1 00:00:01,040 --> 00:00:03,000 Speaker 1: The best Bits of the week with Morgan. 2 00:00:03,080 --> 00:00:04,680 Speaker 2: It's Listener Q and daytime. 3 00:00:04,920 --> 00:00:08,039 Speaker 1: We're Morgan in a show member answer almost all your questions. 4 00:00:09,560 --> 00:00:10,039 Speaker 2: What's up? 5 00:00:10,080 --> 00:00:10,480 Speaker 3: Everyone? 6 00:00:10,680 --> 00:00:12,799 Speaker 2: We are here for the listener Q and A times. 7 00:00:12,800 --> 00:00:17,119 Speaker 2: Scoobs aka Scoob of Steve aka Steven I don't have 8 00:00:17,120 --> 00:00:19,560 Speaker 2: any other names. Is here with me this weekend and 9 00:00:19,720 --> 00:00:21,680 Speaker 2: we're answering some listener questions? Do you go with that? 10 00:00:22,160 --> 00:00:23,959 Speaker 3: Yeah, I'm okay, I guess I guess we could do that. 11 00:00:24,000 --> 00:00:25,760 Speaker 3: This is the question answer one. Yeah, I don't really 12 00:00:25,760 --> 00:00:27,600 Speaker 3: have a choice obviously, right, No you don't because I 13 00:00:27,640 --> 00:00:29,360 Speaker 3: walk out. Then it's like you don't have an episode. 14 00:00:29,480 --> 00:00:31,360 Speaker 2: Yeah, I don't really have anybody ask the question too. 15 00:00:31,440 --> 00:00:33,200 Speaker 2: I mean I guess I could answer them, but that'd 16 00:00:33,200 --> 00:00:34,879 Speaker 2: be weird because they're directed towards you. 17 00:00:34,960 --> 00:00:36,680 Speaker 3: Have there ever been any questions? Because I don't listen 18 00:00:36,680 --> 00:00:38,879 Speaker 3: to other best bits, just being totally honest, that's rude. 19 00:00:38,960 --> 00:00:45,400 Speaker 3: I don't even listen to my own I lived it 20 00:00:45,440 --> 00:00:46,959 Speaker 3: while I need to hear it again. But here's the thing, 21 00:00:47,560 --> 00:00:50,920 Speaker 3: A question for you, is anyone ever not answer the question? 22 00:00:51,040 --> 00:00:52,960 Speaker 3: Or but like I'm not answering that or. 23 00:00:53,000 --> 00:00:53,640 Speaker 4: Walked out of here? 24 00:00:53,920 --> 00:00:55,920 Speaker 2: Most of the time, if I have one that I question, 25 00:00:56,000 --> 00:00:57,600 Speaker 2: I'll ask before we went to start. Before I'm like, 26 00:00:57,680 --> 00:00:59,240 Speaker 2: do you want to go into this, and they'll say 27 00:00:59,280 --> 00:00:59,640 Speaker 2: yes or no. 28 00:01:00,000 --> 00:01:01,680 Speaker 3: Oh, has there been a question that you wanted to 29 00:01:01,720 --> 00:01:03,040 Speaker 3: get into and they didn't want to get into? 30 00:01:03,720 --> 00:01:06,919 Speaker 2: I mean there's listen, there's times that means. 31 00:01:06,760 --> 00:01:08,280 Speaker 3: There is the answers yes, well you don't have to 32 00:01:08,319 --> 00:01:09,840 Speaker 3: go any further already, no, because that gets up by 33 00:01:09,880 --> 00:01:10,279 Speaker 3: the layers. 34 00:01:11,160 --> 00:01:15,399 Speaker 2: Me. I am ninety nine percent in open books, so really, 35 00:01:15,840 --> 00:01:18,000 Speaker 2: people ask me things and I'm most of the time 36 00:01:18,040 --> 00:01:18,760 Speaker 2: going to answer. 37 00:01:18,560 --> 00:01:20,480 Speaker 3: Yeah, same thing. I don't give a crap whatever. 38 00:01:20,640 --> 00:01:23,839 Speaker 2: But that's not everybody on our show. Not everybody's necessarily 39 00:01:23,920 --> 00:01:24,320 Speaker 2: like that. 40 00:01:24,560 --> 00:01:27,000 Speaker 3: The answers yes for people who want to answer questions. 41 00:01:26,959 --> 00:01:29,480 Speaker 2: Yes, but not openly. But I try and make sure 42 00:01:29,480 --> 00:01:31,440 Speaker 2: all the listeners get their answers. But there are also 43 00:01:31,480 --> 00:01:33,400 Speaker 2: things that get super super personal. I'm like, okay, we've 44 00:01:33,400 --> 00:01:34,440 Speaker 2: probablyhod ye summer. 45 00:01:34,200 --> 00:01:35,479 Speaker 3: A little bit, let's sold security number. 46 00:01:35,640 --> 00:01:37,440 Speaker 2: Yeah, And those are the ones where I'm like, do 47 00:01:37,520 --> 00:01:38,120 Speaker 2: you want to do this? 48 00:01:38,840 --> 00:01:40,920 Speaker 3: I would recommended yeah. 49 00:01:40,560 --> 00:01:42,880 Speaker 2: So so technically no, but yes. 50 00:01:42,720 --> 00:01:44,520 Speaker 3: Okay, I got the answer. I want to thank you 51 00:01:44,520 --> 00:01:44,880 Speaker 3: so much. 52 00:01:45,280 --> 00:01:46,880 Speaker 4: Yeah. I took a little long to answer that. 53 00:01:46,920 --> 00:01:51,200 Speaker 3: So the answer is yes, all right. 54 00:01:52,360 --> 00:01:59,280 Speaker 2: Offer in Massachusetts, there is no question. I'm just trying 55 00:01:59,280 --> 00:02:07,240 Speaker 2: to be nice here. I hear laughing out there too. Okay, 56 00:02:07,640 --> 00:02:10,040 Speaker 2: no question. I love a good Scuba and Morgan best 57 00:02:10,040 --> 00:02:12,520 Speaker 2: bit's my favorite. This is Aubrey in Massachusetts. We got 58 00:02:12,520 --> 00:02:15,560 Speaker 2: Lindsay and Oklahoma who said, Scuba, I love you, and 59 00:02:15,560 --> 00:02:18,160 Speaker 2: then Audrey from Sacramento says, really hate that you might 60 00:02:18,240 --> 00:02:21,119 Speaker 2: leave the show. Those are our shadows. 61 00:02:22,000 --> 00:02:23,600 Speaker 3: Yeah, so I asked her a question. 62 00:02:23,720 --> 00:02:25,520 Speaker 5: She was like, we're doing question answer one, and I 63 00:02:25,560 --> 00:02:36,880 Speaker 5: was like, you guys so much. 64 00:02:39,720 --> 00:02:41,760 Speaker 2: Guys, this is my life all all the time. It's 65 00:02:41,760 --> 00:02:45,280 Speaker 2: like I have brothers and they're always cracking jokes. I'm 66 00:02:45,280 --> 00:02:47,240 Speaker 2: glad you guys both find that so funny. Both of 67 00:02:47,280 --> 00:02:50,560 Speaker 2: their faces are red, Like Scuba is crying right now 68 00:02:50,919 --> 00:02:54,000 Speaker 2: and blood Bogs is stopping his foot so proud of 69 00:02:54,120 --> 00:02:59,560 Speaker 2: his joke. Okay, I mean it was funny, it. 70 00:02:59,520 --> 00:03:08,160 Speaker 3: Wasn't fun or for our families. 71 00:03:13,720 --> 00:03:18,880 Speaker 2: Okay, oh my god, why did you call him in here? 72 00:03:18,960 --> 00:03:21,079 Speaker 3: I forgot it was something to do with It doesn't 73 00:03:21,080 --> 00:03:23,919 Speaker 3: matter anymore now about it. 74 00:03:24,760 --> 00:03:25,760 Speaker 4: Yeah, you're probably sorry, game. 75 00:03:25,840 --> 00:03:32,600 Speaker 3: Something's a Saturday, dude, I hope you guys, I'm joining 76 00:03:32,919 --> 00:03:34,040 Speaker 3: Happy Weekend everyone. 77 00:03:34,160 --> 00:03:37,000 Speaker 4: It's a Wednesday. 78 00:03:37,840 --> 00:03:45,600 Speaker 2: Guys. Do you want to come in on a Saturday? 79 00:03:45,760 --> 00:03:46,480 Speaker 2: Because I will? 80 00:03:48,800 --> 00:03:49,280 Speaker 4: You won't. 81 00:03:51,520 --> 00:03:53,640 Speaker 2: You're in here saying I can't say I'm happy weekend 82 00:03:55,320 --> 00:03:57,640 Speaker 2: and I've been here on a Saturday. I'm so done with. 83 00:04:02,560 --> 00:04:03,360 Speaker 4: What's a good question? 84 00:04:03,520 --> 00:04:04,040 Speaker 3: Just go ahead? 85 00:04:04,080 --> 00:04:06,280 Speaker 2: No, no, I'm done for both of you. It has 86 00:04:06,320 --> 00:04:07,240 Speaker 2: been three minutes. 87 00:04:07,280 --> 00:04:13,680 Speaker 3: If you guys, I see man, I get you back. 88 00:04:13,520 --> 00:04:21,840 Speaker 2: Up, guys. This is every morning like these two will 89 00:04:21,920 --> 00:04:26,359 Speaker 2: crack these random inside jokes and they're the only ones 90 00:04:26,360 --> 00:04:27,320 Speaker 2: that are ever laughing. 91 00:04:28,920 --> 00:04:31,840 Speaker 3: That's a good one, all right, man, Good weekend. 92 00:04:31,600 --> 00:04:42,040 Speaker 2: Bye, lunch out up here. Get out of the office, ky. 93 00:04:42,240 --> 00:04:43,680 Speaker 2: I wish you could see both of them like they 94 00:04:43,680 --> 00:04:46,320 Speaker 2: think they are the funniest people in the entire world. 95 00:04:46,360 --> 00:04:46,599 Speaker 2: Right now? 96 00:04:47,160 --> 00:04:51,200 Speaker 5: Yeah, awesome, man, get out out of the office. 97 00:04:52,320 --> 00:04:55,560 Speaker 4: I did, I did? I forgot why? I see you? 98 00:04:56,839 --> 00:04:57,320 Speaker 3: That's great? 99 00:04:58,080 --> 00:04:58,760 Speaker 2: Are you good now? 100 00:04:58,960 --> 00:05:01,239 Speaker 3: Yeah? I'm good. I guess it's we have to do commercials. 101 00:05:01,320 --> 00:05:05,400 Speaker 2: No, do you feel better? I felt like a freaking 102 00:05:05,520 --> 00:05:10,920 Speaker 2: human punch. I just got it again, rude. 103 00:05:13,640 --> 00:05:14,320 Speaker 4: It's all good. 104 00:05:14,320 --> 00:05:15,680 Speaker 3: Fun, A good fun. All right? 105 00:05:15,760 --> 00:05:21,040 Speaker 2: What was your favorite childhood? Amy from Wisconsin? 106 00:05:26,560 --> 00:05:27,640 Speaker 3: What was the question? Sorry? 107 00:05:27,720 --> 00:05:31,799 Speaker 2: What is your favorite child? What was your favorite child 108 00:05:31,800 --> 00:05:35,080 Speaker 2: a TV show? Amy from Wisconsin? Answer the freaking question? 109 00:05:38,520 --> 00:05:42,520 Speaker 4: My favorite child like scrambling over the place. 110 00:05:43,360 --> 00:05:45,120 Speaker 3: I feel like setting papers. 111 00:05:44,720 --> 00:05:51,760 Speaker 2: And stacks right now. Anxiety? 112 00:05:52,160 --> 00:05:57,640 Speaker 4: Okay, sorry? Oh? What is your favorite cheap shows a child? 113 00:05:57,800 --> 00:05:59,400 Speaker 2: Yeah? Your favorite childhood TV show? 114 00:05:59,720 --> 00:06:01,360 Speaker 3: I don't a lot of favorite shout of TV shows. 115 00:06:01,360 --> 00:06:03,040 Speaker 2: Okay, we'll just give me one, because you just meant 116 00:06:03,040 --> 00:06:03,800 Speaker 2: five minutes. 117 00:06:03,560 --> 00:06:13,080 Speaker 6: Las No, I'm laughing, and I don't even have a 118 00:06:13,160 --> 00:06:14,000 Speaker 6: reason a laugh. 119 00:06:17,200 --> 00:06:18,440 Speaker 3: He's been five minutes laughing. 120 00:06:18,560 --> 00:06:20,200 Speaker 4: Oh my god, I. 121 00:06:20,120 --> 00:06:22,159 Speaker 3: Love rug Rats. I'd watched the hell out of rug Rats. 122 00:06:22,240 --> 00:06:23,280 Speaker 2: That's a great, great one. 123 00:06:23,600 --> 00:06:24,039 Speaker 4: Rug Rats. 124 00:06:24,080 --> 00:06:28,600 Speaker 2: That is actually on Disney or does Nickelodeon. It's on Paramount. 125 00:06:28,240 --> 00:06:31,200 Speaker 3: Because Nickelodeon they have all the Nickelodeon stuff. I'd watched that. 126 00:06:31,560 --> 00:06:33,000 Speaker 2: You just took edible. 127 00:06:33,120 --> 00:06:38,000 Speaker 3: Oh my god, your eyes are right now. Oh okay, Rugrats, 128 00:06:38,040 --> 00:06:41,360 Speaker 3: rug Rats a real monsters, Doug Ren and. 129 00:06:41,320 --> 00:06:44,440 Speaker 2: Stimpy doesn't Lunchbox looks like Doug. 130 00:06:44,680 --> 00:06:46,839 Speaker 3: He does look a lot like dumb, especially when he 131 00:06:46,880 --> 00:06:48,480 Speaker 3: like cleans himself up and he gets the short hair 132 00:06:48,480 --> 00:06:48,839 Speaker 3: and everything. 133 00:06:48,920 --> 00:06:50,440 Speaker 2: Yeah, like the really baby face. 134 00:06:50,520 --> 00:06:52,200 Speaker 3: Yes, you seem like a country fast or whatever he 135 00:06:52,240 --> 00:06:56,440 Speaker 3: looks like. He comes in all dude, dude, dude. 136 00:06:56,480 --> 00:06:59,279 Speaker 2: Okay, Michelle in Texas, on's know, your favorite nineties band? 137 00:07:00,080 --> 00:07:03,719 Speaker 3: My god, favorite nineties band would have to be between 138 00:07:05,360 --> 00:07:09,600 Speaker 3: I would say Hooting the Blowfish and Asa Basse. Okay, 139 00:07:10,120 --> 00:07:12,360 Speaker 3: there are the first two cassettes that I got, so 140 00:07:12,440 --> 00:07:13,840 Speaker 3: I'm just biased towards them. 141 00:07:14,760 --> 00:07:21,200 Speaker 2: Okay, what are your top five bourbons? Roberto from Southwest Florida. 142 00:07:22,000 --> 00:07:24,040 Speaker 2: He's not, in fact drinking bourbon, and he's drinking water 143 00:07:24,120 --> 00:07:24,520 Speaker 2: right now. 144 00:07:24,560 --> 00:07:26,440 Speaker 3: I'm not sure what the Saturday though, So who knows 145 00:07:26,480 --> 00:07:27,040 Speaker 3: what I'm drinking? 146 00:07:29,800 --> 00:07:33,800 Speaker 2: Are you sureating to take all something? No? 147 00:07:33,880 --> 00:07:34,239 Speaker 3: I didn't. 148 00:07:34,520 --> 00:07:35,480 Speaker 4: Okay, oh my god. 149 00:07:35,480 --> 00:07:39,280 Speaker 3: My favorite bourbon's I love whistle Pig. The twelve year 150 00:07:39,400 --> 00:07:42,520 Speaker 3: Rise really good, and then the six years decent. So 151 00:07:42,560 --> 00:07:46,760 Speaker 3: there's two. Three more would then be like Basil Hayden. 152 00:07:47,360 --> 00:07:50,760 Speaker 3: If you can find it out your Costco, get it there. 153 00:07:50,760 --> 00:07:52,600 Speaker 3: It's same size bottle. It's not like the massive size one, 154 00:07:52,640 --> 00:07:54,520 Speaker 3: which you can usually ge bigger bottles and stuff, but 155 00:07:54,600 --> 00:07:57,920 Speaker 3: get the one from Costco because it's like fifteen twenty 156 00:07:57,920 --> 00:08:00,360 Speaker 3: dollars cheaper from the actual store, liquor store and stuff. 157 00:08:00,360 --> 00:08:03,200 Speaker 3: Basil Hayden, that's three. Number four would have to be 158 00:08:05,680 --> 00:08:09,640 Speaker 3: like Victor's Victor's Rye or Mictor's Bourbon's or Whiskey's pretty good, 159 00:08:10,120 --> 00:08:16,800 Speaker 3: So that's four and five maybe Angels Envy it's pretty good. 160 00:08:17,320 --> 00:08:20,240 Speaker 2: All of these are like wild because I was ready 161 00:08:20,240 --> 00:08:22,720 Speaker 2: for you to say, like a wild turkey, you're like 162 00:08:22,720 --> 00:08:25,360 Speaker 2: a Jack Daniels. Are the names that I recognize. Then 163 00:08:25,400 --> 00:08:27,640 Speaker 2: you started listening to these things. I was like the song. 164 00:08:29,040 --> 00:08:33,319 Speaker 3: Twelve track twelve and Whistlepig's album there were wilds. 165 00:08:33,480 --> 00:08:36,600 Speaker 2: Okay, well, yeah, there you go, talking about Robert. 166 00:08:36,679 --> 00:08:39,199 Speaker 3: That was an other episode we did. We're talking about Roberto. 167 00:08:39,280 --> 00:08:41,679 Speaker 3: We're talking about evolving our drinks and going from one 168 00:08:41,679 --> 00:08:42,040 Speaker 3: to the next. 169 00:08:42,160 --> 00:08:43,800 Speaker 2: Yeah, that's part one, gotcha part one? 170 00:08:43,840 --> 00:08:44,080 Speaker 4: Okay? 171 00:08:44,120 --> 00:08:48,080 Speaker 2: Cool gave away that this is a Wednesday that we're 172 00:08:48,400 --> 00:08:50,320 Speaker 2: because we needed to record a little early this week. 173 00:08:50,800 --> 00:08:57,880 Speaker 3: Yes, so so evolving, So talking about the beginning to now, 174 00:08:57,920 --> 00:08:59,000 Speaker 3: like back in the day would have been like, oh 175 00:08:59,000 --> 00:09:02,199 Speaker 3: I love Jack Daniels, just a fine, But as you 176 00:09:02,240 --> 00:09:04,240 Speaker 3: get older, you realize, like, oh, I can't handle it anymore. 177 00:09:04,280 --> 00:09:05,000 Speaker 4: It's just too harsh. 178 00:09:05,360 --> 00:09:07,280 Speaker 3: I need something a little bit more smooth, and so 179 00:09:07,320 --> 00:09:11,280 Speaker 3: that my palate's gotten a little bit more sophisticated over 180 00:09:11,280 --> 00:09:11,600 Speaker 3: the years. 181 00:09:11,679 --> 00:09:13,120 Speaker 2: We love a sophisticated palette. 182 00:09:13,280 --> 00:09:14,560 Speaker 3: We love a sophisticated palate. 183 00:09:14,600 --> 00:09:20,520 Speaker 2: Hello, Okay, did you ever visit famous people's cemeteries when 184 00:09:20,559 --> 00:09:21,280 Speaker 2: you lived in La? 185 00:09:21,480 --> 00:09:25,600 Speaker 3: This is from Richard, not on purpose, but there the 186 00:09:25,640 --> 00:09:29,360 Speaker 3: Hollywood Forever Cemetery was a spot where they would host 187 00:09:29,400 --> 00:09:31,000 Speaker 3: these movie things. We can watch a movie, so I've 188 00:09:31,000 --> 00:09:32,920 Speaker 3: been there for that, and then it was also next to. 189 00:09:32,880 --> 00:09:34,559 Speaker 2: The famous people buried there. 190 00:09:34,600 --> 00:09:35,679 Speaker 3: Oh, it's like all famous people. 191 00:09:36,760 --> 00:09:40,880 Speaker 2: What okay, I guess is there a benefit to being 192 00:09:40,920 --> 00:09:43,920 Speaker 2: buried there rather than being like buried wherever your family. 193 00:09:43,600 --> 00:09:46,360 Speaker 3: Is or I think it's just like a status saying like, oh, 194 00:09:46,400 --> 00:09:48,680 Speaker 3: this is where all the famous people are. They're buried there, 195 00:09:48,920 --> 00:09:51,360 Speaker 3: and there's another cemetery in burbankh they're buried and so 196 00:09:51,360 --> 00:09:53,400 Speaker 3: there's two cemeteries, one for the almost it's almost like 197 00:09:53,440 --> 00:09:54,280 Speaker 3: TV and film. 198 00:09:54,360 --> 00:09:56,760 Speaker 2: Who are some people that are buried as Actually you 199 00:09:56,840 --> 00:09:59,319 Speaker 2: answer the question and all I'll google it. 200 00:09:59,480 --> 00:10:02,200 Speaker 3: Yeah, look up Hollywood Forever Cemetery. It should be near 201 00:10:02,280 --> 00:10:04,320 Speaker 3: the Paramount a Lot or is that the one in Burbank? 202 00:10:05,360 --> 00:10:07,480 Speaker 3: I feel like the Hollywood Forever Cemetery or the Hollywood 203 00:10:07,480 --> 00:10:11,120 Speaker 3: Cemetery that's over there off of Gower Street and. 204 00:10:11,400 --> 00:10:12,680 Speaker 4: It faces the Hollywood Sign. 205 00:10:12,840 --> 00:10:13,880 Speaker 3: It's all status thing. 206 00:10:14,080 --> 00:10:16,240 Speaker 2: It's all a bunch of like older I don't know 207 00:10:16,360 --> 00:10:17,199 Speaker 2: any of these things. 208 00:10:17,200 --> 00:10:22,199 Speaker 3: It's like forties, fifties, Okay, is in that one Hollywood 209 00:10:22,280 --> 00:10:23,040 Speaker 3: Forever But. 210 00:10:23,200 --> 00:10:25,000 Speaker 2: Like a lot of these things, I don't know. 211 00:10:26,200 --> 00:10:28,400 Speaker 3: So Hollywood Forever Cemetery, is that the one over there? 212 00:10:28,440 --> 00:10:30,439 Speaker 3: And yep, Saint Michael Blvore, Yeah, that's the one by 213 00:10:30,480 --> 00:10:32,319 Speaker 3: Doctor Phil's lot, the Paramount Lot. 214 00:10:32,400 --> 00:10:36,000 Speaker 2: Oh, Judy Garland was buried there, so I went there 215 00:10:36,040 --> 00:10:36,400 Speaker 2: one time. 216 00:10:36,440 --> 00:10:40,160 Speaker 3: It was so creepy. So I was working on set 217 00:10:40,440 --> 00:10:44,400 Speaker 3: for a TV show on ABC called Notorious. It was 218 00:10:44,440 --> 00:10:46,960 Speaker 3: the season finale. It was the final episode of the 219 00:10:47,000 --> 00:10:49,000 Speaker 3: first season, but it was a series finale. The show 220 00:10:49,040 --> 00:10:51,120 Speaker 3: got canceled, and so that the vibe of that night 221 00:10:51,200 --> 00:10:53,080 Speaker 3: was like weird because everyone knew they were getting fired 222 00:10:53,080 --> 00:10:55,319 Speaker 3: and this show was supposed to do something and it didn't. 223 00:10:56,240 --> 00:10:59,600 Speaker 3: So we we had met the pickup spot for the 224 00:11:00,160 --> 00:11:02,120 Speaker 3: for the buses that pick up and take you to 225 00:11:02,120 --> 00:11:05,800 Speaker 3: the location was We had to park at the Hollywood 226 00:11:05,840 --> 00:11:08,520 Speaker 3: Forever Cemetery and call time was like four pm, so 227 00:11:08,559 --> 00:11:10,839 Speaker 3: it was a nighttime shoot because they were shooting at night. 228 00:11:11,400 --> 00:11:12,959 Speaker 3: So we had to park our cars there and I'm like, oh, 229 00:11:13,200 --> 00:11:15,080 Speaker 3: but they closed the gates I think at ten or eleven, 230 00:11:15,440 --> 00:11:16,520 Speaker 3: So I was like, how are we going to get 231 00:11:16,559 --> 00:11:17,960 Speaker 3: our cars out of here? Like, and they're like, oh, 232 00:11:18,000 --> 00:11:19,720 Speaker 3: we'll figured out when we get back them. All right, whatever, 233 00:11:20,040 --> 00:11:21,440 Speaker 3: park my car there, we get in the we all 234 00:11:21,480 --> 00:11:23,600 Speaker 3: get in the bus. We head downtown LA. We shoot 235 00:11:23,600 --> 00:11:26,080 Speaker 3: the scene, and then we're coming back and it's like 236 00:11:26,320 --> 00:11:27,959 Speaker 3: one in the morning. I'm like, oh my god, I 237 00:11:28,000 --> 00:11:29,200 Speaker 3: forgot we parked our cars at. 238 00:11:29,080 --> 00:11:31,520 Speaker 4: The freaking cemetery. This is so creepy. 239 00:11:31,679 --> 00:11:33,679 Speaker 3: And you get there and we're like honking the horn. 240 00:11:33,800 --> 00:11:34,600 Speaker 4: The gates locked. 241 00:11:34,600 --> 00:11:35,760 Speaker 3: I'm like, oh my god, I'm not gonna able to 242 00:11:35,800 --> 00:11:37,880 Speaker 3: get home all this crap. And then some guy comes 243 00:11:37,960 --> 00:11:40,320 Speaker 3: out like this is like out of a movie that's 244 00:11:40,320 --> 00:11:43,920 Speaker 3: like old hunched over like crypt keeper looking guy comes 245 00:11:43,960 --> 00:11:45,040 Speaker 3: out and unlocks the. 246 00:11:44,960 --> 00:11:47,679 Speaker 1: Door and the slides open the doors and you all 247 00:11:47,720 --> 00:11:48,120 Speaker 1: get on. 248 00:11:48,160 --> 00:11:50,360 Speaker 3: It and you get in there and he gets your 249 00:11:50,360 --> 00:11:52,559 Speaker 3: car and I'm and I'm telling you, it's like I 250 00:11:52,559 --> 00:11:54,240 Speaker 3: don't know if it's like if there were lights, but 251 00:11:54,280 --> 00:11:57,520 Speaker 3: I could just see all these like figures throughout the cemetery. 252 00:11:57,679 --> 00:12:01,200 Speaker 3: Was so creepy, and I just remember, we're just having 253 00:12:01,200 --> 00:12:03,240 Speaker 3: that tunnel vision of like, don't look left, don't look. 254 00:12:03,120 --> 00:12:04,640 Speaker 4: Right, just walk to your car. Just walk to your car. 255 00:12:04,720 --> 00:12:05,360 Speaker 4: Just walk to your car. 256 00:12:05,640 --> 00:12:09,080 Speaker 3: And not only was the Spirit world like running rampant 257 00:12:09,120 --> 00:12:10,920 Speaker 3: and where we're at, but it's also a lot of crime. 258 00:12:10,960 --> 00:12:12,839 Speaker 3: People hop the fence and like Doug stuff and like, 259 00:12:12,840 --> 00:12:14,240 Speaker 3: oh my god. Also need to get my car because 260 00:12:14,240 --> 00:12:17,040 Speaker 3: I don't get like mugged and no one's here and 261 00:12:17,040 --> 00:12:18,800 Speaker 3: everyone's I was like, oh my god, make got my car. 262 00:12:18,840 --> 00:12:21,360 Speaker 4: Is the furthest one back? It was just so creepy. 263 00:12:21,480 --> 00:12:23,000 Speaker 3: I don't really know the point of the story, but 264 00:12:23,040 --> 00:12:24,440 Speaker 3: it was just a really creepy thing. And I thoughked 265 00:12:24,440 --> 00:12:25,800 Speaker 3: in my car the other night and it was hella, 266 00:12:25,880 --> 00:12:26,520 Speaker 3: hello weird. 267 00:12:27,000 --> 00:12:28,800 Speaker 2: So Richard he did and he never went back because 268 00:12:28,800 --> 00:12:30,480 Speaker 2: he didn't want to see all the creepy figures again. 269 00:12:30,559 --> 00:12:31,800 Speaker 4: Oh yes, yeah, that was the question. 270 00:12:31,880 --> 00:12:34,079 Speaker 2: Yeah, basically, if you ever visited the cemeteries. 271 00:12:34,160 --> 00:12:35,000 Speaker 4: Yes, so, yes, I did. 272 00:12:35,120 --> 00:12:36,880 Speaker 3: And then there's one in Burbank that I've never been to, 273 00:12:36,960 --> 00:12:38,400 Speaker 3: but I just drove by it a lot because it 274 00:12:38,440 --> 00:12:41,760 Speaker 3: was near the studio. Burbank Cemetery. That's where I feel 275 00:12:41,800 --> 00:12:45,880 Speaker 3: like most of the newer dead people get get buried at. 276 00:12:45,880 --> 00:12:46,760 Speaker 2: The newer one. 277 00:12:46,920 --> 00:12:50,400 Speaker 3: The newer one, the Forest Lawn, Forest Lawn, Yeah, forest 278 00:12:50,440 --> 00:12:51,040 Speaker 3: Lawn and Burbank. 279 00:12:51,280 --> 00:12:53,880 Speaker 2: Who is buried at Forest Lawn? 280 00:12:54,280 --> 00:12:56,800 Speaker 4: I think like people like Walt. 281 00:12:56,480 --> 00:13:02,520 Speaker 2: Disney, Fischer, Paul Walker, Nipsy Hus, Yeah, Freddie Prince. 282 00:13:02,840 --> 00:13:06,760 Speaker 3: Okay, a lot more television or maybe or newer I think, is. 283 00:13:06,720 --> 00:13:10,280 Speaker 2: Your I mean there's some older one. There's also inventors. Oh, 284 00:13:10,320 --> 00:13:13,760 Speaker 2: there's well, there's multiple. There's one in Glendale, California. There's 285 00:13:13,760 --> 00:13:16,080 Speaker 2: one in Buffalo, New York, and there's one in Cathedral City. 286 00:13:16,120 --> 00:13:19,960 Speaker 2: So Glendale, California, Glendale, Glendell whatever. 287 00:13:19,840 --> 00:13:22,760 Speaker 3: Glendell, Yeah, because Glendale's right next to Burbank. It's right 288 00:13:22,760 --> 00:13:23,200 Speaker 3: in the middle. 289 00:13:23,600 --> 00:13:25,240 Speaker 2: Yeah, So there's a few of them that looks like 290 00:13:25,240 --> 00:13:29,920 Speaker 2: it's a notable cemetery for people because there's like a 291 00:13:30,000 --> 00:13:33,320 Speaker 2: inventor and a president buried at the one in New York. 292 00:13:33,480 --> 00:13:35,040 Speaker 3: Yeah, it was always like a oh, the grave of 293 00:13:35,080 --> 00:13:35,520 Speaker 3: Bob Barker. 294 00:13:35,520 --> 00:13:37,959 Speaker 4: Bob Barker's are too. It was always like a big deal. 295 00:13:38,520 --> 00:13:40,880 Speaker 3: Whenever someone would die, you would see tons of cars everywhere. 296 00:13:41,240 --> 00:13:43,280 Speaker 3: There's also a good cut through two to get through Burbank. 297 00:13:44,760 --> 00:13:45,520 Speaker 2: I never knew that. 298 00:13:46,200 --> 00:13:47,959 Speaker 3: Thanks Richard, Thanks Richard so much. 299 00:13:48,040 --> 00:13:50,040 Speaker 2: Okay, we're gonna speak a break. We'll answer a few 300 00:13:50,040 --> 00:13:57,040 Speaker 2: more questions. Okay, what got you both into radio? Kyle 301 00:13:57,240 --> 00:14:00,160 Speaker 2: from British Columbia, Canada. 302 00:14:00,160 --> 00:14:03,199 Speaker 4: Dan, Canada, what's up? What up north of the border? 303 00:14:03,800 --> 00:14:07,320 Speaker 2: Yeah, we love that. Keep my insurance sweet. I went 304 00:14:07,360 --> 00:14:11,080 Speaker 2: to college for broadcast journalism and planned to be like 305 00:14:11,120 --> 00:14:13,600 Speaker 2: a news anchor and then realized I didn't really want 306 00:14:13,600 --> 00:14:15,600 Speaker 2: to do that. Ended up getting a job out of 307 00:14:15,600 --> 00:14:19,280 Speaker 2: an internship that I did with iHeart back in my 308 00:14:19,840 --> 00:14:23,800 Speaker 2: home city of Wichitak, Kansas, and I started working in 309 00:14:23,880 --> 00:14:26,640 Speaker 2: radio through that and that was just a digital directing job. 310 00:14:26,680 --> 00:14:29,280 Speaker 2: Then I moved to Nashville for another digital directing job, 311 00:14:29,720 --> 00:14:32,160 Speaker 2: and then I got the job with the show. So 312 00:14:32,320 --> 00:14:38,360 Speaker 2: that's been my course of career since college. That's mine, Scuba, 313 00:14:39,200 --> 00:14:40,680 Speaker 2: keep it we're keeping it tight. 314 00:14:40,960 --> 00:14:42,640 Speaker 3: Oh, then this is not a tight question. 315 00:14:43,160 --> 00:14:44,880 Speaker 2: Yeah, you can do this. I just did it. 316 00:14:44,880 --> 00:14:45,640 Speaker 3: What was the question again? 317 00:14:45,680 --> 00:14:47,160 Speaker 2: Sorry? As what got you both into radio? 318 00:14:47,240 --> 00:14:48,600 Speaker 3: Saturday? And to check it out my emails and getting 319 00:14:48,600 --> 00:14:49,080 Speaker 3: had for the week? 320 00:14:49,480 --> 00:14:50,000 Speaker 4: What got me? 321 00:14:54,840 --> 00:14:57,160 Speaker 2: Also? My favorite bart was like, Scooba, Hey, we're gonna 322 00:14:57,200 --> 00:14:59,200 Speaker 2: keep it, Like sure, we're in. He's like, well, no, 323 00:14:59,280 --> 00:15:01,480 Speaker 2: that's on you. But this man's been five minutes laughing, 324 00:15:01,560 --> 00:15:02,440 Speaker 2: and so it's on me. 325 00:15:03,720 --> 00:15:07,760 Speaker 3: It's on me. You got valid, valid, valid, That is 326 00:15:07,880 --> 00:15:10,520 Speaker 3: very valid and actually correct. How did I get in 327 00:15:10,560 --> 00:15:17,520 Speaker 3: the radio? Well, it's funny you asked that question. So 328 00:15:17,560 --> 00:15:19,400 Speaker 3: I always wanted to be in entertainment. I always wanted 329 00:15:19,440 --> 00:15:22,720 Speaker 3: to do the forward facing camera side of things, or 330 00:15:22,800 --> 00:15:26,600 Speaker 3: and ord directing, producing film, and so that was not 331 00:15:26,600 --> 00:15:28,920 Speaker 3: obtainable where I lived. And I was like, well, the 332 00:15:29,040 --> 00:15:31,880 Speaker 3: entertainment medium here is radio. And then I was like 333 00:15:31,960 --> 00:15:33,600 Speaker 3: it'd be kind of fun whatever. I didn't really think 334 00:15:33,640 --> 00:15:36,160 Speaker 3: about it very much. I was in a band. It 335 00:15:36,280 --> 00:15:39,040 Speaker 3: was that screaming band, and I was like, oh, what 336 00:15:39,080 --> 00:15:41,200 Speaker 3: will be the way to get our music on the radio. 337 00:15:41,320 --> 00:15:43,760 Speaker 3: I was like, oh, I will, I will infiltrate and 338 00:15:43,800 --> 00:15:46,160 Speaker 3: go from the inside and get our music played on 339 00:15:46,200 --> 00:15:46,560 Speaker 3: the radio. 340 00:15:46,920 --> 00:15:48,920 Speaker 2: You're like Hydra when it comes to the Avengers. 341 00:15:49,800 --> 00:15:54,480 Speaker 3: Sure you have no idea. It's a great reference, but 342 00:15:55,120 --> 00:15:58,120 Speaker 3: somebody totally understood it. See, when you're on radio, the 343 00:15:58,160 --> 00:16:00,120 Speaker 3: people in the room may not understand it, but it's 344 00:16:00,120 --> 00:16:01,120 Speaker 3: not for the people in the room. It's for the 345 00:16:01,120 --> 00:16:03,520 Speaker 3: people who are listening, because they're probably a thousand people 346 00:16:03,520 --> 00:16:04,760 Speaker 3: that go, oh, I don't how draw my god, it's 347 00:16:04,760 --> 00:16:06,160 Speaker 3: a great joke. But I'm like, I don't. I don't 348 00:16:06,160 --> 00:16:07,960 Speaker 3: get it. But there's also other side the audience. It's 349 00:16:08,000 --> 00:16:09,560 Speaker 3: like me and goes don't. I don't get it. So 350 00:16:09,680 --> 00:16:15,720 Speaker 3: we relate to both sides. Anyways, thank you, so yes, so, 351 00:16:15,720 --> 00:16:17,280 Speaker 3: So I want to get my music played on the radio. 352 00:16:17,400 --> 00:16:18,960 Speaker 3: And then and then I was like I don't know 353 00:16:19,040 --> 00:16:20,280 Speaker 3: really how to do that. And then I heard this 354 00:16:20,320 --> 00:16:24,040 Speaker 3: commercial for the Connecticut School of Broadcasting and it was 355 00:16:24,160 --> 00:16:26,960 Speaker 3: on I was like the midday guy crash On j 356 00:16:27,080 --> 00:16:28,760 Speaker 3: r R. Played the car. He was like he had, 357 00:16:28,920 --> 00:16:30,760 Speaker 3: you know, I read commercials for them and stuff. 358 00:16:30,960 --> 00:16:32,440 Speaker 4: I remember hearing. I was like, man, that'd be kind 359 00:16:32,440 --> 00:16:33,560 Speaker 4: of cool. I was like, I don't know what that is. 360 00:16:33,880 --> 00:16:36,520 Speaker 3: And so I literally signed up for that class. I 361 00:16:36,520 --> 00:16:38,200 Speaker 3: hate using the word literally, but because it was literally 362 00:16:38,280 --> 00:16:41,120 Speaker 3: signed up for it, and then within maybe I don't know, 363 00:16:41,160 --> 00:16:43,640 Speaker 3: like a month of being there, I met a guy 364 00:16:43,640 --> 00:16:46,360 Speaker 3: who was the morning show producer for the pop station 365 00:16:46,440 --> 00:16:48,400 Speaker 3: there XL one O six seven, and he was like, 366 00:16:48,440 --> 00:16:49,960 Speaker 3: hey man, he goes. He was like he just kind 367 00:16:50,000 --> 00:16:52,520 Speaker 3: of noticed that you have great work ethic early. He 368 00:16:52,640 --> 00:16:54,160 Speaker 3: was like, even have pretty good chops. We would do 369 00:16:54,200 --> 00:16:56,920 Speaker 3: like fake breaks and learn stuff for the television and 370 00:16:57,040 --> 00:16:59,240 Speaker 3: radio side. It was like a trade school basically, and 371 00:16:59,280 --> 00:17:00,800 Speaker 3: I was like, to be fine, I don't know if 372 00:17:00,800 --> 00:17:02,720 Speaker 3: this will go anywhere. It turns out of the schools, 373 00:17:02,760 --> 00:17:05,159 Speaker 3: like I think it's got in a lot of trouble 374 00:17:05,240 --> 00:17:07,840 Speaker 3: or something. Was my gut of it being what it 375 00:17:07,920 --> 00:17:09,680 Speaker 3: was was what it was, And a lot of the 376 00:17:09,720 --> 00:17:12,840 Speaker 3: professors and teachers there were like not really, I mean 377 00:17:12,880 --> 00:17:15,480 Speaker 3: they were you know, they. 378 00:17:16,080 --> 00:17:16,720 Speaker 4: Were what they were. 379 00:17:16,800 --> 00:17:17,399 Speaker 2: They were fake. 380 00:17:17,840 --> 00:17:19,800 Speaker 3: They were fake, but they were like like it would 381 00:17:19,800 --> 00:17:22,359 Speaker 3: be like going to a company and be like, hey, 382 00:17:22,600 --> 00:17:24,680 Speaker 3: you know, I'd love to meet the CEO of McDonald's 383 00:17:24,680 --> 00:17:27,000 Speaker 3: and then you're like, oh, yeah, I work high up 384 00:17:27,000 --> 00:17:29,159 Speaker 3: in there and you're just a cash registered person and 385 00:17:29,160 --> 00:17:30,440 Speaker 3: you show up three days a week and not even 386 00:17:30,440 --> 00:17:31,680 Speaker 3: there all the time. It's like one of those people 387 00:17:31,680 --> 00:17:33,879 Speaker 3: where it's like they would have people who weren't really 388 00:17:34,160 --> 00:17:36,960 Speaker 3: like there, but they were there, or they were there 389 00:17:36,960 --> 00:17:37,760 Speaker 3: at thirty years ago. 390 00:17:37,840 --> 00:17:39,560 Speaker 4: It just was like it wasn't what you thought it 391 00:17:39,600 --> 00:17:40,000 Speaker 4: was going to be. 392 00:17:40,000 --> 00:17:40,320 Speaker 3: It wasn't. 393 00:17:40,520 --> 00:17:42,080 Speaker 4: It wasn't like Bobby Bones. 394 00:17:42,119 --> 00:17:44,440 Speaker 3: Was one of the teachers, like, oh crap, Bobby's still 395 00:17:44,520 --> 00:17:46,080 Speaker 3: like wow, that's you know, I know who he is 396 00:17:46,080 --> 00:17:46,879 Speaker 3: and he's in the industry. 397 00:17:46,920 --> 00:17:47,879 Speaker 4: Whoa, Oh my gosh. 398 00:17:47,920 --> 00:17:50,400 Speaker 3: I'm gonna impress him and hopefully, you know, whatever will 399 00:17:50,400 --> 00:17:51,679 Speaker 3: come from this, or I can learn from. 400 00:17:51,560 --> 00:17:54,080 Speaker 4: Someone who's been Oh wow, Okay. 401 00:17:54,240 --> 00:17:56,520 Speaker 3: It wasn't that got It wasn't that at all, Like, 402 00:17:56,640 --> 00:17:59,520 Speaker 3: not even close to it. But there was one professor 403 00:18:00,359 --> 00:18:02,080 Speaker 3: and after knowing him, I was like, oh, this guy 404 00:18:02,160 --> 00:18:03,960 Speaker 3: just he's a hustler and has lots of different jobs 405 00:18:04,000 --> 00:18:05,960 Speaker 3: and if someone's gonna pay money, he's going to be there. 406 00:18:06,600 --> 00:18:08,720 Speaker 3: He's just that kind of person. And so I met him. 407 00:18:08,920 --> 00:18:10,879 Speaker 3: His name's Alex. He was the producer of the morning 408 00:18:10,880 --> 00:18:13,520 Speaker 3: show and he was there and he was like, hey, man, 409 00:18:13,560 --> 00:18:15,080 Speaker 3: why don't you just come by one day? And I 410 00:18:15,080 --> 00:18:16,600 Speaker 3: don't know what the game was, He's just come by 411 00:18:16,600 --> 00:18:17,880 Speaker 3: one day and you can meet the show and hang 412 00:18:17,920 --> 00:18:20,840 Speaker 3: outs all right, cool whatever. And then I was like, oh, sure, 413 00:18:20,920 --> 00:18:22,840 Speaker 3: no problem. So I know, I didn't go to work 414 00:18:22,880 --> 00:18:24,960 Speaker 3: the next day, and I showed up that morning and 415 00:18:24,960 --> 00:18:27,400 Speaker 3: I got there super early before all of them got there. 416 00:18:27,840 --> 00:18:30,120 Speaker 3: And then he met me out from brought me in 417 00:18:30,280 --> 00:18:31,639 Speaker 3: and I just hung out. I just hung out for 418 00:18:31,680 --> 00:18:33,000 Speaker 3: the day and just watched. At the end of the day, 419 00:18:33,040 --> 00:18:34,480 Speaker 3: Johnny came up to me. He'said, hey, Man, will be 420 00:18:34,520 --> 00:18:38,160 Speaker 3: my intern, And I was like, yeah, man, surely, yeah cool, 421 00:18:38,200 --> 00:18:40,280 Speaker 3: totally yea yeah, of court, Yeah, yeah, I'll be when 422 00:18:40,320 --> 00:18:41,960 Speaker 3: you need me. So I be here tomorrow at whatever. 423 00:18:42,000 --> 00:18:43,639 Speaker 3: I think it was like four. I got there like 424 00:18:43,680 --> 00:18:45,480 Speaker 3: three fifteen, and I got there before. 425 00:18:45,240 --> 00:18:45,680 Speaker 4: He got there. 426 00:18:45,720 --> 00:18:48,280 Speaker 3: So it was like this basically, that school, in that 427 00:18:48,400 --> 00:18:51,880 Speaker 3: moment brought me to meeting these people, which then turned 428 00:18:51,920 --> 00:18:54,359 Speaker 3: into this career. And the school got so mad because 429 00:18:54,359 --> 00:18:55,920 Speaker 3: then I just stopped showing up because I'm I don't 430 00:18:55,920 --> 00:18:58,560 Speaker 3: really need you anymore and I'm now an intern over here. 431 00:18:58,680 --> 00:19:00,639 Speaker 3: But I guess you still need a paper work to 432 00:19:00,680 --> 00:19:03,200 Speaker 3: be a legal intern toor whatever, and so that's why 433 00:19:03,200 --> 00:19:03,520 Speaker 3: I went there. 434 00:19:03,520 --> 00:19:04,960 Speaker 4: It so I was like, oh, he's good, you get paperwork. 435 00:19:05,119 --> 00:19:06,760 Speaker 3: So I had them fill out a letterhead saying I 436 00:19:06,760 --> 00:19:08,200 Speaker 3: could do this internship and at the time like this 437 00:19:08,240 --> 00:19:10,879 Speaker 3: is amazing, We're gonna get credit for this that like 438 00:19:10,960 --> 00:19:12,639 Speaker 3: that we did this and we connected and made this 439 00:19:12,680 --> 00:19:14,840 Speaker 3: a thing. But then after like but I went to 440 00:19:14,840 --> 00:19:16,240 Speaker 3: like one more class and I was like, I'm not 441 00:19:16,640 --> 00:19:18,119 Speaker 3: to my point earlier. I'm like, why would I keep 442 00:19:18,160 --> 00:19:20,480 Speaker 3: learning from these people? But this is everything they're teaching 443 00:19:20,480 --> 00:19:23,200 Speaker 3: me is antiquated. The equipment is old, like it isn't 444 00:19:23,240 --> 00:19:25,399 Speaker 3: what it actually is. Because I'm now seeing what's happening, 445 00:19:25,400 --> 00:19:27,600 Speaker 3: I'm like, this is these are two different worlds. This 446 00:19:27,800 --> 00:19:29,760 Speaker 3: was twenty years behind of what's actually going on it 447 00:19:29,880 --> 00:19:32,480 Speaker 3: often is, and so I'm like, all right, well. 448 00:19:32,280 --> 00:19:33,719 Speaker 4: This is a waste of my time. I was like 449 00:19:33,840 --> 00:19:34,960 Speaker 4: twenty and I'm like this is dumb. 450 00:19:35,000 --> 00:19:36,879 Speaker 3: I'm like, so I just stopped showing up the class 451 00:19:37,280 --> 00:19:39,119 Speaker 3: and then I just kept doing the internship and the 452 00:19:39,119 --> 00:19:42,200 Speaker 3: internship turned into a job and it just kept snowballing 453 00:19:42,200 --> 00:19:42,959 Speaker 3: into where I'm at now. 454 00:19:43,040 --> 00:19:44,840 Speaker 2: Yeah, that's cool. I don't think I had heard that 455 00:19:44,880 --> 00:19:47,840 Speaker 2: story before. That was a good one. Okay, thanks Kyle. 456 00:19:48,119 --> 00:19:50,240 Speaker 3: Wasn't short but I sort of shortened up. There's a 457 00:19:50,280 --> 00:19:51,440 Speaker 3: lot more detail that I left out. 458 00:19:51,680 --> 00:19:53,320 Speaker 2: I'm proud of you, but I. 459 00:19:53,080 --> 00:19:54,639 Speaker 3: Doubted as fast as I could. Just for you. 460 00:19:55,000 --> 00:19:57,840 Speaker 2: Thank you. Go in here with Tanya in California. Wanted 461 00:19:57,840 --> 00:20:02,040 Speaker 2: to find a rad No, no, it's no differently. 462 00:20:02,520 --> 00:20:06,160 Speaker 3: It's not Ta and I a Maybe she's just trying 463 00:20:06,160 --> 00:20:06,879 Speaker 3: to fool us. 464 00:20:07,440 --> 00:20:09,879 Speaker 2: If you could be behind a microphone, would you stay 465 00:20:10,680 --> 00:20:13,320 Speaker 2: stay aware here with the show, because I think some 466 00:20:13,359 --> 00:20:14,560 Speaker 2: people think you might be leaving. 467 00:20:14,680 --> 00:20:15,240 Speaker 3: Like you're like. 468 00:20:18,920 --> 00:20:25,320 Speaker 4: You can. Would I stay? Yeah? I would for a 469 00:20:25,359 --> 00:20:29,159 Speaker 4: little bit. Yeah, yeah, always. 470 00:20:29,000 --> 00:20:30,600 Speaker 3: Too, just so people are aware. 471 00:20:30,640 --> 00:20:33,800 Speaker 4: I never want to take I never want to go. 472 00:20:33,680 --> 00:20:35,879 Speaker 3: From one to the next without making sure whatever I'm 473 00:20:35,960 --> 00:20:38,480 Speaker 3: leaving is fully set up or have something in place 474 00:20:38,840 --> 00:20:43,160 Speaker 3: to keep it at a similar level. Not saying anyone 475 00:20:43,200 --> 00:20:46,040 Speaker 3: could ever do what I do, because it's it's just 476 00:20:46,359 --> 00:20:48,400 Speaker 3: there are very few people. But I want to find 477 00:20:48,400 --> 00:20:51,600 Speaker 3: someone who could at least somewhat come in and try 478 00:20:51,600 --> 00:20:53,960 Speaker 3: to keep the train moving so it doesn't completely fall apart. 479 00:20:54,040 --> 00:20:55,879 Speaker 3: Not saying it would, but there are some things that 480 00:20:56,000 --> 00:20:57,960 Speaker 3: it's like when Da White Street wasn't there in the office, 481 00:20:58,119 --> 00:20:59,960 Speaker 3: Like where's my're like White did that. 482 00:21:00,160 --> 00:21:00,919 Speaker 4: I did this? Why did that? 483 00:21:01,119 --> 00:21:03,840 Speaker 3: You're like, oh, shoot, okay, right, maybe he was someone 484 00:21:03,880 --> 00:21:05,520 Speaker 3: that was of value. 485 00:21:05,880 --> 00:21:07,800 Speaker 2: I always think you're somebody of valuable. 486 00:21:07,800 --> 00:21:09,280 Speaker 4: Well, I don't mean like that. I mean you know 487 00:21:09,320 --> 00:21:09,560 Speaker 4: what I. 488 00:21:09,520 --> 00:21:11,720 Speaker 2: Mean, like I appreciate you all the time. 489 00:21:11,760 --> 00:21:14,359 Speaker 3: Not saying that anyone has said or would feel that way. 490 00:21:14,720 --> 00:21:16,320 Speaker 3: I'm just saying like. 491 00:21:17,080 --> 00:21:18,320 Speaker 2: I'm offended right now. 492 00:21:18,400 --> 00:21:19,480 Speaker 4: No, no, no, you know what I mean. I'm just trying 493 00:21:19,480 --> 00:21:21,240 Speaker 4: to like put I'm trying to find analogy or something. 494 00:21:21,240 --> 00:21:23,600 Speaker 2: I know I got you. I'm just giving no more questions. 495 00:21:24,760 --> 00:21:26,440 Speaker 2: You laughed at me for five minutes. 496 00:21:26,240 --> 00:21:27,880 Speaker 4: So you do know what I mean. 497 00:21:27,880 --> 00:21:30,200 Speaker 3: Like like things whenever something even when someone on the 498 00:21:30,240 --> 00:21:32,159 Speaker 3: show is not there for a day, like oh that was, 499 00:21:32,240 --> 00:21:34,640 Speaker 3: Oh we're missing gotcha this because so and so did 500 00:21:34,720 --> 00:21:38,720 Speaker 3: certain you know, just in life, you know, yeah, yeah. 501 00:21:38,480 --> 00:21:40,240 Speaker 2: You're important to us Scuba and we don't want you 502 00:21:40,280 --> 00:21:42,480 Speaker 2: to leave, but I personally would like you to tase 503 00:21:42,520 --> 00:21:44,240 Speaker 2: your dreams however they may look. And even if you 504 00:21:44,320 --> 00:21:46,000 Speaker 2: leave us, but you will be missed. 505 00:21:46,840 --> 00:21:49,520 Speaker 3: Well, thank you. I appreciate that. I do want to 506 00:21:49,600 --> 00:21:52,199 Speaker 3: have a proper transition, which will mean like this is 507 00:21:52,200 --> 00:21:53,600 Speaker 3: one of the things where it's like, all right, quit 508 00:21:53,640 --> 00:21:55,160 Speaker 3: the job and start the next job the next day. 509 00:21:55,160 --> 00:21:56,919 Speaker 3: This this would take a little bit time of me 510 00:21:57,040 --> 00:21:59,640 Speaker 3: still doing a dual role. I would think, or maybe 511 00:21:59,640 --> 00:22:01,879 Speaker 3: I don't know. I have no idea, but I think 512 00:22:02,119 --> 00:22:05,080 Speaker 3: I think that would make the most sense, but I 513 00:22:05,119 --> 00:22:07,080 Speaker 3: don't know if I should. That's where we should be. 514 00:22:07,320 --> 00:22:10,119 Speaker 2: Okay, well we will stop it. There no more questions. 515 00:22:10,520 --> 00:22:12,720 Speaker 2: The press conference is over and I had more, but 516 00:22:12,800 --> 00:22:14,840 Speaker 2: you know again, they spent five minutes laughing at me. 517 00:22:14,880 --> 00:22:16,600 Speaker 2: So they took five minutes of your questions. 518 00:22:16,640 --> 00:22:18,200 Speaker 4: You go through all the questions, I'll pick one. 519 00:22:18,320 --> 00:22:20,080 Speaker 2: Nope, nope, come on, you're done. 520 00:22:20,119 --> 00:22:22,679 Speaker 3: We are someone right now is like upsetting a question. 521 00:22:23,040 --> 00:22:24,200 Speaker 2: Well, it's your God's fault. 522 00:22:24,359 --> 00:22:25,399 Speaker 4: No, it's not your fault. 523 00:22:25,560 --> 00:22:27,879 Speaker 2: Actually no, it's just actually read. 524 00:22:27,760 --> 00:22:28,879 Speaker 4: Them you want. Morgan won't read them. 525 00:22:28,920 --> 00:22:31,320 Speaker 3: I'm sorry if your questions they are have apologized. 526 00:22:31,359 --> 00:22:32,639 Speaker 2: I tried back to your guys. 527 00:22:32,960 --> 00:22:34,480 Speaker 4: I really try, guys listening. 528 00:22:34,359 --> 00:22:36,200 Speaker 2: And keep you greg under an hour and we just 529 00:22:36,280 --> 00:22:37,040 Speaker 2: hit the hour mark. 530 00:22:37,080 --> 00:22:38,680 Speaker 3: What if there's like one, I'm like, we should answer, 531 00:22:39,000 --> 00:22:40,080 Speaker 3: like what if that person is not going to be 532 00:22:40,119 --> 00:22:40,720 Speaker 3: living next time? 533 00:22:40,760 --> 00:22:41,840 Speaker 4: What if they're going to die? 534 00:22:42,240 --> 00:22:44,520 Speaker 2: And the next week, I have to choose any ones. 535 00:22:44,520 --> 00:22:46,040 Speaker 2: Already I can't answer all of them. 536 00:22:46,080 --> 00:22:48,119 Speaker 3: You know how many questions come in, I don't know, Like, 537 00:22:48,160 --> 00:22:50,040 Speaker 3: but there's like a top three where you probably had 538 00:22:50,080 --> 00:22:52,600 Speaker 3: something you were set to like get into, but now 539 00:22:52,600 --> 00:22:53,119 Speaker 3: we can get in. 540 00:22:53,200 --> 00:22:54,760 Speaker 2: So I just went for the last one that I 541 00:22:54,800 --> 00:22:57,399 Speaker 2: had that I actually truly had was about more of 542 00:22:57,440 --> 00:22:59,200 Speaker 2: the career stuff. And we're stopping there. 543 00:22:59,280 --> 00:23:01,720 Speaker 3: So okay, cool, all right, all. 544 00:23:01,720 --> 00:23:07,520 Speaker 2: Right, really listen to my new podcasting this personally. I 545 00:23:07,520 --> 00:23:10,520 Speaker 2: have a childhood trauma specialist. She's a therapist, and we 546 00:23:10,600 --> 00:23:12,760 Speaker 2: talk a lot about childhood trauma. And then I did 547 00:23:12,760 --> 00:23:14,879 Speaker 2: a little personal journal intrigue. Maybe you can relate to 548 00:23:14,920 --> 00:23:17,000 Speaker 2: some of that. Scuba you can go follow him at 549 00:23:17,000 --> 00:23:20,199 Speaker 2: Scuba Steve Radio and a bun a journal. I do 550 00:23:20,359 --> 00:23:23,239 Speaker 2: like audio journals. Oh that's on like the back end, 551 00:23:23,320 --> 00:23:25,159 Speaker 2: Like I'll bring on the expert for them to be 552 00:23:25,200 --> 00:23:27,200 Speaker 2: like the expert, and then I'll just talk about my experience, 553 00:23:27,240 --> 00:23:29,280 Speaker 2: like as if I were journaling, but it's an audio. 554 00:23:29,440 --> 00:23:30,160 Speaker 4: Oh I see I. 555 00:23:30,160 --> 00:23:33,280 Speaker 3: Heard journal sorry checking emails on a Saturday journals Like, oh, 556 00:23:33,280 --> 00:23:35,120 Speaker 3: you're like doing a journal and you're putting it like 557 00:23:34,760 --> 00:23:36,600 Speaker 3: a like a tumblr, like a blog. 558 00:23:36,520 --> 00:23:39,840 Speaker 2: Remember Tumblr, Remember tumbler. But this is like the podcast 559 00:23:39,920 --> 00:23:42,359 Speaker 2: version of that got It's true, Like I'm not like 560 00:23:42,400 --> 00:23:44,320 Speaker 2: nothing's written now and I'm just like speaking from my 561 00:23:44,440 --> 00:23:45,400 Speaker 2: life experience. 562 00:23:46,240 --> 00:23:48,520 Speaker 4: Podcast that you deer podcast. 563 00:23:48,840 --> 00:23:53,160 Speaker 2: Maybe dear podcast, Dear dear Morgan. 564 00:23:53,440 --> 00:23:57,520 Speaker 3: That's men. 565 00:23:57,720 --> 00:23:59,720 Speaker 4: Made dear man. 566 00:24:00,160 --> 00:24:01,000 Speaker 2: Okay, we're getting out of here. 567 00:24:01,040 --> 00:24:05,359 Speaker 1: Bye everybody. Yes, that's the best bits of the week 568 00:24:05,520 --> 00:24:08,320 Speaker 1: with Morgan. Thanks for listening. Be sure to check out 569 00:24:08,359 --> 00:24:10,760 Speaker 1: the other two parts this weekend. Go follow the show 570 00:24:10,840 --> 00:24:13,960 Speaker 1: on all social platforms Bobby Bob Show and follow at 571 00:24:14,000 --> 00:24:17,440 Speaker 1: Webgirl Morgan to submit your listener questions for next week's episode.