WEBVTT - Trans Fiction, Trans Sports

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<v Speaker 1>Call Zon Media.

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<v Speaker 2>Welcome to youap and here a podcast and I forgot

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<v Speaker 2>to write an introduction for I'm your host, Miya Wong,

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<v Speaker 2>and we are well, okay, we're not taking a break

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<v Speaker 2>from the horrors, because this is also still a podcast

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<v Speaker 2>about the horrors and what you can do about it.

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<v Speaker 2>But you know, I am a transgender. One of the

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<v Speaker 2>ways that we have been like depersonified via transgender is

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<v Speaker 2>through a you know, a massive attack on trans like

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<v Speaker 2>trans women in sports, and this has led to you know,

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<v Speaker 2>like the acceleration of like the broad scale attack on

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<v Speaker 2>all of us being able to exist as people. And

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<v Speaker 2>with me to talk about this is someone who has

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<v Speaker 2>written a book that is about this and also kind

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<v Speaker 2>of not about this in a lot of ways, and

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<v Speaker 2>that is Victoria Zeller, who is a writer author, writes

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<v Speaker 2>about the Buffalo Bills for our friends over at Defector

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<v Speaker 2>sometimes and is the author of a new book What

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<v Speaker 2>are the Boys Out Today? When you're listening to this,

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<v Speaker 2>wow crazy, While yeah it is, it has SYNCD up

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<v Speaker 2>like this completely on purpose. We were one hundred percent

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<v Speaker 2>planning this from the beginning.

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<v Speaker 3>Hello, thank you for having me.

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<v Speaker 2>Yeah, I'm excited to have you on so you would

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<v Speaker 2>think that the question that your book One of the

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<v Speaker 2>Boys asks is what if a transchool played football? But

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<v Speaker 2>the actual and more important question to ask is what

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<v Speaker 2>if a poster could write fiction? And the answer is

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<v Speaker 2>that it fucking rips?

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<v Speaker 3>Thank you?

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<v Speaker 2>Is this this book rules? I? Jenni Wily. I think

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<v Speaker 2>this is the best written group chats I've ever read

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<v Speaker 2>in a book. It rips it so good.

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<v Speaker 3>I am very passionate about group chats, you know. I

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<v Speaker 3>mean like posting is writing Hello audience. If you don't

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<v Speaker 3>know me, my name is Victoria. I'm online. You may

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<v Speaker 3>know my Twitter or blue Sky accounts at dirtbag Queer.

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<v Speaker 3>I'm like largely posting about football when football is in season.

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<v Speaker 3>I kind of just post about random shit these days.

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<v Speaker 3>But yeah, I've allegedly written a book. The weird thing

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<v Speaker 3>about writing book is that I feel like I've just

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<v Speaker 3>totally blacked out actually writing it. And I'm like, that's crazy.

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<v Speaker 3>Who did that? Couldn't be me? But yeah, in terms

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<v Speaker 3>of like how I would like very quickly pitch one

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<v Speaker 3>of the boys, high school senior named Grace comes back

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<v Speaker 3>to her high school football team. She quit over the

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<v Speaker 3>summer because she came out as trans because her teammates

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<v Speaker 3>want to make a push for a state title and

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<v Speaker 3>it's like trans coming of age, Friday night Lights handshake meme.

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<v Speaker 3>But also when I was like big picture thinking about

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<v Speaker 3>what I wanted to do with this, I wanted to

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<v Speaker 3>tell kind of a like traditional high school sports story,

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<v Speaker 3>but through an outsider lens. Like if you think about

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<v Speaker 3>the average like high school football story, you think like, well,

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<v Speaker 3>what we're gonna do is we're gonna win state, we're

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<v Speaker 3>gonna get the scholarship, and we're gonna get the girl.

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<v Speaker 3>And I wanted to sort of like deconstruct those three

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<v Speaker 3>things by making the protagonist trans and making the protagonist

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<v Speaker 3>a kicker instead of like a linebacker or a quarterback

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<v Speaker 3>or whatever. And that is who I am.

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<v Speaker 2>Yeah, and this this book rips. That sounds like a

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<v Speaker 2>fun thing going on where it basically has like the

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<v Speaker 2>football iceberg, where like you can come into us knowing

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<v Speaker 2>zero ball and you will get stuff out of it.

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<v Speaker 2>And you can come into this where I am knowing

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<v Speaker 2>like a some ball and you will guess some out

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<v Speaker 2>of this. And then like the unhinged people who have

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<v Speaker 2>like sixteen different pff tabs like pinned their bookmarks will

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<v Speaker 2>be like, holy shit, the world building.

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<v Speaker 3>Yeah, yeah, that was it is. It is hard writing

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<v Speaker 3>fiction about sports if you're writing young adult fiction, you know,

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<v Speaker 3>which is what one of the boys is. Don't be

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<v Speaker 3>weird about that. If you're an adult, teenage girls are like, oh,

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<v Speaker 3>you don't have to hate the things they like. You

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<v Speaker 3>can like call down a little bit. Uh, But yeah,

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<v Speaker 3>writing about football for an audience of like teenagers is

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<v Speaker 3>like fascinating because you have to assume that the audience

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<v Speaker 3>knows very little and you have to figure out how

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<v Speaker 3>much you want to give them so that they get

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<v Speaker 3>it without like overwhelming them, which is like really just

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<v Speaker 3>not at all what I wanted to do. But also yeah,

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<v Speaker 3>if you're a sicko like me, you can be like, ooh,

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<v Speaker 3>I'm really into what this offense is doing or I

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<v Speaker 3>am really into this like on side kick play design.

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<v Speaker 3>So I tried to like do I tried to do

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<v Speaker 3>a little bit of both. And also, again, this is

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<v Speaker 3>a transcoming of age story, so yeah, it's also dealing

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<v Speaker 3>with you know, the horrors. So yep, ball plus horrors

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<v Speaker 3>is what we're working with here.

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<v Speaker 2>Yeah, so I think, okay, we're going to get more

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<v Speaker 2>into the politics of this in a second. But first

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<v Speaker 2>I want to ask one ball question since I have

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<v Speaker 2>now I have now introduced my audience to the fact

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<v Speaker 2>that I talk about football by managing to get a

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<v Speaker 2>rant about de Sean Watson on here for like ten minutes,

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<v Speaker 2>the Sean Watson trade. But okay, my one ball question

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<v Speaker 2>for this was how happy did it make you when

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<v Speaker 2>you figure out a way to write a football team

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<v Speaker 2>that does not use the forward pass? Oh man, it's.

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<v Speaker 3>Without without spoiling what happens at the end of the

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<v Speaker 3>act one turn, circumstances occur so that this high school

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<v Speaker 3>football team has to move a player who is who

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<v Speaker 3>is not a quarterback two quarterback, at which point passing

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<v Speaker 3>just goes away and we are just running the ball, baby,

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<v Speaker 3>we are. We are pounding the rock.

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<v Speaker 2>It's so sick.

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<v Speaker 3>It is kind of sort of like loosely, what I

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<v Speaker 3>based this on was the year that the University of

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<v Speaker 3>Kentucky football team, like all like every single quarterback got

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<v Speaker 3>hurt and they were like, Okay, Lynn Bowden, you are

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<v Speaker 3>our best wide receiver. We're just gonna put you a

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<v Speaker 3>quarterback and you know, we're just gonna see what happens

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<v Speaker 3>and that's like that was the fun of writing fictional

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<v Speaker 3>football is that I can make my fictional football team

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<v Speaker 3>do whatever I want and I don't want to ever

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<v Speaker 3>see conservative trickery that is the forward pass, get it

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<v Speaker 3>out of here. Yeah, it's is.

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<v Speaker 2>One of the things that you're writing is that you

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<v Speaker 2>are very much just like an old school like traditionalist

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<v Speaker 2>football pound of the rock, like none of this, like

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<v Speaker 2>none of none of this is like an RPO bullshit

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<v Speaker 2>person which is which is also I don't know, it's

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<v Speaker 2>just very funny that you have like you have like

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<v Speaker 2>the football personality of like an extremely cranky, like seventy

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<v Speaker 2>five year old like coach from like the seventies. Yep.

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<v Speaker 3>And I'm a trans woman, yeah rules, which like again

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<v Speaker 3>I tried down to do too much of it in

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<v Speaker 3>this book. Like part of the reason that I made

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<v Speaker 3>my main character a kicker, which we will also talk

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<v Speaker 3>about other reasons later, but part of the reason is

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<v Speaker 3>that kicking is this sort of like own separate salad

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<v Speaker 3>off thing. So I really only have to like get

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<v Speaker 3>the audience to understand kicking and what happens when Grace

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<v Speaker 3>is on the field. I don't have to get into

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<v Speaker 3>like what a football team that like never passes the ball,

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<v Speaker 3>like is doing on a technical level. We don't have

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<v Speaker 3>to do all that. I give you just enough that

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<v Speaker 3>if you are a sick oh you're like, yeah, baby.

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<v Speaker 2>Rules, this is the sickest offense of all time.

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<v Speaker 3>But but also yeah, but also like you know, trying

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<v Speaker 3>to u trying to help the queer kiddos understand that

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<v Speaker 3>like running the ball is the official football position of

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<v Speaker 3>the working class, of the politariat.

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<v Speaker 2>You know, Okay, we're gonna get more into the class

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<v Speaker 2>ynamics of football a second. But the place I kind

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<v Speaker 2>of want to start in terms of, like you know,

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<v Speaker 2>talking about the parts of this at art just ball

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<v Speaker 2>is so in a lot of ways, this is a

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<v Speaker 2>book about scriptlessness, which is something that I think, I

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<v Speaker 2>don't know, like we've been seeing a sort of resurgence

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<v Speaker 2>of trends or not resurchens, but I kind of like

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<v Speaker 2>surgeons emergence. There we go, there we go, there we go. Yeah,

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<v Speaker 2>of trans literature, and I think this is a very

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<v Speaker 2>interesting angle to take on it. And it's you know,

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<v Speaker 2>when I say scriplessness, it's about the ways in which

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<v Speaker 2>trans women in particular don't have you know, sort of

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<v Speaker 2>examples and paths to like follow. Right, there's not like

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<v Speaker 2>a you're supposed to go from A to B two C.

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<v Speaker 2>This is like what you're doing with your life and

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<v Speaker 2>you have to just figure it out because suddenly you're

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<v Speaker 2>you and you just you just have to you know,

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<v Speaker 2>there's no rails, there's no guide, You just have to

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<v Speaker 2>do it. I think the Sapatista line about it is

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<v Speaker 2>that the road is made by walking. Can you talk

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<v Speaker 2>about how like having to just figure the shit out

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<v Speaker 2>influence the way that you write Grace and the way

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<v Speaker 2>that you sort of write this book.

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<v Speaker 3>Yeah, So this is something that Grace struggles with a lot.

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<v Speaker 3>I mean, like specific to her, it's because she's a

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<v Speaker 3>trans woman who's playing football, something that if an openly

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<v Speaker 3>trans woman has ever openly played, like American football, there

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<v Speaker 3>is not a lot of documentation of that online. So

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<v Speaker 3>like Grace, she is like walking a path that has

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<v Speaker 3>like never existed before. But I think, like more broadly

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<v Speaker 3>and more like thematically, there is that like Grace is

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<v Speaker 3>also frequently I call her stupid and I don't think

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<v Speaker 3>that she's stupid, but calm up. But Grace struggles a

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<v Speaker 3>lot to like express herself. I would say, and like,

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<v Speaker 3>I wanted her to like challenge what a reader might

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<v Speaker 3>expect from a trans girl in young adult fiction. Specifically,

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<v Speaker 3>we're like I think she's like frequently kind of like grading,

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<v Speaker 3>or at least I find her grading. She is not

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<v Speaker 3>traditionally feminine. I don't think she's unfeminine, but she like

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<v Speaker 3>struggles a lot with like feeling okay enough to like

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<v Speaker 3>express that about herself. Yeah, and like, I feel like

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<v Speaker 3>a lot of stories about trans kids have this view

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<v Speaker 3>of being a like younger transperson of like, well, it

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<v Speaker 3>was always easy for me, and I took to femininity

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<v Speaker 3>like a fish in water, and like this was like

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<v Speaker 3>natural to me. I wanted to write a character for

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<v Speaker 3>whom it is not necessarily natural for Grace to be

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<v Speaker 3>this person, and I wanted her past and the way

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<v Speaker 3>she is now to sort of like challenge a like

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<v Speaker 3>cist reader specifically, but also in terms of scriptlousness in

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<v Speaker 3>a more like macro way. There's not a lot of

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<v Speaker 3>hya contemporary fiction about transgirl characters like at all. There

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<v Speaker 3>is now, thankfully, a good amount of trans male representation

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<v Speaker 3>in the genre, but there are a few authors who

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<v Speaker 3>are out here writing transferm contemporary but like not a

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<v Speaker 3>lot so like figuring out like where I wanted to

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<v Speaker 3>like slot in to this like genre that is kind

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<v Speaker 3>of like struggling to be born, you know, not a

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<v Speaker 3>lot of transferm like seventeen year old protagonists who are

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<v Speaker 3>like going to like parties and beer and worrying about

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<v Speaker 3>whether or not they want to go to college, which

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<v Speaker 3>is all is all stuff I wanted to like touch here.

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<v Speaker 2>Yeah, And I think there's a bunch of levels of

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<v Speaker 2>this stuff sort of operates on and I think it's

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<v Speaker 2>very like I don't know, like a lot of being trands.

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<v Speaker 2>And I say it, at least for me, I don't know,

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<v Speaker 2>like maybe maybe this was different other people. Was just

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<v Speaker 2>like having no idea what the fuck you're doing and

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<v Speaker 2>just you know, waking up one day and realizing like shit, wait,

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<v Speaker 2>what the fuck do you mean I'm doing this? And

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<v Speaker 2>it's like, you know, I got think about this, Like

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<v Speaker 2>doing this job was like wait, what the fuck I'm

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<v Speaker 2>a trans podcaster? Like what like I can't even do

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<v Speaker 2>my makeup? Well, Like, what the fuck are we doing here?

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<v Speaker 3>Yep?

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<v Speaker 2>I think that like an never think that I've talked

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<v Speaker 2>about to talk about this a lot on the show. Is,

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<v Speaker 2>but it's also just like how kind of like normal

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<v Speaker 2>the trans girls who just like suddenly something blows up

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<v Speaker 2>and they're like Internet famers or whatever the fuck are that.

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<v Speaker 2>They're just like some kid until like, yeah, you know,

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<v Speaker 2>there's just like an explosion and everyone is suddenly interested

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<v Speaker 2>in every intimate detail of your life and is trying

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<v Speaker 2>to deconstruct it in order to destroy you.

0:12:14.360 --> 0:12:18.000
<v Speaker 3>Yeah, Grace is. Again I don't really want to like

0:12:18.040 --> 0:12:22.000
<v Speaker 3>spoil act act three stuff here, but later on in

0:12:22.040 --> 0:12:25.880
<v Speaker 3>the story, Grace achieves some amount of like Internet notoriety

0:12:26.040 --> 0:12:30.040
<v Speaker 3>for what she's doing. And yeah, Grace is like an

0:12:30.120 --> 0:12:35.120
<v Speaker 3>extremely typical kid. She has like typical kid problems. But

0:12:35.200 --> 0:12:39.480
<v Speaker 3>then this like microscope gets put on her and she's

0:12:40.120 --> 0:12:43.440
<v Speaker 3>she is sort of like forced to like become this

0:12:43.600 --> 0:12:46.720
<v Speaker 3>like different thing that like if she wants to be

0:12:46.800 --> 0:12:49.120
<v Speaker 3>that thing someday, it's not now.

0:12:49.480 --> 0:12:50.200
<v Speaker 2>Yeah.

0:12:50.240 --> 0:12:52.680
<v Speaker 3>I think in a lot of ways, my book is

0:12:52.679 --> 0:12:56.120
<v Speaker 3>about how we ask teenagers to like do too much

0:12:56.200 --> 0:13:00.840
<v Speaker 3>and be too much. But like, especially trans kids, when

0:13:00.840 --> 0:13:04.120
<v Speaker 3>you transition at any age, you are building the plane

0:13:04.120 --> 0:13:07.040
<v Speaker 3>of your personality while you are flying it baby, yep,

0:13:07.240 --> 0:13:10.760
<v Speaker 3>And like that's so much pressure to put on anyone,

0:13:10.800 --> 0:13:14.880
<v Speaker 3>but like especially anyone who is a kid, is just

0:13:14.920 --> 0:13:17.080
<v Speaker 3>like there's a lot of pressure, and I wanted to

0:13:17.760 --> 0:13:22.439
<v Speaker 3>I wanted to like juxtapose the parts of Grace's experience

0:13:22.559 --> 0:13:25.679
<v Speaker 3>that like a like sis boy or girl could read

0:13:25.720 --> 0:13:27.679
<v Speaker 3>and be like, yep, I also don't know where I

0:13:27.720 --> 0:13:30.160
<v Speaker 3>want to go to college. But also like sort of

0:13:30.200 --> 0:13:35.200
<v Speaker 3>like show like well because she is like this, she

0:13:35.559 --> 0:13:40.400
<v Speaker 3>is facing this like unreal level of scrutiny that is

0:13:40.520 --> 0:13:44.120
<v Speaker 3>like not normal, deeply unnatural and like fucked up and

0:13:44.160 --> 0:13:44.800
<v Speaker 3>like unfair.

0:13:45.400 --> 0:13:48.840
<v Speaker 2>Yeah, speaking of unfair, we have to go to ads.

0:13:49.800 --> 0:13:53.000
<v Speaker 2>We come back. That's one of my better pivots. I'm

0:13:53.000 --> 0:13:57.599
<v Speaker 2>proud of that one. We come back for you to

0:13:57.640 --> 0:14:14.880
<v Speaker 2>talk about masculinity. We are back. So One of the

0:14:14.920 --> 0:14:19.120
<v Speaker 2>Boys is weirdly the second football involved book about a

0:14:19.120 --> 0:14:21.720
<v Speaker 2>trans woman that I've read in the last year, And

0:14:21.840 --> 0:14:27.080
<v Speaker 2>I think it's fascinating because in the like pure archetypal

0:14:27.480 --> 0:14:32.080
<v Speaker 2>sense from like structuralless anthropology, it is like a pure

0:14:32.200 --> 0:14:35.320
<v Speaker 2>structural inversion of Alison Greeves is how to Fly, because

0:14:35.360 --> 0:14:37.200
<v Speaker 2>how to Fly is this is also a good book.

0:14:37.240 --> 0:14:40.080
<v Speaker 2>But How to Fly is about a girl getting forced

0:14:40.080 --> 0:14:42.280
<v Speaker 2>femed to escape masculine violence, why they come and a

0:14:42.400 --> 0:14:44.640
<v Speaker 2>cheerleader and one of the boys is about a trans

0:14:44.640 --> 0:14:47.760
<v Speaker 2>woman going back into, like into a hypermasculine space to

0:14:47.760 --> 0:14:50.800
<v Speaker 2>become a football player. It's like they're just literally perfect

0:14:50.840 --> 0:14:53.600
<v Speaker 2>structural versions of each other. And so I wanted to

0:14:53.600 --> 0:14:59.280
<v Speaker 2>ask you about how are you thinking about doing this

0:14:59.360 --> 0:15:02.360
<v Speaker 2>thing right, which which is going back into these these

0:15:02.440 --> 0:15:05.280
<v Speaker 2>hyper masculine spaces that a lot of people come out

0:15:05.320 --> 0:15:09.200
<v Speaker 2>of pre transition, you know, when when you were sort

0:15:09.240 --> 0:15:12.000
<v Speaker 2>of writing this, because this is not a thing that

0:15:12.120 --> 0:15:18.280
<v Speaker 2>people tended to write when they're writing about transfems.

0:15:17.000 --> 0:15:23.680
<v Speaker 3>Totally and sort of the like irregularity of Grace's path

0:15:23.960 --> 0:15:26.040
<v Speaker 3>this way is like one of the reasons why I

0:15:26.080 --> 0:15:30.400
<v Speaker 3>was like drawn to like writing a sports story about

0:15:30.440 --> 0:15:34.320
<v Speaker 3>like a trans girl playing football specifically, is because like

0:15:34.840 --> 0:15:38.000
<v Speaker 3>I probably have a like more I don't know if

0:15:38.040 --> 0:15:41.400
<v Speaker 3>complicated is the word, but I have like a very

0:15:41.560 --> 0:15:44.440
<v Speaker 3>like interesting relationship with masculinity. And as much as I'm

0:15:44.480 --> 0:15:46.720
<v Speaker 3>like fascinated by it, like I think it is like

0:15:46.880 --> 0:15:50.880
<v Speaker 3>endlessly interesting to see the ways that like men construct

0:15:51.120 --> 0:15:55.480
<v Speaker 3>the like various kinds of masculinity that they live in

0:15:55.640 --> 0:16:00.960
<v Speaker 3>and the like various outcomes that men can end up

0:16:01.600 --> 0:16:07.200
<v Speaker 3>finding via their weird distinct masculinities. For instance, for me personally,

0:16:07.680 --> 0:16:11.080
<v Speaker 3>I'm still in my like old high school like boys'

0:16:12.160 --> 0:16:15.920
<v Speaker 3>group chat like that we like started like a decade ago,

0:16:16.480 --> 0:16:19.760
<v Speaker 3>and like I have never once had a problem fitting

0:16:19.800 --> 0:16:22.040
<v Speaker 3>in there. When they all found out I was trans,

0:16:22.160 --> 0:16:25.480
<v Speaker 3>was like, oh shit, cool, whatever, we're gonna keep talking

0:16:25.480 --> 0:16:32.280
<v Speaker 3>about like the Knicks, you know. And like, again, Grace's

0:16:32.880 --> 0:16:35.880
<v Speaker 3>journey with masculinity is different from mine, but kind of

0:16:35.920 --> 0:16:40.040
<v Speaker 3>like her, I have like some amount of like difficulty

0:16:40.160 --> 0:16:45.160
<v Speaker 3>and like very masculine sports spaces when I was a kid.

0:16:45.200 --> 0:16:48.040
<v Speaker 3>But then like once you adapt and once you like

0:16:48.840 --> 0:16:52.320
<v Speaker 3>learn how to like perform this thing, Like I never

0:16:52.400 --> 0:16:58.040
<v Speaker 3>had a problem existing in these worlds. And like something

0:16:58.080 --> 0:17:00.800
<v Speaker 3>that Grace is really annoyed by is that people are

0:17:00.840 --> 0:17:03.600
<v Speaker 3>always like I just can't believe that, like you would

0:17:03.600 --> 0:17:06.480
<v Speaker 3>be trans, And what is hidden in there is like

0:17:06.880 --> 0:17:09.160
<v Speaker 3>you were kind of a dick. You were like kind

0:17:09.200 --> 0:17:12.960
<v Speaker 3>of a douchebag. Yeah, So, like I very much wanted

0:17:12.960 --> 0:17:17.760
<v Speaker 3>to write a trans protagonist who has a relationship with

0:17:17.920 --> 0:17:22.399
<v Speaker 3>like her past self and with her male friends that

0:17:22.480 --> 0:17:24.800
<v Speaker 3>was like a little more complicated, where like she has

0:17:24.960 --> 0:17:30.080
<v Speaker 3>a like very good, solid group of like male friends

0:17:30.119 --> 0:17:34.280
<v Speaker 3>who are not like perfect, but are still like that's

0:17:34.320 --> 0:17:39.240
<v Speaker 3>my friend. So like I think for my friends and

0:17:39.320 --> 0:17:43.119
<v Speaker 3>for a lot of trans women's male friends, they're like, well,

0:17:43.320 --> 0:17:46.159
<v Speaker 3>I was friends with you before, so like you're still

0:17:46.640 --> 0:17:49.240
<v Speaker 3>like you know, you're still you. I'm still gonna be

0:17:49.240 --> 0:17:50.560
<v Speaker 3>cool with you. So I guess that means that I

0:17:50.640 --> 0:17:53.760
<v Speaker 3>have to think about like that I have to like, okay,

0:17:53.960 --> 0:17:58.040
<v Speaker 3>now I have to like think about how like trans

0:17:58.040 --> 0:18:01.680
<v Speaker 3>people are like treated by society more broadly. And it's

0:18:01.720 --> 0:18:06.920
<v Speaker 3>like interesting seeing men in my life like suddenly become

0:18:07.000 --> 0:18:12.200
<v Speaker 3>like cognizant of like transitions, and it's all like personal.

0:18:12.280 --> 0:18:15.400
<v Speaker 3>It's all like, well, I know this person, and therefore

0:18:15.800 --> 0:18:18.199
<v Speaker 3>I'm going to show compassion to this person that I like.

0:18:18.280 --> 0:18:22.560
<v Speaker 3>And then you know, politics starting at the personal and

0:18:22.560 --> 0:18:24.080
<v Speaker 3>sort of like growing out from there.

0:18:24.880 --> 0:18:27.000
<v Speaker 2>So I want to ask a bit a bit more

0:18:27.040 --> 0:18:29.639
<v Speaker 2>just digging into sort of the masculinity aspect specifically, because

0:18:29.640 --> 0:18:31.199
<v Speaker 2>one of the things I think is I don't know

0:18:31.240 --> 0:18:35.600
<v Speaker 2>that there's a part of being a transfem that isn't

0:18:36.280 --> 0:18:40.000
<v Speaker 2>super well understood outside of it, which is sort of

0:18:41.000 --> 0:18:43.960
<v Speaker 2>a lot of trends women have a phase where you

0:18:45.080 --> 0:18:47.680
<v Speaker 2>really try to be a man, right, where you get

0:18:47.720 --> 0:18:50.280
<v Speaker 2>like really into like hypermasculinity in order to try to

0:18:50.440 --> 0:18:52.879
<v Speaker 2>like yeah, try to make yourself do it. Like I

0:18:53.200 --> 0:18:55.960
<v Speaker 2>had gamer mea phase which was a fiasco. Not even

0:18:55.960 --> 0:18:57.960
<v Speaker 2>gaming me. I'm still sort of gamer, but I had,

0:18:58.000 --> 0:19:01.280
<v Speaker 2>like you know, I had I had like like top

0:19:01.359 --> 0:19:06.080
<v Speaker 2>point two five percent heartstone player, like the ag a

0:19:06.440 --> 0:19:12.560
<v Speaker 2>wreck a disasters, substantively a worst person. Yeah, and you

0:19:12.640 --> 0:19:14.800
<v Speaker 2>know so and like that's the thing that has a

0:19:14.800 --> 0:19:18.959
<v Speaker 2>lot of complicated social ripples. Were like this this process

0:19:19.000 --> 0:19:21.240
<v Speaker 2>if like like doing this, you know, sometimes it's like

0:19:21.240 --> 0:19:22.879
<v Speaker 2>your final them. It's just it's just what you're doing

0:19:22.960 --> 0:19:24.359
<v Speaker 2>to try to get by. It's like trying to force

0:19:24.400 --> 0:19:28.280
<v Speaker 2>yourself to be a man and like do this masculinity

0:19:28.280 --> 0:19:30.840
<v Speaker 2>in a way that's like really shit because you're trying

0:19:30.840 --> 0:19:34.399
<v Speaker 2>to like reconcile it with yourself. Yes, So this is

0:19:34.440 --> 0:19:37.880
<v Speaker 2>like a thing that a lot of like transforms experience.

0:19:38.480 --> 0:19:42.040
<v Speaker 2>I think it's written interestingly in this book. I was

0:19:42.040 --> 0:19:44.880
<v Speaker 2>always wondering. I don't know, like like the way you

0:19:44.960 --> 0:19:48.080
<v Speaker 2>talk about being in this in like fitting into these

0:19:48.080 --> 0:19:50.040
<v Speaker 2>spaces is as like okay, well I figured out how

0:19:50.040 --> 0:19:52.560
<v Speaker 2>to like do the performance okay, and then it was

0:19:52.600 --> 0:19:56.080
<v Speaker 2>sort of fine. So I'm wondering, like this is almost

0:19:56.680 --> 0:19:59.360
<v Speaker 2>universally seen as like this is like a formal structural

0:19:59.440 --> 0:20:01.479
<v Speaker 2>violence enacted on you that you sort of have to

0:20:01.520 --> 0:20:06.720
<v Speaker 2>like do this. But there's also a kind of, I

0:20:06.760 --> 0:20:11.000
<v Speaker 2>don't know, a kind of complicated dynamic of like these

0:20:11.040 --> 0:20:14.120
<v Speaker 2>people are still like your friends and you like them,

0:20:14.320 --> 0:20:15.359
<v Speaker 2>and I guess I want to know sort of how

0:20:15.480 --> 0:20:17.840
<v Speaker 2>how you've been thinking about like that specific angle and

0:20:18.160 --> 0:20:20.320
<v Speaker 2>like this sort of process of fitting in and becoming

0:20:20.359 --> 0:20:22.679
<v Speaker 2>it also just this is sort of unbecoming you have

0:20:22.720 --> 0:20:24.160
<v Speaker 2>to do to like become yourself.

0:20:25.359 --> 0:20:30.760
<v Speaker 3>Yeah, so my book has flashback sequences that are written

0:20:30.800 --> 0:20:34.520
<v Speaker 3>in second person. This is mostly a book that's written

0:20:34.560 --> 0:20:37.880
<v Speaker 3>in first person. But I tried to like really lean

0:20:37.920 --> 0:20:42.399
<v Speaker 3>into this like phenomenon of like closeted trans women like

0:20:43.440 --> 0:20:47.840
<v Speaker 3>butching up at like certain moments in their lives in

0:20:47.920 --> 0:20:53.240
<v Speaker 3>order to like pass and cram down this like feeling

0:20:53.320 --> 0:20:56.280
<v Speaker 3>that is like really fucking scary at first. Yeah, So,

0:20:56.480 --> 0:21:03.000
<v Speaker 3>like I want the second person grace flashbacks to her

0:21:03.080 --> 0:21:10.000
<v Speaker 3>like starting fights and being a like asshole to her girlfriend.

0:21:10.040 --> 0:21:12.720
<v Speaker 3>I want them to feel like jarring and I want

0:21:12.760 --> 0:21:16.760
<v Speaker 3>them to feel like Grace is being a bastard in

0:21:17.080 --> 0:21:21.600
<v Speaker 3>a lot of these flashbacks, but like I also wanted

0:21:21.640 --> 0:21:23.960
<v Speaker 3>to show like how she gets there in terms of

0:21:24.040 --> 0:21:28.240
<v Speaker 3>like various moments earlier in her life where she was

0:21:28.280 --> 0:21:33.040
<v Speaker 3>sort of like shunted into this more like masculine path

0:21:33.080 --> 0:21:37.040
<v Speaker 3>in order to like pass and like not be bullied

0:21:37.240 --> 0:21:42.880
<v Speaker 3>or like other eyes, and like it definitely is. It's tough,

0:21:42.920 --> 0:21:45.720
<v Speaker 3>and I think that I think that I personally have

0:21:45.880 --> 0:21:49.840
<v Speaker 3>a like complicated relationship with Like, yeah, like I hated

0:21:49.840 --> 0:21:52.000
<v Speaker 3>football when I played it, and I did it because

0:21:53.119 --> 0:21:55.520
<v Speaker 3>like I like the sport obviously because I'm a fan,

0:21:55.640 --> 0:21:57.639
<v Speaker 3>and because I wrote this book about it, and because

0:21:57.640 --> 0:21:59.600
<v Speaker 3>I write about football sometimes and I boast about it

0:21:59.640 --> 0:22:02.280
<v Speaker 3>a lot. But like playing it made me miserable, But

0:22:02.400 --> 0:22:05.920
<v Speaker 3>like I also be friends with that team who I

0:22:05.960 --> 0:22:09.200
<v Speaker 3>still talk to. So it's like I definitely wanted to

0:22:09.240 --> 0:22:14.160
<v Speaker 3>feel like violent and imposed, but also like it isn't

0:22:14.320 --> 0:22:17.959
<v Speaker 3>something that can be like erased. It's something that you

0:22:18.000 --> 0:22:20.639
<v Speaker 3>have to deal with. It's something that like as you

0:22:21.680 --> 0:22:24.600
<v Speaker 3>grow up and as you continue to self actualize, you

0:22:24.640 --> 0:22:29.960
<v Speaker 3>have to like decide what parts of that version of

0:22:30.000 --> 0:22:33.520
<v Speaker 3>yourself are worth keeping. And what parts aren't. And that's

0:22:33.600 --> 0:22:36.280
<v Speaker 3>like something that I wanted to show, like Grace struggle

0:22:36.320 --> 0:22:40.359
<v Speaker 3>through kind of in real time. She's like very early

0:22:40.440 --> 0:22:42.520
<v Speaker 3>in her transition, and she doesn't know how she wants

0:22:42.560 --> 0:22:46.399
<v Speaker 3>to present, and she doesn't know how much of her

0:22:46.480 --> 0:22:49.480
<v Speaker 3>old life and the people in her old life that

0:22:50.080 --> 0:22:55.439
<v Speaker 3>want to associate with her, or does existing on this

0:22:55.480 --> 0:22:58.320
<v Speaker 3>football team dragger back towards something that she doesn't want

0:22:58.320 --> 0:23:01.159
<v Speaker 3>to be anymore. It's all stuff that I wanted to

0:23:02.160 --> 0:23:05.280
<v Speaker 3>play with. And it's not like overtly political, but is

0:23:05.400 --> 0:23:07.920
<v Speaker 3>like subtextually political, you know.

0:23:08.280 --> 0:23:11.159
<v Speaker 2>Yeah, well it's it's it's political in the sense that,

0:23:11.280 --> 0:23:13.560
<v Speaker 2>like you know that we were talking about sort of

0:23:13.560 --> 0:23:16.520
<v Speaker 2>scriptlessness earlier, right, And I think one of the one

0:23:16.520 --> 0:23:19.040
<v Speaker 2>of the sort of alienating factors about being trends is that, like,

0:23:19.960 --> 0:23:22.359
<v Speaker 2>especially if you're like kind of alone and you're like,

0:23:22.400 --> 0:23:24.200
<v Speaker 2>you know, like you're like the only transferm that you're

0:23:24.240 --> 0:23:27.320
<v Speaker 2>spending time with, right, This is just true for like

0:23:27.320 --> 0:23:29.520
<v Speaker 2>a lot of things, like a lot of how sort

0:23:29.560 --> 0:23:32.119
<v Speaker 2>of oppression functions and a lot of how violence functions

0:23:32.160 --> 0:23:34.000
<v Speaker 2>is by convincing you that this is the only you're

0:23:34.040 --> 0:23:36.520
<v Speaker 2>the only person's ever gone through this m and there

0:23:36.520 --> 0:23:38.439
<v Speaker 2>are always going to be unique aspects of it. But like,

0:23:39.320 --> 0:23:41.360
<v Speaker 2>you know, one of the ways that alienation has maintained

0:23:41.400 --> 0:23:45.520
<v Speaker 2>is by convincing you that no one else can understand

0:23:45.560 --> 0:23:47.320
<v Speaker 2>the thing that's happening to you, and that because no

0:23:47.320 --> 0:23:49.479
<v Speaker 2>one else has ever done it. And it turns out like, no, actually,

0:23:49.480 --> 0:23:52.000
<v Speaker 2>this is something that like all of us have gone through.

0:23:52.200 --> 0:23:54.920
<v Speaker 2>And when you sort of start to realize this and

0:23:54.960 --> 0:23:57.080
<v Speaker 2>the kind of solidarity that they could be built based

0:23:57.080 --> 0:23:59.720
<v Speaker 2>on this collective well of experience we've all gone through,

0:23:59.720 --> 0:24:02.600
<v Speaker 2>and how it can be you know, changed by actual

0:24:02.840 --> 0:24:06.640
<v Speaker 2>actions of a bunch of people working together. It changes things.

0:24:06.640 --> 0:24:07.880
<v Speaker 2>So I think I think it is in a lot

0:24:07.920 --> 0:24:10.560
<v Speaker 2>of ways political in the sense that like, in order

0:24:10.600 --> 0:24:14.440
<v Speaker 2>to have politics, you have to have sort of like

0:24:14.480 --> 0:24:17.879
<v Speaker 2>collective assemblages of people who fucking understand each other and

0:24:17.880 --> 0:24:19.600
<v Speaker 2>to understand that they're not alone, that they can do

0:24:19.680 --> 0:24:21.680
<v Speaker 2>things totally. And this is part of how you get

0:24:21.680 --> 0:24:21.960
<v Speaker 2>to that.

0:24:22.880 --> 0:24:27.280
<v Speaker 3>Yeah, we can talk a little bit more about the

0:24:27.400 --> 0:24:31.160
<v Speaker 3>like very start of something that could be seen as

0:24:31.160 --> 0:24:36.520
<v Speaker 3>a political awakening that Grace has in this book, but like, yeah,

0:24:37.080 --> 0:24:38.960
<v Speaker 3>part of the reason that she isn't perfect is because

0:24:38.960 --> 0:24:42.000
<v Speaker 3>she doesn't know any other, Like there are no other

0:24:42.200 --> 0:24:45.040
<v Speaker 3>transmitting characters in this book, And that was very deliberate. Yeah,

0:24:45.040 --> 0:24:46.840
<v Speaker 3>Grace is like on our own. She is like figuring

0:24:46.880 --> 0:24:49.320
<v Speaker 3>this shit out as she goes yep. And I wanted

0:24:49.320 --> 0:24:53.040
<v Speaker 3>it to feel rough and like ad hoc y because

0:24:53.119 --> 0:24:54.680
<v Speaker 3>like that's how it is for a lot of people.

0:24:54.760 --> 0:24:55.640
<v Speaker 3>That's how it was, like.

0:24:55.600 --> 0:24:58.920
<v Speaker 2>Go through it by walking. Yeah, yeah, I guess. I

0:24:58.960 --> 0:25:00.600
<v Speaker 2>guess I want to kind of move into the more

0:25:00.640 --> 0:25:03.440
<v Speaker 2>directly political realm. Why do I think that's interesting about

0:25:03.440 --> 0:25:06.640
<v Speaker 2>this book is that like Grace and this is something

0:25:06.640 --> 0:25:09.680
<v Speaker 2>that like I my brain has been so melted by

0:25:09.680 --> 0:25:13.240
<v Speaker 2>having been like the politics kids since I was like fifteen,

0:25:14.119 --> 0:25:16.600
<v Speaker 2>because I was like my high school was like interrupted

0:25:16.640 --> 0:25:18.080
<v Speaker 2>in the middle of it by be trying to overseell

0:25:18.080 --> 0:25:21.320
<v Speaker 2>the Turkish government, and so like my brain is so melted.

0:25:23.280 --> 0:25:25.199
<v Speaker 2>We'll get aired one one day. We already can't go

0:25:25.320 --> 0:25:30.879
<v Speaker 2>there for our coverage of Kurdish gorilla movements. Very good stuff.

0:25:30.920 --> 0:25:32.600
<v Speaker 2>You'll find many, many such things, as I think, But

0:25:32.680 --> 0:25:34.960
<v Speaker 2>like one of the interesting persons about this is that

0:25:35.520 --> 0:25:38.159
<v Speaker 2>Grace is like not political, right, and most of the

0:25:38.160 --> 0:25:41.879
<v Speaker 2>people in this aren't. And there's kind of a divide

0:25:41.960 --> 0:25:46.520
<v Speaker 2>between the politics knowers who are like the more uh

0:25:46.800 --> 0:25:48.600
<v Speaker 2>you know, who are like okay, yeah, like we are

0:25:49.000 --> 0:25:51.040
<v Speaker 2>like the queer kids. We are like the activist kids,

0:25:51.040 --> 0:25:53.919
<v Speaker 2>and then like the you know, like the ballplayers, and

0:25:53.920 --> 0:25:57.439
<v Speaker 2>then Grace sort of fits more into the like not

0:25:57.480 --> 0:25:59.600
<v Speaker 2>even more into Grace isn't like a politics person. Grace

0:25:59.640 --> 0:26:02.000
<v Speaker 2>is a like, hey, like transphobia is bad, we shouldn't

0:26:02.000 --> 0:26:04.520
<v Speaker 2>do that, but also like just wants to fucking go

0:26:04.600 --> 0:26:08.560
<v Speaker 2>kick a go kick a rock between two posts. So yeah,

0:26:08.560 --> 0:26:10.359
<v Speaker 2>can you talk about like how you sort of decided

0:26:10.400 --> 0:26:13.680
<v Speaker 2>to make her just be like kid who doesn't follow politics.

0:26:14.880 --> 0:26:18.160
<v Speaker 3>Yeah, so like if that was like not any kind

0:26:18.240 --> 0:26:21.760
<v Speaker 3>of like statement about how like politics is bad, you know,

0:26:22.119 --> 0:26:26.920
<v Speaker 3>that was like Grace's seventeen, and most seventeen year olds,

0:26:26.920 --> 0:26:30.480
<v Speaker 3>if they have politics at all, have like completely incoherent politics.

0:26:30.520 --> 0:26:32.440
<v Speaker 2>Yeah, because I was like holy shit.

0:26:33.359 --> 0:26:37.639
<v Speaker 3>Yeah, So like Grace has the like barest outlines of

0:26:37.720 --> 0:26:41.720
<v Speaker 3>like ideology and those were like put on her by

0:26:41.800 --> 0:26:44.359
<v Speaker 3>people in her life. We know that her dad is

0:26:44.400 --> 0:26:48.120
<v Speaker 3>a union man, and from a small age she has

0:26:48.680 --> 0:26:52.919
<v Speaker 3>internalized that unions are good. Does she know why? Probably not?

0:26:53.440 --> 0:26:57.120
<v Speaker 3>But or also we know that her friend tab who

0:26:57.200 --> 0:27:00.840
<v Speaker 3>is Bori, has been like educating her on like Puerto

0:27:00.920 --> 0:27:05.399
<v Speaker 3>Rican independence, which was like, which was a like that

0:27:05.560 --> 0:27:11.040
<v Speaker 3>was a very funny line, right because because Grace is

0:27:11.080 --> 0:27:14.200
<v Speaker 3>just like dumb as shit white kid from the suburbs.

0:27:14.600 --> 0:27:18.919
<v Speaker 3>But so like inasmuch as she's like piecing together the

0:27:18.960 --> 0:27:22.200
<v Speaker 3>person she is bit by bit, she's also kind of

0:27:22.240 --> 0:27:26.679
<v Speaker 3>like piecing what she thinks about the world together along

0:27:26.720 --> 0:27:29.719
<v Speaker 3>with that in terms of like most of the straight

0:27:29.920 --> 0:27:34.120
<v Speaker 3>white players on the football team like do not have

0:27:34.600 --> 0:27:38.920
<v Speaker 3>like basically don't have politics. There's a scene where one

0:27:38.920 --> 0:27:41.919
<v Speaker 3>of my minor characters is like, yo, I just figured

0:27:41.960 --> 0:27:47.360
<v Speaker 3>out that, like trans phobia is bad, and I loved

0:27:47.520 --> 0:27:52.840
<v Speaker 3>I fucking loved writing that. But like, I imagine that

0:27:52.920 --> 0:27:56.239
<v Speaker 3>up until recently, Grace was exactly like this and just

0:27:56.280 --> 0:28:00.560
<v Speaker 3>like just like yep, I'm a middle lower middle class

0:28:00.600 --> 0:28:05.800
<v Speaker 3>white straight boy, air quotes on all of that, she

0:28:06.000 --> 0:28:09.320
<v Speaker 3>never had any kind of like thought about that. That

0:28:09.760 --> 0:28:11.520
<v Speaker 3>does not reflect what was going on in my life

0:28:11.520 --> 0:28:13.520
<v Speaker 3>when I was a teenager, because I was a very

0:28:13.560 --> 0:28:20.000
<v Speaker 3>annoying oh like me and a friend of mine, Chavon,

0:28:20.480 --> 0:28:23.320
<v Speaker 3>got in trouble for putting a Bernie Sanders twenty sixteen

0:28:23.359 --> 0:28:27.800
<v Speaker 3>sticker on her locker, because that's the kind of shit

0:28:27.840 --> 0:28:34.359
<v Speaker 3>we were doing in high school in twenty fifteen. So like,

0:28:35.000 --> 0:28:39.560
<v Speaker 3>I was like very much had sort of like vacant liberal,

0:28:39.960 --> 0:28:45.360
<v Speaker 3>middle class kid politics, but like Grace Grace is. I

0:28:45.240 --> 0:28:48.880
<v Speaker 3>imagine that like later in her life she kind of

0:28:49.200 --> 0:28:52.760
<v Speaker 3>has more political thoughts in her head. But I also

0:28:52.960 --> 0:28:55.920
<v Speaker 3>kind of imagine that her brain works like I don't

0:28:55.920 --> 0:28:59.720
<v Speaker 3>know if you've played Disco Elysium, but I kind of imagine.

0:29:00.400 --> 0:29:04.040
<v Speaker 3>I kind of imagine Grace has a like thought cabinet,

0:29:04.080 --> 0:29:10.280
<v Speaker 3>and it's like she has like she has like two

0:29:10.360 --> 0:29:14.160
<v Speaker 3>slots in it. Oh, she just like cannot hold that

0:29:14.200 --> 0:29:18.240
<v Speaker 3>many ideas in her brain at once. So she's she

0:29:18.680 --> 0:29:21.760
<v Speaker 3>is in all aspects of her life trying her vest

0:29:21.960 --> 0:29:25.920
<v Speaker 3>and trying to get better. And yeah, I want to

0:29:25.960 --> 0:29:29.640
<v Speaker 3>like I feel like a lot of contemporary YA that

0:29:29.720 --> 0:29:32.000
<v Speaker 3>comes out these days, a lot of the kids have

0:29:32.160 --> 0:29:35.560
<v Speaker 3>like overly coherent politics. I was like, nah, nah, I

0:29:35.600 --> 0:29:38.480
<v Speaker 3>wanted to write a kid who has like good intentions

0:29:38.480 --> 0:29:39.680
<v Speaker 3>but has no idea what she's doing.

0:29:39.800 --> 0:29:42.720
<v Speaker 2>Yep, God, my brain's doing the Trump flying. In many

0:29:42.760 --> 0:29:46.600
<v Speaker 2>cases have no idea what they're doing. Yeah. Oh, Jesus

0:29:46.640 --> 0:29:49.760
<v Speaker 2>crushing braids are broken. Okay, speaking of things being broken,

0:29:50.040 --> 0:29:59.120
<v Speaker 2>the products and services to support this podcast unrelated statements.

0:30:03.360 --> 0:30:07.760
<v Speaker 2>We are back, Okay. So, having now gotten like many

0:30:08.200 --> 0:30:11.760
<v Speaker 2>far into this interview without directly being like, here's the

0:30:11.840 --> 0:30:16.080
<v Speaker 2>football politics, let's talk about the politics of football. Because

0:30:16.120 --> 0:30:18.719
<v Speaker 2>one of the things I think is fascinating about, you know,

0:30:18.760 --> 0:30:20.760
<v Speaker 2>the way you're sort of talking about this, and the

0:30:20.800 --> 0:30:23.360
<v Speaker 2>way that Grace like runs into this, and the way

0:30:23.360 --> 0:30:25.000
<v Speaker 2>that this is just like a thing that happens in

0:30:25.040 --> 0:30:28.680
<v Speaker 2>the US, which is that like giant portions of the

0:30:28.800 --> 0:30:32.920
<v Speaker 2>entire US economy and like like structural elements of the

0:30:33.000 --> 0:30:36.280
<v Speaker 2>US like education system from like the ground up, and

0:30:36.440 --> 0:30:39.479
<v Speaker 2>like all of these sort of contracting services, like massive

0:30:39.520 --> 0:30:42.200
<v Speaker 2>portions of like how every single part of the education

0:30:42.280 --> 0:30:46.440
<v Speaker 2>system from like fucking like middle school through college are

0:30:46.520 --> 0:30:52.960
<v Speaker 2>all bent around this game, yep. And I think one

0:30:52.960 --> 0:30:54.520
<v Speaker 2>of the things that happens there is that like the

0:30:54.800 --> 0:30:59.080
<v Speaker 2>kind of like default ambient politics, it is very conservative,

0:30:59.120 --> 0:31:01.480
<v Speaker 2>and I think in ways you know, are very easy

0:31:01.520 --> 0:31:03.400
<v Speaker 2>to understand, and that when people tend to talk about this,

0:31:03.480 --> 0:31:06.000
<v Speaker 2>they immediately go like, well, yeah, so, like you know,

0:31:06.160 --> 0:31:08.160
<v Speaker 2>like the left is talking about football it's like you're

0:31:08.200 --> 0:31:10.320
<v Speaker 2>talking about the militarism, which is like, yeah, I mean

0:31:10.320 --> 0:31:13.640
<v Speaker 2>they're fucking flying jets over games like there, we're not

0:31:13.680 --> 0:31:16.840
<v Speaker 2>even in wars anymore. In terms of like US ground

0:31:16.920 --> 0:31:19.520
<v Speaker 2>troops deployed, Like why the fuck are their troops showing

0:31:19.600 --> 0:31:22.560
<v Speaker 2>up on the field. There's like the cult of masculinity stuff.

0:31:22.600 --> 0:31:25.200
<v Speaker 2>There's you know, I mean, like there's been some engagement

0:31:25.240 --> 0:31:28.400
<v Speaker 2>now with the racial politics of it with Kaepernick. People

0:31:28.400 --> 0:31:30.280
<v Speaker 2>realize like, holy shit, wait, there's been like stuff happening

0:31:30.320 --> 0:31:33.160
<v Speaker 2>here for ages, and you know, when you get sort

0:31:33.160 --> 0:31:36.680
<v Speaker 2>of the masculinity politics. But there's I think a lot

0:31:36.720 --> 0:31:40.880
<v Speaker 2>of stuff here that we don't talk about on the

0:31:40.960 --> 0:31:44.160
<v Speaker 2>left in terms of like the class dynamics of this

0:31:44.320 --> 0:31:48.240
<v Speaker 2>and the way that football I'm just like functions in

0:31:48.240 --> 0:31:50.000
<v Speaker 2>a lot of very very weird ways in terms of

0:31:50.040 --> 0:31:54.160
<v Speaker 2>like sucking together this weird pool of a bunch of

0:31:54.200 --> 0:31:58.160
<v Speaker 2>like non white working class kids and like, I don't know,

0:31:58.600 --> 0:32:01.200
<v Speaker 2>fucking see, if I knew ball, I could I could

0:32:01.200 --> 0:32:02.719
<v Speaker 2>pull an example off the top of my head of

0:32:02.760 --> 0:32:06.160
<v Speaker 2>like some some quarterback prospect you'd spent these family had

0:32:06.200 --> 0:32:10.000
<v Speaker 2>spent like two million dollars on like personal trainers for him.

0:32:10.360 --> 0:32:15.520
<v Speaker 3>Absolutely. Yeah, I grew up sort of like middle lower

0:32:15.560 --> 0:32:20.920
<v Speaker 3>middle class and like playing football specifically, and I grew

0:32:21.000 --> 0:32:24.120
<v Speaker 3>up playing mostly like soccer and baseball, a little bit

0:32:24.160 --> 0:32:26.080
<v Speaker 3>of basketball, but I sort of like I sort of

0:32:26.160 --> 0:32:28.720
<v Speaker 3>ended up playing football when I was like a teenager

0:32:28.800 --> 0:32:31.120
<v Speaker 3>because I was large, and that's how that works, yep.

0:32:31.560 --> 0:32:34.280
<v Speaker 3>And like in terms of like connecting with people who

0:32:34.320 --> 0:32:38.320
<v Speaker 3>weren't white and of my exact class status or higher

0:32:38.760 --> 0:32:42.120
<v Speaker 3>like football, so it happened. Man, like most of my

0:32:42.480 --> 0:32:48.440
<v Speaker 3>earliest friendships with black kids with Hispanic kids was like

0:32:48.640 --> 0:32:53.120
<v Speaker 3>all through football, and like it is a like very

0:32:53.160 --> 0:32:59.040
<v Speaker 3>interesting sort of like class and racial melting pot at

0:32:59.120 --> 0:33:02.400
<v Speaker 3>least at like I went to a like pretty big

0:33:02.720 --> 0:33:07.720
<v Speaker 3>suburban middle and high school, but like lots of lots

0:33:07.760 --> 0:33:10.160
<v Speaker 3>of very different kinds of people ended up at my school,

0:33:10.200 --> 0:33:11.920
<v Speaker 3>and lots of very different kinds of people ended up

0:33:11.920 --> 0:33:17.800
<v Speaker 3>playing football, And like you're gonna get a more diverse

0:33:18.600 --> 0:33:21.360
<v Speaker 3>slice of that student population on a football team than

0:33:21.360 --> 0:33:27.440
<v Speaker 3>you will on the fucking yearbook committee or in like

0:33:27.920 --> 0:33:33.400
<v Speaker 3>school band, class government, whatever. All of that came very

0:33:33.720 --> 0:33:36.680
<v Speaker 3>naturally to me in terms of writing this book, where

0:33:36.720 --> 0:33:40.000
<v Speaker 3>like I've ended up with a book that's like quite diverse.

0:33:40.120 --> 0:33:42.240
<v Speaker 3>But I didn't really do that on purpose. I just

0:33:42.320 --> 0:33:44.440
<v Speaker 3>kind of like, who are the kinds of kids who

0:33:44.480 --> 0:33:46.520
<v Speaker 3>end up playing football? And it's like everyone you have

0:33:46.560 --> 0:33:48.840
<v Speaker 3>like Poorish kids like Grace, and then you have like

0:33:49.200 --> 0:33:53.440
<v Speaker 3>Ritish kids like Ahmed or Dre in my book, who

0:33:53.560 --> 0:33:57.120
<v Speaker 3>like I very much wanted to like show that, like

0:33:58.120 --> 0:34:01.200
<v Speaker 3>maybe one of the reasons that Grace is going to

0:34:01.320 --> 0:34:05.440
<v Speaker 3>end up having a more coherent politics is because, like

0:34:06.000 --> 0:34:10.080
<v Speaker 3>she has friends of different backgrounds that she might not

0:34:10.360 --> 0:34:13.000
<v Speaker 3>if she had not ended up playing this this like

0:34:13.239 --> 0:34:16.919
<v Speaker 3>fucked up, evil, violent game. To be clear, Yeah, I mean,

0:34:17.120 --> 0:34:20.200
<v Speaker 3>I think any football fan who is honest with themselves

0:34:20.280 --> 0:34:22.879
<v Speaker 3>and has his politics that are not evil has a

0:34:23.200 --> 0:34:28.040
<v Speaker 3>very complicated relationship to the game for a like variety

0:34:28.080 --> 0:34:31.239
<v Speaker 3>of reasons. Because it like chews up people's brains and

0:34:31.719 --> 0:34:36.719
<v Speaker 3>there's that, but there's also like implied conservative politics. There's

0:34:36.719 --> 0:34:41.320
<v Speaker 3>also a big factor here is that high school football,

0:34:41.480 --> 0:34:43.880
<v Speaker 3>even at a public school like mine, the religion is

0:34:43.920 --> 0:34:45.920
<v Speaker 3>all over it, baby, like all over it.

0:34:46.000 --> 0:34:47.719
<v Speaker 2>Yeah, that's a huge part of it.

0:34:48.160 --> 0:34:52.680
<v Speaker 3>Jason Kirk of The Shutdown Full Cast is working on

0:34:52.960 --> 0:34:59.400
<v Speaker 3>a book about the history of Christianity and Talls Football

0:34:59.440 --> 0:35:01.960
<v Speaker 3>called it Church in State. I'm very fucking excited for

0:35:02.000 --> 0:35:02.359
<v Speaker 3>that book.

0:35:02.400 --> 0:35:03.800
<v Speaker 2>Hell yeah, yeah, that sounds awesome.

0:35:03.920 --> 0:35:08.719
<v Speaker 3>But it's just like really interesting political space because of

0:35:08.760 --> 0:35:12.280
<v Speaker 3>how diverse it is and because of how like homogeneous

0:35:12.320 --> 0:35:15.440
<v Speaker 3>a lot of the like religion and politics.

0:35:14.920 --> 0:35:17.520
<v Speaker 2>Of it are, I guess if that makes sense. Yeah,

0:35:18.040 --> 0:35:19.920
<v Speaker 2>And it's sounds so weird because like, you know, so

0:35:20.000 --> 0:35:22.320
<v Speaker 2>like I don't know, I refuse to watch college football,

0:35:22.320 --> 0:35:25.040
<v Speaker 2>Like I draw the line there, like I'm not doing this.

0:35:25.080 --> 0:35:27.160
<v Speaker 2>I'm not doing this. They can't make me watch like

0:35:27.360 --> 0:35:31.440
<v Speaker 2>fucking Colorado's State or whatever the fuck. But like one

0:35:31.440 --> 0:35:33.520
<v Speaker 2>of the things that you get in the NFL too,

0:35:33.600 --> 0:35:35.440
<v Speaker 2>is it's like, on the one hand, like you have

0:35:35.600 --> 0:35:38.680
<v Speaker 2>all of this really really conservative shit right, like every

0:35:38.719 --> 0:35:42.440
<v Speaker 2>fucking everything is God. Like every single time someone holds

0:35:42.760 --> 0:35:45.719
<v Speaker 2>a thing in front of a player there there's like

0:35:46.080 --> 0:35:48.520
<v Speaker 2>at least three lines of like all of this is

0:35:48.560 --> 0:35:52.799
<v Speaker 2>possible because of God, and like someone's like it's like

0:35:52.800 --> 0:35:56.160
<v Speaker 2>that the only place you see people regularly saying Christ

0:35:56.280 --> 0:35:58.520
<v Speaker 2>is King where they're not also like holding an ar

0:35:58.640 --> 0:36:01.000
<v Speaker 2>to like a non white person's head, you know. So

0:36:01.000 --> 0:36:05.200
<v Speaker 2>so that there's all of this like really really conservative

0:36:05.200 --> 0:36:09.560
<v Speaker 2>religious shit. But then also there's like a union, yes

0:36:09.960 --> 0:36:13.799
<v Speaker 2>that everyone's in and it's like a large like I mean,

0:36:13.800 --> 0:36:17.200
<v Speaker 2>it's not that powerful. And there's there's weirdness there too,

0:36:17.200 --> 0:36:20.040
<v Speaker 2>because you get to see all of the really interesting

0:36:20.920 --> 0:36:24.000
<v Speaker 2>dynamics of unions that you don't really get outside of

0:36:24.120 --> 0:36:25.880
<v Speaker 2>kind of like I mean, like I guess like SAG

0:36:26.000 --> 0:36:29.719
<v Speaker 2>kind of has this, but it's this union in this

0:36:29.880 --> 0:36:33.720
<v Speaker 2>place where one the owners have like an unbelievable amount

0:36:33.719 --> 0:36:36.759
<v Speaker 2>of control, like a hideous amount of power, and they

0:36:36.760 --> 0:36:39.680
<v Speaker 2>can turn through people really quickly. They have you know,

0:36:39.680 --> 0:36:41.200
<v Speaker 2>these are some of the richest people in the world.

0:36:41.680 --> 0:36:45.720
<v Speaker 2>And then also secondly there's there's this like marketization force

0:36:45.760 --> 0:36:48.480
<v Speaker 2>that's happening where you know, you get to see in

0:36:48.640 --> 0:36:53.520
<v Speaker 2>miniature the way that capitalism has like moved to to

0:36:53.560 --> 0:36:56.640
<v Speaker 2>sort of deal with with unions, to deal with sort

0:36:56.640 --> 0:36:58.360
<v Speaker 2>of the class movements of the twentieth century, which is

0:36:58.360 --> 0:37:01.399
<v Speaker 2>that like they're also trying to turn all of these

0:37:01.520 --> 0:37:03.319
<v Speaker 2>kids like into entrepreneurs.

0:37:03.760 --> 0:37:07.600
<v Speaker 3>M I think in the NFL, I think it's more

0:37:07.760 --> 0:37:11.400
<v Speaker 3>coherent because there is a players association, not a union.

0:37:11.480 --> 0:37:15.239
<v Speaker 2>A players association, although also also shout out shoutouts the

0:37:15.280 --> 0:37:18.399
<v Speaker 2>PA for backing are for backing a unionization attempt here,

0:37:18.560 --> 0:37:20.799
<v Speaker 2>Thanks for that. I don't know if it mattered, but

0:37:21.080 --> 0:37:21.759
<v Speaker 2>that's a lot to me.

0:37:22.960 --> 0:37:28.759
<v Speaker 3>Yeah. Also, like sports players, unions are fascinating because these

0:37:28.800 --> 0:37:31.359
<v Speaker 3>are people who are part of a union who are

0:37:31.800 --> 0:37:34.640
<v Speaker 3>like at least some of them millionaires. So it's yep,

0:37:35.040 --> 0:37:39.160
<v Speaker 3>a very interesting sort of like class dynamic happening there.

0:37:39.440 --> 0:37:42.120
<v Speaker 3>But like call it like the college game right now

0:37:42.200 --> 0:37:47.280
<v Speaker 3>is just charn Oldhouse. I mean, like it is better

0:37:47.520 --> 0:37:51.200
<v Speaker 3>now that players are being paid like unambiguous good that

0:37:51.280 --> 0:37:53.800
<v Speaker 3>players can profit off of their name, image and likeness.

0:37:53.840 --> 0:37:58.440
<v Speaker 3>But again it makes like I remember, like I'm not

0:37:58.800 --> 0:38:02.880
<v Speaker 3>on Twitter much anymore, but like in the like early

0:38:02.920 --> 0:38:06.279
<v Speaker 3>Elon days, you started getting Twitter ads and these were

0:38:06.719 --> 0:38:09.080
<v Speaker 3>sixteen and seventeen year old high school football players.

0:38:09.160 --> 0:38:09.440
<v Speaker 2>Yeah.

0:38:09.600 --> 0:38:13.840
<v Speaker 3>The post is like huddle highlights and like a like

0:38:14.000 --> 0:38:19.120
<v Speaker 3>quick recruiting profile of like hey, class of twenty twenty

0:38:19.160 --> 0:38:23.840
<v Speaker 3>seven defensive back wide receiver out of Palo Alto, and

0:38:23.960 --> 0:38:27.560
<v Speaker 3>just like blasting that onto like Twitter timelines everywhere, just

0:38:27.719 --> 0:38:31.359
<v Speaker 3>like please God, somebody see my Like, somebody see these

0:38:31.400 --> 0:38:37.440
<v Speaker 3>fucking huddle highlights. The feudalism stage of high school and

0:38:38.520 --> 0:38:41.400
<v Speaker 3>college ball has like ended, and now we are in

0:38:41.440 --> 0:38:47.160
<v Speaker 3>the no regulations baby, just like completely unfettered capitalism stage.

0:38:47.560 --> 0:38:50.520
<v Speaker 2>Can we explain like just how like very briefly, people

0:38:50.560 --> 0:38:53.120
<v Speaker 2>who do not know any football, like what name, image, likenesses,

0:38:53.120 --> 0:38:55.480
<v Speaker 2>and how this is different from like a system that

0:38:55.480 --> 0:38:57.320
<v Speaker 2>would be normal, which is you pay the players.

0:38:57.960 --> 0:39:03.800
<v Speaker 3>Yeah, so for like seventy years, the precedent with college

0:39:03.800 --> 0:39:07.000
<v Speaker 3>football in the United States of America is that all

0:39:07.000 --> 0:39:09.600
<v Speaker 3>these players are amateurs and they cannot be compensated in

0:39:09.640 --> 0:39:13.120
<v Speaker 3>any way. They cannot profit off of their name, image likeness,

0:39:13.160 --> 0:39:15.319
<v Speaker 3>so that means that they can't like sell autographs. The

0:39:15.440 --> 0:39:17.680
<v Speaker 3>school isn't going to sell jerseys that have their name

0:39:17.920 --> 0:39:21.800
<v Speaker 3>on them. You are meant to make exactly zero dollars

0:39:22.000 --> 0:39:25.840
<v Speaker 3>from your time as a amateur college athlete. And this

0:39:26.080 --> 0:39:29.680
<v Speaker 3>was the ironclad system for like seventy years, and then

0:39:30.200 --> 0:39:34.839
<v Speaker 3>it kind of got like destroyed overnight. Yeah, when the

0:39:35.080 --> 0:39:39.000
<v Speaker 3>NCAA finally legalizes players profiting off of their name, image,

0:39:39.040 --> 0:39:42.480
<v Speaker 3>and likeness, so that means that they could sign like

0:39:42.719 --> 0:39:46.799
<v Speaker 3>endorsement deals. And when this was first made a thing

0:39:47.080 --> 0:39:51.400
<v Speaker 3>in twenty twenty one, it mostly manifested in like the

0:39:51.480 --> 0:39:56.840
<v Speaker 3>coldest Crawford for the Nebraska football team is filming a

0:39:56.840 --> 0:39:59.680
<v Speaker 3>ad for a local air conditioning company because his name

0:39:59.719 --> 0:40:03.239
<v Speaker 3>is Coldest And it was sort of like very like

0:40:03.360 --> 0:40:08.080
<v Speaker 3>quaint and cute at first, but then nil collectives got going,

0:40:08.120 --> 0:40:10.160
<v Speaker 3>which are these I don't even know how to how

0:40:10.160 --> 0:40:14.799
<v Speaker 3>to like God described nil collective is these are like

0:40:14.920 --> 0:40:22.280
<v Speaker 3>investment groups that operate independently of universities that pool resources

0:40:22.320 --> 0:40:28.480
<v Speaker 3>and then pay players for like extremely scant public appearances

0:40:28.520 --> 0:40:30.440
<v Speaker 3>so that they can say that they're just profiting off

0:40:30.480 --> 0:40:34.040
<v Speaker 3>of name, image and likeness, but in reality they exist

0:40:34.080 --> 0:40:37.439
<v Speaker 3>as a way to pay college football players without paying

0:40:37.480 --> 0:40:40.840
<v Speaker 3>them via schools. Now there is the house settlement happening

0:40:40.920 --> 0:40:44.280
<v Speaker 3>right now, which colleges will soon be able to probably

0:40:44.600 --> 0:40:48.840
<v Speaker 3>maybe God who knows, will soon be able to directly

0:40:48.920 --> 0:40:53.160
<v Speaker 3>pay college athletes a certain amount of money. Lord knows

0:40:53.160 --> 0:40:55.600
<v Speaker 3>where that's going. Like this stuff is all changing at

0:40:55.640 --> 0:40:59.719
<v Speaker 3>like lightnings at like yeah, so like we have just

0:41:00.160 --> 0:41:03.000
<v Speaker 3>have gone from like nobody gets paid for anything to

0:41:03.160 --> 0:41:06.719
<v Speaker 3>like we are in fucking like gilded age robber bear

0:41:06.800 --> 0:41:10.080
<v Speaker 3>and shit where like yeah, because none of this shit

0:41:10.280 --> 0:41:14.600
<v Speaker 3>is regulated, schools or an aisle collectives will go back

0:41:14.640 --> 0:41:19.239
<v Speaker 3>on agreements and everything's negotiated every year. They're like like

0:41:19.480 --> 0:41:24.080
<v Speaker 3>it's it's a fucking mess. Yeah in the college game

0:41:24.160 --> 0:41:26.360
<v Speaker 3>right now. So I mean all of that makes the

0:41:26.600 --> 0:41:30.239
<v Speaker 3>like NFL having a kind of shitty union look a

0:41:30.280 --> 0:41:30.719
<v Speaker 3>lot better.

0:41:30.920 --> 0:41:33.359
<v Speaker 2>Yeah, well, I just kind of thinking about the kind

0:41:33.360 --> 0:41:36.080
<v Speaker 2>of like this is my way of kind of bringing

0:41:36.120 --> 0:41:38.760
<v Speaker 2>it back to transgender but like one of the things

0:41:38.800 --> 0:41:42.040
<v Speaker 2>that I've been thinking about a lot in terms of

0:41:43.040 --> 0:41:44.759
<v Speaker 2>I mean just like what I do, right, and but

0:41:44.760 --> 0:41:46.880
<v Speaker 2>also just like the way that capitalism has been moving

0:41:46.920 --> 0:41:52.760
<v Speaker 2>in the lass like few decades is it's increasingly about

0:41:53.239 --> 0:41:55.359
<v Speaker 2>you know because like okay, so, like capitalism's fundamental base

0:41:55.400 --> 0:41:58.439
<v Speaker 2>has always been like you sell your labor, h right,

0:41:59.000 --> 0:42:01.080
<v Speaker 2>but now it's it's it's been increasing shows for me

0:42:01.080 --> 0:42:04.160
<v Speaker 2>into like you're selling like the image of yourself. You're

0:42:04.160 --> 0:42:07.399
<v Speaker 2>selling your identity, you're selling like yeah, you know, you're

0:42:07.400 --> 0:42:09.400
<v Speaker 2>selling your personality. You're selling as much of like and

0:42:09.400 --> 0:42:10.880
<v Speaker 2>this is this is what name image likeness is.

0:42:10.960 --> 0:42:11.080
<v Speaker 3>Right.

0:42:11.120 --> 0:42:13.920
<v Speaker 2>It's like, we're not gonna pay you for like your labor,

0:42:14.120 --> 0:42:17.440
<v Speaker 2>which is like you playing football. We're gonna pay you

0:42:17.520 --> 0:42:20.319
<v Speaker 2>for like this nebulous image of yourself. So you get

0:42:20.360 --> 0:42:22.480
<v Speaker 2>all these people who like are are you know, you're

0:42:22.480 --> 0:42:26.440
<v Speaker 2>forced to turn all of yourself into an object for consumption,

0:42:26.600 --> 0:42:28.840
<v Speaker 2>and like I think that's the thing with like fucking

0:42:28.840 --> 0:42:30.440
<v Speaker 2>I don't know, That's what I'm doing on this show

0:42:30.800 --> 0:42:32.719
<v Speaker 2>right to a large extent, like I am like the

0:42:32.800 --> 0:42:35.279
<v Speaker 2>Asian transgender and like, yeah, obviously, like all of this

0:42:35.320 --> 0:42:37.200
<v Speaker 2>is like research, but it's also you know, this is

0:42:37.200 --> 0:42:39.799
<v Speaker 2>what like brand and identity is, and this has had

0:42:39.840 --> 0:42:43.560
<v Speaker 2>these like seismic impacts on the entire global economy. Like

0:42:43.640 --> 0:42:45.439
<v Speaker 2>I talked about this in an episode on when I talked

0:42:45.440 --> 0:42:47.719
<v Speaker 2>about Temu, but like Tamu is literally the product of

0:42:47.760 --> 0:42:51.520
<v Speaker 2>this happening with Chinese farmers. We're like Chinese farmers were

0:42:51.560 --> 0:42:53.440
<v Speaker 2>doing this like farm social media thing, and so almost

0:42:53.440 --> 0:42:55.920
<v Speaker 2>like holy shit, what if we like become these things

0:42:55.920 --> 0:42:57.439
<v Speaker 2>where they were selling food but they're also just selling

0:42:57.480 --> 0:43:00.400
<v Speaker 2>that like the identity brand of like themselves as farmers,

0:43:00.840 --> 0:43:02.799
<v Speaker 2>and Timbu was like, well a PDD, which is the

0:43:02.880 --> 0:43:04.520
<v Speaker 2>Chinese company, was like, what if we just brought all

0:43:04.520 --> 0:43:06.359
<v Speaker 2>of these things together in one spot so you could

0:43:06.400 --> 0:43:09.120
<v Speaker 2>just do directed like consumer sales through it. And now

0:43:09.160 --> 0:43:13.200
<v Speaker 2>that's like the entire fucking economy is just this morass

0:43:13.400 --> 0:43:17.040
<v Speaker 2>of like selling every single part of yourself and I

0:43:17.080 --> 0:43:20.160
<v Speaker 2>don't know, like I'm wondering how much of yourself did

0:43:20.200 --> 0:43:21.880
<v Speaker 2>you have to do you have to like leave in

0:43:21.920 --> 0:43:23.480
<v Speaker 2>a book like this, and how much of it can

0:43:23.520 --> 0:43:27.000
<v Speaker 2>you like kind of like keep away from the market.

0:43:28.360 --> 0:43:30.479
<v Speaker 3>Oh boy, so.

0:43:32.920 --> 0:43:33.839
<v Speaker 2>You're good.

0:43:34.520 --> 0:43:41.920
<v Speaker 3>Yeah, Oh gosh, everything is uh, everything is personal brands.

0:43:42.200 --> 0:43:42.399
<v Speaker 4>Now.

0:43:42.440 --> 0:43:46.560
<v Speaker 3>You know, there's a lot of pressure as an author

0:43:47.080 --> 0:43:50.440
<v Speaker 3>to to use all your social media is in a

0:43:50.520 --> 0:43:55.120
<v Speaker 3>very particular way. You're supposed to You're you're supposed to

0:43:55.239 --> 0:43:58.919
<v Speaker 3>make your cute little canva graphics, uh, and like talking

0:43:58.920 --> 0:44:05.080
<v Speaker 3>about your character and engage with like prompt posts on

0:44:05.120 --> 0:44:11.640
<v Speaker 3>Instagram and you know whatever social media du jore And like,

0:44:13.080 --> 0:44:16.879
<v Speaker 3>my personal experience is a little irregular because I do

0:44:17.080 --> 0:44:24.240
<v Speaker 3>have some amount of like sports, Twitter, niche micro celebrity posting,

0:44:25.000 --> 0:44:30.319
<v Speaker 3>so like I'm not out here making promotional tiktoks for

0:44:30.360 --> 0:44:33.399
<v Speaker 3>one of the boys. That was like something that was

0:44:33.520 --> 0:44:36.759
<v Speaker 3>very important to me. Was like, oh, I'm not going

0:44:36.840 --> 0:44:42.520
<v Speaker 3>to be doing that, thank god. Fuck that shit. Yeah.

0:44:41.480 --> 0:44:45.520
<v Speaker 3>And the way that authors have to promote themselves and

0:44:45.640 --> 0:44:47.839
<v Speaker 3>turn themselves into brands is like a whole other can

0:44:47.880 --> 0:44:48.600
<v Speaker 3>of worms.

0:44:48.280 --> 0:44:49.200
<v Speaker 2>That like sucks.

0:44:49.719 --> 0:44:53.680
<v Speaker 3>So like, Thankfully, I think I've managed to avoid the

0:44:53.719 --> 0:45:01.000
<v Speaker 3>most alienating like forms of that. But I did have

0:45:01.120 --> 0:45:04.279
<v Speaker 3>a few not too long ago, very confidently state that

0:45:04.480 --> 0:45:07.480
<v Speaker 3>this book was loosely based on my life story, which

0:45:07.600 --> 0:45:12.520
<v Speaker 3>was news to me. I was, like, word, I didn't

0:45:12.560 --> 0:45:18.320
<v Speaker 3>know that. So, like, I think, especially if you write

0:45:18.440 --> 0:45:22.160
<v Speaker 3>fiction as a person of any marginalized identity, if you're

0:45:23.120 --> 0:45:26.200
<v Speaker 3>if you're black, if you're gay, if you're trans, whatever,

0:45:26.560 --> 0:45:30.040
<v Speaker 3>people are going to assume that you're writing like auto fiction.

0:45:30.239 --> 0:45:33.480
<v Speaker 3>Because I think a lot of people react to women's

0:45:33.480 --> 0:45:35.280
<v Speaker 3>fiction this way, because I think a lot of people

0:45:35.840 --> 0:45:40.000
<v Speaker 3>subconsciously have a hard time believing that like women have

0:45:40.120 --> 0:45:45.200
<v Speaker 3>interior lives and can like imagine things, you know, Like,

0:45:45.760 --> 0:45:48.120
<v Speaker 3>I think a lot of people assume that authors are

0:45:48.160 --> 0:45:51.480
<v Speaker 3>always writing about themselves and writing about the people in

0:45:51.480 --> 0:45:56.640
<v Speaker 3>their lives, and uh, I mean, I'm writing about experiences

0:45:57.000 --> 0:46:00.600
<v Speaker 3>that I have had similar ones too, but like naw dog,

0:46:01.000 --> 0:46:02.120
<v Speaker 3>that is not how this works.

0:46:03.440 --> 0:46:07.600
<v Speaker 2>There's a really great I say about this by a

0:46:07.600 --> 0:46:11.160
<v Speaker 2>friend of mine named Rosemary Hoe, who's absolutely brilliant writer,

0:46:11.480 --> 0:46:16.160
<v Speaker 2>who wrote about the she's's writing about Zady Smith, and

0:46:16.160 --> 0:46:17.759
<v Speaker 2>one of the things that she talks about is like

0:46:17.880 --> 0:46:20.239
<v Speaker 2>the way that people just assume that Zadi that like

0:46:20.400 --> 0:46:22.520
<v Speaker 2>Zadie Smith's politics are just like didactically coming out of

0:46:22.560 --> 0:46:24.319
<v Speaker 2>the mouth of a character, and like, well, no, that's

0:46:24.320 --> 0:46:27.839
<v Speaker 2>not how this shit works, Like yeah it is.

0:46:27.960 --> 0:46:31.840
<v Speaker 3>Uh it's frustrating, and I think like a lot of

0:46:31.880 --> 0:46:36.520
<v Speaker 3>authors have their own experiences with this, so uh yeah, yeah,

0:46:36.560 --> 0:46:40.000
<v Speaker 3>I mean I like, you have to turn yourself into

0:46:40.080 --> 0:46:43.680
<v Speaker 3>some kind of brand. That's why I'm going on podcasts,

0:46:44.080 --> 0:46:48.160
<v Speaker 3>you know. So that's all, uh, you know, that's fun,

0:46:48.160 --> 0:46:52.040
<v Speaker 3>but uh, I'm trying not to like, you know, completely

0:46:52.280 --> 0:46:57.680
<v Speaker 3>give myself over to the fucking torment nexus, you know.

0:46:58.640 --> 0:47:00.359
<v Speaker 2>And there's like, I don't know, the this is also

0:47:00.440 --> 0:47:01.840
<v Speaker 2>just like this is a way you can just completely

0:47:01.840 --> 0:47:04.240
<v Speaker 2>lose your mind. I don't know if I've ever actually

0:47:04.280 --> 0:47:06.480
<v Speaker 2>talked about this on the show. Weirdly, one of the

0:47:06.480 --> 0:47:08.840
<v Speaker 2>people whose career trajectory is the most similar to Minus

0:47:08.880 --> 0:47:12.080
<v Speaker 2>is Asian American writer named Lesley Yang, who was like

0:47:12.160 --> 0:47:14.960
<v Speaker 2>this guy who got brought in to write about like

0:47:15.080 --> 0:47:17.600
<v Speaker 2>I think it was Columbine. It's like some mass shooting

0:47:17.680 --> 0:47:19.920
<v Speaker 2>that was like a Korean kid did and his friends

0:47:19.920 --> 0:47:22.600
<v Speaker 2>were like, hey, you're Asian right about this, Oh God,

0:47:23.640 --> 0:47:25.319
<v Speaker 2>and he you know, for a bit he was like

0:47:25.360 --> 0:47:27.560
<v Speaker 2>he was like duh, Like he was like he was

0:47:27.600 --> 0:47:29.719
<v Speaker 2>like the guy who was like the big like Asian American,

0:47:29.920 --> 0:47:32.120
<v Speaker 2>like this is like the literary thinker. He was like

0:47:32.160 --> 0:47:35.200
<v Speaker 2>interviewing Aaron Schwartz. He was doing like profiles of a

0:47:35.200 --> 0:47:37.000
<v Speaker 2>bunch of like interesting people, and then he just became

0:47:37.040 --> 0:47:42.719
<v Speaker 2>this like incredibly boring, bog standard reactionary and he became

0:47:42.760 --> 0:47:45.160
<v Speaker 2>one of these A very common kind of person who

0:47:45.239 --> 0:47:48.400
<v Speaker 2>you experience on the right is like someone who's experienced

0:47:48.600 --> 0:47:52.920
<v Speaker 2>who's like understanding of race comes from like watching sports

0:47:53.520 --> 0:47:56.440
<v Speaker 2>where they're like there are black players in basketball and

0:47:56.480 --> 0:47:58.640
<v Speaker 2>there's a bunch of them, and because of that, this

0:47:58.760 --> 0:48:01.839
<v Speaker 2>means that like actually black people like overrepresented and like

0:48:01.960 --> 0:48:03.879
<v Speaker 2>as a class, they're like privilege or whatever the fuck

0:48:03.920 --> 0:48:06.120
<v Speaker 2>because there's just like a bunch of black basketball players

0:48:07.239 --> 0:48:08.480
<v Speaker 2>and I don't know, I think it's like there's like

0:48:08.480 --> 0:48:10.360
<v Speaker 2>a really interesting intersection here of like the way that

0:48:10.400 --> 0:48:16.440
<v Speaker 2>people understand politics as just like politics are just like

0:48:16.520 --> 0:48:18.879
<v Speaker 2>the thing that I see on my screen when I'm

0:48:18.920 --> 0:48:22.400
<v Speaker 2>watching football, and how we have to sort of like

0:48:23.400 --> 0:48:25.600
<v Speaker 2>just deal with that shit and deal with the sort

0:48:25.600 --> 0:48:28.800
<v Speaker 2>of micro identity formation that is real but also isn't

0:48:28.840 --> 0:48:31.200
<v Speaker 2>like a depiction of what the world is.

0:48:32.480 --> 0:48:32.840
<v Speaker 1>M m.

0:48:34.040 --> 0:48:44.320
<v Speaker 4>Yeah.

0:48:44.800 --> 0:48:46.400
<v Speaker 2>So one of the interesting things in this book is

0:48:46.440 --> 0:48:50.440
<v Speaker 2>that like the right wing media, like right wing football media,

0:48:50.600 --> 0:48:54.560
<v Speaker 2>kind of isn't in it that much really, which I

0:48:54.560 --> 0:48:56.680
<v Speaker 2>think is fascinating And I wonder part of how much

0:48:56.680 --> 0:48:58.440
<v Speaker 2>of this is just that, like this was kind of

0:48:59.120 --> 0:49:01.560
<v Speaker 2>a book that was a real action being written before,

0:49:02.120 --> 0:49:04.600
<v Speaker 2>like Aaron Rodgers was going up Pat McAfee show in

0:49:04.680 --> 0:49:06.680
<v Speaker 2>front of like half a million people every single day

0:49:06.680 --> 0:49:08.160
<v Speaker 2>and like screaming about trans people.

0:49:08.840 --> 0:49:14.000
<v Speaker 3>M hm. So this book has excerpts of like articles

0:49:14.000 --> 0:49:17.400
<v Speaker 3>and outside media and like social media, et cetera. Originally

0:49:17.480 --> 0:49:19.640
<v Speaker 3>it had like a lot more. I had to cut

0:49:19.680 --> 0:49:23.160
<v Speaker 3>a lot in order to make this book like legible

0:49:23.200 --> 0:49:26.880
<v Speaker 3>as a book. This book is already like pushing the

0:49:27.000 --> 0:49:30.520
<v Speaker 3>edges of what you could really communicate in ya in

0:49:30.600 --> 0:49:32.319
<v Speaker 3>terms of like I have a lot of characters, I

0:49:32.320 --> 0:49:34.680
<v Speaker 3>have a lot of shit going on, So like part

0:49:34.680 --> 0:49:36.759
<v Speaker 3>of it is just that, like I had to like

0:49:37.080 --> 0:49:40.319
<v Speaker 3>you know, trim et cetera. But like, originally it had

0:49:40.360 --> 0:49:42.680
<v Speaker 3>a lot more of that stuff, and there were like

0:49:43.400 --> 0:49:49.680
<v Speaker 3>interstitial snippets from a fictional sort of like football podcaster

0:49:49.920 --> 0:49:53.880
<v Speaker 3>guy who is like Pat McAfee and all of the

0:49:54.000 --> 0:49:59.759
<v Speaker 3>like barstool former athlete podcasters, Yeah, in a blender, and

0:50:00.160 --> 0:50:04.520
<v Speaker 3>he like he was this like really pathetic former like

0:50:04.760 --> 0:50:10.160
<v Speaker 3>special team or linebacker who just like keeps reliving the

0:50:10.200 --> 0:50:13.719
<v Speaker 3>fucking glory days. Yeah. Eventually I just had to like

0:50:14.400 --> 0:50:18.960
<v Speaker 3>refocus and like, yeah, yeah, bring that conflict closer to

0:50:19.000 --> 0:50:24.239
<v Speaker 3>home with like school administration's kind of shitty, and like

0:50:24.640 --> 0:50:27.080
<v Speaker 3>there are plenty of dudes on the football team who

0:50:27.840 --> 0:50:31.040
<v Speaker 3>also suck. So I kind of like left it in

0:50:31.160 --> 0:50:36.040
<v Speaker 3>via some like shitty tweets that you see, or you

0:50:36.080 --> 0:50:39.560
<v Speaker 3>get a lot of it, like indirectly you can imagine

0:50:39.640 --> 0:50:42.160
<v Speaker 3>what is happening on the fucking Pat McAfee show.

0:50:42.239 --> 0:50:43.200
<v Speaker 2>Oh my fucking god.

0:50:43.360 --> 0:50:47.400
<v Speaker 3>Yeah, But like also part of it is what you

0:50:47.440 --> 0:50:49.719
<v Speaker 3>said that the weird timeline of publishing means that I

0:50:49.719 --> 0:50:52.760
<v Speaker 3>started writing this book in February twenty twenty one, wrote

0:50:52.760 --> 0:50:55.960
<v Speaker 3>the majority in twenty twenty two, and edit it in

0:50:56.040 --> 0:50:59.359
<v Speaker 3>twenty three and twenty four, and like kind of this

0:50:59.480 --> 0:51:04.680
<v Speaker 3>like very very organized anti trans reaction was not as

0:51:04.840 --> 0:51:08.000
<v Speaker 3>prevalent in twenty twenty one at all like I kind

0:51:08.000 --> 0:51:10.640
<v Speaker 3>of had to like track it as it started to

0:51:10.719 --> 0:51:13.719
<v Speaker 3>like really like form up a drill time. This is

0:51:13.760 --> 0:51:15.399
<v Speaker 3>not the world that I thought I was gonna write

0:51:15.400 --> 0:51:19.200
<v Speaker 3>my stupid little football book. Yeah, and like have it

0:51:20.000 --> 0:51:23.920
<v Speaker 3>emerge into a lot of people are say that this

0:51:23.960 --> 0:51:26.360
<v Speaker 3>book is very timely, and I'm like, dog, this is

0:51:26.360 --> 0:51:28.359
<v Speaker 3>a Biden administration sept for him through.

0:51:29.280 --> 0:51:32.160
<v Speaker 2>So one final ball question on behalf of my beloved

0:51:32.200 --> 0:51:36.400
<v Speaker 2>and a curse Seattle Seahawks. Okay, so think about Sam Darnold,

0:51:36.400 --> 0:51:39.239
<v Speaker 2>who's now our quarterback after they traded my beloved Gito

0:51:39.320 --> 0:51:41.040
<v Speaker 2>Smith for a fucking third round pick.

0:51:41.160 --> 0:51:41.399
<v Speaker 3>Brother.

0:51:42.000 --> 0:51:44.840
<v Speaker 2>Okay, so, like, is the thing that's going to happen

0:51:44.880 --> 0:51:48.359
<v Speaker 2>this season not just by week five? Ave Lucas goes

0:51:48.360 --> 0:51:50.439
<v Speaker 2>down for the twelve million time whatever child they drag

0:51:50.480 --> 0:51:52.200
<v Speaker 2>out of a kindergarten to try to block the deal,

0:51:52.200 --> 0:51:54.319
<v Speaker 2>one hundred gets liquified in ten milli seconds to Sam

0:51:54.360 --> 0:51:56.839
<v Speaker 2>Darnold just like start seeing the ghosts of men who

0:51:56.880 --> 0:51:58.840
<v Speaker 2>haven't been born yet, Like, isn't this exactly?

0:51:58.880 --> 0:51:58.920
<v Speaker 4>Is?

0:51:58.960 --> 0:52:01.080
<v Speaker 2>It's just what's gonna fuck happen? Why did they build

0:52:01.120 --> 0:52:01.839
<v Speaker 2>this team like this?

0:52:03.680 --> 0:52:08.200
<v Speaker 3>Can I attempt to give you a small amount of

0:52:08.520 --> 0:52:11.240
<v Speaker 3>Seattle Seahawks optimism. I thought they were gonna.

0:52:11.040 --> 0:52:13.279
<v Speaker 2>Would have lived in games last season. They should have,

0:52:13.800 --> 0:52:15.680
<v Speaker 2>so we lost to the Flat Giants.

0:52:17.520 --> 0:52:22.960
<v Speaker 3>So I really like some of what the Seahawks did.

0:52:23.600 --> 0:52:26.319
<v Speaker 3>They drafted a lot of players that I really like.

0:52:26.400 --> 0:52:31.279
<v Speaker 3>It's true they they finally took a interior offensive line

0:52:31.320 --> 0:52:37.480
<v Speaker 3>player in the first round. Congratulations, Uh yay. Gray's Abel

0:52:37.760 --> 0:52:40.040
<v Speaker 3>is a good player. He's also a maga as shit,

0:52:40.120 --> 0:52:43.279
<v Speaker 3>which is what you want on your offensive line. No,

0:52:43.480 --> 0:52:45.600
<v Speaker 3>that's what you want on your offense. It's true, it's true.

0:52:45.680 --> 0:52:49.680
<v Speaker 3>But also like, god fucking damn it. So you got

0:52:50.120 --> 0:52:55.239
<v Speaker 3>Gray's Abel. You got Jalen Milroe, who Jalen Milroe isn't

0:52:55.239 --> 0:52:58.919
<v Speaker 3>good at football right now, but a sports media friend

0:52:59.000 --> 0:53:02.480
<v Speaker 3>named Derek klass And put it that he's He's the

0:53:02.719 --> 0:53:04.759
<v Speaker 3>kind of player you want to bet on and then

0:53:04.800 --> 0:53:08.560
<v Speaker 3>be wrong about, just just because he's fun, because he's

0:53:08.600 --> 0:53:13.719
<v Speaker 3>a like legit, actual like special athlete, special with the

0:53:13.880 --> 0:53:17.640
<v Speaker 3>ball in his hand. He's cool. I really like Jaylen Milroe.

0:53:17.680 --> 0:53:21.440
<v Speaker 3>But you also drafted later on. You took Tory Horden

0:53:21.600 --> 0:53:25.520
<v Speaker 3>and Ricky White, who are two of my favorite sort

0:53:25.520 --> 0:53:28.960
<v Speaker 3>of like small school wide receivers in the draft. You

0:53:29.000 --> 0:53:32.440
<v Speaker 3>took Damien Martinez, who is a running back who I

0:53:32.480 --> 0:53:34.399
<v Speaker 3>think could end up being a lot better than someone

0:53:34.440 --> 0:53:37.200
<v Speaker 3>who's drafted in the seventh round would indicate. And also

0:53:37.320 --> 0:53:39.640
<v Speaker 3>you took a full back. You took Robbie Oates. That's great.

0:53:39.640 --> 0:53:40.120
<v Speaker 1>His name is a.

0:53:40.160 --> 0:53:42.960
<v Speaker 2>Robbie Oates a great name, great name, old name, old

0:53:43.000 --> 0:53:45.400
<v Speaker 2>name team.

0:53:45.719 --> 0:53:49.359
<v Speaker 3>He is a He's like the squarest football player I've

0:53:49.360 --> 0:53:56.760
<v Speaker 3>ever seen. Love love Robbie Oates. However, the Sam Darnold

0:53:56.880 --> 0:54:04.640
<v Speaker 3>situation is tough. It's tough. I have a hard time

0:54:05.520 --> 0:54:06.280
<v Speaker 3>seeing it happen.

0:54:06.680 --> 0:54:09.879
<v Speaker 2>Like he would literally if you had put it behind

0:54:09.960 --> 0:54:12.560
<v Speaker 2>last year Seahawks offensive line, he literally would have died

0:54:12.560 --> 0:54:14.520
<v Speaker 2>by about week eight, like you just like straight up

0:54:14.520 --> 0:54:16.680
<v Speaker 2>would have died on the field. Oh god.

0:54:17.280 --> 0:54:20.360
<v Speaker 3>Yeah, And like it's a bit better this year because

0:54:20.360 --> 0:54:22.799
<v Speaker 3>you have friends able, but you still have Abe Lucas.

0:54:22.840 --> 0:54:25.280
<v Speaker 3>You know, you still have a We'll.

0:54:24.840 --> 0:54:27.200
<v Speaker 2>Have Abe Lucas for three weeks and then we won't

0:54:27.200 --> 0:54:31.799
<v Speaker 2>have Abe Lucas and then yeah.

0:54:30.719 --> 0:54:34.680
<v Speaker 3>And also like Sam Darnold is in like the perfect

0:54:34.680 --> 0:54:37.280
<v Speaker 3>spot for him, and now he's going to be throwing

0:54:37.320 --> 0:54:39.600
<v Speaker 3>the ball too. I mean, you know, you got Cooper Cup,

0:54:39.640 --> 0:54:42.759
<v Speaker 3>you got you know, for four weeks, got JSN, but

0:54:42.880 --> 0:54:46.880
<v Speaker 3>you also have Marcus valdezk is he gonna is he

0:54:46.880 --> 0:54:48.320
<v Speaker 3>gonna get load bearing snaps?

0:54:48.360 --> 0:54:48.440
<v Speaker 2>Like?

0:54:48.719 --> 0:54:50.919
<v Speaker 3>Is that really? Is that really what you want?

0:54:51.120 --> 0:54:54.680
<v Speaker 2>My cope last year was that was that JSN Metcalf

0:54:54.840 --> 0:54:58.120
<v Speaker 2>and Lockett was the most underrated receiver trio in the league. Yep.

0:54:58.840 --> 0:55:02.440
<v Speaker 2>And this year it's like, all right, we get six games,

0:55:02.440 --> 0:55:05.759
<v Speaker 2>a Cooper Cup and then we get fifth rounders.

0:55:07.120 --> 0:55:12.399
<v Speaker 3>Yeah. God, it's it's tough out here. Yeah. I don't

0:55:12.480 --> 0:55:15.080
<v Speaker 3>expect Sam Darnold to work here, just like straight up,

0:55:15.160 --> 0:55:18.920
<v Speaker 3>Like I have been a Sam Donald truther for years.

0:55:19.280 --> 0:55:23.680
<v Speaker 3>But it is the classic thing of like I think

0:55:23.719 --> 0:55:27.000
<v Speaker 3>Sam Donald's better than most people think, and then a

0:55:27.040 --> 0:55:29.560
<v Speaker 3>lot of people are like one hundred thirty million dollars

0:55:29.600 --> 0:55:32.480
<v Speaker 3>Sam Donald, and it's like what hold on, hold on,

0:55:32.560 --> 0:55:35.239
<v Speaker 3>hold on, hold on, hold on. I didn't think he

0:55:35.320 --> 0:55:38.240
<v Speaker 3>was that good. I didn't think he was traded Gino

0:55:38.320 --> 0:55:42.200
<v Speaker 3>Smith good. No, oh god, So that's unfortunate.

0:55:43.040 --> 0:55:45.320
<v Speaker 2>Yeah, so this this that this has been the football

0:55:45.560 --> 0:55:49.880
<v Speaker 2>section of this of this podcast. Yeah, so Victoria, do

0:55:49.920 --> 0:55:51.760
<v Speaker 2>you have anything else that you want to say before

0:55:51.760 --> 0:55:53.759
<v Speaker 2>we head out, and where should people buy your book from?

0:55:54.160 --> 0:55:56.439
<v Speaker 3>Non Amazon? That's like really all I have to say

0:55:56.480 --> 0:55:59.640
<v Speaker 3>about that. Yeah, one of the boys, my name is

0:55:59.760 --> 0:56:03.680
<v Speaker 3>Victor Coria Zeller, and you just buy that from bookshop,

0:56:03.920 --> 0:56:06.960
<v Speaker 3>buy it from your local indie. You can buy it

0:56:06.960 --> 0:56:09.319
<v Speaker 3>from Barnes and Noble, because we don't hate them as

0:56:09.400 --> 0:56:12.239
<v Speaker 3>much as we hate Amazon. But like I would say,

0:56:12.239 --> 0:56:15.280
<v Speaker 3>buy it from your local indie bookstore is like ideal

0:56:15.360 --> 0:56:18.440
<v Speaker 3>for me. I make the same amount of money wherever

0:56:18.480 --> 0:56:21.080
<v Speaker 3>you buy it, so it doesn't matter. But if you

0:56:21.120 --> 0:56:23.000
<v Speaker 3>want to sign copy, you can also order it from

0:56:23.200 --> 0:56:28.000
<v Speaker 3>my home bookstore, So there's that. Hell. Yeah, but yeah,

0:56:28.040 --> 0:56:31.319
<v Speaker 3>my website is a Victoria dot monster and all my

0:56:31.400 --> 0:56:32.080
<v Speaker 3>links are there.

0:56:32.280 --> 0:56:34.799
<v Speaker 2>Yeah. Okay, I realized I had an actual final question

0:56:34.840 --> 0:56:36.279
<v Speaker 2>that I wanted to ask it I forgot to do

0:56:36.360 --> 0:56:39.359
<v Speaker 2>before this the fucking we started the intro, so I apologize.

0:56:40.120 --> 0:56:43.359
<v Speaker 2>So the odds here are much much higher than they

0:56:43.360 --> 0:56:46.360
<v Speaker 2>are in most places that there's going to be some

0:56:46.440 --> 0:56:49.279
<v Speaker 2>queer kids who fucking play ball to some extent listening

0:56:49.320 --> 0:56:51.920
<v Speaker 2>to it, and I wanted to I'm throwing something from

0:56:51.960 --> 0:56:54.759
<v Speaker 2>your book at you, which is, I know, what would

0:56:54.760 --> 0:56:55.800
<v Speaker 2>you say to the what did you say it to

0:56:55.840 --> 0:56:57.680
<v Speaker 2>the kiddos who are going through it?

0:56:58.200 --> 0:57:05.399
<v Speaker 3>This is so mean. Okay, Okay, I'm gonna be real

0:57:05.440 --> 0:57:08.120
<v Speaker 3>with you right now. Guys, do what's best for you. Yeah,

0:57:08.320 --> 0:57:10.960
<v Speaker 3>fight if you have it in you to fight, But like,

0:57:11.640 --> 0:57:14.840
<v Speaker 3>you got to be a kid first and foremost, and

0:57:14.960 --> 0:57:20.240
<v Speaker 3>like trans kids, queer kids deserve the chance to be

0:57:21.480 --> 0:57:27.960
<v Speaker 3>fucking kids. They deserve the chance to make mistakes and

0:57:28.240 --> 0:57:33.800
<v Speaker 3>listen to music too loudly in their friends' shitty car,

0:57:34.080 --> 0:57:37.800
<v Speaker 3>and they deserve to play sports if that's what they

0:57:37.800 --> 0:57:40.000
<v Speaker 3>want to do. I think in a lot of ways,

0:57:40.320 --> 0:57:43.000
<v Speaker 3>my book is about how we ask teenagers to be

0:57:43.520 --> 0:57:46.440
<v Speaker 3>braver than they should be, and I think that's bullshit.

0:57:46.720 --> 0:57:49.320
<v Speaker 3>So I'm not gonna put it on. You have as

0:57:49.400 --> 0:57:52.520
<v Speaker 3>much fun as you can, like ball if you can,

0:57:53.360 --> 0:57:58.680
<v Speaker 3>but do what makes you happy and what feels safe

0:57:58.720 --> 0:58:01.720
<v Speaker 3>to you. Is like really, all I've got, Like, you know,

0:58:02.040 --> 0:58:05.320
<v Speaker 3>just have fun while you're able to as a child

0:58:05.560 --> 0:58:07.320
<v Speaker 3>is like yeah.

0:58:06.920 --> 0:58:09.280
<v Speaker 2>No, And it's like, yeah, it's not if you are

0:58:09.400 --> 0:58:12.560
<v Speaker 2>like a little ass kid. A I'm so sorry for

0:58:12.600 --> 0:58:15.240
<v Speaker 2>how much I swear on the show. Be like, it

0:58:15.320 --> 0:58:17.360
<v Speaker 2>is not up to you right now to save the world.

0:58:17.440 --> 0:58:20.000
<v Speaker 2>That is the job of fucking everyone else who listens

0:58:20.040 --> 0:58:21.880
<v Speaker 2>to the show like you. If you want there to

0:58:21.880 --> 0:58:24.160
<v Speaker 2>be more queer athletes, if you want trans kids be

0:58:24.200 --> 0:58:26.560
<v Speaker 2>able to be kids, that shit's on you. Yeah, all

0:58:26.640 --> 0:58:28.120
<v Speaker 2>of the rest of you who listen to the show,

0:58:28.320 --> 0:58:30.520
<v Speaker 2>If you are also like the fucking one bazillion trans

0:58:30.600 --> 0:58:32.000
<v Speaker 2>people listen to the show, this is like a bit

0:58:32.080 --> 0:58:33.840
<v Speaker 2>less on you than it is on fucking everyone else.

0:58:33.880 --> 0:58:36.960
<v Speaker 2>But yeah, but the best time do I started organizing

0:58:37.160 --> 0:58:39.200
<v Speaker 2>was like five years ago. The second best time is

0:58:39.280 --> 0:58:41.440
<v Speaker 2>right now, and the best time after that is tomorrow.

0:58:41.760 --> 0:58:45.480
<v Speaker 2>So go fucking build a world where trans kids can

0:58:45.520 --> 0:58:47.160
<v Speaker 2>be kids and fall out.

0:58:47.920 --> 0:58:52.000
<v Speaker 3>Let kids like me hoop, let them hoop, let them

0:58:52.080 --> 0:58:58.080
<v Speaker 3>hit dingers, let them ball. Oh yeah, my people need rings.

0:58:58.560 --> 0:59:02.440
<v Speaker 3>My people need titles, They need trophies, they need championships.

0:59:06.720 --> 0:59:09.200
<v Speaker 1>It could Happen Here is a production of cool Zone Media.

0:59:09.440 --> 0:59:12.480
<v Speaker 1>For more podcasts from cool Zone Media, visit our website

0:59:12.560 --> 0:59:16.120
<v Speaker 1>Coolzonmedia dot com, or check us out on the iHeartRadio app,

0:59:16.200 --> 0:59:18.280
<v Speaker 1>Apple Podcasts, or wherever.

0:59:17.920 --> 0:59:19.200
<v Speaker 2>You listen to podcasts.

0:59:19.520 --> 0:59:21.440
<v Speaker 1>You can now find sources for It could Happen here

0:59:21.480 --> 0:59:24.480
<v Speaker 1>listed directly in episode descriptions. Thanks for listening,