1 00:00:00,680 --> 00:00:05,360 Speaker 1: Ka boom. If you thought four hours a day, minutes 2 00:00:05,400 --> 00:00:08,560 Speaker 1: a week was enough, I think again. He's the last 3 00:00:08,680 --> 00:00:12,280 Speaker 1: remnants of the old republic, a sole fashion of fairness. 4 00:00:12,360 --> 00:00:15,360 Speaker 1: He treats crackheads in the ghetto Cutter the same as 5 00:00:15,400 --> 00:00:19,440 Speaker 1: the rich pill poppers in the penthouse. The clearing House 6 00:00:19,480 --> 00:00:23,200 Speaker 1: of Hot takes break free for something special. The Fifth 7 00:00:23,200 --> 00:00:30,000 Speaker 1: Hour with Ben Maller starts right now in the air 8 00:00:30,640 --> 00:00:37,000 Speaker 1: everywhere and welcome to the podcast O Joe, Ben Mallard 9 00:00:37,240 --> 00:00:42,120 Speaker 1: and Danny g Radio Lady to provide you with a 10 00:00:42,320 --> 00:00:47,559 Speaker 1: marginal addition of the Fifth Hour. And Danny, it is 11 00:00:47,800 --> 00:00:54,680 Speaker 1: Sunday and that means male male male male male male, 12 00:00:55,520 --> 00:00:58,760 Speaker 1: always a good thing right now. Yeah, Whenever I think 13 00:00:58,760 --> 00:01:02,000 Speaker 1: of Mail, I of this annoying lady who lives a 14 00:01:02,000 --> 00:01:05,959 Speaker 1: few condos down. Whenever the male guy or a UPS 15 00:01:06,040 --> 00:01:10,160 Speaker 1: truck shows up, or the Amazon truck, she waddles outside 16 00:01:10,200 --> 00:01:14,119 Speaker 1: and talks the guy's air off because she needs company 17 00:01:14,200 --> 00:01:16,759 Speaker 1: and the guy is stuck out there for a long time. 18 00:01:17,319 --> 00:01:19,720 Speaker 1: Feels so sorry for them. Ben. And sometimes I take 19 00:01:19,800 --> 00:01:22,560 Speaker 1: the trash out and it's one of those awkward things 20 00:01:22,560 --> 00:01:25,400 Speaker 1: where you gotta just kind of turn around and walk away. 21 00:01:25,400 --> 00:01:27,800 Speaker 1: And say your final words as your back is turned, 22 00:01:29,160 --> 00:01:31,120 Speaker 1: is that our future when we get old, that will 23 00:01:31,160 --> 00:01:35,679 Speaker 1: just be so in need of human contact that the 24 00:01:35,720 --> 00:01:37,880 Speaker 1: male person. My dad was the same way, Like he 25 00:01:37,959 --> 00:01:40,959 Speaker 1: knew exactly when the mail was going to show up, 26 00:01:41,560 --> 00:01:44,720 Speaker 1: and if the male person was there a few minutes late, 27 00:01:44,880 --> 00:01:48,280 Speaker 1: oh my god, this was such a big deal. Like 28 00:01:48,400 --> 00:01:51,080 Speaker 1: he could not and he could not understand why they 29 00:01:51,120 --> 00:01:54,520 Speaker 1: would be late. And and he also loved to talk 30 00:01:54,600 --> 00:01:59,360 Speaker 1: to the checker at the grocery store. Oh yeah, classic, yeah, 31 00:01:59,520 --> 00:02:02,440 Speaker 1: that's like I classic old guy move. My dad. My 32 00:02:02,520 --> 00:02:04,640 Speaker 1: dad was really good at being an old guy. And 33 00:02:04,720 --> 00:02:08,400 Speaker 1: he he also loved the waitresses and or the way, 34 00:02:08,480 --> 00:02:10,679 Speaker 1: you know, the waiter, whoever is waiting on you at day, 35 00:02:10,880 --> 00:02:13,000 Speaker 1: give them a hard time. I wanted to know all 36 00:02:13,040 --> 00:02:15,280 Speaker 1: about him, give him a hard time, and then decide 37 00:02:15,320 --> 00:02:19,880 Speaker 1: whether or not to leave them. Hey, that's a big thing, 38 00:02:19,960 --> 00:02:24,800 Speaker 1: you know, service here, and you want to senior discount 39 00:02:24,840 --> 00:02:27,200 Speaker 1: and all that. And I'm over on the side and 40 00:02:27,200 --> 00:02:31,320 Speaker 1: I'm like coming, oh, hell, now we have the mail bag. 41 00:02:31,320 --> 00:02:34,079 Speaker 1: I always look forward to the mail bag, and let's 42 00:02:34,280 --> 00:02:51,520 Speaker 1: get right into it. It's all right, thank you for that. 43 00:02:51,639 --> 00:02:56,600 Speaker 1: The wonderful Dulcetne so Ohio all his musical ability, and 44 00:02:56,639 --> 00:03:00,600 Speaker 1: that brings us to you've got mail. Yes, these are 45 00:03:00,639 --> 00:03:03,920 Speaker 1: actual letters send in by actual listeners like you. We 46 00:03:04,000 --> 00:03:07,480 Speaker 1: always are growing the podcast audience and you don't have 47 00:03:07,560 --> 00:03:11,000 Speaker 1: to be bashful. We always love when new people take 48 00:03:11,040 --> 00:03:13,880 Speaker 1: the time out to send questions in. And if you 49 00:03:13,880 --> 00:03:15,519 Speaker 1: want to send a question in right now, you don't 50 00:03:15,520 --> 00:03:17,960 Speaker 1: have to wait till next week's mail bag. Send it 51 00:03:17,960 --> 00:03:21,119 Speaker 1: in care of Real fifth Hour at gmail dot com. 52 00:03:21,200 --> 00:03:25,280 Speaker 1: That's Real fifth Hour at gmail dot com. Or wait 53 00:03:25,400 --> 00:03:28,360 Speaker 1: until Monday or Tuesday. In fact, this week, I believe 54 00:03:28,400 --> 00:03:32,200 Speaker 1: on Monday we will be posting questions, so try to 55 00:03:32,200 --> 00:03:35,680 Speaker 1: get your questions in earlier. This week. There's some scheduling 56 00:03:35,720 --> 00:03:38,880 Speaker 1: issues that we have, so the way we can get 57 00:03:38,920 --> 00:03:42,240 Speaker 1: into the podcast studio and record the podcast canna be 58 00:03:42,280 --> 00:03:43,960 Speaker 1: a little different, so we need to make sure we 59 00:03:44,000 --> 00:03:47,040 Speaker 1: have everything lined up. So but that's just this week. 60 00:03:47,080 --> 00:03:50,840 Speaker 1: But Monday Facebook page Ben Mallor Show. First question comes 61 00:03:50,880 --> 00:03:54,120 Speaker 1: from Nick in Wisconsin. He says, Hey, Ben and Danny 62 00:03:54,160 --> 00:03:57,040 Speaker 1: g I'm sorry to inform you, but the podcast numbers 63 00:03:57,400 --> 00:03:59,600 Speaker 1: for the radio show are going to go down by 64 00:03:59,720 --> 00:04:03,520 Speaker 1: what and I am leaving a job that I get 65 00:04:03,560 --> 00:04:06,680 Speaker 1: to listen live for about two hours to an overnight 66 00:04:06,760 --> 00:04:12,440 Speaker 1: job to listen live for all four hours. That's from Nick. 67 00:04:12,440 --> 00:04:14,960 Speaker 1: He says, it's been a while since I've worked overnights. 68 00:04:15,560 --> 00:04:18,080 Speaker 1: What are some sleeping tips that you and Danny g 69 00:04:18,440 --> 00:04:23,440 Speaker 1: have for sleeping during the day. Thank you in advance. Well, Nick, 70 00:04:23,520 --> 00:04:26,920 Speaker 1: before we get to the sleep advice, just because you're 71 00:04:26,920 --> 00:04:30,520 Speaker 1: alive radio listener, does not mean you cannot still download 72 00:04:30,560 --> 00:04:34,720 Speaker 1: the podcast. Okay, I am not Danny. Are we gonna 73 00:04:34,760 --> 00:04:37,839 Speaker 1: stop someone from downloading a podcast? Is there a rule 74 00:04:37,880 --> 00:04:41,760 Speaker 1: that says if you listen live, you can't download the podcast? 75 00:04:41,920 --> 00:04:45,640 Speaker 1: I say no. In fact, it's even better the second time. 76 00:04:45,680 --> 00:04:48,680 Speaker 1: It's like left over something not only pizza. Think of 77 00:04:48,680 --> 00:04:53,000 Speaker 1: it like pizza, Like that's the only left over I 78 00:04:53,040 --> 00:04:56,880 Speaker 1: really pizza. At the very least, he can download the 79 00:04:56,920 --> 00:05:01,080 Speaker 1: Fifth Hour podcast because these shows aren't live exactly, and 80 00:05:01,120 --> 00:05:04,520 Speaker 1: you can't listen to this on any radio station anywhere, 81 00:05:05,320 --> 00:05:10,279 Speaker 1: only alive in this ecosystem, I'm actually on the live 82 00:05:10,400 --> 00:05:15,559 Speaker 1: are so your live show live? And then the Fifth 83 00:05:15,560 --> 00:05:19,400 Speaker 1: Hour podcast downloaded? And you have to subscribe to the 84 00:05:19,440 --> 00:05:21,960 Speaker 1: Fifth Hour because you never know there might be some 85 00:05:22,000 --> 00:05:24,880 Speaker 1: pop up episodes. Maybe Danny will feel like he wants 86 00:05:24,880 --> 00:05:27,360 Speaker 1: to do his own episode one time, or I'll do something. 87 00:05:27,520 --> 00:05:30,479 Speaker 1: You never know. You never know what's going on with that. 88 00:05:30,560 --> 00:05:32,360 Speaker 1: I wanted to ask you. I should have asked you 89 00:05:32,400 --> 00:05:35,599 Speaker 1: this off the podcast, but I am fascinated. I can't wait. 90 00:05:35,640 --> 00:05:38,640 Speaker 1: I hope you get this animal podcast thing going. I 91 00:05:38,680 --> 00:05:41,200 Speaker 1: think that would be wonderful. I would want to hear that. 92 00:05:41,480 --> 00:05:45,479 Speaker 1: We gotta get that going. Yeah, the Animal Thunderdome. The 93 00:05:45,600 --> 00:05:49,680 Speaker 1: last I heard, they were securing some things behind the 94 00:05:49,680 --> 00:05:53,960 Speaker 1: scenes and working on artwork and stuff like that. All 95 00:05:53,960 --> 00:05:56,000 Speaker 1: the behind the scenes work that needs to be done 96 00:05:56,040 --> 00:06:01,280 Speaker 1: before you launch a podcast is being worked on. WHOA alright, 97 00:06:01,320 --> 00:06:04,320 Speaker 1: I like it. I like it. Next up on the 98 00:06:04,600 --> 00:06:09,360 Speaker 1: mail bag, These are again actual letters from actual listeners 99 00:06:09,440 --> 00:06:15,880 Speaker 1: to the podcast, like oh, that's right, that's right before 100 00:06:15,920 --> 00:06:19,680 Speaker 1: we move on. So for me and I don't sleep well. 101 00:06:19,800 --> 00:06:22,400 Speaker 1: Next you're probably you don't want to hear what I 102 00:06:22,440 --> 00:06:26,039 Speaker 1: have to say. I'm a terrible sleeper, but what I 103 00:06:26,120 --> 00:06:28,400 Speaker 1: have learned over the years, you need a lot of 104 00:06:29,680 --> 00:06:32,960 Speaker 1: I like a fan going. I like having some some 105 00:06:33,040 --> 00:06:36,320 Speaker 1: white noise in the background. That's racist. I know, play 106 00:06:36,360 --> 00:06:40,240 Speaker 1: the racist, but I like I like having noise in 107 00:06:40,279 --> 00:06:45,880 Speaker 1: the background. I also blackout curtains, the thickest blackout curtains 108 00:06:45,880 --> 00:06:48,320 Speaker 1: you can get. Walmart actually had some good ones. I 109 00:06:48,320 --> 00:06:50,559 Speaker 1: don't know if they still do, but I'm talking about 110 00:06:50,640 --> 00:06:57,640 Speaker 1: double layer blackout curtains. Yes and uh. And then also 111 00:06:57,680 --> 00:06:59,600 Speaker 1: in addition to that, I even go as far as 112 00:06:59,600 --> 00:07:02,039 Speaker 1: to where it's sleep mask. I have one ear plug. 113 00:07:02,080 --> 00:07:03,800 Speaker 1: I have a bad ear so I can't put an 114 00:07:03,800 --> 00:07:07,159 Speaker 1: ear plug in that. So my one good year I 115 00:07:07,240 --> 00:07:10,120 Speaker 1: put the ear plug in. So I go to extreme measures. 116 00:07:10,400 --> 00:07:13,120 Speaker 1: You could wear a mask. I feel like that is 117 00:07:13,440 --> 00:07:17,360 Speaker 1: very confining. And do you don't feel claustrophobic with a 118 00:07:17,440 --> 00:07:21,440 Speaker 1: mask on your face? No, it's a soft, padded mask, 119 00:07:21,840 --> 00:07:24,240 Speaker 1: So I don't. I don't. It doesn't really bother me 120 00:07:24,280 --> 00:07:28,280 Speaker 1: that much. Um, but I'd rather have that. I can't 121 00:07:28,320 --> 00:07:31,160 Speaker 1: stand getting that light in your eyes and when you 122 00:07:31,200 --> 00:07:33,679 Speaker 1: wake up, the first thing you see is the black mask. 123 00:07:33,800 --> 00:07:38,520 Speaker 1: That doesn't freak you out. I'm used to it, but 124 00:07:38,560 --> 00:07:40,000 Speaker 1: if it's not for you, you don't have to do it. 125 00:07:40,000 --> 00:07:43,840 Speaker 1: But I I would buy. I find a room that 126 00:07:43,880 --> 00:07:48,080 Speaker 1: only has one window, if possible, and I would buy. 127 00:07:48,560 --> 00:07:53,120 Speaker 1: You can get those curtain rods that are double double crepit. Yeah, 128 00:07:53,360 --> 00:07:57,240 Speaker 1: I'd put blackout curtains on both, and that's what I 129 00:07:57,240 --> 00:08:01,320 Speaker 1: would do. What about you, Danny, any tips? Yeah, blackout curtains, 130 00:08:01,360 --> 00:08:05,720 Speaker 1: as you said, are a must. The noise is important 131 00:08:05,720 --> 00:08:08,520 Speaker 1: because there's people outside. They don't give a shit that 132 00:08:08,560 --> 00:08:11,840 Speaker 1: you're trying to sleep. They're slamming doors, they're screaming their 133 00:08:11,880 --> 00:08:15,560 Speaker 1: mowing lawns. They have weed whackers in both hands. I 134 00:08:15,560 --> 00:08:19,360 Speaker 1: would turn a TV on, I would turn rain noise on, 135 00:08:20,080 --> 00:08:23,200 Speaker 1: turn on a voice that's soothing to you. That's one 136 00:08:23,240 --> 00:08:26,160 Speaker 1: thing that would always help me. Boy, we talked about 137 00:08:26,160 --> 00:08:30,000 Speaker 1: it for days now about how soothing Vince Scully's voice was. 138 00:08:30,840 --> 00:08:36,200 Speaker 1: Who's the famous chef ben who unfortunately killed himself. Yes, 139 00:08:37,640 --> 00:08:41,320 Speaker 1: I loved his voice. I would actually play reruns of 140 00:08:41,440 --> 00:08:44,640 Speaker 1: his show, his travels show, So that was one thing 141 00:08:44,679 --> 00:08:46,760 Speaker 1: that helped me sleep in the daytime. I would find 142 00:08:46,760 --> 00:08:51,000 Speaker 1: a really soothing voice to have on in the background. Yeah, 143 00:08:51,040 --> 00:08:55,880 Speaker 1: Anthony Borden was very good at television and he left 144 00:08:55,920 --> 00:08:58,920 Speaker 1: a lot of quotes behind and that was a shocker 145 00:08:59,120 --> 00:09:03,920 Speaker 1: when yeah, really was. I watched that documentary. Have you 146 00:09:03,920 --> 00:09:07,600 Speaker 1: seen the documentary they made where they it was really 147 00:09:07,640 --> 00:09:09,600 Speaker 1: well made. I think it was on Netflix. It was 148 00:09:09,600 --> 00:09:12,120 Speaker 1: on HBO. I forget which one. They're all the same 149 00:09:12,160 --> 00:09:15,200 Speaker 1: to me. But it was an Anthony Boordain documentary and 150 00:09:15,360 --> 00:09:19,439 Speaker 1: they had a computer recreated voice, so part of it 151 00:09:19,480 --> 00:09:23,320 Speaker 1: was actually it sounded just like him. It was wild. No, 152 00:09:23,440 --> 00:09:25,640 Speaker 1: I haven't got to see that yet. It was really 153 00:09:25,679 --> 00:09:29,760 Speaker 1: well done. They did a good job. And one of 154 00:09:29,800 --> 00:09:31,800 Speaker 1: his quotes, your body is not a temple at an 155 00:09:31,840 --> 00:09:35,880 Speaker 1: amusement park, and enjoy the ride. Apparently the the ride 156 00:09:35,880 --> 00:09:40,080 Speaker 1: went off the tracks there unfortunately at the end. Uh, 157 00:09:40,320 --> 00:09:46,480 Speaker 1: let's see here come back. It's sim call Boss Fan 158 00:09:46,559 --> 00:09:49,680 Speaker 1: Jimmy from Big Orange Country rights in for both you guys. Ben. 159 00:09:49,760 --> 00:09:53,280 Speaker 1: Have you had any more gallbladder attacks or close calls? 160 00:09:53,320 --> 00:09:56,920 Speaker 1: Danny G. What do you think about all the drill 161 00:09:57,200 --> 00:10:01,920 Speaker 1: rapping personally? Uh? I hate it. Bring back the nineties 162 00:10:01,960 --> 00:10:05,960 Speaker 1: with dr dre that's from Walls Fan Jimmy. So I 163 00:10:06,040 --> 00:10:08,760 Speaker 1: can't have any gall bladder attacks because I don't have 164 00:10:08,800 --> 00:10:11,480 Speaker 1: my gall bladder. They chopped it out of me several 165 00:10:11,520 --> 00:10:14,120 Speaker 1: years back, and so I don't have to worry about that. 166 00:10:14,160 --> 00:10:16,440 Speaker 1: But I do have the effects of not having a 167 00:10:16,440 --> 00:10:20,080 Speaker 1: gall bladder, which are very marginal, very marginal. I'm pretty 168 00:10:20,160 --> 00:10:22,120 Speaker 1: used to it right now, and then you don't need 169 00:10:22,160 --> 00:10:25,680 Speaker 1: the gall bladder, um and so, so yeah, I really 170 00:10:25,679 --> 00:10:28,240 Speaker 1: have any issues. I know you're you're hoping for a 171 00:10:28,320 --> 00:10:31,720 Speaker 1: nice poop story cooped in a bathroom. I don't have 172 00:10:31,800 --> 00:10:35,400 Speaker 1: one of those right now, but you never know, could 173 00:10:35,559 --> 00:10:39,480 Speaker 1: could happen at any moment. Danny, your thoughts on the 174 00:10:39,800 --> 00:10:45,720 Speaker 1: rap community as it stands here in One generation is 175 00:10:45,760 --> 00:10:48,280 Speaker 1: always going to think that the next generation is not 176 00:10:48,360 --> 00:10:50,839 Speaker 1: as good as their's when it comes to music. I 177 00:10:50,880 --> 00:10:53,520 Speaker 1: don't want to sound like that guy, get off my lawn, 178 00:10:54,320 --> 00:10:58,680 Speaker 1: but there is something to say about eighties nineties music 179 00:10:58,920 --> 00:11:03,679 Speaker 1: and movies and how much time and effort and perfection 180 00:11:04,240 --> 00:11:09,280 Speaker 1: was put into those projects, whereas recently a lot of 181 00:11:09,440 --> 00:11:13,319 Speaker 1: musical and movie productions. I guess you could say we're 182 00:11:13,360 --> 00:11:16,960 Speaker 1: shipped out really fast, and you could tell on some 183 00:11:17,080 --> 00:11:21,240 Speaker 1: of the projects. Now, you do find some really good 184 00:11:21,320 --> 00:11:25,240 Speaker 1: rappers of this generation, like Kendrick Lamar and j Cole 185 00:11:25,800 --> 00:11:28,320 Speaker 1: and guys like that that still have beauty and the 186 00:11:28,400 --> 00:11:32,320 Speaker 1: lyrics and their production. Um. So I would just lean 187 00:11:32,400 --> 00:11:34,960 Speaker 1: on those guys, because yeah, there's a lot of mumble 188 00:11:35,040 --> 00:11:37,679 Speaker 1: mouth rappers. They sound like they got marbles or rocks 189 00:11:37,720 --> 00:11:41,120 Speaker 1: in their mouth, and the lyrics suck. They're not rapping 190 00:11:41,160 --> 00:11:45,240 Speaker 1: about anything that's noteworthy. So I get what he's saying. 191 00:11:45,720 --> 00:11:47,200 Speaker 1: But at the same time, I guess you've got to 192 00:11:47,240 --> 00:11:50,840 Speaker 1: find the standout guys that are out right now. We're 193 00:11:50,840 --> 00:11:54,240 Speaker 1: also not in the demo per se, right, I mean, 194 00:11:54,280 --> 00:11:56,240 Speaker 1: isn't that part of the problem. It's crazy to me 195 00:11:56,320 --> 00:11:58,400 Speaker 1: that all of this stuff, which I think, I'm kind 196 00:11:58,400 --> 00:11:59,640 Speaker 1: of there with you. I think a lot of this 197 00:11:59,679 --> 00:12:03,240 Speaker 1: is crap app But twenty five years from now, this 198 00:12:03,280 --> 00:12:05,640 Speaker 1: will be what people look back on and say this 199 00:12:05,720 --> 00:12:08,400 Speaker 1: was the good stuff. But you know, it was only 200 00:12:08,440 --> 00:12:10,720 Speaker 1: a few years ago, Ben that I still was having 201 00:12:10,720 --> 00:12:13,840 Speaker 1: my turntables on in a club. There were a lot 202 00:12:13,880 --> 00:12:18,800 Speaker 1: of youngsters that also thought the dr DRE music was 203 00:12:18,880 --> 00:12:22,160 Speaker 1: better than some of this crap that's out right now. 204 00:12:22,840 --> 00:12:25,520 Speaker 1: It's one of the reasons why vinyl has made such 205 00:12:25,520 --> 00:12:30,880 Speaker 1: a huge comeback, because vintage records and vintage artists are 206 00:12:30,960 --> 00:12:34,480 Speaker 1: being appreciated more and more. So, Yeah, you're right about that. 207 00:12:34,520 --> 00:12:36,960 Speaker 1: We're maybe we're not the demo, But at the same time, 208 00:12:37,360 --> 00:12:40,120 Speaker 1: there's even some younger people that are looking back at 209 00:12:40,120 --> 00:12:42,600 Speaker 1: the music like damn, how come we can't make some 210 00:12:42,679 --> 00:12:45,840 Speaker 1: classics like that right now? It's like when we were kids, 211 00:12:45,840 --> 00:12:48,400 Speaker 1: we listened to music from the fifties unless we didn't, 212 00:12:48,880 --> 00:12:53,800 Speaker 1: unless we did not. It's funny, though, what what was oldies? 213 00:12:53,840 --> 00:12:58,320 Speaker 1: When we were kids? An oldie station played like you know, 214 00:12:58,480 --> 00:13:03,480 Speaker 1: Elvis and like oldies music. Zach Ban on k Earth 215 00:13:03,559 --> 00:13:08,920 Speaker 1: one oh one they play sugar Hill Gang Ye old. 216 00:13:09,000 --> 00:13:12,760 Speaker 1: They play rappers delight on an oldies station. Pretty wild, 217 00:13:13,040 --> 00:13:15,520 Speaker 1: He's really wild. If you want to feel old or 218 00:13:15,559 --> 00:13:18,520 Speaker 1: you want to have a mind trip, think about that. 219 00:13:18,880 --> 00:13:22,600 Speaker 1: A rap song is now on an oldie station. But 220 00:13:22,720 --> 00:13:26,480 Speaker 1: at the same time, that is forty year old music. 221 00:13:26,600 --> 00:13:30,600 Speaker 1: So that's crazy to think that that's fourty year old music. 222 00:13:30,640 --> 00:13:35,240 Speaker 1: But holy crap, where did it all go? Danny? Where 223 00:13:35,280 --> 00:13:42,679 Speaker 1: has it all gone? I can't believe it. Man. That's 224 00:13:42,880 --> 00:13:47,560 Speaker 1: that's great, all right? Kevin in Kansas right soon, says 225 00:13:47,600 --> 00:13:51,120 Speaker 1: dear Ben and Danny ge With the passing of Vince Gully, 226 00:13:51,240 --> 00:13:54,240 Speaker 1: I think about the other great voices of sports. I 227 00:13:54,280 --> 00:13:58,520 Speaker 1: have memories of Kurt Goudy, Merlin Olson, dick Enberg. I 228 00:13:58,600 --> 00:14:01,680 Speaker 1: know you don't do Mount Rushmore's, but who are some 229 00:14:01,760 --> 00:14:05,839 Speaker 1: of your favorite voices from radio and television. Uh yeah, 230 00:14:05,920 --> 00:14:08,600 Speaker 1: we'll engage Kevin whye out. It's the podcast What the hell? 231 00:14:09,520 --> 00:14:12,520 Speaker 1: Anything that brings you back to your youth. That's always 232 00:14:12,559 --> 00:14:14,440 Speaker 1: I always go by that, like, there's only a few 233 00:14:14,480 --> 00:14:18,160 Speaker 1: guys left Brett Musburger, who retired, who turned down our 234 00:14:18,200 --> 00:14:23,040 Speaker 1: podcast unfortunately, but Musburger. I watched a Musburger game and 235 00:14:23,080 --> 00:14:25,160 Speaker 1: I had flashed back to when I was ten years old. 236 00:14:25,520 --> 00:14:29,720 Speaker 1: The only guy left for me is al Michaels. I 237 00:14:29,800 --> 00:14:32,880 Speaker 1: watch al Michael's call a football game, and I flashed 238 00:14:32,880 --> 00:14:35,720 Speaker 1: back to when I was a kid. So that's a 239 00:14:35,760 --> 00:14:39,480 Speaker 1: great thing. I don't think there's anyone else. Joe Buck. 240 00:14:39,520 --> 00:14:41,480 Speaker 1: I was an adult when Joe Buck started. I remember 241 00:14:41,520 --> 00:14:45,040 Speaker 1: Joe Buck's dad because I'm old Buck. We had a 242 00:14:45,040 --> 00:14:47,840 Speaker 1: good and I chanced to talk to Joe Jack Buck 243 00:14:47,920 --> 00:14:51,160 Speaker 1: in in spring training years a going Florida. But um, 244 00:14:52,360 --> 00:14:55,200 Speaker 1: anybody for you, Danny that pops out there that he's like, Oh, 245 00:14:55,240 --> 00:15:00,320 Speaker 1: that's that's classic Dick Edinburgh's voice. That's a plump pussy right. Yeah. 246 00:15:02,080 --> 00:15:05,600 Speaker 1: To me, that was football like any drive, any game. 247 00:15:05,680 --> 00:15:08,880 Speaker 1: He made it sound exciting. I think about him. Was 248 00:15:08,920 --> 00:15:13,000 Speaker 1: it him and Dan fouts together. Yeah, they worked. Remember 249 00:15:13,440 --> 00:15:17,320 Speaker 1: Charlie Jones great voice. Great was some other old like 250 00:15:17,440 --> 00:15:23,560 Speaker 1: nineteen eighties NFL broadcastes. Was it, uh Crumpy or Trum 251 00:15:23,680 --> 00:15:26,480 Speaker 1: What was the guy's name? Yes, yeah, yeah, I know 252 00:15:26,520 --> 00:15:30,840 Speaker 1: who you're talking about. He was great, um Merlin Olson. 253 00:15:31,160 --> 00:15:34,960 Speaker 1: I really liked watching him as a kid. Hanks Ram 254 00:15:35,080 --> 00:15:38,880 Speaker 1: is another one, Hankstram, Hanksram. Yeah, there's some good voices man. 255 00:15:39,640 --> 00:15:42,080 Speaker 1: For baseball, there was only two as a kid, and 256 00:15:42,120 --> 00:15:44,520 Speaker 1: that was Vince Scully. And then when I would be 257 00:15:44,560 --> 00:15:48,080 Speaker 1: in the Bay with family up north, it was Bill King, 258 00:15:48,720 --> 00:15:52,479 Speaker 1: the late great Bill King. He called basketball, he called baseball, 259 00:15:52,560 --> 00:15:57,000 Speaker 1: he called football. That dude was a baller. I had 260 00:15:57,040 --> 00:15:59,960 Speaker 1: a chance to meet Bill King, and I did. I Actually, 261 00:16:00,520 --> 00:16:02,920 Speaker 1: when I was a stringer in the in the nineties, 262 00:16:02,920 --> 00:16:05,000 Speaker 1: I was starting out, I took any gig I could get, 263 00:16:05,960 --> 00:16:10,600 Speaker 1: and I had this gig with the Oakland Athletics. They 264 00:16:10,640 --> 00:16:13,280 Speaker 1: did something called it was the Coca Cola road Report, 265 00:16:13,520 --> 00:16:17,200 Speaker 1: and they'd go to a reporter at a different game 266 00:16:17,280 --> 00:16:21,160 Speaker 1: and and I'd give the report and they in on 267 00:16:21,200 --> 00:16:23,560 Speaker 1: the a's broadcast. I would like, let's go to Anaheim 268 00:16:23,560 --> 00:16:25,280 Speaker 1: and get an update on the Angel game or whatever. 269 00:16:25,320 --> 00:16:27,960 Speaker 1: So I do the I do the update, and then 270 00:16:27,960 --> 00:16:30,440 Speaker 1: when the A's would come to the Big A, I 271 00:16:30,520 --> 00:16:34,040 Speaker 1: would do stats for the radio team, you know, hang 272 00:16:34,080 --> 00:16:37,920 Speaker 1: out with the guys. And Bill King was still doing 273 00:16:37,920 --> 00:16:40,800 Speaker 1: the games at that time the A's actually this was 274 00:16:40,880 --> 00:16:48,080 Speaker 1: after they had their great run with LaRussa uh Fosse 275 00:16:48,240 --> 00:16:50,480 Speaker 1: was doing TV. Was Bill King and kN Korak, who 276 00:16:50,520 --> 00:16:53,280 Speaker 1: had just started. He's still doing the A's. Ken Corak 277 00:16:53,360 --> 00:16:55,880 Speaker 1: a great guy, very nice man. He had done minor 278 00:16:55,960 --> 00:16:59,720 Speaker 1: league baseball in Vegas and some other places, and um 279 00:16:59,760 --> 00:17:02,120 Speaker 1: just tremendously nice. But Bill King was doing the play 280 00:17:02,160 --> 00:17:03,880 Speaker 1: by play. It was a very hot day in Anaheim. 281 00:17:03,920 --> 00:17:06,359 Speaker 1: It was like near the end of the year. It 282 00:17:06,440 --> 00:17:08,240 Speaker 1: was probably around actually was probably around this time, was 283 00:17:08,280 --> 00:17:12,800 Speaker 1: like late August, early September. A sucked, the Angels sucked. 284 00:17:13,320 --> 00:17:17,400 Speaker 1: I'm doing stats. It's a day game in Anaheim. I'm 285 00:17:17,440 --> 00:17:19,919 Speaker 1: sitting now. Bill King's in the front row, the broadcasters 286 00:17:19,920 --> 00:17:21,399 Speaker 1: in the front row. I'm in the bat I'm in 287 00:17:21,400 --> 00:17:24,760 Speaker 1: the second row. And it gets to be like the 288 00:17:24,840 --> 00:17:30,399 Speaker 1: third inning and Bill King gets up. He walks behind 289 00:17:30,520 --> 00:17:34,320 Speaker 1: where I'm standing and proceeds to take his pants off 290 00:17:38,520 --> 00:17:42,600 Speaker 1: and and then he he walks back to the broadcast 291 00:17:42,680 --> 00:17:46,920 Speaker 1: chair wearing boxers. Yeah, yeah, he had like briefs on 292 00:17:47,160 --> 00:17:52,120 Speaker 1: whatever that's uncomfortable. Yeah, old guy and breeze and Ken 293 00:17:52,200 --> 00:17:55,440 Speaker 1: Korak told me, he said, don't worry, this is just Bill. 294 00:17:55,520 --> 00:17:57,119 Speaker 1: This is what Bill does. You know. I guess he 295 00:17:57,160 --> 00:17:59,240 Speaker 1: lived on a boat or something in the Bay Area 296 00:17:59,640 --> 00:18:03,359 Speaker 1: and he took his freaking clothes off and sat there 297 00:18:03,400 --> 00:18:05,840 Speaker 1: in the press box called the game and his underwear 298 00:18:05,840 --> 00:18:09,320 Speaker 1: because it was too hot for him. But very nice man, 299 00:18:09,480 --> 00:18:11,960 Speaker 1: very nice man, Bill King. And he had the great 300 00:18:12,040 --> 00:18:15,520 Speaker 1: the Holy Roller, Right. Wasn't that his his call with 301 00:18:15,600 --> 00:18:19,520 Speaker 1: the Raiders? He had a bunch of famous calls with Oakland? 302 00:18:19,680 --> 00:18:21,600 Speaker 1: Didn't he do all? Did he do the Warriors too? 303 00:18:21,600 --> 00:18:25,920 Speaker 1: I think? And a lot of people to this day 304 00:18:25,920 --> 00:18:29,520 Speaker 1: will tell you that he was best at basketball play 305 00:18:29,560 --> 00:18:32,280 Speaker 1: by play, which is mind blowing because that's not what 306 00:18:32,320 --> 00:18:35,359 Speaker 1: he was known for. Yeah, I didn't hear him do 307 00:18:35,440 --> 00:18:37,399 Speaker 1: the NBA. I didn't I heard him do baseball. Obviously 308 00:18:37,400 --> 00:18:41,680 Speaker 1: in football because the Raider games were broadcast. The Warriors 309 00:18:41,680 --> 00:18:44,160 Speaker 1: stunk back when he was doing the play by play 310 00:18:44,240 --> 00:18:46,320 Speaker 1: for them, So maybe that's why he didn't get a 311 00:18:46,320 --> 00:18:49,120 Speaker 1: lot of attention while he was doing that. But yeah, 312 00:18:49,160 --> 00:18:51,480 Speaker 1: a lot of people say that he was most gifted 313 00:18:51,520 --> 00:18:55,720 Speaker 1: at calling basketball games. Yeah I got I kept pretty lucky. 314 00:18:55,720 --> 00:18:57,399 Speaker 1: I got to meet a lot of the guys I 315 00:18:57,440 --> 00:18:59,760 Speaker 1: really wanted to meet when I was a kid I 316 00:18:59,800 --> 00:19:03,080 Speaker 1: look up to, like Harry Callis, who was the voice 317 00:19:03,119 --> 00:19:06,119 Speaker 1: of NFL Films and the Phillies. I met him at 318 00:19:06,119 --> 00:19:10,360 Speaker 1: Dodger Stadium. I got to ride in an elevator with 319 00:19:11,520 --> 00:19:14,560 Speaker 1: Harry Carey, of all people. I'll never forget this to 320 00:19:14,680 --> 00:19:17,680 Speaker 1: my last breath on this earth. It was in the 321 00:19:17,720 --> 00:19:21,119 Speaker 1: elevator Dodger Stadium. I got there. Harry showed up at 322 00:19:21,119 --> 00:19:23,040 Speaker 1: the same time. He didn't drive. He was near the 323 00:19:23,119 --> 00:19:25,280 Speaker 1: end of his career, you know, the end of his 324 00:19:25,359 --> 00:19:28,000 Speaker 1: life actually, and he had a driver he lived in 325 00:19:28,200 --> 00:19:30,159 Speaker 1: when the Cubs. He didn't travel with the Cubs on 326 00:19:30,160 --> 00:19:32,000 Speaker 1: the road at that point, but he came to l 327 00:19:32,040 --> 00:19:34,760 Speaker 1: A because he had a place in Palm Springs, and 328 00:19:34,840 --> 00:19:37,320 Speaker 1: so he would he would do the Dodger Cub games 329 00:19:37,520 --> 00:19:43,040 Speaker 1: and getting the elevator and it's me Harry his driver, 330 00:19:44,119 --> 00:19:46,400 Speaker 1: and they had and they still have this at Dodgers Daum. 331 00:19:46,400 --> 00:19:52,159 Speaker 1: The elevator operates and they had this cute uh latina 332 00:19:52,600 --> 00:19:57,320 Speaker 1: elevator operator and Harry starts like flirting with him in 333 00:19:57,440 --> 00:19:59,920 Speaker 1: the I'm like, I'm having this surreal moment with Dani. 334 00:20:00,040 --> 00:20:02,840 Speaker 1: Like Harry Carey is probably close to eighty at this point. 335 00:20:03,480 --> 00:20:08,560 Speaker 1: He's in an elevator and he's like, hello, y'all Whitey. 336 00:20:09,160 --> 00:20:13,840 Speaker 1: It was the funniest thing. It was about Harry carry 337 00:20:13,840 --> 00:20:17,359 Speaker 1: getting his mac on. Yeah, we'll try and trying, And 338 00:20:17,400 --> 00:20:22,160 Speaker 1: then I I also, uh, was it all the Ernie Harwell? 339 00:20:22,200 --> 00:20:24,199 Speaker 1: I met Ernie Harwell at one point. That was a 340 00:20:24,240 --> 00:20:26,720 Speaker 1: cool one. I feel like paddle Brian, I'm just dropping him. 341 00:20:27,359 --> 00:20:30,840 Speaker 1: These are people that were legends and broadcasting. Ernie Harwell 342 00:20:30,960 --> 00:20:35,119 Speaker 1: called the Tiger Games for a gazillion years. And you 343 00:20:35,160 --> 00:20:38,359 Speaker 1: gave me a good idea. You mentioned uh Musburger. I'm 344 00:20:38,400 --> 00:20:40,919 Speaker 1: gonna text him again because when he was in the 345 00:20:40,960 --> 00:20:45,040 Speaker 1: middle of the Raiders playoff run last season, he big 346 00:20:45,040 --> 00:20:48,080 Speaker 1: time does But now he's probably got some free time 347 00:20:48,080 --> 00:20:50,600 Speaker 1: on his hands. Yeah, I'm sure that one thing that 348 00:20:50,640 --> 00:20:54,680 Speaker 1: Brent Musburger wants to do in retirement is talk to us, right, Yeah, 349 00:20:54,800 --> 00:20:57,959 Speaker 1: that's that's the one thing that he wants to do. Alright. 350 00:20:57,960 --> 00:21:03,960 Speaker 1: Moving on, with the mail bag. I know, I come back. 351 00:21:05,080 --> 00:21:08,360 Speaker 1: It's sign from now call al Rights and he says, hey, 352 00:21:08,359 --> 00:21:12,600 Speaker 1: who sings the you wanna Golden Ticket jingle? He says, 353 00:21:12,680 --> 00:21:15,320 Speaker 1: is it Eddie? No, it's not Eddie. Oh my gosh, 354 00:21:15,840 --> 00:21:18,840 Speaker 1: come on, come on. It's a classic movie. Man. We 355 00:21:18,920 --> 00:21:22,639 Speaker 1: even have to answer that the Willie Wanka chocolate factory, 356 00:21:23,000 --> 00:21:29,040 Speaker 1: google the original Willy Wonka piece. Jean, I was gonna say, 357 00:21:29,080 --> 00:21:35,760 Speaker 1: Geene Simmons, definitely not Jean Simmons. Jean Gene Walderan Wilder. Yeah, 358 00:21:36,080 --> 00:21:40,240 Speaker 1: how soon we forget Tom Looney reported his death prematurely. 359 00:21:41,320 --> 00:21:44,040 Speaker 1: That's right. I remember that. It's very embarrassing. I was 360 00:21:44,119 --> 00:21:48,480 Speaker 1: loving with Looney and Looney somehow before he had died, 361 00:21:48,600 --> 00:21:54,359 Speaker 1: he wasn't dead. Wow, you get nothing. Gave the performance 362 00:21:54,359 --> 00:21:58,600 Speaker 1: of his life in that movie. He's so sarcastic and 363 00:21:58,640 --> 00:22:01,720 Speaker 1: does everything with this is straight face, Like when the 364 00:22:01,760 --> 00:22:05,760 Speaker 1: little kid falls into the Chocolate river and he says, hell, 365 00:22:06,119 --> 00:22:11,600 Speaker 1: somebody call the police. Was that an eighties movie? That 366 00:22:11,640 --> 00:22:18,000 Speaker 1: had to be eighties? Right? Yeah? Yeah, yeah, interesting all right? 367 00:22:18,119 --> 00:22:21,359 Speaker 1: Next up from Jason and Rocky Mount Virginia. He says, 368 00:22:21,400 --> 00:22:24,280 Speaker 1: for both you guys, I asked about the move to 369 00:22:24,480 --> 00:22:28,159 Speaker 1: Burbank many months back. In the beginning, I thought the 370 00:22:28,160 --> 00:22:31,120 Speaker 1: move was taking place around this time. Now I'm hearing 371 00:22:31,160 --> 00:22:34,399 Speaker 1: the process has been slowed. So either one of you 372 00:22:34,480 --> 00:22:37,800 Speaker 1: know why it's taking longer and is there a new 373 00:22:37,840 --> 00:22:40,720 Speaker 1: target time for the big move? Why is this person 374 00:22:40,720 --> 00:22:43,040 Speaker 1: going to bring us a basket? I like that Jason 375 00:22:43,119 --> 00:22:45,480 Speaker 1: is very concerned about our move to the new studios 376 00:22:46,000 --> 00:22:49,159 Speaker 1: because they've decided not to repair the old studios. So Jason, 377 00:22:49,720 --> 00:22:52,440 Speaker 1: I don't know when we're moving. I was in Burbank. 378 00:22:52,520 --> 00:22:55,000 Speaker 1: I had some meetings with some people in Burbank a 379 00:22:55,040 --> 00:22:58,800 Speaker 1: couple of weeks ago, and I was given a tour 380 00:22:58,960 --> 00:23:01,560 Speaker 1: of where the Fox Worts radio studios are going to be. 381 00:23:02,720 --> 00:23:07,639 Speaker 1: And let's just say it ain't happen anytime soon. How 382 00:23:07,640 --> 00:23:10,359 Speaker 1: about that. Let's let's say there's a lot of stuff 383 00:23:10,400 --> 00:23:12,639 Speaker 1: that needs to happen before those things are done. Just 384 00:23:12,680 --> 00:23:15,240 Speaker 1: blame it on all the wiring that needs to be done, 385 00:23:16,119 --> 00:23:19,360 Speaker 1: miles and miles of wires and really quick. By the way, 386 00:23:19,400 --> 00:23:22,119 Speaker 1: Ben Willy Wonka and the Chocolate Factory. You and I 387 00:23:22,200 --> 00:23:24,919 Speaker 1: saw it in the eighties, but it came out in 388 00:23:25,000 --> 00:23:29,080 Speaker 1: nineteen seventy one. Oh wow, is that all right? Yeah? 389 00:23:29,200 --> 00:23:31,000 Speaker 1: I saw it in the eighties. I thought, yeah, you 390 00:23:31,080 --> 00:23:35,000 Speaker 1: and I saw it as a VHS rental tape from 391 00:23:35,000 --> 00:23:41,280 Speaker 1: a video store. Wild alright. So yeah, just we there's wiring. 392 00:23:41,280 --> 00:23:44,840 Speaker 1: They're gonna they have to move the local l a 393 00:23:44,920 --> 00:23:49,840 Speaker 1: cluster of radio stations. They're they're moving those stations around, 394 00:23:49,880 --> 00:23:52,720 Speaker 1: So you have to move all of that wiring. Then 395 00:23:52,840 --> 00:23:57,359 Speaker 1: you have to add new wiring or not just Fox 396 00:23:57,359 --> 00:24:00,879 Speaker 1: Sports Radio, but the premier network shows which include Coast 397 00:24:00,920 --> 00:24:03,600 Speaker 1: to Coast with George Nori and all the other Premier 398 00:24:03,680 --> 00:24:10,159 Speaker 1: properties and the Knock Yeah, and Master Control operations and 399 00:24:10,200 --> 00:24:12,960 Speaker 1: all that networate Network Operations Center. So it's a big 400 00:24:13,000 --> 00:24:17,359 Speaker 1: pain in the behind. Let's see here. Mark writes in 401 00:24:17,520 --> 00:24:22,200 Speaker 1: from Waverley, Iowa, and Mark says, what's the strangest thing 402 00:24:22,359 --> 00:24:24,760 Speaker 1: a listener has sent? Well, this is an easy question. 403 00:24:25,800 --> 00:24:31,360 Speaker 1: I have received not one, not two, but three bloody 404 00:24:31,400 --> 00:24:34,680 Speaker 1: goat heads in the mail from Doc Mike, who still 405 00:24:34,720 --> 00:24:38,200 Speaker 1: calls the show from Chicago. I'm going to DeCamp tap 406 00:24:38,320 --> 00:24:40,760 Speaker 1: a goat, you know. He said, I'm gonna send you 407 00:24:40,760 --> 00:24:42,479 Speaker 1: a goat. Hey. This is when the Cubs couldn't win 408 00:24:42,520 --> 00:24:45,399 Speaker 1: the World Series and the Curse of the Billy Goat. 409 00:24:45,520 --> 00:24:49,600 Speaker 1: And so he sent a bloody goat head to the 410 00:24:49,600 --> 00:24:54,960 Speaker 1: studio and I was banned from getting mail because for 411 00:24:55,000 --> 00:24:57,199 Speaker 1: several months they would not take any mail for me 412 00:24:57,600 --> 00:25:00,800 Speaker 1: because this thing leaked blood in the mail room. They 413 00:25:00,840 --> 00:25:05,440 Speaker 1: thought it might be human. They didn't realize they didn't 414 00:25:05,440 --> 00:25:07,199 Speaker 1: know what it was. They like, if you if you 415 00:25:07,200 --> 00:25:09,240 Speaker 1: get a package and there's blood dripping out of it, 416 00:25:09,280 --> 00:25:11,439 Speaker 1: you don't know what to make of it. And so 417 00:25:11,560 --> 00:25:14,080 Speaker 1: I had to explain I did not tell Doc Mike 418 00:25:14,160 --> 00:25:17,000 Speaker 1: to send me a bloody goat head. He did it 419 00:25:17,119 --> 00:25:22,080 Speaker 1: on his own. It wasn't my doing. And Annie Z 420 00:25:22,480 --> 00:25:25,040 Speaker 1: who you know, Danny, Oh my god? Did I have 421 00:25:25,240 --> 00:25:29,159 Speaker 1: to go through hoops and there shouldn't be blood in 422 00:25:29,160 --> 00:25:32,240 Speaker 1: the mail room. Yeah, you can't do that. Ben, You've 423 00:25:32,280 --> 00:25:35,160 Speaker 1: got to tell your crazy listeners they can't send that 424 00:25:35,200 --> 00:25:38,800 Speaker 1: stuff here. And like as like z Dog, I didn't. 425 00:25:38,800 --> 00:25:40,240 Speaker 1: I didn't tell him to send it. What do you 426 00:25:40,240 --> 00:25:41,719 Speaker 1: want me to do? They send it, I give out 427 00:25:41,720 --> 00:25:44,440 Speaker 1: the address they sent it. And so then Doc after that, 428 00:25:44,520 --> 00:25:49,040 Speaker 1: Doc every package he sent he wrote in large black marker, 429 00:25:49,880 --> 00:25:56,440 Speaker 1: no goat products, no animal products. Thank god. He has 430 00:25:56,480 --> 00:26:02,080 Speaker 1: moved on to mailing urine. Yeah. Now he just sends 431 00:26:02,119 --> 00:26:05,560 Speaker 1: me you're in related books. That's the that's the big 432 00:26:05,560 --> 00:26:07,760 Speaker 1: thing that he sends now. But that's the answer mark. 433 00:26:07,880 --> 00:26:10,399 Speaker 1: And that's a good name for a town. Waverley, Iowa. 434 00:26:10,400 --> 00:26:12,240 Speaker 1: I feel like I've heard that over the years, Chris 435 00:26:12,240 --> 00:26:14,120 Speaker 1: in Alaska. Right. So, and he says, can we buy 436 00:26:14,160 --> 00:26:21,720 Speaker 1: autographed merchandise? No, I've tried merchandise before. I'll tell you what, Chris. 437 00:26:22,560 --> 00:26:25,280 Speaker 1: If enough people say, hey, we want to buy a 438 00:26:25,320 --> 00:26:27,119 Speaker 1: shirt or a hat or something like that, let me know. 439 00:26:27,760 --> 00:26:29,879 Speaker 1: I've had people say, what about a coin like a 440 00:26:29,960 --> 00:26:32,719 Speaker 1: Mallard Show coin, Like, if there's something you guys are 441 00:26:32,800 --> 00:26:35,479 Speaker 1: jones and for I would be willing to do it. 442 00:26:35,600 --> 00:26:38,440 Speaker 1: Every time I put a deal together to make shirts, 443 00:26:39,119 --> 00:26:42,480 Speaker 1: it's just been a pain in the ass because, as 444 00:26:42,520 --> 00:26:44,920 Speaker 1: you know, Danny, people love things for free, and it's 445 00:26:44,920 --> 00:26:47,160 Speaker 1: not You've got a charge for this stuff and people 446 00:26:47,160 --> 00:26:49,600 Speaker 1: don't like to pay for it, and then they complain 447 00:26:49,720 --> 00:26:53,399 Speaker 1: it's not perfect and all that. So you've got to 448 00:26:53,440 --> 00:26:56,800 Speaker 1: deal with shipping and all that. And it's better to 449 00:26:57,000 --> 00:26:59,879 Speaker 1: just do a shirt as a giveaway. That way, some 450 00:27:00,080 --> 00:27:02,640 Speaker 1: he gets it for free, and can you really complain 451 00:27:02,640 --> 00:27:06,879 Speaker 1: about something you got for free. Yeah, I guess you can, right. 452 00:27:06,920 --> 00:27:08,840 Speaker 1: We used to give stuff away at the radio station 453 00:27:08,920 --> 00:27:12,000 Speaker 1: and at the FM radio stations, and people would still 454 00:27:12,040 --> 00:27:15,720 Speaker 1: complain about stuff they got for free. It was pretty amazing. 455 00:27:16,240 --> 00:27:18,199 Speaker 1: We had a joke at the station. We'd be like, 456 00:27:18,480 --> 00:27:21,320 Speaker 1: if we gave away a free car, the person would 457 00:27:21,359 --> 00:27:23,560 Speaker 1: complain that it wasn't a full tank of gas in 458 00:27:23,600 --> 00:27:27,680 Speaker 1: the car. Oh for sure. Oh yeah. I remember doing 459 00:27:27,720 --> 00:27:30,919 Speaker 1: giveaways back in the day and the same thing. And 460 00:27:30,960 --> 00:27:33,720 Speaker 1: there's always those people only call for the giveaway the 461 00:27:33,760 --> 00:27:38,200 Speaker 1: hotline fright hors. Yeah, and I saw firsthand because I 462 00:27:38,480 --> 00:27:42,320 Speaker 1: worked at Kiss AM, but Kiss FM, Holy crap. They 463 00:27:42,359 --> 00:27:44,280 Speaker 1: would say I were giving away something at the ones. 464 00:27:44,760 --> 00:27:47,800 Speaker 1: I think it was like one of the type shows 465 00:27:48,240 --> 00:27:51,360 Speaker 1: did a special on people that just do that as 466 00:27:51,400 --> 00:27:54,840 Speaker 1: their job. They just have all the radio stations on 467 00:27:54,960 --> 00:27:58,960 Speaker 1: speed dial and they just win everything. Yeah, it's hard 468 00:27:58,960 --> 00:28:01,000 Speaker 1: to do now. A lot of those contests have become 469 00:28:01,119 --> 00:28:06,560 Speaker 1: national contect. Wasn't the case years ago, though. Yeah, we 470 00:28:06,560 --> 00:28:09,200 Speaker 1: were giving crap away. We were giving I remember oh 471 00:28:09,320 --> 00:28:13,080 Speaker 1: man in San Diego, Holy crap, I got so fat. 472 00:28:13,200 --> 00:28:20,080 Speaker 1: They had to deal with Nestley. This is a bad situation. 473 00:28:20,160 --> 00:28:22,479 Speaker 1: So I'd go to San Diego to work at the station, 474 00:28:23,080 --> 00:28:26,320 Speaker 1: and the FM X I think it was called. Is 475 00:28:26,359 --> 00:28:28,520 Speaker 1: that the you know, I don't know if you're familiar, Yeah, yeah, yeah, 476 00:28:28,520 --> 00:28:32,280 Speaker 1: the alternative rock station. Yeah X, really popular station in 477 00:28:32,320 --> 00:28:35,480 Speaker 1: San Diego. So they had with six ninety they had 478 00:28:35,880 --> 00:28:39,000 Speaker 1: some kind of Nestle promotion. So there were crates of 479 00:28:39,120 --> 00:28:43,760 Speaker 1: Nestley candy bars and the guys were like, you know, 480 00:28:44,160 --> 00:28:45,960 Speaker 1: just eat whatever you want, and we got I can't 481 00:28:45,960 --> 00:28:48,040 Speaker 1: give all these away, you know, we're giving away. But 482 00:28:48,120 --> 00:28:51,200 Speaker 1: that was just keep sending more in. So I had 483 00:28:51,200 --> 00:28:53,959 Speaker 1: the green light eat as many Nestle candy bars as 484 00:28:54,000 --> 00:28:56,240 Speaker 1: I could, and I just kept eating. It was like 485 00:28:56,320 --> 00:28:59,160 Speaker 1: double fisting. It was like it was terrible. I was 486 00:28:59,200 --> 00:29:03,760 Speaker 1: more concerned about him giving me a double fish. You 487 00:29:03,920 --> 00:29:07,360 Speaker 1: just reminded me of a funny memory. Mountain Dew loved 488 00:29:07,440 --> 00:29:11,520 Speaker 1: my FM station that I programmed in Ventura, Santa Barbara, 489 00:29:11,640 --> 00:29:15,480 Speaker 1: and they would send us palettes of Code Red. Do 490 00:29:15,520 --> 00:29:19,240 Speaker 1: you remember Mountain Dew Code Red? I do remember that. Yeah. Man, 491 00:29:19,320 --> 00:29:22,760 Speaker 1: we had Code red coming out of our ears. I 492 00:29:22,800 --> 00:29:25,520 Speaker 1: mean everyone, the staff drank it like it was water. 493 00:29:29,080 --> 00:29:32,320 Speaker 1: We had the little Code Red refrigerators in every room 494 00:29:32,400 --> 00:29:37,320 Speaker 1: at the business offices and studios. And I had DJ's 495 00:29:37,400 --> 00:29:39,680 Speaker 1: take it home, take some of that home, get it 496 00:29:39,720 --> 00:29:43,280 Speaker 1: out of here. We couldn't get rid of it. That's funny, 497 00:29:43,920 --> 00:29:46,080 Speaker 1: that is Uh yeah, well those are the old days. 498 00:29:46,120 --> 00:29:49,360 Speaker 1: That's not like that anymore though, you know they put 499 00:29:49,400 --> 00:29:56,280 Speaker 1: that lock and key these days. No, no, no, no no, alright, 500 00:29:56,480 --> 00:29:59,920 Speaker 1: what is next year? On The Good Old Fashioned Male? 501 00:30:00,160 --> 00:30:04,360 Speaker 1: All right, come back, it's sign from now Call Neil 502 00:30:04,440 --> 00:30:08,479 Speaker 1: and Jasper Indiana rights in can't close the deal O'Neil legend. 503 00:30:08,560 --> 00:30:10,760 Speaker 1: On the show, he says, what is your favorite moment 504 00:30:11,880 --> 00:30:17,400 Speaker 1: receiving something from a fan? Uh? Yeah, so my favorite moment. 505 00:30:17,720 --> 00:30:21,280 Speaker 1: People have been very kind. I've done these Mallard meat 506 00:30:21,320 --> 00:30:24,320 Speaker 1: and greets all over the country, from Seattle to Boston, 507 00:30:24,520 --> 00:30:27,200 Speaker 1: and it's really neat when you meet people and they 508 00:30:27,280 --> 00:30:29,840 Speaker 1: bring something for you, like a book or a shirt 509 00:30:30,000 --> 00:30:34,240 Speaker 1: or a hat, and and it's it's great because it's 510 00:30:34,280 --> 00:30:37,840 Speaker 1: something special from them. And I've I've kept a lot 511 00:30:37,880 --> 00:30:40,640 Speaker 1: of that stuff over the years, and people in Seattle 512 00:30:40,720 --> 00:30:43,520 Speaker 1: were very kind, brought a lot of stuff. Boston, I've 513 00:30:43,560 --> 00:30:46,520 Speaker 1: gotten some random and very unique hats and things like that. 514 00:30:46,720 --> 00:30:50,200 Speaker 1: That are pretty pretty cool. Uh, he says. Also a 515 00:30:50,240 --> 00:30:53,720 Speaker 1: second question, favorite memory from a caller living or deceased. 516 00:30:54,800 --> 00:30:56,920 Speaker 1: Uh yeah, I mean I remember a lot of actually 517 00:30:57,080 --> 00:30:59,960 Speaker 1: remember a lot of the callers that have died. Random 518 00:31:00,000 --> 00:31:04,040 Speaker 1: I'll be like driving and I'll remember something funny Genie 519 00:31:04,080 --> 00:31:07,120 Speaker 1: and Medford did, or how when she was having the 520 00:31:07,240 --> 00:31:11,640 Speaker 1: party at her house in Medford, just randomly, and then 521 00:31:11,800 --> 00:31:14,560 Speaker 1: that guy gets on at the very end, and you're like, 522 00:31:14,720 --> 00:31:23,040 Speaker 1: what's going on. There's a party in Medford. This is weird. 523 00:31:23,120 --> 00:31:27,800 Speaker 1: What's going on right now? What is going on in Medford, Oregon? Well, 524 00:31:27,840 --> 00:31:30,880 Speaker 1: there's a guy. There's there's a guy there now. Also 525 00:31:32,360 --> 00:31:36,600 Speaker 1: that's Joe. They're having a party in Medford and they're 526 00:31:36,640 --> 00:31:40,440 Speaker 1: listening to our show. It's a party in Medford. Hello, 527 00:31:40,680 --> 00:31:46,200 Speaker 1: Joe Hi, I like the Saint. Yes, I remember that 528 00:31:46,320 --> 00:31:52,160 Speaker 1: was hilarious. It's Joe Hi. I like the Saints. Uh yeah, 529 00:31:52,160 --> 00:31:55,680 Speaker 1: I remember that. I remember Jimmy Ray from Tampa Bay, 530 00:31:55,760 --> 00:31:58,280 Speaker 1: who was like the male version of Genie and Medford. 531 00:31:59,760 --> 00:32:03,520 Speaker 1: I I beer drinking. Brian obviously is fresh in my 532 00:32:03,600 --> 00:32:06,640 Speaker 1: mind because he passed away earlier this year, so remember 533 00:32:06,720 --> 00:32:11,760 Speaker 1: some of the craziness with him and Uh, spoken Gary 534 00:32:11,920 --> 00:32:14,720 Speaker 1: who used to be one of my regular guys. Uh. 535 00:32:14,800 --> 00:32:17,920 Speaker 1: There was our kid caller from Virginia who died in 536 00:32:18,000 --> 00:32:20,960 Speaker 1: a car accident at a young age. I remember some 537 00:32:21,040 --> 00:32:23,240 Speaker 1: of the calls we had with him, and so so yeah, 538 00:32:23,440 --> 00:32:27,360 Speaker 1: I probably remember more of the deceased callers than the living, 539 00:32:27,400 --> 00:32:30,600 Speaker 1: which is I guess good and bad at the same time. 540 00:32:31,240 --> 00:32:34,760 Speaker 1: The callers, Danny that you remember that well. And first 541 00:32:34,800 --> 00:32:37,040 Speaker 1: of all, I wanted to shout out Tammy and Montana 542 00:32:37,080 --> 00:32:39,160 Speaker 1: because over the years she sent us some really cool 543 00:32:39,280 --> 00:32:42,040 Speaker 1: things in the mail. Oh the cake thing that was amazing. 544 00:32:42,120 --> 00:32:45,800 Speaker 1: We had the cake year of cakes from the cake 545 00:32:45,960 --> 00:32:49,560 Speaker 1: Benefactor as you called her. And also, you know this, 546 00:32:49,880 --> 00:32:52,600 Speaker 1: some people may not realize that I'm the back to 547 00:32:52,720 --> 00:32:56,080 Speaker 1: back NFL book. I'm champion on your show back to 548 00:32:56,160 --> 00:32:59,400 Speaker 1: Back Here's and she sent me an actual trophy for 549 00:32:59,560 --> 00:33:01,960 Speaker 1: the book that has the back to back years on 550 00:33:02,120 --> 00:33:06,160 Speaker 1: the trophy. Is that displayed at the Danny Ga. You 551 00:33:06,280 --> 00:33:09,640 Speaker 1: know it is when people look at that, They're like, oh, 552 00:33:09,760 --> 00:33:12,520 Speaker 1: did you win a title in high school? And I'm like, nope, 553 00:33:12,920 --> 00:33:18,320 Speaker 1: back to back book, I'm champion baby board on board. Um, 554 00:33:18,720 --> 00:33:22,760 Speaker 1: let's see, as far as callers, we talked about this 555 00:33:22,960 --> 00:33:25,680 Speaker 1: just last week. Actually, that duet that Eddie did on 556 00:33:25,760 --> 00:33:28,120 Speaker 1: the air where we heard Eddie sing for the first 557 00:33:28,200 --> 00:33:41,080 Speaker 1: time the way we were lazy gentlemen, scattered pictures, the 558 00:33:41,280 --> 00:33:48,920 Speaker 1: smiles we left. When you laugh uncontrollably, Ben, that is 559 00:33:49,400 --> 00:33:54,760 Speaker 1: radio gold. That's Marconi worthy. And you can't stop. Once 560 00:33:54,840 --> 00:33:59,080 Speaker 1: you start, you can't stop. Yeah, it is true. I 561 00:33:59,360 --> 00:34:02,200 Speaker 1: when I get oh and it's and Eddie, it was 562 00:34:02,200 --> 00:34:04,560 Speaker 1: all you know, Eddie's all button up, serious guy and 563 00:34:04,640 --> 00:34:07,880 Speaker 1: all that. Lets see him singing. Yeah, I mean that's 564 00:34:07,920 --> 00:34:11,240 Speaker 1: happened a few times, like when coupe ate the vassiline 565 00:34:12,560 --> 00:34:17,000 Speaker 1: eate that seventy old hot dog and you just hear 566 00:34:17,120 --> 00:34:21,680 Speaker 1: all of us genuinely losing it with laughter in the background, 567 00:34:22,440 --> 00:34:25,480 Speaker 1: and you hear your high pitched giggle happening. I think 568 00:34:25,560 --> 00:34:28,719 Speaker 1: those were the moments I remember the most on your show. Yeah, 569 00:34:28,800 --> 00:34:31,120 Speaker 1: those were good times. Next up, I didn't get the 570 00:34:31,200 --> 00:34:32,719 Speaker 1: name on this one. I don't think they put their name. 571 00:34:32,719 --> 00:34:35,719 Speaker 1: He says, what is your fasting schedule? Look like I 572 00:34:35,840 --> 00:34:39,200 Speaker 1: try one or two days a week, but usually fail 573 00:34:40,080 --> 00:34:42,960 Speaker 1: and do the last five or seven days of the 574 00:34:43,040 --> 00:34:46,600 Speaker 1: month to make up for it. Yeah, so you have to. 575 00:34:46,640 --> 00:34:48,120 Speaker 1: First of all, you find out what works for you. 576 00:34:48,480 --> 00:34:51,160 Speaker 1: All right, everyone's different. I'm different than you. But the 577 00:34:51,280 --> 00:34:54,360 Speaker 1: one thing we all have in come, right, is that 578 00:34:54,719 --> 00:34:59,280 Speaker 1: to form a habit, it takes I think the numbers 579 00:34:59,320 --> 00:35:01,640 Speaker 1: like sixties six days or something like that. It takes 580 00:35:01,680 --> 00:35:04,640 Speaker 1: a there's a finite amount of time, but you have 581 00:35:04,880 --> 00:35:09,279 Speaker 1: to be committed to the fasting cult. And I eat 582 00:35:09,880 --> 00:35:11,640 Speaker 1: most of the time one meal a day. Now on 583 00:35:11,719 --> 00:35:15,640 Speaker 1: the weekends, i'll have a lunch and dinner, but I 584 00:35:15,760 --> 00:35:18,319 Speaker 1: usually during the week one meal. I'll skip a day 585 00:35:18,480 --> 00:35:20,960 Speaker 1: during the week, I'll go forty eight hours. Actually that 586 00:35:21,280 --> 00:35:24,719 Speaker 1: we're doing this right now in real time. Let me 587 00:35:24,920 --> 00:35:27,399 Speaker 1: check my I'm gonna check my fasting app here Danny 588 00:35:27,480 --> 00:35:32,879 Speaker 1: here live on the podcast on delay, and let's see here, 589 00:35:34,800 --> 00:35:38,320 Speaker 1: I am at thirty eight hours and twenty six minutes 590 00:35:38,360 --> 00:35:41,320 Speaker 1: of a fast and I will I haven't been to 591 00:35:41,440 --> 00:35:45,200 Speaker 1: bed yet, so I'll probably the time I eat, it'll 592 00:35:45,320 --> 00:35:49,360 Speaker 1: probably be forty forty six hours before I eat. But 593 00:35:49,440 --> 00:35:54,719 Speaker 1: I do that once a week. And is it only water? Uh? Yeah, 594 00:35:54,760 --> 00:35:56,600 Speaker 1: I can I only drink water. I don't. I don't. 595 00:35:56,680 --> 00:35:59,560 Speaker 1: I still drink water. I don't eat any kind of food. 596 00:35:59,640 --> 00:36:01,640 Speaker 1: Or anything like that, but no other liquids, no other 597 00:36:01,800 --> 00:36:04,919 Speaker 1: kind of drink or soup or anything like that. Yeah, 598 00:36:04,960 --> 00:36:07,680 Speaker 1: because you want to go into catosis. Is that how 599 00:36:07,719 --> 00:36:09,440 Speaker 1: you say it? I think that's it. Whatever, the big 600 00:36:09,520 --> 00:36:12,440 Speaker 1: fancy word is where you burn fat and all that. 601 00:36:12,719 --> 00:36:14,239 Speaker 1: But you gotta find out what works for you. But 602 00:36:14,480 --> 00:36:17,719 Speaker 1: I would say you gotta stick with because if you 603 00:36:17,800 --> 00:36:19,360 Speaker 1: only make it one or two days, you try the 604 00:36:19,440 --> 00:36:21,040 Speaker 1: one day. We think I would start out with like 605 00:36:21,120 --> 00:36:25,279 Speaker 1: a thirteen hour fast because that's really most people sleep it. 606 00:36:25,360 --> 00:36:26,839 Speaker 1: I don't sleep in hours, but a lot of people 607 00:36:26,880 --> 00:36:29,279 Speaker 1: sleep in hours. So that's just don't eat a couple 608 00:36:29,360 --> 00:36:31,839 Speaker 1: hours before bed, and don't eat a couple hours after 609 00:36:31,880 --> 00:36:34,399 Speaker 1: you wake up, and then boom, it's thirteen hours. That's nothing. 610 00:36:35,080 --> 00:36:38,919 Speaker 1: And then slowly work your way up bit by bit 611 00:36:39,120 --> 00:36:42,239 Speaker 1: by bit, and you know, if this is your thing, 612 00:36:42,560 --> 00:36:46,919 Speaker 1: and go for knock yourself out, have a fine. Next 613 00:36:47,000 --> 00:36:49,840 Speaker 1: up is Buried from Music City, says yo Yo mob Benny. 614 00:36:50,400 --> 00:36:52,239 Speaker 1: I had to take a few weeks off contributing to 615 00:36:52,239 --> 00:36:55,200 Speaker 1: the show. I had to consult with the Saudias for 616 00:36:55,320 --> 00:36:59,880 Speaker 1: a few million, But now I'm back, he said, Uh, 617 00:37:00,120 --> 00:37:02,560 Speaker 1: you have been at the podcast for a bit over 618 00:37:02,800 --> 00:37:06,400 Speaker 1: two years. I think my question is are you surprised 619 00:37:06,440 --> 00:37:10,400 Speaker 1: that you still get original, unique questions asked of you 620 00:37:10,960 --> 00:37:15,960 Speaker 1: and Danny on the Sunday edition. Yes. I always get 621 00:37:16,000 --> 00:37:19,080 Speaker 1: concerned Danny that, oh, this is the week that nothing's 622 00:37:19,120 --> 00:37:23,760 Speaker 1: gonna happen, no questions. And people have been very good. Barry, 623 00:37:23,960 --> 00:37:28,399 Speaker 1: you've been great, and Alf and so many Ohio, al, 624 00:37:28,719 --> 00:37:31,439 Speaker 1: so many super fans of the podcast on the radio show. 625 00:37:31,600 --> 00:37:35,000 Speaker 1: And we want to get new voices also, we want 626 00:37:35,080 --> 00:37:38,319 Speaker 1: new people asking questions. But it's been a lot of fun. 627 00:37:39,040 --> 00:37:41,440 Speaker 1: Who would have thought, man, that that's a talent that 628 00:37:41,560 --> 00:37:44,360 Speaker 1: our parents didn't want us to have as kids, but 629 00:37:44,480 --> 00:37:47,239 Speaker 1: would come in handy as an adult because when we 630 00:37:47,360 --> 00:37:50,799 Speaker 1: were kids, we wouldn't shut up. We asked so many questions, Mom, 631 00:37:50,920 --> 00:37:54,320 Speaker 1: why is this? Dad? Why? Mom? Why? Why? Why? Question 632 00:37:54,440 --> 00:37:57,359 Speaker 1: after question. I remember my mom at one point saying, 633 00:37:57,960 --> 00:38:01,000 Speaker 1: if you ask one more question during this car ride, 634 00:38:01,320 --> 00:38:05,919 Speaker 1: I'm gonna pull the car over and slap you. Why. 635 00:38:07,960 --> 00:38:12,160 Speaker 1: By nature, people are inquisitive, so that really helps, al right. 636 00:38:12,239 --> 00:38:16,440 Speaker 1: Next up on the mailbag, we have Pierre from halfway 637 00:38:16,520 --> 00:38:21,760 Speaker 1: between Springfield and Wooster. He says, now that the NFL 638 00:38:21,840 --> 00:38:24,600 Speaker 1: preseason is kicked off. I feel that it is okay 639 00:38:25,040 --> 00:38:28,080 Speaker 1: that you spill the beans about the top secret, high 640 00:38:28,200 --> 00:38:31,439 Speaker 1: level negotiations that you have been having behind the scenes 641 00:38:31,480 --> 00:38:34,600 Speaker 1: regarding Benny versus the Penny. All of us are sitting 642 00:38:34,680 --> 00:38:37,479 Speaker 1: on the edge of our seats, hanging on every word. 643 00:38:38,040 --> 00:38:41,600 Speaker 1: Please tell me that there won't be any time restraints, 644 00:38:42,080 --> 00:38:45,000 Speaker 1: because the best part of the show was when you 645 00:38:45,160 --> 00:38:48,759 Speaker 1: interacted with us the common man in the chat, regardless 646 00:38:48,800 --> 00:38:51,920 Speaker 1: of what happens with Benny Versus the Penny. I hope 647 00:38:52,480 --> 00:38:54,680 Speaker 1: that you have some outlet that you will allow us 648 00:38:54,760 --> 00:38:57,759 Speaker 1: to interact with you in real time outside of the show. 649 00:38:57,840 --> 00:39:01,120 Speaker 1: Maybe you can do play by play of marble racing 650 00:39:01,200 --> 00:39:06,880 Speaker 1: on Twitch when we get locked down again, says Pierre. 651 00:39:06,960 --> 00:39:12,160 Speaker 1: So Pierre, I would love to spill the beans. I 652 00:39:12,360 --> 00:39:14,840 Speaker 1: thought I would have some information by now. I have 653 00:39:15,000 --> 00:39:19,000 Speaker 1: been awaiting green light, yellow light, red light. I have 654 00:39:19,160 --> 00:39:22,120 Speaker 1: not gotten a green light. I have not gotten a 655 00:39:22,200 --> 00:39:24,200 Speaker 1: yellow light. I have not gotten a red light. And 656 00:39:25,040 --> 00:39:29,200 Speaker 1: as you can attest Danny, in this business, waiting is 657 00:39:29,320 --> 00:39:31,239 Speaker 1: a lot of what we end up doing when these 658 00:39:31,480 --> 00:39:36,520 Speaker 1: these opportunities present themselves. So I'm not as optimistic as 659 00:39:36,560 --> 00:39:39,640 Speaker 1: I was that this is going to happen because it 660 00:39:39,719 --> 00:39:45,959 Speaker 1: hasn't happened. But I'm also I'm feeling somewhat decent because 661 00:39:45,960 --> 00:39:48,440 Speaker 1: I haven't been told no. So until you're told no, 662 00:39:48,719 --> 00:39:53,040 Speaker 1: there's a shot. So that's where I am on that, 663 00:39:53,360 --> 00:39:57,560 Speaker 1: and I promise you, Pierre, depending on scheduling issues, I 664 00:39:57,680 --> 00:40:03,720 Speaker 1: will do something, whether more, asked Ben on on Twitter. 665 00:40:04,520 --> 00:40:07,000 Speaker 1: Maybe I'll strike up the twitch thing and give that 666 00:40:07,120 --> 00:40:10,719 Speaker 1: a shot and and do a bit, but we'll we'll 667 00:40:10,760 --> 00:40:15,279 Speaker 1: do something. We'll do something for sure. Next up, John writes, 668 00:40:15,360 --> 00:40:18,600 Speaker 1: and he says, do you recall when Don Drysdale passed 669 00:40:18,640 --> 00:40:23,399 Speaker 1: away suddenly on a road trip to Montreal Scully Ben 670 00:40:23,480 --> 00:40:27,239 Speaker 1: Scully came on and was very emotional and shocked but 671 00:40:27,400 --> 00:40:29,600 Speaker 1: said something along the lines that we still have to 672 00:40:29,680 --> 00:40:31,319 Speaker 1: go to this game, We have to do. This game 673 00:40:32,320 --> 00:40:35,560 Speaker 1: had to be tough. John said, Yeah. In fact, we 674 00:40:35,640 --> 00:40:40,120 Speaker 1: had a Ross Porter on on this podcast not that 675 00:40:40,280 --> 00:40:42,520 Speaker 1: long ago and loss. I think that was the same 676 00:40:42,600 --> 00:40:46,560 Speaker 1: weekend in Montreal where it might maybe it was around 677 00:40:46,640 --> 00:40:49,720 Speaker 1: that time he did the longest game for a single 678 00:40:49,760 --> 00:40:52,319 Speaker 1: play by play guy, and it was because Vin had 679 00:40:52,400 --> 00:40:55,840 Speaker 1: left to go do a network game for NBC and 680 00:40:56,520 --> 00:40:59,719 Speaker 1: Drysdale was obviously it passed away, and so Ross had 681 00:40:59,760 --> 00:41:02,600 Speaker 1: to do entire like twenty six inning game by him 682 00:41:03,440 --> 00:41:06,560 Speaker 1: by himself. But Scully was the master. Vin was the 683 00:41:06,640 --> 00:41:10,760 Speaker 1: master of that. And as so many people have given 684 00:41:11,560 --> 00:41:15,880 Speaker 1: universal tributes, I caught your on air tribute and it 685 00:41:16,000 --> 00:41:20,080 Speaker 1: was really good. What a guy. Oh thank you. I 686 00:41:20,280 --> 00:41:23,160 Speaker 1: I and I didn't even tell that scratched the surface 687 00:41:23,239 --> 00:41:27,000 Speaker 1: on some of those stories from from back in the day, 688 00:41:27,080 --> 00:41:30,400 Speaker 1: but I I still remember working up the courage to 689 00:41:30,480 --> 00:41:32,279 Speaker 1: ask him if he listened. I thought he listened to 690 00:41:32,360 --> 00:41:36,640 Speaker 1: Dodger Talk on the way home, and Vin just pointed 691 00:41:36,680 --> 00:41:41,040 Speaker 1: out very politely, and he listens like classical music. Ben 692 00:41:41,200 --> 00:41:43,240 Speaker 1: Ben is one of those guys where we had talked 693 00:41:43,280 --> 00:41:46,759 Speaker 1: about it on a past podcast where I told you, 694 00:41:47,400 --> 00:41:50,120 Speaker 1: I'm not sure how we're gonna be able to deal 695 00:41:50,160 --> 00:41:53,080 Speaker 1: with it when Vin passes away. He's one of those 696 00:41:53,160 --> 00:41:57,319 Speaker 1: guys where he felt like our real grandfather, and we've 697 00:41:57,360 --> 00:42:01,360 Speaker 1: actually talked about it that we can't even think about 698 00:42:01,480 --> 00:42:06,319 Speaker 1: losing him, and so when it actually happened, it's just, yeah, 699 00:42:06,840 --> 00:42:09,279 Speaker 1: it was such a sad night and day after, and 700 00:42:09,640 --> 00:42:12,720 Speaker 1: still right now it feels like a loss in the family. 701 00:42:13,800 --> 00:42:17,520 Speaker 1: And the thing about the timeline of Vince Killy's career. 702 00:42:17,680 --> 00:42:22,000 Speaker 1: He was a broadcaster of baseball for two and a 703 00:42:22,040 --> 00:42:24,320 Speaker 1: half generation. Actually more than two and a half generations. 704 00:42:24,719 --> 00:42:27,719 Speaker 1: Generation A generation is twenty five years rough from the 705 00:42:27,800 --> 00:42:31,080 Speaker 1: time of child's born until they become an adult. Shall 706 00:42:31,160 --> 00:42:33,959 Speaker 1: we say most people around the age of twenty five, 707 00:42:34,280 --> 00:42:36,919 Speaker 1: give or takes, start they have their own cell phone plan. 708 00:42:37,160 --> 00:42:40,279 Speaker 1: Finally they get off the cell phone plan, off the insurance, 709 00:42:40,840 --> 00:42:42,880 Speaker 1: they start their own families and things like that, and 710 00:42:42,960 --> 00:42:46,600 Speaker 1: so roughly twenty five years. So he did sixty seven 711 00:42:46,680 --> 00:42:50,120 Speaker 1: years of Dodger basement. So the math on that, that's 712 00:42:50,280 --> 00:42:55,600 Speaker 1: two generations plus seventeen years on top of that, which 713 00:42:55,719 --> 00:42:59,200 Speaker 1: is only eight years away from a totally different generation. 714 00:43:00,400 --> 00:43:03,360 Speaker 1: And uh, it was very cool and could have been 715 00:43:03,400 --> 00:43:06,440 Speaker 1: a complete a whole. And he loved hanging out in 716 00:43:06,520 --> 00:43:10,600 Speaker 1: the press box. He loved having a conversation with the scouts. 717 00:43:10,680 --> 00:43:13,080 Speaker 1: He would always talk to the scouts. I remember there 718 00:43:13,200 --> 00:43:15,680 Speaker 1: was a table in the press box at Dodger Stadium 719 00:43:16,120 --> 00:43:20,840 Speaker 1: where the scouts would mingle and you know, shoot the 720 00:43:20,880 --> 00:43:24,160 Speaker 1: bullshit about what was going on with their particular teams. 721 00:43:24,840 --> 00:43:28,000 Speaker 1: And they would always welcome Vin over, and Vin love 722 00:43:28,160 --> 00:43:30,279 Speaker 1: to trade stories with those guys. And of course a 723 00:43:30,360 --> 00:43:33,600 Speaker 1: lot of those guys were old baseball players that had 724 00:43:34,000 --> 00:43:35,839 Speaker 1: some of that had played for the Dodgers and knew 725 00:43:35,840 --> 00:43:38,279 Speaker 1: who Vin was, and he would he would sit there 726 00:43:38,320 --> 00:43:41,200 Speaker 1: and they'd go back and forth, and then picked up 727 00:43:41,200 --> 00:43:44,680 Speaker 1: a lot of antidotes from that, and he shared a 728 00:43:44,719 --> 00:43:48,400 Speaker 1: lot of things with those guys. And uh and and 729 00:43:48,480 --> 00:43:50,080 Speaker 1: I also I remember one time I didn't tell the 730 00:43:50,120 --> 00:43:52,960 Speaker 1: story on the show the other day, but uh my, 731 00:43:54,200 --> 00:43:57,600 Speaker 1: I don't know, how's the relations So my brothers, my 732 00:43:57,760 --> 00:44:01,279 Speaker 1: brother was in l a from New York with he 733 00:44:01,400 --> 00:44:05,000 Speaker 1: was at a Dodging game with his my nieces, his 734 00:44:05,160 --> 00:44:10,120 Speaker 1: two daughters and his father in law. And so I 735 00:44:10,360 --> 00:44:12,400 Speaker 1: at the time, this is I had access to the 736 00:44:12,440 --> 00:44:14,839 Speaker 1: press box. So I was like, you know, showing off 737 00:44:15,400 --> 00:44:17,640 Speaker 1: little girls. Didn't give a shit about the press box. 738 00:44:17,719 --> 00:44:20,719 Speaker 1: But the father in law, this guy was like, this 739 00:44:20,880 --> 00:44:24,040 Speaker 1: is cool, right, And so we happened to walk through 740 00:44:24,080 --> 00:44:27,279 Speaker 1: the press box and I gave him a tour. I 741 00:44:27,360 --> 00:44:30,760 Speaker 1: showed him everything. And it was the seventh inning stretch. 742 00:44:30,880 --> 00:44:34,120 Speaker 1: And at the seventh inning stretch then would go out 743 00:44:34,239 --> 00:44:37,120 Speaker 1: and walk around the press box to get some steps 744 00:44:37,160 --> 00:44:40,400 Speaker 1: in while the seventh inning stretch was going on, and 745 00:44:40,840 --> 00:44:42,960 Speaker 1: everything lined up in a road. This it was a 746 00:44:43,040 --> 00:44:44,960 Speaker 1: day game, everything lined up in a row. So I'm 747 00:44:45,120 --> 00:44:51,560 Speaker 1: taking the girls and the father in law, Scully, walks 748 00:44:51,560 --> 00:44:53,359 Speaker 1: out of the press box and he sees these two 749 00:44:53,400 --> 00:44:55,600 Speaker 1: little my two nieces, and you know, then when he 750 00:44:55,640 --> 00:44:58,560 Speaker 1: sees kids, he lights up, you know, and he smiled 751 00:44:58,680 --> 00:45:00,239 Speaker 1: the way you know. The kids didn't know the hell 752 00:45:00,280 --> 00:45:03,160 Speaker 1: he was, but the father was like father was like 753 00:45:04,040 --> 00:45:05,799 Speaker 1: thought I was like the coolest guy in the world, 754 00:45:05,840 --> 00:45:08,040 Speaker 1: because Van of course was very nice to him and 755 00:45:08,560 --> 00:45:10,760 Speaker 1: said hello, how are you doing, and all that stuff. 756 00:45:10,800 --> 00:45:15,120 Speaker 1: So that was just one added story that I recall 757 00:45:15,280 --> 00:45:18,600 Speaker 1: from many many years ago. These little both girls are 758 00:45:18,600 --> 00:45:21,640 Speaker 1: about ones in college and the other one is about 759 00:45:21,680 --> 00:45:25,319 Speaker 1: to be in college, so they're growing up now. So yeah, 760 00:45:25,960 --> 00:45:27,960 Speaker 1: uh do a few more. Here on the mail bag, 761 00:45:28,400 --> 00:45:31,759 Speaker 1: John in Colorado writes, and he says, when traveling, do 762 00:45:31,840 --> 00:45:36,560 Speaker 1: you guys keep the unused soap and shampoo? So I 763 00:45:36,760 --> 00:45:39,839 Speaker 1: I used to do this all the time, and then 764 00:45:39,920 --> 00:45:42,320 Speaker 1: I realized I never actually end up using it, So 765 00:45:42,440 --> 00:45:44,880 Speaker 1: what's the you know, what's the point. I have my 766 00:45:44,960 --> 00:45:47,360 Speaker 1: own shampoo and soap at home, but I for years 767 00:45:48,040 --> 00:45:49,880 Speaker 1: and I used to travel a fair amount in my 768 00:45:49,960 --> 00:45:52,800 Speaker 1: younger days, and I would keep that. I'd have a 769 00:45:52,840 --> 00:45:56,520 Speaker 1: whole suitcase full of uh soap and shampoo, and I 770 00:45:56,560 --> 00:45:59,480 Speaker 1: never ended up using. What about you, Danny. If it's 771 00:45:59,480 --> 00:46:03,960 Speaker 1: spans see and they just use amazing, fancy, expensive products, 772 00:46:04,560 --> 00:46:08,919 Speaker 1: then it's worth taking. If it's just standard average hair products, nah, 773 00:46:09,600 --> 00:46:12,799 Speaker 1: you're out. Yeah. And I think they put that into 774 00:46:12,840 --> 00:46:14,960 Speaker 1: the charge of the hotel room. They don't. They like, 775 00:46:15,080 --> 00:46:17,200 Speaker 1: you're you're paying for the soup, whether you take it 776 00:46:17,320 --> 00:46:21,160 Speaker 1: or not. They throw it in there. Uh, let's do 777 00:46:21,320 --> 00:46:25,560 Speaker 1: one more. Mike from Fullerton rights in. He says, first off, 778 00:46:25,640 --> 00:46:29,040 Speaker 1: to Pierre from East of the Rockies who asked if 779 00:46:29,080 --> 00:46:31,600 Speaker 1: Fullerton is west of the four oh five last week, 780 00:46:32,040 --> 00:46:35,200 Speaker 1: all I have to say is keep my city's name 781 00:46:35,440 --> 00:46:40,879 Speaker 1: out of your damn mouth. Um, Mike. This guy, Mike's 782 00:46:40,880 --> 00:46:43,760 Speaker 1: pretty funny. This guy fur Dog, and he's he's getting 783 00:46:43,800 --> 00:46:46,000 Speaker 1: a lot of airtime, Danny, and I've noticed some of 784 00:46:46,040 --> 00:46:49,320 Speaker 1: the other fans of the show are jealous, getting jealous 785 00:46:49,400 --> 00:46:51,760 Speaker 1: of fur Dog because he's getting a lot of attention 786 00:46:52,800 --> 00:46:55,879 Speaker 1: and and they don't like it. And Mike says, I'm 787 00:46:55,920 --> 00:46:59,279 Speaker 1: a big chicken finger guy, like you Ben, they are 788 00:46:59,440 --> 00:47:03,040 Speaker 1: my face. Every thing to order at Marie Calendars, even 789 00:47:03,160 --> 00:47:07,720 Speaker 1: with their chicken finger combo being called a summer picnic. 790 00:47:08,640 --> 00:47:12,520 Speaker 1: I also used to like the drink called the Shirley Temple, 791 00:47:13,520 --> 00:47:16,080 Speaker 1: but there's no way I'd order that anymore. My question 792 00:47:16,200 --> 00:47:19,040 Speaker 1: to you guys is, have either of you ever been 793 00:47:19,120 --> 00:47:23,000 Speaker 1: embarrassed for ordering something with a dumb or girly sounding 794 00:47:23,120 --> 00:47:28,560 Speaker 1: name to it? So, yeah, what I would do, Mike 795 00:47:28,840 --> 00:47:32,839 Speaker 1: or fur Dog, my move would be, even if they 796 00:47:32,960 --> 00:47:36,280 Speaker 1: call the chicken fingerplate as you say here at Marie Calendars, 797 00:47:36,320 --> 00:47:39,319 Speaker 1: the Shirley Temple, my move would be, I just want 798 00:47:39,360 --> 00:47:42,319 Speaker 1: the chicken fingers. I wouldn't call it the goofy name 799 00:47:42,360 --> 00:47:45,240 Speaker 1: I'd I'd call it the more masculine more like chicken 800 00:47:45,320 --> 00:47:47,440 Speaker 1: fingers is a masculine name. But I that's what I 801 00:47:47,480 --> 00:47:50,120 Speaker 1: would That would be my move. And I'm trying to think, 802 00:47:50,120 --> 00:47:52,400 Speaker 1: I don't know there's anything that off the top of 803 00:47:52,440 --> 00:47:54,399 Speaker 1: my head that I order that's got a really kind 804 00:47:54,440 --> 00:47:57,920 Speaker 1: of ridiculous name to it. So I would say, no, Danny, 805 00:47:57,960 --> 00:48:01,160 Speaker 1: anything on your plate. I mean, you order anything from 806 00:48:01,200 --> 00:48:04,680 Speaker 1: the Starbucks drive through, and you sound pretty silly because 807 00:48:04,719 --> 00:48:07,200 Speaker 1: of the long girly names. A lot of the drinks have. 808 00:48:07,840 --> 00:48:10,320 Speaker 1: But here's a life fact for you, because I like 809 00:48:10,480 --> 00:48:13,560 Speaker 1: the taste of that Shirley Temple drink as well. There's 810 00:48:13,560 --> 00:48:18,120 Speaker 1: a male version. It's the Roy Rogers. Oh there you go. Yeah, 811 00:48:18,600 --> 00:48:24,280 Speaker 1: you sound like a Western cowboy. Just order a Roy Rogers, 812 00:48:24,480 --> 00:48:26,239 Speaker 1: same thing. And if they don't know what it is, 813 00:48:26,560 --> 00:48:28,680 Speaker 1: then I guess you have to say, oh, it's like 814 00:48:28,840 --> 00:48:31,040 Speaker 1: a Shirley Temple. So you still have to say those 815 00:48:31,080 --> 00:48:34,759 Speaker 1: words maybe, but hopefully wherever you're at they know what 816 00:48:34,880 --> 00:48:38,680 Speaker 1: a Roy Rogers is. Hey, ma'am, I'd like a Roy 817 00:48:38,880 --> 00:48:45,239 Speaker 1: Rogers on the rocks. Yeah, it's a coking grenadine. When 818 00:48:45,280 --> 00:48:49,759 Speaker 1: I was a kid at bar Mitzvah's and weddings, I 819 00:48:50,000 --> 00:48:53,760 Speaker 1: felt like I was ball because I had the Shirley Temple. 820 00:48:54,360 --> 00:48:56,719 Speaker 1: Everyone else was drinking alcohol, but I got to get 821 00:48:56,760 --> 00:48:59,719 Speaker 1: the Shirley Temple and that was a big deal and 822 00:49:00,120 --> 00:49:02,680 Speaker 1: I bragged about that to all my friends. I had 823 00:49:02,760 --> 00:49:06,719 Speaker 1: the Shirley Temple. That was wonderful. Ohio Out. He did 824 00:49:06,800 --> 00:49:08,960 Speaker 1: not send a question, and I all got upset because 825 00:49:09,000 --> 00:49:11,560 Speaker 1: I was taking pot shots at the browns. Ohio Out. Listen, 826 00:49:11,600 --> 00:49:14,600 Speaker 1: I know you're a Browns fan, I understand. It's it's 827 00:49:14,680 --> 00:49:17,719 Speaker 1: really at the neanderthal Browns fans that have been going 828 00:49:17,800 --> 00:49:21,560 Speaker 1: over the top, like dismissing everything Deshaun Watson did. Those 829 00:49:21,560 --> 00:49:23,640 Speaker 1: are those are the people that I'm taking shots at. 830 00:49:23,760 --> 00:49:25,759 Speaker 1: I realized there are plenty of people that love the 831 00:49:25,800 --> 00:49:29,439 Speaker 1: Browns that think that this whole situation is a hot mess. 832 00:49:30,040 --> 00:49:32,719 Speaker 1: But I had people emailing me who claimed to be 833 00:49:32,840 --> 00:49:36,720 Speaker 1: Browns fans who were like, see, he only got six games. 834 00:49:37,040 --> 00:49:40,080 Speaker 1: You did all these motalogues and he didn't do anything. 835 00:49:40,400 --> 00:49:43,040 Speaker 1: The federal judge said it, he's gonna be playing your 836 00:49:43,160 --> 00:49:46,120 Speaker 1: loser like stuff like that. So I'm like, my point 837 00:49:46,280 --> 00:49:50,359 Speaker 1: is that that type of fan makes everyone else look 838 00:49:50,400 --> 00:49:54,560 Speaker 1: bad that because people that aren't sports fans see that, 839 00:49:54,880 --> 00:49:58,560 Speaker 1: and they said, we're all Neanderthals, and we're not all Neanderthals. 840 00:49:58,640 --> 00:50:01,800 Speaker 1: So that that was my point. So as you know, Ohio, 841 00:50:02,080 --> 00:50:04,440 Speaker 1: we have to take create, we have artistic freedom. We 842 00:50:04,560 --> 00:50:07,759 Speaker 1: have to exaggerate from time to time to make a point. 843 00:50:07,800 --> 00:50:09,920 Speaker 1: So that's all that one. Yeah, he didn't mean to 844 00:50:10,040 --> 00:50:12,680 Speaker 1: rub be the wrong way. Yes, I didn't need a 845 00:50:12,760 --> 00:50:17,480 Speaker 1: tug or rub or touch or feel or smell or whatever. 846 00:50:17,600 --> 00:50:20,680 Speaker 1: You didn't mean to tug on his emotion, yes, exactly, 847 00:50:20,840 --> 00:50:23,480 Speaker 1: and to keep your ranch dressing to yourself. That's the lesson. 848 00:50:23,560 --> 00:50:26,560 Speaker 1: All Right, we gotta get out of here, Danny. It's Sunday. 849 00:50:26,640 --> 00:50:31,040 Speaker 1: I'll be back in the Magic Radios studio tonight and 850 00:50:31,280 --> 00:50:34,680 Speaker 1: we have in studio guest j Scoop is supposed to 851 00:50:34,719 --> 00:50:38,239 Speaker 1: pay a visit to the Hallowed Hallways. What do you 852 00:50:38,320 --> 00:50:41,040 Speaker 1: have going on today, Danny? I'll be in there a 853 00:50:41,160 --> 00:50:44,320 Speaker 1: few hours before you first having fun with a Coveno 854 00:50:44,400 --> 00:50:46,600 Speaker 1: and Rich show and then the lead up to the 855 00:50:46,640 --> 00:50:50,640 Speaker 1: Ben Mallard Show, which is Chris Planket Arnie Spaniard outstanding 856 00:50:50,719 --> 00:50:53,480 Speaker 1: and remember five stars in the podcast. Subscribe to the 857 00:50:53,520 --> 00:50:57,120 Speaker 1: Fifth Hour podcast. It's different than the Ben Mallor Show podcast. 858 00:50:57,160 --> 00:50:58,759 Speaker 1: I know a lot of people listen to this show 859 00:50:59,200 --> 00:51:02,280 Speaker 1: from what I understand, and on the Ben Mallard feed. 860 00:51:02,800 --> 00:51:05,600 Speaker 1: This is a separate feed, and I can't guarantee that 861 00:51:05,680 --> 00:51:07,759 Speaker 1: this podcast is always going to be on that feed. 862 00:51:07,840 --> 00:51:10,560 Speaker 1: Sometimes it won't be. There might be some other things 863 00:51:10,640 --> 00:51:12,680 Speaker 1: that pop up on the Fifth Hour feed that you're 864 00:51:12,760 --> 00:51:15,320 Speaker 1: only gonna get if you subscribe to this feed. That 865 00:51:15,400 --> 00:51:17,840 Speaker 1: I would recommend it and we're gonna get out on that. 866 00:51:18,160 --> 00:51:21,080 Speaker 1: Have a wonderful rest of your day. I'll be on 867 00:51:21,200 --> 00:51:23,480 Speaker 1: the radio tonight eleven in the West, two am in 868 00:51:23,520 --> 00:51:25,880 Speaker 1: the East on Monday morning, and Danny's got his thing 869 00:51:25,960 --> 00:51:28,520 Speaker 1: going on all day. We'll talk to you then later. 870 00:51:28,640 --> 00:51:32,400 Speaker 1: Skater make funny. What's the pop up Wizard?