WEBVTT - The things you find amusing astound me sometimes (S3 E8 "Let the Games Begin”)

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<v Speaker 1>I am all in you, I am all in with

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<v Speaker 1>Scott Patterson and I heart Radio podcast everybody. Hey, Scott Patterson,

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<v Speaker 1>I I'm all in podcasts, I heart Radio one to

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<v Speaker 1>Live in Productions. I am joined by Tara, Tara s

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<v Speaker 1>Danielle Romo, Amy Sugarman, and we're here to talk about

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<v Speaker 1>Let the Games begin. Season three, episode eight. It was

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<v Speaker 1>a rip snorting affair. It was filled with Richard and

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<v Speaker 1>Emily and Emily and Richard and Richard and Emily and

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<v Speaker 1>Laurel I and Rory and Rory and Richard and Emily

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<v Speaker 1>and Laurel I. And it was like it was watching

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<v Speaker 1>it was it was like watching Martina Navratalova, Venus Williams

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<v Speaker 1>playing John McEnroe and Evan Lendel. It was the ball,

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<v Speaker 1>the ball, an important person, who who's important? Jess and

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<v Speaker 1>Jeff and and there's Jess, Jess, Yes, there's the Rafael

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<v Speaker 1>Nadal taking the court pound saying Hey, I'm over here,

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<v Speaker 1>I'm pounding the ball. I love it. I did it

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<v Speaker 1>was it for me. It was a very relaxing. Even

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<v Speaker 1>though there was a lot of drama and a lot

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<v Speaker 1>of back and forth, it was it was just really

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<v Speaker 1>comforting relaxing for me to watch this, UM great episode,

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<v Speaker 1>and I think it was Richard at his best because

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<v Speaker 1>he's just so so filled with excitement and energy and

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<v Speaker 1>he's wanting to help and and I really just took

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<v Speaker 1>the ride with him. You know, I really ask you

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<v Speaker 1>that right from the start before we start going through it,

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<v Speaker 1>in order for all of you to say, was Richard

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<v Speaker 1>right or wrong? I think they were both right and

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<v Speaker 1>they were both wrong, and I think that therefore they

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<v Speaker 1>were both right right. A wrong and a right don't

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<v Speaker 1>doesn't make it wrong. It makes it right in my

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<v Speaker 1>mathematical calculation. With interesting. Listen, I've got a chalkboard over

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<v Speaker 1>here if you'd like to know, Um, what's that guy's name? Pythagory, Pythagory,

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<v Speaker 1>Charlie Pythagoram. Yeah, that's him. He lives down the street. Anyway, UM,

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<v Speaker 1>I don't you gotta nobody trusts Laurela. I see her

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<v Speaker 1>point of view. She's pissed she didn't get trusted again.

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<v Speaker 1>She's treated like the red headed stepchild. And it's like Jesus,

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<v Speaker 1>when are you going to see me for who I

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<v Speaker 1>really am? And you are overstepping your bounds and you

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<v Speaker 1>are not collaborating with me. You are not liaising with me.

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<v Speaker 1>What on earth are you thinking about? I mean, it

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<v Speaker 1>even got to the point where where Rory got piste

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<v Speaker 1>at him, and that's big. She was the most right

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<v Speaker 1>because she wanted to She would have done it, but

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<v Speaker 1>she wanted to look right and she wanted to be prepared.

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<v Speaker 1>So if everybody's right and wrong, she's the most right

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<v Speaker 1>saying tell me the truth. So I have the opportunity

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<v Speaker 1>to maximize. Listen, this is a big sleep train. Before

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<v Speaker 1>it gets too far out the station, let's do the synopsis,

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<v Speaker 1>all right, you got it? So this, like Scott said,

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<v Speaker 1>season three, episode eight, let the Games to begin air

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<v Speaker 1>dating November nineteen two, and the synopsis is after the

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<v Speaker 1>breakup with Dean Rory and just heat up the heat up,

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<v Speaker 1>they mean makeout. Richard convinces his family to go on

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<v Speaker 1>day trip to Yale, which ends up being a big

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<v Speaker 1>blowout fight with Loralai and Luke becomes extra protective or

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<v Speaker 1>over Rory because of Jess. That was a great talk.

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<v Speaker 1>A little bit more about this, and then we'll go

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<v Speaker 1>back to the beginning. Yeah, let's do it like a

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<v Speaker 1>chronological thing, because I think this, I think this warrants

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<v Speaker 1>it before we move on quickly Tara and Danielle. Who

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<v Speaker 1>was right? Who was wrong? I understand why Richard wanted

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<v Speaker 1>to do it, like it's his granddaughter and he wants

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<v Speaker 1>the best for her, and I feel like he wanted

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<v Speaker 1>that because he never got it from Laura La. But

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<v Speaker 1>I also think he was wrong that he just didn't

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<v Speaker 1>prepare Rory because she's so organized, she wants to be

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<v Speaker 1>her best, and he didn't give her that chance to

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<v Speaker 1>do it. So I'm a little bit on the fetes,

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<v Speaker 1>but I don't think anyone's completely wrong and anyone's completely right.

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<v Speaker 1>I will say half right, half wrong, but I'm going

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<v Speaker 1>to give him right because his intentions were super pure,

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<v Speaker 1>so I'm gonna say he was right. Great, all right, Okay,

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<v Speaker 1>so let's go. Here's the thing I loved about this episode.

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<v Speaker 1>We're really picking up almost immediately where we left off

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<v Speaker 1>from the dance marathon, because did you guys notice are

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<v Speaker 1>taking the sign down and her body hurts and it's

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<v Speaker 1>still Halloween. I thought about you the second episode started

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<v Speaker 1>to can't escape the pumpkins, They're just there forever I

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<v Speaker 1>have one criticism, and I rarely have one I'm gonna

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<v Speaker 1>I'm gonna go. Did anyone think that Lauren Graham was

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<v Speaker 1>playing tired and in pain a little bit drunk? Maybe

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<v Speaker 1>she was? She were they serving alcohol? Wasn't drunk, but

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<v Speaker 1>were they serving alcohol? There? Just coffee? I don't think

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<v Speaker 1>they were serving alcohol. But I just think as she

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<v Speaker 1>was doing her acting like she was loopy, it was

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<v Speaker 1>almost like, you're right, Yeah, you're right, because she did

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<v Speaker 1>a lot of like arm Lay's type things, and you're like, yeah,

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<v Speaker 1>did that when you're tired. I know she's not drunk,

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<v Speaker 1>and I know she's like in pain and doing acting,

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<v Speaker 1>but a little bit I was like, this seems this

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<v Speaker 1>close to how she would play it if they were

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<v Speaker 1>like and Laura la is drunk? Uh? Interesting? Interesting? Yeah?

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<v Speaker 1>Maybe maybe I thought that whole scene was amazing though,

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<v Speaker 1>when she goes on account of three right room their

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<v Speaker 1>poor feet? Yeah good. So then they get into Luke's

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<v Speaker 1>diner and they say, like, I didn't remember Luke's being

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<v Speaker 1>add is that when Sean came in? Was that Kirk

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<v Speaker 1>came in with a trophy, with the trophy at that point,

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<v Speaker 1>at that point, he's just showing that sucker off. What

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<v Speaker 1>did you think I think he's funny. It was it

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<v Speaker 1>really needed that and it was funny and he's great

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<v Speaker 1>and I think I had a little what did I

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<v Speaker 1>have a little dialogue with him about getting all smash

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<v Speaker 1>it to pieces. It looks so violent sometimes, isn't he

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<v Speaker 1>threatening him? Best vote? And Jesus, I love it because

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<v Speaker 1>it sets it up for when you do it again

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<v Speaker 1>later in the episode. Hi Hi, Hi, by let's go by,

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<v Speaker 1>and then when you come back later in the episode,

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<v Speaker 1>Hi hi Hi. I mean right from the start, this

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<v Speaker 1>is a big Luke episode two. I mean we're seeing

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<v Speaker 1>Luke really evolved, Like he's just so much more prominent

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<v Speaker 1>in the show now than in the season one. Yeah,

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<v Speaker 1>I mean he's he's ranting and raven old Lukie ranting it,

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<v Speaker 1>her ranting it, Jess, He's doing his thing. Yeah, those

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<v Speaker 1>were really fond of those scenes with Milo. You know,

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<v Speaker 1>they were fun to do. They were just really fun

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<v Speaker 1>to do. It had a really nice flow together, you know. Um, yeah,

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<v Speaker 1>I enjoyed those scenes. I know Luke is all like

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<v Speaker 1>he is trying to be very like strict and tough,

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<v Speaker 1>but I think I just based off of like what

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<v Speaker 1>I can tell so far, he's such he loved Rory

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<v Speaker 1>and Jess together and the only one thinking that, Like

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<v Speaker 1>he's always like acknowledges it, he loves them together. Yeah,

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<v Speaker 1>he's like I think he's just so excited because he's

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<v Speaker 1>so excited will make Jess probably like a good guy.

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<v Speaker 1>Like he's like this is like Rory is going to

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<v Speaker 1>help Jess and kind of like, yeah, like I did good.

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<v Speaker 1>You know, Laura La has more surrendered to it, whereas

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<v Speaker 1>Luke is just over the moment jazz because I think

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<v Speaker 1>it gives I think he also probably feels it gives

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<v Speaker 1>him a better shot with Laura La. There's more chances

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<v Speaker 1>for them to connect and to discuss things, and you know,

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<v Speaker 1>it's it's it brings those two closer together as well.

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<v Speaker 1>So I think that's I think he's which is correct.

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<v Speaker 1>It does. They're already bonding more over it, right, and

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<v Speaker 1>they're not fighting over it. That was interesting too, as

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<v Speaker 1>they're having that conversation about Rory and Jess, even though

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<v Speaker 1>she's sort of her you see her side now and

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<v Speaker 1>I think she sees yours a bit more than the

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<v Speaker 1>big fight they had over the car, right, But I

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<v Speaker 1>think that the stakes have raised, they have gone up

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<v Speaker 1>considerably because if there's any kind of conflict between Rory

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<v Speaker 1>and Jess, there's going to be conflict. There's going to

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<v Speaker 1>be misunderstanding conflict between Luke and Laurel I. So it's

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<v Speaker 1>a it's a smart writer's move, it's a smart plot

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<v Speaker 1>move here, um. But it does raise the stakes that

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<v Speaker 1>there is. It enhances the risk. It's a it's a

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<v Speaker 1>it's a risk on trade, as they say in Wall Street.

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<v Speaker 1>You know, it's definitely after we sort of get the

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<v Speaker 1>acknowledgement that that Luke and Laurel I know that Jess

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<v Speaker 1>and Rory are together. We go to the Gilmour's for

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<v Speaker 1>a Friday night dinner where we have the walnut catastrophe,

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<v Speaker 1>and Richard and and Rory are in the kitchen, and

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<v Speaker 1>that's where we find out about the Whippan poofs and

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<v Speaker 1>that they're going to go to Yale. So what did

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<v Speaker 1>y'all think there? Did you think that because Richard would

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<v Speaker 1>would Richard have brought that up? Had the walnut incident

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<v Speaker 1>not happened with the salads they would all have been

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<v Speaker 1>sitting at the table, would Richard Richard would have been

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<v Speaker 1>forced to bring that up at the dinner table? So

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<v Speaker 1>how would he have done it? So was that by design? Perhaps?

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<v Speaker 1>I don't know. I mean, and so Richard could get

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<v Speaker 1>her alone in the kitchen? I don't know, is it?

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<v Speaker 1>He's not that he definitely did want to have the

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<v Speaker 1>one on one time with absolutely, Yeah he didn't. He didn't,

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<v Speaker 1>you know he I don't think he would have brought

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<v Speaker 1>that up at the dinner table. So did they create

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<v Speaker 1>a situation where he could be alone with her? I

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<v Speaker 1>don't know. Interesting theory. Does anybody know with Frank Lloyd

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<v Speaker 1>Wright actually had that whole thing happened or was that

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<v Speaker 1>totally made up? With the fire and the getting locked

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<v Speaker 1>in that if it's if it's coming out of laurelized mouth,

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<v Speaker 1>then you can pretty much guarantee that that it didn't happen.

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<v Speaker 1>I love the Ri Fleischer shout out though, Do you

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<v Speaker 1>guys guitar and Danielle remember who he was? M hm?

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<v Speaker 1>So he was the Jen Saki, So you guys know

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<v Speaker 1>Jen Sack. So he was the Jen Sak of that time,

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<v Speaker 1>and he was the press secretary. So it was a

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<v Speaker 1>pretty funny reference. And then I have a couple of questions.

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<v Speaker 1>How beautiful are the flowers at the Gilmore's yeah. I

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<v Speaker 1>mean that's a thousand dollars worth of flowers in that

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<v Speaker 1>house fresh per week. Yeah, there are flower bills a year.

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<v Speaker 1>And they have a giant refrigerator. Is that a like

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<v Speaker 1>their kitchen is amazing? Because that was like the first

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<v Speaker 1>time we've seen them. Her go into the bridge to

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<v Speaker 1>get the soda and he's given her the chocolate. I

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<v Speaker 1>thought the whole thing was quite charming. I think he

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<v Speaker 1>was doing and look not to not to give too

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<v Speaker 1>much way, but I think, you know, during the argument

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<v Speaker 1>with Laurela Yale, uh afterwards, a big blow up before

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<v Speaker 1>she walked away, I think he made a very salient

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<v Speaker 1>point about how many thousands of people apply for Harvard

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<v Speaker 1>and and why not have a good plan. B. And

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<v Speaker 1>she's pretty much already accepted because she's a legacy and

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<v Speaker 1>I've set this meeting up and it was impromptu, yes,

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<v Speaker 1>and I know that inconvenices everybody, But for God's sake,

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<v Speaker 1>he pulled a brilliant move. And she's in. She's for

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<v Speaker 1>all intents and purposes, she's getting accepted to Yale. That's

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<v Speaker 1>a what's wrong with that? Yeah? I feel like they

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<v Speaker 1>all should be a bit more open minded to Yale,

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<v Speaker 1>Like I get that her dream is Harvard, but like

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<v Speaker 1>almost no kid applies to one school. And he did

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<v Speaker 1>make another grade point. And Emily made a great point

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<v Speaker 1>to Laurela when she went and chased her when Laura

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<v Speaker 1>was trying to get the taxi she goes. Did it

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<v Speaker 1>ever occur to you that if Harvard knows that she's

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<v Speaker 1>accepted to Yale, she's more likely to get accepted to Harvard.

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<v Speaker 1>It's like play the chess game here, be strategic, stop

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<v Speaker 1>being so emotional. And it's very obvious, like be happy

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<v Speaker 1>to have Richard's help and get your kid into every

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<v Speaker 1>school and then she can pick. But she but he didn't.

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<v Speaker 1>He was wrong in how he went about it. You know.

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<v Speaker 1>Maybe that's because they've scared him. They made it so impossible.

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<v Speaker 1>And I'm not mad at them, it's rightfully so, but

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<v Speaker 1>they've made it so impossible. Sometimes I feel like Laura

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<v Speaker 1>Lai thinks that it's an attack from Richard. Instead of

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<v Speaker 1>being like, oh, this is his granddaughter and he wants

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<v Speaker 1>to do something good for her. You know, she takes

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<v Speaker 1>him more personally and more of an attack towards her

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<v Speaker 1>when I don't that's not his intention. He's not doing

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<v Speaker 1>this in spite of Laurela. Yeah, yes, that's such a

0:13:48.520 --> 0:13:52.200
<v Speaker 1>good point, Like getting getting a kid into Yale is

0:13:52.280 --> 0:13:57.720
<v Speaker 1>not a punishment exactly. It's not personal against you, Laura La.

0:13:58.200 --> 0:14:00.920
<v Speaker 1>It's not a punishment for you and your kid. It's

0:14:00.960 --> 0:14:04.520
<v Speaker 1>given your daughter a massive future. Should she just seize

0:14:04.520 --> 0:14:12.240
<v Speaker 1>the initiative? Um, But again, it's Richard's accepting who Laurel

0:14:12.320 --> 0:14:16.480
<v Speaker 1>I is. That she's not going to change, that, she's

0:14:16.559 --> 0:14:19.320
<v Speaker 1>not coming into the fold the way they expected when

0:14:19.320 --> 0:14:22.960
<v Speaker 1>these Friday night dinners were proposed to her. She's rebellious,

0:14:23.000 --> 0:14:26.320
<v Speaker 1>she's you know, she's doing her Henny Youngman routine or

0:14:26.440 --> 0:14:29.360
<v Speaker 1>Jackie Mason routine whatever there don Rickles routine. Really, I mean,

0:14:29.880 --> 0:14:32.720
<v Speaker 1>whoever you want to call it. It's not pleasant for

0:14:32.760 --> 0:14:36.920
<v Speaker 1>them to experience it. The sarcasm, the cutting comments that

0:14:37.200 --> 0:14:41.200
<v Speaker 1>just let wash over them. They can't trust her. So yeah,

0:14:41.240 --> 0:14:43.400
<v Speaker 1>there's a lack of trust between all all of them.

0:14:43.480 --> 0:14:46.160
<v Speaker 1>She doesn't trust them. So it's kind of a two

0:14:46.280 --> 0:14:49.600
<v Speaker 1>you know, it's two way street here, babe. So, and

0:14:49.640 --> 0:14:52.200
<v Speaker 1>the one thing that I didn't really like too much

0:14:52.320 --> 0:14:55.000
<v Speaker 1>was when Rory was like, oh, he's trying to manipulate you,

0:14:55.280 --> 0:14:57.960
<v Speaker 1>and it's like, you know when he's and do you

0:14:57.960 --> 0:15:01.520
<v Speaker 1>guys remember when you when laurelize I said that about Sorry, Yeah,

0:15:01.560 --> 0:15:03.800
<v Speaker 1>when Laura I said that about Rory or to Rory

0:15:03.920 --> 0:15:06.880
<v Speaker 1>about Richard that he's like trying to manipulate her. I'm like, well,

0:15:06.880 --> 0:15:09.320
<v Speaker 1>that's why I don't ask you. He's not manipulating her,

0:15:09.760 --> 0:15:12.760
<v Speaker 1>that's the question. Do you think he is manipulating her?

0:15:13.400 --> 0:15:15.920
<v Speaker 1>And I sort of think he's being fairly straightforward, like

0:15:15.960 --> 0:15:18.240
<v Speaker 1>I want you to see Yale again. Not not a

0:15:18.320 --> 0:15:23.240
<v Speaker 1>huge thing, Scott, what do you think? Like, man, God,

0:15:24.360 --> 0:15:30.880
<v Speaker 1>if we all had grandfather's that caring, you know, God? Lord, Um, yeah,

0:15:30.920 --> 0:15:38.800
<v Speaker 1>I just Laura Lai is not going to change. Richard

0:15:38.840 --> 0:15:42.040
<v Speaker 1>and Emily are not going to change. Nobody's going to

0:15:42.120 --> 0:15:44.680
<v Speaker 1>change in this equation. So they're going to have to

0:15:44.760 --> 0:15:48.040
<v Speaker 1>do things like this to get the result that they

0:15:48.080 --> 0:15:52.320
<v Speaker 1>want to do the best thing for that child. Um,

0:15:52.400 --> 0:15:55.320
<v Speaker 1>they probably know knew it was going to get messy

0:15:55.360 --> 0:15:57.080
<v Speaker 1>at some point. They knew it was going to go

0:15:57.120 --> 0:16:00.760
<v Speaker 1>off the rails. But the deed is done, she's accepted,

0:16:00.800 --> 0:16:03.120
<v Speaker 1>and then as we end the show, we see they're

0:16:03.120 --> 0:16:08.040
<v Speaker 1>both looking at Yale pamphlets. So yes, wow, wow, wow.

0:16:09.280 --> 0:16:11.440
<v Speaker 1>And also, did you guys pick up that lower Lisa

0:16:11.560 --> 0:16:13.120
<v Speaker 1>that she had wanted to go to Yale and she

0:16:13.200 --> 0:16:18.760
<v Speaker 1>was actually yeah, Richard tells the story on the bench

0:16:19.560 --> 0:16:28.480
<v Speaker 1>of her coming in and it's right. So Tara and

0:16:28.520 --> 0:16:33.640
<v Speaker 1>Scott and me poker face Danielle right now at this point,

0:16:33.680 --> 0:16:37.080
<v Speaker 1>where do you think she's going to go? Knowing just

0:16:37.160 --> 0:16:41.080
<v Speaker 1>what you know? Um, knowing what I know, I think

0:16:41.120 --> 0:16:43.120
<v Speaker 1>she's still going to go to Harvard, and I think

0:16:43.120 --> 0:16:46.320
<v Speaker 1>she's still like that's still the number one for her.

0:16:46.560 --> 0:16:49.360
<v Speaker 1>But the pamphlet flipping at the end made me a

0:16:49.360 --> 0:16:53.200
<v Speaker 1>little like, oh, shoot, maybe not, maybe not. It also

0:16:53.240 --> 0:16:58.360
<v Speaker 1>made me think, like that scene where Emily goes, we'll shoot,

0:16:58.400 --> 0:17:01.320
<v Speaker 1>she'll be closer to home. I was thinking, like she said,

0:17:01.320 --> 0:17:03.680
<v Speaker 1>that's a lorealize the lorealized, thinking like maybe my daughter

0:17:03.720 --> 0:17:06.320
<v Speaker 1>will be home. But also she just got back from

0:17:06.320 --> 0:17:09.640
<v Speaker 1>making out with Jess, so she's probably thinking like, oh

0:17:09.680 --> 0:17:13.200
<v Speaker 1>my god, this guy is is going to be close. Wow,

0:17:13.440 --> 0:17:15.080
<v Speaker 1>that's when and that's why it was funny that they

0:17:15.080 --> 0:17:19.880
<v Speaker 1>both looked at the pamphlets that night. Yeah. And then

0:17:19.920 --> 0:17:25.119
<v Speaker 1>and Emily had the most devastating line of that entire scene,

0:17:25.119 --> 0:17:26.879
<v Speaker 1>and By the way, if she goes to Yale, she

0:17:26.920 --> 0:17:31.760
<v Speaker 1>can live at home. It's like, Wow, they all have

0:17:31.880 --> 0:17:34.800
<v Speaker 1>an agenda. They all have an agenda, and I think

0:17:34.800 --> 0:17:37.199
<v Speaker 1>what they're not realizing is they're being so combated with

0:17:37.200 --> 0:17:40.639
<v Speaker 1>one another, where if they all joined forces, let's just

0:17:40.680 --> 0:17:44.879
<v Speaker 1>get this kid every possible option she can have, you

0:17:45.359 --> 0:17:48.200
<v Speaker 1>then evaluate it. You know what. The one thing I

0:17:48.240 --> 0:17:51.320
<v Speaker 1>would like to see coming out of the Gilmore's, because

0:17:51.320 --> 0:17:54.040
<v Speaker 1>I think she deserves it, is I think that they

0:17:54.040 --> 0:17:57.920
<v Speaker 1>should throw Laurel a party. I think that they should

0:17:59.440 --> 0:18:03.480
<v Speaker 1>give her ridiculously expensive gift. I think that they should

0:18:03.560 --> 0:18:07.600
<v Speaker 1>make a gesture right interesting. I think they should sort

0:18:07.640 --> 0:18:10.960
<v Speaker 1>of make up for what when awry. Well, I mean

0:18:10.960 --> 0:18:15.000
<v Speaker 1>they're intelligent people. I mean they're they want what they

0:18:15.119 --> 0:18:19.480
<v Speaker 1>want right as strategic as they are being, Um, why

0:18:19.520 --> 0:18:22.919
<v Speaker 1>not make peace with Laurel. Why not just say, you

0:18:22.920 --> 0:18:26.880
<v Speaker 1>know what, you've done a fantastic job. And if they did,

0:18:27.080 --> 0:18:28.879
<v Speaker 1>if they made a big gesture like that, then they

0:18:28.880 --> 0:18:31.400
<v Speaker 1>could go to her and they say, listen, Richard would

0:18:31.480 --> 0:18:34.280
<v Speaker 1>like to take Rory and everybody up to Yale, you know,

0:18:34.440 --> 0:18:36.359
<v Speaker 1>And these are the reasons why. Because she could live

0:18:36.400 --> 0:18:39.960
<v Speaker 1>at home, because Harvard may not accept her, and it'd

0:18:39.960 --> 0:18:42.200
<v Speaker 1>be easier if she got it. You know, if she

0:18:42.240 --> 0:18:44.240
<v Speaker 1>got accepted, Harvard is easier to get to. I mean,

0:18:44.240 --> 0:18:45.720
<v Speaker 1>if if I see what you're saying, you know what

0:18:45.720 --> 0:18:49.639
<v Speaker 1>I mean, do it that there wouldn't be any conflict

0:18:49.680 --> 0:18:51.000
<v Speaker 1>in it and it would have no reason to be

0:18:51.080 --> 0:18:54.160
<v Speaker 1>in a TV show that's compelling to watch. But it's

0:18:54.240 --> 0:18:57.919
<v Speaker 1>kind of what I want to gesture. She'll do the

0:18:57.960 --> 0:19:00.920
<v Speaker 1>same thing she did. Hear, all of this is manipulative.

0:19:00.960 --> 0:19:05.920
<v Speaker 1>You're the puppet master waste dark time, whereas just gonna

0:19:05.960 --> 0:19:09.000
<v Speaker 1>waste money. They're not seeing the forest for the trees?

0:19:09.160 --> 0:19:12.280
<v Speaker 1>Is that like the right saying. It's like how lore

0:19:12.400 --> 0:19:15.240
<v Speaker 1>La is right that Richard sort of manipulated the situation.

0:19:15.280 --> 0:19:17.720
<v Speaker 1>Oh funny, it's three o'clock and my buddy, you know

0:19:18.040 --> 0:19:23.159
<v Speaker 1>right here. But it ultimately this is just helping the

0:19:23.200 --> 0:19:25.840
<v Speaker 1>kid get into Yale. Let the kid get into Yale,

0:19:26.400 --> 0:19:30.800
<v Speaker 1>then decide where she's going. It's so simple. Yeah, And

0:19:30.840 --> 0:19:33.040
<v Speaker 1>that's the one thing that you know Richard is really

0:19:33.480 --> 0:19:37.240
<v Speaker 1>good at doing. He's not saying she has to go here,

0:19:37.480 --> 0:19:40.719
<v Speaker 1>or like she needs to continue the family legacy, she

0:19:40.800 --> 0:19:43.480
<v Speaker 1>must go here. He's just like, I want her to

0:19:43.520 --> 0:19:47.440
<v Speaker 1>see Yale because you won't show her otherwise. Yeah, she'll

0:19:47.440 --> 0:19:50.040
<v Speaker 1>ever know. Look those gifted kids that you know, they

0:19:50.080 --> 0:19:56.359
<v Speaker 1>get accepted to Yale, Harvard, Princeton, Columbia, Dartmouth, getting you know,

0:19:56.920 --> 0:20:02.000
<v Speaker 1>M I T, Cambridge, Oxford, they get a accepted everywhere, right,

0:20:02.200 --> 0:20:04.159
<v Speaker 1>and they figure it out and then yeah, they have

0:20:04.280 --> 0:20:07.320
<v Speaker 1>the choices. And then one school steps up and says, listen,

0:20:07.359 --> 0:20:10.040
<v Speaker 1>we know you've been accepted by X y Z will

0:20:10.080 --> 0:20:12.119
<v Speaker 1>offer you this. You know, I just don't. Yeah, I

0:20:12.160 --> 0:20:14.280
<v Speaker 1>don't think there's a parent on the planet that would

0:20:14.320 --> 0:20:19.159
<v Speaker 1>be like, don't apply that to this awesome school you

0:20:19.240 --> 0:20:21.640
<v Speaker 1>might get into it. Like that just doesn't exist. Now.

0:20:21.720 --> 0:20:24.320
<v Speaker 1>Parents may say like, oh, hey, we can't afford that,

0:20:25.040 --> 0:20:27.920
<v Speaker 1>or a variety of reasons why a kid wouldn't apply

0:20:27.920 --> 0:20:31.520
<v Speaker 1>to a certain school. But Rory can afford to go

0:20:31.560 --> 0:20:35.320
<v Speaker 1>wherever she wants. Let her apply to everywhere. So the

0:20:35.320 --> 0:20:37.280
<v Speaker 1>fact that Laura Li is holding that back just doesn't

0:20:37.359 --> 0:20:40.920
<v Speaker 1>track for me. She's like she just because Laura life

0:20:40.920 --> 0:20:44.359
<v Speaker 1>feels erased, she feels like and I think she feels

0:20:44.400 --> 0:20:49.080
<v Speaker 1>really I think she blames herself for a lot of this,

0:20:49.320 --> 0:20:51.800
<v Speaker 1>and she just doesn't want to admit it because she's

0:20:51.840 --> 0:20:55.440
<v Speaker 1>so deeply entrenched. Her heels are so dug in over

0:20:55.440 --> 0:20:59.520
<v Speaker 1>the years, and she's pretty much justified. But she doesn't.

0:20:59.600 --> 0:21:01.560
<v Speaker 1>She's just can't let go. She can't let go. She

0:21:01.640 --> 0:21:05.840
<v Speaker 1>feels like there's I think being judged by your parents

0:21:05.960 --> 0:21:08.880
<v Speaker 1>makes a person very angry. So they're always judging her

0:21:08.960 --> 0:21:11.760
<v Speaker 1>and not trusting her and not you know, saying coming

0:21:11.800 --> 0:21:15.120
<v Speaker 1>to her first and asking permission, which is what she's

0:21:15.320 --> 0:21:17.560
<v Speaker 1>she's a mother, she's they always are treating her like

0:21:17.600 --> 0:21:20.679
<v Speaker 1>a kid, yes, and that pisces her off. And I

0:21:20.680 --> 0:21:23.159
<v Speaker 1>don't blame I don't blame her. She's totally justified in

0:21:23.240 --> 0:21:26.800
<v Speaker 1>having that reaction. So it's it's sort of supersedes, you know,

0:21:26.840 --> 0:21:29.600
<v Speaker 1>any of the benefits that could potentially go to Rory. Yeah.

0:21:29.880 --> 0:21:31.600
<v Speaker 1>I like you were right at the beginning when you're like,

0:21:32.080 --> 0:21:36.439
<v Speaker 1>they're all right, they're all wrong. Your math was a

0:21:36.440 --> 0:21:40.520
<v Speaker 1>little weird, but I get what You're right. Don't make

0:21:40.520 --> 0:21:47.639
<v Speaker 1>a wrong and that makes for great drama. Yeah, Yeah,

0:21:47.760 --> 0:21:50.560
<v Speaker 1>that makes for great drama because nobody's right, nobody's wrong.

0:21:51.119 --> 0:21:54.560
<v Speaker 1>There's also a second story in this episode that's amazing.

0:21:54.600 --> 0:21:56.679
<v Speaker 1>So we go back to the diner and This is

0:21:56.680 --> 0:22:00.760
<v Speaker 1>when Kirk's like lost her, lost his true be lost her,

0:22:00.840 --> 0:22:04.720
<v Speaker 1>and you're like, what the she? But Luke was immediately

0:22:04.760 --> 0:22:09.480
<v Speaker 1>weird with Rory. I mean immediately she was weird with him.

0:22:09.600 --> 0:22:14.360
<v Speaker 1>He's weird. I gonna choose for girl. Now everybody's awkward.

0:22:14.400 --> 0:22:16.600
<v Speaker 1>I mean, did you feel the weight when they got

0:22:16.680 --> 0:22:19.040
<v Speaker 1>up into his apartment and they were standing, did you

0:22:19.160 --> 0:22:22.000
<v Speaker 1>feel the weight of, Oh god, what do we do now?

0:22:23.080 --> 0:22:25.800
<v Speaker 1>We we have the thing that we want, now we

0:22:25.840 --> 0:22:29.680
<v Speaker 1>don't know what to say to each other? Smooth? How

0:22:29.720 --> 0:22:32.200
<v Speaker 1>smooth was Jess because he was awkward, but he moves

0:22:32.359 --> 0:22:36.560
<v Speaker 1>towards her. He had a good he had a really

0:22:36.600 --> 0:22:39.080
<v Speaker 1>he had a really good line. You share. I'd really

0:22:39.080 --> 0:22:40.640
<v Speaker 1>like to get you a coke because I don't want

0:22:40.640 --> 0:22:42.720
<v Speaker 1>to stand here like a moron, you know, I want

0:22:42.760 --> 0:22:46.439
<v Speaker 1>something to do. What did y'all think, Danielle, what Scott?

0:22:46.480 --> 0:22:49.800
<v Speaker 1>What did you guys think of that first almost kiss?

0:22:49.880 --> 0:22:52.200
<v Speaker 1>That's not the kiss, but it's the almost. I love

0:22:52.760 --> 0:22:55.119
<v Speaker 1>love of love of love, and then especially with the

0:22:55.119 --> 0:22:57.480
<v Speaker 1>payoff at the end of the episode, but we won't

0:22:57.480 --> 0:23:01.840
<v Speaker 1>get there yet. But yeah, I I love the built

0:23:01.920 --> 0:23:05.400
<v Speaker 1>up anticipation and then, like Luke busting through the door

0:23:05.480 --> 0:23:09.040
<v Speaker 1>and catching them and they couldn't actually kiss, and I

0:23:09.880 --> 0:23:12.000
<v Speaker 1>it was so good. It was the first time you

0:23:12.040 --> 0:23:14.840
<v Speaker 1>see Jess kind of like giddy and shy and like

0:23:15.080 --> 0:23:18.120
<v Speaker 1>nervous around Rory, like he's like, oh, this is my shot,

0:23:18.160 --> 0:23:22.159
<v Speaker 1>so either not mess up this time. So wait, I'll enact.

0:23:22.280 --> 0:23:24.840
<v Speaker 1>I'll act it out. But one of the cutest moments.

0:23:24.880 --> 0:23:27.359
<v Speaker 1>And I've noticed this. Sorry my utant so lam today,

0:23:27.400 --> 0:23:30.680
<v Speaker 1>but uh, I've seen this episode a few times and

0:23:30.720 --> 0:23:32.560
<v Speaker 1>I noticed it every time. Did you guys see when

0:23:32.640 --> 0:23:38.040
<v Speaker 1>jessice on the chair it was justice And I don't

0:23:38.040 --> 0:23:40.040
<v Speaker 1>know if he was directed to do that or if

0:23:40.080 --> 0:23:44.280
<v Speaker 1>he just Milo did it. It's such a cute moment

0:23:44.480 --> 0:23:49.880
<v Speaker 1>as he's sort of trying to like move closer, move

0:23:50.000 --> 0:23:53.640
<v Speaker 1>this along. He's so adorable. And the hands on the chair. Yeah,

0:23:53.680 --> 0:23:56.359
<v Speaker 1>because it made me think several times when those two

0:23:56.400 --> 0:24:00.280
<v Speaker 1>are together, like what do kids do when they're really

0:24:00.480 --> 0:24:03.920
<v Speaker 1>in love with each other? Well, they touch each other,

0:24:04.040 --> 0:24:06.639
<v Speaker 1>they make out. This is what they did. This is

0:24:06.680 --> 0:24:09.480
<v Speaker 1>what is done. This is what everybody does. They want

0:24:09.520 --> 0:24:11.960
<v Speaker 1>to get in a room alone and touch each other.

0:24:12.400 --> 0:24:16.000
<v Speaker 1>That's what they did. That's great. Then what did you

0:24:16.040 --> 0:24:23.160
<v Speaker 1>think of your lucks rules, Lukes rules. Um, I gotta

0:24:23.240 --> 0:24:26.480
<v Speaker 1>say think it's a classic scene. I think it's a

0:24:26.640 --> 0:24:31.159
<v Speaker 1>classic Luke scene where uh and I love the what

0:24:31.760 --> 0:24:33.520
<v Speaker 1>he got some grapes and he popped a couple of

0:24:33.560 --> 0:24:35.320
<v Speaker 1>grapes on his way out, and then he looked back

0:24:35.359 --> 0:24:39.040
<v Speaker 1>and popped another one. And he was very proud of himself, right,

0:24:39.280 --> 0:24:43.639
<v Speaker 1>because he really felt like like no, he he felt

0:24:43.680 --> 0:24:47.240
<v Speaker 1>like he had one and that he was a good

0:24:47.400 --> 0:24:51.479
<v Speaker 1>stepdad or whatever, good uncle. Right. He felt like, wow,

0:24:51.520 --> 0:24:54.480
<v Speaker 1>I did something right. And and I corrected that, you know,

0:24:54.520 --> 0:24:56.399
<v Speaker 1>when they're together and that I so I must have

0:24:56.440 --> 0:25:00.199
<v Speaker 1>done something right because because because Jess is now you know,

0:25:00.320 --> 0:25:04.160
<v Speaker 1>palatable to this very special girl and she even loves him,

0:25:04.200 --> 0:25:06.920
<v Speaker 1>and wow, and and I don't think he's going to

0:25:07.000 --> 0:25:09.840
<v Speaker 1>screw it up because I just you'll be on the chair,

0:25:10.080 --> 0:25:12.720
<v Speaker 1>he's on the chair, you'll be on the tap. It

0:25:12.880 --> 0:25:14.960
<v Speaker 1>was so good. It's like Luke wanting to be a

0:25:15.119 --> 0:25:17.479
<v Speaker 1>dad and he got his opportunity and he you know,

0:25:17.560 --> 0:25:20.480
<v Speaker 1>and he I don't know, that was a good thing.

0:25:21.000 --> 0:25:23.240
<v Speaker 1>And it's interesting, like you didn't do that with Shane,

0:25:23.280 --> 0:25:25.080
<v Speaker 1>Like you didn't give him all these rules other than

0:25:25.119 --> 0:25:28.440
<v Speaker 1>the respect. You really wanted him to respect women, which

0:25:28.480 --> 0:25:33.040
<v Speaker 1>I thought was a great moment in that episode. But

0:25:33.119 --> 0:25:37.680
<v Speaker 1>you're coming guns blazing on on this because I think

0:25:37.680 --> 0:25:40.040
<v Speaker 1>probably you don't want him to mess this up. You

0:25:40.040 --> 0:25:43.320
<v Speaker 1>want to take care of Rory. You feel so invested

0:25:43.359 --> 0:25:46.120
<v Speaker 1>and responsible for both. I mean, the sticks are high

0:25:46.200 --> 0:25:49.480
<v Speaker 1>on this one. Just can't screw it up. Yeah, because

0:25:49.480 --> 0:25:52.879
<v Speaker 1>that means that's his relationship with role Laurela too. This

0:25:52.960 --> 0:25:56.320
<v Speaker 1>blows up his relationship with any future with Laura I

0:25:56.359 --> 0:25:59.000
<v Speaker 1>could blow up, you know, but that that bad blood

0:25:59.040 --> 0:26:01.920
<v Speaker 1>created between and those two, that's that's, like I say,

0:26:01.960 --> 0:26:05.520
<v Speaker 1>it's a risk on trade on Wall Street, huge stocks

0:26:05.520 --> 0:26:09.480
<v Speaker 1>in demand. So yeah, stakes are really going up here.

0:26:09.720 --> 0:26:12.520
<v Speaker 1>And uh and I loved you know, I think all

0:26:12.520 --> 0:26:15.880
<v Speaker 1>that tender stuff and that awkward and the almost first

0:26:15.960 --> 0:26:18.800
<v Speaker 1>kiss and then Luke busts in and that's really all

0:26:18.800 --> 0:26:22.280
<v Speaker 1>that scene was is set up for that scene, you know, Luke,

0:26:22.640 --> 0:26:25.919
<v Speaker 1>Luke laying down the law. Yeah, yeah, I think you're

0:26:26.000 --> 0:26:29.040
<v Speaker 1>right like that. It was sort of setting up that moment.

0:26:29.640 --> 0:26:33.239
<v Speaker 1>Although the cuteness of them sort of I don't know,

0:26:33.280 --> 0:26:37.280
<v Speaker 1>that dance moving closer and the way he touches her,

0:26:37.920 --> 0:26:40.960
<v Speaker 1>he's so cool. I mean, there's just nothing cooler than either.

0:26:41.000 --> 0:26:45.240
<v Speaker 1>I don't know if it's just or Milo, but but

0:26:45.520 --> 0:26:48.359
<v Speaker 1>the way he moves. We want to see these people,

0:26:48.920 --> 0:26:51.760
<v Speaker 1>these two characters in their world. They create this bubble

0:26:51.800 --> 0:26:54.960
<v Speaker 1>world of love and want and longing and all that,

0:26:55.040 --> 0:26:58.320
<v Speaker 1>but they exist in the world of rules and adults

0:26:58.320 --> 0:27:01.760
<v Speaker 1>and people that will punish them. There are consequences. So

0:27:03.119 --> 0:27:08.160
<v Speaker 1>the layers were were laid on quite I thought effectively

0:27:08.400 --> 0:27:13.720
<v Speaker 1>and art artfully. So you know, so I apologize because

0:27:13.720 --> 0:27:15.760
<v Speaker 1>I sort of we've we've skipped around a little bit

0:27:15.760 --> 0:27:17.159
<v Speaker 1>in this episode, but I do think I want to

0:27:17.160 --> 0:27:19.879
<v Speaker 1>talk about the scene where they're packing to go on

0:27:19.920 --> 0:27:23.840
<v Speaker 1>the road trip and like how loyalized, like wait, where's

0:27:23.840 --> 0:27:25.600
<v Speaker 1>your stuff? Like you've got to bring this, this, this,

0:27:25.880 --> 0:27:31.240
<v Speaker 1>And then the coffee drinking car. That was a little weird.

0:27:33.560 --> 0:27:36.840
<v Speaker 1>It was funny, but it was like when it's like

0:27:36.920 --> 0:27:39.680
<v Speaker 1>Laurelized the most defiant person in the world, and she's

0:27:39.760 --> 0:27:43.320
<v Speaker 1>sort of like bowing down to this ridiculous demand and

0:27:43.840 --> 0:27:45.200
<v Speaker 1>having fun with it. I don't know, it was a

0:27:45.200 --> 0:27:47.720
<v Speaker 1>little weird for me. It didn't seem like Laurel I

0:27:49.280 --> 0:27:53.560
<v Speaker 1>it was just amusing. It was amusing, but we I

0:27:53.560 --> 0:27:57.119
<v Speaker 1>think we touched on this a little bit, but the

0:27:57.200 --> 0:28:01.480
<v Speaker 1>story we're getting from Richard and Emily. Richard had a

0:28:01.520 --> 0:28:05.920
<v Speaker 1>different girlfriend and he says the funniest thing, like, don't

0:28:05.960 --> 0:28:08.280
<v Speaker 1>tell the girls this, They'll think I was a lithario.

0:28:09.080 --> 0:28:12.040
<v Speaker 1>And then Laura, you stole my father with fashion. But

0:28:12.200 --> 0:28:16.400
<v Speaker 1>ultimately I love hearing about their romance, like he gave

0:28:16.640 --> 0:28:19.800
<v Speaker 1>his men when Emily showed up to the frat party

0:28:19.840 --> 0:28:23.560
<v Speaker 1>in the blue dress, like all those little Oh how

0:28:23.640 --> 0:28:27.040
<v Speaker 1>cute was that? You guys? So when you propose, like

0:28:27.160 --> 0:28:29.040
<v Speaker 1>right in front of what used to be a bench

0:28:29.119 --> 0:28:31.720
<v Speaker 1>and was trash can and they both like lean over

0:28:31.760 --> 0:28:35.000
<v Speaker 1>the trash can and give each other and kids, they're

0:28:35.200 --> 0:28:39.600
<v Speaker 1>very sweet couple, like you really, as much as they bicker,

0:28:39.920 --> 0:28:43.280
<v Speaker 1>they're so in love. I did think it was very

0:28:43.320 --> 0:28:46.240
<v Speaker 1>telling when um, I forget if it was Richard or

0:28:46.280 --> 0:28:49.600
<v Speaker 1>Emily that said this, but when Richard proposed and Emily

0:28:49.640 --> 0:28:55.840
<v Speaker 1>just said fine. So Emily seems tall to me. I

0:28:56.200 --> 0:28:59.080
<v Speaker 1>noticed a couple of things in this episode. Is the heights,

0:28:59.320 --> 0:29:01.840
<v Speaker 1>because elect Sis is tall, but Lauren is so much

0:29:01.880 --> 0:29:04.400
<v Speaker 1>taller than her, And then you realize Richard so ed

0:29:04.520 --> 0:29:08.480
<v Speaker 1>Herman is so tall and then Emily is tall. They're

0:29:08.520 --> 0:29:11.240
<v Speaker 1>all a bunch of tall people. I don't know that.

0:29:11.320 --> 0:29:16.040
<v Speaker 1>I don't know. If Kelly's very tall, she'd just bring heels.

0:29:16.400 --> 0:29:18.400
<v Speaker 1>I think she's five five. They must put her in

0:29:18.440 --> 0:29:20.760
<v Speaker 1>heels because otherwise she would be so much shorter in

0:29:20.920 --> 0:29:25.000
<v Speaker 1>Herman Well, yeah, he's six five and in heels, she's

0:29:25.040 --> 0:29:30.600
<v Speaker 1>probably five six seven? Right? Did anybody else in this episode?

0:29:30.680 --> 0:29:32.240
<v Speaker 1>And we still have some scenes to great down, But

0:29:32.960 --> 0:29:35.440
<v Speaker 1>for some reason, in this episode, more than any I

0:29:35.680 --> 0:29:41.040
<v Speaker 1>noticed Alexis eyes and Lauren Graham's eyes. They have the

0:29:41.120 --> 0:29:43.760
<v Speaker 1>bluest eyes, and their eyes are the same, Like they

0:29:43.800 --> 0:29:48.080
<v Speaker 1>really are believable mother daughter. Their eyes are so blue

0:29:48.160 --> 0:29:52.520
<v Speaker 1>and exactly the same. Is it like that in person

0:29:52.560 --> 0:29:59.080
<v Speaker 1>with them? Um, alexis definitely piercing blue eyes. Lauren, it's

0:29:59.120 --> 0:30:04.280
<v Speaker 1>more green, They're more blue green. Yeah. Yeah, Like, did

0:30:04.280 --> 0:30:05.960
<v Speaker 1>you ever have scenes with them where you're just like,

0:30:06.280 --> 0:30:12.480
<v Speaker 1>WHOA their eyes? Um? No, no, I'm used. I'm used

0:30:12.520 --> 0:30:17.560
<v Speaker 1>to their eyes. Yeah. Yeah. You can't really allow yourself

0:30:17.600 --> 0:30:21.680
<v Speaker 1>to be distracted in a scene like that. They I mean,

0:30:21.720 --> 0:30:25.680
<v Speaker 1>I thought Laura looked so cool in this episode, her hair,

0:30:26.160 --> 0:30:30.480
<v Speaker 1>her fashion, the bag going across the leather jacket with

0:30:30.520 --> 0:30:34.040
<v Speaker 1>the jeans and the T shirt like she just looked cool.

0:30:38.560 --> 0:30:41.360
<v Speaker 1>This is Paris Hilton. This week on the This is

0:30:41.400 --> 0:30:45.240
<v Speaker 1>Paris podcast, NICKI and I will be joined by Anna Delby.

0:30:45.480 --> 0:30:48.240
<v Speaker 1>You may think you know her from Inventing Anna on Netflix.

0:30:48.720 --> 0:30:51.320
<v Speaker 1>Get to know the real Anna? Is she a con

0:30:51.400 --> 0:30:56.000
<v Speaker 1>artist and a fraudster or risk taking entrepreneur and audacious

0:30:56.040 --> 0:30:59.760
<v Speaker 1>wanted that lover her or hate her? We're all curious

0:31:00.280 --> 0:31:02.600
<v Speaker 1>the real heiress to sit down with the fake heiress

0:31:02.760 --> 0:31:05.640
<v Speaker 1>right now on This is Paris. Listen to This is

0:31:05.720 --> 0:31:11.200
<v Speaker 1>Paris now wherever you listen to podcasts. So do we

0:31:11.440 --> 0:31:16.600
<v Speaker 1>skip now to the gas station they're at gypsies? Obviously

0:31:17.600 --> 0:31:21.280
<v Speaker 1>that was one of my favorite scenes. Um. I think

0:31:21.640 --> 0:31:25.360
<v Speaker 1>in the entire of all the episodes I've watched, that

0:31:25.960 --> 0:31:28.200
<v Speaker 1>set such a mood for me. And the music that

0:31:28.280 --> 0:31:31.680
<v Speaker 1>was playing. I mean, it was a perfect meld of

0:31:31.800 --> 0:31:37.800
<v Speaker 1>music and lighting and scenery and situation between those two.

0:31:37.880 --> 0:31:40.680
<v Speaker 1>That was really that was filming. That was film, that

0:31:40.760 --> 0:31:45.160
<v Speaker 1>wasn't TV anymore. That achieved a higher stature in my

0:31:45.240 --> 0:31:49.080
<v Speaker 1>book because it's just that was like good film. And

0:31:49.240 --> 0:31:51.200
<v Speaker 1>I also have to say, as many times as I've

0:31:51.200 --> 0:31:54.960
<v Speaker 1>seen this I forgot that was going to happen. When

0:31:55.240 --> 0:31:56.880
<v Speaker 1>Jess was like, I'm going to go get my part,

0:31:56.960 --> 0:32:00.480
<v Speaker 1>Like it completely went right over my head. I don't

0:32:00.480 --> 0:32:03.800
<v Speaker 1>know why. Yeah, I like and like lorealized, like you

0:32:03.840 --> 0:32:06.440
<v Speaker 1>know where they are there together right Like that totally

0:32:06.480 --> 0:32:08.520
<v Speaker 1>just went over my head. And I was like, any

0:32:08.600 --> 0:32:11.840
<v Speaker 1>times I've seen this and I remember that was about

0:32:11.840 --> 0:32:14.320
<v Speaker 1>to happen. He fully went over my head. Like when

0:32:14.360 --> 0:32:15.920
<v Speaker 1>he came down, he's like, I gotta get a cart

0:32:15.960 --> 0:32:17.880
<v Speaker 1>for the car, and then you say bring a receipt

0:32:17.960 --> 0:32:22.440
<v Speaker 1>this time, like there that I did not get, Oh

0:32:22.520 --> 0:32:26.840
<v Speaker 1>he's going to the meeting, but layalized like and then

0:32:26.880 --> 0:32:29.160
<v Speaker 1>it's such a kind of a burn on Luke, Like

0:32:29.240 --> 0:32:31.640
<v Speaker 1>here he was thinking he had done such a good job.

0:32:33.600 --> 0:32:37.920
<v Speaker 1>You give me that receipt. It's too late. Just pulled,

0:32:38.520 --> 0:32:44.080
<v Speaker 1>just pulled a dam. Yeah, and they have great chemistry.

0:32:44.160 --> 0:32:46.880
<v Speaker 1>Obviously they did it in real life. So Milo and

0:32:46.920 --> 0:32:51.240
<v Speaker 1>Alexis had great chemistry and did oh my god, Daniel,

0:32:51.280 --> 0:32:55.400
<v Speaker 1>what planet did you? I didn't know you did it

0:32:56.120 --> 0:33:02.720
<v Speaker 1>know a little while Yeah in the show in as

0:33:02.760 --> 0:33:06.640
<v Speaker 1>they say mind is blown, My mind is blown. I

0:33:06.680 --> 0:33:11.680
<v Speaker 1>did not know that. Yeah, they had chemistry for real

0:33:12.840 --> 0:33:15.560
<v Speaker 1>this timeline at what year they did, and I was

0:33:15.600 --> 0:33:18.400
<v Speaker 1>gonna say, at what point in Gilmore, like were they

0:33:18.400 --> 0:33:21.720
<v Speaker 1>actually together? We have to like do some detective work

0:33:21.720 --> 0:33:24.920
<v Speaker 1>and then we still wouldn't talk. Pretty pretty quick after

0:33:25.000 --> 0:33:27.840
<v Speaker 1>he showed up, they started dating, so she was like,

0:33:27.920 --> 0:33:31.200
<v Speaker 1>still with Dean. Not in real life, dude, No, I

0:33:31.240 --> 0:33:35.760
<v Speaker 1>know what I'm saying, like real life. I'm talking about

0:33:35.760 --> 0:33:38.479
<v Speaker 1>a real life. She is blurring real life. I got guitar.

0:33:38.600 --> 0:33:41.160
<v Speaker 1>So she's saying was she dating Milo when Rory was

0:33:41.560 --> 0:33:43.400
<v Speaker 1>still with Dean In the show, I was trying to like,

0:33:43.520 --> 0:33:46.760
<v Speaker 1>daniel is trying to figure it out. Well, so I

0:33:46.800 --> 0:33:49.080
<v Speaker 1>would guess so because they were together for four years

0:33:49.120 --> 0:33:53.040
<v Speaker 1>before splitting in two thousand six, and this was two

0:33:53.080 --> 0:33:57.320
<v Speaker 1>thousand two, so right around right now is when they

0:33:57.320 --> 0:34:00.200
<v Speaker 1>started dating in real life. That's pretty much the onto

0:34:00.240 --> 0:34:10.040
<v Speaker 1>the show. I was going to save the seven years. Also, hello,

0:34:10.680 --> 0:34:13.640
<v Speaker 1>that kiss was freaking real. That's why it was so

0:34:13.760 --> 0:34:18.440
<v Speaker 1>good because you're like, oh that was a kiss. Wow,

0:34:18.640 --> 0:34:25.319
<v Speaker 1>you guys kiss I was today years old. That is

0:34:25.920 --> 0:34:28.759
<v Speaker 1>really through me, And actually it makes it so much

0:34:28.800 --> 0:34:34.440
<v Speaker 1>more exciting that you don't know Danielle, Oh my god, anymore?

0:34:34.920 --> 0:34:41.320
<v Speaker 1>What do you see, you're just on the internet stages, yes, images.

0:34:41.800 --> 0:34:46.279
<v Speaker 1>You know TV shows should require uh they're actors and

0:34:46.360 --> 0:34:49.200
<v Speaker 1>actresses to date. They really should. I mean it would,

0:34:49.320 --> 0:34:51.600
<v Speaker 1>It would create so much more buzz for the show.

0:34:52.960 --> 0:34:57.800
<v Speaker 1>It also just makes it so real. Okay, So question

0:34:57.880 --> 0:35:01.520
<v Speaker 1>for you, what did you make of the fact that

0:35:01.560 --> 0:35:05.960
<v Speaker 1>she's having this amazing kiss with Jess literally like explosion

0:35:06.560 --> 0:35:12.479
<v Speaker 1>and she runs off two Dean It it broke Dean,

0:35:12.560 --> 0:35:15.239
<v Speaker 1>broke my heart. I mean, I I was in that

0:35:15.280 --> 0:35:17.680
<v Speaker 1>position that was that was you know, as a kid,

0:35:17.800 --> 0:35:23.160
<v Speaker 1>and it's hard and boy he uh he got run

0:35:23.160 --> 0:35:25.880
<v Speaker 1>over by a Rory truck and she backed up and

0:35:26.000 --> 0:35:28.560
<v Speaker 1>ran over him again and again and again, and he

0:35:28.680 --> 0:35:32.319
<v Speaker 1>was devastated, that poor kid. And I felt really bad

0:35:32.360 --> 0:35:36.200
<v Speaker 1>for him. And it's beautifully acted seen by him. Um,

0:35:36.239 --> 0:35:40.360
<v Speaker 1>and I think to me, I don't know, it almost

0:35:40.400 --> 0:35:42.880
<v Speaker 1>felt like character rehab, like we gotta do something to

0:35:42.920 --> 0:35:46.279
<v Speaker 1>make Rory look a little better, and you know what

0:35:46.360 --> 0:35:48.400
<v Speaker 1>I mean. And so maybe they threw that in like

0:35:48.440 --> 0:35:50.680
<v Speaker 1>this would be a good thing to rehab, rehab her

0:35:50.760 --> 0:35:53.799
<v Speaker 1>character a little bit. I don't know. I mean, we're

0:35:53.800 --> 0:35:55.719
<v Speaker 1>not mad at her, but I see what you're saying,

0:35:55.800 --> 0:35:58.200
<v Speaker 1>Like as the audience were not upset. But but you're right,

0:35:58.200 --> 0:36:00.960
<v Speaker 1>it did. It did sort of clean it up a

0:36:01.000 --> 0:36:04.080
<v Speaker 1>little bit. You're like, oh, that was really sweet. Yeah,

0:36:04.560 --> 0:36:08.120
<v Speaker 1>I'm definitely happy she did it for Dean because I

0:36:08.160 --> 0:36:12.960
<v Speaker 1>feel like Dean at this point feels so duped, you know, like,

0:36:13.320 --> 0:36:15.640
<v Speaker 1>oh my god, I'm such a fool, I'm such an idiot,

0:36:16.000 --> 0:36:19.200
<v Speaker 1>and she is basically telling him no, no, no, it

0:36:19.320 --> 0:36:22.799
<v Speaker 1>was real. It was real. Let me ask you, let

0:36:22.800 --> 0:36:24.400
<v Speaker 1>me ask you this. Do you know how that scene

0:36:24.440 --> 0:36:27.880
<v Speaker 1>made me feel? It made me feel a little angry

0:36:27.920 --> 0:36:31.280
<v Speaker 1>at her because it felt like such a tease because

0:36:31.360 --> 0:36:34.480
<v Speaker 1>when he opened the window and she started talking, you

0:36:34.480 --> 0:36:36.960
<v Speaker 1>know what, she's because okay, let me ask you this.

0:36:37.080 --> 0:36:43.880
<v Speaker 1>Let me ask you gals this. Um. What do you

0:36:43.960 --> 0:36:46.440
<v Speaker 1>think Dean if she went to the window and he

0:36:46.480 --> 0:36:50.520
<v Speaker 1>opened the window and she had said, I'm sorry, I

0:36:50.600 --> 0:36:52.560
<v Speaker 1>want to come back, I want us to be a

0:36:52.600 --> 0:36:58.440
<v Speaker 1>couple again, do you think, ay, that's even feasible for

0:36:58.480 --> 0:37:01.399
<v Speaker 1>a person to do that and be Do you think

0:37:01.480 --> 0:37:04.239
<v Speaker 1>Dean would have said yes. I don't think he would

0:37:04.239 --> 0:37:06.399
<v Speaker 1>think it would have said no, because he just knows

0:37:06.400 --> 0:37:09.560
<v Speaker 1>that Jess is still there, Like he's not going anywhere. Okay,

0:37:09.600 --> 0:37:12.719
<v Speaker 1>so that's where I think the stronger scene would have

0:37:12.800 --> 0:37:16.279
<v Speaker 1>come from. I think you're right. I think that see

0:37:16.320 --> 0:37:22.120
<v Speaker 1>that's the that's the move if she was really I

0:37:22.640 --> 0:37:24.400
<v Speaker 1>want to be careful how I say this, and a

0:37:24.400 --> 0:37:26.960
<v Speaker 1>lot of people say, look, you're you're putting Rory on

0:37:27.000 --> 0:37:30.200
<v Speaker 1>a pedestal. And she's not the perfect person. She's got

0:37:30.239 --> 0:37:33.959
<v Speaker 1>a lot of flaws. What if she were was so

0:37:34.040 --> 0:37:37.839
<v Speaker 1>smart that she went back to Dean and she said

0:37:37.840 --> 0:37:39.960
<v Speaker 1>I want to come back, knowing full well that he

0:37:39.960 --> 0:37:42.920
<v Speaker 1>would say no, and it would close. It would be

0:37:42.960 --> 0:37:47.000
<v Speaker 1>good for him, so he could think, I don't think Rory.

0:37:47.360 --> 0:37:49.480
<v Speaker 1>I don't also think she's she's one to play the

0:37:49.480 --> 0:37:57.360
<v Speaker 1>Game's not day, it's not. It's been kind to Dean

0:37:57.800 --> 0:38:01.560
<v Speaker 1>to give him because she's Look, if she's stronger and

0:38:01.640 --> 0:38:07.080
<v Speaker 1>she's wiser, Um, you know, why not let him in

0:38:07.160 --> 0:38:10.040
<v Speaker 1>a real life I would have liked to have seen it. Okay,

0:38:10.120 --> 0:38:13.040
<v Speaker 1>so this doesn't make a great TV show, So I

0:38:13.080 --> 0:38:16.840
<v Speaker 1>admit that her write him a letter or an email

0:38:16.960 --> 0:38:19.319
<v Speaker 1>like that to me would be like the move where

0:38:19.320 --> 0:38:20.919
<v Speaker 1>you're like, I just wanted to send you this note,

0:38:21.120 --> 0:38:22.839
<v Speaker 1>you know, teared up? Delete it? What are you're gonna do.

0:38:23.000 --> 0:38:25.560
<v Speaker 1>I'm so sorry, but I think for the sake of

0:38:25.560 --> 0:38:28.480
<v Speaker 1>this TV show, she needed to go over there and

0:38:28.520 --> 0:38:32.120
<v Speaker 1>say it. I also think she realizes, like, Okay, things

0:38:32.160 --> 0:38:35.399
<v Speaker 1>are moving forward with Jess, this is happening, but if

0:38:35.400 --> 0:38:37.520
<v Speaker 1>this is now going to be in Dean's face, I

0:38:37.560 --> 0:38:40.839
<v Speaker 1>do need to go tell him. But I think I

0:38:40.880 --> 0:38:43.759
<v Speaker 1>thought that that was really cruel that she did that.

0:38:44.200 --> 0:38:46.080
<v Speaker 1>But think of how they ended in a fight on

0:38:46.120 --> 0:38:48.360
<v Speaker 1>the dance floor at the dance marathon and they're not

0:38:48.360 --> 0:38:50.840
<v Speaker 1>going to see so she comes back on his roof.

0:38:51.920 --> 0:38:55.240
<v Speaker 1>He hates her, but he's caees her, so he's got hope.

0:38:55.280 --> 0:38:59.400
<v Speaker 1>Now he's excited again, even though he's not showing it

0:38:59.440 --> 0:39:03.799
<v Speaker 1>inside irritated. I understand it, but he's still It's like here,

0:39:03.880 --> 0:39:06.600
<v Speaker 1>there's the love of his life, right and she's on

0:39:06.640 --> 0:39:09.200
<v Speaker 1>the roof, and he's in a power position, and he's

0:39:09.239 --> 0:39:12.319
<v Speaker 1>just gonna play his part until she says the right thing.

0:39:12.440 --> 0:39:14.160
<v Speaker 1>She could have convinced him to come back. And and

0:39:14.280 --> 0:39:16.480
<v Speaker 1>think the reason I say it's a little cruel. It

0:39:16.560 --> 0:39:19.839
<v Speaker 1>was kind of self serving just for Rory. This had

0:39:19.960 --> 0:39:24.799
<v Speaker 1>nothing to do to help Dean out. It just drove right.

0:39:24.800 --> 0:39:27.240
<v Speaker 1>It was to clear her conscience, and it just drove

0:39:27.280 --> 0:39:30.200
<v Speaker 1>the knife in deeper to Dean because she actually gave

0:39:30.280 --> 0:39:31.880
<v Speaker 1>him a little hope in the beginning of the scene

0:39:31.880 --> 0:39:34.800
<v Speaker 1>by saying, I just wanted to come by and say that.

0:39:35.760 --> 0:39:38.720
<v Speaker 1>And you didn't know what she was gonna say, right

0:39:38.920 --> 0:39:41.680
<v Speaker 1>she said, I just want you to know that. What

0:39:41.719 --> 0:39:45.880
<v Speaker 1>does she say? I loved you in the past and

0:39:45.960 --> 0:39:47.360
<v Speaker 1>now that we're not to get I mean, it was

0:39:47.400 --> 0:39:49.840
<v Speaker 1>like Jesus, you're kicking the guy in then you know,

0:39:49.960 --> 0:39:53.560
<v Speaker 1>once again, he's already down, he's trying to move on.

0:39:54.080 --> 0:39:59.920
<v Speaker 1>Now you come by to tease him. And I just

0:40:00.080 --> 0:40:03.360
<v Speaker 1>thought it was a tease, and it was asking Dean

0:40:04.200 --> 0:40:07.040
<v Speaker 1>to have a stiff upper lip yet again in the

0:40:07.120 --> 0:40:11.000
<v Speaker 1>face of a huge loss in his life. And there

0:40:11.040 --> 0:40:13.440
<v Speaker 1>she is in the flesh, sort of like being a

0:40:13.520 --> 0:40:17.000
<v Speaker 1>little ambiguous in the beginning and then saying, well, I'm

0:40:17.040 --> 0:40:20.200
<v Speaker 1>here to say that I'm really sorry, and I know

0:40:20.280 --> 0:40:22.439
<v Speaker 1>you loved me and I loved you too, but we're

0:40:22.520 --> 0:40:26.400
<v Speaker 1>really over, Okay, I've moved on. I mean, it's like

0:40:26.600 --> 0:40:30.840
<v Speaker 1>just it's like Jesus. But I definitely see it in

0:40:30.920 --> 0:40:34.080
<v Speaker 1>like the girl's point of view, because Rory also wants

0:40:34.160 --> 0:40:35.840
<v Speaker 1>like at the end when she's like, I hope we

0:40:35.880 --> 0:40:38.560
<v Speaker 1>can be friends, Like she just wants everything to be

0:40:39.200 --> 0:40:42.239
<v Speaker 1>like start over, hope they can be friends again. He

0:40:42.400 --> 0:40:44.799
<v Speaker 1>was so great to her and her mom and like

0:40:45.000 --> 0:40:48.359
<v Speaker 1>everything in her life. But I think she also like

0:40:48.560 --> 0:40:50.640
<v Speaker 1>she wants that piece because I think she knows Jesse.

0:40:50.920 --> 0:40:54.040
<v Speaker 1>Is it any different than what Richard did. It's essentially

0:40:54.120 --> 0:40:59.040
<v Speaker 1>the same thing. She's sort of manipulating or she's trying

0:40:59.080 --> 0:41:02.480
<v Speaker 1>to do for her future. Had good intentions, she wants

0:41:02.520 --> 0:41:06.080
<v Speaker 1>to say sorry. The way they ended was so screwy.

0:41:06.200 --> 0:41:09.200
<v Speaker 1>She's she has good intentions with it. But I see

0:41:09.200 --> 0:41:11.520
<v Speaker 1>what you're saying, so that it was so painful to Dean.

0:41:12.040 --> 0:41:14.640
<v Speaker 1>Sometimes you really have to put yourself in the other person.

0:41:15.239 --> 0:41:17.799
<v Speaker 1>How does that help him? I feel like it did

0:41:17.880 --> 0:41:20.880
<v Speaker 1>help him. I don't know, That's just my opinion because,

0:41:21.120 --> 0:41:23.360
<v Speaker 1>like like I was saying, a little, you know, a

0:41:23.360 --> 0:41:28.120
<v Speaker 1>little bit ago, I think he feels really stupid, like

0:41:28.320 --> 0:41:31.120
<v Speaker 1>very stupid, like he was played, which in all honesty,

0:41:31.120 --> 0:41:34.520
<v Speaker 1>he was, but I think it was it was a

0:41:34.560 --> 0:41:39.239
<v Speaker 1>time for him to hear like, yeah, you know, I

0:41:39.280 --> 0:41:41.919
<v Speaker 1>was played. But also she did have feelings for me,

0:41:42.280 --> 0:41:46.239
<v Speaker 1>and I can at least know that I wasn't completely

0:41:47.480 --> 0:41:51.560
<v Speaker 1>dumb in this relationship, you know, like, I think it

0:41:51.600 --> 0:41:55.320
<v Speaker 1>gives him a little bit of okay, you know it

0:41:56.239 --> 0:41:59.000
<v Speaker 1>was us, but then somebody else came in. You're not

0:41:59.080 --> 0:42:07.080
<v Speaker 1>completely stu up a Dean. You It sounds bad you

0:42:07.239 --> 0:42:11.520
<v Speaker 1>got hosed Royally. I just felt I'm the most fabulous

0:42:11.560 --> 0:42:17.200
<v Speaker 1>girl that you will ever meet. But hey, good news, Pal,

0:42:18.400 --> 0:42:22.320
<v Speaker 1>I loved you once by. I feel like he deserved

0:42:22.680 --> 0:42:27.000
<v Speaker 1>thanks for coming by, Rory, don't let that tree hit

0:42:27.040 --> 0:42:32.319
<v Speaker 1>you on the question. For you, this is fun to

0:42:32.360 --> 0:42:36.480
<v Speaker 1>do with you. Do you think, knowing what you know,

0:42:36.719 --> 0:42:41.520
<v Speaker 1>that we'll ever see Dean and Rory together again. I

0:42:41.560 --> 0:42:44.279
<v Speaker 1>feel like he'll come back at some point, whether they're

0:42:44.320 --> 0:42:49.919
<v Speaker 1>together or not, I don't know, but yeah, yes, he'll

0:42:49.960 --> 0:42:53.080
<v Speaker 1>come back. I think if he's if he if he's

0:42:53.160 --> 0:42:55.719
<v Speaker 1>this much of a glutton for punishment, he'll come back.

0:42:56.400 --> 0:43:00.120
<v Speaker 1>He's got a taste for it now, Scott, I don't

0:43:00.120 --> 0:43:02.600
<v Speaker 1>to say what's going to happen, But no truer words

0:43:02.640 --> 0:43:14.120
<v Speaker 1>have ever got, No oh Man favorite lines. I think

0:43:14.160 --> 0:43:16.160
<v Speaker 1>I did fashion. I mean I thought I just thought,

0:43:16.760 --> 0:43:21.560
<v Speaker 1>hats off to loora lie. Her look was so good. Yeah,

0:43:21.640 --> 0:43:24.400
<v Speaker 1>she looked. She looked really good in this She's looking

0:43:24.440 --> 0:43:29.080
<v Speaker 1>good in this season, isn't she? Yes, yes, yes, she

0:43:29.200 --> 0:43:37.560
<v Speaker 1>looks really beautiful like everything. Favorite lines. I think this

0:43:37.640 --> 0:43:39.720
<v Speaker 1>was when they were talking about going to the the

0:43:40.040 --> 0:43:44.040
<v Speaker 1>taco place, crisp and meaty, and then Rory goes dirty

0:43:44.280 --> 0:43:52.680
<v Speaker 1>like mine's Loura lie to Luke when Luke realizes that

0:43:52.800 --> 0:43:56.560
<v Speaker 1>Justin Rory are meeting up together, and Loria le goes,

0:43:56.600 --> 0:43:58.919
<v Speaker 1>if you'd like, I'd let you sniff rory sweater. Maybe

0:43:58.920 --> 0:44:02.600
<v Speaker 1>the cent will help you track them down out. Oh

0:44:02.600 --> 0:44:07.440
<v Speaker 1>my god, that was brilliant. Yeah, that was brilliant. That

0:44:07.480 --> 0:44:10.520
<v Speaker 1>scene was brilliant. And she said that and then look

0:44:10.760 --> 0:44:12.480
<v Speaker 1>they cut back to look and he's looking at her.

0:44:12.520 --> 0:44:17.680
<v Speaker 1>He goes, he goes, what do you find amusing? He

0:44:19.320 --> 0:44:25.640
<v Speaker 1>considering did you see the look on his face like

0:44:25.760 --> 0:44:29.440
<v Speaker 1>he just smelled a sour lemon? Like, what do you

0:44:29.520 --> 0:44:37.400
<v Speaker 1>find amusing? Amazing? Sometimes, Oh god, who's that guy that

0:44:37.440 --> 0:44:41.200
<v Speaker 1>played Look he's pretty good. He was pretty good. We

0:44:41.200 --> 0:44:46.799
<v Speaker 1>gotta get him on the show. Favorite line, Um, this

0:44:46.880 --> 0:44:49.600
<v Speaker 1>is about the broken button. Emily says, I have a

0:44:49.680 --> 0:44:51.440
<v Speaker 1>stare to go to tonight. What am I going to do?

0:44:51.560 --> 0:44:53.440
<v Speaker 1>And lorel I says, drink a lot. It's easier to

0:44:53.480 --> 0:44:57.800
<v Speaker 1>explain than not wearing a skirt if you're falling that

0:44:59.040 --> 0:45:00.640
<v Speaker 1>he can't seen in the back. From there, we didn't

0:45:00.640 --> 0:45:04.520
<v Speaker 1>talk about it. Very cute. The whole thing was that whole,

0:45:05.120 --> 0:45:07.160
<v Speaker 1>from start to finish, from when they got to Yale

0:45:07.760 --> 0:45:11.360
<v Speaker 1>all through up until they got to the Dean's office

0:45:11.440 --> 0:45:17.680
<v Speaker 1>or whatever. Where did they film that good question. I

0:45:17.719 --> 0:45:22.280
<v Speaker 1>feel like we are missing a very obvious good line

0:45:22.520 --> 0:45:24.839
<v Speaker 1>from Rory and Dean to I don't know what you're

0:45:24.880 --> 0:45:28.920
<v Speaker 1>talking about. Yeah, it's the very end when Rory goes,

0:45:29.160 --> 0:45:31.239
<v Speaker 1>I hope some day you won't hate me anymore, and

0:45:31.360 --> 0:45:37.719
<v Speaker 1>Dan goes, I hope so too. Oh yeah, and again again.

0:45:38.760 --> 0:45:42.280
<v Speaker 1>I know I point this out every week. The whatever

0:45:42.360 --> 0:45:45.239
<v Speaker 1>the word is, we need to get the word. The

0:45:45.280 --> 0:45:49.560
<v Speaker 1>scene that's the christn though, is the kiss. And then

0:45:49.600 --> 0:45:53.879
<v Speaker 1>they always give us more. It's like it's really now

0:45:53.920 --> 0:45:58.040
<v Speaker 1>I've realized, like a Gilmore thing, because you would think

0:45:58.480 --> 0:46:01.239
<v Speaker 1>kiss kiss, kiss, kiss, kiss, reread it's roll, but no,

0:46:01.520 --> 0:46:04.480
<v Speaker 1>they always give you a little more and it almost

0:46:04.560 --> 0:46:09.400
<v Speaker 1>is a down something, but it's the most important. Just

0:46:09.480 --> 0:46:13.520
<v Speaker 1>when you think and I think, that's not all folks.

0:46:14.120 --> 0:46:16.960
<v Speaker 1>But I think it's interesting to to show Rory in

0:46:17.040 --> 0:46:20.160
<v Speaker 1>this light because look at what she's capable of doing

0:46:20.200 --> 0:46:24.480
<v Speaker 1>to a boy's heart. Okay, look how desirable she is

0:46:24.520 --> 0:46:27.080
<v Speaker 1>and how special she is, but look what she's capable of. Right,

0:46:27.160 --> 0:46:31.200
<v Speaker 1>So this so it's like Luke may be happy now,

0:46:31.840 --> 0:46:37.040
<v Speaker 1>but Jess could get rorried. I mean you know that

0:46:37.080 --> 0:46:40.399
<v Speaker 1>old line, you know you've been gilmourd. Right, Well, Dean

0:46:40.520 --> 0:46:43.719
<v Speaker 1>got rorried, and I wonder if Jess is going to

0:46:43.840 --> 0:46:47.080
<v Speaker 1>get rorried. Is Jess gonna get Rory? I I don't know.

0:46:47.360 --> 0:46:53.560
<v Speaker 1>We'll see. But he's vulnerable now, he's vulnerable, he's weakening. Right,

0:46:57.040 --> 0:46:59.920
<v Speaker 1>It was good episode. Next week is a lot of

0:47:00.040 --> 0:47:07.480
<v Speaker 1>people's favorite episode, really, the deep Fried Korean Thanksgiving Times.

0:47:08.080 --> 0:47:10.479
<v Speaker 1>All of my nieces have seen Gilmore Girls so many

0:47:10.480 --> 0:47:13.360
<v Speaker 1>times and this is one of their favorite. Really. Really,

0:47:13.520 --> 0:47:16.719
<v Speaker 1>we watched this this Thanksgiving. We watch it on Thanksgiving?

0:47:16.960 --> 0:47:21.080
<v Speaker 1>Who we who? We the Sugarman family, sugar they all

0:47:21.080 --> 0:47:24.200
<v Speaker 1>get together and watch this. Really, this episode, this is

0:47:24.239 --> 0:47:27.040
<v Speaker 1>considered one of the great episodes of the whole It's

0:47:27.080 --> 0:47:31.080
<v Speaker 1>a favorite, really, And good news for Danielle Halloween is

0:47:31.120 --> 0:47:39.719
<v Speaker 1>overs are always gone. Um, well, I guess that episode,

0:47:40.120 --> 0:47:44.000
<v Speaker 1>the Thanksgiving episode got romode. There you go, then, thank

0:47:44.040 --> 0:47:53.400
<v Speaker 1>you for I've never felt more honored rode to remove

0:47:53.440 --> 0:47:56.839
<v Speaker 1>it and in the Webster's definitions, to remove pumpkins from

0:47:56.920 --> 0:48:05.759
<v Speaker 1>your premises to god. So good, alright, everybody that's gonna

0:48:05.800 --> 0:48:10.799
<v Speaker 1>do it. Great episode, really just I really relaxed into

0:48:10.840 --> 0:48:13.640
<v Speaker 1>this episode. Is a very comforting, relaxing episode to see

0:48:13.640 --> 0:48:17.840
<v Speaker 1>that family so bonded yet so dysfunctional, and boys getting

0:48:17.880 --> 0:48:20.480
<v Speaker 1>their hearts tramped on. And it was also such an

0:48:20.520 --> 0:48:27.680
<v Speaker 1>important episode I think, like moving forward. Care to elaborate, No,

0:48:27.800 --> 0:48:29.680
<v Speaker 1>we don't have time. That's it. That's it. We got

0:48:29.719 --> 0:48:31.600
<v Speaker 1>no more time. We're out. We're out, all right, everybody.

0:48:31.600 --> 0:48:34.320
<v Speaker 1>Thanks best fans on the planet. Keep download, keep sending

0:48:34.320 --> 0:48:37.200
<v Speaker 1>the comments. You're shaping this show. We love the shape

0:48:37.200 --> 0:48:40.840
<v Speaker 1>of the show is taking and uh, it's due to

0:48:40.920 --> 0:48:44.000
<v Speaker 1>your diligence. So thanks everybody for that, and we'll see

0:48:44.000 --> 0:49:16.160
<v Speaker 1>you next time. Stay safe everyone, Hey, everybody, and don't

0:49:16.160 --> 0:49:19.680
<v Speaker 1>forget Follow us on Instagram at I Am all In

0:49:19.920 --> 0:49:24.200
<v Speaker 1>podcast and email us at Gilmore at I heart radio

0:49:24.560 --> 0:49:27.000
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0:49:27.040 --> 0:49:28.759
<v Speaker 1>for the best cup of coffee in the world. Go

0:49:28.840 --> 0:49:32.640
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0:49:32.760 --> 0:49:34.920
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0:49:34.920 --> 0:49:45.840
<v Speaker 1>ep dot com Grade one Specialty Coffee. Yeah.