WEBVTT - Episode 2: Fodor's Guide to Monte Carlo, Chapter 2

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<v Speaker 1>Monaco is the playground of the wealthy and privileged. Packed

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<v Speaker 1>in less than a square mile of glistening coastline, It

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<v Speaker 1>is one of the densest populations in the world while

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<v Speaker 1>also possessing the most millionaires per capita. A place where

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<v Speaker 1>you literally rub elbows with the rich and famous. But

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<v Speaker 1>there are two truths I've learned over my many years

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<v Speaker 1>of globe trotting. One you don't have to be rich

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<v Speaker 1>to travel well. And two, travel is the only thing

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<v Speaker 1>you can spend money on that actually makes you richer.

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<v Speaker 1>So travel before it's too late, far and wide, early,

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<v Speaker 1>and often alone and with friends. Don't be that person

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<v Speaker 1>who's too busy when you're young and then too tired

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<v Speaker 1>when you're old. Your money will return, your time won't,

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<v Speaker 1>and we're all too quickly approaching that final destination.

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<v Speaker 2>I'm sorry about your friend, Jane. I didn't have the

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<v Speaker 2>chance to meet Fabian, but he was a valued asset

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<v Speaker 2>and a brave man. He gave his life to secure

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<v Speaker 2>that microphone. We're gonna make sure his death was not

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<v Speaker 2>in vain. Fortunately we have a lead. The assassin knocked

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<v Speaker 2>over an elderly janitor during his escape.

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<v Speaker 1>Was he able to id the killer.

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<v Speaker 2>He's refusing to speak to authorities. Casino Securities holding Hi

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<v Speaker 2>until the police arrived, but Martin got us access to

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<v Speaker 2>speak with him. Martin told me you were the best

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<v Speaker 2>interrogator he had during the war.

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<v Speaker 1>That was a long time ago.

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<v Speaker 2>No, I'm sure it's like riding a bicycle.

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<v Speaker 1>You seem awfully young for this type of work. How

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<v Speaker 1>old are you?

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<v Speaker 2>Let me guess, what's a smart, attractive girl like you

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<v Speaker 2>doing in a job like this? What should I be

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<v Speaker 2>barefoot and pregnant somewhere instead?

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<v Speaker 1>You clearly haven't met my wife. I've got no problem

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<v Speaker 1>with women in the workplace. I mean, why the CIA.

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<v Speaker 2>Maybe I wanted to see the world and meet new

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<v Speaker 2>and interesting peace who want to kill you? Occupational hazard?

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<v Speaker 1>I'm guessing Martin didn't find you at finishing school. How'd

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<v Speaker 1>you two meet the Peace Corps?

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<v Speaker 2>Actually, I was looking to change the world. Martin offered

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<v Speaker 2>me that chance.

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<v Speaker 1>A slight contradiction.

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<v Speaker 2>The world is filled with contradictions. My parents worked for

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<v Speaker 2>the Red Cross, so I grew up on the road

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<v Speaker 2>like you. When I was seven, I caught the Measles

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<v Speaker 2>say to leave me behind. Their ocean liner hit an

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<v Speaker 2>iceberg in the North Atlantic and sank, killing everybody on board,

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<v Speaker 2>including my brother and sister.

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<v Speaker 1>I'm sorry, that's horrible.

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<v Speaker 2>Martin was a friend of the family. After I graduated college,

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<v Speaker 2>he showed me evidence that the ship did not hit

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<v Speaker 2>an iceberg but a Soviet torpedo. The KGB covered the

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<v Speaker 2>whole incident up and the rest of the world didn't

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<v Speaker 2>want to start World War three over it. My entire

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<v Speaker 2>family was murder trying to save lives. How's that for contradiction.

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<v Speaker 1>We're taking y'all have our motivations, and Martin is great

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<v Speaker 1>at finding them. Speaking of what do we know about

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<v Speaker 1>the witness.

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<v Speaker 2>He's an undocumented worker, no paperwork or ID. It's probably

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<v Speaker 2>too scared to speak to the authorities. We're holding him

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<v Speaker 2>in a private room.

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<v Speaker 3>Causino Montlo, keep the change, I see, state your business

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<v Speaker 3>Martin's ANDAs MHM.

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<v Speaker 2>Has he said anything yet not?

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<v Speaker 3>The world just listens to the I.

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<v Speaker 2>Appreciate you babysitting. Why don't you boys step outside for

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<v Speaker 2>a cigarette while we talk to the gentleman.

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<v Speaker 3>Yes, sire, Cherie hele Vien, he's all yours.

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<v Speaker 1>Jane, good evening, sir. My name's Geen. I'm here to

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<v Speaker 1>ask you a few questions. Do you speak English, Deutsch, Galliano,

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<v Speaker 1>cattle in all right? Perhaps you need a little encouragement.

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<v Speaker 2>Isn't a knife a little rush?

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<v Speaker 1>Are not looking for a knife? Looking for this?

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<v Speaker 2>A bottle?

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<v Speaker 1>Opener, Hand me that bottle. It's probably nothing to write

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<v Speaker 1>home about, but I doubt anyone will miss it. But

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<v Speaker 1>nothing stimulates conversation like a glass of wine. I once

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<v Speaker 1>got an SS officer to confess his battalion's position over

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<v Speaker 1>a nice Cabernet wine. Fine wont graci yine yine, yine yine, Yes,

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<v Speaker 1>of course, Rebecca. Check his out left forearm.

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<v Speaker 2>There's a tattoo a number. He was in a concentration camp.

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<v Speaker 1>Nobody has made poor through charity. Sadakatuka?

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<v Speaker 2>What does that mean?

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<v Speaker 1>It's a Yiddish proverb. He's speaking Schwadiit a mixture of

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<v Speaker 1>Hebrew and the local Oxetan dialect. It was spoken by

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<v Speaker 1>French Jews in the region for hundreds of years, but

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<v Speaker 1>now it's mostly a dead language after the Nazis wiped

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<v Speaker 1>out entire villages. This man's not a hostile witness, just

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<v Speaker 1>scared and confused. Give me five minutes alone with him

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<v Speaker 1>and I'll see what he knows.

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<v Speaker 2>He's all yours. I'll be outside.

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<v Speaker 1>If every single retins, there.

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<v Speaker 2>Shouldn't be much longer. Mind if I buy a smoke

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<v Speaker 2>messy done already it was.

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<v Speaker 1>A middle aged white male, medium height, blonde hair, blue eyes,

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<v Speaker 1>and a hairlip. Take that to the authorities and have

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<v Speaker 1>them scour the city.

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<v Speaker 2>There's not enough manpower and we don't have enough time.

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<v Speaker 2>There's less than two thousand locals in Monte Carlo, but

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<v Speaker 2>over fifty thousand tourists visiting for the Grand Prix. So

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<v Speaker 2>I bet he's hiding in the tourist population. It's a

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<v Speaker 2>needle in a haystack.

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<v Speaker 1>I've got an idea how we can cover more territory.

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<v Speaker 1>Follow me, where are we going to consult? My own sources.

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<v Speaker 1>For any traveler, it's easy to get lost in the

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<v Speaker 1>bright lights of a new city, to be seduced by

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<v Speaker 1>the security and comforts of the straight and narrow. But

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<v Speaker 1>to truly discover a place, you must be willing to

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<v Speaker 1>leave the beaten path and explore the darker corners, because

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<v Speaker 1>the greatest secrets are always hidden in the most unlikely places.

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<v Speaker 1>A premois la de LUGEI.

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<v Speaker 2>Wow, what is this?

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<v Speaker 1>Place, the Pompadil, greatest speakeasy in Monte Carlo, where the

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<v Speaker 1>people that really run this city come to play. The valets, waiters,

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<v Speaker 1>bus boys, pool boys, bartenders and cabaret dancers. They're the

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<v Speaker 1>first to know anything, and the best at keeping secrets.

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<v Speaker 2>Isn't that the waiter from the hotel sure is.

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<v Speaker 1>Escuse him, Dominique. Can I speak with you a moment,

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<v Speaker 1>Monsieur d'Or. Of course, we were just toasting in fabian zoo.

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<v Speaker 1>He's a tragedy felt by all of us. That's why

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<v Speaker 1>I'm here. A witness saw white male, blonde hair, blue

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<v Speaker 1>eyes and a hairlift leave the murder scene. We think

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<v Speaker 1>he's hiding amongst the tourists, so I figured i'd ask

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<v Speaker 1>the eyes and ears of the city if anyone could

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<v Speaker 1>find him. It's the people in this room.

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<v Speaker 2>We give me.

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<v Speaker 3>Yes.

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<v Speaker 2>It helps to know people in low places.

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<v Speaker 1>The service industry is the backbone of this city. They

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<v Speaker 1>find what falls between the cracks. Monsieur d'Or. Fancois works

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<v Speaker 1>valet at the hotel Armitage, and he's seen a man

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<v Speaker 1>staying there that feeds the description. Thank you, Monique, can

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<v Speaker 1>I offer oh? It is a pleasure just bring Fabian's

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<v Speaker 1>killer to justice.

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<v Speaker 2>Impressive lead. Let's head straight to the Amitage.

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<v Speaker 1>Why us, you've got an ID and a location. Call

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<v Speaker 1>the Monico police and have them search the hotel so they.

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<v Speaker 2>Can screw it up and scare them off, and based

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<v Speaker 2>on what evidence the word of a drunk valet. Sorry, Jean,

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<v Speaker 2>We're not done yet, not by a long shot.

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<v Speaker 1>We're here, So what's the plan.

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<v Speaker 2>Find out his room number, confirm his identity, make the arrest.

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<v Speaker 1>I know the Hermitage night manager. He's a real stuck up,

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<v Speaker 1>self important asshole. Don't expect any cooperation from him.

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<v Speaker 2>Oh don't worry. I've got my own means of persuasion,

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<v Speaker 2>and it doesn't require a bottle of wine.

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<v Speaker 1>In that case, I volunteer to stake out the bar.

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<v Speaker 1>You'll know where to find me.

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<v Speaker 2>Bon soolie, madame?

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<v Speaker 1>How many sist to do?

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<v Speaker 2>Hi there, I'm looking for my husband and I was

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<v Speaker 2>hoping you could help.

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<v Speaker 1>Of course, what this this nana and room numbell? Oh?

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<v Speaker 2>Well, that's just the thing. I'm his wife and I

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<v Speaker 2>know he's here, but probably checked in under a different

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<v Speaker 2>name because he is with her. Hmm. Tall, blonde hair,

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<v Speaker 2>blue eyes, hairly, if you would just direct me to

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<v Speaker 2>his room, I would be so grateful. I'm a real

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<v Speaker 2>generous tipper.

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<v Speaker 1>That's very generous, madame.

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<v Speaker 4>But it is strictly against hotel policy to reveal the

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<v Speaker 4>room number.

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<v Speaker 2>I guess then why don't you just let me take

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<v Speaker 2>a peek at the guest list?

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<v Speaker 1>Impossibly in Paul See.

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<v Speaker 2>I'm sorry, I don't know what's coming in to me.

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<v Speaker 2>I've just traveled all this way and I know he's here,

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<v Speaker 2>and so I would I would hate to see him

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<v Speaker 2>in the lobby of this.

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<v Speaker 5>Of this beautiful hotel and and you know, make a

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<v Speaker 5>scene or something like that, because because if I see

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<v Speaker 5>him with her, I'm just gonna start yelling and screaming

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<v Speaker 5>and oh my god, the Lord.

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<v Speaker 1>Knows what I might to my dam Please conduct.

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<v Speaker 2>Oh you don't want to seem like that in the

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<v Speaker 2>middle of your swanky, fancy little hotel, do you, or

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<v Speaker 2>are you protecting them?

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<v Speaker 6>Is that what men like you do protect other cheated,

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<v Speaker 6>scumback assholes who come here to this fancy hotel hot

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<v Speaker 6>in their horse Well, you profit on the misery of others, madam.

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<v Speaker 4>Please, I would desist you if I could, but hotel

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<v Speaker 4>policy strictly prevents me from conducting such actions, regardless of

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<v Speaker 4>my no desios not to mention. We have hundreds of

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<v Speaker 4>guests here at a hotel, and I have not seen

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<v Speaker 4>the gentleman in question. I must ask you to lead

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<v Speaker 4>the establishment. I'll be forced to call hotel security to

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<v Speaker 4>escort you out.

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<v Speaker 1>Fridge, did you find him?

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<v Speaker 2>You're right? That manager's a total asshole. Is guarding the

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<v Speaker 2>guest list like Fort Knox.

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<v Speaker 1>So your feminine wiles have failed. Got a plan?

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<v Speaker 2>B Well, I guess if we can't get to him,

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<v Speaker 2>he'll just have to come to us.

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<v Speaker 1>And how are we going to do that?

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<v Speaker 2>Let me know if the bartender turns around.

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<v Speaker 1>You can't be serious. Not the fire alarm.

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<v Speaker 5>Right?

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<v Speaker 7>Follow me?

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<v Speaker 2>If he's here, we'll see him. Used to hear and

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<v Speaker 2>watch the entrance. I'm gonna go check the other fire exits.

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<v Speaker 1>Wait or there the guy in the tuxedo leaving the stairwell.

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<v Speaker 1>He fits description?

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<v Speaker 2>Holy shit, that's him. Where's it going in such a hurry?

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<v Speaker 1>Why don't you arrest him and find out?

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<v Speaker 2>Very funny? Come on, let's follow him. Looks like he's

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<v Speaker 2>heading for the casino.

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<v Speaker 1>Did we lose him?

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<v Speaker 8>There?

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<v Speaker 2>He is by the roulette table.

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<v Speaker 1>Looks like he's placing some bets.

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<v Speaker 2>Let's get a closer look, would you.

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<v Speaker 1>He's betting on twelve different numbers, No more bits. Why

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<v Speaker 1>are you staring like that?

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<v Speaker 2>I memorizing the numbers. They must mean something.

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<v Speaker 1>Just so happens. I've got a photographic memory.

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<v Speaker 7>Twelve winner, he won?

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<v Speaker 1>Where'd he go?

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<v Speaker 4>Shit?

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<v Speaker 2>I was too distracted by the numbers. Go check the bathroom.

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<v Speaker 2>I'll cover the exit. Hoad on, hold on, excuse him?

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<v Speaker 7>What?

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<v Speaker 1>Ah, wow, my dam have a wonderful leaving.

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<v Speaker 2>Excuse me. I'm looking for my brother. He is a

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<v Speaker 2>medical condition and I think he may have just come

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<v Speaker 2>by here. He's tall, blonde in a tuxedo.

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<v Speaker 1>No, ma, dam I'm sorry. Shit, shit, nothing in the bathroom,

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<v Speaker 1>no sign of him.

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<v Speaker 2>Damn it. We lost him.

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<v Speaker 1>What kind of guy leaves a roulette game without collecting

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<v Speaker 1>his winnings?

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<v Speaker 2>A guy who's after bigger prizes. Those numbers were a

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<v Speaker 2>signaling meant something more important to him than money. It

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<v Speaker 2>could be anything phone number, bank account, passport, or cipher

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<v Speaker 2>to some encryption.

0:14:32.720 --> 0:14:33.160
<v Speaker 7>So now what.

0:14:35.720 --> 0:14:39.520
<v Speaker 2>Now? You go home to VLASTA. It's late and we

0:14:39.560 --> 0:14:43.120
<v Speaker 2>don't want your wife getting suspicious do we I'm gonna

0:14:43.160 --> 0:14:45.320
<v Speaker 2>go back to case the hotel than reporting to Martin.

0:14:45.840 --> 0:14:48.800
<v Speaker 2>He won't be happy. No microfilm to share with the

0:14:48.880 --> 0:14:51.480
<v Speaker 2>NATO Allies tomorrow, and the killer is still on the loose.

0:15:04.400 --> 0:15:08.160
<v Speaker 1>First staged in nineteen twenty nine, the Monaco Grand Prix

0:15:08.360 --> 0:15:11.600
<v Speaker 1>is the premiere motor sporting event in the world. Twenty

0:15:11.720 --> 0:15:15.720
<v Speaker 1>racers who pilot the pinnacle and automotive innovation, speeding through

0:15:15.720 --> 0:15:19.560
<v Speaker 1>the streets of the Principality at breakneck speeds, rocketing around

0:15:19.600 --> 0:15:22.960
<v Speaker 1>the two mile course through hairpin turns and high speed

0:15:23.000 --> 0:15:26.080
<v Speaker 1>tunnels to cross the finish line and win the checkered flag.

0:15:26.800 --> 0:15:29.280
<v Speaker 1>The first to complete the seventy eight laps around the

0:15:29.360 --> 0:15:32.160
<v Speaker 1>course won't just stand on a victor's podium, but will

0:15:32.160 --> 0:15:35.440
<v Speaker 1>be escorted from their vehicle directly to the Royal Box,

0:15:35.840 --> 0:15:38.240
<v Speaker 1>where they will receive the golden trophy from the Prince

0:15:38.320 --> 0:15:42.400
<v Speaker 1>of Monaco himself. A race as dangerous as it is

0:15:42.560 --> 0:15:44.280
<v Speaker 1>glamorous and prestigious.

0:15:46.000 --> 0:15:49.040
<v Speaker 7>They're so loud I cannot lea on myself.

0:15:49.200 --> 0:15:56.880
<v Speaker 2>Think, hello, Jem, what is going on with you? You've

0:15:56.880 --> 0:15:59.040
<v Speaker 2>been writing the same paragraph for an hour.

0:16:00.080 --> 0:16:03.120
<v Speaker 1>There are only so many letters in the alphabet. Sorry,

0:16:03.680 --> 0:16:05.560
<v Speaker 1>I just keep going over last night in my head.

0:16:06.600 --> 0:16:09.360
<v Speaker 1>I can't stop thinking about Fabian Melanchick.

0:16:10.440 --> 0:16:12.840
<v Speaker 2>Can't work like this. Go back to the room and

0:16:12.960 --> 0:16:15.920
<v Speaker 2>get some rest. I can take the photos and meet

0:16:15.960 --> 0:16:18.120
<v Speaker 2>the publisher. You can write the race chapter later.

0:16:19.240 --> 0:16:21.400
<v Speaker 1>Wait, what did you just say?

0:16:22.360 --> 0:16:24.000
<v Speaker 2>I said, do you should take a break?

0:16:24.080 --> 0:16:28.800
<v Speaker 1>And no? Before that letters in the alphabet, I was

0:16:28.920 --> 0:16:31.360
<v Speaker 1>joking that you were taking so long to choose them.

0:16:32.120 --> 0:16:32.440
<v Speaker 1>That's it?

0:16:33.800 --> 0:16:34.200
<v Speaker 2>What's it?

0:16:35.880 --> 0:16:36.640
<v Speaker 7>Are you all right?

0:16:37.120 --> 0:16:39.440
<v Speaker 1>I will be I'm gonna go back to the room.

0:16:39.480 --> 0:16:42.720
<v Speaker 1>I'll meet you there later. Be safe. You're brilliant.

0:16:45.120 --> 0:16:45.880
<v Speaker 7>Get some rest.

0:16:52.000 --> 0:16:58.760
<v Speaker 1>Rebecca Martin, are you there? It's Jane. It's important, Geane.

0:16:58.800 --> 0:16:59.880
<v Speaker 2>What's going on? Are you all right?

0:17:00.600 --> 0:17:01.640
<v Speaker 1>Did you catch the killer yet?

0:17:01.840 --> 0:17:03.800
<v Speaker 2>He never came back to the hotel. We've got the

0:17:03.840 --> 0:17:05.840
<v Speaker 2>whole police force out looking for him, and right now

0:17:05.920 --> 0:17:09.480
<v Speaker 2>Martin is meeting with the ambassadors, unfortunately without the microfilm.

0:17:10.119 --> 0:17:12.880
<v Speaker 1>Well, the good news is the killer doesn't have it either.

0:17:13.520 --> 0:17:15.600
<v Speaker 1>I figured out what the numbers mean on the way over.

0:17:16.240 --> 0:17:17.560
<v Speaker 2>The numbers on the roulette wheel.

0:17:17.720 --> 0:17:21.800
<v Speaker 1>You got a pen. It wasn't a cipher code or coordinates.

0:17:22.280 --> 0:17:26.679
<v Speaker 1>It was a language. Cyrillic look there are thirty three

0:17:26.760 --> 0:17:29.440
<v Speaker 1>letters in the alphabet. You assign each letter a number

0:17:29.480 --> 0:17:31.600
<v Speaker 1>from the Roulett wheel and scramble the letters.

0:17:32.040 --> 0:17:37.080
<v Speaker 2>It spells missing in Russian. They don't have the microfilm either.

0:17:37.359 --> 0:17:40.000
<v Speaker 1>That's right, and I know where Fabian may have hit it.

0:17:40.480 --> 0:17:42.960
<v Speaker 2>Then what are we waiting for? I've got a vespa

0:17:43.040 --> 0:17:43.680
<v Speaker 2>parked outside.

0:17:49.680 --> 0:17:53.480
<v Speaker 1>Saint Nicholas Cathedral, also known as cat Bral de nocred

0:17:53.560 --> 0:17:56.080
<v Speaker 1>Dame i Macule, was built on the site of the

0:17:56.119 --> 0:18:00.359
<v Speaker 1>first parish church in Monaco circa twelve fifty two. Dedicated

0:18:00.440 --> 0:18:04.440
<v Speaker 1>to Saint Nicholas. After that church was destroyed, the cathedral

0:18:04.520 --> 0:18:07.800
<v Speaker 1>was built in eighteen seventy five and consecrated in nineteen eleven.

0:18:08.359 --> 0:18:10.920
<v Speaker 1>Since its construction, the cathedral has been the site of

0:18:11.000 --> 0:18:15.280
<v Speaker 1>royal events from birth to death, royal christenings, weddings and funerals,

0:18:15.359 --> 0:18:19.680
<v Speaker 1>all taking place within its Romanesque Revival walls. Grace Kelly

0:18:19.800 --> 0:18:23.119
<v Speaker 1>married Prince Regner in the cathedral. Their children were christened

0:18:23.160 --> 0:18:25.600
<v Speaker 1>at the Great Altar, and since it was built over

0:18:25.640 --> 0:18:28.320
<v Speaker 1>the cemetery of the first parish church, most of the

0:18:28.400 --> 0:18:32.040
<v Speaker 1>sovereign princes and consorts are now buried beneath the cathedral floor.

0:18:32.960 --> 0:18:36.840
<v Speaker 1>Besides perhaps the Royal Palace. No building encompasses the history

0:18:36.920 --> 0:18:39.760
<v Speaker 1>and legacy of the Grimaldi royal family and Monaco.

0:18:40.200 --> 0:18:45.720
<v Speaker 2>More, we're here Church of Saint Nick.

0:18:46.160 --> 0:18:46.960
<v Speaker 1>Let's go inside.

0:18:51.720 --> 0:18:54.360
<v Speaker 2>It's locked up closed for race day.

0:18:54.960 --> 0:18:57.399
<v Speaker 1>I was hoping you could pick a lock. See the

0:18:57.480 --> 0:18:58.639
<v Speaker 1>priest entrance over there.

0:19:00.280 --> 0:19:00.480
<v Speaker 3>Back.

0:19:04.440 --> 0:19:05.560
<v Speaker 1>Guess that's one way to do it.

0:19:11.880 --> 0:19:16.520
<v Speaker 2>Oh, this place is huge. What are we looking for?

0:19:17.359 --> 0:19:20.639
<v Speaker 1>When Fabian was dying, his last words were prey to

0:19:20.720 --> 0:19:23.440
<v Speaker 1>Saint Nicholas. For me, I didn't think anything of it

0:19:23.480 --> 0:19:26.760
<v Speaker 1>at the time. But Fabian wasn't a devout man. He

0:19:26.920 --> 0:19:29.200
<v Speaker 1>was a clever man, though, and he knew his history.

0:19:30.000 --> 0:19:31.680
<v Speaker 1>He would know something, wouldn't be disturbed.

0:19:32.160 --> 0:19:33.679
<v Speaker 2>What about this marble throne.

0:19:34.400 --> 0:19:38.960
<v Speaker 1>That's the great altar made from Carrera marble. Too popular. Hmmm.

0:19:39.880 --> 0:19:42.720
<v Speaker 1>In the corner there's one of the most historic and

0:19:42.840 --> 0:19:44.600
<v Speaker 1>important pieces in the cathedral.

0:19:46.119 --> 0:19:49.320
<v Speaker 2>It's beautiful. The painting is attached to the altar.

0:19:49.880 --> 0:19:53.280
<v Speaker 1>It's a retable created in fifteen hundred by local Renaissance

0:19:53.320 --> 0:19:57.080
<v Speaker 1>painter Ludovico Brea in Saint Nicholas's honor. That's Nicholas seated

0:19:57.119 --> 0:20:00.560
<v Speaker 1>at the center. So if I I was to pray

0:20:00.640 --> 0:20:03.800
<v Speaker 1>to him. As Fabian requested, I would get down on

0:20:03.920 --> 0:20:08.920
<v Speaker 1>one knee, just as I thought. This panel is loose

0:20:11.119 --> 0:20:12.720
<v Speaker 1>boila the microfilm.

0:20:12.880 --> 0:20:16.119
<v Speaker 2>Holy shit, it's a dead drop. Let me see that.

0:20:17.080 --> 0:20:19.280
<v Speaker 1>Not so fast. I want to know what's on this

0:20:19.400 --> 0:20:22.200
<v Speaker 1>film first. What is so important that I'm risking my

0:20:22.320 --> 0:20:23.840
<v Speaker 1>life after Fabian already lost his.

0:20:24.640 --> 0:20:27.120
<v Speaker 2>You know, I can just take it right. Fourth degree

0:20:27.160 --> 0:20:37.080
<v Speaker 2>black Belta in all fine, it's maps, Pathfinder maps, Pathfinder.

0:20:37.640 --> 0:20:40.359
<v Speaker 2>That's the Soviet code name. We're not sure if it's

0:20:40.359 --> 0:20:43.520
<v Speaker 2>a person or a covert KGB unit, but it's the

0:20:43.640 --> 0:20:47.040
<v Speaker 2>most effective weapon the Soviets have in this Cold War.

0:20:48.000 --> 0:20:51.440
<v Speaker 2>Our sources inside the Kremlin say Pathfinders created detailed maps

0:20:51.520 --> 0:20:55.360
<v Speaker 2>of every metropolitan city in the world that include government buildings,

0:20:55.760 --> 0:21:01.320
<v Speaker 2>military installations, diplomatic missions, power grids, even soft targets like

0:21:01.440 --> 0:21:05.080
<v Speaker 2>schools and hospitals. Everything you'd want to know to plan

0:21:05.160 --> 0:21:09.960
<v Speaker 2>an invasion or stop one. They say. Pathfinders work in Cuba,

0:21:10.040 --> 0:21:13.320
<v Speaker 2>for Castro created the Bay of Pigs disaster, so.

0:21:13.480 --> 0:21:15.840
<v Speaker 1>These maps could be the key to stopping World War III,

0:21:16.520 --> 0:21:21.399
<v Speaker 1>or the key to winning it. Don't move or I'll shoot. Please,

0:21:21.800 --> 0:21:24.520
<v Speaker 1>we're unarmed. There's no need for violence. I assure you,

0:21:24.640 --> 0:21:27.119
<v Speaker 1>who do you work for? How did you find me

0:21:27.200 --> 0:21:27.760
<v Speaker 1>the casino?

0:21:28.680 --> 0:21:31.119
<v Speaker 2>You are more obvious than a neon billboard.

0:21:31.760 --> 0:21:34.680
<v Speaker 1>This is all a misunderstanding. I'm just a travel writer

0:21:34.960 --> 0:21:37.560
<v Speaker 1>and name's Eugene Fodor. I was a friend of Fabian's.

0:21:38.040 --> 0:21:39.840
<v Speaker 1>He had invited me for the race Flyer.

0:21:40.240 --> 0:21:42.600
<v Speaker 2>He's been holding me hostage. He works for the CIA.

0:21:42.960 --> 0:21:43.320
<v Speaker 2>Save me?

0:21:43.520 --> 0:21:43.720
<v Speaker 1>Wait?

0:21:43.800 --> 0:21:44.439
<v Speaker 5>What k.

0:21:46.680 --> 0:21:47.160
<v Speaker 1>Not so tough?

0:21:47.200 --> 0:21:47.760
<v Speaker 2>Without your gun?

0:21:48.240 --> 0:21:48.520
<v Speaker 3>Are you?

0:21:48.920 --> 0:21:50.600
<v Speaker 1>I don't play with little girls.

0:21:54.760 --> 0:21:56.280
<v Speaker 2>Prob the gun and run, Gene go.

0:22:00.920 --> 0:22:16.080
<v Speaker 7>Just sorry, so sorry, thank God, please help.

0:22:16.640 --> 0:22:18.840
<v Speaker 1>That man is chasing me, so to all myself. I

0:22:18.920 --> 0:22:22.480
<v Speaker 1>even did the on this point. I screw it, s

0:22:25.200 --> 0:22:32.680
<v Speaker 1>Sisto set. Now there's a guy on the race.

0:22:34.359 --> 0:22:36.240
<v Speaker 7>Oh god, oh ship.

0:22:40.640 --> 0:22:41.320
<v Speaker 2>In another wire?

0:22:41.400 --> 0:22:49.400
<v Speaker 8>Oh these guys wait, wait, wait, look down. The first

0:22:49.400 --> 0:22:51.840
<v Speaker 8>guy made it across the tract. The second guy wasn't

0:22:51.880 --> 0:22:54.320
<v Speaker 8>so lucky. That's gonna take a while to clean up.

0:23:03.119 --> 0:23:06.600
<v Speaker 4>Bonjour a, May I help you, Madame Velasta Phodor.

0:23:06.760 --> 0:23:08.040
<v Speaker 2>I'm meeting a guest for Tea.

0:23:08.840 --> 0:23:16.680
<v Speaker 9>He's just arrived right this way, ah, missus Phodor, Martin

0:23:16.760 --> 0:23:19.639
<v Speaker 9>Blanding Perman Next Industry is such a pleasure to finally

0:23:19.720 --> 0:23:20.000
<v Speaker 9>meet you.

0:23:20.960 --> 0:23:22.159
<v Speaker 10>Is Eugene not joining us?

0:23:22.800 --> 0:23:26.000
<v Speaker 2>He's not feeling well, resting back at the room. Do

0:23:26.040 --> 0:23:26.879
<v Speaker 2>you know my husband?

0:23:27.480 --> 0:23:28.000
<v Speaker 1>In truth?

0:23:28.119 --> 0:23:30.399
<v Speaker 10>For many years I knew Jan during the war, and

0:23:30.480 --> 0:23:33.000
<v Speaker 10>this was intended to be a surprise. I was his

0:23:33.080 --> 0:23:34.320
<v Speaker 10>commanding officer in fact.

0:23:34.800 --> 0:23:36.320
<v Speaker 2>Oh, so you knew Fabian too.

0:23:37.040 --> 0:23:40.000
<v Speaker 10>I did Fabian, and I thought we'd surprise Jean. But

0:23:40.119 --> 0:23:42.320
<v Speaker 10>the past days events clearly changed those plans.

0:23:42.720 --> 0:23:46.840
<v Speaker 2>Yes, it's awful. Sounds like you and Jane have a

0:23:46.920 --> 0:23:47.600
<v Speaker 2>long history.

0:23:48.000 --> 0:23:50.359
<v Speaker 10>I knew Jene's father as well. I served with him

0:23:50.400 --> 0:23:52.720
<v Speaker 10>in the OSS. He was a close friend and the

0:23:52.800 --> 0:23:55.879
<v Speaker 10>best geographer and strategist we had in intelligence. Did you

0:23:55.960 --> 0:23:58.480
<v Speaker 10>know he helped plan the Norman the invasion we'd even

0:23:58.560 --> 0:24:00.640
<v Speaker 10>chosen a different beach had to land in, pointed out

0:24:00.640 --> 0:24:04.240
<v Speaker 10>the geographical disadvantages. Without him, we might all be speaking

0:24:04.320 --> 0:24:04.840
<v Speaker 10>German now.

0:24:06.119 --> 0:24:08.639
<v Speaker 2>I wish I could have met Jean's father. He sounds

0:24:08.720 --> 0:24:11.000
<v Speaker 2>like an impressive man, as is your husband.

0:24:11.600 --> 0:24:13.720
<v Speaker 10>But please don't be mistaken. While I have a personal

0:24:13.760 --> 0:24:16.280
<v Speaker 10>connection to your husband, my company's interests in your travel

0:24:16.320 --> 0:24:20.040
<v Speaker 10>guides is purely professional. I truly believe with perm Index's help,

0:24:20.119 --> 0:24:22.440
<v Speaker 10>your travel guides can be on every bookshelf and every

0:24:22.480 --> 0:24:23.639
<v Speaker 10>hotel in the world.

0:24:24.280 --> 0:24:30.600
<v Speaker 2>I'm all yours. Oh, I'm so sorry, Jean. What's going on?

0:24:30.920 --> 0:24:34.359
<v Speaker 1>I was looking for you in the grandstand and then

0:24:34.359 --> 0:24:36.480
<v Speaker 1>you weren't in the room, so I got worried. But

0:24:36.840 --> 0:24:41.280
<v Speaker 1>I remembered you had the meeting Martin. What are you

0:24:41.359 --> 0:24:41.679
<v Speaker 1>doing here?

0:24:42.520 --> 0:24:44.000
<v Speaker 2>Martin is the new publisher.

0:24:44.720 --> 0:24:47.119
<v Speaker 10>Sorry, Jean, I meant to surprise you with Fabian. But

0:24:47.160 --> 0:24:49.240
<v Speaker 10>the truth is we've been watching the two of you

0:24:49.440 --> 0:24:53.480
<v Speaker 10>for years, and I see a tremendous opportunity with your company.

0:24:54.080 --> 0:24:56.160
<v Speaker 10>It's the jet set agent. People want to see the world.

0:24:56.480 --> 0:24:58.000
<v Speaker 10>Who better than the two of you to guide them.

0:24:58.720 --> 0:25:02.159
<v Speaker 2>He is authoring distribution, of course he is.

0:25:02.840 --> 0:25:06.000
<v Speaker 1>Martin's a great salesman. Yeah, just better make sure you

0:25:06.040 --> 0:25:09.679
<v Speaker 1>know what you're buying. Honey, would be so kind as

0:25:09.720 --> 0:25:12.160
<v Speaker 1>to let me speak with Martin privately. Just a couple

0:25:12.240 --> 0:25:14.520
<v Speaker 1>war buddies catching up, Gina.

0:25:14.960 --> 0:25:16.040
<v Speaker 2>Are you sure you're all right?

0:25:16.640 --> 0:25:19.040
<v Speaker 1>Perfectly fine. I'll meet you back at the hotel.

0:25:20.880 --> 0:25:25.000
<v Speaker 2>Boys will be boys. I guess a pleasure to meet you, Martin.

0:25:25.400 --> 0:25:26.800
<v Speaker 2>I look forward to next time.

0:25:27.080 --> 0:25:33.080
<v Speaker 1>Let's do it, my dear. You're a lucky man, I

0:25:33.240 --> 0:25:36.640
<v Speaker 1>know so what the hell are you doing? I said,

0:25:36.680 --> 0:25:37.399
<v Speaker 1>to keep her out of it.

0:25:37.600 --> 0:25:39.800
<v Speaker 10>Fabian and I were going to explain last night.

0:25:40.240 --> 0:25:43.960
<v Speaker 1>What that You've been manipulating us for months. I should

0:25:44.000 --> 0:25:46.640
<v Speaker 1>have know the moment I saw you. Fabian didn't invite

0:25:46.680 --> 0:25:48.600
<v Speaker 1>me here to see him. He invited me here to

0:25:48.640 --> 0:25:48.920
<v Speaker 1>see you.

0:25:49.119 --> 0:25:53.040
<v Speaker 10>You are extremely important to the CIA, Jean, Fabian and

0:25:53.080 --> 0:25:55.160
<v Speaker 10>I wanted to approach you together, but before we did,

0:25:55.280 --> 0:25:57.119
<v Speaker 10>I had to make sure you could see how this

0:25:57.240 --> 0:26:00.879
<v Speaker 10>relationship would be mutually beneficial. We have the capital and

0:26:00.920 --> 0:26:03.879
<v Speaker 10>the connections to build your books into a massive global brand.

0:26:04.400 --> 0:26:06.840
<v Speaker 10>I'm not only here asking for your help. I'm offering

0:26:06.880 --> 0:26:08.080
<v Speaker 10>to make your dreams a reality.

0:26:08.560 --> 0:26:11.280
<v Speaker 1>I told you last night, I'm not a spy.

0:26:11.480 --> 0:26:13.320
<v Speaker 10>You don't have to be. Just be who you are.

0:26:13.480 --> 0:26:16.760
<v Speaker 10>The greatest travel writer in the world. Think of it.

0:26:17.280 --> 0:26:20.760
<v Speaker 10>You speak multiple languages, understand cultures and customs, can move

0:26:20.840 --> 0:26:25.200
<v Speaker 10>freely and conduct surveillance without suspicion, have contacts around the world,

0:26:26.040 --> 0:26:28.480
<v Speaker 10>all the necessary ingredients for the perfect spy. All you

0:26:28.680 --> 0:26:31.439
<v Speaker 10>have to do is what you do best and.

0:26:31.680 --> 0:26:34.200
<v Speaker 1>End up like Fabian. I was almost killed today.

0:26:34.320 --> 0:26:38.080
<v Speaker 10>Fabian died for something he believed in. He believed in freedom.

0:26:38.160 --> 0:26:43.200
<v Speaker 10>He believed in democracy, he believed in you. This world

0:26:43.280 --> 0:26:46.000
<v Speaker 10>is on the brink of nuclear war, Gene. If that happens,

0:26:46.119 --> 0:26:46.920
<v Speaker 10>no one is safe.

0:26:47.359 --> 0:26:48.320
<v Speaker 1>And what about Vosta.

0:26:48.680 --> 0:26:51.119
<v Speaker 10>Last would never have to know, so you can focus

0:26:51.160 --> 0:26:53.720
<v Speaker 10>on growing your business safe and protected. She would have

0:26:54.000 --> 0:26:55.399
<v Speaker 10>everything she wants.

0:26:58.400 --> 0:27:03.080
<v Speaker 1>No. Thanks, appreciate the offer, but we're gonna have to decline.

0:27:03.560 --> 0:27:05.840
<v Speaker 1>Our business is doing just fine and we're not looking

0:27:05.880 --> 0:27:09.880
<v Speaker 1>at any complications. But here's your microfilm, and you'll find

0:27:09.880 --> 0:27:12.600
<v Speaker 1>Fabian's killer spread across that you came to port. Rebecca

0:27:12.680 --> 0:27:14.760
<v Speaker 1>can confirm both with you the film.

0:27:15.600 --> 0:27:16.720
<v Speaker 10>Jeane, you're a genius.

0:27:17.080 --> 0:27:20.160
<v Speaker 1>Fabian was the genius. I was just being a good friend.

0:27:21.200 --> 0:27:23.560
<v Speaker 1>From now on, stay away from me and my wife.

0:27:24.040 --> 0:27:26.880
<v Speaker 1>You need more help finding something in Monte Carlo. Buy

0:27:26.920 --> 0:27:28.200
<v Speaker 1>our guidebook, Jeane.

0:27:28.840 --> 0:27:31.520
<v Speaker 10>There's more you should know. It's about your father.

0:27:32.400 --> 0:27:37.760
<v Speaker 1>My father is dead. What if he wasn't? What manipulative bullshit?

0:27:37.840 --> 0:27:40.960
<v Speaker 10>Is this bullshit? Sit down and I'll show you. You

0:27:41.040 --> 0:27:43.360
<v Speaker 10>want to know what Fabian died for, Take this loop

0:27:43.400 --> 0:27:44.200
<v Speaker 10>and see for yourself.

0:27:48.000 --> 0:27:51.400
<v Speaker 1>I suppose I am curious. Tell me what you see.

0:27:53.560 --> 0:28:01.399
<v Speaker 1>It's a map London, incredibly detailed subway line, gas mains

0:28:01.560 --> 0:28:07.840
<v Speaker 1>bridge and tunnel schematics, military installations, diplomatic missions. Oh my god,

0:28:08.480 --> 0:28:09.879
<v Speaker 1>they're playing an attack on London.

0:28:10.119 --> 0:28:11.360
<v Speaker 10>Now look at the rest of the role.

0:28:13.000 --> 0:28:18.199
<v Speaker 1>More maps, more cities, Berlin, Rome, Paris, the.

0:28:18.240 --> 0:28:21.919
<v Speaker 10>KGB's next targets. These Pathfender maps are so top secret

0:28:21.960 --> 0:28:24.840
<v Speaker 10>any Soviet soldier who lost one would be shot on site.

0:28:25.240 --> 0:28:27.480
<v Speaker 10>I'm guessing Fabian wasn't the only one who died smuggling

0:28:27.520 --> 0:28:30.280
<v Speaker 10>them out. But Fabian didn't just die to share them

0:28:30.320 --> 0:28:32.000
<v Speaker 10>with the world. He died to share them with you.

0:28:33.200 --> 0:28:35.120
<v Speaker 10>Take a closer look at the key in the Berlin map,

0:28:35.680 --> 0:28:36.240
<v Speaker 10>the symbols.

0:28:38.400 --> 0:28:42.560
<v Speaker 1>There's a discrepancy in the symbology, all right, someone hit

0:28:42.680 --> 0:28:49.240
<v Speaker 1>letters initials. My father's initials his secret signature. He and

0:28:49.320 --> 0:28:52.000
<v Speaker 1>I developed it during the war to verify the authenticity

0:28:52.120 --> 0:28:56.880
<v Speaker 1>of classified documents. Is this a trick? My father was

0:28:56.960 --> 0:28:59.000
<v Speaker 1>killed in a bombing rate outside Munich. They buried his

0:28:59.080 --> 0:29:00.400
<v Speaker 1>body with military.

0:29:00.480 --> 0:29:02.240
<v Speaker 10>That's what the Soviets wanted us to believe.

0:29:02.920 --> 0:29:05.800
<v Speaker 1>He's still alive. You think he's the Pathfinder.

0:29:06.640 --> 0:29:08.600
<v Speaker 10>In truth, we suspected it for years, but never had

0:29:08.640 --> 0:29:10.880
<v Speaker 10>the proof until now. I'm sorry to have to tell

0:29:10.920 --> 0:29:14.160
<v Speaker 10>you like this Gene, you can't be serious. Towards the

0:29:14.240 --> 0:29:16.560
<v Speaker 10>end of the war, the OSS ran a program called

0:29:16.600 --> 0:29:19.640
<v Speaker 10>Operation paper Clip to bring the best Nazi scientists and

0:29:19.720 --> 0:29:22.520
<v Speaker 10>nuclear engineers to America to prevent their knowledge from getting

0:29:22.520 --> 0:29:25.719
<v Speaker 10>into Soviet hands. You believe your father was recruited by

0:29:25.800 --> 0:29:27.920
<v Speaker 10>the Soviets in a similar operation as a means to

0:29:27.960 --> 0:29:29.960
<v Speaker 10>gain a strategic military advantage.

0:29:30.960 --> 0:29:34.120
<v Speaker 1>My father was a hero. He helped the Allies win

0:29:34.200 --> 0:29:34.480
<v Speaker 1>the war.

0:29:34.640 --> 0:29:37.560
<v Speaker 10>He was Jane, but he's also been at the center

0:29:37.640 --> 0:29:40.320
<v Speaker 10>of every communist revolution in the past fifteen years.

0:29:40.400 --> 0:29:40.920
<v Speaker 1>It's a lie.

0:29:42.040 --> 0:29:44.760
<v Speaker 10>Fabian thought you'd say that he knew how much you

0:29:44.840 --> 0:29:47.280
<v Speaker 10>loved your father and how hard this would be. He

0:29:47.400 --> 0:29:50.080
<v Speaker 10>only agreed to approach you once we had the evidence.

0:29:50.920 --> 0:29:53.160
<v Speaker 10>Fabian sacrificed his life so you would know the truth.

0:29:54.240 --> 0:29:56.200
<v Speaker 10>No one understands these maps or the man who made

0:29:56.200 --> 0:29:59.440
<v Speaker 10>them better than you. Help us bring him in, Gene,

0:30:00.400 --> 0:30:01.560
<v Speaker 10>help us win this war.

0:30:05.680 --> 0:30:10.360
<v Speaker 1>Oh man, you're good Martin. You always know just the

0:30:10.560 --> 0:30:17.440
<v Speaker 1>right buttons to press. Fine, I'll help, but if I

0:30:17.520 --> 0:30:20.640
<v Speaker 1>do this, I do it on my terms. No handlers,

0:30:20.880 --> 0:30:24.040
<v Speaker 1>no bureaucracy. I work with you and you alone, and

0:30:24.120 --> 0:30:27.680
<v Speaker 1>I want Vlosta protected. You have my word, and if

0:30:27.680 --> 0:30:31.840
<v Speaker 1>you're right, we bring my father in alive. No court martial,

0:30:32.080 --> 0:30:34.600
<v Speaker 1>no military tribunal. He gets a fair trial and a

0:30:34.640 --> 0:30:39.400
<v Speaker 1>court of law agreed. Good, and I have some other

0:30:39.440 --> 0:30:41.040
<v Speaker 1>conditions too. You might want to get a pen.

0:30:42.400 --> 0:30:44.720
<v Speaker 2>Glad to see they're not scraping you off of turn four.

0:30:45.120 --> 0:30:47.920
<v Speaker 2>I'mlike our assassin, Becca, you are right.

0:30:48.560 --> 0:30:50.160
<v Speaker 1>I checked back at the room. You weren't there.

0:30:50.280 --> 0:30:52.480
<v Speaker 2>I was just dealing with the authorities. They're calling it

0:30:52.560 --> 0:30:55.880
<v Speaker 2>a suicide to avoid frightening the tourists and the precess

0:30:55.960 --> 0:30:57.920
<v Speaker 2>too focused on the Grand prix to care good.

0:30:58.560 --> 0:31:01.600
<v Speaker 10>But unfortunately, without the evidence imminent Soviet threat, the NATO

0:31:01.640 --> 0:31:05.080
<v Speaker 10>officials refuse to sign the peace treaty. Without Fabian's intelligence,

0:31:05.560 --> 0:31:07.440
<v Speaker 10>there's no way to convince them. But now we have

0:31:07.560 --> 0:31:09.560
<v Speaker 10>the maps, yes, and I'm gonna need you to deliver

0:31:09.640 --> 0:31:10.360
<v Speaker 10>them to MI six.

0:31:10.440 --> 0:31:14.000
<v Speaker 2>Immediately pack your bags, Eugene, We're heading to London.

0:31:25.240 --> 0:31:26.720
<v Speaker 7>Wait, hold the train.

0:31:27.520 --> 0:31:30.480
<v Speaker 2>Where the hell have you been? The train's about to leave.

0:31:31.160 --> 0:31:35.280
<v Speaker 1>Sorry, got delayed, but I picked up some reading material

0:31:35.360 --> 0:31:37.280
<v Speaker 1>for the trip. Check this out.

0:31:39.360 --> 0:31:41.120
<v Speaker 2>You got the contract from Martin.

0:31:41.800 --> 0:31:44.760
<v Speaker 1>It's everything. We've been working for the money to set

0:31:44.840 --> 0:31:47.640
<v Speaker 1>up an office in New York, hire more writers, expand

0:31:47.680 --> 0:31:53.400
<v Speaker 1>to South America, Africa, the Far East, worldwide distribution. You're right,

0:31:54.120 --> 0:31:57.040
<v Speaker 1>this is the chance to build a global brand. But

0:31:57.440 --> 0:31:59.040
<v Speaker 1>only if my partner agrees.

0:32:00.720 --> 0:32:03.960
<v Speaker 2>Yes, yes, yes, you won't regret this gene. It's going

0:32:04.040 --> 0:32:08.280
<v Speaker 2>to change everything. Come on, let's get on board.

0:32:15.760 --> 0:32:19.680
<v Speaker 1>Why do we travel? What compels us to the next horizon?

0:32:20.920 --> 0:32:25.160
<v Speaker 1>Is it the desire to escape, to discover, to reinvent?

0:32:26.400 --> 0:32:28.040
<v Speaker 1>Or are we just in search of something we can

0:32:28.120 --> 0:32:33.280
<v Speaker 1>never find. Travel takes us places we've never been, introduces

0:32:33.440 --> 0:32:38.360
<v Speaker 1>new tastes, new sights, new sounds. But travel is never

0:32:38.400 --> 0:32:42.960
<v Speaker 1>about losing yourself. It's about finding yourself. For we can

0:32:43.080 --> 0:32:45.440
<v Speaker 1>travel to the furthest corners of the earth in search

0:32:45.520 --> 0:32:48.680
<v Speaker 1>of what we need, but we must return home to

0:32:48.800 --> 0:32:49.120
<v Speaker 1>find it.

0:32:56.520 --> 0:33:00.800
<v Speaker 11>Fodor's Guide to Espionage is created by Lars Jacobson, written

0:33:00.880 --> 0:33:05.280
<v Speaker 11>by Lars Jacobson and Sabrina Jaglam, and directed by Sabrina Jaglam,

0:33:05.840 --> 0:33:09.760
<v Speaker 11>Produced by Lars Jacobson and Sabrina Jaglam, and executive produced

0:33:09.760 --> 0:33:13.880
<v Speaker 11>by Noel Brown for iHeart Radio. Fodor's Guide to Espionage

0:33:13.920 --> 0:33:18.160
<v Speaker 11>stars Ethan Korn as Eugene Fodor, Leliah Symington as Vlasta

0:33:18.240 --> 0:33:23.120
<v Speaker 11>Fodor and Jackie Emerson as Rebecca Ralston, with additional performances

0:33:23.160 --> 0:33:29.080
<v Speaker 11>by Chase Mullens, George Rivera, Matt Linton, Dylan McCollum, Gabe Greenspan,

0:33:29.400 --> 0:33:34.920
<v Speaker 11>Chris Cappel, Duncan Kaladine Dana Melanie, Alex Gombadi, Noam Thomashoff,

0:33:35.160 --> 0:33:39.239
<v Speaker 11>Katrina Aaron, and Simon Jacklain. Sound design and editing by

0:33:39.400 --> 0:33:43.840
<v Speaker 11>Chris Childs. Original theme song by Jack Blavelt and Chris Childs,

0:33:43.960 --> 0:33:48.640
<v Speaker 11>with additional scoring by Chris Childs. Sound engineering by Chris Sek.

0:33:49.360 --> 0:33:53.160
<v Speaker 11>Fodor's Guide to Espionage is an iHeart Radio production. For

0:33:53.280 --> 0:33:57.960
<v Speaker 11>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:33:58.200 --> 0:33:59.640
<v Speaker 11>or wherever you get your podcasts,