 --> 00:26:11,360 Speaker 3: You've got it, you're a little kid. And so it's 490 00:26:11,520 --> 00:26:14,879 Speaker 3: really it's helped a lot because there's times where I 491 00:26:14,920 --> 00:26:18,000 Speaker 3: don't feel like I'm in a defense mode or anything 492 00:26:18,040 --> 00:26:20,080 Speaker 3: like that, and I just see it. I just see 493 00:26:20,080 --> 00:26:23,760 Speaker 3: that there's like a little plastic cat in my bag 494 00:26:23,880 --> 00:26:26,720 Speaker 3: or on a dresser or something in my house. I 495 00:26:26,760 --> 00:26:30,879 Speaker 3: had a bunch of them, and I'll like look at 496 00:26:30,920 --> 00:26:34,080 Speaker 3: it and be like, that does happen to me, doesn't it. 497 00:26:34,080 --> 00:26:37,120 Speaker 3: It's like someone standing there, almost like an angel standing 498 00:26:37,160 --> 00:26:40,440 Speaker 3: there and telling you, like, by the way, you could 499 00:26:40,480 --> 00:26:46,000 Speaker 3: be an asshole, and that's like important. I think that's 500 00:26:46,000 --> 00:26:48,840 Speaker 3: like a really useful way to deal with stuff like that. 501 00:26:49,359 --> 00:26:52,560 Speaker 2: Huh do you ever have after one of those moments? 502 00:26:54,359 --> 00:26:56,199 Speaker 2: I don't know what comes up after that. So you 503 00:26:56,280 --> 00:26:59,119 Speaker 2: have one of those moments, I'm sure sometimes you're like 504 00:26:59,119 --> 00:27:01,159 Speaker 2: I said what I say said, which I said what 505 00:27:01,200 --> 00:27:01,600 Speaker 2: I said. 506 00:27:02,000 --> 00:27:05,679 Speaker 1: But I'm sure there are times where you probably a 507 00:27:05,680 --> 00:27:08,280 Speaker 1: little remorse about maybe how a message was to live it. 508 00:27:08,359 --> 00:27:09,120 Speaker 2: I think about. 509 00:27:08,920 --> 00:27:12,280 Speaker 1: The the uh you got to think of your fans recently, 510 00:27:12,320 --> 00:27:14,760 Speaker 1: where you said, uh, you know what I'm talking about. 511 00:27:15,320 --> 00:27:15,760 Speaker 5: Uh huh. 512 00:27:15,920 --> 00:27:18,119 Speaker 1: It was, Yes, there was a thing I have with 513 00:27:18,200 --> 00:27:21,080 Speaker 1: the fan and the and it was people that unfollowed 514 00:27:22,080 --> 00:27:26,080 Speaker 1: because it was received as you don't care about. 515 00:27:25,880 --> 00:27:31,080 Speaker 3: Yourself, that that situation is exactly this that we're talking about. 516 00:27:31,640 --> 00:27:34,280 Speaker 3: This was this was a moment of TELP me share 517 00:27:34,359 --> 00:27:35,200 Speaker 3: that me. 518 00:27:36,720 --> 00:27:38,399 Speaker 2: So it. 519 00:27:40,920 --> 00:27:43,280 Speaker 3: I don't like telling people my business. I guess do 520 00:27:43,400 --> 00:27:45,280 Speaker 3: one thing that you do, one thing that you fear 521 00:27:45,359 --> 00:27:52,840 Speaker 3: every day. So I guess, honestly, nah, fuck that. Well, okay, 522 00:27:53,000 --> 00:27:57,240 Speaker 3: So this was an instance of that. This was me 523 00:27:57,520 --> 00:28:04,520 Speaker 3: feeling like if I feel like people can come up 524 00:28:04,560 --> 00:28:10,520 Speaker 3: to me and either hold my arm or hug me, 525 00:28:11,040 --> 00:28:14,320 Speaker 3: or give me a kiss on the cheek or offer 526 00:28:14,359 --> 00:28:17,240 Speaker 3: me a gift, if I feel if I feel like 527 00:28:18,800 --> 00:28:23,399 Speaker 3: I've given everybody a pass to do that, that in 528 00:28:23,520 --> 00:28:27,320 Speaker 3: my mind looks like people tearing at my skin and 529 00:28:27,560 --> 00:28:30,919 Speaker 3: ripping off my hair and tearing at my clothes. It 530 00:28:30,960 --> 00:28:35,439 Speaker 3: looks like hell to me. And that means I have 531 00:28:35,560 --> 00:28:39,800 Speaker 3: no boundaries, and I had to set a boundary. However, 532 00:28:41,000 --> 00:28:45,040 Speaker 3: I wasn't in my right mind at that moment to 533 00:28:45,240 --> 00:28:49,800 Speaker 3: express that I had waited so many days because I 534 00:28:49,920 --> 00:28:53,760 Speaker 3: have such an issue with setting boundaries for myself. I 535 00:28:53,880 --> 00:28:56,600 Speaker 3: usually am very like yes, like come, like. 536 00:28:57,600 --> 00:29:00,800 Speaker 2: Hug, touch, be, take whatever you want. 537 00:29:00,920 --> 00:29:03,480 Speaker 3: I've taken take whatever you want. I have a family, 538 00:29:04,560 --> 00:29:06,760 Speaker 3: like you know what I mean, that's me and so 539 00:29:07,000 --> 00:29:09,520 Speaker 3: and so I I I've had a really hard time 540 00:29:09,560 --> 00:29:17,720 Speaker 3: setting boundaries. When I saw the virality in the way 541 00:29:17,760 --> 00:29:20,480 Speaker 3: that that to the way that that whole thing happened, 542 00:29:21,880 --> 00:29:25,840 Speaker 3: I thought that that meant, Okay, everybody, it's your turn. 543 00:29:27,040 --> 00:29:28,720 Speaker 3: And so I thought that if I stepped out of 544 00:29:28,760 --> 00:29:32,320 Speaker 3: my house, something would happen to me, all irrational fear, 545 00:29:33,240 --> 00:29:40,600 Speaker 3: all based on my own personal experience, and that kind 546 00:29:40,640 --> 00:29:48,920 Speaker 3: of that was a trigger for me. And I instead 547 00:29:48,960 --> 00:29:53,000 Speaker 3: of being like, hey, by the way, don't do this, 548 00:29:53,800 --> 00:30:00,760 Speaker 3: I said, I said, don't fucking touch me. If any 549 00:30:00,840 --> 00:30:03,440 Speaker 3: of you ever come up to me and. 550 00:30:03,360 --> 00:30:05,440 Speaker 2: Touch me, you're done. 551 00:30:05,600 --> 00:30:07,920 Speaker 3: Like I made I was, I went like this, I 552 00:30:08,000 --> 00:30:11,040 Speaker 3: puffed my chest out. I did that. Instead of closing 553 00:30:11,040 --> 00:30:14,840 Speaker 3: the door, I kicked it and the knob fell off, 554 00:30:15,000 --> 00:30:17,360 Speaker 3: and so now the door is fully open, and now 555 00:30:17,440 --> 00:30:21,600 Speaker 3: I'm now I'm the I'm the least protected that I could. 556 00:30:21,640 --> 00:30:26,600 Speaker 3: If anything, I I sabotaged and I made it so 557 00:30:26,640 --> 00:30:29,720 Speaker 3: that I couldn't be protected at all because it was 558 00:30:29,760 --> 00:30:35,320 Speaker 3: an over reaction, but a valid over reaction, but still 559 00:30:35,400 --> 00:30:36,680 Speaker 3: not excusable. 560 00:30:37,080 --> 00:30:37,280 Speaker 7: Right. 561 00:30:37,480 --> 00:30:41,880 Speaker 3: It's more, there's there's a lot of kind of twists 562 00:30:41,920 --> 00:30:45,160 Speaker 3: and turns to it, but it's it was a poorly 563 00:30:45,320 --> 00:30:48,560 Speaker 3: handled situation in conclusion. 564 00:30:49,760 --> 00:30:51,320 Speaker 1: I get that though, and I get how you could 565 00:30:51,360 --> 00:30:53,720 Speaker 1: get there in that moment. Yeah, but when something happens 566 00:30:53,760 --> 00:30:56,760 Speaker 1: and it isn't poorly handled, do you is there remorse 567 00:30:56,800 --> 00:30:57,160 Speaker 1: about it? 568 00:30:57,240 --> 00:31:00,000 Speaker 2: Is there a desire to want to clear it up? 569 00:31:00,160 --> 00:31:01,680 Speaker 2: Or it is? Kind of it is what it is. 570 00:31:01,800 --> 00:31:04,200 Speaker 3: So what happens with me is all this sort of 571 00:31:04,240 --> 00:31:07,800 Speaker 3: thing will happen. I'll be like, I'll be like, we're 572 00:31:07,840 --> 00:31:10,480 Speaker 3: how fuck you? And then I'll and then I'll go 573 00:31:10,920 --> 00:31:16,760 Speaker 3: and then I'll go I'm fine, everything's fine, Everything's okay, guys, 574 00:31:17,200 --> 00:31:22,320 Speaker 3: it's okay. Like that's my condition. That's sort of how 575 00:31:22,440 --> 00:31:27,080 Speaker 3: that works. It's there's a word for it, but I 576 00:31:27,240 --> 00:31:31,160 Speaker 3: just I could be my my next challenge is like 577 00:31:31,240 --> 00:31:35,440 Speaker 3: opening up about those things and saying what that is. 578 00:31:35,520 --> 00:31:39,000 Speaker 3: But that's sort of the way that I operate my 579 00:31:39,240 --> 00:31:46,040 Speaker 3: remorse levels. I do have remorse, and it's very it's 580 00:31:46,120 --> 00:31:50,000 Speaker 3: very it's very quick. It's very like jumped straight to 581 00:31:50,400 --> 00:31:52,240 Speaker 3: the way that when I when it comes to I 582 00:31:52,280 --> 00:31:57,160 Speaker 3: think when during the moment, nada because I'm seeing red 583 00:31:57,600 --> 00:32:01,320 Speaker 3: and I just don't care. I just don't care. But 584 00:32:01,440 --> 00:32:05,880 Speaker 3: when I see the effect that it has, that's when 585 00:32:05,920 --> 00:32:06,640 Speaker 3: I start to. 586 00:32:08,760 --> 00:32:08,840 Speaker 1: This. 587 00:32:09,000 --> 00:32:16,920 Speaker 3: The chemicals change and I feel I feel wrong and 588 00:32:16,960 --> 00:32:20,959 Speaker 3: I and I know that it needs to be corrected 589 00:32:21,880 --> 00:32:25,640 Speaker 3: because it at the end of the day, the day 590 00:32:25,640 --> 00:32:32,440 Speaker 3: hast end. But I know that I need help, and 591 00:32:32,520 --> 00:32:37,480 Speaker 3: I know that I can hurt people. I can't with 592 00:32:37,520 --> 00:32:40,080 Speaker 3: my words, with my actions, I know that I can, 593 00:32:41,920 --> 00:32:44,760 Speaker 3: and so anything that I can do to mitigate and 594 00:32:44,920 --> 00:32:50,400 Speaker 3: help those things, I'm gonna do. And that is therapy. 595 00:32:50,680 --> 00:32:51,520 Speaker 2: So what would you want? 596 00:32:52,000 --> 00:32:54,200 Speaker 8: And I don't know if you've had this conversation directly 597 00:32:54,240 --> 00:32:57,680 Speaker 8: with your fans at any point I'm alive or whatever. 598 00:32:57,720 --> 00:33:01,240 Speaker 8: But have you ever like addressed because a bystander of 599 00:33:01,240 --> 00:33:02,600 Speaker 8: that could be somebody who was a big fan that 600 00:33:02,640 --> 00:33:04,360 Speaker 8: thinks they're lumped into a. 601 00:33:04,360 --> 00:33:07,160 Speaker 2: Moment that you had with one other person. That's what 602 00:33:07,240 --> 00:33:10,040 Speaker 2: I'm wondering. If there's ever a. 603 00:33:09,400 --> 00:33:13,320 Speaker 3: You know, to clarify anything that I do to one 604 00:33:13,560 --> 00:33:17,520 Speaker 3: individual is between me and that individual or anything we 605 00:33:17,600 --> 00:33:23,520 Speaker 3: do to each other is between us, and it has 606 00:33:23,680 --> 00:33:33,240 Speaker 3: nothing like if it's me, i'd be smart. I think 607 00:33:34,520 --> 00:33:38,320 Speaker 3: it's always between the two people that the issue needs 608 00:33:38,360 --> 00:33:42,320 Speaker 3: to be resolved. When you put it on social media, 609 00:33:42,440 --> 00:33:46,440 Speaker 3: it becomes a performative thing. What I was doing when 610 00:33:46,480 --> 00:33:49,160 Speaker 3: I reacted in the way that it reacted was performative. 611 00:33:49,960 --> 00:33:52,040 Speaker 3: It was me being like, look how big I am, 612 00:33:52,320 --> 00:33:54,920 Speaker 3: Look how strong I am. That's me. That's an example 613 00:33:54,960 --> 00:33:59,520 Speaker 3: of me doing that very thing. Apologizing to somebody on 614 00:33:59,560 --> 00:34:04,000 Speaker 3: the internet is the same. You know what I mean. 615 00:34:04,120 --> 00:34:06,800 Speaker 3: Perform Please don't like. It's like it's being like, please 616 00:34:06,840 --> 00:34:11,319 Speaker 3: don't leave me, Please don't do please don't like I 617 00:34:11,320 --> 00:34:14,040 Speaker 3: I I let me show you, Let me show you 618 00:34:14,080 --> 00:34:16,480 Speaker 3: how good I am. This is what I like, This 619 00:34:16,560 --> 00:34:18,719 Speaker 3: is what I do, This is who I am. Look, 620 00:34:19,440 --> 00:34:21,880 Speaker 3: I'm not the kind of person that loves to do that. 621 00:34:22,440 --> 00:34:24,840 Speaker 3: There's been times where I've done some like sort of 622 00:34:24,880 --> 00:34:29,480 Speaker 3: performative stuff like that, and I was just sort of 623 00:34:29,520 --> 00:34:32,000 Speaker 3: discovering who I was and trying to figure out what 624 00:34:32,040 --> 00:34:34,360 Speaker 3: I wanted to do. But I don't like doing stuff 625 00:34:34,400 --> 00:34:37,759 Speaker 3: like that, so I I yeah, I was face to 626 00:34:37,800 --> 00:34:42,360 Speaker 3: face with this person and they're just lovely, just a 627 00:34:42,480 --> 00:34:49,360 Speaker 3: human being who is fabulous and very likable and so yeah, 628 00:34:49,440 --> 00:34:52,800 Speaker 3: and that and that is my That's where I feel 629 00:34:54,160 --> 00:34:59,240 Speaker 3: happy and satiated and comfortable is when there's closure between 630 00:35:00,320 --> 00:35:01,240 Speaker 3: me and that person. 631 00:35:01,800 --> 00:35:02,799 Speaker 2: So you had closure there. 632 00:35:03,440 --> 00:35:04,600 Speaker 3: Yeah, that's so. 633 00:35:06,360 --> 00:35:09,680 Speaker 1: This might sound crazy, I find that to be really 634 00:35:09,719 --> 00:35:12,840 Speaker 1: inspiring because I think in this world where we are 635 00:35:13,000 --> 00:35:15,000 Speaker 1: like a lot of us are are. 636 00:35:15,640 --> 00:35:18,799 Speaker 2: Prone to be people pleasers, especially in social age world 637 00:35:18,880 --> 00:35:23,920 Speaker 2: where perception or how we present is really important to 638 00:35:23,960 --> 00:35:27,759 Speaker 2: a lot of people. Yeah, it's like, if you know what. 639 00:35:28,800 --> 00:35:35,040 Speaker 1: Your internal is doing, is it always necessary to lay 640 00:35:35,040 --> 00:35:37,759 Speaker 1: it out for people or have a performance piece to 641 00:35:37,840 --> 00:35:39,640 Speaker 1: kind of make people feel that. 642 00:35:39,760 --> 00:35:41,520 Speaker 2: Yeah, it's interesting, you don't have to. 643 00:35:41,560 --> 00:35:44,000 Speaker 3: But I think also those choices come from a place 644 00:35:44,160 --> 00:35:47,200 Speaker 3: that's not just like nonexistent. It comes from a place 645 00:35:47,239 --> 00:35:50,600 Speaker 3: of either you feel guilty, or you feel like you 646 00:35:50,680 --> 00:35:54,760 Speaker 3: need to fix something and you need to fix it fast, 647 00:35:55,160 --> 00:35:57,719 Speaker 3: or you know what I mean. Or it comes from 648 00:35:57,760 --> 00:36:01,880 Speaker 3: a place of possibly insecurity when somebody is like I 649 00:36:01,920 --> 00:36:04,879 Speaker 3: need people to know that the you know, and and 650 00:36:05,200 --> 00:36:12,000 Speaker 3: insecurity is human, and being unsure is human, and being 651 00:36:12,040 --> 00:36:16,600 Speaker 3: scared is human. It's just how you how you navigate 652 00:36:16,719 --> 00:36:19,360 Speaker 3: and and how much you're keeping up with it and 653 00:36:20,520 --> 00:36:24,720 Speaker 3: being consistent. So sometimes it's hard to be You can't 654 00:36:25,000 --> 00:36:27,560 Speaker 3: work out every single day of your entire life for 655 00:36:27,600 --> 00:36:30,879 Speaker 3: the rest of your life. But if you get enough 656 00:36:30,880 --> 00:36:33,799 Speaker 3: of it, then you'll be great and you'll feel beautiful. 657 00:36:34,239 --> 00:36:36,799 Speaker 1: Do you ever feel I was thinking with something else 658 00:36:36,840 --> 00:36:39,640 Speaker 1: that I had heard somebody say about you or underline 659 00:36:39,760 --> 00:36:40,640 Speaker 1: something stuff online. 660 00:36:40,920 --> 00:36:45,239 Speaker 2: It's like they're a miss. It's a misconception that any misconception. 661 00:36:45,320 --> 00:36:47,359 Speaker 2: I just wonder, do you ever want to clean those up? 662 00:36:47,480 --> 00:36:52,600 Speaker 1: Like somebody sees some some different image imagery and then 663 00:36:53,400 --> 00:36:56,680 Speaker 1: somebody who works in the store thinks you worship the death. 664 00:36:58,480 --> 00:37:01,560 Speaker 2: Is it inside you to ever clear something that like 665 00:37:01,640 --> 00:37:03,600 Speaker 2: that up? Or you just kind of let that be 666 00:37:04,880 --> 00:37:06,960 Speaker 2: faster in the world as does it wants to. 667 00:37:07,200 --> 00:37:11,080 Speaker 3: I think about it a lot. I think about it 668 00:37:11,120 --> 00:37:15,120 Speaker 3: almost every day. What part of it, it's every single part, 669 00:37:15,360 --> 00:37:19,319 Speaker 3: every time, every pinpoint of when that's happened to me 670 00:37:19,400 --> 00:37:23,560 Speaker 3: down my career. It's happened a lot, and I think 671 00:37:25,960 --> 00:37:34,839 Speaker 3: it's not for me to prove to people who cannot 672 00:37:36,440 --> 00:37:43,440 Speaker 3: or don't wish to listen. It's the harsh reality. But 673 00:37:43,520 --> 00:37:48,920 Speaker 3: I'd like to stay there, and I feel comfortable there 674 00:37:49,520 --> 00:37:57,479 Speaker 3: because there's so many other great things happening that I can, 675 00:37:57,719 --> 00:38:02,480 Speaker 3: instead of ruminating, can choose to express maybe the way 676 00:38:02,520 --> 00:38:07,239 Speaker 3: I feel about that thing with music, or with an 677 00:38:07,280 --> 00:38:11,880 Speaker 3: outfit or a painting or with something. Being creative is 678 00:38:11,960 --> 00:38:19,239 Speaker 3: really a good outlet for addressing to me personally. But 679 00:38:20,600 --> 00:38:24,680 Speaker 3: unless somebody asks all the beautiful questions the way you do, 680 00:38:25,320 --> 00:38:28,359 Speaker 3: I mean, then maybe I can discuss it. But I 681 00:38:28,360 --> 00:38:31,160 Speaker 3: also don't want to. I don't ever want to say 682 00:38:31,200 --> 00:38:33,440 Speaker 3: something that and I can't. I'm telling you like in 683 00:38:33,480 --> 00:38:36,799 Speaker 3: the past, I could not talk. I still honestly am 684 00:38:36,880 --> 00:38:37,640 Speaker 3: learning how to talk. 685 00:38:37,760 --> 00:38:40,080 Speaker 2: You're wonderful that sometimes I can. 686 00:38:40,000 --> 00:38:42,319 Speaker 3: Talk really well. But there's times where if I have 687 00:38:42,360 --> 00:38:44,840 Speaker 3: a camera on me and there's like a person who's 688 00:38:44,880 --> 00:38:47,080 Speaker 3: talking to me and I'm distracted by something, or if 689 00:38:47,080 --> 00:38:49,200 Speaker 3: I had a bad day or something like all the 690 00:38:49,239 --> 00:38:53,520 Speaker 3: things in the biome have to fall together correctly or 691 00:38:53,520 --> 00:38:57,279 Speaker 3: else I can't. I can't speak the way that I 692 00:38:57,320 --> 00:38:59,120 Speaker 3: wish I spoke, Like when I'm laying in bed with 693 00:38:59,160 --> 00:39:01,120 Speaker 3: the lights off and I'm like thinking, and I'm like, 694 00:39:01,200 --> 00:39:02,120 Speaker 3: damn said that. 695 00:39:02,960 --> 00:39:08,879 Speaker 2: You know I killed that ship he's so smart say 696 00:39:08,960 --> 00:39:14,800 Speaker 2: this is exactly what, exactly what you mean. It happens 697 00:39:14,840 --> 00:39:17,600 Speaker 2: so much, and I say it like that. 698 00:39:17,640 --> 00:39:18,920 Speaker 1: I don't always say it the way I want to 699 00:39:18,960 --> 00:39:20,799 Speaker 1: say it, even when I have a guest you're coming 700 00:39:20,800 --> 00:39:22,560 Speaker 1: in and it's like, oh, don't there's so many things 701 00:39:22,560 --> 00:39:23,680 Speaker 1: I want to say, so many. 702 00:39:23,480 --> 00:39:25,319 Speaker 2: Things I want to ask her. But then you get in. 703 00:39:25,280 --> 00:39:28,440 Speaker 3: The chair and you're like, yeah, so this is but 704 00:39:28,560 --> 00:39:31,399 Speaker 3: this is like a great environment. I don't know why 705 00:39:32,120 --> 00:39:33,480 Speaker 3: I love you and it's great. 706 00:39:33,440 --> 00:39:35,399 Speaker 2: So I'll take it. I'll take it. 707 00:39:35,480 --> 00:39:40,160 Speaker 3: So it's it's like, uh, yeah, I think I could 708 00:39:40,200 --> 00:39:43,040 Speaker 3: talk about those things everything. 709 00:39:43,400 --> 00:39:46,719 Speaker 1: I have one question about these things because when you 710 00:39:46,760 --> 00:39:49,719 Speaker 1: talk about that specifically, because I didn't hear somebody say 711 00:39:49,960 --> 00:39:51,600 Speaker 1: she worships the devil, I was like, what are you 712 00:39:51,640 --> 00:39:52,320 Speaker 1: talking about? 713 00:39:52,719 --> 00:39:54,279 Speaker 2: This one does not equal. 714 00:39:54,040 --> 00:39:58,799 Speaker 1: To However, I am curious about what is your relationship 715 00:39:58,840 --> 00:39:59,239 Speaker 1: with God? 716 00:39:59,320 --> 00:39:59,800 Speaker 2: Religion. 717 00:40:01,440 --> 00:40:03,839 Speaker 3: I believe in a higher power. I believe that there's 718 00:40:03,960 --> 00:40:05,080 Speaker 3: something going on. 719 00:40:06,040 --> 00:40:17,800 Speaker 9: I don't know what, and I don't want to question it. 720 00:40:18,040 --> 00:40:22,319 Speaker 3: I don't follow any formula of any sort of traditional thing. 721 00:40:22,400 --> 00:40:27,439 Speaker 3: I mean, I celebrate Christmas, but like. 722 00:40:27,800 --> 00:40:28,960 Speaker 2: In a non traditional way. 723 00:40:29,040 --> 00:40:33,919 Speaker 3: In traditional way, but like, yeah, I think it also 724 00:40:34,120 --> 00:40:40,919 Speaker 3: does a massive good for me to believe that there 725 00:40:41,000 --> 00:40:44,760 Speaker 3: is something bigger than myself, because that's where you get lost. 726 00:40:45,880 --> 00:40:48,279 Speaker 2: It's really surprising to me that you that you're not. 727 00:40:49,800 --> 00:40:52,880 Speaker 1: Because you're so thoughtful in how you operate in the 728 00:40:52,920 --> 00:40:55,240 Speaker 1: world and it does so much work on yourself, and. 729 00:40:56,920 --> 00:40:58,960 Speaker 2: I don't know, it just surprises me that you haven't 730 00:40:59,120 --> 00:41:04,880 Speaker 2: narrowed down your connection to spirituality, God whatever. 731 00:41:05,040 --> 00:41:08,160 Speaker 3: To a lifelong process it really is. I think it's 732 00:41:08,239 --> 00:41:13,400 Speaker 3: just a learning a learning process I've had. I've actually 733 00:41:14,400 --> 00:41:21,320 Speaker 3: I've had issues with things like like drinking and things 734 00:41:21,360 --> 00:41:27,000 Speaker 3: like that, and that that's sort of those two things 735 00:41:27,200 --> 00:41:32,120 Speaker 3: are in the same park for me because it's like, 736 00:41:32,280 --> 00:41:37,200 Speaker 3: if I don't believe that there's something bigger, then I'm 737 00:41:37,239 --> 00:41:42,799 Speaker 3: always going to fall to here. And I think sometimes 738 00:41:43,080 --> 00:41:47,120 Speaker 3: on impulse, maybe if I'm celebrating. I know it always 739 00:41:47,120 --> 00:41:50,799 Speaker 3: gets messy when I celebrate, but it's been a very 740 00:41:50,800 --> 00:41:56,680 Speaker 3: long time since I've been like like sad, like, oh God, 741 00:41:56,760 --> 00:41:59,360 Speaker 3: I need a glass of wine sort of sad. So 742 00:42:01,040 --> 00:42:08,560 Speaker 3: what else? And it happens, And I mean, but. 743 00:42:06,960 --> 00:42:10,560 Speaker 1: By the way, I also couldn't you're giving the gloves 744 00:42:10,600 --> 00:42:17,080 Speaker 1: and the gloves makes me feel so. 745 00:42:15,040 --> 00:42:20,480 Speaker 3: I just I just feel like you know, no, I 746 00:42:20,480 --> 00:42:27,719 Speaker 3: I yeah. 747 00:42:24,760 --> 00:42:26,759 Speaker 2: There is a there is a There is a question 748 00:42:26,800 --> 00:42:29,799 Speaker 2: in that bowl that says, if God were to text 749 00:42:29,840 --> 00:42:34,840 Speaker 2: you right now, what would it say in your mind? 750 00:42:35,840 --> 00:42:38,920 Speaker 2: I mean even that it's good. I love that. 751 00:42:39,600 --> 00:42:46,560 Speaker 3: Uh. He would probably say you're doing You're doing great. 752 00:42:48,520 --> 00:42:53,040 Speaker 3: He'd be like he go, he go wow h And 753 00:42:53,160 --> 00:42:59,800 Speaker 3: he'd also go be careful mm hmmm l O L No, 754 00:43:01,120 --> 00:43:06,120 Speaker 3: he'd go be careful idiot l L Yeah, and he'd go, wow, 755 00:43:06,200 --> 00:43:06,640 Speaker 3: good job. 756 00:43:06,680 --> 00:43:06,879 Speaker 2: Though. 757 00:43:07,920 --> 00:43:08,680 Speaker 3: That sums nice. 758 00:43:08,840 --> 00:43:12,480 Speaker 2: That's a great text. You should save that somewhere in 759 00:43:12,520 --> 00:43:13,160 Speaker 2: your phone. 760 00:43:13,160 --> 00:43:14,480 Speaker 3: That question is brilliant. 761 00:43:14,600 --> 00:43:17,600 Speaker 2: Oh thank you? What do you What do you have 762 00:43:17,680 --> 00:43:18,440 Speaker 2: to be careful of? 763 00:43:18,840 --> 00:43:19,239 Speaker 1: Right now? 764 00:43:20,480 --> 00:43:23,839 Speaker 2: I think like a what waters are you? 765 00:43:25,239 --> 00:43:29,360 Speaker 3: I think like a just impulses again, like I know 766 00:43:29,520 --> 00:43:32,479 Speaker 3: a lot now and it's it's helped me like move 767 00:43:32,560 --> 00:43:35,680 Speaker 3: forward and in ways that like like I've been a 768 00:43:35,719 --> 00:43:38,680 Speaker 3: lot more. Even if you if you ask my fans 769 00:43:38,760 --> 00:43:43,319 Speaker 3: like they it's funny because they'll they'll compare Scarlet to 770 00:43:43,480 --> 00:43:46,800 Speaker 3: be and the eras and the way that I spoke 771 00:43:47,080 --> 00:43:50,000 Speaker 3: during Scarlet. There's one specific one I know if I 772 00:43:50,040 --> 00:43:52,960 Speaker 3: can remember, but I said something like, if you don't 773 00:43:53,000 --> 00:43:56,640 Speaker 3: like my album cover, fuck you, it's amazing and you 774 00:43:56,640 --> 00:43:58,279 Speaker 3: can eat a dick like something like that. 775 00:43:58,320 --> 00:43:58,640 Speaker 2: Nice. 776 00:43:58,920 --> 00:44:02,359 Speaker 3: And then when I was talking about like like V 777 00:44:02,440 --> 00:44:04,640 Speaker 3: and everything, I was like, you, guys, V is an 778 00:44:04,640 --> 00:44:07,360 Speaker 3: album about blah blah blah blah blah, and this is 779 00:44:07,400 --> 00:44:10,319 Speaker 3: my album cover and this is why this means a 780 00:44:10,320 --> 00:44:10,759 Speaker 3: lot to me. 781 00:44:10,960 --> 00:44:14,399 Speaker 2: And so it's kind of like two different worlds. Yeah, 782 00:44:14,400 --> 00:44:17,200 Speaker 2: and the gloves really go. Yeah, I feel like you 783 00:44:17,239 --> 00:44:18,759 Speaker 2: should wear these different. 784 00:44:18,560 --> 00:44:20,600 Speaker 3: Verdi and see if I can get two more colors. 785 00:44:20,640 --> 00:44:24,120 Speaker 1: Spread definitely get more colors. Yeah, okay, face, I have 786 00:44:24,200 --> 00:44:27,040 Speaker 1: some in real life in my own Number one in 787 00:44:27,120 --> 00:44:31,319 Speaker 1: real life? What are you proudest of yourself for? 788 00:44:31,719 --> 00:44:37,800 Speaker 3: I'm most most proud of. I'm most proud of my growth. 789 00:44:39,239 --> 00:44:44,240 Speaker 3: I think I'm most proud of like like I was like, damn, 790 00:44:44,280 --> 00:44:48,520 Speaker 3: i hate going to vocal lessons and and I'm trying 791 00:44:48,520 --> 00:44:50,800 Speaker 3: to figure out a way around the puzzle of making 792 00:44:50,840 --> 00:44:55,200 Speaker 3: it like fun to do. And then I got there 793 00:44:55,640 --> 00:44:57,799 Speaker 3: and now I'm doing it, and then my voice got 794 00:44:57,840 --> 00:45:02,239 Speaker 3: better and I'm proud of that growth. That's more specific, 795 00:45:02,360 --> 00:45:04,680 Speaker 3: but I'm proud of my growth I'm proud of my 796 00:45:05,000 --> 00:45:10,840 Speaker 3: of the way I've I've given care and love to 797 00:45:10,920 --> 00:45:11,640 Speaker 3: my instrument. 798 00:45:11,960 --> 00:45:13,560 Speaker 1: I could see how much you care about it, like 799 00:45:13,640 --> 00:45:16,120 Speaker 1: every I guess everybody can, how much effort and stuff. 800 00:45:16,160 --> 00:45:18,080 Speaker 1: Even the other day, I was telling you, I saw 801 00:45:18,120 --> 00:45:21,320 Speaker 1: the video of you talking about Scissa's vocals. 802 00:45:23,640 --> 00:45:27,120 Speaker 2: Still bring it brought you to tears? Yeah, what was happening? 803 00:45:27,160 --> 00:45:32,080 Speaker 7: It's like she really like cares about this and was it? 804 00:45:32,120 --> 00:45:34,920 Speaker 7: Is it Sissa or was it the music or was it? Well, 805 00:45:36,360 --> 00:45:40,799 Speaker 7: why do you have to ask me this? No, no, no, 806 00:45:40,800 --> 00:45:41,480 Speaker 7: it's a good question. 807 00:45:41,560 --> 00:45:41,880 Speaker 2: Thank you. 808 00:45:45,080 --> 00:45:52,279 Speaker 3: So Siss's voice for me personally, there's something she has 809 00:45:53,560 --> 00:45:57,720 Speaker 3: I think it's just stylistically for me. But then also 810 00:45:57,880 --> 00:46:01,960 Speaker 3: everything she's done on her on her own, sorry, everything 811 00:46:02,000 --> 00:46:06,000 Speaker 3: she's done on her own has been absolutely it's like 812 00:46:06,360 --> 00:46:09,919 Speaker 3: it's in she's created a new thing, and it's inspiring 813 00:46:10,320 --> 00:46:15,600 Speaker 3: for me and to hear her on my music and 814 00:46:15,600 --> 00:46:19,320 Speaker 3: and the way that her voice intertwines with the selection 815 00:46:19,440 --> 00:46:21,960 Speaker 3: that I've made for the beats and just the way 816 00:46:21,960 --> 00:46:28,399 Speaker 3: the production falls. She's always fell perfectly into place and 817 00:46:28,800 --> 00:46:34,080 Speaker 3: also has kind of given my work a new form 818 00:46:34,120 --> 00:46:39,200 Speaker 3: of life or like a different glow that I didn't 819 00:46:39,400 --> 00:46:44,680 Speaker 3: see before. And when I hear her voice, which when 820 00:46:44,680 --> 00:46:48,799 Speaker 3: I imagine it really even though yeah, when I think 821 00:46:48,800 --> 00:46:50,880 Speaker 3: about it, I like hear it in my head and 822 00:46:51,360 --> 00:46:57,120 Speaker 3: it's like very powerful for me. And uh so I 823 00:46:57,480 --> 00:47:04,960 Speaker 3: just am very uh thankful for for what she's given 824 00:47:05,200 --> 00:47:08,560 Speaker 3: to my projects in the past and now, and like 825 00:47:10,280 --> 00:47:10,919 Speaker 3: she gets it. 826 00:47:11,360 --> 00:47:12,319 Speaker 2: Have you said that to her? 827 00:47:12,400 --> 00:47:17,080 Speaker 3: I I texted her a few times recently, but I mean, 828 00:47:17,200 --> 00:47:18,880 Speaker 3: I want to tell her this more often. I just 829 00:47:18,880 --> 00:47:19,760 Speaker 3: don't want to be weird. 830 00:47:22,040 --> 00:47:24,000 Speaker 2: I don't want to I don't want to be a freak. 831 00:47:24,600 --> 00:47:27,480 Speaker 3: But yeah, I mean I always I think about it 832 00:47:27,520 --> 00:47:29,759 Speaker 3: and I want to say something. I just I said it, 833 00:47:29,800 --> 00:47:32,680 Speaker 3: and so I want to just be be chill. I 834 00:47:32,680 --> 00:47:35,400 Speaker 3: think we're both like very shy, and so it's hard 835 00:47:35,480 --> 00:47:39,440 Speaker 3: to kind of connect deeper. I think we are very 836 00:47:39,480 --> 00:47:43,759 Speaker 3: like It's it takes a lot to like be very 837 00:47:43,920 --> 00:47:46,919 Speaker 3: very close with somebody and then also work with them. 838 00:47:47,040 --> 00:47:49,200 Speaker 3: You want to you want to balance it so that 839 00:47:49,280 --> 00:47:53,640 Speaker 3: things don't get, you know, off balanced. 840 00:47:53,800 --> 00:47:56,440 Speaker 2: But yeah, that is so sweet. 841 00:47:56,480 --> 00:48:01,799 Speaker 1: Though I love her, No, I clearly, and I'm sure 842 00:48:01,920 --> 00:48:02,440 Speaker 1: she knows. 843 00:48:02,760 --> 00:48:04,760 Speaker 2: Who else do you love like that? The other artists 844 00:48:04,880 --> 00:48:07,759 Speaker 2: litter or Is that a rare, kind of rare experience 845 00:48:07,800 --> 00:48:08,040 Speaker 2: for you. 846 00:48:08,360 --> 00:48:11,080 Speaker 3: Yeah, the reaction. There's other artists that I feel that 847 00:48:11,120 --> 00:48:15,520 Speaker 3: way about, but not with Sizza because she's collaborated with her. 848 00:48:15,520 --> 00:48:16,520 Speaker 3: But there's artists. 849 00:48:16,360 --> 00:48:18,960 Speaker 1: Awards you've got and you won an award with her 850 00:48:19,080 --> 00:48:20,520 Speaker 1: and you've had success with her. 851 00:48:20,680 --> 00:48:22,640 Speaker 2: Yes, yeah, Yeah. 852 00:48:23,080 --> 00:48:26,279 Speaker 3: Goga is another one that that does that to me. 853 00:48:28,160 --> 00:48:31,759 Speaker 3: I went to see her live recently and me and 854 00:48:32,280 --> 00:48:37,719 Speaker 3: my creative director, Brett we were we were like, I 855 00:48:37,880 --> 00:48:40,120 Speaker 3: was sobbing and he I think he was all you 856 00:48:40,360 --> 00:48:45,399 Speaker 3: were you also sobbing with his mouth was hanging open 857 00:48:45,440 --> 00:48:49,000 Speaker 3: and he was like screaming crying. I was also and 858 00:48:49,440 --> 00:48:49,960 Speaker 3: what is that? 859 00:48:50,000 --> 00:48:58,000 Speaker 2: Though? What is what? It's? Why can you explain that? 860 00:48:59,120 --> 00:49:01,080 Speaker 3: You know what? That's why it makes me cry so 861 00:49:01,200 --> 00:49:04,200 Speaker 3: much because I can't explain it. All I can really 862 00:49:04,239 --> 00:49:12,759 Speaker 3: tell you is that I am absolutely inspired. I moved constantly, 863 00:49:14,680 --> 00:49:22,040 Speaker 3: and I'm proud and I'm just I'm so so happy 864 00:49:22,160 --> 00:49:26,799 Speaker 3: for where she's made it to and how and how 865 00:49:26,840 --> 00:49:33,719 Speaker 3: she orchestrates her creative and her voice is something that 866 00:49:34,040 --> 00:49:41,560 Speaker 3: is incredibly unique and just very very lovely to hear, 867 00:49:41,960 --> 00:49:46,160 Speaker 3: and I just am so I'm so so inspired by 868 00:49:46,200 --> 00:49:46,880 Speaker 3: her and her. 869 00:49:46,880 --> 00:49:50,239 Speaker 2: Also, I think the sobbing went on I would imagine for. 870 00:49:50,719 --> 00:49:54,319 Speaker 3: Yeah yeah, well no yeah, I mean yeah, I cry 871 00:49:54,440 --> 00:49:58,080 Speaker 3: like that with yeah. 872 00:49:58,239 --> 00:50:00,799 Speaker 1: But it's so funny because I like such a hard 873 00:50:00,840 --> 00:50:02,880 Speaker 1: at the hard beds in. 874 00:50:04,520 --> 00:50:06,400 Speaker 2: Like a ball of bush in the other. 875 00:50:06,200 --> 00:50:08,160 Speaker 3: Ways, I know, I am, I know, and I don't 876 00:50:08,200 --> 00:50:10,239 Speaker 3: like to show that, but I should maybe, But I 877 00:50:10,280 --> 00:50:10,880 Speaker 3: have to show. 878 00:50:10,719 --> 00:50:12,360 Speaker 2: That it's the full picture. You can't just show a 879 00:50:12,360 --> 00:50:13,840 Speaker 2: little piece of the picture, you know. 880 00:50:15,160 --> 00:50:23,319 Speaker 3: She she uh The way that she treats people when 881 00:50:23,360 --> 00:50:27,160 Speaker 3: it comes to her fans, when it comes to just 882 00:50:27,239 --> 00:50:30,600 Speaker 3: people on the street, or really anybody. The way she talks, 883 00:50:31,200 --> 00:50:35,440 Speaker 3: it's very It's something that I wish to aspire to. 884 00:50:36,640 --> 00:50:40,080 Speaker 3: And I talk about that in therapy, and that's something 885 00:50:40,120 --> 00:50:44,279 Speaker 3: that I'm now everybody is gonna know. But she she 886 00:50:44,400 --> 00:50:52,240 Speaker 3: has a great heart, and I that's that's my favorite 887 00:50:52,280 --> 00:50:56,400 Speaker 3: thing about her. I think her music is fabulous. I 888 00:50:56,400 --> 00:50:59,200 Speaker 3: don't even really listen to her music that much. I'll 889 00:50:59,200 --> 00:51:02,480 Speaker 3: be honest, I don't. It's her as a it's it's 890 00:51:02,520 --> 00:51:07,160 Speaker 3: her as a person that draws me to her. But 891 00:51:07,239 --> 00:51:10,280 Speaker 3: the music is just a bonus. And so I really 892 00:51:10,440 --> 00:51:15,160 Speaker 3: am happy to be alive in a time seeing that. 893 00:51:15,719 --> 00:51:18,840 Speaker 1: Does it ever resonate for you that people feel the 894 00:51:19,040 --> 00:51:20,520 Speaker 1: same the same way about you? 895 00:51:22,160 --> 00:51:23,200 Speaker 3: I don't ever think about it. 896 00:51:25,200 --> 00:51:28,400 Speaker 1: There's somebody for sure that every one of these shows 897 00:51:28,440 --> 00:51:30,239 Speaker 1: you're about to have, there will be somebody in the 898 00:51:30,280 --> 00:51:33,160 Speaker 1: audience that will have that same reaction to you. 899 00:51:34,160 --> 00:51:39,200 Speaker 3: Yeah, maybe maybe. 900 00:51:39,440 --> 00:51:41,680 Speaker 2: How does that sit with it? Is that uncomfortable for you? 901 00:51:41,760 --> 00:51:43,960 Speaker 3: Or I don't know, I mean, I don't, I don't know. 902 00:51:45,040 --> 00:51:48,000 Speaker 3: I think I hope so I hope I can be 903 00:51:48,200 --> 00:51:51,879 Speaker 3: a positive influence for people. Yeah, when when I do 904 00:51:51,960 --> 00:51:54,520 Speaker 3: things that are positive, I hope that those are things 905 00:51:54,560 --> 00:51:56,480 Speaker 3: that influence people positively. 906 00:51:56,680 --> 00:51:58,680 Speaker 2: You know what's so interesting I had this thought you 907 00:51:58,719 --> 00:52:00,319 Speaker 2: were just talking now and I was like, Cose, she 908 00:52:00,360 --> 00:52:03,400 Speaker 2: really is like a mush she has like a soy side. 909 00:52:03,840 --> 00:52:05,279 Speaker 2: And then I think about the other side of that 910 00:52:05,360 --> 00:52:07,400 Speaker 2: we were talking about before. How you say what you 911 00:52:07,400 --> 00:52:09,120 Speaker 2: mean and you don't want to you know, there's certain 912 00:52:09,160 --> 00:52:10,160 Speaker 2: things you shouldn't have to do. 913 00:52:10,680 --> 00:52:14,760 Speaker 10: And then I wonder, if you were a man, would 914 00:52:14,760 --> 00:52:19,040 Speaker 10: it be expected for you to have to uh be 915 00:52:19,160 --> 00:52:21,640 Speaker 10: performed and been apologized on a remorse. 916 00:52:21,640 --> 00:52:23,400 Speaker 1: So, you know, like when I think about artists like 917 00:52:23,440 --> 00:52:26,719 Speaker 1: I don't know Rick James or you know, I don't know. 918 00:52:26,760 --> 00:52:28,680 Speaker 2: We're talking about that era and stuff like that. But 919 00:52:28,719 --> 00:52:31,440 Speaker 2: when you know, I'm just saying, there's so many men. 920 00:52:32,080 --> 00:52:34,440 Speaker 1: They get out there, they talk their ship, they're artists, 921 00:52:34,440 --> 00:52:38,440 Speaker 1: they're like I mean, Prince was notorious for but like. 922 00:52:38,400 --> 00:52:42,280 Speaker 2: Everybody's sit down, Yeah, get off my stage. You can't dance, 923 00:52:42,360 --> 00:52:45,120 Speaker 2: you know, like he was. He was a little ruthless 924 00:52:45,120 --> 00:52:46,080 Speaker 2: in that, in that type of way. 925 00:52:46,239 --> 00:52:51,000 Speaker 1: Yeah, but I think I wonder if more sensitivity expected 926 00:52:51,040 --> 00:52:53,200 Speaker 1: from you in general. 927 00:52:53,520 --> 00:52:54,120 Speaker 2: Yeah, I think. 928 00:52:54,239 --> 00:52:56,560 Speaker 3: I mean, also, that was such a different right, that 929 00:52:56,680 --> 00:52:59,960 Speaker 3: was a different time, so everybody couldn't put their opinion 930 00:53:00,560 --> 00:53:03,400 Speaker 3: right in front of your face, like, oh, just what 931 00:53:03,520 --> 00:53:06,160 Speaker 3: I think of you? You had they had to literally 932 00:53:06,239 --> 00:53:08,880 Speaker 3: find you physically. 933 00:53:09,120 --> 00:53:10,959 Speaker 2: Yeah, so you would have thrived in that time. 934 00:53:11,000 --> 00:53:14,680 Speaker 3: My god, I think that I might have. Yeah maybe, 935 00:53:16,480 --> 00:53:21,800 Speaker 3: but yeah, I think, like it's I like to I 936 00:53:21,800 --> 00:53:23,239 Speaker 3: don't know. I was sitting on the toilet the other 937 00:53:23,320 --> 00:53:29,240 Speaker 3: day and I thought, I was thinking, I'm not trying 938 00:53:29,239 --> 00:53:31,680 Speaker 3: to run for president. I just want to make music. 939 00:53:32,760 --> 00:53:36,080 Speaker 3: And I think a lot of people look at music 940 00:53:36,880 --> 00:53:43,760 Speaker 3: like this is a competitive sport. I also Verbatim saw somebody, 941 00:53:43,840 --> 00:53:46,759 Speaker 3: Like I saw someone write that they said, this is 942 00:53:46,760 --> 00:53:51,040 Speaker 3: a competitive sport. People better be ready, and I'm like, 943 00:53:52,920 --> 00:53:57,600 Speaker 3: but it's not. It's not that for everyone. What like 944 00:53:58,480 --> 00:54:01,960 Speaker 3: what this is like a it's like a spiritual thing 945 00:54:02,200 --> 00:54:04,560 Speaker 3: and not all the time. Maybe for some people it 946 00:54:04,640 --> 00:54:09,400 Speaker 3: is actually which is totally fine, that's totally fine, that's entertaining, 947 00:54:09,480 --> 00:54:10,120 Speaker 3: that's cool. 948 00:54:12,080 --> 00:54:12,839 Speaker 2: But I think it. 949 00:54:12,800 --> 00:54:15,719 Speaker 3: Starts to get blurred and people think that it's like 950 00:54:15,800 --> 00:54:19,080 Speaker 3: that for everyone, and that everybody's like trying like out 951 00:54:19,120 --> 00:54:21,760 Speaker 3: for each other and trying to like take each other down, 952 00:54:22,719 --> 00:54:29,280 Speaker 3: and like that there's panic and chaos everywhere and everyone 953 00:54:29,360 --> 00:54:33,920 Speaker 3: needs to be defensive and protect and like it's not 954 00:54:34,200 --> 00:54:37,319 Speaker 3: like that for everyone, and that I just want That's 955 00:54:37,320 --> 00:54:40,320 Speaker 3: something I think I want my fans to take away. 956 00:54:40,440 --> 00:54:42,960 Speaker 3: If there's any any of my my young fans who 957 00:54:43,000 --> 00:54:46,439 Speaker 3: like want to make music, I think a big one 958 00:54:46,560 --> 00:54:49,360 Speaker 3: is to know that, like it doesn't have to be 959 00:54:49,440 --> 00:54:52,160 Speaker 3: that way for you. You can you can just like make 960 00:54:52,280 --> 00:54:55,640 Speaker 3: music and like do whatever you want. You're good, Like 961 00:54:55,680 --> 00:54:59,920 Speaker 3: you don't You're you're not immediately associated with everyone just 962 00:55:00,080 --> 00:55:02,960 Speaker 3: because of this. That and the third you can just 963 00:55:03,040 --> 00:55:03,919 Speaker 3: be in your own thing. 964 00:55:04,080 --> 00:55:07,200 Speaker 2: Where do you like, or do you even think about that? 965 00:55:08,840 --> 00:55:12,200 Speaker 2: I don't know where is your life or you or 966 00:55:12,239 --> 00:55:14,480 Speaker 2: your or what you put in the world. Where do 967 00:55:14,520 --> 00:55:16,240 Speaker 2: you hope it lands with people? 968 00:55:16,480 --> 00:55:25,920 Speaker 3: I think like I think I want my fans to 969 00:55:26,080 --> 00:55:32,840 Speaker 3: feel like then everything is doesn't have to be so 970 00:55:32,960 --> 00:55:36,960 Speaker 3: streamlined and formulaic, and that you can really do whatever 971 00:55:37,000 --> 00:55:39,680 Speaker 3: you want and you don't have to be you know, 972 00:55:40,000 --> 00:55:46,000 Speaker 3: it's not up to other people to to tell you 973 00:55:46,040 --> 00:55:49,320 Speaker 3: how to express yourself. It's up to you. It feels 974 00:55:49,400 --> 00:55:53,840 Speaker 3: kind of like cliche, but I know, like in the past, 975 00:55:53,840 --> 00:55:57,040 Speaker 3: I've made a lot of albums that all the songs 976 00:55:57,040 --> 00:55:59,399 Speaker 3: sounded so different on them. There was really no kind 977 00:55:59,400 --> 00:56:02,759 Speaker 3: of consistent and see whatsoever. And I was like, oh, 978 00:56:02,800 --> 00:56:06,680 Speaker 3: I don't like that. And but I was like, I 979 00:56:06,760 --> 00:56:08,879 Speaker 3: like these songs individually, I just don't feel like it's 980 00:56:08,880 --> 00:56:12,120 Speaker 3: a consistent album. I've always felt like that. Really yeah. 981 00:56:12,160 --> 00:56:12,480 Speaker 2: Wow. 982 00:56:13,239 --> 00:56:15,560 Speaker 3: But Scarlett started to get a little more cohesive, but 983 00:56:15,600 --> 00:56:17,239 Speaker 3: not really even then, it was just like, what the 984 00:56:17,239 --> 00:56:20,640 Speaker 3: fuck is that. There's a lot of songs like sore thumthing, 985 00:56:20,680 --> 00:56:21,120 Speaker 3: they just. 986 00:56:21,040 --> 00:56:23,440 Speaker 2: Like sit out cohesive. 987 00:56:23,520 --> 00:56:28,400 Speaker 3: This was very cohesive for me, yes, in comparison, But 988 00:56:28,520 --> 00:56:30,280 Speaker 3: I think like I mean when it comes to music. 989 00:56:30,520 --> 00:56:34,440 Speaker 3: I hope that they take that away, that like music 990 00:56:34,560 --> 00:56:37,399 Speaker 3: is really just music. You can paint however you want 991 00:56:37,400 --> 00:56:40,760 Speaker 3: to paint, you can express however, you can design however 992 00:56:40,760 --> 00:56:43,880 Speaker 3: you want to design, and if it makes you happy, 993 00:56:43,920 --> 00:56:49,160 Speaker 3: that's kind of all that matters. And that's like literally, 994 00:56:49,200 --> 00:56:52,480 Speaker 3: that's that's the best I can and but but that 995 00:56:52,480 --> 00:56:56,400 Speaker 3: it does ring really true to me, So hopefully they 996 00:56:56,480 --> 00:56:59,399 Speaker 3: take that from it and also be weird, like you're 997 00:56:59,480 --> 00:57:01,799 Speaker 3: you're gonna be cringe whether you like it or not. 998 00:57:01,920 --> 00:57:05,000 Speaker 3: Probably to someone leant the weird the people who think 999 00:57:05,040 --> 00:57:07,360 Speaker 3: that they're not cringe and that they've got it all together, 1000 00:57:07,680 --> 00:57:10,719 Speaker 3: like there's a group of people looking at them, going ew, 1001 00:57:12,400 --> 00:57:14,320 Speaker 3: But they probably look back at that group of people 1002 00:57:14,320 --> 00:57:17,960 Speaker 3: and they're probably like so, like, at the end of 1003 00:57:17,960 --> 00:57:20,960 Speaker 3: the day, who cares. It doesn't matter. People are gonna 1004 00:57:20,960 --> 00:57:22,000 Speaker 3: think you're lame. 1005 00:57:22,600 --> 00:57:26,720 Speaker 2: What can somebody And that's okay. Somebody's gonna think you're 1006 00:57:26,800 --> 00:57:27,360 Speaker 2: like people. 1007 00:57:27,600 --> 00:57:30,920 Speaker 3: Multiple people are gonna be like you suck and you 1008 00:57:30,920 --> 00:57:32,320 Speaker 3: didn't even do anything wrong. 1009 00:57:35,040 --> 00:57:37,800 Speaker 2: You can do anything. I kind of wish I could 1010 00:57:37,880 --> 00:57:38,760 Speaker 2: do that more. 1011 00:57:39,760 --> 00:57:44,400 Speaker 1: How does somebody lean into their weird bag, like let 1012 00:57:44,480 --> 00:57:45,800 Speaker 1: your freak flag fly. 1013 00:57:46,160 --> 00:57:49,160 Speaker 3: Well, it's a development. I think that not not My 1014 00:57:49,280 --> 00:57:53,640 Speaker 3: weirdness isn't a development. It's something that uh I well 1015 00:57:53,680 --> 00:57:56,400 Speaker 3: maybe it was a development. Yeah, I think it's part 1016 00:57:56,440 --> 00:57:57,280 Speaker 3: of my weirdness. 1017 00:57:57,720 --> 00:57:59,080 Speaker 2: First of all, you're not weird. 1018 00:57:59,400 --> 00:58:04,080 Speaker 3: Yeah, well I'm definitely. I'm fucking kooky. I'm a little 1019 00:58:04,600 --> 00:58:07,680 Speaker 3: I'm so different, like I'm mad different. 1020 00:58:07,880 --> 00:58:11,320 Speaker 2: So but no. 1021 00:58:11,400 --> 00:58:16,040 Speaker 3: I I think that like, you don't have to be 1022 00:58:16,120 --> 00:58:20,960 Speaker 3: weird either. You can be totally not weird. You can 1023 00:58:21,080 --> 00:58:25,240 Speaker 3: just be whatever you want. I think it's like also subjective, 1024 00:58:25,440 --> 00:58:28,720 Speaker 3: like some someone might be like, that's weird that they're 1025 00:58:28,760 --> 00:58:32,880 Speaker 3: wearing head to toe Adidas, Like that doesn't like that 1026 00:58:32,920 --> 00:58:37,200 Speaker 3: person's weird to me. And then the person wearing the 1027 00:58:37,280 --> 00:58:43,120 Speaker 3: Adidas is looking at the person who's wearing Alo Nike, 1028 00:58:43,400 --> 00:58:47,760 Speaker 3: Adidas U Puma head to toe, and that person's like 1029 00:58:48,680 --> 00:58:51,400 Speaker 3: they're they're like weird, They're like why would you mix 1030 00:58:51,480 --> 00:58:55,320 Speaker 3: all of that? But like that's a cute outfit, and 1031 00:58:55,320 --> 00:58:59,840 Speaker 3: so is that Yeah, that's intentional? So is that you know? 1032 00:59:00,960 --> 00:59:03,400 Speaker 3: So it's kind of like that's just how it is. 1033 00:59:03,680 --> 00:59:07,040 Speaker 3: I don't think to lean into your weirdness is to 1034 00:59:07,560 --> 00:59:15,400 Speaker 3: be trusting of your surroundings or or maybe comfortable, uh, 1035 00:59:16,320 --> 00:59:18,080 Speaker 3: trusting of yourself. 1036 00:59:20,040 --> 00:59:21,520 Speaker 2: Having fun, I would imagine. 1037 00:59:21,880 --> 00:59:25,880 Speaker 3: Yeah, yeah, I mean there's also bad weird, which we 1038 00:59:25,920 --> 00:59:28,080 Speaker 3: can discuss flapping. 1039 00:59:27,640 --> 00:59:28,080 Speaker 2: All the time. 1040 00:59:28,320 --> 00:59:33,080 Speaker 6: Yeah, I mean, yeah, that's weird definitely in real life. 1041 00:59:33,120 --> 00:59:36,760 Speaker 2: How often do you think about your legacy? Hm hmm, 1042 00:59:39,320 --> 00:59:41,840 Speaker 2: you are a legacy artist. I expect a good answer here. 1043 00:59:42,080 --> 00:59:46,080 Speaker 3: Once every three to four weeks. Really, yeah, what does 1044 00:59:46,120 --> 00:59:49,040 Speaker 3: it look like? What is the I'm like old and 1045 00:59:49,120 --> 00:59:53,600 Speaker 3: singing pretty good, and I'm like, I don't know. I'm like, 1046 00:59:53,840 --> 00:59:56,440 Speaker 3: I got a dog and a husband. 1047 00:59:57,120 --> 01:00:01,880 Speaker 2: Husband, yeah, maybe have kids. I don't know. 1048 01:00:02,400 --> 01:00:05,400 Speaker 3: Uh, this world is very scary. I don't know if 1049 01:00:05,400 --> 01:00:09,280 Speaker 3: i'd want to bring kids into this world. But you know, 1050 01:00:09,920 --> 01:00:14,640 Speaker 3: I think, uh yeah, my legacy. 1051 01:00:16,320 --> 01:00:17,720 Speaker 2: Oh no, I don't really think. 1052 01:00:17,760 --> 01:00:19,840 Speaker 3: I honestly, I don't think I really think about that. 1053 01:00:20,080 --> 01:00:20,400 Speaker 1: Really. 1054 01:00:20,520 --> 01:00:23,000 Speaker 3: I just see myself kind of old and round, and 1055 01:00:23,040 --> 01:00:25,560 Speaker 3: I'm like singing, I got im like a big fur coat. 1056 01:00:26,240 --> 01:00:27,080 Speaker 3: That's my legacy. 1057 01:00:27,360 --> 01:00:31,080 Speaker 1: You're gonna have great stories, thanks, Yeah, I'm gonna have 1058 01:00:31,160 --> 01:00:31,880 Speaker 1: great stories. 1059 01:00:31,920 --> 01:00:34,960 Speaker 2: Then the time when I and my whole team was 1060 01:00:35,480 --> 01:00:37,760 Speaker 2: freaking out because I did or whatever, I have. 1061 01:00:37,680 --> 01:00:42,080 Speaker 1: Good stories now, I bet. I bet you're gonna have 1062 01:00:42,120 --> 01:00:44,520 Speaker 1: amazing stories after this tour. I have them great time 1063 01:00:44,600 --> 01:00:47,800 Speaker 1: on tour. It's gonna be so exciting. Thank you anything. 1064 01:00:48,000 --> 01:00:50,280 Speaker 2: We should leave the people with what what should they know? 1065 01:00:50,280 --> 01:00:52,520 Speaker 2: What should they expect? 1066 01:00:52,600 --> 01:00:59,240 Speaker 3: I mean, I start tour for Asia Australia in November, 1067 01:01:01,360 --> 01:01:05,560 Speaker 3: and then I'm out there for a little bit, and 1068 01:01:05,600 --> 01:01:08,400 Speaker 3: then I come back, I do my US tour. I'm 1069 01:01:08,440 --> 01:01:11,840 Speaker 3: touring till December of next year. 1070 01:01:12,640 --> 01:01:16,840 Speaker 2: Shit. Oh yeah, and therapy twice a week still happens. 1071 01:01:16,960 --> 01:01:19,520 Speaker 2: Oh yeah. 1072 01:01:19,880 --> 01:01:21,600 Speaker 1: And I'm sure somebody will be in the crowd and 1073 01:01:21,640 --> 01:01:23,960 Speaker 1: be as moved by you as you are. Thank you 1074 01:01:24,000 --> 01:01:26,640 Speaker 1: by your favorite Thank you, and you're wonderful today. 1075 01:01:26,640 --> 01:01:27,439 Speaker 2: Thank you so much. 1076 01:01:27,760 --> 01:01:32,000 Speaker 10: Soljakai in real life. 1077 01:01:33,280 --> 01:01:35,080 Speaker 3: This is Dojacat in real life. 1078 01:01:36,040 --> 01:01:37,120 Speaker 2: Hey guys, thanks for watching. 1079 01:01:37,160 --> 01:01:40,600 Speaker 1: Make sure you subscribe, like comments, and check out all 1080 01:01:40,600 --> 01:01:42,240 Speaker 1: of the other episodes we have on Edge. 1081 01:01:42,280 --> 01:01:43,680 Speaker 2: Martinez Irl Podcast