WEBVTT - Spoofed and Spoiled • EP 817

0:00:00.080 --> 0:00:01.240
<v Speaker 1>First of all, you don't know me.

0:00:02.240 --> 0:00:05.600
<v Speaker 2>We all about that high school drama, girl drama, girl,

0:00:05.680 --> 0:00:08.800
<v Speaker 2>all about them high school queens. We'll take you for

0:00:08.920 --> 0:00:12.039
<v Speaker 2>a ride, and our comic girl shared for the right

0:00:12.400 --> 0:00:16.639
<v Speaker 2>drama queens girl girl fashion, but your tough girl, you

0:00:16.680 --> 0:00:19.600
<v Speaker 2>could sit with us. Girl drama, Queen drama, Queens drama,

0:00:19.640 --> 0:00:23.279
<v Speaker 2>Queens drama, drama, Queens drama, Queens.

0:00:24.040 --> 0:00:28.080
<v Speaker 1>Oh, guys, happy week. I was about to say the day,

0:00:28.120 --> 0:00:32.080
<v Speaker 1>and then I remember that these don't always drop me

0:00:32.120 --> 0:00:33.279
<v Speaker 1>the days we're recording.

0:00:33.960 --> 0:00:37.520
<v Speaker 3>There you go, happy late late Sunday night, everyone, that's

0:00:37.600 --> 0:00:40.440
<v Speaker 3>the one. We're so glad you couldn't sleep and you

0:00:40.440 --> 0:00:44.960
<v Speaker 3>could be here to join us exactly. Hey, soph Hey joy, Hi.

0:00:45.000 --> 0:00:46.640
<v Speaker 4>Hi guys, how goes it?

0:00:46.760 --> 0:00:49.000
<v Speaker 3>The episode? Can wait? I want to know how my

0:00:49.120 --> 0:00:49.880
<v Speaker 3>friends are doing.

0:00:52.440 --> 0:00:52.800
<v Speaker 4>I'm good.

0:00:52.800 --> 0:00:56.480
<v Speaker 3>How are you on that fun combination of overly tired

0:00:56.480 --> 0:00:57.600
<v Speaker 3>and overly caffeinated?

0:00:58.040 --> 0:01:03.600
<v Speaker 1>Mm hmm. I was telling Rob that as absolutely in

0:01:03.640 --> 0:01:07.240
<v Speaker 1>love with the planet as I am, and so happy

0:01:07.280 --> 0:01:10.080
<v Speaker 1>it's spring and everything is like gorgeous and green, I'm

0:01:10.120 --> 0:01:11.640
<v Speaker 1>also allergic to everything.

0:01:11.760 --> 0:01:13.800
<v Speaker 4>Oh no, so I am just.

0:01:13.920 --> 0:01:19.080
<v Speaker 1>Like likewise caffeinating to get through how terrible I feel.

0:01:20.040 --> 0:01:24.560
<v Speaker 4>My daughter is allergic to every flower except I think roses,

0:01:24.760 --> 0:01:30.040
<v Speaker 4>and that might be the only one. Maybe daisies, I'm

0:01:30.080 --> 0:01:32.960
<v Speaker 4>not sure, but it's so sad. I'm like bringing wild

0:01:33.120 --> 0:01:36.880
<v Speaker 4>flowers home and she immediately just I'm you gotta get

0:01:36.880 --> 0:01:39.520
<v Speaker 4>that out of the house. I can't preape, Like, oh no,

0:01:39.800 --> 0:01:40.720
<v Speaker 4>it's so sad.

0:01:41.720 --> 0:01:44.600
<v Speaker 3>That's an expensive allergy that the only one that doesn't

0:01:44.600 --> 0:01:47.280
<v Speaker 3>make her sick is arguably one of the most expensive.

0:01:47.280 --> 0:01:50.000
<v Speaker 3>It's like, I'm only not allergic to orchids and roses.

0:01:50.360 --> 0:01:55.760
<v Speaker 4>Know, it's so such a highbrow allergy. Yeah, do you

0:01:55.760 --> 0:01:59.320
<v Speaker 4>guys take bee pollen or purplis or anything, because I do,

0:01:59.360 --> 0:02:01.760
<v Speaker 4>and I don't have any allergies. You don't take this

0:02:01.840 --> 0:02:02.840
<v Speaker 4>on a regular basis.

0:02:03.000 --> 0:02:04.960
<v Speaker 1>So if you've got bees, I was gonna say I

0:02:05.000 --> 0:02:08.760
<v Speaker 1>do all of it because I've been beekeeping forever. But

0:02:08.200 --> 0:02:11.520
<v Speaker 1>of course, you know, I know, what a crazy thing, right,

0:02:12.000 --> 0:02:14.960
<v Speaker 1>But it is actually sort of interesting because for years

0:02:15.040 --> 0:02:18.080
<v Speaker 1>I was like, yeah, local honey totally helps with allergies,

0:02:18.120 --> 0:02:20.760
<v Speaker 1>and da da da da. Yeah, And a doctor friend

0:02:20.760 --> 0:02:22.920
<v Speaker 1>of mine was like, you know, that's a really charming

0:02:23.240 --> 0:02:27.040
<v Speaker 1>but not true, and I was like, oh, well, I

0:02:27.080 --> 0:02:29.040
<v Speaker 1>really like the old wives tale of it all, and

0:02:29.120 --> 0:02:30.480
<v Speaker 1>I'm just going to keep it up.

0:02:31.080 --> 0:02:33.600
<v Speaker 3>You're like, oh, are you a doctor of honey?

0:02:34.040 --> 0:02:38.280
<v Speaker 1>No, Like, well, what you're not is a bee, so

0:02:38.600 --> 0:02:39.560
<v Speaker 1>who knows.

0:02:40.360 --> 0:02:44.079
<v Speaker 4>But you know, we can't not be true. That makes

0:02:44.440 --> 0:02:45.280
<v Speaker 4>total sense though.

0:02:45.600 --> 0:02:49.000
<v Speaker 1>Well sure, but they were like, essentially what I thought was,

0:02:49.240 --> 0:02:51.880
<v Speaker 1>you know, you're getting trace amounts of the flora and

0:02:51.919 --> 0:02:56.200
<v Speaker 1>fauna around you in the honey. And they were like, no,

0:02:56.720 --> 0:02:59.880
<v Speaker 1>it's it's a completely processed thing that comes out on

0:02:59.880 --> 0:03:02.280
<v Speaker 1>the other side of a bee.

0:03:02.480 --> 0:03:05.600
<v Speaker 4>Oh yeah, the honey doesn't the pollen will well.

0:03:05.400 --> 0:03:09.040
<v Speaker 1>Right, But the pollen is what most people are allergic to,

0:03:09.320 --> 0:03:11.520
<v Speaker 1>which is why when they give you an allergy shot,

0:03:11.680 --> 0:03:13.840
<v Speaker 1>like at the doctor, when you get that little tiny

0:03:14.720 --> 0:03:17.639
<v Speaker 1>dot dose kind of like a TB test. They give

0:03:17.680 --> 0:03:19.200
<v Speaker 1>it to you once a week for I don't know,

0:03:19.200 --> 0:03:22.080
<v Speaker 1>a whole summer, and then you build up build assistance

0:03:22.120 --> 0:03:24.960
<v Speaker 1>because it gives your body like a small shock of

0:03:25.000 --> 0:03:28.519
<v Speaker 1>the thing it doesn't like, rather than just fistfuls of pollen,

0:03:28.560 --> 0:03:31.799
<v Speaker 1>which seemed to be on every car. Yeah, the Tristate

0:03:31.840 --> 0:03:32.840
<v Speaker 1>area right now.

0:03:33.040 --> 0:03:35.400
<v Speaker 4>I think it's if you ingest the pollen, like I

0:03:35.400 --> 0:03:37.880
<v Speaker 4>get local pollen in a jar and I take a

0:03:37.880 --> 0:03:40.120
<v Speaker 4>little tiny teaspoon of it and I just take it

0:03:40.160 --> 0:03:43.520
<v Speaker 4>every day in Propolis too, Yeah, little droplets. I take

0:03:43.560 --> 0:03:45.720
<v Speaker 4>like thirty drops of propylis a day and all my

0:03:45.840 --> 0:03:49.280
<v Speaker 4>allergies this season in Tennessee, because usually I don't have

0:03:49.360 --> 0:03:52.240
<v Speaker 4>many allergies, but here it gets really bad. I've been

0:03:52.240 --> 0:03:55.080
<v Speaker 4>taking this for a year and this year I've gotten zero.

0:03:55.120 --> 0:03:58.680
<v Speaker 1>Oh that's crazy. Well, Propolis is actually really cool. We're

0:03:58.720 --> 0:04:00.400
<v Speaker 1>just really getting nerdy on the bee stuff.

0:04:00.560 --> 0:04:03.000
<v Speaker 3>Hey, if you're just tuning in, welcome back to the Buzz,

0:04:03.360 --> 0:04:06.800
<v Speaker 3>our weekly be only podcast.

0:04:06.920 --> 0:04:09.800
<v Speaker 1>It's the for our friends at home. It's actually the

0:04:10.520 --> 0:04:15.040
<v Speaker 1>substance that bees make and essentially glue their hives shut with.

0:04:15.360 --> 0:04:19.719
<v Speaker 1>But it's actually it has antibiotic properties massive and so

0:04:19.839 --> 0:04:22.240
<v Speaker 1>it's really like you can make tea and stuff if

0:04:22.279 --> 0:04:26.359
<v Speaker 1>you're coming down with something, and it's pretty great. Yeah, antibacterial.

0:04:26.440 --> 0:04:28.200
<v Speaker 1>I guess I should have said not antibiotic.

0:04:28.600 --> 0:04:35.080
<v Speaker 3>Speaking of antibiotic properties, today, we're discussing season eight, episode seventeen,

0:04:35.240 --> 0:04:38.719
<v Speaker 3>The Smoker You Drink, The Player You Get It, aired

0:04:38.800 --> 0:04:43.760
<v Speaker 3>March first, twenty eleven. Synopsis reads, As Hayley's do date approaches,

0:04:43.800 --> 0:04:46.440
<v Speaker 3>she takes steps to ensure that all her friends and

0:04:46.520 --> 0:04:48.719
<v Speaker 3>family will be ready when the time comes. Oh boy

0:04:48.800 --> 0:04:51.520
<v Speaker 3>does she. Brooke and Julian also prepare to be in

0:04:51.560 --> 0:04:54.080
<v Speaker 3>a family, while Chuck turns to Chase for help with

0:04:54.120 --> 0:04:58.120
<v Speaker 3>a problem. Directed by Les Butler, and it was written.

0:04:59.400 --> 0:05:01.320
<v Speaker 4>I love love this episode so much.

0:05:01.720 --> 0:05:04.279
<v Speaker 1>Yeah, it's so much fun. I remember it being really

0:05:04.360 --> 0:05:07.760
<v Speaker 1>fun to film too. Yeah, and just to keep the

0:05:07.880 --> 0:05:13.159
<v Speaker 1>levity going feels so nice. I will say, you know,

0:05:13.240 --> 0:05:16.880
<v Speaker 1>the way, we ended last week's episode not understanding the

0:05:16.920 --> 0:05:20.320
<v Speaker 1>title of this one, and it was typed in in

0:05:20.480 --> 0:05:22.880
<v Speaker 1>incorrect order, and then we got the right order, and

0:05:22.920 --> 0:05:24.920
<v Speaker 1>it still makes no sense. The smoker you drink, the

0:05:24.920 --> 0:05:28.320
<v Speaker 1>player you get? Did anybody I'm really asking because I

0:05:28.360 --> 0:05:31.760
<v Speaker 1>realized I definitely didn't. Did anybody remember to google what

0:05:31.839 --> 0:05:33.960
<v Speaker 1>the meaning of this song title is?

0:05:34.320 --> 0:05:34.599
<v Speaker 3>Noop?

0:05:35.160 --> 0:05:35.680
<v Speaker 1>Okay? Great?

0:05:35.760 --> 0:05:36.000
<v Speaker 3>Cool?

0:05:36.720 --> 0:05:39.479
<v Speaker 4>Still don't understand its relation to the episode.

0:05:40.160 --> 0:05:43.520
<v Speaker 1>I don't either, because, by the way, the only drinking

0:05:43.600 --> 0:05:45.719
<v Speaker 1>happens at the frat party. I don't know. Anyway, I

0:05:45.720 --> 0:05:48.720
<v Speaker 1>don't get it. But here we are, guys, we've got bees.

0:05:48.880 --> 0:05:54.200
<v Speaker 1>Apparently someone is smoking somewhere, and you know, as Rob

0:05:54.240 --> 0:05:57.200
<v Speaker 1>said twenty eleven, what a blast from the past.

0:05:57.920 --> 0:06:01.080
<v Speaker 3>Seriously, I feel we talked to this last episode, but

0:06:01.440 --> 0:06:06.000
<v Speaker 3>I feel as though we've just hit this really fun stride.

0:06:06.520 --> 0:06:09.400
<v Speaker 3>And I wonder if it was just because the writer's

0:06:09.480 --> 0:06:10.920
<v Speaker 3>room didn't know if this was going to be our

0:06:11.000 --> 0:06:13.880
<v Speaker 3>last so they were just like, let's just blow it out,

0:06:13.920 --> 0:06:18.240
<v Speaker 3>giving everyone happy endings. And because the last handful of

0:06:18.279 --> 0:06:24.000
<v Speaker 3>episodes have all been way lighter, way more fun and playful. Yeah,

0:06:24.520 --> 0:06:25.880
<v Speaker 3>and this one was no exception.

0:06:26.520 --> 0:06:28.920
<v Speaker 4>I think they knew they weren't getting any new viewers.

0:06:29.000 --> 0:06:32.839
<v Speaker 4>It's not like people were suddenly tuning in season eight

0:06:33.000 --> 0:06:35.760
<v Speaker 4>and being like, let me start this show. I don't

0:06:35.760 --> 0:06:38.680
<v Speaker 4>think there was a lot of that happening, So I

0:06:38.720 --> 0:06:40.840
<v Speaker 4>think they felt like there was a lot of space

0:06:40.920 --> 0:06:41.640
<v Speaker 4>to just play.

0:06:42.080 --> 0:06:45.080
<v Speaker 1>I don't know. I mean, if I've learned anything about

0:06:45.080 --> 0:06:47.680
<v Speaker 1>our show, it's that every year it finds a new audience.

0:06:48.400 --> 0:06:54.240
<v Speaker 1>But I do think, you know, I remember having like

0:06:54.279 --> 0:06:57.680
<v Speaker 1>a particularly special dinner with a couple of folks from

0:06:57.720 --> 0:07:01.039
<v Speaker 1>the writer's room coming into the end of season eight,

0:07:02.080 --> 0:07:04.479
<v Speaker 1>and it's like, you know, when you have that sort

0:07:04.520 --> 0:07:07.360
<v Speaker 1>of sense memory, I remember four of us sitting at

0:07:07.400 --> 0:07:10.040
<v Speaker 1>the bar at a restaurant and like how fun it

0:07:10.080 --> 0:07:11.880
<v Speaker 1>was because you had to huddle together and kind of

0:07:11.920 --> 0:07:13.760
<v Speaker 1>look like this down each side of the bar to

0:07:13.800 --> 0:07:19.160
<v Speaker 1>have a conversation. And it was a cool thing because

0:07:20.000 --> 0:07:22.880
<v Speaker 1>people were sharing stories and observations and things that even

0:07:22.920 --> 0:07:25.560
<v Speaker 1>though we'd all been together for eight years, they'd never

0:07:25.600 --> 0:07:28.280
<v Speaker 1>really done before. You know, when something's going to end,

0:07:28.360 --> 0:07:30.600
<v Speaker 1>you're like, God, I better make sure to say the

0:07:30.680 --> 0:07:34.920
<v Speaker 1>last thing or share the last thought. And I don't know,

0:07:35.640 --> 0:07:39.600
<v Speaker 1>I really do recall everyone being like, well, crazy that

0:07:39.600 --> 0:07:42.240
<v Speaker 1>we got this season seven and eight together, and crazy

0:07:42.240 --> 0:07:45.440
<v Speaker 1>that we're going to be done, and like everyone really

0:07:45.480 --> 0:07:47.360
<v Speaker 1>thought that the end of this season was going to

0:07:47.400 --> 0:07:50.400
<v Speaker 1>be it. Yeah, And so it does have this kind

0:07:50.480 --> 0:07:56.760
<v Speaker 1>of nostalgia. You know, it's like it's before the senioritis

0:07:56.840 --> 0:07:59.120
<v Speaker 1>clicks in and you have no desire to be there anymore,

0:07:59.480 --> 0:08:01.160
<v Speaker 1>but you know it's coming to an end and you

0:08:01.240 --> 0:08:04.720
<v Speaker 1>really want to go to every every gathering and every

0:08:04.760 --> 0:08:06.960
<v Speaker 1>school event before you leave.

0:08:07.080 --> 0:08:07.440
<v Speaker 4>I don't know.

0:08:07.640 --> 0:08:09.680
<v Speaker 1>It has that sort of energy even in the in

0:08:09.720 --> 0:08:10.480
<v Speaker 1>the episodes.

0:08:10.640 --> 0:08:12.960
<v Speaker 4>Yeah, to in the episode, for sure, I feel it.

0:08:12.720 --> 0:08:16.280
<v Speaker 3>It also feels like it's the writers taking care of

0:08:16.320 --> 0:08:19.880
<v Speaker 3>the fans, because you know, sometimes when shows are wrapping up,

0:08:19.880 --> 0:08:22.600
<v Speaker 3>they'll they will do the like we're going to reach

0:08:22.640 --> 0:08:24.960
<v Speaker 3>for a cliffhanger to sort of force the network's hand

0:08:25.000 --> 0:08:28.280
<v Speaker 3>and give us another season, and it's that's that's all

0:08:28.320 --> 0:08:30.360
<v Speaker 3>fine and well, but that's them looking out for a

0:08:30.440 --> 0:08:32.320
<v Speaker 3>job for next year, Whereas on this one, it just

0:08:32.320 --> 0:08:35.120
<v Speaker 3>felt like they're like the writer's room going like, let's

0:08:35.160 --> 0:08:37.600
<v Speaker 3>just blow it out. Let's just have all the care.

0:08:37.720 --> 0:08:39.320
<v Speaker 3>Like in this episode, it's all of a sudden, we

0:08:39.360 --> 0:08:42.560
<v Speaker 3>have Clay, Julie and Nathan and chasing a scene, we

0:08:42.640 --> 0:08:46.199
<v Speaker 3>have Haley, like everyone was sort of crossing paths and

0:08:46.240 --> 0:08:48.800
<v Speaker 3>getting to play together, which is so much fun. So

0:08:48.960 --> 0:08:51.160
<v Speaker 3>really kind of in a way, I felt like all

0:08:51.160 --> 0:08:52.800
<v Speaker 3>they're they're taking care of the audience.

0:08:53.120 --> 0:08:57.480
<v Speaker 4>Yeah, I agree, that's a great way to put it. Yeah,

0:08:57.559 --> 0:08:58.439
<v Speaker 4>I loved.

0:08:58.160 --> 0:09:01.480
<v Speaker 1>That that sort of central perk scene for you guys,

0:09:01.600 --> 0:09:05.360
<v Speaker 1>it felt so reminiscent of friends to me. Starting with

0:09:05.440 --> 0:09:09.160
<v Speaker 1>you and Nathan. It's in the dicktris a diner. Oh yeah,

0:09:09.240 --> 0:09:11.920
<v Speaker 1>oh that was great, right, Like Nathan and Clay are

0:09:11.960 --> 0:09:14.599
<v Speaker 1>shooting the shit and they're joking about your taste and

0:09:14.720 --> 0:09:17.320
<v Speaker 1>food and you know, you're just having this moment and

0:09:17.360 --> 0:09:19.640
<v Speaker 1>then Chase comes in and then Julian comes in and

0:09:20.000 --> 0:09:22.880
<v Speaker 1>I don't know, it was so nice and I wish

0:09:22.880 --> 0:09:24.840
<v Speaker 1>we'd gotten to see more of that with you all.

0:09:25.280 --> 0:09:30.360
<v Speaker 3>Do you remember that that is the infamous tea scene

0:09:30.440 --> 0:09:33.199
<v Speaker 3>that we got roasted for on Talk Soup.

0:09:33.559 --> 0:09:36.480
<v Speaker 1>The tea scene because you were both having iced tea.

0:09:36.840 --> 0:09:40.960
<v Speaker 3>No, there are Okay. First of all, there's two very

0:09:41.000 --> 0:09:45.640
<v Speaker 3>notable aspects of the scene. One, I remember this as

0:09:45.679 --> 0:09:49.000
<v Speaker 3>a product integration thing because there is we go way

0:09:49.040 --> 0:09:52.880
<v Speaker 3>out of our way to say AT and T's it's

0:09:52.920 --> 0:09:56.079
<v Speaker 3>sneaky though, right, So if you watch it again, because

0:09:56.120 --> 0:09:59.680
<v Speaker 3>it's we have this whole weird build up of about

0:09:59.720 --> 0:10:03.120
<v Speaker 3>like sixty seconds of content of just Nathan and Clay

0:10:03.200 --> 0:10:06.280
<v Speaker 3>talking about cell phone service and how it always drops

0:10:06.280 --> 0:10:09.040
<v Speaker 3>and why you got a text. And then if you watch,

0:10:10.040 --> 0:10:14.199
<v Speaker 3>the server comes up and Nathan goes, hey, Tea and T.

0:10:16.120 --> 0:10:18.679
<v Speaker 3>So again, my memory told me, oh, we were doing

0:10:18.679 --> 0:10:20.560
<v Speaker 3>a product integration, and then I watched it last night

0:10:20.600 --> 0:10:23.240
<v Speaker 3>I realized, No, that's a shot at AT and T,

0:10:24.280 --> 0:10:26.719
<v Speaker 3>and it's a reach a weird easter egg of a

0:10:26.760 --> 0:10:30.520
<v Speaker 3>shot at AT and T. The other aspect is so Talk

0:10:30.600 --> 0:10:33.760
<v Speaker 3>Soup took that clip because if you watch it, she

0:10:33.960 --> 0:10:37.280
<v Speaker 3>pours some iced tea in James's cup and then when

0:10:37.280 --> 0:10:39.440
<v Speaker 3>she goes to mine, here's the problem. When she goes

0:10:39.480 --> 0:10:42.640
<v Speaker 3>to mine, no tea makes it into the cup. However,

0:10:43.080 --> 0:10:45.360
<v Speaker 3>when they cut to the next shot, you do see

0:10:45.400 --> 0:10:48.400
<v Speaker 3>tea going into the cup. I think Talk Soup cut

0:10:48.440 --> 0:10:51.320
<v Speaker 3>it after just the first part because you can see

0:10:51.320 --> 0:10:54.880
<v Speaker 3>her clearly not pouring, and she's in the shot not pouring.

0:10:55.240 --> 0:10:57.600
<v Speaker 3>But then in the next angle you do see tea

0:10:57.679 --> 0:11:00.640
<v Speaker 3>going into the cup. So the eric kind of cherry

0:11:00.679 --> 0:11:02.920
<v Speaker 3>picking to make a meal of that.

0:11:03.440 --> 0:11:06.680
<v Speaker 1>Interesting, You're not You're definitely not bothered about it. In

0:11:06.679 --> 0:11:08.920
<v Speaker 1>the year twenty twenty five, Rob no.

0:11:08.920 --> 0:11:11.240
<v Speaker 3>Because again, like it's not like you had to wait,

0:11:11.280 --> 0:11:14.640
<v Speaker 3>It's like he cuts a different angle teas going in Wait.

0:11:14.920 --> 0:11:18.679
<v Speaker 4>Talk Soup roasted you guys about about continuity.

0:11:19.120 --> 0:11:22.520
<v Speaker 3>It was one of the like highlight clips of the year.

0:11:22.960 --> 0:11:25.720
<v Speaker 3>Was this iced tea see the phantom tea scene. Yeah,

0:11:25.760 --> 0:11:28.120
<v Speaker 3>it's so odd, but for god, the AT and T

0:11:28.320 --> 0:11:31.880
<v Speaker 3>thing there was. There's two moments in this episode where

0:11:31.880 --> 0:11:34.439
<v Speaker 3>I was like, did our boss have a bone to

0:11:34.559 --> 0:11:37.440
<v Speaker 3>pick with at and T? And the other one is

0:11:37.480 --> 0:11:42.400
<v Speaker 3>this weird moment where it's believe it's Haley and Quinn

0:11:43.120 --> 0:11:46.600
<v Speaker 3>and you're sitting at the table and oh, Psych, and

0:11:46.640 --> 0:11:48.600
<v Speaker 3>you go, uh, what should we do? Do you want

0:11:48.600 --> 0:11:51.480
<v Speaker 3>to watch Psych? And Quinn goes, is it good? And

0:11:51.520 --> 0:11:56.200
<v Speaker 3>you go eh, and then there's like a two seconds

0:11:56.240 --> 0:11:59.360
<v Speaker 3>of just dead air and then you move on like

0:12:00.080 --> 0:12:03.360
<v Speaker 3>it's a very weird shot at Psych? Did he have

0:12:03.440 --> 0:12:03.960
<v Speaker 3>a beef?

0:12:04.600 --> 0:12:07.680
<v Speaker 4>Psych was a great show, by the way, which I

0:12:07.760 --> 0:12:12.120
<v Speaker 4>watched like every episode of and loved, and they had

0:12:12.480 --> 0:12:14.360
<v Speaker 4>they thought it was funny to make fun of Chad,

0:12:14.440 --> 0:12:17.600
<v Speaker 4>so they made fun of him on their show. James.

0:12:17.800 --> 0:12:19.920
<v Speaker 4>Is it James? I can't remember his name. I'm sorry.

0:12:20.000 --> 0:12:23.280
<v Speaker 4>I think it's James, the lead actor the other there's

0:12:23.320 --> 0:12:26.000
<v Speaker 4>two lead actors. He's one of them, the one who's

0:12:26.000 --> 0:12:29.800
<v Speaker 4>not Delay Hill, and he he would do this like

0:12:29.920 --> 0:12:31.960
<v Speaker 4>the brow furrow and like blah blah blah unless I'm

0:12:32.000 --> 0:12:33.720
<v Speaker 4>Chad Michael Murray and then he would do that, you know,

0:12:33.760 --> 0:12:36.320
<v Speaker 4>he would just like make fun of Chad and it

0:12:36.400 --> 0:12:38.120
<v Speaker 4>was kind of all in good fun, and it was.

0:12:38.160 --> 0:12:41.920
<v Speaker 4>It ended up on the soup as well. They did

0:12:41.960 --> 0:12:44.160
<v Speaker 4>a whole thing about Psych making fun of one Tree Hill.

0:12:44.280 --> 0:12:46.240
<v Speaker 4>So I guess our boss just wanted to try and

0:12:46.280 --> 0:12:48.840
<v Speaker 4>get back at them, but like, I don't know why

0:12:48.840 --> 0:12:51.600
<v Speaker 4>they chose me, because I loved that show and I

0:12:51.640 --> 0:12:55.240
<v Speaker 4>remember getting the material and being like, okay, like I

0:12:55.280 --> 0:12:58.160
<v Speaker 4>don't I'm really not sure how to make this work

0:12:58.200 --> 0:12:59.760
<v Speaker 4>in the context of the scene because it doesn't make

0:12:59.760 --> 0:13:04.160
<v Speaker 4>any sense and the line is meh. So it's not

0:13:04.200 --> 0:13:06.400
<v Speaker 4>like I can be like, yeah, yeah, that's good and

0:13:06.440 --> 0:13:12.000
<v Speaker 4>then we don't watch it, so yeah, it was not fun.

0:13:12.440 --> 0:13:14.720
<v Speaker 3>So it's weird to suddenly want to stick up for

0:13:14.760 --> 0:13:17.560
<v Speaker 3>the person that you've gone out of your way to shine.

0:13:18.920 --> 0:13:22.160
<v Speaker 3>Like as soon as Chad left, like five episodes later,

0:13:22.280 --> 0:13:26.440
<v Speaker 3>there's a blatant dig at him that Paul's character delivered

0:13:26.440 --> 0:13:29.160
<v Speaker 3>to Daniil. So it's just odd to suddenly be like, well,

0:13:29.160 --> 0:13:31.520
<v Speaker 3>now I'm going to stick up for the person on

0:13:31.559 --> 0:13:34.480
<v Speaker 3>our show that I openly talked about. It's like Will

0:13:34.520 --> 0:13:37.560
<v Speaker 3>Ferrell talks about you and step brothers don't see you

0:13:37.600 --> 0:13:39.960
<v Speaker 3>taking any shots at Big Willie.

0:13:40.800 --> 0:13:46.160
<v Speaker 4>I think they had done some episode where they overtly

0:13:46.280 --> 0:13:49.640
<v Speaker 4>said one tree Hill and it was no longer just

0:13:49.720 --> 0:13:55.360
<v Speaker 4>about oh the beef between the joking beef between these

0:13:55.400 --> 0:13:57.440
<v Speaker 4>two actors, which never even existed. I don't even know

0:13:57.440 --> 0:13:59.439
<v Speaker 4>if they've ever met. I know nothing about this other

0:13:59.480 --> 0:14:03.000
<v Speaker 4>than which show up on my television screen, but I

0:14:03.040 --> 0:14:07.679
<v Speaker 4>do think there was something in the in this a

0:14:07.720 --> 0:14:11.920
<v Speaker 4>recent Psych episode where they said one tree Hill and

0:14:11.960 --> 0:14:14.360
<v Speaker 4>it probably made our boss. It's just so dumb, It's

0:14:14.360 --> 0:14:16.520
<v Speaker 4>so childish. It's like middle school, like, can we just

0:14:16.520 --> 0:14:18.320
<v Speaker 4>mind our own business and make our own show? Do

0:14:18.360 --> 0:14:21.280
<v Speaker 4>we need to be doing this weird cross network?

0:14:22.600 --> 0:14:25.160
<v Speaker 1>But what it screams of is just like, are you

0:14:25.200 --> 0:14:27.880
<v Speaker 1>guys are the people in charge of television shows high

0:14:27.880 --> 0:14:28.480
<v Speaker 1>school student?

0:14:29.000 --> 0:14:29.160
<v Speaker 4>Yes?

0:14:29.640 --> 0:14:35.800
<v Speaker 1>Like I am always shocked when adults play into high

0:14:35.840 --> 0:14:40.120
<v Speaker 1>school drama. I'm I don't know. Don't you look around

0:14:40.120 --> 0:14:43.480
<v Speaker 1>and go, aren't we too old for this? And the

0:14:43.520 --> 0:14:48.160
<v Speaker 1>irony is that, as cast members who were much younger

0:14:48.200 --> 0:14:51.280
<v Speaker 1>than our boss, and plenty of people on the writing staff,

0:14:51.320 --> 0:14:53.920
<v Speaker 1>we all were like, are we doing this?

0:14:54.040 --> 0:14:54.840
<v Speaker 4>It's going weird?

0:14:55.680 --> 0:14:56.080
<v Speaker 3>Okay?

0:14:56.800 --> 0:14:58.640
<v Speaker 1>But I like that you guys figured out a way

0:14:58.720 --> 0:15:02.320
<v Speaker 1>to let it hang there and then move on because

0:15:02.360 --> 0:15:04.880
<v Speaker 1>you made it as irrelevant to the plot as it was,

0:15:05.520 --> 0:15:06.720
<v Speaker 1>And I guess works.

0:15:07.040 --> 0:15:08.840
<v Speaker 4>Yes, I like to do exactly what's on the page

0:15:08.880 --> 0:15:10.320
<v Speaker 4>so you can see how stupid this is.

0:15:10.600 --> 0:15:13.800
<v Speaker 1>Well, and it also sort of works because Haley's clearly bored,

0:15:14.320 --> 0:15:17.200
<v Speaker 1>and you know when you have that thing you're bored

0:15:17.280 --> 0:15:20.240
<v Speaker 1>or your house bound because you're sick or something, and

0:15:20.280 --> 0:15:23.640
<v Speaker 1>you're like, ugh, I want to do anything but this,

0:15:23.720 --> 0:15:26.720
<v Speaker 1>And I also don't want to do anything. Yeah, Like

0:15:26.800 --> 0:15:29.680
<v Speaker 1>do I want a snack? No, I'm kind of hungry though.

0:15:30.640 --> 0:15:31.840
<v Speaker 1>Do I want to watch a movie?

0:15:32.080 --> 0:15:32.240
<v Speaker 3>No?

0:15:32.720 --> 0:15:35.720
<v Speaker 1>I don't really want to scroll either. Like it plays

0:15:35.800 --> 0:15:38.800
<v Speaker 1>that way, and so I think in the context of

0:15:40.600 --> 0:15:44.280
<v Speaker 1>of you know, the Dirty Trick runner through the whole episode,

0:15:44.560 --> 0:15:47.600
<v Speaker 1>it works because Haley's bored and she's trying to have

0:15:47.640 --> 0:15:48.160
<v Speaker 1>a good time.

0:15:48.360 --> 0:15:51.320
<v Speaker 4>Haley's bored and she's trying to figure out what to do,

0:15:51.440 --> 0:15:52.520
<v Speaker 4>and she sure does.

0:15:53.160 --> 0:15:55.120
<v Speaker 3>Yeah, that was a great runner.

0:15:55.320 --> 0:15:58.320
<v Speaker 1>It's so cute and I love you know. It harkens

0:15:58.360 --> 0:16:00.000
<v Speaker 1>back to what I think the Ladies did so well

0:16:00.040 --> 0:16:04.440
<v Speaker 1>in the last episode. The buttons would come back around,

0:16:04.680 --> 0:16:08.360
<v Speaker 1>you know, twenty a quarter of the way through the episode,

0:16:08.360 --> 0:16:11.600
<v Speaker 1>halfway through the episode later, and to have every single

0:16:11.640 --> 0:16:14.080
<v Speaker 1>person who came in the house have the same reaction

0:16:14.240 --> 0:16:16.960
<v Speaker 1>and use the same term made the runner of the

0:16:17.080 --> 0:16:20.120
<v Speaker 1>joke have a nice little button on it. I liked it.

0:16:20.240 --> 0:16:24.880
<v Speaker 4>Yeah, did you notice high heels again, Haley in her

0:16:25.000 --> 0:16:25.680
<v Speaker 4>high heels.

0:16:25.800 --> 0:16:28.480
<v Speaker 1>We are all in like, and they're not just heels,

0:16:28.480 --> 0:16:30.120
<v Speaker 1>they're like platforms.

0:16:30.240 --> 0:16:35.440
<v Speaker 4>Yeah, they were like little peeptoe like pumps as far

0:16:35.480 --> 0:16:37.400
<v Speaker 4>as I saw anyway, But I don't like.

0:16:37.600 --> 0:16:40.600
<v Speaker 1>The platform under your toes. And you are nine.

0:16:40.360 --> 0:16:44.119
<v Speaker 4>Months pregnant, right, yeah, in these little these little peeptoe

0:16:44.160 --> 0:16:48.080
<v Speaker 4>pin and the jeans are like what is it called?

0:16:49.080 --> 0:16:50.880
<v Speaker 4>You know, in the skirt is like it's a pin.

0:16:51.160 --> 0:16:51.800
<v Speaker 4>What's it called?

0:16:52.640 --> 0:16:56.400
<v Speaker 1>Tapered? They're skinny jeans, aren't they skuinea jeans?

0:16:56.440 --> 0:16:58.640
<v Speaker 4>Yeah? Tapered. Yeah, there's a word with pin that I

0:16:58.680 --> 0:17:02.520
<v Speaker 4>can't think of it. But anyway, Yeah, it's just so silly.

0:17:02.560 --> 0:17:04.439
<v Speaker 4>And she's coming in the room like send me to

0:17:04.480 --> 0:17:07.199
<v Speaker 4>the send me to the hospital in my high heels,

0:17:07.280 --> 0:17:09.080
<v Speaker 4>and then Quin's trying to stuffer in the trunk of

0:17:09.080 --> 0:17:11.000
<v Speaker 4>the corn. I mean it was very funny. I liked

0:17:11.040 --> 0:17:13.119
<v Speaker 4>the I like the whole setup. But the heels have

0:17:13.200 --> 0:17:13.639
<v Speaker 4>got to go.

0:17:26.840 --> 0:17:32.119
<v Speaker 3>The infamous Toaster Strudel song. Oh yes, we got to

0:17:32.160 --> 0:17:33.800
<v Speaker 3>talk about it because I how.

0:17:33.760 --> 0:17:36.639
<v Speaker 1>Much money did Toaster Strudell pay our show? That clearly,

0:17:36.680 --> 0:17:39.840
<v Speaker 1>you know, Chantal got none of but had zero. The

0:17:39.960 --> 0:17:42.000
<v Speaker 1>on camera commercial.

0:17:42.240 --> 0:17:44.560
<v Speaker 3>Well, I don't know if that was the actual toaster

0:17:44.680 --> 0:17:47.960
<v Speaker 3>strudel jingle. No, she made that up, but toaster Strudels

0:17:48.000 --> 0:17:50.440
<v Speaker 3>was it. That's a legit product obviously, yes.

0:17:50.200 --> 0:17:52.680
<v Speaker 1>But she also if you, if you clapped it in

0:17:52.760 --> 0:17:58.880
<v Speaker 1>the episode, couldn't say toaster strudel. Her song was toaster pastry,

0:17:58.960 --> 0:18:04.320
<v Speaker 1>and every single person says toaster pastry until shoot. Now

0:18:04.320 --> 0:18:07.000
<v Speaker 1>I can't remember who it was, if it was Levin

0:18:07.320 --> 0:18:09.760
<v Speaker 1>or if it was Austin. In the Brook Julian and

0:18:09.840 --> 0:18:14.040
<v Speaker 1>Chloe scene when Chloe's making one at our house, someone

0:18:14.200 --> 0:18:16.160
<v Speaker 1>says toaster strudel.

0:18:15.720 --> 0:18:18.679
<v Speaker 4>And I went, yes, oh, and it must not.

0:18:18.960 --> 0:18:21.000
<v Speaker 1>We must have missed it on the day and nobody

0:18:21.040 --> 0:18:21.480
<v Speaker 1>caught it.

0:18:23.040 --> 0:18:23.640
<v Speaker 3>I think, yeah.

0:18:23.680 --> 0:18:26.920
<v Speaker 1>I think even Levin says toaster pastry, and Austin must

0:18:26.920 --> 0:18:31.320
<v Speaker 1>have ad libbed something about a toaster strudle being delicious. Yeah,

0:18:31.320 --> 0:18:33.720
<v Speaker 1>and it made it in because they didn't they didn't

0:18:33.760 --> 0:18:35.320
<v Speaker 1>have a toaster pastry for him.

0:18:35.960 --> 0:18:36.320
<v Speaker 3>I don't know.

0:18:36.320 --> 0:18:38.719
<v Speaker 1>The whole thing felt really bizarre.

0:18:39.320 --> 0:18:42.320
<v Speaker 3>Well, you're right though, because I in my notes I wrote, oh,

0:18:42.359 --> 0:18:44.960
<v Speaker 3>the infamous toaster Strudel song, but then I went back

0:18:45.000 --> 0:18:46.960
<v Speaker 3>and I was like, no, everyone's saying pastry. Did I

0:18:47.000 --> 0:18:50.160
<v Speaker 3>misremember this? And it wasn't until the end of the episode.

0:18:50.160 --> 0:18:52.760
<v Speaker 3>You're right that scene where someone said toaster Strudel and

0:18:52.760 --> 0:18:55.680
<v Speaker 3>I was like, no, it's freaking toaster Strudels. I can

0:18:55.880 --> 0:19:00.040
<v Speaker 3>say behind the scenes that song was the bane of

0:19:00.119 --> 0:19:03.320
<v Speaker 3>Seantell's existence. Well becaurse she had to do it for

0:19:03.320 --> 0:19:06.800
<v Speaker 3>an entire episode. Then of course it was like people

0:19:06.880 --> 0:19:09.840
<v Speaker 3>like a conventions would be like sing the toasters pastry song.

0:19:10.080 --> 0:19:13.239
<v Speaker 4>You know, she had to just make that up. She's like,

0:19:13.320 --> 0:19:16.159
<v Speaker 4>I don't know how to write music. I don't know

0:19:16.160 --> 0:19:18.080
<v Speaker 4>what this is supposed to sound, Like, what do I do?

0:19:18.560 --> 0:19:19.960
<v Speaker 3>Wait? She had to make that up?

0:19:20.240 --> 0:19:20.600
<v Speaker 1>Yeah?

0:19:20.800 --> 0:19:23.920
<v Speaker 3>No, yeah, really that wasn't scripted.

0:19:24.320 --> 0:19:26.160
<v Speaker 4>My memory of it is her talking to me about

0:19:26.200 --> 0:19:28.240
<v Speaker 4>having to make that up and trying to figure out

0:19:28.280 --> 0:19:29.200
<v Speaker 4>what the hell to sing.

0:19:29.600 --> 0:19:32.080
<v Speaker 3>If she ad lib that, she did an incredible job.

0:19:32.160 --> 0:19:35.240
<v Speaker 1>They would have had to write the words for her though,

0:19:35.280 --> 0:19:37.800
<v Speaker 1>and be like do something like this, So she had

0:19:37.840 --> 0:19:38.920
<v Speaker 1>to like make up a melody.

0:19:39.320 --> 0:19:41.920
<v Speaker 4>Correct, that's what I mean. I would say, sorry, I

0:19:42.040 --> 0:19:44.240
<v Speaker 4>mean to imply the words. Yeah, the melody. She had

0:19:44.240 --> 0:19:45.720
<v Speaker 4>to just figure out how to like there were words

0:19:45.720 --> 0:19:46.879
<v Speaker 4>on a page. She was like, what the hell am

0:19:46.880 --> 0:19:48.000
<v Speaker 4>I supposed to do with this?

0:19:48.400 --> 0:19:50.560
<v Speaker 3>But are we? Are we sure? Every time she sang

0:19:50.600 --> 0:19:52.919
<v Speaker 3>the jingle, she didn't say strudle because one of the

0:19:53.000 --> 0:19:55.879
<v Speaker 3>rhymes is a tasty doodle.

0:19:55.840 --> 0:19:59.159
<v Speaker 4>Doodle put toast or pastry. You taste so good and

0:19:59.240 --> 0:20:02.240
<v Speaker 4>yummy toaster or pastry, get inside my tummy.

0:20:03.920 --> 0:20:09.400
<v Speaker 1>That's It's something about the stroudel, the frosting doodle.

0:20:09.920 --> 0:20:12.360
<v Speaker 3>Yeah, and then that circles back with strudel.

0:20:12.800 --> 0:20:14.760
<v Speaker 1>I wonder if this is going to be the episode

0:20:14.960 --> 0:20:17.920
<v Speaker 1>where everyone at home is like, Okay, it's official, send

0:20:17.920 --> 0:20:18.600
<v Speaker 1>these three.

0:20:18.560 --> 0:20:19.800
<v Speaker 3>To take a nap.

0:20:20.080 --> 0:20:21.760
<v Speaker 1>They're done, they're cooked, goodbye.

0:20:22.880 --> 0:20:25.280
<v Speaker 3>I listened for thirty minutes and all they talked about

0:20:25.359 --> 0:20:28.360
<v Speaker 3>was bees and strudels. What happened to this podcast?

0:20:29.080 --> 0:20:31.120
<v Speaker 4>Not for nothing? A honey strudle I would not say

0:20:31.160 --> 0:20:31.439
<v Speaker 4>no to.

0:20:31.960 --> 0:20:32.719
<v Speaker 3>I'd party with that.

0:20:33.200 --> 0:20:38.119
<v Speaker 1>Well, here's what I will say. I I thought that

0:20:38.280 --> 0:20:41.479
<v Speaker 1>a lot of this, you know, referring to what we

0:20:41.480 --> 0:20:44.520
<v Speaker 1>were talking about earlier, there's a sweetness and a nostalgia

0:20:44.640 --> 0:20:47.399
<v Speaker 1>even some of what's very stupid, which clearly got us landed.

0:20:47.400 --> 0:20:50.040
<v Speaker 1>I'm surprised this whole episode wasn't just an entire episode

0:20:50.119 --> 0:20:55.160
<v Speaker 1>of Talk Soup. But I love Hayley's Runner, and I

0:20:55.200 --> 0:21:01.879
<v Speaker 1>do really love the paint story line for Brooke and Julian.

0:21:02.359 --> 0:21:04.280
<v Speaker 1>As soon as we were in the paint store, I

0:21:04.359 --> 0:21:08.640
<v Speaker 1>literally went, oh, soft, duckling is coming. Like I remembered

0:21:09.359 --> 0:21:14.679
<v Speaker 1>how sweet that felt, and I remembered, you know, thinking

0:21:14.680 --> 0:21:18.640
<v Speaker 1>about exactly that moment for you know, for friends of ours.

0:21:18.640 --> 0:21:21.080
<v Speaker 1>I mean, I think at this point, you know, Hillary

0:21:21.119 --> 0:21:22.960
<v Speaker 1>was one of our only friends who'd had a kid,

0:21:23.359 --> 0:21:25.920
<v Speaker 1>You were about to have a kid, And I think

0:21:25.960 --> 0:21:28.400
<v Speaker 1>about now what it's been like to help so many

0:21:28.480 --> 0:21:33.000
<v Speaker 1>people put kids rooms together, and there's something so universally

0:21:33.080 --> 0:21:36.880
<v Speaker 1>precious about it, and I like that it offered this

0:21:36.960 --> 0:21:42.119
<v Speaker 1>sort of this sort of nesting energy for Brooke and Julian,

0:21:42.200 --> 0:21:45.360
<v Speaker 1>but Brook in particular. And then Chloe's in the bed

0:21:45.400 --> 0:21:46.960
<v Speaker 1>that used to be Peyton's bed and then it was

0:21:47.000 --> 0:21:51.040
<v Speaker 1>Sam's bed, and now this girl who is theoretically going

0:21:51.119 --> 0:21:54.680
<v Speaker 1>to give this couple this baby is in this space

0:21:54.920 --> 0:21:58.639
<v Speaker 1>and you kind of get to track this evolution, and

0:21:58.680 --> 0:22:01.280
<v Speaker 1>even Brooke bringing up, yeah, I have I have this

0:22:01.320 --> 0:22:04.760
<v Speaker 1>friend Peyton who used to have a black bedroom. And

0:22:04.800 --> 0:22:06.760
<v Speaker 1>then that goes up on the wall and it's like,

0:22:07.720 --> 0:22:09.560
<v Speaker 1>I don't know. I thought it was a great way

0:22:09.560 --> 0:22:13.520
<v Speaker 1>to sort of represent if we are really ending the show,

0:22:13.560 --> 0:22:16.720
<v Speaker 1>if season eight is going to be it like, look

0:22:16.760 --> 0:22:18.919
<v Speaker 1>at this life we've lived with all these people, and

0:22:18.960 --> 0:22:23.240
<v Speaker 1>it was cool to see it in those sort of quiet,

0:22:23.320 --> 0:22:26.119
<v Speaker 1>reflective moments. I liked that.

0:22:26.960 --> 0:22:29.119
<v Speaker 3>Can I ask you a question? I want to jump

0:22:29.160 --> 0:22:31.480
<v Speaker 3>around a little bit here? Time was but do I

0:22:31.560 --> 0:22:34.679
<v Speaker 3>recall correctly? And if by some chance there's a listener

0:22:34.680 --> 0:22:37.399
<v Speaker 3>who hasn't watched any future episodes, like just turn it

0:22:37.440 --> 0:22:40.760
<v Speaker 3>down for like thirty seconds. You guys, it's twins.

0:22:40.400 --> 0:22:41.880
<v Speaker 1>Right, we don't get the baby.

0:22:42.080 --> 0:22:45.760
<v Speaker 3>Holy I just spoiled it for myself. Okay, sorry, let's

0:22:45.760 --> 0:22:46.840
<v Speaker 3>go back to the conversation.

0:22:48.520 --> 0:22:49.200
<v Speaker 4>Well if.

0:22:50.880 --> 0:22:53.720
<v Speaker 3>Wow, I damn it. I shouldn't have asked a question.

0:22:53.720 --> 0:22:59.879
<v Speaker 3>This is what I get. Okay, welcome, shake it off. Yeah,

0:23:00.160 --> 0:23:03.640
<v Speaker 3>I'm so disappointed now. And you know what it kind.

0:23:03.480 --> 0:23:06.520
<v Speaker 1>Of is when you think about it, it's this really

0:23:06.680 --> 0:23:09.919
<v Speaker 1>nice build up that's been happening, and we have that you,

0:23:10.040 --> 0:23:13.199
<v Speaker 1>me and Chantelle have so much fun with Jackson. In

0:23:13.240 --> 0:23:16.280
<v Speaker 1>the next episode, we have our Saltine challenge, like waiting

0:23:16.280 --> 0:23:18.840
<v Speaker 1>for all these women to have all these babies. It's

0:23:18.960 --> 0:23:22.200
<v Speaker 1>so good, and then you get the highlight and the

0:23:22.720 --> 0:23:29.240
<v Speaker 1>and the crash, and so it's weird because in a way,

0:23:29.400 --> 0:23:31.600
<v Speaker 1>obviously I know what's coming. It was a big storyline

0:23:31.640 --> 0:23:35.399
<v Speaker 1>for us, but it's weird to watch it and be like,

0:23:35.440 --> 0:23:41.320
<v Speaker 1>oh man, we really did have this sort of pure excitement,

0:23:41.560 --> 0:23:44.439
<v Speaker 1>And I like that it wasn't overdone, and I like

0:23:44.520 --> 0:23:48.159
<v Speaker 1>that we were really even though some of it feels

0:23:48.200 --> 0:23:54.680
<v Speaker 1>a little like whitewash prescriptive in terms of the adoption storyline.

0:23:54.720 --> 0:23:58.600
<v Speaker 1>To me, I like that most of it feels a

0:23:58.640 --> 0:24:03.120
<v Speaker 1>little complicated, bittersweet, and you don't always say the right thing,

0:24:03.440 --> 0:24:08.800
<v Speaker 1>and it's nerve wracking. And you know, what does a

0:24:08.840 --> 0:24:11.680
<v Speaker 1>young girl do if she finds herself pregnant in this situation?

0:24:11.960 --> 0:24:14.880
<v Speaker 1>What does someone struggling with infertility do? Like, I think

0:24:14.920 --> 0:24:17.479
<v Speaker 1>it's so I think most of it is so good.

0:24:18.320 --> 0:24:21.159
<v Speaker 1>And then yeah, I remember getting the script for the

0:24:21.200 --> 0:24:24.959
<v Speaker 1>next episode and just being love, course, we're gonna just

0:24:25.080 --> 0:24:27.000
<v Speaker 1>pull the rug out from under people.

0:24:27.119 --> 0:24:33.000
<v Speaker 3>And I'm not even just devastated. I'm now pre devastated.

0:24:33.359 --> 0:24:36.080
<v Speaker 3>This is sorry. This is a hard way to start

0:24:36.080 --> 0:24:36.600
<v Speaker 3>a Wednesday.

0:24:36.720 --> 0:24:39.240
<v Speaker 1>You should just watch it tonight and get it over with,

0:24:39.359 --> 0:24:53.040
<v Speaker 1>write your notes and then be done.

0:24:54.080 --> 0:24:57.359
<v Speaker 3>Did anyone notice when he's handing back the tests there's

0:24:57.720 --> 0:25:00.280
<v Speaker 3>a close up insert shot of the first tests going

0:25:00.320 --> 0:25:04.960
<v Speaker 3>down on a desk, and the student's name is less Butler.

0:25:05.640 --> 0:25:09.200
<v Speaker 3>No director of this episode. He threw a little easter

0:25:09.240 --> 0:25:10.320
<v Speaker 3>egg in there for himself.

0:25:10.480 --> 0:25:11.080
<v Speaker 1>That's cute.

0:25:12.760 --> 0:25:16.359
<v Speaker 3>The next batch of tests go down and it's too

0:25:16.800 --> 0:25:18.520
<v Speaker 3>I forget. What's Quentin's character's name?

0:25:18.920 --> 0:25:22.439
<v Speaker 1>Hmmm, Oh no, I've forgotten because Quenton is such a

0:25:22.480 --> 0:25:23.240
<v Speaker 1>memorable guy.

0:25:23.480 --> 0:25:28.399
<v Speaker 3>Yeah, well to his character, and the note is his

0:25:28.520 --> 0:25:35.520
<v Speaker 3>letter grade is d D. And then he finishes spicablepable Tommy, Tommy, yes,

0:25:35.760 --> 0:25:39.480
<v Speaker 3>tell her man, listen. That guy is a real turns

0:25:39.480 --> 0:25:40.200
<v Speaker 3>in the punch bowl.

0:25:41.000 --> 0:25:43.960
<v Speaker 1>Yeah.

0:25:44.080 --> 0:25:46.359
<v Speaker 4>Yeah, I'm not a fan, but I did like this storyline.

0:25:46.400 --> 0:25:48.160
<v Speaker 4>I like that they're drawing it out a little, keeping

0:25:48.200 --> 0:25:51.040
<v Speaker 4>it interesting. I feel like, is this the storyline that

0:25:51.119 --> 0:25:54.359
<v Speaker 4>leads Nathan to be kidnapped by the Serbian mafia? No,

0:25:54.440 --> 0:25:59.520
<v Speaker 4>it's not, okay, isn't that in season nine? Yeah? Yeah, okay,

0:25:59.600 --> 0:26:00.520
<v Speaker 4>I think yeah.

0:26:00.760 --> 0:26:03.760
<v Speaker 3>This is I believe this is the story that gets

0:26:03.800 --> 0:26:06.000
<v Speaker 3>us to the scene on the bridge where Clay goes

0:26:06.040 --> 0:26:10.760
<v Speaker 3>all John Cena and top rocks Kellerman into the river.

0:26:11.840 --> 0:26:14.360
<v Speaker 4>Geez, wow, there's so much coming up that I did

0:26:14.400 --> 0:26:16.600
<v Speaker 4>not I was pregnant, y'all. I was so checked out.

0:26:17.119 --> 0:26:18.720
<v Speaker 4>I did not know what was happening on the show

0:26:18.760 --> 0:26:19.320
<v Speaker 4>at this point.

0:26:20.000 --> 0:26:22.000
<v Speaker 1>It's okay, that feels fair.

0:26:22.119 --> 0:26:23.199
<v Speaker 4>I was about to pop.

0:26:23.560 --> 0:26:26.600
<v Speaker 1>I knew there were a few sort of indicators about

0:26:26.600 --> 0:26:31.720
<v Speaker 1>what was coming. I had forgotten where Ian Kellerman's storyline

0:26:31.760 --> 0:26:37.440
<v Speaker 1>was going to go. And uh, when when you when

0:26:37.480 --> 0:26:41.879
<v Speaker 1>when Hayley and Quinn are sitting talking, you know about

0:26:41.880 --> 0:26:44.679
<v Speaker 1>all this nostalgia, and then it's like, and can you

0:26:44.760 --> 0:26:46.959
<v Speaker 1>believe they haven't found the car? I was like, this

0:26:47.000 --> 0:26:51.040
<v Speaker 1>is a weird left. Oh. I was like, right, it's

0:26:51.240 --> 0:26:55.040
<v Speaker 1>it's the exposition she has to give, which obviously this

0:26:55.200 --> 0:26:57.560
<v Speaker 1>is the place for it to go, because they're reflecting

0:26:57.880 --> 0:27:01.320
<v Speaker 1>on parenthood and what's coming. But it felt like a

0:27:01.520 --> 0:27:06.919
<v Speaker 1>real It just felt like a device, not like a

0:27:07.000 --> 0:27:11.320
<v Speaker 1>real shift in the conversation between these two sisters. And

0:27:11.359 --> 0:27:13.639
<v Speaker 1>then I was like, right, right, right, the wagoneer. We

0:27:13.680 --> 0:27:16.240
<v Speaker 1>had to repeat the Wagoneer because Nathan's going to go

0:27:16.320 --> 0:27:18.200
<v Speaker 1>in the garage. Got it?

0:27:18.560 --> 0:27:21.080
<v Speaker 3>Yeah, yeah, because in real life, you just say, can

0:27:21.119 --> 0:27:23.080
<v Speaker 3>you believe they haven't found the person who did that?

0:27:23.840 --> 0:27:25.480
<v Speaker 3>But she had to go? Can you believe they haven't

0:27:25.520 --> 0:27:28.040
<v Speaker 3>found the nineteen eighty to nineteen ninety wagon year with

0:27:28.160 --> 0:27:28.880
<v Speaker 3>the damage.

0:27:29.800 --> 0:27:32.320
<v Speaker 1>Actually at the time listed as ox blood red.

0:27:32.880 --> 0:27:34.840
<v Speaker 3>I wouldn't be surprised if there was an empty bottle

0:27:34.840 --> 0:27:35.920
<v Speaker 3>of liquor in that car.

0:27:36.119 --> 0:27:38.880
<v Speaker 1>Yeah, it was a bourbon because a hit and run

0:27:38.960 --> 0:27:41.439
<v Speaker 1>driver really seems like a bourbon drinker, don't they Like

0:27:41.520 --> 0:27:42.520
<v Speaker 1>it's so silly.

0:27:43.000 --> 0:27:45.320
<v Speaker 4>I was wondering why that was in the flash but

0:27:45.400 --> 0:27:48.480
<v Speaker 4>like in the last, last week or last time previously

0:27:48.560 --> 0:27:50.639
<v Speaker 4>on one trail and they were showing that. I was like,

0:27:50.680 --> 0:27:52.480
<v Speaker 4>this is such a random thing for them to show.

0:27:52.560 --> 0:27:54.920
<v Speaker 4>Why are they showing this clip because there's nothing in

0:27:54.960 --> 0:27:57.880
<v Speaker 4>the episode about you saving anybody's life or anything else.

0:27:57.920 --> 0:28:00.360
<v Speaker 4>And it was yeah, for that, it was that.

0:28:00.800 --> 0:28:03.439
<v Speaker 3>It was also a bit of a hat on a

0:28:03.520 --> 0:28:07.639
<v Speaker 3>hat for Nathan to find the empty liquor bottle in

0:28:07.680 --> 0:28:10.560
<v Speaker 3>the car, because it's like he already hit and run

0:28:10.600 --> 0:28:14.160
<v Speaker 3>and almost killed people. Like it's it's bad enough. I mean,

0:28:14.920 --> 0:28:16.840
<v Speaker 3>and we obviously see as an alcohol problem. I mean,

0:28:16.840 --> 0:28:18.960
<v Speaker 3>the real takeaway is that this guy does not he's

0:28:18.960 --> 0:28:21.960
<v Speaker 3>a very messy person. Yes, he hasn't cleaned his car

0:28:22.000 --> 0:28:23.119
<v Speaker 3>in weeks, guys.

0:28:23.160 --> 0:28:25.399
<v Speaker 4>I didn't need anything more than just the shot in

0:28:25.440 --> 0:28:27.760
<v Speaker 4>the window. You could see the liquor bottle like peeking

0:28:27.760 --> 0:28:29.959
<v Speaker 4>out from the seat. It's fine, like that already is

0:28:30.119 --> 0:28:32.280
<v Speaker 4>more than enough. But the fact that he is to

0:28:32.359 --> 0:28:34.680
<v Speaker 4>open the door and pull out and hold the water bottle,

0:28:34.920 --> 0:28:37.280
<v Speaker 4>the liquor bottle in for the camera, it's just so.

0:28:37.359 --> 0:28:39.680
<v Speaker 1>For a neat tidy insert. And by the way, and

0:28:39.720 --> 0:28:41.960
<v Speaker 1>perhaps this comes from then having gone to do half

0:28:41.960 --> 0:28:44.480
<v Speaker 1>a decade of a police show. I'm like, don't touch

0:28:44.520 --> 0:28:48.560
<v Speaker 1>the evidence. Don't you just put your fingerprints all over

0:28:48.600 --> 0:28:50.400
<v Speaker 1>the car, prints all over.

0:28:50.240 --> 0:28:53.160
<v Speaker 4>The bottle bottle? So stupid, you are.

0:28:53.120 --> 0:28:57.840
<v Speaker 1>Literally contaminating on crime scenes, sir. And furthermore, what ding

0:28:57.880 --> 0:28:59.480
<v Speaker 1>dong who's hit and run? I mean, I get that

0:28:59.520 --> 0:29:02.920
<v Speaker 1>you're putting the car in the garage to hide it

0:29:02.960 --> 0:29:05.200
<v Speaker 1>from view, but you're not going to like put a

0:29:05.200 --> 0:29:09.240
<v Speaker 1>car cover over it in the garage for plausible deniability,

0:29:09.360 --> 0:29:11.760
<v Speaker 1>for I don't know anyone who might walk through your house.

0:29:11.960 --> 0:29:14.840
<v Speaker 1>You live with your parents, Like you don't think your

0:29:14.880 --> 0:29:18.960
<v Speaker 1>parents are going to notice the mangled vintage suv next

0:29:19.000 --> 0:29:21.280
<v Speaker 1>to the rear door of your home. The whole thing

0:29:21.400 --> 0:29:22.160
<v Speaker 1>was just silly to me.

0:29:22.760 --> 0:29:25.840
<v Speaker 3>Also, where's the bright green Porsche exactly?

0:29:26.720 --> 0:29:32.960
<v Speaker 4>That's that would be in the garage? Yeah, silly silliness. Well,

0:29:33.000 --> 0:29:34.400
<v Speaker 4>there's plenty of other grit that. You know. What else

0:29:34.480 --> 0:29:36.200
<v Speaker 4>was silly was Milli in that chicken costume.

0:29:36.480 --> 0:29:37.760
<v Speaker 1>But let me tell you good.

0:29:37.800 --> 0:29:39.160
<v Speaker 4>She pulled it off.

0:29:39.680 --> 0:29:41.000
<v Speaker 3>That was incredible.

0:29:41.400 --> 0:29:43.560
<v Speaker 4>Yes, I mean that takes a lot of gumption to

0:29:43.600 --> 0:29:45.840
<v Speaker 4>be able to stand there in a chicken outfit and

0:29:45.960 --> 0:29:48.000
<v Speaker 4>say that and just you know what, I'm just going

0:29:48.040 --> 0:29:50.080
<v Speaker 4>to say the things that I'm going to say, regardless

0:29:50.120 --> 0:29:52.240
<v Speaker 4>of what I look like right now, and people will

0:29:52.280 --> 0:29:55.560
<v Speaker 4>take me seriously because of what I'm saying. Yeah, that's

0:29:55.960 --> 0:29:58.720
<v Speaker 4>a lot of that's a big gamble. I loved her

0:29:58.760 --> 0:29:59.120
<v Speaker 4>for it.

0:29:59.520 --> 0:30:02.280
<v Speaker 1>Yeah, it was so great and it was very cool too.

0:30:02.360 --> 0:30:06.120
<v Speaker 1>I loved Lisa's choice because you've seen the Mouth and

0:30:06.200 --> 0:30:09.920
<v Speaker 1>Milly sort of back and forth about the issue at

0:30:09.920 --> 0:30:13.280
<v Speaker 1>the apartment, and she's made the decision that she's not

0:30:13.320 --> 0:30:14.680
<v Speaker 1>going to do this, She's not going to try to

0:30:14.680 --> 0:30:18.680
<v Speaker 1>push any buttons, and then it's you watch her as

0:30:18.680 --> 0:30:23.880
<v Speaker 1>she's reading you know, her little fact sheet, and she

0:30:24.000 --> 0:30:26.080
<v Speaker 1>has that moment where she goes, I don't know, I

0:30:26.080 --> 0:30:29.000
<v Speaker 1>couldn't read it because it was all in caps, and

0:30:29.760 --> 0:30:33.080
<v Speaker 1>it just like there's something about seeing it right in

0:30:33.080 --> 0:30:35.800
<v Speaker 1>front of her face. She chooses for that to be

0:30:35.920 --> 0:30:38.600
<v Speaker 1>the absurdity that hits her, and when she looks up,

0:30:38.680 --> 0:30:41.080
<v Speaker 1>I was like, there she goes. But I knew the

0:30:41.160 --> 0:30:43.360
<v Speaker 1>rant was coming and I was so excited about it,

0:30:43.400 --> 0:30:46.400
<v Speaker 1>and it was such it was such a great way

0:30:46.440 --> 0:30:53.400
<v Speaker 1>to differentiate the conversation at home and then the inspiration

0:30:53.720 --> 0:30:56.400
<v Speaker 1>for that gumption to come out of her under that

0:30:56.440 --> 0:30:59.840
<v Speaker 1>street sign. She's just so fun to watch.

0:31:00.360 --> 0:31:02.080
<v Speaker 3>Yeah, I agree. My note was Lisa should be in

0:31:02.080 --> 0:31:03.920
<v Speaker 3>a chicken costume every week.

0:31:05.320 --> 0:31:08.880
<v Speaker 1>Lisa just needs a show she does. I just want

0:31:08.920 --> 0:31:11.560
<v Speaker 1>to I want to watch her do everything. And I

0:31:11.600 --> 0:31:16.200
<v Speaker 1>loved too. It's so much fun the misdirect, especially because

0:31:16.240 --> 0:31:18.840
<v Speaker 1>Alex has been in our world now for two seasons.

0:31:19.160 --> 0:31:20.840
<v Speaker 1>When the guy comes up to the girls at the

0:31:20.880 --> 0:31:23.320
<v Speaker 1>bar and she's like, oh, yeah, it's me, Like I'm

0:31:23.400 --> 0:31:27.000
<v Speaker 1>used to this and he's like, you're the angry chicken lady.

0:31:27.440 --> 0:31:28.200
<v Speaker 3>Yeah.

0:31:28.240 --> 0:31:33.280
<v Speaker 1>It's just so the whole thing is so good, so good.

0:31:33.880 --> 0:31:37.560
<v Speaker 4>Speaking of Jana at the bar. Do we know that

0:31:37.640 --> 0:31:41.240
<v Speaker 4>Jana knows Ian Kellerman or not Jana whatever, Alex.

0:31:41.440 --> 0:31:44.400
<v Speaker 3>I mean no, up until this very moment.

0:31:44.480 --> 0:31:46.520
<v Speaker 4>Okay, there was no other clue that I missed. That

0:31:46.600 --> 0:31:49.600
<v Speaker 4>was the first time. That was another that felt a

0:31:49.600 --> 0:31:52.760
<v Speaker 4>little too far fetched for me, Like we really really

0:31:53.160 --> 0:31:56.880
<v Speaker 4>everyone in town knows everyone else to this degree.

0:31:57.440 --> 0:32:01.440
<v Speaker 1>Come on, And it was good at least to have

0:32:01.600 --> 0:32:05.880
<v Speaker 1>her say to Chase, just a guy I met. Yeah,

0:32:05.960 --> 0:32:12.080
<v Speaker 1>but I'm like, Alex Dupray is gonna hook up with a.

0:32:12.000 --> 0:32:16.040
<v Speaker 3>College student exactly, Like, let's let's not forget for a moment.

0:32:16.160 --> 0:32:19.120
<v Speaker 3>He hasn't signed any big deals. Yeah, he's like a

0:32:19.240 --> 0:32:22.880
<v Speaker 3>twenty year old kid. Yeah, that's it. So it's weird

0:32:22.920 --> 0:32:25.320
<v Speaker 3>that like some movie star would be like, oh my gosh,

0:32:25.600 --> 0:32:26.800
<v Speaker 3>he has a great fast ball and.

0:32:26.760 --> 0:32:29.400
<v Speaker 4>The implications they've already hung out together before, like she's

0:32:29.440 --> 0:32:31.680
<v Speaker 4>already slept with him because that's what he's testing her.

0:32:31.920 --> 0:32:34.600
<v Speaker 1>He's basically like, come over for round two, and here's

0:32:34.640 --> 0:32:37.800
<v Speaker 1>what's crazy. And Rob, you know, we obviously haven't done

0:32:37.800 --> 0:32:39.560
<v Speaker 1>as much of it since you joined us on the show,

0:32:39.600 --> 0:32:44.720
<v Speaker 1>but there were many a story in the first seasons

0:32:44.800 --> 0:32:47.480
<v Speaker 1>of drama queens for Joy and Hilary and myself to

0:32:47.520 --> 0:32:50.680
<v Speaker 1>talk about many a dumb decision we made in our

0:32:50.720 --> 0:32:54.440
<v Speaker 1>early twenties, partially because we were trapped in a town

0:32:55.320 --> 0:32:59.080
<v Speaker 1>as young girls on TV and the only people there

0:32:59.160 --> 0:33:03.600
<v Speaker 1>were either college students or like retired dads in their

0:33:03.680 --> 0:33:07.920
<v Speaker 1>sixties looking for their third wife. And we've joked about,

0:33:08.280 --> 0:33:12.600
<v Speaker 1>you know, how small our dating pool was, and so literally,

0:33:12.760 --> 0:33:15.840
<v Speaker 1>I'm like, this is the fantasy of an older guy

0:33:16.240 --> 0:33:18.120
<v Speaker 1>to be like, yeah, the movie star is totally gonna

0:33:18.160 --> 0:33:20.480
<v Speaker 1>want to hook up with the young baseball stude. I'm like,

0:33:20.760 --> 0:33:22.880
<v Speaker 1>the last thing a girl in her mid twenties who

0:33:22.920 --> 0:33:25.280
<v Speaker 1>is famous wants to do is hook up with the

0:33:25.280 --> 0:33:28.560
<v Speaker 1>guy from UNCW. I'm sorry, I don't care how good

0:33:28.600 --> 0:33:31.200
<v Speaker 1>looking you are. I don't care. Like we're just never

0:33:31.280 --> 0:33:34.920
<v Speaker 1>gonna do it. Yeah, And it was so funny to

0:33:35.000 --> 0:33:38.479
<v Speaker 1>me to be like, wow, they just they don't get it.

0:33:39.760 --> 0:33:39.960
<v Speaker 4>Yeah.

0:33:40.000 --> 0:33:41.880
<v Speaker 3>And it's also it would be odd if it was

0:33:42.880 --> 0:33:45.240
<v Speaker 3>I mean, any other character. It would make more sense

0:33:45.280 --> 0:33:49.400
<v Speaker 3>because to a normal person there's a shot of big

0:33:49.480 --> 0:33:51.560
<v Speaker 3>things to come for this guy. So it's like I

0:33:51.600 --> 0:33:53.640
<v Speaker 3>could be I could be a part of a journey

0:33:53.640 --> 0:33:56.840
<v Speaker 3>of maybe being famous and rich. Yeah, you can't pick

0:33:56.880 --> 0:34:00.400
<v Speaker 3>the one person in town who's famous and rich. You

0:34:00.480 --> 0:34:03.120
<v Speaker 3>got to be like, what if he makes it, It's

0:34:03.120 --> 0:34:05.800
<v Speaker 3>like you've already made it. What are you're talking?

0:34:06.200 --> 0:34:07.160
<v Speaker 4>What is the appeal?

0:34:08.080 --> 0:34:12.720
<v Speaker 3>Yeah? I will say I loved seeing a softer, saner

0:34:12.840 --> 0:34:16.480
<v Speaker 3>side of Alex. Yeah, when she gets to sort of

0:34:16.600 --> 0:34:22.000
<v Speaker 3>just stay sort of a at a lower gear and

0:34:22.040 --> 0:34:24.960
<v Speaker 3>just be sincere. Like that whole thing with Chase with

0:34:25.040 --> 0:34:29.560
<v Speaker 3>the glasses. That was funny. Yeh, it's I know it's

0:34:29.560 --> 0:34:32.560
<v Speaker 3>the times and it's our past, but like, I don't

0:34:32.840 --> 0:34:35.680
<v Speaker 3>love how fast and loose everyone is with throwing the

0:34:35.719 --> 0:34:37.879
<v Speaker 3>sex tape in her face. Like Chase has that line

0:34:37.880 --> 0:34:40.560
<v Speaker 3>of like, yeah everyone can see her, but JJ on

0:34:40.600 --> 0:34:43.160
<v Speaker 3>a sex tape, but you're worried about glasses. It's like, bro,

0:34:44.000 --> 0:34:45.800
<v Speaker 3>come on man, but whatever that aside.

0:34:46.320 --> 0:34:48.160
<v Speaker 4>Yeah, he could have just said you made a sex

0:34:48.239 --> 0:34:52.120
<v Speaker 4>tape and you're worried about about glasses or whatever, like.

0:34:52.160 --> 0:34:55.560
<v Speaker 3>Yeah, yeah, this is like the third time he's just casually.

0:34:55.120 --> 0:34:57.480
<v Speaker 4>Specifically talk about her vagina. Can we can we be?

0:34:57.680 --> 0:34:59.000
<v Speaker 1>Yeah? Like maybe let's not.

0:34:59.440 --> 0:35:04.560
<v Speaker 3>Yes, it was very heavy handed, but seeing her like this,

0:35:04.560 --> 0:35:07.960
<v Speaker 3>this version of herself with Chase. It makes it really

0:35:08.000 --> 0:35:09.000
<v Speaker 3>easy to root for her.

0:35:09.480 --> 0:35:11.560
<v Speaker 1>Yeah, And you know, one of the things I really

0:35:11.640 --> 0:35:15.520
<v Speaker 1>liked as well is rather than do what we've seen

0:35:15.600 --> 0:35:18.000
<v Speaker 1>so many of you guys do who are musical on

0:35:18.080 --> 0:35:21.520
<v Speaker 1>the show and shock us all with a beautiful song,

0:35:22.080 --> 0:35:26.319
<v Speaker 1>I actually love that they wrote it for her to

0:35:26.360 --> 0:35:29.319
<v Speaker 1>be sitting and listening and questioning is it good enough,

0:35:29.880 --> 0:35:34.360
<v Speaker 1>especially because her voice is so beautiful and it's nice

0:35:34.400 --> 0:35:36.960
<v Speaker 1>to your point, Rob, you're making me realize, like, oh,

0:35:37.239 --> 0:35:39.440
<v Speaker 1>that's exactly what a lot of this episode is. It's

0:35:39.440 --> 0:35:44.600
<v Speaker 1>a quiet kind of reflection for Alex and that's really

0:35:44.640 --> 0:35:48.160
<v Speaker 1>refreshing to see because yes, Jenna can make anything work,

0:35:48.200 --> 0:35:52.000
<v Speaker 1>and yes she's so talented, particularly with the over the

0:35:52.040 --> 0:35:55.480
<v Speaker 1>top comedy stuff, but it's really nice to see this

0:35:56.280 --> 0:36:01.960
<v Speaker 1>quiet because then at the end it's just something that

0:36:02.040 --> 0:36:07.840
<v Speaker 1>kind of carries through and she doesn't announce anything to anyone.

0:36:08.040 --> 0:36:11.279
<v Speaker 1>You watch her just think about it quietly and try

0:36:11.320 --> 0:36:13.760
<v Speaker 1>to make different choices. And that's really cool.

0:36:14.480 --> 0:36:20.120
<v Speaker 3>Speaking of quiet moments, did anyone else notice at the

0:36:20.320 --> 0:36:25.120
<v Speaker 3>end of the diner scene, Nathan and Chase have taken off,

0:36:25.640 --> 0:36:28.160
<v Speaker 3>and as we say goodbye, there's just a two shot

0:36:28.440 --> 0:36:31.920
<v Speaker 3>of Julian and Clay sitting next to each other. I

0:36:31.960 --> 0:36:34.880
<v Speaker 3>didn't remember this until watching it back, So go ahead

0:36:34.920 --> 0:36:40.000
<v Speaker 3>and watch that back because there's a very charged moment

0:36:40.200 --> 0:36:43.799
<v Speaker 3>of silence where everyone leaves the table and we both

0:36:43.880 --> 0:36:47.279
<v Speaker 3>look at each other and then we have some sort

0:36:47.320 --> 0:36:50.080
<v Speaker 3>of thinking that goes on and then we quickly look away.

0:36:50.760 --> 0:36:52.719
<v Speaker 3>And it made me laugh so hard because I had

0:36:52.719 --> 0:36:55.160
<v Speaker 3>forgotten we did this. But we one hundred percent were like,

0:36:55.520 --> 0:36:58.120
<v Speaker 3>let's just add a weird layer of like there is

0:36:58.160 --> 0:37:01.600
<v Speaker 3>something between us and just not address it. Unless liked

0:37:01.600 --> 0:37:04.200
<v Speaker 3>it and kept it in. But I immediately laughed. I

0:37:04.280 --> 0:37:06.160
<v Speaker 3>was like, damn it. When we had Austin on the show,

0:37:06.200 --> 0:37:09.040
<v Speaker 3>I was joking about the fan fiction people should write

0:37:08.960 --> 0:37:11.960
<v Speaker 3>yeah about Clay and Julian. I was like, Holy, this

0:37:12.080 --> 0:37:14.040
<v Speaker 3>is it. This is the seed.

0:37:14.800 --> 0:37:17.000
<v Speaker 4>I missed it. I have to go back and watch.

0:37:17.560 --> 0:37:20.359
<v Speaker 1>You guys are so funny in that moment. But what

0:37:20.560 --> 0:37:23.680
<v Speaker 1>really set it up for me to make that smash

0:37:24.400 --> 0:37:27.040
<v Speaker 1>is that as the you know, it's you two and

0:37:27.080 --> 0:37:29.399
<v Speaker 1>then Chase and then Julian comes in and the four

0:37:29.440 --> 0:37:33.560
<v Speaker 1>boys are mashed into this very small little booth. They leave,

0:37:34.320 --> 0:37:36.600
<v Speaker 1>but before they have, as everyone's talking about what they

0:37:36.640 --> 0:37:39.400
<v Speaker 1>want to order. You say something about mashed potato. Know,

0:37:39.520 --> 0:37:42.319
<v Speaker 1>Nathan says something about mashed potatoes, and Julian's like, well, yeah,

0:37:42.320 --> 0:37:44.279
<v Speaker 1>I want mashed potatoes, and you guys look at each

0:37:44.280 --> 0:37:47.279
<v Speaker 1>other like yes because you just said that. Yeah, And

0:37:47.360 --> 0:37:52.520
<v Speaker 1>now it's this of like the awkwardness I read was

0:37:52.560 --> 0:37:54.399
<v Speaker 1>a little bit of like while we're sitting really close

0:37:54.440 --> 0:37:57.239
<v Speaker 1>to each other and also like we both do want

0:37:57.280 --> 0:38:01.680
<v Speaker 1>mashed potatoes. Yeah, and it's just great. It's like, is

0:38:01.719 --> 0:38:04.920
<v Speaker 1>it is it feeling.

0:38:08.080 --> 0:38:10.799
<v Speaker 3>I'm watching this scene? I felt like this. It was

0:38:11.000 --> 0:38:14.960
<v Speaker 3>very apparent to me that the writer's room had really

0:38:15.320 --> 0:38:19.280
<v Speaker 3>come to see who I was, like Rob, not Clay,

0:38:19.800 --> 0:38:23.279
<v Speaker 3>and just start leaning into that for the character. Yeah,

0:38:23.520 --> 0:38:27.240
<v Speaker 3>because it's like it's it starts to get weird and silly,

0:38:27.360 --> 0:38:29.600
<v Speaker 3>and Clay is like really leaning into it, like that

0:38:29.680 --> 0:38:32.960
<v Speaker 3>whole thing about Uh, it's hard to say no when

0:38:32.960 --> 0:38:34.839
<v Speaker 3>someone calls you and ask you to smuggle like five

0:38:34.960 --> 0:38:37.919
<v Speaker 3>kilos and then and then I go on and on

0:38:37.960 --> 0:38:40.040
<v Speaker 3>and everyone's like okay, okay, and then I lean and

0:38:40.080 --> 0:38:41.759
<v Speaker 3>I'm like in your but.

0:38:42.880 --> 0:38:46.239
<v Speaker 4>Like just the one last thing, even James kind of

0:38:46.239 --> 0:38:48.000
<v Speaker 4>broke a little on that. It was so good.

0:38:48.840 --> 0:38:50.840
<v Speaker 3>We had so much fun doing that. But to me,

0:38:50.920 --> 0:38:53.200
<v Speaker 3>I was like, oh, okay, yeah, they're just they're kind.

0:38:53.040 --> 0:38:57.279
<v Speaker 4>Of because remember how long it was, like, Oh my god,

0:38:57.360 --> 0:38:59.160
<v Speaker 4>is this guy ever going to be able to like

0:38:59.360 --> 0:39:02.600
<v Speaker 4>they bring in a comic genius and you're just gonna

0:39:02.719 --> 0:39:06.280
<v Speaker 4>load him up with all of this drama non stop,

0:39:06.480 --> 0:39:13.360
<v Speaker 4>like crazy ghosts and depression and psycho stalkers and like,

0:39:13.440 --> 0:39:15.200
<v Speaker 4>good grief, let this man laugh.

0:39:15.840 --> 0:39:16.200
<v Speaker 1>Yeah.

0:39:16.360 --> 0:39:20.000
<v Speaker 3>So wow, Seriously go back and watch the end of

0:39:20.040 --> 0:39:23.279
<v Speaker 3>the scene. And I'm telling you because it's not it was.

0:39:23.360 --> 0:39:26.200
<v Speaker 3>I remember us deliberately doing it, thinking it was funny

0:39:26.200 --> 0:39:28.439
<v Speaker 3>and also one of those things where it was like, dude,

0:39:28.480 --> 0:39:31.040
<v Speaker 3>there's no way in hell this is going to make it,

0:39:31.120 --> 0:39:34.360
<v Speaker 3>but let's just do one like this, and it made it.

0:39:34.400 --> 0:39:36.360
<v Speaker 3>So go back and watch and you will now that

0:39:36.360 --> 0:39:39.239
<v Speaker 3>you're looking for it, it is clear as day that

0:39:39.440 --> 0:39:40.880
<v Speaker 3>there's an untold story happening.

0:39:41.280 --> 0:39:43.560
<v Speaker 4>This is the This is the stuff I love about acting.

0:39:43.640 --> 0:39:45.880
<v Speaker 4>This is the play that you know, we show up,

0:39:45.920 --> 0:39:47.480
<v Speaker 4>we get paid to show up and say our lines,

0:39:47.640 --> 0:39:50.000
<v Speaker 4>But it's the play in all the in between that

0:39:50.200 --> 0:39:53.240
<v Speaker 4>really is what makes it so fun. All the layers

0:39:53.280 --> 0:39:57.960
<v Speaker 4>you get to create that sometimes people catch and and

0:39:58.000 --> 0:40:00.000
<v Speaker 4>they like or don't like, and then sometimes they don't

0:40:00.120 --> 0:40:02.600
<v Speaker 4>catch it and it just floats right on in.

0:40:03.840 --> 0:40:04.439
<v Speaker 1>I love it.

0:40:04.920 --> 0:40:11.319
<v Speaker 3>How about Chloe? Did anyone else get confused that she was? Like,

0:40:11.440 --> 0:40:15.439
<v Speaker 3>she's a boundaryless cat Burglar, Yeah, a little bit. Brook

0:40:15.480 --> 0:40:17.839
<v Speaker 3>and Julian come home and she's just sitting on the

0:40:17.880 --> 0:40:22.399
<v Speaker 3>counter hanging out. And to Brook and Julian's credit, because

0:40:22.400 --> 0:40:24.160
<v Speaker 3>obviously they're in a position where they need to not

0:40:24.239 --> 0:40:26.920
<v Speaker 3>rock the boat with her, they're cool about it.

0:40:27.320 --> 0:40:30.600
<v Speaker 4>She's on Brook's bed hanging out, eating yogurt or whatever.

0:40:30.680 --> 0:40:33.439
<v Speaker 3>So she showed up, she knocked, and she just thought,

0:40:33.480 --> 0:40:35.719
<v Speaker 3>you know what, I'm gonna go ahead and look for

0:40:35.760 --> 0:40:38.400
<v Speaker 3>a high to key. It was just it was wild

0:40:38.440 --> 0:40:38.719
<v Speaker 3>to me.

0:40:38.760 --> 0:40:41.400
<v Speaker 4>It's very sam energy to me, like maybe they were

0:40:41.440 --> 0:40:46.200
<v Speaker 4>trying to recreate that vibe of Samantha. It just it did.

0:40:46.320 --> 0:40:48.360
<v Speaker 4>It did feel a bit out of place, like it

0:40:48.400 --> 0:40:49.960
<v Speaker 4>hadn't been earned yet.

0:40:50.400 --> 0:40:52.400
<v Speaker 1>And you know what would have been such an easy

0:40:52.480 --> 0:40:55.680
<v Speaker 1>fix is if we'd come in and she's making a

0:40:55.719 --> 0:40:58.000
<v Speaker 1>snack and then it's like, but why are you here?

0:40:58.600 --> 0:41:01.960
<v Speaker 1>And she said, oh right, I came to tell you

0:41:02.000 --> 0:41:06.880
<v Speaker 1>guys something, and I have to pee every five minutes. Look, you,

0:41:07.120 --> 0:41:09.399
<v Speaker 1>I found your hide a key. You know you would

0:41:09.400 --> 0:41:11.880
<v Speaker 1>have been like, oh, okay, yeah, pregnant women do have

0:41:11.960 --> 0:41:16.120
<v Speaker 1>to pee all the time. Yeah, Like if there'd been

0:41:16.239 --> 0:41:19.319
<v Speaker 1>some version of or.

0:41:19.280 --> 0:41:20.960
<v Speaker 4>If she'd been coming out of the bathroom instead of

0:41:20.960 --> 0:41:23.920
<v Speaker 4>making a sandwich even a little bit like good, kay,

0:41:24.000 --> 0:41:27.640
<v Speaker 4>it's understandable, Yes, that's fine, but going in my fridge,

0:41:27.840 --> 0:41:30.160
<v Speaker 4>like I know you're going to give me your baby,

0:41:30.239 --> 0:41:33.120
<v Speaker 4>but we haven't established these bit But she's nineteen, so

0:41:33.719 --> 0:41:36.400
<v Speaker 4>I don't know. Maybe maybe kids assume things.

0:41:36.680 --> 0:41:39.359
<v Speaker 1>Yeah, I would have appreciated them grounding it for her

0:41:39.480 --> 0:41:43.440
<v Speaker 1>a little more than just being like, we've made Seantelle

0:41:43.480 --> 0:41:46.440
<v Speaker 1>eat eight toaster pastries today, and we'd also like someone

0:41:46.440 --> 0:41:47.960
<v Speaker 1>else to want one, like for.

0:41:48.080 --> 0:41:52.040
<v Speaker 3>What well, And it was odd when we cut to

0:41:52.200 --> 0:41:54.600
<v Speaker 3>later in the day and she's laying on the bed

0:41:54.640 --> 0:41:58.080
<v Speaker 3>in the guest room. Yeah, oh oh, are we going

0:41:58.160 --> 0:41:59.920
<v Speaker 3>to find out she's living out of her car?

0:42:00.120 --> 0:42:00.319
<v Speaker 5>Yeah?

0:42:00.360 --> 0:42:01.120
<v Speaker 4>Like is she homeless?

0:42:01.120 --> 0:42:03.320
<v Speaker 3>Like sand And then that sort of makes more sense

0:42:03.360 --> 0:42:07.240
<v Speaker 3>that she's just showing up and lingering. But that doesn't

0:42:07.239 --> 0:42:10.120
<v Speaker 3>seem like that's where it's going. I did like the

0:42:10.160 --> 0:42:12.799
<v Speaker 3>way that you played the scene so of going like

0:42:12.840 --> 0:42:15.680
<v Speaker 3>as she's just eating a plate of oreos. In fact,

0:42:15.680 --> 0:42:18.719
<v Speaker 3>she's not even eating the cookie, She's just eating the awasting,

0:42:18.760 --> 0:42:22.200
<v Speaker 3>fake ingredient cor frosting that you were like, say, would

0:42:22.200 --> 0:42:24.880
<v Speaker 3>you like some fruit with that frosting? Maybe maybe a

0:42:24.960 --> 0:42:30.160
<v Speaker 3>vegetable or too. She's trying so hard to be like,

0:42:30.200 --> 0:42:32.520
<v Speaker 3>how about one nutrient? Can we get one nutrient in there?

0:42:32.960 --> 0:42:35.680
<v Speaker 1>Just some sort of antioxidant for you and the baby?

0:42:36.640 --> 0:42:40.440
<v Speaker 5>So sweet, It's really it's it's cool, and I like,

0:42:42.040 --> 0:42:45.759
<v Speaker 5>I like though that they let us, or at least

0:42:45.760 --> 0:42:48.239
<v Speaker 5>they gave us space, and I thought lested really well

0:42:48.280 --> 0:42:49.760
<v Speaker 5>with it.

0:42:50.160 --> 0:42:54.919
<v Speaker 1>Have discomfort and awkwardness because we don't know each other,

0:42:55.080 --> 0:42:58.520
<v Speaker 1>and then have these moments of ease and humor and

0:42:58.560 --> 0:43:02.239
<v Speaker 1>figuring each other out, and then you know, even the

0:43:02.239 --> 0:43:06.240
<v Speaker 1>screw ups of it would really help if we knew.

0:43:06.560 --> 0:43:11.280
<v Speaker 1>And then of course she doesn't want to know. Of course,

0:43:12.600 --> 0:43:16.040
<v Speaker 1>Brook's not thinking about this because she's so excited about

0:43:16.040 --> 0:43:20.880
<v Speaker 1>this other part, and you know, Chloe hasn't communicated that

0:43:20.960 --> 0:43:23.360
<v Speaker 1>and then has to and the sort of fits and

0:43:23.440 --> 0:43:27.719
<v Speaker 1>starts of it I thought were really they were just

0:43:27.840 --> 0:43:30.480
<v Speaker 1>nice to play. I'm glad we didn't do some totally

0:43:30.560 --> 0:43:37.320
<v Speaker 1>Pollyannish version of it. And I think Levin is so

0:43:37.360 --> 0:43:41.760
<v Speaker 1>she's so grounded in, you know, the moments and the emotion.

0:43:42.560 --> 0:43:44.839
<v Speaker 1>She doesn't have to do a lot to communicate a lot.

0:43:45.960 --> 0:43:51.640
<v Speaker 1>And I liked that we were communicating, albeit awkwardly, not

0:43:51.719 --> 0:43:53.600
<v Speaker 1>with what we were saying, but with what we were

0:43:53.640 --> 0:43:56.240
<v Speaker 1>trying to say. I always think that's the mark of good,

0:43:57.200 --> 0:43:58.319
<v Speaker 1>good writing for sure.

0:44:11.320 --> 0:44:14.000
<v Speaker 3>Let's talk about Chuck and Chase real quick. Yeah.

0:44:14.000 --> 0:44:15.799
<v Speaker 4>I wanted to pivot there too, because that was my

0:44:15.920 --> 0:44:17.719
<v Speaker 4>favorite besides Mouth and Millie.

0:44:17.600 --> 0:44:23.520
<v Speaker 3>But also Millie saying how clucked up is that? I

0:44:23.560 --> 0:44:25.880
<v Speaker 3>don't know how that didn't catch on because that was great.

0:44:26.160 --> 0:44:28.480
<v Speaker 3>But Chuck and Chase, it was all. It was also sweet.

0:44:28.480 --> 0:44:32.440
<v Speaker 3>There's also some funny elements to it. One I thought, like,

0:44:33.280 --> 0:44:36.520
<v Speaker 3>my Chase is having him standing with Chuck, has his

0:44:36.640 --> 0:44:38.680
<v Speaker 3>back to the wall, meaning if he hits the ball,

0:44:39.120 --> 0:44:42.480
<v Speaker 3>he's hitting it at a room full of customers and

0:44:42.600 --> 0:44:45.879
<v Speaker 3>glass and glass. But then I thought, oh, but how

0:44:45.920 --> 0:44:48.359
<v Speaker 3>funny if he did that because he knows that this

0:44:48.480 --> 0:44:51.719
<v Speaker 3>kid cannot hit a ball to save his life. And

0:44:51.760 --> 0:44:54.279
<v Speaker 3>then later so for and also like total jerk move,

0:44:54.360 --> 0:44:57.239
<v Speaker 3>laughing like when a kid gets vulnerable. You got a

0:44:57.280 --> 0:44:59.640
<v Speaker 3>button that shit up, you know, But I don't know

0:44:59.680 --> 0:45:03.680
<v Speaker 3>if you is this. So Chase later goes to Chuck's

0:45:03.680 --> 0:45:09.040
<v Speaker 3>house to apologize. He goes to the window and he knocks.

0:45:09.200 --> 0:45:11.239
<v Speaker 3>It gets weirder. I have a different layer for you.

0:45:11.320 --> 0:45:14.080
<v Speaker 3>So it is weird that he knocks and you hear Chuck,

0:45:14.160 --> 0:45:17.200
<v Speaker 3>go go away, mister mee Hall. I told you to

0:45:17.320 --> 0:45:20.600
<v Speaker 3>leave me alone. So Chuck is clearly dealing with some

0:45:20.640 --> 0:45:24.000
<v Speaker 3>sort of pervert predator. But here's where it got even weirder.

0:45:24.080 --> 0:45:25.960
<v Speaker 3>I rewound it, and you know how, I don't know

0:45:25.960 --> 0:45:27.799
<v Speaker 3>if you like I watch this on my computer. If

0:45:27.800 --> 0:45:31.120
<v Speaker 3>you rewind it on Apple TV, it'll do ten seconds

0:45:31.120 --> 0:45:34.759
<v Speaker 3>of subtitles for you. So when I rewound it, when

0:45:34.800 --> 0:45:37.680
<v Speaker 3>he says, he clearly says go away, mister mee Hall.

0:45:38.000 --> 0:45:43.520
<v Speaker 3>The subtitle is go away mister Kowalski. What as in

0:45:43.560 --> 0:45:45.880
<v Speaker 3>like Pete? Well, like the only Kowalski we know on

0:45:45.920 --> 0:45:46.719
<v Speaker 3>the show is obviously are.

0:45:47.320 --> 0:45:49.840
<v Speaker 4>All love Everybody loves Today, which.

0:45:49.640 --> 0:45:52.239
<v Speaker 3>Made me wonder if, like in the original script it

0:45:52.360 --> 0:45:56.520
<v Speaker 3>was Kowalski and then Pete or someone was like hey, no, no,

0:45:56.840 --> 0:45:59.279
<v Speaker 3>and they changed it. But the subtitles are off of

0:45:59.280 --> 0:46:00.160
<v Speaker 3>the script or something.

0:46:00.160 --> 0:46:02.440
<v Speaker 4>But if you go back and do that, that's horrendous.

0:46:02.480 --> 0:46:04.160
<v Speaker 3>It's not even like they were listening and like, oh

0:46:04.160 --> 0:46:07.040
<v Speaker 3>it sounds like this, No, it's me Hall, but the

0:46:07.080 --> 0:46:09.200
<v Speaker 3>subtius says, go away, mister Kowalski.

0:46:09.360 --> 0:46:11.920
<v Speaker 4>Oh my gods, that's such a frat boy thing that

0:46:11.960 --> 0:46:14.840
<v Speaker 4>the you know, the crew would do that a lot

0:46:14.920 --> 0:46:17.440
<v Speaker 4>in it. I mean, it's it was always fun, like

0:46:17.560 --> 0:46:19.719
<v Speaker 4>putting less Butler's name on the homework sheet. You know,

0:46:19.760 --> 0:46:22.600
<v Speaker 4>they would use crew members' names all the time as

0:46:22.680 --> 0:46:27.040
<v Speaker 4>parts of you know, posters that were going up or whatever,

0:46:27.080 --> 0:46:29.520
<v Speaker 4>a character's name just to just be fun because it's

0:46:29.560 --> 0:46:33.120
<v Speaker 4>a fun, friendly community in sweet ways. And that totally

0:46:33.160 --> 0:46:37.000
<v Speaker 4>sounds like something somebody wrote as a joke and then

0:46:37.160 --> 0:46:39.360
<v Speaker 4>didn't end up correcting it later.

0:46:40.120 --> 0:46:42.759
<v Speaker 1>I absolutely hate that.

0:46:42.760 --> 0:46:43.360
<v Speaker 4>That sucks.

0:46:44.000 --> 0:46:45.080
<v Speaker 3>Yeah, that was so that was just.

0:46:45.080 --> 0:46:48.800
<v Speaker 4>Also just gross, Like why why is that in the show.

0:46:50.280 --> 0:46:52.840
<v Speaker 3>It's as if the kid doesn't have it bad enough.

0:46:53.239 --> 0:46:56.319
<v Speaker 1>My note for that is I was like, first of all,

0:46:56.360 --> 0:46:58.799
<v Speaker 1>we have a grown man trapesing down the side of

0:46:58.800 --> 0:47:01.120
<v Speaker 1>a house in the dark to kind of child's window,

0:47:01.600 --> 0:47:05.160
<v Speaker 1>which yes, it's Chase, but it's weird enough, yeah, and

0:47:05.200 --> 0:47:09.080
<v Speaker 1>then the kid's response is to assume it's a different

0:47:09.920 --> 0:47:12.320
<v Speaker 1>creepy girl man, And I'm like, why are we making

0:47:12.960 --> 0:47:15.560
<v Speaker 1>a joke out of? Like what is that?

0:47:16.640 --> 0:47:19.520
<v Speaker 3>Also, it's extra folk, It's like it's extra shoe leather

0:47:19.560 --> 0:47:21.840
<v Speaker 3>we didn't need. Because Chase then immediately goes to the

0:47:21.880 --> 0:47:25.000
<v Speaker 3>front door to meat Chuck. So it's like, why would

0:47:25.000 --> 0:47:27.319
<v Speaker 3>you go to his window in the first place. That

0:47:27.440 --> 0:47:28.960
<v Speaker 3>all you do. The only reason you go to someone's

0:47:28.960 --> 0:47:30.840
<v Speaker 3>windows if you don't want their parents to know.

0:47:31.280 --> 0:47:31.800
<v Speaker 1>Correct.

0:47:32.280 --> 0:47:37.200
<v Speaker 3>So so that was all kinds of weird. Their story

0:47:37.239 --> 0:47:39.200
<v Speaker 3>got better though, when they went to the park. He

0:47:39.280 --> 0:47:45.120
<v Speaker 3>puts on the glasses. He drills that ball so.

0:47:45.320 --> 0:47:48.800
<v Speaker 4>Great line drive right into Chase's stomach.

0:47:49.120 --> 0:47:51.600
<v Speaker 3>He hits a line drive into Chase's sternam and by

0:47:51.600 --> 0:47:53.799
<v Speaker 3>the way, Steven, who's great with physical comedy, did that

0:47:53.880 --> 0:47:57.000
<v Speaker 3>perfect getting hit jump and then I love as he's

0:47:57.000 --> 0:47:59.920
<v Speaker 3>getting up kind of wheezing, He's like, yeah, you need glasses,

0:48:02.000 --> 0:48:04.160
<v Speaker 3>But was that cgi because there's no way.

0:48:04.840 --> 0:48:06.759
<v Speaker 4>I don't know. I'm sure it had to be.

0:48:07.040 --> 0:48:08.600
<v Speaker 3>It had to be. It was too perfect.

0:48:09.040 --> 0:48:14.560
<v Speaker 1>Well that or that was a stunt setup because that

0:48:14.719 --> 0:48:18.120
<v Speaker 1>was clearly when you see Chase fall, it's from so

0:48:18.280 --> 0:48:21.759
<v Speaker 1>far back it's over Chuck's shoulder. Like that had to

0:48:21.800 --> 0:48:25.000
<v Speaker 1>be a stunt person who literally threw their body to

0:48:25.080 --> 0:48:28.839
<v Speaker 1>the ground. So I wonder if they I wonder if

0:48:28.880 --> 0:48:32.919
<v Speaker 1>they hid like a ball launcher, you know, yeah, oh

0:48:33.040 --> 0:48:35.719
<v Speaker 1>yeah in front of like they got Chuck's shoulder in

0:48:36.280 --> 0:48:38.759
<v Speaker 1>but they actually had a like a ball launcher, so

0:48:38.760 --> 0:48:40.080
<v Speaker 1>they knew in the right.

0:48:40.000 --> 0:48:41.680
<v Speaker 4>And maybe Stephen was wearing a pad.

0:48:42.480 --> 0:48:45.239
<v Speaker 3>See that makes sense because if you also watch it

0:48:45.239 --> 0:48:46.600
<v Speaker 3>back because again as one of the ones I went

0:48:46.640 --> 0:48:51.360
<v Speaker 3>back to like four times, they they do three different

0:48:51.440 --> 0:48:54.759
<v Speaker 3>shots they do they go like fifty to fifty and

0:48:54.800 --> 0:48:56.759
<v Speaker 3>then they go like at Chase, and then they cut

0:48:56.800 --> 0:48:59.360
<v Speaker 3>to a third one. It's so actually you're probably right.

0:48:59.400 --> 0:49:01.719
<v Speaker 3>They probably told cheated it. But that's what those first

0:49:01.719 --> 0:49:03.919
<v Speaker 3>two in to be, like it's these two, it's these two,

0:49:03.960 --> 0:49:04.799
<v Speaker 3>and then it's not the kid.

0:49:04.880 --> 0:49:07.160
<v Speaker 1>It looked great good.

0:49:07.520 --> 0:49:09.360
<v Speaker 4>So for those of you who don't know, Less Butler

0:49:09.440 --> 0:49:11.200
<v Speaker 4>was our editor for one of our editors for a

0:49:11.320 --> 0:49:14.279
<v Speaker 4>very long time, and so he really is skilled at

0:49:14.760 --> 0:49:16.600
<v Speaker 4>this would have been This was a great example of

0:49:16.600 --> 0:49:18.800
<v Speaker 4>a way that a great editor can make a shot work.

0:49:20.360 --> 0:49:22.120
<v Speaker 4>You just line up a few different shots, but the

0:49:23.760 --> 0:49:26.799
<v Speaker 4>timing down to the millisecond of making it all move

0:49:26.880 --> 0:49:30.319
<v Speaker 4>smoothly enough that unless you're looking for it, it just

0:49:30.400 --> 0:49:34.160
<v Speaker 4>looks perfectly seamless. Yeah, it's a great example of that

0:49:35.520 --> 0:49:38.160
<v Speaker 4>what a good editor can do. But I love this storyline.

0:49:38.160 --> 0:49:41.719
<v Speaker 4>I'm so glad that we're continuing with Chase showing up

0:49:41.719 --> 0:49:46.399
<v Speaker 4>for Chuck. I'm really invested in Chuck's well being. Yeah,

0:49:46.440 --> 0:49:49.359
<v Speaker 4>I really want to see him win. I just care.

0:49:49.560 --> 0:49:51.040
<v Speaker 4>I love this kid now.

0:49:51.400 --> 0:49:55.160
<v Speaker 1>Yeah, And it's really, you know, there's something to it.

0:49:55.880 --> 0:49:58.520
<v Speaker 1>We're not saying it, but even the idea that this

0:49:58.560 --> 0:50:02.240
<v Speaker 1>little boy has gone this long clearly with a site

0:50:02.280 --> 0:50:09.080
<v Speaker 1>problem and no one's identified it. It's it's just continuing

0:50:09.120 --> 0:50:13.160
<v Speaker 1>to reinforce the truth that if you invest in kids,

0:50:13.760 --> 0:50:17.960
<v Speaker 1>they really get to flourish. And it's nice to have

0:50:18.080 --> 0:50:22.480
<v Speaker 1>that be in the mix of the often sort of

0:50:22.920 --> 0:50:26.640
<v Speaker 1>you know, dramatic car crash sexy love story world of

0:50:26.640 --> 0:50:29.919
<v Speaker 1>a TV show. It's nice to have this other thing

0:50:30.680 --> 0:50:31.400
<v Speaker 1>and it works too.

0:50:31.480 --> 0:50:34.160
<v Speaker 4>It still works with the storyline of investing in people

0:50:34.200 --> 0:50:35.839
<v Speaker 4>that are younger than you, which we've done on our

0:50:35.880 --> 0:50:41.880
<v Speaker 4>show consistently throughout, you know, you with Sam and Hayley,

0:50:42.000 --> 0:50:46.040
<v Speaker 4>with Quentin, I feel like there's always these younger mentor moments.

0:50:46.600 --> 0:50:48.920
<v Speaker 4>So I love seeing that Chase is doing that now

0:50:49.880 --> 0:50:52.160
<v Speaker 4>and oh them laughing at him when he put his

0:50:52.200 --> 0:50:54.040
<v Speaker 4>glasses on. I agree with you, Rob, but I don't

0:50:54.040 --> 0:50:56.880
<v Speaker 4>know if you noticed this. When Chuck put the glasses on,

0:50:57.160 --> 0:50:59.399
<v Speaker 4>he turned around and then he made this, He made

0:50:59.440 --> 0:51:03.520
<v Speaker 4>a face, he smiled really goofy, And that's to me

0:51:03.680 --> 0:51:06.040
<v Speaker 4>what I was like, Oh, I thought they were laughing

0:51:06.120 --> 0:51:10.080
<v Speaker 4>because he was making fun of himself, like making a

0:51:10.080 --> 0:51:12.560
<v Speaker 4>goofy face and sort of giving them permission to laugh.

0:51:13.440 --> 0:51:17.040
<v Speaker 4>So anyway, that worked well for me, that to make

0:51:17.080 --> 0:51:19.040
<v Speaker 4>them not just look like dicks that were just laughing

0:51:19.080 --> 0:51:22.359
<v Speaker 4>at a kid they had only moments ago told they

0:51:22.360 --> 0:51:23.239
<v Speaker 4>weren't going to laugh at.

0:51:23.360 --> 0:51:26.160
<v Speaker 1>It was a really good choice either by Less or

0:51:26.200 --> 0:51:30.120
<v Speaker 1>the prop department or them together to put Chuck in

0:51:30.440 --> 0:51:35.920
<v Speaker 1>a very exaggerated, like almost nineteen fifties cat eye adjacent

0:51:37.160 --> 0:51:40.920
<v Speaker 1>pair of glasses. It added to the humor in a way.

0:51:41.000 --> 0:51:43.040
<v Speaker 1>You know, if they'd given him like a cool Clark

0:51:43.120 --> 0:51:45.960
<v Speaker 1>Kent pair of frames, it wouldn't have worked the same.

0:51:46.600 --> 0:51:49.920
<v Speaker 1>And so you know, Michael May being such a good sport,

0:51:50.000 --> 0:51:53.840
<v Speaker 1>playing Chuck and leaning into his own physical comedy and

0:51:53.920 --> 0:51:58.400
<v Speaker 1>making the face and the glasses being so like nineteen fifties,

0:51:59.000 --> 0:52:03.080
<v Speaker 1>you know, Lady and the Boys. It made it just

0:52:03.120 --> 0:52:03.920
<v Speaker 1>made for a lot.

0:52:03.760 --> 0:52:07.799
<v Speaker 3>Of fun, very cute, and it also helps land the

0:52:07.920 --> 0:52:11.920
<v Speaker 3>joke about why Alex would be insecure about people seeing

0:52:11.960 --> 0:52:13.960
<v Speaker 3>her in them, But then it begs the question, like,

0:52:14.160 --> 0:52:15.880
<v Speaker 3>you're an adult, why wouldn't you just go buy a

0:52:15.880 --> 0:52:19.960
<v Speaker 3>pair that you look good in? But regardless, it's so.

0:52:20.120 --> 0:52:23.520
<v Speaker 3>It was very funny on Michael May honorable mentions. What

0:52:23.560 --> 0:52:24.000
<v Speaker 3>do we got?

0:52:24.120 --> 0:52:29.200
<v Speaker 1>Yeah, chicken suit, Yeah, chicken suit all day.

0:52:30.640 --> 0:52:33.880
<v Speaker 3>I'm going to go the runner of Haley auditioning everyone

0:52:33.960 --> 0:52:37.399
<v Speaker 3>she knows for her labor driver.

0:52:37.920 --> 0:52:40.320
<v Speaker 4>Yeah that was fun. That was fun.

0:52:40.520 --> 0:52:41.080
<v Speaker 3>That was great.

0:52:41.560 --> 0:52:44.319
<v Speaker 4>Yeah. I liked the reaction when she tries to pull

0:52:44.360 --> 0:52:47.440
<v Speaker 4>it over on Clay and Nathan and y'all are already

0:52:48.000 --> 0:52:50.480
<v Speaker 4>yeah already, Wise, go ahead.

0:52:50.239 --> 0:52:52.799
<v Speaker 3>And force those knees together, Hails. Yeah, it's a Clay

0:52:52.800 --> 0:52:53.760
<v Speaker 3>says something that effect.

0:52:55.200 --> 0:52:57.480
<v Speaker 4>Oh yeah, I remember. That was fun to shoot and

0:52:58.000 --> 0:53:01.560
<v Speaker 4>you losing the keys down the down, Acy bent.

0:53:02.239 --> 0:53:03.399
<v Speaker 1>It was a really fun day.

0:53:03.760 --> 0:53:06.960
<v Speaker 4>Yeah, I did enjoy that. What's our listener question?

0:53:07.560 --> 0:53:11.440
<v Speaker 1>Brenda asks, This question is for joy. Did you film

0:53:11.480 --> 0:53:13.960
<v Speaker 1>all the way up to having your daughter? Whose idea

0:53:14.080 --> 0:53:16.360
<v Speaker 1>was it to put you in the heels while filming

0:53:17.160 --> 0:53:20.360
<v Speaker 1>in your third trimester, especially when Haley is home in

0:53:20.440 --> 0:53:23.359
<v Speaker 1>her own house. Grenda, we have been talking about this

0:53:23.400 --> 0:53:24.120
<v Speaker 1>for two weeks.

0:53:24.400 --> 0:53:26.719
<v Speaker 4>A girl after my own heart. Let me tell you,

0:53:27.040 --> 0:53:29.839
<v Speaker 4>I know, can you imagine what woman in her right

0:53:29.880 --> 0:53:32.759
<v Speaker 4>mind walks around in heels in her home in her

0:53:32.800 --> 0:53:36.879
<v Speaker 4>third trimester? I would like to meet that woman. So yes,

0:53:36.920 --> 0:53:38.720
<v Speaker 4>I filmed all the way up to having my daughter.

0:53:39.360 --> 0:53:43.400
<v Speaker 4>I did. And it's one of the reasons why my

0:53:43.640 --> 0:53:47.879
<v Speaker 4>storyline became very sporadic and unrelated to many other storylines,

0:53:48.320 --> 0:53:52.200
<v Speaker 4>because they weren't sure at what moment I might have

0:53:52.320 --> 0:53:56.359
<v Speaker 4>to disappear and go have a baby and be gone

0:53:56.440 --> 0:54:03.000
<v Speaker 4>for two weeks. So yeah, just episode by episode kept filming,

0:54:03.160 --> 0:54:08.400
<v Speaker 4>and Maria was two weeks late. Actually, so kind of

0:54:08.440 --> 0:54:09.040
<v Speaker 4>through everything.

0:54:09.320 --> 0:54:11.680
<v Speaker 3>Buddy, did you only take two weeks off?

0:54:12.239 --> 0:54:12.520
<v Speaker 1>Yeah?

0:54:13.080 --> 0:54:17.200
<v Speaker 3>Holy cow, that's bonkers, man.

0:54:17.440 --> 0:54:18.400
<v Speaker 4>Yeah, it was wild.

0:54:19.120 --> 0:54:22.960
<v Speaker 3>Wow, you are a soldier. I did not realize that

0:54:23.120 --> 0:54:26.880
<v Speaker 3>was all the time you took after creating and delivering

0:54:26.920 --> 0:54:31.239
<v Speaker 3>a human to the America. Yeah, right, she'll walk it off,

0:54:31.360 --> 0:54:32.000
<v Speaker 3>she'll be fun.

0:54:32.040 --> 0:54:35.360
<v Speaker 1>Bill paid leave and two weeks is you're told, is

0:54:35.400 --> 0:54:37.680
<v Speaker 1>a luxury? Like absolutely insane.

0:54:39.400 --> 0:54:44.440
<v Speaker 4>I remember us filming a scene at the hospital later

0:54:44.719 --> 0:54:48.080
<v Speaker 4>after I'd had my daughter, and it was I think

0:54:48.239 --> 0:54:50.239
<v Speaker 4>but kind of right after I came back and I

0:54:50.280 --> 0:54:54.800
<v Speaker 4>was still in pain, and I remember asking I started

0:54:54.800 --> 0:54:57.640
<v Speaker 4>to walk and it was when we filmed at the hospital,

0:54:58.400 --> 0:55:01.640
<v Speaker 4>we had this area, so we parked our trailers and

0:55:01.680 --> 0:55:03.640
<v Speaker 4>then there was this massive area that felt like an

0:55:03.719 --> 0:55:06.080
<v Speaker 4>acre maybe of just rocks, and they were all these

0:55:06.080 --> 0:55:08.960
<v Speaker 4>little it wasn't tiny gravel rocks. They were like no,

0:55:09.040 --> 0:55:12.520
<v Speaker 4>they're like big river rock, plunky rocks. Yeah. That you

0:55:12.600 --> 0:55:16.000
<v Speaker 4>had to walk across all the way up to get

0:55:16.000 --> 0:55:18.480
<v Speaker 4>to the hospital doors where then all the filming would be.

0:55:19.160 --> 0:55:22.920
<v Speaker 4>And I started to walk and I was just like

0:55:23.360 --> 0:55:25.280
<v Speaker 4>my body just hurt. I mean, I had a baby.

0:55:25.880 --> 0:55:27.480
<v Speaker 4>So I had asked them, I was like, we're at

0:55:27.480 --> 0:55:30.439
<v Speaker 4>a hospital. Is there like a wheelchair in there? Could

0:55:30.480 --> 0:55:32.799
<v Speaker 4>I just like get a lift please? Just like a

0:55:32.800 --> 0:55:36.920
<v Speaker 4>little lift over to set. And I remember they brought

0:55:36.920 --> 0:55:40.120
<v Speaker 4>one out and I got The producers came to me

0:55:40.160 --> 0:55:42.640
<v Speaker 4>and they were like we heard you like had needed

0:55:42.640 --> 0:55:45.720
<v Speaker 4>a wheelchair to set like that seems really dramatic.

0:55:45.760 --> 0:55:49.320
<v Speaker 3>Are you okay the all male producing team the way, Yeah.

0:55:49.400 --> 0:55:53.680
<v Speaker 4>Just like yep, just fine, just you know, just had

0:55:53.680 --> 0:55:54.759
<v Speaker 4>a little baby, that's all.

0:55:54.960 --> 0:55:57.560
<v Speaker 1>Just needed a little extra You're like, I just actually

0:55:57.680 --> 0:56:01.080
<v Speaker 1>have a football size open wound inside my abdomen. But

0:56:01.120 --> 0:56:02.520
<v Speaker 1>thank you so much for asking.

0:56:02.719 --> 0:56:05.640
<v Speaker 4>Yeah, yeah, no, no problem. Sorry to be over dramatic.

0:56:05.760 --> 0:56:07.399
<v Speaker 4>I'm so sorry to like.

0:56:07.360 --> 0:56:10.680
<v Speaker 3>We heard you're being hysterical. Would you like to tilan all.

0:56:13.000 --> 0:56:15.000
<v Speaker 4>It just took you so long with the wheelchair over

0:56:15.000 --> 0:56:17.720
<v Speaker 4>the rocks, you know, yeah, you need to go slow

0:56:17.719 --> 0:56:20.680
<v Speaker 4>because of all the you know rocks. But we made it.

0:56:21.200 --> 0:56:28.760
<v Speaker 4>We're here, oh lord yea America. So anyway, Brenda, thanks

0:56:28.800 --> 0:56:32.800
<v Speaker 4>for your question. We'll have lots more of those pregnancy stories,

0:56:32.840 --> 0:56:37.080
<v Speaker 4>I'm sure, as as the baby baby gets closer.

0:56:37.960 --> 0:56:40.640
<v Speaker 1>Also, for anyone else who liked the Three of Us

0:56:40.680 --> 0:56:44.320
<v Speaker 1>thinks a two week maximum is insane, you should probably

0:56:44.760 --> 0:56:48.480
<v Speaker 1>follow Paid Leave for All. They're a great nonpartisan organization

0:56:48.600 --> 0:56:53.520
<v Speaker 1>trying to advocate for you know, actual parental leave.

0:56:53.880 --> 0:56:57.240
<v Speaker 3>I love that. Yeah, pretty great, good plug.

0:56:57.360 --> 0:57:00.359
<v Speaker 1>You know you can come for the drama and you

0:57:00.400 --> 0:57:07.439
<v Speaker 1>can stay for the for the wonderful community organizing. Yes, now,

0:57:07.520 --> 0:57:08.840
<v Speaker 1>who's getting the wheel?

0:57:15.640 --> 0:57:21.840
<v Speaker 3>Most likely to cry during a rom comid?

0:57:22.040 --> 0:57:27.040
<v Speaker 4>Julian, Oh yeah, yeah, Julian and skills.

0:57:26.560 --> 0:57:32.440
<v Speaker 3>Oh my god, how about in real life?

0:57:33.080 --> 0:57:34.919
<v Speaker 4>I mean, so if you do, if it's a good one,

0:57:34.960 --> 0:57:37.760
<v Speaker 4>I'll cry. But yeah, I don't know. Rom com seem

0:57:37.800 --> 0:57:41.120
<v Speaker 4>to be kind of a diamond dozen now. I mean,

0:57:41.120 --> 0:57:44.320
<v Speaker 4>I'm in a lot of them. I shouldn't say that.

0:57:44.960 --> 0:57:46.840
<v Speaker 3>Name names Joy name names.

0:57:46.960 --> 0:57:49.480
<v Speaker 4>Yeah, but but if it's a real like I love

0:57:49.480 --> 0:57:52.200
<v Speaker 4>those old nineties ones like Lawrence kan and like the

0:57:52.360 --> 0:57:55.080
<v Speaker 4>you know, Tom Hanks, make Ryan Sandra Bullock, love those

0:57:55.120 --> 0:57:56.520
<v Speaker 4>old ones. Those ones always get me.

0:57:56.720 --> 0:57:59.200
<v Speaker 1>Yeah, those get me And I'm definitely a crier.

0:58:01.440 --> 0:58:04.400
<v Speaker 3>I love it all right, ging come back out join

0:58:04.480 --> 0:58:07.440
<v Speaker 3>us next week. We got season eight, episode eighteen with

0:58:07.560 --> 0:58:11.400
<v Speaker 3>a much better title, Quiet Little Voices.

0:58:12.560 --> 0:58:15.360
<v Speaker 4>Feel here. Hey, thanks for listening.

0:58:15.480 --> 0:58:17.720
<v Speaker 1>Don't forget to leave us a review. You can also

0:58:17.760 --> 0:58:21.760
<v Speaker 1>follow us on Instagram at Drama Queens oth.

0:58:21.400 --> 0:58:25.560
<v Speaker 4>Or email us at Drama Queens at iHeartRadio dot com.

0:58:25.840 --> 0:58:26.840
<v Speaker 4>See you next time.

0:58:28.080 --> 0:58:31.480
<v Speaker 2>We all about that High school Drama Girl, Drama Girl,

0:58:31.520 --> 0:58:34.640
<v Speaker 2>all about them High School Queens We'll take you for

0:58:34.760 --> 0:58:38.360
<v Speaker 2>a ride at our comic girl sharing for the right teen.

0:58:38.240 --> 0:58:42.320
<v Speaker 1>Drama, queens, my up girl fashion, what's your tough girl?

0:58:42.400 --> 0:58:45.400
<v Speaker 4>You could sit with us Girl Drama, Queens Drama, Queense Drama,

0:58:45.520 --> 0:58:49.160
<v Speaker 4>Queens Drama, Drama, Queens Drama, Queens