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Speaker 1: Look, may, oh, I see you my own look over

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Speaker 1: there is that culture. Yes, goodness, wow, loves culture ding

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Speaker 1: lost cultures. You're hearing our morning croak. This is the

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Speaker 1: earliest episode in history.

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Speaker 2: This is the earliest episode in history. Seven am, pt

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Speaker 2: eight am empty. Here we go, now, Mountain girl, Mountain girl.

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Speaker 1: So apparently if you see one of the Salt Lake

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Speaker 1: City housewives in Park City at sundance, it's like not

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Speaker 1: a big deal. And I don't understand.

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Speaker 2: So what why isn't everyone shouting throwing roses at these

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Speaker 2: women wherever they go? Oh my god, I was gagged

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Speaker 2: talk about this.

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Speaker 1: The one and only couple Seth and Meredith Mark, Oh

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Speaker 1: my god, showed up to the wedding banquet after party.

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Speaker 2: Stop looking stunning the both of them. Yes, there was

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Speaker 2: a lion dance, a traditional lion dance with you know,

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Speaker 2: I'm gonna say, gorgeous white people. Perhaps they were Mormons.

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Speaker 2: I love potential Mormons doing the lion dance in front

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Speaker 2: of a crowd.

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Speaker 1: The lion dance. So you're not saying lion dance in

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Speaker 1: like a fun way. You're saying lion dance like lo

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Speaker 1: and dance.

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Speaker 2: There was a traditional dance in Chinese culture and some

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Speaker 2: Asian cultures, where people dressed in a traditional sequined lion

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Speaker 2: costume and dance to loud symbols and drums. Oh Becka

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Speaker 2: producer Becta, says, I love a traditional lion dance.

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Speaker 1: Familiar with the lion dance? Okay, and the marx has

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Speaker 1: joined in.

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Speaker 2: The Marxies appreciated the lion dance. But Seth, this is

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Speaker 2: someone who likes bits. Seth tasks me on the shoulder,

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Speaker 2: holds up his phone. That's shazamming, and he goes, I

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Speaker 2: don't know what this song is, and my Shazam doesn't know.

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Speaker 1: He's a goofa loofa, one of the great goofa lufahs.

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Speaker 1: Sometimes it gets them in trouble on the program.

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Speaker 2: It gets them in trouble on the program, but we

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Speaker 2: all know it's Ingest and Meredith looking wonderful, having a

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Speaker 2: great time.

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Speaker 1: Meredith.

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Speaker 2: I want to use the platform to apologize. She invited

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Speaker 2: me to the store. She was throwing a party that night.

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Speaker 2: But I got guess what overserved? Could not make it?

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Speaker 1: Were you overserved? I was overserved, but not in like

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Speaker 1: a bad way I was. You can hear from my

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Speaker 1: voice you were just like, it's time to cap it.

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Speaker 1: I tapped it. I capped it at five. Oh my god.

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Speaker 2: One of our our third a D on set a

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Speaker 2: woman by the name of Nicola, and I stand a

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Speaker 2: woman named Nicola. I love and especially third a D

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Speaker 2: third a D. She was bringing us to the bar

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Speaker 2: to get shots and here we go. It just that's

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Speaker 2: that's the recipe for disaster.

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Speaker 1: It was a disaster the same actually disaster with a

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Speaker 1: Z yes z in the middle of that too. That's

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Speaker 1: the best part. The best part of any party with

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Speaker 1: the crew after you do anything is finding out who

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Speaker 1: that girl is. That's like we're doing shots and more

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Speaker 1: more than often it is someone on the AD team. Now,

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Speaker 1: can you explain for all the readers, Katie's publicists, finalists

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Speaker 1: and Kyle of course, who the that was the first

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Speaker 1: time that that happened? Kyle, Kyles, I embrace you. A

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Speaker 1: couple of people have come up to me at yes

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Speaker 1: you guess that buries self identify as a Kyle's place

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Speaker 1: for them to be likely story, we got to get

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Speaker 1: a new shirt done, says Becca. I agree, maybe a jersey. Okay,

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Speaker 1: So explain to the girls what an ad is and

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Speaker 1: why they might want to blow off such theme.

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Speaker 2: An assistant director vital part of any set. First AD

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Speaker 2: is usually on set calling action, you know, kind of

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Speaker 2: logistically moving the day along. Second AD is at base

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Speaker 2: camp or as they say in Vancouver, circus, which I

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Speaker 2: kind of Brittany, all eyes on the talent, all eyes

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Speaker 2: on Nicola and Nicolas. Third AD, which also means she's

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Speaker 2: in a circus capacity.

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Speaker 1: She's a circus queen. Yes, she's she's on foot up

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Speaker 1: the circus. She's on foot on the tightrope. Yeah. So

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Speaker 1: basically for this person to be like we're doing shots,

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Speaker 1: understand their job the entire process long as to keep

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Speaker 1: things on time, get people where they're going. It is

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Speaker 1: all about making the day. And so for those people

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Speaker 1: at the whatever gathering, whatever party, whether it's at the Sundance,

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Speaker 1: is his ass the scene or some sort of wrap situation.

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Speaker 1: To see that person let off steam and go for

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Speaker 1: it and say we're going to the bar ripping shots.

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Speaker 1: I not only celebrate them, but I joined them in

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Speaker 1: shot and I raise my glass. Now, Matt, you would

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Speaker 1: be obsessed with this.

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Speaker 2: Let's give a toast to Nicola, a morning toast to Nicola.

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Speaker 1: To the third ad on the wedding banquet, thank you

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Speaker 1: for getting the party going last night. I wasn't there,

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Speaker 1: but I was always there in spirit. I'm always where.

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Speaker 1: My sister is right by his side as a ghost.

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Speaker 2: Oh my god, I'm crying. You are with me in

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Speaker 2: all ways. I was missing you, but one not thinking

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Speaker 2: about Nicola. She was such an important third ad because

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Speaker 2: she would have, especially in the night shoots, she had

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Speaker 2: either Britney spears speaking of Britney, either Britney playing or

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Speaker 2: biggest Swifty on stet always was blasting Taylor.

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Speaker 1: There we go to you, to Nicola. To Nicola. A

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Speaker 1: name of a swifty if I've ever heard one.

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Speaker 2: Absolutely, Now, Matt, what are you doing to gear up

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Speaker 2: for a big trip that we're taking together?

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Speaker 1: Well, first of all, I want to talk about that,

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Speaker 1: but can we just because we're in the disaster scene

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Speaker 1: of can I just say that the wedding banquets reviews

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Speaker 1: are out. They are extremely positive. Everyone's saying such gorgeous

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Speaker 1: things like heartwarming. They're saying excellent ensemble. They're saying you

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Speaker 1: Jung Yun is like another stand up performing. They're saying

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Speaker 1: the words Joan Chen like they should have been saying

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Speaker 1: on Oscar nomination this mornings, they love a bone to

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Speaker 1: pick with you about that week and Joan Tren's name there.

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Speaker 1: But they're saying these things, yes, and I just want

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Speaker 1: to know from you. How did it feel watching the

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Speaker 1: movie The Wedding Bankment, directed by Andrew On, friend of

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Speaker 1: the pod director of Fire Island. How are you feeling

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Speaker 1: in the dance. I feel so lucky. First of all,

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Speaker 1: we are very lucky.

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Speaker 2: We have distribution already April eighteenth, theaters get going.

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Speaker 1: Come on Bleaker Street, Come on.

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Speaker 2: Bleaker Street, thank you, Come on with shif Hans. Yes,

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Speaker 2: but it's just nice to, you know, come in with that.

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Speaker 2: And what a beautiful celebration of Andrew's talent as a filmmaker.

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Speaker 2: Of all the crew, they so many of them flew

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Speaker 2: out for this, so nice to see them again. Beautiful

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Speaker 2: celebration of Kelly Marie Tran, who fucking tore a force.

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Speaker 1: That's what they're saying. I'm so happy for her.

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Speaker 2: Oh my god, Just you fucking wait, Matt, just you

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Speaker 2: fucking wait. Honki CHOHn place my boyfriend, his first English

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Speaker 2: speaking role, his first time.

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Speaker 1: In the States. He's wow, a glass skin baby.

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Speaker 2: He is so gorgeous and so wonderful as a performer,

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Speaker 2: just so great. I love an ensemble. I love an ensemble.

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Speaker 2: Can I just say too? And Joan Chana Jungyun. I mean,

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Speaker 2: they are the standouts in the film by far, and

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Speaker 2: I'm so honored that I got to work with any

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Speaker 2: of these people that I just named. And it was

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Speaker 2: just such a beautiful thing for Andrew, he got the

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Speaker 2: idea for the movie. I mean, he was approached to

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Speaker 2: reimagine the movie at Sundance when he was there with

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Speaker 2: Spaw Night his first home.

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Speaker 1: Wow.

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Speaker 2: So it's so full circle in so many ways. And

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Speaker 2: everyone at the fest, at the dance, I should say,

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Speaker 2: at the disaster scene has been so so so warm

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Speaker 2: and welcoming and kind of a.

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Speaker 1: Fun I'm glad.

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Speaker 2: I'm really grateful that I get to experience Park City

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Speaker 2: Sundance before it moves to another city.

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Speaker 1: Do we think that's definitely happening.

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Speaker 2: So among the trustees, the board, the candidate cities are

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Speaker 2: kind of witty, down to this is the scuttle butt.

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Speaker 1: So this is just the scuttle buck. There's no there's

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Speaker 1: no revelations happening here. And I have to say, I'm

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Speaker 1: so disappointed that Park City is going to lose it,

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Speaker 1: but it's who knows, it might not. Okay, what's the

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Speaker 1: scuttle but what's the rumors? Scuttle butt is Salt Lake City?

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Speaker 2: Mm hmm, oh, just you know, fifteen miles away, but

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Speaker 2: in a more sort of down the road, a little

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Speaker 2: bit more infrastructure to support you know, the size of

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Speaker 2: the scale of the festival totally. And then you could

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Speaker 2: hop in a car and go to the ski left

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Speaker 2: and walk around Park City. I'm sure park City, because

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Speaker 2: that might be a really nice option because Park City

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Speaker 2: still it doesn't totally strip the economy away from Park City.

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Speaker 1: Well, and also you can still use Park City as

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Speaker 1: those theaters and like, you know, maybe it wouldn't have

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Speaker 1: to feel completely different. You know, it could be like

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Speaker 1: because it is. I would I would imagine that the

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Speaker 1: reason they're moving is because it's demanding a larger space.

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Speaker 1: Is that ultimately why? Okay, so you're saying Salt Lake City,

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Speaker 1: which I think is my weirdly my favorite option, and

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Speaker 1: then you have have Cincinnati, which I think is actually

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Speaker 1: kind of chic. And this is what James Shame as

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Speaker 1: co writer of the Wedding Banquet original film and the

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Speaker 1: new film. And he's the one who just I've been

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Speaker 1: I've quote on this podcast many times before, has all

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Speaker 1: these incredible thoughts about the way that like algorithmic structures

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Speaker 1: have ruined society. Oh my god, I need some shots

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Speaker 1: brought over.

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Speaker 2: To us as well. Oh with James. James is a

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Speaker 2: big proponent of Cincinnati. He's like, bring it to a

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Speaker 2: city in the Midwest or somewhere where there's just a

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Speaker 2: great cross section of all these different populations, bring different

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Speaker 2: audiences in to appreciate this kind of film, Like that

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Speaker 2: is what that is what Sundance should be as like

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Speaker 2: a home for independent film. And I was like, okay,

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Speaker 2: points were and then the third, which I find is

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Speaker 2: super interesting. As a Colorado Boulder, Boulder would be very fun.

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Speaker 1: Boulder keep the vibes of where we've always been, mountain vibes,

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Speaker 1: and that is Boulder mountain time. Yes it is, it is,

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Speaker 1: And oh agre just mountain time. I wouldn't want Sundance

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Speaker 1: to not be in the mountain time region. Of course.

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Speaker 1: Of course, Sundance is so huge for mountain time. It's

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Speaker 1: the one time of year people even think about mountain time.

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Speaker 1: If you're not living in it already. You're like, like,

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Speaker 1: we had to get on this podcast today. I was like, well,

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Speaker 1: Bowen is, let me chext notes eight am Mountain Time girl.

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Speaker 2: Well okay, So you're saying it's the one time a

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Speaker 2: year where people think about mountain Time.

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Speaker 1: It's a huge moment for mountain time internationally.

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Speaker 2: What do you have to say, Oh, I see, because

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Speaker 2: guess what Aspen Gay Ski Week, We're all like, oh right,

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Speaker 2: that's happening and you're there. Awesome, which no judgment because

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Speaker 2: I would very much like to go one year, But

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Speaker 2: it doesn't have quite the cultural impact. It doesn't give

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Speaker 2: mountain Time the sort of legitimacy culturally as Sundance does.

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Speaker 1: No Sundances, that's high culture. High culture. It brings mountain

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Speaker 1: Time up with it because the rest of the year,

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Speaker 1: mountain Time is in the doldrums with the housewives of

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Speaker 1: Salt Lake City. Think about this. Everything seeing on the

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Speaker 1: house out of Salt Lake City that's not a vacation

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Speaker 1: is happening in mountain time. That's why it's so good.

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Speaker 1: You're onto something. Think about it. Think about the elevation

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Speaker 1: in those women's brains. Like I'm telling you.

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Speaker 2: I mean if We're going to quote Sarah Sherman's brain

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Speaker 2: scientist neighbor, we're closer to the ozone here, and so

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Speaker 2: we're going crazier exactly.

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Speaker 1: Hack. Oh, just to get back on Meredith.

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Speaker 2: Yes, I was like, first of all, congratulations on another

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Speaker 2: stellar season. I looked both of them in the eye

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Speaker 2: and said, thank you for being on the best show

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Speaker 2: on television period.

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Speaker 1: Yes, but did they say they received it? They received

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Speaker 1: it such gracious people. M hm.

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Speaker 2: And I said to Meredith, how do you feel about

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Speaker 2: the season overall? She says, I liked it. I'm really

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Speaker 2: happy with it. The finale was a bit truncated. She

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Speaker 2: was like, I had issues with the finale and I

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Speaker 2: was like, oh, she was just like, it just felt

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Speaker 2: a little It did feel like it ended on such

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Speaker 2: an abrupt No, she.

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Speaker 1: Agrees with us, She agrees with the community.

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Speaker 2: Yes, yes, yes, And I didn't want to bring up like,

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Speaker 2: how how do I move forward in this life? How

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Speaker 2: do you and I move forward in this life as equal?

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Speaker 2: Meredith Marx and Anti CAATs Navas stands very easily.

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Speaker 1: Some thing very easily, because it's like we said to Anglie,

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Speaker 1: it's like one feeds the other and the bigger the

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Speaker 1: one gets, the bigger the other gets. It's a gorgeous

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Speaker 1: symbiotic relationship. It's like if the substance was incredibly positive.

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Speaker 1: That's what culture seventy and incredibly No, it's good, they

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Speaker 1: got it. It's incredibly positive.

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Speaker 2: No, I was gonna say, guess what, The Joker movies

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Speaker 2: are just as big as the Batman movies. Say that,

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Speaker 2: and those are two adversary locked into cosmic dance.

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Speaker 1: Yes, one hundred percent. And I'm not even ascribing one

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Speaker 1: Joker and one Batman because that if there's a hero

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Speaker 1: and a villain. But here's what I would posit. Maybe

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Speaker 1: both are anti heroes. Okay, that's the whole thing about Batman.

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Speaker 1: And you forgot it. And I'm pointing to you, the

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Speaker 1: royal you. I am saying you forgot that the Batman

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Speaker 1: was an anti hero vigil lanty story because guess what. Sure,

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Speaker 1: he saves lives and beats the villains, but you know what,

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Speaker 1: he's a billionaire evil girl. You eight bars bars bars. Okay,

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Speaker 1: you see, Meredith Marks, you didn't make it too. I'm

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Speaker 1: sorry her store. By the way, I'm telling you, I've

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Speaker 1: been a couple of times because I went to Sunence

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Speaker 1: a few years ago. I made it up top of

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Speaker 1: my priority list to get into merediths Marks's shop and

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Speaker 1: it's a lovely experience. Next time, top of list for you. Yes,

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Speaker 1: maybe we'll go together someday and we'll sort there. Oh,

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Speaker 1: but if it moves, I hope it doesn't move, but

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Speaker 1: maybe it has.

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Speaker 2: To move next the last years, Matt and I would

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Speaker 2: love to show up in any capacity, just just just

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Speaker 2: to watch the films, to hang out at the accurate

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Speaker 2: energy house, you know, to chill at the.

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Speaker 1: Name so that. I love like the Chase Sapphire you know,

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Speaker 1: fire pit fire, Yeah, I love it. I love like

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Speaker 1: American Express hot chocolate bar, like truly. And that's what

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Speaker 1: you're gonna get when you go to to Sundance is

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Speaker 1: you're gonna get a lot of incredibly sponsored quaint activities.

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Speaker 2: Activations down, yeah, activations down.

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Speaker 1: Hold my hotel phone's ringing one second picking up sounds

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Speaker 1: positive so far. That would be wonderful, Thank you so much.

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Speaker 2: And then I'm according a podcast, but if you could

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Speaker 2: leave it at the door, that would be wonderful.

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Speaker 1: Oh this is good, Yes, that's great. He's so good

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Speaker 1: at handling stuff like this. Yeah, okay, we're gonna leave

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Speaker 1: that all in. Yeah. No, that was really good because

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Speaker 1: I was I was sort of narrating to the readers,

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Speaker 1: like exactly how well you're a communicator? How would you

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Speaker 1: rate that interaction? That was a ten out of ten. Really,

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Speaker 1: I love the dulcent tones that you spoken. Thank you,

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Speaker 1: and I am recording a podcast, so if you could

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Speaker 1: leave it outside the door, thank you so much.

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Speaker 2: It's a little early, and so I'm not like totally on.

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Speaker 2: I don't know how to interact with the world yet.

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Speaker 1: You were giving Selena Gomez wrapped in the blanket asking

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Speaker 1: for you know what I mean? That meme that's actually

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Speaker 1: the best meme Selena Gomes wrapped in Like what is

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Speaker 1: it like an Adirondack blanket? Yes, just a gorgeous big

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Speaker 1: nit The best one that because it was like this

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Speaker 1: is me when I did the best was when I

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Speaker 1: calmly asked the flight attendant for ginger ale after waking

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Speaker 1: up on the plane.

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Speaker 2: It was Sydney Battle's tweet and it's one of the

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Speaker 2: best tweets of all time.

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Speaker 1: In a clear, calm voice.

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Speaker 2: Here, this is it, Sidney battlesweet me right from my

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Speaker 2: edible coma to ask the flight attendant for a ginger

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Speaker 2: ale and a clear, considerate voice that conveys gratefulness and respect.

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Speaker 1: Becker just put it in there. It is honestly, this

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Speaker 1: picture of her and us is the image for this episode.

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Speaker 1: This is exactly the vibe right now. Oh, this is

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Speaker 1: Selena wrapped in this blanket and then us with our

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Speaker 1: heads wrapped in this blanket. Tell Spencer who By the way,

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Speaker 1: people have been asking about who's been crushing our graphic

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Speaker 1: design It has not been the very busy Bowon Yang.

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Speaker 1: It has been Spencer also very busy. Not that Bowenyang

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Speaker 1: couldn't also tear down these graphic designs. But we have

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Speaker 1: been truly blessed by the team rushing truly now, So

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Speaker 1: you saw Meredith Marks. Were there any other Housewives sightings?

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Speaker 1: There were many sightings.

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Speaker 2: Lisa Barlow was I will reveal Queen of sun Dance,

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Speaker 2: the Queen of Sundance. There's a Vita Tequila loam. Today

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Speaker 2: was not able to make it to one of our

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Speaker 2: producers and to Lisa with his husband, and they were

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Speaker 2: so excited to see. They're like, Lisa Barlow, We're such

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Speaker 2: huge fans. It's so nice to meet you. First thing

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Speaker 2: she says to them is, Hi, guys, Oh my god,

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Speaker 2: what do you guys think of Bronwyn? First thing out

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Speaker 2: the kid's asking about bron I.

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Speaker 1: Think we have to leave that in. Guys, Oh my god,

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Speaker 1: what do you guys think about Bronwyn? Like already, I mean,

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Speaker 1: this is just remarkable.

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Speaker 2: It's like, this is what I this is what I

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Speaker 2: tend to forget about housewives honestly, is like, this is

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Speaker 2: their real lives. It's not it's not as put on

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Speaker 2: as we would like to as I am inclined to believe.

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Speaker 1: I mean, I was watching and I was watching an

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Speaker 1: interview with Bosama last night, who by the way, I've

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Speaker 1: grown really like, I like, and I think it's like

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Speaker 1: really really she brings so much to the show and

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Speaker 1: also heartbreaking her home. Yes, so all the best to

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Speaker 1: anyone who's still struggling, by the way, Like damn, But

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Speaker 1: I was watching an interview with her, and she was like,

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Speaker 1: you know, I did it because X Y Z reasons.

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Speaker 1: And then she was like, my one thing was I

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Speaker 1: really didn't realize it was going to be so real.

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Speaker 1: But the relationships are very real, and sure the show

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Speaker 1: is produced in terms of like they nudge you in

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Speaker 1: terms of things to bring up or whatever. But the

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Speaker 1: stuff that like all goes into the conflict for the

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Speaker 1: episodes is real and all based in real stuff. And

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Speaker 1: when you were arguing with someone, that's a real argument.

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Speaker 1: It's not like you get off screen and high five

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Speaker 1: and are like, you know, TII, we really ate that scene.

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Speaker 1: It's like, oh, we just had an actual conflict that

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Speaker 1: was captured for everyone. And she was saying that that

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Speaker 1: was the big realization from her time on the show.

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Speaker 1: So Lisa Barlow strolling down, even the Queen of Sun

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Speaker 1: Dance has in the back of her mind, like her

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Speaker 1: conflict with Bronwyn right Broadway is top of mind for

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Speaker 1: her on a week like this. Well, you know want

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Speaker 1: to know why, It's because I thought last week Lisa

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Speaker 1: and Bronwyn was tocause Because honestly, even if you're not

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Speaker 1: a big Bronwyn fan, I think one storyline where she

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Speaker 1: was incredibly sympathetic and my heart Julie did break for

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Speaker 1: her was when she shared the story of the background

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Speaker 1: of you know, Gwen's parentage. So she has a daughter, Gwen,

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Speaker 1: and she got pregnant out of wedlock with you know,

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Speaker 1: a very Mormon baby daddy. Yeah, and the father and

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Speaker 1: the mother of him basically didn't like accept her. Basically

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Speaker 1: just tough Mormon stuff with the child coming and she

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Speaker 1: was nineteen, Becker reminds us. And so it's been a very, very,

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Speaker 1: very you know, difficult relationship. Gwen's father doesn't know her

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Speaker 1: because he's passed away since Wow, this is, as I'm

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Speaker 1: reminding myself, as I'm saying this darker, but it's anyway, guys,

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Speaker 1: please give me grace, remember at seven am. But it's

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Speaker 1: a tough situation and Lisa is some how finding herself

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Speaker 1: in the middle of it. And I think that all

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Speaker 1: Bronwin was really wanting in that reunion exchange was just

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Speaker 1: for Lisa to acknowledge the fact that Gwen's feelings had

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Speaker 1: been hurt by Lisa in regards to all this, and

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Speaker 1: Lisa just couldn't do that. But I think Lisa is

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Speaker 1: feeling the guilt and the impact of what she has

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Speaker 1: maybe wrought by just by mentioning certain specifics on the

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Speaker 1: after show, as it were, and I think she just

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Speaker 1: might have a hard time apologizing or just taking any

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Speaker 1: taking some accountability for a situation like this, And it's

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Speaker 1: why we love Lisa.

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Speaker 2: But it's also really it's I mean, that was a

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Speaker 2: hard I mean we're huge Lisa Barlow fans in this house.

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Speaker 1: That was a particularly tough thing to watch. But these

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Speaker 1: are this is the thing.

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Speaker 2: We're just saying that these are human beings and it's

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Speaker 2: a show of antiheroes and we love them for it.

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Speaker 1: So Lisa Barlow was out and about. I know, I

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Speaker 1: saw Heather Gay and some photos.

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Speaker 2: Well, Heather Gay and Stephen and our friends, even Simbari

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Speaker 2: we're hanging out, coming in through that all time. I'm

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Speaker 2: just so because I came to Sundance, I'm going a

393
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Speaker 2: tight ish schedule. I'm disappointed. I don't have time to

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Speaker 2: ski to hit the slopes here bummer. And I didn't

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Speaker 2: really get a chance to screen any of other films.

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Speaker 2: I was really excited for that opportunity. Didn't quite have

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Speaker 2: time for that. And that's so hard.

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Speaker 1: People don't even realize that it's like impossible to get into.

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Speaker 1: It's tough. It's really tough.

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Speaker 2: And so I'm shout out to anyone who came to

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Speaker 2: our screening, thank you so much for coming to the Eccles.

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Speaker 2: But I was just prepared mentally I was like, you

403
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Speaker 2: know what, maybe there will be no Housewives moments this

404
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Speaker 2: trip and.

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Speaker 1: That will be okay, and lo and behold Meredith.

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Speaker 2: Meredith, thank you for making I mean this was This

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Speaker 2: just completed the entire experience for me. Thank you, Meredith,

408
00:21:43,840 --> 00:21:46,840
Speaker 2: genuinely truly. Meredith and Seth, thank you for coming from

409
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Speaker 2: supporting the film. They did not see the film, unfortunately,

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Speaker 2: but they were very excited.

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Speaker 1: To very hard to get in.

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Speaker 2: I must reveal there was much consideration and discussion with

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Speaker 2: Andrew as the director and the producers, who are all

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Speaker 2: Housewives fans.

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Speaker 1: There was a scene that we had to cut from

416
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Speaker 1: the movie.

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Speaker 2: Oh, Lily's character and I are in the back house

418
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Speaker 2: hiding away from the situation that happens in the main house,

419
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Speaker 2: and we're surrounded by all these boxes and we're just

420
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Speaker 2: like escaping from our realities for a moment, and I'm

421
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Speaker 2: showing Lily's character Lee, Chris is showing Lily's character Lee

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Speaker 2: the beach scene where Heather gathers all the women to

423
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Speaker 2: reveal reality bontee.

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Speaker 1: And it's cut from the movie.

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Speaker 2: It's cut from just because tonally it just kind of

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Speaker 2: you know, I understand, but tonally it just didn't quite fit.

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Speaker 2: But it was just it was going to be the

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Speaker 2: biggest laugh in the film, I believe.

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Speaker 1: Well, I'm ready to give my review of The Wedding Banquet. No, now,

430
00:22:41,080 --> 00:22:44,199
Speaker 1: this movie could have been better. No, no, no, it

431
00:22:44,280 --> 00:22:47,840
Speaker 1: had all the elements and I'm really disappointed I won't

432
00:22:47,880 --> 00:22:49,440
Speaker 1: be able to support it in theaters.

433
00:22:49,880 --> 00:22:52,359
Speaker 2: I'm sorry, Matthew, I understand I won't be able to

434
00:22:52,400 --> 00:22:54,760
Speaker 2: support it. But no, it was I mean, like Lily

435
00:22:54,760 --> 00:22:57,240
Speaker 2: and I were just improvising around the house and around

436
00:22:57,280 --> 00:22:58,479
Speaker 2: the Salt Lake City house Wives.

437
00:22:58,520 --> 00:22:59,240
Speaker 1: I was in heaven.

438
00:22:59,560 --> 00:23:05,080
Speaker 2: The crew was crying, laughing, Our DP was shaking with laughter,

439
00:23:05,160 --> 00:23:08,159
Speaker 2: being like what is this show? This sounds incredible? And

440
00:23:08,200 --> 00:23:12,720
Speaker 2: I was like, you guys, you need to watch this, okay.

441
00:23:12,560 --> 00:23:15,760
Speaker 1: Like truly you have spread the gospel. And then oh

442
00:23:15,800 --> 00:23:17,520
Speaker 1: my god, for Meredith and Says to come to the party.

443
00:23:17,560 --> 00:23:18,600
Speaker 1: Was that a full circle moment?

444
00:23:19,040 --> 00:23:21,520
Speaker 2: Well, but they knew because I had to personally reach

445
00:23:21,560 --> 00:23:24,479
Speaker 2: out to all the housewives because because our produce, our

446
00:23:24,520 --> 00:23:27,520
Speaker 2: producers were not hearing back from their people to clear

447
00:23:27,600 --> 00:23:30,159
Speaker 2: that clip, and so they were like, Bowen, can you

448
00:23:30,280 --> 00:23:34,040
Speaker 2: please do us a solid? And so I had to

449
00:23:34,040 --> 00:23:38,800
Speaker 2: like reach out draft this beautiful letter heart from the heart.

450
00:23:39,040 --> 00:23:41,240
Speaker 2: I was like, whatever, I can read it at some point.

451
00:23:41,280 --> 00:23:42,920
Speaker 2: I can't pull it up now, but because it will

452
00:23:42,920 --> 00:23:43,400
Speaker 2: take too long.

453
00:23:43,440 --> 00:23:45,080
Speaker 1: But oh my god, we do at some point you

454
00:23:45,119 --> 00:23:47,879
Speaker 1: need a reading of it that we do the housewives.

455
00:23:48,040 --> 00:23:52,240
Speaker 2: But they were all so understanding, so wonderful, so generous

456
00:23:52,280 --> 00:23:55,000
Speaker 2: with letting us like use that moment in our film.

457
00:23:55,400 --> 00:23:57,760
Speaker 2: And I'm so disappointed, but you know, for for reasons

458
00:23:57,800 --> 00:23:58,400
Speaker 2: they understand.

459
00:23:58,440 --> 00:23:58,680
Speaker 1: I don't.

460
00:23:58,800 --> 00:24:01,600
Speaker 2: I know, this is not a contemption thing. I'm just like, Oh,

461
00:24:01,640 --> 00:24:04,400
Speaker 2: that's like my one thing that I mourned.

462
00:24:04,400 --> 00:24:07,800
Speaker 1: But deleted scenes, I mean, this is yet another Bowen

463
00:24:07,880 --> 00:24:10,560
Speaker 1: Yang deleted scene. Oh my goodness, you might be the

464
00:24:10,640 --> 00:24:12,640
Speaker 1: legend of you might be the legend of the cutting

465
00:24:12,720 --> 00:24:16,960
Speaker 1: room floor. I missed deleted DVD culture was deleted scene

466
00:24:16,960 --> 00:24:20,919
Speaker 1: culture And now we have YouTube and featurette culture feature

467
00:24:20,960 --> 00:24:24,080
Speaker 1: at culture, Yeah definitely, but the feature rats like with

468
00:24:24,320 --> 00:24:25,959
Speaker 1: the YouTube, so if you have to seek it out right,

469
00:24:25,960 --> 00:24:28,000
Speaker 1: And I'm so glad I sought out the substance feature

470
00:24:28,080 --> 00:24:31,320
Speaker 1: because I loved that after see it. But with feature

471
00:24:31,320 --> 00:24:33,399
Speaker 1: rec Culture and deleted scene Culture that was presented in

472
00:24:33,400 --> 00:24:35,040
Speaker 1: front of you as part of the package as part

473
00:24:35,080 --> 00:24:38,359
Speaker 1: of like the sit down. I'm gonna say this right now,

474
00:24:38,520 --> 00:24:43,240
Speaker 1: there's one film that we both love that had amazing

475
00:24:43,400 --> 00:24:46,480
Speaker 1: DVD features, and I think this movie, if you really

476
00:24:46,520 --> 00:24:48,720
Speaker 1: boil it down to DVD culture and when it was

477
00:24:48,720 --> 00:24:52,720
Speaker 1: at its peak, Yes, this movie is peak d culture.

478
00:24:52,760 --> 00:24:55,119
Speaker 1: And we're gonna say it on three together. No, I

479
00:24:55,119 --> 00:24:57,120
Speaker 1: don't know, I don't know what you mean. I'm gonna

480
00:24:57,160 --> 00:24:58,840
Speaker 1: say it, and you're gonna wish that you would throw

481
00:24:58,920 --> 00:25:04,240
Speaker 1: the dice. I'm gonna countdown three, two one. Charlie's Angels fold?

482
00:25:04,320 --> 00:25:08,160
Speaker 1: Oh my god? Why was I so under confident? You said,

483
00:25:08,200 --> 00:25:10,360
Speaker 1: Charlie sentel. I was gonna say Charlie's Angels fold throttle

484
00:25:10,680 --> 00:25:14,720
Speaker 1: first of all, Charlie's Angels. No, because Charlie's Angels years later.

485
00:25:15,400 --> 00:25:17,720
Speaker 1: I knew you knew, I knew you. Why did I

486
00:25:17,760 --> 00:25:22,000
Speaker 1: ever doubt myself? I love you, love you back. I mean,

487
00:25:22,040 --> 00:25:34,080
Speaker 1: I'm just saying that I knew you knew. Did Charlie's

488
00:25:34,080 --> 00:25:38,600
Speaker 1: Angels special features the first one, especially because like the

489
00:25:38,640 --> 00:25:41,080
Speaker 1: way the fire and the rock music would be playing,

490
00:25:41,200 --> 00:25:46,080
Speaker 1: like God, just the best movies ever, best movies ever?

491
00:25:46,520 --> 00:25:47,640
Speaker 1: Can I say ever?

492
00:25:48,080 --> 00:25:51,080
Speaker 2: Oh my god, Matt if you're gonna get asked by

493
00:25:51,119 --> 00:25:54,240
Speaker 2: letterbox very soon what your four favorites are? Oh god,

494
00:25:54,720 --> 00:25:57,800
Speaker 2: both times I've been asked, Both times I've said Charlie's Angels,

495
00:25:58,080 --> 00:26:00,960
Speaker 2: And this time on the red Up yesterday they were there.

496
00:26:01,320 --> 00:26:03,640
Speaker 2: I was able to share it because Charlie XCX's letterbox

497
00:26:03,640 --> 00:26:04,399
Speaker 2: to league, did you see this?

498
00:26:04,760 --> 00:26:07,840
Speaker 1: I did, and I really enjoyed Charlie XCX's Letterbox.

499
00:26:08,240 --> 00:26:11,360
Speaker 2: Charlie Sangels that was on that list HM, which then

500
00:26:11,359 --> 00:26:12,800
Speaker 2: prompted me to reach out to her and be like,

501
00:26:12,840 --> 00:26:15,720
Speaker 2: oh my god, that movie's online, And then we both

502
00:26:15,760 --> 00:26:18,679
Speaker 2: bonded about how it is cinema classic.

503
00:26:19,160 --> 00:26:22,199
Speaker 1: Yeah, it's so good. I mean, like it's also like

504
00:26:22,359 --> 00:26:28,040
Speaker 1: so gorgeously self aware. I mean just it's so fun.

505
00:26:28,200 --> 00:26:31,040
Speaker 1: It exists to be fun, but also the plot is

506
00:26:31,080 --> 00:26:33,280
Speaker 1: good and the twists are good. Yes, absolutely, what do

507
00:26:33,320 --> 00:26:34,000
Speaker 1: you make of the scuttle?

508
00:26:34,040 --> 00:26:38,160
Speaker 2: But now that part three, I mean all the women

509
00:26:38,160 --> 00:26:39,120
Speaker 2: are on board for part three.

510
00:26:39,440 --> 00:26:41,720
Speaker 1: The three of them got on a zoom with DEMI.

511
00:26:42,720 --> 00:26:47,040
Speaker 2: Recently just discussing how fun that movie was full throttle,

512
00:26:47,119 --> 00:26:50,240
Speaker 2: and I just they all look like I want to

513
00:26:50,280 --> 00:26:52,240
Speaker 2: see them all on a movie again like that.

514
00:26:52,320 --> 00:26:54,680
Speaker 1: Yeah, I would deeplay, especially because Cameron's now, I guess

515
00:26:54,680 --> 00:26:58,480
Speaker 1: out of retirement in some way fashion. I feel like,

516
00:26:59,240 --> 00:27:01,400
Speaker 1: you know, while we love Drew on her daytime show,

517
00:27:01,440 --> 00:27:03,400
Speaker 1: would be great to see her in the cinema. Absolutely,

518
00:27:03,480 --> 00:27:07,040
Speaker 1: Lucy's making a comeback, and Lucy's always welcome, yeah, I mean,

519
00:27:07,119 --> 00:27:10,000
Speaker 1: and also Demi's having the moment Tom did. Of course,

520
00:27:10,080 --> 00:27:12,640
Speaker 1: I don't know a spoiler alert for Charlie's Angel's full throttle,

521
00:27:13,000 --> 00:27:16,840
Speaker 1: but to me does die plummet into a fiery pit.

522
00:27:18,119 --> 00:27:19,920
Speaker 1: So it would be a lot for her to come back,

523
00:27:20,000 --> 00:27:24,000
Speaker 1: because they really do show her becoming engulfed in flames.

524
00:27:24,320 --> 00:27:25,639
Speaker 1: But let me tell you something. In the world of

525
00:27:25,720 --> 00:27:31,520
Speaker 1: Charlie's Angels, crazier things have literally happened. Truly. She is

526
00:27:31,520 --> 00:27:36,359
Speaker 1: engulfed in flames in a theater in downtown La. Yeah,

527
00:27:36,400 --> 00:27:41,240
Speaker 1: after she swings, yes, swing on Chinese lanters all the

528
00:27:41,240 --> 00:27:42,320
Speaker 1: way downtown.

529
00:27:42,040 --> 00:27:44,119
Speaker 2: Swing on Chinese lanterns and string lights all the way

530
00:27:44,160 --> 00:27:46,760
Speaker 2: from Hollywood to downtown La, which is what at least

531
00:27:46,880 --> 00:27:47,960
Speaker 2: like seven miles.

532
00:27:47,960 --> 00:27:52,160
Speaker 1: I can't say. Let's just say it was an incredible

533
00:27:52,200 --> 00:27:55,000
Speaker 1: feat for them to accomplish, especially because there are not

534
00:27:55,200 --> 00:27:58,080
Speaker 1: Chinese lanters hanging in the entire way down there like

535
00:27:58,240 --> 00:28:00,720
Speaker 1: you couldn't. This is the part what you really had

536
00:28:00,800 --> 00:28:03,760
Speaker 1: to suspend disbelief bo once you get to the end

537
00:28:03,800 --> 00:28:07,320
Speaker 1: of Charlie Sandels fuld Thttle, if you hadn't suspended disbelief

538
00:28:07,359 --> 00:28:10,280
Speaker 1: by now it's time to start. It's seven miles of

539
00:28:10,280 --> 00:28:14,160
Speaker 1: string lights and just swinging like Spider Man. Yeah, through

540
00:28:14,160 --> 00:28:20,600
Speaker 1: the low, through the low, low neighborhoods. Absolutely no tall

541
00:28:20,640 --> 00:28:24,680
Speaker 1: buildings in you know, Westlakeer Echo Park. Let's just say, really,

542
00:28:24,760 --> 00:28:27,480
Speaker 1: a comment on how bad traffic congestion can be here.

543
00:28:27,720 --> 00:28:30,479
Speaker 1: Really a comment on that, and a smart comment on that,

544
00:28:30,560 --> 00:28:33,080
Speaker 1: and a smart fun comment that we didn't even pick

545
00:28:33,160 --> 00:28:36,119
Speaker 1: up on until now, all these years later.

546
00:28:36,280 --> 00:28:38,200
Speaker 2: But we're talking about it now, and this is just

547
00:28:38,800 --> 00:28:42,360
Speaker 2: I'm gonna be cloying and say, this is really highlighting

548
00:28:42,360 --> 00:28:45,280
Speaker 2: our love for Los Angeles hashtags stay in La.

549
00:28:45,920 --> 00:28:49,120
Speaker 1: Okay, listen, Well, you know now they're really trying to

550
00:28:49,160 --> 00:28:51,000
Speaker 1: there's lots of movements now to try to get more

551
00:28:51,000 --> 00:28:54,520
Speaker 1: production back here, because it's kind of ridiculous. I mean,

552
00:28:54,720 --> 00:28:57,040
Speaker 1: that's what Newsom should do next, is he should we

553
00:28:57,080 --> 00:28:59,080
Speaker 1: should try to figure out Obviously this is not as

554
00:28:59,120 --> 00:29:02,360
Speaker 1: like easily said, in all these tax incentives and tax

555
00:29:02,400 --> 00:29:04,800
Speaker 1: breaks that all these other states get to shoot, here's

556
00:29:04,800 --> 00:29:09,240
Speaker 1: a novel idea. How about bringing those to California? Right,

557
00:29:10,160 --> 00:29:14,400
Speaker 1: like revitalized, revive the industry. Here again, I don't know shit,

558
00:29:15,080 --> 00:29:17,160
Speaker 1: but it feels like something where I'm like, you know,

559
00:29:17,400 --> 00:29:20,000
Speaker 1: leep saying like, oh, well, it's easy to shoot in Georgia. Well,

560
00:29:20,000 --> 00:29:23,880
Speaker 1: it's easy to shoot in fucking Canada, Pennsylvania, saying all

561
00:29:23,880 --> 00:29:28,080
Speaker 1: these places. I'm like, what why can't that be in California?

562
00:29:28,200 --> 00:29:28,880
Speaker 1: You know what I'm saying?

563
00:29:29,360 --> 00:29:33,440
Speaker 2: Yeah, I love a Keyxote trailer and you only get

564
00:29:33,440 --> 00:29:34,480
Speaker 2: those in California.

565
00:29:35,120 --> 00:29:37,520
Speaker 1: Baby got to video Village, not video village, I got

566
00:29:37,560 --> 00:29:39,479
Speaker 1: to I got to base camp yesterday for my own

567
00:29:39,560 --> 00:29:43,600
Speaker 1: new project, can't say yet, hopefully can say soon. I

568
00:29:43,680 --> 00:29:46,640
Speaker 1: walked onto a studio lot. It was base camp on

569
00:29:46,680 --> 00:29:49,000
Speaker 1: a studio lot, and it felt like hooray for Hollywood,

570
00:29:49,040 --> 00:29:51,240
Speaker 1: and I was getting put into hair and makeup and

571
00:29:51,320 --> 00:29:53,680
Speaker 1: actually it's more of a costume than I've done ever.

572
00:29:54,680 --> 00:29:57,240
Speaker 1: And then the tour went by and I was like, oh,

573
00:29:57,320 --> 00:29:59,000
Speaker 1: I had a little boy moment where I was like,

574
00:29:59,520 --> 00:30:02,720
Speaker 1: I feel like I made it. I'm in costume as

575
00:30:02,720 --> 00:30:06,200
Speaker 1: the tour goes by, and I'm on a studio a lot,

576
00:30:06,520 --> 00:30:10,040
Speaker 1: and it was fun and I was like, see, this

577
00:30:10,280 --> 00:30:17,040
Speaker 1: is the whole Hollywood California thing. It's literally hooray for

578
00:30:17,480 --> 00:30:21,520
Speaker 1: Holly Good. The song that plays when you ring my doorbell,

579
00:30:21,800 --> 00:30:29,440
Speaker 1: that lovey Unrose, it's a rotation. That's amazing you. I

580
00:30:29,480 --> 00:30:33,720
Speaker 1: love that damn song. It's really a hit. It's really

581
00:30:33,760 --> 00:30:36,320
Speaker 1: a hit. They knew they had something when they wrote it.

582
00:30:36,360 --> 00:30:37,760
Speaker 1: They knew they had something when they wrote it. Well,

583
00:30:37,760 --> 00:30:40,000
Speaker 1: that's my sundance experience for the most part. That's the gist.

584
00:30:40,080 --> 00:30:41,920
Speaker 1: But wait, one more thing. What's the buzz on kiss

585
00:30:41,960 --> 00:30:44,200
Speaker 1: of the Spider Woman? Buzz on Kiss of the Spider Woman?

586
00:30:44,280 --> 00:30:47,040
Speaker 1: Is that it is really really good. It's very entertaining.

587
00:30:47,120 --> 00:30:49,920
Speaker 1: I think Vulture just put out a review saying I'm

588
00:30:49,960 --> 00:30:52,880
Speaker 1: not being too generous with it, but I'm still seeing

589
00:30:52,880 --> 00:30:53,960
Speaker 1: it anyway. I don't fucking care.

590
00:30:54,120 --> 00:30:56,040
Speaker 2: Bill Condon, this is the thing in the bill content

591
00:30:56,120 --> 00:31:00,400
Speaker 2: I'm seeing. I'm seated and for j Lo, like, come on.

592
00:31:00,440 --> 00:31:02,880
Speaker 1: I mean listen, all you have to do is say

593
00:31:03,600 --> 00:31:05,200
Speaker 1: j low is going to be dancing in like a

594
00:31:05,240 --> 00:31:08,479
Speaker 1: Hollywood production, like and that Bill Conson is doing it,

595
00:31:08,520 --> 00:31:10,920
Speaker 1: and then I'm kind of there, like we'll see. I

596
00:31:10,960 --> 00:31:13,320
Speaker 1: guess the reviews because I've also been reading the reviews

597
00:31:13,720 --> 00:31:18,040
Speaker 1: and it seems like a takeaway is it's obviously two

598
00:31:18,120 --> 00:31:19,800
Speaker 1: very different movies. If you don't know the story of

599
00:31:19,840 --> 00:31:23,920
Speaker 1: Kisse of the Spider Woman, so it's about Argentinian prisoners,

600
00:31:24,640 --> 00:31:28,680
Speaker 1: and one of them is a openly flamboyantly gay window

601
00:31:28,760 --> 00:31:32,120
Speaker 1: dresser and the way he sort of deals with his

602
00:31:32,200 --> 00:31:36,320
Speaker 1: life is by imagining in his mind Hollywood sequences and

603
00:31:36,400 --> 00:31:39,640
Speaker 1: big dance numbers that feature his favorite star, La Luna,

604
00:31:39,720 --> 00:31:42,160
Speaker 1: and that is played by Jennifer Lopez, and so Jennifer

605
00:31:42,200 --> 00:31:44,840
Speaker 1: Lopez sort of exists as a movie within a movie,

606
00:31:45,040 --> 00:31:47,680
Speaker 1: so that these two characters who are undergoing torture and

607
00:31:48,160 --> 00:31:50,720
Speaker 1: you know, a very very very bleak existence in an

608
00:31:50,800 --> 00:31:55,760
Speaker 1: Argentinian small prison style can sort of like escape somewhere, escape,

609
00:31:55,760 --> 00:31:58,960
Speaker 1: you know, and deal with the trauma of their circumstances.

610
00:31:58,960 --> 00:32:02,760
Speaker 1: It's really interesting. That's it excellent musical, but as a

611
00:32:02,760 --> 00:32:05,720
Speaker 1: movie it feels like a tough adaptation. And I think

612
00:32:05,720 --> 00:32:08,040
Speaker 1: some of the comments are that it obviously feels like

613
00:32:08,240 --> 00:32:12,000
Speaker 1: two very different movies, and one is more enjoyable than

614
00:32:12,000 --> 00:32:15,560
Speaker 1: the other. But we'll see. Yes, that's just the buzz

615
00:32:15,600 --> 00:32:20,080
Speaker 1: on the ground. We literally will see the movie. That's

616
00:32:20,080 --> 00:32:25,040
Speaker 1: the scuttle butt on that huge, huge praise and buzz

617
00:32:25,120 --> 00:32:30,040
Speaker 1: for Ava Victor's film, Sorry, Baby, Wow, nice the debut

618
00:32:30,080 --> 00:32:32,719
Speaker 1: of a new a new filmmaking voice.

619
00:32:32,800 --> 00:32:35,800
Speaker 2: They I mean, Ava Victor is getting so many accolades

620
00:32:35,800 --> 00:32:37,920
Speaker 2: and they were so happy for them. A friend of

621
00:32:37,960 --> 00:32:41,280
Speaker 2: the show, friend of the show, We love Ava so

622
00:32:41,440 --> 00:32:43,880
Speaker 2: exciting just just on some many like Lucas Hedges.

623
00:32:43,600 --> 00:32:46,360
Speaker 1: Is in that movie. Cool. Natalie Rodter Ateman friend of

624
00:32:46,360 --> 00:32:49,360
Speaker 1: the show. Also in that film is Natalie up at Sundance.

625
00:32:49,600 --> 00:32:51,560
Speaker 2: I don't think she is. I would have loved to

626
00:32:51,560 --> 00:32:54,320
Speaker 2: see her. I don't think she is, unfortunately, or maybe

627
00:32:54,360 --> 00:32:55,480
Speaker 2: she is. Maybe I just missed her.

628
00:32:55,640 --> 00:32:57,720
Speaker 1: I feel like I'm not everyone's here for like a

629
00:32:57,760 --> 00:32:59,600
Speaker 1: full five six days, and I'm like, I'm.

630
00:32:59,440 --> 00:33:02,160
Speaker 2: Here for two nights and I'm scuting. But yeah, I

631
00:33:02,160 --> 00:33:03,160
Speaker 2: gotta do it right next time.

632
00:33:03,200 --> 00:33:05,000
Speaker 1: What are you coming back so quickly for? Like? What

633
00:33:05,320 --> 00:33:09,240
Speaker 1: is it the I gotta work on the shoot tomorrow.

634
00:33:09,520 --> 00:33:11,880
Speaker 1: So then at the end of the week, this is

635
00:33:11,960 --> 00:33:14,960
Speaker 1: where we say we're going to We're having a Vegas moment,

636
00:33:15,760 --> 00:33:20,080
Speaker 1: my first Vegas moment since high school. Wow. Wow, yeah

637
00:33:20,240 --> 00:33:23,120
Speaker 1: has changed. We are having a vaguus moment. And let

638
00:33:23,120 --> 00:33:26,239
Speaker 1: me tell you something. We are doing it big. We

639
00:33:26,280 --> 00:33:32,640
Speaker 1: are seeing on Friday night Shanayah, on Saturday night Mariah.

640
00:33:32,840 --> 00:33:36,960
Speaker 1: Is it Diva's Live or what? Or what up in

641
00:33:37,040 --> 00:33:39,800
Speaker 1: this piece? I cannot wait? Or what?

642
00:33:40,040 --> 00:33:44,200
Speaker 2: My My family never did the Vegas shows. I mean,

643
00:33:44,240 --> 00:33:45,840
Speaker 2: I guess, like the kids don't even really.

644
00:33:45,640 --> 00:33:47,640
Speaker 1: Get no, no, no, it's not a family thing. I

645
00:33:47,720 --> 00:33:50,600
Speaker 1: mean the first time I ever went was in college,

646
00:33:51,000 --> 00:33:54,040
Speaker 1: and I remember, like my like dumb basic ass was

647
00:33:54,080 --> 00:33:57,160
Speaker 1: like it's like Disney World for adults, which is literally

648
00:33:57,200 --> 00:33:57,640
Speaker 1: what it is.

649
00:33:57,680 --> 00:33:59,640
Speaker 2: I got to take you on the roller coaster. I

650
00:33:59,680 --> 00:34:03,480
Speaker 2: don't know about that. Why how about you take me shopping?

651
00:34:04,000 --> 00:34:04,840
Speaker 2: That's the roller coaster?

652
00:34:04,840 --> 00:34:07,280
Speaker 1: A right, we can go shopping. We can definitely go shopping.

653
00:34:07,320 --> 00:34:10,200
Speaker 1: We can definitely go to the buffet. We will definitely

654
00:34:10,239 --> 00:34:13,280
Speaker 1: be going to the shows. We will be on one.

655
00:34:13,760 --> 00:34:16,320
Speaker 1: I cannot wait. And I just if there's a camera

656
00:34:16,440 --> 00:34:20,759
Speaker 1: up in here and the best because of that's for

657
00:34:20,840 --> 00:34:23,680
Speaker 1: if you see us. Yeah, if there's a camera up

658
00:34:23,680 --> 00:34:28,120
Speaker 1: in here, it's gonna leave with me when I do. Yeah,

659
00:34:28,160 --> 00:34:30,840
Speaker 1: I'm taking that camera. Does she say touch my body?

660
00:34:32,160 --> 00:34:34,000
Speaker 1: I haven't looked at the set list. I'll be shook

661
00:34:34,040 --> 00:34:38,239
Speaker 1: if she doesn't. I love touch my body. Ohay. Also

662
00:34:39,040 --> 00:34:42,960
Speaker 1: legend and the music video unbelievable legend. So we're supposed

663
00:34:43,000 --> 00:34:46,719
Speaker 1: to do. I think the suggestion is that everyone wear

664
00:34:46,760 --> 00:34:49,759
Speaker 1: a little glittery something to Mariah and everyone wear a

665
00:34:49,760 --> 00:34:53,560
Speaker 1: little leopard something to Shanaya. Oh, I don't think I

666
00:34:53,640 --> 00:34:57,239
Speaker 1: have the leopard your coat that you wore on the

667
00:34:57,280 --> 00:35:01,600
Speaker 1: Red Carpet two. I saw your look. I saw your

668
00:35:01,640 --> 00:35:06,560
Speaker 1: lank Fisher marniecoat, a Marnie zebra coat. And what were

669
00:35:06,600 --> 00:35:11,560
Speaker 1: those pants like? Purple plaid pants? They were blue plaid pants.

670
00:35:12,000 --> 00:35:13,759
Speaker 1: Never can tell them apart.

671
00:35:13,520 --> 00:35:17,560
Speaker 2: Of no problem and some fun power clashing, a Michael

672
00:35:17,560 --> 00:35:21,320
Speaker 2: Fisher nudge, A polite Michael Fisher nudge.

673
00:35:21,360 --> 00:35:21,879
Speaker 1: We love him.

674
00:35:22,040 --> 00:35:26,960
Speaker 2: By the way, can we get your response to the oscarms?

675
00:35:27,840 --> 00:35:29,560
Speaker 2: Talk about bagas and then we'll talk about Oscar toms

676
00:35:29,600 --> 00:35:31,319
Speaker 2: a bit. I mean, we said that's what we're gonna

677
00:35:31,320 --> 00:35:33,080
Speaker 2: be this weekend. We will have a full report when

678
00:35:33,080 --> 00:35:33,600
Speaker 2: we get back.

679
00:35:33,880 --> 00:35:36,759
Speaker 1: Yep, let's talk Oscar noms. Okay, So first, of all

680
00:35:36,760 --> 00:35:39,240
Speaker 1: I want. My big takeaway is that you guys were great.

681
00:35:39,800 --> 00:35:42,160
Speaker 1: Oh things like you and Rachel so much fun together.

682
00:35:42,239 --> 00:35:44,120
Speaker 1: I love the old comedy joke about how it's just

683
00:35:44,200 --> 00:35:48,440
Speaker 1: comedy for gays and women. It's true. This was a

684
00:35:48,520 --> 00:35:54,600
Speaker 1: really fun they You guys did look amazing and great pronunciation.

685
00:35:55,080 --> 00:35:58,520
Speaker 1: Thank you. Can I say your French was jumping out girl?

686
00:35:59,440 --> 00:36:02,880
Speaker 1: It helps. It helps to speak a language, to have

687
00:36:02,920 --> 00:36:06,040
Speaker 1: a flexible tongue. I think I'd be truly adrift. I

688
00:36:06,080 --> 00:36:09,120
Speaker 1: thought the USCAR nominations were pretty good. I have my

689
00:36:09,160 --> 00:36:12,719
Speaker 1: disappointments of my disappointment not to see Margaret quality there.

690
00:36:13,000 --> 00:36:15,759
Speaker 1: I really am very disappointment not to see Margaret. I

691
00:36:15,800 --> 00:36:20,080
Speaker 1: can't say I'm like totally in love with the supporting

692
00:36:20,120 --> 00:36:25,360
Speaker 1: categories for whatever reasons, no challengers noms. I think the

693
00:36:25,440 --> 00:36:29,440
Speaker 1: challenger's lack of love sucks. But you know, I've seen

694
00:36:29,480 --> 00:36:32,480
Speaker 1: almost everything this year, and I'm not going to go

695
00:36:32,480 --> 00:36:35,919
Speaker 1: out of my way to say anything negative. But there's

696
00:36:35,920 --> 00:36:38,400
Speaker 1: some boring stuff that's like floated to the top. Like

697
00:36:38,480 --> 00:36:42,440
Speaker 1: for me, it's like, I don't know, like I just

698
00:36:42,680 --> 00:36:44,359
Speaker 1: I think it could have been a little bit more

699
00:36:44,400 --> 00:36:48,799
Speaker 1: interesting had we thrown in like yeah, challengers into Best

700
00:36:48,840 --> 00:36:53,480
Speaker 1: Picture if we had seen even like, I haven't seen

701
00:36:53,840 --> 00:36:57,439
Speaker 1: this movie because it terrifies me, but like people loved

702
00:36:57,520 --> 00:36:59,640
Speaker 1: us faratu. I was like, it's got lots of craft

703
00:36:59,640 --> 00:37:02,040
Speaker 1: nomene Yeah, a lot of technical stuff.

704
00:37:02,360 --> 00:37:05,759
Speaker 2: But well, I was I was just buzzing through because

705
00:37:05,760 --> 00:37:08,200
Speaker 2: there was about a four hour window where they took

706
00:37:08,239 --> 00:37:08,960
Speaker 2: your phones away.

707
00:37:09,560 --> 00:37:11,719
Speaker 1: I get in and the Academy's like phones place.

708
00:37:11,800 --> 00:37:15,480
Speaker 2: I was like, oh, of course, so I get in

709
00:37:15,520 --> 00:37:17,720
Speaker 2: my flight lands at twelve thirty.

710
00:37:17,840 --> 00:37:19,520
Speaker 1: I have to be at the academy at one am.

711
00:37:19,719 --> 00:37:22,520
Speaker 1: Oh damn. And then oh I didn't know it was

712
00:37:22,560 --> 00:37:23,160
Speaker 1: like this.

713
00:37:23,480 --> 00:37:27,120
Speaker 2: They snatched your phones away and then I am basically

714
00:37:27,160 --> 00:37:30,320
Speaker 2: prepping for four hours doing little social hits, but also

715
00:37:30,920 --> 00:37:34,239
Speaker 2: about a solid hour of pronunciation training with the wonderful

716
00:37:34,280 --> 00:37:37,640
Speaker 2: Cliff at the academy, who uh lewis Rotel shouted out

717
00:37:37,680 --> 00:37:40,120
Speaker 2: to me over DMS. He was like, that is the

718
00:37:40,880 --> 00:37:44,640
Speaker 2: Oscar Oracle. That is, he is the Oscar Oracle.

719
00:37:44,760 --> 00:37:46,440
Speaker 1: And so they tell you who the nominees are going

720
00:37:46,480 --> 00:37:48,640
Speaker 1: to be beforehand. Yeah, so I get a big binder

721
00:37:48,680 --> 00:37:52,480
Speaker 1: that has all the nominees. Oh wow, And so you

722
00:37:52,560 --> 00:37:55,759
Speaker 1: were so you got to be a little gagged beforehand.

723
00:37:55,960 --> 00:37:56,760
Speaker 1: I was gagged.

724
00:37:56,600 --> 00:38:00,440
Speaker 2: Beforehand, flipping through being like, oh my god, Sebastian like

725
00:38:00,680 --> 00:38:01,360
Speaker 2: so fun.

726
00:38:01,440 --> 00:38:05,120
Speaker 1: Oh my god. Wait, so I've now seen The Apprentice.

727
00:38:05,360 --> 00:38:08,840
Speaker 1: Those nominations are really well deserved. Jeremy, congrats, Jeremy's about

728
00:38:08,920 --> 00:38:11,400
Speaker 1: And I understand people are like squeamish about watching the

729
00:38:11,440 --> 00:38:13,439
Speaker 1: movie The Apprentice because of the trump of it all,

730
00:38:13,480 --> 00:38:16,080
Speaker 1: but like, when you do get around to it, those

731
00:38:16,080 --> 00:38:21,319
Speaker 1: performances are excellent and I enjoyed the movie. I really did. Yeah,

732
00:38:21,320 --> 00:38:23,479
Speaker 1: I guess this is my thing is It's like there's

733
00:38:23,520 --> 00:38:26,520
Speaker 1: a lot of like interesting, bold movies out there, and

734
00:38:26,560 --> 00:38:28,239
Speaker 1: I want to say, I think I just got used

735
00:38:28,239 --> 00:38:30,360
Speaker 1: to the idea that something like The Substance could be

736
00:38:30,440 --> 00:38:33,600
Speaker 1: nominated for Best Picture, so that when it was, I'm

737
00:38:33,640 --> 00:38:36,360
Speaker 1: not giving it its flowers right now. It's amazing. So

738
00:38:36,480 --> 00:38:39,080
Speaker 1: many things are nominated and up there for awards that

739
00:38:39,200 --> 00:38:42,040
Speaker 1: like would not normally be and I think it's great.

740
00:38:42,200 --> 00:38:46,520
Speaker 1: Lots of international stuff is nominated. I'm just gonna say it,

741
00:38:46,600 --> 00:38:49,399
Speaker 1: I'm not crazy about a complete unknown. And in fact,

742
00:38:49,400 --> 00:38:51,120
Speaker 1: to say to say I'm not crazy about it as

743
00:38:51,120 --> 00:38:53,480
Speaker 1: an understatement, I find it to be a Wikipedia to

744
00:38:53,520 --> 00:38:58,879
Speaker 1: a karaoke track. That's the read I'll give on for this.

745
00:38:59,280 --> 00:39:02,520
Speaker 1: I mean, especially because he did walk the line, which

746
00:39:02,600 --> 00:39:05,600
Speaker 1: was so good, right, Like, I just feel like it

747
00:39:05,640 --> 00:39:07,480
Speaker 1: was this. It was like a low impact version of

748
00:39:07,480 --> 00:39:11,920
Speaker 1: that same movie. I think it's really hard to like

749
00:39:12,080 --> 00:39:16,359
Speaker 1: dramatize and bring emotion to the story of someone who

750
00:39:16,480 --> 00:39:21,040
Speaker 1: was by definition unknowable and very removed. And I just

751
00:39:21,160 --> 00:39:23,280
Speaker 1: I did not find it that compelling of a story

752
00:39:23,320 --> 00:39:27,399
Speaker 1: because I actually think that not every cultural figure has

753
00:39:27,480 --> 00:39:28,920
Speaker 1: a compelling story.

754
00:39:29,200 --> 00:39:31,839
Speaker 2: If anyone injected like actual stakes into that film, it

755
00:39:31,960 --> 00:39:35,880
Speaker 2: was I'm gonna say, weirdly Norbert Leobads, Yeah, I mean yeah,

756
00:39:36,040 --> 00:39:38,759
Speaker 2: he was the character where I'm like, oh, oh, okay,

757
00:39:38,880 --> 00:39:43,120
Speaker 2: this is this is why we should care question Mark.

758
00:39:43,520 --> 00:39:45,400
Speaker 1: It had its moments, you know what I mean, Like

759
00:39:45,440 --> 00:39:47,200
Speaker 1: I thought, like I said, I thought. I thought the

760
00:39:47,320 --> 00:39:50,239
Speaker 1: ensemble was great. I thought the casting was excellent. It's

761
00:39:50,320 --> 00:39:54,279
Speaker 1: just it didn't add up to an altogether very compelling

762
00:39:54,480 --> 00:39:57,960
Speaker 1: story for me. And I thought the performances in terms

763
00:39:57,960 --> 00:40:01,640
Speaker 1: of the music were good. You know, it's something against it.

764
00:40:01,640 --> 00:40:04,000
Speaker 1: It's just I look at the Oscar nominations and see

765
00:40:04,000 --> 00:40:06,840
Speaker 1: that it did so well, and I'm like, now, really,

766
00:40:07,280 --> 00:40:10,600
Speaker 1: But anyway, that's just how I feel. I'm not crazy

767
00:40:10,600 --> 00:40:13,960
Speaker 1: about that movie. I wasn't crazy about Conclave, but again,

768
00:40:14,040 --> 00:40:16,160
Speaker 1: I did see that on election day. You watched it

769
00:40:16,160 --> 00:40:16,879
Speaker 1: on election day.

770
00:40:17,000 --> 00:40:20,040
Speaker 2: I went into Conclave being like this is probably not

771
00:40:20,040 --> 00:40:20,600
Speaker 2: gonna be for me.

772
00:40:21,480 --> 00:40:24,719
Speaker 1: Really really enjoyed it? Yeah, no, I mean a lot

773
00:40:24,880 --> 00:40:28,239
Speaker 1: many many people did. And there's so many movies up

774
00:40:28,239 --> 00:40:30,839
Speaker 1: there that I'm like, I really loved. It's just I

775
00:40:30,880 --> 00:40:33,759
Speaker 1: don't know, it's just some of them. I just don't

776
00:40:33,840 --> 00:40:34,560
Speaker 1: care that much.

777
00:40:42,640 --> 00:40:47,680
Speaker 2: There's a whole TikTok about how the scansion on its

778
00:40:47,880 --> 00:40:56,399
Speaker 2: very nice to Me, Like, how fucking crazy? Why would

779
00:40:56,440 --> 00:41:00,239
Speaker 2: the emphasis be on those specific syllables. There's no like

780
00:41:00,640 --> 00:41:03,719
Speaker 2: you could just go skip the very hello nice to me,

781
00:41:04,520 --> 00:41:06,680
Speaker 2: Hello very nice as opposed to hello very nice to me.

782
00:41:06,920 --> 00:41:11,520
Speaker 1: It's like so it's like I don't totally buy into.

783
00:41:11,320 --> 00:41:14,520
Speaker 2: The idea that like it's meant to be like caustic

784
00:41:14,600 --> 00:41:17,640
Speaker 2: and it's meant to sound like a melodic or whatever.

785
00:41:17,719 --> 00:41:24,560
Speaker 2: I'm like, no, like standing the musical sort of like zone,

786
00:41:25,080 --> 00:41:27,839
Speaker 2: shall we say, and just like deliver first of all,

787
00:41:27,960 --> 00:41:31,200
Speaker 2: not onlyamos if.

788
00:41:31,120 --> 00:41:33,719
Speaker 1: Amlia Perez has no haters. I'm dead. Well, there you go.

789
00:41:34,080 --> 00:41:36,720
Speaker 1: First of all, you know who completely snubbed that movie,

790
00:41:36,960 --> 00:41:41,279
Speaker 1: Glad Right, well, there you go, right there. So, first

791
00:41:41,320 --> 00:41:43,239
Speaker 1: of all, I know there's a lot of discourse about

792
00:41:43,239 --> 00:41:46,759
Speaker 1: this movie from the trans community, from the Mexican community.

793
00:41:47,120 --> 00:41:49,480
Speaker 1: I'm not gonna weigh in on any of that. What

794
00:41:49,560 --> 00:41:52,600
Speaker 1: I'm gonna say is this movie is at the same

795
00:41:52,760 --> 00:41:58,200
Speaker 1: time it's so chaotic and it is also so boring.

796
00:41:59,719 --> 00:42:04,600
Speaker 1: It's both. It's kind of crazy, right because it just

797
00:42:04,640 --> 00:42:08,880
Speaker 1: comes in and sweeps these nominations, and now I have

798
00:42:08,960 --> 00:42:15,000
Speaker 1: to ask why come on? Like Becca says, twenty twenty

799
00:42:15,040 --> 00:42:17,600
Speaker 1: five is green Book, But it's not like that though,

800
00:42:17,640 --> 00:42:20,640
Speaker 1: because green I guess in kind it sort of is,

801
00:42:20,680 --> 00:42:22,920
Speaker 1: because it's like a you know, a queer movie that

802
00:42:22,920 --> 00:42:25,200
Speaker 1: people feel like they can get behind in the Academy.

803
00:42:25,239 --> 00:42:27,360
Speaker 1: But it feels different to me.

804
00:42:27,840 --> 00:42:30,640
Speaker 2: It's already the villain though of this, of the season

805
00:42:30,719 --> 00:42:32,200
Speaker 2: and the campaign, and so I feel like, I don't

806
00:42:32,200 --> 00:42:33,719
Speaker 2: know if they can go the distance in the words

807
00:42:33,760 --> 00:42:34,880
Speaker 2: of Lisa Barlowe.

808
00:42:34,560 --> 00:42:36,279
Speaker 1: But yeah, I don't. I don't know how I feel

809
00:42:36,280 --> 00:42:38,439
Speaker 1: about it being the villain either. It's just like it's

810
00:42:38,480 --> 00:42:41,360
Speaker 1: not good enough to be the front runner. In my eyes.

811
00:42:41,400 --> 00:42:44,680
Speaker 1: And it's also not like I'm also uncomfortable with the

812
00:42:44,719 --> 00:42:47,000
Speaker 1: amount of hatred that it's garnering, because then you look

813
00:42:47,000 --> 00:42:49,640
Speaker 1: at some corners of the internet and it's like people,

814
00:42:49,840 --> 00:42:52,520
Speaker 1: it's people like you know, I won't even say the

815
00:42:52,600 --> 00:42:54,799
Speaker 1: names of like some of these YouTubers I've watched, but

816
00:42:54,840 --> 00:42:57,840
Speaker 1: it's just like, you know, they they play the clip

817
00:42:57,880 --> 00:43:01,520
Speaker 1: of that sex change operation thing, and then it cuts

818
00:43:01,560 --> 00:43:03,520
Speaker 1: back to them and they're hating it. It's like Becka saying,

819
00:43:03,560 --> 00:43:06,080
Speaker 1: right now, hating it for all the wrong reasons, right,

820
00:43:06,280 --> 00:43:09,879
Speaker 1: and like, you know, that feels really uncomfortable. But then

821
00:43:09,920 --> 00:43:12,080
Speaker 1: when you put that clip out there as a representation

822
00:43:12,120 --> 00:43:14,399
Speaker 1: of the movie, how exactly do you think it's gonna

823
00:43:14,440 --> 00:43:17,960
Speaker 1: be received. I don't know. This is a really bizarre

824
00:43:18,200 --> 00:43:22,960
Speaker 1: cultural moment this movie, because it's like I don't know

825
00:43:23,000 --> 00:43:25,640
Speaker 1: what it is. I think they decided really early on.

826
00:43:26,120 --> 00:43:29,239
Speaker 1: I think it premiered it can and they decided really

827
00:43:29,320 --> 00:43:31,960
Speaker 1: early on this was like the prestige big movie of

828
00:43:32,000 --> 00:43:35,520
Speaker 1: the year, and also it's Netflix and everything, so it'll

829
00:43:35,600 --> 00:43:38,320
Speaker 1: kind of packaged up to be this like big Oscar movie.

830
00:43:38,320 --> 00:43:40,440
Speaker 1: And then everyone saw it and everyone has these like

831
00:43:40,480 --> 00:43:44,520
Speaker 1: crazy polarizing responses to it for good reason. And again,

832
00:43:44,600 --> 00:43:47,160
Speaker 1: this has nothing to say about the performances. The performances

833
00:43:47,200 --> 00:43:49,799
Speaker 1: are great and it's well done, and I think Zoe

834
00:43:49,880 --> 00:43:52,600
Speaker 1: Saldania will win the Oscar for it, and she's stunning.

835
00:43:53,200 --> 00:43:58,840
Speaker 1: But this movie, it's like, what exactly are we watching?

836
00:44:00,160 --> 00:44:02,839
Speaker 1: It doesn't have to be all these genres. Sometimes that's

837
00:44:02,880 --> 00:44:06,280
Speaker 1: just confusing. I find the story to be compelling.

838
00:44:06,480 --> 00:44:09,759
Speaker 2: It's compelling, but it also doesn't quite make sense either,

839
00:44:09,880 --> 00:44:11,719
Speaker 2: and like the first doc stuff, it's like, well, why

840
00:44:11,760 --> 00:44:13,520
Speaker 2: is she the one who has to like figure out

841
00:44:13,560 --> 00:44:14,800
Speaker 2: logistically all these things?

842
00:44:15,120 --> 00:44:15,359
Speaker 1: Right?

843
00:44:15,960 --> 00:44:18,680
Speaker 2: Anyway, that's is that are our bounce on the and

844
00:44:18,680 --> 00:44:21,640
Speaker 2: the words of Seth Meyers our bounces.

845
00:44:20,800 --> 00:44:22,640
Speaker 1: That might be our bounce. I just thought there was

846
00:44:22,719 --> 00:44:24,360
Speaker 1: there were so many great movies this year, and then

847
00:44:24,520 --> 00:44:26,359
Speaker 1: some of them the ones that I was like, oh, yeah,

848
00:44:26,400 --> 00:44:29,080
Speaker 1: those are the Givens in the Oscar Race. You know,

849
00:44:29,160 --> 00:44:32,080
Speaker 1: you get around to watching them and like you're like, Okay, sure,

850
00:44:32,320 --> 00:44:34,839
Speaker 1: I guess I guess we've decided this is the representation

851
00:44:34,880 --> 00:44:35,640
Speaker 1: of film this year.

852
00:44:36,000 --> 00:44:38,879
Speaker 2: Right, Well, before we move on, I don't think sooney,

853
00:44:38,920 --> 00:44:41,920
Speaker 2: can we just talk about the announcement that just came

854
00:44:41,920 --> 00:44:46,160
Speaker 2: out that we are officially coming out with the Rules

855
00:44:46,160 --> 00:44:48,839
Speaker 2: of Culture volume Thank.

856
00:44:48,640 --> 00:44:51,600
Speaker 1: You for reminding me. Oh my god, Yes, your girls

857
00:44:51,600 --> 00:44:54,719
Speaker 1: are authors, future authors. Bon Yang and I will be

858
00:44:54,960 --> 00:44:59,080
Speaker 1: co authoring The Rules of Culture volume one that is

859
00:44:59,080 --> 00:45:04,400
Speaker 1: being announced today. We're doing it under Andy Cohen's imprint.

860
00:45:04,640 --> 00:45:08,600
Speaker 1: Thank you King, Thank you Father. Twenty twenty six. We're

861
00:45:08,640 --> 00:45:11,840
Speaker 1: eyeing publication for twenty twenty six, but we are excited

862
00:45:11,840 --> 00:45:15,839
Speaker 1: to announce that now, and we are excited to get

863
00:45:15,840 --> 00:45:18,480
Speaker 1: to work on it. And it's like, it's gonna be

864
00:45:18,560 --> 00:45:20,719
Speaker 1: different than you may think. I think that a lot

865
00:45:20,800 --> 00:45:22,600
Speaker 1: of people have been reaching out being like, where's the

866
00:45:22,640 --> 00:45:26,040
Speaker 1: coffee table book with the Rules of Culture? Heard your

867
00:45:26,160 --> 00:45:28,080
Speaker 1: suggestion there, We're going to do something a little bit

868
00:45:28,080 --> 00:45:30,839
Speaker 1: different and a little bit more fun for us. We're

869
00:45:30,880 --> 00:45:35,480
Speaker 1: putting our foot into this book. Yes, oh interesting in

870
00:45:35,480 --> 00:45:38,839
Speaker 1: a sexual way. No, I don't think of putting your

871
00:45:38,840 --> 00:45:42,279
Speaker 1: foot into it as necessarily a sexual thing. I just mean,

872
00:45:42,520 --> 00:45:44,040
Speaker 1: you really put your foot in that, like you know

873
00:45:44,040 --> 00:45:48,239
Speaker 1: what I mean? Like, isn't that an expression? Yes? But

874
00:45:48,400 --> 00:45:52,319
Speaker 1: also it could be a kink. I think let's say

875
00:45:52,320 --> 00:45:55,799
Speaker 1: it's both. Yes, we will be putting our foot into

876
00:45:55,800 --> 00:45:57,840
Speaker 1: it in a writerly and kinky sense.

877
00:45:58,280 --> 00:46:02,160
Speaker 2: Yes, and we're so excited and thank you to everyone

878
00:46:02,239 --> 00:46:07,239
Speaker 2: at Crown Publishing Group, agents and all those wonderful people

879
00:46:07,280 --> 00:46:10,319
Speaker 2: who make dreams come true. Oh, this is a dream

880
00:46:10,360 --> 00:46:14,759
Speaker 2: come true Penguin Random House. We're so excited to work with.

881
00:46:14,800 --> 00:46:18,200
Speaker 1: Y'all and Andy Cohen himself. Of course, this will be

882
00:46:18,480 --> 00:46:22,600
Speaker 1: a true blast to do. And it's coming next year.

883
00:46:23,200 --> 00:46:24,920
Speaker 1: What else is the time for. I don't think so, honey.

884
00:46:25,040 --> 00:46:28,320
Speaker 1: I think it's time. Yeah. This is a scant episode,

885
00:46:28,360 --> 00:46:30,200
Speaker 1: you guys, because it is early in the morning. This

886
00:46:30,280 --> 00:46:32,200
Speaker 1: is one of those weeks where this was the only

887
00:46:32,520 --> 00:46:34,680
Speaker 1: time we could do this and it is seven am

888
00:46:34,760 --> 00:46:38,279
Speaker 1: for me, eight am for Bowen in mountain time. But

889
00:46:38,400 --> 00:46:42,480
Speaker 1: we love This was really the mountain episode. Then last

890
00:46:42,520 --> 00:46:53,080
Speaker 1: week was the laughing episode. This was the mountain episode.

891
00:46:55,239 --> 00:46:56,840
Speaker 1: All right, I have something that I could do for

892
00:46:56,840 --> 00:46:58,600
Speaker 1: I don't think so, honey. It's something that I'm like

893
00:46:59,640 --> 00:47:01,839
Speaker 1: notice more and more and I can't wrap my head

894
00:47:01,840 --> 00:47:02,279
Speaker 1: around it.

895
00:47:02,840 --> 00:47:06,440
Speaker 2: Oh, okay, this is Matt Rodgers. I don't think Sony's

896
00:47:06,440 --> 00:47:07,120
Speaker 2: time starts now.

897
00:47:07,480 --> 00:47:09,440
Speaker 1: I don't think so, honey. You're working out with all

898
00:47:09,520 --> 00:47:13,120
Speaker 1: your jewelry on, Like I'll be a Barry's boot camp

899
00:47:13,360 --> 00:47:15,520
Speaker 1: and literally on the on the treadmill next to me

900
00:47:15,760 --> 00:47:21,280
Speaker 1: will be a woman in full earrings, Bengals and more. Literally,

901
00:47:21,360 --> 00:47:24,160
Speaker 1: yesterday I was at the Hollywood location and I'm putting

902
00:47:24,160 --> 00:47:25,920
Speaker 1: some of you on blast. If you take class with me,

903
00:47:26,600 --> 00:47:29,239
Speaker 1: a woman's earrings full in. The guy next to me

904
00:47:29,480 --> 00:47:32,560
Speaker 1: watches bracelets and a necklace. The guy on the other

905
00:47:32,600 --> 00:47:35,640
Speaker 1: side of me a necklace, and I'm like, guys, what

906
00:47:35,719 --> 00:47:39,000
Speaker 1: if something falls off? This becomes a project dial. And

907
00:47:39,080 --> 00:47:42,840
Speaker 1: this is another installment in becoming a projectile culture. This

908
00:47:42,920 --> 00:47:44,759
Speaker 1: is why you always wear seatbelts. I don't care if

909
00:47:44,800 --> 00:47:47,320
Speaker 1: you think you're gonna be safe. If there's an accident,

910
00:47:47,400 --> 00:47:51,000
Speaker 1: you become a project dial. If there's an accident at Berry's,

911
00:47:51,040 --> 00:47:53,280
Speaker 1: I don't think so, honey. When you're a koutra monster

912
00:47:53,560 --> 00:47:57,600
Speaker 1: guying everywhere and your ear ring mama on treadsticks becomes

913
00:47:57,800 --> 00:48:01,040
Speaker 1: a project dial. Take the earrings off, put them in

914
00:48:01,080 --> 00:48:03,759
Speaker 1: the lockers they provide for you. I don't like jewelry

915
00:48:04,000 --> 00:48:06,439
Speaker 1: and all these things. Watch is flying around. I don't

916
00:48:06,440 --> 00:48:09,160
Speaker 1: think so, honey. During the workout, not during group fitness,

917
00:48:09,200 --> 00:48:10,200
Speaker 1: I don't think so, honey.

918
00:48:10,520 --> 00:48:16,880
Speaker 2: That's one minute that is really I would say slightly dangerous.

919
00:48:17,120 --> 00:48:19,239
Speaker 1: First of all, why would you want to wear all

920
00:48:19,239 --> 00:48:22,600
Speaker 1: that stuff while you're dealing with weights and like materials

921
00:48:22,600 --> 00:48:25,040
Speaker 1: like and positions where you have to like engage your

922
00:48:25,040 --> 00:48:26,120
Speaker 1: body in certain ways.

923
00:48:26,360 --> 00:48:30,120
Speaker 2: Okay, let's say you're not at barries, you're at the gym.

924
00:48:30,520 --> 00:48:34,200
Speaker 2: You're with some machinery and some hardware. Like that's just

925
00:48:34,320 --> 00:48:38,840
Speaker 2: a disaster zone, Like you're something's gonna get snagged and caught.

926
00:48:39,320 --> 00:48:42,279
Speaker 1: No things get caught on stuff. And that's what I'm saying.

927
00:48:42,280 --> 00:48:43,880
Speaker 1: It's just like and then the guy next to me

928
00:48:44,440 --> 00:48:49,000
Speaker 1: did that thing where he tried to, like, you know,

929
00:48:49,000 --> 00:48:51,120
Speaker 1: at the end of a sprint at berries, like what

930
00:48:51,239 --> 00:48:54,719
Speaker 1: people will try to jump to the sides instead of

931
00:48:54,760 --> 00:48:57,359
Speaker 1: like running it down like like okay, okay, we're we're

932
00:48:57,400 --> 00:49:00,279
Speaker 1: running out now. And then I have to say that

933
00:49:00,320 --> 00:49:03,840
Speaker 1: bugs me because I'm like, you're gonna hurt yourself. No

934
00:49:03,960 --> 00:49:07,719
Speaker 1: I know, but that's I think that you jumping to

935
00:49:07,840 --> 00:49:10,719
Speaker 1: the sides of the of the treadmill like in order

936
00:49:10,800 --> 00:49:14,560
Speaker 1: to relieve yourself of the strenuous activity. I feel like

937
00:49:14,680 --> 00:49:16,560
Speaker 1: that is how people are going to hurt themselves. It's

938
00:49:16,560 --> 00:49:20,040
Speaker 1: like it's it's not a natural movement, and it just

939
00:49:20,080 --> 00:49:22,880
Speaker 1: makes me nervous next to you. I'm not yelling at you,

940
00:49:23,000 --> 00:49:25,000
Speaker 1: bo No, I'm just saying I don't want you to

941
00:49:25,080 --> 00:49:28,279
Speaker 1: hurt yourself out. Thank you. I never said that. I

942
00:49:28,320 --> 00:49:31,319
Speaker 1: never knew you were this type of girl. Congratulations one

943
00:49:31,400 --> 00:49:35,720
Speaker 1: hundred and fifty classes, by the way, thank you, huge feet.

944
00:49:35,960 --> 00:49:39,640
Speaker 1: And I started working with a trainer. The fans of

945
00:49:39,680 --> 00:49:44,160
Speaker 1: the Ride podcast may know JR. I actually asked him.

946
00:49:44,280 --> 00:49:46,319
Speaker 1: I asked him yesterday. I was like, so, does does

947
00:49:46,360 --> 00:49:49,160
Speaker 1: Benny talk about you on the Ride podcast because he

948
00:49:49,200 --> 00:49:53,399
Speaker 1: trains Benny Drama And he goes, yes, Benny and Mary Beth,

949
00:49:53,719 --> 00:49:56,360
Speaker 1: and I was like, okay, wow, so this is someone

950
00:49:56,400 --> 00:49:59,400
Speaker 1: I feel sad I'm actually seeing him in two hours.

951
00:49:59,400 --> 00:50:02,560
Speaker 1: I feel safe mentioning him on the pod. But now

952
00:50:02,600 --> 00:50:04,880
Speaker 1: you have to ask. Nowadays the pod is so huge,

953
00:50:05,360 --> 00:50:08,360
Speaker 1: you never know who's going to be uncomfortable by putting

954
00:50:08,440 --> 00:50:11,200
Speaker 1: thrust into the limelight of lost culture. One of the

955
00:50:11,200 --> 00:50:13,920
Speaker 1: funniest things about watching the nominations live because I did.

956
00:50:13,960 --> 00:50:15,799
Speaker 1: I woke up early, as I want to do I

957
00:50:15,800 --> 00:50:18,759
Speaker 1: guess lately, so I could watch you do the nominations live,

958
00:50:19,239 --> 00:50:21,840
Speaker 1: and it's like I watch it on YouTube. Yes, I

959
00:50:21,840 --> 00:50:24,040
Speaker 1: watched it live. I watched the whole thing. I woke up,

960
00:50:24,080 --> 00:50:26,520
Speaker 1: I woke up at five twenty seven am, put that

961
00:50:26,600 --> 00:50:29,480
Speaker 1: laptop on my chest and opened it for you, and

962
00:50:29,560 --> 00:50:33,919
Speaker 1: Rachel sent it pronouncing French and looking hot. And one

963
00:50:33,920 --> 00:50:39,520
Speaker 1: thing I'll say is the entire YouTube chat almost says

964
00:50:39,719 --> 00:50:44,960
Speaker 1: people from Brazil going crazy for Fernando Torres, and I'm

965
00:50:45,000 --> 00:50:48,799
Speaker 1: still here. I think she could actually win, like, and

966
00:50:48,840 --> 00:50:51,840
Speaker 1: now that she's nominated, like if I do think to

967
00:50:51,920 --> 00:50:53,520
Speaker 1: me is still a front runner. But I think that

968
00:50:53,560 --> 00:50:57,400
Speaker 1: Fernando Torres's performance in that is so stunning that if

969
00:50:57,400 --> 00:50:59,319
Speaker 1: people actually watch all of them, it might be hard

970
00:50:59,360 --> 00:51:01,840
Speaker 1: not to vote for her. But obviously we're still teamed

971
00:51:01,840 --> 00:51:05,360
Speaker 1: to me here and and team Cynthia.

972
00:51:05,440 --> 00:51:07,960
Speaker 2: I mean, it's I think, I do think it is

973
00:51:08,000 --> 00:51:09,640
Speaker 2: a very fun stacked Best Actress.

974
00:51:09,680 --> 00:51:12,640
Speaker 1: Racist love Best Actress this year. It ended up being

975
00:51:13,160 --> 00:51:15,759
Speaker 1: such a competitive year, and you know, to say nothing

976
00:51:15,800 --> 00:51:19,600
Speaker 1: of fucking Mighty Madison, who's absolutely amazing and as.

977
00:51:19,480 --> 00:51:22,640
Speaker 2: Some people I think are rightfully feeling the Nicole Kidman snub,

978
00:51:22,800 --> 00:51:27,759
Speaker 2: like that's a major snub, hugely Oscar worthy performance. I

979
00:51:27,760 --> 00:51:30,399
Speaker 2: love baby girl, Nicole Kidman and Baby Girl like it's

980
00:51:30,440 --> 00:51:32,799
Speaker 2: it's wild that she keeps getting better, but she is

981
00:51:32,880 --> 00:51:33,480
Speaker 2: getting better.

982
00:51:33,719 --> 00:51:36,279
Speaker 1: I mean to say nothing of Mariannejean Baptiste, who was

983
00:51:36,320 --> 00:51:38,600
Speaker 1: also amazing on her Truth, which is a tough movie

984
00:51:38,640 --> 00:51:42,840
Speaker 1: but like an unbelievable performance. You know. I loved Pam

985
00:51:42,880 --> 00:51:45,120
Speaker 1: and Last Show Girl Like. There was so much going

986
00:51:45,200 --> 00:51:52,279
Speaker 1: on this year and Best Actress, so kudos to those nominated. Kudos. Oh,

987
00:51:52,320 --> 00:51:54,160
Speaker 1: I guess I haven't technically done my I don't think, Sonny,

988
00:51:54,320 --> 00:51:56,000
Speaker 1: you have not technically done it. So this is your

989
00:51:56,040 --> 00:51:58,319
Speaker 1: technical I don't think, Sonia. Are you ready to sort

990
00:51:58,360 --> 00:51:59,600
Speaker 1: of shred? Yeah?

991
00:51:59,680 --> 00:52:02,239
Speaker 2: Yeah, yes, I was speaking of shred. Oh, thank you

992
00:52:02,239 --> 00:52:03,960
Speaker 2: for setting me up like that, for teeming me up

993
00:52:04,040 --> 00:52:04,239
Speaker 2: like that.

994
00:52:04,360 --> 00:52:06,959
Speaker 1: Go, this is going Yang's I don't think so, Honey,

995
00:52:06,960 --> 00:52:07,959
Speaker 1: his time starts now.

996
00:52:08,239 --> 00:52:10,600
Speaker 2: I don't think so many cross country skiing. I'm seeing

997
00:52:10,600 --> 00:52:12,160
Speaker 2: some of you do this out here in Park City,

998
00:52:12,239 --> 00:52:15,520
Speaker 2: Utah as I'm driving into town. Why what's the point.

999
00:52:15,640 --> 00:52:18,200
Speaker 2: I'm sure I'm gonna get lectured. There's probably so many

1000
00:52:18,239 --> 00:52:21,080
Speaker 2: wonderful reasons to do it. In the times that I've

1001
00:52:21,120 --> 00:52:24,320
Speaker 2: done it, I see no value. I see no enjoyment

1002
00:52:24,400 --> 00:52:24,759
Speaker 2: out of it.

1003
00:52:24,840 --> 00:52:28,239
Speaker 1: I see jelly sore legs the next day, or even

1004
00:52:28,239 --> 00:52:31,919
Speaker 1: the same day, even day of If you're going down

1005
00:52:31,920 --> 00:52:34,239
Speaker 1: the slopes, I know there's risk of danger. I know

1006
00:52:34,320 --> 00:52:37,959
Speaker 1: it's scary, but at least you feel exhilarated. You go, wow,

1007
00:52:38,160 --> 00:52:41,920
Speaker 1: fucking I went down a whole ass mountain in twenty minutes.

1008
00:52:42,000 --> 00:52:42,840
Speaker 1: That's pretty cool.

1009
00:52:43,040 --> 00:52:45,160
Speaker 2: Now I'm gonna eat a fat ass burger or a

1010
00:52:45,160 --> 00:52:48,840
Speaker 2: big pizza at the lodge to reward myself. There's none

1011
00:52:48,840 --> 00:52:50,760
Speaker 2: of that built into cross country skiing.

1012
00:52:50,800 --> 00:52:54,520
Speaker 1: You're in a field, you pass by a horse who's

1013
00:52:54,560 --> 00:52:58,840
Speaker 1: like five hundred feet away. It doesn't really give the

1014
00:52:58,960 --> 00:53:02,640
Speaker 1: give and I don't really and I'm seeing people still

1015
00:53:02,640 --> 00:53:03,480
Speaker 1: do it. I thought we left that.

1016
00:53:03,520 --> 00:53:05,400
Speaker 2: I thought we left that in the seventies, the eighties

1017
00:53:05,480 --> 00:53:07,560
Speaker 2: or whatever, the nineties. Why are we doing it in

1018
00:53:07,560 --> 00:53:09,000
Speaker 2: the year of Our Lord twenty twenty five?

1019
00:53:09,520 --> 00:53:12,000
Speaker 1: And that's one minute. I'm so sorry to hear this.

1020
00:53:12,640 --> 00:53:19,680
Speaker 1: Thank you. It's hard for me. Yeah, I mean, and

1021
00:53:19,760 --> 00:53:21,920
Speaker 1: you were so you really want to go to Aspens

1022
00:53:21,920 --> 00:53:24,960
Speaker 1: Ski Week? I do. I really do. Okay, so we'll

1023
00:53:24,960 --> 00:53:27,080
Speaker 1: go and you can do your thing, and I guess

1024
00:53:27,120 --> 00:53:29,120
Speaker 1: I'll be that girl in the house that's like drinking.

1025
00:53:29,880 --> 00:53:34,359
Speaker 1: I would love for you too, don't say it, learn

1026
00:53:34,440 --> 00:53:35,960
Speaker 1: I mean, I would do some greens with you, and

1027
00:53:35,960 --> 00:53:38,400
Speaker 1: I think you would have a good time. I've never

1028
00:53:38,920 --> 00:53:42,960
Speaker 1: talked to someone who had gone skiing that didn't have

1029
00:53:43,000 --> 00:53:47,879
Speaker 1: a torn acl. S right, what about me? What about you?

1030
00:53:49,320 --> 00:53:52,279
Speaker 1: What about you? For one? Oh, you ever thought about

1031
00:53:52,320 --> 00:53:56,040
Speaker 1: that you have a torn acl? You don't even know? Sure?

1032
00:53:56,239 --> 00:54:00,400
Speaker 1: I bet, Oh my god, if I said I would

1033
00:53:58,280 --> 00:54:03,520
Speaker 1: get it would be your own person. It would be

1034
00:54:04,360 --> 00:54:06,520
Speaker 1: oh my, good girl with a torn acl, with such

1035
00:54:06,520 --> 00:54:09,759
Speaker 1: a character in high school, you know what I mean.

1036
00:54:09,960 --> 00:54:11,880
Speaker 1: I remember I went to high school with this girl Sam,

1037
00:54:12,280 --> 00:54:15,000
Speaker 1: and it felt like she was on crutches for two years.

1038
00:54:15,400 --> 00:54:18,919
Speaker 2: Of course it was so debilitating. It's not to say

1039
00:54:18,960 --> 00:54:21,320
Speaker 2: that she didn't need the crutches. It's just it fucks

1040
00:54:21,360 --> 00:54:24,799
Speaker 2: you up. It's so funny that this person in my

1041
00:54:24,840 --> 00:54:27,680
Speaker 2: life has probably gone on to has probably has definitely

1042
00:54:27,680 --> 00:54:29,839
Speaker 2: gone on to live like a full life. Who knows

1043
00:54:29,880 --> 00:54:32,680
Speaker 2: where she is now, to be down a career, you

1044
00:54:32,719 --> 00:54:33,200
Speaker 2: know what I mean?

1045
00:54:33,200 --> 00:54:35,400
Speaker 1: But she will always be that girl in crutches on

1046
00:54:35,480 --> 00:54:38,040
Speaker 1: high school to me, and understand that if you are

1047
00:54:38,080 --> 00:54:39,759
Speaker 1: in high school when you're listening to this and you're

1048
00:54:39,760 --> 00:54:43,880
Speaker 1: on crutches, look around, sweetie. To everyone, the rest of

1049
00:54:43,920 --> 00:54:46,640
Speaker 1: their life, you will be the girl who was on

1050
00:54:46,719 --> 00:54:48,520
Speaker 1: crutches in high school. Period.

1051
00:54:48,800 --> 00:54:52,560
Speaker 2: If you're in high school, lean in or die, lean

1052
00:54:52,600 --> 00:54:54,680
Speaker 2: in or oh my god. If you're in high school

1053
00:54:54,680 --> 00:54:57,279
Speaker 2: listening to us, bless you, bless your heart.

1054
00:54:57,400 --> 00:54:59,319
Speaker 1: Yeah, honestly, if you're in high school listening to us,

1055
00:54:59,480 --> 00:55:03,719
Speaker 1: reach out. We want to hear from you. Yeah or don't? Yeah,

1056
00:55:05,719 --> 00:55:13,680
Speaker 1: I like mind you beckoning minors? Hey, young young under

1057
00:55:13,719 --> 00:55:17,839
Speaker 1: eighteen aged people. Let us know you're out there. No, really, don't.

1058
00:55:17,880 --> 00:55:22,480
Speaker 1: Never mind everything I said. Jeez, we don't want to

1059
00:55:22,520 --> 00:55:26,640
Speaker 1: hear from you. You shouldn't be hearing from us.

1060
00:55:26,880 --> 00:55:28,440
Speaker 2: But thank you for listening to us. We love you,

1061
00:55:28,520 --> 00:55:31,799
Speaker 2: and we hope we inspire you to make queer podcasts

1062
00:55:31,800 --> 00:55:32,760
Speaker 2: in your future.

1063
00:55:33,600 --> 00:55:36,399
Speaker 1: And we hope that this episode inspired you out there.

1064
00:55:36,880 --> 00:55:38,600
Speaker 1: That's really what we aim to do every week is

1065
00:55:38,600 --> 00:55:42,960
Speaker 1: get on here and inspire with our cultural analysis, relatability

1066
00:55:43,000 --> 00:55:48,680
Speaker 1: with each other, and our energy. In our energy, this

1067
00:55:48,719 --> 00:55:51,319
Speaker 1: is an acclaimed podcast. I mean thank you again to

1068
00:55:51,400 --> 00:55:55,960
Speaker 1: Glad for nominating. No, not Glad, wait, yes Glad, yes Glad.

1069
00:55:56,080 --> 00:55:58,960
Speaker 1: And also iHeart we got two nominations for Podcasts of

1070
00:55:59,000 --> 00:55:59,520
Speaker 1: the Year.

1071
00:56:00,160 --> 00:56:05,239
Speaker 2: Thank you so much, and we still cherish our Signal Award. Oh,

1072
00:56:05,280 --> 00:56:07,080
Speaker 2: I'm looking at it right now that we want on

1073
00:56:07,120 --> 00:56:10,240
Speaker 2: alongside of Straight Parrel and I'm going home to it

1074
00:56:10,280 --> 00:56:13,560
Speaker 2: in an hour. Can't wait to get home and hug

1075
00:56:13,600 --> 00:56:14,600
Speaker 2: my Signal trophy.

1076
00:56:15,000 --> 00:56:18,319
Speaker 1: Yeah, it's beautiful. We end every episode with the song.

1077
00:56:20,640 --> 00:56:31,439
Speaker 1: But man, I feel like I'm going out. It's not rad.

1078
00:56:35,880 --> 00:56:37,840
Speaker 1: Can I say one thing. There's a group thread of

1079
00:56:37,920 --> 00:56:40,319
Speaker 1: a lot of people that are going to Shanaia and

1080
00:56:40,360 --> 00:56:43,960
Speaker 1: Mariah and there was some like really shitty stuff being

1081
00:56:43,960 --> 00:56:48,680
Speaker 1: said in the Shania Life. We're not gonna be disrespecting Shanaiah. No,

1082
00:56:48,719 --> 00:56:51,480
Speaker 1: So we even get in there, and I can't wait

1083
00:56:51,520 --> 00:56:54,440
Speaker 1: to get there and look around at these gay people

1084
00:56:54,960 --> 00:56:57,719
Speaker 1: and have them be like, wow, I didn't realize that

1085
00:56:57,800 --> 00:56:59,319
Speaker 1: she had so many songs. I'd be like, no, you

1086
00:56:59,320 --> 00:57:02,279
Speaker 1: know what, you just and open your goddamn eyes. Can

1087
00:57:02,320 --> 00:57:05,319
Speaker 1: I just say, make fun of a Canadians? Making fun

1088
00:57:05,320 --> 00:57:10,440
Speaker 1: of a Canadian is so irol don't do that, So

1089
00:57:10,800 --> 00:57:14,440
Speaker 1: passe compose well? Bye bye.

1090
00:57:16,200 --> 00:57:18,320
Speaker 2: Last Culture Asis is the production by Will Ferrell's Big

1091
00:57:18,360 --> 00:57:19,880
Speaker 2: Money Players in My Heart Radio podcasts.

1092
00:57:19,880 --> 00:57:22,800
Speaker 1: It's created and hosted by Matt Rodgers and Bowen Yek

1093
00:57:22,960 --> 00:57:25,840
Speaker 1: Executive produced by Ada Hasnier and Hans Soni

1094
00:57:26,000 --> 00:57:28,920
Speaker 2: Produced by Becka Ramos, edited and mixed by Doug Bamimi

1095
00:57:28,960 --> 00:57:31,440
Speaker 2: fla Board and our music is by Henry Komerski