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Speaker 1: It's nine OGENG with Jenny Garth and Tory Spelling.

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Speaker 2: Oh you guys, we're here with the episode of nine

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Speaker 2: O two one MG, and Amy's here with me today.

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Speaker 3: This was a scary episode, Like you were scared by

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Speaker 3: this episode, disturb scared, Like it was emotional. It was

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Speaker 3: like it was dark. You're really dark. Yes, that's the

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Speaker 3: word dark. It's dark.

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Speaker 1: Yeah. I don't know what's going on with Mike Kelly.

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Speaker 3: Oh. I think she's finally gonna get the help she needs.

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Speaker 3: Do you think I'm hoping?

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Speaker 1: I hope so too. We're not jumping to the end though, Amy,

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Speaker 1: I know you want to so bad.

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Speaker 3: I want it so bad because of something with Brandon,

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Speaker 3: but I will not talk about your downfall.

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Speaker 1: Yes, this is this episode's good though. It's got a

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Speaker 1: lot of like other parts going on.

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Speaker 3: Yeah, finally they're using Elisa Donovan. Better was better.

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Speaker 1: You know how much we love our ginger La Monica

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Speaker 1: we love so much now just so that makes me happy.

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Speaker 1: You know, she's so grow nasty.

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Speaker 3: She's great. She would have had a good Valerie. Yeah,

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Speaker 3: and she's auditioned for Valerie.

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Speaker 1: She is so pretty.

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Speaker 3: Yeah, I think she auditioned for Valerie. Actually, I feel

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Speaker 3: like maybe they should have gone with her because of

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Speaker 3: the red hair as opposed to like this is not

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Speaker 3: don't write me among your emails like I don't love Tiffany,

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Speaker 3: I do.

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Speaker 1: You just want diversity in color, something just.

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Speaker 3: Well, something so different from Brenda. I think for me

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Speaker 3: it's always was challenging because Tiffany sort of looked brown hair.

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Speaker 3: You know, I don't know. Maybe I would like.

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Speaker 1: The extent of it, the hair that's it. But oh no,

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Speaker 1: I think she is great on the show too, Lisa

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Speaker 1: Donovan as she kills it and then anything.

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Speaker 3: She does, so yeah, yeah, she's great. We're gonna see

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Speaker 3: her soon. She's kind of come do the show again

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Speaker 3: in a couple few weeks in person. They're gonna come

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Speaker 3: see you guys.

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Speaker 1: Oh my gosh.

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Speaker 3: I love that your drug habit has really gone bad.

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Speaker 3: And actually I have a lot to talk about about

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Speaker 3: David and Valerie. So I feel like this is going

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Speaker 3: to be good conversation.

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Speaker 1: This be jam packed, you guys. You don't want to

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Speaker 1: miss it.

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Speaker 3: iHeart Podcasts Listen on the iHeartRadio app.

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Speaker 1: Okay, this is It? Season six, episode twenty one, Bleeding

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Speaker 1: Hearts aired februaryteenth. It aired on Valentine's Day. You guys

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Speaker 1: in nineteen ninety six.

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Speaker 3: This was the Valentine's Day episode. It's so dark for

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Speaker 3: Valentine's They sort of buried that a little bit, but

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Speaker 3: it was there. But now we had the poem and

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Speaker 3: the roses. But still it's so dramatic.

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Speaker 1: Will you give us a synopsis?

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Speaker 3: Amy?

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Speaker 1: Do you want?

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Speaker 3: Sure? My Great Pleasure roses are red, but Ginger is

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Speaker 3: green with envy as she tries to hit Valerie where

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Speaker 3: it hurts. And speaking of hitting, Jonathan Casten gets a

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Speaker 3: fistful of Susan Keats at the peach pit after dark,

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Speaker 3: plus Steve makes a painful pledge, Joe gets a kick

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Speaker 3: in the stomach, and Kelly hick and Kelly hits rock

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Speaker 3: bottom until Brandon Bales are out. I'm not laughing at

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Speaker 3: the drama. I'm laughing at how well that's written.

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Speaker 1: Directed by Jason Priestley, written by Larry Mullen and Meredithstein. Hey,

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Speaker 1: I didn't even recognize that this was a Jason priest

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Speaker 1: I know he's changed his style.

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Speaker 3: It's almost like he's more broody of a director now,

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Speaker 3: less like Zyne and more like gritty.

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Speaker 1: I like it.

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Speaker 3: I mean that wasn't I don't That was a gnarly

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Speaker 3: scene at the drug den as I call it.

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Speaker 1: We're not there yet, so sorry. Okay, okay, would you

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Speaker 1: want me to give you a little trivia? There's something

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Speaker 1: exciting worse, it's interesting, you know. Okay, actor Gordon Curry

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Speaker 1: played Do you remember this actor who's playing Danny five

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Speaker 1: in this episode? He was in the show already. Do

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Speaker 1: you remember what character he used to be?

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Speaker 3: No? Come on, I love trivia like this. Who was he?

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Speaker 1: I really think you can get this.

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Speaker 3: Oh wait, let me look at this face.

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Speaker 1: Look and Brenda's cousin.

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Speaker 3: What's his name again? Gordon what Curry?

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Speaker 2: No?

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Speaker 3: Way?

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Speaker 1: He played?

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Speaker 3: Oh yeah, oh my god, Bobby. I can't remember, but yeah, Bobby,

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Speaker 3: he's one of the drug dudes.

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Speaker 1: But he was Bobby that he was their cousin that

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Speaker 1: was in the wheelchair, remember, Yes, like Kelly?

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Speaker 3: Yes?

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Speaker 1: Whoa They hired him again for a completely different role.

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Speaker 3: Which shows do do that a lot? They do do

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Speaker 3: that like on Kilmore Girls. You see that all the

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Speaker 3: time too.

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Speaker 1: Yes, okay, that's all I have to say about that.

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Speaker 3: Good Triga trivia, Very good Eagle Eze McGee.

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Speaker 1: Well, you know, let's start at the top. You guys, Okay, this.

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Speaker 3: Is buying the drugs. Let's start with you guys buy drugs.

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Speaker 1: Colin and Kelly are rung out and looking for drugs,

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Speaker 1: and Colin tells her my favorite weatherman says there is

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Speaker 1: going to be snow in West Hollywood.

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Speaker 3: First of all, that made me want to just borrow.

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Speaker 3: It was so like, really, we're doing drug comedy.

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Speaker 1: Oh god. And Kelly says that she needs to go

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Speaker 1: see her mom at the peach Pit, but Colin says

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Speaker 1: that they have to go meet the drug dealer, Danny five,

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Speaker 1: or they won't have anything the whole weekend. That is

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Speaker 1: enough for her to cancel her plans.

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Speaker 3: Little did she know there was sort of a semi

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Speaker 3: intervention getting prepared for her at the peach Pit, right,

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Speaker 3: but it.

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Speaker 1: Was only Brandon, David and Mom.

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Speaker 3: Yeah, but that was I think the intervention. Yeah, but

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Speaker 3: I would have liked you show up for it. And

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Speaker 3: then you know, I thought, Matt, It's like, Matt is

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Speaker 3: close with you all, so he knows you're on drugs.

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Speaker 3: He was a little bit too. Kelly called, and She's

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Speaker 3: not gonna make it like that you dude.

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Speaker 1: When I saw nat though, Remember, wasn't there a storyline

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Speaker 1: about his girlfriend coming to town?

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Speaker 3: Coming back?

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Speaker 1: Then they completely dropped it and never talked about it.

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Speaker 3: They dropped it for now, but it does come back. Okay, good, Yeah,

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Speaker 3: not to fret.

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Speaker 1: Okay, So Kelly ditches the intervention, great, I.

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Speaker 3: Have an interjection. What I said, Fratt? You know what

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Speaker 3: word I use all the time now because of you? No,

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Speaker 3: but people are loving that. The people are loving colon. Yes,

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Speaker 3: oh yeah, they're starting to write it. So when they

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Speaker 3: write to us about him, they spell it c l

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Speaker 3: O and no A scoach? Is that how you say it? Scoche?

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Speaker 1: A scoche? You? You know what's so crazy that you're

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Speaker 1: saying this. I learned that word on the set of

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Speaker 1: Beverly Hills nine O, two and O.

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Speaker 3: I never used that word, like, it's just not my vernacular.

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Speaker 3: But ever since you used it, like a few weeks ago,

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Speaker 3: you said like, oh, move that over a scosh, And

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Speaker 3: now anytime I have to move anything, I'm always like, oh,

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Speaker 3: just move that over a scooch.

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Speaker 1: It was like a little bit, wait, how.

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Speaker 3: Did you learn that word? On Nanotana?

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Speaker 1: That's not a very long story our camera are. He

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Speaker 1: was our cameraman and then he became our our director

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Speaker 1: of photography. His name was Steve, and I loved him

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Speaker 1: so much. We were very close. We were also close

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Speaker 1: with him and he would say it all the time,

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Speaker 1: like move over a little scosh. Yeah, that's where I

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Speaker 1: got it.

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Speaker 3: Just want to spell scosh s ceo sh scooch. I'm

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Speaker 3: gonna have to look that up. Everybody should try. Okay,

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Speaker 3: everyone listening, try to somehow use the word scos today

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Speaker 3: and you'll get a little giggle when you do it,

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Speaker 3: because you'll think you'll think of Kelly, Jenny.

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Speaker 2: Oh.

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Speaker 1: No, s ceo s h is.

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Speaker 3: A variant smelling of the word scosh sko s h.

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Speaker 3: It is a slang term. I wouldn't call it slang,

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Speaker 3: but I guess it is. That means a small amount

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Speaker 3: or a bit, just like you said. Anyway, For some reason,

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Speaker 3: when I said fret, it just made me giggle because

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Speaker 3: I used skosh so much. Where were we.

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Speaker 1: We were at the peach pit where Kelly does not

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Speaker 1: show up and Valerie tells Susan Valerie Cozy's on up

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Speaker 1: next to Susan get into her business, yeah, and that

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Speaker 1: she's going to help Jonathan. She's gonna help get Jonathan

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Speaker 1: off her back by hooking up with her friend, by

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Speaker 1: hooking him up with her friend Ginger.

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Speaker 3: All, let's just talk about it. It's such a weird

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Speaker 3: like spider Web, right, because Valerie's got the problem with Ginger,

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Speaker 3: because Ginger's trying to blackmail her for fifty thousand dollars,

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Speaker 3: which is an insane amount of money, by the way,

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Speaker 3: Like it's just me and they talk about it like

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Speaker 3: it's nothing, but like fifty cares. First of all, that

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Speaker 3: would be like today, like a quarter of a million dollars.

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Speaker 3: So she's asking her for a quarter of a million

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Speaker 3: dollars like it's full bananas. I would just be like,

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Speaker 3: just doubt me. I don't okay, like just out me.

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Speaker 3: I don't care. These people kind of hate me anyway,

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Speaker 3: like do you know what I mean? Like I don't

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Speaker 3: like her, and she probably could have kept David. But anyway,

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Speaker 3: well that's a whole topic. But so anyway, suddenly she's like,

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Speaker 3: light bulb, Okay, I'm gonna take my friend and hook

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Speaker 3: him up with this random guy that used to date

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Speaker 3: this other girl. I don't really know. That's kind of

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Speaker 3: causing a problem for my roomy, Like it's just like,

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Speaker 3: oh my, how did she.

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Speaker 1: Know all about that Jonathan business?

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Speaker 3: Like I guess she's they're all in the weeds on everything,

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Speaker 3: but maybe soon.

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Speaker 4: And then okay, and then the fact that Susan's like, yeah, yeah,

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Speaker 4: good idea, what Susan, what just tell Jonathan to hit

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Speaker 4: the road that like you are in love with someone else?

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Speaker 3: You're sorry, Like really you have to do like a

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Speaker 3: like set him up to It's just what but okay,

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Speaker 3: are you also a.

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Speaker 1: Little taken aback by by Jackie's like nonchalant like, oh,

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Speaker 1: I wish I would have known earlier about my daughter's

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Speaker 1: drug addiction, like yep, and that she's like she's been there,

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Speaker 1: she knows the no.

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Speaker 3: It's like, this is dire. This is a dire situation.

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Speaker 3: Your daughter's gonna die, and you're so sort of just

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Speaker 3: like eating a mega burger, not worried about it that

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Speaker 3: much and saying I can't separate her from Colon. It's like,

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Speaker 3: of course you can separate her from Colon. He's the problem.

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Speaker 1: Yeah, but that's hard to do.

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Speaker 3: I'm no expert, but I don't know that she's doing

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Speaker 3: her best as a mom on that one.

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Speaker 1: I've watched intervention. It's very hard to take to separate

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Speaker 1: two people who are in the dark place too.

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Speaker 3: Well, then maybe she's right. I'm also there's a lot

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Speaker 3: of comments on Susan's wardrobe. People are not fans really

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Speaker 3: last week especially, I think maybe two weeks ago they

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Speaker 3: felt she was not. She dresses very old, but so

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Speaker 3: does Ginger lah Monica in the purple suit, which we'll

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Speaker 3: get to.

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Speaker 1: Maybe they just Andrea's leftovers.

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Speaker 3: Literally, Yeah, it's kind of that vibe.

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Speaker 1: You guys. We go to the drug Dealer's house where

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Speaker 1: Kelly is introduced to the shady drug dealer Danny five

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Speaker 1: aka and from season two.

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Speaker 3: It's so insane. They have way too nice of the

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Speaker 3: exterior of a house, but then it's real like cracky

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Speaker 3: on the inside.

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Speaker 1: Is it like, was the exterior like a bungalow, like

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Speaker 1: California bungalow, kind of like Dylan's Extra Yep.

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Speaker 3: Yep, And I think they sometimes, you know what, it

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Speaker 3: reminded me of the Grand Californian Hotel.

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Speaker 1: It's craftsman style and that's the word.

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Speaker 3: Yeah. Anyway, it's way too nice of the house.

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Speaker 1: But whatever, Well, I think that it was really conveniently

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Speaker 1: located just down the street from the extra of the

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Speaker 1: Walsh House.

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Speaker 3: So there you have it. That's what I assume as well. Gross.

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Speaker 3: They're gross. The drug dealers are gross. They're so sketchy.

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Speaker 1: Like when I was watching, I was like, I feel

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Speaker 1: like I know this guy. I thought I knew him

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Speaker 1: in real life, which I did. Yeah, I now I

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Speaker 1: know that's because he was a different character. He worked

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Speaker 1: with him multiple times. M It's interesting.

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Speaker 3: He kind of was charming at first, like for a

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Speaker 3: drug dealer, Like he was so like, hey, guys out

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Speaker 3: on the curb, like, come and see me anytime. Don't

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Speaker 3: spread my number around unless it's likely good.

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Speaker 1: It was just like, okay, a drug dealer guy, Like

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Speaker 1: I didn't know what to do with him. He was

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Speaker 1: a lot and I didn't know. I felt like Kelly

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Speaker 1: knew him too, Like so hard.

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Speaker 3: Are you you Brandon's cousin?

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Speaker 1: I've seen you before. That'd be so funny. Okay, California University,

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Speaker 1: where Donna is talking to a crowd of students about

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Speaker 1: a twenty four hour pledge of celibacy to bring awareness

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Speaker 1: to see an abstinence. I was not not about this

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Speaker 1: kind of cool, and I just I love Joe. He's

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Speaker 1: so darling. Oh my god, if you talk about him,

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Speaker 1: if you love Joe anymore, I'm not gonna be able

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Speaker 1: to say it.

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Speaker 3: I do. I loved him then and I love him now.

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Speaker 3: I literally had such a huge crush on him that

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Speaker 3: it's just like right back. When I watch these, I'm like, God,

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Speaker 3: he's so cute. She really should have appreciated him more.

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Speaker 1: He's got a pretty face, yes.

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Speaker 3: And he's so tall and cute. He's gonna feel bad

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Speaker 3: for him. He's kicked off the team. This was a

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Speaker 3: This was sort of a dramatic Joe episode, underplayed by

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Speaker 3: all the other drama happening.

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Speaker 1: Well, this whole twenty four hour pledge to not have

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Speaker 1: sex I didn't like. I was like, are you serious?

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Speaker 1: These horn dogs can't not have sex for twenty.

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Speaker 3: Day for one day? I know that's a little I agree,

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Speaker 3: and Steve, oh.

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Speaker 1: Gosh, yeah. Claire takes it upon herself to challenge Steve

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Speaker 1: to not complete his twenty four hour pledge, which is

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Speaker 1: kind of dirty scoundrel of her.

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Speaker 3: I just can't wait to talk about the tucks with

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Speaker 3: no jacket, with the bow tie.

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Speaker 1: It's just like, Wow, it's okay. We go to we

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Speaker 1: have some interesting locations in this episode. We go to

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Speaker 1: an outdoor cafe where Valerie has set up a blind

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Speaker 1: date between Ginger and Jonathan. She goes up to John

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Speaker 1: tells him that she's easy, Like.

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Speaker 3: What, well that made me? Uh like, it was so

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Speaker 3: like and first of all, I don't even think Jonathan

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Speaker 3: would like that.

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Speaker 1: Yeah, is that what he's looking for?

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Speaker 3: It's not he's he's not looking for that, like, and

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Speaker 3: Elisa Donovan looked amazing. Although the suit I was like,

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Speaker 3: are you twenty one going on forty? Like yeah, like

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Speaker 3: they're trying to do Amanda Woodward you know Heather Locklay

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Speaker 3: and Melrose how she really rocked those suits or maybe

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Speaker 3: that was when she was an Ally McBeal. I think both,

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Speaker 3: but anyway, was Klyst was have I Locklayer and Alley

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Speaker 3: McBeal or did I just make that up?

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Speaker 1: He just made that up? Oh my god, but I'm

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Speaker 1: here for it. I'd watch that my brain.

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Speaker 3: It's because kylistif Walckhart wore those little suits too, So okay,

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Speaker 3: it was Amanda woodwardy she did wear those cute suits,

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Speaker 3: but it was too old for Ginger it's like Ginger

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Speaker 3: is gonna wear cute jeans with like a cute top.

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Speaker 1: Well, but Ginger was in town for business.

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Speaker 3: You know, I guess she really was indecent proposal. But anyway,

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Speaker 3: I sort of thought they were going to hit it off,

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Speaker 3: and they did, and it was okay, fine, very bizarre

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Speaker 3: because also, why is Jonathan so tight with Valerie. It's

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Speaker 3: like barely knows her. Yeah, very convenient.

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Speaker 1: We go with Akassa welsh Ware. We see Steve being tempted,

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Speaker 1: the beginnings of c being tempted.

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Speaker 3: By right because Claire is such as Seductor's oh my god,

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Speaker 3: I can't when I'm sorry, I have to say it now.

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Speaker 3: When we get to the sexy dance, oh god, almost

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Speaker 3: had to cover my eyes. Okay, sorry, just don't let

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Speaker 3: me forget. Don't let me.

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Speaker 1: This is where we find out that Randon also can't

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Speaker 1: not have sex for twenty four hours, so he's disappointed

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Speaker 1: to find out that Susan took the oath as well.

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Speaker 3: They were cuter about it though, that bothered me less.

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Speaker 3: They seemed more like, he's all, but it's not Runner,

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Speaker 3: It's kind of cute. It was less sort of bizarre.

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Speaker 1: Yeah, but at the same time, I was like, ewk right,

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Speaker 1: it's just one night. I don't want to know all

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Speaker 1: these people are having doing that all the time.

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Speaker 3: That didn't bother me as much as the the no

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Speaker 3: sex party with the pole dancers.

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Speaker 1: But okay, okay, we go to Colin's apartment. I'm sorry,

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Speaker 1: let me let me correct that. We go to Colon's

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Speaker 1: apartment where Kelly and Colon are hanging out with the

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Speaker 1: drug addicts. Oh, with some rando.

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Speaker 3: Drug astics or some random drug addicts.

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Speaker 4: Yeah.

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Speaker 1: Donna comes over to try to help Kelly and tells

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Speaker 1: her she'll always be there for her.

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Speaker 3: So they love each other.

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Speaker 1: She's flying so high, and then Donna knocks at the

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Speaker 1: door and then some stories away reels it in and

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Speaker 1: she's not she can handle like having a visit without

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Speaker 1: being so messed up, I guess.

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Speaker 3: And then the random drug friends and Colin ran out,

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Speaker 3: ran out to the porch. He's like, we'll be on

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Speaker 3: the deck or whatever. I didn't even know he had

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Speaker 3: a deck.

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Speaker 1: Yeah, he had like a balcony and it's loft. I

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Speaker 1: hate him, and that that scene made me so sad,

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Speaker 1: though Kelly and Donna basically saying goodbye to one another

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Speaker 1: essentially be sad.

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Speaker 3: It was. It's really like kind of real now, Like

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Speaker 3: you know, I always like this is so sort of

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Speaker 3: a dumb storyline. This is where it gets so real,

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Speaker 3: Like you really do seem like you're spiraling bad.

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Speaker 1: Yeah, like all of a sudden, Kelly is a different person.

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Speaker 3: M a lot of nose rubbing though still that's to

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Speaker 3: indicate drugs. Nose rub, nose reub no.

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Speaker 1: Rubs acting one oh one. That's what you learn in Yeah.

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Speaker 1: Then we go to David's dorm room, where we see

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Speaker 1: David serving Valerie breakfast in bed because it's Valentine's Day.

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Speaker 3: Storm style, which I liked.

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Speaker 1: That was cute, Yes, and he.

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Speaker 3: Wrote her cute. That poem was sort of like wow.

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00:18:23,280 --> 00:18:25,760
Speaker 1: I was like, I don't think he's a very good poet.

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Speaker 3: I think it was trying to be super deep and

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Speaker 3: like metaphorical. I don't remember the poem at all. I

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00:18:30,760 --> 00:18:33,480
Speaker 3: wish could someone get us the poem is. I know

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Speaker 3: that's a tall task.

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Speaker 1: We'll paragraph too long, in my opinion, long to write

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Speaker 1: a poem to somebody on Valentine's Day. People keep it short.

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Speaker 3: Let's also talk about the awkwardness of when someone's reading

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Speaker 3: a poem to you. The face you have to make

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Speaker 3: as they're reading it to you.

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Speaker 1: But I thought they were super cute in that scene.

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Speaker 3: They were, but she did good good face of like

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Speaker 3: this is so sweet. Have you ever been serenaded? I

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Speaker 3: think that's a hard face. Well, sure you've been, Sarah,

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Speaker 3: you will. Sure, Like everybody's been serenaded, I've never been like,

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Speaker 3: who serenaded you?

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Speaker 1: In all the roles I've fled? I'm sure someone has

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Speaker 1: serenaded in real life? Oh oh wait, what's that like?

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Speaker 3: I don't know. Did Have you ever been married to

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Speaker 3: somebody that got out of guitar and just suddenly started singing.

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Speaker 1: To yes, my first husband.

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Speaker 3: The face you have to make for two full minutes

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Speaker 3: of just like I love this so much, but like

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Speaker 3: you want to just like rust your smile for a minute.

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Speaker 1: There's no camera on you in real life, like, nobody's

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Speaker 1: watching you.

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Speaker 3: The serenader is watching you.

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Speaker 1: Well, what if he's looking down at his guitar.

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Speaker 3: Perhaps, Oh thank gosh, I can read the poem. But

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Speaker 3: first of all, like, imagine Chris Martin. You're Dakota Johnson, right,

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Speaker 3: and you're engaged to Chris Martin. And you have to change.

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Speaker 1: I think so you think so wow, I don't know anything.

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00:20:00,080 --> 00:20:01,600
Speaker 3: I think it like have some bumps on the road.

392
00:20:01,680 --> 00:20:03,840
Speaker 3: Seems to be going fine and he is a great dude,

393
00:20:03,880 --> 00:20:08,280
Speaker 3: so she should definitely keep him. But anyway, Uh, imagine

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Speaker 3: if you're at a concert and your guy is the

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Speaker 3: lead singer and he just at any moment could glance

396
00:20:13,040 --> 00:20:15,640
Speaker 3: over at you, you better be looking and smiling. It's

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Speaker 3: a lot of work. Yeah, I guess you're right.

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00:20:19,960 --> 00:20:20,640
Speaker 1: Yeah.

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00:20:20,680 --> 00:20:24,400
Speaker 3: It's like Travis Kelcey at any moment, they always are

400
00:20:24,480 --> 00:20:26,879
Speaker 3: watching him to see what he is doing during t

401
00:20:27,080 --> 00:20:31,320
Speaker 3: Swifty's concerts, and it's like they're like, oh, Travis Kelsey

402
00:20:31,440 --> 00:20:33,479
Speaker 3: was dancing during I don't know one of her songs.

403
00:20:33,600 --> 00:20:36,280
Speaker 3: It's like someone's always watching him, watching her, so like

404
00:20:36,359 --> 00:20:39,720
Speaker 3: he can't just be yawning because they would definitely be

405
00:20:39,800 --> 00:20:43,240
Speaker 3: like Travis Kelty's yawning during I can't think of any

406
00:20:43,240 --> 00:20:44,119
Speaker 3: Taylor Swift's songs.

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Speaker 1: Do you think Travis Kelsey really likes I do Rick's

408
00:20:50,840 --> 00:20:51,440
Speaker 1: her songs?

409
00:20:52,000 --> 00:20:52,200
Speaker 2: Oh?

410
00:20:52,320 --> 00:20:56,879
Speaker 1: I thought you meant her No, I mean yes, uh sure.

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00:20:56,880 --> 00:20:59,119
Speaker 3: Her songs are kind of bops. So like I'm not

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Speaker 3: like a big Oh god, I don't eve want to

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00:21:00,960 --> 00:21:02,480
Speaker 3: say it because the Swifties will come after you. I'm

414
00:21:02,480 --> 00:21:05,520
Speaker 3: not like I'm not like a p one Taylor Swift fan,

415
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Speaker 3: and all of her songs are bops.

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00:21:08,359 --> 00:21:10,200
Speaker 1: I have stop talking to you. Then I'm sorry.

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00:21:10,359 --> 00:21:12,640
Speaker 3: Well wait, because you're a p one, you're like her

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00:21:12,760 --> 00:21:14,440
Speaker 3: p one is like her top top.

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Speaker 1: No you are?

420
00:21:16,480 --> 00:21:18,000
Speaker 3: I love it? Oh yeah, do you write you went

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00:21:18,040 --> 00:21:19,440
Speaker 3: to Miami or somewhere.

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00:21:19,960 --> 00:21:24,639
Speaker 1: Yeah. I've seen her twice. But the thing is I've

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00:21:25,000 --> 00:21:27,040
Speaker 1: known I've known of her music and listened to her

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00:21:27,119 --> 00:21:30,160
Speaker 1: music with my daughters since her debut album, So.

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00:21:31,040 --> 00:21:33,359
Speaker 3: I've seen her first of all, I've seen her like

426
00:21:33,600 --> 00:21:36,320
Speaker 3: eight times. I didn't go to the last Eras tour,

427
00:21:36,359 --> 00:21:39,240
Speaker 3: but I've seen her in concert many times. Remember the

428
00:21:39,240 --> 00:21:42,720
Speaker 3: one where the celebrities walked out to that song? No

429
00:21:43,280 --> 00:21:45,240
Speaker 3: celebrities would walk out, I forget. It's kind of like

430
00:21:45,240 --> 00:21:49,600
Speaker 3: a see I don't know all the songs. Yeah, celebrities

431
00:21:49,600 --> 00:21:51,240
Speaker 3: would come out during it. And then she always did

432
00:21:51,240 --> 00:21:53,280
Speaker 3: that one where the celebrity would show up and do

433
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Speaker 3: a duet. That was pretty rad.

434
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Speaker 1: Oh my god, I miss Kara completely apparently I was.

435
00:21:58,640 --> 00:22:01,920
Speaker 3: Anyway, So yeah, okay, so can we have David's poem again.

436
00:22:01,920 --> 00:22:03,560
Speaker 3: I want to. I want to read it to Jenny

437
00:22:03,560 --> 00:22:06,000
Speaker 3: and make her. I need you to look at me.

438
00:22:07,119 --> 00:22:09,160
Speaker 1: I'm gonna get my face ready.

439
00:22:09,280 --> 00:22:11,679
Speaker 3: I'm that old poem. You have to look at me

440
00:22:11,760 --> 00:22:15,360
Speaker 3: like you're thrilled by this. You wrote me a poem.

441
00:22:15,400 --> 00:22:16,320
Speaker 1: Oh yeah, okay.

442
00:22:16,720 --> 00:22:20,959
Speaker 3: Has fingertips feel the sensation to weep, a beauty that

443
00:22:21,000 --> 00:22:24,399
Speaker 3: forces the pain to retreat even though the waves can

444
00:22:24,480 --> 00:22:28,359
Speaker 3: keep breaking. The power of destiny pulls like a rage.

445
00:22:28,880 --> 00:22:31,840
Speaker 3: The touch of your lips hides the beast in the cage.

446
00:22:32,119 --> 00:22:34,240
Speaker 3: It should have been out now, but it's still. We're

447
00:22:34,240 --> 00:22:38,200
Speaker 3: only halfway for love. As does wine gets better with age.

448
00:22:38,720 --> 00:22:41,600
Speaker 3: My heart's the one that you're taking. I hope and

449
00:22:41,640 --> 00:22:45,280
Speaker 3: pray as the years run away and our glass sand

450
00:22:45,400 --> 00:22:48,879
Speaker 3: stands still as I say I live, I Oh, I

451
00:22:48,960 --> 00:22:51,040
Speaker 3: messed it up. Keep that face, get that face. I

452
00:22:51,080 --> 00:22:53,159
Speaker 3: love you a little bit more every day. You're the

453
00:22:53,200 --> 00:22:58,679
Speaker 3: half to my whole. No mistaking. The rhyming pattern is strange.

454
00:22:59,359 --> 00:23:02,120
Speaker 1: Packing my but off. Come on, but it's a little off.

455
00:23:02,160 --> 00:23:06,720
Speaker 3: Weep, sleep, then retreat. I'm sorry.

456
00:23:06,720 --> 00:23:07,040
Speaker 1: Whoever?

457
00:23:07,440 --> 00:23:14,120
Speaker 3: Breaking then rage, cage age, taking, breaking away, say day mistaking?

458
00:23:14,280 --> 00:23:18,520
Speaker 3: Oh wow, that's a intense rhyming pattern. I think it

459
00:23:18,560 --> 00:23:24,119
Speaker 3: fits the pattern as fingertips feel the sensation to weep.

460
00:23:24,600 --> 00:23:28,920
Speaker 3: What does that mean? Fingertips weeping and wax melted candles

461
00:23:28,960 --> 00:23:31,040
Speaker 3: reflect in your sleep? What does that mean?

462
00:23:31,359 --> 00:23:31,720
Speaker 1: Don't know?

463
00:23:32,560 --> 00:23:34,920
Speaker 3: Okay, I get that. She's it's a beauty that forces

464
00:23:34,920 --> 00:23:37,600
Speaker 3: the pain to retreat. She's so beautiful, he's it takes

465
00:23:37,600 --> 00:23:41,320
Speaker 3: his pain away. The power of destiny pulls like a rage.

466
00:23:41,760 --> 00:23:44,760
Speaker 1: A little angry for me, pulls like a rage.

467
00:23:45,320 --> 00:23:48,400
Speaker 3: The hot the touch of your lips hides the beast

468
00:23:48,440 --> 00:23:50,760
Speaker 3: in the cage. So she's so sweet, it's like who

469
00:23:50,760 --> 00:23:52,680
Speaker 3: could be? Who could It's like beauty and the Beast.

470
00:23:52,880 --> 00:23:55,280
Speaker 1: Yeah, I got something completely different out of that line.

471
00:23:55,720 --> 00:23:59,080
Speaker 1: Oh you did it was naughty, dirty. I was gonna

472
00:23:59,080 --> 00:24:00,880
Speaker 1: say something dirty, something I didn't.

473
00:24:00,920 --> 00:24:02,760
Speaker 3: I got like beauty and the beast. Like she's so

474
00:24:03,680 --> 00:24:07,400
Speaker 3: she's so snow white, and it takes away his anger. Yeah,

475
00:24:07,400 --> 00:24:08,520
Speaker 3: I don't know why he's so angry.

476
00:24:08,680 --> 00:24:10,880
Speaker 1: As we're breaking it down, it's actually making more sense

477
00:24:10,880 --> 00:24:11,920
Speaker 1: than I'm starting to like it.

478
00:24:12,400 --> 00:24:14,280
Speaker 3: Yeah, for love. As his wine gets better with age,

479
00:24:14,280 --> 00:24:17,399
Speaker 3: so they like wine. They're aging like fine wine. My

480
00:24:17,480 --> 00:24:21,000
Speaker 3: heart's the one that you're taking. Okay, I hope and

481
00:24:21,040 --> 00:24:22,879
Speaker 3: praise the years run away like they're gonna be together.

482
00:24:24,000 --> 00:24:26,840
Speaker 3: Oh and then hour glass sand stands still so that

483
00:24:26,960 --> 00:24:29,200
Speaker 3: like time doesn't go too fast for them, that they

484
00:24:29,200 --> 00:24:32,160
Speaker 3: get more and more time. I love you a little

485
00:24:32,160 --> 00:24:33,920
Speaker 3: bit more every day. You're the half to my whole,

486
00:24:33,960 --> 00:24:36,159
Speaker 3: no mistaking. So the rhyming pattern is hard for me,

487
00:24:36,200 --> 00:24:39,240
Speaker 3: but I like what it's saying. I think there's a

488
00:24:39,280 --> 00:24:40,960
Speaker 3: few lines in there. I don't get it.

489
00:24:42,000 --> 00:24:45,440
Speaker 1: I feel smelted candles. Yeah. I feel like he could

490
00:24:45,480 --> 00:24:47,280
Speaker 1: have read it a little bit more.

491
00:24:47,520 --> 00:24:50,360
Speaker 3: Rhymy, a little bit more songy. Yeah.

492
00:24:50,400 --> 00:24:52,520
Speaker 1: When he was reading it, I didn't like it. But

493
00:24:52,640 --> 00:24:53,959
Speaker 1: now that you've read it, I like it.

494
00:24:54,720 --> 00:24:57,040
Speaker 3: Well, thank you. It was it hard to look happily

495
00:24:57,119 --> 00:24:58,160
Speaker 3: at me the whole time.

496
00:24:58,440 --> 00:25:01,760
Speaker 1: No, I I excelled in that. I think you'll have

497
00:25:01,760 --> 00:25:11,000
Speaker 1: to roll the tape back and watch. Okay, AnyWho where

498
00:25:11,000 --> 00:25:14,000
Speaker 1: in the heck where we oh, okay, we go back

499
00:25:14,000 --> 00:25:17,199
Speaker 1: to see you? So much happens at CU That's like

500
00:25:17,240 --> 00:25:21,560
Speaker 1: the central, you know, like the little center of the quo.

501
00:25:21,760 --> 00:25:22,679
Speaker 3: Always that quad.

502
00:25:23,480 --> 00:25:26,199
Speaker 1: That's the only set we had. Joe tells Donna that

503
00:25:26,240 --> 00:25:28,239
Speaker 1: he's headed to see his coach to thank him for

504
00:25:28,240 --> 00:25:28,920
Speaker 1: his support.

505
00:25:29,040 --> 00:25:29,800
Speaker 3: So Joey.

506
00:25:31,680 --> 00:25:35,399
Speaker 1: Well lind sighted anyway. Meanwhile, Susan walks into her office

507
00:25:35,400 --> 00:25:37,880
Speaker 1: to find a bouquet of roses given to her by Brandon,

508
00:25:38,560 --> 00:25:44,440
Speaker 1: and then she gives him two framed letters by Woodward

509
00:25:44,520 --> 00:25:45,400
Speaker 1: and Bernstein.

510
00:25:46,840 --> 00:25:51,960
Speaker 3: Anybodys, I know Woodward and Bernstein they did Watergate, but yes,

511
00:25:52,040 --> 00:25:57,879
Speaker 3: and uh, Woodward's daughter is my sorority sister, Tally.

512
00:25:58,800 --> 00:26:02,280
Speaker 1: No, that's not who he's talking anyway. I really love.

513
00:26:02,160 --> 00:26:06,639
Speaker 3: That is that is he's talking at all. But what

514
00:26:06,800 --> 00:26:09,159
Speaker 3: are the letters? Letter? That's why I didn't know, like

515
00:26:09,480 --> 00:26:12,600
Speaker 3: she got Woodward and Bernstein to write letters to Brandon

516
00:26:12,800 --> 00:26:14,760
Speaker 3: or they were like old letters.

517
00:26:14,960 --> 00:26:17,720
Speaker 1: Maybe they were old letters from like when all the

518
00:26:17,760 --> 00:26:19,280
Speaker 1: everything went down and originals.

519
00:26:19,400 --> 00:26:22,240
Speaker 3: Like it's just very strange gift that I don't get. Well,

520
00:26:22,280 --> 00:26:25,920
Speaker 3: I understand why the journalists for a journalist.

521
00:26:25,520 --> 00:26:27,520
Speaker 1: I get that part and liked it. He liked it,

522
00:26:27,640 --> 00:26:29,440
Speaker 1: That's all that matters. It doesn't matter if you didn't

523
00:26:29,480 --> 00:26:29,600
Speaker 1: like it.

524
00:26:29,640 --> 00:26:31,800
Speaker 3: Amy, did we already have the scene where Joe forgot

525
00:26:31,800 --> 00:26:34,399
Speaker 3: his T shirt? And I wondered, did he actually forget

526
00:26:34,400 --> 00:26:37,199
Speaker 3: the T shirt? And Tory AdLib the line or was

527
00:26:37,240 --> 00:26:39,440
Speaker 3: that part of the script because it was a cute

528
00:26:39,440 --> 00:26:40,200
Speaker 3: little line.

529
00:26:40,440 --> 00:26:41,679
Speaker 1: I don't know. I can't answer that.

530
00:26:42,119 --> 00:26:44,879
Speaker 3: Yeah, that was I really enjoyed that little moment. She's like,

531
00:26:44,920 --> 00:26:47,080
Speaker 3: oh your T shirt and like she says a little

532
00:26:47,320 --> 00:26:48,960
Speaker 3: cute thing and makes a cute face.

533
00:26:49,200 --> 00:26:53,280
Speaker 1: Anyway, Anyway, So Susan also receives a book of flowers

534
00:26:53,280 --> 00:26:55,720
Speaker 1: from Jonathan. When I thought Jonathan was off of her

535
00:26:55,840 --> 00:27:00,040
Speaker 1: now ont ginger, Nope.

536
00:27:00,000 --> 00:27:02,919
Speaker 3: It's all a ploy to get her back. I think

537
00:27:03,320 --> 00:27:06,439
Speaker 3: that's why they show up at the a Jama party.

538
00:27:06,960 --> 00:27:10,560
Speaker 1: Okay, so we go to Colon's apartment now where Colon

539
00:27:11,440 --> 00:27:14,800
Speaker 1: frantically looking for his stash and tells Kelly this is

540
00:27:14,880 --> 00:27:17,919
Speaker 1: this is where Okay, it's already off the rails for

541
00:27:18,000 --> 00:27:21,120
Speaker 1: me to begin with, but this is the one where

542
00:27:21,160 --> 00:27:23,720
Speaker 1: I was like what am who is this? But I

543
00:27:23,720 --> 00:27:24,200
Speaker 1: guess this is.

544
00:27:24,119 --> 00:27:26,280
Speaker 3: Where I was so done with this and so done

545
00:27:26,320 --> 00:27:26,680
Speaker 3: with him.

546
00:27:27,000 --> 00:27:30,080
Speaker 1: Like you see her becoming a completely different person and

547
00:27:30,200 --> 00:27:32,600
Speaker 1: just the way she's speaking to him about.

548
00:27:32,440 --> 00:27:34,480
Speaker 3: Him too, Oh my god, he's horrible.

549
00:27:35,000 --> 00:27:39,679
Speaker 1: He calls herself, yes, says, you went through a gram

550
00:27:39,720 --> 00:27:44,520
Speaker 1: all by yourself, and then her money that bought the

551
00:27:44,560 --> 00:27:47,040
Speaker 1: coke and Colon says, it was your daddy's.

552
00:27:47,720 --> 00:27:50,000
Speaker 3: It was so aggressive. They are so unhinged. This is

553
00:27:50,040 --> 00:27:53,439
Speaker 3: super dark, it seems real. It's a total mess.

554
00:27:53,760 --> 00:27:56,760
Speaker 1: She slammed the door on his face. It's very unattractive.

555
00:27:56,800 --> 00:27:57,440
Speaker 1: What's happening.

556
00:27:57,720 --> 00:27:58,920
Speaker 3: Oh, they're a disaster.

557
00:27:59,640 --> 00:28:00,280
Speaker 1: Yeah.

558
00:28:01,040 --> 00:28:04,280
Speaker 3: I don't like it at all. No, I'm so done

559
00:28:04,320 --> 00:28:09,240
Speaker 3: with it. It's so dark. I don't like watching it. Too dark, too.

560
00:28:09,119 --> 00:28:12,840
Speaker 1: Dark, too real. Okay, back at see you. Joe's coach

561
00:28:13,600 --> 00:28:16,040
Speaker 1: doesn't want to just check in on him. He wants

562
00:28:16,080 --> 00:28:18,760
Speaker 1: to tell him that he is replacing his position on

563
00:28:18,800 --> 00:28:21,359
Speaker 1: the football team because of Joe's conditions. So this is

564
00:28:22,080 --> 00:28:22,800
Speaker 1: now he's out.

565
00:28:23,520 --> 00:28:24,600
Speaker 3: Is Joe on scholarship?

566
00:28:25,080 --> 00:28:27,200
Speaker 1: You asked me? Like his mom? I don't know.

567
00:28:27,359 --> 00:28:29,239
Speaker 3: I was like, is this kid on scholarship? And now

568
00:28:29,280 --> 00:28:32,359
Speaker 3: does he lose his scholarship? But seems like he shouldn't.

569
00:28:32,960 --> 00:28:35,520
Speaker 3: I don't know. The whole thing seemed messy. I was like,

570
00:28:35,560 --> 00:28:38,960
Speaker 3: oh no, And then we see him packing ugh.

571
00:28:39,080 --> 00:28:41,520
Speaker 1: And then it gets really a lot darker when Kelly

572
00:28:41,560 --> 00:28:45,160
Speaker 1: goes over to Danny Five's house to score some more

573
00:28:45,240 --> 00:28:48,080
Speaker 1: drugs on her own got rough.

574
00:28:48,880 --> 00:28:50,160
Speaker 3: This turned into like.

575
00:28:50,400 --> 00:28:51,560
Speaker 1: An episode of Intervention.

576
00:28:52,040 --> 00:28:54,120
Speaker 3: This was like euphoria, Like it's so dark. I've never

577
00:28:54,120 --> 00:28:56,200
Speaker 3: seen euphoria, but this is how I picture it me

578
00:28:56,240 --> 00:28:59,120
Speaker 3: either so dark. I tried to watch one episode and

579
00:28:59,160 --> 00:29:02,160
Speaker 3: it was so adult. I was like, I cannot, I'm

580
00:29:02,160 --> 00:29:03,960
Speaker 3: too scared of it. I watch one episode, I'm like,

581
00:29:04,040 --> 00:29:07,160
Speaker 3: I'm out. This is really I can't. And Eric Dane,

582
00:29:07,280 --> 00:29:10,000
Speaker 3: like his character freaked me out. So anyway, I mean

583
00:29:10,080 --> 00:29:12,680
Speaker 3: like it was you're gonna get raped, like I'm just

584
00:29:12,720 --> 00:29:17,200
Speaker 3: gonna say it, and I think that other woman is

585
00:29:17,240 --> 00:29:21,960
Speaker 3: being raped for drugs, like she's yeah, like it's so bad.

586
00:29:22,320 --> 00:29:24,520
Speaker 1: It's so bad. These guys are scumballs.

587
00:29:25,520 --> 00:29:26,959
Speaker 3: It's so bad, Like the whole thing.

588
00:29:26,960 --> 00:29:32,200
Speaker 1: I was like, yikes, I mean, leave it to Colon

589
00:29:32,240 --> 00:29:35,000
Speaker 1: to introduce Kelli to these CD people. But then she

590
00:29:35,400 --> 00:29:37,840
Speaker 1: hate him on her own and goes to see them

591
00:29:37,840 --> 00:29:38,760
Speaker 1: by herself, which is.

592
00:29:38,760 --> 00:29:42,720
Speaker 3: Bananas bananas, and then they are gonna like they it's

593
00:29:42,760 --> 00:29:45,320
Speaker 3: just so bad. I'm like, it's so bad.

594
00:29:45,520 --> 00:29:49,719
Speaker 1: Also, she snorts some pharmaceutical thing like he's like like,

595
00:29:50,400 --> 00:29:52,280
Speaker 1: you can't trust this guy to give you all.

596
00:29:53,160 --> 00:29:56,120
Speaker 3: This is in the days before fentanyl, because everybody would

597
00:29:56,160 --> 00:30:00,360
Speaker 3: be dead. Everybody just dead. It's super dark. It's way

598
00:30:00,400 --> 00:30:03,280
Speaker 3: too dark almost for even nine o two and zero agree,

599
00:30:04,360 --> 00:30:07,000
Speaker 3: like they're doing it very real, which is why I'm like,

600
00:30:07,200 --> 00:30:08,800
Speaker 3: I don't even think I want to watch that.

601
00:30:09,480 --> 00:30:14,240
Speaker 1: Yeah, I'm glad they did it real, only because that

602
00:30:14,280 --> 00:30:17,240
Speaker 1: made the stakes higher and it, you know, felt legit.

603
00:30:17,560 --> 00:30:19,480
Speaker 3: Yeah, it's very well done.

604
00:30:19,800 --> 00:30:22,600
Speaker 1: Like I liked that it was real acting it because

605
00:30:23,640 --> 00:30:26,320
Speaker 1: that's the only way you could do something like that

606
00:30:26,440 --> 00:30:27,880
Speaker 1: is to do it real.

607
00:30:28,680 --> 00:30:31,760
Speaker 3: But yeah, right, I don't want to make it cartoony,

608
00:30:31,800 --> 00:30:32,720
Speaker 3: and they definitely didn't.

609
00:30:33,280 --> 00:30:37,920
Speaker 1: Mm hmm. It's I wonder how our listeners tell us.

610
00:30:38,120 --> 00:30:39,880
Speaker 1: Do you guys feel like this is too dark? Are

611
00:30:39,880 --> 00:30:41,080
Speaker 1: you done with the storyline?

612
00:30:41,640 --> 00:30:41,800
Speaker 2: You know?

613
00:30:41,880 --> 00:30:44,280
Speaker 3: I think the reason one of the things is like

614
00:30:44,360 --> 00:30:47,120
Speaker 3: when we started talking about it and we sort of

615
00:30:47,160 --> 00:30:49,440
Speaker 3: didn't love the storyline, and I don't want to say

616
00:30:49,480 --> 00:30:51,760
Speaker 3: we mocked the storyline, but a little bit we did,

617
00:30:52,320 --> 00:30:56,440
Speaker 3: and people listening were like disagreed with us because they

618
00:30:56,680 --> 00:30:59,480
Speaker 3: know and they knew how dark it gets, and they

619
00:30:59,480 --> 00:31:03,280
Speaker 3: were right, like it it is a well done storyline

620
00:31:04,000 --> 00:31:08,840
Speaker 3: mm hmm, in that they didn't sugarcoat it, but it's

621
00:31:08,960 --> 00:31:09,840
Speaker 3: so disturbing.

622
00:31:10,400 --> 00:31:15,840
Speaker 1: Yeah, on the theme page, as you amy, but she

623
00:31:16,000 --> 00:31:18,880
Speaker 1: hits the guy in the head with the wine bottle, makes.

624
00:31:18,720 --> 00:31:21,200
Speaker 3: That's the other guy. It's like so weird, like she

625
00:31:21,400 --> 00:31:23,880
Speaker 3: was making out with the one guy and then he

626
00:31:23,960 --> 00:31:26,560
Speaker 3: goes back in the bedroom with the other drug addict

627
00:31:26,600 --> 00:31:29,760
Speaker 3: and then this second guy comes out.

628
00:31:29,280 --> 00:31:34,280
Speaker 1: Ewroty, scroty. But she gets out. Everybody, don't be too

629
00:31:34,280 --> 00:31:48,760
Speaker 1: scared because she does get out. Yeah, okay, So then

630
00:31:48,760 --> 00:31:51,120
Speaker 1: we go to the pepad, where Valerie explains to her

631
00:31:51,160 --> 00:31:54,120
Speaker 1: friend group that she introduced Ginger to Jonathan to get

632
00:31:54,160 --> 00:31:59,680
Speaker 1: him out of Susan's hair. Hold up, who's Valerie's friend group? Who?

633
00:31:59,720 --> 00:32:01,280
Speaker 1: What is that consists of who was there?

634
00:32:01,400 --> 00:32:05,240
Speaker 3: You guys, not you right now, but the gang.

635
00:32:06,520 --> 00:32:12,440
Speaker 1: Huh Okay. Jonathan starts kissing Ginger in front of everyone

636
00:32:12,520 --> 00:32:15,800
Speaker 1: to make Susan jealous, and Brandon seems to think it's working,

637
00:32:17,680 --> 00:32:18,120
Speaker 1: but it's not.

638
00:32:18,400 --> 00:32:21,680
Speaker 3: Yeah, that's the whole thing, but then this sort of

639
00:32:21,800 --> 00:32:24,200
Speaker 3: got confusing. I'm not gonna lie because I was so

640
00:32:24,280 --> 00:32:28,240
Speaker 3: distracted by Steve and Claire at the same time, and

641
00:32:28,280 --> 00:32:30,760
Speaker 3: I remember Valerie taking Ginger kind of like to a

642
00:32:30,920 --> 00:32:33,880
Speaker 3: back room or something, and then it's just like then

643
00:32:33,920 --> 00:32:38,440
Speaker 3: there's a dance, and then Elisa slash Ginger hurts her

644
00:32:38,520 --> 00:32:40,600
Speaker 3: foot and was that fake? I think it's so she

645
00:32:40,760 --> 00:32:43,480
Speaker 3: had to step out so Susan could step in.

646
00:32:43,800 --> 00:32:45,640
Speaker 1: This was my favorite part of the episode when we

647
00:32:45,680 --> 00:32:48,360
Speaker 1: went to Joe's dorm room and there was that super

648
00:32:48,400 --> 00:32:51,960
Speaker 1: cool shot from above that like spiraled down on him

649
00:32:52,000 --> 00:32:54,560
Speaker 1: as he's laying on the bed, like so bummed out.

650
00:32:55,840 --> 00:32:58,160
Speaker 3: That's Brandon Slash Jason directing this.

651
00:32:58,520 --> 00:33:00,680
Speaker 1: I did not know that Jason dressed to this episode

652
00:33:00,760 --> 00:33:03,440
Speaker 1: until I read that to you just a few minutes ago. Yeah,

653
00:33:03,440 --> 00:33:06,840
Speaker 1: and now knowing that, I'm like, kudos to that creative shot.

654
00:33:07,040 --> 00:33:09,280
Speaker 1: And I was wondering, Like as I was watching it,

655
00:33:09,320 --> 00:33:11,760
Speaker 1: I was wondering. I wasn't wondering who did that, who

656
00:33:11,880 --> 00:33:14,040
Speaker 1: directed that, but I was wondering, how did they do that?

657
00:33:14,760 --> 00:33:16,920
Speaker 3: Good director, he still directs a ton of stuff today.

658
00:33:17,400 --> 00:33:19,440
Speaker 1: They had to have had that camera like on a

659
00:33:19,920 --> 00:33:22,760
Speaker 1: like a inside crane whatever that's called. We called a

660
00:33:22,880 --> 00:33:26,440
Speaker 1: jib a little jib and then rotated. But jibs were

661
00:33:26,920 --> 00:33:28,520
Speaker 1: in ninety six. We're jib's out.

662
00:33:29,520 --> 00:33:32,360
Speaker 3: I don't know, but I remember when we started to

663
00:33:32,360 --> 00:33:35,640
Speaker 3: get jib cameras for iHeart stuff, and I think the

664
00:33:35,720 --> 00:33:37,760
Speaker 3: jib was kind of expensive.

665
00:33:37,320 --> 00:33:39,480
Speaker 1: Duper that was like a big thing to take out

666
00:33:39,480 --> 00:33:40,640
Speaker 1: of the budget for us.

667
00:33:41,320 --> 00:33:41,840
Speaker 3: He's a jib.

668
00:33:42,040 --> 00:33:46,040
Speaker 1: But also the cameras back then weren't just like digital cameras.

669
00:33:46,080 --> 00:33:49,120
Speaker 1: They had that giant those giants. They were huge film

670
00:33:50,000 --> 00:33:51,920
Speaker 1: on like that big thing, you know, like in.

671
00:33:51,880 --> 00:33:54,480
Speaker 3: The olden days, the days of yore.

672
00:33:54,840 --> 00:33:57,120
Speaker 1: What did that fall on, Joe? I was so worried.

673
00:33:58,280 --> 00:34:01,120
Speaker 3: Yeah, this was directed really well. A lot happening. He's

674
00:34:01,160 --> 00:34:03,640
Speaker 3: all over the place, like directing in car scenes.

675
00:34:03,720 --> 00:34:05,760
Speaker 1: And we can go back to the ppad now and

676
00:34:05,800 --> 00:34:08,840
Speaker 1: talk to about the how it was was very confusing.

677
00:34:08,840 --> 00:34:10,240
Speaker 1: Why did she hurt her ankle?

678
00:34:11,120 --> 00:34:13,879
Speaker 3: I think it was on purpose so that Susan would

679
00:34:13,920 --> 00:34:17,400
Speaker 3: have to step in. Is this where the smackeroo comes?

680
00:34:18,080 --> 00:34:21,000
Speaker 1: Yeah, he goes Then after that he goes over and

681
00:34:21,040 --> 00:34:24,200
Speaker 1: asks her to dance, and she says no, but then

682
00:34:24,200 --> 00:34:27,560
Speaker 1: he grabs her and she reacts by punching it and

683
00:34:28,360 --> 00:34:29,400
Speaker 1: clocking him in the nose.

684
00:34:29,760 --> 00:34:32,880
Speaker 3: I mean, bizarre. I'm not gonna lie, it's like weird

685
00:34:33,120 --> 00:34:33,560
Speaker 3: whole thing.

686
00:34:33,920 --> 00:34:35,480
Speaker 1: I kind of liked it that she punched him though,

687
00:34:35,480 --> 00:34:38,359
Speaker 1: but that was aggressive, like you think he wanted a

688
00:34:38,400 --> 00:34:42,319
Speaker 1: punch a punch in the face right, Like, really, have

689
00:34:42,400 --> 00:34:43,880
Speaker 1: you ever punched anybody in the face?

690
00:34:44,880 --> 00:34:45,480
Speaker 3: I'm asking.

691
00:34:46,520 --> 00:34:48,759
Speaker 1: I think your answer is no, so.

692
00:34:48,840 --> 00:34:51,040
Speaker 3: Violent thing is I maybe like push someone a little

693
00:34:51,080 --> 00:34:53,120
Speaker 3: bit and like my brother's I kind of like that,

694
00:34:53,160 --> 00:34:55,239
Speaker 3: But I don't punch. First of all, that would hurt

695
00:34:55,280 --> 00:34:58,440
Speaker 3: my hand so bad. I would never punch anybody.

696
00:34:58,840 --> 00:35:01,680
Speaker 1: I don't think I've ever punched anybody. And oh maybe

697
00:35:01,719 --> 00:35:06,520
Speaker 1: I had. This was early. This was very I had

698
00:35:06,520 --> 00:35:08,799
Speaker 1: to have a fight on the playground once and I

699
00:35:08,800 --> 00:35:09,080
Speaker 1: got but.

700
00:35:09,200 --> 00:35:14,320
Speaker 3: We were little. Oh and you you blows fist punch.

701
00:35:15,080 --> 00:35:17,560
Speaker 1: I did whatever it took to get that girl off me.

702
00:35:18,120 --> 00:35:20,040
Speaker 3: Oh my gosh, whoa.

703
00:35:21,120 --> 00:35:24,160
Speaker 1: Oh yeah, I got in trouble. We both got in trouble.

704
00:35:24,320 --> 00:35:28,399
Speaker 3: Yeah, but then you can say she started it as

705
00:35:28,480 --> 00:35:28,880
Speaker 3: kids do.

706
00:35:29,320 --> 00:35:31,880
Speaker 1: I remember I was wearing high heels that day too.

707
00:35:31,760 --> 00:35:33,720
Speaker 3: Which was how old were you wearing high heels?

708
00:35:33,960 --> 00:35:38,160
Speaker 1: Oh? I thought I was something I was. That would

709
00:35:38,200 --> 00:35:41,560
Speaker 1: have been seventh grade. I thought I was Madonna and

710
00:35:41,600 --> 00:35:43,399
Speaker 1: I would go to school, no wonder if she wanted

711
00:35:43,440 --> 00:35:46,680
Speaker 1: to fight me. Looking back, Uh, yeah, I would wear

712
00:35:46,760 --> 00:35:48,960
Speaker 1: high heels and like the whole get up that Madonna

713
00:35:49,000 --> 00:35:54,560
Speaker 1: would wear, like lacy stuff to school. High heels like

714
00:35:54,640 --> 00:35:56,560
Speaker 1: three inch pumps high.

715
00:35:56,480 --> 00:35:59,759
Speaker 3: Like lacy skirts, all those layered lacy skirts that Madonna wore.

716
00:35:59,760 --> 00:36:00,960
Speaker 3: Did you like half a glove?

717
00:36:01,440 --> 00:36:04,920
Speaker 1: Yeah? And the bow and the hair no goofy hair?

718
00:36:05,440 --> 00:36:06,160
Speaker 3: Many chance we have?

719
00:36:06,200 --> 00:36:06,640
Speaker 2: What was that?

720
00:36:07,360 --> 00:36:09,080
Speaker 1: Oh? I could find it? Probably?

721
00:36:09,200 --> 00:36:12,000
Speaker 3: Yeah, we need that. I didn't never do like. I

722
00:36:12,040 --> 00:36:14,279
Speaker 3: never did that. I just wore regular like. I never

723
00:36:14,360 --> 00:36:16,840
Speaker 3: did that. I was always just like we wore like

724
00:36:17,080 --> 00:36:20,239
Speaker 3: box or shorts basically, and T shirts and backpacks like

725
00:36:20,280 --> 00:36:22,719
Speaker 3: we were just like I was preppy. I think too.

726
00:36:23,400 --> 00:36:25,880
Speaker 1: Well, here's the thing. I had moved from the Midwest

727
00:36:26,000 --> 00:36:28,839
Speaker 1: to Arizona, and I guess I was trying to fit

728
00:36:28,920 --> 00:36:32,920
Speaker 1: in or I was trying to be something I don't know.

729
00:36:34,320 --> 00:36:34,920
Speaker 3: Wow.

730
00:36:35,719 --> 00:36:38,920
Speaker 1: That girl did not care for it, though, And she

731
00:36:38,920 --> 00:36:42,080
Speaker 1: she tried to take you down. Yeah, she needed to

732
00:36:42,120 --> 00:36:43,080
Speaker 1: knock me down a little.

733
00:36:43,120 --> 00:36:43,480
Speaker 3: I think it.

734
00:36:43,680 --> 00:36:48,799
Speaker 1: I think it was probably necessary. Looking back, I'm going

735
00:36:48,880 --> 00:36:49,360
Speaker 1: to thank.

736
00:36:49,200 --> 00:36:51,640
Speaker 3: Her for that. I'm a lover, not a fighter. I'm

737
00:36:51,680 --> 00:36:53,560
Speaker 3: not a I'm not a yeller.

738
00:36:55,760 --> 00:36:57,680
Speaker 1: I don't like fighting either. I used to like it

739
00:36:57,760 --> 00:37:02,160
Speaker 1: more when I was more real active. I think we're

740
00:37:02,200 --> 00:37:06,799
Speaker 1: old anymore. Yeah, I'm like, everybody, just keep your voice down.

741
00:37:06,920 --> 00:37:09,879
Speaker 3: Oh my gosh, my like over stimulation. If there's too

742
00:37:09,960 --> 00:37:13,680
Speaker 3: much noise and too much coming at me, I'm like the.

743
00:37:13,560 --> 00:37:15,640
Speaker 1: One raises their voice and I'm like, Okay, you don't

744
00:37:15,719 --> 00:37:16,480
Speaker 1: need to do that.

745
00:37:17,600 --> 00:37:19,600
Speaker 3: I just cover my ears. I'm like, I can't. I

746
00:37:19,600 --> 00:37:20,800
Speaker 3: can't have a lot of noises. I can't have a

747
00:37:20,840 --> 00:37:22,279
Speaker 3: lot of light. I can't have any of it.

748
00:37:22,760 --> 00:37:24,960
Speaker 1: Oh my god, we need to just go living.

749
00:37:25,160 --> 00:37:28,160
Speaker 3: We talk about the pajama party that was kind of

750
00:37:28,680 --> 00:37:34,400
Speaker 3: very sexy, like there were laterally literally literally ladies in

751
00:37:35,080 --> 00:37:36,760
Speaker 3: white nighteties on a pole.

752
00:37:37,239 --> 00:37:40,359
Speaker 1: Well that was the whole like scene of the party was.

753
00:37:42,560 --> 00:37:43,000
Speaker 3: I see.

754
00:37:43,440 --> 00:37:45,280
Speaker 1: I don't know why they would have like a don't

755
00:37:45,280 --> 00:37:47,920
Speaker 1: have sex party and then have everybody dress sexy. You're right,

756
00:37:47,920 --> 00:37:48,920
Speaker 1: that doesn't make any sense.

757
00:37:49,200 --> 00:37:52,400
Speaker 3: I know. I'm Claire with her like sexy outfit just

758
00:37:53,360 --> 00:37:55,879
Speaker 3: trying to strip tease Steve kind of like it.

759
00:37:55,800 --> 00:37:58,200
Speaker 1: Was so like what Yeah, there was a lot of.

760
00:38:00,440 --> 00:38:05,000
Speaker 3: Booby what Booby's yeah, and like his then he puts

761
00:38:05,040 --> 00:38:07,640
Speaker 3: the sleep mask on to cover his eyes. I don't

762
00:38:07,680 --> 00:38:10,239
Speaker 3: know the whole I was just like, what's happening? We're

763
00:38:10,280 --> 00:38:16,279
Speaker 3: having that while simultaneously like you are in a dire situation. Right,

764
00:38:16,840 --> 00:38:20,520
Speaker 3: I'm like, this is very what's a word for that?

765
00:38:21,400 --> 00:38:27,080
Speaker 3: Juxtaposed yes, and it's it's emotionally hard on the viewer.

766
00:38:27,560 --> 00:38:29,839
Speaker 3: You were to go back and forth from so I'm

767
00:38:29,880 --> 00:38:34,680
Speaker 3: sort of so worried about the like rape, and then

768
00:38:34,719 --> 00:38:37,399
Speaker 3: I'm like supposed to be enjoying this pajama party. I'm

769
00:38:37,440 --> 00:38:41,520
Speaker 3: like no, and like Joe just gets glossed over. Oh

770
00:38:41,600 --> 00:38:45,880
Speaker 3: my god. And then simultaneously Valerie asks David to sleep

771
00:38:46,160 --> 00:38:48,880
Speaker 3: with Ginger. It was so insane.

772
00:38:49,320 --> 00:38:50,480
Speaker 1: That was genius to me.

773
00:38:51,400 --> 00:38:55,600
Speaker 3: That was bonkers. Bonker.

774
00:38:55,800 --> 00:38:57,879
Speaker 1: She said to it, just sleep on it. Let mean,

775
00:38:58,160 --> 00:39:00,239
Speaker 1: he says he's going to sleep on it, and she's like, no,

776
00:39:00,360 --> 00:39:02,200
Speaker 1: I need to know right now?

777
00:39:03,120 --> 00:39:04,680
Speaker 3: Was I mean?

778
00:39:04,719 --> 00:39:08,160
Speaker 1: Okay, so fifty k is on the table. Would you

779
00:39:08,480 --> 00:39:12,360
Speaker 1: ask your boyfriend to sleep with somebody else so that

780
00:39:12,440 --> 00:39:13,759
Speaker 1: you didn't have to pay them fifty k?

781
00:39:14,239 --> 00:39:14,799
Speaker 3: Fifty k?

782
00:39:15,239 --> 00:39:18,239
Speaker 1: I mean you're really thinking about this.

783
00:39:18,480 --> 00:39:21,359
Speaker 3: I just the whole thing. First of all, here's what

784
00:39:21,440 --> 00:39:21,920
Speaker 3: I do know.

785
00:39:21,960 --> 00:39:24,200
Speaker 1: Wait, wait, you did not answer the question.

786
00:39:24,040 --> 00:39:26,319
Speaker 3: Because I just didn't, like, I mean, if I don't know, like,

787
00:39:26,840 --> 00:39:30,799
Speaker 3: because what's the the okay, so the fifty k? The

788
00:39:30,880 --> 00:39:34,200
Speaker 3: other option is she outs her so I've always said, along,

789
00:39:34,320 --> 00:39:35,160
Speaker 3: just let her out.

790
00:39:35,000 --> 00:39:37,319
Speaker 1: You But what if that what if that's not an option,

791
00:39:37,360 --> 00:39:40,960
Speaker 1: because that clearly is not an option for val but.

792
00:39:41,080 --> 00:39:43,360
Speaker 3: It should be so now. But if you said, okay,

793
00:39:43,360 --> 00:39:46,920
Speaker 3: you have to let your your boyfriend sleep with somebody

794
00:39:47,360 --> 00:39:51,440
Speaker 3: or you're gonna die, Okay, like I'm gonna get murdered, Okay, fine,

795
00:39:51,480 --> 00:39:54,400
Speaker 3: do it. Like it's all like, what's the other side

796
00:39:54,400 --> 00:39:56,359
Speaker 3: of the thing. But if the other side of it

797
00:39:56,400 --> 00:39:58,520
Speaker 3: is just like, oh no, I'm going to tell some

798
00:39:58,560 --> 00:40:01,200
Speaker 3: of your friends, like you we were a two timing Canniver.

799
00:40:01,440 --> 00:40:02,680
Speaker 3: They all already know that.

800
00:40:03,080 --> 00:40:06,160
Speaker 1: Why would they all know that go to this extent,

801
00:40:06,320 --> 00:40:07,880
Speaker 1: It does not make sense.

802
00:40:08,360 --> 00:40:10,400
Speaker 3: Now. What I do know that I agree with is

803
00:40:10,520 --> 00:40:13,040
Speaker 3: David Yes, the fact that he dumps her.

804
00:40:13,760 --> 00:40:17,680
Speaker 1: I was like, yeah, I thought that was so good too,

805
00:40:17,719 --> 00:40:19,840
Speaker 1: that he has the strength to be like, no, I

806
00:40:19,880 --> 00:40:22,719
Speaker 1: don't want to be with somebody that will and he says.

807
00:40:22,520 --> 00:40:24,920
Speaker 3: I went over there, I told her it wasn't happening.

808
00:40:25,480 --> 00:40:28,239
Speaker 3: She's gone. I took care of this because I'm in

809
00:40:28,280 --> 00:40:30,040
Speaker 3: love with you and now we're done.

810
00:40:30,120 --> 00:40:32,920
Speaker 1: And I was like, yeah, that was good. That was

811
00:40:32,920 --> 00:40:33,319
Speaker 1: like a week.

812
00:40:34,520 --> 00:40:36,800
Speaker 3: That was that was pretty legit.

813
00:40:37,280 --> 00:40:40,520
Speaker 1: You forgot the part where Kelly has gotten out of

814
00:40:40,520 --> 00:40:43,400
Speaker 1: the house and she's in her car, like yeah, having

815
00:40:43,440 --> 00:40:46,880
Speaker 1: a full on freak out, and Brandon somehow finds her.

816
00:40:46,920 --> 00:40:47,799
Speaker 1: How does he find her?

817
00:40:48,200 --> 00:40:51,279
Speaker 3: I think she called him from her car phone. Think

818
00:40:51,320 --> 00:40:56,200
Speaker 3: he got a call that's also real. She's like in shock,

819
00:40:56,520 --> 00:41:00,400
Speaker 3: like it was. That was all very good, and then

820
00:41:00,400 --> 00:41:01,480
Speaker 3: they take her to the hospital.

821
00:41:02,200 --> 00:41:06,520
Speaker 1: Yeah, I thought that scene was scary. And then we

822
00:41:06,600 --> 00:41:10,560
Speaker 1: see that Donna has gone to check in on Joe

823
00:41:10,719 --> 00:41:15,600
Speaker 1: and she finds him feverishly packing because he's gonna leave

824
00:41:15,640 --> 00:41:17,560
Speaker 1: school because he's been kicked off the team.

825
00:41:17,400 --> 00:41:21,399
Speaker 3: I mean, and she's kind of like, calm down, let's

826
00:41:21,480 --> 00:41:29,319
Speaker 3: figure this out. Lots of major things happening in this episode,

827
00:41:29,360 --> 00:41:31,640
Speaker 3: Like we've got the whole David breakup and all that

828
00:41:32,280 --> 00:41:37,200
Speaker 3: indecent proposal drama. We've got Joe in that situation, and

829
00:41:37,239 --> 00:41:42,400
Speaker 3: then your whole storyline is like crazy.

830
00:41:43,040 --> 00:41:47,720
Speaker 1: And then you have Steve in his being Stadia.

831
00:41:48,280 --> 00:41:50,319
Speaker 3: And then we're supposed to go from you being like

832
00:41:50,680 --> 00:41:54,600
Speaker 3: literally in the car in shock, just escaped, Brandon coming

833
00:41:54,600 --> 00:41:57,960
Speaker 3: to save you full drama, to like I forwarded at

834
00:41:57,960 --> 00:42:00,000
Speaker 3: thirty seconds. I took it back thirty seconds. Oh it's

835
00:42:00,000 --> 00:42:03,160
Speaker 3: two hours later. It's I was just like, what does

836
00:42:03,200 --> 00:42:03,719
Speaker 3: that work?

837
00:42:03,800 --> 00:42:06,719
Speaker 1: Though? Like is that what people want to watch? Like

838
00:42:06,800 --> 00:42:08,920
Speaker 1: that kind of like there's so much going on.

839
00:42:10,280 --> 00:42:12,080
Speaker 3: Maybe. I mean, I'm going to give the episode a

840
00:42:12,160 --> 00:42:14,640
Speaker 3: very high ratings, so maybe. But it was just kind

841
00:42:14,680 --> 00:42:17,480
Speaker 3: of like whiplash, Like, Okay, now I'm back on the

842
00:42:17,520 --> 00:42:21,560
Speaker 3: Steve thing and he's trying to wait thirty seconds till

843
00:42:21,560 --> 00:42:24,879
Speaker 3: the clock strikes whatever. And then she's like, I moved

844
00:42:24,880 --> 00:42:26,800
Speaker 3: it forward and he's like I moved it back. Whatever

845
00:42:26,840 --> 00:42:29,880
Speaker 3: they did? Yeah what? Okay?

846
00:42:30,000 --> 00:42:30,520
Speaker 1: Yeah?

847
00:42:30,920 --> 00:42:32,600
Speaker 3: And I also don't buy them as a couple, so

848
00:42:32,640 --> 00:42:34,800
Speaker 3: I'm pretty much ready for them to be done.

849
00:42:35,120 --> 00:42:36,680
Speaker 1: Yeah, they have fun together though.

850
00:42:38,360 --> 00:42:38,680
Speaker 3: Yeah.

851
00:42:38,719 --> 00:42:41,759
Speaker 1: But and then we see David break up with Valerie.

852
00:42:41,960 --> 00:42:45,239
Speaker 1: That was great for him, and then he gives her

853
00:42:45,280 --> 00:42:49,920
Speaker 1: back her Venice Beach bracelet that she bought him. Oh yeah,

854
00:42:49,960 --> 00:42:52,719
Speaker 1: and then we see the in the hospital room where

855
00:42:52,760 --> 00:42:54,600
Speaker 1: Jackie and Brandon are with Kelly.

856
00:42:54,680 --> 00:43:00,160
Speaker 3: And she says, I still love you, bum bum. He

857
00:43:00,200 --> 00:43:05,120
Speaker 3: doesn't say it back, but he doesn't leave no, because

858
00:43:05,160 --> 00:43:07,920
Speaker 3: he felt it, and he goes so far as to

859
00:43:08,080 --> 00:43:13,920
Speaker 3: stroke her head. Susan's days seemed numbered or nine episodes.

860
00:43:14,280 --> 00:43:16,560
Speaker 1: But do you think that Brandon's gonna want to be

861
00:43:16,640 --> 00:43:19,600
Speaker 1: with Kelly now and she's gone down this dark road?

862
00:43:20,880 --> 00:43:21,239
Speaker 3: I do?

863
00:43:21,719 --> 00:43:26,440
Speaker 1: Oh, okay, because he does. Oh that was an emotional ending.

864
00:43:27,120 --> 00:43:29,720
Speaker 3: Yeah, the whole episode is intense.

865
00:43:30,520 --> 00:43:32,399
Speaker 1: What do you give it? What do you give it? Oh?

866
00:43:32,480 --> 00:43:36,120
Speaker 3: Ten, it's a ten. It's so it's so dark, it's

867
00:43:36,120 --> 00:43:39,640
Speaker 3: so crazy, there's so much happening. It's a total ten.

868
00:43:40,400 --> 00:43:41,560
Speaker 3: Look at your pretty nails.

869
00:43:41,640 --> 00:43:44,279
Speaker 1: Why are my fingertips pink only? What's happening? Do you

870
00:43:44,320 --> 00:43:44,960
Speaker 1: see my hands?

871
00:43:45,200 --> 00:43:47,479
Speaker 3: Yeah? But those are just the tops everyone has red

872
00:43:47,560 --> 00:43:51,239
Speaker 3: on the sort of the pinky tops. You don't, Yeah,

873
00:43:51,239 --> 00:43:54,320
Speaker 3: I do, of course I do. It's just the lighting.

874
00:43:54,360 --> 00:43:54,920
Speaker 3: You have more light.

875
00:43:55,400 --> 00:43:56,120
Speaker 1: We give it a ten.

876
00:43:56,600 --> 00:44:01,399
Speaker 3: Ten, Yeah, it's a it's a really well like dare

877
00:44:01,480 --> 00:44:05,520
Speaker 3: I say, Emmy Award winning performance by you?

878
00:44:05,880 --> 00:44:10,920
Speaker 1: Oh god? That would be uh something never heard before

879
00:44:10,960 --> 00:44:15,960
Speaker 1: on our show. Like what it is?

880
00:44:16,040 --> 00:44:17,160
Speaker 3: It's intense.

881
00:44:19,120 --> 00:44:21,640
Speaker 1: I feel like it's intense to this episode.

882
00:44:21,680 --> 00:44:23,600
Speaker 3: In your performance, it was a lot.

883
00:44:23,680 --> 00:44:28,280
Speaker 1: I remember having a really hard time shutting off after

884
00:44:28,320 --> 00:44:32,840
Speaker 1: doing scenes like that and just shaking that off. That

885
00:44:32,960 --> 00:44:33,640
Speaker 1: was hard.

886
00:44:34,440 --> 00:44:37,880
Speaker 3: Yeah, And it's like you're kissing this guy and then.

887
00:44:37,840 --> 00:44:42,680
Speaker 1: Oh, just awf, it's so awful bad, it's bad. She

888
00:44:42,840 --> 00:44:44,279
Speaker 1: definitely hit rock bottom though.

889
00:44:46,000 --> 00:44:48,399
Speaker 3: Yeah, it's a good episode. And and I'm so done

890
00:44:48,400 --> 00:44:52,920
Speaker 3: with Colin. He's atrocious. Oh he's terrible, really terrible. I

891
00:44:52,960 --> 00:44:56,040
Speaker 3: mean you were terrible too, but like, get let's get

892
00:44:56,080 --> 00:44:56,520
Speaker 3: rid of him.

893
00:44:57,400 --> 00:45:00,480
Speaker 1: He's the reason that Kelly was terrible though, like totally,

894
00:45:00,520 --> 00:45:04,440
Speaker 1: and he needs to go. Well, maybe you go. Our

895
00:45:04,480 --> 00:45:08,120
Speaker 1: next episode is season six, episode twenty two. All this

896
00:45:08,280 --> 00:45:12,799
Speaker 1: and Mary too, Huh, you.

897
00:45:12,800 --> 00:45:14,840
Speaker 3: Have no idea how that? I think you're heading to rehub.

898
00:45:15,360 --> 00:45:18,400
Speaker 3: Who's Mary? I remember? But I think you're heading to

899
00:45:18,600 --> 00:45:20,759
Speaker 3: Oh is a Christmas note? What time of year is

900
00:45:20,800 --> 00:45:24,680
Speaker 3: it after Valentine's Oh it's Valentine's say, that's right, who's Mary?

901
00:45:24,800 --> 00:45:26,520
Speaker 1: Is Mary NAT's girlfriend?

902
00:45:26,880 --> 00:45:33,840
Speaker 3: Oh? That is coming back soon and rehabs coming So yeah,

903
00:45:33,920 --> 00:45:34,600
Speaker 3: it's all happened.

904
00:45:35,040 --> 00:45:37,560
Speaker 1: Who knows, We will find out, you guys. That's the

905
00:45:37,600 --> 00:45:42,560
Speaker 1: beauty of the show, not knowing what's coming next, except

906
00:45:42,640 --> 00:45:43,080
Speaker 1: Damie knows.

907
00:45:43,120 --> 00:45:44,640
Speaker 3: Yeah. Wait, we still got a little time before the

908
00:45:44,680 --> 00:45:47,400
Speaker 3: show fully jumps the shark. I think we've got the

909
00:45:47,440 --> 00:45:50,680
Speaker 3: rest of this and part of next season and then

910
00:45:51,520 --> 00:45:53,839
Speaker 3: it's real bad. I can't wait eight, nine, and ten

911
00:45:54,000 --> 00:45:57,520
Speaker 3: or oh yeah, it's gonna be good.

912
00:45:57,520 --> 00:45:59,920
Speaker 1: It's gonna be good. Okay, that's it for this episode.

913
00:46:00,040 --> 00:46:02,840
Speaker 1: Thanks everybody for watching. We hope you loved it as

914
00:46:02,920 --> 00:46:06,000
Speaker 1: much as we do, and we will see you next

915
00:46:06,040 --> 00:46:10,880
Speaker 1: week watching the TV show, Thanks for watching the podcast,

916
00:46:11,760 --> 00:46:17,000
Speaker 1: just kidding watching Yeah bye,