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Speaker 1: Live from the Mercedes Benz Interview Lounge.

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Speaker 2: Hi ad them, Hello, Hello, making its way into my brain.

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Speaker 3: I've got coffee up stairs. I didn't bring it down.

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Speaker 3: This is all decaffinated. Well, welcome to the day.

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Speaker 2: Thank you.

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Speaker 3: Are you at the beginning of your day?

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Speaker 4: Yes?

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Speaker 2: Yes, this is this Broadway schedule. You know I got

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Speaker 2: home less night at midnight from my show.

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Speaker 3: So Hello, you're amazing.

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Speaker 4: I saw it a couple of weeks ago.

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Speaker 2: You can't.

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Speaker 4: Oh, yes, I thank you amazing, Thank you, I appreciate it.

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Speaker 2: I'm loving it. It's so much fun and it's such

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Speaker 2: a it's challenging. The schedule is crazy, but like the

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Speaker 2: theater is full of people that want to have an

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Speaker 2: experience and it's such an important piece of theater.

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Speaker 1: We got to talk about the experience before you even

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Speaker 1: see the show. Yeah, Like, first of all, you walk

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Speaker 1: in and it says KitKat Club, and then they give

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Speaker 1: you a piece of tape to put over your phone

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Speaker 1: so you're not allowed to take any videos anything. And

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Speaker 1: then it's like your really there in the KitKat Club.

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Speaker 1: There's all these different performances going on. There's like it's

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Speaker 1: like a speakeasy where you can get alcohol, and then

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Speaker 1: you go into the theater and some people get to eat.

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Speaker 1: If you get those expensive seats.

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Speaker 4: Oh, I can sit in the back.

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Speaker 1: It's just the coolest experience before the show even starts.

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Speaker 3: If you're in the back, you're gonna bring your own food.

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Speaker 3: I'm sure. I just don't see the Kitkit Club having

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Speaker 3: people with bags of Wendy's and things. I don't know, but.

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Speaker 2: Anyway, I know if you're allowed in there with Wendy's.

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Speaker 2: But we'll come in with here.

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Speaker 3: Why not? Come on? I love being some nugs, some

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Speaker 3: nugs with barbecue sauce during cabaret.

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Speaker 2: Maybe a discount if you bring your own fast food.

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Speaker 2: I don't know.

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Speaker 3: Let me just bring everyone up, just beed in case

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Speaker 3: you're just what are they talking about? Of course Adam

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Speaker 3: Lambert starring in Cabaret absolutely and this role you're playing

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Speaker 3: the MC, I mean, it goes all the way back

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Speaker 3: to Joel Gray from the nineteen sixties who won an

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Speaker 3: Oscar for the film. As a matter of fact, that

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Speaker 3: Alan Cumming who weren't won a Tony in nineteen eighty eight,

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Speaker 3: and the Neil Patrick carry Michael C. Hall and you

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Speaker 3: know what in every one of them made the MC

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Speaker 3: role their own, and I've yet to see you Danielle

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Speaker 3: has did he make it his own? Danielle did Adam make.

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Speaker 2: It his own?

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Speaker 1: Hundred recent and you know, going into it, I said, uh,

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Speaker 1: if anybody's gonna do this, well, it's gonna be.

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Speaker 4: Our boy, Adam.

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Speaker 1: I knew it And I was so excited to see

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Speaker 1: you because I've seen it before. And uh and I

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Speaker 1: actually played Sally in college, which is crazy.

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Speaker 2: Yeah, but it.

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Speaker 4: Was it was everything and more.

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Speaker 1: And it's such a serious I mean, it's a fun show,

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Speaker 1: but there's so much seriousness to the show. But it's

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Speaker 1: also sexy and you make it sexy and it's just

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Speaker 1: it's fantastic.

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Speaker 2: I just love I love the like the big dramatic

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Speaker 2: shift that we have from Act one to Act two.

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Speaker 2: That's that's what's so crazy about the show is that

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Speaker 2: in Act one everything is you know, about freedom and

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Speaker 2: expression and debauchery and you know, being a bit you know,

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Speaker 2: naughty and poking fun and everything, and then it just

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Speaker 2: takes such a sharp left turn. And I think it's

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Speaker 2: it's so meta. It's like meta upon meta because it

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Speaker 2: is about sort of like what's going on politically and

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Speaker 2: socially in this country. I mean, it's so kind of

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Speaker 2: like in line with some of the things that we're

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Speaker 2: all talking about. And and you know, we in the

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Speaker 2: club that you know, the rug sort of gets pulled

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Speaker 2: out from under us, you know in that act to

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Speaker 2: all the story that happens in Act two, because back

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Speaker 2: in thirties Germany, where this story takes place, that's sort

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Speaker 2: of what happened. People didn't really see it coming. And

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Speaker 2: we're downplaying it. We're in denial and going, oh, it's

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Speaker 2: it's it'll blow over, it'll blow over, and then all

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Speaker 2: of a sudden it just didn't wow.

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Speaker 3: You know, of course, arguably one of the most important

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Speaker 3: pieces of history in our world since the planet began spinning.

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Speaker 3: But this is from the entertainer's point of view. This

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Speaker 3: is a show going on when the world is just

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Speaker 3: coming to a stop. But as far as a role

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Speaker 3: goes as the MC for you, Adam, I mean this

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Speaker 3: this is different than anything you've ever done. How fun

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Speaker 3: is fun? The word? I don't think funds of the

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Speaker 3: word stretching, challenging, what's the word?

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Speaker 2: The moments of it that are absolutely ridiculously fun. There's

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Speaker 2: a song in the show called Two Ladies. That's just

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Speaker 2: a basically a big German orgy on stage and we're

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Speaker 2: and it's so silly, and it's so ridiculous, and we're

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Speaker 2: all laughing the whole time. And I get off stage

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Speaker 2: for that number every night just giggling. It's it's so

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Speaker 2: funny like and we're just all just being nuts. So

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Speaker 2: there's lots of fun to be had in the show.

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Speaker 2: And then yeah, and like I said in the second

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Speaker 2: actden it gets it gets heavy. And so for this role,

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Speaker 2: it's definitely like a big range. You know, I have

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Speaker 2: to go from ridiculous to very dramatic by the end.

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Speaker 2: And I'm doing a German accent. That's the first time

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Speaker 2: I've ever done that.

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Speaker 3: How'd you roll into that?

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Speaker 2: It was a dialect coach, Yeah, yeah, yeah.

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Speaker 5: I don't teach ussh. I don't know how accurate it is.

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Speaker 5: Sometimes it sounds French, sometimes it doesn't. Sometimes I sound

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Speaker 5: like I'm from the.

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Speaker 2: Up.

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Speaker 3: It doesn't work and it verts with a V. Its Yeah, yeah,

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Speaker 3: is a V.

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Speaker 5: Yeah, that was the first thing she told me.

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Speaker 2: Yeah, but it's you know, it's it's it's great too

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Speaker 2: because I get to get a lot of like leeway

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Speaker 2: to sort of improv in the first few scenes that

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Speaker 2: I'm in, because basically the MC is a narrator. He's

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Speaker 2: the host of the night, so he's talking to the

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Speaker 2: audience the whole time and sort of guiding them through

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Speaker 2: the show. So I break the fourth wall. I get

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Speaker 2: to look at people, I get to call people out

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Speaker 2: and react to things that that are happening. And it's

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Speaker 2: that looseness is really fun.

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Speaker 3: Danielle, you played Selly Bowls. Maybe you could understudy.

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Speaker 1: Oh yeah, I'm gonna go ahead and say probably not.

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Speaker 1: But the girl who is I never get her name.

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Speaker 4: Ali Ali.

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Speaker 1: She is Mawana in Mawana and she was fantastic too,

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Speaker 1: and she's amazing.

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Speaker 4: I didn't realize she's not really British.

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Speaker 2: At first. I was like, her accent's brilliant.

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Speaker 4: Ye, her accent's great.

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Speaker 2: She blew my mind. We got into rehearsals together because

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Speaker 2: we were the replacement cast going in at the same time,

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Speaker 2: and she's just like, she's so mad talented, it's crazy.

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Speaker 2: And you know, I thought when that I heard, Oh

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Speaker 2: it's the girl Pemuan, I went, oh, that's interesting, Like

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Speaker 2: you know, a Disney princess in this show.

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Speaker 5: I don't.

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Speaker 2: I literally in my head went hm. Day one of rehearsal,

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Speaker 2: I was like, oh, okay, this girl's the real deal.

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Speaker 2: And she's so multifaceted, like you wouldn't watching her, you

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Speaker 2: wouldn't go, oh, she just did the voice of a

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Speaker 2: Disney princess. It's like it's bananas how she transformed.

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Speaker 4: Technically Mawana is not a Disney princess.

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Speaker 2: But okay, well, the guy in the first movie he did,

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Speaker 2: he has that same argument with her, and he says

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Speaker 2: that she is a princess. She's in a dress, and

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Speaker 2: she comes from the tribe, the tribal leader, so she

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Speaker 2: is a princess.

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Speaker 4: And in the second one, oh, they refused. They and

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Speaker 4: the second one they actually say still not a Disney princess.

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Speaker 4: And then and then they say, well a lot of

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Speaker 4: people think you are.

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Speaker 2: I love it.

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Speaker 3: I love this argument between Danielle and Adams by Adam Lambert,

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Speaker 3: just turning us on. Adam Lambert's here starring, of course

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Speaker 3: as the MC in Cabaret. I don't know if you

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Speaker 3: know this, but there's another production that's going on. It's

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Speaker 3: kind of huge right now. Adam, is it true you

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Speaker 3: traveled with Wicked.

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Speaker 2: Is this true? Yeah, I was in the first national

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Speaker 2: tour cast, so I was an understudy for Fear. Oh

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Speaker 2: and I was in the ensemble and so that was

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Speaker 2: in two thousand and five, I think it was. Have

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Speaker 2: you seen the film yet?

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Speaker 4: Yeah?

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Speaker 2: It was beautiful. I even wore my green today sea Alpha.

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Speaker 2: Yeah it was. The movie was stunning. It was absolutely beautiful.

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Speaker 3: You know, something that you would love if you knew

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Speaker 3: Daniel every day, like we do know Daniel every day.

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Speaker 2: She is I've taken note yes, of the witch nutcracker

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Speaker 2: on her station and the green nails. I noticed that.

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Speaker 4: Yes, actually my Wicked nails.

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Speaker 2: Thank you. I see, I knew it. I knew.

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Speaker 3: I will tell she's very enthused about Broadway in and

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Speaker 3: of itself. As a matter of fact, she goes to

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Speaker 3: at least you do at least three shows a month.

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Speaker 2: Oh yeah, a lot, I mean.

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Speaker 3: And so she's always out on the town. And that's

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Speaker 3: why we love having you come by to talk about Cabaret,

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Speaker 3: because we want more and more people to get back

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Speaker 3: into the theaters, because there are some people who still

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Speaker 3: haven't gotten back since the pandemic of all things, they

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Speaker 3: haven't gone back into the habit of filling up the house.

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Speaker 2: You know, I gotta say too. It's interesting because you being,

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Speaker 2: you know, on stage every night, and and cabaret is

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Speaker 2: sort of an intimate setup. It's it's theater in the round,

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Speaker 2: which is really interesting. We have audience on all sides

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Speaker 2: of us, which is challenging and really cool. And it's

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Speaker 2: interesting because there's always like one or two people in

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Speaker 2: the audience that think they're in their living room and

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Speaker 2: like just talking. They're like, and I'm like, we can

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Speaker 2: hear you, yes, yes, this is live theater. So you know,

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Speaker 2: I think there are some people that still don't know

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Speaker 2: the etiquette, but those are just a few exceptions. Most

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Speaker 2: people are just and our audiences are incredible. They're so interactive,

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Speaker 2: they're so excited to be there and witness something like that.

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Speaker 2: And I think in this day and age, when most

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Speaker 2: people do sit at home and watch TV, it's like

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Speaker 2: live entertainment is so special. There's something so immediate about it,

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Speaker 2: and it's like anything can happen and it's never the

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Speaker 2: same twice. It's really cool to be a part of that.

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Speaker 3: You know, when you're on the stage, either at a concert,

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Speaker 3: at your own concert, or on a Broadway production, a

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Speaker 3: lot of.

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Speaker 2: People in the audience don't know.

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Speaker 3: You usually don't see people in the audience that well.

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Speaker 3: But if you're doing it in the round, like you

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Speaker 3: guys are doing, you see them as you're saying, you're

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Speaker 3: there right there. Yeah, do you interact with the audience

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Speaker 3: very much? Do you do a club it's a club scene,

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Speaker 3: it seems like you would.

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Speaker 2: Well, yeah, in this role sort of That's how he's

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Speaker 2: sort of intended to be. You know, he's talking directly

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Speaker 2: to them. He's breaking the fourth wall as we say,

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Speaker 2: like you know, the other scenes that are going on,

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Speaker 2: they're supposed to be taking place like in different rooms

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Speaker 2: and environments, so they don't, you know, acknowledge the audience

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Speaker 2: because it's a story that we're all watching. But the

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Speaker 2: MC is basically this like Svengali that kind of takes

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Speaker 2: you through the story. So he you know, he looks

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Speaker 2: at the audience a lot, and yeah, if someone you

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Speaker 2: know makes a comment or laughs at something or I

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Speaker 2: will call them out, you know, and in the best way.

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Speaker 2: And it's so fun. And then in the second act,

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Speaker 2: when it gets a little bit more serious, there's moments

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Speaker 2: where I won't go into too much detail. But what's

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Speaker 2: very complicated and heavy about this show is when we

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Speaker 2: do get into the subject matter of anti Semitism and

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Speaker 2: the Nazis coming into Germany. There's a number that I

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Speaker 2: do that's basically like political social satire about inter people

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Speaker 2: dating that are out of their religion. So there's a

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Speaker 2: German woman that's dating a Jewish man and the challenges

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Speaker 2: that come from that and what society says about it

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Speaker 2: at the time. And I'm basically doing a number with

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Speaker 2: a gorilla, yeah, which is supposed to be like a

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Speaker 2: satire of how the Germans and anti Semitic people would

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Speaker 2: view a relationship like that. And there's a line at

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Speaker 2: the end where I say, you know, she you know,

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Speaker 2: if you could see her through my eyes looking at

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Speaker 2: the gorilla, she wouldn't look Jewish at all. And because

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Speaker 2: the number is supposed to at first it's supposed to

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Speaker 2: feel like this kind of silly vaudeville campy thing, people

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Speaker 2: are kind of laughing at the beginning of it, and

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Speaker 2: when we get into this monologue, it's actually quite serious

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Speaker 2: and some some people maybe they had too much snaps

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Speaker 2: at the bar, maybe they're not quite listening or paying attentions.

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Speaker 2: Every once while you get someone that's like not with

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Speaker 2: me on that, and they'll laugh at that line, which

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Speaker 2: is very not funny, you know, it's very sad what's

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Speaker 2: actually saying. And there have been a few times where

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Speaker 2: someone's laughed in a very inappropriate way at that punchline

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Speaker 2: where everyone else is quiet, and I just stop and

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Speaker 2: I look at them in the audience and I get

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Speaker 2: very quiet, and I point at them and I asked

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Speaker 2: the question again, or I'll laugh back at them with

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Speaker 2: like like mimicking them, and you know, it's very confrontational.

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Speaker 2: But that's what's so brilliant about Cabaret is that it

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Speaker 2: is confrontational. That's what the show's about. It's about saying, hey,

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Speaker 2: are you paying attention or are you complicit and ignorant

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Speaker 2: to the things that are going on around you.

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Speaker 3: Well see, that's what's so refreshing about Cabaret in the

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Speaker 3: round in the kick Kat Club is you can do that.

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Speaker 3: And that was a big story in page six.

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Speaker 2: By the way, Yeah you stare so one.

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Speaker 3: Down and go hello, yeah, are you listen listening what

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Speaker 3: we're talking about? When you're laughing here at something you

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Speaker 3: don't understand.

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Speaker 2: Well, It always cracks me upcause I'm like, you saw

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Speaker 2: the swastika earlier, Like you know where we've gone now, right,

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Speaker 2: it's gotten real. But that's what I love about Cabaret

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Speaker 2: is it makes you think. It is not just like

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Speaker 2: a little silly you know, both in the bucket of

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Speaker 2: popcorn that you walk away with. It really stays with

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Speaker 2: you and it makes you go huh. By the end.

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Speaker 1: I feel like at the end of the show, like

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Speaker 1: you said, everyone's having a great time Act one and

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Speaker 1: then we take a turn. I feel like when I

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Speaker 1: was there, it was after everyone clapped and we were

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Speaker 1: standing ovations and everything, it was kind of silent when

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Speaker 1: everybody was leaving, Like people weren't like Hooton and hollid

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Speaker 1: and like they do from a lot of shows. I

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Speaker 1: think you're right where you're thinking about it and going wow.

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Speaker 1: You know that was that was kind of heavy at

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Speaker 1: the end. That was a lot of stuff tackled in there.

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Speaker 2: You get your takes of drama and comedy in this one.

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Speaker 3: Yeah, we need to think, we need things to think about.

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Speaker 3: This show gives you home.

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Speaker 2: The abortion is a big theme. It's very right now

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Speaker 2: in so many ways. You know, in fascism and the

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Speaker 2: economy and all the things that sort of we're talking

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Speaker 2: about in society right now are are in this piece.

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Speaker 2: And it's interesting because it was written in the sixties,

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Speaker 2: so it's it's just it continues to be relevant, you know.

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Speaker 2: And we met We got to meet John Kander the

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Speaker 2: other night, the original composer of Cabaret A raally.

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Speaker 3: What did he say about the show?

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Speaker 2: He loved it. He was so supportive. They were celebrating

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Speaker 2: sort of an anniversary of how many years this thing

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Speaker 2: has been going. And he was lovely. It was really

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Speaker 2: nice to talk to him.

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Speaker 4: And when are you in it? Until I'm in the

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Speaker 4: show util the end of March okay, yeah, yeah.

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Speaker 2: And then what Okay, let's talk about and then what

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Speaker 2: and then what? I don't see I don't know yet.

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Speaker 2: I want to, you know, get back to my own

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Speaker 2: music too, you know, I love making my own stuff.

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Speaker 2: So I think I'll have some music out and hopefully

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Speaker 2: some shows coming up, and you know, get me the

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Speaker 2: people as me again. Take the Maybe a track and away.

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Speaker 3: Trip to a beach would be nice. I mean, I mean,

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Speaker 3: you gotta take time.

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Speaker 2: Definitely take a vacation.

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Speaker 4: Do you get off at all for the holidays or no,

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Speaker 4: because in the show, you're in the show.

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Speaker 2: Okay, let's talk about Broadway. Folks work are butts off.

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Speaker 2: Let's talk about serious.

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Speaker 3: And a lot of people don't understand what goes into

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Speaker 3: being a part of a Broadway production. I mean, how

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Speaker 3: many how many performances per week? You're doing? So all right,

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Speaker 3: how many are you doing?

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Speaker 2: And I'm doing seven a week? Wow? Okay, yeah, one

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Speaker 2: day on I get one. Yeah, there's well technically there's

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Speaker 2: eight shows a week and I get a little extra

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Speaker 2: bonus show off every week, which is very generous of them.

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Speaker 2: But we all as a whole cast aet one day

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Speaker 2: off a week, which is Mondays, and then it's announced

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Speaker 2: online and casan he's wondering, but like which shows that

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Speaker 2: I have off? But it is full time. And that's

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Speaker 2: the thing that's so beautiful about Broadway. I missed it.

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Speaker 2: I missed working with theater people. Theater people are not

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Speaker 2: there to get rich. The people performing on stage or

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Speaker 2: all of our incredible crew, they're doing it because they

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Speaker 2: love it. They you have to love it to come

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Speaker 2: into work every day. And it's so you're working with

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Speaker 2: people that genuinely want to be there that love the

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Speaker 2: art of theater, and that is like, oh, that's such

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Speaker 2: a great family to be a part of.

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Speaker 3: You know, you meet up with a lot of actors

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Speaker 3: who do these big movies and films and they make

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Speaker 3: a lot of money off this and that and off

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Speaker 3: the back end this and that, and then they'll go, Okay,

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Speaker 3: I made my money. I need to go do some

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Speaker 3: Broadway for a while. No, no one's no one's doing

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Speaker 3: Broadway to become a billionaire. You're doing it because you

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Speaker 3: love the art of what you're doing. What's up, Nate?

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Speaker 3: A turn of my cons He's got questions? Yeah, borrow Adams. Mike,

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Speaker 3: So I have a question. When you were talking about

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Speaker 3: doing seven shows a week. Yeah, okay, is it like football?

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Speaker 2: Right? Like, let's say you twist your football football in there.

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Speaker 6: When I was trying to get to okay, let's say

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Speaker 6: you twist your ankle getting off stage and you can't

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Speaker 6: do this show for three days. Do you go on

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Speaker 6: like the injured reserve list and they still pay you

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Speaker 6: and you just sit at home and eat bon bonds, or.

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Speaker 3: Like, okay, sorry, Adam, you're not doing the show.

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Speaker 2: You're not gonna pay check? How does that work. No,

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Speaker 2: were there were very well taken care of. If there's

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Speaker 2: injuries and stuff, yeah, I mean the theater Union's pretty badass.

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Speaker 2: Equity does a good job. So there's understudies for everybody.

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Speaker 2: I have two understudies. All the main roles have understudies.

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Speaker 2: And then there's what they call swings, which are basically

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Speaker 2: in the ensemble they learn three or four different people's

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Speaker 2: traffic and parts, so everything's always covered. It's a very

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Speaker 2: finely oiled, well thought out system for that good I

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Speaker 2: mean the people. There's stories of people that like, oh,

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Speaker 2: you know, someone got injured, you know, in the first

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Speaker 2: month and they're still on medical leave and still being paid.

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Speaker 3: Yeah, I want one of those.

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Speaker 2: Everyone's very well taken care of. Yeah, which is standing

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Speaker 2: ovation to Nate for the use of the term bon bonds,

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Speaker 2: and I went, ooh that sounds tasty. Ye God, I

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Speaker 2: wish wishing a twist by ankle and set out for

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Speaker 2: a couple of nights and need some bond bonds.

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Speaker 3: That sounds like a lot of freaking fun. Scary is

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Speaker 3: a question too, what's your questions when someone's made it

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Speaker 3: in another medium first, like doing music or TV or

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Speaker 3: film and then they come to Broadway. How are they well, well,

381
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Speaker 3: how is it? How are they received? How are you received?

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Speaker 3: Are you taking seriously as a Broadway actor?

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Speaker 2: They think? I think everybody that's in the community probably

384
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Speaker 2: raises an eyebrow and go, okay, is this sort of

385
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Speaker 2: stunt casting just to sell tickets? Is it? Can this

386
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Speaker 2: person cut it? I'm lucky that I started in theaters

387
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Speaker 2: so like it. It took a second and I went, oh, yeah,

388
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Speaker 2: this is what it what it's about, and this is

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Speaker 2: what's required, and so like, I think I had an

390
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Speaker 2: advantage that way. You know, I'm not like a newbie.

391
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Speaker 2: It had just been fifteen years since I had a show.

392
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Speaker 2: But but it's yeah, I mean I think there's some

393
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Speaker 2: people that that sign up for it and probably get

394
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Speaker 2: into a run and go, oh, shoot, this is a lot. Yeah,

395
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Speaker 2: you know this, it is a lot. And you have

396
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Speaker 2: to learn how to pace yourself, and you have to

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Speaker 2: learn how to take care of your voice and take

398
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Speaker 2: care of your body and get your rest. And I've

399
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Speaker 2: definitely gone out maybe a total of four times in

400
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Speaker 2: the past four months. I mean, do you miss it?

401
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Speaker 2: You just go into the clubs. You know, I got it.

402
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Speaker 2: I got it in over the summer, so im so

403
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Speaker 2: I'm good. I'm really good.

404
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Speaker 1: Yeah, I feel like at the end of the night.

405
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Speaker 1: It's especially that show. It takes so much out of

406
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Speaker 1: you emotionally. I can't even imagine how you do it

407
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Speaker 1: twice in one day, two.

408
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Speaker 2: In one day is hard. Yeah, it's hard because you

409
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Speaker 2: have to I tend to want to nap in between,

410
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Speaker 2: to kind of reset a little bit and to kind

411
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Speaker 2: of go, okay, let's do this again. But I guess

412
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Speaker 2: it's wild. It's wild, and it's a lot of work.

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Speaker 2: But again, the minute the audience starts applauding, it's like, yeah, okay,

414
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Speaker 2: this is why we're here, and that's it.

415
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Speaker 3: We heard that from all of our friends who do

416
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Speaker 3: Broadway and do other show, do other forms of media

417
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Speaker 3: as well, entertainment as well. It's that interaction and live

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Speaker 3: energy from that audience. We cannot get it anywhere else.

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Speaker 2: You can all know, and I mean I get definitely

420
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Speaker 2: when I'm on tour, you know, with my music or

421
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Speaker 2: with Queen. It's it's a similar type of response. It's great,

422
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Speaker 2: but you know it's funny. I got out of theater

423
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Speaker 2: back in right before I did American idol, and my

424
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Speaker 2: desire at the time was, oh, you know, what I

425
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Speaker 2: really want to do is I want to be me

426
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Speaker 2: and I want to make art from my point of

427
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Speaker 2: view and as as Adam and I wanted that type

428
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Speaker 2: of freedom. And now after having done that for a

429
00:19:24,960 --> 00:19:28,240
Speaker 2: long time, there's actually a lot of freedom in getting

430
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Speaker 2: to dive into and get lost into a character. It's

431
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Speaker 2: like the opposite, Like now I'm like, oh, now I'm

432
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Speaker 2: finding the freedom in the other way of getting to

433
00:19:36,280 --> 00:19:40,280
Speaker 2: play this bizarre little eurotrash German guy. You know, it's

434
00:19:40,320 --> 00:19:43,520
Speaker 2: like it's it's it gives me permission to sort of,

435
00:19:43,640 --> 00:19:45,560
Speaker 2: you know, explore certain things that I don't get to

436
00:19:45,560 --> 00:19:46,840
Speaker 2: explore as a pop star.

437
00:19:47,400 --> 00:19:50,560
Speaker 3: So doing a Broadway play and a musical that's a

438
00:19:50,600 --> 00:19:53,840
Speaker 3: reset in and of itself. Absolutely absolutely, I got to

439
00:19:53,840 --> 00:19:57,240
Speaker 3: play I don't care much. I think that's the one

440
00:19:57,240 --> 00:19:58,880
Speaker 3: we should play. Is that the one we should play?

441
00:19:59,320 --> 00:20:02,879
Speaker 2: That's the one we have, Yeah, the only one we

442
00:20:02,920 --> 00:20:08,200
Speaker 2: can play. It ain't an album, it's a single, that's

443
00:20:08,240 --> 00:20:10,960
Speaker 2: the answer. But it's this is really exciting, you know.

444
00:20:11,400 --> 00:20:18,879
Speaker 2: We sorry, we decided to get into the studio and

445
00:20:18,960 --> 00:20:21,359
Speaker 2: record a version of one of my songs in the show.

446
00:20:21,600 --> 00:20:23,160
Speaker 2: It's my last song that I get sing in the show,

447
00:20:23,160 --> 00:20:25,880
Speaker 2: and it's it's it's really it's like a torch song.

448
00:20:25,920 --> 00:20:28,040
Speaker 2: It's really beautiful. And this is again in the second

449
00:20:28,040 --> 00:20:31,639
Speaker 2: act when things are sad, and it's a song about

450
00:20:31,680 --> 00:20:36,560
Speaker 2: indifference and sort of just kind of saying I give up,

451
00:20:36,840 --> 00:20:40,120
Speaker 2: like you know, and and look, I don't know, depending

452
00:20:40,160 --> 00:20:42,920
Speaker 2: on your your political affiliation, I won't go too far

453
00:20:42,920 --> 00:20:44,280
Speaker 2: into that, but you know, the day off day election,

454
00:20:44,359 --> 00:20:47,800
Speaker 2: I know we all felt some kind of way, and

455
00:20:47,840 --> 00:20:50,679
Speaker 2: those of us that didn't feel great about it, we

456
00:20:50,720 --> 00:20:55,440
Speaker 2: recorded this like right around election week and an accompanying video,

457
00:20:55,600 --> 00:20:58,320
Speaker 2: and I kept going back to like how I felt,

458
00:20:58,359 --> 00:20:59,760
Speaker 2: how a lot of the people that I know in

459
00:20:59,800 --> 00:21:02,640
Speaker 2: my community felt. And it's this feeling of like you're

460
00:21:02,720 --> 00:21:04,639
Speaker 2: kind of like, I don't know what else to do

461
00:21:04,720 --> 00:21:07,480
Speaker 2: except I just say I you know, I don't. I

462
00:21:07,480 --> 00:21:10,960
Speaker 2: guess I don't care now as a coping mechanism. So

463
00:21:11,000 --> 00:21:14,480
Speaker 2: it's it's it's this is a very bittersweet, melancholy. Jazzy's

464
00:21:14,480 --> 00:21:16,280
Speaker 2: little tune could.

465
00:21:16,040 --> 00:21:18,560
Speaker 3: Be applied to many, many things and manifests in your life.

466
00:21:18,600 --> 00:21:20,000
Speaker 2: Absolutely, and there you go.

467
00:21:20,240 --> 00:21:24,480
Speaker 3: Adam Lammer, d MC and cabaret,