WEBVTT - Tom Higgenson from Plain White T’s Stops By

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<v Speaker 1>What's up, everybody? What's up Batchel Nation? Welcome back to

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<v Speaker 1>another great episode that Becca and I have in store

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<v Speaker 1>for you today. Becca, we have so much to discuss,

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<v Speaker 1>per usual, I feel like we're always starting the show

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<v Speaker 1>off like that because it's the honest to god truth.

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<v Speaker 1>We have so much to talk about. Of course, we

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<v Speaker 1>have an amazing guest that our listeners can look forward to,

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<v Speaker 1>and we really just hope you guys tuned in last

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<v Speaker 1>night to listen to your heart because that is the

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<v Speaker 1>new season that we are stepping into. We're discussing all

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<v Speaker 1>things with the show, the contestants, the drama, the love,

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<v Speaker 1>the excitement. I mean, if you didn't watch it last night,

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<v Speaker 1>I honestly have no idea what it is that you're doing.

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<v Speaker 1>Be honest, you've watched everything else. This is a new show.

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<v Speaker 1>It's here, it's exciting, we're all home. You have nothing

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<v Speaker 1>else to do. Stop trying to be all hard about it,

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<v Speaker 1>like I'm not going to watch another Bachelor show because

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<v Speaker 1>we know you want to, We're doing it. I have

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<v Speaker 1>been so excited for this premiere because I kept saying

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<v Speaker 1>I feel like Nation as a whole just needed something

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<v Speaker 1>else to bring us together. You know, we don't have

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<v Speaker 1>any other shows really to bond everyone at this moment.

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<v Speaker 1>So if you didn't catch the two hour premiere plays,

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<v Speaker 1>go back and watch it because it really has so

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<v Speaker 1>many fun pieces. Of course, just like your typical Batch

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<v Speaker 1>for Batch or at fashion, you have the love, you

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<v Speaker 1>have the drama, you also have some music, and of

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<v Speaker 1>course our favorite Chris Harrison, so you really get it

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<v Speaker 1>all within listen to your heart. And I can't wait

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<v Speaker 1>to see where the season goes because we saw a

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<v Speaker 1>Waco down in that two hour premiere, one of my

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<v Speaker 1>favorite things, and I can't wait to break it down

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<v Speaker 1>because we have a very very special guest coming. I

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<v Speaker 1>don't know about you, Rachel, but high School Becca was

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<v Speaker 1>fan girling a little bit when we saw I'm just

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<v Speaker 1>gonna give it away because we saw Tom Higginson from

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<v Speaker 1>The Plain White Teas and everyone out there, you have

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<v Speaker 1>been living under a rock if you don't know, Hey there, Delilah.

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<v Speaker 1>That is their hit. So we saw him perform on

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<v Speaker 1>the show. We'll have him on our podcasts a little

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<v Speaker 1>bit later. But I just can't wait to break it down,

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<v Speaker 1>dig deep into this new show that hopefully, like I said,

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<v Speaker 1>we'll bring everyone together. Becca, I feel like you aged

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<v Speaker 1>me a bit because you said high school and I'm like, actually, Becca,

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<v Speaker 1>for me, it was college college Rachel. I was obsessed

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<v Speaker 1>with Hey there, Delilah. I don't even want to get

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<v Speaker 1>into it because I'm going to talk about it with

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<v Speaker 1>our guest coming up. But I'm excited to hear what

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<v Speaker 1>went down on that date and all the details because

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<v Speaker 1>I feel like we didn't really get to see too

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<v Speaker 1>much of it, which I don't know if it's telling,

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<v Speaker 1>So hopefully Tom can give us some inside scoop. But

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<v Speaker 1>before we jump to Mel and Matt's backyard concert, let's

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<v Speaker 1>go ahead and get started talking about all the amazing

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<v Speaker 1>contestants we got to meet from last night. Okay, Becca,

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<v Speaker 1>I don't know about you, but we really didn't know.

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<v Speaker 1>We said this before, but we didn't know what to

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<v Speaker 1>expect with Listen to Your Heart. We knew we were

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<v Speaker 1>getting Chris Harrison. We knew these there were men and

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<v Speaker 1>women living together. We know it's this Bachelor Pad times,

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<v Speaker 1>Bachelor Times, American Idol type show, so we knew we

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<v Speaker 1>were getting a hybrid. But is it just me or

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<v Speaker 1>were you shocked that they had packages like we did

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<v Speaker 1>on Bachelor and Bachelorette. I kind of was, But I

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<v Speaker 1>like it because it gives us a way to get

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<v Speaker 1>to know all the contestants a little bit more. I mean,

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<v Speaker 1>of course, we had talked to Trevor and very last week,

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<v Speaker 1>so we knew what to expect with them, but there's

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<v Speaker 1>so much more of these people that we're seeing. And

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<v Speaker 1>I like it too because it still gives you that

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<v Speaker 1>the first night of like the Bachelor the bacheloride. Obviously

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<v Speaker 1>they didn't pull up in limos, but it still has

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<v Speaker 1>that feel. But I like it because I just feel

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<v Speaker 1>like there's so much more of a variety. And I mean,

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<v Speaker 1>I just love It's different from Paradise because when people

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<v Speaker 1>come into Paradise, you already know them. So these people

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<v Speaker 1>are all new, they're all fresh. You have no idea

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<v Speaker 1>what to expect, how they're going to mesh together. And

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<v Speaker 1>so it was kind of funny watching them all walk

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<v Speaker 1>in and you saw more of some of the people

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<v Speaker 1>and less of some of the people. But like even

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<v Speaker 1>the little comments that some of the guys were making

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<v Speaker 1>them like wait when did you come in? Like where

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<v Speaker 1>did you pop about? Of so I can't wait to

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<v Speaker 1>get in more. But Let's let's get into some of

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<v Speaker 1>the people that we did meet. So obviously we spoke

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<v Speaker 1>with Trevor and Bree last week. Trevor is the one

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<v Speaker 1>who says he's never dated a musician, but he also

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<v Speaker 1>wants to live on the tour bus. And now he's

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<v Speaker 1>the one who maybe America has seen before on American Idol, Right,

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<v Speaker 1>so I feel like he comes in with a little

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<v Speaker 1>bit of an edge. He's done Reality TV. That Reality

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<v Speaker 1>TV show was a singing show. So a part of

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<v Speaker 1>me is like, Okay, maybe Trevor might know a little

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<v Speaker 1>bit of what he's doing, what's going on here. He's

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<v Speaker 1>more of the experienced one. But then he seems so

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<v Speaker 1>I mean, obviously we talked to him, so we got

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<v Speaker 1>to know him a little bit better, but even just

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<v Speaker 1>from his package, he seems very humble, down to earth,

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<v Speaker 1>you know. Dare I say it, Becca here for the

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<v Speaker 1>right reasons, I would agree. He also seems and you

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<v Speaker 1>say it, like, you know, he should have some experience

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<v Speaker 1>in the TV world, but he kind of seems a

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<v Speaker 1>little bashville like, more more timid, which I kind of

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<v Speaker 1>find endearing. Yeah, and maybe his experience for American Idol

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<v Speaker 1>did it he's twenty nine, I believe, so maybe age

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<v Speaker 1>as well. He just doesn't seem to be caught up

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<v Speaker 1>in the fact that he's on a TV show, just

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<v Speaker 1>he's there with a purpose. Same with Brie. We talked

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<v Speaker 1>to Brie. Brie comes from a big family, She's from Provo.

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<v Speaker 1>We know that she was recently engaged called it off

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<v Speaker 1>a year and a half ago, so I feel like

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<v Speaker 1>she's She's very open to the experience and what it

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<v Speaker 1>could be about, but is definitely I felt like she

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<v Speaker 1>wants to find love as well. I think for those

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<v Speaker 1>first two they seem mature. They I feel like they

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<v Speaker 1>are going into it kind of knowing what they're looking

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<v Speaker 1>for in a partner they have. From what I'm seeing,

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<v Speaker 1>they seem like they have a good head on their shoulders.

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<v Speaker 1>I do want to get into And I know we

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<v Speaker 1>didn't see an intro package for Jamie, but she was

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<v Speaker 1>the first one to come to the mansion and Jamie

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<v Speaker 1>fresh out of the what do they pull up in

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<v Speaker 1>and Suv. I was gonna say, Minivan that that's not right,

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<v Speaker 1>but she was just like so full of life and

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<v Speaker 1>like Spunky and I have a list of notes, and

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<v Speaker 1>she just seemed kind of quirky and fun. But she

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<v Speaker 1>kept saying the first night like I don't want drama.

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<v Speaker 1>I don't want drama. And what's going through my mind

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<v Speaker 1>is like, girl, you sign up for a reality TV show,

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<v Speaker 1>you're gonna get that drama which we see go down later,

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<v Speaker 1>which we will of course get into. But just from

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<v Speaker 1>the intro packages is I want to ask you this

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<v Speaker 1>because I have one of my favorites of who we saw,

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<v Speaker 1>and I want to know who yours was, too. Um Okay,

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<v Speaker 1>I'll tell you my favorite. First was going to say

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<v Speaker 1>about Jamie. Two things I noticed about Jamie She's I

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<v Speaker 1>agree with everything that you said. Also, she is clearly

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<v Speaker 1>a fan of the Bachelor. I just felt like she

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<v Speaker 1>knew she's good TV. She's she's fun to watch, she's

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<v Speaker 1>very into it, she's exciting. But I also was like

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<v Speaker 1>she's a fan of the Bachelor's. She was just her

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<v Speaker 1>excitement level was on another level. She was just happy

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<v Speaker 1>to be there. You know. But m Jamie might be

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<v Speaker 1>one of my favorites, But are you talking about my

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<v Speaker 1>favorites from all twenty contestants or from the packages that

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<v Speaker 1>we saw. Let's start with packages and then let's do

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<v Speaker 1>all twenty contestants too. Oh okay, So honestly, my favorite

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<v Speaker 1>from the packages was brief. Okay, I'm really a brief fan.

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<v Speaker 1>I'm a brief fan too, especially after talking to her.

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<v Speaker 1>But she just seems like an all her own good person.

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<v Speaker 1>But I have to say, and I'm not just saying

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<v Speaker 1>this because it's my namesake, but Becca seems like such

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<v Speaker 1>a little like I mean, she called herself a theater nerd,

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<v Speaker 1>but she just seems so quirky and watching her package

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<v Speaker 1>of like her doing like the little side tap dance

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<v Speaker 1>across and like doing the musical theater. I'm like, I

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<v Speaker 1>like her, and I feel like we didn't see too

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<v Speaker 1>much of her the rest of the episode. But uh,

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<v Speaker 1>I'm a Becca fan. I'm gonna be honest with you.

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<v Speaker 1>When you said Becca, I had to look down at

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<v Speaker 1>my notes to try to think who was Becca? Well,

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<v Speaker 1>and you don't see too much of her in the

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<v Speaker 1>rest of the episode. I was really excited when I

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<v Speaker 1>saw her intro package, and then I think there was

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<v Speaker 1>so much more that took place that they just didn't

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<v Speaker 1>get enough of her because of, you know, all of

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<v Speaker 1>the other little drama that was going down. But but

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<v Speaker 1>I did want to see more of her. I'm gonna

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<v Speaker 1>now you've sparked my interest. I feel like I'm gonna

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<v Speaker 1>have to pay attention to her next episode. I really

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<v Speaker 1>like Sheridan because there was no one else like him. Also,

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<v Speaker 1>he lives in Texas. I'm from Texas. He used to

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<v Speaker 1>live in Austin. I love that he lives in his

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<v Speaker 1>car and he has named his car. I'm a fan

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<v Speaker 1>of naming cars as well. Is car's name Sheila. I

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<v Speaker 1>want to I want to have him on the podcast

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<v Speaker 1>to see how he came up with that name. Yeah.

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<v Speaker 1>I mean, she loves a song, so maybe maybe, but

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<v Speaker 1>it's not it's not his genre of music. It's ready

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<v Speaker 1>but Ready for the world you should listen to. It's like, oh, Sheila,

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<v Speaker 1>it's a very good song. But he stood out to

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<v Speaker 1>me he was different, So I was like, okay, like

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<v Speaker 1>he's a different type of character we're gonna get, but

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<v Speaker 1>a necessary character for a singing show. Um. I mean

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<v Speaker 1>other packages we saw what no, no, no? What should

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<v Speaker 1>take on Savannah? What is your take on so Savannah?

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<v Speaker 1>I okay, let me see what I have. So for

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<v Speaker 1>my notes for Savannah, I put she seems sassy and

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<v Speaker 1>going in that was polite? Um, what did she say

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<v Speaker 1>that she gets her way with guys though, which I'm like, okay,

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<v Speaker 1>but I feel like there's gonna be Um. I don't

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<v Speaker 1>know if there's gonna be some drama down the road

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<v Speaker 1>with her, but I feel like she I cannot hold

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<v Speaker 1>her own and keep people in her in their place.

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<v Speaker 1>I just am more like, do you hear yourself talking

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<v Speaker 1>talking about the way men react to you? Do you

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<v Speaker 1>do you hear yourself? I mean, just the level the

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<v Speaker 1>lack of self awareness that she has in speaking about

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<v Speaker 1>herself and how men are attracted to her and how

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<v Speaker 1>she deals with them and handles them. It was just

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<v Speaker 1>a little too much and it was off putting for me.

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<v Speaker 1>So I wasn't as into Savannah Brandon. Let me let

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<v Speaker 1>me take weight, like, let me make sure I'm looking

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<v Speaker 1>at the right guy for Brandon. Where is he? Why?

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<v Speaker 1>Okay Brandon? He was yeah, match on the same level person, Brandon.

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<v Speaker 1>I kept getting let me pull up the face cards too.

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<v Speaker 1>But it was between Brandon Trevor, and then who's the

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<v Speaker 1>other guy, Michael Todd who we need to get into

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<v Speaker 1>Michael Todd. In a little bit between between those three,

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<v Speaker 1>I was like, I can't keep who is who's straight? No, Trevor,

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<v Speaker 1>I got, but Brandon and Michael Todd. I could say that,

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<v Speaker 1>but Michael Todd. If there was a jet on the show,

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<v Speaker 1>it would be Michael Todd. That's what I kept thinking. No,

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<v Speaker 1>you think they're alike. If there was anybody who was there,

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<v Speaker 1>he said, I'm on a singing show. I'm here to

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<v Speaker 1>be discovered. Let me sing every chance I can get,

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<v Speaker 1>let me play my instrument. Let me also let them

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<v Speaker 1>know why I am a songwriter. That was Michael Todd.

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<v Speaker 1>I mean, look at his look. Just look down at

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<v Speaker 1>your notes and look at his shots. His head shot. No,

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<v Speaker 1>Rachel as I was, so I rewatched it again, um,

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<v Speaker 1>just so I could make sure I have everything straight.

0:11:41.840 --> 0:11:43.760
<v Speaker 1>But I was looking at his head shot and I

0:11:43.800 --> 0:11:46.240
<v Speaker 1>was like, this is the one that they picked for him.

0:11:46.720 --> 0:11:50.920
<v Speaker 1>But we just gotta fast forward through the interpackage because

0:11:50.960 --> 0:11:53.000
<v Speaker 1>he probably was like, I need to see all five shots.

0:11:53.160 --> 0:11:55.959
<v Speaker 1>That's the one that I'm going with. That's why you

0:11:55.960 --> 0:11:57.880
<v Speaker 1>would have ever picked it. We have to post this

0:11:58.120 --> 0:12:00.600
<v Speaker 1>just so. I don't know if our listener can see

0:12:00.600 --> 0:12:05.800
<v Speaker 1>this somehow, but we'll show you guys one day. Fast

0:12:05.840 --> 0:12:10.440
<v Speaker 1>forward to Michael Todd's first interaction. It was actually with Savannah,

0:12:10.480 --> 0:12:17.160
<v Speaker 1>and I was literally coiling into my couch, like, oh,

0:12:16.800 --> 0:12:20.600
<v Speaker 1>this conversation is so terrible. The moment when he looks

0:12:20.600 --> 0:12:22.559
<v Speaker 1>at Savannah and they're sitting there and he goes, I

0:12:22.600 --> 0:12:25.960
<v Speaker 1>like your lips. I'm like, uh no, we've all been.

0:12:26.200 --> 0:12:28.960
<v Speaker 1>We've all been that girl to have some awkward guy

0:12:29.040 --> 0:12:32.560
<v Speaker 1>at some point in time. Stare at us and Mike, Oh,

0:12:32.679 --> 0:12:35.000
<v Speaker 1>you have nice lips, and I'm like, oh, that doesn't

0:12:35.040 --> 0:12:37.600
<v Speaker 1>work for anyone. Don't do it. And she just sits there,

0:12:37.600 --> 0:12:39.800
<v Speaker 1>and that's maybe that's the moment where I kind of

0:12:39.800 --> 0:12:41.800
<v Speaker 1>liked Savannah because she she just sat there and she

0:12:41.880 --> 0:12:45.240
<v Speaker 1>was like thank you, Like she didn't play into it.

0:12:45.240 --> 0:12:47.960
<v Speaker 1>It was just so awkward and so cringe worthy. And

0:12:48.000 --> 0:12:51.160
<v Speaker 1>I lived for that moment. But in my notes, when

0:12:51.200 --> 0:12:55.079
<v Speaker 1>I have Michael Todd's name just circled and X after

0:12:55.120 --> 0:12:57.800
<v Speaker 1>that conversation and X through his name, I was like

0:12:59.240 --> 0:13:01.280
<v Speaker 1>he I mean, I didn't even need him to open

0:13:01.360 --> 0:13:04.640
<v Speaker 1>his mouth and speak. I got who Michael Todd was

0:13:04.800 --> 0:13:08.280
<v Speaker 1>from the moment we saw him step out of that SUV.

0:13:08.600 --> 0:13:11.959
<v Speaker 1>I was like, nop, got your number. No, exactly who

0:13:12.000 --> 0:13:14.600
<v Speaker 1>you are. He reminds me so much of some actor

0:13:14.640 --> 0:13:16.319
<v Speaker 1>and I can't think of who. So if anyone out

0:13:16.320 --> 0:13:19.640
<v Speaker 1>there's listening who you can pinpoint it, please send it

0:13:19.679 --> 0:13:22.720
<v Speaker 1>my way, because it is bothering me so much. You

0:13:22.760 --> 0:13:25.600
<v Speaker 1>know what I liked too about just when they all

0:13:25.640 --> 0:13:28.400
<v Speaker 1>got together and as people were coming out of their

0:13:28.440 --> 0:13:31.959
<v Speaker 1>SUV's meeting Chris Harrison, well, wait, who was it who

0:13:32.040 --> 0:13:34.960
<v Speaker 1>said the guy's name is Chris? I think it was Matt,

0:13:35.320 --> 0:13:38.720
<v Speaker 1>who was like, is Chris right, Chris? What? And he's

0:13:38.720 --> 0:13:43.320
<v Speaker 1>like Hansen. I was like, oh, you're all there, Matt?

0:13:43.480 --> 0:13:47.640
<v Speaker 1>How freaking refreshing? Was it that? Because like, I feel

0:13:47.679 --> 0:13:50.959
<v Speaker 1>like a stick on the Bachelor Bachelorette is I haven't

0:13:51.000 --> 0:13:54.680
<v Speaker 1>really watched any seasons. I haven't. It's cool to say that,

0:13:54.920 --> 0:13:57.360
<v Speaker 1>and then usually when somebody says that they have watched

0:13:57.360 --> 0:14:00.280
<v Speaker 1>it hm. So I thought it was it's nice that

0:14:00.320 --> 0:14:02.720
<v Speaker 1>these people are kind of like, yeah, the guy looks familiar.

0:14:02.800 --> 0:14:06.640
<v Speaker 1>I think his name starts with a ce, Chris, there's

0:14:06.679 --> 0:14:09.600
<v Speaker 1>an h in there. It was like, Okay, these people are,

0:14:10.360 --> 0:14:13.240
<v Speaker 1>you know, here to meet somebody, here to sing, here

0:14:13.280 --> 0:14:17.440
<v Speaker 1>to make music, make some love, and you know, I

0:14:17.440 --> 0:14:19.360
<v Speaker 1>mean I think it was Trevor who even talked about

0:14:19.400 --> 0:14:22.880
<v Speaker 1>from the jump a star is born, and I thought, Okay,

0:14:23.200 --> 0:14:26.000
<v Speaker 1>that's what we're going to get here. Yeah, I will

0:14:26.040 --> 0:14:28.600
<v Speaker 1>say seeing them all together once, all twenty of them

0:14:28.680 --> 0:14:32.120
<v Speaker 1>were in the same room, it didn't of course, it

0:14:32.160 --> 0:14:34.000
<v Speaker 1>was their night one, it was their first time media

0:14:34.000 --> 0:14:35.960
<v Speaker 1>and everyone, and of course you go in with hopes

0:14:36.040 --> 0:14:39.560
<v Speaker 1>to find love and have a connection. But it just

0:14:39.600 --> 0:14:43.760
<v Speaker 1>seemed less bouchel esque in that regard and more just

0:14:43.800 --> 0:14:45.640
<v Speaker 1>a party. I think I think the last guy, I

0:14:45.640 --> 0:14:47.840
<v Speaker 1>think it was Brandon who walked in. He's like, I'm

0:14:47.840 --> 0:14:49.840
<v Speaker 1>the last guy and I've just walked into this great

0:14:49.880 --> 0:14:52.480
<v Speaker 1>party and I've missed half of it. But it seemed

0:14:52.600 --> 0:14:56.320
<v Speaker 1>much more chill than your typical night one on the

0:14:56.360 --> 0:14:58.840
<v Speaker 1>Boucher Boucherette. Okay, Becca, you know how we do it.

0:14:59.000 --> 0:15:01.200
<v Speaker 1>We could keep going on and on and on talking

0:15:01.240 --> 0:15:03.080
<v Speaker 1>about that, and we will. You guys, don't worry, but

0:15:03.120 --> 0:15:05.560
<v Speaker 1>we have to take a much needed break because it's

0:15:05.600 --> 0:15:08.400
<v Speaker 1>the moment that we've all been waiting for. It's finally come.

0:15:08.560 --> 0:15:11.040
<v Speaker 1>We have our special guest on Bachelor Happy Hour today.

0:15:11.200 --> 0:15:14.000
<v Speaker 1>Tom Higginson from Plain Whyte's is joining us now on

0:15:14.040 --> 0:15:18.840
<v Speaker 1>the show Tom, What's up? What's up? Hello? Hello? How

0:15:18.880 --> 0:15:22.160
<v Speaker 1>are you we're doing? Telling us I'm really good? Are

0:15:22.160 --> 0:15:25.120
<v Speaker 1>you in your closet? By the way, we are, we

0:15:25.200 --> 0:15:28.400
<v Speaker 1>are so it's where we get the best sound quality.

0:15:28.480 --> 0:15:30.440
<v Speaker 1>Some people have accused us of wanting to show off

0:15:30.440 --> 0:15:33.160
<v Speaker 1>our clothes. It's not the case. It's our it's our

0:15:33.200 --> 0:15:39.280
<v Speaker 1>recording studio. Yeah, that's good organized than my closet. So

0:15:39.360 --> 0:15:43.160
<v Speaker 1>that's good. Good for you guys. This is a new thing.

0:15:43.520 --> 0:15:45.600
<v Speaker 1>When I knew that we were we you know, couldn't

0:15:45.600 --> 0:15:47.280
<v Speaker 1>be traveling for the podcast and had to be doing

0:15:47.280 --> 0:15:49.560
<v Speaker 1>it at home, I'm like, I gotta clean this baby out.

0:15:49.720 --> 0:15:52.280
<v Speaker 1>So gave me a good excuse, and now you're getting

0:15:52.280 --> 0:15:55.360
<v Speaker 1>an insight into our personalities. One of us cleaned up

0:15:55.400 --> 0:15:59.800
<v Speaker 1>and the other was like, mah, so well one day

0:16:00.120 --> 0:16:02.320
<v Speaker 1>more like you. I'm a procrastinator, so I haven't done

0:16:02.360 --> 0:16:04.520
<v Speaker 1>like anything. I've got a list of things that I

0:16:04.560 --> 0:16:06.880
<v Speaker 1>want to do with this, like quarantine, and I haven't

0:16:06.880 --> 0:16:10.800
<v Speaker 1>done anything. So yeah, how are you doing in the quarantine?

0:16:11.080 --> 0:16:14.600
<v Speaker 1>Are you safe as your family safe friends? I mean yeah,

0:16:14.680 --> 0:16:17.880
<v Speaker 1>knock on wood, you know, everything's good so far, everybody's healthy.

0:16:19.240 --> 0:16:21.600
<v Speaker 1>I'm doing I'm doing okay. It's weird for me because

0:16:21.640 --> 0:16:25.960
<v Speaker 1>obviously being in the band, we're traveling NonStop, whether it's touring,

0:16:26.080 --> 0:16:29.800
<v Speaker 1>playing shows, going to write with friends and stuff like that.

0:16:30.120 --> 0:16:33.080
<v Speaker 1>So it's a lot of like an adjustment to just

0:16:33.200 --> 0:16:36.240
<v Speaker 1>be in one place for a while. But it's it's

0:16:36.320 --> 0:16:38.160
<v Speaker 1>kind of nice that I get to be home. I

0:16:38.160 --> 0:16:40.400
<v Speaker 1>have a ten year old son, so to get to

0:16:40.440 --> 0:16:42.880
<v Speaker 1>hang with him all the time. It's a bummer. I

0:16:43.040 --> 0:16:46.160
<v Speaker 1>haven't seen like my parents or anything because they're you know,

0:16:46.240 --> 0:16:49.320
<v Speaker 1>obviously doing their own quarantine thing. But we've I've been

0:16:49.360 --> 0:16:53.120
<v Speaker 1>facetiming every day with them, facetiming with my grandparents. So

0:16:53.360 --> 0:16:56.600
<v Speaker 1>it's it's weird that like everybody has to be separated,

0:16:56.680 --> 0:16:59.480
<v Speaker 1>but yet we're still like kind of more together than

0:16:59.520 --> 0:17:02.920
<v Speaker 1>ever in a weird way. Yeah, it really is connecting

0:17:03.000 --> 0:17:07.280
<v Speaker 1>people in a different aspect. I mean, you know, before this,

0:17:07.800 --> 0:17:09.800
<v Speaker 1>because I live out of state, I don't live by

0:17:09.840 --> 0:17:12.440
<v Speaker 1>my family anymore, and I would probably call my mom

0:17:12.440 --> 0:17:14.560
<v Speaker 1>at least once, maybe twice a week. But now it's

0:17:14.560 --> 0:17:16.720
<v Speaker 1>like every other day we're face timing, and so it's

0:17:16.720 --> 0:17:19.280
<v Speaker 1>just bringing everyone together in a different way. Are you

0:17:19.320 --> 0:17:23.119
<v Speaker 1>still singing, songwriting, doing all of that. So I've been

0:17:23.160 --> 0:17:25.760
<v Speaker 1>doing a lot of I've been going live on Instagram

0:17:25.960 --> 0:17:28.520
<v Speaker 1>like every few days, you know, and just kind of

0:17:28.680 --> 0:17:31.200
<v Speaker 1>touching base. I've got obviously, I've got the Plain White

0:17:31.200 --> 0:17:33.000
<v Speaker 1>Teas and then I've got a record label that I

0:17:33.000 --> 0:17:36.199
<v Speaker 1>started called Humans We're Here, So between the artists on

0:17:36.240 --> 0:17:39.119
<v Speaker 1>that label and then calling the Plain White Teas guys,

0:17:39.200 --> 0:17:41.600
<v Speaker 1>we've been doing you know, I feel like to keep

0:17:41.640 --> 0:17:45.560
<v Speaker 1>fans connected, just doing things like that, going live on Instagram,

0:17:45.680 --> 0:17:49.199
<v Speaker 1>posting you know, just what you're doing, and having that

0:17:49.280 --> 0:17:51.360
<v Speaker 1>little face to face well I guess it's not face

0:17:51.400 --> 0:17:53.919
<v Speaker 1>to face, but face to texts or whatever it is.

0:17:54.920 --> 0:17:57.960
<v Speaker 1>There goa is important right now, and that's kind of,

0:17:58.240 --> 0:18:00.640
<v Speaker 1>you know, all you can do to stay in touch.

0:18:00.640 --> 0:18:02.280
<v Speaker 1>We were supposed to be on tour in the UK

0:18:03.600 --> 0:18:06.080
<v Speaker 1>during this time, and obviously that got canceled. We're getting

0:18:06.080 --> 0:18:09.000
<v Speaker 1>everything canceled, so yeah, you gotta just be creative and

0:18:09.040 --> 0:18:12.240
<v Speaker 1>find ways to stay connected with people. I haven't really

0:18:12.240 --> 0:18:14.600
<v Speaker 1>been writing. I wrote a little bit the other day,

0:18:14.960 --> 0:18:18.000
<v Speaker 1>but yeah, I don't know that. Like I said, that's

0:18:18.000 --> 0:18:22.520
<v Speaker 1>on my list that I'm going to get potentially, but yeah,

0:18:21.200 --> 0:18:25.560
<v Speaker 1>I feel like I'm holding the bars so high. I'm like,

0:18:25.600 --> 0:18:28.320
<v Speaker 1>oh my gosh, when these artists come out of this quarantine,

0:18:28.359 --> 0:18:31.879
<v Speaker 1>I can't wait for the music, the fashion that I

0:18:31.960 --> 0:18:34.440
<v Speaker 1>just I'm so excited because I feel like you guys

0:18:34.480 --> 0:18:41.040
<v Speaker 1>are going to be inspired on another level. But speaking

0:18:41.080 --> 0:18:44.919
<v Speaker 1>of were transitioning, I guess from music to TV. You

0:18:44.920 --> 0:18:46.920
<v Speaker 1>know we're talking to you because you were on Listen

0:18:46.960 --> 0:18:49.359
<v Speaker 1>to your Heart. We see you on this episode or

0:18:49.400 --> 0:18:51.800
<v Speaker 1>we saw you last night on the episode. I guess

0:18:51.840 --> 0:18:53.600
<v Speaker 1>I want to start off with have you ever done

0:18:53.680 --> 0:18:58.760
<v Speaker 1>reality TV before? So our guitar player Tim, he actually

0:18:59.040 --> 0:19:02.640
<v Speaker 1>was on a a reality show called Ready for Love

0:19:03.520 --> 0:19:07.200
<v Speaker 1>and it was so he actually familiar. Yeah you know what.

0:19:07.240 --> 0:19:09.680
<v Speaker 1>I think it got like canceled after like three episodes

0:19:09.800 --> 0:19:13.399
<v Speaker 1>or something, but he met he actually met his wife

0:19:13.600 --> 0:19:17.960
<v Speaker 1>on the show and they have two kids now. Yeah,

0:19:18.000 --> 0:19:20.800
<v Speaker 1>so you believe in it. I do. I believe in it.

0:19:20.880 --> 0:19:22.560
<v Speaker 1>You know, I don't really want I don't watch any TV,

0:19:22.640 --> 0:19:25.959
<v Speaker 1>to be fair, but I think that's my one um

0:19:26.240 --> 0:19:29.720
<v Speaker 1>experience with the dating reality shows and it worked for

0:19:29.800 --> 0:19:32.320
<v Speaker 1>my buddy Tim, so pretty cool and we got to

0:19:32.359 --> 0:19:35.520
<v Speaker 1>play on that show as well, So you know, I'm

0:19:35.560 --> 0:19:39.399
<v Speaker 1>kind of like a veteran playing for these uh love reality?

0:19:40.040 --> 0:19:43.639
<v Speaker 1>Do you so when you make these appearances on the shows?

0:19:43.680 --> 0:19:46.120
<v Speaker 1>You know, we saw you for a little bit. I'll

0:19:46.119 --> 0:19:48.760
<v Speaker 1>listen to your heart. Do you get more nervous knowing

0:19:48.800 --> 0:19:51.320
<v Speaker 1>that it's going to be filmed or is it kind

0:19:51.320 --> 0:19:53.440
<v Speaker 1>of just the same feeling that you would go into

0:19:53.640 --> 0:19:56.800
<v Speaker 1>for any performance. I tell you what, when something is

0:19:58.040 --> 0:20:01.359
<v Speaker 1>taped for live, that's when I get kind of nervous

0:20:01.400 --> 0:20:03.639
<v Speaker 1>because it's like, oh boy, I can't screw up. This

0:20:03.720 --> 0:20:06.920
<v Speaker 1>is live, this is going out there. Um. But this

0:20:07.040 --> 0:20:09.840
<v Speaker 1>was obviously taped a few months back, you know, so

0:20:10.240 --> 0:20:12.680
<v Speaker 1>it was just kind of fun. I didn't really get nervous,

0:20:12.760 --> 0:20:15.040
<v Speaker 1>you know. And they had it. They had it. The setup,

0:20:15.080 --> 0:20:16.600
<v Speaker 1>I know you guys saw it. But the setup was

0:20:16.640 --> 0:20:19.359
<v Speaker 1>really cool, kind of like an outdoor party, just people

0:20:19.440 --> 0:20:21.479
<v Speaker 1>kind of sitting around. It was a very chill vibe.

0:20:21.920 --> 0:20:25.400
<v Speaker 1>So yeah, we weren't weren't too nervous. It's cool, very

0:20:25.400 --> 0:20:29.560
<v Speaker 1>It seemed very intimate and like you said, just chill, relaxed.

0:20:29.800 --> 0:20:33.240
<v Speaker 1>So I'm jolous. We weren't there. Yeah, well listen, you

0:20:33.359 --> 0:20:35.720
<v Speaker 1>thought you were just going to be interviewed, and you are.

0:20:35.840 --> 0:20:37.600
<v Speaker 1>But at the same time, we kind of needs you

0:20:37.640 --> 0:20:40.000
<v Speaker 1>as the third co host at this point because in

0:20:40.040 --> 0:20:42.800
<v Speaker 1>the episode we didn't get to see that much of

0:20:42.840 --> 0:20:45.640
<v Speaker 1>the date, but you were there for the whole thing,

0:20:45.800 --> 0:20:49.480
<v Speaker 1>and so we need the inside scoop about Mel and

0:20:49.560 --> 0:20:51.639
<v Speaker 1>Matt that were on this date. So of course we

0:20:51.680 --> 0:20:53.719
<v Speaker 1>want to know what your experience was like, but we

0:20:53.760 --> 0:20:56.040
<v Speaker 1>also need to know what was up with that date

0:20:56.080 --> 0:20:59.359
<v Speaker 1>because we didn't see anything honestly other than you. We

0:20:59.400 --> 0:21:02.080
<v Speaker 1>saw you form, but we didn't see their interaction. Like

0:21:02.119 --> 0:21:05.119
<v Speaker 1>we were on stage and you know, we did our

0:21:05.119 --> 0:21:07.480
<v Speaker 1>little sound check and everything, and then they brought the

0:21:07.520 --> 0:21:10.800
<v Speaker 1>couple in and they were there and we played our

0:21:10.840 --> 0:21:12.679
<v Speaker 1>set and then they came up a little bit with

0:21:12.760 --> 0:21:14.440
<v Speaker 1>us and everything, you know, was super cool. We got

0:21:14.440 --> 0:21:16.600
<v Speaker 1>to talk to them for a second, but then they

0:21:16.680 --> 0:21:19.399
<v Speaker 1>ushered us out pretty quick, so it was like, you know,

0:21:19.440 --> 0:21:22.760
<v Speaker 1>they had their their date moment. But we were kind

0:21:22.800 --> 0:21:25.560
<v Speaker 1>of like trying to like peek in, trying to see

0:21:25.560 --> 0:21:27.800
<v Speaker 1>what was going on. But they were like yeah, cool,

0:21:27.840 --> 0:21:32.960
<v Speaker 1>good job. Guys, like no, yeah, yeah, yeah. Well and

0:21:33.080 --> 0:21:36.520
<v Speaker 1>after that date, both both parties involved, they were like, yeah,

0:21:36.560 --> 0:21:38.280
<v Speaker 1>there wasn't too much chemistry. So I was going to

0:21:38.320 --> 0:21:40.280
<v Speaker 1>ask you watching them, I mean did you feel that

0:21:40.400 --> 0:21:43.200
<v Speaker 1>or wasn't so quick? They were like, ah, didn't feel anything. Well,

0:21:43.240 --> 0:21:46.000
<v Speaker 1>it's tough because it's like they had just that was

0:21:46.000 --> 0:21:48.440
<v Speaker 1>like their first date or whatever. So I'm like, okay,

0:21:48.840 --> 0:21:52.359
<v Speaker 1>it's a weird, weird concept. And like I said, I

0:21:52.880 --> 0:21:55.200
<v Speaker 1>my buddy Tim did it with this his reality show.

0:21:55.240 --> 0:21:58.600
<v Speaker 1>But like just to have to meet somebody, go on

0:21:58.640 --> 0:22:01.320
<v Speaker 1>this awkward date and have the whole thing be filmed

0:22:01.440 --> 0:22:03.480
<v Speaker 1>and like just know in the back of your mind

0:22:03.520 --> 0:22:05.840
<v Speaker 1>that like, oh cool, millions of people are going to

0:22:05.920 --> 0:22:09.680
<v Speaker 1>see this, Like I feel like you'd be so kind

0:22:09.720 --> 0:22:14.280
<v Speaker 1>of self conscious that how would you actually like let

0:22:14.320 --> 0:22:17.760
<v Speaker 1>yourself like be vulnerable enough to like actually get to

0:22:17.800 --> 0:22:20.480
<v Speaker 1>know somebody or actually having some real moments. It's weird.

0:22:20.480 --> 0:22:23.879
<v Speaker 1>It's a weird concept. So yeah, I don't know that

0:22:23.920 --> 0:22:26.080
<v Speaker 1>I that I necessarily could tell if they were like

0:22:26.320 --> 0:22:29.080
<v Speaker 1>clicking or not, because knowing that it was like their

0:22:29.080 --> 0:22:32.000
<v Speaker 1>first date, I was like, oh, well, who knows you know? Yeah,

0:22:32.200 --> 0:22:34.000
<v Speaker 1>well I tell you. I don't know if you know this,

0:22:34.040 --> 0:22:37.840
<v Speaker 1>but we're like your bandmate, I met my husband now

0:22:37.960 --> 0:22:42.320
<v Speaker 1>husband on The Bachelor three years ago. Yes, and Becca's

0:22:42.359 --> 0:22:45.000
<v Speaker 1>engaged to her guys, So it's like two years at

0:22:45.000 --> 0:22:48.320
<v Speaker 1>this point, right, so we're yeah, yeah, yeah and real

0:22:48.359 --> 0:22:51.120
<v Speaker 1>it works. And I will say my first like with

0:22:51.160 --> 0:22:53.840
<v Speaker 1>my now fiance, his name is Garrett, with on my

0:22:53.960 --> 0:22:57.639
<v Speaker 1>first date with him, we actually were surprised with a

0:22:57.800 --> 0:23:01.160
<v Speaker 1>country concert that night, so luckily we had the day

0:23:01.160 --> 0:23:03.800
<v Speaker 1>to spend it together. But that night we walked into

0:23:03.800 --> 0:23:05.479
<v Speaker 1>this room and it was kind of it was it

0:23:05.520 --> 0:23:07.960
<v Speaker 1>was a smaller concert setting too. It is very dark,

0:23:08.080 --> 0:23:11.040
<v Speaker 1>very intimate. But I think it depends on the person

0:23:11.119 --> 0:23:14.240
<v Speaker 1>because with Garrett, I felt so open, so comfortable, like

0:23:14.280 --> 0:23:16.760
<v Speaker 1>we had the best time at that concert, just dancing

0:23:16.800 --> 0:23:19.199
<v Speaker 1>and kissing. But I will say that had it been

0:23:19.200 --> 0:23:21.000
<v Speaker 1>in anyone else that you maybe don't have chemistry with,

0:23:21.080 --> 0:23:24.920
<v Speaker 1>it would have been so awkward totally. So yeah, I

0:23:25.200 --> 0:23:26.720
<v Speaker 1>can kind of see where they were coming from where

0:23:26.720 --> 0:23:28.880
<v Speaker 1>they're like there was like, yeah, not too much chemistry

0:23:28.880 --> 0:23:30.840
<v Speaker 1>and if they obviously they've never been on a TV

0:23:30.880 --> 0:23:33.879
<v Speaker 1>show before, so they didn't know what to expect. But

0:23:33.880 --> 0:23:36.480
<v Speaker 1>but Tom, I want to get into a little bit

0:23:36.520 --> 0:23:41.359
<v Speaker 1>of background about you and how you got started in music. Really,

0:23:41.760 --> 0:23:44.160
<v Speaker 1>so we know that you and your bandmates had started

0:23:44.720 --> 0:23:48.160
<v Speaker 1>putting my teas in high school. Correct, So what's the

0:23:48.240 --> 0:23:50.800
<v Speaker 1>secret to stay I feel like it's like a relationship obviously,

0:23:50.800 --> 0:23:53.239
<v Speaker 1>what's the secret to staying together and keeping that that

0:23:53.359 --> 0:23:57.560
<v Speaker 1>musical chemistry alive? Wow? Um, well, you know it's funny.

0:23:57.600 --> 0:23:59.840
<v Speaker 1>We're all like really good dudes that like each other,

0:24:00.119 --> 0:24:03.880
<v Speaker 1>you know. So it's like we've had our ups and downs,

0:24:04.000 --> 0:24:07.600
<v Speaker 1>and there actually have been a couple little like mis

0:24:07.800 --> 0:24:12.600
<v Speaker 1>fighty like have to break up the band members. Like

0:24:13.119 --> 0:24:16.720
<v Speaker 1>through the years, there's been some crazy times, especially in

0:24:16.760 --> 0:24:18.720
<v Speaker 1>the early days when we were traveling around in like

0:24:18.720 --> 0:24:21.480
<v Speaker 1>a van together and we used to tour like three

0:24:21.560 --> 0:24:24.400
<v Speaker 1>hundred days out of the year in a van, so

0:24:24.440 --> 0:24:26.639
<v Speaker 1>there wasn't like you couldn't escape if you were like

0:24:26.800 --> 0:24:29.800
<v Speaker 1>fisted at somebody or like annoyed with somebody you were

0:24:30.000 --> 0:24:31.800
<v Speaker 1>you had to be like three feet from them at

0:24:31.800 --> 0:24:35.400
<v Speaker 1>all times. Anyway, you couldn't. Like Dan not a bus.

0:24:36.600 --> 0:24:38.760
<v Speaker 1>I was like, I thought, maybe he maybe he made

0:24:38.800 --> 0:24:40.199
<v Speaker 1>a mistake when he said at the first time. Then

0:24:40.200 --> 0:24:44.120
<v Speaker 1>he said it again, and see now it's a little

0:24:44.160 --> 0:24:47.440
<v Speaker 1>easier because now we have a bus. So now it's like, cool, dude,

0:24:47.440 --> 0:24:49.160
<v Speaker 1>that guy's being a jerk, Like, well, I'm just gonna

0:24:49.160 --> 0:24:51.159
<v Speaker 1>go in the back lounge and hang out whatever. I

0:24:51.160 --> 0:24:53.200
<v Speaker 1>don't need to see him for a few hours. But yeah,

0:24:53.320 --> 0:24:55.000
<v Speaker 1>back then it was in the van, so you're like

0:24:55.720 --> 0:24:57.480
<v Speaker 1>he's in the bench, like right next to you, and

0:24:57.480 --> 0:25:00.199
<v Speaker 1>you're like, yeah, you know, so that was really rock

0:25:00.320 --> 0:25:02.920
<v Speaker 1>in the way. But yeah, in general, I just think

0:25:02.960 --> 0:25:05.680
<v Speaker 1>we're all we all are like brothers. You know. It's

0:25:05.680 --> 0:25:08.440
<v Speaker 1>like we fight sometimes, but we all deep down love

0:25:08.480 --> 0:25:10.360
<v Speaker 1>each other, have a lot of respect for each other.

0:25:10.640 --> 0:25:13.560
<v Speaker 1>And I think musically as well, same thing. You know,

0:25:13.760 --> 0:25:16.959
<v Speaker 1>It's like we all definitely have our different opinions and

0:25:17.000 --> 0:25:19.840
<v Speaker 1>sometimes we'll argue when we're putting songs together and stuff.

0:25:20.160 --> 0:25:22.439
<v Speaker 1>But in the end, it's like, well, I know they're

0:25:23.000 --> 0:25:25.960
<v Speaker 1>you know, like they're giving their opinion that they really believe.

0:25:26.040 --> 0:25:27.920
<v Speaker 1>So it's like I'm gonna even though I don't think

0:25:27.960 --> 0:25:30.520
<v Speaker 1>that's necessarily what I would have done, I'm going to

0:25:30.600 --> 0:25:32.919
<v Speaker 1>listen to that, and we all just kind of compromise

0:25:33.000 --> 0:25:35.399
<v Speaker 1>and you know, just kind of make it, make the

0:25:35.480 --> 0:25:38.320
<v Speaker 1>decisions as a unit, and then put it out there

0:25:38.320 --> 0:25:40.679
<v Speaker 1>and wish for the best. Yeah. I mean it's a

0:25:40.680 --> 0:25:43.440
<v Speaker 1>testament to you guys and why you're still together. I'm

0:25:43.520 --> 0:25:46.720
<v Speaker 1>interested in this because obviously Listen to Your Heart is

0:25:46.760 --> 0:25:50.360
<v Speaker 1>about love, but it's also about music and coming together

0:25:50.480 --> 0:25:55.000
<v Speaker 1>and making love and making music. One thing we kept hearing,

0:25:55.040 --> 0:25:57.720
<v Speaker 1>at least in this first episode was the musicians were

0:25:57.720 --> 0:26:00.480
<v Speaker 1>saying that, oh, I've never dated a musician and before

0:26:00.520 --> 0:26:03.080
<v Speaker 1>I've never dated it. But both the guys and the girls,

0:26:03.119 --> 0:26:05.600
<v Speaker 1>So have you ever dated a musician before? Is this

0:26:05.680 --> 0:26:10.720
<v Speaker 1>a thing? You know? I don't know. I did go

0:26:10.760 --> 0:26:12.240
<v Speaker 1>on a date with this one girl that was a

0:26:12.280 --> 0:26:18.000
<v Speaker 1>singer and she was super cool, but it's very difficult.

0:26:18.080 --> 0:26:20.080
<v Speaker 1>Here's the problem. Here's why you don't date a musician

0:26:20.520 --> 0:26:23.840
<v Speaker 1>because we're always traveling around and we're all we were

0:26:23.880 --> 0:26:26.600
<v Speaker 1>never in one we're never quarantined in one place set

0:26:26.920 --> 0:26:29.920
<v Speaker 1>for a long time, you know. So it's like it's

0:26:30.040 --> 0:26:32.399
<v Speaker 1>very difficult. Like I could meet somebody on the road

0:26:32.840 --> 0:26:34.719
<v Speaker 1>and be like, oh my god, that girl was so

0:26:34.760 --> 0:26:38.119
<v Speaker 1>amazing and you know, text her for the next week,

0:26:38.280 --> 0:26:45.679
<v Speaker 1>but like, just because of the ever changing lifestyle, like

0:26:45.720 --> 0:26:49.040
<v Speaker 1>it's very difficult to really take that seriously or really

0:26:49.160 --> 0:26:52.800
<v Speaker 1>keep that going because even if you did have a

0:26:52.840 --> 0:26:56.240
<v Speaker 1>real connection or did have like something serious, it's like

0:26:56.280 --> 0:26:59.399
<v Speaker 1>there's just so much going on, and you know, you're

0:26:59.440 --> 0:27:01.840
<v Speaker 1>not going to see that person for what at least months,

0:27:02.040 --> 0:27:04.439
<v Speaker 1>you know from now they even see her for a

0:27:04.560 --> 0:27:07.639
<v Speaker 1>second time to see if, oh, maybe there was a

0:27:07.640 --> 0:27:11.520
<v Speaker 1>connection or maybe there wasn't. So yeah, very difficult unless

0:27:11.560 --> 0:27:13.320
<v Speaker 1>you find most of the girls that I would that

0:27:13.440 --> 0:27:17.440
<v Speaker 1>I date or like have dated, have been either in California,

0:27:17.520 --> 0:27:19.800
<v Speaker 1>where obviously we spend a lot of time, or Chicago,

0:27:19.800 --> 0:27:21.600
<v Speaker 1>which is where I live and where I'm from. So

0:27:22.040 --> 0:27:24.040
<v Speaker 1>you know, when you meet people on the road, even

0:27:24.080 --> 0:27:27.639
<v Speaker 1>though they are amazing and they could be perfect for you,

0:27:27.640 --> 0:27:30.560
<v Speaker 1>you never really get the chance to explore that and really,

0:27:30.760 --> 0:27:36.080
<v Speaker 1>you know, to see if it works out. What about groupies, Um, well,

0:27:37.640 --> 0:27:44.200
<v Speaker 1>you know you don't. Well you know band aids, band

0:27:44.240 --> 0:27:49.199
<v Speaker 1>aids what they're called. I haven't seen Almost Famous. Have

0:27:49.240 --> 0:27:54.000
<v Speaker 1>you seen that movie? It's so good? What do you think? Okay, so,

0:27:54.119 --> 0:27:57.640
<v Speaker 1>if you had your significant other in your actual band,

0:27:58.359 --> 0:28:00.720
<v Speaker 1>do you think that would work out in that way

0:28:00.840 --> 0:28:03.720
<v Speaker 1>or would that just be too much time together? I

0:28:03.800 --> 0:28:05.720
<v Speaker 1>mean so one of the one of the artists on

0:28:05.760 --> 0:28:08.760
<v Speaker 1>my label is this duet group called Fairview. They're a

0:28:08.840 --> 0:28:13.720
<v Speaker 1>duo and their boyfriend girlfriend, and it's very interesting to

0:28:13.720 --> 0:28:16.719
<v Speaker 1>see their dynamic because it's like, man, if they broke up,

0:28:16.840 --> 0:28:18.800
<v Speaker 1>or if they're in a fight, or if they're going

0:28:18.840 --> 0:28:22.840
<v Speaker 1>through something like you kind of can't help but see

0:28:22.880 --> 0:28:26.760
<v Speaker 1>it in like the songs they're writing or the live performance.

0:28:26.800 --> 0:28:30.520
<v Speaker 1>You know, it's so it's weird, that dynamic. I can't

0:28:30.520 --> 0:28:33.639
<v Speaker 1>imagine it. You know, no doubt that band, Gwen and

0:28:33.720 --> 0:28:36.919
<v Speaker 1>the bass player were dating when they first formed, and

0:28:37.119 --> 0:28:40.400
<v Speaker 1>somehow they broke up and they stayed together and they

0:28:40.480 --> 0:28:44.800
<v Speaker 1>like obviously became amazing, no doubt. But I can't imagine.

0:28:44.800 --> 0:28:48.040
<v Speaker 1>I've had some friends. Another buddy of mine was in

0:28:48.200 --> 0:28:52.400
<v Speaker 1>a band with his girlfriend and she ended up leaving

0:28:52.480 --> 0:28:55.120
<v Speaker 1>him for the band's manager, which was so seazy and

0:28:55.160 --> 0:28:59.600
<v Speaker 1>so shady. Yeah yeah, so man, dating somebody in the band,

0:28:59.640 --> 0:29:01.800
<v Speaker 1>it was, that's a whole new dynamic. I don't think

0:29:01.840 --> 0:29:04.240
<v Speaker 1>I could I can handle that one. Yeah, yes, I

0:29:04.320 --> 0:29:07.040
<v Speaker 1>think like Fleetwood Mac And so I'm like, oh, you know,

0:29:07.320 --> 0:29:10.520
<v Speaker 1>like totally break up, you date somebody else, you know,

0:29:10.600 --> 0:29:13.200
<v Speaker 1>you're kind of all in the mix together. It just

0:29:13.280 --> 0:29:17.920
<v Speaker 1>makes for a good album. Selfishly selfish, Yeah, true, there's

0:29:17.920 --> 0:29:21.080
<v Speaker 1>plenty of drama to write about. I guess right, Oh yeah,

0:29:21.120 --> 0:29:23.479
<v Speaker 1>it would. I feel like that could keep the creative

0:29:23.560 --> 0:29:27.840
<v Speaker 1>juices flowing, for sure, that's true. No, Tom, I want

0:29:27.920 --> 0:29:29.840
<v Speaker 1>I feel like I'm not the only one who needs

0:29:29.880 --> 0:29:33.480
<v Speaker 1>to ask this and needs to get to know this

0:29:33.560 --> 0:29:36.000
<v Speaker 1>person a little bit more. But one of the most

0:29:36.000 --> 0:29:40.480
<v Speaker 1>popular songs out there. I mean it came out when

0:29:40.480 --> 0:29:44.080
<v Speaker 1>I was I think in high school still and I

0:29:44.120 --> 0:29:47.400
<v Speaker 1>still listen to it to this day. Obviously, hay there Delilah.

0:29:47.440 --> 0:29:51.560
<v Speaker 1>Now we need to know who is Delilah. So first

0:29:51.600 --> 0:29:53.400
<v Speaker 1>of all, I don't know if you guys have seen this,

0:29:53.520 --> 0:29:56.480
<v Speaker 1>but there's been this new wave of hay there Delilah,

0:29:56.480 --> 0:30:00.240
<v Speaker 1>all these like people writing like the Hey They're Corona,

0:30:00.880 --> 0:30:06.720
<v Speaker 1>or just songs about Delilah like TikTok. It's like trending

0:30:06.720 --> 0:30:09.120
<v Speaker 1>on TikTok right now. I don't know how, but it's crazy.

0:30:10.280 --> 0:30:13.680
<v Speaker 1>So yeah, the actual song is based on an actual girl,

0:30:15.400 --> 0:30:17.880
<v Speaker 1>a girl that I met. She she was She's actually

0:30:17.920 --> 0:30:21.640
<v Speaker 1>from Chicago. So I met her in Chicago and she

0:30:21.760 --> 0:30:23.480
<v Speaker 1>was friends of a friend I was gonna. I was

0:30:23.480 --> 0:30:25.960
<v Speaker 1>hanging out with my one friend Kim, and she was like, Hey,

0:30:26.000 --> 0:30:28.360
<v Speaker 1>my friend Delilah is going back to school tomorrow. She's

0:30:28.360 --> 0:30:30.160
<v Speaker 1>got nothing to do. Can she come? We were going

0:30:30.200 --> 0:30:32.240
<v Speaker 1>to a concert, like, can she come to the concert

0:30:32.240 --> 0:30:34.720
<v Speaker 1>with us? Like, yeah, sure. So we picked this girl

0:30:34.840 --> 0:30:36.560
<v Speaker 1>up and as soon as she walked out her door,

0:30:36.600 --> 0:30:40.400
<v Speaker 1>I'm just like, oh my god, so beautiful. And so

0:30:40.680 --> 0:30:42.760
<v Speaker 1>she had a boyfriend. So the whole night I'm just

0:30:42.800 --> 0:30:47.080
<v Speaker 1>being goofy, like I know, there's nothing, nothing really gonna

0:30:47.120 --> 0:30:50.400
<v Speaker 1>happen there. So I'm just like just being like I

0:30:50.440 --> 0:30:52.600
<v Speaker 1>don't have any game. I'm just like a goofball. So

0:30:52.640 --> 0:30:54.960
<v Speaker 1>I'm just like being funny or trying to make her

0:30:55.040 --> 0:30:59.160
<v Speaker 1>laugh or whatever. And so when we dropped her off

0:30:59.200 --> 0:31:01.440
<v Speaker 1>that night, I gave her our CD that we had

0:31:01.440 --> 0:31:03.280
<v Speaker 1>out at the time, and I was like, you know,

0:31:03.320 --> 0:31:05.840
<v Speaker 1>I've got a song about you. And she's like, oh cool,

0:31:06.200 --> 0:31:08.840
<v Speaker 1>you know whatever, and she left and I'm just that

0:31:08.960 --> 0:31:12.120
<v Speaker 1>was my my brilliant line, right, And so then she

0:31:12.160 --> 0:31:14.040
<v Speaker 1>went back to school in New York the next day

0:31:14.280 --> 0:31:17.240
<v Speaker 1>and we kept in touch a little bit on Aim.

0:31:17.640 --> 0:31:19.440
<v Speaker 1>Do you guys have any idea about it? Oh yeah,

0:31:19.920 --> 0:31:24.200
<v Speaker 1>yeah yeah. So we kept in touch on Aim and

0:31:24.960 --> 0:31:28.800
<v Speaker 1>she would like like she was like loving the CD

0:31:28.920 --> 0:31:30.600
<v Speaker 1>that I gave her of my songs, you know, our

0:31:30.640 --> 0:31:33.600
<v Speaker 1>our song for our album before the one with Hayter

0:31:33.720 --> 0:31:37.200
<v Speaker 1>Delilah obviously, and she was like she kept asking me, so,

0:31:37.240 --> 0:31:39.320
<v Speaker 1>where's my song? When do I get to hear my song?

0:31:40.160 --> 0:31:43.400
<v Speaker 1>And so and it was it was always just super innocent,

0:31:43.960 --> 0:31:46.920
<v Speaker 1>but it was just gave me that little dose of

0:31:46.960 --> 0:31:49.400
<v Speaker 1>like inspiration that I needed. It was like, oh, damn,

0:31:49.400 --> 0:31:51.440
<v Speaker 1>I I guess I do have to write this song

0:31:51.480 --> 0:31:52.760
<v Speaker 1>for her, you know, I do. I do have to

0:31:52.760 --> 0:31:55.720
<v Speaker 1>write her a song, and um, so that's kind of it.

0:31:55.800 --> 0:31:57.760
<v Speaker 1>And so the first couple of lines of the song

0:31:58.120 --> 0:31:59.960
<v Speaker 1>came out of me really quick and easily. You know,

0:32:00.080 --> 0:32:01.840
<v Speaker 1>what's it like in New York City tonight? You look

0:32:01.880 --> 0:32:05.480
<v Speaker 1>so pretty? You know? And then after I got past

0:32:05.600 --> 0:32:08.640
<v Speaker 1>like that first verse, I was like, well, that pretty

0:32:08.720 --> 0:32:13.280
<v Speaker 1>much sums up everything I know about this. So I

0:32:13.320 --> 0:32:16.120
<v Speaker 1>had to kind of imagine the rest of it, Like

0:32:16.440 --> 0:32:18.920
<v Speaker 1>if I was in this long distance relationship with somebody,

0:32:19.320 --> 0:32:21.080
<v Speaker 1>what would I want to say? You know, someday I'll

0:32:21.080 --> 0:32:23.880
<v Speaker 1>pay the bills with this guitar and you know, our

0:32:23.920 --> 0:32:26.040
<v Speaker 1>friends will make fun of us and they don't get

0:32:26.040 --> 0:32:27.680
<v Speaker 1>it and blah blah blah. And you know, so I

0:32:27.760 --> 0:32:31.640
<v Speaker 1>kind of wrote the rest of it basically having to

0:32:31.800 --> 0:32:34.280
<v Speaker 1>be a little bit more creative and think about if

0:32:34.320 --> 0:32:36.840
<v Speaker 1>I wasn't, you know, in a relationship with somebody, and

0:32:37.520 --> 0:32:40.320
<v Speaker 1>so then yeah, that was kind of the that's basically

0:32:40.360 --> 0:32:42.680
<v Speaker 1>the whole story. I did make a joke with her though,

0:32:42.680 --> 0:32:45.280
<v Speaker 1>when I first, you know, obviously admitted to her, Okay,

0:32:45.320 --> 0:32:47.000
<v Speaker 1>I didn't write a song yet, but I'm going to

0:32:47.680 --> 0:32:51.440
<v Speaker 1>and it's gonna be the best song I write, and

0:32:51.520 --> 0:32:53.920
<v Speaker 1>it's gonna get us famous, and you're gonna be my

0:32:54.000 --> 0:32:56.640
<v Speaker 1>date for the Grammys. And I said all that before

0:32:57.240 --> 0:33:00.440
<v Speaker 1>you know, a note of the song was written, and

0:33:00.600 --> 0:33:03.160
<v Speaker 1>so sure enough, it's I don't know if it's the

0:33:03.200 --> 0:33:05.480
<v Speaker 1>best song I've written, but it's definitely the most famous,

0:33:05.520 --> 0:33:07.480
<v Speaker 1>and you know, got play late Keys on the Map

0:33:07.600 --> 0:33:10.520
<v Speaker 1>and we ended up getting two Grammy nominations for that song.

0:33:11.160 --> 0:33:14.200
<v Speaker 1>And so through the years, as the song came out,

0:33:14.720 --> 0:33:17.440
<v Speaker 1>Delilah would come to shows and she'd be really cool

0:33:17.480 --> 0:33:20.000
<v Speaker 1>and supportive about it. Like literally, we'd play in New

0:33:20.080 --> 0:33:22.800
<v Speaker 1>York and she'd come and she'd we'd be like hanging

0:33:22.800 --> 0:33:25.200
<v Speaker 1>out at the merch table after the show and like,

0:33:25.240 --> 0:33:27.560
<v Speaker 1>oh my god, thanks for coming. She's I'm like, where's

0:33:27.600 --> 0:33:29.600
<v Speaker 1>your where's your dude? Whe's your boyfriend? He's like, oh,

0:33:29.640 --> 0:33:31.560
<v Speaker 1>he's waiting outside. He didn't want to he didn't want

0:33:31.560 --> 0:33:33.920
<v Speaker 1>to come in, but he like like so he like

0:33:34.120 --> 0:33:36.880
<v Speaker 1>half supported her, but was half like no, screw that.

0:33:37.000 --> 0:33:40.320
<v Speaker 1>You know, like course pretty funny. Um, but yeah, she

0:33:40.400 --> 0:33:43.120
<v Speaker 1>was real supportive and cool and everything and so um.

0:33:43.520 --> 0:33:45.720
<v Speaker 1>So when we got nominated for the Grammys, I hadn't

0:33:45.760 --> 0:33:47.880
<v Speaker 1>spoken to her for a few months. You know, we'd

0:33:47.920 --> 0:33:49.560
<v Speaker 1>kind of check in every once in a while, especially

0:33:49.560 --> 0:33:51.440
<v Speaker 1>as the song was like blowing up. You know, we

0:33:51.560 --> 0:33:54.120
<v Speaker 1>kind of had had some funny texts going back and forth,

0:33:54.160 --> 0:33:56.040
<v Speaker 1>Oh my god, I heard it at this place or

0:33:56.120 --> 0:33:58.960
<v Speaker 1>you know, some cool stuff like that. Um. And so

0:33:59.040 --> 0:34:01.720
<v Speaker 1>when when we got nominated for the Grammys, I called

0:34:01.760 --> 0:34:04.440
<v Speaker 1>her up and I was like, hey, I just got

0:34:04.480 --> 0:34:08.640
<v Speaker 1>nominated for two Grammys. I'm like, remember when I, you know, wrote,

0:34:08.840 --> 0:34:10.880
<v Speaker 1>before I wrote the song, I said you'd be my

0:34:10.960 --> 0:34:13.080
<v Speaker 1>date for the Grammys. I'm like, well, you got it.

0:34:13.160 --> 0:34:16.479
<v Speaker 1>You gotta common and she's like, well, actually me and

0:34:16.680 --> 0:34:21.319
<v Speaker 1>my boyfriend just broke up. Yeah. So I was like,

0:34:21.480 --> 0:34:23.560
<v Speaker 1>and I'd been in a relationship with somebody and I

0:34:23.600 --> 0:34:25.400
<v Speaker 1>was single at that time too, so I was like,

0:34:25.440 --> 0:34:28.000
<v Speaker 1>whoa is this going to happen? This is like four

0:34:28.080 --> 0:34:30.920
<v Speaker 1>years later or something after meeting her and writing the song, Like,

0:34:31.040 --> 0:34:34.200
<v Speaker 1>is this going to happen like four years later after

0:34:34.239 --> 0:34:36.040
<v Speaker 1>the song it's like a big hit and all this stuff,

0:34:36.120 --> 0:34:38.520
<v Speaker 1>And it was like a moment of time where it

0:34:38.600 --> 0:34:41.480
<v Speaker 1>was like it just kind of was too weird to

0:34:41.520 --> 0:34:44.080
<v Speaker 1>be to be true, you know. And so by the

0:34:44.080 --> 0:34:48.759
<v Speaker 1>time the Grammys actually happened, like two months later, she

0:34:48.920 --> 0:34:51.799
<v Speaker 1>was back with her boyfriend. I was back with my girlfriend,

0:34:52.200 --> 0:34:57.960
<v Speaker 1>but we still went to the Grammys together and you know,

0:34:58.040 --> 0:35:00.600
<v Speaker 1>kind of shared the fun of it. It was like

0:35:00.640 --> 0:35:03.000
<v Speaker 1>a very platonic night, but it was it was fun.

0:35:03.000 --> 0:35:06.920
<v Speaker 1>It was like the prophecy had fulfilled itself, you know. Yeah.

0:35:07.000 --> 0:35:09.279
<v Speaker 1>So do you still stay in touch with her to

0:35:09.320 --> 0:35:11.480
<v Speaker 1>this day? Um? You know what, I haven't really talked

0:35:11.480 --> 0:35:14.400
<v Speaker 1>to her lately. I did this. I was doing this,

0:35:14.840 --> 0:35:18.799
<v Speaker 1>um this live interview or something on TV in New York.

0:35:18.800 --> 0:35:21.440
<v Speaker 1>We when we put our last album out, Parallel Universe,

0:35:21.560 --> 0:35:23.120
<v Speaker 1>they White Tease. We did a bunch of press in

0:35:23.120 --> 0:35:26.720
<v Speaker 1>New York and this was just maybe last summer or something,

0:35:27.280 --> 0:35:30.400
<v Speaker 1>and and somebody had said that, like, oh, when's the

0:35:30.440 --> 0:35:32.359
<v Speaker 1>last time you talked to Delilah? And I said, oh, man,

0:35:32.400 --> 0:35:34.480
<v Speaker 1>it's been a while, and they said, well, why don't

0:35:34.480 --> 0:35:37.560
<v Speaker 1>you text her right now? And so on the live interview,

0:35:37.600 --> 0:35:39.839
<v Speaker 1>I like, okay, took up my phone and I just

0:35:39.920 --> 0:35:44.239
<v Speaker 1>texted her, Hey, there no and I sent it and

0:35:44.360 --> 0:35:49.960
<v Speaker 1>she didn't write back. Oh I know, I know. But

0:35:50.120 --> 0:35:52.360
<v Speaker 1>to be fair, that was kind of like a cheesy

0:35:52.400 --> 0:35:56.799
<v Speaker 1>ass text. But still it's like the three am you up? Text? Yeah,

0:35:56.840 --> 0:36:00.319
<v Speaker 1>exactly it is. I have to tell you, Tom, this

0:36:00.400 --> 0:36:03.840
<v Speaker 1>is disappointing because at the time, at the time the

0:36:03.920 --> 0:36:06.960
<v Speaker 1>song came out, I was living in New York City

0:36:07.920 --> 0:36:11.520
<v Speaker 1>and you couldn't tell me. I wasn't Delilah. I was

0:36:11.680 --> 0:36:13.880
<v Speaker 1>bad to everybody. I was like, just like singing the

0:36:13.960 --> 0:36:16.880
<v Speaker 1>song Delilah might as well have been Rachel. It was

0:36:17.040 --> 0:36:19.640
<v Speaker 1>my theme song. I had an internship and so it

0:36:19.560 --> 0:36:22.400
<v Speaker 1>was for that whole summer. It was like my theme song.

0:36:22.719 --> 0:36:25.600
<v Speaker 1>So it resonates with me, just like Begast High school.

0:36:25.640 --> 0:36:28.239
<v Speaker 1>For me, it's like a college experience and it's it's

0:36:28.840 --> 0:36:31.520
<v Speaker 1>you can tell the the I guess it stands the

0:36:31.600 --> 0:36:33.960
<v Speaker 1>test of time. The fact that that song was written

0:36:34.600 --> 0:36:37.600
<v Speaker 1>what like two thousand and four five I think, came

0:36:37.640 --> 0:36:40.399
<v Speaker 1>out in six to seven when it started to really

0:36:40.440 --> 0:36:44.279
<v Speaker 1>catch fire. And now it's twenty twenty and people are

0:36:44.320 --> 0:36:50.240
<v Speaker 1>still using your song and there aren't too many songs.

0:36:50.840 --> 0:36:53.640
<v Speaker 1>Like when I think of Hid There Delilah, I still

0:36:53.640 --> 0:36:56.319
<v Speaker 1>remember exactly where it was the first time I heard it,

0:36:56.360 --> 0:36:59.400
<v Speaker 1>what conversation I was having with one of my friends,

0:37:00.080 --> 0:37:02.560
<v Speaker 1>And that's probably like one of the only songs that

0:37:02.760 --> 0:37:05.400
<v Speaker 1>I can recall in detail, like the first time hearing it.

0:37:05.480 --> 0:37:08.640
<v Speaker 1>So it's it's a really special one. Yeah, that's cool.

0:37:08.680 --> 0:37:10.640
<v Speaker 1>I just got chills with you saying that that's so awesome,

0:37:10.719 --> 0:37:13.719
<v Speaker 1>Like that's crazy. And the fact that you said you

0:37:13.760 --> 0:37:16.759
<v Speaker 1>have no game, it's like you killed the game, you

0:37:17.000 --> 0:37:20.200
<v Speaker 1>wrote a song, then you sing this song about this,

0:37:20.400 --> 0:37:23.560
<v Speaker 1>I mean, like you have the ultimate game. Well, I

0:37:23.600 --> 0:37:25.440
<v Speaker 1>can write a song about you and it can be

0:37:25.560 --> 0:37:28.600
<v Speaker 1>dominated for Grammy. The problem is is that the girl

0:37:28.640 --> 0:37:31.920
<v Speaker 1>that you write the song about never goes for you,

0:37:32.440 --> 0:37:35.719
<v Speaker 1>but it's always you get the other girls because of

0:37:35.760 --> 0:37:38.920
<v Speaker 1>that song. But yeah, it's like I'm serious. Like you

0:37:39.000 --> 0:37:41.400
<v Speaker 1>can ask Tim, our guitar player. He's always saying that

0:37:41.480 --> 0:37:44.080
<v Speaker 1>same thing. He's like, yeah, what what inspires you to

0:37:44.080 --> 0:37:46.440
<v Speaker 1>write the song? Is like a lot of times that

0:37:46.600 --> 0:37:50.080
<v Speaker 1>longing or that you know, it's like, shoot, I need

0:37:50.120 --> 0:37:52.680
<v Speaker 1>to do something to get this girl's attention or to

0:37:52.960 --> 0:37:55.560
<v Speaker 1>like you said, to have some game here, that that's

0:37:55.600 --> 0:37:58.479
<v Speaker 1>my game. But a lot of times she's like, oh,

0:37:58.480 --> 0:38:02.319
<v Speaker 1>that's cute whatever. And then you girls that are like,

0:38:02.360 --> 0:38:04.399
<v Speaker 1>oh my god, why don't you write a song for me?

0:38:04.760 --> 0:38:07.279
<v Speaker 1>But then I'm like, oh, i'd be wearing a shirt

0:38:07.320 --> 0:38:11.319
<v Speaker 1>that said I'm Delilah period that shirt we made that

0:38:11.360 --> 0:38:15.560
<v Speaker 1>shirt back in the day, and Delilah actually wore that shirt.

0:38:15.800 --> 0:38:18.879
<v Speaker 1>That's awesome. I love that. Oh my god, it makes

0:38:18.920 --> 0:38:22.359
<v Speaker 1>the song so much better. We know the background this.

0:38:22.800 --> 0:38:25.040
<v Speaker 1>I'm not gonna lie when we get off this podcast,

0:38:25.080 --> 0:38:28.640
<v Speaker 1>I'm gonna google Delilah. I need to know more about

0:38:28.640 --> 0:38:31.120
<v Speaker 1>her now. Yeah, she's beautiful. I don't you know what.

0:38:31.239 --> 0:38:32.880
<v Speaker 1>It's funny I should reach out to her in like

0:38:32.920 --> 0:38:35.680
<v Speaker 1>a non cheesy way and just be like, hey, how's

0:38:35.719 --> 0:38:40.359
<v Speaker 1>your quarantine? Like are you okay? You know more than

0:38:40.440 --> 0:38:44.719
<v Speaker 1>just what's up? Or would you say, hey, there, have

0:38:44.840 --> 0:38:47.799
<v Speaker 1>you guys seen all those memes that are like, you know,

0:38:48.480 --> 0:38:51.080
<v Speaker 1>like maybe maybe don't tell me what it's like in

0:38:51.080 --> 0:38:52.799
<v Speaker 1>New York City right now, or you know, just all

0:38:52.800 --> 0:38:58.440
<v Speaker 1>that stuff. It's a perfect timing. Where do you find

0:38:58.480 --> 0:39:00.920
<v Speaker 1>your inspiration? I mean, obviously we get Delilah, we get

0:39:00.960 --> 0:39:04.000
<v Speaker 1>where that comes from, love the story behind it. What

0:39:04.280 --> 0:39:06.279
<v Speaker 1>when it comes to the music that you write, where

0:39:06.360 --> 0:39:09.360
<v Speaker 1>do you find your inspiration to write these beautiful songs?

0:39:09.800 --> 0:39:12.120
<v Speaker 1>I mean, you know, a lot of times it's just

0:39:12.320 --> 0:39:15.120
<v Speaker 1>that kind of thing. It's like some little little situation

0:39:15.920 --> 0:39:18.799
<v Speaker 1>where either you meet a girl or you go through

0:39:18.880 --> 0:39:22.520
<v Speaker 1>something and if it's just weighing on you a little bit,

0:39:22.560 --> 0:39:25.200
<v Speaker 1>whether it's like, oh my god, she's so amazing, or

0:39:25.239 --> 0:39:28.080
<v Speaker 1>whether it's oh my god, I feel so crappy about

0:39:28.120 --> 0:39:30.400
<v Speaker 1>this thing, I gotta get it off my chest. You know.

0:39:31.680 --> 0:39:34.200
<v Speaker 1>Usually it's just something like that where it's like, man, this,

0:39:34.760 --> 0:39:36.520
<v Speaker 1>I need to get this out. I need to say

0:39:36.560 --> 0:39:40.360
<v Speaker 1>something about this. You know, a lot of times it'll

0:39:40.360 --> 0:39:44.279
<v Speaker 1>come from listening to other music. You know, like you know,

0:39:44.320 --> 0:39:47.720
<v Speaker 1>you'll be listening to something super fresh and you'll be like, Wow,

0:39:47.719 --> 0:39:50.480
<v Speaker 1>that's inspiring, that's so cool, and it makes you want

0:39:50.480 --> 0:39:53.000
<v Speaker 1>to go grab the guitar or go write write some

0:39:53.040 --> 0:39:55.719
<v Speaker 1>thoughts down because I don't know, you want to tap

0:39:55.800 --> 0:39:59.480
<v Speaker 1>into that like excitement that you just felt by someone

0:39:59.520 --> 0:40:02.520
<v Speaker 1>else's music. A lot of times a song will come

0:40:02.560 --> 0:40:05.480
<v Speaker 1>from a title, you know, like You'll have this clever

0:40:05.560 --> 0:40:08.040
<v Speaker 1>little idea and I'll write it down in my notes

0:40:08.080 --> 0:40:09.960
<v Speaker 1>on my phone or something, and then you know, a

0:40:10.000 --> 0:40:12.239
<v Speaker 1>month later, I'll be sitting there and you know, just

0:40:12.280 --> 0:40:14.160
<v Speaker 1>go through them and oh, that was a cool idea,

0:40:14.160 --> 0:40:17.000
<v Speaker 1>and then try to formulate a song around that. So

0:40:17.040 --> 0:40:19.520
<v Speaker 1>it's all kind of different things, you know. I think

0:40:19.560 --> 0:40:21.680
<v Speaker 1>it's there's there's a lot of people. I read this

0:40:21.760 --> 0:40:26.040
<v Speaker 1>book called The War of Art, and it's like, how

0:40:26.080 --> 0:40:28.520
<v Speaker 1>a lot of people think that like being creative is

0:40:28.560 --> 0:40:32.919
<v Speaker 1>this like spiritual light of candle, you know, meditate and

0:40:32.960 --> 0:40:35.800
<v Speaker 1>like hope that something comes at you from the universe

0:40:35.880 --> 0:40:38.879
<v Speaker 1>or something, which, to an extent, there's there's that bit

0:40:38.920 --> 0:40:42.319
<v Speaker 1>of randomness to it, but there's a lot of it.

0:40:42.320 --> 0:40:45.000
<v Speaker 1>It's just you know, checking in, clocking in, and like,

0:40:45.080 --> 0:40:47.839
<v Speaker 1>you know, if I grab my guitar every day and

0:40:47.880 --> 0:40:51.759
<v Speaker 1>just mess around it for fifteen minutes, chances are something's

0:40:51.760 --> 0:40:54.440
<v Speaker 1>going to come come out of it, you know U.

0:40:55.120 --> 0:40:57.360
<v Speaker 1>So yeah, it's like you just kind of have to

0:40:57.760 --> 0:41:00.440
<v Speaker 1>have to make your own inspiration and just const be

0:41:00.560 --> 0:41:02.960
<v Speaker 1>you know, I love music, and I love writing music,

0:41:02.960 --> 0:41:06.080
<v Speaker 1>and I love just the idea of a song. You know,

0:41:06.280 --> 0:41:09.360
<v Speaker 1>songs are my world. So it's like it's fun to

0:41:09.480 --> 0:41:12.279
<v Speaker 1>just sit down every day and just hack away at

0:41:12.280 --> 0:41:16.680
<v Speaker 1>it until you get something cool. You mentioned finding inspiration

0:41:16.880 --> 0:41:19.839
<v Speaker 1>from another song, so I want to ask, then, what

0:41:20.040 --> 0:41:22.879
<v Speaker 1>is your favorite love song of all time? And then

0:41:22.920 --> 0:41:26.360
<v Speaker 1>also who is one of your favorite artists or bands

0:41:26.400 --> 0:41:29.560
<v Speaker 1>out there? Um, so, my favorite love song? We actually

0:41:29.600 --> 0:41:33.200
<v Speaker 1>the play my t has just made a playlist of

0:41:33.200 --> 0:41:35.399
<v Speaker 1>our favorite love songs. You gotta go check that out.

0:41:36.280 --> 0:41:38.120
<v Speaker 1>Look it up. There's a lot of cool on Spotify.

0:41:38.200 --> 0:41:39.600
<v Speaker 1>There's a lot of cool ones on there. I had

0:41:39.640 --> 0:41:42.480
<v Speaker 1>fun with it. I think I've submitted like forty songs

0:41:42.560 --> 0:41:47.080
<v Speaker 1>or something, and they probably only wanted like ten. But

0:41:47.360 --> 0:41:50.000
<v Speaker 1>you know, I don't know if this is a technically

0:41:50.000 --> 0:41:52.279
<v Speaker 1>a love song. But you know that song Yesterday by

0:41:52.280 --> 0:41:55.400
<v Speaker 1>the Beatles, Yes, of course, like it's it's kind of

0:41:55.400 --> 0:41:58.120
<v Speaker 1>a broken hearted love song. But but that song, to

0:41:58.200 --> 0:42:02.120
<v Speaker 1>me is the perfect song. It's so beautiful and it

0:42:02.239 --> 0:42:05.239
<v Speaker 1>says so much and it really does speak to love

0:42:05.320 --> 0:42:08.800
<v Speaker 1>and you know the fact that love can be very

0:42:09.080 --> 0:42:14.200
<v Speaker 1>you know, very fragile, you know, and like or fragile,

0:42:14.320 --> 0:42:16.040
<v Speaker 1>I guess is the right way to say it in

0:42:17.080 --> 0:42:20.480
<v Speaker 1>France or something, but yeah, it's just that's that would

0:42:20.520 --> 0:42:23.879
<v Speaker 1>be my go to love song or basically any song.

0:42:23.920 --> 0:42:26.800
<v Speaker 1>I think that's like the best song of all time. Yeah, okay,

0:42:26.920 --> 0:42:29.719
<v Speaker 1>well we will definitely check out that that playlist. We're

0:42:29.719 --> 0:42:32.480
<v Speaker 1>actually putting one together for bad seor right now. And

0:42:32.520 --> 0:42:34.440
<v Speaker 1>so I'm like you where I sent it in way

0:42:34.520 --> 0:42:37.760
<v Speaker 1>too many options, um, and I feel bad for whoever

0:42:37.840 --> 0:42:40.800
<v Speaker 1>has to go through. Yeah, pick the actual ones that

0:42:40.840 --> 0:42:43.880
<v Speaker 1>are going on there. But totally it's like favorite movie,

0:42:43.880 --> 0:42:45.319
<v Speaker 1>you know, It's like how do you pick just one?

0:42:45.360 --> 0:42:48.520
<v Speaker 1>It's like you gotta have all all these different different options.

0:42:48.719 --> 0:42:50.840
<v Speaker 1>And too, it's hard when you say when I asked, like,

0:42:50.880 --> 0:42:52.799
<v Speaker 1>what's your favorite love song? Because like you said, you

0:42:52.800 --> 0:42:55.440
<v Speaker 1>don't know if yesterday could be considered a love song,

0:42:55.480 --> 0:42:58.480
<v Speaker 1>but I really think anything can, like when you define

0:42:58.560 --> 0:43:01.120
<v Speaker 1>your own version of love and and so whatever song

0:43:01.560 --> 0:43:05.800
<v Speaker 1>you choose, I mean, that's that's the one. I love that. So, Tom,

0:43:06.040 --> 0:43:08.160
<v Speaker 1>we need to hear from you. Obviously, we loved seeing you.

0:43:08.200 --> 0:43:09.560
<v Speaker 1>We wish we could have seen more of you and

0:43:09.680 --> 0:43:11.520
<v Speaker 1>listen to your heart. But what is coming up for

0:43:11.600 --> 0:43:14.319
<v Speaker 1>both you and the plain White teas anything else that

0:43:14.360 --> 0:43:16.839
<v Speaker 1>we as fans to know about you guys. Um. Yeah,

0:43:16.840 --> 0:43:20.759
<v Speaker 1>so Plain White Tas actually our dropping. So it's been

0:43:20.880 --> 0:43:24.560
<v Speaker 1>fifteen years actually since the album All That We Needed

0:43:24.800 --> 0:43:26.839
<v Speaker 1>came out, which is the first album that had hey

0:43:26.880 --> 0:43:29.719
<v Speaker 1>there Delilah on it, so you know, you were doing

0:43:29.760 --> 0:43:32.239
<v Speaker 1>the math a little while ago, and yeah, Delilah first

0:43:32.239 --> 0:43:35.080
<v Speaker 1>came out in twenty five, so it's been fifteen years.

0:43:35.080 --> 0:43:38.399
<v Speaker 1>It's so crazy. But yeah, so that album, we're doing

0:43:38.400 --> 0:43:41.440
<v Speaker 1>like a little reissue of that album celebrate the fifteen

0:43:41.480 --> 0:43:44.600
<v Speaker 1>year anniversary. It's got a few added bonus tracks of

0:43:44.640 --> 0:43:50.399
<v Speaker 1>like live acoustic performances from that time on there. So

0:43:50.440 --> 0:43:52.719
<v Speaker 1>that's what's new for Plain White Teas. Obviously, like I said,

0:43:52.719 --> 0:43:55.040
<v Speaker 1>we had a tour canceled because of all this, So

0:43:55.960 --> 0:43:57.879
<v Speaker 1>as soon as this all lifts, we're going to get

0:43:57.880 --> 0:44:00.839
<v Speaker 1>back on the road and keep playing shows and start

0:44:00.880 --> 0:44:03.200
<v Speaker 1>working on some brand new music. We had an album

0:44:03.239 --> 0:44:08.040
<v Speaker 1>that came out, our latest album, Parallel Universe. We love that.

0:44:08.120 --> 0:44:11.720
<v Speaker 1>We actually played one of the songs for that little

0:44:11.760 --> 0:44:15.719
<v Speaker 1>concert for Listening to Your Heart. So that's basically what's

0:44:15.719 --> 0:44:17.359
<v Speaker 1>near to play my teas for me. I'm just I'm

0:44:17.360 --> 0:44:18.960
<v Speaker 1>writing with a lot of artists Like I said, I

0:44:18.960 --> 0:44:21.960
<v Speaker 1>started a record label called Humans. We're here, so follow

0:44:21.960 --> 0:44:24.080
<v Speaker 1>along to all that stuff. I've got an eighty side

0:44:24.080 --> 0:44:27.239
<v Speaker 1>project called Million Miler that's super fun. It's all like

0:44:27.320 --> 0:44:31.000
<v Speaker 1>synthpop that I'm releasing. So yeah, just staying busy and

0:44:31.040 --> 0:44:34.720
<v Speaker 1>just life revolves around music. So pretty cool. It sounds

0:44:34.719 --> 0:44:37.400
<v Speaker 1>really cool. We're excited for everything that you have coming up.

0:44:37.440 --> 0:44:40.319
<v Speaker 1>We can't wait. Like I said, the Bars High, we

0:44:40.400 --> 0:44:43.839
<v Speaker 1>know you're going to be inspired with so much you know, creativity,

0:44:43.960 --> 0:44:46.239
<v Speaker 1>and I just can't wait to hear what you know,

0:44:46.320 --> 0:44:49.200
<v Speaker 1>you do, what your record label does, the artists on

0:44:49.280 --> 0:44:51.279
<v Speaker 1>that and then also with the Plain White Tis So

0:44:51.360 --> 0:44:54.239
<v Speaker 1>thank you so much for joining us on Bachelor Happy Hour.

0:44:54.440 --> 0:44:56.600
<v Speaker 1>You know, we hope to see you again on some

0:44:56.840 --> 0:45:00.640
<v Speaker 1>Bachelor franchise show. You're in the family, all right, Yeah,

0:45:00.719 --> 0:45:02.560
<v Speaker 1>let's just call it call us up. We'll do it.

0:45:02.840 --> 0:45:04.799
<v Speaker 1>Thank you so much. And and Tom, if you ever

0:45:04.920 --> 0:45:07.880
<v Speaker 1>need any more inspiration, feel free to write a song

0:45:08.040 --> 0:45:09.960
<v Speaker 1>about Rache and I. Maybe you'll get some grammys off

0:45:09.960 --> 0:45:14.400
<v Speaker 1>there you go back up, Well, this is you know,

0:45:14.480 --> 0:45:17.480
<v Speaker 1>this is the the most female interaction I've had in

0:45:17.520 --> 0:45:22.200
<v Speaker 1>a while, so maybe I will be inspired. Yeah, it's

0:45:22.239 --> 0:45:25.280
<v Speaker 1>gonna it's gonna be called two girls in a closet.

0:45:24.800 --> 0:45:29.720
<v Speaker 1>There you go, all right, thanks so much, you'd be safe.

0:45:29.760 --> 0:45:35.240
<v Speaker 1>Thank you you too, Thank you by take care bye? Okay, Becca?

0:45:35.360 --> 0:45:39.759
<v Speaker 1>How great was Tom? I love him? I really do.

0:45:40.080 --> 0:45:41.840
<v Speaker 1>I could have kept talking to him. I know you

0:45:41.880 --> 0:45:44.440
<v Speaker 1>could have too. I mean, whether we're talking about hey there, Delilah,

0:45:44.480 --> 0:45:47.719
<v Speaker 1>his time on the show, his bandmate, finding the love

0:45:47.719 --> 0:45:49.959
<v Speaker 1>of his life on a reality TV show. I felt

0:45:49.960 --> 0:45:52.960
<v Speaker 1>like we had so much in common with Tom, right,

0:45:53.440 --> 0:45:57.640
<v Speaker 1>I've already done this before. He does have this special

0:45:57.719 --> 0:46:00.319
<v Speaker 1>quality about him where I felt like he was just

0:46:00.400 --> 0:46:05.440
<v Speaker 1>at ease and natural. But I loved diving into his

0:46:06.120 --> 0:46:08.600
<v Speaker 1>story and history with Delilah. I've been wanting to know

0:46:08.640 --> 0:46:09.920
<v Speaker 1>that for a years. So it was great to have

0:46:10.000 --> 0:46:12.120
<v Speaker 1>him on the line. I mean, like I said, it's

0:46:12.160 --> 0:46:15.399
<v Speaker 1>a little disheartening to know it wasn't about me, but

0:46:15.480 --> 0:46:18.920
<v Speaker 1>not everything can be about you, Rachel. So, Rachel, you

0:46:19.000 --> 0:46:21.520
<v Speaker 1>had your own season. Okay, girl, if you're at you're right.

0:46:21.760 --> 0:46:23.760
<v Speaker 1>My time is done. It is not by season anymore,

0:46:23.960 --> 0:46:26.000
<v Speaker 1>but it is the season for listening to your heart.

0:46:26.080 --> 0:46:29.560
<v Speaker 1>So what I find so interesting about all of these

0:46:29.840 --> 0:46:32.160
<v Speaker 1>musicians I don't even want to call them contestants. All

0:46:32.200 --> 0:46:35.800
<v Speaker 1>these musicians that are in this mansion together, this beautiful mansion,

0:46:35.880 --> 0:46:38.360
<v Speaker 1>much better than the Bachelor mansion, if I have to

0:46:38.400 --> 0:46:41.920
<v Speaker 1>say so myself. Is that all of them have something

0:46:41.920 --> 0:46:45.359
<v Speaker 1>in common. You know, when we walk in the first night,

0:46:45.760 --> 0:46:47.520
<v Speaker 1>it's like we all have something in common. We're all

0:46:47.560 --> 0:46:49.959
<v Speaker 1>after the same man or woman. You know, that's usually

0:46:50.000 --> 0:46:51.520
<v Speaker 1>what you have in common. You don't think you're going

0:46:51.560 --> 0:46:53.839
<v Speaker 1>to get along with these with the people, at least

0:46:53.880 --> 0:46:55.280
<v Speaker 1>that's how I felt. I was like, oh, I'm probably

0:46:55.280 --> 0:46:56.600
<v Speaker 1>not going to make any friends. I'm going to be

0:46:56.640 --> 0:47:01.000
<v Speaker 1>so different, And then you're pleasantly surprised. These musicians walk

0:47:01.040 --> 0:47:06.040
<v Speaker 1>in already knowing we sing, most of us play instruments.

0:47:06.160 --> 0:47:10.600
<v Speaker 1>We already connect because we share this this artistry together.

0:47:10.719 --> 0:47:13.520
<v Speaker 1>We all think the same way. So I think that

0:47:13.520 --> 0:47:17.160
<v Speaker 1>that makes walking in the first night a little bit

0:47:17.200 --> 0:47:19.680
<v Speaker 1>more welcoming, and that kind of comes off through the

0:47:19.680 --> 0:47:23.279
<v Speaker 1>TV screen, you know, Yes, yes, I felt like there

0:47:23.320 --> 0:47:26.000
<v Speaker 1>was a certain warmth when everyone was around with each other.

0:47:26.040 --> 0:47:28.920
<v Speaker 1>It wasn't like you said, when you go into night

0:47:29.000 --> 0:47:31.600
<v Speaker 1>one and you're all kind of going after the same person,

0:47:32.320 --> 0:47:35.839
<v Speaker 1>there's still that level of competitiveness and a little bit

0:47:35.840 --> 0:47:39.240
<v Speaker 1>of underlying tension. And in this regard, it's not because

0:47:39.280 --> 0:47:41.359
<v Speaker 1>it's really like everyone has a free for all, Like, yes,

0:47:41.360 --> 0:47:44.520
<v Speaker 1>you're all bonded by your love of music and that creativity,

0:47:44.640 --> 0:47:47.680
<v Speaker 1>but everyone's still like, oh, let's just meet everyone. And

0:47:47.960 --> 0:47:51.160
<v Speaker 1>it's like the I don't remember who said it. One

0:47:51.160 --> 0:47:52.640
<v Speaker 1>of the girls was like, I haven't even talked to

0:47:52.640 --> 0:47:54.839
<v Speaker 1>all the guys yet, and I still want to. It's

0:47:54.880 --> 0:47:57.839
<v Speaker 1>not like they're just going after one person. Yeah, I mean,

0:47:59.160 --> 0:48:01.759
<v Speaker 1>And so it like more war and more welcoming, a

0:48:01.800 --> 0:48:04.600
<v Speaker 1>little less I mean, Okay, I'm gonna say this, it

0:48:04.640 --> 0:48:09.480
<v Speaker 1>felt a little less uh like nerve racking, so to speak.

0:48:09.640 --> 0:48:11.680
<v Speaker 1>But I will say if I walked in and I

0:48:11.760 --> 0:48:15.080
<v Speaker 1>knew everyone was that talented, and everyone was a great

0:48:15.120 --> 0:48:17.960
<v Speaker 1>singer and probably played some instruments, I would be like,

0:48:18.440 --> 0:48:20.879
<v Speaker 1>I am. I would be nervous, I think to get

0:48:20.920 --> 0:48:23.440
<v Speaker 1>around them and to I would just think, like, oh

0:48:23.480 --> 0:48:24.840
<v Speaker 1>my gosh, women, when am I going to have to

0:48:24.880 --> 0:48:27.080
<v Speaker 1>sing in front of all these people? And that's just me.

0:48:27.600 --> 0:48:30.560
<v Speaker 1>Maybe it's just because I'm a terrible singer, but um,

0:48:30.920 --> 0:48:33.600
<v Speaker 1>but it had a different feel which I appreciate from

0:48:33.640 --> 0:48:36.239
<v Speaker 1>the show. Yeah, no, no, no no no. If I had

0:48:36.280 --> 0:48:38.520
<v Speaker 1>to start, you know, like they're just like, oh, getting

0:48:38.520 --> 0:48:40.600
<v Speaker 1>on the piano and play and pull out the guitar,

0:48:40.640 --> 0:48:42.000
<v Speaker 1>I would be like, Um, I have to go to

0:48:42.000 --> 0:48:44.080
<v Speaker 1>the bathroom, excuse me? And I would you ever come back?

0:48:44.880 --> 0:48:48.760
<v Speaker 1>Like Rachel you as you know, coming from your legal background,

0:48:48.800 --> 0:48:52.200
<v Speaker 1>like if you walked into a mansion full of twenty lawyers,

0:48:52.360 --> 0:48:54.680
<v Speaker 1>how would you feel? I don't know. Okay, So then

0:48:54.760 --> 0:48:56.920
<v Speaker 1>maybe I was so different because I would know that

0:48:57.000 --> 0:48:59.240
<v Speaker 1>I would be prepared. You know, I went to school

0:48:59.239 --> 0:49:01.640
<v Speaker 1>for this, I've had the training for this, so I

0:49:01.640 --> 0:49:04.719
<v Speaker 1>would feel confident in the skill that I would have.

0:49:05.280 --> 0:49:07.799
<v Speaker 1>So yeah, there'd be it'd be nerve wracking, but at

0:49:07.840 --> 0:49:10.840
<v Speaker 1>least I know i'd be prepared as opposed to you know,

0:49:11.160 --> 0:49:13.680
<v Speaker 1>it's not like we're on the Bachelor Bachelorette. We walk

0:49:13.719 --> 0:49:15.680
<v Speaker 1>into the room and they're like, Okay, you're gonna sing,

0:49:16.160 --> 0:49:17.719
<v Speaker 1>kind of like a group date. Okay, you're gonna sing,

0:49:17.880 --> 0:49:19.920
<v Speaker 1>you're gonna dance, and you're like, wait a minute, now,

0:49:20.080 --> 0:49:25.279
<v Speaker 1>that's not my forte. So and we see them come

0:49:25.280 --> 0:49:28.320
<v Speaker 1>out of not limos, but SUVs. We see Chris Harrison,

0:49:28.600 --> 0:49:31.879
<v Speaker 1>we see a mansion. We see that they have packages,

0:49:32.040 --> 0:49:36.800
<v Speaker 1>and in true bachelor fashion, there's a love triangle, which

0:49:37.040 --> 0:49:40.120
<v Speaker 1>was great with our girl Jamie, who's good teething from

0:49:40.160 --> 0:49:43.400
<v Speaker 1>the jump. You know, she's good. And I said this

0:49:43.440 --> 0:49:46.160
<v Speaker 1>a little bit earlier in the podcast, but I love

0:49:46.280 --> 0:49:49.279
<v Speaker 1>Jamie because for the first couple of minutes that she's there,

0:49:49.320 --> 0:49:51.399
<v Speaker 1>she's like, I don't want drama and I just want

0:49:51.440 --> 0:49:54.400
<v Speaker 1>everyone to have a good time. And of course she's

0:49:54.440 --> 0:49:56.440
<v Speaker 1>the one who said that, so she's the one who's

0:49:56.480 --> 0:50:00.160
<v Speaker 1>gonna get sucked into that most drama. We see her

0:50:00.480 --> 0:50:03.000
<v Speaker 1>kind of go between both Ryan and Trevor and not

0:50:03.080 --> 0:50:05.080
<v Speaker 1>really know what to do. She's into both of them.

0:50:05.120 --> 0:50:09.919
<v Speaker 1>They're both into her, and so I kind of feel

0:50:10.000 --> 0:50:13.480
<v Speaker 1>for her. But I will say she is getting more

0:50:13.560 --> 0:50:18.440
<v Speaker 1>of the Bachelor et experience, having multiple guys kind of

0:50:18.440 --> 0:50:21.680
<v Speaker 1>fight over her. Yeah, you can tell Jamie as a

0:50:21.719 --> 0:50:24.400
<v Speaker 1>person who gives her all into whatever it is that

0:50:24.440 --> 0:50:26.680
<v Speaker 1>she's doing. She has a lot of passion. She's a

0:50:26.719 --> 0:50:28.960
<v Speaker 1>big heart because see she wears it a little bit

0:50:28.960 --> 0:50:31.880
<v Speaker 1>on her sleeve, and so she's just all in, you know.

0:50:31.920 --> 0:50:35.319
<v Speaker 1>So we see her she gets there first. Ryan comes in,

0:50:35.600 --> 0:50:39.480
<v Speaker 1>who's such a cutie, they immediately hit it off. They're

0:50:39.480 --> 0:50:41.600
<v Speaker 1>the first people to meet each other, and she's in.

0:50:41.920 --> 0:50:47.600
<v Speaker 1>She's in that thing until trevorson and she's like, wait, wait, wait, wait,

0:50:47.600 --> 0:50:49.640
<v Speaker 1>wait wait, what's your name again? I'm sorry? Is it

0:50:49.680 --> 0:50:52.080
<v Speaker 1>Brian or Ryan? I'm sorry because Trevor just walked in,

0:50:53.640 --> 0:50:57.520
<v Speaker 1>I'm not quite sure. And which is a lesson learned

0:50:57.640 --> 0:50:59.680
<v Speaker 1>people if you go on these shows that you kind

0:50:59.680 --> 0:51:01.879
<v Speaker 1>of can't put all your eggs in one basket because

0:51:01.920 --> 0:51:04.799
<v Speaker 1>you just never know who's going to walk through the door.

0:51:05.320 --> 0:51:08.280
<v Speaker 1>But this is Jamie. This is almost like the essence

0:51:08.280 --> 0:51:10.520
<v Speaker 1>of her. What's what you love so much about her?

0:51:10.520 --> 0:51:12.920
<v Speaker 1>What is so charming because she goes all in So

0:51:13.000 --> 0:51:16.120
<v Speaker 1>we see her in this love triangle between Jamie and Trevor. So,

0:51:16.560 --> 0:51:21.480
<v Speaker 1>of course, again in true bachelor fashion, there's a day

0:51:21.520 --> 0:51:26.520
<v Speaker 1>card given to Ryan and who does he take? Jamie?

0:51:26.920 --> 0:51:32.799
<v Speaker 1>Of course he does, And you know, I feel for

0:51:32.920 --> 0:51:35.239
<v Speaker 1>Jamie watching that because they're both cute guys, they both

0:51:35.280 --> 0:51:37.440
<v Speaker 1>seem sweet, they both kind of I mean, throughout the

0:51:37.880 --> 0:51:40.360
<v Speaker 1>episode they both sing to her, so it's like, I

0:51:40.400 --> 0:51:42.319
<v Speaker 1>don't know, I felt for Jamie at the very end

0:51:42.360 --> 0:51:43.840
<v Speaker 1>of the episode because I was like, shit, I don't know.

0:51:43.840 --> 0:51:46.080
<v Speaker 1>If I'm in my rose too, I would just have

0:51:46.160 --> 0:51:47.839
<v Speaker 1>pulled a name out of a hat. At that point,

0:51:47.920 --> 0:51:52.680
<v Speaker 1>I think, um, and then we get Okay. Another contestant

0:51:52.680 --> 0:51:54.319
<v Speaker 1>who I really liked too, I still want to talk

0:51:54.320 --> 0:51:59.080
<v Speaker 1>about is Rudy. Now, I personally, from what I've seen

0:51:59.160 --> 0:52:01.080
<v Speaker 1>of her, I personal like her. I think she I

0:52:01.160 --> 0:52:03.760
<v Speaker 1>keep saying the word spunky, but she just like seems

0:52:03.760 --> 0:52:08.280
<v Speaker 1>to have this zest for life. And I also really

0:52:08.320 --> 0:52:10.680
<v Speaker 1>liked So I was looking up all the contestant bios

0:52:10.719 --> 0:52:12.480
<v Speaker 1>and I was like, oh, you know, and this was

0:52:12.520 --> 0:52:14.040
<v Speaker 1>prior to Rudy singing, and I was like, I want

0:52:14.040 --> 0:52:16.160
<v Speaker 1>to hear Rudy sing because she's she has the pop

0:52:16.280 --> 0:52:20.160
<v Speaker 1>R and B background, and so we see her, you know,

0:52:20.560 --> 0:52:22.520
<v Speaker 1>kind of hit it off with Matt and be into him.

0:52:22.560 --> 0:52:24.480
<v Speaker 1>But like later on in the episode, when she sings

0:52:24.480 --> 0:52:28.560
<v Speaker 1>and you feel like the passion behind her emotions, I

0:52:28.600 --> 0:52:33.160
<v Speaker 1>was like, I want more of her voice. Yeah, no, Rudy.

0:52:33.200 --> 0:52:35.920
<v Speaker 1>There's definitely a lot to get into with Rudy because

0:52:36.920 --> 0:52:39.839
<v Speaker 1>Rudy switched it up real fat, real quick and a hurry.

0:52:39.880 --> 0:52:41.960
<v Speaker 1>So I want to I want to do Rudy, but

0:52:42.040 --> 0:52:45.080
<v Speaker 1>I definitely want to finish Jamie, Ryan and Trevor. Because

0:52:45.080 --> 0:52:48.000
<v Speaker 1>something that stood out to me with Ryan and Jamie

0:52:48.160 --> 0:52:51.760
<v Speaker 1>when they first had that conversation was when he shared

0:52:51.840 --> 0:52:54.760
<v Speaker 1>his story. So it's like, I get why Jamie falls

0:52:54.800 --> 0:52:57.880
<v Speaker 1>for him because he's cute. She already says, that's my type.

0:52:57.880 --> 0:53:00.759
<v Speaker 1>You're the typical guy that I go for. And then

0:53:00.800 --> 0:53:03.160
<v Speaker 1>he tells a story about him having brain surgery when

0:53:03.200 --> 0:53:05.520
<v Speaker 1>he was only six years old, and you see him

0:53:06.640 --> 0:53:09.040
<v Speaker 1>but obviously he fought through that because he is where

0:53:09.040 --> 0:53:13.360
<v Speaker 1>he is today. But he's also this insanely talented musician.

0:53:13.760 --> 0:53:17.440
<v Speaker 1>So he's got this story of I don't know if

0:53:17.440 --> 0:53:19.680
<v Speaker 1>the word is redemption, but just this story where he's

0:53:19.680 --> 0:53:23.480
<v Speaker 1>a fighter. You it resonates with you. You attach that

0:53:23.560 --> 0:53:26.520
<v Speaker 1>to him in addition to everything else that he presents

0:53:26.719 --> 0:53:30.160
<v Speaker 1>in the physical way and as far as his talent.

0:53:30.560 --> 0:53:32.839
<v Speaker 1>So it's like, how in the world do you not

0:53:32.920 --> 0:53:35.680
<v Speaker 1>pick Ryan? And then Trevor comes in and she falls

0:53:35.680 --> 0:53:38.280
<v Speaker 1>for Trevor. So yes, Ryan gets a date card, takes

0:53:38.320 --> 0:53:41.920
<v Speaker 1>Jamie on the date, and they go to Capitol Records.

0:53:42.040 --> 0:53:44.319
<v Speaker 1>Didn't surprise me. Didn't surprise me that they were going

0:53:44.320 --> 0:53:48.120
<v Speaker 1>to Capitol Records. I had PTSD watching them pull up

0:53:48.160 --> 0:53:51.320
<v Speaker 1>to Capitol Records because that's where I had a date

0:53:51.360 --> 0:53:58.439
<v Speaker 1>with Chris Randone aka Goose and did he rice we

0:53:58.480 --> 0:54:01.439
<v Speaker 1>had to? Yes, we had to? Did we? I don't

0:54:01.440 --> 0:54:03.400
<v Speaker 1>even remember what we did on that day. Oh, he

0:54:03.520 --> 0:54:05.520
<v Speaker 1>had like a freak out panic moment and then we

0:54:05.600 --> 0:54:08.080
<v Speaker 1>had to sing. And I was mortified. And so when

0:54:08.120 --> 0:54:12.480
<v Speaker 1>I and I haven't bumped to Capitol Records, I was like,

0:54:12.680 --> 0:54:17.000
<v Speaker 1>oh no, but obviously, like this is their profession, so

0:54:17.000 --> 0:54:21.040
<v Speaker 1>it's different for them. People that should be at Capitol

0:54:21.080 --> 0:54:25.720
<v Speaker 1>Record they belong there. Chris and I not so much. Yeah,

0:54:25.800 --> 0:54:28.799
<v Speaker 1>I mean, I thought it was pretty cool that not

0:54:28.840 --> 0:54:30.840
<v Speaker 1>only did they go to Capital Records, which I wasn't surprised.

0:54:30.840 --> 0:54:32.920
<v Speaker 1>I'm like, okay, musicians are going to Capital Records, but

0:54:32.920 --> 0:54:36.239
<v Speaker 1>then for them to go in sing a John Mayer song,

0:54:36.480 --> 0:54:39.480
<v Speaker 1>but then work with the music producer John Ezelia, who

0:54:39.600 --> 0:54:42.680
<v Speaker 1>worked with John Mayer on the song. So it's they're

0:54:42.680 --> 0:54:50.879
<v Speaker 1>getting the whole experience, which gravity Becca Gravity. I don't

0:54:50.920 --> 0:54:53.920
<v Speaker 1>know what year that came out in, but I was

0:54:54.080 --> 0:54:57.120
<v Speaker 1>going through something when that song came out, like that

0:54:57.280 --> 0:55:00.120
<v Speaker 1>song speaks to me in a whole other way. So

0:55:00.120 --> 0:55:02.160
<v Speaker 1>when they were like we're going to sing gravity. I

0:55:02.200 --> 0:55:03.840
<v Speaker 1>thought were Jamie, I would have been crying all the

0:55:03.880 --> 0:55:07.680
<v Speaker 1>way through it. I would have been like, this song, Oh,

0:55:07.680 --> 0:55:10.600
<v Speaker 1>it's just it's my favorite John Mayers song. And even

0:55:10.640 --> 0:55:15.000
<v Speaker 1>before so in my notes, before Ryan took Jamie on

0:55:15.040 --> 0:55:16.840
<v Speaker 1>that date and we knew what they were going to

0:55:16.920 --> 0:55:21.520
<v Speaker 1>be doing, I wrote that where's my notes, Ryan equals

0:55:21.600 --> 0:55:24.880
<v Speaker 1>John Mayer is what I wrote. He has the look

0:55:25.160 --> 0:55:29.200
<v Speaker 1>ye is like John Mayer and just and so when

0:55:29.239 --> 0:55:30.960
<v Speaker 1>I'm watching them, I was like, of course they're going

0:55:31.040 --> 0:55:34.760
<v Speaker 1>to sing a John Mayer song because he's basically there. Yeah,

0:55:34.920 --> 0:55:37.359
<v Speaker 1>I guess I didn't put that together, so maybe they

0:55:37.400 --> 0:55:40.480
<v Speaker 1>picked that because I mean, who knows, But then did you?

0:55:40.840 --> 0:55:45.600
<v Speaker 1>Did you see? Though? Moving on from Ryan to Trevor,

0:55:45.640 --> 0:55:48.080
<v Speaker 1>when Trevor then sings to Jamie later on he sings

0:55:48.080 --> 0:55:50.200
<v Speaker 1>the slow Dancing in the Burning Room that he actually

0:55:50.239 --> 0:55:54.560
<v Speaker 1>sang that song to us. But I even said before

0:55:54.560 --> 0:55:56.600
<v Speaker 1>he started singing us like, don't sing a John Mayer's song,

0:55:56.600 --> 0:55:58.640
<v Speaker 1>don't sing a John Mayer's song. And of course he does,

0:55:58.680 --> 0:56:01.040
<v Speaker 1>and I was like, Trevor would pick a John Mayer

0:56:01.080 --> 0:56:05.720
<v Speaker 1>So yeah, I know, but isn't that kind of for me? Personally,

0:56:05.719 --> 0:56:07.200
<v Speaker 1>I would want to switch it up and to have

0:56:07.280 --> 0:56:11.279
<v Speaker 1>something so completely different than what she experienced with another man.

0:56:11.960 --> 0:56:15.320
<v Speaker 1>Can we be messy for a SECONDA who sang the

0:56:15.400 --> 0:56:23.239
<v Speaker 1>John Mayer song better? Ryan or Trevor? Okay, this could

0:56:23.280 --> 0:56:26.799
<v Speaker 1>be an unpopular opinion, but I actually like Trevor's voice

0:56:26.840 --> 0:56:30.839
<v Speaker 1>better than Ryan. Hell no, it was definitely Ryan. It

0:56:30.960 --> 0:56:34.960
<v Speaker 1>was definitely Ryan saying Ryan. He didn't sing it as

0:56:34.960 --> 0:56:36.640
<v Speaker 1>well when they were sitting by the fireside chat and

0:56:36.640 --> 0:56:37.919
<v Speaker 1>they told him to put it on the spot when

0:56:38.000 --> 0:56:41.319
<v Speaker 1>he was in the studio and he sang, I looked,

0:56:41.640 --> 0:56:43.839
<v Speaker 1>I'm sorry. Is that that? That voice just come from

0:56:43.960 --> 0:56:47.520
<v Speaker 1>Ryan whole nother level. He kind of has a Seawan

0:56:47.600 --> 0:56:50.600
<v Speaker 1>Mendez esque voice. I think, No, he looks like a

0:56:50.680 --> 0:56:54.160
<v Speaker 1>Sean Mendez. I think he looks like John Mayer. He

0:56:54.200 --> 0:56:56.080
<v Speaker 1>does look like John Mayer to me, But I mean, like,

0:56:56.239 --> 0:56:57.799
<v Speaker 1>I don't know they favor Okay, I just looked up.

0:56:57.840 --> 0:57:00.760
<v Speaker 1>Gravity came out in two thousand and five. Okay, around

0:57:00.760 --> 0:57:03.879
<v Speaker 1>the same time There Delia, the same time, Hey, there

0:57:03.920 --> 0:57:07.279
<v Speaker 1>Delia was going I was going through a breakup at

0:57:07.320 --> 0:57:13.920
<v Speaker 1>that time. Yeah, that song, so yes, I Jamie definitely

0:57:14.040 --> 0:57:18.080
<v Speaker 1>also was winning that night. Because she had two very attractive,

0:57:18.120 --> 0:57:22.280
<v Speaker 1>talented men fighting over her in this first episode and

0:57:22.480 --> 0:57:24.800
<v Speaker 1>they both sang to her at the same time too.

0:57:24.920 --> 0:57:28.720
<v Speaker 1>So anyways, I don't know how you say no to

0:57:28.880 --> 0:57:33.640
<v Speaker 1>Ryan after that date of him singing make this, because

0:57:33.640 --> 0:57:36.040
<v Speaker 1>he also held her hand because she was really nervous.

0:57:36.160 --> 0:57:40.160
<v Speaker 1>She and he guided her through that and really kind

0:57:40.200 --> 0:57:42.000
<v Speaker 1>of carried her through the song. And I thought her

0:57:42.040 --> 0:57:44.680
<v Speaker 1>voice was amazing too, but it was she said it.

0:57:44.680 --> 0:57:46.600
<v Speaker 1>She's like, my voice doesn't match. It's not my genre.

0:57:46.600 --> 0:57:49.200
<v Speaker 1>And I was like, girl, stop, you sound amazing. She

0:57:49.400 --> 0:57:52.560
<v Speaker 1>and I and that's why. Okay, So fresh off the bat,

0:57:52.600 --> 0:57:54.960
<v Speaker 1>when we first met Jamie, I liked her, but then

0:57:55.000 --> 0:57:59.640
<v Speaker 1>watching her on that date, I found her more relatable.

0:57:59.680 --> 0:58:01.840
<v Speaker 1>I liked the nerves. I liked the fact that, yes,

0:58:01.920 --> 0:58:03.880
<v Speaker 1>she's an amazing singer and she's on the show for

0:58:03.920 --> 0:58:08.120
<v Speaker 1>a reason, but she still was hesitant and scared to

0:58:08.200 --> 0:58:10.080
<v Speaker 1>do that because, like you said, she didn't think it

0:58:10.120 --> 0:58:12.200
<v Speaker 1>was her genre. It was you know, she was singing

0:58:12.280 --> 0:58:16.000
<v Speaker 1>with this new handsome man, and so I liked that.

0:58:16.120 --> 0:58:18.920
<v Speaker 1>I found it very endearing and kind of cute that

0:58:18.960 --> 0:58:22.200
<v Speaker 1>she she was more you know, hesitant with and at

0:58:22.240 --> 0:58:25.560
<v Speaker 1>that date at that moment. Um. Okay, I feel like

0:58:25.560 --> 0:58:27.760
<v Speaker 1>we're jumping all over the place, though, But can we

0:58:28.040 --> 0:58:32.400
<v Speaker 1>just for one second talk about because we didn't talk

0:58:32.400 --> 0:58:36.840
<v Speaker 1>about him coming out of the suv um Josh, so

0:58:36.880 --> 0:58:40.840
<v Speaker 1>he was called another another one of the guys said

0:58:40.880 --> 0:58:45.560
<v Speaker 1>that he was the jacked mister Clean. He was I

0:58:45.720 --> 0:58:50.160
<v Speaker 1>phoned him so attractive. I mean his jaw line. Everyone

0:58:50.280 --> 0:58:52.360
<v Speaker 1>go back if you missed him, just look at his

0:58:52.440 --> 0:58:56.960
<v Speaker 1>jaw line please. I mean, I remember cackling when the

0:58:57.000 --> 0:58:59.520
<v Speaker 1>guy said the jacked mister Clean. I was like, Wow,

0:58:59.560 --> 0:59:04.640
<v Speaker 1>that was really an on point comparison. But he didn't

0:59:04.640 --> 0:59:07.040
<v Speaker 1>really we didn't really see much of his personality, and

0:59:07.120 --> 0:59:10.720
<v Speaker 1>I'm such a personality person so I mean, maybe he's great,

0:59:10.720 --> 0:59:13.720
<v Speaker 1>but I just I couldn't get past the jacked mister clean.

0:59:13.840 --> 0:59:16.120
<v Speaker 1>I mean, after that he lived on a bottle of

0:59:16.160 --> 0:59:18.440
<v Speaker 1>cleaning supplies for me, and I just never saw anything

0:59:18.440 --> 0:59:22.520
<v Speaker 1>past that. So I don't want to talk about the

0:59:22.680 --> 0:59:26.280
<v Speaker 1>endings just yet, what happens with this love triangle. But

0:59:26.480 --> 0:59:31.000
<v Speaker 1>you mentioned Rudy and that fabulous voice of hers, So

0:59:31.040 --> 0:59:33.360
<v Speaker 1>I want to talk about Rudy and Matt because we

0:59:33.520 --> 0:59:36.960
<v Speaker 1>see Rudy hit it off with that super quick, and

0:59:36.960 --> 0:59:39.000
<v Speaker 1>we're like, oh, we don't even need to keep at

0:59:39.080 --> 0:59:40.440
<v Speaker 1>least I was like, I don't even need to keep

0:59:40.440 --> 0:59:43.000
<v Speaker 1>paying attention to him. This is a done deal. They

0:59:43.040 --> 0:59:46.080
<v Speaker 1>seem to really connect. She's into him, he's into her.

0:59:46.680 --> 0:59:51.040
<v Speaker 1>And then we see that awkward moment in the hot tip.

0:59:51.200 --> 0:59:53.840
<v Speaker 1>What what did you take on that, Like, did you

0:59:53.840 --> 0:59:55.920
<v Speaker 1>think it was awkward or did you understand where Rudy

0:59:56.000 --> 1:00:01.320
<v Speaker 1>was coming from? Um? No, it was definitely awkward. It was.

1:00:01.360 --> 1:00:03.080
<v Speaker 1>And this is something that I wanted to ask you

1:00:03.120 --> 1:00:06.640
<v Speaker 1>because Matt asked, Rudy, do you judge a person by

1:00:06.680 --> 1:00:10.440
<v Speaker 1>how they kiss? So, Rachel, I'm gonna let's let's talk

1:00:10.440 --> 1:00:12.360
<v Speaker 1>about this, and then I'm gonna ask you the same question.

1:00:13.520 --> 1:00:17.360
<v Speaker 1>It was weird because it's like I can see both sides.

1:00:17.360 --> 1:00:19.840
<v Speaker 1>I can see why Rudy maybe wants to wait because

1:00:19.880 --> 1:00:22.320
<v Speaker 1>she wants to still talk to some of the other

1:00:22.320 --> 1:00:24.400
<v Speaker 1>guys and not, as you said, throw all the eggs

1:00:24.400 --> 1:00:28.400
<v Speaker 1>in one basket. But if you're feeling someone, you're feeling someone,

1:00:28.480 --> 1:00:32.120
<v Speaker 1>and in this scenario, you don't have all the time

1:00:32.120 --> 1:00:33.720
<v Speaker 1>in the world, so you really want to try to

1:00:33.760 --> 1:00:36.160
<v Speaker 1>make a connection. And it seems like they were it

1:00:36.160 --> 1:00:38.600
<v Speaker 1>seems like they were both really into each other. And

1:00:38.640 --> 1:00:41.040
<v Speaker 1>so when she when he asks her that and then

1:00:41.080 --> 1:00:44.040
<v Speaker 1>she you know, goes underwater and then pops up and

1:00:44.040 --> 1:00:47.040
<v Speaker 1>it is just like talking her makeup. I'm like, this

1:00:47.120 --> 1:00:49.240
<v Speaker 1>is ruoney in the moment, like he just wants to see,

1:00:49.400 --> 1:00:52.520
<v Speaker 1>like he wants a kiss. He's not being awkward like

1:00:52.600 --> 1:00:56.000
<v Speaker 1>how Michael Todd was saying, Oh, I like your lips,

1:00:56.040 --> 1:00:58.040
<v Speaker 1>Like he's asking her a question about it to see

1:00:58.040 --> 1:01:01.840
<v Speaker 1>where it can maybe go. So it was kind of

1:01:01.880 --> 1:01:07.920
<v Speaker 1>a letdown, and I think that's where their problems started

1:01:08.040 --> 1:01:11.320
<v Speaker 1>because then Matt walked away being like, I don't know,

1:01:11.360 --> 1:01:13.120
<v Speaker 1>I thought it was going great and she kind of

1:01:13.160 --> 1:01:17.040
<v Speaker 1>just like flipped and didn't want to like see where

1:01:17.040 --> 1:01:19.640
<v Speaker 1>this could go type of thing. Um it was. It

1:01:19.680 --> 1:01:23.480
<v Speaker 1>was awkward, yeah, I mean I definitely was like, Okay,

1:01:23.720 --> 1:01:27.240
<v Speaker 1>they're they're flirty. You agreed to get in the hot tub. Girl.

1:01:27.320 --> 1:01:30.560
<v Speaker 1>You agreed to take off your clothes, get into a

1:01:30.600 --> 1:01:33.080
<v Speaker 1>little bathing suit, get in the hot tub where things

1:01:33.120 --> 1:01:35.520
<v Speaker 1>get hot and steamy. You have to be close to

1:01:35.560 --> 1:01:38.200
<v Speaker 1>each other, you're wet, I mean, and then you have

1:01:38.320 --> 1:01:40.960
<v Speaker 1>your aerial moment where you dip yourself in the pool

1:01:41.520 --> 1:01:44.680
<v Speaker 1>rise or the hot tub, arise from it, slick your

1:01:44.680 --> 1:01:47.240
<v Speaker 1>hair back, and it's like you're turning this man on.

1:01:47.720 --> 1:01:50.440
<v Speaker 1>I just felt like it wasn't awkward for him to

1:01:51.080 --> 1:01:55.920
<v Speaker 1>insinuate that they kiss if she didn't want to. I

1:01:56.000 --> 1:01:59.720
<v Speaker 1>also understand that because I too did not want to

1:01:59.760 --> 1:02:02.200
<v Speaker 1>kiss anybody the first night of the Bachelorette, and then

1:02:02.240 --> 1:02:05.360
<v Speaker 1>I went all in with Brian because I was, like

1:02:05.400 --> 1:02:07.080
<v Speaker 1>you said, Beck, I thought, Okay, I'm just gonna be

1:02:07.160 --> 1:02:09.320
<v Speaker 1>in the moment. I'm not gonna push it away. But

1:02:09.400 --> 1:02:12.240
<v Speaker 1>I felt like he was hinting at it. So Rudy

1:02:12.240 --> 1:02:14.280
<v Speaker 1>could have played it better. She could have kind of

1:02:14.280 --> 1:02:17.959
<v Speaker 1>been like, m I know where you're going. I want

1:02:17.960 --> 1:02:20.080
<v Speaker 1>to kiss you too. I want to go there. I

1:02:20.200 --> 1:02:23.640
<v Speaker 1>like you, I'm feeling you, but I kind of want

1:02:23.680 --> 1:02:25.960
<v Speaker 1>to save it for it another day, like if you

1:02:26.000 --> 1:02:27.720
<v Speaker 1>get a date car, take me on a one on

1:02:27.720 --> 1:02:30.080
<v Speaker 1>one or I'll take you, and let's save it for

1:02:30.080 --> 1:02:32.320
<v Speaker 1>a second, because I promised myself I wouldn't kiss somebody

1:02:32.320 --> 1:02:33.480
<v Speaker 1>the first night, you know what I mean. She could

1:02:33.480 --> 1:02:35.640
<v Speaker 1>have played it in a different way. Instead, it was like,

1:02:35.800 --> 1:02:37.360
<v Speaker 1>you want to get out of the hot tub, Okay,

1:02:37.400 --> 1:02:40.640
<v Speaker 1>let's go Yeah, she's just more worried about like, oh, woman,

1:02:40.760 --> 1:02:43.840
<v Speaker 1>makeup's running now and I look terrible and what it

1:02:43.920 --> 1:02:45.800
<v Speaker 1>was just weird? Um, but rich, I do want to

1:02:45.800 --> 1:02:48.040
<v Speaker 1>ask you, because Matt asked her this, do you judge

1:02:48.040 --> 1:02:52.760
<v Speaker 1>a person by how they kid? I'm a kisser. I'm

1:02:52.760 --> 1:02:56.640
<v Speaker 1>a kisser, But I also feel like I'm not gonna

1:02:56.960 --> 1:02:59.880
<v Speaker 1>judge you on the first impression. Sometimes maybe you're nerve,

1:03:00.280 --> 1:03:03.080
<v Speaker 1>maybe you're a little awkward. So there have been times

1:03:03.080 --> 1:03:05.760
<v Speaker 1>where I'm like, and this happened on the bat strette.

1:03:06.440 --> 1:03:11.080
<v Speaker 1>I can rehabilitate you. I can teach you how to

1:03:11.280 --> 1:03:14.640
<v Speaker 1>kiss better. Maybe you haven't. Maybe you haven't learned. Maybe

1:03:14.640 --> 1:03:17.200
<v Speaker 1>you haven't kissed somebody with full lips like this. Maybe

1:03:17.320 --> 1:03:19.600
<v Speaker 1>like nobody's taught you sometimes should be taught. You know,

1:03:19.840 --> 1:03:22.720
<v Speaker 1>the same thing goes for sex. So I thought, Okay,

1:03:22.760 --> 1:03:27.160
<v Speaker 1>I can rehabilitate you. That doesn't always work. Then I'm

1:03:27.200 --> 1:03:29.760
<v Speaker 1>judging you by your kiss because if you can't kiss right,

1:03:30.120 --> 1:03:33.000
<v Speaker 1>you can't do anything right to me physically. That's just

1:03:33.040 --> 1:03:36.560
<v Speaker 1>how I feel like kissing. That's bad. That's like first base,

1:03:36.760 --> 1:03:40.920
<v Speaker 1>you know, Yeah, how are we going to run the

1:03:40.960 --> 1:03:43.960
<v Speaker 1>second If you don't know how to kiss me well,

1:03:44.000 --> 1:03:46.520
<v Speaker 1>I want to Well, I won't put you on the spot,

1:03:46.520 --> 1:03:48.320
<v Speaker 1>but I do want to know who is the worst kisser.

1:03:48.440 --> 1:03:51.240
<v Speaker 1>I'll tell you. I will without a doubt. I can

1:03:51.280 --> 1:03:53.439
<v Speaker 1>tell you off the bat who it was, and I'll

1:03:53.440 --> 1:03:56.160
<v Speaker 1>tell you off camera because I like this person and

1:03:56.200 --> 1:04:00.000
<v Speaker 1>I don't want to be rude. We'll share. I'm gonna

1:04:00.040 --> 1:04:03.080
<v Speaker 1>call you after this, we'll chat. But I agree. I

1:04:03.120 --> 1:04:07.040
<v Speaker 1>do think, uh, like when you when when you have

1:04:07.080 --> 1:04:09.600
<v Speaker 1>that connection with someone for the most part, I mean,

1:04:09.680 --> 1:04:12.320
<v Speaker 1>I've only had a couple bad kisses in my life.

1:04:12.320 --> 1:04:15.160
<v Speaker 1>Like for the most part, most people have been pretty good,

1:04:15.280 --> 1:04:18.760
<v Speaker 1>especially when you're into someone. Um, but yes, people like you,

1:04:19.680 --> 1:04:22.120
<v Speaker 1>you need to be a good kisser. Yeah, Like it's

1:04:22.120 --> 1:04:25.320
<v Speaker 1>a there's a language with it, there's a movement, a rhythm,

1:04:25.360 --> 1:04:27.160
<v Speaker 1>and if we can't get it there, we're not going

1:04:27.240 --> 1:04:30.240
<v Speaker 1>to find that rhythm anywhere. You know, Thank you, So

1:04:30.280 --> 1:04:32.400
<v Speaker 1>I do. There's a song about it if you want

1:04:32.400 --> 1:04:34.400
<v Speaker 1>to know if he loves you, so, it's in his kiss.

1:04:34.800 --> 1:04:39.000
<v Speaker 1>That's where it is. Where it is. I don't know

1:04:39.040 --> 1:04:41.120
<v Speaker 1>why it is. I I don't even know the rest

1:04:41.120 --> 1:04:43.280
<v Speaker 1>of the words. I just know that part I love.

1:04:44.040 --> 1:04:47.560
<v Speaker 1>If you wanna know if he loves you. So we

1:04:47.600 --> 1:04:49.720
<v Speaker 1>did that last episode. Let's not do that again. Cut

1:04:49.760 --> 1:04:53.480
<v Speaker 1>that part out. That was a fun game. I want

1:04:53.480 --> 1:05:00.400
<v Speaker 1>to do that every day. Well that's hard pass. H Okay.

1:05:00.480 --> 1:05:05.680
<v Speaker 1>So I totally understand Matt for not for reading Rudy like, oh,

1:05:05.680 --> 1:05:08.160
<v Speaker 1>maybe she's just not that into me. If she didn't

1:05:08.160 --> 1:05:10.240
<v Speaker 1>want to give me a kiss, he was probably thinking

1:05:10.280 --> 1:05:12.960
<v Speaker 1>I read it wrong. So let me not put all

1:05:13.000 --> 1:05:14.680
<v Speaker 1>my eggs in one basket and let me go talk

1:05:14.720 --> 1:05:17.280
<v Speaker 1>to someone else. So I get why he moved on

1:05:17.440 --> 1:05:21.280
<v Speaker 1>to Mel. I totally understand why he took Mel on

1:05:21.320 --> 1:05:25.280
<v Speaker 1>the date. What I don't understand because we see he

1:05:25.320 --> 1:05:27.080
<v Speaker 1>gets a date card and he picks Mel and they

1:05:27.160 --> 1:05:29.240
<v Speaker 1>go on the plane white Teas date, and we didn't

1:05:29.280 --> 1:05:32.040
<v Speaker 1>really see much of that. But what I don't understand

1:05:32.760 --> 1:05:36.439
<v Speaker 1>is whatever this conversation was that Rudy and Matt had

1:05:36.520 --> 1:05:39.000
<v Speaker 1>that led Rudy to believe that he was taking her

1:05:39.000 --> 1:05:41.600
<v Speaker 1>on a date. And then he makes the comment, well,

1:05:41.600 --> 1:05:44.520
<v Speaker 1>I thought that's what I was supposed to do. And

1:05:44.560 --> 1:05:48.960
<v Speaker 1>I'm confused, do you I'm so confused. Maybe you understood it.

1:05:48.960 --> 1:05:52.000
<v Speaker 1>It was confusing, And I will say, so, you know,

1:05:52.360 --> 1:05:54.600
<v Speaker 1>night one, we see that awkward interaction with Matt and

1:05:54.640 --> 1:05:57.880
<v Speaker 1>Rudy go on to the next day. You really don't

1:05:58.040 --> 1:06:01.960
<v Speaker 1>see Matt and Mel that much, like you see the

1:06:02.000 --> 1:06:04.440
<v Speaker 1>moment where he pulls her away to chit chat, and

1:06:04.480 --> 1:06:07.720
<v Speaker 1>then of course he goes and pulls Rudy. But like

1:06:07.880 --> 1:06:10.560
<v Speaker 1>when he was when he was gonna say a name

1:06:11.080 --> 1:06:12.680
<v Speaker 1>to go on that date, I thought he was going

1:06:12.760 --> 1:06:15.360
<v Speaker 1>to say Rudy. So I don't know where the disconnect was.

1:06:15.400 --> 1:06:17.400
<v Speaker 1>Obviously there's more that we didn't see go down that

1:06:17.440 --> 1:06:21.720
<v Speaker 1>they can't put into a show. But I mean, and

1:06:21.800 --> 1:06:25.520
<v Speaker 1>we don't see the moment where apparently, as Rudy said,

1:06:25.720 --> 1:06:28.040
<v Speaker 1>Matt had told her he was going to pick her,

1:06:28.080 --> 1:06:30.800
<v Speaker 1>and I wish we could, so we'll really never know.

1:06:31.120 --> 1:06:35.800
<v Speaker 1>But do you think that he picked Mel to make

1:06:35.840 --> 1:06:38.480
<v Speaker 1>her jealous? Like he never was into Mel, He was

1:06:38.520 --> 1:06:40.880
<v Speaker 1>just trying to see, let me see if this lights

1:06:40.880 --> 1:06:47.360
<v Speaker 1>a fire under Rudy. I don't know. I think honestly,

1:06:47.440 --> 1:06:50.520
<v Speaker 1>I think it was just him being a dude and

1:06:50.680 --> 1:06:54.600
<v Speaker 1>like not thinking straight. I just I never saw it

1:06:54.680 --> 1:06:58.200
<v Speaker 1>before up until that point, him really talking to mellor

1:06:58.280 --> 1:07:02.040
<v Speaker 1>seeing any sort of connection there. So and of course

1:07:02.080 --> 1:07:04.600
<v Speaker 1>we didn't see it on the date. I just think

1:07:05.600 --> 1:07:08.600
<v Speaker 1>he I don't know. I think that there's a lot

1:07:08.640 --> 1:07:14.000
<v Speaker 1>that we didn't see, and I think that I don't

1:07:14.000 --> 1:07:16.240
<v Speaker 1>know how much I want to say here. I think

1:07:16.360 --> 1:07:20.320
<v Speaker 1>that like like Paradise, we've seen it before, where you

1:07:20.440 --> 1:07:23.840
<v Speaker 1>think someone's going to pick a certain person and they don't,

1:07:23.920 --> 1:07:26.800
<v Speaker 1>And I don't know if it's time apart deciding who

1:07:26.840 --> 1:07:29.760
<v Speaker 1>to pick, and like, I don't know, I think that's

1:07:29.800 --> 1:07:34.280
<v Speaker 1>kind of what played into it. But I mean, rightly, so,

1:07:34.320 --> 1:07:37.720
<v Speaker 1>if if Matt did tell Rudy in that conversation that hey,

1:07:37.840 --> 1:07:39.560
<v Speaker 1>I'm going to pick you for this date, I'll be

1:07:39.640 --> 1:07:41.320
<v Speaker 1>right back. I'll come get to you in a little bit,

1:07:41.880 --> 1:07:44.160
<v Speaker 1>I mean, I'd be just as pissed as she as

1:07:44.200 --> 1:07:46.280
<v Speaker 1>she was. I mean, i'd probably hold it in and

1:07:46.400 --> 1:07:51.040
<v Speaker 1>deliver it differently. But if that was the actual conversation,

1:07:51.200 --> 1:07:54.880
<v Speaker 1>rightly so, she should be upset. And I do love

1:07:55.240 --> 1:07:58.040
<v Speaker 1>that she well, I love that she told him off.

1:07:58.800 --> 1:08:00.240
<v Speaker 1>At first, I was kind of like, well, this is

1:08:00.280 --> 1:08:02.840
<v Speaker 1>a little a lot too soon, because if I was mad,

1:08:02.840 --> 1:08:04.440
<v Speaker 1>I would be like, wait a minute, now I'm seeing

1:08:04.440 --> 1:08:06.240
<v Speaker 1>a totally different side of her, which side is the

1:08:06.280 --> 1:08:08.360
<v Speaker 1>real Rudy? But then I understood if he did say

1:08:08.400 --> 1:08:11.560
<v Speaker 1>those things to her why she was upset. I was also, well,

1:08:11.560 --> 1:08:13.120
<v Speaker 1>I don't want to say that part yet, but I was.

1:08:13.280 --> 1:08:17.080
<v Speaker 1>I'm glad that she did that. But selfishly, this sounds

1:08:17.120 --> 1:08:18.760
<v Speaker 1>so bad, y'all. Don't don't get mad at me for

1:08:18.760 --> 1:08:22.240
<v Speaker 1>saying this. I'm so sad that Rudy had her heartbroken

1:08:22.320 --> 1:08:27.080
<v Speaker 1>that night. But raise your hand right now if you

1:08:27.120 --> 1:08:29.639
<v Speaker 1>were a little excited that you also got that beautiful

1:08:29.640 --> 1:08:32.120
<v Speaker 1>song out of Rudy because she was heartbroken, I said, well,

1:08:32.800 --> 1:08:36.320
<v Speaker 1>music could make the best, like the best songs. She

1:08:36.479 --> 1:08:40.600
<v Speaker 1>sang that smile song. I said, oh, thank you, Matt,

1:08:40.600 --> 1:08:44.639
<v Speaker 1>Thank you Matt. We'll breaking got this beautiful song. Yeah,

1:08:44.680 --> 1:08:46.519
<v Speaker 1>and we would not have gotten that. We wouldn't have

1:08:46.600 --> 1:08:50.240
<v Speaker 1>heard her had he not picked Mel for this date.

1:08:50.400 --> 1:08:53.160
<v Speaker 1>I mean, I, like I said earlier, I want to

1:08:53.200 --> 1:08:56.679
<v Speaker 1>hear Rudy sing more. Her vocal like that in that moment.

1:08:56.800 --> 1:08:59.880
<v Speaker 1>You helped the passion, You felt the motion behind her words,

1:09:00.560 --> 1:09:04.799
<v Speaker 1>and it was like velvet like her voice in that moment.

1:09:04.920 --> 1:09:06.479
<v Speaker 1>So I want to hear more of her. You guys,

1:09:06.880 --> 1:09:09.080
<v Speaker 1>Rudy Butter get a rose next week and keep her room,

1:09:09.120 --> 1:09:11.559
<v Speaker 1>because I want to hear more of that. Chris is

1:09:11.600 --> 1:09:14.479
<v Speaker 1>insanely talented. And we didn't really talk about Chris because

1:09:14.600 --> 1:09:18.000
<v Speaker 1>Chris and Brie hit it off and like, there's no drama,

1:09:18.439 --> 1:09:22.080
<v Speaker 1>their natural surprise couple. But I'm glad, Well, Okay, what

1:09:22.200 --> 1:09:24.200
<v Speaker 1>I was going to say is even Chris is so

1:09:24.240 --> 1:09:27.519
<v Speaker 1>insanely talented, and he's always on the piano getting music started,

1:09:27.800 --> 1:09:32.280
<v Speaker 1>and his reaction when Rudy started singing, he was like, oh, like,

1:09:32.760 --> 1:09:35.280
<v Speaker 1>I wasn't expecting that. I was like, Chris, we are

1:09:35.320 --> 1:09:37.040
<v Speaker 1>all of you at the moment. But what I was

1:09:37.040 --> 1:09:38.840
<v Speaker 1>going to say about Chris and Bree is there's really

1:09:38.880 --> 1:09:40.839
<v Speaker 1>not much to say about him because there's no drama.

1:09:40.880 --> 1:09:43.400
<v Speaker 1>But what I love about the Chris and Bree relationship

1:09:43.920 --> 1:09:47.839
<v Speaker 1>is that that is that's what makes this whole process beautiful.

1:09:48.640 --> 1:09:50.840
<v Speaker 1>You think you have a type, you think you know

1:09:50.960 --> 1:09:54.000
<v Speaker 1>exactly who you're going to date because of what you've

1:09:54.080 --> 1:09:57.519
<v Speaker 1>dated before, and then you step into this bubble, this world,

1:09:58.120 --> 1:10:02.120
<v Speaker 1>and you have all the outside to tractions moved away

1:10:02.160 --> 1:10:04.959
<v Speaker 1>and all that outside noise and you're really just focusing

1:10:05.000 --> 1:10:07.439
<v Speaker 1>on what it is that you want for yourself, and

1:10:07.520 --> 1:10:12.040
<v Speaker 1>you are so beautifully surprised and it may be someone

1:10:12.080 --> 1:10:13.800
<v Speaker 1>that you never thought that you were going to be with. Bore.

1:10:13.960 --> 1:10:15.840
<v Speaker 1>I mean, like I can honestly say that about Brian,

1:10:15.880 --> 1:10:18.960
<v Speaker 1>Like I was attracted to Brian, but I got to

1:10:19.000 --> 1:10:21.719
<v Speaker 1>really see him in the bubble and now we're married.

1:10:21.800 --> 1:10:24.160
<v Speaker 1>And so I see that with Brie and Chris, like

1:10:24.240 --> 1:10:26.960
<v Speaker 1>they that they're like a beautiful surprise. I wouldn't have

1:10:27.000 --> 1:10:28.320
<v Speaker 1>known that they would have been together, and I bet

1:10:28.360 --> 1:10:30.720
<v Speaker 1>they would say the same thing, well, and they're I mean,

1:10:30.760 --> 1:10:32.640
<v Speaker 1>we didn't see too too much of them in that

1:10:32.680 --> 1:10:35.080
<v Speaker 1>first episode, but we did see a moment for like

1:10:35.160 --> 1:10:37.800
<v Speaker 1>two minutes where they were sitting down kind of you know,

1:10:37.800 --> 1:10:40.799
<v Speaker 1>holding each other's hands to each other's legs on the couch,

1:10:41.120 --> 1:10:43.600
<v Speaker 1>and that moment, it was just cute. And that's what

1:10:43.680 --> 1:10:45.360
<v Speaker 1>I wrote in my notes. It was a cute moment

1:10:45.439 --> 1:10:48.519
<v Speaker 1>where she's like, I'm serious when I tell you I

1:10:48.560 --> 1:10:50.600
<v Speaker 1>feel like we have a connection and I want you

1:10:50.680 --> 1:10:53.280
<v Speaker 1>to be holding my hand and he is reciprocating that,

1:10:53.360 --> 1:10:55.680
<v Speaker 1>and it's like they're kind of I mean, it's like

1:10:55.720 --> 1:10:57.920
<v Speaker 1>a new relationship blossom. And I felt like it's like

1:10:57.960 --> 1:11:00.280
<v Speaker 1>that new young love like where you get it started

1:11:00.320 --> 1:11:01.800
<v Speaker 1>in high school and it's just sweet. It was just

1:11:01.840 --> 1:11:06.360
<v Speaker 1>a sweet, sweet moment. And then one other little triangle

1:11:06.400 --> 1:11:08.280
<v Speaker 1>that we see go down, and we'll just touch on

1:11:08.360 --> 1:11:10.880
<v Speaker 1>this quickly because it wasn't as juicy as the other ones,

1:11:10.920 --> 1:11:13.720
<v Speaker 1>I felt like. But between Julia and her two men,

1:11:13.760 --> 1:11:16.240
<v Speaker 1>I mean, we had Sheridan who was chasing after her,

1:11:16.600 --> 1:11:23.439
<v Speaker 1>and then also it was Josh, right, Josh was involved too. Yeah,

1:11:23.479 --> 1:11:26.880
<v Speaker 1>I think Josh. Josh was really into Julia. Yes, So

1:11:26.920 --> 1:11:30.840
<v Speaker 1>between those two, I mean, from how we saw the

1:11:30.880 --> 1:11:34.040
<v Speaker 1>conversations play out, I knew at that Rose ceremony she

1:11:34.080 --> 1:11:36.400
<v Speaker 1>was going to pick Sheridan because they just showed more

1:11:36.439 --> 1:11:38.960
<v Speaker 1>than like he he wrote that new song for her,

1:11:39.000 --> 1:11:41.439
<v Speaker 1>He's saying to her. That night they shared that kiss. Yes,

1:11:41.800 --> 1:11:44.439
<v Speaker 1>she also shared a kiss with Josh. But I knew,

1:11:44.720 --> 1:11:46.920
<v Speaker 1>I knew watched it. It was like, it's gonna be Sheridan.

1:11:47.360 --> 1:11:50.080
<v Speaker 1>Hand's down. Yeah, I'm glad it Sheridan, I like sharedon

1:11:50.200 --> 1:11:52.760
<v Speaker 1>he stands out, Thank God, Michael Todd. Okay, So we

1:11:52.760 --> 1:11:56.320
<v Speaker 1>get to the Rose ceremony, we pretty much see Jamie's

1:11:56.360 --> 1:12:00.920
<v Speaker 1>surprise surprise she picks Ryan. No, Jamie, see, because in

1:12:00.960 --> 1:12:02.800
<v Speaker 1>my mind she should have picked Ryan. That's what I

1:12:02.840 --> 1:12:05.599
<v Speaker 1>was thinking poor Ryan gave us all, went on a date,

1:12:05.680 --> 1:12:08.240
<v Speaker 1>was like, what more could I have done? But thank god,

1:12:08.320 --> 1:12:10.560
<v Speaker 1>Rudy saves him. Thank goodness. She also doesn't give it

1:12:10.600 --> 1:12:12.759
<v Speaker 1>to Matt. I like that she stood strong in her beliefs.

1:12:12.960 --> 1:12:17.400
<v Speaker 1>But we see Cheyenne, it's her name. Cheyenne gives her

1:12:17.479 --> 1:12:20.559
<v Speaker 1>rose to Matt. Brie and Chris of course give it

1:12:20.600 --> 1:12:24.240
<v Speaker 1>to each other. We see Savannah give hers to Brandon,

1:12:25.120 --> 1:12:29.840
<v Speaker 1>and Julia gives hers to Sheridan, and Mel gives hers

1:12:29.840 --> 1:12:31.519
<v Speaker 1>to Gaye because they had a bit of a connection

1:12:31.560 --> 1:12:35.599
<v Speaker 1>to Yes. So I guess, oh, I think goodness, Michael

1:12:35.640 --> 1:12:37.559
<v Speaker 1>Todd is gone. The guy who was there just to

1:12:37.640 --> 1:12:42.240
<v Speaker 1>advance his music career, beatbox songwright, play the guitar, singing

1:12:42.400 --> 1:12:45.519
<v Speaker 1>like it awkwardly kiss people talk about nice lips. I mean,

1:12:45.600 --> 1:12:47.320
<v Speaker 1>he was just the most. He did what he means

1:12:47.360 --> 1:12:49.720
<v Speaker 1>to do. He was recognized. Now he can move on,

1:12:50.240 --> 1:12:54.880
<v Speaker 1>so moving forward, I mean, I, oh, no, we have

1:12:54.920 --> 1:12:57.439
<v Speaker 1>to do a rosen Thorn of the week. My rose

1:12:57.840 --> 1:13:02.559
<v Speaker 1>goes to Ryan because I feel like he gave his all,

1:13:02.640 --> 1:13:04.639
<v Speaker 1>poor thing, and it still didn't work out for him.

1:13:04.960 --> 1:13:06.960
<v Speaker 1>So I'm hoping in the future it does. And my

1:13:07.160 --> 1:13:09.960
<v Speaker 1>thorn goes to Michael Todd. Obviously, I mean the man

1:13:10.040 --> 1:13:12.080
<v Speaker 1>had to go. He was a thorn and everybody's side

1:13:12.080 --> 1:13:16.040
<v Speaker 1>this episode. Yes, my thorn would also go to Michael Todd. Again,

1:13:16.280 --> 1:13:18.960
<v Speaker 1>I have an X through his name. That's all I

1:13:19.000 --> 1:13:23.200
<v Speaker 1>have to say. My rose, though, I'm gonna give it

1:13:23.240 --> 1:13:28.040
<v Speaker 1>to Rudy because she and I know this is probably

1:13:28.080 --> 1:13:31.000
<v Speaker 1>gonna be an unpopular opinion. Some people are gonna be like, oh, well,

1:13:31.040 --> 1:13:32.920
<v Speaker 1>she was too much, she freaked out on Matt. It

1:13:32.960 --> 1:13:36.679
<v Speaker 1>was over the top. I don't think so. And her vocals,

1:13:37.280 --> 1:13:40.040
<v Speaker 1>like that song itself here and her sing that gets

1:13:40.040 --> 1:13:43.320
<v Speaker 1>my rose. So there you go. No, it was great. Okay,

1:13:43.320 --> 1:13:45.799
<v Speaker 1>So we hope you guys, if you have didn't watch

1:13:45.880 --> 1:13:49.479
<v Speaker 1>last night, maybe listening to this episode really let you

1:13:49.520 --> 1:13:51.479
<v Speaker 1>know that you're missing something great. And it's only the

1:13:51.520 --> 1:13:54.720
<v Speaker 1>first episodes. We have so much more to watch. We

1:13:54.840 --> 1:13:56.559
<v Speaker 1>got a little bit of a tease and we've seen

1:13:56.600 --> 1:14:00.840
<v Speaker 1>some promos, so I guess moving forward, we know that

1:14:00.960 --> 1:14:02.800
<v Speaker 1>there are more people to come in the house, which

1:14:02.840 --> 1:14:06.040
<v Speaker 1>I can't wait because everybody's been insanely talented. There's like

1:14:06.160 --> 1:14:08.960
<v Speaker 1>everyone has a story, so I'm excited to see who's coming.

1:14:09.040 --> 1:14:11.400
<v Speaker 1>I believe it's going to be some women that are

1:14:11.400 --> 1:14:13.840
<v Speaker 1>coming in. It has to be right, because we eliminated

1:14:13.920 --> 1:14:15.880
<v Speaker 1>four mints, We've got to get some women in here.

1:14:17.880 --> 1:14:19.920
<v Speaker 1>We're gonna be three new girls next week that come

1:14:19.960 --> 1:14:23.839
<v Speaker 1>into the house. M And as we've seen in the teaser,

1:14:23.960 --> 1:14:27.080
<v Speaker 1>a shocking relation is made about one of the contestants

1:14:27.160 --> 1:14:32.880
<v Speaker 1>past relationships. Wh you need some drama of a past

1:14:32.960 --> 1:14:35.960
<v Speaker 1>relationship in any season people, Yes, And we know that

1:14:36.000 --> 1:14:38.840
<v Speaker 1>they're going to be four date cards next episode, so

1:14:39.000 --> 1:14:42.920
<v Speaker 1>that means more dates, more connections, and probably more breakups,

1:14:42.960 --> 1:14:46.880
<v Speaker 1>more dramas, which is great. More drama. Um And I

1:14:46.920 --> 1:14:49.680
<v Speaker 1>would imagine that everyone was on their best behavior in

1:14:49.720 --> 1:14:53.680
<v Speaker 1>this episode, so I'm pretty sure that we're going to

1:14:53.720 --> 1:14:57.040
<v Speaker 1>see some things. All I can say is is it's

1:14:57.040 --> 1:15:00.719
<v Speaker 1>been already known that I'm on an episod so earlier,

1:15:00.800 --> 1:15:02.759
<v Speaker 1>so I know you're about to see some true colors

1:15:02.760 --> 1:15:05.040
<v Speaker 1>if some people come out, because I saw it on

1:15:05.080 --> 1:15:06.960
<v Speaker 1>the episode that I was on, And I'm just gonna

1:15:07.040 --> 1:15:12.000
<v Speaker 1>leave you right there. I'm just gonna right there. No,

1:15:12.200 --> 1:15:15.760
<v Speaker 1>I can't wait. Like you said, everyone's always on their

1:15:15.760 --> 1:15:19.760
<v Speaker 1>best behavior. Night one that can't last very long. So

1:15:19.920 --> 1:15:23.040
<v Speaker 1>everyone you're just gonna have to tune in next week

1:15:23.080 --> 1:15:26.120
<v Speaker 1>to see what goes down. And listeners, don't forget we

1:15:26.200 --> 1:15:28.719
<v Speaker 1>always love to hear from you. Send us your questions,

1:15:28.760 --> 1:15:31.519
<v Speaker 1>your comments, your praises, your concerns, whatever it might be.

1:15:32.439 --> 1:15:35.040
<v Speaker 1>We can't wait to hear you with us each week.

1:15:35.120 --> 1:15:37.920
<v Speaker 1>Listen in and catch all things. Listen to your heart.

1:15:37.960 --> 1:15:41.200
<v Speaker 1>You can expect some amazing guests, much like my girl

1:15:41.280 --> 1:15:44.960
<v Speaker 1>Rachel Ye to sneak peaks and insider info you can

1:15:45.000 --> 1:15:47.760
<v Speaker 1>always get here, so don't forget to tune into brand

1:15:47.760 --> 1:15:50.559
<v Speaker 1>new episodes every Monday at eight seven Central on ABC

1:15:50.720 --> 1:15:53.000
<v Speaker 1>so you can follow along with us. And yes, like

1:15:53.080 --> 1:15:55.880
<v Speaker 1>Becca said, we are covering listen to your heart. But

1:15:55.960 --> 1:15:58.120
<v Speaker 1>if you want more Batchel Nation news, you can go

1:15:58.160 --> 1:16:00.439
<v Speaker 1>to Bachelnation dot com to get all all the latest

1:16:00.479 --> 1:16:03.400
<v Speaker 1>and greatest details about the show. Remember we are the

1:16:03.479 --> 1:16:06.479
<v Speaker 1>first place to announce what's coming up, and you know

1:16:06.520 --> 1:16:08.799
<v Speaker 1>we love to hear from you guys, so definitely email

1:16:08.920 --> 1:16:11.280
<v Speaker 1>us happy howright patronation dot com or go to the

1:16:11.320 --> 1:16:12.480
<v Speaker 1>site and click podcast