1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you Really missed with Jenna. 2 00:00:04,519 --> 00:00:08,360 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,200 --> 00:00:11,640 Speaker 1: Welcome to You and That's why You're Really miss podcast. 4 00:00:13,080 --> 00:00:18,919 Speaker 1: This is season four recap with Mike's Mike. He joins 5 00:00:19,000 --> 00:00:24,119 Speaker 1: us every season when we complete watching the season. We 6 00:00:24,160 --> 00:00:27,480 Speaker 1: are done with season four. He gives us things to 7 00:00:27,520 --> 00:00:30,640 Speaker 1: look forward to. We then check in with him, we 8 00:00:30,680 --> 00:00:36,760 Speaker 1: recap and he's never wrong. He's he's never wrong, so brilliant. 9 00:00:36,800 --> 00:00:38,400 Speaker 2: Also, he's on the other side of the world and 10 00:00:38,440 --> 00:00:40,040 Speaker 2: wakes up at the crackad on to be with us, 11 00:00:40,080 --> 00:00:43,559 Speaker 2: So we really appreciate his time and we really look 12 00:00:43,640 --> 00:00:45,360 Speaker 2: forward to like talking to him at the end of 13 00:00:45,440 --> 00:00:47,280 Speaker 2: It's sort of a goalpost at the end of each 14 00:00:47,320 --> 00:00:51,680 Speaker 2: season is to see what he thinks and tell him 15 00:00:51,800 --> 00:00:56,040 Speaker 2: what we've discovered. So, without further ado, here is Mike's Mike. 16 00:00:56,640 --> 00:00:58,520 Speaker 1: Welcome, Welcome, good to see you. 17 00:00:58,960 --> 00:01:03,120 Speaker 3: Good to see both as always. Did you enjoy season four? 18 00:01:03,600 --> 00:01:05,479 Speaker 1: Yes, and way more than I thought. 19 00:01:06,440 --> 00:01:10,160 Speaker 2: I think maybe because our expectations were set pretty low, 20 00:01:11,240 --> 00:01:14,319 Speaker 2: right that anything that was remotely good was a pleasant surprise. 21 00:01:16,560 --> 00:01:18,520 Speaker 1: And isn't that the way to live? It is? That's 22 00:01:18,640 --> 00:01:18,920 Speaker 1: it is? 23 00:01:19,040 --> 00:01:24,279 Speaker 3: Yeah, set the bar right, Yes, yeah, and then everything 24 00:01:24,360 --> 00:01:25,680 Speaker 3: is impressive. 25 00:01:25,200 --> 00:01:31,160 Speaker 1: Yes, exactly exquisite. Yeah, well it was a surprise, but 26 00:01:31,319 --> 00:01:33,280 Speaker 1: we did enjoy a majority of it. 27 00:01:33,600 --> 00:01:36,560 Speaker 2: Yeah, it's not perfect, but we need that going into it. Yeah, 28 00:01:36,760 --> 00:01:40,119 Speaker 2: but it was more perfect than I thought it would be. Yeah, 29 00:01:40,400 --> 00:01:43,200 Speaker 2: and I use the term perfect obviously very loosely. 30 00:01:43,600 --> 00:01:43,919 Speaker 1: Yes. 31 00:01:44,240 --> 00:01:46,920 Speaker 3: Do you agree, because I think one of the things 32 00:01:46,920 --> 00:01:50,080 Speaker 3: that I said before you watch season four was that 33 00:01:50,440 --> 00:01:53,640 Speaker 3: I really enjoyed the New York stuff a lot more 34 00:01:53,640 --> 00:01:54,919 Speaker 3: than the stuff still at the school. 35 00:01:54,960 --> 00:01:59,080 Speaker 1: Do you agree. It's like fifty to fifty, but yeah, 36 00:01:59,160 --> 00:02:01,920 Speaker 1: I I I enjoyed the New York stuff more than 37 00:02:01,920 --> 00:02:07,240 Speaker 1: I thought I would. Yeah, definitely. I think I enjoyed 38 00:02:07,240 --> 00:02:11,880 Speaker 1: the McKinley stuff probably starting halfway through the season. 39 00:02:12,600 --> 00:02:15,920 Speaker 2: I think in the beginning getting to know new people, 40 00:02:16,320 --> 00:02:18,399 Speaker 2: and I think also the show trying to figure out 41 00:02:18,400 --> 00:02:21,600 Speaker 2: how much time to spend in each place was difficult. 42 00:02:21,680 --> 00:02:25,120 Speaker 2: The New York stuff immediately was like banger after banger. 43 00:02:25,280 --> 00:02:28,440 Speaker 2: I just want to watch these scenes. We know these characters, 44 00:02:29,560 --> 00:02:32,960 Speaker 2: and they're also so good together, especially like when Santana 45 00:02:33,440 --> 00:02:38,160 Speaker 2: joins all of them. Like I it was very very good. Yes, 46 00:02:38,400 --> 00:02:41,200 Speaker 2: And I feel like they found their stride with McKinley 47 00:02:41,280 --> 00:02:41,680 Speaker 2: later on. 48 00:02:41,960 --> 00:02:44,480 Speaker 3: Yeah, the first half of McKinley, all the new characters 49 00:02:44,480 --> 00:02:46,680 Speaker 3: suddenly and trying to make the audience care about them 50 00:02:46,680 --> 00:02:47,919 Speaker 3: for we just don't care. 51 00:02:48,480 --> 00:02:50,640 Speaker 2: Yeah, and as much as like we love them as 52 00:02:50,680 --> 00:02:55,079 Speaker 2: humans and how much fun we had I could see, yes, yes, 53 00:02:55,280 --> 00:02:58,280 Speaker 2: And I think it also felt like at some point 54 00:02:58,360 --> 00:03:02,920 Speaker 2: the writers learned the real actors and then adjusted like 55 00:03:02,960 --> 00:03:05,000 Speaker 2: they were trying to fit them in like what you 56 00:03:05,080 --> 00:03:06,959 Speaker 2: warned us about, sort of like the archetypes of the 57 00:03:07,040 --> 00:03:10,120 Speaker 2: Quinn and the Finn and all those things, and then 58 00:03:10,360 --> 00:03:13,760 Speaker 2: they sort of abandoned that at some point, which then 59 00:03:13,800 --> 00:03:16,320 Speaker 2: it felt good like, oh, now they're their own people. 60 00:03:16,880 --> 00:03:22,120 Speaker 3: Yeah, and they stopped trying to make Molly like the thing, 61 00:03:22,400 --> 00:03:25,280 Speaker 3: like as like the big new character, like everything's hemed 62 00:03:25,320 --> 00:03:26,680 Speaker 3: you on Molly. And then when they sort of pivoted 63 00:03:26,680 --> 00:03:27,680 Speaker 3: away from that, then I got better. 64 00:03:28,120 --> 00:03:30,760 Speaker 1: Yes, yeah, agreed, Yeah, agreed. 65 00:03:30,560 --> 00:03:33,560 Speaker 3: Instead of trying to make Co the new Rachel, right, 66 00:03:33,760 --> 00:03:36,480 Speaker 3: because then you're instantly it's like any new artists coming up, 67 00:03:36,680 --> 00:03:38,840 Speaker 3: like this is the new Britney Spears or this, and 68 00:03:38,880 --> 00:03:42,200 Speaker 3: they're automatically then comparing to someone that you don't necessarily 69 00:03:42,240 --> 00:03:45,400 Speaker 3: ever need to be compared to analogy. 70 00:03:44,800 --> 00:03:47,880 Speaker 2: And so it just once they were their own, fully 71 00:03:47,920 --> 00:03:48,560 Speaker 2: formed things. 72 00:03:48,640 --> 00:03:50,560 Speaker 3: It was let Molly be her own pop star. 73 00:03:50,960 --> 00:03:54,960 Speaker 1: Yeah. Yes, she really carries a lot of the McKinley 74 00:03:55,000 --> 00:03:58,240 Speaker 1: stuff in season four. It's quite impressive for coming in 75 00:03:58,280 --> 00:03:59,000 Speaker 1: as the new guy. 76 00:03:59,360 --> 00:04:02,080 Speaker 3: Whenever I think of Marley, I think of two things. 77 00:04:02,160 --> 00:04:06,480 Speaker 3: First thing is the quote of Sue and the Mom 78 00:04:06,720 --> 00:04:09,200 Speaker 3: where the mom comes into the office and she's like, 79 00:04:09,240 --> 00:04:11,400 Speaker 3: thanks for what you did for Marley and me, and 80 00:04:11,440 --> 00:04:12,800 Speaker 3: Sue's like, I've never seen that movie. 81 00:04:12,840 --> 00:04:13,680 Speaker 1: I don't wan're talking about. 82 00:04:14,600 --> 00:04:19,920 Speaker 3: The thing is in season five a Katie versa Gaga 83 00:04:20,560 --> 00:04:26,240 Speaker 3: mm hmm, that whole episode. It's and that plant line 84 00:04:26,279 --> 00:04:27,960 Speaker 3: where she gets in trouble because she doesn't want to 85 00:04:28,080 --> 00:04:30,160 Speaker 3: wear the aphrodite Lady Cecille bikini. 86 00:04:30,880 --> 00:04:33,320 Speaker 2: It's out of all the things I don't remember from 87 00:04:33,320 --> 00:04:39,000 Speaker 2: the show, I that is ingrained. This carved like Michelangelo 88 00:04:39,120 --> 00:04:42,479 Speaker 2: into my brain of her, like she gets suspended or 89 00:04:42,520 --> 00:04:44,400 Speaker 2: like something dramatic happens because she. 90 00:04:44,400 --> 00:04:46,800 Speaker 1: Doesn't want to participate in this one random. 91 00:04:46,480 --> 00:04:48,280 Speaker 3: She doesn't want to wear the bikini. And then we 92 00:04:48,480 --> 00:04:52,320 Speaker 3: was like, you're putting your interests above the schools interests. 93 00:04:52,839 --> 00:04:59,520 Speaker 1: Oh my god, once again Will Schuster doing the wrong thing? 94 00:04:59,800 --> 00:05:00,599 Speaker 1: Very strange? 95 00:05:01,160 --> 00:05:03,000 Speaker 3: What was still because I was trying to think what 96 00:05:03,080 --> 00:05:05,880 Speaker 3: my favorite song from season four was, and I brought 97 00:05:05,960 --> 00:05:09,599 Speaker 3: some down, but really interested in what yours were? 98 00:05:09,880 --> 00:05:13,880 Speaker 1: Yeah, okay, So I was pleasantly surprised by a Warbler's 99 00:05:13,960 --> 00:05:19,760 Speaker 1: number dark Side one of my top top numbers. Some 100 00:05:19,960 --> 00:05:24,320 Speaker 1: other numbers obviously, the breakup is a huge episode in 101 00:05:24,400 --> 00:05:29,440 Speaker 1: season four that is widely talked about. Some of those 102 00:05:29,480 --> 00:05:31,280 Speaker 1: I didn't love as much as I thought I would 103 00:05:31,440 --> 00:05:36,600 Speaker 1: or were like built up again expectations. But the scientists, 104 00:05:37,440 --> 00:05:40,400 Speaker 1: what are the songs? Kevin, there's a lot, Jennifer, you 105 00:05:40,640 --> 00:05:45,800 Speaker 1: hung up was brilliant. Oh yeah yeah, let me love 106 00:05:45,839 --> 00:05:48,599 Speaker 1: you for Jacob, and that one we knew, like when 107 00:05:48,600 --> 00:05:51,479 Speaker 1: that was happening, we knew that was special. 108 00:05:51,600 --> 00:05:57,280 Speaker 2: And also really hello Jacob, this is great Nutbush City 109 00:05:57,279 --> 00:06:03,120 Speaker 2: limits I forgot. And I also love how random she 110 00:06:03,320 --> 00:06:10,960 Speaker 2: just shows up and does this like superstar number and 111 00:06:10,960 --> 00:06:14,440 Speaker 2: it's like all right here, like and that was unbelievable. 112 00:06:14,440 --> 00:06:17,479 Speaker 1: I think that Bush was like what is crazy? Top? 113 00:06:17,520 --> 00:06:20,719 Speaker 1: Also what a song? Obviously, Kiki turcular Key. 114 00:06:21,160 --> 00:06:25,240 Speaker 3: That's on my list I have. This is just like chyotic, 115 00:06:25,320 --> 00:06:28,560 Speaker 3: but I've got let's have a Kiki of course, then 116 00:06:28,680 --> 00:06:32,760 Speaker 3: I've got the Diamonds are Girls best Friend slash material. 117 00:06:32,360 --> 00:06:33,760 Speaker 1: Go mm hmm. 118 00:06:34,560 --> 00:06:38,000 Speaker 3: Really actually, like in hindsight, I enjoyed that and I 119 00:06:38,040 --> 00:06:40,000 Speaker 3: went back and watched it and I was like, yeah, 120 00:06:40,040 --> 00:06:43,800 Speaker 3: there's eights like it's fine. Yeah, and like and the 121 00:06:43,839 --> 00:06:50,200 Speaker 3: performance total. Then I'm a big Spice Kills fan. Okay, 122 00:06:50,560 --> 00:06:52,200 Speaker 3: So like when the Glee ghos did want to be 123 00:06:53,000 --> 00:06:55,920 Speaker 3: I really enjoyed that. Yeah, I wanted more. I sort 124 00:06:55,960 --> 00:06:59,159 Speaker 3: of like mouth open, like this is incredible. Everyone like 125 00:06:59,279 --> 00:07:00,440 Speaker 3: really showed up that day. 126 00:07:01,440 --> 00:07:02,960 Speaker 1: Yeah, it's like loved it. 127 00:07:03,520 --> 00:07:06,520 Speaker 3: I think even the there's like one specific frame that 128 00:07:06,560 --> 00:07:08,719 Speaker 3: I can remember where everyone's like sitting in front of 129 00:07:08,720 --> 00:07:11,400 Speaker 3: the piano and they're all like doing like the poses 130 00:07:11,400 --> 00:07:14,120 Speaker 3: of the Spice Skills, Like someone's got like the lollipop, 131 00:07:14,400 --> 00:07:17,320 Speaker 3: Someone's got the sporty spice outfit. I'm like, yeah, that 132 00:07:17,440 --> 00:07:17,920 Speaker 3: was fun. 133 00:07:18,120 --> 00:07:20,240 Speaker 1: It was fun. That was a fun one to do too. 134 00:07:20,400 --> 00:07:23,400 Speaker 1: It looked like you were all having fun. Yeah we were. Yeah, 135 00:07:23,800 --> 00:07:25,520 Speaker 1: like the director was having fun. 136 00:07:25,560 --> 00:07:27,720 Speaker 2: Like it was shot differently than other numbers in the 137 00:07:27,760 --> 00:07:30,720 Speaker 2: choir room, like everyone really just pulled up for the 138 00:07:30,720 --> 00:07:32,040 Speaker 2: Spice Girls, which you know you. 139 00:07:32,080 --> 00:07:36,120 Speaker 3: Should absolutely yeah, And then my last one was this 140 00:07:36,200 --> 00:07:38,840 Speaker 3: is like a bit of a random one, but I 141 00:07:38,880 --> 00:07:40,720 Speaker 3: loved the song wings by Little Mix. 142 00:07:41,680 --> 00:07:44,040 Speaker 1: Yeah, but then what the. 143 00:07:43,960 --> 00:07:47,800 Speaker 3: Opponent's name is? At regionals they sing wings by Little 144 00:07:47,840 --> 00:07:49,440 Speaker 3: Mis And I wrote in my notes that they should 145 00:07:49,440 --> 00:07:52,680 Speaker 3: have won, you know, just for that, just because they 146 00:07:52,680 --> 00:07:53,400 Speaker 3: sung wings. 147 00:07:53,560 --> 00:07:57,040 Speaker 2: I I think they also should have won, but not 148 00:07:57,120 --> 00:08:00,560 Speaker 2: just because they sang wings like they had it together. 149 00:08:00,720 --> 00:08:06,440 Speaker 2: Our performance also is like patricious, It's very We're just 150 00:08:06,440 --> 00:08:08,960 Speaker 2: doing a lot of well not me, but everyone else 151 00:08:09,000 --> 00:08:09,400 Speaker 2: is doing. 152 00:08:09,240 --> 00:08:12,960 Speaker 1: A lot of walking. And it wasn't great. 153 00:08:13,360 --> 00:08:15,280 Speaker 3: Get you FA walking with intention, gets you FA. 154 00:08:16,800 --> 00:08:19,560 Speaker 1: In season four, this Regionals was not my favorite choices 155 00:08:19,560 --> 00:08:21,520 Speaker 1: though songs sound choices, they were. 156 00:08:22,080 --> 00:08:24,760 Speaker 2: I mean, an exceptional song. It's also the first number 157 00:08:24,760 --> 00:08:26,600 Speaker 2: that Amber danced to when she was on Dancing with 158 00:08:26,640 --> 00:08:27,440 Speaker 2: the Stars. 159 00:08:28,360 --> 00:08:33,720 Speaker 1: Right the time, and Clarity is also great. They did 160 00:08:34,720 --> 00:08:37,520 Speaker 1: so okay, that's fair, that's fair. 161 00:08:37,520 --> 00:08:40,040 Speaker 2: There was a lot of music in season four, like 162 00:08:40,200 --> 00:08:41,280 Speaker 2: a lot of really good. 163 00:08:41,120 --> 00:08:44,840 Speaker 3: Music, munch music. Like when I was going through the Spotify, 164 00:08:44,960 --> 00:08:46,760 Speaker 3: someone's on my playlist of old songs. 165 00:08:46,840 --> 00:08:49,839 Speaker 1: Yes, I was just it just kept going shout out 166 00:08:49,840 --> 00:08:52,840 Speaker 1: to whoever makes those because those are so helpful. I 167 00:08:52,880 --> 00:08:55,400 Speaker 1: look at those like they've also they have once for 168 00:08:55,400 --> 00:08:57,800 Speaker 1: each character. It's great, Like I don't know who's doing that, 169 00:08:57,920 --> 00:09:02,839 Speaker 1: but they're doing a worldwide service. They really are, No, 170 00:09:02,960 --> 00:09:03,520 Speaker 1: they truly are. 171 00:09:04,320 --> 00:09:08,280 Speaker 3: I do you agree that season four a lot of 172 00:09:08,280 --> 00:09:13,360 Speaker 3: it was just like the Trauma Olympics, which is like 173 00:09:13,400 --> 00:09:15,560 Speaker 3: something bad would happen, you'd be like, oh, okay, and 174 00:09:15,600 --> 00:09:19,280 Speaker 3: then something worse happened to oh okay, especially like. 175 00:09:19,840 --> 00:09:23,440 Speaker 1: In McKinley, like the new characters, it was like, let's 176 00:09:23,480 --> 00:09:27,679 Speaker 1: just load it on, like Rider. Rider was sexually assaulted, 177 00:09:28,200 --> 00:09:33,439 Speaker 1: he had dyslexia, he was catfished, like it was one 178 00:09:33,679 --> 00:09:37,719 Speaker 1: thing after the other, and the school shooting exactly. So 179 00:09:37,760 --> 00:09:40,640 Speaker 1: it was very intense, and that episode alone was very 180 00:09:40,679 --> 00:09:44,360 Speaker 1: intense and controversial, and you know we've talked about should 181 00:09:44,360 --> 00:09:46,320 Speaker 1: we have done it at all? But and then the 182 00:09:46,360 --> 00:09:50,480 Speaker 1: next one's just ridiculous. That's right, It's just like that's 183 00:09:50,520 --> 00:09:54,120 Speaker 1: exactly right, yes, chaotic, right. 184 00:09:54,160 --> 00:09:56,959 Speaker 3: It was sort of the like his the things that 185 00:09:56,960 --> 00:09:59,400 Speaker 3: happened to his character, what made me think, what the 186 00:09:59,400 --> 00:10:02,640 Speaker 3: hell is happened? Like, yeah, the whole dyslexia build up. 187 00:10:02,880 --> 00:10:06,280 Speaker 3: It's like this massive reveal and then we just instantly 188 00:10:06,280 --> 00:10:09,640 Speaker 3: forget about it because something worse happened immediately, So it's 189 00:10:09,679 --> 00:10:12,640 Speaker 3: like the dyslex it just takes a back seat, and. 190 00:10:12,600 --> 00:10:14,880 Speaker 1: Then the Catfish gets like three episodes. 191 00:10:23,000 --> 00:10:25,360 Speaker 2: I did feel like this is one of those. I 192 00:10:25,400 --> 00:10:27,120 Speaker 2: think it was the first time. Like I think in 193 00:10:27,120 --> 00:10:31,240 Speaker 2: every season there's one or two what feel like filler episodes. 194 00:10:32,200 --> 00:10:36,320 Speaker 2: And there was that stretch starting around the school shooter 195 00:10:36,400 --> 00:10:40,760 Speaker 2: episode where back to back to back, okay, but nothing 196 00:10:40,840 --> 00:10:42,240 Speaker 2: is really happening here. 197 00:10:42,520 --> 00:10:44,360 Speaker 1: Yeah, get me to New York. 198 00:10:44,679 --> 00:10:47,440 Speaker 2: Yes, Like it all is like very strange and like 199 00:10:47,480 --> 00:10:51,000 Speaker 2: we're clearly like none of these things have ramifications beyond 200 00:10:51,040 --> 00:10:55,640 Speaker 2: this episode, which is like, especially when you have something 201 00:10:55,679 --> 00:10:58,000 Speaker 2: like the Catfish that plays out for what feels like 202 00:10:58,040 --> 00:11:02,960 Speaker 2: an eternity, like, well, okay, notice lexia, no whatever. So 203 00:11:03,000 --> 00:11:05,720 Speaker 2: it was there was I think it was in the 204 00:11:05,760 --> 00:11:09,360 Speaker 2: back quarter of that season that felt a little strenuous. 205 00:11:10,640 --> 00:11:14,040 Speaker 1: Yeah, yeah, yeah, I would agree. There was one quote 206 00:11:14,080 --> 00:11:17,240 Speaker 1: that you had told us to look out for before 207 00:11:17,280 --> 00:11:19,960 Speaker 1: we when we saw you for season three. That is 208 00:11:20,000 --> 00:11:22,920 Speaker 1: by far my favorite quote of season four as well, 209 00:11:23,280 --> 00:11:26,640 Speaker 1: and it's Becky saying mind your own gay business, gabling. 210 00:11:27,360 --> 00:11:31,080 Speaker 3: Brilliant, so good, so so good. What was that in 211 00:11:31,160 --> 00:11:31,720 Speaker 3: reference to? 212 00:11:33,080 --> 00:11:36,520 Speaker 1: It was about the school shooting and Sue covers up 213 00:11:36,520 --> 00:11:41,400 Speaker 1: for Becky, and then Blaine starts to unravel the secret 214 00:11:41,640 --> 00:11:43,959 Speaker 1: that there's something going on with Becky and she's acting 215 00:11:44,000 --> 00:11:45,840 Speaker 1: out of character, and she's like, my. 216 00:11:47,679 --> 00:11:50,600 Speaker 2: Yeah, you had some really like everything you told us 217 00:11:50,640 --> 00:11:53,920 Speaker 2: to look out for. I don't want to like blow 218 00:11:53,960 --> 00:11:55,360 Speaker 2: your head up, but you were correct. 219 00:11:55,520 --> 00:12:00,280 Speaker 1: You're on point about Yi. I mean, Kate Hudson s 220 00:12:00,400 --> 00:12:02,520 Speaker 1: JP perfect like they were. 221 00:12:02,920 --> 00:12:07,520 Speaker 2: Brillian couldn't get enough of them, needed one hundred percent 222 00:12:07,559 --> 00:12:08,520 Speaker 2: more of them. 223 00:12:08,480 --> 00:12:15,080 Speaker 3: Sandra July singing Americana and my favorite most the other songs. 224 00:12:15,080 --> 00:12:18,480 Speaker 1: I read it down dance again, m it is so 225 00:12:18,960 --> 00:12:22,680 Speaker 1: good A plus plus plus plus excellent. 226 00:12:23,160 --> 00:12:26,360 Speaker 3: That I really liked that character died. I was gonna 227 00:12:26,360 --> 00:12:27,920 Speaker 3: say I wish that she had more of a role, 228 00:12:27,960 --> 00:12:30,160 Speaker 3: but I feel like she had a pretty big role 229 00:12:30,160 --> 00:12:31,120 Speaker 3: totally story. 230 00:12:31,800 --> 00:12:34,480 Speaker 2: She really did, and I felt like she took up like, yeah, 231 00:12:34,480 --> 00:12:37,640 Speaker 2: she wasn't in most of the episodes, yeah, but she 232 00:12:37,720 --> 00:12:41,000 Speaker 2: felt present throughout the entire That's right season. And I 233 00:12:41,120 --> 00:12:42,200 Speaker 2: liked how awful she was. 234 00:12:42,600 --> 00:12:42,920 Speaker 1: I loved it. 235 00:12:43,000 --> 00:12:46,240 Speaker 2: Yeah, because you have Sue who's awful, but she's funny. 236 00:12:46,800 --> 00:12:50,800 Speaker 2: You have Liter's like some redeeming quality. Cassandra was just 237 00:12:50,880 --> 00:12:52,840 Speaker 2: awful for that. 238 00:12:53,240 --> 00:12:56,280 Speaker 1: And then she turns the corner and we were like, 239 00:12:56,480 --> 00:12:58,040 Speaker 1: oh great, she's even better now. 240 00:12:58,320 --> 00:13:01,160 Speaker 3: Yeah, and her backstory about like yelling at someone to 241 00:13:01,160 --> 00:13:02,880 Speaker 3: put their phone away and it going viral. 242 00:13:03,640 --> 00:13:05,920 Speaker 1: It's like Patty Lapone. It's very funny. 243 00:13:06,280 --> 00:13:11,200 Speaker 2: Very I did think some of the carryover of like 244 00:13:11,240 --> 00:13:13,839 Speaker 2: they were just trying things out McKinley, of like how 245 00:13:13,880 --> 00:13:16,880 Speaker 2: can we make this bad, like these people experienced bad things. 246 00:13:17,000 --> 00:13:20,160 Speaker 2: Or Cassandra there's one really weird shot in the earth. 247 00:13:20,679 --> 00:13:22,360 Speaker 2: It might be in her first episode. It's one of 248 00:13:22,360 --> 00:13:24,040 Speaker 2: her first where she just is like the bottle of 249 00:13:24,120 --> 00:13:26,679 Speaker 2: rum or whatever and she's just pouring it into it, 250 00:13:26,800 --> 00:13:28,839 Speaker 2: like are we doing this? Are we going to do 251 00:13:29,120 --> 00:13:30,000 Speaker 2: this storyline? 252 00:13:30,120 --> 00:13:34,600 Speaker 1: Well? And then she slept with Brody and she's like Brody, 253 00:13:34,920 --> 00:13:36,080 Speaker 1: but she slept with Brody. 254 00:13:37,760 --> 00:13:40,000 Speaker 3: He came third in Australian Idol season three. 255 00:13:40,720 --> 00:13:44,840 Speaker 1: Yeah, that's right. He came and left too very quickly. 256 00:13:44,880 --> 00:13:48,960 Speaker 1: Brody was like, yeah, it was crazy. He slept with Cassandra. 257 00:13:49,520 --> 00:13:53,800 Speaker 1: He did, and then they moved in together, Rachel and 258 00:13:53,880 --> 00:13:58,120 Speaker 1: Rachel and Brody Brody, and then we found out Brody 259 00:13:58,320 --> 00:14:00,560 Speaker 1: was an escort and yes. 260 00:14:00,520 --> 00:14:03,800 Speaker 3: No, and Santana found that out somehow, right, Yes. 261 00:14:03,679 --> 00:14:04,320 Speaker 1: And she's the one. 262 00:14:05,679 --> 00:14:12,079 Speaker 2: Yeah, I mean, yeah, that's that's what we need to see. 263 00:14:12,440 --> 00:14:15,559 Speaker 2: That's also I think some of Santana's best material was 264 00:14:15,600 --> 00:14:19,520 Speaker 2: in this season. She'd pop in, they'd give her, especially 265 00:14:19,720 --> 00:14:22,960 Speaker 2: in that like two story two episode story arc of 266 00:14:23,000 --> 00:14:26,400 Speaker 2: figuring out what was going on with him. She showed 267 00:14:26,480 --> 00:14:29,720 Speaker 2: up and like blew up the spot of like, you 268 00:14:29,720 --> 00:14:32,120 Speaker 2: guys aren't sane. This guy sucks? How are you not 269 00:14:32,160 --> 00:14:35,600 Speaker 2: seeing this? And she was She's never been funnier. Yeah, 270 00:14:36,000 --> 00:14:38,520 Speaker 2: like a bit of like voice of reason. Yes, And 271 00:14:38,560 --> 00:14:41,000 Speaker 2: she's saying insane things and sort of being awful, but 272 00:14:41,000 --> 00:14:46,920 Speaker 2: at the same time she's right and like to wake up. 273 00:14:47,320 --> 00:14:48,520 Speaker 1: Yeah. 274 00:14:48,600 --> 00:14:50,480 Speaker 3: I just remember something else that I told you to watch. 275 00:14:50,480 --> 00:14:54,160 Speaker 3: You have for the decorations in the apartment, did you 276 00:14:54,280 --> 00:14:54,680 Speaker 3: see that? 277 00:14:55,320 --> 00:14:57,040 Speaker 1: Yes? It was wild. 278 00:14:58,200 --> 00:15:01,320 Speaker 2: Also the fact that they were coructing. They had, like 279 00:15:01,360 --> 00:15:03,720 Speaker 2: you said, they had this gigantic space that was empty 280 00:15:04,160 --> 00:15:07,880 Speaker 2: and then they just started constructing walls and their crafts 281 00:15:08,080 --> 00:15:12,960 Speaker 2: people building what are you when I still cannot get 282 00:15:13,000 --> 00:15:20,320 Speaker 2: over the random like towns around Yorkshire like decorations. It's crazy. 283 00:15:20,640 --> 00:15:26,400 Speaker 2: But then I was thinking, like that was twenty twenty thirteen, 284 00:15:26,440 --> 00:15:29,160 Speaker 2: that makes even more sense. Do you remember like being 285 00:15:29,160 --> 00:15:33,520 Speaker 2: obsessed with the UK was like a thing, totally totally. 286 00:15:33,280 --> 00:15:37,200 Speaker 3: Especially like yeah, yes, like everyone would have like a 287 00:15:37,360 --> 00:15:39,880 Speaker 3: UK pillow, like a big bend pillow. 288 00:15:40,280 --> 00:15:41,600 Speaker 1: Oh that's right, I did. 289 00:15:42,000 --> 00:15:46,520 Speaker 2: I had like a I had kend that I had 290 00:15:46,560 --> 00:15:49,680 Speaker 2: like this like box like storage thing that had like 291 00:15:49,720 --> 00:15:51,280 Speaker 2: the Union jack printed on it. 292 00:15:51,800 --> 00:15:51,920 Speaker 1: Oh. 293 00:15:52,000 --> 00:15:56,240 Speaker 3: Yeah, yeah, it was awful. So it makes sense that 294 00:15:56,280 --> 00:15:57,000 Speaker 3: they would have that. 295 00:15:57,280 --> 00:16:00,320 Speaker 1: You're right, Wow, good recall Now I I have a 296 00:16:00,400 --> 00:16:03,280 Speaker 1: question for you. So you I remember you were saying 297 00:16:03,320 --> 00:16:07,160 Speaker 1: like you just really you just wanted to go back 298 00:16:07,200 --> 00:16:11,040 Speaker 1: to New York and see what people were doing there, obviously, 299 00:16:11,080 --> 00:16:13,160 Speaker 1: and it took some time to warm up, and you 300 00:16:13,240 --> 00:16:15,920 Speaker 1: had just said that, you know, Marlee, once we start 301 00:16:16,240 --> 00:16:18,400 Speaker 1: started getting over the like let's make Marley the new 302 00:16:18,520 --> 00:16:21,440 Speaker 1: Rachel kind of thing, it got better. Did you ever 303 00:16:21,520 --> 00:16:25,560 Speaker 1: feel connected to the new cast or did this kind 304 00:16:25,560 --> 00:16:30,800 Speaker 1: of was the demise of your experience with McKinley high. 305 00:16:31,400 --> 00:16:36,840 Speaker 3: I actually ended up liking Mally, so I was interested 306 00:16:36,840 --> 00:16:40,280 Speaker 3: in her story, and I feel like she had a 307 00:16:40,320 --> 00:16:44,080 Speaker 3: good dynamic with a lot of the characters that we 308 00:16:44,640 --> 00:16:48,040 Speaker 3: associate with McKinley, like with Sue. How Sue can't insult her, 309 00:16:48,160 --> 00:16:51,320 Speaker 3: Like that's funny and that's like a recurring thing. It's like, oh, 310 00:16:51,360 --> 00:16:54,240 Speaker 3: that's a connecting point between Molly and Sue's one of 311 00:16:54,240 --> 00:17:00,240 Speaker 3: my things. But then the rest, Like I didn't like 312 00:17:00,480 --> 00:17:04,320 Speaker 3: Kitty that much because of like we sort of introduced 313 00:17:04,480 --> 00:17:07,200 Speaker 3: her as this horrible person and then suddenly it's like 314 00:17:07,200 --> 00:17:09,960 Speaker 3: a redemption arc and I'm like really, and then in 315 00:17:10,000 --> 00:17:13,119 Speaker 3: season five we get an even worse version of Kitty 316 00:17:13,440 --> 00:17:15,120 Speaker 3: to make Kitty look better, and I'm like, how many 317 00:17:15,119 --> 00:17:16,280 Speaker 3: times are we going to keep doing this? 318 00:17:16,480 --> 00:17:16,720 Speaker 1: Right? 319 00:17:16,760 --> 00:17:20,919 Speaker 3: But the guys could not care less. So it's like 320 00:17:21,480 --> 00:17:23,560 Speaker 3: I was invested in Marley, but that was pretty much it. 321 00:17:24,240 --> 00:17:26,720 Speaker 3: So there's any time that they found a reason to 322 00:17:26,760 --> 00:17:29,879 Speaker 3: bring like Sue or Will to New York, especially in 323 00:17:29,920 --> 00:17:32,560 Speaker 3: season five, I'm like, yeah, there, let's do it. 324 00:17:32,760 --> 00:17:34,560 Speaker 1: We're just doing a spin off of New York. That's 325 00:17:34,560 --> 00:17:36,840 Speaker 1: where we're at now, got it, got it? 326 00:17:36,840 --> 00:17:39,440 Speaker 2: Got Iteah, we could have just done Fondue for two 327 00:17:39,520 --> 00:17:41,080 Speaker 2: in New York and that could have been the show. 328 00:17:41,880 --> 00:17:44,840 Speaker 2: Fond for two was so good and there was a 329 00:17:44,840 --> 00:17:48,160 Speaker 2: lot of it. I think you're in season five, there's 330 00:17:48,160 --> 00:17:50,680 Speaker 2: like a I think I call it the best one 331 00:17:50,720 --> 00:17:53,040 Speaker 2: hundred seconds of the show. 332 00:17:53,119 --> 00:17:53,639 Speaker 1: Maybe. 333 00:17:53,920 --> 00:17:57,480 Speaker 3: And it's at the end of season five when Brittany 334 00:17:57,520 --> 00:18:02,159 Speaker 3: has Will and Sue on Fondu for two. Oh, it 335 00:18:02,200 --> 00:18:05,359 Speaker 3: might be in the season finale, just came dream. She 336 00:18:05,440 --> 00:18:07,440 Speaker 3: did that in season four as well, she had Will 337 00:18:07,520 --> 00:18:09,560 Speaker 3: and Sue did you Maybe that's what I'm thinking of. 338 00:18:09,880 --> 00:18:12,640 Speaker 2: Yeah, And actually in the finale, is that what you're 339 00:18:12,640 --> 00:18:15,960 Speaker 2: thinking of? Okay, maybe it is because I think I've 340 00:18:16,119 --> 00:18:18,119 Speaker 2: written it down. At the same time that Sue says, 341 00:18:18,280 --> 00:18:20,159 Speaker 2: ninety five years I gave those girls and wanted to 342 00:18:20,160 --> 00:18:20,840 Speaker 2: get me and that. 343 00:18:20,840 --> 00:18:21,560 Speaker 1: Was season four. 344 00:18:21,800 --> 00:18:26,480 Speaker 3: Yeah, and Sue's like she's looking at the cheerios practicing. 345 00:18:27,000 --> 00:18:29,480 Speaker 3: She's like talking to back that ninety five years I 346 00:18:29,480 --> 00:18:30,080 Speaker 3: gave this. 347 00:18:30,440 --> 00:18:34,840 Speaker 1: And what did it? Gets? Yes? Yep, absolutely, okay, yes, 348 00:18:35,080 --> 00:18:37,560 Speaker 1: like ninety five years what yes? 349 00:18:37,760 --> 00:18:42,080 Speaker 2: So in the finale season four, uh, Fondue for two 350 00:18:42,480 --> 00:18:47,880 Speaker 2: happens and Sue and Will because they're worried about Brittany 351 00:18:47,920 --> 00:18:50,040 Speaker 2: and so Brittany's like, there's only one space that I 352 00:18:50,080 --> 00:18:52,439 Speaker 2: will talk to you in and then it cuts to 353 00:18:53,160 --> 00:18:56,800 Speaker 2: fondu for two and the camera angles are wild crazy, and. 354 00:18:56,760 --> 00:18:59,879 Speaker 1: This is where she says she knows who Robert Sylvester's father. 355 00:19:00,400 --> 00:19:05,440 Speaker 1: It's yes, yes, yes, that's that's that's one hundred second yes. 356 00:19:05,480 --> 00:19:07,800 Speaker 2: So unbelievable, And I think it's some of Matt's best 357 00:19:07,840 --> 00:19:11,200 Speaker 2: work and his reactions to what he's witnessing. 358 00:19:11,840 --> 00:19:17,159 Speaker 3: Yeah again, because it's just like so peak that I 359 00:19:17,240 --> 00:19:21,679 Speaker 3: felt the second half of season four, or most of 360 00:19:21,760 --> 00:19:24,960 Speaker 3: the last few episodes were pretty solid, like. 361 00:19:25,040 --> 00:19:28,200 Speaker 1: Yeah, it locks up, it does, it picks up interesting. 362 00:19:27,840 --> 00:19:30,120 Speaker 3: And fun, and it keeps you like interested in what's 363 00:19:30,119 --> 00:19:31,200 Speaker 3: happening in the characters. 364 00:19:31,359 --> 00:19:33,960 Speaker 1: Well. And also that Heather Marrish was pregnant at the time, 365 00:19:34,359 --> 00:19:36,720 Speaker 1: and we've talked to her about this because she was 366 00:19:36,720 --> 00:19:39,040 Speaker 1: pregnant at the time, and they didn't really right, they 367 00:19:39,080 --> 00:19:41,800 Speaker 1: didn't write it into the show, and so she was 368 00:19:41,920 --> 00:19:45,040 Speaker 1: leaving the show. And this is when Brittany the Brittany Coat, 369 00:19:45,119 --> 00:19:50,560 Speaker 1: when she goes to MI, I t yeah, why, yes, 370 00:19:50,760 --> 00:19:53,160 Speaker 1: exactly wow. 371 00:19:53,200 --> 00:19:55,439 Speaker 3: Because it did feel random, but then I just assumed 372 00:19:55,520 --> 00:19:56,720 Speaker 3: that was what they was going for. 373 00:19:56,920 --> 00:19:58,919 Speaker 1: Yeah, and that's why she's leaping because they gave her 374 00:19:58,960 --> 00:19:59,360 Speaker 1: time off. 375 00:19:59,440 --> 00:20:02,280 Speaker 2: But it's that's also the perk of being on a 376 00:20:02,320 --> 00:20:05,400 Speaker 2: show that like anything can go on the show. 377 00:20:05,480 --> 00:20:09,040 Speaker 1: So yeah's sleeping of course, sure, yeah, question. 378 00:20:09,840 --> 00:20:14,160 Speaker 3: That's so silly. I love how silly that is. 379 00:20:22,520 --> 00:20:26,840 Speaker 2: You warned us about let's have a kiky turkey lurkey time, 380 00:20:27,680 --> 00:20:31,959 Speaker 2: and I think Jenna and I were cool on that, 381 00:20:33,600 --> 00:20:37,680 Speaker 2: and watching it, I was shocked by how much. 382 00:20:37,560 --> 00:20:39,480 Speaker 1: I really really enjoyed it. 383 00:20:40,600 --> 00:20:44,240 Speaker 2: Yeah, all if it worked like s Jap coming out 384 00:20:44,240 --> 00:20:47,600 Speaker 2: of the subway on the phone, like it was just 385 00:20:47,640 --> 00:20:49,760 Speaker 2: like there's no reason why it should have worked. 386 00:20:50,440 --> 00:20:54,679 Speaker 3: But just the dedication to put that talking bit at 387 00:20:54,680 --> 00:20:57,880 Speaker 3: the start, yes, because like I guess, that is a 388 00:20:57,920 --> 00:21:01,200 Speaker 3: really integral part of the song. But if they didn't 389 00:21:01,200 --> 00:21:02,639 Speaker 3: put that in, then I would be like, oh, this 390 00:21:02,720 --> 00:21:03,520 Speaker 3: is still excellent. 391 00:21:04,040 --> 00:21:06,040 Speaker 2: Oh right, And you could see a world in which 392 00:21:06,040 --> 00:21:07,919 Speaker 2: they would cut that out. But it makes it so 393 00:21:08,080 --> 00:21:09,120 Speaker 2: much better. 394 00:21:09,640 --> 00:21:11,919 Speaker 1: And her delivery is perfect. I don't know how she 395 00:21:11,960 --> 00:21:14,879 Speaker 1: made that work, but she did. And she also just 396 00:21:14,920 --> 00:21:20,800 Speaker 1: feels like Carrie. It just feels like a Sex and 397 00:21:20,840 --> 00:21:24,760 Speaker 1: the City totally, because it feels like when you say, like, 398 00:21:24,800 --> 00:21:28,040 Speaker 1: who is more New York? When you see s JP, 399 00:21:28,520 --> 00:21:31,040 Speaker 1: I can't place her out of New York City of 400 00:21:31,040 --> 00:21:33,800 Speaker 1: New York. That's right. There's Robert de Niro and there's 401 00:21:34,119 --> 00:21:38,720 Speaker 1: sjpa New York exactly representing the image. 402 00:21:39,040 --> 00:21:42,000 Speaker 2: And so it feels like her presence is even much 403 00:21:42,040 --> 00:21:46,400 Speaker 2: bigger than just her, like her character being there, it's 404 00:21:46,400 --> 00:21:50,040 Speaker 2: like she represents the city therein now like this is 405 00:21:50,080 --> 00:21:50,480 Speaker 2: the show. 406 00:21:50,880 --> 00:21:53,520 Speaker 3: And also her job. Wasn't her job something like the 407 00:21:53,600 --> 00:21:56,919 Speaker 3: head of Vogue dot com? Yes, yes, exactly, and then 408 00:21:57,440 --> 00:22:01,879 Speaker 3: the assistant. Yeah, yeah, it's all it's very sex and 409 00:22:01,960 --> 00:22:02,280 Speaker 3: the city. 410 00:22:02,320 --> 00:22:05,400 Speaker 1: It was devil War's product exactly like Stanley Chucci's gonna 411 00:22:05,400 --> 00:22:06,480 Speaker 1: pop out somewhere, you know. 412 00:22:06,680 --> 00:22:08,880 Speaker 3: Yes, yeah, that's what we missed. That's what we needed 413 00:22:08,920 --> 00:22:09,200 Speaker 3: to stance. 414 00:22:09,200 --> 00:22:11,800 Speaker 1: That's Tchi. Oh my gosh. That would have been a 415 00:22:11,880 --> 00:22:14,640 Speaker 1: dream guest for me. I love him. 416 00:22:15,040 --> 00:22:17,240 Speaker 3: I just can't caver that. Let's have a Kiki like 417 00:22:18,680 --> 00:22:19,760 Speaker 3: that is peak TV. 418 00:22:20,480 --> 00:22:22,800 Speaker 1: I was so confused when it was happening, and it 419 00:22:22,880 --> 00:22:25,240 Speaker 1: was because it was so viral and you're like, oh, 420 00:22:25,240 --> 00:22:28,960 Speaker 1: we're doing that too, And I think that's partially why 421 00:22:29,040 --> 00:22:30,800 Speaker 1: Kevin and I have that in our minds. It's like 422 00:22:30,840 --> 00:22:34,560 Speaker 1: we had to do all the pop culture references, of course, 423 00:22:34,640 --> 00:22:36,760 Speaker 1: but when you're in it, you're like, oh, I don't 424 00:22:36,760 --> 00:22:40,320 Speaker 1: want to watch this again. But watching it now, having 425 00:22:40,359 --> 00:22:43,040 Speaker 1: time away from it, you're like, Wow, that's pretty genius. 426 00:22:43,440 --> 00:22:45,560 Speaker 2: I also think, just like a lot of things on 427 00:22:45,600 --> 00:22:50,000 Speaker 2: the show, some of these things, you know, like fifteen 428 00:22:50,080 --> 00:22:50,919 Speaker 2: years later. 429 00:22:51,960 --> 00:22:53,040 Speaker 1: Just make more sense. 430 00:22:54,000 --> 00:22:56,280 Speaker 2: Well, like if I heard that, like hearing that song 431 00:22:56,320 --> 00:22:58,760 Speaker 2: at the time, the mashup, I'm like, this is bad. 432 00:22:59,440 --> 00:23:01,760 Speaker 2: These are two songs that do not go together. And 433 00:23:01,800 --> 00:23:05,080 Speaker 2: I was being too serious about it mm hmm. And 434 00:23:05,960 --> 00:23:07,360 Speaker 2: watching it now where. 435 00:23:09,160 --> 00:23:09,440 Speaker 1: I don't. 436 00:23:09,480 --> 00:23:12,480 Speaker 2: I think like Camp is much more mainstream than it 437 00:23:12,560 --> 00:23:15,840 Speaker 2: was back then. Like Camp then was like exclusively for 438 00:23:16,200 --> 00:23:18,840 Speaker 2: like the gays and the girls, you know what I mean, 439 00:23:18,880 --> 00:23:23,600 Speaker 2: Like it wasn't. Now it's celebrated by all and now 440 00:23:23,640 --> 00:23:26,480 Speaker 2: when you watch it, you're like, oh, this is brilliant, 441 00:23:26,960 --> 00:23:30,520 Speaker 2: Like this is absolutely And that's why you know Ryan 442 00:23:31,400 --> 00:23:33,800 Speaker 2: was you needed someone like Ryan to. 443 00:23:33,760 --> 00:23:36,919 Speaker 1: Have the vision. Yeah, exactly as Holy actors did not 444 00:23:37,000 --> 00:23:41,160 Speaker 1: have the vision. There's a there's something that you also 445 00:23:41,200 --> 00:23:44,120 Speaker 1: reminded us about and says here, if I'm reading it, correctly. 446 00:23:44,240 --> 00:23:48,520 Speaker 1: Hopefully I'm not twisting your words. Sousing Superbase and the 447 00:23:48,640 --> 00:23:53,280 Speaker 1: Blaine contract. It felt like randomly generated things for you. 448 00:23:54,200 --> 00:23:56,800 Speaker 1: I have to agree. I do too, Like what are 449 00:23:56,800 --> 00:24:00,040 Speaker 1: we doing? What are we doing? That whole story? And 450 00:24:00,040 --> 00:24:03,080 Speaker 1: then I was like, must we? Must we? 451 00:24:03,440 --> 00:24:05,119 Speaker 3: Yeah, And wasn't he undercover or something? 452 00:24:05,800 --> 00:24:07,399 Speaker 1: Yeah? He was trying to bring her down and it 453 00:24:07,520 --> 00:24:11,399 Speaker 1: was just it was a little forced for me. 454 00:24:12,040 --> 00:24:15,480 Speaker 2: What's weird about it is it never turned into anything. Yeah, 455 00:24:15,480 --> 00:24:19,240 Speaker 2: because she ended up ousting herself from the school covering 456 00:24:19,240 --> 00:24:20,040 Speaker 2: for Becky. 457 00:24:20,040 --> 00:24:22,800 Speaker 1: Right, So it never came to anything. Yeah. 458 00:24:23,000 --> 00:24:25,640 Speaker 3: No, like I guess it was Phila. 459 00:24:26,040 --> 00:24:28,720 Speaker 1: Unless it was to somewhere else and then they changed it. 460 00:24:28,760 --> 00:24:29,239 Speaker 1: I don't know. 461 00:24:29,440 --> 00:24:32,879 Speaker 2: Yes, that happened sometimes sometimes, like we knew there were 462 00:24:32,920 --> 00:24:36,000 Speaker 2: storylines that they were going to start introducing, and then 463 00:24:36,040 --> 00:24:38,879 Speaker 2: it could something in pop culture could happen, and then 464 00:24:38,920 --> 00:24:40,760 Speaker 2: all of a sudden, they want to write about that, 465 00:24:40,960 --> 00:24:44,359 Speaker 2: and so it sort of ruins the initial plan. So 466 00:24:44,520 --> 00:24:46,520 Speaker 2: I think it did feel like one of those things 467 00:24:46,560 --> 00:24:49,000 Speaker 2: that introduced this is what we're planning on doing then, 468 00:24:49,080 --> 00:24:53,600 Speaker 2: like let's do a school shooting episode, and because you 469 00:24:53,680 --> 00:24:56,919 Speaker 2: know that's something top of mind of what we should 470 00:24:56,920 --> 00:24:57,719 Speaker 2: absolutely do. 471 00:24:57,920 --> 00:25:00,960 Speaker 1: Yeah, yeah, yeah, what it feels like to me. 472 00:25:01,880 --> 00:25:07,120 Speaker 3: I feel like the Sue super based thing. They could 473 00:25:07,160 --> 00:25:10,240 Speaker 3: get away with it just because it's Sue. Yes, totally 474 00:25:10,560 --> 00:25:12,960 Speaker 3: and like Sue can do anything, and I think the 475 00:25:13,000 --> 00:25:16,080 Speaker 3: audience will love it or at least like totally tune 476 00:25:16,119 --> 00:25:18,560 Speaker 3: in and be like, oh, this is funny, Like who 477 00:25:18,600 --> 00:25:20,320 Speaker 3: cares that this adds nothing to the plot, This is 478 00:25:20,359 --> 00:25:21,440 Speaker 3: just funny. 479 00:25:22,280 --> 00:25:23,920 Speaker 1: I did like seeing her do it. I mean, she 480 00:25:24,000 --> 00:25:26,200 Speaker 1: was great, but yeah, yeah, the wig. 481 00:25:26,280 --> 00:25:31,560 Speaker 2: Yeah on the little motorbike ridiculous, is amazing, so stupid. 482 00:25:31,720 --> 00:25:33,440 Speaker 3: I love the budget they had, the budget. 483 00:25:34,240 --> 00:25:35,080 Speaker 1: We don't have a budget. 484 00:25:35,119 --> 00:25:38,199 Speaker 3: At that point, I had in my notes, like one 485 00:25:38,200 --> 00:25:41,560 Speaker 3: of the highlights of season four was Sue walking down 486 00:25:41,560 --> 00:25:47,280 Speaker 3: the aisle in Emma's dress while Lacromosa is playing in 487 00:25:47,280 --> 00:25:47,960 Speaker 3: the background. 488 00:25:48,480 --> 00:25:52,200 Speaker 1: Unbelievable, that whole the scene with her and that I 489 00:25:52,960 --> 00:25:53,560 Speaker 1: is just. 490 00:25:54,080 --> 00:25:58,439 Speaker 2: It's a fan service sweating. Yeah, it was. I burst, 491 00:25:58,600 --> 00:26:03,040 Speaker 2: like sitting at home alone, burst out laughing. I was like, 492 00:26:03,119 --> 00:26:06,760 Speaker 2: this is crazy. So much of this season just like 493 00:26:06,800 --> 00:26:09,560 Speaker 2: a Turkey lurky, or her Sue walking down in the 494 00:26:09,560 --> 00:26:11,800 Speaker 2: same wedding dress, or the reveal that she's in the 495 00:26:11,800 --> 00:26:16,640 Speaker 2: wedding dress. Like I I wish I could have been 496 00:26:16,680 --> 00:26:19,720 Speaker 2: somebody at home watching it for the first time, because 497 00:26:19,840 --> 00:26:23,320 Speaker 2: I don't know. I mean, I guess you can tell 498 00:26:23,359 --> 00:26:25,880 Speaker 2: me what that feels like. I was in the this 499 00:26:25,960 --> 00:26:30,719 Speaker 2: is hilarious. Okay, great, But see if any other character 500 00:26:30,800 --> 00:26:31,600 Speaker 2: did that, I'd. 501 00:26:31,400 --> 00:26:33,560 Speaker 1: Be like, what's happening? Why? 502 00:26:33,560 --> 00:26:35,199 Speaker 3: Why are we doing this? Actually, the one of the 503 00:26:35,240 --> 00:26:36,480 Speaker 3: character that would be able to get away with that, 504 00:26:36,480 --> 00:26:38,960 Speaker 3: I would say it's Santana because I feel like Santana's 505 00:26:38,960 --> 00:26:43,280 Speaker 3: sort of started taking on some of those suit things 506 00:26:43,880 --> 00:26:47,080 Speaker 3: where she would appear in the plot you'll lead just 507 00:26:47,240 --> 00:26:50,440 Speaker 3: to make jokes or to like make a mess. Yeah, 508 00:26:50,480 --> 00:26:52,560 Speaker 3: and like she can get away with that totally, which 509 00:26:52,600 --> 00:26:53,600 Speaker 3: is what she did in New York. 510 00:26:53,960 --> 00:26:54,120 Speaker 1: Yeah. 511 00:26:54,200 --> 00:26:56,120 Speaker 3: Yeah, exactly like the stuff she did in New York. 512 00:26:56,240 --> 00:26:57,320 Speaker 3: Sue could do those things. 513 00:26:57,400 --> 00:27:00,959 Speaker 1: Yes, pop in, do your peace and get out, and 514 00:27:00,960 --> 00:27:03,879 Speaker 1: you're like my head just then, and yet I'm laughing 515 00:27:04,119 --> 00:27:06,800 Speaker 1: and I enjoyed it. Yeah, exactly, exactly. 516 00:27:07,359 --> 00:27:07,879 Speaker 3: Yeah. 517 00:27:08,080 --> 00:27:17,080 Speaker 1: Now I'm curious about season five. Mm hmm, I'm I'm scared. 518 00:27:17,119 --> 00:27:23,320 Speaker 1: I'm a little worried. We should be right. It seems 519 00:27:24,920 --> 00:27:30,360 Speaker 1: controversial and it seems the most unhinged that we were 520 00:27:30,400 --> 00:27:33,240 Speaker 1: going to get so far. So tell me your thoughts 521 00:27:33,280 --> 00:27:36,280 Speaker 1: on five. How what are we to expect and how 522 00:27:36,320 --> 00:27:37,000 Speaker 1: should we feel? 523 00:27:37,840 --> 00:27:45,000 Speaker 3: Okay, I think season four, I think is more just 524 00:27:45,119 --> 00:27:48,400 Speaker 3: like insane, like it's just what the hell is happening? 525 00:27:48,680 --> 00:27:52,920 Speaker 3: Season five I feel like it's better than season four. 526 00:27:55,119 --> 00:27:58,880 Speaker 3: But there's I call it the diabolical episode run from 527 00:27:59,160 --> 00:28:03,640 Speaker 3: episode four to episode eight, where it's just like, what, 528 00:28:04,080 --> 00:28:08,680 Speaker 3: like I have a summary? Yeah, yeah, So it starts 529 00:28:08,720 --> 00:28:12,200 Speaker 3: with a Katie Versa Gaga right then the end of Twerk, 530 00:28:13,119 --> 00:28:17,359 Speaker 3: then Tyra Banks saying the camera likes Starvation, then the 531 00:28:17,400 --> 00:28:19,720 Speaker 3: Blain Puppet episode with what does the Fox say? 532 00:28:19,840 --> 00:28:22,920 Speaker 1: Kevin's Favorite? Those are all back to back to back. 533 00:28:24,320 --> 00:28:29,199 Speaker 1: When is the Christmas episode? This Christmas episode is the 534 00:28:29,240 --> 00:28:33,440 Speaker 1: one right after it, so it's puppet Master and then Christmas. 535 00:28:33,640 --> 00:28:39,200 Speaker 2: That's why so in my head I had a mental breakdown. Yes, 536 00:28:39,400 --> 00:28:42,520 Speaker 2: from that one to that it was Puppets into Christmas. 537 00:28:42,720 --> 00:28:47,200 Speaker 2: I came unraveled at Puppets and then at Christmas I 538 00:28:47,320 --> 00:28:48,440 Speaker 2: fully just melt it. 539 00:28:50,440 --> 00:28:54,040 Speaker 1: And then the one after that is where we are 540 00:28:56,920 --> 00:28:59,760 Speaker 1: we compete to speak at the closing ceremony, We're like 541 00:28:59,800 --> 00:29:03,520 Speaker 1: the up for Valedictorian is right after that. Okay, Okay, 542 00:29:03,600 --> 00:29:07,200 Speaker 1: so let me just say though, for four four to eight, 543 00:29:07,920 --> 00:29:14,280 Speaker 1: which is Katie Gaga through an unaired Christmas, are the 544 00:29:14,480 --> 00:29:21,200 Speaker 1: respective episodes after the quarterback? Okay, So it's the quarterback 545 00:29:22,040 --> 00:29:24,840 Speaker 1: and then everything becomes unhinged, but. 546 00:29:24,880 --> 00:29:28,040 Speaker 3: It's literally immediate though, Like you have the quarterback and 547 00:29:28,080 --> 00:29:30,760 Speaker 3: then the next episode is a Katie Vesa. 548 00:29:31,280 --> 00:29:34,760 Speaker 1: Well. I think people were I think, did you know 549 00:29:34,960 --> 00:29:37,200 Speaker 1: we had a break, right, We took a little break 550 00:29:37,640 --> 00:29:41,920 Speaker 1: and then shift and then everything shifted, right, the whole thing. 551 00:29:42,120 --> 00:29:46,840 Speaker 1: Our entire show was turned upside down and went, well, 552 00:29:46,840 --> 00:29:50,200 Speaker 1: what do we do now? Like the star of the 553 00:29:50,280 --> 00:29:53,960 Speaker 1: show was supposed to lead us through the rest of 554 00:29:54,000 --> 00:29:59,560 Speaker 1: this series literally is gone, and they were like, where 555 00:29:59,560 --> 00:30:01,560 Speaker 1: do we go from here? Yeah? 556 00:30:01,600 --> 00:30:03,240 Speaker 3: So did those episodes just appear? 557 00:30:05,000 --> 00:30:05,760 Speaker 1: Yeah? 558 00:30:07,840 --> 00:30:08,080 Speaker 3: Okay. 559 00:30:08,120 --> 00:30:11,320 Speaker 2: I think they were probably searching for what to do, 560 00:30:11,960 --> 00:30:14,360 Speaker 2: where to go, and so then they did these big 561 00:30:14,400 --> 00:30:18,200 Speaker 2: event things puppets that are unrelated to anything. 562 00:30:18,520 --> 00:30:25,360 Speaker 1: The billage Oel episode. Yeah, so all standalone. Yeah, that's right, 563 00:30:25,400 --> 00:30:27,760 Speaker 1: because I think they were trying to scramble to figure 564 00:30:27,760 --> 00:30:29,040 Speaker 1: out where we go. 565 00:30:29,000 --> 00:30:31,240 Speaker 2: From They didn't know what story was going to be anymore, 566 00:30:31,560 --> 00:30:31,880 Speaker 2: and then. 567 00:30:33,480 --> 00:30:36,480 Speaker 3: I feel like the what they ended up choosing with 568 00:30:36,560 --> 00:30:40,400 Speaker 3: the characters for the second half of season five was 569 00:30:40,760 --> 00:30:44,840 Speaker 3: good once it's settled, and like, I think more characters 570 00:30:44,840 --> 00:30:47,720 Speaker 3: go to New York. Hm, I just have this image 571 00:30:47,720 --> 00:30:49,360 Speaker 3: of Ardi in the STD costume. 572 00:30:49,480 --> 00:30:54,479 Speaker 1: That's right, don't let that ever leave your brain. And 573 00:30:54,520 --> 00:30:59,120 Speaker 1: I think that's when I left the show, that particular 574 00:30:59,240 --> 00:31:00,840 Speaker 1: SAT scene. 575 00:31:01,400 --> 00:31:05,280 Speaker 2: She's like, I'm out there enough, I'm done. 576 00:31:05,640 --> 00:31:08,960 Speaker 3: I think it does. Season does? Does Tina have her 577 00:31:09,000 --> 00:31:11,080 Speaker 3: assistant in season four or five? 578 00:31:11,360 --> 00:31:16,640 Speaker 1: Five? Donnie Hastry comes in very early in season five 579 00:31:16,800 --> 00:31:19,320 Speaker 1: because it's Tina and the Sky and Diamonds. I think 580 00:31:19,400 --> 00:31:23,280 Speaker 1: is episode two she was No, she wasn't four. She 581 00:31:23,400 --> 00:31:24,880 Speaker 1: wasn't four. She was in the opening friend that we 582 00:31:24,920 --> 00:31:27,400 Speaker 1: dis she disappears. 583 00:31:27,440 --> 00:31:29,160 Speaker 2: She was there a little bit. No, she was there 584 00:31:29,760 --> 00:31:33,400 Speaker 2: a couple episodes. Yeah, okay, you reference her a couple 585 00:31:33,440 --> 00:31:35,600 Speaker 2: like very little, very little. 586 00:31:42,920 --> 00:31:46,840 Speaker 3: I would say, actually, season five we have some banger 587 00:31:47,200 --> 00:31:52,520 Speaker 3: new characters. We have Demie Levado's Danny no last name, 588 00:31:52,680 --> 00:31:58,360 Speaker 3: that's right, obsessed, obsessed, obsessed with noticing that she doesn't 589 00:31:58,360 --> 00:32:01,120 Speaker 3: have her last name, because when they're all in like 590 00:32:01,160 --> 00:32:03,720 Speaker 3: a band, I come with the band's called but on 591 00:32:03,800 --> 00:32:06,800 Speaker 3: the band poster it's got like star Child's real name, 592 00:32:07,360 --> 00:32:10,280 Speaker 3: and then like Kurt's name, and then and Danny. 593 00:32:11,080 --> 00:32:14,440 Speaker 1: She doesn't have a last name. She's Beiyance exactly. 594 00:32:14,480 --> 00:32:15,720 Speaker 3: She doesn't need a second name. 595 00:32:16,560 --> 00:32:19,240 Speaker 1: Is it Pamela Lansbury? Is that the cover band? Yes, 596 00:32:19,280 --> 00:32:23,240 Speaker 1: that's that's yeah, okay yeah. 597 00:32:23,840 --> 00:32:26,360 Speaker 3: And then star Child Love, star. 598 00:32:26,320 --> 00:32:29,320 Speaker 1: Child Love, star Child, star Child was a. 599 00:32:29,200 --> 00:32:32,560 Speaker 3: Song Marry the Night I think is his first song. Yes, 600 00:32:33,560 --> 00:32:39,480 Speaker 3: it's so good, so so good. I also said that 601 00:32:39,640 --> 00:32:43,840 Speaker 3: the Spotlight Diner. I like the Spotlight Diner. Yes, all 602 00:32:43,840 --> 00:32:44,760 Speaker 3: that kind of stuff. 603 00:32:44,520 --> 00:32:45,200 Speaker 1: Is really fun. 604 00:32:45,880 --> 00:32:49,920 Speaker 3: Also the fact that Demi Levado exists in the Glee universe. 605 00:32:50,800 --> 00:32:53,920 Speaker 2: Yes, I love when those things happen. And it happened 606 00:32:54,000 --> 00:32:57,600 Speaker 2: every season there was some reference to somebody who's famous 607 00:32:57,640 --> 00:32:58,560 Speaker 2: and then they're on the show. 608 00:32:58,800 --> 00:33:01,440 Speaker 1: Yes, so good. I'll never get over her. 609 00:33:01,960 --> 00:33:04,719 Speaker 2: Like our friend Kelly who worked on the show, texting 610 00:33:04,760 --> 00:33:08,400 Speaker 2: me being like, your friend is in our office having 611 00:33:08,400 --> 00:33:11,520 Speaker 2: a secret meeting with Ryan, and I was like, who 612 00:33:11,600 --> 00:33:13,240 Speaker 2: it was Demi? And I texted her. I was like, 613 00:33:13,720 --> 00:33:15,720 Speaker 2: you can't show up to my place of work? 614 00:33:15,760 --> 00:33:18,520 Speaker 1: Can I let me know? Like what the hell are 615 00:33:18,520 --> 00:33:20,560 Speaker 1: you doing here? Probably like oh my god, and then 616 00:33:20,560 --> 00:33:22,640 Speaker 1: I had like no scenes with her. Well we were 617 00:33:22,880 --> 00:33:24,400 Speaker 1: yeah we did. Oh. 618 00:33:24,640 --> 00:33:27,280 Speaker 3: I was so upset she needed a reason to come 619 00:33:27,320 --> 00:33:28,480 Speaker 3: to McKinley. 620 00:33:29,360 --> 00:33:30,280 Speaker 1: We should have had that. 621 00:33:30,520 --> 00:33:34,080 Speaker 3: I think Demi Levado is such a good singer, so 622 00:33:34,920 --> 00:33:38,560 Speaker 3: when she appeared on Glee, I was like, m hmm, yeah, absolutely, 623 00:33:39,280 --> 00:33:42,520 Speaker 3: this makes sense. I love this like that. This was 624 00:33:42,560 --> 00:33:47,280 Speaker 3: after Glee. But it's like a twenty seventeen album by 625 00:33:47,360 --> 00:33:50,360 Speaker 3: Demi Levado. I think either the main song or the 626 00:33:50,360 --> 00:33:52,720 Speaker 3: album is called tell Me You Love Me yes on 627 00:33:52,760 --> 00:33:54,680 Speaker 3: the album, and I listened to that while I was 628 00:33:54,680 --> 00:33:58,360 Speaker 3: doing my master's degree, like my basis, So I was 629 00:33:58,400 --> 00:34:01,320 Speaker 3: at the UNI every single day over the break and 630 00:34:01,360 --> 00:34:03,160 Speaker 3: it was just me and the physics building walking around 631 00:34:03,320 --> 00:34:06,560 Speaker 3: blasting Demi Levado while doing like laser experiments. 632 00:34:06,640 --> 00:34:09,759 Speaker 2: That song is so good. Yeah, what did you get 633 00:34:09,760 --> 00:34:13,840 Speaker 2: your degree in? I have a master's degree in mechanical engineering. 634 00:34:14,040 --> 00:34:21,520 Speaker 2: Oh my gosh, wow revealed. Wow, I'm actually a published 635 00:34:21,560 --> 00:34:24,920 Speaker 2: academic author. I have an article about free space laser links, 636 00:34:24,960 --> 00:34:28,680 Speaker 2: which is like sending information via lasers to satellites. 637 00:34:28,920 --> 00:34:33,640 Speaker 1: I'm deceased. This is amazing. I think we need another 638 00:34:33,680 --> 00:34:36,120 Speaker 1: episode to I just want to know more about you 639 00:34:36,840 --> 00:34:38,600 Speaker 1: dissect that. Wow. 640 00:34:39,760 --> 00:34:42,040 Speaker 3: But yeah, Demi Levado is a really like a huge 641 00:34:42,120 --> 00:34:44,440 Speaker 3: part of that. So when I rewatched Glee and she 642 00:34:44,480 --> 00:34:52,480 Speaker 3: appeared in season five, I was like, oh, excellent, she is, yes, yeah, 643 00:34:52,520 --> 00:34:58,919 Speaker 3: and then I've got Sue saying busted timber Flake describing Will. 644 00:34:58,960 --> 00:35:02,719 Speaker 3: That's excellent. I did not like the character of Bree 645 00:35:04,480 --> 00:35:07,680 Speaker 3: Breedy comes in at the start of season five, but 646 00:35:07,760 --> 00:35:11,359 Speaker 3: there's like a alot point that I do like with Bree. 647 00:35:11,400 --> 00:35:15,000 Speaker 3: It's where Sue gets Brie to terrorize the Glee club 648 00:35:15,120 --> 00:35:19,360 Speaker 3: because they perform better under pressure, which that is funny 649 00:35:19,480 --> 00:35:21,240 Speaker 3: and that's nice and that's true. 650 00:35:21,760 --> 00:35:25,760 Speaker 1: Yeah right, we do like the crazier things are the worst. 651 00:35:25,960 --> 00:35:31,000 Speaker 1: The state of our world is yeah, exactly exactly. Everything's 652 00:35:31,040 --> 00:35:31,760 Speaker 1: too happy. 653 00:35:31,800 --> 00:35:35,120 Speaker 3: We do not function, and mistakes are high because I 654 00:35:35,160 --> 00:35:38,960 Speaker 3: think Sue is like acting principle as she sets that 655 00:35:39,000 --> 00:35:43,280 Speaker 3: thing where if the New Directions or the Cheerios don't 656 00:35:43,320 --> 00:35:47,400 Speaker 3: win Nationals, they're kicked out. That's right, and Ross is 657 00:35:47,440 --> 00:35:50,000 Speaker 3: coaching the Cheerios, thank god. 658 00:35:50,600 --> 00:35:53,360 Speaker 1: So there's more ras five goodness. 659 00:35:55,400 --> 00:35:59,000 Speaker 3: I think Ros calls Sue the phantom Menace in the 660 00:35:59,040 --> 00:35:59,919 Speaker 3: start of season five. 661 00:36:00,280 --> 00:36:05,000 Speaker 1: That's excellent, that's great. Then the one. 662 00:36:04,840 --> 00:36:09,200 Speaker 3: Hundredth episode, it's like a special episode enjoyed that. I 663 00:36:09,239 --> 00:36:12,759 Speaker 3: think it might be a two part I don't think so, No, 664 00:36:13,200 --> 00:36:15,520 Speaker 3: maybe not. I don't know, but it's like they have all. 665 00:36:15,360 --> 00:36:19,680 Speaker 1: The oh like so Kristin and Gwyneth come back in 666 00:36:19,680 --> 00:36:22,719 Speaker 1: the following episode called New Direction. So I don't know 667 00:36:22,760 --> 00:36:24,680 Speaker 1: if it is a you might be right, you know 668 00:36:24,719 --> 00:36:25,319 Speaker 1: more than we do. 669 00:36:25,600 --> 00:36:28,239 Speaker 2: It's a nostalgia field sort of two episode thing. 670 00:36:28,360 --> 00:36:32,319 Speaker 3: Yes, yeah, I think that's what it was. And there's 671 00:36:32,360 --> 00:36:36,560 Speaker 3: like a joke about how Kristin Chanawan comes back because 672 00:36:37,239 --> 00:36:42,200 Speaker 3: Hollie Holiday had written in the Facebook group that's people 673 00:36:42,200 --> 00:36:47,920 Speaker 3: who have like guested in that there's like this reunion's funny. 674 00:36:48,200 --> 00:36:49,640 Speaker 3: That's so funny and silly. 675 00:36:50,120 --> 00:36:53,799 Speaker 1: We also get Cheese Crawford, one of our friends who 676 00:36:54,080 --> 00:36:58,640 Speaker 1: Quinn is dating Biff Macintosh, which is so random. His 677 00:36:58,760 --> 00:37:01,719 Speaker 1: name was Biff bi Macintosh. 678 00:37:01,800 --> 00:37:07,480 Speaker 3: The name, but like that name sounds like if I'm 679 00:37:07,520 --> 00:37:10,399 Speaker 3: going off absolutely nothing. I haven't seen the show. Beff 680 00:37:10,440 --> 00:37:17,520 Speaker 3: Macintosh sounds like a rich asshole, like buff like trophy boyfriend, 681 00:37:17,640 --> 00:37:20,400 Speaker 3: which is exactly what the character was yeah, so, like 682 00:37:20,440 --> 00:37:22,680 Speaker 3: the name is correct, I guess you're right. 683 00:37:22,800 --> 00:37:23,200 Speaker 1: Yeah. 684 00:37:23,520 --> 00:37:27,799 Speaker 3: When I watched it at the time, I didn't compute 685 00:37:28,840 --> 00:37:33,759 Speaker 3: the importance of Chase Crawford just randomly and Glee. But 686 00:37:33,800 --> 00:37:36,000 Speaker 3: then on Rewatch I'm like, yeah, that's Chase Crawford. 687 00:37:36,160 --> 00:37:37,960 Speaker 1: Yeah. How did he end up on the show? I 688 00:37:38,000 --> 00:37:40,320 Speaker 1: don't know, but it was so random and so fast, 689 00:37:40,520 --> 00:37:43,480 Speaker 1: and he sing, no, he doesn't sing. I don't know. 690 00:37:43,560 --> 00:37:46,359 Speaker 1: I wouldn't say that, he would say he can. 691 00:37:46,280 --> 00:37:49,080 Speaker 2: You imagine if he just started you have so much Okay, 692 00:37:49,160 --> 00:37:54,239 Speaker 2: you can't be talented and beautiful and nice exactly. 693 00:37:54,920 --> 00:37:57,960 Speaker 3: We love Chase, leave some for the rest of us. 694 00:37:58,239 --> 00:37:58,879 Speaker 1: It's not fair. 695 00:37:59,360 --> 00:38:04,400 Speaker 3: And then last three points were the random reveal that 696 00:38:04,480 --> 00:38:07,880 Speaker 3: Holly Holiday and Sue are going to go on amazing 697 00:38:07,960 --> 00:38:08,560 Speaker 3: race together. 698 00:38:10,040 --> 00:38:13,640 Speaker 1: Just makes so much sense. I love it. 699 00:38:14,200 --> 00:38:16,160 Speaker 3: And then everyone somehow in. 700 00:38:16,160 --> 00:38:20,839 Speaker 1: New York, right, people moving in together? That's right? Yeah, 701 00:38:20,960 --> 00:38:24,960 Speaker 1: Oh yeah, I'm moving voice that's right. Yeah, I get 702 00:38:24,960 --> 00:38:25,400 Speaker 1: my own. 703 00:38:25,320 --> 00:38:30,239 Speaker 3: Laughed, And then like Mercedes is there? Everybody's because I 704 00:38:30,239 --> 00:38:36,080 Speaker 3: think Mercedes is there because she's inspiration for her albums. Yeah, 705 00:38:36,160 --> 00:38:40,440 Speaker 3: and then she has that sort of an episode fling 706 00:38:40,480 --> 00:38:43,120 Speaker 3: with Sam who's also in New York. 707 00:38:43,760 --> 00:38:45,440 Speaker 1: I'm going to be so excited he. 708 00:38:45,440 --> 00:38:52,200 Speaker 3: Has interviewed Tyra Banks. Tyra Banks absolutely bodies her cameo. Ye, 709 00:38:52,400 --> 00:38:55,080 Speaker 3: so just keep an eye out for that. Like she 710 00:38:55,640 --> 00:38:57,680 Speaker 3: I think Tyra Banks is an excellent actress. 711 00:38:57,719 --> 00:38:58,239 Speaker 1: We love it. 712 00:38:58,680 --> 00:39:02,839 Speaker 3: I cantering serious. Yeah no, I'm so deadly serious. Like 713 00:39:03,440 --> 00:39:05,840 Speaker 3: every character that she plays she puts like one hundred 714 00:39:05,840 --> 00:39:09,480 Speaker 3: and ten in respect. She's in Gossip Girl season three 715 00:39:10,239 --> 00:39:13,680 Speaker 3: as like this actress Saint Ursula and like. 716 00:39:13,760 --> 00:39:17,000 Speaker 1: She gives it. What's that Disney movie where she plays 717 00:39:17,040 --> 00:39:20,319 Speaker 1: the life size Barbie doll when she comes to life. 718 00:39:20,000 --> 00:39:25,279 Speaker 2: Life size excellent? Yeah? I mean that movie praised me. 719 00:39:27,560 --> 00:39:31,239 Speaker 1: Yeah. Oh I can't wait for that. Yeah yeah yeah. 720 00:39:31,239 --> 00:39:33,480 Speaker 2: And her like I think she has a really I 721 00:39:33,520 --> 00:39:36,120 Speaker 2: remember showing up because I don't think I ever filmed 722 00:39:36,160 --> 00:39:39,600 Speaker 2: with her, but I remember showing up and just seeing 723 00:39:39,680 --> 00:39:43,960 Speaker 2: the hair and I was like, this is exactly what 724 00:39:44,000 --> 00:39:45,239 Speaker 2: I want Tyra Banks to be doing. 725 00:39:45,760 --> 00:39:47,560 Speaker 1: Yep, did you watch? 726 00:39:48,760 --> 00:39:51,480 Speaker 2: And I was obsessed with tyr So I grew up 727 00:39:51,520 --> 00:39:52,719 Speaker 2: being obsessed with Tyra Bank. 728 00:39:52,800 --> 00:39:52,960 Speaker 1: Yes. 729 00:39:53,080 --> 00:39:55,680 Speaker 2: We I think her talk show at the time was 730 00:39:55,719 --> 00:39:57,319 Speaker 2: maybe our first talk show we ever went on. 731 00:39:57,360 --> 00:40:00,680 Speaker 1: And in New York was not well, we were. We 732 00:40:00,680 --> 00:40:03,279 Speaker 1: were all freaking freaking out. Oh my god, I didn't 733 00:40:03,320 --> 00:40:05,880 Speaker 1: know you guys were on that. Oh yeah, we played 734 00:40:08,000 --> 00:40:10,800 Speaker 1: musical chairs on her show. Is that the same show, Kevin? 735 00:40:10,880 --> 00:40:13,160 Speaker 1: Or was that a different show? I don't know. I'm not. 736 00:40:13,680 --> 00:40:16,040 Speaker 2: I sort of blacked out the entire time because I 737 00:40:16,160 --> 00:40:17,960 Speaker 2: just could not. There was a big press star that 738 00:40:18,000 --> 00:40:19,680 Speaker 2: we had. We loved Tyra. 739 00:40:20,040 --> 00:40:21,160 Speaker 1: That's so iconic. 740 00:40:21,640 --> 00:40:23,600 Speaker 3: I wish she did that game with you where she 741 00:40:23,760 --> 00:40:28,719 Speaker 3: like changes the name. She'd be like scary J Blige, 742 00:40:29,000 --> 00:40:34,879 Speaker 3: What are you scared of? Well, like hairy J Blige? 743 00:40:36,120 --> 00:40:39,879 Speaker 1: Well beyond, it's beyond. It's so good. 744 00:40:40,320 --> 00:40:46,160 Speaker 3: Okay, So yeah, abound for the bang specifically, and then 745 00:40:46,200 --> 00:40:50,680 Speaker 3: of course the STD suit STD suit, the std suit. 746 00:40:50,840 --> 00:40:54,319 Speaker 1: Never forget, never wish I could. It looks like it 747 00:40:54,360 --> 00:40:58,120 Speaker 1: looks really solid. It was pretty solid. It just like 748 00:40:59,120 --> 00:41:01,160 Speaker 1: it smelled. It didn't smell. 749 00:41:01,440 --> 00:41:03,880 Speaker 2: It smelled like plastic or cancer, you know, like it' 750 00:41:03,920 --> 00:41:07,200 Speaker 2: smell like some material that should not probably be worn, 751 00:41:07,440 --> 00:41:12,799 Speaker 2: should anybody? It was sniff enough or like once you 752 00:41:12,840 --> 00:41:15,880 Speaker 2: sat in it, it would like ride up. So then 753 00:41:15,920 --> 00:41:18,359 Speaker 2: my arms were forced to like sort of be up 754 00:41:18,440 --> 00:41:22,439 Speaker 2: higher than they would naturally, and it was rubbery, yeah, 755 00:41:22,600 --> 00:41:24,040 Speaker 2: but it was like very firm. 756 00:41:24,239 --> 00:41:24,840 Speaker 1: It was thick. 757 00:41:25,280 --> 00:41:27,880 Speaker 2: It was probably like an inch thick. 758 00:41:27,920 --> 00:41:28,640 Speaker 1: So it wasn't going. 759 00:41:28,719 --> 00:41:29,439 Speaker 3: Where is it now? 760 00:41:29,520 --> 00:41:32,279 Speaker 1: I don't know. I want to where did somebody buy 761 00:41:32,320 --> 00:41:33,920 Speaker 1: it or did they keep it? They auction a lot 762 00:41:33,920 --> 00:41:36,960 Speaker 1: of our clothes off and such and so I wonder. 763 00:41:36,800 --> 00:41:39,000 Speaker 2: But nobody's gone in contact with me about that. I 764 00:41:39,040 --> 00:41:41,279 Speaker 2: feel like that's really specific and somebody would tell me, like, 765 00:41:41,320 --> 00:41:42,839 Speaker 2: I know, we've met the people who have. 766 00:41:44,680 --> 00:41:47,440 Speaker 3: Yeah, maybe I should like looking to getting like a 767 00:41:47,440 --> 00:41:52,040 Speaker 3: piece of the ly memorabilia something like that, because I 768 00:41:52,080 --> 00:41:54,800 Speaker 3: think that's my next thing. I'm going to stop buying 769 00:41:54,920 --> 00:41:56,880 Speaker 3: stuff from shows like collectible. 770 00:41:56,920 --> 00:42:00,080 Speaker 2: Look, I don't know. Let me just warn you. I 771 00:42:00,280 --> 00:42:03,359 Speaker 2: want to support you whenever you want to do, but 772 00:42:03,560 --> 00:42:06,640 Speaker 2: I feel like it can be a slippery slope. It 773 00:42:06,680 --> 00:42:09,680 Speaker 2: takes up space. Next thing, you know, you could be 774 00:42:09,680 --> 00:42:11,680 Speaker 2: a hoarder. Well, I don't know. 775 00:42:12,280 --> 00:42:15,799 Speaker 3: Well, this all started because I was watching tomb Raider 776 00:42:16,080 --> 00:42:19,439 Speaker 3: Barcroft to Rader and Jolie and it's like a really 777 00:42:19,600 --> 00:42:23,400 Speaker 3: cool record player that she uses during the bungee fighting scene. 778 00:42:23,880 --> 00:42:25,239 Speaker 3: And I looked it up and you can buy the 779 00:42:25,400 --> 00:42:29,440 Speaker 3: exact one that she uses in the movie, like from 780 00:42:29,480 --> 00:42:30,320 Speaker 3: the prop department. 781 00:42:30,560 --> 00:42:33,719 Speaker 1: Oh wow, that's cool. That's kind of fun. It is 782 00:42:33,880 --> 00:42:34,680 Speaker 1: kind of fun, Becau. 783 00:42:34,680 --> 00:42:38,200 Speaker 2: It's also is something you'd use practically, like I would 784 00:42:38,280 --> 00:42:42,120 Speaker 2: use the STD suit. Well, I would love to reach 785 00:42:42,200 --> 00:42:46,400 Speaker 2: the road. You could do your Glee recap in your 786 00:42:46,480 --> 00:42:49,719 Speaker 2: next Glee recap in it. Yeah, exactly, So I could 787 00:42:49,719 --> 00:42:52,120 Speaker 2: wear in something completely unrelated and just never mention it. 788 00:42:53,360 --> 00:42:54,760 Speaker 1: One of my favorite things on dates. 789 00:42:55,640 --> 00:42:59,400 Speaker 3: Yeah, on dates. It's a good test. Yeah, exactly. Like 790 00:42:59,480 --> 00:43:01,800 Speaker 3: my next video is about cloudy with a chance of 791 00:43:01,840 --> 00:43:03,480 Speaker 3: meat balls, Like I could wear that and just turn 792 00:43:03,640 --> 00:43:04,600 Speaker 3: up and just. 793 00:43:06,120 --> 00:43:06,640 Speaker 1: So good. 794 00:43:07,760 --> 00:43:10,960 Speaker 3: I didn't write anything in my notes like song specific 795 00:43:12,920 --> 00:43:15,439 Speaker 3: except for the Adam Lambert intro. 796 00:43:15,600 --> 00:43:16,759 Speaker 1: So what does he do? 797 00:43:17,920 --> 00:43:19,399 Speaker 3: He sings Marry the Night? 798 00:43:19,760 --> 00:43:20,440 Speaker 1: Yes, that's right. 799 00:43:20,680 --> 00:43:24,279 Speaker 3: Yeah, and then of course like the songs in the 800 00:43:24,320 --> 00:43:28,040 Speaker 3: puppet episode, Wow, what does the fux say? 801 00:43:28,400 --> 00:43:32,839 Speaker 1: Oh, Kevin, breakaway is in this season? We love doing 802 00:43:32,920 --> 00:43:37,879 Speaker 1: this in Kelly Clarkson, Yes, Jumpin', Jumpin', I'm welcome. It's 803 00:43:37,920 --> 00:43:41,800 Speaker 1: Tina Artie and Blaine do Breakaway. I love Kelly clarks 804 00:43:42,280 --> 00:43:46,000 Speaker 1: We're singing about graduate. We're getting close to graduation. Yes, 805 00:43:46,400 --> 00:43:49,120 Speaker 1: and I just the three of us never did anything together. 806 00:43:49,760 --> 00:43:51,960 Speaker 1: I know it was kind of fun. You know. It's 807 00:43:52,000 --> 00:43:54,920 Speaker 1: another one that is done in this season. Is Gloria 808 00:43:55,760 --> 00:43:59,640 Speaker 1: loved that one? Oh yeah, they're some good numbers. There 809 00:43:59,680 --> 00:44:02,040 Speaker 1: are some really good numbers in this one. I fear 810 00:44:02,120 --> 00:44:06,480 Speaker 1: you've sent my expectations too high. It's like, remember there's 811 00:44:06,520 --> 00:44:10,800 Speaker 1: still McKinley scenes. Yeah, but they I feel like in 812 00:44:10,880 --> 00:44:14,480 Speaker 1: season five they know that no one cares about the 813 00:44:14,640 --> 00:44:17,600 Speaker 1: new characters. So all the McKinley stuff is the characters 814 00:44:17,680 --> 00:44:21,239 Speaker 1: that we love and that we know, like we're getting Tina, 815 00:44:21,280 --> 00:44:23,680 Speaker 1: we're getting Artie, we're getting Blaine, We're like, it's all 816 00:44:23,760 --> 00:44:26,960 Speaker 1: that kind of stuff. They literally drop all the storylines 817 00:44:27,120 --> 00:44:35,520 Speaker 1: of like Marley and the Boys, Jake so interesting, and 818 00:44:35,680 --> 00:44:38,680 Speaker 1: just they bring back all the other ogis. 819 00:44:38,880 --> 00:44:42,239 Speaker 3: Yeah, and somehow move them around to places and then 820 00:44:42,320 --> 00:44:46,440 Speaker 3: bring in this free character right, and then yeah, just 821 00:44:46,920 --> 00:44:48,640 Speaker 3: keep an eye. One of my favorite things is how 822 00:44:48,680 --> 00:44:51,960 Speaker 3: they just justify the characters being in New York, right, 823 00:44:52,680 --> 00:44:54,800 Speaker 3: so just like maybe meet like a mental telly of 824 00:44:54,920 --> 00:44:58,080 Speaker 3: like that's such a reach, but sure, it's. 825 00:44:57,960 --> 00:44:59,920 Speaker 1: Like they're close, it's not that close. And this is 826 00:45:00,000 --> 00:45:03,279 Speaker 1: that's the most unhinged Christmas episode I think we've ever done. 827 00:45:04,640 --> 00:45:07,480 Speaker 3: You know, I don't participate in Christmas episodes. 828 00:45:07,280 --> 00:45:12,279 Speaker 1: Right, it makes sense. I actually I feel you. This 829 00:45:12,440 --> 00:45:15,520 Speaker 1: one is really beyond. So is this one called like 830 00:45:15,640 --> 00:45:19,319 Speaker 1: the lust Christmas episode and Christmas episode and it has 831 00:45:19,480 --> 00:45:25,200 Speaker 1: Mary's boy child and the Chipmunk song and away in 832 00:45:25,239 --> 00:45:28,919 Speaker 1: a manger and I don't know, it's just a weird one. 833 00:45:29,360 --> 00:45:30,480 Speaker 3: Is this the black and white one? 834 00:45:30,880 --> 00:45:33,360 Speaker 1: No, this is the one where we're in the manger 835 00:45:33,920 --> 00:45:37,719 Speaker 1: and Becky is like, literally, baby Jesus, Yeah, that's right, 836 00:45:37,840 --> 00:45:40,600 Speaker 1: and we all have like we're like all the shepherds 837 00:45:40,680 --> 00:45:43,120 Speaker 1: with the mustaches and the beards. It was just it 838 00:45:43,280 --> 00:45:46,280 Speaker 1: was beyond. I remember, well that's it's in the Diabolical 839 00:45:46,320 --> 00:45:50,880 Speaker 1: episode run. Yes it is, so that's why I thought so. Yeah, no, 840 00:45:52,280 --> 00:45:53,000 Speaker 1: it book ended. 841 00:45:53,080 --> 00:45:55,759 Speaker 3: But also roll Katy Perry roll. 842 00:45:55,880 --> 00:45:58,440 Speaker 1: Yes, we love that one, very fun. We really like 843 00:45:58,520 --> 00:45:58,799 Speaker 1: that one. 844 00:45:58,920 --> 00:46:02,319 Speaker 2: Yeah, on a vine in the wheelchair and I loved 845 00:46:02,400 --> 00:46:05,719 Speaker 2: doing applause. That was one of my favorite numbers. That's 846 00:46:05,760 --> 00:46:09,080 Speaker 2: one of my favorite songs. Full stop justice for applause. 847 00:46:09,680 --> 00:46:14,239 Speaker 2: It's my most streamed song ever. Applause, Yeah, Applause by 848 00:46:14,280 --> 00:46:14,800 Speaker 2: Lady Gaga. 849 00:46:15,440 --> 00:46:22,319 Speaker 1: Wow, really what interesting? That is so fascinating about him? 850 00:46:22,440 --> 00:46:25,480 Speaker 1: That makes sense we are because you live for the appla. 851 00:46:25,640 --> 00:46:27,640 Speaker 1: It makes sense and I too. 852 00:46:27,840 --> 00:46:32,880 Speaker 3: Yeah. One second, I'm the Coons than Suddling the Coons? 853 00:46:32,920 --> 00:46:37,480 Speaker 2: Is meow something to consider now our arts and pop 854 00:46:37,520 --> 00:46:38,080 Speaker 2: culture and me. 855 00:46:38,600 --> 00:46:40,560 Speaker 1: Do you have any last thoughts before we let you go? 856 00:46:40,920 --> 00:46:44,160 Speaker 1: Any last words before we we wait and see you 857 00:46:44,200 --> 00:46:46,919 Speaker 1: at the end of season five if we can drag 858 00:46:47,000 --> 00:46:52,560 Speaker 1: you back again, Yeah, exactly, I would say good luck, okay, okay, and. 859 00:46:54,040 --> 00:46:56,040 Speaker 3: Actually this okay, one last thing that I was gonna 860 00:46:56,040 --> 00:47:00,160 Speaker 3: say before, but I forgot one person that was not 861 00:47:00,280 --> 00:47:02,600 Speaker 3: in glay Stason five, but I think would make so 862 00:47:02,760 --> 00:47:04,680 Speaker 3: much sense in glay Stason five. And you can tell 863 00:47:04,719 --> 00:47:06,000 Speaker 3: me after you watch it if you agree. 864 00:47:06,840 --> 00:47:10,920 Speaker 2: Tim Gun, m okay, I was going when we were 865 00:47:10,960 --> 00:47:14,560 Speaker 2: talking about s JP in New York and Stanley Tucci 866 00:47:14,600 --> 00:47:17,200 Speaker 2: and all that, I'm like, we need an older gay 867 00:47:17,320 --> 00:47:20,040 Speaker 2: in here, a mentor. 868 00:47:20,360 --> 00:47:23,120 Speaker 1: I feel I feel that, Okay, We're going to keep 869 00:47:23,160 --> 00:47:23,799 Speaker 1: that in mind for. 870 00:47:23,880 --> 00:47:27,719 Speaker 3: Sure, just like maybe you can think, hmm, maybe this 871 00:47:27,920 --> 00:47:32,640 Speaker 3: is the episode where Tim Gun yeah, okay, yeah, work 872 00:47:32,840 --> 00:47:36,560 Speaker 3: or like I think that Heidi says, one moment, in 873 00:47:37,080 --> 00:47:37,800 Speaker 3: next moment. 874 00:47:37,600 --> 00:47:44,920 Speaker 1: You're out. Yeah, he's the same. Well, thank you so 875 00:47:45,080 --> 00:47:48,879 Speaker 1: much again for waking up and chatting with us about 876 00:47:48,920 --> 00:47:52,400 Speaker 1: season four, of course, and propping us for five. And 877 00:47:52,520 --> 00:47:55,840 Speaker 1: we can't wait to revisit this in twenty two episodes. 878 00:47:56,440 --> 00:47:58,040 Speaker 2: Yeah, I can't wait to say what you think and 879 00:47:58,520 --> 00:48:00,640 Speaker 2: congrats again. You know, every time we do a little 880 00:48:00,680 --> 00:48:03,080 Speaker 2: check in with you, I feel like more going on. Yeah, 881 00:48:03,120 --> 00:48:04,799 Speaker 2: you're doing more and more. You're all over the place. 882 00:48:05,400 --> 00:48:06,680 Speaker 1: It's great. I'm just up to something. 883 00:48:06,719 --> 00:48:08,560 Speaker 2: You're always up to something. One said, I'm always in 884 00:48:08,600 --> 00:48:11,160 Speaker 2: a situation, and I really really are. But it makes 885 00:48:11,200 --> 00:48:13,160 Speaker 2: sense now that you know with the space lasers and 886 00:48:13,239 --> 00:48:15,440 Speaker 2: all that. Yeah, yeah, for sure, that's a brain that 887 00:48:15,520 --> 00:48:19,959 Speaker 2: doesn't turn off exactly. That brain is working around the clock, 888 00:48:20,360 --> 00:48:24,640 Speaker 2: clucked in, never clocking out. Well, we appreciate you, I well, 889 00:48:24,680 --> 00:48:27,439 Speaker 2: thank you, Yes, thank you so much, and it's great 890 00:48:27,480 --> 00:48:29,160 Speaker 2: to see you per usual, both of you as well. 891 00:48:29,200 --> 00:48:32,480 Speaker 2: Appreciate the research and the notes of course. Oh my 892 00:48:32,600 --> 00:48:34,000 Speaker 2: season six one are going to be excellent. 893 00:48:34,239 --> 00:48:37,880 Speaker 1: Oh god, I don't even I can't even speak of it. 894 00:48:38,120 --> 00:48:38,840 Speaker 3: I can't even. 895 00:48:38,719 --> 00:48:39,120 Speaker 1: Speak of it. 896 00:48:39,360 --> 00:48:41,800 Speaker 2: But you can't get into that get okay, okay, but 897 00:48:41,920 --> 00:48:44,880 Speaker 2: we will later mm hmm. By the rate we're going, 898 00:48:44,920 --> 00:48:51,960 Speaker 2: we'll see you in two months. Amazing, Thank you, thank 899 00:48:52,040 --> 00:48:52,640 Speaker 2: you so much. 900 00:48:54,160 --> 00:48:58,880 Speaker 1: Bye. I love him. Oh, he's the best. It's always 901 00:48:58,880 --> 00:49:01,600 Speaker 1: so nice. There's just like some continuity consistency to see 902 00:49:01,680 --> 00:49:04,360 Speaker 1: him after we finish in a season, yes, and feel 903 00:49:04,440 --> 00:49:06,680 Speaker 1: like we can recap with him. And he hasn't let 904 00:49:06,760 --> 00:49:10,160 Speaker 1: us astray. He really hasn't. No, he knows all the 905 00:49:10,239 --> 00:49:12,680 Speaker 1: points that he says to look out for. He's totally 906 00:49:12,760 --> 00:49:15,040 Speaker 1: on point. It's excellent. 907 00:49:15,520 --> 00:49:19,800 Speaker 2: Yeah, really excellent. Thank you Mike again for doing that. 908 00:49:20,600 --> 00:49:24,160 Speaker 2: Go subscribe to his YouTube channel. Watches incredible videos. He's 909 00:49:24,239 --> 00:49:25,320 Speaker 2: just obviously brilliant. 910 00:49:26,440 --> 00:49:30,080 Speaker 1: I guess is this. Are we ready for season five? 911 00:49:30,560 --> 00:49:33,239 Speaker 1: My gosh, we have. I'm ready as will ever be. 912 00:49:33,640 --> 00:49:34,600 Speaker 1: I don't think you have a choice. 913 00:49:35,520 --> 00:49:38,400 Speaker 2: I'm excited. I was a friend of mine was asking 914 00:49:38,440 --> 00:49:41,400 Speaker 2: me the other day about, like, how I'm feeling about this. 915 00:49:41,560 --> 00:49:41,640 Speaker 3: Ni. 916 00:49:41,880 --> 00:49:45,000 Speaker 2: You know, I really enjoyed season four because I didn't 917 00:49:45,040 --> 00:49:47,279 Speaker 2: really remember much. Season five and six I remember even less, 918 00:49:47,400 --> 00:49:48,840 Speaker 2: and I'm really looking forward to it. 919 00:49:49,320 --> 00:49:52,120 Speaker 1: But now we talk about season the bad stretch, which 920 00:49:52,120 --> 00:49:54,719 Speaker 1: I'm a little afraid about. Because it's so soon, but 921 00:49:55,120 --> 00:49:56,960 Speaker 1: here we go. Join us. What. 922 00:49:57,360 --> 00:50:00,439 Speaker 2: Yeah, the beginning of season five is going to be really, 923 00:50:00,520 --> 00:50:02,960 Speaker 2: really tough, but we'll be all right. 924 00:50:03,400 --> 00:50:05,759 Speaker 1: Hopefully we'll hang on, okay, and that's where you. 925 00:50:05,760 --> 00:50:09,440 Speaker 2: Really miss Thanks for listening, and follow us on Instagram 926 00:50:09,840 --> 00:50:12,200 Speaker 2: at and that's what you really miss pod. Make sure 927 00:50:12,239 --> 00:50:14,320 Speaker 2: to write us a review and leave us five stars. 928 00:50:14,560 --> 00:50:15,239 Speaker 1: See you next time.