1 00:00:00,200 --> 00:00:03,440 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,560 --> 00:00:06,920 Speaker 1: iHeart Radio, Welcome back to Coast to Coast George Norry 3 00:00:07,000 --> 00:00:10,440 Speaker 1: with David Serrata. So, David, this Washington Monument, do you 4 00:00:10,480 --> 00:00:16,239 Speaker 1: think it's still emitting signals? Oh? Oh, absolutely, because I 5 00:00:16,239 --> 00:00:20,680 Speaker 1: mean there's there's a scientist also, you know, in in 6 00:00:20,720 --> 00:00:25,759 Speaker 1: the same region named Nathan Stevenfeld, who actually transmitted radio 7 00:00:25,800 --> 00:00:30,240 Speaker 1: frequencies through the Earth's crust and his invention also is 8 00:00:30,240 --> 00:00:34,320 Speaker 1: around the same time periods the in Tesla's invention of radio. 9 00:00:35,040 --> 00:00:37,800 Speaker 1: And basically what he found is what you can hammer 10 00:00:37,800 --> 00:00:40,160 Speaker 1: a steel spike into the ground, just like the frame 11 00:00:40,200 --> 00:00:43,480 Speaker 1: of the Washington Monument, and he found there's power there, 12 00:00:43,600 --> 00:00:48,360 Speaker 1: there's real energy. And because he found energy and in 13 00:00:48,479 --> 00:00:51,559 Speaker 1: multiple places tapping these steel spikes into the ground, he 14 00:00:51,600 --> 00:00:55,480 Speaker 1: could send frequencies or you know, messages through the Earth. 15 00:00:55,600 --> 00:00:59,280 Speaker 1: So the monument or actually any building with a steel 16 00:00:59,360 --> 00:01:04,319 Speaker 1: frame in Earth is getting powered by the Earth frequency 17 00:01:04,400 --> 00:01:09,840 Speaker 1: itself known as the Tesla Human series of frequency. So 18 00:01:10,360 --> 00:01:14,200 Speaker 1: that means this giving off this frequency wave and forming 19 00:01:14,200 --> 00:01:18,720 Speaker 1: a bubble ever since it was created, and that's why 20 00:01:18,760 --> 00:01:25,960 Speaker 1: these inventions continue to appear within this bubble. And these 21 00:01:26,000 --> 00:01:29,680 Speaker 1: are the transformers inventions. These aren't just little things, these 22 00:01:29,720 --> 00:01:32,200 Speaker 1: are the big ones. Like you know, why weston the 23 00:01:32,240 --> 00:01:35,760 Speaker 1: internet invented in Russia? For example? Why why didn't the 24 00:01:35,800 --> 00:01:39,000 Speaker 1: Russians invent the atomic bump? Why didn't the Chinese? That 25 00:01:39,040 --> 00:01:42,399 Speaker 1: they ended up stealing it? Right? Because so what is 26 00:01:42,680 --> 00:01:45,360 Speaker 1: what is it about America? Is the question I was 27 00:01:45,440 --> 00:01:52,120 Speaker 1: asking myself that all these great earth shattering inventions happened 28 00:01:52,240 --> 00:01:56,400 Speaker 1: first and not somewhere else. And I believe the monument 29 00:01:57,480 --> 00:01:59,920 Speaker 1: just like in the Book of you know, I say, 30 00:02:00,200 --> 00:02:06,360 Speaker 1: chapter nineteen, and how the Egyptians put up these obeloists transmitters. 31 00:02:07,000 --> 00:02:11,200 Speaker 1: It caused a transmission of a of a series of 32 00:02:11,200 --> 00:02:16,960 Speaker 1: frequencies into people's consciousness. And it's kind of like Pythagoras 33 00:02:17,000 --> 00:02:20,600 Speaker 1: called the human body a music a humana, a human 34 00:02:20,760 --> 00:02:23,480 Speaker 1: musical instrument. And we are like instruments. Right. If you 35 00:02:23,520 --> 00:02:26,959 Speaker 1: play music, sure, and it's out of tune, you're you're, you're, 36 00:02:27,040 --> 00:02:29,360 Speaker 1: you're not gonna want to dance. But when when you 37 00:02:29,440 --> 00:02:32,639 Speaker 1: hear music that is really beautiful and properly you know, 38 00:02:32,720 --> 00:02:36,600 Speaker 1: timed and tuned, you have emotions, you know, you have feelings, 39 00:02:36,840 --> 00:02:41,040 Speaker 1: you you you feel moods and you dance and you 40 00:02:41,120 --> 00:02:45,560 Speaker 1: move your body. So the way what four thirty two 41 00:02:45,639 --> 00:02:48,400 Speaker 1: is about is like you go on your piano and 42 00:02:48,480 --> 00:02:52,440 Speaker 1: you have adcd f G right, so you have seven 43 00:02:52,760 --> 00:02:58,120 Speaker 1: basic notes. The black keys are your flats and sharps. 44 00:02:58,240 --> 00:03:01,360 Speaker 1: But I assume the David you're saying what this does 45 00:03:01,560 --> 00:03:07,120 Speaker 1: is it increases creativity right in healing. It's been proven 46 00:03:08,000 --> 00:03:10,600 Speaker 1: that if we see if you're not even shifting like 47 00:03:10,680 --> 00:03:14,240 Speaker 1: an A note today, you know and now a lot 48 00:03:14,240 --> 00:03:17,040 Speaker 1: of people are using four thirty two middle A right, 49 00:03:17,080 --> 00:03:19,440 Speaker 1: So again, A is that first key on the piano, 50 00:03:19,960 --> 00:03:23,519 Speaker 1: so it or the guitar. And if if it's de 51 00:03:23,760 --> 00:03:27,600 Speaker 1: tuned at A four forty, which is what we tend 52 00:03:27,639 --> 00:03:31,760 Speaker 1: to use today, and you change to four thirty two, 53 00:03:31,840 --> 00:03:34,040 Speaker 1: what people are saying is, oh my god, I like 54 00:03:34,160 --> 00:03:36,680 Speaker 1: the music so much better. I have so many more 55 00:03:36,760 --> 00:03:41,960 Speaker 1: incredible feelings inside of me. Right. But what happens with 56 00:03:42,080 --> 00:03:44,520 Speaker 1: each note abcd f G is you can go up 57 00:03:44,520 --> 00:03:48,200 Speaker 1: an octave, right, That's what do ram fossil latito is 58 00:03:48,240 --> 00:03:51,560 Speaker 1: that's eight octaves, so you can take a and then 59 00:03:51,720 --> 00:03:55,080 Speaker 1: an octave means you take the frequency times too to 60 00:03:55,200 --> 00:03:57,960 Speaker 1: go up or divided by two to go down, right, 61 00:03:58,600 --> 00:04:01,600 Speaker 1: So a four forty would go down to a two 62 00:04:01,680 --> 00:04:04,040 Speaker 1: hundred and twenty hurts, which is a lower tone, right, 63 00:04:04,200 --> 00:04:06,960 Speaker 1: or if you go up it would be eighty. So 64 00:04:07,000 --> 00:04:09,960 Speaker 1: what I did is when I calculated the frequency of 65 00:04:10,200 --> 00:04:14,040 Speaker 1: that the monument would give off as an antenna, which 66 00:04:14,120 --> 00:04:16,480 Speaker 1: was four hundred forty two thousand and seven hundred nine 67 00:04:16,520 --> 00:04:19,880 Speaker 1: point three five one hurts, I divided that by ten octaves. 68 00:04:20,320 --> 00:04:22,800 Speaker 1: So I came down and I'm at four thirty two 69 00:04:22,839 --> 00:04:25,080 Speaker 1: point three three three, and I'm like, oh my god, 70 00:04:25,720 --> 00:04:31,000 Speaker 1: this is a four thirty two scale tuner and it's 71 00:04:31,040 --> 00:04:35,560 Speaker 1: been putting this frequency off ever since. However, with the 72 00:04:35,720 --> 00:04:40,440 Speaker 1: arrival at the time of its inception, it was probably 73 00:04:40,520 --> 00:04:45,440 Speaker 1: more powerful for the first, you know, fifty years, because 74 00:04:45,480 --> 00:04:49,160 Speaker 1: eventually we put up all these microwaves towers everywhere, and 75 00:04:49,200 --> 00:04:52,720 Speaker 1: they're kind of drowning out the field right there. They're 76 00:04:52,760 --> 00:04:57,640 Speaker 1: putting in frequencies that that we're transmitting you know, cell 77 00:04:57,680 --> 00:05:01,440 Speaker 1: phone towers and internet that that are actually much higher 78 00:05:01,480 --> 00:05:05,400 Speaker 1: octaves of than this, because this is a very low 79 00:05:05,440 --> 00:05:09,240 Speaker 1: frequency compared to today's microwave towers, and they're causing distortion 80 00:05:09,320 --> 00:05:13,240 Speaker 1: in the field. So the question is whether will continue 81 00:05:13,320 --> 00:05:19,720 Speaker 1: to see these these enormous breakthroughs, you know, within my bubble. 82 00:05:19,960 --> 00:05:22,279 Speaker 1: But but all the big ones in these are the 83 00:05:22,320 --> 00:05:25,120 Speaker 1: biggest ones in history. There's really all the rest of 84 00:05:25,120 --> 00:05:27,479 Speaker 1: the inventions on the planet are small stuff. You know, 85 00:05:27,520 --> 00:05:31,840 Speaker 1: there are little fine tuning improvements, and and there's more 86 00:05:31,880 --> 00:05:34,720 Speaker 1: of them than I can even name, you know, like, 87 00:05:34,839 --> 00:05:38,760 Speaker 1: for example, the laser at Belle Laps. The laser is 88 00:05:38,800 --> 00:05:42,839 Speaker 1: a major earth shattering invention. Radio is a major and 89 00:05:43,000 --> 00:05:46,720 Speaker 1: television is a major earth shattering invention. The automobile, the 90 00:05:47,080 --> 00:05:49,719 Speaker 1: birth of flight in Kittyhawk, North Carolina, which is in 91 00:05:50,720 --> 00:05:54,839 Speaker 1: these are the big ones, right, so I'm into I've 92 00:05:54,920 --> 00:06:01,880 Speaker 1: found through through my years of research that frequency altars 93 00:06:02,040 --> 00:06:08,359 Speaker 1: consciousness for the betterment of humanity or or even the 94 00:06:08,440 --> 00:06:11,720 Speaker 1: destruction of the human mind more than anything. You could 95 00:06:11,720 --> 00:06:15,040 Speaker 1: go either way, right, it could go either way. In fact, 96 00:06:15,120 --> 00:06:20,239 Speaker 1: the Washington Monument could even be detuned by some hacker, 97 00:06:20,600 --> 00:06:23,960 Speaker 1: right who could who could hit it with some really 98 00:06:24,000 --> 00:06:27,039 Speaker 1: bad frequencies, which is like bad music. You remember those 99 00:06:27,080 --> 00:06:32,159 Speaker 1: experiments that Massari le Moti did with water were right, yeah, 100 00:06:32,360 --> 00:06:36,320 Speaker 1: playing pleasant music and the harsh music and the water 101 00:06:36,360 --> 00:06:42,599 Speaker 1: crystals looked gorgeous or they looked discombobulated exactly. So if 102 00:06:43,160 --> 00:06:48,560 Speaker 1: if you have nice four thirty two tuned music, then 103 00:06:48,640 --> 00:06:52,880 Speaker 1: you're going to have nice crystals, which again your body's 104 00:06:52,920 --> 00:06:57,360 Speaker 1: paid mostly of water. Right, So that means that humans 105 00:06:57,400 --> 00:07:01,240 Speaker 1: as a musical instrument, or we like certain frequencies and 106 00:07:01,360 --> 00:07:06,800 Speaker 1: we don't like certain frequencies, and maybe by de tuning, 107 00:07:07,640 --> 00:07:11,760 Speaker 1: using detuned frequencies on the population, you'll see more violence 108 00:07:11,800 --> 00:07:15,760 Speaker 1: and you'll see you'll see more crime. Right. But what 109 00:07:15,960 --> 00:07:19,560 Speaker 1: also is interesting too is that the monument, if you 110 00:07:19,640 --> 00:07:22,800 Speaker 1: take the monument and there's another diagram up on your 111 00:07:22,840 --> 00:07:26,320 Speaker 1: site that demonstrates this, and this is the it's hidden code. 112 00:07:27,040 --> 00:07:30,840 Speaker 1: Is that if I use the monument's height five fifty 113 00:07:30,880 --> 00:07:33,880 Speaker 1: five point one two five inches and I draw two 114 00:07:33,960 --> 00:07:37,800 Speaker 1: circles that diameter, if you look on the lawn, on 115 00:07:37,880 --> 00:07:40,320 Speaker 1: the grass feature of the monument, you'll see what I'm 116 00:07:40,320 --> 00:07:44,000 Speaker 1: talking about. There's two circles, they come together in their 117 00:07:44,000 --> 00:07:46,640 Speaker 1: midsection and then they form what's called the veskea pisces, 118 00:07:47,080 --> 00:07:50,320 Speaker 1: which is like an elliptical. It looks like an eye, right, 119 00:07:50,880 --> 00:07:53,640 Speaker 1: And you see this on the lawn, which means somebody 120 00:07:53,720 --> 00:07:56,600 Speaker 1: knows what I'm about to tell you, because the monument 121 00:07:56,720 --> 00:07:59,440 Speaker 1: is taller than the Great Permit of Egypt. But if 122 00:07:59,440 --> 00:08:02,840 Speaker 1: I make two two circles whose diameter is the heightest 123 00:08:02,840 --> 00:08:06,000 Speaker 1: the monument five hundred and fifty five feet and five 124 00:08:06,000 --> 00:08:08,920 Speaker 1: point one two five inches, the Vestka pisces Is, the 125 00:08:09,000 --> 00:08:12,360 Speaker 1: exact finished height is the Great Pyramid of Egypt. And 126 00:08:12,560 --> 00:08:16,840 Speaker 1: that means whoever built it and whoever decided on its 127 00:08:16,920 --> 00:08:22,560 Speaker 1: final height newest secret greater than Dan Brown's Laws Symbol. Right, 128 00:08:23,160 --> 00:08:27,120 Speaker 1: Dan Brown's Law Symbol series ends in this, you know this, 129 00:08:27,120 --> 00:08:28,960 Speaker 1: this new TV series that came out, and it ends 130 00:08:29,000 --> 00:08:31,640 Speaker 1: with the Washington Monument being the greatest secret holder, but 131 00:08:31,680 --> 00:08:34,480 Speaker 1: he doesn't know what the secret is. So if the 132 00:08:34,600 --> 00:08:38,480 Speaker 1: monument and the grass feature on the lawn, which is 133 00:08:38,480 --> 00:08:44,720 Speaker 1: the Vestica pisces Is, is the monument's greatest secret, that 134 00:08:44,840 --> 00:08:49,040 Speaker 1: it is really the mother frequency of the of the 135 00:08:49,040 --> 00:08:55,160 Speaker 1: Great Pyramid of Egypt, then and of course the obelist 136 00:08:55,400 --> 00:08:59,520 Speaker 1: come from Egypt, right, And then you go all the 137 00:08:59,559 --> 00:09:02,599 Speaker 1: way to the Vatican. So at the Vatican, this is 138 00:09:02,640 --> 00:09:05,200 Speaker 1: going to be really mind blowing because the Vatican's height 139 00:09:05,400 --> 00:09:09,960 Speaker 1: is Saint Peter's Basilica, designed by Michaelangelo, was one of 140 00:09:09,960 --> 00:09:12,560 Speaker 1: the Chief Architects is the same height as the Great 141 00:09:12,559 --> 00:09:17,520 Speaker 1: Pyramid of Egypt is today without its capstone, without without 142 00:09:17,520 --> 00:09:21,360 Speaker 1: the tile, right without the tip, whereas the Washington Monument's 143 00:09:21,440 --> 00:09:24,160 Speaker 1: height when you make two circles and they form the 144 00:09:24,240 --> 00:09:26,439 Speaker 1: Vesica Pisces in the middle. The graphic is up on 145 00:09:26,760 --> 00:09:30,560 Speaker 1: your website for people to see. The height of the 146 00:09:30,640 --> 00:09:33,120 Speaker 1: Vestka Pisces is the exact height of the Great Pyramid 147 00:09:33,120 --> 00:09:38,000 Speaker 1: of Egypt. But but why would the Vatican make Saint 148 00:09:38,040 --> 00:09:42,319 Speaker 1: Peter's the height of the pyramid? Because I mean, it's 149 00:09:42,360 --> 00:09:45,960 Speaker 1: accurate to ninety nine point nine eight percent, it's off 150 00:09:46,040 --> 00:09:48,800 Speaker 1: by like a foot in a few inches. And you 151 00:09:48,880 --> 00:09:51,880 Speaker 1: know what they intended to do, because in the courtyard 152 00:09:51,880 --> 00:09:55,040 Speaker 1: of the Vaticans is another albois that looks like the 153 00:09:55,080 --> 00:09:58,600 Speaker 1: Washington Monument, but it's smaller. So I did the math 154 00:09:58,720 --> 00:10:01,680 Speaker 1: on that one, and it turns out it's an A 155 00:10:02,720 --> 00:10:07,240 Speaker 1: on the piano four forty four, a note transmitter, and 156 00:10:07,400 --> 00:10:12,280 Speaker 1: John Lennon apparently tuned his guitar to A four forty 157 00:10:12,280 --> 00:10:15,880 Speaker 1: four for some reason. So so, so why why is 158 00:10:15,920 --> 00:10:18,360 Speaker 1: that one a forty four in the monuments a four 159 00:10:18,559 --> 00:10:22,920 Speaker 1: thirty two? And what does that do to human consciousness 160 00:10:22,960 --> 00:10:25,520 Speaker 1: and could this frequency have been used to move the 161 00:10:25,559 --> 00:10:28,800 Speaker 1: blocks of the pyramids. We'll see when when you get 162 00:10:28,880 --> 00:10:33,280 Speaker 1: into um like um what's his name? In Ford Lee 163 00:10:33,440 --> 00:10:40,440 Speaker 1: Skellon Edward Edward lead Skelman, he said, there's a great 164 00:10:40,440 --> 00:10:42,240 Speaker 1: secret there. If you look at the top of his 165 00:10:42,520 --> 00:10:47,199 Speaker 1: pyramidal polls, you'll see a box, which is where people 166 00:10:47,240 --> 00:10:50,160 Speaker 1: think he had a frequency transmitter. And I measured the 167 00:10:50,200 --> 00:10:54,360 Speaker 1: boxes ratio. It is an art of the Covenant ratio. 168 00:10:55,160 --> 00:10:58,439 Speaker 1: And and this is this is where my work is going. Now. 169 00:10:58,640 --> 00:11:04,760 Speaker 1: I have decoded what I believe is the God frequency 170 00:11:05,120 --> 00:11:07,320 Speaker 1: of the Holy of Holies in the Ark of the Covenant, 171 00:11:07,360 --> 00:11:10,400 Speaker 1: and I think scalin knew it. Now. I haven't used 172 00:11:10,400 --> 00:11:13,560 Speaker 1: the frequencies yet that I've decoded in the Ark of 173 00:11:13,600 --> 00:11:16,640 Speaker 1: the Covenant and the and the and the Holy of Holies. 174 00:11:16,679 --> 00:11:19,559 Speaker 1: But the fact that, okay, and the fact that the 175 00:11:20,200 --> 00:11:22,560 Speaker 1: pyramid a lot of people don't know what I'm about 176 00:11:22,600 --> 00:11:25,959 Speaker 1: to tell you. The pyramids Queen's Chamber and King's Chamber 177 00:11:26,520 --> 00:11:31,040 Speaker 1: are the exact same measurement as Moses's original Holy of 178 00:11:31,120 --> 00:11:34,080 Speaker 1: Holies when it was a tabernacle, when it was a tent. 179 00:11:34,559 --> 00:11:37,720 Speaker 1: So there was a ten by ten by ten cubic tent. 180 00:11:38,760 --> 00:11:40,720 Speaker 1: And we know in the Book of Ezekiel that God 181 00:11:40,840 --> 00:11:43,520 Speaker 1: uses the royal cubit, the long cubit, which is a 182 00:11:43,600 --> 00:11:46,160 Speaker 1: cubic plus a hand, because that's what it says in Ezekiel. 183 00:11:46,520 --> 00:11:49,480 Speaker 1: So the Queen's chamber is the exact same measurement in 184 00:11:49,520 --> 00:11:52,960 Speaker 1: the Great Pyramid as Moses's original Holy of Holies where 185 00:11:52,960 --> 00:11:55,520 Speaker 1: the Ark of the Covenant was stored. Now in the cavern, 186 00:11:55,640 --> 00:11:58,520 Speaker 1: the goth the e the Open Book of Kings, it 187 00:11:58,640 --> 00:12:02,200 Speaker 1: says the Ark of the Covenant levitated the Israelites luggage, 188 00:12:02,840 --> 00:12:07,880 Speaker 1: levitated their luggage. So why does leeds Dalin have look 189 00:12:07,880 --> 00:12:09,960 Speaker 1: at the top of the poll there If you look 190 00:12:09,960 --> 00:12:12,480 Speaker 1: at the ratio, the ratio of the Art of vict 191 00:12:12,480 --> 00:12:16,640 Speaker 1: seven is a Fibnachi three to five ratio, which is 192 00:12:16,679 --> 00:12:19,960 Speaker 1: one to one point six s six. Right now, tie 193 00:12:20,000 --> 00:12:23,320 Speaker 1: this in David to the two. Tesla's death ray. Was 194 00:12:23,360 --> 00:12:30,120 Speaker 1: his ray based on vibration? Oh yeah, the Tesla death ray. 195 00:12:31,760 --> 00:12:36,520 Speaker 1: The theory is okay. So when the FBI investigated Tesla's 196 00:12:36,559 --> 00:12:40,280 Speaker 1: death and I got a copy of all those declassified files, 197 00:12:40,679 --> 00:12:43,240 Speaker 1: I found my boss his name in their magwitch. Why 198 00:12:43,280 --> 00:12:46,360 Speaker 1: because he was from Yugoslavia, and they thought he knew 199 00:12:46,400 --> 00:12:51,120 Speaker 1: something about the death rays. And when I interviewed my friend, 200 00:12:51,160 --> 00:12:55,359 Speaker 1: Boyd Bushman, the Lockied Martin Senior scientists of twenty years, 201 00:12:55,600 --> 00:12:58,240 Speaker 1: who told me that a friend of his was a 202 00:12:58,440 --> 00:13:02,200 Speaker 1: Navy doctor who free to a pilot from radiation Burns 203 00:13:02,200 --> 00:13:05,240 Speaker 1: who had just used TESLA death ray to shoot down 204 00:13:05,240 --> 00:13:11,760 Speaker 1: the Roswell saucer Um. We again, we know that according 205 00:13:11,760 --> 00:13:14,720 Speaker 1: to the test Tesla files, that the death ray was 206 00:13:14,760 --> 00:13:17,800 Speaker 1: taken to right Patterson Air Force Base. Right and believe 207 00:13:17,880 --> 00:13:21,120 Speaker 1: or not, Right Patterson is inside of my bubble within 208 00:13:21,160 --> 00:13:26,160 Speaker 1: the monument. Is it still there? Is? What's still there? 209 00:13:26,320 --> 00:13:30,760 Speaker 1: The death ray? Oh, we're we've we've developed a death 210 00:13:30,840 --> 00:13:33,400 Speaker 1: ray that is way beyond the original death rates. Now 211 00:13:33,640 --> 00:13:37,120 Speaker 1: the death ray, according to Tesla, could annihilate an army 212 00:13:37,120 --> 00:13:40,520 Speaker 1: of a hundred thousand soldiers at once. That would be 213 00:13:41,240 --> 00:13:43,600 Speaker 1: one of the I believe it is the weapon, and 214 00:13:43,720 --> 00:13:47,360 Speaker 1: Boyd Bushman confirmed this in an interview with me, that 215 00:13:47,400 --> 00:13:52,000 Speaker 1: we're using to shoot down these these you know, unknown 216 00:13:52,600 --> 00:13:56,160 Speaker 1: you know uap UFOs And and that's one of the 217 00:13:56,200 --> 00:14:00,360 Speaker 1: reasons the UFOs don't they don't get that close anymore. 218 00:14:00,360 --> 00:14:04,920 Speaker 1: You don't hear stories like you used to of of 219 00:14:04,920 --> 00:14:08,040 Speaker 1: of landings that are that are closed. I was just 220 00:14:08,080 --> 00:14:10,880 Speaker 1: saying that too this week, good David, that we don't 221 00:14:10,920 --> 00:14:13,800 Speaker 1: get landing pads and all those things we used to 222 00:14:13,840 --> 00:14:18,600 Speaker 1: see scorched out, burned areas of grass and show. I 223 00:14:18,679 --> 00:14:21,240 Speaker 1: know a professor at Sunda Monica College. I interviewed him, 224 00:14:21,240 --> 00:14:23,960 Speaker 1: trying to remember his last name. His first name was David. 225 00:14:24,080 --> 00:14:27,680 Speaker 1: He and his girlfriend were in Phoenix, Arizona, and and 226 00:14:27,760 --> 00:14:31,560 Speaker 1: his girlfriend's dad worked at the you know the the 227 00:14:31,960 --> 00:14:36,120 Speaker 1: the radio tower in the airport in Phoenix, and they 228 00:14:36,160 --> 00:14:38,360 Speaker 1: came upon a UFO in this field. It was hovering 229 00:14:38,400 --> 00:14:40,760 Speaker 1: a few feet off the ground. And I mean, this 230 00:14:40,960 --> 00:14:43,920 Speaker 1: is a professor. It sound amount the college telling me this. 231 00:14:44,360 --> 00:14:46,320 Speaker 1: And they got close to it, they could see it. 232 00:14:46,640 --> 00:14:50,440 Speaker 1: The UFO I saw in Berkeley nineteen sixty eight was close. 233 00:14:50,680 --> 00:14:54,120 Speaker 1: It was hovering above you know, the Berkeley campus. You 234 00:14:54,240 --> 00:14:58,120 Speaker 1: don't see that much anymore, No, you don't, because of 235 00:14:58,200 --> 00:15:03,400 Speaker 1: the weapon that that we I mean, I think Tesla 236 00:15:03,560 --> 00:15:07,160 Speaker 1: developed a death ray that our military was satisfied with 237 00:15:07,200 --> 00:15:10,280 Speaker 1: the development. He was murdered even though he was eighty 238 00:15:10,320 --> 00:15:13,960 Speaker 1: seven years old, and the death rays taken to write 239 00:15:14,000 --> 00:15:18,320 Speaker 1: pat and that's where they developed it. And when we 240 00:15:18,440 --> 00:15:22,960 Speaker 1: detonated the atomic bomb at Trinity Site, New Mexico, we 241 00:15:23,120 --> 00:15:27,280 Speaker 1: opened up a time dilation portal, which is why you 242 00:15:27,280 --> 00:15:30,640 Speaker 1: you have three UFO crash sights on all three on 243 00:15:30,680 --> 00:15:34,480 Speaker 1: all sides of the Trinity Sites. That's where the we 244 00:15:34,480 --> 00:15:39,200 Speaker 1: were chasing these UFOs on radar and we shot them down. 245 00:15:39,400 --> 00:15:42,240 Speaker 1: This is a very different theory than them getting struck 246 00:15:42,280 --> 00:15:46,360 Speaker 1: by lightning from a lightning storm. I don't believe lightning 247 00:15:46,520 --> 00:15:50,280 Speaker 1: would take them down. Absolutely, I don't believe that. And also, 248 00:15:50,480 --> 00:15:52,240 Speaker 1: you know, the last time I was on your show, 249 00:15:52,280 --> 00:15:55,600 Speaker 1: we were talking about the case that I have the 250 00:15:55,720 --> 00:15:59,560 Speaker 1: photographs in the email testimony that the Space Shuttle Columbia 251 00:15:59,720 --> 00:16:02,320 Speaker 1: was taken out by some kind of a weapon and 252 00:16:02,400 --> 00:16:07,720 Speaker 1: we can see it getting hit by this weapon. And again, 253 00:16:08,160 --> 00:16:12,880 Speaker 1: was that weapon et or was it a demonstration which 254 00:16:12,880 --> 00:16:15,600 Speaker 1: would be a very cruel thing to a lightning bolt 255 00:16:15,680 --> 00:16:18,920 Speaker 1: or something doesn't Yeah, but it's lightning has tentacles. So 256 00:16:19,080 --> 00:16:21,760 Speaker 1: this thing's way too slow to be lightning. The thing 257 00:16:21,800 --> 00:16:24,760 Speaker 1: that hit the Colombia, it's it's you know, lightning is 258 00:16:25,680 --> 00:16:29,440 Speaker 1: way too fast to have been this, and lightning you 259 00:16:29,480 --> 00:16:32,240 Speaker 1: can't get three pictures of the same lightning strike. I mean, 260 00:16:32,280 --> 00:16:35,680 Speaker 1: this guy got You're lucky to even get one. You're 261 00:16:35,760 --> 00:16:38,280 Speaker 1: lucky to get one. I mean it's this guy is 262 00:16:38,320 --> 00:16:41,960 Speaker 1: pressing his shutter on a tripod in San Francisco Bay 263 00:16:41,960 --> 00:16:44,920 Speaker 1: areas and he's getting pictures of this thing coming in 264 00:16:45,000 --> 00:16:47,760 Speaker 1: and chasing the Colombia. The Colombia is doing eighteen and 265 00:16:47,760 --> 00:16:50,720 Speaker 1: a half thousand, seventeen and a half thousand miles an hour, 266 00:16:51,320 --> 00:16:55,560 Speaker 1: and this thing incoming is peaking at sixty thousand miles 267 00:16:55,560 --> 00:16:58,600 Speaker 1: an hour. So lightning is somewhere around. Oh my god, 268 00:16:58,640 --> 00:17:00,200 Speaker 1: I don't have my notes in front of me. It's 269 00:17:00,280 --> 00:17:04,680 Speaker 1: way past that. So what hit the Colombia was definitely 270 00:17:05,680 --> 00:17:10,760 Speaker 1: not a lightning strike. It there's no tentacles. It course 271 00:17:10,880 --> 00:17:14,680 Speaker 1: corrects and turns ninety degrees when it misses the Colombia 272 00:17:14,680 --> 00:17:17,240 Speaker 1: and then hits it. Listen to more Coast to Coast 273 00:17:17,240 --> 00:17:20,960 Speaker 1: AM every weeknight at one am Eastern and go to 274 00:17:21,000 --> 00:17:23,080 Speaker 1: Coast to Coast am dot com for more