WEBVTT - Bonus: A Conversation with Kris Carr

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<v Speaker 1>Family Secrets is a production of iHeartRadio.

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<v Speaker 2>You ain't never going to be man enough. Those words

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<v Speaker 2>would haunt me. I would hear their echo in his voice,

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<v Speaker 2>in the squish of hunting waiters stepping into a marsh,

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<v Speaker 2>in the metallic clinking of his wrenches while he fixed

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<v Speaker 2>the grain combine. I would hear those words every morning

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<v Speaker 2>when I walked to the one room schoolhouse and watered

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<v Speaker 2>the ponderous pine. I would hear them when I was

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<v Speaker 2>promoted to CEO, came out of the closet, got married

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<v Speaker 2>and divorced, and graduated twice from Cornell University with a

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<v Speaker 2>master's and doctorate. Knowing my father was not present for

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<v Speaker 2>any of it. Long after he came home from Vietnam

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<v Speaker 2>and started fighting a different war against cancer, I would

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<v Speaker 2>always remember that I ain't never going to be man enough.

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<v Speaker 3>That's Trent Pressler. Trent is the CEO of Bedell Cellars,

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<v Speaker 3>an esteemed vineyard on the North Fork of Long Island.

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<v Speaker 3>He's the author of the debut mel More, Little and Often,

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<v Speaker 3>and Trent is also the builder of bespoke artisanal canoes.

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<v Speaker 3>His canoes have been called the most beautiful in the world.

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<v Speaker 3>This is the story of what one man does in

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<v Speaker 3>order to make meaning of the secrecy and silence surrounding

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<v Speaker 3>his life. I'm Danny Shapiro and this is a special

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<v Speaker 3>bonus episode of Family Secrets with best selling author wellness

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<v Speaker 3>expert Cancer Thriver, who has been living with stage four

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<v Speaker 3>cancer for the past two decades. Chris Carr. Chris has

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<v Speaker 3>been called one of our great thought leaders by Oprah Winfrey,

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<v Speaker 3>and her new book is I'm Not a Morning Person,

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<v Speaker 3>braving loss, grief and the big, messy emotions that happen

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<v Speaker 3>when life calls apart. Chris and I will be talking

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<v Speaker 3>about an episode from season six called Taxi dermid Duck,

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<v Speaker 3>which I hope you'll all try check out if you

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<v Speaker 3>haven't already. As always, I'm so glad you're here, Chris.

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<v Speaker 3>Thanks so much for coming on Family Secrets.

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<v Speaker 1>Thanks for having me, Danny, It's good to be here.

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<v Speaker 3>I'm wondering what stood out for you as you were listening.

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<v Speaker 3>Did anything in particular strike.

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<v Speaker 1>You about it? Oh? So many things. I think that

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<v Speaker 1>many of us have parallel experiences, especially with a strange

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<v Speaker 1>parents or parents we might not have been estranged with

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<v Speaker 1>but really did not know in any way, shape or form.

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<v Speaker 1>And you know, one of the big things that shoot

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<v Speaker 1>it out for me, it was the idea that we

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<v Speaker 1>fill the silence when there's silence in our homes, when

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<v Speaker 1>there's silence in our histories, when there's pieces and parts

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<v Speaker 1>that are missing, We clever humans fill that silence, and

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<v Speaker 1>usually we fill it with stories that are not very

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<v Speaker 1>beneficial to our mental well being.

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<v Speaker 3>I think Annie LaMotte once famously said something like my

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<v Speaker 3>head is a neighborhood that I shouldn't spend too much

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<v Speaker 3>time in.

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<v Speaker 1>It's so true. Well, you know, I met my biological father.

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<v Speaker 1>I met him when I was eighteen years old, and

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<v Speaker 1>I didn't know anything about him. You know, it was

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<v Speaker 1>something that we had to tiptoe around because I knew

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<v Speaker 1>that my mother had gone through so much pain around

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<v Speaker 1>that abandonment, and I really couldn't experience my own pain

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<v Speaker 1>except for internally, because I didn't want to bring up

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<v Speaker 1>more of her own. And so I remember filling the

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<v Speaker 1>void and filling that silence with all of the reasons

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<v Speaker 1>why he wasn't there. And then, of course I grew

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<v Speaker 1>up with a very wild and interesting grandmother who would

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<v Speaker 1>actually fill the void with stories, and it would be

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<v Speaker 1>like he died in a plane crash, the wedding dresses upstairs,

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<v Speaker 1>you know, like all of these things, and none of

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<v Speaker 1>them were true. So I just realized that later in life,

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<v Speaker 1>when I was a grown up figure it out on

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<v Speaker 1>my own. But again, I think that that's such a

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<v Speaker 1>beautiful point that you tease out in that episode, about

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<v Speaker 1>how we turn inward and sometimes turn on ourselves when

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<v Speaker 1>we don't have all the pieces.

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<v Speaker 3>Yeah, exactly, and then that ends up forming so much

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<v Speaker 3>of our lives. There's a piece of wisdom from Carl

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<v Speaker 3>Jung that I love and think about a lot, which is,

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<v Speaker 3>until we make the unconscious conscious, it will direct our lives,

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<v Speaker 3>and we will call it fate. So when your wild

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<v Speaker 3>grandmother would tell you these stories as a kid, did

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<v Speaker 3>you know that they weren't true, or did you try

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<v Speaker 3>to kind of attach yourself to them in some way

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<v Speaker 3>and try them on for size, or did you just

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<v Speaker 3>kind of know that this wasn't it.

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<v Speaker 1>I think in the beginning I did believe her, but

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<v Speaker 1>then I realized there was a lot of other lies.

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<v Speaker 1>And then when you start to follow the bread crowns,

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<v Speaker 1>you're like, just doesn't add up, and I don't have

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<v Speaker 1>to be you know that wise to understand that. So

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<v Speaker 1>for me, it was really about trying to make sense

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<v Speaker 1>of it myself, and that's something that's really hard for

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<v Speaker 1>a child to do without turning it into something that

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<v Speaker 1>is about themselves, like it must be me, there must

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<v Speaker 1>be something wrong with me, flawed with me. And one

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<v Speaker 1>of the things that I love about your episode with

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<v Speaker 1>Trent is you know, he had lots of reasons to

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<v Speaker 1>self abandon especially with a father that essentially abandoned him,

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<v Speaker 1>but he didn't. And I found that to be so

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<v Speaker 1>beautiful and such a testament to his resilience and his

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<v Speaker 1>fortitude just as a person.

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<v Speaker 3>Absolutely, I mean, it's extraordinary to me that he grew

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<v Speaker 3>up in such an isolated way on this ranch in

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<v Speaker 3>South Dakota that was thousands of acres and more cows

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<v Speaker 3>than people, and you could drive for hours and hours

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<v Speaker 3>and still be on the land of this ranch. You know,

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<v Speaker 3>with his parents who were complicated people, and with his

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<v Speaker 3>sister who he adored, who became very ill, and who

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<v Speaker 3>he loved and he was a caretaker for and felt

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<v Speaker 3>very responsible for. And all of that is such a

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<v Speaker 3>prescription for not being able to escape or know that

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<v Speaker 3>there is a path that's different from the path that

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<v Speaker 3>he was already on. I mean, he's gay, and he

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<v Speaker 3>knows he's gay, and he's in a culture and in

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<v Speaker 3>a world that is completely rejecting of homosexuality, and a

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<v Speaker 3>church that believes that he's going to burn and help

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<v Speaker 3>for eternity if he's gay. To be able to leave

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<v Speaker 3>that world and go east and go to college and

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<v Speaker 3>carve out a life for himself just struck me as

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<v Speaker 3>such a tremendous act of, as you say, resilience.

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<v Speaker 1>I also loved that, you know, he mentions this word

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<v Speaker 1>and I write about this in my book, and it's

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<v Speaker 1>what I call ruptures. And it was the moment when

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<v Speaker 1>his sister died and he is going to the funeral,

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<v Speaker 1>and you know, he brings a boyfriend, he brings a partner,

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<v Speaker 1>a signific other, and it's really his big reveal. He's

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<v Speaker 1>revealing his secret, and he's doing it in a way

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<v Speaker 1>that's like, this is what I need to survive this storm.

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<v Speaker 1>I need to be who I am and I need

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<v Speaker 1>to be with somebody I love. And I think that

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<v Speaker 1>that's the inciting incident for him, and like for so

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<v Speaker 1>many of us, the ruptures are what set us on

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<v Speaker 1>our path to I think, becoming more ourselves. And you know,

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<v Speaker 1>one of the things that I have explored is that

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<v Speaker 1>ruptures come in all shapes and sizes, and none of

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<v Speaker 1>us are immune to them. And they're hard and they're painful.

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<v Speaker 1>It's the divorce, it's the miscarriage, it's you know, you

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<v Speaker 1>lose your job, you lose your former sense of self,

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<v Speaker 1>the diagnosis, whatever it is, and it doesn't take away

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<v Speaker 1>from the pain what I'm about to say. But all

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<v Speaker 1>of these ruptures also have the power to rearrange us,

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<v Speaker 1>realign our values, our priorities, point us more towards what

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<v Speaker 1>really matters, and maybe even awaken dreams that we have

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<v Speaker 1>long since let die because we think this time is

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<v Speaker 1>behind me. And I think that the ruptures make us

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<v Speaker 1>realize that the time that's in front of us, we

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<v Speaker 1>need to spend it living authentically. And I think that

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<v Speaker 1>that's something that I really loved about his story, because

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<v Speaker 1>it was through that loss that he went on this

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<v Speaker 1>journey of being himself.

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<v Speaker 3>And one of the things about that journey and that

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<v Speaker 3>rupture is that that was a moment for him that

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<v Speaker 3>he really, for his own self preservation and for his

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<v Speaker 3>own growth, needed to really distance himself and separate himself

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<v Speaker 3>from his parents, from his father in particular, because he

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<v Speaker 3>can't be he won't be accepted by him, and that

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<v Speaker 3>lack of being accepted becomes unbearable. I mean, it had

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<v Speaker 3>always been true up until then, but at that point,

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<v Speaker 3>that's what makes it a rupture, is that in the

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<v Speaker 3>grief about the loss of his sister, and you know,

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<v Speaker 3>he describes it so beautifully. You know, the man who

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<v Speaker 3>is his partner he's in a relationship with, is relegated

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<v Speaker 3>to the back row of the church and trend to

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<v Speaker 3>sitting up with family because it's his friend who he's brought.

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<v Speaker 3>His partner is not family. And he turns around as

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<v Speaker 3>the casket is coming in and he sees this man,

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<v Speaker 3>his partner's face in the back row, and something in

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<v Speaker 3>him just rips open and it becomes unacceptable.

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<v Speaker 1>You know.

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<v Speaker 3>One of the things that you're talking about, and that

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<v Speaker 3>we talk a lot about on this podcast is meaning making.

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<v Speaker 3>It seems like those are moments when they happen, that

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<v Speaker 3>are you know, kind of sink or swim moments. You know,

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<v Speaker 3>are we going to succumb to this feeling of despair

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<v Speaker 3>and grief which is not to say we're not going

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<v Speaker 3>to feel all of our feelings, but are we going

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<v Speaker 3>to succumb or is this actually going to be some

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<v Speaker 3>kind of turning point from which we make meaning out

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<v Speaker 3>of that sorrow, that chaos.

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<v Speaker 1>Yeah, it's a good question, and I think it's one

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<v Speaker 1>that we all struggle with at some point when we

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<v Speaker 1>were going through loss. And that moment, that rupture for

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<v Speaker 1>me happened with my biological father when his mother died

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<v Speaker 1>and I wasn't allowed to be in contact with any

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<v Speaker 1>member of his family, but his mom, my grandmother, would

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<v Speaker 1>write me, sneak me these little letters over the years

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<v Speaker 1>and a little piece of jewelry and just a little

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<v Speaker 1>trinket or a Christmas ornament. And right around the time

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<v Speaker 1>when I was eighteen, I decided to write her. And

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<v Speaker 1>I had sent her little things as well, but I

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<v Speaker 1>decided to write her, and all I wanted was a

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<v Speaker 1>picture of my father. I just wanted to see if

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<v Speaker 1>we looked like each other. And before she got the letter,

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<v Speaker 1>she died, and so her loss was really the moment

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<v Speaker 1>where I said, I am going to find this person.

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<v Speaker 1>I'm going to find him. I'm going to ask him

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<v Speaker 1>if he'll meet me. And if he won't meet me,

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<v Speaker 1>then he has to have the guts to tell me why.

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<v Speaker 1>And if it wasn't for her passing, I'm not so sure,

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<v Speaker 1>especially at that time in my life, eighteen, filled with

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<v Speaker 1>all the hormones and all of the angst, I'm not

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<v Speaker 1>so sure that I would have done it. But to

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<v Speaker 1>your point about making meaning, you know, the things that

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<v Speaker 1>the secrets that we hide I think hold, or the

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<v Speaker 1>secrets that are you know, a part of our lives,

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<v Speaker 1>have the power to lead us to that meaning, to

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<v Speaker 1>lead us to a better understanding of ourselves and truly

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<v Speaker 1>who we want to be.

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<v Speaker 3>We'll be right back. I was struck reading your book

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<v Speaker 3>at the idea that I just think is a universal

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<v Speaker 3>truth for all of us, that there are lives contain

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<v Speaker 3>multiple ruptures, right, they contain multiple before and after moments,

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<v Speaker 3>And you're describing one of them in your world, and

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<v Speaker 3>you're in your life and in the case of seeking

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<v Speaker 3>out and meeting your biological father, can you imagine a

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<v Speaker 3>parallel world in which you hadn't done that, and that

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<v Speaker 3>just would have continued to remain this question mark that

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<v Speaker 3>sort of walked alongside you, you know, in your life.

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<v Speaker 1>Moving forward now, I've never thought about that. That's a

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<v Speaker 1>great question, Danny. Probably not, because I really long to

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<v Speaker 1>at least have some understanding of the other half of

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<v Speaker 1>my DNA. You know, I just I wanted to know

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<v Speaker 1>certain things. I mean, of course I wanted to know why,

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<v Speaker 1>but more so, I think I wanted to know what

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<v Speaker 1>does he like, what's his humor like, what's his personality like,

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<v Speaker 1>what's he into? Is he tall, he's short, you know,

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<v Speaker 1>is he skinny? What does he look like? And that

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<v Speaker 1>was something that I just really wrestled with for so long.

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<v Speaker 1>Of course, underneath it, I wrestled with the abandonment, but

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<v Speaker 1>on top of it was just, you know, how do

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<v Speaker 1>I look so different from everybody else in my family?

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<v Speaker 1>And not everybody wants to know, but I did want

0:13:19.600 --> 0:13:23.079
<v Speaker 1>to know. And I remember when I met him, he said,

0:13:24.240 --> 0:13:26.199
<v Speaker 1>you know, we'd never seen each other, and I hadn't

0:13:26.200 --> 0:13:27.840
<v Speaker 1>even seen a picture of him. And I just got

0:13:27.840 --> 0:13:29.240
<v Speaker 1>out of the car and he got out of the house,

0:13:29.280 --> 0:13:31.839
<v Speaker 1>and we walked towards each other, and I put out

0:13:31.880 --> 0:13:34.319
<v Speaker 1>my hand and he put out his hand, and I said,

0:13:34.480 --> 0:13:36.760
<v Speaker 1>hi am Kristen, and he said hi, I am Crispin.

0:13:37.559 --> 0:13:41.400
<v Speaker 1>And we were mirror images of each other, and it

0:13:41.559 --> 0:13:45.840
<v Speaker 1>was like, wow, this it was so bright. I could

0:13:45.880 --> 0:13:48.160
<v Speaker 1>barely look at him. I spent most of the time

0:13:48.200 --> 0:13:49.080
<v Speaker 1>looking at the ground.

0:13:49.960 --> 0:13:54.439
<v Speaker 3>Yeah, I really, I really understand that you never thought

0:13:54.480 --> 0:13:57.280
<v Speaker 3>of him and have never thought of him as your dad.

0:13:57.720 --> 0:14:00.160
<v Speaker 3>He was your biological father, he was the person that

0:14:00.200 --> 0:14:04.840
<v Speaker 3>you come from, but the man who raised you and

0:14:04.960 --> 0:14:10.720
<v Speaker 3>who married your mother and who became your dad. So

0:14:10.920 --> 0:14:15.080
<v Speaker 3>much of your book is about the loss of him,

0:14:15.559 --> 0:14:17.960
<v Speaker 3>And you know, I think one of the reasons why

0:14:18.160 --> 0:14:20.640
<v Speaker 3>I chose Trent's episode to talk about with you is that,

0:14:21.400 --> 0:14:25.080
<v Speaker 3>in many ways, your book is about the shape of grief,

0:14:26.000 --> 0:14:29.440
<v Speaker 3>and grief has something that none of us can escape.

0:14:29.560 --> 0:14:31.720
<v Speaker 3>It's part of the human condition. I mean, the subtitle

0:14:31.760 --> 0:14:35.000
<v Speaker 3>of your book is Braving Loss, Grief and the big

0:14:35.080 --> 0:14:39.240
<v Speaker 3>messy emotions that happen when life falls apart, which is

0:14:39.800 --> 0:14:43.040
<v Speaker 3>just kind of everything. I mean, life just feels like

0:14:43.080 --> 0:14:46.640
<v Speaker 3>it's full of big, messy emotions and we're constantly, in

0:14:46.680 --> 0:14:49.400
<v Speaker 3>one way or another, trying to tamp them down or

0:14:49.440 --> 0:14:53.840
<v Speaker 3>find nice, tidy containers for them, and then a profound

0:14:53.880 --> 0:14:59.240
<v Speaker 3>loss comes along, and grief just does not allow for

0:14:59.680 --> 0:15:04.640
<v Speaker 3>any of those tidy containers for our big, messy selves.

0:15:04.880 --> 0:15:07.800
<v Speaker 3>And you know, and I was thinking about in Trent's episode,

0:15:08.720 --> 0:15:14.640
<v Speaker 3>I mean, just the incredible symbolism of his inheritance is

0:15:14.680 --> 0:15:19.080
<v Speaker 3>that his father leaves him his toolbox along with a

0:15:19.120 --> 0:15:22.600
<v Speaker 3>taxidermy duck that there's a story about that. I hope

0:15:22.600 --> 0:15:24.680
<v Speaker 3>people will go back and listen to the episode and

0:15:25.240 --> 0:15:29.600
<v Speaker 3>here why this taxi duck was Trent's inheritance. But his

0:15:30.000 --> 0:15:33.480
<v Speaker 3>father gives him this toolbox, and Trent drives all the

0:15:33.520 --> 0:15:37.360
<v Speaker 3>way from South Dakota back to the east end of

0:15:37.400 --> 0:15:42.280
<v Speaker 3>Long Island where he lives with his dog, Caper and

0:15:42.600 --> 0:15:47.160
<v Speaker 3>this toolbox, and he's in this kind of wild, complicated

0:15:47.240 --> 0:15:51.080
<v Speaker 3>grief because it was a complicated relationship and a really

0:15:51.120 --> 0:15:55.200
<v Speaker 3>difficult one. And when he gets back, it's not like

0:15:55.280 --> 0:15:58.360
<v Speaker 3>a stunt. It's not like something he decides to do

0:15:58.520 --> 0:16:01.240
<v Speaker 3>or something that he read about in a book somewhere.

0:16:01.320 --> 0:16:04.280
<v Speaker 3>He just thinks, what am I going to do with

0:16:04.280 --> 0:16:07.760
<v Speaker 3>this toolbox? And he thinks, I'm going to build a boat?

0:16:08.200 --> 0:16:11.080
<v Speaker 3>And he clears out all of his furniture, every last

0:16:11.080 --> 0:16:13.920
<v Speaker 3>stick of furniture in the home that he's living in,

0:16:15.000 --> 0:16:19.360
<v Speaker 3>so that he can build a canoe using his father's

0:16:19.360 --> 0:16:24.000
<v Speaker 3>toolbox and he'd never built anything before. I mean, he's

0:16:24.040 --> 0:16:27.760
<v Speaker 3>a CEO of a vineyard. This wasn't this wasn't part

0:16:27.760 --> 0:16:31.680
<v Speaker 3>of his skill set. And yet this becomes like the

0:16:31.800 --> 0:16:35.240
<v Speaker 3>shape of his grief. And you write in your book

0:16:35.280 --> 0:16:38.680
<v Speaker 3>about anticipating grief, which is its own thing that I'm

0:16:38.800 --> 0:16:41.880
<v Speaker 3>very interested in because I think I do that. I

0:16:41.960 --> 0:16:45.000
<v Speaker 3>pre grieve things as if you can actually pre grieve them,

0:16:45.000 --> 0:16:49.840
<v Speaker 3>and then somehow spare yourself grief later. All you're doing

0:16:49.920 --> 0:16:53.640
<v Speaker 3>is pre grieving and adding more grief to the grief sandwich.

0:16:54.200 --> 0:16:56.320
<v Speaker 3>But you know, in the case of Trent's loss of

0:16:56.360 --> 0:17:00.360
<v Speaker 3>his father, he hadn't really anticipated it. He hadn't been

0:17:00.440 --> 0:17:02.040
<v Speaker 3>in touch with his family. I hadn't been in touch

0:17:02.040 --> 0:17:04.919
<v Speaker 3>with his father, and it's almost like he doesn't know

0:17:05.840 --> 0:17:08.439
<v Speaker 3>how to grieve or where to put it. So it

0:17:08.480 --> 0:17:12.040
<v Speaker 3>takes on this physical manifestation of this project.

0:17:12.240 --> 0:17:13.879
<v Speaker 1>You know, I called my book I'm not a morning

0:17:13.920 --> 0:17:16.080
<v Speaker 1>person because I didn't want to be. It was the

0:17:16.080 --> 0:17:18.280
<v Speaker 1>one emotion I didn't want to go near. It was

0:17:18.920 --> 0:17:21.160
<v Speaker 1>so big I thought if I touched it, I would drown.

0:17:21.960 --> 0:17:25.320
<v Speaker 1>And that's how I started the process. And then, you know,

0:17:25.640 --> 0:17:28.600
<v Speaker 1>through a lot of my own healing, and therapy and

0:17:29.240 --> 0:17:31.480
<v Speaker 1>certainly an enormous amount of research. As I was writing

0:17:31.520 --> 0:17:36.240
<v Speaker 1>the book, I realized that we live in a grief phobic, messy,

0:17:36.480 --> 0:17:41.480
<v Speaker 1>emotions averse society. So a few of us know how

0:17:41.520 --> 0:17:46.760
<v Speaker 1>to handle storms of that magnitude, and so we oftentimes

0:17:47.880 --> 0:17:50.960
<v Speaker 1>bury the pain in different ways. You know. It's like

0:17:51.040 --> 0:17:54.240
<v Speaker 1>emotional physics. But what doesn't come out one way will

0:17:54.240 --> 0:17:58.320
<v Speaker 1>come out another way. And hopefully we can find ways

0:17:58.440 --> 0:18:02.119
<v Speaker 1>so that the emotion can come out healthy way. And

0:18:02.240 --> 0:18:05.480
<v Speaker 1>I think with all of these big feelings, many of

0:18:05.520 --> 0:18:08.400
<v Speaker 1>us want to amputate them, you know, because they are

0:18:08.440 --> 0:18:12.200
<v Speaker 1>so painful. But we can't amputate any of our emotions

0:18:12.200 --> 0:18:14.439
<v Speaker 1>and hope to be whole. And I think that's the

0:18:14.480 --> 0:18:18.399
<v Speaker 1>whole part of the human experience of saying, all of

0:18:18.440 --> 0:18:21.600
<v Speaker 1>these parts are of me, are welcome in each of

0:18:21.640 --> 0:18:25.280
<v Speaker 1>my emotions, server purpose, and ultimately at the core of them,

0:18:25.320 --> 0:18:29.080
<v Speaker 1>it's just information, and it's information that leads me back

0:18:29.119 --> 0:18:32.679
<v Speaker 1>to myself and a deeper layer of my own healing.

0:18:33.359 --> 0:18:36.439
<v Speaker 1>And for him, what I thought was so wonderful was,

0:18:37.080 --> 0:18:39.760
<v Speaker 1>you know, like I said about emotional physics, what doesn't

0:18:39.760 --> 0:18:41.479
<v Speaker 1>come out one way will come out another way. If

0:18:41.520 --> 0:18:46.080
<v Speaker 1>you come out through drinking, shopping, gambling, you name it,

0:18:46.119 --> 0:18:48.800
<v Speaker 1>all of the things that you can think to put

0:18:48.840 --> 0:18:52.119
<v Speaker 1>on the wound to temporarily numb it. But it also

0:18:52.280 --> 0:18:54.960
<v Speaker 1>can come out in a really healthy way through the

0:18:55.000 --> 0:19:00.120
<v Speaker 1>creative process. And that building of the canoe for me

0:19:00.240 --> 0:19:02.399
<v Speaker 1>is like, I know what it was for me writing

0:19:02.480 --> 0:19:07.040
<v Speaker 1>the book. I imagine you would probably agree with me there

0:19:07.119 --> 0:19:12.320
<v Speaker 1>that the creative process just the act of getting the hammer,

0:19:12.440 --> 0:19:16.520
<v Speaker 1>getting the nails, getting the woods, you know, having the meltdowns,

0:19:16.880 --> 0:19:20.399
<v Speaker 1>being with his dad's tools and trying to build something

0:19:20.440 --> 0:19:23.760
<v Speaker 1>that he had never done before, with the tools that

0:19:23.840 --> 0:19:26.520
<v Speaker 1>still embody the energy of a man that he really

0:19:26.560 --> 0:19:29.479
<v Speaker 1>truly didn't know, but perhaps was getting to know in

0:19:29.520 --> 0:19:34.840
<v Speaker 1>a deeper, more meaningful way in some way, shape or form.

0:19:35.359 --> 0:19:38.080
<v Speaker 1>I mean, that's what the creative process can do for us,

0:19:38.119 --> 0:19:41.680
<v Speaker 1>and I feel like it's a very very smart thing

0:19:41.880 --> 0:19:45.040
<v Speaker 1>to turn to when we're grieving and we don't even

0:19:45.080 --> 0:19:48.120
<v Speaker 1>know how to touch that feeling. It's like you can

0:19:48.240 --> 0:19:52.520
<v Speaker 1>faw into the feeling through the creative process. Yeah.

0:19:52.560 --> 0:19:54.960
<v Speaker 3>I love that, And you know, it brings to mind

0:19:55.000 --> 0:19:59.040
<v Speaker 3>one of my favorite lines in Trent's book and in

0:19:59.080 --> 0:20:01.880
<v Speaker 3>his story, which is that a woodworker says to him

0:20:01.920 --> 0:20:05.960
<v Speaker 3>as he's struggling to build this kind of monster of

0:20:06.000 --> 0:20:09.560
<v Speaker 3>a canoe. You know, he smashes it. He has this

0:20:09.640 --> 0:20:12.280
<v Speaker 3>relationship with it. It's like a you know, it's like

0:20:12.320 --> 0:20:14.600
<v Speaker 3>a it's like a golum or something. It's like something

0:20:14.600 --> 0:20:17.560
<v Speaker 3>that he's like, just like it ogre in his in

0:20:17.640 --> 0:20:21.160
<v Speaker 3>his it's taken over his life. And this woodworker says

0:20:21.160 --> 0:20:25.000
<v Speaker 3>to him, don't find the grain, follow it. And that

0:20:25.160 --> 0:20:27.480
<v Speaker 3>strikes me as so much what the what the creative

0:20:27.520 --> 0:20:30.879
<v Speaker 3>process is and what the morning process is. You know,

0:20:30.920 --> 0:20:33.920
<v Speaker 3>it's not something that can be forster that's going to

0:20:34.000 --> 0:20:36.760
<v Speaker 3>kind of adhere to a certain kind of schedule, which

0:20:36.800 --> 0:20:40.879
<v Speaker 3>I think can sometimes make people feel really angry with themselves.

0:20:41.400 --> 0:20:43.679
<v Speaker 3>I mean, it breaks my heart to look at like

0:20:44.920 --> 0:20:47.640
<v Speaker 3>my journals from the year that my dad died when

0:20:47.680 --> 0:20:51.119
<v Speaker 3>I was twenty three, and you know, I have lines

0:20:51.160 --> 0:20:53.480
<v Speaker 3>in there like, you know, it's been six months. I

0:20:53.480 --> 0:20:56.439
<v Speaker 3>should be over it by now, And I just think, oh, honey,

0:20:56.560 --> 0:21:01.080
<v Speaker 3>you're this young woman who's lost your beloved father. It's

0:21:01.080 --> 0:21:03.040
<v Speaker 3>not going to work that way. Give yourself up some rope,

0:21:03.080 --> 0:21:05.680
<v Speaker 3>give yourself a break. But so often we don't, and

0:21:05.960 --> 0:21:07.840
<v Speaker 3>it goes back to what you were saying about our

0:21:08.240 --> 0:21:13.040
<v Speaker 3>being in a sort of grief phobic society. And there's

0:21:13.080 --> 0:21:14.639
<v Speaker 3>a part of your book that I was so happy

0:21:14.680 --> 0:21:16.520
<v Speaker 3>that you included and that I would love for you

0:21:16.560 --> 0:21:19.600
<v Speaker 3>to talk a little bit about, which is the things

0:21:19.600 --> 0:21:22.600
<v Speaker 3>that people say. The things that people say. I mean,

0:21:22.640 --> 0:21:26.920
<v Speaker 3>I found this several years ago when my husband Michael

0:21:27.200 --> 0:21:30.160
<v Speaker 3>was ill with cancer, and the things that people would

0:21:30.200 --> 0:21:32.800
<v Speaker 3>say were just that, they said the damnedest things, and

0:21:32.840 --> 0:21:38.520
<v Speaker 3>they said them with perfectly decent intentions, but they would

0:21:38.600 --> 0:21:43.879
<v Speaker 3>sometimes be so sort of really not what I needed

0:21:43.920 --> 0:21:46.520
<v Speaker 3>to hear. And you have a section of your book

0:21:46.520 --> 0:21:49.560
<v Speaker 3>where you talk about that, and also with yourself as

0:21:50.520 --> 0:21:54.400
<v Speaker 3>someone who has been living with cancer for two decades.

0:21:55.160 --> 0:22:00.800
<v Speaker 1>Yeah, I call this awkward times awkward people. And you know,

0:22:00.840 --> 0:22:03.760
<v Speaker 1>I'll start by saying that we all mess up. And

0:22:04.240 --> 0:22:06.000
<v Speaker 1>if we go back to the idea that we don't

0:22:06.000 --> 0:22:08.919
<v Speaker 1>know what we're doing with the tough stuff, then of course,

0:22:08.960 --> 0:22:11.800
<v Speaker 1>when we don't know what we're doing, what do we do?

0:22:11.960 --> 0:22:14.639
<v Speaker 1>We become anxious, And when we're anxious, we put words

0:22:14.680 --> 0:22:18.960
<v Speaker 1>together that probably should never go together. And so I

0:22:19.080 --> 0:22:21.639
<v Speaker 1>try to come from this place that we're all good intentions.

0:22:22.160 --> 0:22:25.639
<v Speaker 1>We just make mistakes, and so it's the stuff like

0:22:26.359 --> 0:22:29.760
<v Speaker 1>you'll have another baby, you're young, it's only a dog.

0:22:29.800 --> 0:22:32.720
<v Speaker 1>Why are you so sad? Aren't you over it by now?

0:22:32.800 --> 0:22:36.399
<v Speaker 1>It's been a month, six months, a year, ten years, whatever.

0:22:36.560 --> 0:22:39.800
<v Speaker 1>To your point, there is no over, there's through, there's forward.

0:22:41.320 --> 0:22:44.200
<v Speaker 1>It's just like love never doesn't die, love doesn't go away,

0:22:44.280 --> 0:22:46.560
<v Speaker 1>grief doesn't go away. But we live in this very

0:22:46.640 --> 0:22:50.920
<v Speaker 1>black and white society where there's winners and there's losers,

0:22:51.000 --> 0:22:53.160
<v Speaker 1>and it's so hard for us to live in the gray.

0:22:54.160 --> 0:22:57.080
<v Speaker 1>It goes against our grain because we want that hot,

0:22:57.200 --> 0:22:59.960
<v Speaker 1>happy Hollywood ending. We want that bow on top of

0:23:00.320 --> 0:23:04.280
<v Speaker 1>the story. But that's not realistic, and I think it

0:23:04.359 --> 0:23:08.800
<v Speaker 1>does our humanity of grave injustice. How can we learn

0:23:08.880 --> 0:23:11.800
<v Speaker 1>to hold all of it? How can we learn to

0:23:11.880 --> 0:23:15.720
<v Speaker 1>hold the both? And you're successful and unsuccessful. For me,

0:23:15.840 --> 0:23:19.840
<v Speaker 1>I have dozens of tumors in my body. I've been

0:23:19.840 --> 0:23:23.640
<v Speaker 1>living with stage four cancer for twenty years, and I'm healthy.

0:23:25.560 --> 0:23:30.080
<v Speaker 1>And I feel like part of this process of coming

0:23:30.119 --> 0:23:33.240
<v Speaker 1>back to ourselves and meaning coming home to ourselves and

0:23:33.280 --> 0:23:37.160
<v Speaker 1>allowing the parts of ourselves like grief, to exist as well,

0:23:38.320 --> 0:23:40.480
<v Speaker 1>is how we start to live in that gray and

0:23:40.600 --> 0:23:46.240
<v Speaker 1>live really full. Magnificent lives in that place. So it's

0:23:46.440 --> 0:23:48.840
<v Speaker 1>been a very interesting journey for me to go on

0:23:49.040 --> 0:23:54.080
<v Speaker 1>first and foremost, but then to navigate that idea that

0:23:54.119 --> 0:23:56.040
<v Speaker 1>we're going to do it wrong, We're going to get

0:23:56.080 --> 0:23:58.720
<v Speaker 1>it wrong, we're going to say it wrong. But can

0:23:58.760 --> 0:24:03.080
<v Speaker 1>we show up differently time? Right? You can't say anything,

0:24:03.280 --> 0:24:05.119
<v Speaker 1>and it's not your job to fix it. And I

0:24:05.119 --> 0:24:07.480
<v Speaker 1>think that we put a lot of pressure on ourselves

0:24:07.560 --> 0:24:10.600
<v Speaker 1>to fix things for other people. I think the best

0:24:10.600 --> 0:24:13.679
<v Speaker 1>thing that we can do is just listen and be

0:24:13.800 --> 0:24:16.720
<v Speaker 1>fully present and just keep showing up, even saying I

0:24:16.720 --> 0:24:18.159
<v Speaker 1>don't know what to say, but I'm here and I

0:24:18.200 --> 0:24:19.960
<v Speaker 1>love you so true.

0:24:20.560 --> 0:24:23.800
<v Speaker 3>And we all live in the gray, whether or not

0:24:24.640 --> 0:24:29.520
<v Speaker 3>we are admitting to ourselves that we do, We're all

0:24:29.560 --> 0:24:33.480
<v Speaker 3>always in that gray area. Trens in his memoir is

0:24:33.720 --> 0:24:39.080
<v Speaker 3>titled little and Often, which refers to the way that

0:24:39.160 --> 0:24:43.080
<v Speaker 3>ultimately he learned how to build a canoe and actually

0:24:43.080 --> 0:24:47.679
<v Speaker 3>becomes a master builder of the most beautiful canoes in

0:24:47.720 --> 0:24:53.240
<v Speaker 3>the world. Little and Often also seems like the way

0:24:53.280 --> 0:24:58.440
<v Speaker 3>that healing happens. It doesn't happen in a great sweep

0:24:58.560 --> 0:25:03.720
<v Speaker 3>of drama, you know, violins playing and everything being illuminated.

0:25:04.640 --> 0:25:09.200
<v Speaker 3>Healing happens bit by bit, and it's also never done.

0:25:09.720 --> 0:25:12.479
<v Speaker 1>Yeah, And I think that's the part that gets people

0:25:12.640 --> 0:25:18.359
<v Speaker 1>frustrated because it does take that patience. And there's a

0:25:18.400 --> 0:25:24.080
<v Speaker 1>difference between healing and curing, and curing takes place in

0:25:24.119 --> 0:25:27.520
<v Speaker 1>the body and it may or may not happen, but

0:25:27.680 --> 0:25:30.480
<v Speaker 1>healing takes place in the heart. And that's possible for

0:25:30.560 --> 0:25:34.480
<v Speaker 1>all of us, even up into the moment of our death,

0:25:34.880 --> 0:25:38.560
<v Speaker 1>you know, and just being willing to say I'm up

0:25:38.560 --> 0:25:41.480
<v Speaker 1>for this journey and I'm going to give myself the

0:25:41.520 --> 0:25:46.320
<v Speaker 1>space to actually truly walk it. Like you said, I mean,

0:25:47.000 --> 0:25:50.960
<v Speaker 1>it's in the little moments. And I remember this one

0:25:51.040 --> 0:25:55.920
<v Speaker 1>thing that my dad's surgeon said, and he was going

0:25:55.960 --> 0:25:58.760
<v Speaker 1>through a very rough time at this point, and you know,

0:25:59.080 --> 0:26:00.800
<v Speaker 1>we said we'll take it week day at a time,

0:26:00.920 --> 0:26:03.760
<v Speaker 1>and he corrected us, he said, you know what, just

0:26:03.800 --> 0:26:06.359
<v Speaker 1>take it one step at a time. Don't even try

0:26:06.440 --> 0:26:08.480
<v Speaker 1>to go for one full day at a time. And

0:26:08.520 --> 0:26:11.720
<v Speaker 1>I thought, Wow, wouldn't it be great if we all

0:26:11.760 --> 0:26:15.360
<v Speaker 1>just lowered the bar so that we could just take

0:26:15.400 --> 0:26:18.600
<v Speaker 1>one little bite and chew it thoroughly and say that's

0:26:18.720 --> 0:26:19.520
<v Speaker 1>enough for today.

0:26:20.400 --> 0:26:24.040
<v Speaker 3>That's just beautiful and wise, just as you are.

0:26:24.680 --> 0:26:24.920
<v Speaker 1>Chris.

0:26:24.960 --> 0:26:27.080
<v Speaker 3>I want to thank you so much for joining me

0:26:27.160 --> 0:26:30.119
<v Speaker 3>today to talk about real important things.

0:26:31.000 --> 0:26:33.199
<v Speaker 1>Thanks for having me. I always love hearttending with you.

0:26:51.280 --> 0:26:55.560
<v Speaker 3>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:26:55.600 --> 0:26:57.639
<v Speaker 3>or wherever you listen to your favorite shows.