WEBVTT - Unsung Heroes of the Court

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<v Speaker 1>Hello, everybody. It's your old pals Josh and Chuck, and

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<v Speaker 1>you will have the chance to see us live in

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<v Speaker 1>person for the first time in two years, Friday, January

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<v Speaker 1>twenty one in San Francisco. Right, Chuck, that's right, We're

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<v Speaker 1>returning to the stage at Sketch Fest. We're very excited

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<v Speaker 1>about it. We can't wait to see everyone. It is

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<v Speaker 1>a VACS only show. Bring your backscard. It is a

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<v Speaker 1>mask only show. Bring that mask. Can't wait to see

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<v Speaker 1>a third of your faces. That's right. You can get

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<v Speaker 1>tickets at s F sketch Fest dot com and again Friday,

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<v Speaker 1>January one, thirty pm Sydney Goldstein Theater in San Francisco, California.

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<v Speaker 1>We will see you there. Welcome to Stuff you Should Know,

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<v Speaker 1>a production of I Heart Radio. Hey, and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark, and there's Charles w Chuck,

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<v Speaker 1>Bryan and Jerry's over there, and this is stuff you

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<v Speaker 1>should know. Let's get to it, friends. Yeah, that's right.

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<v Speaker 1>But hey, we have a bit of an announcement that

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<v Speaker 1>I'm excited about me too. We have added a new

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<v Speaker 1>writer to the stable. Uh Olivia Greshawn and this is

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<v Speaker 1>Libya's first effort and how we're doing it, you know,

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<v Speaker 1>because we've we've never really on boarded people because uh

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<v Speaker 1>David Edward colleagues of ours from the Housetuff worksdays. So

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<v Speaker 1>we thought, maybe, you know, we'd give someone an article,

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<v Speaker 1>not I mean sort of as a tryout, but just

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<v Speaker 1>to make sure that it was a good fit. And

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<v Speaker 1>Olivia killed it right out of the block. And she's

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<v Speaker 1>super talented as a writer and obviously very smart and

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<v Speaker 1>great at research, and like I know, both speaking for

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<v Speaker 1>both of us, we're just very excited to have Livia

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<v Speaker 1>on board. And uh yeah, so thanks Olivia, and welcome

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<v Speaker 1>to the to the family. Welcome aboard, Olivia. If you

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<v Speaker 1>went to high school with Livia, now would be a

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<v Speaker 1>good time to email her and say, hey, I didn't

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<v Speaker 1>know you were writing for stuff you should know. She'd

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<v Speaker 1>be like, oh that yeah. But this is a kind

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<v Speaker 1>of fun one I think as a first assignment to

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<v Speaker 1>for her because it's a little different, and that it

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<v Speaker 1>wasn't just one um one really deep dive on one

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<v Speaker 1>single thing. What she's gonna bomb that when we give

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<v Speaker 1>her that next one, but this is actually three things

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<v Speaker 1>in one. I had the idea of court stenography. But

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<v Speaker 1>then I was like, you know what, maybe, uh, that's

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<v Speaker 1>not quite enough. But I didn't want to do it

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<v Speaker 1>as a shorty, so I thought, let's just expand it

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<v Speaker 1>and talk about bailiff's uh court stenography and court sketch artists,

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<v Speaker 1>the triumvirate. Yeah, what we're calling the unsung heroes of

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<v Speaker 1>the courtroom because they're there. Uh, but you know, you're

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<v Speaker 1>not really ideally if they're doing their job right and

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<v Speaker 1>they're not a celebrity bailiff, you're not even gonna know

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<v Speaker 1>they're there. Yeah, that's pretty much true. They're kind of

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<v Speaker 1>meant to kind of blend into the background. Is the

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<v Speaker 1>judge who wants all the attention usually sometimes the lawyers, Okay,

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<v Speaker 1>bailiffs sometimes the lawyers, please, um, even the bailiff that's

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<v Speaker 1>super busy doing things. They're they're not showboating, you know

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<v Speaker 1>what I'm saying. No, they're not like twirling their gun

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<v Speaker 1>or anything or being like hurry up, this is boring.

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<v Speaker 1>That would be bad. But bailiffs are the least exciting though,

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<v Speaker 1>so I think we should start with them. Okay, so bailiff's,

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<v Speaker 1>it turns out, um find their heritage. It goes back

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<v Speaker 1>many many centuries actually, and they apparently originally started out

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<v Speaker 1>in the UK as kind of legal overseers of a

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<v Speaker 1>manor house for a feudal lord. Basically, yeah, kind of

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<v Speaker 1>property managers. They could collect rent today, would sometimes do

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<v Speaker 1>some accounting, they could collect fines. I think a little

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<v Speaker 1>later on is when they were brought into the court system,

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<v Speaker 1>but it was still sort of doing like sheriffy things, right.

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<v Speaker 1>So that I saw, Chuck was the bailey in ants

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<v Speaker 1>where they were much more um involved in courts and

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<v Speaker 1>they actually have more power. They were more of a

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<v Speaker 1>government official than just like somebody who served a feudal lord. Okay,

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<v Speaker 1>And that's where this it's it's weird. It's almost like

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<v Speaker 1>between medieval England and medieval France, between these two interpretations

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<v Speaker 1>of what a bailiff was, it got all mixed together,

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<v Speaker 1>shaken up, some stuff fell off and some stuff stick around.

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<v Speaker 1>And then you said, okay, now we have the bailiff

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<v Speaker 1>as we understand it today, right, which is you know,

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<v Speaker 1>kind of what we're gonna concentrate on is the the

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<v Speaker 1>good old fashioned American bailiff sitting in the quarter eat

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<v Speaker 1>eating apple pie and ready to jump in there and

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<v Speaker 1>crack someone's skull open, or hand the judge a key

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<v Speaker 1>piece of evidence or arrest somebody. Yeah, because a bailiff

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<v Speaker 1>today is as far as people in America and if

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<v Speaker 1>you're in the UK, you're like, oh, I know the

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<v Speaker 1>bailiff is. It's somebody who, uh there's a water bailiff

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<v Speaker 1>for there's an eviction bailiff who deals with travelers who

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<v Speaker 1>won't leave. Um, that's not really our understanding of bailiff

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<v Speaker 1>in the United States. In the United States, we think

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<v Speaker 1>of them almost exclusively as an officer of the court,

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<v Speaker 1>who is, in most people's opinion, the the security for

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<v Speaker 1>the court. Like they were a gun, they were a badge.

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<v Speaker 1>They're very frequently like a sheriff's deputy or a federal

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<v Speaker 1>marshal or something like that. But apparently there's way more

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<v Speaker 1>to their job than just that I had no idea about.

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<v Speaker 1>Like I really thought they were just there just stand

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<v Speaker 1>up and look menacing that was their their purpose. Uh. Yeah,

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<v Speaker 1>there's about eighteen thousand and change in the United States. Interestingly,

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<v Speaker 1>it's not a it's not an official title. Um, it's

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<v Speaker 1>just sort of, as Olivia says, like a colloquial term

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<v Speaker 1>for someone who does this job. Um, but you don't

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<v Speaker 1>get titled bailiff. They just they just call you bailiff.

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<v Speaker 1>Like you can be a a part time bailiff in

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<v Speaker 1>a small town but also be a marshal or a

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<v Speaker 1>sheriff's deputy as your main job. Yeah, I think even

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<v Speaker 1>in in um in big cities that can be the

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<v Speaker 1>case as well. But um, but yeah, I think you're

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<v Speaker 1>you're you're You're definitely in a smaller area, more rural

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<v Speaker 1>area where there's say, less court activity, they're gonna be like,

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<v Speaker 1>this is not big enough of a job for you.

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<v Speaker 1>You need to do more. You need to pull your

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<v Speaker 1>weight more than this. That's right, So go back to

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<v Speaker 1>be a veterinary assistant, all right, deliver the paper, Yeah,

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<v Speaker 1>do a little bailiffing, and don't forge the mayor's That's right.

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<v Speaker 1>So some of the other jobs that a bailiff has

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<v Speaker 1>that I wasn't aware of. You said something about them

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<v Speaker 1>handling evidence. If you are dealing with evidence in the court,

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<v Speaker 1>you do not just hand it to the judge. You

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<v Speaker 1>hand it to the bailiff, and the bailiff hands it

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<v Speaker 1>to the judge. That was a big one. I didn't realize, Yeah,

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<v Speaker 1>you present the murder weapon and you run it. The

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<v Speaker 1>judge with it, right, and then bailiff says, go ahead,

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<v Speaker 1>yeah exactly. Another one that I did know but didn't

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<v Speaker 1>realize I knew is that the bailiff is usually the

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<v Speaker 1>person who swears in a witness, making them swear an

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<v Speaker 1>oath on the Bible or the Constitution or something like that,

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<v Speaker 1>depending on whether you're in a red state or a

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<v Speaker 1>blue state, you know what I mean. Yeah, they're gonna

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<v Speaker 1>usher the jury in and out. They're gonna usher the

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<v Speaker 1>prisoners in and out. Uh. You know, a lot of

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<v Speaker 1>times with these big trials, they'll have you know, a

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<v Speaker 1>few bailiffs working the room. Uh. They tell people to

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<v Speaker 1>not smoke, They tell people, they screen people when they

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<v Speaker 1>come into the courtroom. They have to you know, you

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<v Speaker 1>can't yell out loud. You can't do that, not in

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<v Speaker 1>this court. Like the judge is gonna admonish them. But

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<v Speaker 1>then the judge is gonna look over at the bailiff,

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<v Speaker 1>and the bailiff is gonna say, I know what that

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<v Speaker 1>look means, right, Yeah, And I was gonna say good.

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<v Speaker 1>Bailiff doesn't even need to wag their finger, like the

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<v Speaker 1>kemb motumbo. They can just shoot a look and you

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<v Speaker 1>know exactly what you're not supposed to be doing anymore.

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<v Speaker 1>So Olivia did some research on on a website that

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<v Speaker 1>kind of broke down the you know, like what makes

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<v Speaker 1>for a good bailiff if you're looking to do this

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<v Speaker 1>as a job, And they classified it as highly social

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<v Speaker 1>with constant contact with others, including unpleasant and angry people

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<v Speaker 1>and physically aggressive people. So you're not just the muscle,

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<v Speaker 1>but you're definitely the muscle exactly. Um, which means you're

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<v Speaker 1>also providing security to not just to the courtroom, but

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<v Speaker 1>for like functions of the court. So like, if the

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<v Speaker 1>jury is sequestered, your job as bailiff is to be

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<v Speaker 1>one of the people guarding them. You're also kind of

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<v Speaker 1>in charge of guarding the jury against themselves, so like

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<v Speaker 1>if the jury is not supposed to be discussing the

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<v Speaker 1>case or at some point, you're supposed to be there

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<v Speaker 1>making sure that they don't discuss the case. Yeah that look, um,

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<v Speaker 1>you're just basically making sure everybody's following the rules as

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<v Speaker 1>much as possible. That's right, And I thought this is

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<v Speaker 1>pretty interesting, kind of going back to the feudal lord

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<v Speaker 1>time bailiff still in the United States can be responsible

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<v Speaker 1>for evicting people, not just in England. I saw that

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<v Speaker 1>was Michigan, in Ohio and I think Washington State all

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<v Speaker 1>use bailiffs still, whereas other places use sheriff's deputies. But

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<v Speaker 1>then confusingly, in some places of bailiff is a sheriff's deputy.

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<v Speaker 1>What do you paid for doing this? Grand? Easy? Not

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<v Speaker 1>quite h it depends state governments pay much more. There's

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<v Speaker 1>a median of almost sixty nine grand a year, which

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<v Speaker 1>is not bad if you're on a local level, maybe

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<v Speaker 1>forty two grand for being a bailiff. What I didn't understand,

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<v Speaker 1>and I didn't get a chance to look up, is

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<v Speaker 1>if that's on top of your salary as a marshal

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<v Speaker 1>or a a sheriff's deputy or something like that. Uh,

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<v Speaker 1>it wouldn't surprise me if you part time to bailiff.

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<v Speaker 1>If it might be more of an hourly thing. But

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<v Speaker 1>I don't know. I'm just guessing there, um but not.

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<v Speaker 1>You know, it's not bad scratch for a high school

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<v Speaker 1>graduate or to get your g e d. That's a

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<v Speaker 1>you know, it's a very good living. Uh. You can

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<v Speaker 1>have a degree in criminal Justice. I saw where and

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<v Speaker 1>we'll talk about celebrity bailiffs here in a second. But

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<v Speaker 1>Judge Judy's bailiff Petrie. Is it Petrie Hawkins Bird or

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<v Speaker 1>Petrie I have never watched the second of Judge Judy

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<v Speaker 1>Points of Pride in my life, so I don't know,

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<v Speaker 1>but I'm going with Hawkins Bird. He had a he

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<v Speaker 1>had AH, he has a criminal justice degree, so he's legit, right. Um,

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<v Speaker 1>So well, I mean, let's talk about celebrity bailiff's because

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<v Speaker 1>there's basically two that come to mind, and one of

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<v Speaker 1>them is Petrio Petrie Hawkins Bird, who was Judge Judy's

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<v Speaker 1>bailiff for twenty five seasons of Judge Judy. And I

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<v Speaker 1>read a like a really sad little article. So apparently

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<v Speaker 1>Judge Judy um ran her course on CBS, got canceled

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<v Speaker 1>and said I'm going over to I m B TV

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<v Speaker 1>where I am dB TV, which I didn't know was

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<v Speaker 1>the thing. No, I don't think anybody did. So everybody's

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<v Speaker 1>like a good, good move, Judge Judy. But she didn't

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<v Speaker 1>ask her bailiff of twenty five years to come to

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<v Speaker 1>her show and apparently didn't talk about it at all.

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<v Speaker 1>And she had announced that she was doing this show

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<v Speaker 1>before the end of her twenty fifth season, so they

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<v Speaker 1>filmed the entire twenty fifth season together, and she just

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<v Speaker 1>never mentioned it that she was starting this other show

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<v Speaker 1>and he wasn't invited. So, um, his feelings were definitely hurt.

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<v Speaker 1>And I think he was a little bewildered and sad,

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<v Speaker 1>and I think felt a little betrayed by that. Yeah.

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<v Speaker 1>I saw that too. I saw that the reason she

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<v Speaker 1>gave was that they can't afford your salary. And he said, well,

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<v Speaker 1>no one even talked to me about it. I probably

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<v Speaker 1>would have taken less, but it wasn't offered. Uh. And

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<v Speaker 1>he also said that in twenty five years, she never

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<v Speaker 1>like invited me to one celebrity shin dig or one

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<v Speaker 1>like social lunch. Right. Yeah, but he said, but I

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<v Speaker 1>wish her well, and you know, he didn't want to

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<v Speaker 1>drag her through the money. You know, he was a

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<v Speaker 1>class that He basically was just saying, like we were

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<v Speaker 1>professional colleagues, we weren't friends, and she was just like,

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<v Speaker 1>I'm I'm just moving on with a new cast, and

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<v Speaker 1>it is what it is. Like I said, I never

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<v Speaker 1>watched it. What I did watch a lot as a

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<v Speaker 1>ten to twelve year old was the People's Court. Yeah.

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<v Speaker 1>I don't know why I love that show as it

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<v Speaker 1>was on right after school and I watched me a

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<v Speaker 1>lot of Judge Wapner and a lot of Rusty Barrell

0:12:08.320 --> 0:12:12.520
<v Speaker 1>is bailiff and Rusty Barrell has the first celebrity bailiff

0:12:12.520 --> 0:12:15.920
<v Speaker 1>and by far the most prolific celebrity bailiff of all time.

0:12:17.080 --> 0:12:20.160
<v Speaker 1>He actually was a real bailiff in court for Los

0:12:20.240 --> 0:12:23.559
<v Speaker 1>Angeles County. So was a bird. Oh yeah, Bert, Yes,

0:12:23.640 --> 0:12:25.719
<v Speaker 1>you're right, you're right. He was from Manhattan. That's how

0:12:25.720 --> 0:12:28.040
<v Speaker 1>he knew judge duty was. They worked in an actual

0:12:28.080 --> 0:12:31.600
<v Speaker 1>court together before she had a TV show. Um Rusty

0:12:31.640 --> 0:12:34.240
<v Speaker 1>Barrell worked in in l A County courts. He actually

0:12:34.280 --> 0:12:37.320
<v Speaker 1>guarded the courtroom during the Manson trial. He was legit

0:12:38.200 --> 0:12:42.559
<v Speaker 1>um but he became the celebrity bailiff on divorce Court

0:12:42.720 --> 0:12:46.320
<v Speaker 1>first from nineteen fifty seven and nineteen sixty nine. And

0:12:46.320 --> 0:12:49.200
<v Speaker 1>it just so happened that he worked with um Uh,

0:12:49.400 --> 0:12:52.319
<v Speaker 1>a lawyer by the last name of Wapner during that

0:12:52.400 --> 0:12:55.960
<v Speaker 1>time on that show, and that lawyer Wapner would go

0:12:56.000 --> 0:12:58.480
<v Speaker 1>on to have a son named Judge Joseph A. Wapner

0:12:58.679 --> 0:13:03.360
<v Speaker 1>who would become the People's Court judge. Right, that's right. Uh.

0:13:03.400 --> 0:13:07.200
<v Speaker 1>And they worked together on People's Court and then uh

0:13:07.320 --> 0:13:11.000
<v Speaker 1>judge Wattner's Animal Court. And he said, most prolific. I

0:13:11.040 --> 0:13:13.839
<v Speaker 1>was doing the math real quick because Bird was in

0:13:13.840 --> 0:13:17.160
<v Speaker 1>there twenty five years, but it looks like twenty six

0:13:17.240 --> 0:13:21.880
<v Speaker 1>years for Rusty. Oh wow, it was twelve on divorce Court,

0:13:21.920 --> 0:13:24.920
<v Speaker 1>twelve on People's Court. And the boy that Animal Court

0:13:24.960 --> 0:13:27.280
<v Speaker 1>that pushed him over the edge was that the shark

0:13:27.520 --> 0:13:30.120
<v Speaker 1>that got jump. I don't know. I mean it was

0:13:30.120 --> 0:13:32.040
<v Speaker 1>two years. I bet it wasn't very good, but they

0:13:32.080 --> 0:13:35.000
<v Speaker 1>count as two more years, so one more year than Bird. Uh.

0:13:35.040 --> 0:13:37.800
<v Speaker 1>And apparently Wattner at one point an interview said when

0:13:37.800 --> 0:13:41.200
<v Speaker 1>they were originally doing the People's Court casting that the

0:13:41.240 --> 0:13:43.720
<v Speaker 1>executive producer said that he wanted to sexy, give me

0:13:43.760 --> 0:13:47.200
<v Speaker 1>a sexy girl as the bailiff, but Wattner was like, no,

0:13:47.320 --> 0:13:49.920
<v Speaker 1>let's let's use this real bailiff my dad worked with.

0:13:50.880 --> 0:13:54.080
<v Speaker 1>And he did, and the rest is history. Should we

0:13:54.080 --> 0:13:56.760
<v Speaker 1>take a break, we should. We're gonna take a break, everybody,

0:13:56.840 --> 0:13:59.360
<v Speaker 1>and not keep you in suspense. We're gonna come back

0:13:59.360 --> 0:14:30.280
<v Speaker 1>and talk about court reporters. Alright, Chuck, So core reporters

0:14:30.320 --> 0:14:33.760
<v Speaker 1>are um, you said that bailiffs were the least interesting,

0:14:33.920 --> 0:14:36.840
<v Speaker 1>So core reporters are the most interesting to you. I

0:14:36.880 --> 0:14:39.920
<v Speaker 1>think court reporters and sketch artists are definitely interesting to me.

0:14:40.000 --> 0:14:44.800
<v Speaker 1>But boy, I love this court reporting section. I thought

0:14:44.840 --> 0:14:49.960
<v Speaker 1>it was super interesting. Uh, the machinery and the history,

0:14:51.040 --> 0:14:53.640
<v Speaker 1>and that this the fact that they are play a

0:14:53.720 --> 0:14:57.960
<v Speaker 1>real civic duty, uh in recording history. And that's one

0:14:58.000 --> 0:15:01.480
<v Speaker 1>of the first points Olivia makes is in uh Neo

0:15:01.520 --> 0:15:06.280
<v Speaker 1>Babylonian Mesopotamia, they kept legal records on clay tablets, and

0:15:06.280 --> 0:15:09.360
<v Speaker 1>these weren't just like, uh so we'll know what happened

0:15:09.400 --> 0:15:12.880
<v Speaker 1>in this court case. It was, but it was recording history,

0:15:13.000 --> 0:15:15.560
<v Speaker 1>like it was recording precedent and all that stuff was

0:15:15.600 --> 0:15:20.040
<v Speaker 1>really important from the beginning. Yeah, for for the Mesopotamians,

0:15:20.040 --> 0:15:22.880
<v Speaker 1>the Babylonians, they weren't saying, like, we gotta preserve this

0:15:22.880 --> 0:15:27.280
<v Speaker 1>this amazing verdict about this land dispute for posterity, Like

0:15:27.320 --> 0:15:29.840
<v Speaker 1>this was how like on this clay tablet was how

0:15:29.880 --> 0:15:33.520
<v Speaker 1>somebody could prove that no, my family owns this land.

0:15:33.560 --> 0:15:38.680
<v Speaker 1>It was decided back in five b c UM and

0:15:38.840 --> 0:15:41.400
<v Speaker 1>my family owns this land. Look at the cunea formed

0:15:41.440 --> 0:15:44.120
<v Speaker 1>tablet um, we get a hand truck and I'll be

0:15:44.240 --> 0:15:47.600
<v Speaker 1>right back right exactly. But the the it just turned

0:15:47.640 --> 0:15:51.280
<v Speaker 1>out that that they kept such meticulous records and they survived,

0:15:51.280 --> 0:15:54.280
<v Speaker 1>and we figured out how to read Kennea formed that um.

0:15:54.360 --> 0:15:57.240
<v Speaker 1>That that we learned a lot about the Babylonians and

0:15:57.800 --> 0:16:01.480
<v Speaker 1>how they dealt with law and agricult sure um and

0:16:01.720 --> 0:16:04.720
<v Speaker 1>land disputes and traditions and customs and all that thanks

0:16:04.720 --> 0:16:07.960
<v Speaker 1>to writing that down through legal documents. And we actually

0:16:08.000 --> 0:16:10.440
<v Speaker 1>understand a lot about a lot of things based on

0:16:10.560 --> 0:16:13.000
<v Speaker 1>court documents. Like do you remember when we were talking

0:16:13.000 --> 0:16:16.320
<v Speaker 1>about the Salem witch trials in that episode and we

0:16:16.320 --> 0:16:20.440
<v Speaker 1>were saying, like, we we understand it very much because

0:16:20.440 --> 0:16:24.920
<v Speaker 1>it was extensively documented, but it was documented through court cases,

0:16:24.920 --> 0:16:27.760
<v Speaker 1>and there's just certain ways that you preserve facts and

0:16:27.840 --> 0:16:30.960
<v Speaker 1>information when you're documenting it through a court record, that's

0:16:31.040 --> 0:16:33.240
<v Speaker 1>just not the same. It doesn't give you the full picture,

0:16:33.800 --> 0:16:36.920
<v Speaker 1>um compared to you know, rounding out with journals and

0:16:36.960 --> 0:16:40.080
<v Speaker 1>diaries and stuff like that. But it's still way way

0:16:40.120 --> 0:16:43.080
<v Speaker 1>better than nothing. But what struck me is weird, Chuck,

0:16:43.120 --> 0:16:46.280
<v Speaker 1>is that the idea of recording stuff like that, which

0:16:46.320 --> 0:16:48.600
<v Speaker 1>seems like, of course you're going to do that. It

0:16:48.680 --> 0:16:52.200
<v Speaker 1>got lost for a while. Yeah. Here in the United

0:16:52.240 --> 0:16:55.760
<v Speaker 1>States during the colonial period, they were like you mentioned

0:16:55.840 --> 0:16:58.000
<v Speaker 1>diaries and stuff. That's kind of what they relied on was,

0:16:58.440 --> 0:17:01.120
<v Speaker 1>you know, whenever a lawyer or a judge might happen

0:17:01.160 --> 0:17:04.520
<v Speaker 1>to keep personal notebooks about stuff, they would use that.

0:17:04.600 --> 0:17:07.560
<v Speaker 1>But they didn't officially decree like, this is something we

0:17:07.600 --> 0:17:10.959
<v Speaker 1>need to do. I think it was the early eighteen

0:17:11.080 --> 0:17:14.199
<v Speaker 1>hundreds that they said, no, this is a problem when

0:17:14.240 --> 0:17:16.359
<v Speaker 1>we can't just rely on whoever happens to want to

0:17:16.400 --> 0:17:20.119
<v Speaker 1>take notes and save them. Uh, judges, you need to

0:17:20.119 --> 0:17:23.359
<v Speaker 1>start writing your verdicts down on paper at least and

0:17:23.400 --> 0:17:27.080
<v Speaker 1>not just say them out loud. And the judges are like, uh,

0:17:27.200 --> 0:17:29.720
<v Speaker 1>Probably because judges didn't really feel like doing that is

0:17:30.000 --> 0:17:32.920
<v Speaker 1>gave rise to actual court reporting. Yeah, think about this, chuck.

0:17:32.960 --> 0:17:36.920
<v Speaker 1>You know how like emphatic like older men are when

0:17:36.960 --> 0:17:39.800
<v Speaker 1>they're just they just know they're right. Like, think about

0:17:39.840 --> 0:17:43.200
<v Speaker 1>the cluster that would arise when some judge just knew

0:17:43.560 --> 0:17:47.760
<v Speaker 1>he remembered a verdict correctly and those totally wrong. Like

0:17:47.960 --> 0:17:51.720
<v Speaker 1>that was the state of the early American court system

0:17:51.760 --> 0:17:54.520
<v Speaker 1>before they finally said, like the beginning of the nineteenth century,

0:17:54.640 --> 0:17:56.480
<v Speaker 1>when they finally said, no, we we need to write

0:17:56.480 --> 0:17:58.800
<v Speaker 1>this down, like if you put yourself in that situation,

0:17:58.840 --> 0:18:02.600
<v Speaker 1>I can't imagine how many terrible outcomes there were from that.

0:18:03.320 --> 0:18:05.399
<v Speaker 1>Oh yeah, I think it was an eighteen o four one,

0:18:05.440 --> 0:18:10.000
<v Speaker 1>Massachusetts finally enacted a law that said the governor has

0:18:10.000 --> 0:18:12.760
<v Speaker 1>the authority to appoint someone quote learned in the law

0:18:13.320 --> 0:18:17.000
<v Speaker 1>to obtain true and authentic reports of the of the decisions.

0:18:17.200 --> 0:18:21.040
<v Speaker 1>In eighteen seventeen was when Congress finally passed a law

0:18:21.720 --> 0:18:24.080
<v Speaker 1>saying the Supreme Court at the very least has to

0:18:24.119 --> 0:18:27.080
<v Speaker 1>have an official court reporter. Said yeah, yeah, Supreme Court,

0:18:27.119 --> 0:18:29.480
<v Speaker 1>you get on that too. It's something I didn't realize.

0:18:29.520 --> 0:18:32.080
<v Speaker 1>I thought it was pretty interesting, is that, Um, before

0:18:32.080 --> 0:18:35.840
<v Speaker 1>that people did document court reports, is particularly of the

0:18:35.880 --> 0:18:39.080
<v Speaker 1>Supreme Court, but they were just like freelance mos who

0:18:39.119 --> 0:18:41.560
<v Speaker 1>showed up and sat there and documented it themselves to

0:18:41.600 --> 0:18:44.600
<v Speaker 1>turn around and sell to whoever wanted that that kind

0:18:44.600 --> 0:18:47.679
<v Speaker 1>of information. So it was like, um, it was it

0:18:47.760 --> 0:18:50.840
<v Speaker 1>was willy nilly, I think is the term for that.

0:18:51.320 --> 0:18:54.120
<v Speaker 1>And you might ask who would want to buy that? Uh,

0:18:54.200 --> 0:19:03.280
<v Speaker 1>you know, law schools, attorneys, bobbies, right, constant bailiffs, bailiff's

0:19:03.320 --> 0:19:08.400
<v Speaker 1>Bailey's So finally, finally, at the end of the nineteenth century,

0:19:08.440 --> 0:19:10.680
<v Speaker 1>everybody's like, all right, we're on board with this idea

0:19:10.680 --> 0:19:13.880
<v Speaker 1>about actually recording the decisions of the court. And let's

0:19:13.880 --> 0:19:18.280
<v Speaker 1>go a little further. Let's let's record every single minute detail,

0:19:18.760 --> 0:19:22.680
<v Speaker 1>down to gestures, down to somebody sitting quietly when asked

0:19:22.680 --> 0:19:28.200
<v Speaker 1>a question. And um, that's where court reporting was actually born,

0:19:28.320 --> 0:19:31.959
<v Speaker 1>was in the end of the nineteenth century. Yeah, when

0:19:31.960 --> 0:19:36.560
<v Speaker 1>the National Shorthand Reporters Association was formed. And I think

0:19:36.600 --> 0:19:37.879
<v Speaker 1>this is one of the reasons that spoke to me

0:19:37.880 --> 0:19:40.440
<v Speaker 1>a little bit because I took a course in high

0:19:40.480 --> 0:19:47.120
<v Speaker 1>school called speed writing. Oh well, there we go, speedwriting, type, typing,

0:19:47.240 --> 0:19:49.840
<v Speaker 1>and um, I can't remember the third thing. It's one

0:19:49.840 --> 0:19:51.720
<v Speaker 1>of those classes that that you know that you spent

0:19:51.800 --> 0:19:58.280
<v Speaker 1>time doing three different things. Oh a checkbook that was

0:19:58.320 --> 0:20:02.359
<v Speaker 1>in there. I don't that was that class anyway. Speed

0:20:02.400 --> 0:20:06.920
<v Speaker 1>writing was, um no, but I did take kommack. Um

0:20:06.960 --> 0:20:11.240
<v Speaker 1>I wasn't. It wasn't official shorthand as we're about to

0:20:11.280 --> 0:20:14.640
<v Speaker 1>talk about. It was. It was a kind of shorthand though,

0:20:15.600 --> 0:20:18.760
<v Speaker 1>um and the funniest thing I remember from that class.

0:20:19.760 --> 0:20:21.119
<v Speaker 1>I don't know. I don't think I should say her

0:20:21.200 --> 0:20:24.880
<v Speaker 1>name is my old friend. She would probably think it's funny,

0:20:24.920 --> 0:20:26.760
<v Speaker 1>it wouldn't care, but I won't say her name. But

0:20:26.800 --> 0:20:28.400
<v Speaker 1>she sat next to me in class, and we used

0:20:28.400 --> 0:20:33.240
<v Speaker 1>always cut up and she did not learn UM. She

0:20:33.400 --> 0:20:36.600
<v Speaker 1>learned the shorthand, but not such that she could take

0:20:36.640 --> 0:20:39.560
<v Speaker 1>the test, which was basically a teacher would just dictate things.

0:20:39.600 --> 0:20:41.960
<v Speaker 1>You would write it in shorthand and then transcribe it

0:20:42.000 --> 0:20:45.200
<v Speaker 1>back in long form UM. But she was really really

0:20:45.320 --> 0:20:48.600
<v Speaker 1>fast at writing, so she would write it all in

0:20:48.640 --> 0:20:52.879
<v Speaker 1>regular longhand and then take the time to transcribe it

0:20:52.920 --> 0:20:57.159
<v Speaker 1>to shorthand and then turn them in reverse order. And

0:20:59.720 --> 0:21:02.840
<v Speaker 1>now you got busted though, And that was technically cheating UM.

0:21:02.880 --> 0:21:07.480
<v Speaker 1>And always felt bad for my unnamed friend. Was really fast,

0:21:07.480 --> 0:21:10.280
<v Speaker 1>didn't account for something. Yeah, I mean it was she

0:21:10.320 --> 0:21:12.640
<v Speaker 1>should have gotten an A for effort at least. But yeah,

0:21:12.680 --> 0:21:15.480
<v Speaker 1>if she went back and transcribed it using a book,

0:21:15.560 --> 0:21:19.680
<v Speaker 1>that's that's cheating chuck a book. Oh well, then yes

0:21:19.720 --> 0:21:23.280
<v Speaker 1>she should have gotten an A. She just needed more time.

0:21:23.359 --> 0:21:26.119
<v Speaker 1>It's like if you were in a German class and

0:21:26.160 --> 0:21:28.439
<v Speaker 1>you had to just write down in English what they

0:21:28.440 --> 0:21:31.880
<v Speaker 1>were saying in German, writing the German first and then

0:21:31.920 --> 0:21:34.440
<v Speaker 1>taking your time to transcribe it. Yah know, I got

0:21:34.440 --> 0:21:36.879
<v Speaker 1>what you're saying for sure, And I dispute the teacher

0:21:37.200 --> 0:21:41.160
<v Speaker 1>having a book involved. But shorthand is fascinating to me.

0:21:41.720 --> 0:21:45.440
<v Speaker 1>And as a very long history going back to Cicero's

0:21:45.680 --> 0:21:51.000
<v Speaker 1>enslaved servant, Marcus Julius Tiro in six b c E

0:21:51.600 --> 0:21:55.560
<v Speaker 1>developed a Latin shorthand became known as tyroni in notes,

0:21:56.400 --> 0:21:58.879
<v Speaker 1>and these were symbols. They were like four thousand symbols,

0:21:59.480 --> 0:22:02.520
<v Speaker 1>and they you know, it was basically the earliest version

0:22:02.520 --> 0:22:05.919
<v Speaker 1>of shorthand. Yeah, and apparently medieval monks got ahold of

0:22:05.920 --> 0:22:09.480
<v Speaker 1>it and turned it into thirteen thousand symbols. Of course

0:22:09.480 --> 0:22:11.920
<v Speaker 1>they did so, um, yeah, because they had a lot

0:22:11.960 --> 0:22:15.119
<v Speaker 1>of time on their hand time. Um. And there's like

0:22:15.200 --> 0:22:19.520
<v Speaker 1>a real value in developing shorthand. So there was all

0:22:19.600 --> 0:22:22.080
<v Speaker 1>sorts of shorthand systems that were developed over the time.

0:22:22.440 --> 0:22:25.040
<v Speaker 1>But as far as court reporting goes, it wasn't until

0:22:25.200 --> 0:22:28.520
<v Speaker 1>a guy named John Robert Greg got into the mix

0:22:28.960 --> 0:22:33.199
<v Speaker 1>in the late nineteenth century, UM, and he developed a

0:22:33.359 --> 0:22:38.720
<v Speaker 1>Greg method of shorthand writing that was so useful and

0:22:38.760 --> 0:22:42.159
<v Speaker 1>so popular he actually opened schools around the country. I

0:22:42.200 --> 0:22:46.000
<v Speaker 1>saw him described as a tycoon where basically, if you

0:22:46.080 --> 0:22:50.840
<v Speaker 1>were a secretary, if you were involved in anything that

0:22:50.840 --> 0:22:55.000
<v Speaker 1>that that involved transcribing or taking dictation or any job

0:22:55.080 --> 0:22:57.760
<v Speaker 1>like that, you basically could not get the job until

0:22:57.800 --> 0:23:00.920
<v Speaker 1>you had a GREG certificate. And so you had to

0:23:00.960 --> 0:23:04.200
<v Speaker 1>go pay to take those classes and be trained like

0:23:04.520 --> 0:23:07.240
<v Speaker 1>it was just the way it was. And then along

0:23:07.320 --> 0:23:10.560
<v Speaker 1>came Miles Bartholome You, who basically ruined everything for John

0:23:10.600 --> 0:23:14.600
<v Speaker 1>Robert Creig and his heirs. No, not so you would

0:23:14.600 --> 0:23:17.880
<v Speaker 1>think the court reporter Miles barthol of You, by inventing

0:23:17.920 --> 0:23:22.560
<v Speaker 1>the first stenotype machine, would have made uh speedwriting in

0:23:22.600 --> 0:23:24.320
<v Speaker 1>shorthand go the way of the Dodo, But that did

0:23:24.359 --> 0:23:28.000
<v Speaker 1>not happen. Uh. And Livia points out very stuteley that

0:23:28.080 --> 0:23:32.080
<v Speaker 1>today there are still some court reporters who do pen

0:23:32.160 --> 0:23:36.760
<v Speaker 1>and paper shorthand and ostensibly because as as we'll see,

0:23:36.760 --> 0:23:39.680
<v Speaker 1>it's really hard to learn how to master that machine.

0:23:40.320 --> 0:23:42.280
<v Speaker 1>And if you're really good at shorthand, and you can

0:23:42.320 --> 0:23:45.119
<v Speaker 1>write two hundred words a minute using shorthand, then just

0:23:46.000 --> 0:23:48.000
<v Speaker 1>have plenty of pins and paper and go at. Yeah,

0:23:48.080 --> 0:23:49.840
<v Speaker 1>if you can write two hundred words a minute, you're

0:23:49.840 --> 0:23:55.080
<v Speaker 1>probably generally keeping up. But from the the stenography machines

0:23:55.200 --> 0:23:58.520
<v Speaker 1>or the steno um is what they're called machine shorthand

0:23:59.240 --> 0:24:01.040
<v Speaker 1>like you can, if you know what you're doing, you

0:24:01.040 --> 0:24:03.040
<v Speaker 1>can do three d words a minute. And that's when

0:24:03.080 --> 0:24:06.960
<v Speaker 1>you're doing like some high quality court reporting work. Yeah.

0:24:07.000 --> 0:24:10.000
<v Speaker 1>I get a feeling that the pen and paper might

0:24:10.040 --> 0:24:13.960
<v Speaker 1>be some of these small town courts that you know

0:24:13.960 --> 0:24:16.320
<v Speaker 1>what I mean. Yeah, they they're bailiff is doing all

0:24:16.359 --> 0:24:19.360
<v Speaker 1>sorts of other jobs. Their core reporter just has pen

0:24:19.440 --> 0:24:22.440
<v Speaker 1>and paper. That's a giant mess basically in these small

0:24:22.480 --> 0:24:24.639
<v Speaker 1>I mean, but it makes sense, you know. Uh. And

0:24:24.720 --> 0:24:26.359
<v Speaker 1>before we move onto the stinto we do need to

0:24:26.359 --> 0:24:30.840
<v Speaker 1>shout out the that weird, uh gas mask looking thing

0:24:31.440 --> 0:24:34.480
<v Speaker 1>that you see sometimes the stino mass and that's the

0:24:34.560 --> 0:24:37.360
<v Speaker 1>thing that you speak into but they can't hear you speaking,

0:24:38.080 --> 0:24:40.840
<v Speaker 1>and it records, you know, it records you saying the

0:24:40.920 --> 0:24:43.720
<v Speaker 1>real words. Yeah. I think my issue with that is

0:24:43.720 --> 0:24:46.520
<v Speaker 1>not even the shape or the look of the mask.

0:24:46.720 --> 0:24:49.720
<v Speaker 1>It's the color of the material they use. It's always

0:24:49.720 --> 0:24:55.040
<v Speaker 1>this weird clinical medical tan color. It's like have you

0:24:55.080 --> 0:25:00.760
<v Speaker 1>heard of yellow or blue. This is a job that

0:25:00.800 --> 0:25:02.760
<v Speaker 1>I thought when might be fun as a retirement job

0:25:02.840 --> 0:25:06.520
<v Speaker 1>for me. Yeah. Uh, but I would not be able

0:25:06.520 --> 0:25:08.800
<v Speaker 1>to do it without my own commentary, So it would

0:25:08.840 --> 0:25:11.280
<v Speaker 1>just be a little very low voice like and and

0:25:11.359 --> 0:25:14.879
<v Speaker 1>you know this attorney objects, Oh god, this guy again.

0:25:15.400 --> 0:25:18.879
<v Speaker 1>He thinks he's all that. Yeah, I don't think we can.

0:25:19.000 --> 0:25:20.199
<v Speaker 1>I don't think you can do that. I think you

0:25:20.240 --> 0:25:22.040
<v Speaker 1>just need to say what people are saying. Well, that's

0:25:22.040 --> 0:25:24.199
<v Speaker 1>a talent in and of itself. It depends. So I

0:25:24.240 --> 0:25:26.639
<v Speaker 1>was looking into those Steno masks and I was like,

0:25:26.680 --> 0:25:29.159
<v Speaker 1>so how does this work? So you're actually when you're

0:25:29.200 --> 0:25:32.119
<v Speaker 1>wearing that mask, it's part part muffler, part silence or

0:25:32.200 --> 0:25:34.040
<v Speaker 1>like the people around you can't hear you. That's why

0:25:34.080 --> 0:25:36.560
<v Speaker 1>that mask is so big. But all you're doing is

0:25:36.840 --> 0:25:40.400
<v Speaker 1>restating what the people are You're you're doing vocal commentary

0:25:40.840 --> 0:25:44.320
<v Speaker 1>on what's going on. Okay, that makes sense. But then

0:25:44.320 --> 0:25:47.240
<v Speaker 1>you're like, well wait a minute, are there like transcriptions? Yes,

0:25:47.840 --> 0:25:50.520
<v Speaker 1>that means that you have to go back listen to

0:25:50.600 --> 0:25:54.320
<v Speaker 1>what you recorded, type it up as you're listening, and

0:25:54.359 --> 0:25:57.879
<v Speaker 1>turn it into a clean transcript. So you're basically doubling

0:25:57.920 --> 0:26:00.920
<v Speaker 1>the work with the Steno steno mask. Oh, I thought

0:26:00.960 --> 0:26:02.479
<v Speaker 1>it had. I thought it was a machine that just

0:26:02.480 --> 0:26:05.000
<v Speaker 1>did it for you. Now it does. But when Force

0:26:05.080 --> 0:26:07.760
<v Speaker 1>Wells invented that thing in World War Two, it did

0:26:07.800 --> 0:26:11.000
<v Speaker 1>not have that machine. So it was a really clugey

0:26:11.119 --> 0:26:14.240
<v Speaker 1>process that took a lot of time. But the reason

0:26:14.280 --> 0:26:16.840
<v Speaker 1>they did it is because it was so highly accurate

0:26:16.880 --> 0:26:20.240
<v Speaker 1>and it could produce so many like comments and details

0:26:20.240 --> 0:26:24.000
<v Speaker 1>and observations that you might just miss that if you

0:26:24.040 --> 0:26:27.520
<v Speaker 1>were typing or writing shorthand right. So it was a

0:26:27.520 --> 0:26:30.760
<v Speaker 1>lot of effort, but it seemed to be worth the effort. Uh.

0:26:30.920 --> 0:26:33.399
<v Speaker 1>Livia found a court reporter from Cleveland named Todd L.

0:26:33.440 --> 0:26:35.720
<v Speaker 1>Peterson who wrote some stuff. I think his name, sorry,

0:26:35.720 --> 0:26:40.000
<v Speaker 1>it's person. Oh do say Peterson? This person with two

0:26:40.119 --> 0:26:44.760
<v Speaker 1>s s. Yeah, But he said basically, you know, if

0:26:44.800 --> 0:26:47.440
<v Speaker 1>you're just talking about a regular person, they speaking about

0:26:47.480 --> 0:26:49.560
<v Speaker 1>a hundred and eighty words a minute. But then you

0:26:49.560 --> 0:26:52.400
<v Speaker 1>have multiple people speaking, you have people talking over each other,

0:26:52.760 --> 0:26:55.919
<v Speaker 1>people interrupting each other. Uh, it can get up to

0:26:55.960 --> 0:26:59.560
<v Speaker 1>three hundred actual words a minute. And if you're one

0:26:59.600 --> 0:27:02.679
<v Speaker 1>of the best typist around, you max out. You know,

0:27:02.720 --> 0:27:06.919
<v Speaker 1>in the in the low one hundreds basically, and uh,

0:27:07.040 --> 0:27:08.919
<v Speaker 1>you also have to say who was speaking to the

0:27:09.000 --> 0:27:11.119
<v Speaker 1>name of the person you're in there for, you know,

0:27:11.200 --> 0:27:13.679
<v Speaker 1>eight to ten hours at a time, and it's a

0:27:13.720 --> 0:27:19.920
<v Speaker 1>brutal job. This machine is, uh, it's a crazy piece

0:27:19.960 --> 0:27:23.120
<v Speaker 1>of machinery because it doesn't it's not like a little

0:27:23.160 --> 0:27:26.560
<v Speaker 1>tiny typewriter. It is twenty two blank keys and a

0:27:26.600 --> 0:27:31.800
<v Speaker 1>blank number bar and you are playing it like a piano. Basically,

0:27:33.560 --> 0:27:36.000
<v Speaker 1>you're not saying, you're not spelling out words one letter

0:27:36.040 --> 0:27:38.200
<v Speaker 1>at a time. You're doing it all at the same time.

0:27:38.880 --> 0:27:41.640
<v Speaker 1>And it's it's it's just a miracle how anyone ever

0:27:41.720 --> 0:27:44.440
<v Speaker 1>learns how to use this thing. Yeah that that um,

0:27:44.480 --> 0:27:47.680
<v Speaker 1>that hundred and ten word a minute typist is using

0:27:47.720 --> 0:27:50.800
<v Speaker 1>a quarty keyboard like you and I use on our computers.

0:27:51.359 --> 0:27:55.119
<v Speaker 1>And apparently, um, because the rate of speech is a

0:27:55.200 --> 0:27:57.479
<v Speaker 1>hundred and eighty words per minute. That means that if

0:27:57.520 --> 0:27:59.760
<v Speaker 1>you're typing on a normal keyboard, you start to fall

0:27:59.800 --> 0:28:02.400
<v Speaker 1>by mind at the first after the first ten seconds,

0:28:02.400 --> 0:28:05.000
<v Speaker 1>and you just get further and further behind. Right with

0:28:05.040 --> 0:28:08.320
<v Speaker 1>the machine you're talking about, the stenography machine with just

0:28:08.359 --> 0:28:10.480
<v Speaker 1>twenty two keys in that blank number bar. The way

0:28:10.520 --> 0:28:14.280
<v Speaker 1>that set up is you've got the beginning consonant sounds

0:28:14.320 --> 0:28:16.960
<v Speaker 1>that are being worked on the left hand the left side,

0:28:17.720 --> 0:28:20.239
<v Speaker 1>on your right hand, on the right side are the

0:28:20.359 --> 0:28:24.040
<v Speaker 1>ending consonant sounds, and in the middle are the syllables

0:28:24.080 --> 0:28:27.080
<v Speaker 1>or the vault the vowels that um that you use

0:28:27.119 --> 0:28:28.760
<v Speaker 1>your thumb to type, that go in the middle of

0:28:28.760 --> 0:28:31.000
<v Speaker 1>the words. So that means, because of the placement of

0:28:31.040 --> 0:28:35.120
<v Speaker 1>the keys, you can press all these these keys at

0:28:35.160 --> 0:28:39.480
<v Speaker 1>once and compose a word all at once, rather than

0:28:39.560 --> 0:28:41.400
<v Speaker 1>one letter at a time. No matter how fast you're

0:28:41.400 --> 0:28:44.840
<v Speaker 1>typing on a quarty keyboard, you're still ultimately typing one

0:28:44.960 --> 0:28:48.640
<v Speaker 1>letter at a time. With a stenography machine, you're typing

0:28:48.800 --> 0:28:53.080
<v Speaker 1>an entire word all at once. Basically, yes. And that's

0:28:53.120 --> 0:28:57.360
<v Speaker 1>why in a courtroom they can ask for the stenographer

0:28:57.400 --> 0:29:00.480
<v Speaker 1>to read back, the court reporter to read back something

0:29:00.480 --> 0:29:04.920
<v Speaker 1>that's just been said, which has been used in countless

0:29:05.200 --> 0:29:08.640
<v Speaker 1>TV comedies and movie comedies throughout history. It's always a

0:29:08.640 --> 0:29:11.640
<v Speaker 1>great gag when something dumb happens in court and the

0:29:11.640 --> 0:29:14.640
<v Speaker 1>court reporter, in the very monotone reads back what has

0:29:14.640 --> 0:29:18.880
<v Speaker 1>just happened, like airplane airplane two. I can't remember what

0:29:18.920 --> 0:29:21.160
<v Speaker 1>the joke was but I know there was one in that.

0:29:21.280 --> 0:29:23.120
<v Speaker 1>I'm sure they did. That's a trope. It's been in

0:29:23.120 --> 0:29:25.320
<v Speaker 1>a million movies. It's one of the great jokes. So

0:29:25.400 --> 0:29:27.840
<v Speaker 1>one of the things that they've done is said, they said, Okay,

0:29:27.840 --> 0:29:31.360
<v Speaker 1>the stenography machine is amazing, and the people who who

0:29:31.480 --> 0:29:34.000
<v Speaker 1>use these things and can type three hundred plus words

0:29:34.000 --> 0:29:38.280
<v Speaker 1>a minute are are magical human beings there. But um,

0:29:38.400 --> 0:29:40.720
<v Speaker 1>we not have technology that can make these things even

0:29:40.760 --> 0:29:45.280
<v Speaker 1>more outstanding, and that is that while you're typing. Uh.

0:29:45.360 --> 0:29:48.400
<v Speaker 1>And apparently, by the way, people who are typing who

0:29:48.440 --> 0:29:53.360
<v Speaker 1>are masters of a stenography machine, um, they can they

0:29:53.400 --> 0:29:56.640
<v Speaker 1>type with like accuracy at three hundred words a minute.

0:29:56.680 --> 0:29:59.360
<v Speaker 1>So it's just fantastic. So they have these things plugged

0:29:59.400 --> 0:30:04.000
<v Speaker 1>in now to a computer that's basically adding time stamps, um,

0:30:04.040 --> 0:30:07.120
<v Speaker 1>putting the person's name after like next to who's speaking

0:30:07.160 --> 0:30:10.040
<v Speaker 1>at any given point, um, And then they take that

0:30:10.440 --> 0:30:12.840
<v Speaker 1>and transfer it. They send it out to a real

0:30:12.920 --> 0:30:16.920
<v Speaker 1>time live feed to like the judges computer, the lawyer's computers, um,

0:30:16.960 --> 0:30:19.959
<v Speaker 1>so that everybody who needs one in the courtroom sees

0:30:20.560 --> 0:30:25.320
<v Speaker 1>the transcript as it's happening, basically almost entirely in real time.

0:30:26.000 --> 0:30:28.400
<v Speaker 1>Pretty cool. It is pretty cool. And then the one

0:30:28.480 --> 0:30:32.520
<v Speaker 1>last technology I saw a chuck is that, um, they

0:30:32.560 --> 0:30:36.920
<v Speaker 1>have a speech to text now, so that now, finally

0:30:37.000 --> 0:30:40.600
<v Speaker 1>those stunno masks are actually a valuable tool, and I

0:30:40.600 --> 0:30:43.760
<v Speaker 1>believe they're starting to come back. Those on your phone,

0:30:44.520 --> 0:30:47.840
<v Speaker 1>Yeah basically, but you just need a muffler silencer mask

0:30:47.920 --> 0:30:49.800
<v Speaker 1>to attach to your phone and you'd be you'd be

0:30:49.920 --> 0:30:52.920
<v Speaker 1>right there for a court reporter. Yeah, that those are

0:30:53.000 --> 0:30:56.760
<v Speaker 1>remarkably accurate on the phone. I found. Yeah, it's pretty

0:30:56.800 --> 0:30:59.280
<v Speaker 1>pretty interesting. But there are some things where they kind

0:30:59.280 --> 0:31:02.360
<v Speaker 1>of lack, um, like if you are if you weren't

0:31:02.440 --> 0:31:05.360
<v Speaker 1>using just the court reports. Some apparently some courts have

0:31:05.480 --> 0:31:08.400
<v Speaker 1>said let's just set up some microphones in the court

0:31:08.440 --> 0:31:11.680
<v Speaker 1>and have an AI transcribe this and and just not

0:31:12.040 --> 0:31:13.840
<v Speaker 1>you know, take the court reporter out of the whole

0:31:13.840 --> 0:31:15.840
<v Speaker 1>thing in the stentle mask. Get rid of that ugly

0:31:16.040 --> 0:31:19.320
<v Speaker 1>stentle mask. And they found that the AI can't do

0:31:19.400 --> 0:31:23.920
<v Speaker 1>things like understand accents, um, especially if it's a thick

0:31:23.960 --> 0:31:26.800
<v Speaker 1>accent when people talk over each other. It just throws

0:31:26.800 --> 0:31:30.520
<v Speaker 1>its hands up. Um. If if you want, if you

0:31:30.600 --> 0:31:33.880
<v Speaker 1>ask an AI to to read it back, that can

0:31:33.920 --> 0:31:37.000
<v Speaker 1>be a problem, or the AI can't ask you to

0:31:37.120 --> 0:31:41.280
<v Speaker 1>repeat yourself. That's another one too. So if you are

0:31:41.320 --> 0:31:45.400
<v Speaker 1>a court reporter, you're getting me making should be three

0:31:45.800 --> 0:31:49.080
<v Speaker 1>thousand dollars a year. Should be asked me to learn

0:31:49.120 --> 0:31:53.360
<v Speaker 1>that machine because it takes uh, it's this, you know.

0:31:53.840 --> 0:31:55.480
<v Speaker 1>I guess it depends on how fast of a learning

0:31:55.480 --> 0:31:58.560
<v Speaker 1>you are. But Mr person says six months to learn

0:31:58.560 --> 0:32:01.280
<v Speaker 1>those key strokes and a a couple of years to

0:32:01.400 --> 0:32:04.000
<v Speaker 1>really get good at it. That's that's a lot of

0:32:04.040 --> 0:32:08.400
<v Speaker 1>time put in. UM. I think the median pay is

0:32:08.440 --> 0:32:12.920
<v Speaker 1>about sixty one grand as of May. You can also

0:32:12.960 --> 0:32:17.800
<v Speaker 1>get a little side hustle going doing uh depots maybe,

0:32:18.440 --> 0:32:20.720
<v Speaker 1>although I think most of those are usually video recorded

0:32:20.720 --> 0:32:24.920
<v Speaker 1>because my friend does that for a living. Um, but

0:32:25.320 --> 0:32:27.440
<v Speaker 1>sixty one grand should be more. That's all I'm saying.

0:32:27.440 --> 0:32:30.080
<v Speaker 1>I'll bet they do both. I'll bet the video record them.

0:32:30.120 --> 0:32:32.280
<v Speaker 1>But I'm sure they have transcripts. Is because it's so

0:32:32.360 --> 0:32:34.880
<v Speaker 1>much easier to scan a transcript definement you're looking for

0:32:35.560 --> 0:32:37.800
<v Speaker 1>almost to his or just video. There's no court reporter

0:32:37.840 --> 0:32:40.680
<v Speaker 1>on there. That's interesting. It probably depends on the again,

0:32:40.880 --> 0:32:43.240
<v Speaker 1>the size of the case and the how much money

0:32:43.240 --> 0:32:46.400
<v Speaker 1>you can throw at it, because it costs dough. Yeah,

0:32:46.440 --> 0:32:49.840
<v Speaker 1>I can imagine. Uh, there was one person we should

0:32:49.880 --> 0:32:52.720
<v Speaker 1>mention that. I kind of feel bad. But there's one

0:32:52.720 --> 0:32:55.320
<v Speaker 1>part of this I did find funny. There was New

0:32:55.400 --> 0:32:59.560
<v Speaker 1>York State Supreme Court Court reporter, let's say this, we

0:32:59.560 --> 0:33:02.920
<v Speaker 1>don't even aim him, who had a drinking problem and

0:33:03.480 --> 0:33:05.800
<v Speaker 1>it screwed up pretty big at a few trials. And

0:33:06.160 --> 0:33:09.120
<v Speaker 1>it's not funny because he had a drinking problem. The

0:33:09.160 --> 0:33:11.640
<v Speaker 1>only funny part is I can imagine them reading the

0:33:11.640 --> 0:33:15.000
<v Speaker 1>transcript backed at some point when he just repeatedly typed

0:33:15.040 --> 0:33:18.400
<v Speaker 1>I hate my job. I hate my job, over and

0:33:18.440 --> 0:33:21.200
<v Speaker 1>over and over. Yeah. And apparently like he did this

0:33:21.280 --> 0:33:25.360
<v Speaker 1>on some really important um trials and like he just

0:33:25.440 --> 0:33:28.200
<v Speaker 1>didn't take notes for a couple of days and some

0:33:28.360 --> 0:33:31.200
<v Speaker 1>of them and so now some guilty verdicts have been

0:33:31.960 --> 0:33:35.600
<v Speaker 1>up for grabs, and they had chuck. They had reconstruction

0:33:35.680 --> 0:33:38.600
<v Speaker 1>hearings where the judge brought the lawyers and the defendants

0:33:38.600 --> 0:33:40.880
<v Speaker 1>at everybody back in and said, Okay, who remembers what

0:33:41.080 --> 0:33:45.000
<v Speaker 1>about this? Because we're missing some really important parts of

0:33:45.040 --> 0:33:48.640
<v Speaker 1>the record and we need to try to recreate it. Wow.

0:33:48.920 --> 0:33:50.920
<v Speaker 1>And the thing that stuck me to was in this

0:33:51.240 --> 0:33:54.160
<v Speaker 1>in a New York Post article on it. They interviewed

0:33:54.160 --> 0:33:56.920
<v Speaker 1>his ex wife and she said it was that job

0:33:57.160 --> 0:33:59.840
<v Speaker 1>that caused him to start drinking the first place. And

0:34:00.000 --> 0:34:03.040
<v Speaker 1>I'm like, amen, because I gotta tell you, I can't

0:34:03.080 --> 0:34:06.320
<v Speaker 1>think of too many more stressful jobs that don't involve

0:34:06.640 --> 0:34:09.520
<v Speaker 1>an actual human life in your hands, like say like

0:34:09.800 --> 0:34:15.160
<v Speaker 1>a heart surgeon or something than a court reporter. You think, yeah, man,

0:34:15.320 --> 0:34:18.239
<v Speaker 1>the pressure to get everything right, not miss anything, not

0:34:18.360 --> 0:34:21.279
<v Speaker 1>fall behind, and stay like that for eight hours at

0:34:21.280 --> 0:34:24.480
<v Speaker 1>a stretch, you know, every day that you're working that

0:34:24.480 --> 0:34:27.839
<v Speaker 1>that sounds like a very high pressure job. I don't know.

0:34:27.960 --> 0:34:30.120
<v Speaker 1>I think from that thing that that account you sent

0:34:30.239 --> 0:34:34.680
<v Speaker 1>of what they it was another insider account was it

0:34:34.719 --> 0:34:37.800
<v Speaker 1>seemed a little more zen to me than that because

0:34:37.880 --> 0:34:41.960
<v Speaker 1>what they he talked about was hearing but not listening.

0:34:42.920 --> 0:34:45.520
<v Speaker 1>So you kind of have to go into this fugue

0:34:45.560 --> 0:34:49.200
<v Speaker 1>state almost where you're hearing words but you're not listening,

0:34:49.239 --> 0:34:51.799
<v Speaker 1>as if you're in a conversation with someone, because then

0:34:51.840 --> 0:34:55.240
<v Speaker 1>you're investing even if you're not trying to, you're probably

0:34:55.400 --> 0:34:58.440
<v Speaker 1>investing emotionally, and that'll get you out of your rhythm.

0:34:58.520 --> 0:35:01.000
<v Speaker 1>You just have to you just to hear and let

0:35:01.000 --> 0:35:04.240
<v Speaker 1>the words flow through your fingers. Yeah, yeah, pretty interesting,

0:35:04.360 --> 0:35:06.480
<v Speaker 1>I think. Yeah, it is, like it is any thing,

0:35:06.680 --> 0:35:08.759
<v Speaker 1>but it takes a certain kind of person for sure. Yeah,

0:35:08.800 --> 0:35:10.759
<v Speaker 1>and I'm sure, I'm sure not all of them can

0:35:10.800 --> 0:35:12.880
<v Speaker 1>do it, but yeah, that would probably be the ideal

0:35:12.920 --> 0:35:15.520
<v Speaker 1>way to do it, for sure. All Right, let's take

0:35:15.520 --> 0:35:17.399
<v Speaker 1>our last break, and we're gonna come back and talk

0:35:17.440 --> 0:35:48.719
<v Speaker 1>about those scrappy little sketch artists right after this. Alright, Uh,

0:35:48.800 --> 0:35:54.040
<v Speaker 1>sketch artists are maybe the most unsung because there aren't

0:35:54.040 --> 0:35:56.800
<v Speaker 1>many of them. Um. I was starting to think about

0:35:56.920 --> 0:36:01.960
<v Speaker 1>court sketch artists, and you don't have them for every trial.

0:36:02.000 --> 0:36:05.439
<v Speaker 1>It's not like a bailiff or a stenographer. You only

0:36:05.440 --> 0:36:07.239
<v Speaker 1>get a sketch artist in there when it's something the

0:36:07.280 --> 0:36:10.440
<v Speaker 1>media is interested in. And there's only so many of

0:36:10.480 --> 0:36:14.040
<v Speaker 1>those trials. There's only so many big cities where those

0:36:14.040 --> 0:36:17.080
<v Speaker 1>trials might be taking place, So there aren't that many

0:36:17.200 --> 0:36:21.479
<v Speaker 1>court sketch artists anymore that are working. No, And yeah,

0:36:21.520 --> 0:36:24.520
<v Speaker 1>the sketches that are produced, they're not ordered by the court,

0:36:24.520 --> 0:36:27.440
<v Speaker 1>they're not part of the court record. They exist to

0:36:27.440 --> 0:36:29.640
<v Speaker 1>two for the media to have some sort of visual

0:36:29.680 --> 0:36:33.439
<v Speaker 1>information to accompany reports of like court cases, which makes sense,

0:36:33.440 --> 0:36:36.200
<v Speaker 1>but I never really thought about that before. Yeah, and

0:36:36.239 --> 0:36:40.040
<v Speaker 1>that's it. And it started because there weren't cameras. Uh.

0:36:40.080 --> 0:36:43.200
<v Speaker 1>In eighteen fifty nine, it was John Brown's trial in

0:36:43.280 --> 0:36:47.239
<v Speaker 1>Virginia and there was a national magazine that sent illustrators

0:36:47.280 --> 0:36:49.719
<v Speaker 1>to cover this, and that was kind of where the

0:36:49.719 --> 0:36:52.799
<v Speaker 1>whole thing started. When cameras did come around, they put

0:36:52.840 --> 0:36:56.440
<v Speaker 1>him in the courtroom and the trial of the century,

0:36:56.440 --> 0:36:58.719
<v Speaker 1>the first trial of the century, uh, the Limberg baby

0:36:58.800 --> 0:37:04.200
<v Speaker 1>kidnapping with Bruno Holtman was chaos with those huge cameras

0:37:04.200 --> 0:37:08.880
<v Speaker 1>and flashbulbs and court reporter and photographers just like apparently

0:37:08.880 --> 0:37:11.040
<v Speaker 1>climbing on tables to get good shots. It was just

0:37:11.400 --> 0:37:13.480
<v Speaker 1>it was a zoo in there. So he said he

0:37:13.480 --> 0:37:16.520
<v Speaker 1>couldn't even get a fair trial because of these camera people.

0:37:17.200 --> 0:37:20.080
<v Speaker 1>And even though that argument didn't work, Uh, the A

0:37:20.160 --> 0:37:22.680
<v Speaker 1>b A said, you know what, no more cameras in

0:37:22.680 --> 0:37:27.279
<v Speaker 1>the courtrooms. Um. Generally this is the American Bar Association,

0:37:27.320 --> 0:37:30.600
<v Speaker 1>so they don't they can't lay down the law. But usually,

0:37:31.120 --> 0:37:34.480
<v Speaker 1>I mean some are televised and sometimes there's cameras. I know,

0:37:34.560 --> 0:37:37.719
<v Speaker 1>we'll watch the O J trial, but most times you're

0:37:37.719 --> 0:37:41.160
<v Speaker 1>gonna see a sketch come out on the five o'clock news. Yeah,

0:37:41.200 --> 0:37:43.440
<v Speaker 1>I mean because the A B. A said there shouldn't

0:37:43.480 --> 0:37:46.279
<v Speaker 1>be cameras in the courtroom a lot of states and

0:37:46.360 --> 0:37:48.960
<v Speaker 1>the federal government said, yeah, you're you're absolutely right. And

0:37:49.000 --> 0:37:52.000
<v Speaker 1>so that actually was one of those rare instances where

0:37:52.040 --> 0:37:55.600
<v Speaker 1>like the predecessor came back in style. And yeah, I

0:37:55.600 --> 0:37:59.000
<v Speaker 1>guess in the sixties, TV news was not a huge

0:37:59.080 --> 0:38:04.240
<v Speaker 1>thing until the civil rights era. Um, until the assassination

0:38:04.280 --> 0:38:08.160
<v Speaker 1>of JFK and the ensuing assassination of Jack Ruby. Um,

0:38:09.040 --> 0:38:12.279
<v Speaker 1>like the sixties is kind of supercharged the reason for

0:38:12.320 --> 0:38:17.839
<v Speaker 1>there to be TV news, and um, the people who

0:38:17.880 --> 0:38:20.040
<v Speaker 1>are doing the news needed, like if they couldn't get

0:38:20.080 --> 0:38:22.319
<v Speaker 1>cameras in the courtroom, they still needed some visual and

0:38:22.400 --> 0:38:25.800
<v Speaker 1>so that gave like a real boost to two courtroom

0:38:25.840 --> 0:38:28.960
<v Speaker 1>sketch artists as well. Yeah, I think the Jack Ruby

0:38:28.960 --> 0:38:33.240
<v Speaker 1>trial is a man named Howard Brody very famously sketched

0:38:33.280 --> 0:38:37.120
<v Speaker 1>that one, and he went on to do RFK and

0:38:37.360 --> 0:38:41.120
<v Speaker 1>mlk's assassinations. Then there was a man named Bill Roebols

0:38:41.120 --> 0:38:44.200
<v Speaker 1>who has done some pretty famous ones. I like his stuff.

0:38:44.200 --> 0:38:46.839
<v Speaker 1>He did the Manson trial, and if you look at

0:38:46.880 --> 0:38:50.040
<v Speaker 1>those sketches online. He kind of has a Ralph Steadman

0:38:50.120 --> 0:38:53.520
<v Speaker 1>quality to him. Oh yeah, yeah, it's it's pretty cool stuff.

0:38:53.719 --> 0:38:56.680
<v Speaker 1>The is that the guy who did the Manson leaping

0:38:56.680 --> 0:39:01.000
<v Speaker 1>at the judge? Yes, yeah, so, um so yeah. So

0:39:01.040 --> 0:39:03.480
<v Speaker 1>they're like, I think there are courtroom sketch artists that

0:39:03.560 --> 0:39:06.959
<v Speaker 1>have kind of made names for themselves, especially among the media.

0:39:07.040 --> 0:39:09.600
<v Speaker 1>But what they will do is sit there and and

0:39:09.640 --> 0:39:13.800
<v Speaker 1>you know, draw, um the scenes in the court. Believe

0:39:13.840 --> 0:39:15.680
<v Speaker 1>it or not, that's what these sketch artists are doing

0:39:15.680 --> 0:39:18.360
<v Speaker 1>all day. They sit around and draw. But then but

0:39:18.440 --> 0:39:22.080
<v Speaker 1>it's it's harder than it sounds because very frequently there

0:39:22.080 --> 0:39:26.800
<v Speaker 1>are um, there's not a lot of visual action going

0:39:26.920 --> 0:39:31.640
<v Speaker 1>on in like the courtroom. It's very it's not rare necessarily,

0:39:31.680 --> 0:39:34.640
<v Speaker 1>but it's not happening every moment. So they can't count

0:39:34.640 --> 0:39:37.520
<v Speaker 1>on Charles Manson to always be jumping over a table exactly.

0:39:37.600 --> 0:39:40.680
<v Speaker 1>So the court the court sketch artist has to basically

0:39:40.719 --> 0:39:45.120
<v Speaker 1>have a real eye for nuance and facial expression and

0:39:45.120 --> 0:39:47.960
<v Speaker 1>and to figure out how to capture visually a subtle

0:39:48.000 --> 0:39:50.920
<v Speaker 1>exchange that can maybe change the momentum of a court

0:39:50.920 --> 0:39:53.640
<v Speaker 1>case or something like that, and then present it. Then

0:39:53.640 --> 0:39:55.760
<v Speaker 1>they have to do it in a way that looks good,

0:39:56.160 --> 0:39:58.520
<v Speaker 1>and they have to do it quickly, and then when

0:39:58.520 --> 0:40:00.760
<v Speaker 1>they're done, they have to run out. Well, up until

0:40:00.880 --> 0:40:03.560
<v Speaker 1>probably the last few decades, they had to run outside

0:40:03.600 --> 0:40:06.759
<v Speaker 1>and the TV news crewise would film the um the

0:40:06.800 --> 0:40:10.600
<v Speaker 1>sketches that they made for that day for the evening news. Yeah,

0:40:10.600 --> 0:40:13.600
<v Speaker 1>and you know, they don't have a special chair like

0:40:13.640 --> 0:40:17.600
<v Speaker 1>the stenographer does, or a special place to stand. I mean,

0:40:17.640 --> 0:40:20.080
<v Speaker 1>I think in some courts they accommodate them as best

0:40:20.080 --> 0:40:22.480
<v Speaker 1>they can. I think there was this one article for

0:40:22.560 --> 0:40:27.239
<v Speaker 1>Mental Floss where one of the court reporters, Vicky ellen Behringer,

0:40:27.960 --> 0:40:30.920
<v Speaker 1>said that, uh, they would give her a place to

0:40:30.960 --> 0:40:33.800
<v Speaker 1>sit sometimes in the jury box if there was room.

0:40:33.920 --> 0:40:36.200
<v Speaker 1>But sometimes you're just out there with everyone else and

0:40:36.239 --> 0:40:38.160
<v Speaker 1>you're you know, you might have somebody with a big

0:40:38.239 --> 0:40:40.160
<v Speaker 1>giant head in front of you. You gotta you gotta

0:40:40.200 --> 0:40:43.680
<v Speaker 1>really work on the fly, and like you said, work fast.

0:40:44.600 --> 0:40:46.879
<v Speaker 1>I mentioned, it's not a whole lot of people doing it.

0:40:47.200 --> 0:40:49.879
<v Speaker 1>I think Robols was interviewed like three or four years ago.

0:40:50.280 --> 0:40:52.160
<v Speaker 1>He said he's working a lot, but he's just one

0:40:52.200 --> 0:40:55.920
<v Speaker 1>of two in Los Angeles. So and I thought that

0:40:56.000 --> 0:40:59.160
<v Speaker 1>just sounded astounding, but again, if you think about the

0:40:59.200 --> 0:41:01.600
<v Speaker 1>media covered trials, so just aren't that many of them.

0:41:01.600 --> 0:41:04.239
<v Speaker 1>So you don't need hundreds and thousands of sketch artists

0:41:04.280 --> 0:41:07.200
<v Speaker 1>around the country just to pick up work. Sketch artists

0:41:07.239 --> 0:41:13.680
<v Speaker 1>are becoming bailiffs. Yeah, the bailiffs like got the gun

0:41:13.719 --> 0:41:15.919
<v Speaker 1>in one hand and sketching on the other. It's tough, man,

0:41:16.560 --> 0:41:22.000
<v Speaker 1>it's tough out there. So, um, one of the places

0:41:22.040 --> 0:41:24.240
<v Speaker 1>you can get work, if you're a reliable sketch artist

0:41:24.320 --> 0:41:27.800
<v Speaker 1>is by drawing the Supreme Court because you just aren't

0:41:27.800 --> 0:41:29.960
<v Speaker 1>going to get a camera in there. Like anybody who

0:41:30.040 --> 0:41:33.160
<v Speaker 1>listens to MPR News is familiar with Nina Totenberg's like

0:41:33.680 --> 0:41:37.680
<v Speaker 1>play by play of um Supreme Court arguments and discussions,

0:41:38.360 --> 0:41:42.440
<v Speaker 1>and she's kind of like a verbal sketch artist. But um,

0:41:42.520 --> 0:41:44.920
<v Speaker 1>the point is here there's not any media allowed in

0:41:44.960 --> 0:41:50.280
<v Speaker 1>the Supreme Court. Champ just today with the abortion proceedings.

0:41:50.360 --> 0:41:53.000
<v Speaker 1>I was looking at pictures. I saw some last night

0:41:53.440 --> 0:41:56.600
<v Speaker 1>of the sketch artists and it was probably done by

0:41:57.160 --> 0:42:00.880
<v Speaker 1>Arthur Lean. Arthur maybe the only person to him for

0:42:00.880 --> 0:42:03.920
<v Speaker 1>the Supreme Court, but I know that he does the

0:42:04.000 --> 0:42:09.000
<v Speaker 1>Scotus blog and h for NBC, so maybe they probably

0:42:09.040 --> 0:42:11.440
<v Speaker 1>let more than one end for something this big, but

0:42:11.480 --> 0:42:14.440
<v Speaker 1>apparently it's uh court reporters have round or I'm sorry. Um.

0:42:14.520 --> 0:42:17.279
<v Speaker 1>Sketch artists have roundly said it's a lot easier to

0:42:17.360 --> 0:42:21.120
<v Speaker 1>draw someone like Charles Manson than it is to draw

0:42:21.239 --> 0:42:26.680
<v Speaker 1>some just sort of normal looking normal I don't know,

0:42:26.719 --> 0:42:30.400
<v Speaker 1>like Tom Brady or something like that. Yeah, that was

0:42:30.480 --> 0:42:34.480
<v Speaker 1>very famous. Jane Rosenberg sketch Tom tom Brady almost that

0:42:34.560 --> 0:42:40.040
<v Speaker 1>Tom Barringer um during the deflate Gate proceedings and and

0:42:40.120 --> 0:42:42.640
<v Speaker 1>it was, you know, Tom Brady is a traditionally a

0:42:42.719 --> 0:42:45.320
<v Speaker 1>handsome person, and he looked a little bit like Lurch

0:42:45.840 --> 0:42:47.920
<v Speaker 1>and it became a meme and it was pretty funny.

0:42:47.960 --> 0:42:49.400
<v Speaker 1>The best one I saw, the best of me my

0:42:49.440 --> 0:42:53.800
<v Speaker 1>saw was um, that sketch of Tom Brady photoshopped onto

0:42:53.840 --> 0:42:56.800
<v Speaker 1>the Hunchback from Hunchback and Notre Dame the Disney movie.

0:42:57.760 --> 0:43:01.360
<v Speaker 1>Really it was perfect. If she got a lot of

0:43:01.360 --> 0:43:03.640
<v Speaker 1>press out of that, she did the others. Best one

0:43:03.640 --> 0:43:06.600
<v Speaker 1>I saw was that sketch of Tom Brady's head on

0:43:06.640 --> 0:43:12.359
<v Speaker 1>the potato Jesus meme right right. The fit pretty well. Team. Uh.

0:43:12.400 --> 0:43:14.520
<v Speaker 1>The final little thing here that Livia found, which I

0:43:14.560 --> 0:43:18.359
<v Speaker 1>thought was pretty great in a testament to how good

0:43:18.360 --> 0:43:19.920
<v Speaker 1>of work that she's doing for us so far. But

0:43:20.000 --> 0:43:23.400
<v Speaker 1>she she found that they sometimes attorneys, and this doesn't

0:43:23.400 --> 0:43:26.279
<v Speaker 1>surprise me. They will buy some of these sketches. I

0:43:26.320 --> 0:43:28.600
<v Speaker 1>guess sometimes either if it's a famous case or early

0:43:28.719 --> 0:43:31.359
<v Speaker 1>in their career and you know, have it framed, so

0:43:31.560 --> 0:43:33.560
<v Speaker 1>you know, just I think it's just sort of a

0:43:34.239 --> 0:43:36.960
<v Speaker 1>symbolic thing because there they all, even though they have

0:43:37.000 --> 0:43:40.520
<v Speaker 1>different styles, you can always tell a courtroom sketch. Oh

0:43:40.560 --> 0:43:42.640
<v Speaker 1>you don't think to have a framed courtroom sketch of

0:43:42.719 --> 0:43:44.840
<v Speaker 1>yourself and you finally make it as an attorney is

0:43:44.880 --> 0:43:46.880
<v Speaker 1>probably a pretty big deal. Yeah, especially if you're standing

0:43:46.880 --> 0:43:51.760
<v Speaker 1>and pointing at the accused. Yeah, they're really dramatic like that. Sure,

0:43:52.640 --> 0:43:55.200
<v Speaker 1>I've always wanted the Wall Street Journal to do a

0:43:55.239 --> 0:43:57.080
<v Speaker 1>piece on us, so we could get a drawing of

0:43:57.160 --> 0:44:00.440
<v Speaker 1>us like that. That's a really like um um, easily

0:44:00.480 --> 0:44:03.879
<v Speaker 1>recognizable type of drawing too. Yeah, totally come on Wall

0:44:03.920 --> 0:44:08.080
<v Speaker 1>Street or you know, Mad Magazine. Maybe it's defunct, Chuck,

0:44:08.640 --> 0:44:11.719
<v Speaker 1>I know, but this guy's still draw They can bring

0:44:11.840 --> 0:44:14.279
<v Speaker 1>him out her retirement. I want more Drucker. I think

0:44:14.280 --> 0:44:16.680
<v Speaker 1>he passed away. But oh God, to be drawn by

0:44:16.719 --> 0:44:18.719
<v Speaker 1>more drunk that would be pretty amazing. Or I'd take

0:44:18.800 --> 0:44:21.759
<v Speaker 1>Jack Davis too. He did the ug A football um

0:44:22.120 --> 0:44:25.120
<v Speaker 1>guy in the seventies. Now that's right. I got that

0:44:25.840 --> 0:44:29.280
<v Speaker 1>coke bottle in my bar still any care? Maybe someday

0:44:29.360 --> 0:44:35.520
<v Speaker 1>Chuck commemorative coke bottle. Uh. Well, since Chuck said commemorative

0:44:35.560 --> 0:44:38.719
<v Speaker 1>coke bottle, I think that's it, which means it's time

0:44:38.760 --> 0:44:44.000
<v Speaker 1>for a listener mail everybody. I'm gonna call this another

0:44:44.080 --> 0:44:47.120
<v Speaker 1>dentistry email. This is from Kayla. Hey, guys, really enjoyed

0:44:47.120 --> 0:44:49.880
<v Speaker 1>your episode about dentistry and currently a fourth year dental

0:44:49.920 --> 0:44:53.000
<v Speaker 1>student in the US graduating in May. I don't want

0:44:53.000 --> 0:44:55.640
<v Speaker 1>to add a couple of things here. Green Black was

0:44:55.680 --> 0:44:57.880
<v Speaker 1>one of the fathers of dynastry that you mentioned, but

0:44:57.880 --> 0:45:01.880
<v Speaker 1>you didn't say much about him. Green, commonly known as G. D.

0:45:02.040 --> 0:45:05.640
<v Speaker 1>Black in the dental realm, invented the pedal driven dental

0:45:05.719 --> 0:45:08.359
<v Speaker 1>drill and also outlined the best way to prepare tooth

0:45:08.400 --> 0:45:11.720
<v Speaker 1>for cavity filling, which is still the method used today.

0:45:12.400 --> 0:45:14.760
<v Speaker 1>And secondly, since you focused on the history of dynastry,

0:45:15.120 --> 0:45:19.240
<v Speaker 1>I wanted to mention st uh Apollonia, the patron saint

0:45:19.320 --> 0:45:22.160
<v Speaker 1>of Dynastry and the year two forty nine, Apollonia, a

0:45:22.200 --> 0:45:26.040
<v Speaker 1>deaconess was beaten for refusing to renounce her faith, and

0:45:26.040 --> 0:45:27.799
<v Speaker 1>the beating caused all of her teeth to shatter and

0:45:27.800 --> 0:45:30.960
<v Speaker 1>fall out. She then elected to be burned alive instead

0:45:30.960 --> 0:45:33.719
<v Speaker 1>of renounced her faith, and even jumped into the fire herself.

0:45:34.080 --> 0:45:35.800
<v Speaker 1>After her death, she was made the patron state of

0:45:35.920 --> 0:45:38.839
<v Speaker 1>Dentnastry and Toothaches and there's even a painting of her

0:45:38.920 --> 0:45:42.920
<v Speaker 1>in the louver. And this is uh from Kayla, who

0:45:42.960 --> 0:45:45.400
<v Speaker 1>was just introduced to the show last year by her

0:45:45.440 --> 0:45:47.880
<v Speaker 1>brother and now was a big fan. Nice, thanks Kayla,

0:45:48.360 --> 0:45:52.200
<v Speaker 1>Good luck Dynasty. Yeah, for sure, that's a that's one

0:45:52.200 --> 0:45:54.480
<v Speaker 1>of those examples. I knew both of those, they just

0:45:54.520 --> 0:45:56.920
<v Speaker 1>didn't make it in the show, and it's just so

0:45:57.000 --> 0:46:00.920
<v Speaker 1>excruciating to be called out about those later on. It's

0:46:00.920 --> 0:46:02.960
<v Speaker 1>okay to miss things. Well, thanks a lot, Kayla, and

0:46:02.960 --> 0:46:05.600
<v Speaker 1>good luck with dental school. Uh, and thank you for

0:46:05.680 --> 0:46:10.040
<v Speaker 1>writing in and welcome to the show, right, Chuck. That's right. Well,

0:46:10.080 --> 0:46:11.959
<v Speaker 1>if you want to be like Kayla, you can send

0:46:12.000 --> 0:46:15.760
<v Speaker 1>us an email to Stuff Podcast. Did I Heart radio

0:46:16.120 --> 0:46:21.520
<v Speaker 1>dot com? Stuff you Should Know is a production of

0:46:21.560 --> 0:46:24.880
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0:46:24.920 --> 0:46:27.719
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0:46:27.760 --> 0:46:29.080
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