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Speaker 1: Tom Right.

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Speaker 2: I don't think a lot of blogs cover him as

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Speaker 2: much as you do, or they feel like that's more important,

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Speaker 2: Like I don't think everybody feels like that's like he's

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Speaker 2: not a shame like.

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Speaker 1: I like and I and I put you with that.

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Speaker 3: He was kind of shooting at the South and I'm

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Speaker 3: gonna respond to it. We got some game to put

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Speaker 3: next to some lame ship at all times. And his

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Speaker 3: brain he's saying that, y'all South ain't really worth covering

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Speaker 3: because if for this two times ain't worth covering with

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Speaker 3: what he's doing in some of the antics he's putting

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Speaker 3: on and the music he's dropping, what else you gotta

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Speaker 3: do to be covered? On some of these blogs they

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Speaker 3: cover that kind of missing bullshit shit.

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Speaker 2: Gangsters don't die to get rich and move to Miami.

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Speaker 2: The waing said that you understand, like, and that's what

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Speaker 2: street through. You understand they don't safe the streets though.

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Speaker 4: But here's something else gangsters don't do.

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Speaker 3: They don't let no who live in the same shit

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Speaker 3: is still no money from him, and so we gotta

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Speaker 3: be realistic and say, yo, we ain't playing gangst the games.

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Speaker 1: We business man who brought me to him he would say.

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Speaker 2: He was like, yo, man, just sign on shit you bugging?

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Speaker 2: I mean, did he like all he just signed its

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Speaker 2: good so that it was advanced anything. It was just like, yeah,

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Speaker 2: advanced five thousand dollars, five thousand, he signed you for

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Speaker 2: five thousand, listen, gave you that's five thousand was a

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Speaker 2: lot to five thousand.

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Speaker 5: Hit.

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Speaker 1: We're not ship you know what I'm saying that ship hit.

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Speaker 2: I think he said five thousand, Yeah, Nord signed for here,

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Speaker 2: five thousand.

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Speaker 1: Yeah he signed.

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Speaker 4: I ain't gonna lie this to five year.

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Speaker 3: I like the one is being real about his story, Like, Yo,

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Speaker 3: they're five thousand, that I signed a bad deal, bro,

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Speaker 3: They're five thousand at the time meant.

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Speaker 5: Something to me.

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Speaker 1: But it's turning into the state.

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Speaker 5: Bro.

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Speaker 3: I couldn't disagree more than about that he turned in

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Speaker 3: his grave, that he puts so much love into the streets.

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Speaker 3: The last thing that man saw, all right, Peter Nipsey,

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Speaker 3: let's start there. The last thing that Nipsey south wasn't

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Speaker 3: that grew up with him in his game, trying to

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Speaker 3: kick him after he'd had already shot him. And you

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Speaker 3: want me to believe he turned in his grave? That

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Speaker 3: is upholding the streets.

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Speaker 2: I don't care what they do over there in the

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Speaker 2: land and ane of that shit. I just don't want them.

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Speaker 2: I just can't say street.

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Speaker 6: Why do you think savage the streets and we niggas

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Speaker 6: is just well, why would you say what your New

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Speaker 6: York for the streets?

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Speaker 1: Yeah right, it's not New York?

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Speaker 5: Yeah right?

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Speaker 4: Any what about six nine? I guess that's a New

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Speaker 4: York rapper.

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Speaker 7: Is if you ever running up, if you outside trenches,

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Speaker 7: ever put your gun.

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Speaker 5: Up, and you think the fan.

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Speaker 3: I want to welcome everybody to It's Up There Podcast.

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Speaker 3: I go by Big Loan. You know, the vibration is

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Speaker 3: always high. He'd like subscribe? Shall let somebody know I

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Speaker 3: was there the highest level of the game, the Prime Minister,

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Speaker 3: Executive Branch, Southern District. I'm now reporting live from the

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Speaker 3: best podcast in the world, and that's facts. Exclude nobody,

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Speaker 3: especially if we go one on one. You know, I'm

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Speaker 3: a competitor. I like to compete. That's just who I am.

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Speaker 3: If you sensitive exit stage left, We're gonna talk about

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Speaker 3: a lot of different things today. If you want to

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Speaker 3: support me, come to patreon dot com It's Up There Podcast,

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Speaker 3: or come to it's up there part dot com. That's

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Speaker 3: our website. We're looking to employ people, give opportunity to

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Speaker 3: people who are part of our congregation. So if that's

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Speaker 3: you we're looking for you, send an email to editor

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Speaker 3: at It's up there part dot com. And I want

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Speaker 3: to say salute everybody. Listen, everybody know what's snowed in

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Speaker 3: right now. So I felt like, yo, let me get

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Speaker 3: in here and drop a video right quick, drop a

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Speaker 3: part right quick for my people that's locked in. You know,

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Speaker 3: I'm seeing five YEO say a bunch of things about

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Speaker 3: the South here in twenty one savages going at it.

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Speaker 3: I want to put my two cents in that. And

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Speaker 3: I'm gonna be honest. I've been real nice to a

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Speaker 3: lot of niggas on these microphone It's like I'm letting

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Speaker 3: everybody else have all the fun today. I think we're

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Speaker 3: gonna examine a few things still high level though practical content, right,

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Speaker 3: not all that performative shit. We're going practical with it.

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Speaker 3: So we're gonna address that. But I also want to

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Speaker 3: talk to an idea that I've been having over the

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Speaker 3: last couple of days with as I've been communicating with

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Speaker 3: people in my life I understand that even the people

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Speaker 3: that know you powerful can mistake your silence for weakness.

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Speaker 4: But I've been practicing distance, right.

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Speaker 3: I've carved out this space in society that's only for

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Speaker 3: me and the things that get close enough to me

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Speaker 3: to know what that space even is.

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Speaker 4: All this land in the world.

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Speaker 3: And if you get to make it on this side,

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Speaker 3: you made it to a place where not many people

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Speaker 3: gonna be able to come. I notice certain things about

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Speaker 3: human behavior. I like to think I'm an expert in

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Speaker 3: human behavior. Of course, I don't mean that from an

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Speaker 3: educational standpoint. I'd rather deal with it from an experience standpointing.

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Speaker 3: Because the road traveled, I've seen so many different kind

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Speaker 3: of people that it becomes easy for me to identify

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Speaker 3: people based on traits and patterns.

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Speaker 4: I recognize patterns.

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Speaker 3: I want to say this loud and clear, because you

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Speaker 3: know there's a few people that I care about. You

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Speaker 3: know what they think and feel, and sometimes they get

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Speaker 3: it confused when you see me by myself. Understand that

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Speaker 3: you call it distance, I call it discernment. I've been

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Speaker 3: through real life situations.

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Speaker 4: Well.

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Speaker 3: If it was not for my availability, I would have

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Speaker 3: been free of all consequences but I don't need people

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Speaker 3: to relate me being and by myself with me being unloved,

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Speaker 3: because sometimes the mind can play a trick on you,

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Speaker 3: and so I must remind you you've misread a very

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Speaker 3: simple concept. You know, sometimes women and people in relationships

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Speaker 3: people period, they can misread distance for rejection in the

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Speaker 3: same way that they misread you're moving along with you

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Speaker 3: being unloved. See, I was hungry, never thirsty, nigga. See

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Speaker 3: it's easy for y'all to confuse being unwanted with being unavailable.

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Speaker 3: I was unavailable again, I don't engage with fake love.

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Speaker 4: See.

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Speaker 3: The more information I'm getting, I'm starting to realize that

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Speaker 3: being useful, being valuable, and being valued are different things,

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Speaker 3: but they operate in the same space as an overlapping

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Speaker 3: and so it's easy to get confused.

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Speaker 4: Sometimes in this game, you don't.

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Speaker 3: Know whether you're useful, valuable, or you're being valued because

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Speaker 3: it all feel the same. That's why when you look

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Speaker 3: at most of these people, it'll be twenty people with them,

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Speaker 3: and it'll be eighteen people clapping form and two people

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Speaker 3: covering form. It's a reason why I be by myself.

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Speaker 3: I need more people to cover for me. Not clap

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Speaker 3: for me. I don't live by the claps. I don't

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Speaker 3: die by the booze. I need more people covering me.

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Speaker 4: Yeah. Look like an editor to you, but he covering me. Yeah.

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Speaker 4: Look like my producer to you, but he covering me. Yeah.

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Speaker 4: Look like my woman to you, but she covering me. Yeah.

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Speaker 4: Looked like my motherfucking manager to you, but he covering me.

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Speaker 4: My team. Need more people to cover me.

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Speaker 3: I'd rather be alone and be with twenty five people

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Speaker 3: clapping for me. I don't want to get lost in

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Speaker 3: the claps. I got work to do, real work to do.

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Speaker 3: Real help is needed, Real resources need to be delegated.

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Speaker 3: We need to earmark and have discussions about how to

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Speaker 3: put funding on the side of the creators.

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Speaker 4: That's really moving culture. We ain't gonna do that.

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Speaker 3: We too busy fighting against each other and competing with

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Speaker 3: each other. It's only in black culture. It's a reason

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Speaker 3: you ain't seen all the Southern shows on one show

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Speaker 3: on one bill. We waiting on somebody else to do it.

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Speaker 3: But that's another conversation for another time. But proximity is

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Speaker 3: not evidence of love and BOYD, don't it overlap and

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Speaker 3: get confusing. The more money you get, the more you

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Speaker 3: realize access is really cheap. Access is only expensive to

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Speaker 3: poor people. And it ain't because they don't have money.

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Speaker 3: It's because they charge you for things they know you

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Speaker 3: won't when you rich. They don't charge you for nothing,

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Speaker 3: in particular, to go party at most places. In particular,

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Speaker 3: if you spend some money at once. It's a relationship thing.

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Speaker 3: My presence is a present once you get to a

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Speaker 3: certain level.

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Speaker 4: Right.

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Speaker 3: You know what I noticed too in this game, right,

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Speaker 3: A lot of these relationships they don't rest on any

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Speaker 3: kind of mutual understanding, and that's all. It's one person

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Speaker 3: in that relationship performing. That's why a lot of mind

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Speaker 3: tend to you know, the people that love me, I

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Speaker 3: really got love for them, But I don't do the

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Speaker 3: fake love shit because the cause are one way, the

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Speaker 3: invitations are one way. You understand what I'm saying, somebody

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Speaker 3: will be performing in that relationship. And that's in anything

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Speaker 3: in life. You got to learn how to find a

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Speaker 3: balancing thing. Some people will say that, yo, loan, what

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Speaker 3: is fake love? You ever notice that some people can

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Speaker 3: only love you when they're next to you. They can

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Speaker 3: only love you when they have access to you. They

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Speaker 3: love that version of you that makes their life so

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Speaker 3: much easier, And so you've built a relationship with them

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Speaker 3: that over time they gonna ask for a piece of

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Speaker 3: you that you never put on the table. Motherfuckers ask

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Speaker 3: you for money, they ain't. They don't even know that

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Speaker 3: you got. Motherfucker come asking me for seventy five thousand.

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Speaker 3: You think I'm just gonna hand seventy five. Man, you

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Speaker 3: gotta have more sense than that. For people love to

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Speaker 3: love you when you're reachable, when you're available to him.

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Speaker 3: And I ain't out the way mad at him, because

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Speaker 3: I understand love does require evidence, but I also believe

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Speaker 3: love has a certain durability. What you ought to realize

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Speaker 3: is you're dealing with mister Miyagi. If you see some

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Speaker 3: nigga moving around, sin say, yeah, that's a nigga with

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Speaker 3: a lot of information that he do a little bit

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Speaker 3: of planning.

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Speaker 4: And it's usually with women. You understand me.

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Speaker 3: You can never look at somebody like me and think

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Speaker 3: something is missing. Always remember something was removed. If anything,

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Speaker 3: see the absence of something when you call it missing

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Speaker 3: mean I'm still looking for it. When it's been removed.

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Speaker 3: That mean I've let go of it. And words mean things.

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Speaker 3: And so if you don't see me with someone, don't

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Speaker 3: think that missing. I removed them. Don't think nobody missing.

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Speaker 3: I removed them. And when something is removed, you no

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Speaker 3: longer looking for it.

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Speaker 4: You let it go.

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Speaker 3: So I'd rather be by myself. You know, I don't

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Speaker 3: trust niggas anyway. You know, niggas don't have the right mindset.

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Speaker 3: They don't really have love in their heart. They grew

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Speaker 3: up around people that treated them like shit, and they

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Speaker 3: want to take that out on the world. You know,

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Speaker 3: I always tell my youngsters, right, I see some of

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Speaker 3: the homeboys and they have a bunch of niggas with them,

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Speaker 3: and sometimes it ain't the same niggas.

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Speaker 4: I know they be around them.

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Speaker 3: Not that I know no niggas clicks or worry about

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Speaker 3: who being niggas clicks. But you know, I already been

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Speaker 3: through that phase. Like I'm older than most of these dudes,

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Speaker 3: so I do not already have my time doing all that.

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Speaker 3: So I no longer see being surrounded by niggas like

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Speaker 3: a scoreboard. You know, I'm the lone wolf now, you know,

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Speaker 3: I just come out when I got to hunt something down,

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Speaker 3: when I'm just handling something, you know, I don't really

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Speaker 3: have to run around in the packs no more.

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Speaker 1: You know.

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Speaker 3: I try to tell them, man's nothing that creates real

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Speaker 3: understanding like space, and that's in't anything in life, and

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Speaker 3: these is hard lessons like I'm just passing them down,

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Speaker 3: you know, like I would to my children or my

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Speaker 3: sons or something. I don't think there's anything that reveals

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Speaker 3: these niggas like space. I've already had that time in

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Speaker 3: my life where I understood that when access is constant,

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Speaker 3: these niggas can hide their intentions behind habits. Sometimes you

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Speaker 3: create that distance not a relationship. Gotta stand on truth.

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Speaker 3: That's why some niggas that grew up with me hate me.

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Speaker 3: It ain't nothing we done each other. It's just they

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Speaker 3: ain't been able to reach me. The distance make you

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Speaker 3: stand on it. If it was love, then it's supposed

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Speaker 3: to be love now. It don't supposed to be no

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Speaker 3: hate now. If it wasn't no hate, then whatever it is,

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Speaker 3: we gonna stand on it. It ain't supposed to be

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Speaker 3: hate now. When it was love, then I disconnected from

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Speaker 3: a lot of niggas because they didn't respect my pace.

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Speaker 3: They can't respect the road God put me on. They

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Speaker 3: was disrespectful to the journey. My availability to them was

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Speaker 3: supposed to override what God had called me to do,

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Speaker 3: to change my life, to change the lives of people

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Speaker 3: around me, to build businesses. I was supposed to stay

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Speaker 3: and cater to what man they better man, they better

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Speaker 3: watch out. And so I had to look myself in

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Speaker 3: the face and disconnect from certain niggas. I know because

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Speaker 3: I say how they expect me to pray for results

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Speaker 3: and reject the process.

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Speaker 4: What kind of nigga they take me for.

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Speaker 3: Most people think that the blessing comes in the form

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Speaker 3: of some kind of lottery.

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Speaker 4: The blessing is the work.

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Speaker 3: The blessing is the opportunity to interview some of these people,

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Speaker 3: the opportunity to work with somebody.

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Speaker 4: That is the blessing.

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Speaker 3: These long nights, these early mornings, that is the blessing.

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Speaker 3: The blessing ain't the money. The money is a byproduct

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Speaker 3: of the work. The work is the blessing. The ability

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Speaker 3: to be able to play. He ain't on this soul,

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Speaker 3: that's the blessing. This soul being good enough to be

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Speaker 3: able to bear fruit, that's the blessing. There was a

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Speaker 3: disconnect in our mindset, and we're gonna get to the

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Speaker 3: five year old thing. I know a lot of y'all

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Speaker 3: are here for that matter of fact. Let me just

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Speaker 3: wrap this up. There was a disconnect in our mindset.

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Speaker 3: The disconnect was they wanted the money to prove to

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Speaker 3: themselves that they were chosen, not understanding the money is

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Speaker 3: a byproduct of the work, no matter what the industry

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Speaker 3: you in, unless you hit the lottery. And a lot

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Speaker 3: of times, if you ask the people that's hit the lottery,

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Speaker 3: that's more of a curse than it is being chosen.

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Speaker 3: I would almost say the lottery was placed here by

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Speaker 3: the devil and it's wrapped his arms around people that's

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Speaker 3: searching for the blessings of the Lord, because I don't

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Speaker 3: know a lot of success stories about people that hit

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Speaker 3: the lottery. If you got one, reach out to me,

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Speaker 3: let's have that conversation. And I mean the real lott or.

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Speaker 3: I don't mean the six figures, the two hundred and

289
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Speaker 3: fifty k cool, that's small change in the ball game.

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Speaker 3: I'm talking about the large funds. And I thought to myself,

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Speaker 3: this is what created a lot of distance between me

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Speaker 3: and my relationships. A lot Like when I talk to

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Speaker 3: people now, I tell them I'm having trouble with my

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Speaker 3: work and regular life balance. You know, I don't have

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Speaker 3: enough time to disconnect. And I'm figuring out what created

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Speaker 3: a lot of the distance was because people didn't understand

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Speaker 3: my availability was called for, like I needed to go

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Speaker 3: and handle the business, and I understood. The universe opened

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Speaker 3: up and said, listen, son, if you can't embrace the work,

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Speaker 3: I can't trust you with the outcome because everybody that

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Speaker 3: do that work that I'm finishing you to do, everybody

302
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Speaker 3: that do, they get the same outcome, success, prosperity if

303
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Speaker 3: you do it in the right way. If I can't

304
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Speaker 3: trust you and I can't see you embrace the work,

305
00:16:04,200 --> 00:16:06,760
Speaker 3: how can I trust you with the outcome? And so

306
00:16:06,880 --> 00:16:10,000
Speaker 3: let's set to reconstrate about something again. These are things

307
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Speaker 3: I want to communicate to y'all. Just high level shit

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Speaker 3: that just on my mind that I just feel like

309
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Speaker 3: on my spirit that I want to communicate to the world.

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Speaker 3: Hopefully it reaches somebody. The money doesn't show up until

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Speaker 3: the value is obvious. That's not what the value is created.

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Speaker 3: Pay attention. You do better chasing the work then you

313
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Speaker 3: do chasing the money. Because if you chase the money,

314
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Speaker 3: you're chasing a shadow. And the reason I think God

315
00:16:39,080 --> 00:16:41,880
Speaker 3: in the universe says, listen, son, you must embrace the work.

316
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Speaker 3: It ain't that yo. You gotta take this long process

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Speaker 3: for you to appreciate it. While what I really truly

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Speaker 3: believe is is that's where you get great at and

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Speaker 3: even to sustain on the level that you're gonna get to.

320
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Speaker 3: If you do work through the process, you gotta be great.

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Speaker 3: That's why sometimes you will see me and I'm really

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Speaker 3: passionate about whatever subject. It's because this is a sacred

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Speaker 3: space for me. This is the work God has placed

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Speaker 3: me to do. This is what I've been called to do,

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Speaker 3: communicate with the world for whatever reason. And so I

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Speaker 3: try to tap in and really say what am I

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Speaker 3: trying to say? What do I need to say? Who

328
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Speaker 3: is listening to me? Who is my audience? What am

329
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Speaker 3: I here to communicate? It's deeper than just Blase blase talking. Boy,

330
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Speaker 3: you've been through it and you beat it. You ain't

331
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Speaker 3: walking around with the control.

332
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Speaker 4: In your hand.

333
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Speaker 3: This sacred space, the work is where you become undeniable, unstoppable, relatable,

334
00:17:42,080 --> 00:17:47,640
Speaker 3: resourceful patient. This is where you really hornish your skills at.

335
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Speaker 3: And I always remember that I said, this payment is

336
00:17:51,480 --> 00:17:55,080
Speaker 3: always behind the performance. You ever notice that even if

337
00:17:55,080 --> 00:17:57,000
Speaker 3: you get some of these big deals. This is even

338
00:17:57,040 --> 00:17:59,359
Speaker 3: in life, loved one, This ain't even just in business,

339
00:17:59,440 --> 00:18:02,200
Speaker 3: but it applies to both. You know, I'm neck cold,

340
00:18:02,480 --> 00:18:06,160
Speaker 3: I tend to hit them type double antandras. But payment

341
00:18:06,240 --> 00:18:10,600
Speaker 3: is after performance. Even in business, you usually performing didn't

342
00:18:10,600 --> 00:18:12,960
Speaker 3: get paid. You ever see a rapper say, yo, them

343
00:18:13,000 --> 00:18:15,399
Speaker 3: streams doing good, but I don't get that checked to

344
00:18:15,480 --> 00:18:20,240
Speaker 3: another four months. You ever see an NFL contract it's

345
00:18:20,320 --> 00:18:24,600
Speaker 3: this much money over eight years. A lot of times

346
00:18:24,640 --> 00:18:26,960
Speaker 3: they give you a small part up front and a

347
00:18:27,119 --> 00:18:32,840
Speaker 3: large sum on the back end. Payment follows performance. You

348
00:18:32,920 --> 00:18:35,560
Speaker 3: gotta embrace the work. But I just wanted to say that,

349
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Speaker 3: man like, there's so many young people that listen to

350
00:18:39,040 --> 00:18:40,880
Speaker 3: me for those kinds of things. But what I really

351
00:18:40,920 --> 00:18:42,520
Speaker 3: want to talk about today, and we're gonna get out

352
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Speaker 3: of here. It ain't gonna be a long one five

353
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Speaker 3: year old four and in twenty one, savage five year

354
00:18:46,560 --> 00:18:50,199
Speaker 3: old fourm went on Academics podcast and he was, you know,

355
00:18:50,320 --> 00:18:52,520
Speaker 3: saying a lot had a lot of choice for words,

356
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Speaker 3: even for the South. I think people feel like there's

357
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Speaker 3: a crack in the foundation of the South, which is Atlanta.

358
00:18:59,720 --> 00:19:03,439
Speaker 3: People feel like that it's crumbling and they're taking shots

359
00:19:03,480 --> 00:19:07,160
Speaker 3: and they're trying to steal the throne. You know, We've

360
00:19:07,200 --> 00:19:08,879
Speaker 3: had a long run, but I think a lot of

361
00:19:08,880 --> 00:19:11,640
Speaker 3: these feelings have been there. That's why I've always said

362
00:19:11,720 --> 00:19:13,520
Speaker 3: it was interesting when I seen a lot of these

363
00:19:13,600 --> 00:19:16,480
Speaker 3: rappers running the up North platforms, like Savage he has

364
00:19:16,520 --> 00:19:20,600
Speaker 3: been on math hawf for several times, and math Halfer

365
00:19:20,720 --> 00:19:23,040
Speaker 3: and you know, respectfully to all of these guys, but

366
00:19:23,080 --> 00:19:25,600
Speaker 3: they're New York platforms. But it feels like some of

367
00:19:25,640 --> 00:19:28,160
Speaker 3: these up North guys feel a way like so five

368
00:19:28,240 --> 00:19:30,760
Speaker 3: year old farm went on Academics podcast and he spoke

369
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Speaker 3: about the South. He has some very choice words, and

370
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Speaker 3: so I want to react to some of it and

371
00:19:36,640 --> 00:19:39,040
Speaker 3: give my commentary on how I feel about it. And

372
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Speaker 3: let me say this, at the beginning of this five

373
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Speaker 3: year oh, you are invited for a conversation. Let me

374
00:19:44,920 --> 00:19:47,280
Speaker 3: be clear, A couple of them guys that you spoke

375
00:19:47,359 --> 00:19:49,920
Speaker 3: on them, reached to me already. I'm thinking about having

376
00:19:49,920 --> 00:19:52,000
Speaker 3: a couple of them on streaming. Y'all can call my

377
00:19:52,040 --> 00:19:54,600
Speaker 3: bluff if you want. And not that I got any

378
00:19:54,640 --> 00:19:56,920
Speaker 3: issue with five YEARO. It's just I don't even really

379
00:19:56,960 --> 00:19:58,880
Speaker 3: do this kind of content, but I think this year

380
00:19:58,880 --> 00:19:59,280
Speaker 3: I want to.

381
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Speaker 4: I want to partic in this space.

382
00:20:01,840 --> 00:20:05,159
Speaker 3: And I was telling Glasses Malone, it's like, yo, you know,

383
00:20:05,400 --> 00:20:07,280
Speaker 3: a certain part of me for a long time is

384
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Speaker 3: like I ain't having no conversations with them niggas, mixing

385
00:20:09,800 --> 00:20:10,919
Speaker 3: and blending with them niggas.

386
00:20:10,920 --> 00:20:11,960
Speaker 4: Now we having.

387
00:20:11,680 --> 00:20:15,080
Speaker 3: Conversations with them niggas, and we mixing and blending with

388
00:20:15,119 --> 00:20:19,119
Speaker 3: them niggas, and we crushing some of them ideas because

389
00:20:19,160 --> 00:20:20,639
Speaker 3: our space has been infiltrated.

390
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Speaker 4: How they gonna take music from us?

391
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Speaker 3: And then we gonna say, I ain't fucking with them

392
00:20:24,040 --> 00:20:26,119
Speaker 3: where they got the music game? Now we got to

393
00:20:26,240 --> 00:20:29,520
Speaker 3: do something to get some of it back, have real conversations,

394
00:20:29,560 --> 00:20:32,560
Speaker 3: balance it out. If not, it's gonna be unbalanced. They

395
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Speaker 3: got fifty seven pages, what they own? These niggas own

396
00:20:36,480 --> 00:20:40,840
Speaker 3: fifty sixty different pages across eight nine different sites. Some

397
00:20:40,880 --> 00:20:43,200
Speaker 3: of the bigger pages they kind of control narratives and

398
00:20:43,240 --> 00:20:45,960
Speaker 3: they all posted the same like it's a whole operation

399
00:20:46,119 --> 00:20:48,560
Speaker 3: going on. And so we got to integrate with them

400
00:20:48,560 --> 00:20:51,960
Speaker 3: and not disrespectful as it pertains to like with no agenda.

401
00:20:52,000 --> 00:20:54,520
Speaker 3: It's just that the truth is on this side. The

402
00:20:54,600 --> 00:20:58,080
Speaker 3: truth is what the understanding lies. You have no understanding

403
00:20:58,119 --> 00:21:01,400
Speaker 3: on things you're talking about. Not be talking about him

404
00:21:01,400 --> 00:21:04,600
Speaker 3: from a certain perspective. A lot of niggas ain't paid

405
00:21:04,640 --> 00:21:09,320
Speaker 3: nothing for their gangster they repping. That's what killed me.

406
00:21:10,000 --> 00:21:12,040
Speaker 3: So many of you niggas ain't paid the dying for

407
00:21:12,119 --> 00:21:16,320
Speaker 3: the gangster shit, y'all ripping. You understand what I'm saying,

408
00:21:16,680 --> 00:21:19,440
Speaker 3: and be the loudest niggas holling gangster shit in the street.

409
00:21:19,480 --> 00:21:21,399
Speaker 3: Shit what you niggas done in the streets. A lot

410
00:21:21,440 --> 00:21:25,160
Speaker 3: of you niggas was relatively broke before the game. Didn't

411
00:21:25,160 --> 00:21:29,600
Speaker 3: have Nate thing. Nate in Christine for five year old

412
00:21:29,640 --> 00:21:31,520
Speaker 3: said a bunch of things on here that was like,

413
00:21:32,080 --> 00:21:34,880
Speaker 3: why he gotta like a disdain for the South. I'm

414
00:21:34,920 --> 00:21:38,040
Speaker 3: wondering what the relationship is between the South and the North.

415
00:21:38,280 --> 00:21:40,359
Speaker 3: Have a lot of those artists been dealing with Southern

416
00:21:40,480 --> 00:21:42,919
Speaker 3: artists just because they have to. It's like dealing with

417
00:21:42,960 --> 00:21:45,800
Speaker 3: the plug. You don't really give a fuck what ethnicity is.

418
00:21:46,119 --> 00:21:48,280
Speaker 3: He got the audience, he can get us to the people.

419
00:21:49,600 --> 00:21:52,160
Speaker 3: And so this conversation with five year old four made

420
00:21:52,200 --> 00:21:54,360
Speaker 3: me think about that a little more. So I want

421
00:21:54,359 --> 00:21:56,240
Speaker 3: to listen to a few parts of this five year

422
00:21:56,240 --> 00:21:58,080
Speaker 3: old FOURIGN interview and tell you why I think he

423
00:21:58,960 --> 00:22:00,680
Speaker 3: was kind of shooting at the same and I'm gonna

424
00:22:00,680 --> 00:22:02,640
Speaker 3: respond to it. We got some game to put next

425
00:22:02,720 --> 00:22:06,480
Speaker 3: to some lame shit at all times. Now, now that's

426
00:22:06,520 --> 00:22:10,439
Speaker 3: a whole fact, and now love one. That's a whole fact,

427
00:22:10,480 --> 00:22:12,320
Speaker 3: not a half a fact. That's a whole one.

428
00:22:12,400 --> 00:22:12,560
Speaker 5: Yeah.

429
00:22:13,000 --> 00:22:15,440
Speaker 3: The first thing he said in reference to the South,

430
00:22:16,040 --> 00:22:19,240
Speaker 3: it felt like he was saying that, hey, yo, academics,

431
00:22:19,320 --> 00:22:22,880
Speaker 3: these Southern niggas ain't worthy, and trust me, if they

432
00:22:22,920 --> 00:22:26,280
Speaker 3: convince him of that, he might stop covering Southern niggas.

433
00:22:26,280 --> 00:22:28,320
Speaker 3: But I think the business is too well and he's

434
00:22:28,359 --> 00:22:30,880
Speaker 3: explaining that these hip hop he got it. I'll give

435
00:22:30,920 --> 00:22:32,920
Speaker 3: him the benefit of a doubt. Let's not even deal

436
00:22:32,960 --> 00:22:36,600
Speaker 3: with dude right now. If they're able to convince him, though,

437
00:22:36,920 --> 00:22:40,160
Speaker 3: he can stop covering you niggas. The first disrespectful thing

438
00:22:40,240 --> 00:22:43,399
Speaker 3: he said to a Southern artist, he said it to

439
00:22:43,560 --> 00:22:47,480
Speaker 3: for next two times. He said it about for next

440
00:22:47,560 --> 00:22:50,440
Speaker 3: two times. Here's what he said, Pay attention.

441
00:22:50,480 --> 00:22:54,359
Speaker 2: The things that you decide to put to the forefront

442
00:22:54,960 --> 00:22:57,000
Speaker 2: is the things that you decide to put to the forefront,

443
00:22:57,080 --> 00:22:58,400
Speaker 2: like two Thompson's right.

444
00:22:58,359 --> 00:23:02,400
Speaker 1: I don't think a lot of blogs cover him.

445
00:23:02,200 --> 00:23:05,200
Speaker 2: As much as you do, or they feel like that's

446
00:23:05,240 --> 00:23:09,400
Speaker 2: more important, Like I don't think everybody feels like That's

447
00:23:09,400 --> 00:23:12,320
Speaker 2: like he's not a shape room like I like and

448
00:23:12,400 --> 00:23:15,239
Speaker 2: I and I put you with that for me. So

449
00:23:15,280 --> 00:23:17,840
Speaker 2: it's like, if you don't post it, then it doesn't

450
00:23:17,840 --> 00:23:19,240
Speaker 2: matter in reality.

451
00:23:20,280 --> 00:23:21,919
Speaker 8: I agree partially with that.

452
00:23:22,200 --> 00:23:24,639
Speaker 3: So so basically, he was saying, for this two times,

453
00:23:24,680 --> 00:23:26,320
Speaker 3: ain't like why you covering that?

454
00:23:26,320 --> 00:23:28,360
Speaker 4: That shit ain't important? It don't make shave room.

455
00:23:28,359 --> 00:23:30,800
Speaker 3: And I know that sound like yo yo, it's just

456
00:23:30,800 --> 00:23:33,119
Speaker 3: some little small ship, but that's telling me in his

457
00:23:33,240 --> 00:23:36,240
Speaker 3: brain he's saying that, y'all South niggas ain't really worth

458
00:23:36,280 --> 00:23:40,240
Speaker 3: covering because if for this two times ain't worth covering

459
00:23:40,640 --> 00:23:42,880
Speaker 3: with what he's doing in some of the antics he's

460
00:23:42,920 --> 00:23:46,159
Speaker 3: putting on and the music he's dropping, what else a

461
00:23:46,200 --> 00:23:48,120
Speaker 3: nigga gotta do to be covered? On some of these

462
00:23:48,160 --> 00:23:51,919
Speaker 3: blogs they cover that kind of missing bullshit. This is

463
00:23:51,960 --> 00:23:54,840
Speaker 3: what them blogs cover. How the fuck for this ain't

464
00:23:54,880 --> 00:23:57,439
Speaker 3: able to be covered? How is that even a conversation

465
00:23:57,720 --> 00:24:01,400
Speaker 3: it's because you South niggas ain't wordy to be covered

466
00:24:02,320 --> 00:24:05,119
Speaker 3: except little baby at what he's saying, and I agree

467
00:24:05,119 --> 00:24:08,600
Speaker 3: with him about baby. There's also this interesting dynamic where

468
00:24:08,640 --> 00:24:12,920
Speaker 3: rappers look at post like if academics post, shade room post,

469
00:24:13,040 --> 00:24:17,280
Speaker 3: somebody posts them like it's this hot commodity. I don't

470
00:24:17,320 --> 00:24:19,679
Speaker 3: know when they're going to realize it doesn't translate to

471
00:24:19,800 --> 00:24:21,439
Speaker 3: sales of music being sold.

472
00:24:22,520 --> 00:24:23,080
Speaker 4: A lot of you.

473
00:24:23,080 --> 00:24:25,840
Speaker 3: Niggas get posted all over the world and fall off.

474
00:24:26,880 --> 00:24:28,920
Speaker 3: Matter of fact, there's a lot of people being quote

475
00:24:29,000 --> 00:24:32,840
Speaker 3: unquote posted that's broke. So I'm confused about why they

476
00:24:32,880 --> 00:24:35,280
Speaker 3: think being posted on some of these blogs is of

477
00:24:35,440 --> 00:24:38,800
Speaker 3: such high importance. I get it, you lit online like

478
00:24:38,840 --> 00:24:40,960
Speaker 3: you lit in the social media world, but if the

479
00:24:41,000 --> 00:24:43,679
Speaker 3: objective is money, see this is why I'm saying they

480
00:24:43,760 --> 00:24:46,639
Speaker 3: talking out of both sides of their mouth. You can't

481
00:24:46,680 --> 00:24:49,440
Speaker 3: on one end say I'm not the guy that cares

482
00:24:49,480 --> 00:24:52,520
Speaker 3: about social media. If I wasn't making music, I wouldn't

483
00:24:52,560 --> 00:24:55,639
Speaker 3: be on there. You insinuating that you're on social media

484
00:24:55,680 --> 00:24:58,439
Speaker 3: only to make money. Then in the next sentence, you

485
00:24:58,680 --> 00:25:02,040
Speaker 3: worry about being posted on blogs you're not paid on.

486
00:25:02,040 --> 00:25:04,480
Speaker 3: On top of you not being paid on these blogs,

487
00:25:04,520 --> 00:25:06,679
Speaker 3: and a lot of times it doesn't even translate to

488
00:25:06,800 --> 00:25:07,840
Speaker 3: music being sold.

489
00:25:08,400 --> 00:25:10,879
Speaker 4: So what are you doing? You applauding the.

490
00:25:10,760 --> 00:25:14,320
Speaker 3: Fame side of the game, which contradicts your pride statement

491
00:25:14,359 --> 00:25:16,679
Speaker 3: of if I wasn't a rap on any game, I

492
00:25:16,680 --> 00:25:21,600
Speaker 3: wouldn't even be on social media. They gotta remember people

493
00:25:21,640 --> 00:25:25,280
Speaker 3: are listening and watching these things love and solute to

494
00:25:25,359 --> 00:25:28,800
Speaker 3: five yo, and it ain't a problem. There's a conversation

495
00:25:28,920 --> 00:25:31,399
Speaker 3: that can be had from a Southern perspective if you

496
00:25:31,480 --> 00:25:33,119
Speaker 3: want to have it. I ain't pressed to have no

497
00:25:33,200 --> 00:25:37,439
Speaker 3: conversation with no nigga period. Again, that's niggas that you

498
00:25:37,560 --> 00:25:40,280
Speaker 3: mentioned that's in my DM right now that I might

499
00:25:40,359 --> 00:25:42,960
Speaker 3: pull up just becauz just to have a conversation because

500
00:25:43,000 --> 00:25:45,640
Speaker 3: I do want to understand how New York feel. I'll

501
00:25:45,680 --> 00:25:48,520
Speaker 3: be up there soon to get with zipping other niggas.

502
00:25:49,160 --> 00:25:51,399
Speaker 3: I'll be up there soon, y'all. Just hold it down.

503
00:25:51,640 --> 00:25:55,359
Speaker 3: Shout out to my New York players. But I felt

504
00:25:55,400 --> 00:25:57,600
Speaker 3: like this was a slight when he was talking about

505
00:25:57,640 --> 00:26:00,560
Speaker 3: for this shouldn't been able to be cut. I just

506
00:26:00,560 --> 00:26:03,000
Speaker 3: thought it was interesting how they looked at some of

507
00:26:03,040 --> 00:26:05,919
Speaker 3: the social media infrastructure and how it relates to music.

508
00:26:05,960 --> 00:26:07,680
Speaker 3: I don't see the value in the same way.

509
00:26:07,800 --> 00:26:08,080
Speaker 4: Get it.

510
00:26:08,119 --> 00:26:11,320
Speaker 3: I get it the fame side of it. Yeah you piping,

511
00:26:11,480 --> 00:26:14,720
Speaker 3: Yeah you famous? Yeah, they know you. Seventy thousand likes,

512
00:26:14,760 --> 00:26:18,280
Speaker 3: whoa you didn't get paid for none of them. That's

513
00:26:18,280 --> 00:26:20,719
Speaker 3: what be crazy to me. These niggas really be handing

514
00:26:20,720 --> 00:26:24,919
Speaker 3: off their IP to academics. Please post my IP, Please

515
00:26:24,960 --> 00:26:29,960
Speaker 3: take my IP, nigga, don't you know content is king

516
00:26:30,040 --> 00:26:32,240
Speaker 3: right now? You spost to be making money off this shit.

517
00:26:34,760 --> 00:26:37,240
Speaker 3: They don't care about the money. They want to be famous.

518
00:26:37,920 --> 00:26:40,399
Speaker 3: But this is just me really giving high level game

519
00:26:40,920 --> 00:26:43,000
Speaker 3: like this is me really laying it all the way

520
00:26:43,000 --> 00:26:45,399
Speaker 3: out and laying it down. Here's something I need niggas

521
00:26:45,440 --> 00:26:50,040
Speaker 3: to understand. It even got more interesting as he responded

522
00:26:50,160 --> 00:26:53,800
Speaker 3: to the Fuck the Streets movement and spoke on twenty

523
00:26:53,840 --> 00:26:55,119
Speaker 3: one Savage with academics.

524
00:26:55,160 --> 00:26:57,560
Speaker 9: Pay attention the I think you were one of the

525
00:26:57,560 --> 00:26:59,679
Speaker 9: people who disagreed with the Fuck the Streets movement.

526
00:27:02,200 --> 00:27:06,760
Speaker 2: Fuck them, niggas. You don't like that movement, Fuck them, niggas.

527
00:27:07,200 --> 00:27:10,480
Speaker 2: Let me say something. When niggas say fuck the streets,

528
00:27:10,560 --> 00:27:15,679
Speaker 2: they saying fuck me. I'm I'm a nigga. With my

529
00:27:15,800 --> 00:27:19,119
Speaker 2: whole life, my whole career, and my whole everything I

530
00:27:19,320 --> 00:27:20,600
Speaker 2: stand for is the streets.

531
00:27:21,240 --> 00:27:23,720
Speaker 1: So I feel like they're saying fuck me. I took

532
00:27:23,760 --> 00:27:24,280
Speaker 1: it personal.

533
00:27:24,880 --> 00:27:27,320
Speaker 2: You understand, I still got niggas in my phone that

534
00:27:27,400 --> 00:27:28,879
Speaker 2: I fuck with every day that I talk to.

535
00:27:29,000 --> 00:27:29,400
Speaker 1: That's not.

536
00:27:30,920 --> 00:27:34,280
Speaker 2: Where I'm at. That helps me in my everyday life.

537
00:27:34,359 --> 00:27:37,119
Speaker 2: We understand, like and they trying to get where they

538
00:27:37,200 --> 00:27:40,840
Speaker 2: trying to be. But niggas got their own aim in

539
00:27:40,880 --> 00:27:43,239
Speaker 2: their own situation. And a lot of them niggas who

540
00:27:43,280 --> 00:27:46,520
Speaker 2: said fuck the streets came up off the streets. Don't understand.

541
00:27:47,080 --> 00:27:49,199
Speaker 9: So do you understand the angle that they might be

542
00:27:49,240 --> 00:27:53,760
Speaker 9: coming from. They're like, whoa, they're not street niggas. Well,

543
00:27:53,800 --> 00:27:55,960
Speaker 9: I think I think they were trying to. Well, the

544
00:27:56,000 --> 00:27:57,920
Speaker 9: reason we're saying fuck the streets is the streets gave

545
00:27:58,000 --> 00:28:00,600
Speaker 9: us a lot of trauma and this shit heard and.

546
00:28:01,200 --> 00:28:02,959
Speaker 1: They're not street niggas no more so.

547
00:28:03,000 --> 00:28:05,640
Speaker 2: I could smack one of them niggas and they can't

548
00:28:05,640 --> 00:28:06,680
Speaker 2: really do nothing about it.

549
00:28:08,119 --> 00:28:10,359
Speaker 1: They got to like go, you know, you know you

550
00:28:10,400 --> 00:28:12,399
Speaker 1: know what I was thinking, we need said that.

551
00:28:13,040 --> 00:28:14,720
Speaker 2: I saw a lot of niggas say streets, and you

552
00:28:14,720 --> 00:28:17,280
Speaker 2: know what, I thought I thought Nipsey Hustle was turning

553
00:28:17,440 --> 00:28:21,400
Speaker 2: his graves when the niggas said that, because the Nissa.

554
00:28:21,240 --> 00:28:22,960
Speaker 1: Hustle was a nigga who lost his life.

555
00:28:24,440 --> 00:28:29,680
Speaker 2: Because he was keeping street code, understand, so that shit

556
00:28:29,800 --> 00:28:30,280
Speaker 2: was crazy.

557
00:28:32,200 --> 00:28:35,240
Speaker 9: That's actually really interested. I never thought about it later,

558
00:28:35,280 --> 00:28:36,320
Speaker 9: You're right, You're right.

559
00:28:36,320 --> 00:28:39,200
Speaker 1: Well, Nipsey Hustle is turning in this great fright.

560
00:28:40,120 --> 00:28:43,960
Speaker 3: I couldn't disagree more than about that as it pertains

561
00:28:44,000 --> 00:28:45,760
Speaker 3: to it. And let me say this, I ain't defending

562
00:28:45,800 --> 00:28:49,720
Speaker 3: no niggas saying nothing, right, I ain't been hired to

563
00:28:49,800 --> 00:28:52,120
Speaker 3: defend nobody and I ain't doing that. So I'm having

564
00:28:52,120 --> 00:28:54,520
Speaker 3: a conversation with from my thoughts and came no nigga

565
00:28:54,600 --> 00:28:58,040
Speaker 3: paid me to say nothing, or you know, my auntonomy

566
00:28:58,080 --> 00:29:00,440
Speaker 3: hasn't been affected never ever. So I just want to

567
00:29:00,440 --> 00:29:02,520
Speaker 3: be clear about that. Sometimes you gotta put that on

568
00:29:02,560 --> 00:29:05,320
Speaker 3: the record just to kill the conspiracy on the front end.

569
00:29:06,360 --> 00:29:09,000
Speaker 3: What I do want to say, though, is I'm not

570
00:29:09,040 --> 00:29:12,520
Speaker 3: sure Nipps shill be turning in his grave, that niggas

571
00:29:12,560 --> 00:29:14,680
Speaker 3: is screaming fuck the streets when he was killed in

572
00:29:14,720 --> 00:29:18,440
Speaker 3: his neighborhood by someone from his game. If the streets

573
00:29:18,440 --> 00:29:20,880
Speaker 3: had any kind of dignity, they wouldn't have let Nipsey

574
00:29:20,920 --> 00:29:24,560
Speaker 3: go through that. And I'm certified out standing member. Ain't

575
00:29:24,560 --> 00:29:26,920
Speaker 3: now nigga gave me a dime. I guess man fell

576
00:29:26,920 --> 00:29:29,400
Speaker 3: out the sky. I'm one to one. So I'm saying

577
00:29:29,440 --> 00:29:31,760
Speaker 3: this from a perspective of a nigga who got their

578
00:29:31,800 --> 00:29:35,240
Speaker 3: finger nails dirty and beat the concrete up by this money.

579
00:29:36,520 --> 00:29:38,920
Speaker 3: I don't think Nipsey was in no situation where he

580
00:29:39,000 --> 00:29:41,520
Speaker 3: turning in his grave. I think he turned in his

581
00:29:41,640 --> 00:29:44,560
Speaker 3: grave that he puts so much love into the streets.

582
00:29:45,280 --> 00:29:48,080
Speaker 3: A nigga from my gang done this. This is one

583
00:29:48,080 --> 00:29:50,440
Speaker 3: of the smartest people that come from my walk of life.

584
00:29:50,880 --> 00:29:54,640
Speaker 3: They got people that's debating whether he was Jesus like,

585
00:29:55,200 --> 00:29:57,640
Speaker 3: and you think he was stupid enough to die thinking

586
00:29:58,000 --> 00:29:59,720
Speaker 3: somebody from my gang done this.

587
00:30:01,600 --> 00:30:02,720
Speaker 4: The streets is lit.

588
00:30:03,040 --> 00:30:05,680
Speaker 3: The last thing that man saw, all right, Peter Nipsey,

589
00:30:07,120 --> 00:30:09,880
Speaker 3: let's start there. The last thing that Nipsey saw was

590
00:30:09,880 --> 00:30:12,640
Speaker 3: a nigga that grew up with him in his game,

591
00:30:14,640 --> 00:30:17,320
Speaker 3: trying to kick him at the heat and already shot him.

592
00:30:17,680 --> 00:30:20,000
Speaker 3: And you want me to believe he turned in his grave.

593
00:30:20,280 --> 00:30:24,120
Speaker 3: That niggas is upholding the streets. Y'all boys, gotta thank

594
00:30:24,160 --> 00:30:24,880
Speaker 3: for you talk.

595
00:30:25,000 --> 00:30:25,240
Speaker 1: Man.

596
00:30:25,960 --> 00:30:29,520
Speaker 3: It's a big homie call. Y'all niggas gotta thank for

597
00:30:29,600 --> 00:30:31,520
Speaker 3: you talk. And this is what I want to know.

598
00:30:31,640 --> 00:30:33,520
Speaker 3: Is we playing some kind of game? It's what I

599
00:30:33,640 --> 00:30:36,760
Speaker 3: be wondering. You know, I told y'all last episode, somebody

600
00:30:36,800 --> 00:30:40,040
Speaker 3: asked a nigga when he did respect me before I

601
00:30:40,120 --> 00:30:42,400
Speaker 3: get that him, you understand me before I put him

602
00:30:42,440 --> 00:30:43,400
Speaker 3: down to the floor.

603
00:30:44,160 --> 00:30:45,880
Speaker 4: Is you dropping a mixtape? Nigga?

604
00:30:45,960 --> 00:30:49,600
Speaker 3: Is you trying to see cause you niggas be talking

605
00:30:49,640 --> 00:30:52,360
Speaker 3: like y'all finna drop a mixtape. How y'all be popping

606
00:30:52,400 --> 00:30:53,480
Speaker 3: this high power shit?

607
00:30:54,160 --> 00:30:54,320
Speaker 1: Man?

608
00:30:54,360 --> 00:30:57,360
Speaker 3: You niggas be going high power man. So I be wondering,

609
00:30:57,520 --> 00:31:01,200
Speaker 3: is anybody playing like they street gangsters or gener rules

610
00:31:01,200 --> 00:31:01,600
Speaker 3: are like.

611
00:31:03,480 --> 00:31:03,520
Speaker 1: It?

612
00:31:03,560 --> 00:31:06,360
Speaker 3: Is they playing like they street niggas like hard Cole

613
00:31:06,360 --> 00:31:09,360
Speaker 3: I'm talking about willing to go to jail, ain't tripping

614
00:31:09,400 --> 00:31:12,280
Speaker 3: on nothing, and they just left rehab. I'm just saying, like,

615
00:31:12,440 --> 00:31:16,080
Speaker 3: we can't play like when grown men doing business. We

616
00:31:16,200 --> 00:31:18,920
Speaker 3: can't play like when elevated past the street, did he

617
00:31:19,000 --> 00:31:22,120
Speaker 3: say it wrong? Yeah he did, and already acknowledge that

618
00:31:22,120 --> 00:31:24,480
Speaker 3: that mean niggas is picking. So we're gonna get into

619
00:31:24,480 --> 00:31:27,840
Speaker 3: the South versus of North after this. But I'm just saying,

620
00:31:28,400 --> 00:31:32,120
Speaker 3: if I understand Nibbs's content, it was always about elevation,

621
00:31:32,360 --> 00:31:36,120
Speaker 3: elevating past the street. It was always speaking life and

622
00:31:36,200 --> 00:31:40,760
Speaker 3: breathing life in the street. Niggas see trying to elevate

623
00:31:40,840 --> 00:31:46,080
Speaker 3: past the street. Don't mean fuck street niggas. I keep

624
00:31:46,120 --> 00:31:49,560
Speaker 3: telling y'all, it ain't fucked the people that's trapped. It's

625
00:31:49,600 --> 00:31:54,040
Speaker 3: fucked the trap. But some people have an intention to

626
00:31:54,120 --> 00:31:57,200
Speaker 3: misunderstand because it's cloud attached to it. And nigga don't

627
00:31:57,240 --> 00:31:59,280
Speaker 3: fuck with you niggas, no way. And if it's that

628
00:31:59,400 --> 00:32:02,000
Speaker 3: standing on it, I respect that because I got niggas

629
00:32:02,000 --> 00:32:04,200
Speaker 3: I don't fuck with and can't nobody make me fuck

630
00:32:04,280 --> 00:32:06,560
Speaker 3: with them, you know what I'm saying. So I respect

631
00:32:06,600 --> 00:32:08,320
Speaker 3: that if that's what it is. But if that ain't

632
00:32:08,320 --> 00:32:11,200
Speaker 3: what it is, don't like help me understand what it is.

633
00:32:11,280 --> 00:32:12,560
Speaker 3: Let's pay attention to some more.

634
00:32:12,720 --> 00:32:15,720
Speaker 9: Okay, now I'm playing theo's advocate here, but but I'm

635
00:32:15,760 --> 00:32:17,880
Speaker 9: trying to represent the streets.

636
00:32:17,880 --> 00:32:20,480
Speaker 2: I'm gonna tell you why you a nigga who go

637
00:32:20,600 --> 00:32:23,120
Speaker 2: crazy on them and you always say yes, I'm severe,

638
00:32:23,200 --> 00:32:24,840
Speaker 2: I'm doing where I am, but you go crazy, you

639
00:32:24,880 --> 00:32:28,120
Speaker 2: speak your mind, you talk crazy to niggas. Yeah, and

640
00:32:28,200 --> 00:32:30,479
Speaker 2: you just do what you do. And you came up

641
00:32:30,520 --> 00:32:35,880
Speaker 2: off the streets heavy. Your whole academics blog is street shit.

642
00:32:36,280 --> 00:32:40,120
Speaker 3: Politics happened, not him saying academics are never saying fuck

643
00:32:40,200 --> 00:32:45,000
Speaker 3: the streets. Not him saying academics are never say why

644
00:32:45,040 --> 00:32:46,400
Speaker 3: you let the boy get that off?

645
00:32:46,480 --> 00:32:46,680
Speaker 4: Man?

646
00:32:47,400 --> 00:32:49,840
Speaker 3: Now, y'all nigga flag here, come on, man you now

647
00:32:49,880 --> 00:32:52,120
Speaker 3: you posta told them that I ain't gonna lie ivery

648
00:32:52,160 --> 00:32:55,400
Speaker 3: fuck the streets. I've been stood on that nigga. I'm

649
00:32:55,480 --> 00:32:58,280
Speaker 3: telling I'm finnah. Call the governor now if they like

650
00:32:58,320 --> 00:33:02,560
Speaker 3: why you ain't keeping it real. This nigga done dissowned

651
00:33:02,720 --> 00:33:07,720
Speaker 3: and abandoned the whole South. It then told academies you

652
00:33:07,720 --> 00:33:09,320
Speaker 3: will never say fuck the streets.

653
00:33:14,000 --> 00:33:16,360
Speaker 8: I'm trying to represent the streets.

654
00:33:16,400 --> 00:33:18,960
Speaker 2: I'm gonna tell you why you a nigga who go

655
00:33:19,080 --> 00:33:21,240
Speaker 2: crazy on them and you always say yes, And I'm

656
00:33:21,240 --> 00:33:22,760
Speaker 2: gonna SURVILLI you. I'm doing where I am, but you

657
00:33:22,840 --> 00:33:25,840
Speaker 2: go crazy, you speak your mind, you talk crazy to niggas,

658
00:33:26,520 --> 00:33:28,760
Speaker 2: and you just do what you do and you came

659
00:33:28,840 --> 00:33:32,880
Speaker 2: up off the streets. Every your whole academics blog is

660
00:33:33,520 --> 00:33:37,080
Speaker 2: street shit. Politics happens on your ship. Your ship is

661
00:33:37,120 --> 00:33:38,719
Speaker 2: the streets. If you say fuck the street, you're going

662
00:33:38,760 --> 00:33:40,320
Speaker 2: against everything that fuck with you.

663
00:33:41,280 --> 00:33:43,360
Speaker 9: And that I definitely understand. But I'm gonna try to

664
00:33:43,360 --> 00:33:46,000
Speaker 9: play Devia's advocate for a little bit. So what if

665
00:33:46,040 --> 00:33:51,240
Speaker 9: they're like, well, we too successful at this point to

666
00:33:51,320 --> 00:33:57,240
Speaker 9: be letting the streets dictate how we move cool?

667
00:33:59,000 --> 00:34:00,640
Speaker 2: That mean they should be able to get smacked in

668
00:34:00,680 --> 00:34:05,160
Speaker 2: the facebat nigga, call the cops, right, they can't do

669
00:34:05,240 --> 00:34:09,239
Speaker 2: nothing street, They can't do nothing street at all. They

670
00:34:09,280 --> 00:34:11,440
Speaker 2: got to call the cops. The niggas gotta call the cops.

671
00:34:11,440 --> 00:34:11,640
Speaker 5: Now.

672
00:34:12,320 --> 00:34:13,880
Speaker 8: It's a hard. It's a hard.

673
00:34:15,480 --> 00:34:19,759
Speaker 2: So I understand. I'm not ignorant. I understand. Fuck doing

674
00:34:19,920 --> 00:34:22,960
Speaker 2: crashing out, y'all. Fuck going to jail, you know what

675
00:34:22,960 --> 00:34:25,040
Speaker 2: I'm saying. It's definitely gonna take care of family. But

676
00:34:25,080 --> 00:34:27,440
Speaker 2: the but the niggas that I followed and I and

677
00:34:27,480 --> 00:34:30,640
Speaker 2: I look up growing up looking at and that that

678
00:34:30,640 --> 00:34:32,520
Speaker 2: that's an example for me with street niggas that took

679
00:34:32,560 --> 00:34:34,720
Speaker 2: care of their family and niggas.

680
00:34:34,320 --> 00:34:36,839
Speaker 1: That they fuck with in the love that street ship.

681
00:34:36,920 --> 00:34:39,800
Speaker 2: Gangsters don't die to get rich and move to Miami

682
00:34:40,400 --> 00:34:45,439
Speaker 2: with the Wayne said that you understand, like, and that's

683
00:34:45,760 --> 00:34:48,879
Speaker 2: what street niggas do you understand? They don't say fuck

684
00:34:48,920 --> 00:34:49,520
Speaker 2: the streets though.

685
00:34:49,760 --> 00:34:52,920
Speaker 3: So here's my question for five and some of some

686
00:34:53,000 --> 00:34:56,000
Speaker 3: of y'all other guys, especially you high level guys, because

687
00:34:56,040 --> 00:34:57,960
Speaker 3: trust me, I know some of y'all playing in the

688
00:34:57,960 --> 00:34:59,879
Speaker 3: middle of the street and y'all just waiting to get

689
00:34:59,880 --> 00:35:00,800
Speaker 3: here by car.

690
00:35:01,640 --> 00:35:02,120
Speaker 4: You know what I mean.

691
00:35:02,239 --> 00:35:04,160
Speaker 3: I'm older than most of you niggas, so I'm knowing

692
00:35:04,160 --> 00:35:06,400
Speaker 3: a little bit more, having a little bit more information,

693
00:35:06,480 --> 00:35:08,279
Speaker 3: you know what I'm saying, Knowing what I'm knowing, knowing

694
00:35:08,320 --> 00:35:10,520
Speaker 3: what I'm doing, having what I'm having, you know what

695
00:35:10,520 --> 00:35:13,520
Speaker 3: I mean. But let me ask Fivy this question. Are

696
00:35:13,520 --> 00:35:15,880
Speaker 3: you sitting in front of academics and were playing like

697
00:35:15,920 --> 00:35:18,479
Speaker 3: this gangster role like we just super gangster. W ain't

698
00:35:18,520 --> 00:35:20,880
Speaker 3: going for nothing like we real street nigga. We killing

699
00:35:20,920 --> 00:35:23,560
Speaker 3: about this. Street niggas don't do that. I don't do that.

700
00:35:23,640 --> 00:35:25,800
Speaker 3: Like street nigga don't eat apples. I don't eat apples.

701
00:35:25,920 --> 00:35:29,480
Speaker 3: Nigga nigga under no circumstance nigga, don't eat apples. If

702
00:35:29,520 --> 00:35:31,600
Speaker 3: they bring me a fruit basket, nigga, if you got

703
00:35:31,600 --> 00:35:34,240
Speaker 3: apples in it, don'tly. I'm a street nigga, don't eat apples.

704
00:35:34,560 --> 00:35:38,399
Speaker 3: That's the more up North niggas out there playing at

705
00:35:38,400 --> 00:35:41,640
Speaker 3: the head word Pauls and Pauls Pauls like they just

706
00:35:42,160 --> 00:35:46,440
Speaker 3: come on, man, what we doing? Five yo? Is we

707
00:35:46,600 --> 00:35:50,759
Speaker 3: playing like we gangsters? Like we ain't just business men?

708
00:35:51,000 --> 00:35:56,040
Speaker 4: Grown men were playing like gangsters. I tell you what.

709
00:35:56,160 --> 00:35:58,799
Speaker 3: Gangsters don't say fuck the streets, according to Fivy. But

710
00:35:58,840 --> 00:36:01,880
Speaker 3: here's something else gangsters don't do. They don't let no

711
00:36:01,960 --> 00:36:04,280
Speaker 3: nigga who live in the same city's still no money

712
00:36:04,320 --> 00:36:08,560
Speaker 3: from him. And so we gotta be realistic and say, Yo,

713
00:36:08,600 --> 00:36:10,200
Speaker 3: we ain't playing gangster games.

714
00:36:10,239 --> 00:36:11,120
Speaker 4: We business man.

715
00:36:11,280 --> 00:36:11,440
Speaker 1: Now.

716
00:36:11,480 --> 00:36:13,319
Speaker 3: That don't mean we're gonna let a nigga fuck over

717
00:36:13,400 --> 00:36:16,280
Speaker 3: us and do anything to us. But we ain't playing

718
00:36:16,320 --> 00:36:19,120
Speaker 3: the same game as the street guys. It's irresponsible to

719
00:36:19,160 --> 00:36:21,879
Speaker 3: even act like we're doing that. Pay attention to five

720
00:36:21,920 --> 00:36:24,239
Speaker 3: of Yard talking about the deal. Here's this through that

721
00:36:24,320 --> 00:36:25,880
Speaker 3: nigga Likeyo, murder when the meet you, murder when the

722
00:36:25,920 --> 00:36:27,400
Speaker 3: meet you. I'm like, who the fuck is Murder what

723
00:36:27,400 --> 00:36:30,720
Speaker 3: I'm saying. But but he called Mace murder for some reason.

724
00:36:30,880 --> 00:36:32,840
Speaker 3: I'm saying, like I guess like an old school.

725
00:36:32,640 --> 00:36:35,479
Speaker 8: Name that used to be his name, Murder, Mace Mace. Yeah,

726
00:36:35,760 --> 00:36:41,920
Speaker 8: so like shit passed us ship that he can call

727
00:36:42,000 --> 00:36:42,399
Speaker 8: him murder.

728
00:36:42,480 --> 00:36:43,960
Speaker 2: Yeah, I ain't know who Murder was, you know what

729
00:36:43,960 --> 00:36:46,479
Speaker 2: I'm saying. But then I'm like things like your Mace.

730
00:36:46,760 --> 00:36:49,440
Speaker 2: Then I'm to go sit down meet him. What I'm saying,

731
00:36:49,520 --> 00:36:51,480
Speaker 2: I ain't gonna lie. He just pull out the paper

732
00:36:51,480 --> 00:36:52,800
Speaker 2: and I just signed the ship, like you know what

733
00:36:52,800 --> 00:36:53,440
Speaker 2: I'm saying.

734
00:36:53,239 --> 00:36:56,560
Speaker 1: Like immediately show so was it no lawyer, no ship,

735
00:36:56,680 --> 00:36:57,000
Speaker 1: no nothing.

736
00:36:57,080 --> 00:36:57,319
Speaker 5: Nah.

737
00:36:57,920 --> 00:37:01,000
Speaker 2: The nigga who brought me to him, he would say,

738
00:37:01,080 --> 00:37:03,200
Speaker 2: he was like, yo, man, just sign on shit you bugging?

739
00:37:04,000 --> 00:37:05,759
Speaker 1: I mean he read it. He's like all he just signed.

740
00:37:05,800 --> 00:37:09,720
Speaker 1: Its good, and was it advanced anything?

741
00:37:09,760 --> 00:37:13,200
Speaker 2: It was just like yeah, advanced five thousand dollars five thousand.

742
00:37:13,680 --> 00:37:16,920
Speaker 8: Yeah, he signed you for five thousand.

743
00:37:16,960 --> 00:37:19,400
Speaker 4: That's all the nigga gave you.

744
00:37:19,480 --> 00:37:22,320
Speaker 1: Five thousand was a lot to five thousand.

745
00:37:22,400 --> 00:37:22,560
Speaker 5: Hit.

746
00:37:24,000 --> 00:37:25,759
Speaker 1: We're not shit, you know what I'm saying, That shit hit.

747
00:37:26,040 --> 00:37:28,640
Speaker 5: I think NOORI said five thousand, Yeah, Nord signed for

748
00:37:28,680 --> 00:37:29,760
Speaker 5: here five thousand.

749
00:37:30,000 --> 00:37:32,520
Speaker 3: Yeah, I ain't gonna lie this the five of Yo.

750
00:37:32,680 --> 00:37:36,640
Speaker 3: I like the one that is being real about his story. Like, Yo,

751
00:37:36,680 --> 00:37:39,080
Speaker 3: they're five thousand that I signed a bad deal. Bro,

752
00:37:39,120 --> 00:37:41,239
Speaker 3: they're five thousand at the time. Ment something to me.

753
00:37:42,040 --> 00:37:43,920
Speaker 3: You know what I'm saying, Like you're gonna always hit me,

754
00:37:43,960 --> 00:37:46,520
Speaker 3: say yo, them boy saved my life. Them boy came

755
00:37:46,560 --> 00:37:48,719
Speaker 3: and made sure I was good. Man rescue me from

756
00:37:48,760 --> 00:37:51,359
Speaker 3: the dungeon. You know what I'm saying, because you got

757
00:37:51,400 --> 00:37:54,280
Speaker 3: to pay that forward to the universe. Let the universe

758
00:37:54,360 --> 00:37:58,440
Speaker 3: know you respect the process, embrace the work. You understand

759
00:37:58,440 --> 00:38:00,839
Speaker 3: what I'm saying. So I like this five year old

760
00:38:00,840 --> 00:38:03,640
Speaker 3: form when he was being more realistic. But street niggas

761
00:38:03,680 --> 00:38:05,759
Speaker 3: ain't letting no niggas sign him for five thousand and

762
00:38:05,800 --> 00:38:08,000
Speaker 3: got him in a bad deal and they doing interviews

763
00:38:08,000 --> 00:38:10,279
Speaker 3: about the street nigga gonna grab him and cut his head.

764
00:38:10,360 --> 00:38:12,920
Speaker 3: Matter of fact, I ain't take no money from no nigga.

765
00:38:12,960 --> 00:38:16,080
Speaker 3: Let's get to that. They were offering me millions. I

766
00:38:16,160 --> 00:38:19,480
Speaker 3: turned millions down because I had some paper. Street nigga

767
00:38:19,520 --> 00:38:22,399
Speaker 3: don't need makes five thousand, And if he really right,

768
00:38:22,520 --> 00:38:24,920
Speaker 3: I'm just saying, and that's why I don't appreciate us

769
00:38:24,960 --> 00:38:28,640
Speaker 3: acting like that. It ain't but a handful of niggas

770
00:38:28,640 --> 00:38:32,600
Speaker 3: that didn't need nobody else money, that figured something out right.

771
00:38:33,040 --> 00:38:37,080
Speaker 3: You can't steal that kind of resume because the deals

772
00:38:37,120 --> 00:38:40,359
Speaker 3: and other things to show itself. I don't want us

773
00:38:40,400 --> 00:38:42,880
Speaker 3: playing like we street niggas and some niggas sign you

774
00:38:42,960 --> 00:38:45,839
Speaker 3: for five thousand dollars to a bad deal that ain't

775
00:38:45,880 --> 00:38:46,760
Speaker 3: no good business.

776
00:38:46,760 --> 00:38:47,040
Speaker 4: Brother.

777
00:38:47,400 --> 00:38:50,160
Speaker 3: I like when five year is more like this, more humble,

778
00:38:50,480 --> 00:38:52,839
Speaker 3: real about his story. You just got out of jail,

779
00:38:52,920 --> 00:38:55,520
Speaker 3: been through some shit, been marginalized out there in that

780
00:38:55,560 --> 00:38:57,799
Speaker 3: little rich area in New Jersey, like you got a

781
00:38:57,800 --> 00:38:59,440
Speaker 3: lot of shit you can be talking about.

782
00:39:00,080 --> 00:39:01,920
Speaker 4: To come out and try to act like the super

783
00:39:01,960 --> 00:39:03,000
Speaker 4: street superhero.

784
00:39:03,480 --> 00:39:06,000
Speaker 3: I don't, man, Let's cut some of that gangster down

785
00:39:06,080 --> 00:39:09,120
Speaker 3: a little bit. Let's cut some of that down. I'm saying,

786
00:39:09,400 --> 00:39:12,640
Speaker 3: responsible niggas. Let's cut some of that ship down. Let's

787
00:39:12,640 --> 00:39:14,160
Speaker 3: thirty up for real, for real.

788
00:39:14,000 --> 00:39:15,719
Speaker 2: For five thousand and that ship hit and I thought

789
00:39:16,120 --> 00:39:18,440
Speaker 2: I thought she was going to last till whenever that

790
00:39:18,440 --> 00:39:20,280
Speaker 2: shit was going to last to that sh ain't last

791
00:39:20,840 --> 00:39:21,840
Speaker 2: two weeks?

792
00:39:22,880 --> 00:39:24,960
Speaker 5: Listen, But how long was the contract. You still had your.

793
00:39:24,960 --> 00:39:27,400
Speaker 2: Right still in the contract right now? You know what

794
00:39:27,400 --> 00:39:31,920
Speaker 2: I'm saying, thought you nah, you know he you know

795
00:39:32,080 --> 00:39:33,960
Speaker 2: Mace know the business. You know what I'm saying. You

796
00:39:33,960 --> 00:39:35,759
Speaker 2: know he really know the business a lot, like you

797
00:39:35,800 --> 00:39:37,719
Speaker 2: know what I'm saying. So I didn't like so I

798
00:39:37,719 --> 00:39:39,760
Speaker 2: didn't know nothing. I just was signing.

799
00:39:39,840 --> 00:39:40,399
Speaker 1: He was like yo.

800
00:39:40,960 --> 00:39:42,759
Speaker 2: He was like kind of fake trying to explain it

801
00:39:42,800 --> 00:39:45,160
Speaker 2: to me, like Yo, you get you get to keep this,

802
00:39:46,040 --> 00:39:48,080
Speaker 2: I get thirty percent of this. So I was like,

803
00:39:48,280 --> 00:39:50,360
Speaker 2: all right, whatever, like what I'm saying. What I'm like,

804
00:39:50,360 --> 00:39:51,120
Speaker 2: what We're gonna do?

805
00:39:51,800 --> 00:39:52,320
Speaker 1: What I'm saying?

806
00:39:52,800 --> 00:39:55,600
Speaker 2: He like, you know, he had smooth talking nigga, So

807
00:39:55,600 --> 00:39:57,680
Speaker 2: he like, Yo, we want to do it soon with

808
00:39:57,800 --> 00:40:01,520
Speaker 2: you know what I'm saying. I'm like you Herbo, like

809
00:40:01,600 --> 00:40:06,120
Speaker 2: I got you. You know what I'm saying.

810
00:40:06,280 --> 00:40:08,239
Speaker 8: Damn, Hold the fuck up, man, did you ever do this.

811
00:40:08,200 --> 00:40:08,560
Speaker 5: Song with you?

812
00:40:08,640 --> 00:40:08,920
Speaker 1: Herbro?

813
00:40:09,080 --> 00:40:09,239
Speaker 7: Nah?

814
00:40:09,239 --> 00:40:10,680
Speaker 2: I never got this So I got as soon with

815
00:40:10,719 --> 00:40:14,680
Speaker 2: your hever now off Yeah, Like yeah, it's just like

816
00:40:14,719 --> 00:40:18,239
Speaker 2: twos ago, So did you ever pick I Just I'm

817
00:40:18,280 --> 00:40:20,480
Speaker 2: just a nigga, Like I don't really be like complaining

818
00:40:20,680 --> 00:40:22,440
Speaker 2: or crying over spilt milk and shit like you know

819
00:40:22,440 --> 00:40:24,680
Speaker 2: what I'm saying, Like it's like I already I already

820
00:40:24,719 --> 00:40:25,520
Speaker 2: made this decision.

821
00:40:25,719 --> 00:40:26,479
Speaker 1: I'm saying like.

822
00:40:26,440 --> 00:40:26,880
Speaker 4: I got it.

823
00:40:27,000 --> 00:40:29,440
Speaker 1: Like for me, I'm in a better situation now, you

824
00:40:29,480 --> 00:40:29,960
Speaker 1: know what I'm saying.

825
00:40:30,000 --> 00:40:32,400
Speaker 2: He get what he get like whenever, like whatever, he

826
00:40:32,480 --> 00:40:34,480
Speaker 2: gets what I'm saying, like he but I control all

827
00:40:34,520 --> 00:40:36,000
Speaker 2: my money and shit like that. And I'm saying like

828
00:40:36,200 --> 00:40:38,160
Speaker 2: usually when you signed to a nigga and then you

829
00:40:38,160 --> 00:40:38,720
Speaker 2: get signed.

830
00:40:39,120 --> 00:40:42,680
Speaker 3: But I'm just again, you signed to a bad deal

831
00:40:42,760 --> 00:40:44,560
Speaker 3: to a nigga in the same city as you. We

832
00:40:44,640 --> 00:40:47,279
Speaker 3: can't play street nigga to death. It just don't work.

833
00:40:48,320 --> 00:40:50,719
Speaker 3: We're playing business man that'll smack the ship out of

834
00:40:50,719 --> 00:40:53,080
Speaker 3: a nigga if they get wrong. But we ain't playing

835
00:40:53,360 --> 00:40:59,080
Speaker 3: Stone Cold Street Austin. We ain't playing Stone Cold Street Austin,

836
00:40:59,160 --> 00:41:01,880
Speaker 3: my nigga. That what I'm saying. I don't like you

837
00:41:01,960 --> 00:41:04,439
Speaker 3: niggas that they put too much paint where it ain't.

838
00:41:04,520 --> 00:41:06,960
Speaker 3: That shit be getting to me a little bit slide.

839
00:41:07,200 --> 00:41:09,920
Speaker 3: I ain't gonna lie to you, but it like bruh,

840
00:41:10,000 --> 00:41:12,080
Speaker 3: cut some of that shit down. It's a nigga in

841
00:41:12,120 --> 00:41:14,840
Speaker 3: your town that signed you for five thousand dollars and

842
00:41:14,920 --> 00:41:17,840
Speaker 3: kept getting money for a long time off your record

843
00:41:17,880 --> 00:41:21,759
Speaker 3: deals and y'all holling street niggas. Dude, you know what

844
00:41:21,840 --> 00:41:25,319
Speaker 3: death Row would doing the niggas. You know there's some

845
00:41:25,400 --> 00:41:28,600
Speaker 3: allegis ship that doesn't happen, that's recent. I can't speak

846
00:41:28,680 --> 00:41:31,600
Speaker 3: on that. Niggas that come holler at you and like

847
00:41:31,719 --> 00:41:35,480
Speaker 3: shit be happening, especially about that money brother and I

848
00:41:35,680 --> 00:41:38,239
Speaker 3: like five of yo, But it feels like there's some

849
00:41:38,400 --> 00:41:41,520
Speaker 3: energy with you in the South. Love us is my nigga.

850
00:41:41,600 --> 00:41:44,200
Speaker 3: We listen to your music. Ain't no need for no

851
00:41:44,320 --> 00:41:46,560
Speaker 3: nigga to have that kind of relationship with us. Let's

852
00:41:46,600 --> 00:41:49,319
Speaker 3: go back to the academics interview and listen to a

853
00:41:49,320 --> 00:41:50,080
Speaker 3: little bit of that.

854
00:41:50,680 --> 00:41:53,719
Speaker 8: It was just having an interesting moment where.

855
00:41:56,680 --> 00:41:57,719
Speaker 1: Fuck the niggas, man.

856
00:41:58,080 --> 00:42:00,359
Speaker 2: I think there was a time like myself a little

857
00:42:00,360 --> 00:42:03,200
Speaker 2: baby though fuck the rest of them niggas had a

858
00:42:03,239 --> 00:42:03,719
Speaker 2: little baby.

859
00:42:03,719 --> 00:42:05,120
Speaker 1: We never say fuck the streets.

860
00:42:05,719 --> 00:42:07,560
Speaker 9: I ain't gonna lie. I was on his Twitter refreshing.

861
00:42:07,600 --> 00:42:09,280
Speaker 9: I was I thinking he was about to be next.

862
00:42:09,560 --> 00:42:12,400
Speaker 9: I know, come on, And that's because wait, hold on,

863
00:42:12,440 --> 00:42:15,160
Speaker 9: thou Did any of them reach out to you? Because

864
00:42:15,160 --> 00:42:19,520
Speaker 9: I would imagine like any of them to be like, yo, bro, hey, yo,

865
00:42:19,760 --> 00:42:21,440
Speaker 9: we say fun the streets right now, we.

866
00:42:21,640 --> 00:42:25,360
Speaker 8: Say it, or shut up like this, this is what's

867
00:42:25,440 --> 00:42:26,080
Speaker 8: going on.

868
00:42:26,200 --> 00:42:27,319
Speaker 1: They not, They can't say it.

869
00:42:27,320 --> 00:42:29,880
Speaker 2: They're not street niggas, so they're not gonna talk like

870
00:42:29,920 --> 00:42:33,040
Speaker 2: that to a street nigga, you understand. So if they

871
00:42:33,120 --> 00:42:35,080
Speaker 2: saying fuck the streets, they gotta talk like that to

872
00:42:35,239 --> 00:42:39,280
Speaker 2: like they gotta argue with you.

873
00:42:39,280 --> 00:42:39,880
Speaker 1: You know what I'm saying.

874
00:42:41,400 --> 00:42:44,239
Speaker 3: That's ironic because you arguing with him right now, you

875
00:42:44,239 --> 00:42:47,920
Speaker 3: can always come see me, You can always come hogher

876
00:42:48,120 --> 00:42:50,080
Speaker 3: me or how leve one of us just die here

877
00:42:50,160 --> 00:42:53,360
Speaker 3: this from the South, and you can always have the conversation,

878
00:42:53,960 --> 00:42:58,359
Speaker 3: you know what I'm saying. And listen, I don't even

879
00:42:58,400 --> 00:43:00,560
Speaker 3: want to say that that he hated no the South,

880
00:43:00,800 --> 00:43:04,640
Speaker 3: because Atlanta by itself ain't the South. But it feels

881
00:43:04,719 --> 00:43:09,200
Speaker 3: like Atlanta helps stabilize the Southern market and the whole industry.

882
00:43:09,560 --> 00:43:12,560
Speaker 3: And so sometimes when I feel like some of these

883
00:43:12,600 --> 00:43:15,200
Speaker 3: gentlemen to go at the South, they do it by

884
00:43:15,280 --> 00:43:18,640
Speaker 3: going at Atlanta. Some of you niggas they don't even consider,

885
00:43:19,560 --> 00:43:21,840
Speaker 3: like some of your other towns they don't even consider.

886
00:43:21,960 --> 00:43:23,799
Speaker 3: But Atlanta they got a boards out on it because

887
00:43:23,800 --> 00:43:25,880
Speaker 3: they felt like they run off with the game. But

888
00:43:26,000 --> 00:43:28,440
Speaker 3: if I'm being real, he ain't mentioned in Memphis, he

889
00:43:28,440 --> 00:43:33,000
Speaker 3: ain't mentioned in South Carolina. He he ain't mentioned in Tennessee. Right,

890
00:43:33,040 --> 00:43:35,520
Speaker 3: he ain't mentioned in Florida, he ain't mentioned in Texas.

891
00:43:36,000 --> 00:43:39,439
Speaker 3: So he ain't just shitting on the South. But when

892
00:43:39,480 --> 00:43:42,040
Speaker 3: he holler fucked them niggas, he must be just talking

893
00:43:42,040 --> 00:43:44,880
Speaker 3: about Atlanta niggas, if that's what it really is. I

894
00:43:44,880 --> 00:43:47,520
Speaker 3: think he talking about Atlanta niggas. But I'm trying to

895
00:43:47,600 --> 00:43:51,400
Speaker 3: understand what that energy is. I do think I remember

896
00:43:51,440 --> 00:43:54,040
Speaker 3: they said five yearo got shot in Atlanta.

897
00:43:54,120 --> 00:43:56,680
Speaker 4: Maybe it's that. I don't know. It's some energy with

898
00:43:56,760 --> 00:43:57,840
Speaker 4: him in Atlanta, for sure.

899
00:44:00,080 --> 00:44:01,880
Speaker 8: You know why they were saying it though, while they

900
00:44:01,880 --> 00:44:02,520
Speaker 8: were saying.

901
00:44:02,280 --> 00:44:05,359
Speaker 1: It's the young.

902
00:44:06,400 --> 00:44:08,520
Speaker 2: Right while he said it, though, tell me why he

903
00:44:08,600 --> 00:44:11,640
Speaker 2: said it, because some people are saying the young like

904
00:44:12,840 --> 00:44:15,200
Speaker 2: if y'all gonna keep a street, y'all gotta say young

905
00:44:15,239 --> 00:44:19,200
Speaker 2: thug is wrong, or y'all gotta say gonna gonna Gunna

906
00:44:19,320 --> 00:44:21,799
Speaker 2: was right or not not right. But I'm gonna say

907
00:44:21,840 --> 00:44:24,840
Speaker 2: Gunna was right, But I'm not gonna say thug was

908
00:44:24,920 --> 00:44:25,440
Speaker 2: right either.

909
00:44:26,560 --> 00:44:28,440
Speaker 9: But but but you get what I'm saying, Like, Yo,

910
00:44:28,520 --> 00:44:31,239
Speaker 9: it's I love when people talk about that. It's hard

911
00:44:31,239 --> 00:44:33,520
Speaker 9: for people to say, Yo, my man was a snitch.

912
00:44:33,600 --> 00:44:35,200
Speaker 8: You know what I mean. It's like want of them

913
00:44:35,239 --> 00:44:37,080
Speaker 8: to be like, yodamn niggas over there. Yeah, them niggas

914
00:44:37,120 --> 00:44:37,640
Speaker 8: over there, they.

915
00:44:38,280 --> 00:44:40,480
Speaker 2: At the end of the day, a niggas snitch. I'm

916
00:44:40,480 --> 00:44:44,120
Speaker 2: not saying kill your man's because he snitched. I'm saying,

917
00:44:44,239 --> 00:44:47,440
Speaker 2: hold him accountable, that's all. I'm not saying beat him

918
00:44:47,520 --> 00:44:49,400
Speaker 2: up or nothing. I'm just saying, you gotta be a

919
00:44:49,400 --> 00:44:51,239
Speaker 2: real If you're real niggas, you're a real nigga all

920
00:44:51,280 --> 00:44:51,920
Speaker 2: around the board.

921
00:44:53,239 --> 00:44:55,280
Speaker 1: If you snitch, your ACU bugging you snitch, I gotta

922
00:44:55,280 --> 00:44:56,319
Speaker 1: cut you off. That's it.

923
00:44:57,400 --> 00:45:00,879
Speaker 9: I watch. I'm gonna say the thing that gets every

924
00:45:00,880 --> 00:45:03,160
Speaker 9: street nigga. I've been loving this conversation because he gets

925
00:45:03,200 --> 00:45:04,279
Speaker 9: every street nigga shut up.

926
00:45:05,080 --> 00:45:11,280
Speaker 8: Business man, Okay, so young Tuckstitch.

927
00:45:13,680 --> 00:45:17,520
Speaker 3: These are the little ways that he puts like weird

928
00:45:17,600 --> 00:45:20,960
Speaker 3: games into these interviews when he sits in front of people.

929
00:45:21,000 --> 00:45:23,839
Speaker 3: Look how he front loads the pressure. This gets every

930
00:45:23,880 --> 00:45:26,880
Speaker 3: street nigga to shut up. Now, I'm gonna ask you

931
00:45:26,920 --> 00:45:30,640
Speaker 3: about another man. Did he snitch? But him and young

932
00:45:30,680 --> 00:45:32,759
Speaker 3: Thug don't necessarily have a relationship.

933
00:45:32,960 --> 00:45:33,200
Speaker 4: You know.

934
00:45:33,360 --> 00:45:35,440
Speaker 3: Sometimes I look at me and Thug interview and say,

935
00:45:35,480 --> 00:45:37,200
Speaker 3: you know, I should have just got at him right there,

936
00:45:37,200 --> 00:45:39,400
Speaker 3: because he done said a few slick things about me

937
00:45:39,480 --> 00:45:41,640
Speaker 3: since then, and I've been trying to just be like,

938
00:45:41,680 --> 00:45:44,120
Speaker 3: you know what, let him go on by this bit

939
00:45:44,280 --> 00:45:46,960
Speaker 3: like dyke, you know what I'm saying, Charlemagne, fuck with him,

940
00:45:47,040 --> 00:45:49,759
Speaker 3: Charlemagne fuck with me. Ain't really no problem. Let the

941
00:45:49,800 --> 00:45:53,040
Speaker 3: boy go on. But he'll say certain things certain times,

942
00:45:53,040 --> 00:45:56,440
Speaker 3: and I just don't get it. Bro It's a weird energy. Sometimes.

943
00:45:56,440 --> 00:45:59,120
Speaker 3: I feel like when Thug, when when Thug opened up

944
00:45:59,160 --> 00:46:01,200
Speaker 3: that conversation, and I could have I should have took

945
00:46:01,239 --> 00:46:03,680
Speaker 3: that time and spoke to the world about some of

946
00:46:03,719 --> 00:46:08,359
Speaker 3: the real things that I had an issue with. And

947
00:46:08,440 --> 00:46:11,279
Speaker 3: we'll get to that at a different time. Him and

948
00:46:11,360 --> 00:46:14,200
Speaker 3: Thug don't necessarily have a relationship. Him and Savage has

949
00:46:14,239 --> 00:46:16,680
Speaker 3: a relationship. To open it up with the Savage thing,

950
00:46:17,200 --> 00:46:19,799
Speaker 3: you know, he goes on the Thug, but he gonna

951
00:46:19,840 --> 00:46:21,840
Speaker 3: get back the Savage pay attention.

952
00:46:23,000 --> 00:46:25,200
Speaker 8: Exactly exactly.

953
00:46:25,440 --> 00:46:27,440
Speaker 2: I feel like he I feel like he's like like,

954
00:46:27,680 --> 00:46:29,919
Speaker 2: like he told did he tell?

955
00:46:31,440 --> 00:46:32,160
Speaker 8: I'm gonna asking you.

956
00:46:32,239 --> 00:46:34,200
Speaker 2: I mean, I didn't follow his case. I know Gunna

957
00:46:34,280 --> 00:46:39,080
Speaker 2: told them heard the audio. Take my number. I'll tell

958
00:46:39,080 --> 00:46:41,759
Speaker 2: you anything you want to know. Just do not tell

959
00:46:41,800 --> 00:46:42,680
Speaker 2: the world I told.

960
00:46:42,520 --> 00:46:45,800
Speaker 1: You then he snitched. If he did that, he snitch.

961
00:46:47,239 --> 00:46:49,680
Speaker 9: Okay, you ever, you don't have a relationship with him, though,

962
00:46:50,000 --> 00:46:52,719
Speaker 9: if that was your man, you would have made excuses.

963
00:46:53,200 --> 00:46:53,560
Speaker 5: I do. No.

964
00:46:53,600 --> 00:46:55,319
Speaker 2: I just told you I cut my niggas off because

965
00:46:55,320 --> 00:46:58,719
Speaker 2: they rotten. I did that already, my niggas that I

966
00:46:58,760 --> 00:46:59,960
Speaker 2: grew up with every day old time.

967
00:47:00,120 --> 00:47:01,080
Speaker 8: But here's a different nigga.

968
00:47:01,080 --> 00:47:03,040
Speaker 2: Ain't cuttings off because of the opportunity. They're not cutting

969
00:47:03,040 --> 00:47:05,239
Speaker 2: biggs because that's not his man's That's not what they're doing.

970
00:47:05,440 --> 00:47:08,720
Speaker 2: They're not cutting niggas off because these niggas are still

971
00:47:09,280 --> 00:47:13,799
Speaker 2: certain statue niggas, and niggas still want that opportunity. That's

972
00:47:13,840 --> 00:47:15,640
Speaker 2: the reason why they're not cutting niggas off. I don't

973
00:47:15,640 --> 00:47:18,759
Speaker 2: really care about it. I'm just saying I just can't

974
00:47:18,760 --> 00:47:20,440
Speaker 2: say for the streets, I don't care what they do

975
00:47:20,520 --> 00:47:22,440
Speaker 2: over there, and I'm landing none of that ship. I

976
00:47:22,520 --> 00:47:24,719
Speaker 2: just don't want them. I just can't say the street.

977
00:47:24,760 --> 00:47:25,919
Speaker 8: Why do you think Savage said for.

978
00:47:25,840 --> 00:47:32,160
Speaker 2: The streets and the niggas is weighted? Niggas is just weird.

979
00:47:33,440 --> 00:47:38,800
Speaker 2: Why would you say your New York rapper streets. You're right,

980
00:47:39,600 --> 00:47:44,680
Speaker 2: it's not in New York movie. You're right for the

981
00:47:44,680 --> 00:47:45,840
Speaker 2: streets and New York rapper.

982
00:47:46,440 --> 00:47:49,239
Speaker 4: An what about six nine? I guess that's a New

983
00:47:49,280 --> 00:47:50,200
Speaker 4: York rapper.

984
00:47:53,400 --> 00:47:58,040
Speaker 8: So it's the Atlanta I think. Damn shout down country listen.

985
00:47:58,200 --> 00:47:59,680
Speaker 8: I kept. I tell everybody, I think they.

986
00:48:00,200 --> 00:48:01,279
Speaker 4: That go to disrespect.

987
00:48:01,360 --> 00:48:04,680
Speaker 2: I was talking about watch this some down south ship

988
00:48:04,800 --> 00:48:06,200
Speaker 2: man count Listen.

989
00:48:06,320 --> 00:48:06,640
Speaker 8: I kept.

990
00:48:06,680 --> 00:48:08,680
Speaker 9: I told everybody I think the streets died for thug,

991
00:48:08,960 --> 00:48:10,719
Speaker 9: Like yo, listen. They'd be like, Yo, if we can't

992
00:48:10,719 --> 00:48:12,640
Speaker 9: get Thug out of this one, we're killing the streets.

993
00:48:12,680 --> 00:48:15,120
Speaker 8: Fuck it. I was like that niggas powerful.

994
00:48:15,800 --> 00:48:18,880
Speaker 1: I mean, listen, man shout like, I mean, this is

995
00:48:18,880 --> 00:48:19,399
Speaker 1: what it is.

996
00:48:19,480 --> 00:48:22,680
Speaker 9: But at this point, the snitch that matter in your eyes,

997
00:48:22,760 --> 00:48:24,759
Speaker 9: like musically, we're not talking about like your hommianes that

998
00:48:25,360 --> 00:48:27,360
Speaker 9: maybe like yo, man, if I if I'm around this

999
00:48:27,440 --> 00:48:29,239
Speaker 9: nigga all the time, this gonna get me jammed up.

1000
00:48:29,280 --> 00:48:30,040
Speaker 8: Me snitch.

1001
00:48:30,239 --> 00:48:33,479
Speaker 2: Yeah, definitely, you can't be around it. But listen, Doug

1002
00:48:33,600 --> 00:48:35,440
Speaker 2: being moved funny. I don't know if you move funny,

1003
00:48:35,480 --> 00:48:37,680
Speaker 2: but that niggas ain't fun with me anyway.

1004
00:48:38,200 --> 00:48:39,920
Speaker 8: They didn't hit your threatning you because you said that

1005
00:48:40,040 --> 00:48:40,839
Speaker 8: what not?

1006
00:48:40,840 --> 00:48:42,799
Speaker 9: Not like him because he's probationion, But like, I know

1007
00:48:42,840 --> 00:48:45,400
Speaker 9: the land niggas be like, yo, don't ever come back today.

1008
00:48:46,520 --> 00:48:49,880
Speaker 2: Man, I don't know who you thought them niggas was

1009
00:48:50,719 --> 00:48:54,360
Speaker 2: who you think they are? Who are they to you?

1010
00:48:54,400 --> 00:48:55,240
Speaker 2: Who are you talking about?

1011
00:48:56,239 --> 00:48:56,760
Speaker 8: Top street?

1012
00:48:57,120 --> 00:49:00,759
Speaker 9: Like how how fans perceived streetings? Like yo, the top

1013
00:49:00,760 --> 00:49:03,120
Speaker 9: of everybody? But Dirk said what Dirk?

1014
00:49:03,120 --> 00:49:03,680
Speaker 8: He't gonna say that?

1015
00:49:03,719 --> 00:49:04,200
Speaker 4: He locked up.

1016
00:49:04,719 --> 00:49:07,040
Speaker 9: I think everybody was looking at like, oh yeah, the

1017
00:49:07,040 --> 00:49:07,960
Speaker 9: streets really speaking.

1018
00:49:08,000 --> 00:49:11,240
Speaker 1: Now do you think Dirk still fuck with the niggas?

1019
00:49:12,440 --> 00:49:13,480
Speaker 8: That's a good question.

1020
00:49:14,600 --> 00:49:16,560
Speaker 2: Why do you think the niggas ain't saying free dirt?

1021
00:49:16,960 --> 00:49:19,000
Speaker 2: That's how I feel like nigga's doing. What that drop

1022
00:49:19,080 --> 00:49:20,239
Speaker 2: my flag challenge?

1023
00:49:20,480 --> 00:49:22,560
Speaker 8: Oh yeah, that's that's New York though. Yeah, that's New.

1024
00:49:22,520 --> 00:49:27,319
Speaker 1: York right, Yeah, I mean yeah, they trying. I mean

1025
00:49:27,360 --> 00:49:28,080
Speaker 1: I don't know, man.

1026
00:49:28,160 --> 00:49:32,080
Speaker 8: The dude hocus forty five, he started he from New York.

1027
00:49:33,040 --> 00:49:33,960
Speaker 1: I didn't know who he was.

1028
00:49:35,280 --> 00:49:37,400
Speaker 9: Yeah, he started, Well, he lives somewhere else. Now, I

1029
00:49:37,440 --> 00:49:38,440
Speaker 9: think you're on a run or something.

1030
00:49:38,480 --> 00:49:38,799
Speaker 8: I don't know.

1031
00:49:39,560 --> 00:49:39,960
Speaker 5: I don't know.

1032
00:49:40,080 --> 00:49:43,440
Speaker 9: They say Couto Rico. I don't know what I'm serious

1033
00:49:43,760 --> 00:49:45,840
Speaker 9: he Couerto Rico. NTI let's drop our flags. That's a

1034
00:49:45,840 --> 00:49:49,080
Speaker 9: good I love that strategy.

1035
00:49:53,400 --> 00:49:54,839
Speaker 8: Yo, that's the best time.

1036
00:49:54,880 --> 00:49:57,239
Speaker 9: And don't you ever notice that all these movements come

1037
00:49:57,280 --> 00:49:58,040
Speaker 9: around when.

1038
00:49:58,800 --> 00:49:59,959
Speaker 1: Niggas start going to jail.

1039
00:50:00,480 --> 00:50:04,160
Speaker 9: Yeah, as soon as like, oh, the consequest's coming, yo. Yeah,

1040
00:50:04,200 --> 00:50:06,279
Speaker 9: we're not with that shit. Just let's let's make it clear.

1041
00:50:06,320 --> 00:50:08,280
Speaker 9: We got with it.

1042
00:50:08,280 --> 00:50:12,759
Speaker 1: It is what it is about that guns are crip.

1043
00:50:12,880 --> 00:50:14,880
Speaker 8: He so cripp What about it?

1044
00:50:14,920 --> 00:50:18,399
Speaker 9: They saying stop the fun the streets, to stop the violence.

1045
00:50:18,440 --> 00:50:20,520
Speaker 1: I listen, I'm all with the crashing out.

1046
00:50:20,880 --> 00:50:24,839
Speaker 2: I don't need nobody dad, But when you're saying fuck

1047
00:50:24,880 --> 00:50:27,160
Speaker 2: the streets, what are you saying? Whatever you're saying, you

1048
00:50:27,160 --> 00:50:29,680
Speaker 2: gotta be specific saying say fuck the street code.

1049
00:50:29,800 --> 00:50:32,160
Speaker 3: I agree with him there, and that's why I said that.

1050
00:50:32,280 --> 00:50:34,720
Speaker 3: I said that right. That was one of the first

1051
00:50:34,719 --> 00:50:37,640
Speaker 3: things I said, like, Yo, you gotta be specific when

1052
00:50:37,719 --> 00:50:40,480
Speaker 3: you say something. Like fuck the streets because you leave

1053
00:50:40,560 --> 00:50:43,960
Speaker 3: too much room for your haters. Like sometimes I tell

1054
00:50:44,040 --> 00:50:46,520
Speaker 3: niggas like, if you get in a bad spot, you

1055
00:50:46,600 --> 00:50:50,000
Speaker 3: better think before you do something like take your time.

1056
00:50:51,200 --> 00:50:53,839
Speaker 3: Don't just jump out there because your emotions got the bench.

1057
00:50:53,880 --> 00:50:56,040
Speaker 3: Say there's too much money on the line, Think about

1058
00:50:56,040 --> 00:50:56,720
Speaker 3: what you're doing.

1059
00:50:56,920 --> 00:50:59,560
Speaker 1: Say that. I don't care if nigga right or not.

1060
00:50:59,600 --> 00:51:03,319
Speaker 9: They kind of streets have towards. Yeah, I know, save

1061
00:51:03,360 --> 00:51:03,840
Speaker 9: the streets.

1062
00:51:04,320 --> 00:51:06,839
Speaker 2: Cool, save the streets. I'm with them. Okay, let's save

1063
00:51:06,840 --> 00:51:07,440
Speaker 2: the streets.

1064
00:51:07,840 --> 00:51:09,239
Speaker 9: Yeah, so you don't got no problem with these guys

1065
00:51:09,280 --> 00:51:11,920
Speaker 9: personal it's just saying that message that's not you.

1066
00:51:11,960 --> 00:51:13,640
Speaker 2: No, No, I don't know if you know these people.

1067
00:51:14,480 --> 00:51:16,120
Speaker 2: I don't know these people. I do my thing and

1068
00:51:16,200 --> 00:51:17,840
Speaker 2: I stay in my own wing. I don't even know

1069
00:51:17,840 --> 00:51:22,000
Speaker 2: these people. Bro, you're just saying you can't say fuck

1070
00:51:22,000 --> 00:51:24,880
Speaker 2: the street. You're saying fucking five yo? What I what?

1071
00:51:25,239 --> 00:51:26,400
Speaker 1: I'm? What am? I?

1072
00:51:26,400 --> 00:51:28,279
Speaker 8: I feel like somebody reached out to you from Atlanta, man,

1073
00:51:28,520 --> 00:51:29,320
Speaker 8: one in Atlanta.

1074
00:51:29,840 --> 00:51:30,880
Speaker 1: Who could it be?

1075
00:51:31,520 --> 00:51:31,800
Speaker 5: Man?

1076
00:51:32,080 --> 00:51:35,520
Speaker 9: I think they d ms you like yo, niggas. It

1077
00:51:35,600 --> 00:51:38,400
Speaker 9: couldn't be nobody, man, because why speak on them?

1078
00:51:39,800 --> 00:51:39,880
Speaker 5: What?

1079
00:51:40,120 --> 00:51:40,960
Speaker 1: Why speak on the streets.

1080
00:51:41,680 --> 00:51:42,120
Speaker 8: The streets.

1081
00:51:42,200 --> 00:51:44,760
Speaker 1: Yeah, Oh, why speak on saying not for the streets?

1082
00:51:44,800 --> 00:51:50,120
Speaker 2: Yea, because I told you they saying fuck me, fuck

1083
00:51:50,160 --> 00:51:51,800
Speaker 2: the streets, fuck what I'm doing. So you're trying to

1084
00:51:51,800 --> 00:51:55,080
Speaker 2: discredit what I'm doing, because this is what I'm doing

1085
00:51:55,160 --> 00:51:58,040
Speaker 2: right now. So you're trying to change the narrative of

1086
00:51:58,520 --> 00:52:02,239
Speaker 2: we ain't fuck with the streets, So don't rap, don't.

1087
00:52:01,920 --> 00:52:02,879
Speaker 1: Be street at all.

1088
00:52:03,000 --> 00:52:04,360
Speaker 2: I mean, I just want to see how things is

1089
00:52:04,360 --> 00:52:07,120
Speaker 2: going to play out for them now. But you, like

1090
00:52:07,160 --> 00:52:08,399
Speaker 2: you said, they switched it up.

1091
00:52:09,200 --> 00:52:11,359
Speaker 9: Now, I think they could. They're gonna still rap about

1092
00:52:11,360 --> 00:52:12,240
Speaker 9: the streets.

1093
00:52:14,640 --> 00:52:14,920
Speaker 8: Ship.

1094
00:52:14,920 --> 00:52:17,120
Speaker 2: You better stream about it. You don't think they can

1095
00:52:17,160 --> 00:52:18,719
Speaker 2: say you better stream about it.

1096
00:52:19,280 --> 00:52:20,000
Speaker 8: You don't think they can.

1097
00:52:19,920 --> 00:52:22,560
Speaker 9: Say the streets and be like, Yo, I'm in the

1098
00:52:22,600 --> 00:52:23,680
Speaker 9: streets going crazy.

1099
00:52:25,280 --> 00:52:25,879
Speaker 8: You're doing right?

1100
00:52:26,360 --> 00:52:29,640
Speaker 2: That fucked up? That's crazy. I mean at that point,

1101
00:52:29,640 --> 00:52:32,239
Speaker 2: you're a coach of vulture nigga. I don't know about

1102
00:52:32,280 --> 00:52:35,400
Speaker 2: No the Landens ship, but my personal opinion.

1103
00:52:35,120 --> 00:52:37,480
Speaker 9: Like Savage is a street nigga, like Future, I look

1104
00:52:37,480 --> 00:52:39,400
Speaker 9: at him and he's he a bitch.

1105
00:52:39,160 --> 00:52:41,600
Speaker 2: Mag What's what's making? What's making? What's making you think

1106
00:52:41,640 --> 00:52:42,960
Speaker 2: that Savage is a street nigga.

1107
00:52:44,040 --> 00:52:49,840
Speaker 9: Okay, it's seriously now the same when you said the streets, okay,

1108
00:52:50,239 --> 00:52:52,160
Speaker 9: I think you said that because he loves stuff. Honestly,

1109
00:52:52,440 --> 00:52:56,080
Speaker 9: the same thing you've heard about or we're not heard

1110
00:52:56,120 --> 00:52:58,319
Speaker 9: maybe you just know, all right, the same thing I've

1111
00:52:58,360 --> 00:53:01,040
Speaker 9: heard about baby when come to niggas, he'd be with

1112
00:53:01,080 --> 00:53:03,840
Speaker 9: then how they get down? Same thing I've heard about Savage,

1113
00:53:04,160 --> 00:53:07,080
Speaker 9: same nobody play with them.

1114
00:53:07,280 --> 00:53:09,520
Speaker 8: It ain't like that, you know what I mean? Heard

1115
00:53:09,560 --> 00:53:10,040
Speaker 8: the same thing.

1116
00:53:11,640 --> 00:53:14,600
Speaker 9: That's why Huge is the biggest well musically, Yeah, of

1117
00:53:14,640 --> 00:53:20,960
Speaker 9: course he's a jay Z of Atlanta, clearly, Clearly, I

1118
00:53:20,960 --> 00:53:22,400
Speaker 9: think you're gonna drop two albums this year.

1119
00:53:24,520 --> 00:53:26,480
Speaker 1: Why do you think twee one Savage is street.

1120
00:53:26,320 --> 00:53:29,840
Speaker 8: Nigga, bro Jesus stop it street nigga?

1121
00:53:29,880 --> 00:53:33,880
Speaker 2: Where the foil niggas just stopping in Atlanta?

1122
00:53:35,080 --> 00:53:37,080
Speaker 8: You could only be a street day of where you're from,

1123
00:53:37,120 --> 00:53:39,600
Speaker 8: like niggas in Montana. Don't know if you're not.

1124
00:53:39,680 --> 00:53:44,279
Speaker 1: True, it's not true. You're a certain type with you,

1125
00:53:44,400 --> 00:53:45,560
Speaker 1: a certain type of nigga.

1126
00:53:45,360 --> 00:53:47,799
Speaker 2: Everywhere, and your name and your your arm is gonna

1127
00:53:47,800 --> 00:53:49,880
Speaker 2: be able to stretch to certain different parts of the world.

1128
00:53:49,920 --> 00:53:53,120
Speaker 9: No, it's a states Savage one of them. Honestly, like

1129
00:53:53,200 --> 00:53:55,359
Speaker 9: I'm I'm I'm not even I'm not I'm not saying

1130
00:53:55,400 --> 00:54:01,080
Speaker 9: on some instigating ship. I'm saying, no, it's not, because

1131
00:54:01,200 --> 00:54:05,800
Speaker 9: you know, it's really I feel like I've seen enough

1132
00:54:05,960 --> 00:54:08,799
Speaker 9: and obviously I don't know. I don't see a lot

1133
00:54:08,840 --> 00:54:11,360
Speaker 9: of shit, but like the ship that I like, I

1134
00:54:11,400 --> 00:54:15,240
Speaker 9: could tell I've never really been around Baby, but everything

1135
00:54:15,280 --> 00:54:18,640
Speaker 9: I've heard about Baby and and how you rolling niggas

1136
00:54:18,640 --> 00:54:21,359
Speaker 9: to get down with, I know how they're they're going right,

1137
00:54:23,320 --> 00:54:25,200
Speaker 9: I'm telling you, I hear the same thing if you

1138
00:54:25,640 --> 00:54:29,400
Speaker 9: if I was talking to talk about Atlanta, why so

1139
00:54:29,600 --> 00:54:32,840
Speaker 9: used to be on that baby niggas on that.

1140
00:54:35,080 --> 00:54:38,680
Speaker 8: Savage niggas on that. Then there's a lot of other people.

1141
00:54:39,120 --> 00:54:39,439
Speaker 1: You know.

1142
00:54:39,600 --> 00:54:43,680
Speaker 8: They always teld me niggles was from Gwinnett, which I

1143
00:54:43,680 --> 00:54:44,359
Speaker 8: don't know what that means.

1144
00:54:44,800 --> 00:54:47,160
Speaker 2: So how come how come six nine could could dis

1145
00:54:47,320 --> 00:54:48,560
Speaker 2: twenty one Savage so much?

1146
00:54:48,680 --> 00:54:48,839
Speaker 1: Yeah?

1147
00:54:48,880 --> 00:54:51,360
Speaker 9: But this New York niggas too, he'd be this in

1148
00:54:51,400 --> 00:54:53,040
Speaker 9: New York niggas, he's going on, stop.

1149
00:54:53,760 --> 00:54:56,200
Speaker 2: Nah, but you're saying this, You're saying this niggas treut

1150
00:54:56,239 --> 00:54:58,320
Speaker 2: nigga niggas don't play with him.

1151
00:54:58,600 --> 00:55:01,239
Speaker 9: Yeah, but six, I won't go to a and like

1152
00:55:01,440 --> 00:55:03,960
Speaker 9: go to I don't know what club is popping in Atlanta.

1153
00:55:03,960 --> 00:55:04,920
Speaker 8: Just like he wouldn't.

1154
00:55:05,040 --> 00:55:07,719
Speaker 9: He wouldn't, he wouldn't come to And I know he's

1155
00:55:07,760 --> 00:55:09,279
Speaker 9: gonna respond when he get out of jail and say

1156
00:55:09,280 --> 00:55:10,960
Speaker 9: I'm lying. But I don't think he would go to

1157
00:55:11,000 --> 00:55:15,279
Speaker 9: Starless and diss you every night for one week. No way, right,

1158
00:55:15,640 --> 00:55:18,640
Speaker 9: Like that would be a stretch crazy, That would be crazy.

1159
00:55:18,960 --> 00:55:22,080
Speaker 9: I don't think he goes to Atlanta and this is

1160
00:55:23,400 --> 00:55:27,120
Speaker 9: go to any pop in Atlanta club and this is

1161
00:55:27,160 --> 00:55:27,759
Speaker 9: savage there.

1162
00:55:28,239 --> 00:55:32,520
Speaker 2: Biggas is all cat. You understand niggas cat bro, trust me,

1163
00:55:33,600 --> 00:55:34,480
Speaker 2: Niggas is all cat.

1164
00:55:34,520 --> 00:55:37,439
Speaker 1: It's all show. It's all smoking Marus.

1165
00:55:38,680 --> 00:55:38,879
Speaker 5: Cap.

1166
00:55:39,320 --> 00:55:41,319
Speaker 8: You know something I don't know because I'm like, look

1167
00:55:41,400 --> 00:55:42,080
Speaker 8: kind of real to me.

1168
00:55:42,440 --> 00:55:46,040
Speaker 9: I don't know, Like if you ask me, no, I think.

1169
00:55:46,080 --> 00:55:46,359
Speaker 5: I think.

1170
00:55:46,600 --> 00:55:50,000
Speaker 9: I think Douglas living a good probation life, which you should.

1171
00:55:50,120 --> 00:55:52,320
Speaker 9: I've seen the people who I seen them around.

1172
00:55:53,120 --> 00:55:53,920
Speaker 1: They're great people.

1173
00:55:54,520 --> 00:55:56,279
Speaker 2: You know what thing, it's not that you're a street through,

1174
00:55:56,320 --> 00:55:58,120
Speaker 2: but you came up off the streets.

1175
00:55:58,360 --> 00:55:59,840
Speaker 8: I love music.

1176
00:56:00,560 --> 00:56:01,400
Speaker 1: How do you feel about that?

1177
00:56:01,480 --> 00:56:02,080
Speaker 4: What that fu?

1178
00:56:02,239 --> 00:56:02,799
Speaker 1: Streets?

1179
00:56:02,840 --> 00:56:03,200
Speaker 4: Movement.

1180
00:56:04,280 --> 00:56:06,200
Speaker 8: I've told this a Savage too, I said, brouh.

1181
00:56:07,400 --> 00:56:09,319
Speaker 9: I feel like y'all said this or you said this

1182
00:56:09,520 --> 00:56:12,160
Speaker 9: because like young Thuggie Man and he was going through

1183
00:56:12,160 --> 00:56:16,279
Speaker 9: some ship. I know you a street nigga too, but

1184
00:56:16,400 --> 00:56:21,400
Speaker 9: like you just manage your business like streets.

1185
00:56:20,719 --> 00:56:23,280
Speaker 1: Wow, Because.

1186
00:56:24,520 --> 00:56:29,279
Speaker 2: These niggas put on personas because they had to. And

1187
00:56:29,800 --> 00:56:32,320
Speaker 2: it's not to say that these niggas is straight, pussy

1188
00:56:32,400 --> 00:56:34,920
Speaker 2: and straight, but but you when you have to put

1189
00:56:34,960 --> 00:56:38,960
Speaker 2: on persona to survive the circumstances, and you're so mad

1190
00:56:39,000 --> 00:56:40,680
Speaker 2: about that persona that you had to put on, and

1191
00:56:40,680 --> 00:56:42,160
Speaker 2: you finally get to the place where I don't have

1192
00:56:42,239 --> 00:56:44,799
Speaker 2: to move like that no more. You're gonna take the

1193
00:56:44,840 --> 00:56:47,240
Speaker 2: opportunity and be like, you know what, I'm as cooled

1194
00:56:47,320 --> 00:56:50,360
Speaker 2: enough and I'm and I'm tough enough, and I'm confident

1195
00:56:50,480 --> 00:56:51,600
Speaker 2: enough to say the streets.

1196
00:56:51,840 --> 00:56:53,960
Speaker 8: Yeah, but I don't think Savage put on come on?

1197
00:56:54,400 --> 00:56:56,040
Speaker 2: So why so? So why you think he is a

1198
00:56:56,040 --> 00:56:58,120
Speaker 2: street nigga because he was acting like a street nigga?

1199
00:56:59,640 --> 00:57:03,520
Speaker 9: No, I said, I think he said it to take

1200
00:57:03,560 --> 00:57:08,200
Speaker 9: the pressure off Thug. Because people were all basically saying

1201
00:57:08,480 --> 00:57:10,839
Speaker 9: all of y'all who said y'all.

1202
00:57:11,239 --> 00:57:12,920
Speaker 8: It's two options, y'all.

1203
00:57:13,120 --> 00:57:15,000
Speaker 9: So remember he had he had said on an interview,

1204
00:57:15,040 --> 00:57:21,320
Speaker 9: he said, Yo, I'm telling thug to forgive Gunna because.

1205
00:57:21,240 --> 00:57:23,800
Speaker 8: We knew he's because he tweeted. He said, we knew

1206
00:57:23,840 --> 00:57:25,840
Speaker 8: he snitched already, and we forgave him.

1207
00:57:25,840 --> 00:57:28,400
Speaker 9: And people are like, wait, hold on, now, y'all knew

1208
00:57:28,360 --> 00:57:31,080
Speaker 9: a nigga snitched and forgave him, and now y'all still

1209
00:57:31,200 --> 00:57:31,959
Speaker 9: on some other ship.

1210
00:57:32,360 --> 00:57:33,360
Speaker 8: So they're saying.

1211
00:57:33,640 --> 00:57:37,680
Speaker 2: They're trying to take the pressure off they self. He

1212
00:57:37,760 --> 00:57:42,600
Speaker 2: ain't about nobody else. They're trying to take the pressure

1213
00:57:42,600 --> 00:57:44,880
Speaker 2: off of what they did wrong.

1214
00:57:45,680 --> 00:57:46,920
Speaker 8: Savage, the thug did it.

1215
00:57:47,800 --> 00:57:51,680
Speaker 2: No, he friending up a rat is wrong. What he

1216
00:57:51,720 --> 00:57:54,960
Speaker 2: did wrong, not with gunn not with the other nigga

1217
00:57:55,000 --> 00:57:58,360
Speaker 2: did wrong. That's what he did wrong. Our respect.

1218
00:57:58,800 --> 00:57:59,600
Speaker 8: It was a little bit different.

1219
00:57:59,600 --> 00:58:05,440
Speaker 9: Atlanta is just like you can't have a gun out here,

1220
00:58:05,440 --> 00:58:06,960
Speaker 9: but you can have a gun in Atlanta. The street

1221
00:58:07,040 --> 00:58:09,120
Speaker 9: rules get a little bit tricky depending on where you go.

1222
00:58:10,920 --> 00:58:13,640
Speaker 9: Nobody real me, there's no way I think the street

1223
00:58:13,720 --> 00:58:17,960
Speaker 9: rules say nobody Atlanta. Atlanta niggas got a little bit different,

1224
00:58:18,040 --> 00:58:21,080
Speaker 9: like yo, because even when I listened to the cases

1225
00:58:21,440 --> 00:58:24,720
Speaker 9: it was cool for opening the streets. Everybody knew. When

1226
00:58:24,720 --> 00:58:28,040
Speaker 9: why is that beefing with the other dudes? It was

1227
00:58:29,120 --> 00:58:31,280
Speaker 9: if you snitch on them, you cool. You can still

1228
00:58:31,280 --> 00:58:34,920
Speaker 9: come back his game. Don't stench on us though, So

1229
00:58:34,960 --> 00:58:36,320
Speaker 9: you can stench on your enemy out there.

1230
00:58:36,360 --> 00:58:36,920
Speaker 8: That's fine.

1231
00:58:37,520 --> 00:58:40,040
Speaker 3: He's being facetious at the end, right there. I believe

1232
00:58:40,120 --> 00:58:42,920
Speaker 3: I don't know. Again, let me clear something up to

1233
00:58:43,080 --> 00:58:45,280
Speaker 3: I'm from Tennessee. I think a lot of people get

1234
00:58:45,280 --> 00:58:48,080
Speaker 3: that confused because Atlanta loved me, and I love Atlanta.

1235
00:58:49,040 --> 00:58:49,240
Speaker 1: You know.

1236
00:58:49,280 --> 00:58:51,560
Speaker 3: I got a lot of a lot of love in Atlanta,

1237
00:58:51,600 --> 00:58:55,720
Speaker 3: and it's gonna stay that way, right, But I represent

1238
00:58:55,800 --> 00:58:58,240
Speaker 3: the Southern district, and so sometimes I got to speak

1239
00:58:58,280 --> 00:59:02,120
Speaker 3: on behalf of the Southern districts interest. Sometimes that's Atlanta,

1240
00:59:02,200 --> 00:59:05,840
Speaker 3: sometimes it's Texas, sometimes it's Florida. All the time, it's

1241
00:59:05,880 --> 00:59:09,680
Speaker 3: gonna be coherent and practical content, and so if you enjoyed,

1242
00:59:09,760 --> 00:59:11,280
Speaker 3: you must you gotta stick around.

1243
00:59:11,280 --> 00:59:12,640
Speaker 4: But here's the problem.

1244
00:59:13,160 --> 00:59:16,120
Speaker 3: He basically is calling in the question twenty one gangster

1245
00:59:16,280 --> 00:59:18,840
Speaker 3: like he knows something we don't know. Like one of

1246
00:59:18,920 --> 00:59:21,280
Speaker 3: y'all reach out to what's going on behind the scenes,

1247
00:59:21,320 --> 00:59:23,640
Speaker 3: What this nigga saying that shit is our performing if

1248
00:59:23,640 --> 00:59:27,400
Speaker 3: it's our cap night, feel like he feels like.

1249
00:59:27,400 --> 00:59:28,160
Speaker 4: He knows something.

1250
00:59:28,200 --> 00:59:30,960
Speaker 3: I don't know what's going on, but here's what twenty

1251
00:59:31,040 --> 00:59:33,640
Speaker 3: one Savage said in response to five of your foreigm.

1252
00:59:33,720 --> 00:59:37,840
Speaker 7: Pay attention your phim shut your bitch ass something. Stop

1253
00:59:37,880 --> 00:59:41,160
Speaker 7: saying my motherfucking name. Don't think cause a nigga trying

1254
00:59:41,160 --> 00:59:45,560
Speaker 7: to change that man. Y'all nigga, sit down some one

1255
00:59:45,640 --> 00:59:55,320
Speaker 7: man straight up. If your ass walking around with a

1256
00:59:55,400 --> 00:59:57,280
Speaker 7: third eight, don't say nothing to me boyt.

1257
00:59:57,080 --> 00:59:59,240
Speaker 5: The stream straight up.

1258
00:59:59,760 --> 01:00:03,480
Speaker 7: If y'all ass thirty five or older and you've been

1259
01:00:03,480 --> 01:00:08,040
Speaker 7: trying to rap since you was god damn seventeen sixteen fifteen,

1260
01:00:08,640 --> 01:00:10,320
Speaker 7: don't say nothing to me about the street.

1261
01:00:10,360 --> 01:00:11,760
Speaker 5: You don't know nothing about the street.

1262
01:00:11,760 --> 01:00:15,680
Speaker 7: You ain't there nothing in the street, straight up, Yoah, nigga,

1263
01:00:15,880 --> 01:00:17,640
Speaker 7: keep talking out all they fucked the street.

1264
01:00:17,400 --> 01:00:20,520
Speaker 5: Shit, Savage. This is servy that Servey did.

1265
01:00:20,640 --> 01:00:22,840
Speaker 7: Savages slapped the shit out one of y'all niggas in

1266
01:00:22,880 --> 01:00:23,360
Speaker 7: real life.

1267
01:00:23,480 --> 01:00:25,720
Speaker 5: Y'all niggas know this. Stop motherfucker playing.

1268
01:00:26,520 --> 01:00:29,520
Speaker 7: Don't think because Savage on some positive shit that is.

1269
01:00:30,240 --> 01:00:32,880
Speaker 5: Oh, let's talk about Savage every day. Let's let's talk

1270
01:00:32,920 --> 01:00:36,120
Speaker 5: about savage out there. Nah, this ain't that y'all. Niggas

1271
01:00:36,120 --> 01:00:42,840
Speaker 5: still get y'all ass whooped straight up nigga around it.

1272
01:00:42,960 --> 01:00:46,760
Speaker 7: Been looking for cloud man nigga allys hell, poor as

1273
01:00:46,800 --> 01:00:51,120
Speaker 7: a motherfucker to out who a street nigga in another state?

1274
01:00:53,240 --> 01:00:55,320
Speaker 5: How the fuck can you tell a nigga from a

1275
01:00:55,320 --> 01:00:58,880
Speaker 5: whole other state what they is? You don't even know

1276
01:00:58,920 --> 01:01:00,000
Speaker 5: no nigga but.

1277
01:01:00,080 --> 01:01:04,520
Speaker 7: The hell, y'all nigga has been wanna be rapping y'all

1278
01:01:04,520 --> 01:01:06,200
Speaker 7: whole life. It ain't there nothing in the street, y'all.

1279
01:01:06,280 --> 01:01:10,120
Speaker 7: Niggas ain't seen enough in the street to even feel

1280
01:01:10,160 --> 01:01:12,120
Speaker 7: how I feel about the street. That's that's where a

1281
01:01:12,160 --> 01:01:14,880
Speaker 7: disconnect come in at. I don't give a fuck about

1282
01:01:14,880 --> 01:01:16,760
Speaker 7: what your partners then did. I don't give a fuck

1283
01:01:16,800 --> 01:01:19,120
Speaker 7: about what yr hood and it did. I'm talking to y'all,

1284
01:01:19,640 --> 01:01:21,680
Speaker 7: y'all as individuals, y'all.

1285
01:01:21,760 --> 01:01:22,040
Speaker 5: Niggas.

1286
01:01:22,040 --> 01:01:24,160
Speaker 7: Ain't there nothing in the street, so y'all don't have

1287
01:01:24,200 --> 01:01:26,840
Speaker 7: no feelings towards me. Y'all ain't cried enough, y'all ain't

1288
01:01:26,880 --> 01:01:31,120
Speaker 7: lost enough. Straight up, y'all nig guys better stick though

1289
01:01:31,160 --> 01:01:37,800
Speaker 7: rapping man putsize niggas man, nigga dicked out, Just stick

1290
01:01:37,840 --> 01:01:43,280
Speaker 7: a fork in it, bro y'all niggas be gangster as

1291
01:01:43,280 --> 01:01:47,400
Speaker 7: a motherfucking area. Fifty nine man remote location to ask

1292
01:01:47,480 --> 01:01:51,600
Speaker 7: niggas man nigga ain't seen y'all niggas in thirty years.

1293
01:01:52,000 --> 01:01:54,240
Speaker 7: Y'all nigga keep trying to take the way a nigga

1294
01:01:54,280 --> 01:01:56,520
Speaker 7: words some shit to make it f to to to

1295
01:01:56,640 --> 01:02:00,440
Speaker 7: go at a dis nigga cause y'all been wanted of

1296
01:02:00,720 --> 01:02:02,760
Speaker 7: ben Hainar. I don't know what the hell y'all nigga's

1297
01:02:02,800 --> 01:02:07,400
Speaker 7: motives be. Y'all nigga be acting like y'all want to

1298
01:02:07,440 --> 01:02:12,800
Speaker 7: suck Dick always talking about another nigga.

1299
01:02:13,640 --> 01:02:14,760
Speaker 5: Y'all bitch ass up.

1300
01:02:15,160 --> 01:02:17,840
Speaker 7: If I take my belt out of the fuck wrong

1301
01:02:17,920 --> 01:02:25,080
Speaker 7: with y'all, everybody's tough now, mave y'all form shut yall

1302
01:02:25,120 --> 01:02:25,840
Speaker 7: bitch ass up.

1303
01:02:26,120 --> 01:02:28,360
Speaker 4: Then five year posted I said what I said.

1304
01:02:28,400 --> 01:02:30,200
Speaker 3: No back and forth for the nigga that said fuck

1305
01:02:30,240 --> 01:02:33,360
Speaker 3: the streets nigga bitch either Dick puts an he tagged

1306
01:02:33,400 --> 01:02:35,840
Speaker 3: twenty one seven. There's a few more points I want

1307
01:02:35,840 --> 01:02:37,640
Speaker 3: to address before I get out of here. One of

1308
01:02:37,640 --> 01:02:42,360
Speaker 3: them is sometimes and y'all co correct me if I'm wrong.

1309
01:02:42,600 --> 01:02:45,439
Speaker 3: As it pertains to music, sometimes it feels like there's

1310
01:02:45,440 --> 01:02:50,480
Speaker 3: some unresolved tension with the South and the North. And

1311
01:02:50,560 --> 01:02:51,960
Speaker 3: I want to know, I want to have some of

1312
01:02:52,000 --> 01:02:54,320
Speaker 3: your taste makers or some of your people that's, you know,

1313
01:02:54,440 --> 01:02:57,360
Speaker 3: able to articulate points. Somebody really explained to me what's

1314
01:02:57,440 --> 01:02:57,880
Speaker 3: going on?

1315
01:02:57,960 --> 01:02:58,120
Speaker 5: There?

1316
01:02:59,200 --> 01:03:01,720
Speaker 3: Is there some resis meant is there's something going on

1317
01:03:01,920 --> 01:03:06,760
Speaker 3: because there's some arrested development? What is there anything? Because

1318
01:03:06,760 --> 01:03:09,200
Speaker 3: we I like New York, I fuck with New York.

1319
01:03:10,000 --> 01:03:13,120
Speaker 3: But sometimes I feel as though that there's like, as

1320
01:03:13,120 --> 01:03:16,800
Speaker 3: it pertains the music, that's some kind of like I

1321
01:03:16,880 --> 01:03:21,000
Speaker 3: don't know, man, Right, it's always been a respectful relationship, right,

1322
01:03:21,360 --> 01:03:26,320
Speaker 3: But I just wonder if they're any undercover feelings there, right,

1323
01:03:26,440 --> 01:03:29,520
Speaker 3: I always wonder that as it pertains the twenty one

1324
01:03:29,560 --> 01:03:30,640
Speaker 3: Savage responded back.

1325
01:03:30,680 --> 01:03:31,560
Speaker 4: You see what he's saying.

1326
01:03:31,560 --> 01:03:34,640
Speaker 3: He basically saying, yo, you know, quit playing like that

1327
01:03:34,720 --> 01:03:35,880
Speaker 3: man before it gets serious.

1328
01:03:35,920 --> 01:03:36,120
Speaker 1: You know.

1329
01:03:36,200 --> 01:03:39,240
Speaker 3: Five year foreign respond back, Here's what I did find interesting.

1330
01:03:39,440 --> 01:03:41,480
Speaker 3: Niggas got a whole lot to say to each other,

1331
01:03:41,520 --> 01:03:44,120
Speaker 3: but ain't nobody said nothing of the academics. He was

1332
01:03:44,200 --> 01:03:46,160
Speaker 3: right there, fueling the whole fire. That's what I don't

1333
01:03:46,240 --> 01:03:48,520
Speaker 3: understand about Savage. I know he a real when I

1334
01:03:48,560 --> 01:03:50,880
Speaker 3: know a lot of niggas around him. You know what

1335
01:03:50,880 --> 01:03:52,840
Speaker 3: I'm saying. And they done told me they ain't vouch

1336
01:03:52,920 --> 01:03:55,400
Speaker 3: and stamped it. But it's like, Yo, why y'all don't

1337
01:03:55,400 --> 01:03:58,040
Speaker 3: never say nothing of academics though? Why he always get

1338
01:03:58,080 --> 01:04:02,960
Speaker 3: a pass? Somebody gotta start asking these questions. You got

1339
01:04:03,000 --> 01:04:06,000
Speaker 3: two rap niggas, Now that's into it. It ain't nobody

1340
01:04:06,040 --> 01:04:08,800
Speaker 3: saying nothing of the dude, Like what kind of superpowers

1341
01:04:08,840 --> 01:04:10,640
Speaker 3: do the dude got the way he get to just

1342
01:04:10,720 --> 01:04:15,400
Speaker 3: slide like that? And I'm really asking a question to y'all,

1343
01:04:15,400 --> 01:04:18,920
Speaker 3: like on some real gangster shit though, Why ain't nobody

1344
01:04:18,960 --> 01:04:19,320
Speaker 3: told him?

1345
01:04:19,360 --> 01:04:19,480
Speaker 5: Man?

1346
01:04:19,520 --> 01:04:21,160
Speaker 4: Why you bring me up the dude? Man?

1347
01:04:21,200 --> 01:04:23,280
Speaker 3: Why you keep drilling it home when you see any

1348
01:04:23,440 --> 01:04:24,280
Speaker 3: disrespecting me?

1349
01:04:24,440 --> 01:04:25,280
Speaker 4: Like what's going on?

1350
01:04:25,360 --> 01:04:28,280
Speaker 3: You pos be my friend, not just a business nigga,

1351
01:04:28,360 --> 01:04:31,160
Speaker 3: Just a nigga I come to interview with sometimes if

1352
01:04:31,160 --> 01:04:33,400
Speaker 3: you pos be my guy, like you said, no, Savage

1353
01:04:33,480 --> 01:04:36,120
Speaker 3: really my guy? Like I believe if me and Savage

1354
01:04:36,200 --> 01:04:40,880
Speaker 3: was born at Jamaica, we'll be the same people. Like right,

1355
01:04:41,120 --> 01:04:43,160
Speaker 3: I'm saying, why y'all don't ever say nothing of him.

1356
01:04:43,200 --> 01:04:46,960
Speaker 3: Can y'all help me understand that somebody of course, y'all

1357
01:04:47,040 --> 01:04:49,320
Speaker 3: beefing with each other, y'all gonna catch each other, smack

1358
01:04:49,360 --> 01:04:51,880
Speaker 3: each other or whatever, whatever. Why I don't nobody never

1359
01:04:51,920 --> 01:04:54,680
Speaker 3: say nothing the duel because he doing his job. So

1360
01:04:54,760 --> 01:04:58,080
Speaker 3: that's his job. Basically, if that's his job, y'all tell

1361
01:04:58,160 --> 01:05:00,240
Speaker 3: me that's his job, I'll go with that's his j Yeah,

1362
01:05:01,120 --> 01:05:03,800
Speaker 3: But let's talk about the unresolved relationship between the North

1363
01:05:03,840 --> 01:05:06,000
Speaker 3: and the South. Is there a situation where we feel

1364
01:05:06,000 --> 01:05:09,320
Speaker 3: as though, Yo, the South has been the plug for

1365
01:05:09,360 --> 01:05:11,800
Speaker 3: a long time. It's where the audiences lived, the motion

1366
01:05:11,960 --> 01:05:14,600
Speaker 3: is lived, it's where the sound is lived. So sometimes

1367
01:05:14,640 --> 01:05:16,600
Speaker 3: you deal with the plug not because you want to,

1368
01:05:16,720 --> 01:05:19,560
Speaker 3: cause you got to because the price is cheap. But

1369
01:05:19,640 --> 01:05:22,800
Speaker 3: the work is good and it helps you feed your family.

1370
01:05:23,800 --> 01:05:27,000
Speaker 3: So sometimes I think that, you know, some people feel

1371
01:05:27,040 --> 01:05:28,400
Speaker 3: like this is the right time to take it from

1372
01:05:28,400 --> 01:05:31,240
Speaker 3: the South. Music itself's been down, you know. That's why

1373
01:05:31,280 --> 01:05:34,520
Speaker 3: I appreciate Tip coming back and all these artists that's

1374
01:05:34,560 --> 01:05:37,959
Speaker 3: about to drop, even cold, all of them stabilized rap again.

1375
01:05:38,040 --> 01:05:40,920
Speaker 3: They talked bad about rap last year. Rocky just dropped

1376
01:05:41,120 --> 01:05:44,800
Speaker 3: they talk bad about rap. Let's stabilize this motherfucker this year.

1377
01:05:45,800 --> 01:05:48,080
Speaker 3: Let's get it going. Let's get it back popping. You

1378
01:05:48,160 --> 01:05:50,440
Speaker 3: understand me. They talked about us any kind of way

1379
01:05:50,560 --> 01:05:53,720
Speaker 3: last year, like we done just came and went. If

1380
01:05:53,760 --> 01:05:56,000
Speaker 3: the corporations want to move out the way, move out

1381
01:05:56,040 --> 01:05:58,720
Speaker 3: the way we established already, we got the fan base,

1382
01:05:58,800 --> 01:06:01,960
Speaker 3: we'll figure it out. We'll go Black Wall Street. If

1383
01:06:02,040 --> 01:06:05,120
Speaker 3: y'all an want to dip out, dip out, we'll figure

1384
01:06:05,120 --> 01:06:08,120
Speaker 3: it out. And so that's always a difference. And so

1385
01:06:08,240 --> 01:06:11,680
Speaker 3: I was wondering about that because relationships are important, but

1386
01:06:11,760 --> 01:06:14,200
Speaker 3: they're all so interesting, and so you gotta know the

1387
01:06:14,240 --> 01:06:19,040
Speaker 3: difference between being embraced versus being dealt with. See, both

1388
01:06:19,120 --> 01:06:21,360
Speaker 3: times you'll end up next to the person or next

1389
01:06:21,400 --> 01:06:25,400
Speaker 3: to the opportunity or next to the benefit. Some of

1390
01:06:25,480 --> 01:06:29,560
Speaker 3: y'all are not being embraced, you're being dealt with. That's

1391
01:06:29,560 --> 01:06:30,880
Speaker 3: why I always watch for things.

1392
01:06:30,960 --> 01:06:31,120
Speaker 5: Right.

1393
01:06:31,160 --> 01:06:33,320
Speaker 3: You'll catch me show up at somebody show or something,

1394
01:06:33,360 --> 01:06:35,560
Speaker 3: and I don't even say nothing. I'm seeing as they

1395
01:06:35,640 --> 01:06:37,840
Speaker 3: embracing me or is they dealing with me? Because if

1396
01:06:37,840 --> 01:06:40,360
Speaker 3: they dealing with me, I'm done with it. If they

1397
01:06:40,440 --> 01:06:43,840
Speaker 3: embracing me, I fuck with them, and if I'm done

1398
01:06:43,880 --> 01:06:46,240
Speaker 3: with it, that just means it's a business relationship and

1399
01:06:46,280 --> 01:06:48,720
Speaker 3: we'll keep it moving. No hard feelings. We here to

1400
01:06:48,760 --> 01:06:50,960
Speaker 3: make the money, get the money, head back to the crib.

1401
01:06:51,720 --> 01:06:53,680
Speaker 3: You understand me. But at the end of the day,

1402
01:06:53,720 --> 01:06:56,720
Speaker 3: it's always about people, whether you're being embraced or if

1403
01:06:56,720 --> 01:06:58,880
Speaker 3: you're being dealt with. You know, I don't know what

1404
01:06:59,000 --> 01:07:03,120
Speaker 3: this is gonna goo is posted Loto. You know, Savaday's

1405
01:07:03,160 --> 01:07:06,040
Speaker 3: responded with some things. I don't know where it's gonna go.

1406
01:07:06,400 --> 01:07:09,360
Speaker 3: You know, five year I just kind of didn't understand why.

1407
01:07:10,760 --> 01:07:13,320
Speaker 3: You know, them niggas from the South, they slow and

1408
01:07:13,320 --> 01:07:15,920
Speaker 3: all that. So you know I'm coming to speak on it.

1409
01:07:16,000 --> 01:07:19,640
Speaker 3: And again my dms open my line open. If niggas

1410
01:07:19,680 --> 01:07:22,640
Speaker 3: need that, hit my line. We can figure it out.

1411
01:07:22,720 --> 01:07:25,360
Speaker 3: You understand me. It's up there podcast. I see y'all

1412
01:07:25,760 --> 01:07:26,600
Speaker 3: at the next video.

1413
01:07:26,880 --> 01:07:27,720
Speaker 4: Long ye