1 00:00:03,480 --> 00:00:07,920 Speaker 1: This episode features songs from the Anthology of Interplanetary Folk 2 00:00:08,039 --> 00:00:12,680 Speaker 1: Music by Craig Leon. Learn more at Craig Leon dot 3 00:00:12,680 --> 00:00:18,360 Speaker 1: com and from the album Tactile Galactic by Secret Circuit, 4 00:00:19,000 --> 00:00:23,840 Speaker 1: available at Secret Circuit dot bandcamp, dot com, links and 5 00:00:23,920 --> 00:00:34,120 Speaker 1: more on our website Ephemeral dot shet. Ephemeral is a 6 00:00:34,159 --> 00:00:38,960 Speaker 1: production of I Heart three D Audio for Felix Fasure. 7 00:00:39,560 --> 00:00:44,720 Speaker 1: Listen with that phones. Have you ever seen something you 8 00:00:44,720 --> 00:00:49,279 Speaker 1: couldn't explain, an encounter you would hesitate to recount for 9 00:00:49,320 --> 00:00:52,920 Speaker 1: fear of not being believed? Or on the other hand, 10 00:00:53,520 --> 00:00:56,640 Speaker 1: has anyone ever told you a tale so far outside 11 00:00:56,680 --> 00:00:59,600 Speaker 1: your conception of reality that you aren't sure what to 12 00:00:59,640 --> 00:01:08,840 Speaker 1: make a Sorting out these threads is what compels host 13 00:01:08,959 --> 00:01:13,120 Speaker 1: Toby Ball in the podcast Strange Arrivals. I had this 14 00:01:13,200 --> 00:01:16,080 Speaker 1: idea that I wanted to do something about skepticism and belief, 15 00:01:16,680 --> 00:01:19,280 Speaker 1: But how do you access that in a way that 16 00:01:19,280 --> 00:01:23,360 Speaker 1: people are going to find interesting? Unlike many other documentaries 17 00:01:23,360 --> 00:01:28,440 Speaker 1: series which center on proving or disproving extraordinary claims, Strange 18 00:01:28,480 --> 00:01:32,720 Speaker 1: Arrivals goes deep into the historical and social context around 19 00:01:32,760 --> 00:01:38,440 Speaker 1: extraterrestrial accounts by weaving together eyewitness testimony expert interviews and 20 00:01:38,520 --> 00:01:42,560 Speaker 1: where our chival take. For the last two years, I've 21 00:01:42,600 --> 00:01:45,600 Speaker 1: been lucky enough to work with Toby on producing Strange Arrivals, 22 00:01:46,080 --> 00:01:50,400 Speaker 1: the second season of which concludes tomorrow, August three. In 23 00:01:50,520 --> 00:01:53,480 Speaker 1: light of that occasion, we wanted to take the opportunity 24 00:01:53,600 --> 00:01:56,120 Speaker 1: to hear more about his approach to the show, the 25 00:01:56,160 --> 00:01:59,760 Speaker 1: motivation behind it, and how he's learned to think about 26 00:01:59,800 --> 00:02:05,720 Speaker 1: like to the sky. When did you become interested in UFOs? 27 00:02:06,600 --> 00:02:08,520 Speaker 1: I think, like a lot of people is probably when 28 00:02:08,520 --> 00:02:11,320 Speaker 1: I was seven or eight. It was real. I swear 29 00:02:12,480 --> 00:02:17,000 Speaker 1: the culture was fairly infused with paranormal stuff. In the seventies. 30 00:02:17,680 --> 00:02:21,880 Speaker 1: You could get gold key UFO comic books. There's a 31 00:02:21,880 --> 00:02:27,079 Speaker 1: bunch of UFO movies, you know, Close Encounters, Star Wars 32 00:02:27,120 --> 00:02:30,680 Speaker 1: came out. I guess when I was ten there was one, 33 00:02:30,720 --> 00:02:34,480 Speaker 1: and I barely remember anything other than the title and 34 00:02:34,520 --> 00:02:37,040 Speaker 1: the fact that I loved it so much. Called The 35 00:02:37,080 --> 00:02:41,760 Speaker 1: Mysterious Monsters, The Mysterious Monsters a shocking look into man's 36 00:02:41,880 --> 00:02:45,800 Speaker 1: encounters with the unknown. There was a show called Project 37 00:02:45,919 --> 00:02:50,960 Speaker 1: UFO which began with this cryptic opening. Is Zechiel saw 38 00:02:51,040 --> 00:02:54,480 Speaker 1: the wheel. This is the wheel, he said, he saw. 39 00:02:56,040 --> 00:03:00,160 Speaker 1: These are unidentified flying objects that people say they are 40 00:03:00,160 --> 00:03:04,519 Speaker 1: seeing now. I don't know if it's really filtered down 41 00:03:04,560 --> 00:03:08,799 Speaker 1: to our current cultural moment, but Chariots of the Gods 42 00:03:09,160 --> 00:03:12,360 Speaker 1: came out around then. Chariots of the Gods explores Vondanigans 43 00:03:12,360 --> 00:03:16,960 Speaker 1: controversial and explosive theory that beings from other galaxies visited 44 00:03:16,960 --> 00:03:20,760 Speaker 1: Earth in ancient times. The Six Million Dollar Man, which 45 00:03:20,800 --> 00:03:23,680 Speaker 1: was probably my favorite show, had UFOs stuff in it 46 00:03:23,720 --> 00:03:25,520 Speaker 1: all the time. As a matter of fact, if I'm 47 00:03:25,560 --> 00:03:29,959 Speaker 1: remembering correctly, Bigfoot was an android that came out of 48 00:03:30,000 --> 00:03:35,880 Speaker 1: a flying saucer. I am going to back on to California. Also, 49 00:03:36,400 --> 00:03:39,160 Speaker 1: growing up, we had a family friend who we'd see 50 00:03:39,160 --> 00:03:43,280 Speaker 1: every Christmas and he was the editor for the Skeptical 51 00:03:43,320 --> 00:03:47,760 Speaker 1: Inquirer magazine. It's sort of an inquisitive eight nine, ten 52 00:03:48,040 --> 00:03:50,760 Speaker 1: love and twelve year old got to pick his brain 53 00:03:50,880 --> 00:03:55,880 Speaker 1: about his take on UFOs. There's this idea that the 54 00:03:55,920 --> 00:04:00,560 Speaker 1: modern UFO era in quotes, began in n the first 55 00:04:00,640 --> 00:04:04,120 Speaker 1: of two record air crushes. Prior to that, there had 56 00:04:04,120 --> 00:04:08,240 Speaker 1: been sort of these airship sightings in the late eighteen hundreds. 57 00:04:08,520 --> 00:04:11,280 Speaker 1: These pictures made from up at the News Plane Show, 58 00:04:11,360 --> 00:04:14,640 Speaker 1: the world's largest airship heading for Lake christ New Jersey. 59 00:04:15,240 --> 00:04:17,839 Speaker 1: In World War Two, there was famously these sittings of 60 00:04:17,880 --> 00:04:23,039 Speaker 1: food fighters panzing. Fighter pilots would see these craft that 61 00:04:23,080 --> 00:04:26,039 Speaker 1: we're moving in ways that they weren't expecting. Every plane. 62 00:04:26,040 --> 00:04:28,960 Speaker 1: You've gotten such point. But if you put all that aside, 63 00:04:29,480 --> 00:04:33,640 Speaker 1: in seven, this guy Kenneth Arnold saw a bunch of 64 00:04:33,680 --> 00:04:38,799 Speaker 1: discs right around Mount Rainier. He described them as moving 65 00:04:38,800 --> 00:04:42,560 Speaker 1: like saucers, like if you skip the saucer that got 66 00:04:42,640 --> 00:04:45,560 Speaker 1: kind of picked up and turned into flying saucers, and 67 00:04:45,560 --> 00:04:48,880 Speaker 1: then suddenly things started looking like saucers. Then it was 68 00:04:48,960 --> 00:04:52,240 Speaker 1: less than a month later that the whole Roswell story happened. 69 00:05:00,000 --> 00:05:15,200 Speaker 1: Although Roswell goes underground and isn't this incident in people's 70 00:05:15,200 --> 00:05:19,200 Speaker 1: minds until it resurfaces in the eighties. We'll get back 71 00:05:19,200 --> 00:05:25,640 Speaker 1: to Roswell later. But after that there was this weird 72 00:05:25,760 --> 00:05:29,640 Speaker 1: period where there was a lot of sightings. I think 73 00:05:29,680 --> 00:05:33,359 Speaker 1: a lot of them. Today people would not misidentified as 74 00:05:33,400 --> 00:05:36,800 Speaker 1: the UFOs, But back then people would just weren't looking 75 00:05:36,839 --> 00:05:40,280 Speaker 1: to the skies that much looking for things. I mean, 76 00:05:40,279 --> 00:05:45,719 Speaker 1: there weren't any satellites up, many fewer airplanes. There's actually 77 00:05:45,800 --> 00:05:49,000 Speaker 1: this really interesting story that I heard about how at 78 00:05:49,000 --> 00:05:52,280 Speaker 1: the end of World War Two, one of the Japanese 79 00:05:52,760 --> 00:05:59,119 Speaker 1: generals sent up these incendiary devices in balloons. The idea 80 00:05:59,160 --> 00:06:01,080 Speaker 1: was that these balloons are gonna float over to the 81 00:06:01,200 --> 00:06:05,719 Speaker 1: US and then dropped these devices. That was enough of 82 00:06:05,720 --> 00:06:09,520 Speaker 1: an issue that in the Pacific Northwest people were told, like, 83 00:06:10,000 --> 00:06:13,360 Speaker 1: look up for your own safety, see if there's any 84 00:06:13,360 --> 00:06:16,360 Speaker 1: of these weird balloons up there. So there was this 85 00:06:16,480 --> 00:06:20,080 Speaker 1: rash of sightings in the Pacific Northwest because people were 86 00:06:20,120 --> 00:06:22,560 Speaker 1: looking to the skies for the first time, looking out 87 00:06:22,640 --> 00:06:26,560 Speaker 1: for stuff. And then the other kind of weird thing 88 00:06:26,640 --> 00:06:30,200 Speaker 1: that happens early on, like in the fifties, is that 89 00:06:30,240 --> 00:06:34,120 Speaker 1: there's this group of quote unquote contact Ease, which are 90 00:06:34,160 --> 00:06:37,920 Speaker 1: these men who say they have seen a UFO come 91 00:06:37,960 --> 00:06:42,120 Speaker 1: down and have actually made contact with the aliens who 92 00:06:42,160 --> 00:06:45,120 Speaker 1: come out of the UFO, Like this one guy, George 93 00:06:45,120 --> 00:06:50,599 Speaker 1: Adam Skimate Atomer, Georgia, damns, it's not a soft land. 94 00:06:51,200 --> 00:06:54,120 Speaker 1: He thought it was this guy from Venus who came. 95 00:06:54,520 --> 00:06:57,120 Speaker 1: We met the pilots of a new and the guy's 96 00:06:57,120 --> 00:07:02,520 Speaker 1: got like flowing golden locks, wearing like loose white clothes. 97 00:07:02,720 --> 00:07:11,240 Speaker 1: This is business life. Put seventh to eight under pounds. Yeah, 98 00:07:11,280 --> 00:07:17,440 Speaker 1: like a hand long hair waving, resting on his shoulders, 99 00:07:17,560 --> 00:07:22,080 Speaker 1: very shot by, kind of a half away smile and 100 00:07:22,440 --> 00:07:26,360 Speaker 1: put his hand out shake and he's preaching about how 101 00:07:26,720 --> 00:07:29,240 Speaker 1: people from other planets are watching the Earth and they're 102 00:07:29,280 --> 00:07:31,840 Speaker 1: really worried about atomic weapons and they're worried that we're 103 00:07:31,880 --> 00:07:35,720 Speaker 1: all gonna destroy ourselves. They came down to talk us 104 00:07:35,760 --> 00:07:38,640 Speaker 1: down and preach peace. Then like he's going to be 105 00:07:38,680 --> 00:07:42,040 Speaker 1: the guy who brings it to the world. And there's 106 00:07:42,040 --> 00:07:57,280 Speaker 1: a few people who are like this. I don't know 107 00:07:57,320 --> 00:08:01,000 Speaker 1: how many people actually believe them, other and thinking it 108 00:08:01,120 --> 00:08:11,240 Speaker 1: was an interesting way of getting across a pacifist message. 109 00:08:12,120 --> 00:08:15,200 Speaker 1: One of the interesting things about Betty and Barney Hill 110 00:08:15,920 --> 00:08:19,240 Speaker 1: was that you kind of go from this didn't literally 111 00:08:19,360 --> 00:08:25,400 Speaker 1: happen type of encounters to a story where it does 112 00:08:25,440 --> 00:08:34,319 Speaker 1: seem like it could have happened. Examining the strange case 113 00:08:34,360 --> 00:08:37,640 Speaker 1: of Betty and Barney Hill was the genesis of strange arrivals. 114 00:08:39,000 --> 00:08:40,640 Speaker 1: At the time, I was working at the University of 115 00:08:40,640 --> 00:08:44,079 Speaker 1: New Hampshire and they have the Betty and Barney Hill 116 00:08:44,200 --> 00:08:47,920 Speaker 1: archives there. I thought, you know, I've got this treasure 117 00:08:47,960 --> 00:08:51,320 Speaker 1: trove of materials and that might be an interesting way 118 00:08:51,360 --> 00:08:54,720 Speaker 1: of getting into some of these other ideas, regardless of 119 00:08:54,760 --> 00:08:58,160 Speaker 1: what you believe about the truth or delusion about what 120 00:08:58,240 --> 00:09:02,319 Speaker 1: happened to them that night. As opposed to other alien 121 00:09:02,400 --> 00:09:06,600 Speaker 1: encounter stories that haven't stuck in the culture, this one did, 122 00:09:07,480 --> 00:09:12,640 Speaker 1: and then subsequent generations of alien abduction stories built on it, 123 00:09:13,120 --> 00:09:17,679 Speaker 1: but didn't really change the very, very basic aspect. There's 124 00:09:17,679 --> 00:09:21,120 Speaker 1: just something about that story that would have influence long 125 00:09:21,160 --> 00:09:23,840 Speaker 1: beyond the time that they told it, and even after 126 00:09:23,840 --> 00:09:28,679 Speaker 1: they had both passed. Betty and Barney, who who are 127 00:09:28,679 --> 00:09:32,559 Speaker 1: now on the telephone in Portsmouth, New Hampshire. Hello, What 128 00:09:32,920 --> 00:09:36,800 Speaker 1: have I got on the line? If you have a Hello, Hello, 129 00:09:36,880 --> 00:09:41,360 Speaker 1: that's your buddy and Betty? Are you there? They were 130 00:09:41,440 --> 00:09:45,240 Speaker 1: mixed race couple. Barney was black, Betty was white. They 131 00:09:45,240 --> 00:09:47,880 Speaker 1: live in Portsmouth, New Hampshire. They're very active in the 132 00:09:47,920 --> 00:09:52,520 Speaker 1: civil rights movement in New Hampshire. She was a social 133 00:09:52,520 --> 00:09:57,040 Speaker 1: worker for the state and he worked at the post 134 00:09:57,080 --> 00:10:01,000 Speaker 1: office in South Boston. He was a vet and I 135 00:10:01,080 --> 00:10:03,840 Speaker 1: believe was close enough to a grenade that it blew 136 00:10:03,880 --> 00:10:07,360 Speaker 1: his teeth out, and he had false teeth That comes 137 00:10:07,360 --> 00:10:12,719 Speaker 1: out later in the story. In September of nineteen sixty one, 138 00:10:12,720 --> 00:10:17,280 Speaker 1: they decided to go on a brief vacation. They drive west, 139 00:10:17,800 --> 00:10:21,959 Speaker 1: go to Niagara Falls, cross over to Canada, spend the 140 00:10:22,040 --> 00:10:25,880 Speaker 1: night outside of Toronto. They go to Montreal, and the 141 00:10:25,920 --> 00:10:27,520 Speaker 1: idea was that they were going to spend the night there, 142 00:10:27,559 --> 00:10:33,080 Speaker 1: but they don't. There's different ideas about why this might be. 143 00:10:34,200 --> 00:10:36,760 Speaker 1: There's talk about how they got lost in Montreal and 144 00:10:36,760 --> 00:10:39,360 Speaker 1: they didn't speak French. They were trying to get directions 145 00:10:39,400 --> 00:10:41,920 Speaker 1: and they couldn't understand what people were telling them, and 146 00:10:41,960 --> 00:10:45,400 Speaker 1: they got stressed out and just left. Also, there was 147 00:10:45,440 --> 00:10:48,120 Speaker 1: a tropical storm that was moving up the coast, and 148 00:10:48,200 --> 00:10:51,200 Speaker 1: Portsmouth is right on the ocean, so they may have 149 00:10:51,240 --> 00:10:54,440 Speaker 1: been trying to get home before that hit. They may 150 00:10:54,480 --> 00:10:57,600 Speaker 1: have just run out of money. But regardless of what 151 00:10:57,760 --> 00:11:01,760 Speaker 1: the reason was, they start heading act. They cross over 152 00:11:01,800 --> 00:11:06,400 Speaker 1: from Canada into northern New Hampshire and they stopped to 153 00:11:06,640 --> 00:11:10,119 Speaker 1: have a snack at this diner in this place called Colebrook. 154 00:11:11,000 --> 00:11:13,480 Speaker 1: They eat. As they're leaving, they see it's around ten 155 00:11:13,520 --> 00:11:18,520 Speaker 1: o'clock at night. They start driving south. They get into 156 00:11:18,559 --> 00:11:21,640 Speaker 1: the White Mountains and they see that there's this light 157 00:11:22,320 --> 00:11:26,719 Speaker 1: that seems to be following them. They stop at a 158 00:11:26,840 --> 00:11:29,240 Speaker 1: turn off and they get out and they look at it. 159 00:11:31,160 --> 00:11:33,200 Speaker 1: Barney thinks that maybe it's a plane, but they can't 160 00:11:33,200 --> 00:11:36,800 Speaker 1: hear any noise. They get back in the car, but 161 00:11:36,880 --> 00:11:39,520 Speaker 1: with this sense that something up and the sky is 162 00:11:39,559 --> 00:11:44,720 Speaker 1: following them. They drive through this area called Franconian Notch. 163 00:11:45,640 --> 00:11:49,840 Speaker 1: I've driven through it many times. It's this really beautiful road, 164 00:11:50,800 --> 00:11:53,679 Speaker 1: but on either side or these very steep mountains, so 165 00:11:53,720 --> 00:11:58,680 Speaker 1: it feels fairly claustrophobic. There used to be this tourist 166 00:11:58,760 --> 00:12:02,160 Speaker 1: stop called the Old Man in the Mountain, which was 167 00:12:02,200 --> 00:12:07,120 Speaker 1: this natural cliff face that from a certain angle looked 168 00:12:07,160 --> 00:12:09,720 Speaker 1: like the profile of like some old man. One of 169 00:12:09,800 --> 00:12:14,400 Speaker 1: nature's most inspiring worked is this giant profile of the 170 00:12:14,440 --> 00:12:17,280 Speaker 1: Old Man of the Mountain sculptured out of the granite 171 00:12:17,280 --> 00:12:20,360 Speaker 1: cliff at Franconia knot It's like a symbol of New 172 00:12:20,400 --> 00:12:23,320 Speaker 1: Campshire and it's on all the New Hampshire interstate signs. 173 00:12:23,679 --> 00:12:27,079 Speaker 1: I believe it's on my license plate. In two thousand 174 00:12:27,040 --> 00:12:33,200 Speaker 1: and three, this natural lampform collapsed, so they stopped right 175 00:12:33,240 --> 00:12:34,920 Speaker 1: by the Old Man in the Mountain and they see 176 00:12:34,960 --> 00:12:39,320 Speaker 1: an actual craft and that's the point which you know 177 00:12:40,280 --> 00:12:44,480 Speaker 1: it gets real They get back in the car, start 178 00:12:44,520 --> 00:12:46,880 Speaker 1: heading further south. They kind of get out of Franconian 179 00:12:46,920 --> 00:12:51,160 Speaker 1: Notch into more open area. Over their car, they hear 180 00:12:51,200 --> 00:12:54,959 Speaker 1: this craft. They pull over and the craft goes off 181 00:12:55,000 --> 00:12:59,839 Speaker 1: into this field. Barney gets out and he's got binoculars. 182 00:13:00,040 --> 00:13:01,680 Speaker 1: He looked like the kind of man who would have 183 00:13:01,720 --> 00:13:06,199 Speaker 1: binoculars handy in his car. He's looking up and he 184 00:13:06,360 --> 00:13:09,640 Speaker 1: sees beings inside the craft looking back at him. I 185 00:13:09,640 --> 00:13:10,960 Speaker 1: don't think you want to get it earlier that they 186 00:13:11,000 --> 00:13:14,200 Speaker 1: were pretty human looking with and you have to consider 187 00:13:14,240 --> 00:13:17,880 Speaker 1: that looking at anyone in a window ten stories up 188 00:13:17,880 --> 00:13:20,640 Speaker 1: with a binocular the only thing you can discern is 189 00:13:20,679 --> 00:13:24,000 Speaker 1: that they look human, and nothing we test about it. 190 00:13:24,679 --> 00:13:27,880 Speaker 1: They jump back into the car, take off down the highway. 191 00:13:29,000 --> 00:13:32,120 Speaker 1: They feel these kind of buzzes in the car, very 192 00:13:32,160 --> 00:13:36,000 Speaker 1: subtle vibration, and it was b B B B B B, 193 00:13:37,440 --> 00:13:40,280 Speaker 1: and they realized they're like thirty miles down the road 194 00:13:40,400 --> 00:13:44,559 Speaker 1: with no memory of driving it. They're go into Conquered 195 00:13:44,960 --> 00:13:47,800 Speaker 1: trying to find a cop to tell about what happened, 196 00:13:48,080 --> 00:13:53,240 Speaker 1: get a cup of coffee, don't find either. Drive the 197 00:13:53,280 --> 00:13:56,000 Speaker 1: rest of the way back, arriving at about five in 198 00:13:56,040 --> 00:13:59,680 Speaker 1: the morning, but they were expecting to show up around 199 00:13:59,800 --> 00:14:04,480 Speaker 1: three based on when they've gone through Colebrook. So there's 200 00:14:04,480 --> 00:14:09,480 Speaker 1: a couple of missing hours. And that was that. But 201 00:14:09,559 --> 00:14:12,439 Speaker 1: after a few days at home, Betty began to have 202 00:14:12,720 --> 00:14:18,640 Speaker 1: a recurring series of dreams. Ten nights after this happened, 203 00:14:18,679 --> 00:14:21,320 Speaker 1: I had a series of dreams. Betty had a series 204 00:14:21,360 --> 00:14:25,680 Speaker 1: of dreams for five nights that lasted for about five days. Differently, 205 00:14:27,800 --> 00:14:33,920 Speaker 1: Betty dreams about being abducted, being brought on a UFO, 206 00:14:34,600 --> 00:14:40,320 Speaker 1: and being examined by aliens. They're extremely vivid. She talks 207 00:14:40,400 --> 00:14:45,720 Speaker 1: to a bunch of people about them, including her sister Dreams, 208 00:14:47,680 --> 00:14:51,560 Speaker 1: who's like, wow, maybe those aren't dreams. Maybe you're just 209 00:14:51,640 --> 00:14:57,200 Speaker 1: remembering what happened during those two hours. It still happened that. 210 00:14:57,520 --> 00:15:01,560 Speaker 1: A few years later, Barney was recommended the new doctor. Uh, 211 00:15:01,800 --> 00:15:05,160 Speaker 1: there was distress. I developed an ulcer and that's all 212 00:15:05,200 --> 00:15:09,560 Speaker 1: gone now, Yes, thank god. He was seeing a psychiatrist 213 00:15:09,920 --> 00:15:13,320 Speaker 1: in Exeter and finally just going in talking about his 214 00:15:13,440 --> 00:15:18,000 Speaker 1: early childhood, his wild we're about all that. The psychiatrists 215 00:15:18,280 --> 00:15:26,840 Speaker 1: suggested that he might benefit from some hypnotherapy. There was 216 00:15:26,840 --> 00:15:30,520 Speaker 1: a guy down in Boston named Benjamin Simon, welcome Dr 217 00:15:30,600 --> 00:15:34,480 Speaker 1: Silent to our program. Dr Silon, Yes, good morning. Thank 218 00:15:34,480 --> 00:15:36,440 Speaker 1: you very much for staying up this lad to come 219 00:15:36,680 --> 00:15:41,280 Speaker 1: here with us. It was extremely respected my senses served 220 00:15:41,320 --> 00:15:44,640 Speaker 1: at the top of the field. At the time, I 221 00:15:44,760 --> 00:15:47,400 Speaker 1: was doing a lot of work with soldiers who were 222 00:15:47,440 --> 00:15:50,280 Speaker 1: returning from Korea and probably from World War Two as well, 223 00:15:50,520 --> 00:15:53,560 Speaker 1: with what we would call now PTSD. I think there 224 00:15:53,600 --> 00:15:57,240 Speaker 1: was probably a sense that Barney's war experience, especially being 225 00:15:57,280 --> 00:16:00,880 Speaker 1: that close to death with the grenade incident, was another 226 00:16:01,400 --> 00:16:04,640 Speaker 1: reason to recommend this guy. Benjamin Simon the name of 227 00:16:04,720 --> 00:16:07,520 Speaker 1: Dr Benjamin Simon. He's a psychiatrist in the Boston area, 228 00:16:07,960 --> 00:16:13,160 Speaker 1: and he was called on to interview psychoanalized and hypnotized 229 00:16:13,160 --> 00:16:17,600 Speaker 1: body Hill. They go down to Boston for a series 230 00:16:18,080 --> 00:16:23,960 Speaker 1: of hypnosucessions. It was later sixty three, quite near Christmas time, 231 00:16:24,600 --> 00:16:28,040 Speaker 1: and I kept a point Bunce which my secretary had 232 00:16:28,200 --> 00:16:31,480 Speaker 1: made with Mr Barney Hill, and at first it's just 233 00:16:31,520 --> 00:16:35,480 Speaker 1: gonna be Barney, but Betty gets her own hypno secessions too. 234 00:16:36,600 --> 00:16:41,520 Speaker 1: You have sessions with Dr Simon with that individually, and 235 00:16:42,720 --> 00:16:46,200 Speaker 1: he also gave us amnesia at the end of each 236 00:16:46,280 --> 00:16:50,040 Speaker 1: session so that we could not remember what had happened. 237 00:16:53,600 --> 00:16:57,760 Speaker 1: Under hypnosis, the Hills separately relived the night of their encounter, 238 00:16:58,480 --> 00:17:04,639 Speaker 1: and new details emerged. They tell these stories. They basically 239 00:17:04,680 --> 00:17:09,240 Speaker 1: go like this. After they leave where they see the 240 00:17:09,359 --> 00:17:13,360 Speaker 1: UFO in the field and they're driving off. After they 241 00:17:13,359 --> 00:17:18,119 Speaker 1: hear the first couple of buzzes, Barney, for no particular reason, 242 00:17:18,200 --> 00:17:22,080 Speaker 1: turns off the highway onto a side road. They're driving 243 00:17:22,440 --> 00:17:26,760 Speaker 1: through the woods and they come across some figures in 244 00:17:26,760 --> 00:17:31,480 Speaker 1: the road. They're wondering did somebody's car breakdown or what 245 00:17:34,080 --> 00:17:37,840 Speaker 1: do they think to do it? They stopped and the 246 00:17:37,920 --> 00:17:42,120 Speaker 1: car dies and they can't get it started again. These 247 00:17:42,160 --> 00:17:45,360 Speaker 1: figures split up, go on each side of the car, 248 00:17:45,920 --> 00:17:50,240 Speaker 1: and they take them out of the car. Betty starts 249 00:17:50,240 --> 00:18:01,439 Speaker 1: to freak out, Barney supposedly in a trance like up 250 00:18:03,880 --> 00:18:08,800 Speaker 1: wake up. They both get taken on board this UFO 251 00:18:09,000 --> 00:18:13,600 Speaker 1: that's in the woods. They're brought into separate examination rooms. 252 00:18:14,640 --> 00:18:18,600 Speaker 1: Barney kept his eyes closed and prayed and was just 253 00:18:18,760 --> 00:18:22,080 Speaker 1: scared out of his mind. It didn't close my eyes 254 00:18:22,160 --> 00:18:26,160 Speaker 1: because what I saw was terrifying. Betting, on the other hand, 255 00:18:26,560 --> 00:18:31,679 Speaker 1: is like fully engaged with what's happening. They're taking skin samples. 256 00:18:32,119 --> 00:18:36,119 Speaker 1: They stick a big needle into her abdomen like a 257 00:18:36,160 --> 00:18:42,080 Speaker 1: pregnancy type test. But she starts having a conversation with them, 258 00:18:42,119 --> 00:18:45,200 Speaker 1: and I was very apparent that I was using words 259 00:18:45,520 --> 00:18:49,119 Speaker 1: that were flowering to him. They find that Barney's teeth 260 00:18:49,160 --> 00:18:52,240 Speaker 1: come out and her stone, he said, we're very very puzzled. 261 00:18:53,119 --> 00:18:56,520 Speaker 1: I you see the removable and yours are not. Why 262 00:18:57,880 --> 00:18:59,960 Speaker 1: She's like, well, you know when people get older, they 263 00:19:00,080 --> 00:19:04,040 Speaker 1: lose their teeth and they say, whoa, what's older? And 264 00:19:04,119 --> 00:19:07,159 Speaker 1: she's like old age? He said, what's age? Then he 265 00:19:07,240 --> 00:19:10,200 Speaker 1: said diet? What's die yet? So I'm saying, well, that's 266 00:19:10,240 --> 00:19:13,160 Speaker 1: the food to you. The first food she can think 267 00:19:13,160 --> 00:19:16,760 Speaker 1: of as squash. That twash is yellow and they're like, 268 00:19:16,800 --> 00:19:19,679 Speaker 1: what's yellow? So I look all about it. There's nothing yellow. 269 00:19:20,080 --> 00:19:23,600 Speaker 1: So we didn't get along too well. She's like, where 270 00:19:23,600 --> 00:19:28,600 Speaker 1: are you from? He pulled it out, a map, just 271 00:19:28,840 --> 00:19:32,440 Speaker 1: three D sort of hologram type thing that they pulled 272 00:19:32,520 --> 00:19:37,720 Speaker 1: from a wall. Had I ever seen a map like 273 00:19:37,880 --> 00:19:41,600 Speaker 1: this before? She's like, well, where are you on this map? 274 00:19:42,240 --> 00:19:44,800 Speaker 1: And they say, well, can you identify where your son is? 275 00:19:45,000 --> 00:19:47,600 Speaker 1: And she says no, and they say, well, then it's 276 00:19:47,640 --> 00:19:49,080 Speaker 1: not gonna do you when you get for us to 277 00:19:49,119 --> 00:19:50,760 Speaker 1: point where we are because you don't know where you are, 278 00:19:51,040 --> 00:19:53,639 Speaker 1: and they put it back. They show her a book 279 00:19:53,720 --> 00:19:57,200 Speaker 1: that's got these weird kind of like hieroglyphics on it. 280 00:19:57,400 --> 00:19:59,760 Speaker 1: I got a good look at the outside of the 281 00:19:59,760 --> 00:20:02,080 Speaker 1: boo in a few of the pages. I have no 282 00:20:02,160 --> 00:20:05,000 Speaker 1: idea what the contents were. They actually tell her she 283 00:20:05,040 --> 00:20:07,160 Speaker 1: can keep it and then lay to trick it back 284 00:20:07,560 --> 00:20:09,600 Speaker 1: on the basis that we were not going to need this. 285 00:20:10,840 --> 00:20:14,160 Speaker 1: They get led back out to their car and sent 286 00:20:14,280 --> 00:20:18,320 Speaker 1: on their way. This craft lifted up, it was gone, 287 00:20:20,119 --> 00:20:25,440 Speaker 1: and the aliens basically make them forget what happened. So 288 00:20:25,560 --> 00:20:28,600 Speaker 1: it's not until they undergo hypnosis that the story comes 289 00:20:28,640 --> 00:20:34,720 Speaker 1: back out, other than through Betty's streams to vet testimony 290 00:20:34,800 --> 00:20:38,840 Speaker 1: given under hypnosis. It's important to consider how human memory 291 00:20:38,840 --> 00:20:42,600 Speaker 1: works in the first place. From talking to people who 292 00:20:42,600 --> 00:20:48,200 Speaker 1: are real experts on this, it's complicated, But the way 293 00:20:48,680 --> 00:20:51,959 Speaker 1: you make and recall memories, it's not like you're running 294 00:20:51,960 --> 00:20:56,359 Speaker 1: back a video of what happened. You think about that 295 00:20:56,440 --> 00:20:59,119 Speaker 1: story or run it through in your head. Well, you 296 00:20:59,240 --> 00:21:01,679 Speaker 1: actually remember is the last time you thought about it. 297 00:21:02,359 --> 00:21:08,320 Speaker 1: There's all these associations and contaminants, and any little thing 298 00:21:08,320 --> 00:21:10,480 Speaker 1: that you got wrong the last time has now become 299 00:21:10,520 --> 00:21:14,200 Speaker 1: part of that memory. And I wanted to be initially, 300 00:21:14,359 --> 00:21:16,879 Speaker 1: And there's been all these experiments that show that it's really, 301 00:21:16,920 --> 00:21:21,840 Speaker 1: really easy to influence people's memories even before you get 302 00:21:21,920 --> 00:21:24,639 Speaker 1: to the hypnosis part of it. Now, I'm going to 303 00:21:24,720 --> 00:21:26,760 Speaker 1: tell you something that happened to you when you were 304 00:21:26,840 --> 00:21:30,879 Speaker 1: six years old. And it's not to say that what 305 00:21:30,960 --> 00:21:37,080 Speaker 1: you're saying when you're getting hypnosis is necessarily false, but 306 00:21:37,200 --> 00:21:41,120 Speaker 1: you certainly can't take it as being true. Hello, how 307 00:21:41,119 --> 00:21:43,920 Speaker 1: long have you been asleep? As a matter of fact, 308 00:21:44,200 --> 00:21:49,760 Speaker 1: Simon was convinced that what they were recalling was Betty's dreams. 309 00:21:50,160 --> 00:21:52,480 Speaker 1: The whole structure of the story was that of a dream. 310 00:21:52,520 --> 00:21:56,440 Speaker 1: There many contradicts inconsistent with a perfect right and drink. 311 00:21:56,960 --> 00:21:59,480 Speaker 1: In fact, they're part of the nature drinks and that 312 00:21:59,520 --> 00:22:02,200 Speaker 1: they just act about it enough. The dad had come 313 00:22:02,240 --> 00:22:05,600 Speaker 1: to be associated with that missing period of a couple 314 00:22:05,640 --> 00:22:10,240 Speaker 1: of hours. He points out that she has this very rich, 315 00:22:10,840 --> 00:22:14,679 Speaker 1: detailed story with conversations and things she sees and stuff 316 00:22:14,720 --> 00:22:17,719 Speaker 1: she does. Barney, who didn't have those dreams, which has 317 00:22:17,760 --> 00:22:20,880 Speaker 1: heard them his stories. Basically, I had my freaking eyes 318 00:22:20,920 --> 00:22:24,720 Speaker 1: closed the whole time. So even Simon at the time, 319 00:22:24,760 --> 00:22:28,320 Speaker 1: who was sort of eliciting these quote unquote memories, didn't 320 00:22:28,359 --> 00:22:31,840 Speaker 1: think that they were literally true the way it was 321 00:22:31,880 --> 00:22:35,119 Speaker 1: put to me by this woman, Elizabeth Loftus, who is 322 00:22:35,480 --> 00:22:37,719 Speaker 1: I think, sort of the foremost expert on that stuff. 323 00:22:38,520 --> 00:22:41,080 Speaker 1: Hypnosis is really good if you want to quit smoking 324 00:22:41,160 --> 00:22:43,840 Speaker 1: or lose weight, but if you're trying to remember something 325 00:22:43,880 --> 00:22:46,840 Speaker 1: that happened ten years ago, it's not really all that useful. 326 00:22:50,520 --> 00:22:55,919 Speaker 1: In October of Betty and Barney Hill suddenly became household names. 327 00:22:57,480 --> 00:23:01,040 Speaker 1: This reporter John Latrelle for a now the funk newspaper 328 00:23:01,080 --> 00:23:06,920 Speaker 1: called The Boston Traveler rights a multipart newspaper series about 329 00:23:06,960 --> 00:23:11,640 Speaker 1: this whole encounter, and then it's out there. They become 330 00:23:12,160 --> 00:23:16,040 Speaker 1: the first well known UFO abduction in their minor celebrities. 331 00:23:16,240 --> 00:23:19,000 Speaker 1: I think everyone can read about Betty and Bunny Hill. 332 00:23:19,680 --> 00:23:22,520 Speaker 1: I know you COVID story time and private him and 333 00:23:22,600 --> 00:23:25,879 Speaker 1: COVID fascinating me. I'm Lokilla and your ham spy. We 334 00:23:25,960 --> 00:23:28,120 Speaker 1: go to this Bary Best Side. We're talking with Betty 335 00:23:28,200 --> 00:23:31,280 Speaker 1: Hill from our home in Portsmouth, Williams. Here we're talking 336 00:23:31,320 --> 00:23:36,080 Speaker 1: with Betty Hill, famous and first abductee. They're on the 337 00:23:36,200 --> 00:23:39,879 Speaker 1: radio all the time. My name is Bunnie Hill. Barney 338 00:23:39,960 --> 00:23:44,640 Speaker 1: was on one of those game shows where he's got 339 00:23:44,640 --> 00:23:48,200 Speaker 1: three people pretending to be Barney Hill including him. Well, 340 00:23:48,280 --> 00:23:55,160 Speaker 1: AREO Barney Hill, PA. And they're kind of the face 341 00:23:55,200 --> 00:24:09,120 Speaker 1: of UFO abductions, of thinking people can get there. One 342 00:24:09,119 --> 00:24:12,600 Speaker 1: piece of the abduction story would still surface later, the 343 00:24:12,640 --> 00:24:15,240 Speaker 1: map that Betty said she was shown on board the 344 00:24:15,280 --> 00:24:21,679 Speaker 1: alien craft. At some point later, Betty sat down with 345 00:24:21,800 --> 00:24:23,520 Speaker 1: just a piece of eight and a half by eleven 346 00:24:23,560 --> 00:24:28,240 Speaker 1: paper and drew what she remembered, just the stars. You 347 00:24:28,240 --> 00:24:30,840 Speaker 1: can remember. There were more stars. Some of them are 348 00:24:30,920 --> 00:24:32,560 Speaker 1: dots and some of them are circles, and then she 349 00:24:32,640 --> 00:24:35,479 Speaker 1: draws lines between some of them and some of them 350 00:24:35,520 --> 00:24:39,760 Speaker 1: have multiple lines. So this is her star map. And 351 00:24:39,840 --> 00:24:43,960 Speaker 1: she says this is what she saw. And then this 352 00:24:44,000 --> 00:24:49,440 Speaker 1: woman named Marjorie Fish, who was a public school teacher 353 00:24:49,480 --> 00:24:53,879 Speaker 1: in Ohio, sees this map and thinks, I'm going to 354 00:24:54,040 --> 00:24:58,440 Speaker 1: figure out where in the galaxy this map is portraying 355 00:25:00,080 --> 00:25:04,080 Speaker 1: highly intriguing to say the leaf. She gets the most 356 00:25:04,160 --> 00:25:07,920 Speaker 1: recent manual of what we know about the stars right now, 357 00:25:07,960 --> 00:25:13,840 Speaker 1: and in the process going through the parallax catalog, and 358 00:25:13,920 --> 00:25:17,920 Speaker 1: she turns her living room into this three D star model. 359 00:25:18,280 --> 00:25:20,480 Speaker 1: The mottel could be built and check inside of a lead. 360 00:25:21,160 --> 00:25:23,960 Speaker 1: She puts black felt all around everything so there's no 361 00:25:24,119 --> 00:25:27,880 Speaker 1: light coming in, and she's hanging these beads from her 362 00:25:27,920 --> 00:25:32,879 Speaker 1: ceiling doing all these really precise measurements going out early 363 00:25:33,000 --> 00:25:38,040 Speaker 1: starts in the parallax of point view four nine two 364 00:25:38,200 --> 00:25:42,359 Speaker 1: point view three oh to create areas of the galaxy 365 00:25:42,800 --> 00:25:46,719 Speaker 1: in her living room. This would take all the stars 366 00:25:46,840 --> 00:25:50,560 Speaker 1: from sixty light years out to a hundred light years. 367 00:25:51,080 --> 00:25:54,520 Speaker 1: And then she takes pictures of these beads from these 368 00:25:54,560 --> 00:25:57,800 Speaker 1: different positions, and what she's trying to do is to 369 00:25:57,880 --> 00:26:00,240 Speaker 1: get a picture that she can then match up with 370 00:26:00,800 --> 00:26:05,439 Speaker 1: Betty's map. It's incredibly painstaking work, and I think she 371 00:26:05,480 --> 00:26:08,200 Speaker 1: did several different models which I've worked out a method 372 00:26:08,960 --> 00:26:11,680 Speaker 1: to be filed and egan were easier than the christ time. 373 00:26:12,440 --> 00:26:15,000 Speaker 1: But regardless, she has a hard time of finding a match. 374 00:26:16,000 --> 00:26:19,240 Speaker 1: And then the new star Atlas comes out with a 375 00:26:19,280 --> 00:26:22,480 Speaker 1: couple of new stars. I couldn't class her offence. The 376 00:26:22,520 --> 00:26:28,639 Speaker 1: next day empty catalog and she drops those in and 377 00:26:28,840 --> 00:26:34,600 Speaker 1: suddenly she finds a match. The main dot on the map, 378 00:26:35,000 --> 00:26:37,760 Speaker 1: which is where the Ailiens she assumes her coming from, 379 00:26:37,800 --> 00:26:43,480 Speaker 1: is a place called Sata Reticuli. It's a binary star system. 380 00:26:43,520 --> 00:26:46,399 Speaker 1: One of the things that she and others found compelling 381 00:26:47,119 --> 00:26:51,240 Speaker 1: was that they couldn't find a match until two stars 382 00:26:51,240 --> 00:26:56,159 Speaker 1: that were not known of ine are discovered. There was 383 00:26:56,240 --> 00:26:58,320 Speaker 1: no way that Betty could have seen another map and 384 00:26:58,400 --> 00:27:02,280 Speaker 1: drawn this star map on the paper, and she had 385 00:27:02,280 --> 00:27:05,119 Speaker 1: to acknowledge that that humans didn't have at the time. 386 00:27:06,480 --> 00:27:09,440 Speaker 1: The guy who's the editor for Astronomy Magazine, which is 387 00:27:09,480 --> 00:27:13,000 Speaker 1: fairly new at the time, rights this very credulous article 388 00:27:13,280 --> 00:27:16,320 Speaker 1: like this is really weird. If they drew this map 389 00:27:16,400 --> 00:27:20,119 Speaker 1: and as Zeta Articuli, maybe they did get visited by UFOs. 390 00:27:21,840 --> 00:27:25,280 Speaker 1: And it gets all this blowback that everywhere in the 391 00:27:25,280 --> 00:27:28,119 Speaker 1: field wanted to know where they came from. There's this 392 00:27:28,200 --> 00:27:31,720 Speaker 1: big debate about how seriously you can take it. Carl 393 00:27:31,800 --> 00:27:35,800 Speaker 1: Sagan gets involved, why would anybody take this seriously? And 394 00:27:35,840 --> 00:27:40,119 Speaker 1: they eventually put out a special edition of Astronomy Magazine 395 00:27:40,560 --> 00:27:44,000 Speaker 1: about the star map. Carl Sagan sues them and they 396 00:27:44,000 --> 00:27:46,119 Speaker 1: had to pull it off the shelf, and there's this 397 00:27:46,160 --> 00:27:50,080 Speaker 1: whole second life to that as well. The coda on 398 00:27:50,119 --> 00:27:52,480 Speaker 1: all this is that as time went on, we got 399 00:27:52,680 --> 00:27:56,600 Speaker 1: much more precise readings on where stars were. And before 400 00:27:56,640 --> 00:28:01,560 Speaker 1: she passed away, Marjorie Fish realized at her star maps 401 00:28:01,560 --> 00:28:05,240 Speaker 1: had just been off. The identification of Stata articular I 402 00:28:05,359 --> 00:28:09,119 Speaker 1: was no longer accurate, which I think just shows like 403 00:28:09,160 --> 00:28:12,800 Speaker 1: how honest her effort was. This is all that I 404 00:28:12,880 --> 00:28:20,760 Speaker 1: have at this time, So sincerely, Marjorie Fish. Regardless of 405 00:28:20,800 --> 00:28:24,840 Speaker 1: the validity of Marjorie's attempt, she helped cement the Hills 406 00:28:24,880 --> 00:28:28,879 Speaker 1: place in history. In addition to doing this star maps stuff, 407 00:28:29,160 --> 00:28:34,840 Speaker 1: Marjorie Fish worked with Betty to create a sculpture of 408 00:28:35,200 --> 00:28:38,240 Speaker 1: the head and shoulders of an alien. This is Jor. 409 00:28:38,560 --> 00:28:41,360 Speaker 1: Betty gave it the name Jr. Yeah, this is a 410 00:28:41,440 --> 00:28:47,720 Speaker 1: cast composite. There's as much different among them between any 411 00:28:47,720 --> 00:28:50,960 Speaker 1: group of peace. If I say, get a mental image 412 00:28:51,000 --> 00:28:52,960 Speaker 1: of an alien, you're going to come up with like 413 00:28:53,000 --> 00:28:55,600 Speaker 1: a little gray guy with big eyes, almost no nose, 414 00:28:55,640 --> 00:28:58,160 Speaker 1: and like a slit mouth. And that really starts at 415 00:28:58,200 --> 00:29:01,800 Speaker 1: the Hills. This basic he shows a characteristic so loade 416 00:29:01,840 --> 00:29:06,200 Speaker 1: your eyes, nose, mouth, no retruding pot. No I am. 417 00:29:06,800 --> 00:29:09,440 Speaker 1: If you take a look at Junior He's sort of 418 00:29:09,560 --> 00:29:14,200 Speaker 1: like midway point between a person and the really stylized dailiens. 419 00:29:14,240 --> 00:29:18,440 Speaker 1: You see now, Junia has been evaluated by I don't 420 00:29:18,440 --> 00:29:22,440 Speaker 1: know how many physical anthropologists, but what he looks like now, 421 00:29:23,200 --> 00:29:26,760 Speaker 1: if we continue allowing the path of evolution, this is 422 00:29:26,800 --> 00:29:34,560 Speaker 1: what we're going to look like in years. Other hallmarks 423 00:29:34,560 --> 00:29:37,560 Speaker 1: of uf abduction lore also stem from the Hills encounter. 424 00:29:37,600 --> 00:29:42,640 Speaker 1: In this whole idea that you get brought up or 425 00:29:42,800 --> 00:29:47,520 Speaker 1: brought into the spaceship and they do medical exams on you, 426 00:29:48,280 --> 00:29:52,120 Speaker 1: their interests in reproduction, the fact that they wipe your 427 00:29:52,160 --> 00:29:58,520 Speaker 1: memories clean. All that stuff starts at the Hills. And 428 00:29:58,600 --> 00:30:01,560 Speaker 1: though Betty and Barney's account became the template for an 429 00:30:01,560 --> 00:30:06,840 Speaker 1: alien abduction narrative, future cases would continue to expand the cannon. 430 00:30:20,240 --> 00:30:23,360 Speaker 1: The second season of Strange Arrivals builds on the premise 431 00:30:23,720 --> 00:30:27,440 Speaker 1: that the discourse around UFOs is a kind of modern folklore. 432 00:30:28,320 --> 00:30:34,240 Speaker 1: M folklore isn't like a pejorative. It's just saying there's 433 00:30:34,320 --> 00:30:40,760 Speaker 1: not an official accepted story, and there's a different way 434 00:30:40,800 --> 00:30:44,080 Speaker 1: that you're getting this information. Then you have to have 435 00:30:44,320 --> 00:30:47,880 Speaker 1: competing stories about what it actually was. The other forces 436 00:30:47,960 --> 00:30:49,760 Speaker 1: been in us to getting Team is looking into the 437 00:30:49,840 --> 00:30:53,280 Speaker 1: ruse of UFO rewards of the taken place in southeastern Music. 438 00:30:54,280 --> 00:30:57,080 Speaker 1: Most of the reports that we've gotten with UFOs like 439 00:30:57,120 --> 00:31:00,360 Speaker 1: official government things. One was in the early fifty one 440 00:31:00,440 --> 00:31:02,880 Speaker 1: was in the late sixties. They were both around Project 441 00:31:02,960 --> 00:31:06,640 Speaker 1: Blue Book, and both of them were very dismissive of 442 00:31:06,760 --> 00:31:17,920 Speaker 1: UFOs talking. But it seemed so slanted and so unwilling 443 00:31:18,000 --> 00:31:22,480 Speaker 1: to confront things that they maybe couldn't have explained that 444 00:31:22,560 --> 00:31:26,280 Speaker 1: they weren't taken very seriously. This does not give a 445 00:31:26,320 --> 00:31:31,080 Speaker 1: blanket interpretation or a blanket solution to the entire us 446 00:31:31,160 --> 00:31:37,200 Speaker 1: Old phenomenon. In this gap where there's no official, sanctioned understanding, 447 00:31:37,560 --> 00:31:42,560 Speaker 1: there's the opportunity for all these stories to proliferate. Roswell 448 00:31:42,920 --> 00:31:51,560 Speaker 1: is the clearest example of that. It's not the main 449 00:31:51,600 --> 00:31:54,480 Speaker 1: focus of the podcast, but I think most people are 450 00:31:54,560 --> 00:31:57,160 Speaker 1: aware of sort of the general story, which is that 451 00:31:57,280 --> 00:32:00,240 Speaker 1: debris was found on this guy's ranch near as Well, 452 00:32:00,280 --> 00:32:11,640 Speaker 1: New Mexico. There was an initial newspaper report that a 453 00:32:11,800 --> 00:32:15,320 Speaker 1: crash disc had been found to discovery on the ground 454 00:32:15,360 --> 00:32:18,840 Speaker 1: of a number of objects resembling the start thought the 455 00:32:18,920 --> 00:32:22,440 Speaker 1: picture of the debris that was running the paper. It's 456 00:32:22,480 --> 00:32:25,400 Speaker 1: like wood and tape and foil, and it seems pretty 457 00:32:25,400 --> 00:32:33,760 Speaker 1: clearly that it has a human origin. The story that 458 00:32:33,840 --> 00:32:37,080 Speaker 1: came back, which is probably correct, is that it was 459 00:32:37,240 --> 00:32:39,800 Speaker 1: a train of weather balloons that were part of this 460 00:32:39,920 --> 00:32:43,520 Speaker 1: secret project called Project Mogul. One object found on the 461 00:32:43,600 --> 00:32:46,240 Speaker 1: ranch near Roswell, New Mexico, turned out to be a 462 00:32:46,280 --> 00:32:51,160 Speaker 1: battered army weather below. So that was kind of where 463 00:32:51,160 --> 00:32:57,840 Speaker 1: things stood until when a book was published the Roswell Institute, 464 00:32:58,680 --> 00:33:01,400 Speaker 1: it made this case that that was actually just a 465 00:33:01,440 --> 00:33:05,280 Speaker 1: cover story. A cover up was designed so that they 466 00:33:05,360 --> 00:33:09,000 Speaker 1: could say it was a Mulgul balloon or some kind 467 00:33:09,040 --> 00:33:12,520 Speaker 1: of balloon. It was an actual flying saucer. It was 468 00:33:12,560 --> 00:33:16,880 Speaker 1: not anything from this that I'm quite sure of. Alien 469 00:33:17,120 --> 00:33:22,480 Speaker 1: bodies were found. Is it true that bodies of aliens 470 00:33:22,520 --> 00:33:26,440 Speaker 1: have been taken to right Field and an actual live 471 00:33:26,520 --> 00:33:30,920 Speaker 1: alien was recovered and brought to Air Force Base? Well, 472 00:33:30,960 --> 00:33:34,720 Speaker 1: I guess we'll have to order in so something. You've 473 00:33:34,720 --> 00:33:39,040 Speaker 1: got this new story, it conflicts with the old story, 474 00:33:39,280 --> 00:33:42,160 Speaker 1: and then it just starts to balloon out of control. 475 00:33:44,520 --> 00:33:47,200 Speaker 1: There's all these different strings that come from this narrative. 476 00:33:48,280 --> 00:33:51,480 Speaker 1: One of the ones that we follow is that five 477 00:33:51,560 --> 00:33:54,760 Speaker 1: or six years after the crash, the aliens and another 478 00:33:54,760 --> 00:33:58,280 Speaker 1: ship to come and pick up the living, actual terrestrial 479 00:33:58,920 --> 00:34:04,040 Speaker 1: than At that point, there's a treaty signed with President Eisenhower. 480 00:34:04,920 --> 00:34:08,839 Speaker 1: Tonight is science in National Security. And then we send 481 00:34:08,840 --> 00:34:11,920 Speaker 1: a group of astronauts to their planet and we take 482 00:34:12,000 --> 00:34:15,400 Speaker 1: some aliens onto our planet for the server to exchange program. 483 00:34:15,800 --> 00:34:19,600 Speaker 1: It's called Projects Surpo, Rotary scholarships, and then studying the 484 00:34:19,719 --> 00:34:24,480 Speaker 1: must degree in sociology. So that's one example, but that's 485 00:34:24,480 --> 00:34:28,520 Speaker 1: how the folklore works. Throughout these stories, some of them 486 00:34:28,560 --> 00:34:32,120 Speaker 1: go by the wayside, some of them get incorporated and 487 00:34:32,160 --> 00:34:38,920 Speaker 1: the story evolves. Full time professional paranormal investigator and skeptic 488 00:34:39,120 --> 00:34:43,400 Speaker 1: Joe Nichol has theorized a rubric for developing UFO folklore. 489 00:34:44,440 --> 00:34:47,560 Speaker 1: He calls it the Roswellian syndrome, and it's a five 490 00:34:47,600 --> 00:34:57,320 Speaker 1: step process. The first step is a UFO encounter happens 491 00:34:57,440 --> 00:35:01,040 Speaker 1: or UFO study happens. The second step is it's very 492 00:35:01,080 --> 00:35:07,480 Speaker 1: quickly debunked. The third step is it goes underground. It 493 00:35:07,520 --> 00:35:11,560 Speaker 1: doesn't disappear, although it kind of disappears from the public eye, 494 00:35:12,480 --> 00:35:18,240 Speaker 1: and then undergoes these kind of myth making processes. People's 495 00:35:18,280 --> 00:35:23,200 Speaker 1: memories change, things get mixed up with other stories, becomes 496 00:35:23,239 --> 00:35:26,839 Speaker 1: contextualized with other stuff that's happened, and then sometimes it's 497 00:35:26,840 --> 00:35:30,880 Speaker 1: just flat out hoaxing. And then the final stage, the 498 00:35:30,880 --> 00:35:35,719 Speaker 1: fifth stage, it re emerges into the public consciousness in 499 00:35:35,800 --> 00:35:41,439 Speaker 1: this new form that's really armored against the skeptical explanations 500 00:35:41,480 --> 00:35:47,440 Speaker 1: that originally attached to it. The lists four or five 501 00:35:47,560 --> 00:35:51,360 Speaker 1: different well known examples of this happening, and one of 502 00:35:51,360 --> 00:35:54,319 Speaker 1: them is Rentals from Forest Incident, which is the one 503 00:35:54,560 --> 00:35:56,920 Speaker 1: that we focus at at the beginning of season two 504 00:35:56,920 --> 00:36:03,000 Speaker 1: of Strange Rivals. Ryndels from Forests in between these two 505 00:36:03,320 --> 00:36:07,440 Speaker 1: Royal Air Force spaces in the East coast of England, 506 00:36:07,520 --> 00:36:10,640 Speaker 1: right off the shore of the North Sea, and when 507 00:36:10,640 --> 00:36:15,719 Speaker 1: you hear the story of it seems really compelling. It 508 00:36:15,800 --> 00:36:19,640 Speaker 1: takes place over three days. It starts Christmas night of 509 00:36:21,520 --> 00:36:24,600 Speaker 1: this couple of US Air Force airmen. Jim Peniston, my 510 00:36:24,719 --> 00:36:27,800 Speaker 1: name is Jim Peniston, the United States Air Force, retired 511 00:36:27,920 --> 00:36:30,960 Speaker 1: in John Burrows, my name is John Burrows, retired United 512 00:36:31,000 --> 00:36:34,440 Speaker 1: States Air Force. See a light come down from the sky. 513 00:36:34,760 --> 00:36:39,640 Speaker 1: You could see glowing multicolored lights over the canopy of 514 00:36:39,680 --> 00:36:43,879 Speaker 1: the forest. They call for some help to go and investigate, 515 00:36:44,360 --> 00:36:45,799 Speaker 1: and they said you need to go up to the 516 00:36:45,800 --> 00:36:49,960 Speaker 1: east gate. Immediately they approach it, get right up to 517 00:36:50,040 --> 00:36:52,279 Speaker 1: where the light source they think is. We get to 518 00:36:52,320 --> 00:36:54,960 Speaker 1: the forest edge and I'm seeing mainly a white light 519 00:36:55,080 --> 00:36:57,840 Speaker 1: coming up from behind the trees, and they ducked behind 520 00:36:57,880 --> 00:37:00,279 Speaker 1: a berm because it seems to be getting writer and 521 00:37:00,320 --> 00:37:02,319 Speaker 1: they don't know what's going to happen. As we came 522 00:37:02,400 --> 00:37:04,319 Speaker 1: up on the top of the berm, we all hit 523 00:37:04,360 --> 00:37:07,960 Speaker 1: the ground. John Burrows says that starts to recede and 524 00:37:07,960 --> 00:37:11,719 Speaker 1: they try and chase it, but they can't catch it. 525 00:37:11,840 --> 00:37:16,319 Speaker 1: Jim Peniston has a much longer detailed story, which is 526 00:37:16,360 --> 00:37:22,160 Speaker 1: at Burrows gets frozen in suspended animation, motionless, just standing 527 00:37:22,239 --> 00:37:27,719 Speaker 1: there looking. Peniston himself goes up over this berm and 528 00:37:27,800 --> 00:37:32,680 Speaker 1: he sees this small triangular craft. The white light disappeared 529 00:37:32,680 --> 00:37:34,560 Speaker 1: completely and the only thing I could see was this 530 00:37:34,760 --> 00:37:40,120 Speaker 1: black craft sitting just above the forest floor. Goes up 531 00:37:40,360 --> 00:37:42,480 Speaker 1: and he like tries to push it. They tried to 532 00:37:42,560 --> 00:37:45,359 Speaker 1: move it with my hands. Didn't look the budge at all, 533 00:37:45,520 --> 00:37:49,600 Speaker 1: just stayed fixed. He's kind of walking around it. Paste 534 00:37:49,640 --> 00:37:53,960 Speaker 1: it off at nine ft and there's these weird hieroglyphics 535 00:37:54,000 --> 00:37:59,160 Speaker 1: writing and period looked like Egyptian type gliss. They seem 536 00:37:59,239 --> 00:38:01,880 Speaker 1: like they were at stin to the side of the craft. 537 00:38:02,800 --> 00:38:06,440 Speaker 1: There's this one very prominent hieroglyphic, the circular one with 538 00:38:06,560 --> 00:38:10,120 Speaker 1: a triangle that he touches. I don't know how long 539 00:38:10,160 --> 00:38:14,600 Speaker 1: I had my hand on that symbol, maybe five seconds. 540 00:38:15,200 --> 00:38:17,480 Speaker 1: And then he gets like this blast of white light, 541 00:38:19,200 --> 00:38:22,160 Speaker 1: and in the wilight I can see like ones in 542 00:38:22,320 --> 00:38:26,920 Speaker 1: zerials one serials, cereals er one one, one server one. 543 00:38:27,480 --> 00:38:29,360 Speaker 1: All I did was just take my hand off it, 544 00:38:30,040 --> 00:38:34,800 Speaker 1: and I started gaining my senses. The thing then takes 545 00:38:34,840 --> 00:38:38,960 Speaker 1: off Ian burrows chase that they can't catch it. They 546 00:38:39,000 --> 00:38:41,040 Speaker 1: go back to base. There are some people waiting for 547 00:38:41,560 --> 00:38:44,120 Speaker 1: they reported. They get questioned because I don't know what 548 00:38:44,200 --> 00:38:46,840 Speaker 1: to say at the time. There's certain things that you 549 00:38:46,840 --> 00:38:49,120 Speaker 1: would never say in the Air Force. Are you're going 550 00:38:49,160 --> 00:38:51,880 Speaker 1: to be an end of your career? One of those 551 00:38:52,040 --> 00:38:55,799 Speaker 1: terms is UFO. You don't use that. So I called 552 00:38:55,800 --> 00:39:00,759 Speaker 1: it the craft unknown Origin. This thing goes back home. 553 00:39:00,800 --> 00:39:03,440 Speaker 1: He has a hard time sleeping. He's got all these 554 00:39:03,520 --> 00:39:05,920 Speaker 1: numbers going through his head. Like close my eyes and 555 00:39:06,160 --> 00:39:09,400 Speaker 1: mind's eye, I could see nothing about these ones and zeros. 556 00:39:10,120 --> 00:39:13,000 Speaker 1: So he takes out a notebook. I sit down on 557 00:39:13,040 --> 00:39:15,759 Speaker 1: my dining room table, flips open to the back of 558 00:39:15,760 --> 00:39:18,279 Speaker 1: the notebook when that's the only paper I had. It 559 00:39:18,280 --> 00:39:22,200 Speaker 1: starts writing ones and zeros one erless one one one. 560 00:39:23,480 --> 00:39:27,400 Speaker 1: Writes page after page of ones and zeros to the 561 00:39:27,440 --> 00:39:30,120 Speaker 1: sixteenth page, and they were gone. I couldn't see him. 562 00:39:30,120 --> 00:39:33,560 Speaker 1: The war gets to have his head, goes to sleep. 563 00:39:34,000 --> 00:39:39,960 Speaker 1: It feels better. Second night, there's this really brief encounter 564 00:39:40,080 --> 00:39:42,560 Speaker 1: that people don't know a whole lot about what happened. 565 00:39:43,920 --> 00:39:46,160 Speaker 1: There was on the second line. He disappeared the base 566 00:39:46,200 --> 00:39:48,759 Speaker 1: and immediately but he does not want any of all 567 00:39:48,840 --> 00:39:52,680 Speaker 1: when they scared. You know what, I don't know. The 568 00:39:52,800 --> 00:39:58,600 Speaker 1: third night, there is a party on base. During that 569 00:39:58,680 --> 00:40:03,200 Speaker 1: party of more junior airmen comes in and tells Chuck Halt, 570 00:40:03,200 --> 00:40:07,000 Speaker 1: who's a colonel, who's the deputy base commander. These UFOs 571 00:40:07,040 --> 00:40:12,160 Speaker 1: are back. So Halt pulls together this team of people 572 00:40:12,200 --> 00:40:15,160 Speaker 1: to go out and investigate in the forest, and we'll 573 00:40:15,239 --> 00:40:17,799 Speaker 1: go ahead and see what this is all about. One 574 00:40:17,800 --> 00:40:20,239 Speaker 1: thing to keep in mind is that these are American 575 00:40:20,480 --> 00:40:24,600 Speaker 1: servicemen tromping around in the woods in British territory, which 576 00:40:24,600 --> 00:40:29,480 Speaker 1: they're not supposed to do, but regardless, they go to 577 00:40:29,520 --> 00:40:34,560 Speaker 1: where the original landing site was supposed to be made, 578 00:40:34,719 --> 00:40:38,040 Speaker 1: capta park. While we were there were trying to figure 579 00:40:38,040 --> 00:40:41,320 Speaker 1: I want to do. I saw a small going orange 580 00:40:41,440 --> 00:40:44,960 Speaker 1: object directly out of the force. Chuck Hold fits on 581 00:40:45,040 --> 00:40:52,920 Speaker 1: knife vision goggles, gets his pupils blasted by this lightrope. 582 00:40:55,040 --> 00:41:01,000 Speaker 1: It keeps disappearing and reappearing to the right, the right, strange. 583 00:41:02,440 --> 00:41:04,520 Speaker 1: They start to chase it to try and find it. 584 00:41:07,400 --> 00:41:11,239 Speaker 1: Lights to still carefully come on. They get out of 585 00:41:11,239 --> 00:41:13,680 Speaker 1: the woods. They see all these lights on the horizon 586 00:41:14,440 --> 00:41:17,160 Speaker 1: pre objects to the north of the sky, multi killer 587 00:41:17,280 --> 00:41:23,359 Speaker 1: objects moving together in synchronization. Really is far. At one 588 00:41:23,360 --> 00:41:28,279 Speaker 1: point there's a beam of flight that comes down to 589 00:41:28,320 --> 00:41:31,200 Speaker 1: the ground. So this takes place over the course of 590 00:41:31,239 --> 00:41:34,400 Speaker 1: two or three hours. Nobody seemed to get excited. The 591 00:41:34,440 --> 00:41:37,440 Speaker 1: command post didn't seem to care too much, so finally 592 00:41:37,480 --> 00:41:40,600 Speaker 1: we were backed it in and went home. Chuck Hole 593 00:41:40,840 --> 00:41:44,640 Speaker 1: reports it and his superior is like, uh, not too 594 00:41:44,640 --> 00:41:47,279 Speaker 1: sure what to do about this. Once you write a 595 00:41:47,280 --> 00:41:49,960 Speaker 1: memo and give it to the British guy who's serving 596 00:41:50,080 --> 00:41:52,640 Speaker 1: charge of the base. So I wrote the anthrom this 597 00:41:52,760 --> 00:41:55,920 Speaker 1: memo by home. I got, there's the end of my career. 598 00:41:56,640 --> 00:41:58,399 Speaker 1: The British guys in charge of the base is away 599 00:41:58,440 --> 00:42:01,759 Speaker 1: on vacation, so Halt waits until the guy gets back 600 00:42:01,920 --> 00:42:05,600 Speaker 1: and gives them this memo given a brief summary of 601 00:42:05,640 --> 00:42:08,760 Speaker 1: what had happened. I was never supposed to go anywhere. 602 00:42:08,880 --> 00:42:11,000 Speaker 1: Was supposed to be indocument for him to read it 603 00:42:11,040 --> 00:42:15,520 Speaker 1: and talk from. And the British based commander thought that 604 00:42:15,560 --> 00:42:18,120 Speaker 1: maybe it was some kind of joke. I couldn't figure 605 00:42:18,120 --> 00:42:20,239 Speaker 1: out what to do with it either. We waited and 606 00:42:20,280 --> 00:42:25,279 Speaker 1: waited and waited, and nothing happened. There wasn't really this 607 00:42:25,320 --> 00:42:29,320 Speaker 1: big investigation. It was just they didn't really know what happened, 608 00:42:29,320 --> 00:42:32,120 Speaker 1: and they weren't really all that interested. I was relieved 609 00:42:32,160 --> 00:42:34,880 Speaker 1: to be very honest with you, and that was I 610 00:42:34,880 --> 00:42:39,080 Speaker 1: thought at the end of it. But later the Halt 611 00:42:39,160 --> 00:42:42,319 Speaker 1: memo and the story in general got leaked to the 612 00:42:42,320 --> 00:42:45,520 Speaker 1: British tabloids and it suddenly becomes a sensation in England. 613 00:42:45,680 --> 00:42:56,960 Speaker 1: Great Britain's most incredible UFO encounter, Britain's roswell. And that 614 00:42:57,120 --> 00:43:00,239 Speaker 1: was when skeptical investigators went and took a look. Get 615 00:43:00,320 --> 00:43:03,200 Speaker 1: it and came up with a series of events that 616 00:43:03,280 --> 00:43:07,400 Speaker 1: seems to explain everything that happened. The sighting on the 617 00:43:07,440 --> 00:43:10,680 Speaker 1: first night began with a much brighter than normal shooting star, 618 00:43:11,400 --> 00:43:14,200 Speaker 1: which seemed to descend into the trees as it dropped 619 00:43:14,200 --> 00:43:18,080 Speaker 1: in the sky. The light that Peniston and Burrows saw 620 00:43:18,080 --> 00:43:21,880 Speaker 1: in the woods was actually from the Orfardness Lighthouse several 621 00:43:21,920 --> 00:43:26,040 Speaker 1: miles off at the North Sea coast. The final component 622 00:43:26,080 --> 00:43:28,480 Speaker 1: of the sighting that night was the blue lights in 623 00:43:28,480 --> 00:43:31,439 Speaker 1: the forest that were actually from a local police car. 624 00:43:33,120 --> 00:43:35,279 Speaker 1: On the night that Colonel Halt led his group into 625 00:43:35,320 --> 00:43:39,080 Speaker 1: the forest, they again saw the lighthouse, and this time 626 00:43:39,120 --> 00:43:43,040 Speaker 1: they also looked at it through night vision goggles. Later, 627 00:43:43,440 --> 00:43:46,080 Speaker 1: when they were in the field, they mistook stars on 628 00:43:46,120 --> 00:43:51,200 Speaker 1: the horizon for craft in the air. At that point, 629 00:43:51,680 --> 00:43:55,840 Speaker 1: you have that same situation where there's two stories. You 630 00:43:55,920 --> 00:43:59,239 Speaker 1: have this really compelling version of the story with Air 631 00:43:59,280 --> 00:44:02,399 Speaker 1: Force per Sinnell seeing these UFOs and they all saw 632 00:44:02,440 --> 00:44:05,480 Speaker 1: them at the same time, so multiple witnesses and they're 633 00:44:05,480 --> 00:44:10,080 Speaker 1: supposedly trained observers. On the other side, you have these 634 00:44:10,239 --> 00:44:14,359 Speaker 1: investigators give these different elements that seemed to explain it 635 00:44:14,840 --> 00:44:18,040 Speaker 1: that sort of add up to what those people saw, 636 00:44:18,120 --> 00:44:20,080 Speaker 1: but they had to have been mistaken. They had to 637 00:44:20,120 --> 00:44:25,160 Speaker 1: have mistaken these different elements for actual craft. And so 638 00:44:25,200 --> 00:44:28,919 Speaker 1: again there's no settled on story here, right, It's still 639 00:44:28,960 --> 00:44:32,640 Speaker 1: in dispute, and this stuff is still in the tabloids, 640 00:44:32,760 --> 00:44:37,520 Speaker 1: all right. The afterlife of the whole Peniston binary thing 641 00:44:37,920 --> 00:44:40,960 Speaker 1: is that years and years later they were doing a 642 00:44:41,000 --> 00:44:46,280 Speaker 1: TV special and everyone thought about the binary for thirty years. 643 00:44:46,880 --> 00:44:51,520 Speaker 1: And then I'm doing a film shoot for Inchlings Unearthly 644 00:44:51,719 --> 00:45:00,719 Speaker 1: Inspirations compelling ordinary people to perform extraordinary acts. And he 645 00:45:00,800 --> 00:45:03,720 Speaker 1: was flipping through his notebook and I flipped it back 646 00:45:03,760 --> 00:45:07,280 Speaker 1: too far, and I have all these ones and serials written. 647 00:45:07,320 --> 00:45:11,080 Speaker 1: Now found the binary code again. I knew about the 648 00:45:11,120 --> 00:45:13,720 Speaker 1: ones and zeros. I didn't know it was binary code 649 00:45:13,800 --> 00:45:17,960 Speaker 1: or nothing that says last binary code. I didn't know 650 00:45:18,000 --> 00:45:21,680 Speaker 1: what that was. The production company took it and had 651 00:45:21,680 --> 00:45:26,520 Speaker 1: it decoded. They had the binary turned into alphabet and together, 652 00:45:28,400 --> 00:45:32,920 Speaker 1: and it came out with this really cryptic message, eyes 653 00:45:32,960 --> 00:45:38,719 Speaker 1: of your eyes, you're eight thousands six six six, And 654 00:45:38,719 --> 00:45:41,960 Speaker 1: then it had all these like latitude and longitude coordinates. 655 00:45:42,160 --> 00:45:46,280 Speaker 1: There was seven senses coordinates, which, according to Jim Peniston, 656 00:45:46,719 --> 00:45:49,960 Speaker 1: line up with like the Great Pyramids of Egypt, and 657 00:45:50,040 --> 00:45:55,000 Speaker 1: the Nasca Lines Sedona, Arizona, and something which I had 658 00:45:55,000 --> 00:45:59,040 Speaker 1: never heard of, which is called Irish Atlantis, which is 659 00:45:59,080 --> 00:46:02,600 Speaker 1: apparently like a real legendary place southwest off of the 660 00:46:02,680 --> 00:46:08,080 Speaker 1: Irald middle of the Ocean. He's got this theory that 661 00:46:08,360 --> 00:46:11,960 Speaker 1: the ship wasn't from another planet, it was us. It 662 00:46:12,080 --> 00:46:16,040 Speaker 1: was humans from the future. They're not extras, it's us 663 00:46:16,080 --> 00:46:20,840 Speaker 1: doing interdimensional travel, and that the real message is something 664 00:46:20,880 --> 00:46:25,200 Speaker 1: to do with the relationships between these different coordinates on Earth. 665 00:46:25,680 --> 00:46:30,360 Speaker 1: The raw binary message was not the real message. The 666 00:46:30,440 --> 00:46:34,480 Speaker 1: realness is just in the relationship of these sites around 667 00:46:34,480 --> 00:46:39,120 Speaker 1: the world. So a code within the code. I think 668 00:46:39,120 --> 00:46:41,719 Speaker 1: it's in a way that's so obscure and complicated that 669 00:46:42,360 --> 00:46:45,040 Speaker 1: it's really hard for anybody, but somebody who's just so 670 00:46:45,080 --> 00:46:47,000 Speaker 1: interesting that they want to like spend a hell of 671 00:46:47,040 --> 00:46:48,560 Speaker 1: a lot of time trying to figure it out. To 672 00:46:48,680 --> 00:46:53,279 Speaker 1: follow it just seems way too complicated. It so wet. 673 00:46:55,280 --> 00:46:59,440 Speaker 1: An element that further complicates these myth making processes is 674 00:46:59,440 --> 00:47:04,759 Speaker 1: the treatment a UFOs and extraterrestrials in popular media. There 675 00:47:04,920 --> 00:47:10,880 Speaker 1: is this mutual influence between supposed real UFHOE encounters and 676 00:47:10,920 --> 00:47:15,200 Speaker 1: then media depictions of UFOs can start with Betty and 677 00:47:15,200 --> 00:47:19,040 Speaker 1: Barney Hill, where people are like, where did they get 678 00:47:19,040 --> 00:47:22,000 Speaker 1: that idea of what an alien would look like? People 679 00:47:22,080 --> 00:47:25,560 Speaker 1: point to an episode of The Outer Limits. I cannot 680 00:47:25,600 --> 00:47:30,239 Speaker 1: even understood your language, and also a Twilight Zone episode 681 00:47:31,160 --> 00:47:35,280 Speaker 1: back when the alien costumes were super crude. The masks 682 00:47:35,320 --> 00:47:39,880 Speaker 1: are pretty ridiculous, man, hlast time I saw anything that 683 00:47:40,000 --> 00:47:42,960 Speaker 1: looked like you, I've been four days on the corn 684 00:47:43,080 --> 00:47:46,440 Speaker 1: jug But if you describe that mask and then you 685 00:47:46,480 --> 00:47:49,439 Speaker 1: describe what Betty and Barney Hill saw, the descriptions would 686 00:47:49,480 --> 00:47:54,000 Speaker 1: sound similar. Glad your eyes, no mouth, no protruding cart, 687 00:47:54,680 --> 00:47:58,799 Speaker 1: no I am. So maybe they got that idea subliminally 688 00:47:58,960 --> 00:48:04,160 Speaker 1: from those TVs shows. When you think about the major 689 00:48:04,480 --> 00:48:08,319 Speaker 1: pieces of UFO media, like Close Encounters of the Third 690 00:48:08,400 --> 00:48:14,920 Speaker 1: Kind that was directly influenced by accounts of UFOs. Actually, 691 00:48:14,960 --> 00:48:17,200 Speaker 1: the idea of Close Encounters of the Third Kind comes 692 00:48:17,200 --> 00:48:21,399 Speaker 1: from this guy, Alan Heineck. When how did you get 693 00:48:21,480 --> 00:48:27,200 Speaker 1: involved with UFOs? Quite by accidents and by proproperty? Really, 694 00:48:27,760 --> 00:48:30,719 Speaker 1: who was a scientist who was involved in Project Bluebook 695 00:48:30,760 --> 00:48:35,200 Speaker 1: and uf phone investigation? Wherefore it who didn't incunam and 696 00:48:35,280 --> 00:48:38,040 Speaker 1: I just happened to be a handy firmer. I became 697 00:48:38,120 --> 00:48:41,120 Speaker 1: interested in some of the really oddball cases that we 698 00:48:41,440 --> 00:48:44,600 Speaker 1: clearly didn't have an astronomical explanation of my curiosity with 699 00:48:44,680 --> 00:48:49,400 Speaker 1: the hours how those might be explained. The thing that 700 00:48:49,440 --> 00:48:51,799 Speaker 1: he's probably best known for was coming up with this 701 00:48:52,480 --> 00:48:56,960 Speaker 1: system by which you can classify UFO sightings close encounters 702 00:48:56,960 --> 00:49:00,560 Speaker 1: of the first, second, and third kind. But after close 703 00:49:00,640 --> 00:49:06,800 Speaker 1: encounters there was a wave of more UFO sightings e T. 704 00:49:06,920 --> 00:49:10,399 Speaker 1: The Extra threshold came out later same director. Obviously, when 705 00:49:10,400 --> 00:49:13,680 Speaker 1: I was much younger, I believed that we had been visited. 706 00:49:14,280 --> 00:49:16,799 Speaker 1: I think the X Files is sort of the apex 707 00:49:16,880 --> 00:49:25,120 Speaker 1: of that, taking the folklore that's developed alien abductions and 708 00:49:25,160 --> 00:49:28,960 Speaker 1: government cover ups and hybrids and stuff, and wrapping it 709 00:49:29,040 --> 00:49:34,879 Speaker 1: into a fictional narrative. My name is Fox Molder. Since 710 00:49:34,920 --> 00:49:38,560 Speaker 1: my childhood, I've been obsessed by a controversial global phenomenon. 711 00:49:39,280 --> 00:49:42,640 Speaker 1: A lot of people there are main way of interacting 712 00:49:42,719 --> 00:49:47,000 Speaker 1: with the UFO phenomenon was through Molder and Scullies. What 713 00:49:47,080 --> 00:49:49,279 Speaker 1: our friend from the CIA says, it's true. This can 714 00:49:49,320 --> 00:49:52,000 Speaker 1: blow the lit off one of the biggest national security conspiracies. 715 00:49:52,360 --> 00:49:55,160 Speaker 1: Our friend from the CIA is about as unbelievable as 716 00:49:55,200 --> 00:49:57,759 Speaker 1: his story, as is everything about this case. I mean, 717 00:49:57,760 --> 00:50:01,640 Speaker 1: whatever happened to trust no One Molder. I was such 718 00:50:01,680 --> 00:50:04,960 Speaker 1: a die hard fan of that show and then working 719 00:50:05,000 --> 00:50:06,840 Speaker 1: on this with you for the last couple of years. 720 00:50:07,200 --> 00:50:10,560 Speaker 1: The xpres is like my main reference point. It's clear 721 00:50:10,600 --> 00:50:14,000 Speaker 1: that the people that wrote The X Files did their research, 722 00:50:14,400 --> 00:50:18,880 Speaker 1: knew that scene, knew those stories. There's sort of this 723 00:50:18,920 --> 00:50:22,280 Speaker 1: feeling like you're getting a window on a world that 724 00:50:22,560 --> 00:50:26,239 Speaker 1: exists but that you don't know about. Millions of Americans 725 00:50:26,320 --> 00:50:32,239 Speaker 1: believed in the UFO phenomenon. Some millions less believed they 726 00:50:32,239 --> 00:50:36,000 Speaker 1: had actually seen a UFO, some millions less believed they 727 00:50:36,000 --> 00:50:40,120 Speaker 1: had had contact, but there was interest in the phenomenon. 728 00:50:41,440 --> 00:50:44,040 Speaker 1: I talked to Chris Carter, who, of course as a creator, 729 00:50:44,400 --> 00:50:48,320 Speaker 1: so I had the ideas that I had taken from 730 00:50:48,360 --> 00:50:53,360 Speaker 1: all of the accumulated science and background on alien abduction 731 00:50:53,680 --> 00:50:57,319 Speaker 1: what I would consider to be the foundation of the 732 00:50:57,360 --> 00:51:00,479 Speaker 1: mythology that was based in things that anybody can read. 733 00:51:00,880 --> 00:51:03,719 Speaker 1: Then Glenn Morgan, who's one of the main writers who 734 00:51:03,840 --> 00:51:07,520 Speaker 1: really shaped the series. I wouldn't get a publication every Monday. 735 00:51:07,560 --> 00:51:10,680 Speaker 1: It was called Science News of Findings in the World 736 00:51:10,719 --> 00:51:14,840 Speaker 1: of science that week. You take that science truth and 737 00:51:14,920 --> 00:51:18,000 Speaker 1: another truth and you're trying to fit them together by 738 00:51:18,000 --> 00:51:20,960 Speaker 1: making stuff up. So that's how you make an next FILEL. 739 00:51:21,280 --> 00:51:23,480 Speaker 1: In fact, there's the next filels where a deep throat 740 00:51:23,640 --> 00:51:27,840 Speaker 1: specifically says a lie is the best delivered sandwich between 741 00:51:27,840 --> 00:51:34,600 Speaker 1: two truths. And I see that approach contemporary and other myths. Certainly, 742 00:51:34,640 --> 00:51:37,799 Speaker 1: once it became popular, they must have gotten deluged with 743 00:51:37,960 --> 00:51:40,840 Speaker 1: information from people who wanted to talk to them about stuff. 744 00:51:41,719 --> 00:51:45,920 Speaker 1: But they knew what the folklore around UFOs was at 745 00:51:45,960 --> 00:51:50,200 Speaker 1: the time, and the alien abduction scenario that they have 746 00:51:50,480 --> 00:51:54,480 Speaker 1: is basically right from David Jacobs. I really developed my 747 00:51:55,000 --> 00:52:00,680 Speaker 1: sense of all things UFOs and abductions through reading Dr 748 00:52:00,800 --> 00:52:04,359 Speaker 1: John Mack. A myth of religion could evolve from this, 749 00:52:04,719 --> 00:52:07,880 Speaker 1: So that doesn't go against the fact that something physical, 750 00:52:08,000 --> 00:52:12,120 Speaker 1: something actual, is occurring. But Hopkins, let's not try to 751 00:52:12,120 --> 00:52:15,160 Speaker 1: make them overly friendly because they're not, and let's not 752 00:52:15,200 --> 00:52:17,520 Speaker 1: try to make them overly malicious. They're not drinking our 753 00:52:17,520 --> 00:52:24,200 Speaker 1: blood either, and David Jacobs at all, but we pretty 754 00:52:24,280 --> 00:52:31,600 Speaker 1: much know the wrong world. Jacobs really thought it was 755 00:52:31,640 --> 00:52:33,560 Speaker 1: a threat as man fact, I think he called it 756 00:52:33,719 --> 00:52:39,600 Speaker 1: the threat in capitals when they say, hey, c and 757 00:52:39,640 --> 00:52:43,720 Speaker 1: they're not going to like They also had these ideas 758 00:52:43,760 --> 00:52:48,919 Speaker 1: about paranoia and conspiracies, secret packs, and the government that's 759 00:52:48,960 --> 00:52:52,440 Speaker 1: not working in your interest. I think because I was 760 00:52:52,480 --> 00:52:56,440 Speaker 1: a child of the Watergate era, I would say, disbeliever 761 00:52:56,680 --> 00:52:59,880 Speaker 1: in what our government was telling us, and they believer 762 00:53:00,080 --> 00:53:02,799 Speaker 1: that they were keeping things from us. So they fit 763 00:53:02,840 --> 00:53:06,520 Speaker 1: in perfect with the UFO literature, which is all about 764 00:53:06,560 --> 00:53:09,919 Speaker 1: all the reasons there are for the government to keep 765 00:53:10,280 --> 00:53:14,960 Speaker 1: the truth about extraterrestrial life from the American public, that 766 00:53:15,120 --> 00:53:19,840 Speaker 1: it would upend a lot of the scientific, cultural, religious 767 00:53:19,960 --> 00:53:25,960 Speaker 1: institutions in society. It all seems just beyond your grasp, 768 00:53:26,160 --> 00:53:28,040 Speaker 1: which I think is what makes it kind of brilliant. 769 00:53:31,600 --> 00:53:35,000 Speaker 1: We've been on a whirlwind tour of close encounters this episode, 770 00:53:35,440 --> 00:53:38,680 Speaker 1: but both seasons of strange arrivals lay out in detail 771 00:53:38,920 --> 00:53:44,319 Speaker 1: many more stories, threads, explanations, and mysteries of the UFO phenomenon. 772 00:53:46,080 --> 00:53:48,839 Speaker 1: Throughout my time working on this show. The thing I'm 773 00:53:48,880 --> 00:53:51,520 Speaker 1: most impressed with is just how Toby is able to 774 00:53:51,600 --> 00:53:55,200 Speaker 1: keep it all straight. Modestly, he says, it's just a 775 00:53:55,239 --> 00:53:59,800 Speaker 1: matter of doing your homework. For these cool and weird 776 00:54:00,120 --> 00:54:03,839 Speaker 1: Poe stories, whether you believe them or not, especially hearing 777 00:54:03,880 --> 00:54:07,200 Speaker 1: them in the voices of the people who experience them. 778 00:54:07,239 --> 00:54:08,919 Speaker 1: How do you tell it in a way that's fair 779 00:54:08,960 --> 00:54:12,080 Speaker 1: to everybody who's talking to you, both the people who 780 00:54:12,160 --> 00:54:14,680 Speaker 1: witnessed it and the people who think that they are 781 00:54:14,760 --> 00:54:17,600 Speaker 1: mistaken in what they saw, so that neither one of 782 00:54:17,600 --> 00:54:22,480 Speaker 1: those groups gets disrespected. At least for me, it's a 783 00:54:22,480 --> 00:54:25,759 Speaker 1: lot like writing a book. I just do a lot 784 00:54:25,800 --> 00:54:30,440 Speaker 1: of reading about what's the original story, what's the skeptical explanation, 785 00:54:31,280 --> 00:54:37,000 Speaker 1: and then what question is interesting about this story, something 786 00:54:37,040 --> 00:54:39,480 Speaker 1: that's different than is it real or isn't it real? 787 00:54:40,600 --> 00:54:42,800 Speaker 1: Then is taking a look at where does that question 788 00:54:42,960 --> 00:54:46,560 Speaker 1: lead you, what do you need to know about and 789 00:54:46,760 --> 00:54:51,480 Speaker 1: figuring out who's an expert in those fields. The other 790 00:54:51,520 --> 00:54:55,120 Speaker 1: part of it is just doing the archival research. For 791 00:54:55,200 --> 00:54:59,040 Speaker 1: Betty and Barney Hill. I had access to the paper archives, 792 00:54:59,160 --> 00:55:01,839 Speaker 1: so I could literally flipped through as much stuff as 793 00:55:01,880 --> 00:55:04,799 Speaker 1: there was. The other thing with Betty and Partney Hill 794 00:55:04,920 --> 00:55:06,520 Speaker 1: is they were just on a hell of a lot 795 00:55:06,520 --> 00:55:09,960 Speaker 1: of radio and TV shows, so there is some remaining 796 00:55:10,280 --> 00:55:14,560 Speaker 1: audio tape and some videotape of them talking about their encounter. 797 00:55:15,120 --> 00:55:17,880 Speaker 1: Betty and I were returning from a vacation troop in 798 00:55:17,960 --> 00:55:24,560 Speaker 1: Canada September nine. Rendalshom is a little bit different in 799 00:55:24,640 --> 00:55:28,200 Speaker 1: that other than this one audio tape that Chuck Halt 800 00:55:28,239 --> 00:55:32,200 Speaker 1: made while he was out in the field was appropiate 801 00:55:34,280 --> 00:55:36,880 Speaker 1: it back in Canadas, these guys were in the Air Force, like. 802 00:55:36,920 --> 00:55:39,600 Speaker 1: They weren't going on radio shows talking about this until 803 00:55:39,760 --> 00:55:43,440 Speaker 1: much much later, and at that point the myth making 804 00:55:43,760 --> 00:55:46,799 Speaker 1: processes that happened. So in that case, just being able 805 00:55:46,840 --> 00:55:49,640 Speaker 1: to interview them was largely the same as them being 806 00:55:49,680 --> 00:55:52,719 Speaker 1: on a TV show or radio show. All through them 807 00:55:52,760 --> 00:55:55,160 Speaker 1: were very generous with their time that allowed me to 808 00:55:55,280 --> 00:55:58,399 Speaker 1: explore some things that maybe they weren't talking about on 809 00:55:58,440 --> 00:56:01,720 Speaker 1: TV shows. So by the time I actually get around 810 00:56:01,760 --> 00:56:04,640 Speaker 1: to writing, I tend to have hours and hours and 811 00:56:04,680 --> 00:56:09,400 Speaker 1: hours of transcripts about either the actual event, the investigation 812 00:56:09,400 --> 00:56:14,120 Speaker 1: of the event, or things about those issues. Part of 813 00:56:14,160 --> 00:56:17,800 Speaker 1: it's just critical thinking not to take things at face value, 814 00:56:18,320 --> 00:56:22,799 Speaker 1: but to go into these things that sound compelling but 815 00:56:23,239 --> 00:56:27,719 Speaker 1: seem well beyond what's normal and dig and find out 816 00:56:27,800 --> 00:56:31,360 Speaker 1: what's behind it. What you've end up with is either 817 00:56:31,640 --> 00:56:35,439 Speaker 1: you find that you don't believe it, or you find 818 00:56:35,480 --> 00:56:38,439 Speaker 1: that your belief is that much stronger because you've put 819 00:56:38,480 --> 00:56:42,279 Speaker 1: things to the test and they've stood up. That's really 820 00:56:42,280 --> 00:56:45,239 Speaker 1: what science is about. You see something, you can get 821 00:56:45,239 --> 00:56:48,960 Speaker 1: a hypothesis, you test it. I've heard this, it sounds compelling, 822 00:56:49,640 --> 00:56:55,640 Speaker 1: but is there an alternative? Carl Sagan said, Extraordinary claims 823 00:56:55,760 --> 00:56:59,560 Speaker 1: require extraordinary evidence. I think that's what it comes down to. 824 00:57:00,640 --> 00:57:04,200 Speaker 1: Don't believe something because it seems cool, Approach it carefully, 825 00:57:04,560 --> 00:57:07,560 Speaker 1: and if it does turn out to be real, you've 826 00:57:07,600 --> 00:57:30,440 Speaker 1: got that much firmer basis for belief. This episode of 827 00:57:30,480 --> 00:57:34,200 Speaker 1: Ephemeral was written and assembled by Will and produced by 828 00:57:34,240 --> 00:57:37,920 Speaker 1: Trevor Young, Max Williams and Matt Frederick. With a very 829 00:57:37,960 --> 00:57:41,760 Speaker 1: special thanks to my co producers on Strange Arrivals, Miranda 830 00:57:41,840 --> 00:57:45,360 Speaker 1: Hawkins and Josh Thame, and thank you to the artists 831 00:57:45,440 --> 00:57:49,200 Speaker 1: Craig Leon and Eddie Rouche for contributing music to this episode, 832 00:57:49,520 --> 00:57:52,320 Speaker 1: and also to Matt Worth and Sammy Joe Concilia for 833 00:57:52,400 --> 00:57:56,040 Speaker 1: helping make it happen. Here more from Craig Leon's anthology 834 00:57:56,040 --> 00:57:59,960 Speaker 1: of interplanetary folk music at Craig Leon dot band camp 835 00:58:00,040 --> 00:58:03,720 Speaker 1: dot com, and explore the music of Eddie Rouche and 836 00:58:03,840 --> 00:58:08,640 Speaker 1: Secret Circuit at Secret Circuit dot bandcamp dot com links 837 00:58:08,680 --> 00:58:12,440 Speaker 1: to both on our website. Toby Ball is a novelist, 838 00:58:12,760 --> 00:58:16,040 Speaker 1: co host of the podcast Crime Writers On, and creator 839 00:58:16,080 --> 00:58:20,640 Speaker 1: of the podcast Strange Arrivals, whose second season concludes tomorrow. 840 00:58:21,280 --> 00:58:24,840 Speaker 1: Find it wherever you find podcasts, and find us at 841 00:58:24,880 --> 00:58:34,120 Speaker 1: a fem dot show. For more podcasts from My Heart Radio, 842 00:58:34,360 --> 00:58:38,080 Speaker 1: visit the I Heart Radio at Apple podcast, or wherever 843 00:58:38,160 --> 00:58:39,880 Speaker 1: you listen to your favorite shows.