WEBVTT - Episode 292 w/ Big Sean

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his Drink Has motherfucking podcast.

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<v Speaker 1>He's a legendary queen's rapper. Secre is your boy in

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<v Speaker 1>o R. He's a Miami hippoper lioneer. What Up is

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<v Speaker 1>d j e f N? Together they drink it up

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<v Speaker 1>with some of the biggest players in the most professional

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<v Speaker 1>unprofessional podcast and your number one sorts for drunk fast

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<v Speaker 1>drinks Mother is New year' z that for Drink Champs,

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<v Speaker 1>Drink up, motherfuck mother? Would it good? Be? Hopefully swo

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<v Speaker 1>it should be. This is your boy and right what

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<v Speaker 1>up his dj e f N and his drinks has? Motherfucker?

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<v Speaker 1>Yeppy makes up? Right now? This brother that's here, we

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<v Speaker 1>want to be very very clear. This brother deserved to

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<v Speaker 1>be here. This brother um was invited here way before

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<v Speaker 1>this other interview. So I don't want people to I

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<v Speaker 1>don't want people to feel like, yeah, yeah, so I

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<v Speaker 1>got so. So this is not a bottle or something

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<v Speaker 1>like that. This is this man deserves his flowers. He

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<v Speaker 1>deserves to be here. He's one of the most lyrical

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<v Speaker 1>bar lords there is. When you look at the new

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<v Speaker 1>you know, School of Mount Rushmore. You know what I mean.

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<v Speaker 1>He belongs there, you know what I'm saying, next to

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<v Speaker 1>the Kendricks, the Coles and the Drake's, and his face

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<v Speaker 1>belongs there. He's, like I said, a bar lord. He

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<v Speaker 1>makes constant hit records. He's out on his own right now.

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<v Speaker 1>He's he's doing. He just performed at the goddamn Lions

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<v Speaker 1>game and tore that ship up. Yeah. So in case

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<v Speaker 1>you don't know the funk we're talking about, we talked

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<v Speaker 1>about big motherfucker' shoan. So how was that on Thanksgiving

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<v Speaker 1>for your hometown? In your hometown. That's the second time

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<v Speaker 1>I did it, So it was beautiful. The show the

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<v Speaker 1>hometown love is like that. Yeah, and you said, what

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<v Speaker 1>did somebody say something? Okay, So it's beautiful and like

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<v Speaker 1>I said, it's my second time doing it. And the

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<v Speaker 1>performance was cool because it's like we started in the crowd,

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<v Speaker 1>we started and went to another part of the stage,

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<v Speaker 1>went to another part. So the production was cool and

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<v Speaker 1>we uh, we just had a good time. It was

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<v Speaker 1>funny though, because when I sat in the crowd, everybody

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<v Speaker 1>was so hype. Everybody was so live. Oh my god,

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<v Speaker 1>oh my god. And you know they like everybody gotta

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<v Speaker 1>stay in your seats performance. And then when I saw

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<v Speaker 1>it on camera, I was like, people, it was just

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<v Speaker 1>like because I was sitting there for like ten minutes,

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<v Speaker 1>so it was like, you know, they had to stay

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<v Speaker 1>in their seat and not get up with me and

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<v Speaker 1>get to go on. You know what I'm saying. But bro,

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<v Speaker 1>it was funny. Bro It's crazy. No. Now, Detroit is

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<v Speaker 1>a real, real city. And when I would say that

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<v Speaker 1>is for anybody who's never been in Detroit when I've

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<v Speaker 1>my experiences, because I can't just drive Detroit um and

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<v Speaker 1>in a very articulate way because I've been there, you know,

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<v Speaker 1>not not too much, but I've been there enough to know.

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<v Speaker 1>But when I've seen in Detroit, it's like super rich

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<v Speaker 1>and then super poor. That's how it is everywhere. Though

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<v Speaker 1>the Miami has a middle, Miami has a middle, we

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<v Speaker 1>got a middle too. That's where that's like kind of like, okay,

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<v Speaker 1>that's that's the part I haven't seen. Like I remember

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<v Speaker 1>me performing in Detroit. I swear to GoF one time.

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<v Speaker 1>I don't remember. It was the Shelter, one of those

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<v Speaker 1>stum and I remember leaving there and me driving back

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<v Speaker 1>to the hotel and no Lights was on. I talking

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<v Speaker 1>about the whole street Lights was was gone except for

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<v Speaker 1>the casino that was. It had to be like early

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<v Speaker 1>two thousands because it was before eminem it was, it

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<v Speaker 1>was whatever Shore, it was. It was before everything. But

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<v Speaker 1>I remember and then I was like, just like your

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<v Speaker 1>third album, and I remember coming back to Detroit and

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<v Speaker 1>I remember y'all was also first on medical marijuana, Like

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<v Speaker 1>y'all was early on that ship. Like I was like,

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<v Speaker 1>what the yeah. I was like, yeah, And I went

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<v Speaker 1>to some spot. It was across the street. I was eating,

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<v Speaker 1>so I think it was saying as of cross the

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<v Speaker 1>street and there was like a black spot. Everyone in

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<v Speaker 1>there had medical medical marijuana licenses. I was like earlier.

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<v Speaker 1>So that's a classic men. You though, she'll describe Detroit

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<v Speaker 1>for people a person that's never been there. Um, and

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<v Speaker 1>you love your city, man, that's one thing everyone has

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<v Speaker 1>to respect about you, like you love love your city.

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<v Speaker 1>Everybody from the city love that city. Everybody from betray

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<v Speaker 1>Red betray proudly, you know. Every I didn't went around

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<v Speaker 1>the world and felt the city presence everywhere I go,

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<v Speaker 1>from Japan, London, everywhere, people rocking. Detroit has l a

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<v Speaker 1>new York. You know what I'm saying, they got it.

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<v Speaker 1>It's just like it's a city that's been through so

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<v Speaker 1>many tough times that you've got no choice but to

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<v Speaker 1>just be authentically who you are. You aren't trying to

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<v Speaker 1>be nobody else. You're not trying to put on the front.

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<v Speaker 1>You're not trying to you know what I'm saying. At Hollywood,

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<v Speaker 1>you're just you're from the d so you you have

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<v Speaker 1>a built in resilience. You know, the city of champions,

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<v Speaker 1>Lingo style. You know, they're keeping fresh everything they do,

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<v Speaker 1>you know what I mean. And just historical you know,

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<v Speaker 1>city that's in our DNA from you're talking about you

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<v Speaker 1>know this is Michael Jackson. You know what I'm saying.

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<v Speaker 1>Jackson five, you're some about to add rag. You' telling

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<v Speaker 1>about Stevie Wonder, Marvin Gay, read the Franklin. You're talking

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<v Speaker 1>about more time, You're talking about Jay Diller, talking about

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<v Speaker 1>Slow Village. You're talking about race and huge impact, you

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<v Speaker 1>know what I mean. So it kind of got It's

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<v Speaker 1>a city that it just breeds. That's how you know,

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<v Speaker 1>you get a lot of money. I've seen white people

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<v Speaker 1>walking here with pig water water case, the sign of

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<v Speaker 1>getting money. You remember how money getting? Don't you know that?

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<v Speaker 1>I love Fiji. I love That's my favorite, you warters,

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<v Speaker 1>it's Fiji involved. You gotta deal with Fiji right now. No, no,

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<v Speaker 1>you remember the first time we've seen Fiji? Ward, I

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<v Speaker 1>remember that the first time I've seen it was puff? Okay, No,

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<v Speaker 1>I don't really, yeah, I don't can't remember what okay.

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<v Speaker 1>I was like, Okay, but let's let's stick, let's sick.

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<v Speaker 1>Let's stick with the d because right, um, it's a

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<v Speaker 1>city Midwest, correct of course, but um it's a city.

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<v Speaker 1>Oh damn, hold on, hold on, let me talk about

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<v Speaker 1>the choit right now. We won't get to that. Can

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<v Speaker 1>you forgetting about the bad boys? This is about the

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<v Speaker 1>act I was about to ask, not the bad boys.

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<v Speaker 1>I was about to ask the malice in the Palace

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<v Speaker 1>when Indiana against How old was you at that time?

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<v Speaker 1>Did you see that game live? Yeah? No, I don'tee.

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<v Speaker 1>I wasn't there, livy, I saw when it was happening. Okay,

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<v Speaker 1>I'm saying you saw it live, not not being end up.

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<v Speaker 1>I can't remember how old I was during the time

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<v Speaker 1>of Malice in the Palace. That's ship and live, you know,

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<v Speaker 1>like the thing that just happened with the Lakers and

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<v Speaker 1>the Pistons. There was about to be another malice in

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<v Speaker 1>that was in l a which is I was in

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<v Speaker 1>that was in it could have got the thing about

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<v Speaker 1>it. It It was the blood, you know. You know what's funny.

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<v Speaker 1>When Lebron first hit him and he walked over to him,

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<v Speaker 1>I didn't see the blood. How come the blood came

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<v Speaker 1>after they separated him. Man, that was like wrestling. That

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<v Speaker 1>was like wrestling blood. That was all Jim tucking ship

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<v Speaker 1>right there. I was like, all right, so so you

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<v Speaker 1>you did see. But I'm also I'm the creative director

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<v Speaker 1>for the Detroit Pistons. Yeah, it was one of the

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<v Speaker 1>many jobs. Okay, okay, that's another thing. People from the

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<v Speaker 1>day we hustle. Right, He's like New York and you

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<v Speaker 1>got a movie theater too. We got a movie theater too. Okay,

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<v Speaker 1>the creative for the Pistons. It's not open yet, so

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<v Speaker 1>we just started building. It's a it's a process, bro.

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<v Speaker 1>We was gonna build it at another location and for

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<v Speaker 1>guy works in mysterious ways because it didn't work out

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<v Speaker 1>in that location and then the pandemic happened. Movie theaters

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<v Speaker 1>was yeah, you know what I'm saying. So it would

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<v Speaker 1>have been worst case scenario. We opened it and it

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<v Speaker 1>just completely fell flat as a new business. So now

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<v Speaker 1>we got a new location that's right over on Wayne State.

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<v Speaker 1>It's just it's so it could be hard dealing with

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<v Speaker 1>the city sometimes, you know what I'm saying. It's like

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<v Speaker 1>because it's right there on the campus. They're building a

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<v Speaker 1>bridge over the freeway. So it's like I need Wayne

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<v Speaker 1>State to really get that, like ball moving on, keeping

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<v Speaker 1>keep it moving, and keep it building, you know, because

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<v Speaker 1>it's just so many steps to like that's the that's

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<v Speaker 1>a commercial that's commercial real estate. So that's a big,

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<v Speaker 1>big deal. And that's my first first deal like that,

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<v Speaker 1>you know what I'm saying, where I'm actually part owner

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<v Speaker 1>of the actual real estate, not just the movie. And

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<v Speaker 1>what's crazy is there is no movie theater in the

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<v Speaker 1>city of Detroit. They all might be five minutes out

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<v Speaker 1>of Detroite, eight minutes, but not in this that's crazy, right,

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<v Speaker 1>hold on, hold on, I've never heard of that. We'ld

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<v Speaker 1>have been a minute time. Yeah you went to fast

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<v Speaker 1>with a minute? Did you just say there's no movie

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<v Speaker 1>there in the old city. The whole city, Like all right,

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<v Speaker 1>whoa time should be one down at the rent siting

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<v Speaker 1>at the Renaissance Center, but they closed that down. So

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<v Speaker 1>this is this is why it's a big deal because

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<v Speaker 1>I'm trying to do more than the theater. I'm trying

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<v Speaker 1>to have it be a place for the community, a

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<v Speaker 1>place where creatives can premier their videos, premier their independent films,

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<v Speaker 1>have real film premiers there, you know what I'm saying.

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<v Speaker 1>Have a place where people can have presentations, where uh

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<v Speaker 1>like community centers, workshops, just somewhere where the people can

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<v Speaker 1>really come together in the city. And it'd be like

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<v Speaker 1>an entertainment hub and have you know, bowling everything else

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<v Speaker 1>to that a movie theater can do. I want to

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<v Speaker 1>supposed to be the biggest screen in the world too,

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<v Speaker 1>but it's really big, bro, But it's a lot of things.

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<v Speaker 1>You know, you know how important it is to diversify.

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<v Speaker 1>So also we're starting a VC to a venture capitalist

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<v Speaker 1>phone where we're gonna be you know, funding said, it's

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<v Speaker 1>a virtual virtual No, but it's a it's the first

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<v Speaker 1>of its kind because it's a um, we're doing it

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<v Speaker 1>like you know, most venture capitalists where how traditionally RAM

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<v Speaker 1>but we're also doing half of the funds of being

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<v Speaker 1>in the stock market because I got the right people.

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<v Speaker 1>The money I put into, like all the stocks and

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<v Speaker 1>things already have already been able to double in like

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<v Speaker 1>a short amount of time. So I'm trying to get

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<v Speaker 1>people the opportunity, try to tell people the opportunity to

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<v Speaker 1>just invest. You know, it's a black owned I'm part

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<v Speaker 1>of this company Amber that's like you ever heard of him.

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<v Speaker 1>So it's a mug that keeps your tear coffee the

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<v Speaker 1>same temperature that yeah, I've been sending that and um,

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<v Speaker 1>it's also being used in the medical field, so they're

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<v Speaker 1>using it to keep organs, you know too, for organs

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<v Speaker 1>to travel along way and keep it the same temperature.

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<v Speaker 1>So that's what it's transitioning into as well. So that's

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<v Speaker 1>one of the things Wills. I'm investing in, Uber, I'm

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<v Speaker 1>invested in, you know a lot of things that I've

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<v Speaker 1>been blessed to have ol gs that helped guy me

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<v Speaker 1>in that way. So I'm just trying to pass that

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<v Speaker 1>on and those investment you're doing them on your owner

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<v Speaker 1>through the adventure capital from those are actually just on

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<v Speaker 1>my own. But you know, I'll sit with my mom

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<v Speaker 1>talking to my homie Jerry talking with a lot of people,

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<v Speaker 1>and it's like, we got to figure out a way

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<v Speaker 1>to do that for the people, to give people the

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<v Speaker 1>opportunity because that financial literacy some ship, they don't really

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<v Speaker 1>be teaching us. Bro. Yeah that's real. Yeah, that's the

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<v Speaker 1>furthest you're getting in school is filling out a check.

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<v Speaker 1>That's the furthest we got you're bringing out late bringing out.

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<v Speaker 1>So Sean, we just want you to know, like our

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<v Speaker 1>show was about giving people their flowers. We we we

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<v Speaker 1>didn't we didn't make that statement up, but we made

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<v Speaker 1>that statement famous in this game. We we wanted to

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<v Speaker 1>tell people today face that how much we appreciate them,

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<v Speaker 1>how much they deliver into the game and all that.

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<v Speaker 1>So we want to give you your flowers. You know what,

0:11:53.600 --> 0:11:56.600
<v Speaker 1>say I'm saying straight to straight. You know what I'm saying, Yeah,

0:11:57.000 --> 0:12:01.000
<v Speaker 1>that's hard, shout out to what the flowers? Yeah you

0:12:01.000 --> 0:12:07.920
<v Speaker 1>know what makes remember that? Bro? Yes, yes you know

0:12:07.960 --> 0:12:10.160
<v Speaker 1>we worked hard. Yes, yes, yes, I'd like to give

0:12:10.160 --> 0:12:12.839
<v Speaker 1>you your flowers. Ship, but hold on, I want to

0:12:12.840 --> 0:12:16.000
<v Speaker 1>get hold of before you get into that, Before you

0:12:16.040 --> 0:12:20.600
<v Speaker 1>get into that ship. When I first met you, and

0:12:20.960 --> 0:12:23.120
<v Speaker 1>remember I came up to you and I was like, yo, man,

0:12:23.160 --> 0:12:25.760
<v Speaker 1>I gotta love for you. Your first album, are you

0:12:26.040 --> 0:12:32.839
<v Speaker 1>know saying hunk with you? Uh? So then I'm looking

0:12:32.880 --> 0:12:36.800
<v Speaker 1>at Drink Chance and you mentioned me and I was like,

0:12:36.840 --> 0:12:39.480
<v Speaker 1>what the fun is he talking about? You know what's

0:12:39.520 --> 0:12:43.160
<v Speaker 1>early though? This early Drink Chance. I think when I

0:12:43.200 --> 0:12:44.880
<v Speaker 1>met you, I think he was just starting it right.

0:12:45.080 --> 0:12:47.520
<v Speaker 1>And I told you congratulations, but I was like, it's

0:12:47.559 --> 0:12:56.040
<v Speaker 1>hard that you were able to because I want to promise, promise,

0:12:56.760 --> 0:12:58.800
<v Speaker 1>but I want to I want to ask you. I'm

0:12:58.840 --> 0:13:00.600
<v Speaker 1>gonna say a couple of words and I don't want

0:13:00.640 --> 0:13:02.240
<v Speaker 1>you to tell me which comes to mom when you

0:13:02.280 --> 0:13:07.559
<v Speaker 1>hear these, Oh you hear this? Okaya? Has you send me? Okay?

0:13:07.960 --> 0:13:11.440
<v Speaker 1>Sending me too much? Okay? Finally famous? What do you

0:13:11.440 --> 0:13:13.560
<v Speaker 1>think of when you think of that? Man? I think

0:13:13.559 --> 0:13:16.720
<v Speaker 1>at the parties that we threw from out of high school.

0:13:16.840 --> 0:13:19.880
<v Speaker 1>That was like our click name. Finally famous. So that

0:13:19.960 --> 0:13:22.200
<v Speaker 1>was the We used to throw parties in Club Blue.

0:13:22.240 --> 0:13:24.319
<v Speaker 1>Anybody at the train, the Club Blue, New Playing b

0:13:25.800 --> 0:13:29.720
<v Speaker 1>And we would go to Bowling Green, Michigan State throw

0:13:29.800 --> 0:13:32.319
<v Speaker 1>parties everywhere around the city. And those were my first shows.

0:13:32.679 --> 0:13:35.720
<v Speaker 1>You know what, I'm saying, So I started from battle

0:13:35.800 --> 0:13:40.440
<v Speaker 1>rapping in high school. Yeah, and then you know, doing

0:13:40.440 --> 0:13:42.400
<v Speaker 1>the Friday Night Cipher, which was a show on the

0:13:42.520 --> 0:13:46.720
<v Speaker 1>radio station during um during high school when my grandma

0:13:46.720 --> 0:13:48.880
<v Speaker 1>had a stroke and that's the only reason I had

0:13:48.880 --> 0:13:50.400
<v Speaker 1>a car, because she had just got a car and

0:13:50.440 --> 0:13:56.080
<v Speaker 1>it had a stroke or half her body got paralyzed us. So, um, anyway,

0:13:56.240 --> 0:14:00.400
<v Speaker 1>you know, it happens, you know. Uh, but that that

0:14:00.440 --> 0:14:02.760
<v Speaker 1>was gave me the opportunity to be able to get

0:14:02.760 --> 0:14:05.439
<v Speaker 1>across the city so I would be you know everywhere

0:14:05.440 --> 0:14:08.680
<v Speaker 1>I needed to be open mics, battle rapping and everything.

0:14:08.800 --> 0:14:11.840
<v Speaker 1>So yeah, that's that's what you know, my first album,

0:14:12.040 --> 0:14:15.360
<v Speaker 1>my first mix tapes. I really even though I did

0:14:15.440 --> 0:14:17.800
<v Speaker 1>have obviously an amazing co sign, I really had to

0:14:17.800 --> 0:14:20.280
<v Speaker 1>build that ship, you know, because there are other people

0:14:20.280 --> 0:14:23.400
<v Speaker 1>who had that same co sign and still other people

0:14:23.440 --> 0:14:25.880
<v Speaker 1>got that co sign and ain't happening for them. Yeah.

0:14:25.920 --> 0:14:27.960
<v Speaker 1>I really had to put in that work. It didn't

0:14:27.960 --> 0:14:30.080
<v Speaker 1>feel like that co sign was over in the beginning,

0:14:30.200 --> 0:14:32.680
<v Speaker 1>Like it didn't seem like it was in everybody's face, right,

0:14:33.000 --> 0:14:34.640
<v Speaker 1>So you did have to work for it. Was that

0:14:34.720 --> 0:14:37.520
<v Speaker 1>air like you know, right after the dedication mix tapes

0:14:37.560 --> 0:14:42.760
<v Speaker 1>and like fifty mixed teams saying, um else, what's going

0:14:42.800 --> 0:14:45.640
<v Speaker 1>crazy on the mix tape circuit? Like definitely, Wayne was

0:14:45.720 --> 0:14:48.160
<v Speaker 1>like you know that was what we used to ride

0:14:48.160 --> 0:14:51.400
<v Speaker 1>the school listening to his dedication one dedication to you

0:14:51.400 --> 0:14:54.320
<v Speaker 1>know what I'm saying, Carter and uh, that was like

0:14:54.360 --> 0:14:56.680
<v Speaker 1>the mix tape error. He really I feel like helped

0:14:57.400 --> 0:14:59.720
<v Speaker 1>him and jee Z to help, like really the mixape

0:14:59.720 --> 0:15:04.560
<v Speaker 1>a yeah, like at least at least from my perspective,

0:15:04.640 --> 0:15:06.680
<v Speaker 1>Like I could be wrong too, but like you know, no,

0:15:06.680 --> 0:15:08.640
<v Speaker 1>no, no no, you make a point. But I'm talking about

0:15:08.960 --> 0:15:11.280
<v Speaker 1>because you remember that mixtape that d Piff that like

0:15:12.160 --> 0:15:14.000
<v Speaker 1>you know what I'm saying, live mix tapes that was

0:15:14.040 --> 0:15:16.960
<v Speaker 1>like it led into that and that was what me

0:15:17.400 --> 0:15:22.800
<v Speaker 1>cole Dre wi Um we took advantage of. You know

0:15:22.840 --> 0:15:27.560
<v Speaker 1>what I'm saying, Okay, And Kendrick I believe he had

0:15:27.600 --> 0:15:31.760
<v Speaker 1>mixed tapes. I believe what I'm saying about. Definitely, Yeah,

0:15:32.440 --> 0:15:37.080
<v Speaker 1>Hall of Fame second album, what are You learning? Process?

0:15:37.080 --> 0:15:39.680
<v Speaker 1>And I would do with with no idea. All my

0:15:39.760 --> 0:15:41.960
<v Speaker 1>albums was just like reflections to where I was had

0:15:42.000 --> 0:15:44.880
<v Speaker 1>in life. You know That's why I'm asking. Yeah, And

0:15:47.280 --> 0:15:49.440
<v Speaker 1>that was just it was fat. Everything was just moving

0:15:49.520 --> 0:15:52.680
<v Speaker 1>so fucking fast. That was my first time where I

0:15:52.720 --> 0:15:54.960
<v Speaker 1>was listening to people saying like, you gotta hurry up,

0:15:54.960 --> 0:15:56.600
<v Speaker 1>you gotta hurry yet you had to drop this, We

0:15:56.640 --> 0:15:59.760
<v Speaker 1>need to catch the date. Yeah, that's that's the only

0:16:00.040 --> 0:16:02.880
<v Speaker 1>him that I was rushed on, because I also dropped

0:16:02.920 --> 0:16:05.200
<v Speaker 1>my Detroit mixtape, which I consider is one of my

0:16:05.280 --> 0:16:08.960
<v Speaker 1>best albums too, and I dropped that both of those

0:16:09.320 --> 0:16:13.080
<v Speaker 1>at around the same time, and I just felt the

0:16:13.080 --> 0:16:16.920
<v Speaker 1>pressure of like it was one of the times one

0:16:17.080 --> 0:16:19.880
<v Speaker 1>wasn't considered the album, considered the mixtape the mixtape, but

0:16:19.880 --> 0:16:22.680
<v Speaker 1>it was an album. It was called original Music, you

0:16:22.720 --> 0:16:30.880
<v Speaker 1>know what I mean. And through death jamma as well, right, well, no, no, no,

0:16:31.040 --> 0:16:35.000
<v Speaker 1>but I'm actually putting that on streaming services like in

0:16:35.040 --> 0:16:37.280
<v Speaker 1>the next week or two. So really, yeah, it was

0:16:37.320 --> 0:16:39.800
<v Speaker 1>a long fucking process, like trying to clear everything. But

0:16:41.160 --> 0:16:43.760
<v Speaker 1>uh so that was a time where I was trying

0:16:43.800 --> 0:16:45.600
<v Speaker 1>to keep up with the pace of like, okay, I

0:16:45.680 --> 0:16:49.000
<v Speaker 1>had you know, back to back to back platinum singles,

0:16:49.040 --> 0:16:53.840
<v Speaker 1>my first album is going you know, and then the mixtape,

0:16:53.840 --> 0:16:57.120
<v Speaker 1>and then that was around the same time that Click

0:16:57.200 --> 0:16:59.960
<v Speaker 1>dropped with me hoping yeah and all the good music,

0:17:00.200 --> 0:17:02.440
<v Speaker 1>the cruel summer, you know what I'm saying. So then

0:17:02.720 --> 0:17:04.240
<v Speaker 1>everybody like you gotta strike, you gotta her if you

0:17:04.240 --> 0:17:07.919
<v Speaker 1>gotta hurry up, and it's like that is definitely uh

0:17:08.280 --> 0:17:10.600
<v Speaker 1>was a learning process of like, Okay, you gotta be

0:17:10.640 --> 0:17:13.439
<v Speaker 1>on your schedule. She's not ready. It's not ready, you

0:17:13.440 --> 0:17:15.000
<v Speaker 1>know what I'm saying. Not to say it wasn't ready,

0:17:15.000 --> 0:17:19.159
<v Speaker 1>but I definitely was rushing during that process. You know, Okay,

0:17:19.400 --> 0:17:22.200
<v Speaker 1>how about Dark Sky pad So, dark Sky Paradises where

0:17:22.200 --> 0:17:26.359
<v Speaker 1>I took my time, Okay, where you learn your face

0:17:26.480 --> 0:17:29.560
<v Speaker 1>change you look so like I don't learn like so much.

0:17:29.600 --> 0:17:35.320
<v Speaker 1>He wants come on, you know, show with the rock show,

0:17:35.359 --> 0:17:37.800
<v Speaker 1>but for you, we're gonna let the forty two come on.

0:17:37.880 --> 0:17:43.200
<v Speaker 1>Yeah yeah Black Bay okay, yeah please please. All this

0:17:43.320 --> 0:17:45.879
<v Speaker 1>is black hip hop business, right all this you know,

0:17:45.960 --> 0:17:48.560
<v Speaker 1>ain't that beautiful? That's a beautiful thing. That's a beautiful damn.

0:17:48.560 --> 0:17:52.040
<v Speaker 1>But yeah, So Dark Sky Paradises where I like, uh,

0:17:52.200 --> 0:17:54.200
<v Speaker 1>somebody gonna for this shot? Yeah yeah, yeah, yeah, he

0:17:54.840 --> 0:18:03.119
<v Speaker 1>come on yes yeah. Um. So that's just where I

0:18:03.119 --> 0:18:06.920
<v Speaker 1>applied everything I learned, and you know, so I got

0:18:07.000 --> 0:18:08.400
<v Speaker 1>I got a lot of stories with that we could

0:18:08.560 --> 0:18:11.000
<v Speaker 1>come back to it. So it's this the time where

0:18:11.440 --> 0:18:14.680
<v Speaker 1>you're sitting back and you're saying, you're taking your career

0:18:14.680 --> 0:18:18.000
<v Speaker 1>into your own hands, or we still got you know,

0:18:18.280 --> 0:18:21.760
<v Speaker 1>these executives that's involved and things like that, how does

0:18:21.800 --> 0:18:25.000
<v Speaker 1>this work? It was definitely if you involved. If you

0:18:25.080 --> 0:18:27.959
<v Speaker 1>signed to any label, it's executives involved, but it's just

0:18:28.000 --> 0:18:30.760
<v Speaker 1>about how much they involved. This is the first time

0:18:30.840 --> 0:18:37.040
<v Speaker 1>where I was like really producing, knew exactly the type

0:18:37.040 --> 0:18:39.800
<v Speaker 1>of music I wanted to make, you know, the people,

0:18:39.880 --> 0:18:41.920
<v Speaker 1>the features I wanted to have. I was just clear

0:18:41.960 --> 0:18:44.120
<v Speaker 1>on it, you know, because that's where I was at

0:18:44.119 --> 0:18:47.320
<v Speaker 1>in life. It was my first time where I was like, Okay,

0:18:47.920 --> 0:18:50.000
<v Speaker 1>I got some ship to prove again, you know. And

0:18:50.040 --> 0:18:53.320
<v Speaker 1>ever I get in that position, it feels like that

0:18:54.320 --> 0:18:56.240
<v Speaker 1>I always stepped rise to the occasion, you know what

0:18:56.280 --> 0:18:57.800
<v Speaker 1>I'm saying, And that was one of the first times

0:18:57.800 --> 0:19:00.000
<v Speaker 1>that I felt like that. You know. I did feel

0:19:00.000 --> 0:19:01.720
<v Speaker 1>like that when I was making a D trait mixtape too,

0:19:01.800 --> 0:19:06.240
<v Speaker 1>and with Dark Sky Paradise, you know, it was just

0:19:06.320 --> 0:19:09.400
<v Speaker 1>a divine thing how everything was unfolding, all the features

0:19:09.480 --> 0:19:12.359
<v Speaker 1>was happening, like from blessings that that came at the

0:19:12.480 --> 0:19:17.240
<v Speaker 1>very last secon I feel second, you know what I'm saying,

0:19:17.359 --> 0:19:19.480
<v Speaker 1>and from one man could change the world. That was

0:19:19.520 --> 0:19:21.320
<v Speaker 1>probably one of my favorite songs on the album because

0:19:21.320 --> 0:19:24.360
<v Speaker 1>I wrote that about my grandma. And when I say man,

0:19:24.400 --> 0:19:26.679
<v Speaker 1>I just mean like human being. You know how they

0:19:26.880 --> 0:19:29.399
<v Speaker 1>referred to man in the Bible as a human you know,

0:19:29.480 --> 0:19:32.439
<v Speaker 1>man woman. But so you know, she was one of

0:19:32.440 --> 0:19:35.040
<v Speaker 1>the first female black captains in World War Two. She

0:19:35.160 --> 0:19:37.960
<v Speaker 1>was one of the first female police officers in Detroite.

0:19:38.000 --> 0:19:40.159
<v Speaker 1>After that, she became a teacher of counselor. She was

0:19:40.920 --> 0:19:43.240
<v Speaker 1>completely bossed up, you know what I'm saying, And um,

0:19:43.280 --> 0:19:46.840
<v Speaker 1>I dedicated that song to her. But my favorite song

0:19:46.880 --> 0:19:50.480
<v Speaker 1>on the album's Paradise. That's the That's one of the

0:19:50.520 --> 0:19:53.560
<v Speaker 1>ones on that one for me. How about I decided,

0:19:55.760 --> 0:20:02.440
<v Speaker 1>I decided that's might be one of my favorite I'm

0:20:02.440 --> 0:20:06.000
<v Speaker 1>trying to say that's my favorite album. I'm done. I

0:20:06.000 --> 0:20:08.040
<v Speaker 1>thought just gonna say, finally, Famous or Hall of Fame

0:20:08.160 --> 0:20:12.840
<v Speaker 1>is your favorite album? Okay, yeah, yeah, okay, but it's

0:20:12.880 --> 0:20:15.159
<v Speaker 1>still my favorite though, you know, because it was crazy

0:20:15.200 --> 0:20:16.920
<v Speaker 1>said that as well. When I listened to the Hold

0:20:16.920 --> 0:20:18.640
<v Speaker 1>of Fame, I don't feel like this rushed at all.

0:20:19.000 --> 0:20:21.919
<v Speaker 1>But but I'm saying I'm outside of looking at another artists.

0:20:21.920 --> 0:20:24.840
<v Speaker 1>So like when people the fans that come up to

0:20:24.880 --> 0:20:27.119
<v Speaker 1>me they love Melviourne Flint, and I'll be like, yo, man,

0:20:27.160 --> 0:20:29.040
<v Speaker 1>I just hated where I was at in life when

0:20:29.080 --> 0:20:31.320
<v Speaker 1>I made that album, so I could never appreciate it

0:20:31.440 --> 0:20:35.000
<v Speaker 1>like how they appreciate it. But I decided where were

0:20:35.040 --> 0:20:38.840
<v Speaker 1>you at? Yeah? So and again, uh well, okay, let's

0:20:38.840 --> 0:20:43.520
<v Speaker 1>talk about I decided. I decided. I had a dream.

0:20:43.840 --> 0:20:46.199
<v Speaker 1>I remember telling calling one of my niggas up, and

0:20:46.200 --> 0:20:49.160
<v Speaker 1>I had a dream that I was an old man

0:20:49.200 --> 0:20:52.080
<v Speaker 1>and had regretted everything I did wrong in life. I

0:20:52.840 --> 0:20:59.000
<v Speaker 1>straight up had a dream like that. Bro, Wait, hold on,

0:20:59.040 --> 0:21:00.800
<v Speaker 1>So you had to dream that you were old man

0:21:00.880 --> 0:21:05.080
<v Speaker 1>like he was. Actuality make it to be an old man.

0:21:05.200 --> 0:21:07.600
<v Speaker 1>That's a blessing. Success, that was a blessing. So how

0:21:07.640 --> 0:21:11.400
<v Speaker 1>could you say that because I couldn't saying he regretted

0:21:11.440 --> 0:21:13.840
<v Speaker 1>it because I couldn't remember anything that happened. I was

0:21:13.920 --> 0:21:16.080
<v Speaker 1>old and couldn't remember. That's what That's what it is.

0:21:16.200 --> 0:21:19.720
<v Speaker 1>Yeah yeah, So I was like, what, I can't remember

0:21:19.760 --> 0:21:23.200
<v Speaker 1>anything I did, So I just remember feeling that way

0:21:23.240 --> 0:21:26.840
<v Speaker 1>for like a few days and I told my boy

0:21:26.880 --> 0:21:28.560
<v Speaker 1>and he was like, that's a fire concept for like

0:21:28.600 --> 0:21:31.480
<v Speaker 1>a short film or something. Wow, he's a director, Wow.

0:21:32.280 --> 0:21:37.480
<v Speaker 1>And Mommi Lawrence. And then as I was getting in

0:21:37.480 --> 0:21:41.120
<v Speaker 1>the studio, for some reason, the energy just transferred into

0:21:41.119 --> 0:21:43.680
<v Speaker 1>the studio, you know. And that was kind of the

0:21:43.720 --> 0:21:47.280
<v Speaker 1>whole overlying concept for the album is like living life

0:21:47.359 --> 0:21:49.600
<v Speaker 1>with the wisdom of your older self, but coming to

0:21:49.760 --> 0:21:52.200
<v Speaker 1>it as a you know, approaching it as your presence self.

0:21:52.240 --> 0:21:53.560
<v Speaker 1>You know what I'm saying, because all you really got

0:21:53.600 --> 0:21:56.679
<v Speaker 1>us that moment. So that that was my That was

0:21:56.760 --> 0:21:58.760
<v Speaker 1>for I decided how I was feeling at the time.

0:21:58.840 --> 0:22:03.199
<v Speaker 1>You know, I'm double enough with metro Booman, that was

0:22:03.240 --> 0:22:06.000
<v Speaker 1>just straight fun fun. Yeah. I was in Atlanta, so

0:22:06.040 --> 0:22:07.440
<v Speaker 1>I thought that was like a mix tape at first,

0:22:07.440 --> 0:22:09.560
<v Speaker 1>but it seems like they counted as an album. Now

0:22:09.600 --> 0:22:11.359
<v Speaker 1>that was a mix tape. It's a mixtape. Count on

0:22:11.400 --> 0:22:18.880
<v Speaker 1>mom with motherfucking contract. Let me be quiet. Put this album? Yeah,

0:22:18.920 --> 0:22:23.320
<v Speaker 1>because I also did your name and that was an album,

0:22:23.359 --> 0:22:25.480
<v Speaker 1>not an album. That's not an album, but damn put

0:22:25.520 --> 0:22:29.000
<v Speaker 1>it out. Hey, bullshitn't me? Yeah, you gotta go to

0:22:29.000 --> 0:22:32.840
<v Speaker 1>some accounting, Okay. With Double let's go. Um just what

0:22:33.080 --> 0:22:36.760
<v Speaker 1>you said, Yeah, Metro, that was just fun. Bro. We

0:22:36.760 --> 0:22:39.679
<v Speaker 1>was like in Atlanta. That was my like just moving

0:22:39.760 --> 0:22:43.480
<v Speaker 1>and that was the first time that Okay, I wanted

0:22:43.520 --> 0:22:45.679
<v Speaker 1>to work with the producer solely and he was just like,

0:22:45.760 --> 0:22:47.440
<v Speaker 1>don't think about it, just going there and laid it

0:22:47.520 --> 0:22:49.720
<v Speaker 1>down like a lot of those everything on there. It

0:22:49.800 --> 0:22:52.639
<v Speaker 1>was just like you know, I usually go back, I

0:22:52.720 --> 0:22:55.399
<v Speaker 1>usually listened and it was just like recorded, done out.

0:22:55.720 --> 0:22:59.240
<v Speaker 1>So if you were the album with Metro helped you

0:22:59.720 --> 0:23:02.560
<v Speaker 1>with the album with hit Boy that you just dropped right, Well,

0:23:02.560 --> 0:23:05.400
<v Speaker 1>that was an EP two two. That's only like five

0:23:05.520 --> 0:23:10.520
<v Speaker 1>or six songs. Yeah. So my last album is Detroit To. Okay, Yeah,

0:23:10.520 --> 0:23:13.280
<v Speaker 1>that's that's my last one. Detroit Too. Oh yeah, so

0:23:13.320 --> 0:23:15.680
<v Speaker 1>we was that let's le's let's get it to that. Yeah,

0:23:15.680 --> 0:23:22.040
<v Speaker 1>where I was at Detroit To. That was my fifth album.

0:23:22.080 --> 0:23:23.719
<v Speaker 1>So let me ask you a question. You know how

0:23:23.760 --> 0:23:26.960
<v Speaker 1>it is making albums? Yes, I do so, Like it's

0:23:26.960 --> 0:23:29.520
<v Speaker 1>a difference when you get to your first album, when

0:23:29.560 --> 0:23:31.520
<v Speaker 1>you get to your second album, when you get to

0:23:31.560 --> 0:23:34.320
<v Speaker 1>your third album and you do a project on the

0:23:34.359 --> 0:23:36.919
<v Speaker 1>side after your third album, and then you come to

0:23:36.960 --> 0:23:39.600
<v Speaker 1>your fourth album and then you go to another project

0:23:39.720 --> 0:23:41.359
<v Speaker 1>that you do that's you know, not an album, and

0:23:41.480 --> 0:23:44.760
<v Speaker 1>you come back. So it's like I was overwhelmed. Not

0:23:44.880 --> 0:23:54.679
<v Speaker 1>overwhelmed block, more like life blocks, more like fucking tired.

0:23:55.359 --> 0:23:58.159
<v Speaker 1>That's real. You know what I'm saying. You get tired.

0:23:58.200 --> 0:24:02.920
<v Speaker 1>It's like that's real. And I had just moved into

0:24:03.000 --> 0:24:06.119
<v Speaker 1>this like crazy crib in Beverly Hill. God bless you

0:24:06.200 --> 0:24:11.400
<v Speaker 1>be well. I saw, I saw the crib. Now, yeah

0:24:11.400 --> 0:24:12.920
<v Speaker 1>I sold it. Didn't you live next to because it

0:24:13.000 --> 0:24:15.320
<v Speaker 1>was like that, did you live next to college at

0:24:15.359 --> 0:24:17.800
<v Speaker 1>one point? Yeah? He sold his. He's older too, got them.

0:24:17.880 --> 0:24:22.960
<v Speaker 1>Let makes That's what you're supposed to do as a

0:24:23.040 --> 0:24:25.720
<v Speaker 1>black man in America. You're supposed to buy land and

0:24:25.840 --> 0:24:27.840
<v Speaker 1>either keeping and keeping in your family or get a

0:24:27.880 --> 0:24:30.600
<v Speaker 1>good deal and sell that and keep that in your

0:24:30.640 --> 0:24:33.840
<v Speaker 1>family too. But uh, staying in l A. You're not

0:24:33.920 --> 0:24:37.640
<v Speaker 1>moving out of l A, right, I stay in Detroit? Okay, yeah, okay.

0:24:38.160 --> 0:24:41.000
<v Speaker 1>I had the Detroit crib first and foremost. That's why

0:24:41.040 --> 0:24:43.560
<v Speaker 1>I brought my mom, my grandma right because she died.

0:24:44.240 --> 0:24:45.600
<v Speaker 1>That was the first thing I did. That was my

0:24:45.680 --> 0:24:51.240
<v Speaker 1>first big purchase. So Detroit to so Detroit to um,

0:24:54.480 --> 0:24:56.800
<v Speaker 1>I grew out as a person, bro, because you know,

0:24:56.880 --> 0:24:58.680
<v Speaker 1>I went through the real nigger ship, like when you

0:24:58.760 --> 0:25:01.159
<v Speaker 1>go through let me let me scratch that I go.

0:25:01.280 --> 0:25:04.960
<v Speaker 1>I went through real people people ship, you know, and

0:25:05.080 --> 0:25:08.000
<v Speaker 1>that's like learning to deal with how you feel. You

0:25:08.080 --> 0:25:11.399
<v Speaker 1>know what I'm saying. I'm not a I don't be

0:25:11.520 --> 0:25:13.520
<v Speaker 1>heavy into like drugs and ship. That was a point

0:25:13.560 --> 0:25:17.200
<v Speaker 1>in my life where I did experience Like Molly, I

0:25:17.320 --> 0:25:22.120
<v Speaker 1>was auDA, you like to be focused. You're focused, okay, An,

0:25:22.400 --> 0:25:27.080
<v Speaker 1>that's motherfucker's want to study? Yeah, he focus? You want

0:25:27.119 --> 0:25:29.680
<v Speaker 1>to be focused? Yeah, And I started I was starting

0:25:29.680 --> 0:25:32.359
<v Speaker 1>to feel like I couldn't function without the ship, So

0:25:32.640 --> 0:25:36.120
<v Speaker 1>you know, I gave it up, right but and had

0:25:36.200 --> 0:25:38.680
<v Speaker 1>to get back on my just relying on myself. And

0:25:38.760 --> 0:25:42.920
<v Speaker 1>I come from a parent I have two parents, my

0:25:43.000 --> 0:25:45.120
<v Speaker 1>mom and my dad, but you know, mainly my mom

0:25:45.760 --> 0:25:47.520
<v Speaker 1>who taught me a lot of things. She taught me

0:25:47.560 --> 0:25:49.800
<v Speaker 1>how to manifest my life. She taught me earlier on

0:25:49.920 --> 0:25:52.760
<v Speaker 1>how to meditate. She taught me early on that God

0:25:53.200 --> 0:25:55.920
<v Speaker 1>is our creator and you. God is within you, and

0:25:56.160 --> 0:25:58.680
<v Speaker 1>you have the powers of God to create and manifest

0:25:58.720 --> 0:26:00.159
<v Speaker 1>the things that you want in life. You know, she

0:26:00.240 --> 0:26:02.679
<v Speaker 1>taught me that early on, she she gave me books

0:26:03.840 --> 0:26:05.840
<v Speaker 1>asking it It's Given by Estra and Jerry Hicks and

0:26:05.880 --> 0:26:09.080
<v Speaker 1>Seven Spiritual Laws and Success with by Deepak chokra Um.

0:26:10.440 --> 0:26:11.960
<v Speaker 1>What you think of me is none of my business,

0:26:12.000 --> 0:26:14.800
<v Speaker 1>all these different books that I read, because the first

0:26:14.840 --> 0:26:16.600
<v Speaker 1>time I ended up feeling like the first time I

0:26:16.680 --> 0:26:19.760
<v Speaker 1>ever got depressed was when I graduated high school. Graduated

0:26:19.840 --> 0:26:21.480
<v Speaker 1>high school with the three point seven g p A

0:26:21.640 --> 0:26:24.040
<v Speaker 1>was been ahead to college with everybody else. But that

0:26:24.200 --> 0:26:26.920
<v Speaker 1>was that was around the time I made you right,

0:26:27.000 --> 0:26:31.159
<v Speaker 1>So I met you, but you was depressed. Let me

0:26:31.240 --> 0:26:34.840
<v Speaker 1>tell you so I was. I You know, I have

0:26:35.359 --> 0:26:38.200
<v Speaker 1>the classic rap story where I raped for you. He

0:26:38.400 --> 0:26:41.240
<v Speaker 1>hears me, he sees the potential in me and ends

0:26:41.320 --> 0:26:43.119
<v Speaker 1>up signing me a couple of years later. You know

0:26:43.160 --> 0:26:45.520
<v Speaker 1>what I'm saying. But within that couple of years, when

0:26:45.560 --> 0:26:49.119
<v Speaker 1>I graduated high school, I had a full scholarship to college.

0:26:49.119 --> 0:26:51.200
<v Speaker 1>You know what I'm saying. I turned down because off

0:26:51.240 --> 0:26:54.719
<v Speaker 1>of going off of the word and not athletes like scholarship,

0:26:54.960 --> 0:26:58.720
<v Speaker 1>no academics. Wow, that's fine. Yeah, smart smart, let's make

0:26:58.800 --> 0:27:03.280
<v Speaker 1>some Paul is smart? Smart like that too? Can get

0:27:03.280 --> 0:27:08.680
<v Speaker 1>you nothing? Yeah, yeah, come on, come on there salute. Yes,

0:27:10.480 --> 0:27:22.399
<v Speaker 1>that's why I got damn cool. I can't tell you

0:27:22.480 --> 0:27:24.080
<v Speaker 1>so hold up, so let me tell you so, but

0:27:24.160 --> 0:27:25.359
<v Speaker 1>hold on how much you want you to? Let you know,

0:27:25.400 --> 0:27:28.359
<v Speaker 1>I'm gonna start bragging about you because um yeah, I'm

0:27:28.480 --> 0:27:29.920
<v Speaker 1>off top and be like, I don't know what nigger

0:27:29.960 --> 0:27:33.880
<v Speaker 1>that got an academic scholarship that off there Like I'm

0:27:33.920 --> 0:27:37.080
<v Speaker 1>just like, yeah, yeah, that's gonna be the second who

0:27:37.119 --> 0:27:40.320
<v Speaker 1>I'm like, yeah, rapper, Yeah, I'm gonna start bragging about you.

0:27:40.359 --> 0:27:42.400
<v Speaker 1>I'm sorry, I'm sorry, man. I hope you keep me permission,

0:27:42.440 --> 0:27:48.399
<v Speaker 1>but Detroit to let's you know, uh, height everything is

0:27:48.440 --> 0:27:52.480
<v Speaker 1>just a technique. I had a good technique of what

0:27:52.600 --> 0:27:54.520
<v Speaker 1>happened to do my school work because that mean I

0:27:54.560 --> 0:27:56.680
<v Speaker 1>could go do the rap ship. I mean if I

0:27:56.760 --> 0:27:58.280
<v Speaker 1>if I was sucking up at school, I couldn't go

0:27:58.320 --> 0:28:00.320
<v Speaker 1>to the studio, right, I couldn't go do the Friday

0:28:00.400 --> 0:28:03.600
<v Speaker 1>night cipher. And that's how much I love doing That's

0:28:03.600 --> 0:28:05.480
<v Speaker 1>how much I love just making music. Being able to

0:28:05.560 --> 0:28:07.160
<v Speaker 1>go out and do all that. You know what I'm saying.

0:28:07.200 --> 0:28:08.840
<v Speaker 1>It gave me life and I treated it like it

0:28:08.960 --> 0:28:10.639
<v Speaker 1>was a job before it was a job. You know what,

0:28:10.680 --> 0:28:15.280
<v Speaker 1>I'm saying, so graduated high school new every day, right

0:28:15.320 --> 0:28:17.880
<v Speaker 1>in high school brown, right with my my boy tone.

0:28:17.920 --> 0:28:20.320
<v Speaker 1>I'm telling them, like man, when we sell out the palace,

0:28:20.400 --> 0:28:22.320
<v Speaker 1>like I've already seen it in my head, like this

0:28:22.480 --> 0:28:24.960
<v Speaker 1>rod Us which was driving. Oh so you know, I

0:28:25.040 --> 0:28:26.680
<v Speaker 1>told you my grandma had a stroke and I ended

0:28:26.720 --> 0:28:29.000
<v Speaker 1>up driving her car. So she had just brought a

0:28:29.080 --> 0:28:31.359
<v Speaker 1>brand new christ the Sea Bred. So that was the

0:28:31.400 --> 0:28:33.760
<v Speaker 1>first car I had. I got into a crazy fucking

0:28:33.800 --> 0:28:37.960
<v Speaker 1>car accident. I was skipping school, ironically, right with the

0:28:38.040 --> 0:28:42.240
<v Speaker 1>g p A right there with a high GPS. Was

0:28:42.320 --> 0:28:44.960
<v Speaker 1>with my girl at the time, skipping school and the

0:28:45.040 --> 0:28:48.000
<v Speaker 1>snow got into a crazy car accident. Got caught up

0:28:48.000 --> 0:28:50.640
<v Speaker 1>in my lie because I'm telling my my mom, I'm

0:28:50.760 --> 0:28:53.400
<v Speaker 1>somewhere else. I'm on the whole other side of town.

0:28:53.840 --> 0:28:56.240
<v Speaker 1>I got into a fucking crazy accident. The whole car

0:28:56.400 --> 0:28:59.840
<v Speaker 1>is total. Somehow I climbed out the window and nothing

0:29:00.000 --> 0:29:02.520
<v Speaker 1>out with me, just a bruise, pinky, you see what

0:29:02.560 --> 0:29:08.080
<v Speaker 1>I'm saying. And you know, um, then I ended up

0:29:08.080 --> 0:29:11.520
<v Speaker 1>getting a new, brand new Impola. Insurance money came in

0:29:12.000 --> 0:29:13.720
<v Speaker 1>and my grandma was like, what car do you want?

0:29:13.880 --> 0:29:16.160
<v Speaker 1>So she added a couple of a couple of g's

0:29:16.240 --> 0:29:17.880
<v Speaker 1>on it. You know what I'm saying. I ended up

0:29:17.920 --> 0:29:20.600
<v Speaker 1>getting a brand new Inpola. Man. You know it's crazy Impola.

0:29:20.880 --> 0:29:23.400
<v Speaker 1>Everywhere else in the world is fly but New York

0:29:23.440 --> 0:29:26.520
<v Speaker 1>City straight up, because they cop cars in New York.

0:29:27.360 --> 0:29:34.120
<v Speaker 1>So everyone yeah, but y'all don't get out. And there

0:29:34.200 --> 0:29:36.520
<v Speaker 1>was the slider those was like the slider cars, you

0:29:36.560 --> 0:29:38.800
<v Speaker 1>know what I'm saying, like the Marauders, the you know,

0:29:39.040 --> 0:29:41.640
<v Speaker 1>the Impola's, So you got the impots. Take it from there,

0:29:42.600 --> 0:29:47.880
<v Speaker 1>Grandma who hooked it up to Grandma's I've ever met

0:29:51.040 --> 0:29:53.000
<v Speaker 1>I'm talking to I can tell you a captain in

0:29:53.080 --> 0:29:55.720
<v Speaker 1>World War Two, and you know what I'm saying, like,

0:29:55.960 --> 0:29:58.800
<v Speaker 1>you can't even tell me otherwise, you know. So anyway,

0:29:59.760 --> 0:30:03.760
<v Speaker 1>she I mean them Pola, you know. And she respected me,

0:30:03.800 --> 0:30:05.720
<v Speaker 1>and I respected her. She respected that I was trying

0:30:05.720 --> 0:30:07.680
<v Speaker 1>to do something productive. You know what I'm saying, because

0:30:08.040 --> 0:30:11.280
<v Speaker 1>I have family members, I have friends, everybody who was

0:30:11.320 --> 0:30:14.239
<v Speaker 1>doing everything that that I didn't want to do. They

0:30:14.360 --> 0:30:16.760
<v Speaker 1>was selling this, doing that, getting locked up doing what

0:30:16.800 --> 0:30:18.600
<v Speaker 1>you're saying. You're a rapper. There's no one else that

0:30:18.640 --> 0:30:21.400
<v Speaker 1>you could relate your story to, right because it's only

0:30:21.480 --> 0:30:24.040
<v Speaker 1>Eminem at this time right now from from Detroit. And

0:30:24.360 --> 0:30:27.239
<v Speaker 1>let's just be clear, there was more than I mean

0:30:27.280 --> 0:30:29.480
<v Speaker 1>at the time I said, I'm saying even at the time, No,

0:30:29.600 --> 0:30:32.600
<v Speaker 1>I'm telling you, I mean there's local rappers, you know

0:30:32.640 --> 0:30:34.160
<v Speaker 1>what I'm saying. It was a lot of people doing

0:30:34.200 --> 0:30:36.360
<v Speaker 1>their thing from the city that I respect the honor,

0:30:36.440 --> 0:30:39.240
<v Speaker 1>but not on the level. Eminem was the only one

0:30:39.440 --> 0:30:42.560
<v Speaker 1>to be a global on that loved are from Detroit.

0:30:42.960 --> 0:30:45.280
<v Speaker 1>But but that's what it around. Proof had been doing

0:30:45.280 --> 0:30:48.000
<v Speaker 1>the c too, like I mean, it seems relatable to them,

0:30:48.080 --> 0:30:53.400
<v Speaker 1>but they had their own lanes too. Yeah. Yeah, So anyway,

0:30:54.760 --> 0:30:57.000
<v Speaker 1>let's take it back. I had the Impola, you know

0:30:57.040 --> 0:30:59.720
<v Speaker 1>what I'm saying. That's the car I had in high school.

0:30:59.840 --> 0:31:03.120
<v Speaker 1>And uh, I forgot what the funk we was talking

0:31:03.120 --> 0:31:05.280
<v Speaker 1>about now Detroit to he's trying to wrap up Detroit,

0:31:05.360 --> 0:31:09.320
<v Speaker 1>you how anyway, anyway, anyway, let me tell you so

0:31:09.720 --> 0:31:15.120
<v Speaker 1>I graduated high school, throw away the scholarships, concentrate on

0:31:15.200 --> 0:31:20.640
<v Speaker 1>the music and the ship not going nowhere, Kanyee and

0:31:20.880 --> 0:31:23.240
<v Speaker 1>don seeing everybody. You know what I'm saying, they're moving,

0:31:23.280 --> 0:31:25.080
<v Speaker 1>they're doing they don't thing because you know, you're artists.

0:31:25.120 --> 0:31:27.520
<v Speaker 1>He they tried, they were touring. They're not getting back

0:31:27.560 --> 0:31:30.320
<v Speaker 1>to me. I don't know what the funk going on,

0:31:30.840 --> 0:31:32.880
<v Speaker 1>and I gave up everything I had going for myself,

0:31:33.160 --> 0:31:34.440
<v Speaker 1>you know what I'm saying. So I'm staying in the

0:31:34.520 --> 0:31:37.640
<v Speaker 1>same room that I've been sleeping in from my whole life. Everybody,

0:31:37.720 --> 0:31:41.280
<v Speaker 1>all my friends off the college up in Michigan State,

0:31:41.400 --> 0:31:44.560
<v Speaker 1>you have them bowling green, all these different places, and

0:31:44.640 --> 0:31:47.360
<v Speaker 1>I'm sucking. I'm like, damn, I'm feeling like ship. That

0:31:47.480 --> 0:31:50.560
<v Speaker 1>was my first battle with depression, and it felt like

0:31:50.600 --> 0:31:52.920
<v Speaker 1>I was stuck. Months would go by. I would go

0:31:53.040 --> 0:31:54.440
<v Speaker 1>visit my friends in school and they'd be like, man,

0:31:54.440 --> 0:31:56.040
<v Speaker 1>he might as well just came to school. So what's

0:31:56.080 --> 0:31:57.560
<v Speaker 1>up with your deal man? You're getting a record deal?

0:31:57.600 --> 0:31:59.400
<v Speaker 1>Like what then? And you didn't You didn't drop a

0:31:59.400 --> 0:32:01.600
<v Speaker 1>record at this I was trying to, but it wasn't

0:32:01.640 --> 0:32:04.080
<v Speaker 1>doing ship, you know what I'm saying. So you know,

0:32:04.160 --> 0:32:06.120
<v Speaker 1>actually I didn't. I'm I'm tripping now, I take that back.

0:32:06.160 --> 0:32:09.040
<v Speaker 1>I didn't drop a record, but I just was relying

0:32:09.160 --> 0:32:11.720
<v Speaker 1>on This was another lesson I learned. Relying on the

0:32:11.800 --> 0:32:14.760
<v Speaker 1>record deal to come in from me. It taught me

0:32:14.800 --> 0:32:17.960
<v Speaker 1>to get proactive instead of instead of reacting, you know

0:32:18.000 --> 0:32:19.720
<v Speaker 1>what I'm saying. It taught me to be proactive. So

0:32:19.760 --> 0:32:21.320
<v Speaker 1>I'm like, Okay, what the fund can I do? And

0:32:21.360 --> 0:32:24.080
<v Speaker 1>that's when my mom introduced me to these books, these methods,

0:32:24.160 --> 0:32:28.840
<v Speaker 1>these meditations, these different things, and okay, I was like,

0:32:29.080 --> 0:32:32.160
<v Speaker 1>I started small. I started with realistic goals, was writing

0:32:32.200 --> 0:32:34.960
<v Speaker 1>them down every day, meditating every day. I had a discipline,

0:32:35.440 --> 0:32:38.040
<v Speaker 1>you know what I'm saying, because I realized, obviously you

0:32:38.160 --> 0:32:40.120
<v Speaker 1>where you lack at in life. If it rather it's

0:32:40.120 --> 0:32:42.000
<v Speaker 1>a talent or something, you make up for the discipline.

0:32:42.000 --> 0:32:44.240
<v Speaker 1>That's what you gotta do. So I just was like,

0:32:44.400 --> 0:32:46.080
<v Speaker 1>if I don't have this record, do I'm gonna get

0:32:46.080 --> 0:32:48.719
<v Speaker 1>this ship anyway I can. So I'm meditating every day,

0:32:48.800 --> 0:32:51.600
<v Speaker 1>writing goals down, making vision boards, doing all this stuff.

0:32:52.040 --> 0:32:54.560
<v Speaker 1>And then you know, I get a word back from Yeah,

0:32:54.600 --> 0:32:56.840
<v Speaker 1>and they end up sending me some beats. And I

0:32:56.880 --> 0:32:59.320
<v Speaker 1>already had new songs because I was productive in the studio.

0:32:59.680 --> 0:33:01.160
<v Speaker 1>I was and putting them out because I didn't really

0:33:01.160 --> 0:33:02.680
<v Speaker 1>know how to put them out, you know what I'm saying.

0:33:02.680 --> 0:33:04.640
<v Speaker 1>At that time, I was selling seats around high school,

0:33:05.160 --> 0:33:07.800
<v Speaker 1>you know, So It's like I didn't really know, I like,

0:33:07.880 --> 0:33:10.640
<v Speaker 1>how to even upload anything to the internet like that,

0:33:10.760 --> 0:33:13.800
<v Speaker 1>you know what I mean. So yeah, I gotta circuit

0:33:13.840 --> 0:33:15.760
<v Speaker 1>around the city. But that's it. You know, it kind

0:33:15.760 --> 0:33:19.719
<v Speaker 1>of stopped there. So then I'm sending you know, don C, Kanye,

0:33:20.560 --> 0:33:24.000
<v Speaker 1>everybody these um songs. They're getting back to me. And

0:33:25.840 --> 0:33:27.520
<v Speaker 1>as time goes on, As time goes on, I just

0:33:27.600 --> 0:33:29.840
<v Speaker 1>saw the record deal coming through bro. The record deal

0:33:29.920 --> 0:33:35.480
<v Speaker 1>got sent in, and I remember I got it immediately,

0:33:35.520 --> 0:33:40.400
<v Speaker 1>got a lawyer, you know, a new lawyer, and it

0:33:40.520 --> 0:33:42.000
<v Speaker 1>was one of the happiest days in my life. I

0:33:42.080 --> 0:33:44.200
<v Speaker 1>signed it. But that's when I knew the real work started.

0:33:44.240 --> 0:33:46.280
<v Speaker 1>I didn't get lazy. That's when I started even getting more.

0:33:46.360 --> 0:33:48.960
<v Speaker 1>I'm like, okay, I need a team now. It's like, okay,

0:33:49.040 --> 0:33:52.480
<v Speaker 1>now I need a team for promotions. I need to

0:33:52.600 --> 0:33:54.760
<v Speaker 1>It gave legitimacy to because we was already throwing the

0:33:54.800 --> 0:33:57.440
<v Speaker 1>parties around town at the colleges, the finally famous parties.

0:33:57.840 --> 0:34:00.480
<v Speaker 1>It gave me a legitimacy to be like, your niggers

0:34:00.480 --> 0:34:02.520
<v Speaker 1>need to focus on me right now because I'm trying

0:34:02.560 --> 0:34:04.080
<v Speaker 1>to take it to a place where we can all

0:34:04.720 --> 0:34:07.400
<v Speaker 1>you know what, I'm saying, do this ship, and they understood,

0:34:07.920 --> 0:34:09.680
<v Speaker 1>you know what I'm saying. And there are times when

0:34:10.320 --> 0:34:12.560
<v Speaker 1>I fell back and we focused on another person in

0:34:12.640 --> 0:34:14.440
<v Speaker 1>the group for a different you know, if it was

0:34:14.520 --> 0:34:16.880
<v Speaker 1>a an event we were doing for somebody like. And

0:34:16.960 --> 0:34:18.640
<v Speaker 1>that's that's one of the things I learned, is when

0:34:18.719 --> 0:34:21.880
<v Speaker 1>to fall back, when it be at the front of something,

0:34:22.200 --> 0:34:24.360
<v Speaker 1>when to be a team player, and when to be

0:34:24.440 --> 0:34:26.000
<v Speaker 1>a leader, you know what I mean. And that that

0:34:26.080 --> 0:34:27.960
<v Speaker 1>was the first time I was like, Okay, I see

0:34:28.000 --> 0:34:31.160
<v Speaker 1>I need to be the leader now. So anyway, I

0:34:31.239 --> 0:34:35.759
<v Speaker 1>got a record deal and put the songs together and

0:34:35.800 --> 0:34:37.680
<v Speaker 1>started putting out mix tapes and just building my fan

0:34:37.760 --> 0:34:41.640
<v Speaker 1>base organically. So that's what because because you know, we're

0:34:41.800 --> 0:34:44.520
<v Speaker 1>seeing that we're here. Is that how we started with

0:34:44.560 --> 0:34:49.279
<v Speaker 1>Detroit too, the especial minded you here. Okay, so let

0:34:49.360 --> 0:34:51.279
<v Speaker 1>me take you back. I was saying, that was just

0:34:51.400 --> 0:34:53.959
<v Speaker 1>my first time going through a tough time right where

0:34:54.719 --> 0:34:58.920
<v Speaker 1>I had to deal with, you know, feeling you know, depression,

0:35:00.040 --> 0:35:01.839
<v Speaker 1>you know, having to really concentrate on my mental health.

0:35:01.880 --> 0:35:04.200
<v Speaker 1>So come go back to Detroit too. I'm in a

0:35:04.239 --> 0:35:05.960
<v Speaker 1>place where it's like, okay, all this ship I ever

0:35:06.000 --> 0:35:09.399
<v Speaker 1>wanted to do. Fast forward to that. You know, um

0:35:10.840 --> 0:35:13.240
<v Speaker 1>I got you know, I always wanted the platinum album.

0:35:13.280 --> 0:35:15.040
<v Speaker 1>I had a couple of platinum albums at this time.

0:35:15.080 --> 0:35:16.920
<v Speaker 1>I always wanted to have a song on the radio,

0:35:17.040 --> 0:35:19.120
<v Speaker 1>had a lot of songs on the radio. I always

0:35:19.160 --> 0:35:21.000
<v Speaker 1>wanted to buy my mom a cred bought my mom

0:35:21.040 --> 0:35:24.120
<v Speaker 1>a creed. So I did all these things, and then

0:35:24.200 --> 0:35:28.080
<v Speaker 1>I was leaving your goal, I said, completed my goals. Yeah,

0:35:28.280 --> 0:35:31.200
<v Speaker 1>and I and and when my grandma dad. I'm in

0:35:31.200 --> 0:35:35.239
<v Speaker 1>the backbone with my family, right, So why was I

0:35:35.320 --> 0:35:37.799
<v Speaker 1>feeling sucked up? But why did I feel the way

0:35:37.840 --> 0:35:41.000
<v Speaker 1>I was feeling. I wasn't happy? Why then I wasn't happy?

0:35:41.000 --> 0:35:42.719
<v Speaker 1>I didn't know. It didn't make no sense to me.

0:35:43.520 --> 0:35:47.440
<v Speaker 1>So I had to reevaluate myself and step away from

0:35:47.440 --> 0:35:49.680
<v Speaker 1>everything I was doing and get to know myself again,

0:35:50.480 --> 0:35:51.960
<v Speaker 1>you know. And that was what that was a challenge

0:35:52.000 --> 0:35:54.840
<v Speaker 1>for me, because everything I was doing was linked to

0:35:55.400 --> 0:35:57.520
<v Speaker 1>my career, linked to what I was doing, linked to

0:35:57.560 --> 0:35:59.880
<v Speaker 1>the people I was with, whether it was a relationship,

0:36:00.040 --> 0:36:03.520
<v Speaker 1>whether it was uh, just my friends, whether it's like

0:36:03.560 --> 0:36:05.239
<v Speaker 1>I didn't know how to I didn't even know what

0:36:05.320 --> 0:36:07.400
<v Speaker 1>the funk I liked anymore like that, you know what

0:36:07.440 --> 0:36:09.120
<v Speaker 1>I mean. I got to that point because I was

0:36:09.239 --> 0:36:11.759
<v Speaker 1>so all my free time went to work. I didn't

0:36:11.800 --> 0:36:13.279
<v Speaker 1>know what my hobbies was. I didn't know what I

0:36:13.360 --> 0:36:15.399
<v Speaker 1>like to do. You know what I'm saying. I just tried.

0:36:15.400 --> 0:36:18.000
<v Speaker 1>I had to try it. I went skydiving. Not to

0:36:18.040 --> 0:36:20.359
<v Speaker 1>cut you off, but you know it's crazy. One time

0:36:20.400 --> 0:36:22.600
<v Speaker 1>I'm speaking to l L right and I'm like, yoh,

0:36:22.680 --> 0:36:25.839
<v Speaker 1>why the fund are you so balanced? L L would

0:36:25.880 --> 0:36:28.760
<v Speaker 1>tell me, he said, he said, because in between albums

0:36:28.840 --> 0:36:31.000
<v Speaker 1>they always told me I failed. I mean, if you

0:36:31.040 --> 0:36:34.080
<v Speaker 1>look at l L's career, one of his albums with platinum,

0:36:34.120 --> 0:36:36.239
<v Speaker 1>the next one when gold, which is a success in

0:36:36.360 --> 0:36:40.160
<v Speaker 1>anyone else's world, But to him, they would go back

0:36:40.200 --> 0:36:42.440
<v Speaker 1>to him and say, your last one went double platinum,

0:36:43.160 --> 0:36:45.640
<v Speaker 1>like so this, So it was crazy. So he had

0:36:45.680 --> 0:36:49.080
<v Speaker 1>a certain balance to him, which was crazy. But let

0:36:49.160 --> 0:36:51.160
<v Speaker 1>me ask you a question, because I heard you got

0:36:51.920 --> 0:36:55.320
<v Speaker 1>photographer fire because they took pictures of Beyonce and jay Z.

0:36:55.440 --> 0:37:00.080
<v Speaker 1>It's this true, No, it's just true. But something it

0:37:00.480 --> 0:37:03.920
<v Speaker 1>something like that, you're photographer took a phony a picture

0:37:04.040 --> 0:37:09.200
<v Speaker 1>of and and he got fired. This is crazy, photographer, huh.

0:37:09.520 --> 0:37:11.359
<v Speaker 1>He wasn't a photographer, and it wasn't he didn't take

0:37:11.360 --> 0:37:16.839
<v Speaker 1>a picture of jay Z and Beyonce. Okay, okay, let's

0:37:16.840 --> 0:37:20.160
<v Speaker 1>what's get into this tweet. What happened? Okay, let me

0:37:20.239 --> 0:37:26.240
<v Speaker 1>go back to that. Let me think we were out working.

0:37:26.560 --> 0:37:29.080
<v Speaker 1>So he works for you, he used to work for

0:37:29.120 --> 0:37:32.040
<v Speaker 1>you friends? Okay, and what did he do? What? You

0:37:32.120 --> 0:37:34.640
<v Speaker 1>know when you hire your friends for everything? When you

0:37:34.719 --> 0:37:45.279
<v Speaker 1>think your first getting it going, Yeah, we at least

0:37:45.320 --> 0:37:48.279
<v Speaker 1>we got control now. But then but you have to

0:37:48.320 --> 0:37:51.320
<v Speaker 1>figure out the friends that are actually good at some

0:37:51.400 --> 0:37:54.440
<v Speaker 1>of them be like what are you doing? Wait? Still

0:37:54.520 --> 0:37:59.919
<v Speaker 1>this opportunity? So anyway, I don't want to tell this story,

0:38:00.000 --> 0:38:03.160
<v Speaker 1>play him on black man, Oh, I don't want me.

0:38:03.520 --> 0:38:05.600
<v Speaker 1>Here's the thing. I know it's a funny story, but

0:38:05.719 --> 0:38:08.040
<v Speaker 1>it's like he's a real person. Man, I don't kept

0:38:08.040 --> 0:38:11.480
<v Speaker 1>seeing this. You could, you could tell it, but so

0:38:11.560 --> 0:38:14.719
<v Speaker 1>I won't say his name. That's great, that's a great thing.

0:38:15.600 --> 0:38:18.480
<v Speaker 1>That's a great This ain't no media training. This is

0:38:18.520 --> 0:38:21.479
<v Speaker 1>a real So anyway, I mean, we're down there working

0:38:21.560 --> 0:38:26.040
<v Speaker 1>on my beautiful dark Twister fantasy in Hawaii's is it? Maui?

0:38:26.400 --> 0:38:28.200
<v Speaker 1>Do you remember a part of Hawaii yeah, it was

0:38:32.320 --> 0:38:36.759
<v Speaker 1>the mainland. I love Hawaiti. I've been at every damn

0:38:36.800 --> 0:38:40.000
<v Speaker 1>island I've been. I've been, um yeah yeah. So anyway,

0:38:40.360 --> 0:38:44.520
<v Speaker 1>we're working there, that's a special studio. I'm out there

0:38:44.760 --> 0:38:46.719
<v Speaker 1>just playing my role. But I brought my man's with me,

0:38:46.840 --> 0:38:49.239
<v Speaker 1>just you know, in case I needed anything. He was

0:38:49.280 --> 0:38:51.799
<v Speaker 1>gonna help hold me down. You know, if it's like, bro,

0:38:51.920 --> 0:38:54.560
<v Speaker 1>you in the studio working, I grab you some food. Yeah,

0:38:55.160 --> 0:38:58.400
<v Speaker 1>holding me down, you know what I'm saying. So Hawai,

0:38:58.920 --> 0:39:01.800
<v Speaker 1>you know, and it's good to just have a support system.

0:39:01.800 --> 0:39:03.480
<v Speaker 1>It's good to have one of your homes there when

0:39:03.480 --> 0:39:07.160
<v Speaker 1>you're trying to you know, you're trying to contribute absolutely.

0:39:07.360 --> 0:39:11.480
<v Speaker 1>So anyway, I'm in the studio, it was me and

0:39:11.600 --> 0:39:18.200
<v Speaker 1>Hole and I don't I'm not a nigger who even then,

0:39:18.360 --> 0:39:22.520
<v Speaker 1>I wasn't like trying to be thirsty or like sneaking

0:39:22.600 --> 0:39:24.719
<v Speaker 1>fucking picture. I mean, I'm in here just taking it

0:39:24.800 --> 0:39:27.759
<v Speaker 1>in mentally, you know what I'm saying, Come on, like,

0:39:27.880 --> 0:39:31.560
<v Speaker 1>who's not gonna lit until you know? I was. I

0:39:31.560 --> 0:39:36.799
<v Speaker 1>don't know, homies, that just leading to anyway, he ends

0:39:36.840 --> 0:39:39.120
<v Speaker 1>up taking a picture of all of us in the

0:39:39.160 --> 0:39:43.560
<v Speaker 1>studio and he's not in it. He just takes a

0:39:43.560 --> 0:39:48.719
<v Speaker 1>sneak picture, didn't tell me, ends up tweeting it and

0:39:48.880 --> 0:39:50.719
<v Speaker 1>like he just picked up on like all hip hop

0:39:50.840 --> 0:39:54.600
<v Speaker 1>and you know things like that like that, and um,

0:39:55.400 --> 0:39:56.960
<v Speaker 1>I don't know who saw it, but it got to

0:39:57.080 --> 0:40:00.480
<v Speaker 1>like either yeah or whole's attention and it came at

0:40:00.560 --> 0:40:03.839
<v Speaker 1>me and they thought it was me because it didn't

0:40:03.880 --> 0:40:06.040
<v Speaker 1>make any sense because it's like I wasn't really even

0:40:06.120 --> 0:40:10.719
<v Speaker 1>on at that time, and it was like Kanye jay Z, Beyonce,

0:40:11.360 --> 0:40:15.040
<v Speaker 1>Big Sean, like people like who is Big Sean? It

0:40:15.080 --> 0:40:20.080
<v Speaker 1>looked like I planned this ship right anyway. Communication can

0:40:20.160 --> 0:40:22.400
<v Speaker 1>save the nation. Because when we talked about it, like

0:40:22.640 --> 0:40:24.320
<v Speaker 1>I told him, I was like, I don't even know

0:40:24.360 --> 0:40:26.960
<v Speaker 1>what the fun you're talking about, But who's calling you

0:40:27.040 --> 0:40:30.040
<v Speaker 1>and saying this I'm in the studio? Yeah, okay, He's

0:40:30.120 --> 0:40:32.200
<v Speaker 1>like bro. He was like I explained to him who

0:40:32.239 --> 0:40:35.440
<v Speaker 1>it was, and he was like you gotta fire him.

0:40:36.920 --> 0:40:40.000
<v Speaker 1>He was like, we we all done this. We've hired

0:40:40.040 --> 0:40:41.920
<v Speaker 1>the people you know that we love and do this

0:40:42.040 --> 0:40:45.640
<v Speaker 1>and this and this ship. But people was mad at you.

0:40:45.880 --> 0:40:47.560
<v Speaker 1>People was mad you're talking about me, he showing me.

0:40:47.680 --> 0:40:49.480
<v Speaker 1>People was mad at you thinking that she was being

0:40:49.560 --> 0:40:54.080
<v Speaker 1>thirsty and it was your man's. So I told him,

0:40:54.120 --> 0:40:55.759
<v Speaker 1>I'm like, I'm in a position where it's like ship

0:40:55.840 --> 0:40:59.520
<v Speaker 1>yeah and hold saying you gotta go. I'm sorry, bro,

0:40:59.640 --> 0:41:01.440
<v Speaker 1>we gotta figure out some others something else, you know

0:41:01.440 --> 0:41:03.000
<v Speaker 1>what I'm saying. But ended up being a blessing in

0:41:03.040 --> 0:41:05.239
<v Speaker 1>the skies. He ended up transforming his life and being

0:41:05.840 --> 0:41:07.920
<v Speaker 1>probably way more successful than he would have been just

0:41:08.360 --> 0:41:11.400
<v Speaker 1>uh in in a position he was in. Yeah, he

0:41:11.520 --> 0:41:13.480
<v Speaker 1>ended up being a teacher, ended up and impacting a

0:41:13.560 --> 0:41:18.560
<v Speaker 1>lot of people's lives and and doing amazing, wonderful things.

0:41:18.640 --> 0:41:22.279
<v Speaker 1>You know what I'm saying. Dope, shippe before we get

0:41:22.320 --> 0:41:25.080
<v Speaker 1>in the quick time with Slim, right, you just that's

0:41:25.120 --> 0:41:29.560
<v Speaker 1>that's a game. Okay. I don't know how there gonna

0:41:29.600 --> 0:41:32.400
<v Speaker 1>edit this ship, but we're gonna go back to Detroit too, Okay, yes, alright,

0:41:32.480 --> 0:41:35.880
<v Speaker 1>no problem, We don't really we just kind of we

0:41:36.000 --> 0:41:38.000
<v Speaker 1>kind of let you do whatever. I think you should

0:41:38.000 --> 0:41:39.520
<v Speaker 1>take another shot. I don't think you're taking on the shot.

0:41:39.520 --> 0:41:43.520
<v Speaker 1>Could really turn up take it on the shot solttlegaso. Right,

0:41:45.080 --> 0:41:48.359
<v Speaker 1>let's go tell him I bet him the last time. Sorry,

0:41:48.640 --> 0:41:51.120
<v Speaker 1>So yeah, I met him the last time STU got

0:41:51.160 --> 0:41:55.120
<v Speaker 1>great energy. M hmm. Everybody around me do I'm an

0:41:55.239 --> 0:42:00.399
<v Speaker 1>energy you know how that ship called like I can well, yeah,

0:42:00.400 --> 0:42:02.600
<v Speaker 1>my energy whisper wore like I could just be able

0:42:02.600 --> 0:42:08.480
<v Speaker 1>like this guy got good energy to So I'm just

0:42:08.480 --> 0:42:10.960
<v Speaker 1>trying to figure out what's next creatively, because I don't

0:42:10.960 --> 0:42:12.600
<v Speaker 1>want to make the same music I made before. I

0:42:12.640 --> 0:42:13.960
<v Speaker 1>don't want to do the same show. I'm trying to

0:42:14.040 --> 0:42:17.120
<v Speaker 1>change it up. And I had grown as a person,

0:42:17.360 --> 0:42:18.960
<v Speaker 1>like I said, around Detroit too. That was the time

0:42:19.000 --> 0:42:21.239
<v Speaker 1>where I was going through a low point mentally. I

0:42:21.280 --> 0:42:23.400
<v Speaker 1>had to rediscover myself right. So the music kind of

0:42:23.480 --> 0:42:24.960
<v Speaker 1>reflects a lot of that, you know what I'm saying.

0:42:25.000 --> 0:42:27.200
<v Speaker 1>Even a song with nit with deep reverence then I

0:42:27.239 --> 0:42:29.680
<v Speaker 1>got there in my notes what I'm saying, Uh, that

0:42:29.800 --> 0:42:33.440
<v Speaker 1>was something we started before um he left us, you

0:42:33.520 --> 0:42:35.440
<v Speaker 1>know what I mean. And it was somebody to finish

0:42:35.480 --> 0:42:39.000
<v Speaker 1>after he was gone. And that was you know, that

0:42:39.120 --> 0:42:43.360
<v Speaker 1>was kind of like a it was a it was

0:42:43.440 --> 0:42:47.600
<v Speaker 1>something that I was kind of like not really trying

0:42:47.640 --> 0:42:50.680
<v Speaker 1>to do honestly. You know. Hit Boy was the one

0:42:50.719 --> 0:42:52.560
<v Speaker 1>who was like, no, Bro, you gotta you gotta finish

0:42:52.600 --> 0:42:54.759
<v Speaker 1>this for bro, you know, because I didn't want to

0:42:54.800 --> 0:42:56.719
<v Speaker 1>look like I was trying to take advantage of nothing.

0:42:56.800 --> 0:42:58.800
<v Speaker 1>He was like, no, you're paying respect, Like bro, fucked

0:42:58.840 --> 0:43:00.560
<v Speaker 1>with you. You know what I'm saying. It When I

0:43:00.640 --> 0:43:02.360
<v Speaker 1>talked to Sam about his brother, when I talked to

0:43:02.400 --> 0:43:05.239
<v Speaker 1>everybody around it, it was like okay, yeah, yea yeah,

0:43:05.320 --> 0:43:07.719
<v Speaker 1>talking about Black Sam. Yeah and everybody. They was like, no,

0:43:08.000 --> 0:43:09.719
<v Speaker 1>like this just hard. You know what I'm saying. To

0:43:09.719 --> 0:43:12.960
<v Speaker 1>finish it off, I did because on that record you

0:43:13.000 --> 0:43:15.880
<v Speaker 1>actually say something like nip passed away or something like that.

0:43:16.280 --> 0:43:18.279
<v Speaker 1>Yeah yeah yeah, but you had nips verse on there.

0:43:18.480 --> 0:43:22.960
<v Speaker 1>Yeah yeah go ahead, yeah, so um yeah, I mean

0:43:23.040 --> 0:43:25.840
<v Speaker 1>that was just that was That was that, And that

0:43:25.960 --> 0:43:27.440
<v Speaker 1>was a song where I was reflecting a lot on

0:43:27.640 --> 0:43:29.319
<v Speaker 1>just like a lot of ship we'd be going through.

0:43:29.480 --> 0:43:33.120
<v Speaker 1>You know. When you listen to that and songs like

0:43:33.239 --> 0:43:37.440
<v Speaker 1>Lucky Me, songs like uh, the whole album, it's just

0:43:37.560 --> 0:43:39.680
<v Speaker 1>it's something I'm really proud of. That's something I really

0:43:39.719 --> 0:43:41.920
<v Speaker 1>I put my heart into it. Songs like a guards

0:43:41.960 --> 0:43:44.560
<v Speaker 1>your Heart all that type ship. Man. It was just

0:43:44.719 --> 0:43:47.480
<v Speaker 1>like a beautiful, beautiful album from me front to back.

0:43:48.040 --> 0:43:50.960
<v Speaker 1>I'm super proud of. And that was my back to

0:43:51.040 --> 0:43:52.600
<v Speaker 1>back to back number one album. That was my third

0:43:52.719 --> 0:43:56.560
<v Speaker 1>number one. God damn make some noise for that. So

0:43:57.160 --> 0:43:59.960
<v Speaker 1>we knew you. Look, that was the same week Takasi dropped,

0:44:00.000 --> 0:44:02.040
<v Speaker 1>and everybody was like, oh, it's a cassy about that.

0:44:02.560 --> 0:44:04.759
<v Speaker 1>And then we ended up doubling that, you know, we

0:44:04.840 --> 0:44:07.600
<v Speaker 1>ended up doubling what he so so that but at

0:44:07.680 --> 0:44:12.440
<v Speaker 1>first good at first their projections, So it's not like that,

0:44:13.239 --> 0:44:16.879
<v Speaker 1>you know. Um yeah, because you love your city so much,

0:44:16.880 --> 0:44:18.600
<v Speaker 1>I just want you to say one thing about this

0:44:18.719 --> 0:44:20.279
<v Speaker 1>one person that we bring up. People want to do

0:44:20.360 --> 0:44:22.840
<v Speaker 1>Kuicktom with slime and they're gonna get into the real ship. Okay,

0:44:23.320 --> 0:44:26.960
<v Speaker 1>all right, I'm gonna start with you. What about it,

0:44:27.120 --> 0:44:30.440
<v Speaker 1>Big Sean, Yeah, say one or two things about yourself,

0:44:30.560 --> 0:44:33.360
<v Speaker 1>just real fast. Got got a whole law in it. Okay,

0:44:33.760 --> 0:44:37.520
<v Speaker 1>shows a different path than everybody else from my city. Okay,

0:44:38.360 --> 0:44:45.399
<v Speaker 1>unapologegetically was myself no matter what Eminem God them see

0:44:46.080 --> 0:44:48.800
<v Speaker 1>what God them see, guardom see. Okay, I'll accept that

0:44:49.320 --> 0:44:55.320
<v Speaker 1>side of baby Wild as a motherfucker. Wow, there's a

0:44:55.360 --> 0:44:57.480
<v Speaker 1>mother Wild. There's a my talented as a motherfucker. I'll

0:44:57.520 --> 0:45:03.759
<v Speaker 1>take that proof. Legendary, legendary, feel like he I feel

0:45:03.800 --> 0:45:06.120
<v Speaker 1>like he helped inspire him a lot, you know what

0:45:06.200 --> 0:45:07.560
<v Speaker 1>I'm saying. I feel like he was on who really

0:45:07.600 --> 0:45:09.480
<v Speaker 1>brought deeps well together as well. I feel like he

0:45:09.600 --> 0:45:11.200
<v Speaker 1>was the backbone of that seems like you know what

0:45:11.280 --> 0:45:15.080
<v Speaker 1>I mean. I feel like he was cold lyrically you

0:45:15.160 --> 0:45:17.960
<v Speaker 1>listened to them proved versus cold. Yeah, that was the

0:45:18.000 --> 0:45:26.560
<v Speaker 1>home trick trick the Protector. I love that. The Protector

0:45:26.800 --> 0:45:30.160
<v Speaker 1>remind me to give my trick tricks. Yeah, Danny trick

0:45:30.239 --> 0:45:32.360
<v Speaker 1>trick man he is. That's the home at home you

0:45:32.440 --> 0:45:35.799
<v Speaker 1>don't play. That's the home they don't play. That's all

0:45:35.840 --> 0:45:44.200
<v Speaker 1>we're gonna say. You're home. Yeah. Um Danny Brown uh

0:45:44.960 --> 0:45:54.200
<v Speaker 1>so animated, animated and authentic. Yeah, I like that. Where's

0:45:54.239 --> 0:46:00.480
<v Speaker 1>the Part nine rap guy? Just like Eminem I love

0:46:00.600 --> 0:46:07.000
<v Speaker 1>that day Globe originator style. She got that. She a player,

0:46:07.120 --> 0:46:11.799
<v Speaker 1>you know what I'm saying, and just a trend setter. Yeah.

0:46:12.320 --> 0:46:17.439
<v Speaker 1>Big hurt, he said, big hurt. Oh, big hurt. Bad

0:46:18.360 --> 0:46:24.959
<v Speaker 1>um o g o g uh. Somebody who really liked

0:46:26.239 --> 0:46:30.040
<v Speaker 1>took that, like he took the city up. Like some

0:46:30.160 --> 0:46:33.120
<v Speaker 1>of his ship was just like our our our background music,

0:46:33.160 --> 0:46:35.000
<v Speaker 1>our anthems. You know what I'm saying we were out

0:46:35.040 --> 0:46:43.240
<v Speaker 1>to school too for show Obi Trice. Respect to Obi Trice.

0:46:43.440 --> 0:46:46.160
<v Speaker 1>He had a he got a crazy story. You know

0:46:46.200 --> 0:46:48.160
<v Speaker 1>what I'm saying. You know that, No, I don't really know.

0:46:48.600 --> 0:46:51.440
<v Speaker 1>He got shot the head and everything I heard about that.

0:46:51.880 --> 0:46:54.080
<v Speaker 1>But ob Trice is more than welcome to be on

0:46:54.200 --> 0:46:59.040
<v Speaker 1>drink Champ. Yeah, so would you would you were two

0:46:59.040 --> 0:47:04.759
<v Speaker 1>words you have about old you? Uh? I forgot what

0:47:04.800 --> 0:47:06.880
<v Speaker 1>I said, but I think he's uh, he got a

0:47:06.920 --> 0:47:10.920
<v Speaker 1>crazy story and I said that he animated, animated and

0:47:11.160 --> 0:47:12.879
<v Speaker 1>just you know he did this, he did this thing.

0:47:13.520 --> 0:47:16.919
<v Speaker 1>He represented the D two everything doing what we try.

0:47:17.000 --> 0:47:19.320
<v Speaker 1>You want to welcome to come up with a Blade

0:47:19.520 --> 0:47:25.720
<v Speaker 1>ice Wood recipe print, But yeah, you can't mentioned blade

0:47:26.000 --> 0:47:31.000
<v Speaker 1>without street Lord Wind. Uh who was my who's my

0:47:31.200 --> 0:47:33.759
<v Speaker 1>o G? And somebody who took me in before the

0:47:33.800 --> 0:47:36.560
<v Speaker 1>budgets came in where I was recording in his studio

0:47:36.680 --> 0:47:39.439
<v Speaker 1>and you know, while he was fighting a federal case

0:47:39.520 --> 0:47:43.800
<v Speaker 1>and everything. So he he gets all my respect, street

0:47:43.800 --> 0:47:47.839
<v Speaker 1>Lord Wind, Street Lords, Blade ice Wood, Um, Blade ice

0:47:47.880 --> 0:47:53.000
<v Speaker 1>Wood was the first get a superstar from from the city.

0:47:53.719 --> 0:47:58.120
<v Speaker 1>Am I wrong? Period? How about? And then I believe

0:47:58.160 --> 0:48:01.880
<v Speaker 1>this is the last one I got. No don't come on, okay,

0:48:02.000 --> 0:48:09.920
<v Speaker 1>Jay Diller, Jay Diller, he is like the architect Jay. Yeah,

0:48:09.960 --> 0:48:13.960
<v Speaker 1>of course goes without saying. I mean where would we

0:48:14.000 --> 0:48:19.359
<v Speaker 1>wouldn't have a wh who all the producers. I feel

0:48:19.360 --> 0:48:24.120
<v Speaker 1>like everyone got something from Ja Deller, Timberland, Kanye for real.

0:48:25.320 --> 0:48:28.000
<v Speaker 1>He definitely Yeah, the whole movement, the whole sound of

0:48:28.320 --> 0:48:33.640
<v Speaker 1>a lot. Yeah, just good chops, the unrealistic chops. People

0:48:33.680 --> 0:48:37.480
<v Speaker 1>don't even know that it's inspired by Jay Dillers. He's

0:48:37.480 --> 0:48:43.400
<v Speaker 1>a got Okay, King Gordy in my bag right now.

0:48:46.360 --> 0:48:49.040
<v Speaker 1>So my man's used to about energy, about energy, I

0:48:49.120 --> 0:48:51.440
<v Speaker 1>told you about my man's used to work for King Gordy.

0:48:51.960 --> 0:48:58.480
<v Speaker 1>Let's talk about it. Uh, King Gordy, motherfucking worst. He

0:48:58.520 --> 0:49:01.680
<v Speaker 1>would chop them words up man and King Gordy motherfucking

0:49:01.719 --> 0:49:07.000
<v Speaker 1>flows crazy. Yeah. Um, your brother too. Yeah, you ain't

0:49:07.000 --> 0:49:12.640
<v Speaker 1>here a group with your bro. Yeah the factulous. Yeah.

0:49:12.760 --> 0:49:15.520
<v Speaker 1>So I'm talking about I'm digging deep. But I mean

0:49:15.920 --> 0:49:18.560
<v Speaker 1>I'm just showing you I got, you know, real, real detraining.

0:49:18.800 --> 0:49:20.800
<v Speaker 1>That's what I mean. From the beginning. That's still with me,

0:49:20.960 --> 0:49:27.960
<v Speaker 1>you know, Okay, cash it doll. Uh, she's like the

0:49:28.160 --> 0:49:33.239
<v Speaker 1>Detroit Queen Princess queen right now. I've seen her baby

0:49:33.280 --> 0:49:36.360
<v Speaker 1>showers somewhere. It looked so beautiful. I've never had the

0:49:36.400 --> 0:49:38.800
<v Speaker 1>pleasure of meeting cash Off. My wife is here, somebody

0:49:38.840 --> 0:49:41.400
<v Speaker 1>call make sure she's good. She's good. I've never had

0:49:41.440 --> 0:49:44.239
<v Speaker 1>the pleasure of meeting cash Doll. But um, I've seen

0:49:44.320 --> 0:49:47.000
<v Speaker 1>her baby shop. Made me want to have a baby immediately. Wow,

0:49:47.560 --> 0:49:52.040
<v Speaker 1>do you have any babies? Yes, I'm loaded. Let me

0:49:52.040 --> 0:49:54.839
<v Speaker 1>say something about Cash Doll. I say, like Princess the Queen,

0:49:54.880 --> 0:49:56.680
<v Speaker 1>because she is a queen. But it's like I feel

0:49:56.680 --> 0:50:00.200
<v Speaker 1>like she's still growing into like her startom, you know,

0:50:00.400 --> 0:50:02.920
<v Speaker 1>Like I'm like, how a princess was? I feel like

0:50:02.960 --> 0:50:04.719
<v Speaker 1>there's more for her to grow. Yeah, I feel like

0:50:04.920 --> 0:50:07.960
<v Speaker 1>musically she you know, she was on BMF going crazy

0:50:08.480 --> 0:50:11.799
<v Speaker 1>on fifth Show. Okay, and yeah, I think she got

0:50:11.840 --> 0:50:14.080
<v Speaker 1>a long career ahead of her too. That's my that's

0:50:14.120 --> 0:50:19.680
<v Speaker 1>my mother, fucking I love I love that bizarre bizarre.

0:50:23.800 --> 0:50:25.560
<v Speaker 1>Um what just say words a boy A couple of

0:50:25.560 --> 0:50:30.120
<v Speaker 1>words whatever I thought you're gonna say? Bizarre, Like if

0:50:30.160 --> 0:50:35.920
<v Speaker 1>he's gonna keep very quotable his his his verses on

0:50:36.040 --> 0:50:38.680
<v Speaker 1>D twelve or like very like when you when if

0:50:38.719 --> 0:50:40.480
<v Speaker 1>you ever been to a D twelve show, you know

0:50:40.480 --> 0:50:42.239
<v Speaker 1>what I'm saying. I saw him one time and it

0:50:42.360 --> 0:50:44.280
<v Speaker 1>was like I was wrapping a lot of bizarre weirds,

0:50:44.360 --> 0:50:47.640
<v Speaker 1>you know what I mean. Funny as a mom, Funny

0:50:47.680 --> 0:50:49.960
<v Speaker 1>as a mom. He got rest to piece bis mall.

0:50:50.400 --> 0:50:53.960
<v Speaker 1>That's like Bis long lost cousin and somewhat. You know,

0:50:54.000 --> 0:50:57.480
<v Speaker 1>I'm a big bis Momman. Forty two Dug, It's not

0:50:57.600 --> 0:51:00.680
<v Speaker 1>forty two, it's four too, That's what I mean. Yeah,

0:51:01.880 --> 0:51:04.399
<v Speaker 1>that's important though, to make sure you don't edit that out.

0:51:04.440 --> 0:51:07.000
<v Speaker 1>People call him forty two Doug, and that's not what

0:51:07.120 --> 0:51:09.960
<v Speaker 1>it's four two four two does not like nineteen forty two.

0:51:10.080 --> 0:51:12.600
<v Speaker 1>Were just on the at the fucking Pistons game and

0:51:12.640 --> 0:51:16.680
<v Speaker 1>he dropped fries right Kay, number one draft pick ran

0:51:16.760 --> 0:51:20.200
<v Speaker 1>into him, That's what he said. I turned my head

0:51:20.280 --> 0:51:22.640
<v Speaker 1>real quick. I didn't he might have ran into him.

0:51:22.640 --> 0:51:24.040
<v Speaker 1>I don't know. He was like, man, Kay did this,

0:51:24.320 --> 0:51:28.400
<v Speaker 1>Like okay whatever. So anyway, he dropped the fries on

0:51:28.440 --> 0:51:30.160
<v Speaker 1>the fucking on the wood. I knew it. You know,

0:51:30.239 --> 0:51:32.200
<v Speaker 1>when you see something that's about to happen and it

0:51:32.239 --> 0:51:34.640
<v Speaker 1>don't happen, it's like if a motherfucker can't sitting down

0:51:34.680 --> 0:51:37.640
<v Speaker 1>with the cup filled up to here and moving around.

0:51:37.680 --> 0:51:41.000
<v Speaker 1>You're like, yeah, so I knew that. I knew that

0:51:41.120 --> 0:51:43.600
<v Speaker 1>was gonna happen. But yeah, you know, he's just here.

0:51:44.600 --> 0:51:48.600
<v Speaker 1>He um, he doing it. You know, he going crazy.

0:51:48.920 --> 0:51:50.640
<v Speaker 1>I got love for Doug he off thing and he

0:51:51.360 --> 0:51:54.360
<v Speaker 1>he original. I ain't never heard nobody rap like him. Okay,

0:51:54.520 --> 0:51:57.800
<v Speaker 1>have you know yeah, I don't know to pronounced this.

0:51:58.280 --> 0:52:07.120
<v Speaker 1>He sham be sean before your time out. I'm but no,

0:52:07.920 --> 0:52:11.040
<v Speaker 1>but okay, go ahead, Wait how many more are you gout? Bro?

0:52:12.560 --> 0:52:14.279
<v Speaker 1>I'm gonna skip through some of that. A he's looking

0:52:14.320 --> 0:52:18.760
<v Speaker 1>at that way too much, okay. Baldy James, Body James,

0:52:18.920 --> 0:52:23.239
<v Speaker 1>Baldy James. Yes, yes, Boldy James. You gotta say these names,

0:52:23.320 --> 0:52:27.760
<v Speaker 1>right man. You gotta dyslexic everyone everyone knows what dyelexic.

0:52:29.080 --> 0:52:34.319
<v Speaker 1>Lyrical assassin and he's Grizel though, right, he's Grizela. Yes, yeah,

0:52:34.480 --> 0:52:36.680
<v Speaker 1>he was on. I put everybody, not everybody, if I

0:52:36.760 --> 0:52:38.560
<v Speaker 1>put a lot of people from the city on one song,

0:52:39.480 --> 0:52:43.520
<v Speaker 1>um on Detroit to the Friday Night Cipher because that

0:52:43.640 --> 0:52:45.360
<v Speaker 1>was the show I went to every week. So I

0:52:45.480 --> 0:52:49.120
<v Speaker 1>was just bringing that aesthetic back, you know, for the album.

0:52:49.200 --> 0:52:51.480
<v Speaker 1>But yeah, he was on there going crazy. But yeah,

0:52:51.560 --> 0:52:53.960
<v Speaker 1>like you said, he you know, he'll be doing his

0:52:54.000 --> 0:52:56.240
<v Speaker 1>ship with Alchemis when they link up that ship leaping.

0:52:56.600 --> 0:52:58.560
<v Speaker 1>You know what I'm saying, shout out there, shout out

0:52:58.560 --> 0:53:00.200
<v Speaker 1>iceword vezo. I don't know if he on a this,

0:53:00.680 --> 0:53:04.040
<v Speaker 1>I got a whole bunch of ships. But I'm gonna come. No, no, no, no, no,

0:53:04.239 --> 0:53:06.080
<v Speaker 1>let me tell you Somethinghout out ice Work Vessel because

0:53:06.160 --> 0:53:08.480
<v Speaker 1>me and ice Work Vessel been through a lot, and

0:53:08.800 --> 0:53:12.080
<v Speaker 1>and he he didn't did his time and everything, and um,

0:53:12.600 --> 0:53:15.799
<v Speaker 1>he was mad at me honestly because you know, at first,

0:53:15.880 --> 0:53:18.560
<v Speaker 1>like personally because he wasn't on that cipher song. But

0:53:18.719 --> 0:53:22.360
<v Speaker 1>the cipher song wasn't intended everyone from Detroit on it.

0:53:22.440 --> 0:53:24.480
<v Speaker 1>It wasn't. But that's see, that's not what the point was.

0:53:24.480 --> 0:53:26.359
<v Speaker 1>I wasn't trying to put everyone in from the hat

0:53:26.440 --> 0:53:28.480
<v Speaker 1>on that. It was just a cipher song where I

0:53:28.520 --> 0:53:31.120
<v Speaker 1>was putting people from the city on there, but not everybody.

0:53:31.160 --> 0:53:32.640
<v Speaker 1>And that's what I was trying to explain to him.

0:53:33.200 --> 0:53:36.960
<v Speaker 1>But he a real not only is he a real

0:53:37.480 --> 0:53:40.120
<v Speaker 1>street and he just a real he's a real man.

0:53:40.680 --> 0:53:43.040
<v Speaker 1>And he understood, and we we hashed it out like

0:53:43.280 --> 0:53:45.160
<v Speaker 1>it wasn't even nothing to hashot. But we talked about

0:53:45.160 --> 0:53:48.480
<v Speaker 1>it and communicated like grown men supposed to do. And

0:53:49.440 --> 0:53:51.839
<v Speaker 1>he doing his motherfucking thing right now. So I got

0:53:51.960 --> 0:53:55.880
<v Speaker 1>love for ice work, vessel, ice up records. You know, Peasy,

0:53:56.239 --> 0:53:58.080
<v Speaker 1>you can't you can't talk about you trying to talk

0:53:58.120 --> 0:54:01.719
<v Speaker 1>about Peasy, can't talk about baby face Ray, he got

0:54:03.160 --> 0:54:07.600
<v Speaker 1>a trying to do my interview right now. Okay, how

0:54:07.600 --> 0:54:12.600
<v Speaker 1>about a black milk oh Ship. He like hip, he

0:54:12.760 --> 0:54:17.880
<v Speaker 1>like authentic Detroit hip hop. All do it like he?

0:54:18.160 --> 0:54:21.640
<v Speaker 1>You know how he's like a rapper producer that like

0:54:23.560 --> 0:54:27.399
<v Speaker 1>before that term was even so widely used so much.

0:54:27.480 --> 0:54:29.760
<v Speaker 1>You know, he was rapping, making his own beast rapping

0:54:29.840 --> 0:54:34.240
<v Speaker 1>and just crazy. Yeah yeah he been ill. Yeah, Okay,

0:54:34.640 --> 0:54:38.120
<v Speaker 1>this make some noise for that. God damitall. It just

0:54:38.200 --> 0:54:40.520
<v Speaker 1>made a show turns up. This is where we play

0:54:40.800 --> 0:54:43.120
<v Speaker 1>quick time with slime. We give you a choice. I

0:54:43.160 --> 0:54:46.560
<v Speaker 1>wasn't quick time with Slim. Let me just say something.

0:54:46.760 --> 0:54:48.280
<v Speaker 1>Let me just tell your something. I'm gonna be honest.

0:54:49.480 --> 0:54:51.440
<v Speaker 1>You know I do. I do research when I do

0:54:51.600 --> 0:54:54.360
<v Speaker 1>these interviews. And one thing for short, two things for certain.

0:54:55.239 --> 0:54:57.880
<v Speaker 1>The biggest trait that I love about you? Is you

0:54:58.000 --> 0:55:01.000
<v Speaker 1>loving your city? Uh so that's the be while your city, right,

0:55:01.040 --> 0:55:05.280
<v Speaker 1>I love my city, but I'm just not gonna lie. Um, yeah,

0:55:06.040 --> 0:55:08.520
<v Speaker 1>I love my city. Man. Yeah. But but here's the thing.

0:55:08.600 --> 0:55:10.319
<v Speaker 1>A lot of a lot of people who we see

0:55:10.360 --> 0:55:12.759
<v Speaker 1>love the city, right, they die, They get taken out

0:55:12.800 --> 0:55:15.600
<v Speaker 1>of the right saying. I saw your clip with Dol,

0:55:16.080 --> 0:55:19.520
<v Speaker 1>saw your interview with them, And what I want to

0:55:19.560 --> 0:55:24.200
<v Speaker 1>ask you is when, um, what you're to pun die

0:55:28.640 --> 0:55:31.200
<v Speaker 1>kind of obviously remember the time, but maybe it might

0:55:31.200 --> 0:55:33.040
<v Speaker 1>be hard to pinpoint the year, but that's not important.

0:55:33.080 --> 0:55:35.840
<v Speaker 1>What I want to ask you the question is I

0:55:35.920 --> 0:55:39.200
<v Speaker 1>went to high school with um, Dolf's wife. It was

0:55:39.280 --> 0:55:40.719
<v Speaker 1>just one of my homies. You know, we had a

0:55:40.760 --> 0:55:42.840
<v Speaker 1>couple of classes. We grew up in the same neighborhood

0:55:43.040 --> 0:55:47.520
<v Speaker 1>from Detroit. Authentic, you know. Um, I didn't know her

0:55:47.560 --> 0:55:50.280
<v Speaker 1>after high school, but when high school she was solid,

0:55:50.360 --> 0:55:58.080
<v Speaker 1>you know what I'm saying. And when Dolf died or

0:55:58.120 --> 0:56:00.160
<v Speaker 1>when Nipsey died, you know, people be I hate when

0:56:00.200 --> 0:56:02.120
<v Speaker 1>I go on the Internet and see another rapper died

0:56:02.280 --> 0:56:05.680
<v Speaker 1>or bullshit like that, because more than that, they the

0:56:05.880 --> 0:56:08.279
<v Speaker 1>pillars in their community. They pillars and they hood right,

0:56:08.320 --> 0:56:10.279
<v Speaker 1>So when I what I wanted to ask you is

0:56:11.800 --> 0:56:15.719
<v Speaker 1>when Pun died, didn't feel like like was it a

0:56:15.800 --> 0:56:19.640
<v Speaker 1>similar energy like when Nip died when when darf went like,

0:56:19.719 --> 0:56:21.640
<v Speaker 1>how was it or was it different back then? You

0:56:21.719 --> 0:56:24.520
<v Speaker 1>know what I mean. No, it's definitely wasn't different. It's

0:56:25.800 --> 0:56:29.040
<v Speaker 1>Pun Pun dime was different for me. This great question,

0:56:29.080 --> 0:56:30.759
<v Speaker 1>and I don't think I've got to asked that question,

0:56:31.560 --> 0:56:35.160
<v Speaker 1>especially not on this platform. Um, when Pun died was

0:56:35.200 --> 0:56:37.600
<v Speaker 1>different because it's funked up for me to say, it's

0:56:37.600 --> 0:56:40.560
<v Speaker 1>gonna sound so crazy. I'm used to it being a shootout.

0:56:40.880 --> 0:56:42.719
<v Speaker 1>I'm used to it being the driver. I'm used to

0:56:42.800 --> 0:56:47.200
<v Speaker 1>it being uh, you know, a stabbing like you know,

0:56:47.280 --> 0:56:49.680
<v Speaker 1>I remember going to Punt's casket and everyone had like

0:56:49.760 --> 0:56:53.040
<v Speaker 1>fifteen minutes at Punt's casket and I was standing there,

0:56:53.080 --> 0:56:55.600
<v Speaker 1>I was sitting down. I was frozen and I just froze.

0:56:56.600 --> 0:56:58.200
<v Speaker 1>So I didn't know if I was there fifteen minutes

0:56:58.280 --> 0:56:59.920
<v Speaker 1>or twenty five minutes or thirty minutes, I didn't know.

0:57:00.800 --> 0:57:02.920
<v Speaker 1>But I remember all the terrost car coming up to me.

0:57:04.640 --> 0:57:07.320
<v Speaker 1>I'm saying, he's not in pain no more. So I

0:57:07.360 --> 0:57:10.080
<v Speaker 1>was like in pain, like what like I almost was

0:57:10.120 --> 0:57:11.800
<v Speaker 1>offended that they told me that, Like, what do you

0:57:11.840 --> 0:57:14.719
<v Speaker 1>mean in pain? Because I've never seen Punt in pain.

0:57:15.040 --> 0:57:18.640
<v Speaker 1>But what I realized. What I realized was Pun was

0:57:18.720 --> 0:57:20.800
<v Speaker 1>an acting in front of me. Me and him was friends,

0:57:21.400 --> 0:57:23.800
<v Speaker 1>so when he was in pain, he never showed it

0:57:23.920 --> 0:57:26.600
<v Speaker 1>to me. So it would be times when we'll be talking,

0:57:26.760 --> 0:57:29.200
<v Speaker 1>just like how me you right now, we're all talking

0:57:29.520 --> 0:57:32.280
<v Speaker 1>and Pun will fall to sleep. So he was Ye.

0:57:33.200 --> 0:57:35.160
<v Speaker 1>So I used to think I was boring. Ye, I

0:57:35.240 --> 0:57:37.520
<v Speaker 1>heard that I heard on stage one time. Fun Oh,

0:57:37.520 --> 0:57:39.160
<v Speaker 1>I just I don't know about that, but I'm talking

0:57:39.160 --> 0:57:42.560
<v Speaker 1>about me and him just conversing, so I just think

0:57:42.600 --> 0:57:44.520
<v Speaker 1>it was me. I was like, all right, let me

0:57:44.560 --> 0:57:47.480
<v Speaker 1>step my story up a song, like because I don't

0:57:47.480 --> 0:57:49.880
<v Speaker 1>want to motherfucker falling asleep on me. And what I

0:57:50.040 --> 0:57:52.560
<v Speaker 1>didn't know about KNOCOLEPSI. I didn't know about sleep apnea.

0:57:52.560 --> 0:57:55.440
<v Speaker 1>I didn't know about none of that ship. So that's

0:57:55.440 --> 0:57:57.760
<v Speaker 1>the reason why Punt is hit a little different, because

0:57:58.160 --> 0:58:02.040
<v Speaker 1>Puns really could have been just like Nipsey and just

0:58:02.280 --> 0:58:04.920
<v Speaker 1>like um who else were were talking about? For god, Dolf,

0:58:05.080 --> 0:58:11.400
<v Speaker 1>just like Dolf Um. I actually like literally told Dolf

0:58:11.760 --> 0:58:14.360
<v Speaker 1>you know, and I really took a liking to him,

0:58:14.360 --> 0:58:18.240
<v Speaker 1>and he really took a liking to me because I

0:58:18.400 --> 0:58:20.440
<v Speaker 1>was like his first interview where I didn't bring up,

0:58:21.000 --> 0:58:23.400
<v Speaker 1>you know, the opposition, the other side that he was

0:58:23.440 --> 0:58:25.240
<v Speaker 1>supposed to be beefing with. So if you look at

0:58:25.240 --> 0:58:27.840
<v Speaker 1>the whole interview, I'd never bring that up. So when

0:58:27.880 --> 0:58:31.600
<v Speaker 1>the interview was done, you know, he walks up to

0:58:31.720 --> 0:58:34.240
<v Speaker 1>me and e F and he goes, thank you all,

0:58:34.400 --> 0:58:36.960
<v Speaker 1>and I'm like, you know, we're doing our job. But

0:58:37.080 --> 0:58:41.120
<v Speaker 1>he's like he really understood what we what we we're

0:58:41.480 --> 0:58:44.800
<v Speaker 1>doing by not bringing up that because it would have

0:58:46.280 --> 0:58:47.840
<v Speaker 1>I don't know. I don't know because I don't know

0:58:47.880 --> 0:58:49.920
<v Speaker 1>where this situation is at now. And I'm sure you

0:58:50.000 --> 0:58:51.840
<v Speaker 1>understand what. But one of the things I wanted to

0:58:51.920 --> 0:58:54.959
<v Speaker 1>say though about that, because they just feel like lately

0:58:54.960 --> 0:58:58.240
<v Speaker 1>it's been tragedy after tragedy after fucking traghicy. Do you

0:58:58.280 --> 0:59:02.880
<v Speaker 1>think being a rappers the dangerous drop in America? I

0:59:02.960 --> 0:59:05.600
<v Speaker 1>think one of them. I think being a human being is.

0:59:05.840 --> 0:59:09.400
<v Speaker 1>But yeah, the forest, but yeah, I mean every of

0:59:09.560 --> 0:59:12.560
<v Speaker 1>course it is. It is because everything is amplified. And

0:59:12.640 --> 0:59:14.480
<v Speaker 1>but let me say something though. When I saw the

0:59:14.560 --> 0:59:19.000
<v Speaker 1>Snoop Dogg interview, and he was talking about how when

0:59:19.040 --> 0:59:21.280
<v Speaker 1>he rapped about being on a murder case, he was

0:59:21.400 --> 0:59:24.040
<v Speaker 1>up on trial for murder. He said, that's the first

0:59:24.080 --> 0:59:28.720
<v Speaker 1>time I saw my words. Yeah, manifest and as human beings,

0:59:28.760 --> 0:59:31.160
<v Speaker 1>we had a power to create anything, right that we want.

0:59:31.240 --> 0:59:33.160
<v Speaker 1>We are a guy body. Right. It's like when we

0:59:33.240 --> 0:59:35.000
<v Speaker 1>say we when we broke and then we talked about

0:59:35.000 --> 0:59:38.160
<v Speaker 1>we being rich, Yeah, rapped and then actually, yeah, I

0:59:38.200 --> 0:59:40.400
<v Speaker 1>talked about being on mail rolls before I even stepped

0:59:40.400 --> 0:59:43.560
<v Speaker 1>foot on mail roads or going on Yeah, okay, that's

0:59:43.720 --> 0:59:45.880
<v Speaker 1>going on shopping spreezes before I went on shopping spreee. Like,

0:59:45.960 --> 0:59:50.920
<v Speaker 1>you know, goddamn, let's let's go. Let's let's go. What

0:59:50.960 --> 0:59:53.480
<v Speaker 1>I'm saying Snoop saying he wrapped about murder and was

0:59:53.520 --> 0:59:56.160
<v Speaker 1>on trial for murder. Okay, So what I'm saying is

0:59:56.480 --> 0:59:58.080
<v Speaker 1>we don't want that type of case. No, we don't.

0:59:58.120 --> 1:00:00.880
<v Speaker 1>But what I'm saying is as people and as rappers

1:00:01.000 --> 1:00:04.240
<v Speaker 1>or musicians, our voices get amplified as it does. So

1:00:05.720 --> 1:00:07.520
<v Speaker 1>you know, like you said, when we wrap about things

1:00:07.600 --> 1:00:09.280
<v Speaker 1>like that, are buying our parents the house, are buying

1:00:09.320 --> 1:00:11.520
<v Speaker 1>our you know, grandparents, you know, whatever, taking care of

1:00:11.560 --> 1:00:13.640
<v Speaker 1>our family. All the things we wrap about when we

1:00:13.800 --> 1:00:16.720
<v Speaker 1>rap about the all those other things though that we

1:00:16.880 --> 1:00:20.320
<v Speaker 1>rap about. I hate it when it manifesting that attractions

1:00:20.360 --> 1:00:22.480
<v Speaker 1>to a I hate it when it manifesting that way.

1:00:23.200 --> 1:00:27.200
<v Speaker 1>I hate it when motherfucker's rapping about that ship and

1:00:27.240 --> 1:00:29.960
<v Speaker 1>in it happened. And that's one of the cases that

1:00:30.720 --> 1:00:32.720
<v Speaker 1>I see happen over and over, and I wonder if

1:00:33.520 --> 1:00:37.280
<v Speaker 1>artists will be more conscious to that. You know, I

1:00:37.320 --> 1:00:41.680
<v Speaker 1>don't know like I loved I loved um when you

1:00:41.880 --> 1:00:43.760
<v Speaker 1>rolled up. I love the fact you know a lot

1:00:43.800 --> 1:00:46.479
<v Speaker 1>of us, like you know, get to a certain level player.

1:00:46.560 --> 1:00:49.360
<v Speaker 1>I don't need security. I'm gonna tell you, man, you

1:00:49.440 --> 1:00:53.080
<v Speaker 1>know places that you go as wild places, keep yourself security,

1:00:53.440 --> 1:00:55.800
<v Speaker 1>Like don't don't go a lot of places without security. Yeah,

1:00:55.800 --> 1:00:57.680
<v Speaker 1>but don't let people get you, man, keep keep that.

1:00:57.840 --> 1:00:59.320
<v Speaker 1>So this is leta. I'm gonna keep it rid on.

1:00:59.320 --> 1:01:00.560
<v Speaker 1>I'm one of those peop But I go to like

1:01:00.680 --> 1:01:03.040
<v Speaker 1>the fucking movies by myself. I do. I'll just be

1:01:03.160 --> 1:01:06.560
<v Speaker 1>going out and just like I like having I like

1:01:06.720 --> 1:01:09.440
<v Speaker 1>having that. I like having that a long time. But

1:01:09.720 --> 1:01:11.160
<v Speaker 1>I'm gonna just keep it real with you. I'm not

1:01:11.280 --> 1:01:15.120
<v Speaker 1>a straight nigger like that from the streets. But that's

1:01:15.160 --> 1:01:18.040
<v Speaker 1>something that I chose not to be a part of necessarily.

1:01:18.200 --> 1:01:20.680
<v Speaker 1>And who we did is in brent Wood or something

1:01:20.800 --> 1:01:24.760
<v Speaker 1>like that, only brent Wood. Don't be going over locker,

1:01:27.760 --> 1:01:29.280
<v Speaker 1>just tell you all right. So look, it's called quick

1:01:29.320 --> 1:01:31.960
<v Speaker 1>time or slim, So if you pick both being political

1:01:32.360 --> 1:01:34.439
<v Speaker 1>being politically correct because you know, we all got friends

1:01:34.440 --> 1:01:37.680
<v Speaker 1>in hip hop. So if I asked you a question, yeah,

1:01:37.720 --> 1:01:39.600
<v Speaker 1>so we all drink. So you take a shot. So

1:01:39.720 --> 1:01:41.680
<v Speaker 1>this is the shot. Did you take not? That's your drink.

1:01:41.920 --> 1:01:44.520
<v Speaker 1>But it's called quick time or slim, so it's just

1:01:44.600 --> 1:01:46.280
<v Speaker 1>one or the other, or you can pick both. You

1:01:46.320 --> 1:01:48.280
<v Speaker 1>pick both, you take a shot, but neither you take

1:01:48.320 --> 1:01:53.240
<v Speaker 1>a shot. Okay, clear, and you know we're pushing. You

1:01:53.240 --> 1:01:57.760
<v Speaker 1>know what I'm saying, be under contract, we up to

1:01:57.800 --> 1:02:02.080
<v Speaker 1>my den or vote people in the building, Surkan building everything. Okay,

1:02:02.400 --> 1:02:08.880
<v Speaker 1>So Dracer Wayne Wayne, Oh that was easy, scar Face

1:02:08.920 --> 1:02:14.520
<v Speaker 1>of ice Cube. You take a shot. Wait, hold on, Okay,

1:02:15.880 --> 1:02:17.600
<v Speaker 1>I gotta think about this. I was pushing to doo

1:02:17.720 --> 1:02:20.439
<v Speaker 1>much on that song. And just to be clear, Drac

1:02:20.520 --> 1:02:22.720
<v Speaker 1>or Wayne, because it would be no Drake with I. Wayne.

1:02:23.080 --> 1:02:24.960
<v Speaker 1>So you've went Wayne, I forgot I went Wayne, Okay,

1:02:25.080 --> 1:02:37.640
<v Speaker 1>yes it makes sense, um, Cube or scar Face, Scarf,

1:02:40.960 --> 1:02:43.360
<v Speaker 1>you can take a shot. You gotta make it that hard.

1:02:43.400 --> 1:02:45.560
<v Speaker 1>I love we gotta love both. No no, no, no,

1:02:45.640 --> 1:02:48.480
<v Speaker 1>no no, I'll choose one. You choose, I choose one.

1:02:48.480 --> 1:02:53.040
<v Speaker 1>I choose cute. Okay, yeah, cute. Cute. By the way,

1:02:53.120 --> 1:02:55.040
<v Speaker 1>is my man scar Face. I don't know him as

1:02:55.080 --> 1:02:57.160
<v Speaker 1>personally as I know Cube, but when he came to

1:02:57.280 --> 1:02:59.400
<v Speaker 1>the dude, you know, we rolled around and like showed

1:02:59.400 --> 1:03:01.080
<v Speaker 1>a lot of the game, a lot of game, and

1:03:01.240 --> 1:03:02.720
<v Speaker 1>on top of that, just like a lot of his

1:03:02.840 --> 1:03:06.200
<v Speaker 1>songs was definitely you know, some of the like definitely

1:03:06.240 --> 1:03:08.280
<v Speaker 1>was in the soundtrack of My Life for show Good

1:03:08.320 --> 1:03:09.600
<v Speaker 1>as to Day, you know what I'm saying, A lot

1:03:09.640 --> 1:03:12.000
<v Speaker 1>of them today. It was a good day, right, um

1:03:12.400 --> 1:03:15.040
<v Speaker 1>outcast or UK, I'm sorry, I'm sorry, good as day

1:03:15.040 --> 1:03:17.640
<v Speaker 1>as the detrait song today was a good damn trick. Yeah,

1:03:18.040 --> 1:03:21.440
<v Speaker 1>I'm gonna stick with y'all, y'all, um bun hit me

1:03:21.560 --> 1:03:25.800
<v Speaker 1>up today. Actually you g K so outcast A U

1:03:25.840 --> 1:03:32.280
<v Speaker 1>g K you're going k like on what aspect? Shot?

1:03:32.320 --> 1:03:35.160
<v Speaker 1>That's a shot. That's a shot. Yeah, that's a yeah. Yeah,

1:03:35.600 --> 1:03:38.880
<v Speaker 1>you take whatever you want but I was just with

1:03:38.960 --> 1:03:41.040
<v Speaker 1>Big Boy too, So yeah, I mean this songs like

1:03:41.080 --> 1:03:43.440
<v Speaker 1>a shot to me. You gotta but when you say that,

1:03:43.600 --> 1:03:46.760
<v Speaker 1>what the funk are you talking about? For you whatever?

1:03:47.320 --> 1:03:49.800
<v Speaker 1>For specific So that sounds like a shot to me.

1:03:50.160 --> 1:03:55.919
<v Speaker 1>It's a straight shot. I'm dirty only Mama Wuanna, that's mama,

1:03:55.960 --> 1:03:59.160
<v Speaker 1>want to trust trust me? What is it? Dominican? Mamajuanna? Homemade?

1:04:00.840 --> 1:04:07.600
<v Speaker 1>Is it? So? What is it in the bottom? Try something?

1:04:07.680 --> 1:04:12.880
<v Speaker 1>Let's try something. Okay, It's okay, okay, alright, alright, we

1:04:13.280 --> 1:04:17.600
<v Speaker 1>show is sorry, this show start. Let's go turn the eye.

1:04:18.040 --> 1:04:25.680
<v Speaker 1>Slo Salo solo, solo by My Water for the win.

1:04:27.800 --> 1:04:33.200
<v Speaker 1>That's good. That's good. Now I'm gonna give your criteria

1:04:33.280 --> 1:04:36.440
<v Speaker 1>to this one. Okay. By the way, by the way,

1:04:36.440 --> 1:04:39.360
<v Speaker 1>I'm tired of a motherucking y'alls. That's cool. We're talking

1:04:39.480 --> 1:04:41.040
<v Speaker 1>to drinking with you. I'm gonna go there, but just

1:04:42.520 --> 1:04:45.080
<v Speaker 1>turn Okay, let's worry about it. Don't worry about it.

1:04:45.240 --> 1:04:48.120
<v Speaker 1>M this one. I'm gonna give you a criteria. This

1:04:48.400 --> 1:04:52.240
<v Speaker 1>is just producer only. Okay, no emotions to this one,

1:04:53.040 --> 1:05:01.000
<v Speaker 1>Kanye for no emotions, he said to this, I got

1:05:01.040 --> 1:05:06.840
<v Speaker 1>my job. Just producers just producers. I'm gonna go with

1:05:10.280 --> 1:05:13.640
<v Speaker 1>that's that's I'm gonna go with, for real, for producers.

1:05:14.240 --> 1:05:16.040
<v Speaker 1>He's a little personal. I like it. No, it's not.

1:05:19.520 --> 1:05:24.880
<v Speaker 1>I'll tell you why. I tell you why because the

1:05:25.080 --> 1:05:28.560
<v Speaker 1>fact that for U has been popping and had number

1:05:28.760 --> 1:05:30.880
<v Speaker 1>not only just number number ones and all the chart

1:05:30.920 --> 1:05:34.040
<v Speaker 1>ship I'm talking about has had impact on three different

1:05:34.120 --> 1:05:37.240
<v Speaker 1>decades as a producer. So to me, that's some of

1:05:37.280 --> 1:05:39.560
<v Speaker 1>the most impressive ship anybody could do. And you know,

1:05:39.680 --> 1:05:42.480
<v Speaker 1>and in his latest years to have a number one

1:05:42.560 --> 1:05:46.000
<v Speaker 1>record of his own and he produced and uh happy

1:05:46.400 --> 1:05:48.480
<v Speaker 1>and I'm happy. Yeah, I'm talking about happy and didn't

1:05:48.520 --> 1:05:50.760
<v Speaker 1>at the same time doing daft punk shit and at

1:05:50.800 --> 1:05:52.600
<v Speaker 1>the same time doing other things. I think that that

1:05:53.000 --> 1:05:57.560
<v Speaker 1>is just that's incredible. I mean, discovered that, nig what

1:06:01.920 --> 1:06:06.200
<v Speaker 1>what about for us? I'm going for Come on, that's different.

1:06:06.720 --> 1:06:11.240
<v Speaker 1>I've actually never actually worked with Kanye as a producer producer, right,

1:06:11.760 --> 1:06:15.560
<v Speaker 1>but for real's you know, he shaped the mold my career.

1:06:15.720 --> 1:06:18.160
<v Speaker 1>He came to me with a tight ass coat on

1:06:18.280 --> 1:06:20.080
<v Speaker 1>in a tight ass shirt and said, if you listen

1:06:20.120 --> 1:06:21.960
<v Speaker 1>to me, be going number one. It was a shirt

1:06:22.040 --> 1:06:26.240
<v Speaker 1>and a coat, both of them was type. Yeah, And

1:06:26.760 --> 1:06:28.479
<v Speaker 1>I just said, you know, you can look at somebody

1:06:28.720 --> 1:06:30.920
<v Speaker 1>like I believe you, and I just believe that he

1:06:31.040 --> 1:06:33.120
<v Speaker 1>was nobody at the time I with the card, but

1:06:33.240 --> 1:06:36.040
<v Speaker 1>I believe the obviously you know that that don't take

1:06:36.080 --> 1:06:39.320
<v Speaker 1>away to impact Kayae had as a producer to But

1:06:39.600 --> 1:06:41.400
<v Speaker 1>because we're gonna go back to that. Okay, put your

1:06:41.440 --> 1:06:46.840
<v Speaker 1>tea or two, change your criteria whatever you want to change. Well,

1:06:46.920 --> 1:06:49.160
<v Speaker 1>hold up, cause hold up you when you when you

1:06:49.240 --> 1:06:55.080
<v Speaker 1>went fast? What is the criteria that you whatever you want?

1:06:55.320 --> 1:06:58.640
<v Speaker 1>And they called yesterday that's your criteria. We haven't text

1:06:58.680 --> 1:07:05.000
<v Speaker 1>you recently to chains. Yeah, I hear push it. I

1:07:05.000 --> 1:07:08.240
<v Speaker 1>don't know what the fun going on. Ship. That's good

1:07:08.360 --> 1:07:13.320
<v Speaker 1>music ship, all right, I know, but but I know

1:07:13.440 --> 1:07:16.400
<v Speaker 1>he lost his mom something. Yeah. I totally forgot about that.

1:07:16.600 --> 1:07:18.320
<v Speaker 1>Push and he would killer he had killer on them

1:07:18.360 --> 1:07:21.680
<v Speaker 1>beats push the team for show. Yeah, okay, I'm Ari

1:07:21.880 --> 1:07:26.320
<v Speaker 1>on the Grande or Janelle Ico. Sorry in the criteria, Yeah,

1:07:26.400 --> 1:07:27.600
<v Speaker 1>you know that. You know what I mean. I've just

1:07:27.640 --> 1:07:35.200
<v Speaker 1>slexic be established We established that already. Yeah, only did

1:07:35.240 --> 1:07:39.120
<v Speaker 1>I correct you? Yeah, is the only person who I've

1:07:39.120 --> 1:07:42.360
<v Speaker 1>ever been in like four relationships at once with she's

1:07:42.400 --> 1:07:44.560
<v Speaker 1>been a friend, she's been a group member, she's been

1:07:44.760 --> 1:07:49.120
<v Speaker 1>a romantic partner, and she's been up here. So that's

1:07:49.120 --> 1:07:51.320
<v Speaker 1>the only person that I've had so many connections with

1:07:51.400 --> 1:07:55.520
<v Speaker 1>that one. So that's why. So you're gonna walk, I mean, yeah, okay,

1:07:58.520 --> 1:08:04.080
<v Speaker 1>it's all respecting love, you know, DMX or Tupac. This

1:08:04.200 --> 1:08:08.960
<v Speaker 1>a shot? No, No, it's not. Okay, I forgot you

1:08:09.040 --> 1:08:20.040
<v Speaker 1>got the GPS up there. D MX had g B

1:08:20.200 --> 1:08:38.719
<v Speaker 1>a g B. Yeah, that's that um fleshing my flesh,

1:08:38.760 --> 1:08:42.200
<v Speaker 1>blood of my blood. Like when that came out, that

1:08:42.360 --> 1:08:44.400
<v Speaker 1>was one of the first rap albums that I truly

1:08:44.439 --> 1:08:46.280
<v Speaker 1>got into, you know what I'm saying, So flush on

1:08:46.320 --> 1:08:48.080
<v Speaker 1>my flesh, bood my blos when he's in the tub

1:08:48.200 --> 1:08:50.320
<v Speaker 1>with that's when you dropped, and that's when you dropped.

1:08:50.520 --> 1:08:54.120
<v Speaker 1>Those albums back to back that had an impact on me.

1:08:54.200 --> 1:08:55.960
<v Speaker 1>But also All Eyes on Me was one of the

1:08:56.040 --> 1:08:59.840
<v Speaker 1>first albums too that I really got into. And if

1:08:59.880 --> 1:09:05.120
<v Speaker 1>I had to pick one, I'm gonna have to take

1:09:05.120 --> 1:09:09.800
<v Speaker 1>a shot. Okay, I was because you're thinking way to you.

1:09:09.960 --> 1:09:12.519
<v Speaker 1>By the way, the regional question is darkness, hell us

1:09:12.560 --> 1:09:16.400
<v Speaker 1>hot versus All Eyes on Me. So so what the

1:09:16.479 --> 1:09:20.439
<v Speaker 1>fun I changed. Yeah, Yeah, I'm just lexic. Just just

1:09:20.560 --> 1:09:37.800
<v Speaker 1>blame everything is just lexic. Soli h. I don't know

1:09:37.800 --> 1:09:39.880
<v Speaker 1>where you gonna go with this, Nicki Minaj or Cardi B.

1:09:44.400 --> 1:09:47.360
<v Speaker 1>You're gonna get me fucked up. I don't know if

1:09:47.400 --> 1:09:50.040
<v Speaker 1>that means out of here or you're gonna drink another shot.

1:09:50.040 --> 1:09:52.439
<v Speaker 1>I don't know what that means, but I'm I'm willing

1:09:52.520 --> 1:09:54.360
<v Speaker 1>to go wherever you want to go. If I had

1:09:54.400 --> 1:09:58.000
<v Speaker 1>to pick one one in one way, this is your criteria.

1:09:58.280 --> 1:10:00.400
<v Speaker 1>Why are you making me pick between two? Quick? Bro?

1:10:00.760 --> 1:10:02.680
<v Speaker 1>That's what I'm trying to say. This, This is meant

1:10:02.720 --> 1:10:04.360
<v Speaker 1>for you to drink. This is why it's cooled to drop.

1:10:04.760 --> 1:10:08.280
<v Speaker 1>You know, Nicki Minajs, we got more history obviously, you

1:10:08.320 --> 1:10:13.360
<v Speaker 1>know what I'm saying. So and see a rap legend period.

1:10:13.680 --> 1:10:15.719
<v Speaker 1>You know, we with the songs that we got together.

1:10:15.840 --> 1:10:17.960
<v Speaker 1>To me are I haven't worked with Cardi B yet,

1:10:18.800 --> 1:10:20.640
<v Speaker 1>you know what I'm saying. I obviously got respect for

1:10:20.720 --> 1:10:22.320
<v Speaker 1>both of them, But obviously if I had to pay

1:10:22.400 --> 1:10:24.280
<v Speaker 1>between the two and I gotta go, I gotta roll

1:10:24.320 --> 1:10:30.600
<v Speaker 1>with Nikki like that podcast or radio podcast. I like that.

1:10:30.680 --> 1:10:32.360
<v Speaker 1>I should take a shot for that. We should take

1:10:32.400 --> 1:10:36.120
<v Speaker 1>a shot for that. You don't have to. It was

1:10:36.160 --> 1:10:38.120
<v Speaker 1>all the way by the way. Radio changed my life.

1:10:39.160 --> 1:10:42.360
<v Speaker 1>Podcast changed my life too, and one of my biggest

1:10:42.400 --> 1:10:44.160
<v Speaker 1>goals in life was to hear my song on the radio.

1:10:45.160 --> 1:10:48.720
<v Speaker 1>But that sounds but no, no, no, no, no no no,

1:10:48.960 --> 1:10:50.960
<v Speaker 1>I'm not. I'm just saying later on in my life,

1:10:51.040 --> 1:10:53.160
<v Speaker 1>I've been on more on the podcast. You know what

1:10:53.200 --> 1:10:55.680
<v Speaker 1>I'm saying, because I like getting straight to it. You know,

1:10:56.000 --> 1:11:03.360
<v Speaker 1>radio would be like radio, we're back with were ready

1:11:03.360 --> 1:11:08.400
<v Speaker 1>to go right now. But Biggie or Tupac, Biggie I

1:11:08.520 --> 1:11:11.160
<v Speaker 1>like that Tupac was that nigga too, but Biggie b

1:11:11.320 --> 1:11:14.160
<v Speaker 1>I g Big Sean. That's why I literally he was

1:11:14.240 --> 1:11:16.920
<v Speaker 1>definitely something like part of the inspiration why I chose

1:11:17.040 --> 1:11:20.760
<v Speaker 1>Big Sean, not Little Sean, not young Sean. You know

1:11:20.840 --> 1:11:23.240
<v Speaker 1>what I'm saying, And that's I chose that name at

1:11:23.960 --> 1:11:26.120
<v Speaker 1>ten years old, you know what I'm saying. That's when

1:11:26.160 --> 1:11:28.599
<v Speaker 1>I chose, That's when I chose my rap name. Stuck

1:11:28.680 --> 1:11:32.800
<v Speaker 1>with it because of I and Big pun too and

1:11:32.960 --> 1:11:38.719
<v Speaker 1>Big that's beautiful to say that Young Jeez or Rick Ross.

1:11:41.439 --> 1:11:43.400
<v Speaker 1>Can we still call him young Jeez? Why are you

1:11:43.479 --> 1:11:45.679
<v Speaker 1>making me choose, bro, I don't want to. I don't

1:11:45.680 --> 1:11:48.600
<v Speaker 1>want to. I want you drink. It's not about you

1:11:48.680 --> 1:11:51.600
<v Speaker 1>big choosing you could drink and have fun. That The

1:11:51.720 --> 1:11:53.880
<v Speaker 1>thing is, Jeez had more of an impact on me

1:11:53.960 --> 1:11:56.519
<v Speaker 1>being from Detroit. That's like a second home because that's right,

1:11:56.560 --> 1:11:59.519
<v Speaker 1>being Math, not just being Math. I mean, yeah, of

1:11:59.600 --> 1:12:03.000
<v Speaker 1>course be met, but because of just his music that way,

1:12:03.040 --> 1:12:05.800
<v Speaker 1>it impacted Detroit at the time when I was in

1:12:05.880 --> 1:12:09.559
<v Speaker 1>the clubs and ship Jeez, you know, and Jeez came

1:12:09.640 --> 1:12:11.680
<v Speaker 1>a little bit before Ross too, you know what I mean,

1:12:11.800 --> 1:12:15.120
<v Speaker 1>And just so the respect is there for both. I

1:12:15.160 --> 1:12:18.600
<v Speaker 1>gotta go, I gotta roll with Jeszy. Okay, this one

1:12:18.640 --> 1:12:23.560
<v Speaker 1>you're gonna be a little sucked up. Oh no, the

1:12:23.600 --> 1:12:26.200
<v Speaker 1>next one you gonna I'm not sure this one being

1:12:26.240 --> 1:12:32.840
<v Speaker 1>meth for the Cheder Boys. I mean, I'm a Cheder

1:12:32.880 --> 1:12:35.960
<v Speaker 1>boy baby, that's for sure. You know. It was just

1:12:36.479 --> 1:12:40.040
<v Speaker 1>it was another thing. It was like the impact, the impact.

1:12:40.160 --> 1:12:42.600
<v Speaker 1>That's like I feel like being Memphis a little bit

1:12:42.600 --> 1:12:46.400
<v Speaker 1>before my time, right, a little bit like I'm talking

1:12:46.439 --> 1:12:52.080
<v Speaker 1>about like, okay, yeah, when I was rolling around like

1:12:52.280 --> 1:12:54.840
<v Speaker 1>Chado boys had that ship a lot, you know, when

1:12:54.840 --> 1:12:57.519
<v Speaker 1>I was in middle school, I feel like being Memphis

1:12:57.600 --> 1:12:59.760
<v Speaker 1>before I could even really listen to any ship like that,

1:13:00.040 --> 1:13:01.880
<v Speaker 1>you know, it was getting locked out. My mom wasn't

1:13:01.880 --> 1:13:04.479
<v Speaker 1>happening it, you know what I mean. But being math

1:13:04.600 --> 1:13:07.120
<v Speaker 1>going crazy right now, you know, shout out a little me,

1:13:07.240 --> 1:13:09.960
<v Speaker 1>shout out fifty shot at everybody that ship. I like

1:13:10.040 --> 1:13:11.479
<v Speaker 1>how they I like how they're painting the picture of

1:13:11.520 --> 1:13:13.439
<v Speaker 1>the city. I'm gonna I'm gonna gonna watch you don't

1:13:13.439 --> 1:13:15.400
<v Speaker 1>don't blow it up for me. You know, I'm avenge

1:13:15.439 --> 1:13:21.479
<v Speaker 1>watcher huh four two because you said he said his

1:13:21.600 --> 1:13:24.280
<v Speaker 1>name is not forty two. It's four to huh four

1:13:24.400 --> 1:13:31.160
<v Speaker 1>two dog rotiguously you can take a shot. Yeah, I

1:13:31.200 --> 1:13:33.240
<v Speaker 1>ain't picking between That's what I'm saying. It's like a shot,

1:13:33.320 --> 1:13:34.960
<v Speaker 1>like a shot. All right. Why don't you look at

1:13:34.960 --> 1:13:39.439
<v Speaker 1>Hennessey right now? Wanna you could give m a little

1:13:39.439 --> 1:13:43.120
<v Speaker 1>bit more than that. Wanna take a little We'll take

1:13:43.240 --> 1:13:45.080
<v Speaker 1>you take the forty two. Come get me funked up

1:13:45.120 --> 1:13:46.800
<v Speaker 1>in here? Yeah exactly, this is This is is the point.

1:13:48.040 --> 1:13:57.880
<v Speaker 1>So yeah, yeah, that's what I'm talking about. M Okay,

1:13:58.320 --> 1:14:01.760
<v Speaker 1>it ain't gonna pick between you dream dog or dog

1:14:01.880 --> 1:14:10.200
<v Speaker 1>you cat? How many more questions do you got by

1:14:10.200 --> 1:14:13.760
<v Speaker 1>a couple of months when they copy dragged a couple? Yeah? Bro,

1:14:14.000 --> 1:14:16.000
<v Speaker 1>what the fun dreaming? Do you want to go a shot?

1:14:16.040 --> 1:14:20.800
<v Speaker 1>I mean cat, don't. I don't know what the mix.

1:14:21.200 --> 1:14:24.360
<v Speaker 1>I don't want to Huh, you want to take a shot?

1:14:24.400 --> 1:14:25.920
<v Speaker 1>I know does a cat? I don't think I've even

1:14:25.960 --> 1:14:30.000
<v Speaker 1>met dream dog, So you're gonna do alright? I don't

1:14:30.040 --> 1:14:36.800
<v Speaker 1>even know the Kendrick or Jay Cole? Are you saying

1:14:36.840 --> 1:14:50.559
<v Speaker 1>that this is on you? I love both the niggers. Okay,

1:14:50.640 --> 1:14:53.400
<v Speaker 1>let's go, let's go. What shot you want? Oh sho,

1:14:53.560 --> 1:14:56.479
<v Speaker 1>you got an explanation. I've been I've been a calls

1:14:56.560 --> 1:15:01.000
<v Speaker 1>house though. Kendrick being in my house before, she's making

1:15:01.040 --> 1:15:03.719
<v Speaker 1>his personal No. But I'm just saying, Jake Cale opened

1:15:03.760 --> 1:15:06.080
<v Speaker 1>his doors to me. That's like I'm gonna go with Cal.

1:15:06.400 --> 1:15:09.320
<v Speaker 1>I respect that. I respect that Jacle opened his doors

1:15:09.400 --> 1:15:12.080
<v Speaker 1>his family. You know what I'm saying? Okay, yeah, big

1:15:12.120 --> 1:15:21.479
<v Speaker 1>pun of big Al big Ail was the killer with

1:15:21.560 --> 1:15:26.240
<v Speaker 1>those words. Bro, he was a fucking killer, so it

1:15:26.360 --> 1:15:30.880
<v Speaker 1>was punned too. You can take a show now. I

1:15:30.920 --> 1:15:36.760
<v Speaker 1>ain't taking a shot. I could pick mother, I could

1:15:36.760 --> 1:15:43.040
<v Speaker 1>pick goddamnit. I'm gonna go with Big Alka. The lyricism,

1:15:43.160 --> 1:15:46.200
<v Speaker 1>the word play. Both of them had that, but it

1:15:46.320 --> 1:15:48.600
<v Speaker 1>was something about Big l that just shocked me. The

1:15:49.280 --> 1:15:52.080
<v Speaker 1>metaphors and ship like how he was putting the things together.

1:15:52.640 --> 1:15:55.639
<v Speaker 1>It just got me, like, you know off that okay

1:15:55.720 --> 1:16:02.920
<v Speaker 1>o d Bo Bismarcki oh to be dealer, Primo dealer,

1:16:03.840 --> 1:16:10.840
<v Speaker 1>pap for dre puff Uh. Like like you tell my

1:16:10.920 --> 1:16:18.719
<v Speaker 1>producer or rapper, whatever the funk you want, whatever you want, Nigi,

1:16:18.880 --> 1:16:23.160
<v Speaker 1>what the fuck wherever you are? Whatever I want, producer, producer.

1:16:24.680 --> 1:16:26.200
<v Speaker 1>That sounds like a shot to me. Then you just

1:16:26.280 --> 1:16:28.400
<v Speaker 1>picked both. I can't crol side as you produce, you

1:16:28.479 --> 1:16:32.640
<v Speaker 1>crol sides just now you d we gotta take you

1:16:32.680 --> 1:16:35.920
<v Speaker 1>gotta take a shot. Let's go, let's go. Let's go

1:16:36.000 --> 1:16:37.599
<v Speaker 1>take a shot with your preface. Whatever you want, you want.

1:16:37.880 --> 1:16:39.640
<v Speaker 1>Then you got a motherfucking fix this ship and make

1:16:39.680 --> 1:16:42.760
<v Speaker 1>it look like I picked both of them. Then we

1:16:42.880 --> 1:16:51.880
<v Speaker 1>got this shot. Rest my mamana, I don't funk with it.

1:16:51.920 --> 1:16:54.840
<v Speaker 1>I'm gonna being honest. I can't believe Sean, that ship

1:16:54.920 --> 1:17:01.120
<v Speaker 1>is crazy. Gotta gotta got okay, this one wrong. Okay,

1:17:02.320 --> 1:17:06.960
<v Speaker 1>baby Face Ray or real Young g Rio, the Young

1:17:07.000 --> 1:17:09.680
<v Speaker 1>Old Gal the young get these names. I'm sorry, you

1:17:09.720 --> 1:17:13.240
<v Speaker 1>know I'm gonna put some. I'm sorry. I love these guys. No,

1:17:13.640 --> 1:17:15.760
<v Speaker 1>you gotta understand that the blueprint that the and the

1:17:15.880 --> 1:17:17.960
<v Speaker 1>impact that they're having on the whole industry right now,

1:17:18.080 --> 1:17:23.639
<v Speaker 1>real young old g baby Face Ray vs veso uh

1:17:25.320 --> 1:17:28.000
<v Speaker 1>Pas pay roll. So sounds like you're taking a shot

1:17:28.040 --> 1:17:30.080
<v Speaker 1>that should be clear. No, no, no, I'm just letting

1:17:30.080 --> 1:17:33.120
<v Speaker 1>you know, like they don't. You gotta make sure you're

1:17:33.200 --> 1:17:35.840
<v Speaker 1>gonos these names. I'm trying, my bodie, James, you gotta

1:17:35.840 --> 1:17:38.240
<v Speaker 1>announce it. It's like that's why we're out here. We're

1:17:38.240 --> 1:17:43.040
<v Speaker 1>trying to give the respect show. Um, so, who is

1:17:43.120 --> 1:17:49.559
<v Speaker 1>it again? Real or baby Face? Free Real? But I'm

1:17:49.560 --> 1:17:51.880
<v Speaker 1>gonna go with baby Face but free Real though, okay?

1:17:52.200 --> 1:17:59.160
<v Speaker 1>Isaiah Thomas or Joe Dumarsh Isaiah Zeke. Yeah, I got

1:17:59.240 --> 1:18:06.519
<v Speaker 1>drunk with Iaia Hyeah. Yeah. I stepped to him about

1:18:06.520 --> 1:18:08.320
<v Speaker 1>Bad Boys, just like, yeah, it would be you know,

1:18:08.600 --> 1:18:11.400
<v Speaker 1>it would be no Michael Jordan without the Bad Boys period,

1:18:11.760 --> 1:18:15.400
<v Speaker 1>eminem or worse the five nine get a shot ready?

1:18:17.760 --> 1:18:25.599
<v Speaker 1>I can pick is that it's nothing produce? What's yeah? Yeah?

1:18:26.040 --> 1:18:33.800
<v Speaker 1>What's you going? Um? Worse the five on is my

1:18:34.720 --> 1:18:38.920
<v Speaker 1>literal big brother. So I gotta go to Royce Eminem

1:18:39.360 --> 1:18:42.320
<v Speaker 1>like I said, God didn't see, God didn't see and

1:18:42.600 --> 1:18:45.200
<v Speaker 1>dream comes true to work with. But Royce, I've been

1:18:45.240 --> 1:18:47.760
<v Speaker 1>in the trenches for Royce. Shot Royce. I'm saying I

1:18:47.800 --> 1:18:53.000
<v Speaker 1>hadn't been in a real trenches for real. Okay, Kevin

1:18:53.040 --> 1:19:06.439
<v Speaker 1>hard Day Chappelle, what about you, Kevin Arder, Dave Chappelle,

1:19:08.600 --> 1:19:10.519
<v Speaker 1>you know, this is the greatest thing about this part.

1:19:11.640 --> 1:19:14.960
<v Speaker 1>It's my name on the show. It's all about you.

1:19:15.040 --> 1:19:17.120
<v Speaker 1>We're giving you your flowers. You see from I was saying,

1:19:17.439 --> 1:19:20.560
<v Speaker 1>that's just say your name. Brother. Dave Chappelle is on

1:19:20.640 --> 1:19:25.519
<v Speaker 1>Detroit too. Yeah, Dave Chappelle is on Detroit. Dave Chappelle's

1:19:25.520 --> 1:19:28.320
<v Speaker 1>to Carey my dad at a at a at a

1:19:28.360 --> 1:19:31.240
<v Speaker 1>show twice. Wow. Yeah. When I first met Dave Chappelle,

1:19:31.240 --> 1:19:32.640
<v Speaker 1>he was like, I love your dad, and I'm like,

1:19:32.720 --> 1:19:36.080
<v Speaker 1>what the fuck? Three and three in the morning and

1:19:36.120 --> 1:19:39.240
<v Speaker 1>getting back from Vegas PJ on it at the private airport.

1:19:39.320 --> 1:19:42.519
<v Speaker 1>I'm walking off. He's getting on the plane. I'm like, oh,

1:19:42.800 --> 1:19:45.080
<v Speaker 1>Dave Chappelle, man, I'm like a huge fan. He's like,

1:19:45.600 --> 1:19:47.280
<v Speaker 1>I love your dad. That's the first thing he said

1:19:47.320 --> 1:19:49.240
<v Speaker 1>to me. I'm like, what the are you talking about?

1:19:49.280 --> 1:19:51.639
<v Speaker 1>Because my dad ended up doing a skit on Dark

1:19:51.680 --> 1:19:54.080
<v Speaker 1>Sky Paradise on my album. I'm thinking he just heard that.

1:19:54.120 --> 1:19:55.599
<v Speaker 1>He's like, no, I was kicking in with your dad.

1:19:56.040 --> 1:19:58.280
<v Speaker 1>Then I go into this phone conversation I had with

1:19:58.400 --> 1:20:00.600
<v Speaker 1>my dad. You know when you're ars call you and

1:20:00.600 --> 1:20:03.000
<v Speaker 1>they'd be talking, you know, talking, just be like uh.

1:20:03.560 --> 1:20:04.840
<v Speaker 1>He was like yes, So I was at the Dave

1:20:04.920 --> 1:20:08.840
<v Speaker 1>Chappelle show to me backstage, and I was backstage, man,

1:20:09.240 --> 1:20:13.559
<v Speaker 1>I'm like, huh, all right, dad, I love you man, alright, piece.

1:20:13.560 --> 1:20:14.960
<v Speaker 1>I just thought, you know, because my dad just be

1:20:15.040 --> 1:20:17.080
<v Speaker 1>going sometimes it talks to me for like two hours straight.

1:20:17.880 --> 1:20:19.880
<v Speaker 1>This motherfucker. Dave Chappelle was like, I love your dad.

1:20:20.120 --> 1:20:22.080
<v Speaker 1>Had him back there smoking blunts, had him back there

1:20:22.120 --> 1:20:30.559
<v Speaker 1>smoking blund God telling me lle got damn. Okay, yeah, okay,

1:20:31.280 --> 1:20:38.639
<v Speaker 1>Chris Brown to Jeremiah Chris Brown because I ain't gotta

1:20:38.640 --> 1:20:42.679
<v Speaker 1>give a reason you don't both of them, but yeah

1:20:42.840 --> 1:20:47.320
<v Speaker 1>Chris Brown, Okay, Metro booming or here boy, here boy.

1:20:49.040 --> 1:21:01.920
<v Speaker 1>I liked it. That loyalty or respect loyalty. Now I

1:21:02.000 --> 1:21:09.519
<v Speaker 1>gotta x y because you can respect somebody and still

1:21:09.640 --> 1:21:16.720
<v Speaker 1>fund them over With loyalty, you don't think about that person. Um.

1:21:19.280 --> 1:21:21.200
<v Speaker 1>You know, when you loyal to that person, you're gonna

1:21:21.240 --> 1:21:23.559
<v Speaker 1>always hold them and think about them in a different

1:21:23.560 --> 1:21:28.280
<v Speaker 1>way than necessarily, like having a respect for somebody can

1:21:30.600 --> 1:21:33.760
<v Speaker 1>just be completely thrown out the window at any time,

1:21:33.880 --> 1:21:37.799
<v Speaker 1>because I feel like loyalty is more for it for everything,

1:21:37.840 --> 1:21:40.560
<v Speaker 1>and respect it's more of a moment thing. You know

1:21:40.600 --> 1:21:44.240
<v Speaker 1>what I'm saying both, because that wasn't the question. You

1:21:44.600 --> 1:21:49.040
<v Speaker 1>can pick both, you can, but you got to get shot.

1:21:49.080 --> 1:21:54.160
<v Speaker 1>That's the reason why you ain't big both. But yeah,

1:21:54.160 --> 1:21:57.080
<v Speaker 1>because I was a drunk as answer. Yeah, it's great though,

1:21:57.160 --> 1:22:00.200
<v Speaker 1>it's great, it's great. So um now let's move one

1:22:00.439 --> 1:22:11.519
<v Speaker 1>right click, Yeah, it's record. Mm hmm, go on there

1:22:11.600 --> 1:22:22.200
<v Speaker 1>with two giants. Yeah, your verse comes first as an artist, Yeah,

1:22:23.040 --> 1:22:26.439
<v Speaker 1>I come from the era I came from at one

1:22:26.479 --> 1:22:29.760
<v Speaker 1>point pause of the eerror where the artist has the

1:22:30.200 --> 1:22:33.360
<v Speaker 1>most impact is the last verse right right. But then

1:22:33.960 --> 1:22:37.000
<v Speaker 1>in the new era, is the artist with the first first?

1:22:37.120 --> 1:22:41.760
<v Speaker 1>You think so, because sometimes we've change, it changes, but

1:22:41.880 --> 1:22:45.400
<v Speaker 1>thin this error at this time, especially when you with

1:22:45.520 --> 1:22:48.040
<v Speaker 1>these other two ot coms, they let you go first.

1:22:49.840 --> 1:22:53.240
<v Speaker 1>Is it because your verse was laid first? Yeah? It

1:22:53.520 --> 1:22:57.280
<v Speaker 1>was okay, that was simple. My verse was like at first,

1:22:57.320 --> 1:23:00.680
<v Speaker 1>I did the hook in the verse and sport. Now,

1:23:01.400 --> 1:23:03.760
<v Speaker 1>what are you under the impression of this versus? For what?

1:23:05.840 --> 1:23:07.600
<v Speaker 1>I didn't know. I just was in the studio. It

1:23:07.720 --> 1:23:10.639
<v Speaker 1>was in London. He was right next to Buckingham Palace.

1:23:12.080 --> 1:23:20.640
<v Speaker 1>I love I love his flaws in London, next to

1:23:20.720 --> 1:23:25.320
<v Speaker 1>bunk here. I love hit boy at too. Who will

1:23:25.439 --> 1:23:30.559
<v Speaker 1>produce click? Um, so you met him, you said, that's

1:23:30.600 --> 1:23:33.160
<v Speaker 1>what I meant. Well, that's the where I first worked

1:23:33.160 --> 1:23:35.240
<v Speaker 1>with him. Okay. I met him actually one time before

1:23:35.280 --> 1:23:42.120
<v Speaker 1>that at Buckingham Palace and everybody was out there pushing

1:23:42.240 --> 1:23:51.439
<v Speaker 1>to John Legend here boy. Yeah, uh, Manny Fresh was

1:23:51.479 --> 1:23:54.960
<v Speaker 1>out there. Um, there's a lot of people out there.

1:23:55.240 --> 1:23:59.320
<v Speaker 1>I'm forgetting probably like a lot of people because you

1:23:59.360 --> 1:24:01.720
<v Speaker 1>made me drink all sucking shots. It's okay, it's more

1:24:01.800 --> 1:24:07.400
<v Speaker 1>to come, okay, Okay. So yeah, it was just an idea.

1:24:07.479 --> 1:24:09.479
<v Speaker 1>We were working on this one song and the ship

1:24:09.640 --> 1:24:12.120
<v Speaker 1>was like whack as hell. It was a beat that

1:24:12.280 --> 1:24:15.240
<v Speaker 1>was just like ship was going on for a long time.

1:24:15.280 --> 1:24:17.920
<v Speaker 1>It's a song that never came out, and I was like, man,

1:24:17.960 --> 1:24:19.720
<v Speaker 1>we need to switch this ship up. Man, this ship

1:24:19.800 --> 1:24:22.200
<v Speaker 1>is whack. And there was already a hook on there.

1:24:23.120 --> 1:24:25.400
<v Speaker 1>I was like, this ship fucking trash. So we lowed

1:24:25.439 --> 1:24:28.240
<v Speaker 1>it up another beat or Doncy was like, well, what

1:24:28.360 --> 1:24:31.800
<v Speaker 1>other beat we're gonna you know, you know, it's impressure,

1:24:32.000 --> 1:24:34.560
<v Speaker 1>so like what other people were gonna load up? You know,

1:24:35.400 --> 1:24:37.439
<v Speaker 1>I don't remember what he said, Doncy is my brother.

1:24:38.200 --> 1:24:40.800
<v Speaker 1>What I'm saying for real, love your impressure them. Yeah,

1:24:41.120 --> 1:24:42.960
<v Speaker 1>I can do. That's a hidden talent. I get a

1:24:43.000 --> 1:24:47.720
<v Speaker 1>lot of impressions. But anyway, we lowed up a beat

1:24:47.760 --> 1:24:49.400
<v Speaker 1>and the first thing that comes on, I do this

1:24:49.439 --> 1:24:52.240
<v Speaker 1>ship in like two minutes. I said, anybody sun on

1:24:52.320 --> 1:24:57.080
<v Speaker 1>my click click click later hood everybody like you know,

1:24:57.200 --> 1:24:59.439
<v Speaker 1>everybody like that's all right, it's all right, like to

1:24:59.479 --> 1:25:02.920
<v Speaker 1>hook lead your lagborhood. Then I do a verse and

1:25:02.960 --> 1:25:05.880
<v Speaker 1>the like it's it's tight, it's tight. Then you come

1:25:05.960 --> 1:25:08.560
<v Speaker 1>back and hear it and he's like, this is the

1:25:08.600 --> 1:25:11.320
<v Speaker 1>motherfucker this this ship crazy? You know what I'm saying.

1:25:11.400 --> 1:25:15.040
<v Speaker 1>And next thing I know, time goes on. Because we

1:25:15.120 --> 1:25:17.400
<v Speaker 1>were working on other songs Mercy and by the way,

1:25:17.439 --> 1:25:19.240
<v Speaker 1>all these songs I did like back then there was

1:25:19.360 --> 1:25:21.320
<v Speaker 1>just freestyles. But I wasn't even trying on none of

1:25:21.400 --> 1:25:23.920
<v Speaker 1>that ship really, none of it. Bro. I just was

1:25:24.000 --> 1:25:28.800
<v Speaker 1>like going in there freestyling, like on mercy click, don't

1:25:28.880 --> 1:25:33.160
<v Speaker 1>like just have you know, just just just do you know,

1:25:33.320 --> 1:25:35.599
<v Speaker 1>just to be productive, like all right, fucking I'm a freestyle.

1:25:36.400 --> 1:25:39.360
<v Speaker 1>And anyway, he heard it and everybody laid a verse on.

1:25:39.400 --> 1:25:42.400
<v Speaker 1>It was like eight verses and then I guess it

1:25:42.520 --> 1:25:44.280
<v Speaker 1>got to hold. Now this is part of the story

1:25:44.320 --> 1:25:46.559
<v Speaker 1>where I wasn't there, so I don't know the exact details,

1:25:46.680 --> 1:25:49.920
<v Speaker 1>but it went from eight verses to the whole click

1:25:50.000 --> 1:25:52.880
<v Speaker 1>on there to nobody's verse being on there because Hole

1:25:53.000 --> 1:25:55.559
<v Speaker 1>was on there. But somehow my ship got left on there,

1:25:56.320 --> 1:26:00.519
<v Speaker 1>you know. And when I had to, when I the conversation,

1:26:00.560 --> 1:26:03.200
<v Speaker 1>when yeah, he was like, you know, whole states, you

1:26:03.240 --> 1:26:05.760
<v Speaker 1>gotta stay on have mother fun. You know, he was like,

1:26:05.800 --> 1:26:08.560
<v Speaker 1>you gotta keep keep Shawn on there. So that was

1:26:08.640 --> 1:26:10.320
<v Speaker 1>a monumental moment for me. A lot of a lot

1:26:10.320 --> 1:26:12.960
<v Speaker 1>of niggers definitely got songs with wove Oorya, so let

1:26:13.000 --> 1:26:18.680
<v Speaker 1>along both of them. Goddamn may now now loyal to

1:26:18.760 --> 1:26:22.880
<v Speaker 1>a fault feature embracing Tiller a little dirt. What is what?

1:26:23.080 --> 1:26:24.679
<v Speaker 1>What are you trying to say? Loyal to a fault?

1:26:24.760 --> 1:26:26.760
<v Speaker 1>What does what does that exactly mean? That's just some

1:26:26.880 --> 1:26:29.719
<v Speaker 1>relatable ship that people be loyal to a fault? Yeah,

1:26:30.120 --> 1:26:33.280
<v Speaker 1>people be You've been loyal to a full absolutely in

1:26:33.360 --> 1:26:38.200
<v Speaker 1>what situation ship? One of the situations that we could

1:26:38.240 --> 1:26:39.680
<v Speaker 1>talk about. I don't know if you're ready to talk

1:26:39.680 --> 1:26:45.559
<v Speaker 1>about is good music? Okay not yet? Okay, my back?

1:26:45.600 --> 1:26:49.760
<v Speaker 1>Can you give me another situation? Because because I'm leading

1:26:49.880 --> 1:26:51.960
<v Speaker 1>up to it, you know, I got it. It's a

1:26:52.000 --> 1:26:53.560
<v Speaker 1>certain build up. You want another shot, I feel like

1:26:53.600 --> 1:26:58.519
<v Speaker 1>you want to Okay, okay, later later, But loyal to

1:26:58.600 --> 1:27:00.960
<v Speaker 1>a fault, that's just I feel like that a lot

1:27:01.000 --> 1:27:03.599
<v Speaker 1>of times in my life, bro where you know, when

1:27:03.640 --> 1:27:05.600
<v Speaker 1>you're really loyal to somebody, you're gonna put up with

1:27:05.680 --> 1:27:10.720
<v Speaker 1>them and like, I don't know, just give it all

1:27:10.760 --> 1:27:12.320
<v Speaker 1>you got, you know what I'm saying. And I know

1:27:12.400 --> 1:27:14.519
<v Speaker 1>a lot of women can relate to that song. A

1:27:14.560 --> 1:27:16.120
<v Speaker 1>lot of men can relate to that song of just

1:27:16.360 --> 1:27:21.479
<v Speaker 1>like even just going past your personal threshold of like

1:27:21.720 --> 1:27:26.240
<v Speaker 1>your tolerance of fucking being annoyed, you know. But yeah,

1:27:26.320 --> 1:27:28.640
<v Speaker 1>that song is a song I wrote from you know,

1:27:29.560 --> 1:27:34.160
<v Speaker 1>accumulation of personal experiences. You know what I mean? Alright?

1:27:34.240 --> 1:27:41.040
<v Speaker 1>That one of everyone's like favorite like to play song

1:27:41.200 --> 1:27:44.160
<v Speaker 1>to play after they break up with the ex, or

1:27:44.240 --> 1:27:46.640
<v Speaker 1>they break up with like or they ain't fucking with

1:27:46.720 --> 1:27:52.599
<v Speaker 1>their friends no more. I don't funk with you. Yeah,

1:27:52.800 --> 1:27:55.519
<v Speaker 1>where was you had when you didn't want to funk

1:27:55.600 --> 1:28:03.519
<v Speaker 1>with you? I don't with you. We can talk about it.

1:28:04.120 --> 1:28:10.320
<v Speaker 1>It ain't no secret that. Um okay, it's a sensitive subject. Really,

1:28:10.840 --> 1:28:14.679
<v Speaker 1>it's a sensitive subject. How does artists make sensitive subjects public?

1:28:14.720 --> 1:28:18.360
<v Speaker 1>That's what the fun we were crazy? I'm with you

1:28:18.439 --> 1:28:22.080
<v Speaker 1>on that. Yeah, but what do you want to know

1:28:22.120 --> 1:28:25.360
<v Speaker 1>about the song? It's a breakup song. It's a breakup song. Yeah.

1:28:25.360 --> 1:28:26.640
<v Speaker 1>It was how I was feeling in the moment, and

1:28:26.720 --> 1:28:29.880
<v Speaker 1>I just put this ship on the record, simplest that.

1:28:29.880 --> 1:28:31.479
<v Speaker 1>I didn't think about it. I was in the studio,

1:28:31.680 --> 1:28:34.559
<v Speaker 1>Mustard he put the beat on. That was the first

1:28:34.600 --> 1:28:37.880
<v Speaker 1>thing that popped in my head. I thought about too

1:28:37.960 --> 1:28:40.479
<v Speaker 1>short a little bit, something like I thought about like

1:28:40.800 --> 1:28:43.560
<v Speaker 1>that's how forty water got involved. So I was I

1:28:43.680 --> 1:28:45.320
<v Speaker 1>was gonna I was gonna put too short. I was

1:28:45.320 --> 1:28:47.479
<v Speaker 1>gonna put two short on there. Don't tell me forty

1:28:47.520 --> 1:28:52.479
<v Speaker 1>waters the backup. No, not the backup, because but then

1:28:53.400 --> 1:28:55.880
<v Speaker 1>I grew up on a forty, Right, there's a special

1:28:55.920 --> 1:28:59.120
<v Speaker 1>connection between the band Detroit. I grew up on the

1:28:59.280 --> 1:29:02.080
<v Speaker 1>forty and and I was like cooking too short on

1:29:02.160 --> 1:29:03.880
<v Speaker 1>this bitch, and then forty popped in my head and

1:29:03.960 --> 1:29:06.680
<v Speaker 1>that ship just felt like ship just was like you know,

1:29:06.760 --> 1:29:08.560
<v Speaker 1>when you think of the idea, it's like, dam I

1:29:08.720 --> 1:29:10.920
<v Speaker 1>want to get the forty on this motherfucker going crazy?

1:29:11.720 --> 1:29:14.360
<v Speaker 1>And you call said, what's up my wee wolves? Yeah,

1:29:14.400 --> 1:29:20.240
<v Speaker 1>he wass poking out like nippings. He was like the song.

1:29:20.360 --> 1:29:22.400
<v Speaker 1>He was like just poking out like some nippers. I love.

1:29:22.760 --> 1:29:26.080
<v Speaker 1>He said that. He was like, it's official, like turf

1:29:26.120 --> 1:29:31.320
<v Speaker 1>on you know, forty that's my man saying that was

1:29:31.400 --> 1:29:34.080
<v Speaker 1>one of the people that was a dream collaboration to sho.

1:29:34.360 --> 1:29:36.000
<v Speaker 1>I still got to make the two short one happen

1:29:36.680 --> 1:29:40.519
<v Speaker 1>on another song. But yeah, forty really, I remember when

1:29:40.560 --> 1:29:45.040
<v Speaker 1>I played that song for Beyonce and for Home before

1:29:45.080 --> 1:29:49.960
<v Speaker 1>I came out, and just the reaction and yeah, too, everybody,

1:29:50.000 --> 1:29:52.240
<v Speaker 1>I'm sorry, you just said that very non Sally, we

1:29:52.320 --> 1:29:55.800
<v Speaker 1>just you just said you just played what beyond? And

1:29:55.880 --> 1:30:00.439
<v Speaker 1>Beyonce yeah, you put like, yeah, me give it the

1:30:00.520 --> 1:30:02.519
<v Speaker 1>respect because Ho was on who invited me over to

1:30:02.560 --> 1:30:06.160
<v Speaker 1>play the music, and then Beyonce kindly joined us. You

1:30:06.240 --> 1:30:08.680
<v Speaker 1>know what I'm saying. And I love the floors. I

1:30:08.800 --> 1:30:11.439
<v Speaker 1>love the floor and that we had dinner and I

1:30:11.520 --> 1:30:13.240
<v Speaker 1>was playing them songs. I was playing them Dark Sky

1:30:13.360 --> 1:30:16.680
<v Speaker 1>Paradise and I don't think what you came on and

1:30:16.760 --> 1:30:18.719
<v Speaker 1>they face lit up, and I remember how of texting

1:30:18.760 --> 1:30:20.680
<v Speaker 1>me said, every day you don't put that song out,

1:30:20.720 --> 1:30:23.439
<v Speaker 1>you're losing. Every day you don't put that song out,

1:30:23.479 --> 1:30:26.960
<v Speaker 1>you're losing. And I remember when I first played it

1:30:27.080 --> 1:30:31.600
<v Speaker 1>for Yea Yeah, it was like, oh um, he was like,

1:30:31.640 --> 1:30:34.360
<v Speaker 1>I need to hop on his motherfucker. I think. Man.

1:30:34.520 --> 1:30:38.680
<v Speaker 1>He was like, let me maybe we should add a

1:30:38.720 --> 1:30:40.840
<v Speaker 1>sample to it. So then that's when a sample, like

1:30:40.960 --> 1:30:43.719
<v Speaker 1>the idea of adding a sample to it. Yeah, yeah,

1:30:44.760 --> 1:30:48.479
<v Speaker 1>and myamie Kiwaine came up with the sample, added it

1:30:48.560 --> 1:30:51.760
<v Speaker 1>to that, and I elevated it um with the DJ

1:30:51.960 --> 1:30:54.720
<v Speaker 1>Muster sound and it just gave it like a all

1:30:54.840 --> 1:30:57.880
<v Speaker 1>encompass and representation of just like I felt like Detroit

1:30:57.960 --> 1:31:00.360
<v Speaker 1>because it was like the Bay Area connection with forty

1:31:00.439 --> 1:31:02.200
<v Speaker 1>that's like some person on the styles and shipped for

1:31:02.280 --> 1:31:06.960
<v Speaker 1>me the sample at the beginning. And then just like

1:31:07.080 --> 1:31:09.400
<v Speaker 1>Mustard was the hottest producer at the time, not you

1:31:09.439 --> 1:31:13.200
<v Speaker 1>know what's dope was because Mustard does everyone does like

1:31:13.439 --> 1:31:16.479
<v Speaker 1>like relate his sound to like the Bay Area type

1:31:16.479 --> 1:31:18.960
<v Speaker 1>of thing. But the fact got that authent in West

1:31:19.000 --> 1:31:21.960
<v Speaker 1>Coast sound, West Coast sound. But the fact is I

1:31:22.120 --> 1:31:26.920
<v Speaker 1>love that you um incorporated West Coast o g yeah

1:31:27.520 --> 1:31:30.200
<v Speaker 1>forty because I'm telling you the d and the West Coast,

1:31:30.680 --> 1:31:34.439
<v Speaker 1>like the trade in California got like a crazy Connection's beautiful.

1:31:34.439 --> 1:31:36.600
<v Speaker 1>What you didn't have to do that. I really respected that.

1:31:36.680 --> 1:31:40.400
<v Speaker 1>Like I heard that, I was like, damn, it made

1:31:40.439 --> 1:31:42.200
<v Speaker 1>it hard to hate. You know what I'm saying. You know,

1:31:42.280 --> 1:31:44.439
<v Speaker 1>I was actually I got I got roots in both.

1:31:44.479 --> 1:31:47.440
<v Speaker 1>I was born in California, get THET was born in California.

1:31:47.479 --> 1:31:49.280
<v Speaker 1>Moved to De Traite when I was like a month old,

1:31:49.439 --> 1:31:51.920
<v Speaker 1>so before I even you know, before I was even

1:31:52.000 --> 1:31:54.639
<v Speaker 1>really conscious and ship. But yeah, I was actually born

1:31:54.680 --> 1:31:57.559
<v Speaker 1>in California. So I do have a home in both places,

1:31:57.600 --> 1:31:59.760
<v Speaker 1>and I feel a sense at home. But Detroit is

1:32:00.000 --> 1:32:04.439
<v Speaker 1>a Detroit is a city that you know, maybe you

1:32:04.479 --> 1:32:06.720
<v Speaker 1>know what I'm saying, I prospect that. So let's get

1:32:06.760 --> 1:32:12.720
<v Speaker 1>it to offense featuring four to Yeah and Baby Face Ray. Yeah,

1:32:13.200 --> 1:32:16.560
<v Speaker 1>let's get into that. How what made you want to

1:32:16.640 --> 1:32:19.080
<v Speaker 1>do that? That's the two young shooters from the City

1:32:19.080 --> 1:32:21.800
<v Speaker 1>Shooters Snipers Snipers, and I said, they didn't correct this.

1:32:22.120 --> 1:32:25.760
<v Speaker 1>Yeah I did. Yes, you did my life together. It

1:32:25.960 --> 1:32:28.439
<v Speaker 1>was just uh me and Baby Face Ray was in

1:32:28.479 --> 1:32:31.880
<v Speaker 1>the session one night and that was that was one

1:32:31.920 --> 1:32:34.160
<v Speaker 1>of the ones that came on. We just didn't did

1:32:34.240 --> 1:32:37.839
<v Speaker 1>that song on the spot. And then I thought about

1:32:41.000 --> 1:32:43.280
<v Speaker 1>I did a song for four or two that he

1:32:43.360 --> 1:32:44.880
<v Speaker 1>had sent it to me at the last minute and

1:32:45.000 --> 1:32:47.519
<v Speaker 1>I sent the verse back like a day later. He

1:32:47.560 --> 1:32:49.120
<v Speaker 1>sent it to me like he needed it right back,

1:32:49.880 --> 1:32:51.200
<v Speaker 1>and I think I sent it like a couple of

1:32:51.280 --> 1:32:52.960
<v Speaker 1>days or something like that, and it was like a

1:32:53.040 --> 1:32:55.360
<v Speaker 1>deadline that I missed. And then I was like, that

1:32:55.400 --> 1:32:58.120
<v Speaker 1>should sentis to four two. You know what I'm saying,

1:32:58.160 --> 1:33:01.400
<v Speaker 1>just just you know, for the city. So that's how

1:33:01.439 --> 1:33:04.920
<v Speaker 1>it came about easy Yeah, motherfucker's I love that song

1:33:05.040 --> 1:33:10.519
<v Speaker 1>on offense. I'm on offense. Yeah, that's all the ship

1:33:11.160 --> 1:33:13.360
<v Speaker 1>now bounce. You said something about your dad. He said,

1:33:13.360 --> 1:33:18.640
<v Speaker 1>your dad is a gonna bound yeahs back. Yeah, so

1:33:18.760 --> 1:33:20.799
<v Speaker 1>you said your dad is a g get it from genetics,

1:33:21.000 --> 1:33:22.680
<v Speaker 1>and that's what you just said that Dave Chappelle was

1:33:22.760 --> 1:33:27.080
<v Speaker 1>hanging out with my daddy of a flare. But yeah,

1:33:27.360 --> 1:33:31.640
<v Speaker 1>but what's funny is here's a funny story used to

1:33:31.680 --> 1:33:33.960
<v Speaker 1>get on my dad for and these leather pants. I thought,

1:33:34.040 --> 1:33:37.280
<v Speaker 1>this is the dumbest Eddie Murphy leather pants, like leather pants,

1:33:37.360 --> 1:33:41.639
<v Speaker 1>like Eddie Murphy styff style. Okay, yeah, but just not shiny,

1:33:41.720 --> 1:33:45.479
<v Speaker 1>but like you know that like real, like like the dog.

1:33:48.600 --> 1:33:51.479
<v Speaker 1>It's not not patting leather like leather leather leather like

1:33:51.640 --> 1:33:53.679
<v Speaker 1>for no reason. He was just taking me to school,

1:33:53.720 --> 1:33:55.240
<v Speaker 1>but my da would take me to school every morning.

1:33:56.080 --> 1:33:59.200
<v Speaker 1>He would teach me a lot of ship. You know,

1:33:59.320 --> 1:34:03.880
<v Speaker 1>I'm in third right, He telling me about like eating pussy.

1:34:04.040 --> 1:34:06.040
<v Speaker 1>He's telling me about like all sorts of ship, my dad.

1:34:06.760 --> 1:34:09.840
<v Speaker 1>But that's what you're supposed to hear that type that's

1:34:09.840 --> 1:34:12.800
<v Speaker 1>what you're supposed to hear that type of bees telling

1:34:12.800 --> 1:34:14.160
<v Speaker 1>about all these things. But he also had a thing

1:34:14.200 --> 1:34:15.960
<v Speaker 1>called the word of the day. He was like, so

1:34:16.040 --> 1:34:19.000
<v Speaker 1>the word of the day is ambiguous, what is you know?

1:34:19.120 --> 1:34:21.400
<v Speaker 1>It tells me what it means okay now, And at

1:34:21.439 --> 1:34:22.960
<v Speaker 1>the end of the day when he would pick me up,

1:34:22.960 --> 1:34:24.240
<v Speaker 1>he'd be like, so, what's the word of the day.

1:34:24.600 --> 1:34:26.760
<v Speaker 1>What does it mean? So he we did that every day.

1:34:26.840 --> 1:34:29.320
<v Speaker 1>But I used to get on his ass for wearing

1:34:29.360 --> 1:34:32.000
<v Speaker 1>these leather pants, like she got these leather pants on

1:34:32.160 --> 1:34:34.280
<v Speaker 1>for you know what I'm saying. He I used to

1:34:34.439 --> 1:34:35.800
<v Speaker 1>like when he would pick me up from school, he

1:34:35.880 --> 1:34:37.720
<v Speaker 1>was sometimes to be hugging a tree. I'm like, what

1:34:37.840 --> 1:34:39.960
<v Speaker 1>the fund are you doing that? You're embarrassing me, man,

1:34:40.080 --> 1:34:42.720
<v Speaker 1>Like you know what I'm saying. And now my ass

1:34:42.800 --> 1:34:45.519
<v Speaker 1>I've been doing going on hikes, motherfucker looking at the

1:34:45.600 --> 1:34:49.040
<v Speaker 1>tree like tree you went to, Josh a big sir,

1:34:49.720 --> 1:34:52.120
<v Speaker 1>all over the place. I went to the south of France.

1:34:52.160 --> 1:34:55.160
<v Speaker 1>I go a lot of places hype. But yeah, yeah,

1:34:55.240 --> 1:34:57.960
<v Speaker 1>josh On tree. I've never been a Josh Tree. I'm

1:34:57.960 --> 1:35:00.320
<v Speaker 1>gonna take much room to go there. Yeah you took

1:35:00.400 --> 1:35:04.320
<v Speaker 1>much rooms in there, Yes you did. Yeah, look quick

1:35:05.720 --> 1:35:08.519
<v Speaker 1>for me being point well actually not there. But mushrooms

1:35:08.560 --> 1:35:11.519
<v Speaker 1>are big shirt. But you know it's similar vibe, all right, Yeah,

1:35:11.640 --> 1:35:15.960
<v Speaker 1>it's jobs for tree. But anyway, um so yeah, and

1:35:16.479 --> 1:35:21.479
<v Speaker 1>I'm walking to stage yesterday to perform, and I have

1:35:21.560 --> 1:35:24.840
<v Speaker 1>on leather pants and my dad is like leather pants.

1:35:28.320 --> 1:35:33.400
<v Speaker 1>It was just crazy. How twenty five years later I

1:35:33.520 --> 1:35:35.320
<v Speaker 1>just knew exactly what the funk he was talking about

1:35:35.320 --> 1:35:36.840
<v Speaker 1>because I would always get on them for that, and

1:35:36.920 --> 1:35:40.519
<v Speaker 1>it's like Detroit player, It's it's just it's supported period.

1:35:41.120 --> 1:35:43.400
<v Speaker 1>I can't see it back then. Listen, man, but now

1:35:43.400 --> 1:35:45.720
<v Speaker 1>I'll be rocking leather pants all the time. Let me

1:35:45.760 --> 1:35:48.840
<v Speaker 1>tell you something before, like, if you like, like you

1:35:49.000 --> 1:35:53.200
<v Speaker 1>gotta have a pair of Gators, Marie Gators. Mm hmm.

1:35:54.760 --> 1:35:57.280
<v Speaker 1>That's some Detroit shit though, you know about that? Yes? Yeah,

1:35:58.200 --> 1:36:01.560
<v Speaker 1>I went to the Players Ball. I went to the

1:36:01.560 --> 1:36:05.080
<v Speaker 1>players ball. A whole bunch of money we need nowhere

1:36:05.200 --> 1:36:08.680
<v Speaker 1>near pimp we need. It was a bad move for me.

1:36:10.000 --> 1:36:12.639
<v Speaker 1>It wasn't me all right, But um, what a life?

1:36:13.040 --> 1:36:15.240
<v Speaker 1>You said? You went triple platinum at least three times.

1:36:17.080 --> 1:36:19.000
<v Speaker 1>Let's let's let's make some let's make some noise for that.

1:36:22.640 --> 1:36:25.320
<v Speaker 1>Let's let's describe that to these people right now. Triple

1:36:25.360 --> 1:36:31.920
<v Speaker 1>platinum at least three times? Credible, bro, change my family life,

1:36:33.000 --> 1:36:37.720
<v Speaker 1>love going triple platinum? Yeah, I mean, what do I

1:36:37.800 --> 1:36:39.720
<v Speaker 1>say about that? I've had a lot of songs that

1:36:39.760 --> 1:36:43.840
<v Speaker 1>went triple four or five times six times platinum. Um,

1:36:44.920 --> 1:36:48.800
<v Speaker 1>and it's a beautiful thing, man, It's that's you know,

1:36:48.920 --> 1:36:51.280
<v Speaker 1>that's God. I gotta get that up to God. I

1:36:51.320 --> 1:36:53.920
<v Speaker 1>gotta get that up to the people who supported it

1:36:54.000 --> 1:36:56.800
<v Speaker 1>and made it happen in facts. That's that's that's bigger

1:36:56.840 --> 1:37:01.400
<v Speaker 1>than me for real. But now let's get the deep

1:37:01.400 --> 1:37:07.960
<v Speaker 1>revenge deep reverence. Yeahep reverence. Okay, post Malone, m hm,

1:37:08.520 --> 1:37:13.240
<v Speaker 1>post Malone Wolves ship, I'm working up. I'm looking at

1:37:13.280 --> 1:37:16.880
<v Speaker 1>two different things deep deep reverence. It's with Lipsey Hustle. Yeah,

1:37:17.400 --> 1:37:22.759
<v Speaker 1>and um what was to answered both fucking two different songs,

1:37:22.880 --> 1:37:27.080
<v Speaker 1>two different songs. Wolves was written about my grandma, my mom,

1:37:27.240 --> 1:37:29.640
<v Speaker 1>my family just they was wolves with this ship. You know.

1:37:29.800 --> 1:37:33.200
<v Speaker 1>My grandma was a beast with my granddad just like

1:37:33.720 --> 1:37:35.639
<v Speaker 1>it felt like it was that wolf pack energy. Didn't

1:37:35.640 --> 1:37:38.840
<v Speaker 1>do anything for their cubs, for they you know, Um,

1:37:39.400 --> 1:37:42.080
<v Speaker 1>and that's the energy that the trade just breeds. Is

1:37:42.160 --> 1:37:45.640
<v Speaker 1>that loyalty, you know what I'm saying in respect, you

1:37:45.680 --> 1:37:48.560
<v Speaker 1>know what I mean. And so in Deep Reverence, it

1:37:48.720 --> 1:37:52.120
<v Speaker 1>was more so just you know, just barring up and

1:37:52.240 --> 1:37:54.000
<v Speaker 1>talking about what was on my heart. At the time,

1:37:54.120 --> 1:37:56.479
<v Speaker 1>spilling my heart out. You know, that's the song, like

1:37:56.560 --> 1:37:59.240
<v Speaker 1>I said, as we started before Nip had passed away,

1:37:59.800 --> 1:38:02.640
<v Speaker 1>and I didn't have the inspiration to finish it, you know.

1:38:03.040 --> 1:38:05.639
<v Speaker 1>And I learned a lot from that because I think

1:38:05.680 --> 1:38:07.200
<v Speaker 1>one of the last calls I got from him was

1:38:07.680 --> 1:38:09.519
<v Speaker 1>him invited me to his video shoot and I couldn't

1:38:09.560 --> 1:38:13.240
<v Speaker 1>make it, you know. But then I just remember feeling like, damn,

1:38:13.240 --> 1:38:15.120
<v Speaker 1>I wish I could. I wish I would have rearranged

1:38:15.160 --> 1:38:18.280
<v Speaker 1>some ship. And I didn't know, you know what I'm saying.

1:38:18.320 --> 1:38:21.439
<v Speaker 1>It fucked me up, and it just inspired a whole

1:38:21.720 --> 1:38:26.439
<v Speaker 1>like a whole verse. And now that was the verse. Okay,

1:38:27.400 --> 1:38:29.000
<v Speaker 1>got like two more of these questions that we're gonna

1:38:29.000 --> 1:38:34.400
<v Speaker 1>get into some real ship. Okay beware featuring Wayne feature

1:38:34.400 --> 1:38:39.439
<v Speaker 1>in Jane had Little Wayne. Yeah, So where were you

1:38:39.520 --> 1:38:48.040
<v Speaker 1>at in life? We're gonna making this record? I was.

1:38:49.320 --> 1:38:51.720
<v Speaker 1>I don't remember where I was, man, I can't live.

1:38:51.840 --> 1:38:55.720
<v Speaker 1>I remember doing a song, remember having a song. It

1:38:55.800 --> 1:39:01.360
<v Speaker 1>was just me and Janelle first because and that was big, big, big, yeah.

1:39:01.479 --> 1:39:04.559
<v Speaker 1>So what happened was I do remember that how it happened?

1:39:04.600 --> 1:39:06.720
<v Speaker 1>So I got your n on it. I was a

1:39:06.760 --> 1:39:08.840
<v Speaker 1>fan of her mixtape. She was kind of like more

1:39:08.920 --> 1:39:10.840
<v Speaker 1>so a new artist at the time. That was before

1:39:10.960 --> 1:39:15.160
<v Speaker 1>she was on really you know, like beware. It was

1:39:15.240 --> 1:39:17.200
<v Speaker 1>her first radio song, you know what I'm saying. So

1:39:17.320 --> 1:39:21.599
<v Speaker 1>that was the first time she Um was was on there,

1:39:22.000 --> 1:39:24.960
<v Speaker 1>and she sounded perfect. Before it was just me singing.

1:39:25.520 --> 1:39:27.719
<v Speaker 1>She sounded a way better singing. And then I played

1:39:27.760 --> 1:39:30.280
<v Speaker 1>it for Wayne when I was playing Wayne my album

1:39:30.760 --> 1:39:35.760
<v Speaker 1>and he heard like six seconds off it like doom doom, doom, doom, doomdoom.

1:39:36.360 --> 1:39:37.880
<v Speaker 1>When you said, he was like, oh, I'm hopping on

1:39:37.920 --> 1:39:41.280
<v Speaker 1>this motherfucker right right there, right there, and he did

1:39:41.360 --> 1:39:44.679
<v Speaker 1>the verse and the rest is history. That's why. Yeah,

1:39:45.040 --> 1:39:54.400
<v Speaker 1>So Marvin Gay and yeah, Marvin Gay and shot name

1:39:54.439 --> 1:39:57.160
<v Speaker 1>because I don't like I like Marvin, you like the

1:39:57.200 --> 1:40:01.080
<v Speaker 1>song though, I love I love Marvin? Is that nigger?

1:40:03.760 --> 1:40:06.400
<v Speaker 1>Where was you adding that? Like, was you drinking Russian

1:40:06.479 --> 1:40:10.320
<v Speaker 1>River Frances? No, So I do remember that situation. That's

1:40:10.360 --> 1:40:14.320
<v Speaker 1>one of my favorite sharks, Russian River branches. But you

1:40:14.520 --> 1:40:18.680
<v Speaker 1>say that pretty he even messing names up. But I

1:40:18.840 --> 1:40:23.320
<v Speaker 1>was at that time. That's my first one, yeah, ilexic,

1:40:23.760 --> 1:40:27.920
<v Speaker 1>So yeah, um, I had the song on my last

1:40:27.960 --> 1:40:31.840
<v Speaker 1>out at the time, and that was my first see

1:40:31.960 --> 1:40:34.240
<v Speaker 1>Chris hopped on my Chris hopped on my last and

1:40:34.280 --> 1:40:37.040
<v Speaker 1>made that motherfucker go crazy. That was my next question,

1:40:37.080 --> 1:40:39.679
<v Speaker 1>you know what I'm saying. So then after that, after

1:40:39.800 --> 1:40:43.040
<v Speaker 1>that was like hit number one on radio. Um. Yeah,

1:40:43.040 --> 1:40:46.599
<v Speaker 1>he gave me the Alley you from Marvin and Sharoney. Um.

1:40:48.560 --> 1:40:50.720
<v Speaker 1>It was like, you know, that's basically what happened. Like

1:40:51.400 --> 1:40:53.080
<v Speaker 1>it was one of the songs that we worked on

1:40:53.320 --> 1:40:55.920
<v Speaker 1>and he had and I don't know, I just remember

1:40:55.960 --> 1:40:57.519
<v Speaker 1>it just kind of coming in last minute when we

1:40:57.640 --> 1:41:02.439
<v Speaker 1>was working on the album and dropped that ship and

1:41:03.800 --> 1:41:05.800
<v Speaker 1>that was that was Those were better times for sure.

1:41:06.320 --> 1:41:08.519
<v Speaker 1>And then then before I get into this last one

1:41:09.240 --> 1:41:14.080
<v Speaker 1>Mercy feature when you push your tea and two chains,

1:41:14.800 --> 1:41:17.280
<v Speaker 1>where was you at? I know you spoke about a

1:41:17.320 --> 1:41:20.400
<v Speaker 1>little bit earlier, but it's backstage in Detroit at the

1:41:20.439 --> 1:41:29.400
<v Speaker 1>Palace during UMU concert. Was that, oh, this is the

1:41:29.479 --> 1:41:33.200
<v Speaker 1>same palace we want to test. Okay, okay, the Palace

1:41:33.880 --> 1:41:38.479
<v Speaker 1>like the Malice in the Palace. I love it. And

1:41:39.160 --> 1:41:41.080
<v Speaker 1>he put the beat on and I was his backstage

1:41:41.120 --> 1:41:45.840
<v Speaker 1>freestyle and and then that was the verse I literally

1:41:45.880 --> 1:41:47.559
<v Speaker 1>freestyle and he was like, say, that again, said it again,

1:41:47.600 --> 1:41:51.200
<v Speaker 1>said it again. I'm like, this stupid right here, like

1:41:51.320 --> 1:41:54.600
<v Speaker 1>I thought it was. I was literally just bullshit. And

1:41:54.720 --> 1:41:57.280
<v Speaker 1>then I remember going when we went to London, London,

1:41:57.320 --> 1:41:59.400
<v Speaker 1>the London trip where we made Click happen right after that,

1:42:00.120 --> 1:42:04.280
<v Speaker 1>and I remember him being like this versus the um,

1:42:04.840 --> 1:42:09.360
<v Speaker 1>what do you say, b Sean set the tone on here?

1:42:09.439 --> 1:42:15.280
<v Speaker 1>This is the I'm like, okay, whatever, Like I appreciated it,

1:42:15.400 --> 1:42:16.880
<v Speaker 1>but it's just like, you know, it was one of

1:42:16.960 --> 1:42:19.519
<v Speaker 1>the things that was unexpected for God to do that

1:42:19.680 --> 1:42:22.360
<v Speaker 1>sometimes give you an unexpected blessing, you know what I mean.

1:42:22.479 --> 1:42:26.280
<v Speaker 1>And she went crazy, Okay, what I'm saying now this

1:42:26.439 --> 1:42:31.720
<v Speaker 1>is where after this we're going straight in as as

1:42:32.040 --> 1:42:39.840
<v Speaker 1>as as as uh huh, Bro Like, yeah, you can

1:42:40.000 --> 1:42:42.320
<v Speaker 1>go wherever you want to go with this at this point.

1:42:43.120 --> 1:42:48.040
<v Speaker 1>But Bro, I make a lot of songs, a lot

1:42:48.120 --> 1:42:51.240
<v Speaker 1>of That's one thing that I feel like has helped

1:42:51.280 --> 1:42:53.280
<v Speaker 1>me and hurt me. Sometimes people get to hear in

1:42:53.320 --> 1:42:56.639
<v Speaker 1>the song and be like, oh I funk with him

1:42:56.720 --> 1:42:58.519
<v Speaker 1>or I don't fun with him, like off of this,

1:42:58.680 --> 1:43:02.840
<v Speaker 1>But I make so any different styles of songs that

1:43:03.000 --> 1:43:04.560
<v Speaker 1>I'll just be one of motherfucker's to come on a

1:43:04.680 --> 1:43:07.479
<v Speaker 1>journey with me. Bro, I'll be taking my critical hat

1:43:07.560 --> 1:43:09.240
<v Speaker 1>off and I'll just be having fun with the ship.

1:43:10.000 --> 1:43:12.000
<v Speaker 1>You know what I'm saying. I got songs like Paradise

1:43:12.040 --> 1:43:14.519
<v Speaker 1>where I'm spending like a motherfucker's, songs like deep reverence

1:43:15.080 --> 1:43:18.479
<v Speaker 1>one man could change the world, songs like As, songs

1:43:18.560 --> 1:43:23.439
<v Speaker 1>like Marvin and Charney, songs like I Don't Know Bro,

1:43:23.600 --> 1:43:27.599
<v Speaker 1>like you know Memories, songs like all these different songs.

1:43:27.640 --> 1:43:30.040
<v Speaker 1>So it's like, I wish motherfucker's hauld just come on

1:43:30.120 --> 1:43:32.680
<v Speaker 1>and just come on a journey with me, Bro, come

1:43:32.760 --> 1:43:35.000
<v Speaker 1>on a journey with me. Okay, so no, no, but

1:43:35.120 --> 1:43:39.040
<v Speaker 1>As was an amazing that. You know, that's quite druple platinum. Yes,

1:43:39.479 --> 1:43:41.040
<v Speaker 1>you know what I'm saying. Nikki went on that Bitch

1:43:41.080 --> 1:43:45.360
<v Speaker 1>and Body that and that was after it was out.

1:43:46.080 --> 1:43:48.840
<v Speaker 1>That was my only record, that remix. Correct, she jumped

1:43:48.880 --> 1:43:50.519
<v Speaker 1>on the remix. She jumped on the remix. But that's

1:43:50.520 --> 1:43:53.679
<v Speaker 1>because the ship was going crazy. Radio stations was playing

1:43:53.680 --> 1:43:55.280
<v Speaker 1>it without me. That's the only time I had a

1:43:55.320 --> 1:43:58.880
<v Speaker 1>song where the radio station was playing without me asking wow. Yeah.

1:43:59.320 --> 1:44:03.000
<v Speaker 1>And when I made that ship in the studio again,

1:44:03.240 --> 1:44:07.640
<v Speaker 1>I was just sucking around yeah, man, I was freestyling.

1:44:07.720 --> 1:44:11.240
<v Speaker 1>Tiana Taylor was in the studio with me, and when

1:44:11.280 --> 1:44:13.240
<v Speaker 1>I made it, she didn't, you know, at the end

1:44:13.280 --> 1:44:14.280
<v Speaker 1>of the night. I made it at the end of

1:44:14.320 --> 1:44:16.880
<v Speaker 1>the night. That's one of the first records that um

1:44:19.000 --> 1:44:21.760
<v Speaker 1>the interns did. And you know, Rihanna did Cake after

1:44:21.880 --> 1:44:26.200
<v Speaker 1>that because after her favorite they said that that Rihanna

1:44:26.240 --> 1:44:27.960
<v Speaker 1>came to there was like, asked, my favorite song, Well,

1:44:27.960 --> 1:44:31.760
<v Speaker 1>I need to make a song like that. So I

1:44:31.880 --> 1:44:34.479
<v Speaker 1>love your name drops by the way, Yeah, I appreciate that.

1:44:34.640 --> 1:44:38.800
<v Speaker 1>So anyway, Yeah, Nikki had on that ship went crazy.

1:44:38.840 --> 1:44:40.920
<v Speaker 1>She was dancing in the video. The ship was viral.

1:44:41.080 --> 1:44:42.840
<v Speaker 1>NIGG has never seen no ship like that. She was

1:44:42.920 --> 1:44:45.840
<v Speaker 1>bending over in the video. You know what I mean.

1:44:46.680 --> 1:44:49.120
<v Speaker 1>It was It was a classic time and and I

1:44:49.280 --> 1:44:51.439
<v Speaker 1>was it was a house music song, so the beat

1:44:51.520 --> 1:44:53.719
<v Speaker 1>I made to make sure it was Detroit house music

1:44:53.920 --> 1:44:55.880
<v Speaker 1>and so it had authenticity to it, you know what

1:44:55.960 --> 1:45:00.639
<v Speaker 1>I'm saying. And it was simple. Yeah. Yeah, I produced

1:45:00.680 --> 1:45:03.600
<v Speaker 1>it a little bit as well. But point is that

1:45:03.760 --> 1:45:08.760
<v Speaker 1>motherfucker four or five times platinum cut, damn. And it's

1:45:08.800 --> 1:45:12.559
<v Speaker 1>not too many people who you soorry I don't work.

1:45:12.640 --> 1:45:17.759
<v Speaker 1>There's not too many people who have UM certification different

1:45:17.800 --> 1:45:20.160
<v Speaker 1>things at the same time. So yeah, Puerto Ricans, you

1:45:20.240 --> 1:45:25.800
<v Speaker 1>play handball right now? Yeah? Yeah, but yeah, I mean

1:45:27.160 --> 1:45:29.200
<v Speaker 1>that was some bullshit how he was saying, Okay, let's

1:45:29.200 --> 1:45:31.200
<v Speaker 1>take a shot. They've been gonna get into that. To

1:45:31.280 --> 1:45:34.560
<v Speaker 1>take one shot is just just because we want to

1:45:34.680 --> 1:45:39.200
<v Speaker 1>make sure. Because okay, if you do, okay, you go

1:45:39.360 --> 1:45:42.120
<v Speaker 1>wait from me, Okay, yeah, come on, we're gonna take

1:45:42.120 --> 1:45:47.559
<v Speaker 1>it together, baby, because because I'm gonna be honest, I'm

1:45:47.600 --> 1:45:51.240
<v Speaker 1>a fan, right, so let me let me let me

1:45:51.280 --> 1:45:52.840
<v Speaker 1>take my little football, a little one of the whites,

1:45:52.880 --> 1:45:56.920
<v Speaker 1>and then okay, I'll put you all right, Yo, I

1:45:57.000 --> 1:45:58.640
<v Speaker 1>gotta ask you too before we get into this. No,

1:45:58.640 --> 1:46:01.240
<v Speaker 1>I gotta ask it often do you do this show?

1:46:02.840 --> 1:46:05.240
<v Speaker 1>I can't tell. I can't see this what we want camera? Okay,

1:46:05.280 --> 1:46:07.479
<v Speaker 1>because yeah, we figured out let no, no, no way.

1:46:07.520 --> 1:46:09.000
<v Speaker 1>But wait, I just want to say before we get

1:46:09.040 --> 1:46:14.880
<v Speaker 1>into it. And because I'm saying this from a sincere place,

1:46:15.720 --> 1:46:18.640
<v Speaker 1>we'll be losing a lot of people. So how do

1:46:18.720 --> 1:46:20.559
<v Speaker 1>you balance this ship? Because you can't just be sitting

1:46:20.560 --> 1:46:24.160
<v Speaker 1>here drinking all the time. No, you can take care

1:46:24.200 --> 1:46:27.240
<v Speaker 1>of yourself here. We try to. It's definitely a balance. Yes,

1:46:27.320 --> 1:46:30.080
<v Speaker 1>it's definitely a balance. Okay, follow me on Instagram, you'll

1:46:30.120 --> 1:46:35.800
<v Speaker 1>figure it out. I don't even follow an Let's just

1:46:35.880 --> 1:46:45.719
<v Speaker 1>be clear. Okay, we had who is considered a god,

1:46:45.840 --> 1:46:52.880
<v Speaker 1>a googrule, a person that sat here and he said

1:46:52.920 --> 1:46:56.920
<v Speaker 1>one of the worst things that he ever did was

1:46:57.320 --> 1:47:00.800
<v Speaker 1>signed you. Now, I'm gonna be honest. After I looked

1:47:00.840 --> 1:47:03.599
<v Speaker 1>at it, I analyzed it because if you look at

1:47:03.680 --> 1:47:07.519
<v Speaker 1>my face, my facial structure, I'm thinking, he hits you wrong. Yeah,

1:47:07.560 --> 1:47:10.559
<v Speaker 1>we didn't. We didn't catch so I'm actually I'm actually clapping.

1:47:10.600 --> 1:47:12.800
<v Speaker 1>I'm like, yo, that's so dope. If you look at

1:47:12.840 --> 1:47:19.000
<v Speaker 1>my facial spressing, you caught it. Last I was because

1:47:19.040 --> 1:47:24.759
<v Speaker 1>it don't makes sense. So yeah, and before a question,

1:47:27.640 --> 1:47:30.360
<v Speaker 1>I was blown away because I didn't understand it. But

1:47:30.920 --> 1:47:32.880
<v Speaker 1>I need to understand you. But then he said for

1:47:33.000 --> 1:47:36.000
<v Speaker 1>some political reasons, remember he said, but hold on, but

1:47:36.240 --> 1:47:38.080
<v Speaker 1>let's just let's just let's just let's take it at

1:47:38.120 --> 1:47:43.040
<v Speaker 1>the time when you first heard that, what did you think?

1:47:43.240 --> 1:47:45.519
<v Speaker 1>What was the first reaction. At first, I thought it

1:47:45.720 --> 1:47:48.640
<v Speaker 1>was hilarious. I thought the ship was funny. Then I

1:47:48.720 --> 1:47:53.320
<v Speaker 1>take it personal. I take it personal because I'm the

1:47:53.439 --> 1:47:56.840
<v Speaker 1>only artist who's put out five albums under good music.

1:47:57.400 --> 1:48:00.720
<v Speaker 1>Cutty left a long time ago business wise us, you

1:48:00.760 --> 1:48:02.479
<v Speaker 1>know what I'm saying, and they still clicked up and

1:48:02.560 --> 1:48:05.559
<v Speaker 1>linked up. Right. So I'm the only artist who put

1:48:05.600 --> 1:48:07.920
<v Speaker 1>out five albums under good music. I'm the only one

1:48:07.960 --> 1:48:09.760
<v Speaker 1>who put out back to back to back number one

1:48:09.960 --> 1:48:14.040
<v Speaker 1>platinum albums, double platinum albums, platinum album You know what

1:48:14.120 --> 1:48:20.880
<v Speaker 1>I'm saying and when, and by the way, being signed

1:48:20.880 --> 1:48:23.840
<v Speaker 1>to Kaye is a golden opportunity. It's something that I

1:48:23.880 --> 1:48:26.200
<v Speaker 1>would I he changed my life and I love him

1:48:26.240 --> 1:48:28.760
<v Speaker 1>for that. But every time Kanye has called on me,

1:48:29.200 --> 1:48:31.360
<v Speaker 1>every single time, no matter what I was doing, within

1:48:31.520 --> 1:48:33.960
<v Speaker 1>one day's notice, I'm wherever he's at bro and it

1:48:34.120 --> 1:48:37.200
<v Speaker 1>rather it's to contribute to him in the studio, whether

1:48:37.240 --> 1:48:39.840
<v Speaker 1>it's to contribute a line, write a verse for him.

1:48:40.120 --> 1:48:41.840
<v Speaker 1>He just takes maybe parts of the verse, maybe the

1:48:41.880 --> 1:48:43.920
<v Speaker 1>whole verse, maybe just to help him with his vibe,

1:48:43.960 --> 1:48:45.680
<v Speaker 1>like just to help him catch a vibe wherever he's

1:48:45.720 --> 1:48:47.479
<v Speaker 1>at in the world. But I've traveled around the world

1:48:47.520 --> 1:48:50.160
<v Speaker 1>for this man every time he's called, and have done

1:48:50.240 --> 1:48:52.639
<v Speaker 1>this and not asked for publishing A lot of the times,

1:48:52.720 --> 1:48:55.559
<v Speaker 1>why because he gave me a golden opportunity of signing

1:48:55.680 --> 1:48:57.960
<v Speaker 1>the good music. A lot of people have signed to

1:48:58.000 --> 1:48:59.599
<v Speaker 1>good music. I just want to keep that in mind,

1:49:00.400 --> 1:49:02.240
<v Speaker 1>but not a lot of people. And nobody on good

1:49:02.320 --> 1:49:05.000
<v Speaker 1>music has put out five LPs and back to back

1:49:05.040 --> 1:49:08.960
<v Speaker 1>to back number ones. Right, So, for irony sake, for

1:49:09.080 --> 1:49:15.519
<v Speaker 1>irony sake, when I won a v m A with

1:49:15.760 --> 1:49:19.160
<v Speaker 1>Ya and John Legend for iro any sake, for one

1:49:19.200 --> 1:49:23.360
<v Speaker 1>man could change the world. I was the first person

1:49:23.439 --> 1:49:30.479
<v Speaker 1>to tweet Kanye for president, the first one. Right, I'm listening, Okay,

1:49:31.080 --> 1:49:37.519
<v Speaker 1>So when when I heard what he was talking about,

1:49:37.520 --> 1:49:42.280
<v Speaker 1>it didn't make sense, bro, because you know, my manager

1:49:42.320 --> 1:49:44.240
<v Speaker 1>saw my record deal and said, this is a shitty

1:49:44.320 --> 1:49:46.639
<v Speaker 1>record deal. I would never say that though, because why

1:49:46.640 --> 1:49:48.400
<v Speaker 1>it was an opportunity. I can work my way out

1:49:48.439 --> 1:49:50.320
<v Speaker 1>of anything. And when you say it managed me saying

1:49:50.400 --> 1:49:54.040
<v Speaker 1>rock Nation, Yeah, I'm saying rock Nation. Yeah. He actually

1:49:54.040 --> 1:49:55.720
<v Speaker 1>he hooked me up with Yeah, I'm saying rock Nation.

1:49:55.760 --> 1:49:57.880
<v Speaker 1>I'm saying. Jay Brown said it was the worst deal

1:49:57.920 --> 1:50:03.080
<v Speaker 1>he'd ever seen. Wo and this man, I had to

1:50:03.120 --> 1:50:06.599
<v Speaker 1>spend my own money all the team my label because

1:50:06.720 --> 1:50:08.760
<v Speaker 1>millions of dollars are missing and you can tell what

1:50:08.840 --> 1:50:13.160
<v Speaker 1>millions of dollars are missing? Of course right, yes, I

1:50:13.200 --> 1:50:16.120
<v Speaker 1>spent hundreds of thousands of dollars on my label, thinking

1:50:16.240 --> 1:50:18.120
<v Speaker 1>Universal owe me this money, and the money had been

1:50:18.160 --> 1:50:21.880
<v Speaker 1>paid to good music. So let me ask you before

1:50:21.920 --> 1:50:25.040
<v Speaker 1>we finish. Let me ask you, bro, if somebody old

1:50:25.080 --> 1:50:28.760
<v Speaker 1>you five hundred thousand dollars, how would you feel? No, listen,

1:50:28.880 --> 1:50:30.840
<v Speaker 1>how would you feel I would feel and there was

1:50:30.920 --> 1:50:33.360
<v Speaker 1>up a hundred million? How would you feel? Yeah? Crazy?

1:50:33.680 --> 1:50:36.439
<v Speaker 1>Whatever they told you a million? What if they owed

1:50:36.479 --> 1:50:39.320
<v Speaker 1>you three million? Okay? What if they told you five

1:50:39.400 --> 1:50:45.080
<v Speaker 1>million dollars? What if they held you six and listen, listen,

1:50:45.200 --> 1:50:48.080
<v Speaker 1>what if they owed you that bronstand? You showed up

1:50:48.080 --> 1:50:51.040
<v Speaker 1>for them and you did all these things right, and

1:50:51.120 --> 1:50:55.040
<v Speaker 1>they helped billions. And then the nigga who comes at them,

1:50:55.400 --> 1:50:58.880
<v Speaker 1>who talks the most ship he'd be bigging up in

1:50:58.920 --> 1:51:03.040
<v Speaker 1>the interview and ship it. When we talked about we

1:51:03.080 --> 1:51:06.400
<v Speaker 1>got this drink champ talking about Drake okay, okay, who

1:51:06.520 --> 1:51:11.040
<v Speaker 1>he you know loves and my thing is, bro, when

1:51:11.040 --> 1:51:14.240
<v Speaker 1>you want to talk about Lord to a fault? When

1:51:14.280 --> 1:51:16.800
<v Speaker 1>when you're talking about that song, right, not just that song,

1:51:16.920 --> 1:51:21.400
<v Speaker 1>just the mentality like yeah, I've been loyal because I'm not.

1:51:21.439 --> 1:51:22.920
<v Speaker 1>I feel like I'm the only one who stayed that

1:51:23.000 --> 1:51:25.879
<v Speaker 1>long for good music. So yeah, it was a personal

1:51:26.720 --> 1:51:30.840
<v Speaker 1>It affected me personally, bro, And you know, he text

1:51:30.920 --> 1:51:32.280
<v Speaker 1>me the next day, so I want to meet with

1:51:32.320 --> 1:51:34.479
<v Speaker 1>you and your mom to begin healing on both sides.

1:51:34.520 --> 1:51:37.960
<v Speaker 1>And I was angry. We took after what yeah, after

1:51:38.040 --> 1:51:41.720
<v Speaker 1>that ship aired, after this service when y'all saw each other. No,

1:51:41.840 --> 1:51:45.280
<v Speaker 1>he ain't say nothing there, Okay, after this is yes,

1:51:45.439 --> 1:51:49.640
<v Speaker 1>okay continue, And you know I couldn't. I took it

1:51:49.720 --> 1:51:52.240
<v Speaker 1>too personally because it's like you publicly humiliated me when

1:51:52.280 --> 1:51:55.000
<v Speaker 1>I've been down for you not peep this out. While

1:51:55.040 --> 1:52:00.680
<v Speaker 1>he was running for president, I didn't have his contact purposely,

1:52:00.800 --> 1:52:08.040
<v Speaker 1>didn't endorse anybody publicly politically because my man's just running.

1:52:08.840 --> 1:52:12.360
<v Speaker 1>I don't even have his contact at the time because

1:52:12.400 --> 1:52:14.280
<v Speaker 1>I'm trying to figure out other business. We got other

1:52:14.320 --> 1:52:17.559
<v Speaker 1>things to talk about. I don't even have his contact

1:52:17.600 --> 1:52:20.240
<v Speaker 1>at the time, but I still had enough respect. Now

1:52:20.400 --> 1:52:23.639
<v Speaker 1>he ain't. Ain't nobody ever showed me that support. Ain't

1:52:23.640 --> 1:52:28.519
<v Speaker 1>nobody ever not considered me in that way. So I'm

1:52:28.560 --> 1:52:34.200
<v Speaker 1>the number one earning artists on Good Music and I

1:52:34.360 --> 1:52:36.800
<v Speaker 1>didn't come out of supporting no Democratic Party because my

1:52:36.920 --> 1:52:39.120
<v Speaker 1>man's was running and he wasn't even on the ballots

1:52:39.160 --> 1:52:43.080
<v Speaker 1>in thirty some states. Yeah, you see what I'm saying.

1:52:44.080 --> 1:52:49.599
<v Speaker 1>So when he said all that, it just had no um.

1:52:51.680 --> 1:52:53.479
<v Speaker 1>That's why it was funny because it just was not true.

1:52:53.520 --> 1:52:55.760
<v Speaker 1>Like I didn't come out of the Sport Democratic Party, bro,

1:52:55.920 --> 1:52:59.280
<v Speaker 1>Like maybe John Legend did. I don't know, I didn't.

1:53:00.000 --> 1:53:01.559
<v Speaker 1>But to be fair, he said both of y'all day.

1:53:02.439 --> 1:53:04.360
<v Speaker 1>But was it that or was it talking about when

1:53:04.400 --> 1:53:06.360
<v Speaker 1>he met with Trump? Because I felt like, that's what

1:53:06.439 --> 1:53:07.840
<v Speaker 1>a lot of And by the way, I was there

1:53:07.920 --> 1:53:09.680
<v Speaker 1>today when he met with Trump on the plane with

1:53:09.800 --> 1:53:13.040
<v Speaker 1>him get out of here. We flew to Uganda to Africa.

1:53:13.040 --> 1:53:14.479
<v Speaker 1>I was there on the plane with him and Kim

1:53:14.520 --> 1:53:17.719
<v Speaker 1>and his daughter and dad flying to Uganda. We're reading

1:53:17.720 --> 1:53:22.439
<v Speaker 1>about how uh black people are the real Israelites and

1:53:22.479 --> 1:53:25.800
<v Speaker 1>all this amazing history. I'm on the plan read with him,

1:53:25.840 --> 1:53:29.439
<v Speaker 1>giving him nutrition, nutritional suggestions because my mom is a

1:53:29.520 --> 1:53:35.040
<v Speaker 1>health guru, you know what I'm saying. So it was hurtful.

1:53:35.360 --> 1:53:38.720
<v Speaker 1>It was hurtful brow and I believe, and it just

1:53:38.800 --> 1:53:40.320
<v Speaker 1>don't make no sense that like like I said, I

1:53:40.360 --> 1:53:43.000
<v Speaker 1>spent hundreds of thousand dollars too. And I don't even

1:53:43.040 --> 1:53:44.640
<v Speaker 1>know if he's on his radar like that, because when

1:53:44.640 --> 1:53:46.240
<v Speaker 1>I see him, I respect him enough not to be

1:53:46.320 --> 1:53:48.120
<v Speaker 1>bringing that ship up to his face in the middle

1:53:48.160 --> 1:53:50.080
<v Speaker 1>of a Sunday service. I ain't gonna be like, hey,

1:53:50.080 --> 1:53:52.080
<v Speaker 1>what's up. You only six million? You don't mean millions

1:53:52.120 --> 1:53:56.400
<v Speaker 1>of dollars? So how does this six million um accumulate?

1:53:56.520 --> 1:53:58.560
<v Speaker 1>You go to you go to universe? So you say no,

1:53:58.720 --> 1:54:01.200
<v Speaker 1>because I got an then this isn't me making up

1:54:01.200 --> 1:54:05.599
<v Speaker 1>a number. I got an auditor who audited the books,

1:54:05.640 --> 1:54:07.120
<v Speaker 1>you know what I'm saying, And it was more than that.

1:54:07.280 --> 1:54:10.800
<v Speaker 1>Some of his has been paid. And to me, it's

1:54:10.880 --> 1:54:13.160
<v Speaker 1>just like, I'm an authentic person. But I'm gonna keep

1:54:13.160 --> 1:54:14.720
<v Speaker 1>it real and I ain't gonna blast my brother. I'm

1:54:14.760 --> 1:54:16.439
<v Speaker 1>not trying to tear nobody now. I'm not trying to

1:54:16.479 --> 1:54:24.320
<v Speaker 1>tear it down. Man, change my life. But if you

1:54:24.439 --> 1:54:26.880
<v Speaker 1>are bees and you owe me this money that ain't

1:54:26.920 --> 1:54:29.680
<v Speaker 1>probably ain't nothing to him, that's life changing money for me.

1:54:29.800 --> 1:54:32.280
<v Speaker 1>You know that that could go towards things I'm trying

1:54:32.320 --> 1:54:34.200
<v Speaker 1>to do. Like you said, I'm building a movie theater.

1:54:34.240 --> 1:54:36.360
<v Speaker 1>I'm doing all these things. I'm trying to help my community.

1:54:36.480 --> 1:54:38.960
<v Speaker 1>I'm you know, doing a VC. I'm like invested in

1:54:39.000 --> 1:54:43.880
<v Speaker 1>a lot of things. That Angel investor. Um, it's not

1:54:44.000 --> 1:54:46.200
<v Speaker 1>like it's him, it's the business. Because that's that's what

1:54:46.320 --> 1:54:49.120
<v Speaker 1>he said. What he said, and that's why. That's why.

1:54:49.440 --> 1:54:51.520
<v Speaker 1>But at this point I tried to allude to that.

1:54:51.600 --> 1:54:54.400
<v Speaker 1>I don't know if you've seen the interview, and I said, um,

1:54:54.680 --> 1:54:56.840
<v Speaker 1>do you still have big Sean Son? And what he

1:54:56.880 --> 1:54:59.520
<v Speaker 1>said was, I just signed them to a bigger slaveship.

1:55:00.760 --> 1:55:02.400
<v Speaker 1>Did you see that part where he said that? No,

1:55:03.080 --> 1:55:05.320
<v Speaker 1>I said, but do you still have? He said, I

1:55:05.400 --> 1:55:07.640
<v Speaker 1>just signed I signed them to a bigger slave Meaning

1:55:07.960 --> 1:55:10.360
<v Speaker 1>he's trying to say that your deal is basically with

1:55:10.640 --> 1:55:15.800
<v Speaker 1>prevent THEE, it's basically with universal death. Jam right to

1:55:15.960 --> 1:55:19.240
<v Speaker 1>his deals with death. His deal. I hadn't work. I

1:55:19.280 --> 1:55:22.040
<v Speaker 1>hadn't work my way out of my deal. Just now,

1:55:23.360 --> 1:55:24.840
<v Speaker 1>I had to work my way out of that deal.

1:55:25.360 --> 1:55:27.240
<v Speaker 1>My man, like I said, I'm not shopping on the deal,

1:55:27.400 --> 1:55:30.480
<v Speaker 1>but it was a golden opportunity. My manager said it

1:55:30.560 --> 1:55:33.240
<v Speaker 1>was the worst deal he's ever seen. What I'm saying

1:55:33.360 --> 1:55:35.160
<v Speaker 1>is I put at least thirty million dollars in this

1:55:35.240 --> 1:55:38.560
<v Speaker 1>man pocket or more, and he owes me money and

1:55:38.640 --> 1:55:43.240
<v Speaker 1>he's up billions him or his company. He said that

1:55:43.400 --> 1:55:45.680
<v Speaker 1>the masters, he said he was gonna give his artists

1:55:45.680 --> 1:55:48.160
<v Speaker 1>back his masters. And it's just like that hasn't happened yet,

1:55:48.200 --> 1:55:51.000
<v Speaker 1>But that would benefit me a lot. And if I

1:55:51.160 --> 1:55:53.040
<v Speaker 1>was at bees and if I was a man of

1:55:53.120 --> 1:55:54.680
<v Speaker 1>my word and not just saying something to look good

1:55:54.720 --> 1:55:56.920
<v Speaker 1>in that moment, like I would pay my artists day

1:55:56.960 --> 1:55:58.840
<v Speaker 1>masters or what at least what they're work. If he's

1:55:58.840 --> 1:56:00.480
<v Speaker 1>not in a position to do that. But that's just me.

1:56:00.880 --> 1:56:02.560
<v Speaker 1>So let me ask you something. When you look at

1:56:02.560 --> 1:56:04.800
<v Speaker 1>your contract and your lawyers speak to you, do they

1:56:04.880 --> 1:56:08.240
<v Speaker 1>say that it's it's it's it's good music, or they

1:56:08.280 --> 1:56:12.000
<v Speaker 1>say that it's good music. Def jam VINDI you know

1:56:12.120 --> 1:56:15.720
<v Speaker 1>all of it as a conglomerate Universal. Oh they're saying

1:56:15.840 --> 1:56:21.680
<v Speaker 1>it's yeah, that's on you to answer it, which answer it,

1:56:21.760 --> 1:56:25.200
<v Speaker 1>whichever way you want. Now it's all of them. But right,

1:56:25.640 --> 1:56:27.360
<v Speaker 1>But the one thing he said is that they paid.

1:56:27.840 --> 1:56:31.240
<v Speaker 1>I don't give a funk who it is. Bro Universal

1:56:31.400 --> 1:56:35.360
<v Speaker 1>paid the money that I'm old to good music. Okay,

1:56:35.480 --> 1:56:36.920
<v Speaker 1>that's what I'm trying. I don't give a funk what

1:56:37.000 --> 1:56:40.600
<v Speaker 1>it is the out of a deal that I signed

1:56:40.680 --> 1:56:43.400
<v Speaker 1>that was an unfair deal to me as an artist,

1:56:43.480 --> 1:56:46.400
<v Speaker 1>you know what I'm saying to According to others, I

1:56:46.520 --> 1:56:50.040
<v Speaker 1>earned millions of dollars because I sold over fifty some

1:56:50.160 --> 1:56:53.120
<v Speaker 1>million records. I was one of the top selling hip

1:56:53.160 --> 1:56:55.520
<v Speaker 1>hop artists between two thousand and ten and two thousand twenty,

1:56:55.560 --> 1:56:58.040
<v Speaker 1>I was in the top ten, sold over fifty some

1:56:58.160 --> 1:57:00.640
<v Speaker 1>million records and earn a certain the amount of money.

1:57:00.880 --> 1:57:03.600
<v Speaker 1>But I worked my ass off, Bro. I fucking drove

1:57:03.680 --> 1:57:06.840
<v Speaker 1>myself to depression. I drove myself. I drove my self

1:57:06.920 --> 1:57:10.640
<v Speaker 1>to to the brink of wanting to not live, bro,

1:57:10.880 --> 1:57:13.520
<v Speaker 1>because of the work overworking myself. So what I'm saying

1:57:13.640 --> 1:57:15.560
<v Speaker 1>is in that time where I earn the money, I

1:57:15.640 --> 1:57:18.720
<v Speaker 1>still haven't gotten this money, bro. And it's not all

1:57:18.720 --> 1:57:20.600
<v Speaker 1>about the money. It's not all about the money. It's

1:57:20.600 --> 1:57:24.280
<v Speaker 1>the principle. It's the principle because I haven't gone in

1:57:24.360 --> 1:57:26.360
<v Speaker 1>I haven't done a seven M on brittle Path, I

1:57:26.440 --> 1:57:29.040
<v Speaker 1>haven't done on I haven't put it in nothing. You

1:57:29.080 --> 1:57:31.640
<v Speaker 1>know what I'm saying. And it's just like I had

1:57:31.680 --> 1:57:34.600
<v Speaker 1>an issue with all the respect that was being paid

1:57:34.960 --> 1:57:37.680
<v Speaker 1>to somebody who publicly did that. And I know that

1:57:37.760 --> 1:57:39.600
<v Speaker 1>people would be like going through things making up and

1:57:39.640 --> 1:57:41.800
<v Speaker 1>all that. That's beautiful. I want to see my brothers together,

1:57:41.920 --> 1:57:45.560
<v Speaker 1>But to me, yeah, I haven't. I take that personal.

1:57:45.760 --> 1:57:48.000
<v Speaker 1>But what made you even think to order like you

1:57:48.120 --> 1:57:51.120
<v Speaker 1>was thinking money was missing? Like I mean this it's

1:57:51.120 --> 1:57:53.760
<v Speaker 1>a normal thing. That's a normal thing. So it's definitely

1:57:53.800 --> 1:57:56.200
<v Speaker 1>a normal thing. But I just want to say that

1:57:56.320 --> 1:57:59.320
<v Speaker 1>what triggers that your own money has to be something

1:57:59.400 --> 1:58:02.680
<v Speaker 1>that triggered every artist who has ever gone platinum or

1:58:02.840 --> 1:58:06.640
<v Speaker 1>had any type of success, and something that pays out

1:58:07.320 --> 1:58:12.600
<v Speaker 1>residuals or royalties to audit, because there's probably money there.

1:58:12.640 --> 1:58:15.320
<v Speaker 1>Every time I've audited every aspect of my career, I've

1:58:15.360 --> 1:58:19.240
<v Speaker 1>always correct, But it had to be something. J Brown.

1:58:19.400 --> 1:58:21.640
<v Speaker 1>Jay Brown just came to you and said, you'll listen,

1:58:22.320 --> 1:58:23.960
<v Speaker 1>She said, when the last time you audited the label?

1:58:23.960 --> 1:58:27.840
<v Speaker 1>I said, I never have. He was like, audit them,

1:58:28.640 --> 1:58:31.440
<v Speaker 1>auditing them all this royalty on that royalty and then

1:58:32.440 --> 1:58:35.240
<v Speaker 1>all sorts of things, and then it was like, wait

1:58:35.280 --> 1:58:39.120
<v Speaker 1>a minute, it's some ms missing. Wow, and the ms

1:58:39.160 --> 1:58:42.960
<v Speaker 1>have been paid, so you know, like I'm saying. I

1:58:43.080 --> 1:58:45.800
<v Speaker 1>also learned to I can't be angry. I'm not angry

1:58:45.920 --> 1:58:47.680
<v Speaker 1>because that's too much of a burden for me to

1:58:47.760 --> 1:58:50.400
<v Speaker 1>carry it always. You know what I'm saying. I don't

1:58:50.440 --> 1:58:52.480
<v Speaker 1>take it personal. That's what it was nervous about. But

1:58:52.560 --> 1:58:55.640
<v Speaker 1>whatever they said Big Sean, I said, oh shoo, I

1:58:55.680 --> 1:59:00.240
<v Speaker 1>don't want Big. It's just like it's like just you know, no,

1:59:00.360 --> 1:59:03.280
<v Speaker 1>I love Kane bro I love him for the opportunity

1:59:03.360 --> 1:59:06.120
<v Speaker 1>he gave me and all these things. But I thought

1:59:06.160 --> 1:59:08.440
<v Speaker 1>what he said with some bitch ass ship, and I

1:59:08.600 --> 1:59:14.080
<v Speaker 1>thought that and I thought that, um, that wasn't golly,

1:59:14.320 --> 1:59:17.320
<v Speaker 1>you know, that wasn't It was just like it was

1:59:17.360 --> 1:59:19.840
<v Speaker 1>a personal attack for no reason. You know. I feel

1:59:19.840 --> 1:59:21.360
<v Speaker 1>like he didn't have to do all that, and the

1:59:21.480 --> 1:59:23.720
<v Speaker 1>fact that why he said it was completely wrong. I

1:59:23.800 --> 1:59:27.760
<v Speaker 1>didn't come out and endorse no political party. I didn't

1:59:27.800 --> 1:59:33.240
<v Speaker 1>for because my man's was voting literally, you know. And

1:59:33.600 --> 1:59:35.960
<v Speaker 1>and I know it's a deeper reason why it goes

1:59:36.040 --> 1:59:37.800
<v Speaker 1>back to all of that. I don't even know. That

1:59:37.920 --> 1:59:39.920
<v Speaker 1>might be something I can talk about another time, but

1:59:40.600 --> 1:59:43.560
<v Speaker 1>it all goes back to the song blessings. Everything goes

1:59:43.640 --> 1:59:49.120
<v Speaker 1>back to like something to do with Drake. I mean

1:59:49.280 --> 1:59:51.360
<v Speaker 1>not to be funny, but it's just like the obsession.

1:59:51.440 --> 1:59:53.120
<v Speaker 1>So let's just be clear. Did you think that he

1:59:53.200 --> 1:59:55.760
<v Speaker 1>didn't want you to have Drake on that record or

1:59:55.840 --> 1:59:57.240
<v Speaker 1>did he want to be on that It was me

1:59:57.320 --> 2:00:01.360
<v Speaker 1>and Drake. It was me and Drake. My album was

2:00:01.480 --> 2:00:05.080
<v Speaker 1>due immediately do that day. I played him. I had

2:00:05.120 --> 2:00:06.920
<v Speaker 1>been playing in the music played on the final album.

2:00:06.920 --> 2:00:08.440
<v Speaker 1>He said he heard Blessings and said, I have to

2:00:08.480 --> 2:00:11.560
<v Speaker 1>be on here. And I was like, bro, I already

2:00:11.600 --> 2:00:13.280
<v Speaker 1>got you on two songs on my album. He hopped

2:00:13.320 --> 2:00:16.080
<v Speaker 1>on two other songs already on Dark scott Paradise. He

2:00:16.120 --> 2:00:18.200
<v Speaker 1>was on One Man Could Change the World. He was

2:00:18.240 --> 2:00:20.800
<v Speaker 1>on All Your Fall, so that would have been three

2:00:20.840 --> 2:00:22.840
<v Speaker 1>songs he's on the album. He's I need to be

2:00:22.920 --> 2:00:25.680
<v Speaker 1>on this record. I was like, bro, my, my my

2:00:25.800 --> 2:00:28.720
<v Speaker 1>preorder goes up tomorrow. He's like, we're about to do

2:00:28.800 --> 2:00:31.000
<v Speaker 1>it right now. And I helped him write his verse

2:00:31.080 --> 2:00:33.760
<v Speaker 1>for the song for Blessings. For Blessings okay, so I

2:00:33.880 --> 2:00:35.680
<v Speaker 1>hit up Drake. Drake was the one who came up

2:00:35.720 --> 2:00:38.919
<v Speaker 1>with the idea of the song. Drake had a concept

2:00:39.080 --> 2:00:41.080
<v Speaker 1>like you know, a little scratch of the hook. We

2:00:41.160 --> 2:00:44.400
<v Speaker 1>got in the studio and finished it together. So when

2:00:44.440 --> 2:00:47.120
<v Speaker 1>I when I talked to Drake about it, Drake didn't

2:00:47.160 --> 2:00:49.520
<v Speaker 1>want that. I wouldn't say he didn't want him on it.

2:00:49.600 --> 2:00:51.800
<v Speaker 1>I said, the song is already done, you know. He

2:00:51.960 --> 2:00:54.680
<v Speaker 1>was just kind of on some like it don't really

2:00:54.720 --> 2:00:56.480
<v Speaker 1>need it, don't really need all that. It's already long.

2:00:56.760 --> 2:01:00.720
<v Speaker 1>It was three verses already, and he was like, I mean,

2:01:01.080 --> 2:01:02.520
<v Speaker 1>we don't really need him on it. But what I

2:01:02.600 --> 2:01:04.640
<v Speaker 1>said was and by the way, I helped Kanye write

2:01:04.640 --> 2:01:07.280
<v Speaker 1>his verse. I said, Bro, Bro, gotta be on it. Bro,

2:01:07.440 --> 2:01:10.720
<v Speaker 1>Like you know what I mean, Like he said he

2:01:11.120 --> 2:01:12.360
<v Speaker 1>had to be on it. He gotta be on it.

2:01:13.480 --> 2:01:14.920
<v Speaker 1>So and I feel like that kind of I don't

2:01:14.920 --> 2:01:17.160
<v Speaker 1>know if that had any effect on me and Drake relationship,

2:01:17.280 --> 2:01:20.000
<v Speaker 1>but like I said, Drake wasn't like, don't put him

2:01:20.040 --> 2:01:24.000
<v Speaker 1>on his ship. But I got the vibes, you know

2:01:24.040 --> 2:01:29.600
<v Speaker 1>what I'm saying. So anyway, I write the verse for you.

2:01:31.080 --> 2:01:33.360
<v Speaker 1>I tell everybody in the studio send it to Mastering,

2:01:34.760 --> 2:01:39.360
<v Speaker 1>his engineer. Another person was in the room. Another person

2:01:39.520 --> 2:01:41.000
<v Speaker 1>was the CEO of Good Send it to that. I'm like,

2:01:41.080 --> 2:01:44.200
<v Speaker 1>my ship comes out tomorrow, okay, okay for shure. Next

2:01:44.280 --> 2:01:46.160
<v Speaker 1>day I hit a Mastering. I'm not an A and

2:01:46.280 --> 2:01:48.920
<v Speaker 1>R by the way, and I'm calling Mastering. You get

2:01:49.000 --> 2:01:52.440
<v Speaker 1>the verse? No, we didn't get any verse. My A

2:01:52.480 --> 2:01:55.240
<v Speaker 1>and R like, oh, your pre order is up and

2:01:55.320 --> 2:01:57.600
<v Speaker 1>it's going crazy. You didn't get you get you. I

2:01:57.600 --> 2:02:00.160
<v Speaker 1>didn't get your verse to Mastering or going crazy easy

2:02:01.360 --> 2:02:04.200
<v Speaker 1>on the phone, bro, preorder going crazy that the doctor

2:02:04.280 --> 2:02:06.600
<v Speaker 1>we're gonna do the radio and the video version for Blessings?

2:02:06.720 --> 2:02:08.680
<v Speaker 1>Is that cool? Yeah, it's cool. It's cool because he

2:02:09.200 --> 2:02:13.680
<v Speaker 1>didn't get into mastering. Right, I can see what this started.

2:02:13.720 --> 2:02:17.680
<v Speaker 1>The froum. Okay, cool. Everything happens with videos songs is

2:02:17.960 --> 2:02:20.880
<v Speaker 1>you know? Crazy? Next thing I know, we're shooting a

2:02:21.000 --> 2:02:26.200
<v Speaker 1>video and he's he's spassing on me. You you did

2:02:26.320 --> 2:02:29.200
<v Speaker 1>this because of you didn't do this because of like

2:02:29.360 --> 2:02:33.240
<v Speaker 1>like I'm loyal to Drake over him or something. I'm like, Bro,

2:02:33.320 --> 2:02:35.160
<v Speaker 1>you know I helped you write your verse. I was

2:02:35.200 --> 2:02:38.520
<v Speaker 1>in the studio with you. But I had this conversation

2:02:38.560 --> 2:02:40.360
<v Speaker 1>with him a few times. And the reason that I

2:02:40.440 --> 2:02:44.240
<v Speaker 1>know it, I know it'sist with him because when other

2:02:44.360 --> 2:02:46.760
<v Speaker 1>things that would happen. You know, I need your support

2:02:46.800 --> 2:02:49.040
<v Speaker 1>on this heat. You know, it's it always would come

2:02:49.080 --> 2:02:51.200
<v Speaker 1>back to this. Other people will know this story without

2:02:51.240 --> 2:02:53.720
<v Speaker 1>me saying anything. How the funk you know about like what?

2:02:54.960 --> 2:02:56.440
<v Speaker 1>I had to pull him aside a few times and

2:02:56.560 --> 2:02:59.480
<v Speaker 1>be like, yeah, you know, you know what happened right

2:02:59.560 --> 2:03:02.520
<v Speaker 1>with that song on like I helped you write your verse.

2:03:05.080 --> 2:03:11.240
<v Speaker 1>So that's just that's one aspect could be more. And

2:03:11.520 --> 2:03:13.320
<v Speaker 1>like I said, I ain't gonna hear gossip and telling

2:03:13.440 --> 2:03:14.760
<v Speaker 1>what it is that what I'm saying is this ship

2:03:14.800 --> 2:03:16.920
<v Speaker 1>got to do This ship got to do it. This

2:03:17.040 --> 2:03:19.040
<v Speaker 1>is ship that I've been holding around and carrying around

2:03:19.120 --> 2:03:21.320
<v Speaker 1>as a you know, as a soldier as you know,

2:03:22.320 --> 2:03:25.080
<v Speaker 1>you know, some ship. But it's been bothering me, Bro,

2:03:25.680 --> 2:03:27.680
<v Speaker 1>it's been bothering me. And I'm like, I'm tired of

2:03:27.800 --> 2:03:30.880
<v Speaker 1>like not being able to speak out because of other

2:03:30.920 --> 2:03:33.040
<v Speaker 1>people and ship when people don't got that same regard

2:03:33.200 --> 2:03:37.320
<v Speaker 1>for me, like I ain't like I ain't motherfucking put

2:03:37.400 --> 2:03:39.000
<v Speaker 1>the work in, or like I ain't showed up for

2:03:39.080 --> 2:03:42.160
<v Speaker 1>people are carried a label on my back. So but

2:03:42.320 --> 2:03:43.800
<v Speaker 1>how it was, I don't know if you heard the

2:03:43.840 --> 2:03:47.920
<v Speaker 1>Breakfash Club after the the interview dropped, the Brethash Club

2:03:48.000 --> 2:03:52.080
<v Speaker 1>had did a survey, right, and they was like, um, well,

2:03:52.680 --> 2:03:58.080
<v Speaker 1>who do you guys agree with? Do you agree with Kanye? Oh?

2:03:58.120 --> 2:04:02.080
<v Speaker 1>Do you agree with Big Sean? Did you hear it? Yeah?

2:04:02.080 --> 2:04:04.400
<v Speaker 1>I did. I did you heard that? Right? Yeah? Because

2:04:04.440 --> 2:04:07.800
<v Speaker 1>he used my my daughter is Charlotte Manavy. Yeah. Right.

2:04:08.160 --> 2:04:11.280
<v Speaker 1>So they did a survey and a lot of people.

2:04:11.560 --> 2:04:14.440
<v Speaker 1>I didn't see the actual thing because bro, I heard

2:04:14.440 --> 2:04:16.360
<v Speaker 1>about it. Somebody hit me like, yo, they were showing love.

2:04:16.440 --> 2:04:18.600
<v Speaker 1>You see how people supporting, but they were it was

2:04:18.720 --> 2:04:20.920
<v Speaker 1>it was I would say, it was like pretty even, right.

2:04:21.000 --> 2:04:24.480
<v Speaker 1>So what happened was they were saying, so how you

2:04:24.680 --> 2:04:28.360
<v Speaker 1>described it on our show was that you just went

2:04:28.520 --> 2:04:32.200
<v Speaker 1>and supported I guess Hillary Clinton or the Democrats or whatever.

2:04:32.480 --> 2:04:37.440
<v Speaker 1>And I didn't and I didn't. Here's how he described it.

2:04:37.800 --> 2:04:42.680
<v Speaker 1>Here's the thing, and I didn't and I did not.

2:04:43.920 --> 2:04:45.720
<v Speaker 1>In fact, I supported him and while he was running

2:04:45.760 --> 2:04:48.320
<v Speaker 1>for president, I didn't have his fucking number. And I'm

2:04:48.480 --> 2:04:49.960
<v Speaker 1>reaching I'm trying to reach out to him. So what

2:04:50.000 --> 2:04:52.480
<v Speaker 1>I'm supposed to do support somebody that I can't even

2:04:52.520 --> 2:04:59.200
<v Speaker 1>get in contact with at the time, which I still did. So, uh,

2:05:00.680 --> 2:05:02.440
<v Speaker 1>I don't care if people agree with me. If you

2:05:02.640 --> 2:05:05.480
<v Speaker 1>think that, like I'm wrong in any way in this situation.

2:05:06.160 --> 2:05:09.840
<v Speaker 1>You are you must I feel you. You love this man,

2:05:10.240 --> 2:05:12.480
<v Speaker 1>I love this man whatever it is. You know what

2:05:12.600 --> 2:05:16.080
<v Speaker 1>I'm saying. But that's fucking that's some fucking boyshit though, right,

2:05:16.480 --> 2:05:19.880
<v Speaker 1>so listen because it's not true. Okay, so um, but

2:05:20.000 --> 2:05:24.840
<v Speaker 1>let's just let's take it from how he I thought

2:05:24.960 --> 2:05:28.800
<v Speaker 1>this was okay in his mind, he's running for president.

2:05:30.160 --> 2:05:32.880
<v Speaker 1>He puts on the magna hat, right, what you don't

2:05:33.000 --> 2:05:36.040
<v Speaker 1>agree he's not running for president putting the magat Yeah,

2:05:36.240 --> 2:05:38.560
<v Speaker 1>that's not what happens. I mean, this is pretty much

2:05:38.680 --> 2:05:41.400
<v Speaker 1>all right, fucking taket back out of here. You know

2:05:41.440 --> 2:05:43.720
<v Speaker 1>what I'm saying. Those two things are different. In my opinion.

2:05:43.920 --> 2:05:48.600
<v Speaker 1>He wasn't well, he wasn't running when he wasn't he

2:05:48.720 --> 2:05:50.720
<v Speaker 1>running for president at the same time or No, it's

2:05:50.760 --> 2:05:52.920
<v Speaker 1>kind of hard for me to recall those timelines after

2:05:53.160 --> 2:05:55.680
<v Speaker 1>these eight shots. But I just get another one that's

2:05:57.880 --> 2:06:04.640
<v Speaker 1>but you know what, but no, no, because um, but

2:06:04.920 --> 2:06:08.360
<v Speaker 1>he's going to back. I hold of that. You're wait

2:06:08.400 --> 2:06:10.160
<v Speaker 1>till you come back. No, I don't know. I'm good.

2:06:10.240 --> 2:06:14.080
<v Speaker 1>I'm great because this is what I'm trying. I'm trying

2:06:14.120 --> 2:06:17.000
<v Speaker 1>to understand him, right, And I'm trying to understand you

2:06:17.040 --> 2:06:19.560
<v Speaker 1>what I'm trying to understand your relationship right because I'm

2:06:19.600 --> 2:06:22.800
<v Speaker 1>outside looking it. Let's just be clear, I'm not fan

2:06:22.840 --> 2:06:24.920
<v Speaker 1>of both. For y'all, I had no idea like there

2:06:25.000 --> 2:06:27.320
<v Speaker 1>was even a discrepancy, like like, if you really look

2:06:27.360 --> 2:06:31.360
<v Speaker 1>at the footage, I'm clapping, I'm like first because it's

2:06:31.560 --> 2:06:34.480
<v Speaker 1>because because it hit your ear on because it didn't

2:06:34.520 --> 2:06:38.360
<v Speaker 1>make any sense. It doesn't, it didn't. But but a

2:06:38.440 --> 2:06:43.280
<v Speaker 1>lot of but a lot of things. Bro. He animated,

2:06:43.720 --> 2:06:46.040
<v Speaker 1>and he has a great delivery, right. He has tossed

2:06:46.040 --> 2:06:48.360
<v Speaker 1>with such passion and he got he liked that inner child.

2:06:48.480 --> 2:06:50.320
<v Speaker 1>He's like just straight and he's gonna say whatever you're

2:06:50.320 --> 2:06:53.160
<v Speaker 1>gonna hop on stage. He you know that's why we

2:06:53.280 --> 2:06:56.960
<v Speaker 1>love him, Bro, he raw like that right, Yes, But

2:06:59.840 --> 2:07:03.560
<v Speaker 1>I don't care who it is when you when when

2:07:03.600 --> 2:07:07.200
<v Speaker 1>you say something untrue about anybody, say something that untrue

2:07:07.200 --> 2:07:09.960
<v Speaker 1>about me, I gotta come up here and say as

2:07:10.000 --> 2:07:14.120
<v Speaker 1>a man, like no, that ain't high going down. You

2:07:14.200 --> 2:07:16.800
<v Speaker 1>know what I'm saying. You know, he gave me an

2:07:16.840 --> 2:07:20.600
<v Speaker 1>opportunity on that, and I never will discount that. I

2:07:21.000 --> 2:07:23.040
<v Speaker 1>give him that regard. You know what I'm saying, like

2:07:23.160 --> 2:07:25.800
<v Speaker 1>the same respect how he was paying hoving here. You

2:07:25.840 --> 2:07:29.880
<v Speaker 1>know what I'm saying, I'm saying him. But so let's

2:07:29.920 --> 2:07:33.160
<v Speaker 1>just let me just be clear. Uh. But that's besides

2:07:33.200 --> 2:07:37.840
<v Speaker 1>the point though. But what he's trying to describe was

2:07:38.280 --> 2:07:43.280
<v Speaker 1>at a point he felt like you were disloyal right now,

2:07:44.920 --> 2:07:48.240
<v Speaker 1>regardless if you agree with his political campaigns or not.

2:07:51.120 --> 2:07:54.200
<v Speaker 1>You know, and it was up some part. Bro It's

2:07:54.240 --> 2:07:56.400
<v Speaker 1>just like he text me and being like yo, this, yo,

2:07:56.600 --> 2:07:58.520
<v Speaker 1>this lying on this song that was my model for

2:07:58.640 --> 2:08:00.880
<v Speaker 1>a whole year. He didn't get up here nothing he

2:08:00.920 --> 2:08:03.800
<v Speaker 1>said as as as trying to make me look crazy,

2:08:03.920 --> 2:08:05.520
<v Speaker 1>like that's all the type of music I make, And

2:08:05.560 --> 2:08:07.560
<v Speaker 1>that's not true. And the track record speaks for it,

2:08:08.000 --> 2:08:11.040
<v Speaker 1>not anything, not people's opinions, even whether that's the song

2:08:11.120 --> 2:08:13.720
<v Speaker 1>that maybe somebody only heard, But my track record speaks

2:08:13.760 --> 2:08:17.280
<v Speaker 1>for itself. As far as millions of records sold and

2:08:17.360 --> 2:08:19.680
<v Speaker 1>as far as impact Brock come, people come up to me.

2:08:19.720 --> 2:08:21.320
<v Speaker 1>They don't come up to me and say as that.

2:08:21.360 --> 2:08:23.480
<v Speaker 1>People be like one man could change the world, change

2:08:23.520 --> 2:08:25.720
<v Speaker 1>my life. You're going crazy on paradise. Can I wrap

2:08:25.760 --> 2:08:30.440
<v Speaker 1>paradise with you? Really? Most people say, boy boy, I

2:08:30.560 --> 2:08:32.960
<v Speaker 1>do it. I do it. That's what they'd be saying

2:08:33.000 --> 2:08:34.720
<v Speaker 1>to me. You know what I'm saying. Ain't nobody ever

2:08:34.760 --> 2:08:37.480
<v Speaker 1>came up to me and said as so. It was.

2:08:37.840 --> 2:08:40.280
<v Speaker 1>It was a personal attack for no reason to you know,

2:08:41.600 --> 2:08:43.760
<v Speaker 1>it was funny, though it was funny. It was funny. Yeah,

2:08:43.840 --> 2:08:46.640
<v Speaker 1>it was funny. But I think it's whatever. But it

2:08:46.760 --> 2:08:49.640
<v Speaker 1>was funny to everybody else. But yeah, it's not funny,

2:08:49.680 --> 2:08:51.200
<v Speaker 1>and it's not I shouldn't be. So let me just

2:08:51.280 --> 2:08:53.600
<v Speaker 1>think that it's not funny to be because my whole

2:08:53.640 --> 2:08:56.200
<v Speaker 1>city looking at me crazy. But when I go to

2:08:56.280 --> 2:08:58.240
<v Speaker 1>the trait, they're looking at me crazy that I let

2:08:58.280 --> 2:08:59.720
<v Speaker 1>this man sit up here and talk talk to me

2:08:59.840 --> 2:09:02.040
<v Speaker 1>like that. I was talking about me like that, and

2:09:02.080 --> 2:09:04.360
<v Speaker 1>I'm not. I can't. I can't sit up here and

2:09:04.360 --> 2:09:07.320
<v Speaker 1>act like that. Funny. It's not funny because he made

2:09:07.360 --> 2:09:10.560
<v Speaker 1>money off of that song. He made money off of

2:09:10.600 --> 2:09:12.040
<v Speaker 1>that song. He made more money off that song than

2:09:12.080 --> 2:09:15.560
<v Speaker 1>I did. Because that's the type of deal I have.

2:09:18.360 --> 2:09:19.920
<v Speaker 1>So what do you guys think about that? In my

2:09:20.040 --> 2:09:25.040
<v Speaker 1>disloil in anyway? No, I mean, you know, I'm outside

2:09:25.080 --> 2:09:26.560
<v Speaker 1>of it. And by the way, let me say this

2:09:26.640 --> 2:09:33.440
<v Speaker 1>a lot of people would hit me. I don't know.

2:09:34.200 --> 2:09:35.880
<v Speaker 1>This is it. This is the last we're gonna talk about.

2:09:36.360 --> 2:09:38.520
<v Speaker 1>Brob bro, you know what I'm saying, Yeah, because I

2:09:38.560 --> 2:09:40.200
<v Speaker 1>want you to work it out me as an outside

2:09:40.200 --> 2:09:42.760
<v Speaker 1>of looking at But I don't know you apply, I

2:09:42.800 --> 2:09:45.280
<v Speaker 1>don't know you know where you're going through. I don't

2:09:45.320 --> 2:09:53.000
<v Speaker 1>know what you've been through. So lets you talk um funk.

2:09:53.040 --> 2:09:58.080
<v Speaker 1>I forgot what I was about to say. Now, I

2:09:58.120 --> 2:10:02.360
<v Speaker 1>forgot what the fun was about together. Shot you ended

2:10:02.360 --> 2:10:04.120
<v Speaker 1>it with that he made more money off the song.

2:10:04.720 --> 2:10:12.360
<v Speaker 1>That's what she did. Yeah, yeah, all right, So what

2:10:12.480 --> 2:10:15.440
<v Speaker 1>do y'all think as as like, do y'all think that's

2:10:15.480 --> 2:10:17.640
<v Speaker 1>wrong in anyway? Do y'all think it's wrong that that

2:10:17.720 --> 2:10:19.560
<v Speaker 1>man is up bees and he owes me or his

2:10:19.680 --> 2:10:24.320
<v Speaker 1>company allegedly owes me ms or no? And I'm not

2:10:24.480 --> 2:10:26.320
<v Speaker 1>not something that because I'm a nice guy that I

2:10:26.360 --> 2:10:28.280
<v Speaker 1>actually based on what you're saying, if you go off

2:10:28.320 --> 2:10:31.040
<v Speaker 1>of what you're saying, of course, all right, well let's

2:10:31.080 --> 2:10:33.000
<v Speaker 1>not talk about it no more. No, But what what

2:10:33.200 --> 2:10:38.640
<v Speaker 1>what the important part was when he said the Vivindi

2:10:38.760 --> 2:10:42.400
<v Speaker 1>part as if yeah, that's that's the thing. That is

2:10:42.440 --> 2:10:44.440
<v Speaker 1>what he said they paid him. What you know, The

2:10:44.520 --> 2:10:47.840
<v Speaker 1>point is that was my issue first. I went to

2:10:47.920 --> 2:10:50.160
<v Speaker 1>them first because I like, I know, good music not

2:10:50.200 --> 2:10:54.240
<v Speaker 1>gonna play me like that. My brothers then my brothers.

2:10:55.400 --> 2:11:00.000
<v Speaker 1>I didn't came through for them, but by the way,

2:11:00.080 --> 2:11:05.680
<v Speaker 1>music for the whole everyone and then came through. Dad

2:11:05.840 --> 2:11:09.200
<v Speaker 1>came through for me. But he also said, I'm just

2:11:09.240 --> 2:11:12.360
<v Speaker 1>being there with advocate. He also said that he didn't

2:11:12.400 --> 2:11:14.640
<v Speaker 1>he doesn't own that. The only thing that he owns

2:11:14.880 --> 2:11:19.760
<v Speaker 1>was um good music, yeah, he said to hen. He said,

2:11:20.040 --> 2:11:24.240
<v Speaker 1>only he fully owns was Jesus the Sleeker company. He

2:11:24.320 --> 2:11:27.720
<v Speaker 1>said that, yeah, he probably don't own it fully. But

2:11:28.240 --> 2:11:29.920
<v Speaker 1>that's that's what I'm trying to say. Like, how how

2:11:30.080 --> 2:11:34.920
<v Speaker 1>connected is he to the actual company? Well he can't.

2:11:35.600 --> 2:11:37.480
<v Speaker 1>I'm just I'm just saying, some people, how is he

2:11:37.960 --> 2:11:40.520
<v Speaker 1>micromanaging that company? Is he macro managing that company? Does

2:11:40.600 --> 2:11:43.520
<v Speaker 1>he know it's the same relation of drink Champs the

2:11:43.600 --> 2:11:47.680
<v Speaker 1>show being our Revolt TV. They distribute your show, but

2:11:47.840 --> 2:11:50.160
<v Speaker 1>you're the owner of the show. See what I'm saying.

2:11:50.200 --> 2:11:54.400
<v Speaker 1>I don't think it's gonna be the same. But he's

2:11:54.400 --> 2:11:57.680
<v Speaker 1>trying to say, I don't know, I know it. No,

2:11:57.920 --> 2:11:59.800
<v Speaker 1>I'm not saying that it's the exact percentage, but I'm

2:11:59.800 --> 2:12:03.120
<v Speaker 1>saying instead same relation. And you know what I'm saying

2:12:03.160 --> 2:12:05.280
<v Speaker 1>even the way, I just think that's a different kind

2:12:05.280 --> 2:12:08.800
<v Speaker 1>of situation. You're not hearing me, man, You're not hearing.

2:12:09.960 --> 2:12:14.520
<v Speaker 1>What I'm saying is the money came to good music

2:12:15.320 --> 2:12:18.520
<v Speaker 1>that I was old, my little crumbs and scraps that

2:12:18.600 --> 2:12:22.240
<v Speaker 1>I made in a deal that my man's, my manager

2:12:22.320 --> 2:12:24.760
<v Speaker 1>said was the worst deal he ever seen. It's a

2:12:24.800 --> 2:12:28.040
<v Speaker 1>great opportunity for me, right obviously, because I worked my

2:12:28.120 --> 2:12:29.560
<v Speaker 1>I can work my way out of anything. But I'm

2:12:29.560 --> 2:12:33.120
<v Speaker 1>from Detroit, period, so I can work my way out

2:12:33.160 --> 2:12:36.680
<v Speaker 1>of anything. So what I'm saying is I worked my

2:12:36.760 --> 2:12:39.920
<v Speaker 1>way out of the deal when most when nobody else

2:12:40.000 --> 2:12:43.960
<v Speaker 1>that's ever been signing good music, has work their way

2:12:44.000 --> 2:12:46.879
<v Speaker 1>out of this type of deal that I'm in. Five albums,

2:12:47.920 --> 2:12:49.760
<v Speaker 1>back to back to back number one albums, over fifty

2:12:49.800 --> 2:12:54.720
<v Speaker 1>some million records sold, all these things, Platinum songs, all

2:12:54.760 --> 2:12:58.640
<v Speaker 1>these things. Right, the money, the money that I accumulated

2:12:58.720 --> 2:13:02.480
<v Speaker 1>during that deal from Royal Teas have been paid. I've

2:13:02.600 --> 2:13:06.800
<v Speaker 1>spent hundreds of thousands of my money to get a

2:13:07.920 --> 2:13:12.640
<v Speaker 1>analytical report, not an opinion not like well he awe

2:13:12.680 --> 2:13:15.000
<v Speaker 1>you know, he owe you know, he owe you. This

2:13:15.120 --> 2:13:20.720
<v Speaker 1>is forenstic scientists. This is a world. That's what that's

2:13:20.720 --> 2:13:24.240
<v Speaker 1>what order it is. That's why. Yeah, see what I'm saying.

2:13:25.320 --> 2:13:28.280
<v Speaker 1>So it's not about like Vivindi. Okay, so now let

2:13:28.360 --> 2:13:30.760
<v Speaker 1>me ask you talk about the real like this music

2:13:31.560 --> 2:13:34.800
<v Speaker 1>music musical world. Okay. Well, if it's not him and

2:13:34.960 --> 2:13:37.960
<v Speaker 1>somebody at Good Music, somebody from Good Music Records owes

2:13:38.040 --> 2:13:40.720
<v Speaker 1>mean millions. It may not be Kanye. I don't know really,

2:13:41.640 --> 2:13:45.080
<v Speaker 1>but who else owns it? I don't know. I just

2:13:45.160 --> 2:13:48.200
<v Speaker 1>feel like a true question. Actually, but actually I'm not

2:13:48.280 --> 2:13:50.440
<v Speaker 1>even gonna say that because everything I said can be used.

2:13:50.440 --> 2:13:51.720
<v Speaker 1>It gets me in the court of loss. So I'm

2:13:51.720 --> 2:13:53.760
<v Speaker 1>gonna go ahead and say that I'm owed six million

2:13:53.800 --> 2:13:59.560
<v Speaker 1>dollars and from Kanye West is label Good Music, and

2:13:59.640 --> 2:14:01.720
<v Speaker 1>that's just what it is. I don't talk about this

2:14:01.720 --> 2:14:04.800
<v Speaker 1>ship no more. Man, I can get cool and then

2:14:04.880 --> 2:14:06.680
<v Speaker 1>we can get get over this. Okay, But let me

2:14:06.720 --> 2:14:11.000
<v Speaker 1>ask you face to face, man, and man, have you

2:14:11.080 --> 2:14:13.120
<v Speaker 1>ever just sat down with him and just said your

2:14:13.280 --> 2:14:16.800
<v Speaker 1>look let me how let you pull you to the side,

2:14:17.360 --> 2:14:21.680
<v Speaker 1>no media, no nothing, Yo, Yeah I did differensic sites.

2:14:21.800 --> 2:14:25.080
<v Speaker 1>Just they came this, this and this, This is what happened.

2:14:25.640 --> 2:14:31.200
<v Speaker 1>This is what I feel like. I'm old. You know, Okay,

2:14:31.280 --> 2:14:36.320
<v Speaker 1>I'll tell you why I haven't because I got so

2:14:36.440 --> 2:14:39.040
<v Speaker 1>much respect for bro that when we in a vibe,

2:14:39.200 --> 2:14:42.760
<v Speaker 1>whenever we link, they don't be their appropriate time. And

2:14:42.840 --> 2:14:45.840
<v Speaker 1>I'm from a city, I'm from a place where I

2:14:45.920 --> 2:14:50.280
<v Speaker 1>know the appropriate time to address things like that. You know,

2:14:50.400 --> 2:14:52.680
<v Speaker 1>I know a time. There's a time and place for business,

2:14:52.720 --> 2:14:54.480
<v Speaker 1>There's a time and place to be creative. There's a

2:14:54.520 --> 2:14:57.640
<v Speaker 1>time and place right And I had that much respect

2:14:58.480 --> 2:15:01.000
<v Speaker 1>to not bringing up in certain situations and let the

2:15:01.080 --> 2:15:04.200
<v Speaker 1>business people deal with that. Ship. You're absolutely right, You're

2:15:04.200 --> 2:15:07.840
<v Speaker 1>absolutely correct. But if I have a business relationship with

2:15:07.920 --> 2:15:10.720
<v Speaker 1>one of my homies and I see him a couple

2:15:10.800 --> 2:15:13.680
<v Speaker 1>of times and he doesn't address me, and did I

2:15:13.720 --> 2:15:18.960
<v Speaker 1>see him address me in public, It's almost like, why

2:15:19.040 --> 2:15:20.840
<v Speaker 1>the fund didn't you just pulled me to that? That's

2:15:20.880 --> 2:15:23.600
<v Speaker 1>how I felt. Yeah, So I'm saying why didn't you

2:15:24.160 --> 2:15:26.520
<v Speaker 1>once you knew you was old. I'm not saying you're

2:15:26.520 --> 2:15:28.840
<v Speaker 1>wrong or not like that. I'm just asking as as

2:15:29.080 --> 2:15:32.240
<v Speaker 1>as as approach, And that's outside of looking in it once.

2:15:32.320 --> 2:15:35.080
<v Speaker 1>You didn't know that. Why you ain't just say you

2:15:35.160 --> 2:15:37.160
<v Speaker 1>know your home and let me talk to you. Because

2:15:37.760 --> 2:15:39.600
<v Speaker 1>by the time I find out, the only time I

2:15:39.680 --> 2:15:45.680
<v Speaker 1>saw him was at Sunday Service recently. Yeah, wow, before

2:15:45.720 --> 2:15:48.440
<v Speaker 1>the interview came out. Before the interview came out, And

2:15:48.480 --> 2:15:51.040
<v Speaker 1>I wasn't about to holler him at Sunday Service. I

2:15:51.120 --> 2:15:52.680
<v Speaker 1>wasn't about to do that. But you did say on

2:15:52.800 --> 2:15:55.400
<v Speaker 1>Breathast Club that you felt like he was he was old.

2:15:55.440 --> 2:15:58.880
<v Speaker 1>Since I didn't say that, Okay, well, somebody else looked

2:15:59.040 --> 2:16:00.840
<v Speaker 1>information and I didn't even to know it. I didn't.

2:16:00.880 --> 2:16:04.760
<v Speaker 1>That's what may actually made me look into this situation more. Charlotte.

2:16:04.760 --> 2:16:08.000
<v Speaker 1>Man must be cool with somebody at Universal who told him, which,

2:16:08.120 --> 2:16:10.160
<v Speaker 1>by the way, it was a wrong number. But what

2:16:10.280 --> 2:16:11.960
<v Speaker 1>did he said? I don't know, but it was the

2:16:12.000 --> 2:16:14.720
<v Speaker 1>wrong number because it was way more than that. So

2:16:16.000 --> 2:16:17.800
<v Speaker 1>that wasn't me that. I think that was another thing,

2:16:17.840 --> 2:16:19.560
<v Speaker 1>and I think I was I was talking at And

2:16:21.160 --> 2:16:23.240
<v Speaker 1>you can see how sometimes that person who could think

2:16:23.280 --> 2:16:25.520
<v Speaker 1>that because they're thinking, like yo, using the studio with

2:16:25.680 --> 2:16:28.400
<v Speaker 1>Jay your man leaked the picture, you know what I'm saying.

2:16:28.800 --> 2:16:33.520
<v Speaker 1>And then that communication, yeah you said communication, say the nation.

2:16:33.800 --> 2:16:36.439
<v Speaker 1>Did you say that communication is the bridge to salvation,

2:16:36.560 --> 2:16:38.640
<v Speaker 1>that God is holding our hand to walk across on.

2:16:40.120 --> 2:16:42.760
<v Speaker 1>You can't see how maybe they thought that, like like

2:16:42.920 --> 2:16:46.560
<v Speaker 1>al right, cool, absolutely, okay, absolutely, And that's why I

2:16:46.600 --> 2:16:48.600
<v Speaker 1>don't take care of you. And that's why I don't

2:16:48.640 --> 2:16:54.280
<v Speaker 1>take a personal Honestly, that's first. I don't. I don't

2:16:54.320 --> 2:16:56.840
<v Speaker 1>take a personal. I can't because that's too much of

2:16:56.879 --> 2:16:59.200
<v Speaker 1>a burden for me to carry, you know what I'm saying.

2:16:59.240 --> 2:17:04.160
<v Speaker 1>That's why I and leaving it all the business, you know,

2:17:04.560 --> 2:17:10.120
<v Speaker 1>and me talking about it is relieving. But at the

2:17:10.200 --> 2:17:15.360
<v Speaker 1>same time, it's, uh, it's it's embarrassing too. But you

2:17:15.440 --> 2:17:20.240
<v Speaker 1>know what I'm saying, It's embarrassing because I really, well,

2:17:20.400 --> 2:17:24.680
<v Speaker 1>I really like I was proud of it. I was

2:17:24.720 --> 2:17:26.120
<v Speaker 1>really proud to be on good music, you know what

2:17:26.120 --> 2:17:27.640
<v Speaker 1>I'm saying. I was really proud to be signing a

2:17:28.560 --> 2:17:30.000
<v Speaker 1>you know, that was my idol, that was one of

2:17:30.080 --> 2:17:32.520
<v Speaker 1>my heroes, you know what I'm saying, my favorite artists.

2:17:32.640 --> 2:17:36.160
<v Speaker 1>So it's, uh, it's it's hurtful, bro, it's hurtful to

2:17:36.200 --> 2:17:39.000
<v Speaker 1>hear those words. I expect, I expect, I expect you're

2:17:39.040 --> 2:17:41.320
<v Speaker 1>breaking that down. I really do, and I'm not a

2:17:41.400 --> 2:17:43.960
<v Speaker 1>perfect person. Like you said, maybe I should have brought

2:17:44.000 --> 2:17:49.240
<v Speaker 1>it up to him, but I just also listen to

2:17:49.360 --> 2:17:51.080
<v Speaker 1>my heart and my intuition and it didn't feel like

2:17:51.160 --> 2:17:54.200
<v Speaker 1>the right time. So that's just where I'm leaving it. That. Yeah,

2:17:54.240 --> 2:18:00.160
<v Speaker 1>that's that's real, yo, bro. I definitely expected you to

2:18:00.200 --> 2:18:03.760
<v Speaker 1>take the other route around, because you know, we're all

2:18:04.120 --> 2:18:07.800
<v Speaker 1>we're all pall. I'm never I would never tear another

2:18:07.879 --> 2:18:13.640
<v Speaker 1>black man down in America. That's some whole ass ship.

2:18:14.520 --> 2:18:16.920
<v Speaker 1>I would never tear another man down, especially somebody who

2:18:17.040 --> 2:18:19.520
<v Speaker 1>changed my life. But I am gonna stand up for

2:18:19.600 --> 2:18:23.040
<v Speaker 1>myself and called my brother, called my rather, it's my

2:18:23.200 --> 2:18:26.560
<v Speaker 1>mom o, call my call my dad out, my uncle out.

2:18:26.600 --> 2:18:29.040
<v Speaker 1>I'm gonna call anybody who means everything to me, and

2:18:29.040 --> 2:18:33.080
<v Speaker 1>I'm gonna say that's some fucking bullshit. So you think

2:18:33.280 --> 2:18:36.120
<v Speaker 1>so you think I'm not trying to reiterate it. It

2:18:36.320 --> 2:18:38.480
<v Speaker 1>was the moment that you didn't put them on blessings

2:18:39.280 --> 2:18:46.400
<v Speaker 1>that like things just just deteriorated or yep. I mean,

2:18:46.440 --> 2:18:48.520
<v Speaker 1>I think that was the start of it. There was,

2:18:48.680 --> 2:18:52.240
<v Speaker 1>there was a couple of other things, but that's just

2:18:52.400 --> 2:18:54.240
<v Speaker 1>I feel like that's where it started. You know, but

2:18:54.280 --> 2:18:56.480
<v Speaker 1>I ain't. Like I said, this ain't nonna tell all books, man,

2:18:57.320 --> 2:18:59.640
<v Speaker 1>because I mean, but I mean, it's an interview. It's

2:18:59.640 --> 2:19:02.040
<v Speaker 1>an interview where I want to share with my fans

2:19:02.120 --> 2:19:04.160
<v Speaker 1>and ship though, because are people who got loved for

2:19:04.240 --> 2:19:06.080
<v Speaker 1>me or people even who don't got love for me?

2:19:06.160 --> 2:19:10.840
<v Speaker 1>Because my narrative is being twisted around because somebody said,

2:19:10.920 --> 2:19:15.200
<v Speaker 1>because somebody said that I came out of support of

2:19:15.280 --> 2:19:17.920
<v Speaker 1>Democrats and did whatever whatever, and somebody said this to

2:19:18.000 --> 2:19:21.080
<v Speaker 1>ask whatever it was, Bro, that ain't who That ain't

2:19:21.120 --> 2:19:25.720
<v Speaker 1>who I am. I'm coming here personally after I had

2:19:25.800 --> 2:19:28.120
<v Speaker 1>the two stressful last week's just now, after I was

2:19:28.200 --> 2:19:30.800
<v Speaker 1>holding my family, I got bags under my eyes. So

2:19:30.920 --> 2:19:32.760
<v Speaker 1>you're good. I'm sitting up here getting drunk and ship.

2:19:32.920 --> 2:19:37.040
<v Speaker 1>You're good at shot. It's important. It's important to me. Yeah,

2:19:37.920 --> 2:19:39.840
<v Speaker 1>I respect. I respect your honestly. I look at you

2:19:39.959 --> 2:19:43.680
<v Speaker 1>your face, I expect your honesty. But you're all brothers.

2:19:43.920 --> 2:19:50.880
<v Speaker 1>We are brothers. So what is your solution to rectify this?

2:19:52.760 --> 2:19:59.720
<v Speaker 1>You're being noble, Get some fish, um with some sushi,

2:20:00.640 --> 2:20:04.640
<v Speaker 1>with some with some chopsticks. I just man, just respect.

2:20:06.000 --> 2:20:10.040
<v Speaker 1>Where is the respect that? Where is the respect that

2:20:10.080 --> 2:20:13.120
<v Speaker 1>that's what I'm trying to figure out. Okay, you want

2:20:13.360 --> 2:20:16.240
<v Speaker 1>you want me to meet with somebody who I feel

2:20:16.280 --> 2:20:19.400
<v Speaker 1>you and I'm that type of guy. I am right,

2:20:20.000 --> 2:20:25.520
<v Speaker 1>but the disrespect, But do you want to apologize to

2:20:26.080 --> 2:20:28.320
<v Speaker 1>I think you said you and your mom. Didn't you

2:20:28.360 --> 2:20:31.480
<v Speaker 1>invite you guys to apologize? H he said to begin

2:20:31.600 --> 2:20:36.520
<v Speaker 1>healing on both sides, And I just like I was

2:20:36.600 --> 2:20:40.920
<v Speaker 1>angry because it's not equal to me healing like I

2:20:41.000 --> 2:20:43.480
<v Speaker 1>feel him. But you know that may have been me

2:20:43.600 --> 2:20:46.160
<v Speaker 1>caught up in my ego, caught up in my uh

2:20:46.280 --> 2:20:48.320
<v Speaker 1>not my highest self. You know what I'm saying at

2:20:48.360 --> 2:20:50.560
<v Speaker 1>that at the time because it was such a shock

2:20:50.640 --> 2:20:55.360
<v Speaker 1>to hear those words come out from uh A mentors

2:20:56.320 --> 2:20:58.880
<v Speaker 1>somebody who you know you. I don't think I'm gonna

2:20:58.879 --> 2:21:02.200
<v Speaker 1>be honest again, I'm outside looking at I think he's

2:21:02.240 --> 2:21:05.120
<v Speaker 1>just saying that just to be to the funk with you, Like,

2:21:05.200 --> 2:21:08.400
<v Speaker 1>I don't think he meant that at all. I think

2:21:08.440 --> 2:21:12.160
<v Speaker 1>it was it was it was a moment we got

2:21:12.240 --> 2:21:14.320
<v Speaker 1>him just as drunk as you, well you're a little

2:21:14.400 --> 2:21:18.440
<v Speaker 1>less as you're not drinking taking a shot. I got that.

2:21:19.040 --> 2:21:23.200
<v Speaker 1>Let me fill up. But I don't I don't think

2:21:23.240 --> 2:21:31.280
<v Speaker 1>I think. I mean, I agree, I mean he took

2:21:31.320 --> 2:21:34.520
<v Speaker 1>me under it. Like regardless if we don't agree and

2:21:34.560 --> 2:21:36.320
<v Speaker 1>we have ship, I'm supposed to be his little brother

2:21:36.440 --> 2:21:39.760
<v Speaker 1>to me. And if he and if he's supposed to

2:21:39.800 --> 2:21:42.680
<v Speaker 1>be my o G. You know, I need support to

2:21:43.640 --> 2:21:44.880
<v Speaker 1>you know what I'm saying that. And by the way,

2:21:44.920 --> 2:21:49.000
<v Speaker 1>I did support him. I publicly supported him. I tweeted

2:21:49.080 --> 2:21:52.480
<v Speaker 1>Kanye for president. The things he was saying had no facts.

2:21:53.640 --> 2:21:56.360
<v Speaker 1>So that's what it was. Like that, and you know,

2:21:57.040 --> 2:22:00.440
<v Speaker 1>I feel like I feel like a lot of the

2:22:00.520 --> 2:22:03.160
<v Speaker 1>things he was saying, but that just that hit everybody's

2:22:03.200 --> 2:22:07.920
<v Speaker 1>ear wrong. You were like yeah, I mean continued you

2:22:07.959 --> 2:22:12.480
<v Speaker 1>were like yeah, because I mean, nobody understood. Nobody understood it.

2:22:14.000 --> 2:22:15.760
<v Speaker 1>But like I said, bro, I didn't come up here

2:22:16.400 --> 2:22:19.800
<v Speaker 1>to give a response to Kanye West. I knew that

2:22:19.879 --> 2:22:22.080
<v Speaker 1>that was gonna come up. But I came appear to

2:22:22.120 --> 2:22:24.959
<v Speaker 1>have an interview with you because you had a problem

2:22:25.000 --> 2:22:27.480
<v Speaker 1>with me too. Yeah, you know you're ready a right,

2:22:27.600 --> 2:22:29.240
<v Speaker 1>right now, you're ready. Let me just tell you that.

2:22:30.800 --> 2:22:33.240
<v Speaker 1>So you had an issue. I love, I love let

2:22:33.320 --> 2:22:36.280
<v Speaker 1>me tell you so I was so I'm still a

2:22:36.560 --> 2:22:39.800
<v Speaker 1>fan of you. I just went and I brought a

2:22:39.879 --> 2:22:42.080
<v Speaker 1>record to you. I'm gonna show you because you brought

2:22:42.120 --> 2:22:46.720
<v Speaker 1>it to me. You gave me a CD. Yep, New Jersey.

2:22:47.920 --> 2:22:50.040
<v Speaker 1>I don't know it is in New Jersey. Mike Brinkley.

2:22:50.160 --> 2:22:54.520
<v Speaker 1>Remember Mike Brinkley. Remember Mike Brinkley. See yeah we did

2:22:54.640 --> 2:22:58.160
<v Speaker 1>now yeah Mike brinks Yeah. So so I wrung Mike

2:22:58.240 --> 2:23:01.160
<v Speaker 1>Brinkley a CD and I gave it to us. You'll listen.

2:23:02.080 --> 2:23:03.720
<v Speaker 1>And all I wanted from you, I was just like

2:23:03.800 --> 2:23:05.480
<v Speaker 1>wanted you to tell me yo, listen, man, I don't

2:23:05.480 --> 2:23:09.160
<v Speaker 1>like the record or whatever whatever. I just found no communication.

2:23:09.240 --> 2:23:13.120
<v Speaker 1>I gave you my number. Yeah, and he was. He

2:23:13.200 --> 2:23:17.600
<v Speaker 1>was on the show with Chris Sean Shan Chris Sean,

2:23:17.720 --> 2:23:24.720
<v Speaker 1>Chris Okay, okay, so this is yeah yeah yeah that

2:23:24.800 --> 2:23:29.000
<v Speaker 1>far back, I thought I believe him because he's shop.

2:23:31.280 --> 2:23:33.560
<v Speaker 1>Do you remember when you remember what year you started

2:23:33.640 --> 2:23:36.680
<v Speaker 1>Dream Champs? You remember what? Ye? Yeah, so this is

2:23:36.680 --> 2:23:39.600
<v Speaker 1>the reason why when you see me before that. Yeah.

2:23:40.120 --> 2:23:42.720
<v Speaker 1>So that's that. That was it pretty much. I feel

2:23:42.760 --> 2:23:45.840
<v Speaker 1>like you're fronting on me like like everyone I ever

2:23:45.959 --> 2:23:50.880
<v Speaker 1>did remember when you was Okay, it was likelve right

2:23:51.080 --> 2:23:57.040
<v Speaker 1>Sean Chris sounds about it was something. Yeah. So I

2:23:57.120 --> 2:24:02.120
<v Speaker 1>gave you a CD. I thought it was great. I

2:24:02.280 --> 2:24:05.480
<v Speaker 1>just never heard you. So that was the thing. Is

2:24:05.680 --> 2:24:08.120
<v Speaker 1>was like, I don't mind, like I'm a fucking artist.

2:24:08.520 --> 2:24:10.279
<v Speaker 1>Like you call me and say I don't like the record,

2:24:10.920 --> 2:24:14.200
<v Speaker 1>the hocus trash. You can tell me, so so let

2:24:14.280 --> 2:24:16.400
<v Speaker 1>me tell you, let me finish it, let me pass you.

2:24:16.440 --> 2:24:18.280
<v Speaker 1>Because you broke it up. I didn't bring it up right,

2:24:18.640 --> 2:24:20.760
<v Speaker 1>so I was gonna could. I could have did everything

2:24:20.840 --> 2:24:25.280
<v Speaker 1>that communication communication. So I'm hitting Mike Brinkley. Now this

2:24:25.360 --> 2:24:27.920
<v Speaker 1>is the reason why I forgive you, because one let

2:24:28.000 --> 2:24:30.760
<v Speaker 1>me just tell you something. You hit Mike Brinkley. I

2:24:30.840 --> 2:24:33.080
<v Speaker 1>hate Mike Brinkley. And Mike Brunley said, yeah, I might

2:24:33.160 --> 2:24:35.600
<v Speaker 1>have dropped the balls the first time I said it publicly.

2:24:35.720 --> 2:24:39.280
<v Speaker 1>Mike Brinkley hite me. Was like, so I forgive you,

2:24:39.560 --> 2:24:42.800
<v Speaker 1>but this is forgive me that. Yeah, I did. You

2:24:42.840 --> 2:24:45.760
<v Speaker 1>gotta watch other episodes. You want to watch a couple? Okay,

2:24:47.920 --> 2:24:54.000
<v Speaker 1>only man nas nas Eskeootball ever called me for and

2:24:54.440 --> 2:24:57.160
<v Speaker 1>I said something on the dream camps and nas Esketball

2:24:57.320 --> 2:25:01.960
<v Speaker 1>called me. I said, listen, big Sean is a good one.

2:25:03.480 --> 2:25:06.800
<v Speaker 1>He said that yes, And I said that out my

2:25:06.879 --> 2:25:11.000
<v Speaker 1>brother Nas man clapping that to tell you something, when

2:25:11.040 --> 2:25:14.720
<v Speaker 1>he called me for two people, and this twenty four

2:25:14.879 --> 2:25:18.560
<v Speaker 1>year career that I'm talking about were from the foul side,

2:25:19.040 --> 2:25:23.680
<v Speaker 1>and we know the foul sniggers in the universe. He

2:25:23.760 --> 2:25:27.480
<v Speaker 1>called me for one other dude, he said, forgive him.

2:25:28.400 --> 2:25:32.080
<v Speaker 1>But when it came to big to you, he told me,

2:25:32.160 --> 2:25:37.280
<v Speaker 1>I misunderstood you because I don't got no ego like

2:25:37.360 --> 2:25:42.000
<v Speaker 1>that bro, like I don't got no let prospect. I felt.

2:25:42.080 --> 2:25:45.640
<v Speaker 1>I felt like, damn, you had the light at the

2:25:45.760 --> 2:25:47.720
<v Speaker 1>time you was. I came to your show. It was

2:25:47.800 --> 2:25:49.840
<v Speaker 1>in New Jerky that came to your show, and I

2:25:49.959 --> 2:25:54.520
<v Speaker 1>felt like I humble myself because I I'm humble myself

2:25:54.560 --> 2:25:57.240
<v Speaker 1>and I'm like, yo, yo, you know, I would like

2:25:57.440 --> 2:25:58.920
<v Speaker 1>you to do a record with me. You know what

2:25:58.959 --> 2:26:01.720
<v Speaker 1>I mean, Like, I'm funk with you, and I get it.

2:26:01.800 --> 2:26:03.600
<v Speaker 1>I get it. He was coming off the show. He

2:26:03.680 --> 2:26:05.840
<v Speaker 1>was coming on the stage this and I came up

2:26:05.879 --> 2:26:09.120
<v Speaker 1>the stage many time with the tower on. I know

2:26:09.240 --> 2:26:12.400
<v Speaker 1>what that feels like, I don't know here I'm gonna hear,

2:26:12.480 --> 2:26:17.320
<v Speaker 1>but you waiting like yeah, yeah, yeah yeah, And I said, damn,

2:26:18.640 --> 2:26:21.760
<v Speaker 1>when I felt no communication coming from you, that's when

2:26:21.760 --> 2:26:25.199
<v Speaker 1>I was like, damn this this new generation is different.

2:26:25.320 --> 2:26:29.039
<v Speaker 1>So that's the reason why it was that energy. But again, okay,

2:26:29.200 --> 2:26:33.960
<v Speaker 1>it was let me o um coming off stage. I

2:26:34.000 --> 2:26:36.240
<v Speaker 1>don't know what was on my mind. It was hot.

2:26:36.360 --> 2:26:43.160
<v Speaker 1>He was lit. No not not that, I'm not no, no,

2:26:43.280 --> 2:26:46.039
<v Speaker 1>no listening too. I remember we went to Philly after

2:26:46.120 --> 2:26:49.360
<v Speaker 1>that and my grandma was dying. She went to hospice.

2:26:49.760 --> 2:26:51.960
<v Speaker 1>This is the next show. I remember in Philly, I

2:26:52.080 --> 2:26:54.120
<v Speaker 1>was a cosmic cab and everybody shot out the field.

2:26:55.040 --> 2:26:57.160
<v Speaker 1>H and maybe it was one show in between a

2:26:57.280 --> 2:27:01.400
<v Speaker 1>few days in between how I went home and miraculously,

2:27:01.480 --> 2:27:03.680
<v Speaker 1>my grandma was on hospice and my whole family came together.

2:27:03.800 --> 2:27:06.280
<v Speaker 1>She was about to die, and they took her off

2:27:06.320 --> 2:27:09.879
<v Speaker 1>the machines and all of a sudden she started coming

2:27:09.920 --> 2:27:14.080
<v Speaker 1>back alive. We were there for days. So my point is,

2:27:15.240 --> 2:27:18.640
<v Speaker 1>I respect you, but I really do. Yeah, that's why

2:27:18.680 --> 2:27:20.040
<v Speaker 1>I want to do it soon. But you never know

2:27:20.120 --> 2:27:22.760
<v Speaker 1>what somebody's going through. Bro, You never know somebody, and

2:27:22.760 --> 2:27:25.640
<v Speaker 1>you gotta treat people like they're going through something. What

2:27:25.640 --> 2:27:28.200
<v Speaker 1>I'm saying everybody, I learned that in my days I

2:27:28.320 --> 2:27:31.680
<v Speaker 1>was going through something. I know. That's why I came

2:27:31.720 --> 2:27:37.680
<v Speaker 1>to you, and I'm not trying to make it feel bad.

2:27:37.720 --> 2:27:39.600
<v Speaker 1>I'm not. I'm just keeping it real. You know. I

2:27:39.720 --> 2:27:42.800
<v Speaker 1>respect that people go through, you know, like losing losing

2:27:42.840 --> 2:27:45.400
<v Speaker 1>a relative. She didn't even she ended up living a

2:27:45.480 --> 2:27:47.360
<v Speaker 1>few more years though, because I actually made a record.

2:27:47.440 --> 2:27:49.840
<v Speaker 1>I said, the only dude to actually get on the song,

2:27:50.400 --> 2:27:53.560
<v Speaker 1>and then he never did. It was with Sean that

2:27:53.920 --> 2:27:56.039
<v Speaker 1>I said that, you guys, I should have gone, I've

2:27:56.080 --> 2:27:58.840
<v Speaker 1>been in this game twenty one. You know we're still alive.

2:27:58.920 --> 2:28:02.040
<v Speaker 1>Let's do the record. I knew we're gonna get it done.

2:28:02.560 --> 2:28:05.760
<v Speaker 1>I know we're gonna get done. I was you know

2:28:05.840 --> 2:28:07.840
<v Speaker 1>how you took it Verston over Kanye and me and

2:28:07.920 --> 2:28:10.800
<v Speaker 1>you have two different plates. But I had to get

2:28:10.840 --> 2:28:13.480
<v Speaker 1>personally because I was like, damn, like when we met

2:28:13.560 --> 2:28:15.880
<v Speaker 1>each other, we shaped hand because you said the first

2:28:15.879 --> 2:28:17.640
<v Speaker 1>time you met was in town. That's not the first

2:28:17.640 --> 2:28:19.920
<v Speaker 1>time you met men in Jersey. I remember you was

2:28:20.080 --> 2:28:22.840
<v Speaker 1>on your high, you was, you was platinum. Trust me,

2:28:23.000 --> 2:28:26.000
<v Speaker 1>I've been plating them, so I love it. Yes, I

2:28:26.160 --> 2:28:28.920
<v Speaker 1>was like I'm sitting there, but this the thing is,

2:28:29.480 --> 2:28:32.160
<v Speaker 1>you're gonna be me. Eventually, You're gonna be me and

2:28:32.240 --> 2:28:34.120
<v Speaker 1>you're gonna it's not gonna be forty two dog from

2:28:34.160 --> 2:28:36.959
<v Speaker 1>your city. It's gonna be excuse me for a two dog.

2:28:37.440 --> 2:28:47.520
<v Speaker 1>It's gonna be Aloha from from Philly. And you're gonna

2:28:47.680 --> 2:28:50.680
<v Speaker 1>you donna want to hide at him and when he

2:28:50.800 --> 2:28:53.800
<v Speaker 1>don't get back. The thing about it, see, let me

2:28:54.959 --> 2:28:58.240
<v Speaker 1>let me tell you something. Let men say something, let

2:28:58.240 --> 2:29:01.480
<v Speaker 1>me let me go here. Bro, okay, hawks, I'm in,

2:29:01.560 --> 2:29:13.560
<v Speaker 1>I'm you know. Let me just say something. Because when

2:29:13.600 --> 2:29:17.080
<v Speaker 1>you were older statesman, in this game, you be one.

2:29:17.240 --> 2:29:20.680
<v Speaker 1>It's just like you jong hold whatever you did, regardless

2:29:20.720 --> 2:29:22.200
<v Speaker 1>of what I was going through it all, You're right,

2:29:22.520 --> 2:29:25.800
<v Speaker 1>You're not you. But I'm staying. In general, I always

2:29:25.840 --> 2:29:27.760
<v Speaker 1>look at your homies up and get what's up? Bro?

2:29:27.920 --> 2:29:30.440
<v Speaker 1>You know a dude, And then we're looking at me

2:29:30.879 --> 2:29:34.119
<v Speaker 1>and I'm like, everything you did, you did? I actually

2:29:34.280 --> 2:29:37.520
<v Speaker 1>did you know? A wife is right there, but he

2:29:37.640 --> 2:29:42.440
<v Speaker 1>was figure popping early, Yes, he was outside. I did everything.

2:29:43.040 --> 2:29:46.240
<v Speaker 1>So sometimes and the thing about it is, this is

2:29:46.280 --> 2:29:49.600
<v Speaker 1>the this is the worst thing ever. Right. It's when

2:29:49.680 --> 2:29:53.400
<v Speaker 1>you you floating and you're winning in life, but you

2:29:53.480 --> 2:29:56.080
<v Speaker 1>want to come down and you want to highlight somebody

2:29:56.800 --> 2:29:59.560
<v Speaker 1>and they look at not you. I'm not saying you particularly,

2:29:59.800 --> 2:30:05.440
<v Speaker 1>but I'm saying because um, I can't say who who?

2:30:05.520 --> 2:30:07.080
<v Speaker 1>Who asked me the other day, but they asked me.

2:30:07.120 --> 2:30:11.680
<v Speaker 1>They said, can't you speak to Travis? Man? You gotta say, Man,

2:30:11.760 --> 2:30:15.160
<v Speaker 1>all this fucking ship I've been it is well, because

2:30:15.200 --> 2:30:17.560
<v Speaker 1>this it's really should they say, speak to Travis? And

2:30:17.600 --> 2:30:19.680
<v Speaker 1>I said, speak the Travis and I was. I was

2:30:19.879 --> 2:30:25.520
<v Speaker 1>scared to reach out to Travis because I didn't know

2:30:25.680 --> 2:30:30.160
<v Speaker 1>if if Travis would respond or even respect who I am.

2:30:30.200 --> 2:30:32.680
<v Speaker 1>I don't even know. But then I had to think

2:30:32.680 --> 2:30:34.560
<v Speaker 1>about it. The last time I've seen Travis, you know,

2:30:34.600 --> 2:30:37.080
<v Speaker 1>the last time I seeing Travis and Pop party and

2:30:37.160 --> 2:30:39.520
<v Speaker 1>he looked at me and he at the house and

2:30:39.640 --> 2:30:42.680
<v Speaker 1>he hit me with his braids, dreaming like that. I said,

2:30:42.680 --> 2:30:44.880
<v Speaker 1>this ship just hit me bomb oh ship? He said,

2:30:45.280 --> 2:30:48.080
<v Speaker 1>can I be on drink chats? I said, holy ship, traps? Okay,

2:30:50.520 --> 2:30:53.440
<v Speaker 1>my fault the same way, like how you I love

2:30:53.480 --> 2:30:56.480
<v Speaker 1>what you just did. I love that because I was.

2:30:57.200 --> 2:30:59.240
<v Speaker 1>I was about to say I was, but I really was.

2:30:59.400 --> 2:31:02.440
<v Speaker 1>I really was with you. And then it turned me

2:31:02.520 --> 2:31:06.480
<v Speaker 1>off because I said, damn, this young generation sometimes I

2:31:06.600 --> 2:31:11.560
<v Speaker 1>don't understand I am honestly bro, I feel it and

2:31:11.720 --> 2:31:15.119
<v Speaker 1>regardless of whatever I had going on, it's like ship,

2:31:15.959 --> 2:31:17.360
<v Speaker 1>I can honestly set up here and say I'm a

2:31:17.440 --> 2:31:19.640
<v Speaker 1>whole different person and I'm just saying I respect that.

2:31:19.720 --> 2:31:23.280
<v Speaker 1>You know what I'm saying. You gotta take a shot

2:31:23.280 --> 2:31:30.039
<v Speaker 1>for that and and let me and I also want

2:31:30.080 --> 2:31:33.520
<v Speaker 1>to say something and I don't know. We don't want

2:31:33.520 --> 2:31:35.440
<v Speaker 1>to keep talking about this, but I want you, yeah,

2:31:35.440 --> 2:31:39.000
<v Speaker 1>you to work this out, because this is what this

2:31:39.080 --> 2:31:44.520
<v Speaker 1>show was about. This show was about promoting Black Latino togetherness.

2:31:47.879 --> 2:31:50.600
<v Speaker 1>None of us really knew what he was getting into. Like,

2:31:51.840 --> 2:31:55.880
<v Speaker 1>I'm gonna be honest with you, I wanted to go

2:31:56.000 --> 2:31:59.200
<v Speaker 1>to Jamaica Queen's I never knew I could drive with

2:31:59.360 --> 2:32:06.720
<v Speaker 1>Jamaica Jamaica, Like this is really that was my goal

2:32:07.280 --> 2:32:09.800
<v Speaker 1>of wrapping. I don't know where your goal you might

2:32:09.840 --> 2:32:13.400
<v Speaker 1>because you g p A is very different, but my

2:32:13.600 --> 2:32:16.519
<v Speaker 1>my g p A was very small, like forty projects,

2:32:16.760 --> 2:32:18.480
<v Speaker 1>you know what I'm saying. Like I was like, yo,

2:32:18.480 --> 2:32:22.080
<v Speaker 1>if I'm the man in forty projects, I'm ill. I'm

2:32:22.120 --> 2:32:24.120
<v Speaker 1>the man in Left Rock already, let me be the

2:32:24.200 --> 2:32:28.039
<v Speaker 1>man in Queen's Bridge. But when I became a Canada world,

2:32:28.480 --> 2:32:36.040
<v Speaker 1>it's like, you know, we're blessed. We're really really blessed,

2:32:36.440 --> 2:32:40.800
<v Speaker 1>Like I really enjoyed when you order the water and

2:32:40.879 --> 2:32:43.240
<v Speaker 1>the white girl came through with the Fiji water that

2:32:43.480 --> 2:32:52.040
<v Speaker 1>was sold. No, they're laughing. That's that's what that's what

2:32:52.160 --> 2:32:58.360
<v Speaker 1>we work for. We work to be com with that

2:33:00.080 --> 2:33:06.000
<v Speaker 1>and then right, that is success when you could sit

2:33:06.080 --> 2:33:11.760
<v Speaker 1>around and say I'm blessed, because I'm way I feel blessed. Serious,

2:33:12.480 --> 2:33:14.800
<v Speaker 1>Let's do another shot. You point your shot, you ain't

2:33:14.840 --> 2:33:22.360
<v Speaker 1>take it? I did I take it. I'm watch he

2:33:22.560 --> 2:33:27.000
<v Speaker 1>took it. Just taking let's take it on the one.

2:33:28.000 --> 2:33:37.119
<v Speaker 1>I'm taking another one guy down? Yeah yeah, So why

2:33:37.160 --> 2:33:39.320
<v Speaker 1>would I stop that record? Gonna have a text from

2:33:39.320 --> 2:33:42.520
<v Speaker 1>my mom my, MoMA bade we love we love that.

2:33:43.200 --> 2:33:46.640
<v Speaker 1>Why would I stop that record? Why? Why? Why would

2:33:46.640 --> 2:33:50.880
<v Speaker 1>you stop? You only you only lose when you stop, bro?

2:33:51.879 --> 2:33:53.840
<v Speaker 1>So what the funk? I gotta why would I do that?

2:33:54.080 --> 2:33:58.040
<v Speaker 1>Like I've done a lot of things I wanted to do,

2:33:59.000 --> 2:34:01.160
<v Speaker 1>And I remember I was with my man's earl and

2:34:01.760 --> 2:34:04.760
<v Speaker 1>I'm like, yeah, I gotta you know, new album, I'm

2:34:04.800 --> 2:34:07.520
<v Speaker 1>doing this doing that. He's like, well, what do you

2:34:07.560 --> 2:34:10.640
<v Speaker 1>want to do? Like you didn't already you already did

2:34:10.720 --> 2:34:13.480
<v Speaker 1>it man, like, so you know, I do want to

2:34:13.520 --> 2:34:16.280
<v Speaker 1>put more energy into like a label. I do want

2:34:16.320 --> 2:34:18.040
<v Speaker 1>to find other artists that I can help out. I

2:34:18.120 --> 2:34:20.760
<v Speaker 1>do want to lend you know an opportunity. And once

2:34:20.760 --> 2:34:23.080
<v Speaker 1>you sign an artist, they're gonna be coming at you,

2:34:23.280 --> 2:34:25.360
<v Speaker 1>just like you're coming there. Yeah, I'm not coming at you,

2:34:25.560 --> 2:34:29.200
<v Speaker 1>bro a little bit. No, I'm not. This is right

2:34:29.360 --> 2:34:33.640
<v Speaker 1>or not? How am not coming at him in anyway? Right?

2:34:33.680 --> 2:34:35.600
<v Speaker 1>Right right? I'm not coming at him, bro. I I

2:34:35.720 --> 2:34:40.279
<v Speaker 1>am just literally stating all facts. I may have delivered

2:34:40.320 --> 2:34:43.000
<v Speaker 1>it passionately, but all I was saying was not opinionated

2:34:43.040 --> 2:34:46.280
<v Speaker 1>at all. It was all facts. That's that's it. I

2:34:46.320 --> 2:34:53.720
<v Speaker 1>would never publicly bash my brother like. I would not

2:34:53.840 --> 2:34:55.480
<v Speaker 1>do that. I'm not. I would never, like I said,

2:34:55.520 --> 2:34:57.280
<v Speaker 1>would not bashing black man. I'm sitting here and just

2:34:57.320 --> 2:35:01.920
<v Speaker 1>saying all facts and how I felt sit. I ain't

2:35:01.959 --> 2:35:04.720
<v Speaker 1>saying he right, I ain't saying he wrong. And if

2:35:04.800 --> 2:35:07.160
<v Speaker 1>I did say that, it's because you have me drunken

2:35:07.200 --> 2:35:09.800
<v Speaker 1>and this bitch. But how I really feel, how I

2:35:09.920 --> 2:35:14.160
<v Speaker 1>really feel, is that I'm just staying all facts because

2:35:14.240 --> 2:35:16.480
<v Speaker 1>it was facts stated up here about me that was wrong.

2:35:17.360 --> 2:35:26.520
<v Speaker 1>Facts facts. It's got great, it's got great. Let me

2:35:26.560 --> 2:35:30.039
<v Speaker 1>actually like more making a record of performing the record.

2:35:32.720 --> 2:35:35.119
<v Speaker 1>I'm sorry you put the RP sign up there. I'm sorry, man,

2:35:35.480 --> 2:35:38.039
<v Speaker 1>it's just just a sit right for me. I'm sorry.

2:35:38.040 --> 2:35:46.000
<v Speaker 1>I don't know who that wasn't here? Man, let me

2:35:46.040 --> 2:35:54.880
<v Speaker 1>see that you're funning yourself and putting this in this

2:35:54.959 --> 2:36:05.000
<v Speaker 1>most it was halloween, you know what. You know what's

2:36:05.000 --> 2:36:07.840
<v Speaker 1>crazy is it's so many people that really are r

2:36:07.879 --> 2:36:10.640
<v Speaker 1>I P. Though, really did that? It ain't even funny

2:36:10.640 --> 2:36:12.680
<v Speaker 1>to joke about that. Yeah, that's true, know what I'm saying.

2:36:12.840 --> 2:36:15.440
<v Speaker 1>So it's not to bring the mood down and ship

2:36:15.600 --> 2:36:26.400
<v Speaker 1>but you didn't, did you? Yeah? Okay, shot, especially leaving alone. No, yeah,

2:36:26.440 --> 2:36:28.240
<v Speaker 1>I'm just looking. I'm just looking at this ship this man,

2:36:28.320 --> 2:36:30.080
<v Speaker 1>unless you want to punch you know this man? Really,

2:36:30.720 --> 2:36:33.119
<v Speaker 1>this man really picked this up and said that that's

2:36:33.200 --> 2:36:37.840
<v Speaker 1>the worst decision. It was Halloween, though it was. This

2:36:37.959 --> 2:36:42.600
<v Speaker 1>is a different one, probably his biggest investment he's ever

2:36:42.680 --> 2:36:46.080
<v Speaker 1>made the music. But make himself beside himself. Do we

2:36:46.120 --> 2:36:52.800
<v Speaker 1>make a noise for that? Yeah, but let's not. But

2:36:53.040 --> 2:36:55.720
<v Speaker 1>let's not front. It wasn't even cousin music, bro, It's

2:36:55.720 --> 2:36:58.160
<v Speaker 1>because it's some bullshit that wasn't even true. He said,

2:36:58.200 --> 2:37:02.000
<v Speaker 1>there was some political bullshit. So this ship are you

2:37:02.080 --> 2:37:09.160
<v Speaker 1>talking about? This ship? This ship don't even make no sense.

2:37:10.000 --> 2:37:12.920
<v Speaker 1>It makes no sense. Okay, uh So what do you

2:37:13.040 --> 2:37:16.920
<v Speaker 1>like more making the music of performing the music? I like?

2:37:22.520 --> 2:37:26.480
<v Speaker 1>I like performing the music. I missed that too. One

2:37:26.520 --> 2:37:28.360
<v Speaker 1>of my first major shows coming back up is gonna

2:37:28.360 --> 2:37:30.520
<v Speaker 1>be Coachella and touring and all of that. I'm excited

2:37:30.560 --> 2:37:32.200
<v Speaker 1>to get back to it, you know what I'm saying.

2:37:32.200 --> 2:37:36.120
<v Speaker 1>I like performing it because when you make music, you know,

2:37:36.280 --> 2:37:39.080
<v Speaker 1>it's it's like a higher, It's like some high. You know,

2:37:39.160 --> 2:37:41.520
<v Speaker 1>it's one of the most intimate things you can do

2:37:41.720 --> 2:37:44.160
<v Speaker 1>in this universe. You're literally creating something from nothing, you

2:37:44.200 --> 2:37:46.400
<v Speaker 1>know what I'm saying. You're pulling things that don't exist

2:37:46.959 --> 2:37:49.360
<v Speaker 1>and putting it into a song, making a song, you know,

2:37:49.720 --> 2:37:54.760
<v Speaker 1>producing a song. So that's a crazy, crazy, um just

2:37:55.200 --> 2:37:58.640
<v Speaker 1>process process when you think about it. But performing it

2:37:58.840 --> 2:38:01.000
<v Speaker 1>is when you see the impact that it had on

2:38:01.080 --> 2:38:05.160
<v Speaker 1>the people and you see tears in their energy. Right,

2:38:05.160 --> 2:38:07.119
<v Speaker 1>you can feed off of it. I've gone on stage

2:38:07.120 --> 2:38:08.720
<v Speaker 1>sick as a mother fuck. I'm sure you have two

2:38:09.160 --> 2:38:11.280
<v Speaker 1>and got on stage and your should be gone. You

2:38:11.320 --> 2:38:12.760
<v Speaker 1>ain't got no call no more, you ain't got no

2:38:12.840 --> 2:38:15.240
<v Speaker 1>flu no more. And you on that bitch, that adrenaline

2:38:15.240 --> 2:38:18.600
<v Speaker 1>going because they feed you that energy and the impact

2:38:19.240 --> 2:38:22.039
<v Speaker 1>is immeasurable. You know. The greatest act that you can

2:38:22.080 --> 2:38:26.120
<v Speaker 1>give somebody is the act of inspiration. Is that is

2:38:26.320 --> 2:38:28.600
<v Speaker 1>you know? And to me, when you inspire the people,

2:38:28.600 --> 2:38:30.760
<v Speaker 1>when you inspire the fans like that, that's the ship, bro,

2:38:31.320 --> 2:38:33.760
<v Speaker 1>that's the ship. And you on the twenties too, right,

2:38:33.800 --> 2:38:36.080
<v Speaker 1>what's your rold on the twin what are you doing?

2:38:36.120 --> 2:38:39.080
<v Speaker 1>You finger about in a way? Huh you think about?

2:38:39.080 --> 2:38:43.480
<v Speaker 1>That's my homegirl? Yeah, so you fingerp some ship in

2:38:43.480 --> 2:38:50.880
<v Speaker 1>the twenties is what you're doing? Some ship? What you're doing? Yeah,

2:38:51.280 --> 2:38:53.680
<v Speaker 1>that's the hook you're going you're gonna do for me?

2:38:54.360 --> 2:38:57.720
<v Speaker 1>Up ship? I don't know. Let's just figure it out.

2:38:58.360 --> 2:39:02.040
<v Speaker 1>I said, let's figure it out. And they're gonna go

2:39:02.080 --> 2:39:04.080
<v Speaker 1>through the airport at least at least your keys confirmed

2:39:04.200 --> 2:39:09.160
<v Speaker 1>six pm. You can make it, okay, okay, um, it's

2:39:09.160 --> 2:39:10.720
<v Speaker 1>the it's the first show that I actually got to

2:39:10.760 --> 2:39:12.280
<v Speaker 1>act on. You know what I'm saying, I'm playing a

2:39:13.120 --> 2:39:17.240
<v Speaker 1>Tristan on there, and he Uh, you know, just watch

2:39:17.320 --> 2:39:19.640
<v Speaker 1>the show. It's a good show man. It's my first time,

2:39:20.760 --> 2:39:23.760
<v Speaker 1>you know, acting as a whole character. I can relate

2:39:23.800 --> 2:39:25.560
<v Speaker 1>to the character in a lot of ways. You know

2:39:25.600 --> 2:39:30.400
<v Speaker 1>what I'm saying. It's a show. Tristan, he's a nigger

2:39:31.640 --> 2:39:35.480
<v Speaker 1>that doesn't have a phone. So he doesn't have a phone. No,

2:39:36.240 --> 2:39:38.520
<v Speaker 1>he doesn't have a phone. He's a photographer. He's a

2:39:38.560 --> 2:39:42.120
<v Speaker 1>photographer who do yoga, doesn't have a phone, doesn't funk

2:39:42.160 --> 2:39:44.760
<v Speaker 1>with social media. Right, that's how it started. Get hired

2:39:44.800 --> 2:39:48.280
<v Speaker 1>for ship by email. That's part of the show. Has

2:39:48.280 --> 2:39:50.440
<v Speaker 1>an email. He's not a loser. He's not a loser.

2:39:50.480 --> 2:39:53.440
<v Speaker 1>He the man. He's the man without a phone. Because

2:39:53.520 --> 2:39:55.640
<v Speaker 1>losers are the ones that are addicted to the Internet.

2:39:56.320 --> 2:39:59.200
<v Speaker 1>Was a losers the losers. He don't got a phone,

2:39:59.240 --> 2:40:00.960
<v Speaker 1>he don't got Twitter. The face by the way, the

2:40:01.040 --> 2:40:07.480
<v Speaker 1>people who um the people who can't separate the Internet

2:40:07.760 --> 2:40:10.360
<v Speaker 1>in real life. Yes, it's true, you know what I'm saying.

2:40:10.360 --> 2:40:12.960
<v Speaker 1>Those are two different things, different things. So anyway, this

2:40:13.040 --> 2:40:16.959
<v Speaker 1>guy on the show twenties, he doesn't have a phone.

2:40:17.080 --> 2:40:21.040
<v Speaker 1>He doesn't know he's a photographer. He sees this girl,

2:40:21.080 --> 2:40:22.680
<v Speaker 1>one of the main characters on the show. They end

2:40:22.760 --> 2:40:28.080
<v Speaker 1>up she's newly uh celibate, right, not having sex. So

2:40:28.280 --> 2:40:31.320
<v Speaker 1>she's a new version. She's a new version. I'm my

2:40:31.520 --> 2:40:34.840
<v Speaker 1>character is used to having sex. You're not a new version.

2:40:34.840 --> 2:40:37.119
<v Speaker 1>I'm not a new version. I like it. He fucking

2:40:37.160 --> 2:40:39.800
<v Speaker 1>with her, and a lot of drama goes down between

2:40:39.840 --> 2:40:42.000
<v Speaker 1>him because he you know, he puts he tells her

2:40:42.000 --> 2:40:44.400
<v Speaker 1>how it is. You know, he's like, yeah, you want

2:40:44.440 --> 2:40:46.400
<v Speaker 1>some bullshit. You're getting too caught up in this social

2:40:46.440 --> 2:40:48.959
<v Speaker 1>media world. You're getting too caught up like we out here,

2:40:49.040 --> 2:40:51.840
<v Speaker 1>you know, having a time and on a hike, and

2:40:52.000 --> 2:40:54.120
<v Speaker 1>you're worried about people commenting on your ship. We are

2:40:54.200 --> 2:40:56.520
<v Speaker 1>hearing this is affecting our time. And she's a celibate

2:40:56.560 --> 2:40:59.000
<v Speaker 1>one that's on social media, the celibate one on social

2:40:59.080 --> 2:41:02.560
<v Speaker 1>media talking the twist, Yeah, talking to another dude. I

2:41:02.640 --> 2:41:05.120
<v Speaker 1>end up getting on social media, end up being on

2:41:05.200 --> 2:41:07.600
<v Speaker 1>some bullshit. I end up getting on social media and

2:41:07.760 --> 2:41:14.520
<v Speaker 1>like trusted, trusted, tryst. Now that's a good show. Lean

2:41:14.560 --> 2:41:18.040
<v Speaker 1>Away if you know she incredible, incredible, just you watch

2:41:18.120 --> 2:41:24.440
<v Speaker 1>the shot. Yeah, fantastic, it is. It's hard and I

2:41:24.600 --> 2:41:27.959
<v Speaker 1>watched um. I liked her on Master None as well

2:41:30.040 --> 2:41:33.000
<v Speaker 1>you want to go there, by the way, you know

2:41:33.120 --> 2:41:34.920
<v Speaker 1>the reason or another reason. I'm building a movie theater

2:41:35.000 --> 2:41:39.240
<v Speaker 1>because I'm an actual movie I have great taste in movies. Like,

2:41:39.280 --> 2:41:41.320
<v Speaker 1>if you ever want a good movie suggestion, you should

2:41:41.360 --> 2:41:46.200
<v Speaker 1>call me. The top five movies, top five movie. I'm

2:41:46.200 --> 2:41:49.600
<v Speaker 1>affended because I feel the same way. I mean, let's

2:41:49.600 --> 2:41:52.640
<v Speaker 1>go dumb movies first. Okay, yeah, because we can categorize

2:41:52.720 --> 2:41:56.680
<v Speaker 1>them quick. We gotta do this quick. No, all time,

2:41:56.840 --> 2:41:59.920
<v Speaker 1>not dumb. With time. You're gonna sit up here as

2:42:00.000 --> 2:42:03.480
<v Speaker 1>me about Tupac and d M Max and fucking Drae.

2:42:03.600 --> 2:42:09.800
<v Speaker 1>All time dumb movie. No, all time comedy, Top five comedy,

2:42:09.920 --> 2:42:14.320
<v Speaker 1>No overall in the school comedy, no section alright overall

2:42:14.440 --> 2:42:22.240
<v Speaker 1>overall is great already life one for me? That motherfucker Okay,

2:42:23.000 --> 2:42:26.440
<v Speaker 1>it was fun Okay, that motherfucker movie really hits you

2:42:26.600 --> 2:42:29.400
<v Speaker 1>hard because when their whole life go by and in prison,

2:42:30.200 --> 2:42:33.040
<v Speaker 1>for some boys feel like you're thinking of you're it's

2:42:33.080 --> 2:42:36.640
<v Speaker 1>just like no, but it's funny, right all to get

2:42:36.800 --> 2:42:41.840
<v Speaker 1>you gonna eat your corn? Funny right, But for real,

2:42:41.920 --> 2:42:45.680
<v Speaker 1>this is happening too many people wrong for incarceration, People

2:42:45.720 --> 2:42:47.840
<v Speaker 1>who are locked up for no fucking reason for being

2:42:47.879 --> 2:42:49.840
<v Speaker 1>in the wrong place at the wrong time, for getting

2:42:49.879 --> 2:42:52.320
<v Speaker 1>blamed for something they didn't do, for doing something that

2:42:52.800 --> 2:42:55.280
<v Speaker 1>you know, for them changing not even being the same

2:42:55.320 --> 2:42:57.040
<v Speaker 1>person as they was when they made a mistake. Bro

2:42:57.520 --> 2:42:59.880
<v Speaker 1>that ship his core for me, that that movie like,

2:43:00.080 --> 2:43:02.440
<v Speaker 1>so I feel you on that so into my life.

2:43:02.560 --> 2:43:05.080
<v Speaker 1>I'm saw my life. Okay, So what is your no?

2:43:05.320 --> 2:43:13.280
<v Speaker 1>Go ahead? Top five? Quick, that's a good one. But

2:43:13.320 --> 2:43:15.680
<v Speaker 1>go ahead. American me. Oh man, you said one of

2:43:15.680 --> 2:43:19.240
<v Speaker 1>them on You never said American me on here he

2:43:19.360 --> 2:43:25.160
<v Speaker 1>got that actual movies, actual movies, Mother Little Guy as

2:43:25.280 --> 2:43:29.440
<v Speaker 1>the movie I'm two but two, I'm on fire, right man, right, okay,

2:43:29.560 --> 2:43:34.320
<v Speaker 1>yes you are. Yeah, go ahead, man, get out of now.

2:43:34.320 --> 2:43:35.920
<v Speaker 1>I want two of yours. I want two of yours

2:43:35.959 --> 2:43:39.560
<v Speaker 1>and two of yours. Man, I said top five, you

2:43:39.640 --> 2:43:41.520
<v Speaker 1>got me too, because I don't want to sun up.

2:43:41.640 --> 2:43:45.520
<v Speaker 1>You know you don't want them on Shock Redemptions though.

2:43:45.879 --> 2:43:49.120
<v Speaker 1>Damn that's good. That's good that you've seen shows that

2:43:49.200 --> 2:43:52.520
<v Speaker 1>they did based in the universe on Hulu. Um it's

2:43:52.600 --> 2:43:55.760
<v Speaker 1>called Castle Rock but anyway, go ahead, but yeah, that

2:43:55.920 --> 2:43:59.520
<v Speaker 1>that one's good. Um, yeah, I was. I would say

2:43:59.520 --> 2:44:03.480
<v Speaker 1>American slice that one from you. I mean that's school.

2:44:03.560 --> 2:44:06.960
<v Speaker 1>You're a hunting. That's a good one. Okay, we need

2:44:07.040 --> 2:44:12.920
<v Speaker 1>too from you. I really like Forrest Gump. That's a

2:44:12.959 --> 2:44:15.760
<v Speaker 1>great movie. I'm taking that, taking this one. That's one.

2:44:16.120 --> 2:44:19.520
<v Speaker 1>That's that's that's one of my top five. Okay. I

2:44:19.720 --> 2:44:23.440
<v Speaker 1>like Malcolm X. That's cool. You got to you gotta relax.

2:44:23.480 --> 2:44:25.480
<v Speaker 1>I'll see you. You're a real rapper. You're trying to

2:44:25.520 --> 2:44:30.640
<v Speaker 1>take the balls, but then you six six balls. That

2:44:30.720 --> 2:44:34.040
<v Speaker 1>was six. Then I like the Matrix, which one the

2:44:34.120 --> 2:44:40.040
<v Speaker 1>first one? His name and I'm not Anderson. I'm going three.

2:44:40.080 --> 2:44:44.640
<v Speaker 1>I'm going three, going three. Dark Knight too. Is Juice? Okay,

2:44:44.760 --> 2:44:49.920
<v Speaker 1>Juice is crazy? Yeah, Juice is Doop go three? Yeah, brother,

2:44:52.520 --> 2:44:55.200
<v Speaker 1>you know what, Juice was crazy because Tupart really did

2:44:55.320 --> 2:44:58.760
<v Speaker 1>that ship bro delivered. That was like one of the

2:44:58.840 --> 2:45:02.200
<v Speaker 1>best parts of the movie. He really embody that villain ish. Uh,

2:45:02.879 --> 2:45:05.040
<v Speaker 1>that's why it's real life. Tupop made me shooting nigga

2:45:05.560 --> 2:45:08.000
<v Speaker 1>yeah period, And Juice inspired me to be to DJ

2:45:08.200 --> 2:45:10.760
<v Speaker 1>that watching that movie. He was cute from he was local.

2:45:10.959 --> 2:45:12.560
<v Speaker 1>I was just a positive dy. I need to get

2:45:12.560 --> 2:45:15.000
<v Speaker 1>my turn tables after Juice. You know, I always poke

2:45:15.040 --> 2:45:17.200
<v Speaker 1>with Butcher Rock every time, like he brought me up,

2:45:17.240 --> 2:45:21.320
<v Speaker 1>like you cute, you local. He hates me when I

2:45:21.400 --> 2:45:24.000
<v Speaker 1>say that. All right, So what's your third movie? Man?

2:45:24.480 --> 2:45:26.520
<v Speaker 1>I want just to tell your favorite movie. I'm a

2:45:26.640 --> 2:45:30.440
<v Speaker 1>Goonies fanatic. Okay, that was all. That was all. Okay,

2:45:31.600 --> 2:45:35.920
<v Speaker 1>your third movie, Wolf of Wall Street. It gets me emotional,

2:45:36.040 --> 2:45:39.560
<v Speaker 1>brom it gets me emotional. Every time I watched that.

2:45:39.560 --> 2:45:41.920
<v Speaker 1>I watched that movie, like not watched it, but I've

2:45:41.959 --> 2:45:44.680
<v Speaker 1>had it on in the studio sometimes like that for

2:45:44.879 --> 2:45:48.080
<v Speaker 1>his Gun Matrix, Dark Knight, like movies that I've probably

2:45:48.120 --> 2:45:50.920
<v Speaker 1>watched over fifty times just by having them on. But

2:45:51.720 --> 2:45:56.760
<v Speaker 1>every time I'm just like he had the opportunity two

2:45:58.360 --> 2:46:01.000
<v Speaker 1>he funked up so bad and had opportunity to like

2:46:01.360 --> 2:46:03.320
<v Speaker 1>preserve it all, pay the I r s off, get

2:46:03.400 --> 2:46:04.640
<v Speaker 1>him off his back. I have to do is to

2:46:04.640 --> 2:46:06.440
<v Speaker 1>step down from the company and still could be a

2:46:06.480 --> 2:46:09.640
<v Speaker 1>part of the company. And his ego got in a way,

2:46:10.160 --> 2:46:11.920
<v Speaker 1>and it was one of the biggest lessons I ever

2:46:12.040 --> 2:46:14.320
<v Speaker 1>learned watching the movie. It was like, you gotta just

2:46:14.520 --> 2:46:20.680
<v Speaker 1>know that everything is uh temporary. When you try and

2:46:20.800 --> 2:46:25.040
<v Speaker 1>hold on in something, that's when it can destroy you. Anything.

2:46:26.040 --> 2:46:29.800
<v Speaker 1>You know, people, seasons, places, things are all temporary, and

2:46:29.840 --> 2:46:32.360
<v Speaker 1>that's why you have to enjoy that present, right. So

2:46:32.520 --> 2:46:34.320
<v Speaker 1>that's what that movie taught me the most out of anything.

2:46:34.360 --> 2:46:36.560
<v Speaker 1>I mean, of course, all the like the quay lous

2:46:36.600 --> 2:46:38.600
<v Speaker 1>and ship all you know, to turn him get into

2:46:38.640 --> 2:46:42.160
<v Speaker 1>the Lamborghini crazy real confused how he didn't get the

2:46:42.240 --> 2:46:44.600
<v Speaker 1>oscar for that one? Really? I mean I really felt

2:46:44.640 --> 2:46:48.400
<v Speaker 1>like he was high, Yeah, Leo, because he was too

2:46:48.480 --> 2:46:52.040
<v Speaker 1>close to Jeff Bezel. Girls. It wasn't gonna Yeah. I

2:46:52.120 --> 2:46:55.520
<v Speaker 1>ran into him at a party one time, Leo, Leo, Yeah,

2:46:55.600 --> 2:47:02.520
<v Speaker 1>and he was telling me about no actually respects me.

2:47:03.080 --> 2:47:06.880
<v Speaker 1>This is no. But he did the jet Bezo though. Yeah,

2:47:07.200 --> 2:47:08.920
<v Speaker 1>what was the movie he was in a wild Um,

2:47:09.879 --> 2:47:11.320
<v Speaker 1>I can't think of the name because you got me

2:47:11.440 --> 2:47:13.920
<v Speaker 1>drunken ship, but the one that he was by himself,

2:47:14.000 --> 2:47:17.280
<v Speaker 1>that was where he lost his son and Tom Harden.

2:47:17.320 --> 2:47:21.240
<v Speaker 1>That is crazy. That movie is crazy. H No, it

2:47:21.400 --> 2:47:28.959
<v Speaker 1>was the repe Is that what it was called? You sure? Yeah? Yeah,

2:47:29.000 --> 2:47:31.200
<v Speaker 1>That's what I'm talking about. Yeah, that's just ill. I

2:47:31.200 --> 2:47:32.840
<v Speaker 1>don't know why I couldn't think of the title. But anyway,

2:47:32.879 --> 2:47:34.360
<v Speaker 1>he was telling me that he was eating a liver

2:47:34.480 --> 2:47:37.560
<v Speaker 1>and that bitch, and he's a vegan, vegetarian and vegan

2:47:37.840 --> 2:47:40.000
<v Speaker 1>he committed to that rule. Well, I'm like, damn, that's

2:47:40.000 --> 2:47:41.560
<v Speaker 1>fun up because they could have just made you eat

2:47:41.600 --> 2:47:43.480
<v Speaker 1>like some beats or something that looked like a liver.

2:47:43.600 --> 2:47:44.800
<v Speaker 1>He was like, man, they had me in the liver

2:47:45.240 --> 2:47:48.120
<v Speaker 1>and I threw up in a scene and I really

2:47:48.200 --> 2:47:49.640
<v Speaker 1>threw up, and they kept it in the movie. And

2:47:49.720 --> 2:47:51.120
<v Speaker 1>he was like, that was me throwing up. And I

2:47:51.280 --> 2:48:00.080
<v Speaker 1>was like, that's fine. Deserved about next. Yeah, mhm, not

2:48:00.280 --> 2:48:04.880
<v Speaker 1>your leading, Okay, Jack Black exactly, Jack Black is that

2:48:05.720 --> 2:48:11.880
<v Speaker 1>nasty can come on, you know, Jack Black is one

2:48:11.920 --> 2:48:14.360
<v Speaker 1>of the motherfucker's Jack Black is that dude. When I

2:48:14.520 --> 2:48:16.160
<v Speaker 1>when I met him, that's somebody. When I met I

2:48:16.280 --> 2:48:19.320
<v Speaker 1>was like, damn, you met Jack Black. I met Jack Black.

2:48:19.720 --> 2:48:21.920
<v Speaker 1>Jack Black would be hilarious on Drink Channel. Yeah, I

2:48:22.040 --> 2:48:24.080
<v Speaker 1>never met your king took up about the Jack Black story.

2:48:24.320 --> 2:48:26.800
<v Speaker 1>I met him on the first day. The first day

2:48:26.840 --> 2:48:29.200
<v Speaker 1>I went on with Janet, I met Jack Black. Like

2:48:29.280 --> 2:48:33.000
<v Speaker 1>how you keep talking about Yeah, I'm like, she's amazing

2:48:33.000 --> 2:48:35.840
<v Speaker 1>because your face keeps lighting up if you speaking about

2:48:36.680 --> 2:48:38.560
<v Speaker 1>I'm going to know. I mean, I'm just speaking facts. Though.

2:48:38.560 --> 2:48:40.680
<v Speaker 1>The first time. I don't know, I met Jack Blacks

2:48:44.840 --> 2:48:46.680
<v Speaker 1>your head and I like, I like at your face,

2:48:46.800 --> 2:48:53.160
<v Speaker 1>like okay, yeah that was and I met Jack Black

2:48:53.320 --> 2:48:57.080
<v Speaker 1>the way it was your Lakers game. Yeah, yeah, the

2:48:57.160 --> 2:49:04.000
<v Speaker 1>Lakers game, little dude fifth on Friday's fault? What about Friday?

2:49:04.280 --> 2:49:07.960
<v Speaker 1>Of course, I think we need to go into Genres Cocain. Okay,

2:49:08.000 --> 2:49:10.240
<v Speaker 1>you what John do you want? You know what I'm saying,

2:49:10.240 --> 2:49:15.480
<v Speaker 1>because it is it revolutionized how nobody said half make

2:49:16.280 --> 2:49:20.440
<v Speaker 1>half big, half Big? Is that motherfucker from Half Baked

2:49:21.040 --> 2:49:22.720
<v Speaker 1>that get a lot of rotases? I get my mom

2:49:22.760 --> 2:49:25.959
<v Speaker 1>Cuban be from that whole ship is from half Biggs.

2:49:26.360 --> 2:49:28.360
<v Speaker 1>Who would have thought Dave Chappelle? All right, who would

2:49:28.360 --> 2:49:31.560
<v Speaker 1>have thought from that movie that Dave Chappelle would be

2:49:31.600 --> 2:49:35.920
<v Speaker 1>Dave Chappelle? Now, I would have never never think that. Yeah,

2:49:36.160 --> 2:49:38.360
<v Speaker 1>I don't never guessed that nigga. I would have never

2:49:38.480 --> 2:49:40.600
<v Speaker 1>guessed that nigga. Yeah, he literally like the whole of

2:49:40.640 --> 2:49:43.720
<v Speaker 1>a comedy. Yeah, like like you see he had a

2:49:43.840 --> 2:49:46.880
<v Speaker 1>show on mater a hole. Then who's Kevin Hart? Because

2:49:47.080 --> 2:49:49.560
<v Speaker 1>we can't discount Kevin Hart. Kevin Heart. That Kevin might

2:49:49.560 --> 2:49:53.199
<v Speaker 1>be Eddie Man like coming from paper might be Eddie.

2:49:53.840 --> 2:49:56.440
<v Speaker 1>Now you said, but you said he was the mul

2:49:57.360 --> 2:50:02.640
<v Speaker 1>oh related to hip hop. Damn, you're sucking me up.

2:50:08.040 --> 2:50:12.360
<v Speaker 1>Who knows whatever? Whatever he might be, he might be naseer.

2:50:16.280 --> 2:50:19.560
<v Speaker 1>You can't compare him. You think Dave Chappelle, he Kevin Heart.

2:50:19.600 --> 2:50:21.680
<v Speaker 1>That moment was his legends. You know what I'm saying. Okay,

2:50:21.720 --> 2:50:25.520
<v Speaker 1>So you get married next year, whoever you get married to.

2:50:26.360 --> 2:50:30.800
<v Speaker 1>You got one comedian m hm to Chappelle, Kevin Hard

2:50:31.000 --> 2:50:37.560
<v Speaker 1>at a wedding. At a wedding, who you pick one

2:50:37.600 --> 2:50:40.960
<v Speaker 1>comedian at a wedding? Yeah, I mean the other nigga

2:50:41.040 --> 2:50:44.800
<v Speaker 1>can't catch the private plane. He missed the private plane.

2:50:44.840 --> 2:50:49.480
<v Speaker 1>He's he's in spaces X with somebody else. Who are

2:50:49.520 --> 2:50:52.920
<v Speaker 1>you going with? Well, let me think about their styles

2:50:52.959 --> 2:50:57.800
<v Speaker 1>of comedy. Kevin No, no, listen, listen, Kevin Heart. That's

2:50:57.840 --> 2:51:00.080
<v Speaker 1>Kevin Heart of roast y'all asked pretty good though, Like

2:51:00.120 --> 2:51:03.200
<v Speaker 1>he would make this ship funny, right, Kevin Kevin Hard

2:51:03.200 --> 2:51:04.760
<v Speaker 1>can do that. Like, and I'm talking about personal not

2:51:04.920 --> 2:51:06.640
<v Speaker 1>necessarily like you know what I'm talking about. I've been

2:51:06.680 --> 2:51:08.720
<v Speaker 1>in personal rules from him, and he's tearing the ship.

2:51:08.879 --> 2:51:13.640
<v Speaker 1>He's tearing somebody apart. Dave Chappelle can hit that soul

2:51:13.760 --> 2:51:17.760
<v Speaker 1>sometimes though. Dave Chappelle no my daddy. So if I

2:51:17.840 --> 2:51:19.560
<v Speaker 1>had to pick one, I'm gonna go with Dave Chappelle

2:51:19.680 --> 2:51:24.240
<v Speaker 1>because he all, he like, he probably gonna he probably

2:51:24.280 --> 2:51:27.240
<v Speaker 1>gonna figure some ship out that that's gonna bring everybody

2:51:27.280 --> 2:51:31.160
<v Speaker 1>to tears and make everybody laughing, crying to You're gonna

2:51:31.200 --> 2:51:33.120
<v Speaker 1>make you cry too, different ways and one speech. You

2:51:33.160 --> 2:51:37.200
<v Speaker 1>know what I'm saying. What was it like the day

2:51:37.240 --> 2:51:40.360
<v Speaker 1>you got your rocket fell the chain? The day I

2:51:40.400 --> 2:51:42.640
<v Speaker 1>got my rocket Feller chain. I was in New York City,

2:51:43.160 --> 2:51:45.440
<v Speaker 1>and then he was in New York. I was in

2:51:45.520 --> 2:51:47.440
<v Speaker 1>New York in the brief place of the Mecca. It

2:51:47.520 --> 2:51:49.119
<v Speaker 1>was in New York and it was before I dropped

2:51:49.200 --> 2:51:57.920
<v Speaker 1>my second number one album. I decided, and um, Hove,

2:52:00.200 --> 2:52:03.480
<v Speaker 1>you know, Hope is really involved in management. Uh in

2:52:03.600 --> 2:52:07.200
<v Speaker 1>rock Nation, Imbrock Nation. Let's him, Yeah, let's pick him up.

2:52:07.640 --> 2:52:14.720
<v Speaker 1>He's involved. And I mentioned to him one time that

2:52:14.879 --> 2:52:18.000
<v Speaker 1>the rocket Feller chain he had was hard, And next

2:52:18.040 --> 2:52:22.160
<v Speaker 1>thing you know, he texts me and say, yeah, he

2:52:22.240 --> 2:52:25.760
<v Speaker 1>was like my too hard? What side you want? Like

2:52:25.920 --> 2:52:27.480
<v Speaker 1>the funk? Like he didn't see me A picture of

2:52:27.560 --> 2:52:31.240
<v Speaker 1>a small one and a big one. I was like, yeah,

2:52:31.560 --> 2:52:34.920
<v Speaker 1>fucking right. I'm like, I'm thinking he's gonna send me

2:52:34.959 --> 2:52:37.520
<v Speaker 1>the invoice. You know. That's and I was cool with

2:52:37.640 --> 2:52:39.080
<v Speaker 1>that ship I got. You know, I could have for

2:52:39.160 --> 2:52:42.240
<v Speaker 1>the forty like yeah, okay ship, Okay, that's the label

2:52:42.280 --> 2:52:44.280
<v Speaker 1>would do it too, Yeah, like yeah, okay, yeah, I'm

2:52:44.680 --> 2:52:46.200
<v Speaker 1>with the jeweler. Go ahead, just you know. And I

2:52:46.280 --> 2:52:48.280
<v Speaker 1>still would have been like, I mean, I paid for

2:52:48.320 --> 2:52:52.440
<v Speaker 1>all my ship, you know what. So man, I just

2:52:52.840 --> 2:52:56.280
<v Speaker 1>remember that he hit me. I was in town. I

2:52:56.360 --> 2:52:59.160
<v Speaker 1>was going about to do Funk Flex and my alument

2:52:59.280 --> 2:53:01.280
<v Speaker 1>just came out. I was performing on Jimmy found a

2:53:01.320 --> 2:53:03.040
<v Speaker 1>lot of ship going on, and the jeweler hit me

2:53:03.080 --> 2:53:05.360
<v Speaker 1>and was like, I got something for you. I pulled

2:53:05.440 --> 2:53:09.120
<v Speaker 1>up in the Diamond district. Um a jeweler is this?

2:53:09.240 --> 2:53:12.440
<v Speaker 1>Come on? I'm kind of moved it. It's Raffaelo, right fella,

2:53:13.360 --> 2:53:18.360
<v Speaker 1>where's the Rafaelo? Whoa C edit that part of it

2:53:19.800 --> 2:53:26.680
<v Speaker 1>right now? It was gay. It wasn't Rafayelo. I'm embarrassed.

2:53:26.720 --> 2:53:28.120
<v Speaker 1>I don't remember the name. So I don't put this

2:53:28.240 --> 2:53:34.760
<v Speaker 1>on everything stage. Let everything everything stick. It was on

2:53:34.840 --> 2:53:37.080
<v Speaker 1>the diamond this shrip. You're sucking me up. Man. It's okay,

2:53:37.120 --> 2:53:39.760
<v Speaker 1>it's beautiful because I'm just obviously you got me in

2:53:39.920 --> 2:53:43.040
<v Speaker 1>this bit twisted beautiful. Would you like? You know? This

2:53:43.160 --> 2:53:48.760
<v Speaker 1>is the new rock No listen finished, shut out black

2:53:48.760 --> 2:53:51.000
<v Speaker 1>own businesses, shout out the black owned business But it

2:53:51.280 --> 2:53:57.720
<v Speaker 1>just so I run inside. I grabbed the chain, Cuban link,

2:53:58.640 --> 2:54:01.400
<v Speaker 1>rocket fell you know all go Cuban League, Rocketfeller chain,

2:54:02.280 --> 2:54:12.400
<v Speaker 1>and um, it just reminded me that motherfucking that that

2:54:12.520 --> 2:54:15.400
<v Speaker 1>power of your mind is real. Bro. He's used to

2:54:15.480 --> 2:54:18.440
<v Speaker 1>want that Rocketfeller chain growing up. And the Jesus Peace too.

2:54:18.440 --> 2:54:20.320
<v Speaker 1>I remember when I got to Jesus Peace to Jacob,

2:54:20.440 --> 2:54:23.320
<v Speaker 1>Jesus Peace from you. Don c was the one who

2:54:23.360 --> 2:54:25.920
<v Speaker 1>actually gave it to me from you, you know, courtesy,

2:54:27.000 --> 2:54:32.400
<v Speaker 1>and um, when I lost my Jesus Peace, Cutty gave

2:54:32.480 --> 2:54:34.360
<v Speaker 1>me his. That's what I'm saying. That the type of

2:54:34.400 --> 2:54:36.440
<v Speaker 1>brotherhood that was going on with us, you know what

2:54:36.560 --> 2:54:41.080
<v Speaker 1>I'm saying. So when I say that, when I talk

2:54:41.120 --> 2:54:43.120
<v Speaker 1>about that good music, it's like that that was a

2:54:43.160 --> 2:54:46.920
<v Speaker 1>real brotherhood to me. And you know, getting Rocketfeller chains

2:54:46.959 --> 2:54:48.600
<v Speaker 1>and Jesus pieces and all those things. They got a

2:54:48.640 --> 2:54:51.400
<v Speaker 1>deeper slavery to him. Let me ask you, at what

2:54:51.560 --> 2:54:53.640
<v Speaker 1>point in your career did you lose with Jesus Because

2:54:53.760 --> 2:54:58.280
<v Speaker 1>Jesus pieces write a passage, right, So you lost your

2:54:58.400 --> 2:55:03.120
<v Speaker 1>Jesus peace and Cutty replaced it. Yeah. I lost my

2:55:03.240 --> 2:55:07.280
<v Speaker 1>Jesus Peace and I didn't have enough money to replace it. Um.

2:55:09.800 --> 2:55:12.080
<v Speaker 1>And I was at a show. I was doing a

2:55:12.120 --> 2:55:16.200
<v Speaker 1>show sold out at the Key or somewhere, uh, the

2:55:16.320 --> 2:55:19.680
<v Speaker 1>Fine whatever theater that is on a Hollywood boulevard between

2:55:20.360 --> 2:55:25.760
<v Speaker 1>Vine and Um where Rosco's is. And he came to

2:55:25.840 --> 2:55:29.040
<v Speaker 1>the show and that and that was and that was

2:55:29.120 --> 2:55:31.160
<v Speaker 1>around the time when he was when he was leaving

2:55:31.240 --> 2:55:34.959
<v Speaker 1>good music as well, you know, um and starting his own,

2:55:35.280 --> 2:55:37.640
<v Speaker 1>starting his own you know what I'm saying. And he

2:55:37.800 --> 2:55:39.480
<v Speaker 1>gave me to Jesus peace and he said, you know,

2:55:39.640 --> 2:55:43.040
<v Speaker 1>this brought me a lot of luck. And you know,

2:55:43.120 --> 2:55:45.040
<v Speaker 1>I hope they do the same for you. So you

2:55:45.120 --> 2:55:49.680
<v Speaker 1>watched this documentary. I didn't watch it yet. No, I

2:55:49.720 --> 2:55:51.760
<v Speaker 1>ain't watching yet. No, let's take a shot if you

2:55:51.800 --> 2:55:55.160
<v Speaker 1>know watching. I'm just being honest because you should have

2:55:55.200 --> 2:55:57.040
<v Speaker 1>watched it. That's that's the homie is I am't gonna

2:55:57.040 --> 2:55:59.280
<v Speaker 1>watch it. They speak they speak about you very holly. No,

2:55:59.320 --> 2:56:01.240
<v Speaker 1>I ain't gonna watch Do you want a Japanese? Are

2:56:01.240 --> 2:56:04.240
<v Speaker 1>you gonna do? What? Did they say? It's beautiful? Man, Yeah,

2:56:04.280 --> 2:56:11.240
<v Speaker 1>it's just beautiful. Just let me ride. Yeah, come on,

2:56:12.680 --> 2:56:18.560
<v Speaker 1>don't order. I really know ye give us some forty two?

2:56:19.320 --> 2:56:21.720
<v Speaker 1>How do you call it four? To give him some

2:56:21.920 --> 2:56:27.800
<v Speaker 1>four or two? Not forty two? Sean, I really appreciate you.

2:56:27.959 --> 2:56:30.720
<v Speaker 1>Don't overdo them, bro, you don't have to do You

2:56:31.400 --> 2:56:33.000
<v Speaker 1>don't like that you have to do them like that. Bro,

2:56:33.280 --> 2:56:35.720
<v Speaker 1>I'm gonna watch that. I'm gonna watch the Cutty documentary though. No,

2:56:35.879 --> 2:56:39.600
<v Speaker 1>it's it's very good. I've been Uh, that's not that's

2:56:39.640 --> 2:56:41.000
<v Speaker 1>not what's going to take this. First before you go

2:56:41.120 --> 2:56:54.320
<v Speaker 1>to this person, Sottles, I want you to know something

2:57:06.520 --> 2:57:11.080
<v Speaker 1>everything that you're going through, as far as knowing your business,

2:57:11.920 --> 2:57:19.240
<v Speaker 1>it's absolutely correct. I've done that myself. I didn't know

2:57:19.280 --> 2:57:23.360
<v Speaker 1>about what it is. Can you probably have? I don't

2:57:23.400 --> 2:57:26.800
<v Speaker 1>think tragic you can. You can't write about it. You

2:57:26.840 --> 2:57:32.040
<v Speaker 1>don't think Martin might have. I think I've been through that.

2:57:35.840 --> 2:57:39.640
<v Speaker 1>My only concern is did disconnect And I don't want

2:57:39.640 --> 2:57:46.000
<v Speaker 1>to keep going back to this. But disconnect was you

2:57:46.120 --> 2:57:50.400
<v Speaker 1>guys speaking, and I know you you probably said because

2:57:50.440 --> 2:57:52.720
<v Speaker 1>you said earlier you said you didn't have his number.

2:57:54.240 --> 2:58:00.040
<v Speaker 1>One of me if I say, understandable, but mean on

2:58:00.360 --> 2:58:03.320
<v Speaker 1>people like Nas, knowing people like Jay, you knowing people

2:58:03.360 --> 2:58:07.920
<v Speaker 1>like Puff. But I think he wanted from you was

2:58:08.040 --> 2:58:11.640
<v Speaker 1>to ride with him to the end. All right, I

2:58:11.760 --> 2:58:15.200
<v Speaker 1>think you were. I think I think I think you were.

2:58:15.280 --> 2:58:19.080
<v Speaker 1>I think you but I think it wasn't clear to him.

2:58:21.680 --> 2:58:24.160
<v Speaker 1>I'm not on his side, on your side, I'm on

2:58:24.280 --> 2:58:27.080
<v Speaker 1>the side of truth. I'm on the side of positivity.

2:58:28.480 --> 2:58:32.840
<v Speaker 1>I want your brothers to work it out. Had I

2:58:33.360 --> 2:58:40.880
<v Speaker 1>been whatever he said, I would have tried to stop.

2:58:40.959 --> 2:58:43.959
<v Speaker 1>But I couldn't because at first I'm thinking he's bigging

2:58:44.040 --> 2:58:49.040
<v Speaker 1>you up. So I'm sitting there. Yes, but as a brother,

2:58:50.959 --> 2:58:54.600
<v Speaker 1>we sat and we hung out two days later, and

2:58:54.720 --> 2:58:57.119
<v Speaker 1>I know for a fact he didn't mean his statements.

2:58:58.600 --> 2:59:03.440
<v Speaker 1>His statements was coming from probably a hurtful stands. As

2:59:03.520 --> 2:59:14.160
<v Speaker 1>we all are, we're all human. None of us are impeccable, right, Well,

2:59:14.200 --> 2:59:17.160
<v Speaker 1>you should be impeccable with your words. I respect that.

2:59:18.000 --> 2:59:21.600
<v Speaker 1>But as I keep trying to get you to take

2:59:21.640 --> 2:59:24.840
<v Speaker 1>a shot, you keep saying nope. I took a shot.

2:59:25.040 --> 2:59:28.800
<v Speaker 1>Let's take another one. Let's but let me feel I'm

2:59:28.840 --> 2:59:32.520
<v Speaker 1>just deep. This is deep statement. And what I want

2:59:32.560 --> 2:59:37.440
<v Speaker 1>to say is the manage your brother. He loves you.

2:59:37.920 --> 2:59:40.879
<v Speaker 1>I feel like he was and I can't speak for him,

2:59:41.720 --> 2:59:43.520
<v Speaker 1>but I feel like he was hurt at the moment

2:59:46.640 --> 2:59:52.120
<v Speaker 1>and he had her smoke ship is up. Smoked it

2:59:52.200 --> 2:59:55.840
<v Speaker 1>not smoked it? Good? Good god? Yeah, I'm just joined

2:59:55.840 --> 2:59:58.520
<v Speaker 1>the great You could just join the grades. Can you

2:59:58.720 --> 3:00:06.680
<v Speaker 1>smoked it now? I alright, alright? Statement so saying basically

3:00:06.760 --> 3:00:08.760
<v Speaker 1>that we need to work it out here, I really

3:00:08.840 --> 3:00:14.200
<v Speaker 1>would like you guys to work it out, because I

3:00:14.240 --> 3:00:16.200
<v Speaker 1>ain't know when he said that that was the worst

3:00:16.200 --> 3:00:18.440
<v Speaker 1>thing he ever did. He wasn't saying the worst thing

3:00:18.480 --> 3:00:21.080
<v Speaker 1>he ever did financially. And I knew that's how you

3:00:21.160 --> 3:00:23.200
<v Speaker 1>broke it down. That's why I wanted you to bring

3:00:23.240 --> 3:00:25.640
<v Speaker 1>it down. That's not what he meant. He meant that

3:00:26.280 --> 3:00:29.200
<v Speaker 1>He's probably this is what I think he meant. I

3:00:29.600 --> 3:00:32.520
<v Speaker 1>cannot think how him. This is one of his most

3:00:32.680 --> 3:00:40.600
<v Speaker 1>loyal you know, you say he felt betrayed. That's what

3:00:40.720 --> 3:00:44.320
<v Speaker 1>I think. I think that he was like everyone in

3:00:44.400 --> 3:00:47.320
<v Speaker 1>the world, Big Seawan can't leave me, Big is not

3:00:48.080 --> 3:00:51.080
<v Speaker 1>the guy that's gonna walk away. So when you said

3:00:51.080 --> 3:00:55.680
<v Speaker 1>the worst thing, and this is me knowing about any

3:00:55.680 --> 3:00:58.760
<v Speaker 1>of you, you looking got his facial expressions, looking at everything,

3:00:59.160 --> 3:01:01.600
<v Speaker 1>That's what I think he meant. Do you agree with me?

3:01:01.879 --> 3:01:10.039
<v Speaker 1>Or um? Yeah? I mean I think he just thought

3:01:10.120 --> 3:01:12.520
<v Speaker 1>that I was not lords to him. You know, I

3:01:12.600 --> 3:01:14.360
<v Speaker 1>don't think he meant it on it. I didn't think

3:01:14.400 --> 3:01:17.080
<v Speaker 1>he meant his worst financial decision, because he didn't say that.

3:01:17.160 --> 3:01:19.360
<v Speaker 1>He just said the worst decision. So that's why I

3:01:19.440 --> 3:01:21.280
<v Speaker 1>took a personal you know what I'm saying. But then

3:01:21.320 --> 3:01:23.880
<v Speaker 1>he explained because you know, came out of support of

3:01:23.920 --> 3:01:26.920
<v Speaker 1>the Democrats, which just wasn't true. So therefore the statement

3:01:26.959 --> 3:01:28.960
<v Speaker 1>has no validity to it. So to me, it's not

3:01:29.080 --> 3:01:32.400
<v Speaker 1>even in false. So that's why you know, I'm glad

3:01:32.480 --> 3:01:35.280
<v Speaker 1>you brought it up. Good. That's no truth to it.

3:01:35.400 --> 3:01:39.240
<v Speaker 1>But what I can say is that there is factual

3:01:40.080 --> 3:01:43.040
<v Speaker 1>truth that I am old money. That's a fact. That's

3:01:43.040 --> 3:01:45.960
<v Speaker 1>a fact. That's not like a twisted fact. That's not

3:01:46.040 --> 3:01:48.800
<v Speaker 1>like an opinion. That's not like being like you man,

3:01:48.840 --> 3:01:50.280
<v Speaker 1>when you had to meet your CD back when he

3:01:50.360 --> 3:01:53.080
<v Speaker 1>was at this, man, I didn't you know what I'm saying,

3:01:53.920 --> 3:01:58.400
<v Speaker 1>how don man, you know whatever, whatever the case is. Yeah,

3:01:59.320 --> 3:02:05.080
<v Speaker 1>there's a different bro. This is a fact. So we

3:02:05.200 --> 3:02:08.960
<v Speaker 1>did establish that you never actually sat school to him

3:02:08.959 --> 3:02:12.600
<v Speaker 1>as a home. You're right, and if we was to

3:02:12.680 --> 3:02:22.040
<v Speaker 1>do that, like I'm asking you, this is gonna. I'm

3:02:22.080 --> 3:02:26.280
<v Speaker 1>so sorry that y'all relationship is public. Right, But let's

3:02:26.520 --> 3:02:31.199
<v Speaker 1>suppose this interview drops out, he sees it and he goes, Sean,

3:02:31.320 --> 3:02:34.840
<v Speaker 1>let's be immallible. Uh, let's go ri some home. I

3:02:34.879 --> 3:02:38.280
<v Speaker 1>don't think that's what's gonna happen. He's probably gonna be mad, Like,

3:02:38.520 --> 3:02:40.400
<v Speaker 1>I don't think you say anything wrong. So I don't

3:02:40.440 --> 3:02:42.480
<v Speaker 1>think you said I didn't say anything wrong. And you

3:02:42.560 --> 3:02:47.960
<v Speaker 1>know what I mean. To keep it real with you,

3:02:48.120 --> 3:02:50.360
<v Speaker 1>I have tried to text him about things before, and

3:02:50.760 --> 3:02:52.560
<v Speaker 1>when it gets over two or three lines, he said,

3:02:52.600 --> 3:02:57.080
<v Speaker 1>this text is too long. We ain't texting. I ain't

3:02:59.760 --> 3:03:02.920
<v Speaker 1>so so I have tried to communicate. So I'm not

3:03:02.920 --> 3:03:05.400
<v Speaker 1>gonna sit up here and say like I have tried

3:03:05.480 --> 3:03:07.680
<v Speaker 1>to go into things before. I have tried to open

3:03:07.800 --> 3:03:10.840
<v Speaker 1>up to him via that way. Now it has been

3:03:10.879 --> 3:03:13.400
<v Speaker 1>times in person, but Bro, I'm somebody who respects the

3:03:13.560 --> 3:03:16.960
<v Speaker 1>vibe you know, I hate what motherfucker's don't respect the vibe.

3:03:17.440 --> 3:03:19.760
<v Speaker 1>But let me when I'm in the studio, this is

3:03:19.800 --> 3:03:21.600
<v Speaker 1>not the time to bring up in a fucking business.

3:03:21.640 --> 3:03:24.080
<v Speaker 1>To me, I hate it. A matter of fact, I

3:03:24.200 --> 3:03:29.160
<v Speaker 1>hate it when when I am when I'm sucking my girl, bro,

3:03:29.560 --> 3:03:32.280
<v Speaker 1>when I'm in the pussy, don't talk to me about

3:03:32.360 --> 3:03:36.600
<v Speaker 1>my mom. This is not the time for that, I

3:03:36.640 --> 3:03:39.880
<v Speaker 1>don't think. So don't talk to me about something that

3:03:39.879 --> 3:03:41.800
<v Speaker 1>ain't got nothing to do with something. So I'm gonna

3:03:41.920 --> 3:03:47.960
<v Speaker 1>vibe musically. Sometimes when you bring up some ship, it

3:03:48.040 --> 3:03:53.880
<v Speaker 1>throws the vibe ofll no but for you. But what

3:03:54.000 --> 3:03:56.200
<v Speaker 1>I'm saying is I haven't had the opportunity to meet

3:03:56.240 --> 3:03:57.480
<v Speaker 1>and sit and talking with him. I haven't had an

3:03:57.480 --> 3:04:00.600
<v Speaker 1>opportunity since I've known that. For a fact, people may

3:04:00.640 --> 3:04:03.080
<v Speaker 1>have thought that I leave that information. When when Charlotta

3:04:03.080 --> 3:04:04.640
<v Speaker 1>Magne first said the amount of money he owed me,

3:04:04.680 --> 3:04:08.560
<v Speaker 1>I hadn't thought that. I called Charlotte Maagne. I called

3:04:08.600 --> 3:04:10.280
<v Speaker 1>Charlotte Magne. It was like, who the fun told you that?

3:04:11.080 --> 3:04:14.520
<v Speaker 1>And then when I talked to somebody on you know

3:04:14.640 --> 3:04:17.640
<v Speaker 1>who was representing at the time, they was like, are

3:04:17.680 --> 3:04:20.040
<v Speaker 1>you leaking in? I'm like, bro, I didn't leave the ship.

3:04:20.920 --> 3:04:23.039
<v Speaker 1>But sometimes when I say things, I don't think people

3:04:23.440 --> 3:04:27.760
<v Speaker 1>hear me right, Like I didn't leave you. I'm not

3:04:27.879 --> 3:04:30.040
<v Speaker 1>lying to you. I would I would never lie to

3:04:30.160 --> 3:04:31.920
<v Speaker 1>know about no man in my life, about no ship

3:04:32.040 --> 3:04:36.440
<v Speaker 1>like that, I said. I didn't say it after after

3:04:36.959 --> 3:04:39.640
<v Speaker 1>Charlottagne leaked did have you ever been in the same

3:04:39.720 --> 3:04:41.560
<v Speaker 1>room with y'all? And then I said on the song

3:04:41.640 --> 3:04:44.199
<v Speaker 1>with BENI the butcher as labels as upbees, that only

3:04:44.520 --> 3:04:47.480
<v Speaker 1>MS or something like that. But that's when I, honestly,

3:04:47.520 --> 3:04:49.959
<v Speaker 1>that's when I thought Universal was owing me some money too,

3:04:51.080 --> 3:04:52.760
<v Speaker 1>you know what I'm saying. That's when when that audit

3:04:52.879 --> 3:04:55.360
<v Speaker 1>was going on, because I'm like, yo, I need these MS.

3:04:55.400 --> 3:04:57.280
<v Speaker 1>And then later on it came out after they did

3:04:57.400 --> 3:05:03.480
<v Speaker 1>they researched that that money was paid m hm already

3:05:03.680 --> 3:05:06.920
<v Speaker 1>the money was already paid out. And but my contract,

3:05:07.000 --> 3:05:09.160
<v Speaker 1>instead of getting my money paid directly to me, which

3:05:09.200 --> 3:05:11.280
<v Speaker 1>I would do if I signed an artist any woralties

3:05:11.320 --> 3:05:15.440
<v Speaker 1>that they're old get directly from the distribute distribution, he

3:05:15.560 --> 3:05:18.800
<v Speaker 1>had to go you know, like some cash money type ship.

3:05:18.879 --> 3:05:20.560
<v Speaker 1>You know what I'm saying, Like it goes to them

3:05:20.600 --> 3:05:24.480
<v Speaker 1>and they pay you out. So let's just say Easter Sunday,

3:05:29.240 --> 3:05:39.760
<v Speaker 1>Oh white, Yeah, bunnies everywhere. Okay, what's that your call?

3:05:40.200 --> 3:05:46.680
<v Speaker 1>I had a car bones incident. Well nuts, wal hunts

3:05:46.680 --> 3:05:49.360
<v Speaker 1>and bunnies, wal nuts and bunny What are you talking about?

3:05:50.400 --> 3:05:53.720
<v Speaker 1>But let's just write with it. He's going some and

3:05:54.240 --> 3:05:57.400
<v Speaker 1>meet up Easter Sunday when they gotta wait that long.

3:05:57.520 --> 3:05:59.440
<v Speaker 1>First of all, I don't know. I just feel like

3:05:59.520 --> 3:06:04.160
<v Speaker 1>that's when it is coming back. Just for real. Yeah,

3:06:04.280 --> 3:06:10.320
<v Speaker 1>meet up Easter Sunday, you expressed, because I imagine how

3:06:10.400 --> 3:06:14.119
<v Speaker 1>you just spoke to us. You know, this cameras is here.

3:06:14.200 --> 3:06:21.560
<v Speaker 1>You you're not You're not oblivious these cameras here. But

3:06:22.320 --> 3:06:26.879
<v Speaker 1>your speech to Kanye might be different. Huh on Easter Sunday.

3:06:30.600 --> 3:06:31.960
<v Speaker 1>What would you say to me if you get the

3:06:32.040 --> 3:06:35.480
<v Speaker 1>opportunity to say, yo, listen, brother, it ain't nothing personal.

3:06:35.840 --> 3:06:41.600
<v Speaker 1>Who would you say? Well, I wouldn't be drunk saying

3:06:41.640 --> 3:06:45.200
<v Speaker 1>it one maybe he's drove. What I would say is that,

3:06:46.959 --> 3:06:55.480
<v Speaker 1>uh that I I try my best to be loyal

3:06:55.560 --> 3:06:59.160
<v Speaker 1>to you, man. That's it. Man. I called every time

3:06:59.200 --> 3:07:02.360
<v Speaker 1>you called me, I was here. It's like, if you

3:07:02.440 --> 3:07:04.119
<v Speaker 1>wanted my support, all you have to do is call

3:07:04.240 --> 3:07:06.880
<v Speaker 1>me man like I would have been there every time.

3:07:07.240 --> 3:07:11.000
<v Speaker 1>I'm gladly supporting you is a dream of mine. Bro,

3:07:12.080 --> 3:07:14.959
<v Speaker 1>You're my idol. You know what I'm saying. That's all

3:07:15.000 --> 3:07:17.920
<v Speaker 1>I needed was just a communication. But I feel like

3:07:17.959 --> 3:07:23.080
<v Speaker 1>I got treated more like a um as a thing

3:07:23.840 --> 3:07:25.880
<v Speaker 1>and then more than more so than the person. You

3:07:25.920 --> 3:07:29.040
<v Speaker 1>know what I'm saying, Like the respect ain't there. And

3:07:31.280 --> 3:07:35.400
<v Speaker 1>you know, I would just say, like Bro, like I

3:07:35.520 --> 3:07:39.480
<v Speaker 1>need my money too, I need my fucking money man,

3:07:39.560 --> 3:07:42.440
<v Speaker 1>because it's not money that I'm asking for, it's it's

3:07:42.480 --> 3:07:45.280
<v Speaker 1>my money because you oh yeah, ain't nothing wrong with that.

3:07:46.000 --> 3:07:49.480
<v Speaker 1>And I would say that, you know, I don't know

3:07:49.560 --> 3:07:53.480
<v Speaker 1>what else i'd say, but something like that. Yeah, it's

3:07:53.520 --> 3:07:56.280
<v Speaker 1>a beautiful goddamn thing. Match on, I just want to

3:07:56.320 --> 3:07:58.000
<v Speaker 1>thank you. What come you do? Like it? On the shot?

3:07:58.160 --> 3:08:01.280
<v Speaker 1>I feel like it was one more shot. Yeah, a

3:08:01.360 --> 3:08:04.039
<v Speaker 1>little you got Indie in your family because you're You're

3:08:04.080 --> 3:08:06.960
<v Speaker 1>head looked really like like Indian. Like you know what

3:08:07.320 --> 3:08:15.000
<v Speaker 1>I think I do? Yeah, my grand my granddad's I got.

3:08:15.120 --> 3:08:17.879
<v Speaker 1>I got a lot of Nigerian though I'm sixty percent

3:08:18.400 --> 3:08:22.000
<v Speaker 1>Nigerian here like a lot of Nigerian. You know what

3:08:22.040 --> 3:08:26.440
<v Speaker 1>I'm saying uh, some Irish and uh and probably a

3:08:26.480 --> 3:08:29.240
<v Speaker 1>little bit in Indian. I would say my granddad definitely

3:08:29.520 --> 3:08:31.560
<v Speaker 1>was like I had a real Indian look to him,

3:08:31.640 --> 3:08:34.960
<v Speaker 1>and my grandma and my dad's side too. So I

3:08:35.000 --> 3:08:37.360
<v Speaker 1>don't know who knows, are you what about? You know?

3:08:37.640 --> 3:08:42.160
<v Speaker 1>Puerto Rican Okay, totally different thing, you know. You know,

3:08:42.320 --> 3:08:44.720
<v Speaker 1>mother fucker's bet to say they make for Indian. Yeah,

3:08:45.480 --> 3:08:48.280
<v Speaker 1>you like we cut people with racist. It's a little

3:08:48.320 --> 3:08:52.039
<v Speaker 1>different right in Puerto Rican Land. Yeah, hey, it's all

3:08:52.240 --> 3:08:54.960
<v Speaker 1>in Puerto Rican Land, yo, you know listen, but hey,

3:08:55.000 --> 3:08:56.920
<v Speaker 1>the most thing I am is Nigerian shoutouts to the

3:08:57.040 --> 3:09:07.160
<v Speaker 1>Nigerian Yeah, Nigerian head, saw a loutles soluttle what you

3:09:07.200 --> 3:09:08.840
<v Speaker 1>got to say before you would get about it here.

3:09:10.280 --> 3:09:15.920
<v Speaker 1>I gotta say that I appreciate y'all. We be sad.

3:09:18.080 --> 3:09:22.680
<v Speaker 1>We'll get a song together. Right, you're gonna make up? Yeah? Yeah,

3:09:22.720 --> 3:09:24.920
<v Speaker 1>I'm glad we talked about that because I was really confused.

3:09:25.560 --> 3:09:27.360
<v Speaker 1>You I didn't know what then was going on? Yeah

3:09:27.400 --> 3:09:33.080
<v Speaker 1>I did. Yeah, Yeah, I'm very petty, um for your

3:09:33.160 --> 3:09:37.080
<v Speaker 1>last what we want to say? The people to my people?

3:09:39.480 --> 3:09:42.000
<v Speaker 1>Rings on? Right, you got two rings on? You're not

3:09:42.120 --> 3:09:46.200
<v Speaker 1>taking do right, No, not yet, but what is that?

3:09:46.320 --> 3:09:49.480
<v Speaker 1>What kind of rockets? That's an opal right here? What Opal?

3:09:49.840 --> 3:09:54.400
<v Speaker 1>Australian Opal? And this is like Citrin and this ship

3:09:54.520 --> 3:09:59.160
<v Speaker 1>like I forgot what this outer two rocks are, but

3:09:59.240 --> 3:10:01.720
<v Speaker 1>it's something something rare. It's like some little oozy bird

3:10:01.760 --> 3:10:07.760
<v Speaker 1>ship ship. No, that was a pink diamond. Okay, that's different.

3:10:07.840 --> 3:10:10.080
<v Speaker 1>It's just not the pink diamond. It's not the pink diamond.

3:10:10.520 --> 3:10:12.240
<v Speaker 1>It costs more than the diamond, but it's it's not

3:10:12.360 --> 3:10:16.280
<v Speaker 1>a diamond though. Yeah, ok yeah, that was a gift

3:10:16.320 --> 3:10:23.880
<v Speaker 1>too from person from where. It was a Valentine's Day gift.

3:10:31.360 --> 3:10:33.080
<v Speaker 1>Who else would it be from? Here? You know it's

3:10:33.120 --> 3:10:38.879
<v Speaker 1>from who else would it be from? Man? Yeah? Why? Why?

3:10:39.040 --> 3:10:41.600
<v Speaker 1>Why you act like you're not in love though? Man?

3:10:41.720 --> 3:10:44.160
<v Speaker 1>Come on man, when were talking about man? We can't

3:10:44.200 --> 3:10:47.520
<v Speaker 1>get sister stiff, I didn't say that cool I'm in love.

3:10:48.280 --> 3:10:51.320
<v Speaker 1>I like saying I'm in love a real nick I'm

3:10:51.360 --> 3:10:59.440
<v Speaker 1>in love ship sounds good, don't it. I don't hard

3:10:59.520 --> 3:11:02.800
<v Speaker 1>that ship. I can see it in your face. You

3:11:02.800 --> 3:11:04.800
<v Speaker 1>don't want to go. You don't want go on olse,

3:11:04.959 --> 3:11:10.120
<v Speaker 1>you want to stay honestly, to be a rail with you.

3:11:13.000 --> 3:11:16.680
<v Speaker 1>I don't feel like talking about it. I respect that

3:11:16.800 --> 3:11:21.959
<v Speaker 1>as well, But I mean, but you know you ain't

3:11:21.959 --> 3:11:25.440
<v Speaker 1>I ain't saying you wrong. I like that. I like that.

3:11:26.080 --> 3:11:30.640
<v Speaker 1>I like that. I'm gonna listen to me. I'm so

3:11:30.800 --> 3:11:33.200
<v Speaker 1>glad you came here. I'm so glad you sat down

3:11:33.280 --> 3:11:36.520
<v Speaker 1>with us, because one thing for sure, do things for certain.

3:11:38.160 --> 3:11:40.160
<v Speaker 1>I want people to understand and know that we did

3:11:40.240 --> 3:11:45.160
<v Speaker 1>not invite you here because of a certain statement that

3:11:45.360 --> 3:11:48.280
<v Speaker 1>was made because of you. We invited you here because

3:11:48.360 --> 3:11:51.720
<v Speaker 1>you deserve to be here prior to that, after that,

3:11:51.920 --> 3:11:57.640
<v Speaker 1>and we're going to continue to support our legends. Are

3:11:57.760 --> 3:12:01.960
<v Speaker 1>people who who who needs to be supported, and you're

3:12:02.000 --> 3:12:07.520
<v Speaker 1>one of them. And we respect you. We hope and

3:12:07.720 --> 3:12:11.960
<v Speaker 1>honor and wish if you and the brother work it out.

3:12:12.520 --> 3:12:14.360
<v Speaker 1>Got nothing to really do with us, and ain't it

3:12:14.480 --> 3:12:18.039
<v Speaker 1>ain't even nothing. It ain't even nothing to work out. Really,

3:12:18.160 --> 3:12:21.280
<v Speaker 1>I mean, I got love for him, and you know

3:12:22.280 --> 3:12:26.480
<v Speaker 1>I ain't gonna work out. It's just business. Handle the business.

3:12:26.680 --> 3:12:30.520
<v Speaker 1>And but I should talk to him about that though,

3:12:30.720 --> 3:12:34.959
<v Speaker 1>one on one. I you know, as a person that's

3:12:34.959 --> 3:12:38.760
<v Speaker 1>been in this business, you know, twenty some our years.

3:12:39.520 --> 3:12:42.120
<v Speaker 1>That's the biggest thing I ever regret. It was just

3:12:42.400 --> 3:12:44.760
<v Speaker 1>not pulling my homeie to the side for certain things.

3:12:45.080 --> 3:12:47.360
<v Speaker 1>But I'm not perfect though, bro, Yeah, no, no, no,

3:12:47.520 --> 3:12:49.800
<v Speaker 1>I understand people all the candle to me like I'm perfect.

3:12:49.840 --> 3:12:52.120
<v Speaker 1>Sometimes I see a lot of criticism about me. Sometimes

3:12:52.160 --> 3:12:54.039
<v Speaker 1>they'd be like, oh, you could have said a better line,

3:12:54.440 --> 3:12:56.959
<v Speaker 1>this line got a document and at all these opinions,

3:12:57.000 --> 3:12:59.039
<v Speaker 1>and it's like, at least time out here saying at

3:12:59.120 --> 3:13:02.040
<v Speaker 1>least time I hear trying, you know, but you know,

3:13:02.200 --> 3:13:04.440
<v Speaker 1>holding that we just gotta do one more shot before. No, no, no,

3:13:04.680 --> 3:13:08.000
<v Speaker 1>come on, you gotta you can't do it for you

3:13:08.400 --> 3:13:12.640
<v Speaker 1>because this is hip hop. I want to say something.

3:13:12.959 --> 3:13:14.320
<v Speaker 1>I want to say more shot. No, no, no, I

3:13:14.360 --> 3:13:15.760
<v Speaker 1>want to say to my people that I mean, you

3:13:15.840 --> 3:13:18.800
<v Speaker 1>gotta go. You go, corepl Gables. We are gonna We're

3:13:18.800 --> 3:13:25.600
<v Speaker 1>going to Calli's house. We're going the same part take

3:13:25.640 --> 3:13:29.080
<v Speaker 1>on one shot. Brother. Hello, Hello, Hello. I want to

3:13:29.120 --> 3:13:32.360
<v Speaker 1>say to my people, thanks for fucking riding with me, man,

3:13:32.560 --> 3:13:36.119
<v Speaker 1>Thanks for holding me down, Thanks for defending me, Thanks

3:13:36.200 --> 3:13:41.480
<v Speaker 1>for listening to me when motherfucker's may say crazy things

3:13:41.560 --> 3:13:44.040
<v Speaker 1>about me. Thanks for seeing who I really am. Thanks

3:13:44.040 --> 3:13:45.640
<v Speaker 1>for being on the ride with me and noticing that

3:13:45.680 --> 3:13:48.400
<v Speaker 1>I'm somebody who makes all sorts of different types of music.

3:13:48.480 --> 3:13:50.480
<v Speaker 1>Thanks for hopping on that journey with me, Thanks for

3:13:50.600 --> 3:13:53.800
<v Speaker 1>changing my life, Thanks for giving me the opportunity to

3:13:53.879 --> 3:13:56.360
<v Speaker 1>buy my mom a house, and from my grandma to

3:13:56.400 --> 3:13:59.080
<v Speaker 1>see that before she passed away. It's because of y'all,

3:13:59.200 --> 3:14:01.640
<v Speaker 1>you know what I'm saying. Thanks to everybody who ever

3:14:01.720 --> 3:14:04.560
<v Speaker 1>supported me. Thanks to the listeners, thanks to my city

3:14:04.640 --> 3:14:08.040
<v Speaker 1>de Trait, thanks to my my family unit, thanks to

3:14:08.120 --> 3:14:15.440
<v Speaker 1>my team, thanks to Kanye, thanks to uh, everybody who

3:14:15.520 --> 3:14:17.160
<v Speaker 1>ever helped me get to where I'm at. Man, I

3:14:17.240 --> 3:14:20.800
<v Speaker 1>appreciate it more than anything. All Right, we take it

3:14:20.879 --> 3:14:23.760
<v Speaker 1>one last shot. That's it, and we're gonna go to

3:14:23.800 --> 3:14:26.800
<v Speaker 1>the same party. Don't worry about it. I mean, um,

3:14:27.040 --> 3:14:31.120
<v Speaker 1>come on, come on. You know I expect y'all man. Yeah,

3:14:31.240 --> 3:14:35.320
<v Speaker 1>I expect my Detroit lines man man trying to think

3:14:35.600 --> 3:14:38.280
<v Speaker 1>anything else. We didn't on his team. We talked about

3:14:38.280 --> 3:14:44.240
<v Speaker 1>the movie. Did Yeah, it's clear. I think we're pretty clear.

3:14:44.680 --> 3:14:49.480
<v Speaker 1>You were clear. It was definitely an embarrassing Oney, you're

3:14:49.520 --> 3:14:52.959
<v Speaker 1>just gonna be like, man, what's the no. You're good

3:14:53.080 --> 3:14:56.440
<v Speaker 1>broa because you know why you're human. I'm human, bro.

3:14:56.680 --> 3:14:59.320
<v Speaker 1>That's the thing about it is. And I think that's

3:14:59.360 --> 3:15:02.080
<v Speaker 1>the thing about what he said, was he was being human.

3:15:02.720 --> 3:15:10.080
<v Speaker 1>He wasn't. It was. It was human. That wasn't. I'm

3:15:10.080 --> 3:15:11.480
<v Speaker 1>gonna tell you, I'm gonna keep it real with you,

3:15:12.120 --> 3:15:13.840
<v Speaker 1>and I'm done talking about this. This is the last

3:15:13.840 --> 3:15:15.800
<v Speaker 1>thing you're gonna say about this. Take a shot first

3:15:17.000 --> 3:15:23.400
<v Speaker 1>after No, let me get this thought. Okay, I'm in that. Actually,

3:15:23.800 --> 3:15:25.800
<v Speaker 1>let me think about what the fun was I saying,

3:15:26.760 --> 3:15:29.960
<v Speaker 1>Oh the text text, No, not the text, what he said,

3:15:30.720 --> 3:15:36.840
<v Speaker 1>it just wasn't. It was. It was personal, bro, It

3:15:36.959 --> 3:15:40.120
<v Speaker 1>was personal. It wasn't just like him being human. It

3:15:40.280 --> 3:15:44.560
<v Speaker 1>was like a personal shot to me. It was. Let

3:15:44.640 --> 3:15:48.240
<v Speaker 1>you finish. I have not taken one personal shot to him.

3:15:48.280 --> 3:15:52.200
<v Speaker 1>I've only strictly talked about business and about how how

3:15:52.280 --> 3:15:54.000
<v Speaker 1>much I appreciate it for changing my life. I know

3:15:54.080 --> 3:15:57.680
<v Speaker 1>the opportunity he gave me. I'm not disregarding that. But

3:15:57.920 --> 3:16:05.800
<v Speaker 1>that's not I mean, okay, I guess, yeah, he's human.

3:16:05.920 --> 3:16:09.480
<v Speaker 1>It's human. Yeah, it's human. He's also a man of God, though,

3:16:09.760 --> 3:16:12.520
<v Speaker 1>and I and I and maybe you know I read

3:16:12.600 --> 3:16:14.360
<v Speaker 1>the four agreements, and one of them is to not

3:16:14.560 --> 3:16:20.840
<v Speaker 1>have um any assumptions and expectations. So maybe I shouldn't

3:16:20.840 --> 3:16:28.040
<v Speaker 1>expect him to be a man of God or you

3:16:28.120 --> 3:16:31.360
<v Speaker 1>know somebody who wouldn't say, well, let me just be clear,

3:16:31.520 --> 3:16:33.800
<v Speaker 1>a man of God. No, I wasn't done. He is

3:16:33.840 --> 3:16:35.440
<v Speaker 1>a man of God. We all are a man of guys,

3:16:36.120 --> 3:16:38.280
<v Speaker 1>a man of guy who would think to not say that,

3:16:38.840 --> 3:16:42.480
<v Speaker 1>you know what I'm saying. But also you could also

3:16:42.560 --> 3:16:45.760
<v Speaker 1>be cutting the moment, calling the moment, and let's just

3:16:45.840 --> 3:16:48.600
<v Speaker 1>be clear. A man of God, he is a man

3:16:48.680 --> 3:16:54.039
<v Speaker 1>of God. God says, God says, I'm I'm the God.

3:16:54.160 --> 3:16:57.320
<v Speaker 1>I'm the only God the worship nobody else, no one else. Right.

3:16:59.120 --> 3:17:04.640
<v Speaker 1>That's the most petty is fucking thing in existence. Let's

3:17:04.640 --> 3:17:06.960
<v Speaker 1>think about it. Let's think about if you know you

3:17:07.200 --> 3:17:10.560
<v Speaker 1>the man in this world, why should I even tell

3:17:10.680 --> 3:17:14.320
<v Speaker 1>you not to fun with someone else? That's petti eisiness.

3:17:14.760 --> 3:17:19.320
<v Speaker 1>So being petty sometimes it's being of God. I killed that.

3:17:20.720 --> 3:17:29.120
<v Speaker 1>No no, no, no, no, no no no, because there

3:17:29.320 --> 3:17:32.400
<v Speaker 1>is no greater God, there is no He is the Almighty.

3:17:32.600 --> 3:17:34.720
<v Speaker 1>That's what I said. So he knows. So when people

3:17:34.800 --> 3:17:37.520
<v Speaker 1>get false gods, these false prophets, when people follow people

3:17:37.600 --> 3:17:40.720
<v Speaker 1>like gods, that is not godly. In fact, that is

3:17:41.760 --> 3:17:45.360
<v Speaker 1>that is ungoly. These people we are all we are

3:17:45.440 --> 3:17:48.520
<v Speaker 1>all God body. We are all made in the image

3:17:48.560 --> 3:17:50.520
<v Speaker 1>of God and made by God. The only difference is

3:17:50.879 --> 3:17:53.360
<v Speaker 1>God made us. We didn't make God. So God is

3:17:53.520 --> 3:17:57.640
<v Speaker 1>the Almighty, the praiser. So what I'm saying is, no,

3:17:57.959 --> 3:18:02.760
<v Speaker 1>the pettiness, pettiness doesn't exist because that is not God

3:18:02.879 --> 3:18:05.960
<v Speaker 1>is only love. That's true, that's true. But pettiness and

3:18:06.040 --> 3:18:10.560
<v Speaker 1>selfishness is a part of God. Selfishness when you say

3:18:11.400 --> 3:18:14.760
<v Speaker 1>you could only praise me and that's selfish, No, that's

3:18:14.760 --> 3:18:19.240
<v Speaker 1>not selfish. Selfish, bro, that is not selfish. Why would

3:18:19.240 --> 3:18:21.280
<v Speaker 1>that be selfish? We should not be drinking and talking

3:18:21.360 --> 3:18:26.080
<v Speaker 1>religion right now, right now? All right, we gotta go

3:18:26.320 --> 3:18:29.680
<v Speaker 1>part two then, because another to because look, that's a

3:18:29.840 --> 3:18:34.160
<v Speaker 1>that's a deeper discussions, deep and in my opinion, my opinion,

3:18:36.040 --> 3:18:40.560
<v Speaker 1>when you're selfish sometimes and when you're petty, you are

3:18:40.560 --> 3:18:44.720
<v Speaker 1>a reflection of God. No, that is definitely not Who's God.

3:18:45.040 --> 3:18:47.280
<v Speaker 1>That is devilish, bro, that is like who God is.

3:18:47.360 --> 3:18:49.440
<v Speaker 1>That though, that's the problem we're gonna have right now.

3:18:50.720 --> 3:18:53.920
<v Speaker 1>I don't want to petty God, but your God is

3:18:53.959 --> 3:18:58.240
<v Speaker 1>petty God. Says worship and no one else every God?

3:18:58.879 --> 3:19:06.120
<v Speaker 1>Are you Christian? Are you both? Both? Both scriptions? Karan?

3:19:08.240 --> 3:19:11.879
<v Speaker 1>Because people were praising false guys, because people were praising

3:19:11.920 --> 3:19:15.000
<v Speaker 1>people as guys. And is that right? Guy? Ship bro

3:19:15.080 --> 3:19:19.800
<v Speaker 1>this is the wrong conversation, right to that's not right. Yeah,

3:19:19.920 --> 3:19:24.959
<v Speaker 1>this is true. What cycles would beat brocs false experience.

3:19:28.000 --> 3:19:32.480
<v Speaker 1>It's trading false guys. And we are done this interview. Yes,

3:19:33.120 --> 3:19:35.960
<v Speaker 1>you're taking another shot. That's it's never ending interview. Brothers.

3:19:38.240 --> 3:19:40.400
<v Speaker 1>This is it. We're on the same party. Come on,

3:19:40.879 --> 3:19:44.240
<v Speaker 1>what was I gonna say? Though? See you continuing years ahead?

3:19:44.520 --> 3:19:46.240
<v Speaker 1>Now that's it. That's all I got to say. One

3:19:46.280 --> 3:19:52.000
<v Speaker 1>more shot and that's it. Yeah, I didn't sign off.

3:19:53.000 --> 3:19:55.480
<v Speaker 1>We don't we love you all. That's that's, that's what

3:19:55.600 --> 3:19:59.120
<v Speaker 1>it is. Look on, take one look at my shot.

3:19:59.560 --> 3:20:01.879
<v Speaker 1>Take a little a shot and that's it. That's that's

3:20:04.160 --> 3:20:06.240
<v Speaker 1>You've been sitting there with that whole shot. No, no, no,

3:20:06.360 --> 3:20:09.840
<v Speaker 1>he just poured it from me. That's a double shot.

3:20:10.400 --> 3:20:12.320
<v Speaker 1>I told you not to do at kind of shots. Yeah,

3:20:12.320 --> 3:20:14.240
<v Speaker 1>I ain't gonna lie. You talk like it wraps. He's like,

3:20:14.320 --> 3:20:17.520
<v Speaker 1>that's a double shot, just like how you wrapped. Yeah,

3:20:17.600 --> 3:20:23.560
<v Speaker 1>I love it solo, So we appreciate you brother, for real. No, no,

3:20:23.680 --> 3:20:26.879
<v Speaker 1>not for real. That's what I showed was about. Our

3:20:26.879 --> 3:20:30.400
<v Speaker 1>show was about giving people flowers to their face. Um.

3:20:30.959 --> 3:20:33.920
<v Speaker 1>We made sure, we want to make sure this wasn't

3:20:33.920 --> 3:20:37.320
<v Speaker 1>of a bottle show. And I loved how you asked

3:20:37.360 --> 3:20:42.880
<v Speaker 1>it answered every car you question, and you kept your cool.

3:20:43.480 --> 3:20:45.840
<v Speaker 1>You didn't get an emotional at one point, and that

3:20:46.000 --> 3:20:48.120
<v Speaker 1>was when I was scared of. I thought when when

3:20:49.040 --> 3:20:51.440
<v Speaker 1>you said he finally agreed to doing Dream Chance, I

3:20:51.480 --> 3:20:53.800
<v Speaker 1>thought you was gonna be here and be emotional. I

3:20:54.000 --> 3:20:59.119
<v Speaker 1>was because emotions weakness. I was. I got too much.

3:20:59.480 --> 3:21:01.920
<v Speaker 1>I can't be caring anger around. But you know I

3:21:02.000 --> 3:21:04.440
<v Speaker 1>probably got passionate about speaking about these things because I

3:21:04.520 --> 3:21:07.160
<v Speaker 1>have been carrying them around. But that's not anger. That's

3:21:07.240 --> 3:21:09.600
<v Speaker 1>just I gotta come here and stand up for man,

3:21:10.040 --> 3:21:12.520
<v Speaker 1>you know, the same way my grandma would have came

3:21:12.600 --> 3:21:14.960
<v Speaker 1>up and stood up for herself. I gotta stand up

3:21:14.959 --> 3:21:17.080
<v Speaker 1>for myself, you know. So that just is what it

3:21:17.160 --> 3:21:21.240
<v Speaker 1>is in my bloodline. I'm just a motherfucking black man

3:21:21.320 --> 3:21:25.359
<v Speaker 1>in America. I'll love the work anything. In any discrepancies

3:21:25.400 --> 3:21:30.280
<v Speaker 1>I ever got out, I don't got nuther love that's

3:21:30.320 --> 3:21:32.320
<v Speaker 1>what the funk it is man. That's it brother, that's

3:21:32.360 --> 3:21:39.879
<v Speaker 1>it got dead. Thanks for joining us for another episode

3:21:39.920 --> 3:21:42.280
<v Speaker 1>of Drink Champs hosted by Yours truly d J E

3:21:42.440 --> 3:21:44.800
<v Speaker 1>f F and n r E. Please make sure to

3:21:44.840 --> 3:21:47.360
<v Speaker 1>follow us on all our socials. Let's add drink Champs

3:21:47.400 --> 3:21:50.600
<v Speaker 1>across all platforms at the Real Noriega and I g

3:21:51.320 --> 3:21:54.440
<v Speaker 1>at Noriega on Twitter, mine is at Who's Crazy on

3:21:54.600 --> 3:21:58.480
<v Speaker 1>I g at dj e FN on Twitter, and most importantly,

3:21:58.480 --> 3:22:00.920
<v Speaker 1>stay up to date with the latest relief, says news

3:22:01.280 --> 3:22:09.520
<v Speaker 1>and merged by going to drink Champs dot com. For

3:22:09.640 --> 3:22:13.280
<v Speaker 1>more podcasts from my heart Radio, visit the iHeart Radio app,

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