WEBVTT - Pique w/ Chad Lowe

0:00:00.160 --> 0:00:04.000
<v Speaker 1>Of the law and order franchises, SVU is considered especially watchable.

0:00:04.200 --> 0:00:06.800
<v Speaker 2>We are the amateur detectives who kind of investigate the

0:00:06.840 --> 0:00:08.840
<v Speaker 2>vicious felonies. These episodes are based on.

0:00:09.119 --> 0:00:22.640
<v Speaker 3>These are our stories, Done Done.

0:00:27.800 --> 0:00:31.760
<v Speaker 1>Welcome to That's Messed Up n SVU podcast. I am

0:00:31.840 --> 0:00:34.400
<v Speaker 1>Cara Klank and I'm Liza Traeger.

0:00:34.440 --> 0:00:37.040
<v Speaker 2>Every week we talk about an episode of SVU, the

0:00:37.080 --> 0:00:38.919
<v Speaker 2>true crime it's based on. And then we have an

0:00:38.960 --> 0:00:41.879
<v Speaker 2>incredible guest from every episode.

0:00:42.080 --> 0:00:43.720
<v Speaker 1>And now we chat.

0:00:44.000 --> 0:00:46.320
<v Speaker 2>We get to hang out like we didn't just FaceTime

0:00:46.440 --> 0:00:48.680
<v Speaker 2>right before we on.

0:00:48.760 --> 0:00:52.360
<v Speaker 1>The Zoom on the Zoom City. We went from FaceTime

0:00:52.400 --> 0:00:55.360
<v Speaker 1>to Zoom immediately. Yeah, and then not.

0:00:55.400 --> 0:00:57.600
<v Speaker 2>To brag, we are going to a pool today, but

0:00:57.680 --> 0:00:59.600
<v Speaker 2>we deserve it. It's like one hundred degrees. I have

0:00:59.680 --> 0:01:02.600
<v Speaker 2>no air conditioning. I'm sweating in my little box. It's

0:01:02.640 --> 0:01:05.080
<v Speaker 2>so messy. I thank god. Our friends are bringing me

0:01:05.120 --> 0:01:05.959
<v Speaker 2>a dresser today.

0:01:06.200 --> 0:01:08.360
<v Speaker 1>Oh my god. So many things are happening for you today,

0:01:08.360 --> 0:01:10.680
<v Speaker 1>address or a pool exciting.

0:01:10.760 --> 0:01:14.040
<v Speaker 2>Yeah, and bleeding from my pussy again yet again. Surprise

0:01:15.160 --> 0:01:15.720
<v Speaker 2>never ends.

0:01:16.120 --> 0:01:19.040
<v Speaker 1>Has it been a month? Has it it flies? Time flies?

0:01:21.160 --> 0:01:21.319
<v Speaker 4>Well?

0:01:21.360 --> 0:01:24.080
<v Speaker 2>I was watching TV. I was in a hotel watching

0:01:24.080 --> 0:01:27.880
<v Speaker 2>my SVU, living my best life in freezing air conditioning.

0:01:28.240 --> 0:01:30.400
<v Speaker 2>And what do I see on my television? Iced tea

0:01:30.440 --> 0:01:31.720
<v Speaker 2>in a Little Caesar's commercial.

0:01:32.000 --> 0:01:32.840
<v Speaker 1>I haven't seen that.

0:01:33.360 --> 0:01:35.479
<v Speaker 2>It was awesome. There were some other celebrities in there.

0:01:35.560 --> 0:01:37.760
<v Speaker 2>I didn't really pay attention. I was like on cloud

0:01:37.840 --> 0:01:41.520
<v Speaker 2>nine seeing Ice. You know he he needs to keep working,

0:01:41.600 --> 0:01:43.520
<v Speaker 2>like take a day off, bro, you need But maybe

0:01:43.560 --> 0:01:44.600
<v Speaker 2>he loves Little Caesar's.

0:01:44.640 --> 0:01:47.800
<v Speaker 1>But it was for the stuffed cheese crust pizza. And

0:01:48.840 --> 0:01:51.240
<v Speaker 1>I would dabble, would I would be you know what

0:01:51.320 --> 0:01:53.000
<v Speaker 1>I'm gonna tall. You's being crazy right now. I've never

0:01:53.040 --> 0:01:55.640
<v Speaker 1>had Little Caesar's pizza. Oh did you got Oh you

0:01:55.640 --> 0:01:56.920
<v Speaker 1>were rich? Maybe? No?

0:01:56.920 --> 0:01:57.080
<v Speaker 4>No.

0:01:57.240 --> 0:01:59.080
<v Speaker 1>I grew up in an area where I always saw

0:01:59.080 --> 0:02:01.080
<v Speaker 1>the commercial. I grew up my whole life pizza pizza,

0:02:01.200 --> 0:02:03.920
<v Speaker 1>Like I remember always hearing the commercial. I never saw

0:02:03.960 --> 0:02:06.200
<v Speaker 1>one physically. It was like same thing with Sonic. I

0:02:06.200 --> 0:02:08.480
<v Speaker 1>would see commercials, but they were like in New Jersey,

0:02:08.919 --> 0:02:09.720
<v Speaker 1>not in Connecticut.

0:02:09.919 --> 0:02:13.080
<v Speaker 2>I relate to the Sonic. I never was near a Sonic.

0:02:13.120 --> 0:02:16.400
<v Speaker 2>I've had it twice now though. But Little Caesar's and

0:02:16.720 --> 0:02:21.280
<v Speaker 2>where I grew up right near the Blockbuster and five dollars,

0:02:21.520 --> 0:02:23.840
<v Speaker 2>so it would be like you grab a five dollars

0:02:23.840 --> 0:02:27.720
<v Speaker 2>and then well, we're we have problems. But my friend

0:02:27.720 --> 0:02:29.320
<v Speaker 2>and I we would each get our own five dollar

0:02:29.360 --> 0:02:31.519
<v Speaker 2>pizza and then go to the beach and then eat

0:02:31.560 --> 0:02:35.560
<v Speaker 2>our own pizza next to each other. And we weren't

0:02:35.560 --> 0:02:38.240
<v Speaker 2>even smoking weed at the time. We were not drunk.

0:02:38.360 --> 0:02:40.960
<v Speaker 2>We were just two girls who loved just.

0:02:40.960 --> 0:02:45.440
<v Speaker 1>A coming of age story about pizza and friendship. Yeah.

0:02:45.480 --> 0:02:47.560
<v Speaker 2>Well, you know, our friend CJ loves pizza. It's like

0:02:47.600 --> 0:02:51.200
<v Speaker 2>one of his personality trades. He's literally pizza.

0:02:51.520 --> 0:02:53.840
<v Speaker 1>I went to see the NBA Finals with CJ a

0:02:53.880 --> 0:02:56.840
<v Speaker 1>couple nights ago, and a Pizza Hut commercial came on,

0:02:56.880 --> 0:02:58.440
<v Speaker 1>and like three of his friends turn term and they go,

0:02:58.480 --> 0:03:01.119
<v Speaker 1>CJ Pizza Hut. Like just the commercial for Pizza Hut

0:03:01.120 --> 0:03:01.640
<v Speaker 1>came on.

0:03:02.480 --> 0:03:05.120
<v Speaker 2>No, don't you get to like I get message I

0:03:05.160 --> 0:03:09.120
<v Speaker 2>mean we get messaged SVU stuff every day, I would say,

0:03:10.120 --> 0:03:12.920
<v Speaker 2>but on my own time, I do get like Simpsons

0:03:13.080 --> 0:03:15.280
<v Speaker 2>My oh my god, Miley Cyrus has a new shirt.

0:03:16.120 --> 0:03:22.000
<v Speaker 2>It says Miley Cyrus made me realize I'm gay.

0:03:22.320 --> 0:03:24.880
<v Speaker 1>I feel like that's my Like I could sue her.

0:03:24.919 --> 0:03:28.160
<v Speaker 1>I've said that. Yeah, you know. Yes, I was gonna

0:03:28.520 --> 0:03:33.440
<v Speaker 1>there's a trigger line of merchant Miley Cyrus Inc. That's wild.

0:03:34.040 --> 0:03:36.000
<v Speaker 1>Wait but what were we talking? Oh, when you know

0:03:36.040 --> 0:03:37.000
<v Speaker 1>about stuff pizza.

0:03:37.280 --> 0:03:40.280
<v Speaker 2>Yeah, So for his birthday one year, me and this

0:03:40.360 --> 0:03:44.560
<v Speaker 2>girl we got him a pizza cake and with strawberry

0:03:44.600 --> 0:03:47.680
<v Speaker 2>shortcake and the pepperonis were fruit roll ups and the

0:03:47.760 --> 0:03:51.640
<v Speaker 2>cheese was like shredded white chocolate and like it was

0:03:51.760 --> 0:03:54.440
<v Speaker 2>a delicious, beautiful cake. But then everyone just wanted pizza.

0:03:54.480 --> 0:03:58.520
<v Speaker 2>And everyone's like, oh, like when something looks like something

0:03:58.520 --> 0:03:59.960
<v Speaker 2>else in a cake, you have to make sure it's

0:04:00.200 --> 0:04:03.880
<v Speaker 2>also a delicious treat, right that drunk people would want

0:04:03.880 --> 0:04:04.760
<v Speaker 2>in the middle of the night.

0:04:05.480 --> 0:04:07.320
<v Speaker 1>Yes, Like when they were doing that thing of like

0:04:07.400 --> 0:04:09.640
<v Speaker 1>cutting cakes and like they really it's like really a

0:04:09.720 --> 0:04:11.960
<v Speaker 1>hand or whatever. They would be like a soda can

0:04:12.000 --> 0:04:14.120
<v Speaker 1>and I'd be like, I want to coke now, Yeah,

0:04:14.160 --> 0:04:15.720
<v Speaker 1>you know, like a soda cancake.

0:04:15.920 --> 0:04:19.159
<v Speaker 2>I just can't believe. Yeah, the Bigfoot Pizza, they had

0:04:19.200 --> 0:04:22.440
<v Speaker 2>great marketing. I mean, let's try it. I wasn't ever

0:04:22.520 --> 0:04:25.560
<v Speaker 2>pizza hut. I never had a pizza hut until like adulthood.

0:04:25.880 --> 0:04:29.360
<v Speaker 1>I had pizza hut only growing Like my life really

0:04:29.520 --> 0:04:31.800
<v Speaker 1>pizza Hut for me was personal pants at the airport.

0:04:32.360 --> 0:04:33.880
<v Speaker 1>That was like the only time I really did it.

0:04:34.680 --> 0:04:38.080
<v Speaker 1>But I'm excited to try Little Caesar's Iced Tea approved

0:04:38.120 --> 0:04:40.640
<v Speaker 1>stuff crushed with you. I'd be delighted to try it.

0:04:40.680 --> 0:04:44.320
<v Speaker 1>There's one. There's one literally basically between our houses. There's

0:04:44.360 --> 0:04:45.960
<v Speaker 1>a Little Caesars. So I don't know why we're not.

0:04:46.080 --> 0:04:48.880
<v Speaker 2>The neighbor gets it constantly. I see her with a

0:04:48.960 --> 0:04:50.320
<v Speaker 2>box all the time as they.

0:04:50.320 --> 0:04:53.640
<v Speaker 1>Wave hot and ready, as Marcella Arguello says, hot and

0:04:53.680 --> 0:04:57.839
<v Speaker 1>readies for the people. I was gonna say, speaking of

0:04:58.040 --> 0:05:00.920
<v Speaker 1>Iced Tea, our girl, because you know that our instagram

0:05:01.040 --> 0:05:04.279
<v Speaker 1>is also a baby Nicole, a baby Chanel Nicole stand

0:05:04.320 --> 0:05:08.200
<v Speaker 1>account and ic Ty's daughter. Chanelle is having a moment

0:05:08.240 --> 0:05:10.840
<v Speaker 1>where people are like suddenly waking up and realizing that

0:05:10.880 --> 0:05:14.200
<v Speaker 1>she has Iced Tea's exact face, which we've obviously known forever.

0:05:14.640 --> 0:05:17.920
<v Speaker 1>But everyone's like, no DNA test needed. It's like, yeah, no,

0:05:18.080 --> 0:05:20.920
<v Speaker 1>have you guys, she's like six years old. Everyone's behind

0:05:20.920 --> 0:05:23.080
<v Speaker 1>on this. She's always looked exactly like Iced Tea.

0:05:23.600 --> 0:05:26.080
<v Speaker 2>Well yeah, it's kind of like the maloney ass, like yeah, no,

0:05:26.200 --> 0:05:30.799
<v Speaker 2>we've been knowing, Yeah, but also, yeah, they're in love.

0:05:31.200 --> 0:05:33.200
<v Speaker 2>That is the dad and that is the mom. I mean,

0:05:33.560 --> 0:05:36.240
<v Speaker 2>I don't think, you know, like he's not having babies

0:05:36.279 --> 0:05:39.080
<v Speaker 2>out of what she's not like this right?

0:05:39.320 --> 0:05:42.000
<v Speaker 1>They're together? No, And like they're really cute. I heard

0:05:42.080 --> 0:05:44.640
<v Speaker 1>Chanelle and Coco were cute. They do like I'm not

0:05:44.680 --> 0:05:47.520
<v Speaker 1>even four, like matchy matchy outfits with mom and daughter.

0:05:47.560 --> 0:05:49.080
<v Speaker 1>But when they do it, for some reason, it's like

0:05:49.160 --> 0:05:49.719
<v Speaker 1>cute to me.

0:05:49.960 --> 0:05:52.760
<v Speaker 2>Like I actually saw a mom and daughter wearing matching

0:05:52.839 --> 0:05:54.960
<v Speaker 2>mustard yellow dresses on the street this week, and I

0:05:55.000 --> 0:05:56.200
<v Speaker 2>did give him a compliment.

0:05:58.080 --> 0:06:00.479
<v Speaker 1>What'd you say? I said, you guys look as hell.

0:06:00.640 --> 0:06:01.280
<v Speaker 1>I didn't say hell.

0:06:01.400 --> 0:06:03.320
<v Speaker 2>She was like a child, but I said, you guys

0:06:03.360 --> 0:06:04.279
<v Speaker 2>look really cute.

0:06:04.560 --> 0:06:06.440
<v Speaker 1>You can say hell in front of my kid. I said,

0:06:06.480 --> 0:06:08.200
<v Speaker 1>what the fuck? There was a Prius in front of

0:06:08.240 --> 0:06:10.200
<v Speaker 1>me swerving this morning, and I go, what the fuck?

0:06:10.240 --> 0:06:12.120
<v Speaker 1>And Rosie goes, what the fuck? And I was like,

0:06:13.279 --> 0:06:15.920
<v Speaker 1>don't say that. Like I don't even try to discipline

0:06:16.040 --> 0:06:17.280
<v Speaker 1>language because.

0:06:17.480 --> 0:06:19.919
<v Speaker 2>It's like what I talk about with TVs anything when nanny,

0:06:20.000 --> 0:06:22.000
<v Speaker 2>like if you make it a big deal, they're gonna

0:06:22.000 --> 0:06:24.520
<v Speaker 2>want to say it. Yeah, Like because I remember with

0:06:24.560 --> 0:06:27.200
<v Speaker 2>my friend who's an amazing parent. We were listening to

0:06:27.240 --> 0:06:29.320
<v Speaker 2>a song and like, like one of the other parents

0:06:29.320 --> 0:06:31.360
<v Speaker 2>at the party said something, and she goes, I don't care,

0:06:31.640 --> 0:06:33.760
<v Speaker 2>go fuck yourself. If we make a deal of it,

0:06:34.160 --> 0:06:36.240
<v Speaker 2>then they'll get excited. But if you don't care, why

0:06:36.240 --> 0:06:36.800
<v Speaker 2>would they care.

0:06:37.000 --> 0:06:39.480
<v Speaker 1>I'm just gonna be so lax about language. I can't

0:06:39.520 --> 0:06:41.760
<v Speaker 1>even I guess I'm gonna have to have a conversation

0:06:41.839 --> 0:06:43.360
<v Speaker 1>at some point of like, you can say that at home,

0:06:43.400 --> 0:06:44.919
<v Speaker 1>but you can't say it at school. I don't know.

0:06:45.320 --> 0:06:47.760
<v Speaker 2>Well no, but also, what's fun? What's more cute than

0:06:47.800 --> 0:06:49.040
<v Speaker 2>a kid saying fuck? Oh?

0:06:49.120 --> 0:06:52.200
<v Speaker 1>It's so cute. She says it with such gusto, She's like,

0:06:52.279 --> 0:06:53.960
<v Speaker 1>what the fuck? Like it's great.

0:06:54.320 --> 0:06:57.600
<v Speaker 2>Yeah, I don't believe in uh sense censorship.

0:07:01.320 --> 0:07:04.440
<v Speaker 1>There's also you told me that there is a dick

0:07:04.520 --> 0:07:05.640
<v Speaker 1>Wolf movie coming out.

0:07:06.120 --> 0:07:07.599
<v Speaker 2>Well yeah, but I did I want ASO wanted to

0:07:07.600 --> 0:07:08.960
<v Speaker 2>say that. I don't know if we watched this. I

0:07:08.960 --> 0:07:10.960
<v Speaker 2>don't know where anything is anymore, but I see in

0:07:10.960 --> 0:07:14.360
<v Speaker 2>an interview said that like he is really scared for

0:07:14.440 --> 0:07:17.760
<v Speaker 2>Coco because she's going to really miss Chanel when she

0:07:17.800 --> 0:07:20.800
<v Speaker 2>goes to school. Okay, like they spend a lot of

0:07:20.840 --> 0:07:24.080
<v Speaker 2>time together. He's like they're really best friends, and she's

0:07:24.160 --> 0:07:26.600
<v Speaker 2>really not excited for her to start school.

0:07:26.800 --> 0:07:28.520
<v Speaker 1>But you know what, that's going to be a time

0:07:28.560 --> 0:07:31.080
<v Speaker 1>for Coco to like take off. Coco's going to like

0:07:31.080 --> 0:07:33.400
<v Speaker 1>come up with some product she's going to start selling,

0:07:33.520 --> 0:07:35.240
<v Speaker 1>or she's going to like have her own business. Like

0:07:35.320 --> 0:07:37.000
<v Speaker 1>I'm not worried about Coco. I mean that will be

0:07:37.040 --> 0:07:38.920
<v Speaker 1>like emotional, but I bet you it'll be like a

0:07:38.960 --> 0:07:41.680
<v Speaker 1>time where she kind of steps into her own power

0:07:42.080 --> 0:07:44.440
<v Speaker 1>and she put out a workout DVD. I would pay

0:07:44.440 --> 0:07:48.240
<v Speaker 1>attention to launch a swimwear line for like lady girls

0:07:48.240 --> 0:07:49.640
<v Speaker 1>with big tits. I love that.

0:07:49.960 --> 0:07:54.560
<v Speaker 2>Hello, Yeah, I saw wildly a preview. I don't know

0:07:54.600 --> 0:07:57.240
<v Speaker 2>how it came to me, probably the algorithm. But there's

0:07:57.280 --> 0:08:01.600
<v Speaker 2>a Dick Wolf Ridley Scott Court movie coming out with

0:08:01.680 --> 0:08:03.640
<v Speaker 2>the guy from Star Wars. I know there's a lot

0:08:03.640 --> 0:08:05.560
<v Speaker 2>of Star Wars and a lot of guys.

0:08:05.200 --> 0:08:08.360
<v Speaker 1>But John Boyega, Yeah, the cute guy. That's like he

0:08:08.480 --> 0:08:10.800
<v Speaker 1>was like the young new star too, like one of

0:08:10.800 --> 0:08:14.360
<v Speaker 1>the last couple of Star Wars. I'm like Star Wars illiterate,

0:08:14.440 --> 0:08:15.960
<v Speaker 1>So you know what I'm talking about.

0:08:16.280 --> 0:08:18.400
<v Speaker 2>Well, we figured it out together. But it looked great

0:08:18.400 --> 0:08:20.320
<v Speaker 2>and I think we'll probably see it opening night, and

0:08:20.400 --> 0:08:23.160
<v Speaker 2>if if we get rich by the time it comes out,

0:08:23.600 --> 0:08:27.320
<v Speaker 2>we'll rent a whole theater. I love when I see

0:08:27.320 --> 0:08:29.760
<v Speaker 2>that on Twitter. I know it's usually for poor people, Like, Hey,

0:08:29.800 --> 0:08:31.880
<v Speaker 2>if you're in this community, I bought this theater out.

0:08:32.120 --> 0:08:34.160
<v Speaker 2>We're just gonna be like, if you're an SVU freak,

0:08:34.480 --> 0:08:36.679
<v Speaker 2>even if you can afford it, you can get.

0:08:36.480 --> 0:08:41.719
<v Speaker 1>On down here. Yeah, so stay tuned for that. All right,

0:08:41.800 --> 0:08:44.720
<v Speaker 1>let's get going. I'm really excited about today's episode.

0:08:44.800 --> 0:08:51.960
<v Speaker 2>Oh yeah, all right, let's do it. So we're going

0:08:52.000 --> 0:08:54.439
<v Speaker 2>all the way back and we're starting with season two,

0:08:54.679 --> 0:08:58.439
<v Speaker 2>episode twenty peak. I would say one of our most requested,

0:08:59.040 --> 0:09:03.400
<v Speaker 2>not as much as Murderous Identical Twins, but very close

0:09:03.480 --> 0:09:03.800
<v Speaker 2>up there.

0:09:03.880 --> 0:09:06.520
<v Speaker 1>Yes, No, people have definitely asked for this baby a lot,

0:09:06.760 --> 0:09:10.040
<v Speaker 1>and I understand it. It is a very good episode

0:09:10.240 --> 0:09:14.640
<v Speaker 1>and star studded. It opens on Melinda Warner and saying

0:09:14.840 --> 0:09:18.200
<v Speaker 1>tag and bag, so I love some poetry next to

0:09:18.200 --> 0:09:21.360
<v Speaker 1>a dead body. This body is found on the water

0:09:21.440 --> 0:09:23.880
<v Speaker 1>with a beautiful view of the city behind her, and

0:09:24.160 --> 0:09:26.520
<v Speaker 1>they're showing us the city and it's great, but then

0:09:26.600 --> 0:09:28.720
<v Speaker 1>you know, also bad things happen and you will be

0:09:28.880 --> 0:09:32.760
<v Speaker 1>washed ashore. Maloney and Benson show up saying, hey, what's up,

0:09:32.800 --> 0:09:33.680
<v Speaker 1>what's the scoop?

0:09:34.080 --> 0:09:37.600
<v Speaker 2>And Maloney says, what's up, Doc? And I get it

0:09:37.640 --> 0:09:40.480
<v Speaker 2>because she's a doctor, but also bugs bunny. They're just

0:09:40.520 --> 0:09:43.120
<v Speaker 2>cracking a lot of jokes for there being a dead woman.

0:09:44.400 --> 0:09:47.679
<v Speaker 2>I didn't realize, but I do love watching Olivia put

0:09:47.760 --> 0:09:51.680
<v Speaker 2>latex gloves on, so she's getting ready to touch the woman, even.

0:09:51.559 --> 0:09:52.959
<v Speaker 1>Though the the emmy's there.

0:09:53.080 --> 0:09:57.440
<v Speaker 2>Whatever, though, we find out the victim's name is Veronica Tandy.

0:09:57.520 --> 0:09:59.719
<v Speaker 2>She's thirty four years old. She was stabbed in the

0:09:59.760 --> 0:10:03.040
<v Speaker 2>back and raped from behind, and there's a bruise on

0:10:03.080 --> 0:10:04.600
<v Speaker 2>her neck so she was yoked.

0:10:04.880 --> 0:10:05.679
<v Speaker 1>Yikes.

0:10:05.920 --> 0:10:09.560
<v Speaker 2>And then back at the examiner's office, there's no DNA found,

0:10:09.600 --> 0:10:13.360
<v Speaker 2>but their spermicide from condoms is found. And then also

0:10:13.400 --> 0:10:16.480
<v Speaker 2>Warner's like putting organs onto a scale and like it

0:10:16.520 --> 0:10:18.640
<v Speaker 2>looked like a liver, like she was just holding a

0:10:18.640 --> 0:10:19.400
<v Speaker 2>lot of organs.

0:10:21.040 --> 0:10:22.760
<v Speaker 1>They were that that usually.

0:10:22.480 --> 0:10:25.000
<v Speaker 2>Doesn't happen, and it's not like they're going to donate

0:10:25.000 --> 0:10:26.679
<v Speaker 2>them because that would have to be faster. So I

0:10:26.720 --> 0:10:28.880
<v Speaker 2>don't know why it's just to weigh all these organs out.

0:10:29.280 --> 0:10:32.040
<v Speaker 1>I bet you. It's part of the autopsy process. Is like, wait,

0:10:32.160 --> 0:10:34.480
<v Speaker 1>I don't know, that's a great question. I don't know.

0:10:34.880 --> 0:10:35.840
<v Speaker 2>It felt fucked.

0:10:36.000 --> 0:10:37.240
<v Speaker 1>Oh, but yeah, you're right.

0:10:37.360 --> 0:10:39.280
<v Speaker 2>It was for a purpose because they did find a

0:10:39.280 --> 0:10:43.920
<v Speaker 2>single fetus present, and the fetus is seven to eight

0:10:43.960 --> 0:10:47.840
<v Speaker 2>weeks old. And then the cause of death is cardio

0:10:47.920 --> 0:10:50.960
<v Speaker 2>failure because she when she was stabbed in the back

0:10:50.960 --> 0:10:53.360
<v Speaker 2>of collapsed still lung and then she died from her

0:10:53.360 --> 0:10:56.800
<v Speaker 2>heart stopping and it was a giant knife brutal.

0:10:57.120 --> 0:10:59.040
<v Speaker 1>Can we just can I say a quick question about

0:10:59.200 --> 0:11:02.200
<v Speaker 1>the condoms. Do all condoms have spermicide in them?

0:11:02.720 --> 0:11:05.439
<v Speaker 2>Maybe not, because maybe some people are allergic to spermicide.

0:11:05.520 --> 0:11:07.920
<v Speaker 1>Okay, I was just wondering that, But why.

0:11:07.720 --> 0:11:09.480
<v Speaker 2>Wouldn't you If you're going to use a condom, might

0:11:09.480 --> 0:11:13.640
<v Speaker 2>as well, Yeah, right, make it make it a sperm

0:11:13.720 --> 0:11:15.960
<v Speaker 2>murder scene if you can. I guess if you're doing

0:11:16.000 --> 0:11:19.000
<v Speaker 2>like in vitro style on your own with a base,

0:11:19.120 --> 0:11:22.439
<v Speaker 2>or maybe someone jerks off into the condom and then

0:11:22.480 --> 0:11:24.840
<v Speaker 2>without spermicides, then the sperm doesn't die and then you

0:11:24.840 --> 0:11:27.800
<v Speaker 2>can use the sperm in the condom. I don't think

0:11:27.800 --> 0:11:32.920
<v Speaker 2>that's what manufacturers were thinking of. But I think there's

0:11:32.960 --> 0:11:34.760
<v Speaker 2>for sure non spermicide ones.

0:11:34.920 --> 0:11:38.600
<v Speaker 5>Okay, it says in fact, most condoms do not have it.

0:11:39.320 --> 0:11:41.360
<v Speaker 1>Yeah, and I feel like you have to like buy

0:11:41.480 --> 0:11:45.439
<v Speaker 1>spermicide and like add it sometimes, which is but why would.

0:11:45.320 --> 0:11:47.920
<v Speaker 2>You always want to? Well I gave an example of

0:11:47.920 --> 0:11:49.920
<v Speaker 2>why you wouldn't, so I understand why not.

0:11:50.200 --> 0:11:55.240
<v Speaker 1>This is that one extremely common example. Yeah, okay, sorry

0:11:55.280 --> 0:11:56.160
<v Speaker 1>to interrupt, you move on.

0:11:56.360 --> 0:11:58.680
<v Speaker 2>No, it was important stuff, girl. We need to know

0:11:58.720 --> 0:12:04.000
<v Speaker 2>about condoms. I saw our Steph Tolov on TikTok. She

0:12:04.040 --> 0:12:06.640
<v Speaker 2>did a TikTok that she's sick of guys having magnum

0:12:06.640 --> 0:12:09.360
<v Speaker 2>condoms that don't need them. And I didn't realize that

0:12:09.360 --> 0:12:11.599
<v Speaker 2>that's the thing that happens, Like are they like what

0:12:12.080 --> 0:12:13.640
<v Speaker 2>do guys think is going to happen? It's going to

0:12:13.679 --> 0:12:14.240
<v Speaker 2>slide off?

0:12:14.480 --> 0:12:17.360
<v Speaker 1>Yeah, I don't know when your dick will look smaller

0:12:17.720 --> 0:12:20.199
<v Speaker 1>and no woman is looking at what condom you're putting on.

0:12:20.360 --> 0:12:23.440
<v Speaker 1>They're not like sweet a magnum. Yes, Like I mean,

0:12:23.520 --> 0:12:26.320
<v Speaker 1>I just have never even noticed, like just get it on.

0:12:26.840 --> 0:12:28.800
<v Speaker 2>Her tiktoks are funny, y as she was just like

0:12:29.040 --> 0:12:31.640
<v Speaker 2>I but I see it like, I don't know, so

0:12:31.720 --> 0:12:33.760
<v Speaker 2>that's just something it has this happened to you let

0:12:33.840 --> 0:12:34.080
<v Speaker 2>us know.

0:12:36.400 --> 0:12:37.920
<v Speaker 1>We do meet the victim's husband.

0:12:37.960 --> 0:12:40.480
<v Speaker 2>He is sad, he's crying, but of course they think

0:12:40.480 --> 0:12:43.600
<v Speaker 2>he's guilty immediately, and Benson at this point sheh has

0:12:43.640 --> 0:12:47.280
<v Speaker 2>short spiky hair, Jim teacher chic. The highlights are popping.

0:12:48.480 --> 0:12:51.360
<v Speaker 2>The husband is screaming, you're supposed to be home. He's

0:12:51.400 --> 0:12:54.320
<v Speaker 2>banging on the glass, and Benson does give him a

0:12:54.360 --> 0:12:56.840
<v Speaker 2>loving embrace, which I really enjoyed, and then we cut

0:12:56.880 --> 0:12:59.440
<v Speaker 2>to the credits. We come back from the credits and

0:12:59.440 --> 0:13:01.760
<v Speaker 2>we're in then to irrogation room and the husband says

0:13:01.760 --> 0:13:04.400
<v Speaker 2>that they were supposed to meet last night. She didn't

0:13:04.400 --> 0:13:07.080
<v Speaker 2>show up at seven pm dinner. He did call her assistant,

0:13:07.080 --> 0:13:10.600
<v Speaker 2>who said she left early, around four pm. But he

0:13:10.679 --> 0:13:13.280
<v Speaker 2>wasn't suspicious of anything because he's she is head of

0:13:13.360 --> 0:13:17.560
<v Speaker 2>personnel for a company that manufactures gaming software, so he

0:13:17.600 --> 0:13:21.120
<v Speaker 2>thought maybe she was out recruiting and didn't think of

0:13:21.160 --> 0:13:24.440
<v Speaker 2>it as a big emergency. When he's asked like are

0:13:24.480 --> 0:13:27.200
<v Speaker 2>people mad at her or does she have any enemies,

0:13:27.600 --> 0:13:30.320
<v Speaker 2>he says, well, she fires people, so everyone that she

0:13:30.480 --> 0:13:33.120
<v Speaker 2>fires is mad at her, so he thinks like maybe

0:13:33.120 --> 0:13:36.760
<v Speaker 2>a fire lunatic did want to attack her. He's still

0:13:36.840 --> 0:13:39.040
<v Speaker 2>really sad, crying and is like, what am I going

0:13:39.120 --> 0:13:40.720
<v Speaker 2>to do? How am I going to tell my kids?

0:13:40.880 --> 0:13:43.880
<v Speaker 2>And that's a nice thing, that is. Yeah, I think

0:13:43.920 --> 0:13:47.360
<v Speaker 2>sometimes you forget that you then go have to tell

0:13:47.360 --> 0:13:49.160
<v Speaker 2>your kids your mom was murdered.

0:13:49.720 --> 0:13:50.760
<v Speaker 1>So that sucks.

0:13:50.920 --> 0:13:51.120
<v Speaker 4>Yeah.

0:13:51.160 --> 0:13:54.040
<v Speaker 1>I really hope Jared never has to do that. Yeah.

0:13:54.120 --> 0:13:58.080
<v Speaker 2>I think we all think that, we all do. I

0:13:58.120 --> 0:14:00.080
<v Speaker 2>don't know when we know it has to do that,

0:14:00.520 --> 0:14:06.120
<v Speaker 2>even enemies. Yeah, yeah, even the worst. Yeah, because you

0:14:06.160 --> 0:14:08.080
<v Speaker 2>know the kid. It's not you know, maybe we want

0:14:08.120 --> 0:14:10.560
<v Speaker 2>to like make a parent feel like shit, but we

0:14:10.559 --> 0:14:14.400
<v Speaker 2>don't want to punish children. I don't have any children enemies.

0:14:14.480 --> 0:14:16.120
<v Speaker 2>I would say I have none of those.

0:14:16.800 --> 0:14:19.440
<v Speaker 1>The very opposite. Actually, you have a fucking fan club.

0:14:19.480 --> 0:14:20.520
<v Speaker 1>That's the day.

0:14:22.800 --> 0:14:27.280
<v Speaker 2>It is really silly. Oh what's this woman who does

0:14:27.280 --> 0:14:31.880
<v Speaker 2>the least amount for me? She'll be my favorite. Yeah.

0:14:32.000 --> 0:14:36.240
<v Speaker 2>Maloney then asks like, hey, your wife's pregnant, and he goes,

0:14:36.240 --> 0:14:39.400
<v Speaker 2>what are you talking about? So he didn't know that

0:14:39.440 --> 0:14:42.320
<v Speaker 2>his wife was pregnant yet, so of course they're suspicious.

0:14:42.880 --> 0:14:45.280
<v Speaker 2>So Benson and Stable are not talking to Kraigan. And

0:14:45.360 --> 0:14:48.960
<v Speaker 2>at first I only noticed, like, oh, Olivia's wearing a turtleneck,

0:14:49.000 --> 0:14:51.880
<v Speaker 2>but then her nipples were hard and I did see it.

0:14:52.360 --> 0:14:55.600
<v Speaker 2>I don't know if this is disrespectful to our you know, matriarch.

0:14:55.760 --> 0:15:01.880
<v Speaker 2>But if you want to zoom in like the criminal

0:15:01.920 --> 0:15:04.440
<v Speaker 2>on this show, actually will find out. If you want

0:15:04.480 --> 0:15:08.440
<v Speaker 2>to pretend you're the criminal, you can zoom it on

0:15:08.440 --> 0:15:11.720
<v Speaker 2>her hard nipples. Okay, So then Kragan tells it would

0:15:11.720 --> 0:15:13.760
<v Speaker 2>be funny if Craigan's like, yo, your nips are harder,

0:15:13.800 --> 0:15:15.120
<v Speaker 2>you pumps to see me, But.

0:15:17.120 --> 0:15:17.640
<v Speaker 1>He doesn't.

0:15:17.840 --> 0:15:20.440
<v Speaker 2>He just he tells them to go talk to recently

0:15:20.480 --> 0:15:23.560
<v Speaker 2>fired people. He's going to get a psych profile going.

0:15:24.560 --> 0:15:27.600
<v Speaker 2>And Benson and Stabler, like I said, they're suspicious because

0:15:27.640 --> 0:15:30.400
<v Speaker 2>the dad didn't know about the pregnancy. Do they need

0:15:30.440 --> 0:15:34.160
<v Speaker 2>to establish paternity. We will see what happens. The detectives

0:15:34.160 --> 0:15:37.200
<v Speaker 2>had to comp you game, and her coworker is so

0:15:37.360 --> 0:15:40.200
<v Speaker 2>sad and said everyone loved her. People were mad at her,

0:15:40.200 --> 0:15:42.800
<v Speaker 2>but it makes no sense because the department heads actually

0:15:42.800 --> 0:15:45.880
<v Speaker 2>decide who gets fired. She's just the messenger and you shouldn't,

0:15:46.000 --> 0:15:49.440
<v Speaker 2>you know, kill the messenger literally, But of course she

0:15:49.480 --> 0:15:52.680
<v Speaker 2>said everyone is mad at her, no matter what. But

0:15:52.840 --> 0:15:56.040
<v Speaker 2>she also said everyone loved her, So this woman does

0:15:56.160 --> 0:15:59.800
<v Speaker 2>make makes no sense. Yeah, everyone everyone's mad at her,

0:16:00.080 --> 0:16:02.640
<v Speaker 2>So I don't know, but this woman did like her.

0:16:03.000 --> 0:16:05.120
<v Speaker 2>But five people have been fired within the past three

0:16:05.160 --> 0:16:08.200
<v Speaker 2>months and they were mad. So they're gonna go talk

0:16:08.240 --> 0:16:11.200
<v Speaker 2>to these people. Obviously, they talked to another person from

0:16:11.240 --> 0:16:13.240
<v Speaker 2>the job and they call her Ronnie. So they call

0:16:13.360 --> 0:16:15.160
<v Speaker 2>Veronica Ronnie, and I kind of like that. I've never

0:16:15.160 --> 0:16:15.840
<v Speaker 2>heard that before.

0:16:16.320 --> 0:16:18.720
<v Speaker 1>I call him. We used to call her friend Veronica.

0:16:18.400 --> 0:16:21.840
<v Speaker 2>Vern Oh that's cute, yeah, or in Russian vula.

0:16:22.040 --> 0:16:26.520
<v Speaker 1>Oh, it's even prettier in Russian, yeah, but never a Ronnie.

0:16:27.040 --> 0:16:32.400
<v Speaker 2>So the friend also did not know that Ronnie was pregnant,

0:16:32.560 --> 0:16:34.720
<v Speaker 2>and she was just like, there's no fucking way she's

0:16:34.720 --> 0:16:37.480
<v Speaker 2>having an affair with Jason Mayberry. So we find about

0:16:37.600 --> 0:16:40.640
<v Speaker 2>that this Jason Mayberry guy. We want to know more information.

0:16:41.280 --> 0:16:42.200
<v Speaker 2>Is he having an affair?

0:16:42.320 --> 0:16:44.560
<v Speaker 1>Is he not? Are they friends? Is he mad? Is

0:16:44.560 --> 0:16:46.920
<v Speaker 1>he the killer? We don't fucking know.

0:16:47.280 --> 0:16:49.400
<v Speaker 2>We do find out, however, that Ronnie is a bleeding

0:16:49.440 --> 0:16:52.160
<v Speaker 2>heart and she likes to help people, and the friend

0:16:52.200 --> 0:16:56.960
<v Speaker 2>does not like that. Olivia is insinuating otherwise. So Benson

0:16:57.040 --> 0:17:01.200
<v Speaker 2>is confused, however, because Jason did send her flowers and

0:17:01.240 --> 0:17:04.040
<v Speaker 2>the friend said, it's because Ronnie talked to some people

0:17:04.119 --> 0:17:08.280
<v Speaker 2>and gave recommendations, and Jason felt grateful for that and

0:17:08.680 --> 0:17:11.760
<v Speaker 2>recommendation for what's going on? Jason wanted to be a

0:17:11.760 --> 0:17:14.920
<v Speaker 2>police officer, So is he going to the police academy?

0:17:15.000 --> 0:17:15.800
<v Speaker 2>What's going on?

0:17:16.160 --> 0:17:16.600
<v Speaker 1>We don't know.

0:17:16.760 --> 0:17:20.080
<v Speaker 2>So now Stabler's talking to the head of security who

0:17:20.119 --> 0:17:23.399
<v Speaker 2>looks like that was like Jason's direct boss. And the

0:17:23.440 --> 0:17:26.119
<v Speaker 2>head security guy thinks that he quit the job because

0:17:26.119 --> 0:17:28.879
<v Speaker 2>he was embarrassed because his mother would come in all

0:17:28.920 --> 0:17:31.600
<v Speaker 2>the time and call and bust his chops in front

0:17:31.640 --> 0:17:32.160
<v Speaker 2>of everyone.

0:17:32.240 --> 0:17:33.800
<v Speaker 1>And she was just like a.

0:17:33.800 --> 0:17:37.399
<v Speaker 2>Hovering mom that wouldn't leave our adult son alone. And

0:17:37.480 --> 0:17:39.760
<v Speaker 2>so where's Jason now? Can we get an address? We

0:17:39.800 --> 0:17:43.119
<v Speaker 2>get an address in Jersey for him, and we also

0:17:43.200 --> 0:17:47.040
<v Speaker 2>find out that a man named Greg Specter could not

0:17:47.320 --> 0:17:53.960
<v Speaker 2>stand Veronica. So Jason turned Greg in to Veronica because

0:17:54.000 --> 0:17:57.160
<v Speaker 2>Greg was using security cameras to zoom in on women

0:17:57.280 --> 0:18:00.919
<v Speaker 2>and be a creep. Where's Greg now? Work in sanitation?

0:18:01.520 --> 0:18:03.880
<v Speaker 2>So Benson and Stabler go down to talk to Greg,

0:18:03.880 --> 0:18:06.639
<v Speaker 2>who is surrounded by tons of garbage bags, and he's like,

0:18:06.800 --> 0:18:10.680
<v Speaker 2>Jason lied, and that Jason's actually the fucking creep, not him,

0:18:10.720 --> 0:18:12.800
<v Speaker 2>that he was not zooming in on anyone, and he

0:18:12.920 --> 0:18:15.520
<v Speaker 2>caught Jason doing it, and then Jason like covered his

0:18:15.600 --> 0:18:17.760
<v Speaker 2>tracks by saying Greg was zooming in on women on

0:18:17.800 --> 0:18:21.359
<v Speaker 2>the security cameras. But he does seem really shocked that

0:18:21.480 --> 0:18:25.040
<v Speaker 2>Veronica's dead and he was home alone, so no alibi,

0:18:25.160 --> 0:18:27.640
<v Speaker 2>so that's dangerous. It could be all put on him.

0:18:28.200 --> 0:18:31.240
<v Speaker 2>But he said that Veronica came to see him a

0:18:31.280 --> 0:18:33.640
<v Speaker 2>week ago to get his side of the story because

0:18:34.200 --> 0:18:37.280
<v Speaker 2>she started to feel like maybe something was up and

0:18:37.320 --> 0:18:41.280
<v Speaker 2>it wasn't fully Greg. So Veronica does cover her bases

0:18:41.320 --> 0:18:43.280
<v Speaker 2>and seems to be very she was very good at

0:18:43.280 --> 0:18:46.600
<v Speaker 2>her job. We could say that, and that Veronica actually

0:18:46.640 --> 0:18:49.480
<v Speaker 2>called to try to get Greg back and reinstate it

0:18:49.520 --> 0:18:53.520
<v Speaker 2>into his job because she thought that Jason was the creep.

0:18:54.359 --> 0:18:56.359
<v Speaker 2>So yeah, like a bleeding heart, always trying to do

0:18:56.400 --> 0:18:59.360
<v Speaker 2>the right thing. So Jason is a rich boy if

0:18:59.359 --> 0:19:02.920
<v Speaker 2>I was a rich boy. So Benson and Stable are

0:19:03.000 --> 0:19:06.640
<v Speaker 2>like a giant, rich, opulent ass mansion. There's a may

0:19:06.720 --> 0:19:10.639
<v Speaker 2>dressed in classic made gear and gold everywhere. It's just

0:19:10.760 --> 0:19:13.760
<v Speaker 2>very opulent and very wild. And the mom says he

0:19:13.800 --> 0:19:16.239
<v Speaker 2>doesn't come home often because of the home reminds him

0:19:16.240 --> 0:19:18.440
<v Speaker 2>of his dead father, so he doesn't really love it there.

0:19:18.760 --> 0:19:19.919
<v Speaker 1>And the mom like any.

0:19:19.840 --> 0:19:23.040
<v Speaker 2>Rich person aggressive, cocky, I don't like, you don't tell

0:19:23.080 --> 0:19:26.720
<v Speaker 2>me shit, YadA YadA. Benson's like, do you know what

0:19:26.800 --> 0:19:27.719
<v Speaker 2>obstruction is?

0:19:27.840 --> 0:19:30.280
<v Speaker 1>Madam? I always remember this line where she goes, I

0:19:30.320 --> 0:19:34.800
<v Speaker 1>don't like cryptic conversations. They require a prevaricating nature that

0:19:34.880 --> 0:19:38.520
<v Speaker 1>I do not possess. I like, always remember that line

0:19:38.680 --> 0:19:39.680
<v Speaker 1>from this episode.

0:19:39.760 --> 0:19:41.480
<v Speaker 2>Well, I'm glad you remembered it because I didn't write

0:19:41.480 --> 0:19:43.160
<v Speaker 2>it down because I was not about to learn how

0:19:43.160 --> 0:19:45.679
<v Speaker 2>to spell that word. So I'm glad that was just

0:19:45.720 --> 0:19:46.960
<v Speaker 2>on the tip of your tongue.

0:19:47.240 --> 0:19:49.399
<v Speaker 1>What is it perfect? I was like, I'm not spelling.

0:19:49.040 --> 0:19:52.880
<v Speaker 2>This, I I think I wrote. She was bitchy and argumentative,

0:19:53.000 --> 0:19:58.159
<v Speaker 2>like that's all I That's how I said it. But

0:19:58.480 --> 0:20:01.320
<v Speaker 2>then you know, obstruction, this is a murder trial, and

0:20:01.359 --> 0:20:03.359
<v Speaker 2>we need to fuck this is a murder investigation. We

0:20:03.359 --> 0:20:04.800
<v Speaker 2>need to talk to your fucking son.

0:20:04.920 --> 0:20:08.040
<v Speaker 1>Yeah. They straighten her right out. Yeah, it's like we

0:20:08.080 --> 0:20:11.760
<v Speaker 1>don't care. Someone is murdered, like fuck you and what

0:20:11.800 --> 0:20:12.960
<v Speaker 1>you like and don't like.

0:20:13.400 --> 0:20:16.040
<v Speaker 2>So the mom puts her teacup down and they cut

0:20:16.040 --> 0:20:18.359
<v Speaker 2>to a shot of Benson knocking on an apartment door.

0:20:18.600 --> 0:20:21.560
<v Speaker 2>The unit number is sixteen. So it made me think

0:20:21.640 --> 0:20:24.160
<v Speaker 2>of My Super Sweet sixteen, one of the best shows ever.

0:20:26.000 --> 0:20:29.159
<v Speaker 1>Did you watch it? Like you know? I caught a

0:20:29.200 --> 0:20:34.440
<v Speaker 1>couple episodes. Oh that's wild. I didn't grasp you, not really,

0:20:34.440 --> 0:20:37.920
<v Speaker 1>but my cousin and I are obsessed with the Scarlett

0:20:38.000 --> 0:20:40.720
<v Speaker 1>Johanson SNL sketch they do of it that I have

0:20:40.800 --> 0:20:43.080
<v Speaker 1>not seen, and it's like, I wish you could see

0:20:43.080 --> 0:20:45.240
<v Speaker 1>how dummy you look right now, give me one thousand dollars.

0:20:45.280 --> 0:20:46.880
<v Speaker 1>That's like what the kid says to their dad.

0:20:48.000 --> 0:20:53.280
<v Speaker 2>Okay, so who opens the door of Unit sixteen? Chad

0:20:53.359 --> 0:20:58.640
<v Speaker 2>motherfucking Low. So yeah, Chad Low is there? SVU legend,

0:20:58.680 --> 0:21:02.880
<v Speaker 2>I would say, legend in his own right of lots.

0:21:02.680 --> 0:21:04.280
<v Speaker 4>Of different ways. Yeah.

0:21:04.359 --> 0:21:07.080
<v Speaker 2>Yeah, So he's wearing a long sleeve button down shirt,

0:21:07.200 --> 0:21:10.520
<v Speaker 2>nerdy vibes. I wouldn't really expect him to be working

0:21:10.560 --> 0:21:13.439
<v Speaker 2>security or wanting to be a cop. So you know,

0:21:14.080 --> 0:21:15.879
<v Speaker 2>you can't judge a book by its cover, I guess

0:21:16.560 --> 0:21:18.520
<v Speaker 2>he doesn't want to let them in because it's a messy,

0:21:18.560 --> 0:21:20.760
<v Speaker 2>which I do relate to. And Stabler's like, we don't mind,

0:21:20.760 --> 0:21:24.119
<v Speaker 2>and chadlow like his mother, quick quick with the sass,

0:21:24.119 --> 0:21:25.080
<v Speaker 2>and goes, well I mind.

0:21:25.280 --> 0:21:25.680
<v Speaker 1>Okay.

0:21:26.160 --> 0:21:29.719
<v Speaker 2>So Stabler suggests heading down to the precinct and Jason

0:21:29.800 --> 0:21:32.960
<v Speaker 2>responds greg Spector hated her, and Benson goes, we already

0:21:32.960 --> 0:21:35.720
<v Speaker 2>talked to him, so not going to work on us, babe,

0:21:36.000 --> 0:21:38.160
<v Speaker 2>And Jason is like, I don't see how I can

0:21:38.200 --> 0:21:41.600
<v Speaker 2>help you, and Stabler plays this game where it's like,

0:21:41.680 --> 0:21:44.160
<v Speaker 2>we really need your help help us find the sky.

0:21:44.280 --> 0:21:46.879
<v Speaker 2>It's for Veronica, we need you, we need you.

0:21:47.040 --> 0:21:50.240
<v Speaker 1>Sold there's Mike multiple times where they have like hop

0:21:50.320 --> 0:21:53.320
<v Speaker 1>wannabes and they're just like, we need your help to

0:21:53.320 --> 0:21:55.560
<v Speaker 1>help us solve the case. Like it's like treating a

0:21:55.600 --> 0:21:57.560
<v Speaker 1>little kid like they're a superhero or something.

0:21:57.680 --> 0:21:59.840
<v Speaker 2>Well also if it's just like it doesn't even have

0:21:59.880 --> 0:22:00.639
<v Speaker 2>to be someone that wants to be.

0:22:00.640 --> 0:22:01.600
<v Speaker 1>A cop, like any guy.

0:22:01.760 --> 0:22:05.919
<v Speaker 2>Remember that episode where the marine, Yeah, the marine, but

0:22:06.119 --> 0:22:11.640
<v Speaker 2>also there's a South Park the season like during the

0:22:11.880 --> 0:22:16.879
<v Speaker 2>Clinton Trump election that season put like is incredible and

0:22:16.920 --> 0:22:17.679
<v Speaker 2>they trick.

0:22:17.440 --> 0:22:19.880
<v Speaker 1>All these in cell trolls.

0:22:19.480 --> 0:22:22.840
<v Speaker 2>From the internet. They're like, we need you to help us.

0:22:22.880 --> 0:22:25.000
<v Speaker 2>And all these guys think they're James Bond and they

0:22:25.000 --> 0:22:28.080
<v Speaker 2>all arrive like every guy thinks that he's just one

0:22:28.160 --> 0:22:30.119
<v Speaker 2>ask away from helping the CIA.

0:22:29.880 --> 0:22:32.960
<v Speaker 1>You know, so true.

0:22:33.119 --> 0:22:36.119
<v Speaker 2>Yeah, they're not questioning it at all, And I feel

0:22:36.119 --> 0:22:37.800
<v Speaker 2>like I would fall for it too, So I'm not

0:22:38.119 --> 0:22:41.560
<v Speaker 2>This isn't a full man hating moment. And I think

0:22:41.560 --> 0:22:45.359
<v Speaker 2>I've even talked about the South Park before, but I

0:22:45.440 --> 0:22:47.440
<v Speaker 2>definitely yeah.

0:22:47.480 --> 0:22:49.800
<v Speaker 1>If I got a call, well, yeah, if they were like, Lisa,

0:22:49.840 --> 0:22:52.120
<v Speaker 1>we've heard your podcast. You obviously know a lot about murder.

0:22:52.119 --> 0:22:54.720
<v Speaker 1>We're gonna need your help with this case. We need

0:22:54.760 --> 0:22:56.320
<v Speaker 1>a new set of eyes. And I feel like you're

0:22:56.320 --> 0:22:59.160
<v Speaker 1>the one that I would you you'd be like, well,

0:22:59.200 --> 0:23:03.639
<v Speaker 1>it's my duty, guys, I can't record today. I'm helping

0:23:03.760 --> 0:23:07.080
<v Speaker 1>with an investigation. Oh I would. I would totally do that.

0:23:08.119 --> 0:23:11.960
<v Speaker 2>Craigan introduces the detectives to B. D. Wong aka George

0:23:12.000 --> 0:23:15.200
<v Speaker 2>Wang aka yes you are right. This is an introduction

0:23:15.320 --> 0:23:15.600
<v Speaker 2>to B. D.

0:23:15.720 --> 0:23:15.960
<v Speaker 1>Wong.

0:23:16.200 --> 0:23:19.080
<v Speaker 2>This is his first episode of SVU, so this is

0:23:19.400 --> 0:23:23.600
<v Speaker 2>immediately iconic canon. This is his first episode. He's wearing glasses,

0:23:23.640 --> 0:23:26.919
<v Speaker 2>a lot of layers. He's ready to work, and Huang

0:23:26.960 --> 0:23:29.119
<v Speaker 2>has some input, of course, you know, and the detectives

0:23:29.160 --> 0:23:31.439
<v Speaker 2>don't want to listen. They hate science, they hate reason,

0:23:31.480 --> 0:23:33.240
<v Speaker 2>and they hate anyone that's going to tell him don't

0:23:33.240 --> 0:23:35.760
<v Speaker 2>just puch a suspect in the face. So he tells

0:23:35.800 --> 0:23:38.639
<v Speaker 2>Stabler like, you should go at him alone because he

0:23:38.680 --> 0:23:42.000
<v Speaker 2>has a problem with women, and Benson says, yeah, all

0:23:42.080 --> 0:23:44.919
<v Speaker 2>rapists have a problem with women. We don't need you,

0:23:45.440 --> 0:23:48.439
<v Speaker 2>but I'll sit this out, but excuse me, and he

0:23:48.560 --> 0:23:51.480
<v Speaker 2>was like, listen, this person's extremely shy. He attacks people

0:23:51.480 --> 0:23:53.880
<v Speaker 2>from the behind, and Stabler wants to argue and goes,

0:23:54.160 --> 0:23:57.600
<v Speaker 2>that's to conceal, not shy, and Huang is like, okay,

0:23:57.600 --> 0:24:00.240
<v Speaker 2>but your man isn't bold. No one notices him, did they.

0:24:00.880 --> 0:24:04.520
<v Speaker 2>He seems pretty humble and eager to please, even shy,

0:24:05.520 --> 0:24:08.199
<v Speaker 2>so cocky chill love it, like I love that. I

0:24:08.280 --> 0:24:12.600
<v Speaker 2>love his vibe during this, And since he applied for

0:24:12.680 --> 0:24:15.439
<v Speaker 2>the police academy multiple times, they already have a psychic

0:24:15.480 --> 0:24:17.199
<v Speaker 2>owl on him, so Olivia is gonna go do that.

0:24:17.680 --> 0:24:20.439
<v Speaker 2>And then Stabler talks to Craigan and is like, George

0:24:20.520 --> 0:24:22.440
<v Speaker 2>just caught here. I don't fucking want to talk to him.

0:24:22.440 --> 0:24:27.360
<v Speaker 2>I don't understand. Blah blah blah blah blah. Classic, classic, classic,

0:24:27.400 --> 0:24:29.919
<v Speaker 2>from the get go. They need a confession. They have

0:24:29.960 --> 0:24:32.520
<v Speaker 2>no evidence, so Stabler really has to go at Jason

0:24:32.840 --> 0:24:36.719
<v Speaker 2>and like pretend that they're friends. So Stabler and Jason

0:24:36.800 --> 0:24:39.600
<v Speaker 2>talk about how the coffee sucks at precincts. He gotta

0:24:39.640 --> 0:24:41.359
<v Speaker 2>get used to it if you want to be a cop.

0:24:41.760 --> 0:24:44.400
<v Speaker 2>He's like, whoa, how'd you know? And he goes, well,

0:24:44.400 --> 0:24:48.040
<v Speaker 2>when there're star applicants, we all know, all the cops.

0:24:48.040 --> 0:24:51.239
<v Speaker 2>We're all talking about the new hot shot students and

0:24:52.440 --> 0:24:56.000
<v Speaker 2>believes it fully and yeah, Stabler is like a spider,

0:24:56.119 --> 0:24:58.480
<v Speaker 2>you know, he's weaving a little web for this idiot

0:24:58.520 --> 0:25:01.600
<v Speaker 2>to fall into. And then he goes, hey, you know,

0:25:01.800 --> 0:25:04.720
<v Speaker 2>I'll help with the application. Even give me your info.

0:25:04.880 --> 0:25:07.359
<v Speaker 2>I'll work this out for you. There must be a

0:25:07.400 --> 0:25:12.560
<v Speaker 2>snag at the application center. So Jason's smiling, He's pumped.

0:25:12.600 --> 0:25:15.439
<v Speaker 2>He wants to be a cop. Stabler says something about

0:25:15.480 --> 0:25:17.680
<v Speaker 2>his mommy paying his bills, and he goes, she does

0:25:17.840 --> 0:25:19.960
<v Speaker 2>not pay my bills. I have a trust. But that's

0:25:19.960 --> 0:25:20.560
<v Speaker 2>the same.

0:25:20.400 --> 0:25:22.280
<v Speaker 1>Right pretty much. I mean, like he probably got the

0:25:22.280 --> 0:25:25.480
<v Speaker 1>trust from like his dad dying too, or he you know,

0:25:25.600 --> 0:25:28.280
<v Speaker 1>but it is still family money. You're not like earning

0:25:28.520 --> 0:25:29.560
<v Speaker 1>the money that you're spending.

0:25:29.960 --> 0:25:33.199
<v Speaker 2>Yeah, but do rich kids is that like common? Do

0:25:33.320 --> 0:25:35.600
<v Speaker 2>rich kids think a trust is not your parents paying

0:25:35.640 --> 0:25:37.920
<v Speaker 2>for Also, if I had a trust, I would be grateful.

0:25:37.960 --> 0:25:41.359
<v Speaker 1>I would be like, yes, never have to work again,

0:25:41.640 --> 0:25:43.080
<v Speaker 1>Mom's money. I don't care.

0:25:43.880 --> 0:25:45.439
<v Speaker 2>But I guess he has a lot to prove. And

0:25:45.440 --> 0:25:47.120
<v Speaker 2>Stabler's like, well, why would you even want to work

0:25:47.119 --> 0:25:50.200
<v Speaker 2>at all? This makes no sense, and like, why quit

0:25:50.200 --> 0:25:52.360
<v Speaker 2>a place where everyone liked and respected you. I don't

0:25:52.400 --> 0:25:55.560
<v Speaker 2>understand it. Jason says, you'd prefer not to talk about it,

0:25:55.960 --> 0:25:58.200
<v Speaker 2>and so Stabler needs to play the game goes, maybe

0:25:58.200 --> 0:26:01.680
<v Speaker 2>you quit before they could fire you, maybe security camera stuff,

0:26:01.680 --> 0:26:05.320
<v Speaker 2>you little fucking creep, And he goes, no, that's greg

0:26:05.359 --> 0:26:07.360
<v Speaker 2>I never did that. So it's like, then, why did

0:26:07.400 --> 0:26:10.800
<v Speaker 2>you quit? Fucking tell us? So there's a deep sigh

0:26:10.880 --> 0:26:14.199
<v Speaker 2>and he says that he was being sexually harassed but

0:26:14.359 --> 0:26:16.560
<v Speaker 2>didn't want to get the woman in trouble, so he

0:26:16.720 --> 0:26:20.520
<v Speaker 2>had to leave. He said Veronica was sexually harassing him.

0:26:21.000 --> 0:26:25.280
<v Speaker 2>Veronica's husband now is in the precinct. We're so close

0:26:25.359 --> 0:26:28.000
<v Speaker 2>to uh, one of those moments where everyone meets in

0:26:28.040 --> 0:26:32.159
<v Speaker 2>the hallways. It doesn't happen, but we have Veronica's husband's

0:26:32.160 --> 0:26:35.959
<v Speaker 2>holding like an open package box situation, and he's disheveled,

0:26:35.960 --> 0:26:38.280
<v Speaker 2>he's sad, and he's trying to talk to Benson, and

0:26:38.320 --> 0:26:41.439
<v Speaker 2>Benson's like, I'm busy, okay, And it's like his wife

0:26:41.480 --> 0:26:43.560
<v Speaker 2>was murdered. I don't know what you're so busy doing,

0:26:43.600 --> 0:26:45.880
<v Speaker 2>but can you just give him a fucking couple seconds.

0:26:46.400 --> 0:26:49.200
<v Speaker 2>And so they continue with the show and tell, and

0:26:49.520 --> 0:26:53.080
<v Speaker 2>basically he explains how his camcorder broke, so his wife

0:26:53.160 --> 0:26:55.359
<v Speaker 2>bought him a new one as a present and it

0:26:55.480 --> 0:26:58.720
<v Speaker 2>showed up as a surprise, and he goes, you know,

0:26:58.800 --> 0:27:02.120
<v Speaker 2>you've been digging around dirting my murdered wife's name. Read

0:27:02.160 --> 0:27:05.560
<v Speaker 2>the card. Read the fucking card. And the card says

0:27:06.640 --> 0:27:09.080
<v Speaker 2>something about like baby number four is on your way.

0:27:09.119 --> 0:27:09.920
<v Speaker 1>Shoot until you.

0:27:09.920 --> 0:27:12.720
<v Speaker 2>Drop, have fun. So there was no affair. She was

0:27:12.760 --> 0:27:15.520
<v Speaker 2>waiting to surprise him with the baby news. There's no secrets,

0:27:15.560 --> 0:27:18.600
<v Speaker 2>there's no nothing like that, Like truly, she just wanted

0:27:18.600 --> 0:27:20.440
<v Speaker 2>to tell her husband that they were gonna have a baby.

0:27:20.440 --> 0:27:24.200
<v Speaker 2>And a cute way with the present, So bd Wong

0:27:24.280 --> 0:27:25.800
<v Speaker 2>is in the background of the scene the whole time

0:27:25.800 --> 0:27:29.680
<v Speaker 2>holding the coffee cup, doing incredible background work. So now

0:27:29.680 --> 0:27:32.439
<v Speaker 2>we cut to Olivia. She's wearing a red scarf for

0:27:32.480 --> 0:27:35.359
<v Speaker 2>no reason, and she's talking to a cop teacher who

0:27:35.800 --> 0:27:38.399
<v Speaker 2>has the scoop on why Jason is not allowed to

0:27:38.400 --> 0:27:41.320
<v Speaker 2>be a cop. And so he barely passed the physical

0:27:41.720 --> 0:27:44.800
<v Speaker 2>and not even close to passing the psyche val. He

0:27:44.880 --> 0:27:48.160
<v Speaker 2>goes super aggressive when stressed, and Benson is like, aren't

0:27:48.160 --> 0:27:52.400
<v Speaker 2>most cops? So that's a read And Benson brings up,

0:27:52.480 --> 0:27:55.000
<v Speaker 2>don't most psychopaths know how to fake it and pass

0:27:55.080 --> 0:27:58.160
<v Speaker 2>a psych test? And the cop teacher Daddy says, oh, yeah,

0:27:58.160 --> 0:28:00.360
<v Speaker 2>that's why we know he's a I don't know is saying.

0:28:00.400 --> 0:28:02.800
<v Speaker 2>He goes, that's why he must be a real secret squirrel.

0:28:03.840 --> 0:28:04.040
<v Speaker 4>Yeah.

0:28:04.040 --> 0:28:07.440
<v Speaker 2>I want that well, because now I know squirrel friends

0:28:07.440 --> 0:28:11.080
<v Speaker 2>and squirrels have little nuts. Oh nuts, secret squirrel The

0:28:11.240 --> 0:28:15.160
<v Speaker 2>squirrels get nuts. It's a secret nut maybe yeah, Okay,

0:28:15.760 --> 0:28:16.760
<v Speaker 2>that just I don't know.

0:28:17.000 --> 0:28:21.439
<v Speaker 1>But that's why RuPaul calls them squirrel friends because they

0:28:21.480 --> 0:28:22.240
<v Speaker 1>hide their nuts.

0:28:22.480 --> 0:28:28.080
<v Speaker 2>Yeah, that's exactly it. Benson is confused why there's two

0:28:28.160 --> 0:28:31.840
<v Speaker 2>letters of recommendation in the file, and he says, well,

0:28:31.880 --> 0:28:34.520
<v Speaker 2>one is a glowing review and one is actually this

0:28:34.560 --> 0:28:38.640
<v Speaker 2>woman pulling her support, So done.

0:28:38.200 --> 0:28:38.800
<v Speaker 1>You know what I mean?

0:28:38.800 --> 0:28:41.840
<v Speaker 2>And so she gave a glowing review and then said, no,

0:28:41.880 --> 0:28:47.240
<v Speaker 2>never mind. Actually he's a fucking squirrel. So yeah, we

0:28:47.240 --> 0:28:49.640
<v Speaker 2>we say insane and crazy too much. Maybe we'll switch

0:28:49.680 --> 0:28:56.840
<v Speaker 2>to squirrel. We'll just start yeah chip Mo oh yeah, or.

0:28:56.920 --> 0:28:58.640
<v Speaker 1>Chip Mo get wet.

0:29:00.760 --> 0:29:03.440
<v Speaker 2>So back to Stabler and Jason. They're having a full

0:29:03.520 --> 0:29:07.239
<v Speaker 2>day at the interrogation room. Jason says, I'm tired, and

0:29:07.280 --> 0:29:08.400
<v Speaker 2>Stabler's like, yeah, but.

0:29:08.360 --> 0:29:09.160
<v Speaker 1>I need you here.

0:29:09.240 --> 0:29:12.760
<v Speaker 2>We gotta do victimology together. I need your help. So

0:29:12.800 --> 0:29:17.000
<v Speaker 2>they're dancing back and forth. He's obviously lying, Stabler's playing games.

0:29:17.400 --> 0:29:20.680
<v Speaker 2>So basically it's like, no one believes that this hot, married,

0:29:20.760 --> 0:29:23.960
<v Speaker 2>happy woman that's successful as hell would be with you. Okay,

0:29:24.800 --> 0:29:27.840
<v Speaker 2>But so during this like dancing game, blah blah blah

0:29:27.920 --> 0:29:31.920
<v Speaker 2>blaes back and forth, we're an interrogation, Jason lets it slip.

0:29:32.160 --> 0:29:34.800
<v Speaker 2>So Chadlow's character lets it slip that he knew she

0:29:34.960 --> 0:29:39.560
<v Speaker 2>was pregnant. So immediately it's like the legally blonde per moment,

0:29:39.760 --> 0:29:42.680
<v Speaker 2>it comes to Stabler, how do you know she was pregnant?

0:29:42.720 --> 0:29:44.880
<v Speaker 2>She told me, she told you, but not her husband

0:29:45.160 --> 0:29:48.959
<v Speaker 2>didn't tell anybody else but you. So wait, so you

0:29:49.000 --> 0:29:50.440
<v Speaker 2>were close or would you not close?

0:29:50.480 --> 0:29:52.640
<v Speaker 1>Like, what's going on? When did she tell you?

0:29:53.280 --> 0:29:56.200
<v Speaker 2>And then he goes, I don't really remember, and then

0:29:56.480 --> 0:30:00.200
<v Speaker 2>Stabler's beeper beeps. I bet there are people listening to

0:30:00.240 --> 0:30:02.360
<v Speaker 2>the show who've never even heard or seen a beeper

0:30:02.360 --> 0:30:05.160
<v Speaker 2>in their fucking lives. Yeah, I didn't know two thousand

0:30:05.160 --> 0:30:07.160
<v Speaker 2>and two even had beepers.

0:30:07.240 --> 0:30:10.840
<v Speaker 1>I thought we were posting the beeper game. My mom

0:30:10.880 --> 0:30:14.360
<v Speaker 1>had a beeper forever. But she's a doctor, I know,

0:30:14.440 --> 0:30:16.720
<v Speaker 1>but she had one way after she had a cell phone,

0:30:16.880 --> 0:30:19.160
<v Speaker 1>but she's a doctor. She stayed in the beeper game.

0:30:19.360 --> 0:30:22.280
<v Speaker 2>Yeah, I don't know doctors are allowed to have beepers

0:30:22.440 --> 0:30:28.840
<v Speaker 2>and like taxi drivers, but no one else. So then

0:30:28.880 --> 0:30:31.680
<v Speaker 2>we get Cabot. We have Cabot behind the glass, and

0:30:31.720 --> 0:30:33.720
<v Speaker 2>now that I know that, like Wong in March are

0:30:33.720 --> 0:30:36.200
<v Speaker 2>friends in real life, it is really special to see

0:30:36.200 --> 0:30:39.440
<v Speaker 2>them together, Like, yeah, I get really happy, and we

0:30:39.480 --> 0:30:41.960
<v Speaker 2>need her on the podcast. Let us know what Cabot

0:30:42.120 --> 0:30:44.160
<v Speaker 2>centric episode you would like us to be.

0:30:44.360 --> 0:30:46.880
<v Speaker 1>Yeah, yeah, we'll put up a thing on our Instagram

0:30:46.920 --> 0:30:49.320
<v Speaker 1>stories too, of like tell us your favorite cabot today.

0:30:49.400 --> 0:30:51.760
<v Speaker 2>Yeah yeah, so then we can approach her and then

0:30:51.760 --> 0:30:54.320
<v Speaker 2>if she but well, now we're friends with everyone, so

0:30:54.360 --> 0:30:57.680
<v Speaker 2>hopefully Diane or Wong will be like, bitch, I don't

0:30:57.680 --> 0:30:59.520
<v Speaker 2>care if you don't want to, you gotta come on.

0:30:59.640 --> 0:31:00.520
<v Speaker 1>We're with you.

0:31:02.640 --> 0:31:06.280
<v Speaker 2>So she goes, we can't hold him. Stabler walks in, goes,

0:31:06.360 --> 0:31:10.000
<v Speaker 2>excuse me, like he just became a cop, and so

0:31:10.040 --> 0:31:11.800
<v Speaker 2>he's mad. He's like, what do you mean let him walk?

0:31:11.840 --> 0:31:14.920
<v Speaker 2>That bastard knew she was pregnant and killed her anyway,

0:31:14.920 --> 0:31:17.600
<v Speaker 2>And she's like, no, I know, I'm on your side,

0:31:17.600 --> 0:31:20.960
<v Speaker 2>but you can't force him to stay. And without a miranda,

0:31:21.200 --> 0:31:24.840
<v Speaker 2>it's admissible. And Craigan's like, you're tying our hands, and

0:31:24.880 --> 0:31:25.360
<v Speaker 2>it's like.

0:31:25.560 --> 0:31:28.520
<v Speaker 1>Yes, there are laws. What do you want her to do?

0:31:28.920 --> 0:31:33.040
<v Speaker 2>Like we know he sucks, but get a confession or

0:31:33.080 --> 0:31:35.280
<v Speaker 2>mirandize him and arrest him but there's no evidence, Like

0:31:35.440 --> 0:31:37.640
<v Speaker 2>fuck off. I just hate when they get so mad

0:31:37.680 --> 0:31:40.640
<v Speaker 2>at these lawyers and yell and do yell at Barba,

0:31:40.640 --> 0:31:41.800
<v Speaker 2>the way they yell at these women.

0:31:41.920 --> 0:31:45.440
<v Speaker 1>I don't know. I don't know Barba's like, so plays,

0:31:45.440 --> 0:31:46.320
<v Speaker 1>it's so chill.

0:31:46.440 --> 0:31:49.480
<v Speaker 2>Yeah, he's always condescending and making a little riddle a rhyme.

0:31:49.520 --> 0:31:51.640
<v Speaker 1>He's like a little troll under a brig Like I

0:31:51.640 --> 0:31:53.880
<v Speaker 1>can't think of a time of him ever yelling back.

0:31:54.040 --> 0:31:57.280
<v Speaker 1>He's just like actually subsection thirty four, you know, like

0:31:57.320 --> 0:31:58.880
<v Speaker 1>he just like kind of knows everything.

0:32:00.200 --> 0:32:05.320
<v Speaker 2>So Wong gives Stabler more scoop and he says, this

0:32:05.400 --> 0:32:09.240
<v Speaker 2>guy hates women. Get on his level. The nastier the better.

0:32:09.360 --> 0:32:11.960
<v Speaker 2>He wants to talk. But like then Stabler's like won

0:32:11.960 --> 0:32:14.760
<v Speaker 2>want he catch on? And Wong's like, yeah, but who cares?

0:32:14.760 --> 0:32:16.560
<v Speaker 2>It's worth it? Like, who cares if he catches on?

0:32:17.160 --> 0:32:21.000
<v Speaker 2>So Stabler comes in, pulls up his sleeves and this

0:32:21.160 --> 0:32:23.560
<v Speaker 2>is like an SVU Bingo moment. You know, there's a

0:32:23.640 --> 0:32:27.200
<v Speaker 2>bingo board, this would be on it. And Stabler does

0:32:27.240 --> 0:32:30.600
<v Speaker 2>a great job. He's just like, oh my bitch wife,

0:32:30.840 --> 0:32:36.880
<v Speaker 2>sixteen long dry years of marriage, too many kids, creditors.

0:32:36.920 --> 0:32:38.960
<v Speaker 2>If I don't give her the credit cards, she doesn't

0:32:39.120 --> 0:32:42.320
<v Speaker 2>fuck me. And then Jason's able to guess how the

0:32:42.360 --> 0:32:45.800
<v Speaker 2>oldest child is, which is sixteen. So that's a running

0:32:45.880 --> 0:32:50.680
<v Speaker 2>sixteen theme, and Stabler's like, wait, I don't lad you

0:32:50.800 --> 0:32:53.160
<v Speaker 2>know that, And Jason's like, you're a fucking cliche, bro.

0:32:53.600 --> 0:32:55.920
<v Speaker 2>You're a responsible guy. You know, you got caught up,

0:32:56.000 --> 0:32:58.160
<v Speaker 2>you got her pregnant, and she was just she's looking

0:32:58.160 --> 0:33:03.400
<v Speaker 2>for a free ride and now your life sucks, so whatever.

0:33:03.560 --> 0:33:06.120
<v Speaker 2>But you love your job, don't you, baby, And he's like,

0:33:06.160 --> 0:33:07.280
<v Speaker 2>I love my job.

0:33:07.760 --> 0:33:09.840
<v Speaker 1>You know, I love putting bad guys away.

0:33:09.960 --> 0:33:12.520
<v Speaker 2>So they're like bonding and he's not catching on to

0:33:12.640 --> 0:33:16.480
<v Speaker 2>what's happening at all. But then so basically Jason's like,

0:33:16.480 --> 0:33:19.080
<v Speaker 2>but you like to put bad guys away, and Sailor says, yeah,

0:33:19.080 --> 0:33:21.320
<v Speaker 2>but I actually want to know why. I like to

0:33:21.360 --> 0:33:23.719
<v Speaker 2>know why they end up that way, which is not

0:33:23.720 --> 0:33:26.160
<v Speaker 2>true because anytime Wong wants to bring in an idea,

0:33:26.280 --> 0:33:29.800
<v Speaker 2>he doesn't listen. So it's like you actually don't care

0:33:29.880 --> 0:33:31.840
<v Speaker 2>at all, and when someone gives you a reason, you

0:33:31.880 --> 0:33:36.360
<v Speaker 2>go no excuses, So uh whatever. So Stabler flips it

0:33:36.440 --> 0:33:38.600
<v Speaker 2>up again and tries to get Jason to talk by

0:33:38.600 --> 0:33:41.640
<v Speaker 2>saying there's no innocent victims. There's always a reason why.

0:33:41.720 --> 0:33:46.040
<v Speaker 2>I'm an experienced detective and women are It's always at

0:33:46.040 --> 0:33:48.800
<v Speaker 2>fault and there's always a reason why they are attacked,

0:33:49.240 --> 0:33:52.080
<v Speaker 2>and so he's just basically throwing this fishing line into

0:33:52.120 --> 0:33:54.880
<v Speaker 2>the pond and seeing if Jason takes a bite. So

0:33:55.000 --> 0:33:58.320
<v Speaker 2>Jason starts talking about Veronica. She was a bitch. She

0:33:58.480 --> 0:34:01.560
<v Speaker 2>took my dreams away. She wrote to the academy and

0:34:01.560 --> 0:34:04.000
<v Speaker 2>said I wasn't fit. She wanted me to meet her

0:34:04.000 --> 0:34:06.720
<v Speaker 2>outside of a store and said if I slept with

0:34:06.800 --> 0:34:10.040
<v Speaker 2>her then she would fix it. But I couldn't do that.

0:34:10.120 --> 0:34:11.719
<v Speaker 2>I didn't want to do that to her husband. I

0:34:11.719 --> 0:34:16.920
<v Speaker 2>wouldn't have like disrespected him that way. Sabler asks which

0:34:17.080 --> 0:34:21.120
<v Speaker 2>department store. He says, Crazy Bob's on Licks, So it's

0:34:21.160 --> 0:34:26.839
<v Speaker 2>an electronics store, which I like Crazy Bobs. So now

0:34:26.880 --> 0:34:31.000
<v Speaker 2>we cut to Benson and Benson goes to Fortress Armored

0:34:31.040 --> 0:34:34.279
<v Speaker 2>Cars to talk to Jason's new boss at the job

0:34:34.360 --> 0:34:36.960
<v Speaker 2>that he went to after he left that video game

0:34:37.040 --> 0:34:39.440
<v Speaker 2>cup place. So he says he's going to the police

0:34:39.440 --> 0:34:42.160
<v Speaker 2>Academy after only working there two weeks. The boss is

0:34:42.239 --> 0:34:45.200
<v Speaker 2>kind of annoyed. Benson asks if he was a good employee,

0:34:45.200 --> 0:34:46.840
<v Speaker 2>and the boss says, I suppose, but he was a

0:34:46.880 --> 0:34:49.080
<v Speaker 2>real chatty cathy about his girlfriend.

0:34:49.440 --> 0:34:50.520
<v Speaker 1>Ding ding ding ding ding.

0:34:50.880 --> 0:34:53.400
<v Speaker 2>You know, clue So the boss says, there's all these

0:34:53.440 --> 0:34:56.360
<v Speaker 2>photos of women in his locker, and he goes, but

0:34:56.440 --> 0:34:59.480
<v Speaker 2>if you want my opinion, this woman doesn't even know

0:34:59.520 --> 0:35:02.279
<v Speaker 2>he exists. And there's no doors on the lockers, and

0:35:02.320 --> 0:35:04.160
<v Speaker 2>I kind of love the boss. He goes, if they

0:35:04.160 --> 0:35:06.080
<v Speaker 2>got something to hide, they can leave it at home.

0:35:06.800 --> 0:35:10.359
<v Speaker 1>That's great. Yeah, yeah, I don't care what. I don't know.

0:35:10.440 --> 0:35:12.319
<v Speaker 2>I just I like this boss. He seems like a

0:35:12.320 --> 0:35:16.719
<v Speaker 2>reasonable guy. So at his locker there's all these photos

0:35:16.719 --> 0:35:19.879
<v Speaker 2>of Veronica from the security cameras. They're all like her

0:35:19.920 --> 0:35:23.680
<v Speaker 2>in a distance, and there's the candids of like closeups

0:35:23.719 --> 0:35:27.160
<v Speaker 2>of her boobs. So Benson calls and goes, get us

0:35:27.200 --> 0:35:31.239
<v Speaker 2>the search warrant, bitch. So they go to his apartment

0:35:31.400 --> 0:35:34.560
<v Speaker 2>and there's tons and tons of boxes of condoms, so

0:35:34.719 --> 0:35:39.400
<v Speaker 2>many condoms. And then also like through digging in the closet,

0:35:39.480 --> 0:35:42.439
<v Speaker 2>Benson Caesar's all this women's clothing. She goes, I didn't

0:35:42.480 --> 0:35:44.960
<v Speaker 2>know there was a roommate. Maybe he's a cross dress

0:35:45.080 --> 0:35:47.520
<v Speaker 2>or I'm not really sure. And then there's a shirt

0:35:47.560 --> 0:35:50.160
<v Speaker 2>that says GM on it. So there's a monogram on

0:35:50.160 --> 0:35:52.719
<v Speaker 2>one of the shirts and the text says yeah, there's

0:35:52.760 --> 0:35:55.680
<v Speaker 2>also like women's underwear in the laundry basket. What's going on?

0:35:56.239 --> 0:35:58.399
<v Speaker 2>And then on top of the cabinet there's a bunch

0:35:58.400 --> 0:36:03.080
<v Speaker 2>of bloody happens with locations written on them, and Benson

0:36:03.280 --> 0:36:05.920
<v Speaker 2>says like, walk the panties through the lab, rush the DNA.

0:36:06.120 --> 0:36:09.439
<v Speaker 2>Let's get these happens tested. Let's go, let's go, let's go. Move,

0:36:09.480 --> 0:36:13.640
<v Speaker 2>move move, And then Stabler, now it's time. It's game time.

0:36:13.680 --> 0:36:16.840
<v Speaker 2>Maybe it's quarter four. You've been holding out on me,

0:36:16.920 --> 0:36:19.400
<v Speaker 2>and I don't like being played. I respected you, and

0:36:19.440 --> 0:36:23.319
<v Speaker 2>you're treating me like a bitch. You're just like those

0:36:23.360 --> 0:36:25.880
<v Speaker 2>women that lie, but you don't lie to me. You

0:36:25.960 --> 0:36:29.359
<v Speaker 2>need to stop lying. And it's just really great. And

0:36:29.400 --> 0:36:32.200
<v Speaker 2>then when Jason says I want to go home, Stabler

0:36:32.239 --> 0:36:33.960
<v Speaker 2>does a full like act out and he's like, oh,

0:36:34.000 --> 0:36:37.200
<v Speaker 2>I want to go home and pretends to cry. He

0:36:37.280 --> 0:36:40.719
<v Speaker 2>starts throwing the photos from the locker one by one

0:36:40.760 --> 0:36:46.399
<v Speaker 2>onto Jason's face. It's a really good see and so

0:36:46.719 --> 0:36:48.680
<v Speaker 2>Jason's like, I'm not lying, I'm not lying. But then

0:36:48.680 --> 0:36:51.759
<v Speaker 2>Stablert goes, wait, you are dude. Did she harass you

0:36:52.280 --> 0:36:54.799
<v Speaker 2>or is she your girlfriend? You can't have it both

0:36:54.840 --> 0:36:58.600
<v Speaker 2>ways and Stabler says like, yeah, you can leave if

0:36:58.640 --> 0:37:00.920
<v Speaker 2>you want to leave, but you're gonna seem guilty, just

0:37:01.040 --> 0:37:03.200
<v Speaker 2>like all the all the games. And they're like and

0:37:03.239 --> 0:37:05.560
<v Speaker 2>the press is going to like scrutinize you, and your

0:37:05.640 --> 0:37:06.879
<v Speaker 2>rich mom is going to be mad.

0:37:07.360 --> 0:37:10.000
<v Speaker 1>And Jason is like, I love Ronnie.

0:37:10.320 --> 0:37:12.400
<v Speaker 2>She was gonna leave her husband to be with me,

0:37:12.520 --> 0:37:15.240
<v Speaker 2>and she couldn't because she got pregnant and that baby

0:37:15.280 --> 0:37:18.480
<v Speaker 2>could have been mine. And Stabler goes, no, no, no, there

0:37:18.520 --> 0:37:20.640
<v Speaker 2>is no baby, there is no mother. Everyone is dead.

0:37:20.760 --> 0:37:23.600
<v Speaker 2>You yoked her, you raped her, and when she pleaded

0:37:23.640 --> 0:37:26.760
<v Speaker 2>for her life an unborn child, you stuck your knife

0:37:26.760 --> 0:37:30.480
<v Speaker 2>into her back. Admit it. I love staying. This is

0:37:30.520 --> 0:37:32.600
<v Speaker 2>the thing with Stabler. In this moment, I'd have sex

0:37:32.640 --> 0:37:35.400
<v Speaker 2>with Stabler. You know, I'm not mad at him anymore.

0:37:36.040 --> 0:37:39.240
<v Speaker 2>Chadlow screams, I did not kill her. It was someone else,

0:37:39.280 --> 0:37:42.840
<v Speaker 2>and I want a lawyer. Uh oh, this is not good.

0:37:43.400 --> 0:37:46.680
<v Speaker 2>But Stabler doesn't get him a lawyer and basically keeps

0:37:46.680 --> 0:37:50.560
<v Speaker 2>playing games with him, and it's so annoying. So he's

0:37:50.560 --> 0:37:54.359
<v Speaker 2>turning and screaming. Stabler's like, we're almost done. Just answer

0:37:54.440 --> 0:37:57.279
<v Speaker 2>the questions and you can leave. He's doing good cop,

0:37:57.320 --> 0:37:59.840
<v Speaker 2>bad cop, but in one person, he's like being a

0:38:00.200 --> 0:38:03.879
<v Speaker 2>Cynthia Nixon right now, a lot of multiple personalities coming

0:38:03.880 --> 0:38:07.879
<v Speaker 2>out of Stabler. And Benson is now visiting the rich

0:38:07.960 --> 0:38:11.640
<v Speaker 2>Momy in Jersey, who's reading a book and Benson is

0:38:11.680 --> 0:38:14.160
<v Speaker 2>playing a game. Benson goes, why is your blouse at

0:38:14.239 --> 0:38:17.840
<v Speaker 2>Jason's house? Do you live with him? And she goes, listen,

0:38:17.880 --> 0:38:20.400
<v Speaker 2>my son's not a murderer. And she goes, why do

0:38:20.440 --> 0:38:22.560
<v Speaker 2>you leave your clothing at his place? And she goes,

0:38:22.719 --> 0:38:24.680
<v Speaker 2>I told you, Jason isn't like coming here. I visit

0:38:24.760 --> 0:38:26.279
<v Speaker 2>him in the city. We could do dinner with someone,

0:38:26.440 --> 0:38:28.440
<v Speaker 2>to go to the theater, and sometimes it's too late

0:38:28.480 --> 0:38:30.279
<v Speaker 2>to drive home, so I spend the night there and

0:38:30.320 --> 0:38:33.000
<v Speaker 2>it's none of your fucking business. And Benson goes, oh, okay,

0:38:33.000 --> 0:38:34.680
<v Speaker 2>but there's only a murphy bed and I didn't see

0:38:34.719 --> 0:38:34.960
<v Speaker 2>a cot.

0:38:35.000 --> 0:38:35.760
<v Speaker 1>Where do you sleep?

0:38:36.120 --> 0:38:38.279
<v Speaker 2>Listen? I get that it's like expensive to live in

0:38:38.320 --> 0:38:41.000
<v Speaker 2>New York and he's on a truck. A murphy bed

0:38:41.040 --> 0:38:43.640
<v Speaker 2>makes no sense. Why would it just be a murphy bed?

0:38:43.680 --> 0:38:45.600
<v Speaker 2>If you have a rich mommy in a trust, you

0:38:45.640 --> 0:38:46.799
<v Speaker 2>have a bed, you have a real bed.

0:38:46.920 --> 0:38:48.600
<v Speaker 1>Yeah, the Murphy Bed is weird.

0:38:49.200 --> 0:38:51.880
<v Speaker 2>I don't there there's no way he lives in a studio.

0:38:52.040 --> 0:38:53.880
<v Speaker 2>And even if I just I don't buy.

0:38:53.680 --> 0:38:54.840
<v Speaker 1>The Murphy Bed situation.

0:38:55.440 --> 0:38:57.279
<v Speaker 2>Or maybe he's one of those rich kids that like

0:38:57.600 --> 0:38:59.680
<v Speaker 2>you know, wants to pretend they're not.

0:39:00.239 --> 0:39:01.480
<v Speaker 1>Yeah, I know a lot of those.

0:39:01.760 --> 0:39:03.879
<v Speaker 2>Someone tweeted once I think it was Dwayne Perkins where

0:39:03.880 --> 0:39:06.560
<v Speaker 2>it's like I love seeing people's houses during Thanksgiving break

0:39:06.640 --> 0:39:09.200
<v Speaker 2>like all these people who pretend they're poor, and then like,

0:39:10.160 --> 0:39:15.919
<v Speaker 2>I'm sorry, is that an island in your kitchen? Benson's yeah,

0:39:16.360 --> 0:39:19.239
<v Speaker 2>why not get a hotel? Why not drive home? And

0:39:19.480 --> 0:39:21.319
<v Speaker 2>I just thought to myself, like that is a level

0:39:21.320 --> 0:39:23.520
<v Speaker 2>of rich I would really love to be. I would

0:39:23.640 --> 0:39:26.640
<v Speaker 2>love to just I actually don't want to drive home.

0:39:26.680 --> 0:39:29.000
<v Speaker 2>I'll get the hotel right here for the night. Like yeah,

0:39:29.200 --> 0:39:32.240
<v Speaker 2>I would love that kind of disposable, expendable.

0:39:32.719 --> 0:39:34.680
<v Speaker 1>But a woman like this could get a driver. I

0:39:34.680 --> 0:39:37.279
<v Speaker 1>mean there's like so many ways she can get home.

0:39:37.440 --> 0:39:39.799
<v Speaker 2>Like it's like, oh, I agree with you, but I'm

0:39:39.840 --> 0:39:42.040
<v Speaker 2>just thinking about like nights where I'm out and you

0:39:42.200 --> 0:39:45.680
<v Speaker 2>are like, yes, you know what, I'm just going to

0:39:45.760 --> 0:39:47.640
<v Speaker 2>go grab a room at the Maritime Hotel.

0:39:47.680 --> 0:39:49.200
<v Speaker 1>And want you guys just come back up and we'll

0:39:49.200 --> 0:39:50.120
<v Speaker 1>hang out a little longer.

0:39:50.360 --> 0:39:53.040
<v Speaker 2>Yeah, or like I'm not taking a new ber, I'm

0:39:53.040 --> 0:39:55.279
<v Speaker 2>getting a room. Like I just would love to be

0:39:55.320 --> 0:39:57.600
<v Speaker 2>able to just stay in hotel rooms and not care

0:39:57.880 --> 0:39:59.200
<v Speaker 2>about any price ever.

0:39:59.480 --> 0:39:59.719
<v Speaker 1>Like that.

0:40:00.040 --> 0:40:03.959
<v Speaker 2>It's just awesome. So then Benson great line. She goes,

0:40:04.080 --> 0:40:06.959
<v Speaker 2>what the hell did you do to your son? And

0:40:07.200 --> 0:40:09.360
<v Speaker 2>mommy Dearis says, I don't like your question and I

0:40:09.400 --> 0:40:10.440
<v Speaker 2>don't like your tone.

0:40:10.520 --> 0:40:11.440
<v Speaker 1>Please leave.

0:40:11.960 --> 0:40:15.319
<v Speaker 2>So back at the precinct, Houong is like jolly'sych boy.

0:40:15.360 --> 0:40:16.080
<v Speaker 1>He's so pumped.

0:40:16.160 --> 0:40:18.560
<v Speaker 2>He's like holding the hatpin trying to crack the case

0:40:18.560 --> 0:40:24.120
<v Speaker 2>with Kragan six pins with corresponding complaints. And I think

0:40:24.239 --> 0:40:26.640
<v Speaker 2>I didn't mention this, but every pin had a location

0:40:27.480 --> 0:40:31.160
<v Speaker 2>labeled to it, and each of those locations correspond to

0:40:31.200 --> 0:40:32.760
<v Speaker 2>a complaint of someone being.

0:40:32.560 --> 0:40:35.600
<v Speaker 1>Like someone pricked me out of nowhere. Yeah, well it happen.

0:40:36.000 --> 0:40:39.520
<v Speaker 2>And he talks about Peakerism and he was just like pakaristic.

0:40:39.640 --> 0:40:44.440
<v Speaker 2>I can't believe I didn't see it, so you know pekarism.

0:40:44.440 --> 0:40:48.160
<v Speaker 2>I guess he gets excited stabbing women's flesh, and the

0:40:48.239 --> 0:40:50.680
<v Speaker 2>happens were like the attacks were in the butt in

0:40:50.680 --> 0:40:53.200
<v Speaker 2>the back, so not one can even id an attack her.

0:40:53.400 --> 0:40:57.120
<v Speaker 2>So it like it works with the from the backshy

0:40:57.480 --> 0:41:01.680
<v Speaker 2>moment type thing. So Stabler's now question Jason again, but

0:41:01.840 --> 0:41:05.200
<v Speaker 2>now about the happens. Benson arrives and Stabler acts like

0:41:05.239 --> 0:41:09.000
<v Speaker 2>he hates her, and when she leaves, Stabler asks Jason,

0:41:09.120 --> 0:41:12.000
<v Speaker 2>how long has your mother been sleeping with you? Rude?

0:41:13.120 --> 0:41:15.280
<v Speaker 2>And then so Jason's like, what are you talking about?

0:41:15.320 --> 0:41:17.759
<v Speaker 2>This is crazy and Stabler goes, she had no right

0:41:17.800 --> 0:41:21.239
<v Speaker 2>to touch you and abuse you. And Jason goes, you're crazy.

0:41:21.360 --> 0:41:24.279
<v Speaker 2>And now he starts banging on the mirror and then

0:41:24.320 --> 0:41:26.239
<v Speaker 2>he like he like tries to flip it back on

0:41:26.280 --> 0:41:28.840
<v Speaker 2>Stabler like, you're you guys are gross? Is this what

0:41:28.880 --> 0:41:31.479
<v Speaker 2>happens to the sex police? Just sex on the brain

0:41:31.560 --> 0:41:34.359
<v Speaker 2>all the time? My mom never never touched me like that.

0:41:34.960 --> 0:41:37.400
<v Speaker 2>And I really love this next shot so so much.

0:41:37.760 --> 0:41:40.359
<v Speaker 2>I think we should take a screenshot.

0:41:39.800 --> 0:41:42.360
<v Speaker 1>Of this scene. I think it's so good just to remember.

0:41:43.080 --> 0:41:47.680
<v Speaker 2>But so Stabler like it's just like the direction of

0:41:47.719 --> 0:41:49.520
<v Speaker 2>this is amazing. We have to look up the director,

0:41:49.600 --> 0:41:52.680
<v Speaker 2>so like Stabler's in the background and then it's Jason

0:41:52.800 --> 0:41:55.280
<v Speaker 2>right up onto the two way mirror banging and yelling,

0:41:55.560 --> 0:41:58.200
<v Speaker 2>and then we see like like I don't know, like

0:41:58.239 --> 0:42:01.680
<v Speaker 2>we're at an aquarium. Craig Benson in a super leaned

0:42:01.719 --> 0:42:04.440
<v Speaker 2>and focused Kwang are like watching what's going on and

0:42:04.480 --> 0:42:07.879
<v Speaker 2>it looks awesome, and Huang looks like what I look

0:42:07.920 --> 0:42:11.439
<v Speaker 2>like when I'm at art museums, Like ooh, like, what's

0:42:11.640 --> 0:42:13.879
<v Speaker 2>like trying to be smarter than you are? I guess

0:42:13.960 --> 0:42:15.840
<v Speaker 2>Kwang is smart. He as a PhD and works with

0:42:15.920 --> 0:42:19.480
<v Speaker 2>the FBI. Okay, So Jason starts banging his head on

0:42:19.520 --> 0:42:23.239
<v Speaker 2>the mirror never never good, and he goes, shut the

0:42:23.280 --> 0:42:26.120
<v Speaker 2>hell up, so we know he's cracking a little, and

0:42:26.239 --> 0:42:28.879
<v Speaker 2>Jason goes that it's his fault that his mom would

0:42:28.960 --> 0:42:31.920
<v Speaker 2>rape him. And then he slides down and starts putting

0:42:31.960 --> 0:42:34.839
<v Speaker 2>his fingers in his mouth and licking them and truly like,

0:42:34.920 --> 0:42:36.520
<v Speaker 2>how did he not win an Emmy for this?

0:42:36.520 --> 0:42:41.000
<v Speaker 1>This is Emmy territory actic. It's very very eerie and creepy.

0:42:41.120 --> 0:42:44.320
<v Speaker 2>Yeah, so he starts doing an act out impression psycho moment.

0:42:44.480 --> 0:42:46.759
<v Speaker 2>His face looks like the new version of it, like

0:42:46.800 --> 0:42:49.600
<v Speaker 2>that new actor like just creepy eyes and his tongues

0:42:49.680 --> 0:42:53.359
<v Speaker 2>out and he's saying like, I'm a dirty boy. I

0:42:53.360 --> 0:42:55.520
<v Speaker 2>can't keep my hands to myself. And then he keeps

0:42:55.560 --> 0:42:58.239
<v Speaker 2>going back and forth doing what I assume is impressions

0:42:58.280 --> 0:43:00.680
<v Speaker 2>of his mom. So it's like lying, boy, don't look,

0:43:00.719 --> 0:43:02.799
<v Speaker 2>oh look, don't touch no touch me. Oh yeah that

0:43:02.800 --> 0:43:05.800
<v Speaker 2>feels good. No, come here, oh baby, no, that doesn't

0:43:05.800 --> 0:43:07.000
<v Speaker 2>feel good. You're a good boy.

0:43:07.080 --> 0:43:09.359
<v Speaker 1>Sh and then he shushes.

0:43:08.960 --> 0:43:12.920
<v Speaker 2>Like Blair Saint Clair the shimmysh Yeah, he does a

0:43:12.960 --> 0:43:20.080
<v Speaker 2>shimmy shush. And then the mom runs in after Jason's

0:43:20.120 --> 0:43:23.080
<v Speaker 2>now like been handcuffed and like being walked around and

0:43:23.400 --> 0:43:25.759
<v Speaker 2>like what have you done? Do you know what this

0:43:25.840 --> 0:43:28.759
<v Speaker 2>will do to me? So this is a narcissist to

0:43:28.880 --> 0:43:31.240
<v Speaker 2>not worry that her son might be a killer who's

0:43:31.239 --> 0:43:34.000
<v Speaker 2>going to jail forever and like a rapist and a weirdo.

0:43:34.080 --> 0:43:35.799
<v Speaker 1>It's like, look what you've done to me?

0:43:37.320 --> 0:43:40.280
<v Speaker 2>Oh, and she calls him a filthy, lying bastard.

0:43:40.960 --> 0:43:42.240
<v Speaker 1>So we get to the judge.

0:43:42.280 --> 0:43:45.680
<v Speaker 2>Love this judge Margaret Berry played by Doris Black. She

0:43:45.760 --> 0:43:48.759
<v Speaker 2>died in twenty eleven. Oh so we haven't had her

0:43:48.840 --> 0:43:51.480
<v Speaker 2>in a while, but she is one of my favorites.

0:43:51.520 --> 0:43:53.120
<v Speaker 2>And she was also in Sex and the City, one

0:43:53.120 --> 0:43:55.480
<v Speaker 2>of my favorite shows. She was one of the Jews

0:43:55.480 --> 0:43:58.399
<v Speaker 2>at the synagogue when Charlotte goes to the mixer and

0:43:58.440 --> 0:43:59.920
<v Speaker 2>it's the same episode where Peter.

0:43:59.800 --> 0:44:02.680
<v Speaker 1>Her isn't it And that's like the.

0:44:02.680 --> 0:44:05.479
<v Speaker 2>Son that they're all setting up with, So a real

0:44:05.880 --> 0:44:09.560
<v Speaker 2>sview Sex and the City crossover. And the episode is

0:44:09.600 --> 0:44:11.440
<v Speaker 2>called a hop skip in a week, So I don't

0:44:11.440 --> 0:44:13.640
<v Speaker 2>know if you remember that. It's what they go to

0:44:13.640 --> 0:44:16.440
<v Speaker 2>Brooklyn the absolute hunk. But this judge is in that.

0:44:16.560 --> 0:44:21.000
<v Speaker 2>And she's also my favorite movie Prime, which started my

0:44:21.080 --> 0:44:21.839
<v Speaker 2>love of roth Cos.

0:44:21.920 --> 0:44:24.959
<v Speaker 5>Okay, Lisa, I have a fun fact for you, because yeah,

0:44:25.000 --> 0:44:27.680
<v Speaker 5>we have to look up this director. Yeah, this episode

0:44:27.719 --> 0:44:32.399
<v Speaker 5>was directed by Steve Schill and he not only directed this,

0:44:32.640 --> 0:44:36.160
<v Speaker 5>but he directed the two episodes we just covered, Rooftop

0:44:36.280 --> 0:44:38.799
<v Speaker 5>and Rapist Anonymous, and he's only done fourteen episodes of

0:44:38.880 --> 0:44:40.920
<v Speaker 5>S few total, and he also directed a lot of Dexter.

0:44:41.920 --> 0:44:42.200
<v Speaker 1>Yeah.

0:44:42.239 --> 0:44:45.160
<v Speaker 2>We were actually just looking him up this weekend. Yeah,

0:44:45.200 --> 0:44:46.799
<v Speaker 2>and we're like, we need to get him because he's

0:44:46.800 --> 0:44:47.520
<v Speaker 2>done The Wire.

0:44:48.040 --> 0:44:51.160
<v Speaker 1>He's done like three episodes to say, oh that we

0:44:51.320 --> 0:44:52.400
<v Speaker 1>just covered, it's crazy.

0:44:52.760 --> 0:44:54.160
<v Speaker 2>Yeah, yeah, we gotta get shown.

0:44:54.239 --> 0:44:57.279
<v Speaker 1>Those are over multiple seasons. We're talking two thousand and

0:44:57.440 --> 0:44:59.320
<v Speaker 1>two to twenty thirteen.

0:44:59.480 --> 0:45:02.320
<v Speaker 2>Yeah, yeah, yeah, yeah, I knew it was a great director.

0:45:02.400 --> 0:45:06.480
<v Speaker 2>That shot is like so fucking good. Yeah, and you

0:45:06.520 --> 0:45:08.960
<v Speaker 2>know now, so we're in the core. This is like

0:45:09.080 --> 0:45:13.480
<v Speaker 2>the it's a it's kind of like SVU by the Numbers,

0:45:13.520 --> 0:45:17.000
<v Speaker 2>Color by Numbers. Cabot wants her man. Defense attorney says,

0:45:17.080 --> 0:45:19.600
<v Speaker 2>let him go. Cabot says he's rich. The other guy

0:45:19.640 --> 0:45:23.560
<v Speaker 2>says objection, YadA, YadA, Bail said it a million. Then

0:45:23.600 --> 0:45:25.520
<v Speaker 2>they go have more Legal four play in the whole

0:45:25.560 --> 0:45:30.600
<v Speaker 2>way more arguing about stuff and basically the defense attorneys

0:45:30.640 --> 0:45:34.040
<v Speaker 2>trying to throw away a bunch of evidence. Another classic

0:45:34.120 --> 0:45:36.920
<v Speaker 2>judge moment. This is a judge that's been in eighteen

0:45:36.920 --> 0:45:42.520
<v Speaker 2>episodes of SVU. Our mustache man Harvey Atkin is the

0:45:42.600 --> 0:45:45.120
<v Speaker 2>actor's name, and it's Judge Allen Rendoir.

0:45:46.320 --> 0:45:46.799
<v Speaker 1>I don't know.

0:45:47.440 --> 0:45:50.279
<v Speaker 2>So basically, the confession is out since he did ask

0:45:50.320 --> 0:45:53.120
<v Speaker 2>for a lawyer but didn't get one because Stabler wanted

0:45:53.160 --> 0:45:55.799
<v Speaker 2>to play games and that, but the happens are in

0:45:56.200 --> 0:45:58.800
<v Speaker 2>because it doesn't matter if you were looking for something

0:45:59.120 --> 0:46:00.920
<v Speaker 2>and found something else. So I think it's crazy. The

0:46:00.960 --> 0:46:02.920
<v Speaker 2>defense attorney tried to break it. It's like you were

0:46:02.960 --> 0:46:04.640
<v Speaker 2>looking for a knife and it's like, yeah, and they

0:46:04.719 --> 0:46:08.680
<v Speaker 2>found bloody happens. It stays yeah, nice try though, that's

0:46:08.680 --> 0:46:11.680
<v Speaker 2>why you get paid the big bucks. Cabot said, I

0:46:11.800 --> 0:46:14.719
<v Speaker 2>fucking warned you, Stabler who? And then Stabler's like whose side?

0:46:14.719 --> 0:46:17.360
<v Speaker 2>Are you on your side? But you have to follow

0:46:17.400 --> 0:46:19.200
<v Speaker 2>the rule. I just hate when they fight like this.

0:46:19.400 --> 0:46:22.680
<v Speaker 2>I feel like a kid watching their parents about to

0:46:22.719 --> 0:46:23.920
<v Speaker 2>get divorced or something.

0:46:24.120 --> 0:46:25.560
<v Speaker 1>It's like, he did ask for a lawyer.

0:46:25.640 --> 0:46:29.800
<v Speaker 2>You knew you were doing the wrong thing. Wangam says like, hey,

0:46:29.960 --> 0:46:33.000
<v Speaker 2>I have a theory. There's a pattern. After the crimes.

0:46:33.000 --> 0:46:35.000
<v Speaker 2>I think he goes to his mom's house in Jersey.

0:46:35.080 --> 0:46:37.320
<v Speaker 2>The knife is there. We need to find the knife.

0:46:37.560 --> 0:46:41.080
<v Speaker 2>The knife equals his penis. He is not disposing of it.

0:46:41.680 --> 0:46:45.439
<v Speaker 2>So then Stabler calls everyone bottom feeding suits and it's

0:46:45.520 --> 0:46:48.239
<v Speaker 2>like are the das making that much money? They work

0:46:48.280 --> 0:46:51.160
<v Speaker 2>for the government, Like, I don't think they're that rich.

0:46:52.280 --> 0:46:55.360
<v Speaker 2>So then they're begging to get a warrant to go

0:46:55.480 --> 0:46:57.920
<v Speaker 2>to the Jersey house to look for this knife with

0:46:57.960 --> 0:47:00.800
<v Speaker 2>the ADA and the ADA and one of the judges.

0:47:00.840 --> 0:47:04.719
<v Speaker 2>They're frat bros. So they pull a favor and they

0:47:04.760 --> 0:47:08.000
<v Speaker 2>go they get to search the house in Jersey and

0:47:08.080 --> 0:47:11.319
<v Speaker 2>it's the you know, we already saw the mansion and

0:47:11.360 --> 0:47:13.759
<v Speaker 2>I love this. Is there an official word for like

0:47:13.800 --> 0:47:17.319
<v Speaker 2>when the two staircases become one where it's like they're

0:47:17.440 --> 0:47:18.600
<v Speaker 2>down the side, but then.

0:47:20.120 --> 0:47:22.759
<v Speaker 1>You're like an interior designer or something like a real

0:47:22.840 --> 0:47:25.160
<v Speaker 1>estate agent. Let us know what that's called. I don't know.

0:47:25.239 --> 0:47:27.040
<v Speaker 1>I'm Suna knows what. I think.

0:47:27.080 --> 0:47:30.320
<v Speaker 5>It's called a combination stair that's not fun or fancies.

0:47:31.200 --> 0:47:34.840
<v Speaker 5>A combination stairs, an architectural element founded traditional homes in

0:47:34.880 --> 0:47:37.759
<v Speaker 5>North America where two sets of stairs merge into one

0:47:37.840 --> 0:47:38.560
<v Speaker 5>at a landing.

0:47:39.320 --> 0:47:42.600
<v Speaker 2>Yeah, it's like Titanic style, Like you know this if

0:47:42.600 --> 0:47:44.400
<v Speaker 2>you have a house like this, this is where everyone

0:47:44.400 --> 0:47:47.560
<v Speaker 2>took prom photos, you know what I mean. Yes, it's

0:47:47.560 --> 0:47:50.879
<v Speaker 2>pretty amazing. And so they're entering. There's guns, they're trying

0:47:50.880 --> 0:47:53.239
<v Speaker 2>to find it. What's going on? They enter the bedroom.

0:47:53.800 --> 0:47:57.080
<v Speaker 2>One of the best scenes in SVU history. Oh my god,

0:47:57.400 --> 0:48:00.239
<v Speaker 2>the mom is dead, knife on the night stand in

0:48:00.280 --> 0:48:03.919
<v Speaker 2>his shirtless. Everyone is naked. There's blood everywhere. He killed

0:48:03.920 --> 0:48:07.960
<v Speaker 2>his fucking mom after probably fucking her. Okay, and he

0:48:08.040 --> 0:48:10.840
<v Speaker 2>quotes I told her, I'm not a little boy anymore.

0:48:11.200 --> 0:48:15.400
<v Speaker 2>And then that's how it ends, like a wild, bloody,

0:48:15.520 --> 0:48:18.080
<v Speaker 2>naked incest ending of svo.

0:48:18.400 --> 0:48:21.000
<v Speaker 1>Yeah, and he's like he's like touching her hair and

0:48:21.040 --> 0:48:24.319
<v Speaker 1>it's bloody or it's like it's so creepy. It's like

0:48:24.360 --> 0:48:26.279
<v Speaker 1>one of the creepiest scenes. And then it's just like

0:48:26.320 --> 0:48:28.960
<v Speaker 1>fucking dick wolf. It's so nuts. Yeah.

0:48:29.480 --> 0:48:33.120
<v Speaker 2>So it's an amazing episode, And yeah, I can't wait

0:48:33.360 --> 0:48:35.160
<v Speaker 2>to hear more, Kara.

0:48:35.239 --> 0:48:38.560
<v Speaker 1>The true crime is so insane. I cannot wait.

0:48:38.960 --> 0:48:43.080
<v Speaker 2>Oh my, and more insane than happen Penis. Mommy, fucking

0:48:43.160 --> 0:48:44.320
<v Speaker 2>this is amazing.

0:48:44.040 --> 0:48:46.120
<v Speaker 1>Insane in different ways. There's just a lot of crazy

0:48:46.160 --> 0:48:48.359
<v Speaker 1>elements in this next story, and I really can't wait

0:48:48.400 --> 0:49:02.799
<v Speaker 1>to tell you about it. Hell yes, all right, so

0:49:03.400 --> 0:49:06.560
<v Speaker 1>let's get into this. The story starts with a woman

0:49:06.640 --> 0:49:11.439
<v Speaker 1>named Barbara Daily who grew up in Cambridge, Massachusetts. When

0:49:11.600 --> 0:49:15.359
<v Speaker 1>she was eleven years old, her father died tragically by

0:49:15.400 --> 0:49:18.440
<v Speaker 1>suicide from car like doing the carbon monoxide like car

0:49:18.440 --> 0:49:19.919
<v Speaker 1>in the garage with the hose thing.

0:49:20.680 --> 0:49:23.000
<v Speaker 2>Now, when I think of carbon monoxide, I just think

0:49:23.080 --> 0:49:24.719
<v Speaker 2>of the midsommer.

0:49:25.239 --> 0:49:28.239
<v Speaker 1>I haven't seen that. Well, whoever has their happy I

0:49:28.280 --> 0:49:30.319
<v Speaker 1>did my husband tell me the entire plot of it

0:49:30.360 --> 0:49:32.240
<v Speaker 1>because I said it was too scared I would probably

0:49:32.239 --> 0:49:34.520
<v Speaker 1>never see it, So you told me the whole plot.

0:49:34.760 --> 0:49:37.840
<v Speaker 1>Well then, but I just didn't know about carbon monoxide.

0:49:38.120 --> 0:49:41.319
<v Speaker 2>She basically puts on a gas mask of carbon monoxide

0:49:41.360 --> 0:49:46.120
<v Speaker 2>straight into her and then kills her parents with the monoxide.

0:49:46.239 --> 0:49:49.360
<v Speaker 2>But like gas, it's a fucked up scene. Trixie and

0:49:49.440 --> 0:49:51.279
<v Speaker 2>Katiev talked about it and on and they make it

0:49:51.320 --> 0:49:55.040
<v Speaker 2>really funny, but they can.

0:49:55.200 --> 0:49:58.759
<v Speaker 1>Yeah, well, I don't know if I can make it

0:49:58.800 --> 0:50:02.120
<v Speaker 1>as funny. But she heard her mother take the insurance money,

0:50:02.320 --> 0:50:04.439
<v Speaker 1>which I didn't know that you got insurance money when

0:50:04.480 --> 0:50:06.799
<v Speaker 1>you took your own life, but maybe you do, I guess. Yeah,

0:50:06.920 --> 0:50:10.880
<v Speaker 1>Arthur Miller rules. Yeah. They moved to New York City

0:50:11.360 --> 0:50:13.640
<v Speaker 1>and they live at the Delmonico Hotel, which I look

0:50:13.719 --> 0:50:15.920
<v Speaker 1>up and it is currently Trump Park Avenue.

0:50:16.000 --> 0:50:16.280
<v Speaker 4>Boo.

0:50:16.920 --> 0:50:21.600
<v Speaker 1>Barbara is a truly chaotic woman. She's like young and beautiful.

0:50:21.680 --> 0:50:24.479
<v Speaker 1>Living in New York City, she just becomes a social lite.

0:50:24.480 --> 0:50:26.360
<v Speaker 1>Like I don't actually know if her family had any

0:50:26.719 --> 0:50:29.440
<v Speaker 1>money beyond like all we all we really can find

0:50:29.600 --> 0:50:31.360
<v Speaker 1>is that she had this insurance. Her mom had this

0:50:31.440 --> 0:50:33.760
<v Speaker 1>insurance money, so I don't know she comes for money,

0:50:33.760 --> 0:50:37.000
<v Speaker 1>but just being gorgeous and being kind of like eccentric,

0:50:37.120 --> 0:50:39.560
<v Speaker 1>she just becomes this like New York socialite. She's dating

0:50:39.600 --> 0:50:42.600
<v Speaker 1>tons of rich dudes. She models briefly for Vogue and

0:50:42.640 --> 0:50:46.759
<v Speaker 1>Harper's Bazaarre, so she's very beautiful. Like her mother, she

0:50:46.800 --> 0:50:49.880
<v Speaker 1>also has issues with mental health and she saw a psychiatrist.

0:50:50.480 --> 0:50:53.040
<v Speaker 1>And then at one point she screen tested with this

0:50:53.160 --> 0:50:56.560
<v Speaker 1>nineteen forties movie star named Dana Andrews, but acting was

0:50:56.560 --> 0:51:00.120
<v Speaker 1>like obviously not her not her skill, but she did

0:51:00.160 --> 0:51:05.480
<v Speaker 1>become friends with another aspiring actress named Cornelia Dickie Bakeland Bacerland.

0:51:05.600 --> 0:51:07.160
<v Speaker 1>I don't know how you say the l was named Backerland.

0:51:07.239 --> 0:51:08.320
<v Speaker 1>I think there.

0:51:08.160 --> 0:51:10.760
<v Speaker 2>Are so many vowels that look crazy.

0:51:10.400 --> 0:51:13.319
<v Speaker 1>In that name. Yeah yeah. And then this is how

0:51:13.360 --> 0:51:16.200
<v Speaker 1>she meets Dicky's younger brother. First of all, I don't

0:51:16.200 --> 0:51:19.879
<v Speaker 1>know why Cornelia's nickname is Dickie, Like, well, I don't

0:51:19.880 --> 0:51:22.200
<v Speaker 1>know where that came from. But this woman named Dickie

0:51:22.560 --> 0:51:25.680
<v Speaker 1>has a younger brother named Brooks. So Brooks Bakeland is

0:51:26.080 --> 0:51:29.120
<v Speaker 1>who Barbara meets and they fall in love or whatever.

0:51:29.200 --> 0:51:34.560
<v Speaker 1>And now Dickie Bakeland and Brooks. Bakland are the grandchildren

0:51:34.560 --> 0:51:38.040
<v Speaker 1>of Leo Bakeland, who is the inventor of Bacolte, which

0:51:38.120 --> 0:51:41.960
<v Speaker 1>is moldable plastic. And Lisa, I don't know if you

0:51:41.960 --> 0:51:45.479
<v Speaker 1>remember this, but earlier in the pandemic, when we were

0:51:45.960 --> 0:51:48.960
<v Speaker 1>all jonesing for activities or anything to do, we did

0:51:49.000 --> 0:51:51.960
<v Speaker 1>trivia with our friend Julia and our friend Meghan, and

0:51:52.080 --> 0:51:55.319
<v Speaker 1>Julia got a question right about bacolte. I'd never heard

0:51:55.360 --> 0:51:56.840
<v Speaker 1>of it, but she's like, it's bake alite, and I

0:51:56.880 --> 0:51:59.600
<v Speaker 1>was like, okay. And so apparently that reminds me of

0:51:59.680 --> 0:52:01.319
<v Speaker 1>her now when I hear about it. So it's this

0:52:01.440 --> 0:52:04.160
<v Speaker 1>multiple plastic. You could use it to make phones, radio

0:52:04.280 --> 0:52:07.759
<v Speaker 1>is basically everything. So this man, Leo Bakelund, was rich

0:52:07.800 --> 0:52:10.919
<v Speaker 1>as hell, and then all of his generations after him

0:52:10.960 --> 0:52:13.440
<v Speaker 1>just had all this inherited wealth from him. So Brooks

0:52:13.600 --> 0:52:16.759
<v Speaker 1>is like this lazy ass rich kid. One article I

0:52:16.920 --> 0:52:19.920
<v Speaker 1>read talked about them as a couple, Brooks and Barbara,

0:52:19.960 --> 0:52:21.840
<v Speaker 1>and was like he was a writer who never wrote.

0:52:21.880 --> 0:52:24.160
<v Speaker 1>She was a painter who could not paint. Like they

0:52:24.200 --> 0:52:27.080
<v Speaker 1>imagine themselves as these very like interesting artists, and like

0:52:27.080 --> 0:52:30.040
<v Speaker 1>they actually did not produce anything and I feel like

0:52:30.080 --> 0:52:31.600
<v Speaker 1>I know a lot of rich people that are like this.

0:52:32.320 --> 0:52:36.120
<v Speaker 1>Barbara tells Brooks that she is pregnant, which she is not,

0:52:36.520 --> 0:52:39.759
<v Speaker 1>and they get married. So that's the kind of life

0:52:39.760 --> 0:52:43.680
<v Speaker 1>she's living, is false pregnancies two lore men into marriage,

0:52:43.719 --> 0:52:45.880
<v Speaker 1>so they get a quickie marriage in California. Then they

0:52:45.920 --> 0:52:48.800
<v Speaker 1>live on the Upper East Side in a fancy apartment.

0:52:48.800 --> 0:52:51.920
<v Speaker 1>They have epic dinner parties with guests like Greta Garbo

0:52:52.040 --> 0:52:55.560
<v Speaker 1>Tennessee Williams. They're like in society in New York, Okay.

0:52:56.280 --> 0:53:00.120
<v Speaker 1>Barbara earns a reputation for being unstable and prone to

0:53:00.200 --> 0:53:04.560
<v Speaker 1>root outbursts, and she suffers from bouts of severe depression.

0:53:04.719 --> 0:53:08.120
<v Speaker 1>I mean, I'm sort of getting the Kristin Johnson character

0:53:08.280 --> 0:53:11.480
<v Speaker 1>from New York is dead and falling out the window.

0:53:11.480 --> 0:53:13.520
<v Speaker 1>I'm sort of getting like that sex and the city

0:53:13.680 --> 0:53:16.279
<v Speaker 1>vibe from this woman. Like she's just like acting out

0:53:16.280 --> 0:53:18.440
<v Speaker 1>at parties and seems like the kind of woman that's like,

0:53:18.920 --> 0:53:20.440
<v Speaker 1>you know, we'll start a fight with her husband in

0:53:20.440 --> 0:53:22.120
<v Speaker 1>the middle of a restaurant or something and throw a

0:53:22.120 --> 0:53:24.719
<v Speaker 1>glass of water. She definitely would be on The Housewives

0:53:25.239 --> 0:53:27.799
<v Speaker 1>in the nineteen fifties or sixties. This bitch is a

0:53:27.840 --> 0:53:31.520
<v Speaker 1>real housewife of New York for sure. She drank heavily,

0:53:31.640 --> 0:53:34.200
<v Speaker 1>and both her and Brooks had constant affairs. They were

0:53:34.200 --> 0:53:36.719
<v Speaker 1>both I mean, like apparently she would get very set

0:53:36.719 --> 0:53:39.080
<v Speaker 1>off by his affairs, but she was also having affairs.

0:53:39.600 --> 0:53:41.759
<v Speaker 1>So obviously, what do you do when you're living this

0:53:41.880 --> 0:53:45.000
<v Speaker 1>chaotic lifestyle. You bring a child into the world. She

0:53:45.280 --> 0:53:48.680
<v Speaker 1>and Brooks had a son named Antony in nineteen forty six,

0:53:49.160 --> 0:53:52.040
<v Speaker 1>so they live in New York. But then when Antony

0:53:52.160 --> 0:53:54.600
<v Speaker 1>is eight, the family really starts like living like full

0:53:54.640 --> 0:53:57.000
<v Speaker 1>cartoon characters, Like they keep their New York City place,

0:53:57.040 --> 0:53:59.680
<v Speaker 1>but they bounce around Europe, like renting villas and houses

0:53:59.719 --> 0:54:04.440
<v Speaker 1>in life in Paris, Italy, Zermatt, cap Duntee, but like

0:54:04.480 --> 0:54:07.040
<v Speaker 1>these places that are hard to pronounce. They're just bouncing

0:54:07.040 --> 0:54:11.560
<v Speaker 1>all around and like living this lifestyle of luxury, and

0:54:11.640 --> 0:54:13.560
<v Speaker 1>Barbara and Brooks just kind of like live the life

0:54:13.600 --> 0:54:17.600
<v Speaker 1>they entertain. They have affairs. Whatever money is poison, Really

0:54:17.760 --> 0:54:20.680
<v Speaker 1>being rich is poison, Okay. So at one point Brooks

0:54:20.719 --> 0:54:23.920
<v Speaker 1>tried to leave Barbara for a younger woman, but she

0:54:24.760 --> 0:54:27.880
<v Speaker 1>Barbara attempted suicide and he broke the relationship off with

0:54:27.920 --> 0:54:30.040
<v Speaker 1>the other woman, and she does this multiple times. She

0:54:30.120 --> 0:54:33.839
<v Speaker 1>constantly like sort of plays the I will attempt suicide card,

0:54:33.920 --> 0:54:37.480
<v Speaker 1>and she does do that many times. So something I

0:54:37.520 --> 0:54:40.160
<v Speaker 1>read said that Barbara would like smother Tony with attention

0:54:40.400 --> 0:54:42.239
<v Speaker 1>and then ship them off to boarding schools like all

0:54:42.280 --> 0:54:44.680
<v Speaker 1>over Europe. So I think there was like weird. They

0:54:44.719 --> 0:54:47.240
<v Speaker 1>both thought that Tony was going to be this really

0:54:47.280 --> 0:54:50.399
<v Speaker 1>really outstanding person and like be very talented, and he

0:54:50.520 --> 0:54:54.200
<v Speaker 1>kind of wasn't, and I don't know if that affected

0:54:54.239 --> 0:54:58.000
<v Speaker 1>their relationships with him. But in nineteen sixty seven, when

0:54:58.080 --> 0:55:01.359
<v Speaker 1>Tony was twenty, the family was based in Switzerland and

0:55:01.719 --> 0:55:05.720
<v Speaker 1>Antony was at a Spanish resort of Kadoc or Sadac.

0:55:05.760 --> 0:55:06.920
<v Speaker 1>I don't know how you say this. It becomes with

0:55:06.920 --> 0:55:10.480
<v Speaker 1>a C, but I think it's Kadoc. He meets Jake Cooper,

0:55:10.520 --> 0:55:14.720
<v Speaker 1>an Australian man and who introduces Antony to hallucinogenic drugs

0:55:14.719 --> 0:55:17.879
<v Speaker 1>and the two start an affair. So Antony is gay

0:55:18.360 --> 0:55:21.200
<v Speaker 1>and Barbara is not okay with that. She drives to

0:55:21.280 --> 0:55:24.360
<v Speaker 1>Spain to bring Antony back to Switzerland, but at the

0:55:24.400 --> 0:55:27.200
<v Speaker 1>border he doesn't have his passport. She obviously makes a

0:55:27.280 --> 0:55:30.680
<v Speaker 1>huge scene because she's that girl and her and her

0:55:30.680 --> 0:55:32.880
<v Speaker 1>son are both arrested and put in jail. So like,

0:55:33.080 --> 0:55:36.839
<v Speaker 1>everything is so bonkers with these people. The following year,

0:55:37.000 --> 0:55:40.160
<v Speaker 1>apparently she has a little bit more accepted his relationship

0:55:40.200 --> 0:55:42.760
<v Speaker 1>with Jake, but is still pushing him to like explore

0:55:42.800 --> 0:55:45.640
<v Speaker 1>relationships with women. And he had brought home a French

0:55:45.680 --> 0:55:48.799
<v Speaker 1>girl named Sylvie for the weekend, and so she's kind

0:55:48.840 --> 0:55:51.760
<v Speaker 1>of pushing that relationship, like, oh, like, let's get with Sylvie.

0:55:51.880 --> 0:55:54.440
<v Speaker 1>Plot twist, Sylvie starts having an affair with her husband

0:55:54.480 --> 0:55:58.480
<v Speaker 1>Brooks okay this time. When Barbara finds out about it,

0:55:58.520 --> 0:56:01.040
<v Speaker 1>she also attempts suicide again, but this time Brooks is like,

0:56:01.080 --> 0:56:03.080
<v Speaker 1>I'm done with this and files for divorce and he

0:56:03.200 --> 0:56:05.400
<v Speaker 1>marries Sylvie and they have a child and then they

0:56:05.440 --> 0:56:09.000
<v Speaker 1>eventually get divorced too. This is just a fun little tidbit.

0:56:09.320 --> 0:56:12.239
<v Speaker 1>In nineteen sixty nine, Barbera meets pop art curator and

0:56:12.280 --> 0:56:15.239
<v Speaker 1>director Samuel Adams Green and she has an affair with him,

0:56:15.239 --> 0:56:17.520
<v Speaker 1>and he's like friends with Andy Warhol. He's like huge

0:56:17.520 --> 0:56:19.840
<v Speaker 1>and like the pop art scene, and he breaks it

0:56:19.880 --> 0:56:22.439
<v Speaker 1>off after six weeks, but Barbara's fully obsessed with him,

0:56:22.440 --> 0:56:27.440
<v Speaker 1>and allegedly she walked across Central Park in the snow, barefoot,

0:56:27.760 --> 0:56:30.799
<v Speaker 1>wearing only a Lynx fur coat, and to demand to

0:56:30.800 --> 0:56:34.680
<v Speaker 1>be let into his apartment. I just think that's iconic,

0:56:34.880 --> 0:56:37.480
<v Speaker 1>rich lady. Crazy, it is, but it's like you could

0:56:37.480 --> 0:56:41.480
<v Speaker 1>put on shoes. I know, I know. But now let's

0:56:41.480 --> 0:56:44.680
<v Speaker 1>get back to Tony. So, as a young man, Anthony

0:56:44.719 --> 0:56:48.200
<v Speaker 1>displayed signs of schizophrenia with paranoid tendencies, and he was

0:56:48.239 --> 0:56:51.920
<v Speaker 1>eventually diagnosed with schizophrenia, but at first his father refused

0:56:51.960 --> 0:56:54.279
<v Speaker 1>to allow him to be treated by psychiatrists because the

0:56:54.280 --> 0:56:58.520
<v Speaker 1>father thought that psychiatry was professionally a moral So the

0:56:58.600 --> 0:57:02.520
<v Speaker 1>father just like doesn't agree with psychiatry. He's a real stabler.

0:57:03.160 --> 0:57:06.200
<v Speaker 1>So now flash forward to the summer from his youth

0:57:06.200 --> 0:57:08.920
<v Speaker 1>to the summer of nineteen sixty eight. Right after his parents' divorce,

0:57:09.440 --> 0:57:13.440
<v Speaker 1>Barbara and Tony become extremely clingy and codependent, people say,

0:57:13.880 --> 0:57:17.200
<v Speaker 1>and Barbara, in an attempt to quote unquote fix her

0:57:17.240 --> 0:57:21.520
<v Speaker 1>son's homosexuality, starts hiring sex workers to sleep with him.

0:57:22.000 --> 0:57:26.760
<v Speaker 1>When that doesn't work, it is believed that Barbara raped Tony.

0:57:27.440 --> 0:57:29.400
<v Speaker 1>So at this point, yeah, he's twenty years old and

0:57:29.440 --> 0:57:31.360
<v Speaker 1>his mother is having sex with him to try to

0:57:31.400 --> 0:57:35.520
<v Speaker 1>fix his homosexuality. In her words, there's no fixing homosexuality

0:57:35.520 --> 0:57:38.440
<v Speaker 1>because it is not a problem. In July of nineteen

0:57:38.480 --> 0:57:42.000
<v Speaker 1>seventy two, okay, so this is four years later, he

0:57:42.040 --> 0:57:44.840
<v Speaker 1>tried to throw his mother into traffic in London outside

0:57:44.880 --> 0:57:48.320
<v Speaker 1>of her penthouse, but literally didn't succeed because he wasn't

0:57:48.360 --> 0:57:53.240
<v Speaker 1>strong enough. And then he was arrested for attempted murder

0:57:53.240 --> 0:57:56.360
<v Speaker 1>for that, but his mom didn't press charges, okay, And

0:57:56.400 --> 0:57:59.320
<v Speaker 1>then he was admitted to a private's like Yactric Hospital,

0:57:59.360 --> 0:58:02.520
<v Speaker 1>but released. And after he started seeing a psychiatrist while

0:58:02.560 --> 0:58:07.120
<v Speaker 1>living at home with his mother, and the psychiatrist warned Barbara, quote,

0:58:07.280 --> 0:58:10.000
<v Speaker 1>your son is going to kill you. I think you're

0:58:10.040 --> 0:58:15.080
<v Speaker 1>at grave risk, and she responded, I don't, so she

0:58:15.240 --> 0:58:18.240
<v Speaker 1>thought he's not capable murder. She waved him off. Two

0:58:18.280 --> 0:58:21.600
<v Speaker 1>weeks after the psychiatrist had that conversation with her. On

0:58:21.640 --> 0:58:24.880
<v Speaker 1>November seventeenth of nineteen seventy two, Antony, aged twenty five,

0:58:25.000 --> 0:58:27.440
<v Speaker 1>murdered his fifty one year old mother by stabbing her

0:58:27.440 --> 0:58:32.040
<v Speaker 1>with a kitchen knife, killing her almost instantly. So similar

0:58:32.040 --> 0:58:33.560
<v Speaker 1>to the episode, I don't think he had a full

0:58:33.600 --> 0:58:37.960
<v Speaker 1>pegaristic problem, but you know, when the police arrived. This

0:58:38.000 --> 0:58:41.160
<v Speaker 1>is bizarre. Antony was on the phone ordering Chinese food

0:58:41.200 --> 0:58:45.160
<v Speaker 1>like nothing ever happened, like completely unfazed. I mean, murder

0:58:45.240 --> 0:58:45.880
<v Speaker 1>is exhausting.

0:58:45.960 --> 0:58:49.680
<v Speaker 2>I understand wanting some rice after you want some General

0:58:49.720 --> 0:58:51.360
<v Speaker 2>So's chicken right after you kill your mom.

0:58:51.400 --> 0:58:51.800
<v Speaker 4>For sure.

0:58:52.920 --> 0:58:56.919
<v Speaker 1>Anthony was institutionalized at England's high security psychiatric hospital called

0:58:56.960 --> 0:59:02.200
<v Speaker 1>Broadmore until nineteen eighty when his influential friends and family

0:59:02.280 --> 0:59:04.680
<v Speaker 1>like fought for his release. So he did eight years

0:59:04.680 --> 0:59:08.400
<v Speaker 1>in a psych hospital and then was released. This story

0:59:08.600 --> 0:59:11.640
<v Speaker 1>does not stop. After he gets released from Broadmoor. He

0:59:11.720 --> 0:59:15.560
<v Speaker 1>immediately he's thirty three years old, now, Anthony, he immediately

0:59:15.560 --> 0:59:17.600
<v Speaker 1>flies to New York City to stay way way way,

0:59:17.640 --> 0:59:21.160
<v Speaker 1>way way. So he only served eight years, eight years

0:59:21.840 --> 0:59:24.680
<v Speaker 1>because he got a psychiatric he probably got sent you know,

0:59:25.240 --> 0:59:27.320
<v Speaker 1>I don't know, because it happened in England, so I

0:59:27.320 --> 0:59:29.160
<v Speaker 1>think their law system is a little different. But he

0:59:29.160 --> 0:59:32.560
<v Speaker 1>obviously got some kind of reason of insanity defense was

0:59:32.600 --> 0:59:36.280
<v Speaker 1>put in a hospital, and then like the hospital released

0:59:36.320 --> 0:59:39.840
<v Speaker 1>him because his influential friends and family were like lobbying

0:59:39.880 --> 0:59:42.280
<v Speaker 1>for him. So yeah, it is kind of nuts that

0:59:42.320 --> 0:59:44.920
<v Speaker 1>he would just be let out. Because here's what happens. Next,

0:59:45.320 --> 0:59:47.720
<v Speaker 1>he flies directly to New York City to stay with

0:59:47.760 --> 0:59:50.440
<v Speaker 1>his eighty seven year old maternal grandmother. So his mother's

0:59:50.480 --> 0:59:54.160
<v Speaker 1>mother named Ninie Daily or it's Ni Ni Niani nine nine.

0:59:54.240 --> 0:59:56.600
<v Speaker 2>I don't know, yeah, but isn't she mad that this

0:59:56.680 --> 1:00:01.040
<v Speaker 2>guy killed her daughter? I mean, she's probably like he's sick.

1:00:01.560 --> 1:00:01.800
<v Speaker 4>You know.

1:00:02.240 --> 1:00:05.520
<v Speaker 1>I don't know. So he apparently builds a sort of

1:00:05.640 --> 1:00:09.920
<v Speaker 1>creepy shrine to his dead mother and mumbled satanic masses

1:00:09.960 --> 1:00:12.880
<v Speaker 1>over her ashes. That's where what I read in one place,

1:00:12.960 --> 1:00:17.440
<v Speaker 1>So who knows. And then six days after his release,

1:00:17.920 --> 1:00:20.640
<v Speaker 1>he attacked his grandmother with a kitchen knife, stabbing her

1:00:20.680 --> 1:00:23.720
<v Speaker 1>eight times and breaking several of her bones because apparently

1:00:23.760 --> 1:00:27.640
<v Speaker 1>she was nagging him quote unquote a surprise twist, she

1:00:27.720 --> 1:00:30.640
<v Speaker 1>did survive. He was arrested by the NYPD in charge

1:00:30.640 --> 1:00:33.760
<v Speaker 1>with attempted murder and sent to Rikers. He was in

1:00:33.840 --> 1:00:37.040
<v Speaker 1>Rikers for eight months of assessment by their psychiatric people.

1:00:37.600 --> 1:00:40.560
<v Speaker 1>He was expecting to be released on bail on March

1:00:40.600 --> 1:00:43.000
<v Speaker 1>twentieth of nineteen eighty one. So he goes to court

1:00:43.280 --> 1:00:45.920
<v Speaker 1>expecting to be let out on bail, and the judge

1:00:46.440 --> 1:00:49.000
<v Speaker 1>sort of like postpone in the case a little bit

1:00:49.000 --> 1:00:51.400
<v Speaker 1>because his medical records had not been transferred from the

1:00:51.520 --> 1:00:53.840
<v Speaker 1>UK yet. It's nineteen eighty one. There's no email, maybe

1:00:53.880 --> 1:00:56.040
<v Speaker 1>there's faxing, but they don't have the medical records yet.

1:00:56.520 --> 1:00:58.960
<v Speaker 1>So Anthony returns to his cell at three point thirty

1:00:59.120 --> 1:01:01.600
<v Speaker 1>on that same day, and thirty minutes later he's found

1:01:01.640 --> 1:01:06.000
<v Speaker 1>dead by suffocating from a plastic bag. So he literally

1:01:06.920 --> 1:01:10.280
<v Speaker 1>was just like enraged that his trial was delayed and

1:01:10.640 --> 1:01:15.000
<v Speaker 1>killed himself by a plastic bag, which is that's sheer determination,

1:01:15.120 --> 1:01:18.880
<v Speaker 1>I feel like. And that is the end of that story.

1:01:19.080 --> 1:01:21.960
<v Speaker 1>A book was published called Savage Grace, The True Story

1:01:22.000 --> 1:01:24.880
<v Speaker 1>of Fatal Relations in a rich and famous American Family,

1:01:24.960 --> 1:01:27.480
<v Speaker 1>and then in two thousand and seven there was a

1:01:27.520 --> 1:01:30.960
<v Speaker 1>movie called Savage Grace with Julian Moore playing Barbara and

1:01:31.080 --> 1:01:35.000
<v Speaker 1>Eddie Redmain playing Anthony, and I would watch it. Never

1:01:35.040 --> 1:01:37.240
<v Speaker 1>heard of it. I would love to watch it. This

1:01:37.400 --> 1:01:41.520
<v Speaker 1>is a wild case. Yeah, you prefaced it by really

1:01:42.160 --> 1:01:46.800
<v Speaker 1>is wild. And in the movie, Hugh Dancy, who is

1:01:46.960 --> 1:01:50.320
<v Speaker 1>married to Claire Danes, if I'm not mistaken, plays the

1:01:50.480 --> 1:01:52.320
<v Speaker 1>art guy, the pop art guy that she had the

1:01:52.320 --> 1:01:54.480
<v Speaker 1>affair with, and in the movie they have a threesome

1:01:54.520 --> 1:01:56.920
<v Speaker 1>the mother, the son, and him, and he released a

1:01:56.960 --> 1:01:59.320
<v Speaker 1>statement when the movie came out being like that absolutely

1:01:59.360 --> 1:02:02.120
<v Speaker 1>didn't happen. And he also said that he didn't think

1:02:02.120 --> 1:02:04.480
<v Speaker 1>that Barbara had sex with her son or excuse me,

1:02:05.080 --> 1:02:08.880
<v Speaker 1>raped her son, because he thought that she just liked

1:02:08.880 --> 1:02:12.760
<v Speaker 1>to shock people. But everyone else seems to think this

1:02:12.800 --> 1:02:17.800
<v Speaker 1>is what happened. Damn, pretty wild. Rich people have a

1:02:17.840 --> 1:02:18.800
<v Speaker 1>lot of problems.

1:02:20.480 --> 1:02:23.560
<v Speaker 2>I can't wait to see who our guest is because

1:02:24.440 --> 1:02:27.320
<v Speaker 2>this was a great episode. Thanks Kara for taking us

1:02:27.320 --> 1:02:28.720
<v Speaker 2>through this wild crime.

1:02:29.320 --> 1:02:29.920
<v Speaker 1>You're welcome.

1:02:30.120 --> 1:02:32.280
<v Speaker 2>That was really interesting. I'd never even heard about this

1:02:32.360 --> 1:02:34.440
<v Speaker 2>at all, and so I'm really.

1:02:34.600 --> 1:02:37.160
<v Speaker 1>Well, this was like written down. This was not on

1:02:37.240 --> 1:02:39.360
<v Speaker 1>any lists as being based on anything. And then a

1:02:39.520 --> 1:02:41.720
<v Speaker 1>listener was like, I'm pretty sure you guys have to

1:02:41.720 --> 1:02:43.800
<v Speaker 1>do peek. I'm pretty sure it's based on the bakelends.

1:02:43.840 --> 1:02:46.560
<v Speaker 1>Like I mean, it really sounds like it has to

1:02:46.600 --> 1:02:49.240
<v Speaker 1>be like even lightly based, you know.

1:02:49.320 --> 1:02:52.920
<v Speaker 2>Now I feel very much like Bill Hayter's character Stefan,

1:02:53.040 --> 1:02:55.600
<v Speaker 2>where I'm like this this murder has everything.

1:02:55.720 --> 1:03:00.400
<v Speaker 1>We had, our grandmother, money, ear app you know, pushing

1:03:00.400 --> 1:03:02.360
<v Speaker 1>and pushing your mom into traffic in London.

1:03:02.600 --> 1:03:08.040
<v Speaker 2>Andy Warhol. It's like a very glamorous crime but creep creep,

1:03:07.800 --> 1:03:09.240
<v Speaker 2>creep creepy for sure.

1:03:16.440 --> 1:03:20.440
<v Speaker 1>All Right, I am beyond thrilled for our next guest.

1:03:20.840 --> 1:03:24.360
<v Speaker 1>He is an Emmy winning actor. You've seen him on

1:03:24.800 --> 1:03:28.200
<v Speaker 1>Er Melrose Place, twenty four, Pretty Little Liar, Supergirl, and

1:03:28.320 --> 1:03:33.840
<v Speaker 1>he's also an enormous television director. He's directed tons of shows. Uh, Supergirl,

1:03:34.320 --> 1:03:37.880
<v Speaker 1>what's the one? My husband likes? The flash Bones, Life

1:03:37.880 --> 1:03:40.840
<v Speaker 1>and Pieces. But you guys know him as Jason Mayberry.

1:03:41.640 --> 1:03:45.360
<v Speaker 1>On this week's episode, please welcome Chadlow.

1:03:46.640 --> 1:03:50.440
<v Speaker 2>We're beyond This is one of the most requested episodes

1:03:50.440 --> 1:03:53.960
<v Speaker 2>we've gotten from the listeners. I'm one of the favorites.

1:03:54.000 --> 1:03:57.960
<v Speaker 2>We can't believe we're talking to you. And then I

1:03:58.000 --> 1:03:59.720
<v Speaker 2>don't want to bury the lead. We got to just

1:03:59.760 --> 1:04:02.520
<v Speaker 2>talk at the blood scene. I'm right off the top

1:04:02.640 --> 1:04:04.200
<v Speaker 2>or she.

1:04:04.240 --> 1:04:05.720
<v Speaker 1>Was like, we got to just dive in with how

1:04:05.720 --> 1:04:07.920
<v Speaker 1>this is like one of the craziest episode endings of

1:04:07.960 --> 1:04:10.560
<v Speaker 1>all time, just like you in bed with your mom

1:04:10.680 --> 1:04:11.800
<v Speaker 1>covered in blood, Like.

1:04:11.880 --> 1:04:14.120
<v Speaker 4>Oh, there's a whole story behind that.

1:04:14.360 --> 1:04:15.440
<v Speaker 1>Oh oh yes.

1:04:15.920 --> 1:04:19.280
<v Speaker 6>But first off, you guys are hilarious and I love

1:04:19.280 --> 1:04:20.160
<v Speaker 6>that you're doing this.

1:04:20.160 --> 1:04:22.800
<v Speaker 4>This is this is such a great podcast. It's so fun.

1:04:22.840 --> 1:04:25.520
<v Speaker 6>I've been down you I've been I've been listening and

1:04:26.240 --> 1:04:29.160
<v Speaker 6>it must I mean, you know, there's how many eighteen

1:04:29.240 --> 1:04:31.360
<v Speaker 6>years of episodes.

1:04:30.840 --> 1:04:34.680
<v Speaker 1>To twenty two seasons? They're a twenty two second season.

1:04:34.560 --> 1:04:38.880
<v Speaker 6>Right, that's right. Yeah, it's like, isn't this the record?

1:04:39.080 --> 1:04:42.480
<v Speaker 6>Is this the record for dramas series for longest running?

1:04:42.640 --> 1:04:45.360
<v Speaker 1>I think for longest running, like yeah, live actions. I

1:04:45.360 --> 1:04:48.040
<v Speaker 1>know the Simpsons and stuff has been on longer, but like, yeah,

1:04:48.120 --> 1:04:49.480
<v Speaker 1>for it's pretty crazy.

1:04:49.680 --> 1:04:51.960
<v Speaker 4>The Simpsons has been on for seventy eight years.

1:04:54.280 --> 1:04:57.280
<v Speaker 2>I'm a Simpsons girl. Look, I have a Simpsons tarot

1:04:57.320 --> 1:04:57.919
<v Speaker 2>deck right here.

1:04:58.360 --> 1:05:01.640
<v Speaker 6>They're the best, you know. I did an episode of Bones.

1:05:01.720 --> 1:05:04.320
<v Speaker 6>I digress. I know this isn't the Bones podcast, but

1:05:05.440 --> 1:05:07.560
<v Speaker 6>you guys will add it stuff out right that you

1:05:07.560 --> 1:05:07.960
<v Speaker 6>don't like.

1:05:09.400 --> 1:05:12.000
<v Speaker 1>If this Bone scoop is good, we'll leave it now.

1:05:12.160 --> 1:05:12.440
<v Speaker 5>It was.

1:05:14.160 --> 1:05:16.520
<v Speaker 6>I did an episode where we had it was when

1:05:16.680 --> 1:05:19.840
<v Speaker 6>they were celebrating I think the thirtieth season or twentieth

1:05:19.920 --> 1:05:23.840
<v Speaker 6>fifth season of the Simpsons, and they had all of

1:05:23.880 --> 1:05:27.160
<v Speaker 6>the Fox programming had some Simpson's reference in it. So

1:05:27.200 --> 1:05:29.480
<v Speaker 6>in Bones we had like a little East egg. They

1:05:29.520 --> 1:05:31.200
<v Speaker 6>call it where if you look closer, you could see

1:05:31.200 --> 1:05:35.320
<v Speaker 6>Homer Simpson's X ray of his skull and it was empty.

1:05:35.480 --> 1:05:38.880
<v Speaker 6>Obviously there's no brain. And then I had I had

1:05:38.880 --> 1:05:42.840
<v Speaker 6>an episode where Dan who plays Homer, the voice of Homer.

1:05:43.280 --> 1:05:44.920
<v Speaker 6>Dan's last name.

1:05:44.840 --> 1:05:48.040
<v Speaker 2>Is Castella or castellatas something like that.

1:05:48.160 --> 1:05:49.680
<v Speaker 4>He played a guest star.

1:05:49.800 --> 1:05:52.840
<v Speaker 6>He played a cop on an episode of Bones, and

1:05:53.000 --> 1:05:56.160
<v Speaker 6>it was amazing because you would ever know he was

1:05:56.200 --> 1:05:59.080
<v Speaker 6>the voice of Homer Simpson at all. And he was

1:05:59.280 --> 1:06:01.760
<v Speaker 6>very quiet, and we were all like, you know, who's

1:06:01.800 --> 1:06:03.479
<v Speaker 6>going to ask him to do Homer's voice?

1:06:03.520 --> 1:06:04.320
<v Speaker 4>Who's going to do it?

1:06:04.480 --> 1:06:06.440
<v Speaker 6>And we were told, you know, he doesn't. Really, It's like,

1:06:06.880 --> 1:06:09.280
<v Speaker 6>I'm sure he gets asked that every single day. So finally,

1:06:09.280 --> 1:06:11.360
<v Speaker 6>at the end of the of the shoot, I think

1:06:11.480 --> 1:06:13.720
<v Speaker 6>our first assistant director finally went out to him and

1:06:13.800 --> 1:06:17.120
<v Speaker 6>just slyly said something like donuts, what don't they do?

1:06:18.480 --> 1:06:20.240
<v Speaker 4>That was my worst That was not Homer. That was

1:06:20.280 --> 1:06:21.120
<v Speaker 4>a really bad Homer.

1:06:21.320 --> 1:06:24.320
<v Speaker 6>But anyway, Dan kind of smiled and laughed and I

1:06:24.360 --> 1:06:26.720
<v Speaker 6>forget what he said, but it was a perfect Homer

1:06:26.840 --> 1:06:29.880
<v Speaker 6>Simpson voice, and it was like such a gift to

1:06:30.000 --> 1:06:30.520
<v Speaker 6>hear that.

1:06:30.800 --> 1:06:34.680
<v Speaker 4>It was so cool, I'm a human being. It was

1:06:34.720 --> 1:06:36.960
<v Speaker 4>like it was it was it was Homer in the flesh.

1:06:37.000 --> 1:06:39.040
<v Speaker 6>It was pretty incredible, And I thought, how about a

1:06:39.040 --> 1:06:41.280
<v Speaker 6>great superpower to like go to Starbucks and order a

1:06:41.360 --> 1:06:44.120
<v Speaker 6>drink in the voice of Homer Simpson. That must be fun,

1:06:44.240 --> 1:06:47.840
<v Speaker 6>like a great party trick to have. But Peek, if

1:06:47.880 --> 1:06:50.120
<v Speaker 6>I'm not mistaken, is the is the title of the

1:06:50.240 --> 1:06:54.080
<v Speaker 6>of the episode that we're discussing currently.

1:06:54.280 --> 1:06:56.800
<v Speaker 2>Yeah, so what's the story?

1:06:57.040 --> 1:06:59.400
<v Speaker 6>Well, I had to I did not know what peak

1:06:59.400 --> 1:07:02.680
<v Speaker 6>arism was was until I was cast in this role

1:07:02.760 --> 1:07:06.520
<v Speaker 6>and I wanted to do some research. And the first

1:07:06.600 --> 1:07:08.840
<v Speaker 6>question I had was, okay, so what is peakarism? And

1:07:08.960 --> 1:07:11.600
<v Speaker 6>the way it was explained to me was like a

1:07:11.720 --> 1:07:18.360
<v Speaker 6>sexual obsession with needles and like puncturing stabbing, And I

1:07:18.400 --> 1:07:20.640
<v Speaker 6>was like, okay, that's enough. I don't even know any

1:07:20.640 --> 1:07:24.000
<v Speaker 6>more than that this is this is more bizarre and

1:07:24.040 --> 1:07:27.720
<v Speaker 6>twisted than I then than it even is on the page.

1:07:28.360 --> 1:07:34.520
<v Speaker 6>But the end scene was interesting because we actually reshot

1:07:34.600 --> 1:07:35.160
<v Speaker 6>that ending.

1:07:35.320 --> 1:07:39.280
<v Speaker 4>Really Yeah, so as the.

1:07:39.240 --> 1:07:43.000
<v Speaker 6>Story goes, I can't divulge all of it because there's

1:07:43.040 --> 1:07:46.520
<v Speaker 6>a really great story behind the story, which I'm grad

1:07:46.640 --> 1:07:48.800
<v Speaker 6>I would get in big trouble if I were to

1:07:48.920 --> 1:07:51.400
<v Speaker 6>tell I know, I'm sorry to tease like that, but

1:07:51.480 --> 1:07:54.600
<v Speaker 6>what what what ended up happening was the end of

1:07:54.640 --> 1:07:57.840
<v Speaker 6>the episode was scripted that and if I'm not mistaken

1:07:57.880 --> 1:08:00.880
<v Speaker 6>the characters, my character's name was Jason A. Berry, I

1:08:01.000 --> 1:08:04.920
<v Speaker 6>believe the end of the episode. This is the spoiler alert.

1:08:04.960 --> 1:08:06.800
<v Speaker 6>If you haven't seen the episode.

1:08:06.360 --> 1:08:09.040
<v Speaker 1>No, they mostly have listened. If they're listening to this

1:08:09.120 --> 1:08:10.400
<v Speaker 1>far into our podcasts.

1:08:10.600 --> 1:08:14.040
<v Speaker 6>Yes, if they're listening here, they've seen the episode. So I, Uh,

1:08:14.720 --> 1:08:16.880
<v Speaker 6>Jason ends up and I and I don't even want

1:08:16.880 --> 1:08:19.320
<v Speaker 6>to say I because it's so bizarre and dark and

1:08:19.400 --> 1:08:24.720
<v Speaker 6>so twisted. Jason me, the actor playing Jason, ends up

1:08:24.800 --> 1:08:28.800
<v Speaker 6>having post coital with his dead mother in a bed.

1:08:28.720 --> 1:08:29.960
<v Speaker 4>Covered in her blood.

1:08:30.520 --> 1:08:33.920
<v Speaker 6>Uh, And it was scripted that I the character was

1:08:33.920 --> 1:08:37.320
<v Speaker 6>was you know, naked basically, but you know it's network television,

1:08:37.400 --> 1:08:40.040
<v Speaker 6>so that naked means you know, you're going to have

1:08:40.080 --> 1:08:44.120
<v Speaker 6>your shirt off. And but there was a long discussion

1:08:44.200 --> 1:08:46.960
<v Speaker 6>on the day about whether or not we would be

1:08:47.000 --> 1:08:47.760
<v Speaker 6>able to get that.

1:08:47.680 --> 1:08:50.760
<v Speaker 4>By standards and practices for you.

1:08:50.720 --> 1:08:53.600
<v Speaker 6>Know, the judge, the judge and jury of what is

1:08:53.800 --> 1:08:57.439
<v Speaker 6>appropriate and acceptable right for the audience I don't know

1:08:57.479 --> 1:09:01.519
<v Speaker 6>who they are, but we were concerned earned that if

1:09:01.560 --> 1:09:05.599
<v Speaker 6>we actually filmed it with me being, you know, semi

1:09:05.600 --> 1:09:08.080
<v Speaker 6>clad with my shirt off, whether or not it would

1:09:08.080 --> 1:09:11.800
<v Speaker 6>actually be able to air. So the choice was made

1:09:11.840 --> 1:09:14.760
<v Speaker 6>to put me in a white T shirt on the day,

1:09:15.439 --> 1:09:18.920
<v Speaker 6>which was not as scripted, and so put me in

1:09:18.920 --> 1:09:22.479
<v Speaker 6>a white T shirt. And there I was laying in

1:09:22.520 --> 1:09:26.880
<v Speaker 6>bed with Margo Kidder, who played I mean I mean

1:09:26.920 --> 1:09:30.360
<v Speaker 6>an Icon, and they are, you know, putting all the

1:09:30.400 --> 1:09:32.519
<v Speaker 6>fake blood all over me, and I'm trying to psych

1:09:32.640 --> 1:09:35.120
<v Speaker 6>myself up for this really dark moment. And we shot

1:09:35.160 --> 1:09:39.760
<v Speaker 6>it and I remember Marishka Hargitate kind of and and

1:09:39.880 --> 1:09:43.040
<v Speaker 6>Chris Maloney both kind of looking at me like wow,

1:09:43.080 --> 1:09:45.640
<v Speaker 6>that was that was really dark and really bizarre, but

1:09:45.680 --> 1:09:46.200
<v Speaker 6>we love it.

1:09:46.520 --> 1:09:47.640
<v Speaker 4>And so I was feeling.

1:09:47.320 --> 1:09:51.400
<v Speaker 6>Really really good about it, and then finished the episode.

1:09:51.479 --> 1:09:54.120
<v Speaker 6>And you know what was interesting is I was also

1:09:54.120 --> 1:09:55.840
<v Speaker 6>at the same time I got to do I was

1:09:55.880 --> 1:10:01.200
<v Speaker 6>in a movie called Unfaithful with Richard Gear and Diane Lane,

1:10:01.280 --> 1:10:03.920
<v Speaker 6>and so I started shooting and I was a small

1:10:04.000 --> 1:10:06.400
<v Speaker 6>role in that movie, but I started shooting that movie.

1:10:06.800 --> 1:10:09.640
<v Speaker 6>I did one scene in that movie, and then like

1:10:09.680 --> 1:10:13.120
<v Speaker 6>a month later, I did this episode of Lawn or

1:10:13.240 --> 1:10:16.880
<v Speaker 6>SVU finished it, went back and did a little bit

1:10:16.920 --> 1:10:17.559
<v Speaker 6>more work on.

1:10:19.120 --> 1:10:19.680
<v Speaker 4>Unfaithful.

1:10:20.320 --> 1:10:22.839
<v Speaker 6>About three months later, I think I got a call

1:10:23.640 --> 1:10:25.320
<v Speaker 6>and I was still working on un Faithful, which shows

1:10:25.320 --> 1:10:27.559
<v Speaker 6>you the difference between how network television and a film

1:10:27.640 --> 1:10:30.000
<v Speaker 6>is done. Like network television you get like eight to

1:10:30.040 --> 1:10:32.280
<v Speaker 6>ten days to film an episode, and this feature film

1:10:32.320 --> 1:10:33.360
<v Speaker 6>took like four months.

1:10:33.520 --> 1:10:34.400
<v Speaker 4>It was so crazy.

1:10:35.439 --> 1:10:39.280
<v Speaker 6>And they called me and said, listen, you need are

1:10:39.320 --> 1:10:41.479
<v Speaker 6>you available? Are you in New York? And I was

1:10:41.520 --> 1:10:43.760
<v Speaker 6>living in New York City at the time, said are

1:10:43.760 --> 1:10:48.320
<v Speaker 6>you available? They want to reshoot something. I wasn't even

1:10:48.360 --> 1:10:51.160
<v Speaker 6>sure what on the SVU episode that you did. And

1:10:51.200 --> 1:10:56.280
<v Speaker 6>I thought, like, I love acting and I'm always excited

1:10:56.320 --> 1:10:58.800
<v Speaker 6>anytime I have the opportunity to get to act.

1:10:58.800 --> 1:11:00.799
<v Speaker 4>So I was like, yeah, I'm available, well and I'm excited.

1:11:01.000 --> 1:11:02.599
<v Speaker 6>I didn't know yet what it was we were going

1:11:02.640 --> 1:11:07.439
<v Speaker 6>to be reshooting, and so you know, there we are,

1:11:07.479 --> 1:11:10.519
<v Speaker 6>like a week later in this New New Jersey mansion

1:11:10.600 --> 1:11:13.640
<v Speaker 6>where we had shot the ending, and I'm told, you know,

1:11:13.680 --> 1:11:14.080
<v Speaker 6>we have to.

1:11:14.000 --> 1:11:17.160
<v Speaker 4>Reshoot the ending. I'm thinking, why are we reshooting ending?

1:11:17.200 --> 1:11:20.920
<v Speaker 6>It was everybody seemed so happy with how twisted and

1:11:21.120 --> 1:11:24.000
<v Speaker 6>dark it was, and I wasn't really sure I wanted

1:11:24.000 --> 1:11:26.519
<v Speaker 6>to go back to that place emotionally as an actor,

1:11:26.800 --> 1:11:29.439
<v Speaker 6>because it's really it's really uncomfortable if you if you

1:11:29.479 --> 1:11:33.160
<v Speaker 6>really go there, it's really uncomfortable. And I was told

1:11:33.360 --> 1:11:36.240
<v Speaker 6>that there was a very heated conversation. This is all

1:11:36.320 --> 1:11:40.120
<v Speaker 6>I will say. There was apparently a very heated conversation

1:11:40.720 --> 1:11:44.200
<v Speaker 6>that happened behind the scenes about the validity of the

1:11:44.320 --> 1:11:48.280
<v Speaker 6>character having had sex and killing his mother wearing a

1:11:48.280 --> 1:11:54.120
<v Speaker 6>T shirt.

1:11:54.600 --> 1:11:57.080
<v Speaker 1>So I met Dick Wolf himself was like, it would

1:11:57.120 --> 1:11:57.759
<v Speaker 1>never happen.

1:11:58.160 --> 1:12:00.639
<v Speaker 4>You know, we need to shoot no names.

1:12:00.760 --> 1:12:04.360
<v Speaker 6>I'm not sure of who or how or when this

1:12:04.400 --> 1:12:05.519
<v Speaker 6>conversation went down.

1:12:05.880 --> 1:12:09.760
<v Speaker 1>Wow, So what we see is like months later, you

1:12:09.960 --> 1:12:12.519
<v Speaker 1>just hopping back into this wild character.

1:12:12.760 --> 1:12:13.320
<v Speaker 2>Wow.

1:12:13.600 --> 1:12:17.200
<v Speaker 6>Months months later, and I'm thinking, wow, I don't. And

1:12:17.240 --> 1:12:19.720
<v Speaker 6>it's always hard when you feel good about you know.

1:12:19.960 --> 1:12:21.640
<v Speaker 6>One of the hard things when you're an actor is

1:12:21.640 --> 1:12:24.280
<v Speaker 6>when you go into audition for something and you feel

1:12:24.280 --> 1:12:27.080
<v Speaker 6>really good, like you nailed it, and then lo and behold.

1:12:27.160 --> 1:12:29.559
<v Speaker 6>You know, there's rare opportunities you actually get the job,

1:12:30.320 --> 1:12:33.519
<v Speaker 6>and then that scene you audition for comes up and

1:12:33.560 --> 1:12:36.639
<v Speaker 6>you have to actually perform that scene, you never feel

1:12:36.640 --> 1:12:38.040
<v Speaker 6>like you did it as well as you did in

1:12:38.040 --> 1:12:41.800
<v Speaker 6>the audition ever, Right, So I felt that way about this.

1:12:42.439 --> 1:12:45.080
<v Speaker 6>I felt like this ending wasn't as good. I wasn't

1:12:45.080 --> 1:12:48.080
<v Speaker 6>as good an actor in this ending, and I felt

1:12:48.120 --> 1:12:52.200
<v Speaker 6>like it just didn't have the same kind of darkness

1:12:52.240 --> 1:12:53.920
<v Speaker 6>and I don't and I just didn't feel like I

1:12:53.960 --> 1:12:55.479
<v Speaker 6>was in it as much as I had been.

1:12:55.800 --> 1:12:58.240
<v Speaker 4>But I have to say when I saw it, I didn't.

1:12:58.520 --> 1:12:59.880
<v Speaker 4>I didn't feel that.

1:13:01.320 --> 1:13:04.160
<v Speaker 1>Yeah, I was gonna say, like, having watched it, it's

1:13:04.280 --> 1:13:06.719
<v Speaker 1>dark as hell. And I can't imagine what your original

1:13:06.760 --> 1:13:09.840
<v Speaker 1>performance in the T shirt was like, because like I

1:13:09.880 --> 1:13:13.639
<v Speaker 1>always remember, like having seen this episode like multiple times

1:13:13.680 --> 1:13:16.000
<v Speaker 1>over the years, I just like always remember that last

1:13:16.040 --> 1:13:18.200
<v Speaker 1>scene with you being like I'm a big boy now

1:13:18.240 --> 1:13:20.360
<v Speaker 1>I'm not a little boy anymore or whatever, and it's

1:13:20.360 --> 1:13:21.639
<v Speaker 1>like so scary.

1:13:21.760 --> 1:13:25.599
<v Speaker 2>Well, one of the other uncomfortable scenes is when you're

1:13:25.600 --> 1:13:28.240
<v Speaker 2>in the interrogation and you start putting your fingers in

1:13:28.280 --> 1:13:28.759
<v Speaker 2>your mouth.

1:13:29.280 --> 1:13:29.920
<v Speaker 1>Do you remember that.

1:13:30.000 --> 1:13:33.200
<v Speaker 2>Was that a directorial decision or was that a personal decision?

1:13:34.800 --> 1:13:37.840
<v Speaker 1>You have this like I'm a bad boy monologue thing.

1:13:38.000 --> 1:13:42.880
<v Speaker 6>Yes, So I remember it very well, you know, those

1:13:44.040 --> 1:13:46.680
<v Speaker 6>opportunities are so rare as an actor to get to

1:13:46.720 --> 1:13:49.519
<v Speaker 6>play something that's so rich, and I mean, I love

1:13:49.600 --> 1:13:52.320
<v Speaker 6>that stuff. I love getting to play characters like this.

1:13:52.360 --> 1:13:54.320
<v Speaker 6>In fact, this is this character is one of my

1:13:54.360 --> 1:13:57.519
<v Speaker 6>favorite characters I've ever had the chance to play. He

1:13:57.600 --> 1:14:01.000
<v Speaker 6>was so complicated and so bizarre and and you know,

1:14:01.520 --> 1:14:05.080
<v Speaker 6>I mean, I'm not really a method actor, because method

1:14:05.160 --> 1:14:09.799
<v Speaker 6>has been It's not as it's misunderstood. Really, I think method,

1:14:09.800 --> 1:14:13.000
<v Speaker 6>but at least kind of sense memory and trying to

1:14:13.000 --> 1:14:16.840
<v Speaker 6>bring things up from your personal life that you can

1:14:16.880 --> 1:14:19.680
<v Speaker 6>apply to the scene is some of the work that

1:14:19.760 --> 1:14:23.960
<v Speaker 6>I do. So you know, what I related to in

1:14:24.040 --> 1:14:29.559
<v Speaker 6>that moment was was just wanting that feeling that we

1:14:29.640 --> 1:14:31.880
<v Speaker 6>all have, I think at some point in our lives

1:14:31.880 --> 1:14:35.920
<v Speaker 6>where we feel like we've really grown up, you know,

1:14:35.960 --> 1:14:36.800
<v Speaker 6>and we feel like.

1:14:37.080 --> 1:14:38.600
<v Speaker 4>We can stand on our own two feet. And this

1:14:38.640 --> 1:14:39.280
<v Speaker 4>is now, this is.

1:14:39.200 --> 1:14:43.880
<v Speaker 6>Twisted because it was really strange circumstances, But I thought,

1:14:43.920 --> 1:14:46.640
<v Speaker 6>you know, in my own personal life, I feel like

1:14:47.040 --> 1:14:49.000
<v Speaker 6>I'm not a little boy anymore. I feel like I'm

1:14:49.040 --> 1:14:52.759
<v Speaker 6>a man now, you know, I'm I believe I was married.

1:14:52.800 --> 1:14:54.360
<v Speaker 6>At the time I was married, I think it was

1:14:54.400 --> 1:14:56.840
<v Speaker 6>twenty seven. It was like twenty nine, thirty years old,

1:14:57.720 --> 1:15:00.799
<v Speaker 6>and I thought, you know, I'm I'm a grown up now.

1:15:00.680 --> 1:15:02.000
<v Speaker 4>And you have to.

1:15:02.040 --> 1:15:05.080
<v Speaker 6>Everybody has to break free from their childhood, right, break

1:15:05.120 --> 1:15:08.080
<v Speaker 6>free from their parents, and have that moment where they

1:15:08.120 --> 1:15:10.280
<v Speaker 6>really feel like they're autonomous. And so I thought, you know,

1:15:10.320 --> 1:15:12.800
<v Speaker 6>I'm going to go to that place where I feel

1:15:12.880 --> 1:15:16.080
<v Speaker 6>like in my life I've been underestimated or people have

1:15:16.240 --> 1:15:19.120
<v Speaker 6>seen me as a little boy, or have understood me

1:15:19.160 --> 1:15:21.479
<v Speaker 6>to me as an actor, or have just thought that

1:15:21.520 --> 1:15:24.840
<v Speaker 6>I was lightweight, or you know this blonde hair, blue

1:15:24.880 --> 1:15:27.920
<v Speaker 6>eyed guy from Malibu, which I am blonde hair, I

1:15:27.920 --> 1:15:31.600
<v Speaker 6>have green eyes, and I'm actually I'm actually from Dayton, Ohio.

1:15:31.920 --> 1:15:34.880
<v Speaker 6>But you know that doesn't make as good press, I think.

1:15:34.960 --> 1:15:37.240
<v Speaker 6>So I thought, I'm going to just put all that

1:15:37.400 --> 1:15:40.120
<v Speaker 6>anger and all that anks into this, and I'm going

1:15:40.200 --> 1:15:43.680
<v Speaker 6>to just see what happens. And for days before this,

1:15:43.800 --> 1:15:47.000
<v Speaker 6>I felt this kind of low grade nausea and like

1:15:47.040 --> 1:15:49.600
<v Speaker 6>I was had that like a flu coming on, and

1:15:49.640 --> 1:15:52.360
<v Speaker 6>I knew what it was because this happens often, and

1:15:52.400 --> 1:15:54.360
<v Speaker 6>it still does. If I have a really tough scene

1:15:54.720 --> 1:15:58.519
<v Speaker 6>to do, I just I feel it's anxiety, it's nerves,

1:15:58.560 --> 1:16:01.960
<v Speaker 6>it's all that stuff, and it's it's the stuff you need. Frankly,

1:16:02.040 --> 1:16:04.840
<v Speaker 6>I think you just have to learn how to channel it.

1:16:04.960 --> 1:16:07.559
<v Speaker 6>And so I remember, as we were on the set

1:16:07.600 --> 1:16:09.640
<v Speaker 6>and we're getting ready to shoot this, the directors and

1:16:09.760 --> 1:16:14.880
<v Speaker 6>a wonderful British director named Steve Shill, I said, I said, listen,

1:16:15.040 --> 1:16:16.400
<v Speaker 6>I don't know if.

1:16:16.320 --> 1:16:18.880
<v Speaker 4>I have more than one of these in me. And

1:16:18.920 --> 1:16:21.519
<v Speaker 4>he's like, okay, twelve, what do you mean?

1:16:22.080 --> 1:16:25.360
<v Speaker 6>I said, I said, I don't really know, but I'm

1:16:25.439 --> 1:16:30.559
<v Speaker 6>going to commit to whatever comes up, and so I

1:16:30.640 --> 1:16:32.360
<v Speaker 6>just want to let you know that I may only

1:16:32.400 --> 1:16:35.240
<v Speaker 6>have one in me. And he's like kind of thinking, well,

1:16:35.240 --> 1:16:39.719
<v Speaker 6>this is either this actor's being extraordinarily difficult or he's

1:16:39.760 --> 1:16:42.320
<v Speaker 6>going to go to some very dark place. And I

1:16:42.360 --> 1:16:44.280
<v Speaker 6>think it was kind of a combination of both, really,

1:16:45.520 --> 1:16:48.040
<v Speaker 6>And I remember sitting with the camera department. I didn't

1:16:48.080 --> 1:16:49.840
<v Speaker 6>you know, usually when you're setting up a scene, you

1:16:49.880 --> 1:16:52.400
<v Speaker 6>have second team, which are the stand ins that will

1:16:52.439 --> 1:16:55.280
<v Speaker 6>sit and stand there while they focus the lights and

1:16:55.479 --> 1:16:57.240
<v Speaker 6>make sure the lighting is right and make sure all

1:16:57.280 --> 1:17:00.920
<v Speaker 6>the focus marks are proper. And I just thought, you know,

1:17:00.960 --> 1:17:02.760
<v Speaker 6>I don't want anybody else in here. I want to

1:17:02.800 --> 1:17:04.679
<v Speaker 6>do this myself because I want to make sure it's right.

1:17:05.040 --> 1:17:06.680
<v Speaker 6>So I kept going through the motions of what I

1:17:06.680 --> 1:17:11.120
<v Speaker 6>would do technically, and then they said action, and I

1:17:11.160 --> 1:17:13.400
<v Speaker 6>remember feeling like I was going to get sick. I

1:17:13.400 --> 1:17:16.360
<v Speaker 6>remember feeling like I'm either I may throw up here

1:17:17.160 --> 1:17:20.160
<v Speaker 6>and that would be really awkward and awful, and we'd

1:17:20.160 --> 1:17:22.519
<v Speaker 6>have to cut and that would be really embarrassing. And

1:17:22.560 --> 1:17:24.280
<v Speaker 6>I remember feeling like I don't want to do this.

1:17:24.320 --> 1:17:25.720
<v Speaker 6>They don't want to do this, They don't want to

1:17:25.720 --> 1:17:30.560
<v Speaker 6>do this is really uncomfortable. And then I think something

1:17:30.640 --> 1:17:34.120
<v Speaker 6>happened just emotionally where I went, you know what, you said,

1:17:34.120 --> 1:17:38.320
<v Speaker 6>you'd do it once. Let's just go once. And then

1:17:38.479 --> 1:17:40.960
<v Speaker 6>I think, out of nowhere, my fingers up in my mouth,

1:17:43.160 --> 1:17:45.680
<v Speaker 6>and I was embarrassed, and I was like kind of

1:17:45.720 --> 1:17:49.000
<v Speaker 6>like out of body experience watching myself doing this, going

1:17:49.080 --> 1:17:52.160
<v Speaker 6>like this is really humiliating and embarrassing.

1:17:52.080 --> 1:17:53.599
<v Speaker 4>And I can't believe you're doing this.

1:17:53.720 --> 1:17:56.559
<v Speaker 6>And then I'm also like in the scene, going yeah,

1:17:56.560 --> 1:17:58.479
<v Speaker 6>this feels right, this feels like.

1:17:58.720 --> 1:18:02.719
<v Speaker 1>No great, and think can we do that one take?

1:18:03.400 --> 1:18:06.759
<v Speaker 6>And so we got done and I'm crying and I'm

1:18:07.080 --> 1:18:09.840
<v Speaker 6>ready to really like I just I'm really really ready

1:18:09.880 --> 1:18:10.479
<v Speaker 6>to move.

1:18:10.280 --> 1:18:11.439
<v Speaker 4>On from that place.

1:18:11.880 --> 1:18:13.920
<v Speaker 6>And I looked at him at the I looked right

1:18:13.960 --> 1:18:17.160
<v Speaker 6>away to the focus polar and I said, was that

1:18:17.240 --> 1:18:21.760
<v Speaker 6>in focus? That was my biggest story? And he said, yeah, yeah,

1:18:21.880 --> 1:18:25.080
<v Speaker 6>that was in focus. And the director came in kind

1:18:25.080 --> 1:18:27.040
<v Speaker 6>of looked at me and went okay, And I said,

1:18:27.560 --> 1:18:29.639
<v Speaker 6>I said it was in focus. I really don't think

1:18:29.680 --> 1:18:31.719
<v Speaker 6>I want to do that or can do that again,

1:18:31.800 --> 1:18:34.320
<v Speaker 6>and he said and I knew he was nervous. And

1:18:34.320 --> 1:18:36.720
<v Speaker 6>now it's funny because now I direct primarily, that's what

1:18:36.760 --> 1:18:39.400
<v Speaker 6>I do primarily, So like if an actor were to

1:18:39.439 --> 1:18:41.880
<v Speaker 6>say that to me, I would be very uncomfortable, because

1:18:41.880 --> 1:18:43.240
<v Speaker 6>you really want more than one.

1:18:43.080 --> 1:18:45.800
<v Speaker 1>Take right just for safety. I mean, even if you

1:18:45.920 --> 1:18:47.280
<v Speaker 1>nail it, yeah, if.

1:18:47.160 --> 1:18:48.760
<v Speaker 6>You nail it, because you also want to be able

1:18:48.800 --> 1:18:49.800
<v Speaker 6>to build a performance.

1:18:49.880 --> 1:18:53.200
<v Speaker 4>And I didn't. I just knew I could do something again,

1:18:53.200 --> 1:18:54.280
<v Speaker 4>but I wouldn't do that again.

1:18:55.280 --> 1:18:58.080
<v Speaker 6>And I felt at that point like all this build

1:18:58.160 --> 1:19:00.320
<v Speaker 6>up and these you know, days and days of this

1:19:00.439 --> 1:19:03.800
<v Speaker 6>anxiety and this low grade nausea what kind of immediately

1:19:03.800 --> 1:19:06.120
<v Speaker 6>went away, Like I purged it all in that moment,

1:19:06.439 --> 1:19:08.920
<v Speaker 6>and I thought, I just don't want to do this again.

1:19:09.040 --> 1:19:12.200
<v Speaker 6>So I think the director looked around and looked at

1:19:12.240 --> 1:19:14.439
<v Speaker 6>Marishka or not because Muska was in the scene. I

1:19:14.479 --> 1:19:18.960
<v Speaker 6>don't believe it was Chris Maloney and Chris. Chris was like, ah,

1:19:19.000 --> 1:19:22.920
<v Speaker 6>I think we got it. I was like, I think too,

1:19:23.320 --> 1:19:26.840
<v Speaker 6>and so we we did one take and that's it.

1:19:27.360 --> 1:19:27.800
<v Speaker 2>That is.

1:19:29.360 --> 1:19:31.360
<v Speaker 1>I think it's such an interesting episode because they find

1:19:31.400 --> 1:19:33.080
<v Speaker 1>you close to the beginning. It's not like there's a

1:19:33.080 --> 1:19:35.519
<v Speaker 1>bunch of red herrings, and then you come in at

1:19:35.520 --> 1:19:37.360
<v Speaker 1>the end as the person that did it. They find

1:19:37.360 --> 1:19:39.479
<v Speaker 1>you at the beginning, and then there's this whole trying

1:19:39.479 --> 1:19:41.360
<v Speaker 1>to draw your character out because you want to be

1:19:41.400 --> 1:19:43.559
<v Speaker 1>a cop to and like a lot of sort of

1:19:43.840 --> 1:19:46.599
<v Speaker 1>Stabler's character kind of messing with you. But then also

1:19:46.760 --> 1:19:50.520
<v Speaker 1>you're like you're this like murderer, but you're also a victim,

1:19:50.560 --> 1:19:53.920
<v Speaker 1>like you've been molested by your mother for god knows

1:19:53.920 --> 1:19:57.240
<v Speaker 1>how long, So you really are like straddling this line

1:19:57.280 --> 1:20:00.200
<v Speaker 1>of like innocent and creepy in your character. Like I

1:20:00.880 --> 1:20:02.600
<v Speaker 1>think when you watch it, we're like, I don't know

1:20:02.640 --> 1:20:04.479
<v Speaker 1>if it's this guy. I mean, there is something creepy

1:20:04.520 --> 1:20:06.840
<v Speaker 1>about him, but like until we find out that it's

1:20:06.840 --> 1:20:08.519
<v Speaker 1>you don't know, yeah, he.

1:20:08.520 --> 1:20:11.479
<v Speaker 6>Is some he is somewhat sympathetic I think in the end,

1:20:11.520 --> 1:20:12.960
<v Speaker 6>which is which is really interesting.

1:20:13.320 --> 1:20:14.960
<v Speaker 4>I thought that was a really interesting turn.

1:20:15.000 --> 1:20:18.040
<v Speaker 6>And you know, they say, like I've heard other actors

1:20:18.120 --> 1:20:20.679
<v Speaker 6>say that, you know, you really can't judge your character

1:20:20.720 --> 1:20:23.320
<v Speaker 6>that you're going to play like. You have to kind

1:20:23.320 --> 1:20:25.439
<v Speaker 6>of try to work to understand them, no matter how

1:20:25.479 --> 1:20:27.120
<v Speaker 6>evil they are. I mean, even if you're playing like,

1:20:27.200 --> 1:20:32.040
<v Speaker 6>you know, like Jeffrey Dahmer or some awful, you know, monster,

1:20:32.200 --> 1:20:35.080
<v Speaker 6>you still would have to find some part in inside

1:20:35.080 --> 1:20:37.880
<v Speaker 6>of you to understand that person who they are and

1:20:37.920 --> 1:20:40.160
<v Speaker 6>why they behave the way that they did. And so

1:20:40.520 --> 1:20:43.639
<v Speaker 6>I think the fact that this character was so wounded

1:20:43.720 --> 1:20:47.840
<v Speaker 6>helped in a way because there was I mean for

1:20:47.920 --> 1:20:50.000
<v Speaker 6>me as the actor, I could kind of kind of

1:20:50.080 --> 1:20:52.759
<v Speaker 6>understand why he was so damaged and why he behaved

1:20:52.760 --> 1:20:55.040
<v Speaker 6>in the way that he did, because, as you said,

1:20:55.120 --> 1:20:58.440
<v Speaker 6>it's really true, he was also a victim himself.

1:20:59.360 --> 1:21:02.519
<v Speaker 2>Yeah, not to go back to weird things that you

1:21:02.560 --> 1:21:05.479
<v Speaker 2>had to do in this episode, but I was wondering

1:21:05.560 --> 1:21:07.639
<v Speaker 2>what it's like to act in front of a mirror

1:21:07.680 --> 1:21:10.080
<v Speaker 2>in that interrogation scene, and you were like screaming at

1:21:10.080 --> 1:21:12.320
<v Speaker 2>the mirror. Is that weird to do looking at yourself

1:21:12.360 --> 1:21:14.280
<v Speaker 2>and having well.

1:21:14.120 --> 1:21:14.719
<v Speaker 1>So do it.

1:21:14.920 --> 1:21:15.759
<v Speaker 4>That's a good question.

1:21:16.200 --> 1:21:18.160
<v Speaker 6>And so now not only it was it out of

1:21:18.200 --> 1:21:21.080
<v Speaker 6>body experience. It was like I was watching myself from

1:21:21.080 --> 1:21:22.759
<v Speaker 6>out of my body, but then I was also watching

1:21:22.800 --> 1:21:23.439
<v Speaker 6>myself in a.

1:21:23.400 --> 1:21:24.879
<v Speaker 4>Mirror, in a mirror.

1:21:25.120 --> 1:21:28.320
<v Speaker 6>So thank god actors are somewhat narcissistic and we and

1:21:28.360 --> 1:21:32.240
<v Speaker 6>we enjoy this kind of re Yes, I've always talked

1:21:32.240 --> 1:21:34.160
<v Speaker 6>to other friends who are actors who like, you know,

1:21:34.240 --> 1:21:36.559
<v Speaker 6>like if you're really sad in your day and you're like,

1:21:36.640 --> 1:21:38.599
<v Speaker 6>you know, something happens and you're crying, You're.

1:21:38.479 --> 1:21:40.559
<v Speaker 4>Like, run to the mirror because you want to see

1:21:40.600 --> 1:21:43.600
<v Speaker 4>what it looks like when you cry. Like, yeah, I

1:21:43.640 --> 1:21:44.280
<v Speaker 4>could really, you.

1:21:44.280 --> 1:21:45.880
<v Speaker 6>Know, this is really sad. This is what I look

1:21:45.960 --> 1:21:48.280
<v Speaker 6>like when I'm sad. It's this is why actors are

1:21:48.280 --> 1:21:52.439
<v Speaker 6>so freaking crazy. That's why we're all a little touched

1:21:53.800 --> 1:21:55.280
<v Speaker 6>because we're working in this headspace.

1:21:55.320 --> 1:21:58.559
<v Speaker 4>But yeah, I remember that was I think that was.

1:21:58.920 --> 1:22:03.400
<v Speaker 6>Helpful looking in the mirror in a way because I think,

1:22:03.560 --> 1:22:08.080
<v Speaker 6>as I recall, and I know, like looking yourself in

1:22:08.120 --> 1:22:12.000
<v Speaker 6>the mirror, like truly looking yourself in your in the mirror,

1:22:12.880 --> 1:22:16.040
<v Speaker 6>can be can bring a lot of stuff up as

1:22:16.040 --> 1:22:20.479
<v Speaker 6>an exercise. I know that it can be uncomfortable. It

1:22:20.479 --> 1:22:25.439
<v Speaker 6>can bring up insecurities, It can bring up self worth

1:22:25.479 --> 1:22:29.920
<v Speaker 6>issues and shame issues, and it can also in a

1:22:29.960 --> 1:22:32.120
<v Speaker 6>weird way if you believe this, and I happen to

1:22:32.200 --> 1:22:34.360
<v Speaker 6>believe it, if you look deep enough, you can kind

1:22:34.360 --> 1:22:37.320
<v Speaker 6>of see past the person, into the soul and into

1:22:37.880 --> 1:22:39.440
<v Speaker 6>into the essence.

1:22:39.120 --> 1:22:40.160
<v Speaker 4>Of who of your being.

1:22:40.680 --> 1:22:43.000
<v Speaker 6>And now I'm I'm over analyzing all this and making

1:22:43.040 --> 1:22:45.880
<v Speaker 6>it all way to airy fairy. But it was in

1:22:45.920 --> 1:22:49.960
<v Speaker 6>that moment I think kind of everything disappeared for me

1:22:50.000 --> 1:22:52.040
<v Speaker 6>and I kind of was able to check in with

1:22:52.880 --> 1:22:55.799
<v Speaker 6>that kind of inner child, if you will. And really

1:22:55.840 --> 1:22:59.679
<v Speaker 6>that scene, that scene is about killing the inner child,

1:22:59.760 --> 1:23:02.320
<v Speaker 6>right if you think about it, and about announcing that

1:23:02.920 --> 1:23:05.800
<v Speaker 6>to this detective in that moment. And also it's a confession,

1:23:06.520 --> 1:23:10.320
<v Speaker 6>right as I remember, this scene was a confession. Whether

1:23:10.360 --> 1:23:14.000
<v Speaker 6>it was whether it was implicit or not, my memory

1:23:14.040 --> 1:23:15.920
<v Speaker 6>of it was, at least the way I played it

1:23:15.960 --> 1:23:19.599
<v Speaker 6>was that was his moment of showing some another human

1:23:19.640 --> 1:23:23.280
<v Speaker 6>being his vulnerability. And that's the other thing too. As

1:23:23.320 --> 1:23:26.439
<v Speaker 6>an actor, like it's really hard to act in a

1:23:26.479 --> 1:23:30.320
<v Speaker 6>scene alone but I get very nervous when I act.

1:23:30.720 --> 1:23:34.000
<v Speaker 6>I get very very nervous when I audition. It's a problem.

1:23:34.640 --> 1:23:38.599
<v Speaker 6>I don't enjoy it. And the only thing that ever

1:23:38.640 --> 1:23:42.759
<v Speaker 6>seems to calm my nerves is to connect with another

1:23:42.840 --> 1:23:46.920
<v Speaker 6>human being and to know that I'm not alone in

1:23:46.960 --> 1:23:52.040
<v Speaker 6>that moment, And so I remember connecting with myself in

1:23:52.040 --> 1:23:54.479
<v Speaker 6>a way, but then also being able to turn and

1:23:54.520 --> 1:23:58.639
<v Speaker 6>look at Chris and feeling knowing what a great actor

1:23:58.720 --> 1:24:02.200
<v Speaker 6>Chris Maloney is and how how strong he wasn't that

1:24:02.720 --> 1:24:05.160
<v Speaker 6>in that show, and what a great actor he's always been.

1:24:05.200 --> 1:24:07.000
<v Speaker 6>In fact, Chris and I were in acting class together.

1:24:07.040 --> 1:24:10.920
<v Speaker 6>It's another world secret. Really Yeah, I felt really safe

1:24:10.960 --> 1:24:13.720
<v Speaker 6>with Chris in that moment, like I could kind of

1:24:13.760 --> 1:24:18.160
<v Speaker 6>do something really risky, and it kind of, you know,

1:24:18.320 --> 1:24:20.040
<v Speaker 6>like it's it's I guess it is getting out of

1:24:20.080 --> 1:24:23.280
<v Speaker 6>yourself in a way, like connecting with another person. Like

1:24:23.400 --> 1:24:28.160
<v Speaker 6>public speaking is something that I think most people struggle with.

1:24:28.240 --> 1:24:32.640
<v Speaker 6>Most people feel really really uneasy in public speaking, and

1:24:32.680 --> 1:24:36.439
<v Speaker 6>it's and I have had the opportunity to do some

1:24:36.720 --> 1:24:40.280
<v Speaker 6>speeches and speak publicly a few times, and I've always

1:24:40.320 --> 1:24:43.400
<v Speaker 6>found the best way for me to settle my nerves

1:24:43.479 --> 1:24:46.920
<v Speaker 6>and allow my mind to work and stay on script

1:24:47.200 --> 1:24:49.040
<v Speaker 6>or get the message out that I'm trying to deliver

1:24:49.200 --> 1:24:51.760
<v Speaker 6>is to look at one person in the room. You know,

1:24:51.880 --> 1:24:55.800
<v Speaker 6>it's really connect with one person and there's something about

1:24:55.840 --> 1:24:57.959
<v Speaker 6>that that's that can be very, very comforting.

1:24:59.240 --> 1:25:02.200
<v Speaker 1>Wow, I'm so glad Stabler was able to provide.

1:25:01.880 --> 1:25:03.320
<v Speaker 4>That for you. Stabler.

1:25:03.560 --> 1:25:05.479
<v Speaker 1>Yes, that's really And I.

1:25:05.439 --> 1:25:06.519
<v Speaker 2>Love that you knew each other.

1:25:06.760 --> 1:25:09.200
<v Speaker 1>Yeah, like this is like pre like when you guys

1:25:09.240 --> 1:25:11.479
<v Speaker 1>were starting out, you were in acting class together. I

1:25:11.520 --> 1:25:11.840
<v Speaker 1>love that.

1:25:12.320 --> 1:25:15.280
<v Speaker 6>Yeah, we were, in fact I knew I knew Marishka

1:25:15.320 --> 1:25:18.479
<v Speaker 6>and I were friends, we had been we met when

1:25:18.560 --> 1:25:20.439
<v Speaker 6>we were both on ER together.

1:25:20.720 --> 1:25:23.639
<v Speaker 1>Oh wow. We're also going to ask if you knew

1:25:23.640 --> 1:25:24.479
<v Speaker 1>Neil Bear for me?

1:25:24.560 --> 1:25:28.080
<v Speaker 6>Are you know I knew Neil from Er? I did, ye,

1:25:29.439 --> 1:25:31.280
<v Speaker 6>Neil Bear. I have to let me just say how

1:25:31.320 --> 1:25:35.960
<v Speaker 6>much I loved Neil Bear. He is one of the kindest.

1:25:36.200 --> 1:25:37.960
<v Speaker 6>First of all, he's one of the smartest people I've

1:25:37.960 --> 1:25:40.000
<v Speaker 6>ever met. I mean, not only is he this genius writer,

1:25:40.080 --> 1:25:42.320
<v Speaker 6>but he's also you know, a doctor who was at

1:25:42.360 --> 1:25:46.800
<v Speaker 6>Harvard Medical School. Yeah, he was incredibly super smart, down

1:25:46.840 --> 1:25:51.840
<v Speaker 6>to earth, kind, supportive, and so I knew Neil from

1:25:52.560 --> 1:25:55.320
<v Speaker 6>R and I think that might be how this role

1:25:55.400 --> 1:25:58.280
<v Speaker 6>came to be for me on on SVU was I think,

1:25:58.479 --> 1:26:01.360
<v Speaker 6>as I remember, I you know what, Actually, I'm just

1:26:01.400 --> 1:26:05.360
<v Speaker 6>remembering this now. I was at a Golden Globes thing

1:26:05.560 --> 1:26:11.040
<v Speaker 6>for the Golden Globes and he pulled me aside and said,

1:26:11.040 --> 1:26:13.240
<v Speaker 6>I think I have a role for you. I remember

1:26:13.280 --> 1:26:16.240
<v Speaker 6>this now, oh wow. And I remember saying to him,

1:26:16.280 --> 1:26:19.840
<v Speaker 6>I said, anytime, anywhere for you, Neil. You know I'd

1:26:19.880 --> 1:26:21.800
<v Speaker 6>do it because I just adore you. I still to

1:26:21.840 --> 1:26:24.880
<v Speaker 6>this day adore him. And he said, all right, I

1:26:24.960 --> 1:26:27.519
<v Speaker 6>may have something really interesting for you. And that's something

1:26:27.600 --> 1:26:30.679
<v Speaker 6>I'm just now remembering this. That is how I got

1:26:30.680 --> 1:26:32.840
<v Speaker 6>that role. So it helps to know, It helps to

1:26:32.880 --> 1:26:33.360
<v Speaker 6>know people.

1:26:33.880 --> 1:26:37.200
<v Speaker 1>Sure. No, he was on our he came on our podcast.

1:26:37.240 --> 1:26:40.200
<v Speaker 1>We interviewed him and he was like, so we were like,

1:26:40.320 --> 1:26:42.000
<v Speaker 1>we could just talk to you for five hours.

1:26:42.080 --> 1:26:44.599
<v Speaker 4>Like he's amazing, Right, He's just he's the.

1:26:44.560 --> 1:26:47.200
<v Speaker 2>Best and he remembers everything.

1:26:47.880 --> 1:26:50.839
<v Speaker 6>He's like I said, he's literally one of the smartest

1:26:50.840 --> 1:26:52.080
<v Speaker 6>people I've ever met.

1:26:52.320 --> 1:26:54.120
<v Speaker 1>Yeah, and they got you in there, you were you

1:26:54.160 --> 1:26:56.200
<v Speaker 1>were guests. I mean, this is season two, like this

1:26:56.240 --> 1:26:57.680
<v Speaker 1>is the show is just starting, like.

1:26:57.760 --> 1:26:58.639
<v Speaker 4>Was this season two?

1:26:59.040 --> 1:27:03.040
<v Speaker 1>Yeah, so yeah, because you're you. You directed Solace in

1:27:03.120 --> 1:27:06.519
<v Speaker 1>season four, but this was season two, so you're you

1:27:06.600 --> 1:27:08.640
<v Speaker 1>kind of got on the SVU train at the beginning.

1:27:09.160 --> 1:27:11.320
<v Speaker 1>Had you been like watching the show at all before

1:27:11.360 --> 1:27:13.200
<v Speaker 1>when he called you in to do it, or like

1:27:13.680 --> 1:27:15.000
<v Speaker 1>me because it was a new show.

1:27:15.560 --> 1:27:17.479
<v Speaker 6>I remember, I was very aware of the show, and

1:27:17.520 --> 1:27:19.600
<v Speaker 6>I had watched a few episodes of the show. But

1:27:19.760 --> 1:27:24.440
<v Speaker 6>knowing Marishka, who I'd met on Er, and knowing Chris

1:27:25.160 --> 1:27:29.240
<v Speaker 6>from acting class previously, I was I did watch the show.

1:27:29.280 --> 1:27:31.439
<v Speaker 6>I think I watched the pilot episode in a few episodes,

1:27:31.479 --> 1:27:33.200
<v Speaker 6>and I thought, this show is really good. And I

1:27:33.360 --> 1:27:36.040
<v Speaker 6>was and I was not surprised at all that it

1:27:36.040 --> 1:27:39.040
<v Speaker 6>would be very successful. I mean, two, those two actors

1:27:39.040 --> 1:27:40.480
<v Speaker 6>are also such powerhouses.

1:27:40.920 --> 1:27:42.240
<v Speaker 4>Yeah, and they always were.

1:27:42.280 --> 1:27:45.680
<v Speaker 6>I mean Marishka on Er was genius and she was

1:27:45.720 --> 1:27:48.679
<v Speaker 6>so good on Er and Chris was great in acting class.

1:27:48.760 --> 1:27:52.439
<v Speaker 6>My only argument with Chris and acting classes. He used

1:27:52.439 --> 1:27:54.679
<v Speaker 6>to go up, he'd do his scenes, and then he'd leave.

1:27:55.880 --> 1:27:59.880
<v Speaker 1>Oh my god, so that's actually very stabler.

1:28:00.040 --> 1:28:04.520
<v Speaker 4>But yes, yeah, yes, that was like come on, Chris.

1:28:04.439 --> 1:28:07.600
<v Speaker 1>Come on, you know, like this is a community.

1:28:08.040 --> 1:28:08.879
<v Speaker 4>This is our community.

1:28:08.880 --> 1:28:11.000
<v Speaker 6>But now he was always he was always great and

1:28:11.120 --> 1:28:14.400
<v Speaker 6>very supportive, and so yeah, that's that's how it came

1:28:14.439 --> 1:28:16.840
<v Speaker 6>to be. I mean, I remember I read I auditioned

1:28:17.000 --> 1:28:20.479
<v Speaker 6>for my role on I don't want everybody. I don't

1:28:20.479 --> 1:28:22.880
<v Speaker 6>want the audience to think that like in Hollywood, friends

1:28:22.960 --> 1:28:27.120
<v Speaker 6>just give you jobs sometimes they sometimes they do, but

1:28:27.200 --> 1:28:28.800
<v Speaker 6>more often than not, you have to go out and

1:28:28.800 --> 1:28:31.000
<v Speaker 6>earn them. And I had read I went in on

1:28:31.040 --> 1:28:33.200
<v Speaker 6>the whole cattle call for the I played a role

1:28:33.240 --> 1:28:34.960
<v Speaker 6>on Er. I got to do like four or five

1:28:35.000 --> 1:28:38.160
<v Speaker 6>episodes of Er, and I auditioned for that and that

1:28:38.280 --> 1:28:40.760
<v Speaker 6>was kind of a grueling experience to get that role

1:28:40.800 --> 1:28:43.080
<v Speaker 6>and was lucky enough to get that role, which you know,

1:28:43.160 --> 1:28:45.439
<v Speaker 6>I always say, like you never know where something's going.

1:28:45.360 --> 1:28:48.639
<v Speaker 4>To lead, and I think it right to this SPU character.

1:28:49.000 --> 1:28:51.400
<v Speaker 2>That's awesome. I feel like I got so excited because

1:28:51.439 --> 1:28:52.960
<v Speaker 2>we had talked to Neil Berr if you knew him,

1:28:53.000 --> 1:28:55.000
<v Speaker 2>but you were saying how you met Marishka on the

1:28:55.040 --> 1:28:58.519
<v Speaker 2>set and so you guys stayed friends post r until

1:28:58.640 --> 1:28:59.240
<v Speaker 2>les be it.

1:28:59.320 --> 1:29:01.439
<v Speaker 4>Wow, that's yeah, isn't that crazy?

1:29:01.640 --> 1:29:06.799
<v Speaker 6>Yeah, it's it's And then the opportunity to direct came up, which, yeah.

1:29:06.640 --> 1:29:08.519
<v Speaker 1>I was just about to ask you about that, because

1:29:08.520 --> 1:29:11.000
<v Speaker 1>it seems like just looking at your IMDb, this was

1:29:11.080 --> 1:29:14.919
<v Speaker 1>kind of your first major television thing, was directing soulless?

1:29:15.960 --> 1:29:17.679
<v Speaker 4>Yeah it was. I mean I had done.

1:29:17.840 --> 1:29:23.719
<v Speaker 6>I had written and directed two short films and one

1:29:24.080 --> 1:29:29.000
<v Speaker 6>that was very much felt in the vein of an SVU,

1:29:29.680 --> 1:29:34.760
<v Speaker 6>kind of a procedural drama about a crime that had

1:29:34.800 --> 1:29:37.040
<v Speaker 6>been committed, and it was dark and.

1:29:37.160 --> 1:29:39.200
<v Speaker 4>Had it was good. I thought it was.

1:29:39.240 --> 1:29:42.320
<v Speaker 6>It was really well done, and I thought I was

1:29:42.360 --> 1:29:45.840
<v Speaker 6>really on my way until I got the opportunity to

1:29:45.960 --> 1:29:50.680
<v Speaker 6>direct A Solace on SVU. And I'm so grateful to

1:29:51.280 --> 1:29:55.479
<v Speaker 6>Ted Katscheff, who was the producing director and executive producer,

1:29:56.040 --> 1:29:57.840
<v Speaker 6>and to Nil for giving.

1:29:57.600 --> 1:29:58.640
<v Speaker 4>Me the opportunity.

1:29:59.520 --> 1:30:04.480
<v Speaker 6>I was not really prepared or ready yet in hindsight,

1:30:04.600 --> 1:30:08.439
<v Speaker 6>you know, Hindsight's twenty twenty off. I knew how to

1:30:08.560 --> 1:30:11.840
<v Speaker 6>make cool shots, and I knew how to talk with

1:30:12.040 --> 1:30:15.800
<v Speaker 6>actors because as being an actor, I'm comfortable in that

1:30:15.960 --> 1:30:17.920
<v Speaker 6>in that world, which is you know, which is. I

1:30:17.960 --> 1:30:20.280
<v Speaker 6>don't want to discredit that, because those are two important

1:30:20.280 --> 1:30:24.400
<v Speaker 6>skills to have for directors, but you know, those are

1:30:24.439 --> 1:30:28.160
<v Speaker 6>two skills in a wide range of skills.

1:30:27.760 --> 1:30:31.559
<v Speaker 4>You need to have. And I was, you know.

1:30:31.520 --> 1:30:35.600
<v Speaker 6>Woefully unprepared for what it would take to direct a

1:30:35.800 --> 1:30:38.960
<v Speaker 6>huge network television show. And so the fact that I

1:30:39.000 --> 1:30:43.720
<v Speaker 6>wasn't fired from directing Solace is something that I am

1:30:43.800 --> 1:30:48.200
<v Speaker 6>very grateful to all all parties involved. But it was

1:30:48.240 --> 1:30:51.200
<v Speaker 6>just over my head. As most first time directors are

1:30:51.720 --> 1:30:55.240
<v Speaker 6>on network television, it is a very very challenging job.

1:30:55.560 --> 1:30:57.280
<v Speaker 1>You have to start somewhere, right.

1:30:57.080 --> 1:31:00.280
<v Speaker 6>I mean, yep, and I'm so and again this Ted

1:31:00.320 --> 1:31:03.759
<v Speaker 6>Kanchieff and Neilbert gave me my start as a director.

1:31:04.560 --> 1:31:06.640
<v Speaker 1>I think your somewherre directing right now or you just

1:31:06.720 --> 1:31:09.640
<v Speaker 1>were you were like in Canada or something directing.

1:31:09.320 --> 1:31:11.519
<v Speaker 4>Or I directed the Flash.

1:31:12.280 --> 1:31:15.720
<v Speaker 1>Well my husband is a fan. Ooh, well yeah, big fan.

1:31:16.360 --> 1:31:16.800
<v Speaker 4>But I was.

1:31:17.200 --> 1:31:19.600
<v Speaker 6>I just finished doing a lone star, the nine to

1:31:19.600 --> 1:31:22.960
<v Speaker 6>one one lone Star with this after name, Rob Lowe,

1:31:23.000 --> 1:31:26.720
<v Speaker 6>which was interesting, really interesting to work with.

1:31:27.040 --> 1:31:29.400
<v Speaker 1>Wow, I need to work with your brother.

1:31:29.760 --> 1:31:34.000
<v Speaker 6>And I'm currently directing Titans for It's an HBO Max

1:31:34.040 --> 1:31:37.400
<v Speaker 6>show called Oh Cool. Just a really good show, really good.

1:31:38.000 --> 1:31:41.680
<v Speaker 6>Working with Rob is fantastic. I mean, we're from the

1:31:41.720 --> 1:31:44.960
<v Speaker 6>line from spinal tap. We're closer than brothers. We are

1:31:45.280 --> 1:31:47.880
<v Speaker 6>we are, we are closer than brothers, and we do

1:31:48.160 --> 1:31:52.400
<v Speaker 6>really well together. And his son John Owen was the

1:31:52.439 --> 1:31:55.679
<v Speaker 6>writer of the episode, so it was it was really

1:31:56.160 --> 1:31:57.320
<v Speaker 6>a special experience.

1:31:58.439 --> 1:32:01.280
<v Speaker 1>So with your directing, are you is that kind of

1:32:01.280 --> 1:32:03.519
<v Speaker 1>where you're leaning now? Are you still like going are

1:32:03.520 --> 1:32:06.080
<v Speaker 1>you still working on getting acting parts? Or are you

1:32:06.160 --> 1:32:08.800
<v Speaker 1>kind of like that's you know, moving towards directing, trying

1:32:08.800 --> 1:32:10.880
<v Speaker 1>to split time? What's the what's the deal there?

1:32:11.600 --> 1:32:14.000
<v Speaker 6>Uh, In a perfect world, I'd be able to I'd

1:32:14.040 --> 1:32:15.000
<v Speaker 6>be able to split time.

1:32:15.040 --> 1:32:17.400
<v Speaker 4>In a perfect world, I would be able to do both.

1:32:17.560 --> 1:32:18.360
<v Speaker 4>I would.

1:32:18.439 --> 1:32:23.760
<v Speaker 6>But acting is is is very fickle. It's interesting. I

1:32:24.560 --> 1:32:27.320
<v Speaker 6>miss acting. I haven't really done much since I was

1:32:27.320 --> 1:32:31.320
<v Speaker 6>on Supergirl. I had a recurring role on Supergirl, which

1:32:31.360 --> 1:32:34.320
<v Speaker 6>was a lot of fun. But I don't I work

1:32:34.360 --> 1:32:38.679
<v Speaker 6>at directing. I don't work much at acting anymore. I don't,

1:32:39.640 --> 1:32:42.160
<v Speaker 6>So I'm not I'm not in a place where I

1:32:42.520 --> 1:32:47.000
<v Speaker 6>really want to scour the breakdowns and look for opportunities

1:32:47.040 --> 1:32:50.080
<v Speaker 6>and you know, make all the phone calls and and

1:32:50.560 --> 1:32:52.840
<v Speaker 6>you know, ride my agents about why am I not

1:32:53.120 --> 1:32:57.519
<v Speaker 6>reading for this and reading for that? So, but I

1:32:57.600 --> 1:33:00.639
<v Speaker 6>just am't really fulfilled by directing, and I feel really

1:33:00.680 --> 1:33:03.719
<v Speaker 6>fortunate and really lucky to be at a place where

1:33:03.800 --> 1:33:08.880
<v Speaker 6>I get the opportunity to direct, and so it's hard.

1:33:09.720 --> 1:33:11.960
<v Speaker 6>I miss acting. I'd like to be acting more, but

1:33:12.080 --> 1:33:15.400
<v Speaker 6>not at the cost of not directing. So somewhere there's

1:33:15.400 --> 1:33:17.280
<v Speaker 6>a balance. I just haven't been able to find it

1:33:17.360 --> 1:33:21.160
<v Speaker 6>quite yet. But I'm not complaining getting to direct the

1:33:21.160 --> 1:33:24.280
<v Speaker 6>shows I've been directing, is I mean, like, really a

1:33:24.360 --> 1:33:25.320
<v Speaker 6>dream to come true?

1:33:26.080 --> 1:33:28.639
<v Speaker 2>Are there any lessons that you learned directing soul lists

1:33:28.680 --> 1:33:31.640
<v Speaker 2>that you've carried on through other gigs since it was

1:33:31.680 --> 1:33:32.559
<v Speaker 2>your first one?

1:33:32.920 --> 1:33:35.479
<v Speaker 6>Yeah, I mean so many lessons that I learned. I mean,

1:33:36.920 --> 1:33:40.920
<v Speaker 6>it's funny. Is the biggest challenge I faced as a

1:33:40.960 --> 1:33:44.000
<v Speaker 6>first time director on a network television show was just

1:33:44.080 --> 1:33:47.760
<v Speaker 6>how much you have to manage time and because there's

1:33:47.880 --> 1:33:50.200
<v Speaker 6>only so much time you have to shoot in a day,

1:33:50.800 --> 1:33:55.439
<v Speaker 6>and also what I need to cover a scene. And

1:33:55.520 --> 1:33:57.760
<v Speaker 6>by that, I mean how is it all going to

1:33:57.760 --> 1:34:00.800
<v Speaker 6>be put together in the editing room. You film it

1:34:00.800 --> 1:34:04.840
<v Speaker 6>in pieces, obviously, but when you put it together, it's

1:34:05.240 --> 1:34:09.559
<v Speaker 6>a continuous piece of film with cuts, and so one

1:34:09.640 --> 1:34:14.840
<v Speaker 6>of the things that Ted Katscheff is so good at

1:34:15.200 --> 1:34:18.400
<v Speaker 6>is understanding how all of these pieces that you film

1:34:18.680 --> 1:34:23.479
<v Speaker 6>cut together to make the hole. And he after I

1:34:23.520 --> 1:34:25.760
<v Speaker 6>think after the second day that he didn't fire me,

1:34:27.960 --> 1:34:30.880
<v Speaker 6>he sat behind me and would.

1:34:30.600 --> 1:34:32.400
<v Speaker 4>Go, where's your cut? Where's your cut?

1:34:33.040 --> 1:34:35.679
<v Speaker 6>And I didn't understand at the time what he meant,

1:34:35.920 --> 1:34:39.719
<v Speaker 6>and I just wasn't experienced enough. And I was like, well,

1:34:40.320 --> 1:34:42.479
<v Speaker 6>I'll figure because I'm thinking, this is a really cool

1:34:42.520 --> 1:34:44.760
<v Speaker 6>scene and I've got it shot a cool way and

1:34:44.800 --> 1:34:47.720
<v Speaker 6>the actors are really good. And he was telling me,

1:34:47.800 --> 1:34:49.880
<v Speaker 6>asking me where my cut was. And I said to him,

1:34:49.880 --> 1:34:52.519
<v Speaker 6>I said, well my cut, Well, I'll figure it out

1:34:52.520 --> 1:34:55.960
<v Speaker 6>when I'm in the editing room. And he said, no,

1:34:56.160 --> 1:34:57.720
<v Speaker 6>you will not figure it out in the editing room.

1:34:57.720 --> 1:35:00.920
<v Speaker 6>You will always know where your cut is. And he

1:35:01.080 --> 1:35:03.960
<v Speaker 6>was right, and it put that seed in my mind

1:35:04.720 --> 1:35:06.400
<v Speaker 6>for me to try and figure out. It's taking me

1:35:06.520 --> 1:35:09.760
<v Speaker 6>years and years. I've been directing now about seventeen years so,

1:35:10.520 --> 1:35:15.840
<v Speaker 6>and I feel like I just finally became really competent

1:35:16.160 --> 1:35:18.719
<v Speaker 6>and good at it, if I may say so, about

1:35:18.960 --> 1:35:22.120
<v Speaker 6>six about six years ago to where I really went, Oh,

1:35:22.200 --> 1:35:25.679
<v Speaker 6>I understand what Ted meant, and now mind you Ted

1:35:25.760 --> 1:35:33.720
<v Speaker 6>had directed Rambo Weekend at Bernie's North Dallas forty, so

1:35:33.800 --> 1:35:36.599
<v Speaker 6>he was like a big feature director and then over

1:35:36.720 --> 1:35:39.800
<v Speaker 6>I don't know, three hundred hours of television. So this

1:35:39.880 --> 1:35:43.680
<v Speaker 6>is a very seasoned veteran who's a very good director.

1:35:43.800 --> 1:35:44.759
<v Speaker 4>Giving me a gift.

1:35:45.320 --> 1:35:47.920
<v Speaker 6>It was a little bit like the great Santini, you know,

1:35:48.040 --> 1:35:50.240
<v Speaker 6>giving a gift to his son. It was hard to

1:35:50.280 --> 1:35:53.760
<v Speaker 6>hear and it was really challenging. But I think in

1:35:53.800 --> 1:35:56.080
<v Speaker 6>the end, to go back to the question what did

1:35:56.080 --> 1:36:00.639
<v Speaker 6>I learn, I think I almost learned everything in directing Solace. Again,

1:36:00.720 --> 1:36:03.679
<v Speaker 6>the lesson for me, as I'm always reminded in life,

1:36:03.760 --> 1:36:08.040
<v Speaker 6>is you know, oftentimes it's at our lowest points, our

1:36:08.120 --> 1:36:11.120
<v Speaker 6>darkest moments, that we have the most to learn and

1:36:11.840 --> 1:36:15.599
<v Speaker 6>if we're able to sort of survive them. Which I

1:36:15.640 --> 1:36:18.960
<v Speaker 6>came away from Soulas going all right, I know I

1:36:19.080 --> 1:36:20.880
<v Speaker 6>don't know a lot. I know I've got a lot

1:36:20.920 --> 1:36:24.440
<v Speaker 6>to learn. But I came away from directing Soulas completely

1:36:24.439 --> 1:36:27.880
<v Speaker 6>committed to becoming a good director and thought it was

1:36:27.920 --> 1:36:30.200
<v Speaker 6>a little bit like that which doesn't kill you will

1:36:30.200 --> 1:36:32.720
<v Speaker 6>make you stronger. And it was hard because I had

1:36:32.720 --> 1:36:35.439
<v Speaker 6>to kind of be honest with myself and go I

1:36:35.479 --> 1:36:40.200
<v Speaker 6>am green, I am inexperienced. I thought I knew what

1:36:40.240 --> 1:36:42.360
<v Speaker 6>I was doing because I had a short film that

1:36:42.400 --> 1:36:45.040
<v Speaker 6>went to the Toronto Film Festival and had gone to

1:36:45.080 --> 1:36:47.120
<v Speaker 6>the Tribeca Film Festival, and I thought, well, you know,

1:36:47.160 --> 1:36:47.679
<v Speaker 6>I've arrived.

1:36:47.680 --> 1:36:48.559
<v Speaker 4>I'm a director now.

1:36:49.400 --> 1:36:53.440
<v Speaker 6>And it was very humbling, I must say, to realize

1:36:53.479 --> 1:36:54.559
<v Speaker 6>how much I didn't know.

1:36:55.800 --> 1:36:57.559
<v Speaker 2>And now that we know that you were friends with

1:36:58.680 --> 1:37:01.519
<v Speaker 2>Maloney and Riushka, how was it directing your friends?

1:37:01.560 --> 1:37:02.400
<v Speaker 1>Did they give you ship?

1:37:03.360 --> 1:37:04.040
<v Speaker 4>Absolutely?

1:37:06.240 --> 1:37:10.440
<v Speaker 6>It was they, you know they? And again I appreciated

1:37:10.479 --> 1:37:12.880
<v Speaker 6>that they They were tough on me, both of them.

1:37:13.160 --> 1:37:14.200
<v Speaker 4>Both of them were tough on me.

1:37:14.280 --> 1:37:17.800
<v Speaker 6>The power dynamic could definitely changes, and it's still it's

1:37:17.800 --> 1:37:18.599
<v Speaker 6>still to this day.

1:37:19.160 --> 1:37:19.679
<v Speaker 4>Is that way.

1:37:19.720 --> 1:37:23.040
<v Speaker 6>It's funny because I was on a show called Pretty

1:37:23.040 --> 1:37:26.200
<v Speaker 6>Little Liars for a while and I was an actor

1:37:26.240 --> 1:37:26.679
<v Speaker 6>on the show.

1:37:26.800 --> 1:37:28.320
<v Speaker 4>I got to do both, but it was perfect. I

1:37:28.360 --> 1:37:29.719
<v Speaker 4>got to act and I got to direct.

1:37:30.160 --> 1:37:32.880
<v Speaker 6>And when I was an actor, I could go and

1:37:32.960 --> 1:37:35.160
<v Speaker 6>hang out with the cast and talk about what we

1:37:35.200 --> 1:37:37.920
<v Speaker 6>did over the weekend and what movies we liked, what

1:37:37.960 --> 1:37:40.479
<v Speaker 6>TV shows we were binging. And then as soon as

1:37:40.520 --> 1:37:43.040
<v Speaker 6>I started directing, if I went into the holding area

1:37:43.040 --> 1:37:44.799
<v Speaker 6>where all the actors were around talking.

1:37:45.000 --> 1:37:47.320
<v Speaker 4>They'd all get really quiet and look at me and go, yeah,

1:37:48.280 --> 1:37:49.320
<v Speaker 4>what what do you want?

1:37:49.760 --> 1:37:52.479
<v Speaker 6>And I was like, I'm just coming in to say

1:37:52.479 --> 1:37:54.479
<v Speaker 6>good morning and hi and how was your weekend?

1:37:54.520 --> 1:37:56.840
<v Speaker 4>And they're like they'd say like, oh, it was fine.

1:37:57.200 --> 1:37:59.280
<v Speaker 6>And there was always this kind of like I all

1:37:59.320 --> 1:38:01.880
<v Speaker 6>of a sudden became the teacher or the parent, and

1:38:01.920 --> 1:38:04.160
<v Speaker 6>as soon as I as soon as I leave the room,

1:38:04.200 --> 1:38:06.479
<v Speaker 6>I could hear them first into laughter and have this

1:38:06.560 --> 1:38:10.280
<v Speaker 6>great time. But so directing can be a very lonely position.

1:38:10.920 --> 1:38:13.599
<v Speaker 6>Somebody once said to me, nobody invites the director to dinner.

1:38:13.720 --> 1:38:15.599
<v Speaker 4>And it's really true. It's really true.

1:38:15.960 --> 1:38:19.559
<v Speaker 6>So that the relationship on when I was directing the

1:38:19.800 --> 1:38:24.559
<v Speaker 6>SVU with Mirshka and with Chris shifted a little bit

1:38:24.600 --> 1:38:28.280
<v Speaker 6>because I was now, you know, expected to have be

1:38:28.400 --> 1:38:32.519
<v Speaker 6>in charge of, you know, writing the ship and driving

1:38:32.560 --> 1:38:35.960
<v Speaker 6>us toward you know, making our days and getting everything

1:38:36.040 --> 1:38:40.559
<v Speaker 6>we needed. And so I was no longer just you know,

1:38:40.680 --> 1:38:42.840
<v Speaker 6>one of one of their friends who was also an

1:38:42.840 --> 1:38:46.400
<v Speaker 6>actor that they liked. So I was held in a

1:38:46.400 --> 1:38:50.320
<v Speaker 6>different capacity and that was challenging. I did not expect that,

1:38:50.680 --> 1:38:53.400
<v Speaker 6>but they were both very very tough on me and

1:38:53.479 --> 1:38:56.200
<v Speaker 6>again made me a better act director.

1:38:56.240 --> 1:38:58.280
<v Speaker 4>I believe in the end. It was hard.

1:38:58.080 --> 1:39:02.640
<v Speaker 6>I did not appreciate it at the time, but in hindsight,

1:39:02.800 --> 1:39:05.840
<v Speaker 6>I realized what they were doing was treating me like

1:39:05.880 --> 1:39:08.479
<v Speaker 6>they would any other director who showed up on set

1:39:08.680 --> 1:39:13.439
<v Speaker 6>who was inexperienced and not really ready to handle the

1:39:13.479 --> 1:39:18.160
<v Speaker 6>load of directing a show like that, And so it

1:39:18.800 --> 1:39:23.720
<v Speaker 6>frustrated me and I was angry, but ultimately I had

1:39:23.720 --> 1:39:26.639
<v Speaker 6>to look inward and try to take away the lesson

1:39:26.680 --> 1:39:28.920
<v Speaker 6>from it, and the lesson was, you know, I needed

1:39:29.000 --> 1:39:29.720
<v Speaker 6>more experience.

1:39:29.880 --> 1:39:30.840
<v Speaker 4>I really really did.

1:39:31.000 --> 1:39:33.919
<v Speaker 6>And so I've seen them since and friends with Marishka

1:39:33.960 --> 1:39:36.599
<v Speaker 6>still and I ran into Chris recently and I kind

1:39:36.600 --> 1:39:40.920
<v Speaker 6>of made an amends to Chris. It was very interesting

1:39:40.920 --> 1:39:43.559
<v Speaker 6>because I saw him at some some event and he's

1:39:43.720 --> 1:39:45.800
<v Speaker 6>very stoic, and I don't think you're going to get

1:39:45.840 --> 1:39:46.519
<v Speaker 6>Chris on the show.

1:39:47.320 --> 1:39:49.920
<v Speaker 1>Well, Diane Neil says she thinks he'd do it, but

1:39:50.640 --> 1:39:52.599
<v Speaker 1>we might have to wait a couple of years.

1:39:52.640 --> 1:39:55.360
<v Speaker 2>Well, it's been really fun doing this show for so

1:39:55.400 --> 1:39:57.959
<v Speaker 2>many reasons. But everyone that comes on is like Marishka

1:39:58.000 --> 1:40:00.280
<v Speaker 2>is an angel from God. She is everything.

1:40:00.439 --> 1:40:02.639
<v Speaker 1>She is like the head of the ship.

1:40:02.680 --> 1:40:05.000
<v Speaker 2>And then everyone with Maloney is like he's kind of

1:40:05.040 --> 1:40:09.320
<v Speaker 2>serious and weird and stretching, and so we that's like

1:40:09.439 --> 1:40:10.720
<v Speaker 2>the vibe we get.

1:40:10.800 --> 1:40:13.559
<v Speaker 1>Very talented. I mean, everybody said how talented and could

1:40:13.560 --> 1:40:13.800
<v Speaker 1>he is?

1:40:13.880 --> 1:40:16.920
<v Speaker 6>No body and I would say, what he What he

1:40:17.080 --> 1:40:24.120
<v Speaker 6>is is extraordinarily committed, like so deeply committed and cares

1:40:24.160 --> 1:40:27.519
<v Speaker 6>so deeply and is working at such a high level

1:40:28.160 --> 1:40:31.479
<v Speaker 6>that I think he has a hard time if somebody

1:40:31.520 --> 1:40:35.320
<v Speaker 6>isn't completely one hundred percent on their game, and I

1:40:35.360 --> 1:40:38.519
<v Speaker 6>have to respect that. I mean, it's any difficulty I

1:40:38.560 --> 1:40:42.960
<v Speaker 6>ever had with Chris isn't about like it's some you know,

1:40:43.320 --> 1:40:46.960
<v Speaker 6>insignificant issue like catering isn't warm, or you know, my

1:40:47.040 --> 1:40:51.000
<v Speaker 6>trailer's too far away, or It's always about the work.

1:40:51.320 --> 1:40:54.559
<v Speaker 6>And it was always whatever difficulty and hard time I

1:40:54.640 --> 1:40:57.519
<v Speaker 6>had with Chris, it was about the work and it

1:40:57.600 --> 1:41:00.400
<v Speaker 6>was about the vision for the scene. So I'll say

1:41:00.520 --> 1:41:02.719
<v Speaker 6>I think what Chris is. I think Chris is probably

1:41:02.720 --> 1:41:06.200
<v Speaker 6>really shy. Actually, I think he's a bit of an introvert,

1:41:06.200 --> 1:41:09.600
<v Speaker 6>which is strange because he's he presents us this strapping,

1:41:10.080 --> 1:41:15.120
<v Speaker 6>like muscular strong, you know, masculine figure, but I think

1:41:15.120 --> 1:41:20.320
<v Speaker 6>probably underneath it, he's actually probably very shy, so you're

1:41:20.320 --> 1:41:22.360
<v Speaker 6>not going to get a lot of like hanging out

1:41:22.840 --> 1:41:25.960
<v Speaker 6>by the monitor, laughing and joking. I think he's really

1:41:26.000 --> 1:41:28.639
<v Speaker 6>serious about his work and then goes to where he's

1:41:28.680 --> 1:41:31.240
<v Speaker 6>most comfortable, which I think is probably you know, not

1:41:31.360 --> 1:41:34.320
<v Speaker 6>being the most social guy in the world. So that's

1:41:34.360 --> 1:41:36.479
<v Speaker 6>my take on Chris is I think he's just really

1:41:36.560 --> 1:41:38.760
<v Speaker 6>actually probably underneath it all, very controverted.

1:41:39.400 --> 1:41:39.559
<v Speaker 4>Now.

1:41:39.640 --> 1:41:43.559
<v Speaker 6>Marishki, on the other hand, is a complete extrovert, right,

1:41:43.840 --> 1:41:48.520
<v Speaker 6>and just I mean like she's just like good time Marishka.

1:41:48.560 --> 1:41:52.080
<v Speaker 6>It's like laughs and always having a good time and

1:41:52.160 --> 1:41:55.960
<v Speaker 6>keeping it light. And so they're very different in that way,

1:41:55.960 --> 1:41:58.240
<v Speaker 6>and I think that's probably what gave them such great chemistry,

1:41:58.720 --> 1:42:02.320
<v Speaker 6>right because you know, like opposites coming together is really interesting.

1:42:02.360 --> 1:42:04.360
<v Speaker 6>That's kind of what you want for chemistry.

1:42:04.760 --> 1:42:06.360
<v Speaker 2>And what were you going to say about the party

1:42:06.400 --> 1:42:08.920
<v Speaker 2>with you and Maloney or like you guys made amends

1:42:09.000 --> 1:42:09.439
<v Speaker 2>or something.

1:42:10.240 --> 1:42:12.880
<v Speaker 6>Yeah, No, it was just I just I said, you

1:42:12.920 --> 1:42:17.760
<v Speaker 6>know this, I mean, this is you know, being with hindsight,

1:42:17.840 --> 1:42:22.560
<v Speaker 6>being twenty twenty and sixteen, fifteen years of experience.

1:42:22.160 --> 1:42:22.800
<v Speaker 4>Under my belt.

1:42:22.920 --> 1:42:25.679
<v Speaker 6>I've been able to look at that experience of directing

1:42:25.680 --> 1:42:28.439
<v Speaker 6>that show and realize how green I was and how

1:42:28.840 --> 1:42:31.920
<v Speaker 6>inexperienced I was, And I just basically said, you know,

1:42:32.120 --> 1:42:35.479
<v Speaker 6>I said, I'm I don't know if I said I

1:42:35.560 --> 1:42:38.720
<v Speaker 6>was sorry, because I'm not sure I try anything to

1:42:38.720 --> 1:42:41.360
<v Speaker 6>be sorry about. But I kind of acknowledged the fact

1:42:41.840 --> 1:42:44.479
<v Speaker 6>that I was green and inexperienced when we work together,

1:42:45.080 --> 1:42:50.680
<v Speaker 6>and Chris was gracious in Chris's best way, which was

1:42:50.720 --> 1:42:54.360
<v Speaker 6>to kind of acknowledge the fact, you know, but again,

1:42:54.400 --> 1:42:58.040
<v Speaker 6>I think he's really a very sensitive guy. He kind

1:42:58.040 --> 1:43:01.080
<v Speaker 6>of acknowledged it and was like, you know, yeah, yeah,

1:43:01.160 --> 1:43:03.000
<v Speaker 6>you know some of you know, some of those listen.

1:43:03.080 --> 1:43:06.120
<v Speaker 6>Sometimes actors and artists, I mean not just actors and artists,

1:43:06.120 --> 1:43:10.880
<v Speaker 6>but sometimes people are really can come across as aloof

1:43:11.120 --> 1:43:15.120
<v Speaker 6>or or arrogant when really what's going on internally and

1:43:15.200 --> 1:43:19.400
<v Speaker 6>inside is that they're really uncomfortable or awkward with in interacting.

1:43:19.400 --> 1:43:21.280
<v Speaker 6>And I just think he's one of those guys, you

1:43:21.280 --> 1:43:24.800
<v Speaker 6>know that's he's got a really big heart. He's a

1:43:25.320 --> 1:43:29.400
<v Speaker 6>he's a good guy underneath, but I think he's imposing,

1:43:29.760 --> 1:43:32.639
<v Speaker 6>like physically, he's a big guy, and he's got that

1:43:32.840 --> 1:43:35.400
<v Speaker 6>look about him, but I think that's kind of at

1:43:35.400 --> 1:43:37.640
<v Speaker 6>odds with what's going on inside of him. So I

1:43:38.120 --> 1:43:40.760
<v Speaker 6>he just he's kind of nodded and said, yeah, yeah,

1:43:40.800 --> 1:43:44.320
<v Speaker 6>that was an interesting that was an interesting, interesting experience.

1:43:45.280 --> 1:43:49.000
<v Speaker 6>And I kind of said, yeah, yeah, yeah.

1:43:48.560 --> 1:43:50.640
<v Speaker 4>That was that was interesting.

1:43:51.360 --> 1:43:54.720
<v Speaker 6>And I was inexperienced and not really ready for that

1:43:55.040 --> 1:43:58.400
<v Speaker 6>big of a role in directing your show. And I

1:43:58.439 --> 1:44:00.800
<v Speaker 6>sure loved work, but I sure loved the experience and

1:44:00.800 --> 1:44:02.400
<v Speaker 6>thank you for that. And he's like, yeah, man, it's

1:44:02.439 --> 1:44:05.040
<v Speaker 6>all good, and kind of we laughed and off he went.

1:44:05.960 --> 1:44:09.720
<v Speaker 2>It's wild to hear this because watching it, I mean,

1:44:09.760 --> 1:44:11.840
<v Speaker 2>I wasn't looking out. But it's a great up. It's

1:44:11.880 --> 1:44:13.440
<v Speaker 2>one of the greatest episodes.

1:44:13.720 --> 1:44:17.000
<v Speaker 4>Oh wow, that's really It has.

1:44:16.880 --> 1:44:19.280
<v Speaker 1>So many good twists. It's like great, and you have

1:44:19.479 --> 1:44:22.080
<v Speaker 1>it's such a good cast, I mean, and Dowd.

1:44:21.760 --> 1:44:25.479
<v Speaker 6>You got like, oh, it's a crazy cast, and Logan

1:44:25.560 --> 1:44:26.280
<v Speaker 6>Marshall Green.

1:44:26.400 --> 1:44:26.960
<v Speaker 4>I believe.

1:44:27.520 --> 1:44:30.840
<v Speaker 6>But here's the thing about that is I believe as

1:44:30.840 --> 1:44:33.639
<v Speaker 6>an actor and as a director, and we're only as

1:44:33.680 --> 1:44:36.880
<v Speaker 6>good as the script and only as good as the story.

1:44:37.640 --> 1:44:40.320
<v Speaker 6>And I will also say as a director, I've come

1:44:40.360 --> 1:44:42.519
<v Speaker 6>to learn that When it's good, I get way too

1:44:42.600 --> 1:44:45.200
<v Speaker 6>much credit, and when it's bad, I get way too

1:44:45.280 --> 1:44:49.680
<v Speaker 6>much blame. And that's just the nature of directing television.

1:44:50.000 --> 1:44:52.160
<v Speaker 6>When it's really good, there's just way too much because

1:44:53.000 --> 1:44:55.759
<v Speaker 6>so many things have to come together for an episode

1:44:55.840 --> 1:44:59.040
<v Speaker 6>to really work. And first and foremost is a script

1:44:59.080 --> 1:45:01.400
<v Speaker 6>in the story, and if it's not on the page,

1:45:01.479 --> 1:45:04.400
<v Speaker 6>it's not magically going to appear. And so I was

1:45:04.720 --> 1:45:07.759
<v Speaker 6>very fortunate to have a good episode and good writing.

1:45:08.760 --> 1:45:10.760
<v Speaker 2>You can tell how much you love your work.

1:45:11.280 --> 1:45:13.240
<v Speaker 4>Well, that's nice to hear. I do. I do love

1:45:13.360 --> 1:45:14.360
<v Speaker 4>I do love my work.

1:45:14.400 --> 1:45:16.960
<v Speaker 6>And I'm i'm you know, as I as I get

1:45:17.000 --> 1:45:22.360
<v Speaker 6>older and mature, I realize how fortunate I am. I'm

1:45:22.400 --> 1:45:25.080
<v Speaker 6>just just struck by how fortunate I am to have

1:45:25.120 --> 1:45:28.760
<v Speaker 6>the opportunity to get to do what I do. I mean,

1:45:29.080 --> 1:45:31.880
<v Speaker 6>it's not lost on me. I don't take any moment

1:45:31.920 --> 1:45:34.920
<v Speaker 6>of it for granted. It is such a privilege to

1:45:35.000 --> 1:45:37.840
<v Speaker 6>get to be an actor and now to be a

1:45:37.880 --> 1:45:41.080
<v Speaker 6>director as well. So I'm i'm you know, I'm just

1:45:41.200 --> 1:45:44.920
<v Speaker 6>really kind of I just feel so fortunate. So it's

1:45:45.000 --> 1:45:46.840
<v Speaker 6>nice to be able to talk about these things.

1:45:50.360 --> 1:45:51.920
<v Speaker 1>Oh my gosh, she loved him.

1:45:52.080 --> 1:45:55.479
<v Speaker 2>I loved his energy, everything he said, and obviously he

1:45:55.560 --> 1:45:58.479
<v Speaker 2>complimented us up up top, so number one guy.

1:45:58.520 --> 1:46:00.800
<v Speaker 1>And he listened to some episodes of our podcast.

1:46:00.920 --> 1:46:04.800
<v Speaker 2>I love that like zooms to number one and gave

1:46:04.840 --> 1:46:07.639
<v Speaker 2>the scoop. And I just love people that are thoughtful

1:46:07.720 --> 1:46:11.160
<v Speaker 2>and sharing about their craft and about like the process

1:46:11.160 --> 1:46:14.439
<v Speaker 2>of learning and like doing things before you think you're

1:46:14.479 --> 1:46:17.439
<v Speaker 2>ready or when you think, like with directing and then

1:46:17.520 --> 1:46:20.360
<v Speaker 2>jumping in and then being grateful and understanding how awesome

1:46:20.400 --> 1:46:24.080
<v Speaker 2>it is to have mentors and listen to people. Yeah,

1:46:24.120 --> 1:46:27.200
<v Speaker 2>and you know, I just I love the process of creation.

1:46:27.680 --> 1:46:29.320
<v Speaker 1>I do feel like we just keep talking to people

1:46:29.360 --> 1:46:33.000
<v Speaker 1>who are just so like humble and grateful and positive

1:46:33.240 --> 1:46:35.800
<v Speaker 1>and they're successful, and it's just like a really great

1:46:36.280 --> 1:46:38.400
<v Speaker 1>It's just really great to see the cause and effect.

1:46:38.600 --> 1:46:40.559
<v Speaker 2>Like you know, I think if they weren't humble, they

1:46:40.600 --> 1:46:45.960
<v Speaker 2>wouldn't be on the pod. Okay, that's the theory, right

1:46:46.520 --> 1:46:50.680
<v Speaker 2>or maybe I know now Neil Bear, he knows he's

1:46:50.720 --> 1:46:51.120
<v Speaker 2>the best.

1:46:53.640 --> 1:46:54.200
<v Speaker 1>He's like, I'm not.

1:46:54.720 --> 1:46:58.040
<v Speaker 2>I'm working at Harvard. Excuse me. I would like to

1:46:58.040 --> 1:47:02.120
<v Speaker 2>add the number one lesson, of course, don't fuck your kid, yeah,

1:47:02.160 --> 1:47:03.320
<v Speaker 2>aka rape your kids.

1:47:03.520 --> 1:47:08.080
<v Speaker 1>Yes, don't rid your kids. If today's postmortem is anything

1:47:08.600 --> 1:47:10.960
<v Speaker 1>tells us anything, it's do not have sex with your kids.

1:47:11.000 --> 1:47:13.600
<v Speaker 1>I mean, do not molest or rape your kids. You

1:47:13.640 --> 1:47:16.080
<v Speaker 1>can't have sex really with your kids. No, I said,

1:47:16.080 --> 1:47:18.960
<v Speaker 1>aka rape. Yeah, maybe that was too like I was

1:47:18.960 --> 1:47:19.839
<v Speaker 1>correcting myself.

1:47:20.000 --> 1:47:25.600
<v Speaker 2>Oh, we both suck up. Yeah, it's hard. Language is

1:47:25.600 --> 1:47:28.759
<v Speaker 2>difficult when you're so trained. It's like you're so trained

1:47:28.760 --> 1:47:31.479
<v Speaker 2>and everywhere else. It's like when you get into a

1:47:31.520 --> 1:47:34.960
<v Speaker 2>social conversation about everything, even when someone's trying to be

1:47:35.920 --> 1:47:38.280
<v Speaker 2>or saying the right thing, the language is hard. It's

1:47:38.280 --> 1:47:41.360
<v Speaker 2>like you really have to yeh know this stuff to

1:47:41.439 --> 1:47:43.760
<v Speaker 2>know what's appropriate or not because people will be like,

1:47:43.880 --> 1:47:46.200
<v Speaker 2>how dare he fuck an underaged girl? And you're like,

1:47:46.200 --> 1:47:49.000
<v Speaker 2>you're on the right side, you know, like I'm not

1:47:49.040 --> 1:47:51.200
<v Speaker 2>gonna nip it with you.

1:47:51.320 --> 1:47:55.400
<v Speaker 1>But sometimes but yeah, and I guess.

1:47:55.560 --> 1:47:59.200
<v Speaker 2>Don't talk to the cops, zip it unless the lawyer

1:47:59.280 --> 1:47:59.880
<v Speaker 2>comes zip it.

1:48:00.320 --> 1:48:03.720
<v Speaker 1>Yeah, he fully confesses without a lawyer. Don't let the

1:48:03.720 --> 1:48:06.439
<v Speaker 1>cops flatter you. Don't let the cops tell you that

1:48:06.560 --> 1:48:09.400
<v Speaker 1>like you're the one that's gonna help them solve the crime.

1:48:10.960 --> 1:48:15.880
<v Speaker 2>Yeah, they are trained to lie. Manipulate and get information

1:48:16.160 --> 1:48:20.679
<v Speaker 2>out of people. There's a reason cops do well on Survivor.

1:48:22.040 --> 1:48:22.080
<v Speaker 5>A.

1:48:23.439 --> 1:48:24.439
<v Speaker 1>I didn't even know that.

1:48:25.240 --> 1:48:30.240
<v Speaker 2>Yeah, some of the best winners unfortunately are or fortunately

1:48:30.439 --> 1:48:35.240
<v Speaker 2>are cops. Wow, because you know they're physically strong, but

1:48:35.280 --> 1:48:37.559
<v Speaker 2>in terms of like they know what's up, they know

1:48:37.600 --> 1:48:39.839
<v Speaker 2>what to say. One guy built spy shacks.

1:48:40.120 --> 1:48:42.360
<v Speaker 1>They can like sniff out weakness, I bet.

1:48:42.800 --> 1:48:45.320
<v Speaker 2>Yeah, and they just fully know how to lie. There

1:48:45.400 --> 1:48:48.280
<v Speaker 2>was actually a season with two cops and one cop,

1:48:48.880 --> 1:48:49.720
<v Speaker 2>like it was like.

1:48:50.280 --> 1:48:52.320
<v Speaker 1>Blue line baby, and then the guy.

1:48:52.320 --> 1:48:55.960
<v Speaker 2>Was like, I'm voting her out and she felt betrayed,

1:48:56.360 --> 1:48:58.960
<v Speaker 2>Like she was like, we're cop brother sister, What the fuck?

1:48:59.200 --> 1:49:02.920
<v Speaker 2>Guess what? The came back won the whole season. Hello,

1:49:03.400 --> 1:49:05.599
<v Speaker 2>learned her lesson was like came back and like there

1:49:05.640 --> 1:49:07.519
<v Speaker 2>was one moment where like there was a clue under

1:49:07.520 --> 1:49:09.120
<v Speaker 2>someone else and they didn't see it. And while she

1:49:09.200 --> 1:49:11.639
<v Speaker 2>was swimming, she would be like with everyone was able

1:49:11.680 --> 1:49:14.280
<v Speaker 2>to slither out on a platform, grab a secret thing,

1:49:14.600 --> 1:49:16.960
<v Speaker 2>put it in her bra, swim to the main thing

1:49:17.000 --> 1:49:18.920
<v Speaker 2>with no one noticing, and like was able and then

1:49:19.040 --> 1:49:21.439
<v Speaker 2>learn how to lie, lie to people's faces. And then

1:49:21.439 --> 1:49:26.160
<v Speaker 2>the other cop he's won twice now fuck. Like, So, now,

1:49:26.200 --> 1:49:27.680
<v Speaker 2>if you're a cop or a lawyer, or if you're

1:49:27.680 --> 1:49:30.439
<v Speaker 2>a favorite, you don't tell people you're like, oh, I

1:49:30.520 --> 1:49:33.760
<v Speaker 2>work in bail box. Are like, you just lie, you

1:49:33.800 --> 1:49:35.240
<v Speaker 2>say you do other things.

1:49:35.360 --> 1:49:38.400
<v Speaker 1>They say cops are quitting in droves all across the countries.

1:49:38.400 --> 1:49:40.840
<v Speaker 1>Maybe they're just all trying to get onto survivor.

1:49:40.720 --> 1:49:44.920
<v Speaker 2>Maybe yeah, everyone from Burger King and the police departments

1:49:44.960 --> 1:49:46.040
<v Speaker 2>will be on the next season.

1:49:46.120 --> 1:49:48.080
<v Speaker 1>Me and me and leave them.

1:49:48.520 --> 1:49:54.880
<v Speaker 2>Oh. What I realized was Tandy Veronica. Tandy's husband is

1:49:54.920 --> 1:49:56.640
<v Speaker 2>in an episode of Sex and the City that I

1:49:56.720 --> 1:49:59.360
<v Speaker 2>just watched, and I lost my mind. And to explain

1:49:59.400 --> 1:50:01.599
<v Speaker 2>to the person I was with why I was excited

1:50:01.800 --> 1:50:05.679
<v Speaker 2>was humiliating. But he was in an episode of Sex

1:50:05.680 --> 1:50:08.639
<v Speaker 2>in the City where Miranda goes to the comedy club

1:50:09.520 --> 1:50:13.120
<v Speaker 2>and he is her date, and so when he goes

1:50:13.160 --> 1:50:16.320
<v Speaker 2>to the bathroom, his phone rings. The comedian is bad

1:50:16.400 --> 1:50:18.840
<v Speaker 2>and he's like, what the fuck? Answer answer the phone,

1:50:19.160 --> 1:50:22.559
<v Speaker 2>and the phone call is her date's wife. And then

1:50:22.600 --> 1:50:24.360
<v Speaker 2>he comes back and like they do a thing, and

1:50:24.400 --> 1:50:26.839
<v Speaker 2>it's a whole thing about like why are men liars?

1:50:27.160 --> 1:50:29.240
<v Speaker 2>She straight up asked him, how long have you been divorced.

1:50:29.240 --> 1:50:32.080
<v Speaker 2>He went three years, just like that, he just said

1:50:32.080 --> 1:50:32.639
<v Speaker 2>three years.

1:50:33.000 --> 1:50:37.320
<v Speaker 1>That's a d quote. Wait, I literally remember every moment

1:50:37.400 --> 1:50:39.920
<v Speaker 1>of that episode. I remember, like exactly what it looks

1:50:39.960 --> 1:50:41.880
<v Speaker 1>like and what happens. And I just didn't place that

1:50:41.920 --> 1:50:42.840
<v Speaker 1>guy's face at all.

1:50:43.360 --> 1:50:46.760
<v Speaker 2>No, it would be why. I mean, yeah, I'm very proficient,

1:50:46.840 --> 1:50:48.920
<v Speaker 2>and I didn't get it until just now when I

1:50:48.920 --> 1:50:51.200
<v Speaker 2>saw it on accident and like we had just done

1:50:51.200 --> 1:50:53.240
<v Speaker 2>this episode, you know, like, yeah, I don't know if

1:50:53.240 --> 1:50:54.880
<v Speaker 2>I would have been able to connect all of this

1:50:54.960 --> 1:50:58.680
<v Speaker 2>if it wasn't timed perfectly. But the Universe that Be

1:50:58.840 --> 1:51:05.040
<v Speaker 2>wanted someone listening here today to know this. Sure, right, yeah,

1:51:05.080 --> 1:51:09.280
<v Speaker 2>and this this is an intro thing. But Manifest look

1:51:09.280 --> 1:51:11.839
<v Speaker 2>at us putting Manifest manifesting Manifest.

1:51:12.479 --> 1:51:15.040
<v Speaker 1>Yeah, if you don't know what she's talking about. Apparently

1:51:15.080 --> 1:51:18.040
<v Speaker 1>Manifest might be getting another season, so people are manifesting

1:51:18.040 --> 1:51:19.400
<v Speaker 1>another Manifest. Yeah.

1:51:19.640 --> 1:51:21.599
<v Speaker 2>Anyway, right back a peak. Back's a peak?

1:51:21.720 --> 1:51:26.160
<v Speaker 1>Anyway, Peak a classically fucked up episode that I think

1:51:26.200 --> 1:51:29.320
<v Speaker 1>about all the time, Like I've seen it so many times,

1:51:29.360 --> 1:51:32.120
<v Speaker 1>and I mean, yeah, I don't know how much real

1:51:32.120 --> 1:51:35.080
<v Speaker 1>world application there is to this episode. Well, we have

1:51:35.120 --> 1:51:35.759
<v Speaker 1>the real crime.

1:51:35.800 --> 1:51:37.439
<v Speaker 2>I also learn, you know, put on a shoe if

1:51:37.479 --> 1:51:38.439
<v Speaker 2>you're going to stalk a lover.

1:51:38.640 --> 1:51:40.439
<v Speaker 1>Yeah, if you're going to cross Central Park in a

1:51:40.439 --> 1:51:44.879
<v Speaker 1>mink stole, nothing but a mink fur, put some shoes on, yeah,

1:51:44.920 --> 1:51:45.720
<v Speaker 1>and bake a light.

1:51:45.840 --> 1:51:48.240
<v Speaker 2>Like if you're for money, maybe watch out.

1:51:48.600 --> 1:51:50.960
<v Speaker 1>Did we learn nothing from Liza almost losing a toe

1:51:51.120 --> 1:51:53.519
<v Speaker 1>trying to get her steps in and ugs? You guys

1:51:53.560 --> 1:51:54.879
<v Speaker 1>have got to wear shoes.

1:51:56.240 --> 1:51:59.280
<v Speaker 2>Yeah, No, this is a great episode. Oh what else

1:51:59.360 --> 1:52:02.599
<v Speaker 2>did we learn? Oh, don't lie if you commit the crime,

1:52:02.680 --> 1:52:05.280
<v Speaker 2>don't lie and say someone else did it about the

1:52:05.360 --> 1:52:08.800
<v Speaker 2>zoom making it on the cameras. Yeah, just don't lie.

1:52:08.920 --> 1:52:10.720
<v Speaker 2>It's easier when you don't lie.

1:52:11.000 --> 1:52:13.519
<v Speaker 1>Sure do or think of a story. Think of a

1:52:13.560 --> 1:52:15.800
<v Speaker 1>story that doesn't throw a random person under the bus.

1:52:15.840 --> 1:52:17.640
<v Speaker 1>If you're going to come up with your alibi or

1:52:17.680 --> 1:52:21.519
<v Speaker 1>like your you know, your cover story, don't make it like, oh,

1:52:21.560 --> 1:52:23.720
<v Speaker 1>someone else is going to take that was? Like what was?

1:52:23.880 --> 1:52:25.920
<v Speaker 1>So that's what's so fucked up in Like another episode

1:52:25.920 --> 1:52:27.600
<v Speaker 1>that we're talking about is that the person who was

1:52:27.600 --> 1:52:29.720
<v Speaker 1>guilty tried to pin it on a kid. You know,

1:52:30.640 --> 1:52:32.360
<v Speaker 1>I can't say it because it hasn't come out yet.

1:52:32.560 --> 1:52:35.240
<v Speaker 2>We like to keep it secret. Listen, this was a

1:52:35.240 --> 1:52:38.120
<v Speaker 2>great post mortem. Only maybe thirty percent had to do

1:52:38.160 --> 1:52:39.360
<v Speaker 2>what we learned from the episode.

1:52:39.360 --> 1:52:41.360
<v Speaker 1>But you know what, I think you have to say?

1:52:41.360 --> 1:52:45.080
<v Speaker 5>How good Wang looks and glasses, Oh yeah, I wish

1:52:45.080 --> 1:52:46.440
<v Speaker 5>you wore glasses regularly.

1:52:46.520 --> 1:52:50.120
<v Speaker 1>We learned, We learned that, you know, George Huang was

1:52:50.200 --> 1:52:51.920
<v Speaker 1>part of our lives. That's how we learned. We learned

1:52:51.920 --> 1:52:53.920
<v Speaker 1>that from this episode. And yeah, it looks.

1:52:53.760 --> 1:52:57.920
<v Speaker 2>Good and his coffee cup acting is superb.

1:52:58.160 --> 1:53:02.280
<v Speaker 1>Yeah, he's unbeatable. Let's head into what would Sister Peg do?

1:53:02.600 --> 1:53:06.280
<v Speaker 1>Our weekly segment where we give you an organization or

1:53:06.320 --> 1:53:10.160
<v Speaker 1>a resource that you can go to or donate to,

1:53:10.479 --> 1:53:13.000
<v Speaker 1>or just learn more about the topics that we touched

1:53:13.000 --> 1:53:15.519
<v Speaker 1>on in today's episode. Today we're going to be highlighting

1:53:15.640 --> 1:53:20.439
<v Speaker 1>survivors of incest Anonymous, which is SIA. The website is

1:53:20.680 --> 1:53:27.240
<v Speaker 1>SIAWSO dot org. That's SIAWSO dot org. They empower people

1:53:27.240 --> 1:53:29.320
<v Speaker 1>who have suffered from childhood sexual abuse and who want

1:53:29.360 --> 1:53:32.439
<v Speaker 1>to become survivors and thrivers. It's kind of like AA.

1:53:32.479 --> 1:53:35.519
<v Speaker 1>It's a twelve step self help recovery program with no

1:53:35.680 --> 1:53:40.080
<v Speaker 1>dues or fees. Confidential Anonymous anyone over the age of

1:53:40.120 --> 1:53:42.679
<v Speaker 1>eighteen who has been sexually abused as a child is welcome.

1:53:43.479 --> 1:53:47.320
<v Speaker 1>And yeah, it's just a great support network of groups

1:53:47.320 --> 1:53:50.160
<v Speaker 1>and meetings and there's plenty of tools and literature on

1:53:50.200 --> 1:53:51.479
<v Speaker 1>their website, so go check it out.

1:53:51.760 --> 1:53:55.840
<v Speaker 2>Thank you for that, and next week join us for

1:53:55.960 --> 1:54:02.560
<v Speaker 2>Intimidation Game season sixteen, episode fourteen, as always there on Hulu,

1:54:02.680 --> 1:54:07.000
<v Speaker 2>even if they're misnumbered. Peacock, isn't that a song by

1:54:07.040 --> 1:54:10.479
<v Speaker 2>the Pussy Kittles. What show us your pee pee pee

1:54:10.520 --> 1:54:14.799
<v Speaker 2>pee peacock? Oh maybe it's Katy Perry, It's Katie peecock. Whatever,

1:54:15.320 --> 1:54:18.960
<v Speaker 2>So watch with us, don't watch with us, Follow us

1:54:19.000 --> 1:54:21.400
<v Speaker 2>on Instagram, and thank you for listening.

1:54:21.720 --> 1:54:22.679
<v Speaker 1>See you next week.

1:54:30.360 --> 1:54:32.400
<v Speaker 2>That's Messed Up as an exactly right production.

1:54:32.600 --> 1:54:34.480
<v Speaker 1>If you have compliments you'd like to give us or

1:54:34.520 --> 1:54:36.720
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:54:36.760 --> 1:54:39.200
<v Speaker 1>at That's Messed uppod at gmail dot com.

1:54:39.240 --> 1:54:41.880
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:54:42.000 --> 1:54:44.560
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

1:54:44.600 --> 1:54:47.520
<v Speaker 2>personally at Kara Clank and at Glittercheese.

1:54:47.720 --> 1:54:50.440
<v Speaker 1>As always, please see our show notes for sources and

1:54:50.480 --> 1:54:51.160
<v Speaker 1>more information.

1:54:51.520 --> 1:54:54.800
<v Speaker 2>Thank you so much to SBU super fan and our

1:54:55.080 --> 1:54:57.960
<v Speaker 2>incredible producer, Hannah Kyle Kraton, and.

1:54:57.960 --> 1:55:01.160
<v Speaker 1>To our sound engineer and personal hero, Analie Nilson, and

1:55:01.320 --> 1:55:04.480
<v Speaker 1>to Henry Koperski for our theme song, to Carly Jean

1:55:04.600 --> 1:55:08.480
<v Speaker 1>Andrews for our artwork. Thanks to our executive producers Georgia Hardstar,

1:55:08.680 --> 1:55:12.200
<v Speaker 1>Karen Kilgarriff, Daniel Kramer, and everybody at Exactly Right Media.

1:55:12.280 --> 1:55:16.280
<v Speaker 2>Listen, subscribe, leave us a review on Apple Podcasts, Stitcher,

1:55:16.480 --> 1:55:19.680
<v Speaker 2>or wherever you get your podcasts. If you're an advertiser

1:55:19.760 --> 1:55:23.040
<v Speaker 2>interested in advertising on our show, go to midroll dot

1:55:23.080 --> 1:55:25.600
<v Speaker 2>com slash ads Done.

1:55:25.640 --> 1:55:26.400
<v Speaker 1>Done