Speaker 1: It's nine OGENG with Jenny Garth and Tory Spelling.
Speaker 2: Oh you guys, we're here with the episode of nine
Speaker 2: O two one MG, and Amy's here with me today.
Speaker 3: This was a scary episode, Like you were scared by
Speaker 3: this episode, disturb scared, Like it was emotional. It was
Speaker 3: like it was dark. You're really dark. Yes, that's the
Speaker 3: word dark. It's dark.
Speaker 1: Yeah. I don't know what's going on with Mike Kelly.
Speaker 3: Oh. I think she's finally gonna get the help she needs.
Speaker 3: Do you think I'm hoping?
Speaker 1: I hope so too. We're not jumping to the end though, Amy,
Speaker 1: I know you want to so bad.
Speaker 3: I want it so bad because of something with Brandon,
Speaker 3: but I will not talk about your downfall.
Speaker 1: Yes, this is this episode's good though. It's got a
Speaker 1: lot of like other parts going on.
Speaker 3: Yeah, finally they're using Elisa Donovan. Better was better.
Speaker 1: You know how much we love our ginger La Monica
Speaker 1: we love so much now just so that makes me happy.
Speaker 1: You know, she's so grow nasty.
Speaker 3: She's great. She would have had a good Valerie. Yeah,
Speaker 3: and she's auditioned for Valerie.
Speaker 1: She is so pretty.
Speaker 3: Yeah, I think she auditioned for Valerie. Actually, I feel
Speaker 3: like maybe they should have gone with her because of
Speaker 3: the red hair as opposed to like this is not
Speaker 3: don't write me among your emails like I don't love Tiffany,
Speaker 3: I do.
Speaker 1: You just want diversity in color, something just.
Speaker 3: Well, something so different from Brenda. I think for me
Speaker 3: it's always was challenging because Tiffany sort of looked brown hair.
Speaker 3: You know, I don't know. Maybe I would like.
Speaker 1: The extent of it, the hair that's it. But oh no,
Speaker 1: I think she is great on the show too, Lisa
Speaker 1: Donovan as she kills it and then anything.
Speaker 3: She does, so yeah, yeah, she's great. We're gonna see
Speaker 3: her soon. She's kind of come do the show again
Speaker 3: in a couple few weeks in person. They're gonna come
Speaker 3: see you guys.
Speaker 1: Oh my gosh.
Speaker 3: I love that your drug habit has really gone bad.
Speaker 3: And actually I have a lot to talk about about
Speaker 3: David and Valerie. So I feel like this is going
Speaker 3: to be good conversation.
Speaker 1: This be jam packed, you guys. You don't want to
Speaker 1: miss it.
Speaker 3: iHeart Podcasts Listen on the iHeartRadio app.
Speaker 1: Okay, this is It? Season six, episode twenty one, Bleeding
Speaker 1: Hearts aired februaryteenth. It aired on Valentine's Day. You guys
Speaker 1: in nineteen ninety six.
Speaker 3: This was the Valentine's Day episode. It's so dark for
Speaker 3: Valentine's They sort of buried that a little bit, but
Speaker 3: it was there. But now we had the poem and
Speaker 3: the roses. But still it's so dramatic.
Speaker 1: Will you give us a synopsis?
Speaker 3: Amy?
Speaker 1: Do you want?
Speaker 3: Sure? My Great Pleasure roses are red, but Ginger is
Speaker 3: green with envy as she tries to hit Valerie where
Speaker 3: it hurts. And speaking of hitting, Jonathan Casten gets a
Speaker 3: fistful of Susan Keats at the peach pit after dark,
Speaker 3: plus Steve makes a painful pledge, Joe gets a kick
Speaker 3: in the stomach, and Kelly hick and Kelly hits rock
Speaker 3: bottom until Brandon Bales are out. I'm not laughing at
Speaker 3: the drama. I'm laughing at how well that's written.
Speaker 1: Directed by Jason Priestley, written by Larry Mullen and Meredithstein. Hey,
Speaker 1: I didn't even recognize that this was a Jason priest
Speaker 1: I know he's changed his style.
Speaker 3: It's almost like he's more broody of a director now,
Speaker 3: less like Zyne and more like gritty.
Speaker 1: I like it.
Speaker 3: I mean that wasn't I don't That was a gnarly
Speaker 3: scene at the drug den as I call it.
Speaker 1: We're not there yet, so sorry. Okay, okay, would you
Speaker 1: want me to give you a little trivia? There's something
Speaker 1: exciting worse, it's interesting, you know. Okay, actor Gordon Curry
Speaker 1: played Do you remember this actor who's playing Danny five
Speaker 1: in this episode? He was in the show already. Do
Speaker 1: you remember what character he used to be?
Speaker 3: No? Come on, I love trivia like this. Who was he?
Speaker 1: I really think you can get this.
Speaker 3: Oh wait, let me look at this face.
Speaker 1: Look and Brenda's cousin.
Speaker 3: What's his name again? Gordon what Curry?
Speaker 2: No?
Speaker 3: Way?
Speaker 1: He played?
Speaker 3: Oh yeah, oh my god, Bobby. I can't remember, but yeah, Bobby,
Speaker 3: he's one of the drug dudes.
Speaker 1: But he was Bobby that he was their cousin that
Speaker 1: was in the wheelchair, remember, Yes, like Kelly?
Speaker 3: Yes?
Speaker 1: Whoa They hired him again for a completely different role.
Speaker 3: Which shows do do that a lot? They do do
Speaker 3: that like on Kilmore Girls. You see that all the
Speaker 3: time too.
Speaker 1: Yes, okay, that's all I have to say about that.
Speaker 3: Good Triga trivia, Very good Eagle Eze McGee.
Speaker 1: Well, you know, let's start at the top. You guys, Okay, this.
Speaker 3: Is buying the drugs. Let's start with you guys buy drugs.
Speaker 1: Colin and Kelly are rung out and looking for drugs,
Speaker 1: and Colin tells her my favorite weatherman says there is
Speaker 1: going to be snow in West Hollywood.
Speaker 3: First of all, that made me want to just borrow.
Speaker 3: It was so like, really, we're doing drug comedy.
Speaker 1: Oh god. And Kelly says that she needs to go
Speaker 1: see her mom at the peach Pit, but Colin says
Speaker 1: that they have to go meet the drug dealer, Danny five,
Speaker 1: or they won't have anything the whole weekend. That is
Speaker 1: enough for her to cancel her plans.
Speaker 3: Little did she know there was sort of a semi
Speaker 3: intervention getting prepared for her at the peach Pit, right,
Speaker 3: but it.
Speaker 1: Was only Brandon, David and Mom.
Speaker 3: Yeah, but that was I think the intervention. Yeah, but
Speaker 3: I would have liked you show up for it. And
Speaker 3: then you know, I thought, Matt, It's like, Matt is
Speaker 3: close with you all, so he knows you're on drugs.
Speaker 3: He was a little bit too. Kelly called, and She's
Speaker 3: not gonna make it like that you dude.
Speaker 1: When I saw nat though, Remember, wasn't there a storyline
Speaker 1: about his girlfriend coming to town?
Speaker 3: Coming back?
Speaker 1: Then they completely dropped it and never talked about it.
Speaker 3: They dropped it for now, but it does come back. Okay, good, Yeah,
Speaker 3: not to fret.
Speaker 1: Okay, So Kelly ditches the intervention, great, I.
Speaker 3: Have an interjection. What I said, Fratt? You know what
Speaker 3: word I use all the time now because of you? No,
Speaker 3: but people are loving that. The people are loving colon. Yes,
Speaker 3: oh yeah, they're starting to write it. So when they
Speaker 3: write to us about him, they spell it c l
Speaker 3: O and no A scoach? Is that how you say it? Scoche?
Speaker 1: A scoche? You? You know what's so crazy that you're
Speaker 1: saying this. I learned that word on the set of
Speaker 1: Beverly Hills nine O, two and O.
Speaker 3: I never used that word, like, it's just not my vernacular.
Speaker 3: But ever since you used it, like a few weeks ago,
Speaker 3: you said like, oh, move that over a scosh, And
Speaker 3: now anytime I have to move anything, I'm always like, oh,
Speaker 3: just move that over a scooch.
Speaker 1: It was like a little bit, wait, how.
Speaker 3: Did you learn that word? On Nanotana?
Speaker 1: That's not a very long story our camera are. He
Speaker 1: was our cameraman and then he became our our director
Speaker 1: of photography. His name was Steve, and I loved him
Speaker 1: so much. We were very close. We were also close
Speaker 1: with him and he would say it all the time,
Speaker 1: like move over a little scosh. Yeah, that's where I
Speaker 1: got it.
Speaker 3: Just want to spell scosh s ceo sh scooch. I'm
Speaker 3: gonna have to look that up. Everybody should try. Okay,
Speaker 3: everyone listening, try to somehow use the word scos today
Speaker 3: and you'll get a little giggle when you do it,
Speaker 3: because you'll think you'll think of Kelly, Jenny.
Speaker 2: Oh.
Speaker 1: No, s ceo s h is.
Speaker 3: A variant smelling of the word scosh sko s h.
Speaker 3: It is a slang term. I wouldn't call it slang,
Speaker 3: but I guess it is. That means a small amount
Speaker 3: or a bit, just like you said. Anyway, For some reason,
Speaker 3: when I said fret, it just made me giggle because
Speaker 3: I used skosh so much. Where were we.
Speaker 1: We were at the peach pit where Kelly does not
Speaker 1: show up and Valerie tells Susan Valerie Cozy's on up
Speaker 1: next to Susan get into her business, yeah, and that
Speaker 1: she's going to help Jonathan. She's gonna help get Jonathan
Speaker 1: off her back by hooking up with her friend, by
Speaker 1: hooking him up with her friend Ginger.
Speaker 3: All, let's just talk about it. It's such a weird
Speaker 3: like spider Web, right, because Valerie's got the problem with Ginger,
Speaker 3: because Ginger's trying to blackmail her for fifty thousand dollars,
Speaker 3: which is an insane amount of money, by the way,
Speaker 3: Like it's just me and they talk about it like
Speaker 3: it's nothing, but like fifty cares. First of all, that
Speaker 3: would be like today, like a quarter of a million dollars.
Speaker 3: So she's asking her for a quarter of a million
Speaker 3: dollars like it's full bananas. I would just be like,
Speaker 3: just doubt me. I don't okay, like just out me.
Speaker 3: I don't care. These people kind of hate me anyway,
Speaker 3: like do you know what I mean? Like I don't
Speaker 3: like her, and she probably could have kept David. But anyway,
Speaker 3: well that's a whole topic. But so anyway, suddenly she's like,
Speaker 3: light bulb, Okay, I'm gonna take my friend and hook
Speaker 3: him up with this random guy that used to date
Speaker 3: this other girl. I don't really know. That's kind of
Speaker 3: causing a problem for my roomy, Like it's just like,
Speaker 3: oh my, how did she.
Speaker 1: Know all about that Jonathan business?
Speaker 3: Like I guess she's they're all in the weeds on everything,
Speaker 3: but maybe soon.
Speaker 4: And then okay, and then the fact that Susan's like, yeah, yeah,
Speaker 4: good idea, what Susan, what just tell Jonathan to hit
Speaker 4: the road that like you are in love with someone else?
Speaker 3: You're sorry, Like really you have to do like a
Speaker 3: like set him up to It's just what but okay,
Speaker 3: are you also a.
Speaker 1: Little taken aback by by Jackie's like nonchalant like, oh,
Speaker 1: I wish I would have known earlier about my daughter's
Speaker 1: drug addiction, like yep, and that she's like she's been there,
Speaker 1: she knows the no.
Speaker 3: It's like, this is dire. This is a dire situation.
Speaker 3: Your daughter's gonna die, and you're so sort of just
Speaker 3: like eating a mega burger, not worried about it that
Speaker 3: much and saying I can't separate her from Colon. It's like,
Speaker 3: of course you can separate her from Colon. He's the problem.
Speaker 1: Yeah, but that's hard to do.
Speaker 3: I'm no expert, but I don't know that she's doing
Speaker 3: her best as a mom on that one.
Speaker 1: I've watched intervention. It's very hard to take to separate
Speaker 1: two people who are in the dark place too.
Speaker 3: Well, then maybe she's right. I'm also there's a lot
Speaker 3: of comments on Susan's wardrobe. People are not fans really
Speaker 3: last week especially, I think maybe two weeks ago they
Speaker 3: felt she was not. She dresses very old, but so
Speaker 3: does Ginger lah Monica in the purple suit, which we'll
Speaker 3: get to.
Speaker 1: Maybe they just Andrea's leftovers.
Speaker 3: Literally, Yeah, it's kind of that vibe.
Speaker 1: You guys. We go to the drug Dealer's house where
Speaker 1: Kelly is introduced to the shady drug dealer Danny five
Speaker 1: aka and from season two.
Speaker 3: It's so insane. They have way too nice of the
Speaker 3: exterior of a house, but then it's real like cracky
Speaker 3: on the inside.
Speaker 1: Is it like, was the exterior like a bungalow, like
Speaker 1: California bungalow, kind of like Dylan's Extra Yep.
Speaker 3: Yep, And I think they sometimes, you know what, it
Speaker 3: reminded me of the Grand Californian Hotel.
Speaker 1: It's craftsman style and that's the word.
Speaker 3: Yeah. Anyway, it's way too nice of the house.
Speaker 1: But whatever, Well, I think that it was really conveniently
Speaker 1: located just down the street from the extra of the
Speaker 1: Walsh House.
Speaker 3: So there you have it. That's what I assume as well. Gross.
Speaker 3: They're gross. The drug dealers are gross. They're so sketchy.
Speaker 1: Like when I was watching, I was like, I feel
Speaker 1: like I know this guy. I thought I knew him
Speaker 1: in real life, which I did. Yeah, I now I
Speaker 1: know that's because he was a different character. He worked
Speaker 1: with him multiple times. M It's interesting.
Speaker 3: He kind of was charming at first, like for a
Speaker 3: drug dealer, Like he was so like, hey, guys out
Speaker 3: on the curb, like, come and see me anytime. Don't
Speaker 3: spread my number around unless it's likely good.
Speaker 1: It was just like, okay, a drug dealer guy, Like
Speaker 1: I didn't know what to do with him. He was
Speaker 1: a lot and I didn't know. I felt like Kelly
Speaker 1: knew him too, Like so hard.
Speaker 3: Are you you Brandon's cousin?
Speaker 1: I've seen you before. That'd be so funny. Okay, California University,
Speaker 1: where Donna is talking to a crowd of students about
Speaker 1: a twenty four hour pledge of celibacy to bring awareness
Speaker 1: to see an abstinence. I was not not about this
Speaker 1: kind of cool, and I just I love Joe. He's
Speaker 1: so darling. Oh my god, if you talk about him,
Speaker 1: if you love Joe anymore, I'm not gonna be able
Speaker 1: to say it.
Speaker 3: I do. I loved him then and I love him now.
Speaker 3: I literally had such a huge crush on him that
Speaker 3: it's just like right back. When I watch these, I'm like, God,
Speaker 3: he's so cute. She really should have appreciated him more.
Speaker 1: He's got a pretty face, yes.
Speaker 3: And he's so tall and cute. He's gonna feel bad
Speaker 3: for him. He's kicked off the team. This was a
Speaker 3: This was sort of a dramatic Joe episode, underplayed by
Speaker 3: all the other drama happening.
Speaker 1: Well, this whole twenty four hour pledge to not have
Speaker 1: sex I didn't like. I was like, are you serious?
Speaker 1: These horn dogs can't not have sex for twenty.
Speaker 3: Day for one day? I know that's a little I agree,
Speaker 3: and Steve, oh.
Speaker 1: Gosh, yeah. Claire takes it upon herself to challenge Steve
Speaker 1: to not complete his twenty four hour pledge, which is
Speaker 1: kind of dirty scoundrel of her.
Speaker 3: I just can't wait to talk about the tucks with
Speaker 3: no jacket, with the bow tie.
Speaker 1: It's just like, Wow, it's okay. We go to we
Speaker 1: have some interesting locations in this episode. We go to
Speaker 1: an outdoor cafe where Valerie has set up a blind
Speaker 1: date between Ginger and Jonathan. She goes up to John
Speaker 1: tells him that she's easy, Like.
Speaker 3: What, well that made me? Uh like, it was so
Speaker 3: like and first of all, I don't even think Jonathan
Speaker 3: would like that.
Speaker 1: Yeah, is that what he's looking for?
Speaker 3: It's not he's he's not looking for that, like, and
Speaker 3: Elisa Donovan looked amazing. Although the suit I was like,
Speaker 3: are you twenty one going on forty? Like yeah, like
Speaker 3: they're trying to do Amanda Woodward you know Heather Locklay
Speaker 3: and Melrose how she really rocked those suits or maybe
Speaker 3: that was when she was an Ally McBeal. I think both,
Speaker 3: but anyway, was Klyst was have I Locklayer and Alley
Speaker 3: McBeal or did I just make that up?
Speaker 1: He just made that up? Oh my god, but I'm
Speaker 1: here for it. I'd watch that my brain.
Speaker 3: It's because kylistif Walckhart wore those little suits too, So okay,
Speaker 3: it was Amanda woodwardy she did wear those cute suits,
Speaker 3: but it was too old for Ginger it's like Ginger
Speaker 3: is gonna wear cute jeans with like a cute top.
Speaker 1: Well, but Ginger was in town for business.
Speaker 3: You know, I guess she really was indecent proposal. But anyway,
Speaker 3: I sort of thought they were going to hit it off,
Speaker 3: and they did, and it was okay, fine, very bizarre
Speaker 3: because also, why is Jonathan so tight with Valerie. It's
Speaker 3: like barely knows her. Yeah, very convenient.
Speaker 1: We go with Akassa welsh Ware. We see Steve being tempted,
Speaker 1: the beginnings of c being tempted.
Speaker 3: By right because Claire is such as Seductor's oh my god,
Speaker 3: I can't when I'm sorry, I have to say it now.
Speaker 3: When we get to the sexy dance, oh god, almost
Speaker 3: had to cover my eyes. Okay, sorry, just don't let
Speaker 3: me forget. Don't let me.
Speaker 1: This is where we find out that Randon also can't
Speaker 1: not have sex for twenty four hours, so he's disappointed
Speaker 1: to find out that Susan took the oath as well.
Speaker 3: They were cuter about it though, that bothered me less.
Speaker 3: They seemed more like, he's all, but it's not Runner,
Speaker 3: It's kind of cute. It was less sort of bizarre.
Speaker 1: Yeah, but at the same time, I was like, ewk right,
Speaker 1: it's just one night. I don't want to know all
Speaker 1: these people are having doing that all the time.
Speaker 3: That didn't bother me as much as the the no
Speaker 3: sex party with the pole dancers.
Speaker 1: But okay, okay, we go to Colin's apartment. I'm sorry,
Speaker 1: let me let me correct that. We go to Colon's
Speaker 1: apartment where Kelly and Colon are hanging out with the
Speaker 1: drug addicts. Oh, with some rando.
Speaker 3: Drug astics or some random drug addicts.
Speaker 4: Yeah.
Speaker 1: Donna comes over to try to help Kelly and tells
Speaker 1: her she'll always be there for her.
Speaker 3: So they love each other.
Speaker 1: She's flying so high, and then Donna knocks at the
Speaker 1: door and then some stories away reels it in and
Speaker 1: she's not she can handle like having a visit without
Speaker 1: being so messed up, I guess.
Speaker 3: And then the random drug friends and Colin ran out,
Speaker 3: ran out to the porch. He's like, we'll be on
Speaker 3: the deck or whatever. I didn't even know he had
Speaker 3: a deck.
Speaker 1: Yeah, he had like a balcony and it's loft. I
Speaker 1: hate him, and that that scene made me so sad,
Speaker 1: though Kelly and Donna basically saying goodbye to one another
Speaker 1: essentially be sad.
Speaker 3: It was. It's really like kind of real now, Like
Speaker 3: you know, I always like this is so sort of
Speaker 3: a dumb storyline. This is where it gets so real,
Speaker 3: Like you really do seem like you're spiraling bad.
Speaker 1: Yeah, like all of a sudden, Kelly is a different person.
Speaker 3: M a lot of nose rubbing though still that's to
Speaker 3: indicate drugs. Nose rub, nose reub no.
Speaker 1: Rubs acting one oh one. That's what you learn in Yeah.
Speaker 1: Then we go to David's dorm room, where we see
Speaker 1: David serving Valerie breakfast in bed because it's Valentine's Day.
Speaker 3: Storm style, which I liked.
Speaker 1: That was cute, Yes, and he.
Speaker 3: Wrote her cute. That poem was sort of like wow.
Speaker 1: I was like, I don't think he's a very good poet.
Speaker 3: I think it was trying to be super deep and
Speaker 3: like metaphorical. I don't remember the poem at all. I
Speaker 3: wish could someone get us the poem is. I know
Speaker 3: that's a tall task.
Speaker 1: We'll paragraph too long, in my opinion, long to write
Speaker 1: a poem to somebody on Valentine's Day. People keep it short.
Speaker 3: Let's also talk about the awkwardness of when someone's reading
Speaker 3: a poem to you. The face you have to make
Speaker 3: as they're reading it to you.
Speaker 1: But I thought they were super cute in that scene.
Speaker 3: They were, but she did good good face of like
Speaker 3: this is so sweet. Have you ever been serenaded? I
Speaker 3: think that's a hard face. Well, sure you've been, Sarah,
Speaker 3: you will. Sure, Like everybody's been serenaded, I've never been like,
Speaker 3: who serenaded you?
Speaker 1: In all the roles I've fled? I'm sure someone has
Speaker 1: serenaded in real life? Oh oh wait, what's that like?
Speaker 3: I don't know. Did Have you ever been married to
Speaker 3: somebody that got out of guitar and just suddenly started singing.
Speaker 1: To yes, my first husband.
Speaker 3: The face you have to make for two full minutes
Speaker 3: of just like I love this so much, but like
Speaker 3: you want to just like rust your smile for a minute.
Speaker 1: There's no camera on you in real life, like, nobody's
Speaker 1: watching you.
Speaker 3: The serenader is watching you.
Speaker 1: Well, what if he's looking down at his guitar.
Speaker 3: Perhaps, Oh thank gosh, I can read the poem. But
Speaker 3: first of all, like, imagine Chris Martin. You're Dakota Johnson, right,
Speaker 3: and you're engaged to Chris Martin. And you have to change.
Speaker 1: I think so you think so wow, I don't know anything.
Speaker 3: I think it like have some bumps on the road.
Speaker 3: Seems to be going fine and he is a great dude,
Speaker 3: so she should definitely keep him. But anyway, Uh, imagine
Speaker 3: if you're at a concert and your guy is the
Speaker 3: lead singer and he just at any moment could glance
Speaker 3: over at you, you better be looking and smiling. It's
Speaker 3: a lot of work. Yeah, I guess you're right.
Speaker 1: Yeah.
Speaker 3: It's like Travis Kelcey at any moment, they always are
Speaker 3: watching him to see what he is doing during t
Speaker 3: Swifty's concerts, and it's like they're like, oh, Travis Kelsey
Speaker 3: was dancing during I don't know one of her songs.
Speaker 3: It's like someone's always watching him, watching her, so like
Speaker 3: he can't just be yawning because they would definitely be
Speaker 3: like Travis Kelty's yawning during I can't think of any
Speaker 3: Taylor Swift's songs.
Speaker 1: Do you think Travis Kelsey really likes I do Rick's
Speaker 1: her songs?
Speaker 2: Oh?
Speaker 1: I thought you meant her No, I mean yes, uh sure.
Speaker 3: Her songs are kind of bops. So like I'm not
Speaker 3: like a big Oh god, I don't eve want to
Speaker 3: say it because the Swifties will come after you. I'm
Speaker 3: not like I'm not like a p one Taylor Swift fan,
Speaker 3: and all of her songs are bops.
Speaker 1: I have stop talking to you. Then I'm sorry.
Speaker 3: Well wait, because you're a p one, you're like her
Speaker 3: p one is like her top top.
Speaker 1: No you are?
Speaker 3: I love it? Oh yeah, do you write you went
Speaker 3: to Miami or somewhere.
Speaker 1: Yeah. I've seen her twice. But the thing is I've
Speaker 1: known I've known of her music and listened to her
Speaker 1: music with my daughters since her debut album, So.
Speaker 3: I've seen her first of all, I've seen her like
Speaker 3: eight times. I didn't go to the last Eras tour,
Speaker 3: but I've seen her in concert many times. Remember the
Speaker 3: one where the celebrities walked out to that song? No
Speaker 3: celebrities would walk out, I forget. It's kind of like
Speaker 3: a see I don't know all the songs. Yeah, celebrities
Speaker 3: would come out during it. And then she always did
Speaker 3: that one where the celebrity would show up and do
Speaker 3: a duet. That was pretty rad.
Speaker 1: Oh my god, I miss Kara completely apparently I was.
Speaker 3: Anyway, So yeah, okay, so can we have David's poem again.
Speaker 3: I want to. I want to read it to Jenny
Speaker 3: and make her. I need you to look at me.
Speaker 1: I'm gonna get my face ready.
Speaker 3: I'm that old poem. You have to look at me
Speaker 3: like you're thrilled by this. You wrote me a poem.
Speaker 1: Oh yeah, okay.
Speaker 3: Has fingertips feel the sensation to weep, a beauty that
Speaker 3: forces the pain to retreat even though the waves can
Speaker 3: keep breaking. The power of destiny pulls like a rage.
Speaker 3: The touch of your lips hides the beast in the cage.
Speaker 3: It should have been out now, but it's still. We're
Speaker 3: only halfway for love. As does wine gets better with age.
Speaker 3: My heart's the one that you're taking. I hope and
Speaker 3: pray as the years run away and our glass sand
Speaker 3: stands still as I say I live, I Oh, I
Speaker 3: messed it up. Keep that face, get that face. I
Speaker 3: love you a little bit more every day. You're the
Speaker 3: half to my whole. No mistaking. The rhyming pattern is strange.
Speaker 1: Packing my but off. Come on, but it's a little off.
Speaker 3: Weep, sleep, then retreat. I'm sorry.
Speaker 1: Whoever?
Speaker 3: Breaking then rage, cage age, taking, breaking away, say day mistaking?
Speaker 3: Oh wow, that's a intense rhyming pattern. I think it
Speaker 3: fits the pattern as fingertips feel the sensation to weep.
Speaker 3: What does that mean? Fingertips weeping and wax melted candles
Speaker 3: reflect in your sleep? What does that mean?
Speaker 1: Don't know?
Speaker 3: Okay, I get that. She's it's a beauty that forces
Speaker 3: the pain to retreat. She's so beautiful, he's it takes
Speaker 3: his pain away. The power of destiny pulls like a rage.
Speaker 1: A little angry for me, pulls like a rage.
Speaker 3: The hot the touch of your lips hides the beast
Speaker 3: in the cage. So she's so sweet, it's like who
Speaker 3: could be? Who could It's like beauty and the Beast.
Speaker 1: Yeah, I got something completely different out of that line.
Speaker 1: Oh you did it was naughty, dirty. I was gonna
Speaker 1: say something dirty, something I didn't.
Speaker 3: I got like beauty and the beast. Like she's so
Speaker 3: she's so snow white, and it takes away his anger. Yeah,
Speaker 3: I don't know why he's so angry.
Speaker 1: As we're breaking it down, it's actually making more sense
Speaker 1: than I'm starting to like it.
Speaker 3: Yeah, for love. As his wine gets better with age,
Speaker 3: so they like wine. They're aging like fine wine. My
Speaker 3: heart's the one that you're taking. Okay, I hope and
Speaker 3: praise the years run away like they're gonna be together.
Speaker 3: Oh and then hour glass sand stands still so that
Speaker 3: like time doesn't go too fast for them, that they
Speaker 3: get more and more time. I love you a little
Speaker 3: bit more every day. You're the half to my whole,
Speaker 3: no mistaking. So the rhyming pattern is hard for me,
Speaker 3: but I like what it's saying. I think there's a
Speaker 3: few lines in there. I don't get it.
Speaker 1: I feel smelted candles. Yeah. I feel like he could
Speaker 1: have read it a little bit more.
Speaker 3: Rhymy, a little bit more songy. Yeah.
Speaker 1: When he was reading it, I didn't like it. But
Speaker 1: now that you've read it, I like it.
Speaker 3: Well, thank you. It was it hard to look happily
Speaker 3: at me the whole time.
Speaker 1: No, I I excelled in that. I think you'll have
Speaker 1: to roll the tape back and watch. Okay, AnyWho where
Speaker 1: in the heck where we oh, okay, we go back
Speaker 1: to see you? So much happens at CU That's like
Speaker 1: the central, you know, like the little center of the quo.
Speaker 3: Always that quad.
Speaker 1: That's the only set we had. Joe tells Donna that
Speaker 1: he's headed to see his coach to thank him for
Speaker 1: his support.
Speaker 3: So Joey.
Speaker 1: Well lind sighted anyway. Meanwhile, Susan walks into her office
Speaker 1: to find a bouquet of roses given to her by Brandon,
Speaker 1: and then she gives him two framed letters by Woodward
Speaker 1: and Bernstein.
Speaker 3: Anybodys, I know Woodward and Bernstein they did Watergate, but yes,
Speaker 3: and uh, Woodward's daughter is my sorority sister, Tally.
Speaker 1: No, that's not who he's talking anyway. I really love.
Speaker 3: That is that is he's talking at all. But what
Speaker 3: are the letters? Letter? That's why I didn't know, like
Speaker 3: she got Woodward and Bernstein to write letters to Brandon
Speaker 3: or they were like old letters.
Speaker 1: Maybe they were old letters from like when all the
Speaker 1: everything went down and originals.
Speaker 3: Like it's just very strange gift that I don't get. Well,
Speaker 3: I understand why the journalists for a journalist.
Speaker 1: I get that part and liked it. He liked it,
Speaker 1: That's all that matters. It doesn't matter if you didn't
Speaker 1: like it.
Speaker 3: Amy, did we already have the scene where Joe forgot
Speaker 3: his T shirt? And I wondered, did he actually forget
Speaker 3: the T shirt? And Tory AdLib the line or was
Speaker 3: that part of the script because it was a cute
Speaker 3: little line.
Speaker 1: I don't know. I can't answer that.
Speaker 3: Yeah, that was I really enjoyed that little moment. She's like,
Speaker 3: oh your T shirt and like she says a little
Speaker 3: cute thing and makes a cute face.
Speaker 1: Anyway, Anyway, So Susan also receives a book of flowers
Speaker 1: from Jonathan. When I thought Jonathan was off of her
Speaker 1: now ont ginger, Nope.
Speaker 3: It's all a ploy to get her back. I think
Speaker 3: that's why they show up at the a Jama party.
Speaker 1: Okay, so we go to Colon's apartment now where Colon
Speaker 1: frantically looking for his stash and tells Kelly this is
Speaker 1: this is where Okay, it's already off the rails for
Speaker 1: me to begin with, but this is the one where
Speaker 1: I was like what am who is this? But I
Speaker 1: guess this is.
Speaker 3: Where I was so done with this and so done
Speaker 3: with him.
Speaker 1: Like you see her becoming a completely different person and
Speaker 1: just the way she's speaking to him about.
Speaker 3: Him too, Oh my god, he's horrible.
Speaker 1: He calls herself, yes, says, you went through a gram
Speaker 1: all by yourself, and then her money that bought the
Speaker 1: coke and Colon says, it was your daddy's.
Speaker 3: It was so aggressive. They are so unhinged. This is
Speaker 3: super dark, it seems real. It's a total mess.
Speaker 1: She slammed the door on his face. It's very unattractive.
Speaker 1: What's happening.
Speaker 3: Oh, they're a disaster.
Speaker 1: Yeah.
Speaker 3: I don't like it at all. No, I'm so done
Speaker 3: with it. It's so dark. I don't like watching it. Too dark, too.
Speaker 1: Dark, too real. Okay, back at see you. Joe's coach
Speaker 1: doesn't want to just check in on him. He wants
Speaker 1: to tell him that he is replacing his position on
Speaker 1: the football team because of Joe's conditions. So this is
Speaker 1: now he's out.
Speaker 3: Is Joe on scholarship?
Speaker 1: You asked me? Like his mom? I don't know.
Speaker 3: I was like, is this kid on scholarship? And now
Speaker 3: does he lose his scholarship? But seems like he shouldn't.
Speaker 3: I don't know. The whole thing seemed messy. I was like,
Speaker 3: oh no, And then we see him packing ugh.
Speaker 1: And then it gets really a lot darker when Kelly
Speaker 1: goes over to Danny Five's house to score some more
Speaker 1: drugs on her own got rough.
Speaker 3: This turned into like.
Speaker 1: An episode of Intervention.
Speaker 3: This was like euphoria, Like it's so dark. I've never
Speaker 3: seen euphoria, but this is how I picture it me
Speaker 3: either so dark. I tried to watch one episode and
Speaker 3: it was so adult. I was like, I cannot, I'm
Speaker 3: too scared of it. I watch one episode, I'm like,
Speaker 3: I'm out. This is really I can't. And Eric Dane,
Speaker 3: like his character freaked me out. So anyway, I mean
Speaker 3: like it was you're gonna get raped, like I'm just
Speaker 3: gonna say it, and I think that other woman is
Speaker 3: being raped for drugs, like she's yeah, like it's so bad.
Speaker 1: It's so bad. These guys are scumballs.
Speaker 3: It's so bad, Like the whole thing.
Speaker 1: I was like, yikes, I mean, leave it to Colon
Speaker 1: to introduce Kelli to these CD people. But then she
Speaker 1: hate him on her own and goes to see them
Speaker 1: by herself, which is.
Speaker 3: Bananas bananas, and then they are gonna like they it's
Speaker 3: just so bad. I'm like, it's so bad.
Speaker 1: Also, she snorts some pharmaceutical thing like he's like like,
Speaker 1: you can't trust this guy to give you all.
Speaker 3: This is in the days before fentanyl, because everybody would
Speaker 3: be dead. Everybody just dead. It's super dark. It's way
Speaker 3: too dark almost for even nine o two and zero agree,
Speaker 3: like they're doing it very real, which is why I'm like,
Speaker 3: I don't even think I want to watch that.
Speaker 1: Yeah, I'm glad they did it real, only because that
Speaker 1: made the stakes higher and it, you know, felt legit.
Speaker 3: Yeah, it's very well done.
Speaker 1: Like I liked that it was real acting it because
Speaker 1: that's the only way you could do something like that
Speaker 1: is to do it real.
Speaker 3: But yeah, right, I don't want to make it cartoony,
Speaker 3: and they definitely didn't.
Speaker 1: Mm hmm. It's I wonder how our listeners tell us.
Speaker 1: Do you guys feel like this is too dark? Are
Speaker 1: you done with the storyline?
Speaker 2: You know?
Speaker 3: I think the reason one of the things is like
Speaker 3: when we started talking about it and we sort of
Speaker 3: didn't love the storyline, and I don't want to say
Speaker 3: we mocked the storyline, but a little bit we did,
Speaker 3: and people listening were like disagreed with us because they
Speaker 3: know and they knew how dark it gets, and they
Speaker 3: were right, like it it is a well done storyline
Speaker 3: mm hmm, in that they didn't sugarcoat it, but it's
Speaker 3: so disturbing.
Speaker 1: Yeah, on the theme page, as you amy, but she
Speaker 1: hits the guy in the head with the wine bottle, makes.
Speaker 3: That's the other guy. It's like so weird, like she
Speaker 3: was making out with the one guy and then he
Speaker 3: goes back in the bedroom with the other drug addict
Speaker 3: and then this second guy comes out.
Speaker 1: Ewroty, scroty. But she gets out. Everybody, don't be too
Speaker 1: scared because she does get out. Yeah, okay, So then
Speaker 1: we go to the pepad, where Valerie explains to her
Speaker 1: friend group that she introduced Ginger to Jonathan to get
Speaker 1: him out of Susan's hair. Hold up, who's Valerie's friend group? Who?
Speaker 1: What is that consists of who was there?
Speaker 3: You guys, not you right now, but the gang.
Speaker 1: Huh Okay. Jonathan starts kissing Ginger in front of everyone
Speaker 1: to make Susan jealous, and Brandon seems to think it's working,
Speaker 1: but it's not.
Speaker 3: Yeah, that's the whole thing, but then this sort of
Speaker 3: got confusing. I'm not gonna lie because I was so
Speaker 3: distracted by Steve and Claire at the same time, and
Speaker 3: I remember Valerie taking Ginger kind of like to a
Speaker 3: back room or something, and then it's just like then
Speaker 3: there's a dance, and then Elisa slash Ginger hurts her
Speaker 3: foot and was that fake? I think it's so she
Speaker 3: had to step out so Susan could step in.
Speaker 1: This was my favorite part of the episode when we
Speaker 1: went to Joe's dorm room and there was that super
Speaker 1: cool shot from above that like spiraled down on him
Speaker 1: as he's laying on the bed, like so bummed out.
Speaker 3: That's Brandon Slash Jason directing this.
Speaker 1: I did not know that Jason dressed to this episode
Speaker 1: until I read that to you just a few minutes ago. Yeah,
Speaker 1: and now knowing that, I'm like, kudos to that creative shot.
Speaker 1: And I was wondering, Like as I was watching it,
Speaker 1: I was wondering. I wasn't wondering who did that, who
Speaker 1: directed that, but I was wondering, how did they do that?
Speaker 3: Good director, he still directs a ton of stuff today.
Speaker 1: They had to have had that camera like on a
Speaker 1: like a inside crane whatever that's called. We called a
Speaker 1: jib a little jib and then rotated. But jibs were
Speaker 1: in ninety six. We're jib's out.
Speaker 3: I don't know, but I remember when we started to
Speaker 3: get jib cameras for iHeart stuff, and I think the
Speaker 3: jib was kind of expensive.
Speaker 1: Duper that was like a big thing to take out
Speaker 1: of the budget for us.
Speaker 3: He's a jib.
Speaker 1: But also the cameras back then weren't just like digital cameras.
Speaker 1: They had that giant those giants. They were huge film
Speaker 1: on like that big thing, you know, like in.
Speaker 3: The olden days, the days of yore.
Speaker 1: What did that fall on, Joe? I was so worried.
Speaker 3: Yeah, this was directed really well. A lot happening. He's
Speaker 3: all over the place, like directing in car scenes.
Speaker 1: And we can go back to the ppad now and
Speaker 1: talk to about the how it was was very confusing.
Speaker 1: Why did she hurt her ankle?
Speaker 3: I think it was on purpose so that Susan would
Speaker 3: have to step in. Is this where the smackeroo comes?
Speaker 1: Yeah, he goes Then after that he goes over and
Speaker 1: asks her to dance, and she says no, but then
Speaker 1: he grabs her and she reacts by punching it and
Speaker 1: clocking him in the nose.
Speaker 3: I mean, bizarre. I'm not gonna lie, it's like weird
Speaker 3: whole thing.
Speaker 1: I kind of liked it that she punched him though,
Speaker 1: but that was aggressive, like you think he wanted a
Speaker 1: punch a punch in the face right, Like, really, have
Speaker 1: you ever punched anybody in the face?
Speaker 3: I'm asking.
Speaker 1: I think your answer is no, so.
Speaker 3: Violent thing is I maybe like push someone a little
Speaker 3: bit and like my brother's I kind of like that,
Speaker 3: But I don't punch. First of all, that would hurt
Speaker 3: my hand so bad. I would never punch anybody.
Speaker 1: I don't think I've ever punched anybody. And oh maybe
Speaker 1: I had. This was early. This was very I had
Speaker 1: to have a fight on the playground once and I
Speaker 1: got but.
Speaker 3: We were little. Oh and you you blows fist punch.
Speaker 1: I did whatever it took to get that girl off me.
Speaker 3: Oh my gosh, whoa.
Speaker 1: Oh yeah, I got in trouble. We both got in trouble.
Speaker 3: Yeah, but then you can say she started it as
Speaker 3: kids do.
Speaker 1: I remember I was wearing high heels that day too.
Speaker 3: Which was how old were you wearing high heels?
Speaker 1: Oh? I thought I was something I was. That would
Speaker 1: have been seventh grade. I thought I was Madonna and
Speaker 1: I would go to school, no wonder if she wanted
Speaker 1: to fight me. Looking back, Uh, yeah, I would wear
Speaker 1: high heels and like the whole get up that Madonna
Speaker 1: would wear, like lacy stuff to school. High heels like
Speaker 1: three inch pumps high.
Speaker 3: Like lacy skirts, all those layered lacy skirts that Madonna wore.
Speaker 3: Did you like half a glove?
Speaker 1: Yeah? And the bow and the hair no goofy hair?
Speaker 3: Many chance we have?
Speaker 2: What was that?
Speaker 1: Oh? I could find it? Probably?
Speaker 3: Yeah, we need that. I didn't never do like. I
Speaker 3: never did that. I just wore regular like. I never
Speaker 3: did that. I was always just like we wore like
Speaker 3: box or shorts basically, and T shirts and backpacks like
Speaker 3: we were just like I was preppy. I think too.
Speaker 1: Well, here's the thing. I had moved from the Midwest
Speaker 1: to Arizona, and I guess I was trying to fit
Speaker 1: in or I was trying to be something I don't know.
Speaker 3: Wow.
Speaker 1: That girl did not care for it, though, And she
Speaker 1: she tried to take you down. Yeah, she needed to
Speaker 1: knock me down a little.
Speaker 3: I think it.
Speaker 1: I think it was probably necessary. Looking back, I'm going
Speaker 1: to thank.
Speaker 3: Her for that. I'm a lover, not a fighter. I'm
Speaker 3: not a I'm not a yeller.
Speaker 1: I don't like fighting either. I used to like it
Speaker 1: more when I was more real active. I think we're
Speaker 1: old anymore. Yeah, I'm like, everybody, just keep your voice down.
Speaker 3: Oh my gosh, my like over stimulation. If there's too
Speaker 3: much noise and too much coming at me, I'm like the.
Speaker 1: One raises their voice and I'm like, Okay, you don't
Speaker 1: need to do that.
Speaker 3: I just cover my ears. I'm like, I can't. I
Speaker 3: can't have a lot of noises. I can't have a
Speaker 3: lot of light. I can't have any of it.
Speaker 1: Oh my god, we need to just go living.
Speaker 3: We talk about the pajama party that was kind of
Speaker 3: very sexy, like there were laterally literally literally ladies in
Speaker 3: white nighteties on a pole.
Speaker 1: Well that was the whole like scene of the party was.
Speaker 3: I see.
Speaker 1: I don't know why they would have like a don't
Speaker 1: have sex party and then have everybody dress sexy. You're right,
Speaker 1: that doesn't make any sense.
Speaker 3: I know. I'm Claire with her like sexy outfit just
Speaker 3: trying to strip tease Steve kind of like it.
Speaker 1: Was so like what Yeah, there was a lot of.
Speaker 3: Booby what Booby's yeah, and like his then he puts
Speaker 3: the sleep mask on to cover his eyes. I don't
Speaker 3: know the whole I was just like, what's happening? We're
Speaker 3: having that while simultaneously like you are in a dire situation. Right,
Speaker 3: I'm like, this is very what's a word for that?
Speaker 3: Juxtaposed yes, and it's it's emotionally hard on the viewer.
Speaker 3: You were to go back and forth from so I'm
Speaker 3: sort of so worried about the like rape, and then
Speaker 3: I'm like supposed to be enjoying this pajama party. I'm
Speaker 3: like no, and like Joe just gets glossed over. Oh
Speaker 3: my god. And then simultaneously Valerie asks David to sleep
Speaker 3: with Ginger. It was so insane.
Speaker 1: That was genius to me.
Speaker 3: That was bonkers. Bonker.
Speaker 1: She said to it, just sleep on it. Let mean,
Speaker 1: he says he's going to sleep on it, and she's like, no,
Speaker 1: I need to know right now?
Speaker 3: Was I mean?
Speaker 1: Okay, so fifty k is on the table. Would you
Speaker 1: ask your boyfriend to sleep with somebody else so that
Speaker 1: you didn't have to pay them fifty k?
Speaker 3: Fifty k?
Speaker 1: I mean you're really thinking about this.
Speaker 3: I just the whole thing. First of all, here's what
Speaker 3: I do know.
Speaker 1: Wait, wait, you did not answer the question.
Speaker 3: Because I just didn't, like, I mean, if I don't know, like,
Speaker 3: because what's the the okay, so the fifty k? The
Speaker 3: other option is she outs her so I've always said, along,
Speaker 3: just let her out.
Speaker 1: You But what if that what if that's not an option,
Speaker 1: because that clearly is not an option for val but.
Speaker 3: It should be so now. But if you said, okay,
Speaker 3: you have to let your your boyfriend sleep with somebody
Speaker 3: or you're gonna die, Okay, like I'm gonna get murdered, Okay, fine,
Speaker 3: do it. Like it's all like, what's the other side
Speaker 3: of the thing. But if the other side of it
Speaker 3: is just like, oh no, I'm going to tell some
Speaker 3: of your friends, like you we were a two timing Canniver.
Speaker 3: They all already know that.
Speaker 1: Why would they all know that go to this extent,
Speaker 1: It does not make sense.
Speaker 3: Now. What I do know that I agree with is
Speaker 3: David Yes, the fact that he dumps her.
Speaker 1: I was like, yeah, I thought that was so good too,
Speaker 1: that he has the strength to be like, no, I
Speaker 1: don't want to be with somebody that will and he says.
Speaker 3: I went over there, I told her it wasn't happening.
Speaker 3: She's gone. I took care of this because I'm in
Speaker 3: love with you and now we're done.
Speaker 1: And I was like, yeah, that was good. That was
Speaker 1: like a week.
Speaker 3: That was that was pretty legit.
Speaker 1: You forgot the part where Kelly has gotten out of
Speaker 1: the house and she's in her car, like yeah, having
Speaker 1: a full on freak out, and Brandon somehow finds her.
Speaker 1: How does he find her?
Speaker 3: I think she called him from her car phone. Think
Speaker 3: he got a call that's also real. She's like in shock,
Speaker 3: like it was. That was all very good, and then
Speaker 3: they take her to the hospital.
Speaker 1: Yeah, I thought that scene was scary. And then we
Speaker 1: see that Donna has gone to check in on Joe
Speaker 1: and she finds him feverishly packing because he's gonna leave
Speaker 1: school because he's been kicked off the team.
Speaker 3: I mean, and she's kind of like, calm down, let's
Speaker 3: figure this out. Lots of major things happening in this episode,
Speaker 3: Like we've got the whole David breakup and all that
Speaker 3: indecent proposal drama. We've got Joe in that situation, and
Speaker 3: then your whole storyline is like crazy.
Speaker 1: And then you have Steve in his being Stadia.
Speaker 3: And then we're supposed to go from you being like
Speaker 3: literally in the car in shock, just escaped, Brandon coming
Speaker 3: to save you full drama, to like I forwarded at
Speaker 3: thirty seconds. I took it back thirty seconds. Oh it's
Speaker 3: two hours later. It's I was just like, what does
Speaker 3: that work?
Speaker 1: Though? Like is that what people want to watch? Like
Speaker 1: that kind of like there's so much going on.
Speaker 3: Maybe. I mean, I'm going to give the episode a
Speaker 3: very high ratings, so maybe. But it was just kind
Speaker 3: of like whiplash, Like, Okay, now I'm back on the
Speaker 3: Steve thing and he's trying to wait thirty seconds till
Speaker 3: the clock strikes whatever. And then she's like, I moved
Speaker 3: it forward and he's like I moved it back. Whatever
Speaker 3: they did? Yeah what? Okay?
Speaker 1: Yeah?
Speaker 3: And I also don't buy them as a couple, so
Speaker 3: I'm pretty much ready for them to be done.
Speaker 1: Yeah, they have fun together though.
Speaker 3: Yeah.
Speaker 1: But and then we see David break up with Valerie.
Speaker 1: That was great for him, and then he gives her
Speaker 1: back her Venice Beach bracelet that she bought him. Oh yeah,
Speaker 1: and then we see the in the hospital room where
Speaker 1: Jackie and Brandon are with Kelly.
Speaker 3: And she says, I still love you, bum bum. He
Speaker 3: doesn't say it back, but he doesn't leave no, because
Speaker 3: he felt it, and he goes so far as to
Speaker 3: stroke her head. Susan's days seemed numbered or nine episodes.
Speaker 1: But do you think that Brandon's gonna want to be
Speaker 1: with Kelly now and she's gone down this dark road?
Speaker 3: I do?
Speaker 1: Oh, okay, because he does. Oh that was an emotional ending.
Speaker 3: Yeah, the whole episode is intense.
Speaker 1: What do you give it? What do you give it? Oh?
Speaker 3: Ten, it's a ten. It's so it's so dark, it's
Speaker 3: so crazy, there's so much happening. It's a total ten.
Speaker 3: Look at your pretty nails.
Speaker 1: Why are my fingertips pink only? What's happening? Do you
Speaker 1: see my hands?
Speaker 3: Yeah? But those are just the tops everyone has red
Speaker 3: on the sort of the pinky tops. You don't, Yeah,
Speaker 3: I do, of course I do. It's just the lighting.
Speaker 3: You have more light.
Speaker 1: We give it a ten.
Speaker 3: Ten, Yeah, it's a it's a really well like dare
Speaker 3: I say, Emmy Award winning performance by you?
Speaker 1: Oh god? That would be uh something never heard before
Speaker 1: on our show. Like what it is?
Speaker 3: It's intense.
Speaker 1: I feel like it's intense to this episode.
Speaker 3: In your performance, it was a lot.
Speaker 1: I remember having a really hard time shutting off after
Speaker 1: doing scenes like that and just shaking that off. That
Speaker 1: was hard.
Speaker 3: Yeah, And it's like you're kissing this guy and then.
Speaker 1: Oh, just awf, it's so awful bad, it's bad. She
Speaker 1: definitely hit rock bottom though.
Speaker 3: Yeah, it's a good episode. And and I'm so done
Speaker 3: with Colin. He's atrocious. Oh he's terrible, really terrible. I
Speaker 3: mean you were terrible too, but like, get let's get
Speaker 3: rid of him.
Speaker 1: He's the reason that Kelly was terrible though, like totally,
Speaker 1: and he needs to go. Well, maybe you go. Our
Speaker 1: next episode is season six, episode twenty two. All this
Speaker 1: and Mary too, Huh, you.
Speaker 3: Have no idea how that? I think you're heading to rehub.
Speaker 3: Who's Mary? I remember? But I think you're heading to
Speaker 3: Oh is a Christmas note? What time of year is
Speaker 3: it after Valentine's Oh it's Valentine's say, that's right, who's Mary?
Speaker 1: Is Mary NAT's girlfriend?
Speaker 3: Oh? That is coming back soon and rehabs coming So yeah,
Speaker 3: it's all happened.
Speaker 1: Who knows, We will find out, you guys. That's the
Speaker 1: beauty of the show, not knowing what's coming next, except
Speaker 1: Damie knows.
Speaker 3: Yeah. Wait, we still got a little time before the
Speaker 3: show fully jumps the shark. I think we've got the
Speaker 3: rest of this and part of next season and then
Speaker 3: it's real bad. I can't wait eight, nine, and ten
Speaker 3: or oh yeah, it's gonna be good.
Speaker 1: It's gonna be good. Okay, that's it for this episode.
Speaker 1: Thanks everybody for watching. We hope you loved it as
Speaker 1: much as we do, and we will see you next
Speaker 1: week watching the TV show, Thanks for watching the podcast,
Speaker 1: just kidding watching Yeah bye,