1 00:00:00,200 --> 00:00:05,000 Speaker 1: Hi baby, Hey man, you dude. Oh man, I'm starting 2 00:00:05,000 --> 00:00:11,000 Speaker 1: to get cabin fever. On lockdown again. No, we're not 3 00:00:11,039 --> 00:00:13,920 Speaker 1: on lockdown yet. We will be on lockdown soon. Is 4 00:00:13,920 --> 00:00:15,360 Speaker 1: that what they're saying about it? Later? They're going to 5 00:00:15,400 --> 00:00:18,160 Speaker 1: shut it back down. No, they're not saying. Nobody's saying 6 00:00:18,160 --> 00:00:21,480 Speaker 1: that right now. But what if these numbers keep trending 7 00:00:21,520 --> 00:00:26,400 Speaker 1: the way they're trending. I mean, it's gonna be the 8 00:00:26,400 --> 00:00:32,440 Speaker 1: way it is. You know, animation takes a really long time. 9 00:00:33,080 --> 00:00:35,840 Speaker 1: It takes so long. Can you hire someone to help 10 00:00:35,840 --> 00:00:41,040 Speaker 1: you with your project? No, I could, I've I've I'm 11 00:00:41,080 --> 00:00:44,760 Speaker 1: not at that stage yet, but it takes really really long. 12 00:00:45,560 --> 00:00:48,680 Speaker 1: And we haven't even started. We're not even close to 13 00:00:48,720 --> 00:00:52,880 Speaker 1: animating yet. We're you know, we're still putting the writer's 14 00:00:52,920 --> 00:00:56,600 Speaker 1: room together. But thank you so much Adult Swim for 15 00:00:57,000 --> 00:00:59,280 Speaker 1: giving us the budget to put a writer's room together. 16 00:01:00,200 --> 00:01:06,160 Speaker 1: Hiring writers, Yes, because I'm really excited. That's a lot 17 00:01:06,200 --> 00:01:07,840 Speaker 1: of fun and I've never done that before and it 18 00:01:07,840 --> 00:01:09,600 Speaker 1: would be really cool to bounce side. Now. Do you 19 00:01:09,640 --> 00:01:12,640 Speaker 1: have lots of people that you have worked with before 20 00:01:12,640 --> 00:01:15,440 Speaker 1: that you think might be good for this. I was 21 00:01:15,560 --> 00:01:19,040 Speaker 1: told this is what I was told, you never know 22 00:01:19,120 --> 00:01:21,880 Speaker 1: how someone is in the writer Someone could be really 23 00:01:21,959 --> 00:01:25,720 Speaker 1: great at pitching ideas and stuff like that to you, 24 00:01:25,760 --> 00:01:27,560 Speaker 1: but when they get into a writer's room, it could 25 00:01:27,560 --> 00:01:30,360 Speaker 1: be something completely different. So I went out and I 26 00:01:30,480 --> 00:01:32,520 Speaker 1: vetted a bunch of people. I talked to a bunch 27 00:01:32,520 --> 00:01:35,000 Speaker 1: of people. The people that I also also people that 28 00:01:35,040 --> 00:01:37,800 Speaker 1: I wanted to be in the writer's room because this 29 00:01:37,959 --> 00:01:42,479 Speaker 1: takes so long, because animation takes so long. They were 30 00:01:42,480 --> 00:01:46,720 Speaker 1: available and now they're no longer available. And so I 31 00:01:46,760 --> 00:01:49,160 Speaker 1: remember being in the Scrubbe writer's room and there were 32 00:01:49,360 --> 00:01:51,760 Speaker 1: there were sort of all different types of writers at 33 00:01:51,760 --> 00:01:54,400 Speaker 1: the table. There were some people like Mike Schwartz's in 34 00:01:54,400 --> 00:01:57,480 Speaker 1: this episode as Lloyd, for example, who were just hilarious 35 00:01:57,480 --> 00:02:00,120 Speaker 1: with jokes, jokes, jokes, jokes, jokes, some of them not 36 00:02:00,160 --> 00:02:02,880 Speaker 1: even usable in the show, just a hilarious human being 37 00:02:03,480 --> 00:02:05,440 Speaker 1: and um. And then there are people who were like 38 00:02:05,520 --> 00:02:08,000 Speaker 1: really good story. They weren't necessarily the jokes people, but 39 00:02:08,040 --> 00:02:10,280 Speaker 1: they would help you break the whole arc of the episode. 40 00:02:10,280 --> 00:02:13,480 Speaker 1: And so Bill had assembled this sort of team of 41 00:02:13,520 --> 00:02:17,959 Speaker 1: different people with different skill sets. Right, but this one, 42 00:02:18,280 --> 00:02:20,640 Speaker 1: this one is just ideas as of right now. And 43 00:02:21,880 --> 00:02:24,320 Speaker 1: but we're not there yet. We haven't even opened up 44 00:02:24,360 --> 00:02:27,320 Speaker 1: the writer's room yet. We've got the people, the people 45 00:02:27,360 --> 00:02:30,320 Speaker 1: that are going to do it there, they've all said yes, good, 46 00:02:30,800 --> 00:02:34,560 Speaker 1: But now we're waiting on I guess the availability. I 47 00:02:34,560 --> 00:02:36,360 Speaker 1: don't know what we're waiting on now. But we're not 48 00:02:36,440 --> 00:02:38,120 Speaker 1: doing it this week. We were supposed to start this 49 00:02:38,120 --> 00:02:41,520 Speaker 1: week and now we're starting next week. Okay, animation takes forever. Dude, 50 00:02:41,560 --> 00:02:43,520 Speaker 1: Well but you're not animating anything right now. You're just 51 00:02:43,560 --> 00:02:47,079 Speaker 1: in the writing phase. But animation period takes forever. Like 52 00:02:47,280 --> 00:02:51,320 Speaker 1: that's that's the that's the rule of thumb in the 53 00:02:51,400 --> 00:02:56,919 Speaker 1: industry of animation. You know, it always takes forever. Every 54 00:02:56,960 --> 00:03:00,280 Speaker 1: meeting is so important. Okay, Well, I would have thought 55 00:03:00,280 --> 00:03:02,480 Speaker 1: that the writing was no different than any other writing. 56 00:03:02,520 --> 00:03:04,560 Speaker 1: You're just writing. You're not sitting there trying to move 57 00:03:04,600 --> 00:03:06,679 Speaker 1: a piece of clay around. No, but you got to 58 00:03:06,720 --> 00:03:10,400 Speaker 1: write to the specs of the first of all, you 59 00:03:10,440 --> 00:03:12,520 Speaker 1: got to write to scale. You have to write too, 60 00:03:13,080 --> 00:03:15,160 Speaker 1: all right, we have a budget, so you can't get 61 00:03:15,200 --> 00:03:17,919 Speaker 1: out of control and write something that's so crazy that 62 00:03:18,400 --> 00:03:20,639 Speaker 1: you know, right, well, that's like anything I'm wriking an 63 00:03:20,639 --> 00:03:22,440 Speaker 1: indie movie. I can't make it. There be a plane 64 00:03:22,440 --> 00:03:30,720 Speaker 1: crash right exactly? Can happen off camera? Though? Right? Oh 65 00:03:30,760 --> 00:03:36,360 Speaker 1: my god, look at that plane crash exactly. But with 66 00:03:36,360 --> 00:03:38,920 Speaker 1: with animation you can you can be big to a 67 00:03:38,960 --> 00:03:41,160 Speaker 1: certain point and then kind of got a scale back. 68 00:03:42,480 --> 00:03:45,880 Speaker 1: So well, you you know, you could probably a lot 69 00:03:45,920 --> 00:03:48,280 Speaker 1: from Seth Green because he's done this right. He could 70 00:03:48,320 --> 00:03:50,400 Speaker 1: be a good mentor to you. Well, I'm working with 71 00:03:50,440 --> 00:03:57,360 Speaker 1: his company. He's always been Him and Matton have always 72 00:03:57,360 --> 00:04:01,040 Speaker 1: been very very very very generous. You should invite Seth 73 00:04:01,080 --> 00:04:03,880 Speaker 1: Green to come on the podcast. It'd be a lot 74 00:04:03,920 --> 00:04:05,920 Speaker 1: of fun. I wonder if you'd do it. Why would 75 00:04:05,920 --> 00:04:07,960 Speaker 1: set are your friends with Seth Green? Why would Seth 76 00:04:08,000 --> 00:04:10,240 Speaker 1: Green be too cool for school to do our pode? 77 00:04:10,280 --> 00:04:13,120 Speaker 1: We're a Scrubs rewatch show, so he'd probably be like 78 00:04:13,200 --> 00:04:15,840 Speaker 1: I was never on Scrubs. Well that doesn't matter. We 79 00:04:15,840 --> 00:04:17,839 Speaker 1: could do a special episode with Seth Green where we 80 00:04:17,839 --> 00:04:20,800 Speaker 1: talk about his very long career and how he segued 81 00:04:20,800 --> 00:04:25,000 Speaker 1: into producing Robot Chicken and all the many things he's done. 82 00:04:25,279 --> 00:04:28,760 Speaker 1: I'm down to have him one. Seth dat po Danel, 83 00:04:28,920 --> 00:04:31,320 Speaker 1: wouldn't you be interested in that? Daniel very much? So? 84 00:04:31,440 --> 00:04:34,000 Speaker 1: I love Seth Green. Yeah, I love Seth Green too. 85 00:04:34,080 --> 00:04:36,160 Speaker 1: Why you guys are speaking my language here? Look, Seth 86 00:04:36,200 --> 00:04:39,160 Speaker 1: Green is. Seth Green is a beloved performer, very much. 87 00:04:39,200 --> 00:04:42,120 Speaker 1: So Seth Green's amazing. I want to talk to him 88 00:04:42,160 --> 00:04:50,400 Speaker 1: about being um Um the Sun to Um doctor doctor Evil, Scott. 89 00:04:51,080 --> 00:04:54,320 Speaker 1: You want to talk to him about Scott Evil? Yeah? 90 00:04:54,839 --> 00:04:59,120 Speaker 1: Um should be getting the show. Sure, where's Joel Joel um? 91 00:04:59,279 --> 00:05:01,839 Speaker 1: We had to move our time today and Joelle couldn't 92 00:05:01,880 --> 00:05:05,880 Speaker 1: do noons, so she's dry joining us late and a 93 00:05:06,040 --> 00:05:09,479 Speaker 1: rapt little Oh so this is gonna be a slightly 94 00:05:09,520 --> 00:05:16,839 Speaker 1: more masculine show. Let's get this stunt stories about show. 95 00:05:17,040 --> 00:05:28,520 Speaker 1: We made about a bunch of doctor nurses stories. So 96 00:05:28,800 --> 00:05:39,359 Speaker 1: YadA around here, a yado around here. What an episode. 97 00:05:39,440 --> 00:05:42,640 Speaker 1: It is the moment that where everyone's lives changed and 98 00:05:42,680 --> 00:05:45,960 Speaker 1: we got to see Donald's do the poison dance. This 99 00:05:46,080 --> 00:05:49,360 Speaker 1: is a very, very epic episode. This is the episode 100 00:05:49,800 --> 00:05:54,560 Speaker 1: where zb had his had pulled some stunt casting and 101 00:05:54,640 --> 00:05:57,880 Speaker 1: had his then girlfriend with my girlfriend Lee Mandy Moore 102 00:05:58,279 --> 00:06:02,080 Speaker 1: on the show to be his new love interest. And 103 00:06:02,160 --> 00:06:05,400 Speaker 1: she's great. She's so funny in it. She's really good, 104 00:06:05,839 --> 00:06:09,359 Speaker 1: she's really funny. She's got great comic timing that man anymore. 105 00:06:09,600 --> 00:06:12,039 Speaker 1: And there's got a lot of it's got saltine, It's 106 00:06:12,120 --> 00:06:15,160 Speaker 1: got Yeah, let's just start with the biggest topic. I 107 00:06:15,240 --> 00:06:19,400 Speaker 1: know we've touched on this before, but slow it down, Okay. 108 00:06:19,520 --> 00:06:22,599 Speaker 1: Tell everyone the story of how you didn't even read 109 00:06:22,680 --> 00:06:26,159 Speaker 1: the script for the poisoned dance. You had been told 110 00:06:26,160 --> 00:06:28,880 Speaker 1: to put together a little routine because you're a good dancer, 111 00:06:29,440 --> 00:06:31,800 Speaker 1: and you showed up and had no clue and had 112 00:06:31,839 --> 00:06:34,479 Speaker 1: to improvise a dance that has now been made immortal 113 00:06:34,880 --> 00:06:38,279 Speaker 1: in Fortnite. First of all, I think I was also 114 00:06:38,480 --> 00:06:44,680 Speaker 1: late that day. So I am so at this point, 115 00:06:44,720 --> 00:06:48,680 Speaker 1: I'm newly divorced, and I'm out on the town. Yeah, 116 00:06:48,680 --> 00:06:53,120 Speaker 1: I'm dating again, and so and also Scrubs is really really, 117 00:06:53,440 --> 00:06:56,240 Speaker 1: really really popular at this point, right, So you were 118 00:06:56,279 --> 00:06:58,400 Speaker 1: out and about at the clubs, as the kids say, 119 00:06:58,600 --> 00:07:01,080 Speaker 1: I was out in the clubs trying to make it happen, 120 00:07:01,760 --> 00:07:05,159 Speaker 1: you know, like everybody else that was at the club 121 00:07:05,320 --> 00:07:08,240 Speaker 1: trying to make it happen. Anyway, So I think I 122 00:07:08,279 --> 00:07:13,200 Speaker 1: was late, and I remember getting there and the whole 123 00:07:13,240 --> 00:07:15,120 Speaker 1: cruise there, and I'm like, what the hell is going on? 124 00:07:15,920 --> 00:07:19,400 Speaker 1: And Bill goes, Oh, you gotta dance, and this this 125 00:07:19,480 --> 00:07:22,760 Speaker 1: is the episode where you know you did? You truly 126 00:07:22,800 --> 00:07:25,400 Speaker 1: know nothing about this. I had no clue what we 127 00:07:25,400 --> 00:07:27,280 Speaker 1: were doing that day? Did we? Did we? You know, 128 00:07:27,280 --> 00:07:30,360 Speaker 1: because some episodes we'd have read through, and very more 129 00:07:30,400 --> 00:07:32,360 Speaker 1: often than not, we didn't. This was not one of 130 00:07:32,360 --> 00:07:36,520 Speaker 1: those read through episodes. And if it was, I don't remember. 131 00:07:36,800 --> 00:07:38,960 Speaker 1: I don't remember, I don't listen. I got there and 132 00:07:39,000 --> 00:07:41,080 Speaker 1: I was totally caught off guard. Like, okay, so you 133 00:07:41,160 --> 00:07:44,280 Speaker 1: got there and everyone's waiting, you're late, you're probably hungover, 134 00:07:44,360 --> 00:07:47,040 Speaker 1: and they're like, hey, you know about the dance routine 135 00:07:47,040 --> 00:07:49,400 Speaker 1: that you're gonna do right right? But I couldn't understand 136 00:07:49,400 --> 00:07:55,560 Speaker 1: why the whole, the whole, the whole company, everybody from 137 00:07:55,640 --> 00:07:59,280 Speaker 1: Scrubs from Crafty to everybody's in the room to watch 138 00:07:59,280 --> 00:08:01,840 Speaker 1: this ship. And I'm like, because they probably thought Donald 139 00:08:01,880 --> 00:08:04,800 Speaker 1: has worked out some hilarious dance. We want to see it. 140 00:08:06,080 --> 00:08:11,480 Speaker 1: So Rob goes first, and Rob really did work out 141 00:08:12,040 --> 00:08:15,280 Speaker 1: or Rob had probably rehearsed for two weeks, and so 142 00:08:15,320 --> 00:08:18,240 Speaker 1: we're block shooting also, so everything has to be this way, 143 00:08:18,400 --> 00:08:21,960 Speaker 1: and everything is facing the television right right right, and 144 00:08:22,160 --> 00:08:25,040 Speaker 1: Rob goes first, and I have to immediately go up 145 00:08:25,080 --> 00:08:27,400 Speaker 1: after him. All right, now, when you're watching Rob, you're 146 00:08:27,400 --> 00:08:31,480 Speaker 1: going too fast. When you're watching Rob, are you laughing? Yeah, dude, 147 00:08:31,520 --> 00:08:34,679 Speaker 1: I can't stop laughing. I can't say I can't stop 148 00:08:34,720 --> 00:08:37,400 Speaker 1: laughing because he literally did the whole song. So Rob 149 00:08:37,440 --> 00:08:41,080 Speaker 1: does the whole working foot. He even has everyone's watching 150 00:08:41,840 --> 00:08:45,480 Speaker 1: to see what you can He's worked out a whole routine. 151 00:08:45,960 --> 00:08:49,360 Speaker 1: Oh right, Like I'm not even sure if it's in 152 00:08:49,360 --> 00:08:52,440 Speaker 1: the where he goes oh, where he's singing like he 153 00:08:52,559 --> 00:08:57,080 Speaker 1: goes hardcore. Yeah, the whole song. It's not an exaggeration 154 00:08:57,120 --> 00:08:59,000 Speaker 1: to say that he probably worked that out over the 155 00:08:59,000 --> 00:09:02,800 Speaker 1: course of two weeks. Yes, like literally, like, dude, he's 156 00:09:02,800 --> 00:09:05,800 Speaker 1: got can you come out and play? And he throws 157 00:09:05,880 --> 00:09:08,080 Speaker 1: up like a ball, an imaginary ball, and hits it 158 00:09:08,120 --> 00:09:10,280 Speaker 1: with a bat you know what I mean, an imaginary bat. 159 00:09:10,640 --> 00:09:13,920 Speaker 1: Like by the way they go U, I love that 160 00:09:14,040 --> 00:09:16,520 Speaker 1: they go a nice job on the costume and he 161 00:09:16,520 --> 00:09:20,720 Speaker 1: goes what costume, Ye, my normal gear, But that's not 162 00:09:20,760 --> 00:09:22,640 Speaker 1: his normal stuff. We know that. We know that the 163 00:09:22,720 --> 00:09:27,000 Speaker 1: todd well, that might be his air banding uniform. I 164 00:09:27,000 --> 00:09:29,680 Speaker 1: don't know anywhere anywhere you're watching and you're going, Todd's 165 00:09:29,720 --> 00:09:31,240 Speaker 1: killing it. What's going through your head? Are you? Are 166 00:09:31,280 --> 00:09:33,640 Speaker 1: you starting to think about like what you're gonna do? No, 167 00:09:34,160 --> 00:09:37,679 Speaker 1: because I all I know is the song is Poison, 168 00:09:37,800 --> 00:09:40,160 Speaker 1: And I'm like, oh, I got this shit. Just please 169 00:09:40,240 --> 00:09:43,200 Speaker 1: be faster than I remember, because sometimes songs come on 170 00:09:43,320 --> 00:09:45,440 Speaker 1: that you used to dance to and they're a little 171 00:09:45,440 --> 00:09:48,439 Speaker 1: bit slower than you remember them being, and so the 172 00:09:48,520 --> 00:09:50,960 Speaker 1: moves that you're gonna do to them don't necessarily fit. 173 00:09:51,000 --> 00:09:53,680 Speaker 1: And I'm like, if it's poison, I think I could 174 00:09:53,720 --> 00:09:57,280 Speaker 1: do this if I you know, and it comes on, 175 00:09:57,720 --> 00:10:02,640 Speaker 1: I'm fucking drunk. Everybody's watching, You're drunk. You're still drunk. No, 176 00:10:02,840 --> 00:10:05,320 Speaker 1: Like I'm like still hungover from the club, Like I'm 177 00:10:05,440 --> 00:10:07,880 Speaker 1: still it's in me, you know what I mean? Like 178 00:10:07,960 --> 00:10:10,120 Speaker 1: this shit's still in me? Now? Was this a bell? 179 00:10:10,280 --> 00:10:13,320 Speaker 1: It's a bell? BIV Devoso one of the best bands 180 00:10:13,320 --> 00:10:16,400 Speaker 1: ever in the history of my life were New Addition, 181 00:10:16,559 --> 00:10:19,120 Speaker 1: and then what came from New Addition Ralph Tresh. Now 182 00:10:19,240 --> 00:10:22,719 Speaker 1: I'm watching watching This is Pop on Netflix and there's 183 00:10:22,720 --> 00:10:28,600 Speaker 1: a whole section. Um but anyway, so does any of 184 00:10:28,640 --> 00:10:31,280 Speaker 1: these moves? Were they a part of their music video? 185 00:10:31,400 --> 00:10:34,600 Speaker 1: Or you just know. I was just riffing. Like when 186 00:10:34,600 --> 00:10:38,200 Speaker 1: I was a kid, we did we used to do uh. 187 00:10:40,120 --> 00:10:42,880 Speaker 1: Me and my buddies would do new addition like concerts 188 00:10:42,880 --> 00:10:45,280 Speaker 1: like we would do. We'd put the music on and 189 00:10:45,320 --> 00:10:48,319 Speaker 1: we'd work out routines and stuff like that, and we'd 190 00:10:48,320 --> 00:10:51,400 Speaker 1: each pick one of the band members to be And 191 00:10:51,480 --> 00:10:53,920 Speaker 1: so a lot of the moves that I did in 192 00:10:54,040 --> 00:10:56,960 Speaker 1: this were from me being a kid in us, me 193 00:10:57,000 --> 00:10:59,680 Speaker 1: and my buddies dancing and stuff like that. But as 194 00:10:59,720 --> 00:11:03,880 Speaker 1: far is putting it together and and and uh in 195 00:11:03,880 --> 00:11:07,400 Speaker 1: an order or anything like that, that's I had no 196 00:11:07,440 --> 00:11:09,079 Speaker 1: clue what I was. Like, I know, you're just freestyle. 197 00:11:09,200 --> 00:11:11,120 Speaker 1: That's what's so amazing about it is that you hadn't 198 00:11:11,679 --> 00:11:13,720 Speaker 1: It's one thing that you're a good dancer, which you 199 00:11:13,800 --> 00:11:17,480 Speaker 1: naturally are, but you also are just improvising this. You 200 00:11:17,520 --> 00:11:19,760 Speaker 1: don't really know where you're going next with it. No, 201 00:11:19,920 --> 00:11:23,880 Speaker 1: you did it so seamlessly. Yeah, well, you know, part 202 00:11:23,920 --> 00:11:26,240 Speaker 1: of it's like the lyrics and because I knew the 203 00:11:26,280 --> 00:11:28,160 Speaker 1: song so like this was one of my jams back 204 00:11:28,160 --> 00:11:29,720 Speaker 1: in the day, Like I used to rub this shit 205 00:11:30,320 --> 00:11:33,680 Speaker 1: all it's poison poison, yes, Spider Man A freeze and 206 00:11:33,720 --> 00:11:37,319 Speaker 1: full effect. Like I knew the ship by heart regardless, 207 00:11:37,320 --> 00:11:39,920 Speaker 1: so when it came on, I was like, oh, this 208 00:11:40,000 --> 00:11:42,560 Speaker 1: is this is gonna be easy. And what was great 209 00:11:42,600 --> 00:11:47,000 Speaker 1: it was when they cut finally and everybody cheered. Part 210 00:11:47,000 --> 00:11:50,160 Speaker 1: of me was like, you know, oh, thank god, I 211 00:11:50,200 --> 00:11:52,440 Speaker 1: just dodged a bullet. But the other part was like, 212 00:11:52,480 --> 00:11:55,040 Speaker 1: you know the other another part of me was like, 213 00:11:55,360 --> 00:11:58,600 Speaker 1: oh shit, I wonder how this is gonna look when 214 00:11:58,679 --> 00:12:01,320 Speaker 1: when people see it, because and I knew it was 215 00:12:01,320 --> 00:12:03,080 Speaker 1: gonna be good because I remember I was dating a 216 00:12:03,080 --> 00:12:06,160 Speaker 1: girl at the time, and John Michelle, when he was 217 00:12:06,320 --> 00:12:09,280 Speaker 1: editing this, called me into the editing bay and she 218 00:12:09,400 --> 00:12:10,920 Speaker 1: was with me. I made her come to work with me, 219 00:12:11,040 --> 00:12:13,080 Speaker 1: or she dropped me off at work that day, and 220 00:12:13,120 --> 00:12:16,040 Speaker 1: I remember her being so fucking pissed off that she 221 00:12:16,080 --> 00:12:18,439 Speaker 1: had to drop me off at work. And John Michelle 222 00:12:18,480 --> 00:12:21,480 Speaker 1: called me in with her to see the rough cut, 223 00:12:21,480 --> 00:12:23,840 Speaker 1: and he's like, dude, you gotta see this, and she's like, 224 00:12:23,920 --> 00:12:26,880 Speaker 1: And I remember the girl being like, she sits down 225 00:12:26,880 --> 00:12:30,520 Speaker 1: and watches and it comes on, and her whole attitude 226 00:12:30,559 --> 00:12:33,880 Speaker 1: shifted as she was watching it. She went from being 227 00:12:33,960 --> 00:12:35,920 Speaker 1: so pissed off that she had to be there to 228 00:12:36,040 --> 00:12:38,720 Speaker 1: being so impressed, and I remember being like, oh, this 229 00:12:38,760 --> 00:12:42,120 Speaker 1: ship could be fire. And when it came out, you know, 230 00:12:42,320 --> 00:12:44,080 Speaker 1: I knew a lot of people, a lot of talk, 231 00:12:44,520 --> 00:12:47,480 Speaker 1: a lot of people ago. This is two thousand and six. 232 00:12:47,559 --> 00:12:49,920 Speaker 1: I looked it up and this is something that Scrubs 233 00:12:49,960 --> 00:12:54,080 Speaker 1: fans adore and has come up so many times in 234 00:12:54,120 --> 00:12:55,880 Speaker 1: our life. And of course there was it was like 235 00:12:57,120 --> 00:12:59,880 Speaker 1: what do you call it? For the fortnight? But even 236 00:13:00,520 --> 00:13:02,960 Speaker 1: even with Fortnite, even though Fortnite did it like it was, 237 00:13:03,080 --> 00:13:05,199 Speaker 1: it pops up and it would pop up in memes 238 00:13:05,240 --> 00:13:07,679 Speaker 1: and all types of shit. Yeah all the time. People 239 00:13:07,720 --> 00:13:10,400 Speaker 1: love it. Now did you only do one take? Yeah? 240 00:13:10,440 --> 00:13:13,640 Speaker 1: That's only one take? Wow? Wow she had she had 241 00:13:13,679 --> 00:13:16,959 Speaker 1: shot two sizes, probably simultaneously. Yeah. No, it was every year, 242 00:13:16,960 --> 00:13:20,760 Speaker 1: it was two cameras. Yeah, let everybody. Yeah, well it's 243 00:13:20,880 --> 00:13:24,600 Speaker 1: very funny man. And then and then your whole arc 244 00:13:24,800 --> 00:13:27,680 Speaker 1: in this episode is so funny that you you piss 245 00:13:27,720 --> 00:13:30,760 Speaker 1: off Kelso So then he's he's made up no air 246 00:13:30,800 --> 00:13:33,839 Speaker 1: banding signs, which is like footloose if you really think 247 00:13:33,880 --> 00:13:38,720 Speaker 1: about it, dancing it's the plot of footlooseing Scrubs. Yeah, yeah, yeah, 248 00:13:38,760 --> 00:13:41,240 Speaker 1: so that's Lloyd the guy air banding is the drummer 249 00:13:41,520 --> 00:13:44,520 Speaker 1: is Mike Schwartz, one of the funniest writers on Scrubs, 250 00:13:44,760 --> 00:13:46,880 Speaker 1: really really great guy. And he would play Lloyd. We've 251 00:13:46,920 --> 00:13:50,760 Speaker 1: spoken about him before and uh and he got Sammy playing. 252 00:13:50,800 --> 00:13:55,680 Speaker 1: I think sam was a left handed guitarist right, yes, yeah, 253 00:13:55,720 --> 00:13:58,880 Speaker 1: well he played the bass. He played on the Janitors, 254 00:13:58,920 --> 00:14:02,120 Speaker 1: playing bass in the Yeah, but usually, but usually Sam 255 00:14:02,160 --> 00:14:05,520 Speaker 1: would play bass like with his band. Okay, in real 256 00:14:05,559 --> 00:14:07,440 Speaker 1: life he would play a left handed bass, but he 257 00:14:07,440 --> 00:14:09,800 Speaker 1: plays it left handed. Now. I noticed at the end 258 00:14:09,800 --> 00:14:13,840 Speaker 1: everyone's pretty much is selling it well like like obviously, 259 00:14:13,960 --> 00:14:16,400 Speaker 1: Muschwartz is a decent must be a decent drummer. He 260 00:14:16,440 --> 00:14:18,880 Speaker 1: looks like he knows what he's doing, right, Neil is 261 00:14:19,080 --> 00:14:21,280 Speaker 1: at least making it look like he's playing the bass. 262 00:14:21,480 --> 00:14:25,440 Speaker 1: We listen to that song over and over and over again. Sammy, 263 00:14:25,440 --> 00:14:28,160 Speaker 1: he's like firing away on the fucking left handed guitar. 264 00:14:28,720 --> 00:14:31,320 Speaker 1: I had never heard more than a feeling until this moment, 265 00:14:31,800 --> 00:14:34,680 Speaker 1: until you shot it, until I shot it that day. 266 00:14:34,720 --> 00:14:37,480 Speaker 1: That's funny. That's a famous song. Yeah, more than a 267 00:14:37,600 --> 00:14:44,200 Speaker 1: feeling and used to play Scrubs by the way, I 268 00:14:44,240 --> 00:14:47,400 Speaker 1: was just before you before you continue scrubs. Wicky pointed 269 00:14:47,440 --> 00:14:51,160 Speaker 1: out something that I didn't even know that you say 270 00:14:51,840 --> 00:14:55,080 Speaker 1: a line that a lot of people say wrong without 271 00:14:55,080 --> 00:14:58,520 Speaker 1: knowing it. It's not I may be dreaming, it's I 272 00:14:58,640 --> 00:15:03,920 Speaker 1: begin dreaming. Oh okay, I'm just saying there's probably a 273 00:15:03,920 --> 00:15:06,040 Speaker 1: lot of people whose minds are blown right now because 274 00:15:06,040 --> 00:15:09,040 Speaker 1: they know the song very well, including Daniel count one 275 00:15:09,120 --> 00:15:12,920 Speaker 1: right here, Including Daniel. I had that recently with Tea Pain. 276 00:15:13,120 --> 00:15:18,560 Speaker 1: You guysn't you guys to buy you a drink? Yeah, 277 00:15:18,680 --> 00:15:21,760 Speaker 1: and then I'm gonna take you home. I always thought 278 00:15:21,800 --> 00:15:24,800 Speaker 1: it was oh, we I'm gonna take you hope, But no, 279 00:15:24,880 --> 00:15:30,960 Speaker 1: he says. And then the bartender she made us drinks 280 00:15:31,360 --> 00:15:35,840 Speaker 1: to drink. We drunk. The men got drunk. Shit gets 281 00:15:35,920 --> 00:15:39,840 Speaker 1: me every tale that Tea Paint, that's tea Pain, you know, 282 00:15:39,960 --> 00:15:42,760 Speaker 1: I feel such I feel such an affinity for Tea 283 00:15:42,800 --> 00:15:45,840 Speaker 1: Pain ever since he was on this This is Pop 284 00:15:45,880 --> 00:15:48,080 Speaker 1: Special and said that Usher put him to a four 285 00:15:48,120 --> 00:15:52,080 Speaker 1: year depression for saying he ruined music. So sad. I 286 00:15:52,120 --> 00:15:54,160 Speaker 1: don't mean to laugh, because I depression is real, and 287 00:15:54,200 --> 00:15:56,280 Speaker 1: I know the man isn't lying, But I mean, I 288 00:15:56,320 --> 00:15:59,240 Speaker 1: don't know anything about tea Pain and he was so 289 00:15:59,320 --> 00:16:01,800 Speaker 1: heartfelt and documentary I felt so bad for them. I 290 00:16:02,440 --> 00:16:06,240 Speaker 1: call them and fucking apologized. Dude. That dude had some 291 00:16:06,280 --> 00:16:09,000 Speaker 1: of the hottest songs I ever heard in my life. Man, hell, 292 00:16:09,160 --> 00:16:11,920 Speaker 1: buy you a drink. I'm in love with the stripper 293 00:16:12,360 --> 00:16:17,480 Speaker 1: features for days. Dude, He's on everything. Well, you said, 294 00:16:17,600 --> 00:16:19,480 Speaker 1: was it you were? The No? Was it you were? 295 00:16:19,480 --> 00:16:22,480 Speaker 1: The documentary that they say that all these rappers they 296 00:16:22,480 --> 00:16:24,840 Speaker 1: didn't want to be associated with with the with the 297 00:16:24,880 --> 00:16:27,920 Speaker 1: auto tune, but they wanted his hooks, so they had 298 00:16:28,000 --> 00:16:31,240 Speaker 1: him do the fucking hooks with the sound that was 299 00:16:31,280 --> 00:16:33,000 Speaker 1: so popular, and then they'd rap over it and they 300 00:16:33,040 --> 00:16:35,360 Speaker 1: felt like, I'm not really doing that shit. Tea Pains 301 00:16:35,360 --> 00:16:38,000 Speaker 1: do it in the back of exactly exactly in the 302 00:16:38,040 --> 00:16:41,120 Speaker 1: document right, Yep. They knew it was popular. They were like, Okay, 303 00:16:41,160 --> 00:16:42,760 Speaker 1: I want to use this, but I'm not doing that. 304 00:16:42,800 --> 00:16:46,960 Speaker 1: You doing Wayne? Wayne did it so many so did Kanye. 305 00:16:47,080 --> 00:16:50,400 Speaker 1: Kanye didn't. Yeah, they talk about that in the documentary. 306 00:16:50,720 --> 00:16:53,000 Speaker 1: I'm telling you, I'm telling you, Donald, you love this documentary. 307 00:16:53,120 --> 00:16:55,800 Speaker 1: And for those of you who actually take our recommendations 308 00:16:55,840 --> 00:16:58,520 Speaker 1: on like Donald, check it out. I'm gonna continue watching 309 00:16:58,560 --> 00:17:01,920 Speaker 1: the next one is, uh, I watched Auto Tune one, 310 00:17:02,000 --> 00:17:03,800 Speaker 1: and then there was the boy band one. Have you 311 00:17:03,800 --> 00:17:06,600 Speaker 1: watched them all? Now? I watched I watched the first four. 312 00:17:06,720 --> 00:17:09,800 Speaker 1: The next one is the about the Swedish songwriters. Yes, 313 00:17:10,160 --> 00:17:12,080 Speaker 1: about how all the pop started to be coming out 314 00:17:12,080 --> 00:17:15,480 Speaker 1: of Swedish Sweden Stock. Well, I'm gonna just put it 315 00:17:15,520 --> 00:17:18,239 Speaker 1: out there, the people that deserve a lot of a 316 00:17:18,280 --> 00:17:22,080 Speaker 1: lot of respect in the game right now, because what 317 00:17:22,119 --> 00:17:24,199 Speaker 1: they did was they took their style and ran with 318 00:17:24,280 --> 00:17:27,160 Speaker 1: it new addition into Jackson five for sure, like all 319 00:17:27,240 --> 00:17:31,560 Speaker 1: the Motown boy band's new addition. But then also Brandy Norwood, 320 00:17:31,600 --> 00:17:35,840 Speaker 1: Brandy mo to the e to the Moitia, Brandy, all 321 00:17:35,920 --> 00:17:38,639 Speaker 1: of these when she was out, no but her and 322 00:17:38,720 --> 00:17:42,080 Speaker 1: Monica were only two doing it. And then all of 323 00:17:42,119 --> 00:17:44,680 Speaker 1: these little girls came out doing their music too. That's 324 00:17:44,680 --> 00:17:46,840 Speaker 1: why you got Mandy Moore. That's how you got freaking 325 00:17:46,920 --> 00:17:50,280 Speaker 1: How dare you lump Mandy Moore in with I'm just 326 00:17:50,520 --> 00:17:52,360 Speaker 1: but that's how you got Mandy. That's how you got 327 00:17:52,359 --> 00:17:55,479 Speaker 1: freaking Jessica. I don't think there's a Brandy episode of 328 00:17:55,520 --> 00:17:57,760 Speaker 1: the This is Pop. But they all know, but all 329 00:17:57,800 --> 00:17:59,520 Speaker 1: of them know, all of them. Know. If it wasn't 330 00:17:59,520 --> 00:18:03,560 Speaker 1: for Brand's paving the way for these young artists to 331 00:18:03,720 --> 00:18:06,240 Speaker 1: see how it's done, it wouldn't have been done. Did 332 00:18:06,280 --> 00:18:09,720 Speaker 1: we shout about I'm the same I'm saying, mocassow. I 333 00:18:09,720 --> 00:18:11,080 Speaker 1: think it's I'm gonna say it on the side of 334 00:18:11,080 --> 00:18:13,320 Speaker 1: the mountaintop or something. No, it's I'm gonna say it 335 00:18:13,320 --> 00:18:15,320 Speaker 1: once again. I'm not gonna stop. I'm gonna say it 336 00:18:15,320 --> 00:18:17,359 Speaker 1: once again. I'm not gonna stop. I thought I was. 337 00:18:17,400 --> 00:18:19,400 Speaker 1: I'm gonna say it on the side of the mountaintop. 338 00:18:19,440 --> 00:18:21,600 Speaker 1: I'm gonna say it on the side of the mountaintop. Google. 339 00:18:21,640 --> 00:18:23,959 Speaker 1: I still like I still like Mama saying I'm aside 340 00:18:24,160 --> 00:18:27,439 Speaker 1: my CROs That's what I always say. I'm saying. But 341 00:18:27,480 --> 00:18:29,840 Speaker 1: apparently it's I'm gonna say it once again. I'm not 342 00:18:29,920 --> 00:18:32,240 Speaker 1: gonna stop, right Agana, I'm gonna say it one more time. 343 00:18:32,240 --> 00:18:33,760 Speaker 1: I'm not gonna stop. I'm gonna say it one more time. 344 00:18:33,800 --> 00:18:36,239 Speaker 1: I'm not gonna stop. I'm saying on my time, I'm 345 00:18:36,320 --> 00:18:38,399 Speaker 1: not gonna stop. I'm gonna saying one time. I'm not 346 00:18:38,520 --> 00:18:40,399 Speaker 1: gonna stop. I'm gonna saving on a time. I'm not 347 00:18:40,480 --> 00:18:50,600 Speaker 1: gonna stop I'm saving them say what say yea, um, 348 00:18:50,600 --> 00:18:53,200 Speaker 1: there you go. You've learned something today on the podcast. 349 00:18:53,320 --> 00:18:57,240 Speaker 1: It's uh, it's it's I'm gonna say it once again. 350 00:18:57,280 --> 00:18:59,240 Speaker 1: I'm not gonna stop. It's not I'm gonna say Mama, 351 00:18:59,280 --> 00:19:01,159 Speaker 1: say mocassa. It's not. I'm gonna say it on the 352 00:19:01,200 --> 00:19:06,119 Speaker 1: side of the mountaintop. And it's not. That's hilarious. Somebody 353 00:19:06,160 --> 00:19:08,280 Speaker 1: actually told me that once. I'm gonna say it on 354 00:19:08,440 --> 00:19:11,200 Speaker 1: the side of the mountaintop. Wait what why not just 355 00:19:11,359 --> 00:19:12,800 Speaker 1: on the top of the mountain? Just go to the 356 00:19:12,880 --> 00:19:14,080 Speaker 1: top of the mountain? Why are you? Why are you? 357 00:19:14,119 --> 00:19:15,720 Speaker 1: Why are you going to be on the side? Why 358 00:19:15,800 --> 00:19:17,919 Speaker 1: not go all the why not? Why not go all 359 00:19:17,920 --> 00:19:19,199 Speaker 1: the way to the top of the mountain? You've come 360 00:19:19,280 --> 00:19:22,359 Speaker 1: this far, hit the summit. Maybe he gets tired along 361 00:19:22,520 --> 00:19:25,440 Speaker 1: his I'm gonna saying, fucking I can't go no further. 362 00:19:25,720 --> 00:19:28,040 Speaker 1: I just gonna say it on the side of the mountaintop. Yeah, 363 00:19:28,320 --> 00:19:30,960 Speaker 1: I was gonna stay. My plan when I set out 364 00:19:31,040 --> 00:19:33,359 Speaker 1: this morning was to say it on top of the mountaintop. 365 00:19:33,960 --> 00:19:36,040 Speaker 1: But I'm fucking tired, so I'm just gonna say it 366 00:19:36,119 --> 00:19:44,280 Speaker 1: on the side of And also, it's I'm it's not 367 00:19:44,560 --> 00:19:47,840 Speaker 1: I may be dreaming. I may be dreaming, it's I 368 00:19:48,040 --> 00:19:53,399 Speaker 1: begin dreaming. So there you go. Um, all right, so 369 00:19:53,920 --> 00:19:56,480 Speaker 1: there's a very funny subplot where JD is trying to 370 00:19:56,560 --> 00:19:59,600 Speaker 1: rub it in Elliott's face that he's landed this beautiful, 371 00:20:00,080 --> 00:20:03,440 Speaker 1: stunning girl. Yes he's not just beautiful, but she's his 372 00:20:03,600 --> 00:20:09,480 Speaker 1: exact female doppelganger. Yes, she's dorky, she likes Harry Potter, 373 00:20:09,640 --> 00:20:13,080 Speaker 1: she doesn't like sports, she drives a scooter. Not only that, 374 00:20:13,240 --> 00:20:16,520 Speaker 1: she's willing to put on old people makeup just to 375 00:20:16,640 --> 00:20:19,840 Speaker 1: take a picture. Okay, so let's talk about that. Mandy 376 00:20:19,880 --> 00:20:22,359 Speaker 1: and I are dating, and I wrote her into doing 377 00:20:22,400 --> 00:20:23,920 Speaker 1: the show, which she was happy to do because she 378 00:20:24,040 --> 00:20:26,000 Speaker 1: loved Donald, she loved everybody. She loved the show, She 379 00:20:26,080 --> 00:20:30,639 Speaker 1: loved Bill and there, in true Scrubs fashion, like great, Um, 380 00:20:30,680 --> 00:20:33,040 Speaker 1: we have a new scene. You guys are gonna be 381 00:20:33,040 --> 00:20:36,639 Speaker 1: in eight hours of makeup, And yeah, I remember her 382 00:20:36,680 --> 00:20:39,040 Speaker 1: being such a good sport about that. The funny thing is, 383 00:20:39,119 --> 00:20:41,360 Speaker 1: I really I was looking at that. I really look 384 00:20:41,400 --> 00:20:43,639 Speaker 1: like and you know my dad before he passed Donald, 385 00:20:43,760 --> 00:20:46,080 Speaker 1: I looked a lot like my dad, didn't. Guy, Yeah, 386 00:20:46,080 --> 00:20:48,080 Speaker 1: you did look like a dad. You did a great job. 387 00:20:48,560 --> 00:20:51,080 Speaker 1: And I've done you know those apps where you where 388 00:20:51,119 --> 00:20:52,880 Speaker 1: they show you what you look like when you're old, 389 00:20:53,000 --> 00:20:55,600 Speaker 1: and it looks a lot like this. This makeup job 390 00:20:55,680 --> 00:20:58,520 Speaker 1: like this. This team did a great job. The only 391 00:20:58,560 --> 00:21:01,000 Speaker 1: thing is it's a little bit. It's a little it 392 00:21:01,359 --> 00:21:05,080 Speaker 1: looks a little heavy. Let's say, the skin all looks 393 00:21:05,119 --> 00:21:07,879 Speaker 1: heavy on YouTube, but Mandy went on to do that 394 00:21:08,040 --> 00:21:10,920 Speaker 1: for a living with this. Yes, oh yeah, and it's 395 00:21:10,960 --> 00:21:12,480 Speaker 1: kind of the same. And it's kind of the same 396 00:21:12,600 --> 00:21:14,359 Speaker 1: plot you say, you know, I wanted to take a 397 00:21:14,440 --> 00:21:16,560 Speaker 1: picture of us when we were old, just in case 398 00:21:16,640 --> 00:21:19,040 Speaker 1: one of us dies in some horrible accident or some 399 00:21:19,119 --> 00:21:21,119 Speaker 1: shit like that. And the dude dies in a fire 400 00:21:21,320 --> 00:21:23,320 Speaker 1: and we're watching it. Isn't that a spoiler? Bro? I 401 00:21:23,320 --> 00:21:25,280 Speaker 1: don't watch this as us, but didn't you just fucking 402 00:21:25,320 --> 00:21:27,440 Speaker 1: say a spoiler for people that are just starting this 403 00:21:27,600 --> 00:21:32,200 Speaker 1: A is us tonight? I'm sorry, but he dies somehow, 404 00:21:36,720 --> 00:21:42,159 Speaker 1: and I could face full face cast to do this, 405 00:21:42,320 --> 00:21:43,520 Speaker 1: you know what they do. I don't know if they 406 00:21:43,560 --> 00:21:46,120 Speaker 1: do it this way anymore, because it seems really fucking dangerous. 407 00:21:46,800 --> 00:21:50,119 Speaker 1: They cover you with this what is it? It's like 408 00:21:50,240 --> 00:21:54,560 Speaker 1: a drying it's a drying mold, right, and it's a 409 00:21:54,640 --> 00:21:56,840 Speaker 1: limited time. There's like three guys working on you at 410 00:21:56,880 --> 00:21:59,680 Speaker 1: one time because it starts setting. It's kind of like 411 00:21:59,720 --> 00:22:01,320 Speaker 1: that shit they put in the tray in the Dennis 412 00:22:01,440 --> 00:22:04,640 Speaker 1: office to take impressions, but around your whole fucking head. 413 00:22:05,200 --> 00:22:08,800 Speaker 1: And what they do is they I don't know what 414 00:22:08,920 --> 00:22:10,879 Speaker 1: it is. I'm sorry, I forgot what it is. They 415 00:22:10,960 --> 00:22:14,160 Speaker 1: put straws in your nostrils, right, so you could breathe, 416 00:22:14,200 --> 00:22:17,840 Speaker 1: and then they cover your whole face except for your nostrils, 417 00:22:18,320 --> 00:22:20,600 Speaker 1: and you have to just chill and like keep calm 418 00:22:21,880 --> 00:22:25,720 Speaker 1: while it sets. If you're claustrophobic, it's you're fucking you're dead. 419 00:22:25,920 --> 00:22:29,359 Speaker 1: You're dead. If you're you could not have it. The 420 00:22:29,480 --> 00:22:31,919 Speaker 1: best thing to do is to fall asleep. No, they 421 00:22:32,000 --> 00:22:34,320 Speaker 1: I think I think they said they recommended like taking 422 00:22:34,440 --> 00:22:37,440 Speaker 1: like an anti anxiety, something like xanax or valium or something. 423 00:22:37,480 --> 00:22:38,760 Speaker 1: I don't even know if we did that, but I 424 00:22:38,800 --> 00:22:42,440 Speaker 1: remember they're being like, you might some people do take 425 00:22:42,520 --> 00:22:47,320 Speaker 1: the edge off with a little anti anxiety medicine marijuana. No, 426 00:22:47,560 --> 00:22:49,159 Speaker 1: that would be the opposite for me, that would rely 427 00:22:49,280 --> 00:22:52,440 Speaker 1: that would make me like more panic. Did you look 428 00:22:52,480 --> 00:22:55,000 Speaker 1: what it says, Daniel, it's what they use. Um. Yeah, 429 00:22:55,040 --> 00:22:58,080 Speaker 1: there's like a bunch of different language. So there's silicone putty. 430 00:22:58,280 --> 00:23:01,720 Speaker 1: There's also just they call it hutt a lot cavics, 431 00:23:01,760 --> 00:23:06,080 Speaker 1: color change algein it. Yeah. But anyway, if you the 432 00:23:06,160 --> 00:23:09,320 Speaker 1: closest thing related to is that fucking colored shit they 433 00:23:09,400 --> 00:23:11,440 Speaker 1: put in the tray at the Dennis office and take 434 00:23:11,480 --> 00:23:14,520 Speaker 1: impressions of your teeth, smells and taste so good. Yeah, 435 00:23:14,560 --> 00:23:16,919 Speaker 1: Now imagine all over your face and the only way 436 00:23:16,960 --> 00:23:19,440 Speaker 1: you can breathe is through two straws in your nostrils. 437 00:23:19,800 --> 00:23:23,000 Speaker 1: I better hope I would pray for. The good news 438 00:23:23,080 --> 00:23:26,760 Speaker 1: is once an effects house has done it to you, uh, 439 00:23:27,160 --> 00:23:30,920 Speaker 1: they keep your head on file. Really. Yeah, so that 440 00:23:31,000 --> 00:23:33,680 Speaker 1: when I went to go use the same effects house 441 00:23:33,720 --> 00:23:36,040 Speaker 1: for I wish I was here stuff They don't digitally 442 00:23:36,080 --> 00:23:39,120 Speaker 1: do it. Now, that's a very good question. I think 443 00:23:39,160 --> 00:23:42,359 Speaker 1: if it's prosthetics, they still take an impression. I remember 444 00:23:42,400 --> 00:23:45,640 Speaker 1: asking the woman when I was recently visiting Legacy Effects 445 00:23:45,800 --> 00:23:49,919 Speaker 1: and she said they don't do the nostrils straw thing anymore. 446 00:23:49,920 --> 00:23:53,320 Speaker 1: That she said, that's really dangerous because if you know, 447 00:23:53,440 --> 00:23:57,320 Speaker 1: if something happens and a booger. Let's just say a booger. Yeah, 448 00:23:57,320 --> 00:23:59,600 Speaker 1: I think she was. She implied that they just don't 449 00:23:59,680 --> 00:24:01,960 Speaker 1: cover the bottom of the nose at all, but they 450 00:24:02,040 --> 00:24:08,040 Speaker 1: don't like stick straws up there. Um, so I'm trying 451 00:24:08,040 --> 00:24:09,840 Speaker 1: to compete with Elliott. I'm trying to rub it in 452 00:24:09,880 --> 00:24:12,000 Speaker 1: her face that I've got a hot chick. And I go, 453 00:24:12,400 --> 00:24:14,600 Speaker 1: what's waiting for me in my room is what's known 454 00:24:14,640 --> 00:24:23,480 Speaker 1: in the football terms. And what the fuck did he say? Oh? 455 00:24:23,560 --> 00:24:26,840 Speaker 1: He says it, you remind me of my mom. That's right, No, 456 00:24:27,000 --> 00:24:29,439 Speaker 1: you smell like my mom. Yeah, you smell like my mom. 457 00:24:30,160 --> 00:24:32,639 Speaker 1: Walked right, A woman doesn't want to hear that. He 458 00:24:32,800 --> 00:24:35,760 Speaker 1: jumped in the bed and was like, oh, you smell 459 00:24:35,840 --> 00:24:39,359 Speaker 1: like my mom. She was like two seconds like what 460 00:24:39,520 --> 00:24:41,800 Speaker 1: did I say? I walked in when you want my mom? Yeah? 461 00:24:42,160 --> 00:24:45,120 Speaker 1: And she left. She didn't like that. But then later 462 00:24:45,200 --> 00:24:48,440 Speaker 1: I smell her and I go, mummy, mummy. But but 463 00:24:48,560 --> 00:24:50,600 Speaker 1: you also flip it on her. You flip it. And 464 00:24:50,640 --> 00:24:52,760 Speaker 1: he's like, I didn't say you smelled like my mom. 465 00:24:52,880 --> 00:24:57,080 Speaker 1: I said you smelled like me mom. Memm, No, my mom, my, mom, 466 00:24:57,440 --> 00:25:00,640 Speaker 1: my mom? Which is what a flower or something? Yeah, 467 00:25:00,640 --> 00:25:03,000 Speaker 1: which it's a flower that grows in some region somewhere. 468 00:25:03,480 --> 00:25:06,000 Speaker 1: What about when um, I say, I haven't I haven't 469 00:25:06,080 --> 00:25:08,000 Speaker 1: hit it in a little while, but there's good reason, 470 00:25:08,240 --> 00:25:12,159 Speaker 1: and Cox goes, yeah, his face and his personality sticks 471 00:25:12,200 --> 00:25:21,119 Speaker 1: and stones will and then I good forever, So I 472 00:25:21,240 --> 00:25:24,920 Speaker 1: don't hold of a second. JD killed a pony. Jad 473 00:25:25,080 --> 00:25:29,080 Speaker 1: apparently killed a pony while doing a prank to Elliott. 474 00:25:29,400 --> 00:25:31,560 Speaker 1: The prank was pretending that he was the car was 475 00:25:31,640 --> 00:25:34,160 Speaker 1: rolling down a hill and it had no brakes, right, 476 00:25:34,720 --> 00:25:37,000 Speaker 1: And Elliott says, I really didn't like it. And also 477 00:25:37,080 --> 00:25:38,880 Speaker 1: we learned and later in the episode that not only 478 00:25:38,920 --> 00:25:42,680 Speaker 1: did JD kill a pony, but was a hit and run. Yeah. Stop, 479 00:25:43,400 --> 00:25:48,480 Speaker 1: it's not really feels out a character for JD to 480 00:25:48,600 --> 00:25:51,680 Speaker 1: hit and run a pony, yeah, and a family's pony, 481 00:25:51,720 --> 00:25:53,679 Speaker 1: which means only reason they would the only reason they 482 00:25:53,680 --> 00:25:55,800 Speaker 1: would have that knowledge is if the family was standing 483 00:25:55,840 --> 00:25:58,200 Speaker 1: there right with the pony, like you killed the pony 484 00:25:58,240 --> 00:25:59,879 Speaker 1: in front of a little girl and and and then 485 00:26:00,080 --> 00:26:06,320 Speaker 1: screeched off, And then it really feels out a character 486 00:26:06,400 --> 00:26:10,359 Speaker 1: for JD. But Elliot certainly remembers it and doesn't doesn't 487 00:26:10,440 --> 00:26:14,040 Speaker 1: like it. Yeah, it's trying to give JD dating advice 488 00:26:14,760 --> 00:26:17,560 Speaker 1: because he's horrible. He always says the wrong thing. But 489 00:26:18,160 --> 00:26:21,360 Speaker 1: what I don't understand is how did it go from 490 00:26:23,119 --> 00:26:28,400 Speaker 1: you dating uh Julie to Elliott dating Julie and then 491 00:26:28,480 --> 00:26:32,000 Speaker 1: you saying to Elliott, stay away from my girlfriend and 492 00:26:32,200 --> 00:26:35,800 Speaker 1: stay away from my JD wigs right. Well, because the 493 00:26:35,920 --> 00:26:38,879 Speaker 1: fantasy had there's two there's multiple misdirects in this with 494 00:26:39,000 --> 00:26:41,080 Speaker 1: the fantasy. The first one is when we go to 495 00:26:41,240 --> 00:26:43,800 Speaker 1: us those old people and you think this is them old, 496 00:26:44,280 --> 00:26:46,520 Speaker 1: and then we pull the makeup off to reveal that no, 497 00:26:47,240 --> 00:26:51,160 Speaker 1: that we've hired the top effects firm in Los Angeles, Yes, 498 00:26:51,640 --> 00:26:54,879 Speaker 1: to create old age make up for us, Yes, and 499 00:26:55,240 --> 00:26:59,040 Speaker 1: apply seven hours worth of prosthetics just so we could 500 00:26:59,080 --> 00:27:04,360 Speaker 1: take a picture. In case one of us dies horribly horribly, 501 00:27:05,119 --> 00:27:08,200 Speaker 1: we'll have this memory of us being old together. One 502 00:27:08,320 --> 00:27:10,040 Speaker 1: one of you will have this memory of you, guys 503 00:27:10,080 --> 00:27:12,399 Speaker 1: being right now. The second time that happens is we 504 00:27:12,520 --> 00:27:15,840 Speaker 1: go to a fantasy and you think it's me making 505 00:27:15,920 --> 00:27:19,120 Speaker 1: out with Elliet with with Julie, but then you reveal 506 00:27:19,560 --> 00:27:23,000 Speaker 1: that it's Elliott, and you think that it's Elliott as 507 00:27:23,160 --> 00:27:28,000 Speaker 1: j D. Right, but then break it down again, he says, oh, 508 00:27:28,080 --> 00:27:31,280 Speaker 1: and thanks for calling me j D. Right, So it's 509 00:27:31,320 --> 00:27:34,280 Speaker 1: really Elliott dressed up as JD is just so that 510 00:27:34,440 --> 00:27:39,479 Speaker 1: she could date. Yes, And then JD puts it all 511 00:27:39,560 --> 00:27:44,200 Speaker 1: together and tells Elliott to stay away from his girlfriend, 512 00:27:44,520 --> 00:27:49,159 Speaker 1: but also to stay away from his JD wigs. It 513 00:27:49,320 --> 00:27:51,920 Speaker 1: must be for the first prosthetic that he had when 514 00:27:51,960 --> 00:27:54,280 Speaker 1: they were doing the old people. Why does JD have 515 00:27:54,400 --> 00:27:56,960 Speaker 1: j D wiggs for the old man j D for 516 00:27:57,040 --> 00:27:59,840 Speaker 1: old man j D. No, because old man j D 517 00:28:00,080 --> 00:28:02,399 Speaker 1: had old man hair, right, But that's one of his 518 00:28:02,520 --> 00:28:05,359 Speaker 1: JD wiggs. I don't know. I just I don't know 519 00:28:05,800 --> 00:28:08,200 Speaker 1: because in the in the in the makeup room, in 520 00:28:08,280 --> 00:28:10,160 Speaker 1: the hair and makeup room, there were so many JD 521 00:28:10,240 --> 00:28:14,600 Speaker 1: wigs for different stunt people and for different purposes. They 522 00:28:14,760 --> 00:28:19,080 Speaker 1: literally were like multiple JD wigs. Stay away from my girlfriend, Elliott, 523 00:28:19,160 --> 00:28:27,400 Speaker 1: and stay away from my JD wigs. YEA, Season five 524 00:28:27,560 --> 00:28:30,480 Speaker 1: is crazy, man, even five is great though. I love it. Yeah, 525 00:28:30,520 --> 00:28:32,760 Speaker 1: it's so good. They'll never know what you're gonna get it. 526 00:28:33,760 --> 00:28:36,720 Speaker 1: It's just a bag of bat shit. Yeah, it's nuts, 527 00:28:37,119 --> 00:28:40,120 Speaker 1: it's Literaliott tells me that I shouldn't have we flash 528 00:28:40,200 --> 00:28:42,640 Speaker 1: back to us making out, and she as an example, 529 00:28:43,200 --> 00:28:48,440 Speaker 1: I go, are you getting thicker? That's not something to 530 00:28:48,600 --> 00:28:52,280 Speaker 1: feel to say? How do you tell your woman? You know, 531 00:28:52,520 --> 00:28:56,680 Speaker 1: sometimes a man might truly be saying, especially you Donald's 532 00:28:56,720 --> 00:29:00,520 Speaker 1: who has always appreciated the thicker female form, be saying like, 533 00:29:00,800 --> 00:29:05,240 Speaker 1: m baby, you're so thick and juicy. You can't to 534 00:29:05,320 --> 00:29:09,440 Speaker 1: my wife. Really, what if you want to appreciate like 535 00:29:10,040 --> 00:29:13,720 Speaker 1: these curves? Girl? Yeah, my wife works out way too 536 00:29:13,840 --> 00:29:15,880 Speaker 1: much too for me to say some dumb shit like 537 00:29:16,000 --> 00:29:20,760 Speaker 1: that get killed. How could you say it in a 538 00:29:20,840 --> 00:29:23,520 Speaker 1: way that she might appreciate. Damn, I love the way 539 00:29:23,560 --> 00:29:26,840 Speaker 1: your body feels against mine, so like, hold, I'm writing 540 00:29:26,880 --> 00:29:31,280 Speaker 1: this down. Wow felt that shit. It's like what Elliott 541 00:29:31,320 --> 00:29:33,440 Speaker 1: says to JD in this episode. She says, just say, 542 00:29:34,560 --> 00:29:37,440 Speaker 1: I'm so lucky I found you. Yeah, I'm happy I found, 543 00:29:37,520 --> 00:29:41,120 Speaker 1: glad I found I'm glad I found you, which is magical. 544 00:29:41,200 --> 00:29:45,240 Speaker 1: It has like a magic effect on Julie because everybody 545 00:29:45,280 --> 00:29:48,120 Speaker 1: wants to feel that way. Everybody wants to feel appreciated, 546 00:29:49,040 --> 00:29:51,400 Speaker 1: everybody wants to feel loved. One more thing about the 547 00:29:51,520 --> 00:29:56,560 Speaker 1: audition that's so funny is when when Sam, who says 548 00:29:56,600 --> 00:30:01,040 Speaker 1: it is Sam, he's gonna be trouble about you. Yeah, yeah, yeah, 549 00:30:01,320 --> 00:30:06,920 Speaker 1: but he's just so damn talent talented. Yeah, he becomes 550 00:30:06,960 --> 00:30:14,000 Speaker 1: a captain talent talent good, he's gonna be trouble. I 551 00:30:14,240 --> 00:30:16,200 Speaker 1: never you did turn out to be trouble. I turned 552 00:30:16,240 --> 00:30:20,000 Speaker 1: out to be trouble because I disrespected doctor Kelso. Yeah, 553 00:30:20,040 --> 00:30:22,280 Speaker 1: you really went all in on Kelso for some reason 554 00:30:22,360 --> 00:30:24,640 Speaker 1: had a burst of having no fear of him at all. Yeah, 555 00:30:25,200 --> 00:30:28,880 Speaker 1: out of nowhere. So uh. Cox in this episode has 556 00:30:28,920 --> 00:30:31,760 Speaker 1: a hard time showing affection to his son. Now is 557 00:30:31,800 --> 00:30:33,680 Speaker 1: this a thing? I mean, I must be right, because 558 00:30:33,720 --> 00:30:35,800 Speaker 1: there's plenty of men out there who said their dad's 559 00:30:35,840 --> 00:30:38,520 Speaker 1: barely hugged them, their dad's never kissed them there, but 560 00:30:38,680 --> 00:30:42,040 Speaker 1: you're you, For example, over my dad, my dad hugged 561 00:30:42,080 --> 00:30:45,560 Speaker 1: me and kissed me. Yeah, my dad too, that's weird. 562 00:30:45,840 --> 00:30:48,880 Speaker 1: Would my dad would go for the lips sometimes, which 563 00:30:49,120 --> 00:30:52,040 Speaker 1: I I didn't really love as an adult man, I 564 00:30:52,080 --> 00:30:54,960 Speaker 1: didn't appreciate it. Yeah, but I loved his cheek kisses 565 00:30:54,960 --> 00:30:57,720 Speaker 1: and his forehead kisses. I just wasn't I wasn't always 566 00:30:57,800 --> 00:31:00,200 Speaker 1: down for a for a lip peck. My mom too 567 00:31:00,520 --> 00:31:02,920 Speaker 1: goes for the lip peck. Sometimes I'm all right with 568 00:31:03,040 --> 00:31:05,160 Speaker 1: kissing my mom every now and then on the lips. 569 00:31:05,600 --> 00:31:08,480 Speaker 1: I think it's like I made you give me those lips, right, 570 00:31:09,600 --> 00:31:11,920 Speaker 1: That's how I treat my kids. Right, But you are. 571 00:31:12,000 --> 00:31:14,600 Speaker 1: But also your kids are little made you. But anyway, 572 00:31:14,960 --> 00:31:17,160 Speaker 1: if Donald and I can give you a public service announcement, 573 00:31:17,840 --> 00:31:20,400 Speaker 1: if you're a father, kiss your freaking kid and hug 574 00:31:20,440 --> 00:31:23,920 Speaker 1: your freaking kid. Don't be like Cox. Give them hugs, 575 00:31:24,000 --> 00:31:26,800 Speaker 1: give them love, give them affection. Don't bring this stupid 576 00:31:26,840 --> 00:31:30,240 Speaker 1: masculinity bullshit into it. Right, Donald, preach real talk. The 577 00:31:30,320 --> 00:31:32,040 Speaker 1: last thing you want your kid to ever say is 578 00:31:32,120 --> 00:31:34,560 Speaker 1: your hits are like hugs to me, Dad, It's the 579 00:31:34,720 --> 00:31:38,200 Speaker 1: last thing you ever want to hear your kids say. Well, 580 00:31:38,600 --> 00:31:41,440 Speaker 1: my father was a big hugger. So is mine. So 581 00:31:41,800 --> 00:31:44,680 Speaker 1: is mine. Yes, you're lucky that you still get to 582 00:31:44,760 --> 00:31:47,719 Speaker 1: receive those hugs. So hug your parents. But the love 583 00:31:47,800 --> 00:31:53,280 Speaker 1: of God, Cox's character triggered me. We should got a break, right, Yeah, 584 00:31:53,320 --> 00:31:55,680 Speaker 1: let's got a break. We'll be right back with more, 585 00:31:56,720 --> 00:32:05,800 Speaker 1: including the introduction of Hide the Salt Team, and we 586 00:32:06,000 --> 00:32:13,000 Speaker 1: are back. Sorry, thank you, Casey, Guad, don't hate to rabbit. 587 00:32:13,280 --> 00:32:15,400 Speaker 1: I want you to know that. I was upstate New 588 00:32:15,480 --> 00:32:19,160 Speaker 1: York this weekend with some friends, including my friend Preston 589 00:32:19,200 --> 00:32:22,240 Speaker 1: that you know and love, and I played for him 590 00:32:22,400 --> 00:32:27,280 Speaker 1: the Casey song and they thought it was fuego really, 591 00:32:27,640 --> 00:32:30,560 Speaker 1: and we sang it a lot up there. It became like, 592 00:32:31,200 --> 00:32:35,160 Speaker 1: you know, one of the jams of the weekend. Really, Yeah, 593 00:32:35,680 --> 00:32:39,160 Speaker 1: I don't know none about raising these foods, so tell 594 00:32:39,280 --> 00:32:43,360 Speaker 1: me what to do, nothing about raising these kids, Like, hey, 595 00:32:43,400 --> 00:32:47,880 Speaker 1: you go nothing about raising these kids. That's wood, it ease, 596 00:32:48,120 --> 00:32:52,480 Speaker 1: and that's wood. Hide the Saltine. I did not know 597 00:32:53,240 --> 00:32:56,360 Speaker 1: find the salt Find the saltin right, find the Saltine. 598 00:32:56,720 --> 00:32:59,560 Speaker 1: And I did not know it was three players. I thought, 599 00:32:59,720 --> 00:33:01,760 Speaker 1: I'll aways thought it was only two players. Well, I 600 00:33:01,800 --> 00:33:03,840 Speaker 1: thought it was still you and I thought it was 601 00:33:03,880 --> 00:33:06,120 Speaker 1: just a JD and Turk thing. Now, yeah, obviously a 602 00:33:06,200 --> 00:33:09,360 Speaker 1: game that the janitor knows about, right, because you go, 603 00:33:09,560 --> 00:33:13,000 Speaker 1: you play, and then he pulls and then he pulls 604 00:33:13,040 --> 00:33:16,400 Speaker 1: a salteine out from behind his ear. Right, should we 605 00:33:16,480 --> 00:33:18,680 Speaker 1: do an ask Bill here and ask where the fuck 606 00:33:18,800 --> 00:33:22,520 Speaker 1: find the Saltine? Game? From? Yes, Bill, Bill, this is 607 00:33:22,640 --> 00:33:25,600 Speaker 1: a very wacky episode. It's got air banding, it's got 608 00:33:26,240 --> 00:33:30,040 Speaker 1: find the Salteine? Where the heck did find the Salteine 609 00:33:30,120 --> 00:33:33,560 Speaker 1: come from? Can you please tell us, tell the audience, 610 00:33:33,680 --> 00:33:37,800 Speaker 1: tell our fans, tell our listeners. What is the genesis 611 00:33:39,200 --> 00:33:43,720 Speaker 1: find the Salteae? Hey, guys, I miss you. I don't 612 00:33:43,800 --> 00:33:47,800 Speaker 1: know if that's because I'm busy or because you guys 613 00:33:47,880 --> 00:33:51,920 Speaker 1: haven't asked me as much to be on my podcast, 614 00:33:52,600 --> 00:33:55,800 Speaker 1: but um, even if my feelings are hurt, I'm going 615 00:33:55,880 --> 00:33:59,360 Speaker 1: to try and answer this question, just like in a 616 00:33:59,440 --> 00:34:04,440 Speaker 1: positive best friend type away, where did the game find 617 00:34:04,480 --> 00:34:07,880 Speaker 1: the salteam come from? On a lot of TV shows, 618 00:34:07,960 --> 00:34:10,560 Speaker 1: what you do is you have writers that write the 619 00:34:10,640 --> 00:34:14,120 Speaker 1: TV shows and then they hang out in the room 620 00:34:14,160 --> 00:34:15,799 Speaker 1: and then they come up with things that they might 621 00:34:15,880 --> 00:34:17,920 Speaker 1: think are funny, and then they put them in these 622 00:34:18,000 --> 00:34:24,279 Speaker 1: things that we distribute to you guys called scripts. All right, 623 00:34:26,400 --> 00:34:28,480 Speaker 1: I don't know where it came from. Goes, we just 624 00:34:28,560 --> 00:34:32,360 Speaker 1: made it up. That sounds a little cranky. I just 625 00:34:32,480 --> 00:34:37,360 Speaker 1: miss you. Donald. Your kids look beautiful, Zach, you look handsome. 626 00:34:37,920 --> 00:34:40,720 Speaker 1: And the one thing I can say think it about 627 00:34:40,840 --> 00:34:44,600 Speaker 1: this question is you got graveled. That at least was 628 00:34:44,680 --> 00:34:47,200 Speaker 1: real because we used to put pebbles in each other's 629 00:34:47,560 --> 00:34:50,480 Speaker 1: shoes in the writer's room, and I think find the 630 00:34:50,520 --> 00:34:53,520 Speaker 1: salteam came from getting graveled. And I hope to see 631 00:34:53,520 --> 00:34:56,480 Speaker 1: you guys soon and gravel one, if not both of you, 632 00:34:56,840 --> 00:35:01,600 Speaker 1: but not Joel, but definitely danil see you guys. Thanks Bill. 633 00:35:02,719 --> 00:35:11,279 Speaker 1: So j D gives Elliot bones city, right, well you 634 00:35:11,360 --> 00:35:14,040 Speaker 1: do that, but you also you you know Elliott warned 635 00:35:14,080 --> 00:35:16,440 Speaker 1: you don't take things too fast, right, and you do 636 00:35:16,600 --> 00:35:19,680 Speaker 1: something that I've I don't even think you never did 637 00:35:19,719 --> 00:35:22,480 Speaker 1: to Turk with Turk. You gave Julie the key to 638 00:35:22,520 --> 00:35:29,359 Speaker 1: your wizard hat chest. First of all, it's a really 639 00:35:29,440 --> 00:35:31,400 Speaker 1: funny mislead. It's like you think I gave her the 640 00:35:31,480 --> 00:35:33,360 Speaker 1: key of the apartment. It's like she's even trying to 641 00:35:33,400 --> 00:35:36,480 Speaker 1: open a door to the apartment. But I'm like, no, 642 00:35:36,680 --> 00:35:39,600 Speaker 1: it's but I'm it's like it's better right right? And 643 00:35:39,760 --> 00:35:41,880 Speaker 1: then I feel like this is the kind of thing 644 00:35:41,960 --> 00:35:44,840 Speaker 1: that you, Joel and Daniel would actually appreciate, like a 645 00:35:45,000 --> 00:35:50,879 Speaker 1: key to a secret wizard hat box. Hell, yeah, does 646 00:35:50,960 --> 00:35:53,279 Speaker 1: she have her own? Or does do you give her one? 647 00:35:54,320 --> 00:35:56,880 Speaker 1: I think that's a very good question. Now, is this 648 00:35:57,120 --> 00:36:00,880 Speaker 1: JD's wizard hat collection and I'm letting her use mine? 649 00:36:01,480 --> 00:36:04,359 Speaker 1: Or did I specifically buy her her own wizard hat, 650 00:36:04,920 --> 00:36:07,600 Speaker 1: because then within less than three seconds, you guys have 651 00:36:07,760 --> 00:36:10,839 Speaker 1: already taken the picture. The picture, it's a portrait that's 652 00:36:10,840 --> 00:36:17,040 Speaker 1: been Yeah, income coming from is there a Is there 653 00:36:17,080 --> 00:36:19,239 Speaker 1: a unicorn in the pick? In the in the Yeah, 654 00:36:19,280 --> 00:36:21,000 Speaker 1: we are on a unicorn. I don't know. I don't 655 00:36:21,000 --> 00:36:23,000 Speaker 1: know if the unicorn. I don't know if the unicorn 656 00:36:23,160 --> 00:36:30,440 Speaker 1: posed for the portrait or not. Do you think that 657 00:36:30,600 --> 00:36:34,240 Speaker 1: the artist um had creative license and added the unicorn? 658 00:36:34,280 --> 00:36:36,400 Speaker 1: Or do you think we we hired a hired r 659 00:36:36,680 --> 00:36:39,279 Speaker 1: You hired him to do. You guys are like, what 660 00:36:39,400 --> 00:36:41,040 Speaker 1: would be He was like, well, what would you guys 661 00:36:41,080 --> 00:36:42,920 Speaker 1: like to be doing? Because I could do the picture 662 00:36:43,120 --> 00:36:46,520 Speaker 1: sitting picked the picture of just like you guys. Of 663 00:36:46,560 --> 00:36:48,440 Speaker 1: course we're sitting on the unicorn. How much extra is 664 00:36:48,440 --> 00:36:52,279 Speaker 1: it for us to be sitting on a unit? I mean, well, 665 00:36:52,280 --> 00:36:58,400 Speaker 1: I have other fictitious animals that we could wow Pegasus, Yeah, Pegasus. 666 00:37:01,080 --> 00:37:02,440 Speaker 1: I don't know if it has wings or not, I 667 00:37:02,480 --> 00:37:04,520 Speaker 1: don't remember, but it is a unicorn. It is definitely 668 00:37:04,560 --> 00:37:06,800 Speaker 1: a unicorn, and you guys are definitely serious. Now that 669 00:37:06,920 --> 00:37:08,920 Speaker 1: was a painting that was around forever. I didn't. I 670 00:37:08,960 --> 00:37:12,320 Speaker 1: didn't know what to do with it. Did you keep it? Well? Eventually, 671 00:37:12,360 --> 00:37:14,160 Speaker 1: Manny and I weren't dating any longer, and I remember, 672 00:37:14,280 --> 00:37:16,040 Speaker 1: so what do you do with that? What do you 673 00:37:16,160 --> 00:37:18,000 Speaker 1: do with a giant portrait of you and your ex 674 00:37:18,080 --> 00:37:21,040 Speaker 1: girlfriend and wizard hats riding at Pegasus? What do you 675 00:37:21,160 --> 00:37:24,000 Speaker 1: what do you do with that masterpiece of art? I 676 00:37:24,320 --> 00:37:25,920 Speaker 1: don't know. I was never in my house. I just 677 00:37:25,960 --> 00:37:28,440 Speaker 1: remember it was. It was in someone's office at Scrubs. 678 00:37:29,120 --> 00:37:32,080 Speaker 1: Someone somewhere is like, I got a picture, I got 679 00:37:32,120 --> 00:37:35,880 Speaker 1: a painting. This is weird painting of Zach. There's no 680 00:37:35,960 --> 00:37:38,360 Speaker 1: way that there's no way that picture got destroyed. Some 681 00:37:38,600 --> 00:37:42,160 Speaker 1: writing what could be either a Pegasus and or Unicorn. 682 00:37:42,440 --> 00:37:45,000 Speaker 1: If you are a member of the Scrubs crew and 683 00:37:45,080 --> 00:37:47,279 Speaker 1: you listen and you have any idea what that portrait is, 684 00:37:47,680 --> 00:37:51,160 Speaker 1: please let us know. We would I wonder where it is. 685 00:37:51,320 --> 00:37:53,400 Speaker 1: We would like to ask you where it is displayed. 686 00:37:56,400 --> 00:37:58,400 Speaker 1: I would love to walk into someone like that. Mandy. 687 00:37:58,440 --> 00:38:00,320 Speaker 1: Mandy just had a baby. I'd like to send to 688 00:38:00,440 --> 00:38:07,799 Speaker 1: Mandy as the congratulations on your baby present and he's 689 00:38:07,800 --> 00:38:10,000 Speaker 1: a mom. Wow, yeah, I know, I can't believe it. 690 00:38:10,040 --> 00:38:13,719 Speaker 1: Congratulations to congratulations man, he listens to the podcast, but 691 00:38:13,840 --> 00:38:17,000 Speaker 1: if she but if you do, congratulations to you and 692 00:38:17,160 --> 00:38:20,960 Speaker 1: your new baby. Turk goes to apologize to Kelso, and 693 00:38:21,160 --> 00:38:25,520 Speaker 1: Kelso says he doesn't give a rat's ass about the 694 00:38:25,719 --> 00:38:29,880 Speaker 1: apology because he has so many things going on with 695 00:38:30,080 --> 00:38:34,640 Speaker 1: his life anyway, one of them being his son. Has 696 00:38:34,680 --> 00:38:40,439 Speaker 1: a play off off Broadway, Yeah, called Doctor Dad. It's 697 00:38:40,480 --> 00:38:43,840 Speaker 1: not off Broadway's Buffalo. Yeah, he got over in Buffalo. 698 00:38:44,040 --> 00:38:47,160 Speaker 1: What does that mean? He got held over in Buffalo, Gona. 699 00:38:47,520 --> 00:38:56,520 Speaker 1: It's gonna keep Oh my god, someone someone one day. 700 00:38:56,560 --> 00:39:00,719 Speaker 1: She just compile all of the stories about Kelso's gaze. Yeah, 701 00:39:01,880 --> 00:39:04,880 Speaker 1: well he's a successful play right too, Doctor Dad. Listen, 702 00:39:04,960 --> 00:39:07,399 Speaker 1: Doctor Dad is being held over in Buffalo. That means 703 00:39:07,560 --> 00:39:12,000 Speaker 1: at least sold some tickets today. It's a musical, right, yeah, 704 00:39:12,360 --> 00:39:21,480 Speaker 1: it is a musical. It is a musical, Doctor Ja. 705 00:39:24,120 --> 00:39:28,319 Speaker 1: I laughed so much at this episode, like it's crazy, dude, 706 00:39:28,400 --> 00:39:32,080 Speaker 1: just crazy crazy. I really didn't remember that Season five 707 00:39:32,320 --> 00:39:37,440 Speaker 1: was was noticeably more wacky and sillier and funnier. This 708 00:39:37,680 --> 00:39:41,880 Speaker 1: is outrageously crazy, all right, So, Julie we um we 709 00:39:42,120 --> 00:39:44,160 Speaker 1: were we got our wizard hats and we got a 710 00:39:44,320 --> 00:39:48,400 Speaker 1: portrait and we're on matching scooters and we pass a 711 00:39:48,560 --> 00:39:52,719 Speaker 1: sign that says land for sale. Pretty much, it's an acre, 712 00:39:52,920 --> 00:39:55,360 Speaker 1: it's a half acre. It's a half acre. This episode 713 00:39:55,440 --> 00:39:58,560 Speaker 1: is called My half Acre. I believe right, dyes, um 714 00:39:59,480 --> 00:40:02,400 Speaker 1: and um. We also learn a little side note that 715 00:40:02,440 --> 00:40:06,319 Speaker 1: the janitor stores or has been caught storing deer meat 716 00:40:06,520 --> 00:40:13,120 Speaker 1: in Kelso's office mini. Where is he? Well, he's clearly 717 00:40:13,160 --> 00:40:15,239 Speaker 1: a hunt hunter. Yeah, he's a hunter because he did 718 00:40:15,360 --> 00:40:18,000 Speaker 1: have a squirrel army. But why this feels like if 719 00:40:18,000 --> 00:40:20,360 Speaker 1: you're the janitor of a giant hospital, the head janitor 720 00:40:20,440 --> 00:40:23,919 Speaker 1: of an enormous hospital, why would you choose the head 721 00:40:23,960 --> 00:40:26,439 Speaker 1: of the hospital's mini fridge destroy your dear meat. There's 722 00:40:26,480 --> 00:40:29,239 Speaker 1: got Clearly Troy has some place in the walk in 723 00:40:31,640 --> 00:40:34,440 Speaker 1: crazy ice. Margo could probably find a spot for you 724 00:40:35,800 --> 00:40:38,719 Speaker 1: right in the fridge, right. I don't know. I love 725 00:40:38,760 --> 00:40:40,880 Speaker 1: little things like that that come out and scrubs one 726 00:40:40,920 --> 00:40:43,839 Speaker 1: liners that like we're talking about the pony, like they 727 00:40:43,920 --> 00:40:46,040 Speaker 1: just meant to be like one line punch lines. We're like, wait, wait, 728 00:40:46,160 --> 00:40:49,880 Speaker 1: let's just dissects. This was a hidden run and it 729 00:40:50,040 --> 00:40:53,120 Speaker 1: was on a date with Elliott, and we know that 730 00:40:53,200 --> 00:40:55,880 Speaker 1: it was a family's pony, so if you put that 731 00:40:56,000 --> 00:40:59,640 Speaker 1: match together, the family was standing when they're with the pony, 732 00:41:00,000 --> 00:41:02,279 Speaker 1: and JD tried to impress Elliott during a date and 733 00:41:02,360 --> 00:41:07,120 Speaker 1: pretended his brakes were out. The prank winner Rye. The 734 00:41:07,280 --> 00:41:10,799 Speaker 1: pony was killed, and we sped off and then sped 735 00:41:10,880 --> 00:41:20,520 Speaker 1: off before asking if anybody was okay. The j of 736 00:41:20,600 --> 00:41:23,520 Speaker 1: the janitor is a deer hunter, or actually it's knowing 737 00:41:23,560 --> 00:41:26,080 Speaker 1: the janitor. It's probably even funnier if he had nothing 738 00:41:26,120 --> 00:41:27,920 Speaker 1: to do with killing the deer. He just needed a 739 00:41:27,960 --> 00:41:33,440 Speaker 1: place to stores menicon. Yes, I noticed there was a 740 00:41:33,520 --> 00:41:35,759 Speaker 1: lot of improv in this episode. A lot of there 741 00:41:35,800 --> 00:41:37,040 Speaker 1: were actually I take it back, there was a lot 742 00:41:37,080 --> 00:41:41,840 Speaker 1: of in this episode. Every time the cold open, they 743 00:41:41,880 --> 00:41:43,719 Speaker 1: didn't had to get out of it like they could tell, 744 00:41:43,840 --> 00:41:46,600 Speaker 1: so they just had like what if I jump from 745 00:41:46,719 --> 00:41:51,160 Speaker 1: here to there and hurt myself? No, I go eagle. 746 00:41:53,320 --> 00:41:55,359 Speaker 1: There's a lot of prat falls in this episode. When 747 00:41:55,400 --> 00:41:58,439 Speaker 1: all those failed, just have JD falls in his face. Well, 748 00:41:58,480 --> 00:42:00,799 Speaker 1: Mandy falls on her face. Mandy had a very nice fall, 749 00:42:00,840 --> 00:42:02,160 Speaker 1: by the way. I remember on the day that one 750 00:42:02,200 --> 00:42:05,040 Speaker 1: in the restaurant, she was so game four. The stunt 751 00:42:05,120 --> 00:42:07,520 Speaker 1: woman did the biggest part of the tumbler, but I remember, 752 00:42:07,560 --> 00:42:09,600 Speaker 1: you know, she still had to she still had to 753 00:42:09,680 --> 00:42:14,560 Speaker 1: do a sort of big drop back without a matt that. 754 00:42:14,719 --> 00:42:16,800 Speaker 1: You know. It was a bit of a this is 755 00:42:16,840 --> 00:42:19,000 Speaker 1: gonna hurt, but it'll be funny and uh, and she 756 00:42:19,160 --> 00:42:21,680 Speaker 1: was game. She went for it. Here it is. And 757 00:42:21,760 --> 00:42:23,800 Speaker 1: I remember we were dating and I was like, yeah, girl, 758 00:42:24,280 --> 00:42:27,120 Speaker 1: you take that stunt fall, darling, You're good at this. 759 00:42:30,600 --> 00:42:34,000 Speaker 1: So Turk also, So Turk finally gets up the nerve. 760 00:42:34,280 --> 00:42:36,640 Speaker 1: You know, the janitor presses to him. You know, the 761 00:42:36,680 --> 00:42:41,840 Speaker 1: reason why he's upset isn't because you said no to 762 00:42:41,960 --> 00:42:45,160 Speaker 1: the procedure he's mean to say no to speaking for him. 763 00:42:45,600 --> 00:42:49,600 Speaker 1: He's upset because you disrespected him. And so Turk apologizes 764 00:42:49,640 --> 00:42:57,160 Speaker 1: for disrespecting Kelso to Kelso. And we learned that the 765 00:42:57,320 --> 00:43:00,239 Speaker 1: cool Cats don't just rock together. I mean, they just 766 00:43:00,440 --> 00:43:07,520 Speaker 1: they rolled together. And then you have like a band 767 00:43:07,560 --> 00:43:09,919 Speaker 1: shake where you just tap your cast to go cool Cats, 768 00:43:09,960 --> 00:43:11,719 Speaker 1: cool cast. But it's gotta be low. It's gotta be 769 00:43:11,800 --> 00:43:14,479 Speaker 1: real low. It's always real low. It's always like cool 770 00:43:14,560 --> 00:43:17,680 Speaker 1: Cats back. Do you remember if that comes I don't 771 00:43:17,719 --> 00:43:21,040 Speaker 1: know if it ever comes back again. But I laughed 772 00:43:21,200 --> 00:43:25,239 Speaker 1: very hard at oh shit. I laughed very hard when 773 00:43:25,280 --> 00:43:27,840 Speaker 1: the janitor says when when he when he when he 774 00:43:27,920 --> 00:43:30,680 Speaker 1: pulled out his salt team when you're like, do you play? Dude? 775 00:43:30,719 --> 00:43:33,399 Speaker 1: I laughed very hard when Ted breaks his imaginary bass. 776 00:43:35,360 --> 00:43:38,719 Speaker 1: Why Ted break is because Kelso tells him to get 777 00:43:38,760 --> 00:43:40,560 Speaker 1: back in his cage and he takes off his bass 778 00:43:40,600 --> 00:43:42,960 Speaker 1: and throws him on the ground and go, oh, I 779 00:43:43,080 --> 00:43:46,200 Speaker 1: shouldn't have done that? Was that Ted? Or? Yeah? What about? 780 00:43:46,920 --> 00:43:50,359 Speaker 1: What about when Mike Schwartz says, Lloyd, uh, you see 781 00:43:50,440 --> 00:43:55,520 Speaker 1: him put the the pantomime drumsticks in his back pocket. Yeah, 782 00:43:57,320 --> 00:44:02,480 Speaker 1: that's real commitment. Yeah. Now we pull up to a 783 00:44:02,560 --> 00:44:05,720 Speaker 1: half acre and we're moving so fast, even though Elliott 784 00:44:05,760 --> 00:44:08,680 Speaker 1: appears in the realtor sign and says, what are you doing? 785 00:44:08,760 --> 00:44:12,239 Speaker 1: You always do this, You always go so fast. You're 786 00:44:12,280 --> 00:44:15,880 Speaker 1: gonna buy land with this woman? And I say, the 787 00:44:15,960 --> 00:44:18,360 Speaker 1: only thing I've got in my portfolio is some Eastern 788 00:44:18,440 --> 00:44:22,640 Speaker 1: Airline stock and an unopened pack of lay missed trading cards. 789 00:44:24,160 --> 00:44:26,560 Speaker 1: Did they did they make lay Miss trade? I'm sure 790 00:44:26,640 --> 00:44:29,879 Speaker 1: they do, Daniel. Can you check if if lay Miss 791 00:44:29,920 --> 00:44:33,759 Speaker 1: Trading cards are thinking? Would Preston though Preston would definitely know. 792 00:44:33,920 --> 00:44:37,879 Speaker 1: But but Daniel's gonna look it up. Um, I had 793 00:44:38,760 --> 00:44:40,920 Speaker 1: Three's Company trading cards. How could there not be lay 794 00:44:40,920 --> 00:44:43,359 Speaker 1: Miss trading cards? Wait, you had three Company trading cards? 795 00:44:43,400 --> 00:44:47,239 Speaker 1: Who would There's only five characters on the whole damn show. No, 796 00:44:47,400 --> 00:44:49,640 Speaker 1: it was like remember how trading cards used to be 797 00:44:49,760 --> 00:44:51,920 Speaker 1: like you know these when we were growing up there 798 00:44:51,960 --> 00:44:54,120 Speaker 1: were trading cards for everything. It would be like, you know, 799 00:44:54,239 --> 00:44:56,799 Speaker 1: so it was like that funny moment where John where 800 00:44:57,400 --> 00:44:59,680 Speaker 1: Jack fell over the couch, and then it would be 801 00:44:59,760 --> 00:45:01,400 Speaker 1: like Chrissy like this, and it would just be like 802 00:45:02,080 --> 00:45:05,640 Speaker 1: a moment from the scene. Got it, Yeah, go ahead, Daniel. 803 00:45:06,520 --> 00:45:08,600 Speaker 1: Not a ton of trading cards, lots of like fan 804 00:45:08,719 --> 00:45:11,760 Speaker 1: made kind of stuff, but unfortunately no official Layman's trading. 805 00:45:12,160 --> 00:45:17,520 Speaker 1: Let's get into this, Donald, Tops, Tops, make it happen. Tops, listen, Tops. 806 00:45:18,040 --> 00:45:19,960 Speaker 1: I know that we don't have any rights to the 807 00:45:20,040 --> 00:45:24,920 Speaker 1: income from this, but you have two packs sold. If 808 00:45:24,960 --> 00:45:28,640 Speaker 1: you make Lama's Trading cards, I would also like Lama's 809 00:45:28,680 --> 00:45:34,480 Speaker 1: funco pops. Um. All right, I think we did most 810 00:45:34,520 --> 00:45:37,600 Speaker 1: of it, right, Do we have a guest? Guests just arrived? 811 00:45:37,880 --> 00:45:40,120 Speaker 1: All right, good, I'm gonna whisy Winkle and we'll be 812 00:45:40,400 --> 00:45:49,600 Speaker 1: right back with a very exciting guest. And we're back. 813 00:45:51,440 --> 00:45:54,160 Speaker 1: We're back. We're back. We're back back back but back 814 00:45:54,239 --> 00:45:56,680 Speaker 1: back back but but back but back. Daniel, you know 815 00:45:56,760 --> 00:46:00,680 Speaker 1: this bamp bampa bamp bamp bamppapa pop up? What is 816 00:46:00,719 --> 00:46:04,360 Speaker 1: that R? That sounds like? Oh, I was I was 817 00:46:04,360 --> 00:46:06,719 Speaker 1: gonna say rush. I was gonna say rush. Weren't gonna 818 00:46:06,719 --> 00:46:13,279 Speaker 1: say rush rush. That's a great, that's say rush down. 819 00:46:13,440 --> 00:46:15,759 Speaker 1: I did say bell biv DeVoe. I'm not gonna lie. 820 00:46:15,800 --> 00:46:18,040 Speaker 1: I was going to say Metallica and be wrong. Just 821 00:46:18,120 --> 00:46:22,000 Speaker 1: gotta be. You got rush even from that. All right, 822 00:46:22,040 --> 00:46:24,399 Speaker 1: bring them in, bring me our guests. We gotta call 823 00:46:28,239 --> 00:46:30,879 Speaker 1: it talks to show dudes, you know, like a ball 824 00:46:32,200 --> 00:46:37,759 Speaker 1: smoke some maybe talking about the episode. So come on, Joan, 825 00:46:37,920 --> 00:46:43,520 Speaker 1: let's get the show. Ladies and gentlemen. Give it up 826 00:46:43,640 --> 00:46:59,600 Speaker 1: for shan happening. Sean, you are on the show, and 827 00:46:59,719 --> 00:47:02,439 Speaker 1: tell who's with you? All right? This is my boss. 828 00:47:02,800 --> 00:47:08,680 Speaker 1: His name is Kenny. Yeah. Nice. You guys are in white. 829 00:47:08,719 --> 00:47:11,759 Speaker 1: I'm telling the audience they're in white lab coats. They're 830 00:47:11,800 --> 00:47:15,200 Speaker 1: wearing they're wearing masks. Surgical assuming you can't take off 831 00:47:15,239 --> 00:47:17,920 Speaker 1: your masks because you're at work, and that's the rule. Okay, 832 00:47:18,719 --> 00:47:21,200 Speaker 1: and um that's all we know. There's a sign behind 833 00:47:21,280 --> 00:47:25,320 Speaker 1: them that says no eating or drinking. Inside there appears 834 00:47:25,360 --> 00:47:28,840 Speaker 1: to be fluorescent lighting and just a little bit of 835 00:47:28,880 --> 00:47:31,320 Speaker 1: a hint of a cloud picture deep in the background 836 00:47:31,480 --> 00:47:34,799 Speaker 1: on a maroon wall. All right, what's up, guys? Where 837 00:47:34,840 --> 00:47:37,640 Speaker 1: are we? What's happening? Yeah, so we're we're in a 838 00:47:37,719 --> 00:47:41,839 Speaker 1: conference room at the Innovation Center beyond meats and oh 839 00:47:42,360 --> 00:47:47,759 Speaker 1: beyond meat get on, because there was an episode I 840 00:47:47,840 --> 00:47:50,560 Speaker 1: think in season zero whereas accaid like, oh yeah, I 841 00:47:50,800 --> 00:47:53,040 Speaker 1: beyond meating it. It's pretty good. And we're like, oh yeah, 842 00:47:53,080 --> 00:47:54,480 Speaker 1: we're here in a couple of shout outs. So we're like, 843 00:47:54,520 --> 00:47:57,120 Speaker 1: oh man, maybe that's our way in. So this is 844 00:47:57,160 --> 00:48:00,560 Speaker 1: your way in because by I listen, I want to. 845 00:48:00,600 --> 00:48:02,840 Speaker 1: I'm glad that Joel Joel, who can't be here right now. 846 00:48:02,840 --> 00:48:05,279 Speaker 1: I'm glad she organized this because Donald and I are 847 00:48:05,760 --> 00:48:11,279 Speaker 1: are both having varying degrees of success getting off land animals. Yeah, 848 00:48:11,320 --> 00:48:15,040 Speaker 1: I am one hundred, not one hundred, I'll say ninety 849 00:48:15,280 --> 00:48:19,160 Speaker 1: eight percent there. I occasionally have a dabble Donald's back 850 00:48:19,200 --> 00:48:23,719 Speaker 1: down to pretty much eating everything good work. I'm I'm, I'm, I'm, I'm, 851 00:48:23,760 --> 00:48:29,440 Speaker 1: I'm I'm closer to around. You know. But when I 852 00:48:29,640 --> 00:48:31,440 Speaker 1: but you did reduce, you did reduce. We'll give you 853 00:48:31,520 --> 00:48:34,600 Speaker 1: points for reduction. Yes, but but I but I will 854 00:48:34,640 --> 00:48:36,440 Speaker 1: have to say, and I don't think beyond meats even 855 00:48:36,480 --> 00:48:38,600 Speaker 1: a sponsor, but I will say they should be tell 856 00:48:38,600 --> 00:48:40,839 Speaker 1: your tell your friends in marketing. But I will say, 857 00:48:40,920 --> 00:48:43,600 Speaker 1: my biggest thing when my personal biggest thing when it 858 00:48:43,680 --> 00:48:46,200 Speaker 1: came up to like giving up meat, was oh, but 859 00:48:46,320 --> 00:48:49,919 Speaker 1: I love cheeseburgers. That's like my favorite thing. Yea, and yeah, 860 00:48:50,040 --> 00:48:53,320 Speaker 1: and I and I have to say, uh, you scientists 861 00:48:53,360 --> 00:48:56,479 Speaker 1: over there have figured something out. It tastes good. What's 862 00:48:56,520 --> 00:48:59,160 Speaker 1: the secret? Yeah? Not just not Yeah, how do you 863 00:48:59,239 --> 00:49:05,799 Speaker 1: turn pet into red heat meat? It's about yellow pee. 864 00:49:05,840 --> 00:49:07,960 Speaker 1: That's the protein that we're using. Oh yeah, tell us 865 00:49:07,960 --> 00:49:09,360 Speaker 1: about that. What's the secret. I mean, you have to 866 00:49:09,360 --> 00:49:11,000 Speaker 1: give us a secret. And greening you'll probably be fine. 867 00:49:11,000 --> 00:49:13,359 Speaker 1: Oh yeah, we'll share what we can share here. But yeah, 868 00:49:13,400 --> 00:49:15,560 Speaker 1: I mean keep down. You know, what we're doing here 869 00:49:15,560 --> 00:49:17,759 Speaker 1: at the Innovation Center is where we all come from 870 00:49:18,239 --> 00:49:21,520 Speaker 1: various different scientific backgrounds. We're trying to take the knowledge 871 00:49:21,560 --> 00:49:24,719 Speaker 1: that we know from all of these different areas and 872 00:49:24,960 --> 00:49:27,160 Speaker 1: really understand what's going on with the animal meat and 873 00:49:27,239 --> 00:49:29,040 Speaker 1: what's going on with our product. So if we can 874 00:49:29,080 --> 00:49:30,960 Speaker 1: really take that science and understand, you know, how do 875 00:49:31,000 --> 00:49:33,560 Speaker 1: we put this fat, this protein, these minerals, this water, 876 00:49:33,960 --> 00:49:36,399 Speaker 1: you kind of construct it in a clean label way 877 00:49:36,440 --> 00:49:39,160 Speaker 1: so that we can kind of get a more realistic 878 00:49:39,200 --> 00:49:42,480 Speaker 1: and more representative and plant based product. That's the work 879 00:49:42,560 --> 00:49:45,520 Speaker 1: that we're working on here, and so ultimately we're using 880 00:49:45,520 --> 00:49:47,880 Speaker 1: a lot of clean label ingredients. We're trying to make 881 00:49:47,920 --> 00:49:51,000 Speaker 1: sure that we can get those things processed with the 882 00:49:51,800 --> 00:49:56,120 Speaker 1: minimal amount of processing. So that's just eat pressure, temperature, time, 883 00:49:56,560 --> 00:49:58,320 Speaker 1: and kind of controlling how we can mix all of 884 00:49:58,360 --> 00:50:01,160 Speaker 1: those things together. Really, we're using the same equipment that 885 00:50:01,239 --> 00:50:04,839 Speaker 1: you find in a you know, kitchen, but scaled up 886 00:50:05,280 --> 00:50:08,120 Speaker 1: or you know, in any type of bread or pastum 887 00:50:08,239 --> 00:50:12,400 Speaker 1: making processing factory and twisting how we kind of think 888 00:50:12,440 --> 00:50:14,120 Speaker 1: about it, so thinking a little outside of the box 889 00:50:14,200 --> 00:50:16,920 Speaker 1: how those types of processes are usually done to try 890 00:50:16,960 --> 00:50:19,560 Speaker 1: and get something that's realistic. So what is it? It's 891 00:50:20,320 --> 00:50:23,080 Speaker 1: before we go forward, so I could make I could 892 00:50:23,160 --> 00:50:25,960 Speaker 1: make beyond meat in my kitchen. I mean every I 893 00:50:26,040 --> 00:50:27,520 Speaker 1: think if you look on YouTube, there's a lot of 894 00:50:27,560 --> 00:50:30,120 Speaker 1: people who try and make what we make in their kitchen, 895 00:50:30,200 --> 00:50:32,960 Speaker 1: and you know, different levels of success. I would say, 896 00:50:33,520 --> 00:50:36,440 Speaker 1: but you know, we do have some proprietary parts that 897 00:50:36,520 --> 00:50:40,400 Speaker 1: we really crack down here that really make our texture, 898 00:50:40,520 --> 00:50:42,359 Speaker 1: our mouth feel, our juice. It would be funny if 899 00:50:42,400 --> 00:50:54,320 Speaker 1: that was me the ingredient list. There's a few proprietary 900 00:50:54,480 --> 00:51:01,080 Speaker 1: things like colmy that no, No, now I have a question. 901 00:51:01,200 --> 00:51:05,799 Speaker 1: I listen. I honestly think it tastes amazing. Um, how 902 00:51:05,840 --> 00:51:09,000 Speaker 1: does the price point come compare because obviously that's on 903 00:51:09,080 --> 00:51:10,920 Speaker 1: people's minds. They go, well, I'm not going to pay 904 00:51:11,040 --> 00:51:13,759 Speaker 1: more for it for sure, No, And that's something that 905 00:51:13,800 --> 00:51:16,359 Speaker 1: we're working on, you know, for the last couple of years. 906 00:51:16,440 --> 00:51:17,960 Speaker 1: So it is a little bit more of a premium 907 00:51:18,000 --> 00:51:20,359 Speaker 1: product right now as it stands compared to the Animal Meet. 908 00:51:20,880 --> 00:51:22,320 Speaker 1: But there's you know a lot of things that we 909 00:51:22,400 --> 00:51:24,920 Speaker 1: have to take into consideration. They're the subsidies that the 910 00:51:25,000 --> 00:51:29,760 Speaker 1: Animal Meet industry guests from, yes, the government from taxes, 911 00:51:30,360 --> 00:51:32,640 Speaker 1: our scale as we start as we increase. You know, 912 00:51:33,080 --> 00:51:36,040 Speaker 1: when I started here six years ago, we were working 913 00:51:36,080 --> 00:51:39,200 Speaker 1: on the original burger, and we were making that in 914 00:51:39,280 --> 00:51:42,400 Speaker 1: a little kitchen here in lah you know, kind of 915 00:51:42,440 --> 00:51:45,640 Speaker 1: a handmade kitchen where we were doing hundreds of burgers 916 00:51:45,680 --> 00:51:48,000 Speaker 1: a day and that kind of scale compared to where 917 00:51:48,040 --> 00:51:51,640 Speaker 1: we're at now, tens of thousands of you know, patties 918 00:51:51,760 --> 00:51:54,040 Speaker 1: per day or whatever we're making. They're everywhere, and they 919 00:51:54,200 --> 00:51:57,600 Speaker 1: also have sausages. We had Donald and I got. I 920 00:51:57,640 --> 00:51:59,960 Speaker 1: think you guys are probably responsible because someone sent us 921 00:52:00,040 --> 00:52:06,680 Speaker 1: the motherload care package we got. Yeah. Yeah, but then um, 922 00:52:06,800 --> 00:52:11,120 Speaker 1: but then Donald, there was breakfast sausage, there was there's 923 00:52:11,120 --> 00:52:15,360 Speaker 1: our Joel. There were a burger Joel. It's been a 924 00:52:15,480 --> 00:52:19,399 Speaker 1: very masculine show without you. We really really need it. Oh, 925 00:52:19,520 --> 00:52:22,399 Speaker 1: I'm so happy to bring my feminine energy to the podcast. Yeah, 926 00:52:22,400 --> 00:52:24,279 Speaker 1: we need it. We need it. Well, we're learning at 927 00:52:24,320 --> 00:52:26,320 Speaker 1: these gents are telling us all about beyond me. Donald, 928 00:52:26,320 --> 00:52:30,719 Speaker 1: you had a question, go ahead. Yeah. So it's really delicious, 929 00:52:31,120 --> 00:52:34,279 Speaker 1: and there's some people like you order it from restaurants 930 00:52:34,320 --> 00:52:37,480 Speaker 1: and they've really mastered the way in cooking it, whereas 931 00:52:37,600 --> 00:52:40,680 Speaker 1: like if I cook it, it's not as juicy, you 932 00:52:40,760 --> 00:52:42,840 Speaker 1: know what I mean, Like it's a little bit, but 933 00:52:42,920 --> 00:52:45,160 Speaker 1: it's still delt like I like a burger bell done, 934 00:52:45,200 --> 00:52:47,440 Speaker 1: so I don't mind a burger that's not that you 935 00:52:47,520 --> 00:52:49,279 Speaker 1: know that juicy, But then you get it from a 936 00:52:49,360 --> 00:52:51,560 Speaker 1: restaurant and they figured out a way to make it 937 00:52:51,680 --> 00:52:55,120 Speaker 1: so it's literally like you're biting into a hamburger. What 938 00:52:55,400 --> 00:52:58,000 Speaker 1: is the what is the difference? Are you guys giving 939 00:52:58,160 --> 00:53:01,200 Speaker 1: people like a different way to cook it? Like, how 940 00:53:01,239 --> 00:53:02,960 Speaker 1: do you cook it to make it so it's just 941 00:53:03,200 --> 00:53:05,960 Speaker 1: like a hamburger? No? I think it Maybe it kind 942 00:53:06,000 --> 00:53:07,960 Speaker 1: of boils down to like like in the burger, Like, 943 00:53:08,280 --> 00:53:10,919 Speaker 1: we do have some work to get it perfectly there. 944 00:53:10,960 --> 00:53:12,719 Speaker 1: You know, you guys have seen it or tasted it. 945 00:53:13,160 --> 00:53:14,719 Speaker 1: There's still work for us to do it here, to 946 00:53:14,920 --> 00:53:16,840 Speaker 1: make it where we want it to be, like an 947 00:53:16,880 --> 00:53:20,000 Speaker 1: animal product and replicate what animal beef is. But like 948 00:53:20,040 --> 00:53:22,000 Speaker 1: when you're cooking a burger at home, if you cook 949 00:53:22,120 --> 00:53:24,839 Speaker 1: that on the griddle some way, you know, the chef 950 00:53:24,960 --> 00:53:27,479 Speaker 1: at the restaurant's gonna probably do that a little bit better, 951 00:53:27,880 --> 00:53:31,680 Speaker 1: and they always do. Yea, But I love it. He 952 00:53:31,760 --> 00:53:34,480 Speaker 1: said that in the nicest way possible. If it because 953 00:53:34,520 --> 00:53:39,680 Speaker 1: he's a professional fucking chef, right, No, actually we're both scientists. Yeah, 954 00:53:40,360 --> 00:53:43,799 Speaker 1: but yeah, no, I have other questions. All right now, listen, 955 00:53:43,920 --> 00:53:47,520 Speaker 1: Impossible Burger. They're the competitor right there, and now who 956 00:53:47,640 --> 00:53:50,160 Speaker 1: who's winning in the space? You guys are them? Come on? 957 00:53:50,440 --> 00:53:56,480 Speaker 1: Is that even questions? No? I think no, it's a 958 00:53:56,520 --> 00:53:58,400 Speaker 1: great question. Does that? I think it's I mean, I 959 00:53:58,440 --> 00:53:59,880 Speaker 1: know you guys are scientists and you're not in the 960 00:54:00,040 --> 00:54:02,239 Speaker 1: fucking sales department, but I wonder if you know who's 961 00:54:02,960 --> 00:54:04,759 Speaker 1: the scientific point of view? And really, you know, this 962 00:54:04,920 --> 00:54:07,480 Speaker 1: is our point of We're not representing anybody right now. 963 00:54:07,520 --> 00:54:09,480 Speaker 1: It's just we. We're fans of you guys, fans of 964 00:54:09,520 --> 00:54:11,000 Speaker 1: the show, and we want to be on here, but 965 00:54:11,160 --> 00:54:13,080 Speaker 1: we can talk about this stuff. Well, I'm just saying, 966 00:54:13,160 --> 00:54:16,440 Speaker 1: do you guys, as scientists take apart the Impossible Burger, 967 00:54:16,760 --> 00:54:19,680 Speaker 1: much like I'm sure the scientists had three musketeers, might 968 00:54:19,760 --> 00:54:23,480 Speaker 1: take apart the snickers and see what is in it 969 00:54:23,600 --> 00:54:26,640 Speaker 1: and what how they make their new get? Oh yeah, 970 00:54:26,640 --> 00:54:30,120 Speaker 1: I think I think everybody based industry has probably taking 971 00:54:30,120 --> 00:54:33,200 Speaker 1: apart everybody else's product for sure. But you know, I 972 00:54:33,280 --> 00:54:36,000 Speaker 1: think the Thing Impossible is doing some great stuff and 973 00:54:36,160 --> 00:54:39,200 Speaker 1: they have you know, they're pushing for the same real 974 00:54:39,640 --> 00:54:42,000 Speaker 1: change that we're trying to push for you know, sustainability, 975 00:54:42,440 --> 00:54:45,759 Speaker 1: of impacting the climate change, how animal welfare, all of 976 00:54:45,840 --> 00:54:47,799 Speaker 1: those things are at the core of what they're trying 977 00:54:47,840 --> 00:54:51,440 Speaker 1: to do this for the change. Maybe the biggest difference 978 00:54:51,520 --> 00:54:53,719 Speaker 1: we have probably in the approach of doing that is that, 979 00:54:55,880 --> 00:55:01,000 Speaker 1: yeahthically modified. We think that, you know, you can get 980 00:55:01,080 --> 00:55:04,240 Speaker 1: everything you need from the plant, and so getting extracts 981 00:55:04,320 --> 00:55:07,840 Speaker 1: from plants directly doing our you know, science to understand 982 00:55:07,920 --> 00:55:10,440 Speaker 1: how to utilize them the best way and then putting 983 00:55:10,480 --> 00:55:12,880 Speaker 1: them together into the product. We think we can get 984 00:55:12,920 --> 00:55:15,560 Speaker 1: there with that, and you know, they go with a 985 00:55:15,640 --> 00:55:19,719 Speaker 1: little bit different solution there in that term how far 986 00:55:19,760 --> 00:55:22,640 Speaker 1: are we are? How far away are we from seeing seafood? 987 00:55:22,719 --> 00:55:26,759 Speaker 1: Then yes, yes, because we need we need seafood since 988 00:55:26,800 --> 00:55:28,719 Speaker 1: you guys are killing it. We need we watch Sea 989 00:55:28,800 --> 00:55:31,680 Speaker 1: Spirit seed and got all. I'm still not eating fish. 990 00:55:31,760 --> 00:55:36,719 Speaker 1: I still haven't I watched that documentary because of you guys. Actually, well, 991 00:55:37,120 --> 00:55:41,120 Speaker 1: I'm I I have occasionally cheated with sushi. I must 992 00:55:41,320 --> 00:55:44,600 Speaker 1: say I occasionally give myself a sushi cheat. Donald, shut up, 993 00:55:44,640 --> 00:55:49,440 Speaker 1: you went totally gaging. I am like almost all the 994 00:55:49,480 --> 00:55:50,960 Speaker 1: way there. And if I go over someone's house and 995 00:55:51,000 --> 00:55:52,879 Speaker 1: they've made a beautiful dinner and the only thing they're 996 00:55:52,880 --> 00:55:55,200 Speaker 1: serving is fish. I'll eat the fish, but for the 997 00:55:55,239 --> 00:55:57,040 Speaker 1: most part of not. But anyway, that's irrelevant. Nobody give 998 00:55:57,080 --> 00:55:59,920 Speaker 1: a fuck about that. When when are you beyond gonna 999 00:56:00,040 --> 00:56:03,080 Speaker 1: make fish and chicken? We need that too. Chicken, Yeah, 1000 00:56:03,080 --> 00:56:05,680 Speaker 1: because chicken is weird. I'm gonna tell you something right now. 1001 00:56:05,840 --> 00:56:08,759 Speaker 1: I've yet to taste good plant based chicken. That ship 1002 00:56:08,920 --> 00:56:14,120 Speaker 1: is mush. Everywhere is nothing but mush. Let the men speak. 1003 00:56:15,000 --> 00:56:18,640 Speaker 1: I don't Donald's. How do you solve Donald's mush complaint? No, 1004 00:56:18,840 --> 00:56:21,359 Speaker 1: it's a great, great complaint. I think. In the terms 1005 00:56:21,400 --> 00:56:23,759 Speaker 1: of the chicken part, we have some I mean the 1006 00:56:23,920 --> 00:56:25,520 Speaker 1: news we're not breaking it here because it's on our 1007 00:56:25,560 --> 00:56:28,200 Speaker 1: website and other people. But we just released some pretended 1008 00:56:28,920 --> 00:56:36,600 Speaker 1: can you guys please pretend it's exclusive chicken chickens out 1009 00:56:36,719 --> 00:56:39,520 Speaker 1: Beyond Meat get it right where you want it, Chicken Tenders. 1010 00:56:41,080 --> 00:56:44,400 Speaker 1: And also we partnered up with an express we just 1011 00:56:44,600 --> 00:56:49,080 Speaker 1: released today, um Beyond the Orange Chicken. So it's it's 1012 00:56:51,160 --> 00:56:55,520 Speaker 1: but it's all fat based alternative meats um and yeah, 1013 00:56:55,520 --> 00:56:57,279 Speaker 1: it's just got released today, so it's all over our 1014 00:56:57,400 --> 00:56:59,360 Speaker 1: so cal right now. Actually, there are a bunch of 1015 00:56:59,400 --> 00:57:01,800 Speaker 1: locations and I want some of that right now. I 1016 00:57:01,880 --> 00:57:06,200 Speaker 1: want to get most mates into our house. Now what 1017 00:57:06,280 --> 00:57:10,080 Speaker 1: about Okay, we got let's just make just one last thing. 1018 00:57:10,400 --> 00:57:12,239 Speaker 1: We just want to make it clear. This isn't This 1019 00:57:12,480 --> 00:57:15,000 Speaker 1: isn't an ad, y'all. This isn't an ad. We're not 1020 00:57:15,160 --> 00:57:17,720 Speaker 1: doing an ad. This is just actually something that about 1021 00:57:17,760 --> 00:57:22,200 Speaker 1: they should become an advertiser, Joel after this, like Joel 1022 00:57:22,320 --> 00:57:24,440 Speaker 1: is going to make a call because they should be good. No, 1023 00:57:24,560 --> 00:57:26,880 Speaker 1: but this is in all seriousness. Donald and I, as 1024 00:57:26,920 --> 00:57:29,160 Speaker 1: you know, all both trying to eat less animals, and 1025 00:57:29,280 --> 00:57:32,760 Speaker 1: I really stand by beyond. I think it's great. Um, fish, 1026 00:57:32,960 --> 00:57:35,080 Speaker 1: is that in the program? Is there someone behind you? Guys? 1027 00:57:35,160 --> 00:57:39,520 Speaker 1: That's desk, says fish guy. They can't really talk too 1028 00:57:39,640 --> 00:57:42,360 Speaker 1: much about things that haven't been announced. Oh that means yes, 1029 00:57:42,440 --> 00:57:44,440 Speaker 1: we can just let you know. We got lots of 1030 00:57:44,480 --> 00:57:47,160 Speaker 1: prototypes that where we're constantly working on. Here. We'll tell 1031 00:57:47,240 --> 00:57:49,880 Speaker 1: your boss to watch the spiracy and get to fight. 1032 00:57:52,000 --> 00:57:56,520 Speaker 1: We're very excited. Like, um, you know, as an African 1033 00:57:56,560 --> 00:57:59,720 Speaker 1: American male, high cholesterol is a big thing in my family. 1034 00:57:59,800 --> 00:58:02,000 Speaker 1: And when you eat red meat and when you eat 1035 00:58:02,200 --> 00:58:04,720 Speaker 1: even when you eat chicken and stuff like that. It's 1036 00:58:04,800 --> 00:58:09,160 Speaker 1: not necessarily the best for your cholesterol intake. And I'm 1037 00:58:09,160 --> 00:58:10,600 Speaker 1: not the type of person that just wants to eat 1038 00:58:10,640 --> 00:58:13,920 Speaker 1: beans for the rest of my life. So you know, 1039 00:58:14,480 --> 00:58:17,880 Speaker 1: having uh you know the beyond burger or with the 1040 00:58:18,240 --> 00:58:22,560 Speaker 1: or or a sausage or you know, uh, it is great. 1041 00:58:22,640 --> 00:58:25,960 Speaker 1: So the more products you guys put out, the easier 1042 00:58:26,040 --> 00:58:30,040 Speaker 1: it is to get off meat. Yeah, I am, I am, 1043 00:58:30,280 --> 00:58:34,280 Speaker 1: I Yeah, it needs to happen faster than is my point. 1044 00:58:34,880 --> 00:58:36,720 Speaker 1: They're working well, they probably be doing it faster if 1045 00:58:36,720 --> 00:58:41,760 Speaker 1: they weren't fucking appearing on podcasts all the time right now. 1046 00:58:42,000 --> 00:58:44,520 Speaker 1: I'm just kidding guys. Um, I have a question. I 1047 00:58:45,000 --> 00:58:50,000 Speaker 1: heard in the news that some Texas Agricultural board got 1048 00:58:50,080 --> 00:58:54,680 Speaker 1: angry because plant based meat is selling so well that 1049 00:58:54,880 --> 00:58:58,400 Speaker 1: they want the labeling to no longer we call meat. 1050 00:58:58,560 --> 00:59:01,280 Speaker 1: They don't want meat, they want meat the word meat 1051 00:59:01,320 --> 00:59:04,240 Speaker 1: taken off the label. Is it because they're so fucking 1052 00:59:04,440 --> 00:59:08,200 Speaker 1: livid that that plant based meat is taking off? Is 1053 00:59:08,240 --> 00:59:10,800 Speaker 1: that true? Yeah? I know, we've there's been a couple 1054 00:59:10,880 --> 00:59:13,640 Speaker 1: of those, I guess failings in the last couple of years. 1055 00:59:13,760 --> 00:59:15,880 Speaker 1: But I think that just shows, you know, how much 1056 00:59:15,920 --> 00:59:18,680 Speaker 1: of it an impact companies like Beyond Meat are having 1057 00:59:18,720 --> 00:59:22,120 Speaker 1: and we hope to like you guys, say, do do 1058 00:59:22,320 --> 00:59:24,440 Speaker 1: more and get out more options for the consumers so 1059 00:59:24,600 --> 00:59:27,160 Speaker 1: that they can ye replace any of the animal meats 1060 00:59:27,160 --> 00:59:30,760 Speaker 1: that they need with our products. And well, I think 1061 00:59:30,800 --> 00:59:39,560 Speaker 1: you're doing a great job. Thank you so much. Do 1062 00:59:39,640 --> 00:59:42,920 Speaker 1: you guys have questions for us? Or do you need 1063 00:59:43,000 --> 00:59:44,600 Speaker 1: to fix your life? We can do any need to 1064 00:59:44,640 --> 00:59:48,520 Speaker 1: fix your Yeah, yeah, I'm a little on the podcast, 1065 00:59:48,520 --> 00:59:50,440 Speaker 1: so I don't know if all right, Well, don't worry 1066 00:59:50,440 --> 00:59:52,439 Speaker 1: about a question, then we'll just fix your life. It's 1067 00:59:52,480 --> 00:59:56,040 Speaker 1: time for Beyond Meat's favorite segment, Donald, It's time too 1068 00:59:56,840 --> 01:00:04,280 Speaker 1: fix your all right. So I think we kind of 1069 01:00:04,320 --> 01:00:07,560 Speaker 1: already touched on it already. Someone just stretched behind you. Yes, 1070 01:00:09,080 --> 01:00:11,560 Speaker 1: here it Beyond Meat. We're trying to, you know, come 1071 01:00:11,640 --> 01:00:15,560 Speaker 1: up with new products and innovates, just continuously and constantly, 1072 01:00:15,760 --> 01:00:17,760 Speaker 1: so you know, based on the things that you've had. 1073 01:00:18,040 --> 01:00:20,720 Speaker 1: Is there any feedback that we could solicit from you guys? 1074 01:00:20,920 --> 01:00:22,960 Speaker 1: Are the things you want us to improve on or 1075 01:00:22,960 --> 01:00:24,880 Speaker 1: are there any products you might be interested in looking at? 1076 01:00:24,880 --> 01:00:26,680 Speaker 1: I guess we've already touched on I didn't see like, 1077 01:00:26,760 --> 01:00:28,560 Speaker 1: oh I have you guys have like an old, like 1078 01:00:28,680 --> 01:00:31,920 Speaker 1: traditional like Nathan's hot dog. I saw lots of sausages. 1079 01:00:32,240 --> 01:00:35,400 Speaker 1: I'd like just a real old fashioned barbecue hot dog. 1080 01:00:35,480 --> 01:00:37,600 Speaker 1: You got that? That would be great. Yeah. For now 1081 01:00:37,680 --> 01:00:39,640 Speaker 1: we just have those sausages. But yeah, well there's my 1082 01:00:39,720 --> 01:00:43,800 Speaker 1: frigging complaint. Boys, we gotta get regular hot dog. Sometimes 1083 01:00:43,840 --> 01:00:47,440 Speaker 1: you don't want to like a flavored killed bassa unless 1084 01:00:48,280 --> 01:00:54,960 Speaker 1: you donald no lack of think about is kear bass 1085 01:00:55,160 --> 01:01:02,640 Speaker 1: a saucy? Your butt cheeks is warm? What? Oh it's 1086 01:01:02,640 --> 01:01:05,240 Speaker 1: a tenacious D song? I'm so confused. Yeah, no, I 1087 01:01:05,360 --> 01:01:07,240 Speaker 1: was just wondering. I mean, you guys are both great singers, 1088 01:01:07,440 --> 01:01:09,920 Speaker 1: and you guys are always saying on here. Part of what, 1089 01:01:10,080 --> 01:01:12,919 Speaker 1: you know, what we were doing, I think during COVID 1090 01:01:13,000 --> 01:01:14,960 Speaker 1: times is listening to this podcast to kind of like 1091 01:01:15,400 --> 01:01:18,120 Speaker 1: laughing unwind. But a big part of what we also 1092 01:01:18,200 --> 01:01:20,520 Speaker 1: did around here to kind of unwind is go karaoke 1093 01:01:20,600 --> 01:01:23,160 Speaker 1: and and do all that kind of stuff. Yes, I'm wondering, 1094 01:01:23,400 --> 01:01:26,320 Speaker 1: what what what are you guys karaoke? Go tos or 1095 01:01:26,640 --> 01:01:29,120 Speaker 1: is there anything that poss up for question? I got 1096 01:01:29,480 --> 01:01:31,560 Speaker 1: I got a couple of them now it used to 1097 01:01:31,680 --> 01:01:33,680 Speaker 1: only be one. It used to be poisoned. I used 1098 01:01:33,680 --> 01:01:40,040 Speaker 1: to go and do so we thank you very much, 1099 01:01:40,160 --> 01:01:43,000 Speaker 1: but so I would always do that at karaoke. But 1100 01:01:43,080 --> 01:01:45,640 Speaker 1: I got a couple of new ones, Dan and Shay. 1101 01:01:46,040 --> 01:01:51,280 Speaker 1: I don't know if you've ever heard of them, speechless 1102 01:01:52,320 --> 01:01:55,320 Speaker 1: standing that just standing in that band whatever the song, 1103 01:01:58,440 --> 01:02:04,480 Speaker 1: watching you is all that I can do. I'm speechless. 1104 01:02:05,680 --> 01:02:10,400 Speaker 1: You already know that you're my weakness. After all this time, 1105 01:02:10,480 --> 01:02:15,040 Speaker 1: I'm just as nervous. Watching you is all that I 1106 01:02:15,120 --> 01:02:17,760 Speaker 1: can do. Anyway, that's a great karaoke one. And then 1107 01:02:18,200 --> 01:02:21,320 Speaker 1: I heard one person single karaoke song and you don't 1108 01:02:21,360 --> 01:02:25,680 Speaker 1: hear it often, but faith, it's just faith, and I 1109 01:02:25,920 --> 01:02:33,400 Speaker 1: can't believe it's real. Yes, I can't believe it's true. Ahead, girl, 1110 01:02:33,840 --> 01:02:40,840 Speaker 1: I can't believe it's happening. I can't believe with you 1111 01:02:41,520 --> 01:02:46,000 Speaker 1: something like that. And I can't believe that you are 1112 01:02:46,160 --> 01:02:54,240 Speaker 1: here with me and I am here with you, softly 1113 01:02:54,520 --> 01:03:00,600 Speaker 1: kissing you all right wherever kids see. I don't think 1114 01:03:00,640 --> 01:03:07,520 Speaker 1: they said perform all of your favorite Daniel, Joel, do 1115 01:03:07,560 --> 01:03:10,320 Speaker 1: you have your go to karaoke songs that you like? Okay? 1116 01:03:10,440 --> 01:03:14,960 Speaker 1: Any winehouse is m Valerie, which is the atypical Los 1117 01:03:15,000 --> 01:03:17,600 Speaker 1: Angeles girl anthem. If you go to karaoke out here, 1118 01:03:17,640 --> 01:03:19,959 Speaker 1: you'll hear it four times a night. But it hits. 1119 01:03:20,000 --> 01:03:23,480 Speaker 1: It's in everybody's vocal range, and I love that. Um. 1120 01:03:24,160 --> 01:03:27,080 Speaker 1: I could karaokee any Beyonce's song. Obviously not as good 1121 01:03:27,120 --> 01:03:29,280 Speaker 1: as Beyonce, but I know all the lyrics and I'm 1122 01:03:29,320 --> 01:03:31,800 Speaker 1: ready to go on. Well, you know the one, super Confidence, 1123 01:03:32,200 --> 01:03:37,480 Speaker 1: you know, the one that everybody does. Oh oh oh no, 1124 01:03:37,640 --> 01:03:42,680 Speaker 1: No that's terrible. No, it's a crazy not great to 1125 01:03:42,800 --> 01:03:51,960 Speaker 1: karaoke my baby, Okay, Yeah, it's hard to sing though. Yeah, 1126 01:03:52,080 --> 01:03:54,120 Speaker 1: Joel's got the Rangeoel wasn't incredible, But all you gotta 1127 01:03:54,120 --> 01:03:56,439 Speaker 1: do is going young hope. Y'all know how the flow 1128 01:03:56,600 --> 01:04:03,640 Speaker 1: is local. Oh, I got three, I got three, I 1129 01:04:03,720 --> 01:04:06,400 Speaker 1: got three. One is the Sound by Carl Ray Jepson. 1130 01:04:06,880 --> 01:04:09,880 Speaker 1: Um You Ought to Know by Atlantis Morrissett, and then 1131 01:04:10,200 --> 01:04:12,120 Speaker 1: When I Was Your Man by Bruno Mars. Those are 1132 01:04:12,160 --> 01:04:16,520 Speaker 1: my three. I don't really do karaoke, but I think 1133 01:04:16,560 --> 01:04:26,080 Speaker 1: I would probably do everywhere by Michelle Branch. Complicated Abril Levine, Great, 1134 01:04:27,680 --> 01:04:29,160 Speaker 1: you know you know what you shouldn't do? By our 1135 01:04:29,320 --> 01:04:33,200 Speaker 1: Abril Levine take me about a hand, Take me somewhere New. 1136 01:04:34,080 --> 01:04:42,120 Speaker 1: I don't know. Yeah, yeah, do you remember do you 1137 01:04:42,240 --> 01:04:45,800 Speaker 1: remember us singing that ship Forever? That song? We used 1138 01:04:45,800 --> 01:04:48,320 Speaker 1: to sing that song so comfort in our sexuality that 1139 01:04:48,360 --> 01:04:50,840 Speaker 1: we'd be running around our apartment singing Abril Levine in 1140 01:04:50,920 --> 01:04:54,280 Speaker 1: our boxers. We sang that song on set too, and 1141 01:04:54,440 --> 01:04:56,880 Speaker 1: we changed the lyrics too. Do you remember changing the lyrics? 1142 01:04:57,200 --> 01:04:59,800 Speaker 1: I'm with you, No, take me bout a hand, to 1143 01:05:00,280 --> 01:05:05,520 Speaker 1: me somewhere New. I don't know who you are, but uh, 1144 01:05:06,760 --> 01:05:25,920 Speaker 1: I'm gonna shoot you. Oh my god, I'm sorry. I 1145 01:05:26,040 --> 01:05:32,120 Speaker 1: can't play this at the Beyond party yet it can um. Yeah, well, 1146 01:05:32,120 --> 01:05:35,640 Speaker 1: I would sing the original Avril levison en version without 1147 01:05:35,920 --> 01:05:44,320 Speaker 1: Donald's orgasm. I'm gonna Zach Zach Zach. I love you boy. 1148 01:05:44,760 --> 01:05:47,160 Speaker 1: All right, I think we've ran this into the ground. 1149 01:05:47,640 --> 01:05:49,800 Speaker 1: It's always nice. It's always nice to end the show 1150 01:05:49,920 --> 01:05:54,800 Speaker 1: with one of Donald's fake orgasms. Okay, thank you, thank 1151 01:05:54,840 --> 01:05:57,880 Speaker 1: you for beyond me. It just sounds like it doesn't 1152 01:05:57,880 --> 01:05:59,720 Speaker 1: even sound like an orgasm anymore. It just sounds like 1153 01:05:59,800 --> 01:06:09,400 Speaker 1: some he just yelling in pain. Okay. It's one thing 1154 01:06:09,440 --> 01:06:15,840 Speaker 1: if they were the impossible guys, but this is all right, guys, well, 1155 01:06:15,880 --> 01:06:17,840 Speaker 1: thank you for coming on. We really appreciate it. And 1156 01:06:18,280 --> 01:06:21,240 Speaker 1: uh and I mean we did it. You want to 1157 01:06:21,280 --> 01:06:22,880 Speaker 1: just end the show with yes, you can stay on 1158 01:06:23,000 --> 01:06:24,440 Speaker 1: to the end of the show. This is the end 1159 01:06:24,480 --> 01:06:30,120 Speaker 1: of the show. We love you all I ever put 1160 01:06:30,160 --> 01:06:32,880 Speaker 1: shout outs. And my fiance Liz, she wanted to thank 1161 01:06:33,080 --> 01:06:35,840 Speaker 1: all you guys because we both grew up with scrubs 1162 01:06:35,960 --> 01:06:38,280 Speaker 1: and that's sort of why she's in the healthcare industry 1163 01:06:38,400 --> 01:06:40,760 Speaker 1: right now. I'm here right now, but she wanted to 1164 01:06:40,800 --> 01:06:44,120 Speaker 1: say thank you very much, thank you, and yeah, we 1165 01:06:44,200 --> 01:06:49,320 Speaker 1: just got engaged last week. Congratulation. Yeah we have. We've 1166 01:06:49,360 --> 01:06:51,680 Speaker 1: been together for like thirteen years high school sweethearts and 1167 01:06:52,280 --> 01:06:54,800 Speaker 1: took you a long time high finally you finally decided 1168 01:06:54,840 --> 01:06:58,600 Speaker 1: to do it. Huh, well yeah sweethearts. You know, ye know, 1169 01:06:59,440 --> 01:07:02,080 Speaker 1: that's great. They've been together for thirteen years, he said, bro, 1170 01:07:02,560 --> 01:07:05,040 Speaker 1: I know, but I mean, how hold are you? How 1171 01:07:05,040 --> 01:07:08,920 Speaker 1: hold you? Twenty seven? Twenty seven? There were high school sweethearts. 1172 01:07:08,920 --> 01:07:11,040 Speaker 1: There's no, that's not you guys are like junior high 1173 01:07:11,040 --> 01:07:17,480 Speaker 1: school sweethearts. Yeah yeah, wow, it's adorable and last and 1174 01:07:17,840 --> 01:07:21,560 Speaker 1: you live in California too, Wow, and you got good jobs. 1175 01:07:21,560 --> 01:07:27,320 Speaker 1: It's almost time to buy a half acre. I brought 1176 01:07:27,360 --> 01:07:29,440 Speaker 1: it all back to the show, Donald, That's why they 1177 01:07:29,520 --> 01:07:33,880 Speaker 1: came in the big bucks back. All right, guys, thank 1178 01:07:33,920 --> 01:07:35,480 Speaker 1: you so much for tuning in, and we love you, 1179 01:07:35,560 --> 01:07:38,920 Speaker 1: We appreciate you. Be kind if you're open to it. 1180 01:07:39,160 --> 01:07:43,320 Speaker 1: Try not eating animals. Uh. These fellows are doing all 1181 01:07:43,360 --> 01:07:47,080 Speaker 1: they can to make fake burgers taste like real animals. 1182 01:07:47,200 --> 01:07:50,680 Speaker 1: So check out Beyond Meat again. Not a sponsor, Donald, 1183 01:07:50,680 --> 01:07:53,320 Speaker 1: and I just support the cause. And uh, that's a 1184 01:07:53,360 --> 01:07:55,480 Speaker 1: shout out to Joel for getting these guys on here 1185 01:07:55,520 --> 01:08:00,680 Speaker 1: today too. So much go work, good work. Well, so 1186 01:08:01,200 --> 01:08:03,200 Speaker 1: are you excited about the live show? And dude, I'm 1187 01:08:03,200 --> 01:08:04,880 Speaker 1: so excited about the live show. I can't believe that 1188 01:08:04,960 --> 01:08:08,000 Speaker 1: John c McGinley has John c mcginny to get on 1189 01:08:08,160 --> 01:08:11,760 Speaker 1: this bad boy. John c McGinley live is dangerous. I'm 1190 01:08:11,760 --> 01:08:14,600 Speaker 1: a little concerned about John c McGinley live. He's not 1191 01:08:15,240 --> 01:08:18,160 Speaker 1: He needs to be censored sometimes, yeah he can. He 1192 01:08:18,680 --> 01:08:21,960 Speaker 1: sometimes leaves the PC card at home. Daniel, Daniel, I 1193 01:08:22,040 --> 01:08:24,720 Speaker 1: may need you to just go beep oh when if 1194 01:08:24,760 --> 01:08:27,960 Speaker 1: he says anything crazy, I hope there's a delay. I 1195 01:08:28,080 --> 01:08:30,400 Speaker 1: truly hope there's a delay. We don't have a delay, Joe, 1196 01:08:30,520 --> 01:08:33,000 Speaker 1: there's no delay for the live show, right, it's live 1197 01:08:33,080 --> 01:08:36,559 Speaker 1: as hell. No really now, okay, so dude, we're gonna 1198 01:08:36,560 --> 01:08:39,080 Speaker 1: have a special guest. There is a very special guest 1199 01:08:39,120 --> 01:08:42,639 Speaker 1: that's going to surprise everyone and blow people's minds away 1200 01:08:42,760 --> 01:08:44,519 Speaker 1: and it'll be fun. If you didn't join us last time, 1201 01:08:45,040 --> 01:08:49,519 Speaker 1: please join us. It's September ninth, that's coming up, so 1202 01:08:49,720 --> 01:08:51,800 Speaker 1: I would love for them to pull who they think 1203 01:08:51,840 --> 01:08:54,240 Speaker 1: the special surprise guest is going to be. You guys, 1204 01:08:54,320 --> 01:08:58,080 Speaker 1: It's a week from Thursday, September ninth, Please come join us. 1205 01:08:58,160 --> 01:09:01,200 Speaker 1: We um, you know we we sometimes edit the show 1206 01:09:01,360 --> 01:09:05,120 Speaker 1: because Donald or I, or well usually Donald or I 1207 01:09:05,320 --> 01:09:09,000 Speaker 1: will say something regret. But now, like Bill O'Reilly once 1208 01:09:09,040 --> 01:09:13,599 Speaker 1: said we're gonna do it live and you'll see our faces. 1209 01:09:13,840 --> 01:09:16,479 Speaker 1: I'm gonna who said that, Bill Rileys and either one 1210 01:09:16,479 --> 01:09:18,680 Speaker 1: who's like, we'll do it live. I did not know 1211 01:09:18,840 --> 01:09:27,559 Speaker 1: that that was Oh my god, fuck it. Go on YouTube. 1212 01:09:27,640 --> 01:09:33,839 Speaker 1: It's hilarious, tense. But um, please join us six flower 1213 01:09:34,640 --> 01:09:39,040 Speaker 1: six pm on the West coast, nine pm on the 1214 01:09:39,080 --> 01:09:45,360 Speaker 1: East coast. Join us. Come on wasting now to dude, 1215 01:09:45,439 --> 01:09:49,920 Speaker 1: Lee do journey. And what's the episode, Joel, we're doing 1216 01:09:49,960 --> 01:09:54,360 Speaker 1: so everybody can. Yes, we're doing My Lunch Classic, the 1217 01:09:54,760 --> 01:09:58,080 Speaker 1: heart Felt My Lunch. It's a very special episode of 1218 01:09:58,200 --> 01:10:02,040 Speaker 1: My Lunch and m And for tickets, go to my 1219 01:10:02,520 --> 01:10:05,920 Speaker 1: instagram or Donald's Instagram, or go do onlocation live dot 1220 01:10:06,000 --> 01:10:08,760 Speaker 1: com and search for fake doctors, real friends. But the 1221 01:10:08,880 --> 01:10:12,479 Speaker 1: links are in our bios and uh and come join us. 1222 01:10:12,520 --> 01:10:14,719 Speaker 1: Tell your friends, it's gonna be fun. Have a drink, 1223 01:10:15,240 --> 01:10:17,560 Speaker 1: laugh with you. Have a couple of drinks. You know 1224 01:10:18,040 --> 01:10:20,560 Speaker 1: you're not gonna drink though, Donald, we made a rule. No, 1225 01:10:20,640 --> 01:10:22,479 Speaker 1: I don't drink when we do the podcast anymore. That 1226 01:10:22,600 --> 01:10:25,599 Speaker 1: is no longer happening. Yes, it's easier for Dale to edit. 1227 01:10:26,320 --> 01:10:28,360 Speaker 1: I don't smoke when we do the podcast anymore either. 1228 01:10:28,560 --> 01:10:30,760 Speaker 1: That is no longer happening. Good. I'm proud of you. 1229 01:10:31,040 --> 01:10:33,960 Speaker 1: So join us Thursday, September ninth, and we hope you're 1230 01:10:34,000 --> 01:10:35,920 Speaker 1: seeing that all right, everybody, Thank you. We'll see you 1231 01:10:35,960 --> 01:10:41,160 Speaker 1: next time. Donald. Seven eight stories about Shore. We made 1232 01:10:42,439 --> 01:10:53,559 Speaker 1: about a bunch of doctor nurses stories. Yea aund here, 1233 01:10:54,479 --> 01:11:00,880 Speaker 1: yea Eve