WEBVTT - SYSK's Halloween Scare Fest

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<v Speaker 1>Welcome to you stuff you should know from HowStuffWorks dot com.

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<v Speaker 2>Hello everyone, Happy Halloween. That was Chuck there.

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<v Speaker 1>Not the wind, no, but it's it as windy outside

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<v Speaker 1>as you can tell, and rainy, and it's like kind

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<v Speaker 1>of spooky.

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<v Speaker 2>Yes, but fortunately, Chuck, we have a nice fire going

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<v Speaker 2>here in our study.

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<v Speaker 3>It is very nice in here.

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<v Speaker 2>We're both wearing our best smoking jacket.

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<v Speaker 1>Yep, felt like the oak would work. You've done it

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<v Speaker 1>with the place. It's very nice. I feel very comfortable

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<v Speaker 1>and it feels like a room to read scary things in.

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<v Speaker 2>Well, that's precisely what we're about to do, Chuck.

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<v Speaker 1>Then we waited for a stormy night too, which I

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<v Speaker 1>think we've been waiting for like two weeks.

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<v Speaker 3>Has been really lovely weather.

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<v Speaker 2>Yeah. The timing could not be better.

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<v Speaker 3>It's perfect.

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<v Speaker 1>And I don't have to tell everyone this, but you

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<v Speaker 1>all know it's midnight.

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<v Speaker 3>Oh, yes, so we if you hear the clock strike,

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<v Speaker 3>it is, Oh, there it goes. We're a little late.

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<v Speaker 3>I thought I wanted to start reading right at midnight,

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<v Speaker 3>but it's okay.

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<v Speaker 2>We're still within the witching hour okay, which I don't

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<v Speaker 2>think is necessarily midnight, but it's still scary.

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<v Speaker 1>Yeah, well, now we have to wait for this thing

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<v Speaker 1>to ding twelve times a noo. So are we gonna

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<v Speaker 1>do the one by Gertrude Atherton first?

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<v Speaker 2>I think we should. This is originally published by Old Gertrude, Yeah,

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<v Speaker 2>as The Twins Old Gertrude. Yeah, they called her, you

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<v Speaker 2>kind of have to.

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<v Speaker 3>She was nineteen when she wrote that, right, what her name.

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<v Speaker 2>Is Gertrude, so everybody called her Old Gert.

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<v Speaker 3>Yeah.

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<v Speaker 2>She published a thing called The Twins. That was the

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<v Speaker 2>original name of this story, and I guess it didn't

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<v Speaker 2>take off because about ten years later she renamed it

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<v Speaker 2>The Striding Place.

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<v Speaker 3>I like the Twins?

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<v Speaker 2>Do you sure? I did too, until I found out

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<v Speaker 2>that there is such a thing as an actual striding Place. Yeah.

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<v Speaker 2>It's a real part in a real river in real life. Yeah,

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<v Speaker 2>the War River right in Yorkshire.

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<v Speaker 1>Yeah, this is uh, the waterfall kind of takes center

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<v Speaker 1>stage here at the end of the story.

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<v Speaker 2>Yeah, it's like boilet, it's a it's a we won't

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<v Speaker 2>but I just want to explain because I did a

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<v Speaker 2>little extra research, even on the Halloween story episode. Yeah,

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<v Speaker 2>this river comes to a point where it's about as

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<v Speaker 2>wide as a large stride. So apparently it beckons people

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<v Speaker 2>just go ahead and jump. No reason to go walk

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<v Speaker 2>to the bridge above or the bridge below, just jump over. Yeah,

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<v Speaker 2>but it's also a very treacherous spot in the river.

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<v Speaker 2>So Chuck, you want to start reading this one or

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<v Speaker 2>do you want me to? It's up to you. I

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<v Speaker 2>say we trade off because we have two stories this year.

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<v Speaker 2>We didn't we didn't tell everybody yet. Oh yeah, we're

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<v Speaker 2>doing two stories this year. Yeah, these are great.

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<v Speaker 3>They were a little.

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<v Speaker 1>Shorter, so we thought we'd double it up. I've had

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<v Speaker 1>a little kangnac. I think I feel primed and ready

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<v Speaker 1>to go.

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<v Speaker 2>We've had a lot of kangyac.

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<v Speaker 3>That's right, all right, So shall we set go in here?

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<v Speaker 3>Has everyone dim the lights at home?

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<v Speaker 2>Yes?

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<v Speaker 3>If you're like I'm subway or something, then you.

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<v Speaker 2>Should close your eyes safe.

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<v Speaker 3>That's for another time.

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<v Speaker 2>Close your eyes very tightly.

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<v Speaker 3>Okay.

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<v Speaker 1>The Striding Place by Gertrude Atherton. Weagle continental and detached,

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<v Speaker 1>tired of early grouse shooting, to stand propped against the

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<v Speaker 1>side fence while his host workmen routed up the birds

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<v Speaker 1>and long poles and drove them towards the waiting guns

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<v Speaker 1>made him feel himself a parody on the ancestors who

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<v Speaker 1>had roamed the moors and forests of this west, riding

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<v Speaker 1>of Yorkshire, and hot pursuit of game worth the killing.

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<v Speaker 1>But when in England and August, he always accepted whatever

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<v Speaker 1>proffered for the season, and invited his host to shoot

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<v Speaker 1>pheasants on his estates in the south. The amusements of life,

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<v Speaker 1>he argued, should be accepted with the same philosophy as

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<v Speaker 1>its ills.

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<v Speaker 3>It had been a bad day.

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<v Speaker 1>A heavy rain had made them more so spongy that

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<v Speaker 1>it fairly sprang beneath the feet.

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<v Speaker 3>Whether or not the.

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<v Speaker 1>Grouse had haunts of their own, wherein they were immune

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<v Speaker 1>from rheumatism, the bag had been small. The women, too,

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<v Speaker 1>were an unusual dull lot, the exception of a new

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<v Speaker 1>minded debutante who bothered Weagle at dinner by demanding the

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<v Speaker 1>verbal restoration of the vague paintings on the vaulted roof

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<v Speaker 1>above them. But it was no one of these things

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<v Speaker 1>that sat on Miagal's mind, as when the other men

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<v Speaker 1>went up to bed, he let himself out of the

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<v Speaker 1>castle and sauntered down to the river. His intimate friend,

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<v Speaker 1>the companion of his boyhood, the chum of his college days,

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<v Speaker 1>his fellow traveler in many Lands, the man for whom

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<v Speaker 1>he possessed stronger affection than for all men, had mysteriously

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<v Speaker 1>disappeared two days ago, and his track might have sprung

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<v Speaker 1>to the upper air for all trace he had left

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<v Speaker 1>behind him. He had been a guest on the adjoining

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<v Speaker 1>estate during the past week, shooting with fervor of the

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<v Speaker 1>true sportsman, making love in the intervals to Adeline Cavan,

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<v Speaker 1>and apparently in the best of spirits. As far as

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<v Speaker 1>was known, there was nothing to lower his mental mercury,

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<v Speaker 1>for his rent roll was a large one. Miss Cavan

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<v Speaker 1>blushed whenever he looked at her, and being one of

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<v Speaker 1>the best shots in England, he was never happier than

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<v Speaker 1>in August. The suicide theory was preposterous, all agreed, and

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<v Speaker 1>there was this little reason to believe him murdered. Nevertheless,

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<v Speaker 1>he had walked out of the march Abbey two nights

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<v Speaker 1>ago without hat or overcoat, and had not been seen

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<v Speaker 1>since the country was being patrolled night and day. One

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<v Speaker 1>hundred keepers and workmen were beating the woods and poking

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<v Speaker 1>the bogs on the moors, but as yet not so

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<v Speaker 1>much as a handkerchief had been found. So this guy's

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<v Speaker 1>best buddy is missing.

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<v Speaker 2>Yeah, and it's really kind of weighing on his mind.

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<v Speaker 1>It's bestie and he's he's hunting grouse and he's bored

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<v Speaker 1>out of his mind.

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<v Speaker 2>Yeah. It sounds like, yeah, well his mind is elsewhere.

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<v Speaker 3>Well, lady Geez going on and on about the painting,

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<v Speaker 3>the debute hunt. Yeah, do you blame him?

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<v Speaker 2>Yeah? Okay, you're ready for more. Yeah. Weigel did not

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<v Speaker 2>believe for a moment that Wyatt Gifford was dead, and

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<v Speaker 2>although it was impossible not to be affected by the

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<v Speaker 2>general uneasiness, he was disposed to be more angry than frightened.

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<v Speaker 2>At Cambridge, Gifford had been an incorrigible, practical joker, and

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<v Speaker 2>by no means had outgrown the habit. It would be

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<v Speaker 2>like him to cut across the country in his evening clothes,

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<v Speaker 2>boreed a cattle train and amuse himself touching up the

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<v Speaker 2>picture of the sensation and west riding. However, Weagle's affection

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<v Speaker 2>for his friend was too deep to companion with tranquility

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<v Speaker 2>in the present state of doubt, and instead of going

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<v Speaker 2>to bed early with the other men, he determined to

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<v Speaker 2>walk until ready for sleep. He went down to the

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<v Speaker 2>river and followed the path through the woods. There was

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<v Speaker 2>no moon, but the stars sprinkled their cold light upon

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<v Speaker 2>the pretty belt of water flowing placidly past wood in

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<v Speaker 2>ruin between green masses of overhanging rocks, where sloping banks

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<v Speaker 2>tangled with tree and shrub leaping occasionally over stones with

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<v Speaker 2>the harsh notes of an angry scold to recover its equanimity.

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<v Speaker 2>The moment the way was clear again, it was very

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<v Speaker 2>dark in the depths where Weagle trod. He smiled as

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<v Speaker 2>he recalled a remark of Gifford's in English.

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<v Speaker 4>Wood is like a good many other things in life,

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<v Speaker 4>very promising a distance, but a hollow mockery. When you

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<v Speaker 4>get within, you see daylight on both sides, and the

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<v Speaker 4>sun freckles the very bracken. Our woods need the light

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<v Speaker 4>to make them seem what they ought to be, what

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<v Speaker 4>they once were before our ancestors descendants demanded so much

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<v Speaker 4>more money in these so much more various days.

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<v Speaker 2>Weigel strolled along, smoking and thinking of his friend, his pranks,

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<v Speaker 2>many of which had done more credit to his imagination

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<v Speaker 2>than this, and recalling conversations that had lasted the night through,

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<v Speaker 2>just before the end of the London season, they had

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<v Speaker 2>walked the streets one hot night after a party discussing

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<v Speaker 2>the various theories of the soul's destiny. That afternoon they

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<v Speaker 2>had met at the coffin of a college friend whose

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<v Speaker 2>mind had been blank for the past three years. Some

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<v Speaker 2>months previously they had called at the asylum to see him.

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<v Speaker 2>His expression had been senile, his face imprinted with the

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<v Speaker 2>record of debauchery. In death. The face was placid, intelligent,

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<v Speaker 2>without ignoble a lineation the face of the man they

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<v Speaker 2>had known at college. Weigel and Gifford had had no

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<v Speaker 2>time to comment there, and the afternoon and evening were full,

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<v Speaker 2>But coming forth from the House of Festivity together they

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<v Speaker 2>had reverted almost at once to the topic I cherish

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<v Speaker 2>the theory.

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<v Speaker 1>Gifford had said that the soul sometimes lingers in the

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<v Speaker 1>body after death during madness. Of course, it is an

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<v Speaker 1>impotent prisoner, albeit a conscious one. Fancy its agony and

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<v Speaker 1>its horror. What more natural than that, when the life's

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<v Speaker 1>spark goes out, the tortured souls should take possession of

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<v Speaker 1>the vacant skull and triumph once more. For a few hours,

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<v Speaker 1>while old friends look their last. It has had time

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<v Speaker 1>to repent, while compelled to crouch and behold the result

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<v Speaker 1>of its work, and it has shrived itself into a

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<v Speaker 1>state of comparative purity. If I had my way, I

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<v Speaker 1>should stay inside my bones until the coffin had gone

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<v Speaker 1>into its niche, that I might obviate for my poor comrade,

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<v Speaker 1>the tragic impersonality of death. And I should like to

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<v Speaker 1>see justice done to it as it were, to see

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<v Speaker 1>lowered among its ancestors, with the ceremony and solemnity that

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<v Speaker 1>are its do I'm afraid that if I dissevered myself

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<v Speaker 1>too quickly, I should yield to curiosity and hasten to

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<v Speaker 1>investigate the mysteries of space.

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<v Speaker 5>You believe in the soul is an independent entity, then

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<v Speaker 5>that it and the vital principle are not one and

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<v Speaker 5>the same.

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<v Speaker 2>Is that a lady, No, that's a legal that's legal.

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<v Speaker 3>Absolutely. The body and soul are twins.

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<v Speaker 1>Life comrades, sometimes friends, sometimes enemies, but always loyal. In

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<v Speaker 1>the last instance, Someday, when I am tired of the world,

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<v Speaker 1>I shall go to India and become a Mahatma, solely

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<v Speaker 1>for the pleasure of receiving proof during life of this

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<v Speaker 1>independent relationship.

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<v Speaker 5>Suppose you are not sealed up properly and returned after

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<v Speaker 5>one of your astral flights to find your earthly part

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<v Speaker 5>unfit for habitation. It is an experiment. I don't think

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<v Speaker 5>I should care to try, unless even juggling with soul

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<v Speaker 5>and fleshead.

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<v Speaker 1>Paul, that would not be an uninteresting predicament. I should

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<v Speaker 1>rather enjoy experimenting with broken machine. The high, wild roar

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<v Speaker 1>of water smoked suddenly upon Weagle's ear, and checked his memories.

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<v Speaker 1>He left the wood and walked out on the huge

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<v Speaker 1>slippery stones which nearly closed the river wharf at this point,

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<v Speaker 1>and watched the waters boil down into the narrow paths

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<v Speaker 1>with their furious, untiring energy. The black quiet of the

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<v Speaker 1>woods rose high on either side. The stars seemed colder

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<v Speaker 1>and whiter just above. On either hand, the perspective of

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<v Speaker 1>the river might have run into a rayless cavern. There

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<v Speaker 1>was no lonelier spot in England, nor one which had

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<v Speaker 1>the right to claim so many ghosts if ghosts there were,

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<v Speaker 1>all right, man, So he basically was like, I can't sleep,

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<v Speaker 1>I'm going to go look for my friend.

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<v Speaker 2>Yeah, he's thinking a lot. He's thinking about his good

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<v Speaker 2>friend Wyatt Gifford.

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<v Speaker 1>Yeah, he's thinking of walking along the river. He's thinking

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<v Speaker 1>about why God tortured him with that voice.

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<v Speaker 2>Yeah, he didn't like his voice, but it's not he's.

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<v Speaker 3>Not in the best of way right now. No, all right,

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<v Speaker 3>are you ready to continue, sir?

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<v Speaker 2>I'm prepared? You ready?

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<v Speaker 1>Yeah?

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<v Speaker 2>Weigel was not a coward, but he recalled uncomfortably the

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<v Speaker 2>tales of those that had been done to death in

0:11:07.880 --> 0:11:12.400
<v Speaker 2>the strid. Wordsworth's boy of Egremond had been disposed of

0:11:12.520 --> 0:11:16.720
<v Speaker 2>by the practical Whittaker, but countless others, more venturesome than wise,

0:11:17.160 --> 0:11:20.200
<v Speaker 2>had gone down into that narrow, boiling course, never to

0:11:20.240 --> 0:11:23.959
<v Speaker 2>appear in the still pool a few yards beyond below

0:11:24.000 --> 0:11:26.200
<v Speaker 2>the great rocks which formed the walls of the strid,

0:11:26.559 --> 0:11:29.680
<v Speaker 2>was believed to be a natural vault, unto whose shelves

0:11:29.760 --> 0:11:33.160
<v Speaker 2>the dead were drawn. The spot had an ugly fascination.

0:11:33.800 --> 0:11:38.160
<v Speaker 2>Weigel stood, visioning skeletons, uncoffined and green, the home of

0:11:38.200 --> 0:11:41.200
<v Speaker 2>the eyeless things that had devoured all that had covered

0:11:41.240 --> 0:11:44.800
<v Speaker 2>and filled that rattling symbol of man's mortality. Then fell

0:11:44.840 --> 0:11:47.520
<v Speaker 2>to wondering if anyone had attempted to leap the strid

0:11:47.520 --> 0:11:50.800
<v Speaker 2>of late. It was covered with slime. He had never

0:11:50.800 --> 0:11:53.800
<v Speaker 2>seen it look so treacherous. He shuddered and turned away,

0:11:54.160 --> 0:11:58.000
<v Speaker 2>impelled despite his manhood to flee the spot. As he

0:11:58.040 --> 0:12:00.760
<v Speaker 2>did so, something tossing in the foam below the fall,

0:12:01.080 --> 0:12:04.040
<v Speaker 2>something as white yet independent of it, caught his eye

0:12:04.080 --> 0:12:06.960
<v Speaker 2>and arrested his step. Then he saw that it was

0:12:07.000 --> 0:12:10.600
<v Speaker 2>describing a contrary motion to the rushing water, an upward

0:12:10.679 --> 0:12:15.360
<v Speaker 2>backward motion. Weigel stood rigid, breathless. He fancied he heard

0:12:15.400 --> 0:12:19.320
<v Speaker 2>the crackling of his hair. Was that a hand? It

0:12:19.400 --> 0:12:23.000
<v Speaker 2>thrust itself higher above the boiling foam, turned sideways, and

0:12:23.080 --> 0:12:26.840
<v Speaker 2>four frantic fingers were distinctly visible against the black rock beyond.

0:12:27.640 --> 0:12:31.520
<v Speaker 2>Weegle's superstitious terror left him. A man was there, struggling

0:12:31.559 --> 0:12:34.840
<v Speaker 2>to free himself from the suction beneath the strid swept down,

0:12:34.920 --> 0:12:38.160
<v Speaker 2>doubtless but a moment before his arrival. Perhaps as he

0:12:38.200 --> 0:12:40.960
<v Speaker 2>stood with him back to the current. He stepped as

0:12:41.000 --> 0:12:43.520
<v Speaker 2>close to the edge as he dared. The hand doubled,

0:12:43.520 --> 0:12:46.679
<v Speaker 2>as if in eprocation, shaking savagely in the face that

0:12:46.920 --> 0:12:49.760
<v Speaker 2>force which leads its creatures to a mutable low, then

0:12:49.800 --> 0:12:53.920
<v Speaker 2>spread wide again clutching, expanding, crying for help as audibly

0:12:53.920 --> 0:12:57.120
<v Speaker 2>as the human voice. Weigle dashed to the nearest street,

0:12:57.440 --> 0:12:59.800
<v Speaker 2>dragged and twisted off a branch with his strong arms,

0:13:00.040 --> 0:13:02.920
<v Speaker 2>and returned as swiftly to the strip. The hand was

0:13:02.920 --> 0:13:06.640
<v Speaker 2>in the same place, still gesticulating as wildly. The body

0:13:06.720 --> 0:13:10.040
<v Speaker 2>was undoubtedly caught in the rocks below, perhaps already halfway

0:13:10.040 --> 0:13:13.640
<v Speaker 2>along one of those hideous shelves. Weegel let himself down

0:13:13.720 --> 0:13:16.560
<v Speaker 2>upon a lower rock, braced his shoulder against the mask

0:13:16.640 --> 0:13:19.800
<v Speaker 2>beside him, and then, leaning out over the water, thrust

0:13:19.840 --> 0:13:23.520
<v Speaker 2>the branch into the hand. The fingers clutched it convulsively.

0:13:24.120 --> 0:13:28.160
<v Speaker 2>Weegel tugged powerfully, his own feet dragged perilously near the edge.

0:13:28.360 --> 0:13:31.320
<v Speaker 2>For a moment he produced no impression. Then an arm

0:13:31.400 --> 0:13:32.640
<v Speaker 2>shot above the waters.

0:13:33.240 --> 0:13:34.800
<v Speaker 3>The blood sprang to Eagle's head.

0:13:34.840 --> 0:13:37.000
<v Speaker 1>He was choked with the impression that the striad had

0:13:37.080 --> 0:13:40.040
<v Speaker 1>him in a roaring hold, and he saw nothing. Then

0:13:40.080 --> 0:13:43.199
<v Speaker 1>the mist cleared, the hand and arm were nearer, although

0:13:43.200 --> 0:13:45.840
<v Speaker 1>the rest of the body was still concealed by the foam.

0:13:46.080 --> 0:13:49.680
<v Speaker 1>Eagle peered out with distended eyes. The meager light revealed

0:13:49.679 --> 0:13:52.960
<v Speaker 1>in the cuff SLINKs of a peculiar device. The fingers

0:13:52.960 --> 0:13:56.720
<v Speaker 1>clutching the branch were as familiar. Weagle forgot the slippery stones,

0:13:57.040 --> 0:13:59.680
<v Speaker 1>the terrible death if he stepped too far. He pulled

0:13:59.720 --> 0:14:03.160
<v Speaker 1>with pass will, and muscle muscles flung themselves into the

0:14:03.160 --> 0:14:06.800
<v Speaker 1>hot light of his brain, trooping rapidly upon each other's heels,

0:14:07.080 --> 0:14:09.680
<v Speaker 1>as if in the thought of the drowning. Most of

0:14:09.679 --> 0:14:12.760
<v Speaker 1>the pleasures of his life, good and bad, were identified

0:14:12.760 --> 0:14:15.760
<v Speaker 1>in some way with this friend. Scenes of college, days

0:14:15.800 --> 0:14:18.800
<v Speaker 1>of travel where they had deliberately sought adventure and stood

0:14:18.800 --> 0:14:21.920
<v Speaker 1>between one another and death upon more occasions than one.

0:14:21.960 --> 0:14:25.000
<v Speaker 1>Of hours of delightful companionship, among the treasures of art

0:14:25.040 --> 0:14:27.600
<v Speaker 1>and others in the pursuit of pleasure flashed like the

0:14:27.680 --> 0:14:31.800
<v Speaker 1>changing particles of a kaleidoscope. Weagle had loved several women,

0:14:32.400 --> 0:14:34.320
<v Speaker 1>but he would have flouted in these moments the thought

0:14:34.360 --> 0:14:36.600
<v Speaker 1>that he ever had loved any woman as he loved

0:14:36.600 --> 0:14:39.920
<v Speaker 1>Wyatt Gifford. There were so many charming women in the world,

0:14:40.280 --> 0:14:42.000
<v Speaker 1>and in the thirty two years of his life, he

0:14:42.000 --> 0:14:44.840
<v Speaker 1>had never known another man to whom he had cared

0:14:44.840 --> 0:14:46.440
<v Speaker 1>to give his intimate friendship.

0:14:49.800 --> 0:14:53.080
<v Speaker 2>So, Chuck, it sounds like he's pretty certain this is Wyatt. Yeah,

0:14:53.080 --> 0:14:56.240
<v Speaker 2>his long lost buddy. He's in the foamy waterfall and

0:14:56.280 --> 0:14:59.160
<v Speaker 2>he's trying to save him. Yeah, so this is getting intent.

0:14:59.280 --> 0:15:01.440
<v Speaker 1>It's getting super intense, and it sounds like he really

0:15:01.520 --> 0:15:03.280
<v Speaker 1>likes this guy in es, like he really wants to

0:15:03.280 --> 0:15:03.920
<v Speaker 1>save his friend.

0:15:04.040 --> 0:15:04.360
<v Speaker 2>Sure.

0:15:07.080 --> 0:15:09.800
<v Speaker 1>He threw himself on his face. His wrist were cracking,

0:15:10.120 --> 0:15:12.840
<v Speaker 1>the skin was torn from his hands. The fingers still

0:15:12.880 --> 0:15:16.280
<v Speaker 1>gripped the stick. There was life in them. Yet suddenly

0:15:16.640 --> 0:15:19.760
<v Speaker 1>something gave way. The hand swung about, tearing the branch

0:15:19.760 --> 0:15:23.200
<v Speaker 1>from Eagle's grasp. The body had been liberated and flung outward,

0:15:23.600 --> 0:15:27.040
<v Speaker 1>though still submerged by the foam and spray. Eagle scrambled

0:15:27.040 --> 0:15:29.480
<v Speaker 1>to his feet and sprang along the rocks, knowing that

0:15:29.480 --> 0:15:32.040
<v Speaker 1>the danger from suction was over and that Gifford must

0:15:32.080 --> 0:15:34.680
<v Speaker 1>be carried straight to the quiet pool. Gifford was a

0:15:34.720 --> 0:15:36.880
<v Speaker 1>fish in the water and could live under it longer

0:15:36.880 --> 0:15:39.840
<v Speaker 1>than most men. If he survived this, it would not

0:15:39.960 --> 0:15:42.440
<v Speaker 1>be the first time that his pluck and science had

0:15:42.440 --> 0:15:43.480
<v Speaker 1>saved them from drowning.

0:15:44.520 --> 0:15:47.480
<v Speaker 2>Weigel reached the pool, a man in his evening clothes

0:15:47.520 --> 0:15:50.680
<v Speaker 2>floated on it. His face turned towards a projecting rock

0:15:50.760 --> 0:15:54.000
<v Speaker 2>over which his arm had fallen upholding the body. The

0:15:54.080 --> 0:15:56.640
<v Speaker 2>hand that had held the branch hung limply over the rock,

0:15:57.000 --> 0:16:01.120
<v Speaker 2>its white reflection visible in the black water. Weigle plunged

0:16:01.160 --> 0:16:03.880
<v Speaker 2>into the shallow pool, lifted Gifford in his arms, and

0:16:03.920 --> 0:16:06.720
<v Speaker 2>returned to the bank. He laid the body down and

0:16:06.760 --> 0:16:08.800
<v Speaker 2>threw off his coat, that he might be the freer

0:16:08.800 --> 0:16:12.240
<v Speaker 2>to practice the methods of resuscitation. He was glad of

0:16:12.280 --> 0:16:15.280
<v Speaker 2>the moment's respite, the valiant life, and the man might

0:16:15.320 --> 0:16:18.160
<v Speaker 2>have been exhausted in that last struggle, he had not

0:16:18.320 --> 0:16:20.600
<v Speaker 2>dared to look at his face, to put his ear

0:16:20.640 --> 0:16:23.720
<v Speaker 2>to the heart. The hesitation lasted but a moment. There

0:16:23.760 --> 0:16:27.320
<v Speaker 2>was no time to lose. He turned to his prostrate friend.

0:16:27.840 --> 0:16:31.400
<v Speaker 2>As he did so, something strange and disagreeable smote his senses.

0:16:32.120 --> 0:16:34.560
<v Speaker 2>For a half moment, he did not appreciate its nature.

0:16:35.320 --> 0:16:39.520
<v Speaker 2>Then his teeth clacked together, his feet, his outstretched arms

0:16:39.560 --> 0:16:42.680
<v Speaker 2>pointed towards the woods. But he sprang to the side

0:16:42.720 --> 0:16:45.360
<v Speaker 2>of the man and bent down and peered into his face.

0:16:46.160 --> 0:16:57.960
<v Speaker 6>There was no face, man, that was scary stuff.

0:16:58.000 --> 0:16:59.800
<v Speaker 3>That's creepy. No face.

0:17:00.160 --> 0:17:04.040
<v Speaker 2>Yeah, and the guy was struggling helping himself up. Yeah,

0:17:04.160 --> 0:17:07.760
<v Speaker 2>clearly dead. Yeah, like they had spoken about previously in

0:17:07.800 --> 0:17:09.000
<v Speaker 2>the short story. Yeah.

0:17:09.040 --> 0:17:12.040
<v Speaker 1>And also you know he I think he was talking

0:17:12.080 --> 0:17:14.520
<v Speaker 1>about the soul and the twins, like maybe this was

0:17:14.560 --> 0:17:15.280
<v Speaker 1>his soul or something.

0:17:15.320 --> 0:17:15.719
<v Speaker 3>I don't know.

0:17:15.880 --> 0:17:18.959
<v Speaker 2>Yeah, I mean these guys were clearly related. Yeah, Gertrude

0:17:19.000 --> 0:17:23.640
<v Speaker 2>said at least so that was the striving Place by

0:17:23.680 --> 0:17:26.480
<v Speaker 2>Gertrude Atherton, and that was one of two. Yeah.

0:17:26.560 --> 0:17:28.720
<v Speaker 3>She said that that was her favorite one she ever wrote.

0:17:28.760 --> 0:17:30.720
<v Speaker 3>And so I can't disagree.

0:17:30.840 --> 0:17:34.119
<v Speaker 2>Nice going, Gert, the old Gert, So chuck with's her.

0:17:34.280 --> 0:17:38.840
<v Speaker 2>What's the next selection in our cozy, scary, creepy study

0:17:40.280 --> 0:17:40.800
<v Speaker 2>the next.

0:17:40.600 --> 0:17:42.439
<v Speaker 3>By the way, I appreciate the Halloween candy put out.

0:17:42.480 --> 0:17:43.520
<v Speaker 3>That's a nice touch.

0:17:43.680 --> 0:17:46.080
<v Speaker 2>I know. I sprung for the full size once. Forget

0:17:46.080 --> 0:17:47.240
<v Speaker 2>that fun size crud.

0:17:48.920 --> 0:17:51.040
<v Speaker 3>It's a little weird to eat Reese's pieces while I'm all.

0:17:50.960 --> 0:17:53.480
<v Speaker 2>Creeped out, but they're still delicious.

0:17:53.480 --> 0:17:54.520
<v Speaker 3>It's still delicious.

0:17:54.720 --> 0:17:56.880
<v Speaker 1>So this one's called The Pale Man by Julius Long

0:17:56.920 --> 0:18:00.399
<v Speaker 1>and it is from Weird Tales, Volume twenty four, issue

0:18:00.440 --> 0:18:04.359
<v Speaker 1>number three. Weird Tales was a pulp rag a Chicago

0:18:04.920 --> 0:18:07.920
<v Speaker 1>started in nineteen twenty three and has had several iterations

0:18:07.920 --> 0:18:11.680
<v Speaker 1>over the years, including a modern one. You can still

0:18:11.720 --> 0:18:13.679
<v Speaker 1>I think by it's something called weird Tales.

0:18:13.960 --> 0:18:15.600
<v Speaker 3>You know, it's been shut down here and there over

0:18:15.600 --> 0:18:16.000
<v Speaker 3>the years.

0:18:16.000 --> 0:18:17.399
<v Speaker 2>Well, I know, I don't know if that's where he

0:18:17.440 --> 0:18:20.200
<v Speaker 2>got to start, but he definitely supplied a lot of stories.

0:18:20.320 --> 0:18:23.680
<v Speaker 2>HP Lovecraft, Yeah, weird tales. Totally love weird tales.

0:18:23.760 --> 0:18:25.439
<v Speaker 3>Yeah, I kind of missed the old days like this.

0:18:25.520 --> 0:18:26.920
<v Speaker 3>I mean, I know you have stuff like this on.

0:18:26.880 --> 0:18:28.800
<v Speaker 1>The internet now, but it's kind of neat to be

0:18:28.840 --> 0:18:30.920
<v Speaker 1>able to buy a little pulp thing for ten cents,

0:18:30.960 --> 0:18:32.560
<v Speaker 1>you know, back in the nineteen twenties.

0:18:32.200 --> 0:18:36.040
<v Speaker 3>Like I did. Alrighty, So this is The Pale.

0:18:35.760 --> 0:18:39.560
<v Speaker 1>Man by Julius Long, with the subtitle A queer little

0:18:39.600 --> 0:18:42.639
<v Speaker 1>tale about the eccentric behavior of a strange guest in

0:18:42.680 --> 0:18:43.520
<v Speaker 1>a country hotel.

0:18:44.080 --> 0:18:46.200
<v Speaker 2>Nice kind of describes it perfectly. There.

0:18:47.000 --> 0:18:51.760
<v Speaker 3>All right, ready, has everyone got the lights? Do very important?

0:18:51.800 --> 0:18:53.880
<v Speaker 2>Remember close your eyes on the subway.

0:18:53.760 --> 0:18:55.680
<v Speaker 3>And get your brandy and your Resi's pieces up.

0:18:56.920 --> 0:18:59.560
<v Speaker 2>And chuff Juffy Reese's pieces India Brandy.

0:19:00.520 --> 0:19:02.959
<v Speaker 3>That might be nice. All right, here we go.

0:19:05.359 --> 0:19:07.960
<v Speaker 1>I have not yet met the man in number two twelve.

0:19:08.480 --> 0:19:11.080
<v Speaker 1>I do not even know his name. He never patronizes

0:19:11.119 --> 0:19:13.960
<v Speaker 1>the hotel restaurant, and he does not use the lobby.

0:19:14.280 --> 0:19:16.320
<v Speaker 1>On the three occasions when we passed each other by,

0:19:16.440 --> 0:19:19.520
<v Speaker 1>we did not speak, although we nodded in a semi cordial,

0:19:19.560 --> 0:19:22.160
<v Speaker 1>non committal way. I should like very much to make

0:19:22.200 --> 0:19:25.080
<v Speaker 1>his acquaintance. It is lonesome in this dreary place. With

0:19:25.119 --> 0:19:28.280
<v Speaker 1>the exception of the age lady down the corridor, the

0:19:28.320 --> 0:19:31.399
<v Speaker 1>only permanent guests are the man in number two twelve

0:19:31.400 --> 0:19:35.120
<v Speaker 1>and myself. However, I should not complain for this utter quiet.

0:19:35.240 --> 0:19:38.480
<v Speaker 1>It is precisely what the doctor prescribed. I wonder if

0:19:38.520 --> 0:19:40.359
<v Speaker 1>the man in number two twelve, too, has come.

0:19:40.320 --> 0:19:42.960
<v Speaker 3>Here for a rest. He is so very pale.

0:19:43.440 --> 0:19:45.560
<v Speaker 1>Yet I cannot believe that he is ill, for his

0:19:45.640 --> 0:19:49.480
<v Speaker 1>paleness is not of a sickly cast, but rather wholesome

0:19:49.480 --> 0:19:52.320
<v Speaker 1>in its ivory clarity. His carriage is that of a

0:19:52.320 --> 0:19:55.080
<v Speaker 1>man enjoying the best of health. He is tall and straight.

0:19:55.200 --> 0:19:58.879
<v Speaker 1>He walks erectly with a brisk, athletic stride. His pallor

0:19:59.000 --> 0:20:02.160
<v Speaker 1>is no doubt conj else he would quickly tan under

0:20:02.160 --> 0:20:05.240
<v Speaker 1>this burning summer sun. He must have traveled here by otto,

0:20:05.280 --> 0:20:07.240
<v Speaker 1>for he certainly was not a passenger on the train

0:20:07.280 --> 0:20:09.520
<v Speaker 1>that brought me, and he checked in only a short

0:20:09.520 --> 0:20:12.320
<v Speaker 1>time after my arrival. I had briefly rested in my

0:20:12.400 --> 0:20:15.400
<v Speaker 1>room and was walking down the stairs when I encountered

0:20:15.480 --> 0:20:18.480
<v Speaker 1>him ascending with his bag. It is odd that our

0:20:18.600 --> 0:20:20.960
<v Speaker 1>venerable bell boy did not show him to his room.

0:20:21.320 --> 0:20:23.400
<v Speaker 1>It is odd, too, that, with so many vacant rooms

0:20:23.400 --> 0:20:26.119
<v Speaker 1>in the hotel, he should have chosen number two twelve

0:20:26.200 --> 0:20:29.120
<v Speaker 1>At the extreme rear. The building is a long, narrow

0:20:29.160 --> 0:20:31.680
<v Speaker 1>affair three stories high. The rooms are all on the

0:20:31.720 --> 0:20:33.840
<v Speaker 1>east side, as the west wall is flushed with a

0:20:33.840 --> 0:20:37.159
<v Speaker 1>decrepit business building. The corridor is long in drab, and

0:20:37.240 --> 0:20:40.359
<v Speaker 1>its stiff bloated paper exudes a musty and pleasant odor.

0:20:41.040 --> 0:20:43.600
<v Speaker 1>The feeble electric bulbs that light it shine dimly, as

0:20:43.640 --> 0:20:47.200
<v Speaker 1>from a tomb. Revolted by this corridor. I insisted upon

0:20:47.280 --> 0:20:50.159
<v Speaker 1>being given number two oh one, which is at the

0:20:50.200 --> 0:20:53.800
<v Speaker 1>front and blessed with southern exposure. The room clerk, a

0:20:53.880 --> 0:20:57.480
<v Speaker 1>disagreeable fellow with a Hitler mustache, was very reluctant to

0:20:57.520 --> 0:21:00.080
<v Speaker 1>let me have it, as it was ordinarily reserved for

0:21:00.160 --> 0:21:04.960
<v Speaker 1>his more profitable transient trade. Wink wink, I fear my

0:21:05.000 --> 0:21:08.119
<v Speaker 1>stubborn insistence has made him an enemy. If only I

0:21:08.160 --> 0:21:10.960
<v Speaker 1>had been as self assertive thirty years ago, I should

0:21:11.000 --> 0:21:13.359
<v Speaker 1>now be a full fledged professor instead of a broken

0:21:13.400 --> 0:21:16.800
<v Speaker 1>down assistant. I still smart from the cavalier manner in

0:21:16.840 --> 0:21:20.399
<v Speaker 1>which the president of the university summarily recommended my vacation.

0:21:20.920 --> 0:21:24.040
<v Speaker 1>No doubt he acted for my best interests. The people

0:21:24.040 --> 0:21:27.600
<v Speaker 1>who have dominated my poor life invariably have. Oh well,

0:21:27.640 --> 0:21:30.359
<v Speaker 1>the summer's rest will probably do me considerable good. It

0:21:30.440 --> 0:21:33.240
<v Speaker 1>is pleasant to be away from the university. There's something

0:21:33.280 --> 0:21:36.879
<v Speaker 1>positively gratifying about the absence of the graduate student faiths.

0:21:37.840 --> 0:21:40.719
<v Speaker 1>If only it were not so lonely. I must devise

0:21:40.760 --> 0:21:42.959
<v Speaker 1>a way of meeting the pale man in number two twelve.

0:21:43.600 --> 0:21:45.439
<v Speaker 1>Perhaps the room clerk can arrange matters.

0:21:48.880 --> 0:21:50.840
<v Speaker 2>So this guy, he's a bit of a whiner.

0:21:51.240 --> 0:21:54.439
<v Speaker 1>Yeah, he's like a little whiny assistant professor who was

0:21:54.720 --> 0:21:55.080
<v Speaker 1>kind of.

0:21:55.080 --> 0:21:56.160
<v Speaker 3>Told to go on vacation.

0:21:56.240 --> 0:21:57.480
<v Speaker 2>It sounds like pretty much.

0:21:57.640 --> 0:22:00.000
<v Speaker 3>And he took the room, the nicest room. Even though

0:22:00.119 --> 0:22:02.280
<v Speaker 3>it sounds like that was saved for prostitutes.

0:22:02.480 --> 0:22:04.439
<v Speaker 2>It was being saved by the man with the Hitler

0:22:04.520 --> 0:22:06.080
<v Speaker 2>mustache for prostitutes.

0:22:06.240 --> 0:22:08.320
<v Speaker 3>I get one of the transient trade, and that what

0:22:08.359 --> 0:22:08.640
<v Speaker 3>he means.

0:22:08.720 --> 0:22:11.959
<v Speaker 2>Yeah, but I think he's also saying here immense possible interpretation.

0:22:12.119 --> 0:22:14.919
<v Speaker 6>Sure, but he appears to have settled.

0:22:14.520 --> 0:22:16.040
<v Speaker 2>In for a very long stay.

0:22:16.320 --> 0:22:16.920
<v Speaker 3>Yeah that's true.

0:22:17.440 --> 0:22:19.360
<v Speaker 2>It might rather than like a traveling salesman.

0:22:19.520 --> 0:22:21.760
<v Speaker 3>The brandy is getting to me. My mind's in the gutter.

0:22:21.840 --> 0:22:23.840
<v Speaker 2>The Reese's pieces are getting to you.

0:22:24.240 --> 0:22:26.199
<v Speaker 3>All right, So he wants to meet the man in

0:22:26.200 --> 0:22:28.880
<v Speaker 3>two twelve. He something about this guy.

0:22:29.119 --> 0:22:32.600
<v Speaker 2>He's also just pretty content to whine. It sounds like, yeah,

0:22:32.640 --> 0:22:38.840
<v Speaker 2>that's true. May I please? Okay, I've been here exactly

0:22:38.880 --> 0:22:41.000
<v Speaker 2>a week, and if there is a friendly soul in

0:22:41.040 --> 0:22:44.760
<v Speaker 2>this miserable little town, he has escaped my notice. Although

0:22:44.760 --> 0:22:47.840
<v Speaker 2>the trades people accept my money with flattering eagerness, they

0:22:47.880 --> 0:22:52.080
<v Speaker 2>studiously avoid even the most casual conversation. I am afraid

0:22:52.080 --> 0:22:54.960
<v Speaker 2>I can never cultivate their society unless I can arrange

0:22:55.000 --> 0:22:57.760
<v Speaker 2>to have my ancestors recognized as local residents. For the

0:22:57.840 --> 0:23:01.439
<v Speaker 2>last one hundred and fifty years, despite the coolness of

0:23:01.480 --> 0:23:05.240
<v Speaker 2>my reception, I have been frequently venturing abroad. In the

0:23:05.280 --> 0:23:07.520
<v Speaker 2>back of my mind, I have cherished hopes that I

0:23:07.600 --> 0:23:10.920
<v Speaker 2>might encounter the pale man in number two eleven. Incidentally,

0:23:11.119 --> 0:23:13.320
<v Speaker 2>I wonder why he has moved from number two twelve.

0:23:14.080 --> 0:23:16.920
<v Speaker 2>There is certainly little advantage in coming only one room

0:23:16.960 --> 0:23:19.840
<v Speaker 2>nearer to the front. I noticed the change yesterday when

0:23:19.880 --> 0:23:22.520
<v Speaker 2>I saw him coming out of his new room. We

0:23:22.640 --> 0:23:25.320
<v Speaker 2>nodded again, and this time I thought I detected a

0:23:25.359 --> 0:23:29.800
<v Speaker 2>certain malign satisfaction in his somber black eyes. He must

0:23:29.880 --> 0:23:32.000
<v Speaker 2>know that I am eager to make his acquaintance. Yet

0:23:32.000 --> 0:23:35.040
<v Speaker 2>his manner forbids overtures. If he wants me to go

0:23:35.119 --> 0:23:37.520
<v Speaker 2>all the way, he can go to the devil. I

0:23:37.600 --> 0:23:40.719
<v Speaker 2>am not the sort to run after anybody. Indeed, the

0:23:40.720 --> 0:23:43.280
<v Speaker 2>surly diffidence of the room clerk has been enough to

0:23:43.280 --> 0:23:46.960
<v Speaker 2>prevent me from questioning him about his mysterious guest. I

0:23:47.040 --> 0:23:49.679
<v Speaker 2>wonder where the pale man takes his meals. I have

0:23:49.760 --> 0:23:52.919
<v Speaker 2>been absenting myself from the hotel restaurant and patronizing the

0:23:52.960 --> 0:23:56.439
<v Speaker 2>restaurants outside. At each I have ventured inquiries about the

0:23:56.440 --> 0:23:59.320
<v Speaker 2>man in number two ten. No one at any restaurant

0:23:59.359 --> 0:24:02.560
<v Speaker 2>remembered his having been there. Perhaps he is entree into

0:24:02.560 --> 0:24:05.359
<v Speaker 2>the brahm and homes of this town, and again he

0:24:05.400 --> 0:24:07.639
<v Speaker 2>may have found a boarding house. I shall have to

0:24:07.720 --> 0:24:10.320
<v Speaker 2>learn if there be one, the pale man must be

0:24:10.359 --> 0:24:13.359
<v Speaker 2>difficult to please, for he has again changed his room.

0:24:13.920 --> 0:24:16.080
<v Speaker 2>I am baffled by his conduct. If he is so

0:24:16.200 --> 0:24:19.560
<v Speaker 2>desirous of locating himself more conveniently in the hotel, why

0:24:19.560 --> 0:24:21.680
<v Speaker 2>does he not move to number two oh two, which

0:24:21.720 --> 0:24:24.399
<v Speaker 2>is the nearest available room to the front. Perhaps I

0:24:24.400 --> 0:24:27.439
<v Speaker 2>can make his inability to locate himself permanently as an

0:24:27.480 --> 0:24:31.640
<v Speaker 2>excuse for starting a conversation. I see we are close neighbors. Now,

0:24:31.680 --> 0:24:34.760
<v Speaker 2>I might say casually, but that is to banal. I

0:24:34.840 --> 0:24:36.440
<v Speaker 2>must have waited a better opportunity.

0:24:37.560 --> 0:24:40.360
<v Speaker 1>This guy is whinny. Yeah, he's like, well, I'm not

0:24:40.359 --> 0:24:42.800
<v Speaker 1>gonna go chase this guy down. And then he's like,

0:24:42.920 --> 0:24:46.119
<v Speaker 1>I wonder where he eats. He's just like sitting around

0:24:46.119 --> 0:24:48.200
<v Speaker 1>thinking about him, and he's getting closer.

0:24:48.240 --> 0:24:49.440
<v Speaker 3>And I don't think that's a good thing.

0:24:50.040 --> 0:24:53.080
<v Speaker 2>No, I don't either. It's a peculiar behavior for a

0:24:53.119 --> 0:24:55.640
<v Speaker 2>short story. Yeah, things like that kind of stand out.

0:24:55.680 --> 0:24:59.120
<v Speaker 3>You know. This guy's like, oh, he's moving closer. How delightful. Yeah,

0:24:59.240 --> 0:25:03.560
<v Speaker 3>what a dummy. He has done it again.

0:25:04.240 --> 0:25:07.719
<v Speaker 1>He's now occupying number two O nine. I'm intrigued by

0:25:07.720 --> 0:25:11.040
<v Speaker 1>his little game. I waste hours trying to fathom its point.

0:25:11.280 --> 0:25:14.040
<v Speaker 1>What possible motive could he have? I should think he

0:25:14.080 --> 0:25:16.720
<v Speaker 1>would get on the hotel people's nerves. I wonder what

0:25:16.800 --> 0:25:19.800
<v Speaker 1>our combination bell hop chambermaid thinks of having to prepare

0:25:19.840 --> 0:25:21.280
<v Speaker 1>four rooms for a single guest.

0:25:21.520 --> 0:25:23.560
<v Speaker 3>If he were not stone deaf, I would ask him.

0:25:23.760 --> 0:25:26.080
<v Speaker 1>At present, I feel too exhausted to attempt such an

0:25:26.240 --> 0:25:29.919
<v Speaker 1>enervating conversation. I am tremendously interested in the pale man's

0:25:29.920 --> 0:25:32.800
<v Speaker 1>next move. He must either skip a room or remain

0:25:32.840 --> 0:25:35.400
<v Speaker 1>where he is for a permanent guest. The very old

0:25:35.480 --> 0:25:38.719
<v Speaker 1>lady occupies number two O eight. She has not budged

0:25:38.760 --> 0:25:41.200
<v Speaker 1>from her room since I've been there, and I imagine

0:25:41.200 --> 0:25:42.359
<v Speaker 1>that she does not intend to.

0:25:42.960 --> 0:25:44.360
<v Speaker 3>I wonder what the pale man will do.

0:25:45.000 --> 0:25:47.480
<v Speaker 1>I await his decision with the nervous excitement of a

0:25:47.560 --> 0:25:49.920
<v Speaker 1>devote of the track on the eve of a big race.

0:25:50.480 --> 0:25:54.919
<v Speaker 1>After all, I have so little diversion. Well, the mysterious

0:25:54.920 --> 0:25:57.880
<v Speaker 1>guest was not forced to remain where he was, nor

0:25:57.920 --> 0:25:59.879
<v Speaker 1>did he have to skip a room. The lady in

0:26:00.119 --> 0:26:03.479
<v Speaker 1>number two O eight simplified matters by conveniently dying.

0:26:04.880 --> 0:26:05.480
<v Speaker 3>That ain't good.

0:26:05.760 --> 0:26:09.359
<v Speaker 1>No, no one knows the cause of her death, but

0:26:09.480 --> 0:26:12.560
<v Speaker 1>it is generally attributed to old age. She was buried

0:26:12.560 --> 0:26:14.919
<v Speaker 1>this morning. I was among the curious few who attended

0:26:14.960 --> 0:26:17.959
<v Speaker 1>her funeral. When I return home from the mortuary, I

0:26:18.000 --> 0:26:19.960
<v Speaker 1>was in time to see the pale man leaving her room.

0:26:20.520 --> 0:26:23.440
<v Speaker 1>Already he has moved in. He favored me with a

0:26:23.480 --> 0:26:26.000
<v Speaker 1>smile whose meaning I have tried in vain to decipher.

0:26:26.720 --> 0:26:29.240
<v Speaker 1>I cannot but believe that he meant it to have

0:26:29.320 --> 0:26:32.919
<v Speaker 1>some significance. He acted as if there were between us

0:26:32.960 --> 0:26:36.479
<v Speaker 1>some secret that I failed to appreciate. But then perhaps

0:26:36.520 --> 0:26:40.679
<v Speaker 1>his smile was meaningless after all, and only ambiguous by chance,

0:26:40.800 --> 0:26:44.000
<v Speaker 1>like that of the Mona Lisa. My man of mystery

0:26:44.040 --> 0:26:46.920
<v Speaker 1>now resides in number two O seven, and I am

0:26:46.960 --> 0:26:49.679
<v Speaker 1>not the least surprised. I would have been astonished if

0:26:49.680 --> 0:26:52.520
<v Speaker 1>he had not made his scheduled move. I've almost given

0:26:52.600 --> 0:26:56.000
<v Speaker 1>up trying to understand his eccentric conduct. I do not

0:26:56.119 --> 0:26:58.200
<v Speaker 1>know a single thing more about him than I knew

0:26:58.240 --> 0:27:01.400
<v Speaker 1>the day he arrived. I wonder whence he came. There's

0:27:01.480 --> 0:27:05.080
<v Speaker 1>something indefinably foreign about his manner. I'm curious to hear

0:27:05.080 --> 0:27:07.760
<v Speaker 1>his voice. I'd like to imagine that he speaks the

0:27:07.800 --> 0:27:10.720
<v Speaker 1>exotic tongue of some far away country. If only I

0:27:10.760 --> 0:27:14.600
<v Speaker 1>could somehow inveigle him into a conversation. I wish that

0:27:14.640 --> 0:27:17.000
<v Speaker 1>I were possessed of the glib assurance of a college

0:27:17.000 --> 0:27:19.840
<v Speaker 1>boy who can address himself to the most distinguished celebrity

0:27:19.840 --> 0:27:22.359
<v Speaker 1>without batting an eye. It is no wonder that I

0:27:22.400 --> 0:27:26.560
<v Speaker 1>am only an assistant professor. Man, this guy's really hung

0:27:26.640 --> 0:27:26.960
<v Speaker 1>up on that.

0:27:28.080 --> 0:27:30.199
<v Speaker 3>He showed the kind of moxy at work as he

0:27:30.240 --> 0:27:31.080
<v Speaker 3>shows in this Man.

0:27:31.400 --> 0:27:32.720
<v Speaker 2>Oh he shows in his head.

0:27:32.840 --> 0:27:36.159
<v Speaker 3>Really yeah, maybe he'd be a professor by now. Jeseu.

0:27:36.200 --> 0:27:40.280
<v Speaker 3>This guy hope somebody kills him. My money's on the

0:27:40.280 --> 0:27:40.760
<v Speaker 3>tail man.

0:27:41.800 --> 0:27:44.040
<v Speaker 2>It could. I was guessing it was the old lady

0:27:44.080 --> 0:27:46.640
<v Speaker 2>in the other room, but she died. She got a chance.

0:27:47.200 --> 0:27:48.200
<v Speaker 2>He knows what will happen.

0:27:48.240 --> 0:27:49.719
<v Speaker 3>Maybe the chambermaid.

0:27:50.119 --> 0:27:55.320
<v Speaker 2>Everybody wants to kill this guy, I do. I am worried.

0:27:56.040 --> 0:27:58.800
<v Speaker 2>This morning, I awoke to find myself lying prone upon

0:27:58.840 --> 0:28:03.119
<v Speaker 2>the floor, was fully clothed. I must have fallen exhausted

0:28:03.119 --> 0:28:06.199
<v Speaker 2>there after I returned to my room last night. I

0:28:06.240 --> 0:28:09.280
<v Speaker 2>wonder if my condition is more serious than I had suspected.

0:28:10.119 --> 0:28:12.520
<v Speaker 2>Until now, I have been inclined to discount the fears

0:28:12.560 --> 0:28:14.560
<v Speaker 2>of those who have pulled the long face about me.

0:28:15.240 --> 0:28:18.120
<v Speaker 2>For the first time, I recall the prolonged hand clasp

0:28:18.119 --> 0:28:22.360
<v Speaker 2>of the President when he bade me goodbye from the university. Obviously,

0:28:22.400 --> 0:28:25.320
<v Speaker 2>he never expected to see me alive again. Of course

0:28:25.359 --> 0:28:29.119
<v Speaker 2>I am not that unwell. Nevertheless, I must be more careful,

0:28:29.600 --> 0:28:32.440
<v Speaker 2>Thank Heaven, I have no dependence to worry about. I

0:28:32.520 --> 0:28:35.000
<v Speaker 2>have not even a wife, for I was never willing

0:28:35.040 --> 0:28:38.040
<v Speaker 2>to exchange the loneliness of a bachelor for the loneliness

0:28:38.080 --> 0:28:42.920
<v Speaker 2>of a husband. Burne, I can say in all sincerity

0:28:42.960 --> 0:28:46.040
<v Speaker 2>that the prospect of death does not frighten me. Speculation

0:28:46.120 --> 0:28:49.280
<v Speaker 2>about life beyond the grave has always bored me. Whatever

0:28:49.320 --> 0:28:52.080
<v Speaker 2>it is or is not, I'll try to get along.

0:28:52.720 --> 0:28:55.040
<v Speaker 2>I have been so preoccupied about the sudden turn of

0:28:55.040 --> 0:28:57.280
<v Speaker 2>my own affairs that I have neglected to make note

0:28:57.280 --> 0:29:00.480
<v Speaker 2>of a most extraordinary incident. The pale maid has done

0:29:00.520 --> 0:29:03.840
<v Speaker 2>an astounding thing. He has skipped three rooms and moved

0:29:03.880 --> 0:29:06.600
<v Speaker 2>all the way to number two zero three. We are

0:29:06.600 --> 0:29:09.840
<v Speaker 2>now very close neighbors. We shall meet oftener, and my

0:29:10.040 --> 0:29:14.120
<v Speaker 2>chances for making his acquaintance are now greater. I have

0:29:14.240 --> 0:29:16.840
<v Speaker 2>confined myself to my bed during the last few days,

0:29:17.120 --> 0:29:19.600
<v Speaker 2>and have had my food brought to me. I even

0:29:19.640 --> 0:29:22.320
<v Speaker 2>called the local doctor, whom I suspect to be a quack.

0:29:22.920 --> 0:29:25.640
<v Speaker 2>He looked me over with professional indifference and told me

0:29:25.680 --> 0:29:28.280
<v Speaker 2>not to leave my room. For some reason, he does

0:29:28.320 --> 0:29:31.480
<v Speaker 2>not want me to climb stairs. For this bit of information,

0:29:31.560 --> 0:29:34.320
<v Speaker 2>he received a ten dollar bill, which, as I directed him,

0:29:34.440 --> 0:29:37.680
<v Speaker 2>he fished out of my coat pocket. A pickpocket could

0:29:37.720 --> 0:29:40.640
<v Speaker 2>not have done better. He had not been gone long

0:29:40.680 --> 0:29:43.960
<v Speaker 2>when I was visited by the room clerk that worthy suggested,

0:29:44.000 --> 0:29:46.560
<v Speaker 2>with a great show of kindly concern, that I used

0:29:46.560 --> 0:29:49.920
<v Speaker 2>the facilities of the local hospital. It was so modern

0:29:49.960 --> 0:29:52.520
<v Speaker 2>in all that, with more firmness than I have been

0:29:52.560 --> 0:29:54.720
<v Speaker 2>able to muster in a long time. I gave him

0:29:54.720 --> 0:29:57.400
<v Speaker 2>to understand that I intended to remain where I am,

0:29:58.720 --> 0:30:02.600
<v Speaker 2>frowning sullenly, still retired. The doctor must have paused long

0:30:02.680 --> 0:30:05.440
<v Speaker 2>enough downstairs to tell him a pretty story. It is

0:30:05.520 --> 0:30:07.440
<v Speaker 2>obvious that he is afraid I shall die in his

0:30:07.520 --> 0:30:10.720
<v Speaker 2>best room. The pale man is up to his old tricks.

0:30:11.200 --> 0:30:13.640
<v Speaker 2>Last night, when I tottered down the hall, the door

0:30:13.680 --> 0:30:16.840
<v Speaker 2>of number two zero two is a jar. Without thinking,

0:30:16.880 --> 0:30:20.280
<v Speaker 2>I looked inside. The pale man sat in a rocking chair,

0:30:20.560 --> 0:30:23.960
<v Speaker 2>idly smoking a cigarette. He looked up into my eyes

0:30:24.000 --> 0:30:28.200
<v Speaker 2>and smiled that peculiar, ambiguous smile that has so deeply

0:30:28.280 --> 0:30:31.440
<v Speaker 2>puzzled me. I moved on down the corridor, not so

0:30:31.520 --> 0:30:35.640
<v Speaker 2>much mystified as annoyed. The whole mystery of the man's

0:30:35.680 --> 0:30:39.320
<v Speaker 2>conduct is beginning to irk me. It is all so inane,

0:30:39.720 --> 0:30:43.600
<v Speaker 2>so utterly lacking and motive. I feel that I shall

0:30:43.640 --> 0:30:45.760
<v Speaker 2>never meet the pale man. But at least I am

0:30:45.800 --> 0:30:49.120
<v Speaker 2>going to learn his identity. Tomorrow I shall ask the

0:30:49.240 --> 0:30:53.480
<v Speaker 2>room clerk and deliberately interrogate him.

0:30:53.600 --> 0:30:56.960
<v Speaker 1>So sounds like this guy's really relaxing. Oh it's a

0:30:57.000 --> 0:30:58.240
<v Speaker 1>forced leave from work.

0:30:58.360 --> 0:30:59.800
<v Speaker 2>He gets found up about stuff.

0:31:00.360 --> 0:31:03.200
<v Speaker 1>All right, I'm ready for this to uh to happen

0:31:03.240 --> 0:31:05.160
<v Speaker 1>one way or the other, bringing on home chuck hard

0:31:05.160 --> 0:31:05.880
<v Speaker 1>to hearing this guy.

0:31:06.040 --> 0:31:07.560
<v Speaker 2>Everybody's tired of hearing this guy.

0:31:09.400 --> 0:31:12.400
<v Speaker 1>I know now, I know the identity of the pale man,

0:31:12.800 --> 0:31:15.960
<v Speaker 1>and I know the meaning of a smile. Early this afternoon,

0:31:16.120 --> 0:31:19.720
<v Speaker 1>I summoned the room clerk to my bedside. Please tell me,

0:31:20.320 --> 0:31:23.480
<v Speaker 1>I asked, abruptly, who is the man in number two

0:31:23.520 --> 0:31:24.720
<v Speaker 1>oh two?

0:31:24.880 --> 0:31:27.440
<v Speaker 3>The clerk stared wearily and uncomprehendingly.

0:31:28.120 --> 0:31:32.200
<v Speaker 2>M M, you must be mistaken that room is unoccupied.

0:31:32.480 --> 0:31:36.720
<v Speaker 1>Oh but it is, I snapped in irritation. I myself

0:31:36.760 --> 0:31:39.200
<v Speaker 1>saw the man there only two nights ago. He is

0:31:39.240 --> 0:31:42.560
<v Speaker 1>a tall, handsome fellow with dark eyes and hair. He's

0:31:42.680 --> 0:31:46.120
<v Speaker 1>unusually pale. He checked in the day I arrived. The

0:31:46.200 --> 0:31:49.000
<v Speaker 1>hotel man regarded me dubiously, as if I were trying

0:31:49.000 --> 0:31:50.680
<v Speaker 1>to impose upon him.

0:31:51.080 --> 0:31:53.480
<v Speaker 2>But I assure you there is no such person in

0:31:53.520 --> 0:31:56.120
<v Speaker 2>the house. As for his checking in when you did,

0:31:56.400 --> 0:31:58.840
<v Speaker 2>you were the only guest we registered that day.

0:32:00.000 --> 0:32:03.440
<v Speaker 3>But why I've seen him twenty times. First he had

0:32:03.520 --> 0:32:05.960
<v Speaker 3>number two twelve at the end of the corridor, then

0:32:06.000 --> 0:32:08.160
<v Speaker 3>he kept moving toward the front. Now he's next door

0:32:08.280 --> 0:32:09.720
<v Speaker 3>number two O two.

0:32:10.000 --> 0:32:13.760
<v Speaker 1>The room clerk threw up his hands. You're crazy, he exclaimed,

0:32:13.760 --> 0:32:16.360
<v Speaker 1>and I saw that he meant what he said. I

0:32:16.400 --> 0:32:19.000
<v Speaker 1>shut up at once and dismissed him. After he had gone,

0:32:19.040 --> 0:32:21.120
<v Speaker 1>I heard him rattling the knob of the pale man's door.

0:32:21.520 --> 0:32:23.680
<v Speaker 1>There's no doubt that he believes a room to be empty.

0:32:24.280 --> 0:32:26.520
<v Speaker 1>Thus it is that I can now understand the events

0:32:26.520 --> 0:32:29.680
<v Speaker 1>of the past few weeks. I now comprehend the significance

0:32:29.720 --> 0:32:31.920
<v Speaker 1>of the death in number two O seven. I even

0:32:31.960 --> 0:32:35.520
<v Speaker 1>feel partly responsible for the old lady's passing. After all,

0:32:35.880 --> 0:32:38.240
<v Speaker 1>I brought the man with me, But it was not

0:32:38.360 --> 0:32:41.280
<v Speaker 1>I who fixed his path. Why he chose to approach

0:32:41.360 --> 0:32:44.960
<v Speaker 1>me room after room through the length of this dreary hotel.

0:32:45.520 --> 0:32:48.200
<v Speaker 1>Why his path crossed the threshold of the woman in

0:32:48.280 --> 0:32:53.040
<v Speaker 1>number two O seven, Those mysteries I cannot explain. I

0:32:53.080 --> 0:32:56.000
<v Speaker 1>suppose I should have guessed his identity when he skipped

0:32:56.000 --> 0:32:58.560
<v Speaker 1>the three rooms the night I fell unconscious upon the floor,

0:32:59.320 --> 0:33:02.480
<v Speaker 1>in a single night of triumph, he advanced until he

0:33:02.600 --> 0:33:05.680
<v Speaker 1>was almost to my door. He will be coming by

0:33:06.280 --> 0:33:10.120
<v Speaker 1>and by to inhabit this room, his ultimate goal. When

0:33:10.120 --> 0:33:12.880
<v Speaker 1>he comes, I shall at least be able to return

0:33:12.960 --> 0:33:17.080
<v Speaker 1>his smile of grim recognition. Meanwhile, I have only to

0:33:17.120 --> 0:33:19.200
<v Speaker 1>wait beyond my bolted door.

0:33:20.440 --> 0:33:22.280
<v Speaker 3>The door swings slowly open.

0:33:36.680 --> 0:33:42.240
<v Speaker 1>WHOA, that's got his Yeah, I have a feeling the

0:33:42.240 --> 0:33:44.600
<v Speaker 1>pale man now resides in room to A one.

0:33:45.000 --> 0:33:50.400
<v Speaker 2>I think he resides inside mister Julius long. Yeah, if

0:33:50.440 --> 0:33:53.120
<v Speaker 2>that was autobiographical.

0:33:52.120 --> 0:33:53.960
<v Speaker 3>He kind of sounds like the Slender Man.

0:33:54.480 --> 0:33:56.520
<v Speaker 2>A little bit, you know, Yeah, I did know.

0:33:57.440 --> 0:33:59.840
<v Speaker 3>Uh So that's it. Happy Halloween.

0:33:59.880 --> 0:34:01.800
<v Speaker 2>Ever, let's have some more brandy, Chuck.

0:34:01.840 --> 0:34:03.520
<v Speaker 3>I know, I feel like reading like six more of these.

0:34:03.600 --> 0:34:05.520
<v Speaker 2>We don't have to not slur any longer.

0:34:06.560 --> 0:34:07.800
<v Speaker 3>That's right, pour it up.

0:34:08.120 --> 0:34:11.759
<v Speaker 2>All right, here you go, and some Reces pieces.

0:34:12.000 --> 0:34:15.400
<v Speaker 1>Thank you, sir, very nice, All right, Joey Chuck Halloween tradition.

0:34:15.560 --> 0:34:17.120
<v Speaker 2>Happy Halloween to you, Chuck.

0:34:16.960 --> 0:34:18.600
<v Speaker 3>Happy Halloween to you. Happy Halloween to.

0:34:18.640 --> 0:34:20.000
<v Speaker 2>Jerry, Happy Halloween, Jerry.

0:34:20.080 --> 0:34:22.640
<v Speaker 3>While our listeners out there, be safe, be careful.

0:34:22.360 --> 0:34:32.680
<v Speaker 2>And have a spectacular night.

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<v Speaker 1>For more on this and thousands of other topics, visit

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<v Speaker 1>HowStuffWorks dot com.