WEBVTT - 3. The Timeline

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<v Speaker 1>Murder on Songbird Road is a production of iHeart Podcasts.

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<v Speaker 1>Previously on Murder on Songbird Road.

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<v Speaker 2>I don't think she did it.

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<v Speaker 3>That's Stuart, the biological father of Jaden.

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<v Speaker 2>They've never found a weapon or if the change clothes

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<v Speaker 2>never made sense, still doesn't make sense.

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<v Speaker 1>If there was a magic wand waved and Julie was out,

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<v Speaker 1>you wouldn't have any reservation whatsoever about Jaden.

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<v Speaker 3>Being with her. No, she loved all her children.

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<v Speaker 1>Nikki says she knows Julia extremely well, even for cousins.

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<v Speaker 3>Even the ones that she didn't give birth to. That

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<v Speaker 3>is one thing that she is extremely good at.

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<v Speaker 1>Beverly suddenly recalled that she actually stopped at Hucks. I said, Julie,

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<v Speaker 1>you got its home, because as of right now, they're

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<v Speaker 1>trying to say you never left the house.

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<v Speaker 3>I called and asked for Carl Gustantine personally. I told

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<v Speaker 3>him that Julie remembered she stopped at Hucks for gas.

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<v Speaker 3>He said, well, I'll have to hear that from her.

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<v Speaker 3>And I said, well, she's already invoked an attorney, so

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<v Speaker 3>you have your information. And he said okay and hung

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<v Speaker 3>up the phone.

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<v Speaker 1>The video from the gas station, what did they claim

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<v Speaker 1>they'd found.

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<v Speaker 3>They got Julian camera stopping at the gas station to

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<v Speaker 3>throw away items in the same area.

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<v Speaker 2>Julie is, there is a incident and this hall was

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<v Speaker 2>made at ten thirty for.

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<v Speaker 4>A suspicious person. In no way.

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<v Speaker 3>Yes, he's wearing a black hoodie and dark pants. We're

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<v Speaker 3>heading to Marian.

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<v Speaker 2>I'm here for it. I'm ready.

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<v Speaker 1>I'm Lauren bred Pacheco and this is murder on Songbird Road.

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<v Speaker 1>Julia Beverly sentencing was scheduled for Friday, October thirteenth, twenty

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<v Speaker 1>twenty three, the day before Bob Matta came down from Chicago.

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<v Speaker 1>I flew in through Saint Louis, Missouri, and drove the

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<v Speaker 1>two hours to Marion.

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<v Speaker 3>We connected there in person for the first time.

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<v Speaker 5>Hi.

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<v Speaker 2>Hey.

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<v Speaker 1>In person, Mada comes across more like a slightly jaded,

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<v Speaker 1>tough guy than a former defense attorney. He's recording Oh

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<v Speaker 1>we are Yeah, I had a new kid, so it

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<v Speaker 1>took me a while. He's long traded ties for T shirts,

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<v Speaker 1>a beard and a mustache that veers more biker than

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<v Speaker 1>bar exam, a look much more in keeping with his

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<v Speaker 1>additional passion to law and his wife Alison music.

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<v Speaker 3>When we finally crossed paths. In Marion.

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<v Speaker 1>He had just met with Julia Beverly at the Williamson

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<v Speaker 1>County Jail.

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<v Speaker 2>So I get down their typical small town county jail,

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<v Speaker 2>but big structure. It's a relatively big structure. I don't know,

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<v Speaker 2>have you been into a jail.

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<v Speaker 1>Yeah, So Pinkneyville where Chris is it basically looks like

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<v Speaker 1>a nineteen sixties high school.

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<v Speaker 2>Yeah, this one's a little more modern. It's still probably

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<v Speaker 2>thirty years old. But for Mary in Illinois, which is

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<v Speaker 2>extremely rural down here, it was big. Clearly they have

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<v Speaker 2>a pretty good amount of people in there because there

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<v Speaker 2>were several blocks, and you walk in and every jail

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<v Speaker 2>in prison has that smell. There's no other smell like

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<v Speaker 2>a jail or a prison.

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<v Speaker 4>It's bad.

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<v Speaker 2>It's like a weird maple syrup with like combined with

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<v Speaker 2>dirty feet.

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<v Speaker 3>I can't say. It's kind of stress and depression.

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<v Speaker 2>Yeah, that's oll that's for certain, Like if that's if

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<v Speaker 2>that had a smell, that's exactly what it would smell like.

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<v Speaker 2>So I get in, give them my creds. I wanted

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<v Speaker 2>to be able to meet with her with suprivacy so

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<v Speaker 2>that we could have like a full discussion.

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<v Speaker 1>Since mod is still a licensed attorney, he was able

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<v Speaker 1>to meet with Beverly in an area that allows a

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<v Speaker 1>degree of privacy, as opposed to a commune visiting space,

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<v Speaker 1>which was conducive to the conversation he planned on having.

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<v Speaker 2>So I wanted to interview her. I wanted to get

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<v Speaker 2>factually what her side of the story was, where it

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<v Speaker 2>wasn't being read through a transcript where I know obviously

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<v Speaker 2>things were not addressed, where things were inadmissible. I'm always

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<v Speaker 2>walking in having defended some pretty awful people in my life,

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<v Speaker 2>and I always can pride myself and be able to

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<v Speaker 2>sense if somebody seems off, I always feel like I

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<v Speaker 2>can pick them out. And I wasn't getting that sense

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<v Speaker 2>from her, you know. And I'm asking her a lot

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<v Speaker 2>of questions, like I wouldn't consider it to be an

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<v Speaker 2>interior Geisha, But I told her, I said, I'm going

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<v Speaker 2>to play Devil's advocate here. I want to pick out

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<v Speaker 2>the things that we know were issues at trial, the

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<v Speaker 2>things that we are going to be concerned with as

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<v Speaker 2>we're progressing through this. We want to address them. We

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<v Speaker 2>can't pretend that they don't exist. And I said, look,

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<v Speaker 2>I don't want you sugarcoating anything, Like if you and

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<v Speaker 2>Mike were in arguments, I want to hear authentically how

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<v Speaker 2>they were, Like, were you guys screamers? Were you dropping

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<v Speaker 2>f bombs in each other? What kind of relationship was it?

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<v Speaker 2>I want to know, because it all matters. She was candid.

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<v Speaker 2>I'd start with the background. I get the history of

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<v Speaker 2>her and Mike, the relationship with her and Jade.

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<v Speaker 1>Matt and I both know that while friends and family

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<v Speaker 1>often paint a sympathetic picture of the accused, some questions

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<v Speaker 1>and doubts can only be addressed by actually sitting with

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<v Speaker 1>them face to face.

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<v Speaker 3>What was she like physically small?

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<v Speaker 2>So she's probably four to eleven diminutive, small, like not imposing.

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<v Speaker 2>My wife's four eleven two, so I'm used to little,

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<v Speaker 2>but she's She's little, sweet, very nice. I start from

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<v Speaker 2>the history of her and Mike from the beginning. When

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<v Speaker 2>did you meet? How old were the kids? Julie's got

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<v Speaker 2>Jaden and Mike had Jade. They were both four years

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<v Speaker 2>old when they met. She goes through kind of like

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<v Speaker 2>the backstory in terms of a cook.

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<v Speaker 3>Right, was a hostess? Yeah?

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<v Speaker 2>They were working at this Benny's, which is an Italian

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<v Speaker 2>spot that they both worked out here and Marion. In

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<v Speaker 2>terms of the relationship, they kind of hit it off.

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<v Speaker 2>They both liked the fact that they had a young kid.

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<v Speaker 2>They felt that that was something that was going to

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<v Speaker 2>make them compatible in terms of being able to, hey,

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<v Speaker 2>you know, we're not going to go out tonight because

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<v Speaker 2>we have kids, you know, that type of thing. And

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<v Speaker 2>so they really kind of connected pretty quickly. The relationship

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<v Speaker 2>blossoms within a year, they're moving in together. I was

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<v Speaker 2>asking her, you know, how was your relationship with Jade. Initially,

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<v Speaker 2>my parents divorced when I was young, and I'm also

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<v Speaker 2>a parent of step children. I used that experiences from

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<v Speaker 2>me being a stepchild to like what not to do

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<v Speaker 2>in terms of being a step parent, you know, never

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<v Speaker 2>forcing kids to say I love you and let them

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<v Speaker 2>just develop organically their feelings for you, and all the

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<v Speaker 2>things that went on with me as a young kid.

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<v Speaker 2>I didn't want those same mistakes, and I wanted my

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<v Speaker 2>kids to grow to love me on their own accord.

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<v Speaker 2>So she did the same thing. She was very thoughtful

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<v Speaker 2>about it. I'm like, how was your relationship with Jessica,

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<v Speaker 2>who was Mike's ex mother of Jade.

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<v Speaker 3>When I said that they never really interacted much.

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<v Speaker 2>They didn't. That was kind of the deal. Anytime there

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<v Speaker 2>were issues with Jade, Jessica would never communicate with Julie.

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<v Speaker 2>She would always go to Mike, which irritated Julie obviously.

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<v Speaker 2>She's like, we're together, they have two kids together, they're

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<v Speaker 2>a blended family, and just Jessica just never would really

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<v Speaker 2>get with her like in terms of interacting. So she

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<v Speaker 2>gave me the examples of situations that had arisen over

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<v Speaker 2>the years. They weren't anything that lasted for long duration,

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<v Speaker 2>kind of like menial type things like there was a

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<v Speaker 2>thing where we'd be running late. I'd give Jade a

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<v Speaker 2>pop tart on the run type of breakfast. Jade wouldn't

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<v Speaker 2>eat it. And then Jade would mention something at school like, oh,

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<v Speaker 2>I didn't eat breakfast. My parents didn't feed me, and

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<v Speaker 2>they were calling Jessica and Jessica's like, oh, why aren't

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<v Speaker 2>you feeding my kid? And she starts like for a

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<v Speaker 2>couple months, like bringing boxes of cereal over, like as

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<v Speaker 2>if they're neglecting the kid. It's like those kind of

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<v Speaker 2>things were going on. So it definitely was never a

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<v Speaker 2>relationship where they were friendly.

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<v Speaker 1>It doesn't sound like justin aside, this strained, if not

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<v Speaker 1>non existent relationship with Jessica could shed some light on

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<v Speaker 1>the lack of support for Julia in the days and

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<v Speaker 1>hours immediately following the murder. Also know that we have

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<v Speaker 1>reached out multiple times to multiple members of Jade's side

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<v Speaker 1>of the family, and you will hear their take as

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<v Speaker 1>well in future episodes. Back to Bob and his meeting

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<v Speaker 1>with Beverly.

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<v Speaker 2>It wasn't like a battle, which just was like a

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<v Speaker 2>non existent relationship, which to me is strange. I mean,

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<v Speaker 2>if you've got blended families, and Jessica had had another kid,

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<v Speaker 2>so Jade had a half sister, and what had happened

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<v Speaker 2>during COVID when they shut the country down. Kids eventually

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<v Speaker 2>started having them remote and then as it started to

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<v Speaker 2>phase back, giving people the choice you want to send

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<v Speaker 2>your kids back or do you want to stay remote.

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<v Speaker 2>And so that was a sticky issue between Mike and

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<v Speaker 2>Julie because Mike and Julie wanted Jade to finish the

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<v Speaker 2>year just remote, Jessica wantitor back in school in person.

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<v Speaker 2>I guess Mike and Julie ended up having a beef

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<v Speaker 2>about it, and where Mike's like, well, look, ultimately, it's

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<v Speaker 2>not your kid. Jessica's going to have final say so

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<v Speaker 2>over this thing. So I'm like, well, did you harbor resentment?

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<v Speaker 2>Was that something that you would bring up in arguments?

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<v Speaker 2>She's like, no, not really.

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<v Speaker 5>I think that's really interesting because Julie was working at

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<v Speaker 5>home for Hyatt, right, and Mike was working out of

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<v Speaker 5>a house at Cracker Barrel. So if Julie wanted Jade

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<v Speaker 5>to do remote learning, that puts the responsibility on her, right,

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<v Speaker 5>which speaks volumes to their relationship. Right, if you don't

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<v Speaker 5>like a kid, you don't want that kid doing remote

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<v Speaker 5>learning in your house.

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<v Speaker 2>You want him out of the house because you have to,

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<v Speaker 2>you know, police it, right exactly.

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<v Speaker 1>We'll be right back with Murder on Songbird Road. Now

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<v Speaker 1>back to Murder on Songbird Road. So, the portrait of

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<v Speaker 1>Beverly as a mother and a stepmother that had begun

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<v Speaker 1>to emerge from our preliminary interviews seems him keeping with

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<v Speaker 1>the fact that the state never presented a motive or

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<v Speaker 1>any testimony that painted Julia Beverly as abusive or violent. Instead,

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<v Speaker 1>they offered a timeline confirmed by her employer's records. Sell

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<v Speaker 1>signals and surveillance footage. According to the prosecution, on December fifth,

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<v Speaker 1>twenty twenty, Beverly was scheduled to work from home from

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<v Speaker 1>seven thirty am to twelve thirty pm. While she was

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<v Speaker 1>scheduled to have a break from nine thirty am to

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<v Speaker 1>nine forty five. Beverly was actually logged out of the

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<v Speaker 1>work system from nine thirty to ten fifteen am. It

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<v Speaker 1>is during that forty five minute window that the prosecution

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<v Speaker 1>contends Beverly brutally murdered Jade Beasley, meticulously removing all evidence

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<v Speaker 1>of blood from her person before returning to her home

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<v Speaker 1>office and typing text responses to customer inquiries and complaints

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<v Speaker 1>on social media for an additional fifty minutes. Beverly then

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<v Speaker 1>requested to end her work day early at eleven o

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<v Speaker 1>five am, and was granted time off at eleven oh seven,

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<v Speaker 1>when she logged off Hyatt's system. Beverly left the house

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<v Speaker 1>by eleven thirty six am.

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<v Speaker 3>The prosecution contends that was.

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<v Speaker 1>When Beverly departed with the bloody outfit she wore while

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<v Speaker 1>committing the murder, the materials she used to clean up,

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<v Speaker 1>and the murder weapon, all of this fitting into the

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<v Speaker 1>small bag. She was captured on video discarding at Hawk's

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<v Speaker 1>gas station, where she said she stopped to get gas

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<v Speaker 1>before realizing she'd left her.

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<v Speaker 3>Credit cards at home.

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<v Speaker 1>There are many issues with this narrative, which we will

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<v Speaker 1>address in great detail going forward, but one stuck out

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<v Speaker 1>immediately to both Mada and myself as soon as we

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<v Speaker 1>started reviewing the facts of this case. No blood was

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<v Speaker 1>ever found in Beverly's home office, not Beverly's or Jade Beasley's.

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<v Speaker 1>We will get back to the importance and probability of

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<v Speaker 1>that in terms of the prosecution's theory.

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<v Speaker 3>But back to Bob and I lead up.

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<v Speaker 2>To the fifth of December, which is that horrible day.

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<v Speaker 2>I'm like to start from the minute you open your eyes,

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<v Speaker 2>tell me what happened. I get the background about like

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<v Speaker 2>Jessica had had another child, Jade's half sister, and there

0:12:55.520 --> 0:12:57.800
<v Speaker 2>was a party that was supposed to be taking place

0:12:57.880 --> 0:13:02.480
<v Speaker 2>that weekend. Juliet been told by both Jade and Mike

0:13:02.760 --> 0:13:06.960
<v Speaker 2>that the party was taking place on Sunday. And December

0:13:06.960 --> 0:13:09.959
<v Speaker 2>fifth is Saturday, and she's working that day, and she

0:13:10.559 --> 0:13:13.720
<v Speaker 2>had pushed up her work schedule an hour she wanted

0:13:13.760 --> 0:13:15.319
<v Speaker 2>to get off an hour earlier, and I asked her,

0:13:15.440 --> 0:13:18.080
<v Speaker 2>was there a reason in particular that you wanted to

0:13:18.120 --> 0:13:20.480
<v Speaker 2>reschedule and move that hour up. She's like, no, not

0:13:20.520 --> 0:13:24.680
<v Speaker 2>in particular. Essentially, Mike's out of the house early by

0:13:24.720 --> 0:13:27.160
<v Speaker 2>like seven o'clock. He's working the morning shift at the

0:13:27.160 --> 0:13:31.720
<v Speaker 2>cracker barrel, and at that point it's just Julie and Jade.

0:13:32.120 --> 0:13:36.280
<v Speaker 2>She logs in remotely, key strokes the whole nine yards.

0:13:36.280 --> 0:13:38.440
<v Speaker 2>They know when she's off, you know, they know when

0:13:38.520 --> 0:13:40.520
<v Speaker 2>she's on. They know what she's doing on her computer.

0:13:41.320 --> 0:13:43.800
<v Speaker 2>About eight o'clock, Jade wanders in and she's got like

0:13:43.880 --> 0:13:46.760
<v Speaker 2>an office. It's got a door, and I'm like, was

0:13:46.800 --> 0:13:49.400
<v Speaker 2>the door closed? She's a guy typically will keep it closed,

0:13:49.440 --> 0:13:52.000
<v Speaker 2>and she said, jagging him in, I'm hungry, so we'll

0:13:52.000 --> 0:13:57.040
<v Speaker 2>go make yourself bowl of cereal. He says, okay, close

0:13:57.080 --> 0:14:00.520
<v Speaker 2>to the door. Doesn't hear from her for a couple hours,

0:14:00.840 --> 0:14:05.520
<v Speaker 2>and at some point Jade apparently comes in and says,

0:14:05.559 --> 0:14:08.680
<v Speaker 2>I'm hungry again. Julie's like, why don't we wait till lunch.

0:14:08.840 --> 0:14:11.880
<v Speaker 2>It's an hour and a half. We'll have a nice launch,

0:14:12.160 --> 0:14:15.280
<v Speaker 2>And she said Jade was upset about it, like she

0:14:15.360 --> 0:14:17.719
<v Speaker 2>was frustrated, and she's like, I'm hungry now, I want

0:14:17.720 --> 0:14:21.000
<v Speaker 2>to eat now. Julie's like, what's really going on. You

0:14:21.040 --> 0:14:22.920
<v Speaker 2>can't be that upset because I don't want you to

0:14:22.920 --> 0:14:24.000
<v Speaker 2>eat another bowl of cereal.

0:14:24.720 --> 0:14:28.360
<v Speaker 1>It was at this point, according to Beverly, Jade confided

0:14:28.400 --> 0:14:31.120
<v Speaker 1>in her as to a situation she was navigating with

0:14:31.160 --> 0:14:34.280
<v Speaker 1>a friend from school. We are not diving into the

0:14:34.320 --> 0:14:38.120
<v Speaker 1>specifics of that conversation because it is not our intention

0:14:38.240 --> 0:14:42.080
<v Speaker 1>to sensationalize or exploit dynamics happening within an eleven.

0:14:41.840 --> 0:14:43.120
<v Speaker 3>Year old social circle.

0:14:43.600 --> 0:14:46.000
<v Speaker 1>But it isn't a new window that has come up

0:14:46.040 --> 0:14:50.840
<v Speaker 1>repeatedly in multiple interviews. We mention it now only because

0:14:51.120 --> 0:14:54.960
<v Speaker 1>it could explain the initial misconception that Jade was processing

0:14:55.000 --> 0:14:59.440
<v Speaker 1>something that could have prompted her to contemplate suicide. That

0:14:59.520 --> 0:15:04.160
<v Speaker 1>conversation is also what Beverly says led to the extension

0:15:04.360 --> 0:15:07.280
<v Speaker 1>of the break, which was supposed to last from nine

0:15:07.480 --> 0:15:09.880
<v Speaker 1>thirty to nine forty five AM.

0:15:10.640 --> 0:15:14.240
<v Speaker 2>So what Julie tells me today is that she had

0:15:14.280 --> 0:15:17.680
<v Speaker 2>gone on break coinciding with when Jade's in the room

0:15:17.760 --> 0:15:23.320
<v Speaker 2>with her, and at some point this conversation's proceeding and

0:15:23.400 --> 0:15:26.000
<v Speaker 2>Julie feels like she's not making any headway with her,

0:15:26.920 --> 0:15:29.600
<v Speaker 2>and she stands up and she starts to usher her out.

0:15:29.640 --> 0:15:31.200
<v Speaker 2>She's like, I got to get back to work. My

0:15:31.240 --> 0:15:35.800
<v Speaker 2>break's over. I'm already ten minutes over. Go go, we'll

0:15:35.800 --> 0:15:36.640
<v Speaker 2>talk about it later.

0:15:37.400 --> 0:15:41.240
<v Speaker 1>Mada pressed Beverly on the dynamic between her and Jade

0:15:41.320 --> 0:15:42.520
<v Speaker 1>regarding the conversation.

0:15:43.320 --> 0:15:45.560
<v Speaker 2>She's like, well, I got up when I was trying

0:15:45.600 --> 0:15:47.480
<v Speaker 2>to end the conversation because I couldn't get her to

0:15:47.560 --> 0:15:49.480
<v Speaker 2>leave the room, because I needed to get back on

0:15:49.680 --> 0:15:52.800
<v Speaker 2>and continue to work and get logged back in because

0:15:52.800 --> 0:15:55.480
<v Speaker 2>I'd been out for way longer than fifteen minutes. While

0:15:55.480 --> 0:15:57.480
<v Speaker 2>I'm like, do you remember what time you logged in?

0:15:57.600 --> 0:16:01.080
<v Speaker 2>She said, I think it was ten thirteen. Is when

0:16:01.120 --> 0:16:04.760
<v Speaker 2>I get logged back in and I'm like, okay. At

0:16:04.800 --> 0:16:07.920
<v Speaker 2>some point you stand up and she's like yeah, and

0:16:08.200 --> 0:16:10.480
<v Speaker 2>what are you doing. She's like, well, I'm walking behind

0:16:10.600 --> 0:16:14.280
<v Speaker 2>Jade like this. You know, I'm behind her and I'm

0:16:14.320 --> 0:16:16.680
<v Speaker 2>not pushing her violently. I'm just kind of like, all right,

0:16:16.680 --> 0:16:19.400
<v Speaker 2>you got to go, so you get her out of

0:16:19.400 --> 0:16:23.120
<v Speaker 2>the room. I mean, I'm like, did that devolve into

0:16:23.120 --> 0:16:25.680
<v Speaker 2>a screaming match or you're screaming at her where like

0:16:25.720 --> 0:16:29.800
<v Speaker 2>She's like, no, none of that. Like I was obviously upset.

0:16:29.880 --> 0:16:33.040
<v Speaker 2>I was obviously frustrated. I got her out of the room.

0:16:33.080 --> 0:16:35.680
<v Speaker 2>I told her to go to her room and she's

0:16:35.720 --> 0:16:37.000
<v Speaker 2>like I log back in.

0:16:37.640 --> 0:16:40.680
<v Speaker 1>According to her loggin and keystrokes, we know that Beverly

0:16:40.760 --> 0:16:44.160
<v Speaker 1>then returned to working typing exchanges from ten to fifteen am,

0:16:44.640 --> 0:16:47.320
<v Speaker 1>until she asked to wrap her day early and logged

0:16:47.320 --> 0:16:51.520
<v Speaker 1>off at eleven oh seven. During that window, phone records

0:16:51.560 --> 0:16:55.800
<v Speaker 1>also show that at ten nineteen she receives a silly

0:16:55.840 --> 0:16:59.880
<v Speaker 1>meme text from Jade's father Mike, before replying Wow, ask

0:17:00.400 --> 0:17:04.359
<v Speaker 1>at ten thirty nine if he's already off work. He

0:17:04.440 --> 0:17:06.920
<v Speaker 1>responds at eleven twenty three, she.

0:17:06.960 --> 0:17:11.520
<v Speaker 2>Gets a response that he's scheduled till two, but probably

0:17:11.560 --> 0:17:12.680
<v Speaker 2>going to get off at one.

0:17:13.320 --> 0:17:16.160
<v Speaker 1>An important note, Bevely does not appear to have been

0:17:16.280 --> 0:17:19.520
<v Speaker 1>forthright with the police about the conversation she had with Jade,

0:17:19.800 --> 0:17:22.880
<v Speaker 1>or the fact Jade wasn't happy about ending it when

0:17:22.920 --> 0:17:25.120
<v Speaker 1>Beverly had to get back to work and sent her

0:17:25.160 --> 0:17:28.280
<v Speaker 1>to her room. One could argue that she didn't want

0:17:28.280 --> 0:17:31.439
<v Speaker 1>to divulge the nature of the conversation, or that she

0:17:31.640 --> 0:17:35.840
<v Speaker 1>had disciplined Jade in order to protect Jade's memory. One

0:17:35.880 --> 0:17:39.200
<v Speaker 1>could also argue it was to protect herself. Either way,

0:17:39.560 --> 0:17:41.600
<v Speaker 1>she decides to end her work day early.

0:17:42.400 --> 0:17:44.760
<v Speaker 2>So she says, Okay, I've decided I want to do

0:17:44.800 --> 0:17:47.800
<v Speaker 2>some retail therapy, That's what she calls it. I've got

0:17:47.840 --> 0:17:50.359
<v Speaker 2>a bunch of people on my Christmas list. It's December fifth.

0:17:50.359 --> 0:17:52.320
<v Speaker 2>I'm going to go to Walmart. I'm going to shop.

0:17:53.119 --> 0:17:55.760
<v Speaker 2>So that's like at eleven oh seven. And at that

0:17:55.960 --> 0:18:00.159
<v Speaker 2>point I asked her, well, had you text anybody that

0:18:00.160 --> 0:18:01.160
<v Speaker 2>you were going shopping.

0:18:01.280 --> 0:18:04.399
<v Speaker 1>She's like no, So Beverly logged off from work by

0:18:04.400 --> 0:18:07.760
<v Speaker 1>eleven oh seven and sell Tower pangs have her leaving

0:18:07.800 --> 0:18:11.320
<v Speaker 1>the house by eleven thirty six am. Here's how she

0:18:11.400 --> 0:18:13.200
<v Speaker 1>accounted for those twenty nine minutes.

0:18:13.240 --> 0:18:13.680
<v Speaker 3>To Bob.

0:18:14.160 --> 0:18:15.840
<v Speaker 2>She's like, all right, well, I had to get dressed

0:18:16.000 --> 0:18:18.639
<v Speaker 2>because like, I don't have to get dressed to work.

0:18:18.960 --> 0:18:22.280
<v Speaker 2>I'm in my pajamas, I got my clothes on, I

0:18:22.320 --> 0:18:25.920
<v Speaker 2>brushed my hair, brushed my teeth, and I let dogs out.

0:18:26.080 --> 0:18:29.640
<v Speaker 2>They have two decent sized dogs. One's like an Australian shepherd,

0:18:30.119 --> 0:18:33.080
<v Speaker 2>the other's like a rotten mix. So the big dogs.

0:18:33.280 --> 0:18:36.600
<v Speaker 2>I'm like, okay, and then you leave and she's like, yeah,

0:18:36.720 --> 0:18:40.359
<v Speaker 2>I leave, and I'm like, well, did you remember to

0:18:40.440 --> 0:18:43.639
<v Speaker 2>let the dogs back in? And she's like no. I'm like, well,

0:18:43.920 --> 0:18:48.800
<v Speaker 2>if i'm law enforcement, it's extremely convenient that you've let

0:18:48.800 --> 0:18:51.359
<v Speaker 2>the dogs out in the backyard when all this is

0:18:51.400 --> 0:18:55.160
<v Speaker 2>taking place, whether it's you or an intruder. And I've

0:18:55.200 --> 0:18:57.520
<v Speaker 2>done it. I've left my dog out, you know, if

0:18:57.600 --> 0:19:00.000
<v Speaker 2>I'm in a rush. She claims that she'd just forgot

0:19:00.240 --> 0:19:02.000
<v Speaker 2>to bring the dogs back in when she left.

0:19:02.320 --> 0:19:04.800
<v Speaker 1>This would become another of what Bob and I call

0:19:04.920 --> 0:19:08.320
<v Speaker 1>bad facts for Beverly, as is the fact that Beverly

0:19:08.440 --> 0:19:12.600
<v Speaker 1>left eleven year old Jade at home alone, especially since

0:19:12.600 --> 0:19:15.640
<v Speaker 1>in Illinois it is illegal to leave a child under

0:19:15.680 --> 0:19:18.880
<v Speaker 1>the age of fourteen home alone. This is the highest

0:19:18.920 --> 0:19:21.000
<v Speaker 1>age requirement in the United States.

0:19:21.480 --> 0:19:23.840
<v Speaker 2>And so she's like, all right, well, I tell Jade,

0:19:23.880 --> 0:19:25.760
<v Speaker 2>I'm going to be gone a couple hours. Just play

0:19:25.800 --> 0:19:28.600
<v Speaker 2>on your phone and you know, I'll be back. She's like,

0:19:28.600 --> 0:19:31.440
<v Speaker 2>it wasn't unusual for us to leave Jaden and Jade.

0:19:31.560 --> 0:19:33.359
<v Speaker 2>We'd never leave the little kids. But if it was

0:19:33.359 --> 0:19:35.720
<v Speaker 2>like just a couple hours, like two hour max. We

0:19:35.760 --> 0:19:38.600
<v Speaker 2>would leave the eleven year olds if it was during

0:19:38.640 --> 0:19:41.760
<v Speaker 2>the day. So I'm like, did you invite her? She's like, no,

0:19:41.840 --> 0:19:44.040
<v Speaker 2>I didn't invite her. I want to clear my head,

0:19:44.720 --> 0:19:46.879
<v Speaker 2>so she says, she goes out, gets in the car,

0:19:47.800 --> 0:19:48.640
<v Speaker 2>starts driving.

0:19:48.960 --> 0:19:52.120
<v Speaker 1>Beverly says she was about halfway into her travels when

0:19:52.119 --> 0:19:55.000
<v Speaker 1>she noticed her gas light was on and the car

0:19:55.119 --> 0:19:55.760
<v Speaker 1>was on empty.

0:19:55.920 --> 0:19:59.920
<v Speaker 2>She's at a red light as she opens her bath

0:20:00.480 --> 0:20:02.600
<v Speaker 2>and she says she's got two purses. She uses a

0:20:02.640 --> 0:20:05.480
<v Speaker 2>bigger purse when she's got the babies because she keeps

0:20:05.520 --> 0:20:09.000
<v Speaker 2>diapers in there, and she's got a smaller purse that

0:20:09.400 --> 0:20:11.240
<v Speaker 2>when she doesn't have the kids, she'll just carry the

0:20:11.240 --> 0:20:13.480
<v Speaker 2>smaller purse around where she drops her cards in there

0:20:13.480 --> 0:20:17.520
<v Speaker 2>and ID So, she says, she realizes she doesn't have

0:20:17.600 --> 0:20:20.480
<v Speaker 2>her a debit card there. She continues on to hawks

0:20:20.680 --> 0:20:24.520
<v Speaker 2>pulls in and then at that point she's like, sometimes

0:20:24.560 --> 0:20:26.879
<v Speaker 2>I have to change the kids in the car. I

0:20:26.880 --> 0:20:29.679
<v Speaker 2>had these diapers there, so I pull in and I

0:20:29.800 --> 0:20:33.080
<v Speaker 2>dump these in the garbage. I'm like, so you pull

0:20:33.160 --> 0:20:36.159
<v Speaker 2>up to like a pump and you're using one of

0:20:36.200 --> 0:20:38.720
<v Speaker 2>the garbage cans that they have typically between the pumps

0:20:38.760 --> 0:20:41.879
<v Speaker 2>and she's like, yeah, so then I obviously have to

0:20:41.920 --> 0:20:43.680
<v Speaker 2>go home and get my cards.

0:20:44.440 --> 0:20:49.320
<v Speaker 1>This is when the prosecution contends Beverly dumped bloody clothing, shoes,

0:20:49.600 --> 0:20:54.080
<v Speaker 1>cleaning materials, and the murder weapon, even though the surveillance

0:20:54.119 --> 0:20:57.679
<v Speaker 1>footage from the gas station shows her discarding a small

0:20:57.760 --> 0:21:01.480
<v Speaker 1>bag that easily fit in one hand. It's also of

0:21:01.600 --> 0:21:03.960
<v Speaker 1>note that when her car was seized after the murder

0:21:03.960 --> 0:21:08.400
<v Speaker 1>and placed in storage, it was indeed on empty. Back

0:21:08.440 --> 0:21:11.520
<v Speaker 1>to Bob and what Beverly told him about returning home

0:21:11.920 --> 0:21:14.000
<v Speaker 1>and sitting in the driveway in front of the barn

0:21:14.200 --> 0:21:17.600
<v Speaker 1>situated to the side of the house, scrolling Facebook before

0:21:17.640 --> 0:21:19.639
<v Speaker 1>becoming aware something seemed off.

0:21:21.480 --> 0:21:26.200
<v Speaker 2>She can hear the dogs barking, and not like oh,

0:21:26.359 --> 0:21:30.520
<v Speaker 2>Mommy's home, but like that deeper, deeper bark, like oh

0:21:30.560 --> 0:21:33.160
<v Speaker 2>there's a squirrel or there's another dog, like that real

0:21:33.280 --> 0:21:37.720
<v Speaker 2>deep guttural bark the dogs can get. So she's got

0:21:37.840 --> 0:21:40.840
<v Speaker 2>the dogs barking like that in the backyard and this

0:21:40.960 --> 0:21:43.640
<v Speaker 2>door is ajar. What is going on here? I don't

0:21:43.680 --> 0:21:46.119
<v Speaker 2>know if she's on a high alert, but she feels

0:21:46.119 --> 0:21:49.720
<v Speaker 2>like something is astray, like something seems off to her,

0:21:49.840 --> 0:21:52.439
<v Speaker 2>and she claims that she goes up, she notices that

0:21:52.520 --> 0:21:55.879
<v Speaker 2>the front door is open, the storm doors closed. I'm like,

0:21:55.920 --> 0:21:57.480
<v Speaker 2>and you did not leave it that way. She's like,

0:21:57.480 --> 0:21:59.720
<v Speaker 2>I did not leave it that way, and she claims

0:21:59.720 --> 0:22:01.480
<v Speaker 2>that it's as soon as she pulls the storm out

0:22:01.920 --> 0:22:04.560
<v Speaker 2>open that she notices blood in the living room and

0:22:04.720 --> 0:22:07.600
<v Speaker 2>somebody clad in all black, it's got a mask on

0:22:07.840 --> 0:22:11.280
<v Speaker 2>black gloves comes charging at her and that he's got

0:22:11.320 --> 0:22:15.080
<v Speaker 2>a knife. And I said, okay, where are you locationally,

0:22:15.119 --> 0:22:18.199
<v Speaker 2>She's like, I am literally in the doorway of the house.

0:22:19.119 --> 0:22:21.160
<v Speaker 2>Well what do you do? She's like, well, I put

0:22:21.200 --> 0:22:24.119
<v Speaker 2>my hand up because he's got the knife like above

0:22:24.200 --> 0:22:27.359
<v Speaker 2>shoulder height drawn back. Well what kind of knife is it?

0:22:27.400 --> 0:22:29.760
<v Speaker 2>She's like, well, I don't know. Did it look like

0:22:29.800 --> 0:22:32.320
<v Speaker 2>a kitchen knife, like a chef's knife, like what we

0:22:32.440 --> 0:22:35.400
<v Speaker 2>used to cut vegetables. She's like, yeah, it definitely wasn't

0:22:35.440 --> 0:22:38.000
<v Speaker 2>like a folding knife. So I'm like it was fixed blade,

0:22:38.280 --> 0:22:40.159
<v Speaker 2>just a regular kitchen knife. She's like it could have been.

0:22:40.200 --> 0:22:42.000
<v Speaker 2>I'm like, could it have been one of your knives?

0:22:42.760 --> 0:22:46.320
<v Speaker 2>She's like it could have been. And so she claims

0:22:46.359 --> 0:22:50.280
<v Speaker 2>that this guy comes at her, she puts her left

0:22:50.280 --> 0:22:53.600
<v Speaker 2>hand up. I'm like, what handed are you. She's like,

0:22:53.800 --> 0:22:55.760
<v Speaker 2>I'm right handed, but I had my little purse in

0:22:55.800 --> 0:22:58.920
<v Speaker 2>my right hand, so instinctally I put my left hand

0:22:59.000 --> 0:23:03.679
<v Speaker 2>up and got a cut. And we wrestle around and

0:23:03.720 --> 0:23:06.359
<v Speaker 2>then I get away from him and I make a

0:23:06.359 --> 0:23:10.160
<v Speaker 2>bee line to Mike's bedstand because Mike has a gun

0:23:10.160 --> 0:23:13.920
<v Speaker 2>in there. And while I'm on the way, I hear

0:23:14.000 --> 0:23:17.200
<v Speaker 2>the storm door slam and I'm like, well, do you

0:23:17.240 --> 0:23:19.560
<v Speaker 2>go get the gun? So I never get the gun.

0:23:19.600 --> 0:23:21.080
<v Speaker 2>She's like, I didn't. I didn't. I don't know how

0:23:21.119 --> 0:23:22.959
<v Speaker 2>to shoot it, but I thought if I would get it,

0:23:23.040 --> 0:23:25.520
<v Speaker 2>I could scare him off. I'm like, so, what stopped

0:23:25.520 --> 0:23:28.480
<v Speaker 2>you from getting the gun? I was retelling this story

0:23:28.480 --> 0:23:29.760
<v Speaker 2>to Alison again.

0:23:30.119 --> 0:23:33.600
<v Speaker 1>Alison has Mata's wife and also a criminal defense attorney.

0:23:33.680 --> 0:23:36.520
<v Speaker 2>And Allison's like, I don't care if you heard this,

0:23:36.960 --> 0:23:39.600
<v Speaker 2>like the storm door slam or not. I'm getting the gun,

0:23:39.760 --> 0:23:41.560
<v Speaker 2>whether I know how to shoot it or not getting

0:23:41.600 --> 0:23:44.239
<v Speaker 2>the gun. So Alison had a little problem with that

0:23:44.280 --> 0:23:46.240
<v Speaker 2>part of the story that she didn't just go and

0:23:46.280 --> 0:23:49.520
<v Speaker 2>get the gun. So at that point I said, okay,

0:23:50.280 --> 0:23:53.320
<v Speaker 2>what do you do. Then she's like, well, I go

0:23:53.400 --> 0:23:55.480
<v Speaker 2>to the bathroom. Our bathroom.

0:23:56.240 --> 0:23:59.600
<v Speaker 1>That's when definitely said she rensed her bleeding hands and

0:23:59.640 --> 0:24:02.359
<v Speaker 1>wrapped her left hand with a cloth because of the

0:24:02.359 --> 0:24:04.760
<v Speaker 1>wounds to the side of the hand that took the

0:24:04.800 --> 0:24:06.640
<v Speaker 1>brunt of the assailant's knife.

0:24:07.040 --> 0:24:09.919
<v Speaker 2>Well, did you have to walk by the bathroom that

0:24:10.040 --> 0:24:12.680
<v Speaker 2>Jay was found in in order to get to your bathroom?

0:24:12.720 --> 0:24:15.040
<v Speaker 2>She's like, no, I didn't. What's going through your mind

0:24:15.040 --> 0:24:17.240
<v Speaker 2>at this point, She's like, I have no idea. Honestly,

0:24:17.320 --> 0:24:21.040
<v Speaker 2>I have no idea. And then she says she wasn't

0:24:21.040 --> 0:24:23.600
<v Speaker 2>even thinking. And then she's walking through and then she

0:24:23.760 --> 0:24:25.960
<v Speaker 2>sees the blood in the living room. She says, oh

0:24:26.000 --> 0:24:29.960
<v Speaker 2>my god, Jay, she's walking past the bathroom and she

0:24:29.960 --> 0:24:32.960
<v Speaker 2>hears the water running and she opens the door and

0:24:33.040 --> 0:24:36.560
<v Speaker 2>it's like a nightmare. It's like nothing she's ever seen.

0:24:38.000 --> 0:24:40.600
<v Speaker 2>So I'm watching her reaction and she's telling me this

0:24:40.760 --> 0:24:43.879
<v Speaker 2>story and she starts crying authentically it seemed to me.

0:24:44.960 --> 0:24:47.080
<v Speaker 2>But you never know what the genesis of that is.

0:24:47.200 --> 0:24:49.160
<v Speaker 2>You don't know if it's regret, you don't know if

0:24:49.200 --> 0:24:51.120
<v Speaker 2>it's reliving it.

0:24:52.119 --> 0:24:55.600
<v Speaker 1>What remains problematic for Beverly and was leveraged by the

0:24:55.640 --> 0:25:00.760
<v Speaker 1>prosecution is the amount of time their timeline purports transpired

0:25:00.960 --> 0:25:06.479
<v Speaker 1>between Beverly's return home, encountering her alleged assailant, discovering Jade's body,

0:25:06.680 --> 0:25:09.800
<v Speaker 1>and calling nine one one. That call was made at

0:25:09.920 --> 0:25:14.119
<v Speaker 1>twelve twenty four PM, a full thirty one minutes after

0:25:14.160 --> 0:25:18.120
<v Speaker 1>the state contends Beverly drove up her driveway. We'll explore

0:25:18.240 --> 0:25:20.600
<v Speaker 1>why that amount of time may be misleading later.

0:25:21.160 --> 0:25:26.080
<v Speaker 2>Back to Bob, she says the HWKS video has her

0:25:26.680 --> 0:25:31.560
<v Speaker 2>dumping the garbage at eleven forty eight. Now, she claimed

0:25:31.760 --> 0:25:36.440
<v Speaker 2>at trial that there was some evidence that came in

0:25:36.600 --> 0:25:40.280
<v Speaker 2>that indicated that the clock was off, like that the

0:25:40.359 --> 0:25:43.159
<v Speaker 2>timestamp was off for the video. Now I'm asking was

0:25:43.200 --> 0:25:46.199
<v Speaker 2>it giving you more time or less time? And she's like,

0:25:46.280 --> 0:25:50.600
<v Speaker 2>I can't remember. So we have eleven forty eight, So

0:25:50.640 --> 0:25:54.359
<v Speaker 2>we've got the drive back to the house again seven

0:25:54.400 --> 0:25:58.120
<v Speaker 2>to ten minutes. So that puts us like twelve one,

0:25:58.400 --> 0:26:03.040
<v Speaker 2>twelve oh two, a few minutes scrolling Facebook and then

0:26:03.080 --> 0:26:06.399
<v Speaker 2>into the house. So it's like I was putting the

0:26:06.480 --> 0:26:10.000
<v Speaker 2>struggle minute a couple of minutes, you know, Like it's

0:26:10.080 --> 0:26:13.320
<v Speaker 2>it's twenty eight to thirty minutes like gap from when

0:26:13.440 --> 0:26:19.000
<v Speaker 2>like she gets in there and doesn't do anything. That

0:26:19.160 --> 0:26:22.320
<v Speaker 2>is our biggest issue to me. We're gonna have to

0:26:22.320 --> 0:26:25.159
<v Speaker 2>build these timelines out like hardcore, and it's going to

0:26:25.280 --> 0:26:28.240
<v Speaker 2>have to be through things that we can substantiate.

0:26:30.560 --> 0:26:40.120
<v Speaker 1>Murder on Songbird Road. We'll return after the break. Here

0:26:40.160 --> 0:26:41.840
<v Speaker 1>again is murders on.

0:26:41.840 --> 0:26:45.359
<v Speaker 3>Songbird Roads sources if they didn't sit with that in mind.

0:26:45.720 --> 0:26:48.600
<v Speaker 1>We head to Songbird Road the next morning, after stopping

0:26:48.640 --> 0:26:50.040
<v Speaker 1>for coffee along the way.

0:26:50.720 --> 0:26:52.680
<v Speaker 2>So we're going to start with the field trip over

0:26:52.840 --> 0:26:58.080
<v Speaker 2>to what was formerly Mike and Julie and Jades and

0:26:58.200 --> 0:27:01.440
<v Speaker 2>the rest of the kid's house. I'm curious to see

0:27:01.440 --> 0:27:03.159
<v Speaker 2>the layout. Yeah, I want to see I want to

0:27:03.160 --> 0:27:04.400
<v Speaker 2>see where it's situated.

0:27:05.240 --> 0:27:05.600
<v Speaker 3>I want to.

0:27:07.200 --> 0:27:09.040
<v Speaker 2>Exactly or just like how.

0:27:08.920 --> 0:27:12.480
<v Speaker 4>Close there is to anything, you know, like walking distance.

0:27:12.600 --> 0:27:15.520
<v Speaker 1>Yeah, now that we're driving out of the commercial district,

0:27:15.560 --> 0:27:17.879
<v Speaker 1>you can see that it's feeling much more rural.

0:27:17.960 --> 0:27:18.800
<v Speaker 2>It's very rural.

0:27:19.200 --> 0:27:21.840
<v Speaker 1>While we were getting coffee, I asked the woman behind

0:27:21.880 --> 0:27:24.160
<v Speaker 1>the counter if she'd heard of the murder that took

0:27:24.200 --> 0:27:27.720
<v Speaker 1>place on Songbird Road. I thought she made it very interesting.

0:27:27.800 --> 0:27:30.360
<v Speaker 1>She said, it's sad, it is, and it is it's

0:27:30.760 --> 0:27:34.680
<v Speaker 1>but she also had her doubts as to whether or

0:27:34.760 --> 0:27:36.040
<v Speaker 1>not Julie did.

0:27:35.920 --> 0:27:39.000
<v Speaker 4>It exactly, And I asked her, what's your source?

0:27:39.080 --> 0:27:41.920
<v Speaker 2>They didn't televise this trial, right, so you're going to

0:27:42.000 --> 0:27:45.080
<v Speaker 2>get people to talk in a small town and you're

0:27:45.119 --> 0:27:47.080
<v Speaker 2>going to get the local news, like those are going

0:27:47.160 --> 0:27:48.920
<v Speaker 2>to be the two sources if they didn't go sit

0:27:49.000 --> 0:27:50.240
<v Speaker 2>in at the trial, right.

0:27:50.320 --> 0:27:52.600
<v Speaker 3>Yeah, And often they enter mesh.

0:27:52.600 --> 0:27:55.000
<v Speaker 4>Exactly without us product.

0:27:55.280 --> 0:27:56.919
<v Speaker 2>At the end, I kind of asked, well, you know,

0:27:57.000 --> 0:27:59.800
<v Speaker 2>do you think that Julie did it. She's like, I.

0:27:59.760 --> 0:28:03.040
<v Speaker 3>Don't, yeah, and so she has doubts. That's the thing.

0:28:03.480 --> 0:28:08.360
<v Speaker 1>The concept of reasonable doubt has never been properly defined.

0:28:08.400 --> 0:28:12.440
<v Speaker 1>There is no blanket definition of what that means for jurors.

0:28:12.520 --> 0:28:17.440
<v Speaker 2>There is. Every jurisdiction has a different definition for it.

0:28:17.720 --> 0:28:21.719
<v Speaker 2>You get your jury instructions when those are always argued

0:28:21.760 --> 0:28:24.960
<v Speaker 2>between the sides prior to them getting issued to the

0:28:25.040 --> 0:28:27.520
<v Speaker 2>jury when they're getting ready to go deliberate.

0:28:27.600 --> 0:28:30.520
<v Speaker 4>There is no uniform definition of it.

0:28:30.520 --> 0:28:33.840
<v Speaker 1>It was Friday, October thirteenth, twenty twenty three, the same

0:28:33.880 --> 0:28:37.240
<v Speaker 1>day Julia Beverly would be sentenced. It was a cloudy,

0:28:37.320 --> 0:28:40.040
<v Speaker 1>warm day as we made our way through the winding

0:28:40.400 --> 0:28:44.560
<v Speaker 1>rural roads. Halloween decor and some early seasonal tricks were

0:28:44.560 --> 0:28:45.880
<v Speaker 1>on display.

0:28:46.520 --> 0:28:49.160
<v Speaker 2>We get a little TP action. It's Friday night lights

0:28:49.200 --> 0:28:49.720
<v Speaker 2>down here.

0:28:50.520 --> 0:28:50.880
<v Speaker 3>Awesome.

0:28:51.880 --> 0:28:54.840
<v Speaker 4>I mean it's essentially pink houses.

0:28:55.000 --> 0:28:58.400
<v Speaker 2>You know John Mellencamp too. That's what we're talking about.

0:29:00.040 --> 0:29:04.280
<v Speaker 4>A road, we're getting remote.

0:29:04.280 --> 0:29:05.320
<v Speaker 2>We're two miles out.

0:29:07.680 --> 0:29:11.720
<v Speaker 4>We know that the house they disassembled it.

0:29:12.000 --> 0:29:15.400
<v Speaker 2>Yeah, it's a song Bird line. Just blow by it.

0:29:16.840 --> 0:29:17.280
<v Speaker 3>Coming out.

0:29:19.080 --> 0:29:26.280
<v Speaker 2>Okay, we're back here, getting back here alright now we're

0:29:26.280 --> 0:29:28.880
<v Speaker 2>turning on to Songbird Road.

0:29:29.800 --> 0:29:30.720
<v Speaker 3>There's a little.

0:29:30.680 --> 0:29:36.160
<v Speaker 2>Baseball so she told me about this. They used to

0:29:36.640 --> 0:29:39.680
<v Speaker 2>actually play little league games. It's grown over at this point,

0:29:39.960 --> 0:29:44.400
<v Speaker 2>Hoviotly you guys haven't been and there's the old concession stand.

0:29:44.840 --> 0:29:47.000
<v Speaker 2>And so we're two tens of a mile away from

0:29:47.040 --> 0:29:51.640
<v Speaker 2>the house. Over to our left, we've got clearly a farmer,

0:29:53.240 --> 0:29:57.280
<v Speaker 2>some abandoned cars, abandoned cars, got a good another abandoned

0:29:57.720 --> 0:30:03.600
<v Speaker 2>baseball field all grown over for clearly abandoned. All right,

0:30:03.680 --> 0:30:08.480
<v Speaker 2>so this is a neighbor small house carport back.

0:30:08.320 --> 0:30:12.600
<v Speaker 1>There about to re keep off my property sign.

0:30:12.760 --> 0:30:14.360
<v Speaker 2>Yes, I mean we're here.

0:30:15.160 --> 0:30:17.160
<v Speaker 3>You can see where the where the house was.

0:30:17.280 --> 0:30:22.120
<v Speaker 2>Okay, so that's found that that's the barn. Then should

0:30:22.160 --> 0:30:25.360
<v Speaker 2>we go walk it. I think so, I think we should.

0:30:25.640 --> 0:30:26.440
<v Speaker 3>I think we should.

0:30:27.520 --> 0:30:31.160
<v Speaker 2>I don't want to pull on this little driveway. All right,

0:30:33.120 --> 0:30:35.239
<v Speaker 2>all right, let's go. Let's see what's up.

0:30:39.640 --> 0:30:43.160
<v Speaker 1>It's just like a bit of a makeshift gravel driveway.

0:30:43.280 --> 0:30:44.720
<v Speaker 3>To the right are two.

0:30:45.040 --> 0:30:51.640
<v Speaker 1>Giant, just mine overwhelmed, really mature trees that look like

0:30:51.680 --> 0:30:52.680
<v Speaker 1>they've seen better days.

0:30:52.920 --> 0:30:55.400
<v Speaker 4>Yeah, and I mean these are one hundred plus year

0:30:55.440 --> 0:30:56.040
<v Speaker 4>old trees.

0:30:56.440 --> 0:31:01.720
<v Speaker 2>Those are old old trees. The rash kind of amazing

0:31:01.720 --> 0:31:02.480
<v Speaker 2>looking trees.

0:31:03.320 --> 0:31:06.040
<v Speaker 1>The two distinct trees that mark the driveway were the

0:31:06.080 --> 0:31:09.920
<v Speaker 1>same trees Julia's cousin Nikki immediately recognized in the social

0:31:09.960 --> 0:31:11.760
<v Speaker 1>media post the day of the murder.

0:31:13.080 --> 0:31:14.720
<v Speaker 4>I don't know that I've ever seen a tree over

0:31:14.800 --> 0:31:15.880
<v Speaker 4>growing vines like that.

0:31:16.520 --> 0:31:18.560
<v Speaker 3>We walked further up the driveway.

0:31:18.360 --> 0:31:23.240
<v Speaker 2>Probably about fifty yards from the road, leads up to

0:31:23.440 --> 0:31:28.160
<v Speaker 2>where I believe Julie would have pulled up. Okay, so

0:31:28.200 --> 0:31:31.560
<v Speaker 2>this is what she referred to as the barn. Now.

0:31:31.560 --> 0:31:33.479
<v Speaker 2>She said that they used to have horses, and they

0:31:33.560 --> 0:31:36.240
<v Speaker 2>used to keep horses in this barn back in the day.

0:31:38.320 --> 0:31:41.920
<v Speaker 2>So she says when she gets back from her huck's

0:31:41.960 --> 0:31:46.280
<v Speaker 2>trip that she pulls up right here, and she says

0:31:46.400 --> 0:31:52.480
<v Speaker 2>that the front door is open, and she notices it.

0:31:52.520 --> 0:31:55.600
<v Speaker 2>At some point they had a fence back here for

0:31:55.680 --> 0:31:59.640
<v Speaker 2>the dogs, which they've taken down. Let's walk in and

0:31:59.720 --> 0:32:04.600
<v Speaker 2>see so and she said there was no access to

0:32:04.720 --> 0:32:07.959
<v Speaker 2>the backyard because there was no gate in the fence,

0:32:08.680 --> 0:32:11.360
<v Speaker 2>and so this would have been the backyard, the fenced

0:32:11.400 --> 0:32:15.040
<v Speaker 2>in the backyard where the dogs wandered and there was

0:32:15.080 --> 0:32:17.719
<v Speaker 2>no access to it. So she would have had to

0:32:17.760 --> 0:32:21.160
<v Speaker 2>have gone into the house to let the dogs in,

0:32:21.240 --> 0:32:24.920
<v Speaker 2>because I asked her, a park here, like you knew

0:32:24.920 --> 0:32:27.760
<v Speaker 2>that you left the dogs out, but I asked her,

0:32:28.200 --> 0:32:31.040
<v Speaker 2>did you text Jade to let the dogs in? And

0:32:31.160 --> 0:32:31.600
<v Speaker 2>she did not?

0:32:33.120 --> 0:32:34.040
<v Speaker 3>All right, So we.

0:32:33.960 --> 0:32:39.600
<v Speaker 2>See what used to be the modular home, the double lie,

0:32:41.040 --> 0:32:45.000
<v Speaker 2>which was obviously removed. So it looks like it was what,

0:32:46.120 --> 0:32:49.040
<v Speaker 2>I don't know, twelve hundred square feet.

0:32:48.840 --> 0:32:51.560
<v Speaker 3>Maybe, yeah, one level.

0:32:52.400 --> 0:32:54.920
<v Speaker 1>The house is no longer there, but the outline of

0:32:55.000 --> 0:32:57.560
<v Speaker 1>where it stood is still visible, as are the remnants

0:32:57.600 --> 0:33:00.920
<v Speaker 1>of what would have been water and electrical access. So

0:33:00.960 --> 0:33:04.240
<v Speaker 1>we still got some of the piping from So this

0:33:04.360 --> 0:33:05.920
<v Speaker 1>is the foundation that they lay.

0:33:05.960 --> 0:33:08.040
<v Speaker 3>It's literally just kind of tarped.

0:33:08.440 --> 0:33:11.600
<v Speaker 2>Yeah, it's tarped and it was cinderblocks. I mean that

0:33:11.720 --> 0:33:17.000
<v Speaker 2>was literally the foundation. So this, if this was the

0:33:17.000 --> 0:33:21.560
<v Speaker 2>front door, this is where it went down with the

0:33:21.600 --> 0:33:25.160
<v Speaker 2>masked marauder for to believe that story.

0:33:25.240 --> 0:33:28.200
<v Speaker 1>Even in the exposed confines of the former homes footing,

0:33:28.520 --> 0:33:32.960
<v Speaker 1>the area feels nestled in an isolating way. And unfortunately,

0:33:33.040 --> 0:33:35.880
<v Speaker 1>this is not the kind of neighborhood where you would

0:33:35.920 --> 0:33:38.880
<v Speaker 1>have ring cameras or no way.

0:33:39.360 --> 0:33:42.800
<v Speaker 2>Yeah, I mean this is rural. We're in farmland here,

0:33:42.840 --> 0:33:45.280
<v Speaker 2>there's no question about it. So if we're looking at

0:33:45.320 --> 0:33:49.640
<v Speaker 2>Songbird Road, got the neighbor to the left facing road

0:33:49.760 --> 0:33:51.680
<v Speaker 2>is probably about the house looks to be about one

0:33:51.760 --> 0:33:54.000
<v Speaker 2>hundred and fifty yards, and it's about the same to

0:33:54.040 --> 0:33:54.400
<v Speaker 2>the right.

0:33:54.560 --> 0:33:58.800
<v Speaker 1>Yeah, the three are kind of equidistant, almost the three

0:33:58.800 --> 0:34:02.040
<v Speaker 1>closest homes, and neither one is directly across.

0:34:02.240 --> 0:34:06.480
<v Speaker 2>Yeah, and we're not close to any kind of main thoroughfare.

0:34:06.640 --> 0:34:11.280
<v Speaker 2>So like the concept of somebody walking back here seems

0:34:11.320 --> 0:34:11.960
<v Speaker 2>remote to me.

0:34:12.480 --> 0:34:17.239
<v Speaker 1>You're not getting like casual foot traffic or somebody who

0:34:17.600 --> 0:34:22.839
<v Speaker 1>is zero changed to rob because they think that there

0:34:23.000 --> 0:34:24.640
<v Speaker 1>is something of great value, and.

0:34:24.680 --> 0:34:28.359
<v Speaker 2>The zero chance of somebody just wandering around back here

0:34:29.920 --> 0:34:33.360
<v Speaker 2>you know, because somebody would have had to have known

0:34:34.239 --> 0:34:35.240
<v Speaker 2>that Jade was home.

0:34:36.320 --> 0:34:39.759
<v Speaker 1>Almost a year later, that exchange would come back to

0:34:39.880 --> 0:34:43.480
<v Speaker 1>haunt us. But in this moment, we were walking through

0:34:43.480 --> 0:34:47.640
<v Speaker 1>the remnants of a family's former life, building materials strewn

0:34:47.719 --> 0:34:52.239
<v Speaker 1>with broken bits of dogs, toys, and children's playthings, reminders

0:34:52.239 --> 0:34:54.840
<v Speaker 1>of lives interrupted and one ended.

0:34:56.920 --> 0:34:59.280
<v Speaker 2>So it's a pretty she said. It was about two acres,

0:34:59.280 --> 0:35:01.080
<v Speaker 2>so I'm assuming it goes all the way to the

0:35:01.120 --> 0:35:04.279
<v Speaker 2>back here. This is all their land. Looks like a

0:35:04.360 --> 0:35:09.600
<v Speaker 2>recently cut down tree. It's rural. Yeah, I mean it's

0:35:09.640 --> 0:35:16.319
<v Speaker 2>so rural that if anybody's screaming in that house, I

0:35:16.320 --> 0:35:18.640
<v Speaker 2>don't know that they're hearing it, because I'd say that

0:35:18.640 --> 0:35:22.840
<v Speaker 2>that closest neighbor, if you're facing the road, it's probably

0:35:22.880 --> 0:35:24.719
<v Speaker 2>about one hundred and fifty yards.

0:35:26.080 --> 0:35:28.600
<v Speaker 3>Yeah, on either side. Should stop over there.

0:35:28.880 --> 0:35:30.759
<v Speaker 2>I feel like we kind of should stop over there.

0:35:31.480 --> 0:35:33.600
<v Speaker 2>See if the belt I just heard. I look at

0:35:33.600 --> 0:35:34.359
<v Speaker 2>that bird up there.

0:35:34.360 --> 0:35:39.480
<v Speaker 1>It's a turkey vulture. Wow, it's kind of ominous.

0:35:39.600 --> 0:35:42.759
<v Speaker 2>It's super ominous. Wow.

0:35:43.200 --> 0:35:45.400
<v Speaker 3>Yeah. You hear a thump and you look up and

0:35:45.440 --> 0:35:45.880
<v Speaker 3>you see that.

0:35:46.239 --> 0:35:49.840
<v Speaker 2>Yeah, Wow, that's that's interesting. I've never seen one of

0:35:49.960 --> 0:35:53.200
<v Speaker 2>class like that. It's a good eye, Lauren, you know

0:35:53.200 --> 0:35:54.240
<v Speaker 2>that it's a Turkey culture.

0:35:55.320 --> 0:35:58.440
<v Speaker 1>It lent more than a slightly portentous tone to the

0:35:58.480 --> 0:36:01.480
<v Speaker 1>morning heading into beverly scent and sing. But we had

0:36:01.520 --> 0:36:03.359
<v Speaker 1>one more stop to make along the way.

0:36:04.239 --> 0:36:05.480
<v Speaker 3>Should we have to gas station?

0:36:05.760 --> 0:36:06.680
<v Speaker 2>Yeah, let's do it.

0:36:07.120 --> 0:36:09.120
<v Speaker 1>The time it would take us to get there was

0:36:09.160 --> 0:36:12.040
<v Speaker 1>only one of the surprises we were about to encounter

0:36:16.840 --> 0:36:18.960
<v Speaker 1>on the next murder on Songbird Road.

0:36:19.280 --> 0:36:22.560
<v Speaker 2>The great aunt ends up giving the victim impact the family,

0:36:22.640 --> 0:36:28.120
<v Speaker 2>the family. There was like an undercurrent of real animosity

0:36:28.600 --> 0:36:33.000
<v Speaker 2>that was religious based in this family dynamic between these

0:36:33.000 --> 0:36:34.239
<v Speaker 2>two different families.

0:36:34.320 --> 0:36:38.719
<v Speaker 1>That being to say that those three children are being

0:36:38.800 --> 0:36:42.280
<v Speaker 1>raised like as if it's vindication.

0:36:43.000 --> 0:36:48.280
<v Speaker 2>Adamantly stated it, turned to Julie and said it with conviction,

0:36:49.080 --> 0:36:52.319
<v Speaker 2>raised as Christians looking directly at her.

0:36:52.560 --> 0:36:56.280
<v Speaker 4>That made no bones about it. Darkness the light.

0:36:57.160 --> 0:36:58.520
<v Speaker 3>Oh, that's what I wrote down.

0:36:59.239 --> 0:36:59.959
<v Speaker 4>They're talking about?

0:37:01.360 --> 0:37:08.280
<v Speaker 3>Are they alleging that this was some kind of murder?

0:37:08.280 --> 0:37:12.759
<v Speaker 1>On Songbird Road is a production of iHeart Podcasts. Our

0:37:12.800 --> 0:37:17.280
<v Speaker 1>executive producers are Taylor Chaqoine and Lauren Bright Pacheco. Research

0:37:17.320 --> 0:37:21.399
<v Speaker 1>writing and hosting by Lauren Bright Pacheco. Investigative reporting by

0:37:21.440 --> 0:37:25.360
<v Speaker 1>Bob Matta and Lauren Bright Pacheco, editing, sound design and

0:37:25.400 --> 0:37:29.640
<v Speaker 1>original music by Evan Tyre and Taylor Chaquoine. Additional music

0:37:29.719 --> 0:37:33.760
<v Speaker 1>by Ashrak Kurtz. Please like, subscribe, and leave us a review.

0:37:33.880 --> 0:37:37.319
<v Speaker 1>Wherever you're listening, you can follow me on all platforms

0:37:37.320 --> 0:37:40.000
<v Speaker 1>at Lauren Bright Pacheco and email the show with thought,

0:37:40.120 --> 0:38:03.640
<v Speaker 1>suggestions or tips at Investigating Murder at iHeartMedia dot com.

0:38:03.719 --> 0:38:08.120
<v Speaker 1>For more iHeart podcasts, visit the iHeartRadio app, Apple Podcasts,

0:38:08.239 --> 0:38:10.280
<v Speaker 1>or wherever you get your favorite shows.

0:38:10.600 --> 0:38:11.480
<v Speaker 3>Thanks for listening.