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Speaker 1: I have an etiquette question for the to you, okay,

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Speaker 1: and it's a genuine question because I really don't know.

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Speaker 1: Something kind of strange happened, and Sue and I have

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Speaker 1: been talking about it and we're not sure if it

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Speaker 1: was a breach of etiquette or not, So please tell me.

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Speaker 2: As you and.

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Speaker 1: Our dear listeners know, Sue and I walk our dog

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Speaker 1: all the time. It really helps to meet neighbors. And

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Speaker 1: we met a while back during the pandemic, an older couple,

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Speaker 1: probably mid to.

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Speaker 2: Late seventies, walk a beautiful dog. They're very nice people.

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Speaker 2: We talk to them all the time.

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Speaker 1: So maybe a week ago we run into them again,

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Speaker 1: and you know, we get to talking and we're talking

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Speaker 1: about how we're doing a little bit of construction at

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Speaker 1: the house, you know, nothing big. We're having some painting done.

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Speaker 1: We're you know, doing patching some walls, that kind of thing.

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Speaker 1: And they mentioned they'd like to have some construction done

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Speaker 1: as well. They were taking bids and we were like, oh, man,

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Speaker 1: we love our guy, he's the best. You should come

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Speaker 1: and or we can give you the number whatever, and

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Speaker 1: he said, actually, could I maybe stop by later and

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Speaker 1: talk to him because he was going to be at

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Speaker 1: the house.

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Speaker 2: I said, great, no problem. He said, this is your house, right,

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Speaker 2: I said, yeah, yeah, it's a house.

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Speaker 3: So I have to leave.

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Speaker 2: I tell Sue that they may be stopping.

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Speaker 1: By, because Sue wasn't with you on this walk where

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Speaker 1: she was but no, excuse me, you're right, she was not.

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Speaker 2: She was not.

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Speaker 1: I was solo on this one. And so Sue I

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Speaker 1: tell her. She comes back, I tell her, hey, they

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Speaker 1: might be stopping by. Later, she says, okay, yeah, no problem,

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Speaker 1: be great to see him, and so to stay out

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Speaker 1: of the constructions, people way, people's way. A little bit

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Speaker 1: later in the day, Sue takes the dog out into

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Speaker 1: the backyard and she says, she looks up and the

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Speaker 1: guy is standing in our home. I'm sorry, yeah, so

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Speaker 1: he just walked into the house. What Yeah, so weird

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Speaker 1: breach of etiquette, right, never been here before.

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Speaker 3: I would call it more. I'd call it breaking and entering.

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Speaker 1: Now, in all fairness, now I want to add, we

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Speaker 1: have a construction crew going in and out.

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Speaker 2: The front door.

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Speaker 4: None of this is going to matter. It's not changing

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Speaker 4: a single thing.

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Speaker 2: I don't disagree.

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Speaker 5: We don't think it would change if the door was open. Correct,

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Speaker 5: There was a construction guy that he followed in talking to.

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Speaker 1: He wasn't He was standing by himself in the middle

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Speaker 1: of the living room looking out over our backyard.

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Speaker 5: Shows up and there's like somebody that he's talking to

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Speaker 5: or wants to talk to, and the door's open, and

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Speaker 5: the guy's like.

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Speaker 2: Oh, that's where I went.

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Speaker 1: Is like, so the front door was obviously unlocked and

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Speaker 1: open because or unlocked because there's guys going in and

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Speaker 1: out there. They're sawing stuff in the front of the

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Speaker 1: house but never been here before and just walked in.

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Speaker 2: I wouldn't walk with that. I wouldn't just walk into

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Speaker 2: your homes without.

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Speaker 6: Do you think maybe he knocked and didn't get an

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Speaker 6: answer and they.

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Speaker 3: Don't get correct, you are gone.

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Speaker 4: I would be like, Also, if I were talking to

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Speaker 4: let's go with writer's first idea that maybe the guy

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Speaker 4: let him inside the house, I would also go, Okay, sorry,

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Speaker 4: can we finish our conversation. I would still never be like,

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Speaker 4: you have permission to be inside their home. I have

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Speaker 4: not been given I'm not going to enter their home.

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Speaker 5: I'm just not doing why and Will said, yeah, you

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Speaker 5: can stop buying and talk to our construction guy. So

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Speaker 5: maybe he assumed that meant, even if we're not home

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Speaker 5: because the work's getting done, you can come find our

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Speaker 5: construction guy and talk to him.

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Speaker 6: I don't know.

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Speaker 1: I don't know either, and I've been doing what Rider did,

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Speaker 1: like because he's such a nice older man like kind

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Speaker 1: of trying to rationalize it.

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Speaker 2: Or justify it. But to me, I couldn't fathom just

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Speaker 2: walking into somebody's house.

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Speaker 4: Nope, nope, nope, no, u uh no, I mean, don't

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Speaker 4: preach a icate right absolutely, By the way, if I

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Speaker 4: stopped this is me and you. If I stopped at

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Speaker 4: your house to say drop something off, and I walked

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Speaker 4: in and your door was open, I might be a

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Speaker 4: little concerned enough to peek my head in and go,

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Speaker 4: will Susan because my? Because I would think, hmm, they

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Speaker 4: don't normally leave their door open.

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Speaker 3: Also, where's Sammy?

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Speaker 4: So like I would get a little kid and I'd

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Speaker 4: be like, And then if I noticed there was construction

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Speaker 4: going on, I'd be like, Okay, they're probably aware, and

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Speaker 4: I don't see Sammy. Then I would walk away from

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Speaker 4: your house and text you. I even would not walk

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Speaker 4: into your house and go on a search. I would

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Speaker 4: text you and say, your door's open. Do you know that,

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Speaker 4: Are you okay? And if I didn't get a response,

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Speaker 4: maybe at some point I would be like, Okay, I've

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Speaker 4: got to go in there, because one, if he's lying,

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Speaker 4: they're dead. But like I even would not walk into

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Speaker 4: your house.

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Speaker 1: She was so taken aback you and then like, hey,

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Speaker 1: how you doing. He's like, oh, and the construction guy

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Speaker 1: wasn't there. The main guy wasn't there at the time,

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Speaker 1: so he wasn't able to talk to him.

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Speaker 2: So it was there, and she was like, he was

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Speaker 2: just in our home.

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Speaker 3: She didn't say, how did you get in?

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Speaker 1: Well, no, I don't think so, No, I don't think

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Speaker 1: because I think you're so flustered by that part. So

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Speaker 1: you're just in our house and he's just standing there

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Speaker 1: kind of in the living room like looking at me.

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Speaker 4: So it should be explained to our dear listeners. Will

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Speaker 4: also has a gate.

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Speaker 3: You have to open two doors to get inside your house.

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Speaker 2: Yeah, that's true. That's actually very true.

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Speaker 1: The outer gate may have been opened for the construction guys,

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Speaker 1: but it's clearly you got to get through two levels

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Speaker 1: of security to get in.

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Speaker 4: Right here, you already walked through one that may have

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Speaker 4: been open there unless your front door was wide open,

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Speaker 4: in which case, even if he was walking in, He's

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Speaker 4: like he wasn't going, Oh my gosh, I'm so sorry.

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Speaker 3: Then when he saw her, I got worried. The door's opened.

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Speaker 2: Nothing.

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Speaker 4: He's just like, hey, I'm here, Yeah, can I make

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Speaker 4: myself a cup of coffee.

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Speaker 2: That's pretty much what it was.

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Speaker 1: So okay, I'm glad I wasn't because I was like,

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Speaker 1: that's weird and that's a total breach of etiquette. And

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Speaker 1: then again, like Rider, I was trying to kind of

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Speaker 1: justifight in my head, well maybe it's not Maybe it's

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Speaker 1: a generational thing and when you're old, you used to

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Speaker 1: just walk into place.

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Speaker 3: I mean he's mid seventies, said mid to late seventies.

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Speaker 2: He's not one hundred and five.

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Speaker 3: He's not ancient.

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Speaker 2: Yeah, right, So I okay, I wasn't wrong. Okay, then

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Speaker 2: it's okay.

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Speaker 6: That's still do I mean, what what do you? There's

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Speaker 6: nothing to do?

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Speaker 1: I'm I mean what I First of all, I went,

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Speaker 1: I broke into his house when they were sleeping and.

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Speaker 3: Say that's what you do.

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Speaker 1: Then you escalated and I was just crouching over them asleep,

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Speaker 1: and I was like, what were you thinking?

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Speaker 2: That's so weird. But while petting his dog just creepily. No,

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Speaker 2: there's nothing to do.

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Speaker 3: You should you should do that and then just be like,

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Speaker 3: I see why you want to have some work done.

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Speaker 2: Yeah, you see this places?

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Speaker 3: You could do the construction yourself. Will you could go

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Speaker 3: in just a tool belt?

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Speaker 2: Did you want to did you want.

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Speaker 3: To knock down this wall? Because i'mknoking down this wall?

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Speaker 1: Great, just naked with a tool belt, but a Fisher

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Speaker 1: Price tool belt just make it really creepy.

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Speaker 4: I have one.

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Speaker 1: I have one for you, little plastic kind of saws

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Speaker 1: and stuff like that. Oh man, we could Yeah, I

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Speaker 1: could escalate it. If he does it again, I think

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Speaker 1: I'd have to say something.

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Speaker 2: Even joking you have to kill him. I'd be like,

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Speaker 2: I'd be like, dude, you can't.

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Speaker 1: He can't just walk into the house, Like he can't

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Speaker 1: just walk into our house. Yeah, okay, So I'm glad

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Speaker 1: I wasn't wrong.

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Speaker 4: You're not wrong. Oh god, I love that you think

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Speaker 4: that because we've made fun of you so much for

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Speaker 4: your safety stuff. You're like, maybe I really am is

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Speaker 4: a man walking into my home?

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Speaker 3: Too far?

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Speaker 4: Guys?

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Speaker 3: Can I can be a great.

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Speaker 2: Checking I'm checking okay, good, Welcome to.

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Speaker 4: Pad Meets World. I'm Danielle Fischel.

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Speaker 6: I'm right or strong?

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Speaker 2: Can I Can I come in? Can I come in

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Speaker 2: the pod?

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Speaker 6: Yeah?

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Speaker 1: Yeah?

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Speaker 2: Oh thanks? And I'm Wilfredell.

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Speaker 4: Welcome to today's episode recap. It is season six, episode

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Speaker 4: ten and in case I don't see you. It originally

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Speaker 4: aired December fourth, nineteen ninety eight. The synopsis. In an

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Speaker 4: effort to become more popular, Eric creates his own TV

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Speaker 4: show similar to The Truman Show, but it's Rachel who

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Speaker 4: becomes the campus darling. Meanwhile, Corey and Sean expect special

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Speaker 4: treatment from mister Feenie. It was directed by David Kendall

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Speaker 4: and it was written by Barry Safcheck. Before I jump

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Speaker 4: into our guest stars, what are your overall thoughts? Well,

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Speaker 4: I'm sure you have a bunch of stories about this week.

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Speaker 1: I think I mercifully blocked this week from my head.

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Speaker 2: Really, yeah, I don't remember much.

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Speaker 1: I will say that this, to me is a tale

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Speaker 1: of two shows. I thought the b story with Corey

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Speaker 1: and Sean felt a little bit like Boy Meets World again,

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Speaker 1: trying to pull one over on mister Feenie.

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Speaker 6: So nice to get.

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Speaker 1: Back to that Sean is Sean's you and Ben are

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Speaker 1: just trying to make each other laugh time.

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Speaker 2: I was so happy with that first line out of

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Speaker 2: my mouth.

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Speaker 6: I was like, that'sh Sean.

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Speaker 3: Italian.

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Speaker 2: You know, it's just so loved it.

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Speaker 1: The Truman Show stuff was horrible and absolutely cringe really,

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Speaker 1: and I just didn't like it.

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Speaker 2: No, I didn't like anything about it.

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Speaker 6: I thought it was you know, I.

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Speaker 2: Didn't like anything about it.

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Speaker 1: It was I just yeah, I get what they were

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Speaker 1: doing was supposed to be the whole parody, but I

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Speaker 1: didn't like it. I didn't like my performance. I didn't

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Speaker 1: like the story. I thought it was weird and creepy.

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Speaker 2: And I just it just wasn't. But I loved I

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Speaker 2: thought the.

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Speaker 5: Beast really enjoyed it. I totally thought it was fun.

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Speaker 5: You know, it felt like it like it could have

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Speaker 5: been another show, Like I don't know, but that's what

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Speaker 5: I mean. It was, yeah, but it was fine, Like

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Speaker 5: you know, I just totally.

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Speaker 2: Wasn't It wasn't wasn't a fan of it, but loved

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Speaker 2: the b story.

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Speaker 1: Stuff felt like it was like Alan's being Alan again

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Speaker 1: and Phoenie's being Phoenie, and Corey and Sean are Corey

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Speaker 1: and Sean to Panga running after Phoenie.

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Speaker 2: I loved all that stuff.

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Speaker 4: I really didn't I I similarly to writer, I really

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Speaker 4: enjoyed it for the most part. All of my all

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Speaker 4: of my criticism are things where then I hear I

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Speaker 4: think it to myself and I then think, Okay, well,

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Speaker 4: this is what people talk about when they say you're

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Speaker 4: just over analyzing it. Like in the scene where there's

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Speaker 4: music playing when Eric is on the screen with Rachel

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Speaker 4: and the Truman Show in the Sooon Union, there's music and.

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Speaker 3: I'm like, well, who's playing the music? Where's the music?

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Speaker 6: And it's like telling you where.

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Speaker 4: Is that coming from? Like what is that?

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Speaker 3: What's happening? So like okay, but who cares?

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Speaker 6: Let me go movable sprinklers in the ceiling.

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Speaker 5: I mean that's that's just like, okay, this is just

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Speaker 5: so ridiculous.

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Speaker 6: Used to see these.

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Speaker 1: It's one of my performance stuff and stuff, you know.

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Speaker 1: I thought was really funny with Sean. I thought Sean

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Speaker 1: was really funny.

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Speaker 3: And Sean's hilarious.

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Speaker 1: Funny in this episode is so good and all that

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Speaker 1: opening scene, I was like, oh, this could be a

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Speaker 1: great episode, Like here we go. I was ready for it,

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Speaker 1: and then when they got into the Truman show stuff,

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Speaker 1: I was kind of like, yeah, it just it just

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Speaker 1: wasn't for me.

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Speaker 3: I guess.

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Speaker 4: One of my other little criticisms about it was and

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Speaker 4: I know that again, the whole point was just to

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Speaker 4: do Truman so that we didn't need that much. We

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Speaker 4: didn't need all that, but I did. I did wonder like,

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Speaker 4: why does he come up? Why does he think this

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Speaker 4: would make him popular? How does and then when he's

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Speaker 4: not popular, how come then? Like because it doesn't make

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Speaker 4: him popular, why doesn't that stop it?

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Speaker 3: Right then and there? Like, Oh, they don't care about

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Speaker 3: the right person, right.

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Speaker 6: And I was.

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Speaker 2: Also going to say I was also gonna say, I thought.

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Speaker 1: I think it's weird coming off of last week's episode

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Speaker 1: where Eric is like the popular guy in school and

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Speaker 1: everyone's surround.

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Speaker 2: That's what I was gonna say.

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Speaker 1: But then I remembered what Ryder said about Maitland's hair,

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Speaker 1: and her hair is long in this episode, so it

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Speaker 1: is clearly out of order. Interesting, Yeah, because I remember

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Speaker 1: what you said about how short her hair.

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Speaker 2: Was last week.

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Speaker 1: It's long in this episode, so this is out of

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Speaker 1: order from how he shot it.

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Speaker 5: Yeah, No, I mean I was going to say, you know,

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Speaker 5: jumping on what Danielle was saying. The problem that I

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Speaker 5: did feel is like, and this is maybe the problem

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Speaker 5: with Eric.

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Speaker 6: I just don't know what his like essential motivation is.

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Speaker 5: They like in this one he wants to be popular,

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Speaker 5: and the other one he's easily popular, but he needs

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Speaker 5: to do good in school. Sometimes it seems like it's

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Speaker 5: about Maitland, like he wants Rachel, he wants a girlfriend,

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Speaker 5: but it's he's which is like, not that big of

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Speaker 5: a deal, except that in previous seasons, whenever Eric was

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Speaker 5: doing something crazy, it always felt like, you know, he

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Speaker 5: was because.

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Speaker 1: He is a demotivate guy who needs to get he

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Speaker 1: just wants a girl.

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Speaker 5: And that was like three, which was fine. It's just

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Speaker 5: we know, we know his shtick and he's going to

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Speaker 5: do all the weird, crazy things, but they're all coming

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Speaker 5: from like one central like motivated place.

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Speaker 6: And then it was get at SAT's get it to college.

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Speaker 5: And now I'm like, it's just weak to week whatever

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Speaker 5: they really need to set up putting you in a

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Speaker 5: costume and having you do something and while the end

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Speaker 5: result is still hysterical most of the time and like.

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Speaker 4: Whatever, it's fine.

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Speaker 5: It does feel a little like this could be any

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Speaker 5: three characters, and it's just Eric is just the loose cannon.

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Speaker 5: Like Eric is just whatever whatever is going to throw

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Speaker 5: three roommates into a crazy situation. Yeah, that's what Eric's

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Speaker 5: going to be that week, And.

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Speaker 2: Well I think that could.

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Speaker 1: The writers have kind of said to us towards the

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Speaker 1: end season six and season seven especially, it was like

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Speaker 1: we kind of just wanted to see what you would do, right,

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Speaker 1: So it's just like, let's see how far we could

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Speaker 1: push it.

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Speaker 2: Let's see what you could do. Let's make it wacky

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Speaker 2: and funny.

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Speaker 1: And that was just kind of my role in the

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Speaker 1: show from now on is just random, unmotivated wacky craziness

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Speaker 1: where I end up.

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Speaker 6: And I think that's why I have no recollection of this.

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Speaker 2: You know, I do what happened, but I didn't remember

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Speaker 2: certain water and all that kind of Stuff's what I mean.

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Speaker 6: Like I'm sitting, I'm like I was on set there,

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Speaker 6: must have seen some of.

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Speaker 1: The you know what.

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Speaker 4: I remember the one thing I remembered, you spilling the soup.

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Speaker 1: I remember that. I remember that too, the spilling the

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Speaker 1: super Remember the soup.

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Speaker 3: I remember seeing it in Run throughs. I remember the soup.

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Speaker 4: That's the one thing I remember about the entire week,

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Speaker 4: and it's probably just because it got an uproarious laugh

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Speaker 4: and run throughs. And then also in taping.

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Speaker 5: We probably weren't even there for most of the taping.

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Speaker 5: We would have been checked out, Like if we had

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Speaker 5: pre taped all the B story stuff, we would have

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Speaker 5: just been like barely there on tape night then.

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Speaker 2: And I also haven't shaved this week.

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Speaker 4: For I do notice.

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Speaker 3: Mustache. Yeah, but still peak will yeah.

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Speaker 2: Yeah, this is it.

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Speaker 1: It's we're going downhill any second now, it's gonna know.

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Speaker 2: It's you just watched the cliff that the cliff is coming.

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Speaker 1: I'm Thelma and I'm holding hands with my younger self and.

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Speaker 2: The cliff is coming.

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Speaker 3: I know the feeling. But just you get a whole season.

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Speaker 4: Well, I promise you get a whole You get a

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Speaker 4: whole season.

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Speaker 2: We'll see.

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Speaker 4: So guest starring Madison Igoton as young Rachel. Madison started

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Speaker 4: her acting career as Picard's kid in the movie Star

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Speaker 4: Trek Generations, and would also beer on Doctor Quinn, Medicine,

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Speaker 4: Woman Er, Touched by an Angel and Everybody Hates Chris

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Speaker 4: but she is best known as Tom Cruise and Nicole

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Speaker 4: Kidman's daughter in Stanley Kubrick's final movie, Eyes Wide Shot.

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Speaker 2: I thought you were going to say she was best

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Speaker 2: known her mom Cruise, Like, wait, what.

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Speaker 4: Isn't that surprise. Her last acting credit was in twenty ten.

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Speaker 4: She has since moved into the field of education, teaching

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Speaker 4: at the Los Angeles County High School for the Arts

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Speaker 4: and then opening her own company, The Theatrical Education Group

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Speaker 4: and its Summer Arts Conservatory, teaching acting, dance, music, and

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Speaker 4: the visual arts to kids between the ages.

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Speaker 3: Of nine and fifteen.

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Speaker 6: Cool.

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Speaker 2: That's cool. And she was great. And that was a

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Speaker 2: very funny scene.

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Speaker 5: That was super funny, like the flashback to Bunny Baby.

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Speaker 5: I was like, yeah, I know, yeah, there's no way

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Speaker 5: we can. I don't know. I was.

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Speaker 6: I was on board with it.

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Speaker 1: This is an.

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Speaker 3: Absurd and I did love that.

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Speaker 4: Then it reminded me like, oh, yeah, he does mention

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Speaker 4: at the beginning, why aren't you putting the food in

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Speaker 4: the garbage disposal, like it.

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Speaker 2: Really, you know, to give her the ocean that he hates.

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Speaker 4: And then we have Sean Weiss. He's back as Louis

380
00:15:58,960 --> 00:16:02,200
Speaker 4: universally beloved is Goldberg from the Mighty Ducks movies. He

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Speaker 4: was in so much funny stuff in the nineties, and

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Speaker 4: this is his second of two Boy Meets World episodes.

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Speaker 4: Jumping into our recap, we start in the student union.

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Speaker 4: It is filled with students hanging out, continuing the trend

385
00:16:27,000 --> 00:16:30,200
Speaker 4: of lots of background actors in season six. Oh yeah,

386
00:16:30,440 --> 00:16:33,600
Speaker 4: Eric's sporting some new facial hair and you're still wearing

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Speaker 4: your same little choker necklace.

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Speaker 2: Yeah, it's still got some room.

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Speaker 4: So okay, yeah, this is what you say. By the

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Speaker 4: end of the season, it's a little tighter.

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Speaker 2: The bear has run away.

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Speaker 1: And the thing is, it's like, my face is blue

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Speaker 1: because it's just I'm like, no, I could still wear it,

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Speaker 1: and I'm just, oh man, if this is.

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Speaker 2: Fine, my ears are red, like it's not good.

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00:16:55,880 --> 00:16:58,640
Speaker 4: He's sitting by himself, drinking coffee out of a brew

397
00:16:58,840 --> 00:17:02,720
Speaker 4: lagoon mug and stuff, and there's Louis. He's back sitting

398
00:17:02,720 --> 00:17:05,439
Speaker 4: at the table next to Eric, watching all their classmates mingle.

399
00:17:05,800 --> 00:17:09,600
Speaker 4: He sighs. Pretty depressing, isn't it. Eric wonders who he's

400
00:17:09,640 --> 00:17:12,440
Speaker 4: talking to. Louis was talking to himself, but says Eric

401
00:17:12,480 --> 00:17:14,600
Speaker 4: seems to be in the same boat. And he gestures

402
00:17:14,640 --> 00:17:17,560
Speaker 4: to the crowd look at him, smiling, laughing, having a

403
00:17:17,600 --> 00:17:21,680
Speaker 4: good time. I hate them, Eric wonders who. Louie nods

404
00:17:21,680 --> 00:17:25,560
Speaker 4: to the swarm them the popular. Eric scoffs, I'm popular,

405
00:17:25,920 --> 00:17:31,479
Speaker 4: and the audience laughs, yeah, of course. Eric kindly offers

406
00:17:31,560 --> 00:17:33,919
Speaker 4: Louie to come sit at his table, and Louie hardly

407
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Speaker 4: considers it.

408
00:17:35,040 --> 00:17:35,080
Speaker 2: No.

409
00:17:35,760 --> 00:17:38,280
Speaker 4: In return, Louis suggests that Eric sits with him. Eric

410
00:17:38,359 --> 00:17:43,600
Speaker 4: quickly responds, nah, they agree, Well there it is. Then

411
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Speaker 4: a voice over the PA one, Matt Kirkwood.

412
00:17:48,560 --> 00:17:51,160
Speaker 2: Was it all I would recognize Kirkwood. That's good, right.

413
00:17:51,800 --> 00:17:54,919
Speaker 4: A voice over the PA says, the Penbrook Harvest Mixer

414
00:17:55,000 --> 00:17:57,320
Speaker 4: is about to start on the second floor, and remember

415
00:17:57,720 --> 00:18:01,159
Speaker 4: only those with invitations may attend. Eric had begun to

416
00:18:01,160 --> 00:18:03,880
Speaker 4: pack up his things and then slowly sits back down

417
00:18:03,920 --> 00:18:06,679
Speaker 4: when he hears about the invites. Eric looks over at

418
00:18:06,720 --> 00:18:09,800
Speaker 4: Louis looks like, it's just you and me. Huh. Louie

419
00:18:09,880 --> 00:18:12,440
Speaker 4: jumps up, pulling an invitation out of his pocket. Now

420
00:18:12,440 --> 00:18:16,520
Speaker 4: it's just you and he leaves. It's a great opening scene,

421
00:18:16,840 --> 00:18:18,920
Speaker 4: really funny. Both of you guys are really great.

422
00:18:19,200 --> 00:18:20,440
Speaker 2: I had high hopes at this point.

423
00:18:20,600 --> 00:18:22,919
Speaker 3: Yeah, we were excited. Then we're back at the apartment.

424
00:18:23,000 --> 00:18:25,480
Speaker 4: Rachel and Jack are in the kitchen when Eric enthusiastically

425
00:18:25,520 --> 00:18:28,399
Speaker 4: joins them. He looks directly into the camera, grabs Jack's

426
00:18:28,400 --> 00:18:31,040
Speaker 4: coffee mug, and performatively asks, is that one of those

427
00:18:31,080 --> 00:18:34,720
Speaker 4: delicious cups of coffee from Brew Lagoon conveniently located in

428
00:18:34,760 --> 00:18:35,240
Speaker 4: the peenburg?

429
00:18:36,760 --> 00:18:37,680
Speaker 6: Is this just a choice?

430
00:18:37,680 --> 00:18:39,400
Speaker 5: Because I had no idea where this episode was going,

431
00:18:39,400 --> 00:18:41,280
Speaker 5: I was like, that's kind of a funny, like, is

432
00:18:41,320 --> 00:18:43,800
Speaker 5: Will just doing this as a choice to just all

433
00:18:43,840 --> 00:18:45,760
Speaker 5: of a sudden, I'm just breaking forth.

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00:18:46,000 --> 00:18:48,480
Speaker 6: That's actually kind of genius if we just went that

435
00:18:48,480 --> 00:18:48,920
Speaker 6: that way.

436
00:18:49,040 --> 00:18:53,240
Speaker 4: But yeah, yeah, this was the first time I started questioning.

437
00:18:53,280 --> 00:18:55,399
Speaker 4: I was like, wait, is he doing why would he

438
00:18:55,440 --> 00:18:57,720
Speaker 4: do a commercial? Why is he doing a commercial for

439
00:18:58,240 --> 00:19:01,800
Speaker 4: brew Lagoon? Yeah, so then this is the thing that

440
00:19:01,880 --> 00:19:06,639
Speaker 4: started me with like, oh, he's doing this because he

441
00:19:06,720 --> 00:19:09,159
Speaker 4: thinks this is going to make him popular. And so

442
00:19:09,200 --> 00:19:11,199
Speaker 4: again what I'm trying to figure out, why is this

443
00:19:11,359 --> 00:19:15,040
Speaker 4: his idea? And then I go, Okay, it's just literally

444
00:19:15,080 --> 00:19:17,680
Speaker 4: it's just because Truman Show had come out this year

445
00:19:18,240 --> 00:19:22,919
Speaker 4: and we we're just gonna do It's there really isn't

446
00:19:23,000 --> 00:19:26,480
Speaker 4: any like true Eric motivating factor.

447
00:19:26,520 --> 00:19:29,200
Speaker 3: It's just let's put Eric. Eric gets this idea.

448
00:19:28,840 --> 00:19:30,200
Speaker 2: And he's starting with a commercial.

449
00:19:30,400 --> 00:19:33,440
Speaker 1: And as I mean, as you guys know from reading

450
00:19:33,480 --> 00:19:36,240
Speaker 1: our reviews, what people normally love and makes you popular

451
00:19:36,240 --> 00:19:37,280
Speaker 1: as ads, Yes.

452
00:19:37,080 --> 00:19:40,040
Speaker 4: They love ads. The more ads you have, the higher

453
00:19:40,080 --> 00:19:41,359
Speaker 4: they rate your show.

454
00:19:41,560 --> 00:19:42,440
Speaker 3: Correct, you know.

455
00:19:42,560 --> 00:19:44,800
Speaker 1: That's why we started with the BRU Lagoon ad by

456
00:19:44,560 --> 00:19:49,000
Speaker 1: the world now sponsored by brew Lagoon Lagoon when your

457
00:19:49,200 --> 00:19:51,240
Speaker 1: lagoon in the morning, every morning.

458
00:19:50,920 --> 00:19:55,480
Speaker 4: Two cups of BW Lagoon, sometimes one right before bed,

459
00:19:56,320 --> 00:20:01,000
Speaker 4: just because I can't get an out of your day.

460
00:20:01,760 --> 00:20:02,760
Speaker 3: Is the content free?

461
00:20:02,840 --> 00:20:05,679
Speaker 4: We don't care. We still don't want commercial too.

462
00:20:05,560 --> 00:20:08,800
Speaker 2: Many at the button three times.

463
00:20:08,440 --> 00:20:17,600
Speaker 3: Sometimes four sometimes for star one star one star.

464
00:20:19,000 --> 00:20:22,440
Speaker 4: Jack wonders why he's talking like that, and Eric Joviali responds,

465
00:20:22,480 --> 00:20:25,560
Speaker 4: I'm not confused. Jack notices that Rachel is scraping her

466
00:20:25,600 --> 00:20:28,520
Speaker 4: leftovers into the trash and he wonders why she isn't

467
00:20:28,520 --> 00:20:32,120
Speaker 4: scraping it into the garbage disposal. Rachel coldly responds, I'd

468
00:20:32,160 --> 00:20:34,000
Speaker 4: just rather do it this way, okay, and then she

469
00:20:34,080 --> 00:20:35,400
Speaker 4: quickly storms off.

470
00:20:35,760 --> 00:20:39,879
Speaker 1: Now that used to be because in the Thanksgiving episode

471
00:20:40,440 --> 00:20:43,400
Speaker 1: that was where the oven was, because remember we pull

472
00:20:43,400 --> 00:20:44,080
Speaker 1: out the ry.

473
00:20:45,640 --> 00:20:48,160
Speaker 2: So that they just had some construction done.

474
00:20:48,560 --> 00:20:53,200
Speaker 4: Art above the stove gone, it's gone.

475
00:20:53,560 --> 00:20:57,000
Speaker 1: Yeah, no I don't know when it last food, but yeah,

476
00:20:57,000 --> 00:21:00,800
Speaker 1: we had construction obviously done on the in his apartment

477
00:21:00,840 --> 00:21:02,680
Speaker 1: because it was like, you know what, we really like this,

478
00:21:02,680 --> 00:21:03,720
Speaker 1: this ovens in the wrong place.

479
00:21:03,760 --> 00:21:06,240
Speaker 4: You know what, now that you've a woman living with you,

480
00:21:06,240 --> 00:21:09,119
Speaker 4: you can't She had to make she had to put

481
00:21:09,160 --> 00:21:10,000
Speaker 4: a feminine touch on it.

482
00:21:10,200 --> 00:21:12,360
Speaker 2: Yeah, and that's garbage disposal, really.

483
00:21:12,200 --> 00:21:14,760
Speaker 4: Is for sure, and getting rid of art and getting

484
00:21:14,800 --> 00:21:18,000
Speaker 4: rid of exactly very famid. Jack follows her while Eric

485
00:21:18,040 --> 00:21:20,160
Speaker 4: watches it all go down with a smile on his face.

486
00:21:20,400 --> 00:21:23,359
Speaker 4: He excitedly announces, have a good morning, and in case

487
00:21:23,400 --> 00:21:26,240
Speaker 4: I don't see you, good evening, good afternoon, and good night,

488
00:21:26,720 --> 00:21:29,040
Speaker 4: which is a catchphrase from the nineteen ninety eight Jim

489
00:21:29,040 --> 00:21:30,560
Speaker 4: Carrey movie The Truman Show.

490
00:21:30,800 --> 00:21:34,320
Speaker 6: Oh, so that line is a direct Truman Show reference.

491
00:21:34,240 --> 00:21:37,160
Speaker 1: But with one of them switched, because I think it's

492
00:21:37,640 --> 00:21:40,200
Speaker 1: good afternoon, good evening, and good night in the Truman Show,

493
00:21:40,280 --> 00:21:43,280
Speaker 1: and so we baically couldn't say that, so we say

494
00:21:43,359 --> 00:21:46,680
Speaker 1: good evening, good afternoon, and night. Switch it up obviously

495
00:21:46,720 --> 00:21:49,080
Speaker 1: because we can't say exactly the same way, which doesn't

496
00:21:49,080 --> 00:21:52,000
Speaker 1: make sense, but it doesn't who I mean, it's the

497
00:21:52,040 --> 00:21:54,520
Speaker 1: Truman Show and there's water coming from the ceiling, so I.

498
00:21:54,480 --> 00:21:57,280
Speaker 4: Know, I just I can't believe how early in life

499
00:21:57,480 --> 00:22:00,800
Speaker 4: Eric was on streaming his life, right. Yeah.

500
00:22:01,040 --> 00:22:03,600
Speaker 1: One of the first is this pre or post what's

501
00:22:03,600 --> 00:22:07,680
Speaker 1: it called ed TV, the one with at the same time,

502
00:22:07,800 --> 00:22:10,000
Speaker 1: which was kind of like the first one about streaming

503
00:22:10,040 --> 00:22:11,879
Speaker 1: your life places, and I mean, it was all.

504
00:22:11,720 --> 00:22:13,359
Speaker 6: This anxiety about reality TV.

505
00:22:13,520 --> 00:22:14,640
Speaker 2: You know, what does it mean?

506
00:22:14,960 --> 00:22:17,359
Speaker 6: Is this entertainment? And are we exploiting people?

507
00:22:17,520 --> 00:22:17,680
Speaker 1: Now?

508
00:22:17,720 --> 00:22:20,919
Speaker 6: Everyone's just like, that's just that's just every human everybody

509
00:22:20,960 --> 00:22:22,200
Speaker 6: is their own reality TV show.

510
00:22:22,240 --> 00:22:24,399
Speaker 2: Yep, We're all just ourselves.

511
00:22:25,760 --> 00:22:27,600
Speaker 4: So we're back in the student union. Louie and a

512
00:22:27,600 --> 00:22:30,040
Speaker 4: group of excited college boys are gathered around the TV,

513
00:22:30,240 --> 00:22:32,840
Speaker 4: cheering at the screen. Jack walks by and wonders what's

514
00:22:32,880 --> 00:22:35,600
Speaker 4: all the excitement. Louie can't wait to tell him eleven am,

515
00:22:35,720 --> 00:22:37,680
Speaker 4: she just got back from the gym. A little sweaty,

516
00:22:37,920 --> 00:22:39,800
Speaker 4: very sexy drives me crazy, dude.

517
00:22:40,000 --> 00:22:43,440
Speaker 6: I love everybody sitting with the TV off to the.

518
00:22:43,440 --> 00:22:46,800
Speaker 4: Side, as opposed to putting it in front of them,

519
00:22:47,200 --> 00:22:48,040
Speaker 4: which you can't do.

520
00:22:49,000 --> 00:22:51,800
Speaker 6: The couch even to face that way. It's just such

521
00:22:51,800 --> 00:22:52,800
Speaker 6: an awkward position.

522
00:22:53,160 --> 00:22:55,919
Speaker 1: How about the fact though, that they're they're watching this

523
00:22:56,040 --> 00:22:57,520
Speaker 1: show as as a group.

524
00:22:59,000 --> 00:23:04,000
Speaker 2: Matt was just on the television screen, right you think?

525
00:23:04,480 --> 00:23:07,840
Speaker 1: He walks again and he's like, what are they doing? Like, Oh,

526
00:23:07,960 --> 00:23:10,000
Speaker 1: there's this awesome show. Weren't you just watching?

527
00:23:10,040 --> 00:23:13,399
Speaker 3: You were just watching seconds ago? So that I watched

528
00:23:13,480 --> 00:23:15,520
Speaker 3: him in the brew Lagoon commercials, they.

529
00:23:15,440 --> 00:23:16,000
Speaker 6: Can't take of.

530
00:23:18,240 --> 00:23:21,320
Speaker 1: How do they not recognize the guy that was literally

531
00:23:21,480 --> 00:23:23,640
Speaker 1: just on screen fifteen seconds ago?

532
00:23:24,280 --> 00:23:28,280
Speaker 4: So so Jack has no idea what he's referring to.

533
00:23:28,359 --> 00:23:31,280
Speaker 4: So Louis simply points to the TV her and there

534
00:23:31,280 --> 00:23:33,639
Speaker 4: they are Eric and Rachel right there on the screen.

535
00:23:34,040 --> 00:23:36,399
Speaker 4: Eric is playing with sock puppets and Rachel is holding

536
00:23:36,440 --> 00:23:39,360
Speaker 4: laundry in the background, wearing only a towel. I guess

537
00:23:39,400 --> 00:23:42,080
Speaker 4: she's looking for her clothes she's gonna wear that day.

538
00:23:42,160 --> 00:23:45,680
Speaker 2: She got to go in the in the showers exactly.

539
00:23:46,400 --> 00:23:49,280
Speaker 4: Louie points out the girl behind the unpopular guy doing

540
00:23:49,320 --> 00:23:51,880
Speaker 4: the puppet show. Jack's jaw is on the floor. What

541
00:23:52,040 --> 00:23:55,840
Speaker 4: is going on? And then we're in a new set

542
00:23:56,440 --> 00:24:01,040
Speaker 4: at a brunch and I for a second when the

543
00:24:01,080 --> 00:24:03,119
Speaker 4: scene started, I felt like I did at the beginning

544
00:24:03,119 --> 00:24:06,720
Speaker 4: of season six with all of these storylines with the

545
00:24:06,760 --> 00:24:08,320
Speaker 4: three of them in the apartment, I was like, did

546
00:24:08,359 --> 00:24:08,840
Speaker 4: I mit we.

547
00:24:09,760 --> 00:24:10,639
Speaker 3: Are they on vacation?

548
00:24:10,800 --> 00:24:11,280
Speaker 4: Did I miss this?

549
00:24:11,640 --> 00:24:12,000
Speaker 1: Is it a be?

550
00:24:12,520 --> 00:24:14,240
Speaker 3: Where are we? And why?

551
00:24:14,480 --> 00:24:16,439
Speaker 4: Like it started on Phoenie, so I was like, Okay,

552
00:24:16,520 --> 00:24:19,480
Speaker 4: Phoenie's there, but where they're.

553
00:24:19,280 --> 00:24:22,399
Speaker 3: In a hotel? I had no idea what was going on.

554
00:24:22,520 --> 00:24:25,040
Speaker 5: The only news set that really works in my mind

555
00:24:25,119 --> 00:24:27,640
Speaker 5: is the student union, like everything else that's been introduced.

556
00:24:27,720 --> 00:24:31,359
Speaker 5: Actually the classroom felt somewhat comfortable this time, yeah, but

557
00:24:31,520 --> 00:24:35,000
Speaker 5: like otherwise, it's just every time, like what where are we?

558
00:24:35,280 --> 00:24:36,680
Speaker 6: I know what hallway is this?

559
00:24:36,760 --> 00:24:37,200
Speaker 2: Where?

560
00:24:37,200 --> 00:24:38,200
Speaker 6: Where are the dorms?

561
00:24:38,320 --> 00:24:39,280
Speaker 3: The whose room?

562
00:24:39,400 --> 00:24:42,000
Speaker 6: It's just I don't know if something's off, and I

563
00:24:42,000 --> 00:24:42,280
Speaker 6: don't know.

564
00:24:42,680 --> 00:24:45,560
Speaker 5: Maybe it's just that I don't actually remember filming in

565
00:24:45,560 --> 00:24:46,760
Speaker 5: them because walking do.

566
00:24:46,760 --> 00:24:48,480
Speaker 2: You not remember this? Do you not remember this at all?

567
00:24:49,400 --> 00:24:52,480
Speaker 2: Like the sets, the scene and none of you know?

568
00:24:52,520 --> 00:24:53,040
Speaker 6: What's funny?

569
00:24:53,240 --> 00:24:56,600
Speaker 5: Some lines came back to me, like the stuff where

570
00:24:56,640 --> 00:24:58,560
Speaker 5: Ben and I were like mocking each like doing in

571
00:24:58,560 --> 00:25:01,920
Speaker 5: the kitchen, what's bad Yeah, and like that, like my

572
00:25:01,960 --> 00:25:05,600
Speaker 5: brain started going like, oh yes, like I remember this,

573
00:25:05,800 --> 00:25:08,240
Speaker 5: Like I have an echo of me and Ben having

574
00:25:08,480 --> 00:25:11,120
Speaker 5: like loving these bits, and you can tell having.

575
00:25:10,920 --> 00:25:12,640
Speaker 6: So much fun and this is so much fun.

576
00:25:12,840 --> 00:25:14,840
Speaker 5: You know this is by this time Ben and I

577
00:25:14,920 --> 00:25:17,760
Speaker 5: just have mind meld, you know, actor mind beld, and

578
00:25:17,800 --> 00:25:21,560
Speaker 5: so I could feel that coming back. But no, I

579
00:25:21,560 --> 00:25:23,359
Speaker 5: couldn't have told you why we were doing that. I

580
00:25:23,400 --> 00:25:25,320
Speaker 5: just knew, like if you had played that scene for me,

581
00:25:25,520 --> 00:25:25,800
Speaker 5: I'd be.

582
00:25:25,800 --> 00:25:26,880
Speaker 6: Like, oh, yeah, yeah that one.

583
00:25:26,880 --> 00:25:30,760
Speaker 5: But no, Foenie grades what none of it?

584
00:25:31,040 --> 00:25:33,080
Speaker 4: Yeah, so funny. I only remember the soup.

585
00:25:34,200 --> 00:25:36,680
Speaker 1: Yeah, I remember some of the stuff I remember, Well,

586
00:25:36,720 --> 00:25:38,439
Speaker 1: we'll get to it. I remember the two women clutching

587
00:25:38,440 --> 00:25:39,160
Speaker 1: the pillows.

588
00:25:39,680 --> 00:25:42,240
Speaker 3: Oh I remember that.

589
00:25:42,560 --> 00:25:44,520
Speaker 1: Yeah, it's true. It's a Truman Show trope, so that

590
00:25:44,600 --> 00:25:49,359
Speaker 1: I remembered it is really just it was. It's a

591
00:25:49,400 --> 00:25:51,480
Speaker 1: straight take from that, I mean, down to what I'm wearing.

592
00:25:51,680 --> 00:25:52,959
Speaker 1: It's it's it's exactly.

593
00:25:55,280 --> 00:25:56,240
Speaker 2: Yeah And.

594
00:25:57,880 --> 00:26:05,840
Speaker 3: No, no, no, Harris.

595
00:26:03,560 --> 00:26:07,399
Speaker 2: Ed As that character would have been so fun. Is

596
00:26:07,520 --> 00:26:08,560
Speaker 2: so much different.

597
00:26:09,080 --> 00:26:12,199
Speaker 3: If I just keep naming Ed's will eventually get there. No,

598
00:26:12,480 --> 00:26:13,280
Speaker 3: I don't want to move on.

599
00:26:13,440 --> 00:26:16,480
Speaker 2: Name another one. You've done two now third ed.

600
00:26:18,480 --> 00:26:27,920
Speaker 4: Edward Edward House, I worked with him. I already said

601
00:26:28,119 --> 00:26:28,520
Speaker 4: ed TV.

602
00:26:28,840 --> 00:26:32,040
Speaker 2: So the word ed has been said more times exactly.

603
00:26:34,080 --> 00:26:36,639
Speaker 4: Okay. So Phoene sits at a table while a chef

604
00:26:36,680 --> 00:26:39,800
Speaker 4: makes Sean an omelet. Sean is concerned the chef didn't

605
00:26:39,800 --> 00:26:42,879
Speaker 4: actually put three cheeses in there? Where's the gouda? The

606
00:26:42,960 --> 00:26:45,439
Speaker 4: chef fixes the issue, but doesn't say anything because that

607
00:26:45,480 --> 00:26:47,160
Speaker 4: would trigger sag fees.

608
00:26:50,240 --> 00:26:52,280
Speaker 6: A scene with him time.

609
00:26:54,359 --> 00:26:55,480
Speaker 2: But Sean's back.

610
00:26:57,600 --> 00:26:58,399
Speaker 4: So good.

611
00:26:59,480 --> 00:27:02,000
Speaker 5: You can my whole body language is differ. Yeah, it's

612
00:27:02,000 --> 00:27:04,680
Speaker 5: like I'm just inhabiting the character again.

613
00:27:04,880 --> 00:27:08,480
Speaker 1: Feels the same, and you're having fun and you can

614
00:27:08,600 --> 00:27:10,920
Speaker 1: tell you're having fun of it, and I really hope.

615
00:27:10,960 --> 00:27:14,440
Speaker 5: I mean, so it's like all this pressure when we're

616
00:27:14,480 --> 00:27:16,639
Speaker 5: the A story, you know, like I just want us

617
00:27:16,640 --> 00:27:18,480
Speaker 5: to be the Bee story more because this is so

618
00:27:18,600 --> 00:27:19,399
Speaker 5: much nicer.

619
00:27:19,480 --> 00:27:22,520
Speaker 2: Min man, that's mine.

620
00:27:23,560 --> 00:27:26,000
Speaker 3: Sean is satisfied. There's a lot writing on these eggs.

621
00:27:26,240 --> 00:27:28,439
Speaker 4: Then Corey runs up with a waffle he made for Feeni,

622
00:27:28,520 --> 00:27:31,200
Speaker 4: complete with blueberry eyes and a whip cream smile. Sean

623
00:27:31,240 --> 00:27:33,040
Speaker 4: thinks their plan is going to work, but Corey is

624
00:27:33,080 --> 00:27:36,199
Speaker 4: concerned it's a Tad morally wrong. Sean brushes him off.

625
00:27:36,240 --> 00:27:38,040
Speaker 4: All we're doing is treating the man who has been

626
00:27:38,080 --> 00:27:40,639
Speaker 4: a driving force in our lives to a brunch, and

627
00:27:40,720 --> 00:27:43,080
Speaker 4: if he happens to go a little easier on us

628
00:27:43,080 --> 00:27:46,080
Speaker 4: in class because of it, so be it. The guys

629
00:27:46,119 --> 00:27:48,120
Speaker 4: take their seats with Phoenie and serve him the waffle

630
00:27:48,119 --> 00:27:50,879
Speaker 4: and omelet they so graciously retrieved from the bet for

631
00:27:51,000 --> 00:27:54,600
Speaker 4: the best educator in America. Sean even counts the three cheeses,

632
00:27:54,600 --> 00:27:58,560
Speaker 4: and Foene grins, I do like Gouda, I like that

633
00:27:58,600 --> 00:28:04,880
Speaker 4: you go. I knew that, I knew that, I knew that.

634
00:28:05,840 --> 00:28:09,840
Speaker 4: Phoene assures them brunch really wasn't necessary. Sean insists, it's

635
00:28:09,880 --> 00:28:12,960
Speaker 4: our way of saying things. On cue. A finally dressed

636
00:28:13,000 --> 00:28:15,879
Speaker 4: waiter brings walks by with another bottle of champagne, and

637
00:28:15,920 --> 00:28:18,920
Speaker 4: Corey happily pours it into Phoene's glass. Sean admits they're

638
00:28:18,960 --> 00:28:21,320
Speaker 4: just happy to sneak away from their studies for a moment.

639
00:28:21,680 --> 00:28:25,320
Speaker 4: Phoene asks been burning the midnight oil? Have you? Corey

640
00:28:25,320 --> 00:28:27,920
Speaker 4: turns on the drama They are killing us. I mean

641
00:28:27,920 --> 00:28:32,879
Speaker 4: that Professor Williams is a sadist. Phoenix why why why.

642
00:28:32,720 --> 00:28:33,760
Speaker 2: Make it Professor Williams.

643
00:28:33,840 --> 00:28:36,080
Speaker 1: This is now the second and third time they've named

644
00:28:36,080 --> 00:28:39,520
Speaker 1: a character after another character that was written on Jonathan.

645
00:28:39,720 --> 00:28:42,080
Speaker 4: Yeah, there was a guy was Jonathan. Now we have

646
00:28:42,320 --> 00:28:43,920
Speaker 4: the Professor Williams.

647
00:28:43,960 --> 00:28:47,080
Speaker 2: Like why we can't we three names in the whole history?

648
00:28:47,560 --> 00:28:48,840
Speaker 2: Like why is that necessary?

649
00:28:49,000 --> 00:28:49,680
Speaker 6: Keeping track?

650
00:28:50,200 --> 00:28:54,840
Speaker 5: I mean, would anybody I means on the show like.

651
00:28:54,800 --> 00:28:57,560
Speaker 6: Three years out twenty two episodes, which means how many

652
00:28:57,600 --> 00:29:00,240
Speaker 6: pitches and names and scripts that make one through just

653
00:29:00,280 --> 00:29:01,440
Speaker 6: to get to where they land?

654
00:29:03,280 --> 00:29:05,800
Speaker 2: Had Professor Williams on the show already and we wrote

655
00:29:05,840 --> 00:29:06,120
Speaker 2: him off.

656
00:29:06,880 --> 00:29:09,520
Speaker 5: This is like shows now have like bibles and like,

657
00:29:09,520 --> 00:29:11,760
Speaker 5: you know, the can just pictures.

658
00:29:11,440 --> 00:29:13,320
Speaker 3: On the wall of characters you've had.

659
00:29:13,440 --> 00:29:15,880
Speaker 6: But back then anybody was keeping track.

660
00:29:15,880 --> 00:29:18,720
Speaker 1: It's just I mean, it's just the easiest just sitting

661
00:29:18,720 --> 00:29:19,960
Speaker 1: there going why why why?

662
00:29:20,280 --> 00:29:22,880
Speaker 2: This is the second time they've done this now why? Yeah?

663
00:29:22,960 --> 00:29:23,640
Speaker 2: I didn't get it.

664
00:29:23,760 --> 00:29:27,000
Speaker 4: Phoene explains there's always one tough class, but the boys

665
00:29:27,000 --> 00:29:30,360
Speaker 4: wish that was the case. They're all ridiculous. Shawn instantly

666
00:29:30,400 --> 00:29:33,200
Speaker 4: offers phoenea scone. Phoene says, well, no, he has too

667
00:29:33,280 --> 00:29:36,479
Speaker 4: much food already. But Sean disagrees. He calls Phoene ripped

668
00:29:36,720 --> 00:29:42,320
Speaker 4: and cut. Cory then offers sim some jelly.

669
00:29:42,680 --> 00:29:44,600
Speaker 3: Phoene cuts to the chase, what's the deal?

670
00:29:44,880 --> 00:29:48,480
Speaker 4: They play dumb, and Corey explains, your words hurt like fists.

671
00:29:48,520 --> 00:29:48,960
Speaker 2: I love that.

672
00:29:52,080 --> 00:29:53,200
Speaker 6: Hurt like fists.

673
00:29:53,640 --> 00:29:56,840
Speaker 4: They're merely taking him out as a thank you. Sean adds,

674
00:29:56,840 --> 00:29:58,880
Speaker 4: and we know that you've got a vested interest in

675
00:29:58,960 --> 00:30:01,840
Speaker 4: us and want to see us do well, and Phoene agrees.

676
00:30:02,400 --> 00:30:05,160
Speaker 4: Corey continues, we want you to know we'll try very,

677
00:30:05,360 --> 00:30:07,800
Speaker 4: very hard in your class. Sean lay's on the pressure,

678
00:30:08,040 --> 00:30:10,320
Speaker 4: even though we've got so much work in all our

679
00:30:10,400 --> 00:30:13,520
Speaker 4: other classes. They're killing us. We can't even breathe. But

680
00:30:13,600 --> 00:30:16,400
Speaker 4: Corey assures him we do not want any special treatment

681
00:30:16,520 --> 00:30:19,440
Speaker 4: or consideration, and Sean continues on, and we don't want

682
00:30:19,440 --> 00:30:21,680
Speaker 4: you to think of this brunch as a bribe. Phoene

683
00:30:21,680 --> 00:30:24,920
Speaker 4: is unamused. You want an extension on your midterm papers?

684
00:30:25,320 --> 00:30:27,280
Speaker 4: Sean responds, without a second thought, we'll give you one

685
00:30:27,320 --> 00:30:28,440
Speaker 4: hundred bucks cash right now.

686
00:30:30,800 --> 00:30:32,680
Speaker 3: Phoene says they didn't have to go through all this.

687
00:30:32,800 --> 00:30:35,560
Speaker 4: If they need help, they can just ask. Corey pleads,

688
00:30:35,680 --> 00:30:39,160
Speaker 4: we just need a few days Sean offers four. Phoene

689
00:30:39,280 --> 00:30:44,040
Speaker 4: counters with three, so Sean negotiates against himself two too.

690
00:30:44,400 --> 00:30:46,200
Speaker 6: Dumb, Sean, I love it.

691
00:30:48,160 --> 00:30:48,760
Speaker 4: So cool.

692
00:30:49,360 --> 00:30:52,200
Speaker 5: I love this because there's a they didn't quite lean

693
00:30:52,280 --> 00:30:55,160
Speaker 5: into this enough for in my opinion. But there's a

694
00:30:55,160 --> 00:30:57,400
Speaker 5: little bit of the Member of the Pop Quiz episode

695
00:30:57,400 --> 00:30:59,840
Speaker 5: where it's like we are like, oh, we can get

696
00:30:59,880 --> 00:31:03,040
Speaker 5: the answers and then study, and then they're like, that's

697
00:31:03,440 --> 00:31:04,120
Speaker 5: called school.

698
00:31:04,280 --> 00:31:06,480
Speaker 6: There's a little bit of like, this is what college

699
00:31:06,520 --> 00:31:08,880
Speaker 6: is about. You just communicate with your teacher and.

700
00:31:08,840 --> 00:31:11,600
Speaker 5: You probably like they want you to learn, you know,

701
00:31:11,640 --> 00:31:13,720
Speaker 5: like they're not trying to have a gotcha moment. They're

702
00:31:13,760 --> 00:31:15,640
Speaker 5: trying to for you to If you need a couple

703
00:31:15,720 --> 00:31:18,640
Speaker 5: extra days, if you plan ahead, that's easy, you know

704
00:31:19,040 --> 00:31:21,320
Speaker 5: exactly let them know. And I kind of love that.

705
00:31:21,920 --> 00:31:24,600
Speaker 5: You know, they're like thinking they got one over on fee.

706
00:31:25,080 --> 00:31:27,240
Speaker 5: But you know there's another answer, which is just like.

707
00:31:27,440 --> 00:31:28,280
Speaker 6: Anybody can do this.

708
00:31:28,360 --> 00:31:29,000
Speaker 4: I just talked to me.

709
00:31:29,120 --> 00:31:32,040
Speaker 5: You know, you're a college student. Now, they're not legally

710
00:31:32,080 --> 00:31:33,080
Speaker 5: required to be here.

711
00:31:33,640 --> 00:31:38,000
Speaker 4: Correct. Correct. Also, you probably have a job and other response.

712
00:31:38,200 --> 00:31:41,400
Speaker 4: You may have children, for all I know, Like, yeah,

713
00:31:41,560 --> 00:31:44,080
Speaker 4: Phoene folds it too and pretends to be bummed about it.

714
00:31:44,200 --> 00:31:47,040
Speaker 4: Sean boasts, Now that's how you make a deal. Corey

715
00:31:47,120 --> 00:31:50,160
Speaker 4: isn't bothered. He offers phoene more bubbly, and then we're

716
00:31:50,200 --> 00:31:52,280
Speaker 4: back in the student union. Eric is back on the TV,

717
00:31:52,400 --> 00:31:55,080
Speaker 4: but this time he's showing the viewers how.

718
00:31:54,960 --> 00:31:55,840
Speaker 3: To eat soup.

719
00:31:56,680 --> 00:31:59,760
Speaker 4: If it's hot, you can blow on it. The college

720
00:31:59,840 --> 00:32:02,120
Speaker 4: viewers are bored out of their minds, waiting for something

721
00:32:02,160 --> 00:32:04,880
Speaker 4: good to happen. Back at the apartment, the door swings open.

722
00:32:04,960 --> 00:32:07,840
Speaker 4: It's Jack, he shouts, forcing Eric to drop the bowl

723
00:32:07,880 --> 00:32:08,840
Speaker 4: of soup on his lap.

724
00:32:09,520 --> 00:32:11,960
Speaker 3: You make a real funny little rat face.

725
00:32:12,320 --> 00:32:13,560
Speaker 2: And like a milling sound.

726
00:32:13,680 --> 00:32:16,120
Speaker 5: I wish the tag for this episode was just the

727
00:32:16,160 --> 00:32:18,560
Speaker 5: outtakes of Eric like trying like what what?

728
00:32:18,560 --> 00:32:20,560
Speaker 6: What the show that Eric was trying to do with

729
00:32:20,560 --> 00:32:21,280
Speaker 6: a sock puppet.

730
00:32:21,480 --> 00:32:25,160
Speaker 4: Honestly, every episode should end with just the outtakes of

731
00:32:25,200 --> 00:32:26,600
Speaker 4: what Will did that week?

732
00:32:26,800 --> 00:32:28,440
Speaker 3: It just every week should be.

733
00:32:28,400 --> 00:32:31,000
Speaker 5: That, in my I mean the fictional show that Eric

734
00:32:31,200 --> 00:32:34,280
Speaker 5: was trying to entertain, like before he realized this what

735
00:32:34,440 --> 00:32:35,080
Speaker 5: he was doing?

736
00:32:35,400 --> 00:32:36,040
Speaker 6: You about soup?

737
00:32:36,120 --> 00:32:36,840
Speaker 4: Like what else?

738
00:32:36,840 --> 00:32:39,040
Speaker 5: Would They could have come up with a hundred things

739
00:32:39,040 --> 00:32:41,600
Speaker 5: and just let Will do it, it would have been hysterical.

740
00:32:41,680 --> 00:32:43,680
Speaker 1: I went back and I watched The Puppet Show a

741
00:32:43,680 --> 00:32:45,600
Speaker 1: few times where I was like, what am I trying

742
00:32:45,640 --> 00:32:45,880
Speaker 1: to do?

743
00:32:46,040 --> 00:32:50,080
Speaker 2: Because they're kissing. They're kissing his face at the end,

744
00:32:50,120 --> 00:32:52,840
Speaker 2: and I was like, what was I What was I trying?

745
00:32:52,880 --> 00:32:56,320
Speaker 1: I watch a whole hour when I was planning, and

746
00:32:56,400 --> 00:32:57,040
Speaker 1: when you lift your.

747
00:32:57,040 --> 00:32:59,640
Speaker 4: Arms up, I don't know. Yeah, I was like, what,

748
00:33:01,480 --> 00:33:04,160
Speaker 4: Jack can't believe this? How long have you been filming us?

749
00:33:04,360 --> 00:33:08,320
Speaker 4: Eric's voice turns obsessed. It's not film, it's live, it's spontaneous,

750
00:33:08,360 --> 00:33:12,040
Speaker 4: it's unrehearsed. Absolutely anything can happen, even this. He pulls

751
00:33:12,120 --> 00:33:14,479
Speaker 4: Jack and close and forces him to dance. Back at

752
00:33:14,480 --> 00:33:16,960
Speaker 4: the student union, Louis tells his friends told you they

753
00:33:16,960 --> 00:33:18,760
Speaker 4: were gay, and one of the guy's hands him money

754
00:33:18,760 --> 00:33:21,600
Speaker 4: and defeat. Back at the apartment, Jack asks, why would

755
00:33:21,640 --> 00:33:25,160
Speaker 4: you do this? Eric turns dramatically vulnerable. You want to know.

756
00:33:25,520 --> 00:33:28,120
Speaker 4: I was afraid. Okay, I'm afraid to just be another

757
00:33:28,160 --> 00:33:30,480
Speaker 4: face in the college crowd. I just want people to

758
00:33:30,520 --> 00:33:32,640
Speaker 4: know me. Maybe if they do, then they'd come over

759
00:33:32,680 --> 00:33:34,400
Speaker 4: and sit with me in the morning and just drink

760
00:33:34,440 --> 00:33:38,920
Speaker 4: a cup of coffee. And here's he's explaining this, but

761
00:33:38,960 --> 00:33:42,000
Speaker 4: that wasn't he It wasn't bothering him. And he even

762
00:33:42,040 --> 00:33:44,520
Speaker 4: said when he said, you're sitting here alone and he's like,

763
00:33:44,560 --> 00:33:45,200
Speaker 4: I'm popular.

764
00:33:45,720 --> 00:33:48,080
Speaker 5: Yeah, But then he's also playing it as if he's

765
00:33:48,080 --> 00:33:49,960
Speaker 5: like heightening the drama to like what.

766
00:33:50,520 --> 00:33:53,600
Speaker 1: Then, but staring at Jack, I should have turned towards

767
00:33:53,680 --> 00:33:55,760
Speaker 1: the camera and like, you know what the problem, Like

768
00:33:55,800 --> 00:34:02,080
Speaker 1: I should have gone.

769
00:34:00,120 --> 00:34:02,440
Speaker 5: You were kind of I don't think they intended it,

770
00:34:02,480 --> 00:34:04,400
Speaker 5: and I think you were because I think the motivation

771
00:34:04,520 --> 00:34:06,760
Speaker 5: is so bad, like what Danielle's pointed out, like it

772
00:34:06,760 --> 00:34:09,440
Speaker 5: doesn't really make sense that you, just as an actor,

773
00:34:09,560 --> 00:34:12,879
Speaker 5: decided to heighten the melodrama. You make a big part

774
00:34:12,920 --> 00:34:15,160
Speaker 5: of the character, right, and so I feel like it

775
00:34:15,280 --> 00:34:17,879
Speaker 5: was not a directorial or writing choice that you were

776
00:34:17,960 --> 00:34:19,880
Speaker 5: just like this, I'm not going to actually have to

777
00:34:19,920 --> 00:34:20,640
Speaker 5: say this stupid.

778
00:34:20,760 --> 00:34:22,560
Speaker 1: I don't know, maybe like, but I'm just sitting there

779
00:34:22,560 --> 00:34:24,359
Speaker 1: going like why is he playing this to Jack? Turned

780
00:34:24,400 --> 00:34:26,480
Speaker 1: towards the camera, milk it, Like that's the whole point

781
00:34:26,560 --> 00:34:28,759
Speaker 1: is you want you you think you're trying to get.

782
00:34:29,080 --> 00:34:32,600
Speaker 1: So maybe his motivation is if my television show about

783
00:34:32,640 --> 00:34:36,319
Speaker 1: myself becomes popular, I'll become popular, so they're gonna want

784
00:34:36,320 --> 00:34:38,640
Speaker 1: the high drama and I'm going to turn but it wasn't.

785
00:34:38,680 --> 00:34:39,920
Speaker 2: It was then played to Jack.

786
00:34:40,120 --> 00:34:43,200
Speaker 1: So it's kind of in between, right, Yeah, yeah, that's

787
00:34:43,239 --> 00:34:45,200
Speaker 1: maybe that was my problem with this a story. Was

788
00:34:45,200 --> 00:34:47,759
Speaker 1: that a lot of it, like at the end, which

789
00:34:47,800 --> 00:34:50,000
Speaker 1: we'll get to where she's about to crawl over the

790
00:34:50,000 --> 00:34:53,640
Speaker 1: thing and I'm like losing it and I've created or shit, it.

791
00:34:53,560 --> 00:34:56,480
Speaker 2: Was in between? Is it melodrama? Did I mean it?

792
00:34:56,560 --> 00:34:59,080
Speaker 2: And so maybe I didn't commit to either one, and

793
00:34:59,120 --> 00:35:00,000
Speaker 2: that's what's throwing me.

794
00:35:00,080 --> 00:35:00,719
Speaker 6: I don't know who was.

795
00:35:00,960 --> 00:35:02,719
Speaker 2: Yeah, it was very odd to me.

796
00:35:14,880 --> 00:35:17,440
Speaker 4: Eric turns to the camera. He did this to be popular.

797
00:35:17,760 --> 00:35:20,120
Speaker 4: Louis is disgusted. How does he have a show and

798
00:35:20,160 --> 00:35:25,080
Speaker 4: I don't. Then Rachel appears, still in a towel. The

799
00:35:25,080 --> 00:35:27,879
Speaker 4: hornball dudes in the student union cheer uncontrollably.

800
00:35:27,960 --> 00:35:28,560
Speaker 1: There she is.

801
00:35:29,360 --> 00:35:32,440
Speaker 4: Rachel wants to know what's going on. Jack tells her, congratulations,

802
00:35:32,480 --> 00:35:35,239
Speaker 4: you're on TV. He turns on the television and there

803
00:35:35,320 --> 00:35:39,000
Speaker 4: she is. Apparently it's on every TV set just the

804
00:35:39,080 --> 00:35:41,960
Speaker 4: minute you turn it on. Is that so because you're

805
00:35:41,960 --> 00:35:50,040
Speaker 4: not on the college campus, it's just like in everyone

806
00:35:50,200 --> 00:35:52,640
Speaker 4: everyone in the near vicinity has this channel.

807
00:35:52,719 --> 00:35:58,480
Speaker 5: Yeah, channel channels, so like small telepublic, they would air it,

808
00:35:58,719 --> 00:36:02,520
Speaker 5: you know, in the in the air, literally airing waves

809
00:36:02,560 --> 00:36:03,200
Speaker 5: of television.

810
00:36:03,360 --> 00:36:07,000
Speaker 3: So apparently it's on every TV channel.

811
00:36:07,239 --> 00:36:10,400
Speaker 4: She is stunned. Who else is watching? Jack tells her

812
00:36:10,400 --> 00:36:13,400
Speaker 4: it's a big crowd at the student union. Rachel looks furious,

813
00:36:13,440 --> 00:36:15,520
Speaker 4: but Louie is eating it up. It's almost worth the

814
00:36:15,560 --> 00:36:17,640
Speaker 4: twenty three hours of crap just to get to this.

815
00:36:18,080 --> 00:36:21,000
Speaker 4: The dude's cheer and approval back on the TV. Rachel

816
00:36:21,000 --> 00:36:24,200
Speaker 4: sprints to her room, embarrassed. Eric doesn't get it. Everyone's

817
00:36:24,239 --> 00:36:26,839
Speaker 4: watching because of him. Jack says he knows for a

818
00:36:26,880 --> 00:36:29,799
Speaker 4: fact they're watching her. Eric doesn't get it. Why would

819
00:36:29,840 --> 00:36:31,680
Speaker 4: they watch her? She's not even dressed.

820
00:36:31,840 --> 00:36:33,800
Speaker 3: Oh.

821
00:36:34,200 --> 00:36:37,719
Speaker 4: He instantly gets it, and then we're back in Phoene's classroom.

822
00:36:37,880 --> 00:36:40,400
Speaker 4: Phoene tells the class he would like them to finish

823
00:36:40,480 --> 00:36:44,680
Speaker 4: reading the Canterbury Tales and be prepared to discuss Chaucer's intent.

824
00:36:44,880 --> 00:36:49,560
Speaker 6: I guess this is poetry, yeah, and German poetry is

825
00:36:49,600 --> 00:36:50,759
Speaker 6: what we are so stressed up.

826
00:36:51,480 --> 00:36:56,319
Speaker 4: It's too hard, guys, really sure he loves poetry, loves.

827
00:36:56,040 --> 00:37:01,440
Speaker 1: Poetry exactly what rhymes with extension, so yeah, hey, at

828
00:37:01,520 --> 00:37:04,400
Speaker 1: least they're they're keeping it consistent with what Phoene's teaching.

829
00:37:04,600 --> 00:37:05,320
Speaker 6: Yeah, for the most.

830
00:37:05,239 --> 00:37:06,600
Speaker 4: Part, it's a good point.

831
00:37:06,640 --> 00:37:07,040
Speaker 2: That's something.

832
00:37:08,120 --> 00:37:10,359
Speaker 4: As the students stand to leave, Phoene asks for one

833
00:37:10,400 --> 00:37:14,880
Speaker 4: more minute. He has their midterm papers. Angela prepares, well,

834
00:37:14,920 --> 00:37:18,200
Speaker 4: it's our first real big grades. Ta Panga doesn't understand

835
00:37:18,200 --> 00:37:20,319
Speaker 4: why she'd be nervous. She's a great student and she

836
00:37:20,400 --> 00:37:22,840
Speaker 4: worked really hard on it. To Pega turns to the

837
00:37:22,840 --> 00:37:26,120
Speaker 4: boys and reassures them remember this is only one grade.

838
00:37:26,520 --> 00:37:29,480
Speaker 4: Phoene places Corey in Sean's test face down on their desks.

839
00:37:29,719 --> 00:37:31,440
Speaker 4: The two boys look at each other and decide to

840
00:37:31,520 --> 00:37:34,400
Speaker 4: check at the same time. One, two, three. They flip

841
00:37:34,400 --> 00:37:37,520
Speaker 4: over the papers in unison. Sean squeals, haha, I got

842
00:37:37,520 --> 00:37:41,880
Speaker 4: a bee. Corey beams me too. To Pega's very happy

843
00:37:41,920 --> 00:37:44,000
Speaker 4: for both of them. Then she looks at her own paper,

844
00:37:44,080 --> 00:37:46,719
Speaker 4: adding that Corey's parents will be very proud. What is this?

845
00:37:49,280 --> 00:37:50,880
Speaker 3: Sean points out that it's a bee.

846
00:37:50,920 --> 00:37:53,560
Speaker 4: They all got the same grade. Angela jumps in, I

847
00:37:53,600 --> 00:37:56,279
Speaker 4: got a B plus, but to Pega doesn't care. How

848
00:37:56,280 --> 00:37:58,680
Speaker 4: did I get the same grade as these two schlubs

849
00:37:59,280 --> 00:38:01,600
Speaker 4: the gang leaves. In the middle of Tabanga's breakdown, she's

850
00:38:01,680 --> 00:38:02,680
Speaker 4: very concerned.

851
00:38:02,719 --> 00:38:05,520
Speaker 5: Like, my favorite moment of the entire episode is when

852
00:38:05,520 --> 00:38:08,160
Speaker 5: Ben and I do that little like one two three flip.

853
00:38:08,239 --> 00:38:11,279
Speaker 5: It's so, yeah, you know why, I'm trying to think

854
00:38:11,280 --> 00:38:14,520
Speaker 5: about what it's because it's not a joke. It's just

855
00:38:15,000 --> 00:38:17,759
Speaker 5: it's it's just watching Corey and Sean be friends. And

856
00:38:17,800 --> 00:38:20,960
Speaker 5: it's like, yeah, so long since they they're not like

857
00:38:21,280 --> 00:38:23,960
Speaker 5: and you're just watching that they have like their own language,

858
00:38:24,000 --> 00:38:26,960
Speaker 5: their own stuff. And it was like very real, you know,

859
00:38:27,040 --> 00:38:28,759
Speaker 5: like we played it for real, like we're like, okay,

860
00:38:28,800 --> 00:38:31,880
Speaker 5: are you ready, And it was like it wasn't performative friendship.

861
00:38:32,000 --> 00:38:34,320
Speaker 6: It was just you know, which is you know, obviously.

862
00:38:33,960 --> 00:38:36,600
Speaker 5: The point of a show is to perform the friendship

863
00:38:36,640 --> 00:38:38,720
Speaker 5: and whatever. But in that moment, it was just felt

864
00:38:38,760 --> 00:38:41,920
Speaker 5: like a real friendship. And I was just like, yeah, I'm.

865
00:38:41,719 --> 00:38:43,680
Speaker 6: Seeing like a quiet moment.

866
00:38:44,000 --> 00:38:47,040
Speaker 5: Moment of like Corey and Sean and also Ben and

867
00:38:47,120 --> 00:38:49,160
Speaker 5: Ryder to a certain extent too. It was like it

868
00:38:49,239 --> 00:38:51,440
Speaker 5: was just so relaxed, and I just had this like

869
00:38:51,520 --> 00:38:55,560
Speaker 5: little window of like, oh right, that was that's friendship,

870
00:38:55,600 --> 00:38:57,640
Speaker 5: and that was in my life too, Like there was

871
00:38:57,680 --> 00:39:00,799
Speaker 5: this like casual like confidence and just like we're in

872
00:39:00,880 --> 00:39:01,400
Speaker 5: this together.

873
00:39:01,480 --> 00:39:03,560
Speaker 6: I don't know, it was really you're also but you're.

874
00:39:03,440 --> 00:39:07,160
Speaker 1: Also no longer the relationship because the relationship has become

875
00:39:07,239 --> 00:39:10,320
Speaker 1: Corey Topanga right, and Sean's kind of Sean Angela. And

876
00:39:10,400 --> 00:39:12,400
Speaker 1: then they broke up, so Sean's kind of on an

877
00:39:12,440 --> 00:39:14,840
Speaker 1: island a bit. So it's nice to just it's like

878
00:39:14,880 --> 00:39:15,839
Speaker 1: it's Corey and Shawn again.

879
00:39:15,840 --> 00:39:16,520
Speaker 6: That's what I felt.

880
00:39:16,760 --> 00:39:18,120
Speaker 2: I liked that moment.

881
00:39:18,160 --> 00:39:20,239
Speaker 1: But you guys in the next scene with Alan just

882
00:39:20,800 --> 00:39:23,239
Speaker 1: playing off of each other, I could watch, which is yes.

883
00:39:24,239 --> 00:39:26,720
Speaker 3: That is like, you know, the performative it wasting.

884
00:39:26,800 --> 00:39:29,359
Speaker 6: This was like there's no joke, there's no point to this.

885
00:39:29,480 --> 00:39:32,520
Speaker 6: It's just seeing them living and like I just felt it.

886
00:39:32,520 --> 00:39:33,279
Speaker 6: It was it just.

887
00:39:33,200 --> 00:39:33,799
Speaker 5: Warmed my heart.

888
00:39:34,280 --> 00:39:35,760
Speaker 4: That's so sweet.

889
00:39:36,760 --> 00:39:38,600
Speaker 3: She turns to the student next to her. What did

890
00:39:38,640 --> 00:39:39,000
Speaker 3: you get?

891
00:39:39,280 --> 00:39:41,920
Speaker 4: Sean and Corey thank Feoene for the bees. Phoene retorts,

892
00:39:41,920 --> 00:39:44,560
Speaker 4: don't think me. You did the work, Corey grinns. Believe me,

893
00:39:44,640 --> 00:39:46,520
Speaker 4: you're gonna be just as happy with the next one.

894
00:39:46,920 --> 00:39:49,160
Speaker 4: Phoene asks, are you aware that the next paper was

895
00:39:49,200 --> 00:39:52,080
Speaker 4: due yesterday? They quickly tried their best to come up

896
00:39:52,120 --> 00:39:54,920
Speaker 4: with an excuse. Corey finally lands on, that's what we

897
00:39:54,960 --> 00:39:56,960
Speaker 4: wanted to talk to you about. Remember how you said

898
00:39:57,000 --> 00:39:59,920
Speaker 4: we can always come to you. Well we're here, sewn.

899
00:40:00,320 --> 00:40:04,399
Speaker 4: How about three days. Phoene responds, no days. Sean tries

900
00:40:04,440 --> 00:40:09,160
Speaker 4: again two days, and Phoenie reiterates no days. Corey tries

901
00:40:09,200 --> 00:40:13,040
Speaker 4: to intervene, but Sean shushes him. He's negotiating. Phoenie wants

902
00:40:13,080 --> 00:40:15,799
Speaker 4: to understand this. You just decided that I would give

903
00:40:15,840 --> 00:40:19,200
Speaker 4: you another extension. Corey explains, well, because of our long

904
00:40:19,280 --> 00:40:23,520
Speaker 4: history together. Phoene is unamused. So you just didn't bother

905
00:40:23,680 --> 00:40:26,360
Speaker 4: to do the papers at all. There's a moment of silence,

906
00:40:26,400 --> 00:40:28,600
Speaker 4: and then Corey goes back to an old favorite.

907
00:40:29,040 --> 00:40:30,040
Speaker 3: They're killing us.

908
00:40:31,120 --> 00:40:34,480
Speaker 4: Phoene responds, I see, well, there's no need for you

909
00:40:34,600 --> 00:40:36,840
Speaker 4: to turn in your papers at all. Boys, Sean and

910
00:40:36,880 --> 00:40:41,040
Speaker 4: Corey smirk at this news sounds good. Phoene continues, I

911
00:40:41,040 --> 00:40:43,239
Speaker 4: can give you your grades right now. The boys are

912
00:40:43,280 --> 00:40:46,719
Speaker 4: still smiling even better, but he snaps them back to reality.

913
00:40:47,160 --> 00:40:48,479
Speaker 3: You both get f's.

914
00:40:49,000 --> 00:40:51,600
Speaker 4: The boys can't believe this. That's not fair, Phoene says,

915
00:40:51,600 --> 00:40:55,200
Speaker 4: there's nothing more to discuss. Meanwhile, to Penga shouts Phaine.

916
00:40:55,600 --> 00:40:57,719
Speaker 4: He looks at her wide eyed, huh oh, and he

917
00:40:57,800 --> 00:41:00,680
Speaker 4: runs out of the classroom door to Panga follows close behind.

918
00:41:00,719 --> 00:41:02,920
Speaker 3: Don't you run away from me, you old goat?

919
00:41:04,000 --> 00:41:08,920
Speaker 1: Wow wow great, you just like, oh god, it's the

920
00:41:08,960 --> 00:41:13,280
Speaker 1: only person that Phoenie to be afraid of is to Panga.

921
00:41:13,120 --> 00:41:14,760
Speaker 2: Right, it's just great.

922
00:41:14,880 --> 00:41:18,319
Speaker 4: I do love it. Left behind, the boys are disappointed.

923
00:41:18,440 --> 00:41:21,560
Speaker 4: Sean admits I thought he was our friend. Cory agrees,

924
00:41:21,680 --> 00:41:23,560
Speaker 4: he gave us an extension on the mid term. What's

925
00:41:23,600 --> 00:41:26,000
Speaker 4: the big deal with this one? Sean feels like he's

926
00:41:26,000 --> 00:41:28,440
Speaker 4: two different people. Corey nods, I thought we had a

927
00:41:28,480 --> 00:41:31,359
Speaker 4: special relationship with him. And then on cue, right out

928
00:41:31,400 --> 00:41:34,680
Speaker 4: the window we see Tapanga angrily chasing Phoene down. Phoenie,

929
00:41:35,200 --> 00:41:39,480
Speaker 4: you change this, and then we have a rare return

930
00:41:39,600 --> 00:41:43,760
Speaker 4: to the Matthew's kitchen. Yeah so nice. Phoene is sitting

931
00:41:43,760 --> 00:41:46,560
Speaker 4: with Alan is a pregnant Amy, serving some cookies. Since

932
00:41:46,560 --> 00:41:48,440
Speaker 4: they haven't picked a name for the baby yet, Phoene

933
00:41:48,440 --> 00:41:51,080
Speaker 4: throws out an idea, I myself have always been partial

934
00:41:51,120 --> 00:41:55,799
Speaker 4: to George. Alan wonders, George, George Matthews, we'll throw that

935
00:41:55,840 --> 00:41:59,160
Speaker 4: into the hat. Phoene explains that the Germanic origin of

936
00:41:59,200 --> 00:42:02,280
Speaker 4: his name means watch out, the sheep are coming.

937
00:42:03,000 --> 00:42:04,040
Speaker 6: I don't think that's true.

938
00:42:04,120 --> 00:42:04,520
Speaker 2: I don't think.

939
00:42:04,560 --> 00:42:07,040
Speaker 4: I don't think it is just a little, you.

940
00:42:07,000 --> 00:42:09,280
Speaker 6: Know, Foie making up a fact.

941
00:42:09,040 --> 00:42:11,480
Speaker 4: I know, I'm not sure about that.

942
00:42:11,719 --> 00:42:12,880
Speaker 3: Is he doing it as a joke.

943
00:42:13,080 --> 00:42:15,080
Speaker 2: I mean, I think he's joking, right, it's I think

944
00:42:15,120 --> 00:42:15,799
Speaker 2: everybody knows.

945
00:42:15,880 --> 00:42:17,520
Speaker 6: But then the way that it's I don't.

946
00:42:18,080 --> 00:42:18,719
Speaker 2: I don't know either.

947
00:42:20,120 --> 00:42:21,839
Speaker 6: I think it joke.

948
00:42:22,800 --> 00:42:26,400
Speaker 4: The name George originates from the Greek word giorgos, meaning

949
00:42:26,640 --> 00:42:31,799
Speaker 4: farmer or earthworker. Okay, okay, all right, all right, so

950
00:42:31,840 --> 00:42:34,000
Speaker 4: that's kind of it's a player coming.

951
00:42:34,120 --> 00:42:37,560
Speaker 6: Sheep is Jason.

952
00:42:42,640 --> 00:42:46,080
Speaker 4: Amy is suddenly now less intrigued, sarcastically saying they all

953
00:42:46,120 --> 00:42:48,719
Speaker 4: think on that. Then Corey and Sean walk in. They

954
00:42:48,719 --> 00:42:51,960
Speaker 4: spot Foenie and asked what he's doing here. Alan asks

955
00:42:52,000 --> 00:42:54,160
Speaker 4: them about the tension. Sean replies, well, why don't you

956
00:42:54,200 --> 00:42:58,000
Speaker 4: ask him? Amy reminds them it's mister Feenie to them,

957
00:42:58,320 --> 00:43:00,840
Speaker 4: but Feenie interjects, this is simple a matter between a

958
00:43:00,840 --> 00:43:03,520
Speaker 4: teacher and his students. But Alan won't stand for it.

959
00:43:03,520 --> 00:43:05,719
Speaker 4: He demands that the boys never use that tone of

960
00:43:05,760 --> 00:43:10,040
Speaker 4: voice with this man. Corey argues, this man in the back,

961
00:43:10,160 --> 00:43:13,320
Speaker 4: Rusty plays it really hard. It's very serious.

962
00:43:13,880 --> 00:43:17,560
Speaker 6: Too much for me, it was I.

963
00:43:17,480 --> 00:43:20,160
Speaker 5: Think the lines could have worked, but they pushed it

964
00:43:20,200 --> 00:43:22,279
Speaker 5: and Rusty. I think maybe Rusty was actually in a

965
00:43:22,320 --> 00:43:22,960
Speaker 5: bad movie.

966
00:43:23,200 --> 00:43:23,640
Speaker 6: I don't know.

967
00:43:24,480 --> 00:43:25,520
Speaker 4: Maybe he was upset.

968
00:43:25,280 --> 00:43:28,280
Speaker 6: Because Ben and I had lost a couple of takes already, like.

969
00:43:28,120 --> 00:43:30,680
Speaker 5: By maybe I don't know, but I was like, this

970
00:43:30,719 --> 00:43:33,239
Speaker 5: is a weird choice and it's a little too too much.

971
00:43:33,280 --> 00:43:34,480
Speaker 3: I agree, it was a little.

972
00:43:34,560 --> 00:43:37,680
Speaker 4: It was a little like, oh, half half the room

973
00:43:38,200 --> 00:43:42,960
Speaker 4: is in a same one and the other half of

974
00:43:43,000 --> 00:43:46,280
Speaker 4: the room is and feeling yea very upset.

975
00:43:46,600 --> 00:43:49,000
Speaker 3: Yeah, so phoene is sorry they feel that way.

976
00:43:49,040 --> 00:43:51,680
Speaker 4: He walks toward the door, telling Amy, this coffee is

977
00:43:51,719 --> 00:43:54,919
Speaker 4: so good. I'm taking it with me now. With Feeney gone,

978
00:43:55,080 --> 00:43:57,640
Speaker 4: Amy narrows her eyes at the boys. This better be

979
00:43:57,719 --> 00:43:59,880
Speaker 4: real good. Alan doesn't even want to hear about it.

980
00:43:59,880 --> 00:44:02,200
Speaker 4: They were incredibly rude. He's gonna punish them right now.

981
00:44:02,560 --> 00:44:05,080
Speaker 4: Corey reminds his dad, you can't punish us. We're in college.

982
00:44:05,320 --> 00:44:08,480
Speaker 4: Alan suggests, how about I hit you so hard you're

983
00:44:08,560 --> 00:44:09,600
Speaker 4: back in high school.

984
00:44:10,640 --> 00:44:14,600
Speaker 1: Wow, it seems like an escalation that didn't yet it necessarily, but.

985
00:44:14,560 --> 00:44:18,680
Speaker 5: Also it starts there like the second and I'm gonna.

986
00:44:21,040 --> 00:44:21,600
Speaker 6: We're not.

987
00:44:21,840 --> 00:44:22,120
Speaker 1: I don't know.

988
00:44:24,400 --> 00:44:27,400
Speaker 4: Corey and Sean say Pheenie double crossed them, and Corey

989
00:44:27,440 --> 00:44:29,640
Speaker 4: tells his version of the story. We came to him

990
00:44:29,760 --> 00:44:32,320
Speaker 4: as friends and told him how swamped we were with

991
00:44:32,400 --> 00:44:35,239
Speaker 4: our other classes. Sean picks up the story, explaining that

992
00:44:35,280 --> 00:44:38,040
Speaker 4: Pheenie let them slide on the midterm because he understood.

993
00:44:38,480 --> 00:44:41,200
Speaker 4: Then Corey says, he kills us on the next paper.

994
00:44:41,560 --> 00:44:44,040
Speaker 4: Amy wonders, and what was your great? Corey shouts, we

995
00:44:44,080 --> 00:44:46,799
Speaker 4: didn't even turn it in. He thinks that's an f

996
00:44:47,280 --> 00:44:51,000
Speaker 4: He didn't even let them explain. Alan repeats their problem

997
00:44:51,080 --> 00:44:53,720
Speaker 4: back to them, just to make sure he's understanding this correctly.

998
00:44:54,120 --> 00:44:55,640
Speaker 3: They believed Feenie would let them.

999
00:44:55,560 --> 00:44:57,920
Speaker 4: Slide on every paper for the rest of their academic

1000
00:44:57,960 --> 00:45:01,840
Speaker 4: lives because he gave them one extension. Sean nods yeah.

1001
00:45:01,920 --> 00:45:06,279
Speaker 4: Cory asks, where's bad? Amy explains, it's bad that mister

1002
00:45:06,320 --> 00:45:09,040
Speaker 4: Feeney couldn't give you guys a break without you taking

1003
00:45:09,080 --> 00:45:12,000
Speaker 4: advantage of him. Alan now stands face to face with

1004
00:45:12,040 --> 00:45:14,439
Speaker 4: his son. You may be in college, but you still

1005
00:45:14,440 --> 00:45:16,880
Speaker 4: have a lot of growing up to do. He glares

1006
00:45:16,920 --> 00:45:21,080
Speaker 4: at Sean and the boy. I knows, how does this

1007
00:45:21,200 --> 00:45:23,279
Speaker 4: result they ever gonna be able to be in the

1008
00:45:23,320 --> 00:45:23,839
Speaker 4: same room.

1009
00:45:24,960 --> 00:45:27,440
Speaker 3: He spits on him, kicks his face and walks out.

1010
00:45:27,680 --> 00:45:34,399
Speaker 3: Walk You're no son of mine. I changing the will.

1011
00:45:37,560 --> 00:45:39,960
Speaker 4: Then we're back at the apartment opera music is blasting,

1012
00:45:40,239 --> 00:45:41,040
Speaker 4: Rachel thing.

1013
00:45:41,120 --> 00:45:42,719
Speaker 5: I just love that Shawn just hops up on the

1014
00:45:42,760 --> 00:45:47,040
Speaker 5: counter in that scene, and like the familiarity, Like.

1015
00:45:47,640 --> 00:45:49,479
Speaker 6: I'd love to go back and see how that came about,

1016
00:45:49,520 --> 00:45:50,640
Speaker 6: like if that was Kendall or me.

1017
00:45:50,920 --> 00:45:51,760
Speaker 2: It just happened.

1018
00:45:51,960 --> 00:45:53,799
Speaker 5: But it like breaks up the scene a little bit too,

1019
00:45:53,960 --> 00:45:55,759
Speaker 5: like the way you know, Cory and I are standing

1020
00:45:55,800 --> 00:45:57,359
Speaker 5: neck because otherwise, if we were just in a line

1021
00:45:57,480 --> 00:45:59,600
Speaker 5: doing that line, yeah, the imitation thing, it wouldn't be

1022
00:45:59,600 --> 00:45:59,959
Speaker 5: as funny.

1023
00:46:00,040 --> 00:46:01,960
Speaker 3: Oh, we know how much you don't like people in

1024
00:46:02,040 --> 00:46:03,560
Speaker 3: the line, talking things.

1025
00:46:03,480 --> 00:46:08,280
Speaker 1: Out, dancing, acting anything with lines, riders not a fan.

1026
00:46:09,480 --> 00:46:10,400
Speaker 4: People in the kitchen.

1027
00:46:10,640 --> 00:46:14,800
Speaker 3: It's it's dark, you know what I know.

1028
00:46:15,080 --> 00:46:18,279
Speaker 5: I know so much of your job is this is

1029
00:46:18,520 --> 00:46:22,600
Speaker 5: breaking up. Now we figure out not just everybody standing there.

1030
00:46:22,840 --> 00:46:24,759
Speaker 4: You'll sit on the let, you'll sit on the arm

1031
00:46:24,840 --> 00:46:27,160
Speaker 4: of the couch. You stand, you'll be behind the couch.

1032
00:46:27,239 --> 00:46:29,080
Speaker 4: You're going to be over here facing this direction, but

1033
00:46:29,160 --> 00:46:31,040
Speaker 4: still open for camera for one line.

1034
00:46:31,120 --> 00:46:33,759
Speaker 1: I prefer one line and no furniture, just everyone in

1035
00:46:33,800 --> 00:46:35,240
Speaker 1: a blank room and one line talking.

1036
00:46:35,400 --> 00:46:35,960
Speaker 2: That's how I like.

1037
00:46:36,320 --> 00:46:38,680
Speaker 1: By the way, what do you think the chances are,

1038
00:46:38,719 --> 00:46:40,800
Speaker 1: just for my own edification, that they still own the

1039
00:46:40,800 --> 00:46:41,520
Speaker 1: Wilderness Store?

1040
00:46:43,480 --> 00:46:44,880
Speaker 2: I mean, is that still what they do?

1041
00:46:45,120 --> 00:46:46,319
Speaker 3: Is still their job?

1042
00:46:46,560 --> 00:46:47,480
Speaker 4: Who knows?

1043
00:46:47,760 --> 00:46:48,080
Speaker 6: I mean the.

1044
00:46:50,040 --> 00:46:53,960
Speaker 1: Baby, Yeah, that's they better be getting some serious tent

1045
00:46:54,040 --> 00:46:55,799
Speaker 1: money because they got a lot of lot of kids

1046
00:46:55,840 --> 00:46:56,320
Speaker 1: to take care of.

1047
00:46:56,400 --> 00:46:59,840
Speaker 5: It's just crazy to think how much effort was expended

1048
00:46:59,880 --> 00:47:03,400
Speaker 5: on you to develop it, to tell a whole story,

1049
00:47:03,480 --> 00:47:06,520
Speaker 5: to make it about the relationship, getting the store, and

1050
00:47:06,600 --> 00:47:08,719
Speaker 5: that it's like he's building that huge set.

1051
00:47:10,680 --> 00:47:12,920
Speaker 4: Jesus, it's crazy.

1052
00:47:12,640 --> 00:47:15,200
Speaker 6: To just drop it, like to just gonference it. It's

1053
00:47:15,360 --> 00:47:16,160
Speaker 6: so interesting.

1054
00:47:16,360 --> 00:47:17,480
Speaker 2: I wonder if they still have it.

1055
00:47:17,760 --> 00:47:20,719
Speaker 4: I don't know, Maybe it's just, uh, they've got other

1056
00:47:20,719 --> 00:47:22,760
Speaker 4: people running it. It's just making passive income.

1057
00:47:22,560 --> 00:47:23,000
Speaker 2: At this point.

1058
00:47:23,160 --> 00:47:23,360
Speaker 4: That's it.

1059
00:47:23,719 --> 00:47:26,000
Speaker 2: It's they franchised. It's huge.

1060
00:47:26,280 --> 00:47:29,080
Speaker 1: It's bass. I was going to say they changed it

1061
00:47:29,160 --> 00:47:32,000
Speaker 1: to they sold it to bass pro shops. They're multimillionaires

1062
00:47:32,000 --> 00:47:33,600
Speaker 1: at this point. It's just part of the story we

1063
00:47:33,640 --> 00:47:34,160
Speaker 1: didn't know about.

1064
00:47:34,760 --> 00:47:37,359
Speaker 4: So opera music is blasting. Rachel rushes to turn off

1065
00:47:37,400 --> 00:47:39,680
Speaker 4: the stereo in the kitchen, but when she powers it down,

1066
00:47:39,960 --> 00:47:42,320
Speaker 4: the music only pauses for a moment before it starts

1067
00:47:42,400 --> 00:47:45,359
Speaker 4: up again. She turns it off again and it plays again.

1068
00:47:45,680 --> 00:47:48,319
Speaker 4: The cycle continues on and on, and we see Eric

1069
00:47:48,520 --> 00:47:51,840
Speaker 4: sitting in a director's chair, dressed exactly like Ed Harris

1070
00:47:51,920 --> 00:47:54,279
Speaker 4: in the Truman Show. He's the one who rigged the

1071
00:47:54,360 --> 00:47:59,759
Speaker 4: stereo to do this trick, just like O'Neill.

1072
00:48:03,040 --> 00:48:03,440
Speaker 2: Ed Norton.

1073
00:48:03,520 --> 00:48:11,280
Speaker 4: There you go, director Edwards hands. Director Eric is sitting

1074
00:48:11,280 --> 00:48:13,719
Speaker 4: in the student union, flanked by a ton of male

1075
00:48:13,800 --> 00:48:16,480
Speaker 4: students watching on and off. Louis as I.

1076
00:48:16,760 --> 00:48:19,440
Speaker 5: Missed all the Truman Show references before, so this is

1077
00:48:19,480 --> 00:48:27,000
Speaker 5: what I was like, Oh, it's a Truman show, really, yes,

1078
00:48:28,960 --> 00:48:31,080
Speaker 5: well up until now it's a hidden camera thing.

1079
00:48:32,280 --> 00:48:34,719
Speaker 6: No one's manipulating it right, right, But.

1080
00:48:35,360 --> 00:48:37,719
Speaker 4: Even personally, you didn't remember just a couple of weeks ago,

1081
00:48:37,719 --> 00:48:39,200
Speaker 4: when Will was like, well, we've got that Truman show

1082
00:48:39,239 --> 00:48:40,560
Speaker 4: up coming.

1083
00:48:40,480 --> 00:48:46,279
Speaker 6: Up, we didn't. You got to listen to him, Will

1084
00:48:46,320 --> 00:48:47,120
Speaker 6: when did you get here?

1085
00:48:50,320 --> 00:48:53,560
Speaker 4: Force? I tried to tune him out out.

1086
00:48:53,719 --> 00:48:57,120
Speaker 2: Yeah, it's yeah. I figured you knew it was a parody.

1087
00:49:01,160 --> 00:49:01,319
Speaker 1: Show.

1088
00:49:01,320 --> 00:49:04,400
Speaker 6: It's a good movie, I gotta but yeah, so no,

1089
00:49:04,520 --> 00:49:08,239
Speaker 6: I didn't get the whatever the catchphrase that you said, right,

1090
00:49:08,280 --> 00:49:09,000
Speaker 6: so it's.

1091
00:49:08,920 --> 00:49:12,399
Speaker 3: A seventeen minute like yeah, I was like, oh, that's

1092
00:49:12,440 --> 00:49:12,759
Speaker 3: what this is.

1093
00:49:13,160 --> 00:49:15,360
Speaker 1: They also noticed what they did very cleverly, is that

1094
00:49:15,560 --> 00:49:19,719
Speaker 1: I'm surrounded by guys and one woman who's they right

1095
00:49:19,920 --> 00:49:22,160
Speaker 1: front and center, like right next to me. And actually

1096
00:49:22,239 --> 00:49:24,879
Speaker 1: she does a great job because every time anything kind

1097
00:49:24,880 --> 00:49:27,880
Speaker 1: of sexist is said, it's her face is like disgusted.

1098
00:49:28,000 --> 00:49:30,759
Speaker 1: It's great, go back to Really, her performance throughout the

1099
00:49:30,840 --> 00:49:33,960
Speaker 1: scene is very it's great. I like that.

1100
00:49:34,880 --> 00:49:37,239
Speaker 4: So Louie asks Eric, you got a button on that

1101
00:49:37,320 --> 00:49:39,160
Speaker 4: thing that gets her naked so she might give a

1102
00:49:39,239 --> 00:49:39,680
Speaker 4: nice face.

1103
00:49:40,040 --> 00:49:42,640
Speaker 2: She's like like, yeah, it's great.

1104
00:49:42,719 --> 00:49:45,080
Speaker 4: The men are excited at the prospect, but Eric yells

1105
00:49:45,120 --> 00:49:47,359
Speaker 4: at them to stop. Don't talk about my Rachel that way,

1106
00:49:47,400 --> 00:49:49,680
Speaker 4: all right. I created her in my own image. She's

1107
00:49:49,800 --> 00:49:51,640
Speaker 4: like my daughter. Watch what I do to her now.

1108
00:49:52,360 --> 00:49:54,560
Speaker 4: Then he clicks a button and the TV screen shuts off.

1109
00:49:54,680 --> 00:49:57,080
Speaker 4: The men all yell and protest. Eric tells them to

1110
00:49:57,080 --> 00:49:59,200
Speaker 4: calm down. This is the first time he's ever controlled

1111
00:49:59,239 --> 00:50:01,759
Speaker 4: a human being. He'll get her back. He presses a

1112
00:50:01,800 --> 00:50:03,759
Speaker 4: button and the TV is back on, but Rachel is

1113
00:50:03,800 --> 00:50:06,560
Speaker 4: nowhere to be found. Eric scans the room and announces

1114
00:50:06,600 --> 00:50:09,600
Speaker 4: in a godlike tone, come into the living room, Rachel.

1115
00:50:10,400 --> 00:50:14,240
Speaker 4: Rachel emerges from her bedroom and Eric continues come downstairs, Rachel.

1116
00:50:14,680 --> 00:50:18,000
Speaker 4: She heils out Eric, where are you? He mysteriously replies

1117
00:50:18,200 --> 00:50:20,640
Speaker 4: I'm over here, and she looks around the room. Puzzled.

1118
00:50:21,000 --> 00:50:22,920
Speaker 4: She asks where he is, and he answers in the

1119
00:50:22,960 --> 00:50:25,760
Speaker 4: student union. Even the guys know that was a mistake.

1120
00:50:25,960 --> 00:50:28,640
Speaker 4: He quickly corrects himself, I'm in your mind. I'm in

1121
00:50:28,760 --> 00:50:33,600
Speaker 4: the student union, of your mind. Rachel isn't pleased. She

1122
00:50:33,719 --> 00:50:35,919
Speaker 4: turns on the TV to find herself on screen again.

1123
00:50:36,239 --> 00:50:38,400
Speaker 4: She reminds Eric he said he was going to stop this.

1124
00:50:38,960 --> 00:50:41,000
Speaker 4: She calls out for Jack, but Eric tries to convince

1125
00:50:41,040 --> 00:50:43,400
Speaker 4: her this isn't about me anymore, Rachel. This is about you.

1126
00:50:44,040 --> 00:50:47,120
Speaker 4: You're what the people want. The guys all agree creepily.

1127
00:50:47,840 --> 00:50:49,680
Speaker 4: Eric gives Louis the chance to speak to her through

1128
00:50:49,719 --> 00:50:52,800
Speaker 4: the headset. Rachel, it's me, Louie. I love you.

1129
00:50:53,880 --> 00:50:55,000
Speaker 2: He's so good.

1130
00:50:56,880 --> 00:50:59,279
Speaker 4: Rachel inches closer to the camera with a smile. She

1131
00:50:59,360 --> 00:51:01,640
Speaker 4: bends down and asks Louie to tell her about himself.

1132
00:51:01,760 --> 00:51:06,160
Speaker 4: In response, Louie falls backwards off the couch. Jack walks

1133
00:51:06,200 --> 00:51:08,239
Speaker 4: out to find Rachel talking to the TV. Is Eric

1134
00:51:08,320 --> 00:51:10,840
Speaker 4: still doing this? Rachel says yes, he's in the student

1135
00:51:10,960 --> 00:51:14,479
Speaker 4: union controlling everything. Then thunder sounds in the apartment, catching

1136
00:51:14,560 --> 00:51:17,160
Speaker 4: Rachel off guard. Jack calms her it's nothing, just a

1137
00:51:17,239 --> 00:51:19,920
Speaker 4: simple sound effect coming out of the stereo. But then

1138
00:51:20,440 --> 00:51:24,799
Speaker 4: rain pours down from the ceiling directly onto only Jack.

1139
00:51:25,440 --> 00:51:27,000
Speaker 4: He admits, that's impressive.

1140
00:51:27,160 --> 00:51:27,800
Speaker 2: That's impressive.

1141
00:51:28,040 --> 00:51:30,200
Speaker 4: He tries to step aside, but the small flow of

1142
00:51:30,320 --> 00:51:34,000
Speaker 4: rain follows him again, just like the Truman Show.

1143
00:51:34,200 --> 00:51:36,080
Speaker 6: I would love to see how they did this. Do

1144
00:51:36,120 --> 00:51:37,200
Speaker 6: you remember this at all?

1145
00:51:37,320 --> 00:51:42,680
Speaker 1: Now? You can see it kind of wobble a bit

1146
00:51:42,760 --> 00:51:46,719
Speaker 1: as it some kind of like yeah, yeah, cranky thing

1147
00:51:46,840 --> 00:51:48,160
Speaker 1: that they're using to follow.

1148
00:51:50,280 --> 00:51:52,480
Speaker 6: Somebody like literally on the catwalk or no, because it's

1149
00:51:52,960 --> 00:51:53,880
Speaker 6: now much higher.

1150
00:51:53,719 --> 00:51:57,480
Speaker 4: It seems like it's probably somebody on a tall structure

1151
00:51:57,840 --> 00:51:59,759
Speaker 4: on the other side of the door, and they've got

1152
00:51:59,800 --> 00:52:01,839
Speaker 4: the know they've got something from the catwalk, the rain

1153
00:52:02,120 --> 00:52:04,520
Speaker 4: machine from the catwalk, and then there's just a up

1154
00:52:04,680 --> 00:52:06,799
Speaker 4: something they're pulling. And it's because they it only has

1155
00:52:06,880 --> 00:52:09,040
Speaker 4: to move, you know, to ten inches feet Now, I

1156
00:52:09,080 --> 00:52:10,640
Speaker 4: don't even think that far. I think maybe a foot.

1157
00:52:10,640 --> 00:52:11,520
Speaker 4: He just takes one step.

1158
00:52:11,680 --> 00:52:12,439
Speaker 2: Okay, that's true.

1159
00:52:12,600 --> 00:52:14,600
Speaker 4: You know, it takes one step to his left or

1160
00:52:14,640 --> 00:52:16,000
Speaker 4: his right. So I think they just then because you

1161
00:52:16,080 --> 00:52:18,359
Speaker 4: do see it. It doesn't ever, it's not a straight line.

1162
00:52:18,480 --> 00:52:20,200
Speaker 4: It like is on a little bit of an angle.

1163
00:52:20,440 --> 00:52:21,960
Speaker 2: Does so it's bobbles.

1164
00:52:21,960 --> 00:52:25,000
Speaker 5: And if they have another one over by the sink

1165
00:52:25,200 --> 00:52:27,719
Speaker 5: or do you think they like reset and moved the same?

1166
00:52:29,520 --> 00:52:29,960
Speaker 2: Good question?

1167
00:52:30,040 --> 00:52:30,360
Speaker 5: I don't know.

1168
00:52:30,520 --> 00:52:31,000
Speaker 4: Good question.

1169
00:52:31,080 --> 00:52:31,840
Speaker 6: I don't remember.

1170
00:52:32,080 --> 00:52:33,680
Speaker 2: I wish I remembered. I don't remember how they did it.

1171
00:52:33,920 --> 00:52:36,200
Speaker 2: Kendall would know, yeah, remember that.

1172
00:52:37,600 --> 00:52:39,279
Speaker 5: I would just love to see a wide photograph of

1173
00:52:39,440 --> 00:52:42,000
Speaker 5: like that whole set up setup, with you know, Matt

1174
00:52:42,160 --> 00:52:42,880
Speaker 5: in the frame, Like.

1175
00:52:42,920 --> 00:52:44,080
Speaker 6: How did they you know?

1176
00:52:44,360 --> 00:52:49,600
Speaker 4: Yeah, slightly breaking, Jack wonders, where have I seen this before?

1177
00:52:50,400 --> 00:52:51,800
Speaker 4: Rachel says they need to get out of there, and

1178
00:52:51,880 --> 00:52:54,520
Speaker 4: she runs to the front door. Where have I seen

1179
00:52:54,560 --> 00:52:58,160
Speaker 4: this before? Is he also just recognizing that it's.

1180
00:52:58,040 --> 00:52:59,359
Speaker 2: Truman Show, that it's the Truman Show.

1181
00:52:59,400 --> 00:53:02,920
Speaker 4: Yep, be sure, okay, okay. But when she opens it,

1182
00:53:03,040 --> 00:53:05,560
Speaker 4: there's a brick wall blocking the entrance. She screams, but

1183
00:53:05,680 --> 00:53:07,960
Speaker 4: Jack gives credit where credit's due. Wow, he's really thought

1184
00:53:08,000 --> 00:53:08,520
Speaker 4: this one out.

1185
00:53:08,680 --> 00:53:10,320
Speaker 6: I think I should have watched this again. But I

1186
00:53:10,400 --> 00:53:12,040
Speaker 6: think the brick wall wobbles.

1187
00:53:14,040 --> 00:53:14,560
Speaker 1: Yes, I.

1188
00:53:16,360 --> 00:53:19,400
Speaker 6: Don't know, I should look back. It's a scrim I no,

1189
00:53:19,600 --> 00:53:20,240
Speaker 6: I just think.

1190
00:53:20,120 --> 00:53:24,480
Speaker 5: It's you know, it's like a plywood painted all. But

1191
00:53:24,680 --> 00:53:26,160
Speaker 5: there was something about the way she opened the door

1192
00:53:26,280 --> 00:53:28,120
Speaker 5: was like, that doesn't seems solid.

1193
00:53:29,480 --> 00:53:32,719
Speaker 1: I like how Jack is almost proud of Eric at

1194
00:53:32,760 --> 00:53:35,920
Speaker 1: that moment. He really though through, like really th this

1195
00:53:36,040 --> 00:53:38,360
Speaker 1: one out. He's got to kill us, But god, he

1196
00:53:38,480 --> 00:53:41,400
Speaker 1: really thought it out, Like it's so funny.

1197
00:53:42,040 --> 00:53:44,719
Speaker 4: Rachel suggests the balcony, but Jack reminds her it's three

1198
00:53:44,800 --> 00:53:47,399
Speaker 4: stories down. They can't do that. Back in the student union,

1199
00:53:47,560 --> 00:53:49,440
Speaker 4: Eric is still watching their every move. He lets the

1200
00:53:49,480 --> 00:53:51,600
Speaker 4: crowd in on a little secret. The only way out

1201
00:53:51,680 --> 00:53:53,520
Speaker 4: is through the window over the sink and down the

1202
00:53:53,600 --> 00:53:56,759
Speaker 4: fire escape. Back at the apartment, Jack informs Rachel the

1203
00:53:56,880 --> 00:53:58,759
Speaker 4: only way out is through the window over the sink

1204
00:53:58,840 --> 00:54:02,320
Speaker 4: and down the fire escape. Louis sees them escaping. Oh no,

1205
00:54:02,480 --> 00:54:06,120
Speaker 4: we'll lose her before shower time. Eric calmly states she's

1206
00:54:06,200 --> 00:54:09,399
Speaker 4: not going anywhere. We see Jack climb out the window first,

1207
00:54:09,400 --> 00:54:12,440
Speaker 4: and then he offers Rachel a hand. Director Eric warns

1208
00:54:12,600 --> 00:54:15,400
Speaker 4: watch this, then presses a button, causing Rachel to shriek

1209
00:54:15,480 --> 00:54:19,080
Speaker 4: with terror. He's triggered the garbage disposal and she's terrified.

1210
00:54:19,400 --> 00:54:22,920
Speaker 4: Jack doesn't understand what is she scared of. Eric whispers

1211
00:54:22,960 --> 00:54:26,760
Speaker 4: for Rachel to tell him, and so Rachel admits bunny baby,

1212
00:54:27,600 --> 00:54:29,440
Speaker 4: and that triggers a flashback.

1213
00:54:29,600 --> 00:54:31,520
Speaker 6: This is like, this is when I was like this

1214
00:54:31,640 --> 00:54:33,120
Speaker 6: episode totally great.

1215
00:54:33,320 --> 00:54:35,560
Speaker 2: Like I was just like I love this moment.

1216
00:54:35,760 --> 00:54:36,279
Speaker 5: Go to a.

1217
00:54:36,360 --> 00:54:38,759
Speaker 6: Flashback of like baby bunny dying.

1218
00:54:38,960 --> 00:54:41,280
Speaker 5: Like once I saw what was happening, I was like, Okay,

1219
00:54:41,600 --> 00:54:45,200
Speaker 5: that's great, Yes, just go there, go crazy.

1220
00:54:44,920 --> 00:54:47,120
Speaker 4: You know, Oh it is so funny.

1221
00:54:47,200 --> 00:54:47,319
Speaker 1: Oh.

1222
00:54:48,120 --> 00:54:50,400
Speaker 4: We see Rachel as a little girl walking up to

1223
00:54:50,480 --> 00:54:52,840
Speaker 4: the same holding a stuffed animal bunny. She asks her

1224
00:54:52,880 --> 00:54:55,000
Speaker 4: bunny baby if he wants to play down the bunny hole.

1225
00:54:55,239 --> 00:54:57,880
Speaker 4: It's where her mom puts all the carrots. She sticks

1226
00:54:57,960 --> 00:55:00,839
Speaker 4: the poor stuffed animal into the garbage disposal announces, let

1227
00:55:00,880 --> 00:55:03,480
Speaker 4: me put the light on so you can see. Then

1228
00:55:03,880 --> 00:55:08,360
Speaker 4: accidentally she turns on the garbage disposal. Bunny baby spirals

1229
00:55:08,400 --> 00:55:11,440
Speaker 4: into the death trap. Rachel screams as little fuzzy pieces

1230
00:55:11,480 --> 00:55:12,200
Speaker 4: fly into the air.

1231
00:55:12,520 --> 00:55:13,080
Speaker 5: The horror.

1232
00:55:14,120 --> 00:55:16,800
Speaker 4: The flashback ends and Rachel is shaking inside of her apartment.

1233
00:55:17,080 --> 00:55:18,960
Speaker 4: Jack crawls back in and pulls her into his arms

1234
00:55:19,000 --> 00:55:21,239
Speaker 4: for comfort. The student used to watch his on.

1235
00:55:23,440 --> 00:55:25,359
Speaker 2: Oh yeah, because he's taller than her.

1236
00:55:25,480 --> 00:55:28,400
Speaker 1: So it's like, okay, so he obviously whatever stool they

1237
00:55:28,520 --> 00:55:31,720
Speaker 1: use to climb over the thing, He's like, stand.

1238
00:55:31,360 --> 00:55:32,960
Speaker 4: On this, understand right here?

1239
00:55:35,160 --> 00:55:35,359
Speaker 6: Yeah?

1240
00:55:36,040 --> 00:55:39,319
Speaker 4: I like this here. The student union watches on and awe,

1241
00:55:39,560 --> 00:55:43,520
Speaker 4: Louie can't control his emotions. You heartless, unfeeling control freak.

1242
00:55:43,600 --> 00:55:47,080
Speaker 4: It's no wonder you're not popular. Everyone boos Eric. Eric

1243
00:55:47,120 --> 00:55:49,800
Speaker 4: commands them to be quiet. This is great TV. This

1244
00:55:49,960 --> 00:55:53,040
Speaker 4: is human drama unfolding before you. He gets closer to

1245
00:55:53,120 --> 00:55:55,759
Speaker 4: the TV as Rachel and Eric at more intense. Jack

1246
00:55:55,800 --> 00:55:58,160
Speaker 4: tells her it's the only way. He climbs out of

1247
00:55:58,200 --> 00:56:01,120
Speaker 4: the window and once again offers her his hand. She

1248
00:56:01,200 --> 00:56:03,719
Speaker 4: shakes her head, she can't do it. Back at the union,

1249
00:56:04,000 --> 00:56:07,000
Speaker 4: Eric presses a button that starts her own individual raincloud,

1250
00:56:07,120 --> 00:56:10,840
Speaker 4: completely drenching her. She turns toward the camera with vengeance.

1251
00:56:11,280 --> 00:56:14,440
Speaker 4: I will kill him. Jack reminds her that she has

1252
00:56:14,480 --> 00:56:16,880
Speaker 4: to go through the window. Rachel, now knowing it's the

1253
00:56:16,960 --> 00:56:20,360
Speaker 4: only way, walks toward the sink. Just then Eric is

1254
00:56:20,440 --> 00:56:22,880
Speaker 4: hit with the reality of what he's done. What's the

1255
00:56:22,920 --> 00:56:25,160
Speaker 4: point of being popular when I just hurt the only

1256
00:56:25,239 --> 00:56:28,560
Speaker 4: two people who even tolerated me. I am a monster,

1257
00:56:29,280 --> 00:56:31,839
Speaker 4: He speaks into his headset Rachel, come on, you can

1258
00:56:31,920 --> 00:56:32,120
Speaker 4: do it.

1259
00:56:32,400 --> 00:56:33,560
Speaker 3: You gotta go over, Rachel.

1260
00:56:33,880 --> 00:56:36,600
Speaker 4: The crowd of students join in on the encouragement. Eric

1261
00:56:36,680 --> 00:56:39,440
Speaker 4: tells her do it for bunny Baby. She looks to

1262
00:56:39,520 --> 00:56:43,719
Speaker 4: the camera bunny Baby. Then she grabs Jack's hand and

1263
00:56:43,800 --> 00:56:46,759
Speaker 4: steps on the sink. She's facing her fears. They leave

1264
00:56:46,800 --> 00:56:48,960
Speaker 4: out the window and the entire student union are reps

1265
00:56:49,000 --> 00:56:51,520
Speaker 4: in cheer. Rachel hugs Jack on the fire escape, then

1266
00:56:51,560 --> 00:56:53,360
Speaker 4: pokes her head back through the window and bows to

1267
00:56:53,400 --> 00:56:56,480
Speaker 4: her audience. Eric chef kisses his own work. Eric turns

1268
00:56:56,520 --> 00:56:59,080
Speaker 4: off the TV and faces the crowd. He dramatically wipes

1269
00:56:59,120 --> 00:57:01,360
Speaker 4: a tear from his cheek, goes right into his academy

1270
00:57:01,360 --> 00:57:04,320
Speaker 4: awards mode. You have just witnessed the triumph of the

1271
00:57:04,400 --> 00:57:07,000
Speaker 4: human spirit, and I'd like to take this opportunity to

1272
00:57:07,040 --> 00:57:09,320
Speaker 4: thank everybody who helped me with this. I'd like to

1273
00:57:09,360 --> 00:57:12,040
Speaker 4: think the guys in the audio visual department, the wonderful

1274
00:57:12,080 --> 00:57:14,759
Speaker 4: people at Milt's Masonry who built that brick wall, my

1275
00:57:14,920 --> 00:57:18,480
Speaker 4: roommate Jack, and the heroine of our saga and on cue.

1276
00:57:18,800 --> 00:57:22,480
Speaker 4: Rachel enters the student union. Eric is shocked. You got

1277
00:57:22,560 --> 00:57:28,800
Speaker 4: here incredibly fast. She responds, well, I was incredibly motivated.

1278
00:57:29,360 --> 00:57:31,240
Speaker 4: Eric says he is so proud of her, and then

1279
00:57:31,320 --> 00:57:35,880
Speaker 4: Louis speaks up, geez, you're a freaking amazon. Rachel commands

1280
00:57:35,960 --> 00:57:37,960
Speaker 4: him out of her way, and she stomps up to Eric,

1281
00:57:38,240 --> 00:57:41,000
Speaker 4: slightly afraid. He reminds her it was he who created her,

1282
00:57:41,240 --> 00:57:43,840
Speaker 4: it was he who gave her life. He softly touches

1283
00:57:43,880 --> 00:57:47,280
Speaker 4: her face, and Rachel's scowl turns into a smile. Eric

1284
00:57:47,320 --> 00:57:50,840
Speaker 4: realizes this is really gonna hurt, isn't it. She grabs

1285
00:57:50,920 --> 00:57:53,480
Speaker 4: his hand and hurls him onto the floor. There's like

1286
00:57:53,520 --> 00:57:55,160
Speaker 4: a sound effect of your handbreaking, right.

1287
00:57:55,560 --> 00:57:55,760
Speaker 1: Is there?

1288
00:57:56,120 --> 00:57:56,680
Speaker 4: Just make that up?

1289
00:57:57,280 --> 00:58:00,040
Speaker 3: Maybe? Yeah, the way she like bends your hand and

1290
00:58:00,160 --> 00:58:06,080
Speaker 3: I swear I here like probably yeah, because they added

1291
00:58:06,120 --> 00:58:06,360
Speaker 3: all that.

1292
00:58:06,440 --> 00:58:11,160
Speaker 6: Score in all the Truman Show sequences. So yeah, the.

1293
00:58:11,240 --> 00:58:14,400
Speaker 4: Students burst into applause, and we revealed two old ladies

1294
00:58:14,440 --> 00:58:16,680
Speaker 4: who were sitting nearby and holding pillows with Rachel.

1295
00:58:17,960 --> 00:58:18,160
Speaker 2: Yeah.

1296
00:58:18,240 --> 00:58:20,560
Speaker 1: So in Truman Show, they at the end when he

1297
00:58:21,120 --> 00:58:23,440
Speaker 1: finally leaves, there's these two women, Like one of the

1298
00:58:23,520 --> 00:58:25,760
Speaker 1: runners is they keep cutting to the same families watching

1299
00:58:25,840 --> 00:58:28,360
Speaker 1: the show. There's one guy in the bathtub, there's one

1300
00:58:28,400 --> 00:58:30,600
Speaker 1: guy in the parking garage. And one of the people

1301
00:58:30,640 --> 00:58:32,400
Speaker 1: they keep cutting to is these two old women who

1302
00:58:32,440 --> 00:58:35,439
Speaker 1: are clutch pillows with Truman's face on it. So yeah,

1303
00:58:35,440 --> 00:58:38,360
Speaker 1: they did exactly, Like yeah, just a it's a funny

1304
00:58:38,440 --> 00:58:38,920
Speaker 1: pull from that.

1305
00:58:51,120 --> 00:58:53,400
Speaker 4: Okay, Well, we're back at brunch. Sean is getting another

1306
00:58:53,440 --> 00:58:56,120
Speaker 4: omelet from the chef, reminding him again about the Gouda.

1307
00:58:56,640 --> 00:58:59,240
Speaker 4: Then Corey races up to Sean waffle in hand. Now

1308
00:58:59,280 --> 00:59:01,800
Speaker 4: it has a sorrow face. Sean loves it. They hand

1309
00:59:01,840 --> 00:59:03,840
Speaker 4: the goodies over to Feenie and he wonders, why is

1310
00:59:03,880 --> 00:59:06,960
Speaker 4: my waffle so sad? And Corey reveals because we are.

1311
00:59:07,480 --> 00:59:10,240
Speaker 4: Sean nods in agreement, sad that we ever took advantage

1312
00:59:10,240 --> 00:59:13,160
Speaker 4: of our friendship. They continue listing reasons why they're sad,

1313
00:59:13,200 --> 00:59:15,600
Speaker 4: and Sean confesses, I'm sad. The whole thing blew up

1314
00:59:15,640 --> 00:59:19,480
Speaker 4: in our faces. He's sad, but he's honest. Phoene reminds

1315
00:59:19,520 --> 00:59:22,120
Speaker 4: them that they've already apologized. None of this is necessary.

1316
00:59:22,360 --> 00:59:24,880
Speaker 4: He takes a bite of the omelet love that goudha.

1317
00:59:25,440 --> 00:59:27,920
Speaker 4: Corey begs to differ, it is necessary, and we have

1318
00:59:28,000 --> 00:59:30,760
Speaker 4: something else for you. Sean chimes in, remember that paper

1319
00:59:30,840 --> 00:59:33,320
Speaker 4: we never turned in. The boys pull out pieces of paper.

1320
00:59:33,480 --> 00:59:35,960
Speaker 4: We stayed up all night and did it anyway. They

1321
00:59:36,000 --> 00:59:37,480
Speaker 4: figured it was the right thing to do, and they'd

1322
00:59:37,560 --> 00:59:39,520
Speaker 4: like to receive their grades based on the strengths of

1323
00:59:39,560 --> 00:59:42,760
Speaker 4: their efforts, not on the strengths of their friendship. Phoene

1324
00:59:42,840 --> 00:59:44,800
Speaker 4: pulls out his red grading pen and takes a look

1325
00:59:44,800 --> 00:59:48,600
Speaker 4: at the essays. He's deeply, deeply touched. He writes down

1326
00:59:48,640 --> 00:59:52,400
Speaker 4: their grades without hesitation. He's given them both f's. The

1327
00:59:52,480 --> 00:59:55,360
Speaker 4: boys quickly stand to leave and take Phoene's plates of

1328
00:59:55,480 --> 00:59:56,480
Speaker 4: food with them.

1329
00:59:56,800 --> 00:59:57,640
Speaker 6: And when the egg.

1330
01:00:00,280 --> 01:00:03,280
Speaker 2: Egg, oh my gosh, genius.

1331
01:00:03,200 --> 01:00:07,280
Speaker 4: It is so funny, Phoene shouts after them. What would

1332
01:00:07,280 --> 01:00:10,440
Speaker 4: a D minus get me a waffle? Is chucked back

1333
01:00:10,480 --> 01:00:13,160
Speaker 4: at the table and response and he goes back to eat.

1334
01:00:13,200 --> 01:00:14,800
Speaker 5: To go back in time and just see the like

1335
01:00:15,200 --> 01:00:19,000
Speaker 5: the rehearsal for that moment, like because like I have

1336
01:00:19,120 --> 01:00:21,480
Speaker 5: a feeling Ben and I never even had to like

1337
01:00:22,040 --> 01:00:23,520
Speaker 5: like we didn't have to go like you pick that

1338
01:00:23,680 --> 01:00:26,040
Speaker 5: up and all tack that up. I bet you, like

1339
01:00:26,200 --> 01:00:29,040
Speaker 5: first rehearsal you were like and go and like yeah,

1340
01:00:29,040 --> 01:00:30,880
Speaker 5: because that was the way we worked at this point.

1341
01:00:30,960 --> 01:00:32,880
Speaker 5: It was just like, oh, we have to clear this

1342
01:00:32,920 --> 01:00:34,480
Speaker 5: table as quickly as possible, and the two of us

1343
01:00:34,480 --> 01:00:36,800
Speaker 5: would just do it every time having to talk about it.

1344
01:00:37,600 --> 01:00:40,640
Speaker 5: It's like that kind of actor thing that you get from,

1345
01:00:40,760 --> 01:00:42,440
Speaker 5: you know, being in a company with somebody or being

1346
01:00:43,240 --> 01:00:43,440
Speaker 5: just but.

1347
01:00:43,480 --> 01:00:45,320
Speaker 6: I just know that that was like easy. There was

1348
01:00:45,400 --> 01:00:47,200
Speaker 6: no hesitation. We could we could do this to.

1349
01:00:47,240 --> 01:00:48,880
Speaker 5: The point that Ben could improv at the end, you know,

1350
01:00:48,960 --> 01:00:52,120
Speaker 5: he could a something that happened because we were so comfortable.

1351
01:00:52,200 --> 01:00:53,960
Speaker 6: Yeah, yeah, so great.

1352
01:00:54,960 --> 01:00:56,880
Speaker 4: And then we're in the tag in the apartment. Eric's

1353
01:00:56,920 --> 01:00:58,960
Speaker 4: eating in the kitchen when Jack casually mentions that the

1354
01:00:59,000 --> 01:01:02,400
Speaker 4: little stunt he pulled really backfired, but Eric doesn't agree.

1355
01:01:02,520 --> 01:01:05,320
Speaker 4: He's now the most popular guy on campus. Jack counter's

1356
01:01:05,400 --> 01:01:08,000
Speaker 4: not with Rachel while you were busy terrorizing her. Rachel

1357
01:01:08,040 --> 01:01:10,320
Speaker 4: and I got much closer, if you catch my drift.

1358
01:01:11,000 --> 01:01:13,760
Speaker 4: Eric can't believe what he's hearing. You ingrate, I put

1359
01:01:13,800 --> 01:01:15,680
Speaker 4: you on TV, and that's how you repay me by

1360
01:01:15,720 --> 01:01:18,520
Speaker 4: stealing my girl? How do you live with yourself? Jack

1361
01:01:18,600 --> 01:01:21,840
Speaker 4: confidently responds, I don't I live with you. I'm thinking

1362
01:01:21,960 --> 01:01:24,360
Speaker 4: Rachel and I might take our relationship to that next level.

1363
01:01:24,600 --> 01:01:27,600
Speaker 4: Thank you, Eric. On cue, Rachel walks in. She spots

1364
01:01:27,640 --> 01:01:30,120
Speaker 4: the boys and asks, could you guys disappear? I'd like

1365
01:01:30,200 --> 01:01:31,160
Speaker 4: to be left alone.

1366
01:01:30,920 --> 01:01:31,360
Speaker 3: With my date.

1367
01:01:31,680 --> 01:01:34,280
Speaker 4: They both look at her in horror. Rachel gushes, I

1368
01:01:34,320 --> 01:01:37,080
Speaker 4: found a guy who's absolutely crazy about me, and then

1369
01:01:37,200 --> 01:01:40,520
Speaker 4: Louie casually walks in and grabs Rachel's hand. Hay losers.

1370
01:01:41,200 --> 01:01:42,840
Speaker 3: Eric and Jack are utterly speechless.

1371
01:01:43,000 --> 01:01:45,680
Speaker 4: Rachel and Louie awkwardly stand by the staircase until Louie

1372
01:01:45,760 --> 01:01:52,120
Speaker 4: not so casually motions his head towards her room. Oh

1373
01:01:52,400 --> 01:01:54,080
Speaker 4: and that is our episode?

1374
01:01:54,480 --> 01:01:54,640
Speaker 1: Uh?

1375
01:01:55,000 --> 01:01:56,600
Speaker 6: Is that Sean only did two episodes?

1376
01:01:56,840 --> 01:01:57,120
Speaker 4: That's it?

1377
01:01:57,320 --> 01:01:58,160
Speaker 3: That was his tree too?

1378
01:01:58,440 --> 01:02:01,640
Speaker 6: And yeah I know him, I mean the obviously wrote

1379
01:02:01,800 --> 01:02:03,120
Speaker 6: this part for him, right or yes?

1380
01:02:03,240 --> 01:02:05,360
Speaker 1: Yeah, yeah, I think I get it's absurd. I wish

1381
01:02:05,400 --> 01:02:07,200
Speaker 1: I could go back and do parts of my performance again.

1382
01:02:07,360 --> 01:02:09,320
Speaker 1: That's that's what's bothering me, is my own performance.

1383
01:02:09,360 --> 01:02:10,080
Speaker 2: That's it, you know.

1384
01:02:10,160 --> 01:02:11,760
Speaker 6: And now that we've gone through it, I I tend

1385
01:02:11,800 --> 01:02:12,600
Speaker 6: to agree with you, man.

1386
01:02:12,680 --> 01:02:14,840
Speaker 5: I think that I think that it's not it's not

1387
01:02:14,960 --> 01:02:19,720
Speaker 5: modulated to where like because because listening to the recap,

1388
01:02:20,000 --> 01:02:23,240
Speaker 5: you actually do have this popular arc. It's as stupid

1389
01:02:23,240 --> 01:02:25,120
Speaker 5: as it is, you do have an arc, and like

1390
01:02:25,880 --> 01:02:28,320
Speaker 5: it's just I'm just like the tone of like what's

1391
01:02:28,400 --> 01:02:30,240
Speaker 5: real and what's not, what's playing in a choke and

1392
01:02:30,320 --> 01:02:33,200
Speaker 5: what's not usually for you is just like spot on

1393
01:02:33,400 --> 01:02:35,640
Speaker 5: and in this one, I feel like you're like, yeah.

1394
01:02:35,920 --> 01:02:38,560
Speaker 2: It's mudled. I had to it was I had to pick.

1395
01:02:38,720 --> 01:02:40,120
Speaker 2: I had to pick a lane, and I didn't. I

1396
01:02:40,200 --> 01:02:41,600
Speaker 2: kind of stayed in the middle. And because of that

1397
01:02:41,680 --> 01:02:43,520
Speaker 2: it got fun.

1398
01:02:43,560 --> 01:02:47,000
Speaker 4: Though, I mean, I know, I do think that if

1399
01:02:47,080 --> 01:02:50,480
Speaker 4: there had been anything, if it didn't start because he's

1400
01:02:50,480 --> 01:02:53,520
Speaker 4: sitting alone at a coffee table, if it started because

1401
01:02:54,360 --> 01:02:58,720
Speaker 4: Truman show, something like a Truman show is so is

1402
01:02:58,800 --> 01:02:59,520
Speaker 4: so popular.

1403
01:03:00,640 --> 01:03:03,520
Speaker 3: Oh you know what, I can do that right?

1404
01:03:04,120 --> 01:03:07,880
Speaker 4: And then we then he could go full bore, but

1405
01:03:08,080 --> 01:03:11,360
Speaker 4: because we don't actually know what is inspiring this, you

1406
01:03:11,520 --> 01:03:15,240
Speaker 4: had to like ease into it. There's like yeah, because

1407
01:03:15,240 --> 01:03:16,400
Speaker 4: otherwise it would have been very.

1408
01:03:16,360 --> 01:03:18,640
Speaker 2: Jarring to be like what I started with the party

1409
01:03:18,760 --> 01:03:19,840
Speaker 2: that he wasn't invited to.

1410
01:03:20,640 --> 01:03:22,880
Speaker 1: Yeah, maybe there's a big party going on and people

1411
01:03:22,880 --> 01:03:24,200
Speaker 1: and he walks up to the door and the like

1412
01:03:24,240 --> 01:03:27,360
Speaker 1: did invite only and then Jack and Rachel walk in

1413
01:03:27,560 --> 01:03:29,480
Speaker 1: and everybody's kind of and it's like, why am I

1414
01:03:29,600 --> 01:03:32,080
Speaker 1: not allowed to do this? And then maybe he goes

1415
01:03:32,120 --> 01:03:34,880
Speaker 1: to the movies, Yeah, and he watches the Truman Show,

1416
01:03:35,320 --> 01:03:37,120
Speaker 1: you know, something like that, and then he comes out

1417
01:03:37,160 --> 01:03:38,040
Speaker 1: and it's everything's on.

1418
01:03:38,200 --> 01:03:40,880
Speaker 5: I'm just realizing now that like this is sort of

1419
01:03:41,000 --> 01:03:43,080
Speaker 5: in the in the tradition of Boy Meets World, like

1420
01:03:43,240 --> 01:03:46,160
Speaker 5: mocking television itself, you know, Like I didn't quite because

1421
01:03:46,160 --> 01:03:47,680
Speaker 5: I'm just thinking of the Truman Show references.

1422
01:03:47,720 --> 01:03:51,240
Speaker 6: But of course Eric is this like director making his

1423
01:03:51,480 --> 01:03:53,640
Speaker 6: TV show, and he's like, this is good television.

1424
01:03:54,560 --> 01:03:56,640
Speaker 5: And the irony there, of course, is like we're mocking

1425
01:03:56,760 --> 01:03:59,040
Speaker 5: the idea that you would have naked or girls and

1426
01:03:59,120 --> 01:04:01,960
Speaker 5: towels on cell of vision to get ratings when we're doing.

1427
01:04:01,840 --> 01:04:04,120
Speaker 6: That that's we're doing that exactly in the process of

1428
01:04:04,200 --> 01:04:04,600
Speaker 6: mocking it.

1429
01:04:05,200 --> 01:04:06,880
Speaker 2: I don't know. Yeah, no, that was this is this

1430
01:04:07,040 --> 01:04:07,200
Speaker 2: to me?

1431
01:04:07,320 --> 01:04:10,040
Speaker 1: I wasn't a huge fan of my part in this episode,

1432
01:04:10,080 --> 01:04:12,439
Speaker 1: but it's totally my fault. This wasn't like what about

1433
01:04:12,440 --> 01:04:14,000
Speaker 1: the writing or what about this is me going, Oh,

1434
01:04:14,000 --> 01:04:16,520
Speaker 1: I wish I could have done this performance again, because

1435
01:04:16,560 --> 01:04:18,720
Speaker 1: I would. I would have done it differently the second Yeah,

1436
01:04:18,840 --> 01:04:20,280
Speaker 1: but a god, I love the best story. I felt

1437
01:04:20,280 --> 01:04:21,760
Speaker 1: like I was right back to point four finally.

1438
01:04:22,000 --> 01:04:23,080
Speaker 6: I hope there's more of that to come.

1439
01:04:23,360 --> 01:04:26,400
Speaker 4: Meet me too. Join us for our next episode recap,

1440
01:04:26,400 --> 01:04:29,960
Speaker 4: which will be season six, episode eleven, Santa's Little Helpers.

1441
01:04:30,320 --> 01:04:34,360
Speaker 4: It originally aired December eleventh, nineteen ninety eight.

1442
01:04:38,200 --> 01:04:41,040
Speaker 2: Is this the start? This might be the start of Tommy?

1443
01:04:41,720 --> 01:04:42,160
Speaker 5: Yeah? Right?

1444
01:04:42,280 --> 01:04:44,840
Speaker 6: Really that was a Christmas remember, I think it started.

1445
01:04:44,840 --> 01:04:46,600
Speaker 1: I think it starts with Eric as Santa, and I

1446
01:04:46,680 --> 01:04:48,840
Speaker 1: think I think this is the start of the Tommy arc.

1447
01:04:48,960 --> 01:04:50,680
Speaker 2: Ooh, this is a good one, I think. Yeah, I

1448
01:04:50,720 --> 01:04:52,000
Speaker 2: think I could be wrong, but I think that's.

1449
01:04:51,920 --> 01:04:52,240
Speaker 1: What it is.

1450
01:04:52,840 --> 01:04:54,400
Speaker 4: Thank you all for joining us for this episode of

1451
01:04:54,400 --> 01:04:56,040
Speaker 4: Pod Meets World. As always, you can follow us on

1452
01:04:56,120 --> 01:04:58,520
Speaker 4: Instagram pod Meets World Show. You can send us your

1453
01:04:58,560 --> 01:05:01,400
Speaker 4: emails pod meets World Show at gmail dot com and

1454
01:05:01,840 --> 01:05:04,160
Speaker 4: we have got merch and in case.

1455
01:05:04,000 --> 01:05:06,960
Speaker 2: We don't see you, buy some merch today, tomorrow and tonight.

1456
01:05:07,800 --> 01:05:10,360
Speaker 4: Podmeetsworldshow dot com will send us out.

1457
01:05:10,760 --> 01:05:12,440
Speaker 2: We love you all, pod dismissed.

1458
01:05:13,920 --> 01:05:17,440
Speaker 1: Podmeets World is nheart podcast produced and hosted by Danielle Fischel,

1459
01:05:17,520 --> 01:05:21,760
Speaker 1: Wilfredell and Ryder Strong executive producers, Jensen Karp and Amy Sugarman,

1460
01:05:22,040 --> 01:05:25,520
Speaker 1: Executive in charge of production, Danielle Romo, producer and editor,

1461
01:05:25,640 --> 01:05:28,160
Speaker 1: Tara sudbachsch producer, Maddy Moore.

1462
01:05:28,240 --> 01:05:30,640
Speaker 2: Engineer and Boy Meets World superfan Easton Allen.

1463
01:05:30,840 --> 01:05:33,000
Speaker 1: Our theme song is by Kyle Morton of Typhoon and

1464
01:05:33,080 --> 01:05:35,480
Speaker 1: you can follow us on Instagram at Podmeets World Show

1465
01:05:35,760 --> 01:05:38,520
Speaker 1: or email us at Podmeets Worldshow at gmail dot com