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Speaker 1: Listen to your shirt every single day.

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Speaker 2: Breakfast club, God, damn it, the breakfast club.

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Speaker 3: Puck that ass up on a breakfast club.

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Speaker 4: Baby, I can't say breakfast club without the redlat club.

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Speaker 5: You're like this rare air.

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Speaker 6: She got platforms and partners all over the place because

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Speaker 6: your man is so hot.

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Speaker 5: People want to be in business with the precist fu.

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Speaker 2: I don't think white people know how popular you guys are.

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Speaker 2: Dj Envy, Charlemagne, the god you guys really are like

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Speaker 2: the hip hop early morning, late night.

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Speaker 7: You talk to y'all, know what y'all talking about?

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Speaker 2: Yo, good morning Usa yo yeo yo.

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Speaker 7: Yo yo yo yo yo yo yo yo yo yo

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Speaker 7: yo yo yo yo yo yo yo yo yo yo yo.

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Speaker 2: Yo yo yo yo Charlomagne.

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Speaker 4: The gas to the planning is Friday.

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Speaker 8: Is and Jeff Hilarious is here all uh huh not

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Speaker 8: the little one of the wild cats what they call it.

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Speaker 2: That's right, Okay, how you guys feeling?

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Speaker 5: I feel good? He's sitting over there looking time. Listen.

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Speaker 8: I finally went somewhere and ate really good on this

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Speaker 8: man's dome. He and his wife took me to what

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Speaker 8: is it called some steakhouse and we were only blacks there.

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Speaker 2: But what was it called?

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Speaker 7: Hold on, it's a prime Stakhouse. It's in Jersey, RP

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Speaker 7: Prime state.

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Speaker 5: They had really really good food.

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Speaker 2: I'm not gonna lie now.

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Speaker 8: Yes, we were having a conversation right and you know, Charlomagne,

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Speaker 8: he's still he doesn't he doesn't have an inside voice,

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Speaker 8: and so we talking and we you know, he's talking

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Speaker 8: about you know, the great black excellency, you know, and

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Speaker 8: then it's this guy white dude looking over at him,

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Speaker 8: and he looking like, I'm like, he just keeps staring

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Speaker 8: at him and asking his boys.

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Speaker 5: Is that who I think it is?

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Speaker 2: And he came over.

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Speaker 5: He was like, hey man, I know you man. It's like,

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Speaker 5: I really really know you.

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Speaker 8: Charlemagne had the you know how you always come to

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Speaker 8: me like she always fake kid.

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Speaker 5: He's like, oh, I'm just here.

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Speaker 2: With my did the Hollywood laugh? Yeah.

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Speaker 5: The guy wasn't even trying to be funny.

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Speaker 2: He was even confused.

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Speaker 5: Was like, what's funny? I know you from I know

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Speaker 5: you're from the.

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Speaker 2: Daily Show and the Breakfast Club. It's good meeting you man.

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Speaker 2: The Hollywood laugh for I cannot believe it. I was

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Speaker 2: just happy.

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Speaker 7: She enjoyed some food. Finally, Okay, just don't like nothing.

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Speaker 5: I usually don't. I don't.

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Speaker 8: But they had the bronzeno. If you go there, y'all

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Speaker 8: get the bronzino.

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Speaker 2: It's really good. It's no bones.

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Speaker 8: I hate when you go to a restaurant you get bronzino.

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Speaker 8: And they had like it's full of bones. No bones

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Speaker 8: is good there. So I take spinaches on the money.

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Speaker 8: You would think it's a black person back in the

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Speaker 8: kitchen because it was very much seasoned and it had.

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Speaker 5: Big it was yeah, but it was big onions going on.

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Speaker 8: Yes, And my sister got salmon, it was so good,

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Speaker 8: and then uh something else she got, but he got

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Speaker 8: the result of good.

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Speaker 4: To let me salute to one of my neighbors. Her

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Speaker 4: name is Crystal. She's Jamaican and she just came back

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Speaker 4: from Jamaica. So every time she comes back, she brings uh, spices, herbs,

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Speaker 4: all types of things. So last night they were cooking

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Speaker 4: at the crib. So they cooked curry, chicken, jerk chicken, stew, chicken,

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Speaker 4: and oxtail. So last night I had so much food

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Speaker 4: and passed out.

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Speaker 2: It was it was lovely.

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Speaker 7: Telling her to bring back that stuff from Jamaica. That

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Speaker 7: be taking voodoo off people, that take root off people.

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Speaker 7: What you got something on your spirit? You need to

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Speaker 7: get it off?

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Speaker 2: Oh my god, you know you know, you know how

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Speaker 2: this this world is.

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Speaker 4: When people think you down, they try to kick you,

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Speaker 4: but it's off, it's all live.

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Speaker 2: I kick you when you up. That's what I like it.

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Speaker 5: When I like it?

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Speaker 2: Whoa, whoa got kick it to you when you up,

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Speaker 2: That's what I like it.

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Speaker 7: Wow, I'm consistent with kicking you.

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Speaker 2: I like it. One, I ain't concerned. I got me.

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Speaker 2: I ain't concerned. One, do not bring him into this God,

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Speaker 2: god man, you're just doing last night?

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Speaker 8: And didn't he think as he bounced his shoulders it's

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Speaker 8: more funny when he got some shoulders. I'm all right, Well,

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Speaker 8: let's get the show.

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Speaker 4: Cracking today is a perfect example of the breakfast club.

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Speaker 2: Right. We always talk about righteousness and ratchet, all right,

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Speaker 2: I don't know, yeah, righteous and raches.

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Speaker 7: We're about balance, balance, right, young life? Where about balance?

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Speaker 7: This is a balance show this morning.

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Speaker 2: That's right.

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Speaker 4: Sexy Red will be joining us, that's right. Whoa, Yes,

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Speaker 4: we're gonna kick it with Sexy Red.

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Speaker 7: Uhest Princess Deluxe is out right now.

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Speaker 4: That's right, we're gonna talk to her. And then also

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Speaker 4: O g architect, one of the architects of.

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Speaker 2: Hip bounders of hip hop. Yes, grand Master Flash.

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Speaker 7: You probably wouldn't be a DJ if it wasn't for

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Speaker 7: grand Master Flashes you're talking about.

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Speaker 4: Of course, when they talk about the originators of of

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Speaker 4: of DJing and this hip hop thing, they always mentioned Flash,

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Speaker 4: of course, Africa, Bambada and Cool Hurt. So we're gonna

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Speaker 4: talk to grand Master Flash and it's actually he's actually

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Speaker 4: gonna do a kind of like a secontorial tutorials.

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Speaker 2: Man, it's too hot in here, man, it's very hot

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Speaker 2: in here, going on.

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Speaker 4: Yeah, Now, I've been radio fourteen years on pen Yes, all.

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Speaker 2: Right, that's hot.

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Speaker 4: Let's get the show. Crack the front page news. This

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Speaker 4: next Tessling figure O. His head's the breakfast Slub.

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Speaker 7: Good morning crazy.

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Speaker 4: Warning everybody, it's DJ env Charlamagne the guy. We are

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Speaker 4: the Breakfast Club. Let's get in some front page news. Hello,

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Speaker 4: I'm here, y'all got a guest co host, Jess Hilarius

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Speaker 4: is here and morning tz.

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Speaker 5: The pause was too long. That's right, Jes speak up

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Speaker 5: there now, I just you got it.

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Speaker 4: For me.

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Speaker 5: I just introduced myself.

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Speaker 8: I know this right, no more thing, everybody, Good morning,

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Speaker 8: my jest, hold to day, on to Charlamagne.

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Speaker 2: Let's start off with sports.

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Speaker 4: Now, the Raiders beat the Chargers last night, sixty three

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Speaker 4: to twenty one.

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Speaker 7: They don't even care no more. They don't care no more.

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Speaker 7: The charges like five and five and ninety five and nine,

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Speaker 7: rates of six and eight, now they don't even care. Now,

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Speaker 7: all right, well, let's jump that's a WNBA basketball scort.

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Speaker 2: Yeah it is. Now, let's jump right into it. Let's

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Speaker 2: talk about these credit unions. Yeah, the nice.

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Speaker 8: Largest credit union rejected more than half of as black

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Speaker 8: conventional mortgage applicants.

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Speaker 5: Let's take a listen to the report. Give you some

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Speaker 5: more on the other side.

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Speaker 3: According to a CNN analysis of Federal Consumer Protection data,

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Speaker 3: last year, Navy Federal Credit Union only approved forty eight

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Speaker 3: percent that's less than half of its black applicants for

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Speaker 3: conventional home mortgages. White orrors were approved more than seventy

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Speaker 3: five percent of the time. It's the biggest gap among

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Speaker 3: the top fifty lenders. The data also shows Navy Federal

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Speaker 3: was more than twice as likely to deny black mortgage

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Speaker 3: applicants than white ones, even when different variables including income's, debt,

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Speaker 3: property value, and down payment percentage were the scene.

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Speaker 2: What's new?

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Speaker 5: Yeah, well, absolutely right about that.

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Speaker 8: Yeah, but I love it when they get hearing's to

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Speaker 8: our federal laws and employee training, fair lending, statistical testing,

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Speaker 8: third party evaluations, and compliance reviews are embedded in our

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Speaker 8: lending practices to ensure fairness across the board.

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Speaker 5: But we'll see about that.

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Speaker 8: I feel like there's going to be a discrimination lawsuit

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Speaker 8: coming their way, just like with Wells Fargo. The Wells

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Speaker 8: Fargo had to pay when they were found to discriminate

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Speaker 8: against people.

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Speaker 5: So it's a really good, interesting story.

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Speaker 8: You guys want to go check it out and look

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Speaker 8: at the story of the man, the black man who

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Speaker 8: had over seven hundred credit score and made plenty of

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Speaker 8: money and was just denied for no reason in Dallas, Texas.

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Speaker 8: So that's what kind of prompted this and seeing in

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Speaker 8: did a great job, you know, pulling those receipts.

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Speaker 2: Yes, racial bias is always affected mortgage lending.

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Speaker 4: Always, even the appraisals of what houses are worth depending

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Speaker 4: on where you live and who you are.

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Speaker 2: You talk about the story all the time, about this.

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Speaker 4: This a black couple who changed all the pictures in

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Speaker 4: their house instead of having that their own family pictures,

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Speaker 4: put white family pictures in the house. And the appraisal

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Speaker 4: of the house actually went up because people thought it

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Speaker 4: was a white person living there, a post a black person.

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Speaker 8: They pulled they pulled the OJ move. Remember Johnny concror

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Speaker 8: did that. Uh well you may not remember that, but

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Speaker 8: Johnny Cockran did that during the O J trou just

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Speaker 8: as f y they.

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Speaker 5: Wasn't for the appraisal.

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Speaker 2: What do you do? I forgot what.

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Speaker 8: He took out all of the black photos, I mean

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Speaker 8: took out took out all of the white photos and

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Speaker 8: put black photos up. He did the opposite so that

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Speaker 8: when the jury went through, when the jury went through

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Speaker 8: to look at the house, because they brought the jury

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Speaker 8: to OJ's house, they had to black it up.

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Speaker 5: So that was something I think I do remember that.

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Speaker 7: That's when they had in churches going to church, and

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Speaker 7: he was going to black churches.

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Speaker 8: Ye, so that was a that was a Johnny Cochran

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Speaker 8: uh trick and it and it worked quite well.

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Speaker 5: Recipes to Johnny cockran.

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Speaker 2: All right, well that is front page news.

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Speaker 4: Now get it off your chest eight hundred five eight

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Speaker 4: five one oh five one. If you need to vent

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Speaker 4: phone lines wide open, call us up right now. It's

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Speaker 4: the Breakfast Club morning, the Breakfast Club. This is your

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Speaker 4: time to get it off your chest. Eight hundred five

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Speaker 4: eight five one five one. We want to hear from

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Speaker 4: you on the Breakfast Club.

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Speaker 2: Hello. Who is this me?

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Speaker 5: Tanya from the Bronx.

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Speaker 9: Well, I'm Jamaican.

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Speaker 2: Why hey, Tanya.

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Speaker 5: An It's nothing.

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Speaker 10: I had to call me to give you, guys.

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Speaker 11: The grant newer.

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Speaker 10: My son got upsetted the hartbread.

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Speaker 11: Hey, doctor, doctor says, and guess what happened. I'll be

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Speaker 11: listening to you guys for years every morning we dressed

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Speaker 11: from the Bronx to Manhattan to stuck this academy. And

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Speaker 11: I've been leasing for years, chaking up the school every

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Speaker 11: day to speak up to all the success teachers.

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Speaker 12: Be up to that school.

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Speaker 10: And I'm telling you, I'm so proud of my son.

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Speaker 9: I'm so proud of you.

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Speaker 2: Proud of him too. Man, you know what happens.

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Speaker 10: Let me tell you something.

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Speaker 13: Let me tell you something.

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Speaker 10: Everybody has a story, but Charlomy always say the craziest

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Speaker 10: people from the Bronx in Florida. And I'm not even

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Speaker 10: lying to you. Slamme. You're in charge to your opinion.

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Speaker 10: But I'm going to tell you this, great things. It

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Speaker 10: is not where you raised your kids, is how.

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Speaker 5: You raised them.

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Speaker 10: That you understand what I'm saying. My son put out

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Speaker 10: the most effortless work. I watched him every day, how

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Speaker 10: he goes hard, hard, really hard. And just keep his

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Speaker 10: name in your mind because he's going in for economics

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Speaker 10: and government and you know.

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Speaker 2: We wish him the best.

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Speaker 7: May God be with him always. The smartest people and

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Speaker 7: the smartest people come from the Bronx.

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Speaker 10: The smartest people come from the Bronx.

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Speaker 9: But he original Jamaican, you know.

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Speaker 2: Okay, now, turn out.

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Speaker 7: I don't want them to pull the application right because

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Speaker 7: you're acting like so far a.

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Speaker 2: Little too much.

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Speaker 10: No no no no no, no no no, don't do that.

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Speaker 4: Don't happy holidays?

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Speaker 2: Hello? Who's this?

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Speaker 14: This deserved from North Carolina?

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Speaker 2: Okay, get off your chest down.

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Speaker 9: And I want to say I want to say good

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Speaker 9: morning to everybody. Saff what's Charlo made?

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Speaker 2: Okay?

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Speaker 5: Good morning?

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Speaker 2: Why?

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Speaker 9: What's good morning?

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Speaker 2: Good morning? Good morning? You're gonna ignore me.

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Speaker 9: Every every morning, good people, whatever, every morning. I've been

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Speaker 9: trying to be counting.

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Speaker 5: Yo yo yo, yo yo yo.

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Speaker 9: Wait some morning you cut them off. Some morning, say longer,

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Speaker 9: and I'll be missing my times, my essay to get breakfast.

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Speaker 9: Tell the man on some board for that one. I've

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Speaker 9: been counting. I'm trying to count your yellows, but you

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Speaker 9: always walk let them off. So no, it's not no

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Speaker 9: good morning.

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Speaker 15: So you mad?

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Speaker 5: You're mad?

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Speaker 2: You're mad because I keep you from your bow Jangles.

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Speaker 9: I don't go to the boat Jangles. It's some kind

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Speaker 9: of it's some kind of ghetto l ass, some bogatos

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Speaker 9: down here. I'm looking at Virginia. But breakfast is bomb

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Speaker 9: in hell. So y'all shot the mad good morning through

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Speaker 9: everybody else up for you?

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Speaker 2: Well, val, val do theyr the way you like it.

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Speaker 7: Now, you got to stop smoking drugs in the morning.

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Speaker 7: Now I know you smoked from weed before you woke up.

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Speaker 4: Chests eight hundred five eight five one oh five. Yes,

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Speaker 4: if you need to vic hit is up down it's

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Speaker 4: the breakfast club in the morning.

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Speaker 2: The breakfast club. It's a wedding. Is it your time

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Speaker 2: to get it off your chest? Wait? Wait up, whether you're.

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Speaker 5: Mad or bleats time to get up and get something.

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Speaker 2: Call up now eight hundred and five eight five one

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Speaker 2: O five one. We want to hear from you on

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Speaker 2: the breakfast.

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Speaker 15: Club growing and Breakfast Club sat Ship Wait love me

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Speaker 15: from the braw alright, guys, how you doing? Baby? I

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Speaker 15: want to say good morning, somebody's blessed. Fuck damn me

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Speaker 15: and I want to shout this out. Last week somebody

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Speaker 15: could call me and trying to highlight my girl, Chaz,

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Speaker 15: this is my radio wife. I won't have nobody else

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Speaker 15: call again respectfully trying to get out my wife.

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Speaker 4: I'm gonna let them know I was tell your radio

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Speaker 4: wife you don't work on the radio.

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Speaker 12: Or I work on radio on in c T.

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Speaker 15: So I announced it that she's my radio wife.

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Speaker 2: Okay, oh oh okay, now ready, okay, all right.

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Speaker 15: All right, this this is exactly No. I just want

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Speaker 15: to put it in the air so she knows, now, okay, no.

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Speaker 2: Doubt love me. But you have a you have a

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Speaker 2: good holiday.

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Speaker 15: Love you you too, You have a bless holiday.

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Speaker 2: Hello? Who's this?

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Speaker 12: Ja interview Charlotte me in the card morning? Oh g rum,

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Speaker 12: what's happening? How y'all feeling this morning?

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Speaker 2: I'm good?

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Speaker 12: How you feeling good, pretty good, pretty good. Listen, man,

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Speaker 12: I just I just want to stay first and four

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Speaker 12: host man, congratulations on head and that fourteen year milestone.

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Speaker 12: You know what I'm saying.

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Speaker 13: And may God continue to bless y'all along on our.

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Speaker 14: Journey with many more dons. You know, yes, sir, but

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Speaker 14: listen say that for sure, for sure, always always always

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Speaker 14: show me love and listen, man, y'all know how we're

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Speaker 14: doing a Friday.

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Speaker 13: It's bad time, more time, check it out, I said, listen,

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Speaker 13: and our bet he's he. This is vets to speak

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Speaker 13: for comments. It's just so easy work for a vet

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Speaker 13: and most won't.

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Speaker 12: Catch you yet.

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Speaker 13: From the side blocks to the projects where the time

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Speaker 13: was set, I fit till I'm burning the house down.

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Speaker 13: Come back round. It's you're showing clowns in the background.

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Speaker 13: They know me for pulling plugs. Cut out the misery

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Speaker 13: and all black no mask that glove the imprecisely, but

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Speaker 13: check it through with threat lightly when approaching me, because.

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Speaker 14: Easily the foot could be the exext and resumes for

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Speaker 14: the differant company with true man's just one overthrow mark

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Speaker 14: these words see a target mark that bird of marking

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Speaker 14: birds offs you from face to face.

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Speaker 13: It's the issue with versus that are burned through stin

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Speaker 13: feeling dismission.

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Speaker 6: O G.

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Speaker 2: I got some balls.

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Speaker 7: O G.

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Speaker 15: You ready, let's go, Let's go.

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Speaker 2: I'm tired of slah.

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Speaker 15: O G.

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Speaker 2: He always in my O G. He always held me

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Speaker 2: from the back.

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Speaker 4: O G.

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Speaker 2: I'm so glad jes back.

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Speaker 15: O G.

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Speaker 2: Okay he's flirting with me today.

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Speaker 6: O G.

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Speaker 2: He's smiling and he laughing, shaking his shoulders. OLG. His

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Speaker 2: mouth is wide open.

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Speaker 15: O G.

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Speaker 7: Some I'm a give oh G. This pink Friday. Okay,

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Speaker 7: pink Friday, Pink Fridy n v U is magic. I mean,

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Speaker 7: look at you now, oh you just tragic. You're a tragedy.

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Speaker 7: You're a parody.

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Speaker 2: First name Envy, last name rad got word that NICKI Miles?

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Speaker 2: What's up?

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Speaker 1: Bops?

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Speaker 6: Y G.

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Speaker 12: Y'all have just hilarious good morning. I know you and

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Speaker 12: something I get to here this morning.

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Speaker 15: This morning we do y'all in.

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Speaker 12: The families, y'all be blessed you on your chest.

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Speaker 4: Eight hundred five eighty five one O five one. Now

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Speaker 4: we got rooms on the way, Jess, yes we do.

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Speaker 8: But because the producer just gave me the stuff I

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Speaker 8: gotta look, so I gotta see.

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Speaker 5: But I know Nikki in there, so we're gonna see

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Speaker 5: what's going on over there.

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Speaker 4: All right, we'll get into that. Next is the Breakfast Club.

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Speaker 4: Good Morning, The Breakfast Club, Good Morning. Everybody's d J

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Speaker 4: n V. Charlamagne to God. We are the Breakfast Club.

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Speaker 4: Jess Hilarious is our guest co host.

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Speaker 2: Let's get into Jess with the miss This is real,

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Speaker 2: Lari just robber mill.

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Speaker 5: Just don't do no line.

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Speaker 2: This is the rumor report. I don't do it on

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Speaker 2: the Breakfast Club.

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Speaker 8: Nicki Minaj want to smoke last night. So Nicki Minaj

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Speaker 8: was not here for Elliott Wilson's Is it Wilson or

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Speaker 8: will Sell? Because he is pretty wrong Elliott Wilson's thoughts

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Speaker 8: on the current state of hip hop journalism. Elliott posted

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Speaker 8: a screenshot of Nicki Minaj's twurky in front of Coysone

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Speaker 8: and his crew during a live stream, along with the

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Speaker 8: caption hip hop journalism seemingly mocking it. So, of course

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Speaker 8: we've seen Nicki having fun with Cosonett and his crew

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Speaker 8: and all of that. And she has an album out

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Speaker 8: so she is promoting, you know, and she's promoting the

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Speaker 8: way she wants to, and one of her ways to

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Speaker 8: promoters having.

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Speaker 5: Fun with them.

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Speaker 2: That's right. Dropping the clues bond for Coson definitely.

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Speaker 7: I think I think what Kai is created is dope

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Speaker 7: the reviewing music, critique in music and dancing the music

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Speaker 7: and is dope.

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Speaker 2: Kyson the kids is what Soul Trained was to us.

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Speaker 8: Yeah, fun, it's happy, it's light, there's genuine fun and

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Speaker 8: it's not forced. He actually be having people on there,

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Speaker 8: like turning up and just like, yeah, like having fun.

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Speaker 8: Just yeah, look at stupid. Oh yeah, definitely looking stupid.

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Speaker 8: But that's the part of having fun, that's right, you

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00:18:09,960 --> 00:18:12,960
Speaker 8: know what I mean. So Elliott also tweeted some nice

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00:18:12,960 --> 00:18:15,960
Speaker 8: things about Nikki too. He said, never diss Nikki always

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Speaker 8: said she's a female rap goat over Lauren, Missy Kim

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00:18:19,400 --> 00:18:22,879
Speaker 8: and Lauren you know, Missy Kim and Foxy And I

401
00:18:22,920 --> 00:18:26,520
Speaker 8: think Cardi b is dope too Happy Holidays. Nicki is

402
00:18:26,560 --> 00:18:29,080
Speaker 8: the goat in Best Again new album is dope. But

403
00:18:29,640 --> 00:18:31,760
Speaker 8: that wasn't that wasn't good enough her because she felt

404
00:18:31,760 --> 00:18:34,040
Speaker 8: like it was some underlying hate there, underlining hate there.

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Speaker 5: But he was more so coming at Kai.

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Speaker 8: You know, I guess he's saying, like, yo, you're promoting

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Speaker 8: your album, so you would go promote it there instead

408
00:18:40,800 --> 00:18:42,399
Speaker 8: of sitting down doing real interviews with.

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Speaker 7: Real people about why is Kyson not not considered but

410
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Speaker 7: just journalists? Kay'son not his whole train. You going there,

411
00:18:48,240 --> 00:18:50,280
Speaker 7: you listen to your music, you dance your music, and

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Speaker 7: then he asked you a couple of questions about your music.

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Speaker 2: Same way Don Cornel, Yeah, yeah, it seems like he

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Speaker 2: was mad at both.

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Speaker 4: It seems like he was mad at Caysan, and it

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00:18:55,840 --> 00:18:57,440
Speaker 4: also seems like he was mad at Nikki for going

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Speaker 4: on cost.

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Speaker 2: Well, learn how to dance Ellie, we do have.

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00:19:02,240 --> 00:19:03,119
Speaker 5: We do have audio.

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Speaker 8: Though his original post wasn't was enough to send Nikki

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Speaker 8: off the deep end.

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Speaker 5: It's what she had to say.

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00:19:09,200 --> 00:19:12,040
Speaker 16: Elliott has been one of those people who are used

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00:19:12,400 --> 00:19:16,320
Speaker 16: to be the mouthpiece for others, and the past couple

425
00:19:16,320 --> 00:19:19,480
Speaker 16: of years he's said some nasty things about.

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00:19:19,280 --> 00:19:22,320
Speaker 5: Me and I didn't respawn, I didn't kept them moving.

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Speaker 16: But then I drop an album and you're jealous that

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Speaker 16: you didn't interview me.

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Speaker 5: Why And by the way, you're a grown man if.

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Speaker 16: You wanted all of y'all when y'all are around certain people.

431
00:19:38,680 --> 00:19:41,680
Speaker 5: Y'all feel that y'all have this power. Oh, I didn't know.

432
00:19:41,720 --> 00:19:44,520
Speaker 5: You can't mind Drake. I must have missed it came

433
00:19:44,800 --> 00:19:46,680
Speaker 5: Drake for what somebody owes you?

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00:19:48,800 --> 00:19:51,879
Speaker 16: You Why when y'all have an affiliation to jay Z

435
00:19:52,480 --> 00:19:54,560
Speaker 16: in some sort of way, y'all be thinking.

436
00:19:54,400 --> 00:19:56,719
Speaker 5: That y'all can disrespect and violent.

437
00:19:57,080 --> 00:19:58,719
Speaker 7: That's the moral of the story. Elliott need to learn

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00:19:58,760 --> 00:20:03,080
Speaker 7: how to dance, that's when, or Elliott the last part,

439
00:20:04,359 --> 00:20:05,000
Speaker 7: how to do the work.

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00:20:05,240 --> 00:20:08,080
Speaker 8: The last part of that audio is actually interesting because

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00:20:08,080 --> 00:20:10,760
Speaker 8: she she also piggybacked that with a tweet. She said,

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00:20:10,840 --> 00:20:13,640
Speaker 8: you know, Elliott, if you spit jay Z Penis out

443
00:20:13,720 --> 00:20:16,240
Speaker 8: for one second, you'd be able to be happy, happy

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00:20:16,359 --> 00:20:19,040
Speaker 8: for the newcomers. Isn't that how y'all try to tarnish

445
00:20:19,160 --> 00:20:22,439
Speaker 8: my image by saying I'm not welcoming the new b's

446
00:20:22,560 --> 00:20:25,840
Speaker 8: And I can say though, I can say bitches all right, yeah,

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00:20:26,280 --> 00:20:29,040
Speaker 8: uh did songs with all of them. Though, Why are

448
00:20:29,080 --> 00:20:32,640
Speaker 8: you not happy for a young black man like Hi tomorrow.

449
00:20:32,320 --> 00:20:34,479
Speaker 2: Bitch j Z at home right now? What I got

450
00:20:34,520 --> 00:20:34,879
Speaker 2: to do with it?

451
00:20:36,240 --> 00:20:37,359
Speaker 5: She's basically saying.

452
00:20:38,480 --> 00:20:41,760
Speaker 8: Because she's just basically saying, people who stand next to

453
00:20:41,840 --> 00:20:44,000
Speaker 8: him feel like they can see whatever they want to say,

454
00:20:44,480 --> 00:20:46,119
Speaker 8: you know, like they feel like they're in a position

455
00:20:46,200 --> 00:20:48,080
Speaker 8: of power and they can't Nobody come back at that.

456
00:20:48,160 --> 00:20:51,280
Speaker 4: But I will say, but Elliott also has he should

457
00:20:51,280 --> 00:20:52,880
Speaker 4: be able to have an opinion. He is a hip

458
00:20:52,880 --> 00:20:55,480
Speaker 4: hop journalist. He started from source to double excel to

459
00:20:55,560 --> 00:20:57,879
Speaker 4: the things that he's created, so he has a different

460
00:20:57,960 --> 00:21:00,080
Speaker 4: feeling for hip hop journalism.

461
00:21:00,080 --> 00:21:03,000
Speaker 2: And he could have even if we think his opinion

462
00:21:03,080 --> 00:21:03,320
Speaker 2: is tried.

463
00:21:03,400 --> 00:21:06,360
Speaker 8: She could absolutely And I'm glad you're saying something because

464
00:21:06,359 --> 00:21:08,639
Speaker 8: she had said something about you too in the sweet

465
00:21:08,760 --> 00:21:11,600
Speaker 8: She said, remember how cocky DJ Envy was when he

466
00:21:11,760 --> 00:21:16,200
Speaker 8: was saying he blackballs my music on the radio. Ask yourself,

467
00:21:16,240 --> 00:21:18,639
Speaker 8: how could a DJ get away with behavior?

468
00:21:18,920 --> 00:21:19,880
Speaker 2: I said the same thing.

469
00:21:20,359 --> 00:21:23,679
Speaker 5: I did not know that that happened.

470
00:21:23,760 --> 00:21:25,800
Speaker 8: That was the reasons behind it though, because we know

471
00:21:25,960 --> 00:21:27,720
Speaker 8: NICKI does not forget anything.

472
00:21:27,800 --> 00:21:28,080
Speaker 15: I was.

473
00:21:30,560 --> 00:21:32,520
Speaker 2: Love it, and I know that we y'all.

474
00:21:32,560 --> 00:21:34,919
Speaker 5: I've heard y'all play our records like actually last.

475
00:21:34,800 --> 00:21:36,520
Speaker 2: Week, but that's me? What what hell?

476
00:21:36,640 --> 00:21:36,960
Speaker 15: That was me?

477
00:21:37,080 --> 00:21:37,880
Speaker 2: I played it in the mix?

478
00:21:37,960 --> 00:21:38,240
Speaker 15: That was.

479
00:21:40,600 --> 00:21:42,760
Speaker 4: Because I've never heard of this was I guess this

480
00:21:42,920 --> 00:21:46,400
Speaker 4: was like five six years ago. I guess DJ self,

481
00:21:46,440 --> 00:21:48,720
Speaker 4: who's a DJ on the station, and I ride for

482
00:21:48,760 --> 00:21:50,400
Speaker 4: all the dj sport all the DJs.

483
00:21:51,520 --> 00:21:54,359
Speaker 2: He said that Cardi B's album was better than Nicki Minaj.

484
00:21:55,240 --> 00:21:57,840
Speaker 4: Nicki Minaj at the time got upset and said she

485
00:21:57,960 --> 00:22:00,560
Speaker 4: was sending some queen's dudes up here to pretty much

486
00:22:00,600 --> 00:22:03,080
Speaker 4: beat him up, and he was threatening him, and I

487
00:22:03,160 --> 00:22:05,840
Speaker 4: thought that was whack. I thought that if somebody has

488
00:22:05,880 --> 00:22:09,080
Speaker 4: an opinion, you can't threaten that man for his opinion. Now,

489
00:22:09,080 --> 00:22:10,800
Speaker 4: if he says some foul is said, some foul is

490
00:22:10,880 --> 00:22:14,000
Speaker 4: about you, your husband, your kids, or your family, then

491
00:22:14,040 --> 00:22:15,960
Speaker 4: it's everything is open. But if he just says I

492
00:22:16,040 --> 00:22:18,480
Speaker 4: don't like your album or I feel away and you

493
00:22:18,680 --> 00:22:20,600
Speaker 4: threaten him, I just find that's whack.

494
00:22:20,640 --> 00:22:25,600
Speaker 2: And no, I didn't say subject nick please girl.

495
00:22:25,680 --> 00:22:29,160
Speaker 4: I So I ride for the DJ's meaning the DJs

496
00:22:29,200 --> 00:22:31,160
Speaker 4: are always the one that gets picked on, that gets

497
00:22:31,160 --> 00:22:33,320
Speaker 4: beat up, Like if you think of beasts, and artist

498
00:22:33,440 --> 00:22:35,240
Speaker 4: never goes at the other artists. They always say, well,

499
00:22:35,320 --> 00:22:37,440
Speaker 4: why the DJ play the record? Why don't you go

500
00:22:37,520 --> 00:22:39,240
Speaker 4: back at the artist that you're mad at? So the

501
00:22:39,320 --> 00:22:41,439
Speaker 4: DJ always gets picked on, always gets bullied.

502
00:22:41,440 --> 00:22:42,359
Speaker 2: So I was like, that's not right.

503
00:22:42,440 --> 00:22:45,080
Speaker 8: I'm not gonna let you just threaten the DJ because

504
00:22:45,160 --> 00:22:49,240
Speaker 8: he had an opinion. Rights standing with the DJs. Rappers

505
00:22:49,280 --> 00:22:51,920
Speaker 8: stand with rappers, correct comedians. So what I said was,

506
00:22:52,280 --> 00:22:54,880
Speaker 8: I'm not going to play Nikki's record until they squashed

507
00:22:54,920 --> 00:22:56,720
Speaker 8: that beef. That has nothing to do with the station.

508
00:22:56,840 --> 00:22:58,800
Speaker 8: I don't pick the records that the station plays. I

509
00:22:58,800 --> 00:23:01,200
Speaker 8: don't pick the records that you hear every morning.

510
00:23:01,440 --> 00:23:03,440
Speaker 4: I just said, I don't want to because you threaten

511
00:23:03,520 --> 00:23:06,080
Speaker 4: that man on an opinion, and DJs we need to

512
00:23:06,119 --> 00:23:08,199
Speaker 4: stand together when that happens, because if not, it's going

513
00:23:08,280 --> 00:23:10,360
Speaker 4: to happen more, and it's gonna happen more, and it's

514
00:23:10,359 --> 00:23:12,560
Speaker 4: gonna happen more, you're gonna see more DJs getting slapped

515
00:23:12,560 --> 00:23:13,479
Speaker 4: like you've seen them already.

516
00:23:13,840 --> 00:23:15,360
Speaker 2: That's not right, And that's what I said.

517
00:23:15,560 --> 00:23:18,600
Speaker 4: If they deserve to get slapped, that's a different reason.

518
00:23:18,640 --> 00:23:20,119
Speaker 2: That's what I said. If they deserve to get slapped,

519
00:23:20,119 --> 00:23:21,960
Speaker 2: that's on that. But if it's over an opinion, the

520
00:23:22,080 --> 00:23:25,760
Speaker 2: bobs feel like you deserve to get slapped anyway, But

521
00:23:25,880 --> 00:23:28,120
Speaker 2: like I said, so you do. That was the reason why.

522
00:23:28,160 --> 00:23:29,040
Speaker 2: But I thought it was squash.

523
00:23:29,080 --> 00:23:30,760
Speaker 4: This was six years ago, so I think squashed even

524
00:23:30,760 --> 00:23:32,080
Speaker 4: when her album came out. We did you know, we

525
00:23:32,160 --> 00:23:34,200
Speaker 4: played the music. I still play on music and I'll

526
00:23:34,200 --> 00:23:35,040
Speaker 4: continue to play music.

527
00:23:35,080 --> 00:23:36,720
Speaker 7: That's when you're being here shaking your little toush and

528
00:23:36,800 --> 00:23:38,359
Speaker 7: NICKI minad records behind the scenes.

529
00:23:38,720 --> 00:23:40,399
Speaker 2: You're being here with your little tous push when do

530
00:23:41,200 --> 00:23:46,520
Speaker 2: when Ruby Red come on? Well, we know everybody's other one.

531
00:23:46,560 --> 00:23:47,720
Speaker 5: Actually one wants to.

532
00:23:50,320 --> 00:23:55,800
Speaker 2: Red ruby the sleeve, another one to love that one

533
00:23:55,840 --> 00:23:56,159
Speaker 2: behind it.

534
00:23:58,800 --> 00:24:00,720
Speaker 4: You did black Ball, and I remember, no I didn't

535
00:24:00,720 --> 00:24:02,440
Speaker 4: play it during that time, but I thought they squashed that.

536
00:24:02,800 --> 00:24:04,600
Speaker 2: I can't. I can't Black One. All I could do

537
00:24:04,760 --> 00:24:12,160
Speaker 2: is not eleven minute, play eleven minute, dropping them.

538
00:24:13,880 --> 00:24:18,600
Speaker 4: Like like what did you niggas grow? You never guess

539
00:24:19,280 --> 00:24:25,960
Speaker 4: he never up talking for the DJ because nobody ever does.

540
00:24:26,119 --> 00:24:28,760
Speaker 4: Just like during COVID when everybody was standing up for

541
00:24:29,040 --> 00:24:31,440
Speaker 4: the bartenders and raising money.

542
00:24:31,640 --> 00:24:36,159
Speaker 8: I raised money with nurses, money for everybody exactly, and

543
00:24:36,240 --> 00:24:39,320
Speaker 8: it's fine. And then like you said, like you said, uh,

544
00:24:39,760 --> 00:24:42,199
Speaker 8: you said that you didn't want to play the record until,

545
00:24:42,400 --> 00:24:44,560
Speaker 8: I mean play music, until they squashed that.

546
00:24:45,520 --> 00:24:48,200
Speaker 2: Yeah, and you about the ball. You want to know

547
00:24:48,240 --> 00:24:50,680
Speaker 2: what what I got? You want to know what I

548
00:24:50,720 --> 00:24:52,360
Speaker 2: got for the ball. You better play a record, play

549
00:24:53,720 --> 00:24:57,199
Speaker 2: Nikki drink. What are you doing? I want to hear

550
00:24:57,200 --> 00:24:58,680
Speaker 2: the song? Where you going?

551
00:25:00,400 --> 00:25:00,800
Speaker 12: There you go?

552
00:25:01,000 --> 00:25:04,440
Speaker 7: There you go, there you go, there you go. Can't

553
00:25:04,480 --> 00:25:09,159
Speaker 7: shake that little bit, jas. That's what y'all need to

554
00:25:09,200 --> 00:25:11,399
Speaker 7: be doing. Y'all need to be in can to that studio.

555
00:25:11,800 --> 00:25:14,920
Speaker 7: Enjoy your damnself. I got you, angry ass New Yorkers?

556
00:25:15,160 --> 00:25:18,680
Speaker 2: How are you beige ass? Angry ass New Yorker from Queens?

557
00:25:18,920 --> 00:25:23,159
Speaker 2: That's right, hit that word, go go.

558
00:25:23,359 --> 00:25:23,679
Speaker 15: That's right.

559
00:25:23,760 --> 00:25:25,080
Speaker 2: You better get on nik good side.

560
00:25:27,000 --> 00:25:27,359
Speaker 12: You want that?

561
00:25:29,040 --> 00:25:33,119
Speaker 2: You want morning so will never be the same more

562
00:25:33,160 --> 00:25:33,760
Speaker 2: than everybody.

563
00:25:33,800 --> 00:25:36,680
Speaker 4: It's DJ en V Charlmagne the guy. We are the

564
00:25:36,720 --> 00:25:39,760
Speaker 4: breakfast club. Let's get in some front page news. I

565
00:25:39,840 --> 00:25:41,480
Speaker 4: guess co hostess Solaris is here.

566
00:25:41,560 --> 00:25:41,920
Speaker 2: What up to?

567
00:25:42,880 --> 00:25:43,359
Speaker 5: What's going on?

568
00:25:43,560 --> 00:25:43,760
Speaker 14: DJ?

569
00:25:44,200 --> 00:25:46,680
Speaker 5: Good Morning beautiful? Jesselario's Charlemagne the God.

570
00:25:46,880 --> 00:25:49,280
Speaker 2: He says, did you just hear your radio husband?

571
00:25:49,680 --> 00:25:52,560
Speaker 5: Did I hear my radio husband called up?

572
00:25:52,760 --> 00:25:54,800
Speaker 8: He said, somebody trying to call up here the other

573
00:25:54,920 --> 00:25:57,000
Speaker 8: day and try to shoot They shot at you, and

574
00:25:57,080 --> 00:25:59,440
Speaker 8: he felt disrespected because he went on the airways and

575
00:25:59,520 --> 00:26:02,840
Speaker 8: told them, Tess is my radio way.

576
00:26:02,920 --> 00:26:05,280
Speaker 4: That's right, that was lovely. That was lovey, lovey said.

577
00:26:05,280 --> 00:26:06,880
Speaker 4: He announced that you are his radio wife.

578
00:26:06,920 --> 00:26:07,639
Speaker 2: So he just put it out.

579
00:26:07,720 --> 00:26:09,560
Speaker 8: Well, see, I don't never get a chall y'all put

580
00:26:09,640 --> 00:26:12,000
Speaker 8: me out the room during the front during the get

581
00:26:12,080 --> 00:26:14,840
Speaker 8: it off your chest where he got it off his chests,

582
00:26:14,880 --> 00:26:17,080
Speaker 8: he said, tell them, tell them that they can keep

583
00:26:17,119 --> 00:26:18,320
Speaker 8: on hitting the DMR T.

584
00:26:18,359 --> 00:26:24,239
Speaker 2: Them full back, is what. Oh wow, Well, let's get

585
00:26:24,440 --> 00:26:25,440
Speaker 2: some front page news.

586
00:26:25,480 --> 00:26:29,640
Speaker 4: The ratio squashed the charges sixty three twenty one last night,

587
00:26:30,320 --> 00:26:31,639
Speaker 4: all right, and now let's jump right into it.

588
00:26:31,680 --> 00:26:34,199
Speaker 2: Let's talk about this blue collar hiring. Y'all been trying to.

589
00:26:34,200 --> 00:26:36,720
Speaker 8: Get this story out all week to let the blue

590
00:26:36,760 --> 00:26:39,000
Speaker 8: collar family know that things are looking good for them

591
00:26:39,040 --> 00:26:40,600
Speaker 8: as they go into twenty twenty four.

592
00:26:41,320 --> 00:26:43,399
Speaker 5: Now, this year was really good. They had strong.

593
00:26:43,240 --> 00:26:45,719
Speaker 8: Hiring, more jobs in the blue collar area more than

594
00:26:45,720 --> 00:26:49,800
Speaker 8: their white collar counterparts. They the white collar counterparts, especially

595
00:26:49,880 --> 00:26:52,600
Speaker 8: the tech sector, has went down. That's been the sharpest pullback,

596
00:26:52,720 --> 00:26:56,159
Speaker 8: especially you know after post pandemic. Now for jobs in

597
00:26:56,200 --> 00:26:59,920
Speaker 8: the software development and IT operations where the jobs pick

598
00:27:00,119 --> 00:27:03,440
Speaker 8: up that trade pick up wrench, get on some manufacturing jobs.

599
00:27:03,480 --> 00:27:05,399
Speaker 5: That look like you have a good year next year.

600
00:27:05,600 --> 00:27:06,480
Speaker 2: Learn the trade, man.

601
00:27:06,520 --> 00:27:08,680
Speaker 7: I tell everybody that go learn the trade, Go learn

602
00:27:08,720 --> 00:27:10,360
Speaker 7: how to do something with your hands. We need more

603
00:27:10,520 --> 00:27:13,040
Speaker 7: architect not architects. We do need more architects. We need

604
00:27:13,119 --> 00:27:16,080
Speaker 7: more electricians and plumbers and people that know how to

605
00:27:16,160 --> 00:27:18,320
Speaker 7: install back. Yep, that's right.

606
00:27:18,359 --> 00:27:22,680
Speaker 4: Welding, also automotive, healthcare as well. Those are all great

607
00:27:22,720 --> 00:27:24,800
Speaker 4: trades that pay a lot of money. And you will

608
00:27:24,880 --> 00:27:27,400
Speaker 4: always have a job even in a recession, even if

609
00:27:27,960 --> 00:27:30,200
Speaker 4: Kobe comes back, it doesn't matter. You will always have

610
00:27:30,400 --> 00:27:32,840
Speaker 4: a job. You are an essential worker. Shot the link

611
00:27:32,880 --> 00:27:33,320
Speaker 4: in tech too.

612
00:27:33,840 --> 00:27:35,560
Speaker 8: Now, Yep, that's right, and we have to keep continuing

613
00:27:35,600 --> 00:27:37,239
Speaker 8: to push for that. Shout out to our brother Killer Mike.

614
00:27:37,280 --> 00:27:40,119
Speaker 8: We're always advocating for to get shopped back into the

615
00:27:40,200 --> 00:27:42,240
Speaker 8: public schools. So you know, they took a lot of

616
00:27:42,280 --> 00:27:43,639
Speaker 8: that out of the schools and that's something we need

617
00:27:43,680 --> 00:27:45,960
Speaker 8: to bring back. And cosmetology, by the way, need that

618
00:27:46,040 --> 00:27:47,280
Speaker 8: back in the schools as well.

619
00:27:47,520 --> 00:27:50,960
Speaker 2: That's right. Now, let's talk about these just holiday stress.

620
00:27:50,960 --> 00:27:53,240
Speaker 5: Yeah, social media social and I heard you bring this

621
00:27:53,440 --> 00:27:54,280
Speaker 5: up the other day.

622
00:27:54,480 --> 00:27:56,800
Speaker 8: You were talking about social media and how stressful it is,

623
00:27:56,880 --> 00:27:58,520
Speaker 8: particularly during the holidays.

624
00:27:58,600 --> 00:28:00,320
Speaker 5: So I wanted to give you a poll, y'all News

625
00:28:00,400 --> 00:28:02,040
Speaker 5: said they pulled about.

626
00:28:01,840 --> 00:28:04,200
Speaker 8: Fifteen hundred Americans found that thirty eight percent of the

627
00:28:04,280 --> 00:28:08,800
Speaker 8: respondents experience a increase in stress during the holiday compared

628
00:28:08,840 --> 00:28:10,240
Speaker 8: to other times of the year, and a lot of

629
00:28:10,320 --> 00:28:12,680
Speaker 8: that has to do with social media. Of course, you

630
00:28:12,760 --> 00:28:15,840
Speaker 8: have stress for financial stress, buying gifts, not having enough

631
00:28:15,880 --> 00:28:19,159
Speaker 8: time to enjoy the holidays, tension, but social media feeds

632
00:28:19,200 --> 00:28:21,680
Speaker 8: into that a lot. It says that people need to

633
00:28:21,720 --> 00:28:24,760
Speaker 8: take a break up from social media, particularly during the holidays.

634
00:28:25,359 --> 00:28:28,920
Speaker 8: They also said that the comparison is the thief of joy,

635
00:28:29,119 --> 00:28:31,639
Speaker 8: So you know, scrolling and saying what somebody has what

636
00:28:31,760 --> 00:28:34,120
Speaker 8: I don't have, looking in the comments, arguing with folks

637
00:28:34,160 --> 00:28:37,680
Speaker 8: you don't know. They recommend you set some boundaries when

638
00:28:37,720 --> 00:28:39,400
Speaker 8: it comes to your online youth. So I thought that

639
00:28:39,560 --> 00:28:41,600
Speaker 8: was a story that before we go on this holiday break,

640
00:28:41,640 --> 00:28:44,840
Speaker 8: to remind people relax, maybe get all social media just

641
00:28:44,960 --> 00:28:46,680
Speaker 8: for a little bit and you know, take take a

642
00:28:46,760 --> 00:28:48,360
Speaker 8: moment to reflect.

643
00:28:48,240 --> 00:28:51,280
Speaker 5: Now do I was just just talking about that with

644
00:28:51,760 --> 00:28:52,360
Speaker 5: my manager.

645
00:28:52,560 --> 00:28:54,960
Speaker 8: I was like, you know, it's easy to like the

646
00:28:55,040 --> 00:28:58,600
Speaker 8: devil of comparison is definitely what hunts people, not even

647
00:28:58,720 --> 00:29:01,720
Speaker 8: just around these times, just period you're going up, you're

648
00:29:01,720 --> 00:29:03,680
Speaker 8: looking at what other people god, and then you're you're

649
00:29:03,760 --> 00:29:07,200
Speaker 8: feeling a way about yourself. When like my like my

650
00:29:07,320 --> 00:29:10,360
Speaker 8: son's dad, he takes breaks from social media and he

651
00:29:10,600 --> 00:29:13,240
Speaker 8: thrives in so many aspects of his life, like so

652
00:29:13,520 --> 00:29:16,440
Speaker 8: many life with work and just like building this business

653
00:29:16,520 --> 00:29:18,920
Speaker 8: and all that, paying attention to his kids and getting

654
00:29:18,960 --> 00:29:21,360
Speaker 8: to know them and how they are living and all

655
00:29:21,400 --> 00:29:22,800
Speaker 8: that type of stuff. Where you take a break from

656
00:29:22,800 --> 00:29:24,920
Speaker 8: social media, it's like a job that you're getting paid for.

657
00:29:25,160 --> 00:29:28,480
Speaker 7: I'm just happy you say something good about your baby daddy. Absolutely, yeah,

658
00:29:28,560 --> 00:29:33,240
Speaker 7: I'd go ahead. Girl can't fight.

659
00:29:34,160 --> 00:29:35,960
Speaker 5: No, you just keep bringing up that he can't fight.

660
00:29:36,080 --> 00:29:37,640
Speaker 5: I told you that one time. You running with it.

661
00:29:37,800 --> 00:29:39,920
Speaker 2: Bringing up every every interview out here you do. No,

662
00:29:40,000 --> 00:29:40,280
Speaker 2: I don't.

663
00:29:40,280 --> 00:29:42,520
Speaker 8: I don't even do interviews because of that reason, because

664
00:29:42,560 --> 00:29:44,280
Speaker 8: I don't like how they look after I do them.

665
00:29:45,040 --> 00:29:46,840
Speaker 4: But I also say, test is how people look at

666
00:29:46,840 --> 00:29:48,840
Speaker 4: social media because it's like when I look at some

667
00:29:48,920 --> 00:29:54,120
Speaker 4: of these uh you know, artists, celebrities, billionaires or millionaires.

668
00:29:53,600 --> 00:29:55,200
Speaker 2: And I look at the stuff that they're doing, it

669
00:29:55,600 --> 00:29:56,880
Speaker 2: it shows me what I can do.

670
00:29:57,000 --> 00:29:58,720
Speaker 4: Right, I'm a kid from Queens who I didn't see

671
00:29:58,720 --> 00:30:00,280
Speaker 4: it often, and when I seen it, it was usually

672
00:30:00,280 --> 00:30:02,800
Speaker 4: the d boys, the drug dealers, or whatever it may be.

673
00:30:02,960 --> 00:30:04,800
Speaker 4: So the fact that I can see people doing things

674
00:30:04,840 --> 00:30:06,960
Speaker 4: that I probably didn't see, I can see a touch,

675
00:30:07,000 --> 00:30:09,800
Speaker 4: whether it is following, you know, Tyler Perry is following

676
00:30:09,840 --> 00:30:10,640
Speaker 4: Swiss Beats, or.

677
00:30:10,880 --> 00:30:11,840
Speaker 2: Charlemagne or just.

678
00:30:13,320 --> 00:30:15,480
Speaker 4: What you want to be like caliper I don't want

679
00:30:15,480 --> 00:30:18,239
Speaker 4: to be like anybody, but what they do, what they

680
00:30:18,320 --> 00:30:20,200
Speaker 4: do is inspiration. And I love what Tyler Perry does.

681
00:30:20,240 --> 00:30:21,800
Speaker 4: I love what he created. Even fifty said what he

682
00:30:21,840 --> 00:30:25,520
Speaker 4: created in the streets Port Louisiana, that's all inspiration. I

683
00:30:25,560 --> 00:30:27,360
Speaker 4: don't want to be anybody, but but what they do

684
00:30:27,560 --> 00:30:28,080
Speaker 4: is inspiration.

685
00:30:28,200 --> 00:30:29,840
Speaker 7: I tell you what y'all need to do. Y'all need

686
00:30:29,920 --> 00:30:32,200
Speaker 7: to remember the reason for the season. If you remember

687
00:30:32,240 --> 00:30:34,280
Speaker 7: the reason for the season, you wouldn't have no jealousy

688
00:30:34,320 --> 00:30:36,600
Speaker 7: in envy because you all can have Jesus. That's right,

689
00:30:36,720 --> 00:30:38,120
Speaker 7: Go ahead past to Charlemagne.

690
00:30:39,000 --> 00:30:41,480
Speaker 5: There are some say there is some positive to it.

691
00:30:41,840 --> 00:30:44,520
Speaker 8: There is some positive to following folks to Vy's point,

692
00:30:44,800 --> 00:30:47,400
Speaker 8: but we still have to remember those of snapshots in

693
00:30:47,520 --> 00:30:50,040
Speaker 8: time and a lot of people.

694
00:30:49,880 --> 00:30:56,320
Speaker 7: You know, niggas be lying. Okay, don't nobody be putting

695
00:30:56,360 --> 00:30:57,560
Speaker 7: their real process uff.

696
00:30:57,560 --> 00:31:00,920
Speaker 8: You don't nobody ugly, but seriously, that's the thing that's

697
00:31:01,680 --> 00:31:03,720
Speaker 8: on the media too. And then I just said, Taz,

698
00:31:03,880 --> 00:31:06,280
Speaker 8: I just said the other day in one of my videos,

699
00:31:06,360 --> 00:31:08,360
Speaker 8: like I just be sliding Lord gyms in there.

700
00:31:08,720 --> 00:31:11,719
Speaker 5: I said it, Uh, just just so everybody and everybody

701
00:31:11,840 --> 00:31:13,600
Speaker 5: is broke right now, you know what I mean.

702
00:31:13,800 --> 00:31:16,520
Speaker 8: The people are broke, and it's okay to be broke.

703
00:31:16,560 --> 00:31:18,080
Speaker 8: You don't always have to look like you got it

704
00:31:18,080 --> 00:31:21,560
Speaker 8: because that's unrealistic. Even even the people that we see

705
00:31:21,560 --> 00:31:23,960
Speaker 8: at the top really don't always have it, you know.

706
00:31:24,000 --> 00:31:25,840
Speaker 8: And I'm talking about the top of social media because

707
00:31:25,840 --> 00:31:28,160
Speaker 8: people they worship that they look at that as like

708
00:31:28,200 --> 00:31:30,920
Speaker 8: the Holy Girl, that's their blueprint. So these influences and

709
00:31:30,920 --> 00:31:32,960
Speaker 8: all these people they ain't really ain't got it either,

710
00:31:33,040 --> 00:31:34,800
Speaker 8: But you know we're not. They're not gonna show that

711
00:31:34,880 --> 00:31:37,120
Speaker 8: they don't have it. That's not their job. That ain't

712
00:31:37,160 --> 00:31:38,840
Speaker 8: gonna get No, that's not gonna get them nowhere. They

713
00:31:38,880 --> 00:31:41,600
Speaker 8: gotta look like they're like it's a certain image that

714
00:31:41,680 --> 00:31:43,520
Speaker 8: they want to look, you know, they want Well, I

715
00:31:43,600 --> 00:31:45,800
Speaker 8: do want to thank you for being inspirational. Just in

716
00:31:45,840 --> 00:31:49,200
Speaker 8: a relationship area we hear so much negative. I'm always

717
00:31:49,200 --> 00:31:51,880
Speaker 8: sharing your relationship. No relationship is perfect. I'm sure you

718
00:31:51,960 --> 00:31:54,520
Speaker 8: have your ups and downsolute, but I do love that

719
00:31:54,640 --> 00:31:57,120
Speaker 8: you highlight you and your man and how y'all you

720
00:31:57,200 --> 00:32:01,960
Speaker 8: know Will Barrow photos and oh my god, everything that

721
00:32:02,240 --> 00:32:04,800
Speaker 8: she highlighted, She's gonna highlight the Willburrow.

722
00:32:04,360 --> 00:32:10,920
Speaker 4: For if you look at it's both of them together.

723
00:32:11,280 --> 00:32:13,040
Speaker 2: Look at that. Look at that? Look how the screen

724
00:32:13,120 --> 00:32:19,640
Speaker 2: saver look at man like I look at that.

725
00:32:21,160 --> 00:32:23,880
Speaker 8: Let me just say this, because people, all you love jesselarious, Yes,

726
00:32:23,920 --> 00:32:25,960
Speaker 8: I do. I love the fact that you're a mom.

727
00:32:26,160 --> 00:32:27,840
Speaker 8: I love the fact that you got your man. I

728
00:32:27,960 --> 00:32:30,320
Speaker 8: love that you're on your mission and you on your money.

729
00:32:30,720 --> 00:32:32,800
Speaker 8: Don't let these women out here trick you out your

730
00:32:32,880 --> 00:32:34,080
Speaker 8: man and your money and your mission.

731
00:32:34,120 --> 00:32:36,080
Speaker 5: Baby, you're doing it, so I just I.

732
00:32:36,240 --> 00:32:36,680
Speaker 2: Just love it.

733
00:32:36,880 --> 00:32:38,400
Speaker 5: I period to.

734
00:32:40,040 --> 00:32:45,600
Speaker 8: Purplef Yes, I asked my sister, can we dress up

735
00:32:45,640 --> 00:32:47,240
Speaker 8: like slaves and go see color purple?

736
00:32:47,280 --> 00:32:48,600
Speaker 5: And then I say, me and my man is gonna

737
00:32:48,600 --> 00:32:49,200
Speaker 5: go away with purple?

738
00:32:49,520 --> 00:32:49,880
Speaker 2: All right?

739
00:32:50,160 --> 00:32:51,800
Speaker 8: Let me say well, let me say this guys before

740
00:32:51,800 --> 00:32:54,760
Speaker 8: we close out, before Charlamagne does my tag follow me

741
00:32:54,840 --> 00:32:57,720
Speaker 8: on Instagram. Guys, every week I drop about ten or

742
00:32:57,760 --> 00:32:59,600
Speaker 8: fifteen stories that we don't get a chance to get

743
00:32:59,640 --> 00:33:02,240
Speaker 8: to on from Patient News. So in my broadcast channel,

744
00:33:02,560 --> 00:33:05,200
Speaker 8: make sure you follow me on Instagram and continue to

745
00:33:05,200 --> 00:33:06,680
Speaker 8: get from Patient News even over the holiday.

746
00:33:06,680 --> 00:33:08,360
Speaker 5: I'm gonna drop some stories to make sure you, guys

747
00:33:08,360 --> 00:33:08,959
Speaker 5: stay abreast.

748
00:33:09,880 --> 00:33:12,320
Speaker 7: All right, but thank you, Test, that's right, and make

749
00:33:12,360 --> 00:33:15,000
Speaker 7: sure you follow teslims Figure on all social media platforms too.

750
00:33:15,000 --> 00:33:17,800
Speaker 7: Subscribe to teslim Figures podcast. It's great shot. No chase

751
00:33:17,840 --> 00:33:20,480
Speaker 7: of podcasts on the Black Effect. iHeart radio podcast network.

752
00:33:20,640 --> 00:33:23,280
Speaker 4: All right, now, when we come back, Sexy Red will

753
00:33:23,320 --> 00:33:25,000
Speaker 4: be joining us. We gonna kick it with Sexy Red,

754
00:33:25,040 --> 00:33:27,320
Speaker 4: so it don't go anywhere. It's the Breakfast Clubs, them

755
00:33:27,320 --> 00:33:28,680
Speaker 4: noisy y'all with the app.

756
00:33:30,000 --> 00:33:31,360
Speaker 2: The Breakfast Club.

757
00:33:33,640 --> 00:33:33,920
Speaker 7: Morning.

758
00:33:33,960 --> 00:33:37,200
Speaker 2: Everybody's d J M B. Charlomagne to God, we are

759
00:33:37,280 --> 00:33:38,040
Speaker 2: the Breakfast Club.

760
00:33:38,160 --> 00:33:40,280
Speaker 4: Jess Hilarius, I Guess co hosts, and we got a

761
00:33:40,320 --> 00:33:42,720
Speaker 4: special guest in the building, Sexy read.

762
00:33:43,480 --> 00:33:44,080
Speaker 5: What's up there?

763
00:33:44,240 --> 00:33:46,680
Speaker 2: What's up? How are you? First of all, you're pregnant,

764
00:33:46,720 --> 00:33:48,280
Speaker 2: you're blowing up, but you still gotta work. So how

765
00:33:48,320 --> 00:33:55,080
Speaker 2: you feeling this morning? Then your doctor say relax and

766
00:33:55,320 --> 00:33:58,400
Speaker 2: take it easy. You ain't been listening. I've been seeing you.

767
00:33:58,480 --> 00:34:01,600
Speaker 2: You've been working, traveling and doing shows videos.

768
00:34:01,960 --> 00:34:03,480
Speaker 5: Every time I go to the doctor, they'd be like,

769
00:34:03,600 --> 00:34:05,520
Speaker 5: you're still working. You need to sit down.

770
00:34:06,360 --> 00:34:08,440
Speaker 2: Yeah, do you feel like you're gonna miss the moment

771
00:34:08,520 --> 00:34:10,640
Speaker 2: if you don't? You know, if you I.

772
00:34:10,680 --> 00:34:11,160
Speaker 5: Gotta get it.

773
00:34:11,200 --> 00:34:13,799
Speaker 8: I can't stop work. I gotta get this money. Yeah, work,

774
00:34:13,840 --> 00:34:17,080
Speaker 8: don't stop because your absolutely well. When you came in here,

775
00:34:17,120 --> 00:34:19,759
Speaker 8: I spoke to you and the first thing you said, no,

776
00:34:19,880 --> 00:34:22,680
Speaker 8: you can at least look at me, Look at you real.

777
00:34:22,920 --> 00:34:26,680
Speaker 5: You ain't gotta mess with me, but you can. And

778
00:34:26,840 --> 00:34:28,680
Speaker 5: she said, I don't mess with you, Jess.

779
00:34:28,920 --> 00:34:30,719
Speaker 2: And I said why? She said, could you be sneak this?

780
00:34:30,840 --> 00:34:32,600
Speaker 5: And I said, all right, tell me what's wrong? Tell

781
00:34:32,640 --> 00:34:33,759
Speaker 5: me about it? What's up?

782
00:34:35,480 --> 00:34:37,759
Speaker 1: All right? Let me know why you sneak this?

783
00:34:38,000 --> 00:34:39,640
Speaker 5: All right? How do you feel like I sneak this?

784
00:34:40,080 --> 00:34:42,080
Speaker 5: Be I see everything. I was trying to make sure

785
00:34:42,120 --> 00:34:44,279
Speaker 5: y'all wasn't sneak this before I came up here too.

786
00:34:44,600 --> 00:34:45,080
Speaker 6: What she do?

787
00:34:46,960 --> 00:34:47,200
Speaker 2: Okay?

788
00:34:47,239 --> 00:34:49,160
Speaker 5: When I got along, I'll find it for y'all.

789
00:34:51,320 --> 00:34:52,720
Speaker 2: You just know what it remember?

790
00:34:53,920 --> 00:34:55,480
Speaker 5: Maybe I do remember. I ain't got to bring it

791
00:34:55,560 --> 00:34:55,839
Speaker 5: up though.

792
00:34:57,480 --> 00:34:59,960
Speaker 8: Let me google, let me see you gotta really google,

793
00:35:00,520 --> 00:35:02,200
Speaker 8: just want to see it would be a couple of

794
00:35:02,200 --> 00:35:04,600
Speaker 8: times I didn't see you comment under something under the

795
00:35:04,680 --> 00:35:07,200
Speaker 8: Instagram and got something to do to be like, I'll

796
00:35:07,280 --> 00:35:13,399
Speaker 8: just be like why but I have never it's talking

797
00:35:13,400 --> 00:35:17,520
Speaker 8: about me before I see. I remember everybody's faces, right,

798
00:35:18,520 --> 00:35:19,160
Speaker 8: you should so.

799
00:35:19,239 --> 00:35:20,919
Speaker 2: You knew when you saw just a last you ain't

800
00:35:20,920 --> 00:35:21,759
Speaker 2: want to say nothing to it.

801
00:35:22,200 --> 00:35:23,799
Speaker 5: Yeah, I didn't even know she was gonna be here

802
00:35:23,800 --> 00:35:26,320
Speaker 5: today or you went and came. I mean I was

803
00:35:26,320 --> 00:35:28,640
Speaker 5: gonna say, come on, yo, I still came.

804
00:35:30,680 --> 00:35:31,680
Speaker 2: Listen, let me ask you something.

805
00:35:31,680 --> 00:35:33,400
Speaker 7: Did anybody trying to talk to you out of having

806
00:35:33,440 --> 00:35:35,200
Speaker 7: the baby because of the way your career is going?

807
00:35:36,080 --> 00:35:38,600
Speaker 2: Dam who was it the label or no?

808
00:35:38,800 --> 00:35:44,360
Speaker 5: My label said, I'm grown, Like, what's the baby planned?

809
00:35:44,760 --> 00:35:44,880
Speaker 2: Yo?

810
00:35:45,239 --> 00:35:46,879
Speaker 5: I can't ask you no questions.

811
00:35:48,880 --> 00:35:49,320
Speaker 2: Exactly.

812
00:35:49,440 --> 00:35:50,920
Speaker 5: I can't ask you, you know, I can't ask you

813
00:35:51,000 --> 00:35:55,360
Speaker 5: no questions. Answer to him like, yo, I got some

814
00:35:55,600 --> 00:35:57,319
Speaker 5: questions like.

815
00:35:57,400 --> 00:35:59,640
Speaker 2: For just answer over there and ask him. You ain't

816
00:35:59,640 --> 00:36:01,800
Speaker 2: got was the baby playing?

817
00:36:02,680 --> 00:36:05,239
Speaker 5: Kind and kind of not? But I mean I was

818
00:36:05,280 --> 00:36:08,680
Speaker 5: shocked when it happened but I was I wanted another baby.

819
00:36:08,480 --> 00:36:11,600
Speaker 2: Though at this time, or you was gonna wait off.

820
00:36:11,920 --> 00:36:13,399
Speaker 5: I mean, I ain't on my career was finish.

821
00:36:13,560 --> 00:36:14,919
Speaker 8: I was like that, but I did want the baby

822
00:36:14,960 --> 00:36:17,279
Speaker 8: because my son he already three, So I'm like, I

823
00:36:17,400 --> 00:36:18,160
Speaker 8: want another baby.

824
00:36:18,239 --> 00:36:19,920
Speaker 2: When did you realize your career was taken off?

825
00:36:20,640 --> 00:36:23,359
Speaker 5: When I first dropped Pounting Town.

826
00:36:24,000 --> 00:36:27,560
Speaker 8: But I remember back in twenty eighteen you redid but

827
00:36:27,680 --> 00:36:29,640
Speaker 8: that's a Carl Tins one thousand miles. You know you

828
00:36:29,719 --> 00:36:32,120
Speaker 8: did a thousand drugs. That's that's like the first thing

829
00:36:32,200 --> 00:36:33,800
Speaker 8: that you really did that got you like on the

830
00:36:33,880 --> 00:36:39,279
Speaker 8: map though right online Charlemagne, that's you did this thing

831
00:36:39,400 --> 00:36:41,720
Speaker 8: called a thousand jugs, which they didn't even know about.

832
00:36:42,840 --> 00:36:43,319
Speaker 2: I did my.

833
00:36:43,400 --> 00:36:47,640
Speaker 5: Research on you, like I want to. I'm like, man,

834
00:36:47,680 --> 00:36:49,520
Speaker 5: I ain't had no wrong with it. I used to

835
00:36:49,600 --> 00:36:51,279
Speaker 5: laugh and heard little videos and all.

836
00:36:51,239 --> 00:36:52,560
Speaker 2: That I didn't want no more.

837
00:36:54,920 --> 00:37:02,719
Speaker 7: Little video, little video that ain't fed think somebody funny, good,

838
00:37:02,800 --> 00:37:04,640
Speaker 7: but not on you.

839
00:37:05,280 --> 00:37:06,000
Speaker 2: It's so good.

840
00:37:06,040 --> 00:37:09,200
Speaker 5: I didn't get on a little bit. I just don't

841
00:37:09,200 --> 00:37:11,480
Speaker 5: agree with everything she's saying. Dude, that's all.

842
00:37:12,000 --> 00:37:13,719
Speaker 2: When they tried to talk you out of having a baby,

843
00:37:13,760 --> 00:37:14,279
Speaker 2: what did you say to.

844
00:37:14,320 --> 00:37:16,960
Speaker 8: Them, I'm like, I don't like when people do stuff

845
00:37:17,000 --> 00:37:18,879
Speaker 8: like that because if I'm happy about my baby, then

846
00:37:18,880 --> 00:37:21,560
Speaker 8: I don't need nobody in my ear like aboard it,

847
00:37:21,719 --> 00:37:23,040
Speaker 8: like I ain't like.

848
00:37:23,120 --> 00:37:25,480
Speaker 2: It, especially for a career, you know what I mean?

849
00:37:25,680 --> 00:37:27,840
Speaker 5: Yeah, Like I still got a whole life to live, Like,

850
00:37:28,560 --> 00:37:30,719
Speaker 5: I don't do this for nobody me.

851
00:37:31,000 --> 00:37:32,880
Speaker 7: Were you inspired by other people who, like, you know,

852
00:37:33,000 --> 00:37:35,800
Speaker 7: like Cardi who said I choose the child over No,

853
00:37:36,160 --> 00:37:36,800
Speaker 7: I't think.

854
00:37:36,640 --> 00:37:38,799
Speaker 5: About none of that. It's my life. I don't live

855
00:37:38,840 --> 00:37:39,399
Speaker 5: for other people.

856
00:37:39,440 --> 00:37:40,000
Speaker 2: I really don't.

857
00:37:40,000 --> 00:37:41,800
Speaker 5: I do what I want to do. Who did you

858
00:37:42,160 --> 00:37:43,080
Speaker 5: listen to growing up?

859
00:37:43,360 --> 00:37:43,400
Speaker 6: Like?

860
00:37:43,440 --> 00:37:44,160
Speaker 5: Who inspired you?

861
00:37:44,400 --> 00:37:44,520
Speaker 15: Yo?

862
00:37:44,640 --> 00:37:45,040
Speaker 2: You still?

863
00:37:45,600 --> 00:37:48,160
Speaker 5: Can you please just look at me one time?

864
00:37:48,440 --> 00:37:49,520
Speaker 2: Oh? She looking at me? All right?

865
00:37:49,760 --> 00:37:52,920
Speaker 8: It's a video that you that you did where you

866
00:37:52,960 --> 00:37:54,759
Speaker 8: said the most romantic thing that ever happened to you

867
00:37:55,239 --> 00:37:57,960
Speaker 8: that a guy is done is rob somebody, Yeah and

868
00:37:58,000 --> 00:38:00,360
Speaker 8: then give you the money. Why was that romance to you?

869
00:38:00,440 --> 00:38:04,279
Speaker 8: I did say something about that because like, okay, what

870
00:38:04,400 --> 00:38:06,040
Speaker 8: if you were the woman that he robbed?

871
00:38:07,320 --> 00:38:08,960
Speaker 2: Rob damn? Okay.

872
00:38:09,080 --> 00:38:10,840
Speaker 8: I mean not saying like it was right because it

873
00:38:10,880 --> 00:38:13,360
Speaker 8: was a dude, but I mean, like, when you're risking

874
00:38:13,440 --> 00:38:13,920
Speaker 8: your life for.

875
00:38:14,000 --> 00:38:15,960
Speaker 5: Me, that means something to you.

876
00:38:17,040 --> 00:38:18,680
Speaker 2: Cool. You cannot ask you.

877
00:38:23,280 --> 00:38:30,120
Speaker 5: How by its lost up the same way. That is

878
00:38:30,239 --> 00:38:30,920
Speaker 5: all as I was.

879
00:38:31,000 --> 00:38:33,160
Speaker 2: You know, how did you Drake?

880
00:38:33,200 --> 00:38:37,480
Speaker 5: It's so tight because he was, I mean, like everybody

881
00:38:37,760 --> 00:38:40,239
Speaker 5: with me except just he was.

882
00:38:41,680 --> 00:38:46,000
Speaker 2: I agree. Now I'm like, damn everybody except for just

883
00:38:47,440 --> 00:38:49,319
Speaker 2: on you like that. That's your people, that's your guy,

884
00:38:49,440 --> 00:38:50,000
Speaker 2: that's your host.

885
00:38:50,280 --> 00:38:51,120
Speaker 5: Is crazy?

886
00:38:52,280 --> 00:38:53,680
Speaker 2: Do ak Is get mad at you because you.

887
00:38:54,520 --> 00:38:56,839
Speaker 5: No, I didn't even know. That's what they be saying.

888
00:38:56,880 --> 00:38:58,600
Speaker 5: People tell me and they like, they probably gonna use

889
00:38:58,640 --> 00:38:59,239
Speaker 5: your song to this.

890
00:39:00,120 --> 00:39:00,799
Speaker 2: What does it mean?

891
00:39:00,920 --> 00:39:04,480
Speaker 5: What is the meaning behind skill? Can you apologize to me? First,

892
00:39:05,760 --> 00:39:09,600
Speaker 5: Sexy I oppologize for offending you in any way. I

893
00:39:09,760 --> 00:39:10,880
Speaker 5: do not have beef with you.

894
00:39:11,239 --> 00:39:14,440
Speaker 8: I just don't agree with everything you're doing. But I

895
00:39:14,640 --> 00:39:17,120
Speaker 8: do love you as an artist. I love you as

896
00:39:17,160 --> 00:39:19,680
Speaker 8: a woman, right because I heard you listening to my songs,

897
00:39:19,719 --> 00:39:23,600
Speaker 8: and then that's that before and then that's I've seen

898
00:39:23,640 --> 00:39:24,840
Speaker 8: you down talking to me.

899
00:39:25,520 --> 00:39:27,440
Speaker 2: No, ma'am, but you have to know, Sexy Red, you

900
00:39:27,520 --> 00:39:29,160
Speaker 2: are a public figure. Now people gonna have.

901
00:39:31,000 --> 00:39:31,239
Speaker 7: Talking.

902
00:39:31,280 --> 00:39:36,120
Speaker 2: Don't start don't bring that, don't start that, right, Okay,

903
00:39:36,200 --> 00:39:37,280
Speaker 2: let's listen, Let's.

904
00:39:37,080 --> 00:39:38,319
Speaker 5: Listen a little wild back.

905
00:39:38,360 --> 00:39:40,120
Speaker 8: Sexy Red got a lot of attention for saying that

906
00:39:40,239 --> 00:39:43,080
Speaker 8: she trusted the wrong guy that gave her chlamydia twice.

907
00:39:44,760 --> 00:39:47,000
Speaker 8: And we know that she has never been shy about

908
00:39:47,000 --> 00:39:50,840
Speaker 8: the details of her sex life because she told my

909
00:39:51,239 --> 00:39:54,440
Speaker 8: video guy when he asked her a question about her

910
00:39:55,080 --> 00:39:55,560
Speaker 8: and we got that.

911
00:39:58,480 --> 00:40:02,960
Speaker 5: We met her. I'm trying to sorry, I did I

912
00:40:03,040 --> 00:40:03,360
Speaker 5: say that.

913
00:40:05,440 --> 00:40:08,920
Speaker 2: What's on your list for this ship? Get a lot

914
00:40:09,000 --> 00:40:09,880
Speaker 2: of oh, you know what?

915
00:40:11,000 --> 00:40:11,239
Speaker 9: Yeah?

916
00:40:12,280 --> 00:40:14,680
Speaker 5: That felt like, but who would take that? Seriously?

917
00:40:14,880 --> 00:40:15,680
Speaker 2: Can I get that thousand?

918
00:40:16,520 --> 00:40:16,560
Speaker 3: No?

919
00:40:16,880 --> 00:40:20,399
Speaker 5: No, I told him I was a liar.

920
00:40:20,640 --> 00:40:24,320
Speaker 8: But now that you used you see what I said, like,

921
00:40:24,520 --> 00:40:26,799
Speaker 8: it ain't yo, it wasn't like That's not the only

922
00:40:26,840 --> 00:40:28,080
Speaker 8: clip though, Damn.

923
00:40:28,320 --> 00:40:31,399
Speaker 5: I thought that was the worst one. I've literally never said.

924
00:40:32,560 --> 00:40:33,680
Speaker 5: I ain'tterping on my uncle.

925
00:40:33,760 --> 00:40:34,480
Speaker 4: She she's.

926
00:40:35,920 --> 00:40:37,680
Speaker 2: And none of that is How do you how do

927
00:40:37,719 --> 00:40:39,680
Speaker 2: you expect people not to react and stuff.

928
00:40:39,480 --> 00:40:41,280
Speaker 5: Like that though, And like she said, she'd be playing

929
00:40:41,360 --> 00:40:41,879
Speaker 5: you know what I mean?

930
00:40:42,320 --> 00:40:44,759
Speaker 8: Now, I feel like everybody just be coming down on me,

931
00:40:45,080 --> 00:40:47,080
Speaker 8: like I don't even to say nothing. They just becoming

932
00:40:47,160 --> 00:40:49,240
Speaker 8: They be trying to talk about my looks like anything

933
00:40:49,320 --> 00:40:52,640
Speaker 8: I'll do that. I have never ever came at her

934
00:40:52,719 --> 00:40:54,719
Speaker 8: looks for nothing, never done that to you.

935
00:40:55,239 --> 00:40:57,080
Speaker 5: I can never say that. I'm just saying the girl

936
00:40:57,200 --> 00:40:57,919
Speaker 5: he I say, look.

937
00:40:57,880 --> 00:41:00,160
Speaker 7: Like sexy read around the eyes. She worked here, What

938
00:41:00,480 --> 00:41:04,120
Speaker 7: what you mean around the eye. We'll see if she walks.

939
00:41:04,360 --> 00:41:05,240
Speaker 7: She had the same glasses.

940
00:41:09,480 --> 00:41:13,000
Speaker 5: Everybody. Somebody looked like me, like, yeah, I ain't got something.

941
00:41:13,840 --> 00:41:15,319
Speaker 2: Clearly, don't bother you when they say you and thug

942
00:41:15,400 --> 00:41:19,440
Speaker 2: are like brothers. Yeah that's my sing, Well, ladies and gentlemen.

943
00:41:19,520 --> 00:41:22,080
Speaker 2: Sexy Red here. She has an album, hood Hottest Princess

944
00:41:22,160 --> 00:41:22,640
Speaker 2: out now.

945
00:41:22,760 --> 00:41:25,080
Speaker 4: And now that we got everything squashed out, we got

946
00:41:25,160 --> 00:41:26,640
Speaker 4: more with Sexy Red when we come back. It's the

947
00:41:26,640 --> 00:41:30,360
Speaker 4: Breakfast Club. Good morning morning everybody in j n V.

948
00:41:30,560 --> 00:41:33,000
Speaker 4: Charlamage the god we are. The Breakfast Club was still

949
00:41:33,080 --> 00:41:35,600
Speaker 4: kicking it with Sexy Red jests Hilaris as our guest

950
00:41:35,680 --> 00:41:38,319
Speaker 4: co host, yess, so do you do you know what.

951
00:41:38,480 --> 00:41:41,000
Speaker 5: Gender the baby is? Nope, Nope, you don't want to

952
00:41:41,040 --> 00:41:41,319
Speaker 5: know yet?

953
00:41:41,440 --> 00:41:43,640
Speaker 2: No, okay, you don't believe in baby reveals. I feel

954
00:41:43,640 --> 00:41:44,560
Speaker 2: like you have a fire gender.

955
00:41:45,000 --> 00:41:47,080
Speaker 5: I was gonna have a fire gender review, but no,

956
00:41:47,200 --> 00:41:47,680
Speaker 5: I ain't.

957
00:41:47,480 --> 00:41:47,880
Speaker 2: Gonna do it.

958
00:41:48,239 --> 00:41:48,840
Speaker 5: I ain't gonna do it.

959
00:41:49,200 --> 00:41:50,720
Speaker 7: Yeah, well you didn't want to do it just because

960
00:41:51,640 --> 00:41:54,160
Speaker 7: just because like I got too much going on, like

961
00:41:54,840 --> 00:41:55,640
Speaker 7: my life too busy.

962
00:41:55,719 --> 00:41:58,360
Speaker 8: I ain't my baby was gonna be like last minute,

963
00:41:58,880 --> 00:42:04,520
Speaker 8: like right before do so are you happy, Red, like genuinely, yeah, okay,

964
00:42:04,800 --> 00:42:05,320
Speaker 8: I'm happy.

965
00:42:05,760 --> 00:42:06,399
Speaker 5: I love money.

966
00:42:07,200 --> 00:42:12,040
Speaker 2: I love money that you gotta get it February. You

967
00:42:12,120 --> 00:42:14,160
Speaker 2: love all of this, you gotta do That's.

968
00:42:14,000 --> 00:42:17,160
Speaker 5: What I returned, And then I'm always busy.

969
00:42:17,680 --> 00:42:20,359
Speaker 2: It just be Have you adjusted to the fame over all?

970
00:42:20,560 --> 00:42:23,000
Speaker 8: No, because I still be saying maybe like you know,

971
00:42:23,040 --> 00:42:24,719
Speaker 8: they gonna take it in and twisted, like I don't

972
00:42:24,760 --> 00:42:27,880
Speaker 8: be knowing what to say what, and like I just

973
00:42:27,960 --> 00:42:30,440
Speaker 8: still feel like I'm just a regular, you know.

974
00:42:30,719 --> 00:42:33,040
Speaker 5: I don't be feeling like I'm no celebrity. People be

975
00:42:33,080 --> 00:42:34,640
Speaker 5: putting cames on my face. I'm like, why was they

976
00:42:34,760 --> 00:42:36,879
Speaker 5: doing all it? Like they be like this will comes

977
00:42:36,920 --> 00:42:38,239
Speaker 5: with it. I don't be with at it though.

978
00:42:38,400 --> 00:42:40,600
Speaker 2: Yeah, was you really Drake? That was another thing I

979
00:42:40,640 --> 00:42:41,920
Speaker 2: saw in there after you about drink.

980
00:42:42,880 --> 00:42:46,040
Speaker 5: No, see doesn't say she's playing to know what you're playing?

981
00:42:46,120 --> 00:42:47,440
Speaker 2: Text you Red and that.

982
00:42:47,840 --> 00:42:48,600
Speaker 5: Y'all they take it.

983
00:42:48,640 --> 00:42:50,520
Speaker 8: I feel like people take the internet too serious. That's

984
00:42:50,560 --> 00:42:52,920
Speaker 8: why I be messing with y'all. I play with your

985
00:42:53,080 --> 00:42:55,719
Speaker 8: heads like that. Y'all not gonna really know what's going on, y'all,

986
00:42:55,920 --> 00:42:58,239
Speaker 8: Just y'all believe anything y'all see. I don't believe everything

987
00:42:58,239 --> 00:42:58,960
Speaker 8: I see on in there.

988
00:42:59,000 --> 00:42:59,920
Speaker 2: I be like, man, that's real.

989
00:43:00,120 --> 00:43:01,799
Speaker 8: There's gotta be fake. I'd be like, man, I don't

990
00:43:01,800 --> 00:43:04,239
Speaker 8: believe it until I see the proof. Then I'll be like, Okay,

991
00:43:04,440 --> 00:43:07,400
Speaker 8: I'm believe in it. So what a lot of Do

992
00:43:07,520 --> 00:43:10,960
Speaker 8: you ever feel a way about seeing little kids online

993
00:43:11,160 --> 00:43:13,920
Speaker 8: reciting your lyrics or like, you know, a lot for

994
00:43:14,000 --> 00:43:16,239
Speaker 8: this past Halloween, a lot of moms dressed their daughters

995
00:43:16,320 --> 00:43:18,560
Speaker 8: up as sexy red you know, how do you feel

996
00:43:18,680 --> 00:43:20,120
Speaker 8: about Does that make you feel the way always like

997
00:43:20,160 --> 00:43:22,360
Speaker 8: cause you're not obligated to be anybody's roll out, or do.

998
00:43:22,400 --> 00:43:23,520
Speaker 5: You feel a type of way about it?

999
00:43:23,719 --> 00:43:23,759
Speaker 17: No?

1000
00:43:23,880 --> 00:43:25,520
Speaker 5: I feel like this, what's up?

1001
00:43:25,680 --> 00:43:25,759
Speaker 15: Right?

1002
00:43:25,840 --> 00:43:27,839
Speaker 8: Because when I was little, I mean, we looked up

1003
00:43:27,840 --> 00:43:30,520
Speaker 8: to the older girls and stuff, even the ones that

1004
00:43:30,640 --> 00:43:33,240
Speaker 8: was bad, Like just because they do bad stuff, they don't.

1005
00:43:33,040 --> 00:43:35,360
Speaker 5: Mean like they are a person.

1006
00:43:35,480 --> 00:43:37,600
Speaker 8: Now there ain't no bad people. We still looked up

1007
00:43:37,600 --> 00:43:39,719
Speaker 8: to them. You know they was probably talking crazy or

1008
00:43:40,480 --> 00:43:43,040
Speaker 8: they don't mean nothing. They just spoke with my personality.

1009
00:43:43,080 --> 00:43:44,360
Speaker 7: I feel like, I think when you come from a

1010
00:43:44,400 --> 00:43:46,600
Speaker 7: certain environment, you learn not to judge people for what

1011
00:43:46,680 --> 00:43:48,000
Speaker 7: they do when they in survival more.

1012
00:43:48,160 --> 00:43:50,440
Speaker 8: Yeah, that's what I'm saying, Like, I don't be judging nobody.

1013
00:43:50,840 --> 00:43:52,719
Speaker 8: I've been like that though. I just let everybody do

1014
00:43:52,840 --> 00:43:54,920
Speaker 8: them because you never know what they going through. So

1015
00:43:55,000 --> 00:43:57,360
Speaker 8: I'll just be like, maybe they did that for a reason,

1016
00:43:57,440 --> 00:43:58,720
Speaker 8: So I don't get mad at nobody.

1017
00:43:58,840 --> 00:44:00,400
Speaker 7: You got people from your hood leaning on you as

1018
00:44:00,440 --> 00:44:02,600
Speaker 7: far as like financials, Like, yo, rad, I know you

1019
00:44:02,680 --> 00:44:02,960
Speaker 7: got it.

1020
00:44:03,000 --> 00:44:03,600
Speaker 2: Throw me something.

1021
00:44:05,239 --> 00:44:07,520
Speaker 8: I just heard that somebody was in the hood talking

1022
00:44:07,560 --> 00:44:09,400
Speaker 8: stuff about me, talking about I ain't putting no guns

1023
00:44:09,440 --> 00:44:10,800
Speaker 8: in the hood and I ain't doing this and that.

1024
00:44:10,880 --> 00:44:11,880
Speaker 2: I'm like, what I mean.

1025
00:44:12,320 --> 00:44:14,440
Speaker 8: I'll be throwing block parties, are to have it, barbecue,

1026
00:44:14,480 --> 00:44:16,879
Speaker 8: ice cream, like bouncing out.

1027
00:44:16,880 --> 00:44:18,279
Speaker 5: I'll be doing all kinds of stuff for the hood.

1028
00:44:18,360 --> 00:44:19,640
Speaker 5: So I'm like, that's crazy.

1029
00:44:19,680 --> 00:44:21,120
Speaker 2: Why do you want you to put guns in the hood.

1030
00:44:21,719 --> 00:44:24,040
Speaker 5: They think I'm protect y'all get it, Like I got it.

1031
00:44:24,840 --> 00:44:27,520
Speaker 4: Yeah, what I did Rich Baby Daddy was your verse

1032
00:44:27,800 --> 00:44:29,680
Speaker 4: actually longer because it seems like it was short.

1033
00:44:29,800 --> 00:44:32,560
Speaker 8: Yes, it was to Drake cut the verse, yeah, and

1034
00:44:32,719 --> 00:44:35,320
Speaker 8: he cut pieces up because the beat wasn't even on

1035
00:44:35,440 --> 00:44:38,160
Speaker 8: their beat, it was on another beat. And I had

1036
00:44:38,239 --> 00:44:42,040
Speaker 8: did a verse like a sixteen boy and probably a

1037
00:44:42,080 --> 00:44:44,560
Speaker 8: little hook, and then he cut it up, chopped it.

1038
00:44:45,160 --> 00:44:48,440
Speaker 5: He put two different songs together. Really, Yeah, it was

1039
00:44:48,480 --> 00:44:49,400
Speaker 5: two different songs.

1040
00:44:49,160 --> 00:44:50,640
Speaker 2: That should have been your song. That should have been.

1041
00:44:53,000 --> 00:44:54,359
Speaker 7: I just think it would have took off more if

1042
00:44:54,360 --> 00:44:56,279
Speaker 7: it was. It was from just the number one ride

1043
00:44:57,520 --> 00:45:00,399
Speaker 7: number the number one. I think Drake Manne take Yeah,

1044
00:45:00,760 --> 00:45:01,600
Speaker 7: I know, I like director.

1045
00:45:01,640 --> 00:45:02,200
Speaker 2: I love the record.

1046
00:45:02,239 --> 00:45:06,880
Speaker 5: Actually, y'alling or you saw that turning up?

1047
00:45:09,040 --> 00:45:11,520
Speaker 2: Did you see the conversation we had about your lyrics?

1048
00:45:11,600 --> 00:45:11,680
Speaker 15: Right?

1049
00:45:11,719 --> 00:45:15,239
Speaker 7: And I was saying that every generation there's a woman

1050
00:45:15,400 --> 00:45:17,800
Speaker 7: rapper who pushes the boundary of lyrics, Like you're not

1051
00:45:17,920 --> 00:45:21,400
Speaker 7: really doing nothing different than Little Kim was doing, or

1052
00:45:21,480 --> 00:45:24,160
Speaker 7: even Salt and Pepper in the eighties, Like everybody sitting

1053
00:45:24,280 --> 00:45:25,200
Speaker 7: edgy for that time.

1054
00:45:25,560 --> 00:45:27,719
Speaker 8: That's all I be saying, Like people begintting on me,

1055
00:45:27,840 --> 00:45:29,560
Speaker 8: but I'd be like, why is that the only thing

1056
00:45:29,640 --> 00:45:32,520
Speaker 8: y'all heard? When I say something about it, they take

1057
00:45:32,600 --> 00:45:35,080
Speaker 8: the and just that's all she's talking about.

1058
00:45:35,200 --> 00:45:37,000
Speaker 5: Like, what that's all y'all got from there? I'll be

1059
00:45:37,040 --> 00:45:37,680
Speaker 5: saying all kinds of.

1060
00:45:37,640 --> 00:45:39,319
Speaker 2: Stuff in myself, I mean to be fair. The hook

1061
00:45:39,440 --> 00:45:43,040
Speaker 2: is called Booty Brown. That is the hook the song.

1062
00:45:43,160 --> 00:45:43,840
Speaker 2: That song was.

1063
00:45:43,800 --> 00:45:46,240
Speaker 5: Strictly about Poundtown, So that's that's nothing.

1064
00:45:46,719 --> 00:45:50,160
Speaker 8: Yeah, But if I have others, yeah, catalog where you're

1065
00:45:50,200 --> 00:45:52,040
Speaker 8: not just talking about Yeah, you're like, why do y'all

1066
00:45:52,080 --> 00:45:53,759
Speaker 8: think I just rap about that all day?

1067
00:45:53,880 --> 00:45:56,399
Speaker 7: Like I understand if that's the only song somebody's heard,

1068
00:45:56,440 --> 00:45:58,560
Speaker 7: I can understand why they come to that conclusion.

1069
00:45:58,880 --> 00:46:00,799
Speaker 5: Do you have a favorite song so far of your

1070
00:46:00,840 --> 00:46:04,080
Speaker 5: own Poundtown? Because it got me out the trenches?

1071
00:46:04,320 --> 00:46:07,360
Speaker 2: Yeah, time got you out the trenches. I love it.

1072
00:46:08,000 --> 00:46:10,240
Speaker 8: I knew I knew it was though. Like when I recorded,

1073
00:46:10,280 --> 00:46:11,879
Speaker 8: I came out the booth, I'm like, this is the one.

1074
00:46:11,960 --> 00:46:14,040
Speaker 5: This is gonna get me out the hood. I told everybody.

1075
00:46:14,520 --> 00:46:16,200
Speaker 2: So when your team heard that hook, what.

1076
00:46:16,560 --> 00:46:16,960
Speaker 15: Was that was?

1077
00:46:17,000 --> 00:46:17,880
Speaker 5: Everybody was laughing.

1078
00:46:17,920 --> 00:46:20,399
Speaker 8: We was all in the studio laughing because I was freestyling.

1079
00:46:21,000 --> 00:46:23,720
Speaker 8: And then they was like, be serious, Like this ain't serious,

1080
00:46:23,840 --> 00:46:25,719
Speaker 8: You ain't serious. Be serious, And he was like, this

1081
00:46:25,800 --> 00:46:27,759
Speaker 8: is gonna be it I'm like this, they gonna like it.

1082
00:46:27,800 --> 00:46:30,640
Speaker 8: They're gonna trust me, and they like, no, they wouldn't

1083
00:46:30,640 --> 00:46:35,040
Speaker 8: believe me that song. They was just like, but now

1084
00:46:35,120 --> 00:46:37,160
Speaker 8: they'd be like, Okay. She knows, she's strategized, she know

1085
00:46:37,200 --> 00:46:37,879
Speaker 8: what she's talking about.

1086
00:46:37,920 --> 00:46:38,840
Speaker 5: She knows what her people like.

1087
00:46:39,160 --> 00:46:39,239
Speaker 15: Now.

1088
00:46:39,400 --> 00:46:41,760
Speaker 7: People said that you lead your sex tape on purpose

1089
00:46:41,920 --> 00:46:44,160
Speaker 7: because because of poietoime you wanted them to show.

1090
00:46:44,440 --> 00:46:46,680
Speaker 2: You wanted them to show you wanted your show color.

1091
00:46:47,400 --> 00:46:49,960
Speaker 8: No, that was the weakest video, bro. I was tired,

1092
00:46:50,040 --> 00:46:52,680
Speaker 8: I'm fat, pregnant, didn't even feel like doing so that's

1093
00:46:52,680 --> 00:46:53,120
Speaker 8: what I'm like.

1094
00:46:53,200 --> 00:46:54,719
Speaker 2: And then that's the one that you leaked.

1095
00:46:55,040 --> 00:46:56,760
Speaker 5: I got all kind of stuff, the stuff.

1096
00:46:56,560 --> 00:46:57,759
Speaker 2: You get leaked in twenty three.

1097
00:46:58,160 --> 00:47:02,880
Speaker 5: I don't know. No, it was in the moment and

1098
00:47:03,000 --> 00:47:05,799
Speaker 5: then set the phone down. But I ain't the wing

1099
00:47:05,840 --> 00:47:06,120
Speaker 5: that did it.

1100
00:47:06,200 --> 00:47:08,000
Speaker 8: It was in the MoMA, set the phone down through

1101
00:47:08,080 --> 00:47:11,160
Speaker 8: it and then you know, and then it had excellently pressed.

1102
00:47:11,320 --> 00:47:13,279
Speaker 4: She said, she got all types of work phone. You

1103
00:47:13,280 --> 00:47:17,279
Speaker 4: don't delete it now. Now after that, it's don't you

1104
00:47:17,320 --> 00:47:17,719
Speaker 4: all got.

1105
00:47:19,440 --> 00:47:21,560
Speaker 5: I don't know why they line I did you know

1106
00:47:21,640 --> 00:47:24,759
Speaker 5: what I'm saying? Man? When I say like I could

1107
00:47:24,760 --> 00:47:25,479
Speaker 5: really go viral.

1108
00:47:25,719 --> 00:47:29,200
Speaker 2: I could be for reasons like that somebody break into

1109
00:47:29,239 --> 00:47:29,680
Speaker 2: your phone.

1110
00:47:29,800 --> 00:47:33,000
Speaker 5: No, nobody broke into my phone. I already know what happened.

1111
00:47:33,520 --> 00:47:36,160
Speaker 5: I could really be a start if I post the

1112
00:47:36,200 --> 00:47:36,760
Speaker 5: real stuff.

1113
00:47:36,800 --> 00:47:38,520
Speaker 7: I think you should tell people what happened so it

1114
00:47:38,560 --> 00:47:41,120
Speaker 7: don't happen to other people that just did you said

1115
00:47:41,160 --> 00:47:41,400
Speaker 7: you just.

1116
00:47:41,440 --> 00:47:43,920
Speaker 2: Through the phone and okay, this is what happened.

1117
00:47:44,239 --> 00:47:47,360
Speaker 8: It was on Instagram like a little short clip video

1118
00:47:47,600 --> 00:47:50,160
Speaker 8: like just making me on Instagram and saved it to

1119
00:47:50,239 --> 00:47:52,839
Speaker 8: the phone, then through the phone, but the video still

1120
00:47:52,960 --> 00:47:55,920
Speaker 8: was on my screen and then through the phone and

1121
00:47:56,040 --> 00:47:57,759
Speaker 8: it got excellently pressed.

1122
00:47:57,480 --> 00:47:59,920
Speaker 5: Like that like sent to public.

1123
00:48:00,200 --> 00:48:02,440
Speaker 8: Yeah, like who's gonna do that on purpose? I was

1124
00:48:02,560 --> 00:48:04,520
Speaker 8: like what And this was the way is being like,

1125
00:48:04,920 --> 00:48:06,600
Speaker 8: y'all really don't want me to post the real ones?

1126
00:48:06,680 --> 00:48:10,040
Speaker 5: Man, I turns up. I don't think that you posted

1127
00:48:10,080 --> 00:48:10,680
Speaker 5: it yourself.

1128
00:48:10,680 --> 00:48:13,040
Speaker 8: I don't think you looked at yourself because you you

1129
00:48:13,400 --> 00:48:14,799
Speaker 8: it was a it took you a minute to post

1130
00:48:14,840 --> 00:48:16,839
Speaker 8: again like you you didn't go on line.

1131
00:48:16,920 --> 00:48:19,760
Speaker 5: I was like it was a minute.

1132
00:48:20,160 --> 00:48:23,400
Speaker 2: I was, yeah, who was a just man yourself?

1133
00:48:23,480 --> 00:48:26,120
Speaker 5: Like, well that had happened period. Yeah, I ain't the

1134
00:48:26,200 --> 00:48:26,720
Speaker 5: one daddy.

1135
00:48:27,400 --> 00:48:29,200
Speaker 2: It wasn't me, so somebody did it.

1136
00:48:29,520 --> 00:48:32,960
Speaker 8: Yes it was No, it was an accident, but it

1137
00:48:33,080 --> 00:48:35,640
Speaker 8: still was like you dumb, like pay attention to be

1138
00:48:35,719 --> 00:48:37,840
Speaker 8: smarter than you, moving too loose.

1139
00:48:37,840 --> 00:48:43,560
Speaker 2: Like yeah, yeah, okay, are you in love now? Sexy?

1140
00:48:43,640 --> 00:48:46,480
Speaker 5: Rec Yeah with the money because.

1141
00:48:46,239 --> 00:48:50,880
Speaker 7: Everybody wondering who your daddy is? It might be No,

1142
00:48:51,120 --> 00:48:57,280
Speaker 7: don't do that, I'm a man. Yeah, be a macular conception.

1143
00:48:58,680 --> 00:49:02,520
Speaker 5: Did you see Charlom before he you know, had done?

1144
00:49:02,680 --> 00:49:03,279
Speaker 2: I was her tight?

1145
00:49:03,520 --> 00:49:08,359
Speaker 5: Yeah? No, hell no, not what you get done?

1146
00:49:08,880 --> 00:49:13,399
Speaker 7: Let me just bad discoloration at least the skin, really

1147
00:49:13,440 --> 00:49:14,839
Speaker 7: bad discoloration at least the skin.

1148
00:49:15,520 --> 00:49:20,120
Speaker 5: Yeah right there, Oh for real, I look.

1149
00:49:20,000 --> 00:49:21,680
Speaker 2: Like your first baby daddy in hell?

1150
00:49:21,840 --> 00:49:28,600
Speaker 5: No, right right? You're doing different though, Yeah I was

1151
00:49:28,640 --> 00:49:31,840
Speaker 5: done too, Just so just know what the baby is is?

1152
00:49:32,440 --> 00:49:33,400
Speaker 5: That ain't what it's different.

1153
00:49:40,560 --> 00:49:41,879
Speaker 2: Would you ever want to get married? Text?

1154
00:49:42,040 --> 00:49:42,120
Speaker 15: Right?

1155
00:49:42,239 --> 00:49:47,160
Speaker 5: You think I feel like marriage? That ain't real? You

1156
00:49:47,239 --> 00:49:49,719
Speaker 5: could sign you can have a whole ceremony and still

1157
00:49:49,760 --> 00:49:52,200
Speaker 5: get cheated on. Yeah, I'll do it just to do it, like,

1158
00:49:52,239 --> 00:49:53,040
Speaker 5: because it looks.

1159
00:49:52,960 --> 00:49:56,120
Speaker 8: Like it looked like a good time. You your love

1160
00:49:56,200 --> 00:49:58,280
Speaker 8: in front of everybody. But I feel like that alida,

1161
00:49:58,320 --> 00:50:00,760
Speaker 8: is you just confessing your love in front of the people.

1162
00:50:00,880 --> 00:50:03,960
Speaker 2: So it's the cheating, Like the cheating people be doing

1163
00:50:04,040 --> 00:50:04,840
Speaker 2: some wrong stuff.

1164
00:50:04,920 --> 00:50:06,880
Speaker 7: You could be in a real relationship with somebody who

1165
00:50:06,960 --> 00:50:09,280
Speaker 7: love you and it might be something fideli on both sides.

1166
00:50:09,360 --> 00:50:10,200
Speaker 6: No, it's not.

1167
00:50:10,880 --> 00:50:12,600
Speaker 8: What's the one of us doing all this in front

1168
00:50:12,600 --> 00:50:14,879
Speaker 8: of people, like we're gonna be together and not mess

1169
00:50:14,960 --> 00:50:17,719
Speaker 8: with other people like it be married people catching a's

1170
00:50:17,760 --> 00:50:19,520
Speaker 8: and stuff that's not right.

1171
00:50:21,360 --> 00:50:23,960
Speaker 5: Yeah, you talk about it.

1172
00:50:24,120 --> 00:50:25,319
Speaker 2: Yeah, okay, I.

1173
00:50:25,400 --> 00:50:27,239
Speaker 5: Mean only because I got cheated on. But I don't

1174
00:50:27,280 --> 00:50:28,280
Speaker 5: be the cheating first.

1175
00:50:28,600 --> 00:50:30,320
Speaker 2: And that doesn't mean you don't love the person.

1176
00:50:30,800 --> 00:50:33,960
Speaker 8: Right, But that don't that don't mean like I could

1177
00:50:34,000 --> 00:50:35,719
Speaker 8: be faithful. I could be real faith when I look

1178
00:50:35,840 --> 00:50:38,000
Speaker 8: like but once you tell me you not faithful, and

1179
00:50:38,120 --> 00:50:39,160
Speaker 8: it's like, what is we doing?

1180
00:50:39,800 --> 00:50:40,960
Speaker 5: Why I gotta be faithful to them?

1181
00:50:41,880 --> 00:50:43,680
Speaker 2: We got more with Sexy Red when we come back,

1182
00:50:43,760 --> 00:50:44,960
Speaker 2: don't move. It's the breakfast Club.

1183
00:50:45,040 --> 00:50:48,640
Speaker 4: Good morning morning, everybody in DJ A n B. Charlamagne

1184
00:50:48,640 --> 00:50:50,680
Speaker 4: to God, we are the breakfast Club. We're still kicking

1185
00:50:50,680 --> 00:50:51,759
Speaker 4: it with Sexy Red.

1186
00:50:52,239 --> 00:50:53,600
Speaker 2: Yes that's number thirteen.

1187
00:50:53,960 --> 00:50:59,480
Speaker 5: Number These ain't my question. There's romans that.

1188
00:51:02,360 --> 00:51:04,840
Speaker 8: This is what they want me ask. There's rumors that

1189
00:51:04,960 --> 00:51:06,719
Speaker 8: you in nl e chot but was a thing for

1190
00:51:06,800 --> 00:51:08,800
Speaker 8: a minute. What happened with Who made that?

1191
00:51:09,480 --> 00:51:10,360
Speaker 5: Right? I ain't it?

1192
00:51:11,400 --> 00:51:11,640
Speaker 14: Yeah?

1193
00:51:12,040 --> 00:51:12,759
Speaker 5: I never thought that.

1194
00:51:12,920 --> 00:51:14,320
Speaker 2: Why do you think I would do something like that?

1195
00:51:14,560 --> 00:51:15,880
Speaker 5: Why you ask? You're not you?

1196
00:51:16,520 --> 00:51:18,040
Speaker 2: I didn't want to ask you about sleeping with somebody,

1197
00:51:18,080 --> 00:51:18,840
Speaker 2: but I remember.

1198
00:51:19,200 --> 00:51:23,560
Speaker 7: I know, I just I know I like to lie too, sexy. No,

1199
00:51:23,760 --> 00:51:25,840
Speaker 7: I don't be talking about I don't be asking questions

1200
00:51:25,880 --> 00:51:26,040
Speaker 7: like that.

1201
00:51:26,440 --> 00:51:29,200
Speaker 5: No, man, at least never knowing why would we? I

1202
00:51:29,239 --> 00:51:32,200
Speaker 5: ain't no industry. That's what I want to know. I

1203
00:51:32,239 --> 00:51:35,040
Speaker 5: ain't had six with nobody. They be choosing though, for sure.

1204
00:51:36,520 --> 00:51:40,640
Speaker 8: Yeah, if you want people be on the end there

1205
00:51:40,719 --> 00:51:43,279
Speaker 8: trying to she ugly I did based with the six

1206
00:51:43,360 --> 00:51:45,160
Speaker 8: y read people find the sixty red on the block.

1207
00:51:45,280 --> 00:51:47,279
Speaker 8: If didn't be the same in my inbox, and I

1208
00:51:47,360 --> 00:51:49,560
Speaker 8: probably ignored them with someone like.

1209
00:51:49,800 --> 00:51:51,040
Speaker 5: To be really choosing for real?

1210
00:51:51,800 --> 00:51:54,800
Speaker 7: I think sexy really still be hoodye at home cooking,

1211
00:51:56,000 --> 00:51:58,839
Speaker 7: and I think you wanted you a good domesticated woman.

1212
00:51:59,440 --> 00:52:02,560
Speaker 2: That's what I man, clearly do you.

1213
00:52:02,600 --> 00:52:05,160
Speaker 7: That's why she's pregnant now and he know that that's

1214
00:52:05,200 --> 00:52:07,360
Speaker 7: what I mean when I say, it's just real, I

1215
00:52:07,440 --> 00:52:09,560
Speaker 7: believe if you are who you say you are, but

1216
00:52:09,600 --> 00:52:10,440
Speaker 7: I believe like all of that.

1217
00:52:12,239 --> 00:52:13,839
Speaker 2: You mean you about that with him.

1218
00:52:14,280 --> 00:52:16,640
Speaker 8: That's what I'm saying when people bringing up that stuff

1219
00:52:16,680 --> 00:52:19,400
Speaker 8: about like when I said I had cock comedia, it wasn't.

1220
00:52:19,239 --> 00:52:22,920
Speaker 5: My fuck we cheating. That ain't my damn fauck.

1221
00:52:23,280 --> 00:52:25,320
Speaker 8: Yeah no, no, no, it was when you said you

1222
00:52:25,400 --> 00:52:27,640
Speaker 8: spent the block on him, it was I mean, you

1223
00:52:27,719 --> 00:52:29,759
Speaker 8: spent okay, all right, so all right, I got you

1224
00:52:30,120 --> 00:52:30,440
Speaker 8: all right.

1225
00:52:32,560 --> 00:52:36,480
Speaker 2: Yeah, that's when that's like the free money you got. Yeah,

1226
00:52:36,960 --> 00:52:39,720
Speaker 2: that's daddy he gave you. Comedian.

1227
00:52:42,800 --> 00:52:45,800
Speaker 7: She just said that reirst of all? Is he upset

1228
00:52:45,880 --> 00:52:47,880
Speaker 7: you pregnant? Now I know that you can't wait to

1229
00:52:47,960 --> 00:52:48,960
Speaker 7: come home to try.

1230
00:52:48,760 --> 00:52:49,080
Speaker 4: To get you.

1231
00:52:49,440 --> 00:52:51,000
Speaker 5: Yeah, but he not like trying to fight me, me

1232
00:52:51,040 --> 00:52:54,640
Speaker 5: and my baby. Real cool, like okay, he he knows.

1233
00:52:54,800 --> 00:52:57,600
Speaker 5: Like I mean, sometimes people thay self a situation like

1234
00:52:57,640 --> 00:52:59,440
Speaker 5: you left me, yeah with your.

1235
00:52:59,400 --> 00:53:01,879
Speaker 2: Son, so I ain't leave. It's not like you wanted

1236
00:53:01,960 --> 00:53:02,080
Speaker 2: to go.

1237
00:53:02,400 --> 00:53:02,680
Speaker 15: He was.

1238
00:53:02,840 --> 00:53:05,360
Speaker 5: He was doing to make yourself like you know, was

1239
00:53:05,400 --> 00:53:07,400
Speaker 5: he coming home? I don't know soon.

1240
00:53:07,719 --> 00:53:10,520
Speaker 2: Hopefully that's big cheese you got pregnant while he was

1241
00:53:10,600 --> 00:53:11,000
Speaker 2: locked up.

1242
00:53:11,719 --> 00:53:17,160
Speaker 5: Nah, that's big did We wentn't together though my baby day.

1243
00:53:17,200 --> 00:53:19,040
Speaker 8: He broke up when my son was six months, my

1244
00:53:19,120 --> 00:53:22,520
Speaker 8: son three now, but we always was like still cool.

1245
00:53:22,560 --> 00:53:24,200
Speaker 8: He still was coming off of my house. He knew

1246
00:53:24,200 --> 00:53:25,960
Speaker 8: I ain't had no other like. I just was to

1247
00:53:26,000 --> 00:53:29,120
Speaker 8: stay at home mama doing me like before a Pantown drop.

1248
00:53:29,200 --> 00:53:31,160
Speaker 8: I just was at home with my son because.

1249
00:53:31,280 --> 00:53:33,000
Speaker 5: I can't do. I got my son all the time.

1250
00:53:33,120 --> 00:53:34,239
Speaker 2: Was he supportive when he was rapping?

1251
00:53:34,320 --> 00:53:34,360
Speaker 7: Was?

1252
00:53:34,960 --> 00:53:37,040
Speaker 5: Yeah, he was very supportive. He used to get my

1253
00:53:37,160 --> 00:53:38,680
Speaker 5: son whenever I had a show, whatever.

1254
00:53:38,480 --> 00:53:40,399
Speaker 2: I had to do. And what were you doing before

1255
00:53:40,400 --> 00:53:41,799
Speaker 2: you were rapping, before you decided to rap?

1256
00:53:42,320 --> 00:53:43,080
Speaker 9: I was doing her.

1257
00:53:43,480 --> 00:53:45,719
Speaker 5: Yeah, I used to do her. Saint Louis Dad, I.

1258
00:53:45,719 --> 00:53:48,560
Speaker 2: Was doing her like installations, installations.

1259
00:53:48,440 --> 00:53:51,799
Speaker 5: Everything, Yeah, braids all that last year.

1260
00:53:51,880 --> 00:53:55,640
Speaker 2: I did show me somebody here you did. He was good.

1261
00:53:59,280 --> 00:54:01,480
Speaker 7: Saint Louis was going to I was the hood out

1262
00:54:01,520 --> 00:54:03,200
Speaker 7: of her stuff to show me.

1263
00:54:03,400 --> 00:54:05,440
Speaker 5: That's how everybody knew me because I was doing everybody

1264
00:54:05,560 --> 00:54:06,600
Speaker 5: heard saw you.

1265
00:54:06,600 --> 00:54:08,359
Speaker 2: Go tohead to start rapping. What made you start rapping?

1266
00:54:08,400 --> 00:54:11,680
Speaker 8: In my baby Diddy this one he was my boyfriend.

1267
00:54:11,719 --> 00:54:14,239
Speaker 8: At the time he had he was cheating on me.

1268
00:54:14,480 --> 00:54:16,360
Speaker 8: He used to my first baby. I'm like, God, he

1269
00:54:16,440 --> 00:54:17,360
Speaker 8: used to always cheat on me.

1270
00:54:18,040 --> 00:54:19,719
Speaker 2: Is he sick now that now that you're successful to

1271
00:54:19,880 --> 00:54:21,799
Speaker 2: call you all the time like hey, nah?

1272
00:54:21,960 --> 00:54:24,400
Speaker 8: But he they be in jail, like talking about me

1273
00:54:24,480 --> 00:54:27,279
Speaker 8: and stuff, so he heard everything. But nah, he was

1274
00:54:27,360 --> 00:54:29,000
Speaker 8: just cheating on me all the time. And then I

1275
00:54:29,040 --> 00:54:31,520
Speaker 8: had made this song about him because it was just

1276
00:54:31,680 --> 00:54:34,200
Speaker 8: like he was cheating all the time. You know a

1277
00:54:34,239 --> 00:54:35,960
Speaker 8: lot of bases, but he's wanted you know that he

1278
00:54:36,120 --> 00:54:38,839
Speaker 8: really liked. I've seen the whims. I'm like, oh, I can't.

1279
00:54:38,880 --> 00:54:41,120
Speaker 8: I hated this be so bad. You ain't do nothing,

1280
00:54:41,400 --> 00:54:42,280
Speaker 8: Oh baby, y'all.

1281
00:54:42,080 --> 00:54:44,080
Speaker 5: Did that's the point of the store.

1282
00:54:44,160 --> 00:54:44,560
Speaker 7: I did.

1283
00:54:44,960 --> 00:54:45,799
Speaker 5: I definitely did.

1284
00:54:46,800 --> 00:54:49,440
Speaker 2: Got pressed. You read down on him, on her him.

1285
00:54:50,400 --> 00:54:52,440
Speaker 5: I didn't call my baby daddy so much. I didn't.

1286
00:54:52,719 --> 00:54:55,799
Speaker 2: Are you the key calls? You broke wind flat tight?

1287
00:54:56,080 --> 00:54:57,680
Speaker 5: Cause what's the first thing you done?

1288
00:54:57,760 --> 00:54:59,760
Speaker 2: Did you x? Or it's caused property?

1289
00:55:00,160 --> 00:55:02,680
Speaker 5: The worst thing I did is got pregnant.

1290
00:55:04,600 --> 00:55:07,160
Speaker 8: For real because my baby daddy, we said we'll never

1291
00:55:07,480 --> 00:55:11,240
Speaker 8: have babies outside the shop, my only baby daddy.

1292
00:55:11,320 --> 00:55:14,320
Speaker 5: But that was like, that's just something we both.

1293
00:55:14,280 --> 00:55:16,080
Speaker 2: Was like, you did that on purpose. You couldn't wait

1294
00:55:16,120 --> 00:55:16,480
Speaker 2: to tell him.

1295
00:55:16,600 --> 00:55:18,480
Speaker 8: I ain't do that on purpose. I was scared to

1296
00:55:18,560 --> 00:55:20,960
Speaker 8: tell him. Everybody was telling him. I knew I was pregnant,

1297
00:55:21,000 --> 00:55:23,200
Speaker 8: but everybody was already snitching on me. I'm like, no,

1298
00:55:23,360 --> 00:55:24,000
Speaker 8: that's not true.

1299
00:55:24,800 --> 00:55:26,839
Speaker 2: Like, so you're looking at dead in his face, lining

1300
00:55:26,880 --> 00:55:29,000
Speaker 2: knowing you in jail, knowing you ain't had a period.

1301
00:55:29,200 --> 00:55:33,759
Speaker 5: He was in jail knowing that you ain't have a period. Hey, yo, nah,

1302
00:55:34,239 --> 00:55:36,480
Speaker 5: But look, he was my baby daddy. He used to

1303
00:55:36,520 --> 00:55:37,040
Speaker 5: be cheating on me.

1304
00:55:37,160 --> 00:55:39,560
Speaker 8: So I had made a this song about him, and

1305
00:55:39,680 --> 00:55:42,200
Speaker 8: then he was like I rapped it to him, Like dang,

1306
00:55:42,280 --> 00:55:44,719
Speaker 8: that was hard. So then that's when we'd be in

1307
00:55:44,800 --> 00:55:46,719
Speaker 8: the choir around his friends. He like, rap your songs

1308
00:55:46,719 --> 00:55:48,960
Speaker 8: to them, showing me your song. So now I rapped

1309
00:55:49,000 --> 00:55:50,839
Speaker 8: the song. They like, oh, you actually know how to rap.

1310
00:55:50,920 --> 00:55:53,400
Speaker 8: So I'm like, for real, y'all it. Then that's when

1311
00:55:53,440 --> 00:55:54,960
Speaker 8: I just went to the studio and made a real sir.

1312
00:55:55,239 --> 00:55:56,799
Speaker 7: But I'm sure a lot of people in Saint Louis

1313
00:55:56,840 --> 00:55:59,200
Speaker 7: look up to you because they can see themselves and you.

1314
00:56:00,239 --> 00:56:02,879
Speaker 5: I'm relatable for real, like just a rag wall girl

1315
00:56:02,920 --> 00:56:04,200
Speaker 5: from the North Side for real, Like.

1316
00:56:04,200 --> 00:56:06,680
Speaker 2: When you was on stage barefoot and pregnant doing the

1317
00:56:06,760 --> 00:56:07,200
Speaker 2: chicken ad.

1318
00:56:07,280 --> 00:56:11,360
Speaker 5: My feet was hurt because when you because when she

1319
00:56:11,440 --> 00:56:13,160
Speaker 5: did she got he was on you could telling her,

1320
00:56:13,320 --> 00:56:14,600
Speaker 5: so she's like to just do it.

1321
00:56:16,200 --> 00:56:18,160
Speaker 8: I hate wearing heels on stage. I want them to

1322
00:56:18,160 --> 00:56:19,879
Speaker 8: get you some nice red slippers though.

1323
00:56:20,840 --> 00:56:22,799
Speaker 2: Yeah, because you don't know what's.

1324
00:56:22,680 --> 00:56:24,040
Speaker 5: Going on with these stages. You don't know if they

1325
00:56:24,160 --> 00:56:24,960
Speaker 5: clean these stages.

1326
00:56:25,120 --> 00:56:27,200
Speaker 2: Like no, I'm just saying the stage is dirty.

1327
00:56:27,239 --> 00:56:27,960
Speaker 5: The stage.

1328
00:56:29,400 --> 00:56:29,440
Speaker 15: Know.

1329
00:56:29,600 --> 00:56:31,680
Speaker 8: Soon as I get on stage, I got my people's

1330
00:56:31,760 --> 00:56:34,719
Speaker 8: right there. Soon like soon as I walk on for me,

1331
00:56:35,320 --> 00:56:38,560
Speaker 8: I sit there, they got the disinfecting white. Yeah, all

1332
00:56:38,640 --> 00:56:42,000
Speaker 8: my shoes they clean all that. Ye, Like, soon as

1333
00:56:42,040 --> 00:56:43,960
Speaker 8: I got I got videos. Soon as I get off stage,

1334
00:56:44,000 --> 00:56:45,480
Speaker 8: they got every time.

1335
00:56:45,920 --> 00:56:48,920
Speaker 2: Well, Sexy, we glad that you could join us so much.

1336
00:56:49,000 --> 00:56:49,479
Speaker 2: I'm mad.

1337
00:56:49,719 --> 00:56:51,840
Speaker 8: I'm mayby that you did come. I'm mayby that you

1338
00:56:52,360 --> 00:56:55,040
Speaker 8: look she was honest. I'm happy that you was honest.

1339
00:56:55,080 --> 00:56:56,520
Speaker 8: I'm happy that I got you to look at me

1340
00:56:56,960 --> 00:56:59,399
Speaker 8: and all of that. And I appreciate you, man, Yeah,

1341
00:56:59,440 --> 00:57:01,320
Speaker 8: I appreciate I've had that me just can't.

1342
00:57:01,200 --> 00:57:06,320
Speaker 2: Talk about you no more. No, no ever know she

1343
00:57:06,520 --> 00:57:08,319
Speaker 2: be trolling. She just came up and sad.

1344
00:57:09,080 --> 00:57:11,120
Speaker 8: No, she just came up and said, I'll be trolling

1345
00:57:11,239 --> 00:57:14,319
Speaker 8: like I'm I'm regular that if y'all think this, I'm

1346
00:57:14,320 --> 00:57:15,200
Speaker 8: gonna let y'all think that.

1347
00:57:15,239 --> 00:57:18,400
Speaker 5: I'm just I don't be. I don't know nothing of like, yeah,

1348
00:57:18,520 --> 00:57:21,200
Speaker 5: I don't clear rumors like you heard, believe it.

1349
00:57:21,360 --> 00:57:22,600
Speaker 2: That's all you got you.

1350
00:57:22,880 --> 00:57:24,880
Speaker 7: Yeah, you gotta know me to know me, like yeah,

1351
00:57:25,240 --> 00:57:27,320
Speaker 7: because we don't know none of these people online to

1352
00:57:27,320 --> 00:57:28,960
Speaker 7: who give it about their opinion anyway?

1353
00:57:29,080 --> 00:57:29,160
Speaker 15: Right?

1354
00:57:29,360 --> 00:57:31,200
Speaker 8: Who cries about what other people is doing? Is what

1355
00:57:31,280 --> 00:57:33,000
Speaker 8: I be wanting to know because I don't. That's what

1356
00:57:33,040 --> 00:57:35,320
Speaker 8: I don't understand. I don't be tripping off with nobody

1357
00:57:35,360 --> 00:57:37,160
Speaker 8: else got going on because it's like they the ones

1358
00:57:37,160 --> 00:57:39,160
Speaker 8: gotta live their life, not me, So I don't.

1359
00:57:39,240 --> 00:57:40,760
Speaker 5: That's what I'm saying. I don't be guent people. I

1360
00:57:40,920 --> 00:57:41,640
Speaker 5: just don't care.

1361
00:57:42,040 --> 00:57:47,919
Speaker 2: You don't like to read, No, okay, because you wear glasses, y'all.

1362
00:57:51,320 --> 00:57:52,320
Speaker 5: Glasses don't mean that.

1363
00:57:55,240 --> 00:57:56,000
Speaker 2: Let's get out of here.

1364
00:57:56,440 --> 00:58:01,240
Speaker 7: Sexy ladies and gentlemen appreciate you sexy, don't it's the

1365
00:58:01,240 --> 00:58:02,200
Speaker 7: breakfast club morning.

1366
00:58:03,520 --> 00:58:04,080
Speaker 2: I still.

1367
00:58:08,000 --> 00:58:10,240
Speaker 5: Definitely it's great.

1368
00:58:11,240 --> 00:58:12,440
Speaker 2: It's a fantastic record.

1369
00:58:12,920 --> 00:58:15,360
Speaker 4: We're on the Breakfast Club. Good morning, Jess Larrius is here,

1370
00:58:15,760 --> 00:58:17,920
Speaker 4: the host. I'm glad you are sexy red squashed beef

1371
00:58:17,960 --> 00:58:18,640
Speaker 4: that you didn't know you had.

1372
00:58:18,800 --> 00:58:19,160
Speaker 2: I didn't know.

1373
00:58:19,280 --> 00:58:21,840
Speaker 5: I didn't know beef, didn't know. I didn't know.

1374
00:58:22,520 --> 00:58:23,320
Speaker 2: It's understanding.

1375
00:58:23,800 --> 00:58:26,520
Speaker 8: It wasn't a beef beef. She just was trying to

1376
00:58:26,520 --> 00:58:29,960
Speaker 8: stand on business. She was standing on that, and she

1377
00:58:30,200 --> 00:58:32,800
Speaker 8: was standing on that. I said, it was funny, but

1378
00:58:33,000 --> 00:58:34,280
Speaker 8: I get where she was coming from.

1379
00:58:34,360 --> 00:58:34,400
Speaker 15: You.

1380
00:58:34,840 --> 00:58:37,200
Speaker 7: She said she likes she's a fan of she likes

1381
00:58:37,320 --> 00:58:41,400
Speaker 7: just and it's always like that with comedians, right, every.

1382
00:58:41,720 --> 00:58:42,520
Speaker 2: They're so funny.

1383
00:58:44,920 --> 00:58:47,080
Speaker 5: Yeah, but that's why I even talk about myself. I

1384
00:58:47,160 --> 00:58:48,160
Speaker 5: don't even really care.

1385
00:58:48,200 --> 00:58:48,480
Speaker 8: I don't.

1386
00:58:48,640 --> 00:58:52,840
Speaker 5: I don't have any real issues with anybody. That's not personal.

1387
00:58:52,880 --> 00:58:55,360
Speaker 5: It's just all, you know, it's funny and it's all

1388
00:58:55,440 --> 00:58:55,960
Speaker 5: in good love.

1389
00:58:56,120 --> 00:58:57,880
Speaker 2: Life is too short to take things serious.

1390
00:58:57,960 --> 00:58:59,760
Speaker 8: It really is, correct, it really is. But no, that

1391
00:58:59,840 --> 00:59:01,720
Speaker 8: was a pretty good interview though. I'm happy that that

1392
00:59:01,840 --> 00:59:03,200
Speaker 8: we did talk about that.

1393
00:59:03,400 --> 00:59:05,640
Speaker 2: That's right. Well, Jess is here. Let's get to Jess

1394
00:59:05,640 --> 00:59:06,240
Speaker 2: with the message.

1395
00:59:09,360 --> 00:59:09,640
Speaker 7: Jessica.

1396
00:59:09,720 --> 00:59:10,960
Speaker 5: Robert Moore just don't do.

1397
00:59:11,120 --> 00:59:14,480
Speaker 2: Then this is the rumor report.

1398
00:59:14,840 --> 00:59:16,480
Speaker 5: I don't do that, Scots, it's just.

1399
00:59:18,000 --> 00:59:21,080
Speaker 2: On the breakfast clubs.

1400
00:59:22,600 --> 00:59:26,240
Speaker 8: Oprah speaks on why Beyonce and Rihanna weren't casted for

1401
00:59:26,320 --> 00:59:29,280
Speaker 8: The Color Purple. During a recent interview, Oprah shared that

1402
00:59:29,320 --> 00:59:32,800
Speaker 8: people expected her to cast powerhouse celebrities like Beyonce Arihanna

1403
00:59:32,840 --> 00:59:33,960
Speaker 8: for the Color Purple remake.

1404
00:59:34,280 --> 00:59:37,919
Speaker 5: The movie had about one hundred million in budget. Wow.

1405
00:59:38,000 --> 00:59:40,439
Speaker 8: One hundred million to make the movie. Wow, And there's

1406
00:59:41,160 --> 00:59:44,120
Speaker 8: immense pressure for the movie to be a box office hit.

1407
00:59:44,200 --> 00:59:47,680
Speaker 8: I mean if somebody putting up one hundred million, so

1408
00:59:47,800 --> 00:59:50,200
Speaker 8: of course they want like big names, bigger names, you know.

1409
00:59:50,320 --> 00:59:54,280
Speaker 8: And she said, listen, we love Beyonce, we love Rihanna,

1410
00:59:54,440 --> 00:59:57,040
Speaker 8: but there there are other actors who can do this job.

1411
00:59:57,480 --> 01:00:00,640
Speaker 8: Oprah recalled that going after Beyonce Arihanna was no negotiable,

1412
01:00:00,760 --> 01:00:04,200
Speaker 8: considering Beyonce was busy with the Renaissance tour and Rihanna

1413
01:00:04,280 --> 01:00:06,360
Speaker 8: had just had her second child. Now, even though people

1414
01:00:06,560 --> 01:00:10,160
Speaker 8: wanted Beyonce and Rihanna, Oprah still secured an amazing cast

1415
01:00:10,480 --> 01:00:15,760
Speaker 8: Fanca Brino, Taraji p Henson, Hallie Bailey, Danielle Brooks. Sorry,

1416
01:00:15,760 --> 01:00:18,680
Speaker 8: I'm cracking. Danielle Brooks, David Allen Gred who I ain't

1417
01:00:18,680 --> 01:00:19,320
Speaker 8: seen in a minute.

1418
01:00:19,400 --> 01:00:20,080
Speaker 5: That is my guy.

1419
01:00:21,680 --> 01:00:28,560
Speaker 8: No play Danny Glover. Danny Glover, he's gonna play, my mister.

1420
01:00:29,000 --> 01:00:34,280
Speaker 8: That's that's what I'm assuming her. H the singer Sierra Okay,

1421
01:00:34,840 --> 01:00:36,640
Speaker 8: Deon Cole and many other talented people.

1422
01:00:36,960 --> 01:00:39,280
Speaker 5: I can't wait. That's like that is that is a powercast.

1423
01:00:39,520 --> 01:00:41,520
Speaker 7: I said this yesterday when we were just talking behind

1424
01:00:41,560 --> 01:00:45,120
Speaker 7: the scenes. You know, Fantasia is already fantasious. She established correct.

1425
01:00:45,160 --> 01:00:46,880
Speaker 7: This role right here is gonna take Fantasia to a

1426
01:00:46,960 --> 01:00:50,000
Speaker 7: whole other. Yeah, a whole She's very challenging.

1427
01:00:50,040 --> 01:00:50,480
Speaker 5: Yeah she is.

1428
01:00:50,720 --> 01:00:51,840
Speaker 2: She's dope. I love it.

1429
01:00:52,000 --> 01:00:53,400
Speaker 8: And then she just you know, she just killed the

1430
01:00:53,440 --> 01:00:56,200
Speaker 8: star spangle. I mean, uh, national anthem at one of

1431
01:00:56,240 --> 01:00:56,880
Speaker 8: them games too.

1432
01:00:57,200 --> 01:00:59,480
Speaker 5: She killed it. Y'a ain't see it. Oh, y'all, don't

1433
01:00:59,480 --> 01:01:03,439
Speaker 5: be fan attend. No, she she actually looks she looked good,

1434
01:01:03,800 --> 01:01:06,840
Speaker 5: and she killed that. She always murdered that though.

1435
01:01:07,000 --> 01:01:10,000
Speaker 7: That that's something like when fantast your badfoot, when fantastic badfoot,

1436
01:01:10,000 --> 01:01:11,320
Speaker 7: that she's gonna be hitting something when.

1437
01:01:11,240 --> 01:01:13,040
Speaker 8: Her eyes rolled up in the back head. That's how

1438
01:01:13,080 --> 01:01:15,040
Speaker 8: you know them notes rade, They're about to go to

1439
01:01:15,120 --> 01:01:17,640
Speaker 8: the next level, all right. More celebrities added to the

1440
01:01:17,680 --> 01:01:20,200
Speaker 8: cast of BMF for season three. It was announced that

1441
01:01:20,320 --> 01:01:24,800
Speaker 8: Little Baby Sweetie and Cynthia Bailey from Real Housewives of

1442
01:01:24,800 --> 01:01:25,720
Speaker 8: Atlanta will.

1443
01:01:25,520 --> 01:01:28,320
Speaker 2: Be joining the b m F Castphi is this uh?

1444
01:01:28,480 --> 01:01:28,520
Speaker 6: This?

1445
01:01:28,800 --> 01:01:31,240
Speaker 5: This is the one that fifty is doing on starts.

1446
01:01:35,800 --> 01:01:36,080
Speaker 15: I was.

1447
01:01:38,440 --> 01:01:38,560
Speaker 7: Right.

1448
01:01:38,640 --> 01:01:41,560
Speaker 8: I was just asking, I was you and you want

1449
01:01:41,560 --> 01:01:43,440
Speaker 8: the BMF And I was just kidding. I'm in the

1450
01:01:43,480 --> 01:01:46,280
Speaker 8: first Lady of BMF with Tnisa Welch. That's Judge Matthews

1451
01:01:46,280 --> 01:01:47,120
Speaker 8: and Vivica Fox.

1452
01:01:47,920 --> 01:01:48,480
Speaker 5: Yeah, don't you.

1453
01:01:49,640 --> 01:01:52,680
Speaker 2: I did not know. I was not trying to be funny,

1454
01:01:54,600 --> 01:01:55,400
Speaker 2: all right. Sorry.

1455
01:01:55,880 --> 01:01:57,680
Speaker 5: They are the newest editions after two.

1456
01:01:57,800 --> 01:01:59,640
Speaker 8: Chains and Neil were already added to the cast for

1457
01:01:59,680 --> 01:02:01,600
Speaker 8: season Okay to Chains and the Oh, I see he's

1458
01:02:01,640 --> 01:02:04,000
Speaker 8: casting a lot of artists. This will be Little Baby's

1459
01:02:04,080 --> 01:02:08,400
Speaker 8: acting debut, and he'll play pain and eager to learn

1460
01:02:08,480 --> 01:02:11,120
Speaker 8: foot soldier out of Atlanta, Georgia, because yeah, that's all

1461
01:02:11,160 --> 01:02:14,320
Speaker 8: that asks sint Gogam. I'm telling you it can get

1462
01:02:14,360 --> 01:02:15,720
Speaker 8: him in movies, but you're gonna have to play the

1463
01:02:16,080 --> 01:02:20,600
Speaker 8: country roles. I swear, all right, Sweetie plays Kia, a

1464
01:02:20,720 --> 01:02:23,400
Speaker 8: former college athlete who's now on the streets in Saint Louis.

1465
01:02:24,120 --> 01:02:27,439
Speaker 8: Cynthia Bailey plays Gloria, detective Brian's hard working next wife.

1466
01:02:27,680 --> 01:02:30,920
Speaker 8: Season three of BMF Stars returns March first, twenty twenty four.

1467
01:02:31,000 --> 01:02:33,560
Speaker 8: We also want to take this time to congratulate fifty

1468
01:02:33,920 --> 01:02:36,160
Speaker 8: He recently shared that he purchased a production lot in

1469
01:02:36,200 --> 01:02:39,080
Speaker 8: shrive Port, Louisiana for G Unit Films and Television.

1470
01:02:39,200 --> 01:02:39,600
Speaker 2: That's dope.

1471
01:02:39,760 --> 01:02:41,280
Speaker 5: Yes, we got a little bit of a report. I

1472
01:02:41,360 --> 01:02:43,080
Speaker 5: want to hear rid. Let me a.

1473
01:02:43,120 --> 01:02:45,480
Speaker 3: Decision has been made about Curtis fifty cent Jackson and

1474
01:02:45,560 --> 01:02:46,600
Speaker 3: Millennium Studios.

1475
01:02:46,880 --> 01:02:47,920
Speaker 5: It is our top story this.

1476
01:02:48,000 --> 01:02:49,120
Speaker 2: Yearning NBC is.

1477
01:02:49,280 --> 01:02:52,000
Speaker 3: Miriam Shamacke joins us now a live from government Plaza,

1478
01:02:52,320 --> 01:02:54,520
Speaker 3: sharing details, Hi.

1479
01:02:54,520 --> 01:02:55,200
Speaker 5: Dan and Jackie.

1480
01:02:55,280 --> 01:02:58,000
Speaker 17: Yes, there is a lot to unpack from city council today,

1481
01:02:58,080 --> 01:03:01,480
Speaker 17: beginning with that contract with the city and fifty Cents

1482
01:03:01,560 --> 01:03:05,760
Speaker 17: production company G Unit Films now Shreveport City Council voted

1483
01:03:05,880 --> 01:03:09,000
Speaker 17: unanimously in favor of the lease agreement. The lease will

1484
01:03:09,040 --> 01:03:11,680
Speaker 17: be for thirty years, with an option to renew for

1485
01:03:11,720 --> 01:03:13,160
Speaker 17: an additional fifteen years.

1486
01:03:13,800 --> 01:03:16,760
Speaker 7: It's about time that something good like this happens, you know,

1487
01:03:16,840 --> 01:03:17,800
Speaker 7: I think it's gonna Yeah.

1488
01:03:17,840 --> 01:03:19,480
Speaker 5: So a lot of people are in support of that.

1489
01:03:19,600 --> 01:03:21,960
Speaker 8: I really do love that fifty hopes to bring more

1490
01:03:22,080 --> 01:03:26,600
Speaker 8: job opportunities to people of Shreveport, Louisiana with this deal.

1491
01:03:26,680 --> 01:03:29,320
Speaker 5: Y'all y'all think that he'll let me be on. He

1492
01:03:29,400 --> 01:03:30,439
Speaker 5: had cast me in his power.

1493
01:03:30,600 --> 01:03:32,000
Speaker 2: He need something, I know.

1494
01:03:32,160 --> 01:03:34,040
Speaker 8: But now that I did first Lady of bm F,

1495
01:03:34,240 --> 01:03:37,520
Speaker 8: you think is like an absolute no, no, no, I'm

1496
01:03:37,520 --> 01:03:38,480
Speaker 8: gonna say, okay.

1497
01:03:38,520 --> 01:03:42,120
Speaker 2: Yeah, y'all want to for fifty, we can forget about

1498
01:03:42,120 --> 01:03:44,680
Speaker 2: First Lady of BMF. I think he damn yo, you

1499
01:03:44,800 --> 01:03:46,560
Speaker 2: can't what No, I don't mean it like that.

1500
01:03:47,640 --> 01:03:49,680
Speaker 8: Many are you trying to black ball first Lady of

1501
01:03:49,760 --> 01:03:50,920
Speaker 8: being Madison is trying.

1502
01:03:50,720 --> 01:03:56,840
Speaker 2: To playing all the black I think I think fifty

1503
01:03:56,880 --> 01:03:57,680
Speaker 2: with you and something.

1504
01:03:58,480 --> 01:03:59,720
Speaker 6: Yeah, he is.

1505
01:04:00,120 --> 01:04:02,080
Speaker 5: You know, he's such a busy guy, so hopefully he does.

1506
01:04:02,160 --> 01:04:03,640
Speaker 8: He has a lot of shows green lip that he

1507
01:04:03,680 --> 01:04:05,600
Speaker 8: told me that I'm gonna get a job and we'll

1508
01:04:05,600 --> 01:04:08,680
Speaker 8: see I know, right, that's yeah. They say we favor

1509
01:04:08,720 --> 01:04:10,360
Speaker 8: in the forehead, so I'm trying to see what's up

1510
01:04:10,360 --> 01:04:10,520
Speaker 8: with that.

1511
01:04:10,640 --> 01:04:11,880
Speaker 4: But he has a lot of he has a lot

1512
01:04:11,920 --> 01:04:14,240
Speaker 4: of ideas for street sports, just to bring just a

1513
01:04:14,400 --> 01:04:17,320
Speaker 4: culture and different community out there. He's gonna do not

1514
01:04:17,480 --> 01:04:19,240
Speaker 4: just the movies and the TV and the directing and

1515
01:04:19,320 --> 01:04:21,120
Speaker 4: the acting in that film space, He's gonna bring a

1516
01:04:21,160 --> 01:04:24,160
Speaker 4: lot to the city. Way you guys here and see that.

1517
01:04:24,320 --> 01:04:26,680
Speaker 4: And also, I was gonna say you talked about little Baby.

1518
01:04:27,080 --> 01:04:29,320
Speaker 4: People said that about t I too, with his accent

1519
01:04:29,400 --> 01:04:30,880
Speaker 4: was so strong, he wasn't gonna be able to act

1520
01:04:30,920 --> 01:04:33,000
Speaker 4: and do other things, and he proved them wrong because

1521
01:04:33,200 --> 01:04:34,160
Speaker 4: I has been able to do things.

1522
01:04:34,280 --> 01:04:34,480
Speaker 2: Yeah.

1523
01:04:34,600 --> 01:04:36,360
Speaker 8: No, I ain't say that little Baby a't gonna be

1524
01:04:36,360 --> 01:04:38,280
Speaker 8: able to act, but he's going to until he get

1525
01:04:38,400 --> 01:04:40,440
Speaker 8: like you know, like it's like something like the speech

1526
01:04:40,880 --> 01:04:43,960
Speaker 8: something not Yeah four actors, you know, to get out

1527
01:04:44,000 --> 01:04:46,800
Speaker 8: of there when your accent is so heavy like that. Yeah,

1528
01:04:46,840 --> 01:04:48,560
Speaker 8: I definitely don't doubt that he'll go far in this,

1529
01:04:48,680 --> 01:04:49,760
Speaker 8: you know, if he puts his mind so well.

1530
01:04:49,800 --> 01:04:50,080
Speaker 5: For sure.

1531
01:04:50,160 --> 01:04:51,840
Speaker 2: Yeah, made me do that TV because of my list.

1532
01:04:52,680 --> 01:04:56,240
Speaker 2: It was still there. That's what's doing radio tongue behind

1533
01:04:56,320 --> 01:04:56,960
Speaker 2: the feet.

1534
01:04:57,480 --> 01:04:59,040
Speaker 5: The way he used to say my name like Johil

1535
01:04:59,040 --> 01:05:03,640
Speaker 5: everyth I couldn't control it when I persona you need

1536
01:05:03,720 --> 01:05:04,120
Speaker 5: to relax.

1537
01:05:04,840 --> 01:05:05,080
Speaker 7: Yeah.

1538
01:05:05,880 --> 01:05:09,440
Speaker 8: Glorilla responds to fabs comments on female rappers. Earlier this year,

1539
01:05:09,960 --> 01:05:13,479
Speaker 8: Fabulists posted his thoughts about female rappers to his Instagram story.

1540
01:05:13,480 --> 01:05:16,120
Speaker 8: He said he love hearing female rappers talk some real s.

1541
01:05:16,760 --> 01:05:19,080
Speaker 8: Women are so strong, have so many stories and perspectives

1542
01:05:19,120 --> 01:05:21,640
Speaker 8: that we need to hear and pure form. No disrespect

1543
01:05:21,680 --> 01:05:24,439
Speaker 8: to any female rappers out there, but I think there's

1544
01:05:24,520 --> 01:05:27,560
Speaker 8: only one style of female hip hop rap being promoted,

1545
01:05:27,640 --> 01:05:31,160
Speaker 8: programmed and looked at as successful now. During a recent

1546
01:05:31,240 --> 01:05:34,040
Speaker 8: interview with GQ, Glorilla was asked how she felt about that,

1547
01:05:34,520 --> 01:05:38,680
Speaker 8: and she reportedly said, after rolling her eyes, what men

1548
01:05:38,840 --> 01:05:42,240
Speaker 8: rap about killing, fing, robbing cars and money. She's not

1549
01:05:42,360 --> 01:05:45,440
Speaker 8: wrong females rapping about the same s. But guess what,

1550
01:05:45,520 --> 01:05:47,760
Speaker 8: we're not killing. We're not in gangs, we're not robbing.

1551
01:05:47,840 --> 01:05:50,440
Speaker 8: That's what men be doing. What we're doing, we're sitting

1552
01:05:50,480 --> 01:05:53,000
Speaker 8: pretty and popping out s. We hustling, getting money. We

1553
01:05:53,280 --> 01:05:54,920
Speaker 8: f so we rap about what we do.

1554
01:05:55,440 --> 01:05:57,520
Speaker 5: I feel like, uh wrong?

1555
01:05:57,760 --> 01:06:00,280
Speaker 8: Yeah, fab is not wrong either, because he's not really

1556
01:06:00,320 --> 01:06:02,000
Speaker 8: coming at them. He's just saying one style of rap

1557
01:06:02,120 --> 01:06:04,760
Speaker 8: is being promoted, programmed and looked at its successful now.

1558
01:06:04,800 --> 01:06:07,080
Speaker 8: But he got to pay attention to like we got Scarlet,

1559
01:06:07,200 --> 01:06:09,600
Speaker 8: we got Lady London, we got a Lola Brook, we

1560
01:06:09,760 --> 01:06:11,360
Speaker 8: got other rap and we even got those.

1561
01:06:11,400 --> 01:06:14,720
Speaker 5: We got other rappers that don't just talk about yeah

1562
01:06:14,800 --> 01:06:16,040
Speaker 5: for sure, you know, but I.

1563
01:06:16,080 --> 01:06:18,840
Speaker 2: Guess he said being promoted, but dog is being promoted, right,

1564
01:06:19,880 --> 01:06:22,240
Speaker 2: doesn't talk about all We got promoted more than gangster

1565
01:06:22,400 --> 01:06:24,120
Speaker 2: rap though, we got promoted.

1566
01:06:25,200 --> 01:06:27,760
Speaker 5: So I agree with you know, I agree with both

1567
01:06:27,760 --> 01:06:31,280
Speaker 5: of them. So that's just with the mess they lose period.

1568
01:06:31,440 --> 01:06:32,920
Speaker 2: All right now, Charlamane, who is giving that down?

1569
01:06:33,040 --> 01:06:34,960
Speaker 7: Conture man four after the hour, we're gonna learn a

1570
01:06:35,040 --> 01:06:37,959
Speaker 7: lesson about empathy. Okay, sometimes you have to step into

1571
01:06:38,040 --> 01:06:40,040
Speaker 7: somebody else's shoes. Didn't know how they feel.

1572
01:06:40,080 --> 01:06:42,040
Speaker 2: We'll discuss, all right, we'll get into that next, So

1573
01:06:42,080 --> 01:06:45,240
Speaker 2: don't move. It's the breakfast Club. Good morning, the breakfast Club.

1574
01:06:45,320 --> 01:06:47,479
Speaker 2: Your mornings will never be the same.

1575
01:06:51,880 --> 01:06:53,360
Speaker 5: Damn the hegg.

1576
01:06:54,440 --> 01:06:58,240
Speaker 2: It's time for donkey. I'm trying to be dunky today.

1577
01:06:58,360 --> 01:06:58,600
Speaker 15: No more.

1578
01:06:58,680 --> 01:07:00,440
Speaker 2: They should be embarrassed by what they are already did.

1579
01:07:00,720 --> 01:07:02,240
Speaker 2: I'm not making these people do these things.

1580
01:07:02,200 --> 01:07:05,000
Speaker 5: Called donkey of the day, and it really caught me

1581
01:07:05,080 --> 01:07:08,480
Speaker 5: off guard. Damn Charlamagne who got the donkey.

1582
01:07:08,240 --> 01:07:11,680
Speaker 7: Out of the day to day Well, Jesslarry, it's donkey

1583
01:07:11,760 --> 01:07:12,400
Speaker 7: today for Friday.

1584
01:07:12,400 --> 01:07:14,720
Speaker 2: The some Ofer fifteenth COEs the Rosemary Haynes. Who is

1585
01:07:14,840 --> 01:07:15,640
Speaker 2: Rosemary Haynes?

1586
01:07:15,680 --> 01:07:18,440
Speaker 7: She is an Ohio woman who doesn't respect individuals who

1587
01:07:18,520 --> 01:07:21,520
Speaker 7: work in the fast food industry. Salute all the fast

1588
01:07:21,560 --> 01:07:23,400
Speaker 7: food workers out there dropping the clues bombs to the

1589
01:07:23,440 --> 01:07:24,000
Speaker 7: fast work.

1590
01:07:24,320 --> 01:07:25,720
Speaker 2: Yes, yes, you ever worked fast food?

1591
01:07:25,800 --> 01:07:28,200
Speaker 5: Just I have. I was the manager at McDonald's.

1592
01:07:28,040 --> 01:07:28,720
Speaker 2: Okay, yep.

1593
01:07:28,840 --> 01:07:30,600
Speaker 7: I worked at a Taco Bell. I worked at Taco

1594
01:07:30,640 --> 01:07:33,360
Speaker 7: Bell for two weeks. Okay, my sister was the manager.

1595
01:07:33,440 --> 01:07:37,000
Speaker 7: She fired me after two weeks. Good decisions, very good decision, understandable.

1596
01:07:37,040 --> 01:07:38,520
Speaker 7: I deserved it. I didn't want to be there in

1597
01:07:38,560 --> 01:07:40,480
Speaker 7: no way, so I'm sure I was projecting that energy

1598
01:07:40,560 --> 01:07:43,479
Speaker 7: on the others. But I respect all fast food workers, Okay.

1599
01:07:43,520 --> 01:07:45,840
Speaker 7: Why would I not respect the people who work at

1600
01:07:45,880 --> 01:07:48,760
Speaker 7: the establishments that we all frequent. I will never understand

1601
01:07:48,880 --> 01:07:51,680
Speaker 7: people who feel like they can disrespect fast food workers.

1602
01:07:51,720 --> 01:07:54,000
Speaker 7: How can you look down on fast food workers but

1603
01:07:54,080 --> 01:07:56,680
Speaker 7: yet you are eating at their establishments? And those of

1604
01:07:56,760 --> 01:07:59,640
Speaker 7: you who disrespect fast food workers before you get your food,

1605
01:07:59,720 --> 01:08:02,360
Speaker 7: y'all just insane humans. Then you wonder why people are

1606
01:08:02,360 --> 01:08:04,720
Speaker 7: farting on your quarter pounders. They never faught it on

1607
01:08:04,760 --> 01:08:05,240
Speaker 7: a quarter.

1608
01:08:05,040 --> 01:08:05,560
Speaker 2: Pounds a dress.

1609
01:08:05,760 --> 01:08:07,320
Speaker 5: I have never fought on anybody's food.

1610
01:08:07,440 --> 01:08:10,560
Speaker 2: Okay, have you no? I would like that?

1611
01:08:10,680 --> 01:08:12,800
Speaker 7: Okay, they done dropped you curly for I was all

1612
01:08:12,840 --> 01:08:14,120
Speaker 7: over the floor and put them right back in the

1613
01:08:14,160 --> 01:08:16,080
Speaker 7: box like it's nothing. But you earn that because you

1614
01:08:16,200 --> 01:08:20,240
Speaker 7: want to disrespect people. That's exactly what Rosemary Haynes did.

1615
01:08:20,360 --> 01:08:23,320
Speaker 7: She she was at Chipotle and she ordered a burrito bull.

1616
01:08:23,800 --> 01:08:25,720
Speaker 7: Her burrito bull wasn't made the way she liked it.

1617
01:08:25,960 --> 01:08:28,479
Speaker 7: Instead of being a civilized human and just simply asking

1618
01:08:28,560 --> 01:08:31,400
Speaker 7: for it to be remade, she decided to resort to violence.

1619
01:08:31,520 --> 01:08:33,280
Speaker 2: That's called queen city news for the report police.

1620
01:08:33,520 --> 01:08:35,759
Speaker 18: It is a popular term in the criminal justice system.

1621
01:08:35,840 --> 01:08:39,000
Speaker 18: Does the crime fit the punishment well? In this fast

1622
01:08:39,040 --> 01:08:41,400
Speaker 18: food frenzy, it seems to fit pretty well.

1623
01:08:41,520 --> 01:08:41,680
Speaker 15: Yeah.

1624
01:08:41,760 --> 01:08:45,120
Speaker 8: Video from an Ohio Chipotle from last month showing a

1625
01:08:45,200 --> 01:08:47,559
Speaker 8: customer throwing hot food right in the face of one

1626
01:08:47,600 --> 01:08:49,719
Speaker 8: of the workers, and now she has.

1627
01:08:49,720 --> 01:08:52,639
Speaker 5: Been sentenced to an unusual punishment for that assault.

1628
01:08:52,800 --> 01:08:55,160
Speaker 18: The victim told the Josh that she was traumatized by

1629
01:08:55,200 --> 01:08:57,400
Speaker 18: the incident, and the judge in turn said he was

1630
01:08:57,439 --> 01:09:01,280
Speaker 18: appalled by the actions of one Rosemary Hain was initially

1631
01:09:01,320 --> 01:09:03,479
Speaker 18: sentenced to one hundred and eighty days in jail, with

1632
01:09:03,720 --> 01:09:04,960
Speaker 18: ninety days suspended.

1633
01:09:05,439 --> 01:09:07,519
Speaker 2: I'm a Paul too. Okay, that's whack. Don't play with

1634
01:09:07,600 --> 01:09:08,120
Speaker 2: people like that.

1635
01:09:08,479 --> 01:09:11,800
Speaker 7: That woman is thirty nine years old, Okay, Rosemary Haynes,

1636
01:09:11,800 --> 01:09:13,599
Speaker 7: and the woman she threw the food at was seventeen.

1637
01:09:13,880 --> 01:09:17,080
Speaker 7: How you displaying lower emotional IQ in the seventeen year old.

1638
01:09:17,160 --> 01:09:19,000
Speaker 7: All she did was mess up your order. That's a

1639
01:09:19,040 --> 01:09:21,840
Speaker 7: simple conversation. Let them know what they did wrong. They

1640
01:09:21,880 --> 01:09:24,800
Speaker 7: will fix that with you. Rosemary dealing with some type

1641
01:09:24,800 --> 01:09:27,080
Speaker 7: of internal issues, mad at the world about something and

1642
01:09:27,160 --> 01:09:29,280
Speaker 7: decided to throw your Chipotle bowl at the young lady.

1643
01:09:29,520 --> 01:09:31,519
Speaker 7: I wish that the young lady and a couple of

1644
01:09:31,560 --> 01:09:33,120
Speaker 7: other Chipotle workers would have jumped you.

1645
01:09:33,560 --> 01:09:33,840
Speaker 2: Okay.

1646
01:09:34,560 --> 01:09:37,240
Speaker 7: Violence begets violence, disrespect begets disrespect.

1647
01:09:37,360 --> 01:09:37,560
Speaker 6: I know.

1648
01:09:37,640 --> 01:09:39,760
Speaker 7: Michelle Obama said, when they go low, we go high.

1649
01:09:39,760 --> 01:09:41,160
Speaker 7: But sometimes you gotta take it to the floor of

1650
01:09:41,240 --> 01:09:44,080
Speaker 7: Chipotle with a person. Okay, throwing something at me as

1651
01:09:44,120 --> 01:09:46,599
Speaker 7: a saul, especially when that's something is hot grilled meat

1652
01:09:46,760 --> 01:09:49,320
Speaker 7: hot rice, hot beans, hot veggies, wat sauce of sour

1653
01:09:49,400 --> 01:09:51,439
Speaker 7: cream and cheese. So I have the right to defend

1654
01:09:51,520 --> 01:09:54,759
Speaker 7: myself for God still working on me. Clearly, this seventeen

1655
01:09:54,840 --> 01:09:57,360
Speaker 7: year old has hired emotional acute than me because she

1656
01:09:57,479 --> 01:09:59,439
Speaker 7: did what she was supposed to do, and that's called

1657
01:09:59,439 --> 01:10:01,920
Speaker 7: the police. I believe she called the police because this

1658
01:10:01,960 --> 01:10:03,880
Speaker 7: young lady ended up in jail and she got a

1659
01:10:04,040 --> 01:10:07,280
Speaker 7: very unique punishment. I have never heard of a punishment

1660
01:10:07,439 --> 01:10:09,160
Speaker 7: like this. Let's go back to Queen City News for

1661
01:10:09,200 --> 01:10:09,840
Speaker 7: the report police.

1662
01:10:10,080 --> 01:10:12,880
Speaker 18: The judge ordered her a chance to reduce her sentence.

1663
01:10:13,240 --> 01:10:15,200
Speaker 18: She'd get a lot less time in jail if she

1664
01:10:15,360 --> 01:10:18,080
Speaker 18: worked for sixty days at a fast food restaurant.

1665
01:10:18,280 --> 01:10:20,280
Speaker 2: You didn't get your burrito bowl the way you like it.

1666
01:10:20,360 --> 01:10:22,680
Speaker 5: This is how you responded her voting.

1667
01:10:22,479 --> 01:10:22,920
Speaker 8: For a fire.

1668
01:10:23,040 --> 01:10:23,439
Speaker 2: I did not.

1669
01:10:23,760 --> 01:10:24,200
Speaker 15: You're on her.

1670
01:10:25,080 --> 01:10:25,439
Speaker 6: I did not.

1671
01:10:25,760 --> 01:10:27,400
Speaker 17: If I show you how my food looked and how

1672
01:10:27,439 --> 01:10:30,040
Speaker 17: my food looked a week later from that same restaurant,

1673
01:10:30,320 --> 01:10:31,080
Speaker 17: you would you would.

1674
01:10:31,120 --> 01:10:35,439
Speaker 5: It was disgusting looking. My daughter was not happy with

1675
01:10:35,520 --> 01:10:36,599
Speaker 5: the food you're about to get her.

1676
01:10:36,680 --> 01:10:37,240
Speaker 2: Yeah, that's right.

1677
01:10:37,439 --> 01:10:39,320
Speaker 8: To walk in her shoes for two months and learn

1678
01:10:39,400 --> 01:10:41,200
Speaker 8: how people should treat people or do you want to

1679
01:10:41,240 --> 01:10:42,000
Speaker 8: do your jail time?

1680
01:10:42,960 --> 01:10:45,639
Speaker 18: I'd like to walk on her shoes prior to your sensing.

1681
01:10:45,680 --> 01:10:47,720
Speaker 18: Haynes did tell the victim she was sorry. We do

1682
01:10:47,880 --> 01:10:50,559
Speaker 18: know that she has had interviews, but it's unclear if

1683
01:10:50,600 --> 01:10:52,920
Speaker 18: she had landed a fast food job just yet.

1684
01:10:53,200 --> 01:10:55,160
Speaker 7: I like this either work is a fast food working

1685
01:10:55,200 --> 01:10:57,760
Speaker 7: for two much? Or do ninety days in jail? What

1686
01:10:57,880 --> 01:10:59,599
Speaker 7: would you choose, jess hilarious?

1687
01:10:59,640 --> 01:11:01,719
Speaker 8: How would the two months? And you know in fast

1688
01:11:01,720 --> 01:11:05,760
Speaker 8: food working? But so I wonder how the seventeen year

1689
01:11:05,760 --> 01:11:09,599
Speaker 8: old girl feels like what you give her? You give

1690
01:11:09,680 --> 01:11:13,640
Speaker 8: her a chance to work at a restaurant instead of

1691
01:11:14,120 --> 01:11:17,040
Speaker 8: paying for the crime, like the right way, yo, I

1692
01:11:17,080 --> 01:11:18,400
Speaker 8: got hot food thrown in my face.

1693
01:11:18,640 --> 01:11:21,240
Speaker 7: I guess that would be considered like community service maybe yeah,

1694
01:11:21,479 --> 01:11:23,599
Speaker 7: but like, what what would you doing?

1695
01:11:24,520 --> 01:11:26,519
Speaker 4: I'm not really paying attention. They're about to sett up

1696
01:11:26,560 --> 01:11:28,919
Speaker 4: pizza oxtail pizza, and I've been waiting.

1697
01:11:28,760 --> 01:11:33,080
Speaker 8: On that trash trash to stop already tried to not

1698
01:11:33,360 --> 01:11:41,160
Speaker 8: what you mean, run sweet chili salmon pizza and all that.

1699
01:11:41,320 --> 01:11:41,760
Speaker 5: I'm done.

1700
01:11:42,120 --> 01:11:46,360
Speaker 2: They said, enough to lobster and shrimp pizza. Jesus, I

1701
01:11:46,520 --> 01:11:47,200
Speaker 2: like this punishment.

1702
01:11:47,240 --> 01:11:49,000
Speaker 7: The reason I like this punishment is because you can't

1703
01:11:49,040 --> 01:11:51,240
Speaker 7: understand someone until you've walked the mile in their shoes.

1704
01:11:51,240 --> 01:11:53,760
Speaker 7: All right, We'll also quick to judge, but don't be

1705
01:11:53,840 --> 01:11:55,720
Speaker 7: so quick to judge, because you never know when you

1706
01:11:55,800 --> 01:11:59,719
Speaker 7: might find yourself walking and that person you are judging shoes.

1707
01:11:59,760 --> 01:12:01,599
Speaker 7: So I love the fact she has to work fast

1708
01:12:01,680 --> 01:12:03,360
Speaker 7: food for two months because I don't know why any

1709
01:12:03,400 --> 01:12:05,360
Speaker 7: would think. Anyone would think they better than a fast

1710
01:12:05,400 --> 01:12:08,200
Speaker 7: food worker. A fashion worker is a human just like you,

1711
01:12:08,320 --> 01:12:10,080
Speaker 7: a human trying to get through that day making an

1712
01:12:10,120 --> 01:12:12,479
Speaker 7: honest living, and we love them, which is why all

1713
01:12:12,520 --> 01:12:14,720
Speaker 7: the fast food restaurants be packed all the time.

1714
01:12:14,880 --> 01:12:16,559
Speaker 2: Have some empathy, okay.

1715
01:12:16,800 --> 01:12:19,479
Speaker 7: Empathy is the art of stepping into the shoes of

1716
01:12:19,520 --> 01:12:24,639
Speaker 7: another person, understanding their feelings and perspectives, and using that understanding.

1717
01:12:24,320 --> 01:12:26,280
Speaker 2: To guide your actions.

1718
01:12:26,400 --> 01:12:29,439
Speaker 7: Once Rosemary works here for two months in fast food,

1719
01:12:29,600 --> 01:12:31,640
Speaker 7: she will never treat fast food workers.

1720
01:12:31,600 --> 01:12:32,960
Speaker 2: Probably anybody terribly.

1721
01:12:33,040 --> 01:12:35,120
Speaker 7: Ever again, I promise if God could make all of

1722
01:12:35,240 --> 01:12:37,600
Speaker 7: us live each other's existences, but just two muchs, the

1723
01:12:37,680 --> 01:12:40,400
Speaker 7: whole world would change if white people had to step

1724
01:12:40,439 --> 01:12:42,880
Speaker 7: into black people's shoes, if men had to step into

1725
01:12:42,920 --> 01:12:43,559
Speaker 7: women's shoes.

1726
01:12:43,800 --> 01:12:45,519
Speaker 2: If straight men had to know what it feels like.

1727
01:12:45,560 --> 01:12:47,600
Speaker 7: To take penis for two months in the bunkie and

1728
01:12:47,720 --> 01:12:50,480
Speaker 7: be openly gay, we would all start treating.

1729
01:12:50,200 --> 01:12:52,800
Speaker 2: Each other with love and respect immediately.

1730
01:12:53,080 --> 01:12:53,479
Speaker 5: I didn't.

1731
01:12:56,439 --> 01:13:01,000
Speaker 2: I didn't even know yet. Fast think yeah, yeah, please

1732
01:13:01,040 --> 01:13:03,120
Speaker 2: give Rosemary Haynes the biggest he huh.

1733
01:13:07,240 --> 01:13:09,120
Speaker 5: Noney, I never heard Rosemary.

1734
01:13:09,200 --> 01:13:09,760
Speaker 12: I never heard.

1735
01:13:10,560 --> 01:13:13,280
Speaker 8: I'm I ain't never heard of the Rusemary. I don't

1736
01:13:13,320 --> 01:13:15,360
Speaker 8: know none of them. All right, A lot of this

1737
01:13:15,479 --> 01:13:15,760
Speaker 8: are here.

1738
01:13:16,040 --> 01:13:19,240
Speaker 2: He's the reason that DJs exists. He's one of the

1739
01:13:19,280 --> 01:13:20,519
Speaker 2: readings DJs or exists.

1740
01:13:20,600 --> 01:13:22,800
Speaker 4: Yeah, when you talk about the founding faut, this is

1741
01:13:22,840 --> 01:13:25,680
Speaker 4: always grand Master Flash of course, Africa, Bam Body and

1742
01:13:25,760 --> 01:13:26,320
Speaker 4: Cool Hirk.

1743
01:13:26,760 --> 01:13:29,639
Speaker 2: And we're gonna talk to Grandmaster Flash this morning. He's

1744
01:13:29,640 --> 01:13:30,599
Speaker 2: gonna give us a lesson.

1745
01:13:31,160 --> 01:13:32,680
Speaker 4: I know that's right, all right, So we're gonna get

1746
01:13:32,680 --> 01:13:33,840
Speaker 4: to that when we come back to Don't Moves to

1747
01:13:33,840 --> 01:13:35,400
Speaker 4: Breakfast slogan Morning, the.

1748
01:13:35,520 --> 01:13:36,680
Speaker 2: Breakfast Club.

1749
01:13:39,000 --> 01:13:39,280
Speaker 9: Morning.

1750
01:13:39,320 --> 01:13:42,559
Speaker 4: Everybody is DJ n V Charlamagne to God. We are

1751
01:13:42,600 --> 01:13:45,080
Speaker 4: the Breakfast Club. You got a special guest in the building.

1752
01:13:45,160 --> 01:13:47,280
Speaker 7: Come on, man, one of the architects of this thing

1753
01:13:47,360 --> 01:13:49,639
Speaker 7: we call hip hop man, one of the people who

1754
01:13:49,680 --> 01:13:52,559
Speaker 7: helped later foundation for this thing we called hip hop.

1755
01:13:52,600 --> 01:13:54,800
Speaker 2: We wouldn't have jobs if it wasn't for this brother, Right.

1756
01:13:54,720 --> 01:13:56,559
Speaker 4: Wouldn't be a DJ, if it wasn't for this brother,

1757
01:13:56,640 --> 01:13:59,280
Speaker 4: and most people out there, most DJs out there wouldn't

1758
01:13:59,320 --> 01:14:03,240
Speaker 4: be DJ's. No, all DJs wouldn't be it wasn't for

1759
01:14:03,320 --> 01:14:07,200
Speaker 4: this brother, ladies and gentlemen, grand Master Flash, welcome.

1760
01:14:06,920 --> 01:14:08,720
Speaker 2: Thank you, good morning to be like man, thank you,

1761
01:14:09,040 --> 01:14:11,240
Speaker 2: thank you for having me man. I appreciate it. Come on, man,

1762
01:14:11,280 --> 01:14:13,760
Speaker 2: happy to have you. Absolutely appreciate this. Man.

1763
01:14:13,920 --> 01:14:16,040
Speaker 7: You know, we celebrated the fifty years of hip hop,

1764
01:14:16,439 --> 01:14:18,760
Speaker 7: you know, this year and Nby and I was on

1765
01:14:18,840 --> 01:14:21,160
Speaker 7: the radio having a conversation and it just felt like,

1766
01:14:21,880 --> 01:14:24,799
Speaker 7: you know, the architects, like that era of the eighties,

1767
01:14:25,240 --> 01:14:27,479
Speaker 7: you know, wasn't getting honored properly, and none of us

1768
01:14:27,560 --> 01:14:30,280
Speaker 7: to hear if that, if that foundation isn't laid you said,

1769
01:14:30,280 --> 01:14:32,640
Speaker 7: the eighties, the seventh the seventies, Yeah, the seventies from

1770
01:14:32,680 --> 01:14:34,639
Speaker 7: the beginning and the eighties, I feel like we weren't

1771
01:14:34,640 --> 01:14:36,080
Speaker 7: getting on, you know, properly.

1772
01:14:36,360 --> 01:14:38,880
Speaker 2: How do you feel about that, Grand Master Flash, And.

1773
01:14:38,960 --> 01:14:40,720
Speaker 6: That's one of the reasons why I feel that it's

1774
01:14:40,880 --> 01:14:44,280
Speaker 6: paramount that I do lectures. I do corporate corporate towards

1775
01:14:44,320 --> 01:14:46,920
Speaker 6: the lectures, and I've been doing them for private people,

1776
01:14:47,000 --> 01:14:48,600
Speaker 6: but now I kind of want to do this for

1777
01:14:48,680 --> 01:14:51,400
Speaker 6: the public so they could understand that. Just think didn't

1778
01:14:51,600 --> 01:14:53,960
Speaker 6: just fall out of a tree. It didn't just go

1779
01:14:54,200 --> 01:14:57,240
Speaker 6: from the seventies to where we are. You know, there

1780
01:14:57,400 --> 01:15:01,080
Speaker 6: was four DJs that did this. Cool Hirk was on

1781
01:15:01,160 --> 01:15:06,879
Speaker 6: the West, AB was Bronx River, African Mater, DJ Breakout

1782
01:15:07,000 --> 01:15:09,920
Speaker 6: was the North. I was the East, and pretty much

1783
01:15:10,240 --> 01:15:12,760
Speaker 6: this is how it really started. And you got to

1784
01:15:12,760 --> 01:15:15,559
Speaker 6: realize this, ladyes and gentlemen. We did this with no Internet,

1785
01:15:15,960 --> 01:15:20,240
Speaker 6: no social media, no apps, no quick hardware where it.

1786
01:15:20,240 --> 01:15:22,000
Speaker 2: Would just work a lot of these things.

1787
01:15:22,040 --> 01:15:23,800
Speaker 6: As I was telling you, Envy, I had to do

1788
01:15:23,920 --> 01:15:26,840
Speaker 6: this with nothing going into the backyards and you know,

1789
01:15:26,960 --> 01:15:30,000
Speaker 6: getting old receivers and old turntables and stuff and kind

1790
01:15:30,000 --> 01:15:31,639
Speaker 6: of like Jurry rigging my sound system.

1791
01:15:31,840 --> 01:15:33,400
Speaker 4: For people listening, when he says the West, the South,

1792
01:15:33,439 --> 01:15:35,000
Speaker 4: and northf he's not talking about West Coast.

1793
01:15:35,040 --> 01:15:38,080
Speaker 2: He's talking about New York. The Bronx, the Bronx, Bronx.

1794
01:15:38,400 --> 01:15:39,200
Speaker 2: I want to clear it up.

1795
01:15:39,200 --> 01:15:41,280
Speaker 4: And also, and I was talking to of course Grand

1796
01:15:41,320 --> 01:15:43,080
Speaker 4: mass Flash behind the scenes, a lot of he didn't know,

1797
01:15:43,439 --> 01:15:44,960
Speaker 4: you know, where we had the ability to go to

1798
01:15:45,040 --> 01:15:48,040
Speaker 4: these stores and buy equipment. He had to actually make it.

1799
01:15:48,160 --> 01:15:50,920
Speaker 4: So his first sound system actually came from old cars

1800
01:15:50,960 --> 01:15:52,720
Speaker 4: in the junkyard. He would pull the speakers out of

1801
01:15:52,760 --> 01:15:55,320
Speaker 4: the cars of the junkyard and make sound systems to

1802
01:15:55,439 --> 01:15:58,600
Speaker 4: play at parks and parties and wherever wherever it was.

1803
01:15:58,680 --> 01:16:01,400
Speaker 4: So you had to actually no electronics. And it just

1804
01:16:01,479 --> 01:16:05,320
Speaker 4: wasn't just about DJing, right, So what got you into

1805
01:16:05,720 --> 01:16:07,400
Speaker 4: wanting to be a DJ? I know you were telling

1806
01:16:07,400 --> 01:16:09,160
Speaker 4: me the story behind the scenes that you know, you

1807
01:16:09,240 --> 01:16:11,400
Speaker 4: were just intrigued by electronics in your house When your

1808
01:16:11,439 --> 01:16:13,360
Speaker 4: mother and father plug something in and you wanted to

1809
01:16:13,720 --> 01:16:15,439
Speaker 4: understand how it works, you would.

1810
01:16:15,200 --> 01:16:18,160
Speaker 2: Start effing up the crib pretty much to figure it out.

1811
01:16:18,360 --> 01:16:21,200
Speaker 6: Yeah, and when I was a toddler, everything in that

1812
01:16:21,320 --> 01:16:26,280
Speaker 6: house that was electrical, I was intrigued on how did

1813
01:16:26,360 --> 01:16:28,840
Speaker 6: that happen? So I used to unscrew the backs of

1814
01:16:28,960 --> 01:16:32,439
Speaker 6: the stereo in the living room, my sister's hair dries,

1815
01:16:32,560 --> 01:16:35,559
Speaker 6: the table radio, all these things. And also what got

1816
01:16:35,640 --> 01:16:38,439
Speaker 6: me into this when I was a toddler. My dad

1817
01:16:38,600 --> 01:16:44,320
Speaker 6: was a collector of records. And I'm on this respectable airwaves,

1818
01:16:44,439 --> 01:16:48,120
Speaker 6: so I will just say when I got caught touching

1819
01:16:48,200 --> 01:16:53,599
Speaker 6: his vinyl as a toddler, he used to heavily repper manly, right,

1820
01:16:56,040 --> 01:16:58,439
Speaker 6: I can say that. And what I used to do

1821
01:16:58,600 --> 01:17:00,479
Speaker 6: was a kid, I waited for him to go to work,

1822
01:17:00,520 --> 01:17:03,120
Speaker 6: and when the door slammed, I went back in that

1823
01:17:03,240 --> 01:17:06,320
Speaker 6: closet and the rule was, you know, don't touch the

1824
01:17:06,400 --> 01:17:08,720
Speaker 6: brown box in the living room.

1825
01:17:09,640 --> 01:17:11,960
Speaker 2: And I used to watch Dad when he came home

1826
01:17:12,080 --> 01:17:14,000
Speaker 2: from work how he operated it.

1827
01:17:14,800 --> 01:17:17,639
Speaker 6: So I figured out how to get into this closet

1828
01:17:17,680 --> 01:17:20,799
Speaker 6: where his stuff was, and I would take this square

1829
01:17:20,920 --> 01:17:23,760
Speaker 6: thing that had a black disc and he would put

1830
01:17:23,800 --> 01:17:26,400
Speaker 6: it in his brown box and sound would come out

1831
01:17:26,439 --> 01:17:31,080
Speaker 6: of it. That was probably my first love. But then

1832
01:17:31,160 --> 01:17:37,559
Speaker 6: moving forward, guys, when I heard a drum break from

1833
01:17:37,600 --> 01:17:40,559
Speaker 6: one of the most important black artists of that time,

1834
01:17:40,640 --> 01:17:43,120
Speaker 6: his name was Curtis Mayfield, move on.

1835
01:17:43,320 --> 01:17:48,160
Speaker 2: Up that break and then you and I can relate here.

1836
01:17:49,040 --> 01:17:50,240
Speaker 2: That break was about.

1837
01:17:52,240 --> 01:17:55,240
Speaker 6: I'd say, about five minutes of just the drums, and

1838
01:17:55,360 --> 01:17:58,200
Speaker 6: I thought all records was like that. So when I

1839
01:17:58,280 --> 01:18:03,000
Speaker 6: started collecting my records, the drum break was like five

1840
01:18:04,240 --> 01:18:09,240
Speaker 6: ten seconds. So what also got me into the DJing

1841
01:18:09,400 --> 01:18:12,080
Speaker 6: is I used to watch the disco DJs like my

1842
01:18:12,240 --> 01:18:17,760
Speaker 6: Boyer Flowers, Pete Jones, and I noticed that their transitions

1843
01:18:18,280 --> 01:18:24,439
Speaker 6: were glass smooth. But then my boys knocked on my

1844
01:18:24,640 --> 01:18:26,720
Speaker 6: door at my mom's house and said, we want to

1845
01:18:26,800 --> 01:18:29,880
Speaker 6: take you to this other side of town to watch

1846
01:18:29,960 --> 01:18:36,880
Speaker 6: these other DJs. And respectfully, I was wondering, why is

1847
01:18:37,000 --> 01:18:39,800
Speaker 6: it that everything that he was doing was a train wreck.

1848
01:18:41,120 --> 01:18:45,160
Speaker 6: He was playing the incredible music, had the incredible sound system.

1849
01:18:46,160 --> 01:18:48,639
Speaker 6: Well why was he playing like that? You know, because

1850
01:18:48,640 --> 01:18:50,680
Speaker 6: the rules are the laws, you know, especially if you

1851
01:18:50,720 --> 01:18:53,000
Speaker 6: got people on the dance floor. The idea is to

1852
01:18:53,120 --> 01:18:56,639
Speaker 6: keep everybody in unison correct. They should not be trying

1853
01:18:56,680 --> 01:18:59,680
Speaker 6: to find it beat as you transition. So from that

1854
01:18:59,760 --> 01:19:01,560
Speaker 6: point on, it is when I came up with the

1855
01:19:01,640 --> 01:19:05,559
Speaker 6: quick mixed theory. You know what is the quick mix theory?

1856
01:19:06,280 --> 01:19:12,240
Speaker 6: From a mathematical perspective, I took sonics and through it

1857
01:19:12,280 --> 01:19:15,000
Speaker 6: out the window. Because if I play a song, I

1858
01:19:15,120 --> 01:19:17,400
Speaker 6: hear it a certain way. If I put the headphone

1859
01:19:17,479 --> 01:19:20,240
Speaker 6: on your ear, you hear a certain way, and shah,

1860
01:19:20,360 --> 01:19:22,519
Speaker 6: you hear a certain way. So I said to myself,

1861
01:19:23,000 --> 01:19:25,760
Speaker 6: I'm going to take that out of the equation and

1862
01:19:25,800 --> 01:19:30,679
Speaker 6: I'm gonna just collect records from all genres pop, rock, jazz, blues, funk, disco,

1863
01:19:30,920 --> 01:19:34,519
Speaker 6: R and B foreign American and just listen to the

1864
01:19:34,840 --> 01:19:41,000
Speaker 6: drum break. And I found that, unlike Curtis Mayfield, these

1865
01:19:41,120 --> 01:19:44,920
Speaker 6: drum breaks on these other records always all was short.

1866
01:19:46,479 --> 01:19:52,200
Speaker 6: That made me quite angry. I was disappointed. So in

1867
01:19:52,360 --> 01:19:59,200
Speaker 6: Mom's house, I came up with a hand mechanic fingertips

1868
01:19:59,360 --> 01:20:04,680
Speaker 6: to vinyl fingertips to cross Vader DJ style that is

1869
01:20:05,680 --> 01:20:11,320
Speaker 6: used by every hip hop DJ on planet Earth. And

1870
01:20:11,400 --> 01:20:13,920
Speaker 6: I figured out a way of counting the bars as

1871
01:20:14,000 --> 01:20:17,120
Speaker 6: the vinyl went forward, and how many times I would

1872
01:20:17,200 --> 01:20:19,760
Speaker 6: have to rewind it back to get back to the

1873
01:20:19,840 --> 01:20:22,040
Speaker 6: top of the break and take that ten second break

1874
01:20:22,840 --> 01:20:25,439
Speaker 6: and make it seamlessly ten minutes. So if you on

1875
01:20:25,600 --> 01:20:29,160
Speaker 6: the floor and I'm playing a Michael Jackson drummer break,

1876
01:20:29,920 --> 01:20:31,960
Speaker 6: I'm playing that for ten minutes, and I'm gonna flip

1877
01:20:32,040 --> 01:20:34,880
Speaker 6: to a London break or a German break or or

1878
01:20:34,960 --> 01:20:35,559
Speaker 6: whatever break.

1879
01:20:35,640 --> 01:20:38,599
Speaker 2: And this became the way.

1880
01:20:39,000 --> 01:20:43,479
Speaker 6: And then what happened was these incredible people called hip

1881
01:20:43,520 --> 01:20:48,680
Speaker 6: hop producers took this style of the seamless loop, and

1882
01:20:48,720 --> 01:20:50,760
Speaker 6: I'm gonna show you that on the wheels are steel.

1883
01:20:51,000 --> 01:20:51,840
Speaker 2: You understand what you're saying.

1884
01:20:52,240 --> 01:20:56,560
Speaker 7: Now do your quick mixed theory turn turned into what

1885
01:20:56,600 --> 01:20:58,599
Speaker 7: people called sampling?

1886
01:20:58,640 --> 01:20:59,759
Speaker 2: Basically correct?

1887
01:21:01,120 --> 01:21:02,599
Speaker 4: So that's exactly what you would bring it back from

1888
01:21:02,640 --> 01:21:05,000
Speaker 4: the beginning. But one thing you'll learn from this interview

1889
01:21:05,040 --> 01:21:07,519
Speaker 4: with Grand Master Flash is he's not just a musician

1890
01:21:07,560 --> 01:21:11,639
Speaker 4: when it comes to turntables. He's actually no disrespect. He's

1891
01:21:11,720 --> 01:21:14,080
Speaker 4: a nerd and geek like he wants to understand the

1892
01:21:14,200 --> 01:21:16,680
Speaker 4: mechanics of it. Most people just want to understand the

1893
01:21:16,760 --> 01:21:19,040
Speaker 4: success of it and be successful and be a big name.

1894
01:21:19,120 --> 01:21:25,639
Speaker 4: But he actually understands the mechanics of music, DJing, transitioning records,

1895
01:21:25,760 --> 01:21:29,320
Speaker 4: record players, mixes, just and this is just having a

1896
01:21:29,439 --> 01:21:31,519
Speaker 4: thirty second conversation with have I figured out no know what.

1897
01:21:31,560 --> 01:21:32,720
Speaker 2: I find so interesting about this.

1898
01:21:33,120 --> 01:21:36,479
Speaker 7: In the last five minutes, you explained where Djane started

1899
01:21:36,600 --> 01:21:39,519
Speaker 7: YEP and where hip hop production start correct. So when

1900
01:21:39,520 --> 01:21:42,120
Speaker 7: people will call you an architect and say you're wanted

1901
01:21:42,160 --> 01:21:44,200
Speaker 7: the founding posits of hip hop, that is why.

1902
01:21:44,160 --> 01:21:45,800
Speaker 2: Absolutely thank you all.

1903
01:21:45,960 --> 01:21:48,000
Speaker 4: We got more with the O G grand Master Flash.

1904
01:21:48,080 --> 01:21:50,000
Speaker 4: When we come back, so don't move. It's the Breakfast Club.

1905
01:21:50,040 --> 01:21:54,160
Speaker 4: Good morning morning everybody. It's DJ NV Charlamagne, the god

1906
01:21:54,200 --> 01:21:56,040
Speaker 4: we are. The Breakfast Club were still kicking it with

1907
01:21:56,120 --> 01:21:58,760
Speaker 4: grand Master Flash. I was gonna ask, you know, how

1908
01:21:58,840 --> 01:22:01,479
Speaker 4: do you feel when you look get something that you created, right,

1909
01:22:01,560 --> 01:22:02,760
Speaker 4: and you created out of love?

1910
01:22:03,040 --> 01:22:03,160
Speaker 2: Right?

1911
01:22:03,920 --> 01:22:05,439
Speaker 4: You didn't say it was money. You didn't say I

1912
01:22:05,479 --> 01:22:07,960
Speaker 4: did this because I wanted money. You said I enjoyed it.

1913
01:22:08,040 --> 01:22:10,160
Speaker 4: I love listening to music, I love playing in the park.

1914
01:22:10,760 --> 01:22:13,680
Speaker 4: And then you seeing this the commercial success of hip hop?

1915
01:22:13,800 --> 01:22:13,920
Speaker 15: Right.

1916
01:22:14,600 --> 01:22:17,040
Speaker 4: I sent Charlamagne something this morning about Caris One saying

1917
01:22:17,120 --> 01:22:18,599
Speaker 4: why he didn't want to perform at the Grammys.

1918
01:22:18,600 --> 01:22:20,360
Speaker 2: He felt like the Grammy's never respected hip hop?

1919
01:22:20,800 --> 01:22:22,800
Speaker 4: So why come now, how do you feel when you

1920
01:22:22,880 --> 01:22:25,479
Speaker 4: see the commercial success of hip hop and all these

1921
01:22:25,720 --> 01:22:28,519
Speaker 4: brothers and sisters making money and all these companies making

1922
01:22:28,560 --> 01:22:31,000
Speaker 4: money off of hip hop, But some of the founders

1923
01:22:31,240 --> 01:22:33,280
Speaker 4: are not making the money that's deserved.

1924
01:22:32,960 --> 01:22:35,479
Speaker 2: Because if it wasn't for you, guys, nobody wouldn't be

1925
01:22:35,479 --> 01:22:37,960
Speaker 2: able to make that money. That's a twofold answer.

1926
01:22:38,760 --> 01:22:41,640
Speaker 6: Just think, envy this thing that I did could have

1927
01:22:41,840 --> 01:22:44,360
Speaker 6: missed and if this all would have missed, I wouldn't

1928
01:22:44,360 --> 01:22:47,639
Speaker 6: be here talking to you right now. So that's one

1929
01:22:47,760 --> 01:22:50,920
Speaker 6: side of it. It exploded. Like there are some companies

1930
01:22:51,000 --> 01:22:54,160
Speaker 6: out there giving away hundreds of thousands of dollars. I've

1931
01:22:54,520 --> 01:22:57,000
Speaker 6: seen this on the internet just recently. But they are

1932
01:22:57,080 --> 01:22:59,560
Speaker 6: those man that are in a hood that didn't have

1933
01:22:59,640 --> 01:23:03,559
Speaker 6: to come virtual success. Nobody's saying, hey, here's five hundred

1934
01:23:03,600 --> 01:23:06,559
Speaker 6: thousand dollars for you. They're not saying that, Like there

1935
01:23:06,640 --> 01:23:09,400
Speaker 6: are those who lost their life that are not even

1936
01:23:09,560 --> 01:23:12,800
Speaker 6: here to even enjoy this, and they have families. So

1937
01:23:12,960 --> 01:23:16,280
Speaker 6: for me, I have to until God takes me. I

1938
01:23:16,479 --> 01:23:22,320
Speaker 6: have to go around and mechanically break this thing down.

1939
01:23:23,080 --> 01:23:26,760
Speaker 6: I think that people should interview the producers like that.

1940
01:23:27,040 --> 01:23:31,479
Speaker 6: Just that boggles my mind because they're the ones that

1941
01:23:31,640 --> 01:23:33,760
Speaker 6: really know how the record is made. They're the one

1942
01:23:33,800 --> 01:23:36,160
Speaker 6: that stays in the studios for two and three days

1943
01:23:36,200 --> 01:23:38,679
Speaker 6: to make sure the record goes from start to finish

1944
01:23:38,760 --> 01:23:41,880
Speaker 6: before the masters is handed in, you know. So for

1945
01:23:42,040 --> 01:23:45,320
Speaker 6: me and people should know more about cool Hirk and

1946
01:23:45,400 --> 01:23:47,880
Speaker 6: their team. They should know who Coke the Rocket is.

1947
01:23:48,400 --> 01:23:51,840
Speaker 6: Like they're going around saying he was a rapper. He

1948
01:23:52,600 --> 01:23:55,600
Speaker 6: said DJ I used to watch him, you know, and

1949
01:23:55,680 --> 01:23:58,080
Speaker 6: and there's Timmy Tim and it's the original clock. Can't

1950
01:23:58,439 --> 01:24:01,759
Speaker 6: you know people should know who break Out Team is Baron,

1951
01:24:02,040 --> 01:24:05,200
Speaker 6: you know, and Bam Body and Jazzy Jay and Grandmaster

1952
01:24:05,280 --> 01:24:08,400
Speaker 6: Flashing Graham was your Theadore Like all these people in

1953
01:24:08,520 --> 01:24:10,360
Speaker 6: all these names, you don't.

1954
01:24:10,240 --> 01:24:14,599
Speaker 2: Hear nothing, Yes, right, talk to about them.

1955
01:24:15,120 --> 01:24:18,160
Speaker 6: When people are putting out this press, they're not even

1956
01:24:18,240 --> 01:24:21,720
Speaker 6: coming to ask, well, Flash, what do you think? And respectfully,

1957
01:24:21,760 --> 01:24:24,920
Speaker 6: I'm gonna say this. For you to really first hand

1958
01:24:25,040 --> 01:24:28,719
Speaker 6: know what this is, you have to be at least

1959
01:24:29,200 --> 01:24:32,759
Speaker 6: sixty years old, and I'll be kind and say fifty

1960
01:24:32,840 --> 01:24:35,679
Speaker 6: eight fifty seven. That means you had a first hand

1961
01:24:35,960 --> 01:24:40,040
Speaker 6: eyeshot of seeing us do this. If you are thirty

1962
01:24:40,280 --> 01:24:42,200
Speaker 6: or you're a forty and you were saying that you

1963
01:24:42,360 --> 01:24:46,080
Speaker 6: are a hip hop extraordinary person, nine times out of ten,

1964
01:24:46,160 --> 01:24:48,200
Speaker 6: if you ain't talking to Flash, you ain't talking to HRK,

1965
01:24:48,320 --> 01:24:51,400
Speaker 6: you ain't talking to Bam, you got second hand information

1966
01:24:51,600 --> 01:24:56,400
Speaker 6: and you got to realize you're feeding the babies incomplete information.

1967
01:24:56,720 --> 01:24:58,000
Speaker 2: And this is one of the reasons why.

1968
01:24:58,080 --> 01:24:59,960
Speaker 6: Because I tour one hundred and fifty countries a year,

1969
01:25:00,280 --> 01:25:03,679
Speaker 6: so financially I'm good. I'm cutting all that in half

1970
01:25:03,920 --> 01:25:06,280
Speaker 6: because I gotta go to these universities, I gotta go

1971
01:25:06,320 --> 01:25:09,360
Speaker 6: to these YMCAs, and I gotta teach these babies of

1972
01:25:09,479 --> 01:25:12,040
Speaker 6: where this thing comes from. Because what saddeness means this.

1973
01:25:12,760 --> 01:25:15,160
Speaker 6: If you are from a black family, you know who

1974
01:25:15,240 --> 01:25:18,679
Speaker 6: Miles Davis is. Right. If you're from a white family,

1975
01:25:18,720 --> 01:25:20,840
Speaker 6: you know who the Rolling Stones is. Why is there

1976
01:25:21,000 --> 01:25:22,920
Speaker 6: so much of a blur of who, what and why

1977
01:25:23,040 --> 01:25:24,679
Speaker 6: we're and how when it comes to hip hop?

1978
01:25:25,000 --> 01:25:25,840
Speaker 2: Why is that?

1979
01:25:26,320 --> 01:25:27,920
Speaker 7: I think I think we gotta be the generation to

1980
01:25:28,000 --> 01:25:30,439
Speaker 7: do that because see your point, if you're sixty years old,

1981
01:25:30,520 --> 01:25:34,080
Speaker 7: now you're probably a grandfather, grandmother. Our grandparents weren't listening

1982
01:25:34,080 --> 01:25:36,560
Speaker 7: to hip hop, you know, Okay, But now when we

1983
01:25:36,720 --> 01:25:39,680
Speaker 7: got grandparents and grandfathers, grandparents who were listening to hip hop,

1984
01:25:39,920 --> 01:25:42,040
Speaker 7: and then parents who grew up in hip hop, they

1985
01:25:42,080 --> 01:25:44,960
Speaker 7: can tell their kids, he this is where it started, right.

1986
01:25:44,920 --> 01:25:47,360
Speaker 4: Because like you said, most if you if you're in

1987
01:25:47,439 --> 01:25:49,559
Speaker 4: the age of forty to fifty, a lot of them,

1988
01:25:49,760 --> 01:25:54,880
Speaker 4: hip hop started with run right, Yes, that's where it

1989
01:25:55,000 --> 01:25:55,519
Speaker 4: started from.

1990
01:25:55,560 --> 01:25:57,439
Speaker 2: Because even me, like you know, my parents weren't in

1991
01:25:57,439 --> 01:25:59,120
Speaker 2: a hip hop but I was. But the first record

1992
01:25:59,160 --> 01:26:02,400
Speaker 2: I ever bought was run. Yeah, my dad was seventy something.

1993
01:26:02,439 --> 01:26:04,160
Speaker 2: He didn't he didn't like hip hop at the time.

1994
01:26:04,520 --> 01:26:06,000
Speaker 7: He wanted he was like, you need to listen to

1995
01:26:06,120 --> 01:26:08,479
Speaker 7: James Brown, Temptation, the original rapp up at the top.

1996
01:26:09,479 --> 01:26:12,800
Speaker 2: You know, he didn't know nothing about hip hop. He

1997
01:26:12,800 --> 01:26:13,720
Speaker 2: didn't want to hear none of that.

1998
01:26:14,320 --> 01:26:16,639
Speaker 6: You know, I think for me and this is such

1999
01:26:16,760 --> 01:26:19,680
Speaker 6: a wonderful time period. But just think of it like

2000
01:26:19,760 --> 01:26:21,920
Speaker 6: this here, and you know, sometimes it makes me want

2001
01:26:21,960 --> 01:26:25,559
Speaker 6: to cry. Sometimes is come August, like the mayor gave

2002
01:26:25,640 --> 01:26:29,719
Speaker 6: me August fourth and cool Hurgus August eleventh, Come August twelfth,

2003
01:26:30,360 --> 01:26:32,360
Speaker 6: there's gonna be a brand new trend. So we have

2004
01:26:32,600 --> 01:26:36,280
Speaker 6: to get it right now as a black art form

2005
01:26:36,520 --> 01:26:39,400
Speaker 6: that has done so much for so many people. Of course,

2006
01:26:39,520 --> 01:26:43,200
Speaker 6: we have to get it right between now and August eleventh,

2007
01:26:43,720 --> 01:26:48,000
Speaker 6: or it's going to go down in history incomplete or incorrect.

2008
01:26:48,240 --> 01:26:49,799
Speaker 6: And that scares the crap.

2009
01:26:49,680 --> 01:26:49,960
Speaker 2: Out of me.

2010
01:26:50,040 --> 01:26:52,160
Speaker 7: So it's safe to say you don't believe the DJ

2011
01:26:52,280 --> 01:26:54,160
Speaker 7: gets to respect they should when it comes to their country.

2012
01:26:54,320 --> 01:26:58,240
Speaker 6: Absolutely not, because especially the hip hop DJ that understands

2013
01:26:58,280 --> 01:27:00,400
Speaker 6: the quick mixed story and the mechanics. Would I will

2014
01:27:00,479 --> 01:27:03,360
Speaker 6: show you is because that led to the sampling, and

2015
01:27:03,439 --> 01:27:05,280
Speaker 6: that led to these records being made, and that's what

2016
01:27:05,400 --> 01:27:09,599
Speaker 6: we're celebrating. So we're celebrating the entire cake. But let's

2017
01:27:09,600 --> 01:27:12,800
Speaker 6: go back and celebrate the eggs and the flour in

2018
01:27:12,920 --> 01:27:16,439
Speaker 6: the water and the vanilla, how the cake was made.

2019
01:27:16,400 --> 01:27:19,479
Speaker 7: The process, the process, you know, of course, you know

2020
01:27:19,680 --> 01:27:21,320
Speaker 7: they talk about Grandma's flashing.

2021
01:27:21,360 --> 01:27:24,400
Speaker 2: The Furious five, you know, produced the message, but they

2022
01:27:24,439 --> 01:27:26,160
Speaker 2: said you first DJ to get a Grammy, by the way,

2023
01:27:26,200 --> 01:27:28,320
Speaker 2: but that yes, but I read some things where they

2024
01:27:28,360 --> 01:27:30,880
Speaker 2: said you had nothing to do with the production of it.

2025
01:27:31,160 --> 01:27:33,720
Speaker 6: Okay, I had something to do with all of it,

2026
01:27:33,960 --> 01:27:38,400
Speaker 6: because that company chased me to get my group, the

2027
01:27:38,479 --> 01:27:41,120
Speaker 6: period five, the whole group. There was the club I

2028
01:27:41,240 --> 01:27:44,479
Speaker 6: played called Disco Fever, and I brought hip hop to

2029
01:27:44,680 --> 01:27:47,640
Speaker 6: this club and sal Abatello gave me.

2030
01:27:47,960 --> 01:27:50,880
Speaker 2: I wanted a Saturday. He gave me a Tuesday. Of course,

2031
01:27:51,160 --> 01:27:52,720
Speaker 2: so most clubs do. They gave me.

2032
01:27:53,000 --> 01:27:56,400
Speaker 6: I called it terrible Tuesday off night, right, But in

2033
01:27:56,479 --> 01:28:01,040
Speaker 6: about two months time I was live oning that Saturday.

2034
01:28:01,160 --> 01:28:02,160
Speaker 2: Thank you SA you know.

2035
01:28:02,280 --> 01:28:05,439
Speaker 6: So for me, the message, probably I had least to

2036
01:28:05,600 --> 01:28:08,120
Speaker 6: do with what I had most to do with it

2037
01:28:08,240 --> 01:28:10,280
Speaker 6: because it was my group, and I'm sure they used

2038
01:28:10,320 --> 01:28:13,160
Speaker 6: your technique, right, yeah, they do. They used my technique

2039
01:28:13,240 --> 01:28:16,479
Speaker 6: to make all their records. The message was an original record,

2040
01:28:16,600 --> 01:28:19,080
Speaker 6: but they knew when they had the sugar Hill Gang,

2041
01:28:19,240 --> 01:28:21,160
Speaker 6: they heard of us in the streets. The streets was

2042
01:28:21,200 --> 01:28:24,720
Speaker 6: already ringing Grand Master Flash and the Furious Five. So

2043
01:28:25,280 --> 01:28:29,720
Speaker 6: she used to come to Terrible Tuesdays every Tuesday just

2044
01:28:29,880 --> 01:28:32,280
Speaker 6: to see how it was, how it was going down.

2045
01:28:32,840 --> 01:28:33,920
Speaker 6: So who is she?

2046
01:28:34,720 --> 01:28:38,640
Speaker 2: Sylvia Robins? You know? So on Hill? Did I have

2047
01:28:39,360 --> 01:28:42,400
Speaker 2: anything to do with that record? Minimal? But I had

2048
01:28:42,840 --> 01:28:47,360
Speaker 2: everything to do with it because she needed to have

2049
01:28:47,640 --> 01:28:49,639
Speaker 2: us here we are. I want to have one more question.

2050
01:28:49,680 --> 01:28:52,240
Speaker 7: How do you feel about DJs today with the auto

2051
01:28:52,360 --> 01:28:55,519
Speaker 7: mixing buttons and the different programs that make it easy at.

2052
01:28:56,000 --> 01:29:01,120
Speaker 15: The US right now? Right? You know what it is?

2053
01:29:01,240 --> 01:29:02,360
Speaker 2: I put it this way.

2054
01:29:02,400 --> 01:29:05,000
Speaker 6: I'm a scientist first, I'm a geek first, So I've

2055
01:29:05,040 --> 01:29:08,200
Speaker 6: been pushing an envelope for fifty two years, so I

2056
01:29:08,320 --> 01:29:11,040
Speaker 6: respect anybody that's doing it, but follow the laws of

2057
01:29:11,120 --> 01:29:14,000
Speaker 6: the art transition. I think the things that drives me

2058
01:29:14,120 --> 01:29:16,839
Speaker 6: crazy when I go out, which is every now and then, envies.

2059
01:29:17,320 --> 01:29:20,320
Speaker 6: You know, I'm listening to the DJ and it's the

2060
01:29:20,520 --> 01:29:24,599
Speaker 6: train wreck thing you know that there really drives me crazy.

2061
01:29:24,760 --> 01:29:27,519
Speaker 6: A lot of today's music is really one temple bass,

2062
01:29:27,600 --> 01:29:28,920
Speaker 6: so it's easy to go from one.

2063
01:29:28,920 --> 01:29:29,400
Speaker 2: To the other.

2064
01:29:29,600 --> 01:29:32,680
Speaker 6: So how you crashing this record into this record with

2065
01:29:32,840 --> 01:29:35,560
Speaker 6: us back? We had to use the pitch quite a

2066
01:29:35,640 --> 01:29:38,719
Speaker 6: bit to make this record beat match with lowest record.

2067
01:29:38,800 --> 01:29:39,479
Speaker 2: Of course, these.

2068
01:29:39,400 --> 01:29:42,360
Speaker 6: Records here are almost coming out of the oven. They're

2069
01:29:42,439 --> 01:29:46,000
Speaker 6: all the same temple almost, So I don't understand. Why

2070
01:29:46,200 --> 01:29:49,439
Speaker 6: is it that these people who play today don't beat

2071
01:29:49,600 --> 01:29:54,040
Speaker 6: match that there? Makes me totally crazy and it goes

2072
01:29:54,080 --> 01:29:55,719
Speaker 6: against the laws of what we learned.

2073
01:29:56,200 --> 01:29:59,120
Speaker 4: Okay, grand Master Flash, Grand Massive Flash, Ladies and gentlemen,

2074
01:29:59,160 --> 01:30:01,720
Speaker 4: make sure you following them A on Instagram, all socials.

2075
01:30:01,680 --> 01:30:07,840
Speaker 7: At DJ Flash Forever on all socials at DJ Flash Forever.

2076
01:30:07,200 --> 01:30:08,200
Speaker 2: And you just turn around.

2077
01:30:08,200 --> 01:30:09,599
Speaker 4: I just want to read the back of your hoodie, man, yea,

2078
01:30:09,600 --> 01:30:11,960
Speaker 4: because the hoodie is monumental, says the first DJ to

2079
01:30:12,040 --> 01:30:15,479
Speaker 4: make the turntable an instrument, first DJ to have a rapper,

2080
01:30:15,560 --> 01:30:17,240
Speaker 4: first DJ to be in the Rock and Roll Hall

2081
01:30:17,280 --> 01:30:19,760
Speaker 4: of Fame, first DJ to be on Serious XM, first

2082
01:30:19,840 --> 01:30:22,680
Speaker 4: DJ to get a Grammy, first DJ to get a

2083
01:30:22,760 --> 01:30:24,800
Speaker 4: Polar Prize, Grandmaster.

2084
01:30:24,360 --> 01:30:26,240
Speaker 2: And the first DJ to give a history lesson about

2085
01:30:26,280 --> 01:30:27,439
Speaker 2: DJ and on the Breakfast Club.

2086
01:30:27,479 --> 01:30:30,600
Speaker 4: That's right, grand Master, Flash, ladies and gentlemen, it's the

2087
01:30:30,640 --> 01:30:31,320
Speaker 4: Breakfast Club.

2088
01:30:31,360 --> 01:30:33,920
Speaker 2: Good morning, the Breakfast Club.

2089
01:30:36,320 --> 01:30:39,599
Speaker 4: Wanting Everybody's DJ n V Charlamagne the God.

2090
01:30:39,680 --> 01:30:42,800
Speaker 2: We are the breakfast Club. Jess Hilarious is here and

2091
01:30:42,840 --> 01:30:54,880
Speaker 2: it's time for past the all go. It's time with

2092
01:30:55,080 --> 01:31:03,760
Speaker 2: DJ DJI.

2093
01:31:04,880 --> 01:31:05,240
Speaker 5: What's up?

2094
01:31:05,280 --> 01:31:05,960
Speaker 12: How are you guys?

2095
01:31:06,479 --> 01:31:08,679
Speaker 2: Let's black and Holly Field. Here's some music.

2096
01:31:08,840 --> 01:31:09,280
Speaker 3: I like that.

2097
01:31:09,479 --> 01:31:11,639
Speaker 1: Okay, I feel like it's only right that we start

2098
01:31:11,760 --> 01:31:12,639
Speaker 1: with this nikky record.

2099
01:31:12,720 --> 01:31:13,240
Speaker 5: Sorry Envy.

2100
01:31:17,240 --> 01:31:19,000
Speaker 1: Last night was a lot. It was random and it

2101
01:31:19,080 --> 01:31:19,400
Speaker 1: was a lot.

2102
01:31:19,479 --> 01:31:26,360
Speaker 2: So that nobody's bage Ball and black Ball.

2103
01:31:27,240 --> 01:31:28,880
Speaker 1: But it's called love Me Enough.

2104
01:31:28,920 --> 01:31:30,960
Speaker 19: And I remember when the album dropped last week, people

2105
01:31:31,000 --> 01:31:33,320
Speaker 19: were like, what happened to the Monica and Keisha record? Okay,

2106
01:31:34,479 --> 01:31:36,759
Speaker 19: and I didn't see an announcement for a deluxe But anyway,

2107
01:31:36,840 --> 01:31:38,200
Speaker 19: this song finally out.

2108
01:31:39,920 --> 01:31:40,240
Speaker 2: The screen.

2109
01:31:40,400 --> 01:31:40,840
Speaker 7: I love that.

2110
01:31:41,200 --> 01:31:42,920
Speaker 2: I need. I can't doing.

2111
01:31:46,400 --> 01:31:49,200
Speaker 5: Through the roof if you're trying to go to sleep.

2112
01:31:49,600 --> 01:31:54,760
Speaker 2: Yeah, smoking afternoon, that's the TV you smoking afternoon.

2113
01:31:55,560 --> 01:31:56,519
Speaker 5: I do love this record.

2114
01:31:56,640 --> 01:32:01,000
Speaker 8: I do feel like Monica and Keisha they blend like yeah,

2115
01:32:01,000 --> 01:32:03,479
Speaker 8: because that day's two different you know, vocal vocals.

2116
01:32:03,840 --> 01:32:07,280
Speaker 1: But I like on the record, Yeah, all right, cool

2117
01:32:07,560 --> 01:32:08,240
Speaker 1: is across the board.

2118
01:32:08,439 --> 01:32:10,560
Speaker 2: Next if you're not gonna give it ten after we

2119
01:32:10,600 --> 01:32:13,479
Speaker 2: having left leave me alone, I said, it's a dope record.

2120
01:32:13,960 --> 01:32:15,400
Speaker 1: You can still like the record and not.

2121
01:32:15,600 --> 01:32:16,720
Speaker 2: You don't even go back and forth.

2122
01:32:17,800 --> 01:32:20,800
Speaker 19: All right, So my next record is from Boss and

2123
01:32:20,920 --> 01:32:23,519
Speaker 19: A J. Tracy because Boss dropped the album. It's called

2124
01:32:23,560 --> 01:32:25,800
Speaker 19: one seven nine Deli, which is also dope because if

2125
01:32:25,800 --> 01:32:27,880
Speaker 19: you guys went to Saint John's, it's two Delas. We

2126
01:32:27,960 --> 01:32:30,000
Speaker 19: all went to one six nine and one seven nine.

2127
01:32:30,360 --> 01:32:31,559
Speaker 2: We didn't go to Saint John's, I know, but I.

2128
01:32:31,600 --> 01:32:33,800
Speaker 1: Did, just like blah, go ahead, let's go.

2129
01:32:35,320 --> 01:32:37,960
Speaker 5: I'm from Baltimore. We we got a club mixed, we

2130
01:32:38,000 --> 01:32:39,519
Speaker 5: got the vibe, you know what I mean. We we

2131
01:32:39,640 --> 01:32:39,880
Speaker 5: love that.

2132
01:32:40,080 --> 01:32:42,360
Speaker 2: So that was dope that that was No, that's the

2133
01:32:42,439 --> 01:32:46,120
Speaker 2: club Jersey. Yeah, yeah, Jersey, Chicago.

2134
01:32:47,040 --> 01:32:47,679
Speaker 5: I love that type.

2135
01:32:48,120 --> 01:32:51,240
Speaker 1: I goo they throw them in there, but you know

2136
01:32:51,320 --> 01:32:52,160
Speaker 1: it started.

2137
01:32:51,840 --> 01:32:56,200
Speaker 19: In Jersey, baltimoremore that was you from Queens.

2138
01:32:57,360 --> 01:33:01,840
Speaker 5: Start anywhere, like said, all right, and.

2139
01:33:01,920 --> 01:33:04,120
Speaker 1: The last one is an artist named.

2140
01:33:04,000 --> 01:33:06,280
Speaker 19: Nigo Brim that I've been watching Nigo for a while

2141
01:33:06,560 --> 01:33:08,360
Speaker 19: and this new album that he got out called Hughes

2142
01:33:08,479 --> 01:33:09,479
Speaker 19: is super super fire.

2143
01:33:09,520 --> 01:33:11,160
Speaker 1: I feel like this is best work. But this song

2144
01:33:11,280 --> 01:33:17,960
Speaker 1: is called Marley's wo who like is right.

2145
01:33:20,240 --> 01:33:20,600
Speaker 15: Doing that?

2146
01:33:21,960 --> 01:33:23,200
Speaker 1: Is a fire artist.

2147
01:33:23,800 --> 01:33:25,160
Speaker 2: His whole family is musical.

2148
01:33:25,240 --> 01:33:27,040
Speaker 4: His father was like one of the biggest a rs

2149
01:33:27,040 --> 01:33:28,679
Speaker 4: in death jam history that did R and B music

2150
01:33:28,800 --> 01:33:30,240
Speaker 4: the case did a lot of the R and B

2151
01:33:30,320 --> 01:33:30,840
Speaker 4: back in the day.

2152
01:33:30,840 --> 01:33:34,479
Speaker 2: And his mama is miss Hilton. Oh really yeah? Yeah,

2153
01:33:34,479 --> 01:33:38,160
Speaker 2: so his brothers justin Combs no something new.

2154
01:33:40,200 --> 01:33:40,559
Speaker 5: The truth.

2155
01:33:41,960 --> 01:33:45,200
Speaker 1: Don't mindy ain't that you son? It's just like, why

2156
01:33:45,240 --> 01:33:46,680
Speaker 1: can't they just be who?

2157
01:33:51,200 --> 01:33:51,439
Speaker 15: But not.

2158
01:33:51,600 --> 01:33:53,360
Speaker 4: The reason it's dope is because his father has a

2159
01:33:53,520 --> 01:33:56,360
Speaker 4: history of signing and A and Norman dope, R and

2160
01:33:56,400 --> 01:33:58,000
Speaker 4: B X most of people that were on R and

2161
01:33:58,080 --> 01:33:58,599
Speaker 4: B deaf Jam.

2162
01:33:58,680 --> 01:34:01,240
Speaker 2: He's and he's a cool due And then his mom of.

2163
01:34:01,240 --> 01:34:04,160
Speaker 1: Course is yeah, I never met his parents, but you know,

2164
01:34:04,360 --> 01:34:06,000
Speaker 1: I know Nico great guy.

2165
01:34:06,160 --> 01:34:06,600
Speaker 2: Then you just.

2166
01:34:08,360 --> 01:34:09,400
Speaker 1: Had him on the podcast.

2167
01:34:09,560 --> 01:34:11,120
Speaker 19: But he has a he has a lot of really

2168
01:34:11,320 --> 01:34:13,599
Speaker 19: dope things playing for twenty twenty four and if you're

2169
01:34:13,640 --> 01:34:14,639
Speaker 19: a fan of the blog era.

2170
01:34:15,000 --> 01:34:17,160
Speaker 1: I think that tape will give you something like nostalgia.

2171
01:34:17,439 --> 01:34:19,480
Speaker 5: He said, that's Marle's Marley's.

2172
01:34:19,640 --> 01:34:22,800
Speaker 19: Oh, but you know what, it's not one, but I'll

2173
01:34:22,840 --> 01:34:27,320
Speaker 19: send you the record, okay, dad, and all that got.

2174
01:34:28,120 --> 01:34:30,400
Speaker 19: I have no idea, but he put it on even

2175
01:34:30,479 --> 01:34:32,960
Speaker 19: You know, artists are putting their stuff on even now

2176
01:34:33,479 --> 01:34:35,080
Speaker 19: instead of on DSP so they.

2177
01:34:35,040 --> 01:34:37,639
Speaker 1: Can make more money because streaming don't pay as much.

2178
01:34:37,800 --> 01:34:40,560
Speaker 5: But neither hear bankers.

2179
01:34:41,840 --> 01:34:42,240
Speaker 2: Here today.

2180
01:34:42,280 --> 01:34:43,600
Speaker 9: I like it is?

2181
01:34:43,640 --> 01:34:44,519
Speaker 2: That is Jojo Brem.

2182
01:34:45,680 --> 01:34:51,639
Speaker 5: Why are you what when you'd be happy happy.

2183
01:34:51,479 --> 01:34:52,640
Speaker 2: That they like her d?

2184
01:34:53,200 --> 01:34:54,160
Speaker 1: Yeah, thank you, jes.

2185
01:34:54,720 --> 01:34:55,400
Speaker 2: Don't take it personal.

2186
01:34:55,880 --> 01:34:56,920
Speaker 1: I don't take it personal.

2187
01:34:57,080 --> 01:34:57,880
Speaker 5: It's not my music.

2188
01:34:57,960 --> 01:35:00,000
Speaker 1: This is just music I like. I like find people

2189
01:35:00,360 --> 01:35:00,920
Speaker 1: like what I like.

2190
01:35:01,160 --> 01:35:05,280
Speaker 19: Yeah, but all right, so if you guys think y'all

2191
01:35:05,400 --> 01:35:07,360
Speaker 19: like type of music I like, have an event tonight

2192
01:35:07,439 --> 01:35:11,960
Speaker 19: called Past the Ox. It's December fifteenth, Sorry today going

2193
01:35:12,000 --> 01:35:14,880
Speaker 19: down at Cafe You're Zulu. We got Maya to don Ad,

2194
01:35:15,040 --> 01:35:17,680
Speaker 19: Ben Dope and Connie Diamond, so we got artists from

2195
01:35:17,760 --> 01:35:19,439
Speaker 19: every borough performing.

2196
01:35:19,560 --> 01:35:22,160
Speaker 1: Oh except for Staten Island. I'm sorry nobody reached out.

2197
01:35:22,280 --> 01:35:23,760
Speaker 1: But besides that, it's gonna be.

2198
01:35:25,800 --> 01:35:26,160
Speaker 2: Okay.

2199
01:35:26,240 --> 01:35:27,160
Speaker 5: I love Connie Donald.

2200
01:35:27,439 --> 01:35:29,840
Speaker 19: Thank you, oh yeah, and shout out to Complex Black

2201
01:35:29,920 --> 01:35:32,559
Speaker 19: for partnering with six pm.

2202
01:35:32,400 --> 01:35:34,360
Speaker 2: Six pm tonight as the off Live.

2203
01:35:35,840 --> 01:35:38,920
Speaker 1: Cafe Irizulu in Brooklyn. And it's a toy draft to

2204
01:35:39,000 --> 01:35:41,080
Speaker 1: bring a toy. Don't come empty handed because it's the holidays.

2205
01:35:41,120 --> 01:35:41,360
Speaker 5: Thank you.

2206
01:35:41,600 --> 01:35:43,760
Speaker 4: There you go, all right, well, thank you. Now when

2207
01:35:43,760 --> 01:35:45,240
Speaker 4: we come back, we got to mix the People's Choice.

2208
01:35:45,240 --> 01:35:46,080
Speaker 4: Mix this to Breakfast Club.

2209
01:35:46,120 --> 01:35:49,760
Speaker 2: Good morning the Breakfast Club. Your mornings will never be the.

2210
01:35:49,960 --> 01:35:54,120
Speaker 4: Same morning everybody. It's DJ En v Charlamagne the guy.

2211
01:35:54,200 --> 01:35:56,560
Speaker 4: We are the Breakfast Club. Jess hilarious. Our guest co

2212
01:35:56,680 --> 01:35:57,120
Speaker 4: host is.

2213
01:35:57,120 --> 01:36:01,760
Speaker 7: Here, Jessica Robin Moore you for our last show of

2214
01:36:01,880 --> 01:36:02,240
Speaker 7: the year.

2215
01:36:03,680 --> 01:36:04,760
Speaker 2: I am that's right.

2216
01:36:04,920 --> 01:36:11,080
Speaker 4: And we got a salute to cuts and Slices. If

2217
01:36:11,120 --> 01:36:13,519
Speaker 4: you get a chance, definitely try out their pizza. They

2218
01:36:13,560 --> 01:36:16,320
Speaker 4: have a location in Brooklyn, a location in Queens.

2219
01:36:16,960 --> 01:36:17,080
Speaker 9: Uh.

2220
01:36:17,280 --> 01:36:19,840
Speaker 2: They do interesting stuff with pizza. Today I had a

2221
01:36:19,960 --> 01:36:22,000
Speaker 2: oxtail pizza. Amazing. They got two type.

2222
01:36:22,600 --> 01:36:24,519
Speaker 7: They got a regular piece and they got sweet chiliox

2223
01:36:24,520 --> 01:36:28,200
Speaker 7: Steale piece. They got the sweet Chiliox Stale pizza.

2224
01:36:28,280 --> 01:36:29,599
Speaker 2: I don't know what it was, but it was amazing.

2225
01:36:29,680 --> 01:36:31,599
Speaker 4: It was good to the point where you feel sweetness

2226
01:36:31,600 --> 01:36:33,800
Speaker 4: in your mouth, to the point where I'm going there

2227
01:36:34,000 --> 01:36:36,360
Speaker 4: now to bring some home to my wife and kissens

2228
01:36:36,800 --> 01:36:37,479
Speaker 4: all the out there.

2229
01:36:39,320 --> 01:36:41,679
Speaker 5: Take my box that you brought me. Take that again.

2230
01:36:41,880 --> 01:36:43,120
Speaker 5: The kids shut up.

2231
01:36:44,240 --> 01:36:46,680
Speaker 2: They have a shrip and lobster pizza that we got

2232
01:36:46,720 --> 01:36:47,120
Speaker 2: this morning.

2233
01:36:47,160 --> 01:36:51,120
Speaker 4: And also they had a was a sweet simmon, so

2234
01:36:51,360 --> 01:36:53,639
Speaker 4: they would have bidy the pepperoni.

2235
01:36:56,600 --> 01:36:59,920
Speaker 2: Would have They got a turkey pepperoni like ranch thing

2236
01:37:00,160 --> 01:37:00,400
Speaker 2: they do.

2237
01:37:00,640 --> 01:37:03,599
Speaker 8: See, they yeah, they gotta give me that because they're

2238
01:37:03,640 --> 01:37:05,960
Speaker 8: bread and the cheese. Everything is good except for like,

2239
01:37:06,479 --> 01:37:08,000
Speaker 8: I don't I don't believe in mixing all of that

2240
01:37:08,120 --> 01:37:09,920
Speaker 8: with pizza. How you gonna have like sweet chili? First

2241
01:37:09,960 --> 01:37:11,880
Speaker 8: of all, how you're gonnawet chili some moxtail, But how

2242
01:37:11,880 --> 01:37:13,160
Speaker 8: you're gonna put it on top of piece?

2243
01:37:13,200 --> 01:37:16,439
Speaker 2: Taste good? I can't taste good. I liked it.

2244
01:37:16,760 --> 01:37:18,439
Speaker 4: I thought it was good, and I love OX sales,

2245
01:37:18,439 --> 01:37:20,639
Speaker 4: so I thought it was amazing to the point where

2246
01:37:20,640 --> 01:37:22,240
Speaker 4: I'm going to go get some right now.

2247
01:37:22,600 --> 01:37:24,760
Speaker 5: Okay, I get it. If you're gonna be on the

2248
01:37:24,840 --> 01:37:28,760
Speaker 5: tour until January fifth, seriously.

2249
01:37:29,040 --> 01:37:29,519
Speaker 2: Oh man?

2250
01:37:29,640 --> 01:37:32,720
Speaker 4: So yeah, And I want to say I appreciate you,

2251
01:37:32,880 --> 01:37:35,120
Speaker 4: Jess you know you could. I know that you You've

2252
01:37:35,160 --> 01:37:37,400
Speaker 4: been on tour, you've been running through these these towns

2253
01:37:37,439 --> 01:37:39,519
Speaker 4: doing comedy, but you still find time to come up

2254
01:37:39,520 --> 01:37:41,599
Speaker 4: here and for your favorite husbands.

2255
01:37:42,120 --> 01:37:45,720
Speaker 2: And I'm not very husband, bro, And we definitely appreciate that.

2256
01:37:46,960 --> 01:37:49,160
Speaker 2: We thank you. I appreciate it, really, thank you you.

2257
01:37:49,360 --> 01:37:51,920
Speaker 5: I appreciate that you're having me all the time.

2258
01:37:52,400 --> 01:37:52,800
Speaker 2: I love you.

2259
01:37:53,439 --> 01:37:54,040
Speaker 5: I love you too.

2260
01:37:58,560 --> 01:37:59,840
Speaker 2: I do love jess Man.

2261
01:38:00,360 --> 01:38:04,280
Speaker 8: Do you know everybody, I appreciate every time you allow

2262
01:38:04,360 --> 01:38:07,320
Speaker 8: me to grace my presence with this this seat, y'all,

2263
01:38:07,320 --> 01:38:07,479
Speaker 8: I do.

2264
01:38:07,640 --> 01:38:09,080
Speaker 5: I love this all right?

2265
01:38:09,120 --> 01:38:11,439
Speaker 8: What you're thinking, I'm thinking that I have a show

2266
01:38:11,600 --> 01:38:14,280
Speaker 8: on New Year's Weekend in Chicago at the Every Crown

2267
01:38:14,360 --> 01:38:17,559
Speaker 8: Theater me Nick Jackson, d Ray Davis, and Michael Blacks.

2268
01:38:17,560 --> 01:38:19,479
Speaker 8: And I'm also thinking January fifth through seven, if I

2269
01:38:19,560 --> 01:38:22,240
Speaker 8: have shows in Baltimore City at the Baltimore Comedy Factory,

2270
01:38:22,280 --> 01:38:22,760
Speaker 8: get your tickets.

2271
01:38:22,800 --> 01:38:23,920
Speaker 5: Just sorryes soficial dot com.

2272
01:38:24,280 --> 01:38:27,120
Speaker 2: Yeah, as long as you're back by the eighth, Yes,

2273
01:38:27,520 --> 01:38:29,840
Speaker 2: I'll be back. I hope so yes.

2274
01:38:31,439 --> 01:38:33,800
Speaker 4: And also I forgot you know, we're not gonna be

2275
01:38:33,960 --> 01:38:36,599
Speaker 4: here in the next couple of days and it's one

2276
01:38:36,640 --> 01:38:37,000
Speaker 4: of ours.

2277
01:38:37,160 --> 01:38:40,200
Speaker 2: We told him to produce his birthday. Nick.

2278
01:38:40,880 --> 01:38:44,360
Speaker 4: That runs all the cameras up here, and in fifteen

2279
01:38:44,479 --> 01:38:46,160
Speaker 4: days we're not gonna be here.

2280
01:38:46,600 --> 01:38:54,200
Speaker 2: So we appreciate you. Nick nicks out all the digital,

2281
01:38:54,479 --> 01:38:56,479
Speaker 2: all the digit riding with us for how long? How

2282
01:38:56,479 --> 01:38:58,439
Speaker 2: long you been in Nick? That's it.

2283
01:38:59,400 --> 01:39:00,960
Speaker 4: Nick took us to know for a little baby when

2284
01:39:01,120 --> 01:39:02,720
Speaker 4: when he left for like a year or so, when

2285
01:39:02,720 --> 01:39:04,519
Speaker 4: they came back there, nicklas with us eight years before that.

2286
01:39:04,600 --> 01:39:11,160
Speaker 2: It was our guy, Jamie, Jamie one person you. He's like.

2287
01:39:13,000 --> 01:39:15,000
Speaker 7: All the digital content that you've seen over the from

2288
01:39:15,000 --> 01:39:16,519
Speaker 7: the break Club over the last eight years, it's all

2289
01:39:16,560 --> 01:39:17,280
Speaker 7: been Nick.

2290
01:39:17,720 --> 01:39:19,120
Speaker 2: Didn't even get a team tell this year.

2291
01:39:19,200 --> 01:39:22,719
Speaker 4: That's right, that's what's and he and he just doesn't

2292
01:39:22,760 --> 01:39:25,320
Speaker 4: work for us. He works on all platforms and all

2293
01:39:25,360 --> 01:39:27,080
Speaker 4: these stations. He has to help out a lot of times.

2294
01:39:33,160 --> 01:39:35,160
Speaker 4: But when we come back positive notice to Breakfast Club,

2295
01:39:35,160 --> 01:39:35,960
Speaker 4: good morning morning.

2296
01:39:36,040 --> 01:39:37,800
Speaker 2: Everybody is DJ n V.

2297
01:39:38,040 --> 01:39:41,080
Speaker 4: Charlamagne the guy. We are the Breakfast Club now now, Charlamagne,

2298
01:39:42,400 --> 01:39:45,160
Speaker 4: I was dancing earlier and you grunted and ship the

2299
01:39:45,280 --> 01:39:46,439
Speaker 4: little b.

2300
01:39:48,720 --> 01:39:49,160
Speaker 5: And everything.

2301
01:39:49,760 --> 01:39:51,760
Speaker 7: I wouldn't know what that's about. That didn't happen, but

2302
01:39:51,880 --> 01:39:53,960
Speaker 7: you want that to happen. That's exactly what you want.

2303
01:39:54,000 --> 01:39:55,920
Speaker 7: But I am glad, and this is the last show

2304
01:39:55,960 --> 01:39:58,400
Speaker 7: of the year. Thank you to all of our listeners

2305
01:39:58,439 --> 01:40:01,200
Speaker 7: for riding with us all your especially in New York City.

2306
01:40:01,240 --> 01:40:04,080
Speaker 7: We were number one, eighteen thirty four, eighteen forty nine,

2307
01:40:04,360 --> 01:40:06,200
Speaker 7: you know, number two, twenty five, fifty four. I think

2308
01:40:06,280 --> 01:40:09,000
Speaker 7: number one twenty five to fifty four one. Thank y'all, man,

2309
01:40:09,280 --> 01:40:10,880
Speaker 7: we appreciate you. You know what, We've been around for

2310
01:40:10,960 --> 01:40:13,960
Speaker 7: fourteen years and for whatever reason, y'all still choose to.

2311
01:40:14,040 --> 01:40:16,760
Speaker 2: Rock with us. So we appreciate that absolutely. We don't

2312
01:40:16,760 --> 01:40:18,840
Speaker 2: overlook it. And we thank God for everything, man, We

2313
01:40:18,960 --> 01:40:21,040
Speaker 2: really appreciate it. We love y'all. Praise we give God.

2314
01:40:21,120 --> 01:40:23,080
Speaker 2: We give God praise for it all. We thank God

2315
01:40:23,160 --> 01:40:23,840
Speaker 2: for it all. Man.

2316
01:40:23,920 --> 01:40:27,280
Speaker 7: Gratitude is absolutely positively my attitude, and that is my

2317
01:40:27,400 --> 01:40:30,320
Speaker 7: positive note. Gratitude is not only the greatest of virtues,

2318
01:40:30,640 --> 01:40:33,120
Speaker 7: but the parent of all the others. If you aren't

2319
01:40:33,120 --> 01:40:35,280
Speaker 7: grateful for what you have, you will not get blessed

2320
01:40:35,320 --> 01:40:37,439
Speaker 7: with more. Don't be looking at what other people are

2321
01:40:37,479 --> 01:40:39,760
Speaker 7: doing or what other people got. Sometimes your own food

2322
01:40:39,760 --> 01:40:41,559
Speaker 7: will get cold. Because you're too busy looking at somebody

2323
01:40:41,600 --> 01:40:45,120
Speaker 7: else's plate. Be thankful for what God has given you.

2324
01:40:45,760 --> 01:40:51,680
Speaker 7: All right, y'all have a great Christmas and Honika Kwanza year.

2325
01:40:51,800 --> 01:40:53,080
Speaker 2: I think Honka was over yesterday.

2326
01:40:53,200 --> 01:40:55,719
Speaker 7: Yeah, I'm sorry. I hope y'all had a great Honkah Kwanza.

2327
01:40:55,840 --> 01:40:57,920
Speaker 7: And I'm going to get my resected your consultation right now.

2328
01:40:58,000 --> 01:40:58,920
Speaker 2: Let's go. Now, we're going together.

2329
01:40:59,120 --> 01:41:00,479
Speaker 5: We really do have it.

2330
01:41:00,520 --> 01:41:01,600
Speaker 2: I have it in a couple of hours. I know

2331
01:41:01,880 --> 01:41:03,800
Speaker 2: we have it at two o'clently, two o'clock.

2332
01:41:03,880 --> 01:41:07,040
Speaker 7: We gotta get the cable snips for Christmas. That's what

2333
01:41:07,080 --> 01:41:08,080
Speaker 7: I want the Christmas gift to be.

2334
01:41:08,800 --> 01:41:09,479
Speaker 2: No more kids.

2335
01:41:10,200 --> 01:41:10,479
Speaker 8: Wow.

2336
01:41:10,960 --> 01:41:12,800
Speaker 7: But I don't think I'm getting the consultation today. I

2337
01:41:12,800 --> 01:41:14,360
Speaker 7: don't know in the actual sir, we have the conversation

2338
01:41:14,479 --> 01:41:14,840
Speaker 7: going together.

2339
01:41:15,120 --> 01:41:16,760
Speaker 8: We not we not.

2340
01:41:18,600 --> 01:41:21,479
Speaker 2: You want more kids, okay, but I don't want to.

2341
01:41:21,479 --> 01:41:23,800
Speaker 4: I don't want to snip snip because something happens in

2342
01:41:23,840 --> 01:41:25,760
Speaker 4: the world and you gotta pro create for the world.

2343
01:41:26,080 --> 01:41:27,160
Speaker 2: Then you ain't gonna understand.

2344
01:41:27,160 --> 01:41:28,599
Speaker 7: Why do people say that, I don't know, you watch

2345
01:41:28,680 --> 01:41:31,400
Speaker 7: too many movies, man, you know I am legend or

2346
01:41:31,400 --> 01:41:31,800
Speaker 7: something like that.

2347
01:41:33,120 --> 01:41:35,680
Speaker 2: What makes you think you're gonna live? You know what

2348
01:41:35,760 --> 01:41:39,320
Speaker 2: I'm saying. What makes you think you're gonna survive? Superhero

2349
01:41:39,360 --> 01:41:43,880
Speaker 2: because I'm a baby superhero Jesus. All right, Well we'll

2350
01:41:43,920 --> 01:41:47,439
Speaker 2: see y'all. Yes, breakfast club pitches you don'na finish, or

2351
01:41:47,479 --> 01:41:47,920
Speaker 2: y'all dumb.