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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, girl drama, girl,

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Speaker 2: all about them high school queens. We'll take you for

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Speaker 2: a ride, and our comic girl shared for the right

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Speaker 2: drama queens girl girl fashion, but your tough girl, you

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Speaker 2: could sit with us. Girl drama, Queen drama, Queens drama,

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Speaker 2: Queens drama, drama, Queens drama, Queens.

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Speaker 1: Oh, guys, happy week. I was about to say the day,

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Speaker 1: and then I remember that these don't always drop me

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Speaker 1: the days we're recording.

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Speaker 3: There you go, happy late late Sunday night, everyone, that's

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Speaker 3: the one. We're so glad you couldn't sleep and you

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Speaker 3: could be here to join us exactly. Hey, soph Hey joy, Hi.

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Speaker 4: Hi guys, how goes it?

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Speaker 3: The episode? Can wait? I want to know how my

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Speaker 3: friends are doing.

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Speaker 4: I'm good.

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Speaker 3: How are you on that fun combination of overly tired

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Speaker 3: and overly caffeinated?

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Speaker 1: Mm hmm. I was telling Rob that as absolutely in

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Speaker 1: love with the planet as I am, and so happy

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Speaker 1: it's spring and everything is like gorgeous and green, I'm

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Speaker 1: also allergic to everything.

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Speaker 4: Oh no, so I am just.

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Speaker 1: Like likewise caffeinating to get through how terrible I feel.

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Speaker 4: My daughter is allergic to every flower except I think roses,

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Speaker 4: and that might be the only one. Maybe daisies, I'm

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Speaker 4: not sure, but it's so sad. I'm like bringing wild

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Speaker 4: flowers home and she immediately just I'm you gotta get

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Speaker 4: that out of the house. I can't preape, Like, oh no,

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Speaker 4: it's so sad.

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Speaker 3: That's an expensive allergy that the only one that doesn't

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Speaker 3: make her sick is arguably one of the most expensive.

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Speaker 3: It's like, I'm only not allergic to orchids and roses.

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Speaker 4: Know, it's so such a highbrow allergy. Yeah, do you

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Speaker 4: guys take bee pollen or purplis or anything, because I do,

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Speaker 4: and I don't have any allergies. You don't take this

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Speaker 4: on a regular basis.

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Speaker 1: So if you've got bees, I was gonna say I

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Speaker 1: do all of it because I've been beekeeping forever. But

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Speaker 1: of course, you know, I know, what a crazy thing, right,

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Speaker 1: But it is actually sort of interesting because for years

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Speaker 1: I was like, yeah, local honey totally helps with allergies,

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Speaker 1: and da da da da. Yeah, And a doctor friend

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Speaker 1: of mine was like, you know, that's a really charming

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Speaker 1: but not true, and I was like, oh, well, I

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Speaker 1: really like the old wives tale of it all, and

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Speaker 1: I'm just going to keep it up.

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Speaker 3: You're like, oh, are you a doctor of honey?

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Speaker 1: No, Like, well, what you're not is a bee, so

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Speaker 1: who knows.

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Speaker 4: But you know, we can't not be true. That makes

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Speaker 4: total sense though.

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Speaker 1: Well sure, but they were like, essentially what I thought was,

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Speaker 1: you know, you're getting trace amounts of the flora and

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Speaker 1: fauna around you in the honey. And they were like, no,

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Speaker 1: it's it's a completely processed thing that comes out on

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Speaker 1: the other side of a bee.

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Speaker 4: Oh yeah, the honey doesn't the pollen will well.

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Speaker 1: Right, But the pollen is what most people are allergic to,

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Speaker 1: which is why when they give you an allergy shot,

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Speaker 1: like at the doctor, when you get that little tiny

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Speaker 1: dot dose kind of like a TB test. They give

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Speaker 1: it to you once a week for I don't know,

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Speaker 1: a whole summer, and then you build up build assistance

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Speaker 1: because it gives your body like a small shock of

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Speaker 1: the thing it doesn't like, rather than just fistfuls of pollen,

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Speaker 1: which seemed to be on every car. Yeah, the Tristate

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Speaker 1: area right now.

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Speaker 4: I think it's if you ingest the pollen, like I

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Speaker 4: get local pollen in a jar and I take a

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Speaker 4: little tiny teaspoon of it and I just take it

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Speaker 4: every day in Propolis too, Yeah, little droplets. I take

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Speaker 4: like thirty drops of propylis a day and all my

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Speaker 4: allergies this season in Tennessee, because usually I don't have

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Speaker 4: many allergies, but here it gets really bad. I've been

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Speaker 4: taking this for a year and this year I've gotten zero.

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Speaker 1: Oh that's crazy. Well, Propolis is actually really cool. We're

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Speaker 1: just really getting nerdy on the bee stuff.

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Speaker 3: Hey, if you're just tuning in, welcome back to the Buzz,

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Speaker 3: our weekly be only podcast.

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Speaker 1: It's the for our friends at home. It's actually the

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Speaker 1: substance that bees make and essentially glue their hives shut with.

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Speaker 1: But it's actually it has antibiotic properties massive and so

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Speaker 1: it's really like you can make tea and stuff if

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Speaker 1: you're coming down with something, and it's pretty great. Yeah, antibacterial.

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Speaker 1: I guess I should have said not antibiotic.

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Speaker 3: Speaking of antibiotic properties, today, we're discussing season eight, episode seventeen,

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Speaker 3: The Smoker You Drink, The Player You Get It, aired

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Speaker 3: March first, twenty eleven. Synopsis reads, As Hayley's do date approaches,

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Speaker 3: she takes steps to ensure that all her friends and

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Speaker 3: family will be ready when the time comes. Oh boy

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Speaker 3: does she. Brooke and Julian also prepare to be in

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Speaker 3: a family, while Chuck turns to Chase for help with

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Speaker 3: a problem. Directed by Les Butler, and it was written.

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Speaker 4: I love love this episode so much.

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Speaker 1: Yeah, it's so much fun. I remember it being really

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Speaker 1: fun to film too. Yeah, and just to keep the

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Speaker 1: levity going feels so nice. I will say, you know,

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Speaker 1: the way, we ended last week's episode not understanding the

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Speaker 1: title of this one, and it was typed in in

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Speaker 1: incorrect order, and then we got the right order, and

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Speaker 1: it still makes no sense. The smoker you drink, the

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Speaker 1: player you get? Did anybody I'm really asking because I

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Speaker 1: realized I definitely didn't. Did anybody remember to google what

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Speaker 1: the meaning of this song title is?

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Speaker 3: Noop?

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Speaker 1: Okay? Great?

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Speaker 3: Cool?

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Speaker 4: Still don't understand its relation to the episode.

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Speaker 1: I don't either, because, by the way, the only drinking

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Speaker 1: happens at the frat party. I don't know. Anyway, I

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Speaker 1: don't get it. But here we are, guys, we've got bees.

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Speaker 1: Apparently someone is smoking somewhere, and you know, as Rob

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Speaker 1: said twenty eleven, what a blast from the past.

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Speaker 3: Seriously, I feel we talked to this last episode, but

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Speaker 3: I feel as though we've just hit this really fun stride.

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Speaker 3: And I wonder if it was just because the writer's

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Speaker 3: room didn't know if this was going to be our

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Speaker 3: last so they were just like, let's just blow it out,

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Speaker 3: giving everyone happy endings. And because the last handful of

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Speaker 3: episodes have all been way lighter, way more fun and playful. Yeah,

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Speaker 3: and this one was no exception.

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Speaker 4: I think they knew they weren't getting any new viewers.

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Speaker 4: It's not like people were suddenly tuning in season eight

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Speaker 4: and being like, let me start this show. I don't

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Speaker 4: think there was a lot of that happening, So I

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Speaker 4: think they felt like there was a lot of space

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Speaker 4: to just play.

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Speaker 1: I don't know. I mean, if I've learned anything about

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Speaker 1: our show, it's that every year it finds a new audience.

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Speaker 1: But I do think, you know, I remember having like

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Speaker 1: a particularly special dinner with a couple of folks from

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Speaker 1: the writer's room coming into the end of season eight,

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Speaker 1: and it's like, you know, when you have that sort

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Speaker 1: of sense memory, I remember four of us sitting at

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Speaker 1: the bar at a restaurant and like how fun it

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Speaker 1: was because you had to huddle together and kind of

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Speaker 1: look like this down each side of the bar to

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Speaker 1: have a conversation. And it was a cool thing because

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Speaker 1: people were sharing stories and observations and things that even

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Speaker 1: though we'd all been together for eight years, they'd never

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Speaker 1: really done before. You know, when something's going to end,

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Speaker 1: you're like, God, I better make sure to say the

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Speaker 1: last thing or share the last thought. And I don't know,

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Speaker 1: I really do recall everyone being like, well, crazy that

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Speaker 1: we got this season seven and eight together, and crazy

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Speaker 1: that we're going to be done, and like everyone really

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Speaker 1: thought that the end of this season was going to

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Speaker 1: be it. Yeah, And so it does have this kind

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Speaker 1: of nostalgia. You know, it's like it's before the senioritis

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Speaker 1: clicks in and you have no desire to be there anymore,

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Speaker 1: but you know it's coming to an end and you

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Speaker 1: really want to go to every every gathering and every

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Speaker 1: school event before you leave.

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Speaker 4: I don't know.

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Speaker 1: It has that sort of energy even in the in

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Speaker 1: the episodes.

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Speaker 4: Yeah, to in the episode, for sure, I feel it.

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Speaker 3: It also feels like it's the writers taking care of

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Speaker 3: the fans, because you know, sometimes when shows are wrapping up,

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Speaker 3: they'll they will do the like we're going to reach

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Speaker 3: for a cliffhanger to sort of force the network's hand

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Speaker 3: and give us another season, and it's that's that's all

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Speaker 3: fine and well, but that's them looking out for a

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Speaker 3: job for next year, Whereas on this one, it just

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Speaker 3: felt like they're like the writer's room going like, let's

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Speaker 3: just blow it out. Let's just have all the care.

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Speaker 3: Like in this episode, it's all of a sudden, we

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Speaker 3: have Clay, Julie and Nathan and chasing a scene, we

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Speaker 3: have Haley, like everyone was sort of crossing paths and

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Speaker 3: getting to play together, which is so much fun. So

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Speaker 3: really kind of in a way, I felt like all

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Speaker 3: they're they're taking care of the audience.

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Speaker 4: Yeah, I agree, that's a great way to put it. Yeah,

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Speaker 4: I loved.

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Speaker 1: That that sort of central perk scene for you guys,

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Speaker 1: it felt so reminiscent of friends to me. Starting with

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Speaker 1: you and Nathan. It's in the dicktris a diner. Oh yeah,

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Speaker 1: oh that was great, right, Like Nathan and Clay are

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Speaker 1: shooting the shit and they're joking about your taste and

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Speaker 1: food and you know, you're just having this moment and

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Speaker 1: then Chase comes in and then Julian comes in and

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Speaker 1: I don't know, it was so nice and I wish

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Speaker 1: we'd gotten to see more of that with you all.

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Speaker 3: Do you remember that that is the infamous tea scene

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Speaker 3: that we got roasted for on Talk Soup.

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Speaker 1: The tea scene because you were both having iced tea.

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Speaker 3: No, there are Okay. First of all, there's two very

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Speaker 3: notable aspects of the scene. One, I remember this as

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Speaker 3: a product integration thing because there is we go way

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Speaker 3: out of our way to say AT and T's it's

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Speaker 3: sneaky though, right, So if you watch it again, because

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Speaker 3: it's we have this whole weird build up of about

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Speaker 3: like sixty seconds of content of just Nathan and Clay

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Speaker 3: talking about cell phone service and how it always drops

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Speaker 3: and why you got a text. And then if you watch,

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Speaker 3: the server comes up and Nathan goes, hey, Tea and T.

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Speaker 3: So again, my memory told me, oh, we were doing

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Speaker 3: a product integration, and then I watched it last night

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Speaker 3: I realized, No, that's a shot at AT and T,

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Speaker 3: and it's a reach a weird easter egg of a

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Speaker 3: shot at AT and T. The other aspect is so Talk

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Speaker 3: Soup took that clip because if you watch it, she

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Speaker 3: pours some iced tea in James's cup and then when

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Speaker 3: she goes to mine, here's the problem. When she goes

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Speaker 3: to mine, no tea makes it into the cup. However,

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Speaker 3: when they cut to the next shot, you do see

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Speaker 3: tea going into the cup. I think Talk Soup cut

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Speaker 3: it after just the first part because you can see

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Speaker 3: her clearly not pouring, and she's in the shot not pouring.

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Speaker 3: But then in the next angle you do see tea

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Speaker 3: going into the cup. So the eric kind of cherry

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Speaker 3: picking to make a meal of that.

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Speaker 1: Interesting, You're not You're definitely not bothered about it. In

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Speaker 1: the year twenty twenty five, Rob no.

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Speaker 3: Because again, like it's not like you had to wait,

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Speaker 3: It's like he cuts a different angle teas going in Wait.

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Speaker 4: Talk Soup roasted you guys about about continuity.

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Speaker 3: It was one of the like highlight clips of the year.

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Speaker 3: Was this iced tea see the phantom tea scene. Yeah,

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Speaker 3: it's so odd, but for god, the AT and T

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Speaker 3: thing there was. There's two moments in this episode where

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Speaker 3: I was like, did our boss have a bone to

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Speaker 3: pick with at and T? And the other one is

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Speaker 3: this weird moment where it's believe it's Haley and Quinn

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Speaker 3: and you're sitting at the table and oh, Psych, and

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Speaker 3: you go, uh, what should we do? Do you want

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Speaker 3: to watch Psych? And Quinn goes, is it good? And

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Speaker 3: you go eh, and then there's like a two seconds

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Speaker 3: of just dead air and then you move on like

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Speaker 3: it's a very weird shot at Psych? Did he have

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Speaker 3: a beef?

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Speaker 4: Psych was a great show, by the way, which I

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Speaker 4: watched like every episode of and loved, and they had

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Speaker 4: they thought it was funny to make fun of Chad,

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Speaker 4: so they made fun of him on their show. James.

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Speaker 4: Is it James? I can't remember his name. I'm sorry.

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Speaker 4: I think it's James, the lead actor the other there's

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Speaker 4: two lead actors. He's one of them, the one who's

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Speaker 4: not Delay Hill, and he he would do this like

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Speaker 4: the brow furrow and like blah blah blah unless I'm

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Speaker 4: Chad Michael Murray and then he would do that, you know,

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Speaker 4: he would just like make fun of Chad and it

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Speaker 4: was kind of all in good fun, and it was.

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Speaker 4: It ended up on the soup as well. They did

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Speaker 4: a whole thing about Psych making fun of one Tree Hill.

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Speaker 4: So I guess our boss just wanted to try and

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Speaker 4: get back at them, but like, I don't know why

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Speaker 4: they chose me, because I loved that show and I

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Speaker 4: remember getting the material and being like, okay, like I

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Speaker 4: don't I'm really not sure how to make this work

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Speaker 4: in the context of the scene because it doesn't make

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Speaker 4: any sense and the line is meh. So it's not

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Speaker 4: like I can be like, yeah, yeah, that's good and

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Speaker 4: then we don't watch it, so yeah, it was not fun.

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Speaker 3: So it's weird to suddenly want to stick up for

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Speaker 3: the person that you've gone out of your way to shine.

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Speaker 3: Like as soon as Chad left, like five episodes later,

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Speaker 3: there's a blatant dig at him that Paul's character delivered

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Speaker 3: to Daniil. So it's just odd to suddenly be like, well,

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Speaker 3: now I'm going to stick up for the person on

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Speaker 3: our show that I openly talked about. It's like Will

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Speaker 3: Ferrell talks about you and step brothers don't see you

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Speaker 3: taking any shots at Big Willie.

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Speaker 4: I think they had done some episode where they overtly

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Speaker 4: said one tree Hill and it was no longer just

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Speaker 4: about oh the beef between the joking beef between these

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Speaker 4: two actors, which never even existed. I don't even know

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Speaker 4: if they've ever met. I know nothing about this other

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Speaker 4: than which show up on my television screen, but I

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Speaker 4: do think there was something in the in this a

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Speaker 4: recent Psych episode where they said one tree Hill and

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Speaker 4: it probably made our boss. It's just so dumb, It's

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Speaker 4: so childish. It's like middle school, like, can we just

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Speaker 4: mind our own business and make our own show? Do

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Speaker 4: we need to be doing this weird cross network?

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Speaker 1: But what it screams of is just like, are you

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Speaker 1: guys are the people in charge of television shows high

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Speaker 1: school student?

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Speaker 4: Yes?

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Speaker 1: Like I am always shocked when adults play into high

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Speaker 1: school drama. I'm I don't know. Don't you look around

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Speaker 1: and go, aren't we too old for this? And the

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Speaker 1: irony is that, as cast members who were much younger

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Speaker 1: than our boss, and plenty of people on the writing staff,

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Speaker 1: we all were like, are we doing this?

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Speaker 4: It's going weird?

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Speaker 3: Okay?

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Speaker 1: But I like that you guys figured out a way

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Speaker 1: to let it hang there and then move on because

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Speaker 1: you made it as irrelevant to the plot as it was,

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Speaker 1: And I guess works.

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Speaker 4: Yes, I like to do exactly what's on the page

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Speaker 4: so you can see how stupid this is.

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Speaker 1: Well, and it also sort of works because Haley's clearly bored,

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Speaker 1: and you know when you have that thing you're bored

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Speaker 1: or your house bound because you're sick or something, and

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Speaker 1: you're like, ugh, I want to do anything but this,

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Speaker 1: And I also don't want to do anything. Yeah, Like

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Speaker 1: do I want a snack? No, I'm kind of hungry though.

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Speaker 1: Do I want to watch a movie?

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Speaker 3: No?

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Speaker 1: I don't really want to scroll either. Like it plays

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Speaker 1: that way, and so I think in the context of

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Speaker 1: of you know, the Dirty Trick runner through the whole episode,

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Speaker 1: it works because Haley's bored and she's trying to have

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Speaker 1: a good time.

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Speaker 4: Haley's bored and she's trying to figure out what to do,

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Speaker 4: and she sure does.

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Speaker 3: Yeah, that was a great runner.

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Speaker 1: It's so cute and I love you know. It harkens

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Speaker 1: back to what I think the Ladies did so well

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Speaker 1: in the last episode. The buttons would come back around,

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Speaker 1: you know, twenty a quarter of the way through the episode,

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Speaker 1: halfway through the episode later, and to have every single

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Speaker 1: person who came in the house have the same reaction

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Speaker 1: and use the same term made the runner of the

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Speaker 1: joke have a nice little button on it. I liked it.

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Speaker 4: Yeah, did you notice high heels again, Haley in her

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Speaker 4: high heels.

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Speaker 1: We are all in like, and they're not just heels,

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Speaker 1: they're like platforms.

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Speaker 4: Yeah, they were like little peeptoe like pumps as far

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Speaker 4: as I saw anyway, But I don't like.

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Speaker 1: The platform under your toes. And you are nine.

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Speaker 4: Months pregnant, right, yeah, in these little these little peeptoe

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Speaker 4: pin and the jeans are like what is it called?

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Speaker 4: You know, in the skirt is like it's a pin.

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Speaker 4: What's it called?

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Speaker 1: Tapered? They're skinny jeans, aren't they skuinea jeans?

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Speaker 4: Yeah? Tapered. Yeah, there's a word with pin that I

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Speaker 4: can't think of it. But anyway, Yeah, it's just so silly.

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Speaker 4: And she's coming in the room like send me to

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Speaker 4: the send me to the hospital in my high heels,

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Speaker 4: and then Quin's trying to stuffer in the trunk of

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Speaker 4: the corn. I mean it was very funny. I liked

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Speaker 4: the I like the whole setup. But the heels have

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Speaker 4: got to go.

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Speaker 3: The infamous Toaster Strudel song. Oh yes, we got to

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Speaker 3: talk about it because I how.

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Speaker 1: Much money did Toaster Strudell pay our show? That clearly,

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Speaker 1: you know, Chantal got none of but had zero. The

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Speaker 1: on camera commercial.

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Speaker 3: Well, I don't know if that was the actual toaster

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Speaker 3: strudel jingle. No, she made that up, but toaster Strudels

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Speaker 3: was it. That's a legit product obviously, yes.

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Speaker 1: But she also if you, if you clapped it in

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Speaker 1: the episode, couldn't say toaster strudel. Her song was toaster pastry,

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Speaker 1: and every single person says toaster pastry until shoot. Now

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Speaker 1: I can't remember who it was, if it was Levin

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Speaker 1: or if it was Austin. In the Brook Julian and

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Speaker 1: Chloe scene when Chloe's making one at our house, someone

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Speaker 1: says toaster strudel.

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Speaker 4: And I went, yes, oh, and it must not.

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Speaker 1: We must have missed it on the day and nobody

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Speaker 1: caught it.

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Speaker 3: I think, yeah.

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Speaker 1: I think even Levin says toaster pastry, and Austin must

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Speaker 1: have ad libbed something about a toaster strudle being delicious. Yeah,

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Speaker 1: and it made it in because they didn't they didn't

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Speaker 1: have a toaster pastry for him.

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Speaker 3: I don't know.

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Speaker 1: The whole thing felt really bizarre.

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Speaker 3: Well, you're right though, because I in my notes I wrote, oh,

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Speaker 3: the infamous toaster Strudel song, but then I went back

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Speaker 3: and I was like, no, everyone's saying pastry. Did I

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Speaker 3: misremember this? And it wasn't until the end of the episode.

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Speaker 3: You're right that scene where someone said toaster Strudel and

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Speaker 3: I was like, no, it's freaking toaster Strudels. I can

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Speaker 3: say behind the scenes that song was the bane of

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Speaker 3: Seantell's existence. Well becaurse she had to do it for

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Speaker 3: an entire episode. Then of course it was like people

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Speaker 3: like a conventions would be like sing the toasters pastry song.

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Speaker 4: You know, she had to just make that up. She's like,

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Speaker 4: I don't know how to write music. I don't know

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Speaker 4: what this is supposed to sound, Like, what do I do?

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Speaker 3: Wait? She had to make that up?

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Speaker 1: Yeah?

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Speaker 3: No, yeah, really that wasn't scripted.

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Speaker 4: My memory of it is her talking to me about

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Speaker 4: having to make that up and trying to figure out

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Speaker 4: what the hell to sing.

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Speaker 3: If she ad lib that, she did an incredible job.

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Speaker 1: They would have had to write the words for her though,

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Speaker 1: and be like do something like this, So she had

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Speaker 1: to like make up a melody.

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Speaker 4: Correct, that's what I mean. I would say, sorry, I

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Speaker 4: mean to imply the words. Yeah, the melody. She had

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Speaker 4: to just figure out how to like there were words

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Speaker 4: on a page. She was like, what the hell am

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Speaker 4: I supposed to do with this?

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Speaker 3: But are we? Are we sure? Every time she sang

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Speaker 3: the jingle, she didn't say strudle because one of the

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Speaker 3: rhymes is a tasty doodle.

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Speaker 4: Doodle put toast or pastry. You taste so good and

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Speaker 4: yummy toaster or pastry, get inside my tummy.

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Speaker 1: That's It's something about the stroudel, the frosting doodle.

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00:20:09,920 --> 00:20:12,360
Speaker 3: Yeah, and then that circles back with strudel.

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Speaker 1: I wonder if this is going to be the episode

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Speaker 1: where everyone at home is like, Okay, it's official, send

402
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Speaker 1: these three.

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Speaker 3: To take a nap.

404
00:20:20,080 --> 00:20:21,760
Speaker 1: They're done, they're cooked, goodbye.

405
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Speaker 3: I listened for thirty minutes and all they talked about

406
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Speaker 3: was bees and strudels. What happened to this podcast?

407
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Speaker 4: Not for nothing? A honey strudle I would not say

408
00:20:31,160 --> 00:20:31,439
Speaker 4: no to.

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Speaker 3: I'd party with that.

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Speaker 1: Well, here's what I will say. I I thought that

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Speaker 1: a lot of this, you know, referring to what we

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Speaker 1: were talking about earlier, there's a sweetness and a nostalgia

413
00:20:44,640 --> 00:20:47,399
Speaker 1: even some of what's very stupid, which clearly got us landed.

414
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Speaker 1: I'm surprised this whole episode wasn't just an entire episode

415
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Speaker 1: of Talk Soup. But I love Hayley's Runner, and I

416
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Speaker 1: do really love the paint story line for Brooke and Julian.

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Speaker 1: As soon as we were in the paint store, I

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Speaker 1: literally went, oh, soft, duckling is coming. Like I remembered

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Speaker 1: how sweet that felt, and I remembered, you know, thinking

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Speaker 1: about exactly that moment for you know, for friends of ours.

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Speaker 1: I mean, I think at this point, you know, Hillary

422
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Speaker 1: was one of our only friends who'd had a kid,

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Speaker 1: You were about to have a kid, And I think

424
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Speaker 1: about now what it's been like to help so many

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Speaker 1: people put kids rooms together, and there's something so universally

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Speaker 1: precious about it, and I like that it offered this

427
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Speaker 1: sort of this sort of nesting energy for Brooke and Julian,

428
00:21:42,200 --> 00:21:45,360
Speaker 1: but Brook in particular. And then Chloe's in the bed

429
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Speaker 1: that used to be Peyton's bed and then it was

430
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Speaker 1: Sam's bed, and now this girl who is theoretically going

431
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Speaker 1: to give this couple this baby is in this space

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Speaker 1: and you kind of get to track this evolution, and

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Speaker 1: even Brooke bringing up, yeah, I have I have this

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00:22:01,320 --> 00:22:04,760
Speaker 1: friend Peyton who used to have a black bedroom. And

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Speaker 1: then that goes up on the wall and it's like,

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Speaker 1: I don't know. I thought it was a great way

437
00:22:09,560 --> 00:22:13,520
Speaker 1: to sort of represent if we are really ending the show,

438
00:22:13,560 --> 00:22:16,720
Speaker 1: if season eight is going to be it like, look

439
00:22:16,760 --> 00:22:18,919
Speaker 1: at this life we've lived with all these people, and

440
00:22:18,960 --> 00:22:23,240
Speaker 1: it was cool to see it in those sort of quiet,

441
00:22:23,320 --> 00:22:26,119
Speaker 1: reflective moments. I liked that.

442
00:22:26,960 --> 00:22:29,119
Speaker 3: Can I ask you a question? I want to jump

443
00:22:29,160 --> 00:22:31,480
Speaker 3: around a little bit here? Time was but do I

444
00:22:31,560 --> 00:22:34,679
Speaker 3: recall correctly? And if by some chance there's a listener

445
00:22:34,680 --> 00:22:37,399
Speaker 3: who hasn't watched any future episodes, like just turn it

446
00:22:37,440 --> 00:22:40,760
Speaker 3: down for like thirty seconds. You guys, it's twins.

447
00:22:40,400 --> 00:22:41,880
Speaker 1: Right, we don't get the baby.

448
00:22:42,080 --> 00:22:45,760
Speaker 3: Holy I just spoiled it for myself. Okay, sorry, let's

449
00:22:45,760 --> 00:22:46,840
Speaker 3: go back to the conversation.

450
00:22:48,520 --> 00:22:49,200
Speaker 4: Well if.

451
00:22:50,880 --> 00:22:53,720
Speaker 3: Wow, I damn it. I shouldn't have asked a question.

452
00:22:53,720 --> 00:22:59,879
Speaker 3: This is what I get. Okay, welcome, shake it off. Yeah,

453
00:23:00,160 --> 00:23:03,640
Speaker 3: I'm so disappointed now. And you know what it kind.

454
00:23:03,480 --> 00:23:06,520
Speaker 1: Of is when you think about it, it's this really

455
00:23:06,680 --> 00:23:09,919
Speaker 1: nice build up that's been happening, and we have that you,

456
00:23:10,040 --> 00:23:13,199
Speaker 1: me and Chantelle have so much fun with Jackson. In

457
00:23:13,240 --> 00:23:16,280
Speaker 1: the next episode, we have our Saltine challenge, like waiting

458
00:23:16,280 --> 00:23:18,840
Speaker 1: for all these women to have all these babies. It's

459
00:23:18,960 --> 00:23:22,200
Speaker 1: so good, and then you get the highlight and the

460
00:23:22,720 --> 00:23:29,240
Speaker 1: and the crash, and so it's weird because in a way,

461
00:23:29,400 --> 00:23:31,600
Speaker 1: obviously I know what's coming. It was a big storyline

462
00:23:31,640 --> 00:23:35,399
Speaker 1: for us, but it's weird to watch it and be like,

463
00:23:35,440 --> 00:23:41,320
Speaker 1: oh man, we really did have this sort of pure excitement,

464
00:23:41,560 --> 00:23:44,439
Speaker 1: And I like that it wasn't overdone, and I like

465
00:23:44,520 --> 00:23:48,159
Speaker 1: that we were really even though some of it feels

466
00:23:48,200 --> 00:23:54,680
Speaker 1: a little like whitewash prescriptive in terms of the adoption storyline.

467
00:23:54,720 --> 00:23:58,600
Speaker 1: To me, I like that most of it feels a

468
00:23:58,640 --> 00:24:03,120
Speaker 1: little complicated, bittersweet, and you don't always say the right thing,

469
00:24:03,440 --> 00:24:08,800
Speaker 1: and it's nerve wracking. And you know, what does a

470
00:24:08,840 --> 00:24:11,680
Speaker 1: young girl do if she finds herself pregnant in this situation?

471
00:24:11,960 --> 00:24:14,880
Speaker 1: What does someone struggling with infertility do? Like, I think

472
00:24:14,920 --> 00:24:17,479
Speaker 1: it's so I think most of it is so good.

473
00:24:18,320 --> 00:24:21,159
Speaker 1: And then yeah, I remember getting the script for the

474
00:24:21,200 --> 00:24:24,959
Speaker 1: next episode and just being love, course, we're gonna just

475
00:24:25,080 --> 00:24:27,000
Speaker 1: pull the rug out from under people.

476
00:24:27,119 --> 00:24:33,000
Speaker 3: And I'm not even just devastated. I'm now pre devastated.

477
00:24:33,359 --> 00:24:36,080
Speaker 3: This is sorry. This is a hard way to start

478
00:24:36,080 --> 00:24:36,600
Speaker 3: a Wednesday.

479
00:24:36,720 --> 00:24:39,240
Speaker 1: You should just watch it tonight and get it over with,

480
00:24:39,359 --> 00:24:53,040
Speaker 1: write your notes and then be done.

481
00:24:54,080 --> 00:24:57,359
Speaker 3: Did anyone notice when he's handing back the tests there's

482
00:24:57,720 --> 00:25:00,280
Speaker 3: a close up insert shot of the first tests going

483
00:25:00,320 --> 00:25:04,960
Speaker 3: down on a desk, and the student's name is less Butler.

484
00:25:05,640 --> 00:25:09,200
Speaker 3: No director of this episode. He threw a little easter

485
00:25:09,240 --> 00:25:10,320
Speaker 3: egg in there for himself.

486
00:25:10,480 --> 00:25:11,080
Speaker 1: That's cute.

487
00:25:12,760 --> 00:25:16,359
Speaker 3: The next batch of tests go down and it's too

488
00:25:16,800 --> 00:25:18,520
Speaker 3: I forget. What's Quentin's character's name?

489
00:25:18,920 --> 00:25:22,439
Speaker 1: Hmmm, Oh no, I've forgotten because Quenton is such a

490
00:25:22,480 --> 00:25:23,240
Speaker 1: memorable guy.

491
00:25:23,480 --> 00:25:28,399
Speaker 3: Yeah, well to his character, and the note is his

492
00:25:28,520 --> 00:25:35,520
Speaker 3: letter grade is d D. And then he finishes spicablepable Tommy, Tommy, yes,

493
00:25:35,760 --> 00:25:39,480
Speaker 3: tell her man, listen. That guy is a real turns

494
00:25:39,480 --> 00:25:40,200
Speaker 3: in the punch bowl.

495
00:25:41,000 --> 00:25:43,960
Speaker 1: Yeah.

496
00:25:44,080 --> 00:25:46,359
Speaker 4: Yeah, I'm not a fan, but I did like this storyline.

497
00:25:46,400 --> 00:25:48,160
Speaker 4: I like that they're drawing it out a little, keeping

498
00:25:48,200 --> 00:25:51,040
Speaker 4: it interesting. I feel like, is this the storyline that

499
00:25:51,119 --> 00:25:54,359
Speaker 4: leads Nathan to be kidnapped by the Serbian mafia? No,

500
00:25:54,440 --> 00:25:59,520
Speaker 4: it's not, okay, isn't that in season nine? Yeah? Yeah, okay,

501
00:25:59,600 --> 00:26:00,520
Speaker 4: I think yeah.

502
00:26:00,760 --> 00:26:03,760
Speaker 3: This is I believe this is the story that gets

503
00:26:03,800 --> 00:26:06,000
Speaker 3: us to the scene on the bridge where Clay goes

504
00:26:06,040 --> 00:26:10,760
Speaker 3: all John Cena and top rocks Kellerman into the river.

505
00:26:11,840 --> 00:26:14,360
Speaker 4: Geez, wow, there's so much coming up that I did

506
00:26:14,400 --> 00:26:16,600
Speaker 4: not I was pregnant, y'all. I was so checked out.

507
00:26:17,119 --> 00:26:18,720
Speaker 4: I did not know what was happening on the show

508
00:26:18,760 --> 00:26:19,320
Speaker 4: at this point.

509
00:26:20,000 --> 00:26:22,000
Speaker 1: It's okay, that feels fair.

510
00:26:22,119 --> 00:26:23,199
Speaker 4: I was about to pop.

511
00:26:23,560 --> 00:26:26,600
Speaker 1: I knew there were a few sort of indicators about

512
00:26:26,600 --> 00:26:31,720
Speaker 1: what was coming. I had forgotten where Ian Kellerman's storyline

513
00:26:31,760 --> 00:26:37,440
Speaker 1: was going to go. And uh, when when you when

514
00:26:37,480 --> 00:26:41,879
Speaker 1: when Hayley and Quinn are sitting talking, you know about

515
00:26:41,880 --> 00:26:44,679
Speaker 1: all this nostalgia, and then it's like, and can you

516
00:26:44,760 --> 00:26:46,959
Speaker 1: believe they haven't found the car? I was like, this

517
00:26:47,000 --> 00:26:51,040
Speaker 1: is a weird left. Oh. I was like, right, it's

518
00:26:51,240 --> 00:26:55,040
Speaker 1: it's the exposition she has to give, which obviously this

519
00:26:55,200 --> 00:26:57,560
Speaker 1: is the place for it to go, because they're reflecting

520
00:26:57,880 --> 00:27:01,320
Speaker 1: on parenthood and what's coming. But it felt like a

521
00:27:01,520 --> 00:27:06,919
Speaker 1: real It just felt like a device, not like a

522
00:27:07,000 --> 00:27:11,320
Speaker 1: real shift in the conversation between these two sisters. And

523
00:27:11,359 --> 00:27:13,639
Speaker 1: then I was like, right, right, right, the wagoneer. We

524
00:27:13,680 --> 00:27:16,240
Speaker 1: had to repeat the Wagoneer because Nathan's going to go

525
00:27:16,320 --> 00:27:18,200
Speaker 1: in the garage. Got it?

526
00:27:18,560 --> 00:27:21,080
Speaker 3: Yeah, yeah, because in real life, you just say, can

527
00:27:21,119 --> 00:27:23,080
Speaker 3: you believe they haven't found the person who did that?

528
00:27:23,840 --> 00:27:25,480
Speaker 3: But she had to go? Can you believe they haven't

529
00:27:25,520 --> 00:27:28,040
Speaker 3: found the nineteen eighty to nineteen ninety wagon year with

530
00:27:28,160 --> 00:27:28,880
Speaker 3: the damage.

531
00:27:29,800 --> 00:27:32,320
Speaker 1: Actually at the time listed as ox blood red.

532
00:27:32,880 --> 00:27:34,840
Speaker 3: I wouldn't be surprised if there was an empty bottle

533
00:27:34,840 --> 00:27:35,920
Speaker 3: of liquor in that car.

534
00:27:36,119 --> 00:27:38,880
Speaker 1: Yeah, it was a bourbon because a hit and run

535
00:27:38,960 --> 00:27:41,439
Speaker 1: driver really seems like a bourbon drinker, don't they Like

536
00:27:41,520 --> 00:27:42,520
Speaker 1: it's so silly.

537
00:27:43,000 --> 00:27:45,320
Speaker 4: I was wondering why that was in the flash but

538
00:27:45,400 --> 00:27:48,480
Speaker 4: like in the last, last week or last time previously

539
00:27:48,560 --> 00:27:50,639
Speaker 4: on one trail and they were showing that. I was like,

540
00:27:50,680 --> 00:27:52,480
Speaker 4: this is such a random thing for them to show.

541
00:27:52,560 --> 00:27:54,920
Speaker 4: Why are they showing this clip because there's nothing in

542
00:27:54,960 --> 00:27:57,880
Speaker 4: the episode about you saving anybody's life or anything else.

543
00:27:57,920 --> 00:28:00,360
Speaker 4: And it was yeah, for that, it was that.

544
00:28:00,800 --> 00:28:03,439
Speaker 3: It was also a bit of a hat on a

545
00:28:03,520 --> 00:28:07,639
Speaker 3: hat for Nathan to find the empty liquor bottle in

546
00:28:07,680 --> 00:28:10,560
Speaker 3: the car, because it's like he already hit and run

547
00:28:10,600 --> 00:28:14,160
Speaker 3: and almost killed people. Like it's it's bad enough. I mean,

548
00:28:14,920 --> 00:28:16,840
Speaker 3: and we obviously see as an alcohol problem. I mean,

549
00:28:16,840 --> 00:28:18,960
Speaker 3: the real takeaway is that this guy does not he's

550
00:28:18,960 --> 00:28:21,960
Speaker 3: a very messy person. Yes, he hasn't cleaned his car

551
00:28:22,000 --> 00:28:23,119
Speaker 3: in weeks, guys.

552
00:28:23,160 --> 00:28:25,399
Speaker 4: I didn't need anything more than just the shot in

553
00:28:25,440 --> 00:28:27,760
Speaker 4: the window. You could see the liquor bottle like peeking

554
00:28:27,760 --> 00:28:29,959
Speaker 4: out from the seat. It's fine, like that already is

555
00:28:30,119 --> 00:28:32,280
Speaker 4: more than enough. But the fact that he is to

556
00:28:32,359 --> 00:28:34,680
Speaker 4: open the door and pull out and hold the water bottle,

557
00:28:34,920 --> 00:28:37,280
Speaker 4: the liquor bottle in for the camera, it's just so.

558
00:28:37,359 --> 00:28:39,680
Speaker 1: For a neat tidy insert. And by the way, and

559
00:28:39,720 --> 00:28:41,960
Speaker 1: perhaps this comes from then having gone to do half

560
00:28:41,960 --> 00:28:44,480
Speaker 1: a decade of a police show. I'm like, don't touch

561
00:28:44,520 --> 00:28:48,560
Speaker 1: the evidence. Don't you just put your fingerprints all over

562
00:28:48,600 --> 00:28:50,400
Speaker 1: the car, prints all over.

563
00:28:50,240 --> 00:28:53,160
Speaker 4: The bottle bottle? So stupid, you are.

564
00:28:53,120 --> 00:28:57,840
Speaker 1: Literally contaminating on crime scenes, sir. And furthermore, what ding

565
00:28:57,880 --> 00:28:59,480
Speaker 1: dong who's hit and run? I mean, I get that

566
00:28:59,520 --> 00:29:02,920
Speaker 1: you're putting the car in the garage to hide it

567
00:29:02,960 --> 00:29:05,200
Speaker 1: from view, but you're not going to like put a

568
00:29:05,200 --> 00:29:09,240
Speaker 1: car cover over it in the garage for plausible deniability,

569
00:29:09,360 --> 00:29:11,760
Speaker 1: for I don't know anyone who might walk through your house.

570
00:29:11,960 --> 00:29:14,840
Speaker 1: You live with your parents, Like you don't think your

571
00:29:14,880 --> 00:29:18,960
Speaker 1: parents are going to notice the mangled vintage suv next

572
00:29:19,000 --> 00:29:21,280
Speaker 1: to the rear door of your home. The whole thing

573
00:29:21,400 --> 00:29:22,160
Speaker 1: was just silly to me.

574
00:29:22,760 --> 00:29:25,840
Speaker 3: Also, where's the bright green Porsche exactly?

575
00:29:26,720 --> 00:29:32,960
Speaker 4: That's that would be in the garage? Yeah, silly silliness. Well,

576
00:29:33,000 --> 00:29:34,400
Speaker 4: there's plenty of other grit that. You know. What else

577
00:29:34,480 --> 00:29:36,200
Speaker 4: was silly was Milli in that chicken costume.

578
00:29:36,480 --> 00:29:37,760
Speaker 1: But let me tell you good.

579
00:29:37,800 --> 00:29:39,160
Speaker 4: She pulled it off.

580
00:29:39,680 --> 00:29:41,000
Speaker 3: That was incredible.

581
00:29:41,400 --> 00:29:43,560
Speaker 4: Yes, I mean that takes a lot of gumption to

582
00:29:43,600 --> 00:29:45,840
Speaker 4: be able to stand there in a chicken outfit and

583
00:29:45,960 --> 00:29:48,000
Speaker 4: say that and just you know what, I'm just going

584
00:29:48,040 --> 00:29:50,080
Speaker 4: to say the things that I'm going to say, regardless

585
00:29:50,120 --> 00:29:52,240
Speaker 4: of what I look like right now, and people will

586
00:29:52,280 --> 00:29:55,560
Speaker 4: take me seriously because of what I'm saying. Yeah, that's

587
00:29:55,960 --> 00:29:58,720
Speaker 4: a lot of that's a big gamble. I loved her

588
00:29:58,760 --> 00:29:59,120
Speaker 4: for it.

589
00:29:59,520 --> 00:30:02,280
Speaker 1: Yeah, it was so great and it was very cool too.

590
00:30:02,360 --> 00:30:06,120
Speaker 1: I loved Lisa's choice because you've seen the Mouth and

591
00:30:06,200 --> 00:30:09,920
Speaker 1: Milly sort of back and forth about the issue at

592
00:30:09,920 --> 00:30:13,280
Speaker 1: the apartment, and she's made the decision that she's not

593
00:30:13,320 --> 00:30:14,680
Speaker 1: going to do this, She's not going to try to

594
00:30:14,680 --> 00:30:18,680
Speaker 1: push any buttons, and then it's you watch her as

595
00:30:18,680 --> 00:30:23,880
Speaker 1: she's reading you know, her little fact sheet, and she

596
00:30:24,000 --> 00:30:26,080
Speaker 1: has that moment where she goes, I don't know, I

597
00:30:26,080 --> 00:30:29,000
Speaker 1: couldn't read it because it was all in caps, and

598
00:30:29,760 --> 00:30:33,080
Speaker 1: it just like there's something about seeing it right in

599
00:30:33,080 --> 00:30:35,800
Speaker 1: front of her face. She chooses for that to be

600
00:30:35,920 --> 00:30:38,600
Speaker 1: the absurdity that hits her, and when she looks up,

601
00:30:38,680 --> 00:30:41,080
Speaker 1: I was like, there she goes. But I knew the

602
00:30:41,160 --> 00:30:43,360
Speaker 1: rant was coming and I was so excited about it,

603
00:30:43,400 --> 00:30:46,400
Speaker 1: and it was such it was such a great way

604
00:30:46,440 --> 00:30:53,400
Speaker 1: to differentiate the conversation at home and then the inspiration

605
00:30:53,720 --> 00:30:56,400
Speaker 1: for that gumption to come out of her under that

606
00:30:56,440 --> 00:30:59,840
Speaker 1: street sign. She's just so fun to watch.

607
00:31:00,360 --> 00:31:02,080
Speaker 3: Yeah, I agree. My note was Lisa should be in

608
00:31:02,080 --> 00:31:03,920
Speaker 3: a chicken costume every week.

609
00:31:05,320 --> 00:31:08,880
Speaker 1: Lisa just needs a show she does. I just want

610
00:31:08,920 --> 00:31:11,560
Speaker 1: to I want to watch her do everything. And I

611
00:31:11,600 --> 00:31:16,200
Speaker 1: loved too. It's so much fun the misdirect, especially because

612
00:31:16,240 --> 00:31:18,840
Speaker 1: Alex has been in our world now for two seasons.

613
00:31:19,160 --> 00:31:20,840
Speaker 1: When the guy comes up to the girls at the

614
00:31:20,880 --> 00:31:23,320
Speaker 1: bar and she's like, oh, yeah, it's me, Like I'm

615
00:31:23,400 --> 00:31:27,000
Speaker 1: used to this and he's like, you're the angry chicken lady.

616
00:31:27,440 --> 00:31:28,200
Speaker 3: Yeah.

617
00:31:28,240 --> 00:31:33,280
Speaker 1: It's just so the whole thing is so good, so good.

618
00:31:33,880 --> 00:31:37,560
Speaker 4: Speaking of Jana at the bar. Do we know that

619
00:31:37,640 --> 00:31:41,240
Speaker 4: Jana knows Ian Kellerman or not Jana whatever, Alex.

620
00:31:41,440 --> 00:31:44,400
Speaker 3: I mean no, up until this very moment.

621
00:31:44,480 --> 00:31:46,520
Speaker 4: Okay, there was no other clue that I missed. That

622
00:31:46,600 --> 00:31:49,600
Speaker 4: was the first time. That was another that felt a

623
00:31:49,600 --> 00:31:52,760
Speaker 4: little too far fetched for me, Like we really really

624
00:31:53,160 --> 00:31:56,880
Speaker 4: everyone in town knows everyone else to this degree.

625
00:31:57,440 --> 00:32:01,440
Speaker 1: Come on, And it was good at least to have

626
00:32:01,600 --> 00:32:05,880
Speaker 1: her say to Chase, just a guy I met. Yeah,

627
00:32:05,960 --> 00:32:12,080
Speaker 1: but I'm like, Alex Dupray is gonna hook up with a.

628
00:32:12,000 --> 00:32:16,040
Speaker 3: College student exactly, Like, let's let's not forget for a moment.

629
00:32:16,160 --> 00:32:19,120
Speaker 3: He hasn't signed any big deals. Yeah, he's like a

630
00:32:19,240 --> 00:32:22,880
Speaker 3: twenty year old kid. Yeah, that's it. So it's weird

631
00:32:22,920 --> 00:32:25,320
Speaker 3: that like some movie star would be like, oh my gosh,

632
00:32:25,600 --> 00:32:26,800
Speaker 3: he has a great fast ball and.

633
00:32:26,760 --> 00:32:29,400
Speaker 4: The implications they've already hung out together before, like she's

634
00:32:29,440 --> 00:32:31,680
Speaker 4: already slept with him because that's what he's testing her.

635
00:32:31,920 --> 00:32:34,600
Speaker 1: He's basically like, come over for round two, and here's

636
00:32:34,640 --> 00:32:37,800
Speaker 1: what's crazy. And Rob, you know, we obviously haven't done

637
00:32:37,800 --> 00:32:39,560
Speaker 1: as much of it since you joined us on the show,

638
00:32:39,600 --> 00:32:44,720
Speaker 1: but there were many a story in the first seasons

639
00:32:44,800 --> 00:32:47,480
Speaker 1: of drama queens for Joy and Hilary and myself to

640
00:32:47,520 --> 00:32:50,680
Speaker 1: talk about many a dumb decision we made in our

641
00:32:50,720 --> 00:32:54,440
Speaker 1: early twenties, partially because we were trapped in a town

642
00:32:55,320 --> 00:32:59,080
Speaker 1: as young girls on TV and the only people there

643
00:32:59,160 --> 00:33:03,600
Speaker 1: were either college students or like retired dads in their

644
00:33:03,680 --> 00:33:07,920
Speaker 1: sixties looking for their third wife. And we've joked about,

645
00:33:08,280 --> 00:33:12,600
Speaker 1: you know, how small our dating pool was, and so literally,

646
00:33:12,760 --> 00:33:15,840
Speaker 1: I'm like, this is the fantasy of an older guy

647
00:33:16,240 --> 00:33:18,120
Speaker 1: to be like, yeah, the movie star is totally gonna

648
00:33:18,160 --> 00:33:20,480
Speaker 1: want to hook up with the young baseball stude. I'm like,

649
00:33:20,760 --> 00:33:22,880
Speaker 1: the last thing a girl in her mid twenties who

650
00:33:22,920 --> 00:33:25,280
Speaker 1: is famous wants to do is hook up with the

651
00:33:25,280 --> 00:33:28,560
Speaker 1: guy from UNCW. I'm sorry, I don't care how good

652
00:33:28,600 --> 00:33:31,200
Speaker 1: looking you are. I don't care. Like we're just never

653
00:33:31,280 --> 00:33:34,920
Speaker 1: gonna do it. Yeah, And it was so funny to

654
00:33:35,000 --> 00:33:38,479
Speaker 1: me to be like, wow, they just they don't get it.

655
00:33:39,760 --> 00:33:39,960
Speaker 4: Yeah.

656
00:33:40,000 --> 00:33:41,880
Speaker 3: And it's also it would be odd if it was

657
00:33:42,880 --> 00:33:45,240
Speaker 3: I mean, any other character. It would make more sense

658
00:33:45,280 --> 00:33:49,400
Speaker 3: because to a normal person there's a shot of big

659
00:33:49,480 --> 00:33:51,560
Speaker 3: things to come for this guy. So it's like I

660
00:33:51,600 --> 00:33:53,640
Speaker 3: could be I could be a part of a journey

661
00:33:53,640 --> 00:33:56,840
Speaker 3: of maybe being famous and rich. Yeah, you can't pick

662
00:33:56,880 --> 00:34:00,400
Speaker 3: the one person in town who's famous and rich. You

663
00:34:00,480 --> 00:34:03,120
Speaker 3: got to be like, what if he makes it, It's

664
00:34:03,120 --> 00:34:05,800
Speaker 3: like you've already made it. What are you're talking?

665
00:34:06,200 --> 00:34:07,160
Speaker 4: What is the appeal?

666
00:34:08,080 --> 00:34:12,720
Speaker 3: Yeah? I will say I loved seeing a softer, saner

667
00:34:12,840 --> 00:34:16,480
Speaker 3: side of Alex. Yeah, when she gets to sort of

668
00:34:16,600 --> 00:34:22,000
Speaker 3: just stay sort of a at a lower gear and

669
00:34:22,040 --> 00:34:24,960
Speaker 3: just be sincere. Like that whole thing with Chase with

670
00:34:25,040 --> 00:34:29,560
Speaker 3: the glasses. That was funny. Yeh, it's I know it's

671
00:34:29,560 --> 00:34:32,560
Speaker 3: the times and it's our past, but like, I don't

672
00:34:32,840 --> 00:34:35,680
Speaker 3: love how fast and loose everyone is with throwing the

673
00:34:35,719 --> 00:34:37,879
Speaker 3: sex tape in her face. Like Chase has that line

674
00:34:37,880 --> 00:34:40,560
Speaker 3: of like, yeah everyone can see her, but JJ on

675
00:34:40,600 --> 00:34:43,160
Speaker 3: a sex tape, but you're worried about glasses. It's like, bro,

676
00:34:44,000 --> 00:34:45,800
Speaker 3: come on man, but whatever that aside.

677
00:34:46,320 --> 00:34:48,160
Speaker 4: Yeah, he could have just said you made a sex

678
00:34:48,239 --> 00:34:52,120
Speaker 4: tape and you're worried about about glasses or whatever, like.

679
00:34:52,160 --> 00:34:55,560
Speaker 3: Yeah, yeah, this is like the third time he's just casually.

680
00:34:55,120 --> 00:34:57,480
Speaker 4: Specifically talk about her vagina. Can we can we be?

681
00:34:57,680 --> 00:34:59,000
Speaker 1: Yeah? Like maybe let's not.

682
00:34:59,440 --> 00:35:04,560
Speaker 3: Yes, it was very heavy handed, but seeing her like this,

683
00:35:04,560 --> 00:35:07,960
Speaker 3: this version of herself with Chase. It makes it really

684
00:35:08,000 --> 00:35:09,000
Speaker 3: easy to root for her.

685
00:35:09,480 --> 00:35:11,560
Speaker 1: Yeah, And you know, one of the things I really

686
00:35:11,640 --> 00:35:15,520
Speaker 1: liked as well is rather than do what we've seen

687
00:35:15,600 --> 00:35:18,000
Speaker 1: so many of you guys do who are musical on

688
00:35:18,080 --> 00:35:21,520
Speaker 1: the show and shock us all with a beautiful song,

689
00:35:22,080 --> 00:35:26,319
Speaker 1: I actually love that they wrote it for her to

690
00:35:26,360 --> 00:35:29,319
Speaker 1: be sitting and listening and questioning is it good enough,

691
00:35:29,880 --> 00:35:34,360
Speaker 1: especially because her voice is so beautiful and it's nice

692
00:35:34,400 --> 00:35:36,960
Speaker 1: to your point, Rob, you're making me realize, like, oh,

693
00:35:37,239 --> 00:35:39,440
Speaker 1: that's exactly what a lot of this episode is. It's

694
00:35:39,440 --> 00:35:44,600
Speaker 1: a quiet kind of reflection for Alex and that's really

695
00:35:44,640 --> 00:35:48,160
Speaker 1: refreshing to see because yes, Jenna can make anything work,

696
00:35:48,200 --> 00:35:52,000
Speaker 1: and yes she's so talented, particularly with the over the

697
00:35:52,040 --> 00:35:55,480
Speaker 1: top comedy stuff, but it's really nice to see this

698
00:35:56,280 --> 00:36:01,960
Speaker 1: quiet because then at the end it's just something that

699
00:36:02,040 --> 00:36:07,840
Speaker 1: kind of carries through and she doesn't announce anything to anyone.

700
00:36:08,040 --> 00:36:11,279
Speaker 1: You watch her just think about it quietly and try

701
00:36:11,320 --> 00:36:13,760
Speaker 1: to make different choices. And that's really cool.

702
00:36:14,480 --> 00:36:20,120
Speaker 3: Speaking of quiet moments, did anyone else notice at the

703
00:36:20,320 --> 00:36:25,120
Speaker 3: end of the diner scene, Nathan and Chase have taken off,

704
00:36:25,640 --> 00:36:28,160
Speaker 3: and as we say goodbye, there's just a two shot

705
00:36:28,440 --> 00:36:31,920
Speaker 3: of Julian and Clay sitting next to each other. I

706
00:36:31,960 --> 00:36:34,880
Speaker 3: didn't remember this until watching it back, So go ahead

707
00:36:34,920 --> 00:36:40,000
Speaker 3: and watch that back because there's a very charged moment

708
00:36:40,200 --> 00:36:43,799
Speaker 3: of silence where everyone leaves the table and we both

709
00:36:43,880 --> 00:36:47,279
Speaker 3: look at each other and then we have some sort

710
00:36:47,320 --> 00:36:50,080
Speaker 3: of thinking that goes on and then we quickly look away.

711
00:36:50,760 --> 00:36:52,719
Speaker 3: And it made me laugh so hard because I had

712
00:36:52,719 --> 00:36:55,160
Speaker 3: forgotten we did this. But we one hundred percent were like,

713
00:36:55,520 --> 00:36:58,120
Speaker 3: let's just add a weird layer of like there is

714
00:36:58,160 --> 00:37:01,600
Speaker 3: something between us and just not address it. Unless liked

715
00:37:01,600 --> 00:37:04,200
Speaker 3: it and kept it in. But I immediately laughed. I

716
00:37:04,280 --> 00:37:06,160
Speaker 3: was like, damn it. When we had Austin on the show,

717
00:37:06,200 --> 00:37:09,040
Speaker 3: I was joking about the fan fiction people should write

718
00:37:08,960 --> 00:37:11,960
Speaker 3: yeah about Clay and Julian. I was like, Holy, this

719
00:37:12,080 --> 00:37:14,040
Speaker 3: is it. This is the seed.

720
00:37:14,800 --> 00:37:17,000
Speaker 4: I missed it. I have to go back and watch.

721
00:37:17,560 --> 00:37:20,359
Speaker 1: You guys are so funny in that moment. But what

722
00:37:20,560 --> 00:37:23,680
Speaker 1: really set it up for me to make that smash

723
00:37:24,400 --> 00:37:27,040
Speaker 1: is that as the you know, it's you two and

724
00:37:27,080 --> 00:37:29,399
Speaker 1: then Chase and then Julian comes in and the four

725
00:37:29,440 --> 00:37:33,560
Speaker 1: boys are mashed into this very small little booth. They leave,

726
00:37:34,320 --> 00:37:36,600
Speaker 1: but before they have, as everyone's talking about what they

727
00:37:36,640 --> 00:37:39,400
Speaker 1: want to order. You say something about mashed potato. Know,

728
00:37:39,520 --> 00:37:42,319
Speaker 1: Nathan says something about mashed potatoes, and Julian's like, well, yeah,

729
00:37:42,320 --> 00:37:44,279
Speaker 1: I want mashed potatoes, and you guys look at each

730
00:37:44,280 --> 00:37:47,279
Speaker 1: other like yes because you just said that. Yeah, And

731
00:37:47,360 --> 00:37:52,520
Speaker 1: now it's this of like the awkwardness I read was

732
00:37:52,560 --> 00:37:54,399
Speaker 1: a little bit of like while we're sitting really close

733
00:37:54,440 --> 00:37:57,239
Speaker 1: to each other and also like we both do want

734
00:37:57,280 --> 00:38:01,680
Speaker 1: mashed potatoes. Yeah, and it's just great. It's like, is

735
00:38:01,719 --> 00:38:04,920
Speaker 1: it is it feeling.

736
00:38:08,080 --> 00:38:10,799
Speaker 3: I'm watching this scene? I felt like this. It was

737
00:38:11,000 --> 00:38:14,960
Speaker 3: very apparent to me that the writer's room had really

738
00:38:15,320 --> 00:38:19,280
Speaker 3: come to see who I was, like Rob, not Clay,

739
00:38:19,800 --> 00:38:23,279
Speaker 3: and just start leaning into that for the character. Yeah,

740
00:38:23,520 --> 00:38:27,240
Speaker 3: because it's like it's it starts to get weird and silly,

741
00:38:27,360 --> 00:38:29,600
Speaker 3: and Clay is like really leaning into it, like that

742
00:38:29,680 --> 00:38:32,960
Speaker 3: whole thing about Uh, it's hard to say no when

743
00:38:32,960 --> 00:38:34,839
Speaker 3: someone calls you and ask you to smuggle like five

744
00:38:34,960 --> 00:38:37,919
Speaker 3: kilos and then and then I go on and on

745
00:38:37,960 --> 00:38:40,040
Speaker 3: and everyone's like okay, okay, and then I lean and

746
00:38:40,080 --> 00:38:41,759
Speaker 3: I'm like in your but.

747
00:38:42,880 --> 00:38:46,239
Speaker 4: Like just the one last thing, even James kind of

748
00:38:46,239 --> 00:38:48,000
Speaker 4: broke a little on that. It was so good.

749
00:38:48,840 --> 00:38:50,840
Speaker 3: We had so much fun doing that. But to me,

750
00:38:50,920 --> 00:38:53,200
Speaker 3: I was like, oh, okay, yeah, they're just they're kind.

751
00:38:53,040 --> 00:38:57,279
Speaker 4: Of because remember how long it was, like, Oh my god,

752
00:38:57,360 --> 00:38:59,160
Speaker 4: is this guy ever going to be able to like

753
00:38:59,360 --> 00:39:02,600
Speaker 4: they bring in a comic genius and you're just gonna

754
00:39:02,719 --> 00:39:06,280
Speaker 4: load him up with all of this drama non stop,

755
00:39:06,480 --> 00:39:13,360
Speaker 4: like crazy ghosts and depression and psycho stalkers and like,

756
00:39:13,440 --> 00:39:15,200
Speaker 4: good grief, let this man laugh.

757
00:39:15,840 --> 00:39:16,200
Speaker 1: Yeah.

758
00:39:16,360 --> 00:39:20,000
Speaker 3: So wow, Seriously go back and watch the end of

759
00:39:20,040 --> 00:39:23,279
Speaker 3: the scene. And I'm telling you because it's not it was.

760
00:39:23,360 --> 00:39:26,200
Speaker 3: I remember us deliberately doing it, thinking it was funny

761
00:39:26,200 --> 00:39:28,439
Speaker 3: and also one of those things where it was like, dude,

762
00:39:28,480 --> 00:39:31,040
Speaker 3: there's no way in hell this is going to make it,

763
00:39:31,120 --> 00:39:34,360
Speaker 3: but let's just do one like this, and it made it.

764
00:39:34,400 --> 00:39:36,360
Speaker 3: So go back and watch and you will now that

765
00:39:36,360 --> 00:39:39,239
Speaker 3: you're looking for it, it is clear as day that

766
00:39:39,440 --> 00:39:40,880
Speaker 3: there's an untold story happening.

767
00:39:41,280 --> 00:39:43,560
Speaker 4: This is the This is the stuff I love about acting.

768
00:39:43,640 --> 00:39:45,880
Speaker 4: This is the play that you know, we show up,

769
00:39:45,920 --> 00:39:47,480
Speaker 4: we get paid to show up and say our lines,

770
00:39:47,640 --> 00:39:50,000
Speaker 4: But it's the play in all the in between that

771
00:39:50,200 --> 00:39:53,240
Speaker 4: really is what makes it so fun. All the layers

772
00:39:53,280 --> 00:39:57,960
Speaker 4: you get to create that sometimes people catch and and

773
00:39:58,000 --> 00:40:00,000
Speaker 4: they like or don't like, and then sometimes they don't

774
00:40:00,120 --> 00:40:02,600
Speaker 4: catch it and it just floats right on in.

775
00:40:03,840 --> 00:40:04,439
Speaker 1: I love it.

776
00:40:04,920 --> 00:40:11,319
Speaker 3: How about Chloe? Did anyone else get confused that she was? Like,

777
00:40:11,440 --> 00:40:15,439
Speaker 3: she's a boundaryless cat Burglar, Yeah, a little bit. Brook

778
00:40:15,480 --> 00:40:17,839
Speaker 3: and Julian come home and she's just sitting on the

779
00:40:17,880 --> 00:40:22,399
Speaker 3: counter hanging out. And to Brook and Julian's credit, because

780
00:40:22,400 --> 00:40:24,160
Speaker 3: obviously they're in a position where they need to not

781
00:40:24,239 --> 00:40:26,920
Speaker 3: rock the boat with her, they're cool about it.

782
00:40:27,320 --> 00:40:30,600
Speaker 4: She's on Brook's bed hanging out, eating yogurt or whatever.

783
00:40:30,680 --> 00:40:33,439
Speaker 3: So she showed up, she knocked, and she just thought,

784
00:40:33,480 --> 00:40:35,719
Speaker 3: you know what, I'm gonna go ahead and look for

785
00:40:35,760 --> 00:40:38,400
Speaker 3: a high to key. It was just it was wild

786
00:40:38,440 --> 00:40:38,719
Speaker 3: to me.

787
00:40:38,760 --> 00:40:41,400
Speaker 4: It's very sam energy to me, like maybe they were

788
00:40:41,440 --> 00:40:46,200
Speaker 4: trying to recreate that vibe of Samantha. It just it did.

789
00:40:46,320 --> 00:40:48,360
Speaker 4: It did feel a bit out of place, like it

790
00:40:48,400 --> 00:40:49,960
Speaker 4: hadn't been earned yet.

791
00:40:50,400 --> 00:40:52,400
Speaker 1: And you know what would have been such an easy

792
00:40:52,480 --> 00:40:55,680
Speaker 1: fix is if we'd come in and she's making a

793
00:40:55,719 --> 00:40:58,000
Speaker 1: snack and then it's like, but why are you here?

794
00:40:58,600 --> 00:41:01,960
Speaker 1: And she said, oh right, I came to tell you

795
00:41:02,000 --> 00:41:06,880
Speaker 1: guys something, and I have to pee every five minutes. Look, you,

796
00:41:07,120 --> 00:41:09,399
Speaker 1: I found your hide a key. You know you would

797
00:41:09,400 --> 00:41:11,880
Speaker 1: have been like, oh, okay, yeah, pregnant women do have

798
00:41:11,960 --> 00:41:16,120
Speaker 1: to pee all the time. Yeah, Like if there'd been

799
00:41:16,239 --> 00:41:19,319
Speaker 1: some version of or.

800
00:41:19,280 --> 00:41:20,960
Speaker 4: If she'd been coming out of the bathroom instead of

801
00:41:20,960 --> 00:41:23,920
Speaker 4: making a sandwich even a little bit like good, kay,

802
00:41:24,000 --> 00:41:27,640
Speaker 4: it's understandable, Yes, that's fine, but going in my fridge,

803
00:41:27,840 --> 00:41:30,160
Speaker 4: like I know you're going to give me your baby,

804
00:41:30,239 --> 00:41:33,120
Speaker 4: but we haven't established these bit But she's nineteen, so

805
00:41:33,719 --> 00:41:36,400
Speaker 4: I don't know. Maybe maybe kids assume things.

806
00:41:36,680 --> 00:41:39,359
Speaker 1: Yeah, I would have appreciated them grounding it for her

807
00:41:39,480 --> 00:41:43,440
Speaker 1: a little more than just being like, we've made Seantelle

808
00:41:43,480 --> 00:41:46,440
Speaker 1: eat eight toaster pastries today, and we'd also like someone

809
00:41:46,440 --> 00:41:47,960
Speaker 1: else to want one, like for.

810
00:41:48,080 --> 00:41:52,040
Speaker 3: What well, And it was odd when we cut to

811
00:41:52,200 --> 00:41:54,600
Speaker 3: later in the day and she's laying on the bed

812
00:41:54,640 --> 00:41:58,080
Speaker 3: in the guest room. Yeah, oh oh, are we going

813
00:41:58,160 --> 00:41:59,920
Speaker 3: to find out she's living out of her car?

814
00:42:00,120 --> 00:42:00,319
Speaker 5: Yeah?

815
00:42:00,360 --> 00:42:01,120
Speaker 4: Like is she homeless?

816
00:42:01,120 --> 00:42:03,320
Speaker 3: Like sand And then that sort of makes more sense

817
00:42:03,360 --> 00:42:07,240
Speaker 3: that she's just showing up and lingering. But that doesn't

818
00:42:07,239 --> 00:42:10,120
Speaker 3: seem like that's where it's going. I did like the

819
00:42:10,160 --> 00:42:12,799
Speaker 3: way that you played the scene so of going like

820
00:42:12,840 --> 00:42:15,680
Speaker 3: as she's just eating a plate of oreos. In fact,

821
00:42:15,680 --> 00:42:18,719
Speaker 3: she's not even eating the cookie, She's just eating the awasting,

822
00:42:18,760 --> 00:42:22,200
Speaker 3: fake ingredient cor frosting that you were like, say, would

823
00:42:22,200 --> 00:42:24,880
Speaker 3: you like some fruit with that frosting? Maybe maybe a

824
00:42:24,960 --> 00:42:30,160
Speaker 3: vegetable or too. She's trying so hard to be like,

825
00:42:30,200 --> 00:42:32,520
Speaker 3: how about one nutrient? Can we get one nutrient in there?

826
00:42:32,960 --> 00:42:35,680
Speaker 1: Just some sort of antioxidant for you and the baby?

827
00:42:36,640 --> 00:42:40,440
Speaker 5: So sweet, It's really it's it's cool, and I like,

828
00:42:42,040 --> 00:42:45,759
Speaker 5: I like though that they let us, or at least

829
00:42:45,760 --> 00:42:48,239
Speaker 5: they gave us space, and I thought lested really well

830
00:42:48,280 --> 00:42:49,760
Speaker 5: with it.

831
00:42:50,160 --> 00:42:54,919
Speaker 1: Have discomfort and awkwardness because we don't know each other,

832
00:42:55,080 --> 00:42:58,520
Speaker 1: and then have these moments of ease and humor and

833
00:42:58,560 --> 00:43:02,239
Speaker 1: figuring each other out, and then you know, even the

834
00:43:02,239 --> 00:43:06,240
Speaker 1: screw ups of it would really help if we knew.

835
00:43:06,560 --> 00:43:11,280
Speaker 1: And then of course she doesn't want to know. Of course,

836
00:43:12,600 --> 00:43:16,040
Speaker 1: Brook's not thinking about this because she's so excited about

837
00:43:16,040 --> 00:43:20,880
Speaker 1: this other part, and you know, Chloe hasn't communicated that

838
00:43:20,960 --> 00:43:23,360
Speaker 1: and then has to and the sort of fits and

839
00:43:23,440 --> 00:43:27,719
Speaker 1: starts of it I thought were really they were just

840
00:43:27,840 --> 00:43:30,480
Speaker 1: nice to play. I'm glad we didn't do some totally

841
00:43:30,560 --> 00:43:37,320
Speaker 1: Pollyannish version of it. And I think Levin is so

842
00:43:37,360 --> 00:43:41,760
Speaker 1: she's so grounded in, you know, the moments and the emotion.

843
00:43:42,560 --> 00:43:44,839
Speaker 1: She doesn't have to do a lot to communicate a lot.

844
00:43:45,960 --> 00:43:51,640
Speaker 1: And I liked that we were communicating, albeit awkwardly, not

845
00:43:51,719 --> 00:43:53,600
Speaker 1: with what we were saying, but with what we were

846
00:43:53,640 --> 00:43:56,240
Speaker 1: trying to say. I always think that's the mark of good,

847
00:43:57,200 --> 00:43:58,319
Speaker 1: good writing for sure.

848
00:44:11,320 --> 00:44:14,000
Speaker 3: Let's talk about Chuck and Chase real quick. Yeah.

849
00:44:14,000 --> 00:44:15,799
Speaker 4: I wanted to pivot there too, because that was my

850
00:44:15,920 --> 00:44:17,719
Speaker 4: favorite besides Mouth and Millie.

851
00:44:17,600 --> 00:44:23,520
Speaker 3: But also Millie saying how clucked up is that? I

852
00:44:23,560 --> 00:44:25,880
Speaker 3: don't know how that didn't catch on because that was great.

853
00:44:26,160 --> 00:44:28,480
Speaker 3: But Chuck and Chase, it was all. It was also sweet.

854
00:44:28,480 --> 00:44:32,440
Speaker 3: There's also some funny elements to it. One I thought, like,

855
00:44:33,280 --> 00:44:36,520
Speaker 3: my Chase is having him standing with Chuck, has his

856
00:44:36,640 --> 00:44:38,680
Speaker 3: back to the wall, meaning if he hits the ball,

857
00:44:39,120 --> 00:44:42,480
Speaker 3: he's hitting it at a room full of customers and

858
00:44:42,600 --> 00:44:45,879
Speaker 3: glass and glass. But then I thought, oh, but how

859
00:44:45,920 --> 00:44:48,359
Speaker 3: funny if he did that because he knows that this

860
00:44:48,480 --> 00:44:51,719
Speaker 3: kid cannot hit a ball to save his life. And

861
00:44:51,760 --> 00:44:54,279
Speaker 3: then later so for and also like total jerk move,

862
00:44:54,360 --> 00:44:57,239
Speaker 3: laughing like when a kid gets vulnerable. You got a

863
00:44:57,280 --> 00:44:59,640
Speaker 3: button that shit up, you know, But I don't know

864
00:44:59,680 --> 00:45:03,680
Speaker 3: if you is this. So Chase later goes to Chuck's

865
00:45:03,680 --> 00:45:09,040
Speaker 3: house to apologize. He goes to the window and he knocks.

866
00:45:09,200 --> 00:45:11,239
Speaker 3: It gets weirder. I have a different layer for you.

867
00:45:11,320 --> 00:45:14,080
Speaker 3: So it is weird that he knocks and you hear Chuck,

868
00:45:14,160 --> 00:45:17,200
Speaker 3: go go away, mister mee Hall. I told you to

869
00:45:17,320 --> 00:45:20,600
Speaker 3: leave me alone. So Chuck is clearly dealing with some

870
00:45:20,640 --> 00:45:24,000
Speaker 3: sort of pervert predator. But here's where it got even weirder.

871
00:45:24,080 --> 00:45:25,960
Speaker 3: I rewound it, and you know how, I don't know

872
00:45:25,960 --> 00:45:27,799
Speaker 3: if you like I watch this on my computer. If

873
00:45:27,800 --> 00:45:31,120
Speaker 3: you rewind it on Apple TV, it'll do ten seconds

874
00:45:31,120 --> 00:45:34,759
Speaker 3: of subtitles for you. So when I rewound it, when

875
00:45:34,800 --> 00:45:37,680
Speaker 3: he says, he clearly says go away, mister mee Hall.

876
00:45:38,000 --> 00:45:43,520
Speaker 3: The subtitle is go away mister Kowalski. What as in

877
00:45:43,560 --> 00:45:45,880
Speaker 3: like Pete? Well, like the only Kowalski we know on

878
00:45:45,920 --> 00:45:46,719
Speaker 3: the show is obviously are.

879
00:45:47,320 --> 00:45:49,840
Speaker 4: All love Everybody loves Today, which.

880
00:45:49,640 --> 00:45:52,239
Speaker 3: Made me wonder if, like in the original script it

881
00:45:52,360 --> 00:45:56,520
Speaker 3: was Kowalski and then Pete or someone was like hey, no, no,

882
00:45:56,840 --> 00:45:59,279
Speaker 3: and they changed it. But the subtitles are off of

883
00:45:59,280 --> 00:46:00,160
Speaker 3: the script or something.

884
00:46:00,160 --> 00:46:02,440
Speaker 4: But if you go back and do that, that's horrendous.

885
00:46:02,480 --> 00:46:04,160
Speaker 3: It's not even like they were listening and like, oh

886
00:46:04,160 --> 00:46:07,040
Speaker 3: it sounds like this, No, it's me Hall, but the

887
00:46:07,080 --> 00:46:09,200
Speaker 3: subtius says, go away, mister Kowalski.

888
00:46:09,360 --> 00:46:11,920
Speaker 4: Oh my gods, that's such a frat boy thing that

889
00:46:11,960 --> 00:46:14,840
Speaker 4: the you know, the crew would do that a lot

890
00:46:14,920 --> 00:46:17,440
Speaker 4: in it. I mean, it's it was always fun, like

891
00:46:17,560 --> 00:46:19,719
Speaker 4: putting less Butler's name on the homework sheet. You know,

892
00:46:19,760 --> 00:46:22,600
Speaker 4: they would use crew members' names all the time as

893
00:46:22,680 --> 00:46:27,040
Speaker 4: parts of you know, posters that were going up or whatever,

894
00:46:27,080 --> 00:46:29,520
Speaker 4: a character's name just to just be fun because it's

895
00:46:29,560 --> 00:46:33,120
Speaker 4: a fun, friendly community in sweet ways. And that totally

896
00:46:33,160 --> 00:46:37,000
Speaker 4: sounds like something somebody wrote as a joke and then

897
00:46:37,160 --> 00:46:39,360
Speaker 4: didn't end up correcting it later.

898
00:46:40,120 --> 00:46:42,759
Speaker 1: I absolutely hate that.

899
00:46:42,760 --> 00:46:43,360
Speaker 4: That sucks.

900
00:46:44,000 --> 00:46:45,080
Speaker 3: Yeah, that was so that was just.

901
00:46:45,080 --> 00:46:48,800
Speaker 4: Also just gross, Like why why is that in the show.

902
00:46:50,280 --> 00:46:52,840
Speaker 3: It's as if the kid doesn't have it bad enough.

903
00:46:53,239 --> 00:46:56,319
Speaker 1: My note for that is I was like, first of all,

904
00:46:56,360 --> 00:46:58,799
Speaker 1: we have a grown man trapesing down the side of

905
00:46:58,800 --> 00:47:01,120
Speaker 1: a house in the dark to kind of child's window,

906
00:47:01,600 --> 00:47:05,160
Speaker 1: which yes, it's Chase, but it's weird enough, yeah, and

907
00:47:05,200 --> 00:47:09,080
Speaker 1: then the kid's response is to assume it's a different

908
00:47:09,920 --> 00:47:12,320
Speaker 1: creepy girl man, And I'm like, why are we making

909
00:47:12,960 --> 00:47:15,560
Speaker 1: a joke out of? Like what is that?

910
00:47:16,640 --> 00:47:19,520
Speaker 3: Also, it's extra folk, It's like it's extra shoe leather

911
00:47:19,560 --> 00:47:21,840
Speaker 3: we didn't need. Because Chase then immediately goes to the

912
00:47:21,880 --> 00:47:25,000
Speaker 3: front door to meat Chuck. So it's like, why would

913
00:47:25,000 --> 00:47:27,319
Speaker 3: you go to his window in the first place. That

914
00:47:27,440 --> 00:47:28,960
Speaker 3: all you do. The only reason you go to someone's

915
00:47:28,960 --> 00:47:30,840
Speaker 3: windows if you don't want their parents to know.

916
00:47:31,280 --> 00:47:31,800
Speaker 1: Correct.

917
00:47:32,280 --> 00:47:37,200
Speaker 3: So so that was all kinds of weird. Their story

918
00:47:37,239 --> 00:47:39,200
Speaker 3: got better though, when they went to the park. He

919
00:47:39,280 --> 00:47:45,120
Speaker 3: puts on the glasses. He drills that ball so.

920
00:47:45,320 --> 00:47:48,800
Speaker 4: Great line drive right into Chase's stomach.

921
00:47:49,120 --> 00:47:51,600
Speaker 3: He hits a line drive into Chase's sternam and by

922
00:47:51,600 --> 00:47:53,799
Speaker 3: the way, Steven, who's great with physical comedy, did that

923
00:47:53,880 --> 00:47:57,000
Speaker 3: perfect getting hit jump and then I love as he's

924
00:47:57,000 --> 00:47:59,920
Speaker 3: getting up kind of wheezing, He's like, yeah, you need glasses,

925
00:48:02,000 --> 00:48:04,160
Speaker 3: But was that cgi because there's no way.

926
00:48:04,840 --> 00:48:06,759
Speaker 4: I don't know. I'm sure it had to be.

927
00:48:07,040 --> 00:48:08,600
Speaker 3: It had to be. It was too perfect.

928
00:48:09,040 --> 00:48:14,560
Speaker 1: Well that or that was a stunt setup because that

929
00:48:14,719 --> 00:48:18,120
Speaker 1: was clearly when you see Chase fall, it's from so

930
00:48:18,280 --> 00:48:21,759
Speaker 1: far back it's over Chuck's shoulder. Like that had to

931
00:48:21,800 --> 00:48:25,000
Speaker 1: be a stunt person who literally threw their body to

932
00:48:25,080 --> 00:48:28,839
Speaker 1: the ground. So I wonder if they I wonder if

933
00:48:28,880 --> 00:48:32,919
Speaker 1: they hid like a ball launcher, you know, yeah, oh

934
00:48:33,040 --> 00:48:35,719
Speaker 1: yeah in front of like they got Chuck's shoulder in

935
00:48:36,280 --> 00:48:38,759
Speaker 1: but they actually had a like a ball launcher, so

936
00:48:38,760 --> 00:48:40,080
Speaker 1: they knew in the right.

937
00:48:40,000 --> 00:48:41,680
Speaker 4: And maybe Stephen was wearing a pad.

938
00:48:42,480 --> 00:48:45,239
Speaker 3: See that makes sense because if you also watch it

939
00:48:45,239 --> 00:48:46,600
Speaker 3: back because again as one of the ones I went

940
00:48:46,640 --> 00:48:51,360
Speaker 3: back to like four times, they they do three different

941
00:48:51,440 --> 00:48:54,759
Speaker 3: shots they do they go like fifty to fifty and

942
00:48:54,800 --> 00:48:56,759
Speaker 3: then they go like at Chase, and then they cut

943
00:48:56,800 --> 00:48:59,360
Speaker 3: to a third one. It's so actually you're probably right.

944
00:48:59,400 --> 00:49:01,719
Speaker 3: They probably told cheated it. But that's what those first

945
00:49:01,719 --> 00:49:03,919
Speaker 3: two in to be, like it's these two, it's these two,

946
00:49:03,960 --> 00:49:04,799
Speaker 3: and then it's not the kid.

947
00:49:04,880 --> 00:49:07,160
Speaker 1: It looked great good.

948
00:49:07,520 --> 00:49:09,360
Speaker 4: So for those of you who don't know, Less Butler

949
00:49:09,440 --> 00:49:11,200
Speaker 4: was our editor for one of our editors for a

950
00:49:11,320 --> 00:49:14,279
Speaker 4: very long time, and so he really is skilled at

951
00:49:14,760 --> 00:49:16,600
Speaker 4: this would have been This was a great example of

952
00:49:16,600 --> 00:49:18,800
Speaker 4: a way that a great editor can make a shot work.

953
00:49:20,360 --> 00:49:22,120
Speaker 4: You just line up a few different shots, but the

954
00:49:23,760 --> 00:49:26,799
Speaker 4: timing down to the millisecond of making it all move

955
00:49:26,880 --> 00:49:30,319
Speaker 4: smoothly enough that unless you're looking for it, it just

956
00:49:30,400 --> 00:49:34,160
Speaker 4: looks perfectly seamless. Yeah, it's a great example of that

957
00:49:35,520 --> 00:49:38,160
Speaker 4: what a good editor can do. But I love this storyline.

958
00:49:38,160 --> 00:49:41,719
Speaker 4: I'm so glad that we're continuing with Chase showing up

959
00:49:41,719 --> 00:49:46,399
Speaker 4: for Chuck. I'm really invested in Chuck's well being. Yeah,

960
00:49:46,440 --> 00:49:49,359
Speaker 4: I really want to see him win. I just care.

961
00:49:49,560 --> 00:49:51,040
Speaker 4: I love this kid now.

962
00:49:51,400 --> 00:49:55,160
Speaker 1: Yeah, And it's really, you know, there's something to it.

963
00:49:55,880 --> 00:49:58,520
Speaker 1: We're not saying it, but even the idea that this

964
00:49:58,560 --> 00:50:02,240
Speaker 1: little boy has gone this long clearly with a site

965
00:50:02,280 --> 00:50:09,080
Speaker 1: problem and no one's identified it. It's it's just continuing

966
00:50:09,120 --> 00:50:13,160
Speaker 1: to reinforce the truth that if you invest in kids,

967
00:50:13,760 --> 00:50:17,960
Speaker 1: they really get to flourish. And it's nice to have

968
00:50:18,080 --> 00:50:22,480
Speaker 1: that be in the mix of the often sort of

969
00:50:22,920 --> 00:50:26,640
Speaker 1: you know, dramatic car crash sexy love story world of

970
00:50:26,640 --> 00:50:29,919
Speaker 1: a TV show. It's nice to have this other thing

971
00:50:30,680 --> 00:50:31,400
Speaker 1: and it works too.

972
00:50:31,480 --> 00:50:34,160
Speaker 4: It still works with the storyline of investing in people

973
00:50:34,200 --> 00:50:35,839
Speaker 4: that are younger than you, which we've done on our

974
00:50:35,880 --> 00:50:41,880
Speaker 4: show consistently throughout, you know, you with Sam and Hayley,

975
00:50:42,000 --> 00:50:46,040
Speaker 4: with Quentin, I feel like there's always these younger mentor moments.

976
00:50:46,600 --> 00:50:48,920
Speaker 4: So I love seeing that Chase is doing that now

977
00:50:49,880 --> 00:50:52,160
Speaker 4: and oh them laughing at him when he put his

978
00:50:52,200 --> 00:50:54,040
Speaker 4: glasses on. I agree with you, Rob, but I don't

979
00:50:54,040 --> 00:50:56,880
Speaker 4: know if you noticed this. When Chuck put the glasses on,

980
00:50:57,160 --> 00:50:59,399
Speaker 4: he turned around and then he made this, He made

981
00:50:59,440 --> 00:51:03,520
Speaker 4: a face, he smiled really goofy, And that's to me

982
00:51:03,680 --> 00:51:06,040
Speaker 4: what I was like, Oh, I thought they were laughing

983
00:51:06,120 --> 00:51:10,080
Speaker 4: because he was making fun of himself, like making a

984
00:51:10,080 --> 00:51:12,560
Speaker 4: goofy face and sort of giving them permission to laugh.

985
00:51:13,440 --> 00:51:17,040
Speaker 4: So anyway, that worked well for me, that to make

986
00:51:17,080 --> 00:51:19,040
Speaker 4: them not just look like dicks that were just laughing

987
00:51:19,080 --> 00:51:22,359
Speaker 4: at a kid they had only moments ago told they

988
00:51:22,360 --> 00:51:23,239
Speaker 4: weren't going to laugh at.

989
00:51:23,360 --> 00:51:26,160
Speaker 1: It was a really good choice either by Less or

990
00:51:26,200 --> 00:51:30,120
Speaker 1: the prop department or them together to put Chuck in

991
00:51:30,440 --> 00:51:35,920
Speaker 1: a very exaggerated, like almost nineteen fifties cat eye adjacent

992
00:51:37,160 --> 00:51:40,920
Speaker 1: pair of glasses. It added to the humor in a way.

993
00:51:41,000 --> 00:51:43,040
Speaker 1: You know, if they'd given him like a cool Clark

994
00:51:43,120 --> 00:51:45,960
Speaker 1: Kent pair of frames, it wouldn't have worked the same.

995
00:51:46,600 --> 00:51:49,920
Speaker 1: And so you know, Michael May being such a good sport,

996
00:51:50,000 --> 00:51:53,840
Speaker 1: playing Chuck and leaning into his own physical comedy and

997
00:51:53,920 --> 00:51:58,400
Speaker 1: making the face and the glasses being so like nineteen fifties,

998
00:51:59,000 --> 00:52:03,080
Speaker 1: you know, Lady and the Boys. It made it just

999
00:52:03,120 --> 00:52:03,920
Speaker 1: made for a lot.

1000
00:52:03,760 --> 00:52:07,799
Speaker 3: Of fun, very cute, and it also helps land the

1001
00:52:07,920 --> 00:52:11,920
Speaker 3: joke about why Alex would be insecure about people seeing

1002
00:52:11,960 --> 00:52:13,960
Speaker 3: her in them, But then it begs the question, like,

1003
00:52:14,160 --> 00:52:15,880
Speaker 3: you're an adult, why wouldn't you just go buy a

1004
00:52:15,880 --> 00:52:19,960
Speaker 3: pair that you look good in? But regardless, it's so.

1005
00:52:20,120 --> 00:52:23,520
Speaker 3: It was very funny on Michael May honorable mentions. What

1006
00:52:23,560 --> 00:52:24,000
Speaker 3: do we got?

1007
00:52:24,120 --> 00:52:29,200
Speaker 1: Yeah, chicken suit, Yeah, chicken suit all day.

1008
00:52:30,640 --> 00:52:33,880
Speaker 3: I'm going to go the runner of Haley auditioning everyone

1009
00:52:33,960 --> 00:52:37,399
Speaker 3: she knows for her labor driver.

1010
00:52:37,920 --> 00:52:40,320
Speaker 4: Yeah that was fun. That was fun.

1011
00:52:40,520 --> 00:52:41,080
Speaker 3: That was great.

1012
00:52:41,560 --> 00:52:44,319
Speaker 4: Yeah. I liked the reaction when she tries to pull

1013
00:52:44,360 --> 00:52:47,440
Speaker 4: it over on Clay and Nathan and y'all are already

1014
00:52:48,000 --> 00:52:50,480
Speaker 4: yeah already, Wise, go ahead.

1015
00:52:50,239 --> 00:52:52,799
Speaker 3: And force those knees together, Hails. Yeah, it's a Clay

1016
00:52:52,800 --> 00:52:53,760
Speaker 3: says something that effect.

1017
00:52:55,200 --> 00:52:57,480
Speaker 4: Oh yeah, I remember. That was fun to shoot and

1018
00:52:58,000 --> 00:53:01,560
Speaker 4: you losing the keys down the down, Acy bent.

1019
00:53:02,239 --> 00:53:03,399
Speaker 1: It was a really fun day.

1020
00:53:03,760 --> 00:53:06,960
Speaker 4: Yeah, I did enjoy that. What's our listener question?

1021
00:53:07,560 --> 00:53:11,440
Speaker 1: Brenda asks, This question is for joy. Did you film

1022
00:53:11,480 --> 00:53:13,960
Speaker 1: all the way up to having your daughter? Whose idea

1023
00:53:14,080 --> 00:53:16,360
Speaker 1: was it to put you in the heels while filming

1024
00:53:17,160 --> 00:53:20,360
Speaker 1: in your third trimester, especially when Haley is home in

1025
00:53:20,440 --> 00:53:23,359
Speaker 1: her own house. Grenda, we have been talking about this

1026
00:53:23,400 --> 00:53:24,120
Speaker 1: for two weeks.

1027
00:53:24,400 --> 00:53:26,719
Speaker 4: A girl after my own heart. Let me tell you,

1028
00:53:27,040 --> 00:53:29,839
Speaker 4: I know, can you imagine what woman in her right

1029
00:53:29,880 --> 00:53:32,759
Speaker 4: mind walks around in heels in her home in her

1030
00:53:32,800 --> 00:53:36,879
Speaker 4: third trimester? I would like to meet that woman. So yes,

1031
00:53:36,920 --> 00:53:38,720
Speaker 4: I filmed all the way up to having my daughter.

1032
00:53:39,360 --> 00:53:43,400
Speaker 4: I did. And it's one of the reasons why my

1033
00:53:43,640 --> 00:53:47,879
Speaker 4: storyline became very sporadic and unrelated to many other storylines,

1034
00:53:48,320 --> 00:53:52,200
Speaker 4: because they weren't sure at what moment I might have

1035
00:53:52,320 --> 00:53:56,359
Speaker 4: to disappear and go have a baby and be gone

1036
00:53:56,440 --> 00:54:03,000
Speaker 4: for two weeks. So yeah, just episode by episode kept filming,

1037
00:54:03,160 --> 00:54:08,400
Speaker 4: and Maria was two weeks late. Actually, so kind of

1038
00:54:08,440 --> 00:54:09,040
Speaker 4: through everything.

1039
00:54:09,320 --> 00:54:11,680
Speaker 3: Buddy, did you only take two weeks off?

1040
00:54:12,239 --> 00:54:12,520
Speaker 1: Yeah?

1041
00:54:13,080 --> 00:54:17,200
Speaker 3: Holy cow, that's bonkers, man.

1042
00:54:17,440 --> 00:54:18,400
Speaker 4: Yeah, it was wild.

1043
00:54:19,120 --> 00:54:22,960
Speaker 3: Wow, you are a soldier. I did not realize that

1044
00:54:23,120 --> 00:54:26,880
Speaker 3: was all the time you took after creating and delivering

1045
00:54:26,920 --> 00:54:31,239
Speaker 3: a human to the America. Yeah, right, she'll walk it off,

1046
00:54:31,360 --> 00:54:32,000
Speaker 3: she'll be fun.

1047
00:54:32,040 --> 00:54:35,360
Speaker 1: Bill paid leave and two weeks is you're told, is

1048
00:54:35,400 --> 00:54:37,680
Speaker 1: a luxury? Like absolutely insane.

1049
00:54:39,400 --> 00:54:44,440
Speaker 4: I remember us filming a scene at the hospital later

1050
00:54:44,719 --> 00:54:48,080
Speaker 4: after I'd had my daughter, and it was I think

1051
00:54:48,239 --> 00:54:50,239
Speaker 4: but kind of right after I came back and I

1052
00:54:50,280 --> 00:54:54,800
Speaker 4: was still in pain, and I remember asking I started

1053
00:54:54,800 --> 00:54:57,640
Speaker 4: to walk and it was when we filmed at the hospital,

1054
00:54:58,400 --> 00:55:01,640
Speaker 4: we had this area, so we parked our trailers and

1055
00:55:01,680 --> 00:55:03,640
Speaker 4: then there was this massive area that felt like an

1056
00:55:03,719 --> 00:55:06,080
Speaker 4: acre maybe of just rocks, and they were all these

1057
00:55:06,080 --> 00:55:08,960
Speaker 4: little it wasn't tiny gravel rocks. They were like no,

1058
00:55:09,040 --> 00:55:12,520
Speaker 4: they're like big river rock, plunky rocks. Yeah. That you

1059
00:55:12,600 --> 00:55:16,000
Speaker 4: had to walk across all the way up to get

1060
00:55:16,000 --> 00:55:18,480
Speaker 4: to the hospital doors where then all the filming would be.

1061
00:55:19,160 --> 00:55:22,920
Speaker 4: And I started to walk and I was just like

1062
00:55:23,360 --> 00:55:25,280
Speaker 4: my body just hurt. I mean, I had a baby.

1063
00:55:25,880 --> 00:55:27,480
Speaker 4: So I had asked them, I was like, we're at

1064
00:55:27,480 --> 00:55:30,439
Speaker 4: a hospital. Is there like a wheelchair in there? Could

1065
00:55:30,480 --> 00:55:32,799
Speaker 4: I just like get a lift please? Just like a

1066
00:55:32,800 --> 00:55:36,920
Speaker 4: little lift over to set. And I remember they brought

1067
00:55:36,920 --> 00:55:40,120
Speaker 4: one out and I got The producers came to me

1068
00:55:40,160 --> 00:55:42,640
Speaker 4: and they were like we heard you like had needed

1069
00:55:42,640 --> 00:55:45,720
Speaker 4: a wheelchair to set like that seems really dramatic.

1070
00:55:45,760 --> 00:55:49,320
Speaker 3: Are you okay the all male producing team the way, Yeah.

1071
00:55:49,400 --> 00:55:53,680
Speaker 4: Just like yep, just fine, just you know, just had

1072
00:55:53,680 --> 00:55:54,759
Speaker 4: a little baby, that's all.

1073
00:55:54,960 --> 00:55:57,560
Speaker 1: Just needed a little extra You're like, I just actually

1074
00:55:57,680 --> 00:56:01,080
Speaker 1: have a football size open wound inside my abdomen. But

1075
00:56:01,120 --> 00:56:02,520
Speaker 1: thank you so much for asking.

1076
00:56:02,719 --> 00:56:05,640
Speaker 4: Yeah, yeah, no, no problem. Sorry to be over dramatic.

1077
00:56:05,760 --> 00:56:07,399
Speaker 4: I'm so sorry to like.

1078
00:56:07,360 --> 00:56:10,680
Speaker 3: We heard you're being hysterical. Would you like to tilan all.

1079
00:56:13,000 --> 00:56:15,000
Speaker 4: It just took you so long with the wheelchair over

1080
00:56:15,000 --> 00:56:17,720
Speaker 4: the rocks, you know, yeah, you need to go slow

1081
00:56:17,719 --> 00:56:20,680
Speaker 4: because of all the you know rocks. But we made it.

1082
00:56:21,200 --> 00:56:28,760
Speaker 4: We're here, oh lord yea America. So anyway, Brenda, thanks

1083
00:56:28,800 --> 00:56:32,800
Speaker 4: for your question. We'll have lots more of those pregnancy stories,

1084
00:56:32,840 --> 00:56:37,080
Speaker 4: I'm sure, as as the baby baby gets closer.

1085
00:56:37,960 --> 00:56:40,640
Speaker 1: Also, for anyone else who liked the Three of Us

1086
00:56:40,680 --> 00:56:44,320
Speaker 1: thinks a two week maximum is insane, you should probably

1087
00:56:44,760 --> 00:56:48,480
Speaker 1: follow Paid Leave for All. They're a great nonpartisan organization

1088
00:56:48,600 --> 00:56:53,520
Speaker 1: trying to advocate for you know, actual parental leave.

1089
00:56:53,880 --> 00:56:57,240
Speaker 3: I love that. Yeah, pretty great, good plug.

1090
00:56:57,360 --> 00:57:00,359
Speaker 1: You know you can come for the drama and you

1091
00:57:00,400 --> 00:57:07,439
Speaker 1: can stay for the for the wonderful community organizing. Yes, now,

1092
00:57:07,520 --> 00:57:08,840
Speaker 1: who's getting the wheel?

1093
00:57:15,640 --> 00:57:21,840
Speaker 3: Most likely to cry during a rom comid?

1094
00:57:22,040 --> 00:57:27,040
Speaker 4: Julian, Oh yeah, yeah, Julian and skills.

1095
00:57:26,560 --> 00:57:32,440
Speaker 3: Oh my god, how about in real life?

1096
00:57:33,080 --> 00:57:34,919
Speaker 4: I mean, so if you do, if it's a good one,

1097
00:57:34,960 --> 00:57:37,760
Speaker 4: I'll cry. But yeah, I don't know. Rom com seem

1098
00:57:37,800 --> 00:57:41,120
Speaker 4: to be kind of a diamond dozen now. I mean,

1099
00:57:41,120 --> 00:57:44,320
Speaker 4: I'm in a lot of them. I shouldn't say that.

1100
00:57:44,960 --> 00:57:46,840
Speaker 3: Name names Joy name names.

1101
00:57:46,960 --> 00:57:49,480
Speaker 4: Yeah, but but if it's a real like I love

1102
00:57:49,480 --> 00:57:52,200
Speaker 4: those old nineties ones like Lawrence kan and like the

1103
00:57:52,360 --> 00:57:55,080
Speaker 4: you know, Tom Hanks, make Ryan Sandra Bullock, love those

1104
00:57:55,120 --> 00:57:56,520
Speaker 4: old ones. Those ones always get me.

1105
00:57:56,720 --> 00:57:59,200
Speaker 1: Yeah, those get me And I'm definitely a crier.

1106
00:58:01,440 --> 00:58:04,400
Speaker 3: I love it all right, ging come back out join

1107
00:58:04,480 --> 00:58:07,440
Speaker 3: us next week. We got season eight, episode eighteen with

1108
00:58:07,560 --> 00:58:11,400
Speaker 3: a much better title, Quiet Little Voices.

1109
00:58:12,560 --> 00:58:15,360
Speaker 4: Feel here. Hey, thanks for listening.

1110
00:58:15,480 --> 00:58:17,720
Speaker 1: Don't forget to leave us a review. You can also

1111
00:58:17,760 --> 00:58:21,760
Speaker 1: follow us on Instagram at Drama Queens oth.

1112
00:58:21,400 --> 00:58:25,560
Speaker 4: Or email us at Drama Queens at iHeartRadio dot com.

1113
00:58:25,840 --> 00:58:26,840
Speaker 4: See you next time.

1114
00:58:28,080 --> 00:58:31,480
Speaker 2: We all about that High school Drama Girl, Drama Girl,

1115
00:58:31,520 --> 00:58:34,640
Speaker 2: all about them High School Queens We'll take you for

1116
00:58:34,760 --> 00:58:38,360
Speaker 2: a ride at our comic girl sharing for the right teen.

1117
00:58:38,240 --> 00:58:42,320
Speaker 1: Drama, queens, my up girl fashion, what's your tough girl?

1118
00:58:42,400 --> 00:58:45,400
Speaker 4: You could sit with us Girl Drama, Queens Drama, Queense Drama,

1119
00:58:45,520 --> 00:58:49,160
Speaker 4: Queens Drama, Drama, Queens Drama, Queens