1 00:00:08,280 --> 00:00:11,480 Speaker 1: Hey there, everybody. It is Monday, October twenty seventh. We 2 00:00:11,600 --> 00:00:15,520 Speaker 1: have made it to our Top five and our horror 3 00:00:15,560 --> 00:00:21,239 Speaker 1: movie hit lists, the top five movies that we love 4 00:00:21,320 --> 00:00:23,439 Speaker 1: that we think maybe a lot of people have not 5 00:00:23,640 --> 00:00:27,080 Speaker 1: heard of. And number five on our list is not 6 00:00:27,440 --> 00:00:31,280 Speaker 1: for you if you are claustrophobic with that. Welcome to 7 00:00:31,360 --> 00:00:34,000 Speaker 1: this episode of Amy and TJ. Roobes. This was one 8 00:00:34,040 --> 00:00:36,240 Speaker 1: where I knew you were. 9 00:00:36,240 --> 00:00:41,560 Speaker 2: Realin when we discussed our shared love of this film. 10 00:00:41,720 --> 00:00:45,000 Speaker 3: Yes, we knew we had a kindred spirit. At least. 11 00:00:45,440 --> 00:00:48,519 Speaker 2: It was actually towards the beginning of our friendship that 12 00:00:48,560 --> 00:00:51,920 Speaker 2: we both realized that we loved The Descent. 13 00:00:52,200 --> 00:00:53,960 Speaker 1: This is a fantastic movie. I think a lot of 14 00:00:53,960 --> 00:00:57,040 Speaker 1: people do. This isn't too much of an underground It's 15 00:00:57,080 --> 00:00:57,480 Speaker 1: a cult. 16 00:00:58,400 --> 00:00:59,440 Speaker 3: I see what we did there. 17 00:00:59,840 --> 00:01:03,000 Speaker 1: Now what it's a It's not really this is a 18 00:01:03,320 --> 00:01:04,720 Speaker 1: This is a mainstream hit, isn't it. 19 00:01:04,760 --> 00:01:05,680 Speaker 3: I think it is now. 20 00:01:05,800 --> 00:01:07,920 Speaker 2: I think now that we have streaming services and you 21 00:01:08,000 --> 00:01:12,080 Speaker 2: can watch movies that maybe fell under the radar before. 22 00:01:12,440 --> 00:01:14,520 Speaker 2: This wasn't a movie that I knew of anyone going 23 00:01:14,560 --> 00:01:18,680 Speaker 2: to the theaters to go see. But I actually believe this 24 00:01:18,800 --> 00:01:20,480 Speaker 2: was the summer of two thousand and six. I'm trying 25 00:01:20,520 --> 00:01:25,400 Speaker 2: to think if I how I saw this either on 26 00:01:25,440 --> 00:01:28,000 Speaker 2: a DVD or what. 27 00:01:27,880 --> 00:01:30,039 Speaker 1: Were you doing in two thousand and six? Two thousand and. 28 00:01:29,959 --> 00:01:33,520 Speaker 3: Six, I was given I was giving birth to Annalise, 29 00:01:33,640 --> 00:01:34,600 Speaker 3: is what I was doing. 30 00:01:35,000 --> 00:01:36,399 Speaker 1: I was moving to Atlanta. 31 00:01:36,480 --> 00:01:37,520 Speaker 3: So that's so funny. 32 00:01:37,640 --> 00:01:41,319 Speaker 1: Wow, so wow. Anyway, summer of two thousand and six, folks, 33 00:01:41,480 --> 00:01:46,240 Speaker 1: is when The Descent, our number five movie came out. 34 00:01:46,480 --> 00:01:49,840 Speaker 1: The Descent, Yes, it's an hour and thirty nine minutes long, 35 00:01:49,920 --> 00:01:55,000 Speaker 1: rated R. It has classified these ways horror, mystery, and thriller, 36 00:01:55,480 --> 00:01:57,800 Speaker 1: adventure adventure, that is for sure. 37 00:01:57,920 --> 00:01:58,320 Speaker 3: That's right. 38 00:01:58,400 --> 00:02:01,720 Speaker 2: So here is the synopsis for The Dissent. A year 39 00:02:01,840 --> 00:02:06,560 Speaker 2: after a severe emotional trauma, Sarah goes to North Carolina 40 00:02:06,640 --> 00:02:10,320 Speaker 2: to spend some time exploring caves with her friends. After 41 00:02:10,440 --> 00:02:15,239 Speaker 2: descending underground, the women find strange cave paintings and evidence 42 00:02:15,280 --> 00:02:18,440 Speaker 2: of an earlier expedition. They then learn they are not 43 00:02:18,560 --> 00:02:23,680 Speaker 2: alone underground predators inhabit the crevasses, and they have a 44 00:02:23,800 --> 00:02:25,560 Speaker 2: taste for human flesh. 45 00:02:25,680 --> 00:02:27,560 Speaker 3: It actually did really well in the box office. 46 00:02:27,840 --> 00:02:30,560 Speaker 1: Did I didn't remember it having a box office run. 47 00:02:30,000 --> 00:02:33,160 Speaker 2: But I think I literally was on maternity leave when 48 00:02:33,160 --> 00:02:35,680 Speaker 2: this was out, so I'm thinking that somehow maybe I 49 00:02:35,720 --> 00:02:36,959 Speaker 2: got to see it as soon as it hit a 50 00:02:37,000 --> 00:02:40,320 Speaker 2: streaming service. Back then I had some time on my hands, 51 00:02:40,639 --> 00:02:44,240 Speaker 2: so I remember watching it by myself, perhaps a middle 52 00:02:44,240 --> 00:02:46,840 Speaker 2: of the night feeding. But it made twenty six million domestically, 53 00:02:47,360 --> 00:02:50,120 Speaker 2: thirty one internationally, so fifty seven million total. 54 00:02:50,200 --> 00:02:52,560 Speaker 3: That's great with the budget less than ten million. 55 00:02:52,720 --> 00:02:55,280 Speaker 1: Yeah, and it's a good looking movie. You just said 56 00:02:55,320 --> 00:02:57,359 Speaker 1: you watched it alone. That is not something we're going 57 00:02:57,400 --> 00:03:00,600 Speaker 1: to be recommending. This cast includes Sean on the McDonald, 58 00:03:00,720 --> 00:03:05,560 Speaker 1: Natalie Mendoza, Alex Reed, Saskia Mulder, Nora Jane Noon. I 59 00:03:05,600 --> 00:03:08,840 Speaker 1: didn't recognize a lot of the faces in the movie. 60 00:03:08,919 --> 00:03:11,200 Speaker 3: It was a British indie flick, was it not. 61 00:03:11,360 --> 00:03:14,880 Speaker 2: Yes, it was set in North Carolina, but I do 62 00:03:15,000 --> 00:03:18,840 Speaker 2: believe there was I believe there were British makers. 63 00:03:18,880 --> 00:03:19,799 Speaker 3: That was what I recall. 64 00:03:20,040 --> 00:03:23,240 Speaker 1: Yet, and the lead was I think she's Scottish, and 65 00:03:23,600 --> 00:03:26,359 Speaker 1: so yeah, it certainly I forgot who was in North 66 00:03:26,400 --> 00:03:29,120 Speaker 1: Carolina because everybody has an accent, and it seemed yeah, 67 00:03:29,160 --> 00:03:31,840 Speaker 1: so you're right. The director here is Neil Marshall. Now 68 00:03:32,040 --> 00:03:35,320 Speaker 1: we always love to say don't take our word for it. 69 00:03:35,720 --> 00:03:39,600 Speaker 1: Written Tomato scores for the critics and robes. The audience 70 00:03:39,960 --> 00:03:40,480 Speaker 1: seemed to. 71 00:03:40,400 --> 00:03:43,560 Speaker 2: Like it, Yes, eighty seven percent for the critics and 72 00:03:43,760 --> 00:03:45,400 Speaker 2: the audience seventy six percent. 73 00:03:45,480 --> 00:03:46,400 Speaker 3: Maybe just because it's. 74 00:03:46,240 --> 00:03:50,480 Speaker 2: A little gory, a little gross, a little scary. Little look, 75 00:03:50,520 --> 00:03:53,600 Speaker 2: I'm claustrophobic. I have to say, heights don't bother me, 76 00:03:53,960 --> 00:03:56,760 Speaker 2: but you like to me, like worst case scenario would 77 00:03:56,760 --> 00:03:59,960 Speaker 2: be trapped in a submarine or something I would lose 78 00:04:00,000 --> 00:04:00,800 Speaker 2: lose my mind. 79 00:04:00,840 --> 00:04:01,840 Speaker 3: Like the idea of. 80 00:04:01,800 --> 00:04:05,520 Speaker 2: Having to go into a submarine scares the but Jesus 81 00:04:05,560 --> 00:04:07,080 Speaker 2: out of me. And so the reason why I was 82 00:04:07,120 --> 00:04:09,000 Speaker 2: able to watch this movie alone though, by the way, 83 00:04:09,080 --> 00:04:09,760 Speaker 2: is because I have. 84 00:04:09,800 --> 00:04:12,760 Speaker 3: Zero plans on caving anytime soon. 85 00:04:13,720 --> 00:04:15,640 Speaker 2: So I felt like, you know what, I can watch 86 00:04:15,640 --> 00:04:17,719 Speaker 2: this and be totally creeped out and still feel safe 87 00:04:17,760 --> 00:04:20,520 Speaker 2: in my living room nursing a little baby. 88 00:04:20,760 --> 00:04:22,679 Speaker 3: Just it was just it was a sweet moment. 89 00:04:23,040 --> 00:04:25,000 Speaker 1: Two things, you know, One you knew you were never 90 00:04:25,040 --> 00:04:27,360 Speaker 1: going to go into a cave and get trapped, correct. 91 00:04:27,360 --> 00:04:30,159 Speaker 1: And two if there are these creatures down there, you're 92 00:04:30,200 --> 00:04:32,839 Speaker 1: never gonna go find out any correct. All good, very 93 00:04:32,839 --> 00:04:35,640 Speaker 1: good way of putting it. The critic Gonzendus put it 94 00:04:35,640 --> 00:04:39,800 Speaker 1: this way, deft direction and strong performances from its all 95 00:04:39,839 --> 00:04:45,680 Speaker 1: female cast. Guide The Descent a riveting, claustrophobic horror film, 96 00:04:46,080 --> 00:04:49,440 Speaker 1: that the cast is their their dynamic is pretty. 97 00:04:49,160 --> 00:04:52,000 Speaker 2: Cool, so good and in fact, look and we I 98 00:04:52,000 --> 00:04:54,320 Speaker 2: think you and I when we first realized we shared 99 00:04:54,360 --> 00:04:56,400 Speaker 2: a love of this movie, when we both said, and 100 00:04:56,440 --> 00:04:59,239 Speaker 2: the Descent Too is just as good. Now the critics 101 00:04:59,240 --> 00:05:01,320 Speaker 2: don't give it the same reviews. I believe, but I 102 00:05:01,360 --> 00:05:03,760 Speaker 2: thought it was such a good It picked up where 103 00:05:03,760 --> 00:05:06,479 Speaker 2: this one leaves off. So if you love this movie, 104 00:05:06,839 --> 00:05:10,240 Speaker 2: please please check out the Part Too basically. 105 00:05:09,880 --> 00:05:11,800 Speaker 1: So we can give Yeah, we'll give you a two 106 00:05:11,880 --> 00:05:13,960 Speaker 1: fer on this one the Descent. And The Descent Too 107 00:05:14,160 --> 00:05:17,200 Speaker 1: is wortheeing as well. Now some critic reviews. I included 108 00:05:17,240 --> 00:05:19,599 Speaker 1: a lot now blazed through them because I think you'll 109 00:05:19,600 --> 00:05:21,159 Speaker 1: relate to a lot of them in their shorts. Some 110 00:05:21,200 --> 00:05:25,960 Speaker 1: of the critic reviews, it's brutal, bloody, and brilliantly entertaining. Yes, correct, 111 00:05:26,040 --> 00:05:28,760 Speaker 1: all right, you will feel like you have descended to 112 00:05:28,839 --> 00:05:29,719 Speaker 1: the pits of hell. 113 00:05:29,920 --> 00:05:32,200 Speaker 2: It is true, you feel like you are right there 114 00:05:32,240 --> 00:05:36,159 Speaker 2: with them. I mean you do, like you my blood 115 00:05:36,200 --> 00:05:40,839 Speaker 2: would like, like, actually chill when I saw what they saw, 116 00:05:41,040 --> 00:05:43,599 Speaker 2: like your heart actually stops with them. You feel like 117 00:05:43,720 --> 00:05:46,119 Speaker 2: you are in these caves with these women. 118 00:05:46,200 --> 00:05:47,560 Speaker 1: You know, I didn't think about it this way. So 119 00:05:47,640 --> 00:05:49,520 Speaker 1: much of it they had to be up close, even 120 00:05:49,560 --> 00:05:51,760 Speaker 1: the fights in the this and that nothing is happening 121 00:05:51,760 --> 00:05:54,360 Speaker 1: from a distance in this movie. Another one, often terrifying, 122 00:05:54,440 --> 00:05:57,760 Speaker 1: often brilliant. Another one saying parents would be best to 123 00:05:57,880 --> 00:06:01,840 Speaker 1: protect their children from the concept went psychological trauma of 124 00:06:01,920 --> 00:06:02,680 Speaker 1: letting them see this. 125 00:06:02,880 --> 00:06:06,080 Speaker 2: Honestly, yes, to think that there are creatures like that 126 00:06:06,400 --> 00:06:10,400 Speaker 2: living beneath you is really freaky, like super duper freaky. 127 00:06:10,839 --> 00:06:14,120 Speaker 1: Here is one for you that was negative. A mindless, 128 00:06:14,720 --> 00:06:17,839 Speaker 1: mindless tense fright fest. 129 00:06:18,480 --> 00:06:23,880 Speaker 3: A mindless tense fright fest. Yes, mindless. I mean, I 130 00:06:23,880 --> 00:06:24,159 Speaker 3: don't know. 131 00:06:24,200 --> 00:06:25,760 Speaker 2: I think there was a lot of mind games going 132 00:06:25,760 --> 00:06:27,880 Speaker 2: on there. What I liked about this movie is, yes, 133 00:06:27,920 --> 00:06:30,159 Speaker 2: you're dealing with this creature, but you don't even see 134 00:06:30,160 --> 00:06:30,560 Speaker 2: a creature. 135 00:06:30,600 --> 00:06:32,599 Speaker 3: By the way, for the first half of the movie. 136 00:06:32,760 --> 00:06:33,960 Speaker 3: Didn't we clock that and. 137 00:06:34,120 --> 00:06:35,400 Speaker 1: At least an hour. 138 00:06:35,240 --> 00:06:38,320 Speaker 2: Because it's terrifying, first of all, just being beneath the 139 00:06:38,320 --> 00:06:42,320 Speaker 2: surface like that they're going into uncharted territory. They didn't 140 00:06:42,360 --> 00:06:44,120 Speaker 2: realize they were getting into this. At least some of 141 00:06:44,200 --> 00:06:46,800 Speaker 2: the women in the characters did not know they were 142 00:06:46,800 --> 00:06:50,240 Speaker 2: putting themselves in this pioneering position. But you're scared for 143 00:06:50,279 --> 00:06:54,400 Speaker 2: them just being trapped, let alone having a subspecies of 144 00:06:54,520 --> 00:06:57,039 Speaker 2: humans down there attacking them. 145 00:06:57,080 --> 00:06:59,520 Speaker 3: That doesn't even come to later. But there are also 146 00:06:59,680 --> 00:07:01,480 Speaker 3: ten within the group. 147 00:07:02,000 --> 00:07:04,440 Speaker 2: Because there was a tragedy to begin with, there was 148 00:07:04,480 --> 00:07:07,080 Speaker 2: some husband Sharon, I think that was going on. So 149 00:07:07,160 --> 00:07:09,240 Speaker 2: I actually to say it's mindless makes no sense to me. 150 00:07:09,320 --> 00:07:11,160 Speaker 2: There were a lot of other plots going on that 151 00:07:11,240 --> 00:07:12,800 Speaker 2: made it really interesting. 152 00:07:12,920 --> 00:07:16,480 Speaker 1: They're fighting each other, they're fighting to stay alive, and 153 00:07:16,520 --> 00:07:18,440 Speaker 1: they're fighting to get the hell out of there, right, 154 00:07:18,520 --> 00:07:21,560 Speaker 1: so mindless I find sometimes we've talked about this on 155 00:07:21,560 --> 00:07:23,000 Speaker 1: some of the episodes. If not we you and I 156 00:07:23,000 --> 00:07:25,720 Speaker 1: have talked about this. I sometimes see the higher the 157 00:07:25,800 --> 00:07:29,200 Speaker 1: rating like the dumber the negative ratings. 158 00:07:29,280 --> 00:07:30,440 Speaker 3: They're trying to find a way. 159 00:07:30,720 --> 00:07:33,360 Speaker 1: Yeah, to be contrary, they don't necessarily take on that 160 00:07:33,480 --> 00:07:35,280 Speaker 1: I didn't like this acting or this writing. It was 161 00:07:35,320 --> 00:07:37,960 Speaker 1: just I don't understand why anybody even liked this. It's 162 00:07:38,040 --> 00:07:38,920 Speaker 1: just mindless. 163 00:07:39,400 --> 00:07:44,640 Speaker 2: Huh, what's that's a mindless comment? I like this critic review. 164 00:07:45,080 --> 00:07:48,240 Speaker 2: No one really enjoys nausea. But for those of you 165 00:07:48,280 --> 00:07:50,840 Speaker 2: who bragg that a horror movie is so scary that 166 00:07:50,960 --> 00:07:54,400 Speaker 2: it made me sick, here is The Descent, Hey, grown ups, 167 00:07:54,440 --> 00:07:56,760 Speaker 2: only gorefest that is bound to have you cringing and 168 00:07:56,840 --> 00:07:58,600 Speaker 2: jumping out of your seat at least once. 169 00:07:58,720 --> 00:08:03,440 Speaker 1: Well said, I like that gorefest is correct. This is 170 00:08:03,520 --> 00:08:07,000 Speaker 1: one of you know what, there's some that seem gratuitous. 171 00:08:07,000 --> 00:08:09,840 Speaker 1: Are going a little long this for the sake of 172 00:08:09,960 --> 00:08:13,840 Speaker 1: the I guess there is a nature to these creatures 173 00:08:14,520 --> 00:08:17,920 Speaker 1: that has to coincide with how they go about feeding 174 00:08:17,960 --> 00:08:19,040 Speaker 1: and fighting and killing. 175 00:08:19,200 --> 00:08:20,840 Speaker 3: There's a savageness to it. 176 00:08:20,880 --> 00:08:23,800 Speaker 1: And they capture that in the dark. Now. The Descent 177 00:08:23,880 --> 00:08:26,760 Speaker 1: is so expertly made that it more than holds its 178 00:08:26,760 --> 00:08:30,480 Speaker 1: own as a full throttle horror flick. Yes, it's the 179 00:08:30,520 --> 00:08:34,160 Speaker 1: director's decision to provide it with a psychological bent that 180 00:08:34,280 --> 00:08:36,480 Speaker 1: puts it firmly over the top. 181 00:08:36,640 --> 00:08:38,640 Speaker 3: Exactly exactly. 182 00:08:38,720 --> 00:08:41,319 Speaker 1: He toys with our mind this whole movie. 183 00:08:41,520 --> 00:08:43,960 Speaker 2: You're rooting for these women to get out of there 184 00:08:44,160 --> 00:08:46,640 Speaker 2: and to get away from these things, like so you're 185 00:08:46,720 --> 00:08:49,360 Speaker 2: so invested in them escaping. 186 00:08:49,559 --> 00:08:51,520 Speaker 3: You are so into it and on the edge of 187 00:08:51,520 --> 00:08:52,760 Speaker 3: your seat the entire time. 188 00:08:53,160 --> 00:08:55,880 Speaker 1: From the sample audience, Now, I didn't even I've never 189 00:08:56,000 --> 00:09:01,079 Speaker 1: used this word before. Uh. Claustrophobically terrifying. One of the 190 00:09:01,120 --> 00:09:04,199 Speaker 1: best horror movies ever made. Another thing that the scent 191 00:09:04,360 --> 00:09:06,720 Speaker 1: is a thrilling surprise from start to finish. Here is 192 00:09:06,760 --> 00:09:10,360 Speaker 1: my favorite, though Robes, I am now officially scared of 193 00:09:10,400 --> 00:09:13,600 Speaker 1: the dark. It starts off with a bang with the 194 00:09:13,640 --> 00:09:18,319 Speaker 1: two deaths, and immediately I knew I regretted watching this. 195 00:09:18,800 --> 00:09:19,880 Speaker 1: They gave it five stars. 196 00:09:20,640 --> 00:09:23,400 Speaker 2: In parentheses, gave it five stars, but you're, like anyone 197 00:09:23,400 --> 00:09:25,240 Speaker 2: who loves horror movies totally gets that. 198 00:09:25,440 --> 00:09:27,079 Speaker 3: Yes, this is. 199 00:09:27,040 --> 00:09:29,320 Speaker 2: Truly one of the creepiest movies you will ever see. 200 00:09:29,440 --> 00:09:33,720 Speaker 2: Fantastic all female cast, a terrific storyline, and so many 201 00:09:33,760 --> 00:09:36,120 Speaker 2: atmospheric and terrifying scenes. 202 00:09:36,880 --> 00:09:37,439 Speaker 3: I love this. 203 00:09:37,440 --> 00:09:40,000 Speaker 2: This is the only movie that made me so uncomfortable 204 00:09:40,240 --> 00:09:43,040 Speaker 2: with the claustrophobic scenes near the beginning that I seriously 205 00:09:43,080 --> 00:09:44,600 Speaker 2: wanted to leave the theater. 206 00:09:44,880 --> 00:09:46,440 Speaker 3: Yeah, and that's a good review. 207 00:09:46,760 --> 00:09:51,080 Speaker 1: I think that is the If we're recommending this one, 208 00:09:51,160 --> 00:09:54,200 Speaker 1: we say why this one made our list? And I 209 00:09:54,240 --> 00:09:56,560 Speaker 1: think this is one of the reasons for me Robes 210 00:09:56,720 --> 00:10:01,480 Speaker 1: is that if monsters never showed up, this was a 211 00:10:01,559 --> 00:10:05,400 Speaker 1: horror movie on its own. There are scenes and where 212 00:10:05,400 --> 00:10:08,800 Speaker 1: they're stuck and a couple of women start panicking because 213 00:10:08,800 --> 00:10:12,000 Speaker 1: they think they won't be able to get out that 214 00:10:12,160 --> 00:10:15,320 Speaker 1: you are breathing. You find yourself breathing hard watching this. 215 00:10:15,600 --> 00:10:16,880 Speaker 1: It was a horror movie. 216 00:10:17,080 --> 00:10:19,200 Speaker 3: Yes, before the creatures. 217 00:10:18,880 --> 00:10:22,720 Speaker 1: Yes, and even the dread of their they say that 218 00:10:22,960 --> 00:10:24,360 Speaker 1: at one point, I think they said they were a 219 00:10:24,400 --> 00:10:27,640 Speaker 1: mile or something underground, so there's no light, and so 220 00:10:27,960 --> 00:10:32,800 Speaker 1: there's dread from the jump. As soon as their batteries 221 00:10:32,840 --> 00:10:35,720 Speaker 1: go out on their lights, it's gonna be pitch black. 222 00:10:35,960 --> 00:10:39,800 Speaker 3: Even the idea of that can you racing against time. 223 00:10:39,840 --> 00:10:44,680 Speaker 1: Against batteries, even that attitude this being a horror movie for. 224 00:10:44,760 --> 00:10:45,240 Speaker 3: It it is. 225 00:10:45,440 --> 00:10:48,280 Speaker 2: I mean, it is so scary from start to finish. 226 00:10:48,400 --> 00:10:50,160 Speaker 2: It is a wild ride. So when we come back, 227 00:10:50,200 --> 00:10:52,239 Speaker 2: we're gonna tell you, Yes, we'll get into the specifics 228 00:10:52,240 --> 00:10:54,440 Speaker 2: of why it made our list, who it's for, who 229 00:10:54,440 --> 00:10:57,360 Speaker 2: it's not for, what to pair it with, and where 230 00:10:57,440 --> 00:11:01,080 Speaker 2: to watch it. Plus of course you will tease ahead 231 00:11:01,240 --> 00:11:04,080 Speaker 2: to our number four on the list. We are in 232 00:11:04,200 --> 00:11:17,400 Speaker 2: our top five people, and we continue our conversation on 233 00:11:17,520 --> 00:11:18,280 Speaker 2: the dissent. 234 00:11:18,640 --> 00:11:19,840 Speaker 3: It is number. 235 00:11:19,520 --> 00:11:22,920 Speaker 2: Five on our Halloween Horror hit list, and it has 236 00:11:23,040 --> 00:11:27,160 Speaker 2: been one of our favorite horror movies for almost twenty 237 00:11:27,280 --> 00:11:30,080 Speaker 2: years now, and we hope it will soon be one 238 00:11:30,080 --> 00:11:31,319 Speaker 2: of your favorites as well. 239 00:11:31,360 --> 00:11:32,359 Speaker 3: It is terrifying. 240 00:11:32,679 --> 00:11:37,240 Speaker 2: It has all the elements of being stuck somewhere claustrophobic, 241 00:11:37,640 --> 00:11:42,200 Speaker 2: you're underground, you're fighting within your own factions, and now 242 00:11:42,240 --> 00:11:48,600 Speaker 2: you've got these flesh eating, subhuman, subterranean creatures after you. 243 00:11:49,040 --> 00:11:53,720 Speaker 2: It's so scary and it's so good, and the critics 244 00:11:53,760 --> 00:11:56,640 Speaker 2: and the audience finally actually agree with us. It doesn't 245 00:11:56,640 --> 00:11:58,320 Speaker 2: always happen, but this is one of those where there 246 00:11:58,360 --> 00:12:01,880 Speaker 2: seems to be an absolute consensus. Why it made our list, Well, 247 00:12:01,920 --> 00:12:03,560 Speaker 2: we bonded over it, so it had to be on 248 00:12:03,600 --> 00:12:06,440 Speaker 2: the list. It's one of our favorite first horror movie 249 00:12:06,440 --> 00:12:12,240 Speaker 2: conversations we ever had. And it's it's so intense. I 250 00:12:12,280 --> 00:12:15,880 Speaker 2: think that was like it's heart pounding. It never lets up, 251 00:12:16,320 --> 00:12:19,600 Speaker 2: and you are on a ride and you're like you're 252 00:12:19,600 --> 00:12:22,560 Speaker 2: on this fast moving train and you can't get off it. 253 00:12:23,320 --> 00:12:27,960 Speaker 1: Yeah, and again when there's a horror movie does a 254 00:12:27,960 --> 00:12:31,200 Speaker 1: formula to where if you don't see the monster the 255 00:12:31,200 --> 00:12:35,960 Speaker 1: bad guy, you're not supposed to be scared. This is 256 00:12:36,000 --> 00:12:40,440 Speaker 1: a movie where you are terrified before a monster ever 257 00:12:40,520 --> 00:12:43,640 Speaker 1: shows up. And they were able to create this tension 258 00:12:43,679 --> 00:12:46,600 Speaker 1: and this I don't know, just the lighting and the 259 00:12:46,640 --> 00:12:50,280 Speaker 1: setting and everything about it. They created an environment. This 260 00:12:50,360 --> 00:12:51,920 Speaker 1: is an experience of a movie. 261 00:12:52,240 --> 00:12:54,200 Speaker 3: Yes, yes, I totally agree with that. 262 00:12:54,240 --> 00:12:56,760 Speaker 2: And the acting is incredible from people who you don't 263 00:12:56,800 --> 00:13:00,880 Speaker 2: even know, so just really phenomenal act do really good. 264 00:13:02,360 --> 00:13:05,400 Speaker 2: I was gonna say storytelling, but I was horror telling. 265 00:13:05,440 --> 00:13:08,000 Speaker 2: But it's kind of both horror storytelling. 266 00:13:08,480 --> 00:13:10,880 Speaker 3: Who's this for? If you love a monster? 267 00:13:11,280 --> 00:13:14,000 Speaker 2: And there are certain we've talked about in this list, 268 00:13:14,080 --> 00:13:17,040 Speaker 2: lots of different subgenres of horror movies, But I love 269 00:13:17,080 --> 00:13:19,960 Speaker 2: a creature film, and this is an unexpected one, not 270 00:13:20,040 --> 00:13:22,640 Speaker 2: one you've seen before, yes, and not one really i've 271 00:13:22,640 --> 00:13:25,800 Speaker 2: seen since. I think they're so good at just giving 272 00:13:25,840 --> 00:13:29,120 Speaker 2: you glimpses of these things and you're waiting for it 273 00:13:29,200 --> 00:13:32,360 Speaker 2: and you don't and there oh, but the way they 274 00:13:32,400 --> 00:13:34,360 Speaker 2: did it, it's so realistic looking. 275 00:13:34,360 --> 00:13:35,280 Speaker 3: It's not over the top. 276 00:13:35,360 --> 00:13:38,760 Speaker 2: It actually is exactly what you think subterranean cave dwelling, 277 00:13:39,120 --> 00:13:43,320 Speaker 2: flesh eating things would like half human, what they would 278 00:13:43,320 --> 00:13:43,680 Speaker 2: look like. 279 00:13:44,520 --> 00:13:48,520 Speaker 1: Ooh ooh, this is one we have to say here. 280 00:13:48,600 --> 00:13:50,720 Speaker 1: You have to have to have to watch this in 281 00:13:50,760 --> 00:13:53,480 Speaker 1: the dark. It needs to be pitch black in the 282 00:13:53,559 --> 00:13:57,240 Speaker 1: room because so much of this. Yes, they're in caves. 283 00:13:57,280 --> 00:13:59,880 Speaker 1: There's it's very low lighting, and a lot of these fights, 284 00:14:00,000 --> 00:14:03,320 Speaker 1: a lot of stuff happens pretty quickly in very low lighting. 285 00:14:03,480 --> 00:14:03,680 Speaker 2: Yes. 286 00:14:03,880 --> 00:14:04,200 Speaker 3: Yes. 287 00:14:04,240 --> 00:14:08,160 Speaker 2: And also if you love like survival adventure type of 288 00:14:08,400 --> 00:14:10,720 Speaker 2: horror movies, this is that's got that element to it 289 00:14:10,760 --> 00:14:15,960 Speaker 2: as well. A race against time, a race against creatures, 290 00:14:16,000 --> 00:14:19,480 Speaker 2: and a race against just even your own conditions, like 291 00:14:19,520 --> 00:14:22,680 Speaker 2: trying to get out of something. It's it's so good, now, 292 00:14:22,680 --> 00:14:26,240 Speaker 2: who is it not for this is? It gets pretty gory. 293 00:14:26,720 --> 00:14:30,720 Speaker 1: Yeah, it's not over the top. It's what it should be. Yeah, 294 00:14:30,720 --> 00:14:33,400 Speaker 1: I don't think it's gratuitous for what this is. But yeah, 295 00:14:33,440 --> 00:14:36,640 Speaker 1: there are some I guess there's the A lot of 296 00:14:36,680 --> 00:14:38,760 Speaker 1: the sound is disturbing as well, and a lot of 297 00:14:38,840 --> 00:14:42,040 Speaker 1: these fights, and there's some All the weapons are sharp, 298 00:14:43,960 --> 00:14:47,000 Speaker 1: all the deaths of brutal, the injuries are even. 299 00:14:47,080 --> 00:14:47,920 Speaker 3: There are some injuries. 300 00:14:47,960 --> 00:14:51,800 Speaker 2: There's at least one arm remembering that's really tough, really tough. 301 00:14:51,840 --> 00:14:55,520 Speaker 2: And I do think what one of the critics said 302 00:14:55,520 --> 00:14:58,400 Speaker 2: about not letting your kids watch this, This to me 303 00:14:58,680 --> 00:15:02,000 Speaker 2: is stuff of nightmare. Like the creatures like no, but 304 00:15:02,040 --> 00:15:04,880 Speaker 2: when you see their faces it can haunt you. Like 305 00:15:04,960 --> 00:15:07,280 Speaker 2: this could keep you up at night, and certainly if 306 00:15:07,280 --> 00:15:10,000 Speaker 2: you're young and just seeing their faces. I again was 307 00:15:10,040 --> 00:15:12,320 Speaker 2: not scared because I just was able to rationalize it 308 00:15:12,360 --> 00:15:13,160 Speaker 2: and say, I'm not. 309 00:15:13,080 --> 00:15:16,800 Speaker 3: In a cave. These aren't things that are walking around 310 00:15:16,960 --> 00:15:17,920 Speaker 3: New York City, So. 311 00:15:18,080 --> 00:15:21,840 Speaker 1: I'm kind of okay, Well, the l train you seeing that. 312 00:15:23,480 --> 00:15:25,320 Speaker 3: It is Halloween, like, we could see some of that. 313 00:15:25,360 --> 00:15:27,160 Speaker 3: But yes, if you don't like Gore, if you don't. 314 00:15:27,000 --> 00:15:29,280 Speaker 2: Like anything that's I mean, honestly, if you don't want 315 00:15:29,320 --> 00:15:32,400 Speaker 2: to be too scared, this isn't. It's intense and it's scary. 316 00:15:32,800 --> 00:15:34,560 Speaker 2: So you have to want both of those things, the 317 00:15:34,560 --> 00:15:35,600 Speaker 2: intensity and the fear. 318 00:15:35,720 --> 00:15:38,840 Speaker 1: There are no breaks in this movie. Once they go 319 00:15:38,960 --> 00:15:42,280 Speaker 1: in that cave, you just sit up. It's going to 320 00:15:42,320 --> 00:15:45,040 Speaker 1: be a ride until the absolute vary end. 321 00:15:45,280 --> 00:15:47,480 Speaker 2: Yeah, And so in terms of what to pair it with, 322 00:15:47,560 --> 00:15:49,560 Speaker 2: so you think you should have to watch this, it 323 00:15:49,640 --> 00:15:53,160 Speaker 2: is better to watch with someone. Oh absolutely, I watched this. 324 00:15:53,520 --> 00:15:55,800 Speaker 2: I remember when I was on maternity leave, I watched 325 00:15:55,960 --> 00:16:00,200 Speaker 2: this and I watched The Extorcism of Emily Rose, and 326 00:16:00,280 --> 00:16:02,200 Speaker 2: both of those for very different reasons. 327 00:16:02,880 --> 00:16:04,080 Speaker 3: Literally, I regretted it. 328 00:16:04,120 --> 00:16:06,600 Speaker 2: I was I was in the woods by myself with 329 00:16:06,760 --> 00:16:09,040 Speaker 2: that my baby, and I think my mom. It was 330 00:16:09,080 --> 00:16:11,440 Speaker 2: like all girls, like it was literally an all female 331 00:16:11,440 --> 00:16:14,320 Speaker 2: cast in the house. It was really dumb. But so, yeah, 332 00:16:14,400 --> 00:16:17,040 Speaker 2: you should probably watch this with somebody. I would say 333 00:16:17,040 --> 00:16:18,760 Speaker 2: that would be fun. And yes, in the pitch black 334 00:16:18,920 --> 00:16:21,760 Speaker 2: in the dark at night, and look, I don't know, 335 00:16:21,800 --> 00:16:24,560 Speaker 2: I think it's so intense. I wouldn't eat a lot 336 00:16:24,720 --> 00:16:28,120 Speaker 2: like popcorn, keep it simple popcorn. I was like, this 337 00:16:28,160 --> 00:16:31,080 Speaker 2: is like the acid inducing type of movie, So you 338 00:16:31,120 --> 00:16:33,120 Speaker 2: want to keep those things just to a minimum. 339 00:16:33,160 --> 00:16:35,240 Speaker 3: So salty snacks, that's what I would say. 340 00:16:35,600 --> 00:16:37,800 Speaker 1: I cannot tell folks what not to eat. Yes, why 341 00:16:37,880 --> 00:16:41,600 Speaker 1: in God's name were we having medium late. 342 00:16:43,120 --> 00:16:45,600 Speaker 2: Terrible? We even said we have to admit what we 343 00:16:45,600 --> 00:16:47,840 Speaker 2: were watching when we read what we were eating while 344 00:16:47,840 --> 00:16:51,320 Speaker 2: we were rewatching it. And yes, medium rare filet mignon 345 00:16:51,600 --> 00:16:53,000 Speaker 2: is not something to pair. 346 00:16:52,880 --> 00:16:56,920 Speaker 3: With this movie. It was a big mistake. I totally 347 00:16:57,000 --> 00:16:57,760 Speaker 3: forgot about that. 348 00:16:58,920 --> 00:17:02,480 Speaker 2: I don't really think you should probably eat medium rare 349 00:17:02,560 --> 00:17:06,639 Speaker 2: steak with just about every single horror movie period. You 350 00:17:06,640 --> 00:17:08,480 Speaker 2: should just go ahead and do that ahead of time 351 00:17:08,960 --> 00:17:10,639 Speaker 2: and then keep to the light snack. 352 00:17:11,040 --> 00:17:12,480 Speaker 3: Yes, all right, Where to watch this? 353 00:17:12,480 --> 00:17:15,960 Speaker 2: This is on Amazon Prime if you've got a subscription, 354 00:17:18,440 --> 00:17:20,280 Speaker 2: but we found it pretty easy to find. And then 355 00:17:20,480 --> 00:17:22,520 Speaker 2: the descent too is also there as well, I believe, 356 00:17:22,520 --> 00:17:24,720 Speaker 2: so you can just do one and then number two 357 00:17:24,800 --> 00:17:29,520 Speaker 2: right afterwards. All right, next up our number four this week? 358 00:17:29,800 --> 00:17:32,280 Speaker 2: How would you describe this one? How would you tease this? 359 00:17:32,280 --> 00:17:34,960 Speaker 2: This is another one of our all time favorites that 360 00:17:35,000 --> 00:17:36,480 Speaker 2: we both bonded over as well. 361 00:17:36,680 --> 00:17:41,160 Speaker 1: Yes, this is a sleeper and a shocker that it's 362 00:17:41,240 --> 00:17:45,000 Speaker 1: in our top five for a number of reasons, including 363 00:17:46,240 --> 00:17:48,080 Speaker 1: it's PG thirteen. 364 00:17:48,480 --> 00:17:52,560 Speaker 2: We were shocked you said this to me yesterday. Can 365 00:17:52,600 --> 00:17:56,920 Speaker 2: you believe this? Robes two of our top five are 366 00:17:57,080 --> 00:18:01,840 Speaker 2: PG thirteen something that you avoid at all costs, and 367 00:18:02,040 --> 00:18:04,000 Speaker 2: we had no idea. 368 00:18:03,400 --> 00:18:08,560 Speaker 1: But it does include perhaps our favorite horror movie actor 369 00:18:09,040 --> 00:18:13,320 Speaker 1: of all time, mister Justin Long. So looking forward to 370 00:18:13,359 --> 00:18:16,400 Speaker 1: telling you about number four tomorrow, but for now, hopefully 371 00:18:16,560 --> 00:18:20,200 Speaker 1: always appreciate you hanging with us. I hope you've got 372 00:18:20,240 --> 00:18:22,960 Speaker 1: some good out of these horror movies, but we got 373 00:18:22,960 --> 00:18:26,160 Speaker 1: some doozies for you this week, but always appreciate you listening. 374 00:18:26,160 --> 00:18:29,159 Speaker 1: For now, I'm TJ. Holmes alongside Hemmy Roepok. We'll talk 375 00:18:29,200 --> 00:18:29,680 Speaker 1: to y'll soon