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Speaker 1: Welcome to Cannabis Talk one on one featuring Blue and

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Speaker 1: Joe Grande, the world's number one source for everything cannabis. Hello,

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Speaker 1: welcome to Cannabis Talk one on one, the world's number

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Speaker 1: one source for everything cannabis. Monday's Blue alongside me, mister

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Speaker 1: Joe Grande, and we are back on set. It feels

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Speaker 1: good man, How you doing then? It does feel great, brother,

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Speaker 1: good to be here and good to be here with

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Speaker 1: some other cool catch on the show as well. Thank

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Speaker 1: you for listening to our podcast, Cannabis Talk one on

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Speaker 1: one all around the world. Next, sure you check out

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Speaker 1: our website Cannabis Talk one on one dot com, as

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Speaker 1: we are the world's number one source for everything cannabis.

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Speaker 1: Is so many great articles and blogs on the sites,

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Speaker 1: and you could also click that link so you can

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Speaker 1: go check out our magazine and feel free to give

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Speaker 1: us a call anytime one eight hundred four twenty nineteen

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Speaker 1: eight and check out the ig pages at Cannabis Talk

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Speaker 1: one oh one. My brother Blue right here is at

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Speaker 1: the number one. Christopher Wright. So I am at Joe

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Speaker 1: Grande fifty two. And when it comes to something typically

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Speaker 1: you guys, you want to make it something special well,

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Speaker 1: you got to get that infused products and the flavor

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Speaker 1: you tape should be just as enjoyable as the feeling

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Speaker 1: you experience. Visit the website of Lorando Oils dot com. Now,

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Speaker 1: these next two yes we have on the show today

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Speaker 1: are special in so many ways in a sense that

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Speaker 1: their passwork has touched millions of hearts and dance floors

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Speaker 1: and everything else and continues to provide motivation and means

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Speaker 1: of escape through the raw entertainment. We have Fatal in

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Speaker 1: the building. Baby, what's up? Brother? How you doing? Good?

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Speaker 1: To have you man the CEO of Frenzy Broadcasting and

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Speaker 1: radio personality on the After Party radio show, which can

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Speaker 1: be heard in Northern Calli on Rhythm one oh five

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Speaker 1: point nine FM, in Kansas on Jams ninety nine point

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Speaker 1: three FM, are in Nebraska on Hits ninety point five FM.

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Speaker 1: Be sure to check out all of his content and

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Speaker 1: music on Frenzy Broadcasting dot com. Follow them on ig

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Speaker 1: at Fatal official to be in the mix with the

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Speaker 1: latest projects that Fatal is dropping right there for Dale Fordelle,

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Speaker 1: thank you for deelltel Fatality, you have the best energy

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Speaker 1: than no Thank you brother. Give him a little warm

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Speaker 1: welcome you guys, right, But besides him, he got the man,

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Speaker 1: the myth, the legend that's created a lane for himself

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Speaker 1: in an era of hip hop where you said and

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Speaker 1: stood for actually what matters you guys, true ship came

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Speaker 1: out of his mouth, and you better believe that he

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Speaker 1: cemented his glory as one of the original members of

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Speaker 1: The Outlaws, founded in the late great Tupac Shakor right

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Speaker 1: there famously pinned the fifth verse of what could debatably

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Speaker 1: be the best disc track of all time. Hear Them Up, motherfucker.

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Speaker 1: Also the owner, exactly the founder of the popular podcast

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Speaker 1: The Outlaws Show. If you don't know, act like you

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Speaker 1: know now, the legendary icon is in the building, folks.

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Speaker 1: Give it up for edi. Mean, ladies and gentlemen, that's warm,

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Speaker 1: welcome for these guys intro right there. Yeah, man, that's

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Speaker 1: what the fuck I'm talking about. You could have kept

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Speaker 1: going if you want to. I mean I probably could.

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Speaker 1: I could have kept going. And look, look, I ain't

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Speaker 1: got nothing plan. Let me get me some. It's so

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Speaker 1: funny because in at the beginning that we've already done

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Speaker 1: two shows, when you guys sat down, pardon my ignorance,

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Speaker 1: when you said I should have wore my necklace, because

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Speaker 1: I'm two shows back of you coming out with you know,

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Speaker 1: you said I should have worn my necklace, And I'm like,

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Speaker 1: who's sitting down next to me right now because I'm

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Speaker 1: still editing some shit from the last show that I

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Speaker 1: didn't even realize. So my apologies for my ignorance when

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Speaker 1: you walked up my brother, you know, I didn't take

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Speaker 1: it out an't well, no, I wasn't offended at all.

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Speaker 1: Well I am. I'm offended up myself. Yeah, I'm saying

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Speaker 1: like I'm all on this motherfucker right here, walking up

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Speaker 1: in here, but when I'm literally on another screen opening up,

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Speaker 1: but I knew you guys were up there, so I

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Speaker 1: wanted to introduce myself and say hello, you know, I

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Speaker 1: mean to make sure I moved on like that. For

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Speaker 1: those that are listening, we just do shows back to

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Speaker 1: back in this building and you know what I mean,

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Speaker 1: And we already had so many different, random, eclectic folks.

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Speaker 1: But welcome to the show, you guys. Good having man,

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Speaker 1: you know, let's break this down. Let's start with this

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Speaker 1: outlaws man. Where did you guys? Where where did you

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Speaker 1: come from? Where? Where where did you grow? Up exactly

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Speaker 1: and everything else hed I Man, I moved around a lot, man,

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Speaker 1: But I started in New York City. Oh really, Yeah,

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Speaker 1: a little town called Coney Allen. And so that's where

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Speaker 1: we all started from the East Coast, and then I migrated. Nice.

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Speaker 1: When did you come to LA came to LA around

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Speaker 1: early nineties. Nice. So then that's when you right away

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Speaker 1: hooked up right away with death Row and Park. And

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Speaker 1: how did you not that that that's that's started when

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Speaker 1: we were kids. Yeah, me and Park were childhood friends

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Speaker 1: and some of the other outlaws you know. You know. Um,

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Speaker 1: I was a death Row in the in the nineties,

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Speaker 1: so I was there, you know when you guys were there,

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Speaker 1: and um, you probably wouldn't recognize me, you know, but

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Speaker 1: I never forget a face. So yeah, when we saw

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Speaker 1: each other, we're like, oh yeah, we both looked at

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Speaker 1: each other like we know each other. But you know,

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Speaker 1: I was really close with Psych you know, rest in peace,

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Speaker 1: big psych man Psych. Yeah, and that was shocked to me,

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Speaker 1: you know, because I always felt like he was healthy,

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Speaker 1: you know what I mean, just looked like a healthy

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Speaker 1: dude and everything, and um, but I got to spend

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Speaker 1: a little time with him, throughout the years and and

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Speaker 1: you know, he he you know, i'd say mentored me

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Speaker 1: in some things, you know, throughout the past because uh,

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Speaker 1: you know, just on how to act in certain areas

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Speaker 1: and to do things, because he had a way about moving,

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Speaker 1: you know. And absolutely so you know, I I big

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Speaker 1: fan of the Outlaws myself, you know. Um, so tell

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Speaker 1: me how the Outlaws actually became about? Like, like, you know,

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Speaker 1: who created the Outlaws? I mean did you just come

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Speaker 1: up with it? I mean we kind of all knew

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Speaker 1: each other from different you know, parts of a life.

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Speaker 1: Some of us were from Jersey, some of us were

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Speaker 1: from New York City, the late Great Killer Kadaffi went

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Speaker 1: to high school and grew up with a lot of

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Speaker 1: the other members in the group. And then meet Kadafi

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Speaker 1: Castro Pot. We all grew up together. Nice yeah yeah yeah,

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Speaker 1: and then and then so what was your first record

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Speaker 1: with the Outlaws? Probably? Uh, that's a great question, man,

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Speaker 1: You're talking about over twenty years, makes you really think

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Speaker 1: I smoke a lot of weeds. I'm trying to bring

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Speaker 1: it back flash. I smoke a lot of weeds. Light

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Speaker 1: went up. Maybe maybe they'll smoke up, But I don't know.

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Speaker 1: Let's get one of the fans to google that shit.

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Speaker 1: I don't remember what the first songs. The most memorable

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Speaker 1: song that you that done, I think Made Niggas Okay,

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Speaker 1: it was probably the most memory. That session was pretty epic.

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Speaker 1: Nice who was Why Why was it so epic? Yeah,

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Speaker 1: because I got to watch it. If you ever heard

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Speaker 1: Made Niggas, it's a it's like a piano riff that

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Speaker 1: goes through the whole song, like on some classical shit.

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Speaker 1: And the guy who did it did it is a

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Speaker 1: guy by the name of I don't want to fuck

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Speaker 1: his name up, Ronnie King. Ronnie Actually you can follow

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Speaker 1: him on Instagram. Great piano player. He played that ship

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Speaker 1: for six minutes without sucking up one time. Wow. And

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Speaker 1: I watched it. This is before pro tools where you

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Speaker 1: can look. It was real, real because when you had reals,

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Speaker 1: you had to do it right or you had to

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Speaker 1: stop and cut it. Cut the tape, yeah, you know. Yeah,

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Speaker 1: and that boys and girls. This was in the dark ages. Well,

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Speaker 1: I can't am, And that's when we were electricity. Yeah,

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Speaker 1: I can't am. It was real to real in the beginning,

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Speaker 1: you know, and then it was just converting over towards

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Speaker 1: the end. But I mean in the beginning, every there

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Speaker 1: was reels everywhere. You know, you have the machines, everybody's

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Speaker 1: cutting tapes, and everybody's just like and that's why I eat.

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Speaker 1: A lot of people are like, you know, what, where's

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Speaker 1: the music at? And I'm like, it ain't like you know,

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Speaker 1: it's so hard to find it because it's on you know,

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Speaker 1: someone's got it in their in their home on a reel.

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Speaker 1: It ain't on uploaded to the cloud. It's not you know,

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Speaker 1: one of these things right here. Yes, that was how

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Speaker 1: ironically I have to I have a picture of me

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Speaker 1: and my boy in the studio which was real, so

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Speaker 1: you remember how heavy those motherfucker hell heavy. I did

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Speaker 1: my first commercial. My boy to let me do a commercial.

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Speaker 1: I didn't realize you have to transfer the real at

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Speaker 1: the beginning of it to a new reel, then to

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Speaker 1: take it back and put it to the beginning of

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Speaker 1: a real. Right, So I was like, my first commercial

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Speaker 1: I ever cut. He let me fuck it up, do

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Speaker 1: the whole eight track, and then I had to redo

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Speaker 1: the whole fucking commercial. Yeah, I'm like, but hey, you

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Speaker 1: ever forgot that's what you have to do on a

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Speaker 1: real You have on a brand new one. You gotta

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Speaker 1: you gotta transfer it first before you start recording on it.

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Speaker 1: So that was pretty That was just pretty epic to

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Speaker 1: see him do that, yeah, for six minutes and not

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Speaker 1: fuck up. That's tough, you know what I mean, And

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Speaker 1: that we went and killed it nice man. So so

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Speaker 1: the history, the history, um, you know that you guys

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Speaker 1: have you know, in in my era, I believe that.

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Speaker 1: You know, it was such a big movement. You know,

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Speaker 1: if you didn't know who the Outlaws were, you didn't

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Speaker 1: you know, it was really down with hip hop though

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Speaker 1: you weren't really down with hip hop. Yeah, and it

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Speaker 1: was just such a and it was it was like

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Speaker 1: it was like the it was like you know, obviously

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Speaker 1: Pok you know, had such an influence on on the world,

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Speaker 1: you know, but the Outlaws were like that, that team

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Speaker 1: that was right there, just right in your face every

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Speaker 1: other record coming out and then the songs behind them,

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Speaker 1: and like you said, you know, they hit him up record.

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Speaker 1: You know, there was some of the biggest disc rup

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Speaker 1: Are you to get on that one? I mean, how

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Speaker 1: did that even come about? How did you get to score?

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Speaker 1: Because that's iconic? Yeah, I mean, ship that was just

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Speaker 1: another day at the office for us. You know what

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Speaker 1: I meant, I did like three other records that day,

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Speaker 1: you know what I'm saying. So it was just it

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Speaker 1: was just another record, just popping them out. And then

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Speaker 1: but it happened to be a pretty you know, a

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Speaker 1: pretty notorious one. Yeah, no, pun intended. It was well

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Speaker 1: and and and so did you have a relationship with Big? Absolutely? Yeah.

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Speaker 1: And that's why I asked, because I mean obviously you're

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Speaker 1: you were from you know, Coney Island, and then you

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Speaker 1: know New York area, you know, and then you're coming

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Speaker 1: back to the West Coast. So I knew Big because

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Speaker 1: he was tight with Pop. Yeah, they were friends. I

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Speaker 1: met Little Seas and his crew and you know what

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Speaker 1: I mean, that's what we were all tight at one point. Well,

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Speaker 1: in your opinion, I think this is something that you know,

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Speaker 1: the whole world would you want to know, is you know,

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Speaker 1: was that the West East Coast West Coast beef? Was

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Speaker 1: that a was that you know, something that was real?

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Speaker 1: Or do you feel like the media really built that

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Speaker 1: up and and made that happen. I mean, you know,

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Speaker 1: like I just think it was a lot of you know, um,

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Speaker 1: a lot of overblown egos and including in the individual

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Speaker 1: cruise in the media. Sure everybody played a part in

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Speaker 1: that ship. Yeah, everybody had their own little right there.

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Speaker 1: Yeah I did. And And what about today, you know,

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Speaker 1: like if you had you know, some of these guys

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Speaker 1: are still around, you know, is there is there still

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Speaker 1: animosity or does everybody kind of look past it? You know?

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Speaker 1: How do you feel a Little Seasons my guy? Yeah?

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Speaker 1: You know what I mean. We've done music with Little Seeds.

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Speaker 1: We've got videos you can go check out Rest in

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Speaker 1: Peace to Case Slay, the Great Case Slay, the Drama King,

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Speaker 1: because he was instrumental and you know, kind of calming

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Speaker 1: a lot of this ship that was still going on. Yeah,

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Speaker 1: I want to get a Little Seeds in here, man,

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Speaker 1: I don't. I had the opportunity to smoke and kick

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Speaker 1: it with Biggie three days before he passed, Me and

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Speaker 1: him and Little Season to do his whole album in

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Speaker 1: San Francisco together, and we were smoking when they came down.

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Speaker 1: We did the last interview with Biggie at Wild ninety

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Speaker 1: four nine, the station I was at, and that's the

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Speaker 1: same interview that Puff plays everywhere and anywhere. And I

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Speaker 1: actually met a Biggie's son, and I gave him a

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Speaker 1: picture that you know, I took with his dad and

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Speaker 1: it was crazy that he goes, oh my god, I

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Speaker 1: still have that T shirt that my dad was wearing

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Speaker 1: in that picture, So you know what I mean. So

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Speaker 1: the show. All the point is I ain't seen Seas

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Speaker 1: since that day to where if I see him, I'll

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Speaker 1: be like, dog, you remember me. I had purple hair

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Speaker 1: at that fucking time. But you know what I mean,

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Speaker 1: I was crazy looking at silver friend. But I guarantee

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Speaker 1: he's gonna remember because it was when he was in

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Speaker 1: San Francisco and he came to the morning show and

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Speaker 1: when Big came up, I gave him some weed and

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Speaker 1: we kicked him. And I came to the party that

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Speaker 1: was at BMG over there by Candlestick when we used

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Speaker 1: to listen to all the music there with Lance, who

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Speaker 1: you know. Lance was the record rep that we used

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Speaker 1: to kick it with there with on the hotel. He's

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Speaker 1: elly with my homeboy Lance that Biggie spits on and uh,

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Speaker 1: I loved Little Seas. Little Seas was one of those

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Speaker 1: coolest motherfuckers that like, oh, Biggie two was another cool

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Speaker 1: cat like all just great absolutely, And when I seen

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Speaker 1: this hypereness on it too, it was more like, what

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Speaker 1: do you like? I can't see it being so real.

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Speaker 1: I felt like the way you said it like that

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Speaker 1: was so real that you know the bullshit behind that

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Speaker 1: comes from the cruise too, and the fucking we need

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Speaker 1: to now be tougher. We need to now be tougher

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Speaker 1: because they say something bullshit that we gotta do. It's like, nah,

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Speaker 1: we really don't gotta do shit. If we just stop,

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Speaker 1: it might just stop. Yeah, you know, hindsight is always

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Speaker 1: twenty twenty. Yeah, you know what I mean. We all

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Speaker 1: did done ship twenty some years ago that we probably

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Speaker 1: looked at and be like, ah, I probably shouldn't have

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Speaker 1: did it that way. I could have, you know what

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Speaker 1: I mean. Yeah, but unfortunately some of us didn't make it,

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Speaker 1: poking Big didn't get a chance to make it to

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Speaker 1: correct their mistakes, you know what I mean. We we

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Speaker 1: got a chance to do that. Yeah, you know, it's

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Speaker 1: a it's a blessing too. Man. Tell us some of

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Speaker 1: the artists that you've worked with. You know, obviously you know,

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Speaker 1: we know you've worked with POC, but um, you know,

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Speaker 1: tell us some of the artists that you've worked with,

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Speaker 1: and then and what are you working on right now? Um?

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Speaker 1: I mean, I'm super blessed in the fact that I've

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Speaker 1: been able to work with everybody that I've always wanted

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Speaker 1: to work with, you know what I mean. In the

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Speaker 1: music industry, all the cats that I were fans of,

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Speaker 1: that I was a fan of, I've got a chance

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Speaker 1: to work with. That's a blessing, you know what I mean.

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Speaker 1: And so, um, that's because you're challenged. Bro, you got yeah,

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Speaker 1: you got bars. I'm talented and and and and my

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Speaker 1: childhood friend is the greatest rapper of all time. So

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Speaker 1: you know what I mean. I kind of walking in

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Speaker 1: the room with him, Yeah, everywhere I go, And so

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Speaker 1: you know, it makes it a little bit easier, but

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Speaker 1: that only gets you in the room. Talent keeps you

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Speaker 1: in the room. You better believe it's a big right there.

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Speaker 1: I love that statement, man, Um, you know and and

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Speaker 1: and how many records you feel like you cut with Parking? Approximately?

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Speaker 1: I never I never counted, man, I never counted. It's

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Speaker 1: a lot. It's a lot because a lot has come

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Speaker 1: out and it's still you got really shit that's hitting

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Speaker 1: that second still ship that hasn't come out yet resolutely.

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Speaker 1: You're working on a project right now. I'm working on

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Speaker 1: my music. I'm always working on music. You got you

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Speaker 1: got a project that's coming out, like something that you

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Speaker 1: absolutely you could talk about it. Yeah, I'm actually gonna

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Speaker 1: drop two albums on the same day, with two completely

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Speaker 1: different vibes, two different perspectives, Like, what what even one

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Speaker 1: hip hop one fucking opera? What do you mean here?

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Speaker 1: I don't know what? Damn? How did you guess you started?

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Speaker 1: You know what I mean? You know, I saw it

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Speaker 1: saw a hip hop, But it's just two. I'm working

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Speaker 1: on a trilogy, so I have The Hope Dealer and

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Speaker 1: then I have OG. I've done both those projects kind

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Speaker 1: of like simultaneously, but I just never dropped them together.

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Speaker 1: And so I'm about to drop O G three and

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Speaker 1: The Hope Dealer three on the same day, but two

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Speaker 1: completely different vibes. And all my people out there that

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Speaker 1: fuck with both projects, they know that subject matter wise

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Speaker 1: and how they sound it completely different from each other.

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Speaker 1: And I'm gonna just put them out on the same day.

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Speaker 1: You know, you know Tiffany Hutching, No, she's a death

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Speaker 1: row cannabis, She's snooped girl. She was at uh UM Management,

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Speaker 1: the management company that they did, but she wasn't here

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Speaker 1: earlier today we had her on the show. I was

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Speaker 1: just like, you guys really just missed each other kind

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Speaker 1: of you know, I mean. And it was when they

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Speaker 1: were talking, I was like, dam we got everybody from

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Speaker 1: death Row coming. And since guys like we bring in

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Speaker 1: the chain home, was like this, of course we are,

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Speaker 1: you know, I mean, because you know, I know, you

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Speaker 1: know JP, right, John, you know I mean, and and

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Speaker 1: John Payne and and you know and k Dub and

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Speaker 1: everybody else. You know what I'm saying, those that have

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Speaker 1: the pain and Ka Dub Yeah, yeah, those are all family.

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Speaker 1: Then we do it for many years. And when you

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Speaker 1: walked in, I almost thought you were Ka deb wor

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Speaker 1: sarahs that kay. There after that, my eyesight getting fucking bad.

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Speaker 1: I put my glasses on. Who's that brothers just walked in.

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Speaker 1: The Take that as a compliment because Kate Dub stay fled, Yeah, yeah, yeah,

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Speaker 1: stay fly. Yeah, I take it as a compliment. Yeah

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Speaker 1: yeah yeah. And you're good dude too. And and how

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Speaker 1: do you two know each other? When we come back,

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Speaker 1: it's cannabis talking on him and we'll be right back

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Speaker 1: after this break. Subscribe to our weekly news letter on

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Speaker 1: our website, Cannaba's Talk one on one dot com. Welcome

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Speaker 1: back to Cannaba's one. Y'all know what time it is? Right?

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Speaker 1: That's right, Dimetime being high with Diamondustries. Find them in California,

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Speaker 1: Arizona and Oklahoma. Check out the website diamon industry dot

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Speaker 1: com on I jot dime dot Industries. And uh, it's

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Speaker 1: so good to have you both in here, brothers. Now

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Speaker 1: where do you come into mix? Mister fay Tale in

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Speaker 1: the building? You know what I mean? Faytal like that? Yeah,

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Speaker 1: I mean you get in the game. How'd you get

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Speaker 1: to become the good radio personality and start this frenzy broadcasting?

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Speaker 1: Being an MC myself, hardist myself, that's Stardi as an MC.

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Speaker 1: Where are you from LA one to raid? Oh? Really?

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Speaker 1: Carter is more of a battle rapper men fired by

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Speaker 1: Emin when I was younger and I was just like

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Speaker 1: a double teenager and that was my way to kind

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Speaker 1: of outfit my anger and my issues. I had his

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Speaker 1: music refu way and you know, I doubt MTV's moved

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Speaker 1: a crowd man, but just got good at like doing

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Speaker 1: a stout broadcasting and I just fell into it. During

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Speaker 1: the pandemic, everybody had got put in the house, you know,

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Speaker 1: we couldn't go outside. Everybody was stuck to doing podcasts

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Speaker 1: or whatever. So I started a podcast company in Burbank.

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Speaker 1: I had a facility I got access to and I

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Speaker 1: was able to just start a podcast company driven idea

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Speaker 1: and then through that man over the past few years,

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Speaker 1: now fast forward this so fully for a functional TV

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Speaker 1: production company. I'm directing TV shows now with my crew.

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Speaker 1: We're filming visual stuff, we're doing podcasts, um, we're also

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Speaker 1: producing original content as well. One of the shows I'm

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Speaker 1: producing is his show, The Outlaw Show. So I brought

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Speaker 1: him on the Frenzy Network and he's been really detrimental

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Speaker 1: into seeing the vision with me the whole way and

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Speaker 1: staying solid the whole way as I've been trying to

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Speaker 1: build it, getting going and instrumental, instrumental. Yeah yeah, yeah,

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Speaker 1: that's that weird. Yeah, yeah, that's okay, And I would

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Speaker 1: have done the same thing. Don't worry. Burbank too is

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Speaker 1: you know, people don't know the media capital of the world. Yeah,

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Speaker 1: we'll ride by Watering and Disney and all that word

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Speaker 1: like right now, you're right down the street different Power

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Speaker 1: one oh six, one of us and all it was

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Speaker 1: where I used to work. I work. I work directly

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Speaker 1: with Power one or six, two people in New York City.

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Speaker 1: And that might disagree with oh that being the media,

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Speaker 1: I'm just saying, yeah, forest fire up and hey John,

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Speaker 1: y'all about to say you on fire over there? Literally

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Speaker 1: literally up? What are you doing? Power one of six coming?

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Speaker 1: So I work with them directly. I have a couple

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Speaker 1: of contacts from within, and for years now they've been

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Speaker 1: really helping me a lot too, with bringing in gas

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Speaker 1: and piggyback and people from being over there to come

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Speaker 1: to my studio and do interviews as well. Oh really,

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Speaker 1: who you're working with over just Brian? I know, I

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Speaker 1: know e man, I know a lot of people directly.

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Speaker 1: Brian's been there for a long time. You remember when

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Speaker 1: he came from San Diego. Actually he'd been there og

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Speaker 1: the sale got Brian right, Yeah, I know exact as well.

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Speaker 1: Oh yeah, Brian's been there for years. Him in Preston.

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Speaker 1: But yeah, I just talked to Preston today, did you

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Speaker 1: really no way? Well, I just I just tapped in

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Speaker 1: on he just literally just texted me right now. That's funny,

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Speaker 1: right because you know, you know, it's also funny is

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Speaker 1: Brian is uh is who you you actually look at

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Speaker 1: Preston right, I haven't read text me. Oh my god. Yeah,

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Speaker 1: not funny. But Brian though, is because Joe, you know,

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Speaker 1: Joe was at a big boys neighborhood right with probably

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Speaker 1: one on six. It was Joe Luscs, Liz Fuzzy you know,

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Speaker 1: umamio yeah. And then uh but but the funny thing

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Speaker 1: is is that, uh, he's kind of who introduced us.

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Speaker 1: And when I told you, remember I said, Brian was

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Speaker 1: uh uh at the station of the stadium right here,

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Speaker 1: and that's where I ended up meeting you probably the

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Speaker 1: first time. Oh really yeah, Anaheim Stadium, no way. Yeah, yeah,

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Speaker 1: when you're a little bald headed, Yeah, I dug life

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Speaker 1: in him. I love how then oh yeah, for sure

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Speaker 1: I was swaying out the window for sure. Yeah. And

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Speaker 1: then after the window we started walking up on you. Yeah.

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Speaker 1: My team's official. But you know, the the good thing

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Speaker 1: I think about hip hop and rap and and and

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Speaker 1: being through this whole you know error is we've learned

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Speaker 1: a lot, you know, and and um, I think that

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Speaker 1: you know, hip hop artists. Um, I've seen them all

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Speaker 1: grow myself. I mean, you know, we've we've I've been

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Speaker 1: on the road. I've been fortunate to be on the

423
00:20:28,000 --> 00:20:30,520
Speaker 1: road with a lot of different artists and and kind

424
00:20:30,560 --> 00:20:32,879
Speaker 1: of see where we've all evolved from. And I feel like,

425
00:20:32,960 --> 00:20:34,879
Speaker 1: you know, some of the greats, you know that that

426
00:20:34,960 --> 00:20:38,600
Speaker 1: had to pass for us all to see. Um, you

427
00:20:38,640 --> 00:20:41,480
Speaker 1: know how ignorant I think we were, um to to

428
00:20:41,640 --> 00:20:45,280
Speaker 1: let entertainment turn into you know, uh you know, and

429
00:20:45,400 --> 00:20:47,480
Speaker 1: and it's more than entertainment for for a lot of people.

430
00:20:47,600 --> 00:20:51,520
Speaker 1: Don't get it twisted. But um, it's changed a lot

431
00:20:51,560 --> 00:20:53,160
Speaker 1: of our lives, you know what I mean. Like he said,

432
00:20:53,160 --> 00:20:55,600
Speaker 1: he's working with Little Season And in the nineties that

433
00:20:55,640 --> 00:20:57,960
Speaker 1: would have never happened. It was just that time. Yeah,

434
00:20:58,000 --> 00:20:59,800
Speaker 1: they might have tapped in and been like yo, like

435
00:20:59,840 --> 00:21:03,000
Speaker 1: what's going on here and there? But you knew that

436
00:21:03,040 --> 00:21:05,159
Speaker 1: you couldn't do so much, you know what I mean,

437
00:21:05,200 --> 00:21:08,280
Speaker 1: because of everything that was happening. And it's so unfortunate.

438
00:21:08,359 --> 00:21:10,280
Speaker 1: Now it's a blessing that we we all get to,

439
00:21:10,640 --> 00:21:13,639
Speaker 1: you know, change that legacy for our our youth and

440
00:21:13,680 --> 00:21:16,280
Speaker 1: our people you know that are that are coming up well,

441
00:21:16,600 --> 00:21:19,840
Speaker 1: everybody should be able to break bread and make money together. Yeah. Well,

442
00:21:20,000 --> 00:21:22,520
Speaker 1: I mean it's work on projects and it still happens.

443
00:21:22,560 --> 00:21:25,000
Speaker 1: I mean, you know, unfortunately, we've we've just you know,

444
00:21:25,040 --> 00:21:27,960
Speaker 1: had some artists you know, uh that that were lost

445
00:21:28,119 --> 00:21:30,959
Speaker 1: you know recently even you know, um just from you know,

446
00:21:32,200 --> 00:21:33,600
Speaker 1: you know hood shit, you know what I mean. That

447
00:21:33,600 --> 00:21:35,720
Speaker 1: that comes with the territory, you know what I mean.

448
00:21:35,960 --> 00:21:38,160
Speaker 1: So tell me tell me about um, you know, how

449
00:21:38,200 --> 00:21:40,439
Speaker 1: how you guys, you know, ended up meeting. How did

450
00:21:40,440 --> 00:21:42,720
Speaker 1: you guys meet? Uh? I had to show a dash

451
00:21:42,800 --> 00:21:44,920
Speaker 1: radio that was doing and he had to show a

452
00:21:45,000 --> 00:21:48,560
Speaker 1: dash radio, and uh, I interviewed on his show. I

453
00:21:48,560 --> 00:21:51,159
Speaker 1: interviewed him on my show Vice Versa, and that we

454
00:21:51,240 --> 00:21:53,000
Speaker 1: just kind of clicked right away. We kind of just

455
00:21:53,080 --> 00:21:55,480
Speaker 1: had a good vibe or whatever. I respected what he

456
00:21:55,520 --> 00:21:58,760
Speaker 1: did in his legacy and uh and vice versa. Yeah,

457
00:21:58,760 --> 00:22:01,080
Speaker 1: we just kind of had a good energy together. And uh,

458
00:22:01,280 --> 00:22:04,680
Speaker 1: once everything went down, Dash went down too, with the pandemic,

459
00:22:04,720 --> 00:22:07,280
Speaker 1: everybody was in the house, and then he just trusted

460
00:22:07,320 --> 00:22:09,440
Speaker 1: the vision with me. We kind of just had a conversation.

461
00:22:09,520 --> 00:22:11,840
Speaker 1: We had a like minded goal and we've just been

462
00:22:11,840 --> 00:22:13,760
Speaker 1: pursuing it. Man. He stayed down while we was getting

463
00:22:13,760 --> 00:22:16,960
Speaker 1: it together. Yeah, man, shout like, hey, man, get it

464
00:22:17,040 --> 00:22:21,040
Speaker 1: up for Skioka, Jay loves a Homie, all of them.

465
00:22:21,080 --> 00:22:24,480
Speaker 1: De lease all there. Yeah, you know, we were at it.

466
00:22:24,640 --> 00:22:26,960
Speaker 1: We were at Dash. So we were on one on

467
00:22:27,040 --> 00:22:29,560
Speaker 1: one point five FM KOCI and then we went to

468
00:22:29,720 --> 00:22:32,280
Speaker 1: Dash and we're still on KOCI, but we went over

469
00:22:32,320 --> 00:22:34,840
Speaker 1: to Dash for you know, prior to you know, this

470
00:22:34,920 --> 00:22:37,359
Speaker 1: is maybe eight years ago. We were at Dash for

471
00:22:37,440 --> 00:22:39,679
Speaker 1: a couple of months there. You know, we recorded the

472
00:22:39,680 --> 00:22:42,520
Speaker 1: show out of there um and then uh, we were

473
00:22:42,640 --> 00:22:45,080
Speaker 1: producing the show and uploading it to the Dash platform.

474
00:22:45,119 --> 00:22:48,440
Speaker 1: But then shortly after we ended up being on air

475
00:22:48,960 --> 00:22:51,320
Speaker 1: with I Heeart. So we signed a iHeart and we

476
00:22:51,440 --> 00:22:54,040
Speaker 1: partnered with I Heart. So shout out to Dash, man,

477
00:22:54,480 --> 00:22:56,280
Speaker 1: they're still doing the thing. Yeah, they moved. You went

478
00:22:56,280 --> 00:23:02,160
Speaker 1: to the Okay, she's at the hotel and ship. Yeah

479
00:23:02,200 --> 00:23:05,960
Speaker 1: now that I'm never Yeah, but I just had to.

480
00:23:06,080 --> 00:23:07,960
Speaker 1: I just wanted to create my own platform. Man. I

481
00:23:07,840 --> 00:23:09,840
Speaker 1: got tired of waiting for someone else to make it

482
00:23:09,880 --> 00:23:12,280
Speaker 1: happen for me or give me an opportunity to monetize

483
00:23:12,400 --> 00:23:14,520
Speaker 1: what I do. And that's kind of what we had

484
00:23:14,560 --> 00:23:16,360
Speaker 1: the same goal too, is ye know, we can get

485
00:23:16,400 --> 00:23:18,920
Speaker 1: paid to do this. Yeah, and and we're not getting

486
00:23:18,920 --> 00:23:20,920
Speaker 1: money right now from it, so why not let's let's

487
00:23:21,119 --> 00:23:24,119
Speaker 1: put a plan together, let's execute it. Built him a

488
00:23:24,200 --> 00:23:26,800
Speaker 1: custom room and are building over there and that he

489
00:23:26,840 --> 00:23:29,320
Speaker 1: has some input on. Brought all the all the memorabilia

490
00:23:29,400 --> 00:23:31,720
Speaker 1: and all the all the all the stuff that makes

491
00:23:31,720 --> 00:23:34,800
Speaker 1: it what he feels. It's a man cave and his energy. Yeah,

492
00:23:34,840 --> 00:23:38,280
Speaker 1: and uh, I think we should make it happen. He

493
00:23:38,400 --> 00:23:41,480
Speaker 1: got an open invitation. Who I need to talk to?

494
00:23:41,720 --> 00:23:48,119
Speaker 1: Yeah talking, don't busy, man, I figured that I was

495
00:23:48,119 --> 00:23:50,120
Speaker 1: just checking, man, you know what I mean. But yeah,

496
00:23:50,119 --> 00:23:52,560
Speaker 1: we've had some interviews. Man, We've had the zap Judas

497
00:23:52,560 --> 00:23:56,040
Speaker 1: of the world. You know. DJ Vlad himself came on

498
00:23:56,119 --> 00:23:58,080
Speaker 1: an interview with him. He never does interviews, but he

499
00:23:58,119 --> 00:24:01,399
Speaker 1: came on a lot of cool people. Man. And then

500
00:24:01,440 --> 00:24:03,200
Speaker 1: do you guys, do you guys do the show together

501
00:24:03,320 --> 00:24:06,480
Speaker 1: or you guys produces the show for me? Okay, nice,

502
00:24:06,480 --> 00:24:08,680
Speaker 1: it's all he's my producer, but I'm it's one on

503
00:24:08,800 --> 00:24:10,960
Speaker 1: It's a one on one conversation. Yeah, you know what

504
00:24:10,960 --> 00:24:12,520
Speaker 1: I mean. It's like you just come over to my

505
00:24:12,560 --> 00:24:14,320
Speaker 1: crib and we just go down in the man cave,

506
00:24:15,000 --> 00:24:17,159
Speaker 1: light up some cigars, you know, take a shot and

507
00:24:17,240 --> 00:24:19,720
Speaker 1: just have real conversation. That's oh, you know, I'm a

508
00:24:19,760 --> 00:24:23,480
Speaker 1: cigar smoker. You just spoke Tomorrow, I gotta watched a

509
00:24:23,560 --> 00:24:24,880
Speaker 1: get off. I'm gonna show you. I got like four

510
00:24:24,960 --> 00:24:31,159
Speaker 1: human doors over there. Yeah, I'm appreciate it as well. Yeah. Yeah, Oh,

511
00:24:31,240 --> 00:24:33,240
Speaker 1: it's one of those fine things that I love. Or

512
00:24:33,280 --> 00:24:35,119
Speaker 1: I'm just like I got to the point that I

513
00:24:35,200 --> 00:24:38,560
Speaker 1: was smoking him every day and sometimes twice a day. Yeah,

514
00:24:38,600 --> 00:24:39,800
Speaker 1: it was getting a little too much. I had to

515
00:24:39,840 --> 00:24:41,399
Speaker 1: stop for a minute, and then then that's day that

516
00:24:41,400 --> 00:24:43,800
Speaker 1: I had to look half of one. The other day

517
00:24:43,840 --> 00:24:45,199
Speaker 1: I had a half of one of Like, okay, let

518
00:24:45,240 --> 00:24:46,880
Speaker 1: me just slow down a little bit. But but today

519
00:24:46,920 --> 00:24:48,880
Speaker 1: we'll do it. Well today, I gotta take my sent

520
00:24:48,960 --> 00:24:50,800
Speaker 1: of basketball right after you. So I'm like, you know,

521
00:24:50,840 --> 00:24:53,439
Speaker 1: I mean, I got half basketball football that he's got

522
00:24:53,560 --> 00:24:54,760
Speaker 1: to go to her, Like, I wish I could do

523
00:24:54,880 --> 00:24:56,480
Speaker 1: what he means, get his sons in a call him

524
00:24:56,480 --> 00:24:59,640
Speaker 1: out if he smells it, that's what Yes, Yeah, better yet,

525
00:25:00,320 --> 00:25:03,679
Speaker 1: moms like cigar. You know how it is? Kid, little kid,

526
00:25:03,680 --> 00:25:06,280
Speaker 1: a little nine year old kids at home yapping, Yeah,

527
00:25:06,880 --> 00:25:09,320
Speaker 1: you just can't smoking the cigars all the time. But

528
00:25:09,400 --> 00:25:13,120
Speaker 1: in the man cave, what's going down. I'm with you guys. Okay, yeah,

529
00:25:13,440 --> 00:25:15,440
Speaker 1: you guys will definitely get you in there soon. Man. Yeah,

530
00:25:15,520 --> 00:25:17,960
Speaker 1: I love man, love to do it. And so how

531
00:25:18,000 --> 00:25:20,440
Speaker 1: many episodes you guys have uploaded right now? We're on

532
00:25:20,520 --> 00:25:23,520
Speaker 1: the second season. Oh, I'm on my second season season

533
00:25:23,600 --> 00:25:27,560
Speaker 1: and uh got some pretty big interviews coming up, um,

534
00:25:27,800 --> 00:25:31,439
Speaker 1: most notably Deontay Wilder that one's coming up, nice chopping

535
00:25:31,520 --> 00:25:36,440
Speaker 1: up with the Bronze Bomber and some more. Stay's just

536
00:25:36,520 --> 00:25:38,720
Speaker 1: basically sit down and you guys just go over like

537
00:25:38,920 --> 00:25:40,920
Speaker 1: you know who we are. Just what's up. It's just

538
00:25:41,000 --> 00:25:45,840
Speaker 1: not really fascinated by people's journey, Like what led you

539
00:25:46,000 --> 00:25:48,359
Speaker 1: to be able to sit across from me and be

540
00:25:48,520 --> 00:25:51,639
Speaker 1: interviewed by me? Yeah, let's talk about that journey. And

541
00:25:52,520 --> 00:25:55,639
Speaker 1: you know, inspire people, inspire the people that watch my

542
00:25:55,800 --> 00:25:59,240
Speaker 1: show big on inspiring people, because I think in today's

543
00:25:59,560 --> 00:26:02,240
Speaker 1: days and times, we need a lot more of that.

544
00:26:02,760 --> 00:26:04,520
Speaker 1: People need a reason to get out the bed. Man,

545
00:26:04,560 --> 00:26:06,879
Speaker 1: you got so many reasons to stay in bed, and

546
00:26:07,000 --> 00:26:08,560
Speaker 1: so I try to give them reasons to get up

547
00:26:08,600 --> 00:26:10,840
Speaker 1: out the bed and go tackle their fucking goals and

548
00:26:11,440 --> 00:26:13,399
Speaker 1: live their life to the fullest. And it's kind of

549
00:26:13,440 --> 00:26:15,160
Speaker 1: like what you're doing now, right You're doing the show

550
00:26:15,200 --> 00:26:16,800
Speaker 1: to do that for focus. I mean, I mean you're

551
00:26:16,840 --> 00:26:18,880
Speaker 1: letting people know. Man. Yes, I used to wrap back

552
00:26:18,920 --> 00:26:20,520
Speaker 1: then and used to do this back then, do a

553
00:26:20,560 --> 00:26:22,840
Speaker 1: lot of other crazy shit back then. And now I'm

554
00:26:22,920 --> 00:26:25,840
Speaker 1: doing this and just talking to people and after that's dope.

555
00:26:26,040 --> 00:26:29,480
Speaker 1: Where can they see it and hear that? Definitely? YouTube,

556
00:26:29,880 --> 00:26:32,480
Speaker 1: you know what I mean. Follow me at the Outlaw Show,

557
00:26:33,000 --> 00:26:37,760
Speaker 1: Outlaw the Underscore Outlaw Underscore Show, and the linkers in

558
00:26:37,880 --> 00:26:42,119
Speaker 1: my bio. Then you go to broadcasts and friends broadcast

559
00:26:42,240 --> 00:26:44,080
Speaker 1: on YouTube. We all of these episodes up and then

560
00:26:44,119 --> 00:26:45,960
Speaker 1: you guys also put it on the air though, yeah,

561
00:26:46,000 --> 00:26:47,480
Speaker 1: it goes on air ward. Yet right now I have

562
00:26:47,760 --> 00:26:50,280
Speaker 1: my show, the after Party show is the FMC indicated show,

563
00:26:50,440 --> 00:26:52,439
Speaker 1: so I have the FM side of it with the audio,

564
00:26:52,840 --> 00:26:54,600
Speaker 1: and I've we've showing my show as well, so I

565
00:26:54,680 --> 00:26:57,200
Speaker 1: have like a couple of differentias in my show. And

566
00:26:57,280 --> 00:26:59,040
Speaker 1: then for him, we're in the project to get him

567
00:26:59,040 --> 00:27:02,679
Speaker 1: on statistic class. Yeah, a few years he's already out there,

568
00:27:03,119 --> 00:27:04,680
Speaker 1: that one out there too. We're gonna come back. We're

569
00:27:04,840 --> 00:27:06,440
Speaker 1: talk more about this and do the high five with

570
00:27:06,560 --> 00:27:08,600
Speaker 1: these cats. It's Cannabis Talk one on one. We'll be

571
00:27:08,760 --> 00:27:10,959
Speaker 1: right back after this. Great. Make sure you like following.

572
00:27:11,040 --> 00:27:19,360
Speaker 1: Subscribe to Cannabis Talk one on one. Now now back

573
00:27:19,400 --> 00:27:22,240
Speaker 1: to the number one cannabis show on the planet. You

574
00:27:22,320 --> 00:27:26,080
Speaker 1: know what? Get Now back to the number one cannabis

575
00:27:26,119 --> 00:27:31,360
Speaker 1: showing the universe Tonabis Time one on one. Welcome back

576
00:27:31,359 --> 00:27:33,639
Speaker 1: to Cannabis Talk one on one with Blue and Joe Grinde.

577
00:27:33,840 --> 00:27:36,920
Speaker 1: Joe Grinde just dipped out on me, but he is

578
00:27:37,040 --> 00:27:39,280
Speaker 1: here in spirit, dipped out on us. Yeah, how on

579
00:27:39,359 --> 00:27:43,160
Speaker 1: all of us us? Man? Can you believe it? Uh? Man,

580
00:27:43,240 --> 00:27:46,600
Speaker 1: we're gonna start somepeak. That's the rust. He said, Welcome

581
00:27:46,600 --> 00:27:48,680
Speaker 1: to my home. I'm leaving by Yeah. Yeah, you know

582
00:27:48,800 --> 00:27:50,800
Speaker 1: what man, it's it's home. Man. You guys got into

583
00:27:50,840 --> 00:27:52,720
Speaker 1: the home here. Man. What do you guys think of

584
00:27:52,760 --> 00:27:54,560
Speaker 1: the space? Man? I think it's amazing. I'll get sign

585
00:27:54,600 --> 00:27:57,359
Speaker 1: your stat in the critic man. Yeah, nice. Yeah, man,

586
00:27:57,480 --> 00:27:59,600
Speaker 1: you know it's for us, you know, it's it's at

587
00:27:59,680 --> 00:28:01,880
Speaker 1: least kind of eating. I mean what you were saying

588
00:28:02,040 --> 00:28:03,720
Speaker 1: is you know that, like, how do you end up here,

589
00:28:03,760 --> 00:28:06,200
Speaker 1: you know. And and I love that when you talk

590
00:28:06,240 --> 00:28:08,639
Speaker 1: about you know, your guys, what's your stories about, and

591
00:28:09,040 --> 00:28:11,840
Speaker 1: how you're you're offering that to bring back more people

592
00:28:11,920 --> 00:28:14,680
Speaker 1: into your facility and allowed them to have a voice

593
00:28:14,720 --> 00:28:18,320
Speaker 1: on your platform because it you know, you hit it

594
00:28:18,440 --> 00:28:21,040
Speaker 1: right on the money, dude. It's like, you know, I

595
00:28:21,160 --> 00:28:23,760
Speaker 1: feel like this whole journey right like I I started.

596
00:28:23,960 --> 00:28:26,600
Speaker 1: I was from from La two and I'm a I

597
00:28:26,760 --> 00:28:29,159
Speaker 1: was rapping and I was at you know, Death Row

598
00:28:29,200 --> 00:28:31,640
Speaker 1: in the nineties when it was at Canam Studios in Tarzana,

599
00:28:31,840 --> 00:28:34,840
Speaker 1: you know. And I remember being in and there and

600
00:28:34,920 --> 00:28:38,400
Speaker 1: then all American studios and all the different studios that

601
00:28:38,480 --> 00:28:41,320
Speaker 1: we ran around, and and I was just so young.

602
00:28:41,400 --> 00:28:43,680
Speaker 1: I didn't really know how to you know, take the

603
00:28:43,760 --> 00:28:46,520
Speaker 1: opportunity even that I had, you know. I was just

604
00:28:46,680 --> 00:28:48,960
Speaker 1: like just you know, amazed that I think I was there,

605
00:28:49,360 --> 00:28:53,120
Speaker 1: you know, and but going full circle, like I know

606
00:28:53,240 --> 00:28:55,400
Speaker 1: why I'm here now, you know. And and it's like,

607
00:28:55,880 --> 00:28:57,560
Speaker 1: you know, I've been able to meet all these people

608
00:28:57,840 --> 00:29:01,560
Speaker 1: and work next to them, understand them, understand the culture

609
00:29:01,680 --> 00:29:03,920
Speaker 1: of hip hop, the culture of cannabis. They all kind

610
00:29:03,960 --> 00:29:06,280
Speaker 1: of they all kind of merge together like if you

611
00:29:06,400 --> 00:29:08,840
Speaker 1: know about you know, smoking weed, it's probably you know,

612
00:29:08,960 --> 00:29:12,240
Speaker 1: at young ages, it was one of our you know,

613
00:29:12,320 --> 00:29:15,840
Speaker 1: best friends. Yeah, like we just smoke, Like who doesn't

614
00:29:15,880 --> 00:29:18,280
Speaker 1: who didn't smoke? You know, and and and it was

615
00:29:18,360 --> 00:29:21,120
Speaker 1: just part of the culture. And I think that people

616
00:29:21,200 --> 00:29:25,040
Speaker 1: don't realize, you know, like how intimate it is to

617
00:29:26,080 --> 00:29:29,000
Speaker 1: the minority community, you know. And and I say that

618
00:29:29,160 --> 00:29:32,080
Speaker 1: because you know, I, like I said, I were very

619
00:29:32,200 --> 00:29:34,760
Speaker 1: intimate with this plant, from the sales side of it

620
00:29:34,880 --> 00:29:37,920
Speaker 1: to the you know, consumption side of it. And then

621
00:29:38,040 --> 00:29:40,280
Speaker 1: now when you say things like you know, you get

622
00:29:40,320 --> 00:29:42,160
Speaker 1: to let you know, people figure out, like how did

623
00:29:42,240 --> 00:29:44,080
Speaker 1: you get here? And it's just like, man, I know

624
00:29:44,160 --> 00:29:45,760
Speaker 1: while we're here, you know what I mean, Like, I

625
00:29:46,080 --> 00:29:49,280
Speaker 1: know exactly why. I understand it. I could feel the energy.

626
00:29:49,320 --> 00:29:52,000
Speaker 1: I know that. I know that that, you know, getting

627
00:29:52,040 --> 00:29:54,280
Speaker 1: your guys voice out on our platform will help you

628
00:29:54,360 --> 00:29:56,960
Speaker 1: guys get your voice out on your platform and vice versa.

629
00:29:57,000 --> 00:29:58,360
Speaker 1: That's why I'm like, Yo, when can I get on?

630
00:29:58,480 --> 00:30:00,760
Speaker 1: Because I want to I want to cross promote that.

631
00:30:00,760 --> 00:30:02,480
Speaker 1: I want to figure out how we can do it more,

632
00:30:03,000 --> 00:30:05,160
Speaker 1: you know, how we can actually you know, figure out

633
00:30:05,200 --> 00:30:07,280
Speaker 1: like there's there's things there's so many things I want

634
00:30:07,320 --> 00:30:10,080
Speaker 1: to ask, you know, but i'll ask like off air, um,

635
00:30:10,280 --> 00:30:12,200
Speaker 1: but for an example, Like some of them are like,

636
00:30:12,320 --> 00:30:15,560
Speaker 1: you know, like do you guys have um uh, you

637
00:30:15,640 --> 00:30:17,880
Speaker 1: know decks? So you guys selling you know, ad time

638
00:30:18,040 --> 00:30:20,200
Speaker 1: or space? Yeah, and and of course you are. But

639
00:30:20,480 --> 00:30:22,040
Speaker 1: but I just want to compare notes. So you know

640
00:30:22,080 --> 00:30:24,200
Speaker 1: what I mean, because we're doing the same thing. So

641
00:30:24,360 --> 00:30:27,520
Speaker 1: let's let's embrace that and figure out how we need

642
00:30:27,600 --> 00:30:32,240
Speaker 1: more of that. Yeah, instead of everybody being like, you know,

643
00:30:33,120 --> 00:30:35,960
Speaker 1: kind of selfish with the with the information or the game,

644
00:30:36,240 --> 00:30:39,080
Speaker 1: it's like I like to call it, like share the game.

645
00:30:39,160 --> 00:30:41,680
Speaker 1: It should be shared. And because it's enough for everybody,

646
00:30:41,760 --> 00:30:45,080
Speaker 1: it's a pot lug. Yeah. Yeah, it's enough money for everybody.

647
00:30:45,120 --> 00:30:49,200
Speaker 1: It's enough audience for everybody. It's enough. There really is.

648
00:30:49,480 --> 00:30:51,600
Speaker 1: And and you know it's funny is when you still

649
00:30:51,720 --> 00:30:56,560
Speaker 1: see people that don't understand that, it's dumbfounded to me. Yeah,

650
00:30:56,600 --> 00:30:58,800
Speaker 1: I'm just like what the fuck? Like you you know,

651
00:30:58,880 --> 00:31:01,200
Speaker 1: you know, here's the and I always use this example

652
00:31:01,480 --> 00:31:04,160
Speaker 1: in that conversation is how many times you seen it

653
00:31:04,280 --> 00:31:07,600
Speaker 1: a chevron across the street from show every day? You know?

654
00:31:07,720 --> 00:31:09,920
Speaker 1: And they're not at war, you know, I mean maybe

655
00:31:09,960 --> 00:31:12,160
Speaker 1: the prices fluctuate here and there and they got a

656
00:31:12,240 --> 00:31:15,840
Speaker 1: little bit you know what I mean, corner, yeah, and

657
00:31:15,920 --> 00:31:18,200
Speaker 1: and but it's not really like a war though, And

658
00:31:18,280 --> 00:31:20,040
Speaker 1: it's more like and they're not like you can't move

659
00:31:20,080 --> 00:31:21,680
Speaker 1: over here, you're getting too close to my ship. You're

660
00:31:21,720 --> 00:31:24,400
Speaker 1: working on mind No, no, no one's no one's even

661
00:31:24,480 --> 00:31:26,920
Speaker 1: thinking on that level. We're thinking that there's plenty of

662
00:31:27,040 --> 00:31:29,280
Speaker 1: market share for all of us. Let's go out and

663
00:31:29,400 --> 00:31:32,120
Speaker 1: get it. And that's like like when I say that,

664
00:31:32,240 --> 00:31:34,560
Speaker 1: I sincerely mean it, Like, you know, I want to

665
00:31:34,560 --> 00:31:36,640
Speaker 1: show you guys the deck. So we have let you

666
00:31:36,720 --> 00:31:39,400
Speaker 1: guys see the sponsors that we have and how we

667
00:31:39,600 --> 00:31:42,360
Speaker 1: we you know, we set up our infrastructure and how

668
00:31:42,400 --> 00:31:45,600
Speaker 1: we monetize it from from the radio show and a

669
00:31:45,680 --> 00:31:47,440
Speaker 1: lot of people they hear the show and they're like, oh,

670
00:31:47,480 --> 00:31:49,680
Speaker 1: these guys are just a radio show. But in my mind,

671
00:31:49,760 --> 00:31:51,640
Speaker 1: I'm like, you have no idea, Like we have a magazine,

672
00:31:51,680 --> 00:31:53,640
Speaker 1: we have a radio show, we rent the facility out

673
00:31:53,680 --> 00:31:57,480
Speaker 1: to people. You know, we um, we're creating a television

674
00:31:57,560 --> 00:32:00,880
Speaker 1: network which is CTN, Cannabis Talk Network. You know. UM,

675
00:32:01,240 --> 00:32:04,160
Speaker 1: there's just so many different things that we have within

676
00:32:04,280 --> 00:32:08,880
Speaker 1: our ecosystem that allows us to be able to sustain ourselves.

677
00:32:09,560 --> 00:32:11,800
Speaker 1: And I think you have to share that with with

678
00:32:12,000 --> 00:32:13,840
Speaker 1: other folks that are doing it, because you might say

679
00:32:13,920 --> 00:32:16,040
Speaker 1: something like, yo, we do this, and I'm like, damn,

680
00:32:16,040 --> 00:32:19,120
Speaker 1: I didn't see that that branch and that branches that

681
00:32:19,280 --> 00:32:21,280
Speaker 1: gets to that tree and that trees what sprouts that

682
00:32:21,520 --> 00:32:26,640
Speaker 1: that that that you know, uh, that wealth throughout our

683
00:32:26,800 --> 00:32:29,680
Speaker 1: our legacies, And if we can't help other people do that,

684
00:32:29,800 --> 00:32:31,440
Speaker 1: then what are we really here for? You can't take

685
00:32:31,440 --> 00:32:34,160
Speaker 1: it with you. Yeah, So it's building that out. And

686
00:32:34,280 --> 00:32:37,560
Speaker 1: it's just like having those conversations. One conversation can spark

687
00:32:37,640 --> 00:32:40,200
Speaker 1: and change the world and and it's and it's and

688
00:32:40,520 --> 00:32:43,240
Speaker 1: it really happens. I mean, and here's an example, war,

689
00:32:44,280 --> 00:32:45,480
Speaker 1: you know what I mean, all of a sudden we're

690
00:32:45,480 --> 00:32:47,720
Speaker 1: going to war boom. That changes the world, you know.

691
00:32:47,800 --> 00:32:50,280
Speaker 1: I mean, right now people are in in Russia and

692
00:32:50,760 --> 00:32:54,120
Speaker 1: you know, attacking other countries and it's changing the world

693
00:32:54,520 --> 00:32:57,160
Speaker 1: because that world that they're at right now, temperature is

694
00:32:57,200 --> 00:33:00,280
Speaker 1: not good. Yeah, the temperature is not good. And so

695
00:33:00,480 --> 00:33:03,560
Speaker 1: in the same in the same scenario peace, you know.

696
00:33:04,120 --> 00:33:07,280
Speaker 1: And so in creating and creating a platform like you

697
00:33:07,360 --> 00:33:10,240
Speaker 1: guys have done, and I'm excited to hear more of it.

698
00:33:10,320 --> 00:33:13,360
Speaker 1: I haven't dove into it, but I'm going to listen

699
00:33:13,440 --> 00:33:16,000
Speaker 1: to it. Dive into it, man, I'm excited to do it.

700
00:33:16,040 --> 00:33:18,239
Speaker 1: I want to get into the High five guys. Um,

701
00:33:18,440 --> 00:33:20,120
Speaker 1: you know, are you guys familiar with the High fives? Yeah,

702
00:33:20,120 --> 00:33:22,000
Speaker 1: I've seen a couple of episodes. I don't know you're ready.

703
00:33:22,480 --> 00:33:25,920
Speaker 1: I don't have High five. Yeah, the High five. Yeah,

704
00:33:26,360 --> 00:33:30,400
Speaker 1: we're about to smoke High five exactly. Question number one

705
00:33:30,400 --> 00:33:32,360
Speaker 1: of the High five? How old were you the first

706
00:33:32,400 --> 00:33:35,000
Speaker 1: time you smoked? And where'd you get it from? Uh?

707
00:33:35,400 --> 00:33:38,000
Speaker 1: You go first, and now you go first. I think

708
00:33:38,040 --> 00:33:39,960
Speaker 1: I was like sixteen years old and I got it.

709
00:33:40,040 --> 00:33:42,280
Speaker 1: It was back when it was like Arizona was the

710
00:33:42,320 --> 00:33:44,000
Speaker 1: best weed you could get a z and it was

711
00:33:44,040 --> 00:33:46,880
Speaker 1: like it was like strizzy stress weed that Reggie Miller

712
00:33:46,960 --> 00:33:51,440
Speaker 1: like brick weed seeds. It was usually super Bobby brown.

713
00:33:51,560 --> 00:33:54,040
Speaker 1: And yeah, that's why I started growing smoking. On when

714
00:33:54,040 --> 00:33:56,760
Speaker 1: I started smoking, I remember that putting a Swisher sweet

715
00:33:56,840 --> 00:33:58,480
Speaker 1: or something to this day's probably why I still like

716
00:33:58,520 --> 00:34:01,480
Speaker 1: Swishers broke. I started like smoke like that. Yeah, but yeah,

717
00:34:01,480 --> 00:34:03,440
Speaker 1: they're horrible weed. Bro. But I was. That's why I

718
00:34:03,520 --> 00:34:07,800
Speaker 1: got it, some local Lancaster palm deal. I was about

719
00:34:07,840 --> 00:34:11,080
Speaker 1: fifteen sixteen as well. I had a homeboy. He was

720
00:34:11,160 --> 00:34:13,040
Speaker 1: already smoking. He was trying to get me to smoke

721
00:34:13,080 --> 00:34:16,600
Speaker 1: for the longest. But I always envisioned myself as an athlete.

722
00:34:16,600 --> 00:34:19,800
Speaker 1: I played football, So I was like, you know, antie,

723
00:34:19,880 --> 00:34:23,319
Speaker 1: anything that was gonna fuck with what position my football career?

724
00:34:23,360 --> 00:34:26,719
Speaker 1: I was on the defensive line. Nice. Yeah, And so

725
00:34:26,840 --> 00:34:29,080
Speaker 1: I didn't. I didn't, you know, I had football dreams.

726
00:34:29,640 --> 00:34:31,719
Speaker 1: I had aspirations. He was like, come on, man, just

727
00:34:31,840 --> 00:34:35,640
Speaker 1: try it. And so this guy, I don't know, I

728
00:34:35,680 --> 00:34:38,719
Speaker 1: don't know where he got the idea from, but he

729
00:34:39,440 --> 00:34:41,839
Speaker 1: twisted up like a luminum foil and made a pipe

730
00:34:41,840 --> 00:34:44,320
Speaker 1: out of a luminum Oh yeah, we all did that.

731
00:34:45,440 --> 00:34:47,520
Speaker 1: Of course. I smoked out of man. I used to

732
00:34:47,640 --> 00:34:49,360
Speaker 1: just that was my goal too. He just you know,

733
00:34:49,400 --> 00:34:51,440
Speaker 1: because I could get rid of it, you know, smoking,

734
00:34:52,120 --> 00:34:54,600
Speaker 1: put it in my pocket, take it with me, reroll it.

735
00:34:54,719 --> 00:35:00,160
Speaker 1: I mean, I'm but he didn't have any weed. Oh

736
00:35:01,320 --> 00:35:03,400
Speaker 1: you just pulled the pike up. What he had was

737
00:35:03,560 --> 00:35:09,120
Speaker 1: a bunch of roaches. Oh down, broke down all these roaches.

738
00:35:09,520 --> 00:35:12,640
Speaker 1: So you got really high packed. That's that's you see

739
00:35:12,680 --> 00:35:18,560
Speaker 1: where I'm going. See I'm going, Yeah, yeah, that's ship

740
00:35:18,920 --> 00:35:25,640
Speaker 1: really high. That ship was like what you're like, Yeah,

741
00:35:25,840 --> 00:35:29,520
Speaker 1: that's the real that's the you know. My daddy man

742
00:35:29,680 --> 00:35:33,279
Speaker 1: had roaches in his ass trays, in every ass tray

743
00:35:33,320 --> 00:35:35,680
Speaker 1: in the house, the car, everything, and I just you

744
00:35:35,760 --> 00:35:38,160
Speaker 1: know when when and and normally he'd have weed all

745
00:35:38,200 --> 00:35:39,880
Speaker 1: through the house too, But there was times where that

746
00:35:40,000 --> 00:35:42,319
Speaker 1: just was none to be found or I couldn't tap

747
00:35:42,400 --> 00:35:45,160
Speaker 1: into it because it was sealed differently, you know, saying

748
00:35:45,239 --> 00:35:47,520
Speaker 1: he could like kept going to that one hit, and

749
00:35:47,640 --> 00:35:49,440
Speaker 1: so I would just take those roaches and do the

750
00:35:49,520 --> 00:35:51,560
Speaker 1: same ship. And that was sometimes the best high because

751
00:35:51,600 --> 00:35:54,080
Speaker 1: it was concentrate. It's like that you know, hash or

752
00:35:54,120 --> 00:35:55,919
Speaker 1: that you know what I mean, it was bombed. Question

753
00:35:56,000 --> 00:35:57,720
Speaker 1: number two of the High five, what is your favorite

754
00:35:57,760 --> 00:36:02,440
Speaker 1: way to use or smoke cannabis um? Big tail? Definitely

755
00:36:02,960 --> 00:36:05,800
Speaker 1: a wrapper, A blunt for sure. Yeah, yeah, I'm not

756
00:36:05,880 --> 00:36:11,200
Speaker 1: too much of a bob or nah. Yeah, at this

757
00:36:11,280 --> 00:36:13,279
Speaker 1: point in my life, I smoke papers mostly just as

758
00:36:13,360 --> 00:36:17,080
Speaker 1: exactly straight. Yeah. We call that analog? Is that what

759
00:36:17,160 --> 00:36:22,200
Speaker 1: they said? Yeah? Everything else is digital. Now there's an analog,

760
00:36:22,320 --> 00:36:25,520
Speaker 1: just old school. That's the analog way, which I like too.

761
00:36:25,520 --> 00:36:27,960
Speaker 1: It's my favorite way to smoke really absolutely yeah. I'd

762
00:36:28,040 --> 00:36:30,320
Speaker 1: rather just smoke in into just a joint, you know.

763
00:36:30,480 --> 00:36:32,640
Speaker 1: And like I used to smoke blunts and and and

764
00:36:32,960 --> 00:36:36,400
Speaker 1: you know, different tobaccos. But you know, I realized it

765
00:36:36,520 --> 00:36:40,480
Speaker 1: was getting me too high, you know, the it boosts

766
00:36:40,480 --> 00:36:42,040
Speaker 1: a high big time, you know, And then I was

767
00:36:42,120 --> 00:36:45,560
Speaker 1: smoking all the fucking time. And I've cut back quite

768
00:36:45,560 --> 00:36:47,560
Speaker 1: a bit now. You know, I'm forty four, so I'm

769
00:36:47,680 --> 00:36:50,799
Speaker 1: kind of just on that listen to your body now. Yeah. Plus,

770
00:36:50,920 --> 00:36:54,360
Speaker 1: you know, when you know it's I think the best

771
00:36:54,560 --> 00:36:57,080
Speaker 1: high in the world is sobriety, you know what I'm saying.

772
00:36:57,160 --> 00:36:58,839
Speaker 1: Like a lot of people forget that. You know when

773
00:36:58,880 --> 00:37:00,760
Speaker 1: I look back and go when was not the clearest

774
00:37:00,800 --> 00:37:03,040
Speaker 1: ever when I was a kid and I was running

775
00:37:03,040 --> 00:37:06,120
Speaker 1: around and I had this crazy imagination and my mind

776
00:37:06,200 --> 00:37:08,520
Speaker 1: would just have this imagination. I think we start to

777
00:37:08,600 --> 00:37:12,239
Speaker 1: lose that imagination from the drugs that alcohol, and it

778
00:37:12,320 --> 00:37:15,319
Speaker 1: starts to get us a little bit less away from

779
00:37:15,640 --> 00:37:17,920
Speaker 1: our visions and our dreams. And I think the most

780
00:37:18,000 --> 00:37:21,400
Speaker 1: wealthy people in the world are unrealistic and they have

781
00:37:21,560 --> 00:37:25,240
Speaker 1: unrealistic cars, they have unrealistic lifestyles, and and that's because

782
00:37:25,280 --> 00:37:30,239
Speaker 1: of their imagination. And so you know, sometimes I think

783
00:37:30,400 --> 00:37:33,880
Speaker 1: cannabis can elevate your imagination one hundred percent. But I

784
00:37:33,920 --> 00:37:38,400
Speaker 1: think the overconsumption for me wasn't allowing me to expand

785
00:37:38,480 --> 00:37:41,759
Speaker 1: my imagination as much because sometimes I just get stuck

786
00:37:41,840 --> 00:37:44,080
Speaker 1: on just I gotta get some more weed and smoke, smoke, smoke,

787
00:37:44,160 --> 00:37:46,239
Speaker 1: And that became my whole day, in my whole life.

788
00:37:46,760 --> 00:37:51,239
Speaker 1: So that's mine. But uh, and for you favorite way

789
00:37:51,280 --> 00:37:53,160
Speaker 1: to use? Oh, you both did the craziest way question

790
00:37:53,280 --> 00:37:55,680
Speaker 1: number three of the high five Craziest way, place you've

791
00:37:55,760 --> 00:37:59,719
Speaker 1: ever used or smoked cannabis, craziest place you've ever used

792
00:37:59,840 --> 00:38:05,040
Speaker 1: or smoke cannabist question before you craziest that's a good one.

793
00:38:07,840 --> 00:38:14,920
Speaker 1: Mm hmmm, Where tours? Where? Road? Where crazy? The craziest

794
00:38:15,000 --> 00:38:22,160
Speaker 1: place wherever? I'm man and I'm getting highs Oh man,

795
00:38:22,560 --> 00:38:26,880
Speaker 1: it's pretty far. That's a good one. Somebody that'd be crazy.

796
00:38:26,920 --> 00:38:28,880
Speaker 1: I've never done that, like mine was, you know, I mean,

797
00:38:29,040 --> 00:38:32,919
Speaker 1: like you know, I mean I've smoked in jail. Yeah,

798
00:38:32,920 --> 00:38:34,839
Speaker 1: that's pretty crazy. Yes, So I walked in I walked

799
00:38:34,880 --> 00:38:36,680
Speaker 1: in the hommy was like a Holmes watched the door

800
00:38:36,760 --> 00:38:38,279
Speaker 1: for me brow and I'm like, all right, he's sitting

801
00:38:38,320 --> 00:38:40,560
Speaker 1: on the toilet boot pulled it out and you know

802
00:38:40,560 --> 00:38:42,640
Speaker 1: what I mean, he clean did his thing and it

803
00:38:42,800 --> 00:38:44,839
Speaker 1: wasn't you know, it's what it was, and just rolled

804
00:38:44,880 --> 00:38:48,120
Speaker 1: it up smoked right there. Um, that was pretty crazy

805
00:38:48,160 --> 00:38:50,040
Speaker 1: for me. I smoked out a court at the LA Courts.

806
00:38:50,560 --> 00:38:52,160
Speaker 1: But you know how that I don't know if you've

807
00:38:52,160 --> 00:38:54,319
Speaker 1: been at LA court I'm sure you guys have on them.

808
00:38:54,400 --> 00:38:57,000
Speaker 1: Don't judge us. Yeah, you know, I'm judging you right now.

809
00:38:57,960 --> 00:38:59,760
Speaker 1: You know on that the back, they got those stairs

810
00:38:59,800 --> 00:39:01,440
Speaker 1: that down the back, you know what I mean. So

811
00:39:01,680 --> 00:39:03,920
Speaker 1: I hit that stairway and ship and walked down and

812
00:39:03,960 --> 00:39:05,200
Speaker 1: then as soon as I came in there was all

813
00:39:05,280 --> 00:39:07,399
Speaker 1: kinds of cops there. I was pretty crazy. So when

814
00:39:07,400 --> 00:39:09,680
Speaker 1: you said that, you just fucking triggered a memory. Yeah

815
00:39:09,680 --> 00:39:12,680
Speaker 1: that's why I was smoke. It was in school. I

816
00:39:13,400 --> 00:39:15,600
Speaker 1: used to smoke every day in high school. And yeah,

817
00:39:15,680 --> 00:39:17,440
Speaker 1: me and his chick, I you know what I mean.

818
00:39:17,560 --> 00:39:19,960
Speaker 1: She would always have some weed and we go in

819
00:39:20,040 --> 00:39:24,080
Speaker 1: this one steadcase and burn it down right before home room. Yes, yeah,

820
00:39:24,239 --> 00:39:26,640
Speaker 1: that's the crazy shit, right, you could have been great

821
00:39:26,719 --> 00:39:28,680
Speaker 1: days while I was there, you know, because I usually

822
00:39:28,719 --> 00:39:31,960
Speaker 1: left around one or two. Well, I think it just

823
00:39:32,120 --> 00:39:34,799
Speaker 1: my daily livings, bro. I smoked everywhere. I'm smoked from

824
00:39:34,840 --> 00:39:37,520
Speaker 1: the cops. I'm smoking like I act like it's Amsterdam

825
00:39:37,600 --> 00:39:39,600
Speaker 1: everywhere I go, like just every I think the craziest

826
00:39:39,600 --> 00:39:42,680
Speaker 1: plays ever smoked in Utah A better fact, let's yeah. Yeah. Yeah.

827
00:39:43,880 --> 00:39:46,000
Speaker 1: So some people say, like China, you know, because when

828
00:39:46,040 --> 00:39:47,680
Speaker 1: you go out there, you know, if you get cops

829
00:39:47,719 --> 00:39:49,959
Speaker 1: smoking out there, they you know, they'll throw you away

830
00:39:49,960 --> 00:39:52,239
Speaker 1: for twenty years. It's like, you know, I was looking

831
00:39:52,280 --> 00:39:55,759
Speaker 1: at the athlete. I don't care the first time I

832
00:39:55,840 --> 00:39:59,840
Speaker 1: went to du Bui. Yeah, that's pretty crazy. Futures d

833
00:40:00,080 --> 00:40:03,640
Speaker 1: Jake was either still locked up or had just got

834
00:40:03,719 --> 00:40:07,520
Speaker 1: out because he had got cold week, right, and they

835
00:40:07,600 --> 00:40:10,919
Speaker 1: had him for like damn sixty days and was trying

836
00:40:10,920 --> 00:40:13,200
Speaker 1: to keep them. Yeah, they're trying to keep them. Yeah.

837
00:40:13,239 --> 00:40:16,640
Speaker 1: And and really, if if if it wasn't future, probably

838
00:40:17,080 --> 00:40:18,640
Speaker 1: they probably would have you know what I mean, if

839
00:40:18,680 --> 00:40:20,200
Speaker 1: it was just some geek off the street, you know,

840
00:40:20,320 --> 00:40:22,960
Speaker 1: like they had to go through exercise to get him.

841
00:40:23,040 --> 00:40:25,560
Speaker 1: Oh you know, had any real attorneys and you know, yeah,

842
00:40:25,719 --> 00:40:28,839
Speaker 1: it's you lost and sitting the numbers getting they'll leave

843
00:40:28,840 --> 00:40:30,359
Speaker 1: you there. They don't. They don't give a shit. They

844
00:40:30,360 --> 00:40:33,520
Speaker 1: don't give a motherfucking shit, not at all. Question number four,

845
00:40:33,640 --> 00:40:35,879
Speaker 1: the high five. What is your go to munchie after

846
00:40:36,120 --> 00:40:40,560
Speaker 1: you get high? Oh Man, talkies? Talkies? Yeah you do

847
00:40:40,719 --> 00:40:45,080
Speaker 1: that answer quickly? Why why talkies? I don't like hot cheetos,

848
00:40:45,080 --> 00:40:47,480
Speaker 1: bro don't just like spicy shit. Yeah you do like

849
00:40:47,560 --> 00:40:49,800
Speaker 1: hot chios, not as much, but you like to talkies.

850
00:40:50,040 --> 00:40:53,480
Speaker 1: They got a little different crunch to him, don't they. Yeah? Yeah,

851
00:40:53,480 --> 00:40:55,920
Speaker 1: I mean I don't eat a lot of flaming hot

852
00:40:56,000 --> 00:40:59,839
Speaker 1: stuff just because you know, it's got to be something. Yeah,

853
00:40:59,840 --> 00:41:01,800
Speaker 1: it's gotta be something too bad for that ship. So

854
00:41:02,280 --> 00:41:03,799
Speaker 1: I tried. I mean, I ate a bunch of dumb

855
00:41:03,840 --> 00:41:05,960
Speaker 1: shit anyways, but but you know, I try to stay

856
00:41:05,960 --> 00:41:08,759
Speaker 1: away from those ones. I like like playing potato chips child,

857
00:41:08,880 --> 00:41:10,759
Speaker 1: you know a lot, so you know, I mean, what

858
00:41:10,840 --> 00:41:15,399
Speaker 1: do you I'm like you chips? Maybe some popcorns like that? Yeah? Fruit?

859
00:41:15,920 --> 00:41:19,360
Speaker 1: What kind of chips? I like my chips? Really? Playing?

860
00:41:19,440 --> 00:41:25,640
Speaker 1: Man like ruffles not a las heads or no ridge,

861
00:41:25,920 --> 00:41:34,680
Speaker 1: no rich some French onion humb no, just salt. Give

862
00:41:34,760 --> 00:41:38,480
Speaker 1: me that. And you know, no barbecue, no barbecue down lays,

863
00:41:38,600 --> 00:41:41,560
Speaker 1: just lays. I like the olgs, two lads and ruffles,

864
00:41:41,640 --> 00:41:44,279
Speaker 1: or might always go to I'll go to the only

865
00:41:44,320 --> 00:41:47,200
Speaker 1: thing that's salt vinegar area. Now, I could do them,

866
00:41:47,239 --> 00:41:48,600
Speaker 1: but I don't want to go too hard on them.

867
00:41:48,600 --> 00:41:50,160
Speaker 1: You know what I'm saying. I'd rather just go straight

868
00:41:50,440 --> 00:41:52,719
Speaker 1: hip the regular chip. I could. I could eat playing

869
00:41:52,760 --> 00:41:54,560
Speaker 1: all day too. Yeah, you know what I'm saying. Question

870
00:41:54,680 --> 00:41:57,360
Speaker 1: number five of the high five you smokes. If you

871
00:41:57,400 --> 00:42:01,040
Speaker 1: could smoke cannabis with anyone dead or live, who would

872
00:42:01,080 --> 00:42:05,400
Speaker 1: it beat and why? Um Man? It used to be

873
00:42:05,440 --> 00:42:08,560
Speaker 1: I used to want to smoke with Rihanna, Ri Bad

874
00:42:08,719 --> 00:42:14,359
Speaker 1: still pregnant right now I smoke. I used to yea,

875
00:42:15,000 --> 00:42:22,000
Speaker 1: he watched a man man? Yeah, yeah, man, but shout

876
00:42:22,000 --> 00:42:24,000
Speaker 1: out there, he's sad rocket Man. You got that off.

877
00:42:24,120 --> 00:42:28,359
Speaker 1: He got it. Salute Salute the brother man, salute him.

878
00:42:28,560 --> 00:42:33,239
Speaker 1: Yeah for me? Uh man, Stevie Nicks Fleetwood mac w

879
00:42:33,600 --> 00:42:35,920
Speaker 1: why because he's a rock star. Bro To me, that

880
00:42:36,040 --> 00:42:37,840
Speaker 1: was just that's even bigger than Snooper or someone. To me,

881
00:42:37,960 --> 00:42:41,719
Speaker 1: that's like Willie Nelson. Iconackers like legendary. Yeah, that's big.

882
00:42:41,800 --> 00:42:44,560
Speaker 1: It's a big dish rock star literally with Mac don't

883
00:42:44,600 --> 00:42:48,560
Speaker 1: get a twisted Yeah, yeah, listen, um, you guys. You know,

884
00:42:48,760 --> 00:42:50,360
Speaker 1: I first of all, I appreciate you guys making the

885
00:42:50,680 --> 00:42:52,880
Speaker 1: drive out here, coming down. Um, Like I said, I

886
00:42:52,960 --> 00:42:55,000
Speaker 1: do want to compare notes with you guys, so we

887
00:42:55,080 --> 00:42:57,200
Speaker 1: can look at what we have, what we're doing. You know,

888
00:42:57,320 --> 00:42:59,279
Speaker 1: let's carve out some shine that we can. We can

889
00:42:59,400 --> 00:43:02,319
Speaker 1: really show each other. You know what formulas did I know? Work?

890
00:43:02,360 --> 00:43:04,279
Speaker 1: You show me what fummers are working with you guys.

891
00:43:04,560 --> 00:43:07,200
Speaker 1: That way we can expand ourselves, you know, and our

892
00:43:07,280 --> 00:43:10,279
Speaker 1: visions would be my pleasure. Yeah, absolute, really I look

893
00:43:10,320 --> 00:43:12,319
Speaker 1: forward to that. Is there anything that we forgot before

894
00:43:12,320 --> 00:43:13,680
Speaker 1: we let you guys get on out of here man,

895
00:43:13,719 --> 00:43:15,440
Speaker 1: that you guys want to bring up talk about? Make

896
00:43:15,480 --> 00:43:17,960
Speaker 1: sure you're checking out the after Party show. Make sure

897
00:43:17,960 --> 00:43:21,080
Speaker 1: you check out the Outlaws show. Yeah on Frenzy Broadcasting

898
00:43:21,960 --> 00:43:24,800
Speaker 1: Frenzy Broadcasting dot com. Make sure y'all stay two. We

899
00:43:24,880 --> 00:43:27,520
Speaker 1: have a lot of music coming out together also, and

900
00:43:27,880 --> 00:43:29,920
Speaker 1: uh yeah, we even got a record with the Outlaws

901
00:43:29,960 --> 00:43:31,960
Speaker 1: and Gangs to boot Rest in Peace Gangs to Bootohnger

902
00:43:32,000 --> 00:43:35,399
Speaker 1: from three six Mania. Who I interviewed on my shows, Well,

903
00:43:35,480 --> 00:43:37,520
Speaker 1: interet her and that's actually how I got to meet her,

904
00:43:37,640 --> 00:43:39,160
Speaker 1: and I built my own relationship with her and got

905
00:43:39,200 --> 00:43:41,879
Speaker 1: her in the studio and got a really organic song

906
00:43:42,000 --> 00:43:44,000
Speaker 1: from her before her passing. Man and I end up

907
00:43:44,040 --> 00:43:47,200
Speaker 1: getting him and Young Noble how she passed? You want me?

908
00:43:47,600 --> 00:43:50,000
Speaker 1: It was an overdose. I'm so sorry to hear that. Man.

909
00:43:50,400 --> 00:43:52,799
Speaker 1: That's an accident. We call those accidents. Yeah, yeah, yeah,

910
00:43:52,800 --> 00:43:55,319
Speaker 1: because I don't think anybody you know tries to do that. Yeah,

911
00:43:56,000 --> 00:43:58,880
Speaker 1: absolutely an accident. Yeah. She had a lot to live for.

912
00:43:59,760 --> 00:44:02,680
Speaker 1: She excited, her comeback was coming, great music, yet the

913
00:44:02,920 --> 00:44:06,759
Speaker 1: badness coming. No female hit pop be so dominant right now?

914
00:44:06,920 --> 00:44:09,560
Speaker 1: Is the lane was open enough five days? So what's

915
00:44:09,640 --> 00:44:12,759
Speaker 1: what's she local? Yes, she's in LA one? Yeah? Yeah,

916
00:44:14,320 --> 00:44:16,440
Speaker 1: who was that you say? Thanks to Boo, thanks to

917
00:44:16,480 --> 00:44:18,800
Speaker 1: Bou from Triple SIT's mo. Yeah, yeah, I remember, I remember.

918
00:44:18,960 --> 00:44:21,200
Speaker 1: I just don't remember. I'm trying to put it together.

919
00:44:22,360 --> 00:44:24,680
Speaker 1: There was another girl that died out in um the

920
00:44:24,960 --> 00:44:27,000
Speaker 1: US coast or Texas or someone else too that I

921
00:44:27,120 --> 00:44:29,719
Speaker 1: recently and I think was another accident, but you know,

922
00:44:29,840 --> 00:44:31,560
Speaker 1: I can't just couldn't remember. So I was just trying

923
00:44:31,600 --> 00:44:33,840
Speaker 1: to put it all together. But man, listen, thank you

924
00:44:33,920 --> 00:44:36,000
Speaker 1: guys so much for joining us, Thanks for having us.

925
00:44:36,120 --> 00:44:38,880
Speaker 1: Yeah we we fucking I love you guys. Man. We

926
00:44:39,000 --> 00:44:41,000
Speaker 1: have a platform here. If there's anything you can do

927
00:44:41,080 --> 00:44:43,120
Speaker 1: to help you guys out man, We'll here with you, guys,

928
00:44:43,719 --> 00:44:46,160
Speaker 1: and we appreciate you guys. All right, black Wise, Well

929
00:44:46,160 --> 00:44:48,040
Speaker 1: there it is, guys. It's Cannabis Talk one on one.

930
00:44:48,080 --> 00:44:50,800
Speaker 1: And remember this, if no one else loves you, we do.

931
00:44:51,560 --> 00:44:53,719
Speaker 1: Thank you for listening to Cannabis Talk one on one

932
00:44:53,800 --> 00:44:56,720
Speaker 1: with Blue with Joe Brande, the world's number one source

933
00:44:56,840 --> 00:45:00,040
Speaker 1: for everything cannabis, and make sure you like, follow, and

934
00:45:00,160 --> 00:45:08,239
Speaker 1: subscribe to Cannabis Talk one to one now. M