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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and his Drink Has motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. Secre is your boy in

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Speaker 1: o R. He's a Miami hippoper lioneer. What Up is

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Speaker 1: d j e f N? Together they drink it up

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Speaker 1: with some of the biggest players in the most professional

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Speaker 1: unprofessional podcast and your number one sorts for drunk fast

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Speaker 1: drinks Mother is New year' z that for Drink Champs,

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Speaker 1: Drink up, motherfuck mother? Would it good? Be? Hopefully swo

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Speaker 1: it should be. This is your boy and right what

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Speaker 1: up his dj e f N and his drinks has? Motherfucker?

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Speaker 1: Yeppy makes up? Right now? This brother that's here, we

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Speaker 1: want to be very very clear. This brother deserved to

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Speaker 1: be here. This brother um was invited here way before

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Speaker 1: this other interview. So I don't want people to I

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Speaker 1: don't want people to feel like, yeah, yeah, so I

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Speaker 1: got so. So this is not a bottle or something

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Speaker 1: like that. This is this man deserves his flowers. He

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Speaker 1: deserves to be here. He's one of the most lyrical

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Speaker 1: bar lords there is. When you look at the new

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Speaker 1: you know, School of Mount Rushmore. You know what I mean.

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Speaker 1: He belongs there, you know what I'm saying, next to

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Speaker 1: the Kendricks, the Coles and the Drake's, and his face

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Speaker 1: belongs there. He's, like I said, a bar lord. He

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Speaker 1: makes constant hit records. He's out on his own right now.

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Speaker 1: He's he's doing. He just performed at the goddamn Lions

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Speaker 1: game and tore that ship up. Yeah. So in case

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Speaker 1: you don't know the funk we're talking about, we talked

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Speaker 1: about big motherfucker' shoan. So how was that on Thanksgiving

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Speaker 1: for your hometown? In your hometown. That's the second time

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Speaker 1: I did it, So it was beautiful. The show the

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Speaker 1: hometown love is like that. Yeah, and you said, what

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Speaker 1: did somebody say something? Okay, So it's beautiful and like

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Speaker 1: I said, it's my second time doing it. And the

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Speaker 1: performance was cool because it's like we started in the crowd,

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Speaker 1: we started and went to another part of the stage,

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Speaker 1: went to another part. So the production was cool and

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Speaker 1: we uh, we just had a good time. It was

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Speaker 1: funny though, because when I sat in the crowd, everybody

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Speaker 1: was so hype. Everybody was so live. Oh my god,

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Speaker 1: oh my god. And you know they like everybody gotta

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Speaker 1: stay in your seats performance. And then when I saw

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Speaker 1: it on camera, I was like, people, it was just

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Speaker 1: like because I was sitting there for like ten minutes,

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Speaker 1: so it was like, you know, they had to stay

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Speaker 1: in their seat and not get up with me and

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Speaker 1: get to go on. You know what I'm saying. But bro,

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Speaker 1: it was funny. Bro It's crazy. No. Now, Detroit is

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Speaker 1: a real, real city. And when I would say that

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Speaker 1: is for anybody who's never been in Detroit when I've

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Speaker 1: my experiences, because I can't just drive Detroit um and

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Speaker 1: in a very articulate way because I've been there, you know,

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Speaker 1: not not too much, but I've been there enough to know.

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Speaker 1: But when I've seen in Detroit, it's like super rich

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Speaker 1: and then super poor. That's how it is everywhere. Though

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Speaker 1: the Miami has a middle, Miami has a middle, we

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Speaker 1: got a middle too. That's where that's like kind of like, okay,

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Speaker 1: that's that's the part I haven't seen. Like I remember

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Speaker 1: me performing in Detroit. I swear to GoF one time.

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Speaker 1: I don't remember. It was the Shelter, one of those

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Speaker 1: stum and I remember leaving there and me driving back

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Speaker 1: to the hotel and no Lights was on. I talking

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Speaker 1: about the whole street Lights was was gone except for

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Speaker 1: the casino that was. It had to be like early

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Speaker 1: two thousands because it was before eminem it was, it

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Speaker 1: was whatever Shore, it was. It was before everything. But

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Speaker 1: I remember and then I was like, just like your

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Speaker 1: third album, and I remember coming back to Detroit and

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Speaker 1: I remember y'all was also first on medical marijuana, Like

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Speaker 1: y'all was early on that ship. Like I was like,

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Speaker 1: what the yeah. I was like, yeah, And I went

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Speaker 1: to some spot. It was across the street. I was eating,

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Speaker 1: so I think it was saying as of cross the

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Speaker 1: street and there was like a black spot. Everyone in

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Speaker 1: there had medical medical marijuana licenses. I was like earlier.

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Speaker 1: So that's a classic men. You though, she'll describe Detroit

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Speaker 1: for people a person that's never been there. Um, and

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Speaker 1: you love your city, man, that's one thing everyone has

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Speaker 1: to respect about you, like you love love your city.

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Speaker 1: Everybody from the city love that city. Everybody from betray

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Speaker 1: Red betray proudly, you know. Every I didn't went around

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Speaker 1: the world and felt the city presence everywhere I go,

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Speaker 1: from Japan, London, everywhere, people rocking. Detroit has l a

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Speaker 1: new York. You know what I'm saying, they got it.

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Speaker 1: It's just like it's a city that's been through so

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Speaker 1: many tough times that you've got no choice but to

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Speaker 1: just be authentically who you are. You aren't trying to

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Speaker 1: be nobody else. You're not trying to put on the front.

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Speaker 1: You're not trying to you know what I'm saying. At Hollywood,

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Speaker 1: you're just you're from the d so you you have

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Speaker 1: a built in resilience. You know, the city of champions,

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Speaker 1: Lingo style. You know, they're keeping fresh everything they do,

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Speaker 1: you know what I mean. And just historical you know,

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Speaker 1: city that's in our DNA from you're talking about you

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Speaker 1: know this is Michael Jackson. You know what I'm saying.

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Speaker 1: Jackson five, you're some about to add rag. You' telling

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Speaker 1: about Stevie Wonder, Marvin Gay, read the Franklin. You're talking

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Speaker 1: about more time, You're talking about Jay Diller, talking about

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Speaker 1: Slow Village. You're talking about race and huge impact, you

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Speaker 1: know what I mean. So it kind of got It's

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Speaker 1: a city that it just breeds. That's how you know,

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Speaker 1: you get a lot of money. I've seen white people

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Speaker 1: walking here with pig water water case, the sign of

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Speaker 1: getting money. You remember how money getting? Don't you know that?

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Speaker 1: I love Fiji. I love That's my favorite, you warters,

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Speaker 1: it's Fiji involved. You gotta deal with Fiji right now. No, no,

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Speaker 1: you remember the first time we've seen Fiji? Ward, I

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Speaker 1: remember that the first time I've seen it was puff? Okay, No,

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Speaker 1: I don't really, yeah, I don't can't remember what okay.

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Speaker 1: I was like, Okay, but let's let's stick, let's sick.

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Speaker 1: Let's stick with the d because right, um, it's a

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Speaker 1: city Midwest, correct of course, but um it's a city.

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Speaker 1: Oh damn, hold on, hold on, let me talk about

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Speaker 1: the choit right now. We won't get to that. Can

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Speaker 1: you forgetting about the bad boys? This is about the

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Speaker 1: act I was about to ask, not the bad boys.

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Speaker 1: I was about to ask the malice in the Palace

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Speaker 1: when Indiana against How old was you at that time?

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Speaker 1: Did you see that game live? Yeah? No, I don'tee.

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Speaker 1: I wasn't there, livy, I saw when it was happening. Okay,

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Speaker 1: I'm saying you saw it live, not not being end up.

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Speaker 1: I can't remember how old I was during the time

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Speaker 1: of Malice in the Palace. That's ship and live, you know,

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Speaker 1: like the thing that just happened with the Lakers and

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Speaker 1: the Pistons. There was about to be another malice in

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Speaker 1: that was in l a which is I was in

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Speaker 1: that was in it could have got the thing about

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Speaker 1: it. It It was the blood, you know. You know what's funny.

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Speaker 1: When Lebron first hit him and he walked over to him,

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Speaker 1: I didn't see the blood. How come the blood came

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Speaker 1: after they separated him. Man, that was like wrestling. That

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Speaker 1: was like wrestling blood. That was all Jim tucking ship

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Speaker 1: right there. I was like, all right, so so you

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Speaker 1: you did see. But I'm also I'm the creative director

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Speaker 1: for the Detroit Pistons. Yeah, it was one of the

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Speaker 1: many jobs. Okay, okay, that's another thing. People from the

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Speaker 1: day we hustle. Right, He's like New York and you

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Speaker 1: got a movie theater too. We got a movie theater too. Okay,

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Speaker 1: the creative for the Pistons. It's not open yet, so

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Speaker 1: we just started building. It's a it's a process, bro.

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Speaker 1: We was gonna build it at another location and for

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Speaker 1: guy works in mysterious ways because it didn't work out

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Speaker 1: in that location and then the pandemic happened. Movie theaters

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Speaker 1: was yeah, you know what I'm saying. So it would

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Speaker 1: have been worst case scenario. We opened it and it

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Speaker 1: just completely fell flat as a new business. So now

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Speaker 1: we got a new location that's right over on Wayne State.

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Speaker 1: It's just it's so it could be hard dealing with

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Speaker 1: the city sometimes, you know what I'm saying. It's like

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Speaker 1: because it's right there on the campus. They're building a

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Speaker 1: bridge over the freeway. So it's like I need Wayne

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Speaker 1: State to really get that, like ball moving on, keeping

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Speaker 1: keep it moving, and keep it building, you know, because

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Speaker 1: it's just so many steps to like that's the that's

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Speaker 1: a commercial that's commercial real estate. So that's a big,

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Speaker 1: big deal. And that's my first first deal like that,

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Speaker 1: you know what I'm saying, where I'm actually part owner

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Speaker 1: of the actual real estate, not just the movie. And

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Speaker 1: what's crazy is there is no movie theater in the

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Speaker 1: city of Detroit. They all might be five minutes out

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Speaker 1: of Detroite, eight minutes, but not in this that's crazy, right,

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Speaker 1: hold on, hold on, I've never heard of that. We'ld

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Speaker 1: have been a minute time. Yeah you went to fast

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Speaker 1: with a minute? Did you just say there's no movie

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Speaker 1: there in the old city. The whole city, Like all right,

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Speaker 1: whoa time should be one down at the rent siting

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Speaker 1: at the Renaissance Center, but they closed that down. So

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Speaker 1: this is this is why it's a big deal because

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Speaker 1: I'm trying to do more than the theater. I'm trying

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Speaker 1: to have it be a place for the community, a

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Speaker 1: place where creatives can premier their videos, premier their independent films,

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Speaker 1: have real film premiers there, you know what I'm saying.

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Speaker 1: Have a place where people can have presentations, where uh

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Speaker 1: like community centers, workshops, just somewhere where the people can

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Speaker 1: really come together in the city. And it'd be like

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Speaker 1: an entertainment hub and have you know, bowling everything else

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Speaker 1: to that a movie theater can do. I want to

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Speaker 1: supposed to be the biggest screen in the world too,

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Speaker 1: but it's really big, bro, But it's a lot of things.

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Speaker 1: You know, you know how important it is to diversify.

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Speaker 1: So also we're starting a VC to a venture capitalist

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Speaker 1: phone where we're gonna be you know, funding said, it's

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Speaker 1: a virtual virtual No, but it's a it's the first

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Speaker 1: of its kind because it's a um, we're doing it

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Speaker 1: like you know, most venture capitalists where how traditionally RAM

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Speaker 1: but we're also doing half of the funds of being

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Speaker 1: in the stock market because I got the right people.

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Speaker 1: The money I put into, like all the stocks and

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Speaker 1: things already have already been able to double in like

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Speaker 1: a short amount of time. So I'm trying to get

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Speaker 1: people the opportunity, try to tell people the opportunity to

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Speaker 1: just invest. You know, it's a black owned I'm part

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Speaker 1: of this company Amber that's like you ever heard of him.

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Speaker 1: So it's a mug that keeps your tear coffee the

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Speaker 1: same temperature that yeah, I've been sending that and um,

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Speaker 1: it's also being used in the medical field, so they're

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Speaker 1: using it to keep organs, you know too, for organs

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Speaker 1: to travel along way and keep it the same temperature.

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Speaker 1: So that's what it's transitioning into as well. So that's

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Speaker 1: one of the things Wills. I'm investing in, Uber, I'm

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Speaker 1: invested in, you know a lot of things that I've

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Speaker 1: been blessed to have ol gs that helped guy me

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Speaker 1: in that way. So I'm just trying to pass that

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Speaker 1: on and those investment you're doing them on your owner

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Speaker 1: through the adventure capital from those are actually just on

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Speaker 1: my own. But you know, I'll sit with my mom

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Speaker 1: talking to my homie Jerry talking with a lot of people,

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Speaker 1: and it's like, we got to figure out a way

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Speaker 1: to do that for the people, to give people the

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Speaker 1: opportunity because that financial literacy some ship, they don't really

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Speaker 1: be teaching us. Bro. Yeah that's real. Yeah, that's the

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Speaker 1: furthest you're getting in school is filling out a check.

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Speaker 1: That's the furthest we got you're bringing out late bringing out.

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Speaker 1: So Sean, we just want you to know, like our

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Speaker 1: show was about giving people their flowers. We we we

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Speaker 1: didn't we didn't make that statement up, but we made

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Speaker 1: that statement famous in this game. We we wanted to

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Speaker 1: tell people today face that how much we appreciate them,

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Speaker 1: how much they deliver into the game and all that.

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Speaker 1: So we want to give you your flowers. You know what,

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Speaker 1: say I'm saying straight to straight. You know what I'm saying, Yeah,

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Speaker 1: that's hard, shout out to what the flowers? Yeah you

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Speaker 1: know what makes remember that? Bro? Yes, yes you know

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Speaker 1: we worked hard. Yes, yes, yes, I'd like to give

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Speaker 1: you your flowers. Ship, but hold on, I want to

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Speaker 1: get hold of before you get into that, Before you

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Speaker 1: get into that ship. When I first met you, and

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Speaker 1: remember I came up to you and I was like, yo, man,

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Speaker 1: I gotta love for you. Your first album, are you

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Speaker 1: know saying hunk with you? Uh? So then I'm looking

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Speaker 1: at Drink Chance and you mentioned me and I was like,

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Speaker 1: what the fun is he talking about? You know what's

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Speaker 1: early though? This early Drink Chance. I think when I

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Speaker 1: met you, I think he was just starting it right.

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Speaker 1: And I told you congratulations, but I was like, it's

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Speaker 1: hard that you were able to because I want to promise, promise,

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Speaker 1: but I want to I want to ask you. I'm

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Speaker 1: gonna say a couple of words and I don't want

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Speaker 1: you to tell me which comes to mom when you

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Speaker 1: hear these, Oh you hear this? Okaya? Has you send me? Okay?

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Speaker 1: Sending me too much? Okay? Finally famous? What do you

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Speaker 1: think of when you think of that? Man? I think

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Speaker 1: at the parties that we threw from out of high school.

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Speaker 1: That was like our click name. Finally famous. So that

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Speaker 1: was the We used to throw parties in Club Blue.

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Speaker 1: Anybody at the train, the Club Blue, New Playing b

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Speaker 1: And we would go to Bowling Green, Michigan State throw

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Speaker 1: parties everywhere around the city. And those were my first shows.

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Speaker 1: You know what, I'm saying, So I started from battle

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Speaker 1: rapping in high school. Yeah, and then you know, doing

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Speaker 1: the Friday Night Cipher, which was a show on the

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Speaker 1: radio station during um during high school when my grandma

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Speaker 1: had a stroke and that's the only reason I had

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Speaker 1: a car, because she had just got a car and

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Speaker 1: it had a stroke or half her body got paralyzed us. So, um, anyway,

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Speaker 1: you know, it happens, you know. Uh, but that that

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Speaker 1: was gave me the opportunity to be able to get

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Speaker 1: across the city so I would be you know everywhere

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Speaker 1: I needed to be open mics, battle rapping and everything.

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Speaker 1: So yeah, that's that's what you know, my first album,

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Speaker 1: my first mix tapes. I really even though I did

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Speaker 1: have obviously an amazing co sign, I really had to

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Speaker 1: build that ship, you know, because there are other people

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Speaker 1: who had that same co sign and still other people

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Speaker 1: got that co sign and ain't happening for them. Yeah.

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Speaker 1: I really had to put in that work. It didn't

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Speaker 1: feel like that co sign was over in the beginning,

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Speaker 1: Like it didn't seem like it was in everybody's face, right,

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Speaker 1: So you did have to work for it. Was that

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Speaker 1: air like you know, right after the dedication mix tapes

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Speaker 1: and like fifty mixed teams saying, um else, what's going

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Speaker 1: crazy on the mix tape circuit? Like definitely, Wayne was

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Speaker 1: like you know that was what we used to ride

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Speaker 1: the school listening to his dedication one dedication to you

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Speaker 1: know what I'm saying, Carter and uh, that was like

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Speaker 1: the mix tape error. He really I feel like helped

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Speaker 1: him and jee Z to help, like really the mixape

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Speaker 1: a yeah, like at least at least from my perspective,

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Speaker 1: Like I could be wrong too, but like you know, no,

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Speaker 1: no, no no, you make a point. But I'm talking about

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Speaker 1: because you remember that mixtape that d Piff that like

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Speaker 1: you know what I'm saying, live mix tapes that was

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Speaker 1: like it led into that and that was what me

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Speaker 1: cole Dre wi Um we took advantage of. You know

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Speaker 1: what I'm saying, Okay, And Kendrick I believe he had

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Speaker 1: mixed tapes. I believe what I'm saying about. Definitely, Yeah,

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Speaker 1: Hall of Fame second album, what are You learning? Process?

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Speaker 1: And I would do with with no idea. All my

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Speaker 1: albums was just like reflections to where I was had

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Speaker 1: in life. You know That's why I'm asking. Yeah, And

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Speaker 1: that was just it was fat. Everything was just moving

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Speaker 1: so fucking fast. That was my first time where I

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Speaker 1: was listening to people saying like, you gotta hurry up,

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Speaker 1: you gotta hurry yet you had to drop this, We

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Speaker 1: need to catch the date. Yeah, that's that's the only

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Speaker 1: him that I was rushed on, because I also dropped

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Speaker 1: my Detroit mixtape, which I consider is one of my

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Speaker 1: best albums too, and I dropped that both of those

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Speaker 1: at around the same time, and I just felt the

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Speaker 1: pressure of like it was one of the times one

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Speaker 1: wasn't considered the album, considered the mixtape the mixtape, but

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Speaker 1: it was an album. It was called original Music, you

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Speaker 1: know what I mean. And through death jamma as well, right, well, no, no, no,

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Speaker 1: but I'm actually putting that on streaming services like in

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Speaker 1: the next week or two. So really, yeah, it was

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Speaker 1: a long fucking process, like trying to clear everything. But

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Speaker 1: uh so that was a time where I was trying

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Speaker 1: to keep up with the pace of like, okay, I

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Speaker 1: had you know, back to back to back platinum singles,

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Speaker 1: my first album is going you know, and then the mixtape,

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Speaker 1: and then that was around the same time that Click

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Speaker 1: dropped with me hoping yeah and all the good music,

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Speaker 1: the cruel summer, you know what I'm saying. So then

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Speaker 1: everybody like you gotta strike, you gotta her if you

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Speaker 1: gotta hurry up, and it's like that is definitely uh

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Speaker 1: was a learning process of like, Okay, you gotta be

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Speaker 1: on your schedule. She's not ready. It's not ready, you

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Speaker 1: know what I'm saying. Not to say it wasn't ready,

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Speaker 1: but I definitely was rushing during that process. You know, Okay,

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Speaker 1: how about Dark Sky pad So, dark Sky Paradises where

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Speaker 1: I took my time, Okay, where you learn your face

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Speaker 1: change you look so like I don't learn like so much.

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Speaker 1: He wants come on, you know, show with the rock show,

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Speaker 1: but for you, we're gonna let the forty two come on.

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Speaker 1: Yeah yeah Black Bay okay, yeah please please. All this

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Speaker 1: is black hip hop business, right all this you know,

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Speaker 1: ain't that beautiful? That's a beautiful thing. That's a beautiful damn.

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Speaker 1: But yeah, So Dark Sky Paradises where I like, uh,

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Speaker 1: somebody gonna for this shot? Yeah yeah, yeah, yeah, he

330
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Speaker 1: come on yes yeah. Um. So that's just where I

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Speaker 1: applied everything I learned, and you know, so I got

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Speaker 1: I got a lot of stories with that we could

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Speaker 1: come back to it. So it's this the time where

334
00:18:11,440 --> 00:18:14,680
Speaker 1: you're sitting back and you're saying, you're taking your career

335
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Speaker 1: into your own hands, or we still got you know,

336
00:18:18,280 --> 00:18:21,760
Speaker 1: these executives that's involved and things like that, how does

337
00:18:21,800 --> 00:18:25,000
Speaker 1: this work? It was definitely if you involved. If you

338
00:18:25,080 --> 00:18:27,959
Speaker 1: signed to any label, it's executives involved, but it's just

339
00:18:28,000 --> 00:18:30,760
Speaker 1: about how much they involved. This is the first time

340
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Speaker 1: where I was like really producing, knew exactly the type

341
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Speaker 1: of music I wanted to make, you know, the people,

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Speaker 1: the features I wanted to have. I was just clear

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Speaker 1: on it, you know, because that's where I was at

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Speaker 1: in life. It was my first time where I was like, Okay,

345
00:18:47,920 --> 00:18:50,000
Speaker 1: I got some ship to prove again, you know. And

346
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Speaker 1: ever I get in that position, it feels like that

347
00:18:54,320 --> 00:18:56,240
Speaker 1: I always stepped rise to the occasion, you know what

348
00:18:56,280 --> 00:18:57,800
Speaker 1: I'm saying, And that was one of the first times

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Speaker 1: that I felt like that. You know. I did feel

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Speaker 1: like that when I was making a D trait mixtape too,

351
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Speaker 1: and with Dark Sky Paradise, you know, it was just

352
00:19:06,320 --> 00:19:09,400
Speaker 1: a divine thing how everything was unfolding, all the features

353
00:19:09,480 --> 00:19:12,359
Speaker 1: was happening, like from blessings that that came at the

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Speaker 1: very last secon I feel second, you know what I'm saying,

355
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Speaker 1: and from one man could change the world. That was

356
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Speaker 1: probably one of my favorite songs on the album because

357
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Speaker 1: I wrote that about my grandma. And when I say man,

358
00:19:24,400 --> 00:19:26,679
Speaker 1: I just mean like human being. You know how they

359
00:19:26,880 --> 00:19:29,399
Speaker 1: referred to man in the Bible as a human you know,

360
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Speaker 1: man woman. But so you know, she was one of

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Speaker 1: the first female black captains in World War Two. She

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Speaker 1: was one of the first female police officers in Detroite.

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Speaker 1: After that, she became a teacher of counselor. She was

364
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Speaker 1: completely bossed up, you know what I'm saying, And um,

365
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Speaker 1: I dedicated that song to her. But my favorite song

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Speaker 1: on the album's Paradise. That's the That's one of the

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Speaker 1: ones on that one for me. How about I decided,

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Speaker 1: I decided that's might be one of my favorite I'm

369
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Speaker 1: trying to say that's my favorite album. I'm done. I

370
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Speaker 1: thought just gonna say, finally, Famous or Hall of Fame

371
00:20:08,160 --> 00:20:12,840
Speaker 1: is your favorite album? Okay, yeah, yeah, okay, but it's

372
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Speaker 1: still my favorite though, you know, because it was crazy

373
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Speaker 1: said that as well. When I listened to the Hold

374
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Speaker 1: of Fame, I don't feel like this rushed at all.

375
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Speaker 1: But but I'm saying I'm outside of looking at another artists.

376
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Speaker 1: So like when people the fans that come up to

377
00:20:24,880 --> 00:20:27,119
Speaker 1: me they love Melviourne Flint, and I'll be like, yo, man,

378
00:20:27,160 --> 00:20:29,040
Speaker 1: I just hated where I was at in life when

379
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Speaker 1: I made that album, so I could never appreciate it

380
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Speaker 1: like how they appreciate it. But I decided where were

381
00:20:35,040 --> 00:20:38,840
Speaker 1: you at? Yeah? So and again, uh well, okay, let's

382
00:20:38,840 --> 00:20:43,520
Speaker 1: talk about I decided. I decided. I had a dream.

383
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Speaker 1: I remember telling calling one of my niggas up, and

384
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Speaker 1: I had a dream that I was an old man

385
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Speaker 1: and had regretted everything I did wrong in life. I

386
00:20:52,840 --> 00:20:59,000
Speaker 1: straight up had a dream like that. Bro, Wait, hold on,

387
00:20:59,040 --> 00:21:00,800
Speaker 1: So you had to dream that you were old man

388
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Speaker 1: like he was. Actuality make it to be an old man.

389
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Speaker 1: That's a blessing. Success, that was a blessing. So how

390
00:21:07,640 --> 00:21:11,400
Speaker 1: could you say that because I couldn't saying he regretted

391
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Speaker 1: it because I couldn't remember anything that happened. I was

392
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Speaker 1: old and couldn't remember. That's what That's what it is.

393
00:21:16,200 --> 00:21:19,720
Speaker 1: Yeah yeah, So I was like, what, I can't remember

394
00:21:19,760 --> 00:21:23,200
Speaker 1: anything I did, So I just remember feeling that way

395
00:21:23,240 --> 00:21:26,840
Speaker 1: for like a few days and I told my boy

396
00:21:26,880 --> 00:21:28,560
Speaker 1: and he was like, that's a fire concept for like

397
00:21:28,600 --> 00:21:31,480
Speaker 1: a short film or something. Wow, he's a director, Wow.

398
00:21:32,280 --> 00:21:37,480
Speaker 1: And Mommi Lawrence. And then as I was getting in

399
00:21:37,480 --> 00:21:41,120
Speaker 1: the studio, for some reason, the energy just transferred into

400
00:21:41,119 --> 00:21:43,680
Speaker 1: the studio, you know. And that was kind of the

401
00:21:43,720 --> 00:21:47,280
Speaker 1: whole overlying concept for the album is like living life

402
00:21:47,359 --> 00:21:49,600
Speaker 1: with the wisdom of your older self, but coming to

403
00:21:49,760 --> 00:21:52,200
Speaker 1: it as a you know, approaching it as your presence self.

404
00:21:52,240 --> 00:21:53,560
Speaker 1: You know what I'm saying, because all you really got

405
00:21:53,600 --> 00:21:56,679
Speaker 1: us that moment. So that that was my That was

406
00:21:56,760 --> 00:21:58,760
Speaker 1: for I decided how I was feeling at the time.

407
00:21:58,840 --> 00:22:03,199
Speaker 1: You know, I'm double enough with metro Booman, that was

408
00:22:03,240 --> 00:22:06,000
Speaker 1: just straight fun fun. Yeah. I was in Atlanta, so

409
00:22:06,040 --> 00:22:07,440
Speaker 1: I thought that was like a mix tape at first,

410
00:22:07,440 --> 00:22:09,560
Speaker 1: but it seems like they counted as an album. Now

411
00:22:09,600 --> 00:22:11,359
Speaker 1: that was a mix tape. It's a mixtape. Count on

412
00:22:11,400 --> 00:22:18,880
Speaker 1: mom with motherfucking contract. Let me be quiet. Put this album? Yeah,

413
00:22:18,920 --> 00:22:23,320
Speaker 1: because I also did your name and that was an album,

414
00:22:23,359 --> 00:22:25,480
Speaker 1: not an album. That's not an album, but damn put

415
00:22:25,520 --> 00:22:29,000
Speaker 1: it out. Hey, bullshitn't me? Yeah, you gotta go to

416
00:22:29,000 --> 00:22:32,840
Speaker 1: some accounting, Okay. With Double let's go. Um just what

417
00:22:33,080 --> 00:22:36,760
Speaker 1: you said, Yeah, Metro, that was just fun. Bro. We

418
00:22:36,760 --> 00:22:39,679
Speaker 1: was like in Atlanta. That was my like just moving

419
00:22:39,760 --> 00:22:43,480
Speaker 1: and that was the first time that Okay, I wanted

420
00:22:43,520 --> 00:22:45,679
Speaker 1: to work with the producer solely and he was just like,

421
00:22:45,760 --> 00:22:47,440
Speaker 1: don't think about it, just going there and laid it

422
00:22:47,520 --> 00:22:49,720
Speaker 1: down like a lot of those everything on there. It

423
00:22:49,800 --> 00:22:52,639
Speaker 1: was just like you know, I usually go back, I

424
00:22:52,720 --> 00:22:55,399
Speaker 1: usually listened and it was just like recorded, done out.

425
00:22:55,720 --> 00:22:59,240
Speaker 1: So if you were the album with Metro helped you

426
00:22:59,720 --> 00:23:02,560
Speaker 1: with the album with hit Boy that you just dropped right, Well,

427
00:23:02,560 --> 00:23:05,400
Speaker 1: that was an EP two two. That's only like five

428
00:23:05,520 --> 00:23:10,520
Speaker 1: or six songs. Yeah. So my last album is Detroit To. Okay, Yeah,

429
00:23:10,520 --> 00:23:13,280
Speaker 1: that's that's my last one. Detroit Too. Oh yeah, so

430
00:23:13,320 --> 00:23:15,680
Speaker 1: we was that let's le's let's get it to that. Yeah,

431
00:23:15,680 --> 00:23:22,040
Speaker 1: where I was at Detroit To. That was my fifth album.

432
00:23:22,080 --> 00:23:23,719
Speaker 1: So let me ask you a question. You know how

433
00:23:23,760 --> 00:23:26,960
Speaker 1: it is making albums? Yes, I do so, Like it's

434
00:23:26,960 --> 00:23:29,520
Speaker 1: a difference when you get to your first album, when

435
00:23:29,560 --> 00:23:31,520
Speaker 1: you get to your second album, when you get to

436
00:23:31,560 --> 00:23:34,320
Speaker 1: your third album and you do a project on the

437
00:23:34,359 --> 00:23:36,919
Speaker 1: side after your third album, and then you come to

438
00:23:36,960 --> 00:23:39,600
Speaker 1: your fourth album and then you go to another project

439
00:23:39,720 --> 00:23:41,359
Speaker 1: that you do that's you know, not an album, and

440
00:23:41,480 --> 00:23:44,760
Speaker 1: you come back. So it's like I was overwhelmed. Not

441
00:23:44,880 --> 00:23:54,679
Speaker 1: overwhelmed block, more like life blocks, more like fucking tired.

442
00:23:55,359 --> 00:23:58,159
Speaker 1: That's real. You know what I'm saying. You get tired.

443
00:23:58,200 --> 00:24:02,920
Speaker 1: It's like that's real. And I had just moved into

444
00:24:03,000 --> 00:24:06,119
Speaker 1: this like crazy crib in Beverly Hill. God bless you

445
00:24:06,200 --> 00:24:11,400
Speaker 1: be well. I saw, I saw the crib. Now, yeah

446
00:24:11,400 --> 00:24:12,920
Speaker 1: I sold it. Didn't you live next to because it

447
00:24:13,000 --> 00:24:15,320
Speaker 1: was like that, did you live next to college at

448
00:24:15,359 --> 00:24:17,800
Speaker 1: one point? Yeah? He sold his. He's older too, got them.

449
00:24:17,880 --> 00:24:22,960
Speaker 1: Let makes That's what you're supposed to do as a

450
00:24:23,040 --> 00:24:25,720
Speaker 1: black man in America. You're supposed to buy land and

451
00:24:25,840 --> 00:24:27,840
Speaker 1: either keeping and keeping in your family or get a

452
00:24:27,880 --> 00:24:30,600
Speaker 1: good deal and sell that and keep that in your

453
00:24:30,640 --> 00:24:33,840
Speaker 1: family too. But uh, staying in l A. You're not

454
00:24:33,920 --> 00:24:37,640
Speaker 1: moving out of l A, right, I stay in Detroit? Okay, yeah, okay.

455
00:24:38,160 --> 00:24:41,000
Speaker 1: I had the Detroit crib first and foremost. That's why

456
00:24:41,040 --> 00:24:43,560
Speaker 1: I brought my mom, my grandma right because she died.

457
00:24:44,240 --> 00:24:45,600
Speaker 1: That was the first thing I did. That was my

458
00:24:45,680 --> 00:24:51,240
Speaker 1: first big purchase. So Detroit to so Detroit to um,

459
00:24:54,480 --> 00:24:56,800
Speaker 1: I grew out as a person, bro, because you know,

460
00:24:56,880 --> 00:24:58,680
Speaker 1: I went through the real nigger ship, like when you

461
00:24:58,760 --> 00:25:01,159
Speaker 1: go through let me let me scratch that I go.

462
00:25:01,280 --> 00:25:04,960
Speaker 1: I went through real people people ship, you know, and

463
00:25:05,080 --> 00:25:08,000
Speaker 1: that's like learning to deal with how you feel. You

464
00:25:08,080 --> 00:25:11,399
Speaker 1: know what I'm saying. I'm not a I don't be

465
00:25:11,520 --> 00:25:13,520
Speaker 1: heavy into like drugs and ship. That was a point

466
00:25:13,560 --> 00:25:17,200
Speaker 1: in my life where I did experience Like Molly, I

467
00:25:17,320 --> 00:25:22,120
Speaker 1: was auDA, you like to be focused. You're focused, okay, An,

468
00:25:22,400 --> 00:25:27,080
Speaker 1: that's motherfucker's want to study? Yeah, he focus? You want

469
00:25:27,119 --> 00:25:29,680
Speaker 1: to be focused? Yeah, And I started I was starting

470
00:25:29,680 --> 00:25:32,359
Speaker 1: to feel like I couldn't function without the ship, So

471
00:25:32,640 --> 00:25:36,120
Speaker 1: you know, I gave it up, right but and had

472
00:25:36,200 --> 00:25:38,680
Speaker 1: to get back on my just relying on myself. And

473
00:25:38,760 --> 00:25:42,920
Speaker 1: I come from a parent I have two parents, my

474
00:25:43,000 --> 00:25:45,120
Speaker 1: mom and my dad, but you know, mainly my mom

475
00:25:45,760 --> 00:25:47,520
Speaker 1: who taught me a lot of things. She taught me

476
00:25:47,560 --> 00:25:49,800
Speaker 1: how to manifest my life. She taught me earlier on

477
00:25:49,920 --> 00:25:52,760
Speaker 1: how to meditate. She taught me early on that God

478
00:25:53,200 --> 00:25:55,920
Speaker 1: is our creator and you. God is within you, and

479
00:25:56,160 --> 00:25:58,680
Speaker 1: you have the powers of God to create and manifest

480
00:25:58,720 --> 00:26:00,159
Speaker 1: the things that you want in life. You know, she

481
00:26:00,240 --> 00:26:02,679
Speaker 1: taught me that early on, she she gave me books

482
00:26:03,840 --> 00:26:05,840
Speaker 1: asking it It's Given by Estra and Jerry Hicks and

483
00:26:05,880 --> 00:26:09,080
Speaker 1: Seven Spiritual Laws and Success with by Deepak chokra Um.

484
00:26:10,440 --> 00:26:11,960
Speaker 1: What you think of me is none of my business,

485
00:26:12,000 --> 00:26:14,800
Speaker 1: all these different books that I read, because the first

486
00:26:14,840 --> 00:26:16,600
Speaker 1: time I ended up feeling like the first time I

487
00:26:16,680 --> 00:26:19,760
Speaker 1: ever got depressed was when I graduated high school. Graduated

488
00:26:19,840 --> 00:26:21,480
Speaker 1: high school with the three point seven g p A

489
00:26:21,640 --> 00:26:24,040
Speaker 1: was been ahead to college with everybody else. But that

490
00:26:24,200 --> 00:26:26,920
Speaker 1: was that was around the time I made you right,

491
00:26:27,000 --> 00:26:31,159
Speaker 1: So I met you, but you was depressed. Let me

492
00:26:31,240 --> 00:26:34,840
Speaker 1: tell you so I was. I You know, I have

493
00:26:35,359 --> 00:26:38,200
Speaker 1: the classic rap story where I raped for you. He

494
00:26:38,400 --> 00:26:41,240
Speaker 1: hears me, he sees the potential in me and ends

495
00:26:41,320 --> 00:26:43,119
Speaker 1: up signing me a couple of years later. You know

496
00:26:43,160 --> 00:26:45,520
Speaker 1: what I'm saying. But within that couple of years, when

497
00:26:45,560 --> 00:26:49,119
Speaker 1: I graduated high school, I had a full scholarship to college.

498
00:26:49,119 --> 00:26:51,200
Speaker 1: You know what I'm saying. I turned down because off

499
00:26:51,240 --> 00:26:54,719
Speaker 1: of going off of the word and not athletes like scholarship,

500
00:26:54,960 --> 00:26:58,720
Speaker 1: no academics. Wow, that's fine. Yeah, smart smart, let's make

501
00:26:58,800 --> 00:27:03,280
Speaker 1: some Paul is smart? Smart like that too? Can get

502
00:27:03,280 --> 00:27:08,680
Speaker 1: you nothing? Yeah, yeah, come on, come on there salute. Yes,

503
00:27:10,480 --> 00:27:22,399
Speaker 1: that's why I got damn cool. I can't tell you

504
00:27:22,480 --> 00:27:24,080
Speaker 1: so hold up, so let me tell you so, but

505
00:27:24,160 --> 00:27:25,359
Speaker 1: hold on how much you want you to? Let you know,

506
00:27:25,400 --> 00:27:28,359
Speaker 1: I'm gonna start bragging about you because um yeah, I'm

507
00:27:28,480 --> 00:27:29,920
Speaker 1: off top and be like, I don't know what nigger

508
00:27:29,960 --> 00:27:33,880
Speaker 1: that got an academic scholarship that off there Like I'm

509
00:27:33,920 --> 00:27:37,080
Speaker 1: just like, yeah, yeah, that's gonna be the second who

510
00:27:37,119 --> 00:27:40,320
Speaker 1: I'm like, yeah, rapper, Yeah, I'm gonna start bragging about you.

511
00:27:40,359 --> 00:27:42,400
Speaker 1: I'm sorry, I'm sorry, man. I hope you keep me permission,

512
00:27:42,440 --> 00:27:48,399
Speaker 1: but Detroit to let's you know, uh, height everything is

513
00:27:48,440 --> 00:27:52,480
Speaker 1: just a technique. I had a good technique of what

514
00:27:52,600 --> 00:27:54,520
Speaker 1: happened to do my school work because that mean I

515
00:27:54,560 --> 00:27:56,680
Speaker 1: could go do the rap ship. I mean if I

516
00:27:56,760 --> 00:27:58,280
Speaker 1: if I was sucking up at school, I couldn't go

517
00:27:58,320 --> 00:28:00,320
Speaker 1: to the studio, right, I couldn't go do the Friday

518
00:28:00,400 --> 00:28:03,600
Speaker 1: night cipher. And that's how much I love doing That's

519
00:28:03,600 --> 00:28:05,480
Speaker 1: how much I love just making music. Being able to

520
00:28:05,560 --> 00:28:07,160
Speaker 1: go out and do all that. You know what I'm saying.

521
00:28:07,200 --> 00:28:08,840
Speaker 1: It gave me life and I treated it like it

522
00:28:08,960 --> 00:28:10,639
Speaker 1: was a job before it was a job. You know what,

523
00:28:10,680 --> 00:28:15,280
Speaker 1: I'm saying, so graduated high school new every day, right

524
00:28:15,320 --> 00:28:17,880
Speaker 1: in high school brown, right with my my boy tone.

525
00:28:17,920 --> 00:28:20,320
Speaker 1: I'm telling them, like man, when we sell out the palace,

526
00:28:20,400 --> 00:28:22,320
Speaker 1: like I've already seen it in my head, like this

527
00:28:22,480 --> 00:28:24,960
Speaker 1: rod Us which was driving. Oh so you know, I

528
00:28:25,040 --> 00:28:26,680
Speaker 1: told you my grandma had a stroke and I ended

529
00:28:26,720 --> 00:28:29,000
Speaker 1: up driving her car. So she had just brought a

530
00:28:29,080 --> 00:28:31,359
Speaker 1: brand new christ the Sea Bred. So that was the

531
00:28:31,400 --> 00:28:33,760
Speaker 1: first car I had. I got into a crazy fucking

532
00:28:33,800 --> 00:28:37,960
Speaker 1: car accident. I was skipping school, ironically, right with the

533
00:28:38,040 --> 00:28:42,240
Speaker 1: g p A right there with a high GPS. Was

534
00:28:42,320 --> 00:28:44,960
Speaker 1: with my girl at the time, skipping school and the

535
00:28:45,040 --> 00:28:48,000
Speaker 1: snow got into a crazy car accident. Got caught up

536
00:28:48,000 --> 00:28:50,640
Speaker 1: in my lie because I'm telling my my mom, I'm

537
00:28:50,760 --> 00:28:53,400
Speaker 1: somewhere else. I'm on the whole other side of town.

538
00:28:53,840 --> 00:28:56,240
Speaker 1: I got into a fucking crazy accident. The whole car

539
00:28:56,400 --> 00:28:59,840
Speaker 1: is total. Somehow I climbed out the window and nothing

540
00:29:00,000 --> 00:29:02,520
Speaker 1: out with me, just a bruise, pinky, you see what

541
00:29:02,560 --> 00:29:08,080
Speaker 1: I'm saying. And you know, um, then I ended up

542
00:29:08,080 --> 00:29:11,520
Speaker 1: getting a new, brand new Impola. Insurance money came in

543
00:29:12,000 --> 00:29:13,720
Speaker 1: and my grandma was like, what car do you want?

544
00:29:13,880 --> 00:29:16,160
Speaker 1: So she added a couple of a couple of g's

545
00:29:16,240 --> 00:29:17,880
Speaker 1: on it. You know what I'm saying. I ended up

546
00:29:17,920 --> 00:29:20,600
Speaker 1: getting a brand new Inpola. Man. You know it's crazy Impola.

547
00:29:20,880 --> 00:29:23,400
Speaker 1: Everywhere else in the world is fly but New York

548
00:29:23,440 --> 00:29:26,520
Speaker 1: City straight up, because they cop cars in New York.

549
00:29:27,360 --> 00:29:34,120
Speaker 1: So everyone yeah, but y'all don't get out. And there

550
00:29:34,200 --> 00:29:36,520
Speaker 1: was the slider those was like the slider cars, you

551
00:29:36,560 --> 00:29:38,800
Speaker 1: know what I'm saying, like the Marauders, the you know,

552
00:29:39,040 --> 00:29:41,640
Speaker 1: the Impola's, So you got the impots. Take it from there,

553
00:29:42,600 --> 00:29:47,880
Speaker 1: Grandma who hooked it up to Grandma's I've ever met

554
00:29:51,040 --> 00:29:53,000
Speaker 1: I'm talking to I can tell you a captain in

555
00:29:53,080 --> 00:29:55,720
Speaker 1: World War Two, and you know what I'm saying, like,

556
00:29:55,960 --> 00:29:58,800
Speaker 1: you can't even tell me otherwise, you know. So anyway,

557
00:29:59,760 --> 00:30:03,760
Speaker 1: she I mean them Pola, you know. And she respected me,

558
00:30:03,800 --> 00:30:05,720
Speaker 1: and I respected her. She respected that I was trying

559
00:30:05,720 --> 00:30:07,680
Speaker 1: to do something productive. You know what I'm saying, because

560
00:30:08,040 --> 00:30:11,280
Speaker 1: I have family members, I have friends, everybody who was

561
00:30:11,320 --> 00:30:14,239
Speaker 1: doing everything that that I didn't want to do. They

562
00:30:14,360 --> 00:30:16,760
Speaker 1: was selling this, doing that, getting locked up doing what

563
00:30:16,800 --> 00:30:18,600
Speaker 1: you're saying. You're a rapper. There's no one else that

564
00:30:18,640 --> 00:30:21,400
Speaker 1: you could relate your story to, right because it's only

565
00:30:21,480 --> 00:30:24,040
Speaker 1: Eminem at this time right now from from Detroit. And

566
00:30:24,360 --> 00:30:27,239
Speaker 1: let's just be clear, there was more than I mean

567
00:30:27,280 --> 00:30:29,480
Speaker 1: at the time I said, I'm saying even at the time, No,

568
00:30:29,600 --> 00:30:32,600
Speaker 1: I'm telling you, I mean there's local rappers, you know

569
00:30:32,640 --> 00:30:34,160
Speaker 1: what I'm saying. It was a lot of people doing

570
00:30:34,200 --> 00:30:36,360
Speaker 1: their thing from the city that I respect the honor,

571
00:30:36,440 --> 00:30:39,240
Speaker 1: but not on the level. Eminem was the only one

572
00:30:39,440 --> 00:30:42,560
Speaker 1: to be a global on that loved are from Detroit.

573
00:30:42,960 --> 00:30:45,280
Speaker 1: But but that's what it around. Proof had been doing

574
00:30:45,280 --> 00:30:48,000
Speaker 1: the c too, like I mean, it seems relatable to them,

575
00:30:48,080 --> 00:30:53,400
Speaker 1: but they had their own lanes too. Yeah. Yeah, So anyway,

576
00:30:54,760 --> 00:30:57,000
Speaker 1: let's take it back. I had the Impola, you know

577
00:30:57,040 --> 00:30:59,720
Speaker 1: what I'm saying. That's the car I had in high school.

578
00:30:59,840 --> 00:31:03,120
Speaker 1: And uh, I forgot what the funk we was talking

579
00:31:03,120 --> 00:31:05,280
Speaker 1: about now Detroit to he's trying to wrap up Detroit,

580
00:31:05,360 --> 00:31:09,320
Speaker 1: you how anyway, anyway, anyway, let me tell you so

581
00:31:09,720 --> 00:31:15,120
Speaker 1: I graduated high school, throw away the scholarships, concentrate on

582
00:31:15,200 --> 00:31:20,640
Speaker 1: the music and the ship not going nowhere, Kanyee and

583
00:31:20,880 --> 00:31:23,240
Speaker 1: don seeing everybody. You know what I'm saying, they're moving,

584
00:31:23,280 --> 00:31:25,080
Speaker 1: they're doing they don't thing because you know, you're artists.

585
00:31:25,120 --> 00:31:27,520
Speaker 1: He they tried, they were touring. They're not getting back

586
00:31:27,560 --> 00:31:30,320
Speaker 1: to me. I don't know what the funk going on,

587
00:31:30,840 --> 00:31:32,880
Speaker 1: and I gave up everything I had going for myself,

588
00:31:33,160 --> 00:31:34,440
Speaker 1: you know what I'm saying. So I'm staying in the

589
00:31:34,520 --> 00:31:37,640
Speaker 1: same room that I've been sleeping in from my whole life. Everybody,

590
00:31:37,720 --> 00:31:41,280
Speaker 1: all my friends off the college up in Michigan State,

591
00:31:41,400 --> 00:31:44,560
Speaker 1: you have them bowling green, all these different places, and

592
00:31:44,640 --> 00:31:47,360
Speaker 1: I'm sucking. I'm like, damn, I'm feeling like ship. That

593
00:31:47,480 --> 00:31:50,560
Speaker 1: was my first battle with depression, and it felt like

594
00:31:50,600 --> 00:31:52,920
Speaker 1: I was stuck. Months would go by. I would go

595
00:31:53,040 --> 00:31:54,440
Speaker 1: visit my friends in school and they'd be like, man,

596
00:31:54,440 --> 00:31:56,040
Speaker 1: he might as well just came to school. So what's

597
00:31:56,080 --> 00:31:57,560
Speaker 1: up with your deal man? You're getting a record deal?

598
00:31:57,600 --> 00:31:59,400
Speaker 1: Like what then? And you didn't You didn't drop a

599
00:31:59,400 --> 00:32:01,600
Speaker 1: record at this I was trying to, but it wasn't

600
00:32:01,640 --> 00:32:04,080
Speaker 1: doing ship, you know what I'm saying. So you know,

601
00:32:04,160 --> 00:32:06,120
Speaker 1: actually I didn't. I'm I'm tripping now, I take that back.

602
00:32:06,160 --> 00:32:09,040
Speaker 1: I didn't drop a record, but I just was relying

603
00:32:09,160 --> 00:32:11,720
Speaker 1: on This was another lesson I learned. Relying on the

604
00:32:11,800 --> 00:32:14,760
Speaker 1: record deal to come in from me. It taught me

605
00:32:14,800 --> 00:32:17,960
Speaker 1: to get proactive instead of instead of reacting, you know

606
00:32:18,000 --> 00:32:19,720
Speaker 1: what I'm saying. It taught me to be proactive. So

607
00:32:19,760 --> 00:32:21,320
Speaker 1: I'm like, Okay, what the fund can I do? And

608
00:32:21,360 --> 00:32:24,080
Speaker 1: that's when my mom introduced me to these books, these methods,

609
00:32:24,160 --> 00:32:28,840
Speaker 1: these meditations, these different things, and okay, I was like,

610
00:32:29,080 --> 00:32:32,160
Speaker 1: I started small. I started with realistic goals, was writing

611
00:32:32,200 --> 00:32:34,960
Speaker 1: them down every day, meditating every day. I had a discipline,

612
00:32:35,440 --> 00:32:38,040
Speaker 1: you know what I'm saying, because I realized, obviously you

613
00:32:38,160 --> 00:32:40,120
Speaker 1: where you lack at in life. If it rather it's

614
00:32:40,120 --> 00:32:42,000
Speaker 1: a talent or something, you make up for the discipline.

615
00:32:42,000 --> 00:32:44,240
Speaker 1: That's what you gotta do. So I just was like,

616
00:32:44,400 --> 00:32:46,080
Speaker 1: if I don't have this record, do I'm gonna get

617
00:32:46,080 --> 00:32:48,719
Speaker 1: this ship anyway I can. So I'm meditating every day,

618
00:32:48,800 --> 00:32:51,600
Speaker 1: writing goals down, making vision boards, doing all this stuff.

619
00:32:52,040 --> 00:32:54,560
Speaker 1: And then you know, I get a word back from Yeah,

620
00:32:54,600 --> 00:32:56,840
Speaker 1: and they end up sending me some beats. And I

621
00:32:56,880 --> 00:32:59,320
Speaker 1: already had new songs because I was productive in the studio.

622
00:32:59,680 --> 00:33:01,160
Speaker 1: I was and putting them out because I didn't really

623
00:33:01,160 --> 00:33:02,680
Speaker 1: know how to put them out, you know what I'm saying.

624
00:33:02,680 --> 00:33:04,640
Speaker 1: At that time, I was selling seats around high school,

625
00:33:05,160 --> 00:33:07,800
Speaker 1: you know, So It's like I didn't really know, I like,

626
00:33:07,880 --> 00:33:10,640
Speaker 1: how to even upload anything to the internet like that,

627
00:33:10,760 --> 00:33:13,800
Speaker 1: you know what I mean. So yeah, I gotta circuit

628
00:33:13,840 --> 00:33:15,760
Speaker 1: around the city. But that's it. You know, it kind

629
00:33:15,760 --> 00:33:19,719
Speaker 1: of stopped there. So then I'm sending you know, don C, Kanye,

630
00:33:20,560 --> 00:33:24,000
Speaker 1: everybody these um songs. They're getting back to me. And

631
00:33:25,840 --> 00:33:27,520
Speaker 1: as time goes on, As time goes on, I just

632
00:33:27,600 --> 00:33:29,840
Speaker 1: saw the record deal coming through bro. The record deal

633
00:33:29,920 --> 00:33:35,480
Speaker 1: got sent in, and I remember I got it immediately,

634
00:33:35,520 --> 00:33:40,400
Speaker 1: got a lawyer, you know, a new lawyer, and it

635
00:33:40,520 --> 00:33:42,000
Speaker 1: was one of the happiest days in my life. I

636
00:33:42,080 --> 00:33:44,200
Speaker 1: signed it. But that's when I knew the real work started.

637
00:33:44,240 --> 00:33:46,280
Speaker 1: I didn't get lazy. That's when I started even getting more.

638
00:33:46,360 --> 00:33:48,960
Speaker 1: I'm like, okay, I need a team now. It's like, okay,

639
00:33:49,040 --> 00:33:52,480
Speaker 1: now I need a team for promotions. I need to

640
00:33:52,600 --> 00:33:54,760
Speaker 1: It gave legitimacy to because we was already throwing the

641
00:33:54,800 --> 00:33:57,440
Speaker 1: parties around town at the colleges, the finally famous parties.

642
00:33:57,840 --> 00:34:00,480
Speaker 1: It gave me a legitimacy to be like, your niggers

643
00:34:00,480 --> 00:34:02,520
Speaker 1: need to focus on me right now because I'm trying

644
00:34:02,560 --> 00:34:04,080
Speaker 1: to take it to a place where we can all

645
00:34:04,720 --> 00:34:07,400
Speaker 1: you know what, I'm saying, do this ship, and they understood,

646
00:34:07,920 --> 00:34:09,680
Speaker 1: you know what I'm saying. And there are times when

647
00:34:10,320 --> 00:34:12,560
Speaker 1: I fell back and we focused on another person in

648
00:34:12,640 --> 00:34:14,440
Speaker 1: the group for a different you know, if it was

649
00:34:14,520 --> 00:34:16,880
Speaker 1: a an event we were doing for somebody like. And

650
00:34:16,960 --> 00:34:18,640
Speaker 1: that's that's one of the things I learned, is when

651
00:34:18,719 --> 00:34:21,880
Speaker 1: to fall back, when it be at the front of something,

652
00:34:22,200 --> 00:34:24,360
Speaker 1: when to be a team player, and when to be

653
00:34:24,440 --> 00:34:26,000
Speaker 1: a leader, you know what I mean. And that that

654
00:34:26,080 --> 00:34:27,960
Speaker 1: was the first time I was like, Okay, I see

655
00:34:28,000 --> 00:34:31,160
Speaker 1: I need to be the leader now. So anyway, I

656
00:34:31,239 --> 00:34:35,759
Speaker 1: got a record deal and put the songs together and

657
00:34:35,800 --> 00:34:37,680
Speaker 1: started putting out mix tapes and just building my fan

658
00:34:37,760 --> 00:34:41,640
Speaker 1: base organically. So that's what because because you know, we're

659
00:34:41,800 --> 00:34:44,520
Speaker 1: seeing that we're here. Is that how we started with

660
00:34:44,560 --> 00:34:49,279
Speaker 1: Detroit too, the especial minded you here. Okay, so let

661
00:34:49,360 --> 00:34:51,279
Speaker 1: me take you back. I was saying, that was just

662
00:34:51,400 --> 00:34:53,959
Speaker 1: my first time going through a tough time right where

663
00:34:54,719 --> 00:34:58,920
Speaker 1: I had to deal with, you know, feeling you know, depression,

664
00:35:00,040 --> 00:35:01,839
Speaker 1: you know, having to really concentrate on my mental health.

665
00:35:01,880 --> 00:35:04,200
Speaker 1: So come go back to Detroit too. I'm in a

666
00:35:04,239 --> 00:35:05,960
Speaker 1: place where it's like, okay, all this ship I ever

667
00:35:06,000 --> 00:35:09,399
Speaker 1: wanted to do. Fast forward to that. You know, um

668
00:35:10,840 --> 00:35:13,240
Speaker 1: I got you know, I always wanted the platinum album.

669
00:35:13,280 --> 00:35:15,040
Speaker 1: I had a couple of platinum albums at this time.

670
00:35:15,080 --> 00:35:16,920
Speaker 1: I always wanted to have a song on the radio,

671
00:35:17,040 --> 00:35:19,120
Speaker 1: had a lot of songs on the radio. I always

672
00:35:19,160 --> 00:35:21,000
Speaker 1: wanted to buy my mom a cred bought my mom

673
00:35:21,040 --> 00:35:24,120
Speaker 1: a creed. So I did all these things, and then

674
00:35:24,200 --> 00:35:28,080
Speaker 1: I was leaving your goal, I said, completed my goals. Yeah,

675
00:35:28,280 --> 00:35:31,200
Speaker 1: and I and and when my grandma dad. I'm in

676
00:35:31,200 --> 00:35:35,239
Speaker 1: the backbone with my family, right, So why was I

677
00:35:35,320 --> 00:35:37,799
Speaker 1: feeling sucked up? But why did I feel the way

678
00:35:37,840 --> 00:35:41,000
Speaker 1: I was feeling. I wasn't happy? Why then I wasn't happy?

679
00:35:41,000 --> 00:35:42,719
Speaker 1: I didn't know. It didn't make no sense to me.

680
00:35:43,520 --> 00:35:47,440
Speaker 1: So I had to reevaluate myself and step away from

681
00:35:47,440 --> 00:35:49,680
Speaker 1: everything I was doing and get to know myself again,

682
00:35:50,480 --> 00:35:51,960
Speaker 1: you know. And that was what that was a challenge

683
00:35:52,000 --> 00:35:54,840
Speaker 1: for me, because everything I was doing was linked to

684
00:35:55,400 --> 00:35:57,520
Speaker 1: my career, linked to what I was doing, linked to

685
00:35:57,560 --> 00:35:59,880
Speaker 1: the people I was with, whether it was a relationship,

686
00:36:00,040 --> 00:36:03,520
Speaker 1: whether it was uh, just my friends, whether it's like

687
00:36:03,560 --> 00:36:05,239
Speaker 1: I didn't know how to I didn't even know what

688
00:36:05,320 --> 00:36:07,400
Speaker 1: the funk I liked anymore like that, you know what

689
00:36:07,440 --> 00:36:09,120
Speaker 1: I mean. I got to that point because I was

690
00:36:09,239 --> 00:36:11,759
Speaker 1: so all my free time went to work. I didn't

691
00:36:11,800 --> 00:36:13,279
Speaker 1: know what my hobbies was. I didn't know what I

692
00:36:13,360 --> 00:36:15,399
Speaker 1: like to do. You know what I'm saying. I just tried.

693
00:36:15,400 --> 00:36:18,000
Speaker 1: I had to try it. I went skydiving. Not to

694
00:36:18,040 --> 00:36:20,359
Speaker 1: cut you off, but you know it's crazy. One time

695
00:36:20,400 --> 00:36:22,600
Speaker 1: I'm speaking to l L right and I'm like, yoh,

696
00:36:22,680 --> 00:36:25,839
Speaker 1: why the fund are you so balanced? L L would

697
00:36:25,880 --> 00:36:28,760
Speaker 1: tell me, he said, he said, because in between albums

698
00:36:28,840 --> 00:36:31,000
Speaker 1: they always told me I failed. I mean, if you

699
00:36:31,040 --> 00:36:34,080
Speaker 1: look at l L's career, one of his albums with platinum,

700
00:36:34,120 --> 00:36:36,239
Speaker 1: the next one when gold, which is a success in

701
00:36:36,360 --> 00:36:40,160
Speaker 1: anyone else's world, But to him, they would go back

702
00:36:40,200 --> 00:36:42,440
Speaker 1: to him and say, your last one went double platinum,

703
00:36:43,160 --> 00:36:45,640
Speaker 1: like so this, So it was crazy. So he had

704
00:36:45,680 --> 00:36:49,080
Speaker 1: a certain balance to him, which was crazy. But let

705
00:36:49,160 --> 00:36:51,160
Speaker 1: me ask you a question, because I heard you got

706
00:36:51,920 --> 00:36:55,320
Speaker 1: photographer fire because they took pictures of Beyonce and jay Z.

707
00:36:55,440 --> 00:37:00,080
Speaker 1: It's this true, No, it's just true. But something it

708
00:37:00,480 --> 00:37:03,920
Speaker 1: something like that, you're photographer took a phony a picture

709
00:37:04,040 --> 00:37:09,200
Speaker 1: of and and he got fired. This is crazy, photographer, huh.

710
00:37:09,520 --> 00:37:11,359
Speaker 1: He wasn't a photographer, and it wasn't he didn't take

711
00:37:11,360 --> 00:37:16,839
Speaker 1: a picture of jay Z and Beyonce. Okay, okay, let's

712
00:37:16,840 --> 00:37:20,160
Speaker 1: what's get into this tweet. What happened? Okay, let me

713
00:37:20,239 --> 00:37:26,240
Speaker 1: go back to that. Let me think we were out working.

714
00:37:26,560 --> 00:37:29,080
Speaker 1: So he works for you, he used to work for

715
00:37:29,120 --> 00:37:32,040
Speaker 1: you friends? Okay, and what did he do? What? You

716
00:37:32,120 --> 00:37:34,640
Speaker 1: know when you hire your friends for everything? When you

717
00:37:34,719 --> 00:37:45,279
Speaker 1: think your first getting it going, Yeah, we at least

718
00:37:45,320 --> 00:37:48,279
Speaker 1: we got control now. But then but you have to

719
00:37:48,320 --> 00:37:51,320
Speaker 1: figure out the friends that are actually good at some

720
00:37:51,400 --> 00:37:54,440
Speaker 1: of them be like what are you doing? Wait? Still

721
00:37:54,520 --> 00:37:59,919
Speaker 1: this opportunity? So anyway, I don't want to tell this story,

722
00:38:00,000 --> 00:38:03,160
Speaker 1: play him on black man, Oh, I don't want me.

723
00:38:03,520 --> 00:38:05,600
Speaker 1: Here's the thing. I know it's a funny story, but

724
00:38:05,719 --> 00:38:08,040
Speaker 1: it's like he's a real person. Man, I don't kept

725
00:38:08,040 --> 00:38:11,480
Speaker 1: seeing this. You could, you could tell it, but so

726
00:38:11,560 --> 00:38:14,719
Speaker 1: I won't say his name. That's great, that's a great thing.

727
00:38:15,600 --> 00:38:18,480
Speaker 1: That's a great This ain't no media training. This is

728
00:38:18,520 --> 00:38:21,479
Speaker 1: a real So anyway, I mean, we're down there working

729
00:38:21,560 --> 00:38:26,040
Speaker 1: on my beautiful dark Twister fantasy in Hawaii's is it? Maui?

730
00:38:26,400 --> 00:38:28,200
Speaker 1: Do you remember a part of Hawaii yeah, it was

731
00:38:32,320 --> 00:38:36,759
Speaker 1: the mainland. I love Hawaiti. I've been at every damn

732
00:38:36,800 --> 00:38:40,000
Speaker 1: island I've been. I've been, um yeah yeah. So anyway,

733
00:38:40,360 --> 00:38:44,520
Speaker 1: we're working there, that's a special studio. I'm out there

734
00:38:44,760 --> 00:38:46,719
Speaker 1: just playing my role. But I brought my man's with me,

735
00:38:46,840 --> 00:38:49,239
Speaker 1: just you know, in case I needed anything. He was

736
00:38:49,280 --> 00:38:51,799
Speaker 1: gonna help hold me down. You know, if it's like, bro,

737
00:38:51,920 --> 00:38:54,560
Speaker 1: you in the studio working, I grab you some food. Yeah,

738
00:38:55,160 --> 00:38:58,400
Speaker 1: holding me down, you know what I'm saying. So Hawai,

739
00:38:58,920 --> 00:39:01,800
Speaker 1: you know, and it's good to just have a support system.

740
00:39:01,800 --> 00:39:03,480
Speaker 1: It's good to have one of your homes there when

741
00:39:03,480 --> 00:39:07,160
Speaker 1: you're trying to you know, you're trying to contribute absolutely.

742
00:39:07,360 --> 00:39:11,480
Speaker 1: So anyway, I'm in the studio, it was me and

743
00:39:11,600 --> 00:39:18,200
Speaker 1: Hole and I don't I'm not a nigger who even then,

744
00:39:18,360 --> 00:39:22,520
Speaker 1: I wasn't like trying to be thirsty or like sneaking

745
00:39:22,600 --> 00:39:24,719
Speaker 1: fucking picture. I mean, I'm in here just taking it

746
00:39:24,800 --> 00:39:27,759
Speaker 1: in mentally, you know what I'm saying, Come on, like,

747
00:39:27,880 --> 00:39:31,560
Speaker 1: who's not gonna lit until you know? I was. I

748
00:39:31,560 --> 00:39:36,799
Speaker 1: don't know, homies, that just leading to anyway, he ends

749
00:39:36,840 --> 00:39:39,120
Speaker 1: up taking a picture of all of us in the

750
00:39:39,160 --> 00:39:43,560
Speaker 1: studio and he's not in it. He just takes a

751
00:39:43,560 --> 00:39:48,719
Speaker 1: sneak picture, didn't tell me, ends up tweeting it and

752
00:39:48,880 --> 00:39:50,719
Speaker 1: like he just picked up on like all hip hop

753
00:39:50,840 --> 00:39:54,600
Speaker 1: and you know things like that like that, and um,

754
00:39:55,400 --> 00:39:56,960
Speaker 1: I don't know who saw it, but it got to

755
00:39:57,080 --> 00:40:00,480
Speaker 1: like either yeah or whole's attention and it came at

756
00:40:00,560 --> 00:40:03,839
Speaker 1: me and they thought it was me because it didn't

757
00:40:03,880 --> 00:40:06,040
Speaker 1: make any sense because it's like I wasn't really even

758
00:40:06,120 --> 00:40:10,719
Speaker 1: on at that time, and it was like Kanye jay Z, Beyonce,

759
00:40:11,360 --> 00:40:15,040
Speaker 1: Big Sean, like people like who is Big Sean? It

760
00:40:15,080 --> 00:40:20,080
Speaker 1: looked like I planned this ship right anyway. Communication can

761
00:40:20,160 --> 00:40:22,400
Speaker 1: save the nation. Because when we talked about it, like

762
00:40:22,640 --> 00:40:24,320
Speaker 1: I told him, I was like, I don't even know

763
00:40:24,360 --> 00:40:26,960
Speaker 1: what the fun you're talking about, But who's calling you

764
00:40:27,040 --> 00:40:30,040
Speaker 1: and saying this I'm in the studio? Yeah, okay, He's

765
00:40:30,120 --> 00:40:32,200
Speaker 1: like bro. He was like I explained to him who

766
00:40:32,239 --> 00:40:35,440
Speaker 1: it was, and he was like you gotta fire him.

767
00:40:36,920 --> 00:40:40,000
Speaker 1: He was like, we we all done this. We've hired

768
00:40:40,040 --> 00:40:41,920
Speaker 1: the people you know that we love and do this

769
00:40:42,040 --> 00:40:45,640
Speaker 1: and this and this ship. But people was mad at you.

770
00:40:45,880 --> 00:40:47,560
Speaker 1: People was mad you're talking about me, he showing me.

771
00:40:47,680 --> 00:40:49,480
Speaker 1: People was mad at you thinking that she was being

772
00:40:49,560 --> 00:40:54,080
Speaker 1: thirsty and it was your man's. So I told him,

773
00:40:54,120 --> 00:40:55,759
Speaker 1: I'm like, I'm in a position where it's like ship

774
00:40:55,840 --> 00:40:59,520
Speaker 1: yeah and hold saying you gotta go. I'm sorry, bro,

775
00:40:59,640 --> 00:41:01,440
Speaker 1: we gotta figure out some others something else, you know

776
00:41:01,440 --> 00:41:03,000
Speaker 1: what I'm saying. But ended up being a blessing in

777
00:41:03,040 --> 00:41:05,239
Speaker 1: the skies. He ended up transforming his life and being

778
00:41:05,840 --> 00:41:07,920
Speaker 1: probably way more successful than he would have been just

779
00:41:08,360 --> 00:41:11,400
Speaker 1: uh in in a position he was in. Yeah, he

780
00:41:11,520 --> 00:41:13,480
Speaker 1: ended up being a teacher, ended up and impacting a

781
00:41:13,560 --> 00:41:18,560
Speaker 1: lot of people's lives and and doing amazing, wonderful things.

782
00:41:18,640 --> 00:41:22,279
Speaker 1: You know what I'm saying. Dope, shippe before we get

783
00:41:22,320 --> 00:41:25,080
Speaker 1: in the quick time with Slim, right, you just that's

784
00:41:25,120 --> 00:41:29,560
Speaker 1: that's a game. Okay. I don't know how there gonna

785
00:41:29,600 --> 00:41:32,400
Speaker 1: edit this ship, but we're gonna go back to Detroit too, Okay, yes, alright,

786
00:41:32,480 --> 00:41:35,880
Speaker 1: no problem, We don't really we just kind of we

787
00:41:36,000 --> 00:41:38,000
Speaker 1: kind of let you do whatever. I think you should

788
00:41:38,000 --> 00:41:39,520
Speaker 1: take another shot. I don't think you're taking on the shot.

789
00:41:39,520 --> 00:41:43,520
Speaker 1: Could really turn up take it on the shot solttlegaso. Right,

790
00:41:45,080 --> 00:41:48,359
Speaker 1: let's go tell him I bet him the last time. Sorry,

791
00:41:48,640 --> 00:41:51,120
Speaker 1: So yeah, I met him the last time STU got

792
00:41:51,160 --> 00:41:55,120
Speaker 1: great energy. M hmm. Everybody around me do I'm an

793
00:41:55,239 --> 00:42:00,399
Speaker 1: energy you know how that ship called like I can well, yeah,

794
00:42:00,400 --> 00:42:02,600
Speaker 1: my energy whisper wore like I could just be able

795
00:42:02,600 --> 00:42:08,480
Speaker 1: like this guy got good energy to So I'm just

796
00:42:08,480 --> 00:42:10,960
Speaker 1: trying to figure out what's next creatively, because I don't

797
00:42:10,960 --> 00:42:12,600
Speaker 1: want to make the same music I made before. I

798
00:42:12,640 --> 00:42:13,960
Speaker 1: don't want to do the same show. I'm trying to

799
00:42:14,040 --> 00:42:17,120
Speaker 1: change it up. And I had grown as a person,

800
00:42:17,360 --> 00:42:18,960
Speaker 1: like I said, around Detroit too. That was the time

801
00:42:19,000 --> 00:42:21,239
Speaker 1: where I was going through a low point mentally. I

802
00:42:21,280 --> 00:42:23,400
Speaker 1: had to rediscover myself right. So the music kind of

803
00:42:23,480 --> 00:42:24,960
Speaker 1: reflects a lot of that, you know what I'm saying.

804
00:42:25,000 --> 00:42:27,200
Speaker 1: Even a song with nit with deep reverence then I

805
00:42:27,239 --> 00:42:29,680
Speaker 1: got there in my notes what I'm saying, Uh, that

806
00:42:29,800 --> 00:42:33,440
Speaker 1: was something we started before um he left us, you

807
00:42:33,520 --> 00:42:35,440
Speaker 1: know what I mean. And it was somebody to finish

808
00:42:35,480 --> 00:42:39,000
Speaker 1: after he was gone. And that was you know, that

809
00:42:39,120 --> 00:42:43,360
Speaker 1: was kind of like a it was a it was

810
00:42:43,440 --> 00:42:47,600
Speaker 1: something that I was kind of like not really trying

811
00:42:47,640 --> 00:42:50,680
Speaker 1: to do honestly. You know. Hit Boy was the one

812
00:42:50,719 --> 00:42:52,560
Speaker 1: who was like, no, Bro, you gotta you gotta finish

813
00:42:52,600 --> 00:42:54,759
Speaker 1: this for bro, you know, because I didn't want to

814
00:42:54,800 --> 00:42:56,719
Speaker 1: look like I was trying to take advantage of nothing.

815
00:42:56,800 --> 00:42:58,800
Speaker 1: He was like, no, you're paying respect, Like bro, fucked

816
00:42:58,840 --> 00:43:00,560
Speaker 1: with you. You know what I'm saying. It When I

817
00:43:00,640 --> 00:43:02,360
Speaker 1: talked to Sam about his brother, when I talked to

818
00:43:02,400 --> 00:43:05,239
Speaker 1: everybody around it, it was like okay, yeah, yea yeah,

819
00:43:05,320 --> 00:43:07,719
Speaker 1: talking about Black Sam. Yeah and everybody. They was like, no,

820
00:43:08,000 --> 00:43:09,719
Speaker 1: like this just hard. You know what I'm saying. To

821
00:43:09,719 --> 00:43:12,960
Speaker 1: finish it off, I did because on that record you

822
00:43:13,000 --> 00:43:15,880
Speaker 1: actually say something like nip passed away or something like that.

823
00:43:16,280 --> 00:43:18,279
Speaker 1: Yeah yeah yeah, but you had nips verse on there.

824
00:43:18,480 --> 00:43:22,960
Speaker 1: Yeah yeah go ahead, yeah, so um yeah, I mean

825
00:43:23,040 --> 00:43:25,840
Speaker 1: that was just that was That was that, And that

826
00:43:25,960 --> 00:43:27,440
Speaker 1: was a song where I was reflecting a lot on

827
00:43:27,640 --> 00:43:29,319
Speaker 1: just like a lot of ship we'd be going through.

828
00:43:29,480 --> 00:43:33,120
Speaker 1: You know. When you listen to that and songs like

829
00:43:33,239 --> 00:43:37,440
Speaker 1: Lucky Me, songs like uh, the whole album, it's just

830
00:43:37,560 --> 00:43:39,680
Speaker 1: it's something I'm really proud of. That's something I really

831
00:43:39,719 --> 00:43:41,920
Speaker 1: I put my heart into it. Songs like a guards

832
00:43:41,960 --> 00:43:44,560
Speaker 1: your Heart all that type ship. Man. It was just

833
00:43:44,719 --> 00:43:47,480
Speaker 1: like a beautiful, beautiful album from me front to back.

834
00:43:48,040 --> 00:43:50,960
Speaker 1: I'm super proud of. And that was my back to

835
00:43:51,040 --> 00:43:52,600
Speaker 1: back to back number one album. That was my third

836
00:43:52,719 --> 00:43:56,560
Speaker 1: number one. God damn make some noise for that. So

837
00:43:57,160 --> 00:43:59,960
Speaker 1: we knew you. Look, that was the same week Takasi dropped,

838
00:44:00,000 --> 00:44:02,040
Speaker 1: and everybody was like, oh, it's a cassy about that.

839
00:44:02,560 --> 00:44:04,759
Speaker 1: And then we ended up doubling that, you know, we

840
00:44:04,840 --> 00:44:07,600
Speaker 1: ended up doubling what he so so that but at

841
00:44:07,680 --> 00:44:12,440
Speaker 1: first good at first their projections, So it's not like that,

842
00:44:13,239 --> 00:44:16,879
Speaker 1: you know. Um yeah, because you love your city so much,

843
00:44:16,880 --> 00:44:18,600
Speaker 1: I just want you to say one thing about this

844
00:44:18,719 --> 00:44:20,279
Speaker 1: one person that we bring up. People want to do

845
00:44:20,360 --> 00:44:22,840
Speaker 1: Kuicktom with slime and they're gonna get into the real ship. Okay,

846
00:44:23,320 --> 00:44:26,960
Speaker 1: all right, I'm gonna start with you. What about it,

847
00:44:27,120 --> 00:44:30,440
Speaker 1: Big Sean, Yeah, say one or two things about yourself,

848
00:44:30,560 --> 00:44:33,360
Speaker 1: just real fast. Got got a whole law in it. Okay,

849
00:44:33,760 --> 00:44:37,520
Speaker 1: shows a different path than everybody else from my city. Okay,

850
00:44:38,360 --> 00:44:45,399
Speaker 1: unapologegetically was myself no matter what Eminem God them see

851
00:44:46,080 --> 00:44:48,800
Speaker 1: what God them see, guardom see. Okay, I'll accept that

852
00:44:49,320 --> 00:44:55,320
Speaker 1: side of baby Wild as a motherfucker. Wow, there's a

853
00:44:55,360 --> 00:44:57,480
Speaker 1: mother Wild. There's a my talented as a motherfucker. I'll

854
00:44:57,520 --> 00:45:03,759
Speaker 1: take that proof. Legendary, legendary, feel like he I feel

855
00:45:03,800 --> 00:45:06,120
Speaker 1: like he helped inspire him a lot, you know what

856
00:45:06,200 --> 00:45:07,560
Speaker 1: I'm saying. I feel like he was on who really

857
00:45:07,600 --> 00:45:09,480
Speaker 1: brought deeps well together as well. I feel like he

858
00:45:09,600 --> 00:45:11,200
Speaker 1: was the backbone of that seems like you know what

859
00:45:11,280 --> 00:45:15,080
Speaker 1: I mean. I feel like he was cold lyrically you

860
00:45:15,160 --> 00:45:17,960
Speaker 1: listened to them proved versus cold. Yeah, that was the

861
00:45:18,000 --> 00:45:26,560
Speaker 1: home trick trick the Protector. I love that. The Protector

862
00:45:26,800 --> 00:45:30,160
Speaker 1: remind me to give my trick tricks. Yeah, Danny trick

863
00:45:30,239 --> 00:45:32,360
Speaker 1: trick man he is. That's the home at home you

864
00:45:32,440 --> 00:45:35,799
Speaker 1: don't play. That's the home they don't play. That's all

865
00:45:35,840 --> 00:45:44,200
Speaker 1: we're gonna say. You're home. Yeah. Um Danny Brown uh

866
00:45:44,960 --> 00:45:54,200
Speaker 1: so animated, animated and authentic. Yeah, I like that. Where's

867
00:45:54,239 --> 00:46:00,480
Speaker 1: the Part nine rap guy? Just like Eminem I love

868
00:46:00,600 --> 00:46:07,000
Speaker 1: that day Globe originator style. She got that. She a player,

869
00:46:07,120 --> 00:46:11,799
Speaker 1: you know what I'm saying, and just a trend setter. Yeah.

870
00:46:12,320 --> 00:46:17,439
Speaker 1: Big hurt, he said, big hurt. Oh, big hurt. Bad

871
00:46:18,360 --> 00:46:24,959
Speaker 1: um o g o g uh. Somebody who really liked

872
00:46:26,239 --> 00:46:30,040
Speaker 1: took that, like he took the city up. Like some

873
00:46:30,160 --> 00:46:33,120
Speaker 1: of his ship was just like our our our background music,

874
00:46:33,160 --> 00:46:35,000
Speaker 1: our anthems. You know what I'm saying we were out

875
00:46:35,040 --> 00:46:43,240
Speaker 1: to school too for show Obi Trice. Respect to Obi Trice.

876
00:46:43,440 --> 00:46:46,160
Speaker 1: He had a he got a crazy story. You know

877
00:46:46,200 --> 00:46:48,160
Speaker 1: what I'm saying. You know that, No, I don't really know.

878
00:46:48,600 --> 00:46:51,440
Speaker 1: He got shot the head and everything I heard about that.

879
00:46:51,880 --> 00:46:54,080
Speaker 1: But ob Trice is more than welcome to be on

880
00:46:54,200 --> 00:46:59,040
Speaker 1: drink Champ. Yeah, so would you would you were two

881
00:46:59,040 --> 00:47:04,759
Speaker 1: words you have about old you? Uh? I forgot what

882
00:47:04,800 --> 00:47:06,880
Speaker 1: I said, but I think he's uh, he got a

883
00:47:06,920 --> 00:47:10,920
Speaker 1: crazy story and I said that he animated, animated and

884
00:47:11,160 --> 00:47:12,879
Speaker 1: just you know he did this, he did this thing.

885
00:47:13,520 --> 00:47:16,919
Speaker 1: He represented the D two everything doing what we try.

886
00:47:17,000 --> 00:47:19,320
Speaker 1: You want to welcome to come up with a Blade

887
00:47:19,520 --> 00:47:25,720
Speaker 1: ice Wood recipe print, But yeah, you can't mentioned blade

888
00:47:26,000 --> 00:47:31,000
Speaker 1: without street Lord Wind. Uh who was my who's my

889
00:47:31,200 --> 00:47:33,759
Speaker 1: o G? And somebody who took me in before the

890
00:47:33,800 --> 00:47:36,560
Speaker 1: budgets came in where I was recording in his studio

891
00:47:36,680 --> 00:47:39,439
Speaker 1: and you know, while he was fighting a federal case

892
00:47:39,520 --> 00:47:43,800
Speaker 1: and everything. So he he gets all my respect, street

893
00:47:43,800 --> 00:47:47,839
Speaker 1: Lord Wind, Street Lords, Blade ice Wood, Um, Blade ice

894
00:47:47,880 --> 00:47:53,000
Speaker 1: Wood was the first get a superstar from from the city.

895
00:47:53,719 --> 00:47:58,120
Speaker 1: Am I wrong? Period? How about? And then I believe

896
00:47:58,160 --> 00:48:01,880
Speaker 1: this is the last one I got. No don't come on, okay,

897
00:48:02,000 --> 00:48:09,920
Speaker 1: Jay Diller, Jay Diller, he is like the architect Jay. Yeah,

898
00:48:09,960 --> 00:48:13,960
Speaker 1: of course goes without saying. I mean where would we

899
00:48:14,000 --> 00:48:19,359
Speaker 1: wouldn't have a wh who all the producers. I feel

900
00:48:19,360 --> 00:48:24,120
Speaker 1: like everyone got something from Ja Deller, Timberland, Kanye for real.

901
00:48:25,320 --> 00:48:28,000
Speaker 1: He definitely Yeah, the whole movement, the whole sound of

902
00:48:28,320 --> 00:48:33,640
Speaker 1: a lot. Yeah, just good chops, the unrealistic chops. People

903
00:48:33,680 --> 00:48:37,480
Speaker 1: don't even know that it's inspired by Jay Dillers. He's

904
00:48:37,480 --> 00:48:43,400
Speaker 1: a got Okay, King Gordy in my bag right now.

905
00:48:46,360 --> 00:48:49,040
Speaker 1: So my man's used to about energy, about energy, I

906
00:48:49,120 --> 00:48:51,440
Speaker 1: told you about my man's used to work for King Gordy.

907
00:48:51,960 --> 00:48:58,480
Speaker 1: Let's talk about it. Uh, King Gordy, motherfucking worst. He

908
00:48:58,520 --> 00:49:01,680
Speaker 1: would chop them words up man and King Gordy motherfucking

909
00:49:01,719 --> 00:49:07,000
Speaker 1: flows crazy. Yeah. Um, your brother too. Yeah, you ain't

910
00:49:07,000 --> 00:49:12,640
Speaker 1: here a group with your bro. Yeah the factulous. Yeah.

911
00:49:12,760 --> 00:49:15,520
Speaker 1: So I'm talking about I'm digging deep. But I mean

912
00:49:15,920 --> 00:49:18,560
Speaker 1: I'm just showing you I got, you know, real, real detraining.

913
00:49:18,800 --> 00:49:20,800
Speaker 1: That's what I mean. From the beginning. That's still with me,

914
00:49:20,960 --> 00:49:27,960
Speaker 1: you know, Okay, cash it doll. Uh, she's like the

915
00:49:28,160 --> 00:49:33,239
Speaker 1: Detroit Queen Princess queen right now. I've seen her baby

916
00:49:33,280 --> 00:49:36,360
Speaker 1: showers somewhere. It looked so beautiful. I've never had the

917
00:49:36,400 --> 00:49:38,800
Speaker 1: pleasure of meeting cash Off. My wife is here, somebody

918
00:49:38,840 --> 00:49:41,400
Speaker 1: call make sure she's good. She's good. I've never had

919
00:49:41,440 --> 00:49:44,239
Speaker 1: the pleasure of meeting cash Doll. But um, I've seen

920
00:49:44,320 --> 00:49:47,000
Speaker 1: her baby shop. Made me want to have a baby immediately. Wow,

921
00:49:47,560 --> 00:49:52,040
Speaker 1: do you have any babies? Yes, I'm loaded. Let me

922
00:49:52,040 --> 00:49:54,839
Speaker 1: say something about Cash Doll. I say, like Princess the Queen,

923
00:49:54,880 --> 00:49:56,680
Speaker 1: because she is a queen. But it's like I feel

924
00:49:56,680 --> 00:50:00,200
Speaker 1: like she's still growing into like her startom, you know,

925
00:50:00,400 --> 00:50:02,920
Speaker 1: Like I'm like, how a princess was? I feel like

926
00:50:02,960 --> 00:50:04,719
Speaker 1: there's more for her to grow. Yeah, I feel like

927
00:50:04,920 --> 00:50:07,960
Speaker 1: musically she you know, she was on BMF going crazy

928
00:50:08,480 --> 00:50:11,799
Speaker 1: on fifth Show. Okay, and yeah, I think she got

929
00:50:11,840 --> 00:50:14,080
Speaker 1: a long career ahead of her too. That's my that's

930
00:50:14,120 --> 00:50:19,680
Speaker 1: my mother, fucking I love I love that bizarre bizarre.

931
00:50:23,800 --> 00:50:25,560
Speaker 1: Um what just say words a boy A couple of

932
00:50:25,560 --> 00:50:30,120
Speaker 1: words whatever I thought you're gonna say? Bizarre, Like if

933
00:50:30,160 --> 00:50:35,920
Speaker 1: he's gonna keep very quotable his his his verses on

934
00:50:36,040 --> 00:50:38,680
Speaker 1: D twelve or like very like when you when if

935
00:50:38,719 --> 00:50:40,480
Speaker 1: you ever been to a D twelve show, you know

936
00:50:40,480 --> 00:50:42,239
Speaker 1: what I'm saying. I saw him one time and it

937
00:50:42,360 --> 00:50:44,280
Speaker 1: was like I was wrapping a lot of bizarre weirds,

938
00:50:44,360 --> 00:50:47,640
Speaker 1: you know what I mean. Funny as a mom, Funny

939
00:50:47,680 --> 00:50:49,960
Speaker 1: as a mom. He got rest to piece bis mall.

940
00:50:50,400 --> 00:50:53,960
Speaker 1: That's like Bis long lost cousin and somewhat. You know,

941
00:50:54,000 --> 00:50:57,480
Speaker 1: I'm a big bis Momman. Forty two Dug, It's not

942
00:50:57,600 --> 00:51:00,680
Speaker 1: forty two, it's four too, That's what I mean. Yeah,

943
00:51:01,880 --> 00:51:04,399
Speaker 1: that's important though, to make sure you don't edit that out.

944
00:51:04,440 --> 00:51:07,000
Speaker 1: People call him forty two Doug, and that's not what

945
00:51:07,120 --> 00:51:09,960
Speaker 1: it's four two four two does not like nineteen forty two.

946
00:51:10,080 --> 00:51:12,600
Speaker 1: Were just on the at the fucking Pistons game and

947
00:51:12,640 --> 00:51:16,680
Speaker 1: he dropped fries right Kay, number one draft pick ran

948
00:51:16,760 --> 00:51:20,200
Speaker 1: into him, That's what he said. I turned my head

949
00:51:20,280 --> 00:51:22,640
Speaker 1: real quick. I didn't he might have ran into him.

950
00:51:22,640 --> 00:51:24,040
Speaker 1: I don't know. He was like, man, Kay did this,

951
00:51:24,320 --> 00:51:28,400
Speaker 1: Like okay whatever. So anyway, he dropped the fries on

952
00:51:28,440 --> 00:51:30,160
Speaker 1: the fucking on the wood. I knew it. You know,

953
00:51:30,239 --> 00:51:32,200
Speaker 1: when you see something that's about to happen and it

954
00:51:32,239 --> 00:51:34,640
Speaker 1: don't happen, it's like if a motherfucker can't sitting down

955
00:51:34,680 --> 00:51:37,640
Speaker 1: with the cup filled up to here and moving around.

956
00:51:37,680 --> 00:51:41,000
Speaker 1: You're like, yeah, so I knew that. I knew that

957
00:51:41,120 --> 00:51:43,600
Speaker 1: was gonna happen. But yeah, you know, he's just here.

958
00:51:44,600 --> 00:51:48,600
Speaker 1: He um, he doing it. You know, he going crazy.

959
00:51:48,920 --> 00:51:50,640
Speaker 1: I got love for Doug he off thing and he

960
00:51:51,360 --> 00:51:54,360
Speaker 1: he original. I ain't never heard nobody rap like him. Okay,

961
00:51:54,520 --> 00:51:57,800
Speaker 1: have you know yeah, I don't know to pronounced this.

962
00:51:58,280 --> 00:52:07,120
Speaker 1: He sham be sean before your time out. I'm but no,

963
00:52:07,920 --> 00:52:11,040
Speaker 1: but okay, go ahead, Wait how many more are you gout? Bro?

964
00:52:12,560 --> 00:52:14,279
Speaker 1: I'm gonna skip through some of that. A he's looking

965
00:52:14,320 --> 00:52:18,760
Speaker 1: at that way too much, okay. Baldy James, Body James,

966
00:52:18,920 --> 00:52:23,239
Speaker 1: Baldy James. Yes, yes, Boldy James. You gotta say these names,

967
00:52:23,320 --> 00:52:27,760
Speaker 1: right man. You gotta dyslexic everyone everyone knows what dyelexic.

968
00:52:29,080 --> 00:52:34,319
Speaker 1: Lyrical assassin and he's Grizel though, right, he's Grizela. Yes, yeah,

969
00:52:34,480 --> 00:52:36,680
Speaker 1: he was on. I put everybody, not everybody, if I

970
00:52:36,760 --> 00:52:38,560
Speaker 1: put a lot of people from the city on one song,

971
00:52:39,480 --> 00:52:43,520
Speaker 1: um on Detroit to the Friday Night Cipher because that

972
00:52:43,640 --> 00:52:45,360
Speaker 1: was the show I went to every week. So I

973
00:52:45,480 --> 00:52:49,120
Speaker 1: was just bringing that aesthetic back, you know, for the album.

974
00:52:49,200 --> 00:52:51,480
Speaker 1: But yeah, he was on there going crazy. But yeah,

975
00:52:51,560 --> 00:52:53,960
Speaker 1: like you said, he you know, he'll be doing his

976
00:52:54,000 --> 00:52:56,240
Speaker 1: ship with Alchemis when they link up that ship leaping.

977
00:52:56,600 --> 00:52:58,560
Speaker 1: You know what I'm saying, shout out there, shout out

978
00:52:58,560 --> 00:53:00,200
Speaker 1: iceword vezo. I don't know if he on a this,

979
00:53:00,680 --> 00:53:04,040
Speaker 1: I got a whole bunch of ships. But I'm gonna come. No, no, no, no, no,

980
00:53:04,239 --> 00:53:06,080
Speaker 1: let me tell you Somethinghout out ice Work Vessel because

981
00:53:06,160 --> 00:53:08,480
Speaker 1: me and ice Work Vessel been through a lot, and

982
00:53:08,800 --> 00:53:12,080
Speaker 1: and he he didn't did his time and everything, and um,

983
00:53:12,600 --> 00:53:15,799
Speaker 1: he was mad at me honestly because you know, at first,

984
00:53:15,880 --> 00:53:18,560
Speaker 1: like personally because he wasn't on that cipher song. But

985
00:53:18,719 --> 00:53:22,360
Speaker 1: the cipher song wasn't intended everyone from Detroit on it.

986
00:53:22,440 --> 00:53:24,480
Speaker 1: It wasn't. But that's see, that's not what the point was.

987
00:53:24,480 --> 00:53:26,359
Speaker 1: I wasn't trying to put everyone in from the hat

988
00:53:26,440 --> 00:53:28,480
Speaker 1: on that. It was just a cipher song where I

989
00:53:28,520 --> 00:53:31,120
Speaker 1: was putting people from the city on there, but not everybody.

990
00:53:31,160 --> 00:53:32,640
Speaker 1: And that's what I was trying to explain to him.

991
00:53:33,200 --> 00:53:36,960
Speaker 1: But he a real not only is he a real

992
00:53:37,480 --> 00:53:40,120
Speaker 1: street and he just a real he's a real man.

993
00:53:40,680 --> 00:53:43,040
Speaker 1: And he understood, and we we hashed it out like

994
00:53:43,280 --> 00:53:45,160
Speaker 1: it wasn't even nothing to hashot. But we talked about

995
00:53:45,160 --> 00:53:48,480
Speaker 1: it and communicated like grown men supposed to do. And

996
00:53:49,440 --> 00:53:51,839
Speaker 1: he doing his motherfucking thing right now. So I got

997
00:53:51,960 --> 00:53:55,880
Speaker 1: love for ice work, vessel, ice up records. You know, Peasy,

998
00:53:56,239 --> 00:53:58,080
Speaker 1: you can't you can't talk about you trying to talk

999
00:53:58,120 --> 00:54:01,719
Speaker 1: about Peasy, can't talk about baby face Ray, he got

1000
00:54:03,160 --> 00:54:07,600
Speaker 1: a trying to do my interview right now. Okay, how

1001
00:54:07,600 --> 00:54:12,600
Speaker 1: about a black milk oh Ship. He like hip, he

1002
00:54:12,760 --> 00:54:17,880
Speaker 1: like authentic Detroit hip hop. All do it like he?

1003
00:54:18,160 --> 00:54:21,640
Speaker 1: You know how he's like a rapper producer that like

1004
00:54:23,560 --> 00:54:27,399
Speaker 1: before that term was even so widely used so much.

1005
00:54:27,480 --> 00:54:29,760
Speaker 1: You know, he was rapping, making his own beast rapping

1006
00:54:29,840 --> 00:54:34,240
Speaker 1: and just crazy. Yeah yeah he been ill. Yeah, Okay,

1007
00:54:34,640 --> 00:54:38,120
Speaker 1: this make some noise for that. God damitall. It just

1008
00:54:38,200 --> 00:54:40,520
Speaker 1: made a show turns up. This is where we play

1009
00:54:40,800 --> 00:54:43,120
Speaker 1: quick time with slime. We give you a choice. I

1010
00:54:43,160 --> 00:54:46,560
Speaker 1: wasn't quick time with Slim. Let me just say something.

1011
00:54:46,760 --> 00:54:48,280
Speaker 1: Let me just tell your something. I'm gonna be honest.

1012
00:54:49,480 --> 00:54:51,440
Speaker 1: You know I do. I do research when I do

1013
00:54:51,600 --> 00:54:54,360
Speaker 1: these interviews. And one thing for short, two things for certain.

1014
00:54:55,239 --> 00:54:57,880
Speaker 1: The biggest trait that I love about you? Is you

1015
00:54:58,000 --> 00:55:01,000
Speaker 1: loving your city? Uh so that's the be while your city, right,

1016
00:55:01,040 --> 00:55:05,280
Speaker 1: I love my city, but I'm just not gonna lie. Um, yeah,

1017
00:55:06,040 --> 00:55:08,520
Speaker 1: I love my city. Man. Yeah. But but here's the thing.

1018
00:55:08,600 --> 00:55:10,319
Speaker 1: A lot of a lot of people who we see

1019
00:55:10,360 --> 00:55:12,759
Speaker 1: love the city, right, they die, They get taken out

1020
00:55:12,800 --> 00:55:15,600
Speaker 1: of the right saying. I saw your clip with Dol,

1021
00:55:16,080 --> 00:55:19,520
Speaker 1: saw your interview with them, And what I want to

1022
00:55:19,560 --> 00:55:24,200
Speaker 1: ask you is when, um, what you're to pun die

1023
00:55:28,640 --> 00:55:31,200
Speaker 1: kind of obviously remember the time, but maybe it might

1024
00:55:31,200 --> 00:55:33,040
Speaker 1: be hard to pinpoint the year, but that's not important.

1025
00:55:33,080 --> 00:55:35,840
Speaker 1: What I want to ask you the question is I

1026
00:55:35,920 --> 00:55:39,200
Speaker 1: went to high school with um, Dolf's wife. It was

1027
00:55:39,280 --> 00:55:40,719
Speaker 1: just one of my homies. You know, we had a

1028
00:55:40,760 --> 00:55:42,840
Speaker 1: couple of classes. We grew up in the same neighborhood

1029
00:55:43,040 --> 00:55:47,520
Speaker 1: from Detroit. Authentic, you know. Um, I didn't know her

1030
00:55:47,560 --> 00:55:50,280
Speaker 1: after high school, but when high school she was solid,

1031
00:55:50,360 --> 00:55:58,080
Speaker 1: you know what I'm saying. And when Dolf died or

1032
00:55:58,120 --> 00:56:00,160
Speaker 1: when Nipsey died, you know, people be I hate when

1033
00:56:00,200 --> 00:56:02,120
Speaker 1: I go on the Internet and see another rapper died

1034
00:56:02,280 --> 00:56:05,680
Speaker 1: or bullshit like that, because more than that, they the

1035
00:56:05,880 --> 00:56:08,279
Speaker 1: pillars in their community. They pillars and they hood right,

1036
00:56:08,320 --> 00:56:10,279
Speaker 1: So when I what I wanted to ask you is

1037
00:56:11,800 --> 00:56:15,719
Speaker 1: when Pun died, didn't feel like like was it a

1038
00:56:15,800 --> 00:56:19,640
Speaker 1: similar energy like when Nip died when when darf went like,

1039
00:56:19,719 --> 00:56:21,640
Speaker 1: how was it or was it different back then? You

1040
00:56:21,719 --> 00:56:24,520
Speaker 1: know what I mean. No, it's definitely wasn't different. It's

1041
00:56:25,800 --> 00:56:29,040
Speaker 1: Pun Pun dime was different for me. This great question,

1042
00:56:29,080 --> 00:56:30,759
Speaker 1: and I don't think I've got to asked that question,

1043
00:56:31,560 --> 00:56:35,160
Speaker 1: especially not on this platform. Um, when Pun died was

1044
00:56:35,200 --> 00:56:37,600
Speaker 1: different because it's funked up for me to say, it's

1045
00:56:37,600 --> 00:56:40,560
Speaker 1: gonna sound so crazy. I'm used to it being a shootout.

1046
00:56:40,880 --> 00:56:42,719
Speaker 1: I'm used to it being the driver. I'm used to

1047
00:56:42,800 --> 00:56:47,200
Speaker 1: it being uh, you know, a stabbing like you know,

1048
00:56:47,280 --> 00:56:49,680
Speaker 1: I remember going to Punt's casket and everyone had like

1049
00:56:49,760 --> 00:56:53,040
Speaker 1: fifteen minutes at Punt's casket and I was standing there,

1050
00:56:53,080 --> 00:56:55,600
Speaker 1: I was sitting down. I was frozen and I just froze.

1051
00:56:56,600 --> 00:56:58,200
Speaker 1: So I didn't know if I was there fifteen minutes

1052
00:56:58,280 --> 00:56:59,920
Speaker 1: or twenty five minutes or thirty minutes, I didn't know.

1053
00:57:00,800 --> 00:57:02,920
Speaker 1: But I remember all the terrost car coming up to me.

1054
00:57:04,640 --> 00:57:07,320
Speaker 1: I'm saying, he's not in pain no more. So I

1055
00:57:07,360 --> 00:57:10,080
Speaker 1: was like in pain, like what like I almost was

1056
00:57:10,120 --> 00:57:11,800
Speaker 1: offended that they told me that, Like, what do you

1057
00:57:11,840 --> 00:57:14,719
Speaker 1: mean in pain? Because I've never seen Punt in pain.

1058
00:57:15,040 --> 00:57:18,640
Speaker 1: But what I realized. What I realized was Pun was

1059
00:57:18,720 --> 00:57:20,800
Speaker 1: an acting in front of me. Me and him was friends,

1060
00:57:21,400 --> 00:57:23,800
Speaker 1: so when he was in pain, he never showed it

1061
00:57:23,920 --> 00:57:26,600
Speaker 1: to me. So it would be times when we'll be talking,

1062
00:57:26,760 --> 00:57:29,200
Speaker 1: just like how me you right now, we're all talking

1063
00:57:29,520 --> 00:57:32,280
Speaker 1: and Pun will fall to sleep. So he was Ye.

1064
00:57:33,200 --> 00:57:35,160
Speaker 1: So I used to think I was boring. Ye, I

1065
00:57:35,240 --> 00:57:37,520
Speaker 1: heard that I heard on stage one time. Fun Oh,

1066
00:57:37,520 --> 00:57:39,160
Speaker 1: I just I don't know about that, but I'm talking

1067
00:57:39,160 --> 00:57:42,560
Speaker 1: about me and him just conversing, so I just think

1068
00:57:42,600 --> 00:57:44,520
Speaker 1: it was me. I was like, all right, let me

1069
00:57:44,560 --> 00:57:47,480
Speaker 1: step my story up a song, like because I don't

1070
00:57:47,480 --> 00:57:49,880
Speaker 1: want to motherfucker falling asleep on me. And what I

1071
00:57:50,040 --> 00:57:52,560
Speaker 1: didn't know about KNOCOLEPSI. I didn't know about sleep apnea.

1072
00:57:52,560 --> 00:57:55,440
Speaker 1: I didn't know about none of that ship. So that's

1073
00:57:55,440 --> 00:57:57,760
Speaker 1: the reason why Punt is hit a little different, because

1074
00:57:58,160 --> 00:58:02,040
Speaker 1: Puns really could have been just like Nipsey and just

1075
00:58:02,280 --> 00:58:04,920
Speaker 1: like um who else were were talking about? For god, Dolf,

1076
00:58:05,080 --> 00:58:11,400
Speaker 1: just like Dolf Um. I actually like literally told Dolf

1077
00:58:11,760 --> 00:58:14,360
Speaker 1: you know, and I really took a liking to him,

1078
00:58:14,360 --> 00:58:18,240
Speaker 1: and he really took a liking to me because I

1079
00:58:18,400 --> 00:58:20,440
Speaker 1: was like his first interview where I didn't bring up,

1080
00:58:21,000 --> 00:58:23,400
Speaker 1: you know, the opposition, the other side that he was

1081
00:58:23,440 --> 00:58:25,240
Speaker 1: supposed to be beefing with. So if you look at

1082
00:58:25,240 --> 00:58:27,840
Speaker 1: the whole interview, I'd never bring that up. So when

1083
00:58:27,880 --> 00:58:31,600
Speaker 1: the interview was done, you know, he walks up to

1084
00:58:31,720 --> 00:58:34,240
Speaker 1: me and e F and he goes, thank you all,

1085
00:58:34,400 --> 00:58:36,960
Speaker 1: and I'm like, you know, we're doing our job. But

1086
00:58:37,080 --> 00:58:41,120
Speaker 1: he's like he really understood what we what we we're

1087
00:58:41,480 --> 00:58:44,800
Speaker 1: doing by not bringing up that because it would have

1088
00:58:46,280 --> 00:58:47,840
Speaker 1: I don't know. I don't know because I don't know

1089
00:58:47,880 --> 00:58:49,920
Speaker 1: where this situation is at now. And I'm sure you

1090
00:58:50,000 --> 00:58:51,840
Speaker 1: understand what. But one of the things I wanted to

1091
00:58:51,920 --> 00:58:54,959
Speaker 1: say though about that, because they just feel like lately

1092
00:58:54,960 --> 00:58:58,240
Speaker 1: it's been tragedy after tragedy after fucking traghicy. Do you

1093
00:58:58,280 --> 00:59:02,880
Speaker 1: think being a rappers the dangerous drop in America? I

1094
00:59:02,960 --> 00:59:05,600
Speaker 1: think one of them. I think being a human being is.

1095
00:59:05,840 --> 00:59:09,400
Speaker 1: But yeah, the forest, but yeah, I mean every of

1096
00:59:09,560 --> 00:59:12,560
Speaker 1: course it is. It is because everything is amplified. And

1097
00:59:12,640 --> 00:59:14,480
Speaker 1: but let me say something though. When I saw the

1098
00:59:14,560 --> 00:59:19,000
Speaker 1: Snoop Dogg interview, and he was talking about how when

1099
00:59:19,040 --> 00:59:21,280
Speaker 1: he rapped about being on a murder case, he was

1100
00:59:21,400 --> 00:59:24,040
Speaker 1: up on trial for murder. He said, that's the first

1101
00:59:24,080 --> 00:59:28,720
Speaker 1: time I saw my words. Yeah, manifest and as human beings,

1102
00:59:28,760 --> 00:59:31,160
Speaker 1: we had a power to create anything, right that we want.

1103
00:59:31,240 --> 00:59:33,160
Speaker 1: We are a guy body. Right. It's like when we

1104
00:59:33,240 --> 00:59:35,000
Speaker 1: say we when we broke and then we talked about

1105
00:59:35,000 --> 00:59:38,160
Speaker 1: we being rich, Yeah, rapped and then actually, yeah, I

1106
00:59:38,200 --> 00:59:40,400
Speaker 1: talked about being on mail rolls before I even stepped

1107
00:59:40,400 --> 00:59:43,560
Speaker 1: foot on mail roads or going on Yeah, okay, that's

1108
00:59:43,720 --> 00:59:45,880
Speaker 1: going on shopping spreezes before I went on shopping spreee. Like,

1109
00:59:45,960 --> 00:59:50,920
Speaker 1: you know, goddamn, let's let's go. Let's let's go. What

1110
00:59:50,960 --> 00:59:53,480
Speaker 1: I'm saying Snoop saying he wrapped about murder and was

1111
00:59:53,520 --> 00:59:56,160
Speaker 1: on trial for murder. Okay, So what I'm saying is

1112
00:59:56,480 --> 00:59:58,080
Speaker 1: we don't want that type of case. No, we don't.

1113
00:59:58,120 --> 01:00:00,880
Speaker 1: But what I'm saying is as people and as rappers

1114
01:00:01,000 --> 01:00:04,240
Speaker 1: or musicians, our voices get amplified as it does. So

1115
01:00:05,720 --> 01:00:07,520
Speaker 1: you know, like you said, when we wrap about things

1116
01:00:07,600 --> 01:00:09,280
Speaker 1: like that, are buying our parents the house, are buying

1117
01:00:09,320 --> 01:00:11,520
Speaker 1: our you know, grandparents, you know, whatever, taking care of

1118
01:00:11,560 --> 01:00:13,640
Speaker 1: our family. All the things we wrap about when we

1119
01:00:13,800 --> 01:00:16,720
Speaker 1: rap about the all those other things though that we

1120
01:00:16,880 --> 01:00:20,320
Speaker 1: rap about. I hate it when it manifesting that attractions

1121
01:00:20,360 --> 01:00:22,480
Speaker 1: to a I hate it when it manifesting that way.

1122
01:00:23,200 --> 01:00:27,200
Speaker 1: I hate it when motherfucker's rapping about that ship and

1123
01:00:27,240 --> 01:00:29,960
Speaker 1: in it happened. And that's one of the cases that

1124
01:00:30,720 --> 01:00:32,720
Speaker 1: I see happen over and over, and I wonder if

1125
01:00:33,520 --> 01:00:37,280
Speaker 1: artists will be more conscious to that. You know, I

1126
01:00:37,320 --> 01:00:41,680
Speaker 1: don't know like I loved I loved um when you

1127
01:00:41,880 --> 01:00:43,760
Speaker 1: rolled up. I love the fact you know a lot

1128
01:00:43,800 --> 01:00:46,479
Speaker 1: of us, like you know, get to a certain level player.

1129
01:00:46,560 --> 01:00:49,360
Speaker 1: I don't need security. I'm gonna tell you, man, you

1130
01:00:49,440 --> 01:00:53,080
Speaker 1: know places that you go as wild places, keep yourself security,

1131
01:00:53,440 --> 01:00:55,800
Speaker 1: Like don't don't go a lot of places without security. Yeah,

1132
01:00:55,800 --> 01:00:57,680
Speaker 1: but don't let people get you, man, keep keep that.

1133
01:00:57,840 --> 01:00:59,320
Speaker 1: So this is leta. I'm gonna keep it rid on.

1134
01:00:59,320 --> 01:01:00,560
Speaker 1: I'm one of those peop But I go to like

1135
01:01:00,680 --> 01:01:03,040
Speaker 1: the fucking movies by myself. I do. I'll just be

1136
01:01:03,160 --> 01:01:06,560
Speaker 1: going out and just like I like having I like

1137
01:01:06,720 --> 01:01:09,440
Speaker 1: having that. I like having that a long time. But

1138
01:01:09,720 --> 01:01:11,160
Speaker 1: I'm gonna just keep it real with you. I'm not

1139
01:01:11,280 --> 01:01:15,120
Speaker 1: a straight nigger like that from the streets. But that's

1140
01:01:15,160 --> 01:01:18,040
Speaker 1: something that I chose not to be a part of necessarily.

1141
01:01:18,200 --> 01:01:20,680
Speaker 1: And who we did is in brent Wood or something

1142
01:01:20,800 --> 01:01:24,760
Speaker 1: like that, only brent Wood. Don't be going over locker,

1143
01:01:27,760 --> 01:01:29,280
Speaker 1: just tell you all right. So look, it's called quick

1144
01:01:29,320 --> 01:01:31,960
Speaker 1: time or slim, So if you pick both being political

1145
01:01:32,360 --> 01:01:34,439
Speaker 1: being politically correct because you know, we all got friends

1146
01:01:34,440 --> 01:01:37,680
Speaker 1: in hip hop. So if I asked you a question, yeah,

1147
01:01:37,720 --> 01:01:39,600
Speaker 1: so we all drink. So you take a shot. So

1148
01:01:39,720 --> 01:01:41,680
Speaker 1: this is the shot. Did you take not? That's your drink.

1149
01:01:41,920 --> 01:01:44,520
Speaker 1: But it's called quick time or slim, so it's just

1150
01:01:44,600 --> 01:01:46,280
Speaker 1: one or the other, or you can pick both. You

1151
01:01:46,320 --> 01:01:48,280
Speaker 1: pick both, you take a shot, but neither you take

1152
01:01:48,320 --> 01:01:53,240
Speaker 1: a shot. Okay, clear, and you know we're pushing. You

1153
01:01:53,240 --> 01:01:57,760
Speaker 1: know what I'm saying, be under contract, we up to

1154
01:01:57,800 --> 01:02:02,080
Speaker 1: my den or vote people in the building, Surkan building everything. Okay,

1155
01:02:02,400 --> 01:02:08,880
Speaker 1: So Dracer Wayne Wayne, Oh that was easy, scar Face

1156
01:02:08,920 --> 01:02:14,520
Speaker 1: of ice Cube. You take a shot. Wait, hold on, Okay,

1157
01:02:15,880 --> 01:02:17,600
Speaker 1: I gotta think about this. I was pushing to doo

1158
01:02:17,720 --> 01:02:20,439
Speaker 1: much on that song. And just to be clear, Drac

1159
01:02:20,520 --> 01:02:22,720
Speaker 1: or Wayne, because it would be no Drake with I. Wayne.

1160
01:02:23,080 --> 01:02:24,960
Speaker 1: So you've went Wayne, I forgot I went Wayne, Okay,

1161
01:02:25,080 --> 01:02:37,640
Speaker 1: yes it makes sense, um, Cube or scar Face, Scarf,

1162
01:02:40,960 --> 01:02:43,360
Speaker 1: you can take a shot. You gotta make it that hard.

1163
01:02:43,400 --> 01:02:45,560
Speaker 1: I love we gotta love both. No no, no, no,

1164
01:02:45,640 --> 01:02:48,480
Speaker 1: no no, I'll choose one. You choose, I choose one.

1165
01:02:48,480 --> 01:02:53,040
Speaker 1: I choose cute. Okay, yeah, cute. Cute. By the way,

1166
01:02:53,120 --> 01:02:55,040
Speaker 1: is my man scar Face. I don't know him as

1167
01:02:55,080 --> 01:02:57,160
Speaker 1: personally as I know Cube, but when he came to

1168
01:02:57,280 --> 01:02:59,400
Speaker 1: the dude, you know, we rolled around and like showed

1169
01:02:59,400 --> 01:03:01,080
Speaker 1: a lot of the game, a lot of game, and

1170
01:03:01,240 --> 01:03:02,720
Speaker 1: on top of that, just like a lot of his

1171
01:03:02,840 --> 01:03:06,200
Speaker 1: songs was definitely you know, some of the like definitely

1172
01:03:06,240 --> 01:03:08,280
Speaker 1: was in the soundtrack of My Life for show Good

1173
01:03:08,320 --> 01:03:09,600
Speaker 1: as to Day, you know what I'm saying, A lot

1174
01:03:09,640 --> 01:03:12,000
Speaker 1: of them today. It was a good day, right, um

1175
01:03:12,400 --> 01:03:15,040
Speaker 1: outcast or UK, I'm sorry, I'm sorry, good as day

1176
01:03:15,040 --> 01:03:17,640
Speaker 1: as the detrait song today was a good damn trick. Yeah,

1177
01:03:18,040 --> 01:03:21,440
Speaker 1: I'm gonna stick with y'all, y'all, um bun hit me

1178
01:03:21,560 --> 01:03:25,800
Speaker 1: up today. Actually you g K so outcast A U

1179
01:03:25,840 --> 01:03:32,280
Speaker 1: g K you're going k like on what aspect? Shot?

1180
01:03:32,320 --> 01:03:35,160
Speaker 1: That's a shot. That's a shot. Yeah, that's a yeah. Yeah,

1181
01:03:35,600 --> 01:03:38,880
Speaker 1: you take whatever you want but I was just with

1182
01:03:38,960 --> 01:03:41,040
Speaker 1: Big Boy too, So yeah, I mean this songs like

1183
01:03:41,080 --> 01:03:43,440
Speaker 1: a shot to me. You gotta but when you say that,

1184
01:03:43,600 --> 01:03:46,760
Speaker 1: what the funk are you talking about? For you whatever?

1185
01:03:47,320 --> 01:03:49,800
Speaker 1: For specific So that sounds like a shot to me.

1186
01:03:50,160 --> 01:03:55,919
Speaker 1: It's a straight shot. I'm dirty only Mama Wuanna, that's mama,

1187
01:03:55,960 --> 01:03:59,160
Speaker 1: want to trust trust me? What is it? Dominican? Mamajuanna? Homemade?

1188
01:04:00,840 --> 01:04:07,600
Speaker 1: Is it? So? What is it in the bottom? Try something?

1189
01:04:07,680 --> 01:04:12,880
Speaker 1: Let's try something. Okay, It's okay, okay, alright, alright, we

1190
01:04:13,280 --> 01:04:17,600
Speaker 1: show is sorry, this show start. Let's go turn the eye.

1191
01:04:18,040 --> 01:04:25,680
Speaker 1: Slo Salo solo, solo by My Water for the win.

1192
01:04:27,800 --> 01:04:33,200
Speaker 1: That's good. That's good. Now I'm gonna give your criteria

1193
01:04:33,280 --> 01:04:36,440
Speaker 1: to this one. Okay. By the way, by the way,

1194
01:04:36,440 --> 01:04:39,360
Speaker 1: I'm tired of a motherucking y'alls. That's cool. We're talking

1195
01:04:39,480 --> 01:04:41,040
Speaker 1: to drinking with you. I'm gonna go there, but just

1196
01:04:42,520 --> 01:04:45,080
Speaker 1: turn Okay, let's worry about it. Don't worry about it.

1197
01:04:45,240 --> 01:04:48,120
Speaker 1: M this one. I'm gonna give you a criteria. This

1198
01:04:48,400 --> 01:04:52,240
Speaker 1: is just producer only. Okay, no emotions to this one,

1199
01:04:53,040 --> 01:05:01,000
Speaker 1: Kanye for no emotions, he said to this, I got

1200
01:05:01,040 --> 01:05:06,840
Speaker 1: my job. Just producers just producers. I'm gonna go with

1201
01:05:10,280 --> 01:05:13,640
Speaker 1: that's that's I'm gonna go with, for real, for producers.

1202
01:05:14,240 --> 01:05:16,040
Speaker 1: He's a little personal. I like it. No, it's not.

1203
01:05:19,520 --> 01:05:24,880
Speaker 1: I'll tell you why. I tell you why because the

1204
01:05:25,080 --> 01:05:28,560
Speaker 1: fact that for U has been popping and had number

1205
01:05:28,760 --> 01:05:30,880
Speaker 1: not only just number number ones and all the chart

1206
01:05:30,920 --> 01:05:34,040
Speaker 1: ship I'm talking about has had impact on three different

1207
01:05:34,120 --> 01:05:37,240
Speaker 1: decades as a producer. So to me, that's some of

1208
01:05:37,280 --> 01:05:39,560
Speaker 1: the most impressive ship anybody could do. And you know,

1209
01:05:39,680 --> 01:05:42,480
Speaker 1: and in his latest years to have a number one

1210
01:05:42,560 --> 01:05:46,000
Speaker 1: record of his own and he produced and uh happy

1211
01:05:46,400 --> 01:05:48,480
Speaker 1: and I'm happy. Yeah, I'm talking about happy and didn't

1212
01:05:48,520 --> 01:05:50,760
Speaker 1: at the same time doing daft punk shit and at

1213
01:05:50,800 --> 01:05:52,600
Speaker 1: the same time doing other things. I think that that

1214
01:05:53,000 --> 01:05:57,560
Speaker 1: is just that's incredible. I mean, discovered that, nig what

1215
01:06:01,920 --> 01:06:06,200
Speaker 1: what about for us? I'm going for Come on, that's different.

1216
01:06:06,720 --> 01:06:11,240
Speaker 1: I've actually never actually worked with Kanye as a producer producer, right,

1217
01:06:11,760 --> 01:06:15,560
Speaker 1: but for real's you know, he shaped the mold my career.

1218
01:06:15,720 --> 01:06:18,160
Speaker 1: He came to me with a tight ass coat on

1219
01:06:18,280 --> 01:06:20,080
Speaker 1: in a tight ass shirt and said, if you listen

1220
01:06:20,120 --> 01:06:21,960
Speaker 1: to me, be going number one. It was a shirt

1221
01:06:22,040 --> 01:06:26,240
Speaker 1: and a coat, both of them was type. Yeah, And

1222
01:06:26,760 --> 01:06:28,479
Speaker 1: I just said, you know, you can look at somebody

1223
01:06:28,720 --> 01:06:30,920
Speaker 1: like I believe you, and I just believe that he

1224
01:06:31,040 --> 01:06:33,120
Speaker 1: was nobody at the time I with the card, but

1225
01:06:33,240 --> 01:06:36,040
Speaker 1: I believe the obviously you know that that don't take

1226
01:06:36,080 --> 01:06:39,320
Speaker 1: away to impact Kayae had as a producer to But

1227
01:06:39,600 --> 01:06:41,400
Speaker 1: because we're gonna go back to that. Okay, put your

1228
01:06:41,440 --> 01:06:46,840
Speaker 1: tea or two, change your criteria whatever you want to change. Well,

1229
01:06:46,920 --> 01:06:49,160
Speaker 1: hold up, cause hold up you when you when you

1230
01:06:49,240 --> 01:06:55,080
Speaker 1: went fast? What is the criteria that you whatever you want?

1231
01:06:55,320 --> 01:06:58,640
Speaker 1: And they called yesterday that's your criteria. We haven't text

1232
01:06:58,680 --> 01:07:05,000
Speaker 1: you recently to chains. Yeah, I hear push it. I

1233
01:07:05,000 --> 01:07:08,240
Speaker 1: don't know what the fun going on. Ship. That's good

1234
01:07:08,360 --> 01:07:13,320
Speaker 1: music ship, all right, I know, but but I know

1235
01:07:13,440 --> 01:07:16,400
Speaker 1: he lost his mom something. Yeah. I totally forgot about that.

1236
01:07:16,600 --> 01:07:18,320
Speaker 1: Push and he would killer he had killer on them

1237
01:07:18,360 --> 01:07:21,680
Speaker 1: beats push the team for show. Yeah, okay, I'm Ari

1238
01:07:21,880 --> 01:07:26,320
Speaker 1: on the Grande or Janelle Ico. Sorry in the criteria, Yeah,

1239
01:07:26,400 --> 01:07:27,600
Speaker 1: you know that. You know what I mean. I've just

1240
01:07:27,640 --> 01:07:35,200
Speaker 1: slexic be established We established that already. Yeah, only did

1241
01:07:35,240 --> 01:07:39,120
Speaker 1: I correct you? Yeah, is the only person who I've

1242
01:07:39,120 --> 01:07:42,360
Speaker 1: ever been in like four relationships at once with she's

1243
01:07:42,400 --> 01:07:44,560
Speaker 1: been a friend, she's been a group member, she's been

1244
01:07:44,760 --> 01:07:49,120
Speaker 1: a romantic partner, and she's been up here. So that's

1245
01:07:49,120 --> 01:07:51,320
Speaker 1: the only person that I've had so many connections with

1246
01:07:51,400 --> 01:07:55,520
Speaker 1: that one. So that's why. So you're gonna walk, I mean, yeah, okay,

1247
01:07:58,520 --> 01:08:04,080
Speaker 1: it's all respecting love, you know, DMX or Tupac. This

1248
01:08:04,200 --> 01:08:08,960
Speaker 1: a shot? No, No, it's not. Okay, I forgot you

1249
01:08:09,040 --> 01:08:20,040
Speaker 1: got the GPS up there. D MX had g B

1250
01:08:20,200 --> 01:08:38,719
Speaker 1: a g B. Yeah, that's that um fleshing my flesh,

1251
01:08:38,760 --> 01:08:42,200
Speaker 1: blood of my blood. Like when that came out, that

1252
01:08:42,360 --> 01:08:44,400
Speaker 1: was one of the first rap albums that I truly

1253
01:08:44,439 --> 01:08:46,280
Speaker 1: got into, you know what I'm saying, So flush on

1254
01:08:46,320 --> 01:08:48,080
Speaker 1: my flesh, bood my blos when he's in the tub

1255
01:08:48,200 --> 01:08:50,320
Speaker 1: with that's when you dropped, and that's when you dropped.

1256
01:08:50,520 --> 01:08:54,120
Speaker 1: Those albums back to back that had an impact on me.

1257
01:08:54,200 --> 01:08:55,960
Speaker 1: But also All Eyes on Me was one of the

1258
01:08:56,040 --> 01:08:59,840
Speaker 1: first albums too that I really got into. And if

1259
01:08:59,880 --> 01:09:05,120
Speaker 1: I had to pick one, I'm gonna have to take

1260
01:09:05,120 --> 01:09:09,800
Speaker 1: a shot. Okay, I was because you're thinking way to you.

1261
01:09:09,960 --> 01:09:12,519
Speaker 1: By the way, the regional question is darkness, hell us

1262
01:09:12,560 --> 01:09:16,400
Speaker 1: hot versus All Eyes on Me. So so what the

1263
01:09:16,479 --> 01:09:20,439
Speaker 1: fun I changed. Yeah, Yeah, I'm just lexic. Just just

1264
01:09:20,560 --> 01:09:37,800
Speaker 1: blame everything is just lexic. Soli h. I don't know

1265
01:09:37,800 --> 01:09:39,880
Speaker 1: where you gonna go with this, Nicki Minaj or Cardi B.

1266
01:09:44,400 --> 01:09:47,360
Speaker 1: You're gonna get me fucked up. I don't know if

1267
01:09:47,400 --> 01:09:50,040
Speaker 1: that means out of here or you're gonna drink another shot.

1268
01:09:50,040 --> 01:09:52,439
Speaker 1: I don't know what that means, but I'm I'm willing

1269
01:09:52,520 --> 01:09:54,360
Speaker 1: to go wherever you want to go. If I had

1270
01:09:54,400 --> 01:09:58,000
Speaker 1: to pick one one in one way, this is your criteria.

1271
01:09:58,280 --> 01:10:00,400
Speaker 1: Why are you making me pick between two? Quick? Bro?

1272
01:10:00,760 --> 01:10:02,680
Speaker 1: That's what I'm trying to say. This, This is meant

1273
01:10:02,720 --> 01:10:04,360
Speaker 1: for you to drink. This is why it's cooled to drop.

1274
01:10:04,760 --> 01:10:08,280
Speaker 1: You know, Nicki Minajs, we got more history obviously, you

1275
01:10:08,320 --> 01:10:13,360
Speaker 1: know what I'm saying. So and see a rap legend period.

1276
01:10:13,680 --> 01:10:15,719
Speaker 1: You know, we with the songs that we got together.

1277
01:10:15,840 --> 01:10:17,960
Speaker 1: To me are I haven't worked with Cardi B yet,

1278
01:10:18,800 --> 01:10:20,640
Speaker 1: you know what I'm saying. I obviously got respect for

1279
01:10:20,720 --> 01:10:22,320
Speaker 1: both of them, But obviously if I had to pay

1280
01:10:22,400 --> 01:10:24,280
Speaker 1: between the two and I gotta go, I gotta roll

1281
01:10:24,320 --> 01:10:30,600
Speaker 1: with Nikki like that podcast or radio podcast. I like that.

1282
01:10:30,680 --> 01:10:32,360
Speaker 1: I should take a shot for that. We should take

1283
01:10:32,400 --> 01:10:36,120
Speaker 1: a shot for that. You don't have to. It was

1284
01:10:36,160 --> 01:10:38,120
Speaker 1: all the way by the way. Radio changed my life.

1285
01:10:39,160 --> 01:10:42,360
Speaker 1: Podcast changed my life too, and one of my biggest

1286
01:10:42,400 --> 01:10:44,160
Speaker 1: goals in life was to hear my song on the radio.

1287
01:10:45,160 --> 01:10:48,720
Speaker 1: But that sounds but no, no, no, no, no no no,

1288
01:10:48,960 --> 01:10:50,960
Speaker 1: I'm not. I'm just saying later on in my life,

1289
01:10:51,040 --> 01:10:53,160
Speaker 1: I've been on more on the podcast. You know what

1290
01:10:53,200 --> 01:10:55,680
Speaker 1: I'm saying, because I like getting straight to it. You know,

1291
01:10:56,000 --> 01:11:03,360
Speaker 1: radio would be like radio, we're back with were ready

1292
01:11:03,360 --> 01:11:08,400
Speaker 1: to go right now. But Biggie or Tupac, Biggie I

1293
01:11:08,520 --> 01:11:11,160
Speaker 1: like that Tupac was that nigga too, but Biggie b

1294
01:11:11,320 --> 01:11:14,160
Speaker 1: I g Big Sean. That's why I literally he was

1295
01:11:14,240 --> 01:11:16,920
Speaker 1: definitely something like part of the inspiration why I chose

1296
01:11:17,040 --> 01:11:20,760
Speaker 1: Big Sean, not Little Sean, not young Sean. You know

1297
01:11:20,840 --> 01:11:23,240
Speaker 1: what I'm saying, And that's I chose that name at

1298
01:11:23,960 --> 01:11:26,120
Speaker 1: ten years old, you know what I'm saying. That's when

1299
01:11:26,160 --> 01:11:28,599
Speaker 1: I chose, That's when I chose my rap name. Stuck

1300
01:11:28,680 --> 01:11:32,800
Speaker 1: with it because of I and Big pun too and

1301
01:11:32,960 --> 01:11:38,719
Speaker 1: Big that's beautiful to say that Young Jeez or Rick Ross.

1302
01:11:41,439 --> 01:11:43,400
Speaker 1: Can we still call him young Jeez? Why are you

1303
01:11:43,479 --> 01:11:45,679
Speaker 1: making me choose, bro, I don't want to. I don't

1304
01:11:45,680 --> 01:11:48,600
Speaker 1: want to. I want you drink. It's not about you

1305
01:11:48,680 --> 01:11:51,600
Speaker 1: big choosing you could drink and have fun. That The

1306
01:11:51,720 --> 01:11:53,880
Speaker 1: thing is, Jeez had more of an impact on me

1307
01:11:53,960 --> 01:11:56,519
Speaker 1: being from Detroit. That's like a second home because that's right,

1308
01:11:56,560 --> 01:11:59,519
Speaker 1: being Math, not just being Math. I mean, yeah, of

1309
01:11:59,600 --> 01:12:03,000
Speaker 1: course be met, but because of just his music that way,

1310
01:12:03,040 --> 01:12:05,800
Speaker 1: it impacted Detroit at the time when I was in

1311
01:12:05,880 --> 01:12:09,559
Speaker 1: the clubs and ship Jeez, you know, and Jeez came

1312
01:12:09,640 --> 01:12:11,680
Speaker 1: a little bit before Ross too, you know what I mean,

1313
01:12:11,800 --> 01:12:15,120
Speaker 1: And just so the respect is there for both. I

1314
01:12:15,160 --> 01:12:18,600
Speaker 1: gotta go, I gotta roll with Jeszy. Okay, this one

1315
01:12:18,640 --> 01:12:23,560
Speaker 1: you're gonna be a little sucked up. Oh no, the

1316
01:12:23,600 --> 01:12:26,200
Speaker 1: next one you gonna I'm not sure this one being

1317
01:12:26,240 --> 01:12:32,840
Speaker 1: meth for the Cheder Boys. I mean, I'm a Cheder

1318
01:12:32,880 --> 01:12:35,960
Speaker 1: boy baby, that's for sure. You know. It was just

1319
01:12:36,479 --> 01:12:40,040
Speaker 1: it was another thing. It was like the impact, the impact.

1320
01:12:40,160 --> 01:12:42,600
Speaker 1: That's like I feel like being Memphis a little bit

1321
01:12:42,600 --> 01:12:46,400
Speaker 1: before my time, right, a little bit like I'm talking

1322
01:12:46,439 --> 01:12:52,080
Speaker 1: about like, okay, yeah, when I was rolling around like

1323
01:12:52,280 --> 01:12:54,840
Speaker 1: Chado boys had that ship a lot, you know, when

1324
01:12:54,840 --> 01:12:57,519
Speaker 1: I was in middle school, I feel like being Memphis

1325
01:12:57,600 --> 01:12:59,760
Speaker 1: before I could even really listen to any ship like that,

1326
01:13:00,040 --> 01:13:01,880
Speaker 1: you know, it was getting locked out. My mom wasn't

1327
01:13:01,880 --> 01:13:04,479
Speaker 1: happening it, you know what I mean. But being math

1328
01:13:04,600 --> 01:13:07,120
Speaker 1: going crazy right now, you know, shout out a little me,

1329
01:13:07,240 --> 01:13:09,960
Speaker 1: shout out fifty shot at everybody that ship. I like

1330
01:13:10,040 --> 01:13:11,479
Speaker 1: how they I like how they're painting the picture of

1331
01:13:11,520 --> 01:13:13,439
Speaker 1: the city. I'm gonna I'm gonna gonna watch you don't

1332
01:13:13,439 --> 01:13:15,400
Speaker 1: don't blow it up for me. You know, I'm avenge

1333
01:13:15,439 --> 01:13:21,479
Speaker 1: watcher huh four two because you said he said his

1334
01:13:21,600 --> 01:13:24,280
Speaker 1: name is not forty two. It's four to huh four

1335
01:13:24,400 --> 01:13:31,160
Speaker 1: two dog rotiguously you can take a shot. Yeah, I

1336
01:13:31,200 --> 01:13:33,240
Speaker 1: ain't picking between That's what I'm saying. It's like a shot,

1337
01:13:33,320 --> 01:13:34,960
Speaker 1: like a shot. All right. Why don't you look at

1338
01:13:34,960 --> 01:13:39,439
Speaker 1: Hennessey right now? Wanna you could give m a little

1339
01:13:39,439 --> 01:13:43,120
Speaker 1: bit more than that. Wanna take a little We'll take

1340
01:13:43,240 --> 01:13:45,080
Speaker 1: you take the forty two. Come get me funked up

1341
01:13:45,120 --> 01:13:46,800
Speaker 1: in here? Yeah exactly, this is This is is the point.

1342
01:13:48,040 --> 01:13:57,880
Speaker 1: So yeah, yeah, that's what I'm talking about. M Okay,

1343
01:13:58,320 --> 01:14:01,760
Speaker 1: it ain't gonna pick between you dream dog or dog

1344
01:14:01,880 --> 01:14:10,200
Speaker 1: you cat? How many more questions do you got by

1345
01:14:10,200 --> 01:14:13,760
Speaker 1: a couple of months when they copy dragged a couple? Yeah? Bro,

1346
01:14:14,000 --> 01:14:16,000
Speaker 1: what the fun dreaming? Do you want to go a shot?

1347
01:14:16,040 --> 01:14:20,800
Speaker 1: I mean cat, don't. I don't know what the mix.

1348
01:14:21,200 --> 01:14:24,360
Speaker 1: I don't want to Huh, you want to take a shot?

1349
01:14:24,400 --> 01:14:25,920
Speaker 1: I know does a cat? I don't think I've even

1350
01:14:25,960 --> 01:14:30,000
Speaker 1: met dream dog, So you're gonna do alright? I don't

1351
01:14:30,040 --> 01:14:36,800
Speaker 1: even know the Kendrick or Jay Cole? Are you saying

1352
01:14:36,840 --> 01:14:50,559
Speaker 1: that this is on you? I love both the niggers. Okay,

1353
01:14:50,640 --> 01:14:53,400
Speaker 1: let's go, let's go. What shot you want? Oh sho,

1354
01:14:53,560 --> 01:14:56,479
Speaker 1: you got an explanation. I've been I've been a calls

1355
01:14:56,560 --> 01:15:01,000
Speaker 1: house though. Kendrick being in my house before, she's making

1356
01:15:01,040 --> 01:15:03,719
Speaker 1: his personal No. But I'm just saying, Jake Cale opened

1357
01:15:03,760 --> 01:15:06,080
Speaker 1: his doors to me. That's like I'm gonna go with Cal.

1358
01:15:06,400 --> 01:15:09,320
Speaker 1: I respect that. I respect that Jacle opened his doors

1359
01:15:09,400 --> 01:15:12,080
Speaker 1: his family. You know what I'm saying? Okay, yeah, big

1360
01:15:12,120 --> 01:15:21,479
Speaker 1: pun of big Al big Ail was the killer with

1361
01:15:21,560 --> 01:15:26,240
Speaker 1: those words. Bro, he was a fucking killer, so it

1362
01:15:26,360 --> 01:15:30,880
Speaker 1: was punned too. You can take a show now. I

1363
01:15:30,920 --> 01:15:36,760
Speaker 1: ain't taking a shot. I could pick mother, I could

1364
01:15:36,760 --> 01:15:43,040
Speaker 1: pick goddamnit. I'm gonna go with Big Alka. The lyricism,

1365
01:15:43,160 --> 01:15:46,200
Speaker 1: the word play. Both of them had that, but it

1366
01:15:46,320 --> 01:15:48,600
Speaker 1: was something about Big l that just shocked me. The

1367
01:15:49,280 --> 01:15:52,080
Speaker 1: metaphors and ship like how he was putting the things together.

1368
01:15:52,640 --> 01:15:55,639
Speaker 1: It just got me, like, you know off that okay

1369
01:15:55,720 --> 01:16:02,920
Speaker 1: o d Bo Bismarcki oh to be dealer, Primo dealer,

1370
01:16:03,840 --> 01:16:10,840
Speaker 1: pap for dre puff Uh. Like like you tell my

1371
01:16:10,920 --> 01:16:18,719
Speaker 1: producer or rapper, whatever the funk you want, whatever you want, Nigi,

1372
01:16:18,880 --> 01:16:23,160
Speaker 1: what the fuck wherever you are? Whatever I want, producer, producer.

1373
01:16:24,680 --> 01:16:26,200
Speaker 1: That sounds like a shot to me. Then you just

1374
01:16:26,280 --> 01:16:28,400
Speaker 1: picked both. I can't crol side as you produce, you

1375
01:16:28,479 --> 01:16:32,640
Speaker 1: crol sides just now you d we gotta take you

1376
01:16:32,680 --> 01:16:35,920
Speaker 1: gotta take a shot. Let's go, let's go. Let's go

1377
01:16:36,000 --> 01:16:37,599
Speaker 1: take a shot with your preface. Whatever you want, you want.

1378
01:16:37,880 --> 01:16:39,640
Speaker 1: Then you got a motherfucking fix this ship and make

1379
01:16:39,680 --> 01:16:42,760
Speaker 1: it look like I picked both of them. Then we

1380
01:16:42,880 --> 01:16:51,880
Speaker 1: got this shot. Rest my mamana, I don't funk with it.

1381
01:16:51,920 --> 01:16:54,840
Speaker 1: I'm gonna being honest. I can't believe Sean, that ship

1382
01:16:54,920 --> 01:17:01,120
Speaker 1: is crazy. Gotta gotta got okay, this one wrong. Okay,

1383
01:17:02,320 --> 01:17:06,960
Speaker 1: baby Face Ray or real Young g Rio, the Young

1384
01:17:07,000 --> 01:17:09,680
Speaker 1: Old Gal the young get these names. I'm sorry, you

1385
01:17:09,720 --> 01:17:13,240
Speaker 1: know I'm gonna put some. I'm sorry. I love these guys. No,

1386
01:17:13,640 --> 01:17:15,760
Speaker 1: you gotta understand that the blueprint that the and the

1387
01:17:15,880 --> 01:17:17,960
Speaker 1: impact that they're having on the whole industry right now,

1388
01:17:18,080 --> 01:17:23,639
Speaker 1: real young old g baby Face Ray vs veso uh

1389
01:17:25,320 --> 01:17:28,000
Speaker 1: Pas pay roll. So sounds like you're taking a shot

1390
01:17:28,040 --> 01:17:30,080
Speaker 1: that should be clear. No, no, no, I'm just letting

1391
01:17:30,080 --> 01:17:33,120
Speaker 1: you know, like they don't. You gotta make sure you're

1392
01:17:33,200 --> 01:17:35,840
Speaker 1: gonos these names. I'm trying, my bodie, James, you gotta

1393
01:17:35,840 --> 01:17:38,240
Speaker 1: announce it. It's like that's why we're out here. We're

1394
01:17:38,240 --> 01:17:43,040
Speaker 1: trying to give the respect show. Um, so, who is

1395
01:17:43,120 --> 01:17:49,559
Speaker 1: it again? Real or baby Face? Free Real? But I'm

1396
01:17:49,560 --> 01:17:51,880
Speaker 1: gonna go with baby Face but free Real though, okay?

1397
01:17:52,200 --> 01:17:59,160
Speaker 1: Isaiah Thomas or Joe Dumarsh Isaiah Zeke. Yeah, I got

1398
01:17:59,240 --> 01:18:06,519
Speaker 1: drunk with Iaia Hyeah. Yeah. I stepped to him about

1399
01:18:06,520 --> 01:18:08,320
Speaker 1: Bad Boys, just like, yeah, it would be you know,

1400
01:18:08,600 --> 01:18:11,400
Speaker 1: it would be no Michael Jordan without the Bad Boys period,

1401
01:18:11,760 --> 01:18:15,400
Speaker 1: eminem or worse the five nine get a shot ready?

1402
01:18:17,760 --> 01:18:25,599
Speaker 1: I can pick is that it's nothing produce? What's yeah? Yeah?

1403
01:18:26,040 --> 01:18:33,800
Speaker 1: What's you going? Um? Worse the five on is my

1404
01:18:34,720 --> 01:18:38,920
Speaker 1: literal big brother. So I gotta go to Royce Eminem

1405
01:18:39,360 --> 01:18:42,320
Speaker 1: like I said, God didn't see, God didn't see and

1406
01:18:42,600 --> 01:18:45,200
Speaker 1: dream comes true to work with. But Royce, I've been

1407
01:18:45,240 --> 01:18:47,760
Speaker 1: in the trenches for Royce. Shot Royce. I'm saying I

1408
01:18:47,800 --> 01:18:53,000
Speaker 1: hadn't been in a real trenches for real. Okay, Kevin

1409
01:18:53,040 --> 01:19:06,439
Speaker 1: hard Day Chappelle, what about you, Kevin Arder, Dave Chappelle,

1410
01:19:08,600 --> 01:19:10,519
Speaker 1: you know, this is the greatest thing about this part.

1411
01:19:11,640 --> 01:19:14,960
Speaker 1: It's my name on the show. It's all about you.

1412
01:19:15,040 --> 01:19:17,120
Speaker 1: We're giving you your flowers. You see from I was saying,

1413
01:19:17,439 --> 01:19:20,560
Speaker 1: that's just say your name. Brother. Dave Chappelle is on

1414
01:19:20,640 --> 01:19:25,519
Speaker 1: Detroit too. Yeah, Dave Chappelle is on Detroit. Dave Chappelle's

1415
01:19:25,520 --> 01:19:28,320
Speaker 1: to Carey my dad at a at a at a

1416
01:19:28,360 --> 01:19:31,240
Speaker 1: show twice. Wow. Yeah. When I first met Dave Chappelle,

1417
01:19:31,240 --> 01:19:32,640
Speaker 1: he was like, I love your dad, and I'm like,

1418
01:19:32,720 --> 01:19:36,080
Speaker 1: what the fuck? Three and three in the morning and

1419
01:19:36,120 --> 01:19:39,240
Speaker 1: getting back from Vegas PJ on it at the private airport.

1420
01:19:39,320 --> 01:19:42,519
Speaker 1: I'm walking off. He's getting on the plane. I'm like, oh,

1421
01:19:42,800 --> 01:19:45,080
Speaker 1: Dave Chappelle, man, I'm like a huge fan. He's like,

1422
01:19:45,600 --> 01:19:47,280
Speaker 1: I love your dad. That's the first thing he said

1423
01:19:47,320 --> 01:19:49,240
Speaker 1: to me. I'm like, what the are you talking about?

1424
01:19:49,280 --> 01:19:51,639
Speaker 1: Because my dad ended up doing a skit on Dark

1425
01:19:51,680 --> 01:19:54,080
Speaker 1: Sky Paradise on my album. I'm thinking he just heard that.

1426
01:19:54,120 --> 01:19:55,599
Speaker 1: He's like, no, I was kicking in with your dad.

1427
01:19:56,040 --> 01:19:58,280
Speaker 1: Then I go into this phone conversation I had with

1428
01:19:58,400 --> 01:20:00,600
Speaker 1: my dad. You know when you're ars call you and

1429
01:20:00,600 --> 01:20:03,000
Speaker 1: they'd be talking, you know, talking, just be like uh.

1430
01:20:03,560 --> 01:20:04,840
Speaker 1: He was like yes, So I was at the Dave

1431
01:20:04,920 --> 01:20:08,840
Speaker 1: Chappelle show to me backstage, and I was backstage, man,

1432
01:20:09,240 --> 01:20:13,559
Speaker 1: I'm like, huh, all right, dad, I love you man, alright, piece.

1433
01:20:13,560 --> 01:20:14,960
Speaker 1: I just thought, you know, because my dad just be

1434
01:20:15,040 --> 01:20:17,080
Speaker 1: going sometimes it talks to me for like two hours straight.

1435
01:20:17,880 --> 01:20:19,880
Speaker 1: This motherfucker. Dave Chappelle was like, I love your dad.

1436
01:20:20,120 --> 01:20:22,080
Speaker 1: Had him back there smoking blunts, had him back there

1437
01:20:22,120 --> 01:20:30,559
Speaker 1: smoking blund God telling me lle got damn. Okay, yeah, okay,

1438
01:20:31,280 --> 01:20:38,639
Speaker 1: Chris Brown to Jeremiah Chris Brown because I ain't gotta

1439
01:20:38,640 --> 01:20:42,679
Speaker 1: give a reason you don't both of them, but yeah

1440
01:20:42,840 --> 01:20:47,320
Speaker 1: Chris Brown, Okay, Metro booming or here boy, here boy.

1441
01:20:49,040 --> 01:21:01,920
Speaker 1: I liked it. That loyalty or respect loyalty. Now I

1442
01:21:02,000 --> 01:21:09,519
Speaker 1: gotta x y because you can respect somebody and still

1443
01:21:09,640 --> 01:21:16,720
Speaker 1: fund them over With loyalty, you don't think about that person. Um.

1444
01:21:19,280 --> 01:21:21,200
Speaker 1: You know, when you loyal to that person, you're gonna

1445
01:21:21,240 --> 01:21:23,559
Speaker 1: always hold them and think about them in a different

1446
01:21:23,560 --> 01:21:28,280
Speaker 1: way than necessarily, like having a respect for somebody can

1447
01:21:30,600 --> 01:21:33,760
Speaker 1: just be completely thrown out the window at any time,

1448
01:21:33,880 --> 01:21:37,799
Speaker 1: because I feel like loyalty is more for it for everything,

1449
01:21:37,840 --> 01:21:40,560
Speaker 1: and respect it's more of a moment thing. You know

1450
01:21:40,600 --> 01:21:44,240
Speaker 1: what I'm saying both, because that wasn't the question. You

1451
01:21:44,600 --> 01:21:49,040
Speaker 1: can pick both, you can, but you got to get shot.

1452
01:21:49,080 --> 01:21:54,160
Speaker 1: That's the reason why you ain't big both. But yeah,

1453
01:21:54,160 --> 01:21:57,080
Speaker 1: because I was a drunk as answer. Yeah, it's great though,

1454
01:21:57,160 --> 01:22:00,200
Speaker 1: it's great, it's great. So um now let's move one

1455
01:22:00,439 --> 01:22:11,519
Speaker 1: right click, Yeah, it's record. Mm hmm, go on there

1456
01:22:11,600 --> 01:22:22,200
Speaker 1: with two giants. Yeah, your verse comes first as an artist, Yeah,

1457
01:22:23,040 --> 01:22:26,439
Speaker 1: I come from the era I came from at one

1458
01:22:26,479 --> 01:22:29,760
Speaker 1: point pause of the eerror where the artist has the

1459
01:22:30,200 --> 01:22:33,360
Speaker 1: most impact is the last verse right right. But then

1460
01:22:33,960 --> 01:22:37,000
Speaker 1: in the new era, is the artist with the first first?

1461
01:22:37,120 --> 01:22:41,760
Speaker 1: You think so, because sometimes we've change, it changes, but

1462
01:22:41,880 --> 01:22:45,400
Speaker 1: thin this error at this time, especially when you with

1463
01:22:45,520 --> 01:22:48,040
Speaker 1: these other two ot coms, they let you go first.

1464
01:22:49,840 --> 01:22:53,240
Speaker 1: Is it because your verse was laid first? Yeah? It

1465
01:22:53,520 --> 01:22:57,280
Speaker 1: was okay, that was simple. My verse was like at first,

1466
01:22:57,320 --> 01:23:00,680
Speaker 1: I did the hook in the verse and sport. Now,

1467
01:23:01,400 --> 01:23:03,760
Speaker 1: what are you under the impression of this versus? For what?

1468
01:23:05,840 --> 01:23:07,600
Speaker 1: I didn't know. I just was in the studio. It

1469
01:23:07,720 --> 01:23:10,639
Speaker 1: was in London. He was right next to Buckingham Palace.

1470
01:23:12,080 --> 01:23:20,640
Speaker 1: I love I love his flaws in London, next to

1471
01:23:20,720 --> 01:23:25,320
Speaker 1: bunk here. I love hit boy at too. Who will

1472
01:23:25,439 --> 01:23:30,559
Speaker 1: produce click? Um, so you met him, you said, that's

1473
01:23:30,600 --> 01:23:33,160
Speaker 1: what I meant. Well, that's the where I first worked

1474
01:23:33,160 --> 01:23:35,240
Speaker 1: with him. Okay. I met him actually one time before

1475
01:23:35,280 --> 01:23:42,120
Speaker 1: that at Buckingham Palace and everybody was out there pushing

1476
01:23:42,240 --> 01:23:51,439
Speaker 1: to John Legend here boy. Yeah, uh, Manny Fresh was

1477
01:23:51,479 --> 01:23:54,960
Speaker 1: out there. Um, there's a lot of people out there.

1478
01:23:55,240 --> 01:23:59,320
Speaker 1: I'm forgetting probably like a lot of people because you

1479
01:23:59,360 --> 01:24:01,720
Speaker 1: made me drink all sucking shots. It's okay, it's more

1480
01:24:01,800 --> 01:24:07,400
Speaker 1: to come, okay, Okay. So yeah, it was just an idea.

1481
01:24:07,479 --> 01:24:09,479
Speaker 1: We were working on this one song and the ship

1482
01:24:09,640 --> 01:24:12,120
Speaker 1: was like whack as hell. It was a beat that

1483
01:24:12,280 --> 01:24:15,240
Speaker 1: was just like ship was going on for a long time.

1484
01:24:15,280 --> 01:24:17,920
Speaker 1: It's a song that never came out, and I was like, man,

1485
01:24:17,960 --> 01:24:19,720
Speaker 1: we need to switch this ship up. Man, this ship

1486
01:24:19,800 --> 01:24:22,200
Speaker 1: is whack. And there was already a hook on there.

1487
01:24:23,120 --> 01:24:25,400
Speaker 1: I was like, this ship fucking trash. So we lowed

1488
01:24:25,439 --> 01:24:28,240
Speaker 1: it up another beat or Doncy was like, well, what

1489
01:24:28,360 --> 01:24:31,800
Speaker 1: other beat we're gonna you know, you know, it's impressure,

1490
01:24:32,000 --> 01:24:34,560
Speaker 1: so like what other people were gonna load up? You know,

1491
01:24:35,400 --> 01:24:37,439
Speaker 1: I don't remember what he said, Doncy is my brother.

1492
01:24:38,200 --> 01:24:40,800
Speaker 1: What I'm saying for real, love your impressure them. Yeah,

1493
01:24:41,120 --> 01:24:42,960
Speaker 1: I can do. That's a hidden talent. I get a

1494
01:24:43,000 --> 01:24:47,720
Speaker 1: lot of impressions. But anyway, we lowed up a beat

1495
01:24:47,760 --> 01:24:49,400
Speaker 1: and the first thing that comes on, I do this

1496
01:24:49,439 --> 01:24:52,240
Speaker 1: ship in like two minutes. I said, anybody sun on

1497
01:24:52,320 --> 01:24:57,080
Speaker 1: my click click click later hood everybody like you know,

1498
01:24:57,200 --> 01:24:59,439
Speaker 1: everybody like that's all right, it's all right, like to

1499
01:24:59,479 --> 01:25:02,920
Speaker 1: hook lead your lagborhood. Then I do a verse and

1500
01:25:02,960 --> 01:25:05,880
Speaker 1: the like it's it's tight, it's tight. Then you come

1501
01:25:05,960 --> 01:25:08,560
Speaker 1: back and hear it and he's like, this is the

1502
01:25:08,600 --> 01:25:11,320
Speaker 1: motherfucker this this ship crazy? You know what I'm saying.

1503
01:25:11,400 --> 01:25:15,040
Speaker 1: And next thing I know, time goes on. Because we

1504
01:25:15,120 --> 01:25:17,400
Speaker 1: were working on other songs Mercy and by the way,

1505
01:25:17,439 --> 01:25:19,240
Speaker 1: all these songs I did like back then there was

1506
01:25:19,360 --> 01:25:21,320
Speaker 1: just freestyles. But I wasn't even trying on none of

1507
01:25:21,400 --> 01:25:23,920
Speaker 1: that ship really, none of it. Bro. I just was

1508
01:25:24,000 --> 01:25:28,800
Speaker 1: like going in there freestyling, like on mercy click, don't

1509
01:25:28,880 --> 01:25:33,160
Speaker 1: like just have you know, just just just do you know,

1510
01:25:33,320 --> 01:25:35,599
Speaker 1: just to be productive, like all right, fucking I'm a freestyle.

1511
01:25:36,400 --> 01:25:39,360
Speaker 1: And anyway, he heard it and everybody laid a verse on.

1512
01:25:39,400 --> 01:25:42,400
Speaker 1: It was like eight verses and then I guess it

1513
01:25:42,520 --> 01:25:44,280
Speaker 1: got to hold. Now this is part of the story

1514
01:25:44,320 --> 01:25:46,559
Speaker 1: where I wasn't there, so I don't know the exact details,

1515
01:25:46,680 --> 01:25:49,920
Speaker 1: but it went from eight verses to the whole click

1516
01:25:50,000 --> 01:25:52,880
Speaker 1: on there to nobody's verse being on there because Hole

1517
01:25:53,000 --> 01:25:55,559
Speaker 1: was on there. But somehow my ship got left on there,

1518
01:25:56,320 --> 01:26:00,519
Speaker 1: you know. And when I had to, when I the conversation,

1519
01:26:00,560 --> 01:26:03,200
Speaker 1: when yeah, he was like, you know, whole states, you

1520
01:26:03,240 --> 01:26:05,760
Speaker 1: gotta stay on have mother fun. You know, he was like,

1521
01:26:05,800 --> 01:26:08,560
Speaker 1: you gotta keep keep Shawn on there. So that was

1522
01:26:08,640 --> 01:26:10,320
Speaker 1: a monumental moment for me. A lot of a lot

1523
01:26:10,320 --> 01:26:12,960
Speaker 1: of niggers definitely got songs with wove Oorya, so let

1524
01:26:13,000 --> 01:26:18,680
Speaker 1: along both of them. Goddamn may now now loyal to

1525
01:26:18,760 --> 01:26:22,880
Speaker 1: a fault feature embracing Tiller a little dirt. What is what?

1526
01:26:23,080 --> 01:26:24,679
Speaker 1: What are you trying to say? Loyal to a fault?

1527
01:26:24,760 --> 01:26:26,760
Speaker 1: What does what does that exactly mean? That's just some

1528
01:26:26,880 --> 01:26:29,719
Speaker 1: relatable ship that people be loyal to a fault? Yeah,

1529
01:26:30,120 --> 01:26:33,280
Speaker 1: people be You've been loyal to a full absolutely in

1530
01:26:33,360 --> 01:26:38,200
Speaker 1: what situation ship? One of the situations that we could

1531
01:26:38,240 --> 01:26:39,680
Speaker 1: talk about. I don't know if you're ready to talk

1532
01:26:39,680 --> 01:26:45,559
Speaker 1: about is good music? Okay not yet? Okay, my back?

1533
01:26:45,600 --> 01:26:49,760
Speaker 1: Can you give me another situation? Because because I'm leading

1534
01:26:49,880 --> 01:26:51,960
Speaker 1: up to it, you know, I got it. It's a

1535
01:26:52,000 --> 01:26:53,560
Speaker 1: certain build up. You want another shot, I feel like

1536
01:26:53,600 --> 01:26:58,519
Speaker 1: you want to Okay, okay, later later, But loyal to

1537
01:26:58,600 --> 01:27:00,960
Speaker 1: a fault, that's just I feel like that a lot

1538
01:27:01,000 --> 01:27:03,599
Speaker 1: of times in my life, bro where you know, when

1539
01:27:03,640 --> 01:27:05,600
Speaker 1: you're really loyal to somebody, you're gonna put up with

1540
01:27:05,680 --> 01:27:10,720
Speaker 1: them and like, I don't know, just give it all

1541
01:27:10,760 --> 01:27:12,320
Speaker 1: you got, you know what I'm saying. And I know

1542
01:27:12,400 --> 01:27:14,519
Speaker 1: a lot of women can relate to that song. A

1543
01:27:14,560 --> 01:27:16,120
Speaker 1: lot of men can relate to that song of just

1544
01:27:16,360 --> 01:27:21,479
Speaker 1: like even just going past your personal threshold of like

1545
01:27:21,720 --> 01:27:26,240
Speaker 1: your tolerance of fucking being annoyed, you know. But yeah,

1546
01:27:26,320 --> 01:27:28,640
Speaker 1: that song is a song I wrote from you know,

1547
01:27:29,560 --> 01:27:34,160
Speaker 1: accumulation of personal experiences. You know what I mean? Alright?

1548
01:27:34,240 --> 01:27:41,040
Speaker 1: That one of everyone's like favorite like to play song

1549
01:27:41,200 --> 01:27:44,160
Speaker 1: to play after they break up with the ex, or

1550
01:27:44,240 --> 01:27:46,640
Speaker 1: they break up with like or they ain't fucking with

1551
01:27:46,720 --> 01:27:52,599
Speaker 1: their friends no more. I don't funk with you. Yeah,

1552
01:27:52,800 --> 01:27:55,519
Speaker 1: where was you had when you didn't want to funk

1553
01:27:55,600 --> 01:28:03,519
Speaker 1: with you? I don't with you. We can talk about it.

1554
01:28:04,120 --> 01:28:10,320
Speaker 1: It ain't no secret that. Um okay, it's a sensitive subject. Really,

1555
01:28:10,840 --> 01:28:14,679
Speaker 1: it's a sensitive subject. How does artists make sensitive subjects public?

1556
01:28:14,720 --> 01:28:18,360
Speaker 1: That's what the fun we were crazy? I'm with you

1557
01:28:18,439 --> 01:28:22,080
Speaker 1: on that. Yeah, but what do you want to know

1558
01:28:22,120 --> 01:28:25,360
Speaker 1: about the song? It's a breakup song. It's a breakup song. Yeah.

1559
01:28:25,360 --> 01:28:26,640
Speaker 1: It was how I was feeling in the moment, and

1560
01:28:26,720 --> 01:28:29,880
Speaker 1: I just put this ship on the record, simplest that.

1561
01:28:29,880 --> 01:28:31,479
Speaker 1: I didn't think about it. I was in the studio,

1562
01:28:31,680 --> 01:28:34,559
Speaker 1: Mustard he put the beat on. That was the first

1563
01:28:34,600 --> 01:28:37,880
Speaker 1: thing that popped in my head. I thought about too

1564
01:28:37,960 --> 01:28:40,479
Speaker 1: short a little bit, something like I thought about like

1565
01:28:40,800 --> 01:28:43,560
Speaker 1: that's how forty water got involved. So I was I

1566
01:28:43,680 --> 01:28:45,320
Speaker 1: was gonna I was gonna put too short. I was

1567
01:28:45,320 --> 01:28:47,479
Speaker 1: gonna put two short on there. Don't tell me forty

1568
01:28:47,520 --> 01:28:52,479
Speaker 1: waters the backup. No, not the backup, because but then

1569
01:28:53,400 --> 01:28:55,880
Speaker 1: I grew up on a forty, Right, there's a special

1570
01:28:55,920 --> 01:28:59,120
Speaker 1: connection between the band Detroit. I grew up on the

1571
01:28:59,280 --> 01:29:02,080
Speaker 1: forty and and I was like cooking too short on

1572
01:29:02,160 --> 01:29:03,880
Speaker 1: this bitch, and then forty popped in my head and

1573
01:29:03,960 --> 01:29:06,680
Speaker 1: that ship just felt like ship just was like you know,

1574
01:29:06,760 --> 01:29:08,560
Speaker 1: when you think of the idea, it's like, dam I

1575
01:29:08,720 --> 01:29:10,920
Speaker 1: want to get the forty on this motherfucker going crazy?

1576
01:29:11,720 --> 01:29:14,360
Speaker 1: And you call said, what's up my wee wolves? Yeah,

1577
01:29:14,400 --> 01:29:20,240
Speaker 1: he wass poking out like nippings. He was like the song.

1578
01:29:20,360 --> 01:29:22,400
Speaker 1: He was like just poking out like some nippers. I love.

1579
01:29:22,760 --> 01:29:26,080
Speaker 1: He said that. He was like, it's official, like turf

1580
01:29:26,120 --> 01:29:31,320
Speaker 1: on you know, forty that's my man saying that was

1581
01:29:31,400 --> 01:29:34,080
Speaker 1: one of the people that was a dream collaboration to sho.

1582
01:29:34,360 --> 01:29:36,000
Speaker 1: I still got to make the two short one happen

1583
01:29:36,680 --> 01:29:40,519
Speaker 1: on another song. But yeah, forty really, I remember when

1584
01:29:40,560 --> 01:29:45,040
Speaker 1: I played that song for Beyonce and for Home before

1585
01:29:45,080 --> 01:29:49,960
Speaker 1: I came out, and just the reaction and yeah, too, everybody,

1586
01:29:50,000 --> 01:29:52,240
Speaker 1: I'm sorry, you just said that very non Sally, we

1587
01:29:52,320 --> 01:29:55,800
Speaker 1: just you just said you just played what beyond? And

1588
01:29:55,880 --> 01:30:00,439
Speaker 1: Beyonce yeah, you put like, yeah, me give it the

1589
01:30:00,520 --> 01:30:02,519
Speaker 1: respect because Ho was on who invited me over to

1590
01:30:02,560 --> 01:30:06,160
Speaker 1: play the music, and then Beyonce kindly joined us. You

1591
01:30:06,240 --> 01:30:08,680
Speaker 1: know what I'm saying. And I love the floors. I

1592
01:30:08,800 --> 01:30:11,439
Speaker 1: love the floor and that we had dinner and I

1593
01:30:11,520 --> 01:30:13,240
Speaker 1: was playing them songs. I was playing them Dark Sky

1594
01:30:13,360 --> 01:30:16,680
Speaker 1: Paradise and I don't think what you came on and

1595
01:30:16,760 --> 01:30:18,719
Speaker 1: they face lit up, and I remember how of texting

1596
01:30:18,760 --> 01:30:20,680
Speaker 1: me said, every day you don't put that song out,

1597
01:30:20,720 --> 01:30:23,439
Speaker 1: you're losing. Every day you don't put that song out,

1598
01:30:23,479 --> 01:30:26,960
Speaker 1: you're losing. And I remember when I first played it

1599
01:30:27,080 --> 01:30:31,600
Speaker 1: for Yea Yeah, it was like, oh um, he was like,

1600
01:30:31,640 --> 01:30:34,360
Speaker 1: I need to hop on his motherfucker. I think. Man.

1601
01:30:34,520 --> 01:30:38,680
Speaker 1: He was like, let me maybe we should add a

1602
01:30:38,720 --> 01:30:40,840
Speaker 1: sample to it. So then that's when a sample, like

1603
01:30:40,960 --> 01:30:43,719
Speaker 1: the idea of adding a sample to it. Yeah, yeah,

1604
01:30:44,760 --> 01:30:48,479
Speaker 1: and myamie Kiwaine came up with the sample, added it

1605
01:30:48,560 --> 01:30:51,760
Speaker 1: to that, and I elevated it um with the DJ

1606
01:30:51,960 --> 01:30:54,720
Speaker 1: Muster sound and it just gave it like a all

1607
01:30:54,840 --> 01:30:57,880
Speaker 1: encompass and representation of just like I felt like Detroit

1608
01:30:57,960 --> 01:31:00,360
Speaker 1: because it was like the Bay Area connection with forty

1609
01:31:00,439 --> 01:31:02,200
Speaker 1: that's like some person on the styles and shipped for

1610
01:31:02,280 --> 01:31:06,960
Speaker 1: me the sample at the beginning. And then just like

1611
01:31:07,080 --> 01:31:09,400
Speaker 1: Mustard was the hottest producer at the time, not you

1612
01:31:09,439 --> 01:31:13,200
Speaker 1: know what's dope was because Mustard does everyone does like

1613
01:31:13,439 --> 01:31:16,479
Speaker 1: like relate his sound to like the Bay Area type

1614
01:31:16,479 --> 01:31:18,960
Speaker 1: of thing. But the fact got that authent in West

1615
01:31:19,000 --> 01:31:21,960
Speaker 1: Coast sound, West Coast sound. But the fact is I

1616
01:31:22,120 --> 01:31:26,920
Speaker 1: love that you um incorporated West Coast o g yeah

1617
01:31:27,520 --> 01:31:30,200
Speaker 1: forty because I'm telling you the d and the West Coast,

1618
01:31:30,680 --> 01:31:34,439
Speaker 1: like the trade in California got like a crazy Connection's beautiful.

1619
01:31:34,439 --> 01:31:36,600
Speaker 1: What you didn't have to do that. I really respected that.

1620
01:31:36,680 --> 01:31:40,400
Speaker 1: Like I heard that, I was like, damn, it made

1621
01:31:40,439 --> 01:31:42,200
Speaker 1: it hard to hate. You know what I'm saying. You know,

1622
01:31:42,280 --> 01:31:44,439
Speaker 1: I was actually I got I got roots in both.

1623
01:31:44,479 --> 01:31:47,440
Speaker 1: I was born in California, get THET was born in California.

1624
01:31:47,479 --> 01:31:49,280
Speaker 1: Moved to De Traite when I was like a month old,

1625
01:31:49,439 --> 01:31:51,920
Speaker 1: so before I even you know, before I was even

1626
01:31:52,000 --> 01:31:54,639
Speaker 1: really conscious and ship. But yeah, I was actually born

1627
01:31:54,680 --> 01:31:57,559
Speaker 1: in California. So I do have a home in both places,

1628
01:31:57,600 --> 01:31:59,760
Speaker 1: and I feel a sense at home. But Detroit is

1629
01:32:00,000 --> 01:32:04,439
Speaker 1: a Detroit is a city that you know, maybe you

1630
01:32:04,479 --> 01:32:06,720
Speaker 1: know what I'm saying, I prospect that. So let's get

1631
01:32:06,760 --> 01:32:12,720
Speaker 1: it to offense featuring four to Yeah and Baby Face Ray. Yeah,

1632
01:32:13,200 --> 01:32:16,560
Speaker 1: let's get into that. How what made you want to

1633
01:32:16,640 --> 01:32:19,080
Speaker 1: do that? That's the two young shooters from the City

1634
01:32:19,080 --> 01:32:21,800
Speaker 1: Shooters Snipers Snipers, and I said, they didn't correct this.

1635
01:32:22,120 --> 01:32:25,760
Speaker 1: Yeah I did. Yes, you did my life together. It

1636
01:32:25,960 --> 01:32:28,439
Speaker 1: was just uh me and Baby Face Ray was in

1637
01:32:28,479 --> 01:32:31,880
Speaker 1: the session one night and that was that was one

1638
01:32:31,920 --> 01:32:34,160
Speaker 1: of the ones that came on. We just didn't did

1639
01:32:34,240 --> 01:32:37,839
Speaker 1: that song on the spot. And then I thought about

1640
01:32:41,000 --> 01:32:43,280
Speaker 1: I did a song for four or two that he

1641
01:32:43,360 --> 01:32:44,880
Speaker 1: had sent it to me at the last minute and

1642
01:32:45,000 --> 01:32:47,519
Speaker 1: I sent the verse back like a day later. He

1643
01:32:47,560 --> 01:32:49,120
Speaker 1: sent it to me like he needed it right back,

1644
01:32:49,880 --> 01:32:51,200
Speaker 1: and I think I sent it like a couple of

1645
01:32:51,280 --> 01:32:52,960
Speaker 1: days or something like that, and it was like a

1646
01:32:53,040 --> 01:32:55,360
Speaker 1: deadline that I missed. And then I was like, that

1647
01:32:55,400 --> 01:32:58,120
Speaker 1: should sentis to four two. You know what I'm saying,

1648
01:32:58,160 --> 01:33:01,400
Speaker 1: just just you know, for the city. So that's how

1649
01:33:01,439 --> 01:33:04,920
Speaker 1: it came about easy Yeah, motherfucker's I love that song

1650
01:33:05,040 --> 01:33:10,519
Speaker 1: on offense. I'm on offense. Yeah, that's all the ship

1651
01:33:11,160 --> 01:33:13,360
Speaker 1: now bounce. You said something about your dad. He said,

1652
01:33:13,360 --> 01:33:18,640
Speaker 1: your dad is a gonna bound yeahs back. Yeah, so

1653
01:33:18,760 --> 01:33:20,799
Speaker 1: you said your dad is a g get it from genetics,

1654
01:33:21,000 --> 01:33:22,680
Speaker 1: and that's what you just said that Dave Chappelle was

1655
01:33:22,760 --> 01:33:27,080
Speaker 1: hanging out with my daddy of a flare. But yeah,

1656
01:33:27,360 --> 01:33:31,640
Speaker 1: but what's funny is here's a funny story used to

1657
01:33:31,680 --> 01:33:33,960
Speaker 1: get on my dad for and these leather pants. I thought,

1658
01:33:34,040 --> 01:33:37,280
Speaker 1: this is the dumbest Eddie Murphy leather pants, like leather pants,

1659
01:33:37,360 --> 01:33:41,639
Speaker 1: like Eddie Murphy styff style. Okay, yeah, but just not shiny,

1660
01:33:41,720 --> 01:33:45,479
Speaker 1: but like you know that like real, like like the dog.

1661
01:33:48,600 --> 01:33:51,479
Speaker 1: It's not not patting leather like leather leather leather like

1662
01:33:51,640 --> 01:33:53,679
Speaker 1: for no reason. He was just taking me to school,

1663
01:33:53,720 --> 01:33:55,240
Speaker 1: but my da would take me to school every morning.

1664
01:33:56,080 --> 01:33:59,200
Speaker 1: He would teach me a lot of ship. You know,

1665
01:33:59,320 --> 01:34:03,880
Speaker 1: I'm in third right, He telling me about like eating pussy.

1666
01:34:04,040 --> 01:34:06,040
Speaker 1: He's telling me about like all sorts of ship, my dad.

1667
01:34:06,760 --> 01:34:09,840
Speaker 1: But that's what you're supposed to hear that type that's

1668
01:34:09,840 --> 01:34:12,800
Speaker 1: what you're supposed to hear that type of bees telling

1669
01:34:12,800 --> 01:34:14,160
Speaker 1: about all these things. But he also had a thing

1670
01:34:14,200 --> 01:34:15,960
Speaker 1: called the word of the day. He was like, so

1671
01:34:16,040 --> 01:34:19,000
Speaker 1: the word of the day is ambiguous, what is you know?

1672
01:34:19,120 --> 01:34:21,400
Speaker 1: It tells me what it means okay now, And at

1673
01:34:21,439 --> 01:34:22,960
Speaker 1: the end of the day when he would pick me up,

1674
01:34:22,960 --> 01:34:24,240
Speaker 1: he'd be like, so, what's the word of the day.

1675
01:34:24,600 --> 01:34:26,760
Speaker 1: What does it mean? So he we did that every day.

1676
01:34:26,840 --> 01:34:29,320
Speaker 1: But I used to get on his ass for wearing

1677
01:34:29,360 --> 01:34:32,000
Speaker 1: these leather pants, like she got these leather pants on

1678
01:34:32,160 --> 01:34:34,280
Speaker 1: for you know what I'm saying. He I used to

1679
01:34:34,439 --> 01:34:35,800
Speaker 1: like when he would pick me up from school, he

1680
01:34:35,880 --> 01:34:37,720
Speaker 1: was sometimes to be hugging a tree. I'm like, what

1681
01:34:37,840 --> 01:34:39,960
Speaker 1: the fund are you doing that? You're embarrassing me, man,

1682
01:34:40,080 --> 01:34:42,720
Speaker 1: Like you know what I'm saying. And now my ass

1683
01:34:42,800 --> 01:34:45,519
Speaker 1: I've been doing going on hikes, motherfucker looking at the

1684
01:34:45,600 --> 01:34:49,040
Speaker 1: tree like tree you went to, Josh a big sir,

1685
01:34:49,720 --> 01:34:52,120
Speaker 1: all over the place. I went to the south of France.

1686
01:34:52,160 --> 01:34:55,160
Speaker 1: I go a lot of places hype. But yeah, yeah,

1687
01:34:55,240 --> 01:34:57,960
Speaker 1: josh On tree. I've never been a Josh Tree. I'm

1688
01:34:57,960 --> 01:35:00,320
Speaker 1: gonna take much room to go there. Yeah you took

1689
01:35:00,400 --> 01:35:04,320
Speaker 1: much rooms in there, Yes you did. Yeah, look quick

1690
01:35:05,720 --> 01:35:08,519
Speaker 1: for me being point well actually not there. But mushrooms

1691
01:35:08,560 --> 01:35:11,519
Speaker 1: are big shirt. But you know it's similar vibe, all right, Yeah,

1692
01:35:11,640 --> 01:35:15,960
Speaker 1: it's jobs for tree. But anyway, um so yeah, and

1693
01:35:16,479 --> 01:35:21,479
Speaker 1: I'm walking to stage yesterday to perform, and I have

1694
01:35:21,560 --> 01:35:24,840
Speaker 1: on leather pants and my dad is like leather pants.

1695
01:35:28,320 --> 01:35:33,400
Speaker 1: It was just crazy. How twenty five years later I

1696
01:35:33,520 --> 01:35:35,320
Speaker 1: just knew exactly what the funk he was talking about

1697
01:35:35,320 --> 01:35:36,840
Speaker 1: because I would always get on them for that, and

1698
01:35:36,920 --> 01:35:40,519
Speaker 1: it's like Detroit player, It's it's just it's supported period.

1699
01:35:41,120 --> 01:35:43,400
Speaker 1: I can't see it back then. Listen, man, but now

1700
01:35:43,400 --> 01:35:45,720
Speaker 1: I'll be rocking leather pants all the time. Let me

1701
01:35:45,760 --> 01:35:48,840
Speaker 1: tell you something before, like, if you like, like you

1702
01:35:49,000 --> 01:35:53,200
Speaker 1: gotta have a pair of Gators, Marie Gators. Mm hmm.

1703
01:35:54,760 --> 01:35:57,280
Speaker 1: That's some Detroit shit though, you know about that? Yes? Yeah,

1704
01:35:58,200 --> 01:36:01,560
Speaker 1: I went to the Players Ball. I went to the

1705
01:36:01,560 --> 01:36:05,080
Speaker 1: players ball. A whole bunch of money we need nowhere

1706
01:36:05,200 --> 01:36:08,680
Speaker 1: near pimp we need. It was a bad move for me.

1707
01:36:10,000 --> 01:36:12,639
Speaker 1: It wasn't me all right, But um, what a life?

1708
01:36:13,040 --> 01:36:15,240
Speaker 1: You said? You went triple platinum at least three times.

1709
01:36:17,080 --> 01:36:19,000
Speaker 1: Let's let's let's make some let's make some noise for that.

1710
01:36:22,640 --> 01:36:25,320
Speaker 1: Let's let's describe that to these people right now. Triple

1711
01:36:25,360 --> 01:36:31,920
Speaker 1: platinum at least three times? Credible, bro, change my family life,

1712
01:36:33,000 --> 01:36:37,720
Speaker 1: love going triple platinum? Yeah, I mean, what do I

1713
01:36:37,800 --> 01:36:39,720
Speaker 1: say about that? I've had a lot of songs that

1714
01:36:39,760 --> 01:36:43,840
Speaker 1: went triple four or five times six times platinum. Um,

1715
01:36:44,920 --> 01:36:48,800
Speaker 1: and it's a beautiful thing, man, It's that's you know,

1716
01:36:48,920 --> 01:36:51,280
Speaker 1: that's God. I gotta get that up to God. I

1717
01:36:51,320 --> 01:36:53,920
Speaker 1: gotta get that up to the people who supported it

1718
01:36:54,000 --> 01:36:56,800
Speaker 1: and made it happen in facts. That's that's that's bigger

1719
01:36:56,840 --> 01:37:01,400
Speaker 1: than me for real. But now let's get the deep

1720
01:37:01,400 --> 01:37:07,960
Speaker 1: revenge deep reverence. Yeahep reverence. Okay, post Malone, m hm,

1721
01:37:08,520 --> 01:37:13,240
Speaker 1: post Malone Wolves ship, I'm working up. I'm looking at

1722
01:37:13,280 --> 01:37:16,880
Speaker 1: two different things deep deep reverence. It's with Lipsey Hustle. Yeah,

1723
01:37:17,400 --> 01:37:22,759
Speaker 1: and um what was to answered both fucking two different songs,

1724
01:37:22,880 --> 01:37:27,080
Speaker 1: two different songs. Wolves was written about my grandma, my mom,

1725
01:37:27,240 --> 01:37:29,640
Speaker 1: my family just they was wolves with this ship. You know.

1726
01:37:29,800 --> 01:37:33,200
Speaker 1: My grandma was a beast with my granddad just like

1727
01:37:33,720 --> 01:37:35,639
Speaker 1: it felt like it was that wolf pack energy. Didn't

1728
01:37:35,640 --> 01:37:38,840
Speaker 1: do anything for their cubs, for they you know, Um,

1729
01:37:39,400 --> 01:37:42,080
Speaker 1: and that's the energy that the trade just breeds. Is

1730
01:37:42,160 --> 01:37:45,640
Speaker 1: that loyalty, you know what I'm saying in respect, you

1731
01:37:45,680 --> 01:37:48,560
Speaker 1: know what I mean. And so in Deep Reverence, it

1732
01:37:48,720 --> 01:37:52,120
Speaker 1: was more so just you know, just barring up and

1733
01:37:52,240 --> 01:37:54,000
Speaker 1: talking about what was on my heart. At the time,

1734
01:37:54,120 --> 01:37:56,479
Speaker 1: spilling my heart out. You know, that's the song, like

1735
01:37:56,560 --> 01:37:59,240
Speaker 1: I said, as we started before Nip had passed away,

1736
01:37:59,800 --> 01:38:02,640
Speaker 1: and I didn't have the inspiration to finish it, you know.

1737
01:38:03,040 --> 01:38:05,639
Speaker 1: And I learned a lot from that because I think

1738
01:38:05,680 --> 01:38:07,200
Speaker 1: one of the last calls I got from him was

1739
01:38:07,680 --> 01:38:09,519
Speaker 1: him invited me to his video shoot and I couldn't

1740
01:38:09,560 --> 01:38:13,240
Speaker 1: make it, you know. But then I just remember feeling like, damn,

1741
01:38:13,240 --> 01:38:15,120
Speaker 1: I wish I could. I wish I would have rearranged

1742
01:38:15,160 --> 01:38:18,280
Speaker 1: some ship. And I didn't know, you know what I'm saying.

1743
01:38:18,320 --> 01:38:21,439
Speaker 1: It fucked me up, and it just inspired a whole

1744
01:38:21,720 --> 01:38:26,439
Speaker 1: like a whole verse. And now that was the verse. Okay,

1745
01:38:27,400 --> 01:38:29,000
Speaker 1: got like two more of these questions that we're gonna

1746
01:38:29,000 --> 01:38:34,400
Speaker 1: get into some real ship. Okay beware featuring Wayne feature

1747
01:38:34,400 --> 01:38:39,439
Speaker 1: in Jane had Little Wayne. Yeah, So where were you

1748
01:38:39,520 --> 01:38:48,040
Speaker 1: at in life? We're gonna making this record? I was.

1749
01:38:49,320 --> 01:38:51,720
Speaker 1: I don't remember where I was, man, I can't live.

1750
01:38:51,840 --> 01:38:55,720
Speaker 1: I remember doing a song, remember having a song. It

1751
01:38:55,800 --> 01:39:01,360
Speaker 1: was just me and Janelle first because and that was big, big, big, yeah.

1752
01:39:01,479 --> 01:39:04,559
Speaker 1: So what happened was I do remember that how it happened?

1753
01:39:04,600 --> 01:39:06,720
Speaker 1: So I got your n on it. I was a

1754
01:39:06,760 --> 01:39:08,840
Speaker 1: fan of her mixtape. She was kind of like more

1755
01:39:08,920 --> 01:39:10,840
Speaker 1: so a new artist at the time. That was before

1756
01:39:10,960 --> 01:39:15,160
Speaker 1: she was on really you know, like beware. It was

1757
01:39:15,240 --> 01:39:17,200
Speaker 1: her first radio song, you know what I'm saying. So

1758
01:39:17,320 --> 01:39:21,599
Speaker 1: that was the first time she Um was was on there,

1759
01:39:22,000 --> 01:39:24,960
Speaker 1: and she sounded perfect. Before it was just me singing.

1760
01:39:25,520 --> 01:39:27,719
Speaker 1: She sounded a way better singing. And then I played

1761
01:39:27,760 --> 01:39:30,280
Speaker 1: it for Wayne when I was playing Wayne my album

1762
01:39:30,760 --> 01:39:35,760
Speaker 1: and he heard like six seconds off it like doom doom, doom, doom, doomdoom.

1763
01:39:36,360 --> 01:39:37,880
Speaker 1: When you said, he was like, oh, I'm hopping on

1764
01:39:37,920 --> 01:39:41,280
Speaker 1: this motherfucker right right there, right there, and he did

1765
01:39:41,360 --> 01:39:44,679
Speaker 1: the verse and the rest is history. That's why. Yeah,

1766
01:39:45,040 --> 01:39:54,400
Speaker 1: So Marvin Gay and yeah, Marvin Gay and shot name

1767
01:39:54,439 --> 01:39:57,160
Speaker 1: because I don't like I like Marvin, you like the

1768
01:39:57,200 --> 01:40:01,080
Speaker 1: song though, I love I love Marvin? Is that nigger?

1769
01:40:03,760 --> 01:40:06,400
Speaker 1: Where was you adding that? Like, was you drinking Russian

1770
01:40:06,479 --> 01:40:10,320
Speaker 1: River Frances? No, So I do remember that situation. That's

1771
01:40:10,360 --> 01:40:14,320
Speaker 1: one of my favorite sharks, Russian River branches. But you

1772
01:40:14,520 --> 01:40:18,680
Speaker 1: say that pretty he even messing names up. But I

1773
01:40:18,840 --> 01:40:23,320
Speaker 1: was at that time. That's my first one, yeah, ilexic,

1774
01:40:23,760 --> 01:40:27,920
Speaker 1: So yeah, um, I had the song on my last

1775
01:40:27,960 --> 01:40:31,840
Speaker 1: out at the time, and that was my first see

1776
01:40:31,960 --> 01:40:34,240
Speaker 1: Chris hopped on my Chris hopped on my last and

1777
01:40:34,280 --> 01:40:37,040
Speaker 1: made that motherfucker go crazy. That was my next question,

1778
01:40:37,080 --> 01:40:39,679
Speaker 1: you know what I'm saying. So then after that, after

1779
01:40:39,800 --> 01:40:43,040
Speaker 1: that was like hit number one on radio. Um. Yeah,

1780
01:40:43,040 --> 01:40:46,599
Speaker 1: he gave me the Alley you from Marvin and Sharoney. Um.

1781
01:40:48,560 --> 01:40:50,720
Speaker 1: It was like, you know, that's basically what happened. Like

1782
01:40:51,400 --> 01:40:53,080
Speaker 1: it was one of the songs that we worked on

1783
01:40:53,320 --> 01:40:55,920
Speaker 1: and he had and I don't know, I just remember

1784
01:40:55,960 --> 01:40:57,519
Speaker 1: it just kind of coming in last minute when we

1785
01:40:57,640 --> 01:41:02,439
Speaker 1: was working on the album and dropped that ship and

1786
01:41:03,800 --> 01:41:05,800
Speaker 1: that was that was Those were better times for sure.

1787
01:41:06,320 --> 01:41:08,519
Speaker 1: And then then before I get into this last one

1788
01:41:09,240 --> 01:41:14,080
Speaker 1: Mercy feature when you push your tea and two chains,

1789
01:41:14,800 --> 01:41:17,280
Speaker 1: where was you at? I know you spoke about a

1790
01:41:17,320 --> 01:41:20,400
Speaker 1: little bit earlier, but it's backstage in Detroit at the

1791
01:41:20,439 --> 01:41:29,400
Speaker 1: Palace during UMU concert. Was that, oh, this is the

1792
01:41:29,479 --> 01:41:33,200
Speaker 1: same palace we want to test. Okay, okay, the Palace

1793
01:41:33,880 --> 01:41:38,479
Speaker 1: like the Malice in the Palace. I love it. And

1794
01:41:39,160 --> 01:41:41,080
Speaker 1: he put the beat on and I was his backstage

1795
01:41:41,120 --> 01:41:45,840
Speaker 1: freestyle and and then that was the verse I literally

1796
01:41:45,880 --> 01:41:47,559
Speaker 1: freestyle and he was like, say, that again, said it again,

1797
01:41:47,600 --> 01:41:51,200
Speaker 1: said it again. I'm like, this stupid right here, like

1798
01:41:51,320 --> 01:41:54,600
Speaker 1: I thought it was. I was literally just bullshit. And

1799
01:41:54,720 --> 01:41:57,280
Speaker 1: then I remember going when we went to London, London,

1800
01:41:57,320 --> 01:41:59,400
Speaker 1: the London trip where we made Click happen right after that,

1801
01:42:00,120 --> 01:42:04,280
Speaker 1: and I remember him being like this versus the um,

1802
01:42:04,840 --> 01:42:09,360
Speaker 1: what do you say, b Sean set the tone on here?

1803
01:42:09,439 --> 01:42:15,280
Speaker 1: This is the I'm like, okay, whatever, Like I appreciated it,

1804
01:42:15,400 --> 01:42:16,880
Speaker 1: but it's just like, you know, it was one of

1805
01:42:16,960 --> 01:42:19,519
Speaker 1: the things that was unexpected for God to do that

1806
01:42:19,680 --> 01:42:22,360
Speaker 1: sometimes give you an unexpected blessing, you know what I mean.

1807
01:42:22,479 --> 01:42:26,280
Speaker 1: And she went crazy, Okay, what I'm saying now this

1808
01:42:26,439 --> 01:42:31,720
Speaker 1: is where after this we're going straight in as as

1809
01:42:32,040 --> 01:42:39,840
Speaker 1: as as as uh huh, Bro Like, yeah, you can

1810
01:42:40,000 --> 01:42:42,320
Speaker 1: go wherever you want to go with this at this point.

1811
01:42:43,120 --> 01:42:48,040
Speaker 1: But Bro, I make a lot of songs, a lot

1812
01:42:48,120 --> 01:42:51,240
Speaker 1: of That's one thing that I feel like has helped

1813
01:42:51,280 --> 01:42:53,280
Speaker 1: me and hurt me. Sometimes people get to hear in

1814
01:42:53,320 --> 01:42:56,639
Speaker 1: the song and be like, oh I funk with him

1815
01:42:56,720 --> 01:42:58,519
Speaker 1: or I don't fun with him, like off of this,

1816
01:42:58,680 --> 01:43:02,840
Speaker 1: But I make so any different styles of songs that

1817
01:43:03,000 --> 01:43:04,560
Speaker 1: I'll just be one of motherfucker's to come on a

1818
01:43:04,680 --> 01:43:07,479
Speaker 1: journey with me. Bro, I'll be taking my critical hat

1819
01:43:07,560 --> 01:43:09,240
Speaker 1: off and I'll just be having fun with the ship.

1820
01:43:10,000 --> 01:43:12,000
Speaker 1: You know what I'm saying. I got songs like Paradise

1821
01:43:12,040 --> 01:43:14,519
Speaker 1: where I'm spending like a motherfucker's, songs like deep reverence

1822
01:43:15,080 --> 01:43:18,479
Speaker 1: one man could change the world, songs like As, songs

1823
01:43:18,560 --> 01:43:23,439
Speaker 1: like Marvin and Charney, songs like I Don't Know Bro,

1824
01:43:23,600 --> 01:43:27,599
Speaker 1: like you know Memories, songs like all these different songs.

1825
01:43:27,640 --> 01:43:30,040
Speaker 1: So it's like, I wish motherfucker's hauld just come on

1826
01:43:30,120 --> 01:43:32,680
Speaker 1: and just come on a journey with me, Bro, come

1827
01:43:32,760 --> 01:43:35,000
Speaker 1: on a journey with me. Okay, so no, no, but

1828
01:43:35,120 --> 01:43:39,040
Speaker 1: As was an amazing that. You know, that's quite druple platinum. Yes,

1829
01:43:39,479 --> 01:43:41,040
Speaker 1: you know what I'm saying. Nikki went on that Bitch

1830
01:43:41,080 --> 01:43:45,360
Speaker 1: and Body that and that was after it was out.

1831
01:43:46,080 --> 01:43:48,840
Speaker 1: That was my only record, that remix. Correct, she jumped

1832
01:43:48,880 --> 01:43:50,519
Speaker 1: on the remix. She jumped on the remix. But that's

1833
01:43:50,520 --> 01:43:53,679
Speaker 1: because the ship was going crazy. Radio stations was playing

1834
01:43:53,680 --> 01:43:55,280
Speaker 1: it without me. That's the only time I had a

1835
01:43:55,320 --> 01:43:58,880
Speaker 1: song where the radio station was playing without me asking wow. Yeah.

1836
01:43:59,320 --> 01:44:03,000
Speaker 1: And when I made that ship in the studio again,

1837
01:44:03,240 --> 01:44:07,640
Speaker 1: I was just sucking around yeah, man, I was freestyling.

1838
01:44:07,720 --> 01:44:11,240
Speaker 1: Tiana Taylor was in the studio with me, and when

1839
01:44:11,280 --> 01:44:13,240
Speaker 1: I made it, she didn't, you know, at the end

1840
01:44:13,280 --> 01:44:14,280
Speaker 1: of the night. I made it at the end of

1841
01:44:14,320 --> 01:44:16,880
Speaker 1: the night. That's one of the first records that um

1842
01:44:19,000 --> 01:44:21,760
Speaker 1: the interns did. And you know, Rihanna did Cake after

1843
01:44:21,880 --> 01:44:26,200
Speaker 1: that because after her favorite they said that that Rihanna

1844
01:44:26,240 --> 01:44:27,960
Speaker 1: came to there was like, asked, my favorite song, Well,

1845
01:44:27,960 --> 01:44:31,760
Speaker 1: I need to make a song like that. So I

1846
01:44:31,880 --> 01:44:34,479
Speaker 1: love your name drops by the way, Yeah, I appreciate that.

1847
01:44:34,640 --> 01:44:38,800
Speaker 1: So anyway, Yeah, Nikki had on that ship went crazy.

1848
01:44:38,840 --> 01:44:40,920
Speaker 1: She was dancing in the video. The ship was viral.

1849
01:44:41,080 --> 01:44:42,840
Speaker 1: NIGG has never seen no ship like that. She was

1850
01:44:42,920 --> 01:44:45,840
Speaker 1: bending over in the video. You know what I mean.

1851
01:44:46,680 --> 01:44:49,120
Speaker 1: It was It was a classic time and and I

1852
01:44:49,280 --> 01:44:51,439
Speaker 1: was it was a house music song, so the beat

1853
01:44:51,520 --> 01:44:53,719
Speaker 1: I made to make sure it was Detroit house music

1854
01:44:53,920 --> 01:44:55,880
Speaker 1: and so it had authenticity to it, you know what

1855
01:44:55,960 --> 01:45:00,639
Speaker 1: I'm saying. And it was simple. Yeah. Yeah, I produced

1856
01:45:00,680 --> 01:45:03,600
Speaker 1: it a little bit as well. But point is that

1857
01:45:03,760 --> 01:45:08,760
Speaker 1: motherfucker four or five times platinum cut, damn. And it's

1858
01:45:08,800 --> 01:45:12,559
Speaker 1: not too many people who you soorry I don't work.

1859
01:45:12,640 --> 01:45:17,759
Speaker 1: There's not too many people who have UM certification different

1860
01:45:17,800 --> 01:45:20,160
Speaker 1: things at the same time. So yeah, Puerto Ricans, you

1861
01:45:20,240 --> 01:45:25,800
Speaker 1: play handball right now? Yeah? Yeah, but yeah, I mean

1862
01:45:27,160 --> 01:45:29,200
Speaker 1: that was some bullshit how he was saying, Okay, let's

1863
01:45:29,200 --> 01:45:31,200
Speaker 1: take a shot. They've been gonna get into that. To

1864
01:45:31,280 --> 01:45:34,560
Speaker 1: take one shot is just just because we want to

1865
01:45:34,680 --> 01:45:39,200
Speaker 1: make sure. Because okay, if you do, okay, you go

1866
01:45:39,360 --> 01:45:42,120
Speaker 1: wait from me, Okay, yeah, come on, we're gonna take

1867
01:45:42,120 --> 01:45:47,559
Speaker 1: it together, baby, because because I'm gonna be honest, I'm

1868
01:45:47,600 --> 01:45:51,240
Speaker 1: a fan, right, so let me let me let me

1869
01:45:51,280 --> 01:45:52,840
Speaker 1: take my little football, a little one of the whites,

1870
01:45:52,880 --> 01:45:56,920
Speaker 1: and then okay, I'll put you all right, Yo, I

1871
01:45:57,000 --> 01:45:58,640
Speaker 1: gotta ask you too before we get into this. No,

1872
01:45:58,640 --> 01:46:01,240
Speaker 1: I gotta ask it often do you do this show?

1873
01:46:02,840 --> 01:46:05,240
Speaker 1: I can't tell. I can't see this what we want camera? Okay,

1874
01:46:05,280 --> 01:46:07,479
Speaker 1: because yeah, we figured out let no, no, no way.

1875
01:46:07,520 --> 01:46:09,000
Speaker 1: But wait, I just want to say before we get

1876
01:46:09,040 --> 01:46:14,880
Speaker 1: into it. And because I'm saying this from a sincere place,

1877
01:46:15,720 --> 01:46:18,640
Speaker 1: we'll be losing a lot of people. So how do

1878
01:46:18,720 --> 01:46:20,559
Speaker 1: you balance this ship? Because you can't just be sitting

1879
01:46:20,560 --> 01:46:24,160
Speaker 1: here drinking all the time. No, you can take care

1880
01:46:24,200 --> 01:46:27,240
Speaker 1: of yourself here. We try to. It's definitely a balance. Yes,

1881
01:46:27,320 --> 01:46:30,080
Speaker 1: it's definitely a balance. Okay, follow me on Instagram, you'll

1882
01:46:30,120 --> 01:46:35,800
Speaker 1: figure it out. I don't even follow an Let's just

1883
01:46:35,880 --> 01:46:45,719
Speaker 1: be clear. Okay, we had who is considered a god,

1884
01:46:45,840 --> 01:46:52,880
Speaker 1: a googrule, a person that sat here and he said

1885
01:46:52,920 --> 01:46:56,920
Speaker 1: one of the worst things that he ever did was

1886
01:46:57,320 --> 01:47:00,800
Speaker 1: signed you. Now, I'm gonna be honest. After I looked

1887
01:47:00,840 --> 01:47:03,599
Speaker 1: at it, I analyzed it because if you look at

1888
01:47:03,680 --> 01:47:07,519
Speaker 1: my face, my facial structure, I'm thinking, he hits you wrong. Yeah,

1889
01:47:07,560 --> 01:47:10,559
Speaker 1: we didn't. We didn't catch so I'm actually I'm actually clapping.

1890
01:47:10,600 --> 01:47:12,800
Speaker 1: I'm like, yo, that's so dope. If you look at

1891
01:47:12,840 --> 01:47:19,000
Speaker 1: my facial spressing, you caught it. Last I was because

1892
01:47:19,040 --> 01:47:24,759
Speaker 1: it don't makes sense. So yeah, and before a question,

1893
01:47:27,640 --> 01:47:30,360
Speaker 1: I was blown away because I didn't understand it. But

1894
01:47:30,920 --> 01:47:32,880
Speaker 1: I need to understand you. But then he said for

1895
01:47:33,000 --> 01:47:36,000
Speaker 1: some political reasons, remember he said, but hold on, but

1896
01:47:36,240 --> 01:47:38,080
Speaker 1: let's just let's just let's just let's take it at

1897
01:47:38,120 --> 01:47:43,040
Speaker 1: the time when you first heard that, what did you think?

1898
01:47:43,240 --> 01:47:45,519
Speaker 1: What was the first reaction. At first, I thought it

1899
01:47:45,720 --> 01:47:48,640
Speaker 1: was hilarious. I thought the ship was funny. Then I

1900
01:47:48,720 --> 01:47:53,320
Speaker 1: take it personal. I take it personal because I'm the

1901
01:47:53,439 --> 01:47:56,840
Speaker 1: only artist who's put out five albums under good music.

1902
01:47:57,400 --> 01:48:00,720
Speaker 1: Cutty left a long time ago business wise us, you

1903
01:48:00,760 --> 01:48:02,479
Speaker 1: know what I'm saying, and they still clicked up and

1904
01:48:02,560 --> 01:48:05,559
Speaker 1: linked up. Right. So I'm the only artist who put

1905
01:48:05,600 --> 01:48:07,920
Speaker 1: out five albums under good music. I'm the only one

1906
01:48:07,960 --> 01:48:09,760
Speaker 1: who put out back to back to back number one

1907
01:48:09,960 --> 01:48:14,040
Speaker 1: platinum albums, double platinum albums, platinum album You know what

1908
01:48:14,120 --> 01:48:20,880
Speaker 1: I'm saying and when, and by the way, being signed

1909
01:48:20,880 --> 01:48:23,840
Speaker 1: to Kaye is a golden opportunity. It's something that I

1910
01:48:23,880 --> 01:48:26,200
Speaker 1: would I he changed my life and I love him

1911
01:48:26,240 --> 01:48:28,760
Speaker 1: for that. But every time Kanye has called on me,

1912
01:48:29,200 --> 01:48:31,360
Speaker 1: every single time, no matter what I was doing, within

1913
01:48:31,520 --> 01:48:33,960
Speaker 1: one day's notice, I'm wherever he's at bro and it

1914
01:48:34,120 --> 01:48:37,200
Speaker 1: rather it's to contribute to him in the studio, whether

1915
01:48:37,240 --> 01:48:39,840
Speaker 1: it's to contribute a line, write a verse for him.

1916
01:48:40,120 --> 01:48:41,840
Speaker 1: He just takes maybe parts of the verse, maybe the

1917
01:48:41,880 --> 01:48:43,920
Speaker 1: whole verse, maybe just to help him with his vibe,

1918
01:48:43,960 --> 01:48:45,680
Speaker 1: like just to help him catch a vibe wherever he's

1919
01:48:45,720 --> 01:48:47,479
Speaker 1: at in the world. But I've traveled around the world

1920
01:48:47,520 --> 01:48:50,160
Speaker 1: for this man every time he's called, and have done

1921
01:48:50,240 --> 01:48:52,639
Speaker 1: this and not asked for publishing A lot of the times,

1922
01:48:52,720 --> 01:48:55,559
Speaker 1: why because he gave me a golden opportunity of signing

1923
01:48:55,680 --> 01:48:57,960
Speaker 1: the good music. A lot of people have signed to

1924
01:48:58,000 --> 01:48:59,599
Speaker 1: good music. I just want to keep that in mind,

1925
01:49:00,400 --> 01:49:02,240
Speaker 1: but not a lot of people. And nobody on good

1926
01:49:02,320 --> 01:49:05,000
Speaker 1: music has put out five LPs and back to back

1927
01:49:05,040 --> 01:49:08,960
Speaker 1: to back number ones. Right, So, for irony sake, for

1928
01:49:09,080 --> 01:49:15,519
Speaker 1: irony sake, when I won a v m A with

1929
01:49:15,760 --> 01:49:19,160
Speaker 1: Ya and John Legend for iro any sake, for one

1930
01:49:19,200 --> 01:49:23,360
Speaker 1: man could change the world. I was the first person

1931
01:49:23,439 --> 01:49:30,479
Speaker 1: to tweet Kanye for president, the first one. Right, I'm listening, Okay,

1932
01:49:31,080 --> 01:49:37,519
Speaker 1: So when when I heard what he was talking about,

1933
01:49:37,520 --> 01:49:42,280
Speaker 1: it didn't make sense, bro, because you know, my manager

1934
01:49:42,320 --> 01:49:44,240
Speaker 1: saw my record deal and said, this is a shitty

1935
01:49:44,320 --> 01:49:46,639
Speaker 1: record deal. I would never say that though, because why

1936
01:49:46,640 --> 01:49:48,400
Speaker 1: it was an opportunity. I can work my way out

1937
01:49:48,439 --> 01:49:50,320
Speaker 1: of anything. And when you say it managed me saying

1938
01:49:50,400 --> 01:49:54,040
Speaker 1: rock Nation, Yeah, I'm saying rock Nation. Yeah. He actually

1939
01:49:54,040 --> 01:49:55,720
Speaker 1: he hooked me up with Yeah, I'm saying rock Nation.

1940
01:49:55,760 --> 01:49:57,880
Speaker 1: I'm saying. Jay Brown said it was the worst deal

1941
01:49:57,920 --> 01:50:03,080
Speaker 1: he'd ever seen. Wo and this man, I had to

1942
01:50:03,120 --> 01:50:06,599
Speaker 1: spend my own money all the team my label because

1943
01:50:06,720 --> 01:50:08,760
Speaker 1: millions of dollars are missing and you can tell what

1944
01:50:08,840 --> 01:50:13,160
Speaker 1: millions of dollars are missing? Of course right, yes, I

1945
01:50:13,200 --> 01:50:16,120
Speaker 1: spent hundreds of thousands of dollars on my label, thinking

1946
01:50:16,240 --> 01:50:18,120
Speaker 1: Universal owe me this money, and the money had been

1947
01:50:18,160 --> 01:50:21,880
Speaker 1: paid to good music. So let me ask you before

1948
01:50:21,920 --> 01:50:25,040
Speaker 1: we finish. Let me ask you, bro, if somebody old

1949
01:50:25,080 --> 01:50:28,760
Speaker 1: you five hundred thousand dollars, how would you feel? No, listen,

1950
01:50:28,880 --> 01:50:30,840
Speaker 1: how would you feel I would feel and there was

1951
01:50:30,920 --> 01:50:33,360
Speaker 1: up a hundred million? How would you feel? Yeah? Crazy?

1952
01:50:33,680 --> 01:50:36,439
Speaker 1: Whatever they told you a million? What if they owed

1953
01:50:36,479 --> 01:50:39,320
Speaker 1: you three million? Okay? What if they told you five

1954
01:50:39,400 --> 01:50:45,080
Speaker 1: million dollars? What if they held you six and listen, listen,

1955
01:50:45,200 --> 01:50:48,080
Speaker 1: what if they owed you that bronstand? You showed up

1956
01:50:48,080 --> 01:50:51,040
Speaker 1: for them and you did all these things right, and

1957
01:50:51,120 --> 01:50:55,040
Speaker 1: they helped billions. And then the nigga who comes at them,

1958
01:50:55,400 --> 01:50:58,880
Speaker 1: who talks the most ship he'd be bigging up in

1959
01:50:58,920 --> 01:51:03,040
Speaker 1: the interview and ship it. When we talked about we

1960
01:51:03,080 --> 01:51:06,400
Speaker 1: got this drink champ talking about Drake okay, okay, who

1961
01:51:06,520 --> 01:51:11,040
Speaker 1: he you know loves and my thing is, bro, when

1962
01:51:11,040 --> 01:51:14,240
Speaker 1: you want to talk about Lord to a fault? When

1963
01:51:14,280 --> 01:51:16,800
Speaker 1: when you're talking about that song, right, not just that song,

1964
01:51:16,920 --> 01:51:21,400
Speaker 1: just the mentality like yeah, I've been loyal because I'm not.

1965
01:51:21,439 --> 01:51:22,920
Speaker 1: I feel like I'm the only one who stayed that

1966
01:51:23,000 --> 01:51:25,879
Speaker 1: long for good music. So yeah, it was a personal

1967
01:51:26,720 --> 01:51:30,840
Speaker 1: It affected me personally, bro, And you know, he text

1968
01:51:30,920 --> 01:51:32,280
Speaker 1: me the next day, so I want to meet with

1969
01:51:32,320 --> 01:51:34,479
Speaker 1: you and your mom to begin healing on both sides.

1970
01:51:34,520 --> 01:51:37,960
Speaker 1: And I was angry. We took after what yeah, after

1971
01:51:38,040 --> 01:51:41,720
Speaker 1: that ship aired, after this service when y'all saw each other. No,

1972
01:51:41,840 --> 01:51:45,280
Speaker 1: he ain't say nothing there, Okay, after this is yes,

1973
01:51:45,439 --> 01:51:49,640
Speaker 1: okay continue, And you know I couldn't. I took it

1974
01:51:49,720 --> 01:51:52,240
Speaker 1: too personally because it's like you publicly humiliated me when

1975
01:51:52,280 --> 01:51:55,000
Speaker 1: I've been down for you not peep this out. While

1976
01:51:55,040 --> 01:52:00,680
Speaker 1: he was running for president, I didn't have his contact purposely,

1977
01:52:00,800 --> 01:52:08,040
Speaker 1: didn't endorse anybody publicly politically because my man's just running.

1978
01:52:08,840 --> 01:52:12,360
Speaker 1: I don't even have his contact at the time because

1979
01:52:12,400 --> 01:52:14,280
Speaker 1: I'm trying to figure out other business. We got other

1980
01:52:14,320 --> 01:52:17,559
Speaker 1: things to talk about. I don't even have his contact

1981
01:52:17,600 --> 01:52:20,240
Speaker 1: at the time, but I still had enough respect. Now

1982
01:52:20,400 --> 01:52:23,639
Speaker 1: he ain't. Ain't nobody ever showed me that support. Ain't

1983
01:52:23,640 --> 01:52:28,519
Speaker 1: nobody ever not considered me in that way. So I'm

1984
01:52:28,560 --> 01:52:34,200
Speaker 1: the number one earning artists on Good Music and I

1985
01:52:34,360 --> 01:52:36,800
Speaker 1: didn't come out of supporting no Democratic Party because my

1986
01:52:36,920 --> 01:52:39,120
Speaker 1: man's was running and he wasn't even on the ballots

1987
01:52:39,160 --> 01:52:43,080
Speaker 1: in thirty some states. Yeah, you see what I'm saying.

1988
01:52:44,080 --> 01:52:49,599
Speaker 1: So when he said all that, it just had no um.

1989
01:52:51,680 --> 01:52:53,479
Speaker 1: That's why it was funny because it just was not true.

1990
01:52:53,520 --> 01:52:55,760
Speaker 1: Like I didn't come out of the Sport Democratic Party, bro,

1991
01:52:55,920 --> 01:52:59,280
Speaker 1: Like maybe John Legend did. I don't know, I didn't.

1992
01:53:00,000 --> 01:53:01,559
Speaker 1: But to be fair, he said both of y'all day.

1993
01:53:02,439 --> 01:53:04,360
Speaker 1: But was it that or was it talking about when

1994
01:53:04,400 --> 01:53:06,360
Speaker 1: he met with Trump? Because I felt like, that's what

1995
01:53:06,439 --> 01:53:07,840
Speaker 1: a lot of And by the way, I was there

1996
01:53:07,920 --> 01:53:09,680
Speaker 1: today when he met with Trump on the plane with

1997
01:53:09,800 --> 01:53:13,040
Speaker 1: him get out of here. We flew to Uganda to Africa.

1998
01:53:13,040 --> 01:53:14,479
Speaker 1: I was there on the plane with him and Kim

1999
01:53:14,520 --> 01:53:17,719
Speaker 1: and his daughter and dad flying to Uganda. We're reading

2000
01:53:17,720 --> 01:53:22,439
Speaker 1: about how uh black people are the real Israelites and

2001
01:53:22,479 --> 01:53:25,800
Speaker 1: all this amazing history. I'm on the plan read with him,

2002
01:53:25,840 --> 01:53:29,439
Speaker 1: giving him nutrition, nutritional suggestions because my mom is a

2003
01:53:29,520 --> 01:53:35,040
Speaker 1: health guru, you know what I'm saying. So it was hurtful.

2004
01:53:35,360 --> 01:53:38,720
Speaker 1: It was hurtful brow and I believe, and it just

2005
01:53:38,800 --> 01:53:40,320
Speaker 1: don't make no sense that like like I said, I

2006
01:53:40,360 --> 01:53:43,000
Speaker 1: spent hundreds of thousand dollars too. And I don't even

2007
01:53:43,040 --> 01:53:44,640
Speaker 1: know if he's on his radar like that, because when

2008
01:53:44,640 --> 01:53:46,240
Speaker 1: I see him, I respect him enough not to be

2009
01:53:46,320 --> 01:53:48,120
Speaker 1: bringing that ship up to his face in the middle

2010
01:53:48,160 --> 01:53:50,080
Speaker 1: of a Sunday service. I ain't gonna be like, hey,

2011
01:53:50,080 --> 01:53:52,080
Speaker 1: what's up. You only six million? You don't mean millions

2012
01:53:52,120 --> 01:53:56,400
Speaker 1: of dollars? So how does this six million um accumulate?

2013
01:53:56,520 --> 01:53:58,560
Speaker 1: You go to you go to universe? So you say no,

2014
01:53:58,720 --> 01:54:01,200
Speaker 1: because I got an then this isn't me making up

2015
01:54:01,200 --> 01:54:05,599
Speaker 1: a number. I got an auditor who audited the books,

2016
01:54:05,640 --> 01:54:07,120
Speaker 1: you know what I'm saying, And it was more than that.

2017
01:54:07,280 --> 01:54:10,800
Speaker 1: Some of his has been paid. And to me, it's

2018
01:54:10,880 --> 01:54:13,160
Speaker 1: just like, I'm an authentic person. But I'm gonna keep

2019
01:54:13,160 --> 01:54:14,720
Speaker 1: it real and I ain't gonna blast my brother. I'm

2020
01:54:14,760 --> 01:54:16,439
Speaker 1: not trying to tear nobody now. I'm not trying to

2021
01:54:16,479 --> 01:54:24,320
Speaker 1: tear it down. Man, change my life. But if you

2022
01:54:24,439 --> 01:54:26,880
Speaker 1: are bees and you owe me this money that ain't

2023
01:54:26,920 --> 01:54:29,680
Speaker 1: probably ain't nothing to him, that's life changing money for me.

2024
01:54:29,800 --> 01:54:32,280
Speaker 1: You know that that could go towards things I'm trying

2025
01:54:32,320 --> 01:54:34,200
Speaker 1: to do. Like you said, I'm building a movie theater.

2026
01:54:34,240 --> 01:54:36,360
Speaker 1: I'm doing all these things. I'm trying to help my community.

2027
01:54:36,480 --> 01:54:38,960
Speaker 1: I'm you know, doing a VC. I'm like invested in

2028
01:54:39,000 --> 01:54:43,880
Speaker 1: a lot of things. That Angel investor. Um, it's not

2029
01:54:44,000 --> 01:54:46,200
Speaker 1: like it's him, it's the business. Because that's that's what

2030
01:54:46,320 --> 01:54:49,120
Speaker 1: he said. What he said, and that's why. That's why.

2031
01:54:49,440 --> 01:54:51,520
Speaker 1: But at this point I tried to allude to that.

2032
01:54:51,600 --> 01:54:54,400
Speaker 1: I don't know if you've seen the interview, and I said, um,

2033
01:54:54,680 --> 01:54:56,840
Speaker 1: do you still have big Sean Son? And what he

2034
01:54:56,880 --> 01:54:59,520
Speaker 1: said was, I just signed them to a bigger slaveship.

2035
01:55:00,760 --> 01:55:02,400
Speaker 1: Did you see that part where he said that? No,

2036
01:55:03,080 --> 01:55:05,320
Speaker 1: I said, but do you still have? He said, I

2037
01:55:05,400 --> 01:55:07,640
Speaker 1: just signed I signed them to a bigger slave Meaning

2038
01:55:07,960 --> 01:55:10,360
Speaker 1: he's trying to say that your deal is basically with

2039
01:55:10,640 --> 01:55:15,800
Speaker 1: prevent THEE, it's basically with universal death. Jam right to

2040
01:55:15,960 --> 01:55:19,240
Speaker 1: his deals with death. His deal. I hadn't work. I

2041
01:55:19,280 --> 01:55:22,040
Speaker 1: hadn't work my way out of my deal. Just now,

2042
01:55:23,360 --> 01:55:24,840
Speaker 1: I had to work my way out of that deal.

2043
01:55:25,360 --> 01:55:27,240
Speaker 1: My man, like I said, I'm not shopping on the deal,

2044
01:55:27,400 --> 01:55:30,480
Speaker 1: but it was a golden opportunity. My manager said it

2045
01:55:30,560 --> 01:55:33,240
Speaker 1: was the worst deal he's ever seen. What I'm saying

2046
01:55:33,360 --> 01:55:35,160
Speaker 1: is I put at least thirty million dollars in this

2047
01:55:35,240 --> 01:55:38,560
Speaker 1: man pocket or more, and he owes me money and

2048
01:55:38,640 --> 01:55:43,240
Speaker 1: he's up billions him or his company. He said that

2049
01:55:43,400 --> 01:55:45,680
Speaker 1: the masters, he said he was gonna give his artists

2050
01:55:45,680 --> 01:55:48,160
Speaker 1: back his masters. And it's just like that hasn't happened yet,

2051
01:55:48,200 --> 01:55:51,000
Speaker 1: But that would benefit me a lot. And if I

2052
01:55:51,160 --> 01:55:53,040
Speaker 1: was at bees and if I was a man of

2053
01:55:53,120 --> 01:55:54,680
Speaker 1: my word and not just saying something to look good

2054
01:55:54,720 --> 01:55:56,920
Speaker 1: in that moment, like I would pay my artists day

2055
01:55:56,960 --> 01:55:58,840
Speaker 1: masters or what at least what they're work. If he's

2056
01:55:58,840 --> 01:56:00,480
Speaker 1: not in a position to do that. But that's just me.

2057
01:56:00,880 --> 01:56:02,560
Speaker 1: So let me ask you something. When you look at

2058
01:56:02,560 --> 01:56:04,800
Speaker 1: your contract and your lawyers speak to you, do they

2059
01:56:04,880 --> 01:56:08,240
Speaker 1: say that it's it's it's it's good music, or they

2060
01:56:08,280 --> 01:56:12,000
Speaker 1: say that it's good music. Def jam VINDI you know

2061
01:56:12,120 --> 01:56:15,720
Speaker 1: all of it as a conglomerate Universal. Oh they're saying

2062
01:56:15,840 --> 01:56:21,680
Speaker 1: it's yeah, that's on you to answer it, which answer it,

2063
01:56:21,760 --> 01:56:25,200
Speaker 1: whichever way you want. Now it's all of them. But right,

2064
01:56:25,640 --> 01:56:27,360
Speaker 1: But the one thing he said is that they paid.

2065
01:56:27,840 --> 01:56:31,240
Speaker 1: I don't give a funk who it is. Bro Universal

2066
01:56:31,400 --> 01:56:35,360
Speaker 1: paid the money that I'm old to good music. Okay,

2067
01:56:35,480 --> 01:56:36,920
Speaker 1: that's what I'm trying. I don't give a funk what

2068
01:56:37,000 --> 01:56:40,600
Speaker 1: it is the out of a deal that I signed

2069
01:56:40,680 --> 01:56:43,400
Speaker 1: that was an unfair deal to me as an artist,

2070
01:56:43,480 --> 01:56:46,400
Speaker 1: you know what I'm saying to According to others, I

2071
01:56:46,520 --> 01:56:50,040
Speaker 1: earned millions of dollars because I sold over fifty some

2072
01:56:50,160 --> 01:56:53,120
Speaker 1: million records. I was one of the top selling hip

2073
01:56:53,160 --> 01:56:55,520
Speaker 1: hop artists between two thousand and ten and two thousand twenty,

2074
01:56:55,560 --> 01:56:58,040
Speaker 1: I was in the top ten, sold over fifty some

2075
01:56:58,160 --> 01:57:00,640
Speaker 1: million records and earn a certain the amount of money.

2076
01:57:00,880 --> 01:57:03,600
Speaker 1: But I worked my ass off, Bro. I fucking drove

2077
01:57:03,680 --> 01:57:06,840
Speaker 1: myself to depression. I drove myself. I drove my self

2078
01:57:06,920 --> 01:57:10,640
Speaker 1: to to the brink of wanting to not live, bro,

2079
01:57:10,880 --> 01:57:13,520
Speaker 1: because of the work overworking myself. So what I'm saying

2080
01:57:13,640 --> 01:57:15,560
Speaker 1: is in that time where I earn the money, I

2081
01:57:15,640 --> 01:57:18,720
Speaker 1: still haven't gotten this money, bro. And it's not all

2082
01:57:18,720 --> 01:57:20,600
Speaker 1: about the money. It's not all about the money. It's

2083
01:57:20,600 --> 01:57:24,280
Speaker 1: the principle. It's the principle because I haven't gone in

2084
01:57:24,360 --> 01:57:26,360
Speaker 1: I haven't done a seven M on brittle Path, I

2085
01:57:26,440 --> 01:57:29,040
Speaker 1: haven't done on I haven't put it in nothing. You

2086
01:57:29,080 --> 01:57:31,640
Speaker 1: know what I'm saying. And it's just like I had

2087
01:57:31,680 --> 01:57:34,600
Speaker 1: an issue with all the respect that was being paid

2088
01:57:34,960 --> 01:57:37,680
Speaker 1: to somebody who publicly did that. And I know that

2089
01:57:37,760 --> 01:57:39,600
Speaker 1: people would be like going through things making up and

2090
01:57:39,640 --> 01:57:41,800
Speaker 1: all that. That's beautiful. I want to see my brothers together,

2091
01:57:41,920 --> 01:57:45,560
Speaker 1: But to me, yeah, I haven't. I take that personal.

2092
01:57:45,760 --> 01:57:48,000
Speaker 1: But what made you even think to order like you

2093
01:57:48,120 --> 01:57:51,120
Speaker 1: was thinking money was missing? Like I mean this it's

2094
01:57:51,120 --> 01:57:53,760
Speaker 1: a normal thing. That's a normal thing. So it's definitely

2095
01:57:53,800 --> 01:57:56,200
Speaker 1: a normal thing. But I just want to say that

2096
01:57:56,320 --> 01:57:59,320
Speaker 1: what triggers that your own money has to be something

2097
01:57:59,400 --> 01:58:02,680
Speaker 1: that triggered every artist who has ever gone platinum or

2098
01:58:02,840 --> 01:58:06,640
Speaker 1: had any type of success, and something that pays out

2099
01:58:07,320 --> 01:58:12,600
Speaker 1: residuals or royalties to audit, because there's probably money there.

2100
01:58:12,640 --> 01:58:15,320
Speaker 1: Every time I've audited every aspect of my career, I've

2101
01:58:15,360 --> 01:58:19,240
Speaker 1: always correct, But it had to be something. J Brown.

2102
01:58:19,400 --> 01:58:21,640
Speaker 1: Jay Brown just came to you and said, you'll listen,

2103
01:58:22,320 --> 01:58:23,960
Speaker 1: She said, when the last time you audited the label?

2104
01:58:23,960 --> 01:58:27,840
Speaker 1: I said, I never have. He was like, audit them,

2105
01:58:28,640 --> 01:58:31,440
Speaker 1: auditing them all this royalty on that royalty and then

2106
01:58:32,440 --> 01:58:35,240
Speaker 1: all sorts of things, and then it was like, wait

2107
01:58:35,280 --> 01:58:39,120
Speaker 1: a minute, it's some ms missing. Wow, and the ms

2108
01:58:39,160 --> 01:58:42,960
Speaker 1: have been paid, so you know, like I'm saying. I

2109
01:58:43,080 --> 01:58:45,800
Speaker 1: also learned to I can't be angry. I'm not angry

2110
01:58:45,920 --> 01:58:47,680
Speaker 1: because that's too much of a burden for me to

2111
01:58:47,760 --> 01:58:50,400
Speaker 1: carry it always. You know what I'm saying. I don't

2112
01:58:50,440 --> 01:58:52,480
Speaker 1: take it personal. That's what it was nervous about. But

2113
01:58:52,560 --> 01:58:55,640
Speaker 1: whatever they said Big Sean, I said, oh shoo, I

2114
01:58:55,680 --> 01:59:00,240
Speaker 1: don't want Big. It's just like it's like just you know, no,

2115
01:59:00,360 --> 01:59:03,280
Speaker 1: I love Kane bro I love him for the opportunity

2116
01:59:03,360 --> 01:59:06,120
Speaker 1: he gave me and all these things. But I thought

2117
01:59:06,160 --> 01:59:08,440
Speaker 1: what he said with some bitch ass ship, and I

2118
01:59:08,600 --> 01:59:14,080
Speaker 1: thought that and I thought that, um, that wasn't golly,

2119
01:59:14,320 --> 01:59:17,320
Speaker 1: you know, that wasn't It was just like it was

2120
01:59:17,360 --> 01:59:19,840
Speaker 1: a personal attack for no reason. You know. I feel

2121
01:59:19,840 --> 01:59:21,360
Speaker 1: like he didn't have to do all that, and the

2122
01:59:21,480 --> 01:59:23,720
Speaker 1: fact that why he said it was completely wrong. I

2123
01:59:23,800 --> 01:59:27,760
Speaker 1: didn't come out and endorse no political party. I didn't

2124
01:59:27,800 --> 01:59:33,240
Speaker 1: for because my man's was voting literally, you know. And

2125
01:59:33,600 --> 01:59:35,960
Speaker 1: and I know it's a deeper reason why it goes

2126
01:59:36,040 --> 01:59:37,800
Speaker 1: back to all of that. I don't even know. That

2127
01:59:37,920 --> 01:59:39,920
Speaker 1: might be something I can talk about another time, but

2128
01:59:40,600 --> 01:59:43,560
Speaker 1: it all goes back to the song blessings. Everything goes

2129
01:59:43,640 --> 01:59:49,120
Speaker 1: back to like something to do with Drake. I mean

2130
01:59:49,280 --> 01:59:51,360
Speaker 1: not to be funny, but it's just like the obsession.

2131
01:59:51,440 --> 01:59:53,120
Speaker 1: So let's just be clear. Did you think that he

2132
01:59:53,200 --> 01:59:55,760
Speaker 1: didn't want you to have Drake on that record or

2133
01:59:55,840 --> 01:59:57,240
Speaker 1: did he want to be on that It was me

2134
01:59:57,320 --> 02:00:01,360
Speaker 1: and Drake. It was me and Drake. My album was

2135
02:00:01,480 --> 02:00:05,080
Speaker 1: due immediately do that day. I played him. I had

2136
02:00:05,120 --> 02:00:06,920
Speaker 1: been playing in the music played on the final album.

2137
02:00:06,920 --> 02:00:08,440
Speaker 1: He said he heard Blessings and said, I have to

2138
02:00:08,480 --> 02:00:11,560
Speaker 1: be on here. And I was like, bro, I already

2139
02:00:11,600 --> 02:00:13,280
Speaker 1: got you on two songs on my album. He hopped

2140
02:00:13,320 --> 02:00:16,080
Speaker 1: on two other songs already on Dark scott Paradise. He

2141
02:00:16,120 --> 02:00:18,200
Speaker 1: was on One Man Could Change the World. He was

2142
02:00:18,240 --> 02:00:20,800
Speaker 1: on All Your Fall, so that would have been three

2143
02:00:20,840 --> 02:00:22,840
Speaker 1: songs he's on the album. He's I need to be

2144
02:00:22,920 --> 02:00:25,680
Speaker 1: on this record. I was like, bro, my, my my

2145
02:00:25,800 --> 02:00:28,720
Speaker 1: preorder goes up tomorrow. He's like, we're about to do

2146
02:00:28,800 --> 02:00:31,000
Speaker 1: it right now. And I helped him write his verse

2147
02:00:31,080 --> 02:00:33,760
Speaker 1: for the song for Blessings. For Blessings okay, so I

2148
02:00:33,880 --> 02:00:35,680
Speaker 1: hit up Drake. Drake was the one who came up

2149
02:00:35,720 --> 02:00:38,919
Speaker 1: with the idea of the song. Drake had a concept

2150
02:00:39,080 --> 02:00:41,080
Speaker 1: like you know, a little scratch of the hook. We

2151
02:00:41,160 --> 02:00:44,400
Speaker 1: got in the studio and finished it together. So when

2152
02:00:44,440 --> 02:00:47,120
Speaker 1: I when I talked to Drake about it, Drake didn't

2153
02:00:47,160 --> 02:00:49,520
Speaker 1: want that. I wouldn't say he didn't want him on it.

2154
02:00:49,600 --> 02:00:51,800
Speaker 1: I said, the song is already done, you know. He

2155
02:00:51,960 --> 02:00:54,680
Speaker 1: was just kind of on some like it don't really

2156
02:00:54,720 --> 02:00:56,480
Speaker 1: need it, don't really need all that. It's already long.

2157
02:00:56,760 --> 02:01:00,720
Speaker 1: It was three verses already, and he was like, I mean,

2158
02:01:01,080 --> 02:01:02,520
Speaker 1: we don't really need him on it. But what I

2159
02:01:02,600 --> 02:01:04,640
Speaker 1: said was and by the way, I helped Kanye write

2160
02:01:04,640 --> 02:01:07,280
Speaker 1: his verse. I said, Bro, Bro, gotta be on it. Bro,

2161
02:01:07,440 --> 02:01:10,720
Speaker 1: Like you know what I mean, Like he said he

2162
02:01:11,120 --> 02:01:12,360
Speaker 1: had to be on it. He gotta be on it.

2163
02:01:13,480 --> 02:01:14,920
Speaker 1: So and I feel like that kind of I don't

2164
02:01:14,920 --> 02:01:17,160
Speaker 1: know if that had any effect on me and Drake relationship,

2165
02:01:17,280 --> 02:01:20,000
Speaker 1: but like I said, Drake wasn't like, don't put him

2166
02:01:20,040 --> 02:01:24,000
Speaker 1: on his ship. But I got the vibes, you know

2167
02:01:24,040 --> 02:01:29,600
Speaker 1: what I'm saying. So anyway, I write the verse for you.

2168
02:01:31,080 --> 02:01:33,360
Speaker 1: I tell everybody in the studio send it to Mastering,

2169
02:01:34,760 --> 02:01:39,360
Speaker 1: his engineer. Another person was in the room. Another person

2170
02:01:39,520 --> 02:01:41,000
Speaker 1: was the CEO of Good Send it to that. I'm like,

2171
02:01:41,080 --> 02:01:44,200
Speaker 1: my ship comes out tomorrow, okay, okay for shure. Next

2172
02:01:44,280 --> 02:01:46,160
Speaker 1: day I hit a Mastering. I'm not an A and

2173
02:01:46,280 --> 02:01:48,920
Speaker 1: R by the way, and I'm calling Mastering. You get

2174
02:01:49,000 --> 02:01:52,440
Speaker 1: the verse? No, we didn't get any verse. My A

2175
02:01:52,480 --> 02:01:55,240
Speaker 1: and R like, oh, your pre order is up and

2176
02:01:55,320 --> 02:01:57,600
Speaker 1: it's going crazy. You didn't get you get you. I

2177
02:01:57,600 --> 02:02:00,160
Speaker 1: didn't get your verse to Mastering or going crazy easy

2178
02:02:01,360 --> 02:02:04,200
Speaker 1: on the phone, bro, preorder going crazy that the doctor

2179
02:02:04,280 --> 02:02:06,600
Speaker 1: we're gonna do the radio and the video version for Blessings?

2180
02:02:06,720 --> 02:02:08,680
Speaker 1: Is that cool? Yeah, it's cool. It's cool because he

2181
02:02:09,200 --> 02:02:13,680
Speaker 1: didn't get into mastering. Right, I can see what this started.

2182
02:02:13,720 --> 02:02:17,680
Speaker 1: The froum. Okay, cool. Everything happens with videos songs is

2183
02:02:17,960 --> 02:02:20,880
Speaker 1: you know? Crazy? Next thing I know, we're shooting a

2184
02:02:21,000 --> 02:02:26,200
Speaker 1: video and he's he's spassing on me. You you did

2185
02:02:26,320 --> 02:02:29,200
Speaker 1: this because of you didn't do this because of like

2186
02:02:29,360 --> 02:02:33,240
Speaker 1: like I'm loyal to Drake over him or something. I'm like, Bro,

2187
02:02:33,320 --> 02:02:35,160
Speaker 1: you know I helped you write your verse. I was

2188
02:02:35,200 --> 02:02:38,520
Speaker 1: in the studio with you. But I had this conversation

2189
02:02:38,560 --> 02:02:40,360
Speaker 1: with him a few times. And the reason that I

2190
02:02:40,440 --> 02:02:44,240
Speaker 1: know it, I know it'sist with him because when other

2191
02:02:44,360 --> 02:02:46,760
Speaker 1: things that would happen. You know, I need your support

2192
02:02:46,800 --> 02:02:49,040
Speaker 1: on this heat. You know, it's it always would come

2193
02:02:49,080 --> 02:02:51,200
Speaker 1: back to this. Other people will know this story without

2194
02:02:51,240 --> 02:02:53,720
Speaker 1: me saying anything. How the funk you know about like what?

2195
02:02:54,960 --> 02:02:56,440
Speaker 1: I had to pull him aside a few times and

2196
02:02:56,560 --> 02:02:59,480
Speaker 1: be like, yeah, you know, you know what happened right

2197
02:02:59,560 --> 02:03:02,520
Speaker 1: with that song on like I helped you write your verse.

2198
02:03:05,080 --> 02:03:11,240
Speaker 1: So that's just that's one aspect could be more. And

2199
02:03:11,520 --> 02:03:13,320
Speaker 1: like I said, I ain't gonna hear gossip and telling

2200
02:03:13,440 --> 02:03:14,760
Speaker 1: what it is that what I'm saying is this ship

2201
02:03:14,800 --> 02:03:16,920
Speaker 1: got to do This ship got to do it. This

2202
02:03:17,040 --> 02:03:19,040
Speaker 1: is ship that I've been holding around and carrying around

2203
02:03:19,120 --> 02:03:21,320
Speaker 1: as a you know, as a soldier as you know,

2204
02:03:22,320 --> 02:03:25,080
Speaker 1: you know, some ship. But it's been bothering me, Bro,

2205
02:03:25,680 --> 02:03:27,680
Speaker 1: it's been bothering me. And I'm like, I'm tired of

2206
02:03:27,800 --> 02:03:30,880
Speaker 1: like not being able to speak out because of other

2207
02:03:30,920 --> 02:03:33,040
Speaker 1: people and ship when people don't got that same regard

2208
02:03:33,200 --> 02:03:37,320
Speaker 1: for me, like I ain't like I ain't motherfucking put

2209
02:03:37,400 --> 02:03:39,000
Speaker 1: the work in, or like I ain't showed up for

2210
02:03:39,080 --> 02:03:42,160
Speaker 1: people are carried a label on my back. So but

2211
02:03:42,320 --> 02:03:43,800
Speaker 1: how it was, I don't know if you heard the

2212
02:03:43,840 --> 02:03:47,920
Speaker 1: Breakfash Club after the the interview dropped, the Brethash Club

2213
02:03:48,000 --> 02:03:52,080
Speaker 1: had did a survey, right, and they was like, um, well,

2214
02:03:52,680 --> 02:03:58,080
Speaker 1: who do you guys agree with? Do you agree with Kanye? Oh?

2215
02:03:58,120 --> 02:04:02,080
Speaker 1: Do you agree with Big Sean? Did you hear it? Yeah?

2216
02:04:02,080 --> 02:04:04,400
Speaker 1: I did. I did you heard that? Right? Yeah? Because

2217
02:04:04,440 --> 02:04:07,800
Speaker 1: he used my my daughter is Charlotte Manavy. Yeah. Right.

2218
02:04:08,160 --> 02:04:11,280
Speaker 1: So they did a survey and a lot of people.

2219
02:04:11,560 --> 02:04:14,440
Speaker 1: I didn't see the actual thing because bro, I heard

2220
02:04:14,440 --> 02:04:16,360
Speaker 1: about it. Somebody hit me like, yo, they were showing love.

2221
02:04:16,440 --> 02:04:18,600
Speaker 1: You see how people supporting, but they were it was

2222
02:04:18,720 --> 02:04:20,920
Speaker 1: it was I would say, it was like pretty even, right.

2223
02:04:21,000 --> 02:04:24,480
Speaker 1: So what happened was they were saying, so how you

2224
02:04:24,680 --> 02:04:28,360
Speaker 1: described it on our show was that you just went

2225
02:04:28,520 --> 02:04:32,200
Speaker 1: and supported I guess Hillary Clinton or the Democrats or whatever.

2226
02:04:32,480 --> 02:04:37,440
Speaker 1: And I didn't and I didn't. Here's how he described it.

2227
02:04:37,800 --> 02:04:42,680
Speaker 1: Here's the thing, and I didn't and I did not.

2228
02:04:43,920 --> 02:04:45,720
Speaker 1: In fact, I supported him and while he was running

2229
02:04:45,760 --> 02:04:48,320
Speaker 1: for president, I didn't have his fucking number. And I'm

2230
02:04:48,480 --> 02:04:49,960
Speaker 1: reaching I'm trying to reach out to him. So what

2231
02:04:50,000 --> 02:04:52,480
Speaker 1: I'm supposed to do support somebody that I can't even

2232
02:04:52,520 --> 02:04:59,200
Speaker 1: get in contact with at the time, which I still did. So, uh,

2233
02:05:00,680 --> 02:05:02,440
Speaker 1: I don't care if people agree with me. If you

2234
02:05:02,640 --> 02:05:05,480
Speaker 1: think that, like I'm wrong in any way in this situation.

2235
02:05:06,160 --> 02:05:09,840
Speaker 1: You are you must I feel you. You love this man,

2236
02:05:10,240 --> 02:05:12,480
Speaker 1: I love this man whatever it is. You know what

2237
02:05:12,600 --> 02:05:16,080
Speaker 1: I'm saying. But that's fucking that's some fucking boyshit though, right,

2238
02:05:16,480 --> 02:05:19,880
Speaker 1: so listen because it's not true. Okay, so um, but

2239
02:05:20,000 --> 02:05:24,840
Speaker 1: let's just let's take it from how he I thought

2240
02:05:24,960 --> 02:05:28,800
Speaker 1: this was okay in his mind, he's running for president.

2241
02:05:30,160 --> 02:05:32,880
Speaker 1: He puts on the magna hat, right, what you don't

2242
02:05:33,000 --> 02:05:36,040
Speaker 1: agree he's not running for president putting the magat Yeah,

2243
02:05:36,240 --> 02:05:38,560
Speaker 1: that's not what happens. I mean, this is pretty much

2244
02:05:38,680 --> 02:05:41,400
Speaker 1: all right, fucking taket back out of here. You know

2245
02:05:41,440 --> 02:05:43,720
Speaker 1: what I'm saying. Those two things are different. In my opinion.

2246
02:05:43,920 --> 02:05:48,600
Speaker 1: He wasn't well, he wasn't running when he wasn't he

2247
02:05:48,720 --> 02:05:50,720
Speaker 1: running for president at the same time or No, it's

2248
02:05:50,760 --> 02:05:52,920
Speaker 1: kind of hard for me to recall those timelines after

2249
02:05:53,160 --> 02:05:55,680
Speaker 1: these eight shots. But I just get another one that's

2250
02:05:57,880 --> 02:06:04,640
Speaker 1: but you know what, but no, no, because um, but

2251
02:06:04,920 --> 02:06:08,360
Speaker 1: he's going to back. I hold of that. You're wait

2252
02:06:08,400 --> 02:06:10,160
Speaker 1: till you come back. No, I don't know. I'm good.

2253
02:06:10,240 --> 02:06:14,080
Speaker 1: I'm great because this is what I'm trying. I'm trying

2254
02:06:14,120 --> 02:06:17,000
Speaker 1: to understand him, right, And I'm trying to understand you

2255
02:06:17,040 --> 02:06:19,560
Speaker 1: what I'm trying to understand your relationship right because I'm

2256
02:06:19,600 --> 02:06:22,800
Speaker 1: outside looking it. Let's just be clear, I'm not fan

2257
02:06:22,840 --> 02:06:24,920
Speaker 1: of both. For y'all, I had no idea like there

2258
02:06:25,000 --> 02:06:27,320
Speaker 1: was even a discrepancy, like like, if you really look

2259
02:06:27,360 --> 02:06:31,360
Speaker 1: at the footage, I'm clapping, I'm like first because it's

2260
02:06:31,560 --> 02:06:34,480
Speaker 1: because because it hit your ear on because it didn't

2261
02:06:34,520 --> 02:06:38,360
Speaker 1: make any sense. It doesn't, it didn't. But but a

2262
02:06:38,440 --> 02:06:43,280
Speaker 1: lot of but a lot of things. Bro. He animated,

2263
02:06:43,720 --> 02:06:46,040
Speaker 1: and he has a great delivery, right. He has tossed

2264
02:06:46,040 --> 02:06:48,360
Speaker 1: with such passion and he got he liked that inner child.

2265
02:06:48,480 --> 02:06:50,320
Speaker 1: He's like just straight and he's gonna say whatever you're

2266
02:06:50,320 --> 02:06:53,160
Speaker 1: gonna hop on stage. He you know that's why we

2267
02:06:53,280 --> 02:06:56,960
Speaker 1: love him, Bro, he raw like that right, Yes, But

2268
02:06:59,840 --> 02:07:03,560
Speaker 1: I don't care who it is when you when when

2269
02:07:03,600 --> 02:07:07,200
Speaker 1: you say something untrue about anybody, say something that untrue

2270
02:07:07,200 --> 02:07:09,960
Speaker 1: about me, I gotta come up here and say as

2271
02:07:10,000 --> 02:07:14,120
Speaker 1: a man, like no, that ain't high going down. You

2272
02:07:14,200 --> 02:07:16,800
Speaker 1: know what I'm saying. You know, he gave me an

2273
02:07:16,840 --> 02:07:20,600
Speaker 1: opportunity on that, and I never will discount that. I

2274
02:07:21,000 --> 02:07:23,040
Speaker 1: give him that regard. You know what I'm saying, like

2275
02:07:23,160 --> 02:07:25,800
Speaker 1: the same respect how he was paying hoving here. You

2276
02:07:25,840 --> 02:07:29,880
Speaker 1: know what I'm saying, I'm saying him. But so let's

2277
02:07:29,920 --> 02:07:33,160
Speaker 1: just let me just be clear. Uh. But that's besides

2278
02:07:33,200 --> 02:07:37,840
Speaker 1: the point though. But what he's trying to describe was

2279
02:07:38,280 --> 02:07:43,280
Speaker 1: at a point he felt like you were disloyal right now,

2280
02:07:44,920 --> 02:07:48,240
Speaker 1: regardless if you agree with his political campaigns or not.

2281
02:07:51,120 --> 02:07:54,200
Speaker 1: You know, and it was up some part. Bro It's

2282
02:07:54,240 --> 02:07:56,400
Speaker 1: just like he text me and being like yo, this, yo,

2283
02:07:56,600 --> 02:07:58,520
Speaker 1: this lying on this song that was my model for

2284
02:07:58,640 --> 02:08:00,880
Speaker 1: a whole year. He didn't get up here nothing he

2285
02:08:00,920 --> 02:08:03,800
Speaker 1: said as as as trying to make me look crazy,

2286
02:08:03,920 --> 02:08:05,520
Speaker 1: like that's all the type of music I make, And

2287
02:08:05,560 --> 02:08:07,560
Speaker 1: that's not true. And the track record speaks for it,

2288
02:08:08,000 --> 02:08:11,040
Speaker 1: not anything, not people's opinions, even whether that's the song

2289
02:08:11,120 --> 02:08:13,720
Speaker 1: that maybe somebody only heard, But my track record speaks

2290
02:08:13,760 --> 02:08:17,280
Speaker 1: for itself. As far as millions of records sold and

2291
02:08:17,360 --> 02:08:19,680
Speaker 1: as far as impact Brock come, people come up to me.

2292
02:08:19,720 --> 02:08:21,320
Speaker 1: They don't come up to me and say as that.

2293
02:08:21,360 --> 02:08:23,480
Speaker 1: People be like one man could change the world, change

2294
02:08:23,520 --> 02:08:25,720
Speaker 1: my life. You're going crazy on paradise. Can I wrap

2295
02:08:25,760 --> 02:08:30,440
Speaker 1: paradise with you? Really? Most people say, boy boy, I

2296
02:08:30,560 --> 02:08:32,960
Speaker 1: do it. I do it. That's what they'd be saying

2297
02:08:33,000 --> 02:08:34,720
Speaker 1: to me. You know what I'm saying. Ain't nobody ever

2298
02:08:34,760 --> 02:08:37,480
Speaker 1: came up to me and said as so. It was.

2299
02:08:37,840 --> 02:08:40,280
Speaker 1: It was a personal attack for no reason to you know,

2300
02:08:41,600 --> 02:08:43,760
Speaker 1: it was funny, though it was funny. It was funny. Yeah,

2301
02:08:43,840 --> 02:08:46,640
Speaker 1: it was funny. But I think it's whatever. But it

2302
02:08:46,760 --> 02:08:49,640
Speaker 1: was funny to everybody else. But yeah, it's not funny,

2303
02:08:49,680 --> 02:08:51,200
Speaker 1: and it's not I shouldn't be. So let me just

2304
02:08:51,280 --> 02:08:53,600
Speaker 1: think that it's not funny to be because my whole

2305
02:08:53,640 --> 02:08:56,200
Speaker 1: city looking at me crazy. But when I go to

2306
02:08:56,280 --> 02:08:58,240
Speaker 1: the trait, they're looking at me crazy that I let

2307
02:08:58,280 --> 02:08:59,720
Speaker 1: this man sit up here and talk talk to me

2308
02:08:59,840 --> 02:09:02,040
Speaker 1: like that. I was talking about me like that, and

2309
02:09:02,080 --> 02:09:04,360
Speaker 1: I'm not. I can't. I can't sit up here and

2310
02:09:04,360 --> 02:09:07,320
Speaker 1: act like that. Funny. It's not funny because he made

2311
02:09:07,360 --> 02:09:10,560
Speaker 1: money off of that song. He made money off of

2312
02:09:10,600 --> 02:09:12,040
Speaker 1: that song. He made more money off that song than

2313
02:09:12,080 --> 02:09:15,560
Speaker 1: I did. Because that's the type of deal I have.

2314
02:09:18,360 --> 02:09:19,920
Speaker 1: So what do you guys think about that? In my

2315
02:09:20,040 --> 02:09:25,040
Speaker 1: disloil in anyway? No, I mean, you know, I'm outside

2316
02:09:25,080 --> 02:09:26,560
Speaker 1: of it. And by the way, let me say this

2317
02:09:26,640 --> 02:09:33,440
Speaker 1: a lot of people would hit me. I don't know.

2318
02:09:34,200 --> 02:09:35,880
Speaker 1: This is it. This is the last we're gonna talk about.

2319
02:09:36,360 --> 02:09:38,520
Speaker 1: Brob bro, you know what I'm saying, Yeah, because I

2320
02:09:38,560 --> 02:09:40,200
Speaker 1: want you to work it out me as an outside

2321
02:09:40,200 --> 02:09:42,760
Speaker 1: of looking at But I don't know you apply, I

2322
02:09:42,800 --> 02:09:45,280
Speaker 1: don't know you know where you're going through. I don't

2323
02:09:45,320 --> 02:09:53,000
Speaker 1: know what you've been through. So lets you talk um funk.

2324
02:09:53,040 --> 02:09:58,080
Speaker 1: I forgot what I was about to say. Now, I

2325
02:09:58,120 --> 02:10:02,360
Speaker 1: forgot what the fun was about together. Shot you ended

2326
02:10:02,360 --> 02:10:04,120
Speaker 1: it with that he made more money off the song.

2327
02:10:04,720 --> 02:10:12,360
Speaker 1: That's what she did. Yeah, yeah, all right, So what

2328
02:10:12,480 --> 02:10:15,440
Speaker 1: do y'all think as as like, do y'all think that's

2329
02:10:15,480 --> 02:10:17,640
Speaker 1: wrong in anyway? Do y'all think it's wrong that that

2330
02:10:17,720 --> 02:10:19,560
Speaker 1: man is up bees and he owes me or his

2331
02:10:19,680 --> 02:10:24,320
Speaker 1: company allegedly owes me ms or no? And I'm not

2332
02:10:24,480 --> 02:10:26,320
Speaker 1: not something that because I'm a nice guy that I

2333
02:10:26,360 --> 02:10:28,280
Speaker 1: actually based on what you're saying, if you go off

2334
02:10:28,320 --> 02:10:31,040
Speaker 1: of what you're saying, of course, all right, well let's

2335
02:10:31,080 --> 02:10:33,000
Speaker 1: not talk about it no more. No, But what what

2336
02:10:33,200 --> 02:10:38,640
Speaker 1: what the important part was when he said the Vivindi

2337
02:10:38,760 --> 02:10:42,400
Speaker 1: part as if yeah, that's that's the thing. That is

2338
02:10:42,440 --> 02:10:44,440
Speaker 1: what he said they paid him. What you know, The

2339
02:10:44,520 --> 02:10:47,840
Speaker 1: point is that was my issue first. I went to

2340
02:10:47,920 --> 02:10:50,160
Speaker 1: them first because I like, I know, good music not

2341
02:10:50,200 --> 02:10:54,240
Speaker 1: gonna play me like that. My brothers then my brothers.

2342
02:10:55,400 --> 02:11:00,000
Speaker 1: I didn't came through for them, but by the way,

2343
02:11:00,080 --> 02:11:05,680
Speaker 1: music for the whole everyone and then came through. Dad

2344
02:11:05,840 --> 02:11:09,200
Speaker 1: came through for me. But he also said, I'm just

2345
02:11:09,240 --> 02:11:12,360
Speaker 1: being there with advocate. He also said that he didn't

2346
02:11:12,400 --> 02:11:14,640
Speaker 1: he doesn't own that. The only thing that he owns

2347
02:11:14,880 --> 02:11:19,760
Speaker 1: was um good music, yeah, he said to hen. He said,

2348
02:11:20,040 --> 02:11:24,240
Speaker 1: only he fully owns was Jesus the Sleeker company. He

2349
02:11:24,320 --> 02:11:27,720
Speaker 1: said that, yeah, he probably don't own it fully. But

2350
02:11:28,240 --> 02:11:29,920
Speaker 1: that's that's what I'm trying to say. Like, how how

2351
02:11:30,080 --> 02:11:34,920
Speaker 1: connected is he to the actual company? Well he can't.

2352
02:11:35,600 --> 02:11:37,480
Speaker 1: I'm just I'm just saying, some people, how is he

2353
02:11:37,960 --> 02:11:40,520
Speaker 1: micromanaging that company? Is he macro managing that company? Does

2354
02:11:40,600 --> 02:11:43,520
Speaker 1: he know it's the same relation of drink Champs the

2355
02:11:43,600 --> 02:11:47,680
Speaker 1: show being our Revolt TV. They distribute your show, but

2356
02:11:47,840 --> 02:11:50,160
Speaker 1: you're the owner of the show. See what I'm saying.

2357
02:11:50,200 --> 02:11:54,400
Speaker 1: I don't think it's gonna be the same. But he's

2358
02:11:54,400 --> 02:11:57,680
Speaker 1: trying to say, I don't know, I know it. No,

2359
02:11:57,920 --> 02:11:59,800
Speaker 1: I'm not saying that it's the exact percentage, but I'm

2360
02:11:59,800 --> 02:12:03,120
Speaker 1: saying instead same relation. And you know what I'm saying

2361
02:12:03,160 --> 02:12:05,280
Speaker 1: even the way, I just think that's a different kind

2362
02:12:05,280 --> 02:12:08,800
Speaker 1: of situation. You're not hearing me, man, You're not hearing.

2363
02:12:09,960 --> 02:12:14,520
Speaker 1: What I'm saying is the money came to good music

2364
02:12:15,320 --> 02:12:18,520
Speaker 1: that I was old, my little crumbs and scraps that

2365
02:12:18,600 --> 02:12:22,240
Speaker 1: I made in a deal that my man's, my manager

2366
02:12:22,320 --> 02:12:24,760
Speaker 1: said was the worst deal he ever seen. It's a

2367
02:12:24,800 --> 02:12:28,040
Speaker 1: great opportunity for me, right obviously, because I worked my

2368
02:12:28,120 --> 02:12:29,560
Speaker 1: I can work my way out of anything. But I'm

2369
02:12:29,560 --> 02:12:33,120
Speaker 1: from Detroit, period, so I can work my way out

2370
02:12:33,160 --> 02:12:36,680
Speaker 1: of anything. So what I'm saying is I worked my

2371
02:12:36,760 --> 02:12:39,920
Speaker 1: way out of the deal when most when nobody else

2372
02:12:40,000 --> 02:12:43,960
Speaker 1: that's ever been signing good music, has work their way

2373
02:12:44,000 --> 02:12:46,879
Speaker 1: out of this type of deal that I'm in. Five albums,

2374
02:12:47,920 --> 02:12:49,760
Speaker 1: back to back to back number one albums, over fifty

2375
02:12:49,800 --> 02:12:54,720
Speaker 1: some million records sold, all these things, Platinum songs, all

2376
02:12:54,760 --> 02:12:58,640
Speaker 1: these things. Right, the money, the money that I accumulated

2377
02:12:58,720 --> 02:13:02,480
Speaker 1: during that deal from Royal Teas have been paid. I've

2378
02:13:02,600 --> 02:13:06,800
Speaker 1: spent hundreds of thousands of my money to get a

2379
02:13:07,920 --> 02:13:12,640
Speaker 1: analytical report, not an opinion not like well he awe

2380
02:13:12,680 --> 02:13:15,000
Speaker 1: you know, he owe you know, he owe you. This

2381
02:13:15,120 --> 02:13:20,720
Speaker 1: is forenstic scientists. This is a world. That's what that's

2382
02:13:20,720 --> 02:13:24,240
Speaker 1: what order it is. That's why. Yeah, see what I'm saying.

2383
02:13:25,320 --> 02:13:28,280
Speaker 1: So it's not about like Vivindi. Okay, so now let

2384
02:13:28,360 --> 02:13:30,760
Speaker 1: me ask you talk about the real like this music

2385
02:13:31,560 --> 02:13:34,800
Speaker 1: music musical world. Okay. Well, if it's not him and

2386
02:13:34,960 --> 02:13:37,960
Speaker 1: somebody at Good Music, somebody from Good Music Records owes

2387
02:13:38,040 --> 02:13:40,720
Speaker 1: mean millions. It may not be Kanye. I don't know really,

2388
02:13:41,640 --> 02:13:45,080
Speaker 1: but who else owns it? I don't know. I just

2389
02:13:45,160 --> 02:13:48,200
Speaker 1: feel like a true question. Actually, but actually I'm not

2390
02:13:48,280 --> 02:13:50,440
Speaker 1: even gonna say that because everything I said can be used.

2391
02:13:50,440 --> 02:13:51,720
Speaker 1: It gets me in the court of loss. So I'm

2392
02:13:51,720 --> 02:13:53,760
Speaker 1: gonna go ahead and say that I'm owed six million

2393
02:13:53,800 --> 02:13:59,560
Speaker 1: dollars and from Kanye West is label Good Music, and

2394
02:13:59,640 --> 02:14:01,720
Speaker 1: that's just what it is. I don't talk about this

2395
02:14:01,720 --> 02:14:04,800
Speaker 1: ship no more. Man, I can get cool and then

2396
02:14:04,880 --> 02:14:06,680
Speaker 1: we can get get over this. Okay, But let me

2397
02:14:06,720 --> 02:14:11,000
Speaker 1: ask you face to face, man, and man, have you

2398
02:14:11,080 --> 02:14:13,120
Speaker 1: ever just sat down with him and just said your

2399
02:14:13,280 --> 02:14:16,800
Speaker 1: look let me how let you pull you to the side,

2400
02:14:17,360 --> 02:14:21,680
Speaker 1: no media, no nothing, Yo, Yeah I did differensic sites.

2401
02:14:21,800 --> 02:14:25,080
Speaker 1: Just they came this, this and this, This is what happened.

2402
02:14:25,640 --> 02:14:31,200
Speaker 1: This is what I feel like. I'm old. You know, Okay,

2403
02:14:31,280 --> 02:14:36,320
Speaker 1: I'll tell you why I haven't because I got so

2404
02:14:36,440 --> 02:14:39,040
Speaker 1: much respect for bro that when we in a vibe,

2405
02:14:39,200 --> 02:14:42,760
Speaker 1: whenever we link, they don't be their appropriate time. And

2406
02:14:42,840 --> 02:14:45,840
Speaker 1: I'm from a city, I'm from a place where I

2407
02:14:45,920 --> 02:14:50,280
Speaker 1: know the appropriate time to address things like that. You know,

2408
02:14:50,400 --> 02:14:52,680
Speaker 1: I know a time. There's a time and place for business,

2409
02:14:52,720 --> 02:14:54,480
Speaker 1: There's a time and place to be creative. There's a

2410
02:14:54,520 --> 02:14:57,640
Speaker 1: time and place right And I had that much respect

2411
02:14:58,480 --> 02:15:01,000
Speaker 1: to not bringing up in certain situations and let the

2412
02:15:01,080 --> 02:15:04,200
Speaker 1: business people deal with that. Ship. You're absolutely right, You're

2413
02:15:04,200 --> 02:15:07,840
Speaker 1: absolutely correct. But if I have a business relationship with

2414
02:15:07,920 --> 02:15:10,720
Speaker 1: one of my homies and I see him a couple

2415
02:15:10,800 --> 02:15:13,680
Speaker 1: of times and he doesn't address me, and did I

2416
02:15:13,720 --> 02:15:18,960
Speaker 1: see him address me in public, It's almost like, why

2417
02:15:19,040 --> 02:15:20,840
Speaker 1: the fund didn't you just pulled me to that? That's

2418
02:15:20,880 --> 02:15:23,600
Speaker 1: how I felt. Yeah, So I'm saying why didn't you

2419
02:15:24,160 --> 02:15:26,520
Speaker 1: once you knew you was old. I'm not saying you're

2420
02:15:26,520 --> 02:15:28,840
Speaker 1: wrong or not like that. I'm just asking as as

2421
02:15:29,080 --> 02:15:32,240
Speaker 1: as as approach, And that's outside of looking in it once.

2422
02:15:32,320 --> 02:15:35,080
Speaker 1: You didn't know that. Why you ain't just say you

2423
02:15:35,160 --> 02:15:37,160
Speaker 1: know your home and let me talk to you. Because

2424
02:15:37,760 --> 02:15:39,600
Speaker 1: by the time I find out, the only time I

2425
02:15:39,680 --> 02:15:45,680
Speaker 1: saw him was at Sunday Service recently. Yeah, wow, before

2426
02:15:45,720 --> 02:15:48,440
Speaker 1: the interview came out. Before the interview came out, And

2427
02:15:48,480 --> 02:15:51,040
Speaker 1: I wasn't about to holler him at Sunday Service. I

2428
02:15:51,120 --> 02:15:52,680
Speaker 1: wasn't about to do that. But you did say on

2429
02:15:52,800 --> 02:15:55,400
Speaker 1: Breathast Club that you felt like he was he was old.

2430
02:15:55,440 --> 02:15:58,880
Speaker 1: Since I didn't say that, Okay, well, somebody else looked

2431
02:15:59,040 --> 02:16:00,840
Speaker 1: information and I didn't even to know it. I didn't.

2432
02:16:00,880 --> 02:16:04,760
Speaker 1: That's what may actually made me look into this situation more. Charlotte.

2433
02:16:04,760 --> 02:16:08,000
Speaker 1: Man must be cool with somebody at Universal who told him, which,

2434
02:16:08,120 --> 02:16:10,160
Speaker 1: by the way, it was a wrong number. But what

2435
02:16:10,280 --> 02:16:11,960
Speaker 1: did he said? I don't know, but it was the

2436
02:16:12,000 --> 02:16:14,720
Speaker 1: wrong number because it was way more than that. So

2437
02:16:16,000 --> 02:16:17,800
Speaker 1: that wasn't me that. I think that was another thing,

2438
02:16:17,840 --> 02:16:19,560
Speaker 1: and I think I was I was talking at And

2439
02:16:21,160 --> 02:16:23,240
Speaker 1: you can see how sometimes that person who could think

2440
02:16:23,280 --> 02:16:25,520
Speaker 1: that because they're thinking, like yo, using the studio with

2441
02:16:25,680 --> 02:16:28,400
Speaker 1: Jay your man leaked the picture, you know what I'm saying.

2442
02:16:28,800 --> 02:16:33,520
Speaker 1: And then that communication, yeah you said communication, say the nation.

2443
02:16:33,800 --> 02:16:36,439
Speaker 1: Did you say that communication is the bridge to salvation,

2444
02:16:36,560 --> 02:16:38,640
Speaker 1: that God is holding our hand to walk across on.

2445
02:16:40,120 --> 02:16:42,760
Speaker 1: You can't see how maybe they thought that, like like

2446
02:16:42,920 --> 02:16:46,560
Speaker 1: al right, cool, absolutely, okay, absolutely, And that's why I

2447
02:16:46,600 --> 02:16:48,600
Speaker 1: don't take care of you. And that's why I don't

2448
02:16:48,640 --> 02:16:54,280
Speaker 1: take a personal Honestly, that's first. I don't. I don't

2449
02:16:54,320 --> 02:16:56,840
Speaker 1: take a personal. I can't because that's too much of

2450
02:16:56,879 --> 02:16:59,200
Speaker 1: a burden for me to carry, you know what I'm saying.

2451
02:16:59,240 --> 02:17:04,160
Speaker 1: That's why I and leaving it all the business, you know,

2452
02:17:04,560 --> 02:17:10,120
Speaker 1: and me talking about it is relieving. But at the

2453
02:17:10,200 --> 02:17:15,360
Speaker 1: same time, it's, uh, it's it's embarrassing too. But you

2454
02:17:15,440 --> 02:17:20,240
Speaker 1: know what I'm saying, It's embarrassing because I really, well,

2455
02:17:20,400 --> 02:17:24,680
Speaker 1: I really like I was proud of it. I was

2456
02:17:24,720 --> 02:17:26,120
Speaker 1: really proud to be on good music, you know what

2457
02:17:26,120 --> 02:17:27,640
Speaker 1: I'm saying. I was really proud to be signing a

2458
02:17:28,560 --> 02:17:30,000
Speaker 1: you know, that was my idol, that was one of

2459
02:17:30,080 --> 02:17:32,520
Speaker 1: my heroes, you know what I'm saying, my favorite artists.

2460
02:17:32,640 --> 02:17:36,160
Speaker 1: So it's, uh, it's it's hurtful, bro, it's hurtful to

2461
02:17:36,200 --> 02:17:39,000
Speaker 1: hear those words. I expect, I expect, I expect you're

2462
02:17:39,040 --> 02:17:41,320
Speaker 1: breaking that down. I really do, and I'm not a

2463
02:17:41,400 --> 02:17:43,960
Speaker 1: perfect person. Like you said, maybe I should have brought

2464
02:17:44,000 --> 02:17:49,240
Speaker 1: it up to him, but I just also listen to

2465
02:17:49,360 --> 02:17:51,080
Speaker 1: my heart and my intuition and it didn't feel like

2466
02:17:51,160 --> 02:17:54,200
Speaker 1: the right time. So that's just where I'm leaving it. That. Yeah,

2467
02:17:54,240 --> 02:18:00,160
Speaker 1: that's that's real, yo, bro. I definitely expected you to

2468
02:18:00,200 --> 02:18:03,760
Speaker 1: take the other route around, because you know, we're all

2469
02:18:04,120 --> 02:18:07,800
Speaker 1: we're all pall. I'm never I would never tear another

2470
02:18:07,879 --> 02:18:13,640
Speaker 1: black man down in America. That's some whole ass ship.

2471
02:18:14,520 --> 02:18:16,920
Speaker 1: I would never tear another man down, especially somebody who

2472
02:18:17,040 --> 02:18:19,520
Speaker 1: changed my life. But I am gonna stand up for

2473
02:18:19,600 --> 02:18:23,040
Speaker 1: myself and called my brother, called my rather, it's my

2474
02:18:23,200 --> 02:18:26,560
Speaker 1: mom o, call my call my dad out, my uncle out.

2475
02:18:26,600 --> 02:18:29,040
Speaker 1: I'm gonna call anybody who means everything to me, and

2476
02:18:29,040 --> 02:18:33,080
Speaker 1: I'm gonna say that's some fucking bullshit. So you think

2477
02:18:33,280 --> 02:18:36,120
Speaker 1: so you think I'm not trying to reiterate it. It

2478
02:18:36,320 --> 02:18:38,480
Speaker 1: was the moment that you didn't put them on blessings

2479
02:18:39,280 --> 02:18:46,400
Speaker 1: that like things just just deteriorated or yep. I mean,

2480
02:18:46,440 --> 02:18:48,520
Speaker 1: I think that was the start of it. There was,

2481
02:18:48,680 --> 02:18:52,240
Speaker 1: there was a couple of other things, but that's just

2482
02:18:52,400 --> 02:18:54,240
Speaker 1: I feel like that's where it started. You know, but

2483
02:18:54,280 --> 02:18:56,480
Speaker 1: I ain't. Like I said, this ain't nonna tell all books, man,

2484
02:18:57,320 --> 02:18:59,640
Speaker 1: because I mean, but I mean, it's an interview. It's

2485
02:18:59,640 --> 02:19:02,040
Speaker 1: an interview where I want to share with my fans

2486
02:19:02,120 --> 02:19:04,160
Speaker 1: and ship though, because are people who got loved for

2487
02:19:04,240 --> 02:19:06,080
Speaker 1: me or people even who don't got love for me?

2488
02:19:06,160 --> 02:19:10,840
Speaker 1: Because my narrative is being twisted around because somebody said,

2489
02:19:10,920 --> 02:19:15,200
Speaker 1: because somebody said that I came out of support of

2490
02:19:15,280 --> 02:19:17,920
Speaker 1: Democrats and did whatever whatever, and somebody said this to

2491
02:19:18,000 --> 02:19:21,080
Speaker 1: ask whatever it was, Bro, that ain't who That ain't

2492
02:19:21,120 --> 02:19:25,720
Speaker 1: who I am. I'm coming here personally after I had

2493
02:19:25,800 --> 02:19:28,120
Speaker 1: the two stressful last week's just now, after I was

2494
02:19:28,200 --> 02:19:30,800
Speaker 1: holding my family, I got bags under my eyes. So

2495
02:19:30,920 --> 02:19:32,760
Speaker 1: you're good. I'm sitting up here getting drunk and ship.

2496
02:19:32,920 --> 02:19:37,040
Speaker 1: You're good at shot. It's important. It's important to me. Yeah,

2497
02:19:37,920 --> 02:19:39,840
Speaker 1: I respect. I respect your honestly. I look at you

2498
02:19:39,959 --> 02:19:43,680
Speaker 1: your face, I expect your honesty. But you're all brothers.

2499
02:19:43,920 --> 02:19:50,880
Speaker 1: We are brothers. So what is your solution to rectify this?

2500
02:19:52,760 --> 02:19:59,720
Speaker 1: You're being noble, Get some fish, um with some sushi,

2501
02:20:00,640 --> 02:20:04,640
Speaker 1: with some with some chopsticks. I just man, just respect.

2502
02:20:06,000 --> 02:20:10,040
Speaker 1: Where is the respect that? Where is the respect that

2503
02:20:10,080 --> 02:20:13,120
Speaker 1: that's what I'm trying to figure out. Okay, you want

2504
02:20:13,360 --> 02:20:16,240
Speaker 1: you want me to meet with somebody who I feel

2505
02:20:16,280 --> 02:20:19,400
Speaker 1: you and I'm that type of guy. I am right,

2506
02:20:20,000 --> 02:20:25,520
Speaker 1: but the disrespect, But do you want to apologize to

2507
02:20:26,080 --> 02:20:28,320
Speaker 1: I think you said you and your mom. Didn't you

2508
02:20:28,360 --> 02:20:31,480
Speaker 1: invite you guys to apologize? H he said to begin

2509
02:20:31,600 --> 02:20:36,520
Speaker 1: healing on both sides, And I just like I was

2510
02:20:36,600 --> 02:20:40,920
Speaker 1: angry because it's not equal to me healing like I

2511
02:20:41,000 --> 02:20:43,480
Speaker 1: feel him. But you know that may have been me

2512
02:20:43,600 --> 02:20:46,160
Speaker 1: caught up in my ego, caught up in my uh

2513
02:20:46,280 --> 02:20:48,320
Speaker 1: not my highest self. You know what I'm saying at

2514
02:20:48,360 --> 02:20:50,560
Speaker 1: that at the time because it was such a shock

2515
02:20:50,640 --> 02:20:55,360
Speaker 1: to hear those words come out from uh A mentors

2516
02:20:56,320 --> 02:20:58,880
Speaker 1: somebody who you know you. I don't think I'm gonna

2517
02:20:58,879 --> 02:21:02,200
Speaker 1: be honest again, I'm outside looking at I think he's

2518
02:21:02,240 --> 02:21:05,120
Speaker 1: just saying that just to be to the funk with you, Like,

2519
02:21:05,200 --> 02:21:08,400
Speaker 1: I don't think he meant that at all. I think

2520
02:21:08,440 --> 02:21:12,160
Speaker 1: it was it was it was a moment we got

2521
02:21:12,240 --> 02:21:14,320
Speaker 1: him just as drunk as you, well you're a little

2522
02:21:14,400 --> 02:21:18,440
Speaker 1: less as you're not drinking taking a shot. I got that.

2523
02:21:19,040 --> 02:21:23,200
Speaker 1: Let me fill up. But I don't I don't think

2524
02:21:23,240 --> 02:21:31,280
Speaker 1: I think. I mean, I agree, I mean he took

2525
02:21:31,320 --> 02:21:34,520
Speaker 1: me under it. Like regardless if we don't agree and

2526
02:21:34,560 --> 02:21:36,320
Speaker 1: we have ship, I'm supposed to be his little brother

2527
02:21:36,440 --> 02:21:39,760
Speaker 1: to me. And if he and if he's supposed to

2528
02:21:39,800 --> 02:21:42,680
Speaker 1: be my o G. You know, I need support to

2529
02:21:43,640 --> 02:21:44,880
Speaker 1: you know what I'm saying that. And by the way,

2530
02:21:44,920 --> 02:21:49,000
Speaker 1: I did support him. I publicly supported him. I tweeted

2531
02:21:49,080 --> 02:21:52,480
Speaker 1: Kanye for president. The things he was saying had no facts.

2532
02:21:53,640 --> 02:21:56,360
Speaker 1: So that's what it was. Like that, and you know,

2533
02:21:57,040 --> 02:22:00,440
Speaker 1: I feel like I feel like a lot of the

2534
02:22:00,520 --> 02:22:03,160
Speaker 1: things he was saying, but that just that hit everybody's

2535
02:22:03,200 --> 02:22:07,920
Speaker 1: ear wrong. You were like yeah, I mean continued you

2536
02:22:07,959 --> 02:22:12,480
Speaker 1: were like yeah, because I mean, nobody understood. Nobody understood it.

2537
02:22:14,000 --> 02:22:15,760
Speaker 1: But like I said, bro, I didn't come up here

2538
02:22:16,400 --> 02:22:19,800
Speaker 1: to give a response to Kanye West. I knew that

2539
02:22:19,879 --> 02:22:22,080
Speaker 1: that was gonna come up. But I came appear to

2540
02:22:22,120 --> 02:22:24,959
Speaker 1: have an interview with you because you had a problem

2541
02:22:25,000 --> 02:22:27,480
Speaker 1: with me too. Yeah, you know you're ready a right,

2542
02:22:27,600 --> 02:22:29,240
Speaker 1: right now, you're ready. Let me just tell you that.

2543
02:22:30,800 --> 02:22:33,240
Speaker 1: So you had an issue. I love, I love let

2544
02:22:33,320 --> 02:22:36,280
Speaker 1: me tell you so I was so I'm still a

2545
02:22:36,560 --> 02:22:39,800
Speaker 1: fan of you. I just went and I brought a

2546
02:22:39,879 --> 02:22:42,080
Speaker 1: record to you. I'm gonna show you because you brought

2547
02:22:42,120 --> 02:22:46,720
Speaker 1: it to me. You gave me a CD. Yep, New Jersey.

2548
02:22:47,920 --> 02:22:50,040
Speaker 1: I don't know it is in New Jersey. Mike Brinkley.

2549
02:22:50,160 --> 02:22:54,520
Speaker 1: Remember Mike Brinkley. Remember Mike Brinkley. See yeah we did

2550
02:22:54,640 --> 02:22:58,160
Speaker 1: now yeah Mike brinks Yeah. So so I wrung Mike

2551
02:22:58,240 --> 02:23:01,160
Speaker 1: Brinkley a CD and I gave it to us. You'll listen.

2552
02:23:02,080 --> 02:23:03,720
Speaker 1: And all I wanted from you, I was just like

2553
02:23:03,800 --> 02:23:05,480
Speaker 1: wanted you to tell me yo, listen, man, I don't

2554
02:23:05,480 --> 02:23:09,160
Speaker 1: like the record or whatever whatever. I just found no communication.

2555
02:23:09,240 --> 02:23:13,120
Speaker 1: I gave you my number. Yeah, and he was. He

2556
02:23:13,200 --> 02:23:17,600
Speaker 1: was on the show with Chris Sean Shan Chris Sean,

2557
02:23:17,720 --> 02:23:24,720
Speaker 1: Chris Okay, okay, so this is yeah yeah yeah that

2558
02:23:24,800 --> 02:23:29,000
Speaker 1: far back, I thought I believe him because he's shop.

2559
02:23:31,280 --> 02:23:33,560
Speaker 1: Do you remember when you remember what year you started

2560
02:23:33,640 --> 02:23:36,680
Speaker 1: Dream Champs? You remember what? Ye? Yeah, so this is

2561
02:23:36,680 --> 02:23:39,600
Speaker 1: the reason why when you see me before that. Yeah.

2562
02:23:40,120 --> 02:23:42,720
Speaker 1: So that's that. That was it pretty much. I feel

2563
02:23:42,760 --> 02:23:45,840
Speaker 1: like you're fronting on me like like everyone I ever

2564
02:23:45,959 --> 02:23:50,880
Speaker 1: did remember when you was Okay, it was likelve right

2565
02:23:51,080 --> 02:23:57,040
Speaker 1: Sean Chris sounds about it was something. Yeah. So I

2566
02:23:57,120 --> 02:24:02,120
Speaker 1: gave you a CD. I thought it was great. I

2567
02:24:02,280 --> 02:24:05,480
Speaker 1: just never heard you. So that was the thing. Is

2568
02:24:05,680 --> 02:24:08,120
Speaker 1: was like, I don't mind, like I'm a fucking artist.

2569
02:24:08,520 --> 02:24:10,279
Speaker 1: Like you call me and say I don't like the record,

2570
02:24:10,920 --> 02:24:14,200
Speaker 1: the hocus trash. You can tell me, so so let

2571
02:24:14,280 --> 02:24:16,400
Speaker 1: me tell you, let me finish it, let me pass you.

2572
02:24:16,440 --> 02:24:18,280
Speaker 1: Because you broke it up. I didn't bring it up right,

2573
02:24:18,640 --> 02:24:20,760
Speaker 1: so I was gonna could. I could have did everything

2574
02:24:20,840 --> 02:24:25,280
Speaker 1: that communication communication. So I'm hitting Mike Brinkley. Now this

2575
02:24:25,360 --> 02:24:27,920
Speaker 1: is the reason why I forgive you, because one let

2576
02:24:28,000 --> 02:24:30,760
Speaker 1: me just tell you something. You hit Mike Brinkley. I

2577
02:24:30,840 --> 02:24:33,080
Speaker 1: hate Mike Brinkley. And Mike Brunley said, yeah, I might

2578
02:24:33,160 --> 02:24:35,600
Speaker 1: have dropped the balls the first time I said it publicly.

2579
02:24:35,720 --> 02:24:39,280
Speaker 1: Mike Brinkley hite me. Was like, so I forgive you,

2580
02:24:39,560 --> 02:24:42,800
Speaker 1: but this is forgive me that. Yeah, I did. You

2581
02:24:42,840 --> 02:24:45,760
Speaker 1: gotta watch other episodes. You want to watch a couple? Okay,

2582
02:24:47,920 --> 02:24:54,000
Speaker 1: only man nas nas Eskeootball ever called me for and

2583
02:24:54,440 --> 02:24:57,160
Speaker 1: I said something on the dream camps and nas Esketball

2584
02:24:57,320 --> 02:25:01,960
Speaker 1: called me. I said, listen, big Sean is a good one.

2585
02:25:03,480 --> 02:25:06,800
Speaker 1: He said that yes, And I said that out my

2586
02:25:06,879 --> 02:25:11,000
Speaker 1: brother Nas man clapping that to tell you something, when

2587
02:25:11,040 --> 02:25:14,720
Speaker 1: he called me for two people, and this twenty four

2588
02:25:14,879 --> 02:25:18,560
Speaker 1: year career that I'm talking about were from the foul side,

2589
02:25:19,040 --> 02:25:23,680
Speaker 1: and we know the foul sniggers in the universe. He

2590
02:25:23,760 --> 02:25:27,480
Speaker 1: called me for one other dude, he said, forgive him.

2591
02:25:28,400 --> 02:25:32,080
Speaker 1: But when it came to big to you, he told me,

2592
02:25:32,160 --> 02:25:37,280
Speaker 1: I misunderstood you because I don't got no ego like

2593
02:25:37,360 --> 02:25:42,000
Speaker 1: that bro, like I don't got no let prospect. I felt.

2594
02:25:42,080 --> 02:25:45,640
Speaker 1: I felt like, damn, you had the light at the

2595
02:25:45,760 --> 02:25:47,720
Speaker 1: time you was. I came to your show. It was

2596
02:25:47,800 --> 02:25:49,840
Speaker 1: in New Jerky that came to your show, and I

2597
02:25:49,959 --> 02:25:54,520
Speaker 1: felt like I humble myself because I I'm humble myself

2598
02:25:54,560 --> 02:25:57,240
Speaker 1: and I'm like, yo, yo, you know, I would like

2599
02:25:57,440 --> 02:25:58,920
Speaker 1: you to do a record with me. You know what

2600
02:25:58,959 --> 02:26:01,720
Speaker 1: I mean, Like, I'm funk with you, and I get it.

2601
02:26:01,800 --> 02:26:03,600
Speaker 1: I get it. He was coming off the show. He

2602
02:26:03,680 --> 02:26:05,840
Speaker 1: was coming on the stage this and I came up

2603
02:26:05,879 --> 02:26:09,120
Speaker 1: the stage many time with the tower on. I know

2604
02:26:09,240 --> 02:26:12,400
Speaker 1: what that feels like, I don't know here I'm gonna hear,

2605
02:26:12,480 --> 02:26:17,320
Speaker 1: but you waiting like yeah, yeah, yeah yeah, And I said, damn,

2606
02:26:18,640 --> 02:26:21,760
Speaker 1: when I felt no communication coming from you, that's when

2607
02:26:21,760 --> 02:26:25,199
Speaker 1: I was like, damn this this new generation is different.

2608
02:26:25,320 --> 02:26:29,039
Speaker 1: So that's the reason why it was that energy. But again, okay,

2609
02:26:29,200 --> 02:26:33,960
Speaker 1: it was let me o um coming off stage. I

2610
02:26:34,000 --> 02:26:36,240
Speaker 1: don't know what was on my mind. It was hot.

2611
02:26:36,360 --> 02:26:43,160
Speaker 1: He was lit. No not not that, I'm not no, no,

2612
02:26:43,280 --> 02:26:46,039
Speaker 1: no listening too. I remember we went to Philly after

2613
02:26:46,120 --> 02:26:49,360
Speaker 1: that and my grandma was dying. She went to hospice.

2614
02:26:49,760 --> 02:26:51,960
Speaker 1: This is the next show. I remember in Philly, I

2615
02:26:52,080 --> 02:26:54,120
Speaker 1: was a cosmic cab and everybody shot out the field.

2616
02:26:55,040 --> 02:26:57,160
Speaker 1: H and maybe it was one show in between a

2617
02:26:57,280 --> 02:27:01,400
Speaker 1: few days in between how I went home and miraculously,

2618
02:27:01,480 --> 02:27:03,680
Speaker 1: my grandma was on hospice and my whole family came together.

2619
02:27:03,800 --> 02:27:06,280
Speaker 1: She was about to die, and they took her off

2620
02:27:06,320 --> 02:27:09,879
Speaker 1: the machines and all of a sudden she started coming

2621
02:27:09,920 --> 02:27:14,080
Speaker 1: back alive. We were there for days. So my point is,

2622
02:27:15,240 --> 02:27:18,640
Speaker 1: I respect you, but I really do. Yeah, that's why

2623
02:27:18,680 --> 02:27:20,040
Speaker 1: I want to do it soon. But you never know

2624
02:27:20,120 --> 02:27:22,760
Speaker 1: what somebody's going through. Bro, You never know somebody, and

2625
02:27:22,760 --> 02:27:25,640
Speaker 1: you gotta treat people like they're going through something. What

2626
02:27:25,640 --> 02:27:28,200
Speaker 1: I'm saying everybody, I learned that in my days I

2627
02:27:28,320 --> 02:27:31,680
Speaker 1: was going through something. I know. That's why I came

2628
02:27:31,720 --> 02:27:37,680
Speaker 1: to you, and I'm not trying to make it feel bad.

2629
02:27:37,720 --> 02:27:39,600
Speaker 1: I'm not. I'm just keeping it real. You know. I

2630
02:27:39,720 --> 02:27:42,800
Speaker 1: respect that people go through, you know, like losing losing

2631
02:27:42,840 --> 02:27:45,400
Speaker 1: a relative. She didn't even she ended up living a

2632
02:27:45,480 --> 02:27:47,360
Speaker 1: few more years though, because I actually made a record.

2633
02:27:47,440 --> 02:27:49,840
Speaker 1: I said, the only dude to actually get on the song,

2634
02:27:50,400 --> 02:27:53,560
Speaker 1: and then he never did. It was with Sean that

2635
02:27:53,920 --> 02:27:56,039
Speaker 1: I said that, you guys, I should have gone, I've

2636
02:27:56,080 --> 02:27:58,840
Speaker 1: been in this game twenty one. You know we're still alive.

2637
02:27:58,920 --> 02:28:02,040
Speaker 1: Let's do the record. I knew we're gonna get it done.

2638
02:28:02,560 --> 02:28:05,760
Speaker 1: I know we're gonna get done. I was you know

2639
02:28:05,840 --> 02:28:07,840
Speaker 1: how you took it Verston over Kanye and me and

2640
02:28:07,920 --> 02:28:10,800
Speaker 1: you have two different plates. But I had to get

2641
02:28:10,840 --> 02:28:13,480
Speaker 1: personally because I was like, damn, like when we met

2642
02:28:13,560 --> 02:28:15,880
Speaker 1: each other, we shaped hand because you said the first

2643
02:28:15,879 --> 02:28:17,640
Speaker 1: time you met was in town. That's not the first

2644
02:28:17,640 --> 02:28:19,920
Speaker 1: time you met men in Jersey. I remember you was

2645
02:28:20,080 --> 02:28:22,840
Speaker 1: on your high, you was, you was platinum. Trust me,

2646
02:28:23,000 --> 02:28:26,000
Speaker 1: I've been plating them, so I love it. Yes, I

2647
02:28:26,160 --> 02:28:28,920
Speaker 1: was like I'm sitting there, but this the thing is,

2648
02:28:29,480 --> 02:28:32,160
Speaker 1: you're gonna be me. Eventually, You're gonna be me and

2649
02:28:32,240 --> 02:28:34,120
Speaker 1: you're gonna it's not gonna be forty two dog from

2650
02:28:34,160 --> 02:28:36,959
Speaker 1: your city. It's gonna be excuse me for a two dog.

2651
02:28:37,440 --> 02:28:47,520
Speaker 1: It's gonna be Aloha from from Philly. And you're gonna

2652
02:28:47,680 --> 02:28:50,680
Speaker 1: you donna want to hide at him and when he

2653
02:28:50,800 --> 02:28:53,800
Speaker 1: don't get back. The thing about it, see, let me

2654
02:28:54,959 --> 02:28:58,240
Speaker 1: let me tell you something. Let men say something, let

2655
02:28:58,240 --> 02:29:01,480
Speaker 1: me let me go here. Bro, okay, hawks, I'm in,

2656
02:29:01,560 --> 02:29:13,560
Speaker 1: I'm you know. Let me just say something. Because when

2657
02:29:13,600 --> 02:29:17,080
Speaker 1: you were older statesman, in this game, you be one.

2658
02:29:17,240 --> 02:29:20,680
Speaker 1: It's just like you jong hold whatever you did, regardless

2659
02:29:20,720 --> 02:29:22,200
Speaker 1: of what I was going through it all, You're right,

2660
02:29:22,520 --> 02:29:25,800
Speaker 1: You're not you. But I'm staying. In general, I always

2661
02:29:25,840 --> 02:29:27,760
Speaker 1: look at your homies up and get what's up? Bro?

2662
02:29:27,920 --> 02:29:30,440
Speaker 1: You know a dude, And then we're looking at me

2663
02:29:30,879 --> 02:29:34,119
Speaker 1: and I'm like, everything you did, you did? I actually

2664
02:29:34,280 --> 02:29:37,520
Speaker 1: did you know? A wife is right there, but he

2665
02:29:37,640 --> 02:29:42,440
Speaker 1: was figure popping early, Yes, he was outside. I did everything.

2666
02:29:43,040 --> 02:29:46,240
Speaker 1: So sometimes and the thing about it is, this is

2667
02:29:46,280 --> 02:29:49,600
Speaker 1: the this is the worst thing ever. Right. It's when

2668
02:29:49,680 --> 02:29:53,400
Speaker 1: you you floating and you're winning in life, but you

2669
02:29:53,480 --> 02:29:56,080
Speaker 1: want to come down and you want to highlight somebody

2670
02:29:56,800 --> 02:29:59,560
Speaker 1: and they look at not you. I'm not saying you particularly,

2671
02:29:59,800 --> 02:30:05,440
Speaker 1: but I'm saying because um, I can't say who who?

2672
02:30:05,520 --> 02:30:07,080
Speaker 1: Who asked me the other day, but they asked me.

2673
02:30:07,120 --> 02:30:11,680
Speaker 1: They said, can't you speak to Travis? Man? You gotta say, Man,

2674
02:30:11,760 --> 02:30:15,160
Speaker 1: all this fucking ship I've been it is well, because

2675
02:30:15,200 --> 02:30:17,560
Speaker 1: this it's really should they say, speak to Travis? And

2676
02:30:17,600 --> 02:30:19,680
Speaker 1: I said, speak the Travis and I was. I was

2677
02:30:19,879 --> 02:30:25,520
Speaker 1: scared to reach out to Travis because I didn't know

2678
02:30:25,680 --> 02:30:30,160
Speaker 1: if if Travis would respond or even respect who I am.

2679
02:30:30,200 --> 02:30:32,680
Speaker 1: I don't even know. But then I had to think

2680
02:30:32,680 --> 02:30:34,560
Speaker 1: about it. The last time I've seen Travis, you know,

2681
02:30:34,600 --> 02:30:37,080
Speaker 1: the last time I seeing Travis and Pop party and

2682
02:30:37,160 --> 02:30:39,520
Speaker 1: he looked at me and he at the house and

2683
02:30:39,640 --> 02:30:42,680
Speaker 1: he hit me with his braids, dreaming like that. I said,

2684
02:30:42,680 --> 02:30:44,880
Speaker 1: this ship just hit me bomb oh ship? He said,

2685
02:30:45,280 --> 02:30:48,080
Speaker 1: can I be on drink chats? I said, holy ship, traps? Okay,

2686
02:30:50,520 --> 02:30:53,440
Speaker 1: my fault the same way, like how you I love

2687
02:30:53,480 --> 02:30:56,480
Speaker 1: what you just did. I love that because I was.

2688
02:30:57,200 --> 02:30:59,240
Speaker 1: I was about to say I was, but I really was.

2689
02:30:59,400 --> 02:31:02,440
Speaker 1: I really was with you. And then it turned me

2690
02:31:02,520 --> 02:31:06,480
Speaker 1: off because I said, damn, this young generation sometimes I

2691
02:31:06,600 --> 02:31:11,560
Speaker 1: don't understand I am honestly bro, I feel it and

2692
02:31:11,720 --> 02:31:15,119
Speaker 1: regardless of whatever I had going on, it's like ship,

2693
02:31:15,959 --> 02:31:17,360
Speaker 1: I can honestly set up here and say I'm a

2694
02:31:17,440 --> 02:31:19,640
Speaker 1: whole different person and I'm just saying I respect that.

2695
02:31:19,720 --> 02:31:23,280
Speaker 1: You know what I'm saying. You gotta take a shot

2696
02:31:23,280 --> 02:31:30,039
Speaker 1: for that and and let me and I also want

2697
02:31:30,080 --> 02:31:33,520
Speaker 1: to say something and I don't know. We don't want

2698
02:31:33,520 --> 02:31:35,440
Speaker 1: to keep talking about this, but I want you, yeah,

2699
02:31:35,440 --> 02:31:39,000
Speaker 1: you to work this out, because this is what this

2700
02:31:39,080 --> 02:31:44,520
Speaker 1: show was about. This show was about promoting Black Latino togetherness.

2701
02:31:47,879 --> 02:31:50,600
Speaker 1: None of us really knew what he was getting into. Like,

2702
02:31:51,840 --> 02:31:55,880
Speaker 1: I'm gonna be honest with you, I wanted to go

2703
02:31:56,000 --> 02:31:59,200
Speaker 1: to Jamaica Queen's I never knew I could drive with

2704
02:31:59,360 --> 02:32:06,720
Speaker 1: Jamaica Jamaica, Like this is really that was my goal

2705
02:32:07,280 --> 02:32:09,800
Speaker 1: of wrapping. I don't know where your goal you might

2706
02:32:09,840 --> 02:32:13,400
Speaker 1: because you g p A is very different, but my

2707
02:32:13,600 --> 02:32:16,519
Speaker 1: my g p A was very small, like forty projects,

2708
02:32:16,760 --> 02:32:18,480
Speaker 1: you know what I'm saying. Like I was like, yo,

2709
02:32:18,480 --> 02:32:22,080
Speaker 1: if I'm the man in forty projects, I'm ill. I'm

2710
02:32:22,120 --> 02:32:24,120
Speaker 1: the man in Left Rock already, let me be the

2711
02:32:24,200 --> 02:32:28,039
Speaker 1: man in Queen's Bridge. But when I became a Canada world,

2712
02:32:28,480 --> 02:32:36,040
Speaker 1: it's like, you know, we're blessed. We're really really blessed,

2713
02:32:36,440 --> 02:32:40,800
Speaker 1: Like I really enjoyed when you order the water and

2714
02:32:40,879 --> 02:32:43,240
Speaker 1: the white girl came through with the Fiji water that

2715
02:32:43,480 --> 02:32:52,040
Speaker 1: was sold. No, they're laughing. That's that's what that's what

2716
02:32:52,160 --> 02:32:58,360
Speaker 1: we work for. We work to be com with that

2717
02:33:00,080 --> 02:33:06,000
Speaker 1: and then right, that is success when you could sit

2718
02:33:06,080 --> 02:33:11,760
Speaker 1: around and say I'm blessed, because I'm way I feel blessed. Serious,

2719
02:33:12,480 --> 02:33:14,800
Speaker 1: Let's do another shot. You point your shot, you ain't

2720
02:33:14,840 --> 02:33:22,360
Speaker 1: take it? I did I take it. I'm watch he

2721
02:33:22,560 --> 02:33:27,000
Speaker 1: took it. Just taking let's take it on the one.

2722
02:33:28,000 --> 02:33:37,119
Speaker 1: I'm taking another one guy down? Yeah yeah, So why

2723
02:33:37,160 --> 02:33:39,320
Speaker 1: would I stop that record? Gonna have a text from

2724
02:33:39,320 --> 02:33:42,520
Speaker 1: my mom my, MoMA bade we love we love that.

2725
02:33:43,200 --> 02:33:46,640
Speaker 1: Why would I stop that record? Why? Why? Why would

2726
02:33:46,640 --> 02:33:50,880
Speaker 1: you stop? You only you only lose when you stop, bro?

2727
02:33:51,879 --> 02:33:53,840
Speaker 1: So what the funk? I gotta why would I do that?

2728
02:33:54,080 --> 02:33:58,040
Speaker 1: Like I've done a lot of things I wanted to do,

2729
02:33:59,000 --> 02:34:01,160
Speaker 1: And I remember I was with my man's earl and

2730
02:34:01,760 --> 02:34:04,760
Speaker 1: I'm like, yeah, I gotta you know, new album, I'm

2731
02:34:04,800 --> 02:34:07,520
Speaker 1: doing this doing that. He's like, well, what do you

2732
02:34:07,560 --> 02:34:10,640
Speaker 1: want to do? Like you didn't already you already did

2733
02:34:10,720 --> 02:34:13,480
Speaker 1: it man, like, so you know, I do want to

2734
02:34:13,520 --> 02:34:16,280
Speaker 1: put more energy into like a label. I do want

2735
02:34:16,320 --> 02:34:18,040
Speaker 1: to find other artists that I can help out. I

2736
02:34:18,120 --> 02:34:20,760
Speaker 1: do want to lend you know an opportunity. And once

2737
02:34:20,760 --> 02:34:23,080
Speaker 1: you sign an artist, they're gonna be coming at you,

2738
02:34:23,280 --> 02:34:25,360
Speaker 1: just like you're coming there. Yeah, I'm not coming at you,

2739
02:34:25,560 --> 02:34:29,200
Speaker 1: bro a little bit. No, I'm not. This is right

2740
02:34:29,360 --> 02:34:33,640
Speaker 1: or not? How am not coming at him in anyway? Right?

2741
02:34:33,680 --> 02:34:35,600
Speaker 1: Right right? I'm not coming at him, bro. I I

2742
02:34:35,720 --> 02:34:40,279
Speaker 1: am just literally stating all facts. I may have delivered

2743
02:34:40,320 --> 02:34:43,000
Speaker 1: it passionately, but all I was saying was not opinionated

2744
02:34:43,040 --> 02:34:46,280
Speaker 1: at all. It was all facts. That's that's it. I

2745
02:34:46,320 --> 02:34:53,720
Speaker 1: would never publicly bash my brother like. I would not

2746
02:34:53,840 --> 02:34:55,480
Speaker 1: do that. I'm not. I would never, like I said,

2747
02:34:55,520 --> 02:34:57,280
Speaker 1: would not bashing black man. I'm sitting here and just

2748
02:34:57,320 --> 02:35:01,920
Speaker 1: saying all facts and how I felt sit. I ain't

2749
02:35:01,959 --> 02:35:04,720
Speaker 1: saying he right, I ain't saying he wrong. And if

2750
02:35:04,800 --> 02:35:07,160
Speaker 1: I did say that, it's because you have me drunken

2751
02:35:07,200 --> 02:35:09,800
Speaker 1: and this bitch. But how I really feel, how I

2752
02:35:09,920 --> 02:35:14,160
Speaker 1: really feel, is that I'm just staying all facts because

2753
02:35:14,240 --> 02:35:16,480
Speaker 1: it was facts stated up here about me that was wrong.

2754
02:35:17,360 --> 02:35:26,520
Speaker 1: Facts facts. It's got great, it's got great. Let me

2755
02:35:26,560 --> 02:35:30,039
Speaker 1: actually like more making a record of performing the record.

2756
02:35:32,720 --> 02:35:35,119
Speaker 1: I'm sorry you put the RP sign up there. I'm sorry, man,

2757
02:35:35,480 --> 02:35:38,039
Speaker 1: it's just just a sit right for me. I'm sorry.

2758
02:35:38,040 --> 02:35:46,000
Speaker 1: I don't know who that wasn't here? Man, let me

2759
02:35:46,040 --> 02:35:54,880
Speaker 1: see that you're funning yourself and putting this in this

2760
02:35:54,959 --> 02:36:05,000
Speaker 1: most it was halloween, you know what. You know what's

2761
02:36:05,000 --> 02:36:07,840
Speaker 1: crazy is it's so many people that really are r

2762
02:36:07,879 --> 02:36:10,640
Speaker 1: I P. Though, really did that? It ain't even funny

2763
02:36:10,640 --> 02:36:12,680
Speaker 1: to joke about that. Yeah, that's true, know what I'm saying.

2764
02:36:12,840 --> 02:36:15,440
Speaker 1: So it's not to bring the mood down and ship

2765
02:36:15,600 --> 02:36:26,400
Speaker 1: but you didn't, did you? Yeah? Okay, shot, especially leaving alone. No, yeah,

2766
02:36:26,440 --> 02:36:28,240
Speaker 1: I'm just looking. I'm just looking at this ship this man,

2767
02:36:28,320 --> 02:36:30,080
Speaker 1: unless you want to punch you know this man? Really,

2768
02:36:30,720 --> 02:36:33,119
Speaker 1: this man really picked this up and said that that's

2769
02:36:33,200 --> 02:36:37,840
Speaker 1: the worst decision. It was Halloween, though it was. This

2770
02:36:37,959 --> 02:36:42,600
Speaker 1: is a different one, probably his biggest investment he's ever

2771
02:36:42,680 --> 02:36:46,080
Speaker 1: made the music. But make himself beside himself. Do we

2772
02:36:46,120 --> 02:36:52,800
Speaker 1: make a noise for that? Yeah, but let's not. But

2773
02:36:53,040 --> 02:36:55,720
Speaker 1: let's not front. It wasn't even cousin music, bro, It's

2774
02:36:55,720 --> 02:36:58,160
Speaker 1: because it's some bullshit that wasn't even true. He said,

2775
02:36:58,200 --> 02:37:02,000
Speaker 1: there was some political bullshit. So this ship are you

2776
02:37:02,080 --> 02:37:09,160
Speaker 1: talking about? This ship? This ship don't even make no sense.

2777
02:37:10,000 --> 02:37:12,920
Speaker 1: It makes no sense. Okay, uh So what do you

2778
02:37:13,040 --> 02:37:16,920
Speaker 1: like more making the music of performing the music? I like?

2779
02:37:22,520 --> 02:37:26,480
Speaker 1: I like performing the music. I missed that too. One

2780
02:37:26,520 --> 02:37:28,360
Speaker 1: of my first major shows coming back up is gonna

2781
02:37:28,360 --> 02:37:30,520
Speaker 1: be Coachella and touring and all of that. I'm excited

2782
02:37:30,560 --> 02:37:32,200
Speaker 1: to get back to it, you know what I'm saying.

2783
02:37:32,200 --> 02:37:36,120
Speaker 1: I like performing it because when you make music, you know,

2784
02:37:36,280 --> 02:37:39,080
Speaker 1: it's it's like a higher, It's like some high. You know,

2785
02:37:39,160 --> 02:37:41,520
Speaker 1: it's one of the most intimate things you can do

2786
02:37:41,720 --> 02:37:44,160
Speaker 1: in this universe. You're literally creating something from nothing, you

2787
02:37:44,200 --> 02:37:46,400
Speaker 1: know what I'm saying. You're pulling things that don't exist

2788
02:37:46,959 --> 02:37:49,360
Speaker 1: and putting it into a song, making a song, you know,

2789
02:37:49,720 --> 02:37:54,760
Speaker 1: producing a song. So that's a crazy, crazy, um just

2790
02:37:55,200 --> 02:37:58,640
Speaker 1: process process when you think about it. But performing it

2791
02:37:58,840 --> 02:38:01,000
Speaker 1: is when you see the impact that it had on

2792
02:38:01,080 --> 02:38:05,160
Speaker 1: the people and you see tears in their energy. Right,

2793
02:38:05,160 --> 02:38:07,119
Speaker 1: you can feed off of it. I've gone on stage

2794
02:38:07,120 --> 02:38:08,720
Speaker 1: sick as a mother fuck. I'm sure you have two

2795
02:38:09,160 --> 02:38:11,280
Speaker 1: and got on stage and your should be gone. You

2796
02:38:11,320 --> 02:38:12,760
Speaker 1: ain't got no call no more, you ain't got no

2797
02:38:12,840 --> 02:38:15,240
Speaker 1: flu no more. And you on that bitch, that adrenaline

2798
02:38:15,240 --> 02:38:18,600
Speaker 1: going because they feed you that energy and the impact

2799
02:38:19,240 --> 02:38:22,039
Speaker 1: is immeasurable. You know. The greatest act that you can

2800
02:38:22,080 --> 02:38:26,120
Speaker 1: give somebody is the act of inspiration. Is that is

2801
02:38:26,320 --> 02:38:28,600
Speaker 1: you know? And to me, when you inspire the people,

2802
02:38:28,600 --> 02:38:30,760
Speaker 1: when you inspire the fans like that, that's the ship, bro,

2803
02:38:31,320 --> 02:38:33,760
Speaker 1: that's the ship. And you on the twenties too, right,

2804
02:38:33,800 --> 02:38:36,080
Speaker 1: what's your rold on the twin what are you doing?

2805
02:38:36,120 --> 02:38:39,080
Speaker 1: You finger about in a way? Huh you think about?

2806
02:38:39,080 --> 02:38:43,480
Speaker 1: That's my homegirl? Yeah, so you fingerp some ship in

2807
02:38:43,480 --> 02:38:50,880
Speaker 1: the twenties is what you're doing? Some ship? What you're doing? Yeah,

2808
02:38:51,280 --> 02:38:53,680
Speaker 1: that's the hook you're going you're gonna do for me?

2809
02:38:54,360 --> 02:38:57,720
Speaker 1: Up ship? I don't know. Let's just figure it out.

2810
02:38:58,360 --> 02:39:02,040
Speaker 1: I said, let's figure it out. And they're gonna go

2811
02:39:02,080 --> 02:39:04,080
Speaker 1: through the airport at least at least your keys confirmed

2812
02:39:04,200 --> 02:39:09,160
Speaker 1: six pm. You can make it, okay, okay, um, it's

2813
02:39:09,160 --> 02:39:10,720
Speaker 1: the it's the first show that I actually got to

2814
02:39:10,760 --> 02:39:12,280
Speaker 1: act on. You know what I'm saying, I'm playing a

2815
02:39:13,120 --> 02:39:17,240
Speaker 1: Tristan on there, and he Uh, you know, just watch

2816
02:39:17,320 --> 02:39:19,640
Speaker 1: the show. It's a good show man. It's my first time,

2817
02:39:20,760 --> 02:39:23,760
Speaker 1: you know, acting as a whole character. I can relate

2818
02:39:23,800 --> 02:39:25,560
Speaker 1: to the character in a lot of ways. You know

2819
02:39:25,600 --> 02:39:30,400
Speaker 1: what I'm saying. It's a show. Tristan, he's a nigger

2820
02:39:31,640 --> 02:39:35,480
Speaker 1: that doesn't have a phone. So he doesn't have a phone. No,

2821
02:39:36,240 --> 02:39:38,520
Speaker 1: he doesn't have a phone. He's a photographer. He's a

2822
02:39:38,560 --> 02:39:42,120
Speaker 1: photographer who do yoga, doesn't have a phone, doesn't funk

2823
02:39:42,160 --> 02:39:44,760
Speaker 1: with social media. Right, that's how it started. Get hired

2824
02:39:44,800 --> 02:39:48,280
Speaker 1: for ship by email. That's part of the show. Has

2825
02:39:48,280 --> 02:39:50,440
Speaker 1: an email. He's not a loser. He's not a loser.

2826
02:39:50,480 --> 02:39:53,440
Speaker 1: He the man. He's the man without a phone. Because

2827
02:39:53,520 --> 02:39:55,640
Speaker 1: losers are the ones that are addicted to the Internet.

2828
02:39:56,320 --> 02:39:59,200
Speaker 1: Was a losers the losers. He don't got a phone,

2829
02:39:59,240 --> 02:40:00,960
Speaker 1: he don't got Twitter. The face by the way, the

2830
02:40:01,040 --> 02:40:07,480
Speaker 1: people who um the people who can't separate the Internet

2831
02:40:07,760 --> 02:40:10,360
Speaker 1: in real life. Yes, it's true, you know what I'm saying.

2832
02:40:10,360 --> 02:40:12,960
Speaker 1: Those are two different things, different things. So anyway, this

2833
02:40:13,040 --> 02:40:16,959
Speaker 1: guy on the show twenties, he doesn't have a phone.

2834
02:40:17,080 --> 02:40:21,040
Speaker 1: He doesn't know he's a photographer. He sees this girl,

2835
02:40:21,080 --> 02:40:22,680
Speaker 1: one of the main characters on the show. They end

2836
02:40:22,760 --> 02:40:28,080
Speaker 1: up she's newly uh celibate, right, not having sex. So

2837
02:40:28,280 --> 02:40:31,320
Speaker 1: she's a new version. She's a new version. I'm my

2838
02:40:31,520 --> 02:40:34,840
Speaker 1: character is used to having sex. You're not a new version.

2839
02:40:34,840 --> 02:40:37,119
Speaker 1: I'm not a new version. I like it. He fucking

2840
02:40:37,160 --> 02:40:39,800
Speaker 1: with her, and a lot of drama goes down between

2841
02:40:39,840 --> 02:40:42,000
Speaker 1: him because he you know, he puts he tells her

2842
02:40:42,000 --> 02:40:44,400
Speaker 1: how it is. You know, he's like, yeah, you want

2843
02:40:44,440 --> 02:40:46,400
Speaker 1: some bullshit. You're getting too caught up in this social

2844
02:40:46,440 --> 02:40:48,959
Speaker 1: media world. You're getting too caught up like we out here,

2845
02:40:49,040 --> 02:40:51,840
Speaker 1: you know, having a time and on a hike, and

2846
02:40:52,000 --> 02:40:54,120
Speaker 1: you're worried about people commenting on your ship. We are

2847
02:40:54,200 --> 02:40:56,520
Speaker 1: hearing this is affecting our time. And she's a celibate

2848
02:40:56,560 --> 02:40:59,000
Speaker 1: one that's on social media, the celibate one on social

2849
02:40:59,080 --> 02:41:02,560
Speaker 1: media talking the twist, Yeah, talking to another dude. I

2850
02:41:02,640 --> 02:41:05,120
Speaker 1: end up getting on social media, end up being on

2851
02:41:05,200 --> 02:41:07,600
Speaker 1: some bullshit. I end up getting on social media and

2852
02:41:07,760 --> 02:41:14,520
Speaker 1: like trusted, trusted, tryst. Now that's a good show. Lean

2853
02:41:14,560 --> 02:41:18,040
Speaker 1: Away if you know she incredible, incredible, just you watch

2854
02:41:18,120 --> 02:41:24,440
Speaker 1: the shot. Yeah, fantastic, it is. It's hard and I

2855
02:41:24,600 --> 02:41:27,959
Speaker 1: watched um. I liked her on Master None as well

2856
02:41:30,040 --> 02:41:33,000
Speaker 1: you want to go there, by the way, you know

2857
02:41:33,120 --> 02:41:34,920
Speaker 1: the reason or another reason. I'm building a movie theater

2858
02:41:35,000 --> 02:41:39,240
Speaker 1: because I'm an actual movie I have great taste in movies. Like,

2859
02:41:39,280 --> 02:41:41,320
Speaker 1: if you ever want a good movie suggestion, you should

2860
02:41:41,360 --> 02:41:46,200
Speaker 1: call me. The top five movies, top five movie. I'm

2861
02:41:46,200 --> 02:41:49,600
Speaker 1: affended because I feel the same way. I mean, let's

2862
02:41:49,600 --> 02:41:52,640
Speaker 1: go dumb movies first. Okay, yeah, because we can categorize

2863
02:41:52,720 --> 02:41:56,680
Speaker 1: them quick. We gotta do this quick. No, all time,

2864
02:41:56,840 --> 02:41:59,920
Speaker 1: not dumb. With time. You're gonna sit up here as

2865
02:42:00,000 --> 02:42:03,480
Speaker 1: me about Tupac and d M Max and fucking Drae.

2866
02:42:03,600 --> 02:42:09,800
Speaker 1: All time dumb movie. No, all time comedy, Top five comedy,

2867
02:42:09,920 --> 02:42:14,320
Speaker 1: No overall in the school comedy, no section alright overall

2868
02:42:14,440 --> 02:42:22,240
Speaker 1: overall is great already life one for me? That motherfucker Okay,

2869
02:42:23,000 --> 02:42:26,440
Speaker 1: it was fun Okay, that motherfucker movie really hits you

2870
02:42:26,600 --> 02:42:29,400
Speaker 1: hard because when their whole life go by and in prison,

2871
02:42:30,200 --> 02:42:33,040
Speaker 1: for some boys feel like you're thinking of you're it's

2872
02:42:33,080 --> 02:42:36,640
Speaker 1: just like no, but it's funny, right all to get

2873
02:42:36,800 --> 02:42:41,840
Speaker 1: you gonna eat your corn? Funny right, But for real,

2874
02:42:41,920 --> 02:42:45,680
Speaker 1: this is happening too many people wrong for incarceration, People

2875
02:42:45,720 --> 02:42:47,840
Speaker 1: who are locked up for no fucking reason for being

2876
02:42:47,879 --> 02:42:49,840
Speaker 1: in the wrong place at the wrong time, for getting

2877
02:42:49,879 --> 02:42:52,320
Speaker 1: blamed for something they didn't do, for doing something that

2878
02:42:52,800 --> 02:42:55,280
Speaker 1: you know, for them changing not even being the same

2879
02:42:55,320 --> 02:42:57,040
Speaker 1: person as they was when they made a mistake. Bro

2880
02:42:57,520 --> 02:42:59,880
Speaker 1: that ship his core for me, that that movie like,

2881
02:43:00,080 --> 02:43:02,440
Speaker 1: so I feel you on that so into my life.

2882
02:43:02,560 --> 02:43:05,080
Speaker 1: I'm saw my life. Okay, So what is your no?

2883
02:43:05,320 --> 02:43:13,280
Speaker 1: Go ahead? Top five? Quick, that's a good one. But

2884
02:43:13,320 --> 02:43:15,680
Speaker 1: go ahead. American me. Oh man, you said one of

2885
02:43:15,680 --> 02:43:19,240
Speaker 1: them on You never said American me on here he

2886
02:43:19,360 --> 02:43:25,160
Speaker 1: got that actual movies, actual movies, Mother Little Guy as

2887
02:43:25,280 --> 02:43:29,440
Speaker 1: the movie I'm two but two, I'm on fire, right man, right, okay,

2888
02:43:29,560 --> 02:43:34,320
Speaker 1: yes you are. Yeah, go ahead, man, get out of now.

2889
02:43:34,320 --> 02:43:35,920
Speaker 1: I want two of yours. I want two of yours

2890
02:43:35,959 --> 02:43:39,560
Speaker 1: and two of yours. Man, I said top five, you

2891
02:43:39,640 --> 02:43:41,520
Speaker 1: got me too, because I don't want to sun up.

2892
02:43:41,640 --> 02:43:45,520
Speaker 1: You know you don't want them on Shock Redemptions though.

2893
02:43:45,879 --> 02:43:49,120
Speaker 1: Damn that's good. That's good that you've seen shows that

2894
02:43:49,200 --> 02:43:52,520
Speaker 1: they did based in the universe on Hulu. Um it's

2895
02:43:52,600 --> 02:43:55,760
Speaker 1: called Castle Rock but anyway, go ahead, but yeah, that

2896
02:43:55,920 --> 02:43:59,520
Speaker 1: that one's good. Um, yeah, I was. I would say

2897
02:43:59,520 --> 02:44:03,480
Speaker 1: American slice that one from you. I mean that's school.

2898
02:44:03,560 --> 02:44:06,960
Speaker 1: You're a hunting. That's a good one. Okay, we need

2899
02:44:07,040 --> 02:44:12,920
Speaker 1: too from you. I really like Forrest Gump. That's a

2900
02:44:12,959 --> 02:44:15,760
Speaker 1: great movie. I'm taking that, taking this one. That's one.

2901
02:44:16,120 --> 02:44:19,520
Speaker 1: That's that's that's one of my top five. Okay. I

2902
02:44:19,720 --> 02:44:23,440
Speaker 1: like Malcolm X. That's cool. You got to you gotta relax.

2903
02:44:23,480 --> 02:44:25,480
Speaker 1: I'll see you. You're a real rapper. You're trying to

2904
02:44:25,520 --> 02:44:30,640
Speaker 1: take the balls, but then you six six balls. That

2905
02:44:30,720 --> 02:44:34,040
Speaker 1: was six. Then I like the Matrix, which one the

2906
02:44:34,120 --> 02:44:40,040
Speaker 1: first one? His name and I'm not Anderson. I'm going three.

2907
02:44:40,080 --> 02:44:44,640
Speaker 1: I'm going three, going three. Dark Knight too. Is Juice? Okay,

2908
02:44:44,760 --> 02:44:49,920
Speaker 1: Juice is crazy? Yeah, Juice is Doop go three? Yeah, brother,

2909
02:44:52,520 --> 02:44:55,200
Speaker 1: you know what, Juice was crazy because Tupart really did

2910
02:44:55,320 --> 02:44:58,760
Speaker 1: that ship bro delivered. That was like one of the

2911
02:44:58,840 --> 02:45:02,200
Speaker 1: best parts of the movie. He really embody that villain ish. Uh,

2912
02:45:02,879 --> 02:45:05,040
Speaker 1: that's why it's real life. Tupop made me shooting nigga

2913
02:45:05,560 --> 02:45:08,000
Speaker 1: yeah period, And Juice inspired me to be to DJ

2914
02:45:08,200 --> 02:45:10,760
Speaker 1: that watching that movie. He was cute from he was local.

2915
02:45:10,959 --> 02:45:12,560
Speaker 1: I was just a positive dy. I need to get

2916
02:45:12,560 --> 02:45:15,000
Speaker 1: my turn tables after Juice. You know, I always poke

2917
02:45:15,040 --> 02:45:17,200
Speaker 1: with Butcher Rock every time, like he brought me up,

2918
02:45:17,240 --> 02:45:21,320
Speaker 1: like you cute, you local. He hates me when I

2919
02:45:21,400 --> 02:45:24,000
Speaker 1: say that. All right, So what's your third movie? Man?

2920
02:45:24,480 --> 02:45:26,520
Speaker 1: I want just to tell your favorite movie. I'm a

2921
02:45:26,640 --> 02:45:30,440
Speaker 1: Goonies fanatic. Okay, that was all. That was all. Okay,

2922
02:45:31,600 --> 02:45:35,920
Speaker 1: your third movie, Wolf of Wall Street. It gets me emotional,

2923
02:45:36,040 --> 02:45:39,560
Speaker 1: brom it gets me emotional. Every time I watched that.

2924
02:45:39,560 --> 02:45:41,920
Speaker 1: I watched that movie, like not watched it, but I've

2925
02:45:41,959 --> 02:45:44,680
Speaker 1: had it on in the studio sometimes like that for

2926
02:45:44,879 --> 02:45:48,080
Speaker 1: his Gun Matrix, Dark Knight, like movies that I've probably

2927
02:45:48,120 --> 02:45:50,920
Speaker 1: watched over fifty times just by having them on. But

2928
02:45:51,720 --> 02:45:56,760
Speaker 1: every time I'm just like he had the opportunity two

2929
02:45:58,360 --> 02:46:01,000
Speaker 1: he funked up so bad and had opportunity to like

2930
02:46:01,360 --> 02:46:03,320
Speaker 1: preserve it all, pay the I r s off, get

2931
02:46:03,400 --> 02:46:04,640
Speaker 1: him off his back. I have to do is to

2932
02:46:04,640 --> 02:46:06,440
Speaker 1: step down from the company and still could be a

2933
02:46:06,480 --> 02:46:09,640
Speaker 1: part of the company. And his ego got in a way,

2934
02:46:10,160 --> 02:46:11,920
Speaker 1: and it was one of the biggest lessons I ever

2935
02:46:12,040 --> 02:46:14,320
Speaker 1: learned watching the movie. It was like, you gotta just

2936
02:46:14,520 --> 02:46:20,680
Speaker 1: know that everything is uh temporary. When you try and

2937
02:46:20,800 --> 02:46:25,040
Speaker 1: hold on in something, that's when it can destroy you. Anything.

2938
02:46:26,040 --> 02:46:29,800
Speaker 1: You know, people, seasons, places, things are all temporary, and

2939
02:46:29,840 --> 02:46:32,360
Speaker 1: that's why you have to enjoy that present, right. So

2940
02:46:32,520 --> 02:46:34,320
Speaker 1: that's what that movie taught me the most out of anything.

2941
02:46:34,360 --> 02:46:36,560
Speaker 1: I mean, of course, all the like the quay lous

2942
02:46:36,600 --> 02:46:38,600
Speaker 1: and ship all you know, to turn him get into

2943
02:46:38,640 --> 02:46:42,160
Speaker 1: the Lamborghini crazy real confused how he didn't get the

2944
02:46:42,240 --> 02:46:44,600
Speaker 1: oscar for that one? Really? I mean I really felt

2945
02:46:44,640 --> 02:46:48,400
Speaker 1: like he was high, Yeah, Leo, because he was too

2946
02:46:48,480 --> 02:46:52,040
Speaker 1: close to Jeff Bezel. Girls. It wasn't gonna Yeah. I

2947
02:46:52,120 --> 02:46:55,520
Speaker 1: ran into him at a party one time, Leo, Leo, Yeah,

2948
02:46:55,600 --> 02:47:02,520
Speaker 1: and he was telling me about no actually respects me.

2949
02:47:03,080 --> 02:47:06,880
Speaker 1: This is no. But he did the jet Bezo though. Yeah,

2950
02:47:07,200 --> 02:47:08,920
Speaker 1: what was the movie he was in a wild Um,

2951
02:47:09,879 --> 02:47:11,320
Speaker 1: I can't think of the name because you got me

2952
02:47:11,440 --> 02:47:13,920
Speaker 1: drunken ship, but the one that he was by himself,

2953
02:47:14,000 --> 02:47:17,280
Speaker 1: that was where he lost his son and Tom Harden.

2954
02:47:17,320 --> 02:47:21,240
Speaker 1: That is crazy. That movie is crazy. H No, it

2955
02:47:21,400 --> 02:47:28,959
Speaker 1: was the repe Is that what it was called? You sure? Yeah? Yeah,

2956
02:47:29,000 --> 02:47:31,200
Speaker 1: That's what I'm talking about. Yeah, that's just ill. I

2957
02:47:31,200 --> 02:47:32,840
Speaker 1: don't know why I couldn't think of the title. But anyway,

2958
02:47:32,879 --> 02:47:34,360
Speaker 1: he was telling me that he was eating a liver

2959
02:47:34,480 --> 02:47:37,560
Speaker 1: and that bitch, and he's a vegan, vegetarian and vegan

2960
02:47:37,840 --> 02:47:40,000
Speaker 1: he committed to that rule. Well, I'm like, damn, that's

2961
02:47:40,000 --> 02:47:41,560
Speaker 1: fun up because they could have just made you eat

2962
02:47:41,600 --> 02:47:43,480
Speaker 1: like some beats or something that looked like a liver.

2963
02:47:43,600 --> 02:47:44,800
Speaker 1: He was like, man, they had me in the liver

2964
02:47:45,240 --> 02:47:48,120
Speaker 1: and I threw up in a scene and I really

2965
02:47:48,200 --> 02:47:49,640
Speaker 1: threw up, and they kept it in the movie. And

2966
02:47:49,720 --> 02:47:51,120
Speaker 1: he was like, that was me throwing up. And I

2967
02:47:51,280 --> 02:48:00,080
Speaker 1: was like, that's fine. Deserved about next. Yeah, mhm, not

2968
02:48:00,280 --> 02:48:04,880
Speaker 1: your leading, Okay, Jack Black exactly, Jack Black is that

2969
02:48:05,720 --> 02:48:11,880
Speaker 1: nasty can come on, you know, Jack Black is one

2970
02:48:11,920 --> 02:48:14,360
Speaker 1: of the motherfucker's Jack Black is that dude. When I

2971
02:48:14,520 --> 02:48:16,160
Speaker 1: when I met him, that's somebody. When I met I

2972
02:48:16,280 --> 02:48:19,320
Speaker 1: was like, damn, you met Jack Black. I met Jack Black.

2973
02:48:19,720 --> 02:48:21,920
Speaker 1: Jack Black would be hilarious on Drink Channel. Yeah, I

2974
02:48:22,040 --> 02:48:24,080
Speaker 1: never met your king took up about the Jack Black story.

2975
02:48:24,320 --> 02:48:26,800
Speaker 1: I met him on the first day. The first day

2976
02:48:26,840 --> 02:48:29,200
Speaker 1: I went on with Janet, I met Jack Black. Like

2977
02:48:29,280 --> 02:48:33,000
Speaker 1: how you keep talking about Yeah, I'm like, she's amazing

2978
02:48:33,000 --> 02:48:35,840
Speaker 1: because your face keeps lighting up if you speaking about

2979
02:48:36,680 --> 02:48:38,560
Speaker 1: I'm going to know. I mean, I'm just speaking facts. Though.

2980
02:48:38,560 --> 02:48:40,680
Speaker 1: The first time. I don't know, I met Jack Blacks

2981
02:48:44,840 --> 02:48:46,680
Speaker 1: your head and I like, I like at your face,

2982
02:48:46,800 --> 02:48:53,160
Speaker 1: like okay, yeah that was and I met Jack Black

2983
02:48:53,320 --> 02:48:57,080
Speaker 1: the way it was your Lakers game. Yeah, yeah, the

2984
02:48:57,160 --> 02:49:04,000
Speaker 1: Lakers game, little dude fifth on Friday's fault? What about Friday?

2985
02:49:04,280 --> 02:49:07,960
Speaker 1: Of course, I think we need to go into Genres Cocain. Okay,

2986
02:49:08,000 --> 02:49:10,240
Speaker 1: you what John do you want? You know what I'm saying,

2987
02:49:10,240 --> 02:49:15,480
Speaker 1: because it is it revolutionized how nobody said half make

2988
02:49:16,280 --> 02:49:20,440
Speaker 1: half big, half Big? Is that motherfucker from Half Baked

2989
02:49:21,040 --> 02:49:22,720
Speaker 1: that get a lot of rotases? I get my mom

2990
02:49:22,760 --> 02:49:25,959
Speaker 1: Cuban be from that whole ship is from half Biggs.

2991
02:49:26,360 --> 02:49:28,360
Speaker 1: Who would have thought Dave Chappelle? All right, who would

2992
02:49:28,360 --> 02:49:31,560
Speaker 1: have thought from that movie that Dave Chappelle would be

2993
02:49:31,600 --> 02:49:35,920
Speaker 1: Dave Chappelle? Now, I would have never never think that. Yeah,

2994
02:49:36,160 --> 02:49:38,360
Speaker 1: I don't never guessed that nigga. I would have never

2995
02:49:38,480 --> 02:49:40,600
Speaker 1: guessed that nigga. Yeah, he literally like the whole of

2996
02:49:40,640 --> 02:49:43,720
Speaker 1: a comedy. Yeah, like like you see he had a

2997
02:49:43,840 --> 02:49:46,880
Speaker 1: show on mater a hole. Then who's Kevin Hart? Because

2998
02:49:47,080 --> 02:49:49,560
Speaker 1: we can't discount Kevin Hart. Kevin Heart. That Kevin might

2999
02:49:49,560 --> 02:49:53,199
Speaker 1: be Eddie Man like coming from paper might be Eddie.

3000
02:49:53,840 --> 02:49:56,440
Speaker 1: Now you said, but you said he was the mul

3001
02:49:57,360 --> 02:50:02,640
Speaker 1: oh related to hip hop. Damn, you're sucking me up.

3002
02:50:08,040 --> 02:50:12,360
Speaker 1: Who knows whatever? Whatever he might be, he might be naseer.

3003
02:50:16,280 --> 02:50:19,560
Speaker 1: You can't compare him. You think Dave Chappelle, he Kevin Heart.

3004
02:50:19,600 --> 02:50:21,680
Speaker 1: That moment was his legends. You know what I'm saying. Okay,

3005
02:50:21,720 --> 02:50:25,520
Speaker 1: So you get married next year, whoever you get married to.

3006
02:50:26,360 --> 02:50:30,800
Speaker 1: You got one comedian m hm to Chappelle, Kevin Hard

3007
02:50:31,000 --> 02:50:37,560
Speaker 1: at a wedding. At a wedding, who you pick one

3008
02:50:37,600 --> 02:50:40,960
Speaker 1: comedian at a wedding? Yeah, I mean the other nigga

3009
02:50:41,040 --> 02:50:44,800
Speaker 1: can't catch the private plane. He missed the private plane.

3010
02:50:44,840 --> 02:50:49,480
Speaker 1: He's he's in spaces X with somebody else. Who are

3011
02:50:49,520 --> 02:50:52,920
Speaker 1: you going with? Well, let me think about their styles

3012
02:50:52,959 --> 02:50:57,800
Speaker 1: of comedy. Kevin No, no, listen, listen, Kevin Heart. That's

3013
02:50:57,840 --> 02:51:00,080
Speaker 1: Kevin Heart of roast y'all asked pretty good though, Like

3014
02:51:00,120 --> 02:51:03,200
Speaker 1: he would make this ship funny, right, Kevin Kevin Hard

3015
02:51:03,200 --> 02:51:04,760
Speaker 1: can do that. Like, and I'm talking about personal not

3016
02:51:04,920 --> 02:51:06,640
Speaker 1: necessarily like you know what I'm talking about. I've been

3017
02:51:06,680 --> 02:51:08,720
Speaker 1: in personal rules from him, and he's tearing the ship.

3018
02:51:08,879 --> 02:51:13,640
Speaker 1: He's tearing somebody apart. Dave Chappelle can hit that soul

3019
02:51:13,760 --> 02:51:17,760
Speaker 1: sometimes though. Dave Chappelle no my daddy. So if I

3020
02:51:17,840 --> 02:51:19,560
Speaker 1: had to pick one, I'm gonna go with Dave Chappelle

3021
02:51:19,680 --> 02:51:24,240
Speaker 1: because he all, he like, he probably gonna he probably

3022
02:51:24,280 --> 02:51:27,240
Speaker 1: gonna figure some ship out that that's gonna bring everybody

3023
02:51:27,280 --> 02:51:31,160
Speaker 1: to tears and make everybody laughing, crying to You're gonna

3024
02:51:31,200 --> 02:51:33,120
Speaker 1: make you cry too, different ways and one speech. You

3025
02:51:33,160 --> 02:51:37,200
Speaker 1: know what I'm saying. What was it like the day

3026
02:51:37,240 --> 02:51:40,360
Speaker 1: you got your rocket fell the chain? The day I

3027
02:51:40,400 --> 02:51:42,640
Speaker 1: got my rocket Feller chain. I was in New York City,

3028
02:51:43,160 --> 02:51:45,440
Speaker 1: and then he was in New York. I was in

3029
02:51:45,520 --> 02:51:47,440
Speaker 1: New York in the brief place of the Mecca. It

3030
02:51:47,520 --> 02:51:49,119
Speaker 1: was in New York and it was before I dropped

3031
02:51:49,200 --> 02:51:57,920
Speaker 1: my second number one album. I decided, and um, Hove,

3032
02:52:00,200 --> 02:52:03,480
Speaker 1: you know, Hope is really involved in management. Uh in

3033
02:52:03,600 --> 02:52:07,200
Speaker 1: rock Nation, Imbrock Nation. Let's him, Yeah, let's pick him up.

3034
02:52:07,640 --> 02:52:14,720
Speaker 1: He's involved. And I mentioned to him one time that

3035
02:52:14,879 --> 02:52:18,000
Speaker 1: the rocket Feller chain he had was hard, And next

3036
02:52:18,040 --> 02:52:22,160
Speaker 1: thing you know, he texts me and say, yeah, he

3037
02:52:22,240 --> 02:52:25,760
Speaker 1: was like my too hard? What side you want? Like

3038
02:52:25,920 --> 02:52:27,480
Speaker 1: the funk? Like he didn't see me A picture of

3039
02:52:27,560 --> 02:52:31,240
Speaker 1: a small one and a big one. I was like, yeah,

3040
02:52:31,560 --> 02:52:34,920
Speaker 1: fucking right. I'm like, I'm thinking he's gonna send me

3041
02:52:34,959 --> 02:52:37,520
Speaker 1: the invoice. You know. That's and I was cool with

3042
02:52:37,640 --> 02:52:39,080
Speaker 1: that ship I got. You know, I could have for

3043
02:52:39,160 --> 02:52:42,240
Speaker 1: the forty like yeah, okay ship, Okay, that's the label

3044
02:52:42,280 --> 02:52:44,280
Speaker 1: would do it too, Yeah, like yeah, okay, yeah, I'm

3045
02:52:44,680 --> 02:52:46,200
Speaker 1: with the jeweler. Go ahead, just you know. And I

3046
02:52:46,280 --> 02:52:48,280
Speaker 1: still would have been like, I mean, I paid for

3047
02:52:48,320 --> 02:52:52,440
Speaker 1: all my ship, you know what. So man, I just

3048
02:52:52,840 --> 02:52:56,280
Speaker 1: remember that he hit me. I was in town. I

3049
02:52:56,360 --> 02:52:59,160
Speaker 1: was going about to do Funk Flex and my alument

3050
02:52:59,280 --> 02:53:01,280
Speaker 1: just came out. I was performing on Jimmy found a

3051
02:53:01,320 --> 02:53:03,040
Speaker 1: lot of ship going on, and the jeweler hit me

3052
02:53:03,080 --> 02:53:05,360
Speaker 1: and was like, I got something for you. I pulled

3053
02:53:05,440 --> 02:53:09,120
Speaker 1: up in the Diamond district. Um a jeweler is this?

3054
02:53:09,240 --> 02:53:12,440
Speaker 1: Come on? I'm kind of moved it. It's Raffaelo, right fella,

3055
02:53:13,360 --> 02:53:18,360
Speaker 1: where's the Rafaelo? Whoa C edit that part of it

3056
02:53:19,800 --> 02:53:26,680
Speaker 1: right now? It was gay. It wasn't Rafayelo. I'm embarrassed.

3057
02:53:26,720 --> 02:53:28,120
Speaker 1: I don't remember the name. So I don't put this

3058
02:53:28,240 --> 02:53:34,760
Speaker 1: on everything stage. Let everything everything stick. It was on

3059
02:53:34,840 --> 02:53:37,080
Speaker 1: the diamond this shrip. You're sucking me up. Man. It's okay,

3060
02:53:37,120 --> 02:53:39,760
Speaker 1: it's beautiful because I'm just obviously you got me in

3061
02:53:39,920 --> 02:53:43,040
Speaker 1: this bit twisted beautiful. Would you like? You know? This

3062
02:53:43,160 --> 02:53:48,760
Speaker 1: is the new rock No listen finished, shut out black

3063
02:53:48,760 --> 02:53:51,000
Speaker 1: own businesses, shout out the black owned business But it

3064
02:53:51,280 --> 02:53:57,720
Speaker 1: just so I run inside. I grabbed the chain, Cuban link,

3065
02:53:58,640 --> 02:54:01,400
Speaker 1: rocket fell you know all go Cuban League, Rocketfeller chain,

3066
02:54:02,280 --> 02:54:12,400
Speaker 1: and um, it just reminded me that motherfucking that that

3067
02:54:12,520 --> 02:54:15,400
Speaker 1: power of your mind is real. Bro. He's used to

3068
02:54:15,480 --> 02:54:18,440
Speaker 1: want that Rocketfeller chain growing up. And the Jesus Peace too.

3069
02:54:18,440 --> 02:54:20,320
Speaker 1: I remember when I got to Jesus Peace to Jacob,

3070
02:54:20,440 --> 02:54:23,320
Speaker 1: Jesus Peace from you. Don c was the one who

3071
02:54:23,360 --> 02:54:25,920
Speaker 1: actually gave it to me from you, you know, courtesy,

3072
02:54:27,000 --> 02:54:32,400
Speaker 1: and um, when I lost my Jesus Peace, Cutty gave

3073
02:54:32,480 --> 02:54:34,360
Speaker 1: me his. That's what I'm saying. That the type of

3074
02:54:34,400 --> 02:54:36,440
Speaker 1: brotherhood that was going on with us, you know what

3075
02:54:36,560 --> 02:54:41,080
Speaker 1: I'm saying. So when I say that, when I talk

3076
02:54:41,120 --> 02:54:43,120
Speaker 1: about that good music, it's like that that was a

3077
02:54:43,160 --> 02:54:46,920
Speaker 1: real brotherhood to me. And you know, getting Rocketfeller chains

3078
02:54:46,959 --> 02:54:48,600
Speaker 1: and Jesus pieces and all those things. They got a

3079
02:54:48,640 --> 02:54:51,400
Speaker 1: deeper slavery to him. Let me ask you, at what

3080
02:54:51,560 --> 02:54:53,640
Speaker 1: point in your career did you lose with Jesus Because

3081
02:54:53,760 --> 02:54:58,280
Speaker 1: Jesus pieces write a passage, right, So you lost your

3082
02:54:58,400 --> 02:55:03,120
Speaker 1: Jesus peace and Cutty replaced it. Yeah. I lost my

3083
02:55:03,240 --> 02:55:07,280
Speaker 1: Jesus Peace and I didn't have enough money to replace it. Um.

3084
02:55:09,800 --> 02:55:12,080
Speaker 1: And I was at a show. I was doing a

3085
02:55:12,120 --> 02:55:16,200
Speaker 1: show sold out at the Key or somewhere, uh, the

3086
02:55:16,320 --> 02:55:19,680
Speaker 1: Fine whatever theater that is on a Hollywood boulevard between

3087
02:55:20,360 --> 02:55:25,760
Speaker 1: Vine and Um where Rosco's is. And he came to

3088
02:55:25,840 --> 02:55:29,040
Speaker 1: the show and that and that was and that was

3089
02:55:29,120 --> 02:55:31,160
Speaker 1: around the time when he was when he was leaving

3090
02:55:31,240 --> 02:55:34,959
Speaker 1: good music as well, you know, um and starting his own,

3091
02:55:35,280 --> 02:55:37,640
Speaker 1: starting his own you know what I'm saying. And he

3092
02:55:37,800 --> 02:55:39,480
Speaker 1: gave me to Jesus peace and he said, you know,

3093
02:55:39,640 --> 02:55:43,040
Speaker 1: this brought me a lot of luck. And you know,

3094
02:55:43,120 --> 02:55:45,040
Speaker 1: I hope they do the same for you. So you

3095
02:55:45,120 --> 02:55:49,680
Speaker 1: watched this documentary. I didn't watch it yet. No, I

3096
02:55:49,720 --> 02:55:51,760
Speaker 1: ain't watching yet. No, let's take a shot if you

3097
02:55:51,800 --> 02:55:55,160
Speaker 1: know watching. I'm just being honest because you should have

3098
02:55:55,200 --> 02:55:57,040
Speaker 1: watched it. That's that's the homie is I am't gonna

3099
02:55:57,040 --> 02:55:59,280
Speaker 1: watch it. They speak they speak about you very holly. No,

3100
02:55:59,320 --> 02:56:01,240
Speaker 1: I ain't gonna watch Do you want a Japanese? Are

3101
02:56:01,240 --> 02:56:04,240
Speaker 1: you gonna do? What? Did they say? It's beautiful? Man, Yeah,

3102
02:56:04,280 --> 02:56:11,240
Speaker 1: it's just beautiful. Just let me ride. Yeah, come on,

3103
02:56:12,680 --> 02:56:18,560
Speaker 1: don't order. I really know ye give us some forty two?

3104
02:56:19,320 --> 02:56:21,720
Speaker 1: How do you call it four? To give him some

3105
02:56:21,920 --> 02:56:27,800
Speaker 1: four or two? Not forty two? Sean, I really appreciate you.

3106
02:56:27,959 --> 02:56:30,720
Speaker 1: Don't overdo them, bro, you don't have to do You

3107
02:56:31,400 --> 02:56:33,000
Speaker 1: don't like that you have to do them like that. Bro,

3108
02:56:33,280 --> 02:56:35,720
Speaker 1: I'm gonna watch that. I'm gonna watch the Cutty documentary though. No,

3109
02:56:35,879 --> 02:56:39,600
Speaker 1: it's it's very good. I've been Uh, that's not that's

3110
02:56:39,640 --> 02:56:41,000
Speaker 1: not what's going to take this. First before you go

3111
02:56:41,120 --> 02:56:54,320
Speaker 1: to this person, Sottles, I want you to know something

3112
02:57:06,520 --> 02:57:11,080
Speaker 1: everything that you're going through, as far as knowing your business,

3113
02:57:11,920 --> 02:57:19,240
Speaker 1: it's absolutely correct. I've done that myself. I didn't know

3114
02:57:19,280 --> 02:57:23,360
Speaker 1: about what it is. Can you probably have? I don't

3115
02:57:23,400 --> 02:57:26,800
Speaker 1: think tragic you can. You can't write about it. You

3116
02:57:26,840 --> 02:57:32,040
Speaker 1: don't think Martin might have. I think I've been through that.

3117
02:57:35,840 --> 02:57:39,640
Speaker 1: My only concern is did disconnect And I don't want

3118
02:57:39,640 --> 02:57:46,000
Speaker 1: to keep going back to this. But disconnect was you

3119
02:57:46,120 --> 02:57:50,400
Speaker 1: guys speaking, and I know you you probably said because

3120
02:57:50,440 --> 02:57:52,720
Speaker 1: you said earlier you said you didn't have his number.

3121
02:57:54,240 --> 02:58:00,040
Speaker 1: One of me if I say, understandable, but mean on

3122
02:58:00,360 --> 02:58:03,320
Speaker 1: people like Nas, knowing people like Jay, you knowing people

3123
02:58:03,360 --> 02:58:07,920
Speaker 1: like Puff. But I think he wanted from you was

3124
02:58:08,040 --> 02:58:11,640
Speaker 1: to ride with him to the end. All right, I

3125
02:58:11,760 --> 02:58:15,200
Speaker 1: think you were. I think I think I think you were.

3126
02:58:15,280 --> 02:58:19,080
Speaker 1: I think you but I think it wasn't clear to him.

3127
02:58:21,680 --> 02:58:24,160
Speaker 1: I'm not on his side, on your side, I'm on

3128
02:58:24,280 --> 02:58:27,080
Speaker 1: the side of truth. I'm on the side of positivity.

3129
02:58:28,480 --> 02:58:32,840
Speaker 1: I want your brothers to work it out. Had I

3130
02:58:33,360 --> 02:58:40,880
Speaker 1: been whatever he said, I would have tried to stop.

3131
02:58:40,959 --> 02:58:43,959
Speaker 1: But I couldn't because at first I'm thinking he's bigging

3132
02:58:44,040 --> 02:58:49,040
Speaker 1: you up. So I'm sitting there. Yes, but as a brother,

3133
02:58:50,959 --> 02:58:54,600
Speaker 1: we sat and we hung out two days later, and

3134
02:58:54,720 --> 02:58:57,119
Speaker 1: I know for a fact he didn't mean his statements.

3135
02:58:58,600 --> 02:59:03,440
Speaker 1: His statements was coming from probably a hurtful stands. As

3136
02:59:03,520 --> 02:59:14,160
Speaker 1: we all are, we're all human. None of us are impeccable, right, Well,

3137
02:59:14,200 --> 02:59:17,160
Speaker 1: you should be impeccable with your words. I respect that.

3138
02:59:18,000 --> 02:59:21,600
Speaker 1: But as I keep trying to get you to take

3139
02:59:21,640 --> 02:59:24,840
Speaker 1: a shot, you keep saying nope. I took a shot.

3140
02:59:25,040 --> 02:59:28,800
Speaker 1: Let's take another one. Let's but let me feel I'm

3141
02:59:28,840 --> 02:59:32,520
Speaker 1: just deep. This is deep statement. And what I want

3142
02:59:32,560 --> 02:59:37,440
Speaker 1: to say is the manage your brother. He loves you.

3143
02:59:37,920 --> 02:59:40,879
Speaker 1: I feel like he was and I can't speak for him,

3144
02:59:41,720 --> 02:59:43,520
Speaker 1: but I feel like he was hurt at the moment

3145
02:59:46,640 --> 02:59:52,120
Speaker 1: and he had her smoke ship is up. Smoked it

3146
02:59:52,200 --> 02:59:55,840
Speaker 1: not smoked it? Good? Good god? Yeah, I'm just joined

3147
02:59:55,840 --> 02:59:58,520
Speaker 1: the great You could just join the grades. Can you

3148
02:59:58,720 --> 03:00:06,680
Speaker 1: smoked it now? I alright, alright? Statement so saying basically

3149
03:00:06,760 --> 03:00:08,760
Speaker 1: that we need to work it out here, I really

3150
03:00:08,840 --> 03:00:14,200
Speaker 1: would like you guys to work it out, because I

3151
03:00:14,240 --> 03:00:16,200
Speaker 1: ain't know when he said that that was the worst

3152
03:00:16,200 --> 03:00:18,440
Speaker 1: thing he ever did. He wasn't saying the worst thing

3153
03:00:18,480 --> 03:00:21,080
Speaker 1: he ever did financially. And I knew that's how you

3154
03:00:21,160 --> 03:00:23,200
Speaker 1: broke it down. That's why I wanted you to bring

3155
03:00:23,240 --> 03:00:25,640
Speaker 1: it down. That's not what he meant. He meant that

3156
03:00:26,280 --> 03:00:29,200
Speaker 1: He's probably this is what I think he meant. I

3157
03:00:29,600 --> 03:00:32,520
Speaker 1: cannot think how him. This is one of his most

3158
03:00:32,680 --> 03:00:40,600
Speaker 1: loyal you know, you say he felt betrayed. That's what

3159
03:00:40,720 --> 03:00:44,320
Speaker 1: I think. I think that he was like everyone in

3160
03:00:44,400 --> 03:00:47,320
Speaker 1: the world, Big Seawan can't leave me, Big is not

3161
03:00:48,080 --> 03:00:51,080
Speaker 1: the guy that's gonna walk away. So when you said

3162
03:00:51,080 --> 03:00:55,680
Speaker 1: the worst thing, and this is me knowing about any

3163
03:00:55,680 --> 03:00:58,760
Speaker 1: of you, you looking got his facial expressions, looking at everything,

3164
03:00:59,160 --> 03:01:01,600
Speaker 1: That's what I think he meant. Do you agree with me?

3165
03:01:01,879 --> 03:01:10,039
Speaker 1: Or um? Yeah? I mean I think he just thought

3166
03:01:10,120 --> 03:01:12,520
Speaker 1: that I was not lords to him. You know, I

3167
03:01:12,600 --> 03:01:14,360
Speaker 1: don't think he meant it on it. I didn't think

3168
03:01:14,400 --> 03:01:17,080
Speaker 1: he meant his worst financial decision, because he didn't say that.

3169
03:01:17,160 --> 03:01:19,360
Speaker 1: He just said the worst decision. So that's why I

3170
03:01:19,440 --> 03:01:21,280
Speaker 1: took a personal you know what I'm saying. But then

3171
03:01:21,320 --> 03:01:23,880
Speaker 1: he explained because you know, came out of support of

3172
03:01:23,920 --> 03:01:26,920
Speaker 1: the Democrats, which just wasn't true. So therefore the statement

3173
03:01:26,959 --> 03:01:28,960
Speaker 1: has no validity to it. So to me, it's not

3174
03:01:29,080 --> 03:01:32,400
Speaker 1: even in false. So that's why you know, I'm glad

3175
03:01:32,480 --> 03:01:35,280
Speaker 1: you brought it up. Good. That's no truth to it.

3176
03:01:35,400 --> 03:01:39,240
Speaker 1: But what I can say is that there is factual

3177
03:01:40,080 --> 03:01:43,040
Speaker 1: truth that I am old money. That's a fact. That's

3178
03:01:43,040 --> 03:01:45,960
Speaker 1: a fact. That's not like a twisted fact. That's not

3179
03:01:46,040 --> 03:01:48,800
Speaker 1: like an opinion. That's not like being like you man,

3180
03:01:48,840 --> 03:01:50,280
Speaker 1: when you had to meet your CD back when he

3181
03:01:50,360 --> 03:01:53,080
Speaker 1: was at this, man, I didn't you know what I'm saying,

3182
03:01:53,920 --> 03:01:58,400
Speaker 1: how don man, you know whatever, whatever the case is. Yeah,

3183
03:01:59,320 --> 03:02:05,080
Speaker 1: there's a different bro. This is a fact. So we

3184
03:02:05,200 --> 03:02:08,960
Speaker 1: did establish that you never actually sat school to him

3185
03:02:08,959 --> 03:02:12,600
Speaker 1: as a home. You're right, and if we was to

3186
03:02:12,680 --> 03:02:22,040
Speaker 1: do that, like I'm asking you, this is gonna. I'm

3187
03:02:22,080 --> 03:02:26,280
Speaker 1: so sorry that y'all relationship is public. Right, But let's

3188
03:02:26,520 --> 03:02:31,199
Speaker 1: suppose this interview drops out, he sees it and he goes, Sean,

3189
03:02:31,320 --> 03:02:34,840
Speaker 1: let's be immallible. Uh, let's go ri some home. I

3190
03:02:34,879 --> 03:02:38,280
Speaker 1: don't think that's what's gonna happen. He's probably gonna be mad, Like,

3191
03:02:38,520 --> 03:02:40,400
Speaker 1: I don't think you say anything wrong. So I don't

3192
03:02:40,440 --> 03:02:42,480
Speaker 1: think you said I didn't say anything wrong. And you

3193
03:02:42,560 --> 03:02:47,960
Speaker 1: know what I mean. To keep it real with you,

3194
03:02:48,120 --> 03:02:50,360
Speaker 1: I have tried to text him about things before, and

3195
03:02:50,760 --> 03:02:52,560
Speaker 1: when it gets over two or three lines, he said,

3196
03:02:52,600 --> 03:02:57,080
Speaker 1: this text is too long. We ain't texting. I ain't

3197
03:02:59,760 --> 03:03:02,920
Speaker 1: so so I have tried to communicate. So I'm not

3198
03:03:02,920 --> 03:03:05,400
Speaker 1: gonna sit up here and say like I have tried

3199
03:03:05,480 --> 03:03:07,680
Speaker 1: to go into things before. I have tried to open

3200
03:03:07,800 --> 03:03:10,840
Speaker 1: up to him via that way. Now it has been

3201
03:03:10,879 --> 03:03:13,400
Speaker 1: times in person, but Bro, I'm somebody who respects the

3202
03:03:13,560 --> 03:03:16,960
Speaker 1: vibe you know, I hate what motherfucker's don't respect the vibe.

3203
03:03:17,440 --> 03:03:19,760
Speaker 1: But let me when I'm in the studio, this is

3204
03:03:19,800 --> 03:03:21,600
Speaker 1: not the time to bring up in a fucking business.

3205
03:03:21,640 --> 03:03:24,080
Speaker 1: To me, I hate it. A matter of fact, I

3206
03:03:24,200 --> 03:03:29,160
Speaker 1: hate it when when I am when I'm sucking my girl, bro,

3207
03:03:29,560 --> 03:03:32,280
Speaker 1: when I'm in the pussy, don't talk to me about

3208
03:03:32,360 --> 03:03:36,600
Speaker 1: my mom. This is not the time for that, I

3209
03:03:36,640 --> 03:03:39,880
Speaker 1: don't think. So don't talk to me about something that

3210
03:03:39,879 --> 03:03:41,800
Speaker 1: ain't got nothing to do with something. So I'm gonna

3211
03:03:41,920 --> 03:03:47,960
Speaker 1: vibe musically. Sometimes when you bring up some ship, it

3212
03:03:48,040 --> 03:03:53,880
Speaker 1: throws the vibe ofll no but for you. But what

3213
03:03:54,000 --> 03:03:56,200
Speaker 1: I'm saying is I haven't had the opportunity to meet

3214
03:03:56,240 --> 03:03:57,480
Speaker 1: and sit and talking with him. I haven't had an

3215
03:03:57,480 --> 03:04:00,600
Speaker 1: opportunity since I've known that. For a fact, people may

3216
03:04:00,640 --> 03:04:03,080
Speaker 1: have thought that I leave that information. When when Charlotta

3217
03:04:03,080 --> 03:04:04,640
Speaker 1: Magne first said the amount of money he owed me,

3218
03:04:04,680 --> 03:04:08,560
Speaker 1: I hadn't thought that. I called Charlotte Maagne. I called

3219
03:04:08,600 --> 03:04:10,280
Speaker 1: Charlotte Magne. It was like, who the fun told you that?

3220
03:04:11,080 --> 03:04:14,520
Speaker 1: And then when I talked to somebody on you know

3221
03:04:14,640 --> 03:04:17,640
Speaker 1: who was representing at the time, they was like, are

3222
03:04:17,680 --> 03:04:20,040
Speaker 1: you leaking in? I'm like, bro, I didn't leave the ship.

3223
03:04:20,920 --> 03:04:23,039
Speaker 1: But sometimes when I say things, I don't think people

3224
03:04:23,440 --> 03:04:27,760
Speaker 1: hear me right, Like I didn't leave you. I'm not

3225
03:04:27,879 --> 03:04:30,040
Speaker 1: lying to you. I would I would never lie to

3226
03:04:30,160 --> 03:04:31,920
Speaker 1: know about no man in my life, about no ship

3227
03:04:32,040 --> 03:04:36,440
Speaker 1: like that, I said. I didn't say it after after

3228
03:04:36,959 --> 03:04:39,640
Speaker 1: Charlottagne leaked did have you ever been in the same

3229
03:04:39,720 --> 03:04:41,560
Speaker 1: room with y'all? And then I said on the song

3230
03:04:41,640 --> 03:04:44,199
Speaker 1: with BENI the butcher as labels as upbees, that only

3231
03:04:44,520 --> 03:04:47,480
Speaker 1: MS or something like that. But that's when I, honestly,

3232
03:04:47,520 --> 03:04:49,959
Speaker 1: that's when I thought Universal was owing me some money too,

3233
03:04:51,080 --> 03:04:52,760
Speaker 1: you know what I'm saying. That's when when that audit

3234
03:04:52,879 --> 03:04:55,360
Speaker 1: was going on, because I'm like, yo, I need these MS.

3235
03:04:55,400 --> 03:04:57,280
Speaker 1: And then later on it came out after they did

3236
03:04:57,400 --> 03:05:03,480
Speaker 1: they researched that that money was paid m hm already

3237
03:05:03,680 --> 03:05:06,920
Speaker 1: the money was already paid out. And but my contract,

3238
03:05:07,000 --> 03:05:09,160
Speaker 1: instead of getting my money paid directly to me, which

3239
03:05:09,200 --> 03:05:11,280
Speaker 1: I would do if I signed an artist any woralties

3240
03:05:11,320 --> 03:05:15,440
Speaker 1: that they're old get directly from the distribute distribution, he

3241
03:05:15,560 --> 03:05:18,800
Speaker 1: had to go you know, like some cash money type ship.

3242
03:05:18,879 --> 03:05:20,560
Speaker 1: You know what I'm saying, Like it goes to them

3243
03:05:20,600 --> 03:05:24,480
Speaker 1: and they pay you out. So let's just say Easter Sunday,

3244
03:05:29,240 --> 03:05:39,760
Speaker 1: Oh white, Yeah, bunnies everywhere. Okay, what's that your call?

3245
03:05:40,200 --> 03:05:46,680
Speaker 1: I had a car bones incident. Well nuts, wal hunts

3246
03:05:46,680 --> 03:05:49,360
Speaker 1: and bunnies, wal nuts and bunny What are you talking about?

3247
03:05:50,400 --> 03:05:53,720
Speaker 1: But let's just write with it. He's going some and

3248
03:05:54,240 --> 03:05:57,400
Speaker 1: meet up Easter Sunday when they gotta wait that long.

3249
03:05:57,520 --> 03:05:59,440
Speaker 1: First of all, I don't know. I just feel like

3250
03:05:59,520 --> 03:06:04,160
Speaker 1: that's when it is coming back. Just for real. Yeah,

3251
03:06:04,280 --> 03:06:10,320
Speaker 1: meet up Easter Sunday, you expressed, because I imagine how

3252
03:06:10,400 --> 03:06:14,119
Speaker 1: you just spoke to us. You know, this cameras is here.

3253
03:06:14,200 --> 03:06:21,560
Speaker 1: You you're not You're not oblivious these cameras here. But

3254
03:06:22,320 --> 03:06:26,879
Speaker 1: your speech to Kanye might be different. Huh on Easter Sunday.

3255
03:06:30,600 --> 03:06:31,960
Speaker 1: What would you say to me if you get the

3256
03:06:32,040 --> 03:06:35,480
Speaker 1: opportunity to say, yo, listen, brother, it ain't nothing personal.

3257
03:06:35,840 --> 03:06:41,600
Speaker 1: Who would you say? Well, I wouldn't be drunk saying

3258
03:06:41,640 --> 03:06:45,200
Speaker 1: it one maybe he's drove. What I would say is that,

3259
03:06:46,959 --> 03:06:55,480
Speaker 1: uh that I I try my best to be loyal

3260
03:06:55,560 --> 03:06:59,160
Speaker 1: to you, man. That's it. Man. I called every time

3261
03:06:59,200 --> 03:07:02,360
Speaker 1: you called me, I was here. It's like, if you

3262
03:07:02,440 --> 03:07:04,119
Speaker 1: wanted my support, all you have to do is call

3263
03:07:04,240 --> 03:07:06,880
Speaker 1: me man like I would have been there every time.

3264
03:07:07,240 --> 03:07:11,000
Speaker 1: I'm gladly supporting you is a dream of mine. Bro,

3265
03:07:12,080 --> 03:07:14,959
Speaker 1: You're my idol. You know what I'm saying. That's all

3266
03:07:15,000 --> 03:07:17,920
Speaker 1: I needed was just a communication. But I feel like

3267
03:07:17,959 --> 03:07:23,080
Speaker 1: I got treated more like a um as a thing

3268
03:07:23,840 --> 03:07:25,880
Speaker 1: and then more than more so than the person. You

3269
03:07:25,920 --> 03:07:29,040
Speaker 1: know what I'm saying, Like the respect ain't there. And

3270
03:07:31,280 --> 03:07:35,400
Speaker 1: you know, I would just say, like Bro, like I

3271
03:07:35,520 --> 03:07:39,480
Speaker 1: need my money too, I need my fucking money man,

3272
03:07:39,560 --> 03:07:42,440
Speaker 1: because it's not money that I'm asking for, it's it's

3273
03:07:42,480 --> 03:07:45,280
Speaker 1: my money because you oh yeah, ain't nothing wrong with that.

3274
03:07:46,000 --> 03:07:49,480
Speaker 1: And I would say that, you know, I don't know

3275
03:07:49,560 --> 03:07:53,480
Speaker 1: what else i'd say, but something like that. Yeah, it's

3276
03:07:53,520 --> 03:07:56,280
Speaker 1: a beautiful goddamn thing. Match on, I just want to

3277
03:07:56,320 --> 03:07:58,000
Speaker 1: thank you. What come you do? Like it? On the shot?

3278
03:07:58,160 --> 03:08:01,280
Speaker 1: I feel like it was one more shot. Yeah, a

3279
03:08:01,360 --> 03:08:04,039
Speaker 1: little you got Indie in your family because you're You're

3280
03:08:04,080 --> 03:08:06,960
Speaker 1: head looked really like like Indian. Like you know what

3281
03:08:07,320 --> 03:08:15,000
Speaker 1: I think I do? Yeah, my grand my granddad's I got.

3282
03:08:15,120 --> 03:08:17,879
Speaker 1: I got a lot of Nigerian though I'm sixty percent

3283
03:08:18,400 --> 03:08:22,000
Speaker 1: Nigerian here like a lot of Nigerian. You know what

3284
03:08:22,040 --> 03:08:26,440
Speaker 1: I'm saying uh, some Irish and uh and probably a

3285
03:08:26,480 --> 03:08:29,240
Speaker 1: little bit in Indian. I would say my granddad definitely

3286
03:08:29,520 --> 03:08:31,560
Speaker 1: was like I had a real Indian look to him,

3287
03:08:31,640 --> 03:08:34,960
Speaker 1: and my grandma and my dad's side too. So I

3288
03:08:35,000 --> 03:08:37,360
Speaker 1: don't know who knows, are you what about? You know?

3289
03:08:37,640 --> 03:08:42,160
Speaker 1: Puerto Rican Okay, totally different thing, you know. You know,

3290
03:08:42,320 --> 03:08:44,720
Speaker 1: mother fucker's bet to say they make for Indian. Yeah,

3291
03:08:45,480 --> 03:08:48,280
Speaker 1: you like we cut people with racist. It's a little

3292
03:08:48,320 --> 03:08:52,039
Speaker 1: different right in Puerto Rican Land. Yeah, hey, it's all

3293
03:08:52,240 --> 03:08:54,960
Speaker 1: in Puerto Rican Land, yo, you know listen, but hey,

3294
03:08:55,000 --> 03:08:56,920
Speaker 1: the most thing I am is Nigerian shoutouts to the

3295
03:08:57,040 --> 03:09:07,160
Speaker 1: Nigerian Yeah, Nigerian head, saw a loutles soluttle what you

3296
03:09:07,200 --> 03:09:08,840
Speaker 1: got to say before you would get about it here.

3297
03:09:10,280 --> 03:09:15,920
Speaker 1: I gotta say that I appreciate y'all. We be sad.

3298
03:09:18,080 --> 03:09:22,680
Speaker 1: We'll get a song together. Right, you're gonna make up? Yeah? Yeah,

3299
03:09:22,720 --> 03:09:24,920
Speaker 1: I'm glad we talked about that because I was really confused.

3300
03:09:25,560 --> 03:09:27,360
Speaker 1: You I didn't know what then was going on? Yeah

3301
03:09:27,400 --> 03:09:33,080
Speaker 1: I did. Yeah, Yeah, I'm very petty, um for your

3302
03:09:33,160 --> 03:09:37,080
Speaker 1: last what we want to say? The people to my people?

3303
03:09:39,480 --> 03:09:42,000
Speaker 1: Rings on? Right, you got two rings on? You're not

3304
03:09:42,120 --> 03:09:46,200
Speaker 1: taking do right, No, not yet, but what is that?

3305
03:09:46,320 --> 03:09:49,480
Speaker 1: What kind of rockets? That's an opal right here? What Opal?

3306
03:09:49,840 --> 03:09:54,400
Speaker 1: Australian Opal? And this is like Citrin and this ship

3307
03:09:54,520 --> 03:09:59,160
Speaker 1: like I forgot what this outer two rocks are, but

3308
03:09:59,240 --> 03:10:01,720
Speaker 1: it's something something rare. It's like some little oozy bird

3309
03:10:01,760 --> 03:10:07,760
Speaker 1: ship ship. No, that was a pink diamond. Okay, that's different.

3310
03:10:07,840 --> 03:10:10,080
Speaker 1: It's just not the pink diamond. It's not the pink diamond.

3311
03:10:10,520 --> 03:10:12,240
Speaker 1: It costs more than the diamond, but it's it's not

3312
03:10:12,360 --> 03:10:16,280
Speaker 1: a diamond though. Yeah, ok yeah, that was a gift

3313
03:10:16,320 --> 03:10:23,880
Speaker 1: too from person from where. It was a Valentine's Day gift.

3314
03:10:31,360 --> 03:10:33,080
Speaker 1: Who else would it be from? Here? You know it's

3315
03:10:33,120 --> 03:10:38,879
Speaker 1: from who else would it be from? Man? Yeah? Why? Why?

3316
03:10:39,040 --> 03:10:41,600
Speaker 1: Why you act like you're not in love though? Man?

3317
03:10:41,720 --> 03:10:44,160
Speaker 1: Come on man, when were talking about man? We can't

3318
03:10:44,200 --> 03:10:47,520
Speaker 1: get sister stiff, I didn't say that cool I'm in love.

3319
03:10:48,280 --> 03:10:51,320
Speaker 1: I like saying I'm in love a real nick I'm

3320
03:10:51,360 --> 03:10:59,440
Speaker 1: in love ship sounds good, don't it. I don't hard

3321
03:10:59,520 --> 03:11:02,800
Speaker 1: that ship. I can see it in your face. You

3322
03:11:02,800 --> 03:11:04,800
Speaker 1: don't want to go. You don't want go on olse,

3323
03:11:04,959 --> 03:11:10,120
Speaker 1: you want to stay honestly, to be a rail with you.

3324
03:11:13,000 --> 03:11:16,680
Speaker 1: I don't feel like talking about it. I respect that

3325
03:11:16,800 --> 03:11:21,959
Speaker 1: as well, But I mean, but you know you ain't

3326
03:11:21,959 --> 03:11:25,440
Speaker 1: I ain't saying you wrong. I like that. I like that.

3327
03:11:26,080 --> 03:11:30,640
Speaker 1: I like that. I'm gonna listen to me. I'm so

3328
03:11:30,800 --> 03:11:33,200
Speaker 1: glad you came here. I'm so glad you sat down

3329
03:11:33,280 --> 03:11:36,520
Speaker 1: with us, because one thing for sure, do things for certain.

3330
03:11:38,160 --> 03:11:40,160
Speaker 1: I want people to understand and know that we did

3331
03:11:40,240 --> 03:11:45,160
Speaker 1: not invite you here because of a certain statement that

3332
03:11:45,360 --> 03:11:48,280
Speaker 1: was made because of you. We invited you here because

3333
03:11:48,360 --> 03:11:51,720
Speaker 1: you deserve to be here prior to that, after that,

3334
03:11:51,920 --> 03:11:57,640
Speaker 1: and we're going to continue to support our legends. Are

3335
03:11:57,760 --> 03:12:01,960
Speaker 1: people who who who needs to be supported, and you're

3336
03:12:02,000 --> 03:12:07,520
Speaker 1: one of them. And we respect you. We hope and

3337
03:12:07,720 --> 03:12:11,960
Speaker 1: honor and wish if you and the brother work it out.

3338
03:12:12,520 --> 03:12:14,360
Speaker 1: Got nothing to really do with us, and ain't it

3339
03:12:14,480 --> 03:12:18,039
Speaker 1: ain't even nothing. It ain't even nothing to work out. Really,

3340
03:12:18,160 --> 03:12:21,280
Speaker 1: I mean, I got love for him, and you know

3341
03:12:22,280 --> 03:12:26,480
Speaker 1: I ain't gonna work out. It's just business. Handle the business.

3342
03:12:26,680 --> 03:12:30,520
Speaker 1: And but I should talk to him about that though,

3343
03:12:30,720 --> 03:12:34,959
Speaker 1: one on one. I you know, as a person that's

3344
03:12:34,959 --> 03:12:38,760
Speaker 1: been in this business, you know, twenty some our years.

3345
03:12:39,520 --> 03:12:42,120
Speaker 1: That's the biggest thing I ever regret. It was just

3346
03:12:42,400 --> 03:12:44,760
Speaker 1: not pulling my homeie to the side for certain things.

3347
03:12:45,080 --> 03:12:47,360
Speaker 1: But I'm not perfect though, bro, Yeah, no, no, no,

3348
03:12:47,520 --> 03:12:49,800
Speaker 1: I understand people all the candle to me like I'm perfect.

3349
03:12:49,840 --> 03:12:52,120
Speaker 1: Sometimes I see a lot of criticism about me. Sometimes

3350
03:12:52,160 --> 03:12:54,039
Speaker 1: they'd be like, oh, you could have said a better line,

3351
03:12:54,440 --> 03:12:56,959
Speaker 1: this line got a document and at all these opinions,

3352
03:12:57,000 --> 03:12:59,039
Speaker 1: and it's like, at least time out here saying at

3353
03:12:59,120 --> 03:13:02,040
Speaker 1: least time I hear trying, you know, but you know,

3354
03:13:02,200 --> 03:13:04,440
Speaker 1: holding that we just gotta do one more shot before. No, no, no,

3355
03:13:04,680 --> 03:13:08,000
Speaker 1: come on, you gotta you can't do it for you

3356
03:13:08,400 --> 03:13:12,640
Speaker 1: because this is hip hop. I want to say something.

3357
03:13:12,959 --> 03:13:14,320
Speaker 1: I want to say more shot. No, no, no, I

3358
03:13:14,360 --> 03:13:15,760
Speaker 1: want to say to my people that I mean, you

3359
03:13:15,840 --> 03:13:18,800
Speaker 1: gotta go. You go, corepl Gables. We are gonna We're

3360
03:13:18,800 --> 03:13:25,600
Speaker 1: going to Calli's house. We're going the same part take

3361
03:13:25,640 --> 03:13:29,080
Speaker 1: on one shot. Brother. Hello, Hello, Hello. I want to

3362
03:13:29,120 --> 03:13:32,360
Speaker 1: say to my people, thanks for fucking riding with me, man,

3363
03:13:32,560 --> 03:13:36,119
Speaker 1: Thanks for holding me down, Thanks for defending me, Thanks

3364
03:13:36,200 --> 03:13:41,480
Speaker 1: for listening to me when motherfucker's may say crazy things

3365
03:13:41,560 --> 03:13:44,040
Speaker 1: about me. Thanks for seeing who I really am. Thanks

3366
03:13:44,040 --> 03:13:45,640
Speaker 1: for being on the ride with me and noticing that

3367
03:13:45,680 --> 03:13:48,400
Speaker 1: I'm somebody who makes all sorts of different types of music.

3368
03:13:48,480 --> 03:13:50,480
Speaker 1: Thanks for hopping on that journey with me, Thanks for

3369
03:13:50,600 --> 03:13:53,800
Speaker 1: changing my life, Thanks for giving me the opportunity to

3370
03:13:53,879 --> 03:13:56,360
Speaker 1: buy my mom a house, and from my grandma to

3371
03:13:56,400 --> 03:13:59,080
Speaker 1: see that before she passed away. It's because of y'all,

3372
03:13:59,200 --> 03:14:01,640
Speaker 1: you know what I'm saying. Thanks to everybody who ever

3373
03:14:01,720 --> 03:14:04,560
Speaker 1: supported me. Thanks to the listeners, thanks to my city

3374
03:14:04,640 --> 03:14:08,040
Speaker 1: de Trait, thanks to my my family unit, thanks to

3375
03:14:08,120 --> 03:14:15,440
Speaker 1: my team, thanks to Kanye, thanks to uh, everybody who

3376
03:14:15,520 --> 03:14:17,160
Speaker 1: ever helped me get to where I'm at. Man, I

3377
03:14:17,240 --> 03:14:20,800
Speaker 1: appreciate it more than anything. All Right, we take it

3378
03:14:20,879 --> 03:14:23,760
Speaker 1: one last shot. That's it, and we're gonna go to

3379
03:14:23,800 --> 03:14:26,800
Speaker 1: the same party. Don't worry about it. I mean, um,

3380
03:14:27,040 --> 03:14:31,120
Speaker 1: come on, come on. You know I expect y'all man. Yeah,

3381
03:14:31,240 --> 03:14:35,320
Speaker 1: I expect my Detroit lines man man trying to think

3382
03:14:35,600 --> 03:14:38,280
Speaker 1: anything else. We didn't on his team. We talked about

3383
03:14:38,280 --> 03:14:44,240
Speaker 1: the movie. Did Yeah, it's clear. I think we're pretty clear.

3384
03:14:44,680 --> 03:14:49,480
Speaker 1: You were clear. It was definitely an embarrassing Oney, you're

3385
03:14:49,520 --> 03:14:52,959
Speaker 1: just gonna be like, man, what's the no. You're good

3386
03:14:53,080 --> 03:14:56,440
Speaker 1: broa because you know why you're human. I'm human, bro.

3387
03:14:56,680 --> 03:14:59,320
Speaker 1: That's the thing about it is. And I think that's

3388
03:14:59,360 --> 03:15:02,080
Speaker 1: the thing about what he said, was he was being human.

3389
03:15:02,720 --> 03:15:10,080
Speaker 1: He wasn't. It was. It was human. That wasn't. I'm

3390
03:15:10,080 --> 03:15:11,480
Speaker 1: gonna tell you, I'm gonna keep it real with you,

3391
03:15:12,120 --> 03:15:13,840
Speaker 1: and I'm done talking about this. This is the last

3392
03:15:13,840 --> 03:15:15,800
Speaker 1: thing you're gonna say about this. Take a shot first

3393
03:15:17,000 --> 03:15:23,400
Speaker 1: after No, let me get this thought. Okay, I'm in that. Actually,

3394
03:15:23,800 --> 03:15:25,800
Speaker 1: let me think about what the fun was I saying,

3395
03:15:26,760 --> 03:15:29,960
Speaker 1: Oh the text text, No, not the text, what he said,

3396
03:15:30,720 --> 03:15:36,840
Speaker 1: it just wasn't. It was. It was personal, bro, It

3397
03:15:36,959 --> 03:15:40,120
Speaker 1: was personal. It wasn't just like him being human. It

3398
03:15:40,280 --> 03:15:44,560
Speaker 1: was like a personal shot to me. It was. Let

3399
03:15:44,640 --> 03:15:48,240
Speaker 1: you finish. I have not taken one personal shot to him.

3400
03:15:48,280 --> 03:15:52,200
Speaker 1: I've only strictly talked about business and about how how

3401
03:15:52,280 --> 03:15:54,000
Speaker 1: much I appreciate it for changing my life. I know

3402
03:15:54,080 --> 03:15:57,680
Speaker 1: the opportunity he gave me. I'm not disregarding that. But

3403
03:15:57,920 --> 03:16:05,800
Speaker 1: that's not I mean, okay, I guess, yeah, he's human.

3404
03:16:05,920 --> 03:16:09,480
Speaker 1: It's human. Yeah, it's human. He's also a man of God, though,

3405
03:16:09,760 --> 03:16:12,520
Speaker 1: and I and I and maybe you know I read

3406
03:16:12,600 --> 03:16:14,360
Speaker 1: the four agreements, and one of them is to not

3407
03:16:14,560 --> 03:16:20,840
Speaker 1: have um any assumptions and expectations. So maybe I shouldn't

3408
03:16:20,840 --> 03:16:28,040
Speaker 1: expect him to be a man of God or you

3409
03:16:28,120 --> 03:16:31,360
Speaker 1: know somebody who wouldn't say, well, let me just be clear,

3410
03:16:31,520 --> 03:16:33,800
Speaker 1: a man of God. No, I wasn't done. He is

3411
03:16:33,840 --> 03:16:35,440
Speaker 1: a man of God. We all are a man of guys,

3412
03:16:36,120 --> 03:16:38,280
Speaker 1: a man of guy who would think to not say that,

3413
03:16:38,840 --> 03:16:42,480
Speaker 1: you know what I'm saying. But also you could also

3414
03:16:42,560 --> 03:16:45,760
Speaker 1: be cutting the moment, calling the moment, and let's just

3415
03:16:45,840 --> 03:16:48,600
Speaker 1: be clear. A man of God, he is a man

3416
03:16:48,680 --> 03:16:54,039
Speaker 1: of God. God says, God says, I'm I'm the God.

3417
03:16:54,160 --> 03:16:57,320
Speaker 1: I'm the only God the worship nobody else, no one else. Right.

3418
03:16:59,120 --> 03:17:04,640
Speaker 1: That's the most petty is fucking thing in existence. Let's

3419
03:17:04,640 --> 03:17:06,960
Speaker 1: think about it. Let's think about if you know you

3420
03:17:07,200 --> 03:17:10,560
Speaker 1: the man in this world, why should I even tell

3421
03:17:10,680 --> 03:17:14,320
Speaker 1: you not to fun with someone else? That's petti eisiness.

3422
03:17:14,760 --> 03:17:19,320
Speaker 1: So being petty sometimes it's being of God. I killed that.

3423
03:17:20,720 --> 03:17:29,120
Speaker 1: No no, no, no, no, no no no, because there

3424
03:17:29,320 --> 03:17:32,400
Speaker 1: is no greater God, there is no He is the Almighty.

3425
03:17:32,600 --> 03:17:34,720
Speaker 1: That's what I said. So he knows. So when people

3426
03:17:34,800 --> 03:17:37,520
Speaker 1: get false gods, these false prophets, when people follow people

3427
03:17:37,600 --> 03:17:40,720
Speaker 1: like gods, that is not godly. In fact, that is

3428
03:17:41,760 --> 03:17:45,360
Speaker 1: that is ungoly. These people we are all we are

3429
03:17:45,440 --> 03:17:48,520
Speaker 1: all God body. We are all made in the image

3430
03:17:48,560 --> 03:17:50,520
Speaker 1: of God and made by God. The only difference is

3431
03:17:50,879 --> 03:17:53,360
Speaker 1: God made us. We didn't make God. So God is

3432
03:17:53,520 --> 03:17:57,640
Speaker 1: the Almighty, the praiser. So what I'm saying is, no,

3433
03:17:57,959 --> 03:18:02,760
Speaker 1: the pettiness, pettiness doesn't exist because that is not God

3434
03:18:02,879 --> 03:18:05,960
Speaker 1: is only love. That's true, that's true. But pettiness and

3435
03:18:06,040 --> 03:18:10,560
Speaker 1: selfishness is a part of God. Selfishness when you say

3436
03:18:11,400 --> 03:18:14,760
Speaker 1: you could only praise me and that's selfish, No, that's

3437
03:18:14,760 --> 03:18:19,240
Speaker 1: not selfish. Selfish, bro, that is not selfish. Why would

3438
03:18:19,240 --> 03:18:21,280
Speaker 1: that be selfish? We should not be drinking and talking

3439
03:18:21,360 --> 03:18:26,080
Speaker 1: religion right now, right now? All right, we gotta go

3440
03:18:26,320 --> 03:18:29,680
Speaker 1: part two then, because another to because look, that's a

3441
03:18:29,840 --> 03:18:34,160
Speaker 1: that's a deeper discussions, deep and in my opinion, my opinion,

3442
03:18:36,040 --> 03:18:40,560
Speaker 1: when you're selfish sometimes and when you're petty, you are

3443
03:18:40,560 --> 03:18:44,720
Speaker 1: a reflection of God. No, that is definitely not Who's God.

3444
03:18:45,040 --> 03:18:47,280
Speaker 1: That is devilish, bro, that is like who God is.

3445
03:18:47,360 --> 03:18:49,440
Speaker 1: That though, that's the problem we're gonna have right now.

3446
03:18:50,720 --> 03:18:53,920
Speaker 1: I don't want to petty God, but your God is

3447
03:18:53,959 --> 03:18:58,240
Speaker 1: petty God. Says worship and no one else every God?

3448
03:18:58,879 --> 03:19:06,120
Speaker 1: Are you Christian? Are you both? Both? Both scriptions? Karan?

3449
03:19:08,240 --> 03:19:11,879
Speaker 1: Because people were praising false guys, because people were praising

3450
03:19:11,920 --> 03:19:15,000
Speaker 1: people as guys. And is that right? Guy? Ship bro

3451
03:19:15,080 --> 03:19:19,800
Speaker 1: this is the wrong conversation, right to that's not right. Yeah,

3452
03:19:19,920 --> 03:19:24,959
Speaker 1: this is true. What cycles would beat brocs false experience.

3453
03:19:28,000 --> 03:19:32,480
Speaker 1: It's trading false guys. And we are done this interview. Yes,

3454
03:19:33,120 --> 03:19:35,960
Speaker 1: you're taking another shot. That's it's never ending interview. Brothers.

3455
03:19:38,240 --> 03:19:40,400
Speaker 1: This is it. We're on the same party. Come on,

3456
03:19:40,879 --> 03:19:44,240
Speaker 1: what was I gonna say? Though? See you continuing years ahead?

3457
03:19:44,520 --> 03:19:46,240
Speaker 1: Now that's it. That's all I got to say. One

3458
03:19:46,280 --> 03:19:52,000
Speaker 1: more shot and that's it. Yeah, I didn't sign off.

3459
03:19:53,000 --> 03:19:55,480
Speaker 1: We don't we love you all. That's that's, that's what

3460
03:19:55,600 --> 03:19:59,120
Speaker 1: it is. Look on, take one look at my shot.

3461
03:19:59,560 --> 03:20:01,879
Speaker 1: Take a little a shot and that's it. That's that's

3462
03:20:04,160 --> 03:20:06,240
Speaker 1: You've been sitting there with that whole shot. No, no, no,

3463
03:20:06,360 --> 03:20:09,840
Speaker 1: he just poured it from me. That's a double shot.

3464
03:20:10,400 --> 03:20:12,320
Speaker 1: I told you not to do at kind of shots. Yeah,

3465
03:20:12,320 --> 03:20:14,240
Speaker 1: I ain't gonna lie. You talk like it wraps. He's like,

3466
03:20:14,320 --> 03:20:17,520
Speaker 1: that's a double shot, just like how you wrapped. Yeah,

3467
03:20:17,600 --> 03:20:23,560
Speaker 1: I love it solo, So we appreciate you brother, for real. No, no,

3468
03:20:23,680 --> 03:20:26,879
Speaker 1: not for real. That's what I showed was about. Our

3469
03:20:26,879 --> 03:20:30,400
Speaker 1: show was about giving people flowers to their face. Um.

3470
03:20:30,959 --> 03:20:33,920
Speaker 1: We made sure, we want to make sure this wasn't

3471
03:20:33,920 --> 03:20:37,320
Speaker 1: of a bottle show. And I loved how you asked

3472
03:20:37,360 --> 03:20:42,880
Speaker 1: it answered every car you question, and you kept your cool.

3473
03:20:43,480 --> 03:20:45,840
Speaker 1: You didn't get an emotional at one point, and that

3474
03:20:46,000 --> 03:20:48,120
Speaker 1: was when I was scared of. I thought when when

3475
03:20:49,040 --> 03:20:51,440
Speaker 1: you said he finally agreed to doing Dream Chance, I

3476
03:20:51,480 --> 03:20:53,800
Speaker 1: thought you was gonna be here and be emotional. I

3477
03:20:54,000 --> 03:20:59,119
Speaker 1: was because emotions weakness. I was. I got too much.

3478
03:20:59,480 --> 03:21:01,920
Speaker 1: I can't be caring anger around. But you know I

3479
03:21:02,000 --> 03:21:04,440
Speaker 1: probably got passionate about speaking about these things because I

3480
03:21:04,520 --> 03:21:07,160
Speaker 1: have been carrying them around. But that's not anger. That's

3481
03:21:07,240 --> 03:21:09,600
Speaker 1: just I gotta come here and stand up for man,

3482
03:21:10,040 --> 03:21:12,520
Speaker 1: you know, the same way my grandma would have came

3483
03:21:12,600 --> 03:21:14,960
Speaker 1: up and stood up for herself. I gotta stand up

3484
03:21:14,959 --> 03:21:17,080
Speaker 1: for myself, you know. So that just is what it

3485
03:21:17,160 --> 03:21:21,240
Speaker 1: is in my bloodline. I'm just a motherfucking black man

3486
03:21:21,320 --> 03:21:25,359
Speaker 1: in America. I'll love the work anything. In any discrepancies

3487
03:21:25,400 --> 03:21:30,280
Speaker 1: I ever got out, I don't got nuther love that's

3488
03:21:30,320 --> 03:21:32,320
Speaker 1: what the funk it is man. That's it brother, that's

3489
03:21:32,360 --> 03:21:39,879
Speaker 1: it got dead. Thanks for joining us for another episode

3490
03:21:39,920 --> 03:21:42,280
Speaker 1: of Drink Champs hosted by Yours truly d J E

3491
03:21:42,440 --> 03:21:44,800
Speaker 1: f F and n r E. Please make sure to

3492
03:21:44,840 --> 03:21:47,360
Speaker 1: follow us on all our socials. Let's add drink Champs

3493
03:21:47,400 --> 03:21:50,600
Speaker 1: across all platforms at the Real Noriega and I g

3494
03:21:51,320 --> 03:21:54,440
Speaker 1: at Noriega on Twitter, mine is at Who's Crazy on

3495
03:21:54,600 --> 03:21:58,480
Speaker 1: I g at dj e FN on Twitter, and most importantly,

3496
03:21:58,480 --> 03:22:00,920
Speaker 1: stay up to date with the latest relief, says news

3497
03:22:01,280 --> 03:22:09,520
Speaker 1: and merged by going to drink Champs dot com. For

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Speaker 1: more podcasts from my heart Radio, visit the iHeart Radio app,

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Speaker 1: Apple podcast, or wherever you listen to your favorite shows.