WEBVTT - Down Bad!

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<v Speaker 1>It's nine OGENG with Jenny Garth and Tory Spelling.

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<v Speaker 2>Oh you guys, we're here with the episode of nine

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<v Speaker 2>O two one MG, and Amy's here with me today.

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<v Speaker 3>This was a scary episode, Like you were scared by

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<v Speaker 3>this episode, disturb scared, Like it was emotional. It was

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<v Speaker 3>like it was dark. You're really dark. Yes, that's the

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<v Speaker 3>word dark. It's dark.

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<v Speaker 1>Yeah. I don't know what's going on with Mike Kelly.

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<v Speaker 3>Oh. I think she's finally gonna get the help she needs.

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<v Speaker 3>Do you think I'm hoping?

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<v Speaker 1>I hope so too. We're not jumping to the end though, Amy,

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<v Speaker 1>I know you want to so bad.

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<v Speaker 3>I want it so bad because of something with Brandon,

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<v Speaker 3>but I will not talk about your downfall.

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<v Speaker 1>Yes, this is this episode's good though. It's got a

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<v Speaker 1>lot of like other parts going on.

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<v Speaker 3>Yeah, finally they're using Elisa Donovan. Better was better.

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<v Speaker 1>You know how much we love our ginger La Monica

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<v Speaker 1>we love so much now just so that makes me happy.

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<v Speaker 1>You know, she's so grow nasty.

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<v Speaker 3>She's great. She would have had a good Valerie. Yeah,

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<v Speaker 3>and she's auditioned for Valerie.

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<v Speaker 1>She is so pretty.

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<v Speaker 3>Yeah, I think she auditioned for Valerie. Actually, I feel

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<v Speaker 3>like maybe they should have gone with her because of

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<v Speaker 3>the red hair as opposed to like this is not

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<v Speaker 3>don't write me among your emails like I don't love Tiffany,

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<v Speaker 3>I do.

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<v Speaker 1>You just want diversity in color, something just.

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<v Speaker 3>Well, something so different from Brenda. I think for me

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<v Speaker 3>it's always was challenging because Tiffany sort of looked brown hair.

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<v Speaker 3>You know, I don't know. Maybe I would like.

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<v Speaker 1>The extent of it, the hair that's it. But oh no,

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<v Speaker 1>I think she is great on the show too, Lisa

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<v Speaker 1>Donovan as she kills it and then anything.

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<v Speaker 3>She does, so yeah, yeah, she's great. We're gonna see

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<v Speaker 3>her soon. She's kind of come do the show again

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<v Speaker 3>in a couple few weeks in person. They're gonna come

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<v Speaker 3>see you guys.

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<v Speaker 1>Oh my gosh.

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<v Speaker 3>I love that your drug habit has really gone bad.

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<v Speaker 3>And actually I have a lot to talk about about

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<v Speaker 3>David and Valerie. So I feel like this is going

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<v Speaker 3>to be good conversation.

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<v Speaker 1>This be jam packed, you guys. You don't want to

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<v Speaker 1>miss it.

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<v Speaker 3>iHeart Podcasts Listen on the iHeartRadio app.

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<v Speaker 1>Okay, this is It? Season six, episode twenty one, Bleeding

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<v Speaker 1>Hearts aired februaryteenth. It aired on Valentine's Day. You guys

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<v Speaker 1>in nineteen ninety six.

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<v Speaker 3>This was the Valentine's Day episode. It's so dark for

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<v Speaker 3>Valentine's They sort of buried that a little bit, but

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<v Speaker 3>it was there. But now we had the poem and

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<v Speaker 3>the roses. But still it's so dramatic.

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<v Speaker 1>Will you give us a synopsis?

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<v Speaker 3>Amy?

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<v Speaker 1>Do you want?

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<v Speaker 3>Sure? My Great Pleasure roses are red, but Ginger is

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<v Speaker 3>green with envy as she tries to hit Valerie where

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<v Speaker 3>it hurts. And speaking of hitting, Jonathan Casten gets a

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<v Speaker 3>fistful of Susan Keats at the peach pit after dark,

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<v Speaker 3>plus Steve makes a painful pledge, Joe gets a kick

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<v Speaker 3>in the stomach, and Kelly hick and Kelly hits rock

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<v Speaker 3>bottom until Brandon Bales are out. I'm not laughing at

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<v Speaker 3>the drama. I'm laughing at how well that's written.

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<v Speaker 1>Directed by Jason Priestley, written by Larry Mullen and Meredithstein. Hey,

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<v Speaker 1>I didn't even recognize that this was a Jason priest

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<v Speaker 1>I know he's changed his style.

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<v Speaker 3>It's almost like he's more broody of a director now,

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<v Speaker 3>less like Zyne and more like gritty.

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<v Speaker 1>I like it.

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<v Speaker 3>I mean that wasn't I don't That was a gnarly

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<v Speaker 3>scene at the drug den as I call it.

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<v Speaker 1>We're not there yet, so sorry. Okay, okay, would you

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<v Speaker 1>want me to give you a little trivia? There's something

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<v Speaker 1>exciting worse, it's interesting, you know. Okay, actor Gordon Curry

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<v Speaker 1>played Do you remember this actor who's playing Danny five

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<v Speaker 1>in this episode? He was in the show already. Do

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<v Speaker 1>you remember what character he used to be?

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<v Speaker 3>No? Come on, I love trivia like this. Who was he?

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<v Speaker 1>I really think you can get this.

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<v Speaker 3>Oh wait, let me look at this face.

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<v Speaker 1>Look and Brenda's cousin.

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<v Speaker 3>What's his name again? Gordon what Curry?

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<v Speaker 2>No?

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<v Speaker 3>Way?

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<v Speaker 1>He played?

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<v Speaker 3>Oh yeah, oh my god, Bobby. I can't remember, but yeah, Bobby,

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<v Speaker 3>he's one of the drug dudes.

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<v Speaker 1>But he was Bobby that he was their cousin that

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<v Speaker 1>was in the wheelchair, remember, Yes, like Kelly?

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<v Speaker 3>Yes?

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<v Speaker 1>Whoa They hired him again for a completely different role.

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<v Speaker 3>Which shows do do that a lot? They do do

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<v Speaker 3>that like on Kilmore Girls. You see that all the

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<v Speaker 3>time too.

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<v Speaker 1>Yes, okay, that's all I have to say about that.

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<v Speaker 3>Good Triga trivia, Very good Eagle Eze McGee.

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<v Speaker 1>Well, you know, let's start at the top. You guys, Okay, this.

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<v Speaker 3>Is buying the drugs. Let's start with you guys buy drugs.

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<v Speaker 1>Colin and Kelly are rung out and looking for drugs,

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<v Speaker 1>and Colin tells her my favorite weatherman says there is

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<v Speaker 1>going to be snow in West Hollywood.

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<v Speaker 3>First of all, that made me want to just borrow.

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<v Speaker 3>It was so like, really, we're doing drug comedy.

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<v Speaker 1>Oh god. And Kelly says that she needs to go

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<v Speaker 1>see her mom at the peach Pit, but Colin says

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<v Speaker 1>that they have to go meet the drug dealer, Danny five,

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<v Speaker 1>or they won't have anything the whole weekend. That is

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<v Speaker 1>enough for her to cancel her plans.

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<v Speaker 3>Little did she know there was sort of a semi

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<v Speaker 3>intervention getting prepared for her at the peach Pit, right,

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<v Speaker 3>but it.

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<v Speaker 1>Was only Brandon, David and Mom.

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<v Speaker 3>Yeah, but that was I think the intervention. Yeah, but

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<v Speaker 3>I would have liked you show up for it. And

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<v Speaker 3>then you know, I thought, Matt, It's like, Matt is

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<v Speaker 3>close with you all, so he knows you're on drugs.

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<v Speaker 3>He was a little bit too. Kelly called, and She's

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<v Speaker 3>not gonna make it like that you dude.

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<v Speaker 1>When I saw nat though, Remember, wasn't there a storyline

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<v Speaker 1>about his girlfriend coming to town?

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<v Speaker 3>Coming back?

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<v Speaker 1>Then they completely dropped it and never talked about it.

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<v Speaker 3>They dropped it for now, but it does come back. Okay, good, Yeah,

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<v Speaker 3>not to fret.

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<v Speaker 1>Okay, So Kelly ditches the intervention, great, I.

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<v Speaker 3>Have an interjection. What I said, Fratt? You know what

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<v Speaker 3>word I use all the time now because of you? No,

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<v Speaker 3>but people are loving that. The people are loving colon. Yes,

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<v Speaker 3>oh yeah, they're starting to write it. So when they

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<v Speaker 3>write to us about him, they spell it c l

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<v Speaker 3>O and no A scoach? Is that how you say it? Scoche?

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<v Speaker 1>A scoche? You? You know what's so crazy that you're

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<v Speaker 1>saying this. I learned that word on the set of

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<v Speaker 1>Beverly Hills nine O, two and O.

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<v Speaker 3>I never used that word, like, it's just not my vernacular.

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<v Speaker 3>But ever since you used it, like a few weeks ago,

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<v Speaker 3>you said like, oh, move that over a scosh, And

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<v Speaker 3>now anytime I have to move anything, I'm always like, oh,

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<v Speaker 3>just move that over a scooch.

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<v Speaker 1>It was like a little bit, wait, how.

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<v Speaker 3>Did you learn that word? On Nanotana?

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<v Speaker 1>That's not a very long story our camera are. He

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<v Speaker 1>was our cameraman and then he became our our director

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<v Speaker 1>of photography. His name was Steve, and I loved him

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<v Speaker 1>so much. We were very close. We were also close

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<v Speaker 1>with him and he would say it all the time,

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<v Speaker 1>like move over a little scosh. Yeah, that's where I

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<v Speaker 1>got it.

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<v Speaker 3>Just want to spell scosh s ceo sh scooch. I'm

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<v Speaker 3>gonna have to look that up. Everybody should try. Okay,

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<v Speaker 3>everyone listening, try to somehow use the word scos today

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<v Speaker 3>and you'll get a little giggle when you do it,

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<v Speaker 3>because you'll think you'll think of Kelly, Jenny.

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<v Speaker 2>Oh.

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<v Speaker 1>No, s ceo s h is.

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<v Speaker 3>A variant smelling of the word scosh sko s h.

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<v Speaker 3>It is a slang term. I wouldn't call it slang,

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<v Speaker 3>but I guess it is. That means a small amount

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<v Speaker 3>or a bit, just like you said. Anyway, For some reason,

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<v Speaker 3>when I said fret, it just made me giggle because

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<v Speaker 3>I used skosh so much. Where were we.

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<v Speaker 1>We were at the peach pit where Kelly does not

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<v Speaker 1>show up and Valerie tells Susan Valerie Cozy's on up

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<v Speaker 1>next to Susan get into her business, yeah, and that

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<v Speaker 1>she's going to help Jonathan. She's gonna help get Jonathan

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<v Speaker 1>off her back by hooking up with her friend, by

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<v Speaker 1>hooking him up with her friend Ginger.

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<v Speaker 3>All, let's just talk about it. It's such a weird

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<v Speaker 3>like spider Web, right, because Valerie's got the problem with Ginger,

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<v Speaker 3>because Ginger's trying to blackmail her for fifty thousand dollars,

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<v Speaker 3>which is an insane amount of money, by the way,

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<v Speaker 3>Like it's just me and they talk about it like

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<v Speaker 3>it's nothing, but like fifty cares. First of all, that

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<v Speaker 3>would be like today, like a quarter of a million dollars.

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<v Speaker 3>So she's asking her for a quarter of a million

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<v Speaker 3>dollars like it's full bananas. I would just be like,

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<v Speaker 3>just doubt me. I don't okay, like just out me.

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<v Speaker 3>I don't care. These people kind of hate me anyway,

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<v Speaker 3>like do you know what I mean? Like I don't

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<v Speaker 3>like her, and she probably could have kept David. But anyway,

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<v Speaker 3>well that's a whole topic. But so anyway, suddenly she's like,

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<v Speaker 3>light bulb, Okay, I'm gonna take my friend and hook

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<v Speaker 3>him up with this random guy that used to date

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<v Speaker 3>this other girl. I don't really know. That's kind of

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<v Speaker 3>causing a problem for my roomy, Like it's just like,

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<v Speaker 3>oh my, how did she.

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<v Speaker 1>Know all about that Jonathan business?

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<v Speaker 3>Like I guess she's they're all in the weeds on everything,

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<v Speaker 3>but maybe soon.

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<v Speaker 4>And then okay, and then the fact that Susan's like, yeah, yeah,

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<v Speaker 4>good idea, what Susan, what just tell Jonathan to hit

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<v Speaker 4>the road that like you are in love with someone else?

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<v Speaker 3>You're sorry, Like really you have to do like a

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<v Speaker 3>like set him up to It's just what but okay,

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<v Speaker 3>are you also a.

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<v Speaker 1>Little taken aback by by Jackie's like nonchalant like, oh,

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<v Speaker 1>I wish I would have known earlier about my daughter's

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<v Speaker 1>drug addiction, like yep, and that she's like she's been there,

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<v Speaker 1>she knows the no.

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<v Speaker 3>It's like, this is dire. This is a dire situation.

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<v Speaker 3>Your daughter's gonna die, and you're so sort of just

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<v Speaker 3>like eating a mega burger, not worried about it that

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<v Speaker 3>much and saying I can't separate her from Colon. It's like,

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<v Speaker 3>of course you can separate her from Colon. He's the problem.

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<v Speaker 1>Yeah, but that's hard to do.

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<v Speaker 3>I'm no expert, but I don't know that she's doing

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<v Speaker 3>her best as a mom on that one.

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<v Speaker 1>I've watched intervention. It's very hard to take to separate

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<v Speaker 1>two people who are in the dark place too.

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<v Speaker 3>Well, then maybe she's right. I'm also there's a lot

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<v Speaker 3>of comments on Susan's wardrobe. People are not fans really

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<v Speaker 3>last week especially, I think maybe two weeks ago they

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<v Speaker 3>felt she was not. She dresses very old, but so

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<v Speaker 3>does Ginger lah Monica in the purple suit, which we'll

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<v Speaker 3>get to.

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<v Speaker 1>Maybe they just Andrea's leftovers.

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<v Speaker 3>Literally, Yeah, it's kind of that vibe.

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<v Speaker 1>You guys. We go to the drug Dealer's house where

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<v Speaker 1>Kelly is introduced to the shady drug dealer Danny five

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<v Speaker 1>aka and from season two.

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<v Speaker 3>It's so insane. They have way too nice of the

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<v Speaker 3>exterior of a house, but then it's real like cracky

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<v Speaker 3>on the inside.

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<v Speaker 1>Is it like, was the exterior like a bungalow, like

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<v Speaker 1>California bungalow, kind of like Dylan's Extra Yep.

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<v Speaker 3>Yep, And I think they sometimes, you know what, it

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<v Speaker 3>reminded me of the Grand Californian Hotel.

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<v Speaker 1>It's craftsman style and that's the word.

0:12:08.400 --> 0:12:12.920
<v Speaker 3>Yeah. Anyway, it's way too nice of the house.

0:12:13.840 --> 0:12:17.079
<v Speaker 1>But whatever, Well, I think that it was really conveniently

0:12:17.120 --> 0:12:19.640
<v Speaker 1>located just down the street from the extra of the

0:12:19.679 --> 0:12:20.240
<v Speaker 1>Walsh House.

0:12:20.280 --> 0:12:24.480
<v Speaker 3>So there you have it. That's what I assume as well. Gross.

0:12:24.520 --> 0:12:27.320
<v Speaker 3>They're gross. The drug dealers are gross. They're so sketchy.

0:12:27.640 --> 0:12:29.600
<v Speaker 1>Like when I was watching, I was like, I feel

0:12:29.600 --> 0:12:31.439
<v Speaker 1>like I know this guy. I thought I knew him

0:12:31.440 --> 0:12:35.240
<v Speaker 1>in real life, which I did. Yeah, I now I

0:12:35.280 --> 0:12:37.960
<v Speaker 1>know that's because he was a different character. He worked

0:12:37.960 --> 0:12:41.080
<v Speaker 1>with him multiple times. M It's interesting.

0:12:41.080 --> 0:12:43.640
<v Speaker 3>He kind of was charming at first, like for a

0:12:43.720 --> 0:12:46.640
<v Speaker 3>drug dealer, Like he was so like, hey, guys out

0:12:46.640 --> 0:12:48.720
<v Speaker 3>on the curb, like, come and see me anytime. Don't

0:12:48.720 --> 0:12:52.000
<v Speaker 3>spread my number around unless it's likely good.

0:12:52.679 --> 0:12:55.840
<v Speaker 1>It was just like, okay, a drug dealer guy, Like

0:12:56.520 --> 0:12:58.199
<v Speaker 1>I didn't know what to do with him. He was

0:12:58.280 --> 0:13:01.520
<v Speaker 1>a lot and I didn't know. I felt like Kelly

0:13:01.600 --> 0:13:04.720
<v Speaker 1>knew him too, Like so hard.

0:13:04.760 --> 0:13:06.920
<v Speaker 3>Are you you Brandon's cousin?

0:13:10.160 --> 0:13:15.360
<v Speaker 1>I've seen you before. That'd be so funny. Okay, California University,

0:13:15.360 --> 0:13:17.840
<v Speaker 1>where Donna is talking to a crowd of students about

0:13:17.840 --> 0:13:22.000
<v Speaker 1>a twenty four hour pledge of celibacy to bring awareness

0:13:22.000 --> 0:13:24.880
<v Speaker 1>to see an abstinence. I was not not about this

0:13:25.240 --> 0:13:27.720
<v Speaker 1>kind of cool, and I just I love Joe. He's

0:13:27.840 --> 0:13:30.720
<v Speaker 1>so darling. Oh my god, if you talk about him,

0:13:30.720 --> 0:13:32.840
<v Speaker 1>if you love Joe anymore, I'm not gonna be able

0:13:32.880 --> 0:13:33.240
<v Speaker 1>to say it.

0:13:33.360 --> 0:13:35.199
<v Speaker 3>I do. I loved him then and I love him now.

0:13:35.280 --> 0:13:37.840
<v Speaker 3>I literally had such a huge crush on him that

0:13:37.920 --> 0:13:40.320
<v Speaker 3>it's just like right back. When I watch these, I'm like, God,

0:13:40.360 --> 0:13:43.440
<v Speaker 3>he's so cute. She really should have appreciated him more.

0:13:44.080 --> 0:13:46.960
<v Speaker 1>He's got a pretty face, yes.

0:13:46.640 --> 0:13:50.440
<v Speaker 3>And he's so tall and cute. He's gonna feel bad

0:13:50.480 --> 0:13:52.640
<v Speaker 3>for him. He's kicked off the team. This was a

0:13:53.160 --> 0:13:56.439
<v Speaker 3>This was sort of a dramatic Joe episode, underplayed by

0:13:56.440 --> 0:13:57.880
<v Speaker 3>all the other drama happening.

0:13:58.320 --> 0:14:01.120
<v Speaker 1>Well, this whole twenty four hour pledge to not have

0:14:01.160 --> 0:14:03.800
<v Speaker 1>sex I didn't like. I was like, are you serious?

0:14:03.880 --> 0:14:06.520
<v Speaker 1>These horn dogs can't not have sex for twenty.

0:14:06.400 --> 0:14:11.080
<v Speaker 3>Day for one day? I know that's a little I agree,

0:14:11.360 --> 0:14:12.560
<v Speaker 3>and Steve, oh.

0:14:12.440 --> 0:14:16.240
<v Speaker 1>Gosh, yeah. Claire takes it upon herself to challenge Steve

0:14:16.800 --> 0:14:19.880
<v Speaker 1>to not complete his twenty four hour pledge, which is

0:14:19.960 --> 0:14:21.960
<v Speaker 1>kind of dirty scoundrel of her.

0:14:23.040 --> 0:14:24.720
<v Speaker 3>I just can't wait to talk about the tucks with

0:14:24.760 --> 0:14:26.120
<v Speaker 3>no jacket, with the bow tie.

0:14:26.160 --> 0:14:30.080
<v Speaker 1>It's just like, Wow, it's okay. We go to we

0:14:30.120 --> 0:14:32.480
<v Speaker 1>have some interesting locations in this episode. We go to

0:14:32.520 --> 0:14:35.360
<v Speaker 1>an outdoor cafe where Valerie has set up a blind

0:14:35.440 --> 0:14:38.400
<v Speaker 1>date between Ginger and Jonathan. She goes up to John

0:14:38.760 --> 0:14:41.960
<v Speaker 1>tells him that she's easy, Like.

0:14:42.000 --> 0:14:45.440
<v Speaker 3>What, well that made me? Uh like, it was so

0:14:45.600 --> 0:14:47.880
<v Speaker 3>like and first of all, I don't even think Jonathan

0:14:47.880 --> 0:14:48.520
<v Speaker 3>would like that.

0:14:48.880 --> 0:14:50.160
<v Speaker 1>Yeah, is that what he's looking for?

0:14:50.200 --> 0:14:53.280
<v Speaker 3>It's not he's he's not looking for that, like, and

0:14:53.600 --> 0:14:56.600
<v Speaker 3>Elisa Donovan looked amazing. Although the suit I was like,

0:14:57.120 --> 0:15:00.720
<v Speaker 3>are you twenty one going on forty? Like yeah, like

0:15:00.760 --> 0:15:03.120
<v Speaker 3>they're trying to do Amanda Woodward you know Heather Locklay

0:15:03.160 --> 0:15:05.880
<v Speaker 3>and Melrose how she really rocked those suits or maybe

0:15:05.920 --> 0:15:08.000
<v Speaker 3>that was when she was an Ally McBeal. I think both,

0:15:08.240 --> 0:15:12.560
<v Speaker 3>but anyway, was Klyst was have I Locklayer and Alley

0:15:12.600 --> 0:15:14.520
<v Speaker 3>McBeal or did I just make that up?

0:15:14.880 --> 0:15:18.200
<v Speaker 1>He just made that up? Oh my god, but I'm

0:15:18.200 --> 0:15:21.240
<v Speaker 1>here for it. I'd watch that my brain.

0:15:21.280 --> 0:15:25.200
<v Speaker 3>It's because kylistif Walckhart wore those little suits too, So okay,

0:15:25.280 --> 0:15:27.760
<v Speaker 3>it was Amanda woodwardy she did wear those cute suits,

0:15:27.960 --> 0:15:32.080
<v Speaker 3>but it was too old for Ginger it's like Ginger

0:15:32.120 --> 0:15:35.120
<v Speaker 3>is gonna wear cute jeans with like a cute top.

0:15:35.520 --> 0:15:37.880
<v Speaker 1>Well, but Ginger was in town for business.

0:15:38.040 --> 0:15:41.760
<v Speaker 3>You know, I guess she really was indecent proposal. But anyway,

0:15:42.040 --> 0:15:43.640
<v Speaker 3>I sort of thought they were going to hit it off,

0:15:43.640 --> 0:15:46.360
<v Speaker 3>and they did, and it was okay, fine, very bizarre

0:15:46.680 --> 0:15:48.960
<v Speaker 3>because also, why is Jonathan so tight with Valerie. It's

0:15:48.960 --> 0:15:52.240
<v Speaker 3>like barely knows her. Yeah, very convenient.

0:15:52.520 --> 0:15:57.600
<v Speaker 1>We go with Akassa welsh Ware. We see Steve being tempted,

0:15:58.920 --> 0:16:01.320
<v Speaker 1>the beginnings of c being tempted.

0:16:00.920 --> 0:16:03.720
<v Speaker 3>By right because Claire is such as Seductor's oh my god,

0:16:04.560 --> 0:16:06.640
<v Speaker 3>I can't when I'm sorry, I have to say it now.

0:16:06.680 --> 0:16:09.680
<v Speaker 3>When we get to the sexy dance, oh god, almost

0:16:09.720 --> 0:16:12.240
<v Speaker 3>had to cover my eyes. Okay, sorry, just don't let

0:16:12.280 --> 0:16:13.000
<v Speaker 3>me forget. Don't let me.

0:16:13.120 --> 0:16:17.160
<v Speaker 1>This is where we find out that Randon also can't

0:16:17.480 --> 0:16:20.400
<v Speaker 1>not have sex for twenty four hours, so he's disappointed

0:16:20.400 --> 0:16:22.360
<v Speaker 1>to find out that Susan took the oath as well.

0:16:22.760 --> 0:16:25.000
<v Speaker 3>They were cuter about it though, that bothered me less.

0:16:25.080 --> 0:16:28.720
<v Speaker 3>They seemed more like, he's all, but it's not Runner,

0:16:28.720 --> 0:16:31.760
<v Speaker 3>It's kind of cute. It was less sort of bizarre.

0:16:31.640 --> 0:16:34.560
<v Speaker 1>Yeah, but at the same time, I was like, ewk right,

0:16:34.560 --> 0:16:37.000
<v Speaker 1>it's just one night. I don't want to know all

0:16:37.000 --> 0:16:39.920
<v Speaker 1>these people are having doing that all the time.

0:16:40.840 --> 0:16:43.320
<v Speaker 3>That didn't bother me as much as the the no

0:16:43.520 --> 0:16:45.280
<v Speaker 3>sex party with the pole dancers.

0:16:45.320 --> 0:16:50.720
<v Speaker 1>But okay, okay, we go to Colin's apartment. I'm sorry,

0:16:50.920 --> 0:16:53.120
<v Speaker 1>let me let me correct that. We go to Colon's

0:16:53.120 --> 0:16:55.680
<v Speaker 1>apartment where Kelly and Colon are hanging out with the

0:16:55.760 --> 0:16:58.000
<v Speaker 1>drug addicts. Oh, with some rando.

0:16:57.840 --> 0:16:59.600
<v Speaker 3>Drug astics or some random drug addicts.

0:16:59.680 --> 0:16:59.920
<v Speaker 4>Yeah.

0:17:00.200 --> 0:17:02.760
<v Speaker 1>Donna comes over to try to help Kelly and tells

0:17:02.800 --> 0:17:05.040
<v Speaker 1>her she'll always be there for her.

0:17:05.320 --> 0:17:06.360
<v Speaker 3>So they love each other.

0:17:06.760 --> 0:17:09.760
<v Speaker 1>She's flying so high, and then Donna knocks at the

0:17:09.800 --> 0:17:16.159
<v Speaker 1>door and then some stories away reels it in and

0:17:16.200 --> 0:17:18.840
<v Speaker 1>she's not she can handle like having a visit without

0:17:18.880 --> 0:17:20.960
<v Speaker 1>being so messed up, I guess.

0:17:21.040 --> 0:17:24.240
<v Speaker 3>And then the random drug friends and Colin ran out,

0:17:24.280 --> 0:17:26.720
<v Speaker 3>ran out to the porch. He's like, we'll be on

0:17:26.760 --> 0:17:28.359
<v Speaker 3>the deck or whatever. I didn't even know he had

0:17:28.359 --> 0:17:28.720
<v Speaker 3>a deck.

0:17:29.280 --> 0:17:33.679
<v Speaker 1>Yeah, he had like a balcony and it's loft. I

0:17:33.720 --> 0:17:36.960
<v Speaker 1>hate him, and that that scene made me so sad,

0:17:36.960 --> 0:17:40.480
<v Speaker 1>though Kelly and Donna basically saying goodbye to one another

0:17:40.840 --> 0:17:42.960
<v Speaker 1>essentially be sad.

0:17:43.080 --> 0:17:46.560
<v Speaker 3>It was. It's really like kind of real now, Like

0:17:46.760 --> 0:17:48.840
<v Speaker 3>you know, I always like this is so sort of

0:17:48.880 --> 0:17:51.080
<v Speaker 3>a dumb storyline. This is where it gets so real,

0:17:51.200 --> 0:17:55.080
<v Speaker 3>Like you really do seem like you're spiraling bad.

0:17:56.119 --> 0:17:58.920
<v Speaker 1>Yeah, like all of a sudden, Kelly is a different person.

0:17:59.359 --> 0:18:02.760
<v Speaker 3>M a lot of nose rubbing though still that's to

0:18:02.840 --> 0:18:05.280
<v Speaker 3>indicate drugs. Nose rub, nose reub no.

0:18:05.440 --> 0:18:09.840
<v Speaker 1>Rubs acting one oh one. That's what you learn in Yeah.

0:18:09.960 --> 0:18:12.320
<v Speaker 1>Then we go to David's dorm room, where we see

0:18:12.440 --> 0:18:17.119
<v Speaker 1>David serving Valerie breakfast in bed because it's Valentine's Day.

0:18:17.000 --> 0:18:18.400
<v Speaker 3>Storm style, which I liked.

0:18:18.560 --> 0:18:19.600
<v Speaker 1>That was cute, Yes, and he.

0:18:19.640 --> 0:18:22.800
<v Speaker 3>Wrote her cute. That poem was sort of like wow.

0:18:23.280 --> 0:18:25.760
<v Speaker 1>I was like, I don't think he's a very good poet.

0:18:25.960 --> 0:18:27.560
<v Speaker 3>I think it was trying to be super deep and

0:18:27.600 --> 0:18:30.720
<v Speaker 3>like metaphorical. I don't remember the poem at all. I

0:18:30.760 --> 0:18:33.480
<v Speaker 3>wish could someone get us the poem is. I know

0:18:33.520 --> 0:18:34.359
<v Speaker 3>that's a tall task.

0:18:34.520 --> 0:18:37.640
<v Speaker 1>We'll paragraph too long, in my opinion, long to write

0:18:37.680 --> 0:18:40.360
<v Speaker 1>a poem to somebody on Valentine's Day. People keep it short.

0:18:40.840 --> 0:18:43.760
<v Speaker 3>Let's also talk about the awkwardness of when someone's reading

0:18:43.760 --> 0:18:46.240
<v Speaker 3>a poem to you. The face you have to make

0:18:46.560 --> 0:18:47.560
<v Speaker 3>as they're reading it to you.

0:18:48.080 --> 0:18:49.920
<v Speaker 1>But I thought they were super cute in that scene.

0:18:50.000 --> 0:18:52.560
<v Speaker 3>They were, but she did good good face of like

0:18:53.359 --> 0:18:57.919
<v Speaker 3>this is so sweet. Have you ever been serenaded? I

0:18:57.960 --> 0:19:01.399
<v Speaker 3>think that's a hard face. Well, sure you've been, Sarah,

0:19:01.600 --> 0:19:05.119
<v Speaker 3>you will. Sure, Like everybody's been serenaded, I've never been like,

0:19:05.119 --> 0:19:07.399
<v Speaker 3>who serenaded you?

0:19:07.880 --> 0:19:10.239
<v Speaker 1>In all the roles I've fled? I'm sure someone has

0:19:10.240 --> 0:19:15.320
<v Speaker 1>serenaded in real life? Oh oh wait, what's that like?

0:19:16.400 --> 0:19:18.800
<v Speaker 3>I don't know. Did Have you ever been married to

0:19:18.840 --> 0:19:22.320
<v Speaker 3>somebody that got out of guitar and just suddenly started singing.

0:19:22.000 --> 0:19:24.400
<v Speaker 1>To yes, my first husband.

0:19:24.720 --> 0:19:26.920
<v Speaker 3>The face you have to make for two full minutes

0:19:26.960 --> 0:19:29.320
<v Speaker 3>of just like I love this so much, but like

0:19:29.359 --> 0:19:32.080
<v Speaker 3>you want to just like rust your smile for a minute.

0:19:33.960 --> 0:19:37.280
<v Speaker 1>There's no camera on you in real life, like, nobody's

0:19:37.320 --> 0:19:37.960
<v Speaker 1>watching you.

0:19:38.800 --> 0:19:41.240
<v Speaker 3>The serenader is watching you.

0:19:41.359 --> 0:19:43.439
<v Speaker 1>Well, what if he's looking down at his guitar.

0:19:43.640 --> 0:19:46.280
<v Speaker 3>Perhaps, Oh thank gosh, I can read the poem. But

0:19:46.320 --> 0:19:51.440
<v Speaker 3>first of all, like, imagine Chris Martin. You're Dakota Johnson, right,

0:19:51.520 --> 0:19:54.439
<v Speaker 3>and you're engaged to Chris Martin. And you have to change.

0:19:55.359 --> 0:19:59.800
<v Speaker 1>I think so you think so wow, I don't know anything.

0:20:00.080 --> 0:20:01.600
<v Speaker 3>I think it like have some bumps on the road.

0:20:01.680 --> 0:20:03.840
<v Speaker 3>Seems to be going fine and he is a great dude,

0:20:03.880 --> 0:20:08.280
<v Speaker 3>so she should definitely keep him. But anyway, Uh, imagine

0:20:08.280 --> 0:20:10.480
<v Speaker 3>if you're at a concert and your guy is the

0:20:10.560 --> 0:20:13.000
<v Speaker 3>lead singer and he just at any moment could glance

0:20:13.040 --> 0:20:15.640
<v Speaker 3>over at you, you better be looking and smiling. It's

0:20:15.680 --> 0:20:19.879
<v Speaker 3>a lot of work. Yeah, I guess you're right.

0:20:19.960 --> 0:20:20.640
<v Speaker 1>Yeah.

0:20:20.680 --> 0:20:24.400
<v Speaker 3>It's like Travis Kelcey at any moment, they always are

0:20:24.480 --> 0:20:26.879
<v Speaker 3>watching him to see what he is doing during t

0:20:27.080 --> 0:20:31.320
<v Speaker 3>Swifty's concerts, and it's like they're like, oh, Travis Kelsey

0:20:31.440 --> 0:20:33.479
<v Speaker 3>was dancing during I don't know one of her songs.

0:20:33.600 --> 0:20:36.280
<v Speaker 3>It's like someone's always watching him, watching her, so like

0:20:36.359 --> 0:20:39.720
<v Speaker 3>he can't just be yawning because they would definitely be

0:20:39.800 --> 0:20:43.240
<v Speaker 3>like Travis Kelty's yawning during I can't think of any

0:20:43.240 --> 0:20:44.119
<v Speaker 3>Taylor Swift's songs.

0:20:44.359 --> 0:20:50.760
<v Speaker 1>Do you think Travis Kelsey really likes I do Rick's

0:20:50.840 --> 0:20:51.440
<v Speaker 1>her songs?

0:20:52.000 --> 0:20:52.200
<v Speaker 2>Oh?

0:20:52.320 --> 0:20:56.879
<v Speaker 1>I thought you meant her No, I mean yes, uh sure.

0:20:56.880 --> 0:20:59.119
<v Speaker 3>Her songs are kind of bops. So like I'm not

0:20:59.200 --> 0:21:00.960
<v Speaker 3>like a big Oh god, I don't eve want to

0:21:00.960 --> 0:21:02.480
<v Speaker 3>say it because the Swifties will come after you. I'm

0:21:02.480 --> 0:21:05.520
<v Speaker 3>not like I'm not like a p one Taylor Swift fan,

0:21:05.600 --> 0:21:07.400
<v Speaker 3>and all of her songs are bops.

0:21:08.359 --> 0:21:10.200
<v Speaker 1>I have stop talking to you. Then I'm sorry.

0:21:10.359 --> 0:21:12.640
<v Speaker 3>Well wait, because you're a p one, you're like her

0:21:12.760 --> 0:21:14.440
<v Speaker 3>p one is like her top top.

0:21:15.280 --> 0:21:16.360
<v Speaker 1>No you are?

0:21:16.480 --> 0:21:18.000
<v Speaker 3>I love it? Oh yeah, do you write you went

0:21:18.040 --> 0:21:19.440
<v Speaker 3>to Miami or somewhere.

0:21:19.960 --> 0:21:24.639
<v Speaker 1>Yeah. I've seen her twice. But the thing is I've

0:21:25.000 --> 0:21:27.040
<v Speaker 1>known I've known of her music and listened to her

0:21:27.119 --> 0:21:30.160
<v Speaker 1>music with my daughters since her debut album, So.

0:21:31.040 --> 0:21:33.359
<v Speaker 3>I've seen her first of all, I've seen her like

0:21:33.600 --> 0:21:36.320
<v Speaker 3>eight times. I didn't go to the last Eras tour,

0:21:36.359 --> 0:21:39.240
<v Speaker 3>but I've seen her in concert many times. Remember the

0:21:39.240 --> 0:21:42.720
<v Speaker 3>one where the celebrities walked out to that song? No

0:21:43.280 --> 0:21:45.240
<v Speaker 3>celebrities would walk out, I forget. It's kind of like

0:21:45.240 --> 0:21:49.600
<v Speaker 3>a see I don't know all the songs. Yeah, celebrities

0:21:49.600 --> 0:21:51.240
<v Speaker 3>would come out during it. And then she always did

0:21:51.240 --> 0:21:53.280
<v Speaker 3>that one where the celebrity would show up and do

0:21:53.320 --> 0:21:54.640
<v Speaker 3>a duet. That was pretty rad.

0:21:55.480 --> 0:21:58.600
<v Speaker 1>Oh my god, I miss Kara completely apparently I was.

0:21:58.640 --> 0:22:01.920
<v Speaker 3>Anyway, So yeah, okay, so can we have David's poem again.

0:22:01.920 --> 0:22:03.560
<v Speaker 3>I want to. I want to read it to Jenny

0:22:03.560 --> 0:22:06.000
<v Speaker 3>and make her. I need you to look at me.

0:22:07.119 --> 0:22:09.160
<v Speaker 1>I'm gonna get my face ready.

0:22:09.280 --> 0:22:11.679
<v Speaker 3>I'm that old poem. You have to look at me

0:22:11.760 --> 0:22:15.360
<v Speaker 3>like you're thrilled by this. You wrote me a poem.

0:22:15.400 --> 0:22:16.320
<v Speaker 1>Oh yeah, okay.

0:22:16.720 --> 0:22:20.959
<v Speaker 3>Has fingertips feel the sensation to weep, a beauty that

0:22:21.000 --> 0:22:24.399
<v Speaker 3>forces the pain to retreat even though the waves can

0:22:24.480 --> 0:22:28.359
<v Speaker 3>keep breaking. The power of destiny pulls like a rage.

0:22:28.880 --> 0:22:31.840
<v Speaker 3>The touch of your lips hides the beast in the cage.

0:22:32.119 --> 0:22:34.240
<v Speaker 3>It should have been out now, but it's still. We're

0:22:34.240 --> 0:22:38.200
<v Speaker 3>only halfway for love. As does wine gets better with age.

0:22:38.720 --> 0:22:41.600
<v Speaker 3>My heart's the one that you're taking. I hope and

0:22:41.640 --> 0:22:45.280
<v Speaker 3>pray as the years run away and our glass sand

0:22:45.400 --> 0:22:48.879
<v Speaker 3>stands still as I say I live, I Oh, I

0:22:48.960 --> 0:22:51.040
<v Speaker 3>messed it up. Keep that face, get that face. I

0:22:51.080 --> 0:22:53.159
<v Speaker 3>love you a little bit more every day. You're the

0:22:53.200 --> 0:22:58.679
<v Speaker 3>half to my whole. No mistaking. The rhyming pattern is strange.

0:22:59.359 --> 0:23:02.120
<v Speaker 1>Packing my but off. Come on, but it's a little off.

0:23:02.160 --> 0:23:06.720
<v Speaker 3>Weep, sleep, then retreat. I'm sorry.

0:23:06.720 --> 0:23:07.040
<v Speaker 1>Whoever?

0:23:07.440 --> 0:23:14.120
<v Speaker 3>Breaking then rage, cage age, taking, breaking away, say day mistaking?

0:23:14.280 --> 0:23:18.520
<v Speaker 3>Oh wow, that's a intense rhyming pattern. I think it

0:23:18.560 --> 0:23:24.119
<v Speaker 3>fits the pattern as fingertips feel the sensation to weep.

0:23:24.600 --> 0:23:28.920
<v Speaker 3>What does that mean? Fingertips weeping and wax melted candles

0:23:28.960 --> 0:23:31.040
<v Speaker 3>reflect in your sleep? What does that mean?

0:23:31.359 --> 0:23:31.720
<v Speaker 1>Don't know?

0:23:32.560 --> 0:23:34.920
<v Speaker 3>Okay, I get that. She's it's a beauty that forces

0:23:34.920 --> 0:23:37.600
<v Speaker 3>the pain to retreat. She's so beautiful, he's it takes

0:23:37.600 --> 0:23:41.320
<v Speaker 3>his pain away. The power of destiny pulls like a rage.

0:23:41.760 --> 0:23:44.760
<v Speaker 1>A little angry for me, pulls like a rage.

0:23:45.320 --> 0:23:48.400
<v Speaker 3>The hot the touch of your lips hides the beast

0:23:48.440 --> 0:23:50.760
<v Speaker 3>in the cage. So she's so sweet, it's like who

0:23:50.760 --> 0:23:52.680
<v Speaker 3>could be? Who could It's like beauty and the Beast.

0:23:52.880 --> 0:23:55.280
<v Speaker 1>Yeah, I got something completely different out of that line.

0:23:55.720 --> 0:23:59.080
<v Speaker 1>Oh you did it was naughty, dirty. I was gonna

0:23:59.080 --> 0:24:00.880
<v Speaker 1>say something dirty, something I didn't.

0:24:00.920 --> 0:24:02.760
<v Speaker 3>I got like beauty and the beast. Like she's so

0:24:03.680 --> 0:24:07.400
<v Speaker 3>she's so snow white, and it takes away his anger. Yeah,

0:24:07.400 --> 0:24:08.520
<v Speaker 3>I don't know why he's so angry.

0:24:08.680 --> 0:24:10.880
<v Speaker 1>As we're breaking it down, it's actually making more sense

0:24:10.880 --> 0:24:11.920
<v Speaker 1>than I'm starting to like it.

0:24:12.400 --> 0:24:14.280
<v Speaker 3>Yeah, for love. As his wine gets better with age,

0:24:14.280 --> 0:24:17.399
<v Speaker 3>so they like wine. They're aging like fine wine. My

0:24:17.480 --> 0:24:21.000
<v Speaker 3>heart's the one that you're taking. Okay, I hope and

0:24:21.040 --> 0:24:22.879
<v Speaker 3>praise the years run away like they're gonna be together.

0:24:24.000 --> 0:24:26.840
<v Speaker 3>Oh and then hour glass sand stands still so that

0:24:26.960 --> 0:24:29.200
<v Speaker 3>like time doesn't go too fast for them, that they

0:24:29.200 --> 0:24:32.160
<v Speaker 3>get more and more time. I love you a little

0:24:32.160 --> 0:24:33.920
<v Speaker 3>bit more every day. You're the half to my whole,

0:24:33.960 --> 0:24:36.159
<v Speaker 3>no mistaking. So the rhyming pattern is hard for me,

0:24:36.200 --> 0:24:39.240
<v Speaker 3>but I like what it's saying. I think there's a

0:24:39.280 --> 0:24:40.960
<v Speaker 3>few lines in there. I don't get it.

0:24:42.000 --> 0:24:45.440
<v Speaker 1>I feel smelted candles. Yeah. I feel like he could

0:24:45.480 --> 0:24:47.280
<v Speaker 1>have read it a little bit more.

0:24:47.520 --> 0:24:50.360
<v Speaker 3>Rhymy, a little bit more songy. Yeah.

0:24:50.400 --> 0:24:52.520
<v Speaker 1>When he was reading it, I didn't like it. But

0:24:52.640 --> 0:24:53.959
<v Speaker 1>now that you've read it, I like it.

0:24:54.720 --> 0:24:57.040
<v Speaker 3>Well, thank you. It was it hard to look happily

0:24:57.119 --> 0:24:58.160
<v Speaker 3>at me the whole time.

0:24:58.440 --> 0:25:01.760
<v Speaker 1>No, I I excelled in that. I think you'll have

0:25:01.760 --> 0:25:11.000
<v Speaker 1>to roll the tape back and watch. Okay, AnyWho where

0:25:11.000 --> 0:25:14.000
<v Speaker 1>in the heck where we oh, okay, we go back

0:25:14.000 --> 0:25:17.199
<v Speaker 1>to see you? So much happens at CU That's like

0:25:17.240 --> 0:25:21.560
<v Speaker 1>the central, you know, like the little center of the quo.

0:25:21.760 --> 0:25:22.679
<v Speaker 3>Always that quad.

0:25:23.480 --> 0:25:26.199
<v Speaker 1>That's the only set we had. Joe tells Donna that

0:25:26.240 --> 0:25:28.239
<v Speaker 1>he's headed to see his coach to thank him for

0:25:28.240 --> 0:25:28.920
<v Speaker 1>his support.

0:25:29.040 --> 0:25:29.800
<v Speaker 3>So Joey.

0:25:31.680 --> 0:25:35.399
<v Speaker 1>Well lind sighted anyway. Meanwhile, Susan walks into her office

0:25:35.400 --> 0:25:37.880
<v Speaker 1>to find a bouquet of roses given to her by Brandon,

0:25:38.560 --> 0:25:44.440
<v Speaker 1>and then she gives him two framed letters by Woodward

0:25:44.520 --> 0:25:45.400
<v Speaker 1>and Bernstein.

0:25:46.840 --> 0:25:51.960
<v Speaker 3>Anybodys, I know Woodward and Bernstein they did Watergate, but yes,

0:25:52.040 --> 0:25:57.879
<v Speaker 3>and uh, Woodward's daughter is my sorority sister, Tally.

0:25:58.800 --> 0:26:02.280
<v Speaker 1>No, that's not who he's talking anyway. I really love.

0:26:02.160 --> 0:26:06.639
<v Speaker 3>That is that is he's talking at all. But what

0:26:06.800 --> 0:26:09.159
<v Speaker 3>are the letters? Letter? That's why I didn't know, like

0:26:09.480 --> 0:26:12.600
<v Speaker 3>she got Woodward and Bernstein to write letters to Brandon

0:26:12.800 --> 0:26:14.760
<v Speaker 3>or they were like old letters.

0:26:14.960 --> 0:26:17.720
<v Speaker 1>Maybe they were old letters from like when all the

0:26:17.760 --> 0:26:19.280
<v Speaker 1>everything went down and originals.

0:26:19.400 --> 0:26:22.240
<v Speaker 3>Like it's just very strange gift that I don't get. Well,

0:26:22.280 --> 0:26:25.920
<v Speaker 3>I understand why the journalists for a journalist.

0:26:25.520 --> 0:26:27.520
<v Speaker 1>I get that part and liked it. He liked it,

0:26:27.640 --> 0:26:29.440
<v Speaker 1>That's all that matters. It doesn't matter if you didn't

0:26:29.480 --> 0:26:29.600
<v Speaker 1>like it.

0:26:29.640 --> 0:26:31.800
<v Speaker 3>Amy, did we already have the scene where Joe forgot

0:26:31.800 --> 0:26:34.399
<v Speaker 3>his T shirt? And I wondered, did he actually forget

0:26:34.400 --> 0:26:37.199
<v Speaker 3>the T shirt? And Tory AdLib the line or was

0:26:37.240 --> 0:26:39.440
<v Speaker 3>that part of the script because it was a cute

0:26:39.440 --> 0:26:40.200
<v Speaker 3>little line.

0:26:40.440 --> 0:26:41.679
<v Speaker 1>I don't know. I can't answer that.

0:26:42.119 --> 0:26:44.879
<v Speaker 3>Yeah, that was I really enjoyed that little moment. She's like,

0:26:44.920 --> 0:26:47.080
<v Speaker 3>oh your T shirt and like she says a little

0:26:47.320 --> 0:26:48.960
<v Speaker 3>cute thing and makes a cute face.

0:26:49.200 --> 0:26:53.280
<v Speaker 1>Anyway, Anyway, So Susan also receives a book of flowers

0:26:53.280 --> 0:26:55.720
<v Speaker 1>from Jonathan. When I thought Jonathan was off of her

0:26:55.840 --> 0:27:00.040
<v Speaker 1>now ont ginger, Nope.

0:27:00.000 --> 0:27:02.919
<v Speaker 3>It's all a ploy to get her back. I think

0:27:03.320 --> 0:27:06.439
<v Speaker 3>that's why they show up at the a Jama party.

0:27:06.960 --> 0:27:10.560
<v Speaker 1>Okay, so we go to Colon's apartment now where Colon

0:27:11.440 --> 0:27:14.800
<v Speaker 1>frantically looking for his stash and tells Kelly this is

0:27:14.880 --> 0:27:17.919
<v Speaker 1>this is where Okay, it's already off the rails for

0:27:18.000 --> 0:27:21.120
<v Speaker 1>me to begin with, but this is the one where

0:27:21.160 --> 0:27:23.720
<v Speaker 1>I was like what am who is this? But I

0:27:23.720 --> 0:27:24.200
<v Speaker 1>guess this is.

0:27:24.119 --> 0:27:26.280
<v Speaker 3>Where I was so done with this and so done

0:27:26.320 --> 0:27:26.680
<v Speaker 3>with him.

0:27:27.000 --> 0:27:30.080
<v Speaker 1>Like you see her becoming a completely different person and

0:27:30.200 --> 0:27:32.600
<v Speaker 1>just the way she's speaking to him about.

0:27:32.440 --> 0:27:34.480
<v Speaker 3>Him too, Oh my god, he's horrible.

0:27:35.000 --> 0:27:39.679
<v Speaker 1>He calls herself, yes, says, you went through a gram

0:27:39.720 --> 0:27:44.520
<v Speaker 1>all by yourself, and then her money that bought the

0:27:44.560 --> 0:27:47.040
<v Speaker 1>coke and Colon says, it was your daddy's.

0:27:47.720 --> 0:27:50.000
<v Speaker 3>It was so aggressive. They are so unhinged. This is

0:27:50.040 --> 0:27:53.439
<v Speaker 3>super dark, it seems real. It's a total mess.

0:27:53.760 --> 0:27:56.760
<v Speaker 1>She slammed the door on his face. It's very unattractive.

0:27:56.800 --> 0:27:57.440
<v Speaker 1>What's happening.

0:27:57.720 --> 0:27:58.920
<v Speaker 3>Oh, they're a disaster.

0:27:59.640 --> 0:28:00.280
<v Speaker 1>Yeah.

0:28:01.040 --> 0:28:04.280
<v Speaker 3>I don't like it at all. No, I'm so done

0:28:04.320 --> 0:28:09.240
<v Speaker 3>with it. It's so dark. I don't like watching it. Too dark, too.

0:28:09.119 --> 0:28:12.840
<v Speaker 1>Dark, too real. Okay, back at see you. Joe's coach

0:28:13.600 --> 0:28:16.040
<v Speaker 1>doesn't want to just check in on him. He wants

0:28:16.080 --> 0:28:18.760
<v Speaker 1>to tell him that he is replacing his position on

0:28:18.800 --> 0:28:21.359
<v Speaker 1>the football team because of Joe's conditions. So this is

0:28:22.080 --> 0:28:22.800
<v Speaker 1>now he's out.

0:28:23.520 --> 0:28:24.600
<v Speaker 3>Is Joe on scholarship?

0:28:25.080 --> 0:28:27.200
<v Speaker 1>You asked me? Like his mom? I don't know.

0:28:27.359 --> 0:28:29.239
<v Speaker 3>I was like, is this kid on scholarship? And now

0:28:29.280 --> 0:28:32.359
<v Speaker 3>does he lose his scholarship? But seems like he shouldn't.

0:28:32.960 --> 0:28:35.520
<v Speaker 3>I don't know. The whole thing seemed messy. I was like,

0:28:35.560 --> 0:28:38.960
<v Speaker 3>oh no, And then we see him packing ugh.

0:28:39.080 --> 0:28:41.520
<v Speaker 1>And then it gets really a lot darker when Kelly

0:28:41.560 --> 0:28:45.160
<v Speaker 1>goes over to Danny Five's house to score some more

0:28:45.240 --> 0:28:48.080
<v Speaker 1>drugs on her own got rough.

0:28:48.880 --> 0:28:50.160
<v Speaker 3>This turned into like.

0:28:50.400 --> 0:28:51.560
<v Speaker 1>An episode of Intervention.

0:28:52.040 --> 0:28:54.120
<v Speaker 3>This was like euphoria, Like it's so dark. I've never

0:28:54.120 --> 0:28:56.200
<v Speaker 3>seen euphoria, but this is how I picture it me

0:28:56.240 --> 0:28:59.120
<v Speaker 3>either so dark. I tried to watch one episode and

0:28:59.160 --> 0:29:02.160
<v Speaker 3>it was so adult. I was like, I cannot, I'm

0:29:02.160 --> 0:29:03.960
<v Speaker 3>too scared of it. I watch one episode, I'm like,

0:29:04.040 --> 0:29:07.160
<v Speaker 3>I'm out. This is really I can't. And Eric Dane,

0:29:07.280 --> 0:29:10.000
<v Speaker 3>like his character freaked me out. So anyway, I mean

0:29:10.080 --> 0:29:12.680
<v Speaker 3>like it was you're gonna get raped, like I'm just

0:29:12.720 --> 0:29:17.200
<v Speaker 3>gonna say it, and I think that other woman is

0:29:17.240 --> 0:29:21.960
<v Speaker 3>being raped for drugs, like she's yeah, like it's so bad.

0:29:22.320 --> 0:29:24.520
<v Speaker 1>It's so bad. These guys are scumballs.

0:29:25.520 --> 0:29:26.959
<v Speaker 3>It's so bad, Like the whole thing.

0:29:26.960 --> 0:29:32.200
<v Speaker 1>I was like, yikes, I mean, leave it to Colon

0:29:32.240 --> 0:29:35.000
<v Speaker 1>to introduce Kelli to these CD people. But then she

0:29:35.400 --> 0:29:37.840
<v Speaker 1>hate him on her own and goes to see them

0:29:37.840 --> 0:29:38.760
<v Speaker 1>by herself, which is.

0:29:38.760 --> 0:29:42.720
<v Speaker 3>Bananas bananas, and then they are gonna like they it's

0:29:42.760 --> 0:29:45.320
<v Speaker 3>just so bad. I'm like, it's so bad.

0:29:45.520 --> 0:29:49.719
<v Speaker 1>Also, she snorts some pharmaceutical thing like he's like like,

0:29:50.400 --> 0:29:52.280
<v Speaker 1>you can't trust this guy to give you all.

0:29:53.160 --> 0:29:56.120
<v Speaker 3>This is in the days before fentanyl, because everybody would

0:29:56.160 --> 0:30:00.360
<v Speaker 3>be dead. Everybody just dead. It's super dark. It's way

0:30:00.400 --> 0:30:03.280
<v Speaker 3>too dark almost for even nine o two and zero agree,

0:30:04.360 --> 0:30:07.000
<v Speaker 3>like they're doing it very real, which is why I'm like,

0:30:07.200 --> 0:30:08.800
<v Speaker 3>I don't even think I want to watch that.

0:30:09.480 --> 0:30:14.240
<v Speaker 1>Yeah, I'm glad they did it real, only because that

0:30:14.280 --> 0:30:17.240
<v Speaker 1>made the stakes higher and it, you know, felt legit.

0:30:17.560 --> 0:30:19.480
<v Speaker 3>Yeah, it's very well done.

0:30:19.800 --> 0:30:22.600
<v Speaker 1>Like I liked that it was real acting it because

0:30:23.640 --> 0:30:26.320
<v Speaker 1>that's the only way you could do something like that

0:30:26.440 --> 0:30:27.880
<v Speaker 1>is to do it real.

0:30:28.680 --> 0:30:31.760
<v Speaker 3>But yeah, right, I don't want to make it cartoony,

0:30:31.800 --> 0:30:32.720
<v Speaker 3>and they definitely didn't.

0:30:33.280 --> 0:30:37.920
<v Speaker 1>Mm hmm. It's I wonder how our listeners tell us.

0:30:38.120 --> 0:30:39.880
<v Speaker 1>Do you guys feel like this is too dark? Are

0:30:39.880 --> 0:30:41.080
<v Speaker 1>you done with the storyline?

0:30:41.640 --> 0:30:41.800
<v Speaker 2>You know?

0:30:41.880 --> 0:30:44.280
<v Speaker 3>I think the reason one of the things is like

0:30:44.360 --> 0:30:47.120
<v Speaker 3>when we started talking about it and we sort of

0:30:47.160 --> 0:30:49.440
<v Speaker 3>didn't love the storyline, and I don't want to say

0:30:49.480 --> 0:30:51.760
<v Speaker 3>we mocked the storyline, but a little bit we did,

0:30:52.320 --> 0:30:56.440
<v Speaker 3>and people listening were like disagreed with us because they

0:30:56.680 --> 0:30:59.480
<v Speaker 3>know and they knew how dark it gets, and they

0:30:59.480 --> 0:31:03.280
<v Speaker 3>were right, like it it is a well done storyline

0:31:04.000 --> 0:31:08.840
<v Speaker 3>mm hmm, in that they didn't sugarcoat it, but it's

0:31:08.960 --> 0:31:09.840
<v Speaker 3>so disturbing.

0:31:10.400 --> 0:31:15.840
<v Speaker 1>Yeah, on the theme page, as you amy, but she

0:31:16.000 --> 0:31:18.880
<v Speaker 1>hits the guy in the head with the wine bottle, makes.

0:31:18.720 --> 0:31:21.200
<v Speaker 3>That's the other guy. It's like so weird, like she

0:31:21.400 --> 0:31:23.880
<v Speaker 3>was making out with the one guy and then he

0:31:23.960 --> 0:31:26.560
<v Speaker 3>goes back in the bedroom with the other drug addict

0:31:26.600 --> 0:31:29.760
<v Speaker 3>and then this second guy comes out.

0:31:29.280 --> 0:31:34.280
<v Speaker 1>Ewroty, scroty. But she gets out. Everybody, don't be too

0:31:34.280 --> 0:31:48.760
<v Speaker 1>scared because she does get out. Yeah, okay, So then

0:31:48.760 --> 0:31:51.120
<v Speaker 1>we go to the pepad, where Valerie explains to her

0:31:51.160 --> 0:31:54.120
<v Speaker 1>friend group that she introduced Ginger to Jonathan to get

0:31:54.160 --> 0:31:59.680
<v Speaker 1>him out of Susan's hair. Hold up, who's Valerie's friend group? Who?

0:31:59.720 --> 0:32:01.280
<v Speaker 1>What is that consists of who was there?

0:32:01.400 --> 0:32:05.240
<v Speaker 3>You guys, not you right now, but the gang.

0:32:06.520 --> 0:32:12.440
<v Speaker 1>Huh Okay. Jonathan starts kissing Ginger in front of everyone

0:32:12.520 --> 0:32:15.800
<v Speaker 1>to make Susan jealous, and Brandon seems to think it's working,

0:32:17.680 --> 0:32:18.120
<v Speaker 1>but it's not.

0:32:18.400 --> 0:32:21.680
<v Speaker 3>Yeah, that's the whole thing, but then this sort of

0:32:21.800 --> 0:32:24.200
<v Speaker 3>got confusing. I'm not gonna lie because I was so

0:32:24.280 --> 0:32:28.240
<v Speaker 3>distracted by Steve and Claire at the same time, and

0:32:28.280 --> 0:32:30.760
<v Speaker 3>I remember Valerie taking Ginger kind of like to a

0:32:30.920 --> 0:32:33.880
<v Speaker 3>back room or something, and then it's just like then

0:32:33.920 --> 0:32:38.440
<v Speaker 3>there's a dance, and then Elisa slash Ginger hurts her

0:32:38.520 --> 0:32:40.600
<v Speaker 3>foot and was that fake? I think it's so she

0:32:40.760 --> 0:32:43.480
<v Speaker 3>had to step out so Susan could step in.

0:32:43.800 --> 0:32:45.640
<v Speaker 1>This was my favorite part of the episode when we

0:32:45.680 --> 0:32:48.360
<v Speaker 1>went to Joe's dorm room and there was that super

0:32:48.400 --> 0:32:51.960
<v Speaker 1>cool shot from above that like spiraled down on him

0:32:52.000 --> 0:32:54.560
<v Speaker 1>as he's laying on the bed, like so bummed out.

0:32:55.840 --> 0:32:58.160
<v Speaker 3>That's Brandon Slash Jason directing this.

0:32:58.520 --> 0:33:00.680
<v Speaker 1>I did not know that Jason dressed to this episode

0:33:00.760 --> 0:33:03.440
<v Speaker 1>until I read that to you just a few minutes ago. Yeah,

0:33:03.440 --> 0:33:06.840
<v Speaker 1>and now knowing that, I'm like, kudos to that creative shot.

0:33:07.040 --> 0:33:09.280
<v Speaker 1>And I was wondering, Like as I was watching it,

0:33:09.320 --> 0:33:11.760
<v Speaker 1>I was wondering. I wasn't wondering who did that, who

0:33:11.880 --> 0:33:14.040
<v Speaker 1>directed that, but I was wondering, how did they do that?

0:33:14.760 --> 0:33:16.920
<v Speaker 3>Good director, he still directs a ton of stuff today.

0:33:17.400 --> 0:33:19.440
<v Speaker 1>They had to have had that camera like on a

0:33:19.920 --> 0:33:22.760
<v Speaker 1>like a inside crane whatever that's called. We called a

0:33:22.880 --> 0:33:26.440
<v Speaker 1>jib a little jib and then rotated. But jibs were

0:33:26.920 --> 0:33:28.520
<v Speaker 1>in ninety six. We're jib's out.

0:33:29.520 --> 0:33:32.360
<v Speaker 3>I don't know, but I remember when we started to

0:33:32.360 --> 0:33:35.640
<v Speaker 3>get jib cameras for iHeart stuff, and I think the

0:33:35.720 --> 0:33:37.760
<v Speaker 3>jib was kind of expensive.

0:33:37.320 --> 0:33:39.480
<v Speaker 1>Duper that was like a big thing to take out

0:33:39.480 --> 0:33:40.640
<v Speaker 1>of the budget for us.

0:33:41.320 --> 0:33:41.840
<v Speaker 3>He's a jib.

0:33:42.040 --> 0:33:46.040
<v Speaker 1>But also the cameras back then weren't just like digital cameras.

0:33:46.080 --> 0:33:49.120
<v Speaker 1>They had that giant those giants. They were huge film

0:33:50.000 --> 0:33:51.920
<v Speaker 1>on like that big thing, you know, like in.

0:33:51.880 --> 0:33:54.480
<v Speaker 3>The olden days, the days of yore.

0:33:54.840 --> 0:33:57.120
<v Speaker 1>What did that fall on, Joe? I was so worried.

0:33:58.280 --> 0:34:01.120
<v Speaker 3>Yeah, this was directed really well. A lot happening. He's

0:34:01.160 --> 0:34:03.640
<v Speaker 3>all over the place, like directing in car scenes.

0:34:03.720 --> 0:34:05.760
<v Speaker 1>And we can go back to the ppad now and

0:34:05.800 --> 0:34:08.840
<v Speaker 1>talk to about the how it was was very confusing.

0:34:08.840 --> 0:34:10.240
<v Speaker 1>Why did she hurt her ankle?

0:34:11.120 --> 0:34:13.879
<v Speaker 3>I think it was on purpose so that Susan would

0:34:13.920 --> 0:34:17.400
<v Speaker 3>have to step in. Is this where the smackeroo comes?

0:34:18.080 --> 0:34:21.000
<v Speaker 1>Yeah, he goes Then after that he goes over and

0:34:21.040 --> 0:34:24.200
<v Speaker 1>asks her to dance, and she says no, but then

0:34:24.200 --> 0:34:27.560
<v Speaker 1>he grabs her and she reacts by punching it and

0:34:28.360 --> 0:34:29.400
<v Speaker 1>clocking him in the nose.

0:34:29.760 --> 0:34:32.880
<v Speaker 3>I mean, bizarre. I'm not gonna lie, it's like weird

0:34:33.120 --> 0:34:33.560
<v Speaker 3>whole thing.

0:34:33.920 --> 0:34:35.480
<v Speaker 1>I kind of liked it that she punched him though,

0:34:35.480 --> 0:34:38.359
<v Speaker 1>but that was aggressive, like you think he wanted a

0:34:38.400 --> 0:34:42.319
<v Speaker 1>punch a punch in the face right, Like, really, have

0:34:42.400 --> 0:34:43.880
<v Speaker 1>you ever punched anybody in the face?

0:34:44.880 --> 0:34:45.480
<v Speaker 3>I'm asking.

0:34:46.520 --> 0:34:48.759
<v Speaker 1>I think your answer is no, so.

0:34:48.840 --> 0:34:51.040
<v Speaker 3>Violent thing is I maybe like push someone a little

0:34:51.080 --> 0:34:53.120
<v Speaker 3>bit and like my brother's I kind of like that,

0:34:53.160 --> 0:34:55.239
<v Speaker 3>But I don't punch. First of all, that would hurt

0:34:55.280 --> 0:34:58.440
<v Speaker 3>my hand so bad. I would never punch anybody.

0:34:58.840 --> 0:35:01.680
<v Speaker 1>I don't think I've ever punched anybody. And oh maybe

0:35:01.719 --> 0:35:06.520
<v Speaker 1>I had. This was early. This was very I had

0:35:06.520 --> 0:35:08.799
<v Speaker 1>to have a fight on the playground once and I

0:35:08.800 --> 0:35:09.080
<v Speaker 1>got but.

0:35:09.200 --> 0:35:14.320
<v Speaker 3>We were little. Oh and you you blows fist punch.

0:35:15.080 --> 0:35:17.560
<v Speaker 1>I did whatever it took to get that girl off me.

0:35:18.120 --> 0:35:20.040
<v Speaker 3>Oh my gosh, whoa.

0:35:21.120 --> 0:35:24.160
<v Speaker 1>Oh yeah, I got in trouble. We both got in trouble.

0:35:24.320 --> 0:35:28.399
<v Speaker 3>Yeah, but then you can say she started it as

0:35:28.480 --> 0:35:28.880
<v Speaker 3>kids do.

0:35:29.320 --> 0:35:31.880
<v Speaker 1>I remember I was wearing high heels that day too.

0:35:31.760 --> 0:35:33.720
<v Speaker 3>Which was how old were you wearing high heels?

0:35:33.960 --> 0:35:38.160
<v Speaker 1>Oh? I thought I was something I was. That would

0:35:38.200 --> 0:35:41.560
<v Speaker 1>have been seventh grade. I thought I was Madonna and

0:35:41.600 --> 0:35:43.399
<v Speaker 1>I would go to school, no wonder if she wanted

0:35:43.440 --> 0:35:46.680
<v Speaker 1>to fight me. Looking back, Uh, yeah, I would wear

0:35:46.760 --> 0:35:48.960
<v Speaker 1>high heels and like the whole get up that Madonna

0:35:49.000 --> 0:35:54.560
<v Speaker 1>would wear, like lacy stuff to school. High heels like

0:35:54.640 --> 0:35:56.560
<v Speaker 1>three inch pumps high.

0:35:56.480 --> 0:35:59.759
<v Speaker 3>Like lacy skirts, all those layered lacy skirts that Madonna wore.

0:35:59.760 --> 0:36:00.960
<v Speaker 3>Did you like half a glove?

0:36:01.440 --> 0:36:04.920
<v Speaker 1>Yeah? And the bow and the hair no goofy hair?

0:36:05.440 --> 0:36:06.160
<v Speaker 3>Many chance we have?

0:36:06.200 --> 0:36:06.640
<v Speaker 2>What was that?

0:36:07.360 --> 0:36:09.080
<v Speaker 1>Oh? I could find it? Probably?

0:36:09.200 --> 0:36:12.000
<v Speaker 3>Yeah, we need that. I didn't never do like. I

0:36:12.040 --> 0:36:14.279
<v Speaker 3>never did that. I just wore regular like. I never

0:36:14.360 --> 0:36:16.840
<v Speaker 3>did that. I was always just like we wore like

0:36:17.080 --> 0:36:20.239
<v Speaker 3>box or shorts basically, and T shirts and backpacks like

0:36:20.280 --> 0:36:22.719
<v Speaker 3>we were just like I was preppy. I think too.

0:36:23.400 --> 0:36:25.880
<v Speaker 1>Well, here's the thing. I had moved from the Midwest

0:36:26.000 --> 0:36:28.839
<v Speaker 1>to Arizona, and I guess I was trying to fit

0:36:28.920 --> 0:36:32.920
<v Speaker 1>in or I was trying to be something I don't know.

0:36:34.320 --> 0:36:34.920
<v Speaker 3>Wow.

0:36:35.719 --> 0:36:38.920
<v Speaker 1>That girl did not care for it, though, And she

0:36:38.920 --> 0:36:42.080
<v Speaker 1>she tried to take you down. Yeah, she needed to

0:36:42.120 --> 0:36:43.080
<v Speaker 1>knock me down a little.

0:36:43.120 --> 0:36:43.480
<v Speaker 3>I think it.

0:36:43.680 --> 0:36:48.799
<v Speaker 1>I think it was probably necessary. Looking back, I'm going

0:36:48.880 --> 0:36:49.360
<v Speaker 1>to thank.

0:36:49.200 --> 0:36:51.640
<v Speaker 3>Her for that. I'm a lover, not a fighter. I'm

0:36:51.680 --> 0:36:53.560
<v Speaker 3>not a I'm not a yeller.

0:36:55.760 --> 0:36:57.680
<v Speaker 1>I don't like fighting either. I used to like it

0:36:57.760 --> 0:37:02.160
<v Speaker 1>more when I was more real active. I think we're

0:37:02.200 --> 0:37:06.799
<v Speaker 1>old anymore. Yeah, I'm like, everybody, just keep your voice down.

0:37:06.920 --> 0:37:09.879
<v Speaker 3>Oh my gosh, my like over stimulation. If there's too

0:37:09.960 --> 0:37:13.680
<v Speaker 3>much noise and too much coming at me, I'm like the.

0:37:13.560 --> 0:37:15.640
<v Speaker 1>One raises their voice and I'm like, Okay, you don't

0:37:15.719 --> 0:37:16.480
<v Speaker 1>need to do that.

0:37:17.600 --> 0:37:19.600
<v Speaker 3>I just cover my ears. I'm like, I can't. I

0:37:19.600 --> 0:37:20.800
<v Speaker 3>can't have a lot of noises. I can't have a

0:37:20.840 --> 0:37:22.279
<v Speaker 3>lot of light. I can't have any of it.

0:37:22.760 --> 0:37:24.960
<v Speaker 1>Oh my god, we need to just go living.

0:37:25.160 --> 0:37:28.160
<v Speaker 3>We talk about the pajama party that was kind of

0:37:28.680 --> 0:37:34.400
<v Speaker 3>very sexy, like there were laterally literally literally ladies in

0:37:35.080 --> 0:37:36.760
<v Speaker 3>white nighteties on a pole.

0:37:37.239 --> 0:37:40.359
<v Speaker 1>Well that was the whole like scene of the party was.

0:37:42.560 --> 0:37:43.000
<v Speaker 3>I see.

0:37:43.440 --> 0:37:45.280
<v Speaker 1>I don't know why they would have like a don't

0:37:45.280 --> 0:37:47.920
<v Speaker 1>have sex party and then have everybody dress sexy. You're right,

0:37:47.920 --> 0:37:48.920
<v Speaker 1>that doesn't make any sense.

0:37:49.200 --> 0:37:52.400
<v Speaker 3>I know. I'm Claire with her like sexy outfit just

0:37:53.360 --> 0:37:55.879
<v Speaker 3>trying to strip tease Steve kind of like it.

0:37:55.800 --> 0:37:58.200
<v Speaker 1>Was so like what Yeah, there was a lot of.

0:38:00.440 --> 0:38:05.000
<v Speaker 3>Booby what Booby's yeah, and like his then he puts

0:38:05.040 --> 0:38:07.640
<v Speaker 3>the sleep mask on to cover his eyes. I don't

0:38:07.680 --> 0:38:10.239
<v Speaker 3>know the whole I was just like, what's happening? We're

0:38:10.280 --> 0:38:16.279
<v Speaker 3>having that while simultaneously like you are in a dire situation. Right,

0:38:16.840 --> 0:38:20.520
<v Speaker 3>I'm like, this is very what's a word for that?

0:38:21.400 --> 0:38:27.080
<v Speaker 3>Juxtaposed yes, and it's it's emotionally hard on the viewer.

0:38:27.560 --> 0:38:29.839
<v Speaker 3>You were to go back and forth from so I'm

0:38:29.880 --> 0:38:34.680
<v Speaker 3>sort of so worried about the like rape, and then

0:38:34.719 --> 0:38:37.399
<v Speaker 3>I'm like supposed to be enjoying this pajama party. I'm

0:38:37.440 --> 0:38:41.520
<v Speaker 3>like no, and like Joe just gets glossed over. Oh

0:38:41.600 --> 0:38:45.880
<v Speaker 3>my god. And then simultaneously Valerie asks David to sleep

0:38:46.160 --> 0:38:48.880
<v Speaker 3>with Ginger. It was so insane.

0:38:49.320 --> 0:38:50.480
<v Speaker 1>That was genius to me.

0:38:51.400 --> 0:38:55.600
<v Speaker 3>That was bonkers. Bonker.

0:38:55.800 --> 0:38:57.879
<v Speaker 1>She said to it, just sleep on it. Let mean,

0:38:58.160 --> 0:39:00.239
<v Speaker 1>he says he's going to sleep on it, and she's like, no,

0:39:00.360 --> 0:39:02.200
<v Speaker 1>I need to know right now?

0:39:03.120 --> 0:39:04.680
<v Speaker 3>Was I mean?

0:39:04.719 --> 0:39:08.160
<v Speaker 1>Okay, so fifty k is on the table. Would you

0:39:08.480 --> 0:39:12.360
<v Speaker 1>ask your boyfriend to sleep with somebody else so that

0:39:12.440 --> 0:39:13.759
<v Speaker 1>you didn't have to pay them fifty k?

0:39:14.239 --> 0:39:14.799
<v Speaker 3>Fifty k?

0:39:15.239 --> 0:39:18.239
<v Speaker 1>I mean you're really thinking about this.

0:39:18.480 --> 0:39:21.359
<v Speaker 3>I just the whole thing. First of all, here's what

0:39:21.440 --> 0:39:21.920
<v Speaker 3>I do know.

0:39:21.960 --> 0:39:24.200
<v Speaker 1>Wait, wait, you did not answer the question.

0:39:24.040 --> 0:39:26.319
<v Speaker 3>Because I just didn't, like, I mean, if I don't know, like,

0:39:26.840 --> 0:39:30.799
<v Speaker 3>because what's the the okay, so the fifty k? The

0:39:30.880 --> 0:39:34.200
<v Speaker 3>other option is she outs her so I've always said, along,

0:39:34.320 --> 0:39:35.160
<v Speaker 3>just let her out.

0:39:35.000 --> 0:39:37.319
<v Speaker 1>You But what if that what if that's not an option,

0:39:37.360 --> 0:39:40.960
<v Speaker 1>because that clearly is not an option for val but.

0:39:41.080 --> 0:39:43.360
<v Speaker 3>It should be so now. But if you said, okay,

0:39:43.360 --> 0:39:46.920
<v Speaker 3>you have to let your your boyfriend sleep with somebody

0:39:47.360 --> 0:39:51.440
<v Speaker 3>or you're gonna die, Okay, like I'm gonna get murdered, Okay, fine,

0:39:51.480 --> 0:39:54.400
<v Speaker 3>do it. Like it's all like, what's the other side

0:39:54.400 --> 0:39:56.359
<v Speaker 3>of the thing. But if the other side of it

0:39:56.400 --> 0:39:58.520
<v Speaker 3>is just like, oh no, I'm going to tell some

0:39:58.560 --> 0:40:01.200
<v Speaker 3>of your friends, like you we were a two timing Canniver.

0:40:01.440 --> 0:40:02.680
<v Speaker 3>They all already know that.

0:40:03.080 --> 0:40:06.160
<v Speaker 1>Why would they all know that go to this extent,

0:40:06.320 --> 0:40:07.880
<v Speaker 1>It does not make sense.

0:40:08.360 --> 0:40:10.400
<v Speaker 3>Now. What I do know that I agree with is

0:40:10.520 --> 0:40:13.040
<v Speaker 3>David Yes, the fact that he dumps her.

0:40:13.760 --> 0:40:17.680
<v Speaker 1>I was like, yeah, I thought that was so good too,

0:40:17.719 --> 0:40:19.840
<v Speaker 1>that he has the strength to be like, no, I

0:40:19.880 --> 0:40:22.719
<v Speaker 1>don't want to be with somebody that will and he says.

0:40:22.520 --> 0:40:24.920
<v Speaker 3>I went over there, I told her it wasn't happening.

0:40:25.480 --> 0:40:28.239
<v Speaker 3>She's gone. I took care of this because I'm in

0:40:28.280 --> 0:40:30.040
<v Speaker 3>love with you and now we're done.

0:40:30.120 --> 0:40:32.920
<v Speaker 1>And I was like, yeah, that was good. That was

0:40:32.920 --> 0:40:33.319
<v Speaker 1>like a week.

0:40:34.520 --> 0:40:36.800
<v Speaker 3>That was that was pretty legit.

0:40:37.280 --> 0:40:40.520
<v Speaker 1>You forgot the part where Kelly has gotten out of

0:40:40.520 --> 0:40:43.400
<v Speaker 1>the house and she's in her car, like yeah, having

0:40:43.440 --> 0:40:46.880
<v Speaker 1>a full on freak out, and Brandon somehow finds her.

0:40:46.920 --> 0:40:47.799
<v Speaker 1>How does he find her?

0:40:48.200 --> 0:40:51.279
<v Speaker 3>I think she called him from her car phone. Think

0:40:51.320 --> 0:40:56.200
<v Speaker 3>he got a call that's also real. She's like in shock,

0:40:56.520 --> 0:41:00.400
<v Speaker 3>like it was. That was all very good, and then

0:41:00.400 --> 0:41:01.480
<v Speaker 3>they take her to the hospital.

0:41:02.200 --> 0:41:06.520
<v Speaker 1>Yeah, I thought that scene was scary. And then we

0:41:06.600 --> 0:41:10.560
<v Speaker 1>see that Donna has gone to check in on Joe

0:41:10.719 --> 0:41:15.600
<v Speaker 1>and she finds him feverishly packing because he's gonna leave

0:41:15.640 --> 0:41:17.560
<v Speaker 1>school because he's been kicked off the team.

0:41:17.400 --> 0:41:21.399
<v Speaker 3>I mean, and she's kind of like, calm down, let's

0:41:21.480 --> 0:41:29.319
<v Speaker 3>figure this out. Lots of major things happening in this episode,

0:41:29.360 --> 0:41:31.640
<v Speaker 3>Like we've got the whole David breakup and all that

0:41:32.280 --> 0:41:37.200
<v Speaker 3>indecent proposal drama. We've got Joe in that situation, and

0:41:37.239 --> 0:41:42.400
<v Speaker 3>then your whole storyline is like crazy.

0:41:43.040 --> 0:41:47.720
<v Speaker 1>And then you have Steve in his being Stadia.

0:41:48.280 --> 0:41:50.319
<v Speaker 3>And then we're supposed to go from you being like

0:41:50.680 --> 0:41:54.600
<v Speaker 3>literally in the car in shock, just escaped, Brandon coming

0:41:54.600 --> 0:41:57.960
<v Speaker 3>to save you full drama, to like I forwarded at

0:41:57.960 --> 0:42:00.000
<v Speaker 3>thirty seconds. I took it back thirty seconds. Oh it's

0:42:00.000 --> 0:42:03.160
<v Speaker 3>two hours later. It's I was just like, what does

0:42:03.200 --> 0:42:03.719
<v Speaker 3>that work?

0:42:03.800 --> 0:42:06.719
<v Speaker 1>Though? Like is that what people want to watch? Like

0:42:06.800 --> 0:42:08.920
<v Speaker 1>that kind of like there's so much going on.

0:42:10.280 --> 0:42:12.080
<v Speaker 3>Maybe. I mean, I'm going to give the episode a

0:42:12.160 --> 0:42:14.640
<v Speaker 3>very high ratings, so maybe. But it was just kind

0:42:14.680 --> 0:42:17.480
<v Speaker 3>of like whiplash, Like, Okay, now I'm back on the

0:42:17.520 --> 0:42:21.560
<v Speaker 3>Steve thing and he's trying to wait thirty seconds till

0:42:21.560 --> 0:42:24.879
<v Speaker 3>the clock strikes whatever. And then she's like, I moved

0:42:24.880 --> 0:42:26.800
<v Speaker 3>it forward and he's like I moved it back. Whatever

0:42:26.840 --> 0:42:29.880
<v Speaker 3>they did? Yeah what? Okay?

0:42:30.000 --> 0:42:30.520
<v Speaker 1>Yeah?

0:42:30.920 --> 0:42:32.600
<v Speaker 3>And I also don't buy them as a couple, so

0:42:32.640 --> 0:42:34.800
<v Speaker 3>I'm pretty much ready for them to be done.

0:42:35.120 --> 0:42:36.680
<v Speaker 1>Yeah, they have fun together though.

0:42:38.360 --> 0:42:38.680
<v Speaker 3>Yeah.

0:42:38.719 --> 0:42:41.759
<v Speaker 1>But and then we see David break up with Valerie.

0:42:41.960 --> 0:42:45.239
<v Speaker 1>That was great for him, and then he gives her

0:42:45.280 --> 0:42:49.920
<v Speaker 1>back her Venice Beach bracelet that she bought him. Oh yeah,

0:42:49.960 --> 0:42:52.719
<v Speaker 1>and then we see the in the hospital room where

0:42:52.760 --> 0:42:54.600
<v Speaker 1>Jackie and Brandon are with Kelly.

0:42:54.680 --> 0:43:00.160
<v Speaker 3>And she says, I still love you, bum bum. He

0:43:00.200 --> 0:43:05.120
<v Speaker 3>doesn't say it back, but he doesn't leave no, because

0:43:05.160 --> 0:43:07.920
<v Speaker 3>he felt it, and he goes so far as to

0:43:08.080 --> 0:43:13.920
<v Speaker 3>stroke her head. Susan's days seemed numbered or nine episodes.

0:43:14.280 --> 0:43:16.560
<v Speaker 1>But do you think that Brandon's gonna want to be

0:43:16.640 --> 0:43:19.600
<v Speaker 1>with Kelly now and she's gone down this dark road?

0:43:20.880 --> 0:43:21.239
<v Speaker 3>I do?

0:43:21.719 --> 0:43:26.440
<v Speaker 1>Oh, okay, because he does. Oh that was an emotional ending.

0:43:27.120 --> 0:43:29.720
<v Speaker 3>Yeah, the whole episode is intense.

0:43:30.520 --> 0:43:32.399
<v Speaker 1>What do you give it? What do you give it? Oh?

0:43:32.480 --> 0:43:36.120
<v Speaker 3>Ten, it's a ten. It's so it's so dark, it's

0:43:36.120 --> 0:43:39.640
<v Speaker 3>so crazy, there's so much happening. It's a total ten.

0:43:40.400 --> 0:43:41.560
<v Speaker 3>Look at your pretty nails.

0:43:41.640 --> 0:43:44.279
<v Speaker 1>Why are my fingertips pink only? What's happening? Do you

0:43:44.320 --> 0:43:44.960
<v Speaker 1>see my hands?

0:43:45.200 --> 0:43:47.479
<v Speaker 3>Yeah? But those are just the tops everyone has red

0:43:47.560 --> 0:43:51.239
<v Speaker 3>on the sort of the pinky tops. You don't, Yeah,

0:43:51.239 --> 0:43:54.320
<v Speaker 3>I do, of course I do. It's just the lighting.

0:43:54.360 --> 0:43:54.920
<v Speaker 3>You have more light.

0:43:55.400 --> 0:43:56.120
<v Speaker 1>We give it a ten.

0:43:56.600 --> 0:44:01.399
<v Speaker 3>Ten, Yeah, it's a it's a really well like dare

0:44:01.480 --> 0:44:05.520
<v Speaker 3>I say, Emmy Award winning performance by you?

0:44:05.880 --> 0:44:10.920
<v Speaker 1>Oh god? That would be uh something never heard before

0:44:10.960 --> 0:44:15.960
<v Speaker 1>on our show. Like what it is?

0:44:16.040 --> 0:44:17.160
<v Speaker 3>It's intense.

0:44:19.120 --> 0:44:21.640
<v Speaker 1>I feel like it's intense to this episode.

0:44:21.680 --> 0:44:23.600
<v Speaker 3>In your performance, it was a lot.

0:44:23.680 --> 0:44:28.280
<v Speaker 1>I remember having a really hard time shutting off after

0:44:28.320 --> 0:44:32.840
<v Speaker 1>doing scenes like that and just shaking that off. That

0:44:32.960 --> 0:44:33.640
<v Speaker 1>was hard.

0:44:34.440 --> 0:44:37.880
<v Speaker 3>Yeah, And it's like you're kissing this guy and then.

0:44:37.840 --> 0:44:42.680
<v Speaker 1>Oh, just awf, it's so awful bad, it's bad. She

0:44:42.840 --> 0:44:44.279
<v Speaker 1>definitely hit rock bottom though.

0:44:46.000 --> 0:44:48.399
<v Speaker 3>Yeah, it's a good episode. And and I'm so done

0:44:48.400 --> 0:44:52.920
<v Speaker 3>with Colin. He's atrocious. Oh he's terrible, really terrible. I

0:44:52.960 --> 0:44:56.040
<v Speaker 3>mean you were terrible too, but like, get let's get

0:44:56.080 --> 0:44:56.520
<v Speaker 3>rid of him.

0:44:57.400 --> 0:45:00.480
<v Speaker 1>He's the reason that Kelly was terrible though, like totally,

0:45:00.520 --> 0:45:04.440
<v Speaker 1>and he needs to go. Well, maybe you go. Our

0:45:04.480 --> 0:45:08.120
<v Speaker 1>next episode is season six, episode twenty two. All this

0:45:08.280 --> 0:45:12.799
<v Speaker 1>and Mary too, Huh, you.

0:45:12.800 --> 0:45:14.840
<v Speaker 3>Have no idea how that? I think you're heading to rehub.

0:45:15.360 --> 0:45:18.400
<v Speaker 3>Who's Mary? I remember? But I think you're heading to

0:45:18.600 --> 0:45:20.759
<v Speaker 3>Oh is a Christmas note? What time of year is

0:45:20.800 --> 0:45:24.680
<v Speaker 3>it after Valentine's Oh it's Valentine's say, that's right, who's Mary?

0:45:24.800 --> 0:45:26.520
<v Speaker 1>Is Mary NAT's girlfriend?

0:45:26.880 --> 0:45:33.840
<v Speaker 3>Oh? That is coming back soon and rehabs coming So yeah,

0:45:33.920 --> 0:45:34.600
<v Speaker 3>it's all happened.

0:45:35.040 --> 0:45:37.560
<v Speaker 1>Who knows, We will find out, you guys. That's the

0:45:37.600 --> 0:45:42.560
<v Speaker 1>beauty of the show, not knowing what's coming next, except

0:45:42.640 --> 0:45:43.080
<v Speaker 1>Damie knows.

0:45:43.120 --> 0:45:44.640
<v Speaker 3>Yeah. Wait, we still got a little time before the

0:45:44.680 --> 0:45:47.400
<v Speaker 3>show fully jumps the shark. I think we've got the

0:45:47.440 --> 0:45:50.680
<v Speaker 3>rest of this and part of next season and then

0:45:51.520 --> 0:45:53.839
<v Speaker 3>it's real bad. I can't wait eight, nine, and ten

0:45:54.000 --> 0:45:57.520
<v Speaker 3>or oh yeah, it's gonna be good.

0:45:57.520 --> 0:45:59.920
<v Speaker 1>It's gonna be good. Okay, that's it for this episode.

0:46:00.040 --> 0:46:02.840
<v Speaker 1>Thanks everybody for watching. We hope you loved it as

0:46:02.920 --> 0:46:06.000
<v Speaker 1>much as we do, and we will see you next

0:46:06.040 --> 0:46:10.880
<v Speaker 1>week watching the TV show, Thanks for watching the podcast,

0:46:11.760 --> 0:46:17.000
<v Speaker 1>just kidding watching Yeah bye,