1 00:00:08,960 --> 00:00:12,920 Speaker 1: Monaco is the playground of the wealthy and privileged. Packed 2 00:00:12,960 --> 00:00:16,200 Speaker 1: in less than a square mile of glistening coastline, It 3 00:00:16,320 --> 00:00:19,000 Speaker 1: is one of the densest populations in the world while 4 00:00:19,040 --> 00:00:22,720 Speaker 1: also possessing the most millionaires per capita. A place where 5 00:00:22,760 --> 00:00:26,360 Speaker 1: you literally rub elbows with the rich and famous. But 6 00:00:26,400 --> 00:00:28,720 Speaker 1: there are two truths I've learned over my many years 7 00:00:28,720 --> 00:00:32,040 Speaker 1: of globe trotting. One you don't have to be rich 8 00:00:32,200 --> 00:00:35,800 Speaker 1: to travel well. And two, travel is the only thing 9 00:00:35,800 --> 00:00:38,600 Speaker 1: you can spend money on that actually makes you richer. 10 00:00:39,560 --> 00:00:43,120 Speaker 1: So travel before it's too late, far and wide, early, 11 00:00:43,200 --> 00:00:47,400 Speaker 1: and often alone and with friends. Don't be that person 12 00:00:47,400 --> 00:00:49,600 Speaker 1: who's too busy when you're young and then too tired 13 00:00:49,600 --> 00:00:53,320 Speaker 1: when you're old. Your money will return, your time won't, 14 00:00:53,920 --> 00:00:57,000 Speaker 1: and we're all too quickly approaching that final destination. 15 00:01:02,040 --> 00:01:05,160 Speaker 2: I'm sorry about your friend, Jane. I didn't have the 16 00:01:05,240 --> 00:01:07,440 Speaker 2: chance to meet Fabian, but he was a valued asset 17 00:01:07,440 --> 00:01:11,080 Speaker 2: and a brave man. He gave his life to secure 18 00:01:11,080 --> 00:01:14,240 Speaker 2: that microphone. We're gonna make sure his death was not 19 00:01:14,319 --> 00:01:19,200 Speaker 2: in vain. Fortunately we have a lead. The assassin knocked 20 00:01:19,240 --> 00:01:21,560 Speaker 2: over an elderly janitor during his escape. 21 00:01:22,040 --> 00:01:23,320 Speaker 1: Was he able to id the killer. 22 00:01:23,720 --> 00:01:26,920 Speaker 2: He's refusing to speak to authorities. Casino Securities holding Hi 23 00:01:26,959 --> 00:01:29,760 Speaker 2: until the police arrived, but Martin got us access to 24 00:01:29,800 --> 00:01:32,720 Speaker 2: speak with him. Martin told me you were the best 25 00:01:32,760 --> 00:01:34,480 Speaker 2: interrogator he had during the war. 26 00:01:34,959 --> 00:01:36,119 Speaker 1: That was a long time ago. 27 00:01:36,440 --> 00:01:38,120 Speaker 2: No, I'm sure it's like riding a bicycle. 28 00:01:39,160 --> 00:01:41,440 Speaker 1: You seem awfully young for this type of work. How 29 00:01:41,480 --> 00:01:42,039 Speaker 1: old are you? 30 00:01:43,000 --> 00:01:46,440 Speaker 2: Let me guess, what's a smart, attractive girl like you 31 00:01:46,520 --> 00:01:48,840 Speaker 2: doing in a job like this? What should I be 32 00:01:48,840 --> 00:01:50,400 Speaker 2: barefoot and pregnant somewhere instead? 33 00:01:51,080 --> 00:01:53,640 Speaker 1: You clearly haven't met my wife. I've got no problem 34 00:01:53,680 --> 00:01:56,840 Speaker 1: with women in the workplace. I mean, why the CIA. 35 00:01:57,520 --> 00:01:59,320 Speaker 2: Maybe I wanted to see the world and meet new 36 00:01:59,360 --> 00:02:03,080 Speaker 2: and interesting peace who want to kill you? Occupational hazard? 37 00:02:03,480 --> 00:02:06,360 Speaker 1: I'm guessing Martin didn't find you at finishing school. How'd 38 00:02:06,360 --> 00:02:08,639 Speaker 1: you two meet the Peace Corps? 39 00:02:08,880 --> 00:02:12,960 Speaker 2: Actually, I was looking to change the world. Martin offered 40 00:02:13,000 --> 00:02:13,959 Speaker 2: me that chance. 41 00:02:14,360 --> 00:02:15,519 Speaker 1: A slight contradiction. 42 00:02:16,200 --> 00:02:20,880 Speaker 2: The world is filled with contradictions. My parents worked for 43 00:02:20,919 --> 00:02:23,160 Speaker 2: the Red Cross, so I grew up on the road 44 00:02:23,240 --> 00:02:27,480 Speaker 2: like you. When I was seven, I caught the Measles 45 00:02:28,040 --> 00:02:31,320 Speaker 2: say to leave me behind. Their ocean liner hit an 46 00:02:31,360 --> 00:02:35,080 Speaker 2: iceberg in the North Atlantic and sank, killing everybody on board, 47 00:02:35,760 --> 00:02:37,000 Speaker 2: including my brother and sister. 48 00:02:39,040 --> 00:02:41,079 Speaker 1: I'm sorry, that's horrible. 49 00:02:42,320 --> 00:02:45,880 Speaker 2: Martin was a friend of the family. After I graduated college, 50 00:02:45,880 --> 00:02:48,880 Speaker 2: he showed me evidence that the ship did not hit 51 00:02:48,919 --> 00:02:53,480 Speaker 2: an iceberg but a Soviet torpedo. The KGB covered the 52 00:02:53,480 --> 00:02:55,360 Speaker 2: whole incident up and the rest of the world didn't 53 00:02:55,400 --> 00:02:59,120 Speaker 2: want to start World War three over it. My entire 54 00:02:59,120 --> 00:03:02,960 Speaker 2: family was murder trying to save lives. How's that for contradiction. 55 00:03:04,720 --> 00:03:08,839 Speaker 1: We're taking y'all have our motivations, and Martin is great 56 00:03:08,840 --> 00:03:11,880 Speaker 1: at finding them. Speaking of what do we know about 57 00:03:11,880 --> 00:03:12,320 Speaker 1: the witness. 58 00:03:13,400 --> 00:03:17,959 Speaker 2: He's an undocumented worker, no paperwork or ID. It's probably 59 00:03:18,040 --> 00:03:20,800 Speaker 2: too scared to speak to the authorities. We're holding him 60 00:03:20,800 --> 00:03:21,440 Speaker 2: in a private room. 61 00:03:23,360 --> 00:03:45,040 Speaker 3: Causino Montlo, keep the change, I see, state your business 62 00:03:45,880 --> 00:03:47,680 Speaker 3: Martin's ANDAs MHM. 63 00:03:56,720 --> 00:03:58,160 Speaker 2: Has he said anything yet not? 64 00:03:58,320 --> 00:04:01,120 Speaker 3: The world just listens to the I. 65 00:04:01,200 --> 00:04:04,400 Speaker 2: Appreciate you babysitting. Why don't you boys step outside for 66 00:04:04,480 --> 00:04:06,120 Speaker 2: a cigarette while we talk to the gentleman. 67 00:04:06,760 --> 00:04:15,240 Speaker 3: Yes, sire, Cherie hele Vien, he's all yours. 68 00:04:15,320 --> 00:04:22,440 Speaker 1: Jane, good evening, sir. My name's Geen. I'm here to 69 00:04:22,480 --> 00:04:30,320 Speaker 1: ask you a few questions. Do you speak English, Deutsch, Galliano, 70 00:04:31,000 --> 00:04:36,400 Speaker 1: cattle in all right? Perhaps you need a little encouragement. 71 00:04:39,560 --> 00:04:41,239 Speaker 2: Isn't a knife a little rush? 72 00:04:41,440 --> 00:04:43,800 Speaker 1: Are not looking for a knife? Looking for this? 73 00:04:45,160 --> 00:04:45,640 Speaker 2: A bottle? 74 00:04:45,720 --> 00:04:48,159 Speaker 1: Opener, Hand me that bottle. It's probably nothing to write 75 00:04:48,200 --> 00:04:50,320 Speaker 1: home about, but I doubt anyone will miss it. But 76 00:04:50,480 --> 00:04:53,760 Speaker 1: nothing stimulates conversation like a glass of wine. I once 77 00:04:53,800 --> 00:04:56,400 Speaker 1: got an SS officer to confess his battalion's position over 78 00:04:56,400 --> 00:05:21,120 Speaker 1: a nice Cabernet wine. Fine wont graci yine yine, yine yine, Yes, 79 00:05:21,240 --> 00:05:23,800 Speaker 1: of course, Rebecca. Check his out left forearm. 80 00:05:29,360 --> 00:05:34,440 Speaker 2: There's a tattoo a number. He was in a concentration camp. 81 00:05:34,760 --> 00:05:39,000 Speaker 1: Nobody has made poor through charity. Sadakatuka? 82 00:05:40,360 --> 00:05:41,080 Speaker 2: What does that mean? 83 00:05:41,560 --> 00:05:44,840 Speaker 1: It's a Yiddish proverb. He's speaking Schwadiit a mixture of 84 00:05:44,880 --> 00:05:47,880 Speaker 1: Hebrew and the local Oxetan dialect. It was spoken by 85 00:05:47,960 --> 00:05:50,080 Speaker 1: French Jews in the region for hundreds of years, but 86 00:05:50,240 --> 00:05:52,400 Speaker 1: now it's mostly a dead language after the Nazis wiped 87 00:05:52,400 --> 00:05:56,360 Speaker 1: out entire villages. This man's not a hostile witness, just 88 00:05:56,400 --> 00:05:59,400 Speaker 1: scared and confused. Give me five minutes alone with him 89 00:05:59,400 --> 00:05:59,960 Speaker 1: and I'll see what he knows. 90 00:06:00,600 --> 00:06:02,680 Speaker 2: He's all yours. I'll be outside. 91 00:06:09,400 --> 00:06:10,840 Speaker 1: If every single retins, there. 92 00:06:11,040 --> 00:06:14,240 Speaker 2: Shouldn't be much longer. Mind if I buy a smoke 93 00:06:26,000 --> 00:06:31,919 Speaker 2: messy done already it was. 94 00:06:31,920 --> 00:06:34,760 Speaker 1: A middle aged white male, medium height, blonde hair, blue eyes, 95 00:06:34,800 --> 00:06:37,080 Speaker 1: and a hairlip. Take that to the authorities and have 96 00:06:37,160 --> 00:06:38,000 Speaker 1: them scour the city. 97 00:06:38,600 --> 00:06:41,160 Speaker 2: There's not enough manpower and we don't have enough time. 98 00:06:41,800 --> 00:06:44,080 Speaker 2: There's less than two thousand locals in Monte Carlo, but 99 00:06:44,480 --> 00:06:47,280 Speaker 2: over fifty thousand tourists visiting for the Grand Prix. So 100 00:06:47,400 --> 00:06:50,040 Speaker 2: I bet he's hiding in the tourist population. It's a 101 00:06:50,120 --> 00:06:51,120 Speaker 2: needle in a haystack. 102 00:06:51,640 --> 00:06:53,560 Speaker 1: I've got an idea how we can cover more territory. 103 00:06:53,960 --> 00:06:57,480 Speaker 1: Follow me, where are we going to consult? My own sources. 104 00:07:11,640 --> 00:07:14,200 Speaker 1: For any traveler, it's easy to get lost in the 105 00:07:14,280 --> 00:07:17,120 Speaker 1: bright lights of a new city, to be seduced by 106 00:07:17,160 --> 00:07:20,640 Speaker 1: the security and comforts of the straight and narrow. But 107 00:07:20,800 --> 00:07:23,840 Speaker 1: to truly discover a place, you must be willing to 108 00:07:23,960 --> 00:07:28,240 Speaker 1: leave the beaten path and explore the darker corners, because 109 00:07:28,280 --> 00:07:32,239 Speaker 1: the greatest secrets are always hidden in the most unlikely places. 110 00:07:37,240 --> 00:07:40,200 Speaker 1: A premois la de LUGEI. 111 00:07:46,360 --> 00:07:48,640 Speaker 2: Wow, what is this? 112 00:07:48,920 --> 00:07:53,280 Speaker 1: Place, the Pompadil, greatest speakeasy in Monte Carlo, where the 113 00:07:53,280 --> 00:07:57,040 Speaker 1: people that really run this city come to play. The valets, waiters, 114 00:07:57,160 --> 00:08:01,520 Speaker 1: bus boys, pool boys, bartenders and cabaret dancers. They're the 115 00:08:01,560 --> 00:08:03,880 Speaker 1: first to know anything, and the best at keeping secrets. 116 00:08:04,120 --> 00:08:06,480 Speaker 2: Isn't that the waiter from the hotel sure is. 117 00:08:10,880 --> 00:08:13,640 Speaker 1: Escuse him, Dominique. Can I speak with you a moment, 118 00:08:13,960 --> 00:08:17,960 Speaker 1: Monsieur d'Or. Of course, we were just toasting in fabian zoo. 119 00:08:18,720 --> 00:08:21,600 Speaker 1: He's a tragedy felt by all of us. That's why 120 00:08:21,600 --> 00:08:25,240 Speaker 1: I'm here. A witness saw white male, blonde hair, blue 121 00:08:25,280 --> 00:08:27,960 Speaker 1: eyes and a hairlift leave the murder scene. We think 122 00:08:27,960 --> 00:08:30,640 Speaker 1: he's hiding amongst the tourists, so I figured i'd ask 123 00:08:30,680 --> 00:08:32,959 Speaker 1: the eyes and ears of the city if anyone could 124 00:08:33,000 --> 00:08:34,640 Speaker 1: find him. It's the people in this room. 125 00:08:34,920 --> 00:08:35,920 Speaker 2: We give me. 126 00:08:43,760 --> 00:08:43,920 Speaker 3: Yes. 127 00:08:44,000 --> 00:08:45,720 Speaker 2: It helps to know people in low places. 128 00:08:46,040 --> 00:08:48,839 Speaker 1: The service industry is the backbone of this city. They 129 00:08:48,920 --> 00:08:55,079 Speaker 1: find what falls between the cracks. Monsieur d'Or. Fancois works 130 00:08:55,160 --> 00:08:57,480 Speaker 1: valet at the hotel Armitage, and he's seen a man 131 00:08:57,559 --> 00:09:00,959 Speaker 1: staying there that feeds the description. Thank you, Monique, can 132 00:09:01,040 --> 00:09:04,439 Speaker 1: I offer oh? It is a pleasure just bring Fabian's 133 00:09:04,480 --> 00:09:05,440 Speaker 1: killer to justice. 134 00:09:08,040 --> 00:09:10,760 Speaker 2: Impressive lead. Let's head straight to the Amitage. 135 00:09:11,160 --> 00:09:14,440 Speaker 1: Why us, you've got an ID and a location. Call 136 00:09:14,480 --> 00:09:17,800 Speaker 1: the Monico police and have them search the hotel so they. 137 00:09:17,679 --> 00:09:19,800 Speaker 2: Can screw it up and scare them off, and based 138 00:09:19,840 --> 00:09:23,600 Speaker 2: on what evidence the word of a drunk valet. Sorry, Jean, 139 00:09:23,880 --> 00:09:26,240 Speaker 2: We're not done yet, not by a long shot. 140 00:09:46,120 --> 00:09:48,480 Speaker 1: We're here, So what's the plan. 141 00:09:49,120 --> 00:09:52,880 Speaker 2: Find out his room number, confirm his identity, make the arrest. 142 00:09:53,800 --> 00:09:56,440 Speaker 1: I know the Hermitage night manager. He's a real stuck up, 143 00:09:56,480 --> 00:09:59,840 Speaker 1: self important asshole. Don't expect any cooperation from him. 144 00:10:00,080 --> 00:10:04,040 Speaker 2: Oh don't worry. I've got my own means of persuasion, 145 00:10:04,120 --> 00:10:05,920 Speaker 2: and it doesn't require a bottle of wine. 146 00:10:06,600 --> 00:10:08,920 Speaker 1: In that case, I volunteer to stake out the bar. 147 00:10:09,640 --> 00:10:10,559 Speaker 1: You'll know where to find me. 148 00:10:18,800 --> 00:10:19,840 Speaker 2: Bon soolie, madame? 149 00:10:20,040 --> 00:10:20,880 Speaker 1: How many sist to do? 150 00:10:21,200 --> 00:10:24,160 Speaker 2: Hi there, I'm looking for my husband and I was 151 00:10:24,240 --> 00:10:25,160 Speaker 2: hoping you could help. 152 00:10:25,679 --> 00:10:27,960 Speaker 1: Of course, what this this nana and room numbell? Oh? 153 00:10:27,960 --> 00:10:31,160 Speaker 2: Well, that's just the thing. I'm his wife and I 154 00:10:31,360 --> 00:10:34,280 Speaker 2: know he's here, but probably checked in under a different 155 00:10:34,360 --> 00:10:39,719 Speaker 2: name because he is with her. Hmm. Tall, blonde hair, 156 00:10:39,800 --> 00:10:42,719 Speaker 2: blue eyes, hairly, if you would just direct me to 157 00:10:42,880 --> 00:10:47,160 Speaker 2: his room, I would be so grateful. I'm a real 158 00:10:47,240 --> 00:10:48,040 Speaker 2: generous tipper. 159 00:10:49,440 --> 00:10:51,079 Speaker 1: That's very generous, madame. 160 00:10:51,120 --> 00:10:53,640 Speaker 4: But it is strictly against hotel policy to reveal the 161 00:10:53,760 --> 00:10:54,160 Speaker 4: room number. 162 00:10:54,320 --> 00:10:56,360 Speaker 2: I guess then why don't you just let me take 163 00:10:56,400 --> 00:10:57,400 Speaker 2: a peek at the guest list? 164 00:10:57,679 --> 00:11:00,280 Speaker 1: Impossibly in Paul See. 165 00:11:02,840 --> 00:11:05,839 Speaker 2: I'm sorry, I don't know what's coming in to me. 166 00:11:06,440 --> 00:11:09,800 Speaker 2: I've just traveled all this way and I know he's here, 167 00:11:09,920 --> 00:11:12,719 Speaker 2: and so I would I would hate to see him 168 00:11:12,800 --> 00:11:13,840 Speaker 2: in the lobby of this. 169 00:11:14,480 --> 00:11:17,280 Speaker 5: Of this beautiful hotel and and you know, make a 170 00:11:17,400 --> 00:11:20,439 Speaker 5: scene or something like that, because because if I see 171 00:11:20,520 --> 00:11:24,120 Speaker 5: him with her, I'm just gonna start yelling and screaming 172 00:11:24,200 --> 00:11:25,800 Speaker 5: and oh my god, the Lord. 173 00:11:25,720 --> 00:11:27,880 Speaker 1: Knows what I might to my dam Please conduct. 174 00:11:27,920 --> 00:11:29,040 Speaker 2: Oh you don't want to seem like that in the 175 00:11:29,080 --> 00:11:33,520 Speaker 2: middle of your swanky, fancy little hotel, do you, or 176 00:11:33,559 --> 00:11:36,640 Speaker 2: are you protecting them? 177 00:11:37,960 --> 00:11:43,160 Speaker 6: Is that what men like you do protect other cheated, 178 00:11:43,640 --> 00:11:48,480 Speaker 6: scumback assholes who come here to this fancy hotel hot 179 00:11:48,559 --> 00:11:52,800 Speaker 6: in their horse Well, you profit on the misery of others, madam. 180 00:11:52,880 --> 00:11:55,960 Speaker 4: Please, I would desist you if I could, but hotel 181 00:11:56,000 --> 00:11:59,640 Speaker 4: policy strictly prevents me from conducting such actions, regardless of 182 00:11:59,720 --> 00:12:02,800 Speaker 4: my no desios not to mention. We have hundreds of 183 00:12:02,840 --> 00:12:04,880 Speaker 4: guests here at a hotel, and I have not seen 184 00:12:05,000 --> 00:12:07,640 Speaker 4: the gentleman in question. I must ask you to lead 185 00:12:07,640 --> 00:12:10,400 Speaker 4: the establishment. I'll be forced to call hotel security to 186 00:12:10,559 --> 00:12:11,080 Speaker 4: escort you out. 187 00:12:13,160 --> 00:12:23,679 Speaker 1: Fridge, did you find him? 188 00:12:24,360 --> 00:12:28,120 Speaker 2: You're right? That manager's a total asshole. Is guarding the 189 00:12:28,200 --> 00:12:29,560 Speaker 2: guest list like Fort Knox. 190 00:12:30,240 --> 00:12:33,480 Speaker 1: So your feminine wiles have failed. Got a plan? 191 00:12:33,640 --> 00:12:37,120 Speaker 2: B Well, I guess if we can't get to him, 192 00:12:37,760 --> 00:12:38,959 Speaker 2: he'll just have to come to us. 193 00:12:39,800 --> 00:12:41,120 Speaker 1: And how are we going to do that? 194 00:12:41,880 --> 00:12:43,480 Speaker 2: Let me know if the bartender turns around. 195 00:12:44,679 --> 00:12:47,440 Speaker 1: You can't be serious. Not the fire alarm. 196 00:12:49,600 --> 00:12:49,760 Speaker 5: Right? 197 00:12:50,080 --> 00:12:50,439 Speaker 7: Follow me? 198 00:12:50,880 --> 00:12:52,959 Speaker 2: If he's here, we'll see him. Used to hear and 199 00:12:53,000 --> 00:12:55,560 Speaker 2: watch the entrance. I'm gonna go check the other fire exits. 200 00:12:56,240 --> 00:12:59,600 Speaker 1: Wait or there the guy in the tuxedo leaving the stairwell. 201 00:12:59,640 --> 00:13:00,440 Speaker 1: He fits description? 202 00:13:00,800 --> 00:13:05,160 Speaker 2: Holy shit, that's him. Where's it going in such a hurry? 203 00:13:05,720 --> 00:13:07,640 Speaker 1: Why don't you arrest him and find out? 204 00:13:08,240 --> 00:13:11,040 Speaker 2: Very funny? Come on, let's follow him. Looks like he's 205 00:13:11,040 --> 00:13:11,840 Speaker 2: heading for the casino. 206 00:13:20,080 --> 00:13:20,800 Speaker 1: Did we lose him? 207 00:13:21,400 --> 00:13:21,559 Speaker 8: There? 208 00:13:21,600 --> 00:13:22,960 Speaker 2: He is by the roulette table. 209 00:13:23,160 --> 00:13:24,480 Speaker 1: Looks like he's placing some bets. 210 00:13:24,520 --> 00:13:27,719 Speaker 2: Let's get a closer look, would you. 211 00:13:28,200 --> 00:13:32,640 Speaker 1: He's betting on twelve different numbers, No more bits. Why 212 00:13:32,640 --> 00:13:33,599 Speaker 1: are you staring like that? 213 00:13:33,720 --> 00:13:36,280 Speaker 2: I memorizing the numbers. They must mean something. 214 00:13:36,880 --> 00:13:38,800 Speaker 1: Just so happens. I've got a photographic memory. 215 00:13:40,800 --> 00:13:43,960 Speaker 7: Twelve winner, he won? 216 00:13:44,720 --> 00:13:45,160 Speaker 1: Where'd he go? 217 00:13:45,440 --> 00:13:45,720 Speaker 4: Shit? 218 00:13:46,240 --> 00:13:48,840 Speaker 2: I was too distracted by the numbers. Go check the bathroom. 219 00:13:48,880 --> 00:13:54,320 Speaker 2: I'll cover the exit. Hoad on, hold on, excuse him? 220 00:13:54,360 --> 00:13:54,400 Speaker 7: What? 221 00:13:58,640 --> 00:14:00,640 Speaker 1: Ah, wow, my dam have a wonderful leaving. 222 00:14:00,920 --> 00:14:03,480 Speaker 2: Excuse me. I'm looking for my brother. He is a 223 00:14:03,600 --> 00:14:05,640 Speaker 2: medical condition and I think he may have just come 224 00:14:05,720 --> 00:14:08,360 Speaker 2: by here. He's tall, blonde in a tuxedo. 225 00:14:09,120 --> 00:14:15,880 Speaker 1: No, ma, dam I'm sorry. Shit, shit, nothing in the bathroom, 226 00:14:16,360 --> 00:14:17,040 Speaker 1: no sign of him. 227 00:14:17,200 --> 00:14:18,200 Speaker 2: Damn it. We lost him. 228 00:14:18,360 --> 00:14:20,480 Speaker 1: What kind of guy leaves a roulette game without collecting 229 00:14:20,520 --> 00:14:20,880 Speaker 1: his winnings? 230 00:14:20,920 --> 00:14:23,720 Speaker 2: A guy who's after bigger prizes. Those numbers were a 231 00:14:23,880 --> 00:14:27,280 Speaker 2: signaling meant something more important to him than money. It 232 00:14:27,320 --> 00:14:30,360 Speaker 2: could be anything phone number, bank account, passport, or cipher 233 00:14:30,440 --> 00:14:31,120 Speaker 2: to some encryption. 234 00:14:32,720 --> 00:14:33,160 Speaker 7: So now what. 235 00:14:35,720 --> 00:14:39,520 Speaker 2: Now? You go home to VLASTA. It's late and we 236 00:14:39,560 --> 00:14:43,120 Speaker 2: don't want your wife getting suspicious do we I'm gonna 237 00:14:43,160 --> 00:14:45,320 Speaker 2: go back to case the hotel than reporting to Martin. 238 00:14:45,840 --> 00:14:48,800 Speaker 2: He won't be happy. No microfilm to share with the 239 00:14:48,880 --> 00:14:51,480 Speaker 2: NATO Allies tomorrow, and the killer is still on the loose. 240 00:15:04,400 --> 00:15:08,160 Speaker 1: First staged in nineteen twenty nine, the Monaco Grand Prix 241 00:15:08,360 --> 00:15:11,600 Speaker 1: is the premiere motor sporting event in the world. Twenty 242 00:15:11,720 --> 00:15:15,720 Speaker 1: racers who pilot the pinnacle and automotive innovation, speeding through 243 00:15:15,720 --> 00:15:19,560 Speaker 1: the streets of the Principality at breakneck speeds, rocketing around 244 00:15:19,600 --> 00:15:22,960 Speaker 1: the two mile course through hairpin turns and high speed 245 00:15:23,000 --> 00:15:26,080 Speaker 1: tunnels to cross the finish line and win the checkered flag. 246 00:15:26,800 --> 00:15:29,280 Speaker 1: The first to complete the seventy eight laps around the 247 00:15:29,360 --> 00:15:32,160 Speaker 1: course won't just stand on a victor's podium, but will 248 00:15:32,160 --> 00:15:35,440 Speaker 1: be escorted from their vehicle directly to the Royal Box, 249 00:15:35,840 --> 00:15:38,240 Speaker 1: where they will receive the golden trophy from the Prince 250 00:15:38,320 --> 00:15:42,400 Speaker 1: of Monaco himself. A race as dangerous as it is 251 00:15:42,560 --> 00:15:44,280 Speaker 1: glamorous and prestigious. 252 00:15:46,000 --> 00:15:49,040 Speaker 7: They're so loud I cannot lea on myself. 253 00:15:49,200 --> 00:15:56,880 Speaker 2: Think, hello, Jem, what is going on with you? You've 254 00:15:56,880 --> 00:15:59,040 Speaker 2: been writing the same paragraph for an hour. 255 00:16:00,080 --> 00:16:03,120 Speaker 1: There are only so many letters in the alphabet. Sorry, 256 00:16:03,680 --> 00:16:05,560 Speaker 1: I just keep going over last night in my head. 257 00:16:06,600 --> 00:16:09,360 Speaker 1: I can't stop thinking about Fabian Melanchick. 258 00:16:10,440 --> 00:16:12,840 Speaker 2: Can't work like this. Go back to the room and 259 00:16:12,960 --> 00:16:15,920 Speaker 2: get some rest. I can take the photos and meet 260 00:16:15,960 --> 00:16:18,120 Speaker 2: the publisher. You can write the race chapter later. 261 00:16:19,240 --> 00:16:21,400 Speaker 1: Wait, what did you just say? 262 00:16:22,360 --> 00:16:24,000 Speaker 2: I said, do you should take a break? 263 00:16:24,080 --> 00:16:28,800 Speaker 1: And no? Before that letters in the alphabet, I was 264 00:16:28,920 --> 00:16:31,360 Speaker 1: joking that you were taking so long to choose them. 265 00:16:32,120 --> 00:16:32,440 Speaker 1: That's it? 266 00:16:33,800 --> 00:16:34,200 Speaker 2: What's it? 267 00:16:35,880 --> 00:16:36,640 Speaker 7: Are you all right? 268 00:16:37,120 --> 00:16:39,440 Speaker 1: I will be I'm gonna go back to the room. 269 00:16:39,480 --> 00:16:42,720 Speaker 1: I'll meet you there later. Be safe. You're brilliant. 270 00:16:45,120 --> 00:16:45,880 Speaker 7: Get some rest. 271 00:16:52,000 --> 00:16:58,760 Speaker 1: Rebecca Martin, are you there? It's Jane. It's important, Geane. 272 00:16:58,800 --> 00:16:59,880 Speaker 2: What's going on? Are you all right? 273 00:17:00,600 --> 00:17:01,640 Speaker 1: Did you catch the killer yet? 274 00:17:01,840 --> 00:17:03,800 Speaker 2: He never came back to the hotel. We've got the 275 00:17:03,840 --> 00:17:05,840 Speaker 2: whole police force out looking for him, and right now 276 00:17:05,920 --> 00:17:09,480 Speaker 2: Martin is meeting with the ambassadors, unfortunately without the microfilm. 277 00:17:10,119 --> 00:17:12,880 Speaker 1: Well, the good news is the killer doesn't have it either. 278 00:17:13,520 --> 00:17:15,600 Speaker 1: I figured out what the numbers mean on the way over. 279 00:17:16,240 --> 00:17:17,560 Speaker 2: The numbers on the roulette wheel. 280 00:17:17,720 --> 00:17:21,800 Speaker 1: You got a pen. It wasn't a cipher code or coordinates. 281 00:17:22,280 --> 00:17:26,679 Speaker 1: It was a language. Cyrillic look there are thirty three 282 00:17:26,760 --> 00:17:29,440 Speaker 1: letters in the alphabet. You assign each letter a number 283 00:17:29,480 --> 00:17:31,600 Speaker 1: from the Roulett wheel and scramble the letters. 284 00:17:32,040 --> 00:17:37,080 Speaker 2: It spells missing in Russian. They don't have the microfilm either. 285 00:17:37,359 --> 00:17:40,000 Speaker 1: That's right, and I know where Fabian may have hit it. 286 00:17:40,480 --> 00:17:42,960 Speaker 2: Then what are we waiting for? I've got a vespa 287 00:17:43,040 --> 00:17:43,680 Speaker 2: parked outside. 288 00:17:49,680 --> 00:17:53,480 Speaker 1: Saint Nicholas Cathedral, also known as cat Bral de nocred 289 00:17:53,560 --> 00:17:56,080 Speaker 1: Dame i Macule, was built on the site of the 290 00:17:56,119 --> 00:18:00,359 Speaker 1: first parish church in Monaco circa twelve fifty two. Dedicated 291 00:18:00,440 --> 00:18:04,440 Speaker 1: to Saint Nicholas. After that church was destroyed, the cathedral 292 00:18:04,520 --> 00:18:07,800 Speaker 1: was built in eighteen seventy five and consecrated in nineteen eleven. 293 00:18:08,359 --> 00:18:10,920 Speaker 1: Since its construction, the cathedral has been the site of 294 00:18:11,000 --> 00:18:15,280 Speaker 1: royal events from birth to death, royal christenings, weddings and funerals, 295 00:18:15,359 --> 00:18:19,680 Speaker 1: all taking place within its Romanesque Revival walls. Grace Kelly 296 00:18:19,800 --> 00:18:23,119 Speaker 1: married Prince Regner in the cathedral. Their children were christened 297 00:18:23,160 --> 00:18:25,600 Speaker 1: at the Great Altar, and since it was built over 298 00:18:25,640 --> 00:18:28,320 Speaker 1: the cemetery of the first parish church, most of the 299 00:18:28,400 --> 00:18:32,040 Speaker 1: sovereign princes and consorts are now buried beneath the cathedral floor. 300 00:18:32,960 --> 00:18:36,840 Speaker 1: Besides perhaps the Royal Palace. No building encompasses the history 301 00:18:36,920 --> 00:18:39,760 Speaker 1: and legacy of the Grimaldi royal family and Monaco. 302 00:18:40,200 --> 00:18:45,720 Speaker 2: More, we're here Church of Saint Nick. 303 00:18:46,160 --> 00:18:46,960 Speaker 1: Let's go inside. 304 00:18:51,720 --> 00:18:54,360 Speaker 2: It's locked up closed for race day. 305 00:18:54,960 --> 00:18:57,399 Speaker 1: I was hoping you could pick a lock. See the 306 00:18:57,480 --> 00:18:58,639 Speaker 1: priest entrance over there. 307 00:19:00,280 --> 00:19:00,480 Speaker 3: Back. 308 00:19:04,440 --> 00:19:05,560 Speaker 1: Guess that's one way to do it. 309 00:19:11,880 --> 00:19:16,520 Speaker 2: Oh, this place is huge. What are we looking for? 310 00:19:17,359 --> 00:19:20,639 Speaker 1: When Fabian was dying, his last words were prey to 311 00:19:20,720 --> 00:19:23,440 Speaker 1: Saint Nicholas. For me, I didn't think anything of it 312 00:19:23,480 --> 00:19:26,760 Speaker 1: at the time. But Fabian wasn't a devout man. He 313 00:19:26,920 --> 00:19:29,200 Speaker 1: was a clever man, though, and he knew his history. 314 00:19:30,000 --> 00:19:31,680 Speaker 1: He would know something, wouldn't be disturbed. 315 00:19:32,160 --> 00:19:33,679 Speaker 2: What about this marble throne. 316 00:19:34,400 --> 00:19:38,960 Speaker 1: That's the great altar made from Carrera marble. Too popular. Hmmm. 317 00:19:39,880 --> 00:19:42,720 Speaker 1: In the corner there's one of the most historic and 318 00:19:42,840 --> 00:19:44,600 Speaker 1: important pieces in the cathedral. 319 00:19:46,119 --> 00:19:49,320 Speaker 2: It's beautiful. The painting is attached to the altar. 320 00:19:49,880 --> 00:19:53,280 Speaker 1: It's a retable created in fifteen hundred by local Renaissance 321 00:19:53,320 --> 00:19:57,080 Speaker 1: painter Ludovico Brea in Saint Nicholas's honor. That's Nicholas seated 322 00:19:57,119 --> 00:20:00,560 Speaker 1: at the center. So if I I was to pray 323 00:20:00,640 --> 00:20:03,800 Speaker 1: to him. As Fabian requested, I would get down on 324 00:20:03,920 --> 00:20:08,920 Speaker 1: one knee, just as I thought. This panel is loose 325 00:20:11,119 --> 00:20:12,720 Speaker 1: boila the microfilm. 326 00:20:12,880 --> 00:20:16,119 Speaker 2: Holy shit, it's a dead drop. Let me see that. 327 00:20:17,080 --> 00:20:19,280 Speaker 1: Not so fast. I want to know what's on this 328 00:20:19,400 --> 00:20:22,200 Speaker 1: film first. What is so important that I'm risking my 329 00:20:22,320 --> 00:20:23,840 Speaker 1: life after Fabian already lost his. 330 00:20:24,640 --> 00:20:27,120 Speaker 2: You know, I can just take it right. Fourth degree 331 00:20:27,160 --> 00:20:37,080 Speaker 2: black Belta in all fine, it's maps, Pathfinder maps, Pathfinder. 332 00:20:37,640 --> 00:20:40,359 Speaker 2: That's the Soviet code name. We're not sure if it's 333 00:20:40,359 --> 00:20:43,520 Speaker 2: a person or a covert KGB unit, but it's the 334 00:20:43,640 --> 00:20:47,040 Speaker 2: most effective weapon the Soviets have in this Cold War. 335 00:20:48,000 --> 00:20:51,440 Speaker 2: Our sources inside the Kremlin say Pathfinders created detailed maps 336 00:20:51,520 --> 00:20:55,360 Speaker 2: of every metropolitan city in the world that include government buildings, 337 00:20:55,760 --> 00:21:01,320 Speaker 2: military installations, diplomatic missions, power grids, even soft targets like 338 00:21:01,440 --> 00:21:05,080 Speaker 2: schools and hospitals. Everything you'd want to know to plan 339 00:21:05,160 --> 00:21:09,960 Speaker 2: an invasion or stop one. They say. Pathfinders work in Cuba, 340 00:21:10,040 --> 00:21:13,320 Speaker 2: for Castro created the Bay of Pigs disaster, so. 341 00:21:13,480 --> 00:21:15,840 Speaker 1: These maps could be the key to stopping World War III, 342 00:21:16,520 --> 00:21:21,399 Speaker 1: or the key to winning it. Don't move or I'll shoot. Please, 343 00:21:21,800 --> 00:21:24,520 Speaker 1: we're unarmed. There's no need for violence. I assure you, 344 00:21:24,640 --> 00:21:27,119 Speaker 1: who do you work for? How did you find me 345 00:21:27,200 --> 00:21:27,760 Speaker 1: the casino? 346 00:21:28,680 --> 00:21:31,119 Speaker 2: You are more obvious than a neon billboard. 347 00:21:31,760 --> 00:21:34,680 Speaker 1: This is all a misunderstanding. I'm just a travel writer 348 00:21:34,960 --> 00:21:37,560 Speaker 1: and name's Eugene Fodor. I was a friend of Fabian's. 349 00:21:38,040 --> 00:21:39,840 Speaker 1: He had invited me for the race Flyer. 350 00:21:40,240 --> 00:21:42,600 Speaker 2: He's been holding me hostage. He works for the CIA. 351 00:21:42,960 --> 00:21:43,320 Speaker 2: Save me? 352 00:21:43,520 --> 00:21:43,720 Speaker 1: Wait? 353 00:21:43,800 --> 00:21:44,439 Speaker 5: What k. 354 00:21:46,680 --> 00:21:47,160 Speaker 1: Not so tough? 355 00:21:47,200 --> 00:21:47,760 Speaker 2: Without your gun? 356 00:21:48,240 --> 00:21:48,520 Speaker 3: Are you? 357 00:21:48,920 --> 00:21:50,600 Speaker 1: I don't play with little girls. 358 00:21:54,760 --> 00:21:56,280 Speaker 2: Prob the gun and run, Gene go. 359 00:22:00,920 --> 00:22:16,080 Speaker 7: Just sorry, so sorry, thank God, please help. 360 00:22:16,640 --> 00:22:18,840 Speaker 1: That man is chasing me, so to all myself. I 361 00:22:18,920 --> 00:22:22,480 Speaker 1: even did the on this point. I screw it, s 362 00:22:25,200 --> 00:22:32,680 Speaker 1: Sisto set. Now there's a guy on the race. 363 00:22:34,359 --> 00:22:36,240 Speaker 7: Oh god, oh ship. 364 00:22:40,640 --> 00:22:41,320 Speaker 2: In another wire? 365 00:22:41,400 --> 00:22:49,400 Speaker 8: Oh these guys wait, wait, wait, look down. The first 366 00:22:49,400 --> 00:22:51,840 Speaker 8: guy made it across the tract. The second guy wasn't 367 00:22:51,880 --> 00:22:54,320 Speaker 8: so lucky. That's gonna take a while to clean up. 368 00:23:03,119 --> 00:23:06,600 Speaker 4: Bonjour a, May I help you, Madame Velasta Phodor. 369 00:23:06,760 --> 00:23:08,040 Speaker 2: I'm meeting a guest for Tea. 370 00:23:08,840 --> 00:23:16,680 Speaker 9: He's just arrived right this way, ah, missus Phodor, Martin 371 00:23:16,760 --> 00:23:19,639 Speaker 9: Blanding Perman Next Industry is such a pleasure to finally 372 00:23:19,720 --> 00:23:20,000 Speaker 9: meet you. 373 00:23:20,960 --> 00:23:22,159 Speaker 10: Is Eugene not joining us? 374 00:23:22,800 --> 00:23:26,000 Speaker 2: He's not feeling well, resting back at the room. Do 375 00:23:26,040 --> 00:23:26,879 Speaker 2: you know my husband? 376 00:23:27,480 --> 00:23:28,000 Speaker 1: In truth? 377 00:23:28,119 --> 00:23:30,399 Speaker 10: For many years I knew Jan during the war, and 378 00:23:30,480 --> 00:23:33,000 Speaker 10: this was intended to be a surprise. I was his 379 00:23:33,080 --> 00:23:34,320 Speaker 10: commanding officer in fact. 380 00:23:34,800 --> 00:23:36,320 Speaker 2: Oh, so you knew Fabian too. 381 00:23:37,040 --> 00:23:40,000 Speaker 10: I did Fabian, and I thought we'd surprise Jean. But 382 00:23:40,119 --> 00:23:42,320 Speaker 10: the past days events clearly changed those plans. 383 00:23:42,720 --> 00:23:46,840 Speaker 2: Yes, it's awful. Sounds like you and Jane have a 384 00:23:46,920 --> 00:23:47,600 Speaker 2: long history. 385 00:23:48,000 --> 00:23:50,359 Speaker 10: I knew Jene's father as well. I served with him 386 00:23:50,400 --> 00:23:52,720 Speaker 10: in the OSS. He was a close friend and the 387 00:23:52,800 --> 00:23:55,879 Speaker 10: best geographer and strategist we had in intelligence. Did you 388 00:23:55,960 --> 00:23:58,480 Speaker 10: know he helped plan the Norman the invasion we'd even 389 00:23:58,560 --> 00:24:00,640 Speaker 10: chosen a different beach had to land in, pointed out 390 00:24:00,640 --> 00:24:04,240 Speaker 10: the geographical disadvantages. Without him, we might all be speaking 391 00:24:04,320 --> 00:24:04,840 Speaker 10: German now. 392 00:24:06,119 --> 00:24:08,639 Speaker 2: I wish I could have met Jean's father. He sounds 393 00:24:08,720 --> 00:24:11,000 Speaker 2: like an impressive man, as is your husband. 394 00:24:11,600 --> 00:24:13,720 Speaker 10: But please don't be mistaken. While I have a personal 395 00:24:13,760 --> 00:24:16,280 Speaker 10: connection to your husband, my company's interests in your travel 396 00:24:16,320 --> 00:24:20,040 Speaker 10: guides is purely professional. I truly believe with perm Index's help, 397 00:24:20,119 --> 00:24:22,440 Speaker 10: your travel guides can be on every bookshelf and every 398 00:24:22,480 --> 00:24:23,639 Speaker 10: hotel in the world. 399 00:24:24,280 --> 00:24:30,600 Speaker 2: I'm all yours. Oh, I'm so sorry, Jean. What's going on? 400 00:24:30,920 --> 00:24:34,359 Speaker 1: I was looking for you in the grandstand and then 401 00:24:34,359 --> 00:24:36,480 Speaker 1: you weren't in the room, so I got worried. But 402 00:24:36,840 --> 00:24:41,280 Speaker 1: I remembered you had the meeting Martin. What are you 403 00:24:41,359 --> 00:24:41,679 Speaker 1: doing here? 404 00:24:42,520 --> 00:24:44,000 Speaker 2: Martin is the new publisher. 405 00:24:44,720 --> 00:24:47,119 Speaker 10: Sorry, Jean, I meant to surprise you with Fabian. But 406 00:24:47,160 --> 00:24:49,240 Speaker 10: the truth is we've been watching the two of you 407 00:24:49,440 --> 00:24:53,480 Speaker 10: for years, and I see a tremendous opportunity with your company. 408 00:24:54,080 --> 00:24:56,160 Speaker 10: It's the jet set agent. People want to see the world. 409 00:24:56,480 --> 00:24:58,000 Speaker 10: Who better than the two of you to guide them. 410 00:24:58,720 --> 00:25:02,159 Speaker 2: He is authoring distribution, of course he is. 411 00:25:02,840 --> 00:25:06,000 Speaker 1: Martin's a great salesman. Yeah, just better make sure you 412 00:25:06,040 --> 00:25:09,679 Speaker 1: know what you're buying. Honey, would be so kind as 413 00:25:09,720 --> 00:25:12,160 Speaker 1: to let me speak with Martin privately. Just a couple 414 00:25:12,240 --> 00:25:14,520 Speaker 1: war buddies catching up, Gina. 415 00:25:14,960 --> 00:25:16,040 Speaker 2: Are you sure you're all right? 416 00:25:16,640 --> 00:25:19,040 Speaker 1: Perfectly fine. I'll meet you back at the hotel. 417 00:25:20,880 --> 00:25:25,000 Speaker 2: Boys will be boys. I guess a pleasure to meet you, Martin. 418 00:25:25,400 --> 00:25:26,800 Speaker 2: I look forward to next time. 419 00:25:27,080 --> 00:25:33,080 Speaker 1: Let's do it, my dear. You're a lucky man, I 420 00:25:33,240 --> 00:25:36,640 Speaker 1: know so what the hell are you doing? I said, 421 00:25:36,680 --> 00:25:37,399 Speaker 1: to keep her out of it. 422 00:25:37,600 --> 00:25:39,800 Speaker 10: Fabian and I were going to explain last night. 423 00:25:40,240 --> 00:25:43,960 Speaker 1: What that You've been manipulating us for months. I should 424 00:25:44,000 --> 00:25:46,640 Speaker 1: have know the moment I saw you. Fabian didn't invite 425 00:25:46,680 --> 00:25:48,600 Speaker 1: me here to see him. He invited me here to 426 00:25:48,640 --> 00:25:48,920 Speaker 1: see you. 427 00:25:49,119 --> 00:25:53,040 Speaker 10: You are extremely important to the CIA, Jean, Fabian and 428 00:25:53,080 --> 00:25:55,160 Speaker 10: I wanted to approach you together, but before we did, 429 00:25:55,280 --> 00:25:57,119 Speaker 10: I had to make sure you could see how this 430 00:25:57,240 --> 00:26:00,879 Speaker 10: relationship would be mutually beneficial. We have the capital and 431 00:26:00,920 --> 00:26:03,879 Speaker 10: the connections to build your books into a massive global brand. 432 00:26:04,400 --> 00:26:06,840 Speaker 10: I'm not only here asking for your help. I'm offering 433 00:26:06,880 --> 00:26:08,080 Speaker 10: to make your dreams a reality. 434 00:26:08,560 --> 00:26:11,280 Speaker 1: I told you last night, I'm not a spy. 435 00:26:11,480 --> 00:26:13,320 Speaker 10: You don't have to be. Just be who you are. 436 00:26:13,480 --> 00:26:16,760 Speaker 10: The greatest travel writer in the world. Think of it. 437 00:26:17,280 --> 00:26:20,760 Speaker 10: You speak multiple languages, understand cultures and customs, can move 438 00:26:20,840 --> 00:26:25,200 Speaker 10: freely and conduct surveillance without suspicion, have contacts around the world, 439 00:26:26,040 --> 00:26:28,480 Speaker 10: all the necessary ingredients for the perfect spy. All you 440 00:26:28,680 --> 00:26:31,439 Speaker 10: have to do is what you do best and. 441 00:26:31,680 --> 00:26:34,200 Speaker 1: End up like Fabian. I was almost killed today. 442 00:26:34,320 --> 00:26:38,080 Speaker 10: Fabian died for something he believed in. He believed in freedom. 443 00:26:38,160 --> 00:26:43,200 Speaker 10: He believed in democracy, he believed in you. This world 444 00:26:43,280 --> 00:26:46,000 Speaker 10: is on the brink of nuclear war, Gene. If that happens, 445 00:26:46,119 --> 00:26:46,920 Speaker 10: no one is safe. 446 00:26:47,359 --> 00:26:48,320 Speaker 1: And what about Vosta. 447 00:26:48,680 --> 00:26:51,119 Speaker 10: Last would never have to know, so you can focus 448 00:26:51,160 --> 00:26:53,720 Speaker 10: on growing your business safe and protected. She would have 449 00:26:54,000 --> 00:26:55,399 Speaker 10: everything she wants. 450 00:26:58,400 --> 00:27:03,080 Speaker 1: No. Thanks, appreciate the offer, but we're gonna have to decline. 451 00:27:03,560 --> 00:27:05,840 Speaker 1: Our business is doing just fine and we're not looking 452 00:27:05,880 --> 00:27:09,880 Speaker 1: at any complications. But here's your microfilm, and you'll find 453 00:27:09,880 --> 00:27:12,600 Speaker 1: Fabian's killer spread across that you came to port. Rebecca 454 00:27:12,680 --> 00:27:14,760 Speaker 1: can confirm both with you the film. 455 00:27:15,600 --> 00:27:16,720 Speaker 10: Jeane, you're a genius. 456 00:27:17,080 --> 00:27:20,160 Speaker 1: Fabian was the genius. I was just being a good friend. 457 00:27:21,200 --> 00:27:23,560 Speaker 1: From now on, stay away from me and my wife. 458 00:27:24,040 --> 00:27:26,880 Speaker 1: You need more help finding something in Monte Carlo. Buy 459 00:27:26,920 --> 00:27:28,200 Speaker 1: our guidebook, Jeane. 460 00:27:28,840 --> 00:27:31,520 Speaker 10: There's more you should know. It's about your father. 461 00:27:32,400 --> 00:27:37,760 Speaker 1: My father is dead. What if he wasn't? What manipulative bullshit? 462 00:27:37,840 --> 00:27:40,960 Speaker 10: Is this bullshit? Sit down and I'll show you. You 463 00:27:41,040 --> 00:27:43,360 Speaker 10: want to know what Fabian died for, Take this loop 464 00:27:43,400 --> 00:27:44,200 Speaker 10: and see for yourself. 465 00:27:48,000 --> 00:27:51,400 Speaker 1: I suppose I am curious. Tell me what you see. 466 00:27:53,560 --> 00:28:01,399 Speaker 1: It's a map London, incredibly detailed subway line, gas mains 467 00:28:01,560 --> 00:28:07,840 Speaker 1: bridge and tunnel schematics, military installations, diplomatic missions. Oh my god, 468 00:28:08,480 --> 00:28:09,879 Speaker 1: they're playing an attack on London. 469 00:28:10,119 --> 00:28:11,360 Speaker 10: Now look at the rest of the role. 470 00:28:13,000 --> 00:28:18,199 Speaker 1: More maps, more cities, Berlin, Rome, Paris, the. 471 00:28:18,240 --> 00:28:21,919 Speaker 10: KGB's next targets. These Pathfender maps are so top secret 472 00:28:21,960 --> 00:28:24,840 Speaker 10: any Soviet soldier who lost one would be shot on site. 473 00:28:25,240 --> 00:28:27,480 Speaker 10: I'm guessing Fabian wasn't the only one who died smuggling 474 00:28:27,520 --> 00:28:30,280 Speaker 10: them out. But Fabian didn't just die to share them 475 00:28:30,320 --> 00:28:32,000 Speaker 10: with the world. He died to share them with you. 476 00:28:33,200 --> 00:28:35,120 Speaker 10: Take a closer look at the key in the Berlin map, 477 00:28:35,680 --> 00:28:36,240 Speaker 10: the symbols. 478 00:28:38,400 --> 00:28:42,560 Speaker 1: There's a discrepancy in the symbology, all right, someone hit 479 00:28:42,680 --> 00:28:49,240 Speaker 1: letters initials. My father's initials his secret signature. He and 480 00:28:49,320 --> 00:28:52,000 Speaker 1: I developed it during the war to verify the authenticity 481 00:28:52,120 --> 00:28:56,880 Speaker 1: of classified documents. Is this a trick? My father was 482 00:28:56,960 --> 00:28:59,000 Speaker 1: killed in a bombing rate outside Munich. They buried his 483 00:28:59,080 --> 00:29:00,400 Speaker 1: body with military. 484 00:29:00,480 --> 00:29:02,240 Speaker 10: That's what the Soviets wanted us to believe. 485 00:29:02,920 --> 00:29:05,800 Speaker 1: He's still alive. You think he's the Pathfinder. 486 00:29:06,640 --> 00:29:08,600 Speaker 10: In truth, we suspected it for years, but never had 487 00:29:08,640 --> 00:29:10,880 Speaker 10: the proof until now. I'm sorry to have to tell 488 00:29:10,920 --> 00:29:14,160 Speaker 10: you like this Gene, you can't be serious. Towards the 489 00:29:14,240 --> 00:29:16,560 Speaker 10: end of the war, the OSS ran a program called 490 00:29:16,600 --> 00:29:19,640 Speaker 10: Operation paper Clip to bring the best Nazi scientists and 491 00:29:19,720 --> 00:29:22,520 Speaker 10: nuclear engineers to America to prevent their knowledge from getting 492 00:29:22,520 --> 00:29:25,719 Speaker 10: into Soviet hands. You believe your father was recruited by 493 00:29:25,800 --> 00:29:27,920 Speaker 10: the Soviets in a similar operation as a means to 494 00:29:27,960 --> 00:29:29,960 Speaker 10: gain a strategic military advantage. 495 00:29:30,960 --> 00:29:34,120 Speaker 1: My father was a hero. He helped the Allies win 496 00:29:34,200 --> 00:29:34,480 Speaker 1: the war. 497 00:29:34,640 --> 00:29:37,560 Speaker 10: He was Jane, but he's also been at the center 498 00:29:37,640 --> 00:29:40,320 Speaker 10: of every communist revolution in the past fifteen years. 499 00:29:40,400 --> 00:29:40,920 Speaker 1: It's a lie. 500 00:29:42,040 --> 00:29:44,760 Speaker 10: Fabian thought you'd say that he knew how much you 501 00:29:44,840 --> 00:29:47,280 Speaker 10: loved your father and how hard this would be. He 502 00:29:47,400 --> 00:29:50,080 Speaker 10: only agreed to approach you once we had the evidence. 503 00:29:50,920 --> 00:29:53,160 Speaker 10: Fabian sacrificed his life so you would know the truth. 504 00:29:54,240 --> 00:29:56,200 Speaker 10: No one understands these maps or the man who made 505 00:29:56,200 --> 00:29:59,440 Speaker 10: them better than you. Help us bring him in, Gene, 506 00:30:00,400 --> 00:30:01,560 Speaker 10: help us win this war. 507 00:30:05,680 --> 00:30:10,360 Speaker 1: Oh man, you're good Martin. You always know just the 508 00:30:10,560 --> 00:30:17,440 Speaker 1: right buttons to press. Fine, I'll help, but if I 509 00:30:17,520 --> 00:30:20,640 Speaker 1: do this, I do it on my terms. No handlers, 510 00:30:20,880 --> 00:30:24,040 Speaker 1: no bureaucracy. I work with you and you alone, and 511 00:30:24,120 --> 00:30:27,680 Speaker 1: I want Vlosta protected. You have my word, and if 512 00:30:27,680 --> 00:30:31,840 Speaker 1: you're right, we bring my father in alive. No court martial, 513 00:30:32,080 --> 00:30:34,600 Speaker 1: no military tribunal. He gets a fair trial and a 514 00:30:34,640 --> 00:30:39,400 Speaker 1: court of law agreed. Good, and I have some other 515 00:30:39,440 --> 00:30:41,040 Speaker 1: conditions too. You might want to get a pen. 516 00:30:42,400 --> 00:30:44,720 Speaker 2: Glad to see they're not scraping you off of turn four. 517 00:30:45,120 --> 00:30:47,920 Speaker 2: I'mlike our assassin, Becca, you are right. 518 00:30:48,560 --> 00:30:50,160 Speaker 1: I checked back at the room. You weren't there. 519 00:30:50,280 --> 00:30:52,480 Speaker 2: I was just dealing with the authorities. They're calling it 520 00:30:52,560 --> 00:30:55,880 Speaker 2: a suicide to avoid frightening the tourists and the precess 521 00:30:55,960 --> 00:30:57,920 Speaker 2: too focused on the Grand prix to care good. 522 00:30:58,560 --> 00:31:01,600 Speaker 10: But unfortunately, without the evidence imminent Soviet threat, the NATO 523 00:31:01,640 --> 00:31:05,080 Speaker 10: officials refuse to sign the peace treaty. Without Fabian's intelligence, 524 00:31:05,560 --> 00:31:07,440 Speaker 10: there's no way to convince them. But now we have 525 00:31:07,560 --> 00:31:09,560 Speaker 10: the maps, yes, and I'm gonna need you to deliver 526 00:31:09,640 --> 00:31:10,360 Speaker 10: them to MI six. 527 00:31:10,440 --> 00:31:14,000 Speaker 2: Immediately pack your bags, Eugene, We're heading to London. 528 00:31:25,240 --> 00:31:26,720 Speaker 7: Wait, hold the train. 529 00:31:27,520 --> 00:31:30,480 Speaker 2: Where the hell have you been? The train's about to leave. 530 00:31:31,160 --> 00:31:35,280 Speaker 1: Sorry, got delayed, but I picked up some reading material 531 00:31:35,360 --> 00:31:37,280 Speaker 1: for the trip. Check this out. 532 00:31:39,360 --> 00:31:41,120 Speaker 2: You got the contract from Martin. 533 00:31:41,800 --> 00:31:44,760 Speaker 1: It's everything. We've been working for the money to set 534 00:31:44,840 --> 00:31:47,640 Speaker 1: up an office in New York, hire more writers, expand 535 00:31:47,680 --> 00:31:53,400 Speaker 1: to South America, Africa, the Far East, worldwide distribution. You're right, 536 00:31:54,120 --> 00:31:57,040 Speaker 1: this is the chance to build a global brand. But 537 00:31:57,440 --> 00:31:59,040 Speaker 1: only if my partner agrees. 538 00:32:00,720 --> 00:32:03,960 Speaker 2: Yes, yes, yes, you won't regret this gene. It's going 539 00:32:04,040 --> 00:32:08,280 Speaker 2: to change everything. Come on, let's get on board. 540 00:32:15,760 --> 00:32:19,680 Speaker 1: Why do we travel? What compels us to the next horizon? 541 00:32:20,920 --> 00:32:25,160 Speaker 1: Is it the desire to escape, to discover, to reinvent? 542 00:32:26,400 --> 00:32:28,040 Speaker 1: Or are we just in search of something we can 543 00:32:28,120 --> 00:32:33,280 Speaker 1: never find. Travel takes us places we've never been, introduces 544 00:32:33,440 --> 00:32:38,360 Speaker 1: new tastes, new sights, new sounds. But travel is never 545 00:32:38,400 --> 00:32:42,960 Speaker 1: about losing yourself. It's about finding yourself. For we can 546 00:32:43,080 --> 00:32:45,440 Speaker 1: travel to the furthest corners of the earth in search 547 00:32:45,520 --> 00:32:48,680 Speaker 1: of what we need, but we must return home to 548 00:32:48,800 --> 00:32:49,120 Speaker 1: find it. 549 00:32:56,520 --> 00:33:00,800 Speaker 11: Fodor's Guide to Espionage is created by Lars Jacobson, written 550 00:33:00,880 --> 00:33:05,280 Speaker 11: by Lars Jacobson and Sabrina Jaglam, and directed by Sabrina Jaglam, 551 00:33:05,840 --> 00:33:09,760 Speaker 11: Produced by Lars Jacobson and Sabrina Jaglam, and executive produced 552 00:33:09,760 --> 00:33:13,880 Speaker 11: by Noel Brown for iHeart Radio. Fodor's Guide to Espionage 553 00:33:13,920 --> 00:33:18,160 Speaker 11: stars Ethan Korn as Eugene Fodor, Leliah Symington as Vlasta 554 00:33:18,240 --> 00:33:23,120 Speaker 11: Fodor and Jackie Emerson as Rebecca Ralston, with additional performances 555 00:33:23,160 --> 00:33:29,080 Speaker 11: by Chase Mullens, George Rivera, Matt Linton, Dylan McCollum, Gabe Greenspan, 556 00:33:29,400 --> 00:33:34,920 Speaker 11: Chris Cappel, Duncan Kaladine Dana Melanie, Alex Gombadi, Noam Thomashoff, 557 00:33:35,160 --> 00:33:39,239 Speaker 11: Katrina Aaron, and Simon Jacklain. Sound design and editing by 558 00:33:39,400 --> 00:33:43,840 Speaker 11: Chris Childs. Original theme song by Jack Blavelt and Chris Childs, 559 00:33:43,960 --> 00:33:48,640 Speaker 11: with additional scoring by Chris Childs. Sound engineering by Chris Sek. 560 00:33:49,360 --> 00:33:53,160 Speaker 11: Fodor's Guide to Espionage is an iHeart Radio production. For 561 00:33:53,280 --> 00:33:57,960 Speaker 11: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 562 00:33:58,200 --> 00:33:59,640 Speaker 11: or wherever you get your podcasts,