WEBVTT - Avenger | 1. The Process

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<v Speaker 1>Hello, Avenger listeners. It's Steve Fishman and I'm really glad

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<v Speaker 1>you've tuned in. I hope you love this show as

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<v Speaker 1>much as we do. A quick word on an upcoming

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<v Speaker 1>bonus episode. We're doing a bonus with Miriam, the real Miriam.

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<v Speaker 1>We'll be asking her questions, your questions, and getting answers.

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<v Speaker 1>She'll update us on what's going on in her world

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<v Speaker 1>and a lot has Please email your questions or thoughts

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<v Speaker 1>or comments too. Info at Orbitmedia dot fm. Oh and

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<v Speaker 1>Fisher Stevens can answer your questions too. He's our co

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<v Speaker 1>founder and resident Oscar winner. He's an actor you saw

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<v Speaker 1>him in Succession and director of actors like al Pacino

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<v Speaker 1>and Justin Timberlake. For Avenger, he directed Alexis Bledel, who

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<v Speaker 1>voices Miriam. If we're lucky, Alexis who was the star

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<v Speaker 1>of Gilmore Girls and Handmaid's Tale and is the daughter

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<v Speaker 1>of an Argentine. We'll chip in answers to so let

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<v Speaker 1>us know your thoughts and questions, hopes and prayers. Info

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<v Speaker 1>at Orbitmedia dot FM. Thanks. I want to introduce you

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<v Speaker 1>to our newest true crime series, Avenger. It's something special

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<v Speaker 1>and a little different. Yes, there's murder, many murders, but

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<v Speaker 1>this crime is of a scale that almost defies imagination.

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<v Speaker 1>I'm not going to spoil it, but I will tell

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<v Speaker 1>you this. Bringing the culprits to justice is complicated because

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<v Speaker 1>the government doesn't want anyone to know a crime has

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<v Speaker 1>been committed. In this episode, we meet the young woman

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<v Speaker 1>who will fight the government. We meet her in Buenos Aires, Argentina.

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<v Speaker 1>A quick word about subscriptions. If you love ads, listen on.

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<v Speaker 1>If you're not so keen on ads, sign up for

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<v Speaker 1>True Crime Clubhouse on Apple Podcasts. That's our subscription channel.

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<v Speaker 1>You'll get no AD and also you can binge the

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<v Speaker 1>entire Avengers series. It's just too ninety nine a month.

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<v Speaker 2>Thanks.

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<v Speaker 3>Before we begin, please note that for this story we

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<v Speaker 3>interviewed Medium and everyone else for dozens of hours in Spanish.

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<v Speaker 3>We hired actors to voice their words in English.

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<v Speaker 2>By then, it was much more than a feeling. I

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<v Speaker 2>knew that I was being followed. I avoided going to

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<v Speaker 2>my family's house because I knew they would be there

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<v Speaker 2>waiting for me.

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<v Speaker 3>It's late afternoon, nineteen seventy seven. Medium is in a

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<v Speaker 3>neighborhood in Buenos Aires. She's nineteen It's been a year

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<v Speaker 3>since Argentina's military seized power a coup to bring back

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<v Speaker 3>peace and stability, says the military dictator, people like Medium,

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<v Speaker 3>a young political dissident, are now targets.

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<v Speaker 2>I was actually worried about my grandmother. It had been

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<v Speaker 2>a while since i'd last seen her. She was ninety two,

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<v Speaker 2>and she was frail. I just wanted to call, you know,

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<v Speaker 2>check in. I get to the phone booth and I

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<v Speaker 2>notice a man in line. His young, slim and he's

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<v Speaker 2>wearing a jean jacket, and I see that when his

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<v Speaker 2>turn comes up, he doesn't end up making a call.

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<v Speaker 2>So now I'm on alert. I start heading toward the

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<v Speaker 2>nearest bus stop, where at least there were more people around. First,

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<v Speaker 2>he follows me to the bus stop. Then I see

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<v Speaker 2>him inside the bus. I immediately jump off at a

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<v Speaker 2>random stop, but he also manages to get out. So

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<v Speaker 2>I turn my head and I see a dark red

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<v Speaker 2>four foul and a long gun barrel hanging out from

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<v Speaker 2>one of the windows. Now I'm running out of ideas.

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<v Speaker 2>I run into a nearby store, and when I look back,

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<v Speaker 2>I see that three men were following. I try to

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<v Speaker 2>stay calm and make my way through the meat aisle,

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<v Speaker 2>pretending I'm shopping. There's no back exit, so I take

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<v Speaker 2>off again through the front door. I tried to catch

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<v Speaker 2>a bus that was slowing down, and the Ford Falcon

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<v Speaker 2>speeds up right toward me. The bus driver other people

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<v Speaker 2>try to help, but the men pull out their guns

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<v Speaker 2>and scare everybody away. The bus also takes off. They

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<v Speaker 2>tackle me and they tell me their police. So I

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<v Speaker 2>start screaming, I'm Miriam Lewie, please help me.

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<v Speaker 3>From Orbit Media, I'm andres caaba scheedo. This is Avenger.

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<v Speaker 3>The Story of Medium Lewin, Episode one the process. Fast

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<v Speaker 3>forward three decades to twenty ten. It's four in the afternoon,

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<v Speaker 3>the busiest time of day at Canal Drese, a national

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<v Speaker 3>TV channel in Buenos Aires. Medium sits in her office chair,

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<v Speaker 3>looking through a big glass window that the cars driving by.

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<v Speaker 3>In Argentina, Medium is a well known investigative journalist and

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<v Speaker 3>she's relentless going after perpetrators of sexual abuse. She's reported

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<v Speaker 3>from Gaza, Russia, lots of places. Now she's in the

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<v Speaker 3>middle of the biggest investigation of her career. Medium looks

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<v Speaker 3>at her phone. It's a US number.

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<v Speaker 2>Ola Ola Medium, Ola Bruno.

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<v Speaker 3>She Olae, an Argentine reporter calling from Florida. Medium had

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<v Speaker 3>recently hired him to help her follow up on a tip.

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<v Speaker 3>She had sent him to meet the owner of a

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<v Speaker 3>small plane that maybe had once been used by Argentina's

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<v Speaker 3>dictatorship to kill hundreds of people. They were tossed out

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<v Speaker 3>of planes alive into the sea. Somehow the plane ended

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<v Speaker 3>up in Fort Lauderdale. Medium hoped that it still held

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<v Speaker 3>clues evidence of the atrocities.

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<v Speaker 2>We had no money to make the trip ourselves, so

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<v Speaker 2>we hired a stringer, a freelance journalist and actually Bruno

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<v Speaker 2>was a sports commentator, no career.

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<v Speaker 3>See in on the phone. The report confirms it's the

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<v Speaker 3>right plane.

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<v Speaker 2>I mean, we never even dreamed of running into something

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<v Speaker 2>so valuable. And then the owner of the plane shows

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<v Speaker 2>him the flight logs that were left inside untouched. The

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<v Speaker 2>hose logs date back to the late seventies and early

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<v Speaker 2>eighties when the military junta was in power. It was

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<v Speaker 2>all there dates, roots, origin, destination, and the most important

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<v Speaker 2>part the names of the pilots.

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<v Speaker 3>I spent a lot of my childhood in Argentina in

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<v Speaker 3>the early nineties at my grandfather's repair shop behind our house.

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<v Speaker 3>It was a middle class suburb of Buennoes Aires, and

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<v Speaker 3>every morning I'll wake up to Rado Colonia, my grandfather's

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<v Speaker 3>favorite station. Inside his repair shop, the floors and shelves

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<v Speaker 3>were stacked with old radios, tools, and countless broken televisions.

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<v Speaker 3>One day he decided I was old enough to hear

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<v Speaker 3>about the death flights. He told me how only about

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<v Speaker 3>a decade earlier, thousands of people had been kidnapped, loaded

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<v Speaker 3>into airplanes and thrown into the ocean. I was barely

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<v Speaker 3>nine at the time. We lived several blocks from the shore.

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<v Speaker 3>I could picture the planes above the water, bodies free falling.

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<v Speaker 3>I had a lot of questions, but my grandfather didn't

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<v Speaker 3>have answers. This was in the nineties and many Argentines

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<v Speaker 3>were still searching for answers about loved ones who had

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<v Speaker 3>gone missing. Mothers, fathers were still mourning in fear and

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<v Speaker 3>in silence. It seemed at times Argentina, the entire country

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<v Speaker 3>was looking away, intent on bearing the ghosts of the past.

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<v Speaker 3>For a long time, journalist, Medium Lewin wanted to bury

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<v Speaker 3>them too. For good reason, she had been one of

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<v Speaker 3>the disappeared. Better to forget years of captivity of torture.

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<v Speaker 3>Then one day, an annoying, rude, incredibly persistent Italian phota

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<v Speaker 3>journalist entered her life, asking lots of uncomfortable questions. Theirs

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<v Speaker 3>would be an unlikely alliance, but together they set out

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<v Speaker 3>to bring justice to the victims of the Bueilos de

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<v Speaker 3>la Morte, the death flights. It would prove to be

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<v Speaker 3>the investigation of a lifetime. The investigation would also become

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<v Speaker 3>crucial in my search for answers. How did an entire

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<v Speaker 3>country allow this to happen? Was there will there ever

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<v Speaker 3>be justice? Where were the pilots who flew the death flights?

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<v Speaker 3>In two thousand and seven, Giancarlo Siraulo is living in

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<v Speaker 3>Buenos Aires. He's the annoying Italian photojournalist who gets in

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<v Speaker 3>touch with Medium. He invites her to a cafe to

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<v Speaker 3>take some photos.

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<v Speaker 2>He says he's been assigned to take some portraits of me.

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<v Speaker 2>I don't know something about a story about survivors of

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<v Speaker 2>the dictatorship.

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<v Speaker 4>I had no idea whether she tell me to just

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<v Speaker 4>go to hell. The photos were just an excuse for

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<v Speaker 4>us to me. I mean, why would I take portraits

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<v Speaker 4>of a survivor inside a cafe? I knew I wasn't

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<v Speaker 4>going to use those photos.

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<v Speaker 3>In his thirties, Giancadlo is a bit of a nomad.

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<v Speaker 3>He's been all over the world telling stories, taking photos,

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<v Speaker 3>fulfilling his obsession to document the scars left by fascist governments. Recently,

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<v Speaker 3>he traveled from Italy to Argentina on a mission. He's

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<v Speaker 3>become obsessed with the death flights. He's heard about Medium

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<v Speaker 3>and decided he needs her, a survivor and just as important,

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<v Speaker 3>a journalist on the ground who might help him find

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<v Speaker 3>some answers and jian Cadlo's request comes at a good time.

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<v Speaker 2>I was in a bad place emotionally at the time.

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<v Speaker 2>I was in my fifties. My two boys were in

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<v Speaker 2>their mid twenties, so they were never home. The man

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<v Speaker 2>I was with back then left me for a younger woman.

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<v Speaker 2>I was alone, heartbroken. I needed some sort of distraction,

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<v Speaker 2>something to occupy my time, even if it involved meeting

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<v Speaker 2>a stranger to talk about trauma.

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<v Speaker 3>She agrees to meet gian Cadlo at a cafe in

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<v Speaker 3>the center of Buenos Aires. It's a gray, windy day

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<v Speaker 3>in August, and Medium comes straight from her office wearing

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<v Speaker 3>her signature fluorescent orange jacket. Her red, curly hair blowing

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<v Speaker 3>in the wind. The cafe is on AVENI and withe Julia,

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<v Speaker 3>a majestic avenue lined up with purple Jacaranda trees. It's

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<v Speaker 3>not the first time that a foreign journalist contacts Medium

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<v Speaker 3>for an interview, but Giancarlo is different.

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<v Speaker 2>He says hi with a kiss on the cheek. He's

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<v Speaker 2>clearly non American. He has this baby face that makes

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<v Speaker 2>him look in his mid twenties, and long wavy hair,

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<v Speaker 2>green eyes and an earring.

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<v Speaker 4>And I'm shocked by her face. These beautiful in her

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<v Speaker 4>eyes have this light to them, and a lot of

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<v Speaker 4>the survivors that interview didn't have the light in their eyes.

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<v Speaker 3>They start talking, gian Cadlo seems eager, too eager. He's

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<v Speaker 3>leaning toward Medium over the table. Medium is not impressed.

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<v Speaker 3>The whole setup seems off.

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<v Speaker 2>I'm thinking, how does this serious, prestigious Italian magazine send

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<v Speaker 2>this guy to do a story about the dictatorship. He

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<v Speaker 2>just doesn't seem very professional. And then he grabs his

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<v Speaker 2>camera and starts taking pictures of me without even looking

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<v Speaker 2>into the camera. I thought that was kind of weird,

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<v Speaker 2>so I asked if he got the shots that he

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<v Speaker 2>needed instead of answering, his smiles and asks me a question.

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<v Speaker 4>Do you know where the planes use for the dead

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<v Speaker 4>flights are?

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<v Speaker 2>He was kind of telling me, how come you never

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<v Speaker 2>thought of this? I was an experienced investigative reporter, so

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<v Speaker 2>that felt like a lack of respect. You know, how

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<v Speaker 2>dare he ask me that I'm a survivor of a

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<v Speaker 2>concentration camp. Also, I'm like twelve years older than him.

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<v Speaker 2>I have no idea where the planes could be and

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<v Speaker 2>why why should I care? But then again, through those planes,

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<v Speaker 2>we could get to the pilots and maybe identify them,

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<v Speaker 2>and that would be amazing.

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<v Speaker 3>Giangarrdlo's convinced that if they could find the planes, that

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<v Speaker 3>could lead to the pilots of those death flights.

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<v Speaker 4>I mean, these are the guys who were responsible for

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<v Speaker 4>the genocidal machine that killed so many people. I'm trying

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<v Speaker 4>to see how she would react, hoping it would make

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<v Speaker 4>her want to help me with the investigation. That's their

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<v Speaker 4>strategy at least.

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<v Speaker 2>And then Giancarlo pulls this strange looking book from his backpack.

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<v Speaker 2>He puts it on the table. It's written by a

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<v Speaker 2>guy named Adolfo Silingo, a former Navy captain He was

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<v Speaker 2>the first Navy officer to admit to being part of

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<v Speaker 2>a death flight crew. I knew about Silingo. I mean

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<v Speaker 2>I had heard about him, but I hadn't seen this

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<v Speaker 2>book yet.

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<v Speaker 3>It was an obscure book, only a few copies were

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<v Speaker 3>ever printed. Giancardlo gives it to her and she puts

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<v Speaker 3>it in her bag. Their meeting ends without a commitment,

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<v Speaker 3>but it sparks something within her.

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<v Speaker 2>Was there possibly something big to investigate, something that had

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<v Speaker 2>been overlooked for a while. I avoided investigating the dictatorship,

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<v Speaker 2>revisiting that trauma. I had friends who were put on

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<v Speaker 2>those death flights. I didn't feel I could stick to

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<v Speaker 2>journalistic boundaries, like my emotions might betray me at any

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<v Speaker 2>moment and send me into a breakdown.

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<v Speaker 3>Medium grew up in a nice, middle class neighborhood in

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<v Speaker 3>Buenos Aires. She was an intellectual child. She loved books

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<v Speaker 3>and poetry. Her dad was a big influence. He was

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<v Speaker 3>a leftist. He gave her books about socialism, workers' movements.

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<v Speaker 2>When my dad noticed me bringing flyers home, bringing the

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<v Speaker 2>anarchist paper, he started feeding me more anarchist literature.

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<v Speaker 3>Soon she was an activist.

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<v Speaker 2>I was into political military and see. But I also

0:16:01.280 --> 0:16:05.280
<v Speaker 2>loved the idea of working for a newspaper. I was

0:16:05.320 --> 0:16:08.440
<v Speaker 2>a good writer, so I signed up for journalism school.

0:16:09.240 --> 0:16:11.520
<v Speaker 2>The problem was my parents wanted me to have a

0:16:11.560 --> 0:16:14.720
<v Speaker 2>real career, so I had to enroll in economics at

0:16:14.720 --> 0:16:19.560
<v Speaker 2>the same time to appease them. We were young, but

0:16:20.000 --> 0:16:24.040
<v Speaker 2>we felt like we'd live through a lot. Social change,

0:16:24.040 --> 0:16:28.960
<v Speaker 2>access to education, better salaries. It all seemed at our fingertips.

0:16:29.440 --> 0:16:32.800
<v Speaker 2>I mean, it didn't feel like a fantasy. It felt

0:16:32.840 --> 0:16:37.160
<v Speaker 2>like we could actually change the world. I wanted to

0:16:37.200 --> 0:16:40.560
<v Speaker 2>see a country where there was equality. We were young,

0:16:40.640 --> 0:16:42.080
<v Speaker 2>and we felt invincible.

0:16:42.920 --> 0:16:45.800
<v Speaker 3>When Medium's parents started to worry about her safety, they

0:16:45.840 --> 0:16:49.120
<v Speaker 3>offered to fly her to Brazil or somewhere outside Argentina.

0:16:49.320 --> 0:16:53.560
<v Speaker 2>Abandoning the cause wasn't even an option for us. We

0:16:53.640 --> 0:16:57.920
<v Speaker 2>thought if we abandoned the militancy and activism, we would

0:16:57.920 --> 0:17:02.280
<v Speaker 2>be betraying our friends who gave their lives for the movement.

0:17:10.960 --> 0:17:12.760
<v Speaker 3>The economy was in shambles.

0:17:13.000 --> 0:17:16.639
<v Speaker 5>For sixty days, six thousand metal workers struck unofficially against

0:17:16.680 --> 0:17:19.360
<v Speaker 5>wage restraint in face of huge inflation.

0:17:19.320 --> 0:17:22.920
<v Speaker 3>And political violence and tentions grew the government.

0:17:23.040 --> 0:17:26.080
<v Speaker 5>Federal police moved in five hundred workers were sacked and

0:17:26.119 --> 0:17:28.760
<v Speaker 5>one hundred and forty three flung in jail without trial.

0:17:29.240 --> 0:17:31.720
<v Speaker 5>One man handing out leaflets was machine gunned from a

0:17:31.720 --> 0:17:34.879
<v Speaker 5>police car. Another shot dead while painting a slogan on

0:17:34.920 --> 0:17:35.359
<v Speaker 5>a wall.

0:17:35.800 --> 0:17:44.760
<v Speaker 3>It was ruthless Lasa lasona continua personal left his group's

0:17:44.800 --> 0:17:48.480
<v Speaker 3>retaliate target and government officials, police chiefs.

0:17:48.960 --> 0:17:50.960
<v Speaker 5>Six point thirty one morning in this down at hill,

0:17:51.040 --> 0:17:55.240
<v Speaker 5>Buenos Aires suburb, two cars pulled up, Five men got out.

0:17:55.680 --> 0:17:58.760
<v Speaker 5>One knocked on the door. The policeman who answered received

0:17:58.760 --> 0:18:01.560
<v Speaker 5>one bullet in the brain. The remaining men then drilled

0:18:01.560 --> 0:18:03.600
<v Speaker 5>the front of the house with at least eighty bullets.

0:18:04.240 --> 0:18:07.480
<v Speaker 5>Before leaving, they blasted holes in the roof with three grenades,

0:18:07.960 --> 0:18:10.080
<v Speaker 5>injuring the man's widow and two children.

0:18:21.400 --> 0:18:25.400
<v Speaker 3>Violence divided the country. The best known group targeting police

0:18:25.440 --> 0:18:29.880
<v Speaker 3>and government forces was called the Montenados. Some supported them,

0:18:30.119 --> 0:18:33.560
<v Speaker 3>including Medium, as the best hope against forces of repression,

0:18:34.040 --> 0:18:39.879
<v Speaker 3>but others saw only chaos and violence. They craved stability. Meanwhile,

0:18:40.200 --> 0:18:43.359
<v Speaker 3>Medium was in the midst of a political awakening. She

0:18:43.440 --> 0:18:46.320
<v Speaker 3>got a job at a factory and helped organize union workers.

0:18:46.840 --> 0:18:49.679
<v Speaker 3>Her parents started to worry about her, but medium was

0:18:49.720 --> 0:18:54.080
<v Speaker 3>on a different path now. The entire nation was on edge.

0:18:54.240 --> 0:18:58.640
<v Speaker 3>Inflation was skyrocketing, the violence was getting worse. The government

0:18:58.840 --> 0:18:59.800
<v Speaker 3>seemed powerless.

0:19:00.680 --> 0:19:04.640
<v Speaker 2>During the last months of nineteen seventy five, everyone already

0:19:04.720 --> 0:19:18.560
<v Speaker 2>knew that a military coup was about to happen. It

0:19:18.640 --> 0:19:24.120
<v Speaker 2>was March twenty fourth, nineteen seventy six. My mom barges

0:19:24.160 --> 0:19:28.600
<v Speaker 2>into my room with a portable radio broadcasting about soldiers marching,

0:19:29.400 --> 0:19:33.280
<v Speaker 2>and then she tells me that there was a coup.

0:19:33.920 --> 0:19:37.040
<v Speaker 2>I remember being in bed and just getting into a

0:19:37.040 --> 0:19:41.560
<v Speaker 2>fetal position and crying. I was crying because I felt

0:19:41.600 --> 0:19:46.959
<v Speaker 2>afraid of the changes that were coming, more control less freedoms.

0:19:50.920 --> 0:19:53.480
<v Speaker 2>And I remember what it felt like to step out

0:19:53.480 --> 0:19:56.919
<v Speaker 2>of my house for the first time, just after the coup,

0:19:57.800 --> 0:20:01.000
<v Speaker 2>watching the tanks rolling down this streets in the middle

0:20:01.040 --> 0:20:04.879
<v Speaker 2>of the city. We had seen this before, the military

0:20:04.960 --> 0:20:09.560
<v Speaker 2>that targets activists, sending them to jail, trying them in court.

0:20:10.560 --> 0:20:14.639
<v Speaker 2>We actually thought, we hoped the military would help stop

0:20:14.720 --> 0:20:20.800
<v Speaker 2>the violence. I never imagined the underground extra judicial process.

0:20:20.840 --> 0:20:24.920
<v Speaker 2>Never imagined they would kidnap me, put a hood on me,

0:20:25.760 --> 0:20:26.359
<v Speaker 2>torture me.

0:20:32.040 --> 0:20:36.359
<v Speaker 3>Argentina's armed forces took control a coup led by General

0:20:36.440 --> 0:20:40.000
<v Speaker 3>jrgue Rafael Videla. Up until then, he had played a

0:20:40.040 --> 0:20:42.720
<v Speaker 3>neutral role when it came to politics, but he was

0:20:42.720 --> 0:20:46.800
<v Speaker 3>the country's most powerful military leader. He promised peace a

0:20:46.880 --> 0:20:51.960
<v Speaker 3>stable economy. Officially, his plan was called the national reorganization

0:20:52.080 --> 0:20:57.240
<v Speaker 3>process or just the process. If the professor reorganization national

0:20:58.200 --> 0:20:58.560
<v Speaker 3>the man.

0:21:00.400 --> 0:21:04.679
<v Speaker 2>He would say things like the process would require time

0:21:04.800 --> 0:21:08.680
<v Speaker 2>and effort. They had their own vision for the country,

0:21:08.760 --> 0:21:14.720
<v Speaker 2>a right wing, neoliberal nation with conservative Christian.

0:21:14.320 --> 0:21:20.080
<v Speaker 3>Values, values that General Videla says were threatened by subversives, students,

0:21:20.400 --> 0:21:25.560
<v Speaker 3>union members, teachers, activists, people like medium, who he vowed

0:21:25.680 --> 0:21:27.760
<v Speaker 3>to quote annihilate.

0:21:27.800 --> 0:21:33.960
<v Speaker 2>That rhetoric about preserving Western Christian values, about creating paranoia

0:21:34.520 --> 0:21:38.200
<v Speaker 2>that communism was taking over our country. To me, none

0:21:38.240 --> 0:21:42.040
<v Speaker 2>of that was surprising. I remember a friend telling me

0:21:42.119 --> 0:21:44.920
<v Speaker 2>he was leaving the country because he'd heard that the

0:21:44.920 --> 0:21:48.520
<v Speaker 2>military was planning a blood bath, that they were going

0:21:48.560 --> 0:21:52.040
<v Speaker 2>to kill us. All we thought it was an exaggeration.

0:21:52.560 --> 0:21:56.879
<v Speaker 2>We didn't see Argentina as a banana republic, and we

0:21:56.960 --> 0:21:59.440
<v Speaker 2>had never witnessed the type of blood bath. My friend

0:21:59.520 --> 0:22:04.480
<v Speaker 2>was pretty thing. We thought he was a coward.

0:22:06.359 --> 0:22:10.280
<v Speaker 3>General Videla is swearing in takes place inside the presidential Palace.

0:22:11.000 --> 0:22:13.320
<v Speaker 3>The room is filled with men in green and blue

0:22:13.400 --> 0:22:17.960
<v Speaker 3>military uniforms, Catholic bishops and families of Junta leaders watching

0:22:18.000 --> 0:22:22.800
<v Speaker 3>from a balcony in grays and John al Salon Blanco.

0:22:25.960 --> 0:22:29.840
<v Speaker 3>Everyone is standing. Suddenly, two giant doors open and General

0:22:29.920 --> 0:22:35.040
<v Speaker 3>Videla appears. His tall, slim with a thick mustache. He

0:22:35.080 --> 0:22:48.640
<v Speaker 3>has a stern look and he takes the oath Joe.

0:22:57.200 --> 0:23:00.760
<v Speaker 2>Rumors about horrific torture started going around.

0:23:02.240 --> 0:23:05.760
<v Speaker 3>The rumors are true. The Junta takes its crack down

0:23:05.760 --> 0:23:08.120
<v Speaker 3>and left its groups to a new level.

0:23:08.240 --> 0:23:15.879
<v Speaker 2>People having their arms ripped off their bodies, electric shocks, rape.

0:23:16.119 --> 0:23:19.520
<v Speaker 2>The orders from our group leaders were clear, do not

0:23:19.800 --> 0:23:20.760
<v Speaker 2>be captured alive.

0:23:23.960 --> 0:23:27.120
<v Speaker 3>For medium, it means leaving her parents' house. She knows

0:23:27.119 --> 0:23:29.800
<v Speaker 3>she's a person of interest. She fears she will bring

0:23:29.880 --> 0:23:32.560
<v Speaker 3>danger to her family, so she goes into hiding.

0:23:33.200 --> 0:23:36.919
<v Speaker 2>The thing is that immediately after the coup, the military

0:23:37.000 --> 0:23:42.000
<v Speaker 2>started arresting friends people I knew, right, So we knew

0:23:42.080 --> 0:23:45.600
<v Speaker 2>that the military were going to torture those friends, and

0:23:46.400 --> 0:23:51.679
<v Speaker 2>they had information about where I lived. And the reality

0:23:51.880 --> 0:23:56.440
<v Speaker 2>is not everyone can endure torture, So if they gave

0:23:56.840 --> 0:24:00.200
<v Speaker 2>your information, the military would be at my door or

0:24:01.200 --> 0:24:04.359
<v Speaker 2>the fear and terror was not only aimed at armed

0:24:04.440 --> 0:24:09.640
<v Speaker 2>groups or known activists, It was aimed at society. They

0:24:09.720 --> 0:24:15.280
<v Speaker 2>were going after school teachers, professors, union members, and then

0:24:15.359 --> 0:24:19.600
<v Speaker 2>they were targeting their families too. It was too dangerous

0:24:19.600 --> 0:24:26.000
<v Speaker 2>for me to keep sleeping at home. At one point,

0:24:26.080 --> 0:24:28.920
<v Speaker 2>my dad didn't speak to me for at least six months.

0:24:29.760 --> 0:24:33.479
<v Speaker 2>He was against my activism. He knew how committed I was,

0:24:33.560 --> 0:24:37.120
<v Speaker 2>and he knew how dangerous it was. He was scared

0:24:37.920 --> 0:24:41.360
<v Speaker 2>because people he knew were disappearing left and right, and

0:24:41.440 --> 0:24:43.040
<v Speaker 2>he didn't want me to get killed.

0:24:43.840 --> 0:24:46.200
<v Speaker 3>By then, MEDIUM had fallen in love with a fellow

0:24:46.280 --> 0:24:51.000
<v Speaker 3>journalism student, juan Is Davis. They met in college. He

0:24:51.040 --> 0:24:52.320
<v Speaker 3>was an activist like her.

0:24:53.200 --> 0:24:58.119
<v Speaker 2>He was sweet, adorable. Never again did I feel the

0:24:58.160 --> 0:25:02.760
<v Speaker 2>way I felt for Juan. His voice was so special.

0:25:03.520 --> 0:25:07.640
<v Speaker 2>Just hearing him talk made me emotional. He loved his

0:25:07.680 --> 0:25:08.840
<v Speaker 2>family and he loved me.

0:25:11.840 --> 0:25:14.879
<v Speaker 3>After the coup, they drop out of journalism school and

0:25:14.960 --> 0:25:15.800
<v Speaker 3>go underground.

0:25:16.400 --> 0:25:19.560
<v Speaker 2>Juana and I got a place at first, but I

0:25:19.600 --> 0:25:22.760
<v Speaker 2>would only sleep there a few days a week. I

0:25:22.800 --> 0:25:25.399
<v Speaker 2>would lie to my parents. I'd tell them I was

0:25:25.440 --> 0:25:29.560
<v Speaker 2>going to sleep at friends houses, but then more of

0:25:29.600 --> 0:25:33.520
<v Speaker 2>our friends started to get kidnapped, so we had to leave.

0:25:34.160 --> 0:25:37.639
<v Speaker 2>We were never in the life of a typical couple.

0:25:37.680 --> 0:25:40.520
<v Speaker 2>We were on the move almost every week, living one

0:25:40.600 --> 0:25:43.960
<v Speaker 2>day at a time. We never even thought about the future.

0:25:44.800 --> 0:25:47.760
<v Speaker 3>Before they go underground together, they buy two cheap wedding

0:25:47.800 --> 0:25:50.600
<v Speaker 3>bands and ask the leader of their activist group to

0:25:50.680 --> 0:25:52.160
<v Speaker 3>marry them, and.

0:25:52.040 --> 0:25:56.600
<v Speaker 2>At that very informal ceremony, the guy called us a

0:25:56.680 --> 0:26:00.760
<v Speaker 2>revolutionary couple. He said that our commitment into each other,

0:26:01.440 --> 0:26:06.120
<v Speaker 2>our vow was to fight to change Argentina, to make

0:26:06.160 --> 0:26:13.399
<v Speaker 2>it a more just place. And we moved to the

0:26:13.440 --> 0:26:17.560
<v Speaker 2>outskirts of Buenos Aires, and we got this tiny, tiny

0:26:17.600 --> 0:26:20.359
<v Speaker 2>apartment with a tin roof. It was in the back

0:26:20.359 --> 0:26:24.560
<v Speaker 2>of a family's house, and we started buying some furniture,

0:26:25.400 --> 0:26:29.360
<v Speaker 2>a couple of chairs, a table, and some plates, a

0:26:29.400 --> 0:26:33.359
<v Speaker 2>cover for our bed, and we put a Beetles poster

0:26:33.600 --> 0:26:34.520
<v Speaker 2>in the bedroom.

0:26:35.840 --> 0:26:38.320
<v Speaker 3>Medium and Juan don't get to live there for very long.

0:26:38.920 --> 0:26:41.639
<v Speaker 3>Crackdowns become more frequent. They have to go back to

0:26:41.720 --> 0:26:45.280
<v Speaker 3>hiding at friends' houses or at cheap motels. They're preparing

0:26:45.480 --> 0:26:46.080
<v Speaker 3>for the worst.

0:26:49.840 --> 0:26:52.320
<v Speaker 2>I looked out the window, and if we saw anyone

0:26:52.400 --> 0:26:56.120
<v Speaker 2>that looked like an officer or a soldier, I would

0:26:56.240 --> 0:27:00.920
<v Speaker 2>freak out and Juan calm me down. He always told

0:27:00.920 --> 0:27:06.080
<v Speaker 2>me I was paranoid. Everything was so intense, the loss

0:27:06.119 --> 0:27:11.280
<v Speaker 2>of our friends, attending nearly empty group meetings because most

0:27:11.320 --> 0:27:16.760
<v Speaker 2>people disappeared. I mean, for us, one day felt like

0:27:17.119 --> 0:27:22.000
<v Speaker 2>ten years. We made love a lot. We loved each other,

0:27:22.440 --> 0:27:26.520
<v Speaker 2>but we were living on the edge. So every time

0:27:26.600 --> 0:27:29.040
<v Speaker 2>we could touch each other, every time we could kiss

0:27:29.040 --> 0:27:32.240
<v Speaker 2>each other, it was like it could be the last time.

0:27:33.560 --> 0:27:36.320
<v Speaker 3>And there was one critical part of their group's training

0:27:36.840 --> 0:27:39.439
<v Speaker 3>that they would always carry a cyanide pill and pledge

0:27:39.480 --> 0:27:41.520
<v Speaker 3>to swallow it before they were captured.

0:27:42.320 --> 0:27:45.240
<v Speaker 2>We had decided to take our own lives before having

0:27:45.320 --> 0:27:48.280
<v Speaker 2>to endure torture, which could lead to us giving away

0:27:48.320 --> 0:27:52.480
<v Speaker 2>information and that could lead to our friends getting captured. Also,

0:27:52.560 --> 0:27:55.480
<v Speaker 2>it was an order coming from the leaders of our organization,

0:27:55.880 --> 0:28:02.399
<v Speaker 2>don't get captured alive. To me, it was simple. You

0:28:02.480 --> 0:28:06.520
<v Speaker 2>get captured and they own your body. They would pass

0:28:06.640 --> 0:28:09.440
<v Speaker 2>you over from one force to another, or if they

0:28:09.480 --> 0:28:11.800
<v Speaker 2>wanted to, they would just put a bullet in your

0:28:11.840 --> 0:28:16.600
<v Speaker 2>head so they would dictate when and how you died.

0:28:17.400 --> 0:28:21.080
<v Speaker 2>But with the Sinai pill, we were in control of

0:28:21.160 --> 0:28:23.840
<v Speaker 2>our death. So it was kind of like a small

0:28:23.920 --> 0:28:25.080
<v Speaker 2>victory over them, you know.

0:28:29.320 --> 0:28:32.119
<v Speaker 3>Two nights before her kidnapping, Medium is walking through the

0:28:32.160 --> 0:28:34.800
<v Speaker 3>streets of Buenos Aires, heading back to where she and

0:28:34.880 --> 0:28:37.680
<v Speaker 3>Juan are staying. They're still in hiding.

0:28:38.440 --> 0:28:42.640
<v Speaker 2>It was raining that night. I noticed a car with

0:28:42.840 --> 0:28:47.600
<v Speaker 2>foggy windows. Inside I see the silhouettes of three or

0:28:47.680 --> 0:28:52.280
<v Speaker 2>so men. I start zigzagging my way through the streets

0:28:52.320 --> 0:28:55.720
<v Speaker 2>and corners to evade it, but sooner or later it

0:28:55.840 --> 0:28:57.360
<v Speaker 2>would be there again.

0:28:58.520 --> 0:29:02.920
<v Speaker 3>Two days later, on May seventeenth, nineteen seventy seven, Medium

0:29:02.960 --> 0:29:06.280
<v Speaker 3>finds herself running for her life, being chased by three

0:29:06.320 --> 0:29:08.240
<v Speaker 3>men in a ford falcon.

0:29:08.200 --> 0:29:10.720
<v Speaker 2>And I keep screaming off the top of my lungs.

0:29:11.240 --> 0:29:13.360
<v Speaker 2>I'm Miriam Lewin, Please help me.

0:29:14.000 --> 0:29:16.880
<v Speaker 3>She yells out her phone number, begging anyone who can

0:29:16.920 --> 0:29:20.760
<v Speaker 3>hear to call her family. Then the moment Medium in

0:29:20.760 --> 0:29:22.640
<v Speaker 3>her fellow militants had prepared for.

0:29:23.400 --> 0:29:27.280
<v Speaker 2>I reach into the pocket of my leather jacket. I

0:29:27.400 --> 0:29:29.880
<v Speaker 2>take out the Cyanide pill and I put it in

0:29:30.000 --> 0:29:34.240
<v Speaker 2>my mouth. I look up at the sky and in

0:29:34.280 --> 0:29:37.280
<v Speaker 2>my head, I think, God, thank you for letting me

0:29:37.440 --> 0:29:39.920
<v Speaker 2>die to help save my friends.

0:29:40.800 --> 0:29:44.160
<v Speaker 3>Usually cyanide pills are made out of glass. Once you

0:29:44.200 --> 0:29:46.360
<v Speaker 3>crush it with your teeth, the glass cuts your mouth.

0:29:47.040 --> 0:29:51.040
<v Speaker 3>The poison enters the bloodstream quickly, but Medium cyanide capsule

0:29:51.120 --> 0:29:53.080
<v Speaker 3>is homemade. It's plastic.

0:29:54.160 --> 0:29:56.560
<v Speaker 2>I try to puncture the pill with my teeth as

0:29:56.640 --> 0:30:00.120
<v Speaker 2>fast as I could, but the officers catch on and

0:30:00.200 --> 0:30:03.640
<v Speaker 2>force me to spit it out. Never imagined they would

0:30:03.680 --> 0:30:07.840
<v Speaker 2>catch me alive. I was young, healthy, but at that

0:30:08.080 --> 0:30:14.560
<v Speaker 2>moment I didn't hesitate. I just wanted to die.

0:30:16.120 --> 0:30:19.320
<v Speaker 3>In the next episode, Medium is taken alive to a

0:30:19.320 --> 0:30:23.600
<v Speaker 3>clandestine center to be interrogated, the exact scenario that she

0:30:23.840 --> 0:30:27.680
<v Speaker 3>and her fellow comrades had tried to avoid at all costs.

0:30:28.040 --> 0:30:31.880
<v Speaker 2>He says, Miriam, look at me. I am the man

0:30:31.920 --> 0:30:35.480
<v Speaker 2>responsible for your life and your death. As long as

0:30:35.520 --> 0:30:39.840
<v Speaker 2>you collaborate, as long as you're good, nothing will happen

0:30:39.920 --> 0:30:40.160
<v Speaker 2>to you.

0:30:53.440 --> 0:30:57.880
<v Speaker 3>From Orbit Media, this is Avenger, the story of Medium Lewin.

0:30:58.560 --> 0:31:02.120
<v Speaker 3>I'm your host and see your produce Ucer Andrescavacchedo. The

0:31:02.240 --> 0:31:06.040
<v Speaker 3>series was produced by Eszeguiel, Rodrie Sandino and edited by

0:31:06.080 --> 0:31:11.920
<v Speaker 3>Monica Campbell. Original score Nicolas Paschella. Mixing and mastering Christopher

0:31:12.000 --> 0:31:17.840
<v Speaker 3>Hoff and Austin Smith. Assistant producers Andres Feschtenholz and Eleana Gillespi.

0:31:18.360 --> 0:31:23.640
<v Speaker 3>FactCheck Alejandro Marinelli and leonardos Canone. Legal review Neil Rossini,

0:31:24.080 --> 0:31:28.800
<v Speaker 3>Casting director Paula Gammon Wilson. The executive producers from Orbit

0:31:28.880 --> 0:31:34.240
<v Speaker 3>Media are Steve Fishman Fisher, Stevens, Marcy Wiseman, and Katie Springer.

0:31:34.880 --> 0:31:39.160
<v Speaker 3>The voice actors in Avenger include Alexis Blodel as Medium,

0:31:39.240 --> 0:31:43.960
<v Speaker 3>Lewin Fulio de la Volta as Giancarlo Serraudo, Gonzalo Vargas

0:31:44.000 --> 0:31:48.480
<v Speaker 3>as Enrique Pinedo, Edgardo Manono Castro as Bruno Vain, and

0:31:48.600 --> 0:31:53.960
<v Speaker 3>Tom Schubert as Carlos Macosmiliana and Gustavo. This podcast was

0:31:53.960 --> 0:31:58.640
<v Speaker 3>produced in association with Sonodo. The Sonodo executive producers or

0:31:58.720 --> 0:32:03.240
<v Speaker 3>Camilla Victoriano, Joshua Weinstein and Jasmine Romero. The rest of

0:32:03.280 --> 0:32:07.920
<v Speaker 3>the Sonoda production team includes Senior producer Carmen Gratedol, editor

0:32:08.000 --> 0:32:14.040
<v Speaker 3>Rodrigo Crespo, producer Paloma Navarro, Nicoletti, Evelyn Uribe, Mariana Cornello,

0:32:14.520 --> 0:32:20.080
<v Speaker 3>Sara Mota, Manuel Parra, Hanna Baram and Tasha Sandoval. Special

0:32:20.120 --> 0:32:23.760
<v Speaker 3>thanks to Radio and CASA and Pomeranek Recording Studios in

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<v Speaker 3>Buenos Aires, and to Medium Lewin and Giancarlo Serralo for

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<v Speaker 3>letting us tell their story. Thank you for listening.

0:32:53.920 --> 0:32:57.640
<v Speaker 1>A quick word about subscriptions. If you love ads, listen on.

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<v Speaker 1>If you're not so keen on ads, sign up for

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<v Speaker 1>True Crime club House on Apple Podcasts no ads and

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<v Speaker 1>also bingeability. You can hear the entire Avenger series all

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